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Speaker 1: You can watch the original episode we'll be discussing in

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Speaker 1: every other episode of HBO's Curby Your Enthusiasm, including the

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Speaker 1: new and final season, on Max.

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Speaker 2: You can also watch the video.

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Speaker 1: Version of the history of Curby Your Enthusiasm podcast on

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Speaker 1: Max and YouTube, as well. Links available in the episode description.

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Speaker 1: All Right, abstusiastic you who do you.

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Speaker 3: Always need to recover from the ship? That? He says?

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Speaker 3: That is that scenario? Yeah, it's hilarious. I'm Jeff Garland.

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Speaker 2: And we're here with Larry David. Yes, and we're discussing

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Speaker 2: season two the doll Okay, episode seven.

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Speaker 4: By the way, feel free to ask me any question

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Speaker 4: about the doll or any any question about anything.

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Speaker 2: How did this episode come up?

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Speaker 3: Here's how it came up. Anything we want my.

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Speaker 4: Daughter, I don't know. Let's see what year are we

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Speaker 4: talking about to that. She must have been six and

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Speaker 4: she had a doll and I was looking at the doll,

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Speaker 4: and I thought, what if I cut the dolls? I thought,

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Speaker 4: I'd really like to give this dollar haircut. What would

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Speaker 4: happen if I did? Would should be upset?

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Speaker 3: Whatever?

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Speaker 2: And so that was the derivation.

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Speaker 3: Yeah, but by the way, people like us and I'm

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Speaker 3: talking about comedian people. We have a million thoughts that

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Speaker 3: run the gamut from that to really inappropriate, and we

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Speaker 3: don't act on it because you didn't cut the dolls hair, right, No, yeah, but.

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Speaker 1: You thought what if I did? And she'd be upset

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Speaker 1: and thus the germ of a classic.

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Speaker 3: Yes.

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Speaker 1: So we start out you're in a pitch with ABC

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Speaker 1: with Julia pitching on that Evelyn or would you know?

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Speaker 2: Would Yeah?

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Speaker 3: I'm sure?

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Speaker 1: And you're drinking a lot of water. You have to

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Speaker 1: drink water eight times.

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Speaker 3: A day, setting up the end.

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Speaker 2: Yeah, correct, And so you already had the ending in mind.

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Speaker 3: I don't know if I did. We needed the bottle

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Speaker 3: of water because you had to have because the bottle

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Speaker 3: of water didn't add anything to the storyline except for

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Speaker 3: his argument and the ending.

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Speaker 2: And you know, a lot of peeing having to use

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Speaker 2: the bathroom at the Michaelson's house, right, A lot of that?

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Speaker 3: Yeah, yes, yes, yeah. Have you ever been told a

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Speaker 3: lot of peeing in your work? No? Okay?

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Speaker 1: And you're there and you find out that Jason is

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Speaker 1: also going to be working with ABC, playing a motivational speaker,

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Speaker 1: and your question is where did you meet? Because prior

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Speaker 1: to that you had the whole mischia goss with Jason

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Speaker 1: about having to go to his.

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Speaker 4: Office and show one. Yeah, right, yes, it was just

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Speaker 4: a joke. Yeah, yeah, did he come to you or well?

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Speaker 3: By the way, One thing I love about your character,

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Speaker 3: nothing is lecto nothing. If there's anything done to you,

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Speaker 3: it will be investigated until the end. And you may

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Speaker 3: distr right, but I always find that usually you dig

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Speaker 3: a bigger hole for yourself.

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Speaker 2: Usually as a grudge bearer. I think, so, yes, where'd

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Speaker 2: you meet?

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Speaker 1: And then you're pondering because we see how deeply it

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Speaker 1: upsets you that you actually met that Jason came to them,

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Speaker 1: but you had to go to him, and then you're

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Speaker 1: part of the ABC family.

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Speaker 2: Come to the screening of Harriet.

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Speaker 3: The hardest, the.

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Speaker 4: Hardest thing about this show, as I recall or one

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Speaker 4: of the things that I didn't care for that I

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Speaker 4: had to do. There have to be two screenings in

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Speaker 4: the same theater. And it's so stupid because something happened

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Speaker 4: the first screening, right, and then some of course the

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Speaker 4: ending the second screening. But you're coming back for part

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Speaker 4: two tomorrow. Yes, tomorrow becomes hilarious. Yeah, it does.

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Speaker 3: You actually throw around. Yeah, and then your question, what's

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Speaker 3: the difference between Harriet, Yeah, that's later that this meeting.

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Speaker 2: No, that's later, Oh that's yeah, Yeah, that's that is.

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Speaker 3: The last line of this.

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Speaker 1: Yeah, but you know, who wants to go to a

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Speaker 1: screening of Harriet Beach of Stowe?

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Speaker 3: You know? And then's history buffs just saying I.

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Speaker 1: Never understand why you go to a screening of something

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Speaker 1: that's going to be on television. Why do you need

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Speaker 1: to go to a screen because he's part of the

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Speaker 1: your house comfortably watching it on television. It's not like

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Speaker 1: a movie that's going to be in a movie theater.

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Speaker 1: Doesn't make any sense to me, and I'm sure it

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Speaker 1: didn't it to Larry.

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Speaker 3: That's a movie theater that we've used since I don't

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Speaker 3: think before Parent with that premiere is there? Well, our

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Speaker 3: premiers have been numerous times, Yeah, maybe even three times.

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Speaker 3: But on Paramount Pictures a lot. There's a big screening,

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Speaker 3: I mean theater. It's a theater.

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Speaker 1: Our last premiere was there, Yeah, season eleven and then

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Speaker 1: Lane Michaelson asked you you're going to come? You say,

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Speaker 1: your wife's Susie's a friend of the art director.

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Speaker 2: How is Susie.

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Speaker 1: He asked your host, Susie, and then you'd say you're

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Speaker 1: staying in a hotel.

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Speaker 3: We split.

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Speaker 4: I had completely forgotten that your characters that's split up. Yes,

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Speaker 4: when I was watching it last night, I thought, oh

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Speaker 4: my god, they're not together, because.

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Speaker 1: We already did the thor episode where we split up

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Speaker 1: with you where you had to go get his porn

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Speaker 1: right right, That was prior to that. We got back

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Speaker 1: together obviously because it was such a happy couple. Yes,

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Speaker 1: Julia gets out of it by saying her son has

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Speaker 1: pink eye very wisely, which we know was bullshit.

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Speaker 3: No one argues that pinky now, it's one of those ones.

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Speaker 1: And after that, that's when you say, what's the difference

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Speaker 1: between Harriet Peter Stowe and Harriet Tubman? Who Harriet Tubman

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Speaker 1: comes back again? We're not going to say how right,

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Speaker 1: And at the screening you set another thing up. This

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Speaker 1: is the beauty of this episode. You say to Cheryl,

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Speaker 1: I think we might be due for some sex tonight,

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Speaker 1: and Lane Michaelson COOMSI introduces himself and a woman stops

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Speaker 1: you going into the theater.

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Speaker 2: Excuse me, there's no put or drink in the theater.

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Speaker 3: I'm sorry, Really, I got like a condition. I really

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Speaker 3: need to have this.

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Speaker 4: You're gonna have to.

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Speaker 3: Finish it out here.

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Speaker 2: I'm sorry.

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Speaker 3: That's my favorite stop at of all time.

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Speaker 4: And then I find out a minute later that she's

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Speaker 4: just somebody attending the screen.

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Speaker 3: She doesn't work for this, by the way. Gold yeah, gold,

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Speaker 3: She says.

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Speaker 2: You know, to drink in the theater, and what if

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Speaker 2: I have a condition.

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Speaker 3: Yeah, she was hard on you. You thought there were

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Speaker 3: strict rules and she was in charge of which made

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Speaker 3: the second party yeah, yeah, who are you? Yeah, there's

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Speaker 3: no way other people wouldn't react that way unless they're repressed.

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Speaker 2: You know, I might not say something they know.

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Speaker 3: Oh yes, that's that's absurd. That's absurd that she doesn't

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Speaker 3: work there.

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Speaker 2: But most people wouldn't say.

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Speaker 4: There was a five percent jackass factor, people who just

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Speaker 4: don't like rules to be broken regardless, and so yeah,

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Speaker 4: but there might be a five percent chance that someone

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Speaker 4: would go, you know, the you I supposed to bring.

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Speaker 3: Face that before. But the person who is so so

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Speaker 3: in control, it's a rule, you can't do it.

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Speaker 4: I have to tell you when i'm when when there's

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Speaker 4: a rule okay that I think is a legitimate rule,

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Speaker 4: and I see somebody breaking a legitimate rule, I don't

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Speaker 4: like it.

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Speaker 3: No, I don't like this person. Who who do you

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Speaker 3: think when you.

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Speaker 2: See somebody litter, for example, exactly?

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Speaker 1: Yeah, but if you were coming in with a big

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Speaker 1: thing of food and a sandwich, but a bottle, yeah,

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Speaker 1: it's usually.

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Speaker 3: Even no food or drink. Water is water? That is acceptable? Yeah?

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Speaker 1: Yeah, But I feel the same way you see somebody

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Speaker 1: doing something a litter or or something we did in

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Speaker 1: the later opposode, taking two spaces in a in a

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Speaker 1: parking lot, or you know the big parker.

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Speaker 3: By the way, it happens every day when you drive

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Speaker 3: every day when you drive there, you know, no, when

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Speaker 3: people say I'm not going to follow this rule, I'm

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Speaker 3: going to cut in here, do this, do that every

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Speaker 3: day when I drive in New York.

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Speaker 1: You know what happens to me all the time because

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Speaker 1: I have a dog. I see a the dog owners

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Speaker 1: not picking up the poop. That perfect, and I say

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Speaker 1: something all the time because I am that woman.

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Speaker 4: Okay, But meanwhile I brought the water into the theater

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Speaker 4: and that was no big deal.

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Speaker 2: That was no big deal. But the fight between you

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Speaker 2: and her was hilarious. Excuse me, Yeah, do you work here?

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Speaker 3: No? How come you told me to get rid of

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Speaker 3: the water. Then I saw you coming with water.

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Speaker 2: There's no water.

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Speaker 5: That's the rules.

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Speaker 3: I don't understand that was your concern. You don't work here.

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Speaker 2: It's the rules. The sign says no food or drink

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Speaker 2: in the theater. I'm sure we would all like to

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Speaker 2: have a w.

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Speaker 3: Yeah, we're all dying of thirst. What are you the

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Speaker 3: hallway monitor here?

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Speaker 2: Who are you that the rules don't apply?

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Speaker 3: I'm applying the Golden rule?

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Speaker 1: Are you?

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Speaker 2: I don't think the Golden rule applies here.

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Speaker 4: If you had water, would you want me to tell

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Speaker 4: you not to bring it in?

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Speaker 3: I don't think so.

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Speaker 2: How about common courtesy, buddy, that.

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Speaker 3: Doesn't supersede the Golden rule? That's the big one. Nuts.

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Speaker 3: You are nuts jack ass. Don't don't bring any pencil

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Speaker 3: pencils in? Loser. Excuse me, missus character, We've got homework.

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Speaker 3: You forgot to give us homework.

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Speaker 2: You know what?

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Speaker 1: Are you the whole monitor, the Golden rule? All of

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Speaker 1: the teacher? You forgot to tell us we have homework.

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Speaker 3: By the way, depends in pencils? Was I think the

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Speaker 3: last one? Are we going to be using.

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Speaker 2: Excuse me, missus cantor was that a teacher?

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Speaker 3: You really? My first we've gone.

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Speaker 1: Homework, and Cheryl for the millionth time saying all right,

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Speaker 1: all right, I mean every episode Cheryl has said so

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Speaker 1: far that we've watched.

