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Speaker 1: Still the Place with Laura Layton, Courtney thorn Smith.

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Speaker 2: And Daphne's Aniga an iHeartRadio podcast.

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Speaker 3: We're back on Zoom and I think we've got our

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Speaker 3: stuff figured out.

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Speaker 4: Not easy, a bunch of you know what, let's just

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Speaker 4: do it a zoom. It's a home. It's so easy,

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Speaker 4: and in fact, this is so much harder.

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Speaker 1: It's true because then we just walk in and sit down.

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Speaker 1: Everything sort of done for us, which we find we like.

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Speaker 3: Yes, because we're old school, we can do this.

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Speaker 1: Our old school, right.

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Speaker 2: I think that's a traffic show up and somebody else

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Speaker 2: has it all figured out.

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Speaker 1: Yeah. I do like to be in person. It is

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Speaker 1: really fun.

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Speaker 4: Yeah.

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Speaker 3: Well, on that note, this is regardless of where we are,

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Speaker 3: we are together here and Still the Place for recap

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Speaker 3: again for episode twelve.

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Speaker 1: I'm getting so excited at the thought that you guys

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Speaker 1: are going to be on the show. We are counting

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Speaker 1: down the seconds. I'm so exciting.

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Speaker 4: I've come up in three.

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Speaker 2: But I have to say this was all about you,

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Speaker 2: Court This episode is so fun for you and and

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Speaker 2: just I just loved this episode. It was so Melrose,

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Speaker 2: so nineties and so all about Alison.

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Speaker 1: I feel like the pace was getting better watching this episode.

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Speaker 1: I feel like it's more fun. It's not this story,

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Speaker 1: this story, Like I feel like the momentums get the

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Speaker 1: pace is better in this one. Did you guys notice that?

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Speaker 4: Yeah?

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Speaker 3: Well I also noticed how much it's about Alison, Like

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Speaker 3: I know you talked about, oh my gosh, we worked

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Speaker 3: so much, so much, so much, and like I think

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Speaker 3: my recollection is by the time I came on, it

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Speaker 3: was much more evenly spread between beyond characters and stuff

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Speaker 3: like that. But I can totally see, especially in this episode,

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Speaker 3: why you were completely overwhelmed and maybe overworked. I mean

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Speaker 3: because you were constantly the.

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Speaker 2: In every story and like, was that Awar right the

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Speaker 2: beach and on the at the studio and.

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Speaker 1: Yeah, yeah it was Oxnard. Do you think that's why

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Speaker 1: the pacing felt better because I was in every scene?

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Speaker 3: Yeah, I think so. I think you're.

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Speaker 2: This is just flying by the drama you brought, the

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Speaker 2: sas I brought, the pace you brought it.

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Speaker 1: So why is this one so good? I know it

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Speaker 1: was so good, but I think honestly watching it, I

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Speaker 1: think I felt better because I like I started to

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Speaker 1: get some different pacing in my work, Like I feel

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Speaker 1: like and what I remembered watching this is that I

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Speaker 1: was taking acting classes while I was doing Melros. So

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Speaker 1: I would go to work at Melros, then go to

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Speaker 1: on Melrose Avenue. Actually I was taking acting classes with

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Speaker 1: Tony Greco, So I think I was actually like not

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Speaker 1: only improving because I was practicing at work, I think

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Speaker 1: I was also improving through taking classes. So I was

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Speaker 1: bringing more I was bringing in more interesting choices. Yeah,

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Speaker 1: but I can see my evolution so well. Plus I

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Speaker 1: think I keep not trajectory. Plus the writing was serving

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Speaker 1: you there.

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Speaker 2: So what you're saying is like I saw more levels

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Speaker 2: in your performance. Yes, and lucky for you, there was

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Speaker 2: more depth, Like there's a follow up to you know

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Speaker 2: the date, there's more, there was more texture.

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Speaker 4: Well we'll get into it all.

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Speaker 2: But there was a lot in the writing too that

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Speaker 2: was supporting you in that and just feels like we're

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Speaker 2: about to the show was a kind of changing from that.

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Speaker 4: You know, we still have Billy dealing with this huge

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Speaker 4: student loan of two thousand dollars. I mean, god, this massive,

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Speaker 4: but but we have that.

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Speaker 2: But you like were starting to launch it on to

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Speaker 2: like an older.

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Speaker 1: Man, and you know, but I think that's a good

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Speaker 1: point about the writers were starting to get into it

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Speaker 1: because what I noticed, and we're going to get to it,

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Speaker 1: but I had a scene with Tug in which we're

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Speaker 1: clearly having fun, like Doug and I are having a ball,

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Speaker 1: Andrew and I. There was more lightness. It felt like

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Speaker 1: it was more real. There was a scene with Josie

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Speaker 1: and me where we're really playing. You could see our relationship.

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Speaker 1: So that's probably part of it too, which is that

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Speaker 1: we were getting closer so I could see more of

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Speaker 1: each of the people I know in the characters like Ducking,

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Speaker 1: they wouldn't have had that earlier because he was so earnest.

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Speaker 1: They're letting him be later, they're letting us all play

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Speaker 1: yeah more. So that's a really good point. The writing

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Speaker 1: did changed too.

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Speaker 2: I mean remember in the very beginning, all of ten

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Speaker 2: episodes twelve episodes ago, they were way back, but we

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Speaker 2: were saying like there were a lot of like intro

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Speaker 2: here and a piece there, and so that's what a

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Speaker 2: writer has to do, right You write court like you

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Speaker 2: have to do the beginning and then the middle. So

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Speaker 2: I feel like we're launching into like a deeper into it,

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Speaker 2: so you get to see these more like the audience

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Speaker 2: knows the characters a little bit. We don't have to

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Speaker 2: intro everything all the time with these little kind of

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Speaker 2: that's such a good point, you know.

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Speaker 3: Yeah, and sort of like spoiler alert, this is an

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Speaker 3: episode that actually leaves us with a continuation. Yeah, you know,

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Speaker 3: it's kind of the first time that it shows that

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Speaker 3: a storyline will be you know, to be continued.

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Speaker 1: Wow.

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Speaker 3: I give this the first scene Episode twelve, which is a.

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Speaker 1: Play on words.

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Speaker 3: Guys, we do have a little bit of a double

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Speaker 3: on tundra here. Okay. This one's directed by Daniel Attias again,

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Speaker 3: written by Darren Starr. Also written by Amy Spies.

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Speaker 2: She wrote a lot and I just wanted to stop

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Speaker 2: for so I ran into her years later. She's a meditator, Courtney.

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Speaker 4: She's a meditator and she loves a meditator mindful writing.

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Speaker 4: She teaches a whole course in it. And I remember

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Speaker 4: running into her at a wonderful local meditation center called

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Speaker 4: Inside La and she introduced herself. I used to write

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Speaker 4: on Melrose and it was like my two girls colliding, Like, wait, Melrose,

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Speaker 4: that doesn't have to do with this, you know, But

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Speaker 4: she's like but she teaches.

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Speaker 2: And she's written a ton so wow, I'm going to

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Speaker 2: look her up, look her up, and it really is

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Speaker 2: the smallest world.

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Speaker 3: I mean, we live in this giant city of Los Angeles,

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Speaker 3: but it's truly the small.

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Speaker 4: And also your world.

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Speaker 3: Yes, I love it.

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Speaker 4: Tend to more than you think, tend to connect more

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Speaker 4: than you think.

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Speaker 1: Yes.

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Speaker 3: So this episode opens on a fitness photo shoot with

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Speaker 3: classic nineties attire and awesomely cheesy. Yeah, it was amazing.

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Speaker 2: I thought that was a sign of the time. Didn't

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Speaker 2: you think it was fantastic? The spandex, the bright pink

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Speaker 2: and purple and the hair.

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Speaker 3: And it's just all so super awkward. And Alison is

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Speaker 3: there with her boss, Lucy. She's standing Alison is standing by,

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Speaker 3: but needs to leave early to get back to the office.

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Speaker 3: Lucy asks Allison if she might be interested in doing

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Speaker 3: some freelance for her, maybe some research that opses for

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Speaker 3: the experience, and also just sort of wants to support

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Speaker 3: Alison in her beginning of her career as part of

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Speaker 3: the Girls Network.

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Speaker 1: And yeah, it wasn't I love when you said that

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Speaker 1: the old Girl's Network. That was so sweet.

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Speaker 3: She's trying to throw her bone and trying to help her,

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Speaker 3: you know, just as Alison's getting launched, and Alison is

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Speaker 3: thrilled at the at the offer. So then we cut

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Speaker 3: to Billy and Jake watching a baseball game on television.

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Speaker 3: Jake does not seem to be very interested in baseball,

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Speaker 3: and during the game, Michael stops over and he delivers

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Speaker 3: a piece of mail hands it to Billy, which Billy

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Speaker 3: promptly tears up, saying it must just be a credit card,

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Speaker 3: another credit card, turning him down for credit, for which

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Speaker 3: Jake says, you know you're lucky, because these things are,

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Speaker 3: you know, deadly, but Billy says that he doesn't really

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Speaker 3: do well with rejection. He just wants somebody to give

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Speaker 3: him a credit.

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Speaker 1: Card, which is so crazy. It must have been a

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Speaker 1: different time because now you can't open your email without

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Speaker 1: being offered a credit card. Yeah, right, Like I feel

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Speaker 1: like you can't not have a credit I remember when

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Speaker 1: when my parents got divorced a million years ago, and

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Speaker 1: at the time, you know, women's credits were through her husband.

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Speaker 1: So my mom always jokes about how the only bank,

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Speaker 1: and this is true, the only bank that would give

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Speaker 1: credit cards to women is called the Bank of Hoven.

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Speaker 1: So all these furse women had their Bank of Oven

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Speaker 1: because nobody would give credit to women. Isn't that interesting?

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Speaker 1: Just forty years ago they had to try to build

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Speaker 1: their own credit out of nothing. Yeah, just a little

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Speaker 1: side note, But isn't it crazy that he's being turned

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Speaker 1: down for a credit card? Yeah?

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Speaker 3: Well yeah, and I think he just wants one so

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Speaker 3: badly and he's taken it so personally. He's like, I

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Speaker 3: don't do well with rejection.

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Speaker 1: I know. And this scene had this scene had a

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Speaker 1: funny line that I shouldn't say during the World Series

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Speaker 1: and it's a very exciting time. But but Jake gets

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Speaker 1: up when he comes back, he goes, I love baseball.

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Speaker 1: I leave the room when I come back, and the

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Speaker 1: same things. I'm not allowed to say it, but how

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Speaker 1: I feel about baseball. Sorry, many baseball fans of the

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Speaker 1: game's well yeah, not super speedy.

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Speaker 4: Not spy.

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Speaker 2: Recently changed the rules to all that definitely high drama.

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Speaker 2: Yeah oh really Yeah, they've literally made certain rules because

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Speaker 2: everyone was feeling like you, like we all felt it

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Speaker 2: took forever, like four hours or something.

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Speaker 3: So now they've certain things to speed up the game,

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Speaker 3: like even all.

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Speaker 2: The rules that you have to speed up, like a

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Speaker 2: timer clock on the picture and certain things like that.

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Speaker 1: When my son was playing football and I was complaining

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Speaker 1: to a mom about how long the games were, and

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Speaker 1: she was like, I can't even talk to you. Baseball

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Speaker 1: moms have eight hour doubleheader days, and you're a baseball mom,

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Speaker 1: aren't you, Laura.

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Speaker 3: Yes, yeah, so you.

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Speaker 1: Had those eight hours outside in the sun. I used

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Speaker 1: to be a basketball mom. We had Oh it's over y,

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Speaker 1: it was lovely.

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Speaker 3: Yeah, it's definitely a good weather sports. Basketball. We we

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Speaker 3: limitted that a lot from the baseball field. Why couldn't

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Speaker 3: we pick something that didn't have to deal with inclement?

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Speaker 1: Yes, so you had like eight hour days, right, I.

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Speaker 3: Will say, as a mother who's been on the sidelines

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Speaker 3: for many, many sports, most of the sports truck meets

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Speaker 3: are even longer because you often have you know, somebody

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Speaker 3: is running early and then maybe they're not until the

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Speaker 3: last relay of the day and it's over in a heartbeat.

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Speaker 3: Like swim meet. You know you're there for the whole day,

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Speaker 3: for all those events, for all those swimmers or all

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Speaker 3: those runners, but your kid is like, whoop, just a blip.

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Speaker 3: So track meats, swim meets, those are even pard of

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Speaker 3: than baseball.

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Speaker 4: But anyway.

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Speaker 3: Okay, not that interested, but he does say you're lucky

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Speaker 3: you don't want a credit card anyway. So then we're

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Speaker 3: cutting to Alison and Jane. They're having a night out together,

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Speaker 3: and Jane is very encouraging, excited for Alison that she's,

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Speaker 3: you know, on the rise in the ad world. They

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Speaker 3: stopped to admire some dresses in a store window, and

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Speaker 3: Jane laments that she's five pounds heavier than before she got.

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Speaker 1: Pregnant, which is five pounds heavier than what, like, she's

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Speaker 1: so tiny?

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Speaker 2: Yeah, I mean, and then they see her in the

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Speaker 2: aerobic wear and I was just literally the story that.

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Speaker 4: Makes sense to me. I didn't that it didn't.

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Speaker 1: Try because she could have. They should have put her

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Speaker 1: in like a big shirt or something so you can

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Speaker 1: see how incredibly trim she is.

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Speaker 4: But I did.

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Speaker 3: Yeah, it was kind of hard, kind of hard to

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Speaker 3: sell that those pounds actually existed, but I yeah, I

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Speaker 3: will get there. But I think it's that she's sort

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Speaker 3: of seeing herself that way, not maybe that is.

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Speaker 1: Yeah, literally, a sweatshirt would have helped so much.

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Speaker 3: Yeah, the hat, yeah, and the sweater Jane she was

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Speaker 3: wearing sort of like it didn't look like Jane's overside

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Speaker 3: clothes at all.

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Speaker 4: It was like, suddenly she's pregnant or she was pregnant,

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Speaker 4: so let's put her in this bucket hat and this

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Speaker 4: grandma kind of collared sweater.

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Speaker 3: Cover everything clothes.

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Speaker 4: I loved it.

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Speaker 3: So suddenly from a voice in the scene says, hey,

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Speaker 3: can I interest either of you ladies in a date

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Speaker 3: this weekend? Kind of creepy, but the girls turned to

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Speaker 3: see a cute guy who's sitting at a table outside

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Speaker 3: and near the store alone, and it's Billy Moses and

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Speaker 3: he is the actor, and he is inviting the ladies

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Speaker 3: to show up to a visiting marine biologists from San

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Speaker 3: Diego who's speaking this weekend on saving the dying ocean.

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Speaker 1: And luckily, eventually he said sign this petition, because I

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Speaker 1: was like, are you sitting on Mara's that trying to

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Speaker 1: give it? Come to my talk company right? Oh?

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Speaker 3: And also yes I'm stalking, but.

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Speaker 1: God, there was a petition.

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Speaker 2: Yeah, this ocean is so close here on Melrose Avenue

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Speaker 2: in Hollywood.

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Speaker 3: It's also like nighttime or whatever, and it's dark and

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Speaker 3: he's sitting alone and he's like, can I interested in

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Speaker 3: other of you ladies in a date. It's creepy, but yeah,

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Speaker 3: you're right.

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Speaker 1: The petition sort of yeah, I mean he should have

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Speaker 1: been outside Whole Foods with the other guys with the

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Speaker 1: petitions in the safe the world. That would have been

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Speaker 1: a little more appropriate.

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Speaker 3: But maybe. And then they introduced themselves. They learn his

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Speaker 3: name is Keith Gray. He turns out to be the

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Speaker 3: guest lecturer that's going to be speaking this weekend. And yes,

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Speaker 3: Allison does think that he's very cute, very cute. I'm

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Speaker 3: all flutter Yeah. So back at the apartment, Billy is

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Speaker 3: on the phone. He's talking with someone about his bad credit.

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Speaker 3: Alison walks in and she asks if he wants to

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Speaker 3: attend the lecture with her on Saturday, and he is

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Speaker 3: wondering out loud who even gets credit cards? He wants

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Speaker 3: one so badly, And of course Alison smiles and she says, well,

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Speaker 3: I have one, of course. But she does reveal that

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Speaker 3: she keeps hers in a drawer doesn't use it, which

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Speaker 3: Billy thinks is a total waste, and Allison says, no, Billy,

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Speaker 3: you cannot comprehend the concept of nineteen and a half

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Speaker 3: percent in interest rates. It's not free money.

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Speaker 1: Yeah, and I love that little math math lesson. Right,

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Speaker 1: it's money. You end up spending a fifth more. I

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Speaker 1: thought this is a very good credit lesson for our young.

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Speaker 4: Vilor literally in that moment, was like a fifth. That's

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Speaker 4: what nineteen percent is.

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Speaker 3: Thank you, Alice, basically to cash only the lesson works.

291
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Speaker 3: Its still working, still working. So yeah, so no credit

292
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Speaker 3: cards still for Billy. And so we then cut to Jane,

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Speaker 3: who's knocking on Ronda's door the next day. She is

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Speaker 3: asking Rhonda if she could take her workout class now

295
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Speaker 3: that she's been cleared after her miscarriage.

