WEBVTT - Saw

0:00:01.000 --> 0:00:02.160
<v Speaker 1>On the Bechdel Cast.

0:00:02.240 --> 0:00:05.680
<v Speaker 2>The questions asked if movies have women and them, are

0:00:05.840 --> 0:00:08.440
<v Speaker 2>all their discussions just boyfriends and husbands, or do they

0:00:08.440 --> 0:00:13.960
<v Speaker 2>have individualism? It's the patriarchy, zephy Beast, start changing it

0:00:14.000 --> 0:00:16.040
<v Speaker 2>with the Bechdel Cast.

0:00:16.480 --> 0:00:19.560
<v Speaker 3>Jamie, let's play a game.

0:00:20.480 --> 0:00:24.800
<v Speaker 1>What the game is? I just woke up. I don't

0:00:24.840 --> 0:00:25.239
<v Speaker 1>know where.

0:00:26.480 --> 0:00:29.320
<v Speaker 3>You have to play the game and play by all

0:00:29.400 --> 0:00:33.960
<v Speaker 3>the rules. And the game that you're playing is releasing

0:00:34.000 --> 0:00:39.560
<v Speaker 3>a Matreon episode about Saw, which will be the inciting

0:00:39.680 --> 0:00:43.000
<v Speaker 3>incident that we have to cover all the rest of

0:00:43.040 --> 0:00:45.680
<v Speaker 3>the Saw movies on the Bechdel Cast. And if we

0:00:45.760 --> 0:00:51.040
<v Speaker 3>don't do that within six months, jicks I will kill us.

0:00:51.440 --> 0:00:54.160
<v Speaker 1>Usually, I feel like if there's one thing Jigsaw loves

0:00:54.280 --> 0:00:57.600
<v Speaker 1>is to chop off a leg. It's his favorite. It's

0:00:57.640 --> 0:01:00.480
<v Speaker 1>one of you, it's one of his favorites. Welcome to

0:01:00.520 --> 0:01:04.920
<v Speaker 1>the Bechdel Cast. My name is Jigsaw, Jamie whoa.

0:01:04.959 --> 0:01:08.880
<v Speaker 3>My name is Caitlin Sawante.

0:01:09.520 --> 0:01:09.959
<v Speaker 2>WHOA?

0:01:10.720 --> 0:01:14.160
<v Speaker 1>No, I like it, Sae. Let's let's fucking go.

0:01:15.400 --> 0:01:16.440
<v Speaker 3>Yeah, let's do it.

0:01:16.560 --> 0:01:19.160
<v Speaker 1>And it's true. Today we're playing a game, the game

0:01:19.200 --> 0:01:21.720
<v Speaker 1>being unlocking a Matreon episode.

0:01:21.760 --> 0:01:24.440
<v Speaker 3>Because the way that the characters and Saw movies have

0:01:24.520 --> 0:01:30.240
<v Speaker 3>to unlock little chains and and shackles and boxes.

0:01:34.440 --> 0:01:38.000
<v Speaker 1>And uh yeah, we do this every so often. And

0:01:38.319 --> 0:01:40.560
<v Speaker 1>if you enjoy this episode, it's just Caitlin and I

0:01:40.600 --> 0:01:44.720
<v Speaker 1>were talking about Saw. Obviously. It was recorded last year

0:01:44.880 --> 0:01:49.960
<v Speaker 1>obviously obviously, And if you like the sort of like

0:01:50.080 --> 0:01:53.000
<v Speaker 1>more casual tone of this episode, that's what you can

0:01:53.040 --> 0:01:58.160
<v Speaker 1>expect from our Matreon hot plug incoming. Yes, we have

0:01:58.440 --> 0:02:03.800
<v Speaker 1>a Matreon Patreona slash Bechtel cast where every month Caitlin

0:02:03.840 --> 0:02:08.000
<v Speaker 1>and I based on a theme that always definitely makes

0:02:08.040 --> 0:02:12.480
<v Speaker 1>a lot of sense. We talk about two movies. So

0:02:12.639 --> 0:02:14.680
<v Speaker 1>if you go over there right now and you enjoyed

0:02:14.720 --> 0:02:16.919
<v Speaker 1>this episode, you can go and get over one hundred

0:02:16.919 --> 0:02:20.760
<v Speaker 1>and fifty episodes that are not on our main feed.

0:02:21.760 --> 0:02:25.519
<v Speaker 1>And it's only five bucks a month. Come on, a bargain,

0:02:25.960 --> 0:02:26.320
<v Speaker 1>Come on.

0:02:27.480 --> 0:02:30.520
<v Speaker 3>So, yes, this is our Saw episode that we released

0:02:30.680 --> 0:02:34.720
<v Speaker 3>around two years ago. But since two oh my goodness,

0:02:34.360 --> 0:02:38.120
<v Speaker 3>it was your birthday. You did it for your birthday

0:02:38.160 --> 0:02:40.920
<v Speaker 3>month in August. I believe I was right to coming

0:02:41.000 --> 0:02:41.840
<v Speaker 3>up on two years ago.

0:02:41.919 --> 0:02:45.960
<v Speaker 1>Yeah, so quickly, before we get to the episode, let's

0:02:46.040 --> 0:02:48.519
<v Speaker 1>do a little bit of a housekeeping. This episode is

0:02:48.560 --> 0:02:52.120
<v Speaker 1>a little more informal, So in case you haven't listened

0:02:52.120 --> 0:02:55.440
<v Speaker 1>to the show before, weird place to start, but hey, welcome,

0:02:56.240 --> 0:02:58.600
<v Speaker 1>This is our podcast where we talk about your favorite

0:02:58.600 --> 0:03:02.519
<v Speaker 1>movies using an intersection feminist lens, but this time it's

0:03:02.560 --> 0:03:06.200
<v Speaker 1>like a spiky little lens that could kill you.

0:03:06.360 --> 0:03:13.080
<v Speaker 3>Oh no, yeah, oh no. The Saw test, where if

0:03:13.240 --> 0:03:18.919
<v Speaker 3>you don't play jigsauce game, he'll chop off your limbs.

0:03:19.400 --> 0:03:22.160
<v Speaker 1>Yeah, he'll do something really terrible to you because he

0:03:22.280 --> 0:03:25.920
<v Speaker 1>is not an ally, which is actually true. I feel

0:03:25.919 --> 0:03:29.320
<v Speaker 1>like I've seen people be like, actually, Jigsaw is an

0:03:29.360 --> 0:03:32.960
<v Speaker 1>ally because he hired a woman, and you're like, that's

0:03:33.200 --> 0:03:39.640
<v Speaker 1>not how that works. Jigsaw is lawless, he's anti everyone. Yes,

0:03:39.720 --> 0:03:41.480
<v Speaker 1>he's anarchy, he's chaos.

0:03:41.560 --> 0:03:44.720
<v Speaker 3>It's true. So Jigsaw plays by the Saw test. We

0:03:44.800 --> 0:03:47.600
<v Speaker 3>play by the Bechdel test, except we don't even really

0:03:47.680 --> 0:03:49.840
<v Speaker 3>do that except for talk about it for three minutes

0:03:49.840 --> 0:03:52.360
<v Speaker 3>every episode, and then the rest of the time is

0:03:52.440 --> 0:03:54.960
<v Speaker 3>us having serious discourse but.

0:03:54.960 --> 0:03:58.280
<v Speaker 1>Also goofing sorriest discourse.

0:03:58.600 --> 0:04:02.400
<v Speaker 3>Whoa, oh my gosh.

0:04:02.320 --> 0:04:04.120
<v Speaker 1>What if Jigsaw had an air horn? That would be

0:04:04.440 --> 0:04:07.680
<v Speaker 1>so that would have to be like and then we

0:04:07.720 --> 0:04:11.160
<v Speaker 1>can't make any more movies, if we give Jigsaw, okay, anyways,

0:04:11.200 --> 0:04:12.120
<v Speaker 1>what's the Bechdel test.

0:04:12.360 --> 0:04:15.080
<v Speaker 3>It's a media metric sometimes called the Bechdel Wallace test

0:04:15.280 --> 0:04:19.320
<v Speaker 3>that first appeared in queer cartoonist Alison Bechdel's comic in

0:04:19.400 --> 0:04:22.680
<v Speaker 3>nineteen eighty five, Dikes to Watch out For And it

0:04:22.720 --> 0:04:26.480
<v Speaker 3>was intended as a bit as a goof. And there

0:04:26.480 --> 0:04:29.800
<v Speaker 3>are many versions of the test. The one that we

0:04:30.000 --> 0:04:33.599
<v Speaker 3>use is this, do two characters of a marginalized gender

0:04:34.080 --> 0:04:37.080
<v Speaker 3>have names? Do those characters speak to each other? And

0:04:37.279 --> 0:04:41.640
<v Speaker 3>is there conversation about something other than a man? And

0:04:41.680 --> 0:04:44.760
<v Speaker 3>then another little caveat we give is is it a

0:04:44.960 --> 0:04:51.520
<v Speaker 3>narratively meaningful conversation which we prefer over like throwaway dialogue

0:04:51.640 --> 0:04:53.360
<v Speaker 3>that might pass the Bechdel test?

0:04:53.440 --> 0:04:55.800
<v Speaker 1>And that's where they get you, and that's where they

0:04:55.800 --> 0:04:57.799
<v Speaker 1>get you. And we'll leave it at that. But before

0:04:57.839 --> 0:05:00.840
<v Speaker 1>we cut to the episode, because and I are very

0:05:00.920 --> 0:05:05.920
<v Speaker 1>invested in Saw, Yeah, the franchise spoiler alert, we're talking

0:05:05.960 --> 0:05:08.400
<v Speaker 1>about Saw because we really like it and it's been

0:05:08.440 --> 0:05:13.200
<v Speaker 1>almost two years, so let's just like rapid fire some

0:05:13.240 --> 0:05:14.960
<v Speaker 1>Saw updates. I think the first thing that comes to

0:05:15.000 --> 0:05:18.560
<v Speaker 1>mind is we just saw Saw the musical together that's right.

0:05:18.880 --> 0:05:21.520
<v Speaker 3>I saw the musical on Broadway, and by Broadway, I

0:05:21.600 --> 0:05:24.320
<v Speaker 3>mean a very small theater in Los Angeles, California. Ever

0:05:24.360 --> 0:05:24.920
<v Speaker 3>heard of it?

0:05:26.760 --> 0:05:29.120
<v Speaker 1>Very small space, impossible to pe mid show.

0:05:29.520 --> 0:05:33.400
<v Speaker 3>Yes, And that's why I missed the last like twenty

0:05:33.400 --> 0:05:34.920
<v Speaker 3>minutes of the show because I had to piece about

0:05:34.960 --> 0:05:36.599
<v Speaker 3>I was so close to pissing my pants and so

0:05:36.680 --> 0:05:39.640
<v Speaker 3>I had to like dive over a row of people

0:05:40.000 --> 0:05:45.200
<v Speaker 3>as like the show's climax was climaxing.

0:05:44.640 --> 0:05:47.920
<v Speaker 1>And and it was climaxing because it was a very horny.

0:05:47.960 --> 0:05:50.960
<v Speaker 1>It was a parody musical, so it's like horny and

0:05:51.080 --> 0:05:53.080
<v Speaker 1>queer and like it was great.

0:05:53.320 --> 0:05:56.960
<v Speaker 3>I highly recommend if you live in LA. It goes

0:05:57.080 --> 0:05:59.600
<v Speaker 3>up in New York, and I believe a few other

0:05:59.600 --> 0:06:01.240
<v Speaker 3>cities around the US.

0:06:00.880 --> 0:06:03.839
<v Speaker 1>San Diego, like it's it seems to be making the rounds.

0:06:03.839 --> 0:06:06.400
<v Speaker 1>If it's still making the rounds and it's in your town,

0:06:06.839 --> 0:06:09.719
<v Speaker 1>you gotta go see saw the musical.

0:06:09.400 --> 0:06:11.159
<v Speaker 3>And I need to see it again because again I

0:06:11.160 --> 0:06:13.599
<v Speaker 3>missed the last twenty minutes because I had to go pee,

0:06:13.640 --> 0:06:15.800
<v Speaker 3>and then I didn't feel comfortable coming back in because

0:06:15.800 --> 0:06:18.320
<v Speaker 3>I felt like it would have been disruptive to the show.

0:06:18.360 --> 0:06:21.880
<v Speaker 3>Because it was a rather small theater. So I was like, well,

0:06:21.960 --> 0:06:26.480
<v Speaker 3>I'll just have to guess at what happens. I'm guessing

0:06:26.640 --> 0:06:28.200
<v Speaker 3>someone saw the off.

0:06:29.360 --> 0:06:32.919
<v Speaker 1>Yeah, it doesn't severely deviate from the narrative, but like,

0:06:33.360 --> 0:06:35.920
<v Speaker 1>don't take my word for it. Ye, Seesaw the musical again,

0:06:36.000 --> 0:06:40.520
<v Speaker 1>Seesaw the Musical. Okay, your turn for a Saw update.

0:06:40.720 --> 0:06:44.600
<v Speaker 3>Okay. I dressed up as jig Saw for Halloween. We

0:06:44.680 --> 0:06:48.839
<v Speaker 3>did you the most recent Halloween that we had brag. Oh,

0:06:48.880 --> 0:06:51.719
<v Speaker 3>and I went to a party that was within bicycling

0:06:51.760 --> 0:06:56.320
<v Speaker 3>distance of my apartment, so I wasn't a tricycle and

0:06:56.440 --> 0:07:00.120
<v Speaker 3>that was my horrible blunder. But I did write a

0:07:00.200 --> 0:07:03.880
<v Speaker 3>bicycle to the party. So I'm like, rolling up as Jigsaw.

0:07:04.040 --> 0:07:08.880
<v Speaker 1>I did not know that. That's so funny. Yeah, I forgot.

0:07:09.320 --> 0:07:12.640
<v Speaker 1>I forgot because didn't we pick you up from that party?

0:07:12.880 --> 0:07:14.320
<v Speaker 1>Or I'm trying to remember.

0:07:14.000 --> 0:07:16.960
<v Speaker 3>It was a different one. Wow, because we just I

0:07:17.000 --> 0:07:19.280
<v Speaker 3>get invited to so many freaking parties.

0:07:19.520 --> 0:07:25.080
<v Speaker 4>Oh yeah, my others Saw update is that And you

0:07:25.080 --> 0:07:27.160
<v Speaker 4>can watch it right now in HBO Max, unless by

0:07:27.200 --> 0:07:30.080
<v Speaker 4>the time you listen to this HPO Max has.

0:07:30.200 --> 0:07:35.520
<v Speaker 1>Deleted more stuff. But I was a writer and producer

0:07:35.520 --> 0:07:37.800
<v Speaker 1>on a show called Teenage Ethanasia. It's a great show,

0:07:38.160 --> 0:07:41.560
<v Speaker 1>two great seasons, and in our second season, I pitched

0:07:41.600 --> 0:07:46.040
<v Speaker 1>and successfully executed a character named jug Saw. And I

0:07:46.080 --> 0:07:49.280
<v Speaker 1>think by the name you can sort of guess what

0:07:49.760 --> 0:07:52.280
<v Speaker 1>Jugsaw's whole deal is, girl.

0:07:52.160 --> 0:07:55.920
<v Speaker 3>Jigsaw jug is in like jugs is in, big old hawkers.

0:07:56.200 --> 0:08:00.560
<v Speaker 1>Okay, big old honkers. Yeah, I mean I would say,

0:08:00.600 --> 0:08:04.120
<v Speaker 1>I can't say anything else. I refuse to say anything else.

0:08:04.600 --> 0:08:08.200
<v Speaker 1>Let me just grab the name of the episode in

0:08:08.240 --> 0:08:12.120
<v Speaker 1>case you need to go watch jug Saw. She has

0:08:12.160 --> 0:08:15.360
<v Speaker 1>a whole story. Come on, trust me, we've been doing

0:08:15.400 --> 0:08:17.720
<v Speaker 1>this podcast. You think I'm not gonna write Jugsaw a

0:08:17.760 --> 0:08:22.160
<v Speaker 1>complicated backstory and a problem with her mother, of course

0:08:22.240 --> 0:08:22.600
<v Speaker 1>I am.

0:08:23.160 --> 0:08:27.720
<v Speaker 3>Of course, from now on, all stories are about Jugsaws

0:08:27.920 --> 0:08:29.520
<v Speaker 3>and their moms.

0:08:29.040 --> 0:08:33.480
<v Speaker 1>And their moms. It's drama. Okay. So the name of

0:08:33.520 --> 0:08:40.200
<v Speaker 1>it is Viva la Flappanista, Season two, episode six of

0:08:40.280 --> 0:08:44.400
<v Speaker 1>Teenage Euthanasia. Go check it out. Amazing, and just check

0:08:44.440 --> 0:08:48.120
<v Speaker 1>out the whole show. It's fun. We got canceled.

0:08:48.400 --> 0:08:50.520
<v Speaker 3>That's fine, Sorry about it?

0:08:50.600 --> 0:08:53.520
<v Speaker 1>Whatever the Saw episode? Do you have any other Saw updates?

0:08:53.640 --> 0:08:54.400
<v Speaker 3>I have two?

0:08:54.880 --> 0:08:56.880
<v Speaker 1>Oh? Okay, Well, I guess we also didn't talk about

0:08:56.880 --> 0:08:57.400
<v Speaker 1>Saw X.

0:08:57.520 --> 0:09:00.880
<v Speaker 3>Well, yeah, that's one of them. So since this episode

0:09:01.120 --> 0:09:04.800
<v Speaker 3>was released on the Matreon, Saw X aka Saw ten

0:09:05.520 --> 0:09:08.400
<v Speaker 3>came out. We both saw in theaters, not together unfortunately

0:09:08.720 --> 0:09:12.439
<v Speaker 3>saw We saw Saw X.

0:09:12.600 --> 0:09:15.920
<v Speaker 1>Now what did you? I don't remember your review of

0:09:16.000 --> 0:09:16.640
<v Speaker 1>Saw X.

0:09:16.760 --> 0:09:19.840
<v Speaker 3>I thought it was bad, but I still loved every

0:09:19.840 --> 0:09:23.040
<v Speaker 3>second of it. Like it was not a well written movie.

0:09:23.200 --> 0:09:25.640
<v Speaker 3>I think it was one of the weaker installments in

0:09:25.679 --> 0:09:30.840
<v Speaker 3>the French highs. But I did pay money. Well, no,

0:09:30.840 --> 0:09:32.480
<v Speaker 3>I probably didn't pay money. I went to see it

0:09:32.600 --> 0:09:36.439
<v Speaker 3>with my amc A list stubs membership. I know I

0:09:36.480 --> 0:09:40.000
<v Speaker 3>always because we come to this place for Saw for magic.

0:09:40.200 --> 0:09:43.720
<v Speaker 1>You know, these days Nicole's watching She's watching Austin Butler Elvis.

0:09:43.760 --> 0:09:47.040
<v Speaker 1>I saw her watching Lady Gaga Star is born the

0:09:47.080 --> 0:09:50.079
<v Speaker 1>other day. Oh they have even more. They just keep

0:09:50.120 --> 0:09:54.400
<v Speaker 1>switching out her movies. WHOA Okay, I also saw Saw X.

0:09:54.440 --> 0:09:59.880
<v Speaker 1>I also thought it was maybe not so awesome, sauce

0:10:00.000 --> 0:10:05.080
<v Speaker 1>so like, but like a not Saw. Some Saw movie

0:10:05.240 --> 0:10:09.240
<v Speaker 1>is still better than or. I'm gonna enjoy myself more

0:10:09.280 --> 0:10:12.560
<v Speaker 1>than ninety percent of movies because it's just really fun

0:10:12.920 --> 0:10:15.400
<v Speaker 1>to like show up in a movie rubbing your hands together,

0:10:15.480 --> 0:10:17.880
<v Speaker 1>being like, now, what is he gonna get up to?

0:10:18.720 --> 0:10:21.679
<v Speaker 1>And it's always something. He's always gonna get it up

0:10:21.679 --> 0:10:26.080
<v Speaker 1>to something. So I thought it was good conclusion. I

0:10:26.120 --> 0:10:29.640
<v Speaker 1>thought it was an awesome, perfect movie. I love Tobin Bell.

0:10:30.640 --> 0:10:33.320
<v Speaker 1>I love that he's still sawing after all these years.

0:10:33.320 --> 0:10:36.800
<v Speaker 1>He's eighty one. Whoa yeah, so he is like he

0:10:36.960 --> 0:10:39.080
<v Speaker 1>is in it to win it. I hope we have

0:10:39.120 --> 0:10:42.319
<v Speaker 1>a lot more Saw movies with Tobin Bell. Same, okay,

0:10:42.360 --> 0:10:43.800
<v Speaker 1>do you have any more? That's all my songs?

0:10:44.000 --> 0:10:48.000
<v Speaker 3>It's okay, yes, my final one is that. So our

0:10:48.080 --> 0:10:52.320
<v Speaker 3>mutual friend Briant and I often watch movies together and

0:10:52.360 --> 0:10:55.760
<v Speaker 3>we kept being like, should we watch a Saw movie?

0:10:56.000 --> 0:10:58.200
<v Speaker 3>And we would go and see if it was available

0:10:58.240 --> 0:11:01.240
<v Speaker 3>to stream anymore, and most of them are only available

0:11:01.960 --> 0:11:04.280
<v Speaker 3>to rent, and so you pay three ninety nine to

0:11:04.360 --> 0:11:06.080
<v Speaker 3>rent it. We're like, Okay, there's got to be a

0:11:06.080 --> 0:11:08.800
<v Speaker 3>more cost effective way to do this, because I don't

0:11:08.800 --> 0:11:11.880
<v Speaker 3>want to spend three ninety nine on like ten Saw movies.

0:11:12.080 --> 0:11:13.880
<v Speaker 3>So what I did instead is I bought one of

0:11:13.880 --> 0:11:18.440
<v Speaker 3>those like Blu Ray bundles with the first eight Saw

0:11:18.520 --> 0:11:21.079
<v Speaker 3>movies on Blu Ray, and it was.

0:11:21.080 --> 0:11:22.679
<v Speaker 1>Only like it just makes sense.

0:11:22.840 --> 0:11:27.920
<v Speaker 3>It was like twelve dollars, So that's violent. I know

0:11:28.000 --> 0:11:30.680
<v Speaker 3>it's kind of an insult to the Saw franchise, but

0:11:31.080 --> 0:11:35.240
<v Speaker 3>I made the investment of a lifetime and bought this

0:11:35.640 --> 0:11:40.080
<v Speaker 3>eight Saw movie bundle on Blu Ray, and Brian and

0:11:40.080 --> 0:11:41.559
<v Speaker 3>I are working our way through it. You're welcome to

0:11:41.600 --> 0:11:42.959
<v Speaker 3>join us at any time.

0:11:42.840 --> 0:11:45.360
<v Speaker 1>Jamie, please. I think you're out of town. I think

0:11:45.400 --> 0:11:47.280
<v Speaker 1>I was out of town when that started. Where did

0:11:47.320 --> 0:11:48.040
<v Speaker 1>you guys leave off?

0:11:48.240 --> 0:11:51.120
<v Speaker 3>Well, you have so far only watched Saw two together.

0:11:51.920 --> 0:11:52.920
<v Speaker 3>Oh so there's a lot.

0:11:53.120 --> 0:11:55.480
<v Speaker 1>Oh oh so the doors wide open?

0:11:55.800 --> 0:12:00.040
<v Speaker 3>Yeah, okay, until Jigsaw slams it says.

0:12:00.120 --> 0:12:05.319
<v Speaker 1>Game over Sam, Sam, Okay, well, yeah, I'm in. I'm

0:12:05.360 --> 0:12:07.560
<v Speaker 1>joining in Saw three a second your home.

0:12:07.520 --> 0:12:10.040
<v Speaker 3>Okay, great, I can't wait. But yeah, those are all

0:12:10.040 --> 0:12:15.880
<v Speaker 3>my Saw updates. And so what we also do generally

0:12:15.920 --> 0:12:18.640
<v Speaker 3>when we release a Matreon episode to the main feed

0:12:19.600 --> 0:12:22.439
<v Speaker 3>is we'll just kind of edit it a bit, because

0:12:22.880 --> 0:12:27.760
<v Speaker 3>we're sometimes matreoning out a little too hard in different

0:12:27.760 --> 0:12:28.839
<v Speaker 3>points of the episodes.

0:12:28.920 --> 0:12:31.560
<v Speaker 1>A lot of sidebars, not like what we've been doing

0:12:31.600 --> 0:12:34.760
<v Speaker 1>for the last ten minutes, which is all very on topic,

0:12:34.920 --> 0:12:35.960
<v Speaker 1>all feminism.

0:12:36.600 --> 0:12:39.800
<v Speaker 3>Well, it's on topic for Saw at least, So yes,

0:12:40.040 --> 0:12:43.160
<v Speaker 3>we'll edit out some chunks here and there. Some of

0:12:43.160 --> 0:12:45.839
<v Speaker 3>it's like references to something that's like a year or

0:12:45.920 --> 0:12:47.920
<v Speaker 3>too old that kind of dates the episode, so I

0:12:48.000 --> 0:12:49.760
<v Speaker 3>kind of I try to get rid of as much

0:12:49.760 --> 0:12:52.280
<v Speaker 3>of that as I can. So I cut out a

0:12:52.280 --> 0:12:54.880
<v Speaker 3>little bit at the beginning where I pretend to be

0:12:54.960 --> 0:12:57.800
<v Speaker 3>Jigsaw and I say that we have two hours to

0:12:57.840 --> 0:13:00.880
<v Speaker 3>finish the episode, or else the episode will be too

0:13:01.000 --> 0:13:06.640
<v Speaker 3>long and the consequences will be dire. So when you

0:13:06.880 --> 0:13:11.079
<v Speaker 3>hear references to that later on, that is me doing

0:13:11.120 --> 0:13:12.520
<v Speaker 3>that hilarious little bit.

0:13:12.800 --> 0:13:14.160
<v Speaker 1>Why don't you just do it now?

0:13:14.440 --> 0:13:19.439
<v Speaker 3>Well, okay, tell us Jamie what it's me Jigsaw.

0:13:19.520 --> 0:13:24.600
<v Speaker 1>Oh no, I'm also Jigsaw, but but you're in charge.

0:13:25.120 --> 0:13:29.560
<v Speaker 3>And it's also we're playing the game for ourselves. Oh,

0:13:29.600 --> 0:13:32.880
<v Speaker 3>we have to complete this episode within two hours, or

0:13:32.960 --> 0:13:36.120
<v Speaker 3>else the episode will be too long and it might

0:13:36.160 --> 0:13:38.160
<v Speaker 3>be annoying for some listeners.

0:13:38.440 --> 0:13:42.080
<v Speaker 1>Oh no, we've never made an episode too long. It

0:13:42.120 --> 0:13:48.160
<v Speaker 1>will be a new experience. Yeah, and we better get started.

0:13:48.720 --> 0:13:51.600
<v Speaker 3>Yeah, we better. Oh and then right when we cut in,

0:13:51.800 --> 0:13:56.520
<v Speaker 3>is us talking I guess questioning if Saw one is

0:13:56.640 --> 0:13:59.320
<v Speaker 3>actually a good movie or not. So this is where

0:13:59.360 --> 0:14:02.600
<v Speaker 3>we will I know, how dare we even question it?

0:14:02.800 --> 0:14:05.000
<v Speaker 1>That's as close as we get to being edge lords.

0:14:05.160 --> 0:14:09.599
<v Speaker 1>We're like, is I have one even good? I regret it?

0:14:09.679 --> 0:14:10.280
<v Speaker 1>I regret it.

0:14:10.360 --> 0:14:14.120
<v Speaker 3>Yeah it's great, and you'll hear us say many things

0:14:14.160 --> 0:14:16.760
<v Speaker 3>to that effect. But yeah, that's where we cut in.

0:14:17.120 --> 0:14:23.920
<v Speaker 3>So enjoy the episode.

0:14:29.960 --> 0:14:34.280
<v Speaker 1>Saw is Oh no, now I'm getting nervous. I was like,

0:14:34.320 --> 0:14:37.680
<v Speaker 1>I thought the first Saw was like pretty well written, Yes,

0:14:38.360 --> 0:14:41.880
<v Speaker 1>but I refuse to acknowledge any of the plot holes

0:14:41.880 --> 0:14:42.280
<v Speaker 1>in Saw.

0:14:43.760 --> 0:14:47.360
<v Speaker 3>Okay, here are my gripes with the writing of Saw,

0:14:47.440 --> 0:14:49.200
<v Speaker 3>although I think most of my gripes have to do

0:14:49.280 --> 0:14:53.920
<v Speaker 3>with the acting, which is atrocious from most of the

0:14:54.080 --> 0:14:55.600
<v Speaker 3>characters or the actors.

0:14:55.680 --> 0:14:58.760
<v Speaker 1>Who is your least who is your least fing? I mean,

0:14:58.760 --> 0:15:01.280
<v Speaker 1>I feel like we we have to make an exception

0:15:01.600 --> 0:15:05.280
<v Speaker 1>there for the legend the icon Tobin Bell as Jigsaw.

0:15:05.720 --> 0:15:09.920
<v Speaker 1>His performance is kind of untouchable, sure, and I can't

0:15:09.960 --> 0:15:13.840
<v Speaker 1>really be hearing anything negative about it, But everyone else

0:15:13.920 --> 0:15:15.800
<v Speaker 1>is doing a horrible job. Who do you think is

0:15:15.840 --> 0:15:16.720
<v Speaker 1>doing the worst job.

0:15:17.520 --> 0:15:21.120
<v Speaker 3>I think the guy who is clearly not an actor

0:15:21.440 --> 0:15:24.760
<v Speaker 3>and who co wrote this screen or wrote.

