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Speaker 1: Hey, discos, need a little more Disgraceland in your life,

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Speaker 1: just to touch, to get you through. Yeah, me too.

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Speaker 1: This is the podcast that comes after the podcast. Welcome

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Speaker 1: to Disgraceland, the after Party. Welcome to the Disgraceland bonus episode,

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Speaker 1: a little thing we like to call the after party.

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Speaker 1: This is the show after the show, the party after

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Speaker 1: the party, the bridge to get you from one full

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Speaker 1: episode of Disgraceland to the other. The backyard, to dig

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Speaker 1: into the dirt, our mission to uncover the truth, to

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Speaker 1: confront the myth, to reclaim the story. On this bonus episode,

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Speaker 1: we are discussing the biggest Christmas moments from music history,

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Speaker 1: Phil Spector and John Lennon, a massive new announcement from

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Speaker 1: myself and the folks here at Double Elvis, and we

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Speaker 1: get into your emails, comments, dms, and as always a

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Speaker 1: whole lot of This is the podcast for the musically obsessed,

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Speaker 1: the outsiders, the independent thinkers who know that the best

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Speaker 1: history is the history that gets buried. Disgraceland is where

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Speaker 1: I tell the stories they didn't want told, the kind

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Speaker 1: you'll end up telling someone else. All Right, this goes,

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Speaker 1: let's get into it. Two days ago I heard a

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Speaker 1: Christmas song I never heard before, and it stopped me

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Speaker 1: in my tracks. I was scrolling Instagram and up pop

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Speaker 1: the reel with the performer singing his ass off and

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Speaker 1: feeling every note of the song and every fiber of

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Speaker 1: his being. I went immediately to Spotify to hear the

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Speaker 1: full tune, and by the time the course hit no joke,

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Speaker 1: my eyes were tearing up. This song was Christmas Must

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Speaker 1: Be Tonight by the band Rick Danko's voice in this tune.

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Speaker 1: It's got so much more in it, just the effortless

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Speaker 1: kind of emotion, not the contrived kind. And the story

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Speaker 1: the lyrics about a man witnessing the birth of Jesus,

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Speaker 1: witnessing a miracle. It's gutting, and of course it's the band,

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Speaker 1: So the feel that the song has is as powerful

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Speaker 1: as the vocal in the lyrics. When the tune ended,

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Speaker 1: I had that great feeling that we're all very familiar with,

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Speaker 1: the feeling of Catharsis, of exhilaration, that feeling that only

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Speaker 1: great music can provide, and that revelation, that holy shit moment.

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Speaker 1: As soon as it faded, I felt something else. I

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Speaker 1: felt stupidity. If this song was so great, how come

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Speaker 1: I never heard it before. It's not like it was

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Speaker 1: from some obscure artist I'm unfamiliar with. This is the

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Speaker 1: band we're talking about. I just spent an entire week

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Speaker 1: and a half blabbing about the band with you guys

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Speaker 1: here and on Patreon and social during the Thanksgiving holiday.

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Speaker 1: I don't have a reason other than to say that,

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Speaker 1: you know, we can't be aware of every thing. This song,

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Speaker 1: Christmas Must Be Tonight. It's on the band's last album

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Speaker 1: with Robbie robertson a record called Islands. And you know

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Speaker 1: this nineteen seventy seven album, it's not that great. It's

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Speaker 1: not really an album either. It's a collection of previously

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Speaker 1: recorded outtakes, of which Christmas Must Be Tonight is one.

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Speaker 1: The tomb is recorded as a single in nineteen seventy five,

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Speaker 1: and the brain trust at Capitol Records decided that it

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Speaker 1: wasn't good enough to release, so the song didn't see

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Speaker 1: the light until a couple of years later, when it

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Speaker 1: was buried into the sequencing of the album called Islands

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Speaker 1: at the end of side one, an album released by

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Speaker 1: a band that was over Okay, Islands comes out after

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Speaker 1: the Last Waltz and you know, after Robbie Robertson, the

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Speaker 1: band's primary songwriter, had left and made it clear that

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Speaker 1: he didn't want anything else to do with the band.

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Speaker 1: Little side note, We've done a lot of band talk,

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Speaker 1: like I just said, and we've never really dove into

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Speaker 1: the beef between Levon Helm and Robbie Robertson and what

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Speaker 1: it was that Levon accused Robbie of doing to him

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Speaker 1: and the rest of the members of the band. It's ugly, murky,

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Speaker 1: and I've always avoided this story because I like to

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Speaker 1: keep these guys pure in my mind. But today, in

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Speaker 1: the exclusive section of this after party, I'm gonna have

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Speaker 1: Zeth take me through these accusations and the ins and

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Speaker 1: outs of this saga, and we're going to look into

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Speaker 1: what Levon said and what Robbie did or did not do.

