1 00:00:01,760 --> 00:00:04,519 Speaker 1: And That's what you Really missed with Jenna. 2 00:00:04,480 --> 00:00:07,119 Speaker 2: And Kevin and iHeartRadio podcast. 3 00:00:09,200 --> 00:00:13,520 Speaker 1: Welcome to and That's what You Really Missed podcasts. 4 00:00:13,720 --> 00:00:16,560 Speaker 2: We are broadcasting live from the Blue Wire Studios at 5 00:00:16,600 --> 00:00:19,120 Speaker 2: the Wind Las Vegas, and we're with. 6 00:00:19,160 --> 00:00:22,200 Speaker 1: The very special essel Ngis. Hello. Hello, it's nice to 7 00:00:22,239 --> 00:00:24,600 Speaker 1: be here. Wow, Wow, Trio. 8 00:00:24,800 --> 00:00:27,680 Speaker 2: I feel honored to be a part of this, these 9 00:00:27,720 --> 00:00:28,560 Speaker 2: two that feel. 10 00:00:28,400 --> 00:00:31,120 Speaker 1: So much love, and we're about to do the love episode. 11 00:00:31,360 --> 00:00:33,760 Speaker 1: Oh that's right. Oh my god. 12 00:00:34,960 --> 00:00:37,000 Speaker 2: Wait have you have you ever seen of this hotel before? 13 00:00:37,720 --> 00:00:37,800 Speaker 1: No? 14 00:00:38,240 --> 00:00:43,520 Speaker 2: Oh my, oh myke you're saying you're hungry. 15 00:00:44,560 --> 00:00:46,400 Speaker 1: I got to go to your room and I was 16 00:00:46,440 --> 00:00:48,680 Speaker 1: just blown away the window. 17 00:00:50,360 --> 00:00:52,560 Speaker 2: After this, we have to go eat because the food 18 00:00:52,560 --> 00:00:54,480 Speaker 2: here is very, very very good. 19 00:00:56,520 --> 00:00:57,360 Speaker 1: Okay, let's do it. 20 00:00:57,400 --> 00:01:00,640 Speaker 2: Wingley is the mission started? These restaurants? 21 00:01:00,640 --> 00:01:03,120 Speaker 1: Oh god, I'm sorry. I'm starving, Kevin. 22 00:01:03,280 --> 00:01:05,400 Speaker 2: Sorry, so dumb. It is so good. 23 00:01:05,720 --> 00:01:07,600 Speaker 1: I'm so hungry. What you had? I want to know 24 00:01:07,720 --> 00:01:10,000 Speaker 1: just to describe one, just describe a highlight for me 25 00:01:10,040 --> 00:01:12,039 Speaker 1: of a dish. I just want to just take me there. 26 00:01:12,200 --> 00:01:15,160 Speaker 1: They like, well make gross some people out, but they 27 00:01:15,240 --> 00:01:17,320 Speaker 1: carve a whole duck. I was just going to say it. 28 00:01:17,520 --> 00:01:20,080 Speaker 1: I have duck. Yes they do. It's important. Do they 29 00:01:20,120 --> 00:01:21,400 Speaker 1: have the skin with the sugar? 30 00:01:21,959 --> 00:01:23,959 Speaker 2: I don't think they have the sugar. That is the 31 00:01:23,959 --> 00:01:26,800 Speaker 2: best thing in the entire world. It is I don't know, 32 00:01:26,840 --> 00:01:28,839 Speaker 2: maybe top three best meals I've ever had in my life. 33 00:01:29,040 --> 00:01:30,039 Speaker 1: What Wow. 34 00:01:30,080 --> 00:01:32,080 Speaker 2: I'm not even someone who loves the steakhouse, but the 35 00:01:32,160 --> 00:01:35,520 Speaker 2: steakhouse here as well might stay. I love a steakhouse. 36 00:01:36,120 --> 00:01:39,120 Speaker 2: I look. I know that sounds like so fake and 37 00:01:39,200 --> 00:01:39,640 Speaker 2: not real. 38 00:01:39,800 --> 00:01:45,840 Speaker 1: I believe you all feels very genuine, especially because you 39 00:01:45,880 --> 00:01:48,000 Speaker 1: told me all of this offline, so you wouldn't. That 40 00:01:48,040 --> 00:01:50,800 Speaker 1: would be weird if you. Oh, my stomach is growy. 41 00:01:50,840 --> 00:01:51,640 Speaker 1: He just lied to us. 42 00:01:52,920 --> 00:01:54,040 Speaker 2: I've said here a lot of times. I went to 43 00:01:54,080 --> 00:01:55,520 Speaker 2: a place last night I've never been before. They have 44 00:01:55,680 --> 00:01:57,640 Speaker 2: like it was like a restaurant that's near the casino. 45 00:01:57,720 --> 00:01:59,280 Speaker 2: So I just because i've been to like the fancier 46 00:01:59,280 --> 00:02:01,800 Speaker 2: ones happen. It was dim Sum Oh. 47 00:02:03,560 --> 00:02:07,720 Speaker 1: My life. Yeah, you're killing me my favorite. Yeah. Don't 48 00:02:07,720 --> 00:02:10,360 Speaker 1: you feel like everywhere you go people say I have 49 00:02:10,400 --> 00:02:13,680 Speaker 1: the best dim some place. That's something I hear on 50 00:02:13,760 --> 00:02:16,520 Speaker 1: the regular listing. Yeah, I loved him, So they're always wrong. 51 00:02:17,520 --> 00:02:20,520 Speaker 1: You gotta go to dim sum with your mom? Chicken feed? 52 00:02:20,520 --> 00:02:23,600 Speaker 1: Why don't we always have to have chicken feed? Oh 53 00:02:23,600 --> 00:02:25,239 Speaker 1: and Chang? Yeah, you're welcome. Wow. 54 00:02:25,400 --> 00:02:28,679 Speaker 3: This is season three, episode thirteen, Heart and its air 55 00:02:28,760 --> 00:02:33,880 Speaker 3: date was February fourteenth, twenty twelve, of Valentine's Day, the 56 00:02:33,919 --> 00:02:39,600 Speaker 3: home Mark holiday. In the News, number one song was 57 00:02:40,080 --> 00:02:41,919 Speaker 3: Stronger by Kelly Clarkson. 58 00:02:42,000 --> 00:02:46,919 Speaker 1: How very exciting Kelly Clarkson was on American Dreams. Oh shit, 59 00:02:47,639 --> 00:02:51,360 Speaker 1: I'm gonna say, Linda Rons, okay, can you google that? 60 00:02:51,520 --> 00:02:54,000 Speaker 1: Can I google it? I'll do it, Okay, Kelly Clarkson 61 00:02:54,040 --> 00:02:54,680 Speaker 1: American Dreams. 62 00:02:54,720 --> 00:02:57,160 Speaker 2: That sounds right. I remember that. 63 00:02:57,440 --> 00:03:00,440 Speaker 1: Actually, Yeah, she was amazing. You have some people in 64 00:03:00,520 --> 00:03:04,080 Speaker 1: making dreams frendly frendaly see new items, really don't have it. 65 00:03:05,240 --> 00:03:07,280 Speaker 2: That was the number one movie. Rachel McAdams and Chain 66 00:03:07,320 --> 00:03:08,040 Speaker 2: Kadam didn't see that. 67 00:03:08,040 --> 00:03:11,080 Speaker 1: I'm such a big fan of Channing really and Rachel 68 00:03:11,120 --> 00:03:12,160 Speaker 1: mccadams right. 69 00:03:12,440 --> 00:03:15,880 Speaker 2: On February nineteenth and Glee News a STEADI caam operator 70 00:03:15,919 --> 00:03:18,639 Speaker 2: Andrew Mitchell one camera Operator. 71 00:03:18,240 --> 00:03:20,000 Speaker 1: Of the Year, well deserved snapping. 72 00:03:20,120 --> 00:03:21,920 Speaker 2: And we were also, I remember we were pissed that 73 00:03:21,919 --> 00:03:22,639 Speaker 2: it took so long. 74 00:03:22,960 --> 00:03:26,280 Speaker 1: Yeah, exactly, but he deserves it so well deserved. You've 75 00:03:26,360 --> 00:03:30,240 Speaker 1: obviously talked about him to nauseam about how magical he was, 76 00:03:30,520 --> 00:03:33,359 Speaker 1: oh great, and like how I've never seen anybody dance 77 00:03:33,600 --> 00:03:37,680 Speaker 1: while having a steadycam operating system on their person. And 78 00:03:37,760 --> 00:03:41,240 Speaker 1: the fact that his whole team would like surround him 79 00:03:41,280 --> 00:03:43,800 Speaker 1: like a little amieba and make sure he didn't trip 80 00:03:43,920 --> 00:03:47,240 Speaker 1: or fall over a chord. It was just brilliant. Really, 81 00:03:47,360 --> 00:03:47,880 Speaker 1: it was surreal. 82 00:03:48,120 --> 00:03:50,320 Speaker 2: And we always said, like Glee wouldn't he was the 83 00:03:50,640 --> 00:03:53,320 Speaker 2: unofficial like thirteenth member of the Glee Club, and the 84 00:03:53,360 --> 00:03:55,360 Speaker 2: Glee would not look how it looked without him. 85 00:03:55,440 --> 00:03:58,760 Speaker 4: No, absolutely, Okay, great, I'm glad you guys. Oh yeah, 86 00:03:58,800 --> 00:04:02,840 Speaker 4: that's great, but we can't enough of him. This episode 87 00:04:02,880 --> 00:04:08,600 Speaker 4: was directed by Brad Foulchuk, and it was officially unofficially 88 00:04:08,600 --> 00:04:12,040 Speaker 4: written by Ali Adler and our team of Glee writers. 89 00:04:12,080 --> 00:04:14,520 Speaker 4: And we have two very very very special guest stars, 90 00:04:14,640 --> 00:04:17,200 Speaker 4: Jeff Goldbloom and Brian Sokes Mitchell. 91 00:04:18,040 --> 00:04:20,680 Speaker 2: I mean, I got, I. 92 00:04:20,720 --> 00:04:24,040 Speaker 1: Got, I got a selfie with Jeff goldbla It just 93 00:04:24,640 --> 00:04:28,640 Speaker 1: growing up in the eighties and the nineties, y icon 94 00:04:29,040 --> 00:04:34,480 Speaker 1: icon icon, you probably something super strange. We got to 95 00:04:34,640 --> 00:04:37,719 Speaker 1: ride on a golf cart together. I snapped the selfie 96 00:04:37,720 --> 00:04:39,640 Speaker 1: that became kind of my best picture of myself for 97 00:04:39,680 --> 00:04:44,159 Speaker 1: a long time, just because something to write home about. 98 00:04:44,160 --> 00:04:49,040 Speaker 1: I mean, he's he just yeah, there's no there's nobody 99 00:04:49,160 --> 00:04:51,840 Speaker 1: like him, absolutely truly. 100 00:04:51,520 --> 00:04:55,040 Speaker 3: Nobody like him, singular singular person. I will say also 101 00:04:55,360 --> 00:05:00,560 Speaker 3: court over Street. Yes, well, the best intention I've seen it, Jeff. 102 00:05:00,839 --> 00:05:03,239 Speaker 2: I've seen him for an impression and he has he said, 103 00:05:03,360 --> 00:05:04,960 Speaker 2: oh god, let me see if I can work on it. 104 00:05:05,400 --> 00:05:06,479 Speaker 1: He sent it to you, He sent it. 105 00:05:06,600 --> 00:05:12,680 Speaker 3: Wow, he sent it, which brings us to uh, I 106 00:05:12,720 --> 00:05:14,640 Speaker 3: mean more, which brings you to kutcher. 107 00:05:17,200 --> 00:05:19,000 Speaker 1: I'm upset. It's so good. 108 00:05:21,839 --> 00:05:27,360 Speaker 2: What he would do, especially with Cord, took. 109 00:05:27,640 --> 00:05:28,560 Speaker 1: That took my breath away. 110 00:05:28,839 --> 00:05:31,200 Speaker 2: He would play this game, whereas like association, where you 111 00:05:31,440 --> 00:05:33,360 Speaker 2: do that, you would be like, well it was Jeff's idea. 112 00:05:33,760 --> 00:05:37,039 Speaker 3: Jeff's like, let's play a game, and everybody's like, okay, 113 00:05:37,400 --> 00:05:39,279 Speaker 3: like silent, We're all like silent. 