WEBVTT - Some Time With... Juan Pablo Di Pace! (Part 1)

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<v Speaker 1>Hey, fan Ritos, and welcome back to an all new

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<v Speaker 1>episode of How Rude Tan Ritos.

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<v Speaker 2>Today's guest is a real treat.

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<v Speaker 1>You know him as Kimmi Gibbler's hot and hilarious on

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<v Speaker 1>and off again husband, Fernando Hernandez Guerrero Fernandez Guerrero.

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<v Speaker 2>We know him as JP, our.

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<v Speaker 1>Wildly talented, big hearted friend with big dreams, and one

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<v Speaker 1>of those dreams recently came true. Juan Pablo de Pace

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<v Speaker 1>is here to talk about his stunning new film Before

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<v Speaker 1>We Forget, a raw, beautiful, emotionally charged story about unrequited

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<v Speaker 1>first love. This film is deeply personal for JP, drawn

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<v Speaker 1>from his memories of a particularly meaningful time during his adolescence.

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<v Speaker 1>It is a beautiful film that Jody and I had

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<v Speaker 1>the privilege of watching a few weeks ago at the

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<v Speaker 1>LA screening, and we are so proud of him. We

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<v Speaker 1>can't wait to talk about filmmaking Fernando and Fuller House.

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<v Speaker 1>So Fannertos, help us give a warm welcome to Mia Moor.

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<v Speaker 2>Juan Pablo de Pache.

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<v Speaker 3>Can you hear me? Okay, Yeah, let's do it.

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<v Speaker 2>I've been looking forward to this for so long. Yeah, yeah,

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<v Speaker 2>it's just to get to talk to you and catch

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<v Speaker 2>up and share your beautiful film with the world.

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<v Speaker 4>It's oh, oh great, so great.

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<v Speaker 5>We were we just like before you hopped on the zoom,

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<v Speaker 5>we were just having like a like a ten minute love.

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<v Speaker 4>Fest about it, about just how beautiful.

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<v Speaker 5>It was and how proud we were, and like just

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<v Speaker 5>how we're like, oh my god, it's gonna win a

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<v Speaker 5>boards and is that like we just yeah, it was.

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<v Speaker 5>We're just very proud of you. So we're excited to

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<v Speaker 5>have you on to talk about it. And also because

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<v Speaker 5>you are just an amazing part of the full Fuller

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<v Speaker 5>family now, like you're like you're in Sorry, it's it's forever.

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<v Speaker 2>Never let you go.

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<v Speaker 5>You can never be the annoying family members that you're like,

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<v Speaker 5>oh no then again, yeah no.

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<v Speaker 1>You're off directing in other countries and we're just like,

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<v Speaker 1>come back for a full house barbecue.

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<v Speaker 3>Yes, thank you. I mean, I don't know what to say.

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<v Speaker 3>I'm speechless. I'm the one who's uh, just lucky and

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<v Speaker 3>also I don't know, just just very very very honored

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<v Speaker 3>to have I didn't even know what I was walking

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<v Speaker 3>into and all of a sudden I was part of this. Yeah,

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<v Speaker 3>this this really kind of I don't know, a very

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<v Speaker 3>special family that that we we all thought, oh, you

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<v Speaker 3>know this, this might be just one year and whatever,

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<v Speaker 3>and then it just we didn't know five years of

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<v Speaker 3>our lives, which is crazy.

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<v Speaker 4>Yeah, so great.

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<v Speaker 1>So great, Well we will, we'll get to fuller house.

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<v Speaker 1>But let's let's go.

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<v Speaker 2>Back and start with your origin story first.

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<v Speaker 1>Because I don't know if I even know this what

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<v Speaker 1>age you started acting. I know you're from Argentina's so

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<v Speaker 1>did you move to the US to become an actor

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<v Speaker 1>or tell us everything about how you started in this business.

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<v Speaker 5>Really feel like, if I remember right, you went from

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<v Speaker 5>like Argentina sort of through Europe around and then kind

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<v Speaker 5>of to the States.

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<v Speaker 3>Yeah. Well okay, so it all it's really confusing.

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<v Speaker 4>We do confusing well on this show. So it's fine,

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<v Speaker 4>go for it. Yeah, it's our brand.

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<v Speaker 3>Yeah. Obviously I was born in Argentina to an Italian

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<v Speaker 3>dad Argentinian mom, and around twelve thirteen, I said to

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<v Speaker 3>my mom, I really want to study in Europe and

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<v Speaker 3>my mom said, absolutely, no way, You're going to study

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<v Speaker 3>in Europe when you're twenty. You know, and life have,

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<v Speaker 3>you know, things happen strange ways. One day I'm going

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<v Speaker 3>to school and I see this little paper that says,

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<v Speaker 3>would you like to finish high school in Italy in

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<v Speaker 3>English for two years? And so I, without telling my parents,

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<v Speaker 3>I actually applied to this thing. And it was basically

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<v Speaker 3>a scholarship to finish school in Italy in this bizarre

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<v Speaker 3>place called the United World College in a remote town.

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<v Speaker 3>And I do this test, I get in and then

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<v Speaker 3>my and then I tell my parents, oh, I got

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<v Speaker 3>a scholarship to finish high school in Italy. And they

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<v Speaker 3>were both like in shock, but also well, you can't

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<v Speaker 3>say no. I mean it was anssive opportunity. This is

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<v Speaker 3>called the United World College, And yeah, I kind of

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<v Speaker 3>went there from Argentina to Italy to finish high school

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<v Speaker 3>in this beautiful place that we can talk about later

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<v Speaker 3>because this part of the film yeah yeah, oh yeah,

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<v Speaker 3>but it was kind of like a Hogwarts nation, you know,

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<v Speaker 3>students from world two hundred students and you're literally finishing

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<v Speaker 3>a high school. It's nothing more than that, but it's

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<v Speaker 3>pretty spectacular because obviously you leave everything behind at like

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<v Speaker 3>fifteen years old, sixteen, you can't you know, when you

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<v Speaker 3>have a crisis, you don't have mom to hug you

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<v Speaker 3>you know you really, but also these kids become your family.

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<v Speaker 4>Yeah, travels. I mean I always tell my kids.

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<v Speaker 5>I've sent them on school trips to Japan and to Europe,

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<v Speaker 5>and I'm like, travel, go find out that you can

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<v Speaker 5>do stuff by yourself. I mean they're not by themselves,

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<v Speaker 5>but still, like, you know, it's so I just it's

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<v Speaker 5>so important. Yeah, God, I wish I could have finished

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<v Speaker 5>high school in Italy.

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<v Speaker 3>Wow. Yeah, it's amazing, pretty lucky.

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<v Speaker 1>Yeah, were they all the same age around this, fifteen

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<v Speaker 1>and sixteen? Because it's called college, which to me means.

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<v Speaker 5>A college in Europe though, is like high school, isn't

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<v Speaker 5>it sort it's just a university is more like what

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<v Speaker 5>they call our version of college.

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<v Speaker 3>It should be called high school. But yeah, it's it's

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<v Speaker 3>it's really that. It's that age where everyone just before finishing.

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<v Speaker 3>I don't know how in America.

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<v Speaker 4>It is the last two year junior senior year probably would.

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<v Speaker 3>Be yeah exactly. So that's what it is. And that

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<v Speaker 3>place kind of gave me the wings really because I

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<v Speaker 3>before going there, I wasn't really a performer. Before going there,

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<v Speaker 3>I thought I was going to be a Disney animator.

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<v Speaker 3>That was my thing.

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<v Speaker 5>Like, I really, Yeah, my mom's an artist, right, yea,

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<v Speaker 5>your mom's a really talented artist artist.

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<v Speaker 3>And I grew up with that. I grew up with

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<v Speaker 3>a lady who could draw and sculpt and things and

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<v Speaker 3>and I kind of loved all that, and I loved

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<v Speaker 3>being by myself. But somehow going to the college opened

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<v Speaker 3>me up, and all of a sudden, I went from

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<v Speaker 3>being like the shy kid at school to the one

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<v Speaker 3>who would be performing and doing dances and doing you know,

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<v Speaker 3>theater stuff. And so yeah, it was there that I

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<v Speaker 3>kind of discovered, oh, I really like being on stage.

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<v Speaker 3>So yeah, that's really how how in my mind it

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<v Speaker 3>was really planted because I don't know why, but I

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<v Speaker 3>went up to the headmaster's office and I said, I

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<v Speaker 3>would I think college should have its first music ever music,

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<v Speaker 3>And he goes, okay, with one condition, you put it together,

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<v Speaker 3>you directed, and I don't want to know about it.

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<v Speaker 3>Just go and here's some money to produce. And all

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<v Speaker 3>of a sudden, I had this power to put on

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<v Speaker 3>a show. I had never done that in my life,

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<v Speaker 3>and so we did. So I learned by doing by.

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<v Speaker 5>What a gift though from that head master of confidence

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<v Speaker 5>in a young person to go, you know what, you

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<v Speaker 5>can do this? You go do it, figure it out.

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<v Speaker 5>You're gonna make it. You guys, do it Like that's

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<v Speaker 5>so improdive. It was incredible.

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<v Speaker 3>Yeah, it really, Like to this day, I go, what

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<v Speaker 3>on earth you know was he thinking giving this kid?

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<v Speaker 3>I mean, surely I don't know why, but anyway, it

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<v Speaker 3>just happened that way, and it sort of gave me

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<v Speaker 3>this responsibility of going, Okay, so what do I do?

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<v Speaker 3>And so I had to learn to cast, I had

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<v Speaker 3>to learn to direct, I had to learn to act

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<v Speaker 3>because I was also playing Danny. This was Grease. It

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<v Speaker 3>was gre Yes, I'm like directing it playing Danny's rouco

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<v Speaker 3>like dealing with the details and the costumes and sonya.

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<v Speaker 3>You could say that that college really gave me the

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<v Speaker 3>beginning of then what I think now is my life,

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<v Speaker 3>which is a bit of a jack of all trades.

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<v Speaker 3>And I like a lovely pressure and I can sing,

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<v Speaker 3>I can dense, and can draw and direct.

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<v Speaker 4>You know, Yeah, you're kind of like a renaissance man.

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<v Speaker 5>And I always like, I just have such admiration for

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<v Speaker 5>all and you speak like seven languages.

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<v Speaker 3>You're just just three.

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<v Speaker 5>Well only the only direction it feels like seven to me,

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<v Speaker 5>I speak one. No, I just it's I just love you.

