WEBVTT - Plan B (2021) with Danielle Bezalel

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<v Speaker 1>Attention Bechdel Cast listeners a WUGA. We are doing a

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<v Speaker 1>live show in Los Angeles, plus it's being live streamed

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<v Speaker 1>to everywhere in the world on March second, seven thirty pm.

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<v Speaker 1>For the in person show in LA it is at

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<v Speaker 1>Dynasty Typewriter or on your Internet and it's a Bechdel

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<v Speaker 1>Cast celebration.

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<v Speaker 2>Yes, we are super, super excited. We've wanted to do

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<v Speaker 2>this show for a long time. We will be having

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<v Speaker 2>a few secret guests that we'll be announcing a little

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<v Speaker 2>closer to the show, but some of your favorite guests

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<v Speaker 2>from the show are going to be there. This is

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<v Speaker 2>also happening on Oscars Night, so it'll be at seven

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<v Speaker 2>thirty Pacific, which will be basically right after the Oscars ends.

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<v Speaker 2>So if you're in the area or if you want

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<v Speaker 2>to get a live stream ticket, it's a great chance

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<v Speaker 2>to have you know your Oscar's post mortem. We will

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<v Speaker 2>be there in our substance costplay giving our hottest, spiciest

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<v Speaker 2>takes possible, so we hope to see you there if

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<v Speaker 2>you're there in person. There's also exclusive merch, especially if

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<v Speaker 2>you are a member of our Matreon. Yeah, and all

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<v Speaker 2>proceeds from the show are going to be to victims

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<v Speaker 2>of the LA fires, specifically families in Alta Dina.

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<v Speaker 1>Indeed, so grab tickets either for the in person LA

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<v Speaker 1>Show on March second or the live stream show which

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<v Speaker 1>if you cannot see the live stream as it's happening,

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<v Speaker 1>if you get a live stream ticket, you'll still have

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<v Speaker 1>access for one week after and you'll be able to

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<v Speaker 1>watch it at your leisure for that week. And tickets

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<v Speaker 1>for both the in person show and the live stream

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<v Speaker 1>are on our link tree link tree slash Bechtel Cast.

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<v Speaker 1>We will see you there, see you there, Enjoy the episode.

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<v Speaker 2>On the Bechda Cast. The questions ask if movies have

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<v Speaker 2>women and them are all their discussions just boyfriends and husbands?

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<v Speaker 2>Or do they have individualism? It's the patriarchy zeffim vast

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<v Speaker 2>start changing with the Bechdel Cast.

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<v Speaker 1>Hey Jamie, Hey Caitln, do you wanna drive in my

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<v Speaker 1>mom's minivan three and a half hours away so that

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<v Speaker 1>I can get access to important reproductive healthcare.

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<v Speaker 2>Sounds like a fun ramp to me. Let's go. Let's go.

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<v Speaker 2>Wow perfect intro, no notes. Welcome to the Bechtel Cast.

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<v Speaker 2>My name is Jamie Loftis.

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<v Speaker 1>My name is Caylin Durante. This is our podcast where

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<v Speaker 1>we examine movies through an intersectional feminist lens, using the

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<v Speaker 1>Bechdel test simply as a jumping off point. Today is

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<v Speaker 1>a special episode for me at least. Yes, So we're

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<v Speaker 1>talking about the movie Plan B, the one from twenty

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<v Speaker 1>twenty one, because as I was searching Plan B, there

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<v Speaker 1>are so many movies with that title. Yes, this is

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<v Speaker 1>the twenty twenty one Plan B. I think a Hulu

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<v Speaker 1>original film.

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<v Speaker 2>It is, which is very funny because I bundle my

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<v Speaker 2>Hulu with my Disney Plus and so you can see

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<v Speaker 2>a pierced dick on Disney Plus. Pretty cool, pretty awesome.

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<v Speaker 1>I have a lot of thoughts about that scene, but

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<v Speaker 1>we'll get there.

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<v Speaker 2>I do too, So this is.

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<v Speaker 1>The movie about teens trying to get access to the

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<v Speaker 1>morning after pill. Now the reason we're doing this movie,

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<v Speaker 1>and we'll get into it in a moment. But I

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<v Speaker 1>if you're listening to this, I guess just when it

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<v Speaker 1>comes out or afterward. I have just gotten a hysterectomy,

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<v Speaker 1>so I'll provide some more information about that. But I

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<v Speaker 1>wanted to cover a movie about trying to get access

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<v Speaker 1>to reproductive healthcare to line up with me getting a hysterectomy.

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<v Speaker 1>So this is the Plan B episode and here to

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<v Speaker 1>talk with us about the movie. Is a sex educator,

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<v Speaker 1>pleasure expert, and rom com critic. She's also the host

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<v Speaker 1>of the podcast sex Ed with DP.

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<v Speaker 2>Actually the perfect guests for this.

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<v Speaker 1>I mean, hello, Yeah. This podcast has a series entitled

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<v Speaker 1>rom Com Bomb where they go under the covers with

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<v Speaker 1>a beloved rom com strip away it's hidden toxic messages

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<v Speaker 1>and then rewrite the script on love and sex. Our

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<v Speaker 1>guest is Danielle Bezilel.

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<v Speaker 3>Welcome, Hello, Thank you so much for having me. I

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<v Speaker 3>am absolutely thrilled to be here to talk about my

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<v Speaker 3>favorite things, which are sex education, emergency, contraception, and feminism.

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<v Speaker 2>Yay, let's go, let's go.

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<v Speaker 1>What is your relationship with this movie?

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<v Speaker 3>I really love this film. I saw it for the

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<v Speaker 3>first time last year. It had come up on my

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<v Speaker 3>kind of homepage on Hulu as the algorithm knows what

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<v Speaker 3>we like a few times, and I was just very

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<v Speaker 3>excited to get into it, to get cracking. And I

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<v Speaker 3>think overall it's fantastic. Really enjoy many parts of it.

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<v Speaker 3>I think the script is very funny. I really enjoy

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<v Speaker 3>the realisticness of high schoolers trying to figure it all

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<v Speaker 3>out and just trying to get access to their reproductive

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<v Speaker 3>rights that they deserve. And we also at SEXI with

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<v Speaker 3>dB had on the actress kouhou Verma, who plays Sonny

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<v Speaker 3>on an episode to talk about sex scenes and the

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<v Speaker 3>way in which that minorities interact with their parents and

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<v Speaker 3>around sexual identity and culture. And it's a very rich episode.

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<v Speaker 3>So yeah, I really enjoy this film and can't wait.

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<v Speaker 2>To talk about it today.

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<v Speaker 1>Awesome, that's so cool that you had her on your show.

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<v Speaker 3>Yeah, she's very funny, very talented, and incredible singer. I

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<v Speaker 3>don't know if you remember. There's a really a bos

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<v Speaker 3>scene where she's singing in the car and I'm like, okay,

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<v Speaker 3>all the phone. I need to get more information on that,

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<v Speaker 3>and then learn that she is a trained singer and

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<v Speaker 3>I've seen some of her clips and she's incredibly talented.

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<v Speaker 2>No big deal.

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<v Speaker 1>Yeah, Jamie, what's your relationship with the movie.

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<v Speaker 2>I had not seen this movie before, but I am

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<v Speaker 2>a longtime fan of the director of this movie, Natalie Morales,

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<v Speaker 2>who started as an actor. I believe this is her

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<v Speaker 2>first directorial project. I could be wrong about that, but yeah,

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<v Speaker 2>I think she's super talented.

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<v Speaker 1>You know.

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<v Speaker 2>I have my thoughts on the movie, which we will

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<v Speaker 2>talk about, but yeah, I enjoyed the movie a lot.

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<v Speaker 2>I know that we covered Gosh a year or two

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<v Speaker 2>ago Unpregnant, which came out around the same time and

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<v Speaker 2>has a similar theme, but I think this one took

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<v Speaker 2>the cake for me. We'll talk about it, but in general,

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<v Speaker 2>you know, and I know, Danielle, like you are the

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<v Speaker 2>expert on this, Like, even though there are parts of

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<v Speaker 2>it that were imperfect for me, I just am glad

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<v Speaker 2>that this genre of movie exists and that it you know,

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<v Speaker 2>the creative control is being put into the hands of

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<v Speaker 2>people with uteruses, and creatives with uteruses. Who are you know,

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<v Speaker 2>just starting the conversation. So yeah, I laughed, I cried.

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<v Speaker 1>I like both.

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<v Speaker 2>There were some moments where I was like, the comedy's

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<v Speaker 2>getting a little too broad for me, and I would

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<v Speaker 2>just start to check out, and then something really sweet

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<v Speaker 2>and beautiful would happen, and then I would be like

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<v Speaker 2>locked back in. What was her history with this Caitlin?

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<v Speaker 1>I had not seen it before, and in fact I

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<v Speaker 1>picked it before. I was like, this is the movie

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<v Speaker 1>that I'm going to have like line up with my

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<v Speaker 1>hysterectomy experience before even watching it, because I knew that

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<v Speaker 1>it was tonally light, which is something that I wanted,

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<v Speaker 1>and that it was about people with uteruses trying to

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<v Speaker 1>exercise autonomy over their bodies and their reproductive health, and

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<v Speaker 1>since that has been my journey with trying to get

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<v Speaker 1>a hysterectomy, I was like, Okay, thematically similar enough, because

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<v Speaker 1>the thing about movies about hysterectomies is that they don't

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<v Speaker 1>exist except for Okay. I was like googling this. There

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<v Speaker 1>are a couple, but they're either like TV movies that

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<v Speaker 1>you've never heard of and can't access, or I think

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<v Speaker 1>there might be a documentary about it. Anyway, I did

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<v Speaker 1>come across a nineteen ninety six TV movie entitled Maternal Instincts,

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<v Speaker 1>in which, and I quote, oh no, a pregnant doctor's

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<v Speaker 1>life is made hell by the deranged patient to whom

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<v Speaker 1>she gave a hysterectomy without the patient's consent.

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<v Speaker 2>The histeror is doing a lot of heavy lifting in

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<v Speaker 2>that description. Yeah, she's Louise.

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<v Speaker 1>So I was like, maybe not the vibe I'm going for,

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<v Speaker 1>So yeah, I just decided to go with Plan B.

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<v Speaker 1>It was a movie I wanted to watch. Anyway, We've

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<v Speaker 1>gotten a number of requests for it, so that's why

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<v Speaker 1>we're covering it. But yeah, I just wanted to talk

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<v Speaker 1>a little bit more about this experience of me trying

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<v Speaker 1>to get a history direct to me. One, I want

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<v Speaker 1>to normalize a discussion like this, and two it's been

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<v Speaker 1>a very frustrating several decades. Also, if you don't know

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<v Speaker 1>what a hysterectomy is, because I've discovered recently after telling

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<v Speaker 1>a number of people I'm getting a hysterectomy soon, people

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<v Speaker 1>are like, what's that.

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<v Speaker 2>I honestly, before you started talking about it with me,

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<v Speaker 2>I misunderstood what the procedure actually was because it's not

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<v Speaker 2>I mean, so much sex ed is so prescriptive aggressively

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<v Speaker 2>so but yeah, the idea of choice barely ever comes.

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<v Speaker 1>Up for sure, So uh, what it is is that

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<v Speaker 1>I am having my uterus removed. A hystectomy also might

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<v Speaker 1>involve removal of the ovaries. I'm hoping that that doesn't

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<v Speaker 1>happen because that will mean that I would go into

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<v Speaker 1>immediate menopause. It will mean a significant shift to like

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<v Speaker 1>my hormones and stuff like that, so I'm hoping they're

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<v Speaker 1>able to leave my ovaries. It'll depend on how riddled

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<v Speaker 1>with endometriosis all of those organs are. So this is

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<v Speaker 1>why I'm having the hysterectomy. I have dealt with horrible,

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<v Speaker 1>horrible period pain ever since I started having periods when

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<v Speaker 1>I was twelve years old. It is probably due to endometriosis,

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<v Speaker 1>although I don't have an official diagnosis of that because.

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<v Speaker 2>Those are so hard to get.

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<v Speaker 1>Yeah, because you know, medical science doesn't give a shit

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<v Speaker 1>about people with uteruses. And to be clear, we're using

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<v Speaker 1>that phrase of people with uteruses on this episode because

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<v Speaker 1>people will commonly talk about things like access to birth control,

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<v Speaker 1>access to abortion, access to a hysterectomy as something that

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<v Speaker 1>women get. But not all women were born with uteruses.

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<v Speaker 1>Not all people who have a uterus and who might

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<v Speaker 1>be trying to get birth control or a hysterectomy or

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<v Speaker 1>access to abortion or whatever are women. Obviously, we're not

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<v Speaker 1>trying to reduce anyone to their body parts more or that.

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<v Speaker 1>We just want to acknowledge the pretty cisnormative way that people,

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<v Speaker 1>including a lot of medical professionals, talk about who has

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<v Speaker 1>a uterus, who needs access to reproductive health care all

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<v Speaker 1>of that. But anyway, So, I have wanted to get

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<v Speaker 1>a hysterectomy basically ever since I started having periods, and

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<v Speaker 1>I've been asking doctors about it since probably my twenties.

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<v Speaker 1>One because I want to eliminate this pain, and two

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<v Speaker 1>because I famously do not want to have children and

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<v Speaker 1>therefore do not need a uterus for any reason. So

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<v Speaker 1>I was asking doctors about this and being like, is

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<v Speaker 1>this an option for me? I have this horrible pain?

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<v Speaker 1>And I got nothing but pushback from every doctor I

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<v Speaker 1>talked to. They said it wasn't medically necessary for me

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<v Speaker 1>to have a hysterectomy, despite the excruciating pain that I

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<v Speaker 1>would describe to them.

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<v Speaker 3>It's like, what is medically necessary?

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<v Speaker 1>Then?

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<v Speaker 3>If I'm telling you that this is an absolute trash

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<v Speaker 3>experience makes me so mad. I'm so sorry that you

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<v Speaker 3>went through.

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<v Speaker 2>That and for so long too. Where I mean, I

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<v Speaker 2>know we've talked about this, and you've talked about this

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<v Speaker 2>on the show before, but how there is like I think,

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<v Speaker 2>a false narrative about like we've come so far and

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<v Speaker 2>it's like, well, no, You've been having the same conversation

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<v Speaker 2>with doctors for literally decades and HM, again, it's just

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<v Speaker 2>like there's a lack of choice, definitely.

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<v Speaker 1>So I would be like, well, I think I probably

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<v Speaker 1>have endometriosis because my mom, both of her sisters, their

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<v Speaker 1>mother all had to have hysterectomies because of endometriosis. So

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<v Speaker 1>I'm like, it's probably the thing with me too. But

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<v Speaker 1>I would talk to doctors about this and they'd be like, well,

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<v Speaker 1>who knows if you have that, because it's really hard

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<v Speaker 1>to diagnose, and then they would just leave it at

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<v Speaker 1>that and like not try to diagnose it or anything

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<v Speaker 1>like that. So I would get pushed back about that,

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<v Speaker 1>or they would say like, well, you'll change your mind

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<v Speaker 1>about not wanting to have children, you know, all that classics.

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<v Speaker 1>That is until I went to a doctor recently who

0:13:04.000 --> 0:13:07.560
<v Speaker 1>said that a hysterectomy is on the table for me. Again,

0:13:07.600 --> 0:13:10.520
<v Speaker 1>I still don't have an official diagnosis of endometriosis. They

0:13:10.520 --> 0:13:14.640
<v Speaker 1>are just believing me about the pain I experience, and

0:13:14.679 --> 0:13:16.920
<v Speaker 1>they're believing me about not wanting to have kids. I

0:13:16.960 --> 0:13:19.800
<v Speaker 1>think it helps that I have already gotten my tubes tied,

0:13:20.240 --> 0:13:22.520
<v Speaker 1>which is a procedure I had done three years ago.

0:13:23.040 --> 0:13:26.640
<v Speaker 1>I think that is sufficient proof for them that I

0:13:26.679 --> 0:13:30.000
<v Speaker 1>don't want to have children, so they're like, yes, let's

0:13:30.040 --> 0:13:32.840
<v Speaker 1>do the hysterectomy. So at the time of this recording,

0:13:32.920 --> 0:13:36.040
<v Speaker 1>it has not happened yet by the time you're listening

0:13:36.040 --> 0:13:40.080
<v Speaker 1>to this, it will have happened on February twelfth. So

0:13:40.880 --> 0:13:43.080
<v Speaker 1>that's why, again, I wanted to pick a movie to

0:13:43.160 --> 0:13:48.360
<v Speaker 1>line up with the just theme of a story about

0:13:48.440 --> 0:13:51.640
<v Speaker 1>a person with a uterus who is trying to and

0:13:51.720 --> 0:13:56.280
<v Speaker 1>it is eventually able to exercise autonomy over their reproductive health.

0:13:56.800 --> 0:14:00.400
<v Speaker 1>And again, I wanted it to be tonally light and

0:14:00.600 --> 0:14:04.079
<v Speaker 1>fun because I wanted to like kind of reflect how

0:14:04.160 --> 0:14:06.400
<v Speaker 1>I feel about having this surgery. I know that a

0:14:06.400 --> 0:14:10.080
<v Speaker 1>lot of people who get a hysterectomy do not necessarily

0:14:10.320 --> 0:14:13.600
<v Speaker 1>feel the like joy and validation that I feel about it,

0:14:13.640 --> 0:14:16.280
<v Speaker 1>and I fully recognize that, but for me, this is

0:14:16.280 --> 0:14:19.440
<v Speaker 1>like a very validating thing. This is exactly what I've

0:14:19.520 --> 0:14:22.800
<v Speaker 1>like always wanted. So I wanted to cover a movie

0:14:22.800 --> 0:14:24.840
<v Speaker 1>that's like light and cathartic.

0:14:25.280 --> 0:14:27.280
<v Speaker 3>I also sorry, I just want to say, like, go

0:14:27.520 --> 0:14:30.480
<v Speaker 3>you for like saying this in the public, Like this

0:14:30.680 --> 0:14:33.840
<v Speaker 3>can be, you know, similar to periods. I feel like

0:14:33.880 --> 0:14:37.040
<v Speaker 3>as a sex educator, I'm constantly talking to people about

0:14:37.080 --> 0:14:39.720
<v Speaker 3>how they feel so much shame around their periods and

0:14:39.760 --> 0:14:43.200
<v Speaker 3>around anything having to do with their reproductive health and

0:14:43.240 --> 0:14:46.080
<v Speaker 3>their sexual health. And I just think good on you

0:14:46.160 --> 0:14:49.320
<v Speaker 3>for like being open and honest and transparent about what

0:14:49.400 --> 0:14:52.400
<v Speaker 3>you're going through, because I just feel like people are

0:14:52.440 --> 0:14:54.680
<v Speaker 3>going through similar things and it might be an isolating

0:14:54.720 --> 0:14:57.280
<v Speaker 3>experience for people, and so I feel like the way

0:14:57.320 --> 0:15:01.120
<v Speaker 3>that we combat stigma and shame is through educ and information.

0:15:01.280 --> 0:15:02.160
<v Speaker 3>So that's what you're doing.

0:15:02.760 --> 0:15:08.120
<v Speaker 1>Yay, Hey yeah, Lit Kay kay, Lit, Wow, I'm a hero, brave.

0:15:08.600 --> 0:15:11.000
<v Speaker 2>No, But I mean it's even outside of reproductive rights

0:15:11.000 --> 0:15:14.880
<v Speaker 2>you've been talking about just difficulty accessing basic procedures you need,

0:15:14.920 --> 0:15:16.680
<v Speaker 2>going back to the sludge era.

0:15:17.200 --> 0:15:17.760
<v Speaker 1>Oh my gosh.

0:15:17.840 --> 0:15:18.080
<v Speaker 3>Yeah.

0:15:18.120 --> 0:15:21.000
<v Speaker 1>So for any listeners who don't know about sludge, if

0:15:21.000 --> 0:15:27.920
<v Speaker 1>you're new here, If you're new here, sludge refers to wow,

0:15:27.960 --> 0:15:29.840
<v Speaker 1>this is like six years ago now, because this happened

0:15:29.840 --> 0:15:33.680
<v Speaker 1>in twenty nineteen where I had a gall bladder attack

0:15:34.680 --> 0:15:38.920
<v Speaker 1>and was discovered to have quote unquote sludge in my

0:15:39.160 --> 0:15:45.520
<v Speaker 1>gall bladder. Medical medical sludge yes, actually weirdly a scientific

0:15:45.640 --> 0:15:48.960
<v Speaker 1>medical term. I would come to find out bone chilling,

0:15:49.080 --> 0:15:53.080
<v Speaker 1>and I had to have my gall bladder removed. So

0:15:53.120 --> 0:15:56.560
<v Speaker 1>this is not my third pretty major surgery between gallbladder removal,

0:15:56.840 --> 0:16:00.840
<v Speaker 1>tube tying, and now hysterectomy. So I'm a season and veteran.

0:16:01.760 --> 0:16:05.440
<v Speaker 1>But the gallbladder thing was, I had like very bad

0:16:05.480 --> 0:16:08.480
<v Speaker 1>insurance at the time. I had to drum through so

0:16:08.600 --> 0:16:12.600
<v Speaker 1>many hoops just to get access to a very simple

0:16:12.600 --> 0:16:16.400
<v Speaker 1>procedure that's like quite common. It took months and months

0:16:16.440 --> 0:16:19.760
<v Speaker 1>and months of appointments and referrals and dead ends and

0:16:19.840 --> 0:16:22.480
<v Speaker 1>all kinds of nonsense. Where what should have happened is

0:16:22.480 --> 0:16:24.440
<v Speaker 1>when I went to the er with like, you know,

0:16:24.640 --> 0:16:29.520
<v Speaker 1>cruciating gallbladder pain. You know, in a country with socialized medicine,

0:16:30.000 --> 0:16:32.320
<v Speaker 1>they would have been like, oh, yeah, this is what's wrong.

0:16:32.640 --> 0:16:34.640
<v Speaker 1>Here's your surgery the next day.

0:16:35.200 --> 0:16:38.080
<v Speaker 2>It's also worth mentioning even places with socialized medicine like

0:16:38.160 --> 0:16:41.600
<v Speaker 2>access can still be an issue even if financial isn't

0:16:41.720 --> 0:16:43.920
<v Speaker 2>you know, if if the problem isn't finance, sometimes it's

0:16:43.960 --> 0:16:48.160
<v Speaker 2>just doctors being gender prescriptive and making assumptions about your

0:16:48.160 --> 0:16:48.760
<v Speaker 2>body too.

0:16:48.840 --> 0:16:54.960
<v Speaker 1>It's just definitely yeah, yeah, So I've been having difficulty

0:16:55.680 --> 0:17:01.400
<v Speaker 1>accessing health care for years now, but now my uterus

0:17:01.440 --> 0:17:05.680
<v Speaker 1>sludge aka presumed endometriosis.

0:17:05.840 --> 0:17:09.000
<v Speaker 2>Unfortunately, I feel like so many Daniel, I'm curious what

0:17:09.040 --> 0:17:13.480
<v Speaker 2>your experiences of this, Like, I only learned what endometriosis

0:17:13.560 --> 0:17:16.439
<v Speaker 2>was when I was having tremendous pain myself and was

0:17:16.480 --> 0:17:18.840
<v Speaker 2>trying to figure out and think, I mean, I didn't

0:17:18.840 --> 0:17:22.680
<v Speaker 2>have endometriosis. I had a horrific uti but the urgent

0:17:22.720 --> 0:17:25.399
<v Speaker 2>care I went to was not listening to me, and

0:17:25.440 --> 0:17:27.600
<v Speaker 2>so I was just in the internet trench as being like,

0:17:27.680 --> 0:17:31.880
<v Speaker 2>what could this be? But I'd never heard endometriosis discussed

0:17:32.280 --> 0:17:34.520
<v Speaker 2>in any space as I'd been in. I think because

0:17:34.560 --> 0:17:37.399
<v Speaker 2>of the shame stigma, and I got very poor sex ed.

