WEBVTT - Convos About the Cool Table

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<v Speaker 1>What's up? And welcome back to another episode of No

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<v Speaker 1>Sealers Podcast with your hosts Now fuck that with your

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<v Speaker 1>loaw Glasses, Malone, Pete dog my man, what's happening mixing songs?

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<v Speaker 1>You know booked that big studio where they got those

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<v Speaker 1>fifteen thousand monitors fifteen thousand dollars monitors like speakers, so

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<v Speaker 1>you can get the truest mix on your records. You

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<v Speaker 1>just gotta focus the whole time on mixing records. Like

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<v Speaker 1>it's just crazy and fuck glasses, like I realized, because

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<v Speaker 1>my career is in this weird place, like it's right

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<v Speaker 1>at the end of the West Coast greatness and at

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<v Speaker 1>the beginning of what became the future and music like

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<v Speaker 1>streaming apps, you know, Spotify, Title Apple, A lot of

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<v Speaker 1>the projects I put out, A lot of the projects

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<v Speaker 1>that I put out, they didn't weren't on streaming services.

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<v Speaker 1>You know. It's more that pith Era. It's more than

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<v Speaker 1>that pith Era. So now that I have to put

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<v Speaker 1>the music, I have to put the music on streaming sites,

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<v Speaker 1>I get a chance to go in and really correct it,

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<v Speaker 1>you know what I mean, And like I have far

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<v Speaker 1>like my knowledge of making records at this point is

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<v Speaker 1>far too vast, you know what I mean for me

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<v Speaker 1>not to make adjustments to music when I hear it,

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<v Speaker 1>you know, mistakes or different things when I hear it,

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<v Speaker 1>Like it's hard for me to not make the changes

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<v Speaker 1>of percent. So, you know, re recording songs, you know,

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<v Speaker 1>refreshing songs, remixing songs, just doing as much as I

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<v Speaker 1>can to make sure when people listen to fuck Glasses Malone,

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<v Speaker 1>even though it's going to say it came out of

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<v Speaker 1>two thousand and eight, it has twenty twenty four knowledge

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<v Speaker 1>from Glasses Malone. So it's just been a journey the

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<v Speaker 1>last few days. And say the least man it shit

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<v Speaker 1>is just dope.

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<v Speaker 2>That's what's up. It sounds like a lot of work,

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<v Speaker 2>more than a.

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<v Speaker 1>Lot of world is, but it's it's a lot of joy.

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<v Speaker 1>It's a lot of Junian and the actual adventure itself

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<v Speaker 1>is probably the most fun part creating the idea. You know,

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<v Speaker 1>it's it's everything dog. So so some was on my mind, right.

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<v Speaker 1>I like to call hip hop the cool table. Okay,

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<v Speaker 1>you know, if if if the world is a is

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<v Speaker 1>a cafeteria, then hip hop is the cool table in

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<v Speaker 1>the cafeteria. It might have been thirty tables inside the cafeteria,

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<v Speaker 1>but then there was these two or three tables that

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<v Speaker 1>were the coolest tables in the cafeteria. Sure, sure, I

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<v Speaker 1>like to think of hip hop as the cool table

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<v Speaker 1>in the cafeteria, right And hip hop has been at

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<v Speaker 1>that table and running that table since the nineties. Since

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<v Speaker 1>hip hop's inception, as you know, being a part of

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<v Speaker 1>the music business in the late seventies early eighties, it

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<v Speaker 1>has clearly made its way through all the other tables.

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<v Speaker 1>Past the goth kids, the rock kids pasted all these

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<v Speaker 1>kids and became the cool table in America. And the

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<v Speaker 1>reality is, when they first started off in the eighties,

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<v Speaker 1>nobody wanted a piece of it. In the nineties, nobody

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<v Speaker 1>wanted a piece of it. Everybody was so scared to

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<v Speaker 1>go and mess with the poor kid at the cool table.

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<v Speaker 1>Right fast forward, we get to two thousand, every body

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<v Speaker 1>wants to do some kind of business and have an

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<v Speaker 1>affiliation with the cool table. Right now, you have all

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<v Speaker 1>of the brands, different people coming like, hey, we want

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<v Speaker 1>you to make us cool too, or our product cool. Right. Sure,

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<v Speaker 1>before that, you had to really work your way to

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<v Speaker 1>even be apart. You couldn't even just buy your way

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<v Speaker 1>to the table. It was really expensive to buy your

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<v Speaker 1>way into the cool table. That's hip hop you. I mean,

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<v Speaker 1>like you had to spend some money. It was like,

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<v Speaker 1>this is the cool table. Everybody can't sit at this table,

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<v Speaker 1>you know what I mean. It wasn't like you couldn't

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<v Speaker 1>just be at the table. They were hella hella, hella

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<v Speaker 1>on who said at that fucking table. They was like

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<v Speaker 1>the plastics and mean girls. Bro, you could not sit

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<v Speaker 1>at this fucking table, and they will kick your ass

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<v Speaker 1>away from the table. They get your ass, kick your

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<v Speaker 1>ass out of like you can't sit here anymore. You

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<v Speaker 1>know what I'm saying. And what's been on my mind

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<v Speaker 1>for the last couple of weeks is how cheap sitting

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<v Speaker 1>at the cool table has become. Do you remember the

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<v Speaker 1>cool kids when you was in school?

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<v Speaker 2>Yeah, yeah I do.

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<v Speaker 1>What kind of dudes were there or girls?

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<v Speaker 2>They were like me?

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<v Speaker 1>I'm sure you was at the cool table to some degree.

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<v Speaker 3>Yeah, I was one of the few people at the

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<v Speaker 3>school who like, really just I had a piece of

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<v Speaker 3>every damn table there.

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<v Speaker 1>But what is the cool table? Like in oc see,

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<v Speaker 1>like like where we from right, like in Wat's counter,

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<v Speaker 1>My whole life. Right, It's like the cool table was

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<v Speaker 1>usually the kids from the poorest place that got a

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<v Speaker 1>couple of cool things on right, they got a couple

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<v Speaker 1>pair of Jordan's, you know what I mean. They was

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<v Speaker 1>the cool kids. They was the screw ups. They probably

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<v Speaker 1>didn't get the greatest grades, you know, but they wasn't

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<v Speaker 1>stupid yet. They were figuring out some way to make

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<v Speaker 1>some money and do some things with their life, you

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<v Speaker 1>know what I mean. But they came from the poor area.

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<v Speaker 1>Like and it's funny because the richest kids was never

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<v Speaker 1>the cool kids. Like at the schools I went to,

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<v Speaker 1>the richest kids was never the coolest kids unless you

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<v Speaker 1>got your money out the street. Like it was a

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<v Speaker 1>lot more respect for culture, you know what I mean,

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<v Speaker 1>and everybody respected to struggle, you know what I mean.

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<v Speaker 1>What was the cool table like in the OC, I.

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<v Speaker 3>Would say it mostly was just kind of like what

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<v Speaker 3>you were as a personality type.

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<v Speaker 2>So you might have had.

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<v Speaker 3>Some of the football players, but it wasn't like the

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<v Speaker 3>guys who were like hardcore like in the football like that,

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<v Speaker 3>or surfer types. But it wasn't the guys who like

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<v Speaker 3>that's all that they like eat sleeping shit, the shit.

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<v Speaker 3>It was just people who had like social enough to

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<v Speaker 3>where people liked to be gravitated toward them to the

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<v Speaker 3>extent that then they had the ability to kind of

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<v Speaker 3>picking hilles with whom they associated and dealt with because

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<v Speaker 3>they had a surplus of personal interest.

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<v Speaker 1>What's crazy is I didn't even sit at the cool

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<v Speaker 1>tables when I was in high school. Like we made

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<v Speaker 1>the cool tables, like we made an area. When I

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<v Speaker 1>started high school at Paramount, I was in the tenth grade.

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<v Speaker 2>And where'd you go to n grade?

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<v Speaker 1>You said, who?

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<v Speaker 2>Where were you in the ninth grade?

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<v Speaker 1>I went to our teacher, to our teacher, and I

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<v Speaker 1>got great grades, but got kicked out because I was

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<v Speaker 1>late seventy three days. They pulled my permit, my ABC

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<v Speaker 1>school districts.

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<v Speaker 2>My boy teacher, I think she was in your grade.

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<v Speaker 1>Yeah, I just missed Charles O'Bannon and all of them.

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<v Speaker 1>Yeah yeah, but long story short, No, I caught charleso banning,

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<v Speaker 1>But they were leaving when I when I was or

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<v Speaker 1>they had just left either way. But I went to

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<v Speaker 1>Paramount and the cool table. Ironically, do you watch footballer? Though?

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<v Speaker 1>First off, hold up, no ceilings, no ceilings, glasses, low

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<v Speaker 1>in the motherfucking house, going to work. My nigga Pete

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<v Speaker 1>in the spot. Like usual, we're finna getting into some

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<v Speaker 1>thoughts and ship now we do this thing.

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<v Speaker 3>Were you there with Copono? I remember, was a white

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<v Speaker 3>dude to play basketball?

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<v Speaker 1>Yep, gotcha. I remember Jason copona Of and Andre Jones.

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<v Speaker 1>There was some dope players there, but I don't remember

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<v Speaker 1>because that was I only went there one year and

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<v Speaker 1>I was lay so many times it was crazy. I

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<v Speaker 1>really remember Palm's Park, you know what I mean. And it

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<v Speaker 1>was a dude that used to live across the street

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<v Speaker 1>from Palm's Park. His name is Eric. He was the

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<v Speaker 1>coolest dude man. He used to help me with my

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<v Speaker 1>whole game so much, and they used to have a

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<v Speaker 1>karm board over there. I used to love Arteacher High School.

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<v Speaker 1>I wanted to go there, but my mom, you know,

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<v Speaker 1>this was right before she went to prison, so like,

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<v Speaker 1>there's no way, you know what I mean. I was

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<v Speaker 1>gonna make it there on time, didn't you know. We

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<v Speaker 1>lived in Compas did so that just wasn't gonna happen.

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<v Speaker 1>But you watch football at all. Yeah, So the cool

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<v Speaker 1>table at paramunt High School. One of the main people

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<v Speaker 1>that ran the cool tables, the cool tables that was

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<v Speaker 1>already in existence. Is the coach of the fucking la

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<v Speaker 1>is the coach of the Las Vegas Raiders. Now the

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<v Speaker 1>homie a paramount. Yes, Antonio Pierce and AP was a

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<v Speaker 1>fuck up like AP used to get in trouble suspended.

