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Speaker 1: At State Farm, we're committed to uplifting black futures. In

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Speaker 1: Like a good neighbor, State Farm is there, Yo, yo, yo,

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Speaker 1: Welcome to us up their podcast. I am your active

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Speaker 1: and attractive hosts for another episode of the Face is

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Speaker 1: Growing podcasts on the market right now, let's get the

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Speaker 1: business out the way. If you're here and you truly

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Speaker 1: support me, I need to see you on Patreon dot com.

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Speaker 1: It's up their podcast There. You will get all my video,

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Speaker 1: all my audio, everything that I do from both shows,

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Speaker 1: and it shows that you support. If you're listening to

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Speaker 1: the audio adventure of this podcast, you can head to

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Speaker 1: fojfotv on YouTube and find video as we are trying

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Speaker 1: to activate the market over there as well. Now at

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Speaker 1: the business is out of the way. It's unfortunate news

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Speaker 1: that I have to report on the death for Takeoff.

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Speaker 1: For those of you that's unaware, rapper Takeoff was killed

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Speaker 1: in Houston at a dice game in which your altercation

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Speaker 1: took place. We're gonna listen to what the news said

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Speaker 1: about it, and then we're gonna come back with some game.

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Speaker 1: A young guy has lost his life in a situation

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Speaker 1: that he really wasn't involved in. It's kind of crazy

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Speaker 1: to accept it. For fans of hip hop, this nightmare

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Speaker 1: is stuck on a broken record. Takeoff a beloved entertainer

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Speaker 1: shot dead to early Tuesday morning or a party in Houston.

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Speaker 1: There was a large group of people who gathered at

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Speaker 1: the front door area just outside of the building, and

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Speaker 1: it led to an argument where the shooting took place.

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Speaker 1: From the disagreement. During the chaos, gunfire broke out. A

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Speaker 1: lot of the people that were there fled the scene

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Speaker 1: and did not stick around to give a statement. Rumors

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Speaker 1: swirled the twenty eight year old rapper was dead, seen

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Speaker 1: here performing just days ago in New Orleans. He was

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Speaker 1: a member of the rap trio Megos, whose twenty thirteen

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Speaker 1: breakout single Versace, such a Tough One catapulted them to

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Speaker 1: the national stage. Multiple Houston promoters are claiming that they

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Speaker 1: allegedly saw a Takeoff get shot and killed. As the

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Speaker 1: news broke. Stunned breakfast club radio hosts reporting early details.

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Speaker 1: Twenty eight years old Bruba didn't even get to see.

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Speaker 1: Thirty hours later, Houston Police Chief Troy Finner confirming the

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Speaker 1: tragic news. Once officers arrived and they came up on

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Speaker 1: a male who was deceased. That male has been identified

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Speaker 1: as Chris nick Ball, better known as Takeoff. Mark my

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Speaker 1: word and market this great city, with all great citizens,

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Speaker 1: with all police department. We will find who's responsible for it.

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Speaker 1: In a sad twist, Takeoff's new music video MESSI, a

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Speaker 1: collab with Quevo, was released just hours before the deadly shooting.

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Speaker 1: His own words now seem haunted this Revolt interview posting

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Speaker 1: just days ago I mean It signed give me my

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Speaker 1: flowers on social media an outpouring of grief from celebrities

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Speaker 1: like Megos collaborator Gucci Man, singer Kelly Rowland, and actor

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Speaker 1: Marlon Waynes. Take Off started his music career as a

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Speaker 1: teenager in North Atlanta. In two thousand and eight, he

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Speaker 1: joined up with his uncle Quevo and his cousin Offset

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Speaker 1: to form Megos. I Mean Your River give hits like

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Speaker 1: Bat and Bougie catapulted them into the spotlight. This is incredible,

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Speaker 1: the song going mainstream after Atlanta actor and creator Donald

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Speaker 1: Glover thanked the trio at the twenty seventeen Golden Globes

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Speaker 1: and I really want to thank the me Goes not

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Speaker 1: for being in the show, but for making bad Amboogie

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Speaker 1: Like that's the best song ever. And the group solidified

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Speaker 1: their place in pop culture wearing Sequin Versaci suits at

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Speaker 1: the met Gallop with Quevo, the unofficial frontman of the group,

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Speaker 1: an Offset making headlines with his marriage to Cardi B.

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Speaker 1: Takeoff was noticed the quiet one about the kind of

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Speaker 1: person who investigate Takeoff's murder. A clear picture is emerging

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Speaker 1: about the kind of person he was based on what

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Speaker 1: people say about him. He's well respected, non violent. I

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Speaker 1: would not expect him to be involved. In the early

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Speaker 1: Tuesday morning after a party in Houston, there was a

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Speaker 1: large group of people who gathered at the front door

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Speaker 1: area just outside of the building and it led to

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Speaker 1: an argument where the shooting took place. From the disagreement

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Speaker 1: during the chaos, gunfire broke out. A lot of the

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Speaker 1: people that were there fled the scene and did not

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Speaker 1: stick around to give a statement. The rumors swirled the

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Speaker 1: twenty eight year old rapper was dead. I was reluctant

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Speaker 1: to speak on this man, and I know the place

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Speaker 1: I have in the culture. And first let me say this.

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Speaker 1: I want to send an RP out to kurshnick Ball.

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Speaker 1: You know a lot of times we get on here

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Speaker 1: and say take off. Sometimes I get caught up in

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Speaker 1: the rappers too, But man, that's the whole point when

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Speaker 1: I talk like, man, the guy got families. These guys

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Speaker 1: are real individuals, and my heart goes out to the

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Speaker 1: whole QC family, you know them, my people people. So

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Speaker 1: it's like it's heavy. You know, I got the news.

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Speaker 1: I hit peas like falling on I'm like, man, I'm

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Speaker 1: scared to even hit him, Like I hate to deal

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Speaker 1: with disappointment with anybody. But as I sat there in reality,

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Speaker 1: laying in the bed, just like, how did this one happen?

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Speaker 1: A couple of live mouth wrappers, you know, they come

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Speaker 1: up some stuff happened to them or whatever. It's like,

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Speaker 1: I don't like to see nothing happened to them? But

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Speaker 1: how did this one though? This one though, this one though,

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Speaker 1: I'm talking about this one though, How this one happened?

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Speaker 1: Reading it almost was like Nah and me being in

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Speaker 1: a situation being who I am and I can make

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Speaker 1: one phone call and find out I was afraid to

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Speaker 1: make the phone call. I'm sitting there like, man, I know,

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Speaker 1: homing them toe down, I know they host I know.

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Speaker 1: It's just it's just chaos mentally. And for anybody that's

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Speaker 1: here that doesn't know who Takeoff is, I would I

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Speaker 1: would consider you probably been in the coma in the

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Speaker 1: last ten years. But he's part of the superstar group

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Speaker 1: Me Goals, one of the most legendary groups of all time.

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Speaker 1: Has it just lost one of their members. And that's

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Speaker 1: just from a rap standpoint. Fuck this rap shit. Kway

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Speaker 1: just lost his nephew, said just lost his cousin. Somebody

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Speaker 1: just lost their son. He just lost his people coach,

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Speaker 1: just lost his home boy, his friend, his loved one. Right,

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Speaker 1: but zooming out from all the pain and the hurt

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Speaker 1: that's been caused by such unfortunate circumstances, you had to

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Speaker 1: wrap your mind around life. One thing about take Off

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Speaker 1: he lived a hell of a life. He lived a

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Speaker 1: kind of life right where got rich young had to

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Speaker 1: travel the world, and mentally you can tell he had

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Speaker 1: himself together as far as kind of knew how to navigate.

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Speaker 1: Even when you heard him talk on some of these

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Speaker 1: last interviews dream Champs big facts like nah, takeoff is it?

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Speaker 1: You know, anytime he ready to have a sentence, it's like, nah, man,

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Speaker 1: I'm team because and he was so well put together.

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Speaker 1: So when you see a quiet man talk and can talk, well,

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Speaker 1: you know he ain't quired because he dumb. He quiet

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Speaker 1: because he's small. A lot of people find out I

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Speaker 1: do a podcast, say damn, I was around, dude, he

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Speaker 1: don't be saying nothing, you understand. So when you hear

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Speaker 1: a quiet man talk, you get a chance to say, well,

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Speaker 1: all right now because he sometimes you'll think, because somebody quiet,

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Speaker 1: they small. They teach us that way down, off and

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Speaker 1: together though, they say, if you dumb, just be quiet,

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Speaker 1: because a fish won't get in trouble if he keep

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Speaker 1: his mouth shut. So they teach us that, right, So

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Speaker 1: sometimes somebody will be quiet and you'll thank is he

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Speaker 1: he swift? And a lot of times soon they started talking,

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Speaker 1: he said, ah, he would quiet because he knew the

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Speaker 1: less he said, the better shape he was in. But

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Speaker 1: when you see a man that can soon as you

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Speaker 1: ask him some clear direction in regards to point of view,

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Speaker 1: that's what kind of individual he was. So he was

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Speaker 1: quiet because he was dealing with information. I'm gonna wrap.

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Speaker 1: I'm just moving this way, you know, keep confusion down,

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Speaker 1: give me some money. I'll everybody like her though I

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Speaker 1: don't want her. I fuck with her friend like y'all

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Speaker 1: can have her. Two men too much going on, too

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Speaker 1: much chaos. It just seemed like he tried to keep

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Speaker 1: itself out of that. And for this to happen, man,

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Speaker 1: and just hit like a ton of bricks, just hit

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Speaker 1: like a ton of bricks, and then you say, damn. Okay.

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Speaker 1: So they had this kind of relationship, and it even

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Speaker 1: hurt my mother because my mother knows my relationship, you know,

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Speaker 1: not only with people with my uncle, and it ain't

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Speaker 1: giving time. If anything happens with my uncle and I'm there,

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Speaker 1: whatever he got to deal with, I got to deal with.

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Speaker 1: There ain't no dealing with him and not dealing with

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Speaker 1: me if I'm on the scene and anything right, So

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Speaker 1: my mother knows that in the heart and so that

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Speaker 1: relationship with them too. It pulled that from that and

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Speaker 1: it's like dang man like. And then you look text

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Speaker 1: thirty two thirty two thirty two. Take off one being

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Speaker 1: down none. So you step back and you say, here's

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Speaker 1: a man as sid Now. He ain't gambling, he ain't arguing,

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Speaker 1: don't he? He up? He just over here in the

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Speaker 1: cut really with UNC. And that's how it be with me,

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Speaker 1: Like UNC, Mike want to go, so I'm gone. He

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Speaker 1: want to go down this little party. I'm i'mna push

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Speaker 1: up at the party with him. When I push up,

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Speaker 1: we push up a certain way. It's up. A lot

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Speaker 1: of people say, man, happened and this is the thing

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Speaker 1: about arguing, and I gotta have some real talk with

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Speaker 1: us right now, because it's it's important when you take

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Speaker 1: a man who was sitting there, he wasn't arguing, when

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Speaker 1: he wasn't gambling, he wasn't indulging in none. He was chilling.

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Speaker 1: And he ended up to be the one that we

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Speaker 1: gotta make that phone call about it just hit different.

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Speaker 1: I'm not gonna be the one that play all these

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Speaker 1: detective videos on my podcast and go through the footage

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Speaker 1: and all of that, because I know people have families,

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Speaker 1: you know, And I'll get tall of that in a second.

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Speaker 1: But for those of you, well, what they saying that

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Speaker 1: took place, and I gotta frame this to try to

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Speaker 1: make inform a point off of it. But what they're

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Speaker 1: saying is that for some reason, Quavo and some guy

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Speaker 1: got into it. Quavo was really trying to leave and

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Speaker 1: squash it, and then somebody escalated. It escalated the situation,

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Speaker 1: you know what I mean, and then it went left

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Speaker 1: and then he ended up getting shot. And again any

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Speaker 1: time I said it just it just hit. It just

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Speaker 1: hidden to too. That's just that's so unfortunate. It's always

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Speaker 1: the good niggas, it ain't never the rotten niggas. The

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Speaker 1: rotten niggas don't be getting it. See, the rotten niggers

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Speaker 1: know they're rotten, so they know they got to sneak

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Speaker 1: and move funding and pay attention. And it's it's sometimes,

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Speaker 1: you know, the good niggas don't be knowing. The good

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Speaker 1: niggas don't be knowing they just being there. Man, that's

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Speaker 1: how this it should be working bad like that, Bro,

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Speaker 1: I'm talking about this sickening too. Bro, it'd be the

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Speaker 1: good nigga's my nigga. It'd be the good ones, and

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Speaker 1: everybody comes out right and with the emotions. How I gotta,

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Speaker 1: I gotta. I had to sit back like damn, dog

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Speaker 1: I understand. You know, everybody comes out and they say, yo,

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Speaker 1: we gotta do better, and it's one hundred percent true.

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Speaker 1: We gotta do better. Dog Like. We look at each

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Speaker 1: other and we don't have no conflict resolution skills, see,

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Speaker 1: because we feel so disrespected. If a nigga that made

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Speaker 1: more money than you talk louder than you, or he

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Speaker 1: get more claps or cheers or whatever, it might be

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Speaker 1: more attention because of what he said to you. We

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Speaker 1: get so motherfucking mad at each other. When they're seeing them,

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Speaker 1: it's like it's some pettish shit going on. You ain't

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Speaker 1: mad about what I said, you bad about how I'm living, nigga.

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Speaker 1: You ain't mad because we got the arg it and

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Speaker 1: our nigga. You've been mad about how this ship doesn't

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Speaker 1: come up. Nigga's big over here. It's on the flow

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Speaker 1: over here. You niggas be mad about how niggas living

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Speaker 1: and masking it around these little bullshit running ins. See,

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Speaker 1: I come from where they're rotting that. I come from

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Speaker 1: where they're plotting on a reason to rob you. I

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Speaker 1: won't get that. They want you to give many reason.

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Speaker 1: They ask it for shit. They know you post to

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Speaker 1: say no for say, Bro, Man, I was at Wonder

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Speaker 1: Man my mama trying to move in his house. Man,

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Speaker 1: you think you give me fifteen thousand on it, then

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Speaker 1: you say no. They're getting mad, right, they're looking for

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Speaker 1: a reason. So sometimes it's dead. Niggas be masking. Niggas

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Speaker 1: be really hate us because we come from nothing. Bro.

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Speaker 1: Niggas come from nothing. So they see a man they

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Speaker 1: come up out of nothing doing better, doing well, and

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Speaker 1: then he coming back down here. We're it off in

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Speaker 1: the ghetto. They want you to believe it is honor

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Speaker 1: standing down there hoping the ghetto. They can't trick me, Nigga.

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Speaker 1: I come from the ghetto. I know ain't no honor

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Speaker 1: dying there, Nigga. The best thing I can do for

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Speaker 1: the ghetto which bring a bag and bring some information

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Speaker 1: back to the ghetto. But here's the thing. Sometimes you're

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Speaker 1: dealing with a man child, so that same little boy.

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Speaker 1: See a lot of times we're dealing with what the

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Speaker 1: hood taught us, but we don't know why the hood

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Speaker 1: is teaching us that, And so now somebody got to explain. Yo. Yeah,

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Speaker 1: these are circumstances in the ghetto, y'all. But this is why.

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Speaker 1: A lot of this is intentional, and some of it

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Speaker 1: is self inflicted. We're dealing with a messy situation. But

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Speaker 1: some of this is by designed to keep us on

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Speaker 1: these programs, in these situations, under these circumstances, to shape

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Speaker 1: the way we even interact with each other. The ghetto

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Speaker 1: teach you you better lock your dogs or they gonna

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Speaker 1: take your cal The ghetto teacher, man, if you if

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Speaker 1: your car break down right here, you don't get it

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Speaker 1: told today, you're gonna come make in the morning. This

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Speaker 1: ship they're gonna win in the globe box, under the seats,

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Speaker 1: it's shit everywhere when you get there, to teach you

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Speaker 1: that if you got rims over here, you better figure

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Speaker 1: out a way to put a lock on them, hide them,

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Speaker 1: park your car for the builds away, go pick a

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Speaker 1: coup in the morning. Like it teaches us dealing with

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Speaker 1: each other is dangerous. We have to have that other sign.

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Speaker 1: We gotta have places where black people meet, and that's

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Speaker 1: why I'm starting my live events. We gotta have a

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Speaker 1: place where black people meet, where we don't argue, where

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Speaker 1: we celebrate, where we don't fight, where we share information,

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Speaker 1: and it's cool to be there. Not a bunch of you, right,

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Speaker 1: it's we there, we us us there. I'm making the

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Speaker 1: phone calls. The coolest people in the world, the smartest

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Speaker 1: people in the world. The engineers is in the building,

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Speaker 1: the crypto people is in the building, the investors is

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Speaker 1: in the building, the rappers is in the building, the

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Speaker 1: podcasters is in the building, the athletes is in the building,

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Speaker 1: the scholars is in the building. I'm the only one

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Speaker 1: can bring out that together because I speak directly to everybody.

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Speaker 1: The rappers don't want to heed you niggas. And then

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Speaker 1: on the other side, the scholars got trouble understanding your

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Speaker 1: your information that you're dealing with. So I'm trying to

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Speaker 1: dance in between that. But we gotta show a different example,

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Speaker 1: right because when you ask, I know everybody wants the

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Speaker 1: violence to stop. I do too, but I know for

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Speaker 1: to stop, we gotta be dealing with examples because I'm

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Speaker 1: gonna be completely honest with y'all. Way it off, down, way,

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Speaker 1: way down off, And to get old. It's danger is

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Speaker 1: dealing with each other. And so when an argument ensued,

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Speaker 1: or when too many niggas walk in, or when too

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Speaker 1: much is going on, or the commotion is at a

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Speaker 1: high level, of the music is loud, or the bottles

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Speaker 1: is cheap, or the in it these indications right, well,

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Speaker 1: we know that some of us is possibly gonna be there.

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Speaker 1: It does some tools, don't Nobody want to talk about it.

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Speaker 1: But deep down we're scared of each other. Deep down

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Speaker 1: we scared of each other. I'm gonna kill you before

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Speaker 1: you kill me. I know you're gonna try to kill me.

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Speaker 1: You ain't gonna all the women we get lied like

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Speaker 1: this and let me walk off, you're gonna try to

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Speaker 1: hit them. And when I leave. So, even this situation,

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Speaker 1: as unfortunate as it is, the information that's extracted from

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Speaker 1: that says that yo, as soon as they start all

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Speaker 1: and kill one of these niggas. Because even if we

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Speaker 1: try to say, man, I ain't gonna do all that

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Speaker 1: man and try to leave. Now it goes mother, it

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Speaker 1: should go left down. Damn you understand way down in there,

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Speaker 1: we're afraid of each other. Bro. I was telling one

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Speaker 1: of my homeboys, shining on these niggas, it ain't even

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Speaker 1: worth the murder charge. You know what I'm saying, showing

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Speaker 1: up with wed off in to get over with all

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Speaker 1: this shit, I don't pulling up in it ain't even

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Speaker 1: really worth what I got because I'm an murder one

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Speaker 1: of you niggas. For I had to can't tell I've heard.

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Speaker 1: That's that's the problem I be having. This is why

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Speaker 1: I say, Bro, And they say, as respectful as I know,

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Speaker 1: how Long can't put his life in no nigga hand.

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Speaker 1: I don't give a fuck about you niggas. Resume and

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Speaker 1: I say that as respectful as I know how to speak.

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Speaker 1: My children gotta live in this world. I gotta let

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Speaker 1: them know I'm dealing with instructing and leading this coach

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Speaker 1: into a place where we understand you do with it

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Speaker 1: what you may. Long life can't being no nigga hand,

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Speaker 1: No nigga hand. Can I lay my life in you

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Speaker 1: nigga's hands? Nigga? Because I'm dealing with knowing you niggas

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Speaker 1: don't know what you're talking about and you say, Loan,

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Speaker 1: how you know niggas don't know what they do? Because

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Speaker 1: I know niggas that had me fucked up. I don't

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Speaker 1: let no better talk to these niggas, no better talk.

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Speaker 1: I know niggas they thought I knew better till they

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Speaker 1: ran and to me now they't no better. See everybody

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Speaker 1: got this they no better talk going on. I can't

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Speaker 1: tell my kids so and I thought they knew better.

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Speaker 1: I gotta ask you, niggas if they do it didn't, well,

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Speaker 1: we're gonna kill everybody. But that still ain't enough. It

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Speaker 1: ain't even worth it from me. And that's just if

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Speaker 1: I if I even believe it that that that you know,

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00:21:38,560 --> 00:21:41,080
Speaker 1: because sometimes, like dealing with the right people, you're like,

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Speaker 1: you can't do certain things without it being a response.

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Speaker 1: I know how to long arm. I know how long

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Speaker 1: arms work, nigga. I'm dealing with long arms, so I

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Speaker 1: know that certain things gonna have a response. But I'm

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Speaker 1: stay Farm. We're committed to uplifting black futures. In collaboration

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Speaker 1: with organizations like one hundred Black Men and National Urban League,

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Speaker 1: State Farm provides high school students with the opportunity to

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Speaker 1: learn and apply best practice strategies for saving and investing,

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Speaker 1: all while offering academic support, life skills, and exposure to

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Speaker 1: college access programs to prepare these students for life after

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Speaker 1: high school. Check out one hundred black men dot org

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00:22:22,640 --> 00:22:26,680
Speaker 1: and nul dot org to donate and learn more. Like

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Speaker 1: a good neighbor, State Farm is there saying it's like,

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Speaker 1: I want rappers to know. Man, secure your life, man, nigga,

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Speaker 1: I want everybody to know to secure your life. Not

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Speaker 1: even just rappers, everybody secure your life. My uncle always

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Speaker 1: ought me, don't put your life in nobody hand. And

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Speaker 1: he told me some ells don't never let nobody see

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Speaker 1: your gun. I remember coming. No man, let me see that.

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Speaker 1: Oh that motherfucker hard, let me see that ball fucker.

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Speaker 1: Oh this mind now took his guard. But they don't

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00:23:13,240 --> 00:23:16,640
Speaker 1: took out that phase of things. See nowadays, they don't

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Speaker 1: took out the close call. Ain't no more close call

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Speaker 1: for these young niggas. So they don't get to get

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Speaker 1: no intel. They go from on the Internet where nothing happens,

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Speaker 1: to in real life where everything's at steak in the internet,

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Speaker 1: from where nothing happens to real life where everything's at

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Speaker 1: steak in the end. I mean, it's a fucking it's

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Speaker 1: a hell of a thing they're dealing with. And that's

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Speaker 1: why I try to teach them. Yo. I'm telling you,

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Speaker 1: you're gonna run into that energy, boy. And when you

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Speaker 1: run into that energy, I try to tell these kids, man,

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Speaker 1: it's gonna nail you to the flu nigga, because you

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Speaker 1: ain't got enough information. You ain't had no close calls.

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Speaker 1: They wouldn't find a gang year and then you figured

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Speaker 1: out to slipped through the back door, got out. You understand,

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Speaker 1: you ain't never been through none of these close calls,

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Speaker 1: so you don't know how you don't have no information,

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00:24:08,119 --> 00:24:10,520
Speaker 1: not only always scared of each other, way down off

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Speaker 1: in to get old, not even way off and to

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Speaker 1: get old, then where to do? Nigga? Scared of us man,

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Speaker 1: And a lot of times we be scared of each other.

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Speaker 1: The only reason they give me a pass because I

401
00:24:24,560 --> 00:24:28,560
Speaker 1: talked well. They say, he probably know but he talked

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00:24:28,600 --> 00:24:33,080
Speaker 1: too well. But he looked just like them, nigga. He

403
00:24:33,240 --> 00:24:35,960
Speaker 1: looked just like them, nigga, but he talked, he talked well,

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00:24:36,080 --> 00:24:39,000
Speaker 1: so we kind of give him a little pet. But really, man,

405
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Speaker 1: if you show up at one of these nigga's events. Man,

406
00:24:41,200 --> 00:24:43,520
Speaker 1: they might try to shut it down or have somebody

407
00:24:43,640 --> 00:24:46,480
Speaker 1: watching you, you know, because they don't have no intail

408
00:24:46,560 --> 00:24:48,920
Speaker 1: or dealing with street guy. What it comes with that

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00:24:49,119 --> 00:24:56,320
Speaker 1: except for destruction. So even the black people separate themselves

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Speaker 1: from the street guy until somebody get on their ass,

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Speaker 1: and the polar least ain't willing to sit with them

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Speaker 1: all day. That's why I say we are extension of

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Speaker 1: each other. That's why I won't just leave the streets

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Speaker 1: in the background like that. That's why I'm trying to

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00:25:10,359 --> 00:25:14,920
Speaker 1: help them understand. Yo, hey, trying to save each other.

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Speaker 1: We got to work together. Community is important because there's

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00:25:18,520 --> 00:25:22,439
Speaker 1: a disconnect happening and it's getting loud and louder. Then

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00:25:22,560 --> 00:25:24,720
Speaker 1: you get around and you have to deal within our

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00:25:24,760 --> 00:25:27,680
Speaker 1: culture where people think that they validating their presence because

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Speaker 1: they're tough, also representing people that's traveling in millionaires and people.

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Speaker 1: If you just are dealing with these kind of situations,

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00:25:35,880 --> 00:25:40,080
Speaker 1: you gotta understand something that you are taking you everywhere

423
00:25:40,119 --> 00:25:45,360
Speaker 1: you go, but everywhere you go ain't the same as

424
00:25:45,400 --> 00:25:51,440
Speaker 1: everywhere you've being So even the gun laws change in

425
00:25:51,520 --> 00:25:53,960
Speaker 1: these different states, right, even how they can deal with

426
00:25:54,080 --> 00:25:56,720
Speaker 1: a murder, deal with an altercation, how they deal with

427
00:25:57,800 --> 00:26:02,680
Speaker 1: a threat changes in these different states. So as you

428
00:26:02,840 --> 00:26:05,480
Speaker 1: don't win, you come from a place where we'll argue.

429
00:26:05,520 --> 00:26:07,720
Speaker 1: Like it right there, we might get the fighting, but

430
00:26:07,840 --> 00:26:10,400
Speaker 1: that's just that on that, that's all it's gonna really happen.

431
00:26:12,280 --> 00:26:15,720
Speaker 1: But now I'm dying here in Texas, and a lot

432
00:26:15,760 --> 00:26:19,080
Speaker 1: of times in Texas the laws are way loosest. I'm

433
00:26:19,080 --> 00:26:23,879
Speaker 1: gonna like the wild wild West done. Now you know

434
00:26:23,960 --> 00:26:26,800
Speaker 1: you're dealing with open car and standing your ground and

435
00:26:27,200 --> 00:26:30,160
Speaker 1: combination of that with a little drinking in public. MCing

436
00:26:30,240 --> 00:26:32,919
Speaker 1: happen here and there and needs it right. So I'm

437
00:26:32,960 --> 00:26:38,760
Speaker 1: saying these laws creates recipes. I've seen somebody to say

438
00:26:38,800 --> 00:26:42,000
Speaker 1: that when you're gambling with guns around, you think it's

439
00:26:42,040 --> 00:26:44,520
Speaker 1: the money you're gambling with, but you're gambling with your life.