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Speaker 1: Hopefully we learn a thing or two that's coming up

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Speaker 1: at the end of this episode. Go to its grace

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Speaker 1: lampod dot com to become an all Access member if

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Speaker 1: you're not one already, so they can hear this in

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Speaker 1: more exclusive content every week. Plus add for you listening

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Speaker 1: all right, back to the excellent band holiday tune, Christmas

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Speaker 1: must be Tonight. The fact that the song was released

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Speaker 1: after the band was done is unfortunate because I can

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Speaker 1: see an alternate reality where Christmas Must Be Tonight is

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Speaker 1: a massive hit. It's that great, and when you listen

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Speaker 1: to it, you can easily imagine it being released as

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Speaker 1: a single and hitting as a single, and working its

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Speaker 1: way into the zeitgeist of late seventies rock and roll

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Speaker 1: music and culture, and ultimately becoming a cultural touch point

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Speaker 1: that we returned to every holiday season, like we do

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Speaker 1: with Mariah Carey or Wham and Sir Paul and so

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Speaker 1: many others. But Christmas Must Be Tonight it never had

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Speaker 1: its moment, and so it remains buried in the basement

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Speaker 1: of music history. But the song got me thinking about

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Speaker 1: other great Christmas moments for music history, and it's a

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Speaker 1: fun topic because there are many. There's the release of

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Speaker 1: this week's full episode subject Phil Spector's genius Christmas album,

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Speaker 1: A Christmas Gift for You, released on November twenty second,

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Speaker 1: nineteen sixty three, the day President John F. Kennedy was shot.

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Speaker 1: We talk about this obviously in this week's full episode

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Speaker 1: on Phil. It's a crazy story. Phil's album ended up

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Speaker 1: giving birth to another great music history moment, come much

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Speaker 1: later Christmas moment, I should say, and that was the

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Speaker 1: tradition of singer Darlene Love, the tradition she created by

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Speaker 1: performing her great version of the specter produced Merry Christmas, Baby,

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Speaker 1: Please Come Home every year on David Letterman Show here

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Speaker 1: in the United States, a tradition that I got to say,

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Speaker 1: I really miss It was great. I loved it. I

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Speaker 1: looked forward to it every year. It's fantastic. There's also

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Speaker 1: John Lennon in Yoko Ono's excellent protest song Happy Christmas

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Speaker 1: War Is Over, released on December one, nineteen seventy one.

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Speaker 1: Now that was a moment for sure. The song came

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Speaker 1: with billboards, and it came with a bunch of blowback

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Speaker 1: and consternation from American radio stations who refused to play

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Speaker 1: the song at first anyways, because they thought it was

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Speaker 1: too political, you know. But eventually it warmed its way

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Speaker 1: into the zeitgeist, and now it returns to us every

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Speaker 1: holiday season, and the lyrics are quite humbling and pretty

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Speaker 1: great still to this day. And then, of course there's

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Speaker 1: the granddaddy of weird Christmas music history moments from nineteen

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Speaker 1: seventy seven, where David Bowie appeared with Bing Crosby to

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Speaker 1: duet on the Little Drummer Boy slash Peace on Earth,

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Speaker 1: a moment that I think a lot of us are

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Speaker 1: still trying to figure out. Anyways, these great Christmas moments,

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Speaker 1: holiday moments, whatever you want to call them, from music history,

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Speaker 1: they help shape how we all experience the holiday season

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Speaker 1: to this day, and I'm grateful for it, even if

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Speaker 1: I don't wake up every December clamoring to hear Bowie

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Speaker 1: and Bing's version of a tune that I never really

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Speaker 1: liked that much to begin with. But nonetheless, I am,

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Speaker 1: like most people, a creature of habit, and I get

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Speaker 1: nostalgic just like you guys. And also, like most people,

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Speaker 1: I'm a fan of our cultural traditions, so it's interesting

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Speaker 1: to think about how much music influences those traditions. Now,

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Speaker 1: it's too bad that the band's Christmas Must Be Tonight

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Speaker 1: never had its moment, and that this great song that

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Speaker 1: it's not part of our larger cultural tradition every holiday season.

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Speaker 1: But who knows. Maybe the Internet is about to do

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Speaker 1: its thing and shine a new light on this tune.

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Speaker 1: Maybe maybe its moment is coming. Maybe we're part of

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Speaker 1: the beginning of it right now. I don't know, but

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Speaker 1: I highly recommend that you guys give this man tune

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Speaker 1: a spin this holiday season. Whether you've heard it or not.

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Speaker 1: If you've heard it before, go check it out. If

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Speaker 1: you have not heard it, check it out. You won't

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Speaker 1: be disappointed. Okay, So, speaking of John and Yoko, This week,

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Speaker 1: December eighth is the anniversary of John Lennon's death, which

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Speaker 1: is in part why we're featuring our London episodes in

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Speaker 1: the rewind spot coming out right after this bonus episode.

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Speaker 1: We also chose these rewind episodes because of John's connection

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Speaker 1: to Phil Specter. This week's full episode subject of Disgraceland.

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Speaker 1: Next week we're featuring Shame McGown and the Feed And

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Speaker 1: well that's obviously because of The Pogue's excellent Christmas tune,

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Speaker 1: one of, if not the greatest Christmas tune of all,

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Speaker 1: fairy Tale of New York. What do you guys are

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Speaker 1: listening to this story? Be thinking about which Christmas songs

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Speaker 1: recorded by musicians from the rock or punk or funk

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Speaker 1: or country or rap genres? You know, the genre we

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Speaker 1: deal with the most. Which songs from these artists move

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Speaker 1: you the most? Is it The Pogue's fairy Tale of

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Speaker 1: New York or any of the others that I mentioned

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Speaker 1: so far as it's something a bit more esoteric, like

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Speaker 1: James Brown Santa Claus Goes Straight to the Ghetto, or

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Speaker 1: Pretty Paper by Willie Nelson, or maybe even that great

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Speaker 1: collab between Dolomite and Easy E entitled Merry motherfucking Exmas.

