1 00:00:00,440 --> 00:00:04,600 Speaker 1: Attention world. If you can make it to America, then 2 00:00:04,720 --> 00:00:07,320 Speaker 1: come see us. We are going out on the road 3 00:00:07,360 --> 00:00:09,960 Speaker 1: for s Y s K Live again, and we are 4 00:00:09,960 --> 00:00:13,800 Speaker 1: going to start the whole thing off in Chicago on July, 5 00:00:14,920 --> 00:00:16,680 Speaker 1: that's right. And if you can't make it to America, 6 00:00:17,040 --> 00:00:19,119 Speaker 1: maybe make it to Canada, because we're gonna be in 7 00:00:19,120 --> 00:00:22,160 Speaker 1: Toronto and the next night and Fourth Music Hall. Then 8 00:00:22,200 --> 00:00:23,960 Speaker 1: in August, we're gonna do a couple of dates at 9 00:00:23,960 --> 00:00:27,400 Speaker 1: the Wilburn Boston in October twenty nine. In Portland Mainz 10 00:00:27,800 --> 00:00:30,920 Speaker 1: Lovely State Theater on August, and then we're going to 11 00:00:30,960 --> 00:00:33,519 Speaker 1: be heading down to Florida. We're gonna be at PLASA 12 00:00:33,600 --> 00:00:36,839 Speaker 1: Live on October nine, and then the next night we're 13 00:00:36,840 --> 00:00:39,080 Speaker 1: going to be in New Orleans at the Civic Theater. 14 00:00:39,640 --> 00:00:41,159 Speaker 1: That's right, and then we're gonna round it out in 15 00:00:41,200 --> 00:00:45,760 Speaker 1: Brooklyn October at the Bellhouse. Yep. So come see us. 16 00:00:45,800 --> 00:00:48,479 Speaker 1: You can get tickets and info at s Y s 17 00:00:48,560 --> 00:00:52,720 Speaker 1: K live dot com. Welcome to Stuff You Should Know, 18 00:00:52,960 --> 00:01:01,560 Speaker 1: a production of I Heart Radios How Stuff Works? Hey, 19 00:01:01,600 --> 00:01:04,319 Speaker 1: and welcome to the podcast. I'm Josh Clark, and there's 20 00:01:04,400 --> 00:01:07,560 Speaker 1: Charles W. Chuck Bryan over there, and the ghost of 21 00:01:07,640 --> 00:01:10,840 Speaker 1: Jerry Rowland just seated next to us, just Frank the chair. 22 00:01:10,880 --> 00:01:15,360 Speaker 1: I guess, yeah, hey Frank, Yeah, Jerry. Everyone has a 23 00:01:15,440 --> 00:01:19,240 Speaker 1: hurt shoulder from bowling. Let's to go to the doctor. 24 00:01:20,160 --> 00:01:22,320 Speaker 1: And uh did that deal which she's only done a 25 00:01:22,319 --> 00:01:24,480 Speaker 1: couple of times where she just hits record and leaves 26 00:01:25,480 --> 00:01:28,600 Speaker 1: and it always feels like the teacher is gone. It 27 00:01:28,680 --> 00:01:30,640 Speaker 1: feels really weird in here, and that we should like 28 00:01:30,720 --> 00:01:35,440 Speaker 1: do something disruptive and wrong. So we're practicing paper airplanes. Basically, 29 00:01:35,480 --> 00:01:38,080 Speaker 1: it's the worst thing we could come up with, doing spitballs. 30 00:01:38,840 --> 00:01:41,240 Speaker 1: Josh just threw a couple of Pence's up pencils up 31 00:01:41,240 --> 00:01:43,200 Speaker 1: and stuck them in the ceiling. I still got it, 32 00:01:43,240 --> 00:01:47,600 Speaker 1: remember that old move? Sure, well clearly. And uh what else? Um, 33 00:01:47,920 --> 00:01:51,559 Speaker 1: we started a fire in the metal waste basket. Yeah. Uh, 34 00:01:51,680 --> 00:01:56,160 Speaker 1: Chuck's trying out drugs. Sure, and uh we started listening 35 00:01:56,200 --> 00:01:59,640 Speaker 1: to Miley Crewe. That's right. And we're gonna talk about 36 00:02:00,440 --> 00:02:05,400 Speaker 1: photographic memory, which, as it turns out, it's kind of 37 00:02:07,360 --> 00:02:11,839 Speaker 1: not real. Yeah, it's a semantic thing, photographic memory. As 38 00:02:11,919 --> 00:02:14,320 Speaker 1: you it's funny that we're talking about being an elementary school, 39 00:02:14,320 --> 00:02:16,720 Speaker 1: because that's it's sort of one of those things that 40 00:02:16,840 --> 00:02:19,680 Speaker 1: used to hear a lot on the playground about you know, 41 00:02:19,760 --> 00:02:21,880 Speaker 1: so and so has got a photographic memory. You know, 42 00:02:21,960 --> 00:02:24,240 Speaker 1: they can read a book and like recite every word 43 00:02:24,240 --> 00:02:27,800 Speaker 1: from it or something. There's something so juvenile about claiming 44 00:02:27,840 --> 00:02:31,760 Speaker 1: that you have it yourself as an adult. Yeah, that 45 00:02:31,800 --> 00:02:35,120 Speaker 1: playground thing I hadn't put my finger on. But yeah, 46 00:02:35,160 --> 00:02:38,840 Speaker 1: And as it turns out, what you call photographic memory 47 00:02:39,440 --> 00:02:44,080 Speaker 1: isn't really a thing. There are people with amazing memories 48 00:02:44,760 --> 00:02:50,880 Speaker 1: and people with amazing uh techniques to develop better memories. 49 00:02:51,639 --> 00:02:55,080 Speaker 1: But this whole notion of a photographic memory, like you 50 00:02:55,120 --> 00:02:57,200 Speaker 1: could walk you know, like you see on TV or something, 51 00:02:57,280 --> 00:03:00,600 Speaker 1: isn't really a thing. No. No, it's a from TV, 52 00:03:00,760 --> 00:03:03,760 Speaker 1: it's a thing from books. It's it's something that you know, 53 00:03:03,840 --> 00:03:06,480 Speaker 1: you attribute to like Sherlock Holmes or just some great 54 00:03:06,560 --> 00:03:13,840 Speaker 1: genius us. Sure, obviously everybody knows you had a photographic memory. Um, 55 00:03:14,000 --> 00:03:17,160 Speaker 1: but the the idea that that, yeah, you can just 56 00:03:17,200 --> 00:03:21,560 Speaker 1: walk around, have an experience or you know, flipped through 57 00:03:21,560 --> 00:03:24,880 Speaker 1: a phone book and like a year later recite that 58 00:03:24,880 --> 00:03:28,880 Speaker 1: phone book. That doesn't happen. There's maybe one person who's 59 00:03:28,919 --> 00:03:32,200 Speaker 1: ever lived that came very close to that who we 60 00:03:32,320 --> 00:03:36,200 Speaker 1: talked about before. Kim Peak the the inspiration for rain Man, 61 00:03:36,760 --> 00:03:40,840 Speaker 1: but um, they're still not sure if kim Peak would 62 00:03:40,840 --> 00:03:44,160 Speaker 1: have really fully fit that bill even Yeah, but for 63 00:03:44,200 --> 00:03:47,440 Speaker 1: the most part, that idea is not It isn't it's 64 00:03:47,440 --> 00:03:50,120 Speaker 1: not real. But again it's also a question of semantics, 65 00:03:50,160 --> 00:03:53,600 Speaker 1: because if someone has the abilities of a kim Peak, 66 00:03:54,720 --> 00:03:59,320 Speaker 1: it's like, well, you know, isn't that photographic memory basically? Right? Right? Yeah? 67 00:03:59,480 --> 00:04:03,240 Speaker 1: I think maybe. Then let's say it like this. There, 68 00:04:04,800 --> 00:04:07,240 Speaker 1: anyone who says that they have a photographic memory is 69 00:04:07,280 --> 00:04:10,080 Speaker 1: probably full of it. Yes, they probably have a better 70 00:04:10,120 --> 00:04:12,600 Speaker 1: than average memory, that's what they're saying. But that doesn't 71 00:04:12,640 --> 00:04:16,120 Speaker 1: mean that they have a perfect memory. Because here's the thing. 72 00:04:16,480 --> 00:04:22,440 Speaker 1: Even people with outstanding amazing memory abilities, they still get 73 00:04:22,480 --> 00:04:25,000 Speaker 1: stuff wrong. And that seems to be part and parcel 74 00:04:25,040 --> 00:04:27,520 Speaker 1: with this idea of a photographic memory, that not only 75 00:04:27,640 --> 00:04:31,400 Speaker 1: is the recall amazing over long periods of time and 76 00:04:31,440 --> 00:04:34,640 Speaker 1: in detail and clarity, but that it's flawless too. That 77 00:04:34,720 --> 00:04:38,200 Speaker 1: they don't get stuff wrong, they don't insert stuff that 78 00:04:38,320 --> 00:04:42,120 Speaker 1: wasn't there originally, they don't misremember things. That's part of 79 00:04:42,120 --> 00:04:46,640 Speaker 1: the photographic memory, and that doesn't exist for sure. That 80 00:04:46,680 --> 00:04:49,200 Speaker 1: would be perfect recall, and the brain just isn't really 81 00:04:49,240 --> 00:04:51,560 Speaker 1: capable of that. All right. Well, we're gonna start out 82 00:04:51,720 --> 00:04:56,320 Speaker 1: this episode though, talking about something else that's a slight 83 00:04:56,400 --> 00:05:01,240 Speaker 1: variation which is called idetic memory I D E T 84 00:05:01,440 --> 00:05:05,880 Speaker 1: I C. And that is something found exclusively in kids 85 00:05:05,920 --> 00:05:09,560 Speaker 1: between the ages of six and twelve, roughly about two 86 00:05:10,480 --> 00:05:13,400 Speaker 1: kids during in that age group. Yeah, So here's what 87 00:05:13,480 --> 00:05:16,400 Speaker 1: they do for these tests. You get a subject. You 88 00:05:16,440 --> 00:05:18,760 Speaker 1: get a little six year old or seven year old, 89 00:05:19,160 --> 00:05:20,839 Speaker 1: or an eight year old, nine year older, ten year older, 90 00:05:20,880 --> 00:05:22,880 Speaker 1: eleven year old or twelve year old. Okay, but no, 91 00:05:22,880 --> 00:05:25,960 Speaker 1: no more beyond that. Uh, And then you show them 92 00:05:25,960 --> 00:05:30,719 Speaker 1: an image. Kid can look at it for whatever seconds. 93 00:05:31,080 --> 00:05:34,320 Speaker 1: Then you take that image away, and then he say, 94 00:05:34,520 --> 00:05:36,760 Speaker 1: what do you recall about that image? And if you 95 00:05:36,839 --> 00:05:41,440 Speaker 1: have idetic memory, uh, for a very short term, you 96 00:05:41,480 --> 00:05:45,480 Speaker 1: can recall with astonishing detail what was in that image. Yeah, 97 00:05:45,520 --> 00:05:48,279 Speaker 1: maybe another thirty seconds, maybe up to a couple of minutes. 