0:17:38.160 --> 0:17:41.320
<v Speaker 3>Yeah, that makes a lot of sense to me based

0:17:41.359 --> 0:17:44.679
<v Speaker 3>on how terrible our sex that is, how unlikely we

0:17:44.760 --> 0:17:47.280
<v Speaker 3>are to listen to women and people with uterus in

0:17:47.280 --> 0:17:51.440
<v Speaker 3>particular when they're talking about pain. The average time it takes,

0:17:51.640 --> 0:17:53.760
<v Speaker 3>and this is a huge range to receive an accurate

0:17:53.760 --> 0:17:57.640
<v Speaker 3>diagnosis of endometriosis between four and eleven years. I've heard

0:17:58.080 --> 0:17:59.600
<v Speaker 3>you know within that it's kind of like an eight

0:17:59.680 --> 0:18:05.280
<v Speaker 3>year diagnosis journey, And yeah, that is a multi layered

0:18:05.480 --> 0:18:09.080
<v Speaker 3>issue as to why that's happening. I feel like, you

0:18:09.119 --> 0:18:12.360
<v Speaker 3>know it's just one of the many conditions reproductive health

0:18:12.400 --> 0:18:15.959
<v Speaker 3>conditions that aren't talked about enough. Doctors aren't trained on

0:18:16.040 --> 0:18:20.119
<v Speaker 3>how to diagnose it, and doctors are also less likely

0:18:20.200 --> 0:18:23.359
<v Speaker 3>to listen and pay attention to women and people with

0:18:23.480 --> 0:18:26.320
<v Speaker 3>uterus is pain and so like that. You know, then

0:18:26.400 --> 0:18:29.000
<v Speaker 3>you're talking about like all the other kind of intersectional

0:18:29.080 --> 0:18:31.400
<v Speaker 3>feminist lenses that we're going to go through. I'm sure

0:18:31.400 --> 0:18:34.399
<v Speaker 3>in this episode of like you know, bipop folks are

0:18:34.480 --> 0:18:38.399
<v Speaker 3>less likely to get diagnoses of reproductive chronic conditions, and

0:18:38.440 --> 0:18:41.359
<v Speaker 3>so yeah, I just think it's it's a multi layered

0:18:41.400 --> 0:18:42.240
<v Speaker 3>issue here.

0:18:43.040 --> 0:18:47.639
<v Speaker 1>For any listeners who don't know what endometriosis is, and Danielle,

0:18:47.760 --> 0:18:51.399
<v Speaker 1>feel free to fill inity blanks or anything that I

0:18:51.520 --> 0:18:56.360
<v Speaker 1>kind of have gotten wrong. But it's basically uterine tissue

0:18:56.560 --> 0:19:00.600
<v Speaker 1>like uterine lining that would normally grow inside the uterus

0:19:00.600 --> 0:19:03.960
<v Speaker 1>and then be shed during your period. Endometriosis is when

0:19:04.040 --> 0:19:09.399
<v Speaker 1>that grows outside of your uterus and like attaches itself

0:19:09.480 --> 0:19:12.680
<v Speaker 1>to like the exterior of the uterus or your ovaries

0:19:12.920 --> 0:19:16.360
<v Speaker 1>or other Like the doctor who is going through all

0:19:16.400 --> 0:19:19.080
<v Speaker 1>of the possible things that might happen during my surgery,

0:19:19.119 --> 0:19:23.320
<v Speaker 1>she's like, yeah, we find endometriosis sometimes on your appendix,

0:19:23.400 --> 0:19:27.000
<v Speaker 1>so we might give you an appendectomy. We find endometriosis

0:19:27.040 --> 0:19:31.560
<v Speaker 1>sometimes on your lower intestines. It might be on your

0:19:31.600 --> 0:19:34.639
<v Speaker 1>fallopian tubes. Like it can kind of grow anywhere in

0:19:34.640 --> 0:19:38.600
<v Speaker 1>that general region and it causes intense pain, or it

0:19:38.640 --> 0:19:42.600
<v Speaker 1>can especially during menstruation. At least that's been the case

0:19:42.760 --> 0:19:43.120
<v Speaker 1>for me.

0:19:43.720 --> 0:19:48.760
<v Speaker 3>Yes, totally. And the exact cause of endometriosis unknown, right, Like,

0:19:48.800 --> 0:19:54.199
<v Speaker 3>not enough money is going into research and scientific studies

0:19:54.359 --> 0:19:57.520
<v Speaker 3>for it. I hope that is beginning to change. But yeah,

0:19:57.560 --> 0:20:01.320
<v Speaker 3>the symptoms for folks can range and can be incredibly

0:20:01.960 --> 0:20:05.600
<v Speaker 3>painful and can even cause folks to not even be

0:20:05.680 --> 0:20:07.600
<v Speaker 3>able to like get up there in so much pain,

0:20:07.640 --> 0:20:10.040
<v Speaker 3>or they'll have to miss school or work or you know,

0:20:10.160 --> 0:20:13.200
<v Speaker 3>it's just it's just a really tough condition to have.

0:20:13.480 --> 0:20:16.159
<v Speaker 1>Yeah, I would have to miss school sometimes, especially when

0:20:16.200 --> 0:20:19.560
<v Speaker 1>I was a teen. So for many years I was

0:20:19.600 --> 0:20:23.119
<v Speaker 1>on some form of birth control that would curb the pain.

0:20:23.440 --> 0:20:25.280
<v Speaker 1>But I was like, I don't want to do that forever,

0:20:25.720 --> 0:20:29.399
<v Speaker 1>so heince Hys directed me. But yeah, when I was

0:20:29.480 --> 0:20:32.800
<v Speaker 1>a teenager, I would miss school routinely. If I did

0:20:32.840 --> 0:20:34.800
<v Speaker 1>go to school when I was on my period, I

0:20:34.840 --> 0:20:37.879
<v Speaker 1>would often like throw up because I was so sick

0:20:38.520 --> 0:20:40.440
<v Speaker 1>a feeling, and then I would have to be sent

0:20:40.520 --> 0:20:45.120
<v Speaker 1>home like it was, It's been a horrible, painful journey.

0:20:45.520 --> 0:20:48.400
<v Speaker 2>What's really we just to talk about the movie at

0:20:48.440 --> 0:20:51.320
<v Speaker 2>some point, I'm like, this is so interesting, though, I like,

0:20:51.640 --> 0:20:53.479
<v Speaker 2>I've been thinking about this a lot, especially with your

0:20:53.520 --> 0:20:56.959
<v Speaker 2>procedure coming up, Caitlin, of how much of this can

0:20:57.040 --> 0:21:00.760
<v Speaker 2>be sort of like generationally passed on as deal with it,

0:21:00.840 --> 0:21:05.560
<v Speaker 2>because when I was having really painful periods that luckily

0:21:05.560 --> 0:21:07.639
<v Speaker 2>for me, is sort of ebbed as I got older,

0:21:07.680 --> 0:21:09.680
<v Speaker 2>But I had really painful periods when I was young,

0:21:10.240 --> 0:21:13.680
<v Speaker 2>and I remember being told by like relatives with uteruses

0:21:13.760 --> 0:21:17.119
<v Speaker 2>and school nurses with uteruses like that's just sort of

0:21:17.160 --> 0:21:21.119
<v Speaker 2>what it is, and like do your homework, like and

0:21:21.119 --> 0:21:24.960
<v Speaker 2>then on the other end, I think about young boys,

0:21:24.960 --> 0:21:26.359
<v Speaker 2>which is the point about this movie I want to

0:21:26.359 --> 0:21:29.800
<v Speaker 2>talk about, you know, and I mean boys as people

0:21:29.880 --> 0:21:33.840
<v Speaker 2>with penises in this case. But how if you don't

0:21:33.840 --> 0:21:37.120
<v Speaker 2>have a uterus and you're listening to this episode, keep

0:21:37.200 --> 0:21:41.080
<v Speaker 2>listening because it's so important, Like because we're not educated

0:21:41.640 --> 0:21:44.080
<v Speaker 2>on each other's bodies. I feel like it just you know,

0:21:44.119 --> 0:21:47.000
<v Speaker 2>engenders this real It makes it really easy to not

0:21:47.080 --> 0:21:50.000
<v Speaker 2>empathize with people experiencing that pain because it's not treated

0:21:50.520 --> 0:21:54.520
<v Speaker 2>as valid societally, and it means that often your sexual partners,

0:21:54.840 --> 0:21:57.440
<v Speaker 2>Like I've had pain that I've described to sexual partners

0:21:57.560 --> 0:22:00.760
<v Speaker 2>who I don't think we're like not empathetic people, but

0:22:00.920 --> 0:22:03.159
<v Speaker 2>they just did not know what I was talking about,

0:22:03.400 --> 0:22:06.000
<v Speaker 2>and it makes it really, I don't know, like it.

0:22:06.119 --> 0:22:09.359
<v Speaker 2>It is difficult to have that conversation when you're you

0:22:09.440 --> 0:22:13.920
<v Speaker 2>have to educate someone while in tremendous pain like that

0:22:14.200 --> 0:22:16.720
<v Speaker 2>shouldn't be the two hander.

0:22:18.960 --> 0:22:21.120
<v Speaker 1>Well, shall we take a break and then we'll come

0:22:21.160 --> 0:22:22.560
<v Speaker 1>back and talk about the movie.

0:22:22.920 --> 0:22:23.679
<v Speaker 2>Let's do it.

0:22:33.320 --> 0:22:36.879
<v Speaker 1>And we're back. Thank you for indulging me as I

0:22:36.960 --> 0:22:42.480
<v Speaker 1>talked about my endometriosis and uterus and periods and pain

0:22:42.600 --> 0:22:44.560
<v Speaker 1>and all of that stuff. But again, we're trying to

0:22:44.600 --> 0:22:45.280
<v Speaker 1>normalize it.

0:22:45.400 --> 0:22:48.480
<v Speaker 3>Yes, anytime, please.

0:22:47.680 --> 0:22:50.840
<v Speaker 2>It's important. It's you gotta what does this show for it?

0:22:51.040 --> 0:22:53.359
<v Speaker 2>If not this exact purpose? True?

0:22:54.280 --> 0:22:59.040
<v Speaker 1>Okay, So the recap for Plan B twenty twenty one.

0:22:59.520 --> 0:23:04.800
<v Speaker 1>We meet two girls, Sonny played by Kuhuverma and Loope

0:23:05.160 --> 0:23:09.560
<v Speaker 1>played by Victoria Morales. They are best friends. Both live

0:23:09.800 --> 0:23:14.560
<v Speaker 1>with rather overbearing parents, Sonny with her mom, who expects

0:23:14.560 --> 0:23:17.480
<v Speaker 1>her to get perfect grades and to be very modest

0:23:17.520 --> 0:23:23.360
<v Speaker 1>and well behaved, and Loupe with her pastor father who

0:23:24.000 --> 0:23:30.600
<v Speaker 1>doesn't like her alt slash nos ring slash black lipstick aesthetic.

0:23:30.960 --> 0:23:37.639
<v Speaker 2>I wrote down this Christian hates hot topic. That's his

0:23:37.720 --> 0:23:40.520
<v Speaker 2>whole vibe, that is his vies. There's one store this

0:23:40.640 --> 0:23:42.240
<v Speaker 2>man hates. It is hot topic.

0:23:44.119 --> 0:23:48.080
<v Speaker 1>The girls head to school. Sonny tells Lupe that she

0:23:48.240 --> 0:23:52.800
<v Speaker 1>feels very behind sexually. Other teens at school are having

0:23:52.840 --> 0:23:56.800
<v Speaker 1>sex and she still hasn't had her first kiss. But

0:23:56.880 --> 0:23:58.720
<v Speaker 1>she does have a crush on a boy named Hunter

0:23:59.320 --> 0:24:04.879
<v Speaker 1>played by Michael Provost. But oh no, a mean popular

0:24:05.000 --> 0:24:09.480
<v Speaker 1>girl named Megan is flirting with Hunter, so Sonny is like,

0:24:09.520 --> 0:24:13.120
<v Speaker 1>oh no, how am I supposed to compete with that? Meanwhile,

0:24:13.200 --> 0:24:18.280
<v Speaker 1>Loupe has a boyfriend, or what we think is a

0:24:18.359 --> 0:24:22.199
<v Speaker 1>boy friend. Not to spoil anything, but there seems to

0:24:22.200 --> 0:24:25.000
<v Speaker 1>be a guy that she's been texting with named Logan,

0:24:25.480 --> 0:24:30.080
<v Speaker 1>although they haven't met yet I r L. We also

0:24:30.160 --> 0:24:33.960
<v Speaker 1>meet another classmate of theirs named Kyle played by Mason Cook,

0:24:34.280 --> 0:24:40.160
<v Speaker 1>who he's presented as being Likedweebye. He's a magician. He's

0:24:40.200 --> 0:24:41.960
<v Speaker 1>always talking about his church group.

0:24:42.280 --> 0:24:43.480
<v Speaker 2>He's a Christian magician.

0:24:43.720 --> 0:24:48.760
<v Speaker 3>Yeah, yes, so Chris Magic. I feel like that be

0:24:48.800 --> 0:24:50.160
<v Speaker 3>a cool altering girl.

0:24:50.880 --> 0:24:54.159
<v Speaker 1>I wonder if Chris Angel ever called himself that, Chris.

0:24:53.920 --> 0:24:59.359
<v Speaker 2>Ma He's Yeah, Kyle's what we call a bit of

0:24:59.400 --> 0:25:01.760
<v Speaker 2>a mind free Oh.

0:25:01.400 --> 0:25:05.560
<v Speaker 1>Wow, so true, so true. Okay, So we see all

0:25:05.600 --> 0:25:09.760
<v Speaker 1>the teens in sex ed class where their teacher Rachel

0:25:09.840 --> 0:25:12.760
<v Speaker 1>Dratch shows them a video that's.

0:25:12.640 --> 0:25:14.840
<v Speaker 3>Perfect casting, great casting.

0:25:15.000 --> 0:25:19.560
<v Speaker 1>Yes, the video is like promoting abstinence until marriage and

0:25:19.840 --> 0:25:24.399
<v Speaker 1>it's particularly slut shamy toward women. And Sonny and Hunter

0:25:24.560 --> 0:25:28.399
<v Speaker 1>start pointing out the sexist double standards of the video

0:25:28.560 --> 0:25:32.159
<v Speaker 1>and they're kind of vibing. And then after class, loope

0:25:32.880 --> 0:25:36.280
<v Speaker 1>wing woman's for Sonny and says, hey, Hunter, Sonny is

0:25:36.280 --> 0:25:40.679
<v Speaker 1>throwing a party tonight, which she isn't except now she is,

0:25:41.600 --> 0:25:44.360
<v Speaker 1>especially since Sonny's mom is out of town this weekend.

0:25:44.880 --> 0:25:49.200
<v Speaker 1>So we cut to the party. Eventually Hunter shows up

0:25:49.440 --> 0:25:52.760
<v Speaker 1>and he and Sonny are vibing some more. Then Sonny

0:25:52.800 --> 0:25:56.800
<v Speaker 1>gives herself a makeover after hearing that mean girl Megan

0:25:56.920 --> 0:25:58.919
<v Speaker 1>saying some very rude things about Sonny.

0:25:59.560 --> 0:26:03.520
<v Speaker 2>I really enjoyed the soundtrack to this movie. I feel

0:26:03.520 --> 0:26:05.840
<v Speaker 2>like when I was hearing it was just very early

0:26:05.880 --> 0:26:08.000
<v Speaker 2>twenty tens coded to me, where like when fuck the

0:26:08.040 --> 0:26:12.080
<v Speaker 2>Painoay is playing during a makeover sequence, You're just like, Yeah, this,

0:26:12.240 --> 0:26:16.120
<v Speaker 2>whoever this director was was really raging in like twenty

0:26:16.160 --> 0:26:18.440
<v Speaker 2>eleven for sure.

0:26:19.920 --> 0:26:24.320
<v Speaker 1>So she's feeling more confident now, although she sees Hunter

0:26:24.440 --> 0:26:28.280
<v Speaker 1>leave with Megan and she's like wow, wah. Then she

0:26:28.320 --> 0:26:31.960
<v Speaker 1>starts talking to Kyle the Magician, the Chris Magich, Chris

0:26:31.960 --> 0:26:35.960
<v Speaker 1>you will. They have a heart to heart and then

0:26:36.280 --> 0:26:38.639
<v Speaker 1>they have sex. And we'll go back to this scene

0:26:39.119 --> 0:26:43.560
<v Speaker 1>because there's there's some notes to discuss here around consent,

0:26:43.680 --> 0:26:48.520
<v Speaker 1>I would say, but we'll return to that they have sex. Kyle,

0:26:49.040 --> 0:26:52.960
<v Speaker 1>feeling guilty that he just had premarital sex, runs off,

0:26:53.680 --> 0:26:57.160
<v Speaker 1>and Sonny kind of reunites with Loupe. They pass out

0:26:57.160 --> 0:26:58.760
<v Speaker 1>on the couch and we cut to the next day.

0:26:59.320 --> 0:27:03.439
<v Speaker 1>Sonny tells Lupe that she had sex. Lupe assumes that

0:27:03.480 --> 0:27:07.359
<v Speaker 1>it was with Hunter, and for whatever reason, Sonny doesn't

0:27:07.440 --> 0:27:11.560
<v Speaker 1>correct her. Then she goes to p and the condom

0:27:11.680 --> 0:27:15.440
<v Speaker 1>she and Kyle used falls out of her vagina and

0:27:15.840 --> 0:27:19.119
<v Speaker 1>now she's worried she might be pregnant, since it was

0:27:19.119 --> 0:27:20.600
<v Speaker 1>like sitting there all night.

0:27:21.119 --> 0:27:23.400
<v Speaker 2>I had this thought where it's like she she does

0:27:23.480 --> 0:27:25.240
<v Speaker 2>think she might be pregnant, but she also thinks she

0:27:25.280 --> 0:27:28.440
<v Speaker 2>might be gregnant, which means that maybe the better name

0:27:28.440 --> 0:27:34.000
<v Speaker 2>for this movie would have been playing g there. So true,

0:27:34.520 --> 0:27:37.280
<v Speaker 2>but that's you know, mistakes are made in every production.

0:27:37.680 --> 0:27:40.119
<v Speaker 1>And it's really weird that that kid's name is Kyle

0:27:40.280 --> 0:27:42.160
<v Speaker 1>because his name should have been Greg.

0:27:42.560 --> 0:27:43.840
<v Speaker 2>He's very greg coated.

0:27:44.400 --> 0:27:47.400
<v Speaker 3>What am I missing something about this Greg? What's going on?

0:27:47.480 --> 0:27:51.199
<v Speaker 1>No, there's just a Sometimes people think that pregnancy is

0:27:51.240 --> 0:27:53.640
<v Speaker 1>called a pregnancy, but it's actually called a Gregnancy.

0:27:53.920 --> 0:27:56.960
<v Speaker 2>Actually, Danielle, I'm curious, like this actually is relevant to

0:27:57.080 --> 0:27:57.840
<v Speaker 2>your Alina study.

0:27:57.960 --> 0:27:59.520
<v Speaker 3>I'm following, I'm following.

0:28:00.240 --> 0:28:03.119
<v Speaker 2>Have you seen that? Okay, I'm not joking out. Have

0:28:03.240 --> 0:28:05.800
<v Speaker 2>you seen that viral video from it got at least

0:28:05.840 --> 0:28:12.240
<v Speaker 2>ten years ago that is composed of like Yahoo answers questions.

0:28:12.720 --> 0:28:13.840
<v Speaker 2>I mean, I feel like we should just send you

0:28:13.880 --> 0:28:18.000
<v Speaker 2>the video. But it's a list of questions about pregnancy

0:28:18.600 --> 0:28:23.080
<v Speaker 2>from mostly since men, and it is right.

0:28:23.200 --> 0:28:25.240
<v Speaker 3>I think I know there is a version, am I?

0:28:25.320 --> 0:28:28.639
<v Speaker 3>So it's two different I understand.

0:28:28.840 --> 0:28:32.840
<v Speaker 1>So is just a bunch of people misspelling the word

0:28:33.040 --> 0:28:35.800
<v Speaker 1>pregnant and then one of them is gregnant. So that

0:28:35.880 --> 0:28:38.080
<v Speaker 1>has just caught on, understood and.

0:28:38.080 --> 0:28:40.440
<v Speaker 2>Also just speaks to I think, like genuinely does speak

0:28:40.480 --> 0:28:42.920
<v Speaker 2>to the lack of sex education in the US, because

0:28:43.360 --> 0:28:46.240
<v Speaker 2>some of the questions are like when you have sex

0:28:46.320 --> 0:28:49.880
<v Speaker 2>with gregnant, does Penis touched the baby hit his head

0:28:50.280 --> 0:28:53.520
<v Speaker 2>like that kind of stuff where you're just like, oh,

0:28:53.720 --> 0:28:55.600
<v Speaker 2>open the schools. It's very open the schools.

0:28:55.720 --> 0:29:00.440
<v Speaker 3>Energy, Yeah, force you to sit down and learn some facts. Yes,

0:29:00.520 --> 0:29:02.960
<v Speaker 3>this is this is a big yeggs roney. No, I'm

0:29:02.960 --> 0:29:04.760
<v Speaker 3>gonna have to watch that. I have seen. On the

0:29:04.760 --> 0:29:07.520
<v Speaker 3>other hand, the song video where he's like, am I

0:29:07.720 --> 0:29:09.880
<v Speaker 3>pregnant or whatever it was?

0:29:10.160 --> 0:29:13.200
<v Speaker 2>Yeah, yeah, he's based on the same thing for sure.

0:29:13.240 --> 0:29:17.080
<v Speaker 1>For sure. Great, Okay, so she thinks she's pregnant, but

0:29:17.120 --> 0:29:20.040
<v Speaker 1>she also thinks she's pregnant, as you pointed out, Jamie

0:29:20.840 --> 0:29:23.680
<v Speaker 1>and Loupe is like, well, don't sweat it. We'll just

0:29:23.760 --> 0:29:26.800
<v Speaker 1>go to a pharmacy and get you a plan B pill.

0:29:27.920 --> 0:29:31.280
<v Speaker 1>They go to the pharmacy, but the pharmacist played by

0:29:31.440 --> 0:29:37.080
<v Speaker 1>Jay Chandras tekar Aka mister super Troopers refusal.

0:29:37.160 --> 0:29:40.880
<v Speaker 2>Oh okay, I was struggling. Okay, yep.

0:29:42.080 --> 0:29:47.160
<v Speaker 1>Yeah, he directed at least one, maybe multiple super Troopers movies,

0:29:47.200 --> 0:29:50.520
<v Speaker 1>and he also is one of the stars of those movies. Anyway,

0:29:50.520 --> 0:29:53.720
<v Speaker 1>he's a pharmacist and he refuses to sell them the

0:29:53.800 --> 0:29:56.800
<v Speaker 1>Plan B pill because they are in South Dakota, and

0:29:56.840 --> 0:30:02.160
<v Speaker 1>he invokes the conscience clause say that selling a minor

0:30:02.640 --> 0:30:05.960
<v Speaker 1>a Plan B pill goes against his moral beliefs.

0:30:05.760 --> 0:30:08.720
<v Speaker 2>A policy that I was not aware of. Really, Oh

0:30:08.760 --> 0:30:11.000
<v Speaker 2>my gosh, yeah, I don't know how I had never heard,

0:30:11.040 --> 0:30:13.200
<v Speaker 2>but like I fell down a rabbit hole after that,

0:30:13.240 --> 0:30:16.680
<v Speaker 2>because I mean, not surprising, but absurd.