440
00:26:44,600 --> 00:26:47,400
Speaker 1: That was good game. But an altercation with a nigga

441
00:26:47,440 --> 00:26:49,760
Speaker 1: in Texas might end up different than an altercation with

442
00:26:49,880 --> 00:26:52,720
Speaker 1: a nigga in New York. Gun laws are different. So

443
00:26:52,800 --> 00:26:54,479
Speaker 1: he might not got a gun on him, it might

444
00:26:54,520 --> 00:26:56,560
Speaker 1: be a knife on him. How do I handle a knife?

445
00:26:56,600 --> 00:27:00,080
Speaker 1: Am I right? It just things that the circumstances you

446
00:27:00,160 --> 00:27:03,400
Speaker 1: always need to keep in mind that you in another state.

447
00:27:03,640 --> 00:27:07,359
Speaker 1: And as I talk about this takeoff situation that had

448
00:27:07,440 --> 00:27:10,840
Speaker 1: been in Houston, I want to be respectful to j

449
00:27:11,119 --> 00:27:17,160
Speaker 1: Prince his family as well. Right as we don't point

450
00:27:17,280 --> 00:27:21,000
Speaker 1: fingers in either way, we don't try to indicate things.

451
00:27:21,080 --> 00:27:26,119
Speaker 1: The unfortunate place I found myself in is that I

452
00:27:26,520 --> 00:27:29,680
Speaker 1: know I have children that got to grow up that

453
00:27:29,880 --> 00:27:32,880
Speaker 1: don't understand some of these things that they look in at.

454
00:27:33,600 --> 00:27:36,800
Speaker 1: And a lot of times the children will look at

455
00:27:36,880 --> 00:27:39,600
Speaker 1: the rappers and the culture because I don't even blame

456
00:27:39,760 --> 00:27:44,240
Speaker 1: rappers for things. I blame rap culture. That's a difference, right,

457
00:27:44,359 --> 00:27:47,800
Speaker 1: And so our culture has to update, right, We have

458
00:27:47,960 --> 00:27:50,399
Speaker 1: to kick some of the things out that was inserted

459
00:27:50,440 --> 00:27:54,399
Speaker 1: into the culture by the powers that be. The in

460
00:27:54,640 --> 00:27:58,760
Speaker 1: fighting that you see taking place, while we don't have

461
00:27:58,960 --> 00:28:01,119
Speaker 1: the time to figure out who put it there and

462
00:28:01,280 --> 00:28:04,840
Speaker 1: why it's there, we just need to remove it from

463
00:28:04,880 --> 00:28:09,560
Speaker 1: the equation. But I ken, I gotta continue to remind

464
00:28:09,760 --> 00:28:13,840
Speaker 1: people that there's a situation happening amongst us that way

465
00:28:14,000 --> 00:28:18,800
Speaker 1: down offen there, way down ourfin that we're scared of

466
00:28:18,920 --> 00:28:23,200
Speaker 1: each other. You ask a black person do they feel

467
00:28:23,280 --> 00:28:27,040
Speaker 1: different if they see one us move next, dough versus

468
00:28:27,080 --> 00:28:30,600
Speaker 1: a white man move next though, versus a Mexican move

469
00:28:30,760 --> 00:28:32,840
Speaker 1: next though. They damn Nick can live next door to

470
00:28:32,960 --> 00:28:39,080
Speaker 1: Jeffrey Dahma type character and not feel away. But if

471
00:28:39,120 --> 00:28:42,400
Speaker 1: they see us pull up next to them, Oh they

472
00:28:42,520 --> 00:28:46,200
Speaker 1: got dreads. It's old lady, They got a couple of kids,

473
00:28:48,240 --> 00:28:51,160
Speaker 1: feel away. They in the neighborhood too. They might be

474
00:28:51,320 --> 00:28:53,920
Speaker 1: connected to some people that's connected to something the right

475
00:28:54,720 --> 00:28:58,040
Speaker 1: because something happens where we are iron things out with

476
00:28:58,160 --> 00:29:01,920
Speaker 1: everybody but each other, and we also have to update

477
00:29:01,960 --> 00:29:04,480
Speaker 1: and understand. And we can't mix the tough shit with

478
00:29:04,640 --> 00:29:09,440
Speaker 1: the talent. See the niggas is talented, the niggas that

479
00:29:09,600 --> 00:29:12,520
Speaker 1: own a mission. The niggas that's been poured out of

480
00:29:12,600 --> 00:29:14,800
Speaker 1: that and placed on a road to try to help

481
00:29:14,920 --> 00:29:20,760
Speaker 1: others that can travel down that same path. Those people

482
00:29:20,880 --> 00:29:24,440
Speaker 1: can't mix in those areas. What a tough shit mean

483
00:29:24,560 --> 00:29:29,360
Speaker 1: more than anything. I make it a conscious thing me

484
00:29:29,480 --> 00:29:31,520
Speaker 1: because I come from it. So I make it a

485
00:29:31,640 --> 00:29:34,800
Speaker 1: conscious thing. When I go around my partners and let

486
00:29:34,880 --> 00:29:39,160
Speaker 1: them know I'm not hiring hid men. I need thinkers

487
00:29:39,200 --> 00:29:42,160
Speaker 1: around me because I know that when I show up,

488
00:29:42,200 --> 00:29:43,959
Speaker 1: the first thing they want to tell me and let

489
00:29:44,040 --> 00:29:45,840
Speaker 1: me know is if they play with this shit and

490
00:29:45,880 --> 00:29:50,200
Speaker 1: long will take them the war around here. And I

491
00:29:50,320 --> 00:29:52,680
Speaker 1: gotta let them know that I'm more powerful than that.

492
00:29:54,680 --> 00:29:57,240
Speaker 1: I see pass that if I wanted to go to

493
00:29:57,400 --> 00:30:00,560
Speaker 1: war to Ben took them the war. I know how

494
00:30:00,640 --> 00:30:03,560
Speaker 1: to start a war for nothing. But my thing is,

495
00:30:03,760 --> 00:30:06,040
Speaker 1: I know I'm more powerful than that. So I try

496
00:30:06,080 --> 00:30:08,520
Speaker 1: to make a conscious ever to let my homeboys know.

497
00:30:08,880 --> 00:30:11,560
Speaker 1: But see, I know what they're going through because before

498
00:30:11,640 --> 00:30:14,080
Speaker 1: I got myself in a situation where I started to

499
00:30:14,280 --> 00:30:19,000
Speaker 1: educate myself outside of the streets, that's what I had

500
00:30:19,080 --> 00:30:22,040
Speaker 1: the offer too. I felt like, man, look with somebody

501
00:30:22,160 --> 00:30:24,760
Speaker 1: come around with the bag. We gotta look at it

502
00:30:24,880 --> 00:30:27,320
Speaker 1: like this. I ain't got much to offer, So I'm

503
00:30:27,320 --> 00:30:30,000
Speaker 1: gonna let them know. Nigga, I'm part of the military

504
00:30:30,160 --> 00:30:34,959
Speaker 1: facet of the business. Now draft me to the arm

505
00:30:35,000 --> 00:30:37,200
Speaker 1: and I'm ready to knock something down by this ship,

506
00:30:37,360 --> 00:30:40,040
Speaker 1: just anything. Any looked at what do he say? And

507
00:30:40,160 --> 00:30:44,040
Speaker 1: see this is the thing, right, there's something that happens

508
00:30:45,400 --> 00:30:47,600
Speaker 1: in which you get to prove to me that you

509
00:30:48,160 --> 00:30:50,480
Speaker 1: that you was about your business. When you go all

510
00:30:50,480 --> 00:30:53,120
Speaker 1: the way to the edge and they pull it back.

511
00:30:54,760 --> 00:30:57,400
Speaker 1: So I got some of them homeboards that they go

512
00:30:57,600 --> 00:31:04,120
Speaker 1: too far. You know, you know it's uh, hey, you

513
00:31:04,200 --> 00:31:06,800
Speaker 1: know my security or somebody might be saying, hey, y'all

514
00:31:06,880 --> 00:31:09,160
Speaker 1: coming through, coming through, coming through, and somebody might be

515
00:31:09,280 --> 00:31:12,000
Speaker 1: on the phone. Don't him say my boy, he's coming through.

516
00:31:12,120 --> 00:31:16,040
Speaker 1: My nigga. It's like yo home home. But what he

517
00:31:16,160 --> 00:31:19,000
Speaker 1: want to do is he won't He wants some kind

518
00:31:19,040 --> 00:31:21,720
Speaker 1: of interaction. Why I'm right there. He wants me to

519
00:31:21,840 --> 00:31:25,840
Speaker 1: know he bronzed. He want me to know he bronze.

520
00:31:26,800 --> 00:31:29,560
Speaker 1: He want me to know that if for niggas, even

521
00:31:29,720 --> 00:31:34,520
Speaker 1: if we're in right or wrong, you neutralizing shit. So

522
00:31:34,680 --> 00:31:38,640
Speaker 1: we take it to the edge every time. A lot

523
00:31:38,680 --> 00:31:42,000
Speaker 1: of times you get back to the hotel or that's

524
00:31:42,080 --> 00:31:45,840
Speaker 1: part of the stories I got about little Trone, little tin. Now, man,

525
00:31:45,880 --> 00:31:48,160
Speaker 1: I remember we were dying, that said said Toron. You

526
00:31:48,240 --> 00:31:50,680
Speaker 1: grabbed that nigga because he was looking at a nigga

527
00:31:50,760 --> 00:31:53,120
Speaker 1: told the move. He didn't move, man, He grabbed that nigga,

528
00:31:53,160 --> 00:31:55,640
Speaker 1: snatched him up, put him on the black his eye.

529
00:31:56,080 --> 00:31:58,600
Speaker 1: You know, you be somewhere man and nigga about his business.

530
00:32:00,800 --> 00:32:07,120
Speaker 1: But what that behavior right as you travel the world

531
00:32:07,880 --> 00:32:10,280
Speaker 1: and you meet yourself see that's what I'm saying. Bro,

532
00:32:10,440 --> 00:32:13,840
Speaker 1: we gotta be clear that protect my life. Preserve my life.

533
00:32:14,840 --> 00:32:19,880
Speaker 1: Preserve my life, you understand. Preserve this shit right here, nigga,

534
00:32:19,880 --> 00:32:23,760
Speaker 1: this is a once in lifetime thing. Preserve this whatever

535
00:32:23,920 --> 00:32:26,560
Speaker 1: need to happen. And I feel so sorry for bro,

536
00:32:26,800 --> 00:32:31,160
Speaker 1: because Bro, we're saying I'm frona goal. You know, they're

537
00:32:31,160 --> 00:32:34,640
Speaker 1: saying he's saying something else, but the fact of you know, again,

538
00:32:34,760 --> 00:32:37,520
Speaker 1: that's we deal with our own ego in that moment too.

539
00:32:38,280 --> 00:32:40,400
Speaker 1: It's like, look, I know the right thing to do

540
00:32:40,640 --> 00:32:45,880
Speaker 1: is leave. It's a lot going on though. I gotta

541
00:32:46,160 --> 00:32:48,800
Speaker 1: He's like, yeah, we're dealing with some shit, Bro, We're

542
00:32:48,840 --> 00:32:51,200
Speaker 1: dealing with a lot of shit. Bro. See a lot

543
00:32:51,240 --> 00:32:55,680
Speaker 1: of people not paying attention to the mindset that whole scenario.

544
00:32:56,120 --> 00:32:58,760
Speaker 1: It's a bunch of mindset that's happening right there. And

545
00:32:58,880 --> 00:33:01,560
Speaker 1: that's the problem. I don't want to hear shit about

546
00:33:01,680 --> 00:33:04,280
Speaker 1: rap music. I don't want to hear shit about none

547
00:33:04,320 --> 00:33:09,400
Speaker 1: of that ship. There's a mindset issue home, and let

548
00:33:09,440 --> 00:33:12,280
Speaker 1: me address this. I hear everybody or some people saying

549
00:33:13,000 --> 00:33:16,640
Speaker 1: they tagging me, and I think they think that I

550
00:33:16,720 --> 00:33:18,760
Speaker 1: can agree with it, and I want to be clear

551
00:33:18,800 --> 00:33:22,280
Speaker 1: on my stands, right. I hate for families to have

552
00:33:22,440 --> 00:33:26,560
Speaker 1: to be involved with seeing some of these situations unfold

553
00:33:26,640 --> 00:33:29,520
Speaker 1: what they love one's own line. We live in a

554
00:33:29,800 --> 00:33:34,200
Speaker 1: very unique time right now in which we've been desensitive.

555
00:33:34,720 --> 00:33:37,840
Speaker 1: Celebrate fifty years of the Timberland Original Yellow Boot and

556
00:33:37,920 --> 00:33:40,880
Speaker 1: the culture that made it an icon. The Timberland Hip

557
00:33:40,920 --> 00:33:44,080
Speaker 1: Hop Royalty Boot remixes the classic and a glorious purple

558
00:33:44,160 --> 00:33:47,960
Speaker 1: waterproof leather where premium crafted details inspired by the four

559
00:33:48,080 --> 00:33:52,520
Speaker 1: pillars of hip hop, DJing graffiti, I'm seeing and breakdancing.

560
00:33:53,160 --> 00:33:55,840
Speaker 1: Get Years and select stores or at Timberland dot com.

561
00:33:56,480 --> 00:34:01,280
Speaker 1: Available in men's, women's, and youth sizes. Built for the

562
00:34:01,360 --> 00:34:09,200
Speaker 1: bold ties to things that should be affecting our mental

563
00:34:09,280 --> 00:34:12,000
Speaker 1: in a way that we would be uncomfortable with even

564
00:34:12,120 --> 00:34:16,280
Speaker 1: engaging in. But the issue is we don't have those feelings.

565
00:34:16,360 --> 00:34:21,360
Speaker 1: They've been removed. People are calling for celebrities to be

566
00:34:21,560 --> 00:34:26,400
Speaker 1: more reachable right instead of putting themselves in a situation

567
00:34:26,640 --> 00:34:30,360
Speaker 1: where they corner themselves off. And my response to that

568
00:34:30,600 --> 00:34:35,440
Speaker 1: would be one of we're dealing with the depths of

569
00:34:35,640 --> 00:34:38,800
Speaker 1: people by the hands of people that they don't know.

570
00:34:39,880 --> 00:34:42,200
Speaker 1: I can't ask a celebrity to kick it with people

571
00:34:42,280 --> 00:34:44,640
Speaker 1: that they don't know. You niggas got people that love

572
00:34:44,719 --> 00:34:47,560
Speaker 1: you that you won't go kick it with. How Dad

573
00:34:47,680 --> 00:34:51,319
Speaker 1: niggas called for people to get closer to people when

574
00:34:51,360 --> 00:34:54,040
Speaker 1: they die. They's so much at risk, it's so much

575
00:34:54,080 --> 00:34:56,480
Speaker 1: at stake. I don't even know these people. And you

576
00:34:56,640 --> 00:34:59,360
Speaker 1: got people that you love or that love you that

577
00:34:59,480 --> 00:35:02,319
Speaker 1: you won't even go around. So we got to pay

578
00:35:02,320 --> 00:35:04,840
Speaker 1: attention to the kind of shit that we're saying. I

579
00:35:05,000 --> 00:35:08,560
Speaker 1: tell celebrities to guard your life. Understand you've been exposed.

580
00:35:10,320 --> 00:35:15,800
Speaker 1: I tell celebrities, you've been exposed. Your identity has been compromised.

581
00:35:15,960 --> 00:35:18,799
Speaker 1: Right You no longer can move around in the same way.

582
00:35:18,920 --> 00:35:20,640
Speaker 1: If you want to go ahead, if you want to

583
00:35:20,680 --> 00:35:23,759
Speaker 1: play these games. I'm protected by whatever you got going on.

584
00:35:23,960 --> 00:35:28,280
Speaker 1: It's you. No matter what you think in your brain,

585
00:35:29,800 --> 00:35:34,279
Speaker 1: you've been exposed. You have more attention on you than

586
00:35:34,360 --> 00:35:38,400
Speaker 1: the regular person. But I always think about like and

587
00:35:38,719 --> 00:35:42,200
Speaker 1: everybody always hear my message and it's loud, like, YO,

588
00:35:42,320 --> 00:35:45,080
Speaker 1: don't go dying these other nigga city. I don't even

589
00:35:45,120 --> 00:35:47,359
Speaker 1: trust it in my backyard, so I know I ain't

590
00:35:47,440 --> 00:35:50,040
Speaker 1: dying in on nother nigga city. I ain't gonna say.

591
00:35:50,040 --> 00:35:51,880
Speaker 1: I ain't dying in on nother nigga city, but I

592
00:35:51,880 --> 00:35:54,799
Speaker 1: ain't trusting it like you ain't gonna get you ain't

593
00:35:54,800 --> 00:35:56,840
Speaker 1: gonna bear to convince me. I don't really care what

594
00:35:57,080 --> 00:35:59,640
Speaker 1: no niggas say, because I'm the nigga that they thought

595
00:35:59,680 --> 00:36:02,800
Speaker 1: knew better. That's what I'm saying all this I know

596
00:36:02,960 --> 00:36:06,080
Speaker 1: better talk. I don't know nothing about all that. But again,

597
00:36:06,200 --> 00:36:07,799
Speaker 1: you show up to the hood. Are you show up

598
00:36:07,840 --> 00:36:11,120
Speaker 1: in these cities? Right? There's like a that's like this weird.

599
00:36:12,080 --> 00:36:16,880
Speaker 1: It's like this weird tough Olympics that's happening. And so

600
00:36:17,040 --> 00:36:20,320
Speaker 1: you're dealing with men that or put you in a

601
00:36:20,400 --> 00:36:22,880
Speaker 1: situation where they try to convince you that you're safe

602
00:36:22,920 --> 00:36:26,680
Speaker 1: in their hands. Everything you worked for, everything you're worth

603
00:36:26,760 --> 00:36:30,040
Speaker 1: to your family, your mother, your children, you're unto your uncle,

604
00:36:30,520 --> 00:36:35,239
Speaker 1: if you're your love, wars, your relatives, everything you're worth.

605
00:36:35,360 --> 00:36:38,680
Speaker 1: They come trying to convince you that hold of that

606
00:36:38,840 --> 00:36:42,279
Speaker 1: in my hands, you're safe. So you gotta understand the

607
00:36:42,440 --> 00:36:46,720
Speaker 1: mindset of someone they got to convince a millionaire nigga

608
00:36:49,000 --> 00:36:53,600
Speaker 1: as paranoid as you know them niggas be. Do you

609
00:36:53,760 --> 00:36:56,880
Speaker 1: know the the lymps that you gotta go to to

610
00:36:57,080 --> 00:37:01,880
Speaker 1: convince me, convince that person that they are okay in

611
00:37:02,000 --> 00:37:08,080
Speaker 1: another city with all they got the lose on the

612
00:37:08,200 --> 00:37:11,239
Speaker 1: line in your hands. I think rapping niggas is letting

613
00:37:11,280 --> 00:37:17,680
Speaker 1: that go too quick. This ain't disrespectful to nobody. I'm saying,

614
00:37:17,719 --> 00:37:23,160
Speaker 1: you gotta view yourself in a way I cannot put everything, nigga.

615
00:37:23,200 --> 00:37:26,799
Speaker 1: I come out the trenches with this ship. I got

616
00:37:26,920 --> 00:37:30,479
Speaker 1: love for everybody. But when we talk about my life,

617
00:37:30,520 --> 00:37:32,840
Speaker 1: if you can't respect me protecting my life in a

618
00:37:32,960 --> 00:37:35,720
Speaker 1: way where it's out of your hands and then mine,

619
00:37:37,239 --> 00:37:40,120
Speaker 1: then men, you got a bigger problem than what I

620
00:37:40,239 --> 00:37:46,239
Speaker 1: knew we had. Protecting me can't offend you. Protecting me

621
00:37:46,719 --> 00:37:50,560
Speaker 1: can't offend you. And if it do offend you, me

622
00:37:50,680 --> 00:37:56,880
Speaker 1: and you ain't my kin. But they'll convince you that

623
00:37:57,040 --> 00:38:00,680
Speaker 1: you don't need protection when you're tough. And I'm gonna

624
00:38:00,680 --> 00:38:03,200
Speaker 1: tell you that the football game calls for pads. I

625
00:38:03,239 --> 00:38:05,520
Speaker 1: don't give a fuck what kind of body type you got.

626
00:38:06,640 --> 00:38:08,800
Speaker 1: You better have your helmet on it. You better have

627
00:38:08,920 --> 00:38:11,400
Speaker 1: some pads on because that's what the game called for.

628
00:38:11,840 --> 00:38:13,879
Speaker 1: They'll have if you ignore the rules of the game.

629
00:38:14,080 --> 00:38:16,640
Speaker 1: And hey, you out there butt nikked waiting on the setup,

630
00:38:18,239 --> 00:38:20,719
Speaker 1: and all you got from nettas they called you tough.

631
00:38:21,880 --> 00:38:24,200
Speaker 1: Now he came through him by himself. They got them

632
00:38:24,280 --> 00:38:30,440
Speaker 1: little stories going around. Ain't fuck you nigga stories. I

633
00:38:30,520 --> 00:38:33,520
Speaker 1: don't believe in the booget man any Guydamn wait, fuck

634
00:38:33,600 --> 00:38:36,200
Speaker 1: you nigga store all you get from that, everything you

635
00:38:36,239 --> 00:38:38,000
Speaker 1: don't work for on the line, in the middle of

636
00:38:38,080 --> 00:38:40,960
Speaker 1: some niggahood in a whole other state, and all you

637
00:38:41,120 --> 00:38:43,480
Speaker 1: got from it was man, you know, Loon came through

638
00:38:43,520 --> 00:38:50,040
Speaker 1: that bad self. Boy, he one of them can man,

639
00:38:50,160 --> 00:38:53,799
Speaker 1: I don't listen. We gotta detach ourselves from what nigga's thinking. Man,

640
00:38:53,880 --> 00:38:57,240
Speaker 1: But that tough shit don't get us nowhere. I wonder

641
00:38:57,320 --> 00:38:59,480
Speaker 1: is it because the girls like the tough niggas? I

642
00:38:59,560 --> 00:39:02,040
Speaker 1: wonder what is it? What is that? Because I got

643
00:39:02,120 --> 00:39:04,960
Speaker 1: it too right. I don't be letting nothing like don't

644
00:39:05,040 --> 00:39:07,960
Speaker 1: play please, don't play Lord, don't let them play with me.

645
00:39:08,640 --> 00:39:10,719
Speaker 1: I'm trying my best to make some money and stay

646
00:39:10,800 --> 00:39:15,959
Speaker 1: outde people way. But they gonna see, like we ad man,

647
00:39:17,080 --> 00:39:19,840
Speaker 1: we tend to view each other as versus, like against

648
00:39:19,920 --> 00:39:23,040
Speaker 1: each other, and to be honest, we're just afraid of

649
00:39:23,160 --> 00:39:28,680
Speaker 1: each other. We talk about the white people that locked

650
00:39:28,680 --> 00:39:31,680
Speaker 1: the dose when they see the niggas coming, see black

651
00:39:31,760 --> 00:39:35,759
Speaker 1: little boys coming. Nigga niggas locked the dose when they

652
00:39:35,840 --> 00:39:38,360
Speaker 1: see black little boys coming. A lot of these dudes,

653
00:39:38,719 --> 00:39:41,440
Speaker 1: a lot of these dudes are nigga. Move next dough

654
00:39:41,520 --> 00:39:44,000
Speaker 1: to them, They'll move out the house. I'll be a

655
00:39:44,080 --> 00:39:46,920
Speaker 1: fool to tell a nigga that in my city. He

656
00:39:47,080 --> 00:39:51,120
Speaker 1: guaranteed that don't nothing happen. Now, he guaranteed if something happened,

657
00:39:51,280 --> 00:39:53,960
Speaker 1: it's gonna be a proper response for anything that happened.

658
00:39:54,000 --> 00:39:56,719
Speaker 1: But we can't guarantee that a nigga ain't gonna say

659
00:39:56,840 --> 00:40:00,239
Speaker 1: fuck it. And that's what it is. When you worth

660
00:40:00,360 --> 00:40:02,400
Speaker 1: so much, you gotta keep yourself out of them kind

661
00:40:02,440 --> 00:40:05,640
Speaker 1: of situation. I remember a time when they say dirt.

662
00:40:06,719 --> 00:40:08,879
Speaker 1: He said, yeah. He was talking to Meek and Meek

663
00:40:09,040 --> 00:40:11,279
Speaker 1: was like coming to Chicago or something about coming to

664
00:40:11,360 --> 00:40:13,440
Speaker 1: the trenches. He was like, Nah, you can't come, but Yo,

665
00:40:14,040 --> 00:40:16,759
Speaker 1: you know we really don't. We can't really guarantee nothing though,

666
00:40:17,600 --> 00:40:19,920
Speaker 1: and that don't speak to my strength. I'm keeping you

667
00:40:20,080 --> 00:40:22,319
Speaker 1: in a situation to know I can't let it happen

668
00:40:22,400 --> 00:40:25,359
Speaker 1: on my watch, just off for them. Niggas knew better

669
00:40:25,920 --> 00:40:28,640
Speaker 1: at them. Niggas knew better. Talk don't mean nothing, man,

670
00:40:29,800 --> 00:40:33,440
Speaker 1: I'm telling you listen, listen to me. Loom dem. Niggas

671
00:40:33,480 --> 00:40:37,560
Speaker 1: don't know no better. Man. You can kill a nigga

672
00:40:37,600 --> 00:40:40,480
Speaker 1: hole family at the words that still don't change what happened.

673
00:40:40,560 --> 00:40:45,120
Speaker 1: That's what I need y'all to understand. We're dealing with

674
00:40:45,239 --> 00:40:49,120
Speaker 1: a high level of ego bruising man to where nigga

675
00:40:49,160 --> 00:40:51,279
Speaker 1: can't he Let you raise your voice and get out

676
00:40:51,320 --> 00:40:56,239
Speaker 1: of here with that rapping ass nigga. It even go

677
00:40:56,440 --> 00:40:58,960
Speaker 1: deep man, go deep man, he's nigga. I'm telling you, man,

678
00:40:59,000 --> 00:41:01,640
Speaker 1: you wrap niggas better. Be careful man. You niggas don't

679
00:41:01,640 --> 00:41:04,759
Speaker 1: beat the odds. And when you beat the odds, man,

680
00:41:04,880 --> 00:41:08,000
Speaker 1: the people that steal gambling, they don't like that man,

681
00:41:09,480 --> 00:41:12,000
Speaker 1: especially when you're still around his You know what I mean.