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Speaker 1: You know, like, I was just thinking, we talk about

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Speaker 1: this every year, we talk about great Christmas Christmas music,

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Speaker 1: but I want to know what the songs are that

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Speaker 1: just got you the Christmas songs Like I'm telling you, man,

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Speaker 1: that band song, it's like it opened a vein. I

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Speaker 1: was trying to sit there, my wife and my oldest son.

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Speaker 1: I was trying not to cry. It was so fucking emotional.

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Speaker 1: It's just incredible. Rick Danko, Man, So what are those songs?

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Speaker 1: Christmas is a super emotional time, and I feel like

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Speaker 1: it's it's the emotion is heightened by the music. What

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Speaker 1: are those songs that really you know, Yeah, I guess

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Speaker 1: if you want to, you want to hit me back,

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Speaker 1: and you know, talk about Irving Berlin or Bing Crosby

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Speaker 1: or whatever. That's fine, or Sinatra, But you know, what

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Speaker 1: are the ones that we may not be familiar with,

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Speaker 1: you know, like like the ones I mentioned, like the

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Speaker 1: Dole Might Easy Thing, the James Brown, Santa Clauso, Straight

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Speaker 1: to the Ghetto, Pretty Paper by Willie Nelson. It's kind

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Speaker 1: of the obscure ones by rock and classic rock and

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Speaker 1: country and hip hop artists that that really resonate and

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Speaker 1: means something to you. All Right, let's get into it.

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Speaker 1: Hit me up six one seven, nine oh six sixty

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Speaker 1: six three eight voicemail, text, email me Disgrace Lampod at

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Speaker 1: gmail dot com. Hit me on socials at Disgrace lamp

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Speaker 1: Pod and let me know your answers. We'll talk about

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Speaker 1: it next week and next week's after party. In the meantime,

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Speaker 1: I'll be back right after this, not only with your

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Speaker 1: voicemails and text, but with a very special announcement that

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Speaker 1: you're not gonna want to miss. All right, guys, welcome back.

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Speaker 1: So today today is the day. Today we are announcing

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Speaker 1: the launch of a new podcast here at Double Elvis,

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Speaker 1: a video podcast co hosted by myself and doctor Zeth

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Speaker 1: Mundy called This Film Should be Played Loud. This Film

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Speaker 1: Should Be Played Loud, feature Zess and Me combining our

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Speaker 1: love of music Disgraceland and film Hollywood Land in a

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Speaker 1: discussion about what else the great music from the films

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Speaker 1: we love, the best soundtracks, the best scores, the best

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Speaker 1: needle drops performances, et cetera. We kicked off this series

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Speaker 1: today with what is quite possibly the most incredible movie

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Speaker 1: soundtrack of all time, The Good Fella's Soundtrack. All Right,

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Speaker 1: this is a video podcast, a first for us here

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Speaker 1: at Double Elvis, and a chat podcast, which is a

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Speaker 1: first for years, truly. Normally I'm reading from a script

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Speaker 1: in our full episodes, or I'm talking to you guys

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Speaker 1: solo here in the after party. Zeth and I love

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Speaker 1: movies and music, clearly, and we talk about them all

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Speaker 1: the time, both on and off the mic. And now

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Speaker 1: we've got a way to focus that conversation around the

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Speaker 1: convergence of music and film, and to do it in

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Speaker 1: front of the cameras. We're super excited for you guys

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Speaker 1: to watch. This film should be played loud, guys, Seriously,

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Speaker 1: this might be my favorite thing in the world, the

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Speaker 1: convergence of great music and great film. It's so exhilarating

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Speaker 1: to me. You know this. I've talked to you about

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Speaker 1: this before, talk about that moment when de Niro walks

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Speaker 1: into the bar in mean streets. Talk to you about

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Speaker 1: the you know, the tides turning and boogie nights on

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Speaker 1: New Year's Eve when everything goes to shit, and the

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Speaker 1: music that's responsible for these incredible moments in film history.

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Speaker 1: That's what we're getting into. That's what we're unpacking, that's

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Speaker 1: what we're deep diving, and we're doing it one movie

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Speaker 1: at a time. Okay, can't wait for you guys to watch.

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Speaker 2: Now.

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Speaker 1: Here's the thing about the show. It's available exclusively for

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Speaker 1: our all Access members in Patreon. Episodes are going to

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Speaker 1: be around forty forty five minutes, maybe longer, depending on

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Speaker 1: the subject, and they're gonna be released every month. This

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Speaker 1: first episode is available right now for all Patreon members, okay,

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Speaker 1: even those who are following us as free members. But

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Speaker 1: starting next month, future episodes of this film should be

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Speaker 1: played loud. Will be available only for members who sign

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Speaker 1: up for the new Love It Loud ten dollars tier. Okay,

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Speaker 1: that's right. We've now got additional tiers in Patreon. You

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Speaker 1: can become a member for just a dollar now, just

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Speaker 1: one buck, and that'll get you into the Patreon community,

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Speaker 1: into the chat where you can talk Disgraceland and all

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Speaker 1: things music and movies and true crime and grime with

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Speaker 1: me and your fellow discos and Zeth of course too.