0:15:24.520 --> 0:15:28.280
<v Speaker 1>The screenplay Lee Wannell, Yes, I think he's doing his

0:15:28.360 --> 0:15:34.000
<v Speaker 1>house we Stanell Leannel. But yeah, he is not very

0:15:34.120 --> 0:15:35.840
<v Speaker 1>He's not a very good actor, is he.

0:15:35.840 --> 0:15:39.200
<v Speaker 3>He's not. But Carrie, you will.

0:15:39.400 --> 0:15:44.040
<v Speaker 1>Oh my god, Elle. I listened to the hat. I

0:15:44.080 --> 0:15:47.240
<v Speaker 1>didn't finish it. I'll be full disclosure, but I listened

0:15:47.280 --> 0:15:50.640
<v Speaker 1>to Uh. I watched this movie last week and then

0:15:50.640 --> 0:15:55.320
<v Speaker 1>I watched half of it with the commentary track with

0:15:55.440 --> 0:15:58.360
<v Speaker 1>Lee Wannell and James Wan And it's so cute because

0:15:58.360 --> 0:16:01.640
<v Speaker 1>they're such good friends. But they say Harry el's ellis,

0:16:02.120 --> 0:16:06.080
<v Speaker 1>elsls ols, wait os, but they're Australian, so it could

0:16:06.120 --> 0:16:08.440
<v Speaker 1>be a pronunciation thing. It tripped right off the tongue

0:16:08.480 --> 0:16:10.440
<v Speaker 1>for them. It was very easy for them. They're like,

0:16:10.480 --> 0:16:13.560
<v Speaker 1>carry elwis. The thing about him is he's really British.

0:16:13.240 --> 0:16:15.560
<v Speaker 3>And that's true. And you can tell that he's a

0:16:15.640 --> 0:16:19.680
<v Speaker 3>British person because he's letting his accent slip through on

0:16:19.960 --> 0:16:21.000
<v Speaker 3>almost every word.

0:16:21.400 --> 0:16:24.400
<v Speaker 1>Oh, they're fighting for their lives with the accents. I

0:16:24.400 --> 0:16:26.800
<v Speaker 1>don't know why they I don't know why they had

0:16:26.800 --> 0:16:30.320
<v Speaker 1>to be canonically American, because Lee Wennell is Australian and

0:16:30.360 --> 0:16:33.080
<v Speaker 1>once you know that, you're just like, oh, he's like

0:16:33.440 --> 0:16:36.320
<v Speaker 1>criking out the whole time, like just let them speak

0:16:36.320 --> 0:16:38.720
<v Speaker 1>in their natural accents. And it's so wild because you

0:16:38.840 --> 0:16:42.000
<v Speaker 1>know that, like Lee Wanne literally made that choice for

0:16:42.040 --> 0:16:46.040
<v Speaker 1>them on purpose. Yeah, they were young though, Like it's

0:16:46.120 --> 0:16:50.480
<v Speaker 1>so wild. Like James Wan is a like a middle

0:16:50.480 --> 0:16:53.920
<v Speaker 1>schooler when he directs his he's so like he's like

0:16:53.960 --> 0:16:55.960
<v Speaker 1>twenty six, but that's like wild.

0:16:56.160 --> 0:16:59.520
<v Speaker 3>Yeah, they're like pretty fresh out of film school, right

0:16:59.560 --> 0:17:02.760
<v Speaker 3>because they because James wan and Lee Wonnell, I feel

0:17:02.760 --> 0:17:03.600
<v Speaker 3>like also there's like.

0:17:04.119 --> 0:17:08.080
<v Speaker 1>Is it wonle Wannel? Is it stanyel Wannel at all?

0:17:08.520 --> 0:17:11.320
<v Speaker 3>Well, I'm trying to do like a benefit thing where

0:17:11.359 --> 0:17:14.320
<v Speaker 3>it's like love that we're kind of marrying the two

0:17:14.400 --> 0:17:20.480
<v Speaker 3>names together as just like Wonnle love that. Flee okay hello,

0:17:20.800 --> 0:17:23.080
<v Speaker 3>oh and Flee freaking loved it too.

0:17:23.160 --> 0:17:25.960
<v Speaker 1>And you know that's gonna that that's gonna be loud

0:17:25.960 --> 0:17:29.760
<v Speaker 1>and that's gonna pick up. Yeah, you know that. Sorry,

0:17:29.760 --> 0:17:32.239
<v Speaker 1>he's stressed out because there's been someone next door just

0:17:32.400 --> 0:17:36.399
<v Speaker 1>absolutely hammering something for about six days.

0:17:36.520 --> 0:17:41.159
<v Speaker 3>Do you think it's someone building a saw room? Do

0:17:41.240 --> 0:17:44.440
<v Speaker 3>you think it's Jigsaw's production designer? That is like one

0:17:44.440 --> 0:17:47.359
<v Speaker 3>of my I'm sure that there's either a very good

0:17:47.480 --> 0:17:52.080
<v Speaker 3>or very horrible sketch about that somewhere, like who's setting

0:17:52.200 --> 0:17:53.640
<v Speaker 3>up Jigsaw's traps?

0:17:53.720 --> 0:17:56.119
<v Speaker 1>You know that they tried that on Mad TV. I

0:17:56.160 --> 0:17:57.640
<v Speaker 1>would I would bet money on it.

0:17:57.840 --> 0:18:01.080
<v Speaker 3>And if not, Jamie, you just wrote a sketch.

0:18:02.359 --> 0:18:04.879
<v Speaker 1>Oh god, it's almost like it was almost too easy.

0:18:05.080 --> 0:18:07.920
<v Speaker 1>But yes, they're so young when they make this movie.

0:18:08.040 --> 0:18:13.000
<v Speaker 1>I just think it's beautiful to set James Wand on

0:18:13.440 --> 0:18:16.679
<v Speaker 1>his journey to you know, being one of my favorite

0:18:16.680 --> 0:18:17.560
<v Speaker 1>directors ever.

0:18:18.320 --> 0:18:21.600
<v Speaker 3>He Oh my gosh, he's the best. What was the

0:18:21.680 --> 0:18:24.960
<v Speaker 3>other movie of his we covered on the show, Aquaman?

0:18:25.400 --> 0:18:28.119
<v Speaker 3>Oh my gosh, I always forget that that was his movie.

0:18:28.200 --> 0:18:31.480
<v Speaker 1>Me too. I meant, I always forget that he's Aquaman man.

0:18:31.520 --> 0:18:35.480
<v Speaker 1>But he is Aquaman man. But but yeah, he Okay,

0:18:35.520 --> 0:18:40.399
<v Speaker 1>so his directorial resume is pretty wild. I'm just gonna

0:18:40.440 --> 0:18:45.600
<v Speaker 1>rattle some stuff off please Saw Saw three Okay, Okay,

0:18:46.040 --> 0:18:49.560
<v Speaker 1>he only directed Saw and Saw three, which not coincidentally

0:18:50.040 --> 0:18:55.359
<v Speaker 1>are ones. Saw two is pretty iconic as well. Saw

0:18:55.520 --> 0:18:59.640
<v Speaker 1>one through three are good, and then so the rest

0:18:59.640 --> 0:19:00.320
<v Speaker 1>are also good.

0:19:00.520 --> 0:19:04.280
<v Speaker 3>I've I'll get into this when we talk about our

0:19:04.400 --> 0:19:09.920
<v Speaker 3>histories with the Saw franchise. But I've seen way more

0:19:09.920 --> 0:19:11.840
<v Speaker 3>Saw movies than you might expect.

0:19:12.440 --> 0:19:13.440
<v Speaker 1>I'm very excited.

0:19:13.720 --> 0:19:15.160
<v Speaker 3>I'll tell the full story.

0:19:15.480 --> 0:19:20.320
<v Speaker 1>Oh I can't wait. But okay, so sorry, Saw Saw three, Insidious,

0:19:20.520 --> 0:19:24.440
<v Speaker 1>The Conjuring, in Citious, Chapter two, Furious Seven, question Mark,

0:19:25.040 --> 0:19:26.080
<v Speaker 1>The Conjuring Too.

0:19:26.240 --> 0:19:28.639
<v Speaker 3>Oh yeah, Fast and the Furious Seven. He directed one

0:19:28.640 --> 0:19:29.840
<v Speaker 3>of the Fast and the Furious movies.

0:19:30.119 --> 0:19:33.600
<v Speaker 1>I did not know that. Yeah, I knew Aquaman, I

0:19:33.640 --> 0:19:37.680
<v Speaker 1>knew the Conjuring franchises. All him. Malignant one of our

0:19:37.720 --> 0:19:40.880
<v Speaker 1>faves from last year, Maignant. It was the we got

0:19:40.880 --> 0:19:45.600
<v Speaker 1>a comfortableness of twenty twenty one one. Yeah, I think

0:19:46.240 --> 0:19:50.239
<v Speaker 1>we should cover that this October. Malignant was kind of

0:19:50.640 --> 0:19:55.840
<v Speaker 1>perfect film critible. I didn't really have any negative thoughts. Well,

0:19:55.880 --> 0:19:57.600
<v Speaker 1>actually I had a lot of negative thought, but like

0:19:57.800 --> 0:20:00.280
<v Speaker 1>in a good way. Yeah, yeah, yeah, I didn't have

0:20:00.320 --> 0:20:02.320
<v Speaker 1>a single critical thought. I was like, all I thought.

0:20:02.359 --> 0:20:06.200
<v Speaker 1>All I thought on a loop was he did it again? Anyways?

0:20:06.600 --> 0:20:09.720
<v Speaker 1>But enough about how I was essayam with James Wand

0:20:09.760 --> 0:20:12.159
<v Speaker 1>even though I forgot one of his biggest movies in

0:20:12.200 --> 0:20:16.000
<v Speaker 1>the space of the last minute. What's your history with

0:20:16.040 --> 0:20:17.400
<v Speaker 1>the Saw franchise?

0:20:17.680 --> 0:20:22.720
<v Speaker 3>Okay, I saw Saw Oh, I used to make a joke,

0:20:22.800 --> 0:20:24.919
<v Speaker 3>and this might even be something that if I like

0:20:25.000 --> 0:20:28.639
<v Speaker 3>dug through my Twitter I could find. But it's like

0:20:28.680 --> 0:20:32.280
<v Speaker 3>a little dialogue where someone says, like not a little

0:20:32.440 --> 0:20:36.679
<v Speaker 3>blog like person a sees I've seen Saw too, And

0:20:36.720 --> 0:20:39.760
<v Speaker 3>then I respond by saying, I saw Saw too too.

0:20:42.960 --> 0:20:43.840
<v Speaker 1>Okay, that's good.

0:20:44.119 --> 0:20:46.919
<v Speaker 3>That's a good joke if I do say so myself. Okay,

0:20:47.160 --> 0:20:51.359
<v Speaker 3>So there's no way around it. That joke rules. I

0:20:51.680 --> 0:20:56.400
<v Speaker 3>saw Saw right when it came out. I don't think

0:20:56.440 --> 0:20:59.400
<v Speaker 3>in theaters though, But like is ah, but I don't

0:20:59.400 --> 0:21:02.400
<v Speaker 3>remember it was two thousand and four. What month did

0:21:02.400 --> 0:21:03.439
<v Speaker 3>it come out.

0:21:03.960 --> 0:21:05.520
<v Speaker 1>Let's see, let's see.

0:21:05.400 --> 0:21:07.760
<v Speaker 3>It was October. I think it was like Halloween season.

0:21:07.880 --> 0:21:12.720
<v Speaker 1>Yea makes sense. It's pretty scary. I mean I would

0:21:12.760 --> 0:21:14.000
<v Speaker 1>say it, yeah, pretty scary.

0:21:14.320 --> 0:21:16.800
<v Speaker 3>So I would have just started college. I would have

0:21:16.840 --> 0:21:18.520
<v Speaker 3>been like a month into college, and I feel like

0:21:18.520 --> 0:21:21.320
<v Speaker 3>I was like probably too stressed out to go to

0:21:21.400 --> 0:21:24.000
<v Speaker 3>the movies. So I don't think I saw it in

0:21:24.000 --> 0:21:26.080
<v Speaker 3>the theaters. I think I would have remembered that.

0:21:26.080 --> 0:21:28.800
<v Speaker 1>Yeah, I mean I don't think that. I don't think

0:21:28.800 --> 0:21:30.320
<v Speaker 1>that this movie would have calmed you down.

0:21:31.600 --> 0:21:36.760
<v Speaker 3>No, but I saw it on DVD as soon as

0:21:36.760 --> 0:21:39.520
<v Speaker 3>it came out on DVD, probably a few months later,

0:21:39.560 --> 0:21:42.240
<v Speaker 3>because I remember like all the buzz about it, and

0:21:42.280 --> 0:21:45.680
<v Speaker 3>so I saw it and I remember thinking the twist

0:21:45.720 --> 0:21:50.040
<v Speaker 3>at the very end when Jigsaw gets up off the

0:21:50.040 --> 0:21:52.240
<v Speaker 3>floor the dead body you thought was a dead body

0:21:52.280 --> 0:21:56.680
<v Speaker 3>the whole time he starts to stand up. I was like, Oh,

0:21:56.720 --> 0:22:02.160
<v Speaker 3>my freaking gosh, the biggest whist in cinema history.

0:22:03.160 --> 0:22:05.240
<v Speaker 1>We're not saying, oh my freaking god, it was. It

0:22:05.359 --> 0:22:07.840
<v Speaker 1>is good. It's one of the it's one of my

0:22:07.880 --> 0:22:09.200
<v Speaker 1>favorite twists ever.

0:22:09.600 --> 0:22:12.159
<v Speaker 3>It's still unexpected. It's it's truly Do.

0:22:12.200 --> 0:22:14.280
<v Speaker 1>You think Tobin Bell was in the room the whole time?

0:22:14.480 --> 0:22:15.520
<v Speaker 1>Is he that good? Oh?

0:22:16.000 --> 0:22:21.040
<v Speaker 3>He's like, I'm committing to this. I am in character

0:22:21.320 --> 0:22:23.520
<v Speaker 3>all It's he's like method acting.

0:22:23.840 --> 0:22:25.960
<v Speaker 1>This may have been in nine thousand movies, but his

0:22:26.040 --> 0:22:31.600
<v Speaker 1>most iconic role is Saw. Interestingly, he lives in Massachusetts.

0:22:31.680 --> 0:22:35.159
<v Speaker 1>He's like the king of a town in Massachusetts. Whoa

0:22:35.840 --> 0:22:38.000
<v Speaker 1>and then they have to like fly him out. They're like, oh,

0:22:38.040 --> 0:22:40.879
<v Speaker 1>you want Jigsaw. He just lives in whatever Jigsaw mansion

0:22:42.640 --> 0:22:45.240
<v Speaker 1>in Massachusetts. One of this is this information comes from

0:22:45.280 --> 0:22:48.040
<v Speaker 1>a very credible source aka my brother's friend.

0:22:48.640 --> 0:22:50.919
<v Speaker 3>Okay, all right, okay, I.

0:22:50.960 --> 0:22:52.920
<v Speaker 1>Was talking to my brother cashing up with my brother's friend.

0:22:53.280 --> 0:22:56.440
<v Speaker 1>Side note, my brother's friends are getting hot. Don't love that?

0:22:56.560 --> 0:22:58.359
<v Speaker 3>Oh okay, yeah.

0:22:58.000 --> 0:23:01.120
<v Speaker 1>But but he was like, did you know that Jigsaw

0:23:01.200 --> 0:23:04.880
<v Speaker 1>is local? And I was like, relevant to my interests?

0:23:04.960 --> 0:23:05.920
<v Speaker 1>So continue?

0:23:06.119 --> 0:23:09.960
<v Speaker 3>Okay. So I saw Saw shortly after it was released,

0:23:10.119 --> 0:23:14.399
<v Speaker 3>and I remember thinking it was pretty awesome, especially oh

0:23:14.440 --> 0:23:17.199
<v Speaker 3>my gosh, like the music is Jigsaw's standing up and

0:23:17.240 --> 0:23:22.960
<v Speaker 3>it's like ding d D.

0:23:19.000 --> 0:23:21.560
<v Speaker 5>D D D.

0:23:23.600 --> 0:23:23.959
<v Speaker 3>Iconic.

0:23:24.119 --> 0:23:27.760
<v Speaker 1>John Williams could never in his life John Williams found

0:23:27.800 --> 0:23:32.280
<v Speaker 1>dead in a ditch after hearing it being from Saw. Unbelievable.

0:23:33.240 --> 0:23:36.400
<v Speaker 3>So I took it upon myself to continue to see

0:23:36.440 --> 0:23:38.800
<v Speaker 3>the Saw movies. I'm not sure if I ever saw

0:23:38.920 --> 0:23:42.600
<v Speaker 3>any of them in theaters, but there was a span

0:23:42.680 --> 0:23:45.040
<v Speaker 3>of time where I was, I mean, and it was

0:23:45.320 --> 0:23:48.199
<v Speaker 3>a long time, and longer than maybe anyone else was

0:23:48.240 --> 0:23:52.200
<v Speaker 3>getting Netflix DVDs delivered to their mailbox.

0:23:52.400 --> 0:23:55.840
<v Speaker 1>Yes, that's true. You were getting Netflix DVD's while this

0:23:56.040 --> 0:23:56.919
<v Speaker 1>show was airing.

0:23:57.119 --> 0:24:02.639
<v Speaker 3>Yeah, I since stopped, but I was getting them well

0:24:02.680 --> 0:24:10.000
<v Speaker 3>into probably like twenty sixteen. I mean, you know, Blessed

0:24:10.080 --> 0:24:16.800
<v Speaker 3>twenty seventeen, maybe even so blessed. I saw Saw two, two,

0:24:18.240 --> 0:24:23.040
<v Speaker 3>and saw three, and saw four and saw five. I

0:24:23.080 --> 0:24:24.320
<v Speaker 3>think I stopped at five.

0:24:24.640 --> 0:24:27.040
<v Speaker 1>I think I stopped at six, but I but then

0:24:27.080 --> 0:24:28.960
<v Speaker 1>I was reading the description for six, and I was like,

0:24:29.000 --> 0:24:32.359
<v Speaker 1>honestly I could have seen this. But also right, my

0:24:32.440 --> 0:24:35.800
<v Speaker 1>recall after three gets a little fuzzy. I had to

0:24:35.840 --> 0:24:38.600
<v Speaker 1>read through some of the things. And then did you

0:24:38.680 --> 0:24:40.320
<v Speaker 1>see Spiral? I did not watch Spiral.

0:24:40.480 --> 0:24:43.840
<v Speaker 3>I did not see Spiral. I wanted to, but it

0:24:43.920 --> 0:24:47.000
<v Speaker 3>came and went in theaters in like a blip, and

0:24:47.320 --> 0:24:48.479
<v Speaker 3>I completely missed it.

0:24:48.720 --> 0:24:51.280
<v Speaker 1>And it was also, I think, still not a great

0:24:51.480 --> 0:24:53.640
<v Speaker 1>I think it came out like right before people were

0:24:53.960 --> 0:24:56.480
<v Speaker 1>actually comfortable going back to movie theaters. Well maybe that's

0:24:56.560 --> 0:24:58.840
<v Speaker 1>I think it was like there was a COVID timing

0:24:59.119 --> 0:25:02.200
<v Speaker 1>where they are just such a streaming kind of thing.

0:25:03.160 --> 0:25:05.800
<v Speaker 1>I didn't watch it. I heard its actually very very good,

0:25:06.680 --> 0:25:11.119
<v Speaker 1>but I read I read a piece about it today

0:25:11.200 --> 0:25:13.480
<v Speaker 1>and now I'm like, oh, I do I have so

0:25:13.560 --> 0:25:17.280
<v Speaker 1>many SAW tabs open right now? My god. I read

0:25:17.320 --> 0:25:20.879
<v Speaker 1>an article on a screen rant that I thought was

0:25:21.000 --> 0:25:24.399
<v Speaker 1>quite good by a writer named Cathol Gunning. Also a

0:25:24.400 --> 0:25:29.200
<v Speaker 1>great name, but I guess that the deal with Spiral,

0:25:30.119 --> 0:25:34.040
<v Speaker 1>my understanding is a Jigsaw copycat killer, and they're trying

0:25:34.080 --> 0:25:37.600
<v Speaker 1>to flip the franchise so that this new copycat killer

0:25:37.680 --> 0:25:41.640
<v Speaker 1>is targeting cops, which is a good modern like I think,

0:25:41.680 --> 0:25:45.040
<v Speaker 1>a better you know take. But then but in doing so,

0:25:45.280 --> 0:25:48.520
<v Speaker 1>and this is a small gripe, I don't think it's

0:25:48.560 --> 0:25:51.960
<v Speaker 1>a bad thing that Spiral is killing cops. And you

0:25:51.960 --> 0:25:55.679
<v Speaker 1>can put me on the record there, but but basically

0:25:55.760 --> 0:25:58.200
<v Speaker 1>it was done with the ethos of like, well, Jigsaw

0:25:58.640 --> 0:26:03.520
<v Speaker 1>never killed I'm like Jigsaw spent whole movies killing cops.

0:26:04.160 --> 0:26:09.320
<v Speaker 1>Jigsaw tortured detective Donnie Wahlberg, corrupt cop.

0:26:09.920 --> 0:26:14.560
<v Speaker 3>Jigsaw slashes the throat of Danny Glover cop.

0:26:14.960 --> 0:26:18.800
<v Speaker 1>Jigsaw famously does not like cops. Jigsaw said a cap

0:26:18.840 --> 0:26:22.200
<v Speaker 1>but he also said all innocent people are bastards also,

0:26:22.320 --> 0:26:24.920
<v Speaker 1>so he's just sort of like, he's like, all cops

0:26:24.920 --> 0:26:28.600
<v Speaker 1>are bastards, but only because they fall under the umbrella

0:26:28.680 --> 0:26:35.440
<v Speaker 1>of people. All people are apab except my wife. Okay,

0:26:35.480 --> 0:26:36.880
<v Speaker 1>so kind of Jigsaw's approach.

0:26:37.760 --> 0:26:42.240
<v Speaker 3>So I saw so many of the saws up to

0:26:43.000 --> 0:26:46.520
<v Speaker 3>five maybe six, because I remember being like Caitlin, what

0:26:46.560 --> 0:26:49.920
<v Speaker 3>are you even doing, but I kept watching them because

0:26:50.119 --> 0:26:57.040
<v Speaker 3>each Saw movie has the most unexpected twist you've ever

0:26:57.040 --> 0:26:58.200
<v Speaker 3>seen in any movie.

0:26:58.240 --> 0:27:03.160
<v Speaker 1>Like they just know wow, they keep doing it. I

0:27:03.200 --> 0:27:07.400
<v Speaker 1>know they keep movie after and like the movies do get.

0:27:07.520 --> 0:27:08.320
<v Speaker 3>Worse and worse.

0:27:09.119 --> 0:27:13.800
<v Speaker 1>Sure, as with any franchise I like, horror franchises are

0:27:14.080 --> 0:27:18.280
<v Speaker 1>commonly associated as often getting much worse and more convoluted,

0:27:18.480 --> 0:27:21.200
<v Speaker 1>But I don't think it gets as bad. If we're

0:27:21.240 --> 0:27:25.359
<v Speaker 1>doing pound for pound next to other horror franchises, it

0:27:25.400 --> 0:27:26.879
<v Speaker 1>could have been much worse.

0:27:27.320 --> 0:27:31.200
<v Speaker 3>I mean the Halloween franchise, Oh my God, the most

0:27:31.240 --> 0:27:34.000
<v Speaker 3>recent two after they tried to reboot it. The most

0:27:34.040 --> 0:27:36.640
<v Speaker 3>recent Halloween movie is one of the worst movies I've

0:27:36.680 --> 0:27:38.560
<v Speaker 3>ever seen in my entire life.

0:27:38.640 --> 0:27:40.160
<v Speaker 1>I didn't see the second one. I thought the first

0:27:40.200 --> 0:27:42.560
<v Speaker 1>one was fine and I was like, oh, it's I liked.

0:27:42.640 --> 0:27:46.480
<v Speaker 1>I liked hearing Jamie Lee Curtis say trauma. And other

0:27:46.560 --> 0:27:49.240
<v Speaker 1>than that, I was and I love Danny McBride right,

0:27:49.400 --> 0:27:51.879
<v Speaker 1>I love David Gordon Green, and I love Judy Greer,

0:27:52.119 --> 0:27:53.280
<v Speaker 1>but I didn't like the movie.

0:27:53.400 --> 0:27:56.359
<v Speaker 3>That one was like okay ish to me, but the

0:27:56.480 --> 0:28:02.400
<v Speaker 3>second one one in their reboot series, Pep Peepee pooh pooh.

0:28:02.440 --> 0:28:06.800
<v Speaker 1>Wow. Yeah, disappointing, and there's still one more and no

0:28:06.800 --> 0:28:08.480
<v Speaker 1>one's got to see it.

0:28:08.680 --> 0:28:14.720
<v Speaker 3>But Saw, even though the storytelling, you know, gets a

0:28:14.920 --> 0:28:19.320
<v Speaker 3>bit wonky, you know, the movies decline in quality, the

0:28:19.400 --> 0:28:24.000
<v Speaker 3>quality of the twists stays top notch, a great So

0:28:24.359 --> 0:28:27.119
<v Speaker 3>I felt compelled to keep watching Saw movies because I

0:28:27.160 --> 0:28:29.280
<v Speaker 3>was like, oh my gosh, there's no way they're going

0:28:29.359 --> 0:28:32.680
<v Speaker 3>to top this twist in the movie prior to this one,

0:28:32.720 --> 0:28:36.160
<v Speaker 3>and then they do. It's just like, oh, so I

0:28:36.200 --> 0:28:40.240
<v Speaker 3>am a Although I hadn't seen the first Saw since

0:28:40.320 --> 0:28:43.520
<v Speaker 3>like two thousand and five, and I remembered very little

0:28:43.600 --> 0:28:47.240
<v Speaker 3>about it except for Jigsaw standing up at the very

0:28:47.320 --> 0:28:52.840
<v Speaker 3>end being like, hey, it's me Grabe over and then

0:28:52.880 --> 0:29:00.360
<v Speaker 3>you're like, so that in a very long story, is

0:29:00.440 --> 0:29:04.880
<v Speaker 3>my history with the sawt franchise, Jamie, what about you?

0:29:05.480 --> 0:29:09.520
<v Speaker 1>Oh? I was a late comer to the Saw franchise.

0:29:09.920 --> 0:29:11.560
<v Speaker 1>I was not I mean, as I've said on the

0:29:11.560 --> 0:29:13.560
<v Speaker 1>show before, I was not a horror girl growing up.

0:29:13.560 --> 0:29:17.320
<v Speaker 1>I've become a horror girl as an adult. My franchise.

0:29:17.680 --> 0:29:19.840
<v Speaker 1>So I only had like, I don't know what this

0:29:20.640 --> 0:29:24.720
<v Speaker 1>logic was, but I only had room for one horror

0:29:24.720 --> 0:29:28.680
<v Speaker 1>franchise in my formative years. Sure, and I was a

0:29:28.720 --> 0:29:31.800
<v Speaker 1>Final Destination girl. I didn't have room for Saw. It

0:29:31.840 --> 0:29:35.280
<v Speaker 1>was a hardline final Destination girl. Started seeing them with

0:29:35.360 --> 0:29:39.640
<v Speaker 1>Final Destination three, iconically the Tanning Bed one, Slash, the

0:29:39.720 --> 0:29:44.600
<v Speaker 1>roller Coaster one. It's awesome. And then I proceeded to

0:29:44.640 --> 0:29:49.479
<v Speaker 1>see the rest in theaters and loved those movies. Did

0:29:49.520 --> 0:29:53.480
<v Speaker 1>they hold up not even a little bit, nowhere close

0:29:53.600 --> 0:29:58.320
<v Speaker 1>to Saw, I will say, but there was one my

0:29:58.880 --> 0:30:04.520
<v Speaker 1>first serious relationship in high school, Thank you so much.

0:30:04.680 --> 0:30:07.680
<v Speaker 1>So it'd been in two thousand and nine or ten,

0:30:09.080 --> 0:30:12.680
<v Speaker 1>and story time, I've probably told you this story before

0:30:13.120 --> 0:30:15.120
<v Speaker 1>and then sometimes I forgot. I'm like, oh, people are

0:30:15.160 --> 0:30:16.920
<v Speaker 1>listening to this, so I do have to say it again.

0:30:17.520 --> 0:30:22.400
<v Speaker 1>So in high school, I worked at a skating rink.

0:30:22.840 --> 0:30:25.120
<v Speaker 3>Ice skating or roller skating.

0:30:25.120 --> 0:30:30.640
<v Speaker 1>Ice skating, thus the Sambony culture. Well, also, my dad

0:30:30.720 --> 0:30:33.040
<v Speaker 1>is a hockey reporter. Grew up around Zamponi's a lot

0:30:33.040 --> 0:30:35.680
<v Speaker 1>of formative experiences around Zamboni's. But yeah, I worked at

0:30:35.680 --> 0:30:38.000
<v Speaker 1>the snack bar and then on Friday nights I had

0:30:38.000 --> 0:30:41.360
<v Speaker 1>to work in this skate like high schoolers would hand

0:30:41.400 --> 0:30:43.400
<v Speaker 1>do their stinky shoes and then you had to give

0:30:43.440 --> 0:30:46.160
<v Speaker 1>them skates. And it was all my classmates, and it

0:30:46.240 --> 0:30:51.920
<v Speaker 1>was maybe traumatizing and humiliating because people would really delight

0:30:52.120 --> 0:30:57.000
<v Speaker 1>in giving Jamie their stinky shoes while they were going

0:30:57.000 --> 0:30:59.200
<v Speaker 1>on dates with my crushes, and I had to smell

0:30:59.200 --> 0:31:05.560
<v Speaker 1>their shoes nasty. Anyways, I'm over it though. So anyways,

0:31:06.240 --> 0:31:11.000
<v Speaker 1>had a crush on a boy who his name is Steven.