682
00:41:12,120 --> 00:41:14,680
Speaker 1: It's like it's a weird place y'all leaning because y'all

683
00:41:14,800 --> 00:41:17,360
Speaker 1: from that, so you can't shut the dough on it.

684
00:41:17,440 --> 00:41:19,680
Speaker 1: But we have to have a bridge. We gotta bridge

685
00:41:19,719 --> 00:41:22,480
Speaker 1: some kind of gap and make it way. It's acceptable.

686
00:41:22,520 --> 00:41:24,959
Speaker 1: But but you can't go down there and just play

687
00:41:25,040 --> 00:41:27,680
Speaker 1: around like that when you because them niggas really don't

688
00:41:27,760 --> 00:41:32,680
Speaker 1: let rap niggas get away with nothing. Like if a

689
00:41:32,800 --> 00:41:35,239
Speaker 1: nigga rapp and come back to the hood and get

690
00:41:35,320 --> 00:41:37,960
Speaker 1: the argum with somebody, they really try to press the

691
00:41:38,080 --> 00:41:40,279
Speaker 1: gas and shit them. Nigga try to really, you know,

692
00:41:40,440 --> 00:41:43,800
Speaker 1: turn it up a notch because he's successful here a rapper.

693
00:41:43,840 --> 00:41:46,560
Speaker 1: It's some hatred going on for the rappers, man and

694
00:41:46,719 --> 00:41:48,759
Speaker 1: so way down in the ghet old they try to

695
00:41:48,880 --> 00:41:52,080
Speaker 1: validate their presence just to be close to the money.

696
00:41:53,239 --> 00:41:55,560
Speaker 1: I can just get into whibble brought them, hitting them

697
00:41:55,680 --> 00:41:58,080
Speaker 1: dripple its them the Cromes. Nigga. I'm gonna be a hight.

698
00:41:58,600 --> 00:42:01,319
Speaker 1: Maybe I can make a life out of this. Maybe

699
00:42:01,320 --> 00:42:03,960
Speaker 1: I can turn myself into a manager or something. But

700
00:42:04,160 --> 00:42:06,920
Speaker 1: right now I got this. I do it right here

701
00:42:06,960 --> 00:42:10,160
Speaker 1: in front of everybody. If they get wrong, that's all

702
00:42:10,320 --> 00:42:12,360
Speaker 1: I got. So when Brout come around, I got to

703
00:42:12,440 --> 00:42:15,239
Speaker 1: let him know, say, bro, you know I kire one

704
00:42:15,360 --> 00:42:19,759
Speaker 1: the nigga they go to playing a fan walk up,

705
00:42:19,800 --> 00:42:21,720
Speaker 1: Hey man, can I want to talk the little may

706
00:42:21,760 --> 00:42:24,600
Speaker 1: say nigga out? He you know, he might knock him out. Boom,

707
00:42:24,640 --> 00:42:27,279
Speaker 1: Hey man, what was he trying to show them I'm

708
00:42:27,320 --> 00:42:29,719
Speaker 1: taking down my bad braun. Play like it about you,

709
00:42:29,920 --> 00:42:36,040
Speaker 1: my nigga. He's doing two money, but he thank his trials.

710
00:42:36,840 --> 00:42:42,960
Speaker 1: He trying out for the team. See anything to be

711
00:42:43,120 --> 00:42:46,719
Speaker 1: close to the money. They ain't figured out a way

712
00:42:46,760 --> 00:42:49,360
Speaker 1: to make none yet you didn't figure one out, So

713
00:42:49,600 --> 00:42:51,759
Speaker 1: just getting close to you, hopefully I figured out. I

714
00:42:51,880 --> 00:42:55,480
Speaker 1: got kids and shit, and I see the narrative. Right.

715
00:42:55,520 --> 00:42:58,160
Speaker 1: They condemned street niggas, they the scum on the earth.

716
00:43:01,080 --> 00:43:03,279
Speaker 1: And I want people not to forget that when we

717
00:43:03,400 --> 00:43:06,879
Speaker 1: come from that, when we come from these less fortunate situations,

718
00:43:07,040 --> 00:43:10,560
Speaker 1: very humble beginnings, in which there's this mentality one on

719
00:43:10,760 --> 00:43:13,960
Speaker 1: one instead of one with one eleven, the strength of

720
00:43:14,040 --> 00:43:18,240
Speaker 1: eleven instead of one verses one, I think we forget

721
00:43:18,320 --> 00:43:23,759
Speaker 1: to mention that we've been placed in those circumstances. I

722
00:43:23,880 --> 00:43:26,279
Speaker 1: want people to be aware that some people don't have

723
00:43:26,400 --> 00:43:28,719
Speaker 1: a choice but to grow up in what was left.

724
00:43:30,080 --> 00:43:32,080
Speaker 1: This is all they left for us, this little part

725
00:43:32,120 --> 00:43:35,600
Speaker 1: of the city that they didn't think nothing about it

726
00:43:35,640 --> 00:43:38,560
Speaker 1: at first. It were way close down, close to downtown.

727
00:43:38,680 --> 00:43:42,879
Speaker 1: Then folks like the houses on the outskirts. They left

728
00:43:42,880 --> 00:43:44,799
Speaker 1: for us, this little part right here, that's all they

729
00:43:44,880 --> 00:43:47,480
Speaker 1: left us, and we got to grow up right here. Now,

730
00:43:48,160 --> 00:43:52,279
Speaker 1: situation is a strenuous down through here, and so it's

731
00:43:52,280 --> 00:43:56,080
Speaker 1: a different rules. It's a world inside of this world

732
00:43:56,200 --> 00:43:59,719
Speaker 1: going on. We eat different foods. We can't afford the

733
00:43:59,800 --> 00:44:02,320
Speaker 1: best best of everything, but we make with it what

734
00:44:02,560 --> 00:44:05,960
Speaker 1: we can. Right. We still celebrate all the holidays, just

735
00:44:06,120 --> 00:44:08,400
Speaker 1: in a different way. Right, we do things just a

736
00:44:08,480 --> 00:44:11,560
Speaker 1: little different. The budget ain't really there, the food ain't

737
00:44:11,600 --> 00:44:15,160
Speaker 1: the best. The corner stores definitely gonna have being cigarettes,

738
00:44:15,520 --> 00:44:17,480
Speaker 1: but we don't know if they're gonna have fresh bread

739
00:44:17,640 --> 00:44:21,080
Speaker 1: or good meat, but they're gonna have being cigarettes. Probably

740
00:44:21,080 --> 00:44:24,040
Speaker 1: the coldest being the city right down there by where

741
00:44:24,080 --> 00:44:26,120
Speaker 1: the post folks live at, if we want to talk

742
00:44:26,160 --> 00:44:30,440
Speaker 1: about it. So we've been placed in that right now.

743
00:44:30,560 --> 00:44:33,239
Speaker 1: Here's the thing. You can't blame the way a man

744
00:44:33,400 --> 00:44:38,200
Speaker 1: adapt for survival. You don't look at the bird and

745
00:44:38,600 --> 00:44:42,360
Speaker 1: see what it is evolved into and how its wings

746
00:44:42,520 --> 00:44:46,960
Speaker 1: lay in, how it's feet prop up, and the claws

747
00:44:47,040 --> 00:44:49,640
Speaker 1: that it has to clamp and grab whatever it needs

748
00:44:49,719 --> 00:44:54,279
Speaker 1: if it's a crow or hulk, or it developed in

749
00:44:54,360 --> 00:44:57,640
Speaker 1: a way for the circumstances that it's in that it

750
00:44:57,760 --> 00:45:02,320
Speaker 1: finds himself in even when you look at Adu Dhabi

751
00:45:02,400 --> 00:45:05,239
Speaker 1: and you see people that have these tigers and they

752
00:45:05,360 --> 00:45:07,640
Speaker 1: take them and they bring them in a different environment

753
00:45:09,280 --> 00:45:13,120
Speaker 1: and they develop differently than they do in the wild.

754
00:45:14,960 --> 00:45:16,840
Speaker 1: And so when you deal with us, you gotta know

755
00:45:17,040 --> 00:45:20,080
Speaker 1: we developed that way, not because we want to be tough.

756
00:45:21,000 --> 00:45:23,560
Speaker 1: I think this next generation is dealing with a little

757
00:45:23,600 --> 00:45:27,160
Speaker 1: bit of that, but prior to coming into information, it's

758
00:45:27,200 --> 00:45:30,040
Speaker 1: really circumstantial how we how we grew up, and how

759
00:45:30,120 --> 00:45:33,360
Speaker 1: we think, and a lot of it is based on

760
00:45:33,440 --> 00:45:38,480
Speaker 1: the results we've been when we encounter each other. But

761
00:45:38,640 --> 00:45:42,040
Speaker 1: I can't allow people just TOYO kill the rapper, fuck

762
00:45:42,120 --> 00:45:44,960
Speaker 1: the street nigga, all that shit, the street coaches, bullshit,

763
00:45:45,400 --> 00:45:47,640
Speaker 1: as if we had a choice. You don't. You don't

764
00:45:47,719 --> 00:45:51,080
Speaker 1: blame us for the circumstances that we had to develop in.

765
00:45:51,520 --> 00:45:53,799
Speaker 1: You don't blame the skin for wrinkling when they sit

766
00:45:53,920 --> 00:45:57,160
Speaker 1: in water. That's just what the skin gonna do. It's

767
00:45:57,239 --> 00:45:59,320
Speaker 1: part of it. It's just what the skin gonna do.

768
00:45:59,440 --> 00:46:02,040
Speaker 1: It's gonna do developing that way. And so I look

769
00:46:02,080 --> 00:46:05,120
Speaker 1: at us when we on the outside of y'all understanding

770
00:46:05,360 --> 00:46:07,960
Speaker 1: when people say, yo, I don't get the Yo. We

771
00:46:08,120 --> 00:46:11,840
Speaker 1: gonna gamble, that's what That's what we do. We gamble.

772
00:46:14,719 --> 00:46:19,239
Speaker 1: But everybody can leave by those rules in the same

773
00:46:19,400 --> 00:46:22,439
Speaker 1: way you can gamble. But you gotta the gambling gotta

774
00:46:22,480 --> 00:46:25,959
Speaker 1: come to you. You know. It's a way we gotta

775
00:46:26,040 --> 00:46:28,800
Speaker 1: do this. It's just a certain way to do it

776
00:46:29,880 --> 00:46:32,160
Speaker 1: because I feel the celebrited niggas to try to be

777
00:46:32,200 --> 00:46:35,680
Speaker 1: as normal as possible as well, Like yo, bro, yo,

778
00:46:35,960 --> 00:46:38,839
Speaker 1: h why go they got cameras. I just want to really, hey, yo,

779
00:46:38,920 --> 00:46:41,440
Speaker 1: give me a shot man, roller blood, Give me a blood, man,

780
00:46:41,520 --> 00:46:43,960
Speaker 1: shoot some dice with the hobbits. We just regular, right man.

781
00:46:44,000 --> 00:46:45,920
Speaker 1: I just want to be regular right here. Man, I'm

782
00:46:45,960 --> 00:46:48,799
Speaker 1: just regular, man, I ain't. I don't let rap shit

783
00:46:48,920 --> 00:46:52,040
Speaker 1: all let other shit. But that's an internal feeling. You

784
00:46:52,200 --> 00:46:55,719
Speaker 1: better deal with the external feelings as well. They see

785
00:46:55,800 --> 00:46:57,640
Speaker 1: you as the rapper. I don't give a fucking when

786
00:46:57,719 --> 00:47:00,680
Speaker 1: you want to turn it off. They see you as money.

787
00:47:00,680 --> 00:47:04,000
Speaker 1: I don't care about you not having your journey wrong right.

788
00:47:04,120 --> 00:47:06,440
Speaker 1: They see you as opportunity. They see you as a

789
00:47:06,560 --> 00:47:09,719
Speaker 1: certain thing no matter what, because of your status in life.

790
00:47:10,320 --> 00:47:12,360
Speaker 1: And so while you're saying that, hey, yo, I'm in

791
00:47:12,400 --> 00:47:14,319
Speaker 1: the hood. I'm just being normal. I'm gonna just kick

792
00:47:14,400 --> 00:47:17,440
Speaker 1: it with the home boys. Just feel normal to day.

793
00:47:18,680 --> 00:47:20,520
Speaker 1: It's a reason why it's just a little more dunk

794
00:47:20,600 --> 00:47:23,759
Speaker 1: out here to day. It's a reason why people keep

795
00:47:24,120 --> 00:47:28,279
Speaker 1: got their phone at you, understand, because no matter how

796
00:47:28,360 --> 00:47:31,040
Speaker 1: you feel about yourself or how you thinking you dumbing

797
00:47:31,080 --> 00:47:33,719
Speaker 1: it down, they still looking at you a certain way,

798
00:47:34,360 --> 00:47:37,279
Speaker 1: you know. And I hate that this happened to take

799
00:47:37,360 --> 00:47:39,880
Speaker 1: out man Like I say, he was just You're one

800
00:47:39,920 --> 00:47:42,920
Speaker 1: of those guys and we tend to we tend to

801
00:47:43,040 --> 00:47:47,200
Speaker 1: teach our children that, you know, be respectful and watch

802
00:47:47,280 --> 00:47:49,799
Speaker 1: your mouth. And I'll let you know, don't be At

803
00:47:49,840 --> 00:47:54,120
Speaker 1: State Farm, we're committed to uplifting black futures. In collaboration

804
00:47:54,280 --> 00:47:58,319
Speaker 1: with organizations like one hundred Black Men and National Urban League,

805
00:47:58,480 --> 00:48:01,600
Speaker 1: State Farm provides high school students with the opportunity to

806
00:48:01,760 --> 00:48:05,520
Speaker 1: learn and apply best practice strategies for saving and investing,

807
00:48:06,000 --> 00:48:09,759
Speaker 1: all while offering academic support, life skills, and exposure to

808
00:48:09,880 --> 00:48:13,440
Speaker 1: college access programs to prepare these students for life after

809
00:48:13,600 --> 00:48:16,759
Speaker 1: high school. Check out one hundred black Men dot org

810
00:48:17,200 --> 00:48:21,200
Speaker 1: and NUL dot org to donate and learn more. Like

811
00:48:21,320 --> 00:48:27,399
Speaker 1: a good neighbor, State Farm is there he talking, I'll

812
00:48:27,480 --> 00:48:31,279
Speaker 1: lit noise and all of that. And sometimes it ain't that.

813
00:48:31,640 --> 00:48:38,920
Speaker 1: Sometimes it literally just wrong plays, wrong time, and it's unfortunate. Man.

814
00:48:39,000 --> 00:48:42,280
Speaker 1: But but r P take off. I'm sure we'll speak

815
00:48:42,360 --> 00:48:46,800
Speaker 1: more about things surrounding this in the coming weeks, but

816
00:48:47,360 --> 00:48:51,600
Speaker 1: definitely want to send my condolence is out, you know,

817
00:48:51,760 --> 00:48:56,000
Speaker 1: to the family. You know, p is my people and

818
00:48:56,160 --> 00:49:01,120
Speaker 1: so human coach going through that. It's just I feel

819
00:49:01,200 --> 00:49:04,160
Speaker 1: what they feel, you know what I mean? In real life,

820
00:49:04,239 --> 00:49:09,120
Speaker 1: then people want to see me win. You understand. You

821
00:49:09,200 --> 00:49:11,320
Speaker 1: ever fuck with some people that want to see you

822
00:49:11,440 --> 00:49:15,279
Speaker 1: a million now, then folk want to see me a

823
00:49:15,440 --> 00:49:20,480
Speaker 1: millionaire dog. And then folk's dealing with pain and hurt. Man, Like,

824
00:49:20,640 --> 00:49:23,000
Speaker 1: that's that's you know what I'm saying. I got people

825
00:49:23,080 --> 00:49:25,120
Speaker 1: that I know all my life that don't help me,

826
00:49:25,239 --> 00:49:27,279
Speaker 1: ain't never helped me, ain't never looked out for me,

827
00:49:27,360 --> 00:49:30,759
Speaker 1: and I ain't never care. I've been strong on my own.

828
00:49:30,880 --> 00:49:34,880
Speaker 1: But it's like, I don't know, son, it's deep. All right,

829
00:49:34,960 --> 00:49:37,799
Speaker 1: Let's read this, man, This was amusing to me when

830
00:49:37,840 --> 00:49:41,560
Speaker 1: I've seen it. Let's read this. It says woman says

831
00:49:41,920 --> 00:49:44,920
Speaker 1: women aren't condition to give bare minimum to the husbands

832
00:49:45,000 --> 00:49:50,279
Speaker 1: after wearing themselves out with casual sexual encounters. I'm gonna

833
00:49:50,320 --> 00:49:53,480
Speaker 1: read this tweeting. We'll discuss it a little bit. It

834
00:49:53,560 --> 00:49:57,160
Speaker 1: says it's sexual liberation until you're married. Now it's he

835
00:49:57,239 --> 00:49:59,400
Speaker 1: shouldn't expect for me to sleep with him on the

836
00:49:59,440 --> 00:50:02,719
Speaker 1: regular base. Nobody told you to weigh yourself out in

837
00:50:02,800 --> 00:50:05,560
Speaker 1: the streets to begin with. Now you don't feel like

838
00:50:05,640 --> 00:50:07,399
Speaker 1: it with the man you're supposed to spend the rest

839
00:50:07,440 --> 00:50:10,960
Speaker 1: of your life with. They've conditioned us to have it backwards.

840
00:50:11,000 --> 00:50:13,840
Speaker 1: Give all your energy and prime to casual sex encounters

841
00:50:13,880 --> 00:50:16,359
Speaker 1: and situationships and get a bad minimum to the one

842
00:50:16,440 --> 00:50:19,680
Speaker 1: who actually wants to love and commit to you to death.

843
00:50:19,760 --> 00:50:24,480
Speaker 1: Do you part? It makes no sense whatsoever interesting conversation,

844
00:50:24,640 --> 00:50:28,719
Speaker 1: because I do believe that a lot of people are

845
00:50:28,800 --> 00:50:32,920
Speaker 1: sexually exhausted and don't know a lot of people, you know,

846
00:50:33,080 --> 00:50:35,600
Speaker 1: by the time they even get maybe in the late twenties,

847
00:50:35,640 --> 00:50:39,759
Speaker 1: they've been disappointed by guys or women. They've had, you know,

848
00:50:39,960 --> 00:50:42,239
Speaker 1: babies and things like that, in which a lot of

849
00:50:42,320 --> 00:50:45,600
Speaker 1: times they thought situations may work for them. So they've

850
00:50:45,640 --> 00:50:48,840
Speaker 1: put a lot into it and they're drained emotionally. But

851
00:50:49,080 --> 00:50:52,440
Speaker 1: people carry that some people walk around and tell you

852
00:50:52,560 --> 00:50:55,080
Speaker 1: I'm tired, I'm tired of these people, I'm tired of me,

853
00:50:55,160 --> 00:50:57,800
Speaker 1: and I'm tired of women. So some people carry that

854
00:50:57,840 --> 00:51:00,520
Speaker 1: and they identify that. On the other hand, I'm not

855
00:51:00,640 --> 00:51:03,239
Speaker 1: sure people really understand when they's kind of like what

856
00:51:03,400 --> 00:51:05,320
Speaker 1: this woman is saying. When you when you've had a

857
00:51:05,400 --> 00:51:07,120
Speaker 1: lot of six so you maybe you've had a lot

858
00:51:07,200 --> 00:51:09,600
Speaker 1: of kids, and then you run into this guy who

859
00:51:09,719 --> 00:51:11,920
Speaker 1: may want to marry you, right and then say he

860
00:51:12,000 --> 00:51:14,480
Speaker 1: want to marry you and you ain't got enough in

861
00:51:14,600 --> 00:51:18,960
Speaker 1: you to keep him sexually involved, or say the other

862
00:51:19,040 --> 00:51:22,480
Speaker 1: way around, say she want to marry you and say

863
00:51:22,560 --> 00:51:26,080
Speaker 1: you as the guy, you don't have enough. You know,

864
00:51:26,280 --> 00:51:30,880
Speaker 1: you wore out yourself. You know. Sometimes I think with

865
00:51:31,040 --> 00:51:34,640
Speaker 1: the man, the animal, animalistic side of that can kind

866
00:51:34,680 --> 00:51:37,560
Speaker 1: of still kick in where he's still you know, he

867
00:51:37,640 --> 00:51:40,200
Speaker 1: still might get it if he turned on. I think

868
00:51:40,360 --> 00:51:43,000
Speaker 1: that be the case sometimes to turn on and see,

869
00:51:43,080 --> 00:51:46,640
Speaker 1: That's what I'm saying. Even sexual, a consistent partner is

870
00:51:46,680 --> 00:51:49,279
Speaker 1: a different thing because you got to figure out how

871
00:51:49,360 --> 00:51:51,800
Speaker 1: to turn them on, how to create vibes, how to

872
00:51:51,920 --> 00:51:55,520
Speaker 1: create moments. On day one, you were more excited, you

873
00:51:55,600 --> 00:51:59,040
Speaker 1: were more excited on day sixteen thousand. You're just gonna

874
00:51:59,120 --> 00:52:02,680
Speaker 1: lay right there. You're just gonna like and even as

875
00:52:02,719 --> 00:52:04,759
Speaker 1: the guy, you gotta figure out a way Like it's

876
00:52:05,080 --> 00:52:09,319
Speaker 1: this thing that has to happen with this constant commitment

877
00:52:09,440 --> 00:52:16,600
Speaker 1: with each other to keep each other sexually satisfied. I

878
00:52:16,760 --> 00:52:19,279
Speaker 1: do hear what dudes come out and be and say

879
00:52:19,400 --> 00:52:23,000
Speaker 1: that after they get married and they've been married a

880
00:52:23,160 --> 00:52:25,399
Speaker 1: certain amount of time, that they women is no longer

881
00:52:25,480 --> 00:52:28,560
Speaker 1: involved or even in relationships. A lot of guys are

882
00:52:28,640 --> 00:52:32,920
Speaker 1: knowing long term relationships are not sexually happy, and sometimes

883
00:52:33,000 --> 00:52:36,879
Speaker 1: it's they feel just I don't want to argue, man,

884
00:52:36,960 --> 00:52:40,480
Speaker 1: so I just kind of take a hard come. And

885
00:52:41,000 --> 00:52:44,120
Speaker 1: this has affected a lot of people, like even the

886
00:52:44,239 --> 00:52:49,640
Speaker 1: women who men would consider sexually liberated right and just

887
00:52:49,960 --> 00:52:54,439
Speaker 1: kind of aggressive, I would say, sexually aggressive. After time

888
00:52:54,600 --> 00:52:57,680
Speaker 1: goes by, they tend to take they foot off the

889
00:52:57,800 --> 00:53:01,160
Speaker 1: gas as well, and then they wonder why a lot

890
00:53:01,239 --> 00:53:04,600
Speaker 1: of times that stripper get him. It's natural for her

891
00:53:04,640 --> 00:53:08,319
Speaker 1: to bouncing this and that this ship is I don't know, man,

892
00:53:08,600 --> 00:53:11,920
Speaker 1: it's rough, but I think it's interesting to get a

893
00:53:11,960 --> 00:53:16,600
Speaker 1: bad minimum to somebody who you expect, say, somebody been

894
00:53:16,680 --> 00:53:21,880
Speaker 1: with you four years and your six fall off in

895
00:53:22,080 --> 00:53:26,800
Speaker 1: year four and you're talking about you want to be married,

896
00:53:26,880 --> 00:53:29,799
Speaker 1: and they he'd been with you so long, and it's like, Yo,

897
00:53:30,080 --> 00:53:32,320
Speaker 1: you want me to sign up to fuck like this

898
00:53:32,560 --> 00:53:35,239
Speaker 1: for the rest of my life? Is that what we're

899
00:53:35,280 --> 00:53:38,560
Speaker 1: talking about? But people don't view that. People don't people

900
00:53:38,640 --> 00:53:40,879
Speaker 1: think that you're just supposed to do it just because

901
00:53:40,960 --> 00:53:43,759
Speaker 1: y'all been around each other. It's like, think about what

902
00:53:43,880 --> 00:53:46,800
Speaker 1: you're asking somebody to do. Hey, split all your money

903
00:53:48,000 --> 00:53:50,359
Speaker 1: and sign up to deal with this for the rest

904
00:53:50,400 --> 00:53:53,080
Speaker 1: of your life. People gotta put a little bit more

905
00:53:53,160 --> 00:53:56,040
Speaker 1: into that environment that they people that they're asking people

906
00:53:56,080 --> 00:53:58,920
Speaker 1: to sign up for. You understand what I'm saying. You're

907
00:53:58,920 --> 00:54:01,640
Speaker 1: asking to be in a relation ship with someone. Hey,

908
00:54:01,719 --> 00:54:03,880
Speaker 1: what it looked like over in the relationship with you?

909
00:54:06,960 --> 00:54:11,000
Speaker 1: So man? Nah? Here nah, you're the house ain't never clean,

910
00:54:11,560 --> 00:54:15,319
Speaker 1: you don't cook, man, you don't know how to fuck me? Right?

911
00:54:15,880 --> 00:54:18,600
Speaker 1: You don't? You all go two? That's what a relationship

912
00:54:18,719 --> 00:54:20,239
Speaker 1: looked like with you, And you want me to sign

913
00:54:20,360 --> 00:54:24,879
Speaker 1: up for that? No, you see what I'm saying. People

914
00:54:24,920 --> 00:54:26,880
Speaker 1: gotta you gotta start to use your brain with that.

915
00:54:27,200 --> 00:54:29,440
Speaker 1: Let's talk about this for this two times was one

916
00:54:29,520 --> 00:54:31,960
Speaker 1: million dollars worth a game shout out. Wallow and Gilly

917
00:54:32,080 --> 00:54:35,040
Speaker 1: spoke a lot of real ship Wallowing them asked him

918
00:54:35,239 --> 00:54:39,480
Speaker 1: inspecific about his situation with money bag. Yo, let's listen

919
00:54:39,520 --> 00:54:42,120
Speaker 1: to what he said. But I do what I did

920
00:54:42,200 --> 00:54:45,239
Speaker 1: in jail. I cut the lights off, I get under

921
00:54:45,280 --> 00:54:50,120
Speaker 1: the cob, and I later and I think, I just think,

922
00:54:50,239 --> 00:54:53,120
Speaker 1: I just meditate And that's the only way, Like it

923
00:54:53,280 --> 00:54:55,880
Speaker 1: might sound institutional lives as a motherfucker, but it helped me.

