1
00:00:05,240 --> 00:00:11,000
Speaker 1: So it's after ours and it's really just the three

2
00:00:11,039 --> 00:00:16,600
Speaker 1: of us at this point, with me and John McCain

3
00:00:18,120 --> 00:00:26,520
Speaker 1: and Bob Dole, and we are inventing mocktails and basically

4
00:00:28,200 --> 00:00:32,640
Speaker 1: off limits. Oh yeah, because everybody's gone home. Nothing is

5
00:00:32,640 --> 00:00:37,800
Speaker 1: off limits. Juice, different nectars, and we're at this point

6
00:00:37,840 --> 00:00:42,960
Speaker 1: willing to mix in even like bitters and tonic and

7
00:00:43,040 --> 00:00:45,120
Speaker 1: bitters with juice and soda.

8
00:00:46,240 --> 00:00:49,760
Speaker 2: A mocktail is kind of like a suicide, basically a

9
00:00:49,880 --> 00:00:52,760
Speaker 2: camp well, it is, it can be.

10
00:00:53,120 --> 00:01:00,000
Speaker 1: It is, but don't say that to Bob Doll because

11
00:01:00,240 --> 00:01:02,960
Speaker 1: to him there's a true artistry to it. And those

12
00:01:03,040 --> 00:01:05,880
Speaker 1: wild kids who just want to mix all the sodas.

13
00:01:06,400 --> 00:01:09,279
Speaker 1: You know, it's like, I guess the way that Bob

14
00:01:09,360 --> 00:01:14,319
Speaker 1: phrased it was. It's the difference between a master painter

15
00:01:14,640 --> 00:01:19,280
Speaker 1: blending that perfect color to match the autumnal sky, yeah,

16
00:01:20,040 --> 00:01:25,679
Speaker 1: and a finger painter just mushed them all together. Tilt's brown. Now,

17
00:01:25,800 --> 00:01:32,360
Speaker 1: when the autumnal sky when was this? This was had

18
00:01:32,360 --> 00:01:33,479
Speaker 1: to be more than a week ago.

19
00:01:36,400 --> 00:01:40,080
Speaker 2: More than a week ago? Is it less than just

20
00:01:40,080 --> 00:01:41,360
Speaker 2: a week and find a range?

21
00:01:41,720 --> 00:01:44,880
Speaker 1: Yeah, less than Well, it had to be less than

22
00:01:44,880 --> 00:01:46,720
Speaker 1: one hundred years ago because I'm not even one hundred

23
00:01:46,760 --> 00:01:51,160
Speaker 1: years old. Okay, so it was somewhere in that spot.

24
00:01:53,000 --> 00:01:56,960
Speaker 1: But man, did we cut loose. And the funnest part

25
00:01:57,240 --> 00:01:59,800
Speaker 1: days is coming up with the names of some of

26
00:01:59,800 --> 00:02:04,720
Speaker 1: these things, okay, and are they like plays on the

27
00:02:04,840 --> 00:02:08,760
Speaker 1: names of like other cocktails, Like a Tom Collins you say, okay,

28
00:02:08,760 --> 00:02:11,520
Speaker 1: this is a Mom Collin's his dead because this is

29
00:02:11,560 --> 00:02:14,320
Speaker 1: something for rob yeah during the day.

30
00:02:14,560 --> 00:02:15,480
Speaker 2: Yeah. Yeah.

31
00:02:15,520 --> 00:02:19,600
Speaker 1: And so instead of like a Harvey wallbanger, yeah, we

32
00:02:19,600 --> 00:02:25,240
Speaker 1: were like, this is a Harvey Wall poster because you're

33
00:02:25,280 --> 00:02:29,240
Speaker 1: not banging that, yes, bang, You're just really just putting

34
00:02:29,280 --> 00:02:30,240
Speaker 1: up a nice poster.

35
00:02:30,480 --> 00:02:30,880
Speaker 2: Okay.

36
00:02:33,320 --> 00:02:35,760
Speaker 1: So we did do some of those, but also we

37
00:02:35,760 --> 00:02:37,079
Speaker 1: would try to invoke the.

38
00:02:38,200 --> 00:02:41,000
Speaker 2: And the flavor a beer it's what's for dinner poster?

39
00:02:41,160 --> 00:02:44,120
Speaker 2: Remember that post, like that guy that's like beer it's

40
00:02:44,160 --> 00:02:44,840
Speaker 2: what's for dinner.

41
00:02:44,840 --> 00:02:47,240
Speaker 1: Oh and the same guy, the same exact guy Hayes,

42
00:02:47,280 --> 00:02:51,959
Speaker 1: people don't realize, also was telling us beer helping ugly

43
00:02:52,040 --> 00:02:57,000
Speaker 1: people have sex for over fifty years. And it was

44
00:02:57,120 --> 00:02:58,240
Speaker 1: the same guy.

45
00:03:00,320 --> 00:03:00,560
Speaker 2: Too.

46
00:03:01,160 --> 00:03:07,160
Speaker 1: I never saw that, thank god. But we, yeah, and

47
00:03:07,200 --> 00:03:08,920
Speaker 1: the Mucins would try to invoke a little bit of

48
00:03:08,919 --> 00:03:13,680
Speaker 1: the flavor. We'd say this one's the spicy caballero.

49
00:03:14,280 --> 00:03:17,400
Speaker 2: Wow, you know? Is that okay for the three of

50
00:03:17,440 --> 00:03:21,119
Speaker 2: you to be making Marxes call you the spicy caviero?

51
00:03:21,639 --> 00:03:23,200
Speaker 2: And maybe it was a different time. It could have

52
00:03:23,200 --> 00:03:26,680
Speaker 2: been ninety years ago. Let me ask, is that okay?

53
00:03:28,360 --> 00:03:36,480
Speaker 2: If the flavors are it's got a tamale blended up,

54
00:03:38,240 --> 00:03:44,280
Speaker 2: it's got hot sauce, paprika.

55
00:03:42,920 --> 00:03:54,800
Speaker 1: Papula c yeah, uh huh haabanciato, calapienko and pizza sauce.

56
00:03:56,200 --> 00:04:00,640
Speaker 1: Is that anything other than a spicy caballero in your mind?

57
00:04:00,720 --> 00:04:03,120
Speaker 2: I would actually, I think, be offensive to call it

58
00:04:03,240 --> 00:04:03,920
Speaker 2: something else.

59
00:04:04,120 --> 00:04:06,480
Speaker 1: That is where I wonder where the lines are with

60
00:04:06,560 --> 00:04:08,880
Speaker 1: some of this new PC culture. And I'm learning on

61
00:04:08,960 --> 00:04:11,720
Speaker 1: my feet like a lot of us. I am learning

62
00:04:11,800 --> 00:04:14,680
Speaker 1: on my feet as I go, so I don't want

63
00:04:14,680 --> 00:04:17,440
Speaker 1: to be out of bounds. I educate me. Why can't

64
00:04:17,440 --> 00:04:18,760
Speaker 1: I call it a spicy cabalero?

65
00:04:18,839 --> 00:04:20,799
Speaker 2: That's what it takes. I'd love to bring in Darcy

66
00:04:20,880 --> 00:04:23,279
Speaker 2: for this, and it's a little I haven't even said

67
00:04:23,320 --> 00:04:25,680
Speaker 2: the name of the show, but I think this is

68
00:04:26,040 --> 00:04:28,480
Speaker 2: and I know Darcy's like so excited to get it.

69
00:04:28,640 --> 00:04:30,760
Speaker 1: I've seen her itchin. She's leaned into the mic a

70
00:04:30,800 --> 00:04:34,600
Speaker 1: couple of times open her mouth. Oh keeps putting her

71
00:04:34,600 --> 00:04:40,760
Speaker 1: finger up to shush me. So let's hear it, Darcy.

72
00:04:40,920 --> 00:04:42,600
Speaker 1: Where's the line these days?

73
00:04:42,760 --> 00:04:44,000
Speaker 3: Hi, guys, Thanks so much for.

74
00:04:43,880 --> 00:04:45,200
Speaker 1: Having me, Thanks for being here.

75
00:04:45,320 --> 00:04:49,320
Speaker 3: Wow, gosh, it's hard for all of us. And I

76
00:04:49,360 --> 00:04:53,479
Speaker 3: appreciate that you, you know, say it right, because I

77
00:04:53,480 --> 00:04:55,760
Speaker 3: feel like so many people are afraid of saying.

78
00:04:55,640 --> 00:04:57,120
Speaker 1: They don't want to admit they don't want to admit.

79
00:04:57,240 --> 00:04:58,359
Speaker 1: I've always been woke.

80
00:04:58,560 --> 00:04:59,839
Speaker 3: Call it we were born me.

81
00:05:00,200 --> 00:05:02,200
Speaker 2: Yeah, I guess what, or like when they have a question,

82
00:05:02,279 --> 00:05:04,520
Speaker 2: they're like scared to ask a question because they'll like

83
00:05:04,560 --> 00:05:07,680
Speaker 2: get yelled at. I want to, Like, for example, I

84
00:05:07,680 --> 00:05:11,080
Speaker 2: want to what's on Devin's T shirt under his shirt?

85
00:05:11,279 --> 00:05:13,960
Speaker 2: But I'm scared because it's like a green color T

86
00:05:14,080 --> 00:05:15,960
Speaker 2: shirt And doesn't it seem like don't show me, But

87
00:05:16,000 --> 00:05:18,000
Speaker 2: doesn't it seem like on that T shirt is like.

88
00:05:18,080 --> 00:05:21,920
Speaker 3: Something like it's going to be like real.

89
00:05:23,000 --> 00:05:25,440
Speaker 2: Something kind of crazy. It's from the color of the

90
00:05:25,760 --> 00:05:26,400
Speaker 2: of the T shirt.

91
00:05:26,480 --> 00:05:29,120
Speaker 1: It's not the color of T shirt that a traditional

92
00:05:29,240 --> 00:05:32,640
Speaker 1: brand would make, and so we know that he's gone

93
00:05:32,680 --> 00:05:36,240
Speaker 1: off the grid to acquire this T shirt, yeah, Spencers. Yeah,

94
00:05:36,320 --> 00:05:39,880
Speaker 1: something like that. Something dark, something dark, some of the

95
00:05:40,080 --> 00:05:42,760
Speaker 1: underground ship that he's into. And he ain't looking to

96
00:05:42,800 --> 00:05:43,720
Speaker 1: show us either.

97
00:05:43,520 --> 00:05:46,000
Speaker 3: No, no, no, but anyway, I appreciate that, and I know

98
00:05:46,040 --> 00:05:47,640
Speaker 3: I've had such a hard time with it too. It's

99
00:05:47,640 --> 00:05:50,720
Speaker 3: a new world, it's a new dawn, it's a new day.

100
00:05:51,240 --> 00:05:54,919
Speaker 1: Well, we were doing comedy back in the underground, remember

101
00:05:54,960 --> 00:05:59,160
Speaker 1: that disgusting, the most offensive, and we like ship. We

102
00:05:59,200 --> 00:06:04,440
Speaker 1: could imagine, we loved it. We were I would sniff it. Oh,

103
00:06:04,520 --> 00:06:06,760
Speaker 1: I would sniff it and and I would rub it

104
00:06:06,800 --> 00:06:07,240
Speaker 1: all over.

105
00:06:07,360 --> 00:06:09,200
Speaker 3: Oh my god, I would bathe in it. I'd eat

106
00:06:09,200 --> 00:06:12,400
Speaker 3: it for breakfast, lunch, dinner, and a damn midnight snack.

107
00:06:13,360 --> 00:06:16,000
Speaker 1: And we were off until we were off until midnight.

108
00:06:16,320 --> 00:06:17,920
Speaker 1: Oh yeah, we were.

109
00:06:17,920 --> 00:06:20,719
Speaker 2: We actually have a real midnight's night at midnight because

110
00:06:20,720 --> 00:06:21,080
Speaker 2: we'd be.

111
00:06:21,000 --> 00:06:25,640
Speaker 1: Awake because our body time was midnight fifteen every night

112
00:06:25,680 --> 00:06:30,080
Speaker 1: of the week, I mean, snack at midnight and then

113
00:06:30,240 --> 00:06:32,480
Speaker 1: right to bet, brush your teeth and then bed.