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<v Speaker 1>They used to run with a clique. They had these

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<v Speaker 1>two cliques, nasty ass rascals and three o fos and

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<v Speaker 1>them clicks used to fight all the fucking time, you

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<v Speaker 1>know what I'm saying. And so they had this area

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<v Speaker 1>under the new building, and that would have been the

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<v Speaker 1>cool tables, right, But while we fucked with people like

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<v Speaker 1>I fucked with a couple people over there, we was

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<v Speaker 1>I had just I'm fresh I did and got courted on.

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<v Speaker 1>I'm already starting to hustle, so I'm not even finna

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<v Speaker 1>go hang with the jocks or none of that. Like

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<v Speaker 1>so me and my godbrothers, they were freshman, Steven and STEPHANU.

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<v Speaker 1>Stephan passed away, but Steven is still breathing. The twins

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<v Speaker 1>shout out to my family. But we were going there,

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<v Speaker 1>and we took this table from where the tables were

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<v Speaker 1>close to the Senior Square, and we set them next

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<v Speaker 1>to the it was a snack shack. We set them

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<v Speaker 1>on the side of the snack shack right by the gym, like,

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<v Speaker 1>and that became where we started sitting in the tenth grade.

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<v Speaker 1>Right we had like one or two tables and we

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<v Speaker 1>just be posted up. That was our spot because it

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<v Speaker 1>was me, my godbrothers, and a couple hommies that was

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<v Speaker 1>going there. So we would just be over there doing

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<v Speaker 1>our thing. By the time I graduated, you know, it

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<v Speaker 1>was so many motherfucking tables over there. It might have

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<v Speaker 1>been like eight tables in our little section. And that

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<v Speaker 1>area became just as cool as the new building area.

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<v Speaker 1>And if I've never like just ran and did what

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<v Speaker 1>the cool people did, like I just I've always thought

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<v Speaker 1>I was fine no matter what, like you know what

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<v Speaker 1>I mean. I don't know if I was cool as

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<v Speaker 1>the word, but I always thought that I was a

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<v Speaker 1>special person. So I never fell into shit that I

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<v Speaker 1>didn't want to do just to be accepted. So like

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<v Speaker 1>we made our section cool. Right now, the new building

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<v Speaker 1>still was the cool area, but our section was justice booming,

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<v Speaker 1>And by the time we graduated, it was so many

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<v Speaker 1>people that would sit with us, like we twenty thirty

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<v Speaker 1>people sitting with us, you know what I mean, We

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<v Speaker 1>just doing our thing. I say all that to say,

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<v Speaker 1>when I'm looking at hip hop right now, the cool table,

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<v Speaker 1>I'm looking at different people trying to make their way

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<v Speaker 1>into the cool table. Do you ever watch DJ Vlad? Yeah?

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<v Speaker 2>Sometimes so.

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<v Speaker 1>Vlad is one of those kind of people right where

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<v Speaker 1>Vlad take a lot of shit, bro like Flag take

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<v Speaker 1>a lot of shit. Like people say he's a culture vulture.

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<v Speaker 1>They say his show gets people, you know, implicated and

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<v Speaker 1>crimes and all kinds of shit. But you only can

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<v Speaker 1>go up there and say some shit to get yourself

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<v Speaker 1>in trouble, if that was the case, because you don't

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<v Speaker 1>actually have to say shit to get yourself in trouble.

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<v Speaker 1>But to vlast credit, and this is something that I

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<v Speaker 1>don't know how many people know about Vlad, but Vlad

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<v Speaker 1>has been like as far as covering it, probably before

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<v Speaker 1>I start putting out music, I was doing Vlad TVs

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<v Speaker 1>back in two thousand and four and five, you know

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<v Speaker 1>what I mean, And at that time, like how Vlad

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<v Speaker 1>Show is now, Vlad is like somewhere else, you know

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<v Speaker 1>what I mean, doing the interview remote and he just

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<v Speaker 1>does a good voiceover. So it sounds like he's in

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<v Speaker 1>a room, but he's not in the same room as

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<v Speaker 1>a lot of the guests. But at that time, Vlad

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<v Speaker 1>would like I used to have Vlad coming to watts

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<v Speaker 1>bro Like he would come to the seven and post

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<v Speaker 1>up and just be getting his footage talking to the

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<v Speaker 1>g homies. So I always gave Blad credit as somebody

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<v Speaker 1>where he really was gonna put itself on the line

0:13:33.559 --> 0:13:36.479
<v Speaker 1>to go be a part and get you know, information

0:13:36.600 --> 0:13:39.400
<v Speaker 1>about the culture, whatever it was. And I always gave

0:13:39.480 --> 0:13:42.239
<v Speaker 1>him that credit. Back then, Vlad used to do mixtapes.

0:13:42.240 --> 0:13:43.640
<v Speaker 1>A lot of people don't know this, you know what

0:13:43.640 --> 0:13:46.400
<v Speaker 1>I mean. They just think he started some interview platform

0:13:46.440 --> 0:13:49.199
<v Speaker 1>and blah blah blah. But this dude was really smart

0:13:49.240 --> 0:13:51.640
<v Speaker 1>as a DJ. He was sharp. He could pick a

0:13:51.679 --> 0:13:54.720
<v Speaker 1>good song, a good record. So he's not totally void

0:13:55.400 --> 0:13:58.400
<v Speaker 1>of knowledge when it comes to hip hop, you know

0:13:58.440 --> 0:14:00.439
<v Speaker 1>what I mean. He's not some fool for all, Like,

0:14:00.640 --> 0:14:03.360
<v Speaker 1>Vlad is very much in the know when it comes

0:14:03.400 --> 0:14:06.000
<v Speaker 1>to this music shit, like when it comes to hip

0:14:06.000 --> 0:14:16.520
<v Speaker 1>hop music, sure, but fast forward, it's like that his

0:14:16.679 --> 0:14:19.520
<v Speaker 1>goal was always to be a part of the culture.

0:14:19.600 --> 0:14:26.400
<v Speaker 1>Now because rest is sure like the culture made DJ

0:14:26.520 --> 0:14:29.840
<v Speaker 1>Blad Flat TV. No question, the culture made DJ bla

0:14:30.000 --> 0:14:33.600
<v Speaker 1>Blat TV, like the culture Street Urban culture made lat TV.

0:14:35.920 --> 0:14:37.760
<v Speaker 1>Does he not have a right to sit at the

0:14:37.760 --> 0:14:40.720
<v Speaker 1>cool table at that point if people want to use

0:14:40.760 --> 0:14:44.080
<v Speaker 1>his platform? Does that make sense? You know what I mean?

0:14:44.120 --> 0:14:46.760
<v Speaker 1>When you have that conversation, Does that not make sense?

0:14:46.840 --> 0:14:50.280
<v Speaker 1>Does he not? Did he not earn his his seat

0:14:50.480 --> 0:14:51.120
<v Speaker 1>at the table?

0:14:53.200 --> 0:14:53.440
<v Speaker 2>Sure?

0:14:53.480 --> 0:14:58.400
<v Speaker 3>I mean it's a revolving door typically usually anyway. I mean,

0:14:58.560 --> 0:15:05.160
<v Speaker 3>his career exists because of the genre, and he gained

0:15:05.240 --> 0:15:09.040
<v Speaker 3>value from the genre for his own platform, but by

0:15:09.080 --> 0:15:12.600
<v Speaker 3>and large, at this point in time, other individuals gained

0:15:12.680 --> 0:15:16.680
<v Speaker 3>value by participating on his platform, so it's reciprocal.

0:15:18.040 --> 0:15:23.600
<v Speaker 1>I agree. When you hear the term culture vulture, what

0:15:23.720 --> 0:15:27.160
<v Speaker 1>kind of person do you think of? Because I'll be honest, right,

0:15:27.320 --> 0:15:29.320
<v Speaker 1>I know people say that about Vlad all the time,

0:15:29.360 --> 0:15:33.359
<v Speaker 1>and I don't agree with Blad says some really unsavory

0:15:33.480 --> 0:15:37.880
<v Speaker 1>shit about Lewis fay Kahn, and I'm not really cool

0:15:37.920 --> 0:15:40.120
<v Speaker 1>with that. You know. It's one of those things to

0:15:40.160 --> 0:15:43.160
<v Speaker 1>where it's like, you know, I understand why people are upset,

0:15:43.200 --> 0:15:48.200
<v Speaker 1>but I never looked at because like a culture vuture. Yeah,

0:15:48.240 --> 0:15:51.160
<v Speaker 1>he always had a genuine interest in the coach of

0:15:51.280 --> 0:15:54.120
<v Speaker 1>lad had a fucking black woman back then, you know

0:15:54.120 --> 0:15:55.640
<v Speaker 1>what I mean. And I'm not saying because you get

0:15:55.680 --> 0:15:58.920
<v Speaker 1>some black pussy that make you a part of said culture.

0:15:58.960 --> 0:16:01.200
<v Speaker 1>But he was hell a vested in it, you know

0:16:01.200 --> 0:16:03.520
<v Speaker 1>what I mean. He wasn't just some motherfucking But don't

0:16:03.520 --> 0:16:05.760
<v Speaker 1>get me wrong. I don't think he was living the culture,

0:16:05.840 --> 0:16:08.400
<v Speaker 1>you know what I mean. He's not living the street life,

0:16:09.000 --> 0:16:13.000
<v Speaker 1>but he made it his job to cover it and

0:16:13.640 --> 0:16:18.640
<v Speaker 1>back then, to put himself in danger, you know, to

0:16:18.800 --> 0:16:23.520
<v Speaker 1>go see exactly what's going down. He's doing these interviews

0:16:23.560 --> 0:16:27.960
<v Speaker 1>currently with different people when he's talking about the BMF dudes,

0:16:28.000 --> 0:16:30.680
<v Speaker 1>and it's funny because I hear Cuz talking. He'd be like, yeah,

0:16:30.720 --> 0:16:36.000
<v Speaker 1>you know, well I did the He was talking about

0:16:36.000 --> 0:16:38.240
<v Speaker 1>how he hung with be Amth for like two or

0:16:38.280 --> 0:16:41.320
<v Speaker 1>three days. He's like, yeah, man, they're blowing money and

0:16:41.360 --> 0:16:43.280
<v Speaker 1>they're in clubs, and you know, I know, they're not

0:16:43.320 --> 0:16:45.720
<v Speaker 1>selling any records. So I had to separate myself. And

0:16:45.760 --> 0:16:49.680
<v Speaker 1>I was thinking to myself, like, glad, nobody, no federal

0:16:50.560 --> 0:16:53.160
<v Speaker 1>law enforcement would think you are selling drugs and a

0:16:53.200 --> 0:16:55.360
<v Speaker 1>part of BMF. I don't know if it was really

0:16:55.480 --> 0:16:59.520
<v Speaker 1>that that important cover. You just separate yourself into that

0:16:59.600 --> 0:17:02.960
<v Speaker 1>degree outside of upcoming artist.