114 00:05:39,640 --> 00:05:41,560 Speaker 1: But he Jeff wanted to be. 115 00:05:41,680 --> 00:05:44,240 Speaker 3: Very engaged with everybody all the time, even Offset, and 116 00:05:44,320 --> 00:05:48,960 Speaker 3: so Cord. He played a lot of games. But Cord 117 00:05:49,120 --> 00:05:52,960 Speaker 3: is you know, he soaks people up and spits them out, 118 00:05:53,080 --> 00:05:54,160 Speaker 3: so it brings us. 119 00:05:54,920 --> 00:05:58,080 Speaker 2: I didn't get to work a lot with Jeff. You 120 00:05:57,640 --> 00:06:01,120 Speaker 2: know Jeff, we call him Jeff. And I walked out 121 00:06:01,120 --> 00:06:03,400 Speaker 2: of my trailer I think it was the episode after 122 00:06:03,440 --> 00:06:05,800 Speaker 2: this actually, and he's like, oh my. 123 00:06:05,760 --> 00:06:08,560 Speaker 1: God, it's you. I'm like, hi, nice to me. She's like, 124 00:06:08,640 --> 00:06:12,479 Speaker 1: it's you. You sing like a bird what Jeff Goldman 125 00:06:12,560 --> 00:06:14,880 Speaker 1: said about I'm like. 126 00:06:14,839 --> 00:06:15,960 Speaker 2: Well, you raised me. 127 00:06:16,440 --> 00:06:17,360 Speaker 1: Oh my god. 128 00:06:17,760 --> 00:06:20,000 Speaker 3: Somebody said that to me recently at the coffee shop 129 00:06:20,040 --> 00:06:22,159 Speaker 3: that I frequent almost daily. 130 00:06:22,279 --> 00:06:25,719 Speaker 1: She was like, oh, Queen, you raised me. And I 131 00:06:26,000 --> 00:06:27,000 Speaker 1: was like. 132 00:06:28,839 --> 00:06:32,040 Speaker 3: No, no, no, I've never heard say before, Like, I've never 133 00:06:32,080 --> 00:06:33,560 Speaker 3: heard somebody say that to me before. 134 00:06:33,680 --> 00:06:36,360 Speaker 1: And I was like, wow, wow, wow, that is profound. 135 00:06:36,640 --> 00:06:40,279 Speaker 2: Posted a very very apropos thing recently. It's a picture 136 00:06:40,279 --> 00:06:42,080 Speaker 2: of him and he's like, if you were old enough 137 00:06:42,320 --> 00:06:43,800 Speaker 2: to enjoy in my books and come up to me 138 00:06:43,839 --> 00:06:46,040 Speaker 2: and saying I grew up reading your books, don't come 139 00:06:46,040 --> 00:06:46,560 Speaker 2: and say. 140 00:06:46,360 --> 00:06:49,680 Speaker 1: That you posted a grandma, right, Okay, Yeah. So the 141 00:06:49,720 --> 00:06:50,160 Speaker 1: songs in. 142 00:06:50,080 --> 00:06:54,159 Speaker 3: This episode are Love by Knacking colds Harr's audition song 143 00:06:54,640 --> 00:06:58,760 Speaker 3: Oh very Good, Let Me Love You by Mario Stereo 144 00:06:58,839 --> 00:07:02,400 Speaker 3: Hearts by Jim class DROs Home Michael Boublay, I will 145 00:07:02,440 --> 00:07:06,040 Speaker 3: always love you, Highlight Whitney Houston. You're at the top 146 00:07:06,120 --> 00:07:09,080 Speaker 3: of You're the top by the cast or anything goes 147 00:07:09,200 --> 00:07:14,640 Speaker 3: Cherish Cherish by macdonnaugh and the Yes and the Association 148 00:07:15,240 --> 00:07:20,640 Speaker 3: and love Shack by the Bee fifty two's there's some 149 00:07:20,680 --> 00:07:21,840 Speaker 3: fun facts. 150 00:07:22,240 --> 00:07:25,240 Speaker 2: The titles episode is actually just the heart symbol, which 151 00:07:25,280 --> 00:07:29,600 Speaker 2: is wild, which is crazy. And I liked the little 152 00:07:29,640 --> 00:07:32,000 Speaker 2: Glee turned pink. You see that was cute. 153 00:07:32,560 --> 00:07:33,480 Speaker 1: It's very cute. 154 00:07:33,800 --> 00:07:36,080 Speaker 2: In the pilot episode, Rachel introduces her dads by showing 155 00:07:36,080 --> 00:07:38,240 Speaker 2: a picture of the two of them. Her dads are 156 00:07:38,280 --> 00:07:41,200 Speaker 2: not those dads and dads now, yeah, now we get 157 00:07:41,240 --> 00:07:44,360 Speaker 2: that stunt casting. This is actually not the first time 158 00:07:44,440 --> 00:07:47,239 Speaker 2: Leah and Brian Stokes Mitchell co starred. They were both 159 00:07:47,320 --> 00:07:49,960 Speaker 2: in rag Time on Broadway in nineteen ninety eight. 160 00:07:50,080 --> 00:07:50,520 Speaker 1: That's right. 161 00:07:50,600 --> 00:07:53,680 Speaker 2: Brian played Cole house Walker Junior, and Leah played the 162 00:07:53,680 --> 00:07:55,760 Speaker 2: little girl Whitney Houston. 163 00:07:55,800 --> 00:07:59,440 Speaker 1: I unexpectedly and sadly on February eleventh, three days before 164 00:07:59,480 --> 00:08:01,920 Speaker 1: the episode of scheduled to air. In the day after 165 00:08:02,000 --> 00:08:06,760 Speaker 1: the episode, episode finished and was delivered to network. The 166 00:08:06,800 --> 00:08:08,720 Speaker 1: episode was then dedicated to me. 167 00:08:09,680 --> 00:08:12,400 Speaker 2: I remember when that aired and people thought like we 168 00:08:12,480 --> 00:08:14,640 Speaker 2: had done it and turned it around that quickly. 169 00:08:14,840 --> 00:08:17,040 Speaker 1: It is just by sheer coincidence totally. 170 00:08:17,320 --> 00:08:22,320 Speaker 2: We did the Whitney episode later on after that intentionally 171 00:08:22,360 --> 00:08:23,120 Speaker 2: but not. 172 00:08:23,600 --> 00:08:28,360 Speaker 1: That was dance. Yeah. Samuel Larson makes his debut Showheart 173 00:08:28,600 --> 00:08:29,680 Speaker 1: on gleat. 174 00:08:29,840 --> 00:08:35,280 Speaker 2: The God Squad. The britanniciss was cut from the four 175 00:08:35,320 --> 00:08:38,240 Speaker 2: PM episode, which is who knew that they aired episodes 176 00:08:38,280 --> 00:08:40,559 Speaker 2: that early in the Philippines, but was shown in the 177 00:08:40,600 --> 00:08:45,880 Speaker 2: primetime telecast at night BM Okay, interesting, okay, I do 178 00:08:46,000 --> 00:08:47,520 Speaker 2: like this one of the songs in Britte's playlist for 179 00:08:47,559 --> 00:08:50,960 Speaker 2: Santana Our Purple People, Eater, Disco, duct Monster, Mash on 180 00:08:51,000 --> 00:08:54,720 Speaker 2: top of Spaghetti pack Man, Fever, Osama Yo Mama, and 181 00:08:54,800 --> 00:08:55,480 Speaker 2: the different shows. 182 00:08:55,600 --> 00:08:59,800 Speaker 1: I can almost guarantee that this playlist is available on Spotify. 183 00:08:59,800 --> 00:09:05,040 Speaker 1: That's somebody has done for the singular and also that 184 00:09:05,120 --> 00:09:08,080 Speaker 1: she says that these are all the songs that play 185 00:09:08,120 --> 00:09:10,120 Speaker 1: through her head when she thinks of her Yeah. 186 00:09:10,400 --> 00:09:14,400 Speaker 3: Just a great just agreeeah, so great one. 187 00:09:14,440 --> 00:09:17,360 Speaker 1: We'll suggest serenading people from classroom to classroom tena syth 188 00:09:17,400 --> 00:09:19,920 Speaker 1: the Glee Club when caroling two years before this episode, 189 00:09:19,960 --> 00:09:23,120 Speaker 1: but it was actually technically only one year before. 190 00:09:23,160 --> 00:09:32,360 Speaker 2: Tina's bad with math whatever, like Jenna's bat with direction, 191 00:09:32,440 --> 00:09:33,200 Speaker 2: Tina's bad a man. 192 00:09:33,360 --> 00:09:37,679 Speaker 1: That's fair. That is very fair, and Sugar says the 193 00:09:37,679 --> 00:09:40,760 Speaker 1: only people with dates are allowed. Only people with dates 194 00:09:40,760 --> 00:09:43,880 Speaker 1: are allowed to come to her party, but already attends 195 00:09:43,880 --> 00:09:45,800 Speaker 1: the party without a date, as well as the God 196 00:09:45,840 --> 00:09:49,199 Speaker 1: Squad members and Kurt prior to blaine surprise return. It 197 00:09:49,240 --> 00:09:52,360 Speaker 1: seems like mostly a bouncer problem. Yeah, she just didn't. 198 00:09:52,840 --> 00:09:57,640 Speaker 1: She probably fired hired somebody at the end of this night. 199 00:10:05,200 --> 00:10:08,680 Speaker 1: Give me the summary of this episode. In honor of 200 00:10:08,760 --> 00:10:12,040 Speaker 1: Valentine's Day, Will challenges the Glee Club to find the 201 00:10:12,480 --> 00:10:14,480 Speaker 1: and perform the world's greatest love songs. 202 00:10:14,520 --> 00:10:17,080 Speaker 3: So we found that there's a pattern here, Vanessa that 203 00:10:17,240 --> 00:10:21,080 Speaker 3: Will doesn't come up lesson plans in preparation. 204 00:10:21,320 --> 00:10:23,199 Speaker 1: He figures them out on the fly all the time. 205 00:10:24,240 --> 00:10:25,760 Speaker 3: And I have to say, I just think about this 206 00:10:25,840 --> 00:10:29,080 Speaker 3: a lot, Like I think that if this wasn't ian thing, 207 00:10:29,240 --> 00:10:31,840 Speaker 3: like he thought it was a joke, that how bad 208 00:10:31,840 --> 00:10:34,760 Speaker 3: of a teacher Will is, Like he purposefully did this 209 00:10:34,800 --> 00:10:38,160 Speaker 3: because there's no other way around it. He as a teacher, 210 00:10:39,440 --> 00:10:44,000 Speaker 3: bad teacher, Okay, so, Vanessa, this is a big episode 211 00:10:44,000 --> 00:10:48,960 Speaker 3: for you. Yeah, I got to speak. So this is 212 00:10:48,960 --> 00:10:52,880 Speaker 3: a very exciting opportunity. I can't like to hear about 213 00:10:52,960 --> 00:10:58,480 Speaker 3: your first real big episode. Yeah, and it's I mean 214 00:10:58,640 --> 00:11:01,960 Speaker 3: still to be fair, it was also like you stole it. 215 00:11:01,960 --> 00:11:05,280 Speaker 3: It wasn't even like all your episode, but you stole it. 216 00:11:05,280 --> 00:11:08,120 Speaker 1: It's yours. Coming from thinking I was coming in for 217 00:11:08,240 --> 00:11:12,520 Speaker 1: one performance of a bad song to having the whole episode. 218 00:11:13,160 --> 00:11:18,560 Speaker 1: You'd be like a sugar shack Valentine's Heart theme. I felt, 219 00:11:19,200 --> 00:11:22,679 Speaker 1: I felt honored and and I was I was excited. 