WEBVTT - Dream 18: Sand Valley

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<v Speaker 1>I miss a green, for example, I'm already upset. When

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<v Speaker 1>I find my ball in the bunker, I'm really upset.

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<v Speaker 1>And when I find my ball in.

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<v Speaker 2>A bride Egg Friday Egg, the dreaded Frida Egg, Frida Egg,

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<v Speaker 2>Frida Egg Egg, fridagg Bride Egg Lie, I'm about ready

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<v Speaker 2>to run off of the hump course. Welcome to the

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<v Speaker 2>Friday Egg Golf Podcast. I'm Garrett Morrison, and today my

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<v Speaker 2>co host Andy Johnson and I are doing a Sand

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<v Speaker 2>Valley Dream eighteen. That means we're picking out our favorite

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<v Speaker 2>holes from the Sand Valley Resorts, five courses at each number.

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<v Speaker 2>Those courses now include Corn Crenshaw's Original Sand Valley, David

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<v Speaker 2>McLay Kids, Mammoth Dunes, Corn Crenshaw's Sandbox Short Course, Tom

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<v Speaker 2>New Sedge Valley, and on the private side, the recently

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<v Speaker 2>opened recreation of CB McDonald's Ledo. There has been a

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<v Speaker 2>lot happening at the Sand Valley Resort lately, a ton

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<v Speaker 2>of new projects with a lot of architectural interest, and

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<v Speaker 2>over the past several months, Andy and I have both

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<v Speaker 2>spent a lot of time in Wisconsin keeping track of

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<v Speaker 2>what's going on, so we thought it would be a

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<v Speaker 2>good time to take stock Dream eighteen style and really

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<v Speaker 2>talk about the resort in depth. Now, before we get

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<v Speaker 2>to that, a quick word from our partner for this episode,

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<v Speaker 2>ag One. If you're a longtime listener, you might know

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<v Speaker 2>When I started drinking ag one daily, I noted a

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<v Speaker 2>Usually when I travel, I kind of let things go.

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<v Speaker 2>I don't eat that well, I don't do the things

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<v Speaker 2>get going with the Sand Valley Dream Made Team.

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<v Speaker 1>All Right, we're back. We're doing the first ever podcast

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<v Speaker 1>live podcast with two participants from the shed.

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<v Speaker 2>We're both in the shed.

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<v Speaker 1>Yeah. The shed, for those that don't know, is I

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<v Speaker 1>record out of like a simple garden shed. We've made

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<v Speaker 1>some improvements inside the shed, but you know, one of

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<v Speaker 1>the big improvements now we can have two people on here.

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<v Speaker 1>How do you like it, Garrett.

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<v Speaker 2>I'm very impressed by the shed. I see that it

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<v Speaker 2>might be called Sheddy Hacket.

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<v Speaker 1>I think that's my name is as signs on the outside.

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<v Speaker 1>You probably didn't catch it. It says shed quarters.

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<v Speaker 2>It says shed Quarters. Oh sure, well I've seen pictures

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<v Speaker 2>of that before. But yeah, I mean it's it's very

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<v Speaker 2>nice inside, it's well appointed. You have really great art

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<v Speaker 2>on the walls. Right behind your head is a what

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<v Speaker 2>appears to be a signed picture of Lee Westwood next

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<v Speaker 2>to a photo of a relatively obscure bulls center.

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<v Speaker 1>Probably yeah, it's it's I have a collection of very

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<v Speaker 1>mediocre bulls, signed bulls, big men.

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<v Speaker 2>So that's that's Michael.

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<v Speaker 1>That's Michael Sweetney Ford who could forget? Also have Tyrus Thomas,

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<v Speaker 1>the same person that sent Sheeddy Hackett and shed Quarters

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<v Speaker 1>uh sent these all these all.

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<v Speaker 2>This great stuff. Yeah, there's a Sabotini picture, of course,

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<v Speaker 2>and people have probably seen pictures of it of it online,

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<v Speaker 2>but once you're inside, you realize there's a good amount

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<v Speaker 2>of room in here, and it's actually really nicely laid out.

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<v Speaker 2>I'm not sure if you cleaned up before I came.

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<v Speaker 2>There's even a chair for your daughter right there, and

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<v Speaker 2>so you've you've got it all set up. I'm pretty impressed.

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<v Speaker 1>Well, we'll get to what we're going to talk about.

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<v Speaker 1>But it was, I have a three year old, and

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<v Speaker 1>you know, she's discovered TV and understands what TV is,

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<v Speaker 1>and recently, you know, I had I had to. I was,

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<v Speaker 1>I had a lot of work to do, and I

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<v Speaker 1>had the three year old and I brought her out

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<v Speaker 1>here and I have a TV in here, and I

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<v Speaker 1>put the TV on. I put one of her shows on,

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<v Speaker 1>and you know, she's really into the show Gabby's Dollhouse,

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<v Speaker 1>and and she she like, you know, just in that excited,

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<v Speaker 1>yelling child voice, was like, your TV gets Gabby Stallhouse too.

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<v Speaker 2>The shed, TV, Yeah gets Gabby's Dollhouse. What else can

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<v Speaker 2>you ask for?

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<v Speaker 1>Now? She's always asking to come out to the shed,

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<v Speaker 1>you know. So so anyways, yes, the shed. Uh, this

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<v Speaker 1>is a this is a landmark moment in the history

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<v Speaker 1>of Friday golf podcasts. So anyways, we're gonna talk. We're

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<v Speaker 1>not talking about the shed for this podcast.

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<v Speaker 2>No, that's not the topic of this podcast.

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<v Speaker 1>Garrett, you spent you had two big trips to Sand

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<v Speaker 1>Valley this year. It's a place that I've been a

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<v Speaker 1>number of times, just my Midwest roots and you know,

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<v Speaker 1>real quick anecdote story that I always like think about

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<v Speaker 1>is the first Fried Egg golf trip as a business,

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<v Speaker 1>as an entity, the first you know kind of trip

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<v Speaker 1>that I went on. I went with some buddies and

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<v Speaker 1>we played Sand Valley during their first year's preview play

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<v Speaker 1>and they were operating out of a trailer. I think

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<v Speaker 1>there was twelve holes available of the Sand Valley golf

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<v Speaker 1>course and it was just just piles of sand everywhere

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<v Speaker 1>you drove in, you parked by the trailer. It was

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<v Speaker 1>really cool experience. But I think about it all the

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<v Speaker 1>time as like that was where like that version of

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<v Speaker 1>what we're what we do days of the of the

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<v Speaker 1>podcast the company and I wrote it. I wrote an

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<v Speaker 1>article about about the place, and it was just one

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<v Speaker 1>of the first trips. And now every time I go back,

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<v Speaker 1>I see all these new buildings, all these things are

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<v Speaker 1>working on. It's a super super impressive build out and

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<v Speaker 1>resort that's just continuing to get better every year that

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<v Speaker 1>the Kaisers are behind. Michael and Chris the Sun's own

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<v Speaker 1>it and this year they're adding to New Court. They

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<v Speaker 1>added Lido this year that's tangentially connected to the resort

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<v Speaker 1>that offers resort play and Sedge Valley, which I get

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<v Speaker 1>to play all eighteen holes of last month that will

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<v Speaker 1>be opening next year, which will be in a tremendous

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<v Speaker 1>addition to the resort. So with you having visited a

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<v Speaker 1>couple times this year, me having been there again this year,

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<v Speaker 1>we figured we might do a little dream eighteen, similar

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<v Speaker 1>to what we did with Bandon Dunes a couple of

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<v Speaker 1>years ago. So with the winter ahead, I figure we

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<v Speaker 1>can do Dream eighteen and some in depth course talks

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<v Speaker 1>about one of the most heavily trafficked US golf resorts.

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<v Speaker 2>Right, I mean too large populations. It's more accessible than

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<v Speaker 2>Bandon Dunes, and if you think about it, like it.

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<v Speaker 2>It might seem premature to do a Dream eteen for

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<v Speaker 2>Sand Valley, but if you think about it, we did

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<v Speaker 2>a dream ateen for Bandon Dunes, drawing from the five

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<v Speaker 2>eighteen whole courses that existed there at the time. And

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<v Speaker 2>now when you look at Sand Valley, we included the

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<v Speaker 2>sandbox in our Dream eighteen and there are five courses

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<v Speaker 2>to draw from. It's kind of unbelievable how quickly this

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<v Speaker 2>resort has expanded. If you look at the Google Earth imagery,

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<v Speaker 2>and anybody can do this, you need to download the

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<v Speaker 2>Google Earth app. But if you look at how things

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<v Speaker 2>have developed since twenty seventeen, basically twenty sixteen when they

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<v Speaker 2>started building Sand Valley to now like it's just exploded.

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<v Speaker 2>There was nothing there before, absolutely nothing but trees, right

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<v Speaker 2>and sandy soil. You could see some blowouts.

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<v Speaker 1>Some ATV tracks too. It was a popular ATV destination.

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<v Speaker 1>Craig Caltam found the land and Craig is a golf

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<v Speaker 1>architect in his own right, really up and coming golf

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<v Speaker 1>architect in his own right, and then he got involved

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<v Speaker 1>with the Kaisers and this thing came to came to life, right.

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<v Speaker 2>Yeah, he found the land and they've moved really quickly

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<v Speaker 2>in developing the resort and they're even building I'm not

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<v Speaker 2>sure how much we can talk about this, but they're

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<v Speaker 2>building a family course out there too, or what Michael

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<v Speaker 2>Kaiser refers to. It's. Yeah, as the commons, it'll be

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<v Speaker 2>a not quite a par three course, but also not

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<v Speaker 2>quite a regulation course, and it'll be a little more

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<v Speaker 2>subtle and not a lot of bunkers, is how I

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<v Speaker 2>understand it, And so that should be pretty interesting to

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<v Speaker 2>see as well.

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<v Speaker 1>Yeah, yeah, it's it's it's fascinating too because obviously, like

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<v Speaker 1>I think the Sandbox in my opinion, and I think

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<v Speaker 1>you share this opinion from what you've written about it

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<v Speaker 1>in our in club TF and you're right up there,

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<v Speaker 1>but I think this is that the Sandbox is probably

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<v Speaker 1>the greatest part three course that I've ever played.

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<v Speaker 2>I agree with that. I don't think you played bandon Preserve. Yeah,

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<v Speaker 2>we were there for a few days and we didn't

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<v Speaker 2>play it, which was a bit of a miss. But

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<v Speaker 2>if you have there, if you had been there with us,

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<v Speaker 2>you would have understood why we missed Band and Preserved.

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<v Speaker 2>We had things to do. But I have played Band

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<v Speaker 2>and Preserve, and a lot of people would refer to

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<v Speaker 2>that as the best Part three course that they've ever played,

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<v Speaker 2>and it's certainly more spectacular. It sits on a piece

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<v Speaker 2>of land that a normal course could not have occupied,

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<v Speaker 2>and it's really beautiful and striking. But in terms of design,

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<v Speaker 2>the Sandbox is I think on another level, and it is, yeah,

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<v Speaker 2>the best Part three course I've played for sure.

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<v Speaker 1>Yeah, so let's get into it. We will do a selection.

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<v Speaker 1>Garre and I each have different lists. There probably is

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<v Speaker 1>a lot of overlap.

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<v Speaker 2>There's probably a good amount of overlap. We sat here

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<v Speaker 2>in the shed and we came up with them sort

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<v Speaker 2>of on the spot, So I'm not going to make

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<v Speaker 2>any great claims that this is like perfectly refined here.

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<v Speaker 2>And we also talked about a couple of holes, and

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<v Speaker 2>so we may have been influencing each other. So we'll

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<v Speaker 2>be thinking it through as we go along, for sure.

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<v Speaker 1>I always tell people with these types of exercises, it's

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<v Speaker 1>similar to like, what's your favorite golf course? But with

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<v Speaker 1>dream eighteens, I could do one of these tomorrow and

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<v Speaker 1>the results would be different, right, Like you're you're just like, oh,

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<v Speaker 1>kind of. It depends on your mood and different things.

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<v Speaker 1>I recently, for the upcoming Dream Golf magazine that they

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<v Speaker 1>send out, I did a Dream eighteen for all resorts,

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<v Speaker 1>so it was kind.

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<v Speaker 2>Of expert Oh yeah, this is just what you do.

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<v Speaker 1>Yeah, that's all I do. All I do is Dream eighteens.

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<v Speaker 1>But but so, yeah, this was fun. I really enjoyed this.

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<v Speaker 1>Who what's your whole one?

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<v Speaker 2>I went with sand Valley, but I don't feel super

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<v Speaker 2>strongly about it. I feel like I could have picked

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<v Speaker 2>one at Sandbox, which is kind of a fun hole

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<v Speaker 2>in one op crazy yeah, and we One of my

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<v Speaker 2>great memories from our visits there this past summer was

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<v Speaker 2>standing there with Matt Ruschius and Cameron Hurtis, who worked

0:12:04.360 --> 0:12:09.880
<v Speaker 2>for a Friday Golf, and Matt started just throwing golf

0:12:09.920 --> 0:12:14.480
<v Speaker 2>balls from the tee at this first hole and using

0:12:14.520 --> 0:12:16.800
<v Speaker 2>the contours to kind of feed them in. Now, he

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<v Speaker 2>he has more arm speed than I do. Matt. Matt

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<v Speaker 2>is a young buck.

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<v Speaker 1>He can he can up more elasticity, a little more elasticity.

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<v Speaker 1>He's into yoga too, so you know.

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<v Speaker 2>He's Yeah, he's an athletic young man. And he was

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<v Speaker 2>able to get that golf ball kind of sailing down there.

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<v Speaker 2>But it was really cool to watch the ball sort

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<v Speaker 2>of feed in. And the different ways that you could

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<v Speaker 2>approach this hole.

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<v Speaker 1>Well, with that front pin on the sandbox, you can

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<v Speaker 1>use the right side and put it. You can put

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<v Speaker 1>it and funnel it in there.

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<v Speaker 2>You could use the left side even maybe not with

0:12:48.679 --> 0:12:50.760
<v Speaker 2>a putter, but there's.

0:12:50.559 --> 0:12:53.080
<v Speaker 1>Lots of you putt it around the like little burm

0:12:53.360 --> 0:12:56.360
<v Speaker 1>on the right, and the putt will funnel right into

0:12:56.400 --> 0:12:56.760
<v Speaker 1>the hole.

0:12:57.360 --> 0:12:59.160
<v Speaker 2>And here we are talking about a hole that's not

0:12:59.280 --> 0:13:01.760
<v Speaker 2>even on my dream eighteen. But I may have just

0:13:01.840 --> 0:13:05.600
<v Speaker 2>talked myself into it. Sand Valley, the first hole is

0:13:05.640 --> 0:13:08.800
<v Speaker 2>really cool. You've got a big hazard, you know, sandy

0:13:08.840 --> 0:13:11.560
<v Speaker 2>waste area up the left, and you've got a kind

0:13:11.600 --> 0:13:14.640
<v Speaker 2>of platform green with a couple of sections to it,

0:13:15.080 --> 0:13:18.480
<v Speaker 2>and it's a very friendly opening hole. It's fairly short,

0:13:18.720 --> 0:13:22.640
<v Speaker 2>but there is a line of charm along the hazard,

0:13:22.800 --> 0:13:25.360
<v Speaker 2>and if you decide to bite off a little bit

0:13:25.440 --> 0:13:27.760
<v Speaker 2>more of that than you should, then you can get

0:13:27.760 --> 0:13:29.400
<v Speaker 2>in trouble on this first hole.

0:13:29.640 --> 0:13:33.000
<v Speaker 1>I think it's just a great opening tee shot in

0:13:33.080 --> 0:13:36.720
<v Speaker 1>the sense of nobody's ever really comfortable on the first tee.

0:13:37.040 --> 0:13:39.319
<v Speaker 1>I think I feel like, more so than a lot

0:13:39.320 --> 0:13:41.800
<v Speaker 1>of places at this at this golf course, you might

0:13:41.880 --> 0:13:44.640
<v Speaker 1>go to the first tea without hitting golf balls. I

0:13:44.679 --> 0:13:47.120
<v Speaker 1>don't know. The range is kind of hard far away.

0:13:47.280 --> 0:13:48.840
<v Speaker 2>Well, the range is right there now.

0:13:48.760 --> 0:13:51.559
<v Speaker 1>Well they have sometimes that range is open. I don't

0:13:51.600 --> 0:13:53.040
<v Speaker 1>know the exactly that's true.

0:13:53.040 --> 0:13:54.720
<v Speaker 2>I haven't seen many people hitting balls out.

0:13:54.640 --> 0:13:56.560
<v Speaker 1>There, so they have they I don't know if the

0:13:56.600 --> 0:14:00.280
<v Speaker 1>warm up range still exists there. You know it it

0:14:00.400 --> 0:14:04.000
<v Speaker 1>was there, and you know, forgive me, I haven't been

0:14:04.320 --> 0:14:06.079
<v Speaker 1>I haven't played Sand Valley in a couple of years.

0:14:07.000 --> 0:14:10.360
<v Speaker 1>But anyways, what I love about that tea shot is

0:14:10.400 --> 0:14:13.400
<v Speaker 1>that it really tests you right off the bat, right

0:14:13.480 --> 0:14:17.960
<v Speaker 1>You have to be very comfortable and and really make

0:14:18.000 --> 0:14:20.800
<v Speaker 1>a great swing to hit a great tea shot there,

0:14:20.920 --> 0:14:24.000
<v Speaker 1>and it's right off the bat it then if you

0:14:24.080 --> 0:14:27.360
<v Speaker 1>hit a great tea shot presents like a great birdie opportunity.

0:14:29.360 --> 0:14:31.680
<v Speaker 1>If you get into the wrong spot, you could be

0:14:31.760 --> 0:14:34.720
<v Speaker 1>struggling on a short par four to make par right.

0:14:34.960 --> 0:14:36.960
<v Speaker 1>And like I think, one of the things I do

0:14:37.040 --> 0:14:40.240
<v Speaker 1>really love about Sand Valley is the it's just the

0:14:40.280 --> 0:14:42.960
<v Speaker 1>sand itself. The bunker sand is the native sand there.

0:14:43.640 --> 0:14:47.480
<v Speaker 1>It is not the court that like very bright white

0:14:47.520 --> 0:14:51.080
<v Speaker 1>pro angle sand that the ball just like pops out

0:14:51.080 --> 0:14:54.520
<v Speaker 1>of right. You have to hit good bunker shots to

0:14:54.680 --> 0:14:57.840
<v Speaker 1>succeed at Sand Valley. You have to figure out how

0:14:57.880 --> 0:14:59.920
<v Speaker 1>to play a how to play out of the sand

0:15:00.080 --> 0:15:03.360
<v Speaker 1>because it's heavier. One thing that I kind of on

0:15:03.360 --> 0:15:07.240
<v Speaker 1>my last visit figured out was having more bounce on

0:15:07.280 --> 0:15:09.960
<v Speaker 1>my wedge. Going from you know, my sixty degree is

0:15:10.000 --> 0:15:12.240
<v Speaker 1>a very low bounce sixty degree that I usually use

0:15:12.280 --> 0:15:14.200
<v Speaker 1>out of the sand. I went to fifty six with

0:15:14.240 --> 0:15:18.800
<v Speaker 1>more bounce, and that really helped me in the bunkers because.

