WEBVTT - Listener Mail: Here There Be Dragons

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<v Speaker 1>Welcome to Stuff to Blow Your Mind, a production of

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<v Speaker 1>My Heart Radio. Hey, welcome to Stuff to Blow your

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<v Speaker 1>Mind listener Mail. My name is Robert Lamb and I'm

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<v Speaker 1>Joe McCormick, and we're bringing you the messages that you

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<v Speaker 1>have sent us. Uh So, this episode is going to

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<v Speaker 1>feature some responses to our episodes about the Shannhaijing, the

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<v Speaker 1>Classics of the Mountains and Seas or the I guess

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<v Speaker 1>that's singular the Classic or the Cannon of the Mountains

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<v Speaker 1>and Sees, our episode about the bonds eye Tree, our

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<v Speaker 1>episode about stolen heads and stolen brains. It's gonna be

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<v Speaker 1>a lot of fun. All right, Well, let's let's kick

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<v Speaker 1>right in to uh to full gear on this listener

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<v Speaker 1>mail episode. Here comes the robot, Here comes the listener mail. Okay,

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<v Speaker 1>should I do this one from? I can do this

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<v Speaker 1>one from Alexandra if you want to go for it, Okay.

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<v Speaker 1>Alexandra writes in about the Shannhaijing, says, Hi, guys, I

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<v Speaker 1>was listening to the episode about the Shanhaijing, and I

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<v Speaker 1>wanted to say I really empathized with the childhood I

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<v Speaker 1>believe dragons existed feeling you mentioned and wanted to share why.

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<v Speaker 1>I come from Krakow, Poland, which used to be Poland's

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<v Speaker 1>capital for many centuries, and our local mythical slash folklore

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<v Speaker 1>symbol is a dragon. We have a beautiful castle Vovl,

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<v Speaker 1>located on Jurassic limestone on the bank of the Visa

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<v Speaker 1>or the Vistula River, and there is a legend saying

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<v Speaker 1>a dragon used to live in a cave below the castle.

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<v Speaker 1>The basic version of the legend I always heard goes

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<v Speaker 1>like this, no night could slay the beast. When a

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<v Speaker 1>local cobbler, Draftevka, showed up, he said he had a

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<v Speaker 1>trick in mind. He got a sheep carcass and filled

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<v Speaker 1>it with sulfur. The dragon, tricked by Drafteva's work, ate

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<v Speaker 1>the sheep and suddenly felt very, very thirsty because of

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<v Speaker 1>the sulfur. He started drinking from the Viswa river and

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<v Speaker 1>drank and drank and drank until he finally burst, and

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<v Speaker 1>thus Drutevka became a hero. Tadah, Yeah, good legend. I

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<v Speaker 1>think it operates on the assumption that a dragon is

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<v Speaker 1>much like a dog. Like it does not stop to

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<v Speaker 1>taste its food. It just wolve, sit down. The goal

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<v Speaker 1>is to get it down the gullet as fast as

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<v Speaker 1>possible so it wouldn't be thrown off by the scent

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<v Speaker 1>of sulfur. It's just going to swallow that sheep. Alexander

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<v Speaker 1>goes on, But it's just a legend. Why would I

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<v Speaker 1>believe it? Well, there's an actual limestone cave under the

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<v Speaker 1>castle now a tourist attraction, and it's called Dragon's Den,

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<v Speaker 1>which I believe in Polish is a smokee Sha Yama,

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<v Speaker 1>Alexander says. There's even a really cool metal dragon sculpture

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<v Speaker 1>that breathes fire next to the entrance. Now that sounds

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<v Speaker 1>like some burning man stuff. Uh. There is also an

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<v Speaker 1>ancient bone hanging on the cathedral located on the Vavel Hill,

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<v Speaker 1>said to be the Dragon's bone, So how could that

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<v Speaker 1>be just false? All the proof is there. Why would

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<v Speaker 1>somebody just lie about dragon? Uh? And then there is

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<v Speaker 1>a little tongue sticking out emoticon. Thanks for reminding me

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<v Speaker 1>of that feeling, and thanks for the amazing podcast. Love

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<v Speaker 1>listening to you. Stay safe and healthy, Alexandra. Well, I

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<v Speaker 1>looked at the photograph of the bone hanging there and uh,

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<v Speaker 1>yeah it looks legit. Yeah, what is that? Actually? It

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<v Speaker 1>looks like a large kind of tongue shape. Maybe it's

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<v Speaker 1>a rib bone. Yeah, I mean well, one's mind instantly

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<v Speaker 1>goes to like whales, um something something of that nature

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<v Speaker 1>for sure. M yeah, I wonder what that is. All right,

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<v Speaker 1>here's another one for us. This one comes to us

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<v Speaker 1>from Erica. Erica writes high There. I was recently introduced

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<v Speaker 1>to your podcast and I'm loving it. Thank you for

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<v Speaker 1>reminding me what interesting conversation like sounds like in the

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<v Speaker 1>midst of a pandemic. I'm sure you get lots of mail,

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<v Speaker 1>so I forgive me while I learned out a bit

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<v Speaker 1>and share a few thoughts that were sparked by the

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<v Speaker 1>few episodes I've listened to so far. I'll keep it

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<v Speaker 1>as brief as possible. While I was listening to Monsters

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<v Speaker 1>of the shan Haiji, you talked about how the Italian

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<v Speaker 1>words for Dante's demons sound more interesting to English speakers

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<v Speaker 1>than the translations. Um like malacota sounds better than evil tale.

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<v Speaker 1>I think this is why many people find watching films

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<v Speaker 1>in their original language with subtitles so much better than

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<v Speaker 1>a dub bad lip reading. Aside, by using subtitles, you're

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<v Speaker 1>able to retain the original sounds of the dialogue while

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<v Speaker 1>understanding the meaning in your native language. I was a

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<v Speaker 1>latecomer to anime because growing up I'd never seen it

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<v Speaker 1>in the original Japanese, and I generally loathed the sound

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<v Speaker 1>of the American voice actors chosen to dub those shows. Now, though,

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<v Speaker 1>I really enjoy watching Japanese anime and listening to the

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<v Speaker 1>cadence of the language, which for me is up there

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<v Speaker 1>with Italian in terms of phonetic beauty. One thing that

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<v Speaker 1>struck me when I started watching anime was that when

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<v Speaker 1>characters perform magic, they would often use English or German

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<v Speaker 1>for spell casting. I'm really fascinated by this. What does

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<v Speaker 1>magic sound like to people in different parts of the world.