220 00:11:22,679 --> 00:11:24,120 Speaker 1: It was like, oh, yeah, give me something to do. 221 00:11:25,000 --> 00:11:28,240 Speaker 1: Go I ate it, ate it. This is very exciting. 222 00:11:28,440 --> 00:11:30,400 Speaker 1: It was. It was a It was a lot of 223 00:11:30,440 --> 00:11:33,480 Speaker 1: the outfits turned turned to from they went from an 224 00:11:33,520 --> 00:11:40,160 Speaker 1: eleven to exactly there's just one moment where I'm wearing 225 00:11:40,160 --> 00:11:41,800 Speaker 1: that hat. What's that about that? 226 00:11:41,800 --> 00:11:41,880 Speaker 5: That? 227 00:11:42,360 --> 00:11:46,000 Speaker 1: I was like, I loved it, though you loved it? 228 00:11:46,120 --> 00:11:47,040 Speaker 2: Absolutely made sense. 229 00:11:47,280 --> 00:11:51,200 Speaker 1: Oh yeah, it's fantastic. Yeah, let's see, you had so 230 00:11:51,280 --> 00:11:53,080 Speaker 1: much fun. I had so much fun. So it kind 231 00:11:53,080 --> 00:11:55,840 Speaker 1: of goes back to that, you know, getting that opportunity 232 00:11:55,880 --> 00:11:59,200 Speaker 1: and wanting to have the best time with it, and 233 00:11:59,200 --> 00:12:02,520 Speaker 1: and then I have to admit, and this is not 234 00:12:02,559 --> 00:12:04,760 Speaker 1: going to be a shocked anyone, but being able to 235 00:12:05,640 --> 00:12:08,560 Speaker 1: have scenes with you, Kevin and I was so cute 236 00:12:08,679 --> 00:12:10,600 Speaker 1: and and show off a little bit of how in 237 00:12:10,640 --> 00:12:12,800 Speaker 1: love with you I am on camera, it was a 238 00:12:13,280 --> 00:12:15,679 Speaker 1: It was a dream come true. Likewise, it was such 239 00:12:15,720 --> 00:12:19,160 Speaker 1: a joy, just a devastation that it ended how it ended. 240 00:12:19,160 --> 00:12:22,000 Speaker 1: But I know, well Ory really stepped in there. 241 00:12:22,480 --> 00:12:26,800 Speaker 2: Rory first of all singing home saying I'm going to 242 00:12:26,840 --> 00:12:27,959 Speaker 2: be like deported. 243 00:12:28,440 --> 00:12:33,280 Speaker 1: He really used it, used, he used his armor, his Yeah, 244 00:12:33,400 --> 00:12:36,920 Speaker 1: he used it all. I was like, that was nice 245 00:12:36,920 --> 00:12:41,080 Speaker 1: for him as an actor because he's just so nice, 246 00:12:41,760 --> 00:12:44,520 Speaker 1: Like I love nice people, but sometimes you're like, but 247 00:12:44,640 --> 00:12:47,840 Speaker 1: is there anything else mere? And uh and and I 248 00:12:47,880 --> 00:12:50,400 Speaker 1: never knew that. But when he got to kind of 249 00:12:50,440 --> 00:12:55,640 Speaker 1: play this manipulation, you know, it was yeah, I'll do 250 00:12:55,720 --> 00:12:57,800 Speaker 1: anything to get the not even to get the girl 251 00:12:57,840 --> 00:13:00,760 Speaker 1: I was insignificant, but to win over you, like power game. 252 00:13:00,960 --> 00:13:03,520 Speaker 1: I thought, Wow, that's really nice. I like he brought it. 253 00:13:03,640 --> 00:13:05,200 Speaker 2: I thought the whole bit was really fun. I was 254 00:13:05,240 --> 00:13:06,880 Speaker 2: trying to one up each other the whole time. That 255 00:13:06,880 --> 00:13:09,600 Speaker 2: little montage was great. I really I really enjoyed. 256 00:13:09,280 --> 00:13:14,959 Speaker 1: That I was doing love. Yes that even they were back. 257 00:13:15,360 --> 00:13:19,520 Speaker 3: I was back baby, but also ironically I was back 258 00:13:19,760 --> 00:13:22,920 Speaker 3: half because my boyfriend and I at the time had 259 00:13:22,920 --> 00:13:26,000 Speaker 3: gotten into the biggest fight of our relationship, hands down 260 00:13:26,120 --> 00:13:26,840 Speaker 3: to this day. 261 00:13:27,320 --> 00:13:30,920 Speaker 1: There was crying involved, there was fighting, and I had 262 00:13:30,920 --> 00:13:36,200 Speaker 1: to come and shoot love that night outrageous and it was. 263 00:13:36,320 --> 00:13:37,840 Speaker 2: You were going through it awful. 264 00:13:38,160 --> 00:13:41,120 Speaker 3: You tell people little mule my makeup artists. I said, like, 265 00:13:41,360 --> 00:13:44,680 Speaker 3: please fix me. My face was so puffy. I don't 266 00:13:44,679 --> 00:13:47,360 Speaker 3: know if you can see it. Oh yeah, different. Yeah, 267 00:13:47,400 --> 00:13:49,440 Speaker 3: I watched it yesterday. I saw it was what is 268 00:13:49,480 --> 00:13:49,880 Speaker 3: going on? 269 00:13:51,120 --> 00:13:54,680 Speaker 2: I was like, wow, it didn't look so different. I 270 00:13:54,679 --> 00:13:56,720 Speaker 2: didn't know exactly why, but that makes sense. 271 00:13:56,760 --> 00:13:58,880 Speaker 3: That number specifically, I was like, I have to go 272 00:13:58,920 --> 00:14:01,360 Speaker 3: shoot tonight and I had to go shoot. 273 00:14:01,520 --> 00:14:08,240 Speaker 1: A song about love awful. It was did Harry know? No, 274 00:14:08,720 --> 00:14:09,600 Speaker 1: you just kept it? 275 00:14:09,679 --> 00:14:10,160 Speaker 2: Does it help? 276 00:14:10,240 --> 00:14:10,400 Speaker 1: Though? 277 00:14:10,440 --> 00:14:14,280 Speaker 2: Having someone who Melissa like Harry Melissa Melissa, it's a 278 00:14:14,360 --> 00:14:17,040 Speaker 2: very loving like team you have there. And then Harry, 279 00:14:17,040 --> 00:14:20,800 Speaker 2: who was like super loving and generous, Yes, like stable, 280 00:14:20,920 --> 00:14:21,600 Speaker 2: was a really. 281 00:14:21,640 --> 00:14:23,920 Speaker 1: Solid, very protected, very protected. 282 00:14:23,960 --> 00:14:25,360 Speaker 3: It was also good because it was only the two 283 00:14:25,400 --> 00:14:27,480 Speaker 3: of us, like being an imagine being in a choir 284 00:14:27,520 --> 00:14:28,760 Speaker 3: room scene where you have to do it in front 285 00:14:28,800 --> 00:14:30,800 Speaker 3: of everybody and everybody's wondering what's going on. 286 00:14:30,760 --> 00:14:34,040 Speaker 1: Like this was a six pm shoot. It was like just. 287 00:14:34,080 --> 00:14:37,640 Speaker 3: Brad, you know what I mean, Like just Harry, thank God, right, 288 00:14:38,800 --> 00:14:41,280 Speaker 3: but it's just so funny to like see on the outside. 289 00:14:41,280 --> 00:14:44,040 Speaker 3: It just said such a good reminder for people in general, 290 00:14:44,160 --> 00:14:46,800 Speaker 3: like you just don't never know what people are going through, 291 00:14:47,360 --> 00:14:50,680 Speaker 3: and like how awful that was experience and that shoot 292 00:14:50,800 --> 00:14:52,800 Speaker 3: was for me and it's like, finally. 293 00:14:52,440 --> 00:14:55,000 Speaker 1: I got a song, finally I had something to do. 294 00:14:55,240 --> 00:14:58,520 Speaker 1: And then you're like just fucking smile. 295 00:14:58,800 --> 00:15:02,880 Speaker 6: Yeah, I want you to know that it read that 296 00:15:02,960 --> 00:15:05,160 Speaker 6: you had a lot of emotion, so like it read 297 00:15:05,840 --> 00:15:09,600 Speaker 6: that it was passion, you know, and so it wasn't. 298 00:15:09,760 --> 00:15:12,560 Speaker 1: It didn't. I mean it gave it a lot of 299 00:15:12,680 --> 00:15:15,760 Speaker 1: juice and to know what was really going on the 300 00:15:15,800 --> 00:15:20,440 Speaker 1: second you told me earlier today, I I it rearranged 301 00:15:20,480 --> 00:15:23,880 Speaker 1: in my mind and I understood the deeper, the deeper 302 00:15:23,920 --> 00:15:25,480 Speaker 1: thing and the thing that I was feeling and it 303 00:15:25,520 --> 00:15:28,640 Speaker 1: hadn't connected it. And then like I don't know if 304 00:15:28,680 --> 00:15:33,440 Speaker 1: people understand that actors. I mean maybe maybe now it's different, 305 00:15:33,480 --> 00:15:37,800 Speaker 1: but when I was raised in this industry. You can't 306 00:15:37,840 --> 00:15:40,520 Speaker 1: be sick, you can't be sad, you can't be heartbroken, 307 00:15:40,840 --> 00:15:43,040 Speaker 1: you can't you don't get days off, you don't you 308 00:15:43,040 --> 00:15:48,640 Speaker 1: don't get there's nothing. I leave it at the door. 309 00:15:48,720 --> 00:15:52,920 Speaker 1: What was that Paradise song that we did dashboard Light? 310 00:15:53,400 --> 00:15:57,880 Speaker 3: I was so sick that day, hard sick. 311 00:15:58,200 --> 00:16:02,160 Speaker 1: And and and then they had a dress on with 312 00:16:02,280 --> 00:16:05,360 Speaker 1: the plastic. It was a strapless stress so I had 313 00:16:05,360 --> 00:16:09,080 Speaker 1: plastic rubber in it to keep it from moving, and 314 00:16:09,160 --> 00:16:10,160 Speaker 1: I took it off the end of the day. I 315 00:16:10,240 --> 00:16:13,200 Speaker 1: was so sick all day and I had blisters from 316 00:16:13,240 --> 00:16:15,520 Speaker 1: the last I was like, people don't understand that. You 317 00:16:15,560 --> 00:16:17,880 Speaker 1: don't get to be heartbroken. You don't get to have 318 00:16:17,920 --> 00:16:21,240 Speaker 1: a fight with your partner, which everybody has, and you 319 00:16:21,360 --> 00:16:24,040 Speaker 1: just have to be on camera for that. It's really 320 00:16:24,440 --> 00:16:27,600 Speaker 1: a wild part of our 're like, oh, I'm turning 321 00:16:27,640 --> 00:16:30,880 Speaker 1: blisters in my dress. I don't want to complain. Definitely 322 00:16:30,920 --> 00:16:34,120 Speaker 1: not I be that person. And it's like, of course 323 00:16:34,120 --> 00:16:36,400 Speaker 1: our wardrobe people would probably be like because they're so loving, 324 00:16:36,480 --> 00:16:39,360 Speaker 1: like oh yeah, oh me no, But also you just 325 00:16:39,440 --> 00:16:41,560 Speaker 1: don't want to be that person. You're just and you're 326 00:16:41,600 --> 00:16:43,960 Speaker 1: just trained not to like, it's the show must go on, 327 00:16:44,080 --> 00:16:47,000 Speaker 1: it's what's best for the it's what's best for the group, 328 00:16:47,080 --> 00:16:51,080 Speaker 1: the what's best for the final product, and you just 329 00:16:51,200 --> 00:16:54,960 Speaker 1: really you know, yeah, there, so I think again, I 330 00:16:55,000 --> 00:16:57,880 Speaker 1: compliment you both for having this podcast because it's really 331 00:16:57,920 --> 00:17:00,920 Speaker 1: a nice time to process. And I loved learning that 332 00:17:00,920 --> 00:17:03,040 Speaker 1: that was happening for you so I could give some 333 00:17:03,080 --> 00:17:04,640 Speaker 1: context to what I was feeling. 