98 00:05:49,000 --> 00:05:52,160 Speaker 1: And there's a lot going on here, all right, So 99 00:05:52,279 --> 00:05:54,800 Speaker 1: it's not like here, look at this image and then 100 00:05:54,960 --> 00:05:56,920 Speaker 1: that you take the image away and the kid goes 101 00:05:56,960 --> 00:05:59,640 Speaker 1: over and sits down and like really thinks about what 102 00:05:59,760 --> 00:06:04,600 Speaker 1: was in the picture. The kid holds the pose and 103 00:06:04,720 --> 00:06:07,919 Speaker 1: their line of sight just like they were when the 104 00:06:07,960 --> 00:06:11,000 Speaker 1: picture was in front of them, as if they're still 105 00:06:11,040 --> 00:06:14,320 Speaker 1: looking at the picture. And here's the thing about idetic memory. 106 00:06:14,600 --> 00:06:18,240 Speaker 1: The kid who's showing off there, and people who have 107 00:06:18,320 --> 00:06:22,239 Speaker 1: idetic memory are called identic Ersay, I know it's weird, 108 00:06:22,600 --> 00:06:28,560 Speaker 1: but um, the identic er isn't recalling what they saw. 109 00:06:28,760 --> 00:06:33,240 Speaker 1: They never stopped seeing. They're holding it visually in their 110 00:06:33,279 --> 00:06:35,599 Speaker 1: line of sight, even though the picture is no longer 111 00:06:35,640 --> 00:06:38,280 Speaker 1: physically present. Yeah. And one of the ways they can 112 00:06:38,279 --> 00:06:39,880 Speaker 1: tell is that they talk about it in the present 113 00:06:39,920 --> 00:06:43,440 Speaker 1: tent Still they don't say, well, the picture had a 114 00:06:43,520 --> 00:06:48,400 Speaker 1: red car with a weird looking dog driving it, Right, 115 00:06:48,480 --> 00:06:51,640 Speaker 1: it's it's present tense. It's the picture has a red 116 00:06:51,680 --> 00:06:55,000 Speaker 1: car with a weird looking dog driving it. Yeah. Yeah, 117 00:06:55,080 --> 00:06:57,160 Speaker 1: So that's a big it's a big one, right. That's 118 00:06:57,720 --> 00:07:01,919 Speaker 1: people think, well, that's photographic memory. But that's really the 119 00:07:02,000 --> 00:07:06,760 Speaker 1: closest thing to photographic memory that science has really happened upon. Well, 120 00:07:06,800 --> 00:07:08,280 Speaker 1: one of them will get into another one in a 121 00:07:08,320 --> 00:07:11,400 Speaker 1: little while, but there's a lot of a lot of 122 00:07:11,440 --> 00:07:14,520 Speaker 1: divergence from what you tend to think of as photographic memory. 123 00:07:14,560 --> 00:07:19,120 Speaker 1: For one, Again, it's a very short duration thirty seconds, 124 00:07:19,120 --> 00:07:21,240 Speaker 1: a couple of minutes, and then five minutes later they 125 00:07:21,240 --> 00:07:23,040 Speaker 1: talk about the picture, and the kids like what what picture? 126 00:07:23,120 --> 00:07:27,559 Speaker 1: What picture? Where am I? Why? Why did you drug 127 00:07:27,600 --> 00:07:31,920 Speaker 1: me and tie me up? Apparently even them speaking during 128 00:07:31,920 --> 00:07:35,119 Speaker 1: this period or even blinking can shut it off. Yeah, 129 00:07:35,400 --> 00:07:39,080 Speaker 1: and especially not just speaking but saying what the thing 130 00:07:39,280 --> 00:07:42,680 Speaker 1: is saying out loud. Oh, red car will make the 131 00:07:42,760 --> 00:07:45,760 Speaker 1: picture vanish from there there, almost like a trance or 132 00:07:45,800 --> 00:07:49,600 Speaker 1: something kind of it does really interesting. Uh. They can 133 00:07:49,720 --> 00:07:52,280 Speaker 1: make errors as well and put things in there that 134 00:07:52,360 --> 00:07:56,240 Speaker 1: weren't there, so that obviously is not a photographic memory. Yeah, 135 00:07:56,240 --> 00:07:59,920 Speaker 1: the dog driving the car had a cat friend. That's believable. 136 00:08:01,560 --> 00:08:04,440 Speaker 1: That's really stupid. Kids. Yeah. By the way, everyone, the 137 00:08:04,480 --> 00:08:06,480 Speaker 1: cats and the dogs are getting along great. Just to 138 00:08:06,560 --> 00:08:10,560 Speaker 1: update that everyone's getting along fine. But we have a 139 00:08:11,760 --> 00:08:13,640 Speaker 1: one of the kittens is a bed pier, and so 140 00:08:13,680 --> 00:08:16,320 Speaker 1: we're trying to sort that out, which is not a 141 00:08:16,320 --> 00:08:18,760 Speaker 1: fun problem. You know what. The solution to that is 142 00:08:19,240 --> 00:08:24,360 Speaker 1: kitty diapers, the cutest diapers. Yeah, yeah, we're getting through that. 143 00:08:25,040 --> 00:08:27,560 Speaker 1: Not what do you do? You just like clap loudly 144 00:08:27,640 --> 00:08:29,640 Speaker 1: next to it. Yeah, you try, you know, if you 145 00:08:29,680 --> 00:08:31,720 Speaker 1: catch them, you try and hustle them really quickly into 146 00:08:31,720 --> 00:08:34,120 Speaker 1: the litter box. The whole idea is that get to 147 00:08:34,160 --> 00:08:39,400 Speaker 1: get them associating litter with being, and so it's just like, yeah, 148 00:08:39,440 --> 00:08:41,800 Speaker 1: but usually cats are really intuitive. I've never had a 149 00:08:41,840 --> 00:08:45,600 Speaker 1: cat that wasn't like immediately just literally trained. Yeah, so 150 00:08:45,679 --> 00:08:48,679 Speaker 1: this is a little bit distressing. How long has it 151 00:08:48,679 --> 00:08:51,560 Speaker 1: been going on. We've had like three or four bed piece. 152 00:08:52,040 --> 00:08:54,760 Speaker 1: Oh that's not too bad. They'll pick it up in 153 00:08:54,840 --> 00:09:00,120 Speaker 1: no time. Uh. But anyway, I just want to update everyone. So, oh, 154 00:09:01,280 --> 00:09:04,560 Speaker 1: is this true about the idetic memory Uh studies being 155 00:09:04,600 --> 00:09:07,480 Speaker 1: done by the Nazis? Is that correct? Yeah, the the 156 00:09:08,000 --> 00:09:11,160 Speaker 1: Nazis found out about this. I'm not quite sure how, 157 00:09:11,760 --> 00:09:14,160 Speaker 1: but their attributed with some of the earliest studies of 158 00:09:14,240 --> 00:09:18,280 Speaker 1: idetic memory, and they, in Nazi fashion, gave it a 159 00:09:18,360 --> 00:09:21,120 Speaker 1: really bad name because they were using it to promote 160 00:09:21,960 --> 00:09:25,560 Speaker 1: how the Aryan race was obviously superior because our kids 161 00:09:25,559 --> 00:09:28,640 Speaker 1: have idetic memory. And so since you know, just about 162 00:09:28,679 --> 00:09:31,960 Speaker 1: anything the Nazis studied, whether it was legitimate studies or not, 163 00:09:32,559 --> 00:09:35,160 Speaker 1: it just had a taint to it. Afterward, I choked, 164 00:09:35,200 --> 00:09:39,720 Speaker 1: if you will, Nazi stank pretty much right, and so 165 00:09:39,920 --> 00:09:43,719 Speaker 1: um they it was discontinued for many decades, and then 166 00:09:43,880 --> 00:09:47,160 Speaker 1: I can't find out who picked it up. It's really weird. 167 00:09:47,200 --> 00:09:50,760 Speaker 1: Like when you look up photographic memory, almost everything that 168 00:09:50,920 --> 00:09:55,000 Speaker 1: comes back for research says photographic memories not real. And 169 00:09:55,040 --> 00:09:58,600 Speaker 1: here's why. Um, there are such thing as idetic memory, 170 00:09:58,640 --> 00:10:01,840 Speaker 1: but there's almost no information on like the actual study 171 00:10:01,880 --> 00:10:04,320 Speaker 1: of it, who's conducting it. Usually it will be like 172 00:10:04,880 --> 00:10:08,640 Speaker 1: they'll even sighte like one study everyone will this doesn't 173 00:10:08,640 --> 00:10:12,440 Speaker 1: even have that. It's real cryptic almost in weird and 174 00:10:12,520 --> 00:10:15,600 Speaker 1: just I want to say, fringey. But there's nobody who 175 00:10:15,679 --> 00:10:18,800 Speaker 1: questions the science behind. It's proven that this does exist. 176 00:10:19,480 --> 00:10:22,400 Speaker 1: We know kind of the mechanics of it, how it 177 00:10:22,480 --> 00:10:27,120 Speaker 1: actually or what the process is, what's actually happening or 178 00:10:27,120 --> 00:10:29,880 Speaker 1: how kids display this stuff. We know how to test 179 00:10:29,960 --> 00:10:32,200 Speaker 1: for it. So it is real and there's that catchy 180 00:10:32,280 --> 00:10:36,000 Speaker 1: name identic urs. It's definitely a real thing. But what 181 00:10:36,200 --> 00:10:38,920 Speaker 1: how it's being studying and who's studying is just totally lost. 182 00:10:38,960 --> 00:10:40,840 Speaker 1: I mean, I can't find it well, and we don't 183 00:10:40,840 --> 00:10:45,120 Speaker 1: know you know why it's only in children or really 184 00:10:45,160 --> 00:10:47,400 Speaker 1: a whole lot of concrete conclusions about it other than 185 00:10:47,440 --> 00:10:50,880 Speaker 1: the fact that it happens. Well, there's some interesting hypotheses 186 00:10:50,920 --> 00:10:54,240 Speaker 1: about that. Let's hear it. Well, the fact that kids 187 00:10:54,679 --> 00:10:59,040 Speaker 1: from six to twelve are developing it and it stops 188 00:10:59,080 --> 00:11:02,040 Speaker 1: beyond that. Just that has to do with language development 189 00:11:02,760 --> 00:11:06,720 Speaker 1: and the fact that if you verbalize what the thing is, 190 00:11:06,880 --> 00:11:09,000 Speaker 1: you've labeled it in a certain way and shut your 191 00:11:09,000 --> 00:11:11,559 Speaker 1: brain off. That suggests that has to do with