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Speaker 3: All right.

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Speaker 1: Then you're at the Michaelson's house and you're telling Jeff

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Speaker 1: about the fight, and you see the whole monitor woman

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Speaker 1: we don't know her name talking to Anne Michaelson, which

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Speaker 1: was Rita Wilson, and Jeff says to you, you want

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Speaker 1: to go to dinner tomorrow before part two.

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Speaker 3: Now that's just the beginning.

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Speaker 4: Now I wouldn't do that to Jeff, but because it

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Speaker 4: was so early in the run of the series, it

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Speaker 4: didn't seem to make a difference that I said at

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Speaker 4: the Jeff, our relationship has grown, has grown, and any

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Speaker 4: wondn't give a shit by the way the real life,

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Speaker 4: that's our relationship that you would say to me, no,

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Speaker 4: don't do that. But still, this is part of the

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Speaker 4: joy of doing the show for me is to be

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Speaker 4: able to say things to people that I can't say

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Speaker 4: in my life, and one of them is you want

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Speaker 4: to go to dinner tomorrow?

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Speaker 3: No, I don't yeah, but it was Jeff who got

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Speaker 3: the brunt of it at that time. I loved it,

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Speaker 3: by the way, I thought that was hilarious.

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Speaker 2: You know, let me ask you, Jeff, I have a

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Speaker 2: note here and then you start talking about that you

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Speaker 2: liked it because she's showing a lot of cleavage.

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Speaker 3: Yeah, when I don't think that was in the script. Yeah,

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Speaker 3: when they walked away, I'm telling the ABC guy, what

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Speaker 3: happens in the second half? Is she in there because

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Speaker 3: there's a.

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Speaker 1: Lot of cleavage. Yeah, I don't know that your character

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Speaker 1: would do that. Now, what do you think? Oh, totally again,

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Speaker 1: how the character hasn't changed.

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Speaker 3: My character has not evolved. Actually, if anything, I more

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Speaker 3: defender of Larry every season. Yes, and everyone understands my

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Speaker 3: feeling towards you. That's why my character has a million

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Speaker 3: and one affairs. So I think he would definitely question

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Speaker 3: whether there's been more cleavage.

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Speaker 1: All right, Larry then has a frozen Margarita has a

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Speaker 1: chess freeze, and I.

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Speaker 4: Must have I think there was a period that I

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Speaker 4: went through I would get that chess freeze right right.

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Speaker 2: No, I just thought, now you freeze yourself on purpose?

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Speaker 1: And Anne Michaelson comes over and she's clearly doesn't like

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Speaker 1: you already, she's already heard from.

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Speaker 2: Who have a volunteer to be a hole monitor?

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Speaker 1: Not me either, I hated the whole monitors, the rules, rosies,

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Speaker 1: and she's she's clearly doesn't like you. Ready, you go

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Speaker 1: to the bathroom, there's no lock, and then the strings playing.

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Speaker 2: You're holding your foot against the door and trying to

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Speaker 2: go away.

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Speaker 3: The funniest one is holding the foot against the door

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Speaker 3: because the toilet is a mile away. The idea that

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Speaker 3: you thought I could reach you. Yeah, so stupid, so stupid, hilarious.

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Speaker 1: But I think that's a great example of how music

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Speaker 1: is used in that show. You know that, you know

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Speaker 1: that the strings there was just so yes, how did you?

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Speaker 1: How did while we have you here? If I may,

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Speaker 1: is there somebody who originally came up with all this music?

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Speaker 1: Was there a music editor?

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Speaker 3: Well? I heard the theme bum bump.

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Speaker 4: I heard that on a bank commercial, right, And I

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Speaker 4: told Laura and my assistant, I said, I heard this

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Speaker 4: music that I love and maybe I'll use it one day.

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Speaker 4: And then two years later, I said, remember that music

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Speaker 4: I told you to say?

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Speaker 3: If?

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Speaker 4: She said yes, So that's in some kind of library right,

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Speaker 4: and once we got that music from the library, there

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Speaker 4: were tons of other little little pieces that were usable

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Speaker 4: for the show. Like like like I said, I told Steve,

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Speaker 4: Steve Rash, Steve the editor, I said, I want like

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Speaker 4: Italian circus music. Yeah, all kinds of Italian circus music,

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Speaker 4: because I felt like, even if something doesn't work, you

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Speaker 4: put that circus music in there and it makes everything

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Speaker 4: lighter and funnier. So yeah, that's that's where we get

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Speaker 4: all the music from this library. But occasionally I will say, oh,

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Speaker 4: you know it would be great here some strauswaltz, or

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Speaker 4: or you know it would be great here some Rossini,

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Speaker 4: and I'll know a particular piece that I'll suggest piece.

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Speaker 3: Yeah, do you listen that much? No, No, classical music.

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Speaker 3: By the way, You've surprised me over the years, and

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Speaker 3: I get a big laugh out of it. With your

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Speaker 3: knowledge of popular music, and you know the words. They

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Speaker 3: are accurate from one word to the next. And I'll say,

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Speaker 3: have you listened to that you like their music? Beach

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Speaker 3: Boys whatever? No, No, I've heard it a bunch. And

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Speaker 3: I you start saying, but I do like the bitch Boys.

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Speaker 1: No, I know, I know, I'm example, But is there

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Speaker 1: a separate editor who does music or is that all.

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Speaker 4: The Steve used to do all the music. I'm not

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Speaker 4: sure if he does it all now because the music is.

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Speaker 2: So important in the show.

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Speaker 3: You know.

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Speaker 1: One of the things that Jeff and I noticed when

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Speaker 1: we were doing the original pilot it didn't have the

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Speaker 1: music and it felt so I mean, it had some

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Speaker 1: cute little jazz music and was fine, but it felt

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Speaker 1: so different. It felt so different the whole world of it.

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Speaker 1: The music creates the world of it. Okay, so you

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Speaker 1: need to find another bathroom because this bathroom is not working.

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Speaker 3: For no, it's no good.

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Speaker 2: A lot of always a lot of bathroom themes of life.

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Speaker 3: There was always humor, as long as it's not about

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Speaker 3: statological scatological. There's a lot of humor and bathrooms there is.

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Speaker 3: We even did a big episode about that later. My

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Speaker 3: favorite bathroom bit was the one I did on the

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Speaker 3: plane where I went into the bathroom and there was turbulence. Yes,

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Speaker 3: that was I think that was eight. I think season four.

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Speaker 3: It was an New York one. Oh, it was going

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Speaker 3: to New York to shoot the producers.

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Speaker 2: I think, oh, that was that one.

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Speaker 1: Yeah, So you go upstairs to find another bathroom and

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Speaker 1: you enter the little girl's room and her name was Tara.

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Speaker 1: Little girl's name was Sarah, and she's playing with her

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Speaker 1: dolls and she asked you do you have to go potty?

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Speaker 1: And you come out of the bathroom and she's brushing

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Speaker 1: her doll, Judy's hair, which is very long hair.

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Speaker 2: How was she cast this little girl? Because she was terrific.

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Speaker 3: Audition Yes, she auditioned. By the way, her rhythms, she

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Speaker 3: was great. Yeah, her rhythms were like because she would

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Speaker 3: go from A to Z in a millisecond and then

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Speaker 3: go right back, right back.

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Speaker 2: Yeah, she was terrific.

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Speaker 1: She was, And I want to get to running into

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Speaker 1: her later in life, but after we get more storyline. Yeah,

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Speaker 1: there close to thirty.

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Speaker 3: Shut your great grandma's balls really.

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Speaker 2: Two thousand and one?

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Speaker 3: Yeah, I think she's like twenty eight.

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Speaker 1: Yeah, but I want to I want to hold it

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Speaker 1: because I want to get more storyline and because I

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Speaker 1: don't want to give that away. Okay, we'll be right back,

336
00:15:58,880 --> 00:16:14,000
Speaker 1: Stay tuned, and we're back. So she's brushing and she

337
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Speaker 1: asked you to give her a haircut.

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Speaker 2: What is he supposed to do?

339
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Speaker 3: But by the way, he's already having so much joy

340
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Speaker 3: being with the girl.

341
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Speaker 2: Talking to her at the party.

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Speaker 3: Well, that for sure, but that's one of the things

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Speaker 3: that you know, Larry.

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Speaker 4: Was I think I commented on the long hair, right, yes,

345
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Speaker 4: very long hair. I don't think I brought up would

346
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Speaker 4: you would you want me to get it? I didn't

347
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Speaker 4: say that.

348
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Speaker 3: She asked me.

349
00:16:37,440 --> 00:16:39,160
Speaker 2: Yeah, she said, do you think you could give it

350
00:16:39,200 --> 00:16:39,760
Speaker 2: a haircut?

351
00:16:40,240 --> 00:16:42,240
Speaker 1: And you take out your Swiss army knife and have

352
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Speaker 1: a very funny line about the Swiss let everybody do

353
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Speaker 1: their fighting for them while they ski and eat chocolate,

354
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Speaker 1: and you cut it. It's a Dorothy Hamel thing and

355
00:16:49,440 --> 00:16:53,080
Speaker 1: it looks great, and she's all happy, and she even

356
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Speaker 1: says the doll looks like pretty yes, and you say.

357
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Speaker 2: It's a very French look. Now, I would take her out.

358
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Speaker 1: And then you go back downstairs and you pass the

359
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Speaker 1: hall monitor on the way. We never know her name,

360
00:17:08,040 --> 00:17:10,679
Speaker 1: and Cheryl walks out of the powder room says to you,

361
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Speaker 1: there's no lock.

362
00:17:11,560 --> 00:17:13,800
Speaker 2: You're like, I know, and she asks you to guard

363
00:17:13,800 --> 00:17:14,480
Speaker 2: the door.

364
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Speaker 3: Hair.

365
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Speaker 6: Why did you cut her hair?

366
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Speaker 3: Well, she asked me. She asked me to give it

367
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Speaker 3: a haircut.

368
00:17:31,680 --> 00:17:33,920
Speaker 2: You walked into my daughter's room and you cut.

369
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Speaker 3: Her Judy's hair.

370
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Speaker 4: Well, she asked me to give it a haircut.

371
00:17:37,280 --> 00:17:38,800
Speaker 2: And did you have to tell her that maybe it

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Speaker 2: wouldn't grow back?

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Speaker 3: I thought it was understood. How could you not.

374
00:17:44,600 --> 00:17:47,400
Speaker 6: Understand that a little girl has a vivid imagination.

375
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Speaker 2: She's extremely different.

376
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Speaker 6: That little girl doesn't know that her Dolly's hair is

377
00:17:53,359 --> 00:17:54,840
Speaker 6: not going to you know who this is.

378
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Speaker 2: This is Judy. She is a collector's item.

379
00:17:58,200 --> 00:17:59,840
Speaker 6: We're not going to be able to find another one

380
00:18:00,359 --> 00:18:02,440
Speaker 6: I got before she was born.

381
00:18:02,560 --> 00:18:03,480
Speaker 3: Well, I can replace it.

382
00:18:03,600 --> 00:18:04,320
Speaker 4: I'm sure I can't.

383
00:18:04,320 --> 00:18:05,120
Speaker 3: You can replace it.

384
00:18:05,200 --> 00:18:09,040
Speaker 2: This is like Liberty's a b baby out of production. Op, okay,

385
00:18:09,160 --> 00:18:12,080
Speaker 2: not coming back, is never gonna go back?

386
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Speaker 4: What is that? I guess I missed a strand there.

387
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Speaker 2: I got a Swiss army.

388
00:18:17,880 --> 00:18:19,200
Speaker 3: Let me get it. I got a Swiss army.

389
00:18:19,240 --> 00:18:20,560
Speaker 4: kN if I could, I could get that.