334 00:17:05,200 --> 00:17:07,680 Speaker 2: Yeah, I can't believe that's what That's what that was. Yes, 335 00:17:07,800 --> 00:17:08,879 Speaker 2: and we both clocked it. 336 00:17:10,600 --> 00:17:12,680 Speaker 1: Kevin said the sweet thing. She was like, you've gotten 337 00:17:12,720 --> 00:17:13,240 Speaker 1: so much. 338 00:17:15,320 --> 00:17:18,040 Speaker 2: You look like you. 339 00:17:18,520 --> 00:17:18,800 Speaker 1: Kevin. 340 00:17:18,840 --> 00:17:22,560 Speaker 3: Actually, the other night he I posted a photo on Instagram. 341 00:17:22,600 --> 00:17:24,440 Speaker 3: I don't remember what it was, and he goes, you're 342 00:17:24,480 --> 00:17:27,840 Speaker 3: literally Benjamin Button. I loved that loud because Kevin's the 343 00:17:27,840 --> 00:17:30,480 Speaker 3: most complimentary person and my number one fan. 344 00:17:30,760 --> 00:17:33,080 Speaker 1: I mean it, but yes, if you mean it so, 345 00:17:33,400 --> 00:17:35,920 Speaker 1: but he's a benchment Button. 346 00:17:38,359 --> 00:17:41,160 Speaker 2: Episode, I was like, I didn't know you had sobbing 347 00:17:41,359 --> 00:17:43,920 Speaker 2: and like fighting all days. Your face was like, yes, 348 00:17:44,200 --> 00:17:47,280 Speaker 2: distraught with feelings, so that makes. 349 00:17:47,680 --> 00:17:51,919 Speaker 3: You're so tired anyway, But you know, lots of shout 350 00:17:51,920 --> 00:17:54,600 Speaker 3: outs to like sweet Melissa Bule who like they just 351 00:17:54,640 --> 00:17:55,760 Speaker 3: take care of you, They really do. 352 00:17:56,000 --> 00:17:59,320 Speaker 1: I was also in a horrible relationship with Yes, that's right. 353 00:17:59,440 --> 00:18:02,159 Speaker 1: No one knew. And I think I think that all jobs, 354 00:18:02,160 --> 00:18:06,240 Speaker 1: you're not you know, necessarily welcome to come in distraught 355 00:18:06,359 --> 00:18:12,119 Speaker 1: or heartbroken. But there's there's something too. If you don't 356 00:18:12,160 --> 00:18:17,359 Speaker 1: show up and and perform in the in the in 357 00:18:17,680 --> 00:18:21,679 Speaker 1: the with the visual that we need to capture, you 358 00:18:21,720 --> 00:18:26,480 Speaker 1: are wasting than thousands and thousands of dollars. Yes, this 359 00:18:26,680 --> 00:18:31,480 Speaker 1: time and and yeah, it's just like it's just a lot, 360 00:18:31,520 --> 00:18:34,760 Speaker 1: and especially then and it's Glee and it's work, you know, 361 00:18:34,800 --> 00:18:37,959 Speaker 1: the fame and the popularity, so just that the pressure 362 00:18:38,040 --> 00:18:41,160 Speaker 1: is added, it's just like a really intense human experience. 363 00:18:41,320 --> 00:18:46,040 Speaker 1: I remember when Corey uh took a sick day and 364 00:18:46,080 --> 00:18:48,440 Speaker 1: I was like, wait, what, he's not coming to work. 365 00:18:49,880 --> 00:18:51,919 Speaker 1: I don't know what. I don't know what the behind 366 00:18:51,960 --> 00:18:54,399 Speaker 1: the scenes of that was. Do you remember there was 367 00:18:54,400 --> 00:18:56,040 Speaker 1: one day and he just didn't show. 368 00:18:55,880 --> 00:18:58,160 Speaker 2: Up and he's not someone who wouldn't. 369 00:18:59,400 --> 00:19:01,959 Speaker 1: And I remember thinking, I've never seen that happen in 370 00:19:02,280 --> 00:19:05,480 Speaker 1: however long my decades, I've never seen somebody not show 371 00:19:05,520 --> 00:19:07,440 Speaker 1: up for no, no, no, no. 372 00:19:07,960 --> 00:19:10,520 Speaker 2: I remember because we I mean, we've said this so 373 00:19:10,560 --> 00:19:13,200 Speaker 2: many times about us being sick and like still showing 374 00:19:13,280 --> 00:19:14,800 Speaker 2: up because I remember. 375 00:19:14,640 --> 00:19:16,280 Speaker 1: Now they would never do that with what we know 376 00:19:16,320 --> 00:19:19,879 Speaker 1: about COVID and or viruses, and they'd be like, no, 377 00:19:20,080 --> 00:19:22,200 Speaker 1: you can't be around. But that was not the case. 378 00:19:22,240 --> 00:19:24,240 Speaker 2: Well, because the whole thing is we all got a 379 00:19:25,160 --> 00:19:26,560 Speaker 2: big lesson in insurance days. 380 00:19:27,440 --> 00:19:28,720 Speaker 1: You don't take insurance days. 381 00:19:28,840 --> 00:19:31,600 Speaker 2: No, And then I had a producer, I don't know 382 00:19:31,600 --> 00:19:36,200 Speaker 2: if the producer was anyway, I found out that each 383 00:19:36,200 --> 00:19:39,360 Speaker 2: insurance they ended up costing like one hundred thousand dollars. Yeah, 384 00:19:39,680 --> 00:19:42,320 Speaker 2: it's a big day, So like it costs a lot 385 00:19:42,359 --> 00:19:44,480 Speaker 2: of money if you had to rearrange it or shut 386 00:19:44,520 --> 00:19:47,359 Speaker 2: down the day completely, Yeah, then it's that much Money's 387 00:19:47,359 --> 00:19:47,880 Speaker 2: almost a. 388 00:19:47,760 --> 00:19:51,040 Speaker 3: Flaw to know it, because then you're the guilt is 389 00:19:51,040 --> 00:19:53,840 Speaker 3: on you for sure, for sure knowing being like they 390 00:19:53,920 --> 00:19:55,720 Speaker 3: need to really sick today. Yeah, they need to have 391 00:19:55,760 --> 00:19:57,800 Speaker 3: a better system, and I'm sure they. I'm sure they're 392 00:19:57,840 --> 00:19:58,320 Speaker 3: working on it. 393 00:19:58,320 --> 00:20:02,200 Speaker 1: In you because people should be allowed to take sick days. 394 00:20:02,040 --> 00:20:04,800 Speaker 2: Especially in an ensemble cast like ours as well, where 395 00:20:05,320 --> 00:20:07,040 Speaker 2: there were so many times where a lot of us 396 00:20:07,040 --> 00:20:09,040 Speaker 2: were just like sitting in the choir and not doing anything. 397 00:20:09,200 --> 00:20:12,840 Speaker 2: Where like you could have just shuffled us around, like 398 00:20:13,119 --> 00:20:14,680 Speaker 2: because sometimes you're not seeing everybody. 399 00:20:14,720 --> 00:20:16,920 Speaker 1: I think when you're filming three episodes at a time 400 00:20:17,480 --> 00:20:19,640 Speaker 1: and juggling all of that, it's just like, no, there's 401 00:20:19,720 --> 00:20:22,200 Speaker 1: just it's just not in your right mind. The show 402 00:20:22,280 --> 00:20:26,919 Speaker 1: must go on. But anyways, we have to talk about sugarshock. 403 00:20:27,240 --> 00:20:29,520 Speaker 1: You have to talk about sugarshack. Yes, let's talk about 404 00:20:29,520 --> 00:20:31,600 Speaker 1: the sugarshack. So Vanessa's dancing. 405 00:20:32,240 --> 00:20:34,280 Speaker 2: So this whole episode starts like we have to raise 406 00:20:34,280 --> 00:20:38,680 Speaker 2: money for two fifty dollars for costumes and hairspray. 407 00:20:38,720 --> 00:20:39,159 Speaker 1: I don't know. 408 00:20:39,280 --> 00:20:42,840 Speaker 2: Maybe the however expensive that light up wall that Sam 409 00:20:42,920 --> 00:20:45,400 Speaker 2: used for Mercedes and the Michael episode could have paid 410 00:20:45,440 --> 00:20:48,240 Speaker 2: for that, But for. 411 00:20:48,359 --> 00:20:51,959 Speaker 1: The ten dollars ten dollars gram performance that the Godswad did, 412 00:20:52,480 --> 00:20:55,399 Speaker 1: Like what that costs ten dollars? They rented a choir, Yeah, 413 00:20:56,480 --> 00:20:56,920 Speaker 1: none of them. 414 00:20:57,000 --> 00:20:59,240 Speaker 2: It's like monopoly money. None of it makes any sense. 415 00:20:59,359 --> 00:21:02,920 Speaker 2: But then group pulls out the water cash and it's like, anyway, 416 00:21:03,200 --> 00:21:05,040 Speaker 2: here I'm throwing a party. 417 00:21:05,240 --> 00:21:08,800 Speaker 1: Also hilarious, Yeah, that whole like Daddy's throwing your party? 418 00:21:08,920 --> 00:21:13,240 Speaker 2: Yes, And is my memory correct? Did they build the 419 00:21:13,240 --> 00:21:16,359 Speaker 2: sugar Shack because normally we filmed sticks. You have normally 420 00:21:16,359 --> 00:21:18,879 Speaker 2: filmed Breadsticks in a real location. 421 00:21:19,640 --> 00:21:21,919 Speaker 1: No, what do you mean. Oh that's a good question. 422 00:21:22,119 --> 00:21:28,280 Speaker 2: What do you mean Redsticks was normally filmed at the Commissary. Yeah, 423 00:21:28,400 --> 00:21:31,200 Speaker 2: there was one time where they built No, that's true, 424 00:21:31,320 --> 00:21:34,040 Speaker 2: it was on a stage. Sugar Shack was on a stage, 425 00:21:34,400 --> 00:21:35,560 Speaker 2: So I really do. 426 00:21:35,600 --> 00:21:40,040 Speaker 1: Because I remember being I remember there being a fake setwall. 427 00:21:40,240 --> 00:21:43,280 Speaker 2: Yes, in those because they built the stage at the 428 00:21:43,359 --> 00:21:45,520 Speaker 2: end of it. That's not normally there. 429 00:21:45,560 --> 00:21:47,800 Speaker 3: Maybe that's why they needed the stage and they couldn't 430 00:21:47,800 --> 00:21:48,920 Speaker 3: build it at the Commissary. 431 00:21:48,960 --> 00:21:51,000 Speaker 2: And I think we died longer in it because the 432 00:21:51,119 --> 00:21:51,960 Speaker 2: scene was so long. 433 00:21:52,600 --> 00:21:55,800 Speaker 1: Okay, good. They had also film They had to film 434 00:21:55,840 --> 00:21:59,080 Speaker 1: other scenes because it was featured a lot in the episode. Okay, 435 00:21:59,119 --> 00:21:59,640 Speaker 1: that makes sense. 