0:17:03.320 --> 0:17:04.800
<v Speaker 2>He might have met it in the sense that he

0:17:04.840 --> 0:17:08.520
<v Speaker 2>didn't want to get it is some ship that was.

0:17:08.520 --> 0:17:09.200
<v Speaker 3>Not the law.

0:17:11.520 --> 0:17:13.840
<v Speaker 1>I don't think Lad would have got into any ship

0:17:15.560 --> 0:17:18.000
<v Speaker 1>like Vlad everybody.

0:17:18.680 --> 0:17:20.600
<v Speaker 2>I just mean, you could wrong place, wrong time it,

0:17:21.040 --> 0:17:21.600
<v Speaker 2>you know what I mean.

0:17:22.720 --> 0:17:25.439
<v Speaker 3>Say that again, I just mean in a sense that

0:17:25.480 --> 0:17:28.359
<v Speaker 3>he might have just meant it like you can wrong place,

0:17:28.400 --> 0:17:29.800
<v Speaker 3>wrong time it, you know what I mean.

0:17:31.040 --> 0:17:33.280
<v Speaker 1>Well, I don't know if it's even could be wrong place,

0:17:33.320 --> 0:17:35.080
<v Speaker 1>the wrong time he was just talking about. He was

0:17:35.119 --> 0:17:37.320
<v Speaker 1>at the club with him or at the house. Either way,

0:17:37.800 --> 0:17:41.480
<v Speaker 1>no matter what happened, I don't think the fans would

0:17:41.520 --> 0:17:45.560
<v Speaker 1>have thought Vlad had shipped to do with nothing. But

0:17:45.600 --> 0:17:46.120
<v Speaker 1>it was fun.

0:17:47.520 --> 0:17:50.080
<v Speaker 3>I mean, you running a muck through the nightclub scene

0:17:50.080 --> 0:17:54.080
<v Speaker 3>with those guys in city to city, anything could happen.

0:17:56.280 --> 0:18:00.199
<v Speaker 1>You gotta walk, that's the perspective. But no, that's not

0:18:00.240 --> 0:18:01.760
<v Speaker 1>how it work, you know, I mean, it don't work

0:18:01.800 --> 0:18:04.040
<v Speaker 1>that way. That was a case Gez being prison. You

0:18:04.080 --> 0:18:06.679
<v Speaker 1>know what I'm saying. It don't work that way. Yeah,

0:18:07.600 --> 0:18:09.439
<v Speaker 1>But I say that to say, like, what do you

0:18:09.480 --> 0:18:12.400
<v Speaker 1>feel a culture vulture is what's a culture voture by

0:18:12.440 --> 0:18:13.240
<v Speaker 1>definition for you?

0:18:14.480 --> 0:18:22.200
<v Speaker 3>Ah, shit, that's a pretty opaque term. It's I think

0:18:22.240 --> 0:18:23.879
<v Speaker 3>a lot of the time, it's pretty much just an

0:18:23.920 --> 0:18:27.320
<v Speaker 3>insult to somebody. That is, if you could say that

0:18:27.359 --> 0:18:33.720
<v Speaker 3>about anybody, I guess who's crowd doesn't match their own race,

0:18:33.840 --> 0:18:36.840
<v Speaker 3>if you don't like them, you know, I mean people

0:18:36.920 --> 0:18:39.200
<v Speaker 3>don't say that about Eminem, but I'm sure somebody wanted

0:18:39.200 --> 0:18:40.959
<v Speaker 3>to talk about Eminem. You can say the same thing

0:18:41.000 --> 0:18:43.560
<v Speaker 3>about Eminem. People would resent that, people would say that's

0:18:43.560 --> 0:18:46.679
<v Speaker 3>bullshit for whatever reason. But it depends on It's one

0:18:46.720 --> 0:18:52.280
<v Speaker 3>of those terms. Yeah, I'm just saying, if you want

0:18:52.359 --> 0:18:55.000
<v Speaker 3>to do a disc track on them, you know, you could,

0:18:55.359 --> 0:18:58.400
<v Speaker 3>you can run that. You know, people don't do it,

0:18:58.480 --> 0:19:01.880
<v Speaker 3>but you know, there's it depends on how you want

0:19:01.920 --> 0:19:03.879
<v Speaker 3>to define it, you know.

0:19:06.320 --> 0:19:09.560
<v Speaker 1>So do you feel that's a do you feel that's

0:19:09.600 --> 0:19:12.280
<v Speaker 1>an applicable term? Is that? Is there really a definition

0:19:12.359 --> 0:19:16.600
<v Speaker 1>for that term?

0:19:16.840 --> 0:19:23.520
<v Speaker 2>Not really? I mean like there is. It's it's such

0:19:23.520 --> 0:19:27.600
<v Speaker 2>a slippery slope term that it.

0:19:26.600 --> 0:19:29.480
<v Speaker 3>Sort of nullifies itself. Like the best example would be

0:19:29.600 --> 0:19:36.240
<v Speaker 3>like say, and this is illustrative not literal.

0:19:37.000 --> 0:19:37.160
<v Speaker 1>But.

0:19:38.760 --> 0:19:42.520
<v Speaker 3>Like that girl Miley Cyrus, right, if her career wasn't

0:19:42.520 --> 0:19:44.560
<v Speaker 3>getting off the ground, and then she like, didn't you

0:19:44.560 --> 0:19:46.080
<v Speaker 3>do a song with three six or something like that,

0:19:46.160 --> 0:19:48.919
<v Speaker 3>She did a song with some rap artists, she.

0:19:49.080 --> 0:19:52.200
<v Speaker 1>Changed her whole show album produced by and she did

0:19:52.200 --> 0:19:53.720
<v Speaker 1>a whole album produced by Mike Will.

0:19:55.040 --> 0:19:56.119
<v Speaker 2>Okay, Yeah, if that like.

0:19:58.280 --> 0:20:03.680
<v Speaker 3>Saved her fledgling career was done deliberately for that purpose,

0:20:03.760 --> 0:20:05.720
<v Speaker 3>then you could say that, Yeah, she was already a

0:20:05.720 --> 0:20:09.080
<v Speaker 3>big deal at the time, so it's not really you know,

0:20:09.119 --> 0:20:13.000
<v Speaker 3>it's not like changed your life. Life was already pretty

0:20:13.080 --> 0:20:13.560
<v Speaker 3>pretty good.

0:20:14.280 --> 0:20:16.760
<v Speaker 2>Sure, But I don't know.

0:20:18.200 --> 0:20:21.280
<v Speaker 1>See, when I think of culture vulture, I think of

0:20:21.400 --> 0:20:28.000
<v Speaker 1>people like, let's say, post Malone, and it's because it's

0:20:28.040 --> 0:20:35.159
<v Speaker 1>when people kind of they shoeshine ideas, like the first

0:20:35.240 --> 0:20:39.520
<v Speaker 1>time post Malone, you know, or the first time I

0:20:39.640 --> 0:20:42.119
<v Speaker 1>heard of post Malone. I mean, he probably had a

0:20:42.160 --> 0:20:45.199
<v Speaker 1>follow him before. I just don't know. Was he had

0:20:45.200 --> 0:20:50.320
<v Speaker 1>a song called White Iverson and he had braids to

0:20:50.359 --> 0:20:55.359
<v Speaker 1>the back. He was wearing an Iverson jersey. He's doing

0:20:55.400 --> 0:20:58.400
<v Speaker 1>donuts out in the middle of nowhere in the phantom.

0:20:59.440 --> 0:21:03.800
<v Speaker 1>You know, he's carrying himself like he's of said culture. Now,

0:21:03.800 --> 0:21:06.399
<v Speaker 1>don't get me wrong. I think there's plenty of white

0:21:06.440 --> 0:21:10.919
<v Speaker 1>people who love Alan Iverson. I'm sure because Ai is

0:21:11.000 --> 0:21:15.600
<v Speaker 1>such a fucking iconic anomaly as an athlete and as

0:21:15.640 --> 0:21:18.000
<v Speaker 1>a hooper, like it's just out of this world, even

0:21:18.040 --> 0:21:21.320
<v Speaker 1>as a fashion icon and what he represented to the

0:21:21.440 --> 0:21:26.760
<v Speaker 1>NBA for years to come. Right, Yeah, it's another thing

0:21:26.800 --> 0:21:30.760
<v Speaker 1>when you call yourself the white version of him, you

0:21:30.800 --> 0:21:32.560
<v Speaker 1>know what I mean? And then you braid your hair

0:21:32.640 --> 0:21:36.040
<v Speaker 1>to the back and you put on some loaches, some

0:21:36.240 --> 0:21:41.160
<v Speaker 1>dark shades, and then like later on he comes out

0:21:41.200 --> 0:21:43.560
<v Speaker 1>and he's like, yeah, I'm not really a rapper or

0:21:44.320 --> 0:21:47.000
<v Speaker 1>it was something loosely around he's not really down with

0:21:47.080 --> 0:21:49.199
<v Speaker 1>the culture to that degree.

0:21:49.480 --> 0:21:49.920
<v Speaker 2>What was it?

0:21:50.240 --> 0:21:52.600
<v Speaker 3>Oh, when he said a white Iverson, I thought it

0:21:52.680 --> 0:21:55.240
<v Speaker 3>was a reference to the fact that did he undergrad

0:21:55.280 --> 0:21:55.960
<v Speaker 3>at Georgetown?

0:21:57.200 --> 0:21:59.760
<v Speaker 1>Definitely didn't undergrad at Georgetown? Definitely didn't.

0:22:00.080 --> 0:22:03.120
<v Speaker 2>That was I was wrong. I don't know his lifestyle.

0:22:03.119 --> 0:22:04.520
<v Speaker 3>I don't know where he's from or is up there.

0:22:04.520 --> 0:22:06.320
<v Speaker 3>I don't know nothing about the guy just knows music

0:22:07.640 --> 0:22:10.440
<v Speaker 3>when the song ends. I don't know ship about him.

0:22:10.440 --> 0:22:13.280
<v Speaker 3>So like, was he just a guy from god knows where?

0:22:13.320 --> 0:22:15.200
<v Speaker 3>And to society you know something, I'm just gonna throw

0:22:15.280 --> 0:22:16.880
<v Speaker 3>this ship together and see how it goes.

0:22:18.000 --> 0:22:23.000
<v Speaker 1>Yes, and it hit for really the culture blew him up.

0:22:23.040 --> 0:22:28.000
<v Speaker 1>They was like, look at this motherfucking white man. He's man,

0:22:28.080 --> 0:22:36.840
<v Speaker 1>you know, just looking d man. Okay, right by crazy

0:22:36.960 --> 0:22:39.120
<v Speaker 1>such a talent man.

0:22:39.160 --> 0:22:40.680
<v Speaker 2>I was like, looking man.