924
00:54:56,280 --> 00:54:58,640
Speaker 1: You got to literally keep it real with your motherfucker

925
00:54:58,760 --> 00:55:02,279
Speaker 1: self because you trying to and then what fucks you

926
00:55:02,440 --> 00:55:04,279
Speaker 1: up the most is you would know you're doing some

927
00:55:04,400 --> 00:55:08,600
Speaker 1: bullshit and still try and then expect for it to

928
00:55:08,640 --> 00:55:12,920
Speaker 1: go wrong, right, and then when they go wrong, you, oh, man, ain't, man,

929
00:55:13,000 --> 00:55:14,960
Speaker 1: I ain't. You knew what the fuck was going I

930
00:55:15,000 --> 00:55:17,000
Speaker 1: don't get thought about it, and you knew that it

931
00:55:17,120 --> 00:55:19,200
Speaker 1: was a sense of fuck, we're in it, and you

932
00:55:19,320 --> 00:55:21,120
Speaker 1: still tried it thinking that you was gonna get a

933
00:55:21,200 --> 00:55:24,000
Speaker 1: different result because you think you so mo fucking player

934
00:55:24,160 --> 00:55:25,919
Speaker 1: boys wanted to get these out there, and I'm gonna

935
00:55:25,920 --> 00:55:28,839
Speaker 1: do this shit right here on this ship. I don't

936
00:55:28,840 --> 00:55:32,680
Speaker 1: want to work with any about it. I'm not. I'm not.

937
00:55:33,000 --> 00:55:35,560
Speaker 1: I'm not one of them type. I'm grown yeah one

938
00:55:35,719 --> 00:55:37,960
Speaker 1: like and i'd have been through ship. Like I said,

939
00:55:38,000 --> 00:55:40,680
Speaker 1: I got princeples and morals. I don't give a fuck

940
00:55:40,760 --> 00:55:43,920
Speaker 1: who into it with? Who ain't gonna do with you?

941
00:55:43,960 --> 00:55:45,959
Speaker 1: Who beating with? Who? I don't give a fuck about

942
00:55:46,000 --> 00:55:48,480
Speaker 1: all that lame man shit. I'm not. There's woman shit

943
00:55:48,560 --> 00:55:51,000
Speaker 1: to me. That's feminine, nigga. Like if you don't want

944
00:55:51,000 --> 00:55:52,840
Speaker 1: to fuck with me because who I funk with or

945
00:55:52,920 --> 00:55:55,600
Speaker 1: who want to fuck with me? Nigga, you family, you're

946
00:55:55,600 --> 00:55:58,760
Speaker 1: a bitch. You might would put a pad on nigga,

947
00:55:58,800 --> 00:56:01,840
Speaker 1: tuck your dicknity like straight up like you know what

948
00:56:01,880 --> 00:56:03,520
Speaker 1: I'm saying. I don't give a fuck. I know nigga

949
00:56:03,560 --> 00:56:06,280
Speaker 1: feel about it. Like if you feel like I'm rocking

950
00:56:06,320 --> 00:56:08,480
Speaker 1: with Gilly and you don't rock with Gilly and you

951
00:56:08,560 --> 00:56:11,440
Speaker 1: ain't gonna work with me because of that, nigga, fuck

952
00:56:11,560 --> 00:56:14,560
Speaker 1: it right, that's right. It wasn't meant to be anywhere

953
00:56:14,760 --> 00:56:16,960
Speaker 1: you feel it. Oh Dan Finesse, you did the song

954
00:56:17,040 --> 00:56:19,799
Speaker 1: with soon, so I ain't fucking with you. Nigga, y'all

955
00:56:19,840 --> 00:56:21,480
Speaker 1: fuck with the labels and they fuck with ain'tbody, this

956
00:56:21,520 --> 00:56:24,200
Speaker 1: is my fucking my lab then my time with her mine.

957
00:56:24,200 --> 00:56:26,520
Speaker 1: Ain't no nigga putting nothing on my book man, Oh

958
00:56:26,640 --> 00:56:29,280
Speaker 1: no nigga, no lord to mine. Yeah, ain't no nigga

959
00:56:29,320 --> 00:56:31,879
Speaker 1: wrote me no letter mine, Yeah, ain't no nigga shout

960
00:56:31,960 --> 00:56:34,120
Speaker 1: at me out while I would lockdown. But Kevin Gates,

961
00:56:34,680 --> 00:56:38,759
Speaker 1: the Baby, them niggas, them niggas was was good supporters.

962
00:56:39,120 --> 00:56:41,759
Speaker 1: Like during my beard, I'm coming the gay Seeds and

963
00:56:41,840 --> 00:56:44,640
Speaker 1: nine old gay sed quota to line all the baby

964
00:56:44,719 --> 00:56:46,759
Speaker 1: with Ryan to your music putting on this you know

965
00:56:46,800 --> 00:56:49,120
Speaker 1: what I'm saying shit like that, Like I toiled my

966
00:56:49,200 --> 00:56:51,120
Speaker 1: head off of that type of ship. The Baby gonna

967
00:56:51,120 --> 00:56:55,160
Speaker 1: be on the project too, but he'd been you know what.

968
00:56:55,320 --> 00:56:57,640
Speaker 1: He was supportive while Nigga was gone. Like and then

969
00:56:57,760 --> 00:57:00,040
Speaker 1: the people who would supported is the first people you

970
00:57:00,200 --> 00:57:02,920
Speaker 1: seeing me, like, oh with the baby and Kevin Gates

971
00:57:03,760 --> 00:57:06,320
Speaker 1: because I give what I get. You fuck with me,

972
00:57:06,400 --> 00:57:08,759
Speaker 1: I funk with you, and it's just the way the

973
00:57:08,840 --> 00:57:10,960
Speaker 1: game go. Like I don't give a funk who don't

974
00:57:11,040 --> 00:57:14,160
Speaker 1: funk with them niggas. Yeah, And guess what, I don't

975
00:57:14,200 --> 00:57:16,040
Speaker 1: give a funk who they don't fuck with I don't

976
00:57:16,040 --> 00:57:18,240
Speaker 1: don't know nigga to put me in it, right, Yeah,

977
00:57:18,680 --> 00:57:22,640
Speaker 1: because I can't, man, man, right, because I live is

978
00:57:23,040 --> 00:57:27,479
Speaker 1: I can't base my motherfucking relationship with a nigga off

979
00:57:27,920 --> 00:57:31,720
Speaker 1: your relationship. Man. Oh, y'all niggas had a disagreement. I

980
00:57:31,840 --> 00:57:33,680
Speaker 1: don't even know the nigga, but I ain't supposed to

981
00:57:33,720 --> 00:57:37,280
Speaker 1: fun with the nigga because you disagreement. No, if me

982
00:57:37,320 --> 00:57:38,800
Speaker 1: and this nigga get some money, I'm gonna get some

983
00:57:38,800 --> 00:57:40,600
Speaker 1: money with him. I'm gonna get some money with you.

984
00:57:40,880 --> 00:57:42,920
Speaker 1: And guess what one of them around you niggas, I'm

985
00:57:42,920 --> 00:57:45,480
Speaker 1: gonna see. Guess what ain't no motherfucking body died you

986
00:57:45,600 --> 00:57:48,040
Speaker 1: nigga's tripping. Man. I can make this call. Man. I

987
00:57:48,200 --> 00:57:51,040
Speaker 1: might not speak on the period because it ain't my business,

988
00:57:51,640 --> 00:57:53,560
Speaker 1: but I'm care But if I fuck with you to

989
00:57:53,640 --> 00:57:56,800
Speaker 1: a certain extent, yeah, it's not that serious. I might

990
00:57:56,960 --> 00:57:58,680
Speaker 1: tell you, No, my nigg I'm saying any of that.

991
00:57:59,000 --> 00:58:01,920
Speaker 1: It's my niggas well around Like you said, it's agitating shit.

992
00:58:02,560 --> 00:58:04,640
Speaker 1: I don't I don't ask my little man's in them.

993
00:58:04,720 --> 00:58:06,800
Speaker 1: They're tell you, man, I don't sit around in politic

994
00:58:06,960 --> 00:58:10,520
Speaker 1: by no motherfucking rapper mind. I don't sit around and

995
00:58:10,560 --> 00:58:12,160
Speaker 1: do that shit. I don't want them but some money

996
00:58:12,160 --> 00:58:14,680
Speaker 1: out this ship. I don't do that shit. Man, That

997
00:58:14,760 --> 00:58:18,800
Speaker 1: ship lame. I'm I'm tired. I'm tired, I ain't got

998
00:58:18,880 --> 00:58:21,400
Speaker 1: I'm gonna let you niggas have it. Y'all can have

999
00:58:21,560 --> 00:58:23,960
Speaker 1: this shit like you know what I'm saying. But if

1000
00:58:24,000 --> 00:58:26,080
Speaker 1: you want to work shit work, we can get in it,

1001
00:58:26,520 --> 00:58:28,600
Speaker 1: and we can't act like it's all good and the ship.

1002
00:58:28,760 --> 00:58:31,360
Speaker 1: You never know, we might click for real. So you're

1003
00:58:31,400 --> 00:58:34,800
Speaker 1: here for this, speak about that with million dollars worth

1004
00:58:34,840 --> 00:58:38,760
Speaker 1: a game, and you know you gotta respect it. You know,

1005
00:58:38,880 --> 00:58:41,200
Speaker 1: we all men, so we don't get involved with that.

1006
00:58:41,720 --> 00:58:48,040
Speaker 1: Nobody else beef shit, right, um, especially when it's beef.

1007
00:58:48,200 --> 00:58:51,320
Speaker 1: That's a very specific term. And what makes it interesting

1008
00:58:51,360 --> 00:58:53,280
Speaker 1: about Finis and I've been on the line with him.

1009
00:58:53,320 --> 00:58:55,440
Speaker 1: He'll be on the show at some point, But what

1010
00:58:55,600 --> 00:58:59,600
Speaker 1: makes it interesting with him is he don't got the guests.

1011
00:59:00,680 --> 00:59:02,960
Speaker 1: See some of y'all guessing what these niggas are doing.

1012
00:59:03,000 --> 00:59:06,440
Speaker 1: If you go to jail some of y'all guessing it,

1013
00:59:06,880 --> 00:59:10,200
Speaker 1: you wondering, maybe these niggas that keep it real. I

1014
00:59:10,280 --> 00:59:12,720
Speaker 1: don't took good care of these niggas for this dealing

1015
00:59:12,800 --> 00:59:15,200
Speaker 1: with the results. I went down the road. Them niggas

1016
00:59:15,240 --> 00:59:18,680
Speaker 1: clocked out, the whole industry, the whole rap world. I

1017
00:59:18,800 --> 00:59:20,800
Speaker 1: remember when he was locked up, I was trying to

1018
00:59:21,080 --> 00:59:23,040
Speaker 1: I know a few niggas in the city. They're wrapped.

1019
00:59:23,080 --> 00:59:25,280
Speaker 1: I was trying to plug some verses for him, and shit,

1020
00:59:25,360 --> 00:59:27,840
Speaker 1: I remember when he was doing verses and man, I

1021
00:59:28,360 --> 00:59:30,440
Speaker 1: thousand and four verse man right none to day, like

1022
00:59:30,520 --> 00:59:32,920
Speaker 1: he'll try to do it through the from the in there.

1023
00:59:33,040 --> 00:59:36,440
Speaker 1: Whatever he was doing, that was him in there, hustling, surviving.

1024
00:59:36,960 --> 00:59:39,000
Speaker 1: So he'd been down there where he had to deal

1025
00:59:39,080 --> 00:59:41,240
Speaker 1: with what it felt like when I'm in my worst

1026
00:59:41,280 --> 00:59:44,640
Speaker 1: case scenario. So when I climb up, I ain't dealing

1027
00:59:44,720 --> 00:59:47,880
Speaker 1: with the guestsing like some of these niggas. See some

1028
00:59:48,040 --> 00:59:50,840
Speaker 1: of y'all been rich for minute. Some of y'all ran

1029
00:59:50,920 --> 00:59:53,800
Speaker 1: into your butters when you got some money. You don't

1030
00:59:53,840 --> 00:59:56,200
Speaker 1: know what they're gonna do in your worst case scenario.

1031
00:59:57,520 --> 01:00:00,040
Speaker 1: And so when you him speak like that, understand, and

1032
01:00:00,120 --> 01:00:02,680
Speaker 1: that's what he's dealing with. Now. On the other side,

1033
01:00:02,760 --> 01:00:06,560
Speaker 1: you got bag where it's like, you know it's business,

1034
01:00:07,400 --> 01:00:11,000
Speaker 1: but bag No, it's business. It's business, you know. Um,

1035
01:00:13,600 --> 01:00:16,240
Speaker 1: I've seen the internet try to make this an uncomfortable

1036
01:00:16,360 --> 01:00:20,000
Speaker 1: exchange for Bag kind of like Bag, how you feel

1037
01:00:20,000 --> 01:00:26,880
Speaker 1: about it? And one thing I do know is that

1038
01:00:27,040 --> 01:00:30,920
Speaker 1: Bag is a superstar artist right for Ness is on

1039
01:00:31,080 --> 01:00:34,880
Speaker 1: fire right now. For Ness is in that Bag and

1040
01:00:35,000 --> 01:00:36,880
Speaker 1: May and that's why he wanted to kind of keep

1041
01:00:36,920 --> 01:00:39,320
Speaker 1: some of those relationships open too. Is he need to

1042
01:00:39,440 --> 01:00:41,720
Speaker 1: hid it? I'm telling me he need one of them

1043
01:00:41,840 --> 01:00:46,160
Speaker 1: number one billboard joints. He's clearly earning this business. He's

1044
01:00:46,160 --> 01:00:49,920
Speaker 1: a million dollar artist period. It's a millionaire artist period,

1045
01:00:50,040 --> 01:00:54,680
Speaker 1: multimillion dollar artist period. But he need one of them motherfuckers.

1046
01:00:55,120 --> 01:00:57,160
Speaker 1: And he damned that. I think they get even when

1047
01:00:57,360 --> 01:01:00,240
Speaker 1: high they get even, it's probably this that's probably gonna

1048
01:01:00,280 --> 01:01:02,800
Speaker 1: end up being it over time, the one that goes

1049
01:01:02,880 --> 01:01:06,120
Speaker 1: like two, three times platinum, four times platinum, shit like that.

1050
01:01:06,640 --> 01:01:09,720
Speaker 1: Because once he gets three four of them under this belt,

1051
01:01:10,320 --> 01:01:12,440
Speaker 1: he gonna he gonna really be what's the naming, get

1052
01:01:12,480 --> 01:01:14,600
Speaker 1: some of them towards under this belt, he gonna be

1053
01:01:14,800 --> 01:01:16,800
Speaker 1: established like a month. He's gonna be hard to deal

1054
01:01:16,920 --> 01:01:19,360
Speaker 1: with because number one, he got them, says, and he

1055
01:01:19,440 --> 01:01:21,880
Speaker 1: put them in the rams and he come up under pimping.

1056
01:01:22,480 --> 01:01:24,520
Speaker 1: So when you come up under that pimping, it's it's

1057
01:01:24,600 --> 01:01:26,560
Speaker 1: rough to Yeah, I mean so again, I think he

1058
01:01:26,680 --> 01:01:30,440
Speaker 1: gonna be all right. But um, I figured this exchange

1059
01:01:30,600 --> 01:01:38,640
Speaker 1: was interesting, you know. Um, I think for this came

1060
01:01:38,680 --> 01:01:40,800
Speaker 1: out of jail with a certain force where it was

1061
01:01:40,880 --> 01:01:44,480
Speaker 1: like man but bad wrapped his arms around because Bad

1062
01:01:44,520 --> 01:01:46,480
Speaker 1: could have bad could have been like I ain't, I

1063
01:01:46,520 --> 01:01:51,080
Speaker 1: ain't doing it, but it just it was loud. That

1064
01:01:51,240 --> 01:01:54,440
Speaker 1: boy Forin is loud right now too. But bag is

1065
01:01:54,480 --> 01:01:58,080
Speaker 1: who bad is? He certified he don't win number one

1066
01:01:58,120 --> 01:02:00,400
Speaker 1: a couple of times with an album. Again. That's why

1067
01:02:00,440 --> 01:02:03,959
Speaker 1: I'm telling y'all the business side of I said last

1068
01:02:04,040 --> 01:02:06,760
Speaker 1: week that a fire your run don't mean ship to

1069
01:02:06,880 --> 01:02:10,520
Speaker 1: a nigger that's been doing it twenty years. You know,

1070
01:02:10,680 --> 01:02:15,360
Speaker 1: things like that. You gotta still understand Sometimes us as

1071
01:02:15,880 --> 01:02:20,720
Speaker 1: like me, A lot of these podcast guys ahead of me,

1072
01:02:22,040 --> 01:02:26,120
Speaker 1: they hope I get it confused that I'm hot, and

1073
01:02:26,200 --> 01:02:28,280
Speaker 1: then I feel like I won the race. But I

1074
01:02:28,440 --> 01:02:31,160
Speaker 1: know what's going on. I know the street hot and

1075
01:02:31,360 --> 01:02:34,600
Speaker 1: legendary status is a different thing. I know that I'm

1076
01:02:34,640 --> 01:02:37,080
Speaker 1: on fire right now in the streets and on the internet,

1077
01:02:37,120 --> 01:02:39,560
Speaker 1: and then I'm on fire. But I know it's people

1078
01:02:39,640 --> 01:02:43,680
Speaker 1: that staples in this business, that they understand that hey,

1079
01:02:43,760 --> 01:02:45,720
Speaker 1: he can do that for two years and mean nothing

1080
01:02:45,800 --> 01:02:48,360
Speaker 1: in ten. So the way that I got to navigate

1081
01:02:48,720 --> 01:02:52,520
Speaker 1: with my story, my brand to make sure it stays,

1082
01:02:53,040 --> 01:02:54,800
Speaker 1: you know, here for the long haul. You know, I

1083
01:02:54,880 --> 01:03:00,280
Speaker 1: hope for this and bad relationship is you know good

1084
01:03:00,320 --> 01:03:03,480
Speaker 1: because that those two making music together is so powerful,

1085
01:03:04,240 --> 01:03:06,800
Speaker 1: you know, for Memphis, for the South, for the sound.

1086
01:03:07,200 --> 01:03:10,200
Speaker 1: It's a very powerful thing those two guys together. So

1087
01:03:10,320 --> 01:03:13,760
Speaker 1: I just I'm hoping that they they they're gonna be

1088
01:03:13,840 --> 01:03:16,120
Speaker 1: okay and this business there, so they got interest and

1089
01:03:16,360 --> 01:03:20,320
Speaker 1: they got they got a reason for them to have

1090
01:03:20,560 --> 01:03:22,880
Speaker 1: any conversation it needs to be had, because that's what

1091
01:03:23,000 --> 01:03:24,920
Speaker 1: happens with us too. A lot of times. We'll get

1092
01:03:25,000 --> 01:03:27,400
Speaker 1: into it to have a misunderstanding, just turn our back

1093
01:03:27,960 --> 01:03:31,240
Speaker 1: and never talk to you again, and then it's kind

1094
01:03:31,280 --> 01:03:35,800
Speaker 1: of just wondering. Then that separation breeds disconnect, and that

1095
01:03:36,000 --> 01:03:38,520
Speaker 1: disconnect we're okay with and then we move on in

1096
01:03:38,640 --> 01:03:40,560
Speaker 1: our life and then this thing, you know, something happens

1097
01:03:40,600 --> 01:03:42,520
Speaker 1: and then you said, damn, I should have made that right,

1098
01:03:43,280 --> 01:03:46,560
Speaker 1: right we call it in that cycle. So hopefully if

1099
01:03:46,640 --> 01:03:48,720
Speaker 1: there's an issue, which I don't believe it is, but

1100
01:03:48,800 --> 01:03:51,800
Speaker 1: the internet, you know, the saying all of these things.

1101
01:03:51,840 --> 01:03:54,320
Speaker 1: So I'm kind of having the conversation. From that standpoint,

1102
01:03:54,800 --> 01:03:57,160
Speaker 1: I think that they're gonna be okay. They both for Memphis,

1103
01:03:57,400 --> 01:04:00,120
Speaker 1: for ness is standing on morals and principles. Coming out

1104
01:04:00,160 --> 01:04:02,680
Speaker 1: of jail. You can tell it's fresh on him. You

1105
01:04:02,800 --> 01:04:06,480
Speaker 1: can tell, and he gonna be ill even Bag, It's

1106
01:04:06,480 --> 01:04:09,360
Speaker 1: definitely gonna be I So we'll see where that way goes.

1107
01:04:09,560 --> 01:04:12,360
Speaker 1: But it's more things start to unravel and unfold about

1108
01:04:12,400 --> 01:04:14,640
Speaker 1: the takeoff situation. I want to talk about this just

1109
01:04:14,760 --> 01:04:17,960
Speaker 1: a little bit more before I move on, only because

1110
01:04:18,040 --> 01:04:22,560
Speaker 1: I know, again rappers, there needs to be a PSA

1111
01:04:22,720 --> 01:04:25,640
Speaker 1: out and again I know that a lot of times

1112
01:04:25,720 --> 01:04:28,240
Speaker 1: the rappers are fighting to still be normal, still be

1113
01:04:28,360 --> 01:04:31,680
Speaker 1: like one of us regular, just on some regular smuggler,

1114
01:04:31,760 --> 01:04:34,040
Speaker 1: pull up, shoot dice, smoke with the homies, pull up

1115
01:04:34,040 --> 01:04:36,400
Speaker 1: to hood, they to grill out, pull up over here.

1116
01:04:36,440 --> 01:04:38,800
Speaker 1: You know what I'm saying, Where it ain't you know,

1117
01:04:38,920 --> 01:04:43,040
Speaker 1: I can imagine that life has changed so drastically that

1118
01:04:43,320 --> 01:04:47,320
Speaker 1: your new life with this new fame and this new notoriety.

1119
01:04:47,520 --> 01:04:49,880
Speaker 1: I just think that that's a hard transition, right, And

1120
01:04:50,040 --> 01:04:53,120
Speaker 1: and anytime you can, you want to feel normal, You

1121
01:04:53,200 --> 01:04:55,440
Speaker 1: want to feel regular. You want to feel just like

1122
01:04:55,960 --> 01:04:59,680
Speaker 1: a nigga from the street with money. Right. You see

1123
01:04:59,720 --> 01:05:01,600
Speaker 1: the do boy pull up and shoot dice. You know

1124
01:05:01,720 --> 01:05:05,680
Speaker 1: he got paper, you know he got calls, cribs, businesses,

1125
01:05:05,720 --> 01:05:07,560
Speaker 1: whatever it is he doing. So as you're a young

1126
01:05:07,680 --> 01:05:10,880
Speaker 1: nigga sitting on the block, it ain't abnormal to see

1127
01:05:11,000 --> 01:05:14,000
Speaker 1: somebody with a bunch of money, in your opinion, shooting dice.

1128
01:05:14,160 --> 01:05:16,480
Speaker 1: This is part of this is kind of part of

1129
01:05:16,520 --> 01:05:18,440
Speaker 1: the thing I'm telling you, no matter where we go.

1130
01:05:18,600 --> 01:05:23,560
Speaker 1: And that's why I stopped gambling, because what it does

1131
01:05:23,760 --> 01:05:26,960
Speaker 1: is they put money in the equation and the idea

1132
01:05:27,040 --> 01:05:30,120
Speaker 1: of me winning and profiting money. Because I wonder before

1133
01:05:30,720 --> 01:05:33,520
Speaker 1: sometimes to place me in a situation where I'm chasing

1134
01:05:34,440 --> 01:05:39,200
Speaker 1: the profit, they called man yo man we fin over

1135
01:05:39,320 --> 01:05:41,120
Speaker 1: were fin the gamble? Who over there? A sudden shuts

1136
01:05:41,200 --> 01:05:44,120
Speaker 1: us And I'm knowing how I know he over there,

1137
01:05:44,240 --> 01:05:46,120
Speaker 1: day over that day over out they getting money. I

1138
01:05:46,240 --> 01:05:48,280
Speaker 1: know how they gamble. We don't gamble before I hit

1139
01:05:48,360 --> 01:05:49,920
Speaker 1: them for them. I'm on my way I'm coming through

1140
01:05:49,960 --> 01:05:52,920
Speaker 1: there and I called somebody shy, move that to the

1141
01:05:53,000 --> 01:05:55,919
Speaker 1: mom man or move that to lay on. Something came

1142
01:05:56,040 --> 01:06:00,160
Speaker 1: up and I'm over at gambling. You know that it's

1143
01:06:00,160 --> 01:06:03,600
Speaker 1: a real thing. But I need the rappers to understand

1144
01:06:03,640 --> 01:06:07,160
Speaker 1: that once you activate the rap hustle, you got to

1145
01:06:07,240 --> 01:06:15,080
Speaker 1: deactivate all other hustles, all other hustles that you did

1146
01:06:15,240 --> 01:06:17,800
Speaker 1: when you was in the neighborhood, you got to deactivate

1147
01:06:17,920 --> 01:06:20,720
Speaker 1: all of them them no longer it's beneficial for you.

1148
01:06:20,880 --> 01:06:23,720
Speaker 1: Right now, you've turned on the hot water. You've been

1149
01:06:23,800 --> 01:06:26,720
Speaker 1: looking for hot water all your motherfucking life and you

1150
01:06:26,920 --> 01:06:28,880
Speaker 1: just got in the rap game and you pop it

1151
01:06:29,200 --> 01:06:31,680
Speaker 1: and you just turned the hot water on. And what

1152
01:06:31,800 --> 01:06:35,640
Speaker 1: will happen is sometimes you find yourself what they ain't

1153
01:06:35,640 --> 01:06:40,080
Speaker 1: slow down, so you circumvent the money you try to.

1154
01:06:40,280 --> 01:06:43,160
Speaker 1: You might you might gamble more than usual. You might

1155
01:06:43,280 --> 01:06:45,920
Speaker 1: bet on football. Baby, do all that more than use you.

1156
01:06:46,000 --> 01:06:47,880
Speaker 1: And you're a little bit in Vegas a little more

1157
01:06:47,920 --> 01:06:51,120
Speaker 1: than that. You ain't being booked as much. Rappers have

1158
01:06:51,240 --> 01:06:54,880
Speaker 1: to understand how to adjust when the drought hiding. So

1159
01:06:55,000 --> 01:06:57,040
Speaker 1: I'm from the streets. I know the number change when

1160
01:06:57,080 --> 01:06:59,640
Speaker 1: the drought hit is harder to get it. But when

1161
01:06:59,680 --> 01:07:03,240
Speaker 1: it's plentiful around here, the number changed too. See, if

1162
01:07:03,280 --> 01:07:05,720
Speaker 1: you're from the street and you really hustled, you understand

1163
01:07:05,800 --> 01:07:09,120
Speaker 1: the adjustment of the market. This is why real street

1164
01:07:09,240 --> 01:07:11,680
Speaker 1: hustlers make the best business. Mean, not you guys that

1165
01:07:11,760 --> 01:07:13,480
Speaker 1: were kind of on the outskirts. I'm talking about the

1166
01:07:13,560 --> 01:07:17,000
Speaker 1: guys that knew a drought was coming because Mego said

1167
01:07:17,080 --> 01:07:19,800
Speaker 1: it and mego, man man I'm talking about man. I

1168
01:07:19,960 --> 01:07:21,680
Speaker 1: even remember, and this is back when I was in

1169
01:07:21,800 --> 01:07:24,760
Speaker 1: the street. And hopefully I'm not talking over the people

1170
01:07:24,840 --> 01:07:26,600
Speaker 1: head that are heard that, because I got a very

1171
01:07:27,840 --> 01:07:34,000
Speaker 1: interesting audience. But in the street, I remember when the

1172
01:07:34,160 --> 01:07:38,040
Speaker 1: when me goes, when my plug was changing over to

1173
01:07:38,160 --> 01:07:40,560
Speaker 1: the dog food, and I'm gonna use certain language to

1174
01:07:40,640 --> 01:07:43,080
Speaker 1: try to try not to be so vogue. So you

1175
01:07:43,160 --> 01:07:45,680
Speaker 1: have to keep up, or what I'm saying is you

1176
01:07:45,720 --> 01:07:49,400
Speaker 1: would have to plan to understand that. Oh shit, they're

1177
01:07:49,440 --> 01:07:53,520
Speaker 1: basically telling us they can't get no more girl. They're

1178
01:07:53,560 --> 01:07:57,360
Speaker 1: going with the dog. That's how they got first couple

1179
01:07:57,400 --> 01:07:59,320
Speaker 1: of times Mego and them was sending it for free.