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Speaker 1: But first of all, one more time about the wardrobe.

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Speaker 1: She's in a skin tight long skirt. I mean, she

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00:14:21,240 --> 00:14:23,760
Speaker 1: could not look more fit, saying I'm Mary, I've fallen

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00:14:23,800 --> 00:14:26,520
Speaker 1: out of shape, and it's like, but you have not, sweetie,

300
00:14:27,200 --> 00:14:29,120
Speaker 1: just not right.

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Speaker 3: So we have to wonder, is this is storyline about

302
00:14:32,160 --> 00:14:37,080
Speaker 3: sort of body dysmorphia, yeah, eating disorder, Like we're we're

303
00:14:37,080 --> 00:14:40,360
Speaker 3: not really sure if that's where it's going, but like, yeah, definitely,

304
00:14:41,200 --> 00:14:46,960
Speaker 3: the audience isn't buying it because we have eyeballs, right, yes, exactly, yeah,

305
00:14:46,960 --> 00:14:50,240
Speaker 3: but Ronda says, absolutely, Jane, come take my class. And

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00:14:50,840 --> 00:14:54,080
Speaker 3: my first class is free. So that's a plan.

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Speaker 1: And she was very sweet about it too. She was like,

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00:14:56,640 --> 00:14:58,800
Speaker 1: you just be careful, it's kind of be She was

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00:14:58,840 --> 00:15:02,040
Speaker 1: really sweet about it. It's so sweet now that we've met.

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Speaker 1: We spent time with Vanessa recently. When I see her

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Speaker 1: coming to see him, like, oh, there's Vanessa. I just

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00:15:08,160 --> 00:15:10,680
Speaker 1: love that we're getting to re meet everybody and spend time. Yeah,

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Speaker 1: you know what you're saying.

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Speaker 4: I agree, Cord, And also I've done that. I feel

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Speaker 4: like that when I see.

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Speaker 2: All of them now, like when I see even Andrew, now,

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Speaker 2: when I see you now, Court, when I see Thomas

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Speaker 2: and Jesse, it's like, I mean, I having just recently

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Speaker 2: talked to them and hear what their.

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Speaker 4: Experience is, like we're back. Then it just fills out

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Speaker 4: the whole show, you.

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Speaker 1: Know, it does, really does.

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Speaker 4: Especially Yeah, but that's very sweet.

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Speaker 1: So good.

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Speaker 3: Then we find Matt has come along with Alison to

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Speaker 3: the presentation. Keith is speaking, and Alison wants to know

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Speaker 3: what Matt things, and he does admit that Keith is cute,

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Speaker 3: and he's sort of says very cutely to Alison, I'm jealous.

329
00:16:04,080 --> 00:16:06,760
Speaker 3: So cute, Yeah, super cute. And so then the lights

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00:16:06,760 --> 00:16:09,680
Speaker 3: go up after Keith Fletcher. Keith and Alison exchange a smile,

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Speaker 3: and he finishes up by saying, nothing is impossible. If

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00:16:12,240 --> 00:16:14,400
Speaker 3: we messed up the ocean, we can also clean it up.

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00:16:15,640 --> 00:16:18,640
Speaker 3: Matt and Alison go up to speak to him afterwards,

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Speaker 3: and Matt wants to get involved with the cause, and

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Speaker 3: Alison says to him, says to Keith, maybe her ad

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00:16:26,040 --> 00:16:28,800
Speaker 3: agency can help, and then Matt suggests that they all

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00:16:28,800 --> 00:16:32,240
Speaker 3: go out for a drink, to which Keith maybe makes

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Speaker 3: the assumption that Matt and Allison are together and he's like, oh,

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00:16:35,000 --> 00:16:37,640
Speaker 3: I don't want to impose, and they both together say no, no,

340
00:16:37,760 --> 00:16:42,840
Speaker 3: you're not posing, and that was really cute because Matt

341
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Speaker 3: sort of the way he the way Doug deliberties like

342
00:16:45,320 --> 00:16:50,960
Speaker 3: no nothing, He goes nothing like you me.

343
00:16:53,520 --> 00:16:54,440
Speaker 4: Yeah.

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00:16:54,480 --> 00:16:57,000
Speaker 3: So so they make a plan to go out afterwards.

345
00:16:57,040 --> 00:17:00,440
Speaker 3: So then they go to Shooters, where Alison learns that

346
00:17:00,560 --> 00:17:04,400
Speaker 3: Keith is an ex surfer and ex scuba diving instructor

347
00:17:04,600 --> 00:17:08,440
Speaker 3: and Alison sort of commiserates with him about the trash

348
00:17:08,560 --> 00:17:12,240
Speaker 3: and the ocean, and Keith wants to take her scuba diving,

349
00:17:12,640 --> 00:17:16,200
Speaker 3: which Allison says she has never done. Trust me, He says,

350
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Speaker 3: and I'll teach you. And they make a plan to

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00:17:18,440 --> 00:17:20,880
Speaker 3: meet in the morning at the beach at Leo, Korea Beach.

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Speaker 4: And did anyone else go what.

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Speaker 2: That you don't for the first time put on a

354
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Speaker 2: tank and get in the ocean like you have to

355
00:17:31,640 --> 00:17:35,920
Speaker 2: spell it in a pool, getting certified or getting lessons

356
00:17:36,000 --> 00:17:38,080
Speaker 2: at least learning how to use the breather.

357
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Speaker 4: I mean, this whole thing was like what I would.

358
00:17:42,560 --> 00:17:44,560
Speaker 3: Maybe they just met.

359
00:17:44,720 --> 00:17:47,760
Speaker 2: He's a yeah, maybe he's snorkeling, you know, but not

360
00:17:47,920 --> 00:17:50,800
Speaker 2: like with the thing and the thing and then underwater.

361
00:17:51,480 --> 00:17:54,480
Speaker 3: So for the sake, for the sake of the imagery

362
00:17:54,600 --> 00:17:56,919
Speaker 3: and for the visuals on television, we're going to take

363
00:17:56,920 --> 00:17:58,800
Speaker 3: this leap of faith that she can just jump right

364
00:17:58,840 --> 00:18:01,120
Speaker 3: into a scuba diving experience.

365
00:18:01,359 --> 00:18:03,600
Speaker 4: Maybe we'll take the leap, okay, But she said, oh, yeah,

366
00:18:03,600 --> 00:18:04,760
Speaker 4: I happen to be certified.

367
00:18:04,880 --> 00:18:07,840
Speaker 3: Yeah that's great. I've never done before. But I did

368
00:18:07,960 --> 00:18:11,879
Speaker 3: my certification. Yeah yeah. And so she says, I'm not

369
00:18:11,920 --> 00:18:16,119
Speaker 3: promising anything, and Keith says, hey, neither am I. The

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00:18:16,200 --> 00:18:20,640
Speaker 3: next morning she shows up to the beach and she says,

371
00:18:20,720 --> 00:18:23,879
Speaker 3: I don't know why, but I feel absurdly secure around

372
00:18:23,880 --> 00:18:27,480
Speaker 3: you and puts on her giant mask and into the

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Speaker 3: ocean they go, oh, they go.

374
00:18:28,760 --> 00:18:30,439
Speaker 1: And I was thinking, I was like, how did I

375
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Speaker 1: agree to wearing a white tanky.

376
00:18:33,520 --> 00:18:34,720
Speaker 3: Because you looked amazing?

377
00:18:35,320 --> 00:18:39,000
Speaker 1: Well, you don't know. That's not why, because when we're

378
00:18:39,040 --> 00:18:41,320
Speaker 1: scuba dive, you can see that I was wearing an

379
00:18:41,320 --> 00:18:46,240
Speaker 1: outfit to match the stock footage of the scuba typers footage.

380
00:18:46,240 --> 00:18:48,080
Speaker 1: If somebody's scuba diving and they said he's going to

381
00:18:48,119 --> 00:18:49,880
Speaker 1: wear that, she's going to wear that.

382
00:18:50,600 --> 00:18:52,879
Speaker 3: To be clear for the audience, that was not actually

383
00:18:53,000 --> 00:18:54,040
Speaker 3: Courtney scuba diving.

384
00:18:54,359 --> 00:18:56,840
Speaker 1: Yes, shockingly it was not. Because I was also thinking,

385
00:18:57,040 --> 00:18:58,840
Speaker 1: please tell me, I would have remembered if I'd gotten

386
00:18:58,840 --> 00:19:01,320
Speaker 1: into the freezing cold water like people who scuba dive

387
00:19:01,680 --> 00:19:05,560
Speaker 1: in California were thick cool water is freezing.

388
00:19:05,920 --> 00:19:08,760
Speaker 3: No, this was a much more glamorous version of it.

389
00:19:09,520 --> 00:19:12,040
Speaker 2: They didn't know they had to match stock. I thought,

390
00:19:12,560 --> 00:19:15,120
Speaker 2: that's why I knew that was a stunt woman under there,

391
00:19:15,160 --> 00:19:16,600
Speaker 2: because I don't think they would have you do that

392
00:19:17,080 --> 00:19:18,920
Speaker 2: at all ever in movies.

393
00:19:18,960 --> 00:19:21,600
Speaker 1: Really, And now I remembered, oh, that's why I had

394
00:19:21,600 --> 00:19:23,880
Speaker 1: to match the footage they'd already shot, and it must

395
00:19:23,920 --> 00:19:26,120
Speaker 1: have been because otherwise I certainly see what I wanted

396
00:19:26,080 --> 00:19:27,760
Speaker 1: to were and they would have matched it too.

397
00:19:27,880 --> 00:19:31,280
Speaker 3: Right, And it also would have been just that's I think,

398
00:19:31,359 --> 00:19:34,639
Speaker 3: really pricey. All that underwater fish, yes, they whatever, Like

399
00:19:34,680 --> 00:19:36,920
Speaker 3: I can't imagine that would have been a thing. So yeah,

400
00:19:37,080 --> 00:19:40,879
Speaker 3: the stock footage dictated the fantastic bathing suit that you

401
00:19:40,960 --> 00:19:42,400
Speaker 3: ended up in. It looked amazing.

402
00:19:42,600 --> 00:19:45,720
Speaker 2: Yeah, I would never be like that on screen, but

403
00:19:46,000 --> 00:19:46,880
Speaker 2: you looked amazing.

404
00:19:47,000 --> 00:19:50,000
Speaker 1: Well I would not either, but I was twenty.

405
00:19:49,400 --> 00:19:53,720
Speaker 4: Four the StairMaster and aerobics paid off. Let me tell

406
00:19:53,720 --> 00:19:55,000
Speaker 4: you everyone, remember that it.

407
00:19:55,000 --> 00:19:57,760
Speaker 1: Was very into the StairMaster. I know, I remember that

408
00:19:57,800 --> 00:20:00,240
Speaker 1: you were in the days of Staremaster.

409
00:20:00,119 --> 00:20:03,000
Speaker 4: To do the StairMaster too, Remember the StairMaster.

410
00:20:03,520 --> 00:20:08,320
Speaker 3: Yes, the footage of them swimming and they're holding hands

411
00:20:08,359 --> 00:20:12,760
Speaker 3: and like it's just this very romantic underwater Yes, totally.

412
00:20:12,800 --> 00:20:15,280
Speaker 3: And when they get out of the ocean, you know,

413
00:20:15,440 --> 00:20:19,480
Speaker 3: fast Learner, that's where you look fantastic. And it certainly

414
00:20:19,520 --> 00:20:22,280
Speaker 3: turns into a kiss between Keith and right away.

415
00:20:22,400 --> 00:20:26,359
Speaker 1: We are not right away anytime, none, none.

416
00:20:26,400 --> 00:20:29,439
Speaker 2: Whole relationship was after like just meeting a guy on

417
00:20:29,480 --> 00:20:32,720
Speaker 2: the sidewalk and then going to see his speech.

418
00:20:33,240 --> 00:20:35,240
Speaker 3: Off they go, but at least she's at least she's

419
00:20:35,680 --> 00:20:37,320
Speaker 3: sort of commenting on it. She goes, I don't know

420
00:20:37,359 --> 00:20:40,679
Speaker 3: why that I feel absurdly secure around you, because we're like,

421
00:20:40,880 --> 00:20:43,480
Speaker 3: neither do we. We don't know why, we don't know

422
00:20:43,520 --> 00:20:46,919
Speaker 3: why you do it. But it's good that you are

423
00:20:46,960 --> 00:20:48,119
Speaker 3: aware that it's absurd.

424
00:20:48,280 --> 00:20:49,879
Speaker 4: Maybe it's because he said trust me.

425
00:20:50,800 --> 00:20:53,359
Speaker 3: Yeah, maybe he says it. He says it more than

426
00:20:53,359 --> 00:20:54,360
Speaker 3: once in this episode.

427
00:20:54,359 --> 00:20:55,760
Speaker 4: I know that was the first time.

428
00:20:56,440 --> 00:20:59,040
Speaker 3: So then we're back to the apartment where Billy is

429
00:20:59,040 --> 00:21:00,800
Speaker 3: trying to fix the answer you she and he's again

430
00:21:01,560 --> 00:21:04,359
Speaker 3: lamenting not having a credit card, in which case he

431
00:21:04,400 --> 00:21:07,080
Speaker 3: could just buy a new answering machine. And Allison tells

432
00:21:07,119 --> 00:21:09,200
Speaker 3: him that she has just had the most intense twenty

433
00:21:09,200 --> 00:21:11,800
Speaker 3: four hours of her life and just went scuba diving

434
00:21:11,840 --> 00:21:14,120
Speaker 3: with Keith. And he says, who's Keith, Oh, the guy

435
00:21:14,160 --> 00:21:17,760
Speaker 3: you just met. Allison says, yeah, he's committed, he's intelligence,

436
00:21:17,800 --> 00:21:20,520
Speaker 3: he's full of integrity, and he's a great butt. Oh see,

437
00:21:20,520 --> 00:21:24,000
Speaker 3: there's the reasons, right, all right, Well good, he's got

438
00:21:24,040 --> 00:21:28,159
Speaker 3: a great button. Not to mention, there's magnetic attraction and

439
00:21:28,200 --> 00:21:30,840
Speaker 3: Billy's annoyed, sort of blows it off as a school

440
00:21:30,960 --> 00:21:34,560
Speaker 3: girl crush. Then the only thing that Allison admits bothers

441
00:21:34,560 --> 00:21:37,679
Speaker 3: her a little bit is that she gave him her number,

442
00:21:37,760 --> 00:21:40,919
Speaker 3: but Keith didn't give her his number.

443
00:21:41,160 --> 00:21:43,720
Speaker 1: And I don't even think we had the vocabulary then

444
00:21:43,760 --> 00:21:46,080
Speaker 1: to say red flag, red flag, red flag, but the

445
00:21:46,160 --> 00:21:50,320
Speaker 1: audience is thinking that's a red flag, sweetie of not knowing.

446
00:21:50,400 --> 00:21:53,479
Speaker 3: Yeah, yeah, he was happy to take you out scuba diving,

447
00:21:53,640 --> 00:21:55,399
Speaker 3: kiss you on the beach, but no, you may not

448
00:21:55,440 --> 00:21:59,200
Speaker 3: have my phone numberah of my landline. So then Gane

449
00:21:59,240 --> 00:22:01,600
Speaker 3: is showing up to Thewick Studio otherwise known as the

450
00:22:01,640 --> 00:22:06,199
Speaker 3: Miller's Place production offices, front lobby, and Jane has a

451
00:22:06,200 --> 00:22:08,880
Speaker 3: moment where she catches herself in the mirror and what

452
00:22:08,960 --> 00:22:13,160
Speaker 3: she sees is a woman really, really, really pregnant, and

453
00:22:13,800 --> 00:22:16,680
Speaker 3: we cut to the reality and that's obviously not accurate.

454
00:22:16,800 --> 00:22:20,240
Speaker 3: Gene is actually super fit and super thin and her

455
00:22:20,280 --> 00:22:23,320
Speaker 3: belly is flat as a board, and she says height

456
00:22:23,320 --> 00:22:25,280
Speaker 3: to Vanessa before the class, or I mean Ronda before

457
00:22:25,320 --> 00:22:27,639
Speaker 3: the class, and Ronda tells her to take it easy,

458
00:22:27,760 --> 00:22:29,879
Speaker 3: knowing that your body has just been through a lot.

459
00:22:30,000 --> 00:22:32,760
Speaker 3: We're back in the morning at Billy and Allison's apartment,

460
00:22:32,800 --> 00:22:36,920
Speaker 3: Billy has managed to fix the answering machine. Alison enters

461
00:22:36,960 --> 00:22:39,520
Speaker 3: the kitchen in a very professional skirtsuit, and I will

462
00:22:39,560 --> 00:22:41,840
Speaker 3: mention that there was a red top underneath. So it

463
00:22:41,960 --> 00:22:44,920
Speaker 3: made me notice it and think, I wonder if she's

464
00:22:44,920 --> 00:22:47,600
Speaker 3: going to do something to faire us. Oh bad, really

465
00:22:48,720 --> 00:22:52,800
Speaker 3: well because of our fans. Now I'm noticing Oka saying

466
00:22:53,080 --> 00:22:55,720
Speaker 3: Alison is wearing red and is that normally an Alice

467
00:22:55,760 --> 00:22:58,080
Speaker 3: in color? Huh? I wonder if this is like sort

468
00:22:58,080 --> 00:23:01,840
Speaker 3: of projecting what might be how opening? Maybe soon?