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<v Speaker 1>For English speakers, I think it's pretty fair to say

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<v Speaker 1>that Latin is the fual magic language. In addition to

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<v Speaker 1>the hocus pocus that evolved from listening to religious services

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<v Speaker 1>in Latin for many centuries, Latin is a language known

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<v Speaker 1>only to the elite learned. It has the lyricism of Italian,

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<v Speaker 1>and it's something from the distant past when wizards, dragons, ETCETERA.

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<v Speaker 1>Quote used to exist. As you mentioned, you believed as

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<v Speaker 1>a kid in the Monsters episode, But what is it

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<v Speaker 1>that makes mouth sounds sound magical to people from other

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<v Speaker 1>parts of the world. Then I got to thinking about

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<v Speaker 1>how Token invented Elvish to sound beautiful, and contrasting with that, uh,

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<v Speaker 1>and contrasting that with Klingon, which is meant to sound warlike.

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<v Speaker 1>And I just had to email you to unload these

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<v Speaker 1>thoughts on someone and hope that you know about some

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<v Speaker 1>kind of study that's been done on this. Unrelated to that.

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<v Speaker 1>I'm listening to your podcast Brain and Head Theft Part

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<v Speaker 1>one while I was between chapters on Worms by this

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<v Speaker 1>w y R M s by Orson Scott Card. Uh.

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<v Speaker 1>There's so much in that book that links up with

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<v Speaker 1>what you were talking about in that episode that it

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<v Speaker 1>was actually a little creepy. You made it this far

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<v Speaker 1>through the email. Thanks for reading. I'm excited that there

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<v Speaker 1>are so many more of your podcasts I have yet

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<v Speaker 1>to hear. B Well, Erica, Oh thanks Erica. Well, yeah,

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<v Speaker 1>a lot of interesting ideas here. I don't know if

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<v Speaker 1>i'd ever put that together before about in the English

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<v Speaker 1>speaking world, Latin being a very common convention for for

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<v Speaker 1>the language of magic, and yeah, I think that would

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<v Speaker 1>probably have a lot to do with Latin being the

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<v Speaker 1>scholarly lingua franca of medieval Europe and and Renaissance Europe.

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<v Speaker 1>So at the time when alchemists would have been writing,

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<v Speaker 1>you know, they're there occult tomes. I think probably a

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<v Speaker 1>lot of these tombs would have been written in Latin

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<v Speaker 1>because it was the language of elite learning and scholarship,

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<v Speaker 1>even though nobody actually liked spoke it. Yeah, yeah, I

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<v Speaker 1>mean you see some other languages thrown in the mix,

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<v Speaker 1>like especially post Exorcist, you see Aramaic thrown around a lot.

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<v Speaker 1>Anytime you have a demon they're probably gonna be then

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<v Speaker 1>they may be speaking in Aramaic. Uh if you can,

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<v Speaker 1>you know, wing it um, But you know other I

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<v Speaker 1>guess other ancient languages can work as well. But it

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<v Speaker 1>does make me wonder. You know, we touched in recent

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<v Speaker 1>weird hol cinema on um Chinese black magic films, and

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<v Speaker 1>I wonder what languages, uh like Chinese films turned to,

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<v Speaker 1>or what languages Japanese films turned to, especially if they're

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<v Speaker 1>historic and scope you know, UM be interested to find out.

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<v Speaker 1>Of course, thinking back to our episode on the the

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<v Speaker 1>Oily Maniac, I guess in that movie. I don't recall

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<v Speaker 1>exactly how the magic worked in that movie, but that

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<v Speaker 1>was a movie about the the magic of outsiders of

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<v Speaker 1>other cultures. So it makes perfect sense that you would

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<v Speaker 1>potentially use um a language like a non Chinese language

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<v Speaker 1>in that scenario. So I wonder if there's a lot

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<v Speaker 1>of that stuff going on. But on the subject of

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<v Speaker 1>cling on, uh, we we'll have to come back to

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<v Speaker 1>that because I I've long been interested in doing an

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<v Speaker 1>invention style episode on invented language, oh straight up created languages,

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<v Speaker 1>the reasons for them, uh, you know, entertainment or otherwise,

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<v Speaker 1>and what some of the best examples are. So that's

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<v Speaker 1>that's still on the list of possible episodes to do

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<v Speaker 1>in the future. It's interesting that I think one of

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<v Speaker 1>the last episodes that we did of the dedicated Inventioned

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<v Speaker 1>podcast before we moved into this feed is um. It

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<v Speaker 1>was that we did invented words. But of course inventing

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<v Speaker 1>a word is very different than trying to invent an

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<v Speaker 1>entire language with its own rules and lexicon and grammar

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<v Speaker 1>and everything. And I wonder if could it be possible

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<v Speaker 1>that an invented language would ever really catch on or

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<v Speaker 1>is that pretty much just not ever going to happen. Yeah,

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<v Speaker 1>all right, are you ready for this next message about

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<v Speaker 1>stolen heads and stolen brains? Let's have it. This is

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<v Speaker 1>from Sophie. Sophie says, dear stuff to blow your mind.

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<v Speaker 1>Obligatory but true sentence about being longtime listener, first time caller.

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<v Speaker 1>Uh in your head slash brain to parter. This week,

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<v Speaker 1>the name Jeremy Bentham rang recognition bells in my mind. Hey,

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<v Speaker 1>isn't that? But I wasn't certain until you mentioned him

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<v Speaker 1>still being at University College London today. Upon reflection, this

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<v Speaker 1>would imply there being multiple men who decided they ought

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<v Speaker 1>to have their bodies preserved to hang around in perpetuity.

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<v Speaker 1>But honestly, humans do far stranger things all the time.

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<v Speaker 1>My first encounter with Jeremy Bentham was as a complete

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<v Speaker 1>surprise during our orientation tour several years back. I was

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<v Speaker 1>doing a semester abroad at u C l s Art School.