1180
01:08:00,720 --> 01:08:03,200
Speaker 1: They're trying to activate the fan base down through the

1181
01:08:05,120 --> 01:08:07,919
Speaker 1: people running from it. Man, I ain't working with that dog, ain't.

1182
01:08:08,320 --> 01:08:11,760
Speaker 1: So guess what they start doing, start stepping on the girl,

1183
01:08:12,600 --> 01:08:14,840
Speaker 1: making the girl bad. So we'll sitting the girl, but

1184
01:08:14,880 --> 01:08:17,800
Speaker 1: we're gonna send some real, real weak girl down through there,

1185
01:08:18,000 --> 01:08:20,000
Speaker 1: and then they're gonna double back. And had to get

1186
01:08:20,080 --> 01:08:22,960
Speaker 1: this dog to even get some kind of feeling from it.

1187
01:08:23,080 --> 01:08:25,400
Speaker 1: And so it was a trick. And I say, how

1188
01:08:25,520 --> 01:08:27,439
Speaker 1: that to say, is that taught you to prepare for

1189
01:08:27,560 --> 01:08:31,040
Speaker 1: the drought. And as a wrapper, you have to understand

1190
01:08:31,080 --> 01:08:32,640
Speaker 1: that you're not gonna be the hottest thing in the

1191
01:08:32,760 --> 01:08:36,280
Speaker 1: world for your entire career, so you have to be

1192
01:08:36,479 --> 01:08:40,560
Speaker 1: prepared for the adjustment. Right And instead of you know,

1193
01:08:40,720 --> 01:08:43,479
Speaker 1: maybe gambling or instead of getting back in the streets

1194
01:08:43,479 --> 01:08:45,360
Speaker 1: and giving your home, bought some money and tell them

1195
01:08:45,439 --> 01:08:48,200
Speaker 1: go buy a thousand them and cut you in on

1196
01:08:48,360 --> 01:08:50,360
Speaker 1: it and all this kind of shit. You gotta lower

1197
01:08:50,400 --> 01:08:53,080
Speaker 1: your prices in the rap world. You gotta figure out

1198
01:08:53,120 --> 01:08:55,000
Speaker 1: a way to start making money in the rap world.

1199
01:08:55,080 --> 01:08:59,280
Speaker 1: Make a slogan, go viral, get some shirts, gone stand

1200
01:08:59,360 --> 01:09:01,680
Speaker 1: next to a part badcast dude, get you get you

1201
01:09:01,760 --> 01:09:03,920
Speaker 1: some leverage over there in that content where it right.

1202
01:09:04,000 --> 01:09:07,280
Speaker 1: You gotta figure a way to activate in other areas, right,

1203
01:09:07,520 --> 01:09:10,200
Speaker 1: But what you can't do after you activated the rap

1204
01:09:10,320 --> 01:09:12,799
Speaker 1: hustle is go play around with the niggas in the ghetto,

1205
01:09:14,040 --> 01:09:17,719
Speaker 1: because really, if we're being honest about it, we're dealing

1206
01:09:17,800 --> 01:09:20,880
Speaker 1: with some ship niggas is hating rappers. Man, they undertake.

1207
01:09:21,000 --> 01:09:23,439
Speaker 1: Rappers is at war. I hate to say that, and

1208
01:09:23,520 --> 01:09:27,120
Speaker 1: it's a real thing, y'all. Niggas at war home. The

1209
01:09:27,400 --> 01:09:30,080
Speaker 1: nigga got a disdain for you niggas. You niggas fucking

1210
01:09:30,120 --> 01:09:32,640
Speaker 1: ow the bitches. Man. It'd be women, this is what

1211
01:09:32,840 --> 01:09:35,600
Speaker 1: dudes think. It can be a woman that was in

1212
01:09:35,680 --> 01:09:38,559
Speaker 1: a six year relationship, ain't never cheated. The right rap

1213
01:09:38,640 --> 01:09:40,599
Speaker 1: dude come through and tell her, come on, she gone,

1214
01:09:42,520 --> 01:09:46,080
Speaker 1: you know what I mean. It can be a dude

1215
01:09:46,200 --> 01:09:49,839
Speaker 1: that got a little street bunny might be more respected

1216
01:09:49,880 --> 01:09:53,360
Speaker 1: than the rap dude, but the way his woman react

1217
01:09:53,479 --> 01:09:56,680
Speaker 1: to that rap dude. A lot of disdain for the

1218
01:09:56,840 --> 01:09:59,479
Speaker 1: rap niggas because they position in life. You can't play

1219
01:09:59,560 --> 01:10:04,800
Speaker 1: with this shit. See. I'm from cash View and I've

1220
01:10:04,800 --> 01:10:07,559
Speaker 1: been gambling since I was a little boy. We got

1221
01:10:07,640 --> 01:10:10,000
Speaker 1: gambling spots. I've been in them since I was thirteen,

1222
01:10:10,280 --> 01:10:15,360
Speaker 1: fourteen fifteen, gambling with the grown men. So I know

1223
01:10:15,600 --> 01:10:20,040
Speaker 1: all this shit is a facade, right, me and a

1224
01:10:20,080 --> 01:10:21,960
Speaker 1: couple of my homeboys, I'm in the car with them.

1225
01:10:22,040 --> 01:10:24,040
Speaker 1: At sixteen, we traveled to the other side of the

1226
01:10:24,200 --> 01:10:27,800
Speaker 1: city of the Gamble. They push up, you know, they

1227
01:10:27,920 --> 01:10:30,760
Speaker 1: hit us with the fake pat down. You know what

1228
01:10:30,800 --> 01:10:36,800
Speaker 1: I mean, outlet at You know why I'm from. That's

1229
01:10:37,000 --> 01:10:40,880
Speaker 1: they'd be an illusion too. Sometimes they pad a nigga down.

1230
01:10:40,920 --> 01:10:44,920
Speaker 1: Phillis gonna just keep moving. But for the people in there,

1231
01:10:44,960 --> 01:10:47,479
Speaker 1: they want the illusion that everything got haight in here

1232
01:10:47,560 --> 01:10:51,760
Speaker 1: when everything ain't. Never not when I'm worth a whole

1233
01:10:51,800 --> 01:10:54,880
Speaker 1: bunch of money. I was standing in the kitchen with

1234
01:10:55,000 --> 01:10:59,400
Speaker 1: my children last night, like man, I'm just thinking about takeoff.

1235
01:11:00,000 --> 01:11:03,200
Speaker 1: I'm just thinking, like man, how's somebody gonna tell these

1236
01:11:03,320 --> 01:11:07,160
Speaker 1: little boys right here that I put my life in

1237
01:11:07,280 --> 01:11:10,439
Speaker 1: somebody's hand. I just can't. I can't fathom there. And

1238
01:11:10,640 --> 01:11:14,320
Speaker 1: that ain't to disrespect nobody. That's out of respect of

1239
01:11:14,400 --> 01:11:17,720
Speaker 1: the love I got for these two little boys, right.

1240
01:11:18,040 --> 01:11:20,280
Speaker 1: The love I got for my children won't allow me

1241
01:11:20,360 --> 01:11:24,559
Speaker 1: to put my life in your hands. Home. Can't nobody

1242
01:11:24,600 --> 01:11:27,600
Speaker 1: explain to them why they can't come into kitchen and

1243
01:11:27,720 --> 01:11:29,800
Speaker 1: kick it with me while I'm cooking dinner for them

1244
01:11:30,120 --> 01:11:33,080
Speaker 1: because I decided to go. I can't do it, bro,

1245
01:11:36,320 --> 01:11:39,719
Speaker 1: in nobody town. You can't convince me in somebody to town,

1246
01:11:39,800 --> 01:11:43,160
Speaker 1: I don't care who it is. The police can't convince

1247
01:11:43,280 --> 01:11:47,719
Speaker 1: me home, and I ain't doing no convincing of people

1248
01:11:47,760 --> 01:11:52,920
Speaker 1: in my town now. I will guarantee a proper response.

1249
01:11:54,160 --> 01:11:56,920
Speaker 1: But that don't that don't take away what we're dealing with.

1250
01:11:57,080 --> 01:12:02,200
Speaker 1: When the circumstances and when shit hit the fan, we

1251
01:12:02,360 --> 01:12:04,720
Speaker 1: gotta learn how to deal with each other outside of

1252
01:12:05,120 --> 01:12:08,360
Speaker 1: Like I say, Bro, we'd be ready to go to ten.

1253
01:12:09,280 --> 01:12:12,600
Speaker 1: And I want you rapping niggas to know this. You

1254
01:12:12,760 --> 01:12:14,920
Speaker 1: got more money than niggas. And even if you don't

1255
01:12:14,960 --> 01:12:17,560
Speaker 1: got more money than niggas, you got the illusion that

1256
01:12:17,680 --> 01:12:23,080
Speaker 1: you got more money than niggas. They won't accept certain

1257
01:12:23,120 --> 01:12:25,720
Speaker 1: ship from rap niggas. There that they accept from a

1258
01:12:25,800 --> 01:12:32,040
Speaker 1: street nigga, A rap nigga teller, a street nigga, get

1259
01:12:32,080 --> 01:12:34,280
Speaker 1: out of his face. He ready to kill him about that?

1260
01:12:35,439 --> 01:12:37,760
Speaker 1: How dare you rapping the ass nigga talk to me

1261
01:12:37,920 --> 01:12:40,599
Speaker 1: like that? That's how niggas feel. They hate these niggas.

1262
01:12:41,520 --> 01:12:49,559
Speaker 1: But don't nobody want to talk about it. The streets

1263
01:12:49,720 --> 01:12:52,240
Speaker 1: is looking for the rappers to help, but they don't understand.

1264
01:12:52,280 --> 01:12:55,519
Speaker 1: The rappers is in fucked up contracts. Their hands is

1265
01:12:55,560 --> 01:13:00,440
Speaker 1: tied behind their back. These rapp niggas don't got no information,

1266
01:13:01,760 --> 01:13:04,320
Speaker 1: and these people that's in control, they make a rap

1267
01:13:04,439 --> 01:13:06,720
Speaker 1: nigga look good to separate them from the rest of

1268
01:13:06,760 --> 01:13:15,519
Speaker 1: the niggas because they know separation breeze niggas chasing. So

1269
01:13:15,680 --> 01:13:17,760
Speaker 1: they make a rap nigga look like he got way

1270
01:13:17,920 --> 01:13:20,320
Speaker 1: more money than he got. And now the hood is saying,

1271
01:13:20,320 --> 01:13:22,479
Speaker 1: you ain't helping like we want you to help nigga,

1272
01:13:24,640 --> 01:13:29,559
Speaker 1: So they run schemes. The rap nigga must be where

1273
01:13:29,600 --> 01:13:35,080
Speaker 1: they're running schemes. Rap nigga don't got no business shooting

1274
01:13:35,120 --> 01:13:40,200
Speaker 1: dice with nothing other than rap niggas in athletes. If

1275
01:13:40,280 --> 01:13:44,680
Speaker 1: I bring it to my hood, it just ain't a

1276
01:13:44,760 --> 01:13:47,080
Speaker 1: good situation for a rap nigga to be shooting dice.

1277
01:13:48,800 --> 01:13:52,720
Speaker 1: Not that nothing gonna happen to you, but you look

1278
01:13:52,760 --> 01:13:55,800
Speaker 1: like you're bleeding in the water around sharks. We know

1279
01:13:55,920 --> 01:13:58,400
Speaker 1: whatever you lose right here in our mind ain't gonna

1280
01:13:58,479 --> 01:14:01,519
Speaker 1: hurt you. So everybody trying to get that bank roll

1281
01:14:01,600 --> 01:14:05,120
Speaker 1: he got that's the wrap, nigga, that's the two hundred

1282
01:14:05,160 --> 01:14:08,719
Speaker 1: thousand the show, nigger. And then I had to explain,

1283
01:14:10,160 --> 01:14:13,720
Speaker 1: you know, to my people, and we're powerful enough to

1284
01:14:13,800 --> 01:14:18,320
Speaker 1: go to war in my city, powerful enough to go

1285
01:14:18,400 --> 01:14:23,760
Speaker 1: to war with the world. But then I had to

1286
01:14:23,800 --> 01:14:26,800
Speaker 1: ask myself, as somebody worth millions of dollars, right, and

1287
01:14:26,920 --> 01:14:28,960
Speaker 1: I go into your city or I'll come to your town.

1288
01:14:29,920 --> 01:14:34,840
Speaker 1: I had to ask myself, are you willing to go

1289
01:14:35,240 --> 01:14:39,439
Speaker 1: to war in your backyard about me? I'm telling about war?

1290
01:14:41,200 --> 01:14:43,600
Speaker 1: Is you willing to take this shit to war about me?

1291
01:14:45,960 --> 01:14:48,479
Speaker 1: And whatever answer I come up with, even if that

1292
01:14:48,640 --> 01:14:51,200
Speaker 1: answer is yes, then the new question becomes is that

1293
01:14:51,320 --> 01:14:55,680
Speaker 1: even worth it? Because the people that got to deal

1294
01:14:55,760 --> 01:14:59,240
Speaker 1: with me no longer being there. It's still unhappy with

1295
01:14:59,360 --> 01:15:03,560
Speaker 1: the results, even if a hundred bodies drop. But you know,

1296
01:15:03,640 --> 01:15:05,599
Speaker 1: I'm sure over the next couple of weeks we'll still

1297
01:15:05,680 --> 01:15:07,720
Speaker 1: be talking about the takeoff thing. I really want to

1298
01:15:07,720 --> 01:15:10,959
Speaker 1: talk about this Kyrie Irving situation for those of you unaware,

1299
01:15:11,720 --> 01:15:14,840
Speaker 1: only hells of Kanye West being counseled for making what's

1300
01:15:14,880 --> 01:15:20,240
Speaker 1: being called anti Semitic remarks and offending a community of people.

1301
01:15:21,120 --> 01:15:24,519
Speaker 1: He was in a situation where Adidas dropped him, Gap

1302
01:15:24,640 --> 01:15:27,000
Speaker 1: dropped him. A lot of things have been poured from him.

1303
01:15:27,280 --> 01:15:29,679
Speaker 1: I do feel the energy switching out there. It's starting

1304
01:15:29,720 --> 01:15:31,479
Speaker 1: to feel like, though that people are saying, hold on,

1305
01:15:32,640 --> 01:15:35,559
Speaker 1: let's reevaluate how we're viewing what's happening in the Kanye.

1306
01:15:35,760 --> 01:15:39,240
Speaker 1: But while that's happening, you got other people who are

1307
01:15:39,320 --> 01:15:43,240
Speaker 1: getting closer and closer to what they want us to

1308
01:15:43,320 --> 01:15:46,400
Speaker 1: know is the gun line. So you got black people

1309
01:15:46,520 --> 01:15:49,840
Speaker 1: creeping up, you know, trying to figure out, you know

1310
01:15:49,840 --> 01:15:52,680
Speaker 1: what I mean, what they're doing. They hit Kanye, he

1311
01:15:53,320 --> 01:15:57,200
Speaker 1: crossed the gun line, you know. So now it's almost like,

1312
01:15:58,720 --> 01:16:01,679
Speaker 1: because there's teachings, let me be clear to white people,

1313
01:16:03,439 --> 01:16:05,639
Speaker 1: you know, for you guys to think this is all

1314
01:16:05,680 --> 01:16:10,920
Speaker 1: this is just coming out of osmosis. There's teachings that's

1315
01:16:10,960 --> 01:16:13,920
Speaker 1: floating around on the internet that speaks to a lot

1316
01:16:14,000 --> 01:16:17,439
Speaker 1: of the narratives that you hear on the forefront right now.

1317
01:16:17,439 --> 01:16:19,680
Speaker 1: And I think it's a conversation that needs to be

1318
01:16:19,840 --> 01:16:26,120
Speaker 1: had of the origin of some of these narratives. I

1319
01:16:26,280 --> 01:16:30,080
Speaker 1: think if there is a right way to have these conversations,

1320
01:16:30,120 --> 01:16:32,400
Speaker 1: it needs to be had. I also believe that the

1321
01:16:32,520 --> 01:16:38,160
Speaker 1: confusion that lies in between the truth and the misunderstanding.

1322
01:16:39,920 --> 01:16:43,400
Speaker 1: I think that that's so blurry based on whose side

1323
01:16:43,439 --> 01:16:47,840
Speaker 1: of the story we believe. And so as you see,

1324
01:16:47,880 --> 01:16:50,120
Speaker 1: these people put it all on the line, and that's

1325
01:16:50,200 --> 01:16:54,320
Speaker 1: what that's what gives me the that's what brand Because Kyrie,

1326
01:16:54,520 --> 01:16:56,080
Speaker 1: for those of you underway, and we'll get to this,

1327
01:16:56,200 --> 01:16:58,880
Speaker 1: let's go ahead and just speak about what's happening. Kyrie

1328
01:16:58,960 --> 01:17:03,440
Speaker 1: Irvin retweeted a documentary. I have no knowledge of this documentary.

1329
01:17:03,479 --> 01:17:05,800
Speaker 1: I don't know what it's about, but I believe the

1330
01:17:05,920 --> 01:17:08,960
Speaker 1: documentary spoke to some things that was offensive. And again,

1331
01:17:09,040 --> 01:17:11,520
Speaker 1: this was on the heels of a Kanye West conversation,

1332
01:17:11,640 --> 01:17:14,200
Speaker 1: so he had to deal with him being such a

1333
01:17:14,280 --> 01:17:19,840
Speaker 1: public figure in the light and doing that right or

1334
01:17:19,880 --> 01:17:24,880
Speaker 1: wrong or indifferent, it's still loved. For clarification, let's look

1335
01:17:24,920 --> 01:17:27,280
Speaker 1: at a piece to see exactly the timeline of what

1336
01:17:27,400 --> 01:17:31,880
Speaker 1: happened near tonight. Nike ending its relationship with Brooklyn Nets

1337
01:17:31,920 --> 01:17:34,880
Speaker 1: star Kyrie Irving in the wake of Irving tweeting out

1338
01:17:34,920 --> 01:17:37,320
Speaker 1: a link to an anti Semitic film last week, the

1339
01:17:37,439 --> 01:17:40,080
Speaker 1: company issuing a statement saying, in part quote, at Nike,

1340
01:17:40,240 --> 01:17:42,360
Speaker 1: we believe there is no place for hate speech, and

1341
01:17:42,479 --> 01:17:45,200
Speaker 1: we condemn any form of anti Semitism. To that end,

1342
01:17:45,320 --> 01:17:48,200
Speaker 1: we've made the decision to suspend our relationship with Kyrie Irving,

1343
01:17:48,439 --> 01:17:52,439
Speaker 1: effective immediately, and will no longer launch the Kyrie eight. Tonight,

1344
01:17:52,520 --> 01:17:55,200
Speaker 1: Irving will sit out the NETS game against the Washington Wizards.

1345
01:17:55,439 --> 01:17:58,000
Speaker 1: It's the start of an at least five game suspension

1346
01:17:58,120 --> 01:18:01,559
Speaker 1: over the controversy. After initial defending his decision to show

1347
01:18:01,560 --> 01:18:05,439
Speaker 1: the content, Irving issued an apology on Instagram late last night, saying,

1348
01:18:05,520 --> 01:18:09,320
Speaker 1: in part quote, to all Jewish families and communities that

1349
01:18:09,400 --> 01:18:11,519
Speaker 1: are hurt and affected from my post, I am deeply

1350
01:18:11,640 --> 01:18:14,680
Speaker 1: sorry to have caused you pain, and I apologize. I

1351
01:18:14,800 --> 01:18:18,120
Speaker 1: initially reacted out of emotion to being unjustly labeled anti Semitic,

1352
01:18:18,400 --> 01:18:21,280
Speaker 1: instead of focusing on the healing process of my Jewish

1353
01:18:21,320 --> 01:18:24,000
Speaker 1: brothers and sisters that were hurt from the hateful remarks

1354
01:18:24,080 --> 01:18:26,280
Speaker 1: made in the documentary cost them a lot of money.

1355
01:18:26,640 --> 01:18:28,960
Speaker 1: And the condition that the Nets have set forth is

1356
01:18:29,080 --> 01:18:31,960
Speaker 1: that as of right now, he is unfit to be

1357
01:18:32,120 --> 01:18:35,760
Speaker 1: part of their organization and unless before the apology, yes,

1358
01:18:36,000 --> 01:18:38,160
Speaker 1: but unless he takes and they still said this after

1359
01:18:38,240 --> 01:18:40,800
Speaker 1: the apologies, they didn't use the unfit thing. But they

1360
01:18:40,880 --> 01:18:45,400
Speaker 1: said until he takes remedial steps, those to counseling, confers

1361
01:18:45,439 --> 01:18:48,760
Speaker 1: with the Anti Defamation League, and satisfies us that a

1362
01:18:48,880 --> 01:18:51,759
Speaker 1: lesson has been learned. The five games is only a minimum,

1363
01:18:52,439 --> 01:18:54,680
Speaker 1: so it could be longer. And so there was dim

1364
01:18:54,800 --> 01:18:57,800
Speaker 1: report him being dropped from Nike. Let's take a look

1365
01:18:57,800 --> 01:19:00,519
Speaker 1: at the press conference after the heat story to come

1366
01:19:00,560 --> 01:19:04,960
Speaker 1: on and he kind of addressed what happened jahweh. So

1367
01:19:05,680 --> 01:19:07,200
Speaker 1: I went on the Amazon Prime. I was like, you know,

1368
01:19:07,280 --> 01:19:09,080
Speaker 1: let me see if there are any documentaries on yahweh.

1369
01:19:09,520 --> 01:19:13,040
Speaker 1: So when in the search bar typed in yahweh that

1370
01:19:13,200 --> 01:19:17,680
Speaker 1: came up. When I shared it on my platform, that

1371
01:19:17,880 --> 01:19:20,720
Speaker 1: was my night. In terms of the backlash or what

1372
01:19:20,840 --> 01:19:24,360
Speaker 1: people call it. We're in twenty twenty two. History is

1373
01:19:24,640 --> 01:19:27,600
Speaker 1: not supposed to be hidden from anybody, and I'm not

1374
01:19:27,680 --> 01:19:30,719
Speaker 1: a divisive person. When it comes to religion, I embrace

1375
01:19:30,760 --> 01:19:32,639
Speaker 1: all walks of life. You see it on all my platforms.

1376
01:19:32,680 --> 01:19:35,880
Speaker 1: I talked to all races, all cultures, all religions, and

1377
01:19:36,640 --> 01:19:41,360
Speaker 1: my response would be, it's not about educating yourself on

1378
01:19:41,600 --> 01:19:44,559
Speaker 1: what Semitism is, what anti semitism is. It's really about

1379
01:19:44,600 --> 01:19:46,800
Speaker 1: learning the root words of where these come from, and

1380
01:19:46,960 --> 01:19:50,280
Speaker 1: understanding that this is an African heritage that is also

1381
01:19:51,400 --> 01:19:54,560
Speaker 1: belonging to the people. Africa is in it, whether we

1382
01:19:54,600 --> 01:19:57,080
Speaker 1: want to dismiss it or not. So the claims of

1383
01:19:57,200 --> 01:20:00,360
Speaker 1: anti Semitism and who are the original chosen people of God,

1384
01:20:00,439 --> 01:20:02,720
Speaker 1: and we go into these religious conversations and it's a

1385
01:20:02,800 --> 01:20:05,120
Speaker 1: big no no. I don't live my way like that.

1386
01:20:05,439 --> 01:20:06,960
Speaker 1: I don't live my life that way. Excuse me. I

1387
01:20:07,000 --> 01:20:08,840
Speaker 1: grew up in a melting pot, and I say, a

1388
01:20:08,880 --> 01:20:12,960
Speaker 1: melting pot of all races, white, black, red, yellow, Jewish, Christian, Muslim,

1389
01:20:13,000 --> 01:20:14,519
Speaker 1: and you can see the way I live my life now.

1390
01:20:15,000 --> 01:20:17,479
Speaker 1: I'm not here to be divisive. So they could push

1391
01:20:17,479 --> 01:20:19,240
Speaker 1: their I don't want to say they, because I'm not

1392
01:20:19,320 --> 01:20:22,240
Speaker 1: identifying anyone group or race of people. But I'm in

1393
01:20:22,320 --> 01:20:24,960
Speaker 1: a unique position to have a level of influence on

1394
01:20:25,040 --> 01:20:28,240
Speaker 1: my community. And what I post is not mean that

1395
01:20:28,320 --> 01:20:31,439
Speaker 1: I support everything that's being said or everything that's being done,

1396
01:20:31,800 --> 01:20:34,439
Speaker 1: or I'm campaigning for anything. All I do is post

1397
01:20:34,479 --> 01:20:36,519
Speaker 1: things for my people in my community and those that

1398
01:20:36,560 --> 01:20:39,839
Speaker 1: it's actually going to impact. Anybody else that has criticism

1399
01:20:39,880 --> 01:20:43,000
Speaker 1: and obviously wasn't meant for them. I don't expect understanding

1400
01:20:43,520 --> 01:20:49,320
Speaker 1: from a media congomerate group that sincerely talks about the

1401
01:20:49,360 --> 01:20:51,160
Speaker 1: game of basketball, and then we bring up religion as

1402
01:20:51,200 --> 01:20:54,439
Speaker 1: if it's correlative at times when it's convenient for people

1403
01:20:54,479 --> 01:20:57,200
Speaker 1: to bring it up. So please just be directed with

1404
01:20:57,240 --> 01:20:59,200
Speaker 1: your question so we can move on from this side.