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Speaker 1: And you can still obviously become a member for just

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Speaker 1: five bucks a month, like we've been doing since we

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Speaker 1: launched our Patreon and we launched our Apple subscription service,

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Speaker 1: and you're gonna get exclusive content like the bonus after

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Speaker 1: party segment that we do each week, including the conversation

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Speaker 1: you're about to get today on Robbie Robertson and leave

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Speaker 1: on Helm. And at the five dollars level, you also

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Speaker 1: get three exclusive mini episodes per month and ad free

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Speaker 1: listening on all disgrace Land and hollywood Land episodes, and

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Speaker 1: of course you get to be a part of the

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Speaker 1: disgrace ind community and you get access to the chat. Okay,

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Speaker 1: that's all for five bucks, and and I've been teasing

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Speaker 1: this out for about two months now, that five dollars

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Speaker 1: tier is going up once and for all next week

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Speaker 1: and will then be five dollars and ninety nine per cents.

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Speaker 1: So now is your time to sign up and save money.

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Speaker 1: And now, as I just mentioned, we have a new

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Speaker 1: ten dollars tier that'll get you everything I just talked about,

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Speaker 1: plus the new this film should be played loud video

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Speaker 1: podcast along with the Act Party exclusive content in video

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Speaker 1: form every week. And and you, me and your other

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Speaker 1: Disgraceland community members who support at the ten dollars tier level,

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Speaker 1: we're going to meet over zoom twice a year to

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Speaker 1: discuss and determine which subjects that we're going to cover

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Speaker 1: in our full episodes. That's right, at the ten dollars tier,

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Speaker 1: you're gonna get direct input into what topics we cover

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Speaker 1: and produce for our flagship show. Plus, like I said,

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Speaker 1: this film should be played loud video podcast. All right,

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Speaker 1: this is turning into an infomercial, and I apologize for that,

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Speaker 1: but it's a lot of information and it's important. Patreon

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Speaker 1: is proving itself to be a valuable tool for us

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Speaker 1: all to build this community, and I'm super proud of

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Speaker 1: what we've built together thus far. The conversations we have

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Speaker 1: over in Patreon and the community we've built are meaningful,

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Speaker 1: and in part it's what motivates me to get up

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Speaker 1: every morning to bust my ass to write and to

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Speaker 1: make content. I can't wait to see how this continues

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Speaker 1: to grow in the new year. Guys, sign up and

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Speaker 1: become a Disgrace and All Access member and support our

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Speaker 1: mission to uncover the truth buried in the cracks music history,

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Speaker 1: to celebrate the music and the films that help make

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Speaker 1: us who we are. Go to disgraceandpod dot com, and

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Speaker 1: without further ado, here is a clip from our new

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Speaker 1: video podcast. This film should be played loud the helicopter see.

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Speaker 1: I went back and I looked. It's the best mixtape

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Speaker 1: inside of a movie that I that I've ever come across,

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Speaker 1: and it's it feels like it's a long tape when

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Speaker 1: you think of the impact of it, but it's actually

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Speaker 1: pretty short. It's Jumping the Fire by Harry Nilsson. Then

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Speaker 1: it goes to Memo from Turner. The Mick Jagger version,

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Speaker 1: however incorrectly credited in the soundtrack as a Rolling Stone song.

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Speaker 1: It's actual interesting Mick Jagger version. Then it goes into

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Speaker 1: like a couple of seconds of the live version of

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Speaker 1: Magic Bus by The Who, and then it goes into

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Speaker 1: Monkey Man and then What Is Life by George Harrison.

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Speaker 1: You kind of feel like he's getting away with it,

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Speaker 1: like he's getting away with it, and then Managed Boy

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Speaker 1: by Muddy Waters, and then of course the writing's.

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Speaker 3: On the wall for him to hill, but hang on.

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Speaker 3: The best part about that whole stretch, for me, at least,

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Speaker 3: my favorite part is in between Monkey Man and What

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Speaker 3: Is Life. There's just the briefest clip of Muddy Waters

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Speaker 3: at the beginning of Man is Boy going, yes, everything,

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Speaker 3: everything is going to be all right.

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Speaker 1: That's it, everything, everything be all right this morning to.

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Speaker 3: Shot and then into What Is Life? And you're like,

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Speaker 3: what the fuck is going on here?

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Speaker 1: You're absolutely right? And you know in that Okay, So

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Speaker 1: we need to talk about Scorsese's approach here Before Goodfellas,

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Speaker 1: Scorsese is famously the guy because of mean streets. He's

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Speaker 1: famously the guy who uses rock and roll to express emotion,

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Speaker 1: to use rock and roll songs pop songs to express

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Speaker 1: emotion in film as opposed to using score. There's okay.

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Speaker 1: So by the time he gets to Goodfellas, you know,

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Speaker 1: he's already gone through and he's worked up the script

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Speaker 1: with Nicholas Plegi and he's got like he's indicating in

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Speaker 1: the margins what songs he wants. And I read an

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Speaker 1: interview with the music editor for the film where he

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Speaker 1: said that Scorsese knew two years in advance what songs

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Speaker 1: exactly he wanted playing in which frames of the film.