0:22:40.840 --> 0:22:44.919
<v Speaker 3>Was he like he looks like like like the dirty

0:22:44.960 --> 0:22:47.320
<v Speaker 3>ass kid from a group home or something like that.

0:22:49.160 --> 0:22:52.160
<v Speaker 1>He'd be looking like he'd be dazzy drugg Look that's

0:22:53.920 --> 0:22:58.359
<v Speaker 1>my boy, isn't there? But see And then but later

0:22:58.440 --> 0:23:02.120
<v Speaker 1>on he comes out and he's like, yo, yeah, I'm

0:23:02.160 --> 0:23:04.760
<v Speaker 1>not down with the culture. Not those word specifically, but

0:23:04.880 --> 0:23:08.159
<v Speaker 1>things to say that equip the equivalent to I'm not

0:23:08.280 --> 0:23:11.439
<v Speaker 1>down with the culture. Now, he's not down with putting on.

0:23:11.720 --> 0:23:13.679
<v Speaker 1>You know, he'll do songs with other rappers, you know,

0:23:13.760 --> 0:23:16.639
<v Speaker 1>so people can't take the credit he puts on. You know,

0:23:16.640 --> 0:23:20.080
<v Speaker 1>he's done songs with Roddy Rich, different people from the Migos,

0:23:20.400 --> 0:23:22.920
<v Speaker 1>twenty one Savage, all the urban acts, you know what

0:23:22.960 --> 0:23:27.119
<v Speaker 1>I mean. But somewhere along the line he disassociated himself

0:23:27.200 --> 0:23:31.439
<v Speaker 1>with the culture, and that, to me is a culture vulture,

0:23:31.720 --> 0:23:37.040
<v Speaker 1>right when you play off people's especially the culture's desire

0:23:37.119 --> 0:23:41.920
<v Speaker 1>to have representation, right, because everybody knows the culture wants

0:23:41.960 --> 0:23:45.040
<v Speaker 1>representation in all shades. You know, we love it in

0:23:45.080 --> 0:23:47.439
<v Speaker 1>all shades. We want to be represented to see that

0:23:47.480 --> 0:23:50.399
<v Speaker 1>people are down with the struggle. Right. And then so

0:23:50.400 --> 0:23:51.879
<v Speaker 1>when you wake up, you're like, yeah, I'm not fucking

0:23:51.920 --> 0:23:54.160
<v Speaker 1>with that that I just did that for that, I mean,

0:23:54.200 --> 0:23:55.679
<v Speaker 1>to me, that's being a culture.

0:23:56.960 --> 0:23:59.600
<v Speaker 2>So he's the He's like, I look at somebody like

0:24:00.359 --> 0:24:00.960
<v Speaker 2>for that girl.

0:24:03.040 --> 0:24:07.080
<v Speaker 1>Yeah, yeah, when I look at somebody like Jack Harlowe, Like,

0:24:07.359 --> 0:24:10.520
<v Speaker 1>I don't get that, like right, I don't get don't

0:24:10.520 --> 0:24:13.760
<v Speaker 1>get me wrong, he raps. But I don't get a

0:24:13.840 --> 0:24:16.240
<v Speaker 1>white dude trying to be black like that hair. He

0:24:16.280 --> 0:24:17.760
<v Speaker 1>could do some mother shit with the hair if that

0:24:17.880 --> 0:24:20.960
<v Speaker 1>was the case. I get a white dude who has

0:24:21.080 --> 0:24:24.000
<v Speaker 1>probably been sitting at the cool table or he had

0:24:24.119 --> 0:24:27.040
<v Speaker 1>cool friends, you know what I mean. I don't get

0:24:27.080 --> 0:24:29.159
<v Speaker 1>that same thing from him. I don't even get it

0:24:29.160 --> 0:24:32.320
<v Speaker 1>from eminem, you know what I mean. Like, I always

0:24:32.359 --> 0:24:35.160
<v Speaker 1>respected that they I don't know if it was him

0:24:35.240 --> 0:24:37.880
<v Speaker 1>or the Regulabel, but they made his hair blond. They

0:24:37.960 --> 0:24:40.440
<v Speaker 1>made him a white person. Don't get me wrong, he

0:24:40.520 --> 0:24:44.159
<v Speaker 1>might have had you know, some trendy gear, you know,

0:24:44.240 --> 0:24:47.480
<v Speaker 1>but niggas wasn't looking at Eminem for fashion tips. So

0:24:48.160 --> 0:24:51.080
<v Speaker 1>I think I enjoyed the fact that they made him

0:24:51.119 --> 0:24:54.680
<v Speaker 1>a white man and let him talk about problems that

0:24:55.480 --> 0:24:58.879
<v Speaker 1>the culture thinks white people have. Right, he's upset with

0:24:58.920 --> 0:25:01.520
<v Speaker 1>his mother on drug or she mistreated him, or his

0:25:01.840 --> 0:25:04.240
<v Speaker 1>baby mom. That was a real connecting point for certain

0:25:04.280 --> 0:25:06.760
<v Speaker 1>black people. Him wanting to raise his daughter, you know.

0:25:06.920 --> 0:25:09.760
<v Speaker 1>And I think you know, you was able to see

0:25:09.760 --> 0:25:12.679
<v Speaker 1>that white people had problems, like they were poor. Like

0:25:12.720 --> 0:25:14.560
<v Speaker 1>we love to see poor white people because it makes

0:25:14.640 --> 0:25:17.560
<v Speaker 1>us realize we're not alone. But it's like, you know,

0:25:17.600 --> 0:25:20.160
<v Speaker 1>we see Eminem me like, you know, he he got

0:25:20.200 --> 0:25:24.280
<v Speaker 1>problems like us, right, So that was dope. But somebody

0:25:24.440 --> 0:25:28.159
<v Speaker 1>like post Malone is different right where he used the

0:25:28.200 --> 0:25:31.520
<v Speaker 1>culture to position himself, you know what I mean, And

0:25:31.560 --> 0:25:34.639
<v Speaker 1>then now he's able to walk freely about the cabin.

0:25:35.600 --> 0:25:38.360
<v Speaker 1>And I think that's what we regret the most when

0:25:38.359 --> 0:25:41.000
<v Speaker 1>we do let people sit at the cool table like

0:25:41.119 --> 0:25:43.880
<v Speaker 1>a machine gun. Kelly shout out to Kelly, Right, he's

0:25:43.920 --> 0:25:46.119
<v Speaker 1>a really dope dude. But soon as you get in

0:25:46.200 --> 0:25:49.560
<v Speaker 1>the door, you go back to being a white person. Now,

0:25:49.600 --> 0:25:52.000
<v Speaker 1>you were always white, you know, even when you came in,

0:25:52.040 --> 0:25:55.040
<v Speaker 1>but you tend to look like you was catering to

0:25:55.680 --> 0:25:58.800
<v Speaker 1>the culture itself, like, hey, I'm a representation of this too.

0:25:59.119 --> 0:26:01.719
<v Speaker 1>Like he has this really dope song east Side Till

0:26:01.760 --> 0:26:04.439
<v Speaker 1>I Die About East Cleveland and it's nothing but brothers

0:26:04.440 --> 0:26:06.720
<v Speaker 1>in the video. But now you're looking at this video

0:26:06.800 --> 0:26:09.719
<v Speaker 1>and it's not you know it's it's it's completely different.

0:26:09.760 --> 0:26:13.040
<v Speaker 1>He's completely different, and his think.

0:26:13.000 --> 0:26:15.960
<v Speaker 2>Act is totally different. He's like a like a rock artist.

0:26:16.040 --> 0:26:20.320
<v Speaker 1>Now shitn't yeah, And it's like the culture is tired

0:26:20.359 --> 0:26:23.600
<v Speaker 1>of validating people and to be left out in the

0:26:23.640 --> 0:26:27.600
<v Speaker 1>cold once you get validated. Credit to eminem Em and

0:26:27.640 --> 0:26:30.240
<v Speaker 1>them stayed down. You don't see em and them out

0:26:30.240 --> 0:26:32.679
<v Speaker 1>there trying to do rock albums. He ain't making no

0:26:32.800 --> 0:26:36.159
<v Speaker 1>country albums. That dude is still a hip hop artist.

0:26:37.359 --> 0:26:40.720
<v Speaker 1>But I think when I think of culture vultures, I

0:26:40.760 --> 0:26:43.840
<v Speaker 1>think of that type of situation, specifically with post Malon,

0:26:43.880 --> 0:26:46.880
<v Speaker 1>where it's like, damn, you used us to get on

0:26:47.000 --> 0:26:49.320
<v Speaker 1>Like you you used a cool table to get in

0:26:49.359 --> 0:26:51.919
<v Speaker 1>good with the principal, but really you went into the

0:26:51.920 --> 0:26:53.960
<v Speaker 1>principal's office and start talking about the type of shit

0:26:54.040 --> 0:26:59.119
<v Speaker 1>we was doing and saying you wasn't down. It brings

0:26:59.160 --> 0:27:04.920
<v Speaker 1>me to my next thought. Adam twenty two. Adam twenty two. Yeah,

0:27:04.920 --> 0:27:06.439
<v Speaker 1>I know you said you didn't know who he was,

0:27:06.480 --> 0:27:10.000
<v Speaker 1>but he he's the owner of a platform, a digital

0:27:10.080 --> 0:27:15.639
<v Speaker 1>platform called no Jumper. Now no Jumper is a platform

0:27:15.720 --> 0:27:18.840
<v Speaker 1>that Adam twenty two was, if I understand correct, he

0:27:18.960 --> 0:27:21.720
<v Speaker 1>was like a bicyclist, like a like a like a style,

0:27:21.800 --> 0:27:26.640
<v Speaker 1>like a bmx GT style bicyclist. And most people don't

0:27:26.680 --> 0:27:31.199
<v Speaker 1>know this, but bicyclists in Los Angeles and skaters have

0:27:31.359 --> 0:27:35.439
<v Speaker 1>a deep urban tradition of street urban shit. It's not

0:27:35.640 --> 0:27:37.760
<v Speaker 1>the same as like where like where I'm from and

0:27:37.800 --> 0:27:41.040
<v Speaker 1>company watch. But you remember, you old enough to remember, Pete,

0:27:41.080 --> 0:27:43.800
<v Speaker 1>how the skaters used to be. They were like kind

0:27:43.800 --> 0:27:48.480
<v Speaker 1>of like outlaws, little thuggish kind of guy. They were

0:27:48.720 --> 0:27:52.600
<v Speaker 1>really rebellious. They were ride they skateboards where they didn't

0:27:52.640 --> 0:27:55.159
<v Speaker 1>have permission that they'll bust your asseside the head. They

0:27:55.200 --> 0:27:59.240
<v Speaker 1>will still shot out to seven eleven. They were. They

0:27:59.280 --> 0:28:02.960
<v Speaker 1>were the punk rock kids. Right. Punk rock and hip