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<v Speaker 1>Our first day was the whole group before we scattered

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<v Speaker 1>to the many programs, So the tour guide made sure

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<v Speaker 1>to lead the pile of unsuspecting American college students to

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<v Speaker 1>the literal dead founder to tell us all about him

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<v Speaker 1>and U C. L our culture, being one of shunning

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<v Speaker 1>contact with death meeting, Mr Bentham was somewhat arresting. Despite

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<v Speaker 1>his genial demeanor in the pictures you see online. I

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<v Speaker 1>can assure you he's rather more unsettling in per and

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<v Speaker 1>especially when he's been sprung on you. The tour guide

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<v Speaker 1>went on to explain that a requirement for accessing the

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<v Speaker 1>endowment under his name is that he be in attendance

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<v Speaker 1>at all requisite meetings. Thus we got to contemplate the

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<v Speaker 1>tableau of quiet, serious board meeting attendees patiently waiting as

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<v Speaker 1>a very dead Jeremy Bentham in his glass case gets

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<v Speaker 1>wheeled in ideally with amusingly squeaky wheel sound effects or

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<v Speaker 1>something that at least amused me. I don't believe they

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<v Speaker 1>explained that his head was elsewhere and why, and was

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<v Speaker 1>unsure if you encountered this reason for his preservation or

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<v Speaker 1>evidence for it in your research. They are not mutually

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<v Speaker 1>exclusive pieces of lore necessarily. Although I do remember being

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<v Speaker 1>told about the wax face, I genuinely don't remember if

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<v Speaker 1>they clarified that it was all wax, as what I

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<v Speaker 1>gleaned was wax over his skull and an increasing urge

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<v Speaker 1>to make for the exit, never to return. As an aside,

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<v Speaker 1>I would presume I have a relatively strong reaction and

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<v Speaker 1>that most visitors are far less unnerved. I imagine as

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<v Speaker 1>a regular student, I would either avoid his hallway whenever possible,

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<v Speaker 1>or become desensitized. As it sounds most are, given that

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<v Speaker 1>they've taken to stealing bits of him. I know, I

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<v Speaker 1>know being uh, I know being there for only six months,

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<v Speaker 1>I was somewhat inured, but barely. I have very strong

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<v Speaker 1>hyper empathy, a terrifically active imagination, and probably am a

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<v Speaker 1>hyper visualizer. I have autism, contributing to my high empathy

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<v Speaker 1>and my difficulty in turning it off, and my family

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<v Speaker 1>slash friends, and I suspect I also have mirror synesthesia

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<v Speaker 1>added on for obvious reasons. It's easy to generate strong

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<v Speaker 1>visceral imagery and difficult to put it to one side.

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<v Speaker 1>My brain is rather a live wire, and I can

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<v Speaker 1>be tickled on the face from across the room. Much

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<v Speaker 1>to my dismay, my plan to respectfully never go near

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<v Speaker 1>dear Jeremy again was foiled by his placement at a

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<v Speaker 1>critical intersection of hallways. The only way to the school's

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<v Speaker 1>supply store was a set of lovely stairs directly by him.

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<v Speaker 1>I cannot recall there being an alternate route while I

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<v Speaker 1>was there, and would always brace myself for the trip,

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<v Speaker 1>desperately attempting not to make eye contact with his surreal

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<v Speaker 1>piercing gaze as I speed walked by him. With about

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<v Speaker 1>the success we all have when trying not to think

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<v Speaker 1>about the purple polar bear, I e. None. I suppose

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<v Speaker 1>I was lucky that their art supply selection was largely

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<v Speaker 1>insufficient for my mediums of choice, and I was tragically

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<v Speaker 1>forced to seek art stores off campus. Conveniently enough, they

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<v Speaker 1>contain no dead people. According to a recent article by

0:12:35.240 --> 0:12:38.240
<v Speaker 1>the school, he's been relocated to a student center since

0:12:38.320 --> 0:12:42.439
<v Speaker 1>I attended, which hopefully is a nicer location for all involved.

0:12:42.679 --> 0:12:45.040
<v Speaker 1>He's an important icon they no doubt wish to keep

0:12:45.080 --> 0:12:47.920
<v Speaker 1>accessible to visitors in the u c L community, but

0:12:48.000 --> 0:12:52.240
<v Speaker 1>also need to maintain proper collections, protocols, slash environment, and

0:12:52.280 --> 0:12:56.520
<v Speaker 1>apparently significant security. So I imagine finding the ideal balance

0:12:56.600 --> 0:12:59.520
<v Speaker 1>is difficult. Maybe the new site will prevent more head

0:12:59.559 --> 0:13:02.040
<v Speaker 1>theft if the meat jerky head is kept with the

0:13:02.080 --> 0:13:05.080
<v Speaker 1>body now, or maybe his head will be like the

0:13:05.160 --> 0:13:08.840
<v Speaker 1>gavel goat statue of U c L Time will tell

0:13:08.920 --> 0:13:11.040
<v Speaker 1>no doubt. I'm not sure what the gavel goat is.

0:13:12.160 --> 0:13:15.840
<v Speaker 1>It sounds fun. Thank you so much for your time

0:13:15.840 --> 0:13:18.760
<v Speaker 1>and also your research. I appreciate a good citation so

0:13:18.800 --> 0:13:21.480
<v Speaker 1>you can add me to the unofficial petition of your fans.

0:13:21.720 --> 0:13:23.920
<v Speaker 1>Hoping your new home will return to us a mother

0:13:23.960 --> 0:13:29.040
<v Speaker 1>ship website with that good good robost tagging and source linking. Sincerely, Sophie,

0:13:29.440 --> 0:13:32.040
<v Speaker 1>Well Sophie, I, I really appreciate that final note. I

0:13:32.280 --> 0:13:35.040
<v Speaker 1>don't know how much hope you should hold out for that.

0:13:35.600 --> 0:13:37.920
<v Speaker 1>I believe the gavel goat, by the way, is a

0:13:37.960 --> 0:13:43.600
<v Speaker 1>traditional Christmas display erected uh in Gavel, Sweden. Some some

0:13:43.600 --> 0:13:49.200
<v Speaker 1>some some very swift online research seem to provide that answer,

0:13:49.240 --> 0:13:51.760
<v Speaker 1>but who knows. There could be multiple gavel goats out there.

0:13:51.920 --> 0:13:53.760
<v Speaker 1>Oh that's a good look and goat. It's got big

0:13:53.760 --> 0:13:56.040
<v Speaker 1>old horns that make it look like a basket with

0:13:56.080 --> 0:14:04.040
<v Speaker 1>a big handle. Yeah all right, here's another bit of

0:14:04.040 --> 0:14:07.360
<v Speaker 1>listener mailison comes to us from Michelle. Oh and just

0:14:07.400 --> 0:14:10.960
<v Speaker 1>to clarify something, this next message mentions in the subject

0:14:11.040 --> 0:14:13.800
<v Speaker 1>line that it is about Haydn and the head theft

0:14:13.800 --> 0:14:15.920
<v Speaker 1>of Franz Joseph Hayden that we talked about in part

0:14:15.960 --> 0:14:18.400
<v Speaker 1>one of braindon Head Theft, Hi, Robert and Joe. I

0:14:18.400 --> 0:14:20.840
<v Speaker 1>loved your episode on head and Brain Theft. It made

0:14:20.840 --> 0:14:23.640
<v Speaker 1>me reminisce about my favorite teacher. I played violin in

0:14:23.680 --> 0:14:26.200
<v Speaker 1>elementary school, but wasn't great at it and didn't love it.