labeled 192 00:11:11,720 --> 00:11:16,040 Speaker 1: or language development too. They think that maybe the kids 193 00:11:16,040 --> 00:11:21,320 Speaker 1: are not compartmentalizing what they saw in abstracts like people 194 00:11:21,400 --> 00:11:25,520 Speaker 1: do with normal memories, and so it's able to stay 195 00:11:25,559 --> 00:11:28,480 Speaker 1: in their in their visual field even after they're no 196 00:11:28,559 --> 00:11:32,120 Speaker 1: longer looking at it. Interesting. Yeah, But about two to 197 00:11:33,360 --> 00:11:36,480 Speaker 1: idetic memory, Well, it is interesting though because the word 198 00:11:36,520 --> 00:11:40,800 Speaker 1: photographic memory. This sounds as close to that as it gets, 199 00:11:40,840 --> 00:11:43,640 Speaker 1: because it almost sounds like they are taking a sort 200 00:11:43,640 --> 00:11:46,480 Speaker 1: of a brain snapshot, because they're just sort of in 201 00:11:46,520 --> 00:11:50,000 Speaker 1: a trance and gazing at what it once was. But again, 202 00:11:50,240 --> 00:11:54,439 Speaker 1: they can't move, they can't speak, they can't blink, and 203 00:11:54,480 --> 00:11:56,560 Speaker 1: with you know, five minutes later, once they do blink 204 00:11:56,640 --> 00:11:58,680 Speaker 1: or whatever and snap out of this trance. If you 205 00:11:58,760 --> 00:12:02,079 Speaker 1: want to call it that, which clearly do. Um, so 206 00:12:02,160 --> 00:12:04,600 Speaker 1: we will. We'll just call it trance. Once they step 207 00:12:04,600 --> 00:12:07,840 Speaker 1: out of the trance, Um, they can't recall the picture. 208 00:12:07,960 --> 00:12:10,679 Speaker 1: So it's not it's not a very good example of 209 00:12:10,679 --> 00:12:13,800 Speaker 1: photographic memory. But it's the closest thing science has shown 210 00:12:13,840 --> 00:12:17,360 Speaker 1: aside from some other ones. Let's talk about later, all right, 211 00:12:17,400 --> 00:12:19,280 Speaker 1: Should we take a break? I think we should. All right, 212 00:12:19,320 --> 00:12:21,360 Speaker 1: let's do it and we'll talk more about PM right 213 00:12:21,400 --> 00:12:53,000 Speaker 1: after this. Alright, So, um, they have not found any 214 00:12:53,320 --> 00:12:56,120 Speaker 1: like again, science hasn't come forward and said, hey, there 215 00:12:56,200 --> 00:12:57,880 Speaker 1: is photographic memory and this is it and this is 216 00:12:57,920 --> 00:13:00,200 Speaker 1: how it works. Right, All those people who are like 217 00:13:00,280 --> 00:13:03,559 Speaker 1: promoting themselves with having a photographic memory, they no one 218 00:13:03,760 --> 00:13:05,960 Speaker 1: they no one's gotten their hands on one of them 219 00:13:05,960 --> 00:13:08,440 Speaker 1: and say, this guy is totally right that he has 220 00:13:08,480 --> 00:13:12,240 Speaker 1: a photographic memory, or she right, or they that's right, 221 00:13:12,320 --> 00:13:15,480 Speaker 1: But that it's still something you hear on the playground. 222 00:13:15,880 --> 00:13:19,400 Speaker 1: It's still something you hear people tout. And there's a 223 00:13:19,400 --> 00:13:23,160 Speaker 1: few reasons why. Um. One one is and this kind 224 00:13:23,160 --> 00:13:25,120 Speaker 1: of has to do with the perfect pitch is. I 225 00:13:25,120 --> 00:13:29,560 Speaker 1: think humans just like to label and assign geniuses with 226 00:13:29,600 --> 00:13:33,760 Speaker 1: these tags like you know, Tesla had a photographic memory, 227 00:13:34,200 --> 00:13:36,160 Speaker 1: and it's very easy just to write that down and 228 00:13:36,720 --> 00:13:39,920 Speaker 1: it looks cool on a piece of paper. Um, And 229 00:13:39,960 --> 00:13:42,280 Speaker 1: that's kind of just as simple as that. He he 230 00:13:42,320 --> 00:13:46,040 Speaker 1: apparently was self proclaimed with a photographic memory. A lot 231 00:13:46,040 --> 00:13:48,680 Speaker 1: of people say this about themselves. He doesn't seem like 232 00:13:48,720 --> 00:13:51,040 Speaker 1: the type who would do that. He seems like the 233 00:13:51,040 --> 00:13:55,079 Speaker 1: type that people would say about him without him claiming it. Yeah, 234 00:13:55,160 --> 00:13:57,439 Speaker 1: but Mr T is one who claims to have a 235 00:13:57,440 --> 00:14:01,640 Speaker 1: photo Really so I saw Wow, so he could list 236 00:14:01,720 --> 00:14:06,400 Speaker 1: all the fools He's pittied right, all of them. I'm 237 00:14:06,400 --> 00:14:08,680 Speaker 1: wearring eighteen change right now. It doesn't even have to 238 00:14:08,679 --> 00:14:13,480 Speaker 1: look down. Wow, who else? You got anyone else? Teddy Roosevelt, 239 00:14:14,920 --> 00:14:22,560 Speaker 1: Uh Truman, capodikay um, Leonardo da Vinci. I'm not sure 240 00:14:22,560 --> 00:14:25,000 Speaker 1: if he was self proclaimed or if people just again 241 00:14:25,120 --> 00:14:27,720 Speaker 1: kind of ascribed it to him because he's a genius, 242 00:14:27,960 --> 00:14:29,960 Speaker 1: he is a da Vinci. But it is it's like 243 00:14:30,000 --> 00:14:34,840 Speaker 1: that that um, that kind of thing, like mythologizing extraordinarily 244 00:14:34,880 --> 00:14:39,480 Speaker 1: smart people. Well, we equate memory with intelligence, kind of 245 00:14:39,480 --> 00:14:41,400 Speaker 1: like Sherlock Holmes. Right, of course he's gonna have a 246 00:14:41,400 --> 00:14:46,240 Speaker 1: photographic memory. He's a highly intelligent person. Um so anybody 247 00:14:46,240 --> 00:14:50,360 Speaker 1: who seems extremely intelligent, genius level intelligence, especially someone in history, 248 00:14:50,760 --> 00:14:53,760 Speaker 1: we would describe something like a photographic right to him. Well, 249 00:14:53,800 --> 00:14:58,520 Speaker 1: there was an author name Cava, this Wanathon who there 250 00:14:58,560 --> 00:15:02,440 Speaker 1: was a case where this author was um accused of 251 00:15:02,440 --> 00:15:06,440 Speaker 1: plagiarism from another author. And Kaba was like, uh no, 252 00:15:06,600 --> 00:15:09,520 Speaker 1: I just have a photographic memory. And I'm sure I 253 00:15:09,560 --> 00:15:12,760 Speaker 1: read that book, but it was just so like burned 254 00:15:12,800 --> 00:15:16,000 Speaker 1: into my brain that I must have just repeated these 255 00:15:16,040 --> 00:15:19,080 Speaker 1: things without even knowing about it. She said that in 256 00:15:19,120 --> 00:15:22,080 Speaker 1: the New York Times, and so that gave occasion for 257 00:15:22,160 --> 00:15:24,600 Speaker 1: a lot of journalists and scientists to come for and 258 00:15:24,600 --> 00:15:26,640 Speaker 1: be like, by the way, everybody, there's no such thing 259 00:15:26,680 --> 00:15:28,880 Speaker 1: as photographic memory. So but there is a thing as 260 00:15:28,920 --> 00:15:31,440 Speaker 1: plagiarism there. Yeah, I was looking. I was like, what 261 00:15:31,480 --> 00:15:33,880 Speaker 1: were some of the some of the examples that was 262 00:15:33,920 --> 00:15:37,360 Speaker 1: pretty bad. In the original book, there was a line 263 00:15:37,920 --> 00:15:41,880 Speaker 1: in truly massochistic fashion, they chose to buy diet cokes 264 00:15:41,920 --> 00:15:47,280 Speaker 1: at Cinnabon. Okay, that's the original. The the plagiarized one 265 00:15:47,720 --> 00:15:51,600 Speaker 1: is in truly masochistic gesture, they chose to buy diet 266 00:15:51,640 --> 00:15:58,000 Speaker 1: cokes at Mrs fields. Yeah, that's plagiarism. Yeah it is. 267 00:15:59,080 --> 00:16:02,400 Speaker 1: That's not even like, that's plagiarism. One o one, like 268 00:16:02,560 --> 00:16:05,000 Speaker 1: they I'll swap out one word for a like word 269 00:16:05,560 --> 00:16:08,640 Speaker 1: and then it's fine and like crazy. She said this 270 00:16:08,760 --> 00:16:11,720 Speaker 1: in the New York Times. It was a photographic memory, 271 00:16:11,800 --> 00:16:15,520 Speaker 1: though it's not my fault. Another reason this is still 272 00:16:15,560 --> 00:16:19,000 Speaker 1: sort of out there in the public sphere is um 273 00:16:19,280 --> 00:16:22,280 Speaker 1: is the fact that there are people with amazing memories, 274 00:16:22,360 --> 00:16:27,520 Speaker 1: and there are memory competitions and memory uh exhibitions and 275 00:16:27,560 --> 00:16:29,880 Speaker 1: things like that. Yeah. I looked into that, Chuck, I 276 00:16:30,000 --> 00:16:32,360 Speaker 1: really so I got sucked into memory. I was like, 277 00:16:32,440 --> 00:16:35,360 Speaker 1: oh yeah, I forgot how cool memory stuff is. We 278 00:16:35,480 --> 00:16:37,880 Speaker 1: do a few podcasts on it. We talked about it 279 00:16:37,920 --> 00:16:40,680 Speaker 1: in cann of Thinking, Ca't make Me a Genius. We 280 00:16:40,760 --> 00:16:43,280 Speaker 1: talked about in a podcast to Remember Our Memory one. 281 00:16:43,880 --> 00:16:47,640 Speaker 1: We talked about it extensively in the Amnesia episode. Just 282 00:16:47,720 --> 00:16:50,560 Speaker 1: some good stuff. And there's more we could do. But 283 00:16:50,720 --> 00:16:54,359 Speaker 1: one of them is this whole idea of mind sports, 284 00:16:55,000 --> 00:16:59,480 Speaker 1: which includes memory, but it is organized competitions to to 285 00:16:59,640 --> 00:17:03,120 Speaker 1: show off your memory skills. There's actually five mind sports 286 00:17:03,360 --> 00:17:07,159 Speaker 1: memory mind mapping, which is a form of like taking 287 00:17:07,200 --> 00:17:10,520 Speaker 1: notes with like icons and colors and stuff. It's really neat. Like, 288 00:17:10,560 --> 00:17:12,560 Speaker 1: if you ever really need to commit something to memory, 289 00:17:12,840 --> 00:17:17,480 Speaker 1: look into mind mapping, speed reading i Q, which is 290 00:17:17,480 --> 00:17:20,840 Speaker 1: a little iffy to me, and then creative thinking. Like 291 00:17:20,920 --> 00:17:24,199 Speaker 1: there's a mind sport competition for creative thinking. I was like, 292 00:17:24,240 --> 00:17:27,359 Speaker 1: what is that? And you'll be given a question like 293 00:17:27,400 --> 00:17:30,479 Speaker 1: a little passage that says, like the alphabet makes no sense. 