0:15:18.560 --> 0:15:20.960
<v Speaker 2>The sand is kind of soft, yeah, so often having

0:15:20.960 --> 0:15:23.840
<v Speaker 2>a sharp leading edge might dig in it exactly. I mean,

0:15:23.880 --> 0:15:24.480
<v Speaker 2>that's a good point.

0:15:24.560 --> 0:15:26.560
<v Speaker 1>So I switched to that and it really helped me.

0:15:26.600 --> 0:15:28.960
<v Speaker 1>But this is the thing, when you get into these

0:15:29.240 --> 0:15:33.520
<v Speaker 1>into these waste bunkers or just natural bunkers, that sand

0:15:34.000 --> 0:15:37.160
<v Speaker 1>is an adjustment and it's it makes it difficult, and

0:15:37.200 --> 0:15:38.760
<v Speaker 1>all of a sudden you could make a bogie on

0:15:38.800 --> 0:15:40.600
<v Speaker 1>a short part four that you feel like you should

0:15:40.640 --> 0:15:42.800
<v Speaker 1>make a birdie. I love it. It sets the tone

0:15:43.560 --> 0:15:47.720
<v Speaker 1>also with all these golf courses for anybody, you know,

0:15:47.880 --> 0:15:50.680
<v Speaker 1>I think anybody. One of the things you have to

0:15:50.720 --> 0:15:54.760
<v Speaker 1>get used to really early is the pace at which

0:15:54.840 --> 0:15:59.360
<v Speaker 1>these golf courses play. They are firm and fast and

0:15:59.800 --> 0:16:03.360
<v Speaker 1>noting nothing is dicier than hitting like half ledges into

0:16:03.400 --> 0:16:06.160
<v Speaker 1>an elevated green. To get to get used to that

0:16:06.240 --> 0:16:08.880
<v Speaker 1>it is, I don't I think it's like a warm

0:16:08.880 --> 0:16:10.640
<v Speaker 1>handshake in the sense you can make a birdie. But

0:16:10.720 --> 0:16:12.560
<v Speaker 1>I don't think it's a warm handshake. It does not

0:16:12.680 --> 0:16:14.800
<v Speaker 1>make you feel comfortable when you walk off the first

0:16:14.840 --> 0:16:15.720
<v Speaker 1>hole at Sand Valley.

0:16:15.800 --> 0:16:18.520
<v Speaker 2>Yeah, there's definitely some peril on the hole, so yeah,

0:16:18.560 --> 0:16:20.520
<v Speaker 2>it's it does its job as an opening hole. And

0:16:20.600 --> 0:16:23.160
<v Speaker 2>if you get in trouble on that hole, then you

0:16:23.200 --> 0:16:25.680
<v Speaker 2>have two coming up, which is gonna punch you in

0:16:25.720 --> 0:16:27.960
<v Speaker 2>the mouth pretty much. No matter what. That's a tough

0:16:27.960 --> 0:16:28.680
<v Speaker 2>hole at Sand Valley.

0:16:28.720 --> 0:16:29.560
<v Speaker 1>What's your second hole?

0:16:29.720 --> 0:16:31.320
<v Speaker 2>You kind of gotta you kind of gotta make your

0:16:31.320 --> 0:16:34.200
<v Speaker 2>hay on the first hole. So my second hole is

0:16:34.240 --> 0:16:37.880
<v Speaker 2>at Sedge Valley, So this hole is so clever. The

0:16:37.880 --> 0:16:41.080
<v Speaker 2>first two holes at Sedge occupy kind of a different

0:16:41.400 --> 0:16:44.840
<v Speaker 2>portion of the property than the rest of the course occupies.

0:16:44.920 --> 0:16:45.080
<v Speaker 1>Right.

0:16:45.080 --> 0:16:48.520
<v Speaker 2>The course really gets going on the third hole, where

0:16:48.560 --> 0:16:51.640
<v Speaker 2>you're getting into the main part of the site that

0:16:51.760 --> 0:16:54.760
<v Speaker 2>most of the course is in. And so the first

0:16:54.760 --> 0:16:56.840
<v Speaker 2>couple of holes might kind of seem like a warm up.

0:16:56.960 --> 0:16:59.600
<v Speaker 2>You know, you could play them as a loop because

0:16:59.640 --> 0:17:02.200
<v Speaker 2>they just kind of go out and back, and the

0:17:02.320 --> 0:17:05.240
<v Speaker 2>land that they're on is like not the best land

0:17:05.480 --> 0:17:07.440
<v Speaker 2>at SAJ. I would say, I'm not sure how much

0:17:07.880 --> 0:17:12.120
<v Speaker 2>Doakes Team shaped it, but you know, there's some topographical

0:17:12.119 --> 0:17:14.840
<v Speaker 2>interest out there. It's just not quite as magical as

0:17:14.880 --> 0:17:15.880
<v Speaker 2>the rest of the property.

0:17:16.359 --> 0:17:18.480
<v Speaker 1>You know when you move from two to three that

0:17:18.560 --> 0:17:20.520
<v Speaker 1>you've entered a new space exactly.

0:17:20.720 --> 0:17:23.600
<v Speaker 2>Yeah, you're very aware that this is sort of the

0:17:24.440 --> 0:17:26.960
<v Speaker 2>dramatic beginning of the golf course, and the first two

0:17:26.960 --> 0:17:29.400
<v Speaker 2>holes were sort of a you know, like an overture

0:17:29.400 --> 0:17:31.600
<v Speaker 2>at the beginning of a symphony. I'm not even sure

0:17:31.600 --> 0:17:33.399
<v Speaker 2>if that's the right term. So my apologies to the

0:17:33.440 --> 0:17:36.640
<v Speaker 2>music nerds out there. In any case, two is such

0:17:36.680 --> 0:17:39.720
<v Speaker 2>a clever hole, Like it's so well designed and the

0:17:39.800 --> 0:17:43.119
<v Speaker 2>green is so cool. So you know, the thing that

0:17:43.280 --> 0:17:46.160
<v Speaker 2>I really like about this hole is that the fairway

0:17:46.280 --> 0:17:50.520
<v Speaker 2>is super wide. But a really good shot, a really

0:17:50.520 --> 0:17:52.639
<v Speaker 2>good t shot is pretty specific.

0:17:53.119 --> 0:17:55.480
<v Speaker 1>Yeah, and it varies based off of how far you

0:17:55.560 --> 0:17:59.400
<v Speaker 1>hit it, because absolutely, because the feature of the fairway

0:17:59.520 --> 0:18:01.480
<v Speaker 1>runs on a diagonal.

0:18:01.119 --> 0:18:03.280
<v Speaker 2>And that feature is a hogsback sort of.

0:18:03.960 --> 0:18:07.200
<v Speaker 1>And the direct a mound in the middle that cuts

0:18:07.440 --> 0:18:09.919
<v Speaker 1>on a diagonal and deflex balls right or left.

0:18:10.000 --> 0:18:12.760
<v Speaker 2>Yeah, like a like a ridge, and it can deflect

0:18:12.800 --> 0:18:17.000
<v Speaker 2>balls left, but it deflects them most sharply to the right,

0:18:17.800 --> 0:18:21.080
<v Speaker 2>and the b line to the hole. The shortest route

0:18:21.119 --> 0:18:24.720
<v Speaker 2>to the green is along the right side of the fairway,

0:18:24.840 --> 0:18:28.240
<v Speaker 2>sort of right along the edge of the ridge in

0:18:28.280 --> 0:18:30.919
<v Speaker 2>the fairway. And so if you get aggressive, if you

0:18:30.960 --> 0:18:33.560
<v Speaker 2>say I'm going to hit this ball toward the green

0:18:33.600 --> 0:18:36.600
<v Speaker 2>to try to get the shortest approach possible, then you

0:18:36.640 --> 0:18:39.720
<v Speaker 2>could end up way down to the right. You're still

0:18:39.760 --> 0:18:42.320
<v Speaker 2>going to be more or less in the fairway, maybe

0:18:42.359 --> 0:18:45.040
<v Speaker 2>sort of on the edge of some rough grass and

0:18:45.080 --> 0:18:47.520
<v Speaker 2>a little bit of scrub down there, but you're gonna

0:18:47.560 --> 0:18:50.840
<v Speaker 2>be totally blind. You're gonna have no reference points for

0:18:50.960 --> 0:18:53.600
<v Speaker 2>where you're supposed to hit this approach, and the green

0:18:53.680 --> 0:18:56.399
<v Speaker 2>is tricky like there are some runoffs, and there are

0:18:56.440 --> 0:18:59.880
<v Speaker 2>some little areas that you can get in trouble in there.

0:19:00.000 --> 0:19:03.439
<v Speaker 2>There's a really wonderful kind of hidden bunker right in

0:19:03.480 --> 0:19:06.840
<v Speaker 2>the back of the green. The shaping is just beautifully executed,

0:19:06.880 --> 0:19:10.440
<v Speaker 2>which you sort of expect from renaissance golf design anytime

0:19:10.760 --> 0:19:13.240
<v Speaker 2>they do a course, And so I think this hole

0:19:13.280 --> 0:19:15.920
<v Speaker 2>is really clever and makes great use of a piece

0:19:15.960 --> 0:19:19.000
<v Speaker 2>of the property that might not otherwise be that compelling.

0:19:19.600 --> 0:19:21.320
<v Speaker 1>Yeah, I love that hole. It would probably be my

0:19:21.440 --> 0:19:24.320
<v Speaker 1>runner up for the second hole. My picks sand Valley.

0:19:24.359 --> 0:19:28.600
<v Speaker 1>I'm sticking with Sand Valley. That second hole is so disorienting.

0:19:29.240 --> 0:19:31.359
<v Speaker 1>I think that's probably what I love most about it.

0:19:31.680 --> 0:19:35.040
<v Speaker 1>You're hitting, you know, a driver, Some longer hitters are

0:19:35.080 --> 0:19:37.000
<v Speaker 1>going to hit less than a driver to a spot,

0:19:37.280 --> 0:19:39.359
<v Speaker 1>and then you're going to have If you play up

0:19:39.359 --> 0:19:41.040
<v Speaker 1>to the left, you'll have a look at the green,

0:19:41.160 --> 0:19:43.200
<v Speaker 1>but you have a longer approach. If you play down

0:19:43.280 --> 0:19:44.919
<v Speaker 1>to the right, you have a shorter approach and a

0:19:44.960 --> 0:19:50.679
<v Speaker 1>blind shot to probably the least forgiving green on maybe

0:19:50.840 --> 0:19:54.119
<v Speaker 1>outside a liedo on the property where you have sharp

0:19:54.160 --> 0:19:58.879
<v Speaker 1>runoffs around it, and it's a big part four. You

0:19:59.440 --> 0:20:03.160
<v Speaker 1>really have to hit two great shots there. And I

0:20:03.200 --> 0:20:06.520
<v Speaker 1>just I love that the way it kind of moves

0:20:06.560 --> 0:20:08.440
<v Speaker 1>along the land. It kind of plays down into a

0:20:08.520 --> 0:20:11.159
<v Speaker 1>ridge and back up to a ridge. It snakes around it,

0:20:11.920 --> 0:20:14.240
<v Speaker 1>and it's just a really great hole. So let's move

0:20:14.280 --> 0:20:14.879
<v Speaker 1>on to three.

0:20:15.160 --> 0:20:16.240
<v Speaker 2>What's your whole three?

0:20:16.840 --> 0:20:18.920
<v Speaker 1>I'm gonna go with the sandbox.

0:20:18.520 --> 0:20:22.040
<v Speaker 2>Of course. What's your whole three? And why is it

0:20:22.119 --> 0:20:25.399
<v Speaker 2>the sandbox? That is really the question there? This is

0:20:25.440 --> 0:20:28.080
<v Speaker 2>a this is they call it a double plateau, but

0:20:28.160 --> 0:20:30.119
<v Speaker 2>it's it's really a maiden. There's no reason to be

0:20:30.520 --> 0:20:34.280
<v Speaker 2>pedantic about that. But it's like two big platforms.

0:20:34.280 --> 0:20:39.600
<v Speaker 1>It's a striking green. Such a striking green. It's so fun.

0:20:39.600 --> 0:20:41.760
<v Speaker 1>It's I think it's about seventy yards. You can hit

0:20:42.119 --> 0:20:44.520
<v Speaker 1>so many varieties of shots. You can try and run

0:20:44.560 --> 0:20:47.240
<v Speaker 1>it up. It's a terrifying when the when the green,

0:20:47.600 --> 0:20:50.000
<v Speaker 1>When the pins on one of the two ridges on

0:20:50.119 --> 0:20:53.440
<v Speaker 1>a two high plateaus, back right or back left, it's

0:20:53.440 --> 0:20:57.320
<v Speaker 1>a terrifying shot. It's extremely hard to hit it up there. Again,

0:20:58.520 --> 0:21:02.000
<v Speaker 1>you're hitting like a you know, like a soft wedge

0:21:02.640 --> 0:21:05.280
<v Speaker 1>into a really firm and fast green, and that's like

0:21:05.359 --> 0:21:08.000
<v Speaker 1>one of the it's just you you have to make decisions.

0:21:08.080 --> 0:21:09.800
<v Speaker 1>You want to kind of bounce it up into there?

0:21:10.080 --> 0:21:12.000
<v Speaker 1>Do you want to land it on top? It's just

0:21:12.040 --> 0:21:14.840
<v Speaker 1>a really fun shot. And I think this is like

0:21:16.720 --> 0:21:19.760
<v Speaker 1>I've been thinking about this a lot. That's a green

0:21:20.000 --> 0:21:25.160
<v Speaker 1>that's perfectly acceptable on a par three course. It's very similar.

0:21:25.160 --> 0:21:27.960
<v Speaker 1>I feel like it's very similar to some greens that

0:21:28.000 --> 0:21:29.119
<v Speaker 1>Walter Travis built.

0:21:30.359 --> 0:21:33.679
<v Speaker 2>I agree, and that seth Rayner built, but but the

0:21:33.760 --> 0:21:37.439
<v Speaker 2>style and the boldness and the sheer height of the

0:21:37.440 --> 0:21:41.320
<v Speaker 2>platforms in the back kind of remind you of Walter

0:21:41.400 --> 0:21:43.640
<v Speaker 2>Travis or Caparundle or wherever, or.

0:21:43.640 --> 0:21:48.200
<v Speaker 1>Like country Club Troy, and like those greens, I don't

0:21:48.240 --> 0:21:51.239
<v Speaker 1>think if it was a non par three course that

0:21:51.320 --> 0:21:54.280
<v Speaker 1>like corn Krenshawk would build that green. And I just

0:21:54.440 --> 0:21:59.080
<v Speaker 1>like wonder about like the state of golf architecture to

0:21:59.200 --> 0:22:03.480
<v Speaker 1>where like that's unacceptable because it's like it's a perfectly

0:22:03.760 --> 0:22:07.199
<v Speaker 1>legitimate shot and then if you're up there, you have

0:22:07.359 --> 0:22:10.600
<v Speaker 1>like basically a flat putt and a really good look,

0:22:10.640 --> 0:22:13.800
<v Speaker 1>but it rewards a great shot and like Walter Travis

0:22:13.840 --> 0:22:17.360
<v Speaker 1>was putting these greens on long par fours. Yeah, and

0:22:17.520 --> 0:22:19.879
<v Speaker 1>here we are like, it's only acceptable if it's a

0:22:19.920 --> 0:22:23.200
<v Speaker 1>seventy r par three. So I don't think you would

0:22:23.200 --> 0:22:26.879
<v Speaker 1>see that green anywhere on a dream golf resort property

0:22:27.800 --> 0:22:30.119
<v Speaker 1>outside of like the Lido, which is a private club

0:22:30.320 --> 0:22:35.120
<v Speaker 1>loosely associated. That type of green would not exist at

0:22:35.160 --> 0:22:38.520
<v Speaker 1>a dream golf property unless it's par three course, and

0:22:38.600 --> 0:22:41.639
<v Speaker 1>I don't think that's necessarily great for golf architecture.

0:22:42.040 --> 0:22:44.600
<v Speaker 2>I agree a couple of things about the green. A

0:22:44.600 --> 0:22:46.439
<v Speaker 2>couple of things that Bill Corr has said about the

0:22:46.480 --> 0:22:50.480
<v Speaker 2>green said, I think on this very podcast a few

0:22:50.520 --> 0:22:53.439
<v Speaker 2>years ago when you went out to Sand Valley for

0:22:53.480 --> 0:22:56.919
<v Speaker 2>the opening Sam he called it called them match boxes, Yes,

0:22:57.560 --> 0:23:01.840
<v Speaker 2>which is just a delightful class Bill cor Ism.

0:23:01.760 --> 0:23:03.639
<v Speaker 1>Two match boxes under the green.

0:23:03.800 --> 0:23:05.919
<v Speaker 2>I need, you know, I need Bill Corr to be

0:23:05.960 --> 0:23:08.960
<v Speaker 2>writing my material on these golf courses because he always

0:23:09.000 --> 0:23:12.720
<v Speaker 2>has some analogy like that that he uses to describe

0:23:12.760 --> 0:23:16.160
<v Speaker 2>the features that they're building, and I think that one

0:23:16.200 --> 0:23:18.200
<v Speaker 2>is spot on. And then the other thing that he

0:23:18.280 --> 0:23:22.600
<v Speaker 2>said about it is that you know, he wanted to

0:23:22.680 --> 0:23:25.400
<v Speaker 2>build this kind of green for a long time. He

0:23:25.440 --> 0:23:28.200
<v Speaker 2>and Jim Craig. Jim Craig shaped a lot of the

0:23:28.240 --> 0:23:30.720
<v Speaker 2>greens at the Sandbox and was really one of the

0:23:30.760 --> 0:23:34.920
<v Speaker 2>biggest architectural driving forces behind this course. He and Jim

0:23:34.960 --> 0:23:37.000
<v Speaker 2>Craig had wanted to build a green like this for

0:23:37.040 --> 0:23:40.399
<v Speaker 2>a while but had never really had an opportunity. And

0:23:40.480 --> 0:23:42.360
<v Speaker 2>so to your point, I think the reason that they

0:23:42.400 --> 0:23:45.800
<v Speaker 2>didn't have an opportunity previously to build a green like

0:23:45.840 --> 0:23:49.080
<v Speaker 2>this is that they kind of weren't allowed to on

0:23:49.119 --> 0:23:52.320
<v Speaker 2>a regulation course. But here they had the freedom to

0:23:52.440 --> 0:23:55.359
<v Speaker 2>let their freak flag fly a little bit and you

0:23:55.400 --> 0:23:56.960
<v Speaker 2>look at it and you're like, yeah, this could be

0:23:56.960 --> 0:23:59.040
<v Speaker 2>on a short part four and it would be great, right,

0:23:59.720 --> 0:24:03.520
<v Speaker 2>But somehow or another, we're too serious when it comes

0:24:03.520 --> 0:24:04.600
<v Speaker 2>to regulation courses.