390
00:18:21,320 --> 00:18:23,600
Speaker 2: Mommy, mommy, look at my doll's hair.

391
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Speaker 3: I hate it.

392
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Speaker 2: He cut it.

393
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Speaker 3: That's what she could do. She could go from really

394
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Speaker 3: warm and calm to insane in a matter of seconds. Yeah,

395
00:18:33,040 --> 00:18:36,600
Speaker 3: case she came down. Yeah it is it. Yeah, your

396
00:18:36,720 --> 00:18:39,560
Speaker 3: characters thinking like that, what I do it?

397
00:18:39,640 --> 00:18:42,840
Speaker 1: And once again, you didn't really do anything wrong, and

398
00:18:42,960 --> 00:18:44,800
Speaker 1: yet no good deed goes unpunished.

399
00:18:44,960 --> 00:18:47,080
Speaker 2: She asked you to cut the dolls exactly.

400
00:18:47,240 --> 00:18:49,520
Speaker 3: Yeah, and by the way, you did a good job

401
00:18:49,560 --> 00:18:50,800
Speaker 3: cutting the hair. I thought I did.

402
00:18:50,960 --> 00:18:54,640
Speaker 1: Yeah, he left one little strand, but that's okay.

403
00:18:55,040 --> 00:18:57,399
Speaker 3: Yeah, but was that not part of the script? The

404
00:18:57,400 --> 00:19:01,080
Speaker 3: strand probably not, I don't remember. It certainly gives u

405
00:19:02,480 --> 00:19:06,879
Speaker 3: Rita Wilson's character ammunition towards you. It's such an awkward moment.

406
00:19:06,880 --> 00:19:07,359
Speaker 3: It's great.

407
00:19:07,720 --> 00:19:10,640
Speaker 1: I don't think it was if I recall the outline whatever,

408
00:19:10,800 --> 00:19:12,760
Speaker 1: all right, and You're like, she asked me to cut

409
00:19:12,760 --> 00:19:14,679
Speaker 1: the hair, and Anne's like, did you tell her it

410
00:19:14,680 --> 00:19:15,639
Speaker 1: wouldn't grow back?

411
00:19:16,000 --> 00:19:17,439
Speaker 2: Of course you didn't tell her it wouldn't grow back

412
00:19:17,480 --> 00:19:19,960
Speaker 2: to what a freaking idiot. She wouldn't grow back?

413
00:19:20,280 --> 00:19:20,840
Speaker 3: That comes back?

414
00:19:20,880 --> 00:19:22,919
Speaker 4: Thought it was understood, It comes later on. That's one

415
00:19:22,960 --> 00:19:24,240
Speaker 4: of my favorite lines in the show.

416
00:19:24,320 --> 00:19:27,280
Speaker 1: Yes, I thought it was understood, and and she has

417
00:19:27,280 --> 00:19:28,399
Speaker 1: a vivid imagination.

418
00:19:28,600 --> 00:19:30,160
Speaker 2: Rita was terrific in this episode.

419
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Speaker 3: Did you mention that she goes to Merman?

420
00:19:32,520 --> 00:19:34,119
Speaker 2: That was later?

421
00:19:34,359 --> 00:19:34,920
Speaker 3: That was later?

422
00:19:35,240 --> 00:19:38,080
Speaker 2: And then Lane Michaelson walks in on.

423
00:19:38,119 --> 00:19:40,840
Speaker 4: Ryl in the back because I left my post had

424
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Speaker 4: to deal with the situation.

425
00:19:42,040 --> 00:19:45,800
Speaker 1: Paul Hilarious was going on, and Anne Michaelson says, this

426
00:19:45,840 --> 00:19:46,320
Speaker 1: is Judy.

427
00:19:46,520 --> 00:19:47,680
Speaker 2: She's a collector's item.

428
00:19:47,840 --> 00:19:51,120
Speaker 1: We could not find another oh oh pee out of production,

429
00:19:51,200 --> 00:19:55,120
Speaker 1: and the girl's crying and the haircuts ugly, and you say,

430
00:19:55,119 --> 00:19:59,000
Speaker 1: I can replace it. And then Jeff says, Sammy, our

431
00:19:59,080 --> 00:20:02,199
Speaker 1: daughter who was a son prior to that but suddenly

432
00:20:02,280 --> 00:20:05,520
Speaker 1: became a daughter and also aged quite a bit in

433
00:20:05,600 --> 00:20:09,600
Speaker 1: the year in between, has a huge doll collection. We'll

434
00:20:09,640 --> 00:20:11,880
Speaker 1: go to my house, will zip in, will zip out,

435
00:20:11,920 --> 00:20:14,040
Speaker 1: because you know you're not really allowed to be there.

436
00:20:14,080 --> 00:20:16,920
Speaker 4: Right, Jeff's pretty sure that he's got the Judy's got

437
00:20:16,920 --> 00:20:17,359
Speaker 4: the Judy.

438
00:20:17,480 --> 00:20:21,399
Speaker 3: Also the fact that I wouldn't take into consideration my

439
00:20:21,520 --> 00:20:25,040
Speaker 3: daughter's feelings. I'm serving you. I gotta get Joe.

440
00:20:25,280 --> 00:20:28,040
Speaker 4: You know, she had a giant doll collection and you

441
00:20:28,080 --> 00:20:29,199
Speaker 4: didn't think it.

442
00:20:29,359 --> 00:20:33,840
Speaker 3: But I didn't take a beat to go. And that's right,

443
00:20:34,119 --> 00:20:37,520
Speaker 3: why my character is shitty, you know, tell me about

444
00:20:37,560 --> 00:20:38,600
Speaker 3: it all right. Stop.

445
00:20:38,880 --> 00:20:42,280
Speaker 1: So Cheryl likes at the bathroom and she just looks

446
00:20:42,320 --> 00:20:44,320
Speaker 1: at you with that look which.

447
00:20:44,200 --> 00:20:46,520
Speaker 2: I found in the first couple of seasons.

448
00:20:46,760 --> 00:20:49,560
Speaker 1: There's more of that with Ryl than there was later on,

449
00:20:49,760 --> 00:20:52,120
Speaker 1: like more of her going to get you back. There's

450
00:20:52,160 --> 00:20:54,360
Speaker 1: been several episodes where she's going to kind of get

451
00:20:54,400 --> 00:20:56,919
Speaker 1: you back, and then you're home and you're like, I

452
00:20:57,080 --> 00:20:57,720
Speaker 1: fucked up.

453
00:21:00,480 --> 00:21:03,760
Speaker 3: That's a real Brooklyn thing. Yeah, I fucked up. But

454
00:21:03,800 --> 00:21:06,960
Speaker 3: by the way, if there's one thing that in my

455
00:21:07,119 --> 00:21:11,359
Speaker 3: experience that you do to a woman is when they're

456
00:21:11,480 --> 00:21:15,040
Speaker 3: yammering about something, then they're angry that you make a

457
00:21:15,160 --> 00:21:18,280
Speaker 3: joke or you do a silly voice. They're infuriated. So

458
00:21:18,520 --> 00:21:20,439
Speaker 3: this time, when I saw you do that, I was like,

459
00:21:20,480 --> 00:21:20,960
Speaker 3: oh my.

460
00:21:21,040 --> 00:21:22,240
Speaker 2: God, it makes it worse.

461
00:21:22,640 --> 00:21:24,800
Speaker 3: Oh my god, that's what's.

462
00:21:25,600 --> 00:21:29,000
Speaker 2: Seriously, you're not you're not validating my feelings.

463
00:21:29,400 --> 00:21:30,840
Speaker 3: I'm admitting I made a mistake.

464
00:21:31,240 --> 00:21:34,560
Speaker 2: Yeah, yeah, but not really. Yeah, any weren't really.

465
00:21:34,920 --> 00:21:37,760
Speaker 1: So Cheryl's like, he saw everything, Like, think of the

466
00:21:37,800 --> 00:21:40,720
Speaker 1: worst possible thing. So I was sitting there, what did

467
00:21:40,720 --> 00:21:43,639
Speaker 1: he say, She's sitting on whatever. She was not happy,

468
00:21:44,040 --> 00:21:44,600
Speaker 1: And no, he.

469
00:21:44,600 --> 00:21:48,520
Speaker 3: Saw her pretty much completely naked. That's what she asserts.

470
00:21:48,680 --> 00:21:51,359
Speaker 3: You know, he saw everything right, And she tells me

471
00:21:51,640 --> 00:21:52,920
Speaker 3: humiliating by the way.

472
00:21:53,040 --> 00:21:55,800
Speaker 2: She tells you that she could never see this, that

473
00:21:55,880 --> 00:21:56,480
Speaker 2: I just wanted.

474
00:21:56,320 --> 00:21:58,800
Speaker 3: To get breath to go. Why did I add that

475
00:21:58,800 --> 00:22:01,639
Speaker 3: that's humiliating? Well, of course it's humiliatd No, I know

476
00:22:01,720 --> 00:22:04,560
Speaker 3: that you just answered my question. Of course it's humiliating.

477
00:22:04,880 --> 00:22:07,200
Speaker 3: Did I want to just participate more in the show?

478
00:22:07,560 --> 00:22:09,439
Speaker 3: What was my choice in doing that? Let's move on.

479
00:22:09,520 --> 00:22:10,640
Speaker 2: Should we analyze that?

480
00:22:11,080 --> 00:22:14,919
Speaker 3: Why did you add that? Because I didn't want anyone

481
00:22:14,960 --> 00:22:17,640
Speaker 3: at home to go? Why the fuck did he ask that?

482
00:22:17,840 --> 00:22:20,800
Speaker 3: And I know our audience, I'm assuming is very intelligent,

483
00:22:21,200 --> 00:22:23,120
Speaker 3: and I just don't want to let anything go by

484
00:22:23,240 --> 00:22:23,919
Speaker 3: where you know.

485
00:22:24,600 --> 00:22:26,680
Speaker 1: Cheryld then says, get anything to worry about with that,

486
00:22:26,760 --> 00:22:30,159
Speaker 1: I'm moving on. Cheryl then says, you know, I can

487
00:22:30,240 --> 00:22:33,359
Speaker 1: never face this man again. I'm humiliated. And Cheryl's like,

488
00:22:33,400 --> 00:22:35,240
Speaker 1: you have to go somewhere else. We can't do it

489
00:22:35,240 --> 00:22:39,120
Speaker 1: at ABC, she can't go to NBC's because of ge and.

490
00:22:39,080 --> 00:22:40,560
Speaker 3: The period bridges.

491
00:22:40,680 --> 00:22:42,679
Speaker 2: You can't HBO. You totally fucked with.

492
00:22:43,200 --> 00:22:45,520
Speaker 1: We're running out and you say it's a mood point

493
00:22:45,560 --> 00:22:47,679
Speaker 1: if we can't replace the doll and then you go

494
00:22:47,720 --> 00:22:48,520
Speaker 1: into divorce.

495
00:22:49,000 --> 00:22:51,479
Speaker 2: Is this a divorce? And that's where we see that

496
00:22:51,560 --> 00:22:52,560
Speaker 2: dynamic with Cheryl.

497
00:22:52,600 --> 00:22:55,640
Speaker 1: That's great, you know your relationship, how she plays off

498
00:22:55,720 --> 00:22:56,720
Speaker 1: you and you play with.

499
00:22:56,680 --> 00:22:57,240
Speaker 3: You know it.