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<v Speaker 5>But yeah, like, what a what a beautiful gift. And

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<v Speaker 5>I'm so glad that you saw that little piece of

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<v Speaker 5>paper and decided to take a chance, like life changing

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<v Speaker 5>moments that we never know about.

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<v Speaker 1>How brave of you to do this at such a

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<v Speaker 1>young age. And then you found yourself over there, like

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<v Speaker 1>what a great story. This is a great origin story.

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<v Speaker 1>I love this.

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<v Speaker 4>Yeah, and then you went, didn't you after?

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<v Speaker 3>What did you do after.

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<v Speaker 4>You finished there?

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<v Speaker 1>Yeah?

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<v Speaker 3>So so that was really it was not an art school,

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<v Speaker 3>it was high school. Yeah. Well, once discover oh I

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<v Speaker 3>like this too much, and the whole Disney dream just

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<v Speaker 3>kind of died in my head. I was like, no, no, no,

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<v Speaker 3>I want to do this thing. I I thought to myself, Okay,

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<v Speaker 3>where where do I go? Where is the center of this?

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<v Speaker 3>Where's the center of theater? And it was either New York,

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<v Speaker 3>which seemed very far, or London. Yeah, and then it

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<v Speaker 3>has the West End and Shakespeare and all I.

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<v Speaker 4>Was going to say, like theater, theater, definitely London.

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<v Speaker 5>Yeah.

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<v Speaker 3>Yeah, So I just it was nearing the end of

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<v Speaker 3>this high school thing and I started auditioning, and I

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<v Speaker 3>actually did one trip to London and I auditioned for

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<v Speaker 3>three acting schools and I got a scholarship into one,

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<v Speaker 3>and I was so excited to go. So I go

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<v Speaker 3>back to Argentina to finish, like all my stuff, buy

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<v Speaker 3>mom and dad, go to London with all my family savings,

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<v Speaker 3>and I get a job at a place it's sort

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<v Speaker 3>of like a home for people with learning difficulties during

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<v Speaker 3>the evening so during the day I can do the course.

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<v Speaker 3>So I had it all planned and it's like two

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<v Speaker 3>weeks before the start of course, and I go to

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<v Speaker 3>the office and I sit down next to the woman

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<v Speaker 3>and she's like, okay, well, this is the end of

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<v Speaker 3>your paperwork. How would you like to make your payment?

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<v Speaker 3>And I go for what the course? No, no, no, I

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<v Speaker 3>have a scholarship. You gave me a scholarship. And she

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<v Speaker 3>starts looking in the computer and there's no scholarship. Oh no,

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<v Speaker 3>And she's like, I'm sorry, I don't know who told

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<v Speaker 3>you have a scholarship. And I've traveled all this way, nobody,

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<v Speaker 3>like my only friends, other people in the home for

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<v Speaker 3>You're like, oh my god, oh no, And she's like, no,

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<v Speaker 3>I must have been a mistake. I don't know what happened,

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<v Speaker 3>and I didn't even I don't know if I haven't

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<v Speaker 3>had a letter, I had a phone call. I don't

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<v Speaker 3>at that point what did I have?

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<v Speaker 4>Was it an email?

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<v Speaker 3>Was it.

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<v Speaker 4>So long ago?

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<v Speaker 3>And so she's like, well, it's gonna be thirty thousand

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<v Speaker 3>pounds here if you want, we can keep your space

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<v Speaker 3>for when you're able to pay it. But you don't

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<v Speaker 3>have a scholarship. So yeah, so that kind of like

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<v Speaker 3>I was like this and like that, and I called

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<v Speaker 3>every single acting school to see for scholarships or whatever.

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<v Speaker 3>No one had anything. I was dejected. I was going

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<v Speaker 3>to go back to Argentina. How was all in my

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<v Speaker 3>mom to say, I think I need a I need

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<v Speaker 3>a trip back, and but I didn't. Walking down the

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<v Speaker 3>street in London and I see this big, massive billboard

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<v Speaker 3>that says cuts the music. I go, well, I like musicals,

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<v Speaker 3>and I feel like crap. And so I go to

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<v Speaker 3>the box office and I said, do you have a

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<v Speaker 3>do you have a ticket? Yes? And I only had

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<v Speaker 3>fifty pounds in my pocket because that's the only thing

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<v Speaker 3>that the home gave me to eat. Okay, that's it.

0:12:43.920 --> 0:12:46.559
<v Speaker 3>And so the lady goes, yeah, it's fifty pounds front row.

0:12:47.080 --> 0:12:51.959
<v Speaker 3>Oh okay, And I'm like fine, I'm just so depressed

0:12:52.000 --> 0:12:54.200
<v Speaker 3>that I'm like what, Like, what does it matter anyway?

0:12:54.200 --> 0:12:56.960
<v Speaker 3>Who cares say that one of those lost?

0:12:57.880 --> 0:12:59.600
<v Speaker 5>It's kind of when you get to that point, like

0:12:59.679 --> 0:13:01.920
<v Speaker 5>it's a very freeing point in a weird.

0:13:01.720 --> 0:13:04.520
<v Speaker 4>Way where you're like, listen, sure, who cares? You know what?

0:13:04.600 --> 0:13:08.319
<v Speaker 3>I don't read my last fifty pounds? Yeah, so take it,

0:13:08.360 --> 0:13:11.559
<v Speaker 3>take it. I sit in the front row. The lights

0:13:11.600 --> 0:13:18.199
<v Speaker 3>go down, and then all of these cats starting.

0:13:16.559 --> 0:13:20.000
<v Speaker 4>About right right as as cats is about.

0:13:20.440 --> 0:13:22.480
<v Speaker 3>I can't tell I can't believe I'm telling you this story.

0:13:22.679 --> 0:13:27.200
<v Speaker 3>But anyways, all the cats start dancing and like they're amazing,

0:13:27.280 --> 0:13:29.040
<v Speaker 3>and you know, I don't know if you remember, but

0:13:29.080 --> 0:13:31.560
<v Speaker 3>the original version of cats basically they come up to

0:13:31.600 --> 0:13:33.560
<v Speaker 3>you and yeah, yeah.

0:13:33.440 --> 0:13:35.839
<v Speaker 5>Yeah, they definitely did. Was they There was a lot

0:13:35.840 --> 0:13:38.240
<v Speaker 5>of more audience. Well I think it's still I haven't

0:13:38.240 --> 0:13:40.840
<v Speaker 5>seen it live, but yeah, I remember very much.

0:13:40.960 --> 0:13:44.000
<v Speaker 3>Like that was the thing, right, they came to people

0:13:44.000 --> 0:13:46.160
<v Speaker 3>and they started dancing to people. Anyway, I thought I

0:13:46.200 --> 0:13:48.120
<v Speaker 3>was the only person in the audience, like I had

0:13:48.160 --> 0:13:51.160
<v Speaker 3>all these cats like dancing with I was. I was

0:13:51.240 --> 0:13:54.840
<v Speaker 3>like aroused. I was honest, I was like all of

0:13:54.840 --> 0:13:59.160
<v Speaker 3>the things. And so the show finishes and I'm just

0:13:59.240 --> 0:14:01.600
<v Speaker 3>in seven Heaven and I go and I check where

0:14:01.679 --> 0:14:04.079
<v Speaker 3>these cats come from, Like where what they study?

0:14:04.400 --> 0:14:04.559
<v Speaker 5>Right?

0:14:04.640 --> 0:14:04.840
<v Speaker 1>Right?

0:14:04.960 --> 0:14:05.160
<v Speaker 4>Yeah?

0:14:05.200 --> 0:14:07.600
<v Speaker 3>Where are these cats? Yeah? Where did you get these cats?

0:14:08.640 --> 0:14:12.280
<v Speaker 3>And so the course that I had the scholarship was acting.

0:14:13.000 --> 0:14:15.199
<v Speaker 3>But then I realized this is more of a dance

0:14:15.520 --> 0:14:18.840
<v Speaker 3>musical kind of thing. And so I call and they

0:14:18.920 --> 0:14:21.080
<v Speaker 3>all come from London Studio Center. And so I call

0:14:21.160 --> 0:14:23.840
<v Speaker 3>London Studio Center and they say, yeah, yeah, we're we're

0:14:23.840 --> 0:14:28.160
<v Speaker 3>looking for boys, and tomorrow we have auditions. And so

0:14:28.360 --> 0:14:31.720
<v Speaker 3>I go to tomorrow to the auditions and I had

0:14:31.760 --> 0:14:34.720
<v Speaker 3>never taken a dance class in my life, and I

0:14:34.720 --> 0:14:37.080
<v Speaker 3>had to do ballet, jazz, tap, contemporary. I call it

0:14:37.160 --> 0:14:40.200
<v Speaker 3>ithn And at the end of the day they call

0:14:40.280 --> 0:14:42.440
<v Speaker 3>me to the office and they go, well, we want

0:14:42.440 --> 0:14:44.160
<v Speaker 3>to take a chance on you because you have that

0:14:45.040 --> 0:14:46.240
<v Speaker 3>desperation going on.

0:14:46.160 --> 0:14:46.720
<v Speaker 1>That we like.

0:14:50.400 --> 0:14:50.920
<v Speaker 4>Or skill.

0:14:51.120 --> 0:14:55.240
<v Speaker 3>I'm skill and so yeah, they did give me a scholarship,

0:14:55.240 --> 0:14:58.560
<v Speaker 3>and I stayed in London as a dancer, wanting to

0:14:58.600 --> 0:14:59.240
<v Speaker 3>be a cat.

0:15:02.960 --> 0:15:05.400
<v Speaker 4>Right, So when people ask you how your career started.

0:15:05.400 --> 0:15:07.080
<v Speaker 5>You go, well, I really just wanted to be a

0:15:07.080 --> 0:15:10.280
<v Speaker 5>cat and then a dancing cat. Yeah.

0:15:10.560 --> 0:15:14.320
<v Speaker 3>Yeah, so yeah, and that's really the beginning of everything

0:15:14.320 --> 0:15:18.200
<v Speaker 3>because after that there's three years of ballet contemporary and

0:15:18.320 --> 0:15:21.600
<v Speaker 3>jazz and singing and acting and so it was the

0:15:22.600 --> 0:15:23.640
<v Speaker 3>triple threat school.

0:15:23.680 --> 0:15:26.240
<v Speaker 4>You could, Yeah, you kind of found where you were

0:15:26.280 --> 0:15:26.960
<v Speaker 4>supposed to be.

0:15:27.680 --> 0:15:30.360
<v Speaker 3>Yeah, but from accidents, you know, like, well.