0:30:16.680 --> 0:30:19.880
<v Speaker 1>Very absurd. And so because they're both I think seventeen,

0:30:20.120 --> 0:30:23.600
<v Speaker 1>or they're minors, so he has the quote unquote right

0:30:23.800 --> 0:30:25.800
<v Speaker 1>to invoke this clause.

0:30:26.000 --> 0:30:29.000
<v Speaker 2>He can decide what happens to their bodies. Yeah.

0:30:29.200 --> 0:30:32.600
<v Speaker 1>So that means and get ready for this poetry from

0:30:32.680 --> 0:30:36.880
<v Speaker 1>yours truly, it means that their Plan A to get

0:30:36.920 --> 0:30:39.280
<v Speaker 1>Plan B if the pharmacy doesn't work out. So their

0:30:39.360 --> 0:30:42.000
<v Speaker 1>Plan B is to get Plan B at Plan P

0:30:42.600 --> 0:30:44.560
<v Speaker 1>aka planned parenthood.

0:30:45.600 --> 0:30:48.400
<v Speaker 2>And somehow all of this ends up being planed G

0:30:49.640 --> 0:30:51.479
<v Speaker 2>just plan Greg Greg.

0:30:51.880 --> 0:30:57.440
<v Speaker 3>Oh, Greg, I'm like, I'm with you, okay.

0:30:57.520 --> 0:30:59.840
<v Speaker 1>So the point is they're trying to get to a

0:30:59.840 --> 0:31:03.240
<v Speaker 1>planned parenthood. The nearest one is like three hours away

0:31:03.400 --> 0:31:07.840
<v Speaker 1>in Rapid City, South Dakota. So they take Sonny's mom's

0:31:07.880 --> 0:31:12.600
<v Speaker 1>minivan and start driving to Rapid City. There is a

0:31:12.640 --> 0:31:17.560
<v Speaker 1>mishap with like road construction and GPS reception, and they

0:31:17.560 --> 0:31:19.920
<v Speaker 1>get lost for a little while. They stop at a

0:31:19.920 --> 0:31:24.760
<v Speaker 1>gas station and get very silly directions from a woman

0:31:24.840 --> 0:31:27.120
<v Speaker 1>named Doris Edie Patterson.

0:31:27.200 --> 0:31:30.400
<v Speaker 2>If you're a righteous Gemstones fan, She's amazing.

0:31:30.560 --> 0:31:31.479
<v Speaker 3>That's who she is.

0:31:31.560 --> 0:31:33.480
<v Speaker 2>I did not love that character, but I love that.

0:31:33.520 --> 0:31:37.160
<v Speaker 1>After yeah, yeah, yeah, yeah. Then they are these like

0:31:37.200 --> 0:31:40.520
<v Speaker 1>two creepy guys who harass Sonny and Loupe. Doris comes

0:31:40.560 --> 0:31:43.840
<v Speaker 1>to their rescue. They smoke weed with her. By this time,

0:31:43.840 --> 0:31:46.600
<v Speaker 1>it's pretty late and Doris points out that Planned Parenthood

0:31:46.680 --> 0:31:50.400
<v Speaker 1>is probably closed for the night, but Plan B is

0:31:50.480 --> 0:31:54.040
<v Speaker 1>most effective when taken in the first twenty four hours

0:31:54.080 --> 0:31:57.360
<v Speaker 1>of the sexual encounter. Then it drops down to I

0:31:57.360 --> 0:32:02.920
<v Speaker 1>think sixty one percent efficacy within forty eight hours according

0:32:02.960 --> 0:32:06.600
<v Speaker 1>to the movie. So Doris suggests that they pay a

0:32:06.680 --> 0:32:12.320
<v Speaker 1>visit to her drug dealer, nephew Andy at the local playground.

0:32:13.280 --> 0:32:15.680
<v Speaker 1>They go and meet up with Andy.

0:32:16.040 --> 0:32:16.560
<v Speaker 2>Okay.

0:32:16.640 --> 0:32:21.600
<v Speaker 1>Moses Storm, Yeah, played by a friend of mine. Did

0:32:21.640 --> 0:32:24.800
<v Speaker 1>not know he was in this movie. And this scene

0:32:25.920 --> 0:32:28.960
<v Speaker 1>is another one that we'll talk about. Andy doesn't seem

0:32:29.000 --> 0:32:31.600
<v Speaker 1>to have Plan B, but he's about to sell them

0:32:31.640 --> 0:32:35.440
<v Speaker 1>fake IDs so that they can acquire it at a pharmacy.

0:32:36.120 --> 0:32:38.440
<v Speaker 1>But he's selling the fake id's for three hundred dollars,

0:32:38.440 --> 0:32:43.080
<v Speaker 1>which they don't have. And he's like, well, you can

0:32:43.280 --> 0:32:47.600
<v Speaker 1>perform oral sex on me in exchange for the fake ID,

0:32:47.880 --> 0:32:52.719
<v Speaker 1>and Sonny is like, okay, I guess. And then we

0:32:52.760 --> 0:32:55.880
<v Speaker 1>see a full frontal penis nudity.

0:32:56.000 --> 0:33:01.240
<v Speaker 3>On Disney plus Disney Dyes, Disney plus Mickey's Network.

0:33:01.320 --> 0:33:03.680
<v Speaker 2>For god's sakes, we come to this place to watch

0:33:03.720 --> 0:33:08.240
<v Speaker 2>Mowana and look at what I'm looking at. This scene

0:33:08.480 --> 0:33:09.880
<v Speaker 2>bugged me. We'll come back to it.

0:33:09.920 --> 0:33:10.760
<v Speaker 1>We'll come back to it.

0:33:10.920 --> 0:33:13.160
<v Speaker 2>This is where the comedy was getting so broad that

0:33:13.240 --> 0:33:15.000
<v Speaker 2>I felt like the point of the movie was being.

0:33:14.920 --> 0:33:18.320
<v Speaker 1>A little bit lost for sure. Yeah, I really struggled

0:33:18.480 --> 0:33:21.440
<v Speaker 1>with this scene, and we'll go into why. But the

0:33:21.480 --> 0:33:26.040
<v Speaker 1>point is she can't go through with this transaction, so

0:33:26.080 --> 0:33:29.200
<v Speaker 1>she like you know gets away, but in so doing,

0:33:29.240 --> 0:33:31.760
<v Speaker 1>she accidentally rips out the penis ring that's at the

0:33:31.760 --> 0:33:33.800
<v Speaker 1>tip of his penis because it gets caught in her hair.

0:33:34.320 --> 0:33:36.200
<v Speaker 1>So now they have to run off. It's all this

0:33:36.320 --> 0:33:40.800
<v Speaker 1>high jinks, but not before Loope steals the pill that

0:33:40.920 --> 0:33:43.040
<v Speaker 1>may or may not be Plan B, but it also

0:33:43.120 --> 0:33:47.680
<v Speaker 1>might be PCP. They get into the car with Loop

0:33:47.720 --> 0:33:52.240
<v Speaker 1>A driving and they take a detour to a show

0:33:52.280 --> 0:33:57.680
<v Speaker 1>that her boy friend Logan is playing in a nearby

0:33:57.760 --> 0:34:02.360
<v Speaker 1>town at a bowling alley. So they get there and

0:34:02.440 --> 0:34:05.600
<v Speaker 1>guess who else is at the bowling alley. It's Sonny's

0:34:05.640 --> 0:34:06.360
<v Speaker 1>crush Hunter.

0:34:07.200 --> 0:34:12.160
<v Speaker 2>Wow, the male feminist himself has entered the entered the

0:34:12.160 --> 0:34:15.279
<v Speaker 2>bowling alley mm and he's like.

0:34:15.239 --> 0:34:17.040
<v Speaker 1>No, no, no, I didn't hook up with Megan at

0:34:17.040 --> 0:34:19.440
<v Speaker 1>your party. I just gave her a ride home because

0:34:19.440 --> 0:34:24.120
<v Speaker 1>she was really drunk. And so Hunter and Sonny dance

0:34:24.440 --> 0:34:30.000
<v Speaker 1>and have a nice time. Meanwhile, Lupe approaches Logan, who

0:34:30.040 --> 0:34:33.800
<v Speaker 1>we think is like the lead singer dude, but just kidding,

0:34:34.360 --> 0:34:40.240
<v Speaker 1>it's the drummer who's a girl twist. And they finally

0:34:40.280 --> 0:34:42.399
<v Speaker 1>meet and they hang out and they're vibing, and.

0:34:42.320 --> 0:34:46.560
<v Speaker 2>That's played by Mahala Harald, who I recognized from Body's

0:34:46.600 --> 0:34:47.560
<v Speaker 2>Body's Bodies.

0:34:48.160 --> 0:34:50.480
<v Speaker 1>Oh bye, Okay.

0:34:52.040 --> 0:34:54.000
<v Speaker 3>I thought maybe she was also in an episode of

0:34:54.000 --> 0:34:57.000
<v Speaker 3>Black Mirror that I had seen. I did not confirm that, but.

0:34:57.080 --> 0:35:00.719
<v Speaker 2>Oh, I can confirm that she was great. She's popping up.

0:35:00.760 --> 0:35:05.520
<v Speaker 2>She's great. She's also in Industry, which I think is

0:35:05.520 --> 0:35:06.399
<v Speaker 2>a pretty good show.

0:35:06.600 --> 0:35:07.600
<v Speaker 3>I haven't seen that yet.

0:35:07.800 --> 0:35:09.839
<v Speaker 2>I enjoy it. She's in that as well. Yeah, she's

0:35:09.840 --> 0:35:11.360
<v Speaker 2>popping up right now, but nice.

0:35:11.640 --> 0:35:12.480
<v Speaker 1>Yeah, good for her.

0:35:12.640 --> 0:35:16.560
<v Speaker 2>This is like, what a lovely moment, the debut of Logan.

0:35:16.880 --> 0:35:21.760
<v Speaker 1>Yes, I enjoyed it very much, and I enjoy their connection.

0:35:22.480 --> 0:35:25.640
<v Speaker 1>They hang out, Lupe and Logan do. But Lupe has

0:35:25.680 --> 0:35:29.799
<v Speaker 1>not told Sonny that she's queer, nor has Lupe come

0:35:29.840 --> 0:35:32.759
<v Speaker 1>out to her very religious father, and so part of

0:35:32.800 --> 0:35:37.200
<v Speaker 1>what she and Logan talk about is coming out, whether

0:35:37.280 --> 0:35:40.439
<v Speaker 1>or not they have been or will be rejected by

0:35:40.880 --> 0:35:45.040
<v Speaker 1>their family, you know, finding found family, that kind of thing.

0:35:45.360 --> 0:35:45.640
<v Speaker 2>Oh.

0:35:45.680 --> 0:35:47.960
<v Speaker 3>I love that scene. I'm sure we'll come back to it,

0:35:48.040 --> 0:35:51.120
<v Speaker 3>but I just really loved it so sweet.

0:35:51.800 --> 0:35:56.160
<v Speaker 1>Meanwhile, Sonny and Hunter are having waffles kind of like

0:35:56.239 --> 0:35:59.799
<v Speaker 1>how Donkey wants waffles and Shrek d.

0:36:00.040 --> 0:36:01.600
<v Speaker 2>Shrek coded scene. Yeah.

0:36:02.160 --> 0:36:06.000
<v Speaker 1>Yeah, And she tells Hunter the whole story about how

0:36:06.040 --> 0:36:08.880
<v Speaker 1>she had sex with someone and now she might be

0:36:08.960 --> 0:36:12.239
<v Speaker 1>pregnant or pregnant, and that she's trying to get the

0:36:12.320 --> 0:36:15.719
<v Speaker 1>Plan B pill and she's being really hard on herself

0:36:16.120 --> 0:36:18.160
<v Speaker 1>and he's being supportive and sweet.

0:36:18.160 --> 0:36:20.799
<v Speaker 2>Which I really love, Like, I love how sweet and

0:36:20.800 --> 0:36:24.839
<v Speaker 2>supportive he is. The cynical demon. Part of me did

0:36:24.880 --> 0:36:27.800
<v Speaker 2>write down was this young man raised by a stack

0:36:27.880 --> 0:36:31.719
<v Speaker 2>of glorious Steinhem books like because but I feel like

0:36:31.760 --> 0:36:35.520
<v Speaker 2>that is like a good use of like maybe slightly unrealistic,

0:36:36.239 --> 0:36:38.799
<v Speaker 2>Like it's a good model for young people to see that,

0:36:38.920 --> 0:36:41.120
<v Speaker 2>like this is hot. This is the person to have

0:36:41.160 --> 0:36:44.680
<v Speaker 2>a crush on. From a realism aspect of it's like, oh,

0:36:44.840 --> 0:36:50.000
<v Speaker 2>the one cis boy who has internalized nothing. But I

0:36:50.120 --> 0:36:52.080
<v Speaker 2>kind of he was raised by a stack of books,

0:36:52.080 --> 0:36:54.280
<v Speaker 2>and I celebrate that for him. I like that character.

0:36:54.320 --> 0:36:57.080
<v Speaker 1>He's sweet, it's nice. Yes, part of me is just

0:36:57.120 --> 0:37:01.640
<v Speaker 1>like maybe teenagers are just like that nowadays. Well I

0:37:01.680 --> 0:37:03.280
<v Speaker 1>don't know. I don't talk to them, maybe.

0:37:03.040 --> 0:37:04.080
<v Speaker 2>Not talk to teenagers.

0:37:04.480 --> 0:37:08.719
<v Speaker 3>I personally don't know one teenager. But I kind of

0:37:08.840 --> 0:37:11.799
<v Speaker 3>love that this is a model because I think that's

0:37:11.800 --> 0:37:15.320
<v Speaker 3>how we learn and how young people learn. Like ideally

0:37:15.440 --> 0:37:18.360
<v Speaker 3>a young person has seen this film and thought like, oh,

0:37:18.440 --> 0:37:21.000
<v Speaker 3>that's kind of cool, like and I just think that, like, yeah,

0:37:21.120 --> 0:37:24.560
<v Speaker 3>it perpetuates the cycle if we're just consistently like putting

0:37:24.640 --> 0:37:28.960
<v Speaker 3>in kind of like sludge into our you know, our

0:37:29.120 --> 0:37:33.000
<v Speaker 3>male characters. So I I like the sweetness, even though yeah,

0:37:33.000 --> 0:37:34.239
<v Speaker 3>maybe a touch over the top.

0:37:34.920 --> 0:37:37.160
<v Speaker 2>I mean that's yeah, that's not like an actual That

0:37:37.280 --> 0:37:40.480
<v Speaker 2>was just me having watched thousands of movies and being like,

0:37:41.280 --> 0:37:44.120
<v Speaker 2>you know, but I'm not the target audience for this movie.

0:37:44.280 --> 0:37:45.799
<v Speaker 2>It's it's for teenagers.

0:37:45.920 --> 0:37:49.240
<v Speaker 1>Yeah, but it is nice to see a very sweet

0:37:49.280 --> 0:37:53.480
<v Speaker 1>and supportive teen boy character. And then they kiss on

0:37:53.520 --> 0:37:59.640
<v Speaker 1>the lips. Yeah okay. Oh. Then Loupe is about to

0:37:59.640 --> 0:38:04.320
<v Speaker 1>introduce Sonny to Logan and effectively come out to Sonny,

0:38:04.960 --> 0:38:08.320
<v Speaker 1>but then it appears as though Logan has stolen Sonny's

0:38:08.360 --> 0:38:12.359
<v Speaker 1>mom's van with Loupe's phone in it, so they're freaking out.

0:38:13.000 --> 0:38:16.239
<v Speaker 1>Sonny takes the pill, which might be Plan B or

0:38:16.239 --> 0:38:20.920
<v Speaker 1>it might be PCP, and she starts yelling at Loupe.

0:38:21.040 --> 0:38:24.919
<v Speaker 1>They get in a fight. They eventually find the van

0:38:25.760 --> 0:38:29.600
<v Speaker 1>via like the Find My Friend app on Sunny's phone.

0:38:30.320 --> 0:38:33.400
<v Speaker 1>It's at a party which Lupe and Sonny have to

0:38:33.440 --> 0:38:36.400
<v Speaker 1>crash to confront Logan and get the keys back.

0:38:37.000 --> 0:38:41.520
<v Speaker 2>Writing wise, I love when like modern technology is used

0:38:41.560 --> 0:38:43.520
<v Speaker 2>well within a teen movie, because I feel like some

0:38:43.560 --> 0:38:48.600
<v Speaker 2>writers give up and they're just like their phone drowned.

0:38:48.840 --> 0:38:50.480
<v Speaker 2>But I love I was like, of course, that is

0:38:50.520 --> 0:38:52.960
<v Speaker 2>exactly what a teenager would do, is like, and that

0:38:53.000 --> 0:38:55.600
<v Speaker 2>would just be an automatic reaction. I thought that was great.

0:38:56.719 --> 0:38:59.520
<v Speaker 1>Or it's like, I don't know how to implement modern

0:38:59.600 --> 0:39:02.320
<v Speaker 1>technolog in my story. So it's set in two thousand

0:39:02.360 --> 0:39:03.040
<v Speaker 1>and one.

0:39:03.520 --> 0:39:06.200
<v Speaker 2>Right, which is a lot of contemporary movies where they're

0:39:06.239 --> 0:39:08.920
<v Speaker 2>just like, well, this could all be solved with Google Maps,

0:39:09.000 --> 0:39:12.520
<v Speaker 2>so I need I need to turn back time. It's like, no,

0:39:12.640 --> 0:39:14.960
<v Speaker 2>you can still fuck yourself over in the present day.

0:39:15.600 --> 0:39:17.799
<v Speaker 2>We do it all the time every day.

0:39:18.239 --> 0:39:23.040
<v Speaker 1>Yeah, okay. So they find Logan. She's like, sorry, it

0:39:23.120 --> 0:39:27.399
<v Speaker 1>was my lead singer Xander, who's on drugs. He took

0:39:27.600 --> 0:39:32.160
<v Speaker 1>the van. Meanwhile, the pill that Sonny took was probably speed,

0:39:32.560 --> 0:39:35.759
<v Speaker 1>so she's you know, like at an eleven, there's altso

0:39:35.800 --> 0:39:39.040
<v Speaker 1>high jinks. They eventually get the keys back. Loupe and

0:39:39.080 --> 0:39:42.440
<v Speaker 1>Logan say goodbye, and then Sonny and Lupe head off

0:39:42.880 --> 0:39:45.360
<v Speaker 1>in the car. Sonny's like, why didn't you tell me

0:39:45.400 --> 0:39:48.280
<v Speaker 1>you're queer? And Loupe is like, I was afraid it would,

0:39:48.360 --> 0:39:52.480
<v Speaker 1>you know, change the dynamic in our relationship, and Sonny's like, no,

0:39:52.800 --> 0:39:57.480
<v Speaker 1>I love you forever, no matter what. Then Kyle calls

0:39:57.600 --> 0:40:01.120
<v Speaker 1>Sonny and Loope picks up the phone, and Kyle starts

0:40:01.239 --> 0:40:05.160
<v Speaker 1>talking about all the regret he's feeling and the sin

0:40:05.280 --> 0:40:08.960
<v Speaker 1>he committed by having premarital sex, and Lupe hears all

0:40:09.000 --> 0:40:11.800
<v Speaker 1>this and she's like, what the hell I thought Hunter

0:40:11.960 --> 0:40:13.960
<v Speaker 1>is the person you had sex with. Why did you

0:40:14.080 --> 0:40:16.759
<v Speaker 1>lie about that? And so they just kind of like

0:40:17.239 --> 0:40:22.040
<v Speaker 1>air all of their grievances and talk about their feelings

0:40:22.080 --> 0:40:25.400
<v Speaker 1>and insecurities, and then Kyle's just like, what about my

0:40:25.480 --> 0:40:28.960
<v Speaker 1>feelings and they're like, we don't care anyway. It's the

0:40:29.000 --> 0:40:33.280
<v Speaker 1>next morning. They arrive at the Planned Parenthood in Rapid City,

0:40:33.760 --> 0:40:37.800
<v Speaker 1>only to discover that this location has been permanently shut down.

0:40:38.239 --> 0:40:39.440
<v Speaker 2>God, this is devastating.

0:40:39.760 --> 0:40:43.239
<v Speaker 1>Yeah, Sonny breaks down crying. This was like, you know,

0:40:43.320 --> 0:40:46.840
<v Speaker 1>her last hope kind of thing. She really wants her mom.

0:40:47.360 --> 0:40:51.799
<v Speaker 1>Loupe consoles her. They drive back home, Loupe and her

0:40:51.840 --> 0:40:55.920
<v Speaker 1>father reconcile. She doesn't explicitly come out to him, but

0:40:56.000 --> 0:41:00.359
<v Speaker 1>it seems like he knows or he's like getting the hint,

0:41:00.480 --> 0:41:05.560
<v Speaker 1>and he seems fine with it. Meanwhile, at Sonny's at first,

0:41:05.640 --> 0:41:09.320
<v Speaker 1>her mom reprimands Sonny for taking the car and being reckless,

0:41:09.400 --> 0:41:12.280
<v Speaker 1>but Sonny explains that she was trying to get access

0:41:12.320 --> 0:41:15.680
<v Speaker 1>to the morning after pill cut to the pharmacy in

0:41:15.800 --> 0:41:21.520
<v Speaker 1>their town. Sonny's mom gets Plan B for her, so yay,

0:41:21.880 --> 0:41:25.120
<v Speaker 1>she finally got access to the healthcare she needed.

0:41:25.760 --> 0:41:29.560
<v Speaker 2>I loved I didn't see the ending coming, and I

0:41:29.680 --> 0:41:32.920
<v Speaker 2>really appreciated that her mom showed up for her. That

0:41:33.080 --> 0:41:34.800
<v Speaker 2>was like, really really cool.

0:41:35.320 --> 0:41:37.400
<v Speaker 1>Yeah, it was great. And then the button at the

0:41:37.480 --> 0:41:39.920
<v Speaker 1>end of the movie is that Sonny's mom finds the

0:41:40.200 --> 0:41:43.160
<v Speaker 1>penis ring from the drug dealer's penis.

0:41:44.120 --> 0:41:47.480
<v Speaker 3>The end, Woo gives a little cent.

0:41:48.960 --> 0:41:52.400
<v Speaker 1>And they're like, no, put that near your face. Okay,

0:41:52.400 --> 0:41:54.480
<v Speaker 1>that's the movie. Let's take another quick break and then

0:41:54.520 --> 0:42:01.880
<v Speaker 1>we'll come back to discuss.

0:42:06.440 --> 0:42:07.720
<v Speaker 2>And we're back.

0:42:08.200 --> 0:42:10.560
<v Speaker 1>Okay, Danielle, where would you like to start?

0:42:10.880 --> 0:42:14.719
<v Speaker 3>Oh my, there's so much content. I mean maybe at

0:42:14.760 --> 0:42:16.839
<v Speaker 3>the sex scene. Does that feel appropriate?

0:42:17.120 --> 0:42:19.960
<v Speaker 2>Yeah, let's start with what we didn't like and then

0:42:20.000 --> 0:42:20.879
<v Speaker 2>get into the yeah.

0:42:20.960 --> 0:42:25.400
<v Speaker 1>Yeah. So I'll place a content warning here for what

0:42:25.600 --> 0:42:29.080
<v Speaker 1>is arguably sexual assault because I think that the consent

0:42:29.320 --> 0:42:33.279
<v Speaker 1>in this sex scene between Sonny and Kyle is very,

0:42:33.400 --> 0:42:36.920
<v Speaker 1>very murky, way murkier than I would have liked.