469
00:23:02,520 --> 00:23:02,720
Speaker 2: Oh?

470
00:23:03,920 --> 00:23:07,840
Speaker 3: I found myself wondering, So thank you fan for making me.

471
00:23:08,760 --> 00:23:12,600
Speaker 1: Anybody else struck by how tight and short that business

472
00:23:12,640 --> 00:23:14,600
Speaker 1: that works skirt was so short.

473
00:23:15,160 --> 00:23:18,280
Speaker 4: I thought when you said Court that the note that

474
00:23:18,320 --> 00:23:19,040
Speaker 4: you got.

475
00:23:19,480 --> 00:23:22,080
Speaker 1: Oh shorter, brighter, tighter on Alison.

476
00:23:22,119 --> 00:23:24,960
Speaker 2: And I just knows, Wow, it was so short. I

477
00:23:25,000 --> 00:23:26,719
Speaker 2: didn't realize that started that early.

478
00:23:27,119 --> 00:23:29,040
Speaker 1: So tight, so tight short.

479
00:23:30,960 --> 00:23:34,920
Speaker 3: And Billy here is playing two messages from the answering machine.

480
00:23:35,400 --> 00:23:37,440
Speaker 3: He wants to play them for Allison from a woman

481
00:23:37,520 --> 00:23:41,560
Speaker 3: named Mary Smith getting for him left a message and

482
00:23:41,600 --> 00:23:43,440
Speaker 3: he mentions to Alison, you know you're not the only

483
00:23:43,480 --> 00:23:45,960
Speaker 3: one with a little something going on. You know, I've

484
00:23:45,960 --> 00:23:49,080
Speaker 3: got Mary Smith calling me, probably the woman I met

485
00:23:49,080 --> 00:23:50,560
Speaker 3: at the bar the other night.

486
00:23:50,600 --> 00:23:52,919
Speaker 1: Whose name I don't know, nor did I get her number,

487
00:23:52,920 --> 00:23:56,080
Speaker 1: but she said really good about it.

488
00:23:58,119 --> 00:24:00,879
Speaker 4: She probably tracked me down and looked in the found

489
00:24:00,880 --> 00:24:01,760
Speaker 4: my number.

490
00:24:01,480 --> 00:24:02,080
Speaker 2: And called me.

491
00:24:02,720 --> 00:24:04,679
Speaker 3: I don't remember giving her my landline.

492
00:24:05,359 --> 00:24:06,000
Speaker 4: I must have.

493
00:24:07,320 --> 00:24:11,120
Speaker 3: So Alison then talks about tapping into Keith's idealism through

494
00:24:11,280 --> 00:24:14,000
Speaker 3: the ad agency, and she really wants to help, and

495
00:24:14,119 --> 00:24:17,119
Speaker 3: Billy rolls his eyes, saying, oh god, he's created a monster.

496
00:24:17,920 --> 00:24:22,640
Speaker 3: And did anybody notice the monster reference in this scene

497
00:24:23,040 --> 00:24:29,359
Speaker 3: besides Billy's line, what monster? Okay, So here's one of

498
00:24:29,440 --> 00:24:32,520
Speaker 3: these things where the camera is moving through the scene

499
00:24:32,560 --> 00:24:34,040
Speaker 3: at the top of the scene, and I noticed that

500
00:24:34,080 --> 00:24:37,600
Speaker 3: they had like a monster hand towel. It might have

501
00:24:37,680 --> 00:24:40,000
Speaker 3: been like a but I think it was a hand

502
00:24:40,080 --> 00:24:43,159
Speaker 3: towl hanging very prominently on the cabinet in the kitchen,

503
00:24:43,160 --> 00:24:45,639
Speaker 3: and they panned by it, I thought, very deliberately. And

504
00:24:45,800 --> 00:24:48,560
Speaker 3: sure enough, then this line comes later in the scene

505
00:24:48,600 --> 00:24:52,320
Speaker 3: where Billy says, oh, Keith is created a monster, because

506
00:24:52,359 --> 00:24:57,960
Speaker 3: now Alison is not the environmental nice all right, so

507
00:24:58,080 --> 00:24:59,760
Speaker 3: we're going to ask our listeners for a show of

508
00:24:59,800 --> 00:25:03,720
Speaker 3: hands and a monster emogic inner socialist who noticed a

509
00:25:03,840 --> 00:25:07,439
Speaker 3: monster not only the mont Chopin's monster emotion.

510
00:25:07,520 --> 00:25:09,960
Speaker 2: Let's broaden it out to like who let's get the

511
00:25:10,000 --> 00:25:13,400
Speaker 2: fans to see who's noticing these sort of other props

512
00:25:13,480 --> 00:25:17,840
Speaker 2: or things and settings and or the subversive or active

513
00:25:18,160 --> 00:25:23,480
Speaker 2: like activism things, because uh, I'd like to know it's cute.

514
00:25:23,520 --> 00:25:26,000
Speaker 3: Yeah, I thought this one was just cute, you know,

515
00:25:26,119 --> 00:25:28,639
Speaker 3: like it was just like the prop department having a

516
00:25:28,680 --> 00:25:32,439
Speaker 3: good time with it. So the scene ends as he's

517
00:25:32,480 --> 00:25:37,480
Speaker 3: sort of saying, yeah, okay, you whatever. Remember to recycle,

518
00:25:37,920 --> 00:25:40,920
Speaker 3: he says, sarcastically, and she says, well, remember to call

519
00:25:40,960 --> 00:25:46,240
Speaker 3: your mystery woman, and as she leaves, he does. He

520
00:25:46,960 --> 00:25:50,520
Speaker 3: goes to return the call, and he starts a very

521
00:25:50,560 --> 00:25:54,280
Speaker 3: flirty phone call on a split screen with a cute

522
00:25:54,320 --> 00:25:59,680
Speaker 3: young woman, and the flirty conversation quickly sort of dies

523
00:25:59,720 --> 00:26:02,479
Speaker 3: into single screen of Billy only as he realizes that

524
00:26:02,480 --> 00:26:06,120
Speaker 3: Mary Smith is actually from a collections agency and she's

525
00:26:06,160 --> 00:26:08,680
Speaker 3: really just been trying to talk him down about some money.

526
00:26:08,680 --> 00:26:12,240
Speaker 1: He owes, I thought they did that well because she

527
00:26:12,400 --> 00:26:16,360
Speaker 1: was in that really sort of tight sexy talk and look, Yeah,

528
00:26:16,359 --> 00:26:18,360
Speaker 1: it looked like she could have been an appropriate date

529
00:26:18,400 --> 00:26:21,560
Speaker 1: for him, and it turned yeah, I.

530
00:26:21,400 --> 00:26:24,480
Speaker 2: Was like these collection agencies, I didn't know they look

531
00:26:24,600 --> 00:26:24,960
Speaker 2: like this.

532
00:26:26,119 --> 00:26:28,560
Speaker 1: And of course we hear a collection agency, and we

533
00:26:28,640 --> 00:26:31,920
Speaker 1: think you owe one hundred thousand dollars from your college

534
00:26:31,960 --> 00:26:32,640
Speaker 1: collection agent.

535
00:26:32,680 --> 00:26:34,240
Speaker 3: And we don't know how much he owes just.

536
00:26:34,200 --> 00:26:36,119
Speaker 1: We don't know yet, but we're very nervous.

537
00:26:36,119 --> 00:26:40,280
Speaker 3: But she says she's been tracking him down since college.

538
00:26:40,080 --> 00:26:41,600
Speaker 1: Which is only a couple of years to.

539
00:26:41,560 --> 00:26:47,960
Speaker 3: Be correct, way back then. So Billy then goes to

540
00:26:48,000 --> 00:26:50,719
Speaker 3: the out to the mailboxes where he complains to Jake about,

541
00:26:51,040 --> 00:26:54,119
Speaker 3: you know, want all these bills and I needed, you know,

542
00:26:55,160 --> 00:26:57,720
Speaker 3: and Jake says, well, you need to pay your bills

543
00:26:57,760 --> 00:26:59,720
Speaker 3: or they're never going to leave you alone. Then we're

544
00:26:59,720 --> 00:27:03,240
Speaker 3: back at D and D where Alison is asking Lucy,

545
00:27:03,320 --> 00:27:05,960
Speaker 3: her boss, if the agency might be able to help

546
00:27:06,040 --> 00:27:10,000
Speaker 3: Ocean Alert, which is the Keith's environmental group she wants

547
00:27:10,040 --> 00:27:12,040
Speaker 3: to help. Maybe D and D could help him get

548
00:27:12,040 --> 00:27:13,000
Speaker 3: corporate sponsorship.

549
00:27:13,720 --> 00:27:18,640
Speaker 1: Allison Allison is all in, like she has gone all in. Yeah,

550
00:27:19,680 --> 00:27:21,440
Speaker 1: I met a guy yesterday. I wonder if I could

551
00:27:21,600 --> 00:27:24,560
Speaker 1: use my burgeoning career to help him in some way.

552
00:27:25,240 --> 00:27:28,600
Speaker 3: I mean if the environmental like activism or like her

553
00:27:28,640 --> 00:27:32,920
Speaker 3: being responsible, environmentally responsible is completely on brand for Allison anyway.

554
00:27:33,080 --> 00:27:38,040
Speaker 3: But like I think, to Billy's point, like she's all in,

555
00:27:38,119 --> 00:27:41,520
Speaker 3: she's totally doubling down because it's the guy. Not that

556
00:27:41,560 --> 00:27:45,080
Speaker 3: it's like so off brand anyway, but she's just completely

557
00:27:45,119 --> 00:27:46,760
Speaker 3: doubling down. Y.

558
00:27:48,720 --> 00:27:50,960
Speaker 1: So then that's too soon comes to mind.

559
00:27:51,200 --> 00:27:54,680
Speaker 3: Again, this this we've seen this before on Billy. Though.

560
00:27:55,119 --> 00:27:57,919
Speaker 1: Yes, that's true. That's a good point. Yeah, normally it's Billy.

561
00:27:58,119 --> 00:27:58,840
Speaker 1: That's a good point.

562
00:27:59,080 --> 00:28:00,879
Speaker 3: And so then in the middle of the scene with

563
00:28:00,960 --> 00:28:04,000
Speaker 3: her boss, Allison is handed a phone message. Keith has

564
00:28:04,000 --> 00:28:06,840
Speaker 3: now called her at the office, but since he didn't

565
00:28:06,840 --> 00:28:08,880
Speaker 3: reach her, he also didn't leave his number. He said

566
00:28:09,000 --> 00:28:12,399
Speaker 3: he'll try back later. Red flag, red flag, red like

567
00:28:12,600 --> 00:28:16,120
Speaker 3: another red flag. Which time Lucy asks Alison, Hey, can

568
00:28:16,119 --> 00:28:18,480
Speaker 3: you stay late tonight. I've got some extra work and

569
00:28:18,560 --> 00:28:21,479
Speaker 3: I need some help, and she sort of distractedly agrees

570
00:28:21,680 --> 00:28:22,240
Speaker 3: to stay late.

571
00:28:22,640 --> 00:28:24,920
Speaker 1: Yeah, And didn't you all have sort of a pit

572
00:28:24,960 --> 00:28:27,920
Speaker 1: in your stomach when you went, oh, dear, she's gonna

573
00:28:27,960 --> 00:28:29,240
Speaker 1: do something like he's not.

574
00:28:29,200 --> 00:28:32,119
Speaker 2: Going to do it because they purposely had you They

575
00:28:32,200 --> 00:28:35,840
Speaker 2: purposely directed you not to hear that line.

576
00:28:36,080 --> 00:28:37,760
Speaker 4: And then you come too.

577
00:28:38,040 --> 00:28:41,160
Speaker 3: And you say, oh yeah, sure it was distracted.

578
00:28:41,200 --> 00:28:44,280
Speaker 2: They had you specifically, very clearly with a shot on

579
00:28:44,320 --> 00:28:47,600
Speaker 2: you going oh yeah, okay, sure, like you know what

580
00:28:47,640 --> 00:28:49,120
Speaker 2: I mean. And so we know that you're going to

581
00:28:49,200 --> 00:28:49,960
Speaker 2: screw that up.

582
00:28:51,120 --> 00:28:52,840
Speaker 1: When my son does that to me and he's not

583
00:28:52,880 --> 00:28:55,040
Speaker 1: really listening, like he's looking at his phone, I say

584
00:28:55,120 --> 00:28:57,680
Speaker 1: something the last time he was really paying attention and

585
00:28:57,720 --> 00:28:59,800
Speaker 1: I noticed it, and I said, hey, sweetie, listen, the

586
00:28:59,800 --> 00:29:01,880
Speaker 1: girl only coming for dinner. We wondered if you wanted

587
00:29:01,880 --> 00:29:03,360
Speaker 1: to sit with us and have dinner, and he goes,

588
00:29:03,520 --> 00:29:09,120
Speaker 1: uh huh. I was like, yes, because what come to girls?

589
00:29:09,840 --> 00:29:12,840
Speaker 1: It's like congratulation, teaching you to listen. I'm not going

590
00:29:12,920 --> 00:29:15,600
Speaker 1: to make you sit through girls night, but I'm listen.

591
00:29:15,720 --> 00:29:20,000
Speaker 4: Ever ends yes, I've never yeah never.

592
00:29:26,240 --> 00:29:30,320
Speaker 3: So then Billy shows up to the collection agency in person.

593
00:29:30,400 --> 00:29:33,160
Speaker 3: He decides to go there in person, like who does that?

594
00:29:33,400 --> 00:29:36,840
Speaker 3: But he does, and that's where he learns that Mary

595
00:29:37,360 --> 00:29:41,080
Speaker 3: is actually, you know, sort of age appropriate and pretty,

596
00:29:41,600 --> 00:29:45,400
Speaker 3: and she's the most friendly and personable collections agent I've

597
00:29:45,440 --> 00:29:46,600
Speaker 3: ever liked it.

598
00:29:46,840 --> 00:29:50,200
Speaker 2: Very nice with that tank top and her cleavage showing

599
00:29:50,200 --> 00:29:53,680
Speaker 2: in that yeah, like wow, okay, And this is where we.

600
00:29:53,720 --> 00:29:56,760
Speaker 3: Learned that what he owes is a two thousand dollars

601
00:29:56,920 --> 00:29:59,760
Speaker 3: ish college loan that he took out.

602
00:30:00,080 --> 00:30:02,160
Speaker 4: Two thousand dollars five at the times.

603
00:30:02,240 --> 00:30:07,280
Speaker 3: Yes, yep, and he's, you know, he's sort of struggling

604
00:30:07,320 --> 00:30:09,280
Speaker 3: to pay it back when she tells him to grow

605
00:30:09,360 --> 00:30:11,400
Speaker 3: up and get rid of the fairy dust. But you

606
00:30:11,440 --> 00:30:12,240
Speaker 3: got to pay this back?

607
00:30:12,920 --> 00:30:15,120
Speaker 1: Does she say get rid of the fairy dust? She does,

608
00:30:15,680 --> 00:30:18,000
Speaker 1: Oh I missed that, lie.

609
00:30:18,120 --> 00:30:21,320
Speaker 3: I mean, Billy sort of hears it from everybody like

610
00:30:21,400 --> 00:30:24,640
Speaker 3: grow up Billy, child Billy, like he's been hearing an

611
00:30:24,640 --> 00:30:27,080
Speaker 3: episode after episode. Now he's hearing it from a collections

612
00:30:27,120 --> 00:30:31,520
Speaker 3: agent that he's only just met. Grow up Billy and

613
00:30:31,560 --> 00:30:33,680
Speaker 3: get rid of the fairy do Billy? You need to

614
00:30:33,680 --> 00:30:35,800
Speaker 3: pay this back back? At D and D, Keith now

615
00:30:36,040 --> 00:30:38,520
Speaker 3: shows up in person, pops into D and D, tells

616
00:30:38,560 --> 00:30:42,160
Speaker 3: Allison that the ocean didn't actually reveal any toxins and

617
00:30:42,200 --> 00:30:44,400
Speaker 3: the sample that they took from the other night kisses

618
00:30:44,440 --> 00:30:47,560
Speaker 3: Allison on the cheek, inviting her out to dinner at

619
00:30:47,600 --> 00:30:51,680
Speaker 3: his place tonight, gives her the address, and Allison realizes

620
00:30:51,680 --> 00:30:53,040
Speaker 3: she's going to need to get out of her work

621
00:30:53,080 --> 00:30:56,240
Speaker 3: commitment that she's made to stay late, and she asks

622
00:30:56,280 --> 00:31:00,600
Speaker 3: the assistant Claire to tell Lucy that she's sick and again.

623
00:31:00,600 --> 00:31:03,640
Speaker 1: Going to a guy's house. She doesn't even have his number.

624
00:31:04,960 --> 00:31:06,960
Speaker 1: It's like she's not making smart let's just say she's

625
00:31:07,000 --> 00:31:09,400
Speaker 1: not making smart choices. They're not smart choices.