0:31:11.000 --> 0:31:14.800
<v Speaker 1>I've literally made shows about him. So anyways, he came

0:31:14.960 --> 0:31:17.760
<v Speaker 1>to the skating rink one day and we were not

0:31:17.840 --> 0:31:21.280
<v Speaker 1>yet dating, and he was like very sweet, awkward high

0:31:21.280 --> 0:31:24.960
<v Speaker 1>school boy and like tipped me one dollar and I

0:31:25.000 --> 0:31:28.160
<v Speaker 1>was like, wow, oh my god, what I'm bad at

0:31:28.160 --> 0:31:31.840
<v Speaker 1>this job. And then he was like, hey, I don't know,

0:31:32.000 --> 0:31:36.440
<v Speaker 1>like have you seen the Saw movies? And I was

0:31:36.520 --> 0:31:38.760
<v Speaker 1>like no, I haven't seen them, and he was like,

0:31:38.880 --> 0:31:41.080
<v Speaker 1>oh well. I was just thinking, if you ever want

0:31:41.120 --> 0:31:43.120
<v Speaker 1>to come over my house or something like we can

0:31:43.200 --> 0:31:46.800
<v Speaker 1>watch the Saw movies or I don't know, and I

0:31:46.840 --> 0:31:51.320
<v Speaker 1>was like okay, and then whenever later I went to

0:31:51.360 --> 0:31:55.240
<v Speaker 1>his house and thought he spent five Saw movies, five

0:31:55.320 --> 0:31:58.840
<v Speaker 1>whole Saw movies, no pea breaks getting the nerve up

0:31:58.880 --> 0:32:01.719
<v Speaker 1>to kiss me. I was there I got there at like, wait,

0:32:01.840 --> 0:32:05.160
<v Speaker 1>one pm. Yeah, and it was like ten at night.

0:32:05.600 --> 0:32:07.840
<v Speaker 1>And then we finally kissed. But we watched five Saw

0:32:07.920 --> 0:32:09.760
<v Speaker 1>movies in a row. We did take a pee break.

0:32:09.760 --> 0:32:13.320
<v Speaker 1>I was being dramatic, but like, but we wave.

0:32:13.360 --> 0:32:17.280
<v Speaker 3>You marathoned five Saw movies in one day.

0:32:17.880 --> 0:32:21.600
<v Speaker 1>Yeah, and then and then and then I got a kiss.

0:32:21.960 --> 0:32:23.000
<v Speaker 3>I mean, perfect day.

0:32:23.520 --> 0:32:26.080
<v Speaker 1>It was kind of an awesome day in the end. Honestly,

0:32:26.120 --> 0:32:29.120
<v Speaker 1>by the end, I was a little by the time

0:32:29.160 --> 0:32:31.120
<v Speaker 1>he put in because he had all of them on DVD.

0:32:31.400 --> 0:32:33.320
<v Speaker 1>It was a weird Ultimately, it was a weird date,

0:32:34.200 --> 0:32:37.560
<v Speaker 1>but it was very sweet that it took someone five

0:32:37.640 --> 0:32:39.880
<v Speaker 1>Saw movies to give you a little kiss.

0:32:40.720 --> 0:32:43.120
<v Speaker 3>But yeah, it takes me five minutes into a Saw

0:32:43.160 --> 0:32:45.400
<v Speaker 3>movie to give someone a kiss these days.

0:32:45.760 --> 0:32:47.960
<v Speaker 1>I mean I would I wouldn't even get to the twist,

0:32:48.720 --> 0:32:53.240
<v Speaker 1>but yeah, in this case. So anyway, I saw all

0:32:53.240 --> 0:32:55.600
<v Speaker 1>five and one day, and then I just kept revisiting

0:32:55.640 --> 0:32:57.720
<v Speaker 1>them over the years. I think I saw six. At

0:32:57.760 --> 0:33:01.000
<v Speaker 1>one point. I definitely fell off the Saw franchise. I

0:33:01.000 --> 0:33:02.040
<v Speaker 1>don't think I'm alone there.

0:33:02.200 --> 0:33:03.280
<v Speaker 3>So wait, how many are there?

0:33:03.360 --> 0:33:07.800
<v Speaker 1>Now? Oh? Boy, let's see, because I think that there's

0:33:08.080 --> 0:33:12.120
<v Speaker 1>through They're like the titles are confusing. Wait, let's see. Okay,

0:33:12.200 --> 0:33:15.800
<v Speaker 1>So we have Saws one through six. Then you have

0:33:15.960 --> 0:33:19.920
<v Speaker 1>Saw three D, which is technically Saw seven, and that

0:33:20.000 --> 0:33:22.200
<v Speaker 1>one I don't think i've seen, but i've heard is

0:33:22.320 --> 0:33:26.320
<v Speaker 1>quite bad. Then there's Jigsaw, which is supposed to be

0:33:26.360 --> 0:33:30.160
<v Speaker 1>the worst one and that's like an origin story question Mark.

0:33:30.240 --> 0:33:35.240
<v Speaker 1>And then there's Spiral, which is a post Jigsaw copycat

0:33:35.520 --> 0:33:37.640
<v Speaker 1>killer and that's the one with Chris Rock.

0:33:37.720 --> 0:33:44.760
<v Speaker 3>Right, Okay, I don't know. Jigsaw was on my radar

0:33:45.840 --> 0:33:47.840
<v Speaker 3>as something that existed.

0:33:48.280 --> 0:33:51.120
<v Speaker 1>He is one of the Hollywood reporters stars to watch.

0:33:54.120 --> 0:33:58.160
<v Speaker 3>It was on the you know, like eight Saw movies

0:33:58.200 --> 0:34:02.720
<v Speaker 3>that you can't miss. Saw three D. I had no

0:34:03.120 --> 0:34:04.360
<v Speaker 3>idea was a thing.

0:34:04.920 --> 0:34:07.719
<v Speaker 1>They did the same thing with Final Destination I supposed

0:34:07.720 --> 0:34:12.160
<v Speaker 1>to say Fatal Attraction. What. Yeah, they did the same thing.

0:34:12.200 --> 0:34:13.759
<v Speaker 1>I think that that was just like during the three

0:34:13.840 --> 0:34:16.360
<v Speaker 1>D boom in the early twenty tens, like after Avatar

0:34:16.400 --> 0:34:19.040
<v Speaker 1>came out, they're like, oh, everything successful needs to be

0:34:19.080 --> 0:34:22.759
<v Speaker 1>three D now, and they all kind of sucked, including Avatar.

0:34:23.320 --> 0:34:27.600
<v Speaker 3>Right, Okay, So there's Saws one through six, and then

0:34:27.719 --> 0:34:31.720
<v Speaker 3>Saw three D, Jigsaw, Spiral. Yeah, so that is nine

0:34:31.880 --> 0:34:33.440
<v Speaker 3>Saw movies total.

0:34:33.840 --> 0:34:34.640
<v Speaker 1>In the Sauna verse.

0:34:34.719 --> 0:34:36.279
<v Speaker 3>Yeah, the Sauna verse.

0:34:36.840 --> 0:34:40.280
<v Speaker 1>I think it's I hope they make more. They gotta

0:34:40.320 --> 0:34:43.399
<v Speaker 1>make more. Sometimes you're like, kill the franchise. Enough is enough.

0:34:43.840 --> 0:34:46.400
<v Speaker 1>I can't imagine getting to a plant like I probably

0:34:46.560 --> 0:34:49.120
<v Speaker 1>won't see them, but I would be sad if they

0:34:49.120 --> 0:34:50.000
<v Speaker 1>stopped making them.

0:34:50.320 --> 0:34:55.560
<v Speaker 3>Yeah, I'm now tempted to for Halloween this year do

0:34:55.920 --> 0:34:58.160
<v Speaker 3>a Saw marathon.

0:34:58.680 --> 0:35:03.240
<v Speaker 1>Ah, that would be so fun. Oh oh, we would

0:35:03.239 --> 0:35:05.080
<v Speaker 1>have what a time. We'd have what a time? We

0:35:05.200 --> 0:35:08.279
<v Speaker 1>watch songs and then we would have to kiss after

0:35:08.320 --> 0:35:09.919
<v Speaker 1>the fifth one, just because I don't know how else

0:35:09.960 --> 0:35:13.120
<v Speaker 1>to act after five Saw movie.

0:35:13.160 --> 0:35:17.279
<v Speaker 3>I mean, consistency is important. So yes, I consent, thank you.

0:35:17.440 --> 0:35:23.200
<v Speaker 3>Uh yeah, let's let's do it. I'll have a Snathan yay.

0:35:23.480 --> 0:35:26.920
<v Speaker 1>Oh okay, So our history was it's hard, Like, I

0:35:26.960 --> 0:35:30.000
<v Speaker 1>think we'll try to stick to the first movie. There

0:35:30.040 --> 0:35:33.200
<v Speaker 1>are like certain elements of Jigsaw that I feel like

0:35:33.320 --> 0:35:37.080
<v Speaker 1>you can't not discuss further installment because you find out

0:35:37.920 --> 0:35:42.719
<v Speaker 1>I mean Jigsaw. Look, do I agree with the actions

0:35:42.719 --> 0:35:48.400
<v Speaker 1>he took? No? Did he have some points? I think so,

0:35:49.239 --> 0:35:52.200
<v Speaker 1>I think he had some points. Now did he need

0:35:52.239 --> 0:35:55.600
<v Speaker 1>to lash out like that? No, that's I had this

0:35:55.719 --> 0:35:57.719
<v Speaker 1>whole jokey premise that I was going to try to

0:35:57.719 --> 0:36:03.520
<v Speaker 1>start the episode with by being like Jigsaw's male privilege.

0:36:03.680 --> 0:36:08.080
<v Speaker 1>What where does this guy get off thinking he can

0:36:08.280 --> 0:36:11.719
<v Speaker 1>just set up all these elaborate little games that take

0:36:11.760 --> 0:36:14.279
<v Speaker 1>twenty seven days to set up canonically according to the

0:36:14.280 --> 0:36:20.840
<v Speaker 1>production design department, and then start killing people. That's patriarchy

0:36:21.040 --> 0:36:21.799
<v Speaker 1>and actions.

0:36:22.520 --> 0:36:26.719
<v Speaker 3>But see, my version of that is like, you know

0:36:26.800 --> 0:36:30.640
<v Speaker 3>how like Viola Davis's Instagram feed is just a lot

0:36:30.680 --> 0:36:34.080
<v Speaker 3>of like very like inspirational or like mid, hey are

0:36:34.120 --> 0:36:38.840
<v Speaker 3>you struggling, Like then remember this these five things to

0:36:38.920 --> 0:36:41.640
<v Speaker 3>help you, you know, get through the day, or just like.

0:36:41.600 --> 0:36:44.040
<v Speaker 1>I love very much like Instagram.

0:36:44.160 --> 0:36:47.879
<v Speaker 3>It's great, yeah, and it's just very like healing and

0:36:47.920 --> 0:36:51.799
<v Speaker 3>like I want to help you. And then Jigsaw, his

0:36:51.880 --> 0:36:53.880
<v Speaker 3>whole thing is like he seems to want to help

0:36:54.320 --> 0:36:58.520
<v Speaker 3>people or like show them how to be appreciative, but

0:36:58.600 --> 0:37:02.440
<v Speaker 3>he's doing it in the most violent way possible, and

0:37:02.480 --> 0:37:05.440
<v Speaker 3>I'm like, that's toxic masculinity. You know.

0:37:05.719 --> 0:37:10.520
<v Speaker 1>Literally, he's like he is like I don't see people

0:37:10.600 --> 0:37:16.839
<v Speaker 1>practicing gratitude very much, better kill them, Like it's he ultimately,

0:37:17.120 --> 0:37:20.520
<v Speaker 1>you know, it's we hear at the back at Bechdel

0:37:20.560 --> 0:37:24.400
<v Speaker 1>Cast Industries cannot endorse the actions of one John Kramer,

0:37:24.680 --> 0:37:28.160
<v Speaker 1>Like that is not okay. No, and we want to

0:37:28.160 --> 0:37:30.680
<v Speaker 1>go on the record to say that was not okay

0:37:30.680 --> 0:37:33.480
<v Speaker 1>what John Kramer slash Jigsaw did. But did he look

0:37:33.560 --> 0:37:37.040
<v Speaker 1>good doing it? Kind of indisputably yes, did he sound

0:37:37.120 --> 0:37:37.879
<v Speaker 1>good doing it?

0:37:38.120 --> 0:37:40.120
<v Speaker 3>Oh my gosh, Jigsaw's voice.

0:37:40.280 --> 0:37:43.600
<v Speaker 1>Don't get me started. Do doo dooo do doo dooo

0:37:44.000 --> 0:37:48.560
<v Speaker 1>doo doo dooo. Tobin Bell, who plays Jigsaw. Okay, so

0:37:48.640 --> 0:37:51.960
<v Speaker 1>for a Massachusetts local, as we've learned, I want I

0:37:52.000 --> 0:37:54.440
<v Speaker 1>wanted to confirm. I didn't want I didn't want to

0:37:54.480 --> 0:37:58.400
<v Speaker 1>speak out of turn. It's Weymouth, Weymouth, Massachusetts, Okay, A

0:37:58.440 --> 0:38:03.440
<v Speaker 1>good town, A good town, I think. But he so

0:38:03.520 --> 0:38:06.040
<v Speaker 1>he's like one of the he's like an iconic character

0:38:06.080 --> 0:38:10.600
<v Speaker 1>actor who eventually became best known for being Jigsaw, which

0:38:10.640 --> 0:38:13.520
<v Speaker 1>is incredible. But I'm trying to think of another example

0:38:13.560 --> 0:38:16.440
<v Speaker 1>of this where he like came up with a ton

0:38:16.600 --> 0:38:21.000
<v Speaker 1>of like prestige actors and like he studied like the

0:38:21.040 --> 0:38:24.560
<v Speaker 1>Strasburg method in New York and he's like he's like

0:38:24.800 --> 0:38:29.000
<v Speaker 1>very classically trained. He did Meisner he did all of

0:38:29.040 --> 0:38:31.799
<v Speaker 1>the random acting things that I know zero point one

0:38:31.840 --> 0:38:36.000
<v Speaker 1>percent about, But he was like on Broadway. He came

0:38:36.120 --> 0:38:40.759
<v Speaker 1>up with Ellen Burston and Jessica Tandy. He like came

0:38:40.840 --> 0:38:44.080
<v Speaker 1>up with all these kind of legends, did small character

0:38:44.120 --> 0:38:48.000
<v Speaker 1>parts and then didn't pop off until his sixties when

0:38:48.080 --> 0:38:50.920
<v Speaker 1>he began to play the iconic role of Jigsaw. So

0:38:50.960 --> 0:38:53.799
<v Speaker 1>it was a role he was born to play. He's

0:38:53.840 --> 0:38:56.080
<v Speaker 1>a lifetime member of the Actress I just love that

0:38:56.160 --> 0:38:59.520
<v Speaker 1>Jigsaw is a lifetime actor member of the Actress Studio.

0:39:00.200 --> 0:39:03.600
<v Speaker 3>That's like, yeah, and you know what else, That's the

0:39:03.640 --> 0:39:07.520
<v Speaker 3>type of thing that on her Instagram, Viola Davis would

0:39:07.520 --> 0:39:10.880
<v Speaker 3>be like, Hey, if you're worried that, you just like

0:39:10.960 --> 0:39:14.120
<v Speaker 3>haven't quite made it in your career yet. Tobin Bell

0:39:14.560 --> 0:39:18.520
<v Speaker 3>didn't become Jigsaw until he's.

0:39:18.560 --> 0:39:22.920
<v Speaker 1>Sixty two years old. Don't stop dreaming me. Honestly, I

0:39:22.960 --> 0:39:25.040
<v Speaker 1>was thinking about this because I just had my LA

0:39:25.120 --> 0:39:27.600
<v Speaker 1>anniversary and I was like, Oh, what if me seven

0:39:27.680 --> 0:39:29.440
<v Speaker 1>years ago knew what I would be doing now? And

0:39:29.480 --> 0:39:33.120
<v Speaker 1>I'm like, hmmm, I would kind of be on the fence.

0:39:33.520 --> 0:39:37.960
<v Speaker 1>And that's how that's how I think that might be

0:39:38.000 --> 0:39:40.600
<v Speaker 1>the unintentional reaction of like, well, if you work really

0:39:40.640 --> 0:39:42.920
<v Speaker 1>hard for forty years, one day you can be Jigsaw.

0:39:43.000 --> 0:39:44.560
<v Speaker 1>And I think I would be like I might just

0:39:44.640 --> 0:39:45.520
<v Speaker 1>like have a family.

0:39:45.719 --> 0:39:53.040
<v Speaker 3>I don't know, but good to know anyways. Yeah, James Tobo,

0:39:53.120 --> 0:39:54.200
<v Speaker 3>I mean, but why not both?

0:39:54.360 --> 0:39:59.160
<v Speaker 1>He does have a family. Is his name Tobin Bell? Okay,

0:39:59.640 --> 0:40:01.719
<v Speaker 1>I said James Tobin one am? I I don't know

0:40:01.960 --> 0:40:06.600
<v Speaker 1>that James wand mixed with Tobin Bell is what I was.

0:40:06.640 --> 0:40:07.400
<v Speaker 1>What just happened.

0:40:07.960 --> 0:40:13.680
<v Speaker 3>Also, there's a comedian named Tone Bell, yes, who I

0:40:13.800 --> 0:40:16.960
<v Speaker 3>keep wanting to call instead of Tobin Bell.

0:40:17.680 --> 0:40:24.200
<v Speaker 1>Look anyway, So the point is Jigsaw iconic? Yeah, little

0:40:24.280 --> 0:40:26.840
<v Speaker 1>Jigsaw more iconic.

0:40:26.719 --> 0:40:29.400
<v Speaker 3>The puppet you mean who rides a tricycle.

0:40:30.120 --> 0:40:32.960
<v Speaker 1>The way they try to explain the doll, I think

0:40:32.960 --> 0:40:36.600
<v Speaker 1>it's in like Saw three or something, it's a mess.

0:40:36.719 --> 0:40:39.239
<v Speaker 1>I'm just like, just let the Jigsaw doll be a

0:40:39.280 --> 0:40:42.040
<v Speaker 1>doll it's supposed to. He's like, oh, well, I made

0:40:42.040 --> 0:40:44.680
<v Speaker 1>a doll for my son, but then my wife had

0:40:44.680 --> 0:40:48.160
<v Speaker 1>a miscarriage. Because this franchise has serious issues with like

0:40:48.320 --> 0:40:52.200
<v Speaker 1>needing to punish and abuse people suffering from addiction issues,

0:40:52.800 --> 0:40:55.920
<v Speaker 1>that's a big note I have for the Salt Friend cheese.

0:40:57.040 --> 0:40:59.440
<v Speaker 1>But there he's like, yeah, I made this doll for

0:40:59.600 --> 0:41:03.360
<v Speaker 1>my so on, but then my wife had a miscarriage,

0:41:03.960 --> 0:41:06.399
<v Speaker 1>and so now I'm the doll. You're like, oh my god,

0:41:06.400 --> 0:41:12.320
<v Speaker 1>it's Jigsaw. Jigsaw the thing, Okay. I was gonna propose

0:41:12.400 --> 0:41:13.400
<v Speaker 1>the Jigsaw.

0:41:13.000 --> 0:41:17.360
<v Speaker 5>Test, Oh yeah, please, and it states if Jigsaw a

0:41:17.480 --> 0:41:20.920
<v Speaker 5>fears un screen, he's gonna want to play a little

0:41:20.920 --> 0:41:25.880
<v Speaker 5>game and it's gonna be a little sick and twisted.

0:41:26.440 --> 0:41:29.560
<v Speaker 3>I mean, every Saw movie passes this test.

0:41:29.719 --> 0:41:34.560
<v Speaker 1>Every Saw movie passes this test, and I hope that

0:41:34.640 --> 0:41:36.960
<v Speaker 1>it stays that way. I don't want that's you know,

0:41:37.040 --> 0:41:41.120
<v Speaker 1>some things need subversion that I don't think.

0:41:41.160 --> 0:41:42.919
<v Speaker 3>So yeah, I don't want to see the movie where

0:41:43.000 --> 0:41:46.440
<v Speaker 3>Jigsaw goes to therapy and learns that he should stop

0:41:46.600 --> 0:41:47.800
<v Speaker 3>playing games.

0:41:48.280 --> 0:41:50.279
<v Speaker 1>I do feel like the Saw franchise was ahead of

0:41:50.280 --> 0:41:52.560
<v Speaker 1>its time in many ways, because I feel like right

0:41:52.600 --> 0:41:55.920
<v Speaker 1>now we were talking about it with the Halloween franchise,

0:41:55.960 --> 0:41:57.640
<v Speaker 1>where they're in this process of and I know some

0:41:57.640 --> 0:42:00.239
<v Speaker 1>people like it, so people don't. I'm ambivalent towards it,

0:42:00.920 --> 0:42:06.320
<v Speaker 1>but like, you know, examining post traumatic stress for horror

0:42:06.320 --> 0:42:10.160
<v Speaker 1>movie characters and like introducing the idea of trauma into

0:42:10.160 --> 0:42:14.080
<v Speaker 1>horror that like didn't exist in the original franchise as much,

0:42:14.880 --> 0:42:18.239
<v Speaker 1>but I feel like Saw that's canonical Saw Too. You

0:42:18.280 --> 0:42:21.879
<v Speaker 1>find out the source of Jigsaw's pain, you find out

0:42:21.920 --> 0:42:24.759
<v Speaker 1>that he like, I mean, don't get me started. What

0:42:24.800 --> 0:42:26.239
<v Speaker 1>happened to Jigsaw.

0:42:26.600 --> 0:42:29.880
<v Speaker 3>See I don't remember. Despite having seen many of the Saws,

0:42:30.560 --> 0:42:34.279
<v Speaker 3>I don't remember. The only thing I remember about Saw

0:42:34.320 --> 0:42:37.120
<v Speaker 3>Too is that there's like a bunch of people who

0:42:37.160 --> 0:42:41.680
<v Speaker 3>are trying to escape different scenarios and they're like, we

0:42:41.680 --> 0:42:43.600
<v Speaker 3>were brought together for a reason, and it's like kind

0:42:43.600 --> 0:42:45.480
<v Speaker 3>of them trying to figure it out. But beyond that, it.

0:42:45.440 --> 0:42:48.800
<v Speaker 1>Has to do with corrupt cops. It Saw Too, okay,

0:42:49.040 --> 0:42:51.560
<v Speaker 1>but the approach I need I didn't rewatch Saw Too,

0:42:51.600 --> 0:42:53.799
<v Speaker 1>So I hope I'm not mischaracterizing it because I had

0:42:53.800 --> 0:42:56.440
<v Speaker 1>to reread the I haven't seen Saw Too easily in

0:42:56.520 --> 0:43:00.920
<v Speaker 1>ten years. But the premise of it, it is that

0:43:02.000 --> 0:43:06.640
<v Speaker 1>Jigsaw again. I'm just like, it's convoluted. He's gonna play

0:43:06.640 --> 0:43:10.960
<v Speaker 1>a little game. He's gonna So there's all these people

0:43:10.960 --> 0:43:13.359
<v Speaker 1>trapped in a house that's slowly filling with gas. They

0:43:13.400 --> 0:43:17.239
<v Speaker 1>seem to have nothing in common. Detective Donni Wahlberg's on

0:43:17.280 --> 0:43:20.080
<v Speaker 1>the case and Donnie Wahlberg's son is in the house.

0:43:20.640 --> 0:43:24.800
<v Speaker 1>Turns out Donnie Wahlberg is a corrupt cop. The house

0:43:25.080 --> 0:43:28.200
<v Speaker 1>is full of people that he is knowingly and wrongfully

0:43:28.239 --> 0:43:33.760
<v Speaker 1>framed for crimes who have since been incarcerated. An interesting premise.

0:43:34.160 --> 0:43:37.480
<v Speaker 1>Why does Jigsaw feel comfortable furthering the torture of these

0:43:37.480 --> 0:43:41.440
<v Speaker 1>innocent people by filling a house with gas? Look, his

0:43:41.520 --> 0:43:44.799
<v Speaker 1>methods are convoluted. It's a sick, twisted game. And do

0:43:45.000 --> 0:43:48.400
<v Speaker 1>most of the people who have already wrongly served time

0:43:48.520 --> 0:43:53.239
<v Speaker 1>in prison die in the house? They do? But there

0:43:53.280 --> 0:43:56.839
<v Speaker 1>was an idea there. It was like, what I was saying,

0:43:56.920 --> 0:44:02.120
<v Speaker 1>is the soffranchise attempted to comment on corrupt cops at

0:44:02.160 --> 0:44:05.120
<v Speaker 1>several times? Now was it done successfully? And the case

0:44:05.160 --> 0:44:07.960
<v Speaker 1>was Saw too absolutely not. Didn't really make a lot

0:44:08.000 --> 0:44:12.520
<v Speaker 1>of sense. But they reveal Jigsaw's backstory and Saw two

0:44:12.640 --> 0:44:14.239
<v Speaker 1>and sort of at the end of Saw one because

0:44:14.239 --> 0:44:17.520
<v Speaker 1>they're like, he was a patient of Carrie Elwis and

0:44:17.640 --> 0:44:22.120
<v Speaker 1>he had an inoperable tumor, so that's his whole thing.

0:44:22.800 --> 0:44:25.440
<v Speaker 1>But there's a whole convoluted story that happens with his

0:44:25.480 --> 0:44:29.040
<v Speaker 1>wife and a miscarriage and his marriage falls apart, and

0:44:29.080 --> 0:44:34.640
<v Speaker 1>they all blame it on one recovering addict, who then

0:44:34.760 --> 0:44:37.000
<v Speaker 1>Jigsaw later kills in a very brutal way. But that's

0:44:37.160 --> 0:44:41.280
<v Speaker 1>Jigsaw's way. He finds, like, I didn't remember this one.

0:44:41.360 --> 0:44:45.480
<v Speaker 1>There's a whole saw dedicated to letting a father exact

0:44:45.520 --> 0:44:49.799
<v Speaker 1>revenge on the drunk driver and the judge and the

0:44:50.280 --> 0:44:52.719
<v Speaker 1>lawyer and jury because his son died in a drunk

0:44:52.800 --> 0:44:57.000
<v Speaker 1>driving accident. And it's just like Jigsaw's like, go nuts

0:44:57.600 --> 0:45:01.520
<v Speaker 1>kill the cop killed, the judge killed the driver. Like yeah,

0:45:01.560 --> 0:45:08.279
<v Speaker 1>so that's focused, okay, Jigsaw's whole thing.

0:45:08.960 --> 0:45:11.840
<v Speaker 3>We've been recording for thirty nine minutes.

0:45:12.520 --> 0:45:21.560
<v Speaker 1>Jigsaw also commentary on American healthcare. For some reason, Jigsaw

0:45:22.000 --> 0:45:26.400
<v Speaker 1>has a bad doctor who like gives him a like

0:45:26.680 --> 0:45:29.400
<v Speaker 1>doesn't I forget if it's if they either catch a

0:45:29.400 --> 0:45:32.239
<v Speaker 1>tumor too late or they tell him a tumor is

0:45:32.280 --> 0:45:36.680
<v Speaker 1>inoperable when it is not. Either way, it's like a

0:45:37.080 --> 0:45:42.440
<v Speaker 1>negligent doctor situation that Jigsaws found himself in. So he

0:45:42.880 --> 0:45:46.040
<v Speaker 1>believes he has an inoperable tumor, his marriage has fallen

0:45:46.120 --> 0:45:48.920
<v Speaker 1>to shit, and he attempts to take his own life

0:45:49.000 --> 0:45:53.560
<v Speaker 1>by driving off a cliff. He lives, and then he

0:45:53.680 --> 0:45:58.440
<v Speaker 1>has a realization, which is that he's Jigsaw, and so

0:45:58.520 --> 0:46:00.520
<v Speaker 1>he So I think that for the most part, he

0:46:00.600 --> 0:46:04.080
<v Speaker 1>spends the rest of his life, which I believe ends

0:46:04.360 --> 0:46:09.000
<v Speaker 1>in Saw three. And I remember there's a scene where Amanda,

0:46:09.120 --> 0:46:11.600
<v Speaker 1>who's in the first movie, I believe she has she

0:46:11.640 --> 0:46:14.800
<v Speaker 1>has to do like brain surgery on him or something. Anyways,

0:46:14.840 --> 0:46:18.280
<v Speaker 1>he dies, but he spends the rest of his life

0:46:18.520 --> 0:46:23.520
<v Speaker 1>being like, people are so ungrateful and yeah, I'm God

0:46:25.280 --> 0:46:26.440
<v Speaker 1>and that's male privilege.

0:46:26.640 --> 0:46:27.200
<v Speaker 3>Yeah.

0:46:27.239 --> 0:46:31.640
<v Speaker 1>Anyways, that's Jigsaw's deal, not that it really becomes relevant

0:46:31.760 --> 0:46:34.520
<v Speaker 1>during Saw one until the very end. Wait, we should

0:46:34.520 --> 0:46:50.240
<v Speaker 1>recap the movie. Yeah, let's do that, jig Saw JIGSA.

0:46:51.080 --> 0:46:54.520
<v Speaker 3>Okay, So this is the recap for Saw one from

0:46:54.560 --> 0:46:59.120
<v Speaker 3>two thousand and four. We open on a guy waking Also,

0:46:59.160 --> 0:47:02.840
<v Speaker 3>this is one of the longest recaps I've ever written.

0:47:02.960 --> 0:47:06.240
<v Speaker 3>I tried to condense it. I just but like, there's

0:47:06.280 --> 0:47:09.040
<v Speaker 3>just so much and there and most of the movie

0:47:09.320 --> 0:47:13.000
<v Speaker 3>happens in one room, and yet so much happens.