114
00:06:32,640 --> 00:06:35,160
Speaker 2: Yeah, because you were eating all that, You're eating all

115
00:06:35,160 --> 00:06:37,800
Speaker 2: the slime and grind, you really had to brush your teeth.

116
00:06:37,880 --> 00:06:38,080
Speaker 3: Yeah.

117
00:06:38,080 --> 00:06:40,120
Speaker 2: Being a pressure with a freaking toilet, yeah.

118
00:06:40,040 --> 00:06:41,960
Speaker 3: Pressure the toilet brush. Thank god there was even a

119
00:06:41,960 --> 00:06:44,160
Speaker 3: toilet brush. Yes, O, why is your brushing with your

120
00:06:44,160 --> 00:06:44,839
Speaker 3: freaking finger?

121
00:06:44,960 --> 00:06:47,480
Speaker 1: Yeah, using your finger? And then use a guess what

122
00:06:47,560 --> 00:06:53,279
Speaker 1: for toothpaste? Just more grund And it was insane. So

123
00:06:54,480 --> 00:06:57,880
Speaker 1: I'm learning how my feet like everybody else. Good for you.

124
00:06:58,720 --> 00:07:02,480
Speaker 2: It is Hollywood Handbook, Yes, Insider's Guide to kicking button

125
00:07:02,640 --> 00:07:05,680
Speaker 2: dropping names, and the red carpet lined back hallways of

126
00:07:05,720 --> 00:07:07,600
Speaker 2: this industry we call show biz.

127
00:07:08,839 --> 00:07:10,600
Speaker 1: There's a year. Fan of the show, talk about some

128
00:07:10,640 --> 00:07:11,640
Speaker 1: of your favorite episodes.

129
00:07:16,360 --> 00:07:19,000
Speaker 3: I love a Joe Wangered episode.

130
00:07:19,000 --> 00:07:22,800
Speaker 2: Yes, Liz, I love. I love a Joe Wangered episode

131
00:07:22,840 --> 00:07:23,280
Speaker 2: as well.

132
00:07:23,320 --> 00:07:24,480
Speaker 1: He's done a few.

133
00:07:24,720 --> 00:07:27,080
Speaker 2: I I love a episode that he did.

134
00:07:27,320 --> 00:07:30,720
Speaker 1: One of them was Magna Fique.

135
00:07:30,880 --> 00:07:34,640
Speaker 3: I can remember a Ben Rogers, a specific Ben Rogers.

136
00:07:34,280 --> 00:07:36,360
Speaker 2: Episode, sure, A part of one.

137
00:07:36,480 --> 00:07:38,960
Speaker 3: Part of it was like a it was a like

138
00:07:39,000 --> 00:07:39,480
Speaker 3: a bit.

139
00:07:39,720 --> 00:07:42,040
Speaker 1: In the middle in the middle right.

140
00:07:42,200 --> 00:07:42,440
Speaker 2: It was.

141
00:07:42,520 --> 00:07:44,000
Speaker 1: I think it was one of the commercials. Took a

142
00:07:44,040 --> 00:07:46,200
Speaker 1: while to find it. We found it.

143
00:07:46,200 --> 00:07:48,720
Speaker 2: It's a Bell curve, Bell curve, Ben.

144
00:07:48,720 --> 00:07:53,720
Speaker 1: Bell curve, Ben right Bell curve, Benny Bell beatiful. Yes,

145
00:07:53,840 --> 00:07:58,560
Speaker 1: so I love reliving this stuff with a true diehard band.

146
00:07:58,680 --> 00:08:00,880
Speaker 3: Oh I remember a Gensatsky episode.

147
00:08:01,640 --> 00:08:04,560
Speaker 1: Okay, okay, now we're.

148
00:08:04,400 --> 00:08:07,760
Speaker 3: Getting into Now, we're getting into risky territory, hot water.

149
00:08:07,880 --> 00:08:12,960
Speaker 2: Then she did only do it the one Yeah, scheduling conflict.

150
00:08:13,000 --> 00:08:15,640
Speaker 1: The rest of the time. We tried to get her

151
00:08:15,640 --> 00:08:17,520
Speaker 1: on our basketball podcast, Ash take a Flicker one.

152
00:08:17,600 --> 00:08:20,040
Speaker 2: Yes, oh, but she's very excited to do it, but

153
00:08:20,200 --> 00:08:24,960
Speaker 2: not that this time or that time or any other time.

154
00:08:26,120 --> 00:08:31,520
Speaker 1: Yes, what's she what's she waiting for? Statsky? Hit him up?

155
00:08:31,800 --> 00:08:38,240
Speaker 1: Thank you. That's part of why we were Okay, now

156
00:08:38,280 --> 00:08:41,360
Speaker 1: we found out another secret hit jump shot and a

157
00:08:41,440 --> 00:08:45,680
Speaker 1: pick and roll, baby, okay, and she's naming every kind

158
00:08:45,720 --> 00:08:48,800
Speaker 1: of thing. You hit the jump shot and then right

159
00:08:48,840 --> 00:08:52,160
Speaker 1: into the pick and roll. Yes, for Richmond.

160
00:08:53,440 --> 00:08:53,760
Speaker 2: Shot.

161
00:08:54,640 --> 00:08:57,120
Speaker 1: Damn dude, hit him with the jump shot and the

162
00:08:57,200 --> 00:08:57,959
Speaker 1: pick and roll.

163
00:08:59,040 --> 00:09:02,760
Speaker 2: So see Barden. Yep, But.

164
00:09:04,800 --> 00:09:08,559
Speaker 1: You did the show the other time the other time.

165
00:09:08,600 --> 00:09:09,160
Speaker 1: What do we do?

166
00:09:09,720 --> 00:09:11,680
Speaker 2: Who cares I do? Stupid?

167
00:09:12,040 --> 00:09:12,880
Speaker 3: It's on my reel.

168
00:09:13,920 --> 00:09:16,959
Speaker 2: You have our podcast? Your what do you have? Is

169
00:09:17,000 --> 00:09:18,960
Speaker 2: like this still image.

170
00:09:20,120 --> 00:09:22,480
Speaker 3: It's a picture of you guys. Okay, it's like a

171
00:09:22,480 --> 00:09:25,520
Speaker 3: picture just I took it from one of your instagrams,

172
00:09:25,559 --> 00:09:26,920
Speaker 3: just of you guys at like a barbecue.

173
00:09:27,200 --> 00:09:29,480
Speaker 1: Okay, were eating hot dogs.

174
00:09:29,720 --> 00:09:31,720
Speaker 3: Well not you, mister vegan.

175
00:09:34,640 --> 00:09:39,240
Speaker 1: You caught me. I've decided today to go vegan, and

176
00:09:39,240 --> 00:09:44,480
Speaker 1: that was retroactive, and I'm scrubbing from the internet any

177
00:09:44,600 --> 00:09:48,600
Speaker 1: record of me eating that nasty meat. Yeah, and again

178
00:09:48,920 --> 00:09:51,200
Speaker 1: I don't learning on my feet like else. Yeah, I

179
00:09:51,200 --> 00:09:53,040
Speaker 1: didn't know I was supposed to be vegan back then

180
00:09:53,120 --> 00:09:56,200
Speaker 1: when I was at the barbecue. How could you? It's

181
00:09:56,480 --> 00:09:59,080
Speaker 1: we were all doing it. It was grimy. It was

182
00:09:59,080 --> 00:10:02,880
Speaker 1: the nineties. We were grimy as hell. I was taking

183
00:10:02,880 --> 00:10:07,800
Speaker 1: a meat bath. Now you're on this fucking.

184
00:10:07,480 --> 00:10:10,400
Speaker 2: Show thrilling hot dogs on the floor of the shower.

185
00:10:10,600 --> 00:10:17,280
Speaker 1: Hey go, hey, god, I'm dogging. You're on this fucking show. Okay,

186
00:10:17,360 --> 00:10:20,840
Speaker 1: it's the good place. Yeah, no pretentious.

187
00:10:22,080 --> 00:10:22,960
Speaker 3: The name or just the.

188
00:10:24,480 --> 00:10:28,240
Speaker 1: Name. Yeah. But essentially, what I want to know is,

189
00:10:28,920 --> 00:10:31,200
Speaker 1: are you willing to let us help you fix this thing?

190
00:10:31,880 --> 00:10:34,000
Speaker 2: And we're like, you know, I love starting out the

191
00:10:34,000 --> 00:10:36,960
Speaker 2: show like laughing and talking about like old times and stuff,

192
00:10:37,000 --> 00:10:39,320
Speaker 2: but I do want to acknowledge kind of the seriousness

193
00:10:39,320 --> 00:10:41,079
Speaker 2: of the problem here. Yeah.

194
00:10:41,160 --> 00:10:43,040
Speaker 1: We only have a little bit of time, and I

195
00:10:43,080 --> 00:10:45,240
Speaker 1: believe you're going into possibly the final season.

196
00:10:45,679 --> 00:10:48,080
Speaker 3: Oh well, I hope not, but maybe well.

197
00:10:47,720 --> 00:10:50,280
Speaker 1: Maybe yeah, you hope it doesn't that doesn't even happen.

198
00:10:50,360 --> 00:10:52,280
Speaker 1: I hope they don't even do one more. Well, then

199
00:10:52,280 --> 00:10:54,200
Speaker 1: you're gonna love them because we have some ideas to

200
00:10:54,280 --> 00:10:56,480
Speaker 1: change it because we don't have much time.

201
00:10:56,760 --> 00:10:58,400
Speaker 2: Do you just like, as we're getting into this, do

202
00:10:58,480 --> 00:11:00,600
Speaker 2: you have any sense it would be helped well for us,

203
00:11:01,280 --> 00:11:06,040
Speaker 2: for you if you know why the show has been

204
00:11:06,120 --> 00:11:07,160
Speaker 2: kept on television.

205
00:11:07,720 --> 00:11:10,520
Speaker 3: Well, I mean I think it has found, like, you know,

206
00:11:10,600 --> 00:11:11,240
Speaker 3: an audience.

207
00:11:11,800 --> 00:11:14,280
Speaker 2: Maybe it's not for everyone, Okay, you think that.

208
00:11:14,520 --> 00:11:15,120
Speaker 1: I think.

209
00:11:16,400 --> 00:11:18,920
Speaker 3: I think it feels like, you know, you know, there's

210
00:11:18,960 --> 00:11:20,439
Speaker 3: so many people in the freaking.

211
00:11:20,240 --> 00:11:22,600
Speaker 1: World, right, Okay, who told you that?

212
00:11:24,080 --> 00:11:27,600
Speaker 3: I guess it's something I feel like people know.

213
00:11:27,720 --> 00:11:30,240
Speaker 1: I mean I've heard it too, But what like, who

214
00:11:30,240 --> 00:11:31,440
Speaker 1: are we talking about here?

215
00:11:31,520 --> 00:11:33,160
Speaker 2: I've been using this as part of like some of

216
00:11:33,200 --> 00:11:35,760
Speaker 2: my pitches, like going out for TV and stuff. Just

217
00:11:35,760 --> 00:11:38,040
Speaker 2: like there's so many people. Somebody's going to.

218
00:11:38,120 --> 00:11:39,600
Speaker 1: Watch this, someone going to watch this.

219
00:11:40,480 --> 00:11:42,200
Speaker 3: It kind of feels like someone going to watch this.

220
00:11:42,440 --> 00:11:48,480
Speaker 1: Yeah, well yeah, I've tried that but nah, but nah,

221
00:11:49,440 --> 00:11:50,240
Speaker 1: it'd be nice.

222
00:11:50,080 --> 00:11:53,280
Speaker 2: For me to take it easy, ya, But that's what

223
00:11:53,320 --> 00:11:57,280
Speaker 2: the that's what the executives said. They started going into

224
00:11:57,280 --> 00:11:59,520
Speaker 2: this whole thing. They do the finger well oh yeah, right,

225
00:12:00,480 --> 00:12:03,360
Speaker 2: and then they they tell him that they're sorry to

226
00:12:03,520 --> 00:12:05,240
Speaker 2: like get his hopes out that then they say that

227
00:12:05,280 --> 00:12:06,880
Speaker 2: they're not sorry.

228
00:12:07,600 --> 00:12:08,760
Speaker 1: It is brutal.