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Speaker 3: He was putting it in the script. He was like,

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Speaker 3: put cream sunshin on your love heat.

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Speaker 1: Right, like exactly's rereading the rip. It's just as shine

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Speaker 1: I love. It's just said add cream. Yeah, He's like,

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Speaker 1: what the fuck do you mean? Ad cream? He's like, dun, dun.

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Speaker 1: You know, it's interesting when I read this thing about

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Speaker 1: the music editor from Goodfellas making a big deal of

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Speaker 1: the fact that Scorsese knew exactly what songs he wanted

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Speaker 1: in the film two years in advance, it didn't strike

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Speaker 1: me as being strange. I was just like, well, yeah,

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Speaker 1: that's how you fucking do it, dude, right right, But

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Speaker 1: it's not how you do it. I mean, I've actually

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Speaker 1: I've worked on indie films and stuff. I have music

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Speaker 1: supervised stuff and did music for a film, a Parker

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Speaker 1: Posi film, and the director, who was a friend, he

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Speaker 1: was basically like, I don't know shit about music. You

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Speaker 1: figure it out. And I feel like that's an approach

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Speaker 1: that a lot of directors have.

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Speaker 3: I think you're right, But remember that Scorsese started I

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Speaker 3: mean One of his first major gigs was the Woodstock movie,

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Speaker 3: which he's credited for now as an editor. But I

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Speaker 3: believe at the time this was in that that mister

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Speaker 3: Squarstase documentary was on Apple recently. He was like the

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Speaker 3: second director of that movie. So like he's he's creating

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Speaker 3: that movie. He's cutting that movie with music at the

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Speaker 3: forefront of his mind.

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Speaker 1: Right exactly exactly, and he's obviously he's surrounded by great

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Speaker 1: live music, Santana's Slashton and all that stuff. Yeah, but

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Speaker 1: this is after he grows up. And this is the

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Speaker 1: good thing about Goodfellas. It really feels like a like

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Speaker 1: I don't know it was growing up in my small town.

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Speaker 1: It was very much like this where you know, we

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Speaker 1: all hung out on this main drag, right and you

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Speaker 1: would just hear there just be this soundtrack constantly, cars

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Speaker 1: driving by. People still carry boomboxes around. I'm not trying

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Speaker 1: to make it sound like I grew up in the Bronx.

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Speaker 1: I didn't. But music was kind of like it was

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Speaker 1: more in the air then than it is now.

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Speaker 3: Now.

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Speaker 1: Everyone's got you know, EarPods on and right, you know,

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Speaker 1: right in their little pods and their cars and whatever

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Speaker 1: it just it was. It was different then, and and

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Speaker 1: I feel like it was much different in a much

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Speaker 1: more extreme version of what I just explained in a tiny,

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Speaker 1: little sort of you know, two block stretch of downtown

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Speaker 1: New York where Martin Scorsese grew up in the nineteen

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Speaker 1: sixties and that sort of like jukebox system that he

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Speaker 1: was living in. Yeah, and that's what that movie feels

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Speaker 1: like all the way throughout the beginning. I mean, the

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Speaker 1: first you know, the opening is you know, by the

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Speaker 1: time he blows up the cars, you've already whipped through

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Speaker 1: like your ears are just on fire from all the

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Speaker 1: incredible soundtracking that's going on.

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Speaker 3: Yeah, it's like a radio station, you know, it's just

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Speaker 3: like switching the channels. It's do up zach groups, It's

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Speaker 3: it's Italian, It's it's all over the place.

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Speaker 1: But it's what he would have heard, right, and he's

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Speaker 1: so fearless with his music choices. All right, guys, that

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Speaker 1: is this film should be played loud. A new video

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Speaker 1: podcast from Double Elvis. Go to Disgray lampod dot com

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00:20:57,840 --> 00:21:00,480
Speaker 1: to sign up to become an All Access member today

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00:21:00,760 --> 00:21:03,160
Speaker 1: so that you can watch. I will be back after

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Speaker 1: this with your voicemails text animal all right, we got

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Speaker 1: Christmas music on the brain this month. As always every December,

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Speaker 1: let's hear from mister Taylor from North Carolina. Matt play

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Speaker 1: the nine one six, Yike, this.

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Speaker 2: Is mister Taylor from North Carolina calling to answer the

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Speaker 2: question of the best Christmas songs. Look, you already said it.

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Speaker 2: Darlene loves Christmas Baby, Please come home. It is the

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Speaker 2: best Christmas song of all time, Christmas music inside, it's

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Speaker 2: just an excellent, excellent masterpiece of a song. Fotus points

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Speaker 2: for its use in Goodfellows. So that's my answer. But

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Speaker 2: I will say, as you kid, growing up in the nineties, man,

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Speaker 2: Christmas music was bad, really bad. Carry I'm pretty sure

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Speaker 2: is playing on repeat in the waiting room in hell.

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Speaker 2: The nineties featured a bunch of really great artists whose

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Speaker 2: careers had stalled out, all trying to get one last

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Speaker 2: cash grab by doing Christmas songs and trying to get on.