626
00:31:09,560 --> 00:31:12,480
Speaker 3: This was not this was off brand for Allison to

627
00:31:12,560 --> 00:31:13,800
Speaker 3: make this choice.

628
00:31:13,920 --> 00:31:16,600
Speaker 1: She has really dove in headfirst.

629
00:31:17,040 --> 00:31:20,080
Speaker 2: Yeah, I'm just trying to think, you know, because we're

630
00:31:20,320 --> 00:31:23,920
Speaker 2: the wise women that we are now being in all

631
00:31:23,960 --> 00:31:27,840
Speaker 2: the experience that we had, because it seems so obviously

632
00:31:27,880 --> 00:31:31,000
Speaker 2: a poor choice. I'm trying to think back to my twenties,

633
00:31:31,040 --> 00:31:33,680
Speaker 2: you know, when we were in our twenties and like

634
00:31:33,960 --> 00:31:37,560
Speaker 2: a real chemistry with someone and you know, I know

635
00:31:37,640 --> 00:31:39,520
Speaker 2: that we had the tendency to like fill in the

636
00:31:39,520 --> 00:31:42,080
Speaker 2: blanks and they were all positive and kind of filled

637
00:31:42,080 --> 00:31:45,400
Speaker 2: in your fantasy and you know, you just, oh, what

638
00:31:45,440 --> 00:31:47,160
Speaker 2: are the chances he's a serial killer? You know what

639
00:31:47,160 --> 00:31:48,880
Speaker 2: I mean, what are the chances he's a you know?

640
00:31:49,480 --> 00:31:52,400
Speaker 1: I think that's so true. And we, especially our generation,

641
00:31:52,600 --> 00:31:54,600
Speaker 1: we were so raised to not be rudent to not

642
00:31:54,640 --> 00:31:58,520
Speaker 1: make anybody feel bad. So you would be so uncomfortable

643
00:31:58,520 --> 00:32:00,280
Speaker 1: to say, you know what, I'll meet you there, Like

644
00:32:00,320 --> 00:32:03,160
Speaker 1: that's pretty new that people say I'll meet you there.

645
00:32:03,200 --> 00:32:04,800
Speaker 1: I don't want you to pick me up like I

646
00:32:04,800 --> 00:32:08,160
Speaker 1: had people pick me up who I didn't know. Ye, right,

647
00:32:08,280 --> 00:32:10,000
Speaker 1: Like you wouldn't do that today.

648
00:32:09,720 --> 00:32:12,719
Speaker 2: But nowadays you you look them up, you do your

649
00:32:12,760 --> 00:32:14,800
Speaker 2: own like background checks, you can find it.

650
00:32:14,840 --> 00:32:17,920
Speaker 1: And also you meet somewhere first, right, nobody picks you

651
00:32:18,000 --> 00:32:19,600
Speaker 1: up at the house on a first date. You meet

652
00:32:19,640 --> 00:32:20,080
Speaker 1: them somewhere.

653
00:32:20,520 --> 00:32:22,680
Speaker 3: You couldn't google Keith Gray and find out he was married,

654
00:32:22,920 --> 00:32:25,480
Speaker 3: so like you couldn't find anything about him.

655
00:32:25,520 --> 00:32:28,480
Speaker 4: So it's just interesting, you know, like the age and

656
00:32:28,600 --> 00:32:32,520
Speaker 4: also the time that it was. Yeah, like true information

657
00:32:32,680 --> 00:32:34,840
Speaker 4: just wasn't there. Yeah.

658
00:32:35,640 --> 00:32:38,320
Speaker 3: And in Allison's defense, I know I was making tons

659
00:32:38,320 --> 00:32:41,200
Speaker 3: of bad choices in my twenties. Yeah, so was I.

660
00:32:41,600 --> 00:32:43,800
Speaker 2: How are they four and make them so you can

661
00:32:43,800 --> 00:32:44,920
Speaker 2: figure out that they're bad.

662
00:32:45,520 --> 00:32:47,520
Speaker 1: Yeah, you just hope you survive it. Absolutely.

663
00:32:47,880 --> 00:32:50,960
Speaker 3: We love to tell about it. She's planning how to

664
00:32:51,040 --> 00:32:54,800
Speaker 3: lie about that so she can spend this time with Keith.

665
00:32:54,920 --> 00:32:56,960
Speaker 3: So back at the apartment, she admits to Billy that

666
00:32:57,000 --> 00:32:59,640
Speaker 3: she's lied about being sick and but that she wants

667
00:32:59,680 --> 00:33:01,400
Speaker 3: to go to He's tonight, and Billy says, you know,

668
00:33:01,520 --> 00:33:05,040
Speaker 3: I hate this guy. He's too perfect and you look

669
00:33:05,120 --> 00:33:05,719
Speaker 3: too pretty.

670
00:33:05,760 --> 00:33:07,960
Speaker 1: He says to her, Oh, wasn't that sweet?

671
00:33:08,400 --> 00:33:11,640
Speaker 3: Super cute, And then he says, you're in a sleep

672
00:33:11,680 --> 00:33:15,680
Speaker 3: with him, aren't you, Allison? And she says coyly, I

673
00:33:15,680 --> 00:33:19,000
Speaker 3: I don't know. But then she reveals that she really

674
00:33:19,000 --> 00:33:23,040
Speaker 3: has only been with two people in her life and yes,

675
00:33:23,200 --> 00:33:24,760
Speaker 3: the guy in the back of the car that she's

676
00:33:24,760 --> 00:33:31,600
Speaker 3: already regrets telling him about, and but also a professor

677
00:33:31,760 --> 00:33:33,160
Speaker 3: in college.

678
00:33:33,400 --> 00:33:37,120
Speaker 4: A married professor, alcoholic, and I don't know.

679
00:33:37,320 --> 00:33:41,720
Speaker 3: She didn't say he was, Yeah, we did, didn't I

680
00:33:41,800 --> 00:33:44,080
Speaker 3: don't think. So she said he was brilliant and handsome,

681
00:33:44,120 --> 00:33:47,560
Speaker 3: but a womanizing, alcoholic and a mistake. That's how she

682
00:33:47,640 --> 00:33:50,640
Speaker 3: was who this professor was. Not necessarily it was Marri,

683
00:33:50,640 --> 00:33:53,640
Speaker 3: but just that he was older, okay, and you know

684
00:33:53,760 --> 00:33:59,040
Speaker 3: she was impressed by him, and yeah, you know, handsome, brilliance,

685
00:33:59,080 --> 00:34:00,280
Speaker 3: and that he was all so.

686
00:34:00,440 --> 00:34:02,000
Speaker 1: These are the bad things, And yeah, I think it

687
00:34:02,040 --> 00:34:04,720
Speaker 1: makes sense for the character because I think the through

688
00:34:04,760 --> 00:34:07,400
Speaker 1: line for Allison is she wasn't partying and having fun, right,

689
00:34:07,440 --> 00:34:09,279
Speaker 1: she was working hard to get through it. She was

690
00:34:09,400 --> 00:34:12,560
Speaker 1: very ambitious, which is why this thing with Keith is

691
00:34:12,600 --> 00:34:15,640
Speaker 1: such an anomaly, because she's ignoring her work. She's sort

692
00:34:15,680 --> 00:34:18,359
Speaker 1: of letting it all go. I was relieved, even though

693
00:34:18,360 --> 00:34:20,640
Speaker 1: she lied to her boss, always relieved that she at

694
00:34:20,680 --> 00:34:22,440
Speaker 1: least told her something. I thought she was just going

695
00:34:22,520 --> 00:34:23,720
Speaker 1: to forget and take off.

696
00:34:25,120 --> 00:34:28,200
Speaker 3: Yeah, no, she knew, she knew that she was. She

697
00:34:28,239 --> 00:34:29,239
Speaker 3: had to do it deliberately.

698
00:34:30,160 --> 00:34:31,719
Speaker 4: But did this not shock you?

699
00:34:32,320 --> 00:34:36,520
Speaker 2: The next thing that happens that Billy turns around and

700
00:34:36,560 --> 00:34:41,759
Speaker 2: out of the door, Yeah so, and gives.

701
00:34:42,080 --> 00:34:44,920
Speaker 4: Allison did that's not like her?

702
00:34:45,120 --> 00:34:49,200
Speaker 3: Wait what Alison? Alison tells Billy, you know, so really,

703
00:34:49,200 --> 00:34:51,640
Speaker 3: I don't take this lightly, like I've only really been

704
00:34:51,640 --> 00:34:54,200
Speaker 3: with these two people, And he says, well, nonetheless, just

705
00:34:54,239 --> 00:34:57,480
Speaker 3: in case, he turns around and grabs her conveniently out

706
00:34:57,480 --> 00:35:01,000
Speaker 3: of this giant drawer in the hallway, pulls out of condoms.

707
00:35:01,040 --> 00:35:02,359
Speaker 4: But it's not normal on TV?

708
00:35:02,600 --> 00:35:02,839
Speaker 1: Was it?

709
00:35:03,120 --> 00:35:04,680
Speaker 4: That's just jarredbll No.

710
00:35:04,880 --> 00:35:06,960
Speaker 1: I remember this. Actually we talk about it more we

711
00:35:07,040 --> 00:35:09,080
Speaker 1: get to Allison Keith scene, but I remember it was

712
00:35:09,120 --> 00:35:11,879
Speaker 1: a really big deal and it was about safe, safe sex,

713
00:35:11,920 --> 00:35:14,480
Speaker 1: and we're having a conversations because Malory's place was starting

714
00:35:14,480 --> 00:35:17,799
Speaker 1: to get a little sexier and we really wanted to

715
00:35:17,800 --> 00:35:21,839
Speaker 1: be conscious about and receives because it was the time

716
00:35:21,880 --> 00:35:24,359
Speaker 1: of age. It was a really scary time, and we

717
00:35:24,440 --> 00:35:28,759
Speaker 1: didn't want to be bed hopping without letting people know

718
00:35:28,960 --> 00:35:30,880
Speaker 1: how to be safe and to have conversations.

719
00:35:31,600 --> 00:35:33,640
Speaker 3: It was a responsible thing to demonstrate.

720
00:35:34,200 --> 00:35:36,799
Speaker 2: I remember doing a movie before this in ninety one,

721
00:35:36,880 --> 00:35:38,520
Speaker 2: so this was ninety two, I think it was ninety

722
00:35:38,600 --> 00:35:40,640
Speaker 2: or ninety one, and I had a sex scene, and

723
00:35:40,680 --> 00:35:44,640
Speaker 2: I being the you know, conscious young woman and the

724
00:35:44,920 --> 00:35:47,440
Speaker 2: sort of I was involved in some of that activism

725
00:35:47,520 --> 00:35:52,640
Speaker 2: and I brought up to the producer and the writer

726
00:35:53,160 --> 00:35:57,480
Speaker 2: or the co actor, I think, all of them about should.

727
00:35:57,200 --> 00:36:00,360
Speaker 4: We show that we're using a condom safe sex, and

728
00:36:00,520 --> 00:36:03,480
Speaker 4: like everyone's just like buzzkill no.

729
00:36:04,200 --> 00:36:07,360
Speaker 2: So well, this was a good time to do it

730
00:36:07,400 --> 00:36:09,640
Speaker 2: in this novel's placed in this context where it's not

731
00:36:09,680 --> 00:36:11,680
Speaker 2: in the middle of a love scene, like it's not

732
00:36:11,719 --> 00:36:14,560
Speaker 2: about to happen, so this is good sort of placement

733
00:36:14,600 --> 00:36:15,560
Speaker 2: for that kind of response.

734
00:36:15,680 --> 00:36:17,920
Speaker 1: It was good but also super interesting because this is

735
00:36:17,960 --> 00:36:21,400
Speaker 1: the first time we're seeing Billy's jealousy, right, Allison's been jealous.

736
00:36:21,400 --> 00:36:24,000
Speaker 1: We've seen that a lot, and we're really seeing his jealousy.

737
00:36:24,120 --> 00:36:28,520
Speaker 1: So really, what a loving thing to do to say, yeah,

738
00:36:28,760 --> 00:36:30,160
Speaker 1: protect her during that time?

739
00:36:30,280 --> 00:36:33,600
Speaker 3: Yeah, and he's just said that super cute thing, you

740
00:36:33,600 --> 00:36:36,759
Speaker 3: look too pretty and he says it so sweetly, and

741
00:36:37,160 --> 00:36:40,280
Speaker 3: you do see that this. I feel like the audience

742
00:36:40,400 --> 00:36:42,200
Speaker 3: is just going, can't you see what's right? Like the

743
00:36:42,280 --> 00:36:44,279
Speaker 3: right person is right here, right in front of you.

744
00:36:44,360 --> 00:36:48,279
Speaker 3: Like it's this you know, sort of wonderful build of that,

745
00:36:48,600 --> 00:36:51,000
Speaker 3: Like we got to try all these other relationships first,

746
00:36:51,080 --> 00:36:53,319
Speaker 3: all these wrong choices, till we can realize that the

747
00:36:53,360 --> 00:36:55,000
Speaker 3: right one has been right in front of me the

748
00:36:55,040 --> 00:36:55,600
Speaker 3: whole time.

749
00:36:56,160 --> 00:36:58,160
Speaker 2: I mean, I don't think in real life time, I

750
00:36:58,200 --> 00:36:59,960
Speaker 2: don't think it really if Billy would have done that.

751
00:37:00,080 --> 00:37:02,440
Speaker 2: I think maybe a girlfriend would have or you should,

752
00:37:02,520 --> 00:37:04,280
Speaker 2: you know, you would have your own or something.

753
00:37:04,440 --> 00:37:08,200
Speaker 4: But whatever Billy is, the guy was there. It was

754
00:37:08,200 --> 00:37:09,320
Speaker 4: like we had to shoot.

755
00:37:09,080 --> 00:37:11,000
Speaker 3: And they want to get it in, you know, and

756
00:37:11,040 --> 00:37:12,800
Speaker 3: he has a giant drawer of them in the hallway,

757
00:37:14,200 --> 00:37:16,400
Speaker 3: keeps him right in the hallway. Yeah, they're right in

758
00:37:16,400 --> 00:37:17,600
Speaker 3: the hallway and just.

759
00:37:17,600 --> 00:37:19,400
Speaker 4: Kind of like ripped it.

760
00:37:19,400 --> 00:37:23,080
Speaker 3: It wasn't like a small like small like junk drawer area.

761
00:37:23,120 --> 00:37:27,040
Speaker 3: It was like a giant hallway like blanket storage. But

762
00:37:27,360 --> 00:37:32,000
Speaker 3: I keep going there and Alison says after he gives

763
00:37:32,000 --> 00:37:34,360
Speaker 3: her that we have a very relationship.

764
00:37:34,640 --> 00:37:36,840
Speaker 1: That was cute, like that was a cute line.

765
00:37:37,080 --> 00:37:41,200
Speaker 3: Yep. So then we cut to the beach where Keith

766
00:37:41,280 --> 00:37:44,120
Speaker 3: and Alison are outside on the deck of the beach

767
00:37:44,160 --> 00:37:46,960
Speaker 3: house but candle light, very romantic, and Keith is telling

768
00:37:47,000 --> 00:37:50,240
Speaker 3: her his scariest moment when he encountered a shark while surfing.

769
00:37:50,320 --> 00:37:55,000
Speaker 3: He asks her what was your most scary moment and

770
00:37:55,080 --> 00:38:01,200
Speaker 3: she says now, And they they kiss, they kiss, they kiss,

771
00:38:01,760 --> 00:38:04,160
Speaker 3: and then he invites her inside, and we think we

772
00:38:04,239 --> 00:38:07,600
Speaker 3: know where this is headed. They move inside and Alison comments,

773
00:38:07,640 --> 00:38:10,400
Speaker 3: you had this all planned, didn't you, But she's not objecting,

774
00:38:11,160 --> 00:38:14,160
Speaker 3: and he lowers her down onto the bed. He's unbuttoning

775
00:38:14,160 --> 00:38:19,000
Speaker 3: her address and that's when Alison stops him and she

776
00:38:19,080 --> 00:38:24,080
Speaker 3: wants to ask him about his sexual history.

777
00:38:23,000 --> 00:38:25,400
Speaker 1: Which is look well meaning and I like that we

778
00:38:25,480 --> 00:38:28,399
Speaker 1: had that scene, but honestly, if someone is not going

779
00:38:28,400 --> 00:38:30,080
Speaker 1: to be honest with you, you're not going to know

780
00:38:30,200 --> 00:38:32,239
Speaker 1: enough about them all it's not our second date, like

781
00:38:32,480 --> 00:38:35,840
Speaker 1: it's it's just too soon. Just well, yeah, girls out there,

782
00:38:36,360 --> 00:38:40,000
Speaker 1: it's too darn soon because you don't know yet if

783
00:38:40,040 --> 00:38:42,400
Speaker 1: he's someone who can be trusted, so then not a

784
00:38:42,400 --> 00:38:45,640
Speaker 1: great idea to have sex. But but she's Alison's.

785
00:38:46,040 --> 00:38:49,319
Speaker 3: Choice off brand Allison moment. Yeah, she's being swept away.