0:28:03.000 --> 0:28:09.360
<v Speaker 1>hop are step brothers. Right, it's the same same father. Right,

0:28:09.520 --> 0:28:14.200
<v Speaker 1>The oppression and poverty that creates culture different mothers, different places,

0:28:14.520 --> 0:28:16.840
<v Speaker 1>you know, in the community, different earths, you know, I mean,

0:28:16.880 --> 0:28:19.040
<v Speaker 1>you put that in different earths and it sprouts out

0:28:19.040 --> 0:28:23.439
<v Speaker 1>different ways. So Adam twenty two was a bicyclist, if

0:28:23.480 --> 0:28:26.360
<v Speaker 1>I remember correctly, and he started a platform, right, which

0:28:26.400 --> 0:28:30.119
<v Speaker 1>is No Jumper, and he started talking to different people

0:28:30.160 --> 0:28:35.600
<v Speaker 1>of cultural backgrounds mainly artists, right, and different other professionals

0:28:35.600 --> 0:28:40.440
<v Speaker 1>in different fields. And when this platform first launched, it

0:28:40.560 --> 0:28:43.520
<v Speaker 1>was interesting, you know what I mean. He he had

0:28:43.520 --> 0:28:46.160
<v Speaker 1>a certain conversational skill, you know what I mean, He

0:28:46.160 --> 0:28:49.160
<v Speaker 1>could conversate really well. He would think, you know what

0:28:49.160 --> 0:28:52.479
<v Speaker 1>I mean. He wasn't scared to ask hard questions. He

0:28:52.640 --> 0:28:57.240
<v Speaker 1>was sharp. Well, No Jumper has evolved, and I don't

0:28:57.240 --> 0:29:01.240
<v Speaker 1>know if it's evolved or devolved into either a really

0:29:01.680 --> 0:29:07.000
<v Speaker 1>type of you know, it's putting culture under a different microphone,

0:29:07.120 --> 0:29:08.800
<v Speaker 1>or I don't know if it's devolved into a much

0:29:08.840 --> 0:29:13.680
<v Speaker 1>more primitive place where it's like all of the conversations.

0:29:14.520 --> 0:29:18.479
<v Speaker 1>So let me rewind back. Hip hop itself is street

0:29:18.600 --> 0:29:23.520
<v Speaker 1>urban culture personified through the arts, aka the elements. Right.

0:29:23.600 --> 0:29:32.000
<v Speaker 1>Initially the elements were m sing right, djang, graffiti, graffiti

0:29:32.320 --> 0:29:39.560
<v Speaker 1>and breaking be right. They added knowledge and a couple

0:29:39.600 --> 0:29:42.120
<v Speaker 1>other things along the way, but it was street urban

0:29:42.160 --> 0:29:47.000
<v Speaker 1>culture personified through these things because m singing existed long

0:29:47.040 --> 0:29:52.160
<v Speaker 1>before hip hop. Djang existed long before hip hop, dancing

0:29:52.400 --> 0:29:56.080
<v Speaker 1>existed before hip hop, even breaking existed before hip hop,

0:29:56.560 --> 0:29:59.560
<v Speaker 1>and graffiti existed before hip hop. But when you put

0:29:59.560 --> 0:30:03.000
<v Speaker 1>the street urban culture, the ghettos take on art in it.

0:30:03.360 --> 0:30:07.920
<v Speaker 1>That's what made it hip hop. Right, So adam twenty two.

0:30:08.400 --> 0:30:12.640
<v Speaker 1>Obviously with Showcase artistic you know people the artists that

0:30:12.760 --> 0:30:16.240
<v Speaker 1>express street urban culture. That's how you know, I remember

0:30:16.280 --> 0:30:19.880
<v Speaker 1>his platform initially. Fast forward when in twenty twenty four.

0:30:20.400 --> 0:30:24.240
<v Speaker 1>At this point, Bro, he's just showing street urban culture.

0:30:25.000 --> 0:30:28.160
<v Speaker 1>They are not artists. They're not personifying it through art

0:30:28.280 --> 0:30:31.680
<v Speaker 1>or brilliance of excellence. It's just a culture. Like instead

0:30:31.720 --> 0:30:34.360
<v Speaker 1>of getting at one time, you would have had to

0:30:34.400 --> 0:30:38.000
<v Speaker 1>go get you know, if you wanted a representation of

0:30:38.040 --> 0:30:40.760
<v Speaker 1>the West Side South Central experience, you would have to

0:30:40.760 --> 0:30:43.640
<v Speaker 1>talk to Corrupt, right, you had to talk to dub C.

0:30:44.240 --> 0:30:47.600
<v Speaker 3>You had to talk to So he's not finding rappers

0:30:47.600 --> 0:30:49.400
<v Speaker 3>no more, he's just finding any old gangster.

0:30:50.120 --> 0:30:57.080
<v Speaker 1>Now he's just finding crips, gotcha, Okay, just crips. You

0:30:57.080 --> 0:31:02.760
<v Speaker 1>know what? I mean and or blue or po roots, right,

0:31:02.800 --> 0:31:08.960
<v Speaker 1>and I liking hip hop to soul food, right, it's

0:31:09.000 --> 0:31:12.880
<v Speaker 1>it's it's you can cook anything in a soul way, right,

0:31:13.000 --> 0:31:16.320
<v Speaker 1>like soul food right started off like slave food. Right.

0:31:16.360 --> 0:31:20.040
<v Speaker 1>The worst of the vegetables, the greens, right, that was

0:31:20.040 --> 0:31:22.920
<v Speaker 1>the worst you had to You had to fucking boil

0:31:23.000 --> 0:31:26.240
<v Speaker 1>them bitches forever to just get them tender. Right. You

0:31:26.240 --> 0:31:30.160
<v Speaker 1>you take the tail of the cow right in the oxtail, right,

0:31:30.200 --> 0:31:33.400
<v Speaker 1>that's the tail of the cow. Right, pig, any part

0:31:33.440 --> 0:31:37.440
<v Speaker 1>because pigs are cheap, right, any part cooked them a

0:31:37.480 --> 0:31:39.800
<v Speaker 1>certain way because you wanted them to be flavorful, so

0:31:39.840 --> 0:31:43.960
<v Speaker 1>you would really over season them because that made them

0:31:44.120 --> 0:31:49.200
<v Speaker 1>digestible and delicious to the to the palate. So I

0:31:49.480 --> 0:31:52.320
<v Speaker 1>like him to think hip hop as soulful. You know,

0:31:52.680 --> 0:31:54.680
<v Speaker 1>you cook a certain thing in the way you cook it.

0:31:54.960 --> 0:31:59.240
<v Speaker 1>Soul food is always being expanded, right, Like like you

0:31:59.320 --> 0:32:02.000
<v Speaker 1>ever seen black people tacos, We call them nigga tacos.

0:32:02.480 --> 0:32:06.200
<v Speaker 1>That's soulfuld, right. We Friday shells, the ground meat that

0:32:06.360 --> 0:32:11.120
<v Speaker 1>soul food, you know, invented over the last forty years.

0:32:12.160 --> 0:32:16.040
<v Speaker 1>A spaghetro, you know ghetto spaghetti where you actually cook

0:32:16.080 --> 0:32:19.440
<v Speaker 1>the damn noodles in the sauce. That's soul fool, right.

0:32:19.520 --> 0:32:23.640
<v Speaker 1>So soul food always was a twist on cuisine, you

0:32:23.640 --> 0:32:26.160
<v Speaker 1>know what I mean. It wasn't about the actual particular

0:32:26.240 --> 0:32:28.760
<v Speaker 1>food item as much as it was about how we

0:32:28.880 --> 0:32:33.040
<v Speaker 1>cooked the food item. Right. So it was again back

0:32:33.080 --> 0:32:36.160
<v Speaker 1>to the point of soul food being this overseasoned thing

0:32:36.280 --> 0:32:40.640
<v Speaker 1>to make really bad food digestible, like horrible you know,

0:32:41.560 --> 0:32:46.320
<v Speaker 1>vegetables digestible, you know, at that degree Adam twenty two,

0:32:46.520 --> 0:32:50.600
<v Speaker 1>at this point is just selling the seasoning like a

0:32:50.680 --> 0:32:54.520
<v Speaker 1>tablespoon of salt. Sol hip hop in its earliest you know,

0:32:54.960 --> 0:32:58.360
<v Speaker 1>its in its infancy, and even coming into the two

0:32:58.400 --> 0:33:01.200
<v Speaker 1>thousands when you would die just hip hop, you know

0:33:01.240 --> 0:33:05.240
<v Speaker 1>what I mean. Don't get me wrong, If you keep

0:33:05.240 --> 0:33:08.880
<v Speaker 1>eating this shit for sixty seventy years, you might have

0:33:08.920 --> 0:33:11.840
<v Speaker 1>a fucking heart attack or some diabetes or shit, you

0:33:11.880 --> 0:33:15.600
<v Speaker 1>know what I mean. Because it is overseason right, sure,

0:33:15.840 --> 0:33:19.680
<v Speaker 1>but at least it carried you along the way, right,

0:33:19.920 --> 0:33:22.920
<v Speaker 1>It connected you to your people, It connected you to

0:33:23.000 --> 0:33:27.040
<v Speaker 1>the struggle, right, and it still had nourishing elements. It

0:33:27.120 --> 0:33:30.360
<v Speaker 1>still was a nourishing meal. It might have you didn't

0:33:30.400 --> 0:33:32.920
<v Speaker 1>get you know, the greatest years, all the hundred years

0:33:32.920 --> 0:33:35.120
<v Speaker 1>of life, because you know, you didn't get the best stuff,

0:33:35.160 --> 0:33:39.600
<v Speaker 1>but it still had nourishment. Adam and no Jumper, they're

0:33:39.640 --> 0:33:45.080
<v Speaker 1>selling a tablespoon of fucking salt. There is no nourishment.

0:33:45.680 --> 0:33:51.040
<v Speaker 1>You don't listen and get information that is substantial to

0:33:51.120 --> 0:33:53.400
<v Speaker 1>your life like you would out of hip hop, where

0:33:53.440 --> 0:33:56.360
<v Speaker 1>you could get some stuff to get you through hard days,

0:33:56.400 --> 0:33:59.640
<v Speaker 1>not only just you know, tough times or attitude, but

0:33:59.720 --> 0:34:02.320
<v Speaker 1>things that really made you feel like he wasn't alone

0:34:02.400 --> 0:34:07.760
<v Speaker 1>in the world. At this point, Couz is selling straight

0:34:08.239 --> 0:34:13.680
<v Speaker 1>fucking seasoning like he's like a tablespoon of old bay.