0:15:30.200 --> 0:15:32.520
<v Speaker 5>That's always how it is, right, You're like everything you

0:15:32.600 --> 0:15:33.560
<v Speaker 5>sort of fall into something.

0:15:33.560 --> 0:15:37.240
<v Speaker 4>You go, oh, oh, you know came together.

0:15:46.000 --> 0:15:49.240
<v Speaker 5>What a beautiful story though, Like that's such an adventure

0:15:49.440 --> 0:15:56.560
<v Speaker 5>and such a testament to your like driven personality and

0:15:56.600 --> 0:15:58.960
<v Speaker 5>your sense of like I'm just going to do it.

0:15:59.320 --> 0:16:00.840
<v Speaker 5>Like I love that about You're like, I'm just going

0:16:00.880 --> 0:16:02.240
<v Speaker 5>to take the chance and do it. I'm going to

0:16:02.440 --> 0:16:05.840
<v Speaker 5>sign up for this school. I'm gonna ask if I

0:16:05.840 --> 0:16:08.840
<v Speaker 5>can get into this school having never danced in my life.

0:16:08.880 --> 0:16:13.320
<v Speaker 5>Like just that that takes balls, like it takes it

0:16:13.360 --> 0:16:16.040
<v Speaker 5>takes a lot of courage and uh and I just

0:16:16.080 --> 0:16:19.200
<v Speaker 5>admire that in you because how did all of us

0:16:19.280 --> 0:16:19.720
<v Speaker 5>have that.

0:16:19.600 --> 0:16:20.760
<v Speaker 3>It's coming to trouble too?

0:16:21.920 --> 0:16:25.080
<v Speaker 4>Well look, yeah.

0:16:24.760 --> 0:16:25.760
<v Speaker 3>But that's not important.

0:16:25.800 --> 0:16:26.400
<v Speaker 4>What's important.

0:16:26.440 --> 0:16:31.280
<v Speaker 5>It's important right, right, the results we don't talk about, right, Yeah, exactly.

0:16:31.320 --> 0:16:33.240
<v Speaker 4>Those were the other things.

0:16:33.880 --> 0:16:37.440
<v Speaker 1>So what prompted you to move to the United States?

0:16:37.640 --> 0:16:41.720
<v Speaker 3>When did that happen? Well, that happened many many years later,

0:16:41.760 --> 0:16:45.400
<v Speaker 3>because London for me was the twenty All my twenties

0:16:45.480 --> 0:16:48.840
<v Speaker 3>happened in London. So all all my being poor, living

0:16:48.880 --> 0:16:52.440
<v Speaker 3>with rats, doing seven jobs at the same time, all

0:16:52.480 --> 0:16:56.680
<v Speaker 3>of that happened in London. And it got to a

0:16:56.720 --> 0:16:59.480
<v Speaker 3>point where it was really tiring for me to feel

0:16:59.560 --> 0:17:03.160
<v Speaker 3>like I wasn't advancing in in in acting because obviously,

0:17:03.240 --> 0:17:07.800
<v Speaker 3>after after the school I started first one musical was Chicago,

0:17:07.840 --> 0:17:11.280
<v Speaker 3>and that was like my one Okay, now I want

0:17:11.280 --> 0:17:13.960
<v Speaker 3>to I want to try being the guy in the front, right,

0:17:15.280 --> 0:17:19.160
<v Speaker 3>So then that's when the acting kind of really caught on.

0:17:19.280 --> 0:17:21.760
<v Speaker 3>And but yeah, it was like seven years after the

0:17:21.840 --> 0:17:24.280
<v Speaker 3>Color seven years of struggle and struggle and struggle and

0:17:24.560 --> 0:17:30.320
<v Speaker 3>always playing like the waiter, you know, and the small, small, small,

0:17:30.440 --> 0:17:33.760
<v Speaker 3>small parts, and so I was kind of getting tired,

0:17:34.080 --> 0:17:36.760
<v Speaker 3>even though I did do my Moa Mia in the

0:17:36.920 --> 0:17:40.480
<v Speaker 3>period with a big, big, big movie, but again I

0:17:40.560 --> 0:17:44.119
<v Speaker 3>was just you know, a tiny, tiny part, and I

0:17:44.160 --> 0:17:45.879
<v Speaker 3>just wanted to do what it was like to to

0:17:45.960 --> 0:17:51.639
<v Speaker 3>kind of have lines, right, I want to speak right.

0:17:51.720 --> 0:17:53.159
<v Speaker 4>You're like, I don't want to be a man in

0:17:53.200 --> 0:17:54.280
<v Speaker 4>coffee shop number two.

0:17:56.160 --> 0:18:01.520
<v Speaker 3>That's exactly. So this chance came to to to go

0:18:01.560 --> 0:18:06.240
<v Speaker 3>to Spain and audition for another big musical project, which

0:18:06.320 --> 0:18:10.080
<v Speaker 3>was Saturday Night Fever, and that was to play the

0:18:10.160 --> 0:18:13.840
<v Speaker 3>lead to play Tony ONNY. Two really important moments in

0:18:13.840 --> 0:18:16.960
<v Speaker 3>my love had to do with things that Travolta what

0:18:17.200 --> 0:18:21.840
<v Speaker 3>God famous for. Oh yeah, I agree, Oh yeah, I

0:18:21.880 --> 0:18:23.719
<v Speaker 3>got that. And then I moved to Spain and I

0:18:23.760 --> 0:18:26.600
<v Speaker 3>became you know this guy and he was the most

0:18:26.680 --> 0:18:33.240
<v Speaker 3>amazing university to have that amount of pressure every single

0:18:33.359 --> 0:18:36.760
<v Speaker 3>night on my shoulders because if I had an off day,

0:18:37.560 --> 0:18:41.359
<v Speaker 3>no old fellow, I had to like at this level

0:18:41.400 --> 0:18:43.320
<v Speaker 3>every night. So that was a huge lesson.

0:18:43.720 --> 0:18:47.120
<v Speaker 4>That's incredible. Yeah, theater actors, I'm always.

0:18:46.880 --> 0:18:48.040
<v Speaker 3>Like, how do you do it?

0:18:48.200 --> 0:18:49.280
<v Speaker 4>Like how every night?

0:18:49.320 --> 0:18:52.640
<v Speaker 5>I mean it's such a like you know, you were

0:18:52.840 --> 0:18:54.760
<v Speaker 5>asking Ben Platt that. I was like, how do you

0:18:54.920 --> 0:18:57.440
<v Speaker 5>just lay it on the floor every night?

0:18:57.520 --> 0:18:58.280
<v Speaker 4>It's so hard?

0:18:58.800 --> 0:19:01.400
<v Speaker 3>But you don't have of a life outside of the show.

0:19:01.400 --> 0:19:03.480
<v Speaker 3>You you sleep, you.

0:19:03.400 --> 0:19:05.880
<v Speaker 5>Eat, you wake up, you go back to work. Yeah,

0:19:06.560 --> 0:19:08.760
<v Speaker 5>so you love it. It's amazing, and it's.

0:19:08.400 --> 0:19:10.720
<v Speaker 3>It was really, it was amazing. It was amazing because

0:19:10.720 --> 0:19:13.920
<v Speaker 3>it just gave me all kinds of good stuff, like

0:19:14.800 --> 0:19:17.600
<v Speaker 3>the joy of dancing and singing and acting every single

0:19:17.680 --> 0:19:21.600
<v Speaker 3>night and entertaining people. And but also yeah, that that

0:19:21.960 --> 0:19:27.240
<v Speaker 3>kind of responsibility, which I loved. Shed a responsible. So

0:19:27.240 --> 0:19:29.639
<v Speaker 3>so yeah, after four years in Spain, I did little

0:19:29.680 --> 0:19:32.000
<v Speaker 3>things and I thought, you know what, I'm in my thirties.

0:19:33.240 --> 0:19:36.880
<v Speaker 3>I always always always wanted to go to La and

0:19:37.480 --> 0:19:42.360
<v Speaker 3>try the Hollywood thing. Always since I was five. When

0:19:42.359 --> 0:19:43.919
<v Speaker 3>I was five, I used to like stay up all

0:19:44.000 --> 0:19:47.400
<v Speaker 3>night watching the Oscars with my grandma. I look at

0:19:47.400 --> 0:19:49.320
<v Speaker 3>tinsel Town and you know, I looked at it, you

0:19:49.480 --> 0:19:50.160
<v Speaker 3>girls like.

0:19:51.720 --> 0:19:55.480
<v Speaker 4>You know, yeah, the outer image of Hollywood.

0:19:55.080 --> 0:19:57.679
<v Speaker 3>The outer image of Hollywood, which is very very enticing.

0:19:58.560 --> 0:20:03.919
<v Speaker 4>Yeah, and then you get to and you're like, we was, Oh, it's.

0:20:03.880 --> 0:20:05.240
<v Speaker 3>Just a it's just a set.

0:20:05.520 --> 0:20:10.560
<v Speaker 5>It's just set, and there's still a grind, Yeah, a set.

0:20:10.640 --> 0:20:11.560
<v Speaker 3>And fallen dreams.

0:20:13.880 --> 0:20:16.440
<v Speaker 5>Well those are whatever you get trip on, those are everywhere.

0:20:18.560 --> 0:20:21.520
<v Speaker 3>Yeah. Anyway, yeah, that was it. I came here. I mean,

0:20:21.760 --> 0:20:23.639
<v Speaker 3>I'm going to spare you how but I had a

0:20:23.680 --> 0:20:27.159
<v Speaker 3>manager and she basically just just sent my my, my

0:20:27.760 --> 0:20:32.480
<v Speaker 3>CV to every single casting agent and and it was

0:20:32.800 --> 0:20:35.480
<v Speaker 3>too lucky. I was just too lucky because because I

0:20:35.560 --> 0:20:37.399
<v Speaker 3>arrived on a Monday and on the Saturday, I was

0:20:37.440 --> 0:20:42.280
<v Speaker 3>already cast in Dallas the show Dallas. Wow. So it's

0:20:42.440 --> 0:20:46.199
<v Speaker 3>so lucky to start in Hollywood that way. But I

0:20:46.200 --> 0:20:48.720
<v Speaker 3>could say, you know what I struggled for, like to say,

0:20:49.240 --> 0:20:50.400
<v Speaker 3>you were lucky when you got here.

0:20:50.440 --> 0:20:51.920
<v Speaker 4>But it's not like it just fell in.