0:24:05.920 --> 0:24:09.000
<v Speaker 1>That's what I don't get, is like just in general, right,

0:24:09.200 --> 0:24:12.879
<v Speaker 1>like you heard like Gil Hands talk about how he

0:24:12.960 --> 0:24:15.720
<v Speaker 1>felt liberated to build more bold greens at a Whoopie

0:24:16.000 --> 0:24:19.920
<v Speaker 1>because it was you know, there wasn't stroke course. Yeah, yeah,

0:24:19.960 --> 0:24:23.119
<v Speaker 1>because it wasn't. And it's like, why why have we

0:24:23.200 --> 0:24:27.720
<v Speaker 1>gotten to this this fair police? And especially if anything,

0:24:27.880 --> 0:24:31.480
<v Speaker 1>I feel like society should be emboldened by the you know,

0:24:31.560 --> 0:24:35.719
<v Speaker 1>golf architecture society and developers should be emboldened by the

0:24:35.760 --> 0:24:39.360
<v Speaker 1>praise of Liedo because that is as severe as it gets.

0:24:39.680 --> 0:24:42.120
<v Speaker 1>And and that kind of plays into my fourth hole.

0:24:42.640 --> 0:24:44.960
<v Speaker 1>I'm going with the channel hole at Liedo. I don't

0:24:45.000 --> 0:24:45.800
<v Speaker 1>know what you picked.

0:24:46.240 --> 0:24:48.520
<v Speaker 2>I wrote down the channel hole. I think there are

0:24:48.520 --> 0:24:53.520
<v Speaker 2>a number of good fourth holes last the resort, but yeah,

0:24:53.560 --> 0:24:56.080
<v Speaker 2>I mean, how can you not pick the channel hole

0:24:56.119 --> 0:24:58.320
<v Speaker 2>here and tell people what the channel hole is? So like,

0:24:58.520 --> 0:25:01.440
<v Speaker 2>this is a famous golf hole in the history of

0:25:01.640 --> 0:25:02.560
<v Speaker 2>golf architecture, and.

0:25:02.600 --> 0:25:05.639
<v Speaker 1>I think, like, honestly, like I was thinking about recently,

0:25:05.920 --> 0:25:09.639
<v Speaker 1>I wrote something on Colorado Golf Club and I was

0:25:09.680 --> 0:25:13.000
<v Speaker 1>talking a little bit about the familiarity of Corn Crunshaw designs.

0:25:13.359 --> 0:25:18.600
<v Speaker 1>They use effectively adapted versions of the channel hole. You know,

0:25:18.640 --> 0:25:25.280
<v Speaker 1>Wikipa has one Colorado Golf Club Colorado with the sixteen. Yeah.

0:25:25.760 --> 0:25:29.000
<v Speaker 1>Sam Valley has a couple yeah, twelve as sand Valley

0:25:29.040 --> 0:25:32.600
<v Speaker 1>would be a modified version of this channel hole or similar.

0:25:33.040 --> 0:25:35.760
<v Speaker 1>So the whole idea about the channel hole. So it's

0:25:35.760 --> 0:25:40.439
<v Speaker 1>a par five, it's reachable if you go to the right. Really,

0:25:40.720 --> 0:25:44.400
<v Speaker 1>so there's two distinct angles of play a right side

0:25:44.400 --> 0:25:47.480
<v Speaker 1>of the fairway, which is I think about thirty twenty

0:25:47.520 --> 0:25:51.080
<v Speaker 1>five to thirty yards wide. It is the more aggressive play.

0:25:51.320 --> 0:25:54.560
<v Speaker 1>It is surrounded by sand. If you play to the left,

0:25:55.119 --> 0:25:58.960
<v Speaker 1>it's a wider landing area, but a longer shot ind

0:25:59.000 --> 0:26:03.000
<v Speaker 1>so you're you're kind of conceding for most hitters that

0:26:03.080 --> 0:26:05.679
<v Speaker 1>it's going to be a three shot hole. There's a

0:26:05.920 --> 0:26:06.320
<v Speaker 1>there's a.

0:26:06.320 --> 0:26:08.720
<v Speaker 2>Long carry to the right. To the aggressive fair.

0:26:08.680 --> 0:26:11.760
<v Speaker 1>There's a longer carry and it's a more narrow landing area.

0:26:11.960 --> 0:26:15.200
<v Speaker 1>Water runs along the left side and then cuts in front.

0:26:15.400 --> 0:26:16.800
<v Speaker 1>So if you had a bad t shot and you

0:26:16.840 --> 0:26:20.520
<v Speaker 1>find one of the many the copious amounts of waste area,

0:26:20.920 --> 0:26:24.280
<v Speaker 1>then carrying the water on your neck shot becomes a

0:26:24.600 --> 0:26:27.679
<v Speaker 1>very big chore. So the penalty specifically for going to

0:26:27.720 --> 0:26:30.639
<v Speaker 1>the right if you miss the fairway is you're gonna

0:26:30.800 --> 0:26:33.440
<v Speaker 1>probably you'll end up in waste area, and then it's

0:26:33.480 --> 0:26:37.440
<v Speaker 1>a questionable situation as to whether you get over the water,

0:26:37.800 --> 0:26:41.119
<v Speaker 1>which is a huge, huge advantage because that's the difference

0:26:41.160 --> 0:26:43.840
<v Speaker 1>between a long iron into a par five or a

0:26:43.880 --> 0:26:45.040
<v Speaker 1>wedge into a par five.

0:26:45.119 --> 0:26:46.919
<v Speaker 2>And you shouldn't try to get over the water if

0:26:46.960 --> 0:26:49.600
<v Speaker 2>you miss the fairway on this hole. Well, it depends

0:26:49.640 --> 0:26:52.600
<v Speaker 2>on speak from experience that on that one.

0:26:52.840 --> 0:26:55.320
<v Speaker 1>You get a lot of like ROPI lies because it's waste.

0:26:55.359 --> 0:26:57.200
<v Speaker 1>It's like, you know, it's like being in beach sand

0:26:58.280 --> 0:27:00.920
<v Speaker 1>and you can end up in a footprint, could be

0:27:00.920 --> 0:27:05.000
<v Speaker 1>being native. So anyways, then you know that, so you're

0:27:05.160 --> 0:27:08.359
<v Speaker 1>severely advantaged. You're greatly advantaged going right, and then it

0:27:08.400 --> 0:27:12.359
<v Speaker 1>becomes like maybe a reachable hole. The hole the green

0:27:12.480 --> 0:27:15.840
<v Speaker 1>is fronted by a very deep bunker. So it's it's

0:27:15.880 --> 0:27:16.520
<v Speaker 1>a great hole.

0:27:17.160 --> 0:27:20.720
<v Speaker 2>It is a great hole. It's a harsh hole, you.

0:27:20.720 --> 0:27:21.880
<v Speaker 1>Know, so welcome Toledo.

0:27:22.240 --> 0:27:28.159
<v Speaker 2>Right in certain wind conditions, it's going to be a

0:27:28.200 --> 0:27:29.879
<v Speaker 2>tough one for a lot of golfers.

0:27:30.000 --> 0:27:34.400
<v Speaker 1>I played it into the wind, and I I hit

0:27:34.520 --> 0:27:37.120
<v Speaker 1>as good of a drive I was playing the white

0:27:37.200 --> 0:27:40.679
<v Speaker 1>teas in tom Doaks. Event I hit as good of

0:27:40.720 --> 0:27:42.840
<v Speaker 1>a drive and as good of a three wood as

0:27:42.840 --> 0:27:45.200
<v Speaker 1>I could get hit, and I got there. But like

0:27:45.600 --> 0:27:47.840
<v Speaker 1>that was like five hundred yards and I mean I

0:27:47.880 --> 0:27:50.440
<v Speaker 1>absolutely hammered both of them and you went you went

0:27:50.480 --> 0:27:52.560
<v Speaker 1>down the right side, down the right side. Yeah, Like

0:27:52.680 --> 0:27:55.040
<v Speaker 1>I mean, so if you're playing it into the wind,

0:27:55.200 --> 0:27:57.120
<v Speaker 1>it is it is brutal.

0:27:57.400 --> 0:28:00.520
<v Speaker 2>It's a beast and yeah, I mean I've made something

0:28:00.560 --> 0:28:02.640
<v Speaker 2>like a twelve on this hole, but I don't hold

0:28:02.680 --> 0:28:04.960
<v Speaker 2>that against the hole. It was my own fault. But

0:28:05.520 --> 0:28:08.600
<v Speaker 2>there is an aspect to this hole that is really

0:28:09.520 --> 0:28:10.480
<v Speaker 2>kind of penal.

0:28:10.960 --> 0:28:11.160
<v Speaker 1>Right.

0:28:12.160 --> 0:28:17.080
<v Speaker 2>The drive is definitely classically strategic, even if you just

0:28:17.200 --> 0:28:18.880
<v Speaker 2>choose to go to the left, or if you can

0:28:18.920 --> 0:28:22.080
<v Speaker 2>only play to the left. The fairway is on a

0:28:22.119 --> 0:28:24.240
<v Speaker 2>diagonal and you can kind of choose how much of

0:28:24.240 --> 0:28:26.960
<v Speaker 2>it to bite off. But then from there it's a

0:28:27.000 --> 0:28:30.800
<v Speaker 2>steeplechase hole. Right, you have to hit over a big

0:28:30.840 --> 0:28:33.399
<v Speaker 2>water hazard and then you have to hit up onto

0:28:33.480 --> 0:28:38.320
<v Speaker 2>a high barricaded green and so there's something that's very

0:28:38.440 --> 0:28:40.760
<v Speaker 2>kind of old fashioned about the hole. You don't see

0:28:40.760 --> 0:28:45.560
<v Speaker 2>holes being built like this in Yeah, you didn't see

0:28:45.560 --> 0:28:47.880
<v Speaker 2>many holes like it in the nineteen twenties being built.

0:28:47.960 --> 0:28:51.880
<v Speaker 2>There are forced carries, and if you get off the

0:28:52.600 --> 0:28:56.280
<v Speaker 2>garden path on this hole, you're in really big trouble

0:28:56.360 --> 0:28:59.120
<v Speaker 2>and probably the best play is usually just to kind

0:28:59.120 --> 0:29:02.640
<v Speaker 2>of chip out and sort of start over. And so

0:29:02.680 --> 0:29:06.440
<v Speaker 2>it's a it's a very harsh hole, but obviously extremely

0:29:06.480 --> 0:29:09.960
<v Speaker 2>impressive and memorable. And you can just imagine that the

0:29:10.000 --> 0:29:13.720
<v Speaker 2>original Lido this being right there on the channel. I mean,

0:29:14.040 --> 0:29:17.760
<v Speaker 2>kind of a spectacular act of golf architecture, very daring.

0:29:18.040 --> 0:29:20.440
<v Speaker 1>Yes, all right, whole five. What do you got?

0:29:20.960 --> 0:29:22.000
<v Speaker 2>I chose Sedge Valley.

0:29:22.240 --> 0:29:23.080
<v Speaker 1>I have that too.

0:29:23.400 --> 0:29:25.720
<v Speaker 2>I think this is a it's a ridge to ridge

0:29:25.880 --> 0:29:28.800
<v Speaker 2>par three. It's the beginning of a stretch at Sedge

0:29:28.880 --> 0:29:32.640
<v Speaker 2>Valley of some holes that are in really interesting kind

0:29:32.640 --> 0:29:36.960
<v Speaker 2>of severe land. Maybe not severe, might not be the

0:29:37.320 --> 0:29:38.920
<v Speaker 2>right term for it, but it's kind of like the

0:29:39.680 --> 0:29:42.560
<v Speaker 2>features back there in this portion of the property are

0:29:42.600 --> 0:29:46.240
<v Speaker 2>sort of small. They accommodate small holes, and so you've

0:29:46.280 --> 0:29:48.720
<v Speaker 2>got four small holes in a row a part three,

0:29:48.880 --> 0:29:51.600
<v Speaker 2>a short part four, followed by two more Part.

0:29:51.400 --> 0:29:53.960
<v Speaker 1>Three, and then a short part four right after that. Yeah,

0:29:54.000 --> 0:29:56.400
<v Speaker 1>so it would be, you know, a kind of almost

0:29:56.440 --> 0:30:00.160
<v Speaker 1>five a stretch of five holes that are sub three twenty.

0:30:00.240 --> 0:30:04.120
<v Speaker 2>And it's a magical piece of property. I really love it. Obviously.

0:30:05.120 --> 0:30:07.600
<v Speaker 2>One of the points of Dok's routing is that it

0:30:07.640 --> 0:30:09.960
<v Speaker 2>gets you to this property and lets you sort of

0:30:10.000 --> 0:30:13.240
<v Speaker 2>explore it, and so these holes are really fun.

0:30:13.440 --> 0:30:16.800
<v Speaker 1>It kicks off this stretch of holes that just flies by,

0:30:17.160 --> 0:30:20.600
<v Speaker 1>and all of them are shorter holes that are so

0:30:20.760 --> 0:30:22.080
<v Speaker 1>different from the other.

0:30:22.360 --> 0:30:24.600
<v Speaker 2>Yes, and so you can see that they put a

0:30:24.640 --> 0:30:27.560
<v Speaker 2>lot of work into making these holes distinct from each other,

0:30:27.640 --> 0:30:30.480
<v Speaker 2>because if you have like so many short holes and

0:30:30.520 --> 0:30:33.280
<v Speaker 2>so many par three's all in a row, then one

0:30:33.280 --> 0:30:35.360
<v Speaker 2>of the dangers potentially is that the holes kind of

0:30:35.360 --> 0:30:38.520
<v Speaker 2>blend together. But they definitely don't do that. They're very

0:30:38.560 --> 0:30:42.600
<v Speaker 2>distinct in their concepts and their green contours and everything

0:30:42.680 --> 0:30:45.320
<v Speaker 2>like that. This green, in particular on the fifth hole

0:30:45.400 --> 0:30:48.800
<v Speaker 2>is super memorable. It's kind of a boomerang shape reverse

0:30:48.840 --> 0:30:51.680
<v Speaker 2>boomerang in relation to the tee, and it's got these

0:30:51.760 --> 0:30:54.880
<v Speaker 2>platforms on the left and the right and a lower

0:30:54.920 --> 0:30:59.200
<v Speaker 2>section in the middle, and some really artistically presented bunkers

0:30:59.240 --> 0:31:02.480
<v Speaker 2>around that kind of remind me of like McKenzie bunkers,

0:31:02.520 --> 0:31:05.600
<v Speaker 2>the way that Alistair mackenzie would bunker a green that's

0:31:05.760 --> 0:31:08.840
<v Speaker 2>set into a hillside like this one. It reminded me

0:31:08.920 --> 0:31:11.040
<v Speaker 2>of that. And one thing that I heard about it

0:31:11.120 --> 0:31:14.400
<v Speaker 2>is that Tom Doak himself actually shaped a lot of

0:31:14.400 --> 0:31:17.080
<v Speaker 2>this green complex. That's what I heard from one of

0:31:17.120 --> 0:31:20.480
<v Speaker 2>the employees at the Sand Valley Resort on the agronomy team,

0:31:20.800 --> 0:31:23.400
<v Speaker 2>that he kind of disappeared for a few days and

0:31:24.040 --> 0:31:27.520
<v Speaker 2>just went to work on this green and it's it's

0:31:27.600 --> 0:31:28.960
<v Speaker 2>quite something. It's really cool.

0:31:29.280 --> 0:31:31.600
<v Speaker 1>Yeah. What I love about the green too, just from

0:31:31.600 --> 0:31:34.280
<v Speaker 1>the par three standpoint, it's a short par three that

0:31:34.320 --> 0:31:38.080
<v Speaker 1>can play really easy when the holes in the front

0:31:38.240 --> 0:31:41.280
<v Speaker 1>middle bowl, and then if you put it on either

0:31:41.400 --> 0:31:43.360
<v Speaker 1>the back right wing or the back left wing, it

0:31:43.400 --> 0:31:47.400
<v Speaker 1>becomes very challenging. And I just love the ability to

0:31:47.560 --> 0:31:50.280
<v Speaker 1>kind of have a hole that is really malleable where

0:31:50.280 --> 0:31:52.400
<v Speaker 1>it could play, you know, a short par three that

0:31:52.440 --> 0:31:55.680
<v Speaker 1>could play two point seventy five or three point twenty

0:31:55.720 --> 0:31:58.000
<v Speaker 1>five on a given day, right, like where you have

0:31:58.120 --> 0:32:03.160
<v Speaker 1>that big swing by moving the hole, you know, fifteen

0:32:03.160 --> 0:32:04.160
<v Speaker 1>feet left or right.

0:32:04.680 --> 0:32:07.360
<v Speaker 2>Yeah, that's the way to introduce variety into a into

0:32:07.360 --> 0:32:11.080
<v Speaker 2>a par three strategy, and and some motivation to play

0:32:11.120 --> 0:32:14.800
<v Speaker 2>the course multiple times. All right, whole six, hule six,

0:32:14.840 --> 0:32:16.160
<v Speaker 2>What do you have for whole sex.

0:32:16.040 --> 0:32:19.840
<v Speaker 1>I've got Mammoth. It is the famous boomerang green.

0:32:20.160 --> 0:32:22.840
<v Speaker 2>So another Boomerang green two sort of Yeah, I come

0:32:22.880 --> 0:32:26.000
<v Speaker 2>to think they're flipped. Yeah, so, because yeah, exactly if

0:32:26.040 --> 0:32:29.440
<v Speaker 2>you'd like turned the boomerang almost one hundred and eighty degrees,

0:32:30.360 --> 0:32:32.760
<v Speaker 2>then you have kind of the the green at Mammoth.

0:32:33.320 --> 0:32:35.440
<v Speaker 1>I picked this. It's just a fun hole. I mean,

0:32:35.960 --> 0:32:37.720
<v Speaker 1>I think like you get up to it and no

0:32:37.840 --> 0:32:41.480
<v Speaker 1>matter what, you're like setting sights on the draw on

0:32:41.560 --> 0:32:43.600
<v Speaker 1>the on the green, and you want to get that

0:32:43.680 --> 0:32:46.960
<v Speaker 1>ball rolling into the boomerang. Right. The other thing I

0:32:47.040 --> 0:32:49.880
<v Speaker 1>love is if you don't hit the green, then it's

0:32:49.960 --> 0:32:54.920
<v Speaker 1>like you're you your mind becomes an imagination, become really

0:32:55.000 --> 0:32:59.440
<v Speaker 1>activated about how you can hit it close. And it's

0:32:59.480 --> 0:33:03.000
<v Speaker 1>not necessarcessarily a direct path. Like you start thinking about

0:33:03.040 --> 0:33:05.880
<v Speaker 1>the different ways that you can use this green to

0:33:05.960 --> 0:33:10.440
<v Speaker 1>get different places. And for this golf course, you know,

0:33:10.600 --> 0:33:13.360
<v Speaker 1>I think that there are a lot of greens that

0:33:13.520 --> 0:33:16.080
<v Speaker 1>bowl this one, probably.

0:33:15.680 --> 0:33:16.520
<v Speaker 2>One definitely does.

0:33:16.840 --> 0:33:21.400
<v Speaker 1>This one bowls pretty creatively, and I think that's why

0:33:21.480 --> 0:33:23.920
<v Speaker 1>I wanted to get it into my routing. I think

0:33:24.160 --> 0:33:26.960
<v Speaker 1>the sixth hole you could go with so many, there's

0:33:27.000 --> 0:33:30.000
<v Speaker 1>so many great six holes, but I wanted to throw

0:33:30.040 --> 0:33:32.440
<v Speaker 1>this one in there and kind of just highlight the

0:33:33.120 --> 0:33:36.760
<v Speaker 1>creativity of this of this green at Mammoth.