0:14:26.480 --> 0:14:28.600
<v Speaker 1>On my first day of middle school, the orchestra teacher

0:14:28.640 --> 0:14:31.000
<v Speaker 1>asked for two people to switch to to to base,

0:14:31.280 --> 0:14:34.480
<v Speaker 1>so I jumped at the chance without telling my parents beforehand. Luckily,

0:14:34.520 --> 0:14:37.440
<v Speaker 1>they felt bad bass playing was vastly better than bad

0:14:37.520 --> 0:14:40.840
<v Speaker 1>violin playing, and we're okay with it. The teacher loved

0:14:40.840 --> 0:14:42.960
<v Speaker 1>to tell us stories about the composers we were playing.

0:14:43.000 --> 0:14:45.720
<v Speaker 1>He told us about the Surprise Symphony being written because

0:14:45.760 --> 0:14:49.240
<v Speaker 1>his benefactor kept falling asleep during concerts, and about the

0:14:49.280 --> 0:14:53.120
<v Speaker 1>Farewell Symphony, which involves musicians leaving the stage as the

0:14:53.200 --> 0:14:56.960
<v Speaker 1>last movement progresses until it's only two violinists because the

0:14:57.040 --> 0:15:00.200
<v Speaker 1>orchestra had been stuck there longer than they expect did,

0:15:00.360 --> 0:15:03.000
<v Speaker 1>and Hyden wanted to give his benefactor the message that

0:15:03.040 --> 0:15:05.480
<v Speaker 1>they wanted to go home. But now that I've learned

0:15:05.480 --> 0:15:08.280
<v Speaker 1>about Hyden's head theft, I think my teacher left out

0:15:08.320 --> 0:15:10.120
<v Speaker 1>the best story of all. I can't think of a

0:15:10.160 --> 0:15:12.520
<v Speaker 1>better story to get middle schoolers into classical music than

0:15:12.600 --> 0:15:16.160
<v Speaker 1>something as gory as decapitation and missing heads. I'm still

0:15:16.160 --> 0:15:18.840
<v Speaker 1>playing the bass in local community orchestras back when we

0:15:18.880 --> 0:15:21.960
<v Speaker 1>could still have those, and I'll never look at a

0:15:22.320 --> 0:15:25.080
<v Speaker 1>hide and piece the same way again. He's always been

0:15:25.080 --> 0:15:27.120
<v Speaker 1>one of my favorites, and I'll enjoy them all the

0:15:27.160 --> 0:15:29.920
<v Speaker 1>more now once we are all allowed to play in

0:15:29.960 --> 0:15:33.040
<v Speaker 1>groups again. Also in response to Robert's comments about cats

0:15:33.040 --> 0:15:35.760
<v Speaker 1>and food names, my cat growing up was called pancake

0:15:35.880 --> 0:15:38.320
<v Speaker 1>because my parents got her when she ran under our

0:15:38.320 --> 0:15:41.040
<v Speaker 1>car and they almost smashed her flat as a pancake.

0:15:41.400 --> 0:15:43.560
<v Speaker 1>Thanks again, you guys have been keeping me going through

0:15:43.600 --> 0:15:47.040
<v Speaker 1>these weird times. Thanks Michelle, rob How does pancake stack

0:15:47.120 --> 0:15:49.880
<v Speaker 1>up in your in your cat food names? I think

0:15:49.880 --> 0:15:53.600
<v Speaker 1>pancake is a perfect name for a cat, because Smith

0:15:53.640 --> 0:15:56.480
<v Speaker 1>there was a there was an ignoble prize winning paper,

0:15:56.560 --> 0:16:00.000
<v Speaker 1>wasn't there about how cats are neither solid nor look

0:16:00.040 --> 0:16:04.080
<v Speaker 1>quid there Um, let's say you forget the details of that.

0:16:04.200 --> 0:16:07.840
<v Speaker 1>But but as they their shape is in flux, sometimes

0:16:07.840 --> 0:16:10.960
<v Speaker 1>they are flat like a pancake. Yes, that ignoble paper

0:16:11.200 --> 0:16:14.960
<v Speaker 1>was about the rayology of cats. Reology being the field

0:16:14.960 --> 0:16:19.200
<v Speaker 1>of physics that studies how how fluids and liquids flow.

0:16:20.280 --> 0:16:23.280
<v Speaker 1>Uh so, and and cats, I mean, I think one

0:16:23.320 --> 0:16:25.600
<v Speaker 1>would be hard pressed to argue that they do not flow.

0:16:27.080 --> 0:16:38.000
<v Speaker 1>Let the Let the cats flow. Okay. This next message

0:16:38.040 --> 0:16:41.480
<v Speaker 1>comes from Zolt. Zolt said, Oh, and it's about our

0:16:41.520 --> 0:16:45.360
<v Speaker 1>episodes on sinkholes. Results says, Hi, Robert and Joe, I'm

0:16:45.400 --> 0:16:48.440
<v Speaker 1>writing regarding your recent episodes on sinkholes. You mentioned that

0:16:48.560 --> 0:16:52.320
<v Speaker 1>various sources of waters, such as wells or rivers, often

0:16:52.320 --> 0:16:55.560
<v Speaker 1>serve as sacred or spiritual sites for locals. I thought

0:16:55.600 --> 0:16:58.920
<v Speaker 1>i'd mentioned an example. Sacred or holy wells are quite

0:16:58.920 --> 0:17:02.160
<v Speaker 1>common in Hungary. One can often come across them while

0:17:02.440 --> 0:17:06.520
<v Speaker 1>while hiking in the countryside. These natural wells supposedly possess

0:17:06.600 --> 0:17:10.959
<v Speaker 1>healing power, with stories of magical recoveries from various illnesses

0:17:10.960 --> 0:17:15.320
<v Speaker 1>and disabilities, with the healing power often attributed to patron saints.