0:20:51.880 --> 0:20:54.679
<v Speaker 5>Your lap, like you you put in the work and

0:20:54.720 --> 0:20:55.920
<v Speaker 5>the dudes it was time.

0:20:56.119 --> 0:20:57.879
<v Speaker 4>It was just your time. You earned it.

0:20:59.040 --> 0:20:59.280
<v Speaker 1>Yep.

0:20:59.600 --> 0:21:02.800
<v Speaker 3>Yeah. So so anyway, that's how, that's how. And really

0:21:04.000 --> 0:21:08.760
<v Speaker 3>I met you. You were my third job in the States.

0:21:09.160 --> 0:21:11.960
<v Speaker 2>Really, Oh my gosh, that's wild.

0:21:12.480 --> 0:21:15.480
<v Speaker 1>What what was your first thought when you got the

0:21:15.680 --> 0:21:18.520
<v Speaker 1>call to audition for Fuller House?

0:21:18.640 --> 0:21:20.240
<v Speaker 4>Did you know about Full House?

0:21:20.320 --> 0:21:21.480
<v Speaker 1>Had you ever seen it?

0:21:21.680 --> 0:21:22.000
<v Speaker 3>Did you?

0:21:22.160 --> 0:21:23.800
<v Speaker 1>We were like, what is this sitcom? Right?

0:21:23.840 --> 0:21:26.520
<v Speaker 4>What am I doing here? Gibbler?

0:21:26.640 --> 0:21:30.640
<v Speaker 3>Yeah, yeah, I have to be honest, I wasn't that

0:21:31.000 --> 0:21:36.680
<v Speaker 3>familiar with I knew the show. But third World country,

0:21:36.880 --> 0:21:41.240
<v Speaker 3>we in Argentina did not get Full House. Oh really

0:21:41.640 --> 0:21:45.640
<v Speaker 3>got others. We got like friends, We got the Nanny

0:21:46.760 --> 0:21:49.399
<v Speaker 3>didn't get full House. So even though I knew about

0:21:49.440 --> 0:21:53.320
<v Speaker 3>it because you sort of know from I wasn't familiar,

0:21:54.040 --> 0:21:56.639
<v Speaker 3>which was a wonderful thing for me to not know.

0:21:56.840 --> 0:22:00.359
<v Speaker 3>When I went into that audition, I had like it

0:22:00.400 --> 0:22:02.520
<v Speaker 3>was kind of like Black State. And do you remember,

0:22:02.560 --> 0:22:05.359
<v Speaker 3>do you remember the Pilot season days when everyone was right.

0:22:05.280 --> 0:22:07.520
<v Speaker 5>When you've several, like a couple months of your life

0:22:07.600 --> 0:22:10.480
<v Speaker 5>you spent just driving all over LA going to auditions

0:22:10.560 --> 0:22:13.600
<v Speaker 5>and getting callbacks and hoping that this would be the season.

0:22:14.840 --> 0:22:18.439
<v Speaker 3>Well that's that's what happened. Like after Dallas, I played

0:22:18.680 --> 0:22:21.920
<v Speaker 3>Jesus Christ, which was pretty incredible, and that was a

0:22:21.960 --> 0:22:24.520
<v Speaker 3>whole thing in itself, and so I was like, I'm

0:22:24.520 --> 0:22:27.639
<v Speaker 3>a serious I'm going to do serious work yep. And

0:22:27.760 --> 0:22:32.000
<v Speaker 3>then and then rived all right, And it was the

0:22:32.040 --> 0:22:35.240
<v Speaker 3>most awful Pilot season ever because I went from from

0:22:35.320 --> 0:22:40.159
<v Speaker 3>playing like the most beautiful human god you know, in

0:22:40.200 --> 0:22:45.000
<v Speaker 3>the history, I was just getting rejection and rejection and

0:22:45.200 --> 0:22:48.560
<v Speaker 3>able to to kind of access. It was a time

0:22:50.080 --> 0:22:51.480
<v Speaker 3>and I was, you know, it was weird for me.

0:22:51.560 --> 0:22:54.479
<v Speaker 3>I was like what am I doing? And so I

0:22:54.520 --> 0:22:58.639
<v Speaker 3>did like forty castings that wow, that's a lot. And

0:22:58.760 --> 0:23:02.600
<v Speaker 3>the last one, Uh, it's would you audition for the

0:23:02.720 --> 0:23:07.600
<v Speaker 3>sitcom Revival? And I was kind of I was, I was,

0:23:07.640 --> 0:23:11.000
<v Speaker 3>I was angry. I was like, what's me? But are

0:23:11.040 --> 0:23:13.959
<v Speaker 3>you funny? She says my manager. I don't know if

0:23:13.960 --> 0:23:15.840
<v Speaker 3>I'm funny. Well, I told them you were really funny,

0:23:15.920 --> 0:23:21.960
<v Speaker 3>So you go and so yeah, I go in and

0:23:21.960 --> 0:23:24.480
<v Speaker 3>and this, and and I see tons of guys exactly

0:23:25.000 --> 0:23:29.280
<v Speaker 3>looking like me, and everyone's so funny because I'm outside

0:23:29.359 --> 0:23:31.119
<v Speaker 3>listening to everyone laugh. Oh.

0:23:31.160 --> 0:23:32.679
<v Speaker 4>That was the worst part of auditioning, though.

0:23:32.680 --> 0:23:34.600
<v Speaker 5>Would be in the hallway and you could hear through

0:23:34.640 --> 0:23:37.680
<v Speaker 5>the door and you're like, oh, that was a good choice,

0:23:37.680 --> 0:23:40.679
<v Speaker 5>But now I can't make that choice, like I exactly, I.

0:23:40.760 --> 0:23:45.919
<v Speaker 2>Really like them with your mind is just.

0:23:45.280 --> 0:23:47.960
<v Speaker 3>It does because yeah, yeah, And then you know, you

0:23:48.000 --> 0:23:50.000
<v Speaker 3>talk to casting directors and they're like, well, we do

0:23:50.160 --> 0:23:54.040
<v Speaker 3>that to make the actor feel better, like because from

0:23:54.040 --> 0:23:56.920
<v Speaker 3>where I was sitting, I thought the guys were hilarious,

0:23:57.040 --> 0:24:00.600
<v Speaker 3>like they would laugh so hard and then the guy

0:24:01.240 --> 0:24:05.840
<v Speaker 3>go was it? And they not only laugh like hell,

0:24:06.800 --> 0:24:11.119
<v Speaker 3>but the guy leaves, They shut the door in my face,

0:24:11.840 --> 0:24:15.359
<v Speaker 3>they replay his tape, they laugh again, and they go,

0:24:15.440 --> 0:24:19.000
<v Speaker 3>oh my god, he's amazed. Oh, I'm just thinking.

0:24:19.119 --> 0:24:21.640
<v Speaker 4>That's oh God, You're like, I'll go home now.

0:24:21.520 --> 0:24:28.119
<v Speaker 3>Thanks guy, casting number forty five. Oh but you know,

0:24:28.200 --> 0:24:30.240
<v Speaker 3>it's like that choice. It's like the fifty pounds in

0:24:30.280 --> 0:24:34.280
<v Speaker 3>the pocket. I went, I either give up right now

0:24:34.320 --> 0:24:38.679
<v Speaker 3>because this guy got it, or I I am a

0:24:38.680 --> 0:24:42.360
<v Speaker 3>clown and I had just become like an absolute tit

0:24:42.560 --> 0:24:45.840
<v Speaker 3>of myself. Yeah, and I did. I just went in

0:24:45.880 --> 0:24:51.280
<v Speaker 3>there and I was just so yeah, yeah, and yeah.

0:24:51.160 --> 0:24:53.000
<v Speaker 4>That was it. That's how they were like, that is

0:24:53.040 --> 0:24:54.000
<v Speaker 4>exactly full House.

0:24:55.240 --> 0:24:55.600
<v Speaker 5>Yeah.

0:24:55.720 --> 0:24:58.520
<v Speaker 1>I remember doing a screen test with you and Sony,

0:24:58.600 --> 0:25:02.200
<v Speaker 1>like they had already cast Sony as our daughter Ramona,

0:25:02.800 --> 0:25:05.320
<v Speaker 1>and so yeah, Jeff told me like, yeah, like he's

0:25:05.359 --> 0:25:08.240
<v Speaker 1>great and he's perfect. But the but Warner Brothers or Netflix,

0:25:08.280 --> 0:25:10.480
<v Speaker 1>one of the two, they were nervous, like is he

0:25:10.560 --> 0:25:13.960
<v Speaker 1>funny because he's this dramatic, serious actor, right, So like

0:25:14.160 --> 0:25:17.440
<v Speaker 1>Jesus Christ to full of House. Yeah, it's so they

0:25:17.440 --> 0:25:20.520
<v Speaker 1>put us all in that little theater room where we

0:25:20.520 --> 0:25:22.800
<v Speaker 1>were doing our screen test, and it was it was

0:25:22.840 --> 0:25:25.320
<v Speaker 1>just magic from the very.

0:25:25.080 --> 0:25:29.560
<v Speaker 3>Beginning, very beginning. Immediately, it was it was as soon

0:25:29.560 --> 0:25:31.960
<v Speaker 3>as I met you. I of course I didn't have

0:25:32.080 --> 0:25:34.840
<v Speaker 3>the job, but it felt like it was a done thing.

0:25:36.600 --> 0:25:40.080
<v Speaker 3>So it was just so loving and sweet. And there's

0:25:40.119 --> 0:25:42.919
<v Speaker 3>so many nerves when you're testing for anything like that,

0:25:42.960 --> 0:25:45.440
<v Speaker 3>and it feels very daunting because you're in this room,

0:25:45.560 --> 0:25:49.280
<v Speaker 3>this tiny theater, with cameras everywhere and some suits in

0:25:49.320 --> 0:25:49.680
<v Speaker 3>the dark.

0:25:50.160 --> 0:25:50.400
<v Speaker 4>Yeah.

0:25:50.480 --> 0:25:51.720
<v Speaker 3>Right, it's intimidating.

0:25:51.920 --> 0:25:54.880
<v Speaker 4>It's for me, and I had already had the job,

0:25:54.880 --> 0:25:56.640
<v Speaker 4>and I'm nervous. Maybe I'm gonna get fired.

0:25:56.680 --> 0:26:02.400
<v Speaker 3>I don't know, so I was, but I don't even

0:26:02.440 --> 0:26:03.480
<v Speaker 3>remember what we did.

0:26:04.600 --> 0:26:05.159
<v Speaker 4>It was.