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Speaker 2: Now that's what I call Christmas twenty six. So I

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Speaker 2: askeewed Christmas music for a very long time, but as

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Speaker 2: a father of for I know now that Christmas music

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00:22:24,720 --> 00:22:27,200
Speaker 2: is a requirement. So I took it upon myself to

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Speaker 2: try and go out and find Christmas music that I liked,

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Speaker 2: Christmas music that I felt was of the quality that

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Speaker 2: I required. So I mean, look, there's a lot of

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Speaker 2: good music out there. I will say I've stretched the

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Speaker 2: definition a little bit. You know, songs that include sleigh

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Speaker 2: bells I think are Christmas music, right, God only knows.

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Speaker 4: By the Beach.

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Speaker 2: Boys ben Folds five, those are like that sounds like

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Speaker 2: a vince Garaldi Christmas song. Songs that even include references

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Speaker 2: to Christmas leave On by Elton John he was born

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Speaker 2: on a Christmas Day. Another benfold Five song, Brick starts

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Speaker 2: with you know, six am, day after Christmas, or even

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00:23:09,200 --> 00:23:12,720
Speaker 2: just songs like Jeff Buckley's Hallelujah. Man. If that isn't Christmas,

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Speaker 2: I don't know what is. So I'm curiated a playlist

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Speaker 2: for my family. It plays on repeat all December long,

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Speaker 2: and hopefully my kids will have a better view as

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Speaker 2: they grow up of Christmas music. But that's up to

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Speaker 2: them to figure out.

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Speaker 4: That's all I got.

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Speaker 2: Merry Christmas and Happy Hanukhat all the discos, Rock and

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Speaker 2: Roller to you, Jake, Santa Claus wants some Loven thank you.

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Speaker 1: You know, I've never really thought about Christmas music by decade.

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Speaker 1: That's interesting. I can't say for certain whether the nineties

426
00:23:42,920 --> 00:23:46,000
Speaker 1: were as bad as you as you say, just be

427
00:23:46,080 --> 00:23:48,000
Speaker 1: thinking about it quickly. Nothing's coming to mind from the

428
00:23:48,040 --> 00:23:49,920
Speaker 1: nineties that really blows me away. I guess. I guess

429
00:23:49,960 --> 00:23:52,760
Speaker 1: there's a lot of good stuff from the eighties. You

430
00:23:52,840 --> 00:23:56,399
Speaker 1: might be onto something here. And I love the broadening

431
00:23:56,600 --> 00:24:02,000
Speaker 1: of the Christmas music definition just including sleigh bells. Yeah,

432
00:24:02,000 --> 00:24:05,600
Speaker 1: I can see God Only Knows as a as a

433
00:24:05,680 --> 00:24:10,080
Speaker 1: Christmas song, and Levon and Hallelujah as well. I kind

434
00:24:10,080 --> 00:24:12,040
Speaker 1: of like what you're doing here, man, You're kind of

435
00:24:12,080 --> 00:24:15,600
Speaker 1: opening up this topic of songs. And aren't Christmas songs

436
00:24:15,640 --> 00:24:20,119
Speaker 1: but our Christmas songs? What are the diehards of Christmas songs?

437
00:24:20,359 --> 00:24:22,879
Speaker 1: I love this. That might be a question of the

438
00:24:22,920 --> 00:24:25,800
Speaker 1: week for next week. I don't know. We shall see.

439
00:24:25,840 --> 00:24:27,639
Speaker 1: Thanks to the call I appreciate it. Thanks for the voicemail.

440
00:24:27,640 --> 00:24:29,800
Speaker 1: All right, let's check out this one from the eight

441
00:24:29,840 --> 00:24:30,359
Speaker 1: one to five.

442
00:24:30,880 --> 00:24:32,960
Speaker 4: Hey, Jake, this is Matt Callin from the eight one

443
00:24:33,000 --> 00:24:37,399
Speaker 4: to five finished Phil Specter episode, and you had asked

444
00:24:37,400 --> 00:24:42,359
Speaker 4: for recommendations for Christmas Munich. One of my all time

445
00:24:42,359 --> 00:24:45,879
Speaker 4: favorite Christmas songs. It's a fifteen minute song by Sophia

446
00:24:45,960 --> 00:24:50,400
Speaker 4: and Stevens called the Christmas Unicorn, and the first half

447
00:24:50,440 --> 00:24:53,560
Speaker 4: of the song is actually the Christmas Unicorn, but the

448
00:24:53,600 --> 00:24:57,880
Speaker 4: second half he covers level terroist Apart by Joy Division.

449
00:24:57,960 --> 00:25:00,800
Speaker 4: Please check it out. You will not be disappointed. All right,

450
00:25:01,240 --> 00:25:03,640
Speaker 4: Very Christmas, Happy Holidays, Rock and ROLLO.

451
00:25:04,359 --> 00:25:06,800
Speaker 1: Eight one five. I've never heard the song. You've got

452
00:25:06,800 --> 00:25:12,480
Speaker 1: me very excited to hear it. Yeah, Joy Division, Level

453
00:25:12,560 --> 00:25:17,400
Speaker 1: Terrorists Apart is a Christmas song. Uh yeah, I don't

454
00:25:17,440 --> 00:25:20,440
Speaker 1: know how, but I'm excited to check it out. I'll

455
00:25:20,480 --> 00:25:23,679
Speaker 1: report back next week. Thank you. Six one seven nine

456
00:25:23,720 --> 00:25:26,760
Speaker 1: oh six six six three eight. Appreciate the recommendations, guys.