436 00:22:00,160 --> 00:22:03,720 Speaker 2: I didn't make that up because I remember, like where 437 00:22:03,760 --> 00:22:05,760 Speaker 2: I was sitting and like walking in there. I can't 438 00:22:05,800 --> 00:22:08,840 Speaker 2: believe they just built that was my ego. 439 00:22:09,520 --> 00:22:10,400 Speaker 1: They built the. 440 00:22:10,359 --> 00:22:13,560 Speaker 2: Sugar There's a couple of times also in this episode 441 00:22:13,600 --> 00:22:16,359 Speaker 2: where Rachel and Finn walking in the opposite side of 442 00:22:16,359 --> 00:22:20,359 Speaker 2: the back of the auditorium. And I had my friends 443 00:22:20,560 --> 00:22:21,919 Speaker 2: like watching this episode with me, it was. 444 00:22:21,920 --> 00:22:23,840 Speaker 1: Like we built that. 445 00:22:24,800 --> 00:22:27,199 Speaker 2: I didn't personally build that, but like the budget for 446 00:22:27,240 --> 00:22:29,320 Speaker 2: the show was so insane at that point that that 447 00:22:29,480 --> 00:22:32,320 Speaker 2: auditorium is a foot by foot replica of. 448 00:22:32,280 --> 00:22:35,560 Speaker 3: A realm on a stage, which is so odd anyway, 449 00:22:35,680 --> 00:22:38,520 Speaker 3: And now it's gone a lot of things kind of 450 00:22:38,520 --> 00:22:40,200 Speaker 3: culminate to this Sugar shack. 451 00:22:40,359 --> 00:22:40,560 Speaker 1: Right. 452 00:22:40,760 --> 00:22:45,120 Speaker 3: So there's the the God Squad members for Mercedes, sam 453 00:22:45,320 --> 00:22:48,480 Speaker 3: and Quinn and Joe Hart, Samuel Larson who joins the cast, 454 00:22:48,480 --> 00:22:50,800 Speaker 3: who was on the Glee project, And when I went 455 00:22:50,840 --> 00:22:54,080 Speaker 3: to go do the like judging mentoring thing. 456 00:22:54,080 --> 00:22:56,159 Speaker 1: Was like, God, that kid's a star, Like he just 457 00:22:56,840 --> 00:22:59,760 Speaker 1: so much soul to him. Yeah, so funny. 458 00:23:00,280 --> 00:23:04,320 Speaker 3: So his teen Jesus and they were they're doing these 459 00:23:04,359 --> 00:23:07,920 Speaker 3: gorilla grams and Santana. There's like a big conflict about 460 00:23:07,960 --> 00:23:11,200 Speaker 3: Santana singing a song to Brittany or hiring them to 461 00:23:11,240 --> 00:23:13,720 Speaker 3: sing a song because it is the God Squad. 462 00:23:13,920 --> 00:23:16,200 Speaker 2: I'm shaking your head. Seems furious about this. 463 00:23:16,359 --> 00:23:19,280 Speaker 1: Yes, well it doesn't know It was it was that 464 00:23:19,400 --> 00:23:22,399 Speaker 1: the principle said they can't do p DA. That was 465 00:23:22,440 --> 00:23:25,720 Speaker 1: the It wasn't the God Squad that said no, It 466 00:23:25,760 --> 00:23:28,520 Speaker 1: was the. 467 00:23:27,880 --> 00:23:31,440 Speaker 3: Yes, Yes, Sophigin says that Santana and Brittany can't kiss 468 00:23:31,440 --> 00:23:36,199 Speaker 3: in public, which is crazy, and then it led to 469 00:23:36,320 --> 00:23:38,880 Speaker 3: Santana going to the God Squad and kind of testing 470 00:23:38,920 --> 00:23:44,280 Speaker 3: the limits of which her saying like, there's this double standard, right, 471 00:23:44,359 --> 00:23:45,280 Speaker 3: and this is this is. 472 00:23:45,280 --> 00:23:50,000 Speaker 1: We're living in the amazing positive impact that has had 473 00:23:50,000 --> 00:23:52,720 Speaker 1: in the world. Like I think people watched and said, wait, 474 00:23:52,800 --> 00:23:55,560 Speaker 1: that is fucked up, you know, like where do I 475 00:23:55,640 --> 00:24:00,359 Speaker 1: see this double standard everywhere? And young people, you know, 476 00:24:00,720 --> 00:24:04,760 Speaker 1: young people who hadn't yet been just completely conditioned to 477 00:24:04,800 --> 00:24:07,520 Speaker 1: think that that's okay, right, got to say, wait, no, 478 00:24:07,560 --> 00:24:08,560 Speaker 1: I don't think that's cool. 479 00:24:08,760 --> 00:24:11,320 Speaker 2: I think that's right. Because a couple episodes ago when 480 00:24:11,960 --> 00:24:15,160 Speaker 2: Santana was forced out of the closet, there's a lot 481 00:24:15,160 --> 00:24:20,240 Speaker 2: of blowback from that episode, negative pushback because of all 482 00:24:20,240 --> 00:24:23,240 Speaker 2: the things that you just said, where they sort of 483 00:24:23,520 --> 00:24:26,800 Speaker 2: like fumbled that storyline and then also talked about how 484 00:24:27,680 --> 00:24:29,840 Speaker 2: Rachel and Finn are kissing all the time, but they're 485 00:24:29,880 --> 00:24:33,399 Speaker 2: not really ever featuring Santana and Brittany. And at the 486 00:24:33,440 --> 00:24:36,480 Speaker 2: same time, there are all this pushback from like these 487 00:24:36,520 --> 00:24:39,200 Speaker 2: religious groups on like social media and things. So this 488 00:24:39,359 --> 00:24:42,320 Speaker 2: episode or the storyline felt like it was in direct 489 00:24:42,400 --> 00:24:47,080 Speaker 2: response to all of that, being like, we hear you, 490 00:24:47,119 --> 00:24:49,320 Speaker 2: we know what you're saying. Ultimately, we're still going to 491 00:24:49,320 --> 00:24:53,080 Speaker 2: do what we want to do, but like we're going 492 00:24:53,080 --> 00:24:56,040 Speaker 2: to like sort of a piece this religious section and 493 00:24:56,119 --> 00:24:59,360 Speaker 2: also to the fans, like to an extent, like we'll 494 00:24:59,359 --> 00:25:02,160 Speaker 2: have the conversation in a way that's like, Okay, sure 495 00:25:02,200 --> 00:25:05,600 Speaker 2: this represents like a part of the country. And then 496 00:25:05,800 --> 00:25:08,520 Speaker 2: you have the fans who were upset about which I 497 00:25:08,640 --> 00:25:11,200 Speaker 2: like that Santana kept calling out Rachel and Finn the 498 00:25:11,359 --> 00:25:13,960 Speaker 2: entire time likeugh, like come on, like we're seeing this 499 00:25:14,080 --> 00:25:16,000 Speaker 2: all the time, and it was like, oh, hey, yeah, 500 00:25:16,000 --> 00:25:18,840 Speaker 2: these are the things that we sort of needed needed 501 00:25:18,840 --> 00:25:22,080 Speaker 2: to hear and didn't address yes before, like we're doing 502 00:25:22,080 --> 00:25:25,440 Speaker 2: a little backpedaling here, like maybe up for the things 503 00:25:25,440 --> 00:25:28,400 Speaker 2: that we might have Totally totally I. 504 00:25:28,359 --> 00:25:31,479 Speaker 1: Love that about Glee. I love that how you know, 505 00:25:31,680 --> 00:25:37,040 Speaker 1: real time conversation and such a big macro level had 506 00:25:37,080 --> 00:25:41,000 Speaker 1: to you had to and it was live like you 507 00:25:41,040 --> 00:25:47,000 Speaker 1: were working working these taboos out live right well, because 508 00:25:47,560 --> 00:25:49,520 Speaker 1: it was It's kind of trippy. 509 00:25:50,280 --> 00:25:52,359 Speaker 2: It was the first time that you also had the 510 00:25:52,400 --> 00:25:56,280 Speaker 2: opportunity to have in society, the real time response to 511 00:25:57,600 --> 00:26:00,280 Speaker 2: normal and average people around the world because normally. 512 00:26:00,040 --> 00:26:03,359 Speaker 1: Everybody's voices were there and they're all social media because 513 00:26:03,680 --> 00:26:05,159 Speaker 1: before like if you're getting a review, it's in a 514 00:26:05,200 --> 00:26:08,080 Speaker 1: newspaper from one person. No, you're like, this is the collective, 515 00:26:08,119 --> 00:26:10,080 Speaker 1: this is how we feel, this is how this group feels. 516 00:26:10,119 --> 00:26:13,160 Speaker 1: Is how this group feels, and you're you know, you're 517 00:26:13,359 --> 00:26:17,640 Speaker 1: in relationship in conversation without using the show. It's it's 518 00:26:17,720 --> 00:26:18,520 Speaker 1: quite brilliant, and I. 519 00:26:18,520 --> 00:26:20,280 Speaker 2: Think it was something like Ryan also had to learn 520 00:26:20,320 --> 00:26:24,520 Speaker 2: to listen to or not listen to because you're learning 521 00:26:24,520 --> 00:26:28,400 Speaker 2: in real time. Do I need to personally address these 522 00:26:28,400 --> 00:26:33,040 Speaker 2: things or not? So I think sometimes it was a 523 00:26:33,080 --> 00:26:35,160 Speaker 2: good thing, and I think a lot of times maybe 524 00:26:35,160 --> 00:26:38,199 Speaker 2: it wasn't. But I think and this one it was 525 00:26:38,240 --> 00:26:48,879 Speaker 2: like good and maybe not at the same time. I 526 00:26:49,040 --> 00:26:51,280 Speaker 2: wanted to talk about you at Sugar Shack. 527 00:26:51,600 --> 00:26:52,480 Speaker 1: Yes, just. 528 00:26:54,080 --> 00:27:00,960 Speaker 3: Living keeps you on the stage. Was that your idea? 529 00:27:01,600 --> 00:27:04,320 Speaker 3: Oh gosh, I have no idea. Probably not, I mean, 530 00:27:04,400 --> 00:27:07,439 Speaker 3: I know I will. I'm always a yes to standing 531 00:27:07,480 --> 00:27:08,520 Speaker 3: on a table if you want to. 532 00:27:09,720 --> 00:27:12,359 Speaker 1: It was your idea or Zach saying like get on 533 00:27:12,400 --> 00:27:14,800 Speaker 1: the table, Yeah, just just do it already in sugared 534 00:27:14,800 --> 00:27:16,639 Speaker 1: that you're not. Yeah, I loved it. It was the 535 00:27:16,680 --> 00:27:20,160 Speaker 1: sparkly microphone, the furry jackets. 536 00:27:20,320 --> 00:27:23,480 Speaker 2: Do you remember after the God Squad performs, you get 537 00:27:23,560 --> 00:27:25,680 Speaker 2: up there and you're like, Jesus. 538 00:27:27,040 --> 00:27:30,280 Speaker 1: That doesn't that feels like improvisations. Definitely. 