500
00:22:58,560 --> 00:23:01,560
Speaker 4: You know, in my in my real marriage, I would

501
00:23:01,600 --> 00:23:03,800
Speaker 4: never say to my wife, what do you think maybe

502
00:23:03,800 --> 00:23:06,399
Speaker 4: a little sex tonight. Yeah, I wouldn't say that I

503
00:23:06,920 --> 00:23:09,000
Speaker 4: have to put a move on the way if I

504
00:23:09,119 --> 00:23:12,640
Speaker 4: was dating you know, you know I don't. I don't

505
00:23:12,680 --> 00:23:14,880
Speaker 4: say let's have sex. I know, I never say that.

506
00:23:15,280 --> 00:23:18,920
Speaker 1: Does she always have to initiate? No, No, you'll initiate,

507
00:23:18,960 --> 00:23:20,480
Speaker 1: but you just won't verbalize it.

508
00:23:20,680 --> 00:23:23,600
Speaker 3: Yeah, or I'll I'll pick up a cue or something, Okay.

509
00:23:23,440 --> 00:23:25,280
Speaker 2: Yeah, always looking for the cues.

510
00:23:25,680 --> 00:23:29,240
Speaker 4: And so the divorce, if we had a fight, I

511
00:23:29,240 --> 00:23:30,840
Speaker 4: would never go divorce.

512
00:23:33,680 --> 00:23:37,640
Speaker 3: Yeah. You were clearly joking though when you said divorce

513
00:23:37,680 --> 00:23:42,960
Speaker 3: and she knew that. Yeah, I'm just saying I would

514
00:23:43,040 --> 00:23:45,200
Speaker 3: never have said that. You can't say that life. Yeah,

515
00:23:45,240 --> 00:23:46,880
Speaker 3: you're in a fight. You're in a fight.

516
00:23:47,080 --> 00:23:49,400
Speaker 2: Yeah, but that's what I'm saying.

517
00:23:49,560 --> 00:23:53,160
Speaker 1: It shows the playfulness that Larry Show Larry and Show

518
00:23:53,320 --> 00:23:56,639
Speaker 1: Cheryl had in their relationship, which I think is important.

519
00:23:56,880 --> 00:23:59,520
Speaker 2: Okay, then you go look for the Judy doll. You

520
00:23:59,600 --> 00:24:01,359
Speaker 2: drop up our house, remember that house we had in

521
00:24:01,400 --> 00:24:01,800
Speaker 2: the hills.

522
00:24:02,640 --> 00:24:05,760
Speaker 4: Yeah, yeah, yeah, Nicholas came fell on the sponge cake.

523
00:24:05,880 --> 00:24:07,920
Speaker 2: Yeah, yes, yeah, No.

524
00:24:08,280 --> 00:24:10,800
Speaker 3: Wasn't that the house? It was the house. It was

525
00:24:10,880 --> 00:24:11,240
Speaker 3: the house.

526
00:24:11,320 --> 00:24:12,520
Speaker 2: Yes, that's next season.

527
00:24:12,600 --> 00:24:15,800
Speaker 1: Yeah, I fell on the sponge Yeah.

528
00:24:15,840 --> 00:24:18,120
Speaker 2: And you come and you go up to Sammy's room.

529
00:24:18,160 --> 00:24:20,640
Speaker 2: There's a million fucking dolls. I've never seen so many

530
00:24:20,680 --> 00:24:22,800
Speaker 2: dolls in my That was a purpose to that. And

531
00:24:22,880 --> 00:24:25,440
Speaker 2: Jeff says, Judy there you go.

532
00:24:26,400 --> 00:24:28,720
Speaker 3: No, yes, it is, of course it is. No, it's

533
00:24:28,760 --> 00:24:31,840
Speaker 3: not her. That's Judy. No, it's not Judy. I've seen Judy.

534
00:24:31,920 --> 00:24:33,560
Speaker 3: That's Judy.

535
00:24:33,240 --> 00:24:35,000
Speaker 6: Judy's brown eyes.

536
00:24:35,240 --> 00:24:38,720
Speaker 3: No, blue eyes. The eyes, I do know the eyes.

537
00:24:38,760 --> 00:24:41,800
Speaker 3: Come on, I see my dough Judy brown eyes. I

538
00:24:41,840 --> 00:24:45,280
Speaker 3: made I said it on my head, brown eye. I know.

539
00:24:45,359 --> 00:24:47,239
Speaker 3: The song is Sweet Judy blue eyes. And she has

540
00:24:47,320 --> 00:24:51,560
Speaker 3: brown eyes. That's brown eyes. That's not Judy, Sweet Judy

541
00:24:51,680 --> 00:24:56,760
Speaker 3: brown eyes. Holy ship Judy brown eyes. Now, by the way,

542
00:24:57,160 --> 00:24:59,440
Speaker 3: when he said that, when he came up with that,

543
00:25:00,080 --> 00:25:02,880
Speaker 3: we both exploded. It took a while to get back

544
00:25:02,920 --> 00:25:05,480
Speaker 3: into it because that is nuts. I remembered her. I

545
00:25:05,520 --> 00:25:09,640
Speaker 3: put it together, Sweet Judy brown eyes. It's fucking hilarious.

546
00:25:09,840 --> 00:25:10,879
Speaker 3: It's hilarious.

547
00:25:11,200 --> 00:25:13,520
Speaker 1: But then you spot Judy up on the top shelf

548
00:25:14,160 --> 00:25:16,000
Speaker 1: and you go to get it and the shelf fall,

549
00:25:16,160 --> 00:25:17,040
Speaker 1: which was an accident.

550
00:25:17,720 --> 00:25:21,600
Speaker 3: Yes, it was. Every time we did it. Shelf was fine.

551
00:25:21,960 --> 00:25:24,879
Speaker 3: Maybe it was the last time or no, it was

552
00:25:24,920 --> 00:25:27,960
Speaker 3: the last the first time that no, not the shell

553
00:25:28,040 --> 00:25:30,520
Speaker 3: fell down. It was the first take. I don't remember.

554
00:25:30,920 --> 00:25:34,720
Speaker 3: You would know that. I don't think so, because anyhow,

555
00:25:34,800 --> 00:25:38,119
Speaker 3: point being is that was not planned, and Larry and

556
00:25:38,200 --> 00:25:41,360
Speaker 3: I just stuck with it. We knew you were coming shortly.

557
00:25:41,640 --> 00:25:44,280
Speaker 3: We just stuck with it and we're like scrambling and

558
00:25:44,280 --> 00:25:46,320
Speaker 3: that whole thing of me putting it up and saying

559
00:25:46,320 --> 00:25:48,959
Speaker 3: I'm worried. I'm just made that up on the spot

560
00:25:49,040 --> 00:25:52,320
Speaker 3: because we had to justify the thing being on the ground.

561
00:25:52,359 --> 00:25:54,879
Speaker 2: And sometimes that's the best things that we go.

562
00:25:55,280 --> 00:25:57,760
Speaker 3: For, you, Yeah, because that makes you go what the

563
00:25:57,880 --> 00:25:58,960
Speaker 3: fuck is going on?

564
00:25:59,080 --> 00:26:02,000
Speaker 1: And that does happen frequently where it's a happy accident,

565
00:26:02,040 --> 00:26:03,560
Speaker 1: where it just makes everything better.

566
00:26:03,640 --> 00:26:06,560
Speaker 3: Why. One of the keys to improvising is don't stop.

567
00:26:06,560 --> 00:26:09,919
Speaker 2: Keep going and the door slim, Susie's here, fear fear fear.

568
00:26:10,359 --> 00:26:12,600
Speaker 2: I love that. And Larry, what are you gonna do?

569
00:26:12,840 --> 00:26:15,480
Speaker 2: You take the head off and you stick it down

570
00:26:15,520 --> 00:26:16,400
Speaker 2: your pants.

571
00:26:16,880 --> 00:26:22,280
Speaker 5: Head screw the head screws off pretty much all yeah, yeah,

572
00:26:22,320 --> 00:26:26,600
Speaker 5: so yeah, there was something about the way this show

573
00:26:27,520 --> 00:26:31,159
Speaker 5: just unfolded that I love because now I've got this

574
00:26:31,320 --> 00:26:36,679
Speaker 5: head and and I'm going back to Rita Wilson missus

575
00:26:36,680 --> 00:26:38,119
Speaker 5: Michaelson to give her the head.

576
00:26:38,880 --> 00:26:41,679
Speaker 4: Then I have to go back. Then we see you

577
00:26:41,720 --> 00:26:42,959
Speaker 4: about it that that's coming up.

578
00:26:43,080 --> 00:26:45,720
Speaker 1: Yeah yeah, so and also you stick the head down

579
00:26:46,480 --> 00:26:46,920
Speaker 1: because the.

580
00:26:46,880 --> 00:26:50,159
Speaker 4: Thing is going to Usually I need a number of

581
00:26:50,200 --> 00:26:53,520
Speaker 4: ideas to get through an episode, and and and the

582
00:26:53,600 --> 00:26:56,200
Speaker 4: idea is okay, the ideas will I try and make

583
00:26:56,240 --> 00:26:59,680
Speaker 4: them all connect intersect at some point, but with this show,

584
00:27:00,160 --> 00:27:03,880
Speaker 4: it's really just one idea, cutting this doll's hair. There

585
00:27:03,880 --> 00:27:07,359
Speaker 4: are little things around it that support the idea.

586
00:27:07,160 --> 00:27:08,160
Speaker 2: Like the bottle of water.

587
00:27:08,240 --> 00:27:10,600
Speaker 4: Yeah, like the bottle of water, the relationship with the

588
00:27:11,240 --> 00:27:15,000
Speaker 4: woman who you know, the whole monitor, But that's just

589
00:27:15,040 --> 00:27:18,919
Speaker 4: supporting the overall idea of this doll, of cutting the

590
00:27:18,920 --> 00:27:21,960
Speaker 4: doll's hair. It's one of the few episodes I think

591
00:27:22,000 --> 00:27:25,560
Speaker 4: in the series, maybe the only one where there was

592
00:27:25,680 --> 00:27:31,159
Speaker 4: really only one strong theme from beginning to end. I

593
00:27:31,240 --> 00:27:34,040
Speaker 4: might be wrong, but that's somehow that's in my memory.

594
00:27:34,080 --> 00:27:36,480
Speaker 3: By the way I watch it, and I think that

595
00:27:36,760 --> 00:27:41,520
Speaker 3: episode was so dense and everything perfectly led to the

596
00:27:41,560 --> 00:27:44,359
Speaker 3: next thing. It was like the dominoes on the Tonight Show.

597
00:27:44,680 --> 00:27:47,400
Speaker 3: You don't know where it's going to end, you do, obviously.

598
00:27:47,040 --> 00:27:51,760
Speaker 4: It's about legs, and so this idea of cutting this

599
00:27:51,880 --> 00:27:54,960
Speaker 4: doll's hair, it just had a lot of legs. You

600
00:27:55,000 --> 00:27:57,359
Speaker 4: could see it going from here to there to there

601
00:27:57,400 --> 00:28:00,320
Speaker 4: to there to there, like twice as many scenes as

602
00:28:00,440 --> 00:28:04,600
Speaker 4: an ordinary story would happen. Right, most stories, most ideas

603
00:28:04,880 --> 00:28:07,560
Speaker 4: don't have legs like that. You can only get, you know,

604
00:28:07,600 --> 00:28:10,760
Speaker 4: maybe three four scenes the most out of it. But

605
00:28:10,840 --> 00:28:14,359
Speaker 4: this one had so many legs that it covered the

606
00:28:14,520 --> 00:28:15,320
Speaker 4: entire episode.