0:33:36.840 --> 0:33:39.560
<v Speaker 2>I chose the same one. You know. I think that

0:33:39.640 --> 0:33:43.920
<v Speaker 2>the sixth hole at Sedge Valley ultimately is probably between

0:33:43.960 --> 0:33:46.280
<v Speaker 2>the two short part fours that land on number six

0:33:46.320 --> 0:33:48.920
<v Speaker 2>at the resort, the one it said is the one

0:33:48.960 --> 0:33:51.520
<v Speaker 2>I prefer, but I also, you know, I think that

0:33:51.560 --> 0:33:53.320
<v Speaker 2>there are a lot of good holes at Mammoth, and

0:33:53.360 --> 0:33:55.640
<v Speaker 2>I want to make sure that it's that it's in

0:33:55.680 --> 0:33:58.640
<v Speaker 2>this routing. It just has some tough competition. But yeah,

0:33:58.680 --> 0:34:00.320
<v Speaker 2>I mean, part of what I like about the sixth

0:34:00.360 --> 0:34:04.560
<v Speaker 2>hole at Mammoth Dunes is that you can if you

0:34:04.640 --> 0:34:06.760
<v Speaker 2>go at the green. If you make the decision to

0:34:06.840 --> 0:34:09.560
<v Speaker 2>try to go at the green, then you can get

0:34:09.560 --> 0:34:11.520
<v Speaker 2>into some trouble along the right side of the wall.

0:34:11.600 --> 0:34:13.520
<v Speaker 2>If you push it a little bit, you can get

0:34:13.520 --> 0:34:16.040
<v Speaker 2>into some really bad spots where you can't see the

0:34:16.080 --> 0:34:18.960
<v Speaker 2>green on your approach, and you could be in some

0:34:19.000 --> 0:34:22.440
<v Speaker 2>pretty nasty hazards. And so that choice has some stakes

0:34:22.440 --> 0:34:26.319
<v Speaker 2>to it. If you choose to play aggressively, then you've

0:34:26.320 --> 0:34:29.680
<v Speaker 2>got to execute. But there's the option to play out

0:34:29.719 --> 0:34:32.680
<v Speaker 2>to the left to a big expanse of fairway. Now

0:34:33.880 --> 0:34:37.560
<v Speaker 2>this fairway isn't necessarily totally visible from the tee, so

0:34:37.600 --> 0:34:39.439
<v Speaker 2>you kind of have to know the course in order

0:34:39.520 --> 0:34:42.040
<v Speaker 2>to do it, and I like that right in order

0:34:42.080 --> 0:34:45.680
<v Speaker 2>to you know, bail out, you have to know the

0:34:45.680 --> 0:34:48.319
<v Speaker 2>course a little bit and trust your line. And so

0:34:48.440 --> 0:34:52.560
<v Speaker 2>I like that this hole the different choices have different

0:34:52.560 --> 0:34:55.279
<v Speaker 2>complexities to them, and so it's a it's a good hole,

0:34:55.760 --> 0:34:56.080
<v Speaker 2>all right.

0:34:56.239 --> 0:34:59.000
<v Speaker 1>Number seven I got Sand Valley. It's the par five,

0:35:00.120 --> 0:35:04.160
<v Speaker 1>first par five on my routing, and I think it's

0:35:04.239 --> 0:35:07.399
<v Speaker 1>just a it's a spectacular hole you've got. You're kind

0:35:07.400 --> 0:35:10.440
<v Speaker 1>of like playing through two big dunes and you have

0:35:10.520 --> 0:35:14.439
<v Speaker 1>a tremendous center line hazard, and then I just love

0:35:15.440 --> 0:35:19.680
<v Speaker 1>how this big sweeping hole plays down to this little

0:35:19.800 --> 0:35:22.160
<v Speaker 1>green tucked into sand dunes.

0:35:22.200 --> 0:35:23.560
<v Speaker 2>It's a beautiful green site.

0:35:23.640 --> 0:35:26.920
<v Speaker 1>It's so good and it's just an amazing hole. You

0:35:27.040 --> 0:35:29.680
<v Speaker 1>kind of don't know where you're going, and then you

0:35:29.719 --> 0:35:32.919
<v Speaker 1>cut crust the hill and obviously you have this spectacular

0:35:32.960 --> 0:35:35.960
<v Speaker 1>center line bunker. You crust the hill and you're kind

0:35:35.960 --> 0:35:38.319
<v Speaker 1>of looking down at this little green and you're like,

0:35:38.640 --> 0:35:40.440
<v Speaker 1>you know, if you're trying to go for it into

0:35:40.560 --> 0:35:43.239
<v Speaker 1>You're like, you're looking at it as like I got

0:35:43.239 --> 0:35:46.040
<v Speaker 1>to hit it on this tiny little green. And it

0:35:46.120 --> 0:35:48.319
<v Speaker 1>kind of shares that with the next hole or two

0:35:48.400 --> 0:35:50.799
<v Speaker 1>holes later, the ninth hole, where they have these just

0:35:50.920 --> 0:35:55.279
<v Speaker 1>these beautiful little greens tucked into these tiny pockets and

0:35:55.320 --> 0:35:57.359
<v Speaker 1>everything narrows up as you get near it.

0:35:57.880 --> 0:35:59.800
<v Speaker 2>This is one of my favorite part fives in the world.

0:36:00.120 --> 0:36:03.279
<v Speaker 2>I definitely chose it to I think this is the

0:36:03.320 --> 0:36:06.920
<v Speaker 2>obvious choice here. Seven at Sandbox is one of my

0:36:06.960 --> 0:36:10.040
<v Speaker 2>favorite holes at that course too, but it doesn't really

0:36:10.040 --> 0:36:13.720
<v Speaker 2>compete with seven at sand Valley. This is a great,

0:36:13.880 --> 0:36:16.960
<v Speaker 2>great par five. One feature of it that I love

0:36:17.239 --> 0:36:21.520
<v Speaker 2>is how after a good drive, if you cut off

0:36:21.520 --> 0:36:24.239
<v Speaker 2>some of that big bunker, that big waste area that

0:36:24.239 --> 0:36:26.640
<v Speaker 2>you see off the tee, then you have a couple

0:36:26.680 --> 0:36:30.279
<v Speaker 2>of choices. There's a fairway that kind of sits over

0:36:30.320 --> 0:36:34.200
<v Speaker 2>a hill on the left, but you can't see it. Yeah,

0:36:34.239 --> 0:36:37.040
<v Speaker 2>you have to trust it, and then there's a more

0:36:37.120 --> 0:36:40.880
<v Speaker 2>visible fairway to the right. If you hit out to

0:36:40.920 --> 0:36:44.480
<v Speaker 2>the right, then your angle into the green is substantially worse.

0:36:44.520 --> 0:36:47.120
<v Speaker 2>It's actually really tricky because the green is pushed up

0:36:47.600 --> 0:36:50.840
<v Speaker 2>surrounded by hazards and it's not angled in that direction,

0:36:50.960 --> 0:36:53.440
<v Speaker 2>and so you have to be very precise with your

0:36:53.480 --> 0:36:56.480
<v Speaker 2>approach from there. If you go to the left to

0:36:56.520 --> 0:36:59.560
<v Speaker 2>the blind fairway and you manage to find the fairway

0:36:59.600 --> 0:37:02.120
<v Speaker 2>over there, then you have a much easier approach and

0:37:02.160 --> 0:37:04.200
<v Speaker 2>the potential to kind of kick more towards the green.

0:37:04.880 --> 0:37:07.240
<v Speaker 2>And so yeah, I think I think it just works

0:37:07.280 --> 0:37:10.520
<v Speaker 2>really well strategically. So yeah, love seven and that green

0:37:10.560 --> 0:37:13.200
<v Speaker 2>side is just it's it's so beautiful. It's like back

0:37:13.239 --> 0:37:16.520
<v Speaker 2>in its own little valley, and you don't see that

0:37:16.600 --> 0:37:19.040
<v Speaker 2>valley until you kind of walk up on it, and

0:37:19.080 --> 0:37:21.960
<v Speaker 2>so it's like you're discovering something. And I always like

0:37:22.000 --> 0:37:24.520
<v Speaker 2>that with a hole, where you know, where you start

0:37:24.800 --> 0:37:27.200
<v Speaker 2>is nothing like where you end up.

0:37:27.680 --> 0:37:30.399
<v Speaker 1>Here's the thing about Sand Valley. As we moved to eight,

0:37:31.160 --> 0:37:33.560
<v Speaker 1>this was always going to be a par three.

0:37:33.719 --> 0:37:36.920
<v Speaker 2>Okay, every day, every hole is a par three.

0:37:37.080 --> 0:37:38.759
<v Speaker 1>Every eighth hole is a par three.

0:37:38.840 --> 0:37:39.360
<v Speaker 2>How about that?

0:37:39.960 --> 0:37:42.120
<v Speaker 1>So which part three did you choose?

0:37:43.280 --> 0:37:49.719
<v Speaker 2>I chose the eighth that Mammoth Dunes. Yeah, the main

0:37:49.800 --> 0:37:52.719
<v Speaker 2>part of the hole that I like, I mean, it's

0:37:52.760 --> 0:37:55.399
<v Speaker 2>a beautiful, striking hole, Like it's it's one of those

0:37:55.400 --> 0:37:58.959
<v Speaker 2>picture postcard holes at Mammoth Dune's kind of an island

0:37:59.040 --> 0:38:03.480
<v Speaker 2>green surrounded by I really nicely sculpted sand hazards and

0:38:04.120 --> 0:38:06.480
<v Speaker 2>downhill and there's a big view in the back, and

0:38:07.080 --> 0:38:09.560
<v Speaker 2>you know, it's it's got all the aspects of a

0:38:09.920 --> 0:38:13.319
<v Speaker 2>of a hole that the routing was kind of building towards. Right,

0:38:13.360 --> 0:38:15.680
<v Speaker 2>That's why we're out here on this part of the

0:38:15.680 --> 0:38:18.719
<v Speaker 2>property is to kind of get to this vista and

0:38:18.760 --> 0:38:21.520
<v Speaker 2>then after that you turn in and you go somewhere

0:38:21.520 --> 0:38:23.960
<v Speaker 2>else to kind of find another spectacular portion of.

0:38:24.400 --> 0:38:26.839
<v Speaker 1>And it's like it's like if you're on a hike

0:38:27.080 --> 0:38:29.120
<v Speaker 1>and you get to a spot and then you turn away.

0:38:29.239 --> 0:38:33.520
<v Speaker 2>Yeah, this is the location. Yeah yeah, so uh yeah,

0:38:33.520 --> 0:38:35.440
<v Speaker 2>there's there's that part of it that can't be ignored.

0:38:36.160 --> 0:38:38.840
<v Speaker 2>You've talked about this before. There are two very different

0:38:38.920 --> 0:38:40.240
<v Speaker 2>teas on this hole, right.

0:38:40.120 --> 0:38:43.960
<v Speaker 1>Well, I think it's just like basically what I love

0:38:44.000 --> 0:38:47.200
<v Speaker 1>about this hole is the tea box, yeah, which nobody,

0:38:47.320 --> 0:38:48.960
<v Speaker 1>like nobody ever talks about tea.

0:38:48.920 --> 0:38:50.439
<v Speaker 2>The tea boxes. Yeah yeah.

0:38:50.520 --> 0:38:55.000
<v Speaker 1>So it's just like the tea moves forward into the

0:38:55.120 --> 0:38:58.719
<v Speaker 1>left and it's all fairway pretty much. It's pretty much

0:38:58.760 --> 0:39:02.319
<v Speaker 1>all connected. So what happens is you move forward into

0:39:02.320 --> 0:39:05.040
<v Speaker 1>the left, it's an island green. It's like a very

0:39:05.080 --> 0:39:08.680
<v Speaker 1>pure island green. From the back back tee box, which

0:39:08.719 --> 0:39:12.120
<v Speaker 1>is the furthest right, it's all I think it's about

0:39:12.120 --> 0:39:14.840
<v Speaker 1>one hundred and ninety yards. I didn't look up the yardage,

0:39:14.880 --> 0:39:17.120
<v Speaker 1>but you know, if I'm wrong, you can tell me.

0:39:17.440 --> 0:39:20.360
<v Speaker 1>It's one hundred and ninety yards too, so it's a

0:39:20.400 --> 0:39:22.799
<v Speaker 1>it's a challenging shot. The left side will funnel it

0:39:22.840 --> 0:39:24.680
<v Speaker 1>in a little bit, but you have to hit a

0:39:24.719 --> 0:39:29.600
<v Speaker 1>good iron shot. As you move forward and to the left,

0:39:28.960 --> 0:39:33.440
<v Speaker 1>the aspect of island green becomes less and less, and

0:39:33.480 --> 0:39:37.560
<v Speaker 1>really that's for it accommodates lower and lower trajectories, and

0:39:37.640 --> 0:39:40.560
<v Speaker 1>when you get to the very forward tee you can

0:39:40.760 --> 0:39:43.160
<v Speaker 1>run the ball in and the contours allow for a

0:39:43.320 --> 0:39:46.840
<v Speaker 1>run a shot run in through a pretty narrow strip

0:39:46.880 --> 0:39:50.480
<v Speaker 1>of faraway which really rewards a precise running shot, and

0:39:50.520 --> 0:39:53.520
<v Speaker 1>it'll funnel it right into the every whole location. So

0:39:54.040 --> 0:39:56.360
<v Speaker 1>I just love the tea boxes here. I think it's

0:39:56.520 --> 0:39:59.719
<v Speaker 1>just a very creative way. I think like one of

0:39:59.719 --> 0:40:05.600
<v Speaker 1>the things about short par threes in general and par

0:40:05.680 --> 0:40:12.000
<v Speaker 1>three's in general, is that they do really favor high

0:40:12.040 --> 0:40:16.240
<v Speaker 1>ball hitting players, and I think this is a great

0:40:16.280 --> 0:40:20.320
<v Speaker 1>example of a hole that blends playability into it and

0:40:20.800 --> 0:40:24.640
<v Speaker 1>really can appeal to all players if they're playing the

0:40:24.680 --> 0:40:25.520
<v Speaker 1>right t boxes.

0:40:25.800 --> 0:40:28.120
<v Speaker 2>Yeah, that's a great point because a lot of short

0:40:28.120 --> 0:40:31.239
<v Speaker 2>par threes have these small, little pushed.

0:40:31.000 --> 0:40:34.480
<v Speaker 1>Up greens which you can't get to if you're unless

0:40:34.480 --> 0:40:36.520
<v Speaker 1>you can really hit a ball high with spin.

0:40:37.160 --> 0:40:39.040
<v Speaker 2>And this is something that I like so much about

0:40:39.080 --> 0:40:41.920
<v Speaker 2>the sandbox, by the way, that it's full of really

0:40:41.960 --> 0:40:45.000
<v Speaker 2>short par threes, but you can play all of them

0:40:45.040 --> 0:40:47.960
<v Speaker 2>pretty much along the ground. There's none that are sort

0:40:48.000 --> 0:40:51.880
<v Speaker 2>of discriminatory towards players who hit the ball like eighty

0:40:51.960 --> 0:40:54.120
<v Speaker 2>yards and don't get it much more than a few

0:40:54.120 --> 0:40:56.560
<v Speaker 2>feet off the ground. And so, yeah, I think that's

0:40:56.600 --> 0:40:59.239
<v Speaker 2>a great point. And yeah, I think a lot of

0:40:59.239 --> 0:41:01.880
<v Speaker 2>Part three's, you know, sometimes courses don't have the space

0:41:01.920 --> 0:41:04.479
<v Speaker 2>to do what David Kidd did with this Part three,

0:41:04.560 --> 0:41:06.920
<v Speaker 2>But I wish I saw more par threes with like

0:41:07.040 --> 0:41:10.759
<v Speaker 2>radically different tea boxes. It's just such a great way

0:41:10.800 --> 0:41:15.560
<v Speaker 2>to make something that's genuinely challenging for an expert player

0:41:15.560 --> 0:41:18.640
<v Speaker 2>who might be playing the blue tea's or whatever, and

0:41:19.160 --> 0:41:21.920
<v Speaker 2>accommodating for somebody who's up with the red teas. You

0:41:21.920 --> 0:41:26.080
<v Speaker 2>know that that's I think that's a smart, obvious thing

0:41:26.120 --> 0:41:29.520
<v Speaker 2>to do that you don't see done that often. All right,

0:41:29.800 --> 0:41:32.880
<v Speaker 2>nine nine, I think it went the same direction with

0:41:32.960 --> 0:41:35.719
<v Speaker 2>this short sol on property. Speaking of par three's that

0:41:35.719 --> 0:41:36.759
<v Speaker 2>you can put.

0:41:36.640 --> 0:41:40.640
<v Speaker 1>Yeah, this is this is just a giant, giant green

0:41:40.760 --> 0:41:45.880
<v Speaker 1>with a big it's almost like, yeah, ninth old sandbox,

0:41:46.360 --> 0:41:51.359
<v Speaker 1>huge massive green with just a big kitchen sink effectively

0:41:51.760 --> 0:41:55.799
<v Speaker 1>a drain in the middle. Yeah, that that really bathtub.

0:41:56.080 --> 0:41:59.280
<v Speaker 1>I mean this hole, I've played it like dozens of times.

0:41:59.320 --> 0:42:01.960
<v Speaker 1>I think I made one time on it, Like I

0:42:01.960 --> 0:42:02.640
<v Speaker 1>think I've sayed it.

0:42:02.800 --> 0:42:06.680
<v Speaker 2>You can make five on this, yes, and so easily.

0:42:07.120 --> 0:42:08.919
<v Speaker 2>It's like it's like twenty yards long.

0:42:09.160 --> 0:42:12.759
<v Speaker 1>Yeah, it's so short, and it's amazing. It's just an

0:42:12.800 --> 0:42:16.879
<v Speaker 1>amazing green. I mean, so it's got this like extremely

0:42:17.040 --> 0:42:20.120
<v Speaker 1>deep depression. You could call it a big punch bowl,

0:42:20.239 --> 0:42:26.880
<v Speaker 1>but it's got this like effectively just drain that catches everything.

0:42:26.920 --> 0:42:32.240
<v Speaker 1>If you don't hit a great putt, chip, pitch, flop shot,

0:42:32.360 --> 0:42:35.640
<v Speaker 1>whatever you choose to play, the balls ending up in

0:42:35.719 --> 0:42:39.919
<v Speaker 1>this drain and from there it's like an extremely hard

0:42:39.960 --> 0:42:43.800
<v Speaker 1>two put So it makes this like twenty yard hole,

0:42:44.600 --> 0:42:49.080
<v Speaker 1>Like it's a hard twenty yard hole. It's an amazing green.

0:42:49.719 --> 0:42:53.080
<v Speaker 2>Yeah, it's it's incredible. It's a masterpiece of a green.

0:42:53.719 --> 0:42:56.120
<v Speaker 2>You have to see it. You can you can only

0:42:56.760 --> 0:42:59.960
<v Speaker 2>really understand it and conceptualize it if you see it

0:43:00.160 --> 0:43:03.080
<v Speaker 2>and he walked that green and you see everything that's

0:43:03.120 --> 0:43:06.799
<v Speaker 2>going on there. It is truly a lot of fun. Also,

0:43:06.840 --> 0:43:08.799
<v Speaker 2>want to shout out a number of other really good

0:43:08.920 --> 0:43:12.120
<v Speaker 2>ninth moments are good. Yeah, I love the ninth hole

0:43:12.160 --> 0:43:13.920
<v Speaker 2>at Mammoth. I think that's one of the best holes

0:43:13.920 --> 0:43:16.919
<v Speaker 2>on the course. It's a beautiful part four that has

0:43:17.160 --> 0:43:19.200
<v Speaker 2>a really cool strategic design.