0:34:15.160 --> 0:34:18.880
<v Speaker 1>So there is no nourishment with it, right. But I

0:34:18.920 --> 0:34:21.880
<v Speaker 1>say all that to say, you know, because he understands

0:34:21.880 --> 0:34:24.759
<v Speaker 1>what he's selling, and I can respect his business mind,

0:34:24.840 --> 0:34:28.480
<v Speaker 1>but at this point, cause it's causing so much drama,

0:34:28.600 --> 0:34:31.160
<v Speaker 1>Like my little cousin in Georgia was like, oh, why

0:34:31.200 --> 0:34:32.839
<v Speaker 1>you don't want to talk about it? Like she sent

0:34:32.880 --> 0:34:35.319
<v Speaker 1>me a message, and I'm like, I don't know if

0:34:35.360 --> 0:34:38.440
<v Speaker 1>I agree with the thought that Adam twenty two is

0:34:38.440 --> 0:34:41.760
<v Speaker 1>a culture vulture bro, Like I don't, like, I don't

0:34:41.840 --> 0:34:44.319
<v Speaker 1>agree with what he's doing as far as how he's

0:34:44.640 --> 0:34:48.840
<v Speaker 1>being irresponsible with this type of information that has cost

0:34:49.640 --> 0:34:52.840
<v Speaker 1>hundreds to thousands of men in their lives cuz. But

0:34:53.719 --> 0:34:57.200
<v Speaker 1>I also don't know if he's wrong for having a

0:34:57.280 --> 0:35:00.000
<v Speaker 1>platform if you want to go on there and express

0:35:00.040 --> 0:35:04.359
<v Speaker 1>that's what's on your mind. I'm not quite sure if

0:35:04.360 --> 0:35:08.600
<v Speaker 1>he's a culture vuture because he's providing a platform that

0:35:08.680 --> 0:35:12.080
<v Speaker 1>people want to talk, you know on Because I've been

0:35:12.120 --> 0:35:16.840
<v Speaker 1>on Adam twenty two's podcast the early in twenty nineteen,

0:35:18.200 --> 0:35:21.480
<v Speaker 1>I did another no Jumper, I did three or four

0:35:21.480 --> 0:35:24.400
<v Speaker 1>different no Jumper things, and I've never said anything that

0:35:24.480 --> 0:35:27.839
<v Speaker 1>created a problem in Los Angeles because obviously I'm being

0:35:27.880 --> 0:35:29.840
<v Speaker 1>responsible for what I say, and if I wanted to

0:35:29.840 --> 0:35:32.640
<v Speaker 1>make a problem, I will call the specific artist or

0:35:32.920 --> 0:35:35.799
<v Speaker 1>whichever community I have an issue with and make a

0:35:35.840 --> 0:35:38.120
<v Speaker 1>real problem right there, not to go on a public

0:35:38.160 --> 0:35:40.719
<v Speaker 1>platform and try to shame anybody. So I don't know

0:35:41.200 --> 0:35:44.680
<v Speaker 1>how I feel. Is he a culture vulture or is

0:35:44.760 --> 0:35:47.919
<v Speaker 1>people you know, the same poverty and oppression that makes

0:35:47.960 --> 0:35:50.640
<v Speaker 1>people want to share their story so they can feel

0:35:50.680 --> 0:35:53.560
<v Speaker 1>like they matter, you know what I mean? Like, don't

0:35:53.680 --> 0:35:55.839
<v Speaker 1>I don't know which way am I going left for right?

0:35:57.239 --> 0:35:59.480
<v Speaker 2>I don't think he's a culture vulture. I just think.

0:35:59.360 --> 0:36:04.480
<v Speaker 3>He's at the He just happens to have decided I'm

0:36:04.520 --> 0:36:07.560
<v Speaker 3>going to open up shop at the intersection of opportunism.

0:36:08.080 --> 0:36:08.440
<v Speaker 1>You have.

0:36:10.160 --> 0:36:17.000
<v Speaker 2>He figured out, well we get the most uh.

0:36:16.760 --> 0:36:22.600
<v Speaker 3>Virality through because it's like, I'm pretty damn sure.

0:36:22.680 --> 0:36:24.240
<v Speaker 2>The way it went down was as follows.

0:36:24.440 --> 0:36:29.520
<v Speaker 3>Okay, I got an hour long interview with artists A, B, C, D, E.

0:36:29.640 --> 0:36:29.839
<v Speaker 1>FG.

0:36:31.520 --> 0:36:32.920
<v Speaker 2>Of all the five minute.

0:36:32.680 --> 0:36:35.840
<v Speaker 3>Clips we put out, the ones that served the most

0:36:35.960 --> 0:36:38.279
<v Speaker 3>were the ones where they were talking about drama. And

0:36:38.280 --> 0:36:40.640
<v Speaker 3>there's an app there's always there's an appetite for drama

0:36:41.000 --> 0:36:44.680
<v Speaker 3>with that fan base. Well, let's just skip the artists

0:36:44.680 --> 0:36:46.600
<v Speaker 3>and go straight to the drama. I wonder if those

0:36:46.640 --> 0:36:49.120
<v Speaker 3>guys want to talk and they just get the fucking line.

0:36:49.600 --> 0:36:52.279
<v Speaker 3>Of course, I've never been fansed before. I got all

0:36:52.280 --> 0:36:56.320
<v Speaker 3>this local value, but I don't have any brand value.

0:36:56.960 --> 0:36:59.520
<v Speaker 3>Let me jump right on in. This will be fantastic,

0:37:00.320 --> 0:37:01.799
<v Speaker 3>you know. And it's just.

0:37:03.480 --> 0:37:05.640
<v Speaker 2>I don't think I don't think necessarily that.

0:37:07.160 --> 0:37:11.880
<v Speaker 1>Ship. And people are saying he's playing puppet master, like

0:37:11.920 --> 0:37:14.080
<v Speaker 1>they're like, guys, he's playing puppet master, And I'm like,

0:37:14.760 --> 0:37:18.640
<v Speaker 1>is he really like, could he really pull the strings

0:37:18.640 --> 0:37:20.399
<v Speaker 1>of these people. I don't believe that.

0:37:21.120 --> 0:37:21.759
<v Speaker 2>I don't think so.

0:37:21.920 --> 0:37:25.359
<v Speaker 1>I don't believe that. I don't think he can get

0:37:25.400 --> 0:37:31.839
<v Speaker 1>these motherfuckers to do nothing. Mule the most well, I

0:37:31.880 --> 0:37:38.000
<v Speaker 1>think the same desire because to matter right, fame drives

0:37:38.040 --> 0:37:39.720
<v Speaker 1>everything on every level.

0:37:40.840 --> 0:37:44.960
<v Speaker 2>Sure, sure so famous for it's just nothing. It's like

0:37:45.120 --> 0:37:46.600
<v Speaker 2>free money without the paper.

0:37:47.440 --> 0:37:53.600
<v Speaker 1>Yeah, I just I just don't know exactly. Again, like

0:37:55.040 --> 0:37:58.319
<v Speaker 1>when I don't agree with what's happening, I just don't participate.

0:37:59.160 --> 0:38:01.799
<v Speaker 1>Like I don't agree with the direction when it comes

0:38:01.800 --> 0:38:05.640
<v Speaker 1>to handling Los Angeles street urban culture with care, so

0:38:05.719 --> 0:38:07.680
<v Speaker 1>I just won't take part in it, you know what

0:38:07.719 --> 0:38:10.520
<v Speaker 1>I mean? And if I seen if I seen him,

0:38:10.520 --> 0:38:13.040
<v Speaker 1>I would speak to him like, hey man, you shouldn't

0:38:13.080 --> 0:38:14.800
<v Speaker 1>do it like that. I don't like how you handling

0:38:15.560 --> 0:38:18.239
<v Speaker 1>the street shit, bro, I don't like how you handling this,

0:38:18.800 --> 0:38:20.239
<v Speaker 1>you know what I mean. I would tell him that,

0:38:20.560 --> 0:38:22.040
<v Speaker 1>But at the end of the day, I'm not going

0:38:22.120 --> 0:38:24.520
<v Speaker 1>to demand he stopped it, because he's not twisting none

0:38:24.520 --> 0:38:26.920
<v Speaker 1>of these niggas arms to go over there and be

0:38:27.000 --> 0:38:28.960
<v Speaker 1>a part of it, you know what I mean. Like

0:38:30.960 --> 0:38:34.319
<v Speaker 1>some people saying, you know he's giving people opportunity. It

0:38:34.440 --> 0:38:36.600
<v Speaker 1>has value for him, you know what I mean, if

0:38:36.640 --> 0:38:39.120
<v Speaker 1>given opportunity has value for you. I don't even know

0:38:39.160 --> 0:38:42.080
<v Speaker 1>if that's really even given opportunity. But I also can't

0:38:42.120 --> 0:38:46.960
<v Speaker 1>be I can't say that you're just using people, you

0:38:47.000 --> 0:38:51.920
<v Speaker 1>know what I'm saying, like, give an opportunity. So I

0:38:52.080 --> 0:38:56.160
<v Speaker 1>just was thinking about it, and of course Adam and

0:38:56.239 --> 0:39:00.399
<v Speaker 1>Vlad want to sit at the fucking cool table. There's

0:39:00.480 --> 0:39:02.440
<v Speaker 1>no way in the fucking world they were sitting at

0:39:02.440 --> 0:39:05.200
<v Speaker 1>no cool table before now. If they would have came

0:39:05.239 --> 0:39:08.360
<v Speaker 1>to the cool table years ago, man, before any of

0:39:08.360 --> 0:39:11.200
<v Speaker 1>this shit, bro, they have a fucking problem. But now

0:39:11.280 --> 0:39:14.120
<v Speaker 1>they have something of value to the table itself, to

0:39:14.160 --> 0:39:16.799
<v Speaker 1>the people that sit at the table, because at the

0:39:16.880 --> 0:39:18.920
<v Speaker 1>end of the day, that people sitting at the table,

0:39:19.200 --> 0:39:21.279
<v Speaker 1>they don't even want to be poor or forced to

0:39:21.320 --> 0:39:23.360
<v Speaker 1>have to do the stuff that make them cool in

0:39:23.400 --> 0:39:26.160
<v Speaker 1>the first place, like we all forced to do the shit.

0:39:26.239 --> 0:39:28.279
<v Speaker 1>Niggas don't want to have to sell dope. Niggas be

0:39:28.440 --> 0:39:31.160
<v Speaker 1>selling dope. It's the best trade going on in the

0:39:31.200 --> 0:39:33.520
<v Speaker 1>community at the time. You know what I mean that

0:39:33.840 --> 0:39:35.720
<v Speaker 1>people that we know are involved in.

0:39:36.800 --> 0:39:40.920
<v Speaker 3>Yeah, I mean they they gentrified the table. They showed

0:39:41.000 --> 0:39:42.759
<v Speaker 3>up with some money, and some people decided, you know,

0:39:42.760 --> 0:39:44.760
<v Speaker 3>if you're gonna give me the money, I'll sell the house.