786
00:38:49,560 --> 00:38:52,080
Speaker 1: These scenes were so harsh for me to watch. I

787
00:38:52,160 --> 00:38:54,160
Speaker 1: was watching the show. I was on my treadmill. It's

788
00:38:54,160 --> 00:38:57,719
Speaker 1: a wonder I didn't fall if I kept loognized day.

789
00:38:59,080 --> 00:39:01,920
Speaker 4: So why why?

790
00:39:02,160 --> 00:39:07,040
Speaker 1: It really was I think so vulnerable, like Alison was

791
00:39:07,080 --> 00:39:09,319
Speaker 1: so vulnerable. So maybe that means I was becoming a

792
00:39:09,360 --> 00:39:12,560
Speaker 1: better actor because I couldn't. The vulnerability was intolerable for

793
00:39:12,600 --> 00:39:15,799
Speaker 1: me to watch. And the kissing, like I became like

794
00:39:15,840 --> 00:39:17,200
Speaker 1: a teenager, like.

795
00:39:17,320 --> 00:39:18,520
Speaker 2: No, no, no, no no.

796
00:39:18,440 --> 00:39:22,560
Speaker 1: I couldn't want I couldn't could not watch myself make

797
00:39:22,600 --> 00:39:25,520
Speaker 1: out with it. It was just I got all flustered.

798
00:39:25,840 --> 00:39:31,080
Speaker 2: Literally, that's so funny, because I think it was interesting

799
00:39:31,120 --> 00:39:35,120
Speaker 2: for the audience, me as an audience, to see Alison

800
00:39:35,239 --> 00:39:37,560
Speaker 2: in this new light, this new other side of her,

801
00:39:37,640 --> 00:39:41,759
Speaker 2: which you don't up until now, I didn't associate her

802
00:39:41,800 --> 00:39:46,759
Speaker 2: with this kind of you know, flirty, sexy kissing and

803
00:39:47,040 --> 00:39:50,319
Speaker 2: with someone like like you're saying, vulnerable and really like open.

804
00:39:50,040 --> 00:39:52,080
Speaker 4: You know what I mean. Or it's like the first

805
00:39:52,120 --> 00:39:54,480
Speaker 4: time we see this, Alison.

806
00:39:54,760 --> 00:39:56,279
Speaker 1: Yeah, I think that's why it was hard for me

807
00:39:56,360 --> 00:39:56,680
Speaker 1: to watch.

808
00:39:56,760 --> 00:40:00,120
Speaker 3: Yeah, well I also feel like, oh that's scary. Some

809
00:40:00,160 --> 00:40:02,480
Speaker 3: of the like the dialogue and the things that you

810
00:40:02,480 --> 00:40:05,279
Speaker 3: were asked to do were just like such intimate, like

811
00:40:05,920 --> 00:40:10,000
Speaker 3: topics and whatever. Like that was just so revealed, you know,

812
00:40:10,480 --> 00:40:13,920
Speaker 3: like you have to ask him about his sexual history,

813
00:40:14,200 --> 00:40:16,120
Speaker 3: and then he has to he has to answer that,

814
00:40:16,160 --> 00:40:18,000
Speaker 3: but like you're sort of the one driving this conversation,

815
00:40:18,080 --> 00:40:21,879
Speaker 3: and then you present him with this condom which which

816
00:40:21,920 --> 00:40:22,839
Speaker 3: emerges from your.

817
00:40:22,760 --> 00:40:28,160
Speaker 1: Brain apparently apparently you put and you present and roast

818
00:40:28,239 --> 00:40:29,120
Speaker 1: and some potatoes.

819
00:40:29,360 --> 00:40:33,520
Speaker 3: Right. But the line, the line that you're asked to

820
00:40:33,600 --> 00:40:36,759
Speaker 3: deliver with this condom as you presented to him is

821
00:40:36,920 --> 00:40:40,840
Speaker 3: how would you look in this? It's like that's what

822
00:40:41,080 --> 00:40:43,319
Speaker 3: that's no wonder.

823
00:40:43,000 --> 00:40:46,040
Speaker 4: You felt really awkwardable And that's.

824
00:40:45,800 --> 00:40:49,759
Speaker 3: A difficult line to be. It's just saying you had to,

825
00:40:49,880 --> 00:40:55,440
Speaker 3: you know, keep the straightish face. Yep, you look in this. Yeah,

826
00:40:56,120 --> 00:40:59,160
Speaker 3: It's just it was it was a lot and you

827
00:40:59,200 --> 00:41:02,160
Speaker 3: were great, but it is it's it's asking a lot

828
00:41:02,320 --> 00:41:07,400
Speaker 3: that sort of you know, you're really exposed, sort of vulnerable.

829
00:41:07,480 --> 00:41:09,080
Speaker 1: Yeah, that's how I felt, really exposed.

830
00:41:09,400 --> 00:41:12,000
Speaker 3: Well, you were you were great, and you carried.

831
00:41:12,520 --> 00:41:14,719
Speaker 4: Like, let's move right along. Now let's get to the

832
00:41:14,719 --> 00:41:15,720
Speaker 4: courtyard scene.

833
00:41:16,360 --> 00:41:18,520
Speaker 1: Yeah, all right, let's go moving back to the courtyard's

834
00:41:18,520 --> 00:41:19,600
Speaker 1: wearing wearing your shirt? Yep.

835
00:41:19,640 --> 00:41:23,000
Speaker 3: So the next morning they are on the deck and

836
00:41:23,080 --> 00:41:26,720
Speaker 3: Allison is just wearing his shirt. It's obviously the morning after.

837
00:41:26,880 --> 00:41:30,440
Speaker 3: They are exchanging stories about first spotting each other on Melrose.

838
00:41:30,560 --> 00:41:33,440
Speaker 1: Allison and it wasn't that funny when I said, what

839
00:41:33,520 --> 00:41:35,120
Speaker 1: do you think of me? When you saw me on Melrose?

840
00:41:35,120 --> 00:41:36,400
Speaker 1: And it was like, right, Melro's place?

841
00:41:40,680 --> 00:41:41,360
Speaker 4: What did you think of me?

842
00:41:42,600 --> 00:41:44,360
Speaker 1: I still say, Okay, what do you think of me

843
00:41:44,400 --> 00:41:45,240
Speaker 1: on Melroe's place?

844
00:41:48,880 --> 00:41:49,400
Speaker 4: Tell me more?

845
00:41:50,200 --> 00:41:52,360
Speaker 1: And she read more about how much you like me?

846
00:41:53,200 --> 00:41:55,799
Speaker 3: She reveals that one of her thoughts when she first

847
00:41:55,800 --> 00:41:58,399
Speaker 3: saw him on Melrose was that this guy is too

848
00:41:58,400 --> 00:42:01,799
Speaker 3: good to be true. So they kiss some more, but

849
00:42:01,840 --> 00:42:03,560
Speaker 3: they both need to go to work, so they go

850
00:42:03,640 --> 00:42:06,239
Speaker 3: inside and Keith says, well, you're coming back tonight, and

851
00:42:06,320 --> 00:42:11,680
Speaker 3: Alison responds by dropping her shirt his shirt in order

852
00:42:11,719 --> 00:42:15,440
Speaker 3: to give it back to him. But it was about vulnerable,

853
00:42:15,480 --> 00:42:18,600
Speaker 3: liberate and he chases her back into the bedroom.

854
00:42:19,640 --> 00:42:22,759
Speaker 1: So for those scenes, for those listening at home, what

855
00:42:22,800 --> 00:42:26,640
Speaker 1: they do is they tape things over your breasts, right

856
00:42:26,920 --> 00:42:32,080
Speaker 1: like you just have tape on, and then it's so weird.

857
00:42:32,080 --> 00:42:35,879
Speaker 2: And then they're covering certain but there's no braw That's

858
00:42:36,160 --> 00:42:37,080
Speaker 2: how they do a lot of them.

859
00:42:37,320 --> 00:42:41,319
Speaker 1: Yeah, so your back is but you're taped like duct taped, and.

860
00:42:41,280 --> 00:42:44,720
Speaker 3: You're still basically facing the other actor because there's usually

861
00:42:44,760 --> 00:42:47,919
Speaker 3: an over where you want to see your bare back

862
00:42:48,040 --> 00:42:49,920
Speaker 3: in the same frame as his expression.

863
00:42:50,400 --> 00:42:52,840
Speaker 4: Yeah, so sorry, go ahead.

864
00:42:52,880 --> 00:42:54,560
Speaker 3: It's vulnerable, vulnerable.

865
00:42:54,600 --> 00:42:57,040
Speaker 4: And also it didn't this whole thing made me. It

866
00:42:57,200 --> 00:43:01,480
Speaker 4: just it. I didn't think of Alison the way. I

867
00:43:01,520 --> 00:43:03,840
Speaker 4: just didn't think of her as this, you know, this

868
00:43:04,000 --> 00:43:05,920
Speaker 4: is I thought of maybe, you know, Heather in this

869
00:43:06,000 --> 00:43:08,799
Speaker 4: position or whatever, and these kinds of scenes. So it

870
00:43:08,840 --> 00:43:13,080
Speaker 4: was interesting to watch her. It was cool. It's interesting

871
00:43:13,120 --> 00:43:14,120
Speaker 4: to hear you say that.

872
00:43:14,080 --> 00:43:18,000
Speaker 2: Your real vulnerability and nervousness was bleeding through.

873
00:43:17,840 --> 00:43:19,960
Speaker 4: Because I think it's appropriate for Allison.

874
00:43:20,920 --> 00:43:24,040
Speaker 3: Yeah, well, I think I think it's for any there's

875
00:43:24,120 --> 00:43:27,759
Speaker 3: all this, this intimacy, these intimate scenes are also just

876
00:43:28,040 --> 00:43:31,759
Speaker 3: very vulnerable to shoot as an actor, like exactly, and yeah,

877
00:43:31,800 --> 00:43:34,360
Speaker 3: nobody likes the the pasties on the front and like

878
00:43:34,600 --> 00:43:37,000
Speaker 3: all that. It's just a lot. But they did an

879
00:43:37,000 --> 00:43:40,720
Speaker 3: interesting cut here, going from Allison's bear back directly to

880
00:43:40,960 --> 00:43:44,000
Speaker 3: the next scene opening on Billy's bear chest. Did you

881
00:43:44,080 --> 00:43:44,520
Speaker 3: notice that?

882
00:43:45,880 --> 00:43:46,120
Speaker 4: Nope?

883
00:43:46,200 --> 00:43:52,200
Speaker 5: I didn't, And I'm like, Billy's always yeah, So it

884
00:43:52,280 --> 00:43:54,120
Speaker 5: was just sort of like, you know, off of off

885
00:43:54,160 --> 00:43:57,000
Speaker 5: of Allison's bear back, we cut his scene Billy's bear chest.

886
00:43:57,000 --> 00:43:59,360
Speaker 3: He does end up putting on a shirt in the scene,

887
00:43:59,400 --> 00:44:02,320
Speaker 3: but that's where he's walking through the apartment and realizing

888
00:44:02,320 --> 00:44:04,279
Speaker 3: that Alison is not in her room and she did

889
00:44:04,320 --> 00:44:06,480
Speaker 3: not come home last night because her bed was unslept in.

890
00:44:06,680 --> 00:44:09,640
Speaker 4: But the teddy bears are there, Teddy bears are where else?

891
00:44:10,880 --> 00:44:12,680
Speaker 1: My teddy bears? Where are the dolls? What I do

892
00:44:12,719 --> 00:44:13,200
Speaker 1: with the dolls?

893
00:44:13,200 --> 00:44:16,120
Speaker 3: And I saw of dolls in the last episode and

894
00:44:16,160 --> 00:44:19,520
Speaker 3: I forgot to mention it. Oh yeah, when when Jake

895
00:44:19,560 --> 00:44:23,320
Speaker 3: and Billy were breaking into her bedroom, I did catch

896
00:44:23,360 --> 00:44:25,879
Speaker 3: the dolls and dolls.

897
00:44:25,640 --> 00:44:27,680
Speaker 4: There is a whole life we don't know about.

898
00:44:27,719 --> 00:44:29,799
Speaker 1: That's all did I tell you guys that I had

899
00:44:29,840 --> 00:44:34,879
Speaker 1: lunch at the American Girl Doll Store. No, but it's

900
00:44:35,680 --> 00:44:36,719
Speaker 1: just by myself, no.

901
00:44:39,560 --> 00:44:40,080
Speaker 3: A regular.

902
00:44:40,640 --> 00:44:44,160
Speaker 1: I was my son's old nanny and her little girls,

903
00:44:44,280 --> 00:44:46,799
Speaker 1: and it was it's the cutest thing in the world.

904
00:44:46,880 --> 00:44:48,720
Speaker 1: And they put the dolls in. They got a picture

905
00:44:48,719 --> 00:44:50,759
Speaker 1: of me, like, just me at the table with the

906
00:44:50,840 --> 00:44:57,600
Speaker 1: two dolls. I've come to lunch with my dolls. But

907
00:44:57,719 --> 00:44:59,600
Speaker 1: it's the cutest place. Just in case anyone has a

908
00:44:59,600 --> 00:45:02,520
Speaker 1: little girl who wants to go have lunch there. It's insane. Sorry,

909
00:45:02,560 --> 00:45:06,959
Speaker 1: go ahead, So I FAC's old dolls. You find those

910
00:45:07,040 --> 00:45:09,439
Speaker 1: dolls and take in fiction. I will send you guys

911
00:45:09,480 --> 00:45:10,280
Speaker 1: that photo as.

912
00:45:10,320 --> 00:45:12,640
Speaker 3: Okay, I think we're gonna Yeah, we might use it

913
00:45:12,680 --> 00:45:15,719
Speaker 3: on our social list, just because we can. I want

914
00:45:15,719 --> 00:45:20,839
Speaker 3: to absolutely Allison and Courtney have dogs.

915
00:45:20,600 --> 00:45:23,120
Speaker 1: Having lunch with her dolls.

916
00:45:24,600 --> 00:45:28,160
Speaker 3: So while Billy is making this realization, Michael's knocking on

917
00:45:28,200 --> 00:45:30,920
Speaker 3: the door and he wants to know if Allison is there,

918
00:45:30,960 --> 00:45:32,680
Speaker 3: which she's not, but he wanted to show her the

919
00:45:32,680 --> 00:45:35,160
Speaker 3: ecologically friendly chemicals he's now using in the pool at

920
00:45:35,160 --> 00:45:38,960
Speaker 3: her behest and Billy shares with Michael that Alison didn't

921
00:45:38,960 --> 00:45:41,920
Speaker 3: come home. Then Jake enters the scene and they again

922
00:45:42,040 --> 00:45:46,040
Speaker 3: talk about Billy's debt, and Billy's complaining about, well, I'm

923
00:45:46,080 --> 00:45:48,759
Speaker 3: just you know, it's just so seductive getting seduced into

924
00:45:48,760 --> 00:45:51,560
Speaker 3: spending and going into debt and whatever. And Michael says,

925
00:45:51,560 --> 00:45:55,000
Speaker 3: you know, the country is bankrupt because people like like

926
00:45:55,080 --> 00:45:57,759
Speaker 3: you who are defaulting on the loans and promises. And

927
00:45:57,800 --> 00:46:00,520
Speaker 3: Billy says, well, right, like my stupid loan has anything

928
00:46:00,520 --> 00:46:02,160
Speaker 3: to do with the country's problems two.

929
00:46:02,040 --> 00:46:06,239
Speaker 2: Thousand dollars debt, Yeah, affecting the Angerly goes back at

930
00:46:06,280 --> 00:46:06,640
Speaker 2: his partment.

931
00:46:06,719 --> 00:46:08,439
Speaker 1: Yeah.

932
00:46:08,920 --> 00:46:12,000
Speaker 3: So, cutting to D and D. Allison is racing in

933
00:46:12,280 --> 00:46:16,520
Speaker 3: late to work the next morning, and Lucy Catches are saying, well,

934
00:46:16,560 --> 00:46:19,960
Speaker 3: it's about time you showed up two hours late. And boy,

935
00:46:20,000 --> 00:46:22,359
Speaker 3: you know, I really wish somebody had given me the

936
00:46:22,400 --> 00:46:24,719
Speaker 3: opportunities that I gave you last night, that you blew

937
00:46:24,719 --> 00:46:29,879
Speaker 3: it when I was coming up in this career and

938
00:46:30,239 --> 00:46:32,360
Speaker 3: sort of tells her she needs to get her priority straight.

939
00:46:33,040 --> 00:46:36,680
Speaker 1: And I just want to scream at Allison snap out

940
00:46:36,760 --> 00:46:40,279
Speaker 1: of it, because that would make me crazy. Right when

941
00:46:40,320 --> 00:46:41,000
Speaker 1: she's flaking.

942
00:46:41,840 --> 00:46:45,560
Speaker 3: It's it's your you know, it's your current version of

943
00:46:46,200 --> 00:46:49,560
Speaker 3: a responsible person telling it twenty something, get your act together,

944
00:46:49,600 --> 00:46:50,960
Speaker 3: who just hooks up with.