607
00:28:15,720 --> 00:28:18,280
Speaker 3: Yeah, yeah, I'm in awe of your writing on this

608
00:28:18,359 --> 00:28:21,280
Speaker 3: episode because I always refer to it, but I always

609
00:28:21,320 --> 00:28:25,080
Speaker 3: referring to that hiking. This is your truly net hike

610
00:28:25,160 --> 00:28:27,760
Speaker 3: in you know, car fifty four, where you don't know

611
00:28:27,800 --> 00:28:31,560
Speaker 3: where it's going to end, even though because the connections

612
00:28:31,800 --> 00:28:34,080
Speaker 3: we're talking about, you're about to get a rash, like

613
00:28:34,359 --> 00:28:37,000
Speaker 3: how did that? You know? Steps and steps, and I

614
00:28:37,320 --> 00:28:40,240
Speaker 3: find that fasting. He's the only the writer who I've said,

615
00:28:40,320 --> 00:28:42,880
Speaker 3: you know, that's a nice compliment. It is for any

616
00:28:42,880 --> 00:28:45,440
Speaker 3: of you at home, just google that hiking. I don't

617
00:28:45,480 --> 00:28:46,160
Speaker 3: want to explain.

618
00:28:46,480 --> 00:28:50,480
Speaker 2: Okay, So Susie's here, take the head off and the

619
00:28:50,560 --> 00:28:53,000
Speaker 2: music is so great on this takes the head off,

620
00:28:53,200 --> 00:28:53,680
Speaker 2: sticks it.

621
00:28:53,600 --> 00:28:56,040
Speaker 1: In his pants and I'm screaming, you're supposed to call first,

622
00:28:56,400 --> 00:28:58,880
Speaker 1: and I walk in and you're pretending to put the

623
00:28:58,880 --> 00:29:01,640
Speaker 1: shelf up right, which was an accident. Again, that was,

624
00:29:01,720 --> 00:29:05,280
Speaker 1: you know, And I noticed for myself this is really

625
00:29:05,600 --> 00:29:07,760
Speaker 1: the first beginning of the Susie Green.

626
00:29:07,840 --> 00:29:08,120
Speaker 2: Look.

627
00:29:08,560 --> 00:29:11,480
Speaker 1: I've got the animal print vest, I've got a goal,

628
00:29:13,640 --> 00:29:15,959
Speaker 1: I think. So there was little hints of it before,

629
00:29:16,000 --> 00:29:17,480
Speaker 1: but this is this is season two.

630
00:29:18,000 --> 00:29:24,080
Speaker 4: Yeah, I remember supervising what you wore. I was really

631
00:29:24,120 --> 00:29:26,440
Speaker 4: on top of it the first couple of seasons.

632
00:29:26,640 --> 00:29:27,120
Speaker 3: I look out.

633
00:29:27,160 --> 00:29:29,000
Speaker 4: I go, no, it's too much, it's too much, it's

634
00:29:29,040 --> 00:29:31,520
Speaker 4: too much. And then finally I just gave up.

635
00:29:31,600 --> 00:29:34,560
Speaker 3: I gave up. Now every time we work, we have

636
00:29:34,600 --> 00:29:37,600
Speaker 3: no idea and it's a surprise. The one you wore

637
00:29:37,680 --> 00:29:40,840
Speaker 3: yesterday with the side loops. Yeah, the orange outfit was

638
00:29:41,040 --> 00:29:42,040
Speaker 3: pure insanity.

639
00:29:42,160 --> 00:29:45,120
Speaker 2: Yeah. Yeah, but when I come on set, this is

640
00:29:45,120 --> 00:29:45,880
Speaker 2: always a reveal.

641
00:29:46,520 --> 00:29:48,760
Speaker 3: It is though, it's always funny.

642
00:29:49,000 --> 00:29:51,080
Speaker 1: So you're pretending to put the shelf up, and you

643
00:29:51,160 --> 00:29:53,040
Speaker 1: say to me, I'm like, what are you doing here?

644
00:29:53,040 --> 00:29:53,880
Speaker 2: What are you doing here?

645
00:29:54,240 --> 00:29:57,200
Speaker 1: And you say to Sammy's shelf was always bothered, always

646
00:29:57,200 --> 00:29:57,640
Speaker 1: worrying you.

647
00:29:58,080 --> 00:30:00,000
Speaker 3: I've been thinking about the shelf.

648
00:29:59,760 --> 00:30:03,440
Speaker 2: That Larry put up all the shelves in his house,

649
00:30:03,480 --> 00:30:05,040
Speaker 2: which is the most unbelie.

650
00:30:07,880 --> 00:30:11,040
Speaker 3: That's where the show goes. It's like someone says something.

651
00:30:11,120 --> 00:30:13,760
Speaker 3: You go, oh, I can make this, and I say, what.

652
00:30:13,760 --> 00:30:15,360
Speaker 2: Are you, mister California closets.

653
00:30:16,320 --> 00:30:18,800
Speaker 3: You know, the idea of you putting up all the shelves,

654
00:30:18,800 --> 00:30:19,520
Speaker 3: it's hilarious.

655
00:30:19,880 --> 00:30:21,040
Speaker 2: And then I say to you, what do you think?

656
00:30:22,040 --> 00:30:24,600
Speaker 3: Have you ever put up a shelf in my life? Yeah?

657
00:30:24,640 --> 00:30:26,960
Speaker 3: A shelf. I've never even held a shelf.

658
00:30:29,360 --> 00:30:32,720
Speaker 2: Have you ever hung a picture back on forty third Street?

659
00:30:33,240 --> 00:30:36,640
Speaker 4: Forty third Street, All the pictures were on the floor, okay,

660
00:30:38,480 --> 00:30:41,960
Speaker 4: there was nothing on the wall, nothing. Every picture was

661
00:30:42,160 --> 00:30:44,560
Speaker 4: leaning leaning on the ground against the wall.

662
00:30:45,080 --> 00:30:46,840
Speaker 1: And then I say to you, you think I didn't

663
00:30:46,840 --> 00:30:49,640
Speaker 1: notice you, mister inconspicuous at the screening.

664
00:30:50,440 --> 00:30:53,120
Speaker 3: And then okay, then part two I bring up part

665
00:30:53,200 --> 00:30:53,680
Speaker 3: two again?

666
00:30:54,240 --> 00:30:55,640
Speaker 2: You a part two?

667
00:30:55,720 --> 00:30:58,120
Speaker 3: Yeah? I have to keep setting up part two because

668
00:30:58,120 --> 00:30:59,960
Speaker 3: it's so crazy made.

669
00:31:00,240 --> 00:31:02,360
Speaker 2: Maybe I'll go and then you're in the car.

670
00:31:02,720 --> 00:31:05,840
Speaker 3: Told that in a second. Yeah, the idea that there

671
00:31:06,040 --> 00:31:09,080
Speaker 3: is a part two and it's a week apart. Yeah,

672
00:31:09,160 --> 00:31:12,320
Speaker 3: it is so funny, so funny. It's not a week apart,

673
00:31:13,320 --> 00:31:16,720
Speaker 3: next day, next day, because I was watching it, think

674
00:31:17,000 --> 00:31:18,000
Speaker 3: what that is?

675
00:31:18,080 --> 00:31:19,520
Speaker 2: You have to go back the next day.

676
00:31:20,480 --> 00:31:22,160
Speaker 1: And then you're in the car and you pull the

677
00:31:22,240 --> 00:31:24,600
Speaker 1: dolls head out of your pants and there's a little

678
00:31:24,680 --> 00:31:25,400
Speaker 1: itch down.

679
00:31:25,280 --> 00:31:27,400
Speaker 3: There going on from that synthetic hair.

680
00:31:27,600 --> 00:31:34,680
Speaker 1: And then Sammy screams, talk about the casting of Sammy audition, audition,

681
00:31:34,960 --> 00:31:35,760
Speaker 1: she was adorable.

682
00:31:36,080 --> 00:31:39,360
Speaker 3: But my favorite thing that you did before we get

683
00:31:39,400 --> 00:31:42,120
Speaker 3: to Sammy screaming when we're driving in the car, you

684
00:31:42,240 --> 00:31:45,520
Speaker 3: broke a record for saying the word penis. Penis this

685
00:31:45,760 --> 00:31:47,120
Speaker 3: I got to look at my penis? Or is that

686
00:31:47,240 --> 00:31:47,680
Speaker 3: the next scene?

687
00:31:47,720 --> 00:31:48,400
Speaker 2: That's the next scene.

688
00:31:48,480 --> 00:31:51,040
Speaker 3: I'll talk me okay, but I still love that.

689
00:31:52,400 --> 00:32:05,200
Speaker 2: We'll be right back, stay tuned. Okay, we're back.

690
00:32:06,040 --> 00:32:09,560
Speaker 1: Sammy screams, Mommy, someone caught off, Judy said, which again

691
00:32:09,640 --> 00:32:11,520
Speaker 1: shows what a horrible father you were that you thought

692
00:32:11,560 --> 00:32:12,480
Speaker 1: you would know it.

693
00:32:12,840 --> 00:32:16,160
Speaker 3: That's why when I said my daughter's got it, don't worry.

694
00:32:16,520 --> 00:32:19,120
Speaker 3: I thought, this is of course going to screw him up.

695
00:32:19,440 --> 00:32:22,560
Speaker 3: But by the way, I'm a subtle asshole on the ship,

696
00:32:23,120 --> 00:32:26,240
Speaker 3: just subtle. You see it in an explosive way after

697
00:32:26,320 --> 00:32:28,920
Speaker 3: I've done it. But when I suggest Hilary, I'm about

698
00:32:28,960 --> 00:32:31,920
Speaker 3: to do something, it tickles him. Really, you're going to

699
00:32:32,040 --> 00:32:35,360
Speaker 3: do that, you know, especially my affairs? What's wrong you? Okay,

700
00:32:35,520 --> 00:32:37,240
Speaker 3: go do that. And by the way, one of the

701
00:32:37,320 --> 00:32:40,080
Speaker 3: cardinal rules I have in life is if I have

702
00:32:40,160 --> 00:32:42,840
Speaker 3: a friend and they're having an affair, please don't tell me.

703
00:32:43,240 --> 00:32:47,240
Speaker 3: I don't want to be exchanging. And that's either way,

704
00:32:47,520 --> 00:32:50,600
Speaker 3: it's disastrous. You want to do shit like that, keep

705
00:32:50,680 --> 00:32:52,720
Speaker 3: that to yourself because I'm not going to be a

706
00:32:52,840 --> 00:32:53,840
Speaker 3: part of your festival.

707
00:32:54,080 --> 00:32:56,240
Speaker 2: Has anybody ever asked you to, like, you know, use

708
00:32:56,280 --> 00:32:57,720
Speaker 2: your home or anything.

709
00:32:57,760 --> 00:33:00,280
Speaker 3: Never a home, But people have told me that they're

710
00:33:00,320 --> 00:33:02,560
Speaker 3: having affairs, And right away I go, why the fuck

711
00:33:02,640 --> 00:33:04,880
Speaker 3: did you do that? Why did you do that? You know?

712
00:33:04,960 --> 00:33:07,800
Speaker 3: Have you ever had anyone tell you, not.

713
00:33:08,000 --> 00:33:11,200
Speaker 4: Like confide some big secret, but just a very matter

714
00:33:11,200 --> 00:33:14,040
Speaker 4: of factly right right right right right, like they were

715
00:33:14,040 --> 00:33:14,800
Speaker 4: saying they were going.

716
00:33:14,720 --> 00:33:18,240
Speaker 2: To a nick game, you know, yeah, yeah, h going

717
00:33:18,280 --> 00:33:19,080
Speaker 2: to see my guma.

718
00:33:19,320 --> 00:33:21,800
Speaker 1: Yeah, all right, So you bring the head to Anne

719
00:33:21,840 --> 00:33:24,560
Speaker 1: Michaelsion and she's, you know, suspicious.

720
00:33:24,600 --> 00:33:26,600
Speaker 2: All right, it looks okay. I'll take it upstairs and

721
00:33:26,640 --> 00:33:27,760
Speaker 2: make sure up again.