0:39:46.320 --> 0:39:50.160
<v Speaker 1>To shame. And they are selling the houses and now

0:39:50.200 --> 0:39:52.759
<v Speaker 1>they own the block. And I listened to them talk

0:39:52.840 --> 0:39:55.319
<v Speaker 1>and they act they're like, yeah, you know you they

0:39:55.360 --> 0:39:59.359
<v Speaker 1>feel like they are. And the crazy part is they

0:39:59.480 --> 0:40:03.480
<v Speaker 1>really feel like they are friends with these people. And

0:40:03.560 --> 0:40:08.640
<v Speaker 1>I'm laughing like, oh, really know, that's not how this works.

0:40:09.000 --> 0:40:12.160
<v Speaker 3>Well, I've seen this guy. I've seen his face circle

0:40:12.200 --> 0:40:15.960
<v Speaker 3>around social media enough times. I think he's from from Nickerson.

0:40:16.280 --> 0:40:20.680
<v Speaker 3>Kind of an older dude. I got tattoos on his face,

0:40:20.960 --> 0:40:24.200
<v Speaker 3>you know what I'm talking about, even Bounty hunters, right, No.

0:40:25.320 --> 0:40:30.840
<v Speaker 1>You talking about bj Nino Cappuccino. I don't think that's older.

0:40:31.400 --> 0:40:36.160
<v Speaker 3>He is he older older, older, Yeah, balhead, No, you

0:40:36.239 --> 0:40:40.399
<v Speaker 3>got hair, kind of smaller, smaller, darker, sing guy.

0:40:42.480 --> 0:40:43.000
<v Speaker 1>I don't know.

0:40:45.520 --> 0:40:47.399
<v Speaker 2>I was using him as an example because I'm like.

0:40:48.920 --> 0:40:49.319
<v Speaker 1>That guy.

0:40:50.080 --> 0:40:53.760
<v Speaker 3>I don't know him for having done anything but spoken

0:40:53.840 --> 0:41:01.080
<v Speaker 3>on people's you know, video streaming platforms about hoodship. Been

0:41:01.080 --> 0:41:03.880
<v Speaker 3>doing it for a long ass time. He didn't parlay

0:41:03.920 --> 0:41:10.920
<v Speaker 3>it into a record or nothing like that. So if

0:41:11.160 --> 0:41:14.600
<v Speaker 3>they you know, bump shoulders at some point in time,

0:41:14.640 --> 0:41:17.239
<v Speaker 3>and you figured out who that guy was, got his

0:41:17.320 --> 0:41:18.040
<v Speaker 3>information that.

0:41:19.600 --> 0:41:21.319
<v Speaker 2>He didn't pause for two seconds.

0:41:21.040 --> 0:41:23.000
<v Speaker 3>When whoever the first person was that asked him to

0:41:23.040 --> 0:41:26.080
<v Speaker 3>come to an interview, you know, if he did pause

0:41:26.120 --> 0:41:27.880
<v Speaker 3>for two seconds, it was two seconds and then he

0:41:27.880 --> 0:41:28.520
<v Speaker 3>did the interview.

0:41:31.760 --> 0:41:38.839
<v Speaker 1>Mm hmm. I mean, well, this is the thing, right,

0:41:39.800 --> 0:41:44.280
<v Speaker 1>like the thing about the hood, you know, the cool

0:41:44.320 --> 0:41:50.760
<v Speaker 1>table is there's two things that fuel it, right, being

0:41:50.880 --> 0:41:54.920
<v Speaker 1>a man and being the man. Right, the easiest way

0:41:55.000 --> 0:41:59.359
<v Speaker 1>to feel like a man and the man is a

0:41:59.400 --> 0:42:03.399
<v Speaker 1>woman and you worthy of giving you her body. Now,

0:42:03.520 --> 0:42:06.319
<v Speaker 1>obviously in twenty twenty four we probably shouldn't think that,

0:42:06.400 --> 0:42:08.759
<v Speaker 1>but most men still can't help it. You feel like

0:42:08.840 --> 0:42:12.000
<v Speaker 1>if you are her thirty ninth choice of peeni, she

0:42:12.120 --> 0:42:15.600
<v Speaker 1>is taking you somehow, feel like you are special.

0:42:16.120 --> 0:42:18.440
<v Speaker 2>But I was better than that other guy today.

0:42:19.520 --> 0:42:23.560
<v Speaker 1>Right, you feel you feel like you're special? Right, So

0:42:24.520 --> 0:42:30.560
<v Speaker 1>accountability and problem solving are the other ways, right, accountability

0:42:30.640 --> 0:42:33.880
<v Speaker 1>and problem solving. It's why when people go to prison

0:42:34.200 --> 0:42:36.759
<v Speaker 1>and they come home after doing ten years and they

0:42:36.760 --> 0:42:40.000
<v Speaker 1>are alive, and they are themselves, and they went and

0:42:40.040 --> 0:42:43.120
<v Speaker 1>did their time. You know, people from the community is

0:42:43.160 --> 0:42:45.600
<v Speaker 1>proud that they went to prison, versus understanding that they

0:42:45.640 --> 0:42:49.600
<v Speaker 1>were saying. The real conversation is, I was accountable for

0:42:49.719 --> 0:42:53.239
<v Speaker 1>my actions and I went and paid for I went

0:42:53.280 --> 0:42:56.080
<v Speaker 1>and paid for what I did the correct way without

0:42:56.120 --> 0:42:59.719
<v Speaker 1>making sure anybody else got in trouble because of what

0:42:59.719 --> 0:43:02.560
<v Speaker 1>happen with me. Right, So there's a pride in that

0:43:02.719 --> 0:43:05.920
<v Speaker 1>sense of accountability. Right, he's like me, I walked off.

0:43:05.960 --> 0:43:08.080
<v Speaker 1>But that's what they say, I walked off ten years

0:43:08.480 --> 0:43:11.120
<v Speaker 1>I went, did my time. I didn't, you know, telling

0:43:11.280 --> 0:43:14.640
<v Speaker 1>somebody else to not, you know, be accountable. But when

0:43:14.680 --> 0:43:17.799
<v Speaker 1>they don't use that term, people mistaken and automatically start

0:43:17.840 --> 0:43:20.799
<v Speaker 1>thinking that, oh, well, they're proud because they went to jail. No,

0:43:20.880 --> 0:43:26.200
<v Speaker 1>they're proud because they're accepted. They accepted their responsibility. They

0:43:26.400 --> 0:43:29.320
<v Speaker 1>was accountable for whatever they did and the time that

0:43:29.360 --> 0:43:31.319
<v Speaker 1>they would have to serve, whether or not they still

0:43:31.360 --> 0:43:34.600
<v Speaker 1>saying they innocent or guilty. You know what I'm saying.

0:43:34.920 --> 0:43:37.840
<v Speaker 1>They went and accepted the accountability of what needed to

0:43:37.880 --> 0:43:41.359
<v Speaker 1>happen and went and did it like a man. That's

0:43:41.360 --> 0:43:44.239
<v Speaker 1>what they're proud of. Right, and problem solving, which is

0:43:44.320 --> 0:43:47.440
<v Speaker 1>why people go out to ball, Right, people want to

0:43:47.480 --> 0:43:50.480
<v Speaker 1>make money because they want to solve people problems. But

0:43:52.200 --> 0:43:55.680
<v Speaker 1>the two fastest way to feel like a man is

0:43:56.040 --> 0:44:01.480
<v Speaker 1>pussy and money, of course, and it is rooted in

0:44:01.520 --> 0:44:05.480
<v Speaker 1>three different things, pussy, money, and respect. Right. So you

0:44:05.560 --> 0:44:07.640
<v Speaker 1>have two different type of people in the ghetto when

0:44:07.680 --> 0:44:10.719
<v Speaker 1>it comes to becoming a man. Right. You have the

0:44:10.760 --> 0:44:14.160
<v Speaker 1>guys that want to go out and hustle and make money. Right,

0:44:14.280 --> 0:44:18.439
<v Speaker 1>that's their goal of literally, you know, becoming a problem solver.

0:44:18.520 --> 0:44:21.440
<v Speaker 1>I'm gonna solve my mother's problem of poverty. Right, I'm

0:44:21.480 --> 0:44:24.520
<v Speaker 1>gonna go make this money, and I'm gonna make some money,

0:44:24.560 --> 0:44:26.600
<v Speaker 1>and I'm gonna be able to help people and help

0:44:26.640 --> 0:44:29.680
<v Speaker 1>my people and help myself and feed myself. My mama

0:44:29.800 --> 0:44:31.719
<v Speaker 1>not gonna be you know, she's not gonna be on

0:44:31.800 --> 0:44:34.560
<v Speaker 1>section eight Da da dah. Right. And then you have

0:44:34.719 --> 0:44:37.440
<v Speaker 1>the other one, right, which is the warriors who go

0:44:37.520 --> 0:44:39.040
<v Speaker 1>out in the street and be like, when you say

0:44:39.120 --> 0:44:41.239
<v Speaker 1>my name, you're gonna have to respect me as a

0:44:41.239 --> 0:44:44.799
<v Speaker 1>man because I've went and faced all adversities. I was

0:44:44.840 --> 0:44:47.759
<v Speaker 1>accountable for everything that happened in this community, and I

0:44:47.800 --> 0:44:51.000
<v Speaker 1>went and faced everything head on and did whatever it

0:44:51.040 --> 0:44:54.360
<v Speaker 1>took for our survival. Now some people may think I

0:44:54.440 --> 0:44:57.120
<v Speaker 1>make it sound noble, but it's not. It's really the

0:44:57.360 --> 0:45:01.319
<v Speaker 1>issues of being poor, right, It's a very primitive mindset.

0:45:01.640 --> 0:45:05.879
<v Speaker 1>When resources are scarce and fought over, it goes into

0:45:05.880 --> 0:45:09.520
<v Speaker 1>a real primitive mindset, like a fucking komodo dragon eating

0:45:09.560 --> 0:45:12.759
<v Speaker 1>a fucking baby goat. You know, it gets primitive. What

0:45:12.880 --> 0:45:16.920
<v Speaker 1>we hope is the sophistication of being humans kick in.

0:45:17.000 --> 0:45:23.719
<v Speaker 1>But without resources, without you know, without things that you need, right,

0:45:23.760 --> 0:45:27.640
<v Speaker 1>without things that you need, the simple survival things that

0:45:27.680 --> 0:45:31.360
<v Speaker 1>you need, right, you go into a very primitive space

0:45:32.200 --> 0:45:35.480
<v Speaker 1>and it really will turn into those two things, that

0:45:35.920 --> 0:45:38.040
<v Speaker 1>warrior mindset or I'm gonna get money. And then you

0:45:38.160 --> 0:45:40.960
<v Speaker 1>got crazy dudes who do both. You know, that's their thing.