945
00:46:50,960 --> 00:46:53,920
Speaker 2: A guy that at the beach and like all of that,

946
00:46:54,200 --> 00:46:57,160
Speaker 2: Like I just you know, twenty something, who's like, your

947
00:46:57,239 --> 00:46:59,640
Speaker 2: endorphins are different, You're this and that. You're like looking

948
00:46:59,680 --> 00:47:02,799
Speaker 2: at your she looks different to you. Your job, your priorities,

949
00:47:02,840 --> 00:47:03,800
Speaker 2: everything is different.

950
00:47:03,880 --> 00:47:04,560
Speaker 4: You know what I mean?

951
00:47:04,640 --> 00:47:08,400
Speaker 1: And you know, I remember one time I met a

952
00:47:08,440 --> 00:47:11,120
Speaker 1: guy out of town and we had this whirlwind romance.

953
00:47:11,160 --> 00:47:13,759
Speaker 1: And I had a girl's weekend in Palm Springs and

954
00:47:13,760 --> 00:47:15,319
Speaker 1: I was supposed to fly back and we're all going

955
00:47:15,400 --> 00:47:18,480
Speaker 1: to drive down, but I wanted every possible second with him,

956
00:47:18,640 --> 00:47:20,920
Speaker 1: and he was in Colorado. So I stayed to the

957
00:47:21,000 --> 00:47:23,399
Speaker 1: last second, flew directly to Palm Springs. I'd come from

958
00:47:23,440 --> 00:47:26,440
Speaker 1: winter to summer, so I'm like, I got nothing. I

959
00:47:26,480 --> 00:47:29,120
Speaker 1: got no bathing suit, I got no shorts. We got

960
00:47:29,160 --> 00:47:32,279
Speaker 1: to go to Kmart. So I went right to Kmart,

961
00:47:32,920 --> 00:47:36,760
Speaker 1: bought close for the weekend because I wanted every possible second.

962
00:47:36,840 --> 00:47:38,840
Speaker 1: So I have to say, as much as I'm acting

963
00:47:38,920 --> 00:47:42,600
Speaker 1: like Allison's crazy, I kind of do understand when you

964
00:47:42,680 --> 00:47:47,240
Speaker 1: have that kind of exciting thing that the mundane daily

965
00:47:47,320 --> 00:47:49,920
Speaker 1: life is not as good as that kind of I

966
00:47:49,960 --> 00:47:51,680
Speaker 1: remember that intense connection.

967
00:47:52,040 --> 00:47:52,959
Speaker 4: I did that like.

968
00:47:53,000 --> 00:47:56,120
Speaker 2: Flew from some set that I was on or maybe yeah,

969
00:47:56,160 --> 00:47:59,160
Speaker 2: and then I went to meet a guy and.

970
00:48:00,560 --> 00:48:03,920
Speaker 4: I remember the thinking like, oh, this is real life.

971
00:48:04,320 --> 00:48:07,759
Speaker 2: Like that other stuff is just like whatever that was,

972
00:48:08,080 --> 00:48:09,680
Speaker 2: but this is real life, like I'm.

973
00:48:09,520 --> 00:48:13,040
Speaker 3: Alive, you know. Yeah, no, it is like when are

974
00:48:13,080 --> 00:48:14,520
Speaker 3: you going to do that? Like we look at it

975
00:48:14,560 --> 00:48:17,200
Speaker 3: now and going, Okay, these are bad choices. But yeah,

976
00:48:17,200 --> 00:48:19,560
Speaker 3: but when you're in your twenties, like that's living like

977
00:48:19,600 --> 00:48:21,000
Speaker 3: we were living life and.

978
00:48:21,000 --> 00:48:23,840
Speaker 1: Well in your twenties. Or like they say that the

979
00:48:24,600 --> 00:48:28,560
Speaker 1: chemicals your brain puts out when you're like in love

980
00:48:28,719 --> 00:48:32,240
Speaker 1: like this are the same as cocaine, so you're high.

981
00:48:32,320 --> 00:48:34,000
Speaker 1: So you kind of look at as they're making really

982
00:48:34,000 --> 00:48:36,839
Speaker 1: bad choices, Like she's high, and she is. She's high

983
00:48:36,880 --> 00:48:39,319
Speaker 1: on the excitement of this new relationship and you're going

984
00:48:39,360 --> 00:48:41,640
Speaker 1: to find out why soon she talks to Jane about it.

985
00:48:41,680 --> 00:48:44,440
Speaker 2: Yeah, so I think that her, uh, her Lucy should

986
00:48:44,440 --> 00:48:46,920
Speaker 2: appreciate some damn and she's really showing up.

987
00:48:46,880 --> 00:48:49,160
Speaker 4: But she put it on her work outfit and so

988
00:48:49,760 --> 00:48:50,319
Speaker 4: you know what I mean.

989
00:48:51,719 --> 00:48:54,520
Speaker 1: Yeah, so she's high on love, like she's high on

990
00:48:54,560 --> 00:48:56,200
Speaker 1: the intensity of this new relationship.

991
00:48:56,239 --> 00:49:00,200
Speaker 3: Yeah, so Alison apologetizes to Lucy, and Lucy says, you

992
00:49:00,239 --> 00:49:02,960
Speaker 3: need to be here an hour early tomorrow morning. I'd

993
00:49:02,960 --> 00:49:05,240
Speaker 3: also like to point out I really did like Allison's

994
00:49:05,280 --> 00:49:07,239
Speaker 3: outfit in this Do you remember what she was wearing?

995
00:49:07,320 --> 00:49:10,920
Speaker 3: She had like sort of red or like maybe burgundy

996
00:49:11,000 --> 00:49:14,000
Speaker 3: pants or something, and a really cute, like green polka

997
00:49:14,000 --> 00:49:16,719
Speaker 3: dot blouse tucked in.

998
00:49:16,719 --> 00:49:18,200
Speaker 1: Why do I not remember that?

999
00:49:18,320 --> 00:49:18,640
Speaker 3: I don't know.

1000
00:49:18,680 --> 00:49:21,759
Speaker 1: I really like because I wasn't looking. I was like,

1001
00:49:21,800 --> 00:49:22,440
Speaker 1: I can't look.

1002
00:49:22,320 --> 00:49:22,640
Speaker 3: I can't.

1003
00:49:23,000 --> 00:49:23,280
Speaker 1: Yeah.

1004
00:49:23,960 --> 00:49:26,320
Speaker 3: Yeah, it was just like a cute combo and oh nice,

1005
00:49:26,800 --> 00:49:30,399
Speaker 3: that was very cute. Then we go to Shooters, where

1006
00:49:30,400 --> 00:49:33,640
Speaker 3: Allison is telling Jean that she thinks her boss is

1007
00:49:33,680 --> 00:49:37,000
Speaker 3: over reacting, and she reveals to Jane that she thinks

1008
00:49:37,080 --> 00:49:41,360
Speaker 3: last night was Keith was her first really great sexual experience,

1009
00:49:41,480 --> 00:49:44,480
Speaker 3: and now she can finally understand what Meg Ryan was

1010
00:49:44,560 --> 00:49:46,880
Speaker 3: faking in when Harry met.

1011
00:49:46,760 --> 00:49:51,160
Speaker 1: Sally, which when I heard that line, I thought, I thought,

1012
00:49:51,239 --> 00:49:53,239
Speaker 1: I think I would have remembered if they made me

1013
00:49:53,360 --> 00:49:56,600
Speaker 1: do that scene, but I'm hoping they didn't. Yeah, you're like,

1014
00:49:57,160 --> 00:49:59,319
Speaker 1: I thought I could have happened and I blocked it

1015
00:49:59,360 --> 00:50:03,040
Speaker 1: out like a could have happened, and I blocked it out. Yeah,

1016
00:50:03,040 --> 00:50:04,920
Speaker 1: but I didn't, not that Jane doesn't ask me to.

1017
00:50:05,560 --> 00:50:08,000
Speaker 1: But lunchually I said no because I was like, please

1018
00:50:08,040 --> 00:50:10,360
Speaker 1: don't make me redo that scene.

1019
00:50:11,400 --> 00:50:14,359
Speaker 3: So Jane says, actually it was the same for her

1020
00:50:14,360 --> 00:50:18,799
Speaker 3: and Michael, and though it took longer, and that maybe

1021
00:50:18,840 --> 00:50:22,399
Speaker 3: Keith is the one for Allison, and Jane says that

1022
00:50:22,880 --> 00:50:25,719
Speaker 3: the great sex is why she married Michael, and Allison's

1023
00:50:25,760 --> 00:50:28,239
Speaker 3: what says, well, I'm not really thinking about marriage, but

1024
00:50:28,280 --> 00:50:30,279
Speaker 3: I will settle for what I have now, which is

1025
00:50:30,320 --> 00:50:33,759
Speaker 3: great sex that Keith and I are having, and Allison

1026
00:50:35,719 --> 00:50:38,760
Speaker 3: Jane says, well, I don't think that's settling. But Allison

1027
00:50:38,760 --> 00:50:41,280
Speaker 3: the notes that Jane isn't eating her food, her salad

1028
00:50:41,320 --> 00:50:43,480
Speaker 3: that's in front of her, She's not eating it. Jane

1029
00:50:44,680 --> 00:50:47,719
Speaker 3: sort of blows it off and claims that the exercise

1030
00:50:47,800 --> 00:50:50,360
Speaker 3: routine she's in is making her not hungry, and Allison

1031
00:50:50,440 --> 00:50:51,719
Speaker 3: is very skeptical about that.

1032
00:50:52,200 --> 00:50:55,239
Speaker 1: So that's where I thought, that's not what exercise does. Yeah,

1033
00:50:55,280 --> 00:50:58,600
Speaker 1: that was good that there, it's settled. I kind of wish,

1034
00:50:58,680 --> 00:51:02,120
Speaker 1: honestly that there was more of a story around this.

1035
00:51:02,280 --> 00:51:05,719
Speaker 1: It was so clearly the BT story in this storyline.

1036
00:51:05,760 --> 00:51:09,360
Speaker 1: But it's really like it's important information, right, and she

1037
00:51:09,400 --> 00:51:12,360
Speaker 1: starts to obsess over this five pounds. We get to

1038
00:51:12,400 --> 00:51:13,840
Speaker 1: it in the end, but I think it was a

1039
00:51:13,840 --> 00:51:17,960
Speaker 1: really important storyline that they could have made more of.

1040
00:51:18,040 --> 00:51:19,840
Speaker 3: Into a story. Yeah, that's what I thought too. Is

1041
00:51:19,880 --> 00:51:21,640
Speaker 3: like when it started, it could have been an actual

1042
00:51:21,719 --> 00:51:23,799
Speaker 3: but it was just sort of background material. It didn't

1043
00:51:23,800 --> 00:51:25,160
Speaker 3: feel like an actual story total.

1044
00:51:25,239 --> 00:51:29,040
Speaker 2: It's felt like c behind, yeah, behind years and then

1045
00:51:29,080 --> 00:51:32,080
Speaker 2: behind the credit card debt of two thousand dollars, which

1046
00:51:32,160 --> 00:51:33,080
Speaker 2: was very important.

1047
00:51:33,400 --> 00:51:36,560
Speaker 3: She says she's not hungry, and then Allison reveals that

1048
00:51:36,600 --> 00:51:38,919
Speaker 3: she went back with her credit card and bought that

1049
00:51:39,040 --> 00:51:40,920
Speaker 3: dress that they'd been admiring on Milrose.

1050
00:51:41,920 --> 00:51:44,640
Speaker 1: Yeah, so Allison's like eating disorder, blah blah blah, look

1051
00:51:44,680 --> 00:51:45,120
Speaker 1: at my new.

1052
00:51:45,080 --> 00:51:49,120
Speaker 3: Dress dress and I have our credit wish.

1053
00:51:49,160 --> 00:51:51,399
Speaker 1: I got to say too, Like, when someone's newly in love,

1054
00:51:52,120 --> 00:51:55,600
Speaker 1: you can't say anything without them talking about you know,

1055
00:51:56,480 --> 00:51:59,359
Speaker 1: I like per Simmons. George likes Persimmons. You know, if

1056
00:51:59,360 --> 00:52:02,759
Speaker 1: anything George out about percentments or they're great, right, So

1057
00:52:03,040 --> 00:52:06,760
Speaker 1: that's kind of in line with someone who's obnoxiously in love, totally.

1058
00:52:08,560 --> 00:52:13,040
Speaker 3: Adorably in love, so Billy. Then we cut to Billy

1059
00:52:13,040 --> 00:52:16,200
Speaker 3: where he's going to the furniture store, his parents' furniture store,

1060
00:52:16,200 --> 00:52:17,680
Speaker 3: and he wants to talk to his mom, who's doing

1061
00:52:17,680 --> 00:52:19,759
Speaker 3: the books, and he reveals he needs to borrow money

1062
00:52:19,760 --> 00:52:21,880
Speaker 3: to pay back a loan that he took out in

1063
00:52:22,000 --> 00:52:25,800
Speaker 3: college and that he admits he used for personal expenses,

1064
00:52:25,800 --> 00:52:29,480
Speaker 3: even though his parents paid for college. His mother's disappointed

1065
00:52:29,520 --> 00:52:32,200
Speaker 3: to hear that he's got this loan, but he says,

1066
00:52:33,080 --> 00:52:34,640
Speaker 3: I want to pay the loan back. I don't want

1067
00:52:34,680 --> 00:52:37,359
Speaker 3: to be a dead beat, and we leave the scene

1068
00:52:37,400 --> 00:52:40,200
Speaker 3: without knowing what they conclude.

1069
00:52:41,040 --> 00:52:42,960
Speaker 1: I liked you that. They point out that he frittered

1070
00:52:42,960 --> 00:52:46,680
Speaker 1: the money away, right, Yeah, he was already dated. Yeah,

1071
00:52:46,719 --> 00:52:49,759
Speaker 1: he sort of just they were offering loans. He took

1072
00:52:49,800 --> 00:52:51,440
Speaker 1: it and he frittered it.

1073
00:52:51,680 --> 00:52:54,160
Speaker 3: Now and I used it poorly, yeah, and now I

1074
00:52:54,560 --> 00:52:56,759
Speaker 3: owe it and I want to get rid of it.

1075
00:52:57,120 --> 00:52:57,359
Speaker 1: Right.

1076
00:52:58,520 --> 00:53:01,200
Speaker 3: So we then cut to Alison, who's arriving back at

1077
00:53:01,239 --> 00:53:05,000
Speaker 3: the Beat House wearing her new little black dress, and

1078
00:53:05,200 --> 00:53:08,080
Speaker 3: she overhears walks in on Keith, who's having an argument

1079
00:53:08,120 --> 00:53:12,480
Speaker 3: on the phone with what sounds like not good. When

1080
00:53:12,480 --> 00:53:14,319
Speaker 3: he hangs up, she says, it's.

1081
00:53:14,280 --> 00:53:19,160
Speaker 6: That your old relationship, because he that made it clear

1082
00:53:19,840 --> 00:53:22,360
Speaker 6: that it was clear that it was like, who's talking

1083
00:53:22,360 --> 00:53:25,120
Speaker 6: to a woman and talking about it wasn't.

1084
00:53:24,920 --> 00:53:27,799
Speaker 4: Like she was, you know, suspicious.

1085
00:53:28,760 --> 00:53:30,759
Speaker 3: Yeah, no, she he was kind of just jumped to

1086
00:53:30,760 --> 00:53:31,840
Speaker 3: a random conclusion.

1087
00:53:31,880 --> 00:53:33,719
Speaker 1: But he was kind of dismissive.

1088
00:53:33,800 --> 00:53:34,600
Speaker 4: Yeah, yeah, hold on.

1089
00:53:34,600 --> 00:53:37,240
Speaker 2: And then he says, things are very obviously to another

1090
00:53:37,520 --> 00:53:41,040
Speaker 2: woman and relationship, and you know, you're being selfish, not me.

1091
00:53:41,200 --> 00:53:44,520
Speaker 2: And so she's just standing there looking fab with the

1092
00:53:44,600 --> 00:53:47,560
Speaker 2: ear rings and the little black dress and the heels,

1093
00:53:47,840 --> 00:53:48,759
Speaker 2: little little.

1094
00:53:48,600 --> 00:53:54,000
Speaker 1: Tiny black dress. I mean, and you brought right up

1095
00:53:54,040 --> 00:54:00,520
Speaker 1: to the pantelon were right, don't leave, never to pick

1096
00:54:00,560 --> 00:54:01,400
Speaker 1: anything up, sweetie.

1097
00:54:02,880 --> 00:54:09,200
Speaker 3: So yeah, when he gets off the phone, he does reveal, no,

1098
00:54:09,320 --> 00:54:14,480
Speaker 3: it's not my old relationship, but it was my wife.

1099
00:54:16,760 --> 00:54:20,080
Speaker 3: So Allison storms out. She walks out onto the beach.

1100
00:54:20,120 --> 00:54:24,120
Speaker 3: He's following her, saying no, no, no, please come back.

1101
00:54:24,200 --> 00:54:26,480
Speaker 3: My my wife is on another coast. You don't understand

1102
00:54:26,520 --> 00:54:29,160
Speaker 3: she's lobbyist. We don't, I don't. We don't really have

1103
00:54:29,239 --> 00:54:31,840
Speaker 3: a marriage. So Allison says, sweet I'm just someone to

1104
00:54:31,880 --> 00:54:34,720
Speaker 3: sleep with and he says, no, that his marriage just history.