539 00:27:30,600 --> 00:27:32,760 Speaker 2: It's the brilliance of like you as Sugar is, like 540 00:27:32,800 --> 00:27:35,159 Speaker 2: all these lines feel like they could be improvised, Like 541 00:27:35,200 --> 00:27:36,240 Speaker 2: that's how natural it felt. 542 00:27:36,280 --> 00:27:38,719 Speaker 1: Yeah, I'm not sure how much was improvised and how 543 00:27:38,800 --> 00:27:40,680 Speaker 1: much wasn't, But I'm sure. 544 00:27:40,760 --> 00:27:42,680 Speaker 2: Because Brad was directing like you can sort of get 545 00:27:42,680 --> 00:27:43,439 Speaker 2: away from a little bit. 546 00:27:43,800 --> 00:27:48,000 Speaker 1: He's well, that's I think he did. Yeah, he did. 547 00:27:48,720 --> 00:27:50,280 Speaker 1: And I also, you know, I was going to shoot 548 00:27:50,280 --> 00:27:52,239 Speaker 1: my shot, and what I knew about Lee is that 549 00:27:52,320 --> 00:27:56,440 Speaker 1: they will cut out whatever they don't like the time. 550 00:27:57,080 --> 00:27:59,480 Speaker 1: So I went for it. And it was so fun. 551 00:27:59,720 --> 00:28:02,959 Speaker 1: I was watching it and thinking, we all had an 552 00:28:02,960 --> 00:28:05,359 Speaker 1: amazing time. We did. We was like it was fun 553 00:28:05,480 --> 00:28:08,280 Speaker 1: and speaking about kind of your re entry, like it 554 00:28:08,320 --> 00:28:11,159 Speaker 1: was like a bonding time for you and me, and 555 00:28:11,240 --> 00:28:13,880 Speaker 1: it was really everyone was having fun and I think 556 00:28:13,880 --> 00:28:17,879 Speaker 1: new the new kids. Yes, it's just a nice It 557 00:28:17,920 --> 00:28:21,359 Speaker 1: was nice. It was nice. Darren was back. Yeah, it 558 00:28:21,400 --> 00:28:23,480 Speaker 1: was like the gang was finally back to it felt 559 00:28:23,520 --> 00:28:27,240 Speaker 1: it felt vibe check. Yeah, it felt really totally like 560 00:28:28,040 --> 00:28:28,680 Speaker 1: truly fun. 561 00:28:28,760 --> 00:28:31,120 Speaker 2: I was also happy you had a position of sort 562 00:28:31,200 --> 00:28:32,720 Speaker 2: of leadership, leadership I. 563 00:28:32,720 --> 00:28:36,800 Speaker 1: Was hosting the party. It's weird the character of real life, 564 00:28:37,440 --> 00:28:40,480 Speaker 1: all the interpersonal relationships. 565 00:28:40,120 --> 00:28:41,880 Speaker 2: Because I think there's no way to not for some 566 00:28:41,920 --> 00:28:46,000 Speaker 2: people to like judge their position in the hierarchy, not 567 00:28:46,080 --> 00:28:48,240 Speaker 2: based off of their personal relationships, but based off of 568 00:28:48,280 --> 00:28:50,360 Speaker 2: like how much you're getting in the story. But like 569 00:28:50,520 --> 00:28:55,120 Speaker 2: we sometimes you could feel like your worst feels dependent 570 00:28:55,200 --> 00:28:57,600 Speaker 2: upon that. Yeah, but our relationships are so good with 571 00:28:57,640 --> 00:29:00,600 Speaker 2: one another that we at least had that yes, no 572 00:29:00,600 --> 00:29:02,680 Speaker 2: matter what. Yes, But like every now and then it 573 00:29:02,720 --> 00:29:06,320 Speaker 2: would get to you or you get to us that like, well, 574 00:29:06,480 --> 00:29:07,680 Speaker 2: am I being valued in. 575 00:29:07,680 --> 00:29:10,880 Speaker 3: My And really that's what it was at the base level, 576 00:29:11,120 --> 00:29:13,560 Speaker 3: Like am I feeling rued? Am I feeling worthy? Am 577 00:29:13,560 --> 00:29:16,480 Speaker 3: I feeling like I'm being utilized or for the thing 578 00:29:16,480 --> 00:29:19,480 Speaker 3: that I want to that I was hired to do? Right? 579 00:29:19,640 --> 00:29:21,720 Speaker 1: And it's hard and it's hard to you go and 580 00:29:21,800 --> 00:29:22,720 Speaker 1: it's hard on you know. 581 00:29:22,760 --> 00:29:24,760 Speaker 3: It's just there's a lot of things and when you're 582 00:29:24,760 --> 00:29:26,600 Speaker 3: dealing with stuff in your personal life as well. It's like, 583 00:29:26,840 --> 00:29:28,600 Speaker 3: how do you get out of the mindset of this 584 00:29:28,640 --> 00:29:30,760 Speaker 3: when you're all here all the time, Like it's such 585 00:29:30,800 --> 00:29:33,480 Speaker 3: a mind fuck and a balance especially, it was a 586 00:29:33,520 --> 00:29:37,480 Speaker 3: really nice re entry and also for you for you know, 587 00:29:37,720 --> 00:29:40,680 Speaker 3: like a real introduction to Sugar again, like she was 588 00:29:40,720 --> 00:29:42,800 Speaker 3: like streaming, can't we all just get a lot? 589 00:29:43,240 --> 00:29:47,080 Speaker 1: That was like under that was the base side message. 590 00:29:47,240 --> 00:29:50,320 Speaker 1: And also I think that was the time where there 591 00:29:50,360 --> 00:29:55,520 Speaker 1: was fan fiction about Sugar Mada being Brittany and Santana's 592 00:29:55,600 --> 00:30:00,479 Speaker 1: daughter from the future coming back to I was just 593 00:30:00,880 --> 00:30:03,720 Speaker 1: I was so obsessed. I thought I was like fan fiction. 594 00:30:03,840 --> 00:30:06,040 Speaker 1: I didn't know about fan fiction until then, and I 595 00:30:06,120 --> 00:30:07,480 Speaker 1: thought this is so fun. 596 00:30:07,520 --> 00:30:09,040 Speaker 3: Well, a fan wrote in and asked you how you 597 00:30:09,080 --> 00:30:11,480 Speaker 3: felt about that, So I'm really glad. 598 00:30:10,720 --> 00:30:13,400 Speaker 1: I just wow, Okay, what did they want to know? 599 00:30:13,520 --> 00:30:15,920 Speaker 1: I doesn't know how you feel about it. Oh that's crazy. 600 00:30:16,000 --> 00:30:18,200 Speaker 1: I should really read these notes. I don't have those notes. 601 00:30:18,200 --> 00:30:22,320 Speaker 1: That's why I like things being kept for me. I 602 00:30:22,360 --> 00:30:28,840 Speaker 1: love surprises. It was awesome because it was like one 603 00:30:28,880 --> 00:30:31,320 Speaker 1: episode where I was wearing a shirt and it said 604 00:30:31,360 --> 00:30:35,480 Speaker 1: the future and that happened before I knew the fan fiction, 605 00:30:36,120 --> 00:30:39,560 Speaker 1: so then they had this, you know, evidence of that 606 00:30:39,640 --> 00:30:43,040 Speaker 1: it was happening. And then I was just kind of 607 00:30:43,080 --> 00:30:45,719 Speaker 1: learning how to use social media, and so it was 608 00:30:45,760 --> 00:30:48,640 Speaker 1: fun for me to take behind the scenes pictures and 609 00:30:49,040 --> 00:30:51,640 Speaker 1: I think one time I swaddled myself in a blanket 610 00:30:51,640 --> 00:30:55,880 Speaker 1: and had them had Naya and Heather hold my kind 611 00:30:55,880 --> 00:30:57,880 Speaker 1: of like put that out and that was really fun. 612 00:30:57,920 --> 00:31:00,400 Speaker 1: So it kind of like we were talking about earlier, 613 00:31:00,440 --> 00:31:03,880 Speaker 1: how Glee was a conversation between the fans and the 614 00:31:04,040 --> 00:31:06,720 Speaker 1: and and the show real time. I got to kind 615 00:31:06,720 --> 00:31:10,600 Speaker 1: of taste that with this Britanna. It was really funny. Yes, 616 00:31:10,960 --> 00:31:13,720 Speaker 1: it was really fun. And then yeah, and then it 617 00:31:13,760 --> 00:31:16,200 Speaker 1: also gave me, like we were talking earlier, how I 618 00:31:16,320 --> 00:31:21,000 Speaker 1: just love to build out the world. It gave me. 619 00:31:21,240 --> 00:31:23,960 Speaker 1: I just adopted it. I was like, I am actually 620 00:31:24,560 --> 00:31:26,800 Speaker 1: here from the future too, and I have a mission 621 00:31:27,120 --> 00:31:30,400 Speaker 1: to keep you know, keep my moms together. And the 622 00:31:30,440 --> 00:31:33,040 Speaker 1: wedding episode made so much more sense came back because 623 00:31:33,080 --> 00:31:36,040 Speaker 1: I was like, I swear to God in my soul, 624 00:31:36,880 --> 00:31:41,200 Speaker 1: I'll swear to something else. Yeah, I swear to both 625 00:31:41,200 --> 00:31:46,560 Speaker 1: of you. Look at these gods. I swear that. That 626 00:31:46,720 --> 00:31:49,280 Speaker 1: was for sure something I pulled in and I loved 627 00:31:49,320 --> 00:31:51,720 Speaker 1: and I loved doing that. It felt like a a 628 00:31:51,760 --> 00:31:54,840 Speaker 1: wink to people, and it gave me, It gave me 629 00:31:54,840 --> 00:31:57,640 Speaker 1: something to chew on and create. And so the wedding 630 00:31:57,680 --> 00:32:04,600 Speaker 1: episode really I had that that satisfaction sensation they did it. 631 00:32:05,240 --> 00:32:07,320 Speaker 2: How did it did it feel any? There was there 632 00:32:07,280 --> 00:32:10,040 Speaker 2: any sort of weirdness you coming back after having an 633 00:32:10,040 --> 00:32:10,840 Speaker 2: episode off. 634 00:32:11,520 --> 00:32:14,320 Speaker 1: To be honest, No, that's good. 635 00:32:15,160 --> 00:32:18,840 Speaker 3: I feel like it had settled after Michael, like all 636 00:32:18,920 --> 00:32:22,200 Speaker 3: the hubbub and all the shit I was hearing and like, 637 00:32:22,600 --> 00:32:25,600 Speaker 3: and then I feel like the time away was actually 638 00:32:25,680 --> 00:32:28,760 Speaker 3: just time away. It was actually great for me space, 639 00:32:28,920 --> 00:32:31,440 Speaker 3: Like I wish everybody got an episode away, to be honest. 640 00:32:32,640 --> 00:32:34,400 Speaker 3: And then when I came back, it was like I 641 00:32:34,480 --> 00:32:37,440 Speaker 3: was going through a lot mentally on my own and personally, 642 00:32:37,480 --> 00:32:41,520 Speaker 3: so it felt like I had other things to deal with. 643 00:32:41,640 --> 00:32:43,240 Speaker 3: So I was like, you know, let me just come 644 00:32:43,280 --> 00:32:45,720 Speaker 3: back and do my job and like shut my mouth 645 00:32:45,880 --> 00:32:47,120 Speaker 3: and like do my thing. 646 00:32:47,800 --> 00:32:50,520 Speaker 1: And I had a song and I had like you know, 647 00:32:50,560 --> 00:32:52,600 Speaker 1: and it was like Vanessa's episode. We had fun. 648 00:32:52,680 --> 00:32:54,760 Speaker 3: I was just trying to like have fun, I remember, 649 00:32:56,040 --> 00:32:58,200 Speaker 3: but it wasn't Yeah, No, it wasn't crazy. 