0:47:13.080 --> 0:47:15.160
<v Speaker 1>Yeah, it's genius. Anyway.

0:47:15.760 --> 0:47:17.960
<v Speaker 3>Okay, So we open on a guy waking up in

0:47:18.000 --> 0:47:20.719
<v Speaker 3>a bathtub full of water, in a dark room. He

0:47:20.760 --> 0:47:23.319
<v Speaker 3>doesn't know where he is or what's going on. He's

0:47:23.440 --> 0:47:26.720
<v Speaker 3>very freaked out. Yeah, he hears a voice, the lights

0:47:26.760 --> 0:47:32.360
<v Speaker 3>come on. It's Carrie ill when McGregor, I.

0:47:32.360 --> 0:47:35.440
<v Speaker 1>Love that you. I forgot that. You also can't say it.

0:47:35.760 --> 0:47:38.400
<v Speaker 3>I yes, I can say you and McGregor, I cannot

0:47:38.400 --> 0:47:40.359
<v Speaker 3>say Carrie Coloss.

0:47:41.040 --> 0:47:43.279
<v Speaker 1>I had a physical response to hearing you say that

0:47:43.360 --> 0:47:47.840
<v Speaker 1>man's name correctly because I just know I can't do it.

0:47:47.840 --> 0:47:51.360
<v Speaker 1>It's just you wining'. It just happened again. Like my

0:47:51.440 --> 0:47:54.440
<v Speaker 1>stomach turns. I had just have like a physical response,

0:47:54.719 --> 0:47:58.000
<v Speaker 1>even like looking at his name makes me just nervous.

0:48:01.040 --> 0:48:09.640
<v Speaker 3>Okay, So so Scaryl els els elbows ls ls. I'm

0:48:09.680 --> 0:48:15.040
<v Speaker 3>not sure. Okay. So there are two men in a room.

0:48:15.120 --> 0:48:18.879
<v Speaker 3>It's a disgusting, dilapidated bathroom. Both of the men are

0:48:19.000 --> 0:48:22.640
<v Speaker 3>chained to the wall or to something pipes by their

0:48:22.760 --> 0:48:25.800
<v Speaker 3>one of their feet. They also see a dead body

0:48:26.239 --> 0:48:28.279
<v Speaker 3>lying in a pool of blood in the middle of

0:48:28.320 --> 0:48:28.800
<v Speaker 3>the floor.

0:48:29.040 --> 0:48:31.000
<v Speaker 1>We don't think about this. We don't think about this

0:48:31.120 --> 0:48:32.760
<v Speaker 1>for hours.

0:48:33.040 --> 0:48:35.960
<v Speaker 3>We know it's there, but yes we don't. It's in

0:48:36.000 --> 0:48:38.880
<v Speaker 3>our periphery, but not in our main line of sight.

0:48:39.239 --> 0:48:40.320
<v Speaker 3>For most of the movie.

0:48:40.440 --> 0:48:44.920
<v Speaker 1>Oh, Henry couldn't come up with this twist. It's the

0:48:44.960 --> 0:48:47.359
<v Speaker 1>greatest twist it is.

0:48:47.440 --> 0:48:48.759
<v Speaker 3>I don't disagree.

0:48:49.360 --> 0:48:49.760
<v Speaker 1>Okay.

0:48:50.400 --> 0:48:54.200
<v Speaker 3>In one hand, the dead man is holding a gun

0:48:54.719 --> 0:48:57.680
<v Speaker 3>and he seems to have shot himself in the head,

0:48:57.840 --> 0:48:59.680
<v Speaker 3>hence the large pool of blood.

0:49:00.000 --> 0:49:03.200
<v Speaker 1>He appears to have lost Jigsaw's game exactly.

0:49:03.480 --> 0:49:03.719
<v Speaker 3>Yes.

0:49:04.000 --> 0:49:04.320
<v Speaker 1>Yeah.

0:49:04.520 --> 0:49:08.480
<v Speaker 3>In the other hand, he is holding a tape player. Now,

0:49:08.880 --> 0:49:11.880
<v Speaker 3>Carrie Illas.

0:49:12.080 --> 0:49:14.040
<v Speaker 1>I think we should always refer to him as his

0:49:14.600 --> 0:49:17.000
<v Speaker 1>as his full name, and I don't want to remember

0:49:17.000 --> 0:49:19.280
<v Speaker 1>what I was, like, what is his character's name, because

0:49:19.320 --> 0:49:23.400
<v Speaker 1>I just keep thinking carry el Wez Well, I'm going in, Adam.

0:49:23.560 --> 0:49:25.279
<v Speaker 1>I do think of the other one as Adam did

0:49:25.320 --> 0:49:27.120
<v Speaker 1>you as you were watching this, where you're just like

0:49:28.280 --> 0:49:32.960
<v Speaker 1>this is is this the is Nathan Fields or Jigsaw?

0:49:33.239 --> 0:49:37.200
<v Speaker 1>It was a passing thought I had, it was I

0:49:37.239 --> 0:49:39.520
<v Speaker 1>could just I was like, fast forward twenty years in

0:49:39.600 --> 0:49:43.359
<v Speaker 1>Nathan Fielder's career. Is he Jigsaw? And let's not rule it.

0:49:43.320 --> 0:49:46.399
<v Speaker 3>Saw movies are just long episodes of Nathan for you?

0:49:46.880 --> 0:49:48.279
<v Speaker 3>Is that perhaps.

0:49:48.200 --> 0:49:52.480
<v Speaker 1>Rehearsal Season nine has stunning parallel. This is a clickbait

0:49:52.520 --> 0:49:56.439
<v Speaker 1>piece for the future. This is the rehearsal Season nine

0:49:56.520 --> 0:49:59.480
<v Speaker 1>has stunning parallels to Saw three. In this essay, I

0:49:59.520 --> 0:50:03.000
<v Speaker 1>will ugh, I feel like Nathan Fielder. He doesn't have

0:50:03.080 --> 0:50:09.920
<v Speaker 1>Jigsaw energy, but no Jigsaw methods. It could get anyways.

0:50:10.320 --> 0:50:16.960
<v Speaker 3>Okay, so Carrie you Wills is like, I'm doctor Lawrence Gordon,

0:50:17.400 --> 0:50:21.560
<v Speaker 3>I'm a surgeon, and the other guy is like, I'm

0:50:21.800 --> 0:50:26.120
<v Speaker 3>Adam and he is played by Lee Wannel Wannell.

0:50:26.760 --> 0:50:31.160
<v Speaker 1>Le Wannell Sure, I'm just I'm going Wannel.

0:50:30.560 --> 0:50:34.960
<v Speaker 3>To me wrote the screenplay and co created the story

0:50:35.120 --> 0:50:40.080
<v Speaker 3>with James Wan Anyway, Lawrence and Adam introduce themselves, yes,

0:50:40.120 --> 0:50:42.520
<v Speaker 3>and they try to figure out why they might be there,

0:50:43.080 --> 0:50:46.880
<v Speaker 3>who their captor is, and what they want from Lawrence

0:50:46.920 --> 0:50:51.120
<v Speaker 3>and Adam. They then discover envelopes that were placed in

0:50:51.160 --> 0:50:56.280
<v Speaker 3>their pockets. Adam's envelope has a tape, Lawrence's has a tape,

0:50:56.480 --> 0:51:00.480
<v Speaker 3>a bullet, and a key. They try to un their

0:51:00.560 --> 0:51:03.839
<v Speaker 3>chains with the key, but it doesn't work, so then

0:51:03.960 --> 0:51:06.360
<v Speaker 3>they get the tape player in the dead guy's hand.

0:51:06.960 --> 0:51:10.760
<v Speaker 3>Adam plays his tape first, and it's a creepy voice

0:51:10.800 --> 0:51:18.200
<v Speaker 3>who we will learn belongs to Jigsaw. I like how

0:51:18.239 --> 0:51:22.040
<v Speaker 3>every time I refer to the voice, you start humming

0:51:22.200 --> 0:51:26.640
<v Speaker 3>the theme song as if it's the voice, which.

0:51:26.760 --> 0:51:31.720
<v Speaker 1>Which it famously is. Not that I I want a Jigsa.

0:51:31.760 --> 0:51:36.200
<v Speaker 1>I'm unfortunately on eBay as we speak. I'm paying attention,

0:51:36.719 --> 0:51:38.960
<v Speaker 1>but I'm also shopping for a Jigsaw doll there.

0:51:39.040 --> 0:51:41.960
<v Speaker 3>Oh yeah, of course. Well, hey, it's your birthday coming up.

0:51:42.120 --> 0:51:49.160
<v Speaker 3>Maybe hold off on buying your soul. I almost I've

0:51:49.680 --> 0:51:52.200
<v Speaker 3>bought you a Jigsaw doll yet.

0:51:54.600 --> 0:51:57.160
<v Speaker 1>Please bring it to my birthday party at medieval times.

0:51:57.400 --> 0:51:59.880
<v Speaker 1>Bring a Jigsa do to Medieval Times. I feel like

0:52:00.200 --> 0:52:02.360
<v Speaker 1>it would be a hit. I almost bought adult earlier

0:52:02.400 --> 0:52:03.920
<v Speaker 1>this year when I was working, when I was in

0:52:03.920 --> 0:52:08.200
<v Speaker 1>the trenches on my my with my female Jigsaw character. Yeah,

0:52:08.239 --> 0:52:11.480
<v Speaker 1>and I almost bought something off of Etsy called Baby Jigsaw,

0:52:11.680 --> 0:52:14.840
<v Speaker 1>but then I decided too scary didn't buy it.

0:52:15.960 --> 0:52:19.400
<v Speaker 3>Oh my god, I think it's time to design some

0:52:19.520 --> 0:52:23.480
<v Speaker 3>new merch similar to the queer icon baby Grinch.

0:52:23.600 --> 0:52:27.040
<v Speaker 1>Baby Jigsaw's so funny. I feel like in the same

0:52:27.080 --> 0:52:31.200
<v Speaker 1>way you're like, baby Grew is not gonna work, but

0:52:31.239 --> 0:52:34.759
<v Speaker 1>it works better than Adult Grew. Baby Jigsaw, I don't know,

0:52:35.000 --> 0:52:37.879
<v Speaker 1>could work better than it would? You know it would.

0:52:37.960 --> 0:52:40.759
<v Speaker 1>It would kind of fuck with Cannon, but give me

0:52:40.800 --> 0:52:46.040
<v Speaker 1>a chance, James wand let me write the baby jigsaws.

0:52:46.640 --> 0:52:48.759
<v Speaker 1>I guess that's kind of chucky adjacent, but I'm okay

0:52:48.800 --> 0:52:53.840
<v Speaker 1>with that. Yeah, hmm, all right, sorry to what's happening.

0:52:54.640 --> 0:52:56.880
<v Speaker 3>So the creepy voice on the tape player is saying

0:52:56.960 --> 0:53:01.160
<v Speaker 3>to Adam, basically, you're a pathetically loser and you've done

0:53:01.239 --> 0:53:04.879
<v Speaker 3>nothing with your life and maybe you'll die today. Now,

0:53:04.960 --> 0:53:09.040
<v Speaker 3>Lawrence's tape is the harsh, really harsh.

0:53:09.360 --> 0:53:11.000
<v Speaker 1>That's classic Jigsaw.

0:53:12.200 --> 0:53:14.680
<v Speaker 3>You know, it's it's it's tough but fair.

0:53:15.360 --> 0:53:17.880
<v Speaker 1>He's a fair he's a he's a vengeful god, but

0:53:18.000 --> 0:53:21.560
<v Speaker 1>but you know he's a fair god. Okay.

0:53:21.560 --> 0:53:24.759
<v Speaker 3>So Lawrence's tape is the voice saying, you have to

0:53:24.840 --> 0:53:28.000
<v Speaker 3>kill Adam, and you have until six o'clock to do it,

0:53:28.320 --> 0:53:32.680
<v Speaker 3>and if you don't do it, Alison and Diana will die.

0:53:33.160 --> 0:53:37.520
<v Speaker 1>So we are already in we're damseling the whole family.

0:53:38.120 --> 0:53:41.200
<v Speaker 1>There is a version of that later on, but for

0:53:41.280 --> 0:53:46.880
<v Speaker 1>the majority, we've we've doubled damseled the Elwhiz ladies.

0:53:47.960 --> 0:53:52.719
<v Speaker 3>Correct, Yes, So it says that, and then Jigsaw is like,

0:53:52.800 --> 0:53:57.719
<v Speaker 3>by the way X marks the spot for treasure, Let

0:53:57.840 --> 0:53:59.520
<v Speaker 3>the game be gin.

0:54:00.400 --> 0:54:03.560
<v Speaker 1>What is he talking about? Whoa? And then I love

0:54:03.600 --> 0:54:04.000
<v Speaker 1>this guy?

0:54:05.440 --> 0:54:09.720
<v Speaker 3>And then in a whisper, he says, follow your heart,

0:54:10.200 --> 0:54:12.280
<v Speaker 3>and then they notice a heart.

0:54:12.480 --> 0:54:13.399
<v Speaker 1>My mom says that.

0:54:14.920 --> 0:54:19.000
<v Speaker 3>They notice a heart drawn on the toilet next to Adam,

0:54:19.040 --> 0:54:24.239
<v Speaker 3>and inside the tank are two handsaws which they used

0:54:24.280 --> 0:54:27.800
<v Speaker 3>to try to saw through their chains, but the chains

0:54:27.880 --> 0:54:33.879
<v Speaker 3>are way too thick and strong. And then Lawrence realizes

0:54:34.320 --> 0:54:38.600
<v Speaker 3>their captor doesn't want them to cut through the chains,

0:54:39.000 --> 0:54:41.560
<v Speaker 3>he wants them to cut through their feet.

0:54:42.960 --> 0:54:46.759
<v Speaker 1>Awesome. What was that horrible James Franco movie where he

0:54:46.800 --> 0:54:48.279
<v Speaker 1>had to do the same thing and it was like,

0:54:49.200 --> 0:54:51.759
<v Speaker 1>nice try, Oh that was based on a true story.

0:54:51.760 --> 0:54:52.920
<v Speaker 1>I think someone really had to do that.

0:54:53.120 --> 0:54:56.360
<v Speaker 3>Yeah, that is definitely a true story. Correct.

0:54:56.800 --> 0:55:00.359
<v Speaker 1>If I had to cut my own limb off m hm,

0:55:00.760 --> 0:55:03.160
<v Speaker 1>I would take comfort in the fact that.

0:55:03.280 --> 0:55:04.920
<v Speaker 3>It's what Jigsaw would have wanted.

0:55:05.120 --> 0:55:10.439
<v Speaker 1>Jigsaw vibes. I'm channeling Jigsaw right now, But it would

0:55:10.480 --> 0:55:13.480
<v Speaker 1>not it would not be good. Yes, all right, now

0:55:13.480 --> 0:55:15.120
<v Speaker 1>that I've made that insight, will comment.

0:55:15.440 --> 0:55:18.319
<v Speaker 3>Yeah, all due respect to the real life person who

0:55:18.400 --> 0:55:20.720
<v Speaker 3>had to cut off their arm.

0:55:21.040 --> 0:55:23.560
<v Speaker 1>In Yeah, I know, I'm mostly saying I hate James Franco.

0:55:23.719 --> 0:55:26.440
<v Speaker 3>Yeah, yeah, yeah, for sure, he James Franco should cut

0:55:26.480 --> 0:55:32.760
<v Speaker 3>off every appendage on his body. Got his ass, Yeah, okay,

0:55:32.920 --> 0:55:36.120
<v Speaker 3>he should cut off too, exactly.

0:55:36.960 --> 0:55:38.120
<v Speaker 1>All right, So.

0:55:38.160 --> 0:55:42.879
<v Speaker 3>Lawrence starts to realize, he starts to you know, kind

0:55:42.880 --> 0:55:48.160
<v Speaker 3>of suspect who might be behind this. We flash back

0:55:48.280 --> 0:55:54.280
<v Speaker 3>to various crime scenes where a few detectives, including Detective

0:55:54.320 --> 0:55:58.879
<v Speaker 3>Tap played by Danny Glover and Detective Sing played by

0:55:59.280 --> 0:56:04.240
<v Speaker 3>Ken Lang, they find the victims of the Jigsaw Killer.

0:56:04.840 --> 0:56:07.680
<v Speaker 3>And this killer's whole thing is that he wants to

0:56:07.719 --> 0:56:11.920
<v Speaker 3>punish his victims for something they did, some vice they

0:56:11.960 --> 0:56:15.360
<v Speaker 3>have or something, and he will.

0:56:15.239 --> 0:56:19.600
<v Speaker 1>Bigsaw loves to punish people struggling with addiction. It's one

0:56:19.600 --> 0:56:21.600
<v Speaker 1>of my least favorite things about Jigsaw.

0:56:22.000 --> 0:56:26.719
<v Speaker 3>Yeah, he's got some work to do. Yeah, So what

0:56:26.840 --> 0:56:33.040
<v Speaker 3>Jigsaw will do is devise an elaborate and horrific escape

0:56:33.160 --> 0:56:35.040
<v Speaker 3>room like scenario.

0:56:35.280 --> 0:56:37.880
<v Speaker 1>They forgot iconic and iconic.

0:56:39.120 --> 0:56:42.560
<v Speaker 3>He basically builds little escape rooms and he puts his

0:56:42.640 --> 0:56:47.000
<v Speaker 3>victims in them, and they are usually unable to escape

0:56:47.080 --> 0:56:49.880
<v Speaker 3>and they end up doing something to kill themselves in

0:56:49.920 --> 0:56:53.520
<v Speaker 3>the process because they have to climb through razor wire

0:56:53.719 --> 0:56:57.080
<v Speaker 3>or they accidentally light themselves on fire stuff like that.

0:56:57.120 --> 0:56:59.960
<v Speaker 1>I feel like he kind of I wonder how inspired

0:57:00.080 --> 0:57:03.560
<v Speaker 1>that was by like Charles Manson kind of stuff of, like, well,

0:57:03.640 --> 0:57:06.680
<v Speaker 1>I didn't do the how can you prosecute me for

0:57:06.760 --> 0:57:09.640
<v Speaker 1>being a killer? I didn't do it myself? When it's

0:57:09.680 --> 0:57:13.840
<v Speaker 1>like no Jigsaw, no, no Jigsaw, you are a killer?

0:57:14.480 --> 0:57:17.160
<v Speaker 1>Do you remember at some point? Well, I guess you weren't.

0:57:17.160 --> 0:57:20.920
<v Speaker 1>I was, embarrassingly back in the day a big Gilmore

0:57:20.960 --> 0:57:24.520
<v Speaker 1>Girls fan, and I think it's Saw four where Luke

0:57:24.640 --> 0:57:29.400
<v Speaker 1>from Gilmore Girls enters the Saw universe and you're just like, what, Yeah,

0:57:29.440 --> 0:57:32.600
<v Speaker 1>he they really rough him up? They you thought you

0:57:32.600 --> 0:57:35.479
<v Speaker 1>thought they roughed up his heart on Gilmore Girls. Well,

0:57:38.440 --> 0:57:40.400
<v Speaker 1>all I'll say is, if you were team Christopher on

0:57:40.440 --> 0:57:43.760
<v Speaker 1>Gilmore Girls, you were loving Saw four or five and

0:57:43.960 --> 0:57:47.840
<v Speaker 1>maybe six because they were they were really handing Luke's

0:57:47.880 --> 0:57:50.120
<v Speaker 1>ass back to him. He was like an associate of

0:57:50.160 --> 0:57:53.520
<v Speaker 1>Detective Donnie Wahlberg these movies. Describing these movies does make

0:57:53.600 --> 0:57:59.120
<v Speaker 1>you sound like really disconnected from reality, but they put

0:57:59.160 --> 0:58:02.000
<v Speaker 1>like he was the guy that I also have a

0:58:02.040 --> 0:58:04.760
<v Speaker 1>list of like best Saw kills, and it was kind

0:58:04.760 --> 0:58:08.520
<v Speaker 1>of refreshing my memory a little bit. He was this guy,

0:58:08.920 --> 0:58:10.840
<v Speaker 1>the guy that they put the cue the cube on

0:58:10.880 --> 0:58:12.479
<v Speaker 1>his head? Do you remember cube head?

0:58:12.760 --> 0:58:14.280
<v Speaker 3>Was that from Saw two?

0:58:15.280 --> 0:58:16.960
<v Speaker 1>No, I think it's from like four.

0:58:17.040 --> 0:58:20.600
<v Speaker 3>Oh then, But they all really blend together.

0:58:20.680 --> 0:58:20.960
<v Speaker 5>For me.

0:58:21.440 --> 0:58:23.600
<v Speaker 1>It's it's funny because you can see his like bad

0:58:23.600 --> 0:58:28.000
<v Speaker 1>hair plugs even in this like grainy shot. I also

0:58:28.040 --> 0:58:30.800
<v Speaker 1>feel like embraced Balding Luke. Right.

0:58:31.360 --> 0:58:33.240
<v Speaker 3>Here's the thought that I just had, which is that

0:58:34.400 --> 0:58:36.240
<v Speaker 3>I feel like a lot of what they do on

0:58:36.520 --> 0:58:42.680
<v Speaker 3>Jackass is not unlike what Jigsaw does to his victims,

0:58:42.680 --> 0:58:45.640
<v Speaker 3>because well I didn't see the Jackass movie, but I

0:58:45.720 --> 0:58:48.680
<v Speaker 3>just remember, like I saw the trailer a million times,

0:58:49.160 --> 0:58:52.880
<v Speaker 3>and there's like a scenario where they like poor honey

0:58:52.960 --> 0:58:54.960
<v Speaker 3>on a guy, strap him to a chair and then

0:58:55.120 --> 0:58:57.640
<v Speaker 3>put a grizzly bear in the room with him. Or

0:58:57.720 --> 0:59:01.080
<v Speaker 3>there's a part where like the puts a box around

0:59:01.080 --> 0:59:04.240
<v Speaker 3>someone's head and then they put a tarantula in a

0:59:04.320 --> 0:59:06.400
<v Speaker 3>tube getting toward it. So I'm just like, this is

0:59:06.480 --> 0:59:07.760
<v Speaker 3>Jigsaw stuff.

0:59:08.000 --> 0:59:11.320
<v Speaker 1>The new Jackass movie was I thought pretty fun, and

0:59:11.560 --> 0:59:15.760
<v Speaker 1>also it now the parallels are are kind of blowing

0:59:15.800 --> 0:59:19.240
<v Speaker 1>my mind because I later had sex with a guy

0:59:19.800 --> 0:59:23.360
<v Speaker 1>as an adult in Boston, who made me watch two

0:59:23.520 --> 0:59:25.720
<v Speaker 1>Jackass movies before he would kiss me on the map.

0:59:26.080 --> 0:59:29.439
<v Speaker 1>Whoa do you remember and then bleep that out.

0:59:29.760 --> 0:59:31.520
<v Speaker 3>I don't remember this person though.

0:59:31.440 --> 0:59:35.480
<v Speaker 1>Oh well, he uh did improv and he didn't have

0:59:35.640 --> 0:59:41.440
<v Speaker 1>a bed frame and I watched two Jackass movies with him.

0:59:41.480 --> 0:59:44.120
<v Speaker 1>He had he had also like not, I mean what,

0:59:44.600 --> 0:59:47.919
<v Speaker 1>we were all broke, but there's different ways to be,

0:59:48.000 --> 0:59:51.320
<v Speaker 1>you know whatever. He was a real. He was a

0:59:51.320 --> 0:59:55.520
<v Speaker 1>real I think classic maybe w Yeah, because his he'd

0:59:55.840 --> 0:59:58.880
<v Speaker 1>in lieu of a TV stand, he had a stack

0:59:59.000 --> 1:00:04.520
<v Speaker 1>of JFK conspiracy books. Anyways, absolutely was in love with

1:00:04.600 --> 1:00:07.760
<v Speaker 1>him for some reason. Nice. Oh. The last thing I

1:00:07.760 --> 1:00:10.120
<v Speaker 1>was gonna say was I feel like, on one side

1:00:10.200 --> 1:00:14.640
<v Speaker 1>of Saw adjacent you have Jackass, which predated Saw, and

1:00:14.680 --> 1:00:18.120
<v Speaker 1>I wonder if you would imagine that the writers at

1:00:18.120 --> 1:00:19.919
<v Speaker 1>some point would have to go to the Jackass well

1:00:19.960 --> 1:00:23.720
<v Speaker 1>for inspiration. And then on the other side, I think

1:00:23.760 --> 1:00:28.640
<v Speaker 1>you have kind of the because I mean, correctly probably

1:00:29.760 --> 1:00:33.600
<v Speaker 1>Saw was criticized in its time for being torture porn.

1:00:34.480 --> 1:00:38.880
<v Speaker 1>Now this is this is a good point, but I

1:00:38.920 --> 1:00:41.600
<v Speaker 1>think that the success of this movie, because this movie

1:00:41.640 --> 1:00:46.040
<v Speaker 1>made its budget back one hundred times. Yeah, So fucking wild.

1:00:46.480 --> 1:00:49.760
<v Speaker 1>But it influenced a lot of other horror franchises that

1:00:49.840 --> 1:00:53.240
<v Speaker 1>I think like leaned into the torture porn with no

1:00:53.320 --> 1:00:56.800
<v Speaker 1>attempted commentary. And I'm thinking of the Saw franchise.

1:00:56.920 --> 1:01:01.280
<v Speaker 3>Yeah, same, Yeah, I know it. I was reading The

1:01:01.880 --> 1:01:05.439
<v Speaker 3>Wan and Wannell, So what I'm gonna call them?

1:01:05.600 --> 1:01:07.920
<v Speaker 1>The boys, the best Friends, the W's.

1:01:08.600 --> 1:01:13.240
<v Speaker 3>They drew inspiration from seven, which is one of my

1:01:13.360 --> 1:01:14.760
<v Speaker 3>favorite thrillers.

1:01:14.960 --> 1:01:17.560
<v Speaker 1>Is that What's in the Box? Yeah? What was it?

1:01:17.600 --> 1:01:18.440
<v Speaker 1>What was in the box?

1:01:19.000 --> 1:01:20.360
<v Speaker 3>I'm not gonna spoil it.

1:01:20.720 --> 1:01:25.480
<v Speaker 1>Oh okay, that's really funny. There's like a ton of

1:01:25.520 --> 1:01:26.360
<v Speaker 1>listeners that were.

1:01:26.240 --> 1:01:33.520
<v Speaker 3>Like, no, okay. So we learn about Jigsaw's m O. Yeah,

1:01:33.520 --> 1:01:40.640
<v Speaker 3>we get another flashback of doctor Lawrence talking to med students,

1:01:40.680 --> 1:01:45.400
<v Speaker 3>maybe about a patient who has terminal cancer and yeah,

1:01:45.440 --> 1:01:46.920
<v Speaker 3>like an inoperable tumor.

1:01:47.160 --> 1:01:50.200
<v Speaker 1>Put a pin in that. Yes, it turns out he's

1:01:50.280 --> 1:01:54.640
<v Speaker 1>the problem. He too busy cheating on his wife to

1:01:54.680 --> 1:01:56.600
<v Speaker 1>give Jigsaw a correct diagnosis.

1:01:58.000 --> 1:02:02.080
<v Speaker 3>And then we also meet very briefly, an orderly named

1:02:02.400 --> 1:02:05.880
<v Speaker 3>Zepp good name, who comes in and he's like that

1:02:06.040 --> 1:02:11.120
<v Speaker 3>patient you're talking about. Actually his name is John, and

1:02:11.200 --> 1:02:14.760
<v Speaker 3>he's very interesting and when you're watching the movie, you

1:02:14.800 --> 1:02:17.640
<v Speaker 3>don't think much of it as you're watching it, but then.

1:02:17.480 --> 1:02:21.960
<v Speaker 1>When watching it, you're like, yeah, I would say John

1:02:22.080 --> 1:02:25.120
<v Speaker 1>is a little interesting. I guess I would say that

1:02:25.720 --> 1:02:26.800
<v Speaker 1>because he's Jigsaw.

1:02:28.560 --> 1:02:34.600
<v Speaker 3>Yeah. So then detectives tap and sing question Lawrence because

1:02:34.640 --> 1:02:38.320
<v Speaker 3>he's a suspect in the Jigsaw case because his pen

1:02:38.440 --> 1:02:40.600
<v Speaker 3>light was found at the scene of one of the

1:02:40.640 --> 1:02:45.520
<v Speaker 3>crimes at one of the escape rooms. But Lawrence has

1:02:45.640 --> 1:02:48.640
<v Speaker 3>an alibi that checks out, and it's implied that he

1:02:48.720 --> 1:02:49.680
<v Speaker 3>is having an affair.

1:02:50.040 --> 1:02:53.840
<v Speaker 1>Yeah, but he's deeply ashamed of the affair. Yeah, and

1:02:54.400 --> 1:02:57.040
<v Speaker 1>that's a whole thing for him.

1:02:57.400 --> 1:03:01.160
<v Speaker 3>Lawrence is then asked to listen into the testimony of

1:03:01.240 --> 1:03:06.760
<v Speaker 3>one of Jigsaw's only victim to ever escape, a woman

1:03:06.840 --> 1:03:08.560
<v Speaker 3>named Amanda, who.

1:03:08.520 --> 1:03:10.360
<v Speaker 1>Turns out to be his associate.

1:03:10.640 --> 1:03:13.760
<v Speaker 3>Uh what, I don't remember that. Oh my gosh.

1:03:13.760 --> 1:03:16.080
<v Speaker 1>Amanda's in a bunch of them because she ends up

1:03:16.120 --> 1:03:19.520
<v Speaker 1>because you know how, she's like, Jigsaw helped me, and

1:03:19.560 --> 1:03:22.480
<v Speaker 1>then she like kind of becomes his sidekick for several

1:03:22.520 --> 1:03:23.920
<v Speaker 1>I think up until his death.