229
00:12:10,320 --> 00:12:12,800
Speaker 3: Okay, Okay, so yeah, I mean it's it's hard because

230
00:12:12,840 --> 00:12:15,600
Speaker 3: I do feel like, yeah, some people are into it,

231
00:12:15,640 --> 00:12:16,840
Speaker 3: but maybe it's not for everybody.

232
00:12:16,880 --> 00:12:18,840
Speaker 1: So then it's like, well, my in my and my

233
00:12:19,320 --> 00:12:22,600
Speaker 1: suggestion would be great. We have this audience. That's step one.

234
00:12:23,040 --> 00:12:27,440
Speaker 1: Now let's give him something to wash. So some of

235
00:12:27,480 --> 00:12:30,240
Speaker 1: our ideas are like, first of all, the good place.

236
00:12:30,920 --> 00:12:33,080
Speaker 1: You don't feel like that's a little bit like come on,

237
00:12:33,679 --> 00:12:36,800
Speaker 1: like on the nose. Or well, here's what I noticed

238
00:12:36,800 --> 00:12:41,800
Speaker 1: when I'm seeing it looks expensive as hell because you're

239
00:12:41,880 --> 00:12:45,920
Speaker 1: all over the place shoot using shooting in heaven. Yeah,

240
00:12:45,920 --> 00:12:49,680
Speaker 1: and it's yes, you're in heaven on location in heaven

241
00:12:49,960 --> 00:12:55,480
Speaker 1: or is it it's not? So then beyond that, also,

242
00:12:55,800 --> 00:13:00,000
Speaker 1: it's like they're moving around all the time. What I'm

243
00:13:00,080 --> 00:13:02,600
Speaker 1: thinking is we call it the food place. Okay, we

244
00:13:02,679 --> 00:13:06,480
Speaker 1: set up in a food for less, oh, like a store.

245
00:13:06,840 --> 00:13:09,880
Speaker 1: Have you seen a superstore? I have how's that.

246
00:13:10,240 --> 00:13:11,959
Speaker 3: Well, it's critically acclaimed.

247
00:13:12,600 --> 00:13:15,800
Speaker 2: Whoa would we like some of that?

248
00:13:16,160 --> 00:13:17,840
Speaker 1: Yeah on the food place.

249
00:13:17,880 --> 00:13:20,559
Speaker 2: I think, And just to like make it more gradual,

250
00:13:20,920 --> 00:13:22,880
Speaker 2: do you pronounce it the food place?

251
00:13:23,400 --> 00:13:25,920
Speaker 1: So it does like kind of rise people.

252
00:13:26,320 --> 00:13:28,680
Speaker 2: Yes, and then you just kind of are out there

253
00:13:28,720 --> 00:13:31,400
Speaker 2: pronouncing food food, and then.

254
00:13:31,400 --> 00:13:36,079
Speaker 3: Like all over like all over the map with food, right, yeah.

255
00:13:36,200 --> 00:13:38,160
Speaker 2: Every time you're saying food, do you say yes?

256
00:13:38,280 --> 00:13:39,199
Speaker 1: Yeah, you say it like.

257
00:13:39,160 --> 00:13:42,960
Speaker 2: That, and then gradually, given the platform that you have,

258
00:13:43,679 --> 00:13:45,079
Speaker 2: other people start saying food.

259
00:13:45,360 --> 00:13:45,560
Speaker 1: Yeah.

260
00:13:46,240 --> 00:13:49,280
Speaker 2: And then we're just sort of easing our way into

261
00:13:49,880 --> 00:13:52,760
Speaker 2: this name change, which can be very shocking for people.

262
00:13:52,960 --> 00:13:55,280
Speaker 1: And what I've noticed when I'm at the food for

263
00:13:55,400 --> 00:13:57,719
Speaker 1: less it SA they got cameras in.

264
00:13:57,679 --> 00:14:02,280
Speaker 3: There, yeah, oh h in the corners yeah yeah, and

265
00:14:02,320 --> 00:14:03,959
Speaker 3: they get a pretty decent angle.

266
00:14:04,520 --> 00:14:06,480
Speaker 1: We'd maybe want to get one more, maybe take our

267
00:14:06,520 --> 00:14:09,600
Speaker 1: phone and do one trick shot through the shelves.

268
00:14:09,200 --> 00:14:10,720
Speaker 3: And it's like everybody has one.

269
00:14:11,160 --> 00:14:14,199
Speaker 1: Well yeah, the characters now would be on their phones

270
00:14:14,240 --> 00:14:16,040
Speaker 1: a lot, right, and then we can just cut to

271
00:14:16,080 --> 00:14:16,720
Speaker 1: that POV.

272
00:14:17,640 --> 00:14:19,160
Speaker 3: So would it still be like I mean, would like

273
00:14:19,240 --> 00:14:21,200
Speaker 3: Kristin Bell be in it and Ted dance in and like,

274
00:14:21,240 --> 00:14:23,720
Speaker 3: would it be the same cast or okay.

275
00:14:23,440 --> 00:14:27,120
Speaker 2: So you've it sounds like year long circling the same

276
00:14:27,400 --> 00:14:30,760
Speaker 2: area that we are, which is potentially cutting out some

277
00:14:30,800 --> 00:14:33,520
Speaker 2: of the dead weight on the show. Right, just what

278
00:14:33,640 --> 00:14:35,560
Speaker 2: I'm getting? Oh like, would these people still be there?

279
00:14:35,560 --> 00:14:37,600
Speaker 2: It's fine with me, they fined with me that they are.

280
00:14:37,720 --> 00:14:41,480
Speaker 1: But again they seem expensive to me. Oh right, and

281
00:14:42,680 --> 00:14:45,880
Speaker 1: you're not necessarily getting the return on investment when some

282
00:14:45,960 --> 00:14:47,800
Speaker 1: of these people have seen it the food for Less

283
00:14:48,480 --> 00:14:53,880
Speaker 1: don't want any sorry sorry, sorry, sorry, sorry sorry, Some

284
00:14:53,960 --> 00:14:55,960
Speaker 1: of these people have seen around there when I've been

285
00:14:55,960 --> 00:14:59,480
Speaker 1: hanging out, don't look anything like to dance for Kristen

286
00:14:59,520 --> 00:15:02,480
Speaker 1: Bell at the at a flood for Less, right right,

287
00:15:02,560 --> 00:15:06,760
Speaker 1: right right? Uglier, Well, it's not for me to say.

288
00:15:06,880 --> 00:15:09,800
Speaker 1: I mean, beauty is look I'm learning on my feet,

289
00:15:11,520 --> 00:15:17,120
Speaker 1: beauty is chiped it is.

290
00:15:17,760 --> 00:15:23,440
Speaker 3: I mean that's good, Yeah it is. I guess it

291
00:15:23,480 --> 00:15:28,680
Speaker 3: is like one man's trash trash is another man's treasure

292
00:15:29,480 --> 00:15:31,000
Speaker 3: and yeah, yes, totally.

293
00:15:31,040 --> 00:15:34,520
Speaker 2: And someone who like is ugly could actually be like

294
00:15:35,040 --> 00:15:35,560
Speaker 2: very hot.

295
00:15:35,720 --> 00:15:36,080
Speaker 1: I guess.

296
00:15:36,160 --> 00:15:36,360
Speaker 2: Yeah.

297
00:15:36,400 --> 00:15:37,640
Speaker 3: It's like to us where like.

298
00:15:37,600 --> 00:15:42,040
Speaker 1: Somebody fucked up looking Sometimes what that really means is like, wow,

299
00:15:42,240 --> 00:15:47,440
Speaker 1: that's thinking somebody horny and let's say it, yeah, even everybody,

300
00:15:47,720 --> 00:15:50,400
Speaker 1: even everybody once you just kind.

301
00:15:50,200 --> 00:15:52,640
Speaker 3: Of tell that, yes, if you say it, then it's like,

302
00:15:52,800 --> 00:15:54,120
Speaker 3: I guess I am horny about that.

303
00:15:54,600 --> 00:15:57,400
Speaker 1: Yeah. I've looked at people before that I had initially

304
00:15:57,440 --> 00:15:59,720
Speaker 1: thought were fucked up looking, and when I heard everybody

305
00:15:59,800 --> 00:16:02,920
Speaker 1: was orny for them, it made me really consider.

306
00:16:02,600 --> 00:16:06,080
Speaker 3: I've totally been there. Yeah, that's a crazy feeling, right,

307
00:16:10,320 --> 00:16:18,880
Speaker 3: it's out of control. So basically we've got some stuff covered.

308
00:16:19,040 --> 00:16:22,000
Speaker 1: I also think that the ideas that are talked about

309
00:16:22,000 --> 00:16:26,760
Speaker 1: in the good place in terms of morality, philosophy, religion,

310
00:16:27,000 --> 00:16:33,240
Speaker 1: the afterlife, is that as relatable as cereal, peanut butter,

311
00:16:35,200 --> 00:16:38,160
Speaker 1: a hamburger, not for me, but for somebody.

312
00:16:40,120 --> 00:16:42,600
Speaker 3: Right right, Okay, because chicken.

313
00:16:42,480 --> 00:16:46,440
Speaker 1: Biscuit mix, chicken launch, chicken lunch, chicken lunch. Yeah.

314
00:16:47,600 --> 00:16:50,760
Speaker 2: See, I mean but this is like and it's we

315
00:16:50,840 --> 00:16:54,480
Speaker 2: said in these like Ivory Towers, and we were talking

316
00:16:54,480 --> 00:16:57,680
Speaker 2: about like about books and school.

317
00:16:57,880 --> 00:17:02,080
Speaker 3: Not everybody's reading books, but everybody's et chicken lunch. Yes, right, Okay,

318
00:17:02,120 --> 00:17:04,160
Speaker 3: I see what you're saying, right, I know. I guess

319
00:17:04,200 --> 00:17:06,359
Speaker 3: I was so excited to just have like a good

320
00:17:07,040 --> 00:17:09,119
Speaker 3: acting job on a good what I thought was a

321
00:17:09,119 --> 00:17:11,359
Speaker 3: good show that I was just wrapped up in this

322
00:17:11,520 --> 00:17:13,200
Speaker 3: like world and now I'm like, what.

323
00:17:13,320 --> 00:17:16,040
Speaker 1: But maybe you're blowing it right should I?

324
00:17:16,320 --> 00:17:18,640
Speaker 3: Okay, Well, here's my question is what do I do?

325
00:17:18,640 --> 00:17:20,040
Speaker 3: Do I march into the writer's room?

326
00:17:20,040 --> 00:17:20,880
Speaker 1: Do I talk to Mike? Sure?

327
00:17:20,960 --> 00:17:23,760
Speaker 3: Like, how do I change this? Because I feel like

328
00:17:23,760 --> 00:17:26,160
Speaker 3: I'm just like in there? You know what I mean.

329
00:17:26,280 --> 00:17:29,760
Speaker 1: Oh, that's how they treat you kind of They're like

330
00:17:29,920 --> 00:17:33,000
Speaker 1: I hate hearing that. Yeah, I hate hearing that.

331
00:17:33,040 --> 00:17:35,200
Speaker 2: And they made you play every part for one episode

332
00:17:35,240 --> 00:17:36,400
Speaker 2: and you had to just do it.

333
00:17:37,000 --> 00:17:37,200
Speaker 1: Yeah.

334
00:17:37,280 --> 00:17:38,720
Speaker 3: Yeah, I like got the script and I was like,

335
00:17:39,280 --> 00:17:42,960
Speaker 3: I guess I have to do that right.

336
00:17:41,840 --> 00:17:46,680
Speaker 2: Because everyone else is like like tired, busy or.

337
00:17:46,840 --> 00:17:49,639
Speaker 1: Is this it was the summer? Yeah, it was like maybe,

338
00:17:49,760 --> 00:17:52,760
Speaker 1: oh summer they all went to on the beach.

339
00:17:53,040 --> 00:17:55,880
Speaker 3: It was a weird week because like nobody posted any

340
00:17:55,880 --> 00:17:57,679
Speaker 3: instagrams or something, so I'm like, oh, did they have

341
00:17:57,760 --> 00:18:01,240
Speaker 3: like a don't post this type of where they vacation

342
00:18:01,400 --> 00:18:02,399
Speaker 3: secret hashtag?