0:45:42.320 --> 0:45:47.719
<v Speaker 1>So in that goal of being somebody, you know, the

0:45:47.760 --> 0:45:51.000
<v Speaker 1>way you become somebody in the community is by standing

0:45:51.080 --> 0:45:58.640
<v Speaker 1>up and being a trooper a soldier. Right, But everybody

0:45:58.800 --> 0:46:01.400
<v Speaker 1>wants you to know who they are. They want to

0:46:01.440 --> 0:46:04.280
<v Speaker 1>be revered. They want a lot of it is because

0:46:04.320 --> 0:46:06.319
<v Speaker 1>they don't want to keep getting into shit, so they

0:46:06.360 --> 0:46:08.759
<v Speaker 1>want their reputation to carry so they don't have to

0:46:08.800 --> 0:46:12.040
<v Speaker 1>do anything stupid no more. And I think that's where

0:46:12.080 --> 0:46:15.280
<v Speaker 1>platforms like no Jumper and Flag come into where people

0:46:15.520 --> 0:46:20.160
<v Speaker 1>finally feel like somebody else is listening. Because that type

0:46:20.200 --> 0:46:23.200
<v Speaker 1>of poverty is hella isolating, you know what I mean,

0:46:23.239 --> 0:46:27.360
<v Speaker 1>It's a serious isolation. You don't know shit three miles

0:46:27.400 --> 0:46:31.000
<v Speaker 1>away from you. Because the world of Watts felt so

0:46:31.320 --> 0:46:35.080
<v Speaker 1>big to most of my own boys, like they never

0:46:35.120 --> 0:46:37.840
<v Speaker 1>would have went outside or Compton. They never went outside

0:46:37.840 --> 0:46:41.120
<v Speaker 1>these places because poverty does not allow a freedom to

0:46:41.160 --> 0:46:44.040
<v Speaker 1>travel about the cabin mentally, you know what I mean.

0:46:44.360 --> 0:46:46.759
<v Speaker 1>It's still only a dollar thirty at that time to

0:46:46.840 --> 0:46:48.880
<v Speaker 1>ride a bus and get a couple of transfers and

0:46:48.920 --> 0:46:51.799
<v Speaker 1>go anywhere you want. But you wouldn't believe this existed

0:46:52.200 --> 0:46:56.240
<v Speaker 1>because you were told people didn't want you other places.

0:46:56.480 --> 0:46:58.440
<v Speaker 1>You know, you didn't want to go somewhere without money,

0:46:58.560 --> 0:47:00.880
<v Speaker 1>not knowing the value of seeing other things and what

0:47:00.920 --> 0:47:03.480
<v Speaker 1>it could do to your mind. You know, it's a

0:47:03.520 --> 0:47:07.239
<v Speaker 1>cage poverty and cage pete. And this is like all

0:47:07.280 --> 0:47:10.399
<v Speaker 1>the times we be talking over four you know, three

0:47:10.520 --> 0:47:13.080
<v Speaker 1>or four seasons, and I've been trying to get you

0:47:13.120 --> 0:47:16.120
<v Speaker 1>to see it because it's so hard to imagine what

0:47:16.200 --> 0:47:19.160
<v Speaker 1>it feels like or to listen to your friends talk

0:47:19.200 --> 0:47:22.400
<v Speaker 1>about it. And it almost seems defeating, like where it's like,

0:47:22.680 --> 0:47:24.560
<v Speaker 1>wait a minute, it can't be that bad. Yeah, because

0:47:24.560 --> 0:47:28.240
<v Speaker 1>it's that bad. So when they have an opportunity to

0:47:28.280 --> 0:47:32.760
<v Speaker 1>garner some sense of fame, which that's normal for more humans,

0:47:33.239 --> 0:47:35.360
<v Speaker 1>not for people to know who they are and know

0:47:35.480 --> 0:47:38.279
<v Speaker 1>their story, and somebody saying, hey, we want you to

0:47:38.360 --> 0:47:42.480
<v Speaker 1>come on a platform and express who you are and

0:47:42.520 --> 0:47:46.840
<v Speaker 1>what you've been through, it's like a fucking therapist, you

0:47:46.880 --> 0:47:50.160
<v Speaker 1>know what I mean? That people gonna hear your story

0:47:50.200 --> 0:47:53.320
<v Speaker 1>and see value in you, and it's like a fucking therapist.

0:47:53.760 --> 0:47:57.160
<v Speaker 1>Except somewhere along the line, motherfuckers forget they are talking

0:47:57.200 --> 0:47:59.759
<v Speaker 1>to tens of thousands and not hundreds of thousands of

0:47:59.800 --> 0:48:03.200
<v Speaker 1>people people, So they preaching and talking to this nigga

0:48:03.760 --> 0:48:06.719
<v Speaker 1>right to Adam or to any of his guest hosts

0:48:06.960 --> 0:48:10.759
<v Speaker 1>like they're talking to a therapist, not realizing and as

0:48:10.800 --> 0:48:13.000
<v Speaker 1>silly as it sound, not realizing this shit is gonna

0:48:13.000 --> 0:48:17.080
<v Speaker 1>be heard by hundreds of thousands that maybe millions of people.

0:48:18.360 --> 0:48:22.160
<v Speaker 1>But that's the mind state that that bread the culture.

0:48:22.360 --> 0:48:24.719
<v Speaker 1>You know, it has to come with some other type

0:48:24.760 --> 0:48:27.959
<v Speaker 1>of traumas where there's not a true understanding of what's

0:48:28.000 --> 0:48:28.680
<v Speaker 1>happening here.

0:48:30.440 --> 0:48:32.439
<v Speaker 3>Yeah, well that kind of brings Because we were talking,

0:48:32.480 --> 0:48:35.480
<v Speaker 3>I was thinking, well, yeah, the reason I wouldn't call

0:48:35.520 --> 0:48:44.440
<v Speaker 3>those guys at least Adam or culture vultures because there's

0:48:44.600 --> 0:48:48.000
<v Speaker 3>value being gained by the people who come on the show.

0:48:48.719 --> 0:48:55.840
<v Speaker 3>Granted he gets more in the aggregate, but to suggest

0:48:55.880 --> 0:49:00.960
<v Speaker 3>that would be the suggest that he's manipula and exploiting

0:49:00.960 --> 0:49:04.560
<v Speaker 3>these people that are pretty savvy people, you know, Like

0:49:04.719 --> 0:49:08.719
<v Speaker 3>it was, it's like you you gotta say to say

0:49:08.719 --> 0:49:12.720
<v Speaker 3>he's exploiting somebody, you gotta say that person got exploit.

0:49:13.120 --> 0:49:14.200
<v Speaker 2>There's no way around it.

0:49:14.600 --> 0:49:19.400
<v Speaker 1>I guess that's the real question. Is he exploiting the culture?

0:49:21.160 --> 0:49:24.960
<v Speaker 1>What's the definition? Let me see, what's the definition of exploit?

0:49:27.520 --> 0:49:29.279
<v Speaker 1>The question is like, let's say something.

0:49:29.400 --> 0:49:35.880
<v Speaker 3>If he's exploiting the culture, he's doing so via the audience,

0:49:36.400 --> 0:49:37.480
<v Speaker 3>not via the guest.

0:49:39.600 --> 0:49:45.600
<v Speaker 1>And that for you of and derived benefit from a resource.

0:49:46.360 --> 0:49:50.759
<v Speaker 1>Mm hmm, I mean I sounded like it.

0:49:51.520 --> 0:49:54.280
<v Speaker 2>Yeah, there's always a negative connotation around stuff.

0:49:55.360 --> 0:49:59.480
<v Speaker 1>That's the standard definition. But to exploit someone, to use

0:49:59.520 --> 0:50:04.560
<v Speaker 1>someone or something unfairly for your own advantage. Unfairly is

0:50:04.600 --> 0:50:11.520
<v Speaker 1>the word. Yeah, is he using street urban culture unfairly.

0:50:16.000 --> 0:50:19.160
<v Speaker 3>I don't know if he's using street urban culture unfairly.

0:50:19.239 --> 0:50:23.160
<v Speaker 3>One thing that I'll say is a fair question, at

0:50:23.239 --> 0:50:28.520
<v Speaker 3>least to me, is and like, just personally, I in

0:50:28.600 --> 0:50:34.480
<v Speaker 3>general am not I'm kind of a you know, microadvocate

0:50:35.520 --> 0:50:41.520
<v Speaker 3>of the disproportional representation of poor black people as criminals.

0:50:42.640 --> 0:50:43.600
<v Speaker 2>So to continue to.

0:50:43.640 --> 0:50:47.840
<v Speaker 3>Always amplify people from a certain area as being in

0:50:47.920 --> 0:50:51.640
<v Speaker 3>trust in crime in such a carte blanche fashion, I

0:50:51.640 --> 0:50:54.960
<v Speaker 3>feel like does a disservice to the majority population of

0:50:54.960 --> 0:50:59.200
<v Speaker 3>those areas that are not involved. So I think that

0:51:00.040 --> 0:51:04.200
<v Speaker 3>there might be something to that, But I'm always I'm

0:51:04.239 --> 0:51:06.239
<v Speaker 3>always kind of keen on that anyway, So I'm a

0:51:06.239 --> 0:51:10.080
<v Speaker 3>little biased maybe in that regard, sure, But.

0:51:13.600 --> 0:51:17.440
<v Speaker 2>I don't know. To me, it's hard to say.

0:51:17.719 --> 0:51:20.319
<v Speaker 3>I mean, I think it would be more so on

0:51:20.360 --> 0:51:23.200
<v Speaker 3>the audience side than on necessarily who comes on the

0:51:23.239 --> 0:51:23.920
<v Speaker 3>shows side.

0:51:24.560 --> 0:51:28.399
<v Speaker 1>So you know what, I guess that's the question we

0:51:28.480 --> 0:51:34.000
<v Speaker 1>really need to ask ourselves. Is Adam twenty two or

0:51:34.160 --> 0:51:39.640
<v Speaker 1>dj vladd using street urban culture unfairly? That's the real question.

0:51:44.400 --> 0:51:47.000
<v Speaker 1>Good looking out for tuning into the Note Sealers podcast.

0:51:47.280 --> 0:51:50.080
<v Speaker 1>Please do us a favorite, subscribe, rate, comment, and share

0:51:50.520 --> 0:51:52.879
<v Speaker 1>this episode was recorded right here on the West coast

0:51:52.920 --> 0:51:55.920
<v Speaker 1>of the USA and produced by the Black Effect Podcast

0:51:55.960 --> 0:51:59.120
<v Speaker 1>Network and Not Hard Radio Yeah