1405
01:20:59,200 --> 01:21:00,560
Speaker 1: I could talk about the game, go home to my

1406
01:21:00,960 --> 01:21:06,160
Speaker 1: son Eloheim and my wife Marlene. Okay, am I to

1407
01:21:06,240 --> 01:21:08,240
Speaker 1: take it that this was what you shared was not

1408
01:21:08,439 --> 01:21:12,200
Speaker 1: something that you've even watched. This was you did well? Okay,

1409
01:21:12,240 --> 01:21:14,280
Speaker 1: you did watch it or either watch it or read.

1410
01:21:14,960 --> 01:21:16,800
Speaker 1: I had a lot of time to read, a lot

1411
01:21:17,880 --> 01:21:20,880
Speaker 1: read a whole much good and bad about the truth

1412
01:21:20,960 --> 01:21:24,360
Speaker 1: of our world. So then do you, I guess, understand

1413
01:21:24,520 --> 01:21:28,559
Speaker 1: or not understand those that might imply that that work

1414
01:21:29,080 --> 01:21:33,400
Speaker 1: had anti Semitic leanings in it? Right? I only asked

1415
01:21:33,479 --> 01:21:35,160
Speaker 1: us because the tweet is still up there, so I

1416
01:21:35,240 --> 01:21:38,759
Speaker 1: burned twenty twenty two. It's on Amazon, a public platform.

1417
01:21:39,920 --> 01:21:41,200
Speaker 1: Whether you want to go watch it or not is

1418
01:21:41,280 --> 01:21:43,920
Speaker 1: up to you. There's things being posted every day. I

1419
01:21:44,000 --> 01:21:45,599
Speaker 1: am no different than the next human being, so don't

1420
01:21:45,640 --> 01:21:48,280
Speaker 1: treat me any different. You guys come in here and

1421
01:21:48,360 --> 01:21:51,439
Speaker 1: make up this powerful influence I have over top of

1422
01:21:52,240 --> 01:21:55,679
Speaker 1: the adultery of all you. You cannot post that. Why

1423
01:21:55,760 --> 01:21:58,920
Speaker 1: not that I'm not here to be divisive on what's

1424
01:21:58,960 --> 01:22:01,040
Speaker 1: going on on this or that I'm not comparing Jews

1425
01:22:01,080 --> 01:22:02,880
Speaker 1: to Blacks. I'm not comparing white to black. I'm not

1426
01:22:03,000 --> 01:22:07,960
Speaker 1: doing that. That conversation is dismissive and it constantly revolves

1427
01:22:08,000 --> 01:22:10,760
Speaker 1: around the rhetoric of who are the chosen people of God?

1428
01:22:10,840 --> 01:22:12,640
Speaker 1: And I'm not here to argue over a person or

1429
01:22:12,760 --> 01:22:15,240
Speaker 1: cultural religion on what they believe. Nah, this is what

1430
01:22:15,560 --> 01:22:17,280
Speaker 1: is here. It's on a public platform that I do

1431
01:22:17,320 --> 01:22:23,120
Speaker 1: anything illegal? Okay, Yeah, as want to say that I

1432
01:22:23,200 --> 01:22:25,719
Speaker 1: do anything illegal, that I hurt anybody, don't harm anybody.

1433
01:22:25,720 --> 01:22:27,840
Speaker 1: Am I going out and saying that I hate one

1434
01:22:27,920 --> 01:22:32,120
Speaker 1: specific group of people? So out of all the judgment

1435
01:22:32,200 --> 01:22:35,880
Speaker 1: that people got from me posting, I just without talking

1436
01:22:35,920 --> 01:22:39,040
Speaker 1: to me. And then I respect what Joe said. But

1437
01:22:39,240 --> 01:22:41,599
Speaker 1: there has a lot to do with the not ego

1438
01:22:41,720 --> 01:22:43,559
Speaker 1: or pride of how proud I am to be an

1439
01:22:43,560 --> 01:22:45,760
Speaker 1: African heritage, but also to be living as a free

1440
01:22:45,800 --> 01:22:49,240
Speaker 1: black man here in America, knowing the historical complexities for

1441
01:22:49,360 --> 01:22:52,200
Speaker 1: me to get here. So I'm not gonna stand down

1442
01:22:52,280 --> 01:22:54,120
Speaker 1: on anything that I believe in. I'm only gonna get

1443
01:22:54,160 --> 01:22:56,720
Speaker 1: stronger because I'm not alone. I have a whole army

1444
01:22:56,800 --> 01:23:01,200
Speaker 1: around me Symitism. During a press conference Thursday, take my responsibility.

1445
01:23:01,360 --> 01:23:04,160
Speaker 1: I cannot be anti Semitic if I know where I

1446
01:23:04,240 --> 01:23:06,360
Speaker 1: come from. I don't mean cause any harm. I'm not

1447
01:23:06,400 --> 01:23:08,360
Speaker 1: the one that made a documentary. This comes a week

1448
01:23:08,400 --> 01:23:11,320
Speaker 1: after Irving tweeted our link to an anti Semitic movie Overnight,

1449
01:23:11,360 --> 01:23:13,120
Speaker 1: the Nets saying in a statement, we are over the

1450
01:23:13,240 --> 01:23:15,720
Speaker 1: view that he is currently unfit to be associated with

1451
01:23:15,760 --> 01:23:18,880
Speaker 1: the Brooklyn Nets, adding Kyrie, we'll serve a suspension without

1452
01:23:18,960 --> 01:23:22,120
Speaker 1: pay until he satisfies a series of objective for medial

1453
01:23:22,200 --> 01:23:25,240
Speaker 1: measures that address the harmful impacts of his conduct. During

1454
01:23:25,280 --> 01:23:27,320
Speaker 1: a recent game against the Pacers, a group of fans

1455
01:23:27,560 --> 01:23:31,760
Speaker 1: were seen sitting courtside wearing fight anti Semitism shut So,

1456
01:23:31,960 --> 01:23:34,920
Speaker 1: as you see, Kyrie Irving is now facing suspension up

1457
01:23:34,960 --> 01:23:40,400
Speaker 1: to five games. He did come out in apologize. I

1458
01:23:40,520 --> 01:23:43,400
Speaker 1: think we need to be very careful in this climate.

1459
01:23:43,640 --> 01:23:45,400
Speaker 1: Trust me, I got the heart of a warrior, so

1460
01:23:45,520 --> 01:23:51,280
Speaker 1: I do understand standing up for things. But we gotta

1461
01:23:51,360 --> 01:23:53,479
Speaker 1: know we're working as the collective. We can't cut off

1462
01:23:53,479 --> 01:23:55,880
Speaker 1: our nose despite our face right, stand for what you

1463
01:23:56,000 --> 01:23:59,120
Speaker 1: believe in, but we can't out go into treat bay.

1464
01:24:00,280 --> 01:24:03,320
Speaker 1: And if Kanye wants everybody to follow him into the

1465
01:24:03,400 --> 01:24:05,840
Speaker 1: trick bag, then that tells me he don't worry about

1466
01:24:05,880 --> 01:24:08,200
Speaker 1: the collective like I would like for him to worry

1467
01:24:08,240 --> 01:24:12,360
Speaker 1: about the collective. If this is an information play, Kanye

1468
01:24:12,479 --> 01:24:14,960
Speaker 1: West has crashed his whip to go get the receipt.

1469
01:24:15,200 --> 01:24:20,679
Speaker 1: We need to remain powerful on this side, remain upright

1470
01:24:20,760 --> 01:24:24,400
Speaker 1: and independent on this side, but watch closely as to

1471
01:24:24,520 --> 01:24:28,639
Speaker 1: what's happening. Extract all information out of situations. And I'm

1472
01:24:28,680 --> 01:24:31,000
Speaker 1: not saying Kyrie winning the trick bag, but I think

1473
01:24:31,040 --> 01:24:38,160
Speaker 1: he's He's walking a very thin line. Now, this is

1474
01:24:38,200 --> 01:24:40,200
Speaker 1: where I get perplexed. And this is why I have

1475
01:24:40,439 --> 01:24:46,479
Speaker 1: some issue. He come out and apologize, and that ain't enough.

1476
01:24:48,800 --> 01:24:51,720
Speaker 1: It's almost like they don't want you to apologize, black man.

1477
01:24:53,120 --> 01:24:57,720
Speaker 1: I want them to see me show you how unacceptable

1478
01:24:57,840 --> 01:25:01,320
Speaker 1: that is. And on flip side of that, I say, oh,

1479
01:25:01,400 --> 01:25:03,720
Speaker 1: so they must know when they come out and apologize

1480
01:25:03,760 --> 01:25:06,760
Speaker 1: to us, that don't mean nothing. Pay attention to what

1481
01:25:06,960 --> 01:25:10,880
Speaker 1: happens when they come out and they show you the

1482
01:25:11,080 --> 01:25:14,559
Speaker 1: carrier and coming out to apologize ain't enough. As soon

1483
01:25:14,640 --> 01:25:17,360
Speaker 1: as they offend black people, all they lend us is

1484
01:25:17,360 --> 01:25:25,400
Speaker 1: an apology. Pay attention. These guys are being placed in

1485
01:25:25,560 --> 01:25:28,880
Speaker 1: positions where everything they work for is on the line

1486
01:25:29,240 --> 01:25:34,479
Speaker 1: by what comes out of their mouth, with the intentions unclear. Simultaneously,

1487
01:25:34,600 --> 01:25:38,519
Speaker 1: the universe to have it well. On Twitter, the work

1488
01:25:38,640 --> 01:25:42,439
Speaker 1: the use of the word nigga is up six. The

1489
01:25:42,560 --> 01:25:46,640
Speaker 1: word nigga from anyone outside of the race has a

1490
01:25:46,840 --> 01:25:51,519
Speaker 1: negative connotation. There's no way outside there's no way to

1491
01:25:51,760 --> 01:25:55,120
Speaker 1: mask that. And then if you drill it down even more,

1492
01:25:55,280 --> 01:25:58,080
Speaker 1: they're using it in that way over on Twitter and

1493
01:25:58,240 --> 01:26:01,959
Speaker 1: nothing is being done. And so when you pay closer attention,

1494
01:26:02,880 --> 01:26:06,120
Speaker 1: you look at us as a race, and you're offended.

1495
01:26:06,560 --> 01:26:09,439
Speaker 1: Even if you don't stand with Yay with what he said,

1496
01:26:09,840 --> 01:26:12,160
Speaker 1: even if you think Kyrie shouldn't have said what he

1497
01:26:12,280 --> 01:26:17,800
Speaker 1: said as a black person, you still become offended. You say, damn, bro,

1498
01:26:17,920 --> 01:26:22,519
Speaker 1: they're treating I mean, damn, hold everybody accountable. We can't

1499
01:26:22,600 --> 01:26:26,200
Speaker 1: let our emotions get involved in the mission. From our

1500
01:26:26,280 --> 01:26:30,960
Speaker 1: standpoint either though you say Kanye went and cut the

1501
01:26:31,040 --> 01:26:34,560
Speaker 1: light zone in the house, everybody was doing business in

1502
01:26:34,640 --> 01:26:36,560
Speaker 1: the dog long as you can come outside of that

1503
01:26:36,760 --> 01:26:40,360
Speaker 1: music business house and see and hand your people something.

1504
01:26:40,800 --> 01:26:43,640
Speaker 1: Everybody feeling I ain't going inside that dog house and

1505
01:26:43,800 --> 01:26:47,080
Speaker 1: doing business. Kanye come in there, get way deep off

1506
01:26:47,120 --> 01:26:49,519
Speaker 1: in the back of the house and cut the light zone,

1507
01:26:49,560 --> 01:26:51,479
Speaker 1: and they whooping him as they're trying to take him

1508
01:26:51,640 --> 01:26:53,519
Speaker 1: and throw him out the house. They whooping him the

1509
01:26:53,560 --> 01:26:57,160
Speaker 1: whole way through the house, dragging him down the hallway,

1510
01:26:57,240 --> 01:26:59,280
Speaker 1: whooping him, trying to kick him back out the house.

1511
01:27:00,200 --> 01:27:02,599
Speaker 1: Because it's a lot of doing business in the dog

1512
01:27:03,560 --> 01:27:05,880
Speaker 1: It's a lot of doing business with a lot of

1513
01:27:06,000 --> 01:27:10,120
Speaker 1: words and a lot of stipulations and circumstances that's under

1514
01:27:10,320 --> 01:27:13,679
Speaker 1: that's not understood, a lot of things that's not ironed

1515
01:27:13,680 --> 01:27:19,000
Speaker 1: out behind the scenes. And Hey, I don't know who's

1516
01:27:19,040 --> 01:27:21,839
Speaker 1: in control, but I do know that there's someone in control.

1517
01:27:23,040 --> 01:27:26,439
Speaker 1: If this is an information play, we all came running

1518
01:27:26,479 --> 01:27:29,000
Speaker 1: the trick bag and jump in the water. Some of

1519
01:27:29,120 --> 01:27:31,599
Speaker 1: us got to extract the information out of what's happening

1520
01:27:33,560 --> 01:27:36,760
Speaker 1: we're dealing with. Kanye Weston crashed the whip. He doesn't

1521
01:27:36,840 --> 01:27:42,519
Speaker 1: crash the whip that hopped out on feet. Kanye Weston

1522
01:27:42,640 --> 01:27:45,599
Speaker 1: crashed the whip. Hopped out on feet. But he's still him.

1523
01:27:45,680 --> 01:27:47,760
Speaker 1: He still got what he got and we don't know

1524
01:27:47,920 --> 01:27:51,320
Speaker 1: what will happen with this, but we're watching. You got

1525
01:27:51,439 --> 01:27:56,439
Speaker 1: Kyrie apologized, donated five honey k and he's still getting whooped.

1526
01:28:00,479 --> 01:28:04,320
Speaker 1: Tom argued that he took too long to apologize. Some

1527
01:28:04,640 --> 01:28:07,880
Speaker 1: argue went into the trick bag with that. You do

1528
01:28:08,000 --> 01:28:10,639
Speaker 1: with that information what you may have your own feelings

1529
01:28:10,720 --> 01:28:15,800
Speaker 1: on that, but the whoop Kyrie irving why that documentary

1530
01:28:15,880 --> 01:28:20,120
Speaker 1: is sitting on Amazon and lend no credence or responsibility

1531
01:28:20,520 --> 01:28:25,040
Speaker 1: to the platform. It speaks volumes to me. I know

1532
01:28:25,160 --> 01:28:27,559
Speaker 1: we live in America and some of my understanding may

1533
01:28:27,600 --> 01:28:30,760
Speaker 1: be skewed, but I do know if I leave cocaine

1534
01:28:30,880 --> 01:28:32,720
Speaker 1: or something, say I leave some kind of drug in

1535
01:28:32,800 --> 01:28:34,640
Speaker 1: my house and the kids get it and take it,

1536
01:28:34,760 --> 01:28:38,280
Speaker 1: and then something happens and unfortunately they passed away, they

1537
01:28:38,320 --> 01:28:41,719
Speaker 1: hold me accountable for the things that I had laying

1538
01:28:41,800 --> 01:28:47,920
Speaker 1: around in the house, even if it was a mistake.

1539
01:28:48,000 --> 01:28:49,600
Speaker 1: You know, I didn't want that to happen. You know

1540
01:28:49,760 --> 01:28:54,639
Speaker 1: that was unfortunate. But that's some accountability that shared because

1541
01:28:54,840 --> 01:29:02,040
Speaker 1: access to that drug was grand it by an adult.

1542
01:29:03,400 --> 01:29:05,880
Speaker 1: And I'm not saying they made him tweet this because

1543
01:29:05,960 --> 01:29:09,240
Speaker 1: they hosted a documentary. But what I'm saying, you can't

1544
01:29:09,280 --> 01:29:11,519
Speaker 1: put the so called truth next to the so called

1545
01:29:11,600 --> 01:29:15,120
Speaker 1: lies and then expect these very curious human beings without

1546
01:29:16,120 --> 01:29:19,400
Speaker 1: a high level of education to distinguish what is truth

1547
01:29:19,840 --> 01:29:24,599
Speaker 1: and what is lies. You have to understand that there

1548
01:29:24,640 --> 01:29:27,120
Speaker 1: will be some confusion. But if we play too far

1549
01:29:27,160 --> 01:29:29,800
Speaker 1: into that, that's where censorship come in there, because they'll

1550
01:29:29,800 --> 01:29:31,720
Speaker 1: start saying we won't host none of this kind of

1551
01:29:31,760 --> 01:29:36,240
Speaker 1: stuff as it confuses people. So again, we're in a

1552
01:29:36,439 --> 01:29:41,200
Speaker 1: very messy, slippery place right now. With free speech, with communication,

1553
01:29:41,320 --> 01:29:45,639
Speaker 1: with information. There's man, there's a lot going on out there.

1554
01:29:46,439 --> 01:29:48,840
Speaker 1: And so whether you believe these are truths or these

1555
01:29:48,880 --> 01:29:51,479
Speaker 1: are lies was found in these documentaries that can be

1556
01:29:51,600 --> 01:29:54,719
Speaker 1: found on some of the most major platforms in the world,

1557
01:29:55,040 --> 01:30:01,400
Speaker 1: it matters none because you don't know the truth, if

1558
01:30:01,439 --> 01:30:04,080
Speaker 1: you don't have the information, and if this is all

1559
01:30:04,120 --> 01:30:07,960
Speaker 1: the information you have, then this is your truth. But

1560
01:30:08,120 --> 01:30:10,880
Speaker 1: they're saying your truth is dangerous to the truth. But

1561
01:30:10,960 --> 01:30:14,040
Speaker 1: they don't explain the truth. Nobody what is the truth?

1562
01:30:14,200 --> 01:30:17,320
Speaker 1: What is the truth? Nobody explains it. So it's like

1563
01:30:18,439 --> 01:30:21,080
Speaker 1: it's pockets of people, Hey, this is my understanding of

1564
01:30:21,160 --> 01:30:23,680
Speaker 1: what happened in the nineteen hundreds. Hey, this is our

1565
01:30:23,800 --> 01:30:26,640
Speaker 1: understanding based on what we were told basically. And then

1566
01:30:26,720 --> 01:30:28,640
Speaker 1: there's a lot of that happening in there. And they

1567
01:30:28,720 --> 01:30:31,880
Speaker 1: expect because you get rich because you're a rich black

1568
01:30:31,960 --> 01:30:34,599
Speaker 1: man that plays in the NFL or playing the NBA,

1569
01:30:34,760 --> 01:30:36,920
Speaker 1: or because you're a rapper, you need to shut up

1570
01:30:36,960 --> 01:30:41,360
Speaker 1: about what information you digest. If you're a human being

1571
01:30:41,400 --> 01:30:43,880
Speaker 1: and you're taking in information trying to learn about your

1572
01:30:43,960 --> 01:30:45,800
Speaker 1: history and all of that, and you get into some

1573
01:30:45,880 --> 01:30:48,280
Speaker 1: of these places, like I even know people that had

1574
01:30:48,360 --> 01:30:50,679
Speaker 1: like four or five years where they were really heavy

1575
01:30:50,720 --> 01:30:52,640
Speaker 1: on five percent and then they poured out of that.

1576
01:30:53,000 --> 01:30:55,400
Speaker 1: I know people that was real heavy on Christianity for

1577
01:30:55,439 --> 01:30:56,960
Speaker 1: a while and they poured out of that, and there

1578
01:30:57,040 --> 01:31:01,240
Speaker 1: was phases of them getting information and having deeper into that.

1579
01:31:01,880 --> 01:31:04,360
Speaker 1: And I think as human beings, we have to be

1580
01:31:04,479 --> 01:31:09,000
Speaker 1: allowed an opportunity to see what this world has been through.

1581
01:31:09,479 --> 01:31:12,200
Speaker 1: What is the history of this great place that we

1582
01:31:12,400 --> 01:31:16,920
Speaker 1: live in, Like how did we get to where we

1583
01:31:17,000 --> 01:31:22,040
Speaker 1: are right now? But when you look at what's happening

1584
01:31:22,160 --> 01:31:24,479
Speaker 1: with Kanye, and you look at what's happening with Kyrie,

1585
01:31:24,600 --> 01:31:26,720
Speaker 1: it tells me a few things, right, not that I

1586
01:31:26,880 --> 01:31:30,000
Speaker 1: know whether or not what they're saying or stand by

1587
01:31:30,400 --> 01:31:32,760
Speaker 1: it's one hundred percent of truth because I haven't looked

1588
01:31:32,800 --> 01:31:35,720
Speaker 1: at it myself, and can't nobody tell me what the

1589
01:31:35,840 --> 01:31:38,559
Speaker 1: truth is. I need to deal with the information myself.

1590
01:31:38,640 --> 01:31:41,679
Speaker 1: I'm one of them kind of gays. And you see

1591
01:31:42,040 --> 01:31:45,439
Speaker 1: Kyrie lose his Nike deal. You see him lose at

1592
01:31:45,520 --> 01:31:49,040
Speaker 1: least five games unpaid. You see people start to pull

1593
01:31:49,160 --> 01:31:51,400
Speaker 1: back from it, even Lebronson, and you're going in the

1594
01:31:51,479 --> 01:31:55,200
Speaker 1: trick bag. That's what Lebron really saying. And I know

1595
01:31:55,320 --> 01:31:58,080
Speaker 1: people whooping him forward, but he really liked you going

1596
01:31:58,160 --> 01:32:01,160
Speaker 1: in the trick bag. YadA done all we need to

1597
01:32:01,280 --> 01:32:03,800
Speaker 1: see he he don't, he don't dug the hole. We

1598
01:32:03,920 --> 01:32:07,439
Speaker 1: then we're trying to just see just pay attention because

1599
01:32:07,520 --> 01:32:10,240
Speaker 1: we're powerful. So we just got to pay attention right now.

1600
01:32:12,000 --> 01:32:15,120
Speaker 1: Mccarrie and all rappers and entertainers and everyone that's dealing

1601
01:32:15,200 --> 01:32:18,320
Speaker 1: with these corporations got to understand that the truth ain't

1602
01:32:18,360 --> 01:32:21,360
Speaker 1: the truth when you're dealing with these corporations, because authority

1603
01:32:21,800 --> 01:32:25,280
Speaker 1: makes the law, not the truth. So the people in

1604
01:32:25,479 --> 01:32:29,800
Speaker 1: charge say what's right not the truth. You can be like, no,

1605
01:32:29,960 --> 01:32:33,840
Speaker 1: here's the here's the book, here's the proof. Yeah, but

1606
01:32:33,960 --> 01:32:37,120
Speaker 1: that offended people. You need to apologize. Do this, do that, this, that,

1607
01:32:37,240 --> 01:32:39,320
Speaker 1: and the third or not. And again, I don't know

1608
01:32:39,560 --> 01:32:41,400
Speaker 1: whether or not it's the truth, but I'm telling you

1609
01:32:42,000 --> 01:32:46,240
Speaker 1: that whoever's in power, whoever has the authority, says what

1610
01:32:46,640 --> 01:32:51,640
Speaker 1: is acceptable and not acceptable to be said, whether or

1611
01:32:51,680 --> 01:32:55,000
Speaker 1: not you got definition dictionaries and all kind of shit

1612
01:32:55,160 --> 01:32:58,960
Speaker 1: with you. That's how they didn't set it up. But

1613
01:32:59,439 --> 01:33:02,040
Speaker 1: we need to be clear that what's being taught. Sometimes

1614
01:33:02,080 --> 01:33:05,160
Speaker 1: it's being taught because the authority has said that that's

1615
01:33:05,200 --> 01:33:08,640
Speaker 1: what the curriculum is, not necessarily that that's what the

1616
01:33:08,840 --> 01:33:13,400
Speaker 1: history is. And that's for school. Because even how they

1617
01:33:13,760 --> 01:33:17,760
Speaker 1: talk about slavery or how black people were introduced to

1618
01:33:17,880 --> 01:33:20,559
Speaker 1: America and how i plight was, I think that they

1619
01:33:20,640 --> 01:33:22,680
Speaker 1: have some of that wrong. As I'm getting older and

1620
01:33:22,840 --> 01:33:25,720
Speaker 1: doing my own research, some of that stuff is off.

1621
01:33:26,280 --> 01:33:28,679
Speaker 1: But we gotta be careful. We're gonna watch this Kyrie

1622
01:33:28,800 --> 01:33:30,840
Speaker 1: thing a little closer in the coming weeks to see

1623
01:33:30,920 --> 01:33:36,639
Speaker 1: what's happening again. Five games unpaid, missing out on money

1624
01:33:36,680 --> 01:33:39,960
Speaker 1: and they're just starting. If he don't. If he don't

1625
01:33:40,040 --> 01:33:43,719
Speaker 1: conform to whatever they're saying, they're gonna get real crazy

1626
01:33:43,800 --> 01:33:47,200
Speaker 1: about this. And I want Kyrie to know that we

1627
01:33:47,400 --> 01:33:51,240
Speaker 1: have a plan in place. My brother. I don't want

1628
01:33:51,280 --> 01:33:55,240
Speaker 1: you to feel like you weak or that we'll be

1629
01:33:55,400 --> 01:34:04,000
Speaker 1: disappointed in you for securing your spot in that very

1630
01:34:04,120 --> 01:34:07,000
Speaker 1: fortunate situation that you're in in regards to playing in

1631
01:34:07,080 --> 01:34:10,240
Speaker 1: the league. Want you to know we support you regardless

1632
01:34:11,280 --> 01:34:15,160
Speaker 1: because we understand as a plan in place, there's a

1633
01:34:15,240 --> 01:34:19,920
Speaker 1: plan in place. There's a plan in place. I want

1634
01:34:19,960 --> 01:34:23,280
Speaker 1: you to understand that we don't have to expose the plan.

1635
01:34:24,760 --> 01:34:28,120
Speaker 1: We need you guys to remain powerful because it's gonna

1636
01:34:28,160 --> 01:34:31,400
Speaker 1: take a lot of power when everybody cut the lights

1637
01:34:31,560 --> 01:34:36,040
Speaker 1: on in the room that they're doing business, and we're

1638
01:34:36,040 --> 01:34:38,720
Speaker 1: gonna need power. We're gonna need generators. We're gonna need

1639
01:34:38,800 --> 01:34:41,200
Speaker 1: all our people to have all these ducks in a

1640
01:34:41,320 --> 01:34:44,640
Speaker 1: row and be powerful in all of their situations so

1641
01:34:44,840 --> 01:34:47,920
Speaker 1: that when it's time, it's time and all let wants

1642
01:34:48,000 --> 01:34:51,680
Speaker 1: y'all one, two three boom black people turn it on.

1643
01:34:51,880 --> 01:34:56,600
Speaker 1: All let wants one good time for the race, you

1644
01:34:56,680 --> 01:34:59,439
Speaker 1: know what I mean. So we're plotting in we're planning

1645
01:34:59,720 --> 01:35:02,960
Speaker 1: and need us. We need our people to stay strong. Then,

1646
01:35:02,960 --> 01:35:05,680
Speaker 1: if we're gonna organize hit hit, some of us up.

1647
01:35:05,760 --> 01:35:09,599
Speaker 1: Let's get in some rooms. Let's get in some rooms.