343
00:18:02,640 --> 00:18:04,879
Speaker 1: Speaking a weird week? Yeah, this show's coming out what

344
00:18:05,040 --> 00:18:06,080
Speaker 1: once a week? Yeah?

345
00:18:06,119 --> 00:18:09,159
Speaker 3: Oh this one no food place or this well this

346
00:18:09,240 --> 00:18:11,880
Speaker 3: one yours is yeah, this one Okay, wait which one

347
00:18:11,920 --> 00:18:12,360
Speaker 3: do you mean?

348
00:18:12,640 --> 00:18:17,680
Speaker 1: The original food place? Okay, good Place? Okay, that's doing

349
00:18:17,720 --> 00:18:18,520
Speaker 1: what every week?

350
00:18:18,720 --> 00:18:19,800
Speaker 2: Or is that the good Place?

351
00:18:20,600 --> 00:18:23,080
Speaker 1: Ah? Is that the transition?

352
00:18:23,240 --> 00:18:23,800
Speaker 2: We need.

353
00:18:25,160 --> 00:18:27,959
Speaker 1: Soften a month, a season of good Place and season

354
00:18:27,960 --> 00:18:29,760
Speaker 1: of good Place and then switch it on over to

355
00:18:29,760 --> 00:18:31,480
Speaker 1: food Place and then food Place. You know, so we

356
00:18:31,520 --> 00:18:34,240
Speaker 1: need two more seasons. We're going to need a little

357
00:18:34,240 --> 00:18:37,000
Speaker 1: bit of runway to execute the change and get us

358
00:18:37,000 --> 00:18:39,280
Speaker 1: into a show that the people can actually enjoy.

359
00:18:39,800 --> 00:18:42,280
Speaker 3: So, yeah, it was coming out once a week. It is,

360
00:18:42,359 --> 00:18:43,399
Speaker 3: I mean when when it's on.

361
00:18:43,760 --> 00:18:46,000
Speaker 2: Yeah, but you prefer, you're saying, as an actor to

362
00:18:46,200 --> 00:18:48,160
Speaker 2: kind of like keep your blinders on. It's really much

363
00:18:48,200 --> 00:18:50,400
Speaker 2: the way that you're wearing a winter hat over your

364
00:18:50,400 --> 00:18:52,440
Speaker 2: ears and then headphones over that.

365
00:18:52,640 --> 00:18:54,800
Speaker 3: Well, this is a great joke, but the fucking viewers

366
00:18:54,800 --> 00:18:56,639
Speaker 3: don't know what you're talking and listeners can't see me,

367
00:18:56,680 --> 00:18:58,040
Speaker 3: can they, now, Hayes.

368
00:18:57,720 --> 00:19:00,760
Speaker 2: Oh boy, wait till cab and gets in here.

369
00:19:01,000 --> 00:19:03,720
Speaker 1: No, No, he's okay, he's going to get so many

370
00:19:03,800 --> 00:19:07,280
Speaker 1: pictures and then the fucking viewers, as you call it,

371
00:19:07,480 --> 00:19:08,920
Speaker 1: I know, I know, I know, geez.

372
00:19:09,000 --> 00:19:13,920
Speaker 2: And Darcy said, Darcy said that she that she didn't

373
00:19:13,920 --> 00:19:15,720
Speaker 2: want to take her winter hat off, but I did.

374
00:19:15,880 --> 00:19:18,080
Speaker 2: She was adjusting it. I did sort of see that

375
00:19:18,160 --> 00:19:24,479
Speaker 2: there's no hair under the hat. The hair starts like

376
00:19:24,560 --> 00:19:28,440
Speaker 2: basically basically it's all sidebird what we're looking at.

377
00:19:28,720 --> 00:19:32,679
Speaker 1: Well, and it's not just that, because that would be

378
00:19:32,720 --> 00:19:34,280
Speaker 1: one thing. I don't even think we'd bring it up

379
00:19:34,280 --> 00:19:36,639
Speaker 1: if what was under there was like a scout, sure,

380
00:19:38,080 --> 00:19:43,560
Speaker 1: but in fact it's sort of like a spiky ball. Yeah,

381
00:19:43,640 --> 00:19:47,919
Speaker 1: I say, a translucent spiky ball and there's a glow

382
00:19:48,080 --> 00:19:48,720
Speaker 1: coming out of it.

383
00:19:48,800 --> 00:19:51,960
Speaker 3: I feel like this is so fucked up of you guys,

384
00:19:52,000 --> 00:19:54,679
Speaker 3: like what I saw off Mike, I was like, is

385
00:19:54,720 --> 00:19:56,439
Speaker 3: it cool if I keep on my hat? And I

386
00:19:56,480 --> 00:19:59,000
Speaker 3: know you could tell that I had I insist.

387
00:19:58,760 --> 00:20:00,679
Speaker 1: That you keep it on because the O and spiky

388
00:20:00,800 --> 00:20:05,560
Speaker 1: ball I could hear it, but like I knew, it

389
00:20:05,640 --> 00:20:08,000
Speaker 1: wasn't making any noise. Does that make sense?

390
00:20:08,080 --> 00:20:08,280
Speaker 2: Yeah?

391
00:20:09,000 --> 00:20:10,800
Speaker 1: It was inside me in some.

392
00:20:10,680 --> 00:20:12,640
Speaker 2: Way but far away at the same time.

393
00:20:12,720 --> 00:20:18,320
Speaker 1: Oh right, as was I So that to me, please

394
00:20:18,400 --> 00:20:20,920
Speaker 1: keep the hat on, you know, but we should discuss

395
00:20:20,960 --> 00:20:23,639
Speaker 1: it because this is either eat something medical or this

396
00:20:23,720 --> 00:20:27,760
Speaker 1: is maybe something for the food place to deal with.

397
00:20:27,720 --> 00:20:30,040
Speaker 2: And something exciting happened. We can talk about it, Darcy

398
00:20:30,040 --> 00:20:32,720
Speaker 2: point me. She was really impressed. I tipped my drink

399
00:20:32,800 --> 00:20:35,639
Speaker 2: all the way over, but I caught it just before it.

400
00:20:35,640 --> 00:20:38,119
Speaker 3: It was masterful and like superhero like.

401
00:20:38,600 --> 00:20:40,560
Speaker 1: It was the opposite of what I did a couple

402
00:20:40,520 --> 00:20:41,000
Speaker 1: of weeks ago.

403
00:20:41,280 --> 00:20:47,679
Speaker 3: Let's go into it. Okay, do you guys want some

404
00:20:47,720 --> 00:20:51,000
Speaker 3: real Hollywood This is Hollywood handbook, right?

405
00:20:51,800 --> 00:20:54,040
Speaker 1: I think so. I mean we've been thinking about changing

406
00:20:54,080 --> 00:21:01,760
Speaker 1: it to the place hollyfood hand food him. I was

407
00:21:01,800 --> 00:21:07,679
Speaker 1: just like, yeah, but you weart some juice.

408
00:21:07,840 --> 00:21:09,879
Speaker 3: Well the juice is that? Do you want to know

409
00:21:09,920 --> 00:21:11,160
Speaker 3: why I'm wearing this hat for real?

410
00:21:11,680 --> 00:21:14,639
Speaker 1: Oh? No, I want to know how I got this hat?

411
00:21:20,520 --> 00:21:24,000
Speaker 3: Yeah? Okay, are you shooting something the other day?

412
00:21:24,480 --> 00:21:25,800
Speaker 1: Oh? No, of a gun?

413
00:21:26,160 --> 00:21:30,560
Speaker 3: No more with cameras, no guns at all. And a

414
00:21:30,560 --> 00:21:33,080
Speaker 3: lot of times when women are on camera, they have

415
00:21:33,920 --> 00:21:36,480
Speaker 3: so many extensions on their head.

416
00:21:36,600 --> 00:21:41,440
Speaker 1: Do you know this? Okay, head extension ahead of ex Yeah,

417
00:21:41,720 --> 00:21:43,880
Speaker 1: like the head the head right.

418
00:21:45,800 --> 00:21:46,200
Speaker 2: Extension?

419
00:21:46,280 --> 00:21:49,679
Speaker 1: Yeah, no, more like from Liquid MTV where he had

420
00:21:49,680 --> 00:21:51,960
Speaker 1: an alien that lived inside his head. His head was

421
00:21:52,000 --> 00:21:54,280
Speaker 1: extended up to make room for the alien that would

422
00:21:54,280 --> 00:21:54,760
Speaker 1: come out right.

423
00:21:54,880 --> 00:21:58,480
Speaker 3: So there's that. But then there's also like hair extensions. Yeah,

424
00:21:58,520 --> 00:22:00,480
Speaker 3: so anyway, I had a head full of ex tensions,

425
00:22:00,520 --> 00:22:03,199
Speaker 3: not a head extension, but hair extensions. At the end

426
00:22:03,280 --> 00:22:05,320
Speaker 3: of the thing, the guy takes all the extensions out.

427
00:22:05,880 --> 00:22:08,360
Speaker 3: I'm feeling great. I go home, I go to bed.

428
00:22:08,400 --> 00:22:10,240
Speaker 3: I wake up in the morning and I touch my

429
00:22:10,359 --> 00:22:13,640
Speaker 3: hair and there's some extensions glued in that I didn't

430
00:22:13,680 --> 00:22:17,560
Speaker 3: know about. Oh Na, can you imagine.

431
00:22:17,800 --> 00:22:18,920
Speaker 2: Oh the glued place.

432
00:22:26,320 --> 00:22:28,520
Speaker 1: But if we did make it that, we've already got

433
00:22:28,520 --> 00:22:30,560
Speaker 1: a story that's true, you know what I mean.

434
00:22:30,560 --> 00:22:34,480
Speaker 2: And so he just so this guy, you think, kind

435
00:22:34,480 --> 00:22:38,879
Speaker 2: of just had notes on your on your head basically

436
00:22:39,040 --> 00:22:43,399
Speaker 2: and just made little tweaks that he decided to be permanent.

437
00:22:43,600 --> 00:22:46,600
Speaker 1: Yeah, well, yeah, you made an executive decision. This guy

438
00:22:46,640 --> 00:22:48,320
Speaker 1: sees a lot of hair, right.

439
00:22:48,760 --> 00:22:50,679
Speaker 3: Right, that's his job. So I kind of am like,

440
00:22:50,840 --> 00:22:53,359
Speaker 3: I get it, but also I don't know how to

441
00:22:53,400 --> 00:22:54,760
Speaker 3: like brush my hair with it.

442
00:22:55,240 --> 00:22:57,400
Speaker 1: So they are still in there. Yeah. I could show you,

443
00:22:58,640 --> 00:23:05,600
Speaker 1: Oh my god, be seeing this live on the podcast. No,

444
00:23:05,640 --> 00:23:09,280
Speaker 1: but we'll see it and freaking and we'll have to

445
00:23:09,359 --> 00:23:11,520
Speaker 1: react in real time to the hairs.

446
00:23:12,080 --> 00:23:15,240
Speaker 3: Okay, this will be she's doing it.

447
00:23:21,280 --> 00:23:23,480
Speaker 1: You can't tell you it looks great.

448
00:23:24,600 --> 00:23:25,200
Speaker 2: Well that's.

449
00:23:28,520 --> 00:23:28,840
Speaker 4: Keep it.

450
00:23:29,359 --> 00:23:30,000
Speaker 3: Keep that off.

451
00:23:30,240 --> 00:23:34,480
Speaker 1: No, keep yeah, put the hat back up. Wait, but

452
00:23:34,680 --> 00:23:35,880
Speaker 1: keep your fake head? Wait?

453
00:23:35,920 --> 00:23:38,520
Speaker 3: Do I look normal alright now? Oh yeah, but I

454
00:23:38,560 --> 00:23:40,400
Speaker 3: guess the problem is that it looks like I haven't

455
00:23:40,400 --> 00:23:41,520
Speaker 3: brushed my hair in a couple of days.

456
00:23:41,600 --> 00:23:45,400
Speaker 1: Right, there's a pretty defined but that's separation right here.

457
00:23:45,920 --> 00:23:48,000
Speaker 3: Yes, yeah, it's not that bad.