0:42:36.920 --> 0:42:40.320
<v Speaker 2>Or hoped, which I found frustrating because at this point

0:42:40.360 --> 0:42:43.400
<v Speaker 2>the movie is like kind of like puffing its feathers

0:42:43.440 --> 0:42:46.360
<v Speaker 2>out as like having an understanding of consent in several

0:42:46.440 --> 0:42:49.080
<v Speaker 2>jokes that come before this, including like two minutes earlier,

0:42:49.640 --> 0:42:51.920
<v Speaker 2>where you know, Sonny says as a joke like I'm

0:42:51.920 --> 0:42:55.040
<v Speaker 2>not gonna take no for an answer with consent, of course,

0:42:55.120 --> 0:42:57.560
<v Speaker 2>and you know, Lupe is like, yes, of course, but

0:42:57.600 --> 0:43:00.680
<v Speaker 2>then the movie doesn't really seem to understand it was frustrating.

0:43:01.440 --> 0:43:05.520
<v Speaker 1>Yeah. So basically what happens is that Sonny initiates sexual

0:43:05.560 --> 0:43:09.640
<v Speaker 1>contact with Kyle without like checking in with him first.

0:43:10.320 --> 0:43:12.759
<v Speaker 1>You can see the shock on his face as she

0:43:12.880 --> 0:43:17.560
<v Speaker 1>does this. She proceeds onward. So like the idea that

0:43:18.040 --> 0:43:22.360
<v Speaker 1>anything that is not an enthusiastic yes is a no,

0:43:23.440 --> 0:43:26.440
<v Speaker 1>using that as a metric or like that is the criteria,

0:43:26.560 --> 0:43:30.560
<v Speaker 1>I'm like, he is not giving an enthusiastic yes really

0:43:30.600 --> 0:43:32.720
<v Speaker 1>at any point in this scene.

0:43:32.400 --> 0:43:35.360
<v Speaker 2>Because she says like, I'm touching your thing or whatever,

0:43:35.400 --> 0:43:38.120
<v Speaker 2>and he says, yes, you are, which is not consent.

0:43:38.280 --> 0:43:42.839
<v Speaker 2>It's just stating already happening to him, right.

0:43:43.760 --> 0:43:47.720
<v Speaker 1>And then eventually they like things progress and he says

0:43:47.760 --> 0:43:50.560
<v Speaker 1>he does say like, yes, I want this, but we

0:43:50.640 --> 0:43:53.800
<v Speaker 1>don't know if that's just because he's feeling pressured into

0:43:53.840 --> 0:43:57.080
<v Speaker 1>this because Sonny is coming on very strong. We don't

0:43:57.120 --> 0:44:00.279
<v Speaker 1>know anything because they have not openly talked about this

0:44:00.360 --> 0:44:03.080
<v Speaker 1>in advance, so we're not sure how he's actually feeling.

0:44:03.840 --> 0:44:08.880
<v Speaker 1>They have sex immediately afterwards, Kyle freaks out. He feels

0:44:08.960 --> 0:44:13.200
<v Speaker 1>instant regret and guilt throughout the movie. He's calling her

0:44:13.360 --> 0:44:16.720
<v Speaker 1>like wanting to talk about this. She blows him off.

0:44:17.239 --> 0:44:19.279
<v Speaker 1>And I'm not saying that like women should be doing

0:44:19.360 --> 0:44:22.960
<v Speaker 1>unnecessary emotional labor for men, but like, but this is.

0:44:22.960 --> 0:44:24.160
<v Speaker 2>A different situation.

0:44:24.360 --> 0:44:25.360
<v Speaker 1>Yeah, for sure.

0:44:25.480 --> 0:44:27.880
<v Speaker 2>It really I felt like that character again, just like

0:44:28.560 --> 0:44:31.799
<v Speaker 2>there are moments where the movie chose comedy over what

0:44:31.880 --> 0:44:34.200
<v Speaker 2>the movie is about, and it felt like Kyle's character

0:44:34.280 --> 0:44:37.120
<v Speaker 2>was a part of that where they're like, oh, he's

0:44:37.120 --> 0:44:39.680
<v Speaker 2>a magician, he's a loser. He loves his youth group

0:44:39.719 --> 0:44:42.680
<v Speaker 2>too much, so we don't need to care about whether

0:44:42.760 --> 0:44:45.480
<v Speaker 2>he is given consent for things or or you know,

0:44:45.520 --> 0:44:47.799
<v Speaker 2>as he's calling her later that I feel like the

0:44:47.840 --> 0:44:51.680
<v Speaker 2>movie kind of treats it as absurd that a SIS

0:44:52.280 --> 0:44:56.600
<v Speaker 2>man would feel a type of way about anything. And

0:44:56.640 --> 0:44:59.920
<v Speaker 2>it's like, you know, religious trauma around sex affects people

0:45:00.160 --> 0:45:03.560
<v Speaker 2>all genders, and I feel like, again, it's for some reason,

0:45:03.920 --> 0:45:07.080
<v Speaker 2>you know, the movie treats certain like it treats Sonny

0:45:07.080 --> 0:45:11.759
<v Speaker 2>and Lupez trauma and concerns and shame as valid, but

0:45:11.840 --> 0:45:16.279
<v Speaker 2>then there are exceptions to that, and I just it

0:45:16.320 --> 0:45:19.200
<v Speaker 2>really bummed me out for Kyle because it just felt

0:45:19.239 --> 0:45:21.160
<v Speaker 2>like and again it's like, you can you can show

0:45:21.200 --> 0:45:25.080
<v Speaker 2>empathy for that character without the movie becoming about sis boys.

0:45:25.400 --> 0:45:28.080
<v Speaker 2>Like I just thought it was weird that it seemed

0:45:28.120 --> 0:45:31.360
<v Speaker 2>like the movie took almost any opportunity to like blow

0:45:31.400 --> 0:45:35.000
<v Speaker 2>off and make fun of this character who appeared to

0:45:35.040 --> 0:45:38.160
<v Speaker 2>be first of all, like you're saying, Caitlin, the consent

0:45:38.280 --> 0:45:41.080
<v Speaker 2>was very murky, and even if the consent, even if

0:45:41.080 --> 0:45:44.719
<v Speaker 2>we're saying the consent was given, was experiencing a lot

0:45:44.719 --> 0:45:47.759
<v Speaker 2>of like religious shame and trauma after it, and that

0:45:47.920 --> 0:45:50.360
<v Speaker 2>is like a valid thing. I don't know, I was

0:45:50.400 --> 0:45:51.560
<v Speaker 2>just confused about that point.

0:45:52.000 --> 0:45:54.120
<v Speaker 3>Yeah, yeah, I have. I have a couple thoughts on this.

0:45:54.200 --> 0:45:58.919
<v Speaker 3>So I think, like number one, Sonny appears to be drunk, right,

0:45:59.000 --> 0:46:03.640
<v Speaker 3>so theoretically she can't consent and a sexual experience shouldn't

0:46:03.680 --> 0:46:07.920
<v Speaker 3>have taken place. However, is this how like high schoolers

0:46:08.000 --> 0:46:11.080
<v Speaker 3>engage in sexual acts? Like, yes, a lot of high

0:46:11.080 --> 0:46:14.120
<v Speaker 3>schoolers are drinking and are engaging in sexual acts in

0:46:14.160 --> 0:46:16.440
<v Speaker 3>this way. So in sex ed class we like to

0:46:16.480 --> 0:46:19.280
<v Speaker 3>kind of talk about harm reduction right of being like, sure,

0:46:19.440 --> 0:46:22.359
<v Speaker 3>maybe it's not like the best case scenario, but are

0:46:22.400 --> 0:46:24.719
<v Speaker 3>we still going to participate in it? Yes? How can

0:46:24.760 --> 0:46:26.960
<v Speaker 3>we do it a little bit safely? So I do

0:46:27.040 --> 0:46:29.480
<v Speaker 3>think that like the harm reduction lens as a sex

0:46:29.600 --> 0:46:31.880
<v Speaker 3>educator feels kind of relevant here because like, people do

0:46:31.960 --> 0:46:34.200
<v Speaker 3>drink and people do have sex when they drink, and

0:46:34.280 --> 0:46:37.680
<v Speaker 3>it's similar to when we say abstinence only that doesn't work.

0:46:37.760 --> 0:46:40.480
<v Speaker 3>So I think like that framework is important for me.

0:46:41.120 --> 0:46:44.240
<v Speaker 3>And also I do think that the consent piece could

0:46:44.280 --> 0:46:47.239
<v Speaker 3>have been added here with just like two lines, like

0:46:47.239 --> 0:46:50.600
<v Speaker 3>if Sonny's character before she started touching him just said

0:46:50.640 --> 0:46:53.000
<v Speaker 3>like can I touch you? And if you just was

0:46:53.040 --> 0:46:56.120
<v Speaker 3>like uh okay, yeah, like it was just a small

0:46:56.640 --> 0:46:59.239
<v Speaker 3>piece there. Yeah, and then just like one more check

0:46:59.280 --> 0:47:01.920
<v Speaker 3>in maybe before you know, she took out the or

0:47:01.960 --> 0:47:04.120
<v Speaker 3>he took out the condom, or before they use the condom,

0:47:04.200 --> 0:47:06.799
<v Speaker 3>like that could have changed the entire scene. So I

0:47:06.880 --> 0:47:11.160
<v Speaker 3>do think it's like small little errors that were made,

0:47:11.760 --> 0:47:14.640
<v Speaker 3>and I want to celebrate the parts about it. As

0:47:14.640 --> 0:47:17.960
<v Speaker 3>a sex educator. That felt very unique and like better

0:47:18.080 --> 0:47:20.279
<v Speaker 3>than most other sex scenes that I have seen, kind

0:47:20.280 --> 0:47:23.880
<v Speaker 3>of having this lens. One there's the depiction of condoms,

0:47:24.280 --> 0:47:28.400
<v Speaker 3>which is pretty rare true. Two there's the depiction of

0:47:28.480 --> 0:47:30.239
<v Speaker 3>kind of like, oh, like there was kind of a

0:47:30.280 --> 0:47:32.400
<v Speaker 3>mess up, like she refers to it later as like

0:47:32.440 --> 0:47:35.759
<v Speaker 3>he touched her taint with his penis, but like, you know,

0:47:35.880 --> 0:47:39.399
<v Speaker 3>just this messiness of like first time sex. They don't

0:47:39.440 --> 0:47:42.080
<v Speaker 3>even kiss, which is kind of this like showing of

0:47:42.120 --> 0:47:45.040
<v Speaker 3>how awkward that these two people are in their bodies

0:47:45.080 --> 0:47:49.040
<v Speaker 3>and uncomfortable. They show kind of her gasping out of

0:47:49.120 --> 0:47:54.800
<v Speaker 3>like how potentially uncomfortable it is, and the session lasts

0:47:54.800 --> 0:47:58.640
<v Speaker 3>no more than ten seconds, right roughly about that amount

0:47:58.640 --> 0:48:01.200
<v Speaker 3>of time. So I just like there was a lot

0:48:01.239 --> 0:48:03.800
<v Speaker 3>that this sex scene could have improved upon, but also

0:48:04.000 --> 0:48:06.920
<v Speaker 3>got right as someone who like very much is kind

0:48:06.920 --> 0:48:08.520
<v Speaker 3>of laser eyed at sex scenes.

0:48:09.239 --> 0:48:12.399
<v Speaker 1>Totally fair. Yeah, it just sucks that like all those

0:48:12.560 --> 0:48:16.840
<v Speaker 1>positives or like authentic, realistic portrayals of it are overshadowed

0:48:17.360 --> 0:48:21.759
<v Speaker 1>for me, at least by this murky consent situation. Like

0:48:21.760 --> 0:48:23.359
<v Speaker 1>you said, it would have worked so much better if

0:48:24.120 --> 0:48:27.960
<v Speaker 1>she asked, can I touch you here? And if his

0:48:28.760 --> 0:48:32.000
<v Speaker 1>giving consent was far more enthusiastic and that you could

0:48:32.000 --> 0:48:35.080
<v Speaker 1>hear it in his voice and it seemed like both

0:48:35.120 --> 0:48:38.920
<v Speaker 1>parties were very willing participants in this situation. It just

0:48:39.200 --> 0:48:42.480
<v Speaker 1>the fact that there isn't that enthusiastic yes all the

0:48:42.480 --> 0:48:46.000
<v Speaker 1>way through and the movie like, the only thing that

0:48:46.040 --> 0:48:49.719
<v Speaker 1>needs to happen for the story to proceed onward in

0:48:49.760 --> 0:48:51.680
<v Speaker 1>the way that it does is for the characters to

0:48:51.680 --> 0:48:55.240
<v Speaker 1>have sex and for him to ejaculate and the condom

0:48:55.280 --> 0:48:58.160
<v Speaker 1>gets stuck inside of her like that's why she tries

0:48:58.200 --> 0:49:01.040
<v Speaker 1>to get the plan b pill. So could we have

0:49:01.080 --> 0:49:04.520
<v Speaker 1>gotten there in a way that the consent was way

0:49:05.040 --> 0:49:07.879
<v Speaker 1>more freely given yes than we should have?

0:49:08.640 --> 0:49:11.680
<v Speaker 2>Although I mean, speaking to your point, Danielle, I do

0:49:11.719 --> 0:49:14.600
<v Speaker 2>feel like it is relevant because because you are like

0:49:14.760 --> 0:49:19.480
<v Speaker 2>educating real kids, and I guess I just I wish

0:49:19.600 --> 0:49:22.480
<v Speaker 2>that if this is the way that that sex scene went,

0:49:23.040 --> 0:49:26.799
<v Speaker 2>that the parts, like Kaitlyn, what you're addressing, like came

0:49:26.920 --> 0:49:29.359
<v Speaker 2>up at any point, because I think that there is

0:49:29.400 --> 0:49:32.719
<v Speaker 2>some instructiveness in that, because, like you're saying, Danielle, so

0:49:32.840 --> 0:49:36.839
<v Speaker 2>many early sexual experiences because of the lack of sex said,

0:49:37.160 --> 0:49:40.040
<v Speaker 2>are awkward even if you have all the information, but

0:49:40.080 --> 0:49:43.480
<v Speaker 2>if you've been poorly educated, it can like really fuck

0:49:43.760 --> 0:49:46.280
<v Speaker 2>young people up. And you know when you add drinking

0:49:46.320 --> 0:49:49.480
<v Speaker 2>into that, like and if we're seeing one of those situations,

0:49:49.520 --> 0:49:53.200
<v Speaker 2>which Kaitlyn, like you've basically described, like it is a

0:49:53.320 --> 0:49:57.360
<v Speaker 2>very messy situation, enthusiastic consent hasn't been given, then I

0:49:57.400 --> 0:50:00.680
<v Speaker 2>feel like, based on the kind of movie that this is,

0:50:01.480 --> 0:50:04.080
<v Speaker 2>you should address that in some way, you know, like

0:50:04.160 --> 0:50:06.560
<v Speaker 2>either by adding the exchange you're talking about, Danielle, which

0:50:06.600 --> 0:50:09.120
<v Speaker 2>would resolve a lot of the problems, or like, I

0:50:09.120 --> 0:50:10.799
<v Speaker 2>think that there is a lot of value for a

0:50:10.800 --> 0:50:14.680
<v Speaker 2>movie marketed at teens like to show a sex scene

0:50:15.120 --> 0:50:19.799
<v Speaker 2>that is imperfect, because most likely that's I mean, the

0:50:19.800 --> 0:50:22.839
<v Speaker 2>way a lot of initial sexual experiences are and then

0:50:22.960 --> 0:50:26.000
<v Speaker 2>watch the characters have to deal with it and talk

0:50:26.040 --> 0:50:30.240
<v Speaker 2>about it and process those emotions. But that doesn't happen.

0:50:30.840 --> 0:50:33.000
<v Speaker 2>It doesn't feel like the movie is really built to

0:50:33.040 --> 0:50:36.399
<v Speaker 2>be able to do that, and it like completely disregards

0:50:36.440 --> 0:50:40.240
<v Speaker 2>the feelings of one of the participants. So it's just like, well,

0:50:41.280 --> 0:50:44.719
<v Speaker 2>a movie that was like less leaning hard on kind

0:50:44.760 --> 0:50:49.680
<v Speaker 2>of appatawi stuff at moments where you know, I cannot

0:50:49.719 --> 0:50:52.120
<v Speaker 2>tell a lie. I did roll my eyes when it

0:50:52.200 --> 0:50:54.880
<v Speaker 2>was the wrong drug. I was like, Okay, you know

0:50:54.920 --> 0:50:57.440
<v Speaker 2>I've seen it, but you know that like leaning into

0:50:57.480 --> 0:50:59.640
<v Speaker 2>stuff like that. To me, if that's the tone, it's

0:50:59.680 --> 0:51:01.920
<v Speaker 2>probably not a movie that's going to be able to

0:51:02.560 --> 0:51:06.960
<v Speaker 2>address a very complicated encounter like that. I don't know.

0:51:07.560 --> 0:51:10.759
<v Speaker 1>But it does handle other things so well. Yeah, So

0:51:10.880 --> 0:51:13.640
<v Speaker 1>I don't know why it flubbed so badly on this

0:51:14.040 --> 0:51:15.160
<v Speaker 1>very important thing.

0:51:15.640 --> 0:51:19.440
<v Speaker 3>My assumption is that they were trying to show the

0:51:19.560 --> 0:51:23.640
<v Speaker 3>realistic portrayal rather than show like a model example of

0:51:23.719 --> 0:51:27.239
<v Speaker 3>like what clear enthusiastic consent would look like. And yeah,

0:51:27.320 --> 0:51:30.960
<v Speaker 3>like ultimately it's valid. Yeah, yeah, Like I totally obviously

0:51:31.080 --> 0:51:34.640
<v Speaker 3>agree with you in that, like enthusiastic yes must happen

0:51:34.680 --> 0:51:37.759
<v Speaker 3>throughout the experience. If you revoke consent, you don't. You

0:51:37.800 --> 0:51:40.000
<v Speaker 3>no longer have consent all the things that we teach.

0:51:40.360 --> 0:51:42.520
<v Speaker 3>And at the same time, I'm kind of torn just

0:51:42.560 --> 0:51:45.960
<v Speaker 3>to think, like, do teens kind of again I don't

0:51:46.000 --> 0:51:48.800
<v Speaker 3>know a single teen, but do teens kind of see

0:51:49.000 --> 0:51:51.959
<v Speaker 3>depictions of quote unquote perfect consent and roll their eyes

0:51:52.000 --> 0:51:54.560
<v Speaker 3>at it and say like this is not realistic? Like

0:51:54.640 --> 0:51:57.239
<v Speaker 3>what is the balance of saying like, I'm going to

0:51:57.320 --> 0:51:59.600
<v Speaker 3>teach you what the correct way to talk to people

0:51:59.719 --> 0:52:02.920
<v Speaker 3>are and how to get consent and how does it

0:52:02.960 --> 0:52:04.800
<v Speaker 3>look like in the moment for you? And like, what

0:52:05.120 --> 0:52:07.239
<v Speaker 3>what does that look like to have that conversation with

0:52:07.280 --> 0:52:07.800
<v Speaker 3>young people?

0:52:08.239 --> 0:52:10.279
<v Speaker 1>That's a great question. Yeah, it almost feels to me

0:52:10.680 --> 0:52:15.200
<v Speaker 1>like they wanted to show the awkwardness of a first

0:52:15.520 --> 0:52:20.200
<v Speaker 1>time penetrative sexual encounter. It's a very common thing, not

0:52:20.360 --> 0:52:23.120
<v Speaker 1>just for people having sex for the first time, but

0:52:23.239 --> 0:52:27.920
<v Speaker 1>also like I have awkward sexual encounters regularly and I'm

0:52:27.920 --> 0:52:31.040
<v Speaker 1>almost forty, Like sex is awkward and can be really

0:52:31.080 --> 0:52:34.600
<v Speaker 1>silly and awkward. To be clear, I am giving and

0:52:34.640 --> 0:52:38.480
<v Speaker 1>receiving enthusiastic consent every time, but I'm talking about just

0:52:38.520 --> 0:52:41.080
<v Speaker 1>like oops, you put your dick in the wrong hole,

0:52:41.480 --> 0:52:44.960
<v Speaker 1>or oop, you're half flaccid still, or you know, just

0:52:45.000 --> 0:52:48.320
<v Speaker 1>like all those bodies awkward things, like the bodies are weird,

0:52:48.400 --> 0:52:51.640
<v Speaker 1>and these things happen continuously throughout our lives. So I

0:52:51.640 --> 0:52:53.440
<v Speaker 1>think what they were doing is like trying to show

0:52:54.200 --> 0:52:56.440
<v Speaker 1>and again, especially for two people who have never had

0:52:56.480 --> 0:52:59.480
<v Speaker 1>sex them having sex for the first time, how awkward

0:52:59.680 --> 0:53:02.640
<v Speaker 1>that would be. But I think I think that they

0:53:03.160 --> 0:53:06.360
<v Speaker 1>thought that not giving and receiving enthusiastic consent was like

0:53:06.560 --> 0:53:09.560
<v Speaker 1>part of the awkward experience. But you could have still

0:53:10.200 --> 0:53:13.720
<v Speaker 1>had that enthusiastic consent and it still have been also

0:53:13.840 --> 0:53:16.680
<v Speaker 1>very awkward on top of that. Totally to my point

0:53:16.719 --> 0:53:20.040
<v Speaker 1>of like I still I again give and receive enthusiastic

0:53:20.040 --> 0:53:23.160
<v Speaker 1>consent and still have very awkward sex from time to time.

0:53:23.320 --> 0:53:25.120
<v Speaker 2>But I mean, I guess I feel like I'm following

0:53:25.200 --> 0:53:27.760
<v Speaker 2>something maybe somewhere in the in the middle here where

0:53:28.239 --> 0:53:31.000
<v Speaker 2>I agree. I mean, like that is how I have sex. Now.

0:53:31.280 --> 0:53:33.239
<v Speaker 2>I don't know that that's how I knew how to

0:53:33.360 --> 0:53:37.120
<v Speaker 2>have sex when I was having these initial encounters, So

0:53:37.200 --> 0:53:39.680
<v Speaker 2>I do believe that there is value to it, But like,

0:53:39.719 --> 0:53:44.040
<v Speaker 2>I just think the movie kind of with it. I

0:53:44.080 --> 0:53:47.239
<v Speaker 2>had a more articulate thought in my head just a

0:53:47.320 --> 0:53:50.560
<v Speaker 2>moment ago. But oh, even with like, I think that

0:53:50.640 --> 0:53:54.200
<v Speaker 2>all of the information that you could pull from these

0:53:54.280 --> 0:53:57.279
<v Speaker 2>characters that we already know again, I just feel like

0:53:57.400 --> 0:53:59.759
<v Speaker 2>the fact that Kyle never physically appears again in the

0:53:59.800 --> 0:54:03.759
<v Speaker 2>movie after that is a big problem because I think

0:54:03.800 --> 0:54:07.680
<v Speaker 2>we could, you know, safely assume that Sonny is very sheltered.

0:54:07.920 --> 0:54:11.920
<v Speaker 2>She's clearly gotten info, right, but it seems like she

0:54:12.000 --> 0:54:16.320
<v Speaker 2>you know, both of the main girls in this movie

0:54:16.320 --> 0:54:19.960
<v Speaker 2>are from pretty like conservative value families. They're not openly

0:54:20.000 --> 0:54:22.680
<v Speaker 2>talking about sex. I don't think it's out of the

0:54:22.719 --> 0:54:26.200
<v Speaker 2>line of possibility that they are under educated about consent.

0:54:26.400 --> 0:54:29.400
<v Speaker 1>Especially in the sex said class they're taking with Rachel Dratch.

0:54:29.560 --> 0:54:30.880
<v Speaker 1>Like they're not learning about consuders.

0:54:30.880 --> 0:54:32.640
<v Speaker 2>I don't think Rachel Dratch is teaching them.

0:54:32.719 --> 0:54:36.480
<v Speaker 3>They're showing eighties VHS films totally.