722
00:33:27,880 --> 00:33:31,040
Speaker 3: Something we passed over is you doing carry grant to

723
00:33:31,160 --> 00:33:36,640
Speaker 3: the little girl. But she has no idea what you're

724
00:33:36,680 --> 00:33:37,200
Speaker 3: talking about.

725
00:33:38,760 --> 00:33:42,160
Speaker 1: Judy, Judy, Judy. So she's going to go upstairs and

726
00:33:42,240 --> 00:33:43,720
Speaker 1: you say, may I use your bathroom? You start to

727
00:33:43,760 --> 00:33:46,640
Speaker 1: follow her upstairs because even when there's no one in

728
00:33:46,720 --> 00:33:49,120
Speaker 1: the house, you don't want to use the powder room

729
00:33:49,200 --> 00:33:52,120
Speaker 1: with no lock and the hole hold on.

730
00:33:52,440 --> 00:33:56,400
Speaker 3: That is fucking hilarious that your assumption that you can

731
00:33:56,520 --> 00:33:57,840
Speaker 3: go up there and use the little girl.

732
00:33:58,640 --> 00:34:02,280
Speaker 4: I went to the girl's room. Yeah, I don't want

733
00:34:02,320 --> 00:34:04,720
Speaker 4: to use the powder room there's no lock. It made

734
00:34:04,760 --> 00:34:06,720
Speaker 4: perfect sense, no, but it was really funny.

735
00:34:07,200 --> 00:34:10,560
Speaker 2: And the locksmith is fixing the lock, and that was

736
00:34:10,640 --> 00:34:11,560
Speaker 2: of course Jonas.

737
00:34:11,880 --> 00:34:15,240
Speaker 3: Dear Jonas, Dear Jonas. Yeah. Oh, by the way, Jonas

738
00:34:15,400 --> 00:34:20,040
Speaker 3: was on our crew for so many years, and yeah,

739
00:34:20,360 --> 00:34:25,200
Speaker 3: so sometimes we cast crew members because they're fucking perfect,

740
00:34:25,560 --> 00:34:28,320
Speaker 3: Like he was perfect for the locksmith and he already

741
00:34:28,400 --> 00:34:31,600
Speaker 3: knew the show inherently. I'm not gonna try and be funny.

742
00:34:31,840 --> 00:34:34,680
Speaker 3: I'm going to be matter of fact because Larry does

743
00:34:34,760 --> 00:34:38,520
Speaker 3: the funny list. But it was really good a couples.

744
00:34:38,520 --> 00:34:41,640
Speaker 1: We've also noticed several times up until this point. George,

745
00:34:41,880 --> 00:34:45,040
Speaker 1: our prop master, was used as a person.

746
00:34:44,920 --> 00:34:47,719
Speaker 3: The water splashing in the Shack episode. He's in there

747
00:34:47,760 --> 00:34:50,600
Speaker 3: twice and at the watch McCall with the asking him

748
00:34:50,600 --> 00:34:52,400
Speaker 3: for advice when you're trying to put a tire on.

749
00:34:53,000 --> 00:34:56,840
Speaker 1: Yeah, I don't know, Okay, So Anne Michaelson comes in

750
00:34:57,560 --> 00:35:00,200
Speaker 1: the head is fixed, and this is where you go

751
00:35:00,320 --> 00:35:02,640
Speaker 1: into the whole discussion about that she's gifted.

752
00:35:03,080 --> 00:35:05,040
Speaker 3: This is this is a great thing. She tells me

753
00:35:05,120 --> 00:35:06,760
Speaker 3: how gifted are Yeah, and you say it's.

754
00:35:06,640 --> 00:35:08,160
Speaker 2: A shame she didn't know the hair. It was a

755
00:35:08,239 --> 00:35:08,920
Speaker 2: good throwback.

756
00:35:10,280 --> 00:35:12,840
Speaker 3: She's so brilliant, yet she didn't know that the dolls

757
00:35:12,880 --> 00:35:16,920
Speaker 3: hair is. That is another character. You won't let people

758
00:35:17,200 --> 00:35:20,719
Speaker 3: throw your bullshit. You won't. It's truly And by the way,

759
00:35:20,800 --> 00:35:24,080
Speaker 3: who hasn't encountered an asshole like that about how special?

760
00:35:24,120 --> 00:35:24,560
Speaker 3: He said?

761
00:35:24,640 --> 00:35:27,359
Speaker 1: Murmured, Well, one of my pet peeves is when people

762
00:35:27,400 --> 00:35:29,279
Speaker 1: start telling me how gifted their children are.

763
00:35:29,600 --> 00:35:31,600
Speaker 2: I don't want to hear how gifted your fucking children are?

764
00:35:31,960 --> 00:35:34,560
Speaker 3: You know? And by the way, most children that are

765
00:35:34,680 --> 00:35:37,960
Speaker 3: very gifted do not do well as an adult. I

766
00:35:38,160 --> 00:35:41,279
Speaker 3: read a whole thing, oh really in Bullshit magazine. No,

767
00:35:41,360 --> 00:35:43,120
Speaker 3: I read it. I think the times I don't know.

768
00:35:43,680 --> 00:35:45,799
Speaker 3: And then do you like the fun facts I throw

769
00:35:45,840 --> 00:35:46,200
Speaker 3: in you?

770
00:35:46,880 --> 00:35:47,120
Speaker 2: Why not?

771
00:35:47,400 --> 00:35:50,600
Speaker 3: Fascinating? All right?

772
00:35:50,920 --> 00:35:54,200
Speaker 1: And then you guys leave and you were driving up

773
00:35:54,239 --> 00:35:58,719
Speaker 1: the driveway to Larry's house and who's there waiting for you?

774
00:36:06,680 --> 00:36:12,640
Speaker 2: Where's the head? I know you took the Dollph's head?

775
00:36:12,640 --> 00:36:13,120
Speaker 3: Where is it?

776
00:36:15,960 --> 00:36:17,160
Speaker 2: Where's the fucking head?

777
00:36:18,160 --> 00:36:20,760
Speaker 3: That that? Now, this one is an iconic scene.

778
00:36:21,040 --> 00:36:25,320
Speaker 1: It isactly the spaghetti western music is playing, which I

779
00:36:25,480 --> 00:36:28,400
Speaker 1: was upset to realize that you. I thought it was

780
00:36:28,560 --> 00:36:31,960
Speaker 1: my theme. It had been played earlier for Thor, but

781
00:36:32,160 --> 00:36:32,960
Speaker 1: then it became.

782
00:36:32,719 --> 00:36:35,719
Speaker 3: My Yeah, then it became your theme. Yeah, And so

783
00:36:35,920 --> 00:36:39,920
Speaker 3: did you pick that or did Steve? Steve? Oh, brilliant move, Yeah.

784
00:36:40,000 --> 00:36:43,640
Speaker 2: Yeah, brilliant move. And where's the head? And this scene

785
00:36:43,760 --> 00:36:44,800
Speaker 2: just plays out.

786
00:36:44,760 --> 00:36:47,840
Speaker 3: Because you're speaking like the Susie we know now.

787
00:36:47,880 --> 00:36:50,759
Speaker 1: Right in a big way, and it's really I mean, well,

788
00:36:50,800 --> 00:36:53,000
Speaker 1: we had the Thor episode before this where I was

789
00:36:53,400 --> 00:36:56,400
Speaker 1: somewhat in that shad. But I think really this scene

790
00:36:56,520 --> 00:37:00,640
Speaker 1: really established the fear that Jeff and Larry they get this.

791
00:37:00,760 --> 00:37:03,640
Speaker 3: Stamp on Susie. This is the journey we're going to

792
00:37:03,680 --> 00:37:04,040
Speaker 3: have with it.

793
00:37:05,000 --> 00:37:09,680
Speaker 4: So totally justified what you were saying. Yeah, yeah, we

794
00:37:09,880 --> 00:37:13,399
Speaker 4: took you were we took Judy's head.

795
00:37:14,719 --> 00:37:18,279
Speaker 1: And imagine, you know, from my point of view, why

796
00:37:18,480 --> 00:37:21,040
Speaker 1: why would you take a doll's head out of your

797
00:37:21,120 --> 00:37:21,799
Speaker 1: daughter's daughter?

798
00:37:22,440 --> 00:37:26,279
Speaker 3: It makes no sense whatsoever. It's so insane. Think about

799
00:37:26,320 --> 00:37:27,319
Speaker 3: it from your point of view.

800
00:37:27,440 --> 00:37:32,080
Speaker 2: Yeah, it's completely insane. That's why I say some votos.

801
00:37:33,760 --> 00:37:35,959
Speaker 4: We took we took a doll's head from your daughter.

802
00:37:36,040 --> 00:37:38,160
Speaker 4: How could you possibly imagine what it could have been?

803
00:37:38,520 --> 00:37:38,920
Speaker 3: What is it?

804
00:37:40,040 --> 00:37:42,880
Speaker 1: And it sets up that has been going on for

805
00:37:42,960 --> 00:37:46,200
Speaker 1: twelve seasons where you two were trying to put something off,

806
00:37:46,280 --> 00:37:49,480
Speaker 1: put something over on me, which is just ridiculous and

807
00:37:49,600 --> 00:37:52,360
Speaker 1: it never works and you live in fear of Susie

808
00:37:52,400 --> 00:37:54,239
Speaker 1: Green And it's one of, of course, one of my

809
00:37:54,360 --> 00:37:55,040
Speaker 1: favorite scenes.

810
00:37:55,080 --> 00:37:56,960
Speaker 3: By the way, at the time it was one of

811
00:37:57,040 --> 00:37:59,799
Speaker 3: our because remember we got in the car and drove

812
00:37:59,840 --> 00:38:03,480
Speaker 3: off and we're going, wow, wow, is that great? Yeah,

813
00:38:03,600 --> 00:38:04,200
Speaker 3: it was really.

814
00:38:04,760 --> 00:38:07,239
Speaker 1: I also remember in that scene when I say stop

815
00:38:07,280 --> 00:38:09,160
Speaker 1: scratching your balls and tell me where it is. That

816
00:38:09,280 --> 00:38:11,440
Speaker 1: wasn't looping, And that was the first time I looped.

817
00:38:11,600 --> 00:38:14,600
Speaker 1: Oh really, yes, that was in looping because you needed

818
00:38:14,680 --> 00:38:17,840
Speaker 1: that for story purpose to further along.

819
00:38:18,000 --> 00:38:20,279
Speaker 2: I didn't actually say that in the episode. So that's

820
00:38:20,280 --> 00:38:20,800
Speaker 2: an example.

821
00:38:21,360 --> 00:38:25,120
Speaker 1: Now, wow, And people always ask that question is it

822
00:38:25,280 --> 00:38:28,040
Speaker 1: all improvised? And that's an example of a time when

823
00:38:28,080 --> 00:38:30,960
Speaker 1: a line was not improvised because it was needed for story.

824
00:38:31,120 --> 00:38:31,279
Speaker 3: Rare.

825
00:38:31,440 --> 00:38:35,279
Speaker 2: It's rare, but sometimes it's needed for story purposes. And

826
00:38:35,680 --> 00:38:36,879
Speaker 2: then you get into the edge.

827
00:38:36,960 --> 00:38:39,680
Speaker 4: So now this becomes a little a bit of a

828
00:38:40,200 --> 00:38:43,759
Speaker 4: problem for me just in writing, because now I have

829
00:38:43,880 --> 00:38:46,240
Speaker 4: to go back to Rita Wilson.

830
00:38:46,160 --> 00:38:49,239
Speaker 3: Yeah, and see if she has the.