458
00:23:48,160 --> 00:23:49,240
Speaker 1: No, it's not bad.

459
00:23:49,600 --> 00:23:49,840
Speaker 2: Yeah.

460
00:23:50,200 --> 00:23:53,640
Speaker 1: I wouldn't have noticed it if you had said anything.

461
00:23:53,320 --> 00:23:54,600
Speaker 3: If I didn't make a big deal about it.

462
00:23:54,720 --> 00:23:55,560
Speaker 1: Of course, it's all I see.

463
00:23:57,680 --> 00:23:59,200
Speaker 2: But you don't want to seem like one of those

464
00:23:59,240 --> 00:24:03,320
Speaker 2: like brushing like tryhards. You know, those guys that are

465
00:24:03,359 --> 00:24:04,600
Speaker 2: always brushing their hair.

466
00:24:04,680 --> 00:24:06,960
Speaker 3: Oh god, it's like, we get it.

467
00:24:07,119 --> 00:24:08,920
Speaker 2: Yeah, you know what I've seen like that you are

468
00:24:09,000 --> 00:24:12,840
Speaker 2: doing other stuff like you know yeah, yes, of course we're.

469
00:24:13,040 --> 00:24:14,080
Speaker 3: Yeah, we're all brush for gonna.

470
00:24:14,119 --> 00:24:16,200
Speaker 1: Yeah, we brush our hair, but we do it alone,

471
00:24:16,480 --> 00:24:17,840
Speaker 1: exactly in secret.

472
00:24:18,000 --> 00:24:18,160
Speaker 2: Right.

473
00:24:18,440 --> 00:24:20,880
Speaker 1: We go in the basement and we brush our hair

474
00:24:20,920 --> 00:24:23,600
Speaker 1: for an hour or two at four a m. Then

475
00:24:23,640 --> 00:24:26,080
Speaker 1: we go back pretend to be asleep. Then when our

476
00:24:26,080 --> 00:24:28,080
Speaker 1: wife wakes up, we go like, oh I just woke.

477
00:24:27,960 --> 00:24:34,480
Speaker 3: Up too, funny, Yeah, yeah, it's so, it's.

478
00:24:34,359 --> 00:24:37,439
Speaker 1: So almost stepped on my dog just now. Please be

479
00:24:37,560 --> 00:24:40,000
Speaker 1: very careful, Kevin dog. He's very sweet, Kevin.

480
00:24:40,560 --> 00:24:42,840
Speaker 3: Can you apologize to Sean?

481
00:24:43,320 --> 00:24:45,000
Speaker 1: And can you apology yes to Bush? Yes?

482
00:24:45,200 --> 00:24:47,920
Speaker 2: And Kevin and Devon are wearing the same shirt today?

483
00:24:48,080 --> 00:24:50,960
Speaker 1: Whoa? And are you wearing that Spencer's gift shirt underneath?

484
00:24:51,000 --> 00:24:52,760
Speaker 1: Or now? What's on your T shirt?

485
00:24:52,920 --> 00:24:55,120
Speaker 2: Kevin Gray?

486
00:24:56,160 --> 00:24:57,160
Speaker 1: Solid's fitting?

487
00:24:59,480 --> 00:25:02,160
Speaker 3: Okay, so we figured? Okay, so we're over my hair,

488
00:25:02,280 --> 00:25:02,800
Speaker 3: right guys?

489
00:25:02,960 --> 00:25:03,320
Speaker 2: Yes?

490
00:25:03,880 --> 00:25:06,880
Speaker 1: Casting stuff? Do we want to get into talk about it?

491
00:25:07,000 --> 00:25:12,320
Speaker 1: Max Creamfield, both Bear Cedrictiner, Teiner. Let's get these motherfuckers

492
00:25:12,359 --> 00:25:13,679
Speaker 1: in the footplace, okay?

493
00:25:13,800 --> 00:25:15,920
Speaker 3: Oh is that okay? So on, just take a whole

494
00:25:15,920 --> 00:25:17,080
Speaker 3: another show and bring them on.

495
00:25:17,800 --> 00:25:21,120
Speaker 1: Not the whole thing, everybody.

496
00:25:21,160 --> 00:25:26,160
Speaker 2: Do we take them from the neighborhood, bring them over

497
00:25:26,200 --> 00:25:27,760
Speaker 2: to the good boys the foot plays?

498
00:25:28,560 --> 00:25:28,920
Speaker 1: Do we?

499
00:25:29,280 --> 00:25:29,639
Speaker 2: Uh?

500
00:25:29,800 --> 00:25:29,919
Speaker 1: Who?

501
00:25:30,119 --> 00:25:33,800
Speaker 2: Well, and let's talk about who are you know, like,

502
00:25:34,320 --> 00:25:36,480
Speaker 2: let's talk about the expendables on the show? Now, who

503
00:25:36,480 --> 00:25:38,200
Speaker 2: are Who's kind of on the chopping box?

504
00:25:38,440 --> 00:25:41,240
Speaker 3: Feels like to me, it feels like we're such a group,

505
00:25:41,359 --> 00:25:43,480
Speaker 3: you know, like a like an ensemble. It would be

506
00:25:43,520 --> 00:25:46,240
Speaker 3: hard to take any one, you know, that's it's hard

507
00:25:46,240 --> 00:25:47,160
Speaker 3: for me to see.

508
00:25:47,280 --> 00:25:50,399
Speaker 1: Do you want to get everybody? Not? Don't want to

509
00:25:50,440 --> 00:25:55,760
Speaker 1: take any one person that, yes, like they'd be so sad,

510
00:25:55,880 --> 00:25:58,199
Speaker 1: or just one of them. We already know you can

511
00:25:58,280 --> 00:26:00,680
Speaker 1: play them all. Yeah, you know what I mean, which

512
00:26:00,720 --> 00:26:03,879
Speaker 1: I that's very you know, not too subtle to be Okay.

513
00:26:03,960 --> 00:26:05,720
Speaker 1: I think these guys are pretty replaceable. I think we

514
00:26:05,720 --> 00:26:10,200
Speaker 1: have one person who could be is better. Yeah, well

515
00:26:10,520 --> 00:26:11,119
Speaker 1: think about that.

516
00:26:11,160 --> 00:26:13,119
Speaker 3: I don't know, that's hard. It's hard for again, like

517
00:26:13,560 --> 00:26:15,159
Speaker 3: on the inside, it's hard to see that. So that

518
00:26:15,160 --> 00:26:17,560
Speaker 3: would maybe be like you guys saying it.

519
00:26:17,680 --> 00:26:20,960
Speaker 1: Yeah, well, and well, let's talk about our credit on.

520
00:26:20,920 --> 00:26:27,480
Speaker 3: The showy creator creator both of you. Yeah, created by.

521
00:26:29,080 --> 00:26:34,320
Speaker 2: Well you could get the creator by creator by creator by.

522
00:26:35,720 --> 00:26:38,280
Speaker 2: I don't want to use this name of this show,

523
00:26:39,400 --> 00:26:43,040
Speaker 2: like you're this is kind of just like a jerk off.

524
00:26:43,440 --> 00:26:46,560
Speaker 1: I thought this was like your thing. Yeah, it's unfortunately

525
00:26:46,600 --> 00:26:47,720
Speaker 1: become a lot of my thing.

526
00:26:47,880 --> 00:26:50,680
Speaker 3: But it is a jerk off joke, okay, because I

527
00:26:50,720 --> 00:26:52,440
Speaker 3: thought this was like your whole identity almost.

528
00:26:55,440 --> 00:26:58,600
Speaker 1: I can see how that it would look like that

529
00:26:59,680 --> 00:27:03,880
Speaker 1: from like if you're doing other stuff or yeah, from

530
00:27:03,920 --> 00:27:07,840
Speaker 1: having nothing else take hold in any way that this

531
00:27:07,880 --> 00:27:11,840
Speaker 1: would seem like my primary thing and from it becoming

532
00:27:12,280 --> 00:27:15,960
Speaker 1: more necessary, becoming yes, in fact, the way that I lived.

533
00:27:16,560 --> 00:27:22,439
Speaker 1: So I see how that mistake could happen. But in fact,

534
00:27:22,760 --> 00:27:25,200
Speaker 1: I'm so much more than this show.

535
00:27:25,600 --> 00:27:28,720
Speaker 3: And that's what honestly, that's what the Footplace could be

536
00:27:28,880 --> 00:27:32,480
Speaker 3: for you guys. Yes, every being nominated for an Emmy.

537
00:27:32,920 --> 00:27:37,880
Speaker 1: No, no, I haven't because they won't let us hear

538
00:27:38,000 --> 00:27:38,480
Speaker 1: about it.

539
00:27:39,400 --> 00:27:42,520
Speaker 2: That's where they're doing like the secret Instagram thing, you know,

540
00:27:42,680 --> 00:27:46,600
Speaker 2: like around that weekend and like nominating time, my feed

541
00:27:46,720 --> 00:27:51,600
Speaker 2: just goes completely dark, like tiles, yes, orange tiles.

542
00:27:51,680 --> 00:27:56,400
Speaker 1: It becomes it just becomes orange styles for mine. It's

543
00:27:56,480 --> 00:28:02,240
Speaker 1: it's like a home improvement screen wipe comes up. It's

544
00:28:02,280 --> 00:28:05,040
Speaker 1: like a like a saw comes and saws a hole

545
00:28:06,040 --> 00:28:09,280
Speaker 1: the middle of my Instagram feed and it just drops

546
00:28:09,320 --> 00:28:12,080
Speaker 1: out for just that whole sort of like time period

547
00:28:12,880 --> 00:28:13,440
Speaker 1: like a month.

548
00:28:13,920 --> 00:28:15,200
Speaker 3: What are you looking at in that month?

549
00:28:15,240 --> 00:28:19,159
Speaker 1: You know what I mean, I'm just waiting. I'm just

550
00:28:19,200 --> 00:28:21,880
Speaker 1: opening it up and it's gonna come back. I've seen

551
00:28:21,920 --> 00:28:23,479
Speaker 1: because I because at this point, I go, this has

552
00:28:23,520 --> 00:28:25,760
Speaker 1: happened before, it's cool.

553
00:28:25,560 --> 00:28:27,720
Speaker 2: And they have got for like the four year consideration,

554
00:28:27,760 --> 00:28:29,600
Speaker 2: billboard and stuff. I've seen every once in a while,

555
00:28:29,680 --> 00:28:32,840
Speaker 2: but they have people to distract us from those when

556
00:28:32,880 --> 00:28:35,640
Speaker 2: we're like driving and stuff. So if you're driving, they'll

557
00:28:35,680 --> 00:28:37,560
Speaker 2: have a guy like jump in front of the cars.

558
00:28:37,960 --> 00:28:39,000
Speaker 1: Or karate kicked a car.

559
00:28:39,160 --> 00:28:41,480
Speaker 3: Right, have you ever injured any of those guys they know?

560
00:28:41,560 --> 00:28:42,720
Speaker 1: They're like no, they're.

561
00:28:42,560 --> 00:28:45,840
Speaker 2: Yeah, they're like professionals. They've been nominated for stunts. Yeah, yeah,

562
00:28:45,880 --> 00:28:50,120
Speaker 2: they know karate. Yeah, John Wicks people maybe yeah, well

563
00:28:50,200 --> 00:28:53,440
Speaker 2: John Wicks people those something actually became directors.

564
00:28:53,680 --> 00:28:54,520
Speaker 1: Oh really yeah.

565
00:28:54,520 --> 00:28:56,640
Speaker 2: I don't know if people knew this, but like those

566
00:28:56,680 --> 00:29:00,760
Speaker 2: guys were actually doing stunts before they were.

567
00:29:00,360 --> 00:29:03,080
Speaker 3: Oh wow, okay, yeah wow.

568
00:29:03,480 --> 00:29:06,240
Speaker 1: And that is also a movie. And this is like, ah,

569
00:29:06,320 --> 00:29:07,160
Speaker 1: this is cheap.

570
00:29:07,120 --> 00:29:10,040
Speaker 2: And we're talking about Emmy switch and I'm not allowed

571
00:29:10,080 --> 00:29:12,200
Speaker 2: to know about this, but you are supposed to.