0:54:36.800 --> 0:54:40.279
<v Speaker 2>And then like Kyle is in that same class and

0:54:40.520 --> 0:54:44.920
<v Speaker 2>also is hyper religious, and you know, you're not getting

0:54:45.000 --> 0:54:49.600
<v Speaker 2>great sex said at church. Uh, generally, I've never heard

0:54:49.640 --> 0:54:52.840
<v Speaker 2>of it happening, And so I think that like, within

0:54:52.880 --> 0:54:58.080
<v Speaker 2>these characters, there is a way to understand why this

0:54:58.200 --> 0:55:02.360
<v Speaker 2>initial encounter would not be morally perfect or like a

0:55:02.400 --> 0:55:05.920
<v Speaker 2>textbook perfect sexual encounter. But if that's the choice that's

0:55:05.960 --> 0:55:09.640
<v Speaker 2>being made, and the movie's agenda is to better educate

0:55:09.680 --> 0:55:12.239
<v Speaker 2>its target audience, I feel like it might even be

0:55:12.320 --> 0:55:16.239
<v Speaker 2>more instructive to have these characters talk about it, you know.

0:55:16.280 --> 0:55:18.239
<v Speaker 2>And I like that it's not like, oh, you know,

0:55:18.280 --> 0:55:20.600
<v Speaker 2>I think that if this movie came out thirty years ago,

0:55:20.640 --> 0:55:22.880
<v Speaker 2>I'd be like, oh, I had sex with Kyle and

0:55:23.000 --> 0:55:25.880
<v Speaker 2>now I'm in love with him, and like they would

0:55:26.080 --> 0:55:27.640
<v Speaker 2>like it makes sense they don't end up together. I

0:55:27.680 --> 0:55:29.799
<v Speaker 2>don't even know if they like each other, like, but

0:55:30.120 --> 0:55:33.640
<v Speaker 2>that if they would like take each other's emotional response

0:55:34.239 --> 0:55:38.080
<v Speaker 2>to this uncomfortable first encounter seriously, I feel like that

0:55:38.200 --> 0:55:41.040
<v Speaker 2>could actually be really instructive for the target audience. I

0:55:41.040 --> 0:55:44.759
<v Speaker 2>don't know either way. It doesn't happen well.

0:55:44.800 --> 0:55:47.000
<v Speaker 1>He does try to reach out to her several times

0:55:47.040 --> 0:55:48.359
<v Speaker 1>to be like, can we talk about this?

0:55:48.440 --> 0:55:50.600
<v Speaker 3>I need to process he's saying, and.

0:55:50.520 --> 0:55:54.680
<v Speaker 1>She's being very very dismissive of that, and then that

0:55:54.840 --> 0:55:58.600
<v Speaker 1>magically resolves when Kyle calls her back. I think it's

0:55:58.680 --> 0:56:02.160
<v Speaker 1>no sun to apologizes to her. He's like, sorry for

0:56:02.200 --> 0:56:05.200
<v Speaker 1>freaking out I feel fine now, and it's just like,

0:56:05.520 --> 0:56:10.200
<v Speaker 1>I mean maybe, but also like you were really upset

0:56:10.239 --> 0:56:12.560
<v Speaker 1>and guilt stricken about this and you didn't get a

0:56:12.640 --> 0:56:14.840
<v Speaker 1>chance to talk through it with this person.

0:56:15.040 --> 0:56:18.959
<v Speaker 2>Like not to defend one of the few sis men

0:56:19.040 --> 0:56:21.839
<v Speaker 2>in this movie, but I really felt I really really

0:56:21.840 --> 0:56:24.360
<v Speaker 2>felt for Kyle because it almost felt like putting yourself

0:56:24.400 --> 0:56:27.040
<v Speaker 2>in a teenage situation if you I mean again, it

0:56:27.040 --> 0:56:29.520
<v Speaker 2>feels like Sunny is almost behaving like in a way

0:56:29.600 --> 0:56:33.560
<v Speaker 2>that a boy in a movie would have behaved, yeah,

0:56:33.600 --> 0:56:36.160
<v Speaker 2>like years ago, and it would have been presented as

0:56:36.560 --> 0:56:38.600
<v Speaker 2>pretty shitty behavior, because I think it kind of is

0:56:38.640 --> 0:56:42.240
<v Speaker 2>pretty shitty behavior, no matters it. And if the shoes

0:56:42.280 --> 0:56:44.320
<v Speaker 2>on the other foot and you're Kyle and you're reaching

0:56:44.320 --> 0:56:46.320
<v Speaker 2>out and you're like, I really need to talk about

0:56:46.360 --> 0:56:51.120
<v Speaker 2>like this. I feel really conflicted about it, and we

0:56:51.160 --> 0:56:53.920
<v Speaker 2>don't really get to find out the reasons why. I

0:56:53.920 --> 0:56:56.719
<v Speaker 2>think it's implied that it's religious. But then I think

0:56:56.760 --> 0:56:59.200
<v Speaker 2>you assume because it doesn't seem like Kyle has much

0:56:59.239 --> 0:57:01.960
<v Speaker 2>of a support that he could go to about this.

0:57:02.040 --> 0:57:04.680
<v Speaker 2>You can't bring this to your church youth group, really,

0:57:05.800 --> 0:57:08.239
<v Speaker 2>and so it just seems like he apologizes to her,

0:57:08.440 --> 0:57:11.600
<v Speaker 2>not because he's actually processed it, but because he's like

0:57:11.680 --> 0:57:16.640
<v Speaker 2>embarrassed that he's bothered by it and she's not communicating

0:57:16.680 --> 0:57:19.360
<v Speaker 2>with him. And so it almost felt like that character

0:57:19.840 --> 0:57:22.840
<v Speaker 2>like kind of doubles down on shame where he felt

0:57:22.840 --> 0:57:26.200
<v Speaker 2>this religious shame for losing his virginity before he was

0:57:26.280 --> 0:57:30.240
<v Speaker 2>quote unquote supposed to, and then feels compounded shame by

0:57:30.800 --> 0:57:34.640
<v Speaker 2>feeling like, oh, and I'm I was like bothering her

0:57:34.800 --> 0:57:38.560
<v Speaker 2>by wanting to discuss it afterward. I just felt bad

0:57:38.600 --> 0:57:43.000
<v Speaker 2>for the kid. He's not real, thankfully, just for Kyle.

0:57:43.480 --> 0:57:46.920
<v Speaker 2>It's a fictional film, but I was like, Kyle was,

0:57:47.120 --> 0:57:51.120
<v Speaker 2>you know, I feel like an under explored character. Also,

0:57:51.240 --> 0:57:55.200
<v Speaker 2>he was in a Spy Kids movie, but like not

0:57:55.280 --> 0:57:58.560
<v Speaker 2>the Originals, the one where Joel McHale's the dad.

0:57:59.120 --> 0:58:02.280
<v Speaker 1>WHOA, Yeah, interesting, is he a spy kid?

0:58:02.360 --> 0:58:05.760
<v Speaker 2>He's one of the spy kids. He's in Spy Kids

0:58:05.880 --> 0:58:09.880
<v Speaker 2>four D. WHOA the one you can smell.

0:58:10.280 --> 0:58:13.000
<v Speaker 3>Also, I'm so sorry to interrupt about Spy Kids, but

0:58:14.400 --> 0:58:18.520
<v Speaker 3>just briefly, if you guys who are listening are interested

0:58:18.560 --> 0:58:22.400
<v Speaker 3>in hearing about kuhou Verma's takes on that sex scene

0:58:22.400 --> 0:58:25.959
<v Speaker 3>as an actor, I interviewed her, and a big chunk

0:58:26.000 --> 0:58:28.160
<v Speaker 3>of the interview of Sex with dB is just like

0:58:28.320 --> 0:58:31.240
<v Speaker 3>talking about what that is like to have to enact

0:58:31.320 --> 0:58:33.920
<v Speaker 3>that with a fellow actor, and how to feel safe

0:58:33.920 --> 0:58:36.840
<v Speaker 3>on set and kind of like what that really looks

0:58:36.880 --> 0:58:39.560
<v Speaker 3>like to be mimicking that essentially in front of a

0:58:39.640 --> 0:58:42.280
<v Speaker 3>room full of other people, depending on if it's an

0:58:42.280 --> 0:58:44.800
<v Speaker 3>open or close set, and so yeah, I just I

0:58:44.840 --> 0:58:47.440
<v Speaker 3>just found it fascinating as someone who is a nerd

0:58:47.480 --> 0:58:50.320
<v Speaker 3>about movies and TV shows about like the way in

0:58:50.360 --> 0:58:54.080
<v Speaker 3>which these things actually happen, and just like what her

0:58:54.200 --> 0:58:57.720
<v Speaker 3>portrayal was of it and her experience playing that character.

0:58:58.320 --> 0:58:58.760
<v Speaker 2>Totally.

0:58:58.840 --> 0:59:02.160
<v Speaker 1>Yeah, that rocks. Yeah, listeners, go check out that episode

0:59:02.240 --> 0:59:03.320
<v Speaker 1>of sex ad with dB.

0:59:03.760 --> 0:59:06.800
<v Speaker 2>And I'm glad that there's more discussion on I mean,

0:59:07.080 --> 0:59:11.880
<v Speaker 2>it's been a huge round of discourse recently about consent

0:59:12.200 --> 0:59:15.800
<v Speaker 2>on set and about intimacy coordinators and a pastor of

0:59:15.800 --> 0:59:19.000
<v Speaker 2>the changing landscape there because everyone feels the type of

0:59:19.040 --> 0:59:21.160
<v Speaker 2>way about it, and I think a lot of those

0:59:21.200 --> 0:59:23.000
<v Speaker 2>takes are kind of like underinformed.

0:59:24.120 --> 0:59:27.680
<v Speaker 1>The other thing, the other scene that I thought was

0:59:28.040 --> 0:59:33.520
<v Speaker 1>really flubb a dub dubbed was the playground scene aka

0:59:33.600 --> 0:59:39.040
<v Speaker 1>the scene where Sonny considers performing oral sex on that

0:59:39.120 --> 0:59:42.240
<v Speaker 1>guy Andy in exchange for a fake ID.

0:59:42.720 --> 0:59:45.200
<v Speaker 2>We love to see Moses Strom get work, but at

0:59:45.200 --> 0:59:45.960
<v Speaker 2>what costs?

0:59:46.520 --> 0:59:47.400
<v Speaker 1>But at what costs?

0:59:47.480 --> 0:59:47.640
<v Speaker 3>Now?

0:59:47.680 --> 0:59:50.040
<v Speaker 1>To be clear, I do not have a problem with

0:59:50.240 --> 0:59:55.440
<v Speaker 1>people trading sex for goods or money as long as

0:59:55.600 --> 0:59:59.560
<v Speaker 1>all parties involved are consenting adults.

0:59:59.720 --> 1:00:01.960
<v Speaker 2>Those the two well, that's the thing, is like, yeah,

1:00:02.000 --> 1:00:03.080
<v Speaker 2>they're under duress.

1:00:03.320 --> 1:00:06.440
<v Speaker 1>They're under duress, they're under duress, and one of them

1:00:06.560 --> 1:00:08.560
<v Speaker 1>is not an adult. In fact, both of them might

1:00:08.600 --> 1:00:09.440
<v Speaker 1>not be adults.

1:00:09.720 --> 1:00:12.520
<v Speaker 2>And Moses and Moses Storm is like, all right, he's

1:00:12.520 --> 1:00:14.440
<v Speaker 2>in his thirties. Yeah, yeah, yeah, And he's like a

1:00:14.520 --> 1:00:17.040
<v Speaker 2>joke of like, oh, I mean it is a funny joke,

1:00:17.080 --> 1:00:18.840
<v Speaker 2>but in the context of the scene it doesn't work.

1:00:18.880 --> 1:00:21.240
<v Speaker 2>It's like, no, I'm seventeen too, I just have never

1:00:21.320 --> 1:00:23.880
<v Speaker 2>drank water. A funny joke. That is a funny joke

1:00:24.000 --> 1:00:26.720
<v Speaker 2>to be visibly thirty, but like it doesn't work.

1:00:26.920 --> 1:00:29.600
<v Speaker 1>But also we don't know if he's lying. We don't

1:00:29.720 --> 1:00:31.760
<v Speaker 1>know what's going on. We do know that Sonny as

1:00:31.760 --> 1:00:35.880
<v Speaker 1>a character is a seventeen year old child. Yes, Kuhu Verma,

1:00:36.160 --> 1:00:39.720
<v Speaker 1>who plays Sonny, was I think twenty five at least

1:00:39.720 --> 1:00:43.120
<v Speaker 1>when the movie came out, So the actor was an adult,

1:00:43.200 --> 1:00:48.480
<v Speaker 1>but the teenage character is in this scenario. There's an

1:00:48.520 --> 1:00:52.360
<v Speaker 1>element of coercion here. Sonny clearly does not want to

1:00:52.480 --> 1:00:56.160
<v Speaker 1>do this. She's acting out of desperation. She's visibly uncomfortable.

1:00:57.040 --> 1:01:02.040
<v Speaker 1>This whole thing is framed comedically for some reason. Obviously

1:01:02.040 --> 1:01:04.040
<v Speaker 1>she doesn't go through with it, but she's like in

1:01:04.120 --> 1:01:07.120
<v Speaker 1>this scene where like her face is mere inches away

1:01:07.560 --> 1:01:12.560
<v Speaker 1>from a like completely full frontal nudity penis and she's

1:01:12.600 --> 1:01:16.040
<v Speaker 1>seventeen years old, And Danielle, I'm curious to hear your

1:01:16.080 --> 1:01:18.600
<v Speaker 1>thoughts on it, but yeah, that was my take.

1:01:19.200 --> 1:01:22.120
<v Speaker 3>I was very surprised by the penis. I'll say that

1:01:22.360 --> 1:01:23.800
<v Speaker 3>I didn't see it coming.

1:01:24.520 --> 1:01:26.320
<v Speaker 2>Yeah on Molana's Internet.

1:01:27.560 --> 1:01:32.680
<v Speaker 3>Dear lord, I think they could have, you know, created

1:01:32.720 --> 1:01:35.640
<v Speaker 3>the same comedic effect if he had like a big

1:01:35.680 --> 1:01:39.240
<v Speaker 3>septum piercing right, Like, it could have been a similar

1:01:39.360 --> 1:01:41.480
<v Speaker 3>kind of thing where somehow her hair gets caught, you know,

1:01:41.520 --> 1:01:43.439
<v Speaker 3>she tries to steal it and her hair gets caught

1:01:43.480 --> 1:01:47.280
<v Speaker 3>in the septum piercing without us needing to have, you know,

1:01:47.360 --> 1:01:52.600
<v Speaker 3>this sexual favors moment included, so I don't necessarily buy that, like,

1:01:52.720 --> 1:01:54.480
<v Speaker 3>oh well, it had to come back around for the

1:01:54.560 --> 1:01:57.200
<v Speaker 3>mom to smell the cock ring or the penis ring

1:01:57.240 --> 1:01:57.880
<v Speaker 3>at the end.

1:01:58.760 --> 1:02:02.360
<v Speaker 2>Especially after like such a nice moment with the mom.

1:02:02.480 --> 1:02:05.200
<v Speaker 2>I was like, this is the beat, guys.

1:02:05.800 --> 1:02:08.640
<v Speaker 3>Yeah, it's not great. I think that. I guess it

1:02:08.840 --> 1:02:11.800
<v Speaker 3>was used as like a way to show again their

1:02:11.880 --> 1:02:15.280
<v Speaker 3>desperation and in order for them to get the speed

1:02:15.360 --> 1:02:17.200
<v Speaker 3>in order for Sonny to I don't know, it feels

1:02:17.200 --> 1:02:19.600
<v Speaker 3>like it was kind of maybe central in the writer's

1:02:19.800 --> 1:02:22.920
<v Speaker 3>eyes to like create this offshoot of what happens and

1:02:22.960 --> 1:02:26.320
<v Speaker 3>the high drinks that ensue. But I didn't love it.

1:02:26.320 --> 1:02:30.440
<v Speaker 3>It made me uncomfortable and I wish it wasn't really there.

1:02:31.000 --> 1:02:34.160
<v Speaker 3>And at the same time, I guess I understand, yeah,

1:02:34.200 --> 1:02:37.920
<v Speaker 3>how desperate they are Sonny is in particular to get

1:02:37.960 --> 1:02:42.960
<v Speaker 3>this medication, and does kind of show that, like maybe

1:02:43.040 --> 1:02:45.640
<v Speaker 3>we could use it as a metaphor that young people

1:02:45.920 --> 1:02:50.560
<v Speaker 3>are basically willing to do whatever it takes in order

1:02:50.640 --> 1:02:53.920
<v Speaker 3>to get the reproductive health care they need. But this

1:02:54.160 --> 1:02:55.400
<v Speaker 3>I'm stretching myself here.

1:02:55.760 --> 1:02:58.200
<v Speaker 2>It's so hard, Okay, I also saying it is so

1:02:58.480 --> 1:03:03.760
<v Speaker 2>hard to straddle genres in the way that this movie

1:03:03.840 --> 1:03:06.720
<v Speaker 2>is trying to straddle genres, because this movie very much

1:03:06.800 --> 1:03:11.520
<v Speaker 2>does want to be a odyssey of like broad comedy

1:03:11.880 --> 1:03:14.360
<v Speaker 2>and you know, you have all the appetite beats of

1:03:14.400 --> 1:03:17.200
<v Speaker 2>like you can name any comedy of the past twenty

1:03:17.320 --> 1:03:21.040
<v Speaker 2>years starring teenagers and someone takes the wrong drug and

1:03:21.080 --> 1:03:24.320
<v Speaker 2>all of a sudden, Guy Fieri's there or someone is

1:03:24.360 --> 1:03:27.640
<v Speaker 2>a corn cop or whatever the fuck happens, which again,

1:03:27.720 --> 1:03:29.280
<v Speaker 2>this is like my taste coming out where I just

1:03:29.320 --> 1:03:31.240
<v Speaker 2>am like, I'm so sick of it, but like I

1:03:31.240 --> 1:03:34.480
<v Speaker 2>feel like it. This movie's trying to straddle being a

1:03:34.520 --> 1:03:37.800
<v Speaker 2>broad comedy that will appeal to a broad audience and

1:03:38.120 --> 1:03:43.680
<v Speaker 2>a very personal, thoughtful story about reproductive health, and often

1:03:43.720 --> 1:03:47.800
<v Speaker 2>it works. But the moments where it doesn't, it like

1:03:48.160 --> 1:03:51.439
<v Speaker 2>to me, really doesn't, and this is one of them

1:03:51.840 --> 1:03:52.240
<v Speaker 2>for sure.

1:03:52.320 --> 1:03:55.360
<v Speaker 1>To your point, Danielle, if the writers are trying to

1:03:55.400 --> 1:03:59.480
<v Speaker 1>communicate like this is the lengths that people have to

1:03:59.520 --> 1:04:03.160
<v Speaker 1>go to when they don't have access to reproductive health care, like.

1:04:03.080 --> 1:04:05.400
<v Speaker 2>It shouldn't be a funny care. There are a million.

1:04:05.120 --> 1:04:07.240
<v Speaker 1>Other ways to do that though, to heighten, to have

1:04:07.280 --> 1:04:12.120
<v Speaker 1>a very like heightened situation that's wild and hijinxy and

1:04:13.080 --> 1:04:17.400
<v Speaker 1>potentially dangerous even without putting a minor in a situation

1:04:17.600 --> 1:04:21.800
<v Speaker 1>where she is going to basically be coerced into a

1:04:21.840 --> 1:04:22.880
<v Speaker 1>sexual act.

1:04:22.960 --> 1:04:26.240
<v Speaker 3>For laughs that aren't even funny for laughs.

1:04:26.600 --> 1:04:30.439
<v Speaker 2>Yeah, it's like this is not like not the wokest take,

1:04:30.520 --> 1:04:33.160
<v Speaker 2>but it's like, if you're going to do something that

1:04:33.440 --> 1:04:37.360
<v Speaker 2>tone deaf, it better be arguably sunny. But this is

1:04:37.400 --> 1:04:40.160
<v Speaker 2>just like, it's not, it's.

1:04:39.960 --> 1:04:44.360
<v Speaker 1>Not, it's not, and it's really icky. And again, there

1:04:44.360 --> 1:04:47.600
<v Speaker 1>were a million other scenarios that these characters could have

1:04:47.640 --> 1:04:50.960
<v Speaker 1>been put in that would have communicated the same level

1:04:51.040 --> 1:04:53.640
<v Speaker 1>of like look at the lengths that people have to

1:04:53.680 --> 1:04:58.480
<v Speaker 1>go to without this like very compromising, very uncomfortable situation.

1:04:58.720 --> 1:05:00.760
<v Speaker 1>So didn't work from at all.

1:05:01.000 --> 1:05:03.640
<v Speaker 3>I think the planned Parenthood scene does this, and like

1:05:03.680 --> 1:05:06.800
<v Speaker 3>it's not a comedic scene, but like I'm sure we'll

1:05:06.840 --> 1:05:09.000
<v Speaker 3>get to it, so maybe I should pause on that.

1:05:09.160 --> 1:05:12.880
<v Speaker 3>But I guess just like we see the planned Parenthood

1:05:13.520 --> 1:05:17.240
<v Speaker 3>is permanently closed and we just see her breakdown and

1:05:17.280 --> 1:05:20.080
<v Speaker 3>weep in the parking lot, like this is many people's

1:05:20.120 --> 1:05:23.200
<v Speaker 3>reality and when they can't get the reproductive healthcare that

1:05:23.240 --> 1:05:25.880
<v Speaker 3>they need and that they deserve, and that they want

1:05:25.920 --> 1:05:28.960
<v Speaker 3>so badly, And I thought that was a very moving,

1:05:29.240 --> 1:05:31.480
<v Speaker 3>realistic part of the film.

1:05:31.360 --> 1:05:33.800
<v Speaker 2>And that's like where the movie is at its most

1:05:34.160 --> 1:05:37.000
<v Speaker 2>earnest and thoughtful, and for that to come on the

1:05:37.080 --> 1:05:40.080
<v Speaker 2>heels of I think I honestly, the late second act

1:05:40.160 --> 1:05:43.560
<v Speaker 2>hijinks just were like not hitting for me very much.

1:05:43.680 --> 1:05:45.840
<v Speaker 3>The party, I completely agree, it.

1:05:45.920 --> 1:05:48.920
<v Speaker 2>Just wasn't a different movie where and it was and

1:05:48.960 --> 1:05:51.160
<v Speaker 2>not that this isn't true to reproductive health, but it

1:05:51.200 --> 1:05:53.200
<v Speaker 2>was out of context where it was like they sort

1:05:53.200 --> 1:05:56.960
<v Speaker 2>of have a series of male obstacles to overcome, but

1:05:57.000 --> 1:05:58.840
<v Speaker 2>they're not people who are trying to prevent them from

1:05:58.920 --> 1:06:04.680
<v Speaker 2>getting care, just guys doing something silly in the way,

1:06:04.840 --> 1:06:06.280
<v Speaker 2>in the same way that I felt like the Edie

1:06:06.280 --> 1:06:10.880
<v Speaker 2>Patterson character, and I'm I am Edie Patterson's number one fan,

1:06:11.280 --> 1:06:14.880
<v Speaker 2>but the gas station character felt like, just when you

1:06:14.960 --> 1:06:20.600
<v Speaker 2>think that that character is going to be like a

1:06:20.640 --> 1:06:24.640
<v Speaker 2>genuine ally to them, she just says something completely ridiculous

1:06:24.680 --> 1:06:28.000
<v Speaker 2>and it chooses broad comedy over a moment that would

1:06:28.040 --> 1:06:30.560
<v Speaker 2>advance the plot in a way that makes more sense,

1:06:30.640 --> 1:06:33.320
<v Speaker 2>not like because it seems like, you know, we're led

1:06:33.320 --> 1:06:38.480
<v Speaker 2>to believe that that character defends defends the girls when

1:06:38.520 --> 1:06:41.440
<v Speaker 2>they're being sexually harassed in the gas station and parking lot,

1:06:41.600 --> 1:06:44.360
<v Speaker 2>but then she throws that away by being like, oh no,

1:06:44.520 --> 1:06:46.840
<v Speaker 2>I was coming out here to hit you with a

1:06:46.880 --> 1:06:49.600
<v Speaker 2>bat because you stole a friendship bracelet. So it just

1:06:49.600 --> 1:06:52.400
<v Speaker 2>goes with like the dumbest joke on the table instead

1:06:52.440 --> 1:06:56.760
<v Speaker 2>of building a character. I don't know, you jut up

1:06:56.760 --> 1:06:57.560
<v Speaker 2>a towel movies.