1:03:24.280 --> 1:03:26.400
<v Speaker 3>Okay, I do kind of remember that, and.

1:03:26.320 --> 1:03:28.680
<v Speaker 1>Then I don't know, I don't remember. Assuming she dies

1:03:28.720 --> 1:03:32.120
<v Speaker 1>at some point Buck because she's in Saw movies.

1:03:32.720 --> 1:03:34.280
<v Speaker 3>Right, Everybody dies.

1:03:34.280 --> 1:03:36.400
<v Speaker 1>Yeah, I mean yeah, every whether you're in a Saw

1:03:36.480 --> 1:03:39.120
<v Speaker 1>movie or not. Guess what, you're gonna die. Someday you're

1:03:39.240 --> 1:03:42.120
<v Speaker 1>gonna die, just hopefully not in a Oh I was

1:03:42.120 --> 1:03:44.160
<v Speaker 1>thinking of this one. I don't remember what Saw movie

1:03:44.200 --> 1:03:46.840
<v Speaker 1>it was. Do you remember the pile of syringes, the

1:03:46.920 --> 1:03:50.840
<v Speaker 1>syringe like kind of yeah, someone had to crawl through

1:03:50.840 --> 1:03:54.880
<v Speaker 1>the syringe Like, ooh, baby, that was not that was

1:03:55.560 --> 1:03:58.439
<v Speaker 1>that was unfortunate. Yeah, sure thing.

1:03:59.600 --> 1:04:04.120
<v Speaker 3>This is also when we see the little Jigsaw puppet

1:04:04.160 --> 1:04:07.200
<v Speaker 3>guy who comes pedaling into the room on a tricycle

1:04:07.680 --> 1:04:08.320
<v Speaker 3>and we're.

1:04:08.120 --> 1:04:14.680
<v Speaker 1>Like, we're like, yeah, we're standing, we're cheering. Yeah.

1:04:14.840 --> 1:04:17.200
<v Speaker 3>We cut back to the present with Lawrence and Adam

1:04:17.240 --> 1:04:20.520
<v Speaker 3>in the room. They figure out that there's a camera

1:04:20.640 --> 1:04:24.440
<v Speaker 3>in the room and that they're being watched, presumably by Jigsaw.

1:04:25.560 --> 1:04:29.360
<v Speaker 3>Adam finds a polaroid of Lawrence's family who have been

1:04:29.440 --> 1:04:32.400
<v Speaker 3>like kidnapped and tied up, and there's an X written

1:04:32.440 --> 1:04:35.560
<v Speaker 3>on the back of it, but Adam doesn't show this

1:04:35.760 --> 1:04:39.800
<v Speaker 3>to Lawrence right away. Then we get another flashback with

1:04:39.960 --> 1:04:43.440
<v Speaker 3>Lawrence and his daughter. She's talking about a scary man

1:04:43.480 --> 1:04:46.520
<v Speaker 3>that's in her room. Lawrence comforts her and puts her

1:04:46.560 --> 1:04:47.880
<v Speaker 3>to bed, And there's I.

1:04:47.960 --> 1:04:50.400
<v Speaker 1>The only one that felt that. I felt that I

1:04:50.480 --> 1:04:53.360
<v Speaker 1>was I didn't look this up, but Carrie el Wes

1:04:53.560 --> 1:04:59.040
<v Speaker 1>is parenting I found to be patronizing and creepy. He's like,

1:04:59.280 --> 1:05:03.080
<v Speaker 1>what do you mean I would never abandon you and

1:05:03.200 --> 1:05:06.800
<v Speaker 1>your mom? And I was like, Okay, this girl's she's

1:05:06.840 --> 1:05:08.360
<v Speaker 1>too old to be spoken to like that.

1:05:09.600 --> 1:05:12.320
<v Speaker 3>I wasn't sure if you could like chalk that up

1:05:12.440 --> 1:05:15.760
<v Speaker 3>to just like his poorly written character or Carrie Elle,

1:05:15.840 --> 1:05:17.680
<v Speaker 3>was this really bad acting.

1:05:17.640 --> 1:05:20.400
<v Speaker 1>Or genuinely, I mean his character and this is giving

1:05:20.480 --> 1:05:22.320
<v Speaker 1>him too much crep but like his character is full

1:05:22.360 --> 1:05:24.120
<v Speaker 1>of shit, So maybe he's like, I should sound like

1:05:24.120 --> 1:05:26.040
<v Speaker 1>I'm kind of lying because it sounds like he kind

1:05:26.040 --> 1:05:29.760
<v Speaker 1>of maybe could bail on his family, like he doesn't

1:05:30.000 --> 1:05:32.200
<v Speaker 1>care about them as much as he should. Although I'll

1:05:32.200 --> 1:05:34.960
<v Speaker 1>say my least favorite actor in the movie in like

1:05:35.040 --> 1:05:38.200
<v Speaker 1>this scene specifically, but there's a few scenes where the

1:05:38.480 --> 1:05:41.960
<v Speaker 1>woman what is because I don't want to spend the

1:05:42.000 --> 1:05:45.760
<v Speaker 1>whole time saying his wife what is his wife's name? Alice?

1:05:45.760 --> 1:05:46.240
<v Speaker 3>Allison?

1:05:46.360 --> 1:05:48.840
<v Speaker 1>Alison. Yeah, So the first scene, Alison is in. I

1:05:48.880 --> 1:05:53.560
<v Speaker 1>don't know what was going on there, but she that

1:05:53.720 --> 1:05:56.320
<v Speaker 1>acting was what was going on there. She was like,

1:05:57.720 --> 1:06:00.720
<v Speaker 1>she was like Carrie el was, you can't this is bullshit.

1:06:00.880 --> 1:06:04.560
<v Speaker 1>I can't believe that you are You're you're messing around

1:06:04.560 --> 1:06:07.520
<v Speaker 1>on me. Like it was just like total dead fish's

1:06:07.680 --> 1:06:10.240
<v Speaker 1>energy that she was bringing to the role. Her perform

1:06:11.000 --> 1:06:12.720
<v Speaker 1>it gets kind of good once she gets a gun,

1:06:13.280 --> 1:06:14.880
<v Speaker 1>she kind of kind of wakes up. I agree, I

1:06:14.920 --> 1:06:16.000
<v Speaker 1>thought she was good in those scenes.

1:06:16.240 --> 1:06:19.080
<v Speaker 3>But earlier, Yeah, there's a scene where she's like, don't

1:06:19.160 --> 1:06:21.960
<v Speaker 3>stand there and try to convince me that you're happy.

1:06:22.720 --> 1:06:24.640
<v Speaker 3>Scream at me and tell me you hate me. At

1:06:24.720 --> 1:06:27.320
<v Speaker 3>least then there would be some passion and like that.

1:06:27.440 --> 1:06:31.160
<v Speaker 1>All delivered at the same like that was her delivery also,

1:06:31.240 --> 1:06:34.520
<v Speaker 1>at least then there would be some passion. I'm like, oh,

1:06:35.280 --> 1:06:37.720
<v Speaker 1>I'm like, I'm breaking up with this lady. This is

1:06:37.760 --> 1:06:41.880
<v Speaker 1>not helping there. Also, how did they get Danny Glover

1:06:41.960 --> 1:06:43.640
<v Speaker 1>to be in this movie? And how dare they kill

1:06:43.720 --> 1:06:47.800
<v Speaker 1>him so early? And they're how his character is also

1:06:48.040 --> 1:06:51.920
<v Speaker 1>like bizarre, weird, and at some point they're like, this

1:06:52.040 --> 1:06:54.720
<v Speaker 1>character's kind of like Jigsaw. You don't want to hand

1:06:54.760 --> 1:06:56.760
<v Speaker 1>it to Jigsaw. But Jigsaw is like, this guy's a weirdo,

1:06:56.840 --> 1:07:01.640
<v Speaker 1>and I'm like, oh, no, I kind of agree. He

1:07:02.280 --> 1:07:03.320
<v Speaker 1>is acting a bit weird.

1:07:03.480 --> 1:07:07.960
<v Speaker 3>He yeah, it's very cartoonish. Yeah, okay. So we're in

1:07:07.960 --> 1:07:11.160
<v Speaker 3>this flashback where we see Lawrence interacting with his family.

1:07:11.600 --> 1:07:16.920
<v Speaker 3>We see him and his wife Alison have an argument.

1:07:17.440 --> 1:07:20.040
<v Speaker 3>Their marriage seems to be very tense. It seems like

1:07:20.120 --> 1:07:25.680
<v Speaker 3>she suspects him of cheating and storms out, and she's right,

1:07:26.320 --> 1:07:30.440
<v Speaker 3>he storms out. Then a scary man who is hiding

1:07:30.600 --> 1:07:35.840
<v Speaker 3>in the little girl's closet abducts Lawrence's wife and daughter,

1:07:36.400 --> 1:07:38.800
<v Speaker 3>torments them a bit, and then we see that it's

1:07:39.080 --> 1:07:43.040
<v Speaker 3>Zep that orderly from the hospital, So we are thinking, okay,

1:07:43.240 --> 1:07:48.320
<v Speaker 3>Zepp is Jigsaw, I guess. Then we flash back to

1:07:48.720 --> 1:07:52.880
<v Speaker 3>Detective Tap studying the video that Jigsaw made and showed

1:07:52.920 --> 1:07:57.400
<v Speaker 3>to Amanda, the woman who had escaped, and Tap discovers

1:07:57.440 --> 1:08:01.480
<v Speaker 3>a clue that leads him and Detective Sing to what

1:08:01.600 --> 1:08:06.920
<v Speaker 3>appears to be Jigsaw's secret layer in an abandoned mannequin factory.

1:08:07.640 --> 1:08:11.840
<v Speaker 3>So that was my I was again iconic iconic, and

1:08:11.920 --> 1:08:15.080
<v Speaker 3>I'm like, oh, he found that a mannequin and then

1:08:15.120 --> 1:08:17.840
<v Speaker 3>made it into the little Jigsaw puppet. That was sort

1:08:17.880 --> 1:08:20.280
<v Speaker 3>of what I was thinking must have happened.

1:08:20.439 --> 1:08:24.000
<v Speaker 1>Which is the easiest explanation, But I don't think that's

1:08:24.040 --> 1:08:25.960
<v Speaker 1>ultimately the one they go with. I think that they're

1:08:26.040 --> 1:08:28.800
<v Speaker 1>just like, no, it had to do with his they made.

1:08:28.840 --> 1:08:31.639
<v Speaker 1>They connected it to like Jigsaw trauma, like he could

1:08:31.640 --> 1:08:35.160
<v Speaker 1>just find a mannequin. It seems like they were all around. Yeah,

1:08:35.200 --> 1:08:37.519
<v Speaker 1>but also the Jigsaw doll, what would that have been

1:08:37.640 --> 1:08:40.880
<v Speaker 1>for at any point a haunted house, Like that's the

1:08:40.880 --> 1:08:41.759
<v Speaker 1>only thing I could think.

1:08:41.640 --> 1:08:45.519
<v Speaker 3>Of, right, because also Jigsaw has this this mask of

1:08:45.560 --> 1:08:49.000
<v Speaker 3>like a pig's face that he puts on to abduct,

1:08:49.479 --> 1:08:52.840
<v Speaker 3>right people, And then there's also the puppet. And then

1:08:52.960 --> 1:08:57.240
<v Speaker 3>Jigsaw also just sometimes wears like a hooded trench coat

1:08:57.360 --> 1:08:57.920
<v Speaker 3>kind of thing.

1:08:58.120 --> 1:08:58.920
<v Speaker 1>Nothing wrong with that.

1:08:59.040 --> 1:09:01.680
<v Speaker 3>He's got a lot of different personas, I guess, is

1:09:01.720 --> 1:09:02.280
<v Speaker 3>what I'm saying.

1:09:02.320 --> 1:09:04.240
<v Speaker 1>Yeah, he's got all the fifth You've got all of looks.

1:09:04.360 --> 1:09:08.680
<v Speaker 1>The fashion My Cursed YouTube video the fashion evolution of Jigsaw.

1:09:09.120 --> 1:09:14.280
<v Speaker 1>There another great sketch. I really love Cursed YouTube. And

1:09:14.560 --> 1:09:17.559
<v Speaker 1>like there's those videos on like I think it's like

1:09:17.560 --> 1:09:20.400
<v Speaker 1>the Vogue channel where they bring in huge celebrities when

1:09:20.400 --> 1:09:22.240
<v Speaker 1>it would be interesting and more interesting if they brought

1:09:22.240 --> 1:09:27.040
<v Speaker 1>in Jigsaw and they're like whatever, Like, Nicole Kidman breaks

1:09:27.080 --> 1:09:31.560
<v Speaker 1>down ten iconic looks from across her career and it's fine.

1:09:31.680 --> 1:09:34.280
<v Speaker 1>But if you brought in Jigsaw, Jigsaw breaks and ten

1:09:34.479 --> 1:09:37.320
<v Speaker 1>iconic looks from his career as a murderer.

1:09:38.200 --> 1:09:41.719
<v Speaker 3>Hang on a second. If we're talking about Nicole Kidman's

1:09:41.840 --> 1:09:44.559
<v Speaker 3>iconic looks, obviously the most iconic one is the one

1:09:44.840 --> 1:09:46.919
<v Speaker 3>that she wears in the AMC theaters.

1:09:47.120 --> 1:09:50.400
<v Speaker 1>Oh you know it commercial, the pinstripe suit with a

1:09:50.400 --> 1:09:52.680
<v Speaker 1>little bit of glitter. And did you see that she

1:09:52.800 --> 1:09:55.040
<v Speaker 1>got picked up for an additional year for that. I'm like,

1:09:55.080 --> 1:09:57.600
<v Speaker 1>what does that even mean? Is that they're gonna be

1:09:57.640 --> 1:10:00.479
<v Speaker 1>an you're shooting another one? I don't know. They just

1:10:00.520 --> 1:10:02.639
<v Speaker 1>need to like license her likeness so they can show

1:10:02.640 --> 1:10:04.400
<v Speaker 1>it forever. I kind of would be like sad if

1:10:04.439 --> 1:10:07.240
<v Speaker 1>there was a new one, I'd be excited, but I

1:10:07.240 --> 1:10:08.479
<v Speaker 1>would miss the old one.

1:10:09.200 --> 1:10:12.760
<v Speaker 3>What if there was a whole franchise AMC one, AMC two,

1:10:12.880 --> 1:10:16.439
<v Speaker 3>AMC three up until AMC six and then AMC three D.

1:10:19.000 --> 1:10:20.679
<v Speaker 1>And then they'll be like, Okay, we had to ease

1:10:20.720 --> 1:10:22.960
<v Speaker 1>off this franchise. This is getting to be a bit much.

1:10:23.680 --> 1:10:29.160
<v Speaker 1>Oh my god, I look, Saw is so fun. Okay,

1:10:29.200 --> 1:10:30.559
<v Speaker 1>so wait, where do we leave off in.

1:10:30.520 --> 1:10:34.519
<v Speaker 3>The story of Saw, Jamie, you've been recording for seventy

1:10:34.560 --> 1:10:35.200
<v Speaker 3>two minutes.

1:10:35.280 --> 1:10:40.040
<v Speaker 1>No, oh no, the clack is too Did I show

1:10:40.040 --> 1:10:42.800
<v Speaker 1>you my picture with Jigsaw? I posted it earlier this year.

1:10:43.400 --> 1:10:46.559
<v Speaker 1>Oh here, you keep talking, I'll send you my Jigsaw picture.

1:10:46.800 --> 1:10:50.320
<v Speaker 3>Okay, thank you so much. Okay, you're welcome. So they

1:10:50.360 --> 1:10:54.200
<v Speaker 3>go to Jigsaw's secret layer. Yeah, there is a man there,

1:10:54.360 --> 1:10:57.960
<v Speaker 3>another one of Jigsaw's victims. He's about to be killed.

1:10:58.280 --> 1:11:02.719
<v Speaker 3>Jigsaw shows up. There's a big where the detectives save

1:11:02.840 --> 1:11:07.640
<v Speaker 3>the victim they're chasing. After Jigsaw, Sing is killed in

1:11:07.680 --> 1:11:13.720
<v Speaker 3>a trap. Jigsaw slits taps throat and ultimately escapes. So

1:11:14.120 --> 1:11:18.280
<v Speaker 3>then we cut back to the present where Tap has survived,

1:11:19.080 --> 1:11:22.960
<v Speaker 3>which is wild because his throat was cut so deep.

1:11:23.040 --> 1:11:26.479
<v Speaker 1>I always kind of forget that because it defies logic

1:11:26.520 --> 1:11:29.800
<v Speaker 1>by so much. Like I was. I mean, don't get

1:11:29.800 --> 1:11:32.519
<v Speaker 1>me wrong, I was happy to see that Danny Glover

1:11:32.680 --> 1:11:34.839
<v Speaker 1>was still in the movie, but it really is against

1:11:35.280 --> 1:11:38.080
<v Speaker 1>all logic that he's still in the movie.

1:11:38.240 --> 1:11:42.000
<v Speaker 3>That injury would almost certainly kill. I'm not a doctor,

1:11:42.280 --> 1:11:48.599
<v Speaker 3>but I really I'm no doctor. Lawrence Gordon played by

1:11:48.720 --> 1:11:50.080
<v Speaker 3>Carrie il Whizz.

1:11:50.040 --> 1:11:53.040
<v Speaker 1>Well good because then you would misdiagnose Jigsaw and then

1:11:53.080 --> 1:11:55.000
<v Speaker 1>you and then you'd be in for a real ride.

1:11:57.560 --> 1:12:02.840
<v Speaker 1>I oh god, Jigsaw, he's so COMPLI he's so complicated.

1:12:03.720 --> 1:12:06.280
<v Speaker 3>Okay, So Tap survives. He now has a big scar

1:12:06.360 --> 1:12:09.320
<v Speaker 3>on his neck and he is now obsessed with this case.

1:12:09.439 --> 1:12:13.080
<v Speaker 3>It has completely consumed him. And this is where the

1:12:13.200 --> 1:12:19.960
<v Speaker 3>character gets very cartoonish and weird, and just some weird

1:12:20.479 --> 1:12:24.240
<v Speaker 3>choices are made there. Okay, so we cut to the

1:12:24.360 --> 1:12:26.960
<v Speaker 3>room again. Lawrence is like, Okay, we need to figure

1:12:27.000 --> 1:12:29.920
<v Speaker 3>out this whole X marks the spot thing, which they

1:12:30.000 --> 1:12:32.920
<v Speaker 3>find by turning off the lights and they see an

1:12:33.160 --> 1:12:35.599
<v Speaker 3>X on the wall and glow in the dark paint.

1:12:36.240 --> 1:12:39.880
<v Speaker 3>Lawrence busts open the wall and finds a box in

1:12:39.920 --> 1:12:43.599
<v Speaker 3>which is a cell phone, a couple of cigarettes, and

1:12:43.640 --> 1:12:47.960
<v Speaker 3>a lighter. Adam is desperate to smoke the cigarette because

1:12:47.960 --> 1:12:51.960
<v Speaker 3>he's stressed, because he's so stressed, but there's also this

1:12:52.040 --> 1:12:58.040
<v Speaker 3>ominous note from Jigsaw for Lawrence about the cigarette and

1:12:58.040 --> 1:13:02.240
<v Speaker 3>how Lawrence could maybe poison Adams with the cigarette and

1:13:02.320 --> 1:13:05.559
<v Speaker 3>the poison that's in the blood and blah blah blah.

1:13:05.800 --> 1:13:08.240
<v Speaker 3>So Lawrence first he tries to make a call. He

1:13:08.320 --> 1:13:10.760
<v Speaker 3>tries to like call nine one one, but turns out

1:13:10.760 --> 1:13:13.799
<v Speaker 3>this phone it's only for incoming calls. So then Lawrence

1:13:13.920 --> 1:13:18.240
<v Speaker 3>hatches a plan to make Jigsaw think that he's poisoning

1:13:18.280 --> 1:13:22.639
<v Speaker 3>the cigarette with the blood from the dead guy. Lawrence

1:13:22.720 --> 1:13:26.759
<v Speaker 3>has Adam play along. He smokes the cigarette, he pretends

1:13:26.840 --> 1:13:27.760
<v Speaker 3>to die, but.

1:13:28.080 --> 1:13:31.759
<v Speaker 1>It's horribly faking job. Yeah, it's like such a bad job.

1:13:31.920 --> 1:13:33.800
<v Speaker 1>I think that he's supposed to be bad at it

1:13:33.840 --> 1:13:35.400
<v Speaker 1>in the movie and I was like, that's a good

1:13:35.400 --> 1:13:37.800
<v Speaker 1>bake death. That was a good bake death. Yeah, he

1:13:37.880 --> 1:13:38.680
<v Speaker 1>really phoned it in.

1:13:39.280 --> 1:13:43.000
<v Speaker 3>You would have thought, though that because Lawrence is a doctor,

1:13:43.120 --> 1:13:46.640
<v Speaker 3>and you would think he would know how long it

1:13:46.680 --> 1:13:50.760
<v Speaker 3>would take for like a poison to take effect.

1:13:50.439 --> 1:13:52.920
<v Speaker 1>And you would he be a good doctor. He's a

1:13:52.960 --> 1:13:58.400
<v Speaker 1>canonically doctor. And meanwhile he and also if anyone's gonna

1:13:58.439 --> 1:14:03.400
<v Speaker 1>know a bad actor, it's Tobin Bell. He studied Meisner.

1:14:06.160 --> 1:14:07.759
<v Speaker 3>As did the character Jackson.

1:14:08.200 --> 1:14:14.360
<v Speaker 1>Bo I wish, wouldn't that be great? I we don't

1:14:14.360 --> 1:14:18.519
<v Speaker 1>have time there yet. Jigsaw is not is not falling

1:14:18.520 --> 1:14:21.160
<v Speaker 1>for it not having it, Yeah.

1:14:20.880 --> 1:14:24.559
<v Speaker 3>He doesn't, and he punishes Adam by electrocuting him via

1:14:24.920 --> 1:14:29.559
<v Speaker 3>the chain, which is also apparently has an electrical current

1:14:29.640 --> 1:14:33.840
<v Speaker 3>going through it. Who knows. So then we get the

1:14:33.840 --> 1:14:37.920
<v Speaker 3>reveal that Adam has been photographing Lawrence and he knows

1:14:37.920 --> 1:14:42.240
<v Speaker 3>who Lawrence is, even though he pretended not to. Then

1:14:42.280 --> 1:14:46.920
<v Speaker 3>the cell phone rings it's Lawrence's daughter and wife, and

1:14:47.200 --> 1:14:51.640
<v Speaker 3>Alison confirms this that Adam knows who Lawrence is, and

1:14:51.680 --> 1:14:54.120
<v Speaker 3>it turns out that Adam had been taking pictures of

1:14:54.200 --> 1:14:57.360
<v Speaker 3>Lawrence's indiscretions the past few nights.

1:14:57.280 --> 1:14:59.559
<v Speaker 1>For Danny Glover question Mark.

1:15:00.320 --> 1:15:01.640
<v Speaker 3>And so I don't know if that's supposed to be

1:15:01.720 --> 1:15:06.480
<v Speaker 3>another red herring where it's like maybe tap, maybe it's Jigsaw.

1:15:07.080 --> 1:15:09.240
<v Speaker 1>I guess I never even thought it. Maybe that is.

1:15:09.400 --> 1:15:11.160
<v Speaker 1>I don't even know. At that point, You're just like,

1:15:11.200 --> 1:15:14.320
<v Speaker 1>I'm just I kind of forget that we're supposed to

1:15:14.320 --> 1:15:16.320
<v Speaker 1>be wondering who Jigsaw is. I'm like, I almost don't care.

1:15:16.439 --> 1:15:18.840
<v Speaker 1>I just I just am like waiting for Karrie el

1:15:18.880 --> 1:15:21.280
<v Speaker 1>West to have his ass handed to him. That was

1:15:21.320 --> 1:15:25.040
<v Speaker 1>another interesting like I do think the swings that the

1:15:25.080 --> 1:15:27.559
<v Speaker 1>Saw franchise takes it trying to say something but never

1:15:27.640 --> 1:15:32.280
<v Speaker 1>quite saying anything is interesting where like, you know, Jigsaw

1:15:32.360 --> 1:15:35.000
<v Speaker 1>is so lawless that it's like he doesn't really have

1:15:35.080 --> 1:15:38.360
<v Speaker 1>a code of ethics other than like practice X games

1:15:38.400 --> 1:15:42.240
<v Speaker 1>gratitude at all times. But like, but I do think

1:15:42.240 --> 1:15:45.439
<v Speaker 1>it's you know, he he Jigsaw does not like cops,

1:15:45.720 --> 1:15:49.639
<v Speaker 1>probably partially because he's wanted. But on that front, Jigsaw

1:15:49.680 --> 1:15:54.679
<v Speaker 1>and I are are a united front. But he does

1:15:54.720 --> 1:15:59.600
<v Speaker 1>not like Danny Glover for being I don't even know

1:16:00.800 --> 1:16:04.000
<v Speaker 1>all cops are corrupt. In this specific case, he's just

1:16:04.040 --> 1:16:06.519
<v Speaker 1>like acting really weird. He's too into it, and you're like,

1:16:06.600 --> 1:16:10.160
<v Speaker 1>why are you like spending possibly your own money. But

1:16:10.200 --> 1:16:14.240
<v Speaker 1>then also like kind of taking on like surveillance and

1:16:14.640 --> 1:16:19.080
<v Speaker 1>like Adam deserves to die because he colluded with the cops.

1:16:19.280 --> 1:16:22.439
<v Speaker 1>But then also you do get from Adam the fact

1:16:22.439 --> 1:16:24.120
<v Speaker 1>that he's like, well, I've been put in this position

1:16:24.160 --> 1:16:27.400
<v Speaker 1>because of a class issue. I don't have any fucking money.

1:16:27.439 --> 1:16:30.759
<v Speaker 1>What am I supposed to do? And then with Carrie Els,

1:16:30.800 --> 1:16:33.400
<v Speaker 1>you have the idea of like shame and like is

1:16:33.439 --> 1:16:36.360
<v Speaker 1>it right to surveil someone against their will even if

1:16:36.400 --> 1:16:39.840
<v Speaker 1>they are doing something fucked up? No, it's always wrong.

1:16:40.360 --> 1:16:43.160
<v Speaker 1>But Carrie el is also not a great guy. Like

1:16:43.280 --> 1:16:46.439
<v Speaker 1>just everyone in the Saw franchise is complex and bad.

1:16:47.280 --> 1:16:50.320
<v Speaker 1>I just think it's good, like it's good, it's simply good.

1:16:50.360 --> 1:16:54.160
<v Speaker 1>They're but they're like they're not. There's no I mean,

1:16:54.200 --> 1:16:56.559
<v Speaker 1>I guess there's It's not that there's no value judgments.

1:16:56.560 --> 1:16:59.800
<v Speaker 1>It's that there's only value judgments.

1:16:59.360 --> 1:17:02.160
<v Speaker 3>And they're mostly coming from Jigsaw.

1:17:01.760 --> 1:17:07.479
<v Speaker 1>And Jigsaw Jigsaw kind of above criticism in Jigsaw's opinion.

1:17:10.000 --> 1:17:13.479
<v Speaker 1>Who's never having to play a little game Jigsaw until

1:17:13.520 --> 1:17:14.599
<v Speaker 1>the until I think Saw three.

1:17:14.640 --> 1:17:18.639
<v Speaker 3>Anyway, I cannot wait to rewatch all of these movies. Okay,

1:17:19.240 --> 1:17:23.360
<v Speaker 3>so we've learned the detective tap Is is no longer

1:17:23.479 --> 1:17:26.479
<v Speaker 3>a cop, first of all, and he's paying Adam to

1:17:26.720 --> 1:17:31.519
<v Speaker 3>surveil Lawrence for reasons.

1:17:30.840 --> 1:17:31.320
<v Speaker 1>For reasons.

1:17:31.479 --> 1:17:36.479
<v Speaker 3>I think tap still thinks that Lawrence is Jigsaw. I

1:17:36.520 --> 1:17:39.719
<v Speaker 3>think so, yes, I think he thinks that the whole time.

1:17:39.920 --> 1:17:43.160
<v Speaker 1>And I mean that is I guess true to shitty

1:17:43.240 --> 1:17:46.760
<v Speaker 1>cop logic of just and that is explored and later

1:17:47.000 --> 1:17:48.960
<v Speaker 1>so wait, this is blowing my eye. That's explored and

1:17:49.000 --> 1:17:52.439
<v Speaker 1>later Saw movies where like Danny Glover has in his

1:17:52.479 --> 1:17:55.120
<v Speaker 1>mind who he thinks did the crime, and he's exhausting

1:17:55.160 --> 1:17:58.479
<v Speaker 1>every possible resource to arrest who he thinks did the

1:17:58.479 --> 1:18:00.840
<v Speaker 1>crime so he can close the case, which happens all

1:18:00.880 --> 1:18:04.400
<v Speaker 1>the time. And then Saw two is all about how

1:18:04.600 --> 1:18:08.280
<v Speaker 1>detective Donnie Wahlberg does the same thing, and it's like

1:18:08.320 --> 1:18:11.560
<v Speaker 1>put people in prison and ruined lives and then unfortunately

1:18:11.640 --> 1:18:14.920
<v Speaker 1>Jigsaw fills the house with gas and they all die.

1:18:15.320 --> 1:18:20.400
<v Speaker 1>So that again, that part was confusing. But Jigsaw does

1:18:20.439 --> 1:18:24.080
<v Speaker 1>not like lazy cops. He does not.

1:18:24.400 --> 1:18:32.240
<v Speaker 3>Yeah, wow, okay, where are we were almost done with

1:18:32.840 --> 1:18:38.519
<v Speaker 3>the recap? Okay, So the clock strikes six, which is

1:18:38.600 --> 1:18:40.880
<v Speaker 3>when Lawrence was supposed to kill Adam.