572
00:29:12,320 --> 00:29:15,200
Speaker 3: Yeah, no I do. I just I honestly, I wasn't

573
00:29:15,200 --> 00:29:16,160
Speaker 3: sure what you knew.

574
00:29:16,440 --> 00:29:19,840
Speaker 1: John Wick is not that John Wick's not the Emmy's. Okay,

575
00:29:20,280 --> 00:29:25,000
Speaker 1: I'll say that almost one hundred percent. John Wick's not

576
00:29:25,120 --> 00:29:28,920
Speaker 1: the Emmys. And you can absolutely quote me on that.

577
00:29:29,560 --> 00:29:33,760
Speaker 1: John from Cincinnati the Emmys's Emmys. John Wick not the Emmys,

578
00:29:33,840 --> 00:29:37,080
Speaker 1: Dear John, Dear John, the Emmys.

579
00:29:36,680 --> 00:29:40,960
Speaker 2: The Emmy's, dear God, not the Emmies.

580
00:29:42,640 --> 00:29:45,800
Speaker 1: Uh, Dear John. I believe Jerry Burns took home the

581
00:29:45,840 --> 00:29:56,400
Speaker 1: hardware for that one. Here's running Jerry Birds had that

582
00:29:56,680 --> 00:30:00,640
Speaker 1: fucking Emmy's stacked on stat Well.

583
00:30:00,640 --> 00:30:03,440
Speaker 3: I want you guys to, you know, feel that that

584
00:30:03,560 --> 00:30:05,280
Speaker 3: buzz and I think this would.

585
00:30:05,040 --> 00:30:08,960
Speaker 1: Be I kind of have burrowed myself into a protective

586
00:30:08,960 --> 00:30:11,480
Speaker 1: little corner where I talk about how the awards shows

587
00:30:11,480 --> 00:30:15,280
Speaker 1: are meaningless and art shouldn't be a competition. So I

588
00:30:15,320 --> 00:30:18,280
Speaker 1: am nervous about getting tough to go back even a

589
00:30:18,320 --> 00:30:23,640
Speaker 1: whiff of the Emmys or even the stupid Golden Globe

590
00:30:23,720 --> 00:30:28,200
Speaker 1: right right, If I get anywhere near that, I feel like.

591
00:30:28,320 --> 00:30:32,160
Speaker 3: People will be like, okay, we've heard you say yeah.

592
00:30:32,200 --> 00:30:36,200
Speaker 1: And let's face it, if I do somehow accidentally end

593
00:30:36,280 --> 00:30:40,720
Speaker 1: up in that like sort of sphere, it ain't gonna

594
00:30:40,760 --> 00:30:44,080
Speaker 1: last really, and I will have to be retreating back

595
00:30:44,120 --> 00:30:45,280
Speaker 1: to the corner of a war.

596
00:30:45,360 --> 00:30:46,080
Speaker 2: Shows are stupid.

597
00:30:46,160 --> 00:30:48,640
Speaker 1: Art is not a competition again very soon.

598
00:30:49,160 --> 00:30:50,960
Speaker 2: What happened with the Golden Globes this year?

599
00:30:51,000 --> 00:30:52,400
Speaker 1: Did you get a nod? This year?

600
00:30:52,560 --> 00:30:55,000
Speaker 3: We got a nod. I didn't specifically, you didn't specifically

601
00:30:55,040 --> 00:30:57,760
Speaker 3: that Kristen Bell got a nod and pissed.

602
00:30:58,440 --> 00:30:58,880
Speaker 1: No, I was.

603
00:30:58,920 --> 00:31:01,520
Speaker 2: I was happy for her, but the show didn't bring

604
00:31:01,560 --> 00:31:02,680
Speaker 2: home the hardware show.

605
00:31:03,160 --> 00:31:03,320
Speaker 3: No.

606
00:31:03,760 --> 00:31:05,320
Speaker 2: Do you agree that they're fake? Yeah?

607
00:31:05,640 --> 00:31:08,240
Speaker 1: Yeah, well they're clearly fake. Art shouldn't be competitioned. Yeah,

608
00:31:08,320 --> 00:31:09,280
Speaker 1: ar shouldn't be a competition.

609
00:31:09,320 --> 00:31:11,320
Speaker 2: But you know what, Yes, art shouldn't be a competition.

610
00:31:11,480 --> 00:31:12,680
Speaker 2: And this one is fake.

611
00:31:12,760 --> 00:31:14,920
Speaker 1: Yeah, and this one so majorly fake.

612
00:31:15,160 --> 00:31:18,960
Speaker 3: A show that has that I heard about for the

613
00:31:18,960 --> 00:31:21,840
Speaker 3: first time when it was nominated for an Emmy one oh,

614
00:31:21,920 --> 00:31:25,280
Speaker 3: when it was nominated for Golden Globe called the Kaminsky.

615
00:31:24,840 --> 00:31:29,840
Speaker 1: Method the Kaminski Method at long last, How can I

616
00:31:29,920 --> 00:31:30,600
Speaker 1: just say it's his?

617
00:31:30,800 --> 00:31:35,120
Speaker 2: Do do we wanta Kevin? Do we want to cut out?

618
00:31:35,200 --> 00:31:37,440
Speaker 2: Darcy saying that she hadn't heard of the Commisky method

619
00:31:37,480 --> 00:31:40,240
Speaker 2: before because it was so It's like so embarrassing, And

620
00:31:40,320 --> 00:31:41,360
Speaker 2: I just had I was just like.

621
00:31:41,320 --> 00:31:42,960
Speaker 1: Picturing people hearing this and be like, oh my god,

622
00:31:43,040 --> 00:31:45,760
Speaker 1: Darcy hadn't even heard the Well, it just shows what

623
00:31:45,920 --> 00:31:48,080
Speaker 1: rarefied air you're living in over with the good place,

624
00:31:48,080 --> 00:31:48,600
Speaker 1: because all.

625
00:31:48,520 --> 00:31:52,440
Speaker 2: The people, the real people chicken lunch types chicken lunch.

626
00:31:52,720 --> 00:31:54,840
Speaker 1: What do you think they're watching while they eat chicken? Yeah,

627
00:31:54,880 --> 00:31:57,200
Speaker 1: they take all their hard hat, they dig into a

628
00:31:57,320 --> 00:32:01,080
Speaker 1: chicken lunch, sitting up on that the Cominsky mephy. Yes,

629
00:32:01,120 --> 00:32:04,520
Speaker 1: and they watched the Kominsky Method from what season? What season?

630
00:32:04,720 --> 00:32:05,880
Speaker 1: Season one?

631
00:32:05,960 --> 00:32:08,760
Speaker 3: A A that didn't even get like a full release.

632
00:32:10,720 --> 00:32:13,960
Speaker 3: Oh it didn't No, I don't think so didn't get No.

633
00:32:14,040 --> 00:32:16,960
Speaker 3: I think one was like people found it online and.

634
00:32:16,920 --> 00:32:20,440
Speaker 1: You just heard a bit at the Emmys their gold globes,

635
00:32:20,680 --> 00:32:22,840
Speaker 1: I don't know the same. To me, they're all phony

636
00:32:24,240 --> 00:32:27,120
Speaker 1: gold trophy, right, the freaking millennials.

637
00:32:27,280 --> 00:32:28,920
Speaker 3: But then, can you imagine what it would feel like

638
00:32:28,920 --> 00:32:29,520
Speaker 3: to be nominated?

639
00:32:29,560 --> 00:32:38,280
Speaker 1: And Josh would be so fun to me, I'm there.

640
00:32:38,480 --> 00:32:40,600
Speaker 2: How would you post about it?

641
00:32:40,800 --> 00:32:44,960
Speaker 1: Oh wow, probably tongue in cheek the morning of I'm

642
00:32:44,960 --> 00:32:47,560
Speaker 1: going tongue in cheek like something like, oh, this will

643
00:32:47,600 --> 00:32:49,080
Speaker 1: be a great new toy for Bosh.

644
00:32:49,240 --> 00:32:51,160
Speaker 3: Oh yeah, that kind of tongue in cheek.

645
00:32:51,440 --> 00:32:56,640
Speaker 1: Oh yeah. I remember being at a mutual friend's place

646
00:32:56,680 --> 00:32:58,880
Speaker 1: and they asked me if I wanted to see their

647
00:32:58,880 --> 00:33:02,200
Speaker 1: Emmy and they I have a guess. I'm keeping it

648
00:33:02,240 --> 00:33:03,960
Speaker 1: in the kitchen cabinet. I don't even know where to

649
00:33:03,960 --> 00:33:04,360
Speaker 1: put this.

650
00:33:04,640 --> 00:33:06,840
Speaker 2: Okay, I thought it was gonna be in the freaking bathroom.

651
00:33:07,520 --> 00:33:09,160
Speaker 1: No, that is great.

652
00:33:09,280 --> 00:33:10,960
Speaker 3: I thought it was going to be a freaking doorstop.

653
00:33:11,280 --> 00:33:13,880
Speaker 1: Oh my god, it was closed in the kitchen cabinet

654
00:33:13,880 --> 00:33:15,440
Speaker 1: because it was just like, I don't even know where

655
00:33:15,440 --> 00:33:17,680
Speaker 1: where do I even put it? And honestly, I wouldn't

656
00:33:17,680 --> 00:33:20,400
Speaker 1: even have seen it if they hadn't expressly offered to

657
00:33:20,440 --> 00:33:22,240
Speaker 1: open the cabinet and show it to me and then

658
00:33:22,280 --> 00:33:24,840
Speaker 1: also done that to multiple other people that I know, Sean.

659
00:33:24,800 --> 00:33:27,960
Speaker 3: Just because this is just because this is you know,

660
00:33:28,000 --> 00:33:30,280
Speaker 3: this is for your ears and not your eyes. Will

661
00:33:30,320 --> 00:33:31,600
Speaker 3: you just mount the person's name?

662
00:33:32,160 --> 00:33:33,160
Speaker 2: I have a guess.

663
00:33:34,320 --> 00:33:38,320
Speaker 1: So let's talk about the theme song for the food place. Okay,

664
00:33:38,440 --> 00:33:39,520
Speaker 1: what's the music right now?

665
00:33:39,760 --> 00:33:40,000
Speaker 2: Right now?

666
00:33:40,080 --> 00:33:41,800
Speaker 1: Show dude.

667
00:33:43,000 --> 00:33:43,920
Speaker 3: It's very simple.

668
00:33:44,200 --> 00:33:45,920
Speaker 2: I'm just feeling it as you're doing it.

669
00:33:47,280 --> 00:33:58,840
Speaker 3: This guy waking up. Okay, so I'll do that again, dude, dude.

670
00:34:02,400 --> 00:34:06,800
Speaker 4: They'd be like, how come all the windows and your tao,

671
00:34:07,560 --> 00:34:12,399
Speaker 4: how come you know you guts up to about hit

672
00:34:12,480 --> 00:34:14,040
Speaker 4: the harrowing?

673
00:34:15,120 --> 00:34:21,359
Speaker 1: It's such a cogo. The motto come on the crib

674
00:34:21,440 --> 00:34:28,319
Speaker 1: and every so wow, I think I think this is

675
00:34:28,360 --> 00:34:31,160
Speaker 1: now starting to feel more like something the Chicken Lunch

676
00:34:31,200 --> 00:34:32,239
Speaker 1: people can't enjoy it.

677
00:34:32,320 --> 00:34:34,680
Speaker 3: But do you really think we could use that or because.

678
00:34:34,400 --> 00:34:35,560
Speaker 2: He says that we're bitch.

679
00:34:39,520 --> 00:34:42,359
Speaker 1: I had my concerns even just repeating.

680
00:34:44,719 --> 00:34:46,640
Speaker 2: Now, this is how we take it back from some

681
00:34:46,719 --> 00:34:50,160
Speaker 2: of these guys who were mad at We take their

682
00:34:50,800 --> 00:34:54,160
Speaker 2: content and we just use it. When we've been doing that,

683
00:34:54,200 --> 00:34:57,000
Speaker 2: we've been singing some of the songs of these guys

684
00:34:57,000 --> 00:34:57,920
Speaker 2: in the show recently.

685
00:34:58,440 --> 00:35:03,160
Speaker 3: Yeah, because we're just like like, it's ours now, yes.