1648
01:35:10,560 --> 01:35:13,679
Speaker 1: Let's start talking to podcasters, Let's talk to rappers. Let's

1649
01:35:13,720 --> 01:35:15,920
Speaker 1: put everybody in the same room. Look, we're gonna start

1650
01:35:16,000 --> 01:35:18,240
Speaker 1: talking about this out in the in the lyrics. We're

1651
01:35:18,280 --> 01:35:20,760
Speaker 1: gonna start pushing this out a little bit, not too much.

1652
01:35:20,880 --> 01:35:24,040
Speaker 1: Just started kind of referencing this a little bit. Start

1653
01:35:24,120 --> 01:35:27,120
Speaker 1: introducing this to the audience. Right, we gotta plan this

1654
01:35:27,320 --> 01:35:31,360
Speaker 1: out in a real way, Bro. You can't freestyle your

1655
01:35:31,400 --> 01:35:34,360
Speaker 1: way out of such a complex circumstance that we've been

1656
01:35:34,400 --> 01:35:37,400
Speaker 1: placed in. There ain't no freestyling. We have to plan

1657
01:35:37,520 --> 01:35:40,439
Speaker 1: our way out of this. And so keep planning. Let's

1658
01:35:40,479 --> 01:35:42,960
Speaker 1: talk about this. Drake. In twenty one, SEVENS just dropped

1659
01:35:43,000 --> 01:35:45,479
Speaker 1: the album Her Lost Shout Out. Drake Shout Out twenty

1660
01:35:45,600 --> 01:35:48,639
Speaker 1: one did a hell of a job with this album.

1661
01:35:48,880 --> 01:35:52,400
Speaker 1: Of course, you know I support it. Um. Drake is

1662
01:35:52,439 --> 01:35:54,600
Speaker 1: just one of them guys that that sound. He just

1663
01:35:54,720 --> 01:35:57,760
Speaker 1: got so many different sounds. Man, going in pockets, he

1664
01:35:58,000 --> 01:36:01,200
Speaker 1: lay down and in pockets. Man, I was the only

1665
01:36:01,320 --> 01:36:04,560
Speaker 1: person when the honestly never mind came out saying it

1666
01:36:04,680 --> 01:36:07,840
Speaker 1: was an algorithm play go check the files. Everybody else was, oh, man,

1667
01:36:07,920 --> 01:36:10,439
Speaker 1: what is he doing? What's going on? See, I'm always

1668
01:36:10,479 --> 01:36:13,080
Speaker 1: looking at the business. I knew it was. I knew

1669
01:36:13,120 --> 01:36:16,160
Speaker 1: it was a audience play. I knew it was a

1670
01:36:16,280 --> 01:36:19,679
Speaker 1: play on the audience, like I know what he was doing,

1671
01:36:19,800 --> 01:36:23,160
Speaker 1: like if I'm a hustler. Right. It's interesting to see

1672
01:36:23,840 --> 01:36:26,560
Speaker 1: so many people now jump back on the bandwagon. And

1673
01:36:26,680 --> 01:36:29,360
Speaker 1: that's why Drake don't do interviews with you niggas. Let

1674
01:36:29,439 --> 01:36:33,200
Speaker 1: me speak on this. You niggas come out and you

1675
01:36:33,320 --> 01:36:35,759
Speaker 1: say things about Drake and then you try to cock

1676
01:36:35,880 --> 01:36:39,040
Speaker 1: buff real hard to get that interview, and he ain't

1677
01:36:39,040 --> 01:36:42,600
Speaker 1: gonna never do the interview. You got niggas like academics

1678
01:36:42,680 --> 01:36:47,360
Speaker 1: going that that woman Meg the Stallion on behalf of Drake.

1679
01:36:47,479 --> 01:36:50,200
Speaker 1: All you niggas winning the trick bag. You see, I

1680
01:36:50,280 --> 01:36:52,800
Speaker 1: didn't say nothing. I know, dude ain't gonna risk all

1681
01:36:52,880 --> 01:36:55,400
Speaker 1: that going a Meg. He ain't one of them counting now.

1682
01:36:55,400 --> 01:36:57,639
Speaker 1: I didn't even I don't think that's what he done.

1683
01:36:58,160 --> 01:36:59,880
Speaker 1: I just couldn't bite any of that. I know the

1684
01:37:00,040 --> 01:37:03,400
Speaker 1: position is too hefty. You him say, man, I got

1685
01:37:03,479 --> 01:37:05,439
Speaker 1: a duck behind such and such to hit the blunt

1686
01:37:05,479 --> 01:37:09,240
Speaker 1: sponsorships at all time, how like he know what positioning in.

1687
01:37:09,600 --> 01:37:11,880
Speaker 1: I knew he went jump into that noose facts ain't

1688
01:37:11,920 --> 01:37:15,400
Speaker 1: been out, But all you media niggas went writing a

1689
01:37:15,439 --> 01:37:19,120
Speaker 1: trick bag academics really were going that meg on some

1690
01:37:19,920 --> 01:37:24,479
Speaker 1: other shit. But here's the thing. When Drake did the

1691
01:37:24,520 --> 01:37:26,720
Speaker 1: honestly never man, and I was sitting back saying, Yo,

1692
01:37:26,840 --> 01:37:29,719
Speaker 1: it's an audience play. Many building. You niggas ain't build

1693
01:37:29,720 --> 01:37:32,920
Speaker 1: as you niggas is bys. That's why you niggas don't

1694
01:37:33,080 --> 01:37:37,200
Speaker 1: understand the builders. You motherfuckers ain't founding no companies. You

1695
01:37:37,280 --> 01:37:40,040
Speaker 1: bitch ass niggas buying in. So you're dealing with the

1696
01:37:40,160 --> 01:37:42,679
Speaker 1: founders of ship. So when a nigga make a spin move,

1697
01:37:43,000 --> 01:37:46,559
Speaker 1: when of you suckers need to get dizzy, you didn't

1698
01:37:46,600 --> 01:37:50,200
Speaker 1: never see that coming, you understand. So I knew it

1699
01:37:50,320 --> 01:37:52,720
Speaker 1: was an audience move. I knew it was a business move.

1700
01:37:52,760 --> 01:37:55,000
Speaker 1: I never viewed it that way. And while all these

1701
01:37:55,040 --> 01:37:57,639
Speaker 1: other niggas did that. Now, even when you go back further,

1702
01:37:57,880 --> 01:38:00,120
Speaker 1: let's go back further when Drake was really coming, and

1703
01:38:00,200 --> 01:38:02,640
Speaker 1: then see they need that Drake interview. So it's a

1704
01:38:02,680 --> 01:38:05,479
Speaker 1: lot of cock buffing going on. Shout out twenty one.

1705
01:38:07,920 --> 01:38:13,479
Speaker 1: So these niggas didn't believe Drake. The nigga went on

1706
01:38:13,720 --> 01:38:16,040
Speaker 1: rants and said all kind of shit about Drake when

1707
01:38:16,040 --> 01:38:18,519
Speaker 1: he was on to come up. He was fighting for

1708
01:38:18,680 --> 01:38:20,680
Speaker 1: position with that sound. They kept trying to say that

1709
01:38:20,840 --> 01:38:23,439
Speaker 1: sound ain't nothing. They're doing all that saying see again,

1710
01:38:23,520 --> 01:38:27,760
Speaker 1: hear another one. Fuck. What they're saying is working. They

1711
01:38:27,880 --> 01:38:30,439
Speaker 1: keep saying, stop digging my shovel ain't working. But I

1712
01:38:30,560 --> 01:38:33,280
Speaker 1: keep getting dirt on the end of the time, nigga,

1713
01:38:33,320 --> 01:38:36,599
Speaker 1: I keep the folk saying it. We can't be looking

1714
01:38:36,680 --> 01:38:38,920
Speaker 1: at the same thing. But they was hating and they

1715
01:38:39,000 --> 01:38:43,080
Speaker 1: was trying to smother them. They didn't believe he'd get

1716
01:38:43,120 --> 01:38:45,920
Speaker 1: the way he went to now, so it'd be strange

1717
01:38:46,000 --> 01:38:49,240
Speaker 1: to hear how they're saying. Now, be strange to hear

1718
01:38:49,240 --> 01:38:52,439
Speaker 1: the podcast dudes doing all listening. I'll be sitting back like, Yo,

1719
01:38:52,600 --> 01:38:55,880
Speaker 1: this is this wow. And I know that's why media

1720
01:38:55,920 --> 01:38:58,519
Speaker 1: is so fucked up, because the real niggas don't fuck

1721
01:38:58,560 --> 01:39:01,519
Speaker 1: with the guys, so they we can't even get no

1722
01:39:01,600 --> 01:39:04,479
Speaker 1: information to the kids. Because a lot of these guys

1723
01:39:04,520 --> 01:39:06,760
Speaker 1: in position is rid of the big dogs. They don't

1724
01:39:06,800 --> 01:39:09,160
Speaker 1: really mess with these guys. That's in position in media.

1725
01:39:09,680 --> 01:39:11,160
Speaker 1: It's like, man, I don't want to come sit with

1726
01:39:11,320 --> 01:39:14,640
Speaker 1: the dude. Like I hear. I like the industry just

1727
01:39:14,760 --> 01:39:17,439
Speaker 1: so fickle, like I hear. Joe Biggin Drake up a lot.

1728
01:39:17,560 --> 01:39:19,800
Speaker 1: He's been a Drake fan. But yo, bro, if you

1729
01:39:19,920 --> 01:39:24,120
Speaker 1: rewind Joe at certain point, you didn't believe Drake was

1730
01:39:24,120 --> 01:39:25,680
Speaker 1: gonna be what he was gonna be, then when he

1731
01:39:25,720 --> 01:39:27,640
Speaker 1: got into it will push you, you, bro, push up.

1732
01:39:27,720 --> 01:39:30,320
Speaker 1: And that's certain kind of There was a certain angle

1733
01:39:31,280 --> 01:39:33,639
Speaker 1: for a second day until he just was so undenied.

1734
01:39:33,720 --> 01:39:36,160
Speaker 1: But you're dealing with academics. You went to sleep on

1735
01:39:36,280 --> 01:39:39,000
Speaker 1: the last on this ship and then on stream and

1736
01:39:39,080 --> 01:39:41,519
Speaker 1: then made fun of it and little slick shit you

1737
01:39:41,600 --> 01:39:46,000
Speaker 1: be saying. Then I then on top of that, he

1738
01:39:46,160 --> 01:39:48,360
Speaker 1: told you, yo, don't listen to it on stream because

1739
01:39:48,400 --> 01:39:50,640
Speaker 1: he know the kind of games you play. Then you

1740
01:39:50,760 --> 01:39:52,880
Speaker 1: come out intil the public day, he told me, don't

1741
01:39:52,920 --> 01:39:54,800
Speaker 1: listen to it on stream. So I don't go to sleep.

1742
01:39:54,880 --> 01:39:59,600
Speaker 1: Ka ka ka, y'all niggas, but y'all niggas need them

1743
01:39:59,680 --> 01:40:04,840
Speaker 1: in a y'all want them interviews. Joe don't necessarily need it,

1744
01:40:04,960 --> 01:40:06,760
Speaker 1: but he won't that then he won't that sit down

1745
01:40:06,840 --> 01:40:12,240
Speaker 1: with Drake. But you know that's why you know people

1746
01:40:12,320 --> 01:40:15,160
Speaker 1: like Meek Meek won't go sit down with them, dude, Baby,

1747
01:40:15,240 --> 01:40:17,240
Speaker 1: won't go sit down with them, Dude, Dirk won't go

1748
01:40:17,320 --> 01:40:19,599
Speaker 1: sit down. Like, how do y'all get the game from

1749
01:40:19,600 --> 01:40:22,519
Speaker 1: the niggas? That winning from the niggas, just cashing the

1750
01:40:22,640 --> 01:40:25,120
Speaker 1: checks from the niggas, that really doing the business. They

1751
01:40:25,160 --> 01:40:27,760
Speaker 1: don't want to sit down with you niggas. You see

1752
01:40:27,760 --> 01:40:31,799
Speaker 1: what I'm saying. Converts, y'all didn't believe them, and y'all relame.

1753
01:40:31,960 --> 01:40:34,160
Speaker 1: You feel me. It's just like, I don't know, it's

1754
01:40:34,200 --> 01:40:37,880
Speaker 1: a weird energy in the industry. Dog, but you got

1755
01:40:37,960 --> 01:40:40,800
Speaker 1: so many bangers on this album. It's like, man, I

1756
01:40:41,000 --> 01:40:43,680
Speaker 1: was like, yo, Drake be going crazy. He got so

1757
01:40:43,800 --> 01:40:47,560
Speaker 1: many different styles and so much different like saults. You

1758
01:40:47,640 --> 01:40:50,240
Speaker 1: can tell he's a student of this game and savage.

1759
01:40:50,520 --> 01:40:54,080
Speaker 1: He got that flow where it's just like he got

1760
01:40:54,160 --> 01:40:57,320
Speaker 1: that bounce, you understand me, and he was killing it

1761
01:40:57,439 --> 01:41:00,360
Speaker 1: like the whole the album. It's a great album. Also,

1762
01:41:00,479 --> 01:41:03,000
Speaker 1: how a lot of these media people pay attention man,

1763
01:41:03,040 --> 01:41:07,040
Speaker 1: because a lot of this is personal when you hear

1764
01:41:07,120 --> 01:41:11,880
Speaker 1: Future in Drake, when you hear Baby and Drake, when

1765
01:41:11,920 --> 01:41:13,840
Speaker 1: you hit Dirk and Baby, when you hear some of

1766
01:41:13,880 --> 01:41:19,439
Speaker 1: these people, when you hear Meek and Drake, we hear

1767
01:41:19,520 --> 01:41:23,760
Speaker 1: Meek and Baby. When you hit Dirk and Meet, you

1768
01:41:23,960 --> 01:41:27,960
Speaker 1: hear these media niggas come out and say, we tie

1769
01:41:28,000 --> 01:41:31,680
Speaker 1: to head Draking Future, We tied to head Babe and Meet,

1770
01:41:31,760 --> 01:41:33,360
Speaker 1: We tie to winn want them and do it by

1771
01:41:33,439 --> 01:41:36,439
Speaker 1: you said to do it by yourself. Drake and Savage

1772
01:41:36,520 --> 01:41:38,519
Speaker 1: drop and them niggas go to cock buff And that's

1773
01:41:38,560 --> 01:41:41,920
Speaker 1: how you know it's personal. They post a champion Drake

1774
01:41:41,960 --> 01:41:44,640
Speaker 1: and Savage. They just did a phenomenal job, and we

1775
01:41:44,840 --> 01:41:47,599
Speaker 1: with them, all the real ones with them, We champion

1776
01:41:47,720 --> 01:41:49,600
Speaker 1: in that. That's what we on. We on that, We

1777
01:41:49,760 --> 01:41:51,800
Speaker 1: on that Baby, we don't all that shit. At the

1778
01:41:51,880 --> 01:41:54,599
Speaker 1: same time, the reds de Sean, we don't we on't

1779
01:41:54,600 --> 01:41:57,360
Speaker 1: all that shit. At the same time. How y'all gonna

1780
01:41:57,400 --> 01:41:59,840
Speaker 1: tell me we don't want to hear Future in Drake

1781
01:42:00,040 --> 01:42:04,080
Speaker 1: no more? Your media niggas be weird, though, man, we

1782
01:42:04,160 --> 01:42:06,000
Speaker 1: don't want to hear from Future and Dry. I hope

1783
01:42:06,040 --> 01:42:09,599
Speaker 1: them niggas don't be listening to you niggas because y'all

1784
01:42:09,680 --> 01:42:11,920
Speaker 1: trying to play them out of their power moves. It's

1785
01:42:11,960 --> 01:42:14,559
Speaker 1: almost like a nigga trying to fight me. Bitchad nigga,

1786
01:42:14,600 --> 01:42:16,120
Speaker 1: don't hit me with the right hook I bet I

1787
01:42:16,200 --> 01:42:19,840
Speaker 1: beat your ass now, nigga, All I'm throwing his right hooks. Nigga,

1788
01:42:19,920 --> 01:42:22,880
Speaker 1: that's my head, that's my punch. Nigga. Every time me

1789
01:42:22,960 --> 01:42:25,160
Speaker 1: and such and such get in there, we go number one.

1790
01:42:25,400 --> 01:42:27,880
Speaker 1: We effective in the market. We finn hit y'all with

1791
01:42:28,000 --> 01:42:31,080
Speaker 1: that until the market saying ain't no good. But y'all

1792
01:42:31,200 --> 01:42:34,200
Speaker 1: not gonna be at the forefront of my decision. Make it.

1793
01:42:34,479 --> 01:42:36,679
Speaker 1: Me and Future gonna do a song, Me and Drake,

1794
01:42:36,800 --> 01:42:38,920
Speaker 1: gonna do a song, Me and Baby, Me and Dirt,

1795
01:42:38,960 --> 01:42:41,559
Speaker 1: and we're gonna do records. We're gonna keep throwing them

1796
01:42:41,640 --> 01:42:45,360
Speaker 1: motherfucker's out because our fans enjoy them. But they'll try

1797
01:42:45,400 --> 01:42:48,479
Speaker 1: to trick a lot of these guys. Just go back

1798
01:42:48,520 --> 01:42:51,120
Speaker 1: and listen to when Future and Drake do a song together,

1799
01:42:51,240 --> 01:42:53,679
Speaker 1: can go number one. These niggas gonna start off hating

1800
01:42:53,760 --> 01:42:58,360
Speaker 1: on it. Drake and Baby drop a song. The motherfucker Gone.

1801
01:42:58,600 --> 01:43:00,960
Speaker 1: Nigga gonna start off hating on Savage and twenty one

1802
01:43:01,040 --> 01:43:03,000
Speaker 1: drop a song. They're gonna start off hating on it

1803
01:43:03,080 --> 01:43:05,720
Speaker 1: till they can't hate on it, and then all of

1804
01:43:05,720 --> 01:43:09,080
Speaker 1: a sudden it's cool and they need to Drake interview

1805
01:43:09,160 --> 01:43:12,639
Speaker 1: so bad them Nigga gonna, man, Drake did a great job,

1806
01:43:12,720 --> 01:43:15,280
Speaker 1: oh my god, and it's super a great job. It's

1807
01:43:15,320 --> 01:43:19,920
Speaker 1: always a great job. But they're trying to trick certain

1808
01:43:20,000 --> 01:43:22,600
Speaker 1: niggas that they don't like and not to working with

1809
01:43:22,760 --> 01:43:25,400
Speaker 1: each other. And I pray to God niggas not listening

1810
01:43:25,479 --> 01:43:27,720
Speaker 1: to that shit. They would try to tell me, y'all

1811
01:43:27,800 --> 01:43:29,280
Speaker 1: don't gonna do nothing with Drake man. You need to

1812
01:43:29,320 --> 01:43:32,920
Speaker 1: stop doing shit with Drake man. I remember when act

1813
01:43:33,240 --> 01:43:37,840
Speaker 1: that bullshit ass shit act doing. I bet you gotta

1814
01:43:37,880 --> 01:43:42,240
Speaker 1: have a Drake single. Drake is my guy. We're working together. Yeah,

1815
01:43:42,240 --> 01:43:44,799
Speaker 1: well I'm gonna have a Drake single now. Nigga somewhere

1816
01:43:45,200 --> 01:43:47,400
Speaker 1: Damn them might not put a Drake single because you

1817
01:43:47,439 --> 01:43:49,920
Speaker 1: don't start at a narrative. Main't fuck these nigga. We're

1818
01:43:49,960 --> 01:43:52,599
Speaker 1: putting Drake on that, if that's what we're doing. We're

1819
01:43:52,680 --> 01:43:55,040
Speaker 1: putting Mike on that. If that's what we're doing, We're

1820
01:43:55,080 --> 01:43:57,960
Speaker 1: putting bad on that. If that's what we're doing. They

1821
01:43:58,120 --> 01:44:01,880
Speaker 1: like time today, I'm coming back. We said something. Fuck

1822
01:44:02,000 --> 01:44:07,360
Speaker 1: what these niggas talk about. You know what I'm saying now,

1823
01:44:07,479 --> 01:44:10,080
Speaker 1: It's also important to be evolving while you're doing that.

1824
01:44:10,160 --> 01:44:12,680
Speaker 1: You just gotta learn cut two eyes of the stove on,

1825
01:44:13,160 --> 01:44:15,719
Speaker 1: you gotta steal be doing that and then be cooking

1826
01:44:15,800 --> 01:44:18,200
Speaker 1: this up over here too. Got the water boiling for

1827
01:44:18,320 --> 01:44:21,120
Speaker 1: this over here too now, And that's what it's about.

1828
01:44:21,560 --> 01:44:23,599
Speaker 1: But don't let these niggas trick you and the cutting

1829
01:44:23,640 --> 01:44:25,960
Speaker 1: this out and then cutting this out on when the

1830
01:44:26,040 --> 01:44:28,920
Speaker 1: water din't even start boiling yet, because that's what they'll

1831
01:44:29,000 --> 01:44:32,280
Speaker 1: do to you. When they can't make a song or beat,

1832
01:44:32,760 --> 01:44:35,640
Speaker 1: can't ram no words, ain't got no game, can't put

1833
01:44:35,680 --> 01:44:38,840
Speaker 1: a slogan together, can't design a T shirt. They can't

1834
01:44:38,880 --> 01:44:41,360
Speaker 1: do nothing. But they critical niggas. They get in there

1835
01:44:41,400 --> 01:44:44,160
Speaker 1: and do they want too at a high level. Let's

1836
01:44:44,160 --> 01:44:46,080
Speaker 1: talk about this then then I get out of here.

1837
01:44:46,120 --> 01:44:49,880
Speaker 1: Blue facing chaus Sean Rock. There's been a lot going on.

1838
01:44:50,200 --> 01:44:52,560
Speaker 1: It's been a lot of altercations. They said, there's a

1839
01:44:52,600 --> 01:44:55,320
Speaker 1: lot of fighting and back and forth and just a

1840
01:44:55,400 --> 01:44:57,880
Speaker 1: lot of messy stuff going on with that relationship as

1841
01:44:57,920 --> 01:45:01,280
Speaker 1: they try to make their way, you know, through whatever

1842
01:45:01,320 --> 01:45:06,040
Speaker 1: it is that they're doing. I watched this relationship sometimes

1843
01:45:06,080 --> 01:45:08,400
Speaker 1: I've clocked out as of late because it just has

1844
01:45:08,439 --> 01:45:11,360
Speaker 1: been it's been a bit much, right, And they got

1845
01:45:11,439 --> 01:45:13,800
Speaker 1: a TV contract. So now I don't know if a

1846
01:45:13,840 --> 01:45:16,400
Speaker 1: lot of this stuff is being produced or I kind

1847
01:45:16,439 --> 01:45:18,120
Speaker 1: of don't know what it is like. But I know

1848
01:45:18,320 --> 01:45:20,639
Speaker 1: Blue Face is one of us. He comes from where

1849
01:45:20,680 --> 01:45:23,160
Speaker 1: we come from, So I know he's dealing with a

1850
01:45:23,280 --> 01:45:27,160
Speaker 1: lot when he's dealing with this kind of chaos, right,

1851
01:45:27,400 --> 01:45:29,400
Speaker 1: whether he calls in it or not, that stuff for

1852
01:45:29,600 --> 01:45:32,160
Speaker 1: him and y'all to think about. I'm just saying, I

1853
01:45:32,360 --> 01:45:35,200
Speaker 1: know what it's like when we is walking through that

1854
01:45:35,400 --> 01:45:39,280
Speaker 1: kind of chaos. It's a lot to deal with, you understand,

1855
01:45:39,400 --> 01:45:42,280
Speaker 1: and you and you call yourself trying to help somebody

1856
01:45:42,880 --> 01:45:47,240
Speaker 1: or position somebody at the very least, you understand me.

1857
01:45:47,360 --> 01:45:49,280
Speaker 1: And so what I what I see when I see it.

1858
01:45:49,360 --> 01:45:52,479
Speaker 1: I've always said that, Yo, I've told niggas from the jump,

1859
01:45:52,560 --> 01:45:55,840
Speaker 1: tattoos don't mean nothing, Like they'll let the nigga fuck

1860
01:45:55,920 --> 01:45:58,160
Speaker 1: them with that tattoo on their back. Like a nigga

1861
01:45:58,240 --> 01:46:01,560
Speaker 1: be looking right at that big tattoo, your name, smashing that.

1862
01:46:02,479 --> 01:46:05,519
Speaker 1: So tattoos don't mean nothing, and sometimes it can be

1863
01:46:05,640 --> 01:46:08,240
Speaker 1: an oval reach. Sometimes it's like you're trying to trick me.

1864
01:46:09,160 --> 01:46:11,840
Speaker 1: And I said this, when you put them on your tooth,

1865
01:46:11,880 --> 01:46:14,960
Speaker 1: I'm clocking, I'm checking out the game. I'm knowing this

1866
01:46:15,160 --> 01:46:19,920
Speaker 1: is trickery. I'm fucking with a musician. This motherfucker hearing

1867
01:46:19,960 --> 01:46:22,439
Speaker 1: them pulled out of rap, it out of hat. Fucking

1868
01:46:22,520 --> 01:46:24,280
Speaker 1: with this here? How you get a picture me on

1869
01:46:24,400 --> 01:46:28,720
Speaker 1: your on your teeth? Nah, you don't win. Yeah. So

1870
01:46:29,280 --> 01:46:31,840
Speaker 1: I've always viewed that like, all right, that's that's a

1871
01:46:31,920 --> 01:46:35,519
Speaker 1: bit much. That's that's some convincing. That's somebody. I said,

1872
01:46:35,520 --> 01:46:37,640
Speaker 1: I deal with women trying to convince me. I know

1873
01:46:37,760 --> 01:46:40,800
Speaker 1: what that's like. I don't do too much convincing. I

1874
01:46:40,840 --> 01:46:43,320
Speaker 1: ain't gonna keep trying to come, but I deal with

1875
01:46:43,479 --> 01:46:46,160
Speaker 1: women to try to convince me. So it'd be like

1876
01:46:46,280 --> 01:46:48,280
Speaker 1: I'm telling you I can, I can. I can help

1877
01:46:48,360 --> 01:46:51,280
Speaker 1: your life, like I can be important in your life,

1878
01:46:51,400 --> 01:46:54,200
Speaker 1: like I can help you through life, like I want

1879
01:46:54,240 --> 01:46:56,960
Speaker 1: to be instrumental over there. I want to show you value.

1880
01:46:57,160 --> 01:47:01,559
Speaker 1: So I know that's a thing. And I'm not saying

1881
01:47:01,600 --> 01:47:04,240
Speaker 1: that I'm just doing relationships and I don't do nothing.