0:43:19.040 --> 0:43:21.560
<v Speaker 1>And it's just a great part of the property. Like

0:43:21.840 --> 0:43:25.880
<v Speaker 1>that's so lovely, so quiet. Yes, you have like you

0:43:25.920 --> 0:43:29.359
<v Speaker 1>are so far away and you're over that ridge and

0:43:29.400 --> 0:43:32.160
<v Speaker 1>it's just I've been out there just from shooting. Like

0:43:32.280 --> 0:43:35.560
<v Speaker 1>out there, especially back in the day when drones didn't

0:43:35.600 --> 0:43:36.759
<v Speaker 1>have the range they have now.

0:43:37.040 --> 0:43:40.279
<v Speaker 2>Yeah, you have to you have to walk away run.

0:43:40.640 --> 0:43:43.359
<v Speaker 1>It would be like out there with the sun going down.

0:43:43.400 --> 0:43:45.920
<v Speaker 1>I remember being out there one really late fall day

0:43:45.920 --> 0:43:48.719
<v Speaker 1>and it was super crisp. Nobody was out there was

0:43:48.760 --> 0:43:51.720
<v Speaker 1>probably like thirty eight degrees and it was just an

0:43:51.719 --> 0:43:53.560
<v Speaker 1>epic place to watch the sun go down.

0:43:53.840 --> 0:43:56.920
<v Speaker 2>Yeah, very beautiful. And then the ninth hole at Sand Valley,

0:43:57.000 --> 0:43:59.719
<v Speaker 2>the short part four that you mentioned earlier is a

0:43:59.760 --> 0:44:00.879
<v Speaker 2>really excellent hole too.

0:44:00.880 --> 0:44:03.359
<v Speaker 1>But nine Alto is gonna be is a really cool

0:44:03.400 --> 0:44:07.080
<v Speaker 1>short part for it or not nine at Sedge.

0:44:06.840 --> 0:44:10.319
<v Speaker 2>At such absolutely yeaheah, Yeah, I only saw that whole

0:44:10.440 --> 0:44:12.680
<v Speaker 2>kind of shaped in the dirt. So so I'm not

0:44:13.040 --> 0:44:14.840
<v Speaker 2>I don't. I don't have all that nine at.

0:44:14.680 --> 0:44:17.839
<v Speaker 1>Sedge is awesome. It just it's a short for it's

0:44:17.920 --> 0:44:21.640
<v Speaker 1>really a The smart play is to hit like a

0:44:21.640 --> 0:44:25.360
<v Speaker 1>a an iron or something short off the tee and

0:44:25.400 --> 0:44:28.800
<v Speaker 1>then the green pitches away super severely. I love wedg

0:44:28.800 --> 0:44:31.960
<v Speaker 1>shots into greens that run away, yeah, because it's like,

0:44:32.040 --> 0:44:34.560
<v Speaker 1>if you don't hit a perfect wedge, you're gonna end

0:44:34.640 --> 0:44:37.799
<v Speaker 1>up thirty feet away. It really like wedge shots into

0:44:37.800 --> 0:44:41.520
<v Speaker 1>greens that run away magnify great shots from good shots.

0:44:41.840 --> 0:44:43.560
<v Speaker 2>Yeah. It's all about spin control.

0:44:43.320 --> 0:44:47.480
<v Speaker 1>Yeah, trajectory spin control every like hitting the right shot,

0:44:47.960 --> 0:44:50.319
<v Speaker 1>Like you know when when a green runs away with

0:44:50.320 --> 0:44:52.879
<v Speaker 1>a wedge, you have to hit the right shot, yeah,

0:44:52.880 --> 0:44:55.320
<v Speaker 1>which is very rare with a wedge in hand.

0:44:55.480 --> 0:44:59.800
<v Speaker 2>Absolutely. I like that point because the spin on a

0:44:59.800 --> 0:45:04.359
<v Speaker 2>way varies so much more widely than spin on other

0:45:04.480 --> 0:45:08.120
<v Speaker 2>kinds of shots because of the different types of swings

0:45:08.719 --> 0:45:10.239
<v Speaker 2>that you put on a wedg just not just a

0:45:10.239 --> 0:45:13.799
<v Speaker 2>full swing every time, and so it can range from

0:45:13.840 --> 0:45:24.400
<v Speaker 2>really low spin to really high spin. This episode is

0:45:24.480 --> 0:45:29.320
<v Speaker 2>brought to you by Fat Cork. It is champagne season again.

0:45:29.480 --> 0:45:33.640
<v Speaker 2>We are approaching the holidays, and Fat Cork is all

0:45:33.680 --> 0:45:38.920
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<v Speaker 2>So grower champagne houses. These are producers who grow their

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0:45:53.560 --> 0:45:57.279
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0:45:57.280 --> 0:46:00.440
<v Speaker 2>bit into wine lately. I don't know a lot about it.

0:46:00.480 --> 0:46:03.920
<v Speaker 2>I'm not going to claim to be a wine connoisseur

0:46:04.520 --> 0:46:06.920
<v Speaker 2>of any sort or somebody who should advise you on

0:46:07.280 --> 0:46:11.040
<v Speaker 2>that sort of thing. But the champagne that Fat Cork

0:46:11.239 --> 0:46:15.960
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0:46:16.000 --> 0:46:19.919
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0:46:22.239 --> 0:46:26.319
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0:46:34.320 --> 0:46:36.400
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0:46:49.360 --> 0:46:53.520
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0:47:02.719 --> 0:47:07.440
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0:47:41.120 --> 0:47:44.400
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0:47:44.440 --> 0:47:53.080
<v Speaker 2>slash golf. And let's get back to the episode, all right,

0:47:53.719 --> 0:47:56.960
<v Speaker 2>onto the nine. Yeah, what did you choose for ten?

0:47:57.040 --> 0:48:00.319
<v Speaker 1>I'm curious, I would I don't think it's really much

0:48:00.320 --> 0:48:03.239
<v Speaker 1>of a question. In my mind, it's the Alps hole.

0:48:03.480 --> 0:48:06.520
<v Speaker 1>I think this hole, like you think about like the

0:48:06.560 --> 0:48:09.520
<v Speaker 1>greatest Alps hole in the world. And most people would

0:48:09.520 --> 0:48:12.799
<v Speaker 1>go to National Golf Links of America, which is the

0:48:12.840 --> 0:48:16.520
<v Speaker 1>fourth hole at National Golf Links, and I think this

0:48:16.719 --> 0:48:20.680
<v Speaker 1>is the one that rivals it. It is a spectacular shot.

0:48:20.880 --> 0:48:23.479
<v Speaker 1>You can play right off the tee, which you want

0:48:23.480 --> 0:48:25.880
<v Speaker 1>to do, but you have to contend with a series

0:48:25.920 --> 0:48:27.839
<v Speaker 1>of bunkers that you can't really see.

0:48:28.000 --> 0:48:31.360
<v Speaker 2>Yeah, you can't see them, Yeah, actively cannot.

0:48:31.440 --> 0:48:33.080
<v Speaker 1>And if you get it up the right, you have

0:48:33.120 --> 0:48:35.759
<v Speaker 1>a you'll get a view of every I played a far,

0:48:35.880 --> 0:48:38.080
<v Speaker 1>far left pin and I got it up there and

0:48:38.120 --> 0:48:38.920
<v Speaker 1>I had a view of it.

0:48:39.040 --> 0:48:40.960
<v Speaker 2>Yeah, if you hit it long enough, you have to

0:48:41.040 --> 0:48:43.400
<v Speaker 2>you have to get it out there a ways in

0:48:43.520 --> 0:48:46.120
<v Speaker 2>order to see the green around around the big Alps

0:48:46.239 --> 0:48:46.960
<v Speaker 2>feature of the hill.

0:48:47.080 --> 0:48:49.560
<v Speaker 1>If you hit a safe shot, you will not see anything.

0:48:49.719 --> 0:48:53.120
<v Speaker 1>It is a massive, massive hill that will impede your

0:48:53.200 --> 0:48:56.239
<v Speaker 1>view of this green. That's really fun. It's got backstops

0:48:56.239 --> 0:48:59.520
<v Speaker 1>and everything. It is a spectacular golf hole. Spectacular.

0:49:00.080 --> 0:49:02.880
<v Speaker 2>It is probably the best tenth hole at the resort.

0:49:03.200 --> 0:49:06.680
<v Speaker 2>You say, there's no doubt about it, and yeah, I

0:49:07.239 --> 0:49:10.000
<v Speaker 2>but but I was looking for balance in my dream

0:49:10.040 --> 0:49:13.800
<v Speaker 2>eighteenth and I have something coming up.

0:49:13.040 --> 0:49:17.240
<v Speaker 1>I got a lot of lido coming on the back exactly.

0:49:17.280 --> 0:49:20.480
<v Speaker 2>I have some representation coming up from the lido very

0:49:20.560 --> 0:49:23.120
<v Speaker 2>very soon. So I ended up going with the tenth

0:49:23.200 --> 0:49:26.880
<v Speaker 2>hole at Sand Valley Good, which is a par five.

0:49:27.320 --> 0:49:29.919
<v Speaker 2>This is a kind of classic corn Crenshaw par five.

0:49:30.000 --> 0:49:34.040
<v Speaker 2>There is some kind of template or habit here that

0:49:34.120 --> 0:49:36.440
<v Speaker 2>corn Crenshaw use on their par fives. It's got a

0:49:36.480 --> 0:49:38.640
<v Speaker 2>center line bunker. You know, it reminds me a little

0:49:38.680 --> 0:49:41.200
<v Speaker 2>bit of like the third hole at Bandoned Trails or

0:49:41.239 --> 0:49:45.240
<v Speaker 2>something like that, where you've got a mid length par five,

0:49:45.960 --> 0:49:48.160
<v Speaker 2>you know, mid five hundreds or so, maybe up to

0:49:48.280 --> 0:49:51.880
<v Speaker 2>six hundred from the back tee, and you know, maybe

0:49:51.880 --> 0:49:54.120
<v Speaker 2>some longer players can reach the green from the tee,

0:49:54.120 --> 0:49:57.279
<v Speaker 2>but it's really all about like how close can you

0:49:57.320 --> 0:49:59.960
<v Speaker 2>get to the center line of this hole, because they're

0:50:00.160 --> 0:50:02.360
<v Speaker 2>just hazards all the way up the center line of

0:50:02.400 --> 0:50:05.000
<v Speaker 2>the hole. And here, basically you have a choice between

0:50:05.040 --> 0:50:08.719
<v Speaker 2>a low left fairway and a high right fairway and

0:50:08.760 --> 0:50:11.000
<v Speaker 2>then from there you play into this green. And this

0:50:11.080 --> 0:50:13.640
<v Speaker 2>is what really makes the hole for me, how beautifully

0:50:13.640 --> 0:50:16.880
<v Speaker 2>sighted there, Like it's just you walk around there and

0:50:16.880 --> 0:50:19.640
<v Speaker 2>you're like, this is this is the most beautiful part

0:50:19.680 --> 0:50:22.560
<v Speaker 2>of this property. Weirdly enough, even though it's like not

0:50:22.640 --> 0:50:25.560
<v Speaker 2>spectacular or anything, it's just kind of pressed into this

0:50:25.640 --> 0:50:28.239
<v Speaker 2>little knoll where there are a couple of greens and

0:50:28.280 --> 0:50:30.520
<v Speaker 2>a couple of teas clustered, and.

0:50:30.480 --> 0:50:32.240
<v Speaker 1>There's some pretty trees too.

0:50:32.280 --> 0:50:34.920
<v Speaker 2>Yeah, some like old dead trees, like sort of craggy

0:50:35.080 --> 0:50:38.560
<v Speaker 2>and gnarly, and it's just there's something about that green

0:50:38.600 --> 0:50:42.839
<v Speaker 2>site that's just so well executed, the shaping that they

0:50:42.880 --> 0:50:43.120
<v Speaker 2>did that.

0:50:43.200 --> 0:50:46.200
<v Speaker 1>Back too from it when you're because it's just comes

0:50:46.239 --> 0:50:50.560
<v Speaker 1>down that hill and it's it's it's a massive hole, right.

0:50:50.719 --> 0:50:52.920
<v Speaker 2>And I'm not going to claim that it's like the

0:50:53.000 --> 0:50:56.680
<v Speaker 2>same level of strategic design as Tenant Leedo, Like clearly

0:50:56.719 --> 0:51:01.279
<v Speaker 2>in that sense that hole is is superior. But the

0:51:01.280 --> 0:51:03.080
<v Speaker 2>tenth hole at Sand Valley is just one of those

0:51:03.080 --> 0:51:04.800
<v Speaker 2>holes where you kind of look around for a second

0:51:04.840 --> 0:51:10.279
<v Speaker 2>and you realize this is incredibly spectacular golfing terrain that

0:51:10.360 --> 0:51:14.520
<v Speaker 2>this course occupies, and you almost start underrating that as

0:51:14.560 --> 0:51:16.560
<v Speaker 2>you play the course because you get used to it.

0:51:17.160 --> 0:51:21.120
<v Speaker 2>But it's so beautiful back there and it's sandy and wonderful.

0:51:21.640 --> 0:51:22.839
<v Speaker 1>You're making concessions.

0:51:23.200 --> 0:51:25.520
<v Speaker 2>Yeah, we've got we've got some visitors outside the shed

0:51:25.600 --> 0:51:27.280
<v Speaker 2>right now, this is part of the magic of the shed.

0:51:27.600 --> 0:51:29.880
<v Speaker 2>Cameron Hurd has just poked his head up there. He

0:51:29.920 --> 0:51:31.600
<v Speaker 2>wants to be on the podcast. He wants to be

0:51:31.600 --> 0:51:35.359
<v Speaker 2>an influencer. He can open the door. Yeah, yeah, absolutely, yeah,

0:51:35.640 --> 0:51:36.640
<v Speaker 2>just chilling all.

0:51:36.600 --> 0:51:39.480
<v Speaker 1>Right, eleven, I what do you have? Do we have

0:51:39.480 --> 0:51:40.120
<v Speaker 1>the same? Do we have?

0:51:40.440 --> 0:51:40.759
<v Speaker 2>I'm doing?

0:51:41.280 --> 0:51:41.560
<v Speaker 1>Yeah?

0:51:41.640 --> 0:51:43.239
<v Speaker 2>This is where this is where I'm going to start

0:51:43.239 --> 0:51:47.319
<v Speaker 2>a mini run of Lido. This green is just like

0:51:48.280 --> 0:51:50.799
<v Speaker 2>a work of genius I have, you know, I don't

0:51:50.840 --> 0:51:53.000
<v Speaker 2>even know how to describe it. But I don't know,

0:51:53.120 --> 0:51:55.000
<v Speaker 2>like maybe we should talk about the rest of the

0:51:55.040 --> 0:51:57.120
<v Speaker 2>whole too, but I just go straight to the green.

0:51:57.200 --> 0:51:59.640
<v Speaker 2>It's got like these speed bumps in it. It's got

0:51:59.680 --> 0:52:01.920
<v Speaker 2>a little speed bump in front of the green, and

0:52:01.960 --> 0:52:04.280
<v Speaker 2>it's got a speed bump kind of midway or towards

0:52:04.280 --> 0:52:04.520
<v Speaker 2>the back.

0:52:05.200 --> 0:52:09.520
<v Speaker 1>The backpin is terrifying, And it's another green where you're

0:52:09.600 --> 0:52:12.000
<v Speaker 1>hitting a wedge in where if you want to get

0:52:12.040 --> 0:52:16.479
<v Speaker 1>to the backpin, you have to hit an absolutely perfect wedge. Yeah,

0:52:16.480 --> 0:52:19.160
<v Speaker 1>because if you're in most people are going to end

0:52:19.239 --> 0:52:22.040
<v Speaker 1>up short with a backpin because there's water and a

0:52:22.080 --> 0:52:23.359
<v Speaker 1>deep bunker behind that you know.

0:52:23.560 --> 0:52:25.640
<v Speaker 2>That run off behind into the water. So if you're

0:52:25.680 --> 0:52:28.400
<v Speaker 2>a little bit long, you're you're running off into the water.

0:52:28.320 --> 0:52:31.720
<v Speaker 1>So you know long's dead. So you end up pulling

0:52:31.840 --> 0:52:34.160
<v Speaker 1>up and you end up five yards short. Well, there's

0:52:34.239 --> 0:52:36.600
<v Speaker 1>like a big ridge that brings your ball back and

0:52:36.640 --> 0:52:38.040
<v Speaker 1>then all of a sudden you have to deal with

0:52:38.080 --> 0:52:40.839
<v Speaker 1>this delicate up and over putt to the and it

0:52:40.880 --> 0:52:42.759
<v Speaker 1>becomes then, oh, this is a hard two putt for

0:52:42.800 --> 0:52:44.359
<v Speaker 1>me to get out of here with the part, even

0:52:44.400 --> 0:52:47.120
<v Speaker 1>though I hit a really good wed shot into this

0:52:47.280 --> 0:52:49.959
<v Speaker 1>par four. And then the front pin's so fun because

0:52:50.000 --> 0:52:52.359
<v Speaker 1>you got kind of like a backstop and it's just

0:52:52.440 --> 0:52:56.080
<v Speaker 1>like the malleability of the way this hole. And then

0:52:56.160 --> 0:52:58.279
<v Speaker 1>if you move the pin over way over right, it's

0:52:58.360 --> 0:53:01.399
<v Speaker 1>kind of like a shallow, wide green, which I think

0:53:01.440 --> 0:53:03.520
<v Speaker 1>works really well for a shortish part. Four.

0:53:04.280 --> 0:53:07.640
<v Speaker 2>Yes, yeah, everything about this green is so creative and

0:53:07.719 --> 0:53:11.080
<v Speaker 2>cool and it's pretty simple. Right, you've got and when

0:53:11.080 --> 0:53:14.200
<v Speaker 2>I say speed bump, I mean literally imagine a speed

0:53:14.200 --> 0:53:17.640
<v Speaker 2>bump on a road. That's what this green has running

0:53:17.680 --> 0:53:21.600
<v Speaker 2>through kind of its middle back section perpendicular to the

0:53:21.600 --> 0:53:25.000
<v Speaker 2>line of play. Right, and then there's a little role

0:53:25.600 --> 0:53:27.799
<v Speaker 2>in the middle, and so it forms kind of like

0:53:27.800 --> 0:53:32.160
<v Speaker 2>a T, right, a t of raised contours and it

0:53:32.239 --> 0:53:35.080
<v Speaker 2>just defines these different sections of the green. As you say,

0:53:35.120 --> 0:53:39.400
<v Speaker 2>the different portions of this green play really differently and

0:53:40.160 --> 0:53:45.120
<v Speaker 2>kind of like you know, ask interesting questions for each

0:53:45.920 --> 0:53:48.239
<v Speaker 2>you know, area of the green that the pen might be.

0:53:48.320 --> 0:53:51.160
<v Speaker 2>So it's it's just a really cool one, all right

0:53:51.160 --> 0:53:54.840
<v Speaker 2>for eleven No. Twelve twel Yeah, I'm staying at Alito.