686
00:35:03,719 --> 00:35:06,359
Speaker 2: And we're stealing and it's allowed, allowed to steal from

687
00:35:06,400 --> 00:35:09,480
Speaker 2: bad guys again, you don't what Oceans eleven you know

688
00:35:09,520 --> 00:35:12,719
Speaker 2: what I mean? Yeah, that is and some of these

689
00:35:12,719 --> 00:35:15,000
Speaker 2: other guys. Yeah, they were stealing from the bad guys

690
00:35:15,040 --> 00:35:19,040
Speaker 2: and eight mm hmm, thank you. Yep, every and I'm

691
00:35:19,040 --> 00:35:19,840
Speaker 2: saying eight first.

692
00:35:19,880 --> 00:35:24,520
Speaker 1: Now every con has its pros and that is very good.

693
00:35:24,719 --> 00:35:26,440
Speaker 1: That is so true, very clever.

694
00:35:26,760 --> 00:35:29,239
Speaker 3: Yeah, I mean, I think we could probably talk to

695
00:35:29,360 --> 00:35:32,840
Speaker 3: them about a new you know, opening theme song. The

696
00:35:32,840 --> 00:35:36,040
Speaker 3: guy David Schwartz who wrote it. It's pretty short, right.

697
00:35:36,280 --> 00:35:37,680
Speaker 2: Yeah, there's a lot of room.

698
00:35:37,920 --> 00:35:40,160
Speaker 1: Yeah, because I noticed that you have to do so

699
00:35:40,360 --> 00:35:43,359
Speaker 1: much show after the song, right, But if you get

700
00:35:43,360 --> 00:35:45,480
Speaker 1: that song beefed up a little bit.

701
00:35:45,840 --> 00:35:48,280
Speaker 3: Beef, it's food for dinner.

702
00:35:48,320 --> 00:35:55,360
Speaker 2: It's that chicken lunch, beef dinner every day for these guys.

703
00:35:56,640 --> 00:35:59,440
Speaker 1: I don't even want to talk about breakfast. Oh god,

704
00:36:00,960 --> 00:36:04,840
Speaker 1: beef beef breakfast.

705
00:36:04,880 --> 00:36:08,240
Speaker 3: But then think about what we used to eat for breakfast, lunch, dinner,

706
00:36:08,960 --> 00:36:11,839
Speaker 3: nice neck crime, crime.

707
00:36:13,360 --> 00:36:17,160
Speaker 1: No, it's the truth. It's not breckfast, luncheon fucking dinner.

708
00:36:17,640 --> 00:36:18,319
Speaker 3: Did I say that?

709
00:36:18,960 --> 00:36:26,760
Speaker 1: No, tape's famous life for what called paral sex tape?

710
00:36:26,840 --> 00:36:30,120
Speaker 3: What is he talking about? Going down on the grass? God?

711
00:36:30,600 --> 00:36:32,120
Speaker 1: Yeah, he gets in there, he looks right at the

712
00:36:32,160 --> 00:36:35,120
Speaker 1: camera and he goes breakfast luncheon fucking dinner.

713
00:36:35,600 --> 00:36:38,920
Speaker 3: Oh my damn god.

714
00:36:39,640 --> 00:36:41,399
Speaker 1: I may have once worked on a show where someone

715
00:36:41,440 --> 00:36:43,239
Speaker 1: watched the entire video in the raiders room.

716
00:36:43,440 --> 00:36:45,319
Speaker 3: Okay, that's gonna get you that.

717
00:36:47,640 --> 00:36:48,560
Speaker 1: We were eating crime.

718
00:36:48,680 --> 00:36:53,919
Speaker 3: Yeah, we were licking grime from the corners of the showers. Yeah,

719
00:36:53,960 --> 00:36:56,200
Speaker 3: you wish there were showers, And.

720
00:36:56,080 --> 00:36:57,680
Speaker 1: That's what I was saying before. That's how we would

721
00:36:57,680 --> 00:36:59,799
Speaker 1: grow the hot dogs as we turn the shower on.

722
00:37:00,080 --> 00:37:01,840
Speaker 3: Yeah, but I'm almost like called that boiling.

723
00:37:02,160 --> 00:37:03,080
Speaker 1: What do you call it grill.

724
00:37:03,680 --> 00:37:05,799
Speaker 2: I guess we wanted to seem like it was like

725
00:37:05,840 --> 00:37:09,279
Speaker 2: an outstore like barbecue kind of thing, and boiled hot

726
00:37:09,280 --> 00:37:10,680
Speaker 2: dogs not as appetizing.

727
00:37:10,760 --> 00:37:11,160
Speaker 1: Yeah.

728
00:37:11,239 --> 00:37:13,160
Speaker 3: I used to eat a freaking hot dog straight out

729
00:37:13,160 --> 00:37:13,600
Speaker 3: the fridge.

730
00:37:14,800 --> 00:37:18,440
Speaker 1: Oh we all remember, Yeah, I remember you chomping on

731
00:37:18,480 --> 00:37:21,200
Speaker 1: that and it would come out of like you had it,

732
00:37:21,440 --> 00:37:23,160
Speaker 1: so it would come out of the ice dispenser, so

733
00:37:23,239 --> 00:37:26,040
Speaker 1: you would put your cup the thing. Yeah, it would

734
00:37:27,120 --> 00:37:29,480
Speaker 1: out the hot dog tube. You'd get two of them

735
00:37:29,520 --> 00:37:32,200
Speaker 1: at a time. Yeah, tip the glass back and then

736
00:37:32,320 --> 00:37:36,080
Speaker 1: go hot dog ball risk after service and there'd be

737
00:37:36,120 --> 00:37:40,279
Speaker 1: these two huge hot dog tusks coming down. But that

738
00:37:40,440 --> 00:37:40,879
Speaker 1: was the time.

739
00:37:41,080 --> 00:37:43,520
Speaker 3: It was the time. And honestly, it's like nice to

740
00:37:43,560 --> 00:37:45,719
Speaker 3: even be reminded of that because I thought that was

741
00:37:45,719 --> 00:37:47,440
Speaker 3: funny as hell, and I feel like that's kind of

742
00:37:47,480 --> 00:37:50,319
Speaker 3: like what started my whole career, you know what I mean?

743
00:37:50,360 --> 00:37:52,600
Speaker 3: You like, Okay, this girl's different.

744
00:37:53,719 --> 00:37:56,919
Speaker 1: No, it was freaky yeah hell, and just you being

745
00:37:56,920 --> 00:37:59,440
Speaker 1: willing to take that risk and becoming a hot dog

746
00:37:59,480 --> 00:38:02,719
Speaker 1: wall risk, which is not necessarily the most traditionally feminine

747
00:38:02,760 --> 00:38:03,279
Speaker 1: thing to do.

748
00:38:04,680 --> 00:38:07,280
Speaker 2: Is she in there is there any is there anything

749
00:38:07,400 --> 00:38:10,120
Speaker 2: left of her. God, I wish, right, she's dead.

750
00:38:10,400 --> 00:38:14,960
Speaker 3: She's It's like, did I murder her? Did you murder her?

751
00:38:15,000 --> 00:38:20,799
Speaker 3: Not you? But yeah, okay, oh men, Yeah, I mean

752
00:38:20,840 --> 00:38:23,600
Speaker 3: I wish, but I mean I like I dream of her.

753
00:38:24,360 --> 00:38:25,359
Speaker 2: Oh okay, so I still have.

754
00:38:25,360 --> 00:38:25,839
Speaker 1: Dreams of her.

755
00:38:25,880 --> 00:38:27,319
Speaker 3: But man, she's fucking dead.

756
00:38:28,000 --> 00:38:28,200
Speaker 1: Yeah.

757
00:38:28,440 --> 00:38:34,880
Speaker 3: Now, it's just like money, money, money, pay me, like, give.

758
00:38:34,680 --> 00:38:40,600
Speaker 1: Me free facials. Let's talk about money and free facials. Hell,

759
00:38:40,680 --> 00:38:46,600
Speaker 1: let's talk about gluten hair estensis. I believe that if

760
00:38:46,640 --> 00:38:51,040
Speaker 1: we get enough publicity to this food for less that

761
00:38:51,040 --> 00:38:55,120
Speaker 1: they'll let us dip into the register almost every episode, really, yeah,

762
00:38:55,520 --> 00:38:57,640
Speaker 1: just for essentials. Okay, like for like.

763
00:38:57,960 --> 00:38:59,240
Speaker 3: Chicken lunch for example.

764
00:38:59,480 --> 00:39:01,680
Speaker 1: Okay, so well the chicken lunch is actually there. Oh

765
00:39:01,719 --> 00:39:03,520
Speaker 1: that's true. So I'm thinking a lot of the crew

766
00:39:03,880 --> 00:39:04,839
Speaker 1: we're just getting chicken.

767
00:39:04,880 --> 00:39:06,600
Speaker 3: Wait, that's actually true. We don't have to worry about

768
00:39:06,600 --> 00:39:08,920
Speaker 3: like crafty or any sort of catering.

769
00:39:08,960 --> 00:39:10,319
Speaker 1: You got the rotisserie right there.

770
00:39:10,520 --> 00:39:13,759
Speaker 3: You need plates, jes A Superstore had it all figured out.

771
00:39:13,960 --> 00:39:17,800
Speaker 1: Oh yeah, Superstore is light years ahead. We're going to

772
00:39:17,840 --> 00:39:20,000
Speaker 1: look back on that. Except the kind of stuff they

773
00:39:20,040 --> 00:39:22,040
Speaker 1: were said that was the only mistake. The stuff they're

774
00:39:22,120 --> 00:39:27,080
Speaker 1: selling in this in the superstore is like Frisbee. Yeah, no,

775
00:39:27,680 --> 00:39:28,480
Speaker 1: it could be a plate.

776
00:39:28,719 --> 00:39:28,959
Speaker 3: Yeah.

777
00:39:29,080 --> 00:39:30,200
Speaker 1: Oh that's true if they had.

778
00:39:30,160 --> 00:39:33,000
Speaker 2: So, if we could like sort of cooperate in this way.

779
00:39:33,320 --> 00:39:35,240
Speaker 3: Yeah, is this across?

780
00:39:35,400 --> 00:39:35,440
Speaker 1: No?

781
00:39:35,680 --> 00:39:36,680
Speaker 3: Is it a crossover thing?

782
00:39:36,760 --> 00:39:41,440
Speaker 1: No? Okay, I'm listening. So I'm listening. I'm open to

783
00:39:41,520 --> 00:39:46,160
Speaker 1: because you know, I'm open to learning about my own show. Right, Oh,

784
00:39:46,360 --> 00:39:50,719
Speaker 1: are you being the creator? No? Are you being like sarcastic? No?

785
00:39:50,880 --> 00:39:51,920
Speaker 3: Oh you're being serious.

786
00:39:52,560 --> 00:39:56,600
Speaker 2: Hey, look this is the way he said. He said

787
00:39:56,600 --> 00:39:58,520
Speaker 2: it like, oh, yeah, tell me about my own show.

788
00:39:58,560 --> 00:40:00,400
Speaker 2: But he really does want to learn about it.

789
00:40:00,480 --> 00:40:03,279
Speaker 1: I have control over my tone of voice. Everybody knows that.

790
00:40:03,840 --> 00:40:08,400
Speaker 1: So crossover. J crossover.

791
00:40:09,040 --> 00:40:17,239
Speaker 2: I think, Uh, what could be cool is backstroom? Uh

792
00:40:17,280 --> 00:40:20,960
Speaker 2: huh wait, go on coming to the show, coming to

793
00:40:21,040 --> 00:40:22,200
Speaker 2: the to the foot place.

794
00:40:22,320 --> 00:40:23,680
Speaker 1: He's a total dick.

795
00:40:24,080 --> 00:40:28,799
Speaker 2: Yes, he died because he was murdered by See. This

796
00:40:28,840 --> 00:40:31,040
Speaker 2: is the thing you can take all like all these

797
00:40:31,120 --> 00:40:33,799
Speaker 2: characters just be like, oh they're in heaven.

798
00:40:33,600 --> 00:40:36,440
Speaker 3: Right, It's so easy. And which is the thing that

799
00:40:36,480 --> 00:40:39,200
Speaker 3: people It's like the writer's room for the Good Place has.