1105
00:54:34,800 --> 00:54:37,799
Speaker 1: Also, did anybody think this is a bit much for

1106
00:54:37,960 --> 00:54:41,239
Speaker 1: our third date? It's like, this is our third day?

1107
00:54:41,520 --> 00:54:43,040
Speaker 1: How could you do this to me? For the last

1108
00:54:43,040 --> 00:54:45,560
Speaker 1: forty eight hours? I am furious.

1109
00:54:46,760 --> 00:54:49,839
Speaker 4: This whole thing was on turbo speed. I mean, been

1110
00:54:49,880 --> 00:54:52,400
Speaker 4: scuba diving together, you've already.

1111
00:54:52,160 --> 00:54:53,840
Speaker 3: And she bought in, and then it is.

1112
00:54:54,000 --> 00:54:56,200
Speaker 1: I'm not saying it wasn't a busy forty eight to

1113
00:54:56,239 --> 00:54:59,680
Speaker 1: seven two hours, but the thing I'm acting like I've

1114
00:54:59,680 --> 00:55:02,200
Speaker 1: spent twenty Well, there's seventy two hours with you, I.

1115
00:55:02,160 --> 00:55:06,240
Speaker 4: Feel true, true, Yeah, when in reality.

1116
00:55:07,280 --> 00:55:11,200
Speaker 3: Like you know, she's rightfully upset, like he's a married man,

1117
00:55:11,239 --> 00:55:14,719
Speaker 3: and he wasn't honest and true. You know, that's just well.

1118
00:55:14,760 --> 00:55:17,760
Speaker 1: I should have said I need to know your sexual history? Also,

1119
00:55:17,920 --> 00:55:20,279
Speaker 1: are you married? These are important question.

1120
00:55:20,280 --> 00:55:22,760
Speaker 4: I would have led to really great sex.

1121
00:55:23,080 --> 00:55:24,680
Speaker 3: Okay, do you have a phone number?

1122
00:55:24,920 --> 00:55:25,160
Speaker 1: Yeah?

1123
00:55:25,480 --> 00:55:26,560
Speaker 3: Can I have a phone number?

1124
00:55:27,120 --> 00:55:28,160
Speaker 4: I need your phone number?

1125
00:55:28,239 --> 00:55:32,160
Speaker 2: Are you married? What's your sexual history? And here's the condot?

1126
00:55:32,480 --> 00:55:32,799
Speaker 3: All right?

1127
00:55:32,840 --> 00:55:33,480
Speaker 4: Where were we?

1128
00:55:35,760 --> 00:55:38,440
Speaker 3: Yeah? So as he's chasing her. As he's chasing her

1129
00:55:38,440 --> 00:55:40,839
Speaker 3: down the beach, he says he thought with Alison he'd

1130
00:55:40,840 --> 00:55:44,160
Speaker 3: found everything, and he says his marriage to Lily is

1131
00:55:44,280 --> 00:55:46,279
Speaker 3: dead and that meeting Allison has made him realize he

1132
00:55:46,280 --> 00:55:50,120
Speaker 3: doesn't want to wait another day still being married to Lily,

1133
00:55:50,600 --> 00:55:53,839
Speaker 3: doesn't want to lose Allison, and then he offers her

1134
00:55:54,000 --> 00:55:57,400
Speaker 3: at this point his phone number, which.

1135
00:55:57,600 --> 00:56:01,600
Speaker 4: Which was like, oh he's so magnets. Here's my phone number.

1136
00:56:01,840 --> 00:56:03,000
Speaker 4: You can have my number.

1137
00:56:03,760 --> 00:56:04,960
Speaker 3: Now I'm gonna split.

1138
00:56:04,840 --> 00:56:07,320
Speaker 4: Up with her. I haven't said I'm gonna get a separation.

1139
00:56:07,440 --> 00:56:09,279
Speaker 4: I haven't said anybody. Look, you can have my home

1140
00:56:09,360 --> 00:56:10,600
Speaker 4: phone number. Isn't that right?

1141
00:56:10,719 --> 00:56:11,080
Speaker 2: Huge?

1142
00:56:11,560 --> 00:56:12,160
Speaker 1: That great?

1143
00:56:12,280 --> 00:56:12,560
Speaker 4: At me?

1144
00:56:13,719 --> 00:56:16,319
Speaker 3: She refuses it, walking off down the beach, carrying her

1145
00:56:16,400 --> 00:56:20,720
Speaker 3: shoes in her hands. Yeah, looking fabulous in the dress.

1146
00:56:22,239 --> 00:56:23,920
Speaker 1: Back at her dress, out of it.

1147
00:56:24,800 --> 00:56:29,520
Speaker 3: Back at home, Billy is bringing Allison hot chocolate, comforting her.

1148
00:56:29,880 --> 00:56:32,640
Speaker 3: She's back at her apartment, drowning her sorrows and wearing

1149
00:56:32,680 --> 00:56:34,800
Speaker 3: her cozy rowe in my cozy rope?

1150
00:56:35,040 --> 00:56:38,320
Speaker 1: How sweet was he in this scene? Very hot chocolate?

1151
00:56:38,360 --> 00:56:39,799
Speaker 1: What is sweetie? And he?

1152
00:56:40,000 --> 00:56:42,800
Speaker 3: Billy admits that he was a little thrown by Allison's

1153
00:56:42,800 --> 00:56:47,280
Speaker 3: hero worship, and Allison says I was a fool. Billy

1154
00:56:48,000 --> 00:56:51,160
Speaker 3: rissures her she'll get over Keith, but Allison cries and

1155
00:56:51,200 --> 00:56:53,560
Speaker 3: said she's afraid that Keith is the only one she'll

1156
00:56:53,680 --> 00:56:56,960
Speaker 3: ever feel this way about. And she ends the scene crying,

1157
00:56:57,440 --> 00:56:57,960
Speaker 3: super sad.

1158
00:56:58,800 --> 00:57:02,560
Speaker 1: Yeah, and also you know, poor Alison, but super dramatic. Right,

1159
00:57:02,640 --> 00:57:05,080
Speaker 1: those are the best seventy two hours I'll ever have it.

1160
00:57:05,760 --> 00:57:08,600
Speaker 3: And I'll never meet anybody like him.

1161
00:57:09,239 --> 00:57:11,520
Speaker 1: And you know, maybe it's just being so young, right,

1162
00:57:11,560 --> 00:57:14,600
Speaker 1: but it's so it's so young.

1163
00:57:14,880 --> 00:57:16,520
Speaker 3: And for her though, that's what she's saying, is like,

1164
00:57:16,560 --> 00:57:18,640
Speaker 3: I've never felt this way, and I'm afraid I'll never

1165
00:57:18,680 --> 00:57:21,640
Speaker 3: feel this particular way again. She admits, like this was

1166
00:57:21,760 --> 00:57:26,000
Speaker 3: more than she's ever you know, fallen for somebody. Like

1167
00:57:26,080 --> 00:57:28,720
Speaker 3: I know this is crazy, but I never felt like this.

1168
00:57:28,880 --> 00:57:29,880
Speaker 4: That is exception.

1169
00:57:30,040 --> 00:57:33,480
Speaker 2: That is the nature of love. You always think, you

1170
00:57:33,560 --> 00:57:35,600
Speaker 2: think this is the peak, this is the apex.

1171
00:57:35,920 --> 00:57:36,840
Speaker 4: It won't get better.

1172
00:57:36,960 --> 00:57:41,280
Speaker 2: And if this is rex, somehow it'll never happen again.

1173
00:57:41,320 --> 00:57:42,640
Speaker 4: I mean, how many times.

1174
00:57:43,720 --> 00:57:47,200
Speaker 3: He's perfect, he's everything. I know, he was married.

1175
00:57:47,360 --> 00:57:49,320
Speaker 4: Yeah, and she's.

1176
00:57:48,960 --> 00:57:50,960
Speaker 2: Young, this is what you think back then, and he's

1177
00:57:51,000 --> 00:57:53,680
Speaker 2: older than her. You know, it's not like like that

1178
00:57:53,760 --> 00:57:54,560
Speaker 2: adds something to it.

1179
00:57:54,600 --> 00:57:55,560
Speaker 4: She's for the older man.

1180
00:57:55,640 --> 00:57:58,440
Speaker 2: I mean the professor. This one, I don't know how

1181
00:57:58,480 --> 00:58:01,240
Speaker 2: old the guy was in the backseat of but you know,

1182
00:58:01,360 --> 00:58:04,000
Speaker 2: it's like there's a lot to that too.

1183
00:58:05,080 --> 00:58:06,360
Speaker 3: Yeah, you're right, You're right.

1184
00:58:06,400 --> 00:58:09,400
Speaker 1: Every heartbreak feels like but I'll never again, even your

1185
00:58:09,440 --> 00:58:12,320
Speaker 1: tenth heartbreak. But this time I mean it right.

1186
00:58:12,360 --> 00:58:15,560
Speaker 2: Yeah, because this time I was in there for four days,

1187
00:58:16,080 --> 00:58:17,960
Speaker 2: and I know, I know the last one was only

1188
00:58:18,000 --> 00:58:21,280
Speaker 2: two and a half days, but I'm telling you the

1189
00:58:21,480 --> 00:58:22,960
Speaker 2: four days that we have no issues.

1190
00:58:24,840 --> 00:58:26,880
Speaker 1: We barely fought it all in those four days.

1191
00:58:27,080 --> 00:58:30,440
Speaker 3: Speaking of long term relationships, then, Jane and Michael, I'm

1192
00:58:30,480 --> 00:58:34,040
Speaker 3: getting back on the script. People. Jane and Michael back

1193
00:58:34,080 --> 00:58:37,200
Speaker 3: in their apartment. Jane is weighing herself on the scale

1194
00:58:37,240 --> 00:58:40,120
Speaker 3: and she's telling Michael that she's still sad about losing

1195
00:58:40,120 --> 00:58:42,800
Speaker 3: the baby. Michael admits that he too is also sad,

1196
00:58:42,840 --> 00:58:45,240
Speaker 3: but that time will heal both of them and that

1197
00:58:45,280 --> 00:58:49,160
Speaker 3: they have a whole lifetime to look forward to being together.

1198
00:58:49,920 --> 00:58:52,120
Speaker 1: I also think he handled this beautifully. I like that

1199
00:58:52,160 --> 00:58:54,800
Speaker 1: he said, she said I lost the five pounds. He goes, look,

1200
00:58:54,840 --> 00:58:56,640
Speaker 1: I know I never saw it, but I know it

1201
00:58:56,720 --> 00:58:59,479
Speaker 1: meant something to you. I thought that was really well, Yeah,

1202
00:59:00,160 --> 00:59:02,400
Speaker 1: because I'm like the audience all whatever. He didn't see

1203
00:59:02,440 --> 00:59:05,160
Speaker 1: it either, nobody was. Yeah, but he was really he

1204
00:59:05,280 --> 00:59:08,600
Speaker 1: was really sweet and sensitive in the scene.

1205
00:59:08,680 --> 00:59:10,960
Speaker 3: And that it knew it was personal. It was specific

1206
00:59:11,040 --> 00:59:13,720
Speaker 3: and personal to her, But I did. I did sort

1207
00:59:13,760 --> 00:59:17,520
Speaker 3: of think to myself, a whole lifetime of being together

1208
00:59:17,680 --> 00:59:22,760
Speaker 3: for Jane and Michael. Not so fast, right, are shadowing

1209
00:59:22,840 --> 00:59:24,720
Speaker 3: for those of us who know where this is headed

1210
00:59:25,040 --> 00:59:28,440
Speaker 3: exactly anyway, but for now, that was very swevery sweet. Yeah,

1211
00:59:28,480 --> 00:59:31,560
Speaker 3: And then cutting to alison ability over coffee, Alison is

1212
00:59:31,600 --> 00:59:32,800
Speaker 3: listening to Billy's tails.

1213
00:59:32,720 --> 00:59:34,280
Speaker 1: And I just want to say one more quick thing

1214
00:59:34,320 --> 00:59:37,880
Speaker 1: about that, Michael and janezing that I thought was so

1215
00:59:37,880 --> 00:59:40,440
Speaker 1: sweet that she's saying she focused on the weight because

1216
00:59:40,440 --> 00:59:42,200
Speaker 1: she didn't want to deal with the grief of losing

1217
00:59:42,200 --> 00:59:44,640
Speaker 1: the baby. And I think they pointed that out well,

1218
00:59:44,680 --> 00:59:47,480
Speaker 1: that that's what the distraction was about. She thought if

1219
00:59:47,480 --> 00:59:49,800
Speaker 1: she could lose the weight, then she would lose the grief,

1220
00:59:49,840 --> 00:59:51,800
Speaker 1: and obviously the grief is still there right on the

1221
00:59:51,800 --> 00:59:52,720
Speaker 1: other side of the diet.

1222
00:59:52,880 --> 00:59:55,320
Speaker 3: Yeah, that's great, And I also thought it was important

1223
00:59:55,320 --> 00:59:57,880
Speaker 3: that they touch on that because I think that's the

1224
00:59:57,880 --> 01:00:02,840
Speaker 3: biggest thing for you know, women, after that experience. You know,

1225
01:00:02,920 --> 01:00:06,640
Speaker 3: it's not about just oh shoo to have five pounds

1226
01:00:06,680 --> 01:00:08,400
Speaker 3: to lose. It's like you you know, there's there's a

1227
01:00:08,440 --> 01:00:11,400
Speaker 3: grieving period. There's that's it's a very emotional experience. And

1228
01:00:11,440 --> 01:00:13,520
Speaker 3: so I was glad that they brought that back up.

1229
01:00:13,600 --> 01:00:16,360
Speaker 1: And yeah, doctors often say, but you'll be fine, you know,

1230
01:00:16,480 --> 01:00:18,520
Speaker 1: like turn it, but you really have to spend time

1231
01:00:18,560 --> 01:00:21,160
Speaker 1: to grieve it because it's really sad. It's a really

1232
01:00:21,240 --> 01:00:22,040
Speaker 1: hard thing to go through.

1233
01:00:22,120 --> 01:00:25,400
Speaker 3: Yeah, there's a physical recovery and there's a really big

1234
01:00:25,440 --> 01:00:26,360
Speaker 3: emotional recovery.

1235
01:00:26,440 --> 01:00:27,040
Speaker 1: Absolutely.

1236
01:00:28,040 --> 01:00:32,080
Speaker 3: So Yeah, So in the morning, Alison Billy over coffee.

1237
01:00:32,080 --> 01:00:34,960
Speaker 3: Allison is listening to Billy's tale of how he turned

1238
01:00:34,960 --> 01:00:37,840
Speaker 3: his mom's offer of a loan. He turned her down.

1239
01:00:38,880 --> 01:00:41,280
Speaker 3: Alison is saying, but now is the time you need

1240
01:00:41,320 --> 01:00:43,680
Speaker 3: to grovel take this loan, let her, let her give

1241
01:00:43,680 --> 01:00:45,200
Speaker 3: you the money, and so you can do this, And

1242
01:00:45,360 --> 01:00:49,320
Speaker 3: Billy says that actually he's thinking about maybe moving back

1243
01:00:49,320 --> 01:00:54,280
Speaker 3: home to save the money. Allison says, no, how about

1244
01:00:54,360 --> 01:00:59,840
Speaker 3: instead car you can borrow from my credit card and

1245
01:01:00,320 --> 01:01:03,480
Speaker 3: to Billy's credit. He turns that down to and he says, nope,

1246
01:01:04,040 --> 01:01:06,919
Speaker 3: I'm you know, going to cite the nineteen point five

1247
01:01:06,960 --> 01:01:10,480
Speaker 3: percent interest rate bottom line. You know, that's just too

1248
01:01:10,520 --> 01:01:14,360
Speaker 3: much to spend. But we see here that Allison does

1249
01:01:14,440 --> 01:01:16,960
Speaker 3: not want him to move out, and that friendship is

1250
01:01:17,480 --> 01:01:25,800
Speaker 3: we all know where that's headed to anyway. Billy goes

1251
01:01:25,840 --> 01:01:28,800
Speaker 3: back to cute little Mary Smith in the collections agency

1252
01:01:29,040 --> 01:01:31,640
Speaker 3: and he wants to work out a payment plan. She says, actually,

1253
01:01:31,640 --> 01:01:34,640
Speaker 3: that's totally possible. I will run the numbers. I'll get

1254
01:01:34,640 --> 01:01:37,120
Speaker 3: back to you, and he says, you know, one day

1255
01:01:37,200 --> 01:01:38,720
Speaker 3: you're going to read my novel and you're going to

1256
01:01:38,800 --> 01:01:40,680
Speaker 3: learn all about how I supported myself as a cab

1257
01:01:40,760 --> 01:01:44,600
Speaker 3: driver and a writer. Just you wait and see. And

1258
01:01:44,640 --> 01:01:47,080
Speaker 3: then at D and D, Allison is going into Lucy's

1259
01:01:47,120 --> 01:01:52,240
Speaker 3: office again, apologizing to her, saying that she's been having

1260
01:01:52,280 --> 01:01:56,320
Speaker 3: some really intense personal problems. Lucy invites her to sit down,

1261
01:01:56,480 --> 01:01:59,560
Speaker 3: and Alison admits that she's been having a bit of

1262
01:01:59,560 --> 01:02:02,640
Speaker 3: a I go with the sky. She does not reveal

1263
01:02:02,680 --> 01:02:05,720
Speaker 3: that Keith is married, but she does say it's now over,

1264
01:02:06,040 --> 01:02:09,080
Speaker 3: and Lucy tells Alison that getting caught up and stuff

1265
01:02:09,120 --> 01:02:11,920
Speaker 3: like that really sets a person back in their careers,

1266
01:02:12,240 --> 01:02:14,800
Speaker 3: and Allison wants to make it up to Lucy, and

1267
01:02:14,800 --> 01:02:16,840
Speaker 3: then all of a sudden, a phone message from Keith

1268
01:02:17,000 --> 01:02:20,160
Speaker 3: is delivered and Lucy is able to see that maybe

1269
01:02:20,200 --> 01:02:23,600
Speaker 3: Allison isn't over Keith after all, and she says to Alison,

1270
01:02:23,960 --> 01:02:28,680
Speaker 3: I just hope he's work worth it. So then we

1271
01:02:28,720 --> 01:02:31,640
Speaker 3: see Alison going back to the beach house and telling

1272
01:02:31,720 --> 01:02:34,680
Speaker 3: Keith that she hasn't been able to stop thinking about him.