0:26:05.200 --> 0:26:07.080
<v Speaker 1>It was a scene that it was like one of

0:26:07.119 --> 0:26:09.040
<v Speaker 1>those made up scenes, like it didn't ever make it

0:26:09.080 --> 0:26:09.600
<v Speaker 1>to the show.

0:26:09.720 --> 0:26:12.200
<v Speaker 2>It was just some Jeff test.

0:26:12.040 --> 0:26:14.800
<v Speaker 1>Scene, So I don't remember what it was about either.

0:26:15.040 --> 0:26:17.480
<v Speaker 1>But yeah, it was always you.

0:26:17.520 --> 0:26:18.480
<v Speaker 3>I knew it. I could feel it.

0:26:18.480 --> 0:26:20.040
<v Speaker 2>You can feel it in the room like I could

0:26:20.080 --> 0:26:20.399
<v Speaker 2>feel it.

0:26:20.400 --> 0:26:21.200
<v Speaker 4>I'm like, it's him.

0:26:21.840 --> 0:26:24.520
<v Speaker 5>You guys have the best chemistry. Like it was just

0:26:24.760 --> 0:26:28.239
<v Speaker 5>it was so great. It was so instant and you

0:26:28.280 --> 0:26:31.679
<v Speaker 5>guys and Sony. First of all, I'm pretty sure she

0:26:31.800 --> 0:26:34.040
<v Speaker 5>actually might be your child because she looks like she

0:26:34.119 --> 0:26:38.679
<v Speaker 5>could totally be your guys's kid, like wild totally. But

0:26:38.800 --> 0:26:41.840
<v Speaker 5>like you guys had to such I just wanted. I

0:26:41.880 --> 0:26:43.520
<v Speaker 5>was like, I want more of that. I wanted to

0:26:43.560 --> 0:26:47.200
<v Speaker 5>watch all of you guys, like the Gibblers were the Gibbler,

0:26:47.240 --> 0:26:53.880
<v Speaker 5>Fernande's head good, Fernandez, Gredos were just amazing. I love them. So, yeah,

0:26:53.960 --> 0:26:55.720
<v Speaker 5>you guys really had it right off the bat.

0:26:56.080 --> 0:26:56.280
<v Speaker 3>Yeah.

0:26:56.480 --> 0:26:59.040
<v Speaker 1>I mean, I'm not a bragger, but it's true, like

0:26:59.119 --> 0:27:04.720
<v Speaker 1>we we had just popping chemistry, and Teddy from Netflix

0:27:04.800 --> 0:27:08.320
<v Speaker 1>was always was obsessed with our chemistry.

0:27:08.440 --> 0:27:09.520
<v Speaker 4>You guys so much.

0:27:09.840 --> 0:27:15.119
<v Speaker 3>Yeah. I have to say though, it was such a

0:27:15.440 --> 0:27:24.120
<v Speaker 3>unique and interesting microcosm that happens when like entering into yours.

0:27:24.160 --> 0:27:26.520
<v Speaker 3>This is your world, like this what's your world from

0:27:26.760 --> 0:27:30.719
<v Speaker 3>day one, from when you were kids, And so I

0:27:30.760 --> 0:27:34.000
<v Speaker 3>have to say, as an experience to step into this

0:27:34.119 --> 0:27:37.399
<v Speaker 3>thing where it is not theater, it is not film,

0:27:37.480 --> 0:27:41.080
<v Speaker 3>it's this thing in between, it's kind of both, kind

0:27:41.080 --> 0:27:44.520
<v Speaker 3>of both. You were playing to an audience really, but

0:27:44.520 --> 0:27:47.880
<v Speaker 3>at the same time, I don't know, that's just some

0:27:48.359 --> 0:27:53.359
<v Speaker 3>magical thing that I had never experienced before. And I

0:27:53.359 --> 0:27:55.600
<v Speaker 3>don't even know if all sitcoms are like that. I

0:27:55.640 --> 0:27:59.760
<v Speaker 3>think it was just this one. I felt that the

0:28:00.119 --> 0:28:04.800
<v Speaker 3>moment we did that first episode and DJ opens the

0:28:04.840 --> 0:28:10.560
<v Speaker 3>door and goes Fernandez and I was crabbing my plants.

0:28:10.560 --> 0:28:14.000
<v Speaker 3>I was so nervous because I saw, you know, I

0:28:14.080 --> 0:28:16.520
<v Speaker 3>knew that people get fired in these things and whatever.

0:28:16.600 --> 0:28:18.359
<v Speaker 3>And You're like, oh, this is my first moment, and

0:28:18.400 --> 0:28:20.959
<v Speaker 3>if I screwed up, I probably you know. And I

0:28:21.080 --> 0:28:25.560
<v Speaker 3>just remember how the moment that or opened and I

0:28:25.600 --> 0:28:30.560
<v Speaker 3>just had to say, DJ, that's it.

0:28:31.680 --> 0:28:34.040
<v Speaker 2>Oh yeah, you know right off the bat that you two.

0:28:34.880 --> 0:28:39.520
<v Speaker 3>Yeah, immediately something happened. Everyone erupted in laughter. They didn't

0:28:39.560 --> 0:28:42.120
<v Speaker 3>know who I was, and all of a sudden, it

0:28:42.240 --> 0:28:45.360
<v Speaker 3>was like as if Juan Pablo the actor stepped into

0:28:45.400 --> 0:28:49.440
<v Speaker 3>this bizarre, like parallel universe and I just knew who

0:28:49.440 --> 0:28:52.280
<v Speaker 3>Fernando was. I knew who you guys were, Like, I

0:28:52.280 --> 0:28:59.080
<v Speaker 3>don't know what happened. It wasn't research, it wasn't it

0:28:59.120 --> 0:29:05.200
<v Speaker 3>was literally just stepping into this kind of weird, cumbersome, strange,

0:29:05.320 --> 0:29:09.200
<v Speaker 3>funny world. Because really full and fuller house. It's kind

0:29:09.200 --> 0:29:11.480
<v Speaker 3>of like a fantasy, isn't it. It's like, sure.

0:29:13.040 --> 0:29:15.560
<v Speaker 5>In San Francisco, other than the Tanners, they get every

0:29:15.720 --> 0:29:20.400
<v Speaker 5>job and all of the attention. It's incredible, really, Yeah,

0:29:20.520 --> 0:29:22.960
<v Speaker 5>they are a very special family in San Francisco.

0:29:26.840 --> 0:29:29.800
<v Speaker 3>So yeah, but you, I mean, your girls helped me

0:29:30.040 --> 0:29:34.440
<v Speaker 3>so much and feeling it's so important to feel, like

0:29:34.520 --> 0:29:38.320
<v Speaker 3>you said at the beginning of the podcast, like family,

0:29:39.360 --> 0:29:42.320
<v Speaker 3>because you are You're just there pretty much all day,

0:29:42.560 --> 0:29:45.640
<v Speaker 3>every day. So you could not imagine what it would

0:29:45.680 --> 0:29:48.959
<v Speaker 3>be like to be in that situation and with like

0:29:49.160 --> 0:29:58.760
<v Speaker 3>bad people any sense, right.

0:30:00.440 --> 0:30:05.360
<v Speaker 5>I have fortunately never had that experience on SID I've

0:30:05.400 --> 0:30:08.440
<v Speaker 5>never had. I mean there's people that have been better

0:30:08.680 --> 0:30:13.040
<v Speaker 5>or you know, worse, but like never super problematic. And

0:30:13.120 --> 0:30:15.880
<v Speaker 5>I just couldn't imagine working. I mean, you hear about it.

0:30:16.080 --> 0:30:18.080
<v Speaker 5>These shows were like the two leads hated each other

0:30:18.120 --> 0:30:19.440
<v Speaker 5>and then they've got to be making out. I'm like

0:30:19.480 --> 0:30:21.280
<v Speaker 5>I could Oh god, I couldn't do it.

0:30:21.440 --> 0:30:26.040
<v Speaker 6>Were the icky and especially when you have to be

0:30:26.120 --> 0:30:30.560
<v Speaker 6>funny and made people laugh, right, yeah, arguing because of

0:30:30.560 --> 0:30:32.720
<v Speaker 6>a joke because like, I don't like like it would

0:30:32.800 --> 0:30:33.880
<v Speaker 6>it would be so strange.

0:30:34.040 --> 0:30:36.040
<v Speaker 3>So we had we had to make each other laugh.

0:30:36.160 --> 0:30:38.960
<v Speaker 3>And that's how things actually got better and better because

0:30:39.000 --> 0:30:42.160
<v Speaker 3>because if if Andrea laughed inside and if you laughed inside,

0:30:42.160 --> 0:30:46.520
<v Speaker 3>then I knew that it would work and vice versa. Yeah. Yeah,

0:30:46.560 --> 0:30:48.760
<v Speaker 3>so it's a very joyful. It was a very joyful

0:30:48.920 --> 0:30:53.320
<v Speaker 3>five years, right. I loved how.

0:30:53.200 --> 0:30:56.800
<v Speaker 1>Our relationship developed, I mean our fictional relationship.

0:30:57.000 --> 0:30:59.160
<v Speaker 2>I've loved you for you know, since the day I

0:30:59.240 --> 0:30:59.480
<v Speaker 2>met you.

0:30:59.520 --> 0:31:02.920
<v Speaker 1>But like for Kimmy and Fernando, it started off a

0:31:02.960 --> 0:31:05.520
<v Speaker 1>little dicey because the way Jeff wrote the pilot was

0:31:05.560 --> 0:31:09.240
<v Speaker 1>that Fernando committed adultery.

0:31:09.560 --> 0:31:10.440
<v Speaker 4>You know, you cheated.

0:31:10.560 --> 0:31:15.160
<v Speaker 1>Fernando cheated on and the fans were so upset about

0:31:15.200 --> 0:31:16.960
<v Speaker 1>that they did not want Kimmy to take him back

0:31:17.200 --> 0:31:22.280
<v Speaker 1>because of this how Jeff wrote the pilot. And I

0:31:22.320 --> 0:31:25.720
<v Speaker 1>feel like that that changed because once the writers saw

0:31:25.760 --> 0:31:28.600
<v Speaker 1>our chemistry and just how we had this love hate

0:31:28.680 --> 0:31:31.280
<v Speaker 1>we you know, like we could argue, we could make

0:31:31.320 --> 0:31:31.920
<v Speaker 1>out like we did.

0:31:32.000 --> 0:31:33.920
<v Speaker 2>We did it all and it all worked.