831
00:38:50,960 --> 00:38:55,359
Speaker 4: Dull the original hair, the cut hair, the short hair,

832
00:38:55,920 --> 00:38:58,600
Speaker 4: and so now so now it's like, oh, long hair,

833
00:38:58,680 --> 00:38:59,319
Speaker 4: short hair, It's good.

834
00:38:59,520 --> 00:39:00,480
Speaker 3: It getting confusing.

835
00:39:00,920 --> 00:39:04,080
Speaker 4: How much do we have to emphasize this that that

836
00:39:04,239 --> 00:39:07,800
Speaker 4: became a bit of a problem to go back and

837
00:39:07,920 --> 00:39:09,840
Speaker 4: if the is the audience still following this, Now I

838
00:39:09,920 --> 00:39:12,799
Speaker 4: have to go back to her house and ask if

839
00:39:12,840 --> 00:39:15,160
Speaker 4: she has the doll whose hair I cut off, the

840
00:39:15,239 --> 00:39:15,839
Speaker 4: head yeah.

841
00:39:16,040 --> 00:39:17,719
Speaker 1: And it was in this next scene when you're in

842
00:39:17,840 --> 00:39:20,440
Speaker 1: the car that you start talking about your penis, witches

843
00:39:20,880 --> 00:39:22,520
Speaker 1: and a lot of that's the record.

844
00:39:22,360 --> 00:39:24,960
Speaker 3: For penis talk. And I love the way you're just

845
00:39:25,080 --> 00:39:28,240
Speaker 3: casually saying, I gotta clean my penis, I gotta get examined.

846
00:39:28,239 --> 00:39:29,920
Speaker 3: I don't want to go to the penis doctor.

847
00:39:30,040 --> 00:39:33,080
Speaker 1: Like it was just penis penis, penis, and you say

848
00:39:33,080 --> 00:39:36,439
Speaker 1: you've got an allergic reaction, my friend. Yeah, yeah, yeah,

849
00:39:36,480 --> 00:39:38,600
Speaker 1: you go to the doctor, say, oh, I stuck a dolls.

850
00:39:40,200 --> 00:39:42,360
Speaker 3: Yeah, by the way, good to One thing that we

851
00:39:42,520 --> 00:39:45,800
Speaker 3: skipped that really was another thing that we rode for

852
00:39:45,880 --> 00:39:49,200
Speaker 3: a long time was when we left the house, you

853
00:39:49,400 --> 00:39:52,400
Speaker 3: screamed at us, you bald piece of shit. I believe that,

854
00:39:52,960 --> 00:39:55,600
Speaker 3: and I'm a fat fuck whatever. No, But the point

855
00:39:55,680 --> 00:39:58,040
Speaker 3: thing is, I don't remember that happening before this.

856
00:39:58,280 --> 00:40:00,279
Speaker 2: I think that's well know, in the wire, I call

857
00:40:00,320 --> 00:40:01,120
Speaker 2: you a fat fuck.

858
00:40:01,280 --> 00:40:03,279
Speaker 3: Okay, you didn't call him a bald piece of that.

859
00:40:03,440 --> 00:40:05,439
Speaker 2: Maybe that's the first time I referenced you bald.

860
00:40:05,680 --> 00:40:06,640
Speaker 3: Yeah, I don't think so.

861
00:40:06,840 --> 00:40:09,279
Speaker 2: But I said you bald, fucking you fat piece of ship.

862
00:40:09,600 --> 00:40:12,080
Speaker 2: That's what I said. I think it is because I

863
00:40:12,200 --> 00:40:13,720
Speaker 2: was only in two episodes this season.

864
00:40:13,840 --> 00:40:14,839
Speaker 3: Oh is that right? Yeah?

865
00:40:14,880 --> 00:40:17,560
Speaker 1: Oh okay, yeah, okay. So then you go back to

866
00:40:17,600 --> 00:40:19,839
Speaker 1: Anne's house to ask for the short hair.

867
00:40:20,239 --> 00:40:23,120
Speaker 6: I was wondering, this is gonna sound a little crazy.

868
00:40:23,560 --> 00:40:28,560
Speaker 6: Do you have the the shorthand head, the one that

869
00:40:28,680 --> 00:40:30,799
Speaker 6: I that I cut right?

870
00:40:31,640 --> 00:40:31,680
Speaker 3: You?

871
00:40:32,200 --> 00:40:36,120
Speaker 2: You want the short haired Judy head? Why would you

872
00:40:36,200 --> 00:40:37,600
Speaker 2: want that short haired Judy head?

873
00:40:40,040 --> 00:40:40,560
Speaker 6: Just like it?

874
00:40:40,880 --> 00:40:41,040
Speaker 3: You know?

875
00:40:41,600 --> 00:40:45,520
Speaker 2: And she's like, why why would you want that? You're like,

876
00:40:45,600 --> 00:40:46,040
Speaker 2: I like it?

877
00:40:46,200 --> 00:40:49,080
Speaker 3: Yeah, insanity.

878
00:40:49,280 --> 00:40:52,719
Speaker 1: Yeah, And while she goes to up to the kids

879
00:40:53,200 --> 00:40:55,560
Speaker 1: to see if she still has the shorthaired version, you

880
00:40:55,719 --> 00:40:58,239
Speaker 1: go to the bathroom to check your penis because you've

881
00:40:58,280 --> 00:41:01,520
Speaker 1: got an irritation there, and the whole monitor walks in

882
00:41:01,640 --> 00:41:05,799
Speaker 1: on you, of course, and then Jonas the locksmith, shows up.

883
00:41:06,080 --> 00:41:07,520
Speaker 2: You said, I thought you fixed it. I had to

884
00:41:07,560 --> 00:41:09,759
Speaker 2: go get some parts, which is soapersorb because it was

885
00:41:09,840 --> 00:41:12,000
Speaker 2: like a simple little pushlock, Like what parts?

886
00:41:12,040 --> 00:41:16,279
Speaker 4: What do you I've never trusted a pushlock, really, I

887
00:41:16,320 --> 00:41:19,640
Speaker 4: don't trust them. Yeah, yeah, the bolt lock, you give me,

888
00:41:19,719 --> 00:41:20,400
Speaker 4: give me a bolt.

889
00:41:21,440 --> 00:41:24,000
Speaker 3: And by the way, Jonah's played that perfectly, Yeah, not

890
00:41:24,320 --> 00:41:26,239
Speaker 3: non plus that Larry could give a ship.

891
00:41:26,440 --> 00:41:28,960
Speaker 1: Yeah, So she gives you the short hair head back

892
00:41:29,560 --> 00:41:31,719
Speaker 1: and you get the new head and you bring it

893
00:41:31,840 --> 00:41:33,480
Speaker 1: to me and say, all right, I got the head

894
00:41:33,480 --> 00:41:34,320
Speaker 1: and I'm like, nah.

895
00:41:34,520 --> 00:41:36,719
Speaker 2: Something's wrong. Yeah, something is that right?

896
00:41:36,880 --> 00:41:39,399
Speaker 3: I don't know. You thought it was okay, but yeah,

897
00:41:39,560 --> 00:41:44,759
Speaker 3: there was something some suspicious and it's not.

898
00:41:44,960 --> 00:41:46,080
Speaker 2: It's not really working.

899
00:41:46,200 --> 00:41:48,880
Speaker 4: It's scene really made me laugh last night when I

900
00:41:49,000 --> 00:41:51,960
Speaker 4: was watching it. The two idiots at the door. Yeah,

901
00:41:52,719 --> 00:41:55,240
Speaker 4: I'm standing behind him and we're both kind of talking

902
00:41:55,280 --> 00:41:56,120
Speaker 4: at the same time.

903
00:41:57,360 --> 00:41:59,000
Speaker 3: And when I got in, but you can see it

904
00:41:59,080 --> 00:42:02,120
Speaker 3: in my face. Please please don't notice. Don't notice.

905
00:42:02,560 --> 00:42:05,759
Speaker 1: And the dynamic of the relationship of the three of

906
00:42:05,960 --> 00:42:10,520
Speaker 1: us continuing till now the other day with such a

907
00:42:10,920 --> 00:42:13,920
Speaker 1: it's such a great relations fun. So next we're at

908
00:42:13,960 --> 00:42:15,160
Speaker 1: the screening part two.

909
00:42:15,880 --> 00:42:18,359
Speaker 3: And I'm sorry the screening part two.

910
00:42:18,600 --> 00:42:23,280
Speaker 2: Yeah, I know, And Jeff asked you, is your assistancying anybody?

911
00:42:23,600 --> 00:42:24,840
Speaker 2: It's just so gross.

912
00:42:25,080 --> 00:42:27,440
Speaker 3: I am a scumback, that's my character.

913
00:42:27,840 --> 00:42:30,760
Speaker 1: And you know, And the Michaelsons show up with Tara,

914
00:42:30,880 --> 00:42:33,880
Speaker 1: and Tara has the Judy doll and I see the

915
00:42:34,080 --> 00:42:36,360
Speaker 1: doll and I see the long hair, and then I

916
00:42:36,640 --> 00:42:40,680
Speaker 1: realize what it was to connect the dots, connect the dots,

917
00:42:41,120 --> 00:42:44,560
Speaker 1: and I love that that The rest of it is mined, but.

918
00:42:45,520 --> 00:42:48,720
Speaker 3: You're miming it. But there isn't anybody for a million

919
00:42:48,840 --> 00:42:52,040
Speaker 3: miles around that doesn't know what voice is coming out

920
00:42:52,080 --> 00:42:52,200
Speaker 3: of that.

921
00:42:52,960 --> 00:42:55,960
Speaker 1: You feel we established that, yeah, And I'm just I

922
00:42:56,080 --> 00:42:57,600
Speaker 1: know what you two idiots did?

923
00:42:58,040 --> 00:43:03,920
Speaker 2: You know? You cut the hair, you fix fucking I

924
00:43:04,040 --> 00:43:06,320
Speaker 2: love that scene. And then you go to the bathroom

925
00:43:06,800 --> 00:43:08,920
Speaker 2: and the men's room is an olfactory nightmare.

926
00:43:09,080 --> 00:43:11,120
Speaker 3: Well done. That was the first time I had heard

927
00:43:11,239 --> 00:43:13,520
Speaker 3: that phrase. I've heard a few times since. What is

928
00:43:13,640 --> 00:43:18,759
Speaker 3: the what does that mean? Smell? Old factory? Factory has

929
00:43:18,760 --> 00:43:19,880
Speaker 3: to do with your sense of smell?

930
00:43:20,080 --> 00:43:22,600
Speaker 1: Yeah, okay, I mean somebody took a dump in there

931
00:43:22,640 --> 00:43:25,880
Speaker 1: and it was disgusting. And you asked Cheryl to go

932
00:43:26,000 --> 00:43:27,759
Speaker 1: look in the women's room because you got to pee

933
00:43:27,800 --> 00:43:30,840
Speaker 1: because you're constantly drinking water. So Cheryl looks in the

934
00:43:30,920 --> 00:43:34,120
Speaker 1: women's room, all clear. You asked her to stand guard.

935
00:43:34,320 --> 00:43:37,440
Speaker 1: But this is the subtle Cheryl revenge where she you

936
00:43:37,600 --> 00:43:38,480
Speaker 1: just see it on her mind.

937
00:43:38,840 --> 00:43:40,160
Speaker 3: She has a smile and walks away.

938
00:43:40,480 --> 00:43:43,800
Speaker 1: Smile walks away. Nothing needs to be said. It was

939
00:43:43,920 --> 00:43:46,160
Speaker 1: the same thing in the end of the episode. We

940
00:43:46,239 --> 00:43:48,680
Speaker 1: did the other day, the Trick or Treat episode, same

941
00:43:48,800 --> 00:43:51,480
Speaker 1: kind of thing where Cheryl just smiles because you just

942
00:43:51,600 --> 00:43:53,279
Speaker 1: drive up to the house and this is her moment

943
00:43:53,320 --> 00:43:54,279
Speaker 1: where she's gonna fuck you.