1:06:58.080 --> 1:07:00.600
<v Speaker 1>I guess this is my I mean, luckily this is

1:07:00.680 --> 1:07:01.200
<v Speaker 1>not one.

1:07:01.600 --> 1:07:05.520
<v Speaker 2>Uh but like energy wise, you know what idea, it's

1:07:05.560 --> 1:07:09.040
<v Speaker 2>like we're too high the person said something a little

1:07:09.160 --> 1:07:12.320
<v Speaker 2>silly instead of something that is advances the plot.

1:07:12.760 --> 1:07:16.520
<v Speaker 1>Yeah. I do want to shout out the writer director

1:07:16.520 --> 1:07:20.280
<v Speaker 1>team here. So this movie was written by Protheki Schosren

1:07:20.320 --> 1:07:25.080
<v Speaker 1>of Austin and Joshua Levy and directed by Natalie Morales.

1:07:25.160 --> 1:07:27.600
<v Speaker 1>So it's like a predominantly women behind the camera and

1:07:27.640 --> 1:07:31.120
<v Speaker 1>these major creative roles women of color at that. So

1:07:31.240 --> 1:07:35.520
<v Speaker 1>that's encouraging. However, some of these scenes didn't quite work.

1:07:35.800 --> 1:07:38.840
<v Speaker 2>Also, a shout out for behind the camera also a

1:07:38.840 --> 1:07:43.360
<v Speaker 2>woman a cinematographer and composer, which I feel like we

1:07:43.400 --> 1:07:45.479
<v Speaker 2>don't see very often, So shout out.

1:07:45.440 --> 1:07:48.640
<v Speaker 1>To true hell. Yeah, I don't want to talk about

1:07:48.760 --> 1:07:51.880
<v Speaker 1>the things that I thought worked really well.

1:07:52.080 --> 1:07:53.840
<v Speaker 2>Yeah, sorry, we've been we've been harping on the things

1:07:53.840 --> 1:07:54.800
<v Speaker 2>that don't work for a while.

1:07:55.280 --> 1:07:57.480
<v Speaker 1>They are glaring, is the thing, and they feel very

1:07:57.520 --> 1:08:02.000
<v Speaker 1>out of place in this otherwise thoughtful, funny movie. Yeah,

1:08:02.040 --> 1:08:04.000
<v Speaker 1>because I think that is most of the movie. Like

1:08:04.120 --> 1:08:07.680
<v Speaker 1>most of it is done well. It's complicated and sensitive

1:08:07.840 --> 1:08:12.560
<v Speaker 1>topics are generally handled with care, except for those couple

1:08:12.640 --> 1:08:15.440
<v Speaker 1>scenes we already talked about. But like I mean, obviously

1:08:15.440 --> 1:08:20.440
<v Speaker 1>there's commentary in this movie on the state of reproductive

1:08:20.439 --> 1:08:23.680
<v Speaker 1>health care and education in the US and how abysmal

1:08:23.840 --> 1:08:28.080
<v Speaker 1>it is because you see like the ridiculous sex Said curriculum,

1:08:28.560 --> 1:08:34.000
<v Speaker 1>which promotes abstinence until marriage and perpetuates double standards of

1:08:34.479 --> 1:08:38.120
<v Speaker 1>you know, women who have sex are damaged, tainted sluts.

1:08:38.560 --> 1:08:42.200
<v Speaker 2>The fake like car sex Said video is very funny

1:08:42.200 --> 1:08:42.360
<v Speaker 2>to me.

1:08:43.200 --> 1:08:46.960
<v Speaker 1>Yeah, yeah, it's like great satire spot on. Yeah, there's

1:08:47.040 --> 1:08:51.759
<v Speaker 1>commentary on just the overall limited access to reproductive healthcare

1:08:51.920 --> 1:08:55.360
<v Speaker 1>in the US. This includes people with uteruses have to

1:08:55.800 --> 1:08:59.320
<v Speaker 1>travel hours and hours away just to get access because

1:08:59.360 --> 1:09:02.560
<v Speaker 1>it's not available in their area or it's highly restricted.

1:09:03.080 --> 1:09:10.519
<v Speaker 1>Allah pharmacists invoking conscience clauses and refusing medication to people

1:09:10.600 --> 1:09:13.479
<v Speaker 1>if it conflicts with their personal beliefs, and that is

1:09:13.520 --> 1:09:18.559
<v Speaker 1>almost always rooted in like very shamy, like slut shamy

1:09:18.640 --> 1:09:20.320
<v Speaker 1>type of mentalities.

1:09:20.600 --> 1:09:24.120
<v Speaker 2>Yeah, it's just like anti choice rhetoric. Yeah. Yeah, so

1:09:24.160 --> 1:09:27.200
<v Speaker 2>that someone at CVS can change the course of your

1:09:27.439 --> 1:09:28.720
<v Speaker 2>fucking life.

1:09:28.920 --> 1:09:33.639
<v Speaker 1>Yeah right. The Planned Parenthood being shut down probably because

1:09:33.640 --> 1:09:37.000
<v Speaker 1>it was defunded or you know, something happened along those

1:09:37.040 --> 1:09:41.160
<v Speaker 1>lines that this place that is otherwise a beacon of

1:09:41.439 --> 1:09:45.479
<v Speaker 1>you know, reproductive health care is inaccessible now to people

1:09:45.479 --> 1:09:48.640
<v Speaker 1>who need it. So that commentary that's present throughout the

1:09:48.680 --> 1:09:52.920
<v Speaker 1>movie is very effective. The focus on female friendship is

1:09:52.920 --> 1:09:57.920
<v Speaker 1>really nice. There's queer representation, there's nice like mother daughter

1:09:58.200 --> 1:10:02.160
<v Speaker 1>and father daughter relationships, reppers and in the like romantic subplot.

1:10:02.200 --> 1:10:04.280
<v Speaker 1>Like I thought most of that stuff was handled very well.

1:10:04.560 --> 1:10:07.720
<v Speaker 2>I liked that their friendship, Like the way that the

1:10:07.840 --> 1:10:11.360
<v Speaker 2>two main characters are written is I think, really really thoughtful.

1:10:11.800 --> 1:10:15.040
<v Speaker 2>Where they're flawed in all of the ways that seventeen

1:10:15.080 --> 1:10:18.160
<v Speaker 2>year olds are flawed. They are, I mean I think

1:10:18.200 --> 1:10:22.000
<v Speaker 2>about sometimes, yeah, like the really close friendships you have

1:10:22.040 --> 1:10:25.000
<v Speaker 2>when you're young, and how both you feel like you

1:10:25.040 --> 1:10:28.280
<v Speaker 2>can share anything with this person, and also their opinion

1:10:28.400 --> 1:10:32.120
<v Speaker 2>matters so much that it can lead to like withholding

1:10:32.160 --> 1:10:35.000
<v Speaker 2>parts of yourself because if your best friend judges you,

1:10:35.960 --> 1:10:38.080
<v Speaker 2>who do you have? And I like that you know

1:10:38.160 --> 1:10:41.120
<v Speaker 2>they are these sort of like oasis is of safety

1:10:41.160 --> 1:10:43.840
<v Speaker 2>for each other, and they love their parents, but their

1:10:44.080 --> 1:10:47.360
<v Speaker 2>they can't talk to their parents about shit, and that

1:10:47.520 --> 1:10:50.960
<v Speaker 2>even in this like close trusted friendship, there are these

1:10:51.000 --> 1:10:53.160
<v Speaker 2>worries of like if you know every part of me,

1:10:53.320 --> 1:10:56.920
<v Speaker 2>will that change our friendship permanently? Like again, like between

1:10:56.960 --> 1:11:00.240
<v Speaker 2>the two main characters, like it's so layered and I'm

1:11:00.320 --> 1:11:03.600
<v Speaker 2>still so funny, and I love moments where they're like

1:11:03.640 --> 1:11:06.519
<v Speaker 2>singing to the Jesus Trap song. It's so funny, it's

1:11:06.520 --> 1:11:07.679
<v Speaker 2>so sweet and.

1:11:07.560 --> 1:11:10.560
<v Speaker 3>Like yes, very original, it was great.

1:11:10.439 --> 1:11:13.240
<v Speaker 2>Like and it feels like a real lived in friendship.

1:11:14.120 --> 1:11:17.120
<v Speaker 2>And I think also with Sunny's character, I mean, also

1:11:17.320 --> 1:11:20.200
<v Speaker 2>it's amazing that it's two women of color who are

1:11:20.280 --> 1:11:24.280
<v Speaker 2>leading this, which so rarely happens in any genre. But

1:11:24.320 --> 1:11:27.759
<v Speaker 2>I feel like with Sunny's character, she is I think

1:11:28.000 --> 1:11:31.920
<v Speaker 2>you could argue like the main main character and I don't.

1:11:31.960 --> 1:11:35.000
<v Speaker 2>I think that usually that role would be reversed. I

1:11:35.000 --> 1:11:38.040
<v Speaker 2>think that, like Sonny, if you wrote down her qualities

1:11:38.080 --> 1:11:41.040
<v Speaker 2>of like she is less sexually experienced, I feel like

1:11:41.040 --> 1:11:45.720
<v Speaker 2>she's has more of like how people normally write sidekicks,

1:11:46.080 --> 1:11:49.280
<v Speaker 2>and it centers her, and it centers her story and

1:11:49.320 --> 1:11:52.800
<v Speaker 2>her needs, and it doesn't shame her for inexperience, and

1:11:52.840 --> 1:11:55.880
<v Speaker 2>it like really fully explores that. And I appreciate that

1:11:55.920 --> 1:11:58.919
<v Speaker 2>because I think that, yeah, like it's a quote unquote

1:11:59.080 --> 1:12:04.040
<v Speaker 2>sidekick cod character who is given the full space to grow,

1:12:04.360 --> 1:12:06.880
<v Speaker 2>and that that doesn't take away from Lupe's story either.

1:12:07.520 --> 1:12:07.800
<v Speaker 1>True.

1:12:07.960 --> 1:12:09.840
<v Speaker 3>Yeah, I was just gonna ask if we could talk

1:12:09.880 --> 1:12:13.240
<v Speaker 3>about the way that Lupe's queer identity is kind of

1:12:13.280 --> 1:12:17.240
<v Speaker 3>like portrayed and how this, like you know, is shown

1:12:17.400 --> 1:12:19.920
<v Speaker 3>throughout the film, just because I feel like it was

1:12:20.040 --> 1:12:22.840
<v Speaker 3>just so I don't know, it felt really heartwarming to me,

1:12:22.920 --> 1:12:24.880
<v Speaker 3>and like, you know, you could tell how nervous she

1:12:25.040 --> 1:12:27.320
<v Speaker 3>was to kind of tell Sonny and the fact that

1:12:27.400 --> 1:12:30.000
<v Speaker 3>you know, half of the movie we don't know that

1:12:30.000 --> 1:12:32.160
<v Speaker 3>she's queer along with Sonny, we're kind of kept in

1:12:32.200 --> 1:12:33.840
<v Speaker 3>the dark as the audience.

1:12:34.080 --> 1:12:35.360
<v Speaker 2>And I just.

1:12:35.280 --> 1:12:39.680
<v Speaker 3>Thought her relationship with Logan was like her budding romance

1:12:39.800 --> 1:12:43.720
<v Speaker 3>was like very sweet and tender, and it felt realistic

1:12:43.760 --> 1:12:47.560
<v Speaker 3>that like, these two people probably met on like snapchat

1:12:47.600 --> 1:12:49.840
<v Speaker 3>on Instagram or something and they hadn't met in real

1:12:49.880 --> 1:12:51.679
<v Speaker 3>life because they're like an hour and a half away

1:12:51.680 --> 1:12:54.040
<v Speaker 3>from each other two hours and like they can't drive

1:12:54.080 --> 1:12:55.880
<v Speaker 3>to see each other or whatever it is. So there

1:12:55.880 --> 1:12:57.439
<v Speaker 3>are just a lot of great parts to it that

1:12:57.479 --> 1:12:58.200
<v Speaker 3>I really enjoyed.

1:12:58.720 --> 1:13:01.519
<v Speaker 2>I really liked that like it divert. One of the

1:13:01.600 --> 1:13:05.559
<v Speaker 2>like diversions from this like again is like appatoo formula

1:13:05.600 --> 1:13:07.360
<v Speaker 2>that I feel like this movie pulls from in moments

1:13:07.840 --> 1:13:10.920
<v Speaker 2>is that before they get to the party. And also

1:13:10.960 --> 1:13:13.600
<v Speaker 2>I felt like it weirdly undercut Logan's character that the

1:13:13.680 --> 1:13:16.400
<v Speaker 2>car was taken all that stuff, where it's like, I

1:13:16.439 --> 1:13:20.240
<v Speaker 2>don't think I would be necessarily trusting Logan quite as quickly. Again,

1:13:21.040 --> 1:13:24.519
<v Speaker 2>but that's a separate thing. But I really liked that

1:13:25.000 --> 1:13:27.960
<v Speaker 2>the movie took a moment and I think in what

1:13:28.040 --> 1:13:31.280
<v Speaker 2>a normal teen comedy would be like hyjenks hyjenks hyjenks

1:13:31.360 --> 1:13:33.559
<v Speaker 2>that both of their crushes end up being sweet and

1:13:33.640 --> 1:13:37.080
<v Speaker 2>decent people who like and accept them, and you just

1:13:37.160 --> 1:13:40.639
<v Speaker 2>get like a really grounded character moment and it's still

1:13:40.760 --> 1:13:43.080
<v Speaker 2>funny and I just wish the whole movie did that,

1:13:43.120 --> 1:13:45.679
<v Speaker 2>because I really like the scene between Sunny and Hunter

1:13:45.760 --> 1:13:49.400
<v Speaker 2>and the diners very sweet and especially I mean like

1:13:49.479 --> 1:13:52.840
<v Speaker 2>Lupa and Logan, I'm like, I love them. I hope

1:13:52.840 --> 1:13:55.679
<v Speaker 2>that they snapchat each other for as long as snapchat exists,

1:13:56.040 --> 1:13:59.479
<v Speaker 2>because it just like it was such a sweet encounter

1:13:59.800 --> 1:14:01.680
<v Speaker 2>and like it was one of those cool I don't know,

1:14:01.720 --> 1:14:04.240
<v Speaker 2>I like portrayals of moments like that.

1:14:04.200 --> 1:14:07.280
<v Speaker 3>She's teaching her to play the drums too, just giving

1:14:07.520 --> 1:14:09.200
<v Speaker 3>kind of little little crush moments.

1:14:09.439 --> 1:14:11.960
<v Speaker 2>It's really really sweet and it doesn't like in the

1:14:12.000 --> 1:14:14.479
<v Speaker 2>way so many teen movies do. It's not like they're

1:14:14.520 --> 1:14:17.360
<v Speaker 2>gonna get married. This is forever. It's like this was

1:14:17.400 --> 1:14:23.240
<v Speaker 2>a really formative, safe, wonderful experience that like moves Lupey

1:14:23.360 --> 1:14:26.640
<v Speaker 2>forward and wanting to claim her identity and like it's

1:14:26.720 --> 1:14:30.080
<v Speaker 2>really and I think that like there that with Lupe.

1:14:30.200 --> 1:14:33.719
<v Speaker 2>I mean, she lives in South Dakota, she's the daughter

1:14:33.760 --> 1:14:36.240
<v Speaker 2>of a pastor. I think that her anxiety is around that,

1:14:36.320 --> 1:14:40.080
<v Speaker 2>even if she does fully accept herself, is realistic for

1:14:40.160 --> 1:14:42.400
<v Speaker 2>the time and place that this movie takes place in,

1:14:42.720 --> 1:14:45.479
<v Speaker 2>and it's like really nice to see Sonny, you know,

1:14:45.800 --> 1:14:48.519
<v Speaker 2>doesn't even have to think about it, Like she's like,

1:14:48.880 --> 1:14:53.000
<v Speaker 2>you're being ridiculous because on paper, sure, but also it's

1:14:53.040 --> 1:14:55.200
<v Speaker 2>like when you think about who Lupia is, what her

1:14:55.240 --> 1:14:59.240
<v Speaker 2>experience is, and like how important Sonny is to like

1:14:59.280 --> 1:15:02.600
<v Speaker 2>her supports that it would feel like a risk for

1:15:02.640 --> 1:15:04.600
<v Speaker 2>her and it's just really sweet to see her be

1:15:05.040 --> 1:15:08.960
<v Speaker 2>accepted and just like have a beautiful moment with Logan.

1:15:09.640 --> 1:15:11.760
<v Speaker 2>I wish that the whole party scene after that just

1:15:11.800 --> 1:15:12.559
<v Speaker 2>didn't happen.

1:15:13.479 --> 1:15:18.200
<v Speaker 1>I don't like that, don't like the whole van thing.

1:15:18.479 --> 1:15:22.120
<v Speaker 2>Xander. I was like, who what is that?

1:15:22.520 --> 1:15:26.160
<v Speaker 3>He was in? What was that Netflix show? He was

1:15:26.160 --> 1:15:28.680
<v Speaker 3>in a Netflix show that I saw playing like an

1:15:28.720 --> 1:15:31.280
<v Speaker 3>a whole team. I can't remember which one of them.

1:15:31.320 --> 1:15:33.160
<v Speaker 2>Was this this type cast actor?

1:15:33.880 --> 1:15:37.920
<v Speaker 3>Yes, what reasons why? That's what show he was in?

1:15:38.080 --> 1:15:40.479
<v Speaker 2>Oh god, I can't believe that show came out in

1:15:40.479 --> 1:15:44.280
<v Speaker 2>the last ten years. So what a what a moment?

1:15:45.200 --> 1:15:45.519
<v Speaker 1>Yeah?

1:15:45.680 --> 1:15:46.080
<v Speaker 3>Not great.

1:15:46.240 --> 1:15:49.880
<v Speaker 1>Another thing I really like about the queer romance is

1:15:49.880 --> 1:15:53.800
<v Speaker 1>that it gets as much screen time and narrative weight

1:15:54.040 --> 1:15:58.320
<v Speaker 1>as the hetero romantic subplot between Sonny and Hunter, which

1:15:59.040 --> 1:16:02.920
<v Speaker 1>is pretty rare to see considering that if there is

1:16:02.960 --> 1:16:05.759
<v Speaker 1>a queer subplot in a movie, well, first of all,

1:16:06.080 --> 1:16:10.840
<v Speaker 1>they're often non existent, or if there are queer characters,

1:16:10.920 --> 1:16:15.000
<v Speaker 1>there's only kind of like an implied romance between them,

1:16:15.240 --> 1:16:19.559
<v Speaker 1>or if it is a more fully realized subplot, it'll

1:16:19.560 --> 1:16:24.040
<v Speaker 1>take up less space in the story than a hetero subplot,

1:16:24.520 --> 1:16:27.200
<v Speaker 1>or if they do kind of get together, there won't

1:16:27.200 --> 1:16:30.719
<v Speaker 1>be any physical contact between them. But we see Loupe

1:16:30.760 --> 1:16:34.840
<v Speaker 1>and Logan kiss before the straight people kiss each other,

1:16:35.479 --> 1:16:39.400
<v Speaker 1>and I was like, WHOA, that's also very rare to see.

1:16:39.200 --> 1:16:42.000
<v Speaker 2>They're going at it in the real estate fan exactly.

1:16:42.800 --> 1:16:47.200
<v Speaker 1>And then yeah, like hetero romances are often portrayed in

1:16:47.320 --> 1:16:50.759
<v Speaker 1>ways that leaves a lot to be desired in movies.

1:16:50.760 --> 1:16:54.519
<v Speaker 1>But I really like the romantic subplot between Sonny and

1:16:54.760 --> 1:16:58.000
<v Speaker 1>Hunter in the sense that Hunter is a really sweet guy.

1:16:58.040 --> 1:17:01.200
<v Speaker 1>Because so many hetero romances the movie is asking the

1:17:01.240 --> 1:17:04.920
<v Speaker 1>audience to root for a very toxic man, a very

1:17:04.920 --> 1:17:08.160
<v Speaker 1>toxic dynamic, and in this case, like as we said,

1:17:08.200 --> 1:17:11.200
<v Speaker 1>it's like, are there young teen boys like this that

1:17:11.560 --> 1:17:13.800
<v Speaker 1>exists in the world. I don't definitely do. I'm not

1:17:13.880 --> 1:17:17.479
<v Speaker 1>saying they don't, guys. I'm sorry. I think Hunter's a

1:17:17.560 --> 1:17:20.880
<v Speaker 1>corny character and I like him, yeah, he like we

1:17:20.920 --> 1:17:23.599
<v Speaker 1>see him challenge those sexist double standards. In the sex

1:17:23.640 --> 1:17:26.320
<v Speaker 1>Said Class, he has this really nice interaction with Sonny

1:17:26.360 --> 1:17:30.800
<v Speaker 1>where she tells him like, I'm a slut. I did

1:17:30.800 --> 1:17:32.840
<v Speaker 1>this horrible thing. I had sex with someone I don't

1:17:32.840 --> 1:17:34.519
<v Speaker 1>even like, and now I have to get the morning

1:17:34.520 --> 1:17:37.479
<v Speaker 1>after pill. And she's being very like judging and shaming

1:17:37.520 --> 1:17:40.519
<v Speaker 1>of herself and he's like, no, no, no, like, you

1:17:40.960 --> 1:17:43.160
<v Speaker 1>don't have to feel like that. He's not judging her

1:17:43.200 --> 1:17:45.360
<v Speaker 1>at all or shaming her. Like it was a really

1:17:45.439 --> 1:17:48.240
<v Speaker 1>refreshing thing to see. I think he's really sweet.

1:17:48.439 --> 1:17:51.000
<v Speaker 2>Yeah, And then he responds by saying like, I mean

1:17:51.000 --> 1:17:52.920
<v Speaker 2>he doesn't say this exactly, but I kind of like that.

1:17:52.960 --> 1:17:55.559
<v Speaker 2>She's like I'm a slut, I'm awful and all this stuff,

1:17:55.600 --> 1:17:58.120
<v Speaker 2>anticipating judgment from him, and then he's like, well, no,

1:17:58.280 --> 1:18:02.080
<v Speaker 2>you're a nerd like me, Like, oh, it's true.

1:18:03.080 --> 1:18:07.120
<v Speaker 3>Also the way that he kind of talks about the

1:18:07.280 --> 1:18:12.240
<v Speaker 3>shitty sex ed abstinence film that they see in sex

1:18:12.400 --> 1:18:14.840
<v Speaker 3>Ed Class, he actually is the one that sticks up

1:18:14.960 --> 1:18:19.160
<v Speaker 3>for girls and women and says like, well, what about

1:18:19.200 --> 1:18:21.160
<v Speaker 3>his car? Why aren't we seeing his car? Because they're

1:18:21.240 --> 1:18:24.879
<v Speaker 3>using this metaphor that the wife in the film's car

1:18:25.360 --> 1:18:28.160
<v Speaker 3>is broken and busted aka she has had sex before

1:18:28.200 --> 1:18:30.439
<v Speaker 3>marriage and therefore no one will want her, which, by

1:18:30.439 --> 1:18:33.800
<v Speaker 3>the way, are metaphors that many states still use, and

1:18:33.880 --> 1:18:38.680
<v Speaker 3>they're really horrific sex head classes with miss and disinformation

1:18:38.800 --> 1:18:41.920
<v Speaker 3>and shaming tactics. And I really like that he's the

1:18:41.960 --> 1:18:44.720
<v Speaker 3>one that is questioning this because it feels like he

1:18:44.840 --> 1:18:47.479
<v Speaker 3>is truly showing up as an ally in that moment

1:18:47.680 --> 1:18:49.320
<v Speaker 3>for them.