0:53:55.800 --> 0:53:56.919
<v Speaker 1>You're going with the punch bowl.

0:53:57.040 --> 0:53:59.000
<v Speaker 2>It's the punch bowl. You don't even know it's a

0:53:59.000 --> 0:54:00.359
<v Speaker 2>punch bowl until you get to the green.

0:54:00.400 --> 0:54:03.400
<v Speaker 1>Then, well, a keen player, and this is why I

0:54:03.440 --> 0:54:07.720
<v Speaker 1>hate big flags. I think that big flags, giant flags

0:54:07.719 --> 0:54:10.440
<v Speaker 1>for punch bowl green should be eradicated from golf. Your

0:54:10.440 --> 0:54:16.480
<v Speaker 1>big flag hitter, I am because keen players, smart players,

0:54:15.960 --> 0:54:20.279
<v Speaker 1>wise golfers, which golf should always be rewarding people who

0:54:20.320 --> 0:54:23.680
<v Speaker 1>are paying attention. After you play, when you play four,

0:54:24.080 --> 0:54:26.279
<v Speaker 1>you could poke your head over there and see where

0:54:26.280 --> 0:54:26.839
<v Speaker 1>the pin is.

0:54:27.080 --> 0:54:29.120
<v Speaker 2>Yeah, I mean something about the routing of the lido

0:54:29.400 --> 0:54:33.080
<v Speaker 2>is that that's the first on each nine.

0:54:33.120 --> 0:54:36.640
<v Speaker 1>You know what they didn't have in nineteen twenty big flags.

0:54:37.480 --> 0:54:39.400
<v Speaker 1>They have big flags for punch ball.

0:54:39.320 --> 0:54:42.560
<v Speaker 2>Did they have poles that mark the that mark where

0:54:42.600 --> 0:54:43.120
<v Speaker 2>the green is.

0:54:43.280 --> 0:54:44.719
<v Speaker 1>I don't know, I don't know.

0:54:44.800 --> 0:54:47.040
<v Speaker 2>I'm sure you know they built big things back then too.

0:54:47.200 --> 0:54:50.640
<v Speaker 1>You know this big flags need to go. Okay, all right,

0:54:50.719 --> 0:54:53.080
<v Speaker 1>that's my number one complain. Stop with the big flags.

0:54:53.080 --> 0:54:59.160
<v Speaker 1>Everything gets docked, honestly docked presentation because of the big,

0:54:59.239 --> 0:55:03.640
<v Speaker 1>big flag. Any any golf course with big flags unless

0:55:03.840 --> 0:55:06.239
<v Speaker 1>like I kind of get busy public course, I kind

0:55:06.280 --> 0:55:08.640
<v Speaker 1>of get that. But if you're a club, you should

0:55:08.680 --> 0:55:12.560
<v Speaker 1>be rewarding your your members who are paying attention, and

0:55:12.760 --> 0:55:15.040
<v Speaker 1>they should have a huge advantage when they bring guests

0:55:15.120 --> 0:55:18.040
<v Speaker 1>out as to like, oh, like, I'm like A good

0:55:18.040 --> 0:55:21.200
<v Speaker 1>example would be the country club, right they have they

0:55:21.200 --> 0:55:23.640
<v Speaker 1>have big flags in there, and it's like, oh, I

0:55:23.680 --> 0:55:25.839
<v Speaker 1>could I could just poke my head over and look

0:55:25.880 --> 0:55:28.359
<v Speaker 1>and see when I'm playing another hole and see where

0:55:28.400 --> 0:55:30.719
<v Speaker 1>the hole is, and then you know, I know to

0:55:30.760 --> 0:55:33.719
<v Speaker 1>look there. We need to be rewarding people.

0:55:33.600 --> 0:55:37.880
<v Speaker 2>Okay, okay, for for course knowledge and for being observant

0:55:37.920 --> 0:55:40.560
<v Speaker 2>while they're playing. And you know, the two things I

0:55:40.640 --> 0:55:43.160
<v Speaker 2>think that listeners know about the eleventh hole or the

0:55:43.200 --> 0:55:45.440
<v Speaker 2>twelfth hole at the leader of this flag is that

0:55:45.480 --> 0:55:47.440
<v Speaker 2>it has a big flag and then it's a punch bowl.

0:55:47.840 --> 0:55:50.160
<v Speaker 2>But maybe I should tell them a couple of more

0:55:50.200 --> 0:55:53.560
<v Speaker 2>things about the hole. One is that the drive is

0:55:53.680 --> 0:55:58.520
<v Speaker 2>pretty spectacular. It's a diagonal drive across a water hazard,

0:55:58.600 --> 0:56:01.400
<v Speaker 2>so bite off is as much as you can chew.

0:56:01.400 --> 0:56:03.360
<v Speaker 1>Can I can? I say? It kind of feels like

0:56:03.400 --> 0:56:06.040
<v Speaker 1>you're playing in Florida when you get on that too.

0:56:07.000 --> 0:56:10.120
<v Speaker 1>So you don't like this hole, I'm fine with it.

0:56:10.560 --> 0:56:11.120
<v Speaker 2>You're a hater.

0:56:11.400 --> 0:56:14.040
<v Speaker 1>I like. I like the fairway feature in it that

0:56:14.160 --> 0:56:16.719
<v Speaker 1>gives it like a kick if you play aggressively. There's

0:56:16.760 --> 0:56:20.320
<v Speaker 1>like a speed slot to your gaining. Yeah, you're gaining

0:56:20.480 --> 0:56:23.840
<v Speaker 1>yardage by playing on the diagonal, and then you're also

0:56:23.920 --> 0:56:26.480
<v Speaker 1>getting a beneficial kick. So you can get down to

0:56:26.520 --> 0:56:28.280
<v Speaker 1>where I had like a wedge into the screen.

0:56:29.080 --> 0:56:31.400
<v Speaker 2>Oh really, yeah, I had like a four iron. But

0:56:31.440 --> 0:56:33.880
<v Speaker 2>this is the difference between my game and yours. But

0:56:34.640 --> 0:56:36.759
<v Speaker 2>even the four iron was all right. It was a

0:56:36.760 --> 0:56:39.640
<v Speaker 2>nerve racking shot. But if you get it up there,

0:56:39.680 --> 0:56:43.120
<v Speaker 2>it will gather in. The Thing about this green that

0:56:43.200 --> 0:56:45.319
<v Speaker 2>I think is cool and we can move on to

0:56:45.400 --> 0:56:48.799
<v Speaker 2>your twelfth hole after this is that it's a combination

0:56:49.239 --> 0:56:52.120
<v Speaker 2>of as the big flag first of all. Second of

0:56:52.160 --> 0:56:55.879
<v Speaker 2>all is that it's a combination volcano punch bowl. Right,

0:56:56.560 --> 0:57:00.319
<v Speaker 2>it's a big built up volcano looking thing, but it's

0:57:00.320 --> 0:57:02.440
<v Speaker 2>actually a punch bowl. And I just like that contrast.

0:57:02.600 --> 0:57:03.840
<v Speaker 2>So what's your twelfth hole? What'd you do?

0:57:03.960 --> 0:57:06.680
<v Speaker 1>I got Sedge Valley. You probably didn't see.

0:57:06.719 --> 0:57:09.040
<v Speaker 2>I didn't play this whole. Yeah, this hole was one

0:57:09.080 --> 0:57:11.600
<v Speaker 2>of the ones that was not grassed when I was

0:57:11.640 --> 0:57:13.880
<v Speaker 2>out there, and maybe not even shaped at that point.

0:57:14.000 --> 0:57:16.520
<v Speaker 1>It's an epic green. So it's two hundred and seventy

0:57:16.560 --> 0:57:19.080
<v Speaker 1>five yards. It would be for the most part of

0:57:19.200 --> 0:57:22.040
<v Speaker 1>Part three most places, but it's part four. You know,

0:57:22.120 --> 0:57:25.360
<v Speaker 1>it's friendly. Uh, there's a ton of you don't really

0:57:25.440 --> 0:57:27.760
<v Speaker 1>see fairway left, but there's tons of fairway over to

0:57:27.840 --> 0:57:30.760
<v Speaker 1>the left for people to play over there. From there

0:57:30.920 --> 0:57:33.160
<v Speaker 1>you have a really weird So the shot of the

0:57:33.200 --> 0:57:36.520
<v Speaker 1>green's very long and narrow, and it's got a lot

0:57:36.560 --> 0:57:39.800
<v Speaker 1>of slope and undulation, and there's a built up feature

0:57:39.840 --> 0:57:43.800
<v Speaker 1>on the left that it kind of so if you're

0:57:43.840 --> 0:57:48.000
<v Speaker 1>going at the green from the tee, that that feature

0:57:48.040 --> 0:57:52.040
<v Speaker 1>is going to funnel your ball into the green. If

0:57:52.080 --> 0:57:55.840
<v Speaker 1>you're if you play left off the tee, that feature

0:57:56.080 --> 0:57:58.240
<v Speaker 1>all of a sudden, then you have to really contend

0:57:58.240 --> 0:58:01.840
<v Speaker 1>with because the green's narrow and you're gonna hit a

0:58:01.880 --> 0:58:04.600
<v Speaker 1>shot in there that if you catch the backside of

0:58:04.600 --> 0:58:06.920
<v Speaker 1>that slope, if you catch the slope of it, that's

0:58:07.640 --> 0:58:09.800
<v Speaker 1>that's corralling your ball off the t. If you catch

0:58:09.840 --> 0:58:12.240
<v Speaker 1>that slope on your second second shot from the left,

0:58:12.480 --> 0:58:15.360
<v Speaker 1>it's gonna shoot the ball probably into the bunker over

0:58:15.400 --> 0:58:19.160
<v Speaker 1>the green right. So there's it's just this short par four.

0:58:20.400 --> 0:58:23.120
<v Speaker 1>You know, it's reachable for everybody pretty much if you're

0:58:23.160 --> 0:58:26.960
<v Speaker 1>playing the proper tea box. I imagine that like the

0:58:27.000 --> 0:58:30.520
<v Speaker 1>middle t would be two hundred and thirty yards. So

0:58:30.600 --> 0:58:33.280
<v Speaker 1>if you play left, then you have to deal with

0:58:33.320 --> 0:58:36.480
<v Speaker 1>this slope. That helps you when you go for the

0:58:36.480 --> 0:58:40.200
<v Speaker 1>green off the tee and this narrow, really undulated green.

0:58:40.320 --> 0:58:42.960
<v Speaker 1>It's just a neat hole, and it's just something like

0:58:43.000 --> 0:58:45.960
<v Speaker 1>it's an example of like somebody might say, you know what,

0:58:46.160 --> 0:58:48.600
<v Speaker 1>that green's too much if it's a par three and

0:58:48.640 --> 0:58:52.200
<v Speaker 1>it's two hundred and seventy five yards, but it being

0:58:52.240 --> 0:58:55.040
<v Speaker 1>a par four makes it acceptable.

0:58:54.720 --> 0:58:56.520
<v Speaker 2>Right, Yeah, that sounds cool.

0:58:57.960 --> 0:59:00.120
<v Speaker 1>And also it's just beautiful, like the green's up on

0:59:00.160 --> 0:59:03.040
<v Speaker 1>this ridge. It's just like you get there and you're like, whoa,

0:59:03.120 --> 0:59:05.000
<v Speaker 1>Like it's a striking hole as well.

0:59:05.480 --> 0:59:08.600
<v Speaker 2>I could have chosen twelve at Sand Valley two. If

0:59:08.600 --> 0:59:10.520
<v Speaker 2>I were to go back and edit my dream eighteen,

0:59:10.600 --> 0:59:13.960
<v Speaker 2>I might have switched that with ten at at Sand Valley.

0:59:14.000 --> 0:59:15.640
<v Speaker 2>I could have gone with either of those holes. And

0:59:15.920 --> 0:59:19.760
<v Speaker 2>you move some things around move Yeah, well, let's dock

0:59:19.840 --> 0:59:22.680
<v Speaker 2>it for the big flag, you know, like, screw the

0:59:22.680 --> 0:59:24.920
<v Speaker 2>big flag. What are we doing here? I still like

0:59:24.960 --> 0:59:27.160
<v Speaker 2>the twelfth hole of Aledo, but I might like the

0:59:27.960 --> 0:59:30.560
<v Speaker 2>god I like the thirteen. There's there's a there's a

0:59:30.560 --> 0:59:32.720
<v Speaker 2>lot of really good holes of Aledo, so you can

0:59:32.960 --> 0:59:36.440
<v Speaker 2>you can't really go wrong with thirteen. I was just

0:59:36.480 --> 0:59:39.600
<v Speaker 2>thinking about this. I chose Mammoth Dunes.

0:59:40.080 --> 0:59:40.640
<v Speaker 1>I did too.

0:59:40.760 --> 0:59:44.680
<v Speaker 2>It's another really pretty par three and it's it's sort

0:59:44.680 --> 0:59:49.360
<v Speaker 2>of a hit it or else over a huge sandy valley,

0:59:49.840 --> 0:59:53.720
<v Speaker 2>and it's just really memorable and nerve racking.

0:59:53.600 --> 0:59:57.440
<v Speaker 1>Maybe the most consequential shot at Mammoth Valley or Mammoth

0:59:57.520 --> 1:00:01.440
<v Speaker 1>Dune or Mammoth Dunes, which is probably why I like

1:00:01.520 --> 1:00:04.360
<v Speaker 1>it. It's yeah, the one I feel like, the one time

1:00:04.440 --> 1:00:06.840
<v Speaker 1>you stand one of the few times you stand on

1:00:06.880 --> 1:00:09.000
<v Speaker 1>the tee and you're like, I really have to hit

1:00:09.040 --> 1:00:09.280
<v Speaker 1>this shit.

1:00:09.320 --> 1:00:12.880
<v Speaker 2>You're nervous because if you miss the screen left or

1:00:12.920 --> 1:00:17.280
<v Speaker 2>short then or long or long, yeah, because it kind

1:00:17.280 --> 1:00:18.200
<v Speaker 2>of wraps around.

1:00:18.040 --> 1:00:21.000
<v Speaker 1>That back area. Terrible spot.

1:00:21.280 --> 1:00:23.760
<v Speaker 2>It's a nerve wracking swing. And you know something that

1:00:23.840 --> 1:00:27.480
<v Speaker 2>David Kidd says a lot that I find interesting and

1:00:27.520 --> 1:00:30.560
<v Speaker 2>that part of me wants to disagree with, but I

1:00:30.640 --> 1:00:33.560
<v Speaker 2>hear where he's coming from, is that in this phase

1:00:33.600 --> 1:00:37.120
<v Speaker 2>of his design career, one of his big goals is

1:00:37.160 --> 1:00:40.520
<v Speaker 2>to give players confidence, to make them feel as though

1:00:40.560 --> 1:00:43.640
<v Speaker 2>they can swing freely. And that's why players feel so

1:00:43.720 --> 1:00:46.760
<v Speaker 2>happy on his courses and feel so great after the

1:00:46.840 --> 1:00:49.880
<v Speaker 2>rounds because they've had this kind of high of being

1:00:49.920 --> 1:00:54.160
<v Speaker 2>able to play golf as they have always imagined they

1:00:54.200 --> 1:00:56.120
<v Speaker 2>could play it or should be able to play it,

1:00:56.720 --> 1:01:00.160
<v Speaker 2>and the design gives them that power, which is sort

1:00:59.960 --> 1:01:03.200
<v Speaker 2>of an impressive thing to be able to do with design,

1:01:03.600 --> 1:01:09.160
<v Speaker 2>or a goal that seems admirable. But this hole sticks

1:01:09.160 --> 1:01:12.880
<v Speaker 2>out at Mammoth Dunes because you're nervous and you know

1:01:12.960 --> 1:01:15.480
<v Speaker 2>that if you make a bad swing that you're going

1:01:15.560 --> 1:01:17.840
<v Speaker 2>to pay for it. And it's also just a pretty hole.

1:01:17.920 --> 1:01:20.080
<v Speaker 2>It's I mean we can just say that like it's beautiful.

1:01:20.440 --> 1:01:23.040
<v Speaker 1>Yeah. He also does the same thing with the t boxes.

1:01:23.080 --> 1:01:27.080
<v Speaker 1>They move to the right, the forward into the right,

1:01:27.280 --> 1:01:29.720
<v Speaker 1>and as they move forward into the right, the green

1:01:29.760 --> 1:01:35.080
<v Speaker 1>gets deeper. So that's another aspect of the friendly nature,

1:01:35.160 --> 1:01:37.600
<v Speaker 1>which is I think a really brilliant thing with this

1:01:37.680 --> 1:01:40.680
<v Speaker 1>short par three that's got to force carry is that

1:01:40.760 --> 1:01:44.040
<v Speaker 1>it gives more space as you move up into the

1:01:44.160 --> 1:01:46.920
<v Speaker 1>right four players that might not be able to spin

1:01:47.000 --> 1:01:49.160
<v Speaker 1>the ball on this firm and fast turf.

1:01:49.520 --> 1:01:50.800
<v Speaker 2>Let's move on to fourteen.

1:01:50.840 --> 1:01:53.680
<v Speaker 1>What do you have fourteen, I've got the sandbox, which

1:01:53.720 --> 1:01:57.840
<v Speaker 1>is the semi blind par three. I just I'm just

1:01:57.880 --> 1:02:00.440
<v Speaker 1>going to say it. I love blind shots. I am.

1:02:00.760 --> 1:02:05.080
<v Speaker 1>If you don't like blind shots me and your golf taste,

1:02:05.120 --> 1:02:06.200
<v Speaker 1>don't go to get take.

1:02:06.080 --> 1:02:08.320
<v Speaker 2>Your big flags and get out of here.

1:02:08.600 --> 1:02:10.880
<v Speaker 1>Yeah there's you know, there's not a big flag.

1:02:13.240 --> 1:02:14.600
<v Speaker 2>It wouldn't have made the list if it had a

1:02:14.640 --> 1:02:15.080
<v Speaker 2>big flag.

1:02:15.200 --> 1:02:18.080
<v Speaker 1>It doesn't have a big flag and it's pretty much blind. Yeah,

1:02:18.120 --> 1:02:19.960
<v Speaker 1>so why why don't they put a big flag in

1:02:20.000 --> 1:02:21.920
<v Speaker 1>when it's over on the right side. See, this is

1:02:21.960 --> 1:02:26.040
<v Speaker 1>another example of of curtailing to the to the regulation game,

1:02:26.240 --> 1:02:28.840
<v Speaker 1>like where regulation game. You know, on the on the

1:02:28.840 --> 1:02:30.960
<v Speaker 1>par three course, we're able to do things we're not

1:02:31.000 --> 1:02:32.520
<v Speaker 1>able to do on regulation course.

1:02:32.760 --> 1:02:35.800
<v Speaker 2>If people were entering this round on their on their

1:02:35.840 --> 1:02:39.400
<v Speaker 2>gin apps, then is that how you pronounce it gin

1:02:39.840 --> 1:02:40.640
<v Speaker 2>or gin? You know?

1:02:41.160 --> 1:02:44.840
<v Speaker 1>Friend of the pod and mate told me exactly how

1:02:44.920 --> 1:02:48.200
<v Speaker 1>you pronounce it, and I forgot. He made a point

1:02:48.240 --> 1:02:50.800
<v Speaker 1>to tell me how I forgot it recently?