294 00:17:30,720 --> 00:17:32,320 Speaker 1: No one can make heads or tails of why it 295 00:17:32,359 --> 00:17:35,480 Speaker 1: follows the order it does. Put the alphabet into a 296 00:17:35,520 --> 00:17:39,600 Speaker 1: sensible order and explain how it makes sense. Stuff like that. 297 00:17:40,000 --> 00:17:42,040 Speaker 1: So there's people who are answering these questions coming up 298 00:17:42,040 --> 00:17:46,800 Speaker 1: with a creative system that makes sense. Though, right, it's 299 00:17:46,800 --> 00:17:50,880 Speaker 1: got to make sense. Yeah, you lose, you'd lose, you'd 300 00:17:50,880 --> 00:17:54,280 Speaker 1: be running out of town on a rail. Yeah, it's Um, 301 00:17:54,359 --> 00:17:57,960 Speaker 1: it sounds really neat, But there's there's with memory in particular. 302 00:17:58,040 --> 00:18:02,280 Speaker 1: There's the World Memory Championship and they're being held in Wuhan, 303 00:18:02,400 --> 00:18:07,960 Speaker 1: China this December two nine. Well, you think of a 304 00:18:07,960 --> 00:18:13,560 Speaker 1: show like Jeopardy, and um, there are things that you 305 00:18:13,600 --> 00:18:17,600 Speaker 1: can certainly figure out question and answer wise on Jeopardy, 306 00:18:17,920 --> 00:18:20,199 Speaker 1: But I would say most of that is recall it 307 00:18:20,320 --> 00:18:22,640 Speaker 1: is recall. And that's the same thing with mine sports too. 308 00:18:22,720 --> 00:18:25,880 Speaker 1: Like if you if you talk to a world memory champion, 309 00:18:26,080 --> 00:18:30,440 Speaker 1: there's one in particular named Dominic O'Brien who is what 310 00:18:31,000 --> 00:18:32,720 Speaker 1: I don't know, it's just funny to think of these 311 00:18:32,760 --> 00:18:35,720 Speaker 1: like a picture of walking in with his boxing robe. 312 00:18:36,359 --> 00:18:39,879 Speaker 1: He know, he's more them. You'd find him with like 313 00:18:40,000 --> 00:18:43,000 Speaker 1: a neat scotch and a cigarette going in like a 314 00:18:43,080 --> 00:18:46,520 Speaker 1: dark bar somewhere. He just strikes me that a super friendly, 315 00:18:46,560 --> 00:18:50,240 Speaker 1: neat guy. And he's just like mumbling presidential returns over 316 00:18:50,280 --> 00:18:52,399 Speaker 1: the past fig you know, he's like running numbers or 317 00:18:52,480 --> 00:18:55,200 Speaker 1: something like that. That's my guest. And he's like a 318 00:18:55,240 --> 00:18:57,240 Speaker 1: bookie in a bar or something. That's what he strikes 319 00:18:57,240 --> 00:18:59,480 Speaker 1: me as. All right again, really nice guy. I don't 320 00:18:59,520 --> 00:19:02,480 Speaker 1: know he's doing anything illegal, but a British man named 321 00:19:02,480 --> 00:19:06,320 Speaker 1: Dominic just strikes me as like a bookie anyway. He's 322 00:19:06,359 --> 00:19:11,000 Speaker 1: an eight time World memory Champion, World memory champion, and 323 00:19:11,040 --> 00:19:13,880 Speaker 1: he'll tell you like it's all training, it's practice, it's 324 00:19:13,960 --> 00:19:18,040 Speaker 1: nemonic devices, and just about anybody who is involved in 325 00:19:18,320 --> 00:19:21,840 Speaker 1: mind sports will say it's all it's all practice, and 326 00:19:22,000 --> 00:19:25,680 Speaker 1: it's using techniques to expand your memory, which is really 327 00:19:25,760 --> 00:19:29,080 Speaker 1: amazing because what these guys are doing, um, one of 328 00:19:29,080 --> 00:19:32,840 Speaker 1: them is is card reading. They will give you a 329 00:19:32,880 --> 00:19:35,639 Speaker 1: deck of cards and you will go through scan it 330 00:19:35,960 --> 00:19:38,919 Speaker 1: in order, maybe be given a minute to scan it, 331 00:19:38,960 --> 00:19:41,120 Speaker 1: maybe three minutes something like that. You'll put it down 332 00:19:41,280 --> 00:19:43,720 Speaker 1: and then twenty minutes later they'll ask you to recall 333 00:19:43,840 --> 00:19:46,680 Speaker 1: the deck in the order of the cards. And these 334 00:19:46,680 --> 00:19:50,199 Speaker 1: guys like get it flawlessly perfect. That's pretty amazing. It 335 00:19:50,359 --> 00:19:53,479 Speaker 1: is amazing. But they are saying, like, I have learned 336 00:19:53,520 --> 00:19:55,560 Speaker 1: to do this. I was not born like this. I 337 00:19:55,560 --> 00:19:59,840 Speaker 1: don't have a photographic memory. I'm using things like devices 338 00:20:00,359 --> 00:20:03,879 Speaker 1: that are that are are techniques to help me remember stuff. Yeah, 339 00:20:04,440 --> 00:20:09,159 Speaker 1: there's this, Um, have you ever heard of a memory palace? Yeah, okay, 340 00:20:09,200 --> 00:20:12,120 Speaker 1: so a memory palace. Then it's just like building a 341 00:20:12,160 --> 00:20:14,679 Speaker 1: castle or whatever, and like different rooms or where you 342 00:20:14,680 --> 00:20:17,879 Speaker 1: put different things and specifically you might have a drawer 343 00:20:17,920 --> 00:20:21,760 Speaker 1: for a specific thing and you remember where that specific 344 00:20:21,840 --> 00:20:24,919 Speaker 1: thing is because you placed it in that drawer in 345 00:20:24,960 --> 00:20:28,200 Speaker 1: that room in your palace that you've built in your mind. Yeah, 346 00:20:28,280 --> 00:20:31,840 Speaker 1: and it's a very helpful way to remember things for sure. Uh. 347 00:20:31,880 --> 00:20:33,680 Speaker 1: And also shout out to a friend of the show 348 00:20:33,720 --> 00:20:36,800 Speaker 1: and Nate to Mayo and his great Yes, the Memory 349 00:20:37,000 --> 00:20:39,920 Speaker 1: the Memory Past. Oh my gosh, I never I never 350 00:20:40,000 --> 00:20:42,480 Speaker 1: put two and two together. Nate's still around, still a 351 00:20:42,480 --> 00:20:44,200 Speaker 1: great show. Well sure, sure, I don't think he died 352 00:20:44,280 --> 00:20:47,080 Speaker 1: or anything, but I'm saying like I knew, I knew 353 00:20:47,119 --> 00:20:50,119 Speaker 1: his His show is named The Memory Place connection. I 354 00:20:50,160 --> 00:20:52,320 Speaker 1: never did. You should have put it in the Memory Palace. 355 00:20:52,560 --> 00:20:55,399 Speaker 1: That is a great name, Nate, and that is a 356 00:20:55,480 --> 00:20:57,480 Speaker 1: great I liked it even more before, but I was 357 00:20:57,520 --> 00:21:00,400 Speaker 1: just taking it more like like Tolkien sell her door, 358 00:21:00,520 --> 00:21:04,440 Speaker 1: like it was just pretty, you know what I mean. So, um, 359 00:21:04,480 --> 00:21:07,199 Speaker 1: there have been some connections that people have made with 360 00:21:07,480 --> 00:21:13,480 Speaker 1: sinnist eats and uh people with supposedly photographic memories. Um. 361 00:21:13,520 --> 00:21:17,520 Speaker 1: There's a writer named Solomon Schefski who was a writer 362 00:21:18,000 --> 00:21:20,119 Speaker 1: I think I already said that in the twentieth century, 363 00:21:20,119 --> 00:21:23,520 Speaker 1: in the early twentieth century, and he had these really 364 00:21:23,880 --> 00:21:29,200 Speaker 1: amazing powers of memory, and he uses uh or used 365 00:21:29,359 --> 00:21:32,439 Speaker 1: pneumonic techniques like we talked about he did. But he 366 00:21:32,480 --> 00:21:35,240 Speaker 1: was also a cinnist eat. So the point was made 367 00:21:35,240 --> 00:21:38,119 Speaker 1: here was that he basically had been doing this his 368 00:21:38,160 --> 00:21:43,520 Speaker 1: whole life involuntarily because of associations that cynistats make with 369 00:21:43,920 --> 00:21:46,360 Speaker 1: color and sound and shape and things like that. Yeah, 370 00:21:46,400 --> 00:21:49,320 Speaker 1: that's how that's how a memory becomes all more solid, 371 00:21:49,400 --> 00:21:54,440 Speaker 1: is associated with an emotion or a physical sensation. And um, 372 00:21:54,520 --> 00:21:58,200 Speaker 1: he was a multiple synisty, right, So rather than say, 373 00:21:58,320 --> 00:22:02,840 Speaker 1: like a sound having a color, this guy when he 374 00:22:02,840 --> 00:22:07,040 Speaker 1: heard a bell ring, he saw white, tasted salt water, 375 00:22:07,440 --> 00:22:10,639 Speaker 1: and sense something small and round from the sound of 376 00:22:10,680 --> 00:22:14,160 Speaker 1: a bell. He he would not read the paper while 377 00:22:14,160 --> 00:22:17,199 Speaker 1: he was eating because the tastes that the words on 378 00:22:17,240 --> 00:22:20,639 Speaker 1: the page evoked would compete with the taste of the food. 379 00:22:20,680 --> 00:22:25,320 Speaker 1: He was like, he would he had it just powerfully synesthesia. 