1882
01:47:04,439 --> 01:47:06,760
Speaker 1: Please no, but I don't do too much. I got

1883
01:47:06,840 --> 01:47:09,200
Speaker 1: too much other stuff going on. And if I get

1884
01:47:09,280 --> 01:47:12,280
Speaker 1: in that wheel of convincing you, I stopped hustling. Can't

1885
01:47:12,320 --> 01:47:15,280
Speaker 1: stop hustling. Too many people hold that cold tiller mine.

1886
01:47:16,720 --> 01:47:21,519
Speaker 1: But I view this and I always said, feel like

1887
01:47:21,640 --> 01:47:25,560
Speaker 1: she's trying to convince him. I never I never said that,

1888
01:47:25,720 --> 01:47:30,040
Speaker 1: maybe he knows that she's playing a game. But then

1889
01:47:31,040 --> 01:47:33,880
Speaker 1: after he got into a situation where he said he

1890
01:47:33,920 --> 01:47:37,040
Speaker 1: gonna keep sucking his baby mama, they got it back

1891
01:47:37,080 --> 01:47:40,240
Speaker 1: and forth. I think she went live with showing that

1892
01:47:40,479 --> 01:47:43,559
Speaker 1: saying that he hit her her like lip was busted

1893
01:47:43,640 --> 01:47:45,679
Speaker 1: and all of that. Then she came out and retracted

1894
01:47:45,760 --> 01:47:48,479
Speaker 1: that and said that she had a bad night, bad trip,

1895
01:47:48,840 --> 01:47:50,560
Speaker 1: Like that's what I'm saying. There's a lot happening, just

1896
01:47:50,720 --> 01:47:54,840
Speaker 1: too much happening. But he posted this video. If you

1897
01:47:54,960 --> 01:47:57,519
Speaker 1: look at him, it looked like he was It looked

1898
01:47:57,520 --> 01:48:01,240
Speaker 1: like he was probably ran a trick on her, like

1899
01:48:01,400 --> 01:48:04,479
Speaker 1: he was leaving, like I'm gonna leave, but I'm sitting

1900
01:48:04,520 --> 01:48:07,240
Speaker 1: in here. Why she didn't she on the phone talking

1901
01:48:07,280 --> 01:48:37,240
Speaker 1: about me. Let's look again, So if you're listening. So

1902
01:48:37,360 --> 01:48:40,639
Speaker 1: if you're listening, you hear her say Yo, it's beneficial. Um.

1903
01:48:42,840 --> 01:48:45,720
Speaker 1: And I'm telling you see, women don't know like they

1904
01:48:45,800 --> 01:48:48,559
Speaker 1: think it's just their intuition. But dudes be having little

1905
01:48:48,560 --> 01:48:52,120
Speaker 1: intuition and running little tricks too. Now it's a lot

1906
01:48:52,200 --> 01:48:54,600
Speaker 1: of us. I don't have done something like that, you

1907
01:48:54,680 --> 01:48:57,320
Speaker 1: know what I mean, Like, Oh, you're going outside the talk,

1908
01:48:57,840 --> 01:48:59,280
Speaker 1: you're trying to talk. I want to see what you

1909
01:48:59,400 --> 01:49:03,240
Speaker 1: really be saying. Then creep around back. Yeah, and he

1910
01:49:03,680 --> 01:49:06,320
Speaker 1: keeps talking about this his house, and I need to ah,

1911
01:49:06,600 --> 01:49:12,240
Speaker 1: you are, Oh that's how you feeling back here? Don't

1912
01:49:12,280 --> 01:49:16,800
Speaker 1: even say nothing. Mental note, don't say a word. Now

1913
01:49:16,840 --> 01:49:19,519
Speaker 1: I'm operating with a little more information. Now I'm starting

1914
01:49:19,560 --> 01:49:22,599
Speaker 1: to Now I'm starting the side a couple of things

1915
01:49:22,680 --> 01:49:26,920
Speaker 1: you're saying. Now you understand me, because if you if

1916
01:49:26,960 --> 01:49:28,559
Speaker 1: you look at this dude, it's clear that he doesn't

1917
01:49:28,640 --> 01:49:30,880
Speaker 1: run a trick like he was gone, but he looked hurt.

1918
01:49:31,960 --> 01:49:36,320
Speaker 1: It almost like it's almost like he looked like it.

1919
01:49:36,439 --> 01:49:38,479
Speaker 1: Damn didn't look like he's like, damn, bro, I slick

1920
01:49:38,560 --> 01:50:05,000
Speaker 1: knew this ship. Can you imagine? Can you imagine having

1921
01:50:05,040 --> 01:50:06,960
Speaker 1: a girl in your house? And know what I'm saying.

1922
01:50:07,000 --> 01:50:10,880
Speaker 1: Sometimes women to be bold, Like I had a woman

1923
01:50:10,960 --> 01:50:12,680
Speaker 1: come in my house with her kids and they kind

1924
01:50:12,680 --> 01:50:15,679
Speaker 1: of just take over the house. Women sometimes get bold,

1925
01:50:15,840 --> 01:50:19,080
Speaker 1: man specially. That's why you're don't take money from them.

1926
01:50:19,760 --> 01:50:23,120
Speaker 1: If they try to pay something, Hey, I'll pay this. No,

1927
01:50:23,360 --> 01:50:26,320
Speaker 1: don't pay nothing, because soon you put five hunting on

1928
01:50:26,479 --> 01:50:30,519
Speaker 1: something there. Now you you wanna na, No, don't pay nothing.

1929
01:50:30,640 --> 01:50:33,479
Speaker 1: Keep all your money, don't put nothing on nothing over here,

1930
01:50:33,520 --> 01:50:36,200
Speaker 1: and keep that spot over I got everything over here,

1931
01:50:36,280 --> 01:50:41,800
Speaker 1: everything because they'll do that. But picture being with a

1932
01:50:41,920 --> 01:50:44,479
Speaker 1: girl or having a girl in your house saying those

1933
01:50:44,560 --> 01:50:47,040
Speaker 1: kind of things about you. You pay the ring, you

1934
01:50:47,200 --> 01:50:50,280
Speaker 1: damn the supply and everything she got going on. You're

1935
01:50:50,320 --> 01:50:52,680
Speaker 1: handing a cloud. She don't all the blow she got

1936
01:50:52,720 --> 01:50:55,040
Speaker 1: people thinking she loved you like a muffler. They think

1937
01:50:55,080 --> 01:50:58,160
Speaker 1: she ride or die and you're sitting there like what

1938
01:50:58,400 --> 01:51:01,760
Speaker 1: situation in my man? They think she loved me. They're

1939
01:51:01,800 --> 01:51:04,519
Speaker 1: tricking me in and thinking she loved me. They're tricking

1940
01:51:04,560 --> 01:51:06,800
Speaker 1: me in and thinking she loyed you. They got me slick,

1941
01:51:06,920 --> 01:51:09,240
Speaker 1: thinking I'm tripping. I'm post to hold her down, but

1942
01:51:09,600 --> 01:51:13,280
Speaker 1: I'm slick knowing look at this, and so he tweeted this,

1943
01:51:13,360 --> 01:51:16,040
Speaker 1: If she stick around, it's on her. I'm a young end.

1944
01:51:16,120 --> 01:51:18,880
Speaker 1: We're having my way with this shit. I ain't in

1945
01:51:18,960 --> 01:51:21,160
Speaker 1: a rush to settle down with nobody, and y'all not

1946
01:51:21,240 --> 01:51:23,200
Speaker 1: going to rush my process. I'm gonna wait it out

1947
01:51:23,479 --> 01:51:26,280
Speaker 1: and see who's gonna be here at the end for real,

1948
01:51:26,400 --> 01:51:28,880
Speaker 1: not just temporarily. The video I just posted it from

1949
01:51:28,920 --> 01:51:31,519
Speaker 1: a year ago, not recent. I've been moving like this

1950
01:51:31,960 --> 01:51:34,360
Speaker 1: because I knew the truth. When you get up, nobody

1951
01:51:34,479 --> 01:51:37,280
Speaker 1: is with you because they actually loved you. It's only beneficial.

1952
01:51:38,720 --> 01:51:41,280
Speaker 1: I'm gonna continue to have my way with these girls

1953
01:51:41,520 --> 01:51:44,080
Speaker 1: and these help and they're gonna keep letting me play

1954
01:51:44,160 --> 01:51:46,360
Speaker 1: with him as long as it's beneficial in the story.

1955
01:51:46,479 --> 01:51:48,400
Speaker 1: Y'all can feel bad for him if y'all want to.

1956
01:51:49,280 --> 01:51:51,680
Speaker 1: So that's in response to the Internet. Basically tell him

1957
01:51:51,720 --> 01:51:53,839
Speaker 1: he needs something from him with her and take her serious.

1958
01:51:54,000 --> 01:51:56,599
Speaker 1: See people killed me trying to tell somebody take their

1959
01:51:56,720 --> 01:52:00,120
Speaker 1: mate serious. Y'all keep telling gel Man, if I were you,

1960
01:52:00,240 --> 01:52:02,840
Speaker 1: I'll be with Doe. Dude. Man, y'all don't know how

1961
01:52:02,880 --> 01:52:05,080
Speaker 1: to do. They're same with gad Man. You need to

1962
01:52:05,160 --> 01:52:09,080
Speaker 1: marry her. She a good girl, Man, gad, don't do nothing, y'all.

1963
01:52:09,240 --> 01:52:10,880
Speaker 1: Tell what you mean? She a good girl? Tell me

1964
01:52:10,960 --> 01:52:13,280
Speaker 1: what a good girl is when she loved you? Man,

1965
01:52:13,520 --> 01:52:15,800
Speaker 1: who can't love me? When when when I made six

1966
01:52:15,960 --> 01:52:19,720
Speaker 1: million last year? It's probably easy to love me? When

1967
01:52:19,800 --> 01:52:23,600
Speaker 1: my house ten thousand square feet? What love looked like

1968
01:52:23,720 --> 01:52:26,120
Speaker 1: when I'm rich? Tell me what that even means? What

1969
01:52:26,280 --> 01:52:28,559
Speaker 1: a rich nigga? What a rich nigga dealing with love

1970
01:52:28,680 --> 01:52:32,120
Speaker 1: look like? Can somebody answer that? What a rich nigga

1971
01:52:32,160 --> 01:52:35,000
Speaker 1: dealing with love looking like? What does a pretty woman

1972
01:52:35,080 --> 01:52:37,400
Speaker 1: dealing with love looking like? What does love look like

1973
01:52:37,560 --> 01:52:41,400
Speaker 1: for a pretty woman? Like for for a beautiful woman?

1974
01:52:41,479 --> 01:52:45,120
Speaker 1: What does love really feel like for her? Who ain't

1975
01:52:45,120 --> 01:52:47,160
Speaker 1: gonna open the door for her, who ain't gonna pay

1976
01:52:47,200 --> 01:52:50,000
Speaker 1: for the dinner, who ain't gonna try to pick up

1977
01:52:50,040 --> 01:52:53,720
Speaker 1: and take her somewhere or fly out? What is love?

1978
01:52:53,880 --> 01:52:56,920
Speaker 1: What separates that same with the rich nigga? Who ain't

1979
01:52:56,960 --> 01:52:59,120
Speaker 1: gonna get naked for this ship, who ain't gonna ride

1980
01:52:59,160 --> 01:53:00,960
Speaker 1: with it, who ain't gonna get on the private j

1981
01:53:01,120 --> 01:53:03,680
Speaker 1: who ain't gonna who don't want to come out here

1982
01:53:03,720 --> 01:53:05,800
Speaker 1: to the island, who don't want to go to the

1983
01:53:05,920 --> 01:53:09,320
Speaker 1: bungalow and be with me in the villa. Who don't

1984
01:53:09,360 --> 01:53:11,280
Speaker 1: want to be on the boat when it's rocking back

1985
01:53:11,320 --> 01:53:15,040
Speaker 1: and forth on some Aliyah shit. And so beneficial is

1986
01:53:15,080 --> 01:53:17,800
Speaker 1: the key word, because you don't want to be in nothing,

1987
01:53:17,800 --> 01:53:20,200
Speaker 1: to be involved in nothing that ain't beneficial, But you

1988
01:53:20,320 --> 01:53:23,560
Speaker 1: also don't want to be involved in nothing it's only beneficial.

1989
01:53:26,800 --> 01:53:31,800
Speaker 1: She's a sweet science. You can't just be somewhere because

1990
01:53:31,840 --> 01:53:39,360
Speaker 1: it's only beneficial, because that get old once you gets stable. Na,

1991
01:53:39,680 --> 01:53:46,600
Speaker 1: no financially beneficial, get old once she gets stable. Financially

1992
01:53:46,640 --> 01:53:53,680
Speaker 1: beneficial only work when you are financially embarrassed, just like

1993
01:53:53,840 --> 01:53:57,439
Speaker 1: you being pretty only work for so long. Now I

1994
01:53:57,520 --> 01:54:01,920
Speaker 1: got to like your cornbread. Now, I got to like

1995
01:54:02,120 --> 01:54:07,439
Speaker 1: you Sunday morning when the game finn to come on. Now,

1996
01:54:07,479 --> 01:54:10,360
Speaker 1: I got to like the environment you created in my household.

1997
01:54:10,880 --> 01:54:15,400
Speaker 1: I'm letting you close enough to destroy me. It's deeper

1998
01:54:15,439 --> 01:54:19,800
Speaker 1: than me, just fucking you now, and the same when

1999
01:54:19,840 --> 01:54:22,120
Speaker 1: a woman, it's deeper than you just fucking her. Now.

2000
01:54:24,160 --> 01:54:26,360
Speaker 1: I'm letting you in closer the way you can really

2001
01:54:26,520 --> 01:54:29,080
Speaker 1: destroy me, because I love hard and it's pretty as

2002
01:54:29,120 --> 01:54:32,080
Speaker 1: I am. If you get my mind and you decide

2003
01:54:32,120 --> 01:54:33,960
Speaker 1: to go left with it. You can, you'll tap me

2004
01:54:34,080 --> 01:54:37,760
Speaker 1: down to take me nine months to get myself back together.

2005
01:54:40,080 --> 01:54:43,120
Speaker 1: Still a be beautiful, still a be pretty. Body's still

2006
01:54:43,160 --> 01:54:48,320
Speaker 1: a be intact mine all over the place. So I

2007
01:54:48,440 --> 01:54:50,400
Speaker 1: get I let you get close enough to me to

2008
01:54:50,520 --> 01:54:53,560
Speaker 1: do that. So pitt your dude. They got somebody next

2009
01:54:53,600 --> 01:54:56,360
Speaker 1: to him where everybody's saying it, the girl love your

2010
01:54:56,440 --> 01:55:00,840
Speaker 1: dirty drawers, you on her tooth. The girl love you, man,

2011
01:55:00,960 --> 01:55:03,360
Speaker 1: She put you on her nick. They got to see that,

2012
01:55:04,200 --> 01:55:07,600
Speaker 1: and you knowing she's someone telling people that's just beneficial.

2013
01:55:10,880 --> 01:55:13,000
Speaker 1: People kill me with that. I've had people do that

2014
01:55:13,080 --> 01:55:15,360
Speaker 1: to me. Man, she loves you like a MoMA on

2015
01:55:15,440 --> 01:55:18,080
Speaker 1: how he's saying, Man, I went next to that person

2016
01:55:18,160 --> 01:55:22,080
Speaker 1: in some of my worst as ours. That person showed

2017
01:55:22,200 --> 01:55:27,360
Speaker 1: me love. Don't live there anymore but from the outside,

2018
01:55:28,480 --> 01:55:30,760
Speaker 1: because what people tend to do is to keep other

2019
01:55:30,840 --> 01:55:34,080
Speaker 1: people away from you. They tend to make people think

2020
01:55:34,120 --> 01:55:37,880
Speaker 1: they love for you. It's so strong that it's dangerous

2021
01:55:38,760 --> 01:55:43,440
Speaker 1: over there. Both in him. I love him so much,

2022
01:55:43,560 --> 01:55:46,080
Speaker 1: Oh man, I love him, And you go ahead, that man.

2023
01:55:46,240 --> 01:55:49,600
Speaker 1: How you feel go aheads that woman? How you feel

2024
01:55:49,680 --> 01:55:52,040
Speaker 1: with that man? That dude running around telling the a

2025
01:55:52,160 --> 01:55:54,280
Speaker 1: about how much you love or go ass hard though,

2026
01:55:54,360 --> 01:55:57,800
Speaker 1: pull her to the side, pull him to the side.

2027
01:55:57,920 --> 01:56:00,280
Speaker 1: Though about that girl that's telling the about how much

2028
01:56:00,320 --> 01:56:03,040
Speaker 1: she loved him, how much she do for him. Pull

2029
01:56:03,120 --> 01:56:06,360
Speaker 1: him to the side and clarify that. I bet you

2030
01:56:06,480 --> 01:56:09,440
Speaker 1: that story go or a look different, because when people

2031
01:56:09,520 --> 01:56:12,240
Speaker 1: come and talk to you about their relationships, a lot

2032
01:56:12,320 --> 01:56:15,160
Speaker 1: of times they leave out the things that's causing the issues.

2033
01:56:16,000 --> 01:56:18,360
Speaker 1: They point out the things that should be resolved in

2034
01:56:18,400 --> 01:56:21,480
Speaker 1: the problems. I do this, I do that, I do this,

2035
01:56:21,760 --> 01:56:27,280
Speaker 1: I do that. But sweetie, he asking for that you

2036
01:56:27,400 --> 01:56:29,280
Speaker 1: get up every day and leave a sandwich on the

2037
01:56:29,360 --> 01:56:31,760
Speaker 1: table before he go to work, and he don't eat sandwiches.

2038
01:56:33,240 --> 01:56:35,360
Speaker 1: He asking you that when he come in at night,

2039
01:56:35,720 --> 01:56:39,200
Speaker 1: just has some noodles for him. You keep forgetting that.

2040
01:56:42,240 --> 01:56:44,680
Speaker 1: It's another thing that happens in relationships is you do

2041
01:56:44,800 --> 01:56:47,160
Speaker 1: what you think is important, and then you serve that.

2042
01:56:47,360 --> 01:56:50,520
Speaker 1: And then when you serve that, you think job will done.

2043
01:56:50,600 --> 01:56:53,240
Speaker 1: And the other person that's saying you just serve me

2044
01:56:53,320 --> 01:56:57,160
Speaker 1: a plate of things that ain't to have no value

2045
01:56:57,240 --> 01:56:59,720
Speaker 1: in my life. So yeah, you put a plate on

2046
01:56:59,800 --> 01:57:03,240
Speaker 1: the table, but it's all nutritional. But had, but it

2047
01:57:03,360 --> 01:57:10,120
Speaker 1: has no nutritional value. So you're no longer pouring into me.

2048
01:57:10,200 --> 01:57:14,840
Speaker 1: You're no longer feeding me, feeding my soul, feeding my circumstances.

2049
01:57:15,880 --> 01:57:18,879
Speaker 1: And so I just think relationships are harder than we understand,

2050
01:57:19,000 --> 01:57:21,200
Speaker 1: Like we gotta put ourselves in a situation to be

2051
01:57:21,320 --> 01:57:24,920
Speaker 1: with people that understand us while we're in confusion, because

2052
01:57:24,960 --> 01:57:28,080
Speaker 1: it's easy to understand us when it's going good, especially

2053
01:57:28,080 --> 01:57:30,280
Speaker 1: if you're dealing with somebody like us. It's a hustler.

2054
01:57:30,600 --> 01:57:32,720
Speaker 1: It's easy to deal with us when it's going good.

2055
01:57:34,200 --> 01:57:36,480
Speaker 1: It's just gonna be easy. Let me speak on this

2056
01:57:36,680 --> 01:57:38,240
Speaker 1: before I get out of here too. I want to

2057
01:57:38,560 --> 01:57:42,480
Speaker 1: because I'm gonna spend real, real, real, real little bit

2058
01:57:42,520 --> 01:57:44,800
Speaker 1: of time on academic It's like that dude, it's not

2059
01:57:44,960 --> 01:57:47,480
Speaker 1: worth my time. The more I look at it, and

2060
01:57:47,520 --> 01:57:49,640
Speaker 1: I'm getting calls from the streets, the same man we

2061
01:57:49,760 --> 01:57:51,880
Speaker 1: glade with you at that nigga, And I'm telling them

2062
01:57:51,960 --> 01:57:55,400
Speaker 1: I'm gonna get away from him. It don't make sense

2063
01:57:55,480 --> 01:57:58,160
Speaker 1: for me. I'm too valuable to the culture too. Little

2064
01:57:58,240 --> 01:58:01,240
Speaker 1: boys like you gotta say me a boss man like

2065
01:58:01,960 --> 01:58:04,200
Speaker 1: you know this dude his like and and and I'm

2066
01:58:04,240 --> 01:58:06,120
Speaker 1: sure he'll still be in the coach because I don't

2067
01:58:06,120 --> 01:58:10,040
Speaker 1: have time to stomp him out, um in the market.

2068
01:58:10,480 --> 01:58:13,520
Speaker 1: You understand what I'm saying. UM, But now if if

2069
01:58:13,640 --> 01:58:16,520
Speaker 1: if I need to, don't, don't don't keep poking the

2070
01:58:16,600 --> 01:58:19,280
Speaker 1: bad man, because I spend some time on one of

2071
01:58:19,320 --> 01:58:23,040
Speaker 1: you guys, especially you, and um and and and and

2072
01:58:23,200 --> 01:58:26,360
Speaker 1: for real, man, we you know, we'll see what their

2073
01:58:26,440 --> 01:58:31,440
Speaker 1: brain is really made of over there. Um, but act man,

2074
01:58:31,560 --> 01:58:37,480
Speaker 1: this is so disrespectful and just so disingenuous. Um. Twenty

2075
01:58:37,520 --> 01:58:41,440
Speaker 1: one Savage and Drake dropped her loss. And then he

2076
01:58:41,560 --> 01:58:44,800
Speaker 1: went to tag and saying, you know, basically disrespeaking a

2077
01:58:44,800 --> 01:58:47,880
Speaker 1: little baby and Kodak and all these other rappers, Dub

2078
01:58:47,920 --> 01:58:51,520
Speaker 1: Baby his boy, Pobi his boy Dub Baby. That's what

2079
01:58:51,600 --> 01:58:54,200
Speaker 1: I'm telling y'all. He just using these dudes for these interviews.

2080
01:58:54,280 --> 01:58:56,760
Speaker 1: The baby posts be his guy. So he come out

2081
01:58:56,760 --> 01:58:58,960
Speaker 1: and says all me and then he try to clarify

2082
01:58:59,000 --> 01:59:02,760
Speaker 1: it and said Tory and young Boy was good or

2083
01:59:02,840 --> 01:59:05,640
Speaker 1: something like that, but all his homeboys had been dropping.

2084
01:59:05,720 --> 01:59:08,000
Speaker 1: But he cocked buffing Drake so bad because he needed

2085
01:59:08,040 --> 01:59:11,640
Speaker 1: that interview and this is a great album. But his

2086
01:59:11,880 --> 01:59:15,840
Speaker 1: intentions are clear in these circumstances. But what I found

2087
01:59:15,920 --> 01:59:21,360
Speaker 1: even more corny and let me know that he's a

2088
01:59:21,440 --> 01:59:24,520
Speaker 1: simpleton L seven. So he try to he put that

2089
01:59:24,680 --> 01:59:27,280
Speaker 1: in tagged and was like, mention these rappers and try

2090
01:59:27,320 --> 01:59:29,680
Speaker 1: to put us against each other. So he tried to

2091
01:59:29,760 --> 01:59:32,560
Speaker 1: basically make Baby in twenty one Savage in the market

2092
01:59:32,640 --> 01:59:34,480
Speaker 1: for the fans, because they're smart enough to know that

2093
01:59:34,560 --> 01:59:37,480
Speaker 1: ain't kue, ain't biting into that be like man Drake

2094
01:59:37,600 --> 01:59:40,240
Speaker 1: and Savage saved us from all these bullshit music that

2095
01:59:40,440 --> 01:59:43,160
Speaker 1: just dropped. And I'm like, yo, bro, don't you know

2096
01:59:43,240 --> 01:59:45,280
Speaker 1: that low level game? We don't let dudes like you

2097
01:59:45,400 --> 01:59:48,480
Speaker 1: trick us into beefing with each other. How we gonna

2098
01:59:48,480 --> 01:59:51,600
Speaker 1: hate on each other? Because academic said it you serious

2099
01:59:51,680 --> 01:59:55,600
Speaker 1: over you want to coin these niggas in a mira.

2100
01:59:55,720 --> 01:59:57,960
Speaker 1: Can you think you're gonna start beef with two multi

2101
01:59:58,080 --> 02:00:01,360
Speaker 1: million dollars rap dudes or for more to having many

2102
02:00:01,480 --> 02:00:04,160
Speaker 1: dudes you try to throw in that mix these dudes

2103
02:00:04,440 --> 02:00:07,800
Speaker 1: is smarter than that. It's damned disrespectful that you would

2104
02:00:07,840 --> 02:00:10,800
Speaker 1: think that that low level bullshit game of work. But

2105
02:00:10,920 --> 02:00:12,720
Speaker 1: I don't think you think it to work on them.

2106
02:00:12,920 --> 02:00:15,000
Speaker 1: You're doing this for the audience. You're doing this to

2107
02:00:15,080 --> 02:00:17,600
Speaker 1: try to make the fans start the conversation and start

2108
02:00:17,680 --> 02:00:21,720
Speaker 1: the narrative again that you go again creating environments that

2109
02:00:21,840 --> 02:00:26,480
Speaker 1: you don't want to be held accountable for. And it's unfortunately,

2110
02:00:26,480 --> 02:00:28,800
Speaker 1: because I'm to be honest, I hate talking about you

2111
02:00:28,920 --> 02:00:33,240
Speaker 1: at this point. It's it just it makes no sense.

2112
02:00:33,320 --> 02:00:36,120
Speaker 1: But I'm gonna talk about you because I needed to

2113
02:00:36,200 --> 02:00:38,800
Speaker 1: be clear of the circumstances that you're trying to put

2114
02:00:38,880 --> 02:00:42,440
Speaker 1: these rappers in. You want these rappers to go at

2115
02:00:42,520 --> 02:00:45,640
Speaker 1: each other. Oh man, I can have my opinion, that's

2116
02:00:45,720 --> 02:00:47,600
Speaker 1: what you're gonna say. I know what you're gonna say,

2117
02:00:49,040 --> 02:00:51,320
Speaker 1: But you don't put those two people against each other.

2118
02:00:51,360 --> 02:00:53,400
Speaker 1: There's no merit that, there's no reason to do that.

2119
02:00:53,920 --> 02:00:56,960
Speaker 1: All right, So another episode of the Fashion Growing podcasts

2120
02:00:57,040 --> 02:00:59,800
Speaker 1: in the market. It's up their podcasts been with pre

2121
02:01:00,040 --> 02:01:02,960
Speaker 1: Shady Buddies locked in Widow's hundred percent Low for ever

2122
02:01:03,040 --> 02:01:04,360
Speaker 1: and ever and never and never never,