650 00:32:58,480 --> 00:32:59,760 Speaker 1: That's good, that's awesome. 651 00:33:00,440 --> 00:33:04,240 Speaker 3: Speaking of there's a lot of songs in this episode, 652 00:33:04,720 --> 00:33:06,200 Speaker 3: why was your favorite let Me Love You? 653 00:33:06,280 --> 00:33:13,400 Speaker 1: Yes, because of because your bird, your bird song, your 654 00:33:13,440 --> 00:33:18,920 Speaker 1: birds birds, because had we gone to Mexico together at 655 00:33:18,960 --> 00:33:22,640 Speaker 1: this point, I don't think so, that's impossible, right, because 656 00:33:22,680 --> 00:33:27,000 Speaker 1: we were building the relationship, building the relationship. I'm kidding. 657 00:33:27,120 --> 00:33:28,640 Speaker 2: That doesn't have to be your favorite song. 658 00:33:28,760 --> 00:33:33,040 Speaker 1: It is. Well, I don't know, Amber, Amber sing, yeah, 659 00:33:33,400 --> 00:33:36,160 Speaker 1: I always love you. There's just no that does an 660 00:33:36,160 --> 00:33:39,080 Speaker 1: A plus plus. I'm just now I always love you 661 00:33:39,320 --> 00:33:44,440 Speaker 1: was hands down? What what? Having you serenade me felt real, 662 00:33:44,600 --> 00:33:45,280 Speaker 1: That's what I'll say. 663 00:33:45,360 --> 00:33:48,000 Speaker 2: I felt like it was you were serenading, reacting in 664 00:33:48,160 --> 00:33:50,720 Speaker 2: the room like I was personally. 665 00:33:51,160 --> 00:33:51,440 Speaker 6: It was. 666 00:33:53,720 --> 00:33:58,120 Speaker 1: She was She's like, oh my, I know. I was like, 667 00:33:58,280 --> 00:33:59,080 Speaker 1: she is giving it. 668 00:34:00,000 --> 00:34:01,760 Speaker 2: I didn't believe if she was doing it as sugar. 669 00:34:02,640 --> 00:34:03,720 Speaker 2: It was this Vanessa. 670 00:34:03,920 --> 00:34:05,960 Speaker 1: It was Vanessa. That's what I was telling you earlier. 671 00:34:05,960 --> 00:34:08,040 Speaker 1: You were telling me I was always so professional and 672 00:34:08,080 --> 00:34:11,320 Speaker 1: always in character, and I never dropped. That was definitely 673 00:34:11,680 --> 00:34:15,400 Speaker 1: a point where I dropped. It was so romantic, but 674 00:34:15,480 --> 00:34:16,280 Speaker 1: you were sexy. 675 00:34:16,440 --> 00:34:18,839 Speaker 2: I just say I wanted that song on the show 676 00:34:18,960 --> 00:34:19,680 Speaker 2: for so long? 677 00:34:20,360 --> 00:34:21,719 Speaker 1: Did you campaign for that song? Yes? 678 00:34:22,360 --> 00:34:24,200 Speaker 2: And I stopped campaigning for songs after this. 679 00:34:24,840 --> 00:34:27,759 Speaker 1: That was it. You're done, well, done enough. I didn't 680 00:34:27,880 --> 00:34:31,439 Speaker 1: like the version, Oh You're so hard on that was great? 681 00:34:31,719 --> 00:34:35,560 Speaker 2: Are They made it like a little faster because they 682 00:34:35,640 --> 00:34:37,759 Speaker 2: wanted it to be dead and I was like, that's 683 00:34:37,800 --> 00:34:39,160 Speaker 2: not the type of the song. 684 00:34:39,239 --> 00:34:41,840 Speaker 1: Had to fit into the opposites too. They made everything faster. 685 00:34:42,120 --> 00:34:44,120 Speaker 2: I know, it took out all the soul. To me, 686 00:34:44,239 --> 00:34:47,279 Speaker 2: I was like, this song, you've now taken out the 687 00:34:47,719 --> 00:34:49,000 Speaker 2: r Well. 688 00:34:48,920 --> 00:34:54,440 Speaker 1: You definitely brought because I felt it, but I wouldn't 689 00:34:54,440 --> 00:34:55,800 Speaker 1: have felt it if you didn't bring her. But I 690 00:34:55,920 --> 00:34:58,960 Speaker 1: also had lost my voice. Do you remember this? I 691 00:34:59,080 --> 00:35:01,480 Speaker 1: lost my voice too a cold the week before, and 692 00:35:01,520 --> 00:35:03,640 Speaker 1: so I was in the I was like, maybe that's 693 00:35:03,680 --> 00:35:04,480 Speaker 1: just so good. 694 00:35:05,880 --> 00:35:06,359 Speaker 2: Was coming out. 695 00:35:06,360 --> 00:35:06,560 Speaker 3: I know. 696 00:35:07,360 --> 00:35:08,680 Speaker 2: I was just go to New York to do like 697 00:35:08,680 --> 00:35:10,560 Speaker 2: an event and also see this boy I was looking 698 00:35:10,640 --> 00:35:13,160 Speaker 2: up with. And the producer was like, you can't go 699 00:35:13,239 --> 00:35:15,600 Speaker 2: to New York unless you finished this song tonight. Oh 700 00:35:16,200 --> 00:35:18,399 Speaker 2: producer of the show, not music producer, And he knew 701 00:35:18,400 --> 00:35:20,160 Speaker 2: why I wanted to go to New York. And I 702 00:35:20,239 --> 00:35:22,040 Speaker 2: was like, okay, just give me a couple Can I 703 00:35:22,120 --> 00:35:26,000 Speaker 2: get some more tea? And they were patient. 704 00:35:26,040 --> 00:35:27,040 Speaker 1: I am seeing this boy. 705 00:35:27,200 --> 00:35:28,680 Speaker 2: They took me a couple of hours and like, I 706 00:35:28,760 --> 00:35:31,520 Speaker 2: have a romantic hot getaway to New York for the weekend, 707 00:35:31,960 --> 00:35:32,200 Speaker 2: and I. 708 00:35:32,239 --> 00:35:35,719 Speaker 1: Got to go. And so I never would have known that, 709 00:35:36,080 --> 00:35:38,000 Speaker 1: like I had lost my voice in love too. You 710 00:35:38,040 --> 00:35:39,680 Speaker 1: can hear a little bit of rasp and I didn't. 711 00:35:39,719 --> 00:35:40,200 Speaker 1: I would never. 712 00:35:40,160 --> 00:35:41,840 Speaker 2: Would have known with you because they fixed me. 713 00:35:41,920 --> 00:35:42,200 Speaker 1: Baby. 714 00:35:42,280 --> 00:35:45,800 Speaker 2: Okay, well I give that one an a wow, Okay, 715 00:35:45,840 --> 00:35:46,279 Speaker 2: I'll take it. 716 00:35:46,520 --> 00:35:49,080 Speaker 1: Can you can? We can we ate. We're rating. I 717 00:35:49,400 --> 00:35:52,200 Speaker 1: will always love you as well, because that's gets an last. 718 00:35:52,960 --> 00:35:57,319 Speaker 1: So Jens and I watched the episode together and I'm 719 00:35:57,400 --> 00:35:59,920 Speaker 1: saying this, and I don't think he'll mind or be embarrassed, 720 00:36:00,520 --> 00:36:04,799 Speaker 1: full sobs, like crying the whole face. His face was pink. 721 00:36:06,000 --> 00:36:07,839 Speaker 1: He was so moved. Wow. 722 00:36:07,960 --> 00:36:13,799 Speaker 2: There are certain people who when they sing, no matter 723 00:36:13,920 --> 00:36:17,960 Speaker 2: what you feel. Yeah, but this was used for like 724 00:36:18,000 --> 00:36:21,880 Speaker 2: a storyline between Mercedes and Sam. But it's like when 725 00:36:21,960 --> 00:36:24,400 Speaker 2: Amber opens her mouth to sing something, it connects on 726 00:36:24,560 --> 00:36:28,799 Speaker 2: so many different layers of like the human condition. They're 727 00:36:28,880 --> 00:36:32,719 Speaker 2: like obviously works so between their amazing relationship but also 728 00:36:33,520 --> 00:36:36,680 Speaker 2: how do I not contemplate life? Yeah, when like you 729 00:36:36,800 --> 00:36:39,080 Speaker 2: listen to her sing something, it just has so much 730 00:36:39,160 --> 00:36:39,640 Speaker 2: more power. 731 00:36:39,760 --> 00:36:41,920 Speaker 1: And the way they edit it in those three sections, 732 00:36:43,040 --> 00:36:45,759 Speaker 1: she looked like alphabet and defying gravity. It felt like 733 00:36:46,040 --> 00:36:51,239 Speaker 1: it felt like, uh, like layers being revealed to us. 734 00:36:51,840 --> 00:36:57,240 Speaker 1: And that last one, you're you're you're glimpsing into the power, 735 00:36:57,480 --> 00:37:02,120 Speaker 1: talent and presence of this woman who now has gone 736 00:37:02,200 --> 00:37:04,960 Speaker 1: beyond that. But even at that moment, you were like, 737 00:37:05,080 --> 00:37:10,960 Speaker 1: this is the biggest, most powerful, most radiant being and 738 00:37:11,080 --> 00:37:13,200 Speaker 1: it just felt like it was revealed as they kept 739 00:37:13,239 --> 00:37:19,120 Speaker 1: cutting and then Corny and I was saying that whole 740 00:37:19,200 --> 00:37:21,239 Speaker 1: episode corn bringing it. 741 00:37:21,680 --> 00:37:23,680 Speaker 2: I mean, it's so weird and odd to stand on 742 00:37:23,719 --> 00:37:25,480 Speaker 2: the other side of someone performing and giving it to 743 00:37:25,520 --> 00:37:28,279 Speaker 2: you like that and you just have to react, right, 744 00:37:28,400 --> 00:37:31,239 Speaker 2: And there's something special between those two. 745 00:37:31,360 --> 00:37:33,120 Speaker 1: Yeah, I know we're going to cover this. 746 00:37:33,440 --> 00:37:35,560 Speaker 2: Yeah, can we just talk about how Jeff Globum and 747 00:37:36,160 --> 00:37:36,880 Speaker 2: Brian like. 748 00:37:37,320 --> 00:37:39,960 Speaker 1: We'll get more of them, which is also great, but just. 749 00:37:40,840 --> 00:37:43,840 Speaker 2: Their whole conniving stuff with the kids up in the 750 00:37:43,960 --> 00:37:46,440 Speaker 2: room cheers and like clinking their glasses. 751 00:37:47,280 --> 00:37:49,640 Speaker 3: I'm like, why where is all this money coming from? 752 00:37:49,840 --> 00:37:52,160 Speaker 3: They look so wealthy, and I was like, this is 753 00:37:52,360 --> 00:37:53,879 Speaker 3: crazy the limo. 754 00:37:54,160 --> 00:37:57,400 Speaker 2: Jeff has the whole thing about Na and Brian is like, 755 00:37:57,600 --> 00:37:59,439 Speaker 2: that's not true, None of this is true. 756 00:37:59,600 --> 00:38:02,320 Speaker 1: Yes, it still looked good in there, though, I will say. 757 00:38:03,800 --> 00:38:07,960 Speaker 2: Quick Carol's reaction to being like standpointed out, like why 758 00:38:08,000 --> 00:38:08,959 Speaker 2: don't we do this more often? 