0:17:15.840 --> 0:17:18.399
<v Speaker 1>The sacred nature of these wells is often discovered or

0:17:18.400 --> 0:17:21.879
<v Speaker 1>confirmed by the appearance of a saint or very often

0:17:22.000 --> 0:17:25.480
<v Speaker 1>the Virgin Mary in the vicinity. There are more wild

0:17:25.600 --> 0:17:28.879
<v Speaker 1>stories too, such as a healing well being created by

0:17:28.920 --> 0:17:32.440
<v Speaker 1>a lightning strike. Interestingly, I noticed that these wells are

0:17:32.480 --> 0:17:36.359
<v Speaker 1>often nearby other religious sites, such as small chapels or

0:17:36.440 --> 0:17:41.240
<v Speaker 1>calvary hills. Maybe people attributed certain religious significance to areas,

0:17:41.440 --> 0:17:43.679
<v Speaker 1>or it was just easier to make a pilgrimage to

0:17:43.720 --> 0:17:46.800
<v Speaker 1>the same general place to fulfill all their religious needs

0:17:46.840 --> 0:17:50.920
<v Speaker 1>instead of going all over the forest one stop shop. Uh.

0:17:51.080 --> 0:17:55.000
<v Speaker 1>Calvary hills, otherwise known as crosswalks if you're not familiar,

0:17:55.160 --> 0:17:57.920
<v Speaker 1>are also pretty interesting. UH. They are usually a hill

0:17:57.960 --> 0:18:01.440
<v Speaker 1>with at least thirteen stations of crosses along a path

0:18:01.840 --> 0:18:04.399
<v Speaker 1>that people hike up on around Easter time as a

0:18:04.440 --> 0:18:08.080
<v Speaker 1>form of pilgrimage. Each cross along the path represents one

0:18:08.200 --> 0:18:11.560
<v Speaker 1>stage that Christ goes through during his crucifixion, with three

0:18:11.560 --> 0:18:14.440
<v Speaker 1>crosses on the top of the hill. Usually, these hills

0:18:14.440 --> 0:18:17.280
<v Speaker 1>are barely a few hundred meters above sea level, but

0:18:17.320 --> 0:18:19.720
<v Speaker 1>they still tie back to the idea of sacred mountains

0:18:19.720 --> 0:18:23.520
<v Speaker 1>as well. Anyway, thanks for all your good work, zolt PS.

0:18:23.600 --> 0:18:26.320
<v Speaker 1>I'm loving the Weird House Cinema episodes. I found a

0:18:26.400 --> 0:18:28.600
<v Speaker 1>few movies that I enjoyed quite a lot that I

0:18:28.640 --> 0:18:31.199
<v Speaker 1>didn't even know existed before. Well, if you find a

0:18:31.240 --> 0:18:33.400
<v Speaker 1>few movies that you enjoy quite a lot in that mix,

0:18:33.440 --> 0:18:35.840
<v Speaker 1>that you you're doing pretty pretty well. I mean, I

0:18:35.880 --> 0:18:40.560
<v Speaker 1>don't think to think we we love all of them. Well,

0:18:40.560 --> 0:18:42.880
<v Speaker 1>maybe the spirit of Weird House Cinema is that we're

0:18:42.880 --> 0:18:45.800
<v Speaker 1>exploring movies that are always fun to talk about whether

0:18:45.920 --> 0:18:48.760
<v Speaker 1>or not they're fun to watch. True, Yeah, and finding

0:18:48.960 --> 0:18:51.480
<v Speaker 1>finding the things to love even in films that are

0:18:51.920 --> 0:18:55.080
<v Speaker 1>sometimes very uneven. I would say that's that's also a

0:18:55.080 --> 0:19:02.080
<v Speaker 1>court of the spirit of the thing. All right. This

0:19:02.080 --> 0:19:04.679
<v Speaker 1>one comes to us from Toronto. Hi, Robert and Joe.

0:19:04.720 --> 0:19:06.520
<v Speaker 1>I'm a big fan of the show and have been

0:19:06.520 --> 0:19:08.240
<v Speaker 1>for ages. I have to say I am joined the

0:19:08.280 --> 0:19:11.719
<v Speaker 1>new format of the show with more content and variety. Okay,

0:19:11.760 --> 0:19:14.040
<v Speaker 1>maybe except Weird Al Cinema. I think I'm not ready

0:19:14.080 --> 0:19:17.760
<v Speaker 1>for that yet. I was listening to your episode on

0:19:17.840 --> 0:19:20.800
<v Speaker 1>Bonds Eyes, and when you mentioned the story of the

0:19:20.840 --> 0:19:23.720
<v Speaker 1>stolen Bonds Eyes and the plea for them to be returned,

0:19:23.760 --> 0:19:26.119
<v Speaker 1>I thought that I had heard that before. Furthermore, I

0:19:26.160 --> 0:19:28.880
<v Speaker 1>thought I remembered a happy ending to it. Sure Enough,

0:19:28.920 --> 0:19:32.000
<v Speaker 1>a quick search of in my podcast library brought me

0:19:32.080 --> 0:19:35.560
<v Speaker 1>to an episode from Stuff You Missed in History Class six.

0:19:37.720 --> 0:19:39.920
<v Speaker 1>By the way, not sure if I found them through

0:19:40.000 --> 0:19:42.800
<v Speaker 1>you or vice versa, but also a great podcast. I'll

0:19:42.880 --> 0:19:45.480
<v Speaker 1>quote from from there, and this is the thirty two

0:19:45.720 --> 0:19:49.439
<v Speaker 1>minute scond mark. The museum put out a call on

0:19:49.480 --> 0:19:52.720
<v Speaker 1>social media for the returning, promising that they would not

0:19:52.800 --> 0:19:56.280
<v Speaker 1>ask any questions. They were just afraid that these irreplaceable

0:19:56.320 --> 0:19:59.600
<v Speaker 1>trees would die without proper care. Three days after the theft,

0:19:59.760 --> 0:20:03.720
<v Speaker 1>that trees reappeared in the museum's driveway and uh. Then

0:20:03.760 --> 0:20:07.240
<v Speaker 1>they also included a link to a Smithsonian mag dot

0:20:07.280 --> 0:20:12.880
<v Speaker 1>com article to stolen Bonsai trees mysteriously returned Washington Museum. Um. Anyway,

0:20:12.960 --> 0:20:15.080
<v Speaker 1>they continue, I thought I would give you the good

0:20:15.119 --> 0:20:18.680
<v Speaker 1>news best regards train no ps the explanation of one

0:20:18.720 --> 0:20:21.880
<v Speaker 1>of you regarding why cutting onions from pole to pole

0:20:22.200 --> 0:20:24.440
<v Speaker 1>to cry less was pure stuff to blow your mind.