457
00:25:26,800 --> 00:25:30,640
Speaker 1: Appreciate the voicemails. Appreciate the text. Let's do some texts here.

458
00:25:30,680 --> 00:25:34,679
Speaker 1: Let's check out what we got here back of my

459
00:25:34,800 --> 00:25:38,480
Speaker 1: neck of the woods. The nine seven eight nine seven

460
00:25:38,520 --> 00:25:43,120
Speaker 1: eight rights in non human intelligence. These days it's hard

461
00:25:43,119 --> 00:25:46,720
Speaker 1: to believe in human intelligence. Great episode as always. Brother

462
00:25:46,800 --> 00:25:50,800
Speaker 1: nine seven eight is referring to our Blink episode, which

463
00:25:50,840 --> 00:25:53,280
Speaker 1: if you have not heard that, check it out and

464
00:25:53,359 --> 00:25:57,159
Speaker 1: check out the documentary The Age of Disclosure that we

465
00:25:57,160 --> 00:25:59,239
Speaker 1: were talking about last week as well in connection with

466
00:25:59,240 --> 00:26:02,919
Speaker 1: that Blink episode six one seven nine six six six

467
00:26:03,040 --> 00:26:04,439
Speaker 1: three eight. You guys want to get it at me

468
00:26:04,480 --> 00:26:07,600
Speaker 1: about anything, you can also email me disgrace lamppod at

469
00:26:07,600 --> 00:26:10,600
Speaker 1: gmail dot com. Like Victoria Anabelle who writes in Hello,

470
00:26:10,640 --> 00:26:12,960
Speaker 1: I came across your profile and I wanted to ask

471
00:26:13,000 --> 00:26:15,600
Speaker 1: if your books are currently available for reading or purchase

472
00:26:15,680 --> 00:26:19,119
Speaker 1: during this festive season. Well, yeah, Victoria, they are. You

473
00:26:19,200 --> 00:26:22,119
Speaker 1: can find Disgraceland musicians getting away with murder and behaving

474
00:26:22,240 --> 00:26:25,840
Speaker 1: very badly wherever you get your fine books, finer books,

475
00:26:25,880 --> 00:26:28,040
Speaker 1: any books really, I don't know about wherever. But you

476
00:26:28,080 --> 00:26:30,480
Speaker 1: can just go to Amazon get it there. It's available,

477
00:26:30,560 --> 00:26:32,280
Speaker 1: I think. If not, Barnes and Nobles got it. At

478
00:26:32,320 --> 00:26:34,800
Speaker 1: least it did last time sold out on Amazon, but

479
00:26:34,800 --> 00:26:37,360
Speaker 1: then they they're good about restocking. It should be there,

480
00:26:37,800 --> 00:26:40,600
Speaker 1: and you know, make a good, good little gift under

481
00:26:40,640 --> 00:26:43,160
Speaker 1: the tree for your loved one or for yourself. Thanks

482
00:26:43,200 --> 00:26:47,320
Speaker 1: for writing in, Victoria, disgracelampod at gmail dot com. You

483
00:26:47,359 --> 00:26:50,680
Speaker 1: guys want to hit us up about anything related to music,

484
00:26:51,119 --> 00:26:56,560
Speaker 1: true crime, Christmas. I'm digging this, uh this this new

485
00:26:56,560 --> 00:26:59,679
Speaker 1: potential question, Christmas songs, that aren't Christmas songs. I like this,

486
00:27:00,160 --> 00:27:02,200
Speaker 1: like this angle. If you want to get ahead of

487
00:27:02,280 --> 00:27:03,879
Speaker 1: next week's question of the Week, you can hit me

488
00:27:03,960 --> 00:27:08,520
Speaker 1: up with your answers to that. Disgrace sampod at gmail

489
00:27:08,640 --> 00:27:12,719
Speaker 1: dot com. Listen. Earlier I was talking about Robbie Robertson

490
00:27:12,840 --> 00:27:17,280
Speaker 1: Leavon Helm and some wild criminal accusations being hurled about

491
00:27:17,359 --> 00:27:21,720
Speaker 1: the band's camp which is not the same as band camp.

492
00:27:21,760 --> 00:27:23,560
Speaker 1: And you know, Zeth and I are going to get

493
00:27:23,560 --> 00:27:25,639
Speaker 1: into that in the exclusive section of this afterparty right

494
00:27:25,680 --> 00:27:26,919
Speaker 1: about now. You want to be a member to hear

495
00:27:26,960 --> 00:27:30,360
Speaker 1: that exclusive content and to get access to our new

496
00:27:30,480 --> 00:27:33,159
Speaker 1: video podcast. This video should be played loud. You got

497
00:27:33,240 --> 00:27:35,760
Speaker 1: to become a member. Go to Disgrace sampod dot com

498
00:27:35,760 --> 00:27:58,560
Speaker 1: to sign up. Now, all right, we are back. This

499
00:27:58,600 --> 00:28:01,280
Speaker 1: is about it for this after party. Thanks for listening.