380 00:22:25,359 --> 00:22:27,200 Speaker 1: That's pretty cool. Um, so yeah, he couldn't help but 381 00:22:27,320 --> 00:22:31,480 Speaker 1: have an amazing memory. Pretty cool. Um. The neemonic devices 382 00:22:31,560 --> 00:22:34,440 Speaker 1: everyone uses those in school or they'd tell you that's 383 00:22:34,440 --> 00:22:37,359 Speaker 1: a good way to remember things. Um. But then there's also, 384 00:22:38,560 --> 00:22:40,720 Speaker 1: um what and this is a grabstor article what he 385 00:22:40,880 --> 00:22:44,520 Speaker 1: just called relentless obsession. And you know, when you if 386 00:22:44,560 --> 00:22:48,840 Speaker 1: you want to go on Jeopardy, memorize the constitution, memorize 387 00:22:49,119 --> 00:22:53,360 Speaker 1: every state flag, every state bird, every state motto. It's 388 00:22:53,400 --> 00:22:58,840 Speaker 1: like it's if you pour yourself into that kind of study, 389 00:22:59,000 --> 00:23:03,000 Speaker 1: and you're obsessed over memorizing a certain thing, then you 390 00:23:03,040 --> 00:23:06,119 Speaker 1: could probably do it over time, right, Yeah, um, ed 391 00:23:06,240 --> 00:23:10,439 Speaker 1: uses the example of them what are they called the 392 00:23:10,480 --> 00:23:16,040 Speaker 1: shas Pollock, Yes, who were a sect of Polish Jews 393 00:23:16,160 --> 00:23:21,240 Speaker 1: who memorized the Babylonian Talmud, which, as from what I gather, 394 00:23:21,359 --> 00:23:23,840 Speaker 1: one of two versions of the Talmud. I think they're 395 00:23:23,880 --> 00:23:26,080 Speaker 1: like eight or twelve books. It's a lot, yeah, like 396 00:23:26,119 --> 00:23:30,200 Speaker 1: five thousand pages. And these these guys would they would 397 00:23:30,200 --> 00:23:35,680 Speaker 1: remember the Talmud so precisely that a case study from 398 00:23:35,760 --> 00:23:40,040 Speaker 1: nineteen seventeen based on eyewitness accounts said that you could 399 00:23:40,080 --> 00:23:44,199 Speaker 1: put a pin on a word on one page and 400 00:23:44,280 --> 00:23:47,520 Speaker 1: push the pin through, say fifty pages, and they could 401 00:23:47,560 --> 00:23:50,520 Speaker 1: tell you the word that that pin came out on 402 00:23:50,680 --> 00:23:53,840 Speaker 1: the fifty pages ahead. So that's geography too kind of. 403 00:23:54,240 --> 00:23:59,160 Speaker 1: That's a really good example of a potential photographic memory, right, 404 00:23:59,200 --> 00:24:03,280 Speaker 1: but also example of obsession. Um. I did a little 405 00:24:03,400 --> 00:24:05,320 Speaker 1: more reading on them too. They were known as uh 406 00:24:05,640 --> 00:24:12,679 Speaker 1: Numonists for neumonic. It's interesting. That's just I don't know, 407 00:24:13,040 --> 00:24:17,480 Speaker 1: I think that might have been a early Eastern European 408 00:24:18,280 --> 00:24:24,920 Speaker 1: and Russian name for someone with amazing memory because the Sheerschewski. Um. 409 00:24:25,040 --> 00:24:28,240 Speaker 1: He was written about as a patient just by the 410 00:24:28,280 --> 00:24:33,760 Speaker 1: pseudonym s by a psychologist, very famous psychologist named Alexander Luria, 411 00:24:33,840 --> 00:24:37,199 Speaker 1: and he he titled his paper book The Mind of 412 00:24:37,200 --> 00:24:40,080 Speaker 1: a New Honest. So I wonder if that was like 413 00:24:40,119 --> 00:24:43,199 Speaker 1: an old timey word for like somebody with an amazing memory. 414 00:24:43,800 --> 00:24:46,960 Speaker 1: That's probably word? What is that? Namu? Oh yeah, I 415 00:24:47,080 --> 00:24:52,000 Speaker 1: like I like yours more? Th Another thing is that 416 00:24:52,119 --> 00:24:54,800 Speaker 1: a lot of times when someone you might think or 417 00:24:54,840 --> 00:24:56,760 Speaker 1: they claim to have a photographic memory, it's on a 418 00:24:56,880 --> 00:25:01,120 Speaker 1: very specific, um thing that they are obsessed with, Like 419 00:25:01,200 --> 00:25:05,600 Speaker 1: a chess player may be able to memorize like these 420 00:25:05,600 --> 00:25:09,400 Speaker 1: incredibly complex sequences or games that they played, but may 421 00:25:09,400 --> 00:25:11,359 Speaker 1: not have a great memory otherwise of other things. I 422 00:25:11,400 --> 00:25:15,000 Speaker 1: can't remember their anniversary, asked their wives. Yeah you know 423 00:25:15,160 --> 00:25:18,439 Speaker 1: for sure? Um, who's this other guy? John Van Newman? 424 00:25:18,520 --> 00:25:22,520 Speaker 1: He was a mathematical genius and he could recite chapters 425 00:25:22,520 --> 00:25:26,359 Speaker 1: of books and pages of the phone book. But apparently 426 00:25:26,640 --> 00:25:28,919 Speaker 1: he was like that was sort of where it ended. 427 00:25:29,240 --> 00:25:32,680 Speaker 1: He didn't have like a memory outside of like these 428 00:25:32,760 --> 00:25:35,720 Speaker 1: very specific things. Right. He also never claimed to have 429 00:25:35,760 --> 00:25:39,320 Speaker 1: a photographic memory, which is pretty cool. Because if anybody 430 00:25:39,359 --> 00:25:42,199 Speaker 1: could claim that he was definitely one of them, and 431 00:25:42,280 --> 00:25:44,920 Speaker 1: he was a polymath just straight up genius in general, 432 00:25:45,000 --> 00:25:48,800 Speaker 1: it's a great varied thinker. Yeah. He I read somewhere 433 00:25:48,840 --> 00:25:51,359 Speaker 1: that he used to tell jokes with his dad in 434 00:25:51,960 --> 00:25:56,080 Speaker 1: in classical Greek at age six, which I mean, if 435 00:25:56,119 --> 00:25:58,320 Speaker 1: you're doing that at age six with your dad, it's 436 00:25:58,359 --> 00:26:01,960 Speaker 1: a specific type of household you're being raised. And yeah, 437 00:26:02,000 --> 00:26:05,159 Speaker 1: that Stephen Wiltshire guy is pretty interesting. Um. I remember 438 00:26:05,200 --> 00:26:07,040 Speaker 1: seeing something on him a while ago. I think we 439 00:26:07,119 --> 00:26:10,080 Speaker 1: talked about him in the Thinking Cap episode two. Yeah, 440 00:26:10,320 --> 00:26:12,960 Speaker 1: that might have been it. He's from London and is 441 00:26:13,560 --> 00:26:16,800 Speaker 1: has autism and he's the guy who, you know it 442 00:26:16,840 --> 00:26:21,600 Speaker 1: takes a helicopter ride over Berlin Lands and then draws 443 00:26:21,640 --> 00:26:27,120 Speaker 1: it and like astonishing detail. Yes, but and it is astonishing. 444 00:26:27,800 --> 00:26:30,000 Speaker 1: But and people put him up as an example of 445 00:26:30,080 --> 00:26:34,359 Speaker 1: photographic memory. There are flaws in the recollection, in the telling. 446 00:26:34,400 --> 00:26:38,280 Speaker 1: These are renderings are not architecturally precise. Yeah, but still, 447 00:26:38,320 --> 00:26:41,280 Speaker 1: I mean better than it's astonishing. No. I think what's 448 00:26:41,280 --> 00:26:44,000 Speaker 1: astonishing is is the art. And I think people should 449 00:26:44,080 --> 00:26:46,400 Speaker 1: just like lay off the photographic memory part of it 450 00:26:46,760 --> 00:26:49,600 Speaker 1: and just say Stephen Wiltscher is an amazing artist who 451 00:26:49,640 --> 00:26:53,320 Speaker 1: I can see a scene and encapsulated on paper with 452 00:26:53,520 --> 00:26:58,080 Speaker 1: ease or seeming ease. Yeah, And then you really can't 453 00:26:58,119 --> 00:27:01,520 Speaker 1: start a conversation about memory of any kind without talking 454 00:27:01,560 --> 00:27:05,000 Speaker 1: about Kim Peak, who we mentioned earlier, who was again 455 00:27:05,080 --> 00:27:10,240 Speaker 1: the the the inspiration for rain Man, but was much 456 00:27:10,320 --> 00:27:15,520 Speaker 1: more friendly, much more outgoing, much happier than rain Man was. Yeah, 457 00:27:15,560 --> 00:27:17,360 Speaker 1: he was a real jerk. He was real. He wasn't 458 00:27:17,359 --> 00:27:19,760 Speaker 1: a jerk, but he was much more introverted. Kim Peek 459 00:27:19,840 --> 00:27:23,359 Speaker 1: was much more happy, go lucky, and like very talkative 460 00:27:23,400 --> 00:27:27,120 Speaker 1: and curious and um. For a very long time he 461 00:27:27,200 --> 00:27:31,040 Speaker 1: was considered to have had autism, but now they think 462 00:27:31,080 --> 00:27:34,360 Speaker 1: he had f G syndrome, which is a very specific 463 00:27:34,400 --> 00:27:39,840 Speaker 1: genetic disorder UM that's characterized by people who are friendly, inquisitive, hyperactive, 464 00:27:39,880 --> 00:27:42,720 Speaker 1: and have a short attention span. And from what I understand, 465 00:27:42,800 --> 00:27:46,440 Speaker 1: that describes Kim Peak to a key to T yeah, 466 00:27:47,280 --> 00:27:50,840 Speaker 1: not a key to a KP. He would his his 467 00:27:50,880 --> 00:27:52,720 Speaker 1: whole thing. I mean, he had a great memory, but 468 00:27:53,160 --> 00:27:58,600 Speaker 1: he had basically memorized the calendar. And when you say calendar, 469 00:27:58,760 --> 00:28:03,360 Speaker 1: you mean like that means the calendar of the past. Tuesday. 470 00:28:03,520 --> 00:28:08,680 Speaker 1: Everybody knows that. Yeah, but what day was, uh, you know, 471 00:28:09,080 --> 00:28:13,560 Speaker 1: July first, nineteen seventy seven. He can say, well, that 472 00:28:13,600 --> 00:28:15,679 Speaker 1: was the Thursday, and on this state, these things happened. 