759 00:38:09,040 --> 00:38:10,600 Speaker 1: Or something good? Right? Is that what it was? 760 00:38:11,360 --> 00:38:13,880 Speaker 2: But the wine, I don't know. Seeing all the parents together, 761 00:38:13,920 --> 00:38:15,759 Speaker 2: it's like they like Carrol out of the basement for 762 00:38:15,800 --> 00:38:16,200 Speaker 2: a little bit. 763 00:38:16,360 --> 00:38:19,320 Speaker 1: Yes, exactly, they like Carol out of the basement. 764 00:38:20,920 --> 00:38:23,080 Speaker 3: Yeah, So I don't know, We're going to get a 765 00:38:23,160 --> 00:38:25,560 Speaker 3: lot more of them and the whole storyline of this 766 00:38:25,640 --> 00:38:28,400 Speaker 3: whole Rachel Finn engagement and announcing to their parents and 767 00:38:28,440 --> 00:38:31,120 Speaker 3: their parents like being on board, but then I guess 768 00:38:31,239 --> 00:38:33,040 Speaker 3: like they're kind of not and they're trying to get 769 00:38:33,080 --> 00:38:34,320 Speaker 3: them to delay. 770 00:38:34,400 --> 00:38:39,000 Speaker 1: It is like I don't know, I don't know. Again, 771 00:38:39,080 --> 00:38:43,000 Speaker 1: another like it feels like Beth, the Beth Shelby storyline 772 00:38:43,000 --> 00:38:43,520 Speaker 1: a little. 773 00:38:43,280 --> 00:38:45,440 Speaker 2: Bit at a little more enjoyable. 774 00:38:45,600 --> 00:38:49,520 Speaker 3: Get there, Yes, and then also next episode will also 775 00:38:49,680 --> 00:38:55,000 Speaker 3: unpack this whole Kurt and Karowski, which Korowski ends up 776 00:38:55,600 --> 00:38:59,240 Speaker 3: being the secret admirer that Kurt thought was Blaine sending 777 00:38:59,280 --> 00:39:02,360 Speaker 3: the gorilla grand and all of these things, but that 778 00:39:02,640 --> 00:39:05,399 Speaker 3: becomes a much bigger thing. And hopefully we can reach 779 00:39:05,440 --> 00:39:07,000 Speaker 3: out to Max to see if we can talk to 780 00:39:07,080 --> 00:39:08,439 Speaker 3: him a little bit, or if you can voice notice 781 00:39:08,440 --> 00:39:10,880 Speaker 3: about the experience of that next episode because it's so 782 00:39:11,000 --> 00:39:13,600 Speaker 3: excellent and heartbreaking and tragic. 783 00:39:13,840 --> 00:39:16,719 Speaker 1: And shout out to Darren's iPad. Well hold that for 784 00:39:16,840 --> 00:39:20,719 Speaker 1: chartis takes. Okay, so let's let's rate these real quick. Love, 785 00:39:21,520 --> 00:39:26,279 Speaker 1: I give a B minus. No, I give that a okay, fine, 786 00:39:26,520 --> 00:39:28,480 Speaker 1: I give that an a plus plus to just to 787 00:39:28,680 --> 00:39:32,799 Speaker 1: know where you are and honestly what you transmitted, Uh 788 00:39:33,280 --> 00:39:36,279 Speaker 1: you like it was really sweet? Used used what was there? 789 00:39:36,440 --> 00:39:38,719 Speaker 1: And it was it was, it was emotional and I 790 00:39:38,840 --> 00:39:45,080 Speaker 1: really enjoyed it, agreed, stereo heart. We haven't rated B minus. Yeah, 791 00:39:45,239 --> 00:39:45,680 Speaker 1: it's fine. 792 00:39:46,160 --> 00:39:48,000 Speaker 3: Uncomfortable, it was a little bit too much of the 793 00:39:48,000 --> 00:39:51,880 Speaker 3: God Squad if you ask me, one too many scenes. 794 00:39:52,040 --> 00:39:53,799 Speaker 1: That's the one where the choir comes out of ten 795 00:39:53,880 --> 00:39:55,480 Speaker 1: dollars we're talking about how much? 796 00:39:55,840 --> 00:39:59,520 Speaker 2: How much does this court wrapping made me a little uncomfortable? 797 00:40:00,200 --> 00:40:08,320 Speaker 3: Yeah, home, great, Yeah, we're good, so sweet cherish, Yeah, see. 798 00:40:10,760 --> 00:40:18,000 Speaker 1: Yeah See Love Shack Alas and everybody sang together. You know, 799 00:40:18,120 --> 00:40:20,640 Speaker 1: it was like everybody got their voices in that one, 800 00:40:20,719 --> 00:40:23,960 Speaker 1: and it was real, the team is together and everyone's 801 00:40:24,000 --> 00:40:25,759 Speaker 1: having fun. You thank God for you. 802 00:40:26,160 --> 00:40:29,719 Speaker 2: You made that whole scene, like the whole section work, 803 00:40:30,320 --> 00:40:33,680 Speaker 2: Like your energy, just your lights off screen is the 804 00:40:33,719 --> 00:40:34,239 Speaker 2: same as. 805 00:40:34,160 --> 00:40:36,000 Speaker 1: It is on screen. Host Yeah. 806 00:40:44,600 --> 00:40:48,799 Speaker 3: TARTI takes okay cringe moments, the whole God Squad thing 807 00:40:48,880 --> 00:40:50,839 Speaker 3: about debating whether it's say it's okay. 808 00:40:50,920 --> 00:40:54,080 Speaker 1: It's like a little weird. Yeah, I mean more than 809 00:40:54,080 --> 00:40:55,560 Speaker 1: a little weird. Ouch. 810 00:40:56,640 --> 00:41:00,680 Speaker 3: Best dance move Sugar in the Love Shack, Yeah, Sugar 811 00:41:00,719 --> 00:41:03,480 Speaker 3: all the time. Best song I Will always, I Will 812 00:41:03,800 --> 00:41:09,880 Speaker 3: Yeah Horns by Prop I will say Blaine's eye patch, 813 00:41:10,239 --> 00:41:11,080 Speaker 3: yes exactly. 814 00:41:11,200 --> 00:41:12,839 Speaker 2: It was just brief, but it was there. 815 00:41:13,600 --> 00:41:16,239 Speaker 1: What did you love about it that it was insane? Yeah, 816 00:41:16,440 --> 00:41:19,200 Speaker 1: it was so weird. Clicks it up as if he 817 00:41:19,320 --> 00:41:23,880 Speaker 1: doesn't need it, like miraculous recovery. I also love the 818 00:41:24,239 --> 00:41:28,080 Speaker 1: rain of sequence. That was so much fun. The Heart 819 00:41:28,680 --> 00:41:32,160 Speaker 1: the Heart Shower. I was so cute at the comfetti. 820 00:41:33,480 --> 00:41:37,399 Speaker 2: That I found hearts in my wheelchair. To the end 821 00:41:37,680 --> 00:41:40,799 Speaker 2: of the series, like once or twice a season. 822 00:41:40,800 --> 00:41:44,000 Speaker 1: I'm like, what is this heart? They were everywhere. It 823 00:41:44,120 --> 00:41:46,040 Speaker 1: was so fun though it was so cute. I feel 824 00:41:46,120 --> 00:41:49,239 Speaker 1: like people were having to throw them from the side. Yes, 825 00:41:49,520 --> 00:41:51,279 Speaker 1: it was a very all hands on jack that was 826 00:41:51,880 --> 00:41:54,279 Speaker 1: it looked really was great. 827 00:41:54,760 --> 00:41:58,200 Speaker 3: Best line, Oh Sugar's got so many maybe my dad 828 00:41:58,239 --> 00:41:59,080 Speaker 3: can buy Ireland? 829 00:42:00,760 --> 00:42:02,120 Speaker 1: So good? That was funny. 830 00:42:02,239 --> 00:42:07,759 Speaker 2: Jesus, they said they set that one out of every 831 00:42:07,840 --> 00:42:09,440 Speaker 2: ten people. They say that one people out of every 832 00:42:09,480 --> 00:42:11,440 Speaker 2: ten are gay. Isn't it like one every six now? 833 00:42:12,040 --> 00:42:13,480 Speaker 2: And if that's true, that means one of the tough 834 00:42:13,520 --> 00:42:15,640 Speaker 2: apostles might have been gay. And my guess is Simon 835 00:42:15,680 --> 00:42:18,440 Speaker 2: because that names the gayest And then they bring that 836 00:42:18,560 --> 00:42:20,239 Speaker 2: back a couple of lines later, record. 837 00:42:20,000 --> 00:42:23,200 Speaker 1: Said something about Simon later it was funny performance. 838 00:42:23,280 --> 00:42:23,600 Speaker 6: M v P. 839 00:42:24,080 --> 00:42:27,439 Speaker 1: Vanessa obviously, thank you, thank you so much. 840 00:42:28,360 --> 00:42:32,080 Speaker 2: I accept okay should we found on TikTok, Max Lockett 841 00:42:32,120 --> 00:42:36,839 Speaker 2: sent in the most embarrassing cast photos of us doing 842 00:42:37,280 --> 00:42:40,200 Speaker 2: press shots, basically calling out how we had to pose 843 00:42:40,440 --> 00:42:44,600 Speaker 2: for these and how we posed and these insane photo shoots. 844 00:42:44,600 --> 00:42:47,480 Speaker 2: There's that racy GQ one with Diana Lee and Corey. 845 00:42:48,120 --> 00:42:52,480 Speaker 2: There's Rolling Stone, There's like some TV Guide it was, oh, 846 00:42:52,520 --> 00:42:55,680 Speaker 2: there's vogue. Some of them were cool, some of them 847 00:42:55,760 --> 00:43:00,800 Speaker 2: were it felt like proms, like let's he's. 848 00:43:00,680 --> 00:43:02,640 Speaker 3: Very that was very Glee of him to like point 849 00:43:02,719 --> 00:43:04,919 Speaker 3: out the thing that we were doing at the time 850 00:43:05,080 --> 00:43:11,440 Speaker 3: that was very Glee related or Glee camp satire. 851 00:43:11,600 --> 00:43:12,880 Speaker 2: Some of those I have not seen in a very 852 00:43:12,920 --> 00:43:14,520 Speaker 2: long time. Well it makes me a. 853 00:43:16,480 --> 00:43:16,840 Speaker 1: Vanessa. 854 00:43:16,920 --> 00:43:19,680 Speaker 3: Thank you for joining us for so many weeks. It's 855 00:43:19,719 --> 00:43:21,879 Speaker 3: been such a joy to have you. Know what we're 856 00:43:21,880 --> 00:43:24,600 Speaker 3: going to do without you, don't be anytime. 857 00:43:24,640 --> 00:43:28,160 Speaker 1: You're the win, I mean thank you. 858 00:43:28,239 --> 00:43:30,360 Speaker 2: There's a full team yere at Blue Wires Studios at 859 00:43:30,400 --> 00:43:32,000 Speaker 2: the Wind So thank you so much for bringing up with. 860 00:43:32,080 --> 00:43:35,160 Speaker 5: Us, for having us win Las Vegas, for having us 861 00:43:36,080 --> 00:43:37,960 Speaker 5: word or whoever makes the decisions. We would love to 862 00:43:38,000 --> 00:43:40,520 Speaker 5: be back. We love it and that's why you really 863 00:43:40,600 --> 00:43:42,560 Speaker 5: missed from the Win Las Vegas. 864 00:43:42,840 --> 00:43:43,080 Speaker 1: Bye. 865 00:43:43,800 --> 00:43:46,880 Speaker 2: Thanks for listening and follow us on Instagram at and 866 00:43:47,040 --> 00:43:49,279 Speaker 2: that's what you really miss pod. Make sure to write 867 00:43:49,320 --> 00:43:51,560 Speaker 2: us a review and leave us five stars. See you 868 00:43:51,600 --> 00:43:51,960 Speaker 2: next time.