1:18:40.960 --> 1:18:43.000
<v Speaker 1>By Jigsaw has got an early bedtime.

1:18:43.320 --> 1:18:44.920
<v Speaker 3>He's like, I've got a dinner, He's got to watch

1:18:46.200 --> 1:18:46.760
<v Speaker 3>Two and a half.

1:18:46.720 --> 1:18:48.920
<v Speaker 1>Men is on at eight and I'm not missing it.

1:18:49.320 --> 1:18:53.320
<v Speaker 1>So we gotta wrap, we gotta be done. Yeah.

1:18:54.120 --> 1:18:57.479
<v Speaker 3>So Zepp calls the cell phone and has Alison tell

1:18:57.720 --> 1:19:01.240
<v Speaker 3>Lawrence that he failed since he didn't kill Adam in time.

1:19:02.000 --> 1:19:06.960
<v Speaker 3>But Alison has untied herself and fights back against Zepp

1:19:07.320 --> 1:19:12.680
<v Speaker 3>and there's a struggle. Detective Tap comes in, who had

1:19:12.720 --> 1:19:17.120
<v Speaker 3>been monitoring the whole situation, so he goes over to

1:19:17.120 --> 1:19:21.000
<v Speaker 3>see what's going on. There's a big shootout and Alison

1:19:21.240 --> 1:19:25.400
<v Speaker 3>and Diana have a chance to escape, but Lawrence is

1:19:25.439 --> 1:19:28.240
<v Speaker 3>listening on the phone. He hears all the gunshots, all

1:19:28.320 --> 1:19:31.200
<v Speaker 3>the screaming, and he assumes the worst. He thinks that

1:19:31.680 --> 1:19:34.880
<v Speaker 3>his family is being murdered. Sure, he doesn't know.

1:19:35.000 --> 1:19:37.439
<v Speaker 1>It's almost like he forgets so that there's a little

1:19:37.479 --> 1:19:40.240
<v Speaker 1>game going on and that's on him.

1:19:40.320 --> 1:19:43.880
<v Speaker 3>He does seem to forget. Yeah, So, thinking that his

1:19:44.280 --> 1:19:52.599
<v Speaker 3>family is perishing, he takes the saw and saws his

1:19:52.960 --> 1:19:56.439
<v Speaker 3>foot off so that he can escape.

1:19:56.520 --> 1:20:00.160
<v Speaker 1>No way around that. He then he does so.

1:20:00.200 --> 1:20:03.919
<v Speaker 3>Takes the bullet, crawls over to the dead body, loads

1:20:04.040 --> 1:20:09.280
<v Speaker 3>the gun and shoots Adam, thinking that that will be

1:20:09.320 --> 1:20:09.960
<v Speaker 3>a good idea.

1:20:10.200 --> 1:20:13.559
<v Speaker 1>I'm like, really not. Sometimes I'm just like what was

1:20:13.640 --> 1:20:17.160
<v Speaker 1>he going for there? And Adam seems to sort of,

1:20:17.240 --> 1:20:20.000
<v Speaker 1>i mean understandably, kind of feels the same way. He's

1:20:20.080 --> 1:20:23.439
<v Speaker 1>like no, He's like, what are you doing? Don't And

1:20:23.479 --> 1:20:29.559
<v Speaker 1>he's like, yeah, wait a second, what is happening right now?

1:20:29.600 --> 1:20:33.680
<v Speaker 1>Are you doing? Could you staw excuse me? Could you

1:20:33.720 --> 1:20:41.280
<v Speaker 1>stop stop? Oh jig saw? Okay wait okay.

1:20:41.400 --> 1:20:46.240
<v Speaker 3>So meanwhile, Tap is chasing Zepp who we still think

1:20:46.320 --> 1:20:49.519
<v Speaker 3>is Jigsaw. Yeah, he catches up to Zepp. There's a

1:20:49.720 --> 1:20:54.160
<v Speaker 3>scuffle and Tap is shot and killed. So then Zepp

1:20:54.720 --> 1:20:58.840
<v Speaker 3>comes into the room to kill Lawrence because he was

1:20:58.880 --> 1:21:01.160
<v Speaker 3>too late. He didn't follow the rules. He didn't kill

1:21:01.200 --> 1:21:05.040
<v Speaker 3>Adam by six o'clock. But oh wait, Adam is still

1:21:05.080 --> 1:21:09.920
<v Speaker 3>alive and he attacks and kills Zepp. Yes, so then

1:21:10.439 --> 1:21:14.519
<v Speaker 3>Lawrence crawls away to find help because he's bleeding to

1:21:14.600 --> 1:21:18.479
<v Speaker 3>death and Adam has been shot and he's like, I

1:21:18.560 --> 1:21:20.240
<v Speaker 3>need to go find help.

1:21:20.400 --> 1:21:22.920
<v Speaker 1>Terry Elwis is the last girl in this movie, which

1:21:22.960 --> 1:21:23.599
<v Speaker 1>is interesting.

1:21:25.640 --> 1:21:28.880
<v Speaker 3>Well, no, I feel like it's Adam, I guess.

1:21:28.880 --> 1:21:31.559
<v Speaker 1>Oh, yeah, that is true. Yeah, but also I'm thinking

1:21:31.640 --> 1:21:34.680
<v Speaker 1>that because Cary el Was, I believe is later revealed

1:21:34.720 --> 1:21:37.160
<v Speaker 1>to still be work, I think he goes to work

1:21:37.160 --> 1:21:37.799
<v Speaker 1>for Jigsaw.

1:21:39.040 --> 1:21:40.800
<v Speaker 3>What that's a hold on?

1:21:41.200 --> 1:21:43.479
<v Speaker 1>No, wait, I might be I might be mis remembering

1:21:43.520 --> 1:21:47.160
<v Speaker 1>that there's some there's a cast member that you think

1:21:47.520 --> 1:21:49.240
<v Speaker 1>couldn't possibly come back but does.

1:21:49.840 --> 1:21:52.400
<v Speaker 3>And those are the twists of the Saw franchise and

1:21:52.400 --> 1:21:54.400
<v Speaker 3>that you love to see.

1:21:54.040 --> 1:21:57.000
<v Speaker 1>And these are the Saw moments we love the most. Yeah, No,

1:21:57.120 --> 1:21:59.639
<v Speaker 1>he doesn't, he doesn't die. Yeah, he I think later

1:21:59.720 --> 1:22:02.240
<v Speaker 1>goes to I think that I don't know if he

1:22:02.280 --> 1:22:04.320
<v Speaker 1>does it willingly. I don't know if he like I forget,

1:22:04.360 --> 1:22:10.120
<v Speaker 1>if he like joins the like Jigsaw Ethos, or if

1:22:10.400 --> 1:22:14.599
<v Speaker 1>Jigsaw is simply punishing him for having told him that

1:22:14.720 --> 1:22:18.479
<v Speaker 1>his tumor was inoperable when it wasn't, which was you know,

1:22:18.720 --> 1:22:19.720
<v Speaker 1>he was right to be mad.

1:22:20.840 --> 1:22:22.000
<v Speaker 3>He was right to be mad.

1:22:22.280 --> 1:22:25.639
<v Speaker 1>Yeah, because if Carrie l Was had been a less

1:22:25.640 --> 1:22:28.800
<v Speaker 1>shitty doctor, Jigsaw wouldn't even be a thing.

1:22:29.760 --> 1:22:32.680
<v Speaker 3>Is that the catalyst that gets everything going for Jigsaw?

1:22:33.320 --> 1:22:37.439
<v Speaker 1>Yeah, it's when Jigsaw is so he attempts to take

1:22:37.439 --> 1:22:41.599
<v Speaker 1>his own life after learning he has an inoperable tumor. Ok,

1:22:41.720 --> 1:22:45.479
<v Speaker 1>it wasn't actually inoperable, right, and then it's after he

1:22:45.640 --> 1:22:49.960
<v Speaker 1>survives that accident that he becomes Jigsaw. So no, Carrie

1:22:50.000 --> 1:22:53.439
<v Speaker 1>el was Is being a shitty doctor kind of sets

1:22:53.479 --> 1:22:57.360
<v Speaker 1>off the chain of events that leads to Jigsaw.

1:22:58.240 --> 1:23:01.160
<v Speaker 3>But we don't we don't learn that until a later

1:23:01.439 --> 1:23:02.080
<v Speaker 3>saw a movie.

1:23:02.240 --> 1:23:05.080
<v Speaker 1>Yeah, that's not that's I don't think that they thought

1:23:05.120 --> 1:23:08.720
<v Speaker 1>there was going to be morisaws, but they made up

1:23:08.720 --> 1:23:11.160
<v Speaker 1>for it by making some of the best movies ever.

1:23:13.320 --> 1:23:18.000
<v Speaker 3>Okay, so Lawrence has crawled away. He's bleeding to death,

1:23:18.120 --> 1:23:23.519
<v Speaker 3>although apparently doesn't die. Then Adam searches Zep's body for

1:23:23.680 --> 1:23:26.559
<v Speaker 3>a key to try to unlock his chains, but what

1:23:26.680 --> 1:23:31.519
<v Speaker 3>he finds is another tape player. He hits play and

1:23:31.560 --> 1:23:38.719
<v Speaker 3>it's Jigsaw's voice, a message to Zepp, Yeah, giving him

1:23:38.760 --> 1:23:43.880
<v Speaker 3>a game to play woo. So Jigsaw had poisoned Zepp

1:23:44.160 --> 1:23:49.000
<v Speaker 3>and said I have the antidote and you have to

1:23:49.160 --> 1:23:53.680
<v Speaker 3>kill Alison and Diana in order to get the antidote.

1:23:54.600 --> 1:23:58.400
<v Speaker 3>So basically this is the reveal that Zepp wasn't Jigsaw

1:23:58.439 --> 1:23:59.000
<v Speaker 3>after all?

1:23:59.720 --> 1:24:05.080
<v Speaker 1>But who is? And then can't then get ready for

1:24:05.160 --> 1:24:08.200
<v Speaker 1>a mighty.

1:24:07.880 --> 1:24:10.160
<v Speaker 3>The dead man who has been lying in the pool

1:24:10.160 --> 1:24:11.960
<v Speaker 3>of blood in the middle of the room throughout the

1:24:12.080 --> 1:24:20.360
<v Speaker 3>entire movie stands up. He's Jigsaw, Yeah, but who is that?

1:24:21.320 --> 1:24:28.120
<v Speaker 3>He's John, the patient in Lawrence's hospital who has terminal cancer.

1:24:29.000 --> 1:24:33.240
<v Speaker 3>And he gets up and he's like, Adam, you fucking loser.

1:24:33.760 --> 1:24:38.200
<v Speaker 1>What this says carry Ela was forgetting he's doing.

1:24:41.760 --> 1:24:44.880
<v Speaker 3>So Jigsaw is all like, Adam, you suck and you

1:24:45.560 --> 1:24:49.400
<v Speaker 3>are gonna die, and then he says game over and

1:24:49.439 --> 1:24:56.960
<v Speaker 3>then he slams the door, leaving Adam to perish.

1:24:54.280 --> 1:24:59.679
<v Speaker 1>A top one hundred movie lines game over over slam.

1:25:00.160 --> 1:25:03.880
<v Speaker 1>Oh my god, yeah, my blood pressure is spiking. Okay,

1:25:03.880 --> 1:25:06.200
<v Speaker 1>So I just looked at Lawrence Gordon because I was like,

1:25:06.479 --> 1:25:07.680
<v Speaker 1>it doesn't come up for a long time.

1:25:07.720 --> 1:25:08.080
<v Speaker 3>Okay.

1:25:08.280 --> 1:25:14.040
<v Speaker 1>So Lawrence Gordon in the Saw neverse, Yeah, still canonically alive.

1:25:14.640 --> 1:25:18.400
<v Speaker 1>So what Lawrence Gordon? This is from Scholarly Journal Wikipedia.

1:25:18.600 --> 1:25:21.400
<v Speaker 1>Lawrence Gordon is the man who diagnosed John Kramer's terminal

1:25:21.439 --> 1:25:24.360
<v Speaker 1>cancer and was initially a suspect in the Jigsaw murder case.

1:25:24.439 --> 1:25:27.320
<v Speaker 1>Of course, John targets Lawrence for being cold and on

1:25:27.400 --> 1:25:29.719
<v Speaker 1>carrying to others and for cheating on his wife Alison.

1:25:30.600 --> 1:25:34.479
<v Speaker 1>Lawrence is placed in a trap blah blah blah. His

1:25:34.560 --> 1:25:38.680
<v Speaker 1>fate is unknown until Saw three D, when it is

1:25:38.720 --> 1:25:41.799
<v Speaker 1>revealed that Lawrence passed out after using a hot steam

1:25:41.920 --> 1:25:46.360
<v Speaker 1>pipe to cauterize his ankle stump. John found him unconscious

1:25:46.400 --> 1:25:50.240
<v Speaker 1>shortly after and congratulated him for surviving. He then helped

1:25:50.320 --> 1:25:53.640
<v Speaker 1>Lawrence recover and gave him a prosthetic foot. John recruited

1:25:53.720 --> 1:25:59.120
<v Speaker 1>Lawrence afterwards and used his medical skills to prepare other traps.

1:25:58.880 --> 1:26:01.360
<v Speaker 3>And this we don't learn until Saw seven.

1:26:01.920 --> 1:26:06.000
<v Speaker 1>Until Saw seven. What, Yeah, because I was I was

1:26:06.000 --> 1:26:08.360
<v Speaker 1>scanning Wikipedia earlier, and I'm like, oh, I guess he lives,

1:26:08.520 --> 1:26:11.640
<v Speaker 1>but he like they there's also like flashbacks to the

1:26:11.680 --> 1:26:15.240
<v Speaker 1>first Saw movie in almost every Saw movie, right, which

1:26:16.400 --> 1:26:19.720
<v Speaker 1>gets confusing. So after even though Jigsaw's in every movie,

1:26:19.800 --> 1:26:23.840
<v Speaker 1>Jigsaw dies in the third movie, Yeah, but you see flashbacks.

1:26:24.439 --> 1:26:27.720
<v Speaker 1>So Tobin Bell is still getting those checks, but he's

1:26:27.760 --> 1:26:31.000
<v Speaker 1>canonically dead. Carrie el Was could be brought back at

1:26:31.040 --> 1:26:33.760
<v Speaker 1>any time. Really, I think that that is such a

1:26:33.840 --> 1:26:37.439
<v Speaker 1>wild but yeah, so then he's like brought onto the

1:26:37.479 --> 1:26:39.839
<v Speaker 1>production design team for Jigsaw.

1:26:41.560 --> 1:26:46.840
<v Speaker 3>Basically, yeah, who's on Jigsaw's team? We don't Okay, we

1:26:46.920 --> 1:26:48.240
<v Speaker 3>have to talk about the movie.

1:26:48.640 --> 1:26:52.200
<v Speaker 1>Okay, there's actually we've we have like say what you

1:26:52.240 --> 1:26:56.240
<v Speaker 1>will listeners, We have had some interesting discussions. So I

1:26:56.640 --> 1:27:01.120
<v Speaker 1>think that, like truly, again, I don't think that the

1:27:01.160 --> 1:27:05.840
<v Speaker 1>Saw franchise until apparently Spiral, which I now want to watch,

1:27:06.920 --> 1:27:11.960
<v Speaker 1>was never like trying to explicitly tackle one social issue

1:27:12.840 --> 1:27:18.240
<v Speaker 1>because Jigsaw is it sounds like such like an understatement.

1:27:18.240 --> 1:27:22.600
<v Speaker 1>It's say, morally ambiguous, Jigsaw. It's hard to kind of

1:27:22.600 --> 1:27:27.200
<v Speaker 1>know what is moral code is and you can quote

1:27:27.240 --> 1:27:31.600
<v Speaker 1>me on that, but I do think it's like interesting

1:27:31.640 --> 1:27:34.720
<v Speaker 1>that in a movie from two thousand and four that

1:27:34.920 --> 1:27:39.360
<v Speaker 1>there are these attempts to I think, subvert classic horror

1:27:40.040 --> 1:27:42.880
<v Speaker 1>tropes where it feels like it's playing on our expectations

1:27:43.000 --> 1:27:45.800
<v Speaker 1>of you know, in horror movies. I feel like we

1:27:45.840 --> 1:27:49.479
<v Speaker 1>are often it's often assumed that we are going to

1:27:50.320 --> 1:27:54.760
<v Speaker 1>side with the police detectives, assume that they are good

1:27:54.760 --> 1:27:57.840
<v Speaker 1>at their jobs, that they are morally upright, all this

1:27:58.000 --> 1:28:00.840
<v Speaker 1>stuff that is like inherent to Copagan, which I kind

1:28:00.840 --> 1:28:03.639
<v Speaker 1>of was like, I wonder how I forget how on

1:28:04.200 --> 1:28:07.040
<v Speaker 1>Danny Glover's side we're supposed to be. It's pretty ambiguous,

1:28:07.160 --> 1:28:10.519
<v Speaker 1>like it is pointed at like, I don't think that

1:28:10.520 --> 1:28:12.799
<v Speaker 1>we're supposed to hate him. I don't think we're supposed

1:28:12.840 --> 1:28:14.320
<v Speaker 1>to be rooting for his demise.

1:28:14.560 --> 1:28:19.080
<v Speaker 3>I think we're supposed to be on his side, even.

1:28:19.240 --> 1:28:23.000
<v Speaker 1>He's also like really, I was sort of struggling with

1:28:23.000 --> 1:28:24.640
<v Speaker 1>it this time. I could believe in two thousand and

1:28:24.640 --> 1:28:26.240
<v Speaker 1>four year we're supposed to but I think I can

1:28:26.280 --> 1:28:28.439
<v Speaker 1>be read in a lot of different I think.

1:28:28.320 --> 1:28:31.240
<v Speaker 3>The intention is that sorry, I mean defending a son.

1:28:31.880 --> 1:28:36.840
<v Speaker 3>I think the intention of the filmmakers is for Danny

1:28:36.840 --> 1:28:40.679
<v Speaker 3>Glover's character to be even after he gets like booted

1:28:40.720 --> 1:28:44.840
<v Speaker 3>off the force and he's doing his weird like ongoing

1:28:45.120 --> 1:28:47.000
<v Speaker 3>investigation where he's mostly.

1:28:46.680 --> 1:28:50.080
<v Speaker 1>Just like hires like TMZ to like spy on Carrie

1:28:50.160 --> 1:28:51.200
<v Speaker 1>Elwa's for.

1:28:51.479 --> 1:28:54.400
<v Speaker 3>Right, And he also seems to know that because he's

1:28:54.479 --> 1:28:58.160
<v Speaker 3>like surveilling ZEP and it seems like he because he's like,

1:28:58.200 --> 1:29:01.760
<v Speaker 3>what's this guy doing in I don't know that all

1:29:01.800 --> 1:29:06.600
<v Speaker 3>got confusing, but sensing how I think the filmmakers intended

1:29:06.600 --> 1:29:10.040
<v Speaker 3>for the audience to perceive the various characters. I think

1:29:10.040 --> 1:29:14.160
<v Speaker 3>that we are supposed to be rooting for Detective tap

1:29:14.240 --> 1:29:17.080
<v Speaker 3>slash Danny Glover, not as like the protagonist, but.

1:29:17.240 --> 1:29:20.479
<v Speaker 1>Which does make sense because casting Danny Glover right, I

1:29:20.479 --> 1:29:22.360
<v Speaker 1>feel like, also, yeah, it does kind of tell you that,

1:29:22.760 --> 1:29:25.040
<v Speaker 1>like you're not gonna put Danny Glover in a movie

1:29:25.080 --> 1:29:27.040
<v Speaker 1>and then be like we hate him because he's so

1:29:27.080 --> 1:29:31.280
<v Speaker 1>canonically loved. Right, Okay, then I guess I'll I totally

1:29:31.320 --> 1:29:34.000
<v Speaker 1>see what you're saying. But I do think that in retrospect,

1:29:34.000 --> 1:29:36.639
<v Speaker 1>there's a lot of different ways to look at it. Sure,

1:29:36.800 --> 1:29:41.320
<v Speaker 1>and as the series goes on, there are more explicit

1:29:41.400 --> 1:29:47.760
<v Speaker 1>criticisms of police brutality and like corruption propaganda, yeah, like

1:29:48.479 --> 1:29:52.320
<v Speaker 1>and also there are tropes at play in this movie

1:29:52.840 --> 1:29:59.600
<v Speaker 1>that are subverting nothing. So so there's a pretty intense damseling.

1:29:59.640 --> 1:30:02.000
<v Speaker 1>I mean, I guess that you could argue everyone in

1:30:02.080 --> 1:30:05.720
<v Speaker 1>Saw is a damsel to an extent, because that's kind

1:30:05.720 --> 1:30:08.000
<v Speaker 1>of a Jigsaw's whole thing. But it does seem like

1:30:08.080 --> 1:30:10.439
<v Speaker 1>Carrie el was his family, his wife and his daughter

1:30:10.560 --> 1:30:14.920
<v Speaker 1>are damseled in the more traditional sense right there, kept

1:30:14.920 --> 1:30:16.760
<v Speaker 1>captive in their own home, and they don't appear to

1:30:16.800 --> 1:30:19.000
<v Speaker 1>have skills to get out of the situation.

1:30:19.200 --> 1:30:22.840
<v Speaker 3>Which like the I mean, why would they kind of thing,

1:30:23.200 --> 1:30:24.599
<v Speaker 3>But that's true for me.

1:30:24.680 --> 1:30:28.600
<v Speaker 1>They didn't go to Jigsaw boot camp like me, I

1:30:28.680 --> 1:30:30.960
<v Speaker 1>dare you put a bear trap on my head? Not

1:30:31.200 --> 1:30:33.920
<v Speaker 1>a problem, Not a problem. I'll be at dinner on time.

1:30:34.320 --> 1:30:36.680
<v Speaker 3>There should be sort of like kind of like a

1:30:36.680 --> 1:30:40.479
<v Speaker 3>self defense class, but it's like a Jigsaw defense class.

1:30:40.520 --> 1:30:43.639
<v Speaker 3>Like if you get trapped in a Jigsaw trap, this

1:30:43.720 --> 1:30:45.280
<v Speaker 3>is how you get out of it, and that should

1:30:45.280 --> 1:30:46.439
<v Speaker 3>be a class.

1:30:46.520 --> 1:30:48.680
<v Speaker 1>This is another Mad TV sketch from two thousand and

1:30:48.720 --> 1:30:51.920
<v Speaker 1>seven that we should have written. It's just not fair.

1:30:52.840 --> 1:30:55.320
<v Speaker 3>Okay, So my I see what you're saying, and I think,

1:30:55.360 --> 1:30:57.400
<v Speaker 3>what this is, This is the big thing for me

1:30:57.640 --> 1:31:00.920
<v Speaker 3>in this movie that I think otherwise holds up pretty well.

1:31:01.560 --> 1:31:06.200
<v Speaker 3>It's that the female characters, and particularly his wife and

1:31:06.360 --> 1:31:12.920
<v Speaker 3>his daughter, are mostly there to provide stakes for one

1:31:12.960 --> 1:31:17.560
<v Speaker 3>of the male protagonists. They get captured, they get held hostage.

1:31:18.080 --> 1:31:21.960
<v Speaker 3>I would say, at least his wife, Allison, fights back

1:31:22.040 --> 1:31:25.320
<v Speaker 3>against Zepp. She gets herself untied.

1:31:24.880 --> 1:31:27.799
<v Speaker 1>And in a way that's like realistic and didn't seem

1:31:27.840 --> 1:31:29.599
<v Speaker 1>like magic, you know.

1:31:29.760 --> 1:31:33.000
<v Speaker 3>Right right, Like she manages it because it kind of

1:31:33.000 --> 1:31:36.720
<v Speaker 3>like happens gradually and it all feels like attracts. So

1:31:37.280 --> 1:31:40.559
<v Speaker 3>she gets herself untied, kind of tricks him a little bit,

1:31:41.320 --> 1:31:43.519
<v Speaker 3>you know, waits for the opportune moment, springs a little

1:31:43.560 --> 1:31:46.519
<v Speaker 3>trap on him, grabs the gun from Zep, holds him

1:31:46.520 --> 1:31:50.400
<v Speaker 3>at gunpoint, fights with him because he kind of fights back,

1:31:50.439 --> 1:31:52.960
<v Speaker 3>and grabs the gun again. She then grabs a pair

1:31:52.960 --> 1:31:57.439
<v Speaker 3>of scissors and stabs him in the leg. He while

1:31:57.479 --> 1:32:01.200
<v Speaker 3>he's kind of pretty awesome incapacitated and then also distracted.

1:32:00.720 --> 1:32:04.000
<v Speaker 1>Is a household object kill It is like it's not

1:32:04.600 --> 1:32:07.240
<v Speaker 1>it's yeah, it's not good.

1:32:08.720 --> 1:32:12.799
<v Speaker 3>It's not one of those like traditionally, like seminin ones

1:32:12.800 --> 1:32:14.760
<v Speaker 3>that we see a lot where it's like, oh, well,

1:32:14.760 --> 1:32:17.040
<v Speaker 3>a woman is would be in the kitchen cooking with

1:32:17.040 --> 1:32:17.800
<v Speaker 3>a frying pant.

1:32:17.960 --> 1:32:22.120
<v Speaker 1>Frying pant kind so it's scissors because women be crafting.

1:32:22.320 --> 1:32:25.760
<v Speaker 1>That's my that's my that's my disingenuous.

1:32:25.000 --> 1:32:28.360
<v Speaker 3>Read honestly, if I if wanted.

1:32:28.040 --> 1:32:30.160
<v Speaker 1>To be scraped, therefore.

1:32:32.360 --> 1:32:37.040
<v Speaker 3>Exactly so. So she stabs some scissors and then he's like,

1:32:37.360 --> 1:32:39.160
<v Speaker 3>you know, injured. And then also I think this is

1:32:39.160 --> 1:32:42.760
<v Speaker 3>when Danny Glover comes in, so so Zepp is distracted,

1:32:43.000 --> 1:32:47.280
<v Speaker 3>and this gives Alison a chance for her to grab

1:32:47.640 --> 1:32:50.920
<v Speaker 3>Diana and run away. So she manages to like fight

1:32:51.000 --> 1:32:54.679
<v Speaker 3>back and escape on her own. Again, Danny Glover comes

1:32:54.760 --> 1:32:58.080
<v Speaker 3>in right around then, but he's not he doesn't save them,

1:32:58.200 --> 1:33:01.479
<v Speaker 3>She saves herself and her daughter. Yes, So I felt

1:33:01.520 --> 1:33:05.599
<v Speaker 3>like that was kind of out of the ordinary for

1:33:05.640 --> 1:33:07.640
<v Speaker 3>what we would generally see.

1:33:07.920 --> 1:33:10.320
<v Speaker 1>Partial credit. Give partial credit on that, because I do

1:33:10.400 --> 1:33:13.160
<v Speaker 1>agree that they are they're like Damsel for the majority

1:33:13.160 --> 1:33:18.080
<v Speaker 1>of the movie. They're not characterized outside of giving Carrie

1:33:18.080 --> 1:33:19.160
<v Speaker 1>Elwa's steaks.

1:33:19.880 --> 1:33:23.320
<v Speaker 3>There is kind of an attempt made at that, especially

1:33:23.400 --> 1:33:29.000
<v Speaker 3>with the relationship between Lawrence and Alison. But it feels

1:33:29.040 --> 1:33:31.639
<v Speaker 3>so just like Half Baked and Tropy.

1:33:31.920 --> 1:33:34.519
<v Speaker 1>It's mostly like off screen too, it's mostly just like

1:33:34.520 --> 1:33:38.000
<v Speaker 1>what you hear an argument they're having while Diana's in bed,

1:33:38.320 --> 1:33:44.960
<v Speaker 1>and like, yeah, you know, an attempt, sure, but not amazing,

1:33:45.360 --> 1:33:50.160
<v Speaker 1>not amazing. It's not amazing, controversially not amazing. Did you

1:33:50.240 --> 1:33:53.120
<v Speaker 1>know you want to know something about Lee Wannell? Tell

1:33:53.160 --> 1:33:57.920
<v Speaker 1>me he wrote and directed The Invisible Man. Oh yeah,

1:33:57.960 --> 1:34:00.320
<v Speaker 1>he's still at it to these days, to this damn day,

1:34:00.400 --> 1:34:03.439
<v Speaker 1>to these days, to these days, to these day. Thank

1:34:03.479 --> 1:34:06.080
<v Speaker 1>you for I was like, maybe I didn't say that there,

1:34:08.280 --> 1:34:12.080
<v Speaker 1>but I did. I love that Lee Wannel and James

1:34:12.080 --> 1:34:16.000
<v Speaker 1>wand they are friends till the very end. Because Lee

1:34:16.040 --> 1:34:20.639
<v Speaker 1>Wannell's eventual, he writes, He writes the first three Saws honestly,

1:34:21.360 --> 1:34:25.240
<v Speaker 1>wan and Wanall or Wanell, depending on your mood. They

1:34:25.280 --> 1:34:28.679
<v Speaker 1>really they really set a strong foundation for the Saw franchise.

1:34:28.760 --> 1:34:34.200
<v Speaker 1>The first three Saws, the original Saw trilogy is incredible.

1:34:34.240 --> 1:34:41.920
<v Speaker 1>It's the full story of Jigsaw. Sorry women, yes, no,

1:34:42.560 --> 1:34:46.160
<v Speaker 1>it's it's there was an attempt made, and I guess

1:34:46.200 --> 1:34:47.760
<v Speaker 1>the best that you can say for it is it

1:34:47.800 --> 1:34:49.240
<v Speaker 1>was good for two thousand and four.