473 00:28:16,160 --> 00:28:18,600 Speaker 1: That kind of memory, yeah, which is pretty astounding in 474 00:28:18,640 --> 00:28:20,879 Speaker 1: and of itself. But he was also able to do 475 00:28:20,960 --> 00:28:26,840 Speaker 1: things like read the phone book two pages at a time. Yeah. 476 00:28:26,960 --> 00:28:30,160 Speaker 1: Now that's just off the charts. This is he may 477 00:28:30,200 --> 00:28:32,960 Speaker 1: be the only human being who is ever born capable 478 00:28:33,000 --> 00:28:35,200 Speaker 1: of doing. Yeah. His left eye was reading one page 479 00:28:35,200 --> 00:28:38,240 Speaker 1: and his right eye would read another page. Okay, astounding 480 00:28:38,280 --> 00:28:42,240 Speaker 1: that he could do that just visually optically. Yes, he 481 00:28:42,280 --> 00:28:46,200 Speaker 1: would retain this thing, and he could tell you the 482 00:28:46,280 --> 00:28:49,080 Speaker 1: phone number of somebody's name. You went back and and 483 00:28:49,120 --> 00:28:51,920 Speaker 1: said what is you know, what is John von Newman's 484 00:28:51,920 --> 00:28:54,200 Speaker 1: phone number? And he'd say the phone and would be like, really, 485 00:28:54,200 --> 00:28:55,560 Speaker 1: I don't want to call him. I'll talk you about 486 00:28:55,560 --> 00:28:57,560 Speaker 1: to say John bon Jovi for a second. I'm excited. 487 00:28:57,680 --> 00:29:01,240 Speaker 1: I have a joke in Greek. Yeah, I mean that's 488 00:29:01,920 --> 00:29:07,280 Speaker 1: that is. Let's let it that part out really, okay, Um. Really, 489 00:29:07,360 --> 00:29:10,720 Speaker 1: here's the thing with Peak though, is we talked a 490 00:29:10,720 --> 00:29:15,480 Speaker 1: lot about the Corpus colossum in the uh what's it 491 00:29:15,480 --> 00:29:18,520 Speaker 1: called restless hand syndrome, alien Han syndrome one of our 492 00:29:18,560 --> 00:29:21,360 Speaker 1: early early podcasts. That's right, I forgot that showed up 493 00:29:21,360 --> 00:29:23,440 Speaker 1: with the corpus colossum. We talked about it a bunch 494 00:29:23,480 --> 00:29:26,200 Speaker 1: of a bunch of shows. But that's what connects it 495 00:29:26,240 --> 00:29:29,840 Speaker 1: to hemispheres. Kimpek does not have a corpus colossum, like 496 00:29:30,160 --> 00:29:34,400 Speaker 1: not severed, not cut apart, not partial. It did not 497 00:29:34,680 --> 00:29:38,640 Speaker 1: grow in his brain. So he has two independent hemispheres 498 00:29:38,680 --> 00:29:41,600 Speaker 1: of his brain. And so when his left eye is 499 00:29:41,720 --> 00:29:44,280 Speaker 1: inputting all this stuff and his right eyes inputting all 500 00:29:44,280 --> 00:29:48,200 Speaker 1: this stuff, his brain can recall it separately but together. 501 00:29:48,880 --> 00:29:51,640 Speaker 1: That's just astounding. Is he still with us? No, he 502 00:29:51,720 --> 00:29:53,920 Speaker 1: died a few years ago. I don't remember of what 503 00:29:54,400 --> 00:29:57,200 Speaker 1: and like he was in his sixties, I believe. All right, 504 00:29:57,280 --> 00:30:00,440 Speaker 1: Well r I p MR Peak and let's take a 505 00:30:00,440 --> 00:30:02,360 Speaker 1: break now, and then we'll talk about a woman named 506 00:30:02,440 --> 00:30:31,440 Speaker 1: Jil Price right after this, all right, as promised, we're 507 00:30:31,440 --> 00:30:33,920 Speaker 1: gonna talk about Jill Price, who I remember from the 508 00:30:33,960 --> 00:30:37,680 Speaker 1: news in two thousand six is when she kind of 509 00:30:38,560 --> 00:30:41,280 Speaker 1: hit hit the big time with the news and she 510 00:30:41,480 --> 00:30:45,040 Speaker 1: was the one that she's called the woman who cannot 511 00:30:45,080 --> 00:30:49,680 Speaker 1: forget and pretty accurately because she has an audit. Well 512 00:30:49,800 --> 00:30:52,440 Speaker 1: they now they could call it a couple of things. Now, Um, 513 00:30:52,480 --> 00:30:57,280 Speaker 1: I saw H S a M. Highly superior autobiographical memory, 514 00:30:58,240 --> 00:31:06,840 Speaker 1: and then another condition called hyperthsmea thymesia hyperthymesia, Yeah with 515 00:31:06,880 --> 00:31:11,000 Speaker 1: a y in seventy that was this misspelled? Okay? Um 516 00:31:11,040 --> 00:31:15,640 Speaker 1: and to delete my correction, And hyper means excessive obviously, 517 00:31:16,120 --> 00:31:20,560 Speaker 1: and then thymesis is remembering, so it's excessive remembering. I like, 518 00:31:20,800 --> 00:31:24,960 Speaker 1: highly superior autobiographical memory though, yeah, and I saw where 519 00:31:25,000 --> 00:31:27,480 Speaker 1: they found they know of at least sixty other people 520 00:31:27,520 --> 00:31:30,720 Speaker 1: that have H S a M. Whereas this said only 521 00:31:31,000 --> 00:31:35,320 Speaker 1: to other people have been diagnosed with hyperthymesia. Right, it's 522 00:31:35,320 --> 00:31:37,680 Speaker 1: the same thing, it is. It's the exact same thing. Okay, 523 00:31:37,680 --> 00:31:40,200 Speaker 1: So are there sixty people or they're three? There's sixty 524 00:31:40,240 --> 00:31:45,120 Speaker 1: one from what I understand. Okay, Well, she can't forget stuff, 525 00:31:45,200 --> 00:31:48,560 Speaker 1: and these people apparently, you know, if you go back 526 00:31:48,600 --> 00:31:51,520 Speaker 1: and say what were you doing, you know, fourteen years 527 00:31:51,560 --> 00:31:53,680 Speaker 1: ago and two months in two days, or give them 528 00:31:53,720 --> 00:31:55,960 Speaker 1: a date date usually and then they will be able 529 00:31:55,960 --> 00:31:57,800 Speaker 1: to say what they did, what they were wearing, who 530 00:31:57,800 --> 00:32:00,360 Speaker 1: they were with what was on TV. Yeah, but the 531 00:32:00,360 --> 00:32:03,160 Speaker 1: thing is, so this is so you say, okay, great, fine, 532 00:32:03,240 --> 00:32:06,960 Speaker 1: we found these are the people with photographic memories. Not really, 533 00:32:07,440 --> 00:32:12,479 Speaker 1: because it's highly superior autobiographical memory, and that is a 534 00:32:12,600 --> 00:32:16,160 Speaker 1: very specific kind of memory. It's a type of episodic memory. 535 00:32:16,160 --> 00:32:19,840 Speaker 1: Episodic memories are personal memories, memories you generate as opposed 536 00:32:19,920 --> 00:32:23,080 Speaker 1: to semantic memory, which is memories that you make of 537 00:32:23,160 --> 00:32:26,800 Speaker 1: things like um uh, a car has two axles or 538 00:32:26,840 --> 00:32:30,000 Speaker 1: something stupid like that, like a fact that you recall, 539 00:32:30,600 --> 00:32:35,120 Speaker 1: rather than an autobiographical memory. So the the semantic memory 540 00:32:35,480 --> 00:32:40,920 Speaker 1: is normal in in people with HSAM or hyperthymesia. It's 541 00:32:40,960 --> 00:32:46,800 Speaker 1: the autobiographical stuff that is astoundingly photographic. Yeah, and people 542 00:32:46,840 --> 00:32:49,680 Speaker 1: also tried after she came out and made a you know, 543 00:32:49,880 --> 00:32:52,480 Speaker 1: kind of a big splash on the news programs, there 544 00:32:52,480 --> 00:32:56,440 Speaker 1: were people trying to poke holes in her condition, saying 545 00:32:56,480 --> 00:33:00,600 Speaker 1: that like, well, starting in her teenage year, she started 546 00:33:00,680 --> 00:33:04,840 Speaker 1: keeping these obsessively detailed diaries every day as well. Um, 547 00:33:05,160 --> 00:33:08,960 Speaker 1: which sure that can help. But just because you write 548 00:33:09,280 --> 00:33:11,840 Speaker 1: an obsessively detailed diary every day doesn't mean you're gonna 549 00:33:11,880 --> 00:33:14,960 Speaker 1: remember it five years later, right, No, that's that's exactly 550 00:33:15,000 --> 00:33:17,840 Speaker 1: the point, right. Yeah, maybe she is even using nemonics 551 00:33:17,880 --> 00:33:20,360 Speaker 1: to solidify it even further. But the fact that you 552 00:33:20,400 --> 00:33:23,479 Speaker 1: can give her a date at random and she can 553 00:33:23,520 --> 00:33:27,760 Speaker 1: remember it without consulting her her journal, um, it's pretty impressive. 554 00:33:27,840 --> 00:33:31,000 Speaker 1: It's definitely its own thing. And there's there's a pretty 555 00:33:31,040 --> 00:33:34,560 Speaker 1: widespread consensus that this is a real condition. But the 556 00:33:34,600 --> 00:33:38,040 Speaker 1: fact that you said it, she she keeps an obsessively 557 00:33:38,200 --> 00:33:44,440 Speaker 1: organized journal. Um. They believe it's possible that it's linked 558 00:33:44,560 --> 00:33:49,240 Speaker 1: to obsessive compulsive disorder. That the brains of people with 559 00:33:49,360 --> 00:33:55,920 Speaker 1: hyperthymesia UM have have the same traits, the same structures, um, 560 00:33:56,000 --> 00:33:58,400 Speaker 1: that people who have o c D have, and they'll 561 00:33:58,520 --> 00:34:01,880 Speaker 1: very frequently have kind of this co morbid collection of 562 00:34:01,920 --> 00:34:06,680 Speaker 1: stuff or um. They have traits that somebody, yeah, somebody 563 00:34:06,720 --> 00:34:09,000 Speaker 1: with o c D might have. I also wonder if 564 00:34:09,040 --> 00:34:13,080 Speaker 1: it has anything to do with narcissism. Oh really, I 565 00:34:13,080 --> 00:34:16,360 Speaker 1: don't know, man. It's autobiographical. Yeah, like they remember everything 566 00:34:16,360 --> 00:34:18,960 Speaker 1: about their life, but they might not be able to 567 00:34:18,960 --> 00:34:23,600 Speaker 1: tell you, like you know who the president is. But 568 00:34:23,640 --> 00:34:28,200 Speaker 1: the okay, if it is narcissism, it's a mass a kid, No, 569 00:34:29,719 --> 00:34:33,239 Speaker 1: it's a massochistic. That's the one where you're bad to yourself, right, 570 00:34:33,320 --> 00:34:37,400 Speaker 1: mean to yourself, because this is