1273
01:02:35,200 --> 01:02:38,600
Speaker 3: He says the same, but Allison says, I just can't

1274
01:02:38,720 --> 01:02:41,680
Speaker 3: break up a marriage, and this is where he says again,

1275
01:02:42,120 --> 01:02:45,160
Speaker 3: trust me, trust me, Everything's going to work out. He

1276
01:02:45,240 --> 01:02:48,240
Speaker 3: says it again, It's all going to work out, Yeah,

1277
01:02:48,680 --> 01:02:52,000
Speaker 3: and they embrace, they're hugging, and the hug turns into

1278
01:02:52,080 --> 01:02:55,520
Speaker 3: yet another kiss, and we pull out to reveal the

1279
01:02:55,520 --> 01:03:00,920
Speaker 3: beach and the theme song. So this storyline is to

1280
01:03:00,960 --> 01:03:01,640
Speaker 3: be continued.

1281
01:03:03,360 --> 01:03:04,600
Speaker 4: And I really do I.

1282
01:03:04,560 --> 01:03:07,880
Speaker 2: Really relate and feel for her and all women at

1283
01:03:07,880 --> 01:03:10,360
Speaker 2: this age from that last you know here reading again

1284
01:03:10,440 --> 01:03:13,720
Speaker 2: that last line, trusts me. I mean he looks and

1285
01:03:13,760 --> 01:03:17,440
Speaker 2: seems like a trustworthy man, right, he's fighting for the oceans, right,

1286
01:03:17,520 --> 01:03:21,360
Speaker 2: he's you know, and I feel like for him to

1287
01:03:21,440 --> 01:03:25,080
Speaker 2: say trust me. Obviously, that was very Melrosey leading on

1288
01:03:25,240 --> 01:03:28,520
Speaker 2: very sort of like TV drama, especially because we know

1289
01:03:28,920 --> 01:03:32,240
Speaker 2: he comes back for several episodes.

1290
01:03:34,120 --> 01:03:37,840
Speaker 4: But I mean, I just think this is a lesson

1291
01:03:38,040 --> 01:03:41,480
Speaker 4: and a journey for young.

1292
01:03:41,400 --> 01:03:46,880
Speaker 2: People as old as as old as the ages, you

1293
01:03:46,880 --> 01:03:47,360
Speaker 2: know what I mean.

1294
01:03:47,440 --> 01:03:50,560
Speaker 4: It's just, uh, how do we learn to trust? How

1295
01:03:50,600 --> 01:03:52,840
Speaker 4: do we hell? How often have we heard that? Who

1296
01:03:52,880 --> 01:03:53,440
Speaker 4: do we trust?

1297
01:03:53,520 --> 01:03:56,240
Speaker 2: And you just really have to That's what life is for.

1298
01:03:56,560 --> 01:03:58,960
Speaker 2: And on one level, like you have to takes experience,

1299
01:03:59,000 --> 01:04:02,480
Speaker 2: It takes you know, making trusting the wrong people. It

1300
01:04:02,640 --> 01:04:05,640
Speaker 2: tastes learning to trust yourself and your gut and all that.

1301
01:04:06,840 --> 01:04:10,680
Speaker 1: But also like a great a great advertisement for waiting,

1302
01:04:11,160 --> 01:04:14,360
Speaker 1: like I'm not approved by any means, but not having

1303
01:04:14,400 --> 01:04:17,880
Speaker 1: sex right away because Alison, like she's never had a

1304
01:04:17,880 --> 01:04:21,200
Speaker 1: sexual experience like that. It's very heavy stuff. He's the one,

1305
01:04:21,440 --> 01:04:24,040
Speaker 1: so right, he's the one who's given her this pleasure.

1306
01:04:24,080 --> 01:04:26,000
Speaker 1: She doesn't own it. She's not like, oh I can

1307
01:04:26,080 --> 01:04:29,120
Speaker 1: have this, this is mine. It's like he owns it.

1308
01:04:29,320 --> 01:04:32,520
Speaker 1: So it's like he's the only one who can dot

1309
01:04:31,880 --> 01:04:36,080
Speaker 1: dot dot So before she knows anything about him, she's connected. Right,

1310
01:04:36,160 --> 01:04:39,360
Speaker 1: women leaves a hormone and we have sex with somebody.

1311
01:04:39,440 --> 01:04:42,880
Speaker 1: That's this bonding hormone. So she's like, no, we're in love.

1312
01:04:42,960 --> 01:04:46,640
Speaker 1: It's like you just met him, sweetheart, but her chemicals

1313
01:04:46,640 --> 01:04:49,520
Speaker 1: are saying mate in love and love and love. So

1314
01:04:50,440 --> 01:04:53,840
Speaker 1: and she's like literally charging through a forest of red

1315
01:04:53,840 --> 01:04:54,960
Speaker 1: flags back.

1316
01:04:55,160 --> 01:04:55,440
Speaker 3: Yeah.

1317
01:04:55,720 --> 01:04:57,480
Speaker 1: God. And you know, and.

1318
01:04:57,480 --> 01:05:02,360
Speaker 2: Also I feel like, uh, he presents as such a

1319
01:05:02,400 --> 01:05:06,080
Speaker 2: trustworthy guy in his tie and suit and button up

1320
01:05:06,120 --> 01:05:10,520
Speaker 2: and the cool you know, beach house, and and.

1321
01:05:11,160 --> 01:05:15,120
Speaker 4: Yet he is older, he has the knowledge the power

1322
01:05:15,280 --> 01:05:15,800
Speaker 4: over you.

1323
01:05:15,880 --> 01:05:18,680
Speaker 2: There where that power dynamic. You know, you're still like

1324
01:05:18,720 --> 01:05:21,120
Speaker 2: in your young twenties. You're living in a room, you know,

1325
01:05:21,160 --> 01:05:26,640
Speaker 2: an apartment building. And he should be saying, let's slow

1326
01:05:26,680 --> 01:05:29,120
Speaker 2: it down and let me just deal with this and

1327
01:05:29,160 --> 01:05:31,400
Speaker 2: then I'll get back to you and please wait for me.

1328
01:05:31,520 --> 01:05:35,080
Speaker 2: And especially knowing that what that what that kind of

1329
01:05:35,120 --> 01:05:39,520
Speaker 2: sex does to a woman, a young woman and experienced

1330
01:05:39,560 --> 01:05:40,480
Speaker 2: you know, it's.

1331
01:05:40,560 --> 01:05:44,480
Speaker 4: Yeah, but he ain't gonna do that. Mm hmm.

1332
01:05:45,400 --> 01:05:48,680
Speaker 3: Literally, I think what we had this week, we had

1333
01:05:48,720 --> 01:05:51,040
Speaker 3: a fan question that's sort of along these lines, do

1334
01:05:51,080 --> 01:05:53,440
Speaker 3: you good? Do you have the fan question for I?

1335
01:05:53,560 --> 01:05:53,640
Speaker 2: Do?

1336
01:05:53,960 --> 01:05:56,640
Speaker 3: There's one thing for the fan question for Court? Yeah?

1337
01:05:56,680 --> 01:05:59,880
Speaker 2: Yeah, so Corn new there is a fan question if

1338
01:05:59,880 --> 01:06:02,640
Speaker 2: you had to pick one of your favorite love stories,

1339
01:06:02,680 --> 01:06:03,360
Speaker 2: which would it be?

1340
01:06:04,240 --> 01:06:08,000
Speaker 1: Billy Billy Billy. I thought that was so sweet. I

1341
01:06:08,040 --> 01:06:10,680
Speaker 1: don't remember many others. Actually, obviously you just said thing

1342
01:06:10,720 --> 01:06:12,320
Speaker 1: with Keith, But now I'm all mad at him because

1343
01:06:12,360 --> 01:06:14,600
Speaker 1: I'm so mad at him from this episode.

1344
01:06:14,760 --> 01:06:17,320
Speaker 4: You're mad at him from this episode. Well, he's for

1345
01:06:17,440 --> 01:06:18,120
Speaker 4: twelve hours.

1346
01:06:18,480 --> 01:06:21,840
Speaker 1: But obviously, look Andrew. You know I love Andrew so

1347
01:06:21,920 --> 01:06:24,080
Speaker 1: much that it sort of bleeds in and out, obviously,

1348
01:06:24,120 --> 01:06:27,000
Speaker 1: Like I have very sweet memories of that relationship and

1349
01:06:27,120 --> 01:06:29,640
Speaker 1: of that storyline playing with him. We were so close,

1350
01:06:29,680 --> 01:06:33,880
Speaker 1: we were such good friends, are such good friends. I

1351
01:06:33,920 --> 01:06:36,440
Speaker 1: can't think of any other. It'll be interesting to see

1352
01:06:36,480 --> 01:06:38,440
Speaker 1: as we go. I might go, oh, that one was

1353
01:06:38,440 --> 01:06:40,480
Speaker 1: fun too, Oh that one was fun too, But I

1354
01:06:40,520 --> 01:06:44,160
Speaker 1: don't remember many. Well.

1355
01:06:44,160 --> 01:06:48,400
Speaker 3: This was the episode that made me think I really

1356
01:06:48,440 --> 01:06:51,200
Speaker 3: need to start at that like chart that I keep

1357
01:06:51,240 --> 01:06:55,080
Speaker 3: threatening to make, like the kiss, the family treaty of

1358
01:06:55,160 --> 01:06:57,080
Speaker 3: like who was with who whatever, because I feel like

1359
01:06:57,120 --> 01:06:58,720
Speaker 3: it's about to get off the rails, so I'm not

1360
01:06:58,760 --> 01:07:00,840
Speaker 3: going to be able to remember everybody.

1361
01:07:00,880 --> 01:07:02,080
Speaker 1: I think that's a great idea.

1362
01:07:02,200 --> 01:07:04,560
Speaker 3: I think I need to make that before it gets to.

1363
01:07:04,880 --> 01:07:06,680
Speaker 1: When do we go from I think I need to

1364
01:07:06,680 --> 01:07:08,920
Speaker 1: do it too. I'm doing it. I know, I just

1365
01:07:09,080 --> 01:07:11,600
Speaker 1: need Actually, how many how many months out do you think.

1366
01:07:11,440 --> 01:07:13,880
Speaker 3: We Yeah, we can, we can ask we can ask

1367
01:07:13,920 --> 01:07:17,000
Speaker 3: our fans to help me too, Like with the data

1368
01:07:17,120 --> 01:07:20,600
Speaker 3: data collection, I'm asking for the fans on our Instagram,

1369
01:07:20,640 --> 01:07:25,040
Speaker 3: please give me a list of who's kissed who up

1370
01:07:25,080 --> 01:07:26,720
Speaker 3: to now, up to where we are.

1371
01:07:26,760 --> 01:07:29,440
Speaker 1: It should be like I can size chart like the FBI.

1372
01:07:29,680 --> 01:07:31,440
Speaker 1: We should have this big thing with.

1373
01:07:32,280 --> 01:07:33,720
Speaker 3: Cars that are like moving parts.

1374
01:07:33,800 --> 01:07:36,240
Speaker 1: Yeah, yeah, I mean it's gonna get I mean it's

1375
01:07:36,280 --> 01:07:39,880
Speaker 1: gonna do it like that. You know what you could do, sweetie.

1376
01:07:39,920 --> 01:07:42,760
Speaker 1: You can get magnets of all of our heads, and

1377
01:07:42,800 --> 01:07:46,200
Speaker 1: then you know what you can do, sweet connecting the magnets.

1378
01:07:46,640 --> 01:07:47,520
Speaker 4: You know what you can do.

1379
01:07:48,560 --> 01:07:51,880
Speaker 3: Hey, sweety, you know what you could do?

1380
01:07:51,920 --> 01:07:53,400
Speaker 4: You know it.

1381
01:07:53,760 --> 01:07:57,360
Speaker 3: I know I'm gonna do it, but I appreciate all

1382
01:07:57,360 --> 01:08:00,600
Speaker 3: the help. Actually, and I'm I'm counting on abody else's

1383
01:08:00,600 --> 01:08:03,920
Speaker 3: brains to help me, remember, because then I'll get my

1384
01:08:03,960 --> 01:08:04,440
Speaker 3: act together.

1385
01:08:04,760 --> 01:08:07,560
Speaker 1: I'm sure there's a really easy way to do this

1386
01:08:08,160 --> 01:08:10,640
Speaker 1: on the computer that your kids would know or my

1387
01:08:10,840 --> 01:08:13,080
Speaker 1: kid would know. You try to do it?

1388
01:08:13,160 --> 01:08:17,160
Speaker 3: Yeah, you make a flow chart to do. There's like

1389
01:08:17,200 --> 01:08:19,200
Speaker 3: a flow chart that I can get a Google doc.

1390
01:08:19,360 --> 01:08:20,880
Speaker 1: It'll be like one of those things that we're talking

1391
01:08:20,880 --> 01:08:23,720
Speaker 1: about our kids sports, like at those when they had

1392
01:08:23,720 --> 01:08:27,080
Speaker 1: the tournaments and it went from this to this to this. Yeah,

1393
01:08:27,280 --> 01:08:28,559
Speaker 1: maybe it's that kind of chart.

1394
01:08:29,000 --> 01:08:33,840
Speaker 3: Yeah, like the brackets. It's also brackets. Yeah, it's also

1395
01:08:34,000 --> 01:08:36,519
Speaker 3: like a like it's sort of like a family tree.

1396
01:08:36,560 --> 01:08:38,799
Speaker 3: I think I'm going to find just the right template

1397
01:08:38,960 --> 01:08:41,680
Speaker 3: or I might have to make it myself. Anyway, it's

1398
01:08:41,720 --> 01:08:43,479
Speaker 3: a craft project, but I am.

1399
01:08:44,520 --> 01:08:47,240
Speaker 1: Now suddenly I'm interested. I didn't know it was crafting.

1400
01:08:47,280 --> 01:08:48,120
Speaker 1: Now I want to do it.

1401
01:08:48,400 --> 01:08:51,000
Speaker 3: No, I think it's a good thing for the fans.

1402
01:08:51,080 --> 01:08:53,960
Speaker 3: That one of the one of the assignments I'm going

1403
01:08:54,000 --> 01:08:56,679
Speaker 3: to give is to help with a data collection of

1404
01:08:56,720 --> 01:08:58,120
Speaker 3: like connecting the dots.

1405
01:08:58,200 --> 01:09:00,880
Speaker 1: Remind me that it's a great idea.

1406
01:09:01,080 --> 01:09:03,719
Speaker 3: So far up till now. Okay, So that's our fans

1407
01:09:03,800 --> 01:09:07,000
Speaker 3: next assignment. And on that note, I can't wait to

1408
01:09:07,040 --> 01:09:10,080
Speaker 3: see you all next week here on Still the Place.

1409
01:09:10,200 --> 01:09:14,880
Speaker 3: We love our fan engagement and everybody who's tuning in, subscribing,

1410
01:09:15,000 --> 01:09:18,160
Speaker 3: listening and commenting on our Still the Place Instagram, our

1411
01:09:18,200 --> 01:09:20,800
Speaker 3: TikTok our Facebook. We love it. Thank you so much

1412
01:09:20,800 --> 01:09:21,439
Speaker 3: for being here.

1413
01:09:21,600 --> 01:09:23,240
Speaker 1: Do we have a guest next week or are we

1414
01:09:23,360 --> 01:09:27,080
Speaker 1: doing another recap? I'm actually we're doing it in the recap.

1415
01:09:27,200 --> 01:09:30,000
Speaker 3: We need to get ourselves three more episodes to get

1416
01:09:30,040 --> 01:09:34,000
Speaker 3: your show's Daphne's right y yeah yeah, this was twelve.

1417
01:09:33,800 --> 01:09:37,320
Speaker 2: So thirteen, fourteen, yep, goodbye.

1418
01:09:38,240 --> 01:09:39,000
Speaker 3: I'm still the place.