944
00:43:54,600 --> 00:43:56,440
Speaker 3: I really like that Treat episode.

945
00:43:56,520 --> 00:43:58,120
Speaker 2: It was a very funny episode.

946
00:43:58,160 --> 00:43:59,919
Speaker 3: I love that scene outside with the cop.

947
00:44:00,280 --> 00:44:02,160
Speaker 1: When we did that episode, we were talking about how

948
00:44:02,280 --> 00:44:06,160
Speaker 1: fantastic scrove Van wasn't that he was great in that episode.

949
00:44:06,200 --> 00:44:09,600
Speaker 3: We talked about that Grove Van comedian writer that we

950
00:44:09,680 --> 00:44:09,960
Speaker 3: all know.

951
00:44:10,360 --> 00:44:13,319
Speaker 1: Cheryl leaves and then you have a moment's like, well,

952
00:44:13,400 --> 00:44:15,480
Speaker 1: you want the bottle of water in the screening with you,

953
00:44:16,040 --> 00:44:16,520
Speaker 1: So what do you do?

954
00:44:16,680 --> 00:44:17,800
Speaker 2: You put it down your pants.

955
00:44:18,160 --> 00:44:21,640
Speaker 3: But by the way he was walking out and everything

956
00:44:21,719 --> 00:44:25,360
Speaker 3: would be okay, big ginty bink, and you turn around

957
00:44:25,440 --> 00:44:27,279
Speaker 3: to get the water and shove it down. I want

958
00:44:27,320 --> 00:44:29,040
Speaker 3: to I want to take the water into the theater.

959
00:44:29,120 --> 00:44:31,200
Speaker 3: I don't want that woman to win. I wanted I

960
00:44:31,280 --> 00:44:32,120
Speaker 3: wanted to have water.

961
00:44:32,440 --> 00:44:34,879
Speaker 1: That's right, and nothing wrong with having water in the theater.

962
00:44:35,080 --> 00:44:36,479
Speaker 1: It's got a closed top.

963
00:44:36,640 --> 00:44:38,879
Speaker 3: I don't like being told. I don't like being told

964
00:44:38,920 --> 00:44:39,279
Speaker 3: what to do.

965
00:44:40,040 --> 00:44:43,520
Speaker 2: And Tara comes running in and she's like, oh, I

966
00:44:43,680 --> 00:44:45,440
Speaker 2: love the doll, the dolls.

967
00:44:46,880 --> 00:44:49,560
Speaker 3: The thing about her. As she comes in, she's very

968
00:44:49,719 --> 00:44:54,200
Speaker 3: confused about Larry bing in the bathroom, and like a switch,

969
00:44:54,719 --> 00:44:56,239
Speaker 3: she's the happy little girl with a.

970
00:44:56,600 --> 00:44:57,520
Speaker 2: Delightful little girl.

971
00:44:58,040 --> 00:45:02,320
Speaker 1: Thank you for fixing Judy's hand, and she hugs you

972
00:45:03,200 --> 00:45:08,439
Speaker 1: and yeah, bummy, that bollman in the bathroom and there's

973
00:45:08,480 --> 00:45:12,720
Speaker 1: something hard in his pants and horrified people's sounds all.

974
00:45:12,600 --> 00:45:17,640
Speaker 3: The people too, Yeah, yeah, all the villagers, the villagers.

975
00:45:17,280 --> 00:45:20,200
Speaker 1: And like a universal horror mone exactly, and you want

976
00:45:20,280 --> 00:45:22,879
Speaker 1: to jump out the window and fade out.

977
00:45:23,480 --> 00:45:26,480
Speaker 4: Yeah, it's it's one of those endings that just worked

978
00:45:26,520 --> 00:45:28,560
Speaker 4: out perfectly, perfectly.

979
00:45:28,480 --> 00:45:31,040
Speaker 1: So you didn't start with the end in this So

980
00:45:31,239 --> 00:45:33,040
Speaker 1: tell about when you ran into her research. It's just

981
00:45:33,120 --> 00:45:35,000
Speaker 1: like about a year ago you ran into this girl.

982
00:45:35,400 --> 00:45:36,800
Speaker 1: It was when you were doing the thing at the

983
00:45:36,840 --> 00:45:37,400
Speaker 1: Greek Theater.

984
00:45:37,560 --> 00:45:41,480
Speaker 4: Yeah, yeah, Bob, Bob Whitey, Yeah, we directed this episode,

985
00:45:41,520 --> 00:45:45,239
Speaker 4: directed the episode. He was interviewing me the Greek and

986
00:45:46,800 --> 00:45:49,840
Speaker 4: unbeknownst to me, he wanted to surprise me and he

987
00:45:49,960 --> 00:45:53,279
Speaker 4: brought the girl who played Tara, who was now an

988
00:45:53,400 --> 00:45:56,600
Speaker 4: adult he's almost thirty, I think, And she came up

989
00:45:56,640 --> 00:45:58,759
Speaker 4: on stage and you know, we had a little job

990
00:45:59,080 --> 00:46:01,279
Speaker 4: and what did she say it? I asked her if

991
00:46:01,320 --> 00:46:03,919
Speaker 4: I had traumatized her full life by having to say

992
00:46:04,000 --> 00:46:09,040
Speaker 4: that line. And she wasn't traumatized at all. She she

993
00:46:09,320 --> 00:46:12,320
Speaker 4: loved the experience of doing it, and she seems to

994
00:46:12,320 --> 00:46:13,160
Speaker 4: have turned out great.

995
00:46:13,440 --> 00:46:14,040
Speaker 2: Is she an actress?

996
00:46:14,239 --> 00:46:16,839
Speaker 3: Yeah, she's an actress. Really. Yeah, I'd like to use

997
00:46:16,880 --> 00:46:19,200
Speaker 3: her again. We should, Yeah, we should use it.

998
00:46:21,200 --> 00:46:23,880
Speaker 1: And that's the episode, and it's to me, it is

999
00:46:24,239 --> 00:46:27,080
Speaker 1: one of the most perfect half hours of comedy in

1000
00:46:27,280 --> 00:46:27,880
Speaker 1: the history.

1001
00:46:28,280 --> 00:46:29,520
Speaker 3: Look at you, well, I think so.

1002
00:46:29,800 --> 00:46:31,840
Speaker 2: It's a perfect half hours.

1003
00:46:31,880 --> 00:46:34,640
Speaker 4: Pretty great too, Yeah, yeah, that's what. That's why I

1004
00:46:34,719 --> 00:46:37,319
Speaker 4: wanted to if I had one show to do, you.

1005
00:46:37,440 --> 00:46:38,399
Speaker 2: Do it for my friend?

1006
00:46:38,760 --> 00:46:42,200
Speaker 3: I have ye, no future. Let me ask you a question.

1007
00:46:42,360 --> 00:46:44,759
Speaker 3: Have you ever been to Disneyland? Yeah? Did you go

1008
00:46:44,840 --> 00:46:48,160
Speaker 3: on any of the rides? I went on the tea

1009
00:46:48,239 --> 00:46:58,640
Speaker 3: cups perfectly, I would go on it would be the

1010
00:46:58,719 --> 00:46:59,280
Speaker 3: tea cups.

1011
00:47:05,280 --> 00:47:09,080
Speaker 4: Oh my god, Oh that's beautiful.

1012
00:47:09,600 --> 00:47:11,920
Speaker 3: I picture you, of course on the tea cup. I

1013
00:47:12,000 --> 00:47:15,400
Speaker 3: did it once and threw up. Threw up. Oh no,

1014
00:47:15,520 --> 00:47:19,120
Speaker 3: that's dizzying. You know, they spend an I don't know,

1015
00:47:19,239 --> 00:47:19,520
Speaker 3: I don't.

1016
00:47:19,719 --> 00:47:20,279
Speaker 2: I don't like the.

1017
00:47:21,840 --> 00:47:23,840
Speaker 3: But that's why it's funny that he did it.

1018
00:47:24,440 --> 00:47:25,799
Speaker 2: Was there a reason you asked that question?

1019
00:47:26,120 --> 00:47:29,319
Speaker 3: No, I just know when I asked him things with Larry.

1020
00:47:29,360 --> 00:47:32,520
Speaker 3: Here's with Larry when I'm around him, when we do

1021
00:47:32,640 --> 00:47:36,360
Speaker 3: our conversation on stay. I'm an investigative reporter, okay, and

1022
00:47:36,520 --> 00:47:39,759
Speaker 3: I want to ask the questions that I know and

1023
00:47:39,840 --> 00:47:41,839
Speaker 3: my way. Can I be honest with you? I've never

1024
00:47:41,880 --> 00:47:44,160
Speaker 3: asked him a question like that that hasn't led to

1025
00:47:44,280 --> 00:47:47,359
Speaker 3: something amazing, and so in my mind right then, I went,

1026
00:47:47,480 --> 00:47:49,600
Speaker 3: I'm trying to picture Larry at Disneyland. You know, things

1027
00:47:49,640 --> 00:47:52,080
Speaker 3: pop in my mind, and I know it's going to

1028
00:47:52,160 --> 00:47:54,560
Speaker 3: be interesting. A if he's been there or not? And

1029
00:47:54,680 --> 00:47:57,319
Speaker 3: then B did you go on a ride? And then

1030
00:47:57,440 --> 00:48:00,719
Speaker 3: who the fuck expects the tea cup? You're a big

1031
00:48:00,800 --> 00:48:02,120
Speaker 3: ball of gold. You fuck her?

1032
00:48:02,480 --> 00:48:03,480
Speaker 2: And thank you for coming?

1033
00:48:03,640 --> 00:48:08,239
Speaker 3: Yeah, thank you, Larry, my pleasure. Yeah. So well, we'll

1034
00:48:08,320 --> 00:48:10,120
Speaker 3: let you know when you're needed extent. By the way,

1035
00:48:10,120 --> 00:48:11,360
Speaker 3: it's always your option not to.

1036
00:48:11,560 --> 00:48:14,319
Speaker 2: But you know, I think maybe the ski lift, Yeah,

1037
00:48:14,400 --> 00:48:15,960
Speaker 2: but that's so many seasons later.

1038
00:48:16,239 --> 00:48:18,719
Speaker 3: Well that's four, I think four or five? Five?

1039
00:48:19,000 --> 00:48:22,160
Speaker 2: Five? Yeah, five, one of my favorite seasons. Yeah, by

1040
00:48:22,160 --> 00:48:22,600
Speaker 2: the way, was.

1041
00:48:22,600 --> 00:48:26,759
Speaker 3: It Larry David in the what and hipsters fuck? And

1042
00:48:26,840 --> 00:48:29,880
Speaker 3: you know what? When you delivered that line, you immediately

1043
00:48:29,960 --> 00:48:32,800
Speaker 3: looked at me. I think you sensed and of course

1044
00:48:32,840 --> 00:48:43,120
Speaker 3: I exploded, not because Larry David upstairs. Guys, Thanks lat okay.

1045
00:48:47,360 --> 00:48:49,719
Speaker 1: The History of carby Your Enthusiasm is a production of

1046
00:48:49,800 --> 00:48:50,640
Speaker 1: iHeart Radio.

1047
00:48:50,800 --> 00:48:53,560
Speaker 2: For more podcasts from iHeart Radio, visit the

1048
00:48:53,719 --> 00:48:56,960
Speaker 1: iHeart Radio Path, Apple Podcasts, or wherever you listen to

1049
00:48:57,000 --> 00:48:57,800
Speaker 1: your favorite shows.