sort of a curse. UM. 571 00:34:37,480 --> 00:34:39,800 Speaker 1: So if you if you see interviews with Jill Price, 572 00:34:40,360 --> 00:34:42,719 Speaker 1: she's not a happy person by any stretch of the 573 00:34:42,760 --> 00:34:47,840 Speaker 1: imagination because part of this condition is not being able 574 00:34:47,880 --> 00:34:51,839 Speaker 1: to forget like emotions attached to things. Yeah, she she 575 00:34:51,960 --> 00:34:55,360 Speaker 1: after a very long time, met a man and married 576 00:34:55,440 --> 00:34:57,799 Speaker 1: him and they were very very close. Like she she 577 00:34:57,880 --> 00:35:00,120 Speaker 1: said later that that he just got her. He is 578 00:35:00,160 --> 00:35:02,680 Speaker 1: the first person to ever just get her and accept 579 00:35:02,680 --> 00:35:05,880 Speaker 1: her for who she was. Um. Other family and friends 580 00:35:05,920 --> 00:35:07,799 Speaker 1: would be like, can you not just let this go? 581 00:35:07,920 --> 00:35:10,640 Speaker 1: Can you not get over something that happened twenty years ago? 582 00:35:10,719 --> 00:35:12,799 Speaker 1: And she's like, no, I really can't. This guy just 583 00:35:12,840 --> 00:35:16,120 Speaker 1: accepted her and then of course he dies young from 584 00:35:16,160 --> 00:35:20,160 Speaker 1: I think cancer or something like that. So UM, rather 585 00:35:20,239 --> 00:35:25,160 Speaker 1: than going through the morning period in grieving like a 586 00:35:25,200 --> 00:35:29,120 Speaker 1: person normally would time healing all wounds, that does not 587 00:35:29,200 --> 00:35:32,279 Speaker 1: apply to somebody or hyperthiamesia because when they think of 588 00:35:32,320 --> 00:35:35,520 Speaker 1: that day again or something reminds them of that person 589 00:35:35,960 --> 00:35:39,799 Speaker 1: that and the memory of them is recalled, they experienced 590 00:35:39,880 --> 00:35:43,839 Speaker 1: that same pain like they experience. UM. The first time. 591 00:35:43,840 --> 00:35:48,360 Speaker 1: It happens forever. They cannot forget. It does not fade 592 00:35:49,040 --> 00:35:52,120 Speaker 1: like a sci fi movie basically, but it's a real thing. 593 00:35:52,400 --> 00:35:57,040 Speaker 1: Was the Tom Cruise thing? I repeat, rain Man, Yeah, 594 00:35:57,120 --> 00:35:59,960 Speaker 1: that's it. Uh. You know who else has hyperthymesia or 595 00:36:00,120 --> 00:36:04,560 Speaker 1: highly superior autobiographical memory? I think I know this because 596 00:36:04,600 --> 00:36:06,880 Speaker 1: you talked about her at length and the podcast. To 597 00:36:06,920 --> 00:36:13,279 Speaker 1: remember what I'll give you. I'll give you a one 598 00:36:13,320 --> 00:36:16,399 Speaker 1: degree of separation and you'll figure it out. Okay, don't 599 00:36:16,400 --> 00:36:23,360 Speaker 1: say Kevin Bacon Tony Danza what no, I didn't say. Sorry, 600 00:36:23,600 --> 00:36:29,680 Speaker 1: that was not a bad Tony Danza. Mona no um oh, 601 00:36:29,760 --> 00:36:33,719 Speaker 1: oh that's right. Uh. Yes, what's her name? Lisa Milana? No? No, 602 00:36:34,239 --> 00:36:39,040 Speaker 1: Mary Lou Henner from Taxi A Lissa Milana. Well wouldn't she? 603 00:36:39,080 --> 00:36:41,560 Speaker 1: And she just looked up from the gallery and the 604 00:36:41,600 --> 00:36:46,360 Speaker 1: congressional hearing and who me? I forgot about the taxi Mary? 605 00:36:46,520 --> 00:36:49,399 Speaker 1: That's right, Mary Lee has like has it? You can 606 00:36:49,440 --> 00:36:52,480 Speaker 1: say you'll give her a date or even like a 607 00:36:52,520 --> 00:36:56,200 Speaker 1: taxi episode. She'll start reciting lines the other person's line. 608 00:36:56,239 --> 00:36:58,960 Speaker 1: She'll talk about what she's wearing in the scene. Stuff 609 00:36:59,000 --> 00:37:02,960 Speaker 1: from the seventies. It's really impressive. She has the opposite experience, 610 00:37:03,000 --> 00:37:06,319 Speaker 1: though she loves the the the whole thing, like it's 611 00:37:06,360 --> 00:37:08,720 Speaker 1: a gift to her, whereas it's a curse to jil Price. 612 00:37:09,239 --> 00:37:11,879 Speaker 1: My memory is weird because I will and I'm sure 613 00:37:11,880 --> 00:37:13,880 Speaker 1: we talked about this in the other memory episodes, but 614 00:37:14,719 --> 00:37:16,719 Speaker 1: I can have the worst memory on the planet or 615 00:37:16,800 --> 00:37:20,320 Speaker 1: the best, and it all just depends on whatever detail 616 00:37:20,400 --> 00:37:22,080 Speaker 1: it is. It's either in in the old brain or 617 00:37:22,120 --> 00:37:25,200 Speaker 1: it's not. Yeah, Like I can recall some very specifically 618 00:37:25,600 --> 00:37:27,200 Speaker 1: things that people are like, how in the world do 619 00:37:27,200 --> 00:37:29,440 Speaker 1: you remember that? You know? The thing that bothers me 620 00:37:29,520 --> 00:37:33,080 Speaker 1: about this is we have had so much information passed 621 00:37:33,080 --> 00:37:38,239 Speaker 1: through our brains and I retained so little of it. 622 00:37:38,239 --> 00:37:41,759 Speaker 1: It's almost like I really wish I had more of 623 00:37:41,800 --> 00:37:45,040 Speaker 1: it in there. Yeah, it's just not though. I mean, 624 00:37:45,080 --> 00:37:47,040 Speaker 1: I guess it is if you drag it, but I 625 00:37:47,080 --> 00:37:50,359 Speaker 1: can't bring it to it to memory very easily. Yeah, 626 00:37:50,680 --> 00:37:53,759 Speaker 1: to find that couples though, whether that's you and I 627 00:37:54,120 --> 00:37:58,160 Speaker 1: or us and our individual wives can complement each other 628 00:37:58,280 --> 00:38:02,120 Speaker 1: with their memories. Yeah, and your abilities, like I'm really 629 00:38:02,120 --> 00:38:04,239 Speaker 1: good at remembering certain things, and Emily is really good 630 00:38:04,239 --> 00:38:08,440 Speaker 1: at remembering other types of things and together it's usually 631 00:38:08,440 --> 00:38:13,279 Speaker 1: works out. It's a whole person, yeah, basically, But you 632 00:38:13,320 --> 00:38:15,280 Speaker 1: do that too. You remember stuff that I don't remember, 633 00:38:15,280 --> 00:38:18,000 Speaker 1: like Mary lew Henterer, and the list goes on and on. 634 00:38:18,520 --> 00:38:20,319 Speaker 1: You remember way more than I do. But I don't 635 00:38:20,360 --> 00:38:23,040 Speaker 1: remember nearly as much as I should, I think, or 636 00:38:23,200 --> 00:38:26,799 Speaker 1: that I wish I did. I don't deal in shouts anymore. Chuck, Right, 637 00:38:27,560 --> 00:38:33,080 Speaker 1: so should we talk about um uh, Charles Stroemeyer, John Merritt, 638 00:38:33,160 --> 00:38:38,680 Speaker 1: and Elizabeth Sure. So this was a little bit wrong, 639 00:38:38,760 --> 00:38:40,920 Speaker 1: But the way I understood from what you sent me 640 00:38:40,960 --> 00:38:43,840 Speaker 1: as a follow up is that Charles Stroemeyer was the 641 00:38:43,880 --> 00:38:46,319 Speaker 1: one who did this initial initial research at Harvard in 642 00:38:46,320 --> 00:38:49,600 Speaker 1: the nineteen seventies. Is that right? Okay, So this guy 643 00:38:49,680 --> 00:38:53,759 Speaker 1: plays ads in newspapers. He was trying to do some 644 00:38:53,760 --> 00:38:56,839 Speaker 1: studies on photographic memory, and all these ads were were 645 00:38:56,880 --> 00:38:59,560 Speaker 1: images of random dots. And you could take a test 646 00:38:59,560 --> 00:39:02,480 Speaker 1: your cell just by looking at these dots very briefly 647 00:39:02,520 --> 00:39:04,680 Speaker 1: and then trying to reproduce them. And if you did 648 00:39:04,680 --> 00:39:07,000 Speaker 1: a really good job, you would follow up by getting 649 00:39:07,000 --> 00:39:10,080 Speaker 1: in touch with him saying, Hey, I nailed I nailed 650 00:39:10,080 --> 00:39:12,800 Speaker 1: your test, dude, talk to me I do the turtle 651 00:39:12,840 --> 00:39:15,480 Speaker 1: on the matchbook just right, remember the turtle and the 652 00:39:15,480 --> 00:39:18,719 Speaker 1: turtle night. Yeah, and that there was a pirate too, right, 653 00:39:19,239 --> 00:39:21,520 Speaker 1: What was that all about? It was like an art 654 00:39:21,560 --> 00:39:25,160 Speaker 1: correspondence course where you learn to draw through the mail. 655 00:39:25,560 --> 00:39:29,000 Speaker 1: Oh interesting, I think we talked about that on another episode. 