0:31:34.480 --> 0:31:36.520
<v Speaker 1>And so I think that's why they were like, I

0:31:36.520 --> 0:31:39.480
<v Speaker 1>think that was a misstep to make Fernando an adulterer,

0:31:40.040 --> 0:31:42.680
<v Speaker 1>but they course corrected along the way, but a lot

0:31:42.680 --> 0:31:43.760
<v Speaker 1>of fans couldn't let go of that.

0:31:43.800 --> 0:31:45.160
<v Speaker 2>They were mad at Fernando.

0:31:45.320 --> 0:31:47.840
<v Speaker 5>Well, it was kind of Fernando was just kind of

0:31:47.880 --> 0:31:52.160
<v Speaker 5>the you know, the smooth, the talking race car driving,

0:31:52.840 --> 0:31:57.280
<v Speaker 5>haircutting stylist, you know, talker.

0:31:58.080 --> 0:32:00.320
<v Speaker 4>I think I get that people were very protect of

0:32:00.600 --> 0:32:01.520
<v Speaker 4>their protect characters.

0:32:01.920 --> 0:32:05.360
<v Speaker 3>Yeah, yeah, yeah, well because I always say you're the

0:32:05.400 --> 0:32:11.280
<v Speaker 3>original Phoebe. So so when this came, when when this

0:32:11.400 --> 0:32:15.480
<v Speaker 3>character in twenty twenty was it twenty sixteen that we

0:32:15.520 --> 0:32:20.240
<v Speaker 3>did it right? I think everyone just appreciated can be

0:32:20.480 --> 0:32:25.440
<v Speaker 3>so much a reason she was this lovable, lovable oddball,

0:32:26.200 --> 0:32:29.400
<v Speaker 3>And so you're right, I think, yeah, people got really protected.

0:32:29.760 --> 0:32:35.440
<v Speaker 3>But also hadn't Fernando done one wrong thing, then this

0:32:35.560 --> 0:32:39.680
<v Speaker 3>kind of fiery thing wouldn't wouldn't have been there, So.

0:32:39.640 --> 0:32:42.360
<v Speaker 5>I yeah, exactly, it was a yeah, that was it

0:32:42.440 --> 0:32:45.240
<v Speaker 5>needed that undertone of like slight anger.

0:32:45.000 --> 0:32:47.680
<v Speaker 4>But also like I love you, but I hate you. Yeah,

0:32:48.080 --> 0:32:48.719
<v Speaker 4>laid attention.

0:32:49.840 --> 0:32:50.520
<v Speaker 1>That's a good point.

0:32:50.560 --> 0:32:51.200
<v Speaker 3>That's a good point.

0:32:51.280 --> 0:32:53.960
<v Speaker 1>Yeah. That set us up for on again, off again,

0:32:54.560 --> 0:32:57.280
<v Speaker 1>getting married, getting engaged, getting breaking up, like all of

0:32:57.320 --> 0:33:01.800
<v Speaker 1>the back and forth, which was so funny you did

0:33:01.920 --> 0:33:06.360
<v Speaker 1>and you were spectacular. I mean they asked so much

0:33:06.400 --> 0:33:08.240
<v Speaker 1>of you. Oh my god, it's an actor.

0:33:08.840 --> 0:33:10.960
<v Speaker 4>Like a lot of us.

0:33:11.000 --> 0:33:13.800
<v Speaker 5>There was well, every was some sort of like what

0:33:14.040 --> 0:33:17.360
<v Speaker 5>wild thing are we doing this week? It's a musical number,

0:33:17.400 --> 0:33:20.880
<v Speaker 5>We've got a stunt, there's a wild costume music.

0:33:21.080 --> 0:33:21.760
<v Speaker 3>God knows what.

0:33:22.440 --> 0:33:25.320
<v Speaker 1>Yeah, but they but especially you being I know, because

0:33:25.320 --> 0:33:27.200
<v Speaker 1>you were such a serious actor. You were a SESPI

0:33:27.320 --> 0:33:29.320
<v Speaker 1>and like so serious about your craft, and here they

0:33:29.320 --> 0:33:32.640
<v Speaker 1>are putting you in like a pink silk nightie, you know,

0:33:32.760 --> 0:33:35.680
<v Speaker 1>with your buns sticking out, and I'm just like, poor.

0:33:35.560 --> 0:33:38.360
<v Speaker 4>Che how did we get here?

0:33:38.720 --> 0:33:46.080
<v Speaker 3>Leopard print? Yes, yes, they've they've they blurred it in

0:33:46.160 --> 0:33:55.200
<v Speaker 3>the show at huse. Oh my god. So it was like,

0:33:55.880 --> 0:34:00.560
<v Speaker 3>after all those years of seriousness, it was the exact

0:34:00.800 --> 0:34:08.560
<v Speaker 3>antidote for loving, like loving my profession again, because you know,

0:34:08.560 --> 0:34:11.839
<v Speaker 3>when you struggle so much, because I sure I had great,

0:34:12.239 --> 0:34:16.480
<v Speaker 3>great things here and there. But but what people don't

0:34:16.520 --> 0:34:20.400
<v Speaker 3>understand is that life of actors is actually quite tough.

0:34:21.600 --> 0:34:24.920
<v Speaker 3>I mean, I think right now, like everyone's getting a

0:34:24.960 --> 0:34:25.520
<v Speaker 3>taste of that.

0:34:26.200 --> 0:34:32.600
<v Speaker 5>Yeah, everyone's Is there any job? Anybody want to do

0:34:32.680 --> 0:34:34.120
<v Speaker 5>some art around here?

0:34:34.560 --> 0:34:38.160
<v Speaker 3>Exactly? Yeah? And so you sort of have to train

0:34:38.200 --> 0:34:41.200
<v Speaker 3>yourself not to get feel personal about rejection and the

0:34:41.320 --> 0:34:43.760
<v Speaker 3>node in the days that you have to wait tables

0:34:43.760 --> 0:34:47.280
<v Speaker 3>at DA DA day and sometimes you know, a small

0:34:47.719 --> 0:34:51.640
<v Speaker 3>one liner feels like an amazing win, which it is.

0:34:52.680 --> 0:34:57.000
<v Speaker 3>So when you're able to have something where you're like, oh,

0:34:57.040 --> 0:34:59.120
<v Speaker 3>I'm getting paid for this and I get to play

0:35:00.480 --> 0:35:05.560
<v Speaker 3>alas so so so lucky. And then of course when

0:35:05.560 --> 0:35:09.200
<v Speaker 3>you find you know, people like like you two. I

0:35:09.200 --> 0:35:12.000
<v Speaker 3>mean I just I just remember we got to the

0:35:12.080 --> 0:35:15.600
<v Speaker 3>place where we would I would just literally look at you, Jody.

0:35:15.960 --> 0:35:20.680
<v Speaker 3>We didn't have a word and we knew exactly what

0:35:20.800 --> 0:35:21.800
<v Speaker 3>was happening.

0:35:23.360 --> 0:35:24.040
<v Speaker 2>Mind readers.

0:35:24.360 --> 0:35:27.040
<v Speaker 5>Yeah, yeah, oh yeah it was Yeah. I would just

0:35:27.080 --> 0:35:34.680
<v Speaker 5>look at you and me like, no word, no, no, we.

0:35:34.640 --> 0:35:35.600
<v Speaker 4>Just knew each other that well.

0:35:35.600 --> 0:35:41.640
<v Speaker 1>I was like, yeah, yeah, that's so funny, so.

0:35:41.640 --> 0:35:45.480
<v Speaker 3>Great that, I mean, those are the best kind of moments.

0:35:46.480 --> 0:35:48.320
<v Speaker 5>We got to, like you said, we got to play

0:35:48.400 --> 0:35:49.800
<v Speaker 5>on that show, and I.

0:35:49.680 --> 0:35:55.960
<v Speaker 4>Think we were all so just game for whatever, you.

0:35:55.920 --> 0:35:56.319
<v Speaker 3>Know what I mean.

0:35:56.400 --> 0:35:58.759
<v Speaker 4>It was like and they knew that, so they were like,

0:35:58.840 --> 0:35:59.839
<v Speaker 4>let's see what we can do.

0:36:00.080 --> 0:36:03.240
<v Speaker 5>But we were all just like, Okay, I'll throw myself

0:36:03.239 --> 0:36:05.080
<v Speaker 5>into this like and go for it.

0:36:05.239 --> 0:36:06.839
<v Speaker 4>And it was hilarious.

0:36:07.760 --> 0:36:11.040
<v Speaker 3>Yeah, And to your point of of like going from

0:36:11.040 --> 0:36:17.280
<v Speaker 3>something serious to this, it was exactly exactly feeling like, Okay,

0:36:17.400 --> 0:36:19.360
<v Speaker 3>you come in with these tools and you are this

0:36:19.480 --> 0:36:23.520
<v Speaker 3>kind of person and then the writers are using what

0:36:23.760 --> 0:36:27.879
<v Speaker 3>you have. The moment Jeff realized that I could sing,

0:36:28.200 --> 0:36:30.319
<v Speaker 3>then he started putting making me sing all the time.

0:36:30.360 --> 0:36:34.760
<v Speaker 3>And then yeah, and he did that, and then everything

0:36:34.840 --> 0:36:39.800
<v Speaker 3>that Andrea and I were like it was basically showcasing

0:36:40.120 --> 0:36:44.400
<v Speaker 3>our best bits for sure. Of course we played along

0:36:44.440 --> 0:36:46.520
<v Speaker 3>with it and and we I don't know, it is

0:36:46.640 --> 0:36:48.920
<v Speaker 3>kind of freaky how much chemistry you and I have

0:36:49.040 --> 0:36:56.759
<v Speaker 3>in this weird type of you know, relationship. But but

0:36:57.320 --> 0:37:00.439
<v Speaker 3>you do you feel like you feel like think someone

0:37:00.520 --> 0:37:04.080
<v Speaker 3>is making your suit every week. You know, it's like

0:37:04.200 --> 0:37:06.920
<v Speaker 3>it's like made for you. You know, this is okay. I

0:37:06.960 --> 0:37:08.560
<v Speaker 3>know that they can do this and this and this

0:37:08.640 --> 0:37:10.560
<v Speaker 3>and and and then they build on that.

0:37:11.239 --> 0:37:11.600
<v Speaker 4>Mm hmm.

0:37:11.760 --> 0:37:17.320
<v Speaker 3>So I don't know, it's a wonderful it's a wonderful genre.