1:34:50.280 --> 1:34:54.320
<v Speaker 3>Yeah, I guess, but maybe I think some tropes were subverted,

1:34:54.560 --> 1:34:58.280
<v Speaker 3>some were very much leaned into as far as like

1:34:58.400 --> 1:35:02.720
<v Speaker 3>the characterization of women in a horror movie. Yeah, so

1:35:03.120 --> 1:35:06.240
<v Speaker 3>I found that to be the most kind of glaring

1:35:06.360 --> 1:35:12.000
<v Speaker 3>issue with this movie. Other than that, like I kind

1:35:12.000 --> 1:35:14.840
<v Speaker 3>of the other trope that stood out to me, I mean,

1:35:14.920 --> 1:35:18.920
<v Speaker 3>I think that this movie is still a majority white cast.

1:35:18.960 --> 1:35:22.760
<v Speaker 1>There is some diversity in the movie. However, it did

1:35:22.840 --> 1:35:25.760
<v Speaker 1>sort of like this is a trope I think we've

1:35:25.800 --> 1:35:28.840
<v Speaker 1>discussed on the show at some point, but the frequency

1:35:29.080 --> 1:35:32.240
<v Speaker 1>that people of color and like black actors specifically are

1:35:32.320 --> 1:35:36.080
<v Speaker 1>cast as cops, Yeah, as a way of kind of

1:35:36.240 --> 1:35:41.559
<v Speaker 1>tacitly endorsing the police industrial complex, which obviously has an

1:35:41.560 --> 1:35:44.800
<v Speaker 1>adverse effect on the black community in a massive, massive way.

1:35:44.920 --> 1:35:48.080
<v Speaker 1>And so you see a lot of characters who are

1:35:48.120 --> 1:35:51.680
<v Speaker 1>cops who were played by people of color in not

1:35:51.720 --> 1:35:53.840
<v Speaker 1>to pull a page from Jane's Want book, but in

1:35:53.840 --> 1:35:56.200
<v Speaker 1>a bit of an insidious way.

1:35:57.880 --> 1:36:02.000
<v Speaker 3>You might also say that it's kind of malignant.

1:36:01.960 --> 1:36:07.320
<v Speaker 1>Yes, and it's conjuring some doubt for me, But that

1:36:07.400 --> 1:36:09.240
<v Speaker 1>is I mean, that is a t that you know,

1:36:09.520 --> 1:36:13.920
<v Speaker 1>I'm not gonna say that this was done intentionally to Like,

1:36:14.160 --> 1:36:15.600
<v Speaker 1>I don't think they were trying to do that. I

1:36:15.640 --> 1:36:18.559
<v Speaker 1>just think it is like a common trope that is

1:36:18.600 --> 1:36:23.120
<v Speaker 1>often kind of overlooked, and they die. They both die,

1:36:23.200 --> 1:36:25.679
<v Speaker 1>Like the two main characters who are people of color

1:36:25.800 --> 1:36:30.080
<v Speaker 1>are cops who die, so right, we don't love that.

1:36:30.320 --> 1:36:34.479
<v Speaker 3>I have a feeling that James wand his only intention,

1:36:35.040 --> 1:36:39.719
<v Speaker 3>i'd imagine was to just have some inclusive casting as

1:36:40.160 --> 1:36:42.120
<v Speaker 3>a person of color himself.

1:36:41.960 --> 1:36:44.800
<v Speaker 1>And also have Danny Glover in your movie by any

1:36:44.840 --> 1:36:49.439
<v Speaker 1>means necessary, like obviously, and also I will say in

1:36:50.720 --> 1:36:53.479
<v Speaker 1>because I'll defend James Wan until I absolutely die. Like

1:36:54.479 --> 1:36:58.960
<v Speaker 1>Lee Wannel Wannell and James Wan are Australian, They very

1:36:59.000 --> 1:37:02.040
<v Speaker 1>well and young. They may not have been familiar with

1:37:02.320 --> 1:37:06.720
<v Speaker 1>the dark history of the American policing system outside of

1:37:06.840 --> 1:37:11.479
<v Speaker 1>just like movies, many Americans were not aware who were

1:37:11.479 --> 1:37:14.439
<v Speaker 1>not directly affected by it, you know, sure, So I

1:37:14.439 --> 1:37:16.800
<v Speaker 1>don't think this was done intentionally. I just wanted to

1:37:17.439 --> 1:37:19.479
<v Speaker 1>point it out because it is. It's like, I don't

1:37:19.520 --> 1:37:23.439
<v Speaker 1>want to knock inclusive casting, right, but all are you know?

1:37:24.080 --> 1:37:27.040
<v Speaker 1>I mean, I guess in the context of the police

1:37:27.040 --> 1:37:29.880
<v Speaker 1>and industrial complext Danny Glover is supposed to be a hero.

1:37:31.360 --> 1:37:35.559
<v Speaker 1>You know what I'm saying. It's a complicated issue that

1:37:35.680 --> 1:37:39.439
<v Speaker 1>this movie is like, not a particularly bad perpetrator of

1:37:39.560 --> 1:37:42.880
<v Speaker 1>it's just whatever, very complicated discussion. Sure, but I did

1:37:42.960 --> 1:37:45.599
<v Speaker 1>want to point out that our two main characters who

1:37:45.640 --> 1:37:48.320
<v Speaker 1>are people of color are cast as cops who die.

1:37:49.040 --> 1:37:51.200
<v Speaker 3>Yeah, and I did that did ping for me too,

1:37:51.560 --> 1:37:55.920
<v Speaker 3>But then I thought about everyone else who dies or lives. Well,

1:37:56.040 --> 1:37:59.360
<v Speaker 3>although I mean as far as the people who live,

1:37:59.520 --> 1:38:00.640
<v Speaker 3>I guess.

1:37:59.840 --> 1:38:03.920
<v Speaker 1>It apparently Lawrence lives. Jigsaw, I mean Adam.

1:38:03.680 --> 1:38:07.519
<v Speaker 3>As far as we can tell in this movie. Just

1:38:07.600 --> 1:38:12.000
<v Speaker 3>isolating this movie, Adam, I think we assume will die

1:38:12.120 --> 1:38:14.280
<v Speaker 3>because he doesn't escape the escape room.

1:38:14.479 --> 1:38:16.040
<v Speaker 1>It's kind of it was kind of giving some x

1:38:16.080 --> 1:38:19.559
<v Speaker 1>mac in a pre x macina. Right. Yeah, he's fucked

1:38:19.560 --> 1:38:22.280
<v Speaker 1>in a similar way to Dominic Aeson.

1:38:22.800 --> 1:38:27.439
<v Speaker 3>Uh huh. It really seems like Lawrence is going to

1:38:27.520 --> 1:38:30.920
<v Speaker 3>die because he is so close to bleeding out. Wait

1:38:31.000 --> 1:38:35.000
<v Speaker 3>till twenty ten comes around. Turns out he cauterized the

1:38:35.040 --> 1:38:38.160
<v Speaker 3>wound and passed out. Kind of the only people who

1:38:38.280 --> 1:38:44.480
<v Speaker 3>survive are Alison, Alison and Diana and Jigsaw and Jigsaw.

1:38:44.920 --> 1:38:48.240
<v Speaker 1>So we do have whatever I not to Again, this

1:38:48.360 --> 1:38:52.320
<v Speaker 1>is like, I don't think intentional in the story. I

1:38:52.920 --> 1:38:55.000
<v Speaker 1>doesn't seem like any of these parts were written for

1:38:55.080 --> 1:38:59.599
<v Speaker 1>anyone of any particular race, right, But it's just yeah,

1:38:59.600 --> 1:39:01.560
<v Speaker 1>I just always feels like worth noting it.

1:39:01.760 --> 1:39:04.559
<v Speaker 3>Yeah, I mean it's worth pondering for sure.

1:39:05.280 --> 1:39:08.360
<v Speaker 1>Oh. Also, the other character who we haven't talked about,

1:39:08.920 --> 1:39:13.360
<v Speaker 1>Carla Song, who is the student that Carrie els is

1:39:13.479 --> 1:39:18.439
<v Speaker 1>cheating with. Right, so that is we know nothing about

1:39:18.439 --> 1:39:21.800
<v Speaker 1>this car I mean it is basically all of the

1:39:21.800 --> 1:39:24.320
<v Speaker 1>women in this movie except for Amanda, who we should

1:39:24.360 --> 1:39:29.720
<v Speaker 1>talk about, are there to flesh out Carrie el Wes's

1:39:29.760 --> 1:39:33.600
<v Speaker 1>failures as a man. Sure, and Carla Song in particular

1:39:34.160 --> 1:39:36.639
<v Speaker 1>is sort of there just to be like the student

1:39:36.720 --> 1:39:39.280
<v Speaker 1>that he's having sex with. She has a couple of lines.

1:39:39.600 --> 1:39:42.360
<v Speaker 1>He's mostly mean to her. It is framed as bad.

1:39:42.760 --> 1:39:46.960
<v Speaker 1>That is why Jigsaw, like Jigsaw, is very pro Carla Song,

1:39:48.240 --> 1:39:51.720
<v Speaker 1>you think, because guess what, this isn't the last saw

1:39:51.720 --> 1:39:55.400
<v Speaker 1>thing she appears in per Wikipedia, this had this. She

1:39:55.520 --> 1:39:57.639
<v Speaker 1>shows up I think in a video game. So here's

1:39:57.640 --> 1:40:01.280
<v Speaker 1>what happens. Oh WHOA Carlos is a medical student at

1:40:01.320 --> 1:40:05.479
<v Speaker 1>Saint Eusta's hospital and doctor Lawrence Gordon's mistress. She plays

1:40:05.520 --> 1:40:07.880
<v Speaker 1>a larger role in the video game Saw Too Flesh

1:40:07.880 --> 1:40:10.240
<v Speaker 1>and Blood, where she is targeted by Jigsaw. Okay, so

1:40:10.280 --> 1:40:12.120
<v Speaker 1>Jigsaw is actually not team Carla Song.

1:40:12.479 --> 1:40:14.000
<v Speaker 3>Let's find out why damn?

1:40:14.160 --> 1:40:17.360
<v Speaker 1>Where she is targeted by Jigsaw for stealing vital pharmaceuticals

1:40:17.400 --> 1:40:19.559
<v Speaker 1>and selling them on the street for profit. She is

1:40:19.560 --> 1:40:22.800
<v Speaker 1>found by Michael Tap. So this is like, is this

1:40:22.880 --> 1:40:25.679
<v Speaker 1>a prequel? She's found by Michael Tap with her arms

1:40:25.680 --> 1:40:27.840
<v Speaker 1>secured to the ceiling of an elevator shaft and her

1:40:27.960 --> 1:40:30.639
<v Speaker 1>legs secured to the roof of an elevator. Oh my god.

1:40:31.200 --> 1:40:33.680
<v Speaker 1>Michael is tasked with completing a test in order to

1:40:33.720 --> 1:40:36.800
<v Speaker 1>release her safely. If he fails, the elevator will lower

1:40:36.920 --> 1:40:39.800
<v Speaker 1>and tear Carla in half. It is revealed that she

1:40:39.880 --> 1:40:42.719
<v Speaker 1>is a part of a criminal conspiracy. Carla.

1:40:43.760 --> 1:40:47.920
<v Speaker 3>Oh wait. Stanny Glover's character's name is David Tape.

1:40:48.160 --> 1:40:48.960
<v Speaker 1>So who is Michael?

1:40:49.120 --> 1:40:51.800
<v Speaker 3>Maybe Michael is.

1:40:50.439 --> 1:40:56.839
<v Speaker 1>His brother's brother. Tap is a very specific Okay, wait, Michael,

1:40:56.920 --> 1:41:00.479
<v Speaker 1>Who the hell is Michael Tap? This is so awesome.

1:41:01.040 --> 1:41:05.080
<v Speaker 1>He No, Michael Tap is Detective David Taps a strange son.

1:41:09.920 --> 1:41:14.360
<v Speaker 1>There is the Saw universe. Don't underestimate it. You think

1:41:14.400 --> 1:41:16.680
<v Speaker 1>Carla Song was a throwaway character, Well I did too.

1:41:16.800 --> 1:41:19.560
<v Speaker 1>Guess what. She gets ripped in half by an elevator.

1:41:19.880 --> 1:41:22.320
<v Speaker 1>She was not forgotten by Jigsaw, and.

1:41:22.240 --> 1:41:25.720
<v Speaker 3>That's why the Twists and Saw are the best in

1:41:25.760 --> 1:41:26.320
<v Speaker 3>the business.

1:41:26.720 --> 1:41:28.880
<v Speaker 1>She shows up in a video game five years later.

1:41:28.920 --> 1:41:33.120
<v Speaker 1>Are you joking? The most brilliant cinematic universe ever created.

1:41:34.439 --> 1:41:37.840
<v Speaker 1>Last female character that also Amanda, survives. I do think

1:41:37.840 --> 1:41:43.120
<v Speaker 1>we have. We have a lot of mostly white survivors. Yeah. Yeah,

1:41:43.400 --> 1:41:46.880
<v Speaker 1>and they are mostly women, which is good. And they

1:41:46.920 --> 1:41:50.000
<v Speaker 1>do all I think eventually die because it's so you

1:41:50.040 --> 1:41:51.880
<v Speaker 1>just give it a couple of years. They their days

1:41:51.880 --> 1:41:54.760
<v Speaker 1>are numbered. Diana, I actually don't know what happens to her.

1:41:54.960 --> 1:41:57.559
<v Speaker 1>There's there. Maybe there should be a reboot. Maybe that's

1:41:57.640 --> 1:42:03.599
<v Speaker 1>maybe that's what I do. Maybe that's what I'm working on. Oh, okay,

1:42:03.720 --> 1:42:11.040
<v Speaker 1>is they're alive? Okay? So all I have to say

1:42:11.479 --> 1:42:14.880
<v Speaker 1>Amanda is our last female character, and I think our

1:42:14.960 --> 1:42:17.519
<v Speaker 1>last character that we haven't really discussed very much.

1:42:17.680 --> 1:42:21.000
<v Speaker 3>Right, which I think will be a conduit by which

1:42:21.040 --> 1:42:21.600
<v Speaker 3>we can I.

1:42:21.600 --> 1:42:25.040
<v Speaker 1>Mean, we're approaching the two hour mark. Dreamie.

1:42:25.520 --> 1:42:29.759
<v Speaker 3>I've been recording for one hour and forty eight minutes.

1:42:32.640 --> 1:42:36.280
<v Speaker 1>Okay, the Glaucus took. The clock is ticking, and at

1:42:36.280 --> 1:42:39.320
<v Speaker 1>the end, Fleet tears his own fur off and it

1:42:39.360 --> 1:42:40.439
<v Speaker 1>turns out it's Jigsaw.

1:42:41.320 --> 1:42:42.759
<v Speaker 3>Oh what a twist.

1:42:45.800 --> 1:42:48.920
<v Speaker 1>Okay, So Amanda, Yeah, Amanda is an interesting character. I

1:42:48.920 --> 1:42:52.160
<v Speaker 1>feel like, for as much as I love talking about

1:42:52.200 --> 1:42:54.080
<v Speaker 1>the Socks Bandit universe, let's just talk about her in

1:42:54.120 --> 1:42:58.120
<v Speaker 1>the context of this movie, because in the subsequent movies

1:42:58.160 --> 1:43:00.760
<v Speaker 1>she turned, she becomes an association, comes like one of

1:43:00.840 --> 1:43:04.679
<v Speaker 1>Jigsaw's minions stream Rise of Grew.

1:43:06.000 --> 1:43:08.000
<v Speaker 3>Well, do you think she's more of a Kevin or

1:43:08.040 --> 1:43:09.679
<v Speaker 3>more of a Stuart or more of a Bob.

1:43:10.040 --> 1:43:12.519
<v Speaker 1>Oh, that's a good question, Thank you for asking. I

1:43:12.560 --> 1:43:15.200
<v Speaker 1>would say she's not She's not a Kevin. I wouldn't

1:43:15.200 --> 1:43:17.760
<v Speaker 1>say that she's like, well, no, actually she may. She

1:43:17.800 --> 1:43:20.839
<v Speaker 1>may be close to Kevin because she does have leadership

1:43:20.960 --> 1:43:23.519
<v Speaker 1>qualities later on, but she doesn't need to be in charge.

1:43:23.560 --> 1:43:25.439
<v Speaker 1>But she is kind of the head minion. And that's

1:43:25.479 --> 1:43:27.760
<v Speaker 1>how I would describe Kevin. I think she's got a

1:43:27.800 --> 1:43:28.960
<v Speaker 1>little bit of Kevin energy.

1:43:29.360 --> 1:43:31.800
<v Speaker 3>Sure, because Bob is like the baby one.

1:43:32.200 --> 1:43:34.320
<v Speaker 1>Bob is the baby. Gotta love him. Stuart is the

1:43:34.360 --> 1:43:40.639
<v Speaker 1>rebel and the rock star. Kevin he is he's funny,

1:43:40.640 --> 1:43:42.800
<v Speaker 1>but he's you know, but he's the one that picks

1:43:42.840 --> 1:43:48.840
<v Speaker 1>up the phone. Does Kevin le Mignons such a good

1:43:48.840 --> 1:43:57.919
<v Speaker 1>part Bello, It's so funny. Amanda. I think is interesting

1:43:57.920 --> 1:44:01.040
<v Speaker 1>because she is the only woman in the movie whose

1:44:01.040 --> 1:44:04.479
<v Speaker 1>steaks are not directly tied to Carrie el Was. She's

1:44:04.520 --> 1:44:07.080
<v Speaker 1>like the only woman who stands on her own as

1:44:07.080 --> 1:44:10.360
<v Speaker 1>a character, which kind of bears out throughout the franchise

1:44:10.439 --> 1:44:13.880
<v Speaker 1>because the other women don't come back. She does as

1:44:13.960 --> 1:44:18.120
<v Speaker 1>Kevin le Mignon. But I also think that it's like,

1:44:19.160 --> 1:44:21.920
<v Speaker 1>I don't know that she's necessarily treated in a I

1:44:21.920 --> 1:44:23.160
<v Speaker 1>don't know, what do you think. I didn't think she

1:44:23.240 --> 1:44:26.679
<v Speaker 1>was treated in a particularly gendered way by Jigsaw. I'm

1:44:26.680 --> 1:44:30.000
<v Speaker 1>more an issue with how they were treating her character

1:44:30.160 --> 1:44:31.639
<v Speaker 1>as a recovering addict.

1:44:32.280 --> 1:44:34.719
<v Speaker 3>I agree, although her bear.

1:44:34.600 --> 1:44:37.040
<v Speaker 1>Drop on the head doesn't feel particularly gendered to me.

1:44:37.160 --> 1:44:40.240
<v Speaker 1>It just feels like, Hey, don't do that to.

1:44:40.240 --> 1:44:45.800
<v Speaker 3>Me, because she's only in one sequence and it's in

1:44:45.840 --> 1:44:52.000
<v Speaker 3>a flashback where she doesn't really interact with our main characters.

1:44:52.439 --> 1:44:56.760
<v Speaker 3>My main note about that was, why do the detectives

1:44:57.479 --> 1:45:00.800
<v Speaker 3>have Lawrence watch her testimony.

1:45:01.000 --> 1:45:02.160
<v Speaker 1>Amazing question.

1:45:02.400 --> 1:45:05.599
<v Speaker 3>If he's a suspect, that does I mean?

1:45:05.720 --> 1:45:08.719
<v Speaker 1>Ultimately, Danny Glover is estrange from his son for a reason.

1:45:08.800 --> 1:45:12.040
<v Speaker 1>He's bad at his job, and I wonder, I guess

1:45:12.040 --> 1:45:14.440
<v Speaker 1>that if you play the video game wrong, Danny Glover's

1:45:14.439 --> 1:45:18.759
<v Speaker 1>son is also a bad cop because Carla Song gets

1:45:18.840 --> 1:45:20.240
<v Speaker 1>torn in half by an elevator.

1:45:20.280 --> 1:45:25.320
<v Speaker 3>Oh shit, yeah, yeah, so my when I was examining

1:45:25.600 --> 1:45:29.360
<v Speaker 3>the Amanda piece of the puzzle, if you will, if

1:45:29.400 --> 1:45:31.919
<v Speaker 3>we're looking at this movie as if it's a puzzle,

1:45:35.880 --> 1:45:41.280
<v Speaker 3>uh huh, why would the detectives have Lawrence watch her testimony?

1:45:41.360 --> 1:45:45.679
<v Speaker 3>Doesn't make any sense? Good question, But yes, I don't.

1:45:45.880 --> 1:45:49.200
<v Speaker 3>Nothing pinged for me as far as like the treatment

1:45:49.240 --> 1:45:53.280
<v Speaker 3>of her character seems sexist. But yes, and again we

1:45:53.320 --> 1:45:59.720
<v Speaker 3>are trying to examine the logic and morality of Jigsaw's

1:46:00.960 --> 1:46:06.599
<v Speaker 3>code of ethics, which often doesn't make much sense.

1:46:07.320 --> 1:46:13.600
<v Speaker 6>Yeah no, but I think the movie approaches He's chaos kadochy.

1:46:13.680 --> 1:46:15.639
<v Speaker 6>I maybe would have to see more of the rewatch

1:46:15.680 --> 1:46:19.400
<v Speaker 6>more of the franchise, But I wonder how much of

1:46:19.800 --> 1:46:25.000
<v Speaker 6>this story is the filmmaker's asking the audience to be

1:46:25.160 --> 1:46:30.200
<v Speaker 6>like well, yeah, these victims, like they're sort of deserving

1:46:30.240 --> 1:46:32.599
<v Speaker 6>of where they're at, and whether or not they managed

1:46:32.640 --> 1:46:35.640
<v Speaker 6>to escape is going to sort of determine, like and

1:46:35.680 --> 1:46:39.280
<v Speaker 6>like how they feel about if they've you know, reevaluated

1:46:39.320 --> 1:46:43.959
<v Speaker 6>their life, if they're gonna be like deserving of a redemption.

1:46:44.640 --> 1:46:47.519
<v Speaker 6>So I'm not really sure where the movies land on,

1:46:47.720 --> 1:46:48.439
<v Speaker 6>Like I.

1:46:48.360 --> 1:46:50.439
<v Speaker 1>Feel like it is kind of like left up to

1:46:50.560 --> 1:46:52.800
<v Speaker 1>you because it's like, I don't know, I mean, it's

1:46:52.800 --> 1:46:54.519
<v Speaker 1>like one of those things where we were like, well,

1:46:54.840 --> 1:46:57.479
<v Speaker 1>no one's leaving the theater, being like Jigsaw was one

1:46:57.520 --> 1:47:03.639
<v Speaker 1>hundred percent correct, but except for except for the people

1:47:03.640 --> 1:47:09.240
<v Speaker 1>who were are on a list. But I don't know.

1:47:09.280 --> 1:47:11.200
<v Speaker 1>I feel like it's supposed to be ambiguous in a

1:47:11.200 --> 1:47:13.920
<v Speaker 1>way that I think is like kind of interesting. And

1:47:14.280 --> 1:47:18.839
<v Speaker 1>the more time that goes on, I think the more reads,

1:47:19.040 --> 1:47:21.360
<v Speaker 1>whether it intended at the time or not, kind of

1:47:21.600 --> 1:47:25.480
<v Speaker 1>become possible for the modern saw connoisseur.

1:47:25.760 --> 1:47:26.679
<v Speaker 3>Sure if you will.

1:47:27.280 --> 1:47:30.439
<v Speaker 1>I wanted to say something really quickly about the guy

1:47:30.479 --> 1:47:34.120
<v Speaker 1>who designs the saw traps, so Saw one, you don't

1:47:34.240 --> 1:47:36.600
<v Speaker 1>they're all it's such a I mean, this movie was

1:47:36.600 --> 1:47:39.280
<v Speaker 1>made for a million dollars, which is wild because you're like,

1:47:39.520 --> 1:47:42.120
<v Speaker 1>isn't that just like how much Danny Glover would make

1:47:42.280 --> 1:47:45.439
<v Speaker 1>for showing up? Apparently it was a labor of love.

1:47:45.560 --> 1:47:48.599
<v Speaker 1>Carrie Elle Was and Danny Glover both very big stars,

1:47:49.200 --> 1:47:51.519
<v Speaker 1>Danny Glover more so, but Carrie Elle was, you know,

1:47:51.640 --> 1:47:54.559
<v Speaker 1>a well known actor, like kind of wild that they

1:47:54.960 --> 1:48:00.840
<v Speaker 1>were in this Australian movie by two twenty five year olds. Also,

1:48:01.080 --> 1:48:03.000
<v Speaker 1>but I think that that's beautiful. I like that.

1:48:03.080 --> 1:48:07.440
<v Speaker 3>Yeah, I also like I don't know enough about like actors' salaries.

1:48:07.680 --> 1:48:11.280
<v Speaker 3>You hear about like Tom Cruise gets twenty million dollars

1:48:11.280 --> 1:48:13.759
<v Speaker 3>for every mission Impossible movie, and then I think people

1:48:13.800 --> 1:48:19.040
<v Speaker 3>assume that like most stars make that on every movie

1:48:19.080 --> 1:48:21.000
<v Speaker 3>there is sure, but I feel like, you know, like

1:48:21.640 --> 1:48:25.680
<v Speaker 3>not as bankable of stars, and like character actors and

1:48:25.680 --> 1:48:29.479
<v Speaker 3>stuff like make a far more modest living, you know,

1:48:29.600 --> 1:48:33.280
<v Speaker 3>and like I think Glover pretty bankable, pretty bankable for sure,

1:48:33.800 --> 1:48:35.360
<v Speaker 3>But I don't I don't know, I don't know how

1:48:35.439 --> 1:48:37.360
<v Speaker 3>much she was paid for this anyways.

1:48:37.439 --> 1:48:39.280
<v Speaker 1>I wonder if he was kind of like in a

1:48:39.560 --> 1:48:41.559
<v Speaker 1>I don't know, or maybe it's one of those one

1:48:41.600 --> 1:48:43.720
<v Speaker 1>for me, one for them, and the one for me

1:48:43.960 --> 1:48:48.160
<v Speaker 1>is saw could be Saw one two thousand and four. Yeah,

1:48:48.439 --> 1:48:51.400
<v Speaker 1>that would be the one for me. Uh, make no mistake.

1:48:51.479 --> 1:48:53.160
<v Speaker 1>What else was he in around this time? Yeah? I

1:48:53.160 --> 1:48:54.360
<v Speaker 1>guess that this wasn't like a.

1:48:54.439 --> 1:48:56.720
<v Speaker 3>Well, his heyday was more in like the eighties with

1:48:56.720 --> 1:48:58.320
<v Speaker 3>like lethal weapons.

1:48:58.040 --> 1:49:01.959
<v Speaker 1>Eighties and nineties. Yeah. So he's making his indie comeback

1:49:02.280 --> 1:49:05.000
<v Speaker 1>and Saw one, and I think he I mean, his

1:49:05.120 --> 1:49:08.080
<v Speaker 1>character is so weird, but I always love watching Danny Glover,

1:49:08.160 --> 1:49:11.360
<v Speaker 1>So there you got. I mean. Yeah, So, anyways, Saw one,

1:49:11.520 --> 1:49:14.200
<v Speaker 1>the budget is very low. James Wand literally makes the

1:49:14.280 --> 1:49:18.400
<v Speaker 1>Jigsaw doll himself with paper mache. Kind of amazing. Saw

1:49:18.720 --> 1:49:22.720
<v Speaker 1>two and onwards. I believe they get a guy to

1:49:22.800 --> 1:49:25.920
<v Speaker 1>design the traps, which is really cool. They have this

1:49:26.160 --> 1:49:30.120
<v Speaker 1>art director who comes on Saw two through five, which

1:49:30.160 --> 1:49:32.800
<v Speaker 1>is where all the iconic ones are. His name is

1:49:32.880 --> 1:49:34.760
<v Speaker 1>David Hackle. I just wanted to give him a quick

1:49:34.760 --> 1:49:37.639
<v Speaker 1>shout out because he designed some of the most horrific

1:49:37.640 --> 1:49:40.240
<v Speaker 1>shit I've ever seen in my entire life. They describe

1:49:40.479 --> 1:49:42.919
<v Speaker 1>from Saw too the pile of needles that I remembered.

1:49:43.680 --> 1:49:47.880
<v Speaker 1>He and his department had to spend two weeks with

1:49:47.960 --> 1:49:52.320
<v Speaker 1>one hundred and twenty thousand syringes individually removing the needle

1:49:52.360 --> 1:49:54.759
<v Speaker 1>and replacing it with something that wouldn't hurt the actor.

1:49:55.120 --> 1:49:56.400
<v Speaker 3>Whoa, I know.

1:49:56.760 --> 1:50:00.639
<v Speaker 1>What the craft, the raw craft been of the sawt

1:50:00.640 --> 1:50:05.120
<v Speaker 1>franchise iconic. It's iconic. Blow, it blows one's mind, not

1:50:05.240 --> 1:50:10.800
<v Speaker 1>to be underestimated. In conclusion, I think this is an

1:50:10.880 --> 1:50:15.200
<v Speaker 1>amazing movie. I love that it launched James Wand's career.

1:50:15.920 --> 1:50:20.040
<v Speaker 1>There are I mean, it's It's also rare, unfortunately in

1:50:20.320 --> 1:50:24.599
<v Speaker 1>Hollywood filmmaking for an Asian director to be making movies

1:50:24.680 --> 1:50:27.639
<v Speaker 1>on this scale. But again, this movie kind of isn't

1:50:27.640 --> 1:50:30.280
<v Speaker 1>on this scale. He only is making Aquaman movies now

1:50:30.479 --> 1:50:33.920
<v Speaker 1>because he, you know, was up till four in the

1:50:33.920 --> 1:50:37.760
<v Speaker 1>morning in Australia making a little jigsaw at his house.