800
00:40:39,280 --> 00:40:40,360
Speaker 1: It's so fucking easy.

801
00:40:40,600 --> 00:40:43,640
Speaker 2: Yeah, it's all every episode is just like these guys.

802
00:40:44,200 --> 00:40:47,319
Speaker 3: It's like, okay, yeah, exactly like you can like the

803
00:40:47,400 --> 00:40:53,120
Speaker 3: drama's built in, right because death, well, yeah, mourning people's deaths.

804
00:40:53,320 --> 00:40:56,839
Speaker 1: Oh yes, Oh death can be very dramatic the way

805
00:40:56,880 --> 00:41:03,920
Speaker 1: I do it, so Backstrom can be there. And really,

806
00:41:04,000 --> 00:41:06,400
Speaker 1: let's talk about what are other famous TV characters that

807
00:41:06,440 --> 00:41:09,600
Speaker 1: have died? Okay, right, Brian the Dog from Family Guys.

808
00:41:09,640 --> 00:41:11,200
Speaker 3: Okay, Brian the Dog from Family Guy.

809
00:41:12,440 --> 00:41:17,800
Speaker 1: He's mister Hooper, that's right, mister Hooper. What I'm wondering

810
00:41:18,000 --> 00:41:20,400
Speaker 1: is best basketball. That's why they called that because he

811
00:41:21,239 --> 00:41:25,040
Speaker 1: dude could hoop. Yes there's a hoop. Yes, there's a

812
00:41:25,080 --> 00:41:27,000
Speaker 1: hoop set up in the frozen food section.

813
00:41:27,200 --> 00:41:28,799
Speaker 3: I wish he was still alive. You could have him

814
00:41:28,800 --> 00:41:29,840
Speaker 3: on your freaking podcast.

815
00:41:30,120 --> 00:41:31,600
Speaker 2: Oh yeah, but you died.

816
00:41:31,920 --> 00:41:35,239
Speaker 1: Well this podcast is not my main thing, this one.

817
00:41:34,680 --> 00:41:37,600
Speaker 3: Yeah, okay, keep going.

818
00:41:37,640 --> 00:41:39,399
Speaker 1: So there's a but Well, what I wanted to say

819
00:41:39,400 --> 00:41:41,399
Speaker 1: about Brian the Dog is can we do a whole

820
00:41:41,440 --> 00:41:45,200
Speaker 1: story about service animals and dogs being allowed in a

821
00:41:45,239 --> 00:41:48,759
Speaker 1: place that serves food? And you know, is he uh

822
00:41:48,960 --> 00:41:53,360
Speaker 1: maybe an emotional support animal or something? And mister Hooper

823
00:41:53,400 --> 00:41:56,080
Speaker 1: trips on him? Try to do a crazy three sixty dunk.

824
00:41:56,480 --> 00:41:59,840
Speaker 1: And now we're into what I like to call the

825
00:42:00,120 --> 00:42:00,840
Speaker 1: story center.

826
00:42:01,000 --> 00:42:03,719
Speaker 3: Okay, and that's so that's just one episode.

827
00:42:03,640 --> 00:42:05,080
Speaker 1: That's just one scene.

828
00:42:05,120 --> 00:42:08,160
Speaker 3: Wow, this is going to be packed so fun.

829
00:42:08,200 --> 00:42:09,480
Speaker 1: There's so many opportunities.

830
00:42:09,520 --> 00:42:11,360
Speaker 3: And that's again, that's like what we're missing on The

831
00:42:11,360 --> 00:42:15,000
Speaker 3: Good Place is like, bitches, it's like, give me something

832
00:42:15,040 --> 00:42:16,399
Speaker 3: to watch, you know what I mean?

833
00:42:16,520 --> 00:42:19,719
Speaker 2: Please, Tony Soprano's mom, you could do the thing that

834
00:42:19,840 --> 00:42:22,560
Speaker 2: they did basically, which is just half her come in

835
00:42:22,600 --> 00:42:24,600
Speaker 2: and to have just her mouth moving and be like donate.

836
00:42:25,719 --> 00:42:27,520
Speaker 3: That's a great that's a great idea because we have

837
00:42:27,560 --> 00:42:29,960
Speaker 3: plenty of footage. Yes, right, so now it could be like,

838
00:42:30,120 --> 00:42:31,520
Speaker 3: you know, Kristen Bell, like she.

839
00:42:31,480 --> 00:42:34,839
Speaker 1: Could say the name, Oh yeah, absolutely, eleanor Charlie Sheen

840
00:42:34,880 --> 00:42:38,120
Speaker 1: from Two and a half Men. Did he die? He's dead?

841
00:42:39,040 --> 00:42:39,680
Speaker 2: They killed him?

842
00:42:39,719 --> 00:42:41,880
Speaker 1: Yeah, they killed him and replaced him with Wallace. That

843
00:42:42,000 --> 00:42:47,319
Speaker 1: was Ashton Kutcher's character. Yeah, so Charlie's dead. You think

844
00:42:47,360 --> 00:42:48,000
Speaker 1: Ashton's dead?

845
00:42:48,040 --> 00:42:49,799
Speaker 3: Did he die? On the seventies show?

846
00:42:50,080 --> 00:42:52,960
Speaker 1: It seems like he was about it like.

847
00:42:53,000 --> 00:42:55,560
Speaker 2: That at least yes, at least like we can assume

848
00:42:55,640 --> 00:42:57,000
Speaker 2: now that that character is.

849
00:42:56,960 --> 00:43:01,000
Speaker 3: Dead Okay, I got one ready for this, hit me lost.

850
00:43:01,440 --> 00:43:02,160
Speaker 1: Okay.

851
00:43:03,880 --> 00:43:08,239
Speaker 2: The delivery was dreamo and that was so so she

852
00:43:08,400 --> 00:43:10,520
Speaker 2: is still alive in there because that is what I

853
00:43:10,600 --> 00:43:11,920
Speaker 2: remember to be your normal.

854
00:43:11,960 --> 00:43:15,120
Speaker 1: Beeg Walrus delivered that line.

855
00:43:15,000 --> 00:43:17,280
Speaker 3: Guice, thank you so much for bringing her back.

856
00:43:17,640 --> 00:43:24,160
Speaker 1: Oh my god, that's what this episode was really about. No.

857
00:43:24,320 --> 00:43:27,279
Speaker 2: Yeah, if you really watch a show and examine it,

858
00:43:27,880 --> 00:43:32,080
Speaker 2: some of them are dead, some of them are dreaming, okay,

859
00:43:32,719 --> 00:43:36,480
Speaker 2: and some of them are the imagine the like imagined

860
00:43:36,680 --> 00:43:45,000
Speaker 2: dream characters of the Dreamers. Okay, So there's John. John

861
00:43:45,600 --> 00:43:49,399
Speaker 2: is a dreamer really, yes, and that like it's all

862
00:43:49,440 --> 00:43:53,640
Speaker 2: the clues are there and it's uh and everyone else

863
00:43:53,760 --> 00:43:54,320
Speaker 2: is dead.

864
00:43:54,560 --> 00:43:57,759
Speaker 3: Okay, So John's the dreamer. John's having the dream yes,

865
00:43:57,880 --> 00:43:59,680
Speaker 3: a little bit of like a New Heart situation.

866
00:44:01,040 --> 00:44:05,800
Speaker 2: The New Heart and Devon is really reference.

867
00:44:06,040 --> 00:44:10,439
Speaker 1: Between New Heart and dear John. Have a concern about

868
00:44:10,480 --> 00:44:20,160
Speaker 1: your reference. I fear that you're becoming exposed. I Carly,

869
00:44:23,080 --> 00:44:23,880
Speaker 1: I can see why.

870
00:44:23,880 --> 00:44:26,880
Speaker 2: Maybe the hair guy thought he should get a couple

871
00:44:27,040 --> 00:44:29,160
Speaker 2: extra the hair things there.

872
00:44:29,280 --> 00:44:35,240
Speaker 1: I know you might be crase. Yeah, sorry, I'm sorry,

873
00:44:35,320 --> 00:44:38,480
Speaker 1: it's okay, but I'm just concerned for you. Well, liked it,

874
00:44:38,800 --> 00:44:46,120
Speaker 1: we can plug it. Of course, what's that supposed to be, buddy,

875
00:44:46,719 --> 00:44:50,920
Speaker 1: Unfortunately you know what it means. Yeah, we'll just plug

876
00:44:50,920 --> 00:44:56,040
Speaker 1: in you saying like Russian doll. Okay, yeah, just plug

877
00:44:56,040 --> 00:44:58,920
Speaker 1: in this. Say Russian doll. Say okay, we can stop

878
00:44:58,920 --> 00:45:00,279
Speaker 1: making TV shows now.

879
00:45:01,440 --> 00:45:08,239
Speaker 3: Russian doll. Okay, we can stop wait, Russian dolls.

880
00:45:08,239 --> 00:45:10,960
Speaker 1: Get it clean. Yeah, it is just Russian doll. It's

881
00:45:11,000 --> 00:45:11,640
Speaker 1: not Russian doll.

882
00:45:13,000 --> 00:45:21,440
Speaker 3: So just room towne really quick, Russian here you go,

883
00:45:21,480 --> 00:45:27,240
Speaker 3: and Russian doll. We can stop making TV shows now, bitch.

884
00:45:28,840 --> 00:45:30,520
Speaker 2: Okay, please don't say bitch.

885
00:45:30,680 --> 00:45:33,640
Speaker 1: Yeah, because we have it once in the theme song

886
00:45:33,719 --> 00:45:37,120
Speaker 1: already and that we're on the FEDS about.

887
00:45:37,239 --> 00:45:42,840
Speaker 3: Were Russian doll? We can stop making TV shows.

888
00:45:42,520 --> 00:45:49,759
Speaker 1: Now, and it was hard say bitch that now it

889
00:45:49,840 --> 00:45:52,160
Speaker 1: almost felt empty. Is there something else we could say

890
00:45:52,160 --> 00:45:59,560
Speaker 1: on the day? Yeah, okay, maybe instead of bitch, you

891
00:45:59,600 --> 00:46:08,320
Speaker 1: say something more playful, like snatch Adams. Okay, okay, okay,

892
00:46:08,440 --> 00:46:12,480
Speaker 1: let's see what is it.

893
00:46:12,520 --> 00:46:18,880
Speaker 3: Okay, Russian doll. We can stop making TV shows now,

894
00:46:19,080 --> 00:46:20,239
Speaker 3: boobs McGee.

895
00:46:20,960 --> 00:46:24,480
Speaker 1: Okay, I mean I specifically wanted snatch Adams.

896
00:46:25,360 --> 00:46:28,480
Speaker 3: Is it something like yeah, no, I mean but that's on.

897
00:46:30,320 --> 00:46:31,160
Speaker 1: Patch Adams.

898
00:46:33,920 --> 00:46:36,239
Speaker 2: I don't I don't know who the person is that

899
00:46:36,280 --> 00:46:39,719
Speaker 2: you're referencing. I'm sure there is somebody. Yeah, I guess

900
00:46:39,800 --> 00:46:40,719
Speaker 2: I don't know who it is.

901
00:46:40,760 --> 00:46:42,680
Speaker 1: I just I guess even saying something like it, you

902
00:46:42,719 --> 00:46:44,640
Speaker 1: could have said, like crappy Gilmore.

903
00:46:45,160 --> 00:46:48,360
Speaker 3: Okay, okay, okay, okay, so okay, so how about this?

904
00:46:48,920 --> 00:46:54,560
Speaker 1: Uh okay, it surprised me, Play with it, make it your.

905
00:46:54,480 --> 00:47:05,760
Speaker 3: Own, okay, Russian Doll. We can stop making TV shows now,

906
00:47:06,800 --> 00:47:12,920
Speaker 3: uh Billy.

907
00:47:11,000 --> 00:47:13,560
Speaker 2: Billy, So we're committed to that.

908
00:47:13,880 --> 00:47:18,200
Speaker 1: We're so close going we can stay just together.

909
00:47:19,320 --> 00:47:23,960
Speaker 3: Okay, we can stop making TV shows now, Billy Fattison,

910
00:47:24,320 --> 00:47:24,400
Speaker 3: like

911
00:47:26,000 --> 00:47:26,759
Speaker 1: Bye bye