0:20:24.680 --> 0:20:29.080
<v Speaker 1>Can't wait to test it? Is it gonna be your

0:20:29.080 --> 0:20:32.159
<v Speaker 1>first time cutting an onion that way? Me or the listener?

0:20:32.359 --> 0:20:34.600
<v Speaker 1>No to the listener to uh, to train o or

0:20:34.680 --> 0:20:37.119
<v Speaker 1>to toronto. I apologize that I don't know how to

0:20:37.119 --> 0:20:40.200
<v Speaker 1>pronounce your name t r A n O. Uh. Well

0:20:40.200 --> 0:20:42.399
<v Speaker 1>that's funny. I I hope you enjoyed the poll to

0:20:42.440 --> 0:20:44.400
<v Speaker 1>poll cutting I mean pulled a pole. Cutting of onions

0:20:44.800 --> 0:20:46.919
<v Speaker 1>is something I recommend in all kinds of scenarios. I

0:20:46.920 --> 0:20:49.240
<v Speaker 1>mean they're there are different reasons that you cut onions

0:20:49.240 --> 0:20:51.199
<v Speaker 1>in different directions, but one of the main ones that

0:20:51.240 --> 0:20:54.440
<v Speaker 1>I would say is that if you want the onions

0:20:54.520 --> 0:20:57.760
<v Speaker 1>to kind of fall apart over cooking, cut them cross

0:20:57.800 --> 0:21:00.840
<v Speaker 1>wise into the ring shapes, because and you're you're sharing

0:21:00.960 --> 0:21:02.840
<v Speaker 1>more of the cells and they're just going to fall

0:21:02.880 --> 0:21:05.480
<v Speaker 1>apart more, especially if you're like braising them or cooking

0:21:05.480 --> 0:21:08.119
<v Speaker 1>them in liquid. If you want them to retain their shape,

0:21:08.160 --> 0:21:10.639
<v Speaker 1>more cut and pull to pull, because then you're cutting

0:21:10.680 --> 0:21:13.200
<v Speaker 1>along with the direction of the long cells, you're sharing

0:21:13.320 --> 0:21:15.879
<v Speaker 1>less of them. There's just gonna be less falling apart

0:21:15.880 --> 0:21:18.919
<v Speaker 1>as the cooking goes on. All right, tip tips we

0:21:18.960 --> 0:21:21.840
<v Speaker 1>can all use right there. Sorry, this is this has

0:21:21.880 --> 0:21:25.320
<v Speaker 1>been onion news. You can use. But anyway, regarding the

0:21:25.359 --> 0:21:27.959
<v Speaker 1>subject of your message, I really do appreciate hearing that

0:21:28.000 --> 0:21:37.080
<v Speaker 1>the bonsai trees were returned. That's that's that's heartwarming. Alright,

0:21:37.119 --> 0:21:39.760
<v Speaker 1>looks like we have some more bonds eye listener mail. Yeah,

0:21:39.800 --> 0:21:42.720
<v Speaker 1>this one comes from Matt. I think Matt has written

0:21:42.720 --> 0:21:47.119
<v Speaker 1>to the show several times before about agricultural scientific topics

0:21:47.160 --> 0:21:49.440
<v Speaker 1>and Matts emails are always good. Matt says, Good day,

0:21:49.440 --> 0:21:52.919
<v Speaker 1>Fellas love the episode on bonsai trees, particularly since you

0:21:53.000 --> 0:21:56.639
<v Speaker 1>delved briefly into several biotechnology topics. I just wanted to

0:21:56.680 --> 0:21:59.159
<v Speaker 1>add a couple of bits to the conversation as you

0:21:59.240 --> 0:22:02.840
<v Speaker 1>described the green revolution and the dwarf ization of major

0:22:02.880 --> 0:22:06.879
<v Speaker 1>crops was indeed a tremendous agricultural leap. You were also

0:22:06.960 --> 0:22:10.159
<v Speaker 1>right on the topic of lodging. Remember this is the

0:22:10.240 --> 0:22:13.960
<v Speaker 1>issue where lodging is where crops end up falling over

0:22:14.040 --> 0:22:16.680
<v Speaker 1>like the stalk bends near the ground, and this causes

0:22:16.720 --> 0:22:19.520
<v Speaker 1>a lot of crop loss in farms around the world.

0:22:19.560 --> 0:22:23.600
<v Speaker 1>And so one of the advantages of dwarf crops like wheat,

0:22:23.680 --> 0:22:26.600
<v Speaker 1>for example, is that by not getting as tall, they're

0:22:26.640 --> 0:22:29.119
<v Speaker 1>less likely to fall over and bend at the bottom

0:22:29.160 --> 0:22:31.840
<v Speaker 1>of the stalk and and waste or make harder to

0:22:31.920 --> 0:22:34.360
<v Speaker 1>harvest the weight at the top of the stalk. Anyway,

0:22:34.400 --> 0:22:37.320
<v Speaker 1>going on, Matt says, lodging is still a major issue

0:22:37.359 --> 0:22:40.000
<v Speaker 1>for farmers in many crops and can be caused by

0:22:40.080 --> 0:22:43.800
<v Speaker 1>both extra weight on cropheads due to excess moisture as

0:22:43.880 --> 0:22:47.560
<v Speaker 1>well as blowdown from wind. It hurts yields quality and

0:22:47.640 --> 0:22:50.679
<v Speaker 1>certainly makes for harvest trouble. If I could recommend a

0:22:50.680 --> 0:22:53.960
<v Speaker 1>cool example to illustrate some height differences, you might want

0:22:54.000 --> 0:22:58.920
<v Speaker 1>to check out some indigenous land race maze varieties. Sierra

0:22:59.080 --> 0:23:01.960
<v Speaker 1>mix a comes to mind. We bread away from these

0:23:02.040 --> 0:23:05.720
<v Speaker 1>varieties over the eons, but researchers are now actually looking

0:23:05.760 --> 0:23:09.680
<v Speaker 1>to incorporate some of the genetics from these varieties back

0:23:09.760 --> 0:23:13.320
<v Speaker 1>into modern high production hybrids. In the case of Sierra

0:23:13.440 --> 0:23:16.800
<v Speaker 1>mix a, the traits allowing it to fix nitrogen from

0:23:16.840 --> 0:23:20.159
<v Speaker 1>the air are of particular interest. Plus, Sierra mix a

0:23:20.359 --> 0:23:23.960
<v Speaker 1>can make for some pretty weird pictures see attached. Rob

0:23:23.960 --> 0:23:25.960
<v Speaker 1>I did include the picture down here for us to

0:23:26.000 --> 0:23:27.520
<v Speaker 1>look at. I guess that is supposed to be a

0:23:27.520 --> 0:23:30.280
<v Speaker 1>maze plant, but though it looks like, I don't know,

0:23:30.359 --> 0:23:35.560
<v Speaker 1>it looks like using red goblin fingers with yellow nails. Yeah,

0:23:35.600 --> 0:23:39.760
<v Speaker 1>it's very um it's very alien looking. Yeah, Matt goes on.