0:37:17.480 --> 0:37:20.399
<v Speaker 3>I think. Is they the writers get to know you

0:37:21.040 --> 0:37:23.839
<v Speaker 3>and isn't you They get to give you more of

0:37:23.880 --> 0:37:25.120
<v Speaker 3>that thing that they see.

0:37:25.200 --> 0:37:29.000
<v Speaker 4>Yeah, it's it's very different than than a film where

0:37:29.080 --> 0:37:33.319
<v Speaker 4>usually the writer isn't really even on set sometimes you know,

0:37:33.520 --> 0:37:34.920
<v Speaker 4>a lot of times it's they write it and then

0:37:35.040 --> 0:37:35.480
<v Speaker 4>hand it.

0:37:35.400 --> 0:37:39.799
<v Speaker 5>Off to you know, directors whoever. But it Yeah, sitcoms,

0:37:40.200 --> 0:37:42.520
<v Speaker 5>especially if you're doing them for more than one season,

0:37:42.560 --> 0:37:44.719
<v Speaker 5>like it does you get to know each other so

0:37:44.800 --> 0:37:48.440
<v Speaker 5>well that they're like, oh this, I saw her do this,

0:37:48.600 --> 0:37:50.839
<v Speaker 5>or I heard this happened, or I wouldn't like, let's

0:37:50.840 --> 0:37:56.040
<v Speaker 5>throw that in. And it's such a like personalized experience

0:37:56.680 --> 0:38:01.399
<v Speaker 5>more so than any other type of show I think.

0:38:01.800 --> 0:38:04.880
<v Speaker 3>I don't think there's anything like it. Yeah, because a

0:38:04.960 --> 0:38:07.800
<v Speaker 3>play has already been written, a movie's already been written.

0:38:08.160 --> 0:38:09.600
<v Speaker 3>Usually a show is quite you know that.

0:38:10.080 --> 0:38:12.680
<v Speaker 5>A single cam show is like, you know, it's you're

0:38:12.719 --> 0:38:16.239
<v Speaker 5>not just playing around, you know, it's not theater in

0:38:16.280 --> 0:38:18.160
<v Speaker 5>that way, like you can make edits and changes, but

0:38:18.239 --> 0:38:20.719
<v Speaker 5>it's not, Yeah, it's it.

0:38:20.760 --> 0:38:21.120
<v Speaker 4>They're not.

0:38:21.360 --> 0:38:24.120
<v Speaker 5>It's you are being the character. They're not worrying about

0:38:24.120 --> 0:38:26.239
<v Speaker 5>the character being you, you know what I mean.

0:38:26.400 --> 0:38:31.160
<v Speaker 3>So, because there's a like a thermometer of laughs when

0:38:31.200 --> 0:38:35.000
<v Speaker 3>something's funny and thing's not, then that's what kind of

0:38:35.080 --> 0:38:38.160
<v Speaker 3>makes makes the writers and the creators kind of go, oh,

0:38:38.239 --> 0:38:39.800
<v Speaker 3>let's go that way because that was funny.

0:38:39.960 --> 0:38:41.640
<v Speaker 4>Yeah, yeah, lean into that.

0:38:41.960 --> 0:38:44.640
<v Speaker 5>And there's nothing better than being able to. I mean,

0:38:44.719 --> 0:38:47.959
<v Speaker 5>I love performing in front of a live audience. It's

0:38:48.080 --> 0:38:51.839
<v Speaker 5>so much fun. It's mildly terrifying every time you do it.

0:38:52.920 --> 0:38:56.399
<v Speaker 5>Every time you're like, I don't I don't remember any

0:38:56.400 --> 0:38:56.960
<v Speaker 5>of my lines.

0:38:57.080 --> 0:38:57.520
<v Speaker 3>I don't know.

0:38:58.320 --> 0:39:00.880
<v Speaker 5>Yeah, like you walk up for intro and then you're like,

0:39:00.920 --> 0:39:02.480
<v Speaker 5>oh no, these people came to see a show and

0:39:02.520 --> 0:39:03.520
<v Speaker 5>I don't remember any of it.

0:39:05.120 --> 0:39:08.520
<v Speaker 4>Where can I yeah, exactly, where can I have my script?

0:39:08.840 --> 0:39:12.080
<v Speaker 4>But it's like it is, it's just such a fun

0:39:12.120 --> 0:39:15.640
<v Speaker 4>experience to get to do that sort of hybrid theater

0:39:16.040 --> 0:39:19.160
<v Speaker 4>TV thing every week.

0:39:19.480 --> 0:39:22.080
<v Speaker 3>Yeah, thanks to Lucy and Ricky.

0:39:22.440 --> 0:39:26.120
<v Speaker 5>I mean, first of all, I was gonna bring up

0:39:26.320 --> 0:39:28.520
<v Speaker 5>the Lucy and Ricky moment too.

0:39:28.640 --> 0:39:29.440
<v Speaker 3>Because.

0:39:31.160 --> 0:39:42.080
<v Speaker 5>Chef's kiss absolutely mind blowingly perfect. I mean uh no.

0:39:41.760 --> 0:39:44.279
<v Speaker 4>No, no, Like we were backstage and everyone was like,

0:39:45.600 --> 0:39:48.080
<v Speaker 4>oh my god, they're brilliant.

0:39:48.280 --> 0:39:48.799
<v Speaker 3>It's them.

0:39:49.160 --> 0:39:52.080
<v Speaker 5>It's Ricky like it.

0:39:52.600 --> 0:39:55.440
<v Speaker 3>When I saw Henry addressed like that, I'm like, oh, oh,

0:39:55.520 --> 0:39:56.479
<v Speaker 3>she looks like.

0:39:56.600 --> 0:40:01.839
<v Speaker 5>She oh no, she yes, yeah those are and yeah

0:40:02.040 --> 0:40:05.480
<v Speaker 5>the big eyes and the square active face and yeah,

0:40:05.480 --> 0:40:08.160
<v Speaker 5>you have a like she had like that face that

0:40:08.400 --> 0:40:10.640
<v Speaker 5>just like kind of like rubbery almost face.

0:40:10.719 --> 0:40:14.480
<v Speaker 4>You know that would like make the most ridiculous.

0:40:13.880 --> 0:40:19.040
<v Speaker 5>Expression and you can do that and it's brilliantly.

0:40:19.560 --> 0:40:22.120
<v Speaker 1>We joked that we were gonna dress in those costumes.

0:40:22.160 --> 0:40:25.680
<v Speaker 1>And walk down what Hollywood Boulevard like, ask for to do.

0:40:25.680 --> 0:40:28.200
<v Speaker 3>Over pictures a blot.

0:40:28.480 --> 0:40:33.319
<v Speaker 5>Yeah, you could have done now, you know, but it's

0:40:33.920 --> 0:40:34.520
<v Speaker 5>it's rough.

0:40:34.320 --> 0:40:37.080
<v Speaker 4>Out there you're doing now. I'm just saying, just get

0:40:37.080 --> 0:40:38.480
<v Speaker 4>those costumes back, you know what I mean?

0:40:38.560 --> 0:40:42.319
<v Speaker 1>That's it again, your bongos? Right?

0:40:45.760 --> 0:40:46.239
<v Speaker 3>Oh god?

0:40:46.320 --> 0:40:49.040
<v Speaker 1>Yes, Well, I was gonna ask, do you have a

0:40:49.080 --> 0:40:53.319
<v Speaker 1>favorite Kimmian Fernando moment or scene? I mean maybe it's

0:40:53.360 --> 0:40:56.440
<v Speaker 1>this one, the Lucy and Ricky one, but do you

0:40:56.480 --> 0:40:58.120
<v Speaker 1>have any other favorite scenes?

0:40:58.120 --> 0:41:01.000
<v Speaker 3>I have so many, Like the does have too many?

0:41:01.160 --> 0:41:02.600
<v Speaker 3>I have too many many.

0:41:03.000 --> 0:41:05.520
<v Speaker 1>I love when you proposed to me with the falcon,

0:41:06.280 --> 0:41:07.880
<v Speaker 1>Oh my bird's falcon.

0:41:09.080 --> 0:41:14.399
<v Speaker 3>That was not the same time. Did you officiate, Judy.

0:41:14.880 --> 0:41:17.680
<v Speaker 1>No, Jody ended up taking over for you because you

0:41:17.719 --> 0:41:20.000
<v Speaker 1>Fernando was too emotional.

0:41:19.560 --> 0:41:22.239
<v Speaker 5>That's right, and said so I said, that was the

0:41:22.280 --> 0:41:23.400
<v Speaker 5>episode you and I kissed.

0:41:23.520 --> 0:41:25.880
<v Speaker 4>Yes, I ended up killing it was.

0:41:25.960 --> 0:41:28.239
<v Speaker 5>I had to step in for Fernando because you were

0:41:28.239 --> 0:41:28.920
<v Speaker 5>falling apart.

0:41:29.040 --> 0:41:31.520
<v Speaker 4>So I step in. I'm like, great, fine, I'll do it,

0:41:31.920 --> 0:41:32.319
<v Speaker 4>and so.

0:41:32.360 --> 0:41:35.080
<v Speaker 5>Then I have to like finish the proposal and then yeah,

0:41:35.120 --> 0:41:36.960
<v Speaker 5>and then you just grabbed me and kiss me.

0:41:37.880 --> 0:41:41.160
<v Speaker 4>Yeah, that's for all three of us.

0:41:42.480 --> 0:41:46.239
<v Speaker 1>You were you were singing and caressing me, and now

0:41:46.239 --> 0:41:50.399
<v Speaker 1>there's gifts of that out and so oh gosh, yes,

0:41:50.440 --> 0:41:54.040
<v Speaker 1>and people would tease Michael, my real life boyfriend. They

0:41:54.040 --> 0:41:58.520
<v Speaker 1>would send him gifts of give me Fernando making out

0:41:57.640 --> 0:41:59.560
<v Speaker 1>or yes, serenading me.

0:42:00.320 --> 0:42:04.240
<v Speaker 3>God, yes, so funny. Yeah, I was not welcome. Funny.

0:42:05.000 --> 0:42:06.600
<v Speaker 4>Oh god, that was Michael loved you.

0:42:06.680 --> 0:42:08.520
<v Speaker 2>It was just a funny. It was just a funny

0:42:08.760 --> 0:42:11.120
<v Speaker 2>because we did have such great chemistry. And that's all

0:42:11.160 --> 0:42:13.200
<v Speaker 2>people think about Michael's like, don't.