1:02:51.320 --> 1:02:52.440
<v Speaker 2>Is it complicated?

1:02:52.480 --> 1:02:57.360
<v Speaker 1>No, no, no, I now I have the side. I'm

1:02:57.400 --> 1:03:01.000
<v Speaker 1>just I'm just gonna abstain from saying from now on.

1:03:00.960 --> 1:03:04.680
<v Speaker 2>G hi N. So nobody's recording the score for their handicaps,

1:03:04.680 --> 1:03:06.160
<v Speaker 2>and so they don't care if there's a big flag

1:03:06.240 --> 1:03:08.840
<v Speaker 2>or not. Yeah, I mean, and I think this hole

1:03:08.920 --> 1:03:12.400
<v Speaker 2>can be non blind if they put the flag on

1:03:12.520 --> 1:03:15.040
<v Speaker 2>the left side of the green. I haven't seen the

1:03:15.080 --> 1:03:15.600
<v Speaker 2>flag there.

1:03:15.880 --> 1:03:16.360
<v Speaker 1>I've played it.

1:03:16.360 --> 1:03:21.440
<v Speaker 2>But there's a big kind of knoll that guards the

1:03:21.480 --> 1:03:24.760
<v Speaker 2>front right portion of this green. And it's built right,

1:03:24.800 --> 1:03:27.680
<v Speaker 2>it's constructed. It's basically there was nothing on this land

1:03:27.720 --> 1:03:29.880
<v Speaker 2>and so they had to push around a lot of

1:03:29.920 --> 1:03:32.560
<v Speaker 2>soil to make the features on this course, and it's

1:03:32.600 --> 1:03:35.760
<v Speaker 2>just a beautifully shaped knoll. Like I know, that's a

1:03:35.760 --> 1:03:37.680
<v Speaker 2>weird thing to say. But I just really like how

1:03:37.720 --> 1:03:40.680
<v Speaker 2>it looks. And then you get onto the green and

1:03:40.720 --> 1:03:44.120
<v Speaker 2>you realize that it's pretty big. You basically can't see

1:03:44.160 --> 1:03:46.280
<v Speaker 2>any of it from the tee and you get back

1:03:46.280 --> 1:03:47.880
<v Speaker 2>there and there's like a lot of room and some

1:03:48.000 --> 1:03:51.400
<v Speaker 2>interesting undulation and a pretty sharp runoff in the back.

1:03:51.480 --> 1:03:53.880
<v Speaker 1>Oh yeah, it's severe. Yeah, you don't want to miss,

1:03:54.360 --> 1:03:57.000
<v Speaker 1>and you can't shoot it with your yardage gun. That's

1:03:57.040 --> 1:03:58.680
<v Speaker 1>the other thing, because there's no big flag.

1:03:58.720 --> 1:04:01.560
<v Speaker 2>It's just a cool This is a cool fun hole

1:04:02.040 --> 1:04:05.520
<v Speaker 2>that that is very different from really anything you would

1:04:05.520 --> 1:04:06.800
<v Speaker 2>find on a regulation course.

1:04:07.200 --> 1:04:09.360
<v Speaker 1>All right, let's is that yours?

1:04:09.760 --> 1:04:12.400
<v Speaker 2>That's mine too? Yeah, I mean I think as with

1:04:12.600 --> 1:04:15.680
<v Speaker 2>most of the holes here, Like you know, fourteen is

1:04:16.120 --> 1:04:18.000
<v Speaker 2>a is a pretty strong one at Sand Valley. I

1:04:18.040 --> 1:04:19.560
<v Speaker 2>think that one takes it though, so I.

1:04:19.560 --> 1:04:25.320
<v Speaker 1>Would fourteen at I like fourteen a lot of places.

1:04:25.360 --> 1:04:27.800
<v Speaker 1>I like it Atledo too, you know, there's a lot

1:04:27.840 --> 1:04:31.440
<v Speaker 1>of fourteen. So fifteen is in the same bucket. Fifteen

1:04:31.880 --> 1:04:34.680
<v Speaker 1>at at Liedo could be it, but I went with

1:04:34.760 --> 1:04:36.400
<v Speaker 1>fifteen at Sand Valley. What about you?

1:04:36.440 --> 1:04:40.360
<v Speaker 2>What is fifteen at Ledo? Remind me strategy? Yeah, Like

1:04:40.800 --> 1:04:43.800
<v Speaker 2>that hole is incredible. Yeah, there are so many different

1:04:43.920 --> 1:04:46.360
<v Speaker 2>ways you can go. I wasn't even thinking of that

1:04:46.400 --> 1:04:48.600
<v Speaker 2>hole because I just kind of put fifteen at Sand

1:04:48.680 --> 1:04:52.120
<v Speaker 2>Valley on there because I know that I love that hole.

1:04:52.720 --> 1:04:54.919
<v Speaker 2>It is a great hole. I mean, it's it's got

1:04:55.040 --> 1:04:57.760
<v Speaker 2>kind of this. It runs through a very subtle portion

1:04:58.400 --> 1:05:01.560
<v Speaker 2>of the valley that most of the back nine at

1:05:01.600 --> 1:05:04.120
<v Speaker 2>Sand Valley runs through. It's kind of an out and

1:05:04.200 --> 1:05:07.440
<v Speaker 2>back routing and the back nine at Sand Valley, and

1:05:07.480 --> 1:05:10.360
<v Speaker 2>it's just a really beautiful location. And this is right

1:05:10.400 --> 1:05:12.960
<v Speaker 2>in the middle of it, and the whole kind of

1:05:13.040 --> 1:05:15.640
<v Speaker 2>moves to the left, and if you bail out to

1:05:15.680 --> 1:05:17.720
<v Speaker 2>the right, then you have a longer approach. If you

1:05:17.840 --> 1:05:20.800
<v Speaker 2>challenge the stuff on the left, you have a shorter approach.

1:05:21.280 --> 1:05:25.120
<v Speaker 2>And then there are these lovely little mounds in front

1:05:25.120 --> 1:05:25.560
<v Speaker 2>of the green.

1:05:25.760 --> 1:05:29.200
<v Speaker 1>I think Bill Corer another Bill cour Ism, I can't remember.

1:05:29.280 --> 1:05:31.760
<v Speaker 1>I think he referred to that as a hot dog

1:05:31.840 --> 1:05:34.560
<v Speaker 1>bun in front of the green a hot dog bun.

1:05:34.960 --> 1:05:37.840
<v Speaker 1>So you got the two sides of the hot dog

1:05:37.920 --> 1:05:40.760
<v Speaker 1>bun in a valley through the middle that you can

1:05:40.760 --> 1:05:43.120
<v Speaker 1>play through. If you're in the right spot, you could

1:05:43.120 --> 1:05:44.440
<v Speaker 1>play right through the middle of it.

1:05:44.480 --> 1:05:47.560
<v Speaker 2>Along the hot dog. Yeah, Bill cor never change.

1:05:47.800 --> 1:05:49.960
<v Speaker 1>Yeah, I think that's what he referred to it as

1:05:50.040 --> 1:05:52.240
<v Speaker 1>a hot dog. And I can't remember who's in private

1:05:52.400 --> 1:05:55.720
<v Speaker 1>or on a pod, but he called that a hot

1:05:55.760 --> 1:05:57.520
<v Speaker 1>dog bun in front.

1:05:57.440 --> 1:05:59.720
<v Speaker 2>And they're just they're just super fun. I mean, you

1:05:59.760 --> 1:06:03.160
<v Speaker 2>don't see many greens where what guards the front of

1:06:03.200 --> 1:06:08.160
<v Speaker 2>the green are these vertical features covered by short crass.

1:06:08.360 --> 1:06:09.560
<v Speaker 2>It's just not used enough.

1:06:09.760 --> 1:06:14.479
<v Speaker 1>That's arguably one of the most severe greens on property too.

1:06:14.760 --> 1:06:17.480
<v Speaker 1>Like if you get above the hole there, it like

1:06:18.040 --> 1:06:21.320
<v Speaker 1>it's really like crazy, how sloped the back half of

1:06:21.320 --> 1:06:23.920
<v Speaker 1>that green is. It's got a ton of slope and

1:06:23.960 --> 1:06:27.560
<v Speaker 1>it's easy, easy to three putt. The green's really good.

1:06:27.800 --> 1:06:30.360
<v Speaker 1>It's kind of obscured, I think by the fronting mounds.

1:06:30.560 --> 1:06:33.480
<v Speaker 1>It's in the in the dune, it sits kind of

1:06:33.520 --> 1:06:37.080
<v Speaker 1>in behind it. It gets obscured, like the slope in

1:06:37.120 --> 1:06:40.080
<v Speaker 1>that green gets obscured. One of my other favorite shots

1:06:40.120 --> 1:06:42.960
<v Speaker 1>out there is one time I left it short of

1:06:43.000 --> 1:06:46.000
<v Speaker 1>a front pin and the pin was right over one

1:06:46.000 --> 1:06:49.840
<v Speaker 1>of the mounds and I had this impossible short shot

1:06:49.960 --> 1:06:52.960
<v Speaker 1>from short grass over the over one of the sides

1:06:52.960 --> 1:06:55.320
<v Speaker 1>of the buns to the to the pin, and it

1:06:55.440 --> 1:06:56.880
<v Speaker 1>was like, what do I do? Do I put it?

1:06:57.160 --> 1:06:59.160
<v Speaker 1>Do I bump it into it? Do I flop it

1:06:59.200 --> 1:06:59.640
<v Speaker 1>over it?

1:06:59.720 --> 1:06:59.800
<v Speaker 2>Do?

1:06:59.880 --> 1:07:02.360
<v Speaker 1>I landed on top of it and led it. It

1:07:02.440 --> 1:07:05.720
<v Speaker 1>was just like, those are the moments I find the

1:07:05.760 --> 1:07:09.720
<v Speaker 1>most compelling in golf is when you're standing over shot,

1:07:09.720 --> 1:07:13.360
<v Speaker 1>and oftentimes you find them around the green, just with

1:07:13.480 --> 1:07:17.000
<v Speaker 1>severe features, where you're standing over a shot and you're

1:07:17.040 --> 1:07:19.400
<v Speaker 1>thinking about the six different ways you can play it

1:07:19.640 --> 1:07:21.480
<v Speaker 1>and you're not sure which way to do.

1:07:22.040 --> 1:07:24.640
<v Speaker 2>If you hit the green on this hole, you should

1:07:24.680 --> 1:07:28.880
<v Speaker 2>be sad because you'll have so much fun trying to

1:07:28.920 --> 1:07:31.880
<v Speaker 2>figure out how to hit your short game shot from

1:07:31.960 --> 1:07:35.080
<v Speaker 2>the bunkers along the left or short of the mounds

1:07:35.160 --> 1:07:38.880
<v Speaker 2>or wherever you are around this green complex. It's just

1:07:39.160 --> 1:07:41.680
<v Speaker 2>so interesting. And by the way, you mentioned the dune

1:07:41.720 --> 1:07:45.800
<v Speaker 2>that it's set into, it's the same little area that

1:07:45.840 --> 1:07:48.280
<v Speaker 2>the tenth Green is in that I mentioned, and it's

1:07:48.320 --> 1:07:51.680
<v Speaker 2>just this magical little corner of the property that I

1:07:51.720 --> 1:07:54.360
<v Speaker 2>love and think is so beautiful, and you get to

1:07:54.440 --> 1:07:58.240
<v Speaker 2>return to it with this green. And that's one thing

1:07:58.280 --> 1:07:59.880
<v Speaker 2>about the routing that's really well.

1:08:00.280 --> 1:08:02.720
<v Speaker 1>I think the hole is about four twenty from the back,

1:08:02.760 --> 1:08:06.560
<v Speaker 1>but just talking how wonderful would this hole be as

1:08:06.640 --> 1:08:08.480
<v Speaker 1>a as a drivable part.

1:08:08.280 --> 1:08:11.680
<v Speaker 2>Four Yeah, a little bit longer, Yeah, I sort of

1:08:11.720 --> 1:08:15.120
<v Speaker 2>agree with that that or if it were not just

1:08:15.160 --> 1:08:17.960
<v Speaker 2>a driveable just like a long part four a hole

1:08:18.000 --> 1:08:20.479
<v Speaker 2>that's where you're hitting like a wood into the green

1:08:20.600 --> 1:08:21.479
<v Speaker 2>instead of an iron.

1:08:21.920 --> 1:08:24.080
<v Speaker 1>The I like this is where I like kind of

1:08:24.160 --> 1:08:27.439
<v Speaker 1>lament how people just play golf from the same spot

1:08:27.760 --> 1:08:32.240
<v Speaker 1>every round, because this would be a fascinating hole to

1:08:32.320 --> 1:08:37.000
<v Speaker 1>play way up on like a fairly regular basis. I

1:08:37.000 --> 1:08:40.640
<v Speaker 1>would be really curious to see what people would end

1:08:40.720 --> 1:08:41.160
<v Speaker 1>up doing.

1:08:41.680 --> 1:08:45.679
<v Speaker 2>You know that said fifteen at the Lido is definitely

1:08:45.720 --> 1:08:50.720
<v Speaker 2>the best fifteen hoole at sand Valley because that hole

1:08:50.760 --> 1:08:51.320
<v Speaker 2>is incredible.

1:08:51.400 --> 1:08:53.400
<v Speaker 1>I think we'll touch on this. I think we both

1:08:53.439 --> 1:08:57.720
<v Speaker 1>picked eighteen at Liedo, but like fifteen is another example

1:08:58.000 --> 1:09:02.080
<v Speaker 1>of a hole and have I've got I'm lucky I've

1:09:02.120 --> 1:09:06.280
<v Speaker 1>gotten to play now. I think five rounds at Liedo and.

1:09:06.400 --> 1:09:10.200
<v Speaker 2>Fancy Boylayed, I've played one. So Andy's coming at this

1:09:10.240 --> 1:09:13.240
<v Speaker 2>with a lot more knowledge than I am about the Leado.

1:09:13.400 --> 1:09:17.400
<v Speaker 1>The thing about fifteen Aledo and it's exemplified with a

1:09:17.400 --> 1:09:19.880
<v Speaker 1>lot of holes out there. Eighteen will be one. We'll

1:09:19.920 --> 1:09:24.120
<v Speaker 1>talk about this, but fifteen there there are so many

1:09:24.200 --> 1:09:27.720
<v Speaker 1>different routes and where you want to get to is

1:09:27.840 --> 1:09:30.639
<v Speaker 1>so dependent on where the hole is. Like we played

1:09:30.640 --> 1:09:34.320
<v Speaker 1>a front right hole and this fifteenth hole it just

1:09:34.360 --> 1:09:39.120
<v Speaker 1>feels like bombs away. But really the play is like

1:09:39.320 --> 1:09:43.320
<v Speaker 1>playing short and left because if you play short and left,

1:09:43.360 --> 1:09:46.120
<v Speaker 1>it opens the green up and you get the full

1:09:46.200 --> 1:09:49.320
<v Speaker 1>spin of a wedge to play to this front right pin.

1:09:49.680 --> 1:09:51.759
<v Speaker 1>But then if you move the pin over to the left,

1:09:52.320 --> 1:09:54.800
<v Speaker 1>it's like, okay, you could play it way over to

1:09:54.840 --> 1:09:58.080
<v Speaker 1>the right and push it up because then you're playing

1:09:58.200 --> 1:10:01.519
<v Speaker 1>up into the slope with a wed right like It's

1:10:01.600 --> 1:10:04.519
<v Speaker 1>just amazing how when you move the pin out there,

1:10:05.200 --> 1:10:08.960
<v Speaker 1>all these bunkers come alive. And playing short left, for example,

1:10:09.320 --> 1:10:11.360
<v Speaker 1>there you have to choose if you're going short left

1:10:11.439 --> 1:10:13.560
<v Speaker 1>or long left because there's a bunker that cuts on

1:10:13.640 --> 1:10:16.280
<v Speaker 1>a diagonal with it right like. So you're just playing

1:10:16.320 --> 1:10:19.280
<v Speaker 1>to these different islands and one you know's we'll talk

1:10:19.320 --> 1:10:22.600
<v Speaker 1>about with seventeen. But one day I hit it on

1:10:22.800 --> 1:10:25.240
<v Speaker 1>seventeen and I hit it like what I thought was

1:10:25.240 --> 1:10:27.599
<v Speaker 1>too far left, but I found this like two yard

1:10:27.640 --> 1:10:30.439
<v Speaker 1>strip of fairway between a bunker and the native that

1:10:30.760 --> 1:10:33.120
<v Speaker 1>was like actually the perfect spot to be and it

1:10:33.240 --> 1:10:35.040
<v Speaker 1>was like, oh my god, like I didn't mean to

1:10:35.080 --> 1:10:37.559
<v Speaker 1>hit it here, but this is like this opened up

1:10:37.600 --> 1:10:39.240
<v Speaker 1>the entire approach to the green.

1:10:39.439 --> 1:10:41.640
<v Speaker 2>Yeah, there are so many possibilities on that hole, and

1:10:42.240 --> 1:10:47.160
<v Speaker 2>you know, without describing it in depth, basically what creates

1:10:47.760 --> 1:10:51.720
<v Speaker 2>the strategy on this hole is two diagonal lines of

1:10:51.760 --> 1:10:55.120
<v Speaker 2>bunkers through the fairway. And the fairway itself is very,

1:10:55.200 --> 1:10:59.479
<v Speaker 2>very wide, and so you can choose between different carries

1:10:59.520 --> 1:11:02.160
<v Speaker 2>basically like what Carrie do you want to take on here?

1:11:02.840 --> 1:11:06.880
<v Speaker 2>That sort of determines your tactics on the hole, and

1:11:06.920 --> 1:11:08.760
<v Speaker 2>a lot of that, as you say, is determined by

1:11:09.320 --> 1:11:12.000
<v Speaker 2>the pin position. And so it's a yeah, it's just

1:11:12.040 --> 1:11:17.599
<v Speaker 2>a very complex and interesting funhole. So sixteen, what did

1:11:17.640 --> 1:11:18.120
<v Speaker 2>you choose?

1:11:18.320 --> 1:11:21.880
<v Speaker 1>I went with sedge valley, So did I center line

1:11:21.920 --> 1:11:24.840
<v Speaker 1>bunker left side gives you a perfect view of the

1:11:24.840 --> 1:11:29.599
<v Speaker 1>green helping contours. It's very narrow. It's like fifteen twenty

1:11:29.640 --> 1:11:32.000
<v Speaker 1>yards wide. If you the first time I played it,

1:11:32.040 --> 1:11:34.240
<v Speaker 1>I'd fit it right up in there, had a really

1:11:34.240 --> 1:11:38.240
<v Speaker 1>easy wed shot. In next time I played, I bailed.

1:11:38.400 --> 1:11:40.559
<v Speaker 1>I went right. It was almost like I knew how

1:11:40.600 --> 1:11:43.240
<v Speaker 1>tough the shot left was, and I just didn't let

1:11:43.320 --> 1:11:46.920
<v Speaker 1>myself hit it over there, hit it right completely blind,

1:11:47.400 --> 1:11:50.280
<v Speaker 1>everything working against you end up in the back bunker

1:11:50.439 --> 1:11:53.160
<v Speaker 1>after I hit what I thought was a great shot,

1:11:54.120 --> 1:11:57.839
<v Speaker 1>just classic hole like you can't. It's amazing how visible

1:11:57.880 --> 1:12:00.680
<v Speaker 1>it is when you go left and how visible it

1:12:00.720 --> 1:12:01.599
<v Speaker 1>is when you go right.