1:18:48.640 --> 1:18:54.200
<v Speaker 1>It was nice. Does anyone have any other thoughts about

1:18:54.200 --> 1:18:54.799
<v Speaker 1>the movie?

1:18:55.400 --> 1:18:59.479
<v Speaker 2>I just, I guess wanted to acknowledge the parents one

1:18:59.600 --> 1:19:03.439
<v Speaker 2>more time that I you know, again, it's like the

1:19:03.479 --> 1:19:08.559
<v Speaker 2>parents don't appear very much. But I did like just

1:19:08.560 --> 1:19:11.400
<v Speaker 2>sort of the portrayal, especially between Sonny and her mom.

1:19:11.479 --> 1:19:13.640
<v Speaker 2>I think that, like Lupa and her dad, for me,

1:19:13.800 --> 1:19:15.840
<v Speaker 2>is like a little bit rushed at the end, where

1:19:15.840 --> 1:19:17.360
<v Speaker 2>I feel like the guy we met at the beginning

1:19:17.680 --> 1:19:19.840
<v Speaker 2>wouldn't keep asking her where she was, Like was it

1:19:19.880 --> 1:19:22.880
<v Speaker 2>his whole thing that he was overbearing and not negligent?

1:19:23.160 --> 1:19:26.800
<v Speaker 2>Like whatever, it resolves, and I like that it's sort

1:19:26.840 --> 1:19:29.640
<v Speaker 2>of left as like a this Lupa is not going

1:19:29.680 --> 1:19:32.200
<v Speaker 2>to be comfortable coming out to her father overnight. But

1:19:32.640 --> 1:19:36.360
<v Speaker 2>they have this moment of connection and love and it's good.

1:19:36.600 --> 1:19:41.200
<v Speaker 2>But I really really liked Sonny's relationship with her mom,

1:19:41.439 --> 1:19:44.760
<v Speaker 2>and like, you know, not everyone is lucky enough to

1:19:44.800 --> 1:19:47.760
<v Speaker 2>have that experience, but I've had times like that with

1:19:47.800 --> 1:19:50.360
<v Speaker 2>my mom where it's like you, it's not even a

1:19:50.479 --> 1:19:53.040
<v Speaker 2>question to Sonny, I can I talk to my mom

1:19:53.080 --> 1:19:56.160
<v Speaker 2>about this? She's like, no, I can't. I will be judged,

1:19:56.240 --> 1:20:00.840
<v Speaker 2>I will be shamed. That's just her assumption based on

1:20:00.920 --> 1:20:03.679
<v Speaker 2>her mom's behaviors. Seems like a valid assumption. But then

1:20:03.880 --> 1:20:05.720
<v Speaker 2>having like those moments when you're a teenager of like

1:20:06.360 --> 1:20:09.400
<v Speaker 2>your parent having to sort of recognize your humanity in

1:20:09.479 --> 1:20:13.280
<v Speaker 2>order to show up for you. I really appreciated that

1:20:13.560 --> 1:20:15.400
<v Speaker 2>her mom was able to do that for her, and

1:20:15.479 --> 1:20:21.320
<v Speaker 2>that she demolished the guy at CVS and like made

1:20:21.360 --> 1:20:23.519
<v Speaker 2>sure that I don't know, I just I thought that

1:20:23.520 --> 1:20:27.120
<v Speaker 2>that was like a very sweet dynamic and that whole moment,

1:20:27.200 --> 1:20:29.920
<v Speaker 2>like at the when Sonny's at her lowess of like

1:20:29.960 --> 1:20:32.360
<v Speaker 2>I want my mom, Like who hasn't felt that way?

1:20:33.320 --> 1:20:34.400
<v Speaker 2>It's very very sweet.

1:20:34.600 --> 1:20:38.400
<v Speaker 1>Yeah, I appreciated that as well. I also appreciate that

1:20:38.439 --> 1:20:42.720
<v Speaker 1>there is more racial diversity and body diversity in this

1:20:42.840 --> 1:20:46.719
<v Speaker 1>cast than you'd expect from a teen movie or any

1:20:46.800 --> 1:20:50.559
<v Speaker 1>movie in general. And something I also wanted to note

1:20:50.720 --> 1:20:53.879
<v Speaker 1>is that you do see a few examples of characters

1:20:53.920 --> 1:20:59.280
<v Speaker 1>making racist comments to Sonny and or Loupe, which those

1:20:59.360 --> 1:21:02.559
<v Speaker 1>characters challenge and mock. So it's just like nice to

1:21:02.560 --> 1:21:06.400
<v Speaker 1>see the evolution of the presence of racism in teen

1:21:06.439 --> 1:21:10.679
<v Speaker 1>comedies because in the you know, eighties, nineties, and early

1:21:10.720 --> 1:21:14.720
<v Speaker 1>two thousands and even like after that, the racism in

1:21:14.760 --> 1:21:17.160
<v Speaker 1>the movie was characters who we were supposed to be

1:21:17.280 --> 1:21:22.000
<v Speaker 1>rooting for being openly racist and hateful. This seems to

1:21:22.040 --> 1:21:26.120
<v Speaker 1>have mostly shifted to racism in a movie being framed

1:21:26.200 --> 1:21:29.880
<v Speaker 1>as wrong and bad, and the main characters who we

1:21:29.880 --> 1:21:32.120
<v Speaker 1>are rooting for are challenging it. So it's just nice

1:21:32.160 --> 1:21:35.439
<v Speaker 1>to see that shift because we've covered so many teen

1:21:35.520 --> 1:21:40.280
<v Speaker 1>movies of decades past where there were racist comments being

1:21:40.400 --> 1:21:43.679
<v Speaker 1>made and we were supposed to laugh along with them.

1:21:43.760 --> 1:21:47.240
<v Speaker 1>So it's just nice to see that shift.

1:21:47.680 --> 1:21:51.080
<v Speaker 3>Totally. This is a tangential thing, but I wonder if

1:21:51.320 --> 1:21:53.640
<v Speaker 3>I could have one minute to kind of assess some

1:21:53.760 --> 1:21:57.519
<v Speaker 3>of like the science factual parts of Emergency contraception and

1:21:57.560 --> 1:22:01.160
<v Speaker 3>Plan B in this film, yeah, because I think that

1:22:01.160 --> 1:22:05.920
<v Speaker 3>that might might be helpful for people listening, because yeah,

1:22:05.920 --> 1:22:09.080
<v Speaker 3>there are just a few things that aren't really talked

1:22:09.120 --> 1:22:11.960
<v Speaker 3>about at all, and obviously they don't have the time

1:22:12.080 --> 1:22:14.639
<v Speaker 3>or the wherewithal, but we're here now, so I'd love

1:22:14.720 --> 1:22:18.280
<v Speaker 3>to share some things, please. So in terms of the

1:22:18.320 --> 1:22:22.840
<v Speaker 3>most effective emergency contraception option that there is, Plan B

1:22:23.080 --> 1:22:27.960
<v Speaker 3>is actually the third most effective emergency contraceptive option. The

1:22:28.000 --> 1:22:32.280
<v Speaker 3>first is the copper IUD, which must be inputted by

1:22:32.320 --> 1:22:35.840
<v Speaker 3>a medical provider. Quite unrealistic for people to get an

1:22:35.880 --> 1:22:40.000
<v Speaker 3>appointment asap after an accident happens, but the copper IUD

1:22:40.160 --> 1:22:42.639
<v Speaker 3>does reduce the risk of pregnancy by ninety nine point

1:22:42.760 --> 1:22:46.040
<v Speaker 3>nine percent, and you know it also has the added

1:22:46.040 --> 1:22:48.400
<v Speaker 3>bonus of preventing pregnancy for up to twelve years if

1:22:48.400 --> 1:22:53.080
<v Speaker 3>you are interested in IUD. The second most effective option

1:22:53.439 --> 1:22:56.800
<v Speaker 3>is an EC pill called Ella, and Ella has to

1:22:56.800 --> 1:22:59.519
<v Speaker 3>be prescribed by a medical provider taken within five days

1:22:59.520 --> 1:23:02.479
<v Speaker 3>of unprotect did sex, and it also works best for

1:23:02.520 --> 1:23:06.439
<v Speaker 3>people who weigh up to one hundred and ninety five pounds.

1:23:06.840 --> 1:23:09.280
<v Speaker 3>I don't know if y'all know, but there are kind

1:23:09.320 --> 1:23:14.360
<v Speaker 3>of weight suggestions for Plan B and for Plan B,

1:23:14.439 --> 1:23:17.800
<v Speaker 3>which is the most accessible emergency contraception pill, you can

1:23:17.840 --> 1:23:19.519
<v Speaker 3>get it, you know, on Amazon Prime, you can get

1:23:19.520 --> 1:23:23.559
<v Speaker 3>it at CVS your local store, and if you take

1:23:23.560 --> 1:23:26.439
<v Speaker 3>it as directed within seventy two hours after you've had it,

1:23:26.880 --> 1:23:28.840
<v Speaker 3>it can reduce your risk of pregnancy by up to

1:23:28.920 --> 1:23:31.240
<v Speaker 3>eighty nine percent, And if you take it within twenty

1:23:31.320 --> 1:23:33.760
<v Speaker 3>four hours, it works even better. So Sonny kind of

1:23:33.800 --> 1:23:36.680
<v Speaker 3>talks about this like ticking against the clock. She kind

1:23:36.680 --> 1:23:39.160
<v Speaker 3>of has this number of like sixty one percent. I

1:23:39.160 --> 1:23:40.439
<v Speaker 3>don't know where she got that.

1:23:40.600 --> 1:23:42.520
<v Speaker 1>It feels it's not correct.

1:23:42.160 --> 1:23:44.479
<v Speaker 3>I don't know about that. All I know is the

1:23:44.520 --> 1:23:48.360
<v Speaker 3>seventy two hour mark. So yeah, so that's important to share.

1:23:48.840 --> 1:23:51.680
<v Speaker 3>And Plan B works best for people with uteruses that

1:23:51.720 --> 1:23:54.479
<v Speaker 3>weigh up to one hundred and sixty five pounds. If

1:23:54.520 --> 1:23:57.320
<v Speaker 3>you weigh more than this, you still should take Plan

1:23:57.400 --> 1:24:01.000
<v Speaker 3>B if it's your only accessible option, but it makes

1:24:01.000 --> 1:24:03.080
<v Speaker 3>it less effective. So I just think this is like

1:24:03.240 --> 1:24:07.519
<v Speaker 3>super fucked up that according to the CDC, the average

1:24:07.560 --> 1:24:11.080
<v Speaker 3>American person with the uterus age twenty and over is

1:24:11.120 --> 1:24:14.400
<v Speaker 3>actually one hundred and seventy point eight pounds. So for

1:24:14.439 --> 1:24:17.479
<v Speaker 3>the average person with the uterus, Plan B actually is

1:24:17.520 --> 1:24:20.439
<v Speaker 3>not as effective as it should be. So those are

1:24:20.520 --> 1:24:22.599
<v Speaker 3>kind of the main things I wanted to share, kind of.

1:24:22.520 --> 1:24:25.000
<v Speaker 2>Just to thank you for sharing that. Yeah.

1:24:25.120 --> 1:24:28.759
<v Speaker 1>Yes, hopefully they make some adjustments to make it more

1:24:29.200 --> 1:24:31.080
<v Speaker 1>body inclusive.

1:24:30.920 --> 1:24:34.560
<v Speaker 2>Inclusively people with userses like that's absurd.

1:24:34.840 --> 1:24:38.920
<v Speaker 1>Yeah, yeah, yeah, thank you for sharing that information. I

1:24:39.120 --> 1:24:41.920
<v Speaker 1>would like to talk a little bit more about my

1:24:42.080 --> 1:24:49.559
<v Speaker 1>upcoming hysterectomy, So I do want to acknowledge that both

1:24:49.600 --> 1:24:52.200
<v Speaker 1>as someone who has already gotten my tubes tied and

1:24:52.320 --> 1:24:56.120
<v Speaker 1>who is getting a hysterectomy, and while both of these

1:24:56.160 --> 1:25:00.439
<v Speaker 1>procedures were a challenge for me to get because of

1:25:00.840 --> 1:25:04.200
<v Speaker 1>bias in American health care health care in general, where

1:25:04.320 --> 1:25:08.000
<v Speaker 1>people with uteruses are seen as baby making machines and

1:25:08.040 --> 1:25:12.720
<v Speaker 1>it's their duty to bear children, and doctors will routinely

1:25:13.200 --> 1:25:17.200
<v Speaker 1>deny you access to these procedures. They will convince you

1:25:17.240 --> 1:25:19.519
<v Speaker 1>that you'll change your mind about wanting to have children,

1:25:19.560 --> 1:25:22.920
<v Speaker 1>all that kind of stuff. This is particularly true for

1:25:23.080 --> 1:25:26.240
<v Speaker 1>white people because there is a long history in the

1:25:26.400 --> 1:25:30.439
<v Speaker 1>US and elsewhere around the world of particularly black and

1:25:30.479 --> 1:25:35.080
<v Speaker 1>indigenous people with uteruses who have been forcibly sterilized without

1:25:35.120 --> 1:25:40.360
<v Speaker 1>their consent for eugenics purposes. So even though you know,

1:25:40.400 --> 1:25:42.960
<v Speaker 1>it was difficult for me to get these procedures to

1:25:43.000 --> 1:25:46.680
<v Speaker 1>exercise autonomy over my body and my reproductive health, it

1:25:46.760 --> 1:25:49.320
<v Speaker 1>is still a privilege that I was able to do

1:25:49.360 --> 1:25:51.160
<v Speaker 1>that because a lot of people don't have and have

1:25:51.280 --> 1:25:55.280
<v Speaker 1>not had that privilege, and they have been forcibly sterilized

1:25:55.680 --> 1:25:58.320
<v Speaker 1>when they might have wanted to have children. So you know,

1:25:58.400 --> 1:26:02.920
<v Speaker 1>the powers that be exercising control over reproduction has a

1:26:02.960 --> 1:26:05.880
<v Speaker 1>lot to do with racism and eugenics. So I just

1:26:05.920 --> 1:26:10.240
<v Speaker 1>wanted to acknowledge that, acknowledge my privilege in this situation.

1:26:10.800 --> 1:26:14.559
<v Speaker 1>And it's like, let people make their own decisions about

1:26:14.600 --> 1:26:16.200
<v Speaker 1>their own bodies, duh.

1:26:16.040 --> 1:26:18.160
<v Speaker 3>But period point blank.

1:26:18.760 --> 1:26:22.559
<v Speaker 2>Yeah, yeah, And like the same goes for just I mean,

1:26:22.560 --> 1:26:26.720
<v Speaker 2>women of color are being disbelieved in medical situations constantly

1:26:27.400 --> 1:26:31.880
<v Speaker 2>because you know, society conditions people to view them as

1:26:32.240 --> 1:26:36.000
<v Speaker 2>less human than white patients, which is just like, I

1:26:36.000 --> 1:26:38.519
<v Speaker 2>don't know, I think you hear a million stories to

1:26:38.560 --> 1:26:39.240
<v Speaker 2>that effect.

1:26:40.439 --> 1:26:43.439
<v Speaker 1>Absolutely. And then the final thing I wanted to talk

1:26:43.439 --> 1:26:49.080
<v Speaker 1>about is the etymology of the word hysterectomy buckle in everybody. So,

1:26:50.120 --> 1:26:55.320
<v Speaker 1>as we've said, a hysterectomy is the removal of the uterus,

1:26:55.520 --> 1:27:01.080
<v Speaker 1>so ectomy signifying the surgical removal of a specified part

1:27:01.080 --> 1:27:05.720
<v Speaker 1>of the body. But we're like, okay, hister, what's that.

1:27:06.200 --> 1:27:10.160
<v Speaker 1>What's that coming from? Well, it comes from the Greek

1:27:10.200 --> 1:27:15.320
<v Speaker 1>word hysteria, meaning womb, and the Latin word hystericus, meaning

1:27:15.360 --> 1:27:21.320
<v Speaker 1>of the womb. From these words evolved the concept slash

1:27:21.640 --> 1:27:28.720
<v Speaker 1>quote unquote medical condition of hysteria, which referred to any

1:27:28.800 --> 1:27:33.519
<v Speaker 1>number of health conditions that were diagnosed almost exclusively in

1:27:33.600 --> 1:27:39.360
<v Speaker 1>women and were believed to be caused by the uterus. Hence,

1:27:39.520 --> 1:27:43.920
<v Speaker 1>this term hysteria rooted in these Latin and Greek terms.

1:27:44.000 --> 1:27:48.439
<v Speaker 1>So I'm pulling from an article in useless etymology dot

1:27:48.479 --> 1:27:52.320
<v Speaker 1>com which points out that a nineteenth century American physician

1:27:52.439 --> 1:27:57.639
<v Speaker 1>named George Miller Beard compiled a seventy five page list

1:27:58.320 --> 1:28:01.960
<v Speaker 1>of possible symptoms of histil area, a list which he

1:28:02.040 --> 1:28:05.920
<v Speaker 1>claimed to be incomplete. Still, so seventy five pages wasn't enough.

1:28:06.600 --> 1:28:09.519
<v Speaker 1>There was more, according to him, But it included things

1:28:09.600 --> 1:28:16.400
<v Speaker 1>like heartburn, vertigo, headaches, choking, depression, poor attention span, jealousy,

1:28:17.760 --> 1:28:21.960
<v Speaker 1>who knows jealousy, anxiety, death, just name a few. You know,

1:28:22.040 --> 1:28:25.960
<v Speaker 1>we like when I hear the word hysteria, I associate

1:28:26.000 --> 1:28:31.160
<v Speaker 1>it with like not able to regulate your emotions, like

1:28:31.280 --> 1:28:35.120
<v Speaker 1>having emotional outbursts, like all this sexist.

1:28:34.800 --> 1:28:37.760
<v Speaker 2>Yeah, like giving someone a reason to dismiss you. Yeah, yeah,

1:28:37.880 --> 1:28:40.439
<v Speaker 2>yeah because yeah yeah right.

1:28:40.640 --> 1:28:46.719
<v Speaker 1>So apparently, sometimes hysterectomies were performed to quote unquote cure

1:28:47.160 --> 1:28:51.479
<v Speaker 1>quote unquote hysteria, since doctors believed that the uterus was

1:28:51.479 --> 1:28:57.120
<v Speaker 1>the cause of these problems. Also, in ancient like Western medicine,

1:28:57.760 --> 1:29:03.960
<v Speaker 1>there was this condition wandering womb, in which the uterus

1:29:04.000 --> 1:29:08.720
<v Speaker 1>would band name right, in which the uterus would just

1:29:08.880 --> 1:29:11.720
<v Speaker 1>move around inside your body of its own accord. It

1:29:11.760 --> 1:29:15.080
<v Speaker 1>would just wander around in there, and that that was

1:29:15.160 --> 1:29:18.439
<v Speaker 1>thought to cause a lot of health issues and have

1:29:18.479 --> 1:29:21.799
<v Speaker 1>all these symptoms. This is, of course not a real condition,

1:29:22.160 --> 1:29:25.599
<v Speaker 1>but this is what old timey physicians used to think

1:29:25.720 --> 1:29:30.080
<v Speaker 1>was happening. Obviously, all of this speaks to a century's

1:29:30.120 --> 1:29:36.120
<v Speaker 1>long fear and distrust and dismissiveness towards people with uteruses

1:29:36.360 --> 1:29:40.120
<v Speaker 1>and their bodies and emotions. And I just think it's.

1:29:40.000 --> 1:29:43.639
<v Speaker 2>Wild that So it was like exclusion from the medical

1:29:43.680 --> 1:29:44.559
<v Speaker 2>field too.

1:29:44.640 --> 1:29:47.400
<v Speaker 1>Yeah for sure, because I was like, why the fuck

1:29:47.520 --> 1:29:51.120
<v Speaker 1>is it called a hysterectomy. That's why. I don't know

1:29:51.160 --> 1:29:53.800
<v Speaker 1>how prominent this movement is, but it seems as though

1:29:53.840 --> 1:29:58.880
<v Speaker 1>there is a movement to rename the procedure to U directomy,

1:29:59.720 --> 1:30:06.439
<v Speaker 1>which sounds more accurate, at least more accurate. So yay,

1:30:06.680 --> 1:30:10.920
<v Speaker 1>I just had a you direct to me, everybody. But yeah,

1:30:10.960 --> 1:30:14.400
<v Speaker 1>that's what I wanted to say about it.

1:30:14.880 --> 1:30:17.880
<v Speaker 2>Thank you. I mean yeah, truly, I know that I,

1:30:18.040 --> 1:30:21.560
<v Speaker 2>up until somewhat recently, was not well educated enough about

1:30:21.720 --> 1:30:25.320
<v Speaker 2>what a hysterectomy or you direct me as I will

1:30:25.320 --> 1:30:30.880
<v Speaker 2>call it beforeward, actually is and entails. This isn't a

1:30:30.880 --> 1:30:33.960
<v Speaker 2>criticism of the movie, because no movie is qualified to

1:30:34.000 --> 1:30:36.679
<v Speaker 2>take on everything, but I just wanted to acknowledge as well,

1:30:37.120 --> 1:30:40.840
<v Speaker 2>particularly because we're recording this two days after the second

1:30:40.840 --> 1:30:45.559
<v Speaker 2>Trump inauguration, that reproductive access for trans patients is also

1:30:45.720 --> 1:30:49.320
<v Speaker 2>something that is deeply under discussed, especially during a time

1:30:49.400 --> 1:30:52.799
<v Speaker 2>where trans healthcare is going to be increasingly under attack,

1:30:53.720 --> 1:30:56.680
<v Speaker 2>that this movie. I mean again, it's not a criticism

1:30:56.720 --> 1:31:00.240
<v Speaker 2>of this movie in particular, but because reproductive health health

1:31:00.680 --> 1:31:04.240
<v Speaker 2>has only really become harder to access since this movie

1:31:04.280 --> 1:31:09.120
<v Speaker 2>came out less than four years ago, it's just important to, yeah,

1:31:09.200 --> 1:31:12.880
<v Speaker 2>acknowledge that this is an issue that affects fucking everybody

1:31:12.960 --> 1:31:16.240
<v Speaker 2>and that it's not just you know, fem presenting people

1:31:16.320 --> 1:31:19.760
<v Speaker 2>who need access to healthcare and need to be.

1:31:19.479 --> 1:31:24.360
<v Speaker 1>Believed and trusted totally. I mean bringing it back to hysterectomies,

1:31:24.479 --> 1:31:29.240
<v Speaker 1>many non binary and trans mask people seek getting a

1:31:29.360 --> 1:31:32.160
<v Speaker 1>hysterectomy as a part of their gender reforming care, and

1:31:32.479 --> 1:31:36.400
<v Speaker 1>that's an uphill battle for many, if not most of them.

1:31:36.680 --> 1:31:41.320
<v Speaker 1>So yeah, uh, definitely worth acknowledging. Yeah, does anyone have

1:31:41.360 --> 1:31:43.080
<v Speaker 1>anything else they'd like to say?

1:31:43.760 --> 1:31:45.519
<v Speaker 2>I liked the Jesus Trap song.