656 00:39:29,200 --> 00:39:31,719 Speaker 1: Surely we have, I think. So sorry for derailing you 657 00:39:31,800 --> 00:39:33,799 Speaker 1: with the turtle thing. Now, that's okay. But that was 658 00:39:33,880 --> 00:39:36,200 Speaker 1: the long and short of what he was trying to 659 00:39:36,239 --> 00:39:39,440 Speaker 1: do and how he was trying to recruit subjects. And 660 00:39:39,480 --> 00:39:43,040 Speaker 1: I believe he got what like thirty people we're successful, 661 00:39:43,160 --> 00:39:45,920 Speaker 1: fifteen of which he was impressed enough by to go 662 00:39:46,080 --> 00:39:48,800 Speaker 1: to their house and follow up with. And one person 663 00:39:48,960 --> 00:39:52,319 Speaker 1: he really followed up with. He did he found out 664 00:39:52,320 --> 00:39:55,680 Speaker 1: of the fifteen, none of them had photographic memory. But 665 00:39:55,800 --> 00:40:00,200 Speaker 1: then later on he came across a woman from a 666 00:40:00,360 --> 00:40:05,920 Speaker 1: different study entirely named Elizabeth. And here's the thing. This 667 00:40:06,000 --> 00:40:10,680 Speaker 1: is nuts man. I he figured out Stromyer figured out 668 00:40:10,960 --> 00:40:16,359 Speaker 1: that if you took remember the three d um so 669 00:40:16,440 --> 00:40:20,319 Speaker 1: in the color Blind episode, Yeah, the magic image or 670 00:40:20,320 --> 00:40:23,040 Speaker 1: whatever where you could see the sailboat and the big 671 00:40:23,120 --> 00:40:25,640 Speaker 1: thing of dots. Right, So this thing was it didn't 672 00:40:25,680 --> 00:40:27,359 Speaker 1: have to do with color. It had to do with 673 00:40:27,440 --> 00:40:30,440 Speaker 1: overlaying the dots to create a three D image. So 674 00:40:30,520 --> 00:40:32,879 Speaker 1: you need two sets of dots and when you put 675 00:40:32,920 --> 00:40:35,520 Speaker 1: them together, they'll create like a magic I poster kind 676 00:40:35,520 --> 00:40:38,560 Speaker 1: of thing. So what Stroemyer figured out is you could 677 00:40:38,560 --> 00:40:42,319 Speaker 1: take these two layers and separate them. Show one of 678 00:40:42,360 --> 00:40:45,520 Speaker 1: the layers to somebody you're testing for photographic memories. They 679 00:40:45,560 --> 00:40:48,399 Speaker 1: really get a look at this. Okay, now I'm gonna 680 00:40:48,440 --> 00:40:51,719 Speaker 1: wait like a day, and then I'll show you the 681 00:40:51,760 --> 00:40:54,959 Speaker 1: second layer. Bring to mind that first layer you saw, 682 00:40:55,080 --> 00:40:58,319 Speaker 1: and overlay it in your mind, and see if you 683 00:40:58,320 --> 00:41:00,640 Speaker 1: can tell me what the three D images. That's amazing. 684 00:41:00,760 --> 00:41:04,120 Speaker 1: It is amazing. And stoe Meyer found one person who 685 00:41:04,160 --> 00:41:07,120 Speaker 1: could do it, a woman named Elizabeth, and he married her. 686 00:41:07,160 --> 00:41:08,759 Speaker 1: And he married her, and the weird thing is he 687 00:41:08,800 --> 00:41:10,840 Speaker 1: wrote like this whole though, this whole right up in 688 00:41:10,880 --> 00:41:13,680 Speaker 1: the journal Nature. Then he married her and no more 689 00:41:13,760 --> 00:41:18,359 Speaker 1: testing after that. So took her off the market every 690 00:41:18,360 --> 00:41:21,440 Speaker 1: way he did. But they so they're like, well, we can't, 691 00:41:21,640 --> 00:41:23,799 Speaker 1: we can't say that this is definitely a case of 692 00:41:23,800 --> 00:41:26,960 Speaker 1: photographic memory. If it were true, this would be the 693 00:41:27,040 --> 00:41:30,640 Speaker 1: closest thing to photographic memory. Anyone's ever come up with. Now, 694 00:41:30,719 --> 00:41:34,959 Speaker 1: Kim Pete holds the title, yet Elizabeth is just could 695 00:41:35,040 --> 00:41:40,919 Speaker 1: be the key, right could probably not though I saw 696 00:41:40,960 --> 00:41:43,640 Speaker 1: that in some follow up tests. This would explain why 697 00:41:43,640 --> 00:41:46,560 Speaker 1: he took her off the market. That, um, she couldn't 698 00:41:46,840 --> 00:41:50,359 Speaker 1: she she she couldn't do it. Really. Yeah, But then 699 00:41:50,360 --> 00:41:54,040 Speaker 1: this guy John Merritt, he came along later and used that, uh, 700 00:41:54,360 --> 00:41:56,799 Speaker 1: use those studies for his own purposes. He did. He 701 00:41:56,960 --> 00:42:00,359 Speaker 1: found that nobody could do this, that nobody is able 702 00:42:00,400 --> 00:42:02,799 Speaker 1: to do that. But they did figure out that, hey, 703 00:42:02,800 --> 00:42:07,040 Speaker 1: this makes a pretty good test to find um identic rs. Yeah, 704 00:42:07,360 --> 00:42:10,080 Speaker 1: because you don't. You don't show them one layer and 705 00:42:10,120 --> 00:42:12,360 Speaker 1: then take away the other layer and ask him a 706 00:42:12,440 --> 00:42:15,160 Speaker 1: day later. You show them one layer, ask him to 707 00:42:15,239 --> 00:42:17,200 Speaker 1: hold it in their mind, and then put the other 708 00:42:17,280 --> 00:42:20,120 Speaker 1: layer underneath it. And if you're an identic or, you 709 00:42:20,200 --> 00:42:22,640 Speaker 1: are typically able to see in three D and you 710 00:42:22,680 --> 00:42:26,440 Speaker 1: can go do this online. Actually, just don't blink, don't blink, 711 00:42:26,480 --> 00:42:28,279 Speaker 1: and don't say what it is you're looking at, like 712 00:42:28,320 --> 00:42:31,680 Speaker 1: Michael Caine always says, Oh, I've never heard him say that, 713 00:42:31,760 --> 00:42:34,200 Speaker 1: And that was one of he did these kind of 714 00:42:34,239 --> 00:42:37,400 Speaker 1: corny how to active video series I think at one 715 00:42:37,440 --> 00:42:40,320 Speaker 1: point and Letterman used to play bits of them because 716 00:42:40,360 --> 00:42:42,600 Speaker 1: they were really funny. If one of them was the 717 00:42:42,680 --> 00:42:46,200 Speaker 1: secret to great acting don't blink? Was was he trying 718 00:42:46,200 --> 00:42:49,560 Speaker 1: to be funny? The Letterman would played for laughs, don't 719 00:42:49,560 --> 00:42:51,520 Speaker 1: blink and he would say he would show you know 720 00:42:51,600 --> 00:42:53,920 Speaker 1: scenes and he's like, look at me, I'm not blinking, 721 00:42:55,200 --> 00:42:57,360 Speaker 1: And then Letterman would say don't blink like out of 722 00:42:57,360 --> 00:42:59,760 Speaker 1: the blue fifty times the rest of the song. Probably 723 00:43:00,160 --> 00:43:03,600 Speaker 1: love that guy. Yeah, ah, you got anything else, No, sir, 724 00:43:04,239 --> 00:43:07,839 Speaker 1: I've got one more lex Luthor. But he supposedly had 725 00:43:07,880 --> 00:43:13,799 Speaker 1: photographic memory. He's not real, Wellogh all the more likely 726 00:43:13,840 --> 00:43:16,040 Speaker 1: that he had photographic memory. Well, if you want to 727 00:43:16,040 --> 00:43:19,160 Speaker 1: know more about photographic memory, go take that Ideker test. 728 00:43:20,000 --> 00:43:22,920 Speaker 1: You'll love it. The Mr T thing is just back 729 00:43:22,960 --> 00:43:26,400 Speaker 1: to the podcast. Maybe I pity the fool that tripped 730 00:43:26,400 --> 00:43:32,759 Speaker 1: me on fifty seven Street on July. Well, Chuck made 731 00:43:32,800 --> 00:43:35,480 Speaker 1: a Mr. T reference, which means then it's time for listening. 732 00:43:35,560 --> 00:43:42,080 Speaker 1: Maw uh. This is I think just some some warm gratitudes. 733 00:43:43,160 --> 00:43:44,920 Speaker 1: Hey guys, I'm sure you get these emails all the time, 734 00:43:44,960 --> 00:43:46,360 Speaker 1: but I'd be remiss if I didn't thank you for 735 00:43:46,400 --> 00:43:48,640 Speaker 1: all your wonderful work, had a really tough time with 736 00:43:48,680 --> 00:43:50,520 Speaker 1: mental illness, and there have been a lot of nights 737 00:43:50,960 --> 00:43:53,720 Speaker 1: that your wonderful show is staved off panic attacks or worse. 738 00:43:54,200 --> 00:43:56,319 Speaker 1: Thank you for keeping me calm and educated. Thank you 739 00:43:56,360 --> 00:43:59,359 Speaker 1: for making me feel safe even in perilelus circumstances. Thank 740 00:43:59,360 --> 00:44:01,600 Speaker 1: you for giving me something to talk about when my 741 00:44:01,680 --> 00:44:04,040 Speaker 1: depression has kept me in a fog Without your massive 742 00:44:04,080 --> 00:44:07,480 Speaker 1: backlog up seemingly endless supply of fresh, fascinating subjects that 743 00:44:07,480 --> 00:44:10,400 Speaker 1: would surely be lost. Spent some time researching that can 744 00:44:10,640 --> 00:44:13,759 Speaker 1: truly appreciate just how much time and energy goes into 745 00:44:13,800 --> 00:44:16,800 Speaker 1: becoming familiar enough with something to explain it as succinctly 746 00:44:16,840 --> 00:44:19,680 Speaker 1: as you guys do. You are superheroes and rock stars. 747 00:44:20,440 --> 00:44:24,279 Speaker 1: You have truly saved me. Kindest and warmest regards, Georgia. 748 00:44:24,800 --> 00:44:28,120 Speaker 1: And here's the thing, everyone, I may have read this before, 749 00:44:29,000 --> 00:44:32,480 Speaker 1: but let's leave it in there, because if I did 750 00:44:32,480 --> 00:44:35,600 Speaker 1: read this before and forgot it, it will have been 751 00:44:35,640 --> 00:44:38,239 Speaker 1: within the last six or seven weeks, and it will 752 00:44:38,280 --> 00:44:42,000 Speaker 1: be a very funny ending to the memory episode either way. 753 00:44:42,360 --> 00:44:45,719 Speaker 1: The listener mails, so nice, you read it twice. Yeah, 754 00:44:45,840 --> 00:44:49,399 Speaker 1: that's appropriate. Uh, well, thanks a lot Georgia two times over. 755 00:44:49,520 --> 00:44:52,799 Speaker 1: Maybe thank you Chuck for that great ending. If you 756 00:44:52,840 --> 00:44:54,360 Speaker 1: want to get in touch with this, you can go 757 00:44:54,400 --> 00:44:56,319 Speaker 1: on to stuff you Should Know dot com, check out 758 00:44:56,320 --> 00:44:58,759 Speaker 1: our social links, and you can also send us an 759 00:44:58,760 --> 00:45:05,960 Speaker 1: email to podcasts at i heeart radio dot com. Stuff 760 00:45:06,000 --> 00:45:07,840 Speaker 1: you Should Know is a production of i Heeart Radio's 761 00:45:07,840 --> 00:45:10,399 Speaker 1: How Stuff Works. For more podcasts for my heart Radio, 762 00:45:10,520 --> 00:45:13,160 Speaker 1: visit the iHeart Radio app, Apple Podcasts, or wherever you 763 00:45:13,200 --> 00:45:17,520 Speaker 1: listen to your favorite shows. H