0:42:13.680 --> 0:42:16.320
<v Speaker 5>There's gifts of you, damn it, send them to everyone,

0:42:16.440 --> 0:42:18.560
<v Speaker 5>you know what I mean, Like, that's just yeah, you

0:42:18.680 --> 0:42:19.360
<v Speaker 5>got to send it.

0:42:19.800 --> 0:42:22.040
<v Speaker 1>Yes, yes, I mean yeah.

0:42:22.200 --> 0:42:27.520
<v Speaker 3>There's so many moments I don't know. Yeah, I guess,

0:42:27.719 --> 0:42:31.680
<v Speaker 3>I guess. Uh, Like like the that Lucy and Rickie

0:42:31.760 --> 0:42:35.239
<v Speaker 3>was massive because I find I feel oh oh no, no,

0:42:35.320 --> 0:42:41.160
<v Speaker 3>wait wait wait wait wait the dance competition, the dance competition. Yeah.

0:42:41.200 --> 0:42:46.600
<v Speaker 3>The first one, episode three with with uh ah uh

0:42:46.760 --> 0:42:50.440
<v Speaker 3>a singer. Okay, Oh, Macy Gray, Masy Gray.

0:42:50.520 --> 0:42:53.360
<v Speaker 5>I have to pause for Oh Holly is stuck in

0:42:53.360 --> 0:42:55.319
<v Speaker 5>the corner again, her poor dog.

0:42:56.040 --> 0:42:58.919
<v Speaker 4>Oh Holly, Holly is eighteen and a half years old.

0:42:59.239 --> 0:43:01.960
<v Speaker 3>Wow, Hollie is blind.

0:43:01.719 --> 0:43:06.239
<v Speaker 5>Deaf and requires an I V every day, so she

0:43:06.400 --> 0:43:07.799
<v Speaker 5>sometimes will get stuck.

0:43:07.520 --> 0:43:08.960
<v Speaker 4>In a corner because.

0:43:08.800 --> 0:43:11.839
<v Speaker 5>She does how to get yeah, so sometimes Andrea has

0:43:11.880 --> 0:43:12.440
<v Speaker 5>to go rescue her.

0:43:12.680 --> 0:43:18.839
<v Speaker 4>I don't know, this sounds different. Was it was Holly?

0:43:18.920 --> 0:43:22.600
<v Speaker 1>Oh, she never had the I'm so sorry he was

0:43:22.600 --> 0:43:24.640
<v Speaker 1>crying in the corner again, I'm so sorry about that.

0:43:25.840 --> 0:43:30.680
<v Speaker 2>It was Bruno Bruno from Dancing with the Stars.

0:43:30.320 --> 0:43:31.800
<v Speaker 4>Dancing with the Stars.

0:43:33.560 --> 0:43:36.560
<v Speaker 3>Before Bruno was with Macy. Gray was Gray.

0:43:36.600 --> 0:43:40.600
<v Speaker 4>It was with Macy and and and val and Max.

0:43:40.560 --> 0:43:46.320
<v Speaker 5>And yes, run into valet the gym every once in

0:43:46.320 --> 0:43:49.960
<v Speaker 5>a while, you really, yeah, I do. But yeah that

0:43:50.280 --> 0:43:56.600
<v Speaker 5>oh my god, that show the dance competition, And this

0:43:56.640 --> 0:43:59.359
<v Speaker 5>is when you and I had like the thing because.

0:43:59.120 --> 0:44:02.960
<v Speaker 3>You were angry girl was coming and then right.

0:44:02.480 --> 0:44:06.280
<v Speaker 5>Right you turned somebody else to the spot and the yeah.

0:44:06.000 --> 0:44:08.080
<v Speaker 2>Yep, yeah, super friend.

0:44:08.160 --> 0:44:11.360
<v Speaker 1>We were we were enemies at that point, and you

0:44:11.400 --> 0:44:15.000
<v Speaker 1>were trying to woo me with your your sexy dancing

0:44:15.080 --> 0:44:18.080
<v Speaker 1>and I just was trying to resist and trying to resist,

0:44:18.160 --> 0:44:19.759
<v Speaker 1>but then I just fell for it and was like,

0:44:20.000 --> 0:44:20.680
<v Speaker 1>oh so bad.

0:44:20.760 --> 0:44:23.440
<v Speaker 3>We had that beautiful dance you and I together, which

0:44:23.520 --> 0:44:27.520
<v Speaker 3>was lovely. You remember you were all about the dipic

0:44:28.239 --> 0:44:29.080
<v Speaker 3>and what.

0:44:30.520 --> 0:44:32.000
<v Speaker 2>Oh I love Are you kidding me?

0:44:32.239 --> 0:44:34.120
<v Speaker 3>It was like a dream come true thing.

0:44:34.440 --> 0:44:36.000
<v Speaker 2>It was a thing.

0:44:36.200 --> 0:44:38.600
<v Speaker 4>Yeah, she was like you dipped me.

0:44:38.800 --> 0:44:40.320
<v Speaker 2>Yes, that was rat.

0:44:43.000 --> 0:44:43.640
<v Speaker 4>In the lift.

0:44:43.719 --> 0:44:44.440
<v Speaker 2>We had to do it.

0:44:45.239 --> 0:44:47.759
<v Speaker 3>Oh No, that was what I was.

0:44:48.600 --> 0:44:51.200
<v Speaker 1>That's right, it was it was me and can't. I

0:44:51.239 --> 0:44:54.920
<v Speaker 1>mean Canda started dancing right and I didn't with vowel.

0:44:54.640 --> 0:44:56.600
<v Speaker 4>That's right. Those I hate those lifts.

0:44:56.880 --> 0:45:00.239
<v Speaker 3>They're terrifying, tons of tons of scenes switching you uh

0:45:00.480 --> 0:45:04.680
<v Speaker 3>and me and Ramona. I found like those were fun too.

0:45:05.360 --> 0:45:10.040
<v Speaker 1>Yeah, she talk about a star. She is such a star.

0:45:11.040 --> 0:45:12.399
<v Speaker 1>I love her so much.

0:45:12.520 --> 0:45:15.719
<v Speaker 4>I just went to lunch with her like two weeks

0:45:15.760 --> 0:45:17.880
<v Speaker 4>ago and Sony Yeah.

0:45:18.440 --> 0:45:21.680
<v Speaker 1>To JP, I ditched you guys on that one for you.

0:45:21.680 --> 0:45:23.359
<v Speaker 1>You just saw her a couple of weeks ago too.

0:45:23.680 --> 0:45:27.840
<v Speaker 3>Yeah, she's so she's so put together. I mean she

0:45:27.920 --> 0:45:30.440
<v Speaker 3>was already put together, like yeah, she.

0:45:30.440 --> 0:45:32.880
<v Speaker 4>Was like more mature than any of us for sure.

0:45:34.880 --> 0:45:37.120
<v Speaker 3>That way. But but yeah, I know she always she

0:45:37.120 --> 0:45:39.600
<v Speaker 3>looks like she's a woman, right, I know.

0:45:40.280 --> 0:45:42.160
<v Speaker 5>I know she comes to my comedy shows and she's

0:45:42.160 --> 0:45:45.480
<v Speaker 5>like having a cocktail and I'm like, yeah, no, it's crazy.

0:45:45.840 --> 0:45:48.680
<v Speaker 1>Yeah. Oh so proud of her. She's really really she's

0:45:48.680 --> 0:45:50.040
<v Speaker 1>a gem and I love her.

0:45:50.560 --> 0:45:54.799
<v Speaker 4>Now, speaking of Pride, we need to get to your movie.

0:45:55.160 --> 0:45:58.200
<v Speaker 1>Before we forget. Let's get to before we forget. Let's

0:45:58.200 --> 0:46:02.320
<v Speaker 1>forget to before we forget. Yeah, oh JB.

0:46:02.840 --> 0:46:06.759
<v Speaker 4>This movie was so good, like here talking about it,

0:46:07.200 --> 0:46:10.120
<v Speaker 4>really really, I sometimes I've told so many people.

0:46:12.160 --> 0:46:14.359
<v Speaker 5>Cause you never know what to expect when you're like going,

0:46:14.360 --> 0:46:16.000
<v Speaker 5>you know what I mean, You're like, it's an independent film,

0:46:16.000 --> 0:46:18.040
<v Speaker 5>like let's see what happens, and you know, and I

0:46:18.520 --> 0:46:20.560
<v Speaker 5>had no doubt that you were going to be amazing.

0:46:20.640 --> 0:46:25.799
<v Speaker 5>But the entire just everyone, every the casting you did

0:46:25.800 --> 0:46:26.640
<v Speaker 5>an amazing.

0:46:26.360 --> 0:46:28.799
<v Speaker 4>Job, like a who was blown away. Well, thank you

0:46:28.920 --> 0:46:31.279
<v Speaker 4>fan Ritos for joining us for part one of this

0:46:31.360 --> 0:46:34.040
<v Speaker 4>incredible interview with JP. So make sure you tune in

0:46:34.080 --> 0:46:36.399
<v Speaker 4>to part two this Friday, uh.

0:46:36.640 --> 0:46:39.359
<v Speaker 5>Because we have even more incredible conversations coming up with him.

0:46:39.719 --> 0:46:41.240
<v Speaker 4>So thank you guys for listening.

0:46:41.400 --> 0:46:43.160
<v Speaker 5>If you want to find us on Instagram, you can

0:46:43.200 --> 0:46:46.840
<v Speaker 5>find us at how Rude podcast, or you can email

0:46:46.880 --> 0:46:49.839
<v Speaker 5>us at how rud Tanaritos at gmail dot com. Check

0:46:49.880 --> 0:46:53.560
<v Speaker 5>out the podcast like and subscribe wherever you're listening to it.

0:46:53.640 --> 0:46:57.839
<v Speaker 5>Check out our merch store howarudemerch dot com and then

0:46:57.880 --> 0:47:01.000
<v Speaker 5>we will see you guys next time. But remember, everybody,

0:47:01.520 --> 0:47:08.000
<v Speaker 5>the world is small, but the house is full of cats, sets, sets.

0:47:08.160 --> 0:47:10.560
<v Speaker 2>Cats, dancing cat and singing cats.

0:47:11.239 --> 0:47:13.439
<v Speaker 5>You know what, at least they at least they they're

0:47:13.440 --> 0:47:15.200
<v Speaker 5>not the weird CGI cats from the movie.

0:47:15.560 --> 0:47:17.719
<v Speaker 4>I'll take a person dressed as a cat all day long.

0:47:18.600 --> 0:47:20.520
<v Speaker 2>The stage show is one thousand better