1:31:47.240 --> 1:31:49.439
<v Speaker 3>We should catch the lyrics of that, Yeah, maybe make

1:31:49.439 --> 1:31:53.200
<v Speaker 3>a choreographed dance. Yeah, Yes, I guess the final yeah

1:31:53.280 --> 1:31:55.320
<v Speaker 3>thing that I want to drive home is that, like,

1:31:56.280 --> 1:31:59.160
<v Speaker 3>while there are many things that this movie could have

1:31:59.160 --> 1:32:02.160
<v Speaker 3>improved upon, could have you know, a few scenes that

1:32:02.200 --> 1:32:05.679
<v Speaker 3>maybe were unnecessary or some extra dialogue that was needed,

1:32:06.120 --> 1:32:08.800
<v Speaker 3>I do think that it is a step in the

1:32:08.880 --> 1:32:13.120
<v Speaker 3>right direction of portraying accurately what some of these issues

1:32:13.120 --> 1:32:17.759
<v Speaker 3>that folks who are teenagers, specifically you know, women of color,

1:32:17.760 --> 1:32:22.719
<v Speaker 3>girls of color are experiencing in these states, especially where

1:32:22.920 --> 1:32:26.840
<v Speaker 3>their rights are just consistently being taken away, and all

1:32:26.880 --> 1:32:29.880
<v Speaker 3>the more reason that we should bring attention to these

1:32:29.920 --> 1:32:33.519
<v Speaker 3>issues and also hopefully laugh a bit and feel like,

1:32:34.040 --> 1:32:37.200
<v Speaker 3>you know, sweet sweetness while we're learning about them.

1:32:37.360 --> 1:32:39.640
<v Speaker 1>Yeah, there was nothing like this. No movie is like

1:32:39.640 --> 1:32:42.080
<v Speaker 1>this when I was a teenager that I could have got.

1:32:42.280 --> 1:32:44.240
<v Speaker 2>I mean, I guess there was that scary thing from

1:32:44.320 --> 1:32:46.280
<v Speaker 2>nineteen ninety six you described.

1:32:45.880 --> 1:32:49.360
<v Speaker 1>To us, Oh yeah, Maternal Instincts where a deranged woman

1:32:49.600 --> 1:32:50.840
<v Speaker 1>tries to kill her.

1:32:50.720 --> 1:32:57.439
<v Speaker 2>Doctor after having the hysterical surgery. I totally agree with you, Danielle,

1:32:57.479 --> 1:33:01.040
<v Speaker 2>where it's like, we know, picked on this movie for

1:33:01.120 --> 1:33:03.040
<v Speaker 2>certain things, but this is this is the kind of

1:33:03.040 --> 1:33:06.920
<v Speaker 2>movie that again just doesn't exist and is important because

1:33:06.960 --> 1:33:10.080
<v Speaker 2>it leads to other movies like it ideally, and you know,

1:33:10.120 --> 1:33:12.200
<v Speaker 2>I mean, we've talked about so many movies like that

1:33:12.680 --> 1:33:14.920
<v Speaker 2>on this podcast that even though it hasn't been very

1:33:14.920 --> 1:33:18.400
<v Speaker 2>long since this movie came out, I hope, especially as

1:33:18.600 --> 1:33:22.680
<v Speaker 2>reproductive healthcare continues to be a very pressing issue, that

1:33:22.760 --> 1:33:26.439
<v Speaker 2>it will like inspire other filmmakers to make their version

1:33:26.520 --> 1:33:29.960
<v Speaker 2>of this movie and sort of continue to grow. And

1:33:30.000 --> 1:33:32.479
<v Speaker 2>also the fact that I really wish that more movies

1:33:32.520 --> 1:33:35.040
<v Speaker 2>like this because both movies. I think it is relevant

1:33:35.080 --> 1:33:37.559
<v Speaker 2>to say that both movies that came out around this time,

1:33:37.640 --> 1:33:40.439
<v Speaker 2>Unpregnant and Plan B were both streamer movies. I would

1:33:40.520 --> 1:33:43.919
<v Speaker 2>like to see movies like this actually get a proper

1:33:44.000 --> 1:33:46.799
<v Speaker 2>release and marketing campaign. But I think that these stories

1:33:47.080 --> 1:33:51.000
<v Speaker 2>are viewed in Hollywood circles as risky and like, Okay,

1:33:51.040 --> 1:33:53.559
<v Speaker 2>we want to do you know, we vote blue no

1:33:53.600 --> 1:33:55.800
<v Speaker 2>matter who, so we want to have this movie, but

1:33:55.960 --> 1:33:59.400
<v Speaker 2>like we can't actually promote it, you know, because this

1:33:59.479 --> 1:34:01.519
<v Speaker 2>is a movie that but I think like a lot

1:34:01.520 --> 1:34:04.439
<v Speaker 2>of people would really benefit from seeing. But I don't know,

1:34:04.840 --> 1:34:07.960
<v Speaker 2>I don't recall seeing very much promotion of it. Like

1:34:08.000 --> 1:34:11.519
<v Speaker 2>I think if this wasn't an interest I had and

1:34:11.600 --> 1:34:13.439
<v Speaker 2>an issue that matters a lot to me, I don't

1:34:13.479 --> 1:34:15.240
<v Speaker 2>know that this movie would have just come to me

1:34:15.400 --> 1:34:18.600
<v Speaker 2>in the way that Sonic three does. You know, not

1:34:18.720 --> 1:34:21.360
<v Speaker 2>that any teen movie gets Sonic three promotion, but you

1:34:21.400 --> 1:34:23.240
<v Speaker 2>know what I mean, Like, I think a proper theatrical

1:34:23.280 --> 1:34:26.320
<v Speaker 2>release and marketing campaign obviously makes a huge difference, and

1:34:27.000 --> 1:34:30.000
<v Speaker 2>you know, getting the movie to its intended audience and

1:34:30.040 --> 1:34:32.799
<v Speaker 2>also beyond to get you know, people who wouldn't normally

1:34:32.840 --> 1:34:35.719
<v Speaker 2>be thinking about reproductive health care because they don't perceive

1:34:35.760 --> 1:34:36.639
<v Speaker 2>it as affecting them.

1:34:36.840 --> 1:34:39.960
<v Speaker 3>So like that Book Smart, I feel like BookSmart kind

1:34:40.000 --> 1:34:43.519
<v Speaker 3>of exists in this kind of tangential world where, yeah,

1:34:43.520 --> 1:34:46.160
<v Speaker 3>this is kind of like an elevated Book Smart when

1:34:46.200 --> 1:34:48.759
<v Speaker 3>it comes to like reproductive health issues and queer issues

1:34:48.760 --> 1:34:49.799
<v Speaker 3>and like all of these things.

1:34:50.040 --> 1:34:54.280
<v Speaker 1>Yeah, for sure. Oh, the movie does pass the Bechdel

1:34:54.640 --> 1:35:00.000
<v Speaker 1>test very handily, regularly between several different combinations of care,

1:35:00.000 --> 1:35:02.840
<v Speaker 1>which is predominantly Sonny and Loupe, but.

1:35:02.880 --> 1:35:07.760
<v Speaker 2>Also Lope and Logans, Sonny and our mom Doris.

1:35:07.880 --> 1:35:09.840
<v Speaker 3>Don't forget about door Doris.

1:35:10.000 --> 1:35:13.879
<v Speaker 2>There's plenty of women chatting about this, and that.

1:35:15.960 --> 1:35:19.000
<v Speaker 1>Tell me about it. As far as our nipple scale,

1:35:19.280 --> 1:35:21.439
<v Speaker 1>where we rate the movie on a scale of zero

1:35:21.560 --> 1:35:26.880
<v Speaker 1>to five nipples, examining the movie through an intersectional feminist lens,

1:35:27.479 --> 1:35:30.800
<v Speaker 1>I'm gonna give this between like a three and a

1:35:30.840 --> 1:35:32.479
<v Speaker 1>three and a half. I wish I could give it more,

1:35:32.479 --> 1:35:35.200
<v Speaker 1>but it's just those two scenes that really bothered me,

1:35:35.360 --> 1:35:40.560
<v Speaker 1>that feel so misguided and could have been rewritten in

1:35:40.600 --> 1:35:44.160
<v Speaker 1>such a way so easily that they wouldn't have been

1:35:44.439 --> 1:35:49.559
<v Speaker 1>so problematic and uncomfortable. It seems very discongruent with a

1:35:49.560 --> 1:35:51.160
<v Speaker 1>lot of the rest of the movie. That they're there

1:35:51.200 --> 1:35:53.840
<v Speaker 1>and that they're written the way that they are because

1:35:53.840 --> 1:35:58.559
<v Speaker 1>they deal with things like consent and sexual coercion. And

1:35:59.320 --> 1:36:03.400
<v Speaker 1>I'll give it three half nipples, docking it for those scenes.

1:36:03.640 --> 1:36:06.639
<v Speaker 1>But by and large, this movie does handle other things

1:36:06.760 --> 1:36:09.360
<v Speaker 1>very very well, and I do think it's a great

1:36:09.400 --> 1:36:11.800
<v Speaker 1>step in the right direction. Is a very like, Yeah,

1:36:11.880 --> 1:36:16.680
<v Speaker 1>more movies like this, please, minus those couple scenes that

1:36:16.680 --> 1:36:20.760
<v Speaker 1>were mishandled. But yeah, I'll go three and a half nipples,

1:36:20.840 --> 1:36:24.360
<v Speaker 1>and I'll give I'll split my nipples between the writer,

1:36:24.479 --> 1:36:31.519
<v Speaker 1>the director, the two main leads, and I'll give so

1:36:31.600 --> 1:36:33.320
<v Speaker 1>like three to all them. And then I'll give my

1:36:33.400 --> 1:36:37.880
<v Speaker 1>half nipple to the nineteen ninety six TV movie Maternal Instincts.

1:36:38.280 --> 1:36:40.479
<v Speaker 2>Yeah, where's the rev remake it.

1:36:40.600 --> 1:36:45.120
<v Speaker 1>I'll rewrite it and it'll be about me, a deranged

1:36:45.200 --> 1:36:48.439
<v Speaker 1>person who got a hysterectomy and is upset about it.

1:36:49.400 --> 1:36:52.439
<v Speaker 2>Yeah. Yeah, I'm gonna go three and a half as well.

1:36:52.880 --> 1:36:55.800
<v Speaker 2>I think speaking to your point, Danielle, that like it is,

1:36:55.840 --> 1:37:00.400
<v Speaker 2>this is a very important movie to exist. And the

1:37:00.400 --> 1:37:01.800
<v Speaker 2>two things I want to say because I know that

1:37:01.840 --> 1:37:04.559
<v Speaker 2>like there were times where I was coming down pretty

1:37:04.640 --> 1:37:07.000
<v Speaker 2>hard on this movie. This movie is tasked with a

1:37:07.040 --> 1:37:11.479
<v Speaker 2>lot that most movies haven't even attempted. So the fact

1:37:11.520 --> 1:37:16.240
<v Speaker 2>that that both happened happened with a director with a

1:37:16.320 --> 1:37:19.200
<v Speaker 2>uterus that this is a very important issue to happen

1:37:19.439 --> 1:37:22.559
<v Speaker 2>with leads to women of color, like all of these

1:37:22.560 --> 1:37:25.240
<v Speaker 2>things that rarely happen in movies are happening here and

1:37:25.360 --> 1:37:28.160
<v Speaker 2>are released on a major streamer. That is like no

1:37:28.320 --> 1:37:32.040
<v Speaker 2>small feat. So well, there are my gripes with the movie,

1:37:32.120 --> 1:37:34.320
<v Speaker 2>or my gripes with the movie, but there are so

1:37:34.439 --> 1:37:37.080
<v Speaker 2>few movies like this that it is kind of a

1:37:37.120 --> 1:37:39.200
<v Speaker 2>miracle that it exists in the way that it does.

1:37:39.600 --> 1:37:42.160
<v Speaker 2>And I also wanted to just say, even though I

1:37:42.200 --> 1:37:44.400
<v Speaker 2>wasn't able to find a lot of information about the

1:37:44.520 --> 1:37:49.439
<v Speaker 2>production specifically, but I would not be shocked if some

1:37:49.960 --> 1:37:52.759
<v Speaker 2>maybe not the initial sex scene, but the Moses storm scene.

1:37:53.120 --> 1:37:56.800
<v Speaker 2>It feels very studio notes to me, where it's just like,

1:37:57.160 --> 1:38:00.240
<v Speaker 2>make something silly happen. And again it's like that's this

1:38:00.280 --> 1:38:02.639
<v Speaker 2>is a Hulu movie. It is very much not outside

1:38:02.680 --> 1:38:07.600
<v Speaker 2>the realm of possibility that a couple like dipshit executives

1:38:07.720 --> 1:38:10.880
<v Speaker 2>are like, I haven't what if there was a Pepe

1:38:11.000 --> 1:38:14.800
<v Speaker 2>that was Peers like some shitty like I don't want

1:38:14.800 --> 1:38:17.479
<v Speaker 2>to assume that this was all like this was always

1:38:17.560 --> 1:38:21.400
<v Speaker 2>the most important thing to happen. That might explain some

1:38:21.439 --> 1:38:23.920
<v Speaker 2>of the tonal dissonance. Maybe that's inherent to the project.

1:38:23.960 --> 1:38:26.599
<v Speaker 2>I'm not sure, but it is a movie that's important

1:38:26.600 --> 1:38:29.320
<v Speaker 2>to exist, and the gripes that I have with it

1:38:29.439 --> 1:38:31.559
<v Speaker 2>are gripes that I don't have with other movies because

1:38:31.600 --> 1:38:33.880
<v Speaker 2>movies like this don't exist. So I hope it will

1:38:33.920 --> 1:38:37.960
<v Speaker 2>continue to lead to more movies that don't contain these issues,

1:38:38.000 --> 1:38:41.439
<v Speaker 2>that have wider releases. But I think Natalie Morales and

1:38:41.520 --> 1:38:44.960
<v Speaker 2>Pratheisterna Vasin have really done something amazing. And Joshua Olivia,

1:38:45.040 --> 1:38:47.680
<v Speaker 2>I guess, I don't know. I don't know. It's like

1:38:47.720 --> 1:38:49.960
<v Speaker 2>when people are like Noah Bombac wrote Barbie and like,

1:38:50.000 --> 1:38:52.320
<v Speaker 2>but like, did he did he? I really don't think

1:38:52.360 --> 1:38:56.200
<v Speaker 2>that he did. Like maybe he was nearby, like I

1:38:56.240 --> 1:38:59.920
<v Speaker 2>know they share a home, but like wrote the movie. Anyways,

1:39:00.600 --> 1:39:03.080
<v Speaker 2>I just don't believe that's that's a conspiracy theory. At

1:39:03.080 --> 1:39:05.040
<v Speaker 2>Line was like I think that she was just she

1:39:05.080 --> 1:39:10.240
<v Speaker 2>owed him a favor or something. Anyways, I'm going to

1:39:10.240 --> 1:39:12.479
<v Speaker 2>give it three and a half nipples, and I'm going

1:39:12.520 --> 1:39:15.839
<v Speaker 2>to yes, give one to Napalie Morales, one to protheys

1:39:15.880 --> 1:39:20.280
<v Speaker 2>rina vasin split one between kuhoo Verma and Victoria Morales,

1:39:20.360 --> 1:39:26.080
<v Speaker 2>and then I'm going to give my half nipple two

1:39:27.080 --> 1:39:31.559
<v Speaker 2>Sonny's Mom because I uh the character but also the actor.

1:39:31.560 --> 1:39:34.799
<v Speaker 2>Why not? But like the character because I was really

1:39:35.320 --> 1:39:39.320
<v Speaker 2>pleasantly surprised by and I really liked that ending beat

1:39:39.560 --> 1:39:41.960
<v Speaker 2>between the two of them. I think that that was

1:39:42.000 --> 1:39:46.639
<v Speaker 2>like a really thoughtful, cool beat. So yes, the character

1:39:46.680 --> 1:39:48.360
<v Speaker 2>Sunny's Mom gets my last half nipple.

1:39:48.760 --> 1:39:50.800
<v Speaker 1>Lovely, Danielle, how about you?

1:39:51.680 --> 1:39:55.000
<v Speaker 3>Yeah? Before my rating really quick, Jamie, you mentioned that

1:39:55.520 --> 1:39:57.640
<v Speaker 3>there aren't really many other movies like this, but I

1:39:57.680 --> 1:39:59.679
<v Speaker 3>want to shout out the movie fitting In. I don't

1:39:59.680 --> 1:40:01.439
<v Speaker 3>know if you I have heard of this movie, but

1:40:01.760 --> 1:40:05.479
<v Speaker 3>it stars Mattie Ziegler and it focuses on a teen

1:40:05.560 --> 1:40:08.519
<v Speaker 3>who's diagnosed with mrk H syndrome, which is a condition

1:40:08.560 --> 1:40:11.760
<v Speaker 3>where a person is born without a uterus. And it

1:40:11.840 --> 1:40:14.680
<v Speaker 3>is directed by Molly McGlynn, who I also had on

1:40:14.720 --> 1:40:17.960
<v Speaker 3>SEXI with dB recently to talk about this film and

1:40:18.080 --> 1:40:21.320
<v Speaker 3>Molly McGlynn. This is based on her own experiences, and

1:40:21.400 --> 1:40:24.400
<v Speaker 3>so just a really fantastic film, very well acted. Highly

1:40:24.400 --> 1:40:27.519
<v Speaker 3>recommend it if you're looking for more films to cover

1:40:27.680 --> 1:40:31.240
<v Speaker 3>about reproductive health care and conditions. But that is neither

1:40:31.280 --> 1:40:34.879
<v Speaker 3>here nor there. I'm going to give this film four nipples.

1:40:35.200 --> 1:40:39.200
<v Speaker 3>I think overall, I have ye hopefully planted my flag

1:40:39.240 --> 1:40:41.920
<v Speaker 3>about how important I think that it is that we're

1:40:41.960 --> 1:40:46.439
<v Speaker 3>showing realistic depictions of sex scenes. And yes, of course

1:40:46.600 --> 1:40:51.200
<v Speaker 3>we want enthusiastic consent no matter what, hands down period.

1:40:51.720 --> 1:40:55.160
<v Speaker 3>And I really like the way in which yeah, female

1:40:55.160 --> 1:40:59.280
<v Speaker 3>friendship is portrayed here, the kind of desire to get

1:40:59.360 --> 1:41:05.680
<v Speaker 3>reproductive healthcare needs met, and the kind of silliness that

1:41:05.720 --> 1:41:08.240
<v Speaker 3>happens along the way. I love the way that queerness

1:41:08.360 --> 1:41:12.160
<v Speaker 3>is depicted in this film. And yeah, just overall, I

1:41:12.520 --> 1:41:14.880
<v Speaker 3>really enjoyed this movie. I loved watching it a second

1:41:14.880 --> 1:41:17.960
<v Speaker 3>time around. I'm gonna give all of my nipples to

1:41:18.040 --> 1:41:22.560
<v Speaker 3>Kuhuverma and Victoria Morales. I think I just love these actors.

1:41:23.120 --> 1:41:25.880
<v Speaker 3>I love the way that they portrayed their friendship, and

1:41:25.960 --> 1:41:27.280
<v Speaker 3>that's where all my nipples are going.

1:41:27.600 --> 1:41:29.880
<v Speaker 1>Yay, oh my gosh, thank you, and thank you for

1:41:29.960 --> 1:41:33.080
<v Speaker 1>joining us once again. And lending all of your expertise.

1:41:33.320 --> 1:41:35.040
<v Speaker 3>Thank you for having me. This has been great.

1:41:35.360 --> 1:41:40.639
<v Speaker 1>Where can people follow you? Check out your work et cetera,

1:41:40.760 --> 1:41:41.559
<v Speaker 1>plug away.

1:41:41.439 --> 1:41:44.120
<v Speaker 3>Yeah, check us out on Instagram at sex Ed with

1:41:44.280 --> 1:41:48.839
<v Speaker 3>dB podcast. You can listen to rom com bomb wherever

1:41:48.880 --> 1:41:51.320
<v Speaker 3>you get your podcast by just typing in sex Ed

1:41:51.400 --> 1:41:55.840
<v Speaker 3>with dB or rom com vomb that's vom And yeah,

1:41:55.880 --> 1:41:59.519
<v Speaker 3>you can check us out sex at with dB dot com,

1:42:00.080 --> 1:42:03.479
<v Speaker 3>us on TikTok at sex Ed with dB. And thank

1:42:03.520 --> 1:42:06.000
<v Speaker 3>you so much again Caitlyn and Jamie for having me.

1:42:06.080 --> 1:42:07.160
<v Speaker 3>This has been such a bless.

1:42:07.200 --> 1:42:08.680
<v Speaker 1>Oh the pleasures all are.

1:42:08.760 --> 1:42:11.439
<v Speaker 2>Thank you so much for joining us and giving us

1:42:11.560 --> 1:42:13.559
<v Speaker 2>so much good info because I was like, I learned,

1:42:13.720 --> 1:42:18.160
<v Speaker 2>I lived, I laughed and I learned. And now if

1:42:18.160 --> 1:42:21.640
<v Speaker 2>that's not a podcast, so thank you so much for

1:42:22.160 --> 1:42:25.880
<v Speaker 2>joining us anytime you fed us on Instagram at Bechdel Cast.

1:42:25.920 --> 1:42:27.760
<v Speaker 2>That's pretty much where we are social media wise. There

1:42:27.960 --> 1:42:30.200
<v Speaker 2>is there a healthy place to be on social media. Nope,

1:42:31.720 --> 1:42:33.920
<v Speaker 2>no time to talk about it, but if you want

1:42:33.960 --> 1:42:36.080
<v Speaker 2>to directly support the show, the best way is to

1:42:36.200 --> 1:42:40.760
<v Speaker 2>sign up for our Patreon aka Matreon at patreon dot

1:42:40.760 --> 1:42:44.720
<v Speaker 2>com slash Bechdel Cast it's five dollars a month and

1:42:44.760 --> 1:42:48.200
<v Speaker 2>it gets to you too. Bonus episodes on a weird

1:42:48.320 --> 1:42:51.160
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1:42:51.320 --> 1:42:54.320
<v Speaker 2>our back catalog of over one hundred and fifty episodes.

1:42:55.360 --> 1:42:59.479
<v Speaker 1>You can also grab our merch at teapublic dot com slash.

1:43:00.520 --> 1:43:06.120
<v Speaker 1>It's all designed by Jamie Ever heard of her? And yeah,

1:43:06.160 --> 1:43:11.120
<v Speaker 1>thank you for listening, Send positive vibes my way, I

1:43:11.160 --> 1:43:16.120
<v Speaker 1>guess as I recover from my U directomy. Yes, and

1:43:16.479 --> 1:43:20.519
<v Speaker 1>uh yeah, we'll be back next week. And with that,

1:43:21.479 --> 1:43:23.760
<v Speaker 1>let's uh, let's get in that mini van and have

1:43:23.800 --> 1:43:25.240
<v Speaker 1>a fun little road trip, shall we?

1:43:25.640 --> 1:43:27.000
<v Speaker 2>And move some real estate?

1:43:27.520 --> 1:43:28.560
<v Speaker 1>Yeah?

1:43:29.080 --> 1:43:30.360
<v Speaker 3>Bye bye.

1:43:34.439 --> 1:43:37.720
<v Speaker 1>The Bechdel Cast is a production of iHeartMedia, hosted by

1:43:37.800 --> 1:43:41.679
<v Speaker 1>Caitlin Derante and Jamie Loftis, produced by Sophie Lichterman, edited

1:43:41.760 --> 1:43:44.960
<v Speaker 1>by Mola Board. Our theme song was composed by Mike

1:43:45.040 --> 1:43:49.439
<v Speaker 1>Kaplan with vocals by Catherine Vosskrosensky. Our logo and merch

1:43:49.600 --> 1:43:52.519
<v Speaker 1>is designed by Jamie Loftis and a special thanks to

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<v Speaker 1>Aristotle Assevedo. For more information about the podcast, please visit

1:43:57.040 --> 1:43:58.599
<v Speaker 1>link tree slash Bechdel Cast