500
00:28:01,359 --> 00:28:06,159
Speaker 1: Appreciate you. Guys talked about Beach Boys today or we

501
00:28:06,200 --> 00:28:10,760
Speaker 1: mentioned them anyhow, mentioned David Bowie as well, and we

502
00:28:10,800 --> 00:28:14,159
Speaker 1: did not mention dime Bag Daryl, whose death date was

503
00:28:14,200 --> 00:28:18,320
Speaker 1: this week, same day John Lennon passed, same date I

504
00:28:18,320 --> 00:28:21,600
Speaker 1: should say December eighth. But we have episode. We have

505
00:28:21,600 --> 00:28:24,560
Speaker 1: a great episode on dime and Pantera, and also on

506
00:28:24,680 --> 00:28:27,040
Speaker 1: Bowie and the Beach Boys. Check those out if you

507
00:28:27,040 --> 00:28:29,080
Speaker 1: haven't heard them already. You just want to give him

508
00:28:29,119 --> 00:28:31,520
Speaker 1: a spin, go for that, give him a little, give

509
00:28:31,560 --> 00:28:33,840
Speaker 1: him a little rewind. All right, let's recap, shall we.

510
00:28:33,880 --> 00:28:36,080
Speaker 1: Number one, this week's new episode on Phil Spector is

511
00:28:36,080 --> 00:28:38,520
Speaker 1: available for you right now. There's also a new mini

512
00:28:38,520 --> 00:28:41,560
Speaker 1: episode available right now. Number two new mini episode for

513
00:28:41,600 --> 00:28:45,000
Speaker 1: all Access members on Phil and John Lennon's Mad Influence.

514
00:28:45,080 --> 00:28:48,600
Speaker 1: Go check that out. Number three rewind episodes on John

515
00:28:48,680 --> 00:28:52,120
Speaker 1: Lennon in the Assassination of John Lennon Parts one and two.

516
00:28:52,240 --> 00:28:55,080
Speaker 1: Those are hitting your feed tomorrow. Number four. Next week

517
00:28:55,280 --> 00:28:57,479
Speaker 1: we start celebrating the Christmas season for real with our

518
00:28:57,520 --> 00:29:02,040
Speaker 1: Shane McGowan. Episode five gives you those Hollywood Land crime

519
00:29:02,440 --> 00:29:06,160
Speaker 1: vibes in the Hollywood Land Feed, so make sure you're subscribed. Also,

520
00:29:07,040 --> 00:29:10,600
Speaker 1: we've got Christmas in New Year's movie specials coming your

521
00:29:10,640 --> 00:29:12,720
Speaker 1: way in the Hollywood Land Feed for the rest of

522
00:29:12,720 --> 00:29:16,400
Speaker 1: the month. Head over there check those out. Six one, seven,

523
00:29:16,480 --> 00:29:18,520
Speaker 1: nine oh six, six sixty three eight. Your voice keeps

524
00:29:18,560 --> 00:29:20,480
Speaker 1: us digging into the dark corners of music history, so

525
00:29:20,600 --> 00:29:23,320
Speaker 1: keep calling, texting with your answers to this week's question

526
00:29:23,320 --> 00:29:24,720
Speaker 1: of the week, or with whatever else you want to

527
00:29:24,720 --> 00:29:27,200
Speaker 1: talk about, And don't forget this goes. This isn't just content.

528
00:29:27,240 --> 00:29:29,760
Speaker 1: It's a community, a community of the obsessed. No one

529
00:29:29,760 --> 00:29:32,200
Speaker 1: cares about music, books, records, and the crime and grime.

530
00:29:32,240 --> 00:29:34,080
Speaker 1: It ties them all together like you do. And well

531
00:29:34,280 --> 00:29:37,120
Speaker 1: that's a disgrace. Go sign up to become an All

532
00:29:37,120 --> 00:29:40,120
Speaker 1: Access member and check out this film should be played

533
00:29:40,400 --> 00:29:44,000
Speaker 1: loud all right. November twenty second, nineteen sixty three, That's

534
00:29:44,040 --> 00:29:47,080
Speaker 1: the day JFK died. It's also the day Phil Spector

535
00:29:47,120 --> 00:29:50,719
Speaker 1: released his Christmas album. And here's what America was listening

536
00:29:50,760 --> 00:29:55,360
Speaker 1: to on that day. Number one, I'm leaving it up

537
00:29:55,400 --> 00:29:59,680
Speaker 1: to you, Dale and Grace. Last week four weeks on

538
00:29:59,800 --> 00:30:05,280
Speaker 1: Churt eighth peak position one three number two Sugar Shack,

539
00:30:05,800 --> 00:30:10,040
Speaker 1: Jimmy Gilmour and the Fireballs. Last week two weeks on

540
00:30:10,120 --> 00:30:14,480
Speaker 1: chart number not applicable dominant peak positions one number three

541
00:30:15,080 --> 00:30:18,880
Speaker 1: Washington Square position had the Village Sobers last last six

542
00:30:19,440 --> 00:30:22,120
Speaker 1: peak positions you should press two to Last week number

543
00:30:22,120 --> 00:30:26,400
Speaker 1: one dominate the singer Dande last week last week, I

544
00:30:26,440 --> 00:30:29,440
Speaker 1: wonder what peak positions on one in the town. Number

545
00:30:29,440 --> 00:30:34,600
Speaker 1: five position's all right. The impressions last week wonder peak

546
00:30:34,600 --> 00:30:38,240
Speaker 1: position three wonderful.

547
00:30:50,000 --> 00:30:52,480
Speaker 3: Quit talking and start mixing,