1:12:02.120 --> 1:12:06.200
<v Speaker 2>Yeah, the visibility, the sight lines are the heart of

1:12:06.240 --> 1:12:10.160
<v Speaker 2>the strategy of this whole Amazing topography too incredible topography.

1:12:10.280 --> 1:12:14.200
<v Speaker 2>It generally runs uphill and the green kind of kind

1:12:14.200 --> 1:12:17.160
<v Speaker 2>of sits in what looks like a hollow basically, but

1:12:17.680 --> 1:12:19.680
<v Speaker 2>turns out to be a little more complex than that

1:12:19.760 --> 1:12:20.800
<v Speaker 2>once you get up to the green.

1:12:20.880 --> 1:12:24.000
<v Speaker 1>Definitely a hollow if you're on the left side. If

1:12:24.000 --> 1:12:26.920
<v Speaker 1>you're on the right side, there's a run off to

1:12:26.920 --> 1:12:29.639
<v Speaker 1>the left, run off to the left, a slope that's

1:12:29.680 --> 1:12:33.559
<v Speaker 1>gonna propel your ball short, that's gonna like shoot your

1:12:33.600 --> 1:12:36.160
<v Speaker 1>ball into this green, and then there's a bunker on

1:12:36.200 --> 1:12:39.640
<v Speaker 1>the right that like catches balls that are that that

1:12:39.680 --> 1:12:42.280
<v Speaker 1>goat run through. So really bad spot to be right,

1:12:42.400 --> 1:12:43.719
<v Speaker 1>great strategic holl.

1:12:43.600 --> 1:12:46.040
<v Speaker 2>Yeah, and it's it's a huge advantage to be able

1:12:46.080 --> 1:12:48.680
<v Speaker 2>to see the pin see the green, and there are

1:12:48.680 --> 1:12:51.040
<v Speaker 2>a million different places to play in this fairway. Right,

1:12:51.040 --> 1:12:54.160
<v Speaker 2>there's you talked about right and left, but there's a

1:12:54.200 --> 1:12:57.520
<v Speaker 2>bunch of different places where you can get like little platforms,

1:12:57.560 --> 1:13:01.160
<v Speaker 2>little corners of the fairway where you can get a

1:13:01.200 --> 1:13:05.600
<v Speaker 2>certain advantage or disadvantage going into this green. All right, seventeen,

1:13:05.960 --> 1:13:09.040
<v Speaker 2>what do you have? I actually chose Sedge here Again,

1:13:10.240 --> 1:13:11.960
<v Speaker 2>I don't know. I like I could go with a

1:13:12.040 --> 1:13:14.719
<v Speaker 2>number of different holes here. You know, it's the long

1:13:14.800 --> 1:13:17.280
<v Speaker 2>hole at the Lido. You have the punch bowl par

1:13:17.400 --> 1:13:20.320
<v Speaker 2>three long punch Bowl par three at sand Valley that's

1:13:20.360 --> 1:13:23.679
<v Speaker 2>really fun. And you have the last hole at the Sandbox,

1:13:23.680 --> 1:13:25.280
<v Speaker 2>which is actually not one of the better holes at

1:13:25.320 --> 1:13:28.240
<v Speaker 2>the Sandbox. So I'm not gonna, you know, say that

1:13:28.240 --> 1:13:32.320
<v Speaker 2>that one is you went liedo. So, first of all,

1:13:32.360 --> 1:13:37.800
<v Speaker 2>my argument for the seventeenth at at at Sedge. You know,

1:13:37.920 --> 1:13:40.360
<v Speaker 2>there's all sorts of trouble up the right side of

1:13:40.360 --> 1:13:44.879
<v Speaker 2>this hole, and it's really intimidatingly presented, Like the visual

1:13:45.000 --> 1:13:47.960
<v Speaker 2>of it from the tee is super obvious. It's saying

1:13:48.520 --> 1:13:51.400
<v Speaker 2>if you play over here, you could be in big danger.

1:13:52.160 --> 1:13:57.599
<v Speaker 2>And the green is angled just so that an approach

1:13:57.680 --> 1:14:02.160
<v Speaker 2>from right near there is obvious a lot better. You know,

1:14:02.200 --> 1:14:05.640
<v Speaker 2>you have so much more in the green that's going

1:14:05.720 --> 1:14:08.519
<v Speaker 2>to help your ball when it lands. If you're over

1:14:08.600 --> 1:14:11.280
<v Speaker 2>on the right, and if you decide to bail out

1:14:11.320 --> 1:14:15.280
<v Speaker 2>to the left, then that approach is brutal from over there,

1:14:15.680 --> 1:14:18.280
<v Speaker 2>depending on the pin position. Things change with different pin

1:14:18.360 --> 1:14:20.599
<v Speaker 2>positions on this screen. But I think it's a good

1:14:20.680 --> 1:14:25.880
<v Speaker 2>representation at Sedge Valley of how exacting the lines of

1:14:25.960 --> 1:14:29.479
<v Speaker 2>charm are out there, right. I mean, it's a simple concept.

1:14:29.520 --> 1:14:32.240
<v Speaker 2>It's as simple as strategy gets, and there are little

1:14:32.240 --> 1:14:36.200
<v Speaker 2>intricacies that make it different than just your normal kind

1:14:36.200 --> 1:14:39.360
<v Speaker 2>of like risk reward hole, which is basically what I described.

1:14:39.400 --> 1:14:43.120
<v Speaker 2>But what makes it work, what makes it a hole

1:14:43.160 --> 1:14:45.479
<v Speaker 2>that you want to play over and over, is that

1:14:45.600 --> 1:14:48.000
<v Speaker 2>in order to get to the line of charm, you

1:14:48.120 --> 1:14:52.560
<v Speaker 2>have to really take on something pretty scary, and I

1:14:52.640 --> 1:14:56.880
<v Speaker 2>think that that characterizes a lot of holes at Sedge Valley.

1:14:57.160 --> 1:15:02.320
<v Speaker 2>But yeah, seventeen at the Lido also an incredibly impressive

1:15:02.800 --> 1:15:04.040
<v Speaker 2>adaptation of the long hole.

1:15:04.240 --> 1:15:09.000
<v Speaker 1>Yeah, I mean, the green is unbelievable. It's so similar

1:15:09.040 --> 1:15:12.080
<v Speaker 1>to the fourteenth that at Saint Andrews. I mean, it's

1:15:12.240 --> 1:15:17.160
<v Speaker 1>just an incredible, incredible green that runs away so so severely.

1:15:17.439 --> 1:15:21.559
<v Speaker 1>I had a downwind weg shot on one of the days.

1:15:21.600 --> 1:15:25.720
<v Speaker 1>I played it like full wedge, full boar spin, and

1:15:25.800 --> 1:15:28.040
<v Speaker 1>I was standing over the shot and was thinking, I

1:15:28.040 --> 1:15:30.080
<v Speaker 1>have no chance to hold the green, and I didn't.

1:15:30.520 --> 1:15:33.559
<v Speaker 1>I landed very close to the front hole location. It

1:15:33.640 --> 1:15:36.360
<v Speaker 1>just shot over into the back bunker. It's like, you know,

1:15:36.479 --> 1:15:40.679
<v Speaker 1>you saw it in the Open Championship, right when Rory

1:15:40.720 --> 1:15:43.719
<v Speaker 1>and camp Smith were coming down the stretch in that great,

1:15:43.880 --> 1:15:47.200
<v Speaker 1>great finish. Camp Smith got it past the green and

1:15:47.360 --> 1:15:50.680
<v Speaker 1>had an easy chip back up uphill. Rory left it

1:15:50.760 --> 1:15:53.640
<v Speaker 1>short and had this just impossible up and down and

1:15:54.040 --> 1:15:58.160
<v Speaker 1>that's that Green's just extraordinary. There's this ridge that runs

1:15:58.240 --> 1:16:00.679
<v Speaker 1>up the right that kind of can corral and funnel

1:16:00.760 --> 1:16:04.599
<v Speaker 1>him in. One of the most amazing features is Lido

1:16:04.800 --> 1:16:09.240
<v Speaker 1>was a blank slate, right, you know, everything was created.

1:16:09.360 --> 1:16:11.840
<v Speaker 1>There are amazing ground contours on.

1:16:11.800 --> 1:16:14.640
<v Speaker 2>This hole right in the landing zone for drives too.

1:16:15.280 --> 1:16:19.120
<v Speaker 2>It's like right where your drive lands. That's where MacDonald

1:16:19.200 --> 1:16:23.760
<v Speaker 2>and Rayner built these very Saint Andrew's like undulations into

1:16:23.760 --> 1:16:24.280
<v Speaker 2>the fairway.

1:16:24.439 --> 1:16:27.679
<v Speaker 1>So one of the most amazing features which Tom Doak

1:16:27.840 --> 1:16:30.280
<v Speaker 1>pointed out when he was talking about this at the

1:16:30.320 --> 1:16:34.760
<v Speaker 1>dinner at his event, is there are cross bunkers and

1:16:34.800 --> 1:16:36.719
<v Speaker 1>if you hit a bad drive, you might be laying

1:16:36.840 --> 1:16:39.160
<v Speaker 1>up in front of these cross bunkers. And right in

1:16:39.200 --> 1:16:42.479
<v Speaker 1>the middle of the layup area, right in front of

1:16:42.479 --> 1:16:46.920
<v Speaker 1>the bunkers, there's a created plateau that sits up and

1:16:47.240 --> 1:16:49.680
<v Speaker 1>if you're on the right or left of it, you're blind.

1:16:49.800 --> 1:16:51.760
<v Speaker 1>And if you're on the plateau, if you laid up

1:16:51.840 --> 1:16:53.920
<v Speaker 1>right onto the plateau, you have a clear view of

1:16:53.960 --> 1:16:55.479
<v Speaker 1>the green. Just brilliant.

1:16:55.640 --> 1:16:56.400
<v Speaker 2>It's good stuff.

1:16:56.520 --> 1:16:57.879
<v Speaker 1>Yeah, it's just amazing.

1:16:57.960 --> 1:16:59.559
<v Speaker 2>There's all kinds of things like that at the lead

1:16:59.600 --> 1:17:02.439
<v Speaker 2>of it. This is the kind of stuff that makes

1:17:02.479 --> 1:17:07.040
<v Speaker 2>the lido so interesting and why people are blown away

1:17:07.120 --> 1:17:10.439
<v Speaker 2>by it, right because everything was created as it's everything

1:17:10.479 --> 1:17:15.240
<v Speaker 2>that is created, and there is an intention behind every

1:17:15.360 --> 1:17:19.479
<v Speaker 2>single little fairway contour, not just every single little green contour,

1:17:19.560 --> 1:17:23.240
<v Speaker 2>but you walk around those fairways and you find things.

1:17:23.720 --> 1:17:25.599
<v Speaker 2>You know, look at the green from a certain portion

1:17:25.680 --> 1:17:27.360
<v Speaker 2>of the fairway. If you see a feature that kind

1:17:27.360 --> 1:17:30.679
<v Speaker 2>of sticks out, go over to it. There's a purpose

1:17:30.720 --> 1:17:33.559
<v Speaker 2>to it. There's an intention there, and it is that's

1:17:33.600 --> 1:17:35.920
<v Speaker 2>why it's so intricate is that it has these little

1:17:36.000 --> 1:17:37.880
<v Speaker 2>details that have a function.

1:17:38.280 --> 1:17:41.599
<v Speaker 1>All right, eighteenth Hole. I think we both went Lido.

1:17:42.200 --> 1:17:43.960
<v Speaker 2>The eighteenth Hole of the Lido is one of the

1:17:44.000 --> 1:17:47.880
<v Speaker 2>greatest holes in the world. I mean, it's so incredible.

1:17:48.760 --> 1:17:52.920
<v Speaker 2>It's based obviously on Alistair McKenzie's Lido contest entry from

1:17:53.000 --> 1:17:57.600
<v Speaker 2>nineteen fourteen. Mackenzie built this ridiculous hole. Look, drew this

1:17:57.800 --> 1:18:02.160
<v Speaker 2>ridiculous hole. Right, It's like on ocean cliffs and there's

1:18:02.200 --> 1:18:05.160
<v Speaker 2>like this perfect little island out on the beach that

1:18:05.920 --> 1:18:08.800
<v Speaker 2>makes an alternate fair way. You know, it's like this

1:18:09.000 --> 1:18:12.839
<v Speaker 2>fantasy hole. It's obviously really cool, and there's a million

1:18:12.880 --> 1:18:16.040
<v Speaker 2>different routes to succeed on the hole, and it has

1:18:16.080 --> 1:18:20.280
<v Speaker 2>this very complex, you know, multi lobed green But you

1:18:20.320 --> 1:18:23.360
<v Speaker 2>look at it and you say, nobody could possibly build

1:18:23.400 --> 1:18:26.840
<v Speaker 2>that hole. That is stupid. There would be no landforms

1:18:26.840 --> 1:18:29.120
<v Speaker 2>that would allow for this hole to exist unless you

1:18:29.200 --> 1:18:32.920
<v Speaker 2>create it them, unless you just build it off of

1:18:32.960 --> 1:18:36.599
<v Speaker 2>a flat, swampy site as they did on Long Island,

1:18:36.880 --> 1:18:40.080
<v Speaker 2>or off of flat sand like they did in Wisconsin.

1:18:40.960 --> 1:18:45.599
<v Speaker 2>You overlay the Mackenzie Hole on an aerial shot of

1:18:45.640 --> 1:18:49.000
<v Speaker 2>the eighteenth Hole at the Sand Valley Lido and it's

1:18:49.120 --> 1:18:54.519
<v Speaker 2>basically the same. All the proportions are perfect and so anyway,

1:18:54.640 --> 1:18:55.200
<v Speaker 2>I mean, it's.

1:18:55.120 --> 1:18:57.439
<v Speaker 1>So one thing. I guess that's different. Talking to Brian

1:18:57.479 --> 1:19:02.000
<v Speaker 1>Schneider when I was playing, the markings had for a

1:19:02.040 --> 1:19:05.080
<v Speaker 1>fifty foot elevation drop on the left side of the

1:19:05.080 --> 1:19:09.120
<v Speaker 1>fairway and they're like, we'll just go twenty five. Yeah,

1:19:10.880 --> 1:19:13.040
<v Speaker 1>so one concession.

1:19:12.479 --> 1:19:16.040
<v Speaker 2>We can't go quite that great. And then we're laughing

1:19:16.160 --> 1:19:20.240
<v Speaker 2>because you go out there and everything's huge, right, and

1:19:20.240 --> 1:19:21.360
<v Speaker 2>it's already huge.

1:19:21.840 --> 1:19:26.160
<v Speaker 1>They didn't have like accurate understanding of what was built

1:19:26.200 --> 1:19:28.080
<v Speaker 1>at the lead o. They just were like, you know what,

1:19:28.200 --> 1:19:30.760
<v Speaker 1>fifty feet might be too much here on the left.

1:19:30.880 --> 1:19:33.960
<v Speaker 2>That'd be crazy. Yeah, I mean you could talk about

1:19:34.000 --> 1:19:36.800
<v Speaker 2>this whole for days. I think that to give people

1:19:36.840 --> 1:19:41.240
<v Speaker 2>a basic idea of the strategy of the whole. You know,

1:19:41.560 --> 1:19:44.040
<v Speaker 2>you have a drive where you have a few different options.

1:19:44.040 --> 1:19:47.240
<v Speaker 2>You can play up this fairway on the left with

1:19:47.360 --> 1:19:51.640
<v Speaker 2>a big hazard that cuts through the middle of the

1:19:51.640 --> 1:19:54.160
<v Speaker 2>fairway on a diagonal and if you go, like.

1:19:54.160 --> 1:19:58.040
<v Speaker 1>A series of bunkers cut through from basically left to right.

1:19:58.520 --> 1:20:01.920
<v Speaker 1>So the further the further you hit it, the more

1:20:02.280 --> 1:20:05.400
<v Speaker 1>decisions you have to make. The further you lay back,

1:20:05.439 --> 1:20:07.360
<v Speaker 1>you have more options in the sense of you have

1:20:07.520 --> 1:20:10.120
<v Speaker 1>right and then you have the short left option right.

1:20:10.800 --> 1:20:13.800
<v Speaker 2>Yeah. And you know, so when I played it, I

1:20:13.840 --> 1:20:17.120
<v Speaker 2>had a really good drive, like way left up the

1:20:17.240 --> 1:20:20.439
<v Speaker 2>left part of the fair way that it feels like

1:20:20.520 --> 1:20:22.960
<v Speaker 2>too far left, yeah, because you're aware that the whole

1:20:23.040 --> 1:20:25.760
<v Speaker 2>kind of travels in a different direction. But I had

1:20:25.760 --> 1:20:27.800
<v Speaker 2>a good drive up there, and I get up to

1:20:27.840 --> 1:20:30.240
<v Speaker 2>my ball and I realize I can see the green

1:20:30.280 --> 1:20:30.839
<v Speaker 2>from here.

1:20:30.920 --> 1:20:33.360
<v Speaker 1>And you're in the green's open from there. The only

1:20:33.400 --> 1:20:35.920
<v Speaker 1>way you're going to get to the there's this majestic

1:20:36.040 --> 1:20:40.400
<v Speaker 1>back right plateau. The only way you're getting there is

1:20:40.439 --> 1:20:42.519
<v Speaker 1>the best way to get there really is up the.

1:20:42.600 --> 1:20:45.439
<v Speaker 2>Left, and to run it up to that plateau. Yeah,

1:20:45.479 --> 1:20:47.840
<v Speaker 2>And so I realized that I was in a really

1:20:47.840 --> 1:20:51.120
<v Speaker 2>good spot. I thought of it as a conservative play,

1:20:51.200 --> 1:20:54.280
<v Speaker 2>because it feels more conservative to go out there than

1:20:54.320 --> 1:20:56.080
<v Speaker 2>to hit it down the center of this hole, which

1:20:56.080 --> 1:20:58.920
<v Speaker 2>requires a pretty big carry, or even to the right.

1:20:59.040 --> 1:21:01.840
<v Speaker 2>But you know, the whole generally travels over a pretty

1:21:01.840 --> 1:21:05.479
<v Speaker 2>big rise in the land that was obviously manufactured, and

1:21:05.560 --> 1:21:08.240
<v Speaker 2>so finding a way to see around that to the

1:21:08.280 --> 1:21:10.280
<v Speaker 2>green is kind of what you're trying to do on

1:21:10.320 --> 1:21:11.960
<v Speaker 2>your drive, and you can do that if you play

1:21:12.040 --> 1:21:15.320
<v Speaker 2>up the left. Then also there are aggressive options for

1:21:15.400 --> 1:21:17.840
<v Speaker 2>playing down the middle of the corridor.

1:21:17.520 --> 1:21:20.920
<v Speaker 1>You'll play if you play at the house, the left

1:21:20.960 --> 1:21:24.760
<v Speaker 1>side of the house, you can thread it between two bunkers,

1:21:24.840 --> 1:21:27.960
<v Speaker 1>which is like, I didn't know what I was doing.

1:21:28.120 --> 1:21:30.080
<v Speaker 1>My caddy told me to hit that shot, and I

1:21:30.160 --> 1:21:31.960
<v Speaker 1>hit it, and I got up there