0:23:39.880 --> 0:23:42.040
<v Speaker 1>You might have said this already. Apologies if you did,

0:23:42.040 --> 0:23:45.600
<v Speaker 1>but it's worth remembering. Dwarf varieties also produce more food

0:23:45.760 --> 0:23:50.320
<v Speaker 1>per plant, less energy spent growing up, more spent growing out.

0:23:50.560 --> 0:23:53.479
<v Speaker 1>It's producing more with less, which continues to be a

0:23:53.520 --> 0:23:57.480
<v Speaker 1>major factor in bettering food security. I know I've pestered

0:23:57.520 --> 0:24:00.640
<v Speaker 1>you guys with agriculture related subjects several times in the past,

0:24:00.640 --> 0:24:03.040
<v Speaker 1>so thank you once again for begging my indulgence here.

0:24:03.520 --> 0:24:06.840
<v Speaker 1>Keep getting that science out there. We all need it. Matt, Well,

0:24:06.880 --> 0:24:09.040
<v Speaker 1>thank you, Matt. Yeah, this is interesting. I think we

0:24:09.080 --> 0:24:11.320
<v Speaker 1>did talk about how the dwarf crops also do tend

0:24:11.320 --> 0:24:14.760
<v Speaker 1>to have a higher yield or a higher percentage of

0:24:14.920 --> 0:24:17.240
<v Speaker 1>I can't remember exactly what the term is. That's something

0:24:17.280 --> 0:24:21.159
<v Speaker 1>like the the harvest index or something. It's like the

0:24:21.160 --> 0:24:23.840
<v Speaker 1>percentage of the above ground way to the plant that's

0:24:23.880 --> 0:24:31.199
<v Speaker 1>the harvest able part of it. All. Right, here, we

0:24:31.200 --> 0:24:33.160
<v Speaker 1>have one more listener mail. This one comes to us

0:24:33.200 --> 0:24:37.240
<v Speaker 1>from z Z rights In and says, Hey, Joe and Robert,

0:24:37.560 --> 0:24:39.560
<v Speaker 1>I hope you're both well. I've been listening to your

0:24:39.600 --> 0:24:42.440
<v Speaker 1>show for years and years, and suffice to say, I'm

0:24:42.440 --> 0:24:45.200
<v Speaker 1>really glad the show is still going strong. It happened

0:24:45.359 --> 0:24:47.879
<v Speaker 1>that I put the Bondsai episode on as I was

0:24:47.960 --> 0:24:51.440
<v Speaker 1>starting a walk through the Tory Pine State Natural Reserve

0:24:51.600 --> 0:24:54.719
<v Speaker 1>at the northern end of Coastal San Diego. It's one

0:24:54.720 --> 0:24:56.680
<v Speaker 1>of my favorite places in the world, and it's full

0:24:56.720 --> 0:25:00.359
<v Speaker 1>of what i'd call natural bondsai inform, if not always

0:25:00.359 --> 0:25:03.240
<v Speaker 1>in size, the kinds of unique shapes you find in

0:25:03.280 --> 0:25:07.639
<v Speaker 1>swamps like the cypress you mentioned, or as crumb holes

0:25:07.680 --> 0:25:11.320
<v Speaker 1>formations near mountain Arctic tree lines, or in this case,

0:25:11.600 --> 0:25:14.879
<v Speaker 1>on wind swept coasts. It's really too dry in this

0:25:14.960 --> 0:25:17.800
<v Speaker 1>area for trees to grow naturally other than down by

0:25:17.920 --> 0:25:21.159
<v Speaker 1>rivers and creeks. The one exception is the tory pine,

0:25:21.560 --> 0:25:24.879
<v Speaker 1>which only grows wild on the headlands on either side

0:25:24.880 --> 0:25:28.399
<v Speaker 1>of a particular estuary, where the valley topography channels the

0:25:28.440 --> 0:25:31.480
<v Speaker 1>summer fog so that the trees get just enough moisture

0:25:31.520 --> 0:25:35.399
<v Speaker 1>to survive the rainless summer and fall. Supposedly, these trees

0:25:35.600 --> 0:25:39.000
<v Speaker 1>are a relic of a formerly more widespread pine forest

0:25:39.280 --> 0:25:43.239
<v Speaker 1>throughout coastal southern California. I sa age relics might be

0:25:43.280 --> 0:25:45.840
<v Speaker 1>a cool topic on its own. In any case, I

0:25:45.880 --> 0:25:48.600
<v Speaker 1>think these lovely contorted trees are a great example of

0:25:48.600 --> 0:25:52.359
<v Speaker 1>the kinds of environmental constraints that lead to bonsiesque growth,

0:25:53.080 --> 0:25:55.960
<v Speaker 1>growing as they do on the windy slopes of eroding

0:25:56.000 --> 0:25:59.040
<v Speaker 1>sandstone cliffs without much in the way of soiler rain.

0:25:59.480 --> 0:26:02.480
<v Speaker 1>The infos of the conditions you guys talked about is

0:26:02.520 --> 0:26:07.160
<v Speaker 1>also underscored by the ornamental tory pines planted all throughout

0:26:07.200 --> 0:26:11.679
<v Speaker 1>this area, which instead grow quickly into tall, rounded canopies

0:26:11.960 --> 0:26:16.120
<v Speaker 1>when they're liberally watered, and the same effect is visible

0:26:16.359 --> 0:26:19.560
<v Speaker 1>just on the two sides of the ridge here, with

0:26:19.760 --> 0:26:22.680
<v Speaker 1>small bent over bonds eye on slopes facing the sea,

0:26:23.119 --> 0:26:27.240
<v Speaker 1>taller open canopies in the canyon bottoms and on the ridge,

0:26:27.600 --> 0:26:31.199
<v Speaker 1>and much fuller, rounder trees on the sheltered leeward slopes.