1:50:37.880 --> 1:50:41.120
<v Speaker 1>I think it's inspiring. Yeah, it makes me want to

1:50:41.160 --> 1:50:41.639
<v Speaker 1>be better.

1:50:42.120 --> 1:50:44.280
<v Speaker 3>It's the kind of inspiring thing that again would be

1:50:44.320 --> 1:50:46.759
<v Speaker 3>on Viola Davis's Instagram feed.

1:50:47.320 --> 1:50:50.920
<v Speaker 1>It's true and apparently this was like Saw was. Also

1:50:51.000 --> 1:50:55.000
<v Speaker 1>there's something called Saw zero point five which I've never seen,

1:50:55.120 --> 1:50:56.960
<v Speaker 1>but I guess this was like similar to what we

1:50:57.000 --> 1:50:58.599
<v Speaker 1>do in the Shadouts. It was a short film they

1:50:58.600 --> 1:51:00.760
<v Speaker 1>made that was then turned into a few, so that's

1:51:00.800 --> 1:51:02.920
<v Speaker 1>how they got a million dollars to make the feature.

1:51:03.280 --> 1:51:06.679
<v Speaker 1>What they made a Saw short and that's why Lee

1:51:06.720 --> 1:51:08.960
<v Speaker 1>Wannel is in the movie is because he was in

1:51:09.080 --> 1:51:10.400
<v Speaker 1>Saw zero point five.

1:51:10.640 --> 1:51:14.360
<v Speaker 3>Right, Yes, I did read that on scholarly journal Wikipedia.

1:51:15.800 --> 1:51:20.200
<v Speaker 3>I have a quick list of just kind of stray observations.

1:51:20.600 --> 1:51:23.639
<v Speaker 1>Okay, I'm gonna just to the listeners. It is almost

1:51:23.680 --> 1:51:27.559
<v Speaker 1>two hours, but we'll edit it well.

1:51:27.560 --> 1:51:32.800
<v Speaker 3>Ed recording a hour.

1:51:30.560 --> 1:51:35.360
<v Speaker 1>And what are yours? I want to know your strays.

1:51:35.040 --> 1:51:39.760
<v Speaker 3>Okay, real quick. I appreciate that there is representation on

1:51:39.880 --> 1:51:46.320
<v Speaker 3>screen of men being really bad at throwing and catching

1:51:47.000 --> 1:51:53.800
<v Speaker 3>because they are tossing around keys, tapes, saws, cigarettes, lighters,

1:51:54.040 --> 1:51:58.120
<v Speaker 3>photographs and the only thing that either of them actually

1:51:58.160 --> 1:52:01.840
<v Speaker 3>catches is one time when Lawrence catches the tape player.

1:52:02.320 --> 1:52:07.120
<v Speaker 3>Everything else they throw and catch terribly. It's bad, and

1:52:07.400 --> 1:52:11.519
<v Speaker 3>I thought it was hilarious to watch. Another thing, Adam

1:52:11.800 --> 1:52:14.600
<v Speaker 3>does not wash off his hand after sticking it in

1:52:14.680 --> 1:52:17.759
<v Speaker 3>the toilet bowl, which seems to be full of liquid shit.

1:52:18.479 --> 1:52:21.960
<v Speaker 3>There was like clean water in the toilet tank, but

1:52:22.000 --> 1:52:24.559
<v Speaker 3>he does not clean off his hand and he just

1:52:24.680 --> 1:52:27.960
<v Speaker 3>keeps it all poopy for the rest of the movie. Disgusting, horrible,

1:52:28.600 --> 1:52:33.160
<v Speaker 3>Alison runs so slowly to her daughter's room when she

1:52:33.320 --> 1:52:38.280
<v Speaker 3>hears Diana screaming when she's being abducted, she does a

1:52:38.320 --> 1:52:43.960
<v Speaker 3>brisk walk. Shout out to the diorama that mister Saw

1:52:44.080 --> 1:52:49.080
<v Speaker 3>aka Jigsaw made of the bathroom escape Room So funny,

1:52:49.120 --> 1:52:51.160
<v Speaker 3>which we see.

1:52:51.120 --> 1:52:53.840
<v Speaker 1>Are you up to well? Are you doing?

1:52:54.880 --> 1:52:57.840
<v Speaker 3>I like to think that James Wand also made that himself.

1:52:57.880 --> 1:52:59.200
<v Speaker 3>He was like, I just need this.

1:52:59.360 --> 1:53:04.439
<v Speaker 1>Honestly, not unlikely based on what I have heard and

1:53:04.439 --> 1:53:06.920
<v Speaker 1>read about this movie. Yep.

1:53:07.720 --> 1:53:13.280
<v Speaker 3>Shout out to the line where Adam says, my last girlfriend,

1:53:13.520 --> 1:53:17.320
<v Speaker 3>a feminist vegan punk, broke up with me because she

1:53:17.720 --> 1:53:19.559
<v Speaker 3>thought I was too angry.

1:53:19.800 --> 1:53:24.599
<v Speaker 1>And then you're like, okay, time to kill him. Yes, exactly, Okay, Jigsaw,

1:53:24.600 --> 1:53:26.200
<v Speaker 1>game over Slam done.

1:53:26.240 --> 1:53:29.240
<v Speaker 3>There's a part where Danny Glover yells at Zepp. Also

1:53:29.320 --> 1:53:34.040
<v Speaker 3>the fact that there's a character named Zepp. So Danny

1:53:34.080 --> 1:53:37.880
<v Speaker 3>Glover says, I'm going to kill you, you sick ass hoe.

1:53:40.600 --> 1:53:41.160
<v Speaker 1>Amazing.

1:53:41.880 --> 1:53:46.559
<v Speaker 3>Okay, here's a fun thing I rewound.

1:53:46.800 --> 1:53:47.559
<v Speaker 1>Maybe that's not.

1:53:47.479 --> 1:53:49.320
<v Speaker 3>What he says, but it sounds sound.

1:53:49.640 --> 1:53:52.280
<v Speaker 1>No, let's just say, let's just say it. Yeah.

1:53:52.400 --> 1:53:59.720
<v Speaker 3>Carrie you Willis plays a doctor in the movie New

1:53:59.800 --> 1:54:03.200
<v Speaker 3>Years Eve, and I like to think that he's playing

1:54:03.200 --> 1:54:07.760
<v Speaker 3>the same character in that movie and in the Saw movies.

1:54:07.439 --> 1:54:11.120
<v Speaker 1>Because he lives right, he cauterizes world right.

1:54:11.160 --> 1:54:13.680
<v Speaker 3>Oh my gosh, he has a prosthetic foot. So I

1:54:13.760 --> 1:54:17.439
<v Speaker 3>think that the Saw movies and New Year's Eve take

1:54:17.479 --> 1:54:18.719
<v Speaker 3>place in the same universe.

1:54:18.880 --> 1:54:20.920
<v Speaker 1>I believe that. Okay, I'm in, I'm in.

1:54:21.320 --> 1:54:24.879
<v Speaker 3>I had a quick question did escape rooms exist before

1:54:25.160 --> 1:54:29.559
<v Speaker 3>the movie Saw, because they didn't really become popular until after.

1:54:29.960 --> 1:54:33.520
<v Speaker 3>But I goog I did some research and it turns

1:54:33.560 --> 1:54:38.200
<v Speaker 3>out kind of the first like modern escape room with

1:54:38.280 --> 1:54:44.800
<v Speaker 3>something called True Dungeon in Indianapolis, Indiana, USA. It premiered

1:54:44.880 --> 1:54:48.600
<v Speaker 3>in July two thousand and three, but they didn't become

1:54:48.640 --> 1:54:51.560
<v Speaker 3>popular until like the twenty tens. I would say, and

1:54:51.600 --> 1:54:54.680
<v Speaker 3>I wonder if Saw help popular.

1:54:55.360 --> 1:54:58.400
<v Speaker 1>You have to imagine escape rooms Saw how a hand

1:54:58.400 --> 1:55:01.720
<v Speaker 1>in it. I think so, if not Patient zero. I

1:55:01.800 --> 1:55:03.960
<v Speaker 1>also wanted to shout out the guy who plays Zep

1:55:04.240 --> 1:55:07.120
<v Speaker 1>was on Lost, and then once I learned that I couldn't.

1:55:07.600 --> 1:55:09.800
<v Speaker 1>I didn't notice at first, but then on my rewatch

1:55:09.800 --> 1:55:11.920
<v Speaker 1>and we're like, wait a second. I was forced to

1:55:11.920 --> 1:55:14.880
<v Speaker 1>watch Lost ones He's on like a lot of the show.

1:55:15.120 --> 1:55:19.320
<v Speaker 3>He's definitely in Lost. Also in Lost is ken Ling,

1:55:19.720 --> 1:55:22.400
<v Speaker 3>the actor who plays Yes Detective Sing And I was like,

1:55:22.640 --> 1:55:25.280
<v Speaker 3>is the whole cast of Lost in the movie Saw?

1:55:25.480 --> 1:55:29.800
<v Speaker 1>And if so, did jj Abrams just watch Saw and

1:55:29.840 --> 1:55:32.320
<v Speaker 1>be like, Now, this is a hell of a cast

1:55:32.360 --> 1:55:35.760
<v Speaker 1>because Lost premieres in late two thousand and four. So

1:55:36.760 --> 1:55:43.320
<v Speaker 1>what do you think about that? The jj Abrams James Wanstan,

1:55:43.720 --> 1:55:46.280
<v Speaker 1>I would believe it. I hope so he knows what's

1:55:46.320 --> 1:55:46.880
<v Speaker 1>good for him.

1:55:46.920 --> 1:55:51.960
<v Speaker 3>And then my final thing is The soundtrack of the

1:55:52.000 --> 1:56:02.720
<v Speaker 3>movie Saw was reviewed by Johnny Loftus AH.

1:56:01.440 --> 1:56:07.280
<v Speaker 1>And five stars. Right, Okay, it's my pseudonym. This is hilarious.

1:56:07.760 --> 1:56:12.800
<v Speaker 3>Johnny Loftus of AllMusic gave the soundtrack of Saw three

1:56:13.080 --> 1:56:17.600
<v Speaker 3>out of five stars, AH, saying that the composer whose

1:56:17.680 --> 1:56:22.080
<v Speaker 3>name is uh oh shit Klauser, don't know his first name.

1:56:22.000 --> 1:56:27.960
<v Speaker 1>Though, Look, Hans Zimmer couldn't do it. Hans Zimmer couldn't

1:56:28.040 --> 1:56:30.520
<v Speaker 1>make it happen the way that whoever this person is.

1:56:30.720 --> 1:56:34.800
<v Speaker 3>Yeah, so the composer of the Saw score quote really

1:56:34.920 --> 1:56:38.880
<v Speaker 3>nails it with his creaky clammy score, which makes you

1:56:38.920 --> 1:56:41.800
<v Speaker 3>think that if he thinks he nails it, why only

1:56:41.880 --> 1:56:43.320
<v Speaker 3>three out of five stars.

1:56:43.600 --> 1:56:46.760
<v Speaker 1>That shit makes me so mad when someone writes you

1:56:46.920 --> 1:56:49.320
<v Speaker 1>essentially a good review and then they're like, I give

1:56:49.360 --> 1:56:51.320
<v Speaker 1>it a C minus and you're like for what.

1:56:51.960 --> 1:56:54.280
<v Speaker 3>Yeah, who were you said you liked it?

1:56:54.400 --> 1:56:59.000
<v Speaker 1>Scottish theater reviewer or whomever sounds like you liked the

1:56:59.080 --> 1:57:01.680
<v Speaker 1>show in you'd give it three out of five stars.

1:57:01.920 --> 1:57:12.080
<v Speaker 1>Table flip unbelievable. Johnny loftus Johnny Lofts, It's interesting that

1:57:12.160 --> 1:57:14.520
<v Speaker 1>you would say that when Jigsaw is still at large.

1:57:14.720 --> 1:57:19.360
<v Speaker 1>I'll say that, what are you implying je or is

1:57:19.400 --> 1:57:24.000
<v Speaker 1>it Johnny Lofts Jigsaw Lock.

1:57:26.840 --> 1:57:33.000
<v Speaker 3>Jiggy Jiggy Loft. I'm sorry that I just made you

1:57:33.040 --> 1:57:34.280
<v Speaker 3>spit out your diet coke.

1:57:36.240 --> 1:57:43.000
<v Speaker 1>It's all right, it's He'll be okay. Oh boy, well

1:57:43.840 --> 1:57:45.680
<v Speaker 1>would you look at that. It's time for me to

1:57:45.720 --> 1:57:48.240
<v Speaker 1>cut my foot off. Yeah.

1:57:48.320 --> 1:57:50.920
<v Speaker 3>Oops, we did record for two hours and six minutes,

1:57:50.960 --> 1:57:53.240
<v Speaker 3>so we both have to cut our feet off.

1:57:53.280 --> 1:57:55.360
<v Speaker 1>There's someone at the door and it looks like the

1:57:55.360 --> 1:57:56.160
<v Speaker 1>game might be over.

1:57:56.680 --> 1:57:57.360
<v Speaker 3>The game is over?

1:58:00.680 --> 1:58:02.800
<v Speaker 1>Can we start playing that? At the end of every app.

1:58:05.320 --> 1:58:08.840
<v Speaker 3>Game over slam and then the episode's over.

1:58:09.120 --> 1:58:12.440
<v Speaker 1>That's basically how every That's how every podcast episode should

1:58:13.800 --> 1:58:19.120
<v Speaker 1>game over slam. Oh god, okay, So does this movie

1:58:19.160 --> 1:58:23.320
<v Speaker 1>pass the viable test? I don't think so there's okay,

1:58:23.360 --> 1:58:29.080
<v Speaker 1>hang on, Okay. So Diana goes to her mom's bedside

1:58:29.360 --> 1:58:31.760
<v Speaker 1>and Allison says, are you okay?

1:58:32.000 --> 1:58:35.640
<v Speaker 3>Can you hear me? And Diana says mommy, and she says,

1:58:35.680 --> 1:58:38.640
<v Speaker 3>what is it, sweet pea? But then she's like, there's

1:58:38.680 --> 1:58:40.440
<v Speaker 3>a man in my room. And then I talk about

1:58:40.480 --> 1:58:41.840
<v Speaker 3>the man in her room for a little bit, and

1:58:41.840 --> 1:58:43.920
<v Speaker 3>then she's like, I want Daddy to get the scary

1:58:43.960 --> 1:58:48.480
<v Speaker 3>man away. So that one is up for debate because

1:58:48.520 --> 1:58:51.400
<v Speaker 3>it starts out passing, but then the ultimately the conversation,

1:58:51.440 --> 1:58:53.720
<v Speaker 3>the whole conversation is about the scary man, and then

1:58:53.840 --> 1:58:55.280
<v Speaker 3>Daddy's saving them.

1:58:55.400 --> 1:58:55.760
<v Speaker 1>Oh.

1:58:55.800 --> 1:58:59.800
<v Speaker 3>There's another interaction later on where Alison is like, I

1:58:59.840 --> 1:59:01.960
<v Speaker 3>need you to be really really strong for me, but

1:59:02.240 --> 1:59:05.880
<v Speaker 3>like Diana's just kind of like crying. And also the

1:59:05.920 --> 1:59:09.400
<v Speaker 3>context is like they're scared because a scary man has

1:59:09.440 --> 1:59:13.000
<v Speaker 3>abducted them and might kill them. So I feel like,

1:59:13.160 --> 1:59:17.400
<v Speaker 3>probably no. But there is some interactions and.

1:59:17.360 --> 1:59:20.480
<v Speaker 1>There's some healthy debate over on Bechdel test dot com

1:59:20.880 --> 1:59:24.480
<v Speaker 1>about whether this passes. There's like two people go absolutely

1:59:24.560 --> 1:59:28.640
<v Speaker 1>going at it in the comments, trying to decide whether

1:59:28.680 --> 1:59:32.160
<v Speaker 1>those two scenes you just describe constitute a past or not.

1:59:32.200 --> 1:59:36.760
<v Speaker 1>I'm gonna say it doesn't constitute it. Unfortunately, I agree. Yeah,

1:59:36.880 --> 1:59:41.360
<v Speaker 1>I look, it's a flawed metric and yeah, but it's

1:59:41.360 --> 1:59:43.920
<v Speaker 1>also not a feminist movie. Like you know, this movie

1:59:44.720 --> 1:59:47.480
<v Speaker 1>is an ally to no one because it's about Jigsaw,

1:59:48.240 --> 1:59:52.000
<v Speaker 1>who is an ally to no one. He has no

1:59:52.040 --> 1:59:54.840
<v Speaker 1>love in his heart except he does, except he practices.

1:59:54.960 --> 1:59:57.120
<v Speaker 1>I feel like he does. Jigsaw is the bad side

1:59:57.120 --> 1:59:59.880
<v Speaker 1>of wellness culpture because he's like practice gratitude, but he

2:00:00.120 --> 2:00:04.600
<v Speaker 1>absolutely diabolical, scariest person in the world, but always screaming

2:00:04.640 --> 2:00:09.200
<v Speaker 1>about gratitude. Okay, nipple scale who tough?

2:00:09.240 --> 2:00:12.600
<v Speaker 3>Wow, I feel like this movie defies the scale.

2:00:13.160 --> 2:00:14.440
<v Speaker 1>I honestly kind of did too.

2:00:16.280 --> 2:00:21.520
<v Speaker 3>I mean, there's not that much that made me feel horrified.

2:00:22.080 --> 2:00:25.839
<v Speaker 3>From a representation standpoint, I felt horrified.

2:00:25.920 --> 2:00:27.880
<v Speaker 1>No, it's mostly I mean, especially for a movie of

2:00:27.920 --> 2:00:30.080
<v Speaker 1>this era, I was expecting to us to have way

2:00:30.120 --> 2:00:34.720
<v Speaker 1>more non ambiguous bad shit to talk about it because.

2:00:34.480 --> 2:00:38.960
<v Speaker 3>It was this era. I feel like especially that regardless

2:00:39.000 --> 2:00:41.960
<v Speaker 3>of what the movie was about or what genre it

2:00:42.040 --> 2:00:47.480
<v Speaker 3>was in, you would just have characters randomly dropping homophobic slurs,

2:00:48.520 --> 2:00:54.400
<v Speaker 3>making racist comments seemingly randomly, like just absolutely.

2:00:53.840 --> 2:00:56.080
<v Speaker 1>Needless on one in one El's.

2:00:55.840 --> 2:00:59.920
<v Speaker 3>Watch, certainly not so not that that one.

2:01:00.400 --> 2:01:03.160
<v Speaker 1>Except for that one disparage and comment from Adam. I

2:01:03.200 --> 2:01:03.880
<v Speaker 1>think that that was.

2:01:04.160 --> 2:01:06.840
<v Speaker 3>Literally the feminists are angry.

2:01:06.640 --> 2:01:09.240
<v Speaker 1>But that was like and also that character sucks. So

2:01:09.280 --> 2:01:11.200
<v Speaker 1>I could also see it being like, oh, here's a

2:01:11.240 --> 2:01:12.400
<v Speaker 1>reason to not like this guy.

2:01:12.720 --> 2:01:16.080
<v Speaker 3>Yeah, and he presumably dies at the end. We're not sure.

2:01:16.640 --> 2:01:18.680
<v Speaker 1>I don't think he does in the universe, but who does.

2:01:19.440 --> 2:01:24.480
<v Speaker 3>Ultimately, Okay, I think I just need to give this

2:01:24.520 --> 2:01:24.840
<v Speaker 3>like a.

2:01:25.040 --> 2:01:29.600
<v Speaker 1>Is it like a two nipples? It's so hard because

2:01:29.600 --> 2:01:33.880
<v Speaker 1>you're like, but I don't, Yeah, I guess, yeah, I

2:01:33.880 --> 2:01:35.960
<v Speaker 1>guess I'll just go right down the middle. I'll say

2:01:35.960 --> 2:01:39.280
<v Speaker 1>two and a half. There's nothing wrong. But it's also

2:01:39.360 --> 2:01:43.760
<v Speaker 1>not like its mission is not to further a discussion

2:01:43.800 --> 2:01:45.240
<v Speaker 1>of anything, except like.

2:01:45.800 --> 2:01:50.400
<v Speaker 3>I beg is a feminist masterpiece.

2:01:50.880 --> 2:01:53.120
<v Speaker 1>I mean, that is kind of what I believe, but

2:01:53.240 --> 2:01:55.560
<v Speaker 1>I know that it's bad practice to say so, and

2:01:55.600 --> 2:01:59.839
<v Speaker 1>it will decrease my credibility in the eyes of a listeners. Ultimately,

2:01:59.880 --> 2:02:02.720
<v Speaker 1>I do think that this is still one of my

2:02:02.760 --> 2:02:04.560
<v Speaker 1>favorite movies. I had no.

2:02:04.560 --> 2:02:06.680
<v Speaker 3>Idea you were so into the Sauna verse.

2:02:07.360 --> 2:02:10.040
<v Speaker 1>It's weird because I really just like Saw. One is

2:02:10.080 --> 2:02:13.080
<v Speaker 1>such a classic and it's not like a comfort movie.

2:02:13.120 --> 2:02:15.240
<v Speaker 1>But I watched Saw about like once a year. I

2:02:15.320 --> 2:02:18.160
<v Speaker 1>enjoy Saw quite a bit, and I love James Wand

2:02:18.440 --> 2:02:20.800
<v Speaker 1>And the more I feel like James Wand I got

2:02:20.840 --> 2:02:24.440
<v Speaker 1>really into late last year because I was working with

2:02:24.480 --> 2:02:29.040
<v Speaker 1>Sarah Marshall on something about the couple from the Conjuring movies,

2:02:29.680 --> 2:02:32.160
<v Speaker 1>and so I got deep into the Wanta verse. And

2:02:32.200 --> 2:02:34.360
<v Speaker 1>those movies are not good, but I still love James

2:02:34.440 --> 2:02:37.200
<v Speaker 1>Wand So what can you do? I would get this

2:02:37.240 --> 2:02:41.320
<v Speaker 1>movie two and a half nipples and five hundred little jigsaws.

2:02:41.800 --> 2:02:45.480
<v Speaker 3>Oh oh yeah, what was I thinking? Yeah, a five

2:02:45.560 --> 2:02:46.920
<v Speaker 3>hundred piece jigsaw puzzle.

2:02:47.160 --> 2:02:47.680
<v Speaker 1>Exactly.

2:02:47.920 --> 2:02:53.320
<v Speaker 3>See, I'd give it a thousand pieces of a jigsaw puzzle.

2:02:53.800 --> 2:02:55.680
<v Speaker 1>I really want there to be more jigsaws.

2:02:56.000 --> 2:02:58.640
<v Speaker 3>Here's what I'm going to do, because you gave me

2:02:58.680 --> 2:03:02.879
<v Speaker 3>an idea just the Saw movies for my movie marathon

2:03:03.000 --> 2:03:08.040
<v Speaker 3>this Halloween season. I'm going to do Hallo Wan and

2:03:08.080 --> 2:03:09.840
<v Speaker 3>then we can watch more Lignan again because I've never

2:03:09.840 --> 2:03:11.760
<v Speaker 3>seen Insidious. The insidious movies.

2:03:12.240 --> 2:03:16.440
<v Speaker 1>Insidious is pretty fun. I say, let's I would advocate

2:03:16.480 --> 2:03:18.920
<v Speaker 1>for us watching Conjuring one and maybe then calling it

2:03:18.960 --> 2:03:21.560
<v Speaker 1>a day. By the time you get to the Conjuring

2:03:21.600 --> 2:03:23.560
<v Speaker 1>the Devil that made me do it, you're like, this

2:03:23.640 --> 2:03:28.480
<v Speaker 1>is too much, too much, too much. But we could

2:03:28.480 --> 2:03:31.960
<v Speaker 1>watch Annabelle because that's pretty good. I was not James

2:03:32.000 --> 2:03:35.040
<v Speaker 1>want directed. But this is part of the Wanaverse, part.

2:03:34.880 --> 2:03:37.680
<v Speaker 3>Of the universe. Yeah, exactly. Wow.

2:03:37.880 --> 2:03:40.640
<v Speaker 1>And then he's got the new Aquaman coming out at

2:03:40.720 --> 2:03:42.680
<v Speaker 1>some point, question mark, I don't.

2:03:42.480 --> 2:03:46.320
<v Speaker 3>Know, true well anyway.

2:03:45.040 --> 2:03:48.200
<v Speaker 1>And I love that Lee Wandell, Like I really enjoyed

2:03:48.200 --> 2:03:52.040
<v Speaker 1>the Invisible Man. I didn't realize that it was Adam

2:03:52.040 --> 2:03:56.120
<v Speaker 1>from Saul question why? Good shit. Also, they're such good

2:03:56.160 --> 2:03:59.840
<v Speaker 1>friends that Lee Wannell had a cameo in Aquaman. Oh

2:04:00.080 --> 2:04:00.600
<v Speaker 1>is that cute?

2:04:00.680 --> 2:04:03.200
<v Speaker 3>That is very cute. I like that they're still friends.

2:04:03.680 --> 2:04:09.720
<v Speaker 1>It's cute. Okay, Well, Caitlin, thank you for talking about

2:04:09.760 --> 2:04:11.760
<v Speaker 1>Saw with me for my birthday. I love Saw.

2:04:12.320 --> 2:04:14.760
<v Speaker 3>Hey, happy belated birthday.

2:04:15.000 --> 2:04:18.640
<v Speaker 1>It's it's over now, but look but but but I

2:04:18.720 --> 2:04:23.360
<v Speaker 1>live on until Jigsaw gets me. What an amazing movie.

2:04:23.640 --> 2:04:26.640
<v Speaker 1>I had a great time listeners. We hope you had

2:04:26.680 --> 2:04:29.000
<v Speaker 1>a good time, because we sure did.

2:04:30.000 --> 2:04:31.200
<v Speaker 3>We sure did.

2:04:32.640 --> 2:04:35.120
<v Speaker 1>Please found off in the comments with what I'm sure

2:04:35.600 --> 2:04:39.800
<v Speaker 1>was me getting canon incorrect. Let's discuss if anyone has

2:04:39.800 --> 2:04:42.600
<v Speaker 1>a baby Jigsaw doll. I do have buyer's remorse for

2:04:42.720 --> 2:04:43.440
<v Speaker 1>not getting it.

2:04:44.800 --> 2:04:46.760
<v Speaker 3>Wait does such a thing exist already?

2:04:47.400 --> 2:04:52.560
<v Speaker 1>Some sicko on Etsy made baby Jigsaw and I failed

2:04:52.560 --> 2:04:54.320
<v Speaker 1>to buy it, and then when I went to check,

2:04:55.080 --> 2:04:57.600
<v Speaker 1>someone else, bafflingly had purchased it.

2:04:57.680 --> 2:05:00.480
<v Speaker 3>So it was just like a one time one done

2:05:00.760 --> 2:05:01.520
<v Speaker 3>and want it done.

2:05:01.640 --> 2:05:07.600
<v Speaker 1>An independent creator, an artist made baby Jigsaw and I

2:05:07.760 --> 2:05:09.440
<v Speaker 1>fucked up, and I was like I would be afraid

2:05:09.440 --> 2:05:11.200
<v Speaker 1>of that, which I would have been, but it would

2:05:11.200 --> 2:05:11.920
<v Speaker 1>have been nice to have.

2:05:12.520 --> 2:05:19.960
<v Speaker 3>Wow, I know, I know. Okay, that is the end?

2:05:20.480 --> 2:05:23.840
<v Speaker 3>Uh or that's where we're cutting out of the Matreon episode.

2:05:24.000 --> 2:05:27.320
<v Speaker 1>Kaeln Yeah, Jamie, Oh wait how much how much time

2:05:27.360 --> 2:05:28.520
<v Speaker 1>do we have? Less?

2:05:28.640 --> 2:05:30.920
<v Speaker 3>We're definitely over two hours?

2:05:31.320 --> 2:05:32.120
<v Speaker 1>No?

2:05:32.120 --> 2:05:39.640
<v Speaker 3>No oh, no, here comes someone. Hi, it's me No Jigsaw.

2:05:39.880 --> 2:05:43.000
<v Speaker 1>No wait, Jigsaw, just make sure first before you kill us.

2:05:43.280 --> 2:05:47.520
<v Speaker 1>Please subscribe to the Matreon. Please cut a patreon dot

2:05:47.560 --> 2:05:49.840
<v Speaker 1>com slash bectl cass if you enjoyed this episode and

2:05:49.920 --> 2:05:53.120
<v Speaker 1>get over one hundred and fifty bonus episodes not available

2:05:53.160 --> 2:05:55.400
<v Speaker 1>on the main feed for the low price of five

2:05:55.440 --> 2:05:59.120
<v Speaker 1>dollars a month. Jigsaw please oh consider it.

2:05:59.640 --> 2:06:04.120
<v Speaker 3>But but since the episode was over two hours long,

2:06:04.800 --> 2:06:07.640
<v Speaker 3>guess what what? Game over?

2:06:09.240 --> 2:06:12.960
<v Speaker 1>Swam Bye Bye.

2:06:25.280 --> 2:06:28.600
<v Speaker 3>The Bechdel Cast is a production of iHeartMedia, hosted by

2:06:28.640 --> 2:06:32.520
<v Speaker 3>Caitlin Derante and Jamie Loftis, produced by Sophie Lichterman, edited

2:06:32.640 --> 2:06:35.800
<v Speaker 3>by Mola Board. Our theme song was composed by Mike

2:06:35.920 --> 2:06:40.280
<v Speaker 3>Kaplan with vocals by Katherine Voskresenski. Our logo in merch

2:06:40.440 --> 2:06:43.400
<v Speaker 3>is designed by Jamie Loftis and a special thanks to

2:06:43.440 --> 2:06:47.840
<v Speaker 3>Aristotle Acevedo. For more information about the podcast, please visit

2:06:47.880 --> 2:06:49.480
<v Speaker 3>linktree slash Bechdel Cast