0:26:31.680 --> 0:26:35.440
<v Speaker 1>The California coast actually has a bunch of endemic conifers,

0:26:35.480 --> 0:26:39.080
<v Speaker 1>mostly pines and cypresses, that only grow in really restricted,

0:26:39.119 --> 0:26:43.280
<v Speaker 1>often disjoint, uh distributions near the ocean, and many of

0:26:43.320 --> 0:26:46.280
<v Speaker 1>them grow in these strange bonds I shapes. I'm a

0:26:46.320 --> 0:26:49.600
<v Speaker 1>big fan of the idea of bioregionalism, and I find

0:26:49.640 --> 0:26:52.920
<v Speaker 1>these strange, rare trees to be a really lovely symbol

0:26:53.119 --> 0:26:56.160
<v Speaker 1>of the particularity of this stretch of coast, which helps

0:26:56.200 --> 0:26:58.879
<v Speaker 1>me feel like I'm more connected with the placiness of

0:26:58.960 --> 0:27:02.280
<v Speaker 1>the land, especially in southern California, where there are hundreds

0:27:02.320 --> 0:27:04.679
<v Speaker 1>of kinds of ornamental plants from all around the world

0:27:04.960 --> 0:27:07.760
<v Speaker 1>just in one suburb. In any case, I'm looking forward

0:27:07.760 --> 0:27:10.159
<v Speaker 1>to what you do next and am holy in support

0:27:10.200 --> 0:27:14.439
<v Speaker 1>of more plant tree themed episodes. Sincerely, Z Rob. I've

0:27:14.480 --> 0:27:16.840
<v Speaker 1>attached some of the photographs that Z sent us to

0:27:16.840 --> 0:27:19.879
<v Speaker 1>look at. These are mostly what they were referring to

0:27:20.000 --> 0:27:24.280
<v Speaker 1>as like Bonsai trees, but growing wild, not not necessarily

0:27:24.280 --> 0:27:26.560
<v Speaker 1>in size, but in shape. And these are a lot

0:27:26.600 --> 0:27:29.919
<v Speaker 1>of really beautiful trees. I like them. Yeah, the trees

0:27:30.000 --> 0:27:34.159
<v Speaker 1>finding their way in a um in a unique landscape

0:27:34.400 --> 0:27:37.760
<v Speaker 1>sometimes you know, with some some some some some definite

0:27:39.119 --> 0:27:42.760
<v Speaker 1>restraints in place. I think in in the Bonsai episode,

0:27:42.800 --> 0:27:46.959
<v Speaker 1>we did make the comparison to poetry, right, the idea

0:27:47.040 --> 0:27:51.480
<v Speaker 1>that in some cases, UH poets often feel that creativity

0:27:51.600 --> 0:27:55.119
<v Speaker 1>is driven by the constraints imposed by a certain rhyme

0:27:55.200 --> 0:27:58.520
<v Speaker 1>or meter scheme. Because you can't just say anything. It

0:27:58.600 --> 0:28:01.880
<v Speaker 1>leads you to say things that you wouldn't have said otherwise,

0:28:01.960 --> 0:28:03.639
<v Speaker 1>you know, because you've got to fit it into the

0:28:03.680 --> 0:28:07.280
<v Speaker 1>meter or something. And UH, I think that that looks

0:28:07.320 --> 0:28:10.879
<v Speaker 1>true of many trees, even if they're not having constraints

0:28:10.880 --> 0:28:14.840
<v Speaker 1>imposed by humans, but maybe having constraints imposed by the

0:28:14.880 --> 0:28:18.680
<v Speaker 1>harshness or weird conditions of the natural environment where they're growing.

0:28:18.720 --> 0:28:21.440
<v Speaker 1>They kind of form a poem because of how hard

0:28:21.480 --> 0:28:25.040
<v Speaker 1>their life is. All right, well, that is it for

0:28:25.119 --> 0:28:29.320
<v Speaker 1>this particular listener mail mail bag. But there's stuff we

0:28:29.320 --> 0:28:31.160
<v Speaker 1>didn't get to this week. There's stuff that will come

0:28:31.160 --> 0:28:34.359
<v Speaker 1>in between now and next week, and we will read

0:28:34.480 --> 0:28:37.360
<v Speaker 1>even more listener mail, So feel free to to chime in.

0:28:37.760 --> 0:28:41.880
<v Speaker 1>You have responses to old episodes, new episodes, uh, you know,

0:28:42.200 --> 0:28:46.120
<v Speaker 1>ideas about what future episodes could consist of. Everything's on

0:28:46.160 --> 0:28:48.480
<v Speaker 1>the table. You've got corrections, let us know. You've got

0:28:48.520 --> 0:28:52.120
<v Speaker 1>responses to other people's listener mail. Uh, let us have it.

0:28:52.280 --> 0:28:55.000
<v Speaker 1>Do you want to correct other listener mails? Do so

0:28:55.320 --> 0:28:58.479
<v Speaker 1>you want to correct corrections? Yeah? Well whatever you like

0:28:58.720 --> 0:29:00.560
<v Speaker 1>this is this is kind of your show at this point,

0:29:00.640 --> 0:29:03.080
<v Speaker 1>so uh yeah, let us know. In the meantime, you

0:29:03.120 --> 0:29:05.000
<v Speaker 1>want to check out other episodes of Stuff to Blow

0:29:05.040 --> 0:29:08.000
<v Speaker 1>Your Mind or the Friday episodes of Weird House Cinema.

0:29:08.040 --> 0:29:09.800
<v Speaker 1>You know where to find it. Go to the Stuff

0:29:09.840 --> 0:29:12.920
<v Speaker 1>to Blow your Mind podcast feed wherever you get your podcasts.

0:29:13.240 --> 0:29:16.000
<v Speaker 1>Huge thanks as always to our excellent audio producer Seth

0:29:16.080 --> 0:29:19.040
<v Speaker 1>Nicholas Johnson. If you would like to get in touch

0:29:19.080 --> 0:29:21.320
<v Speaker 1>with us with feedback on this episode or any other,

0:29:21.440 --> 0:29:23.560
<v Speaker 1>to suggest a topic for the future, or just to

0:29:23.600 --> 0:29:26.560
<v Speaker 1>say hello. You can email us at contact at stuff

0:29:26.600 --> 0:29:36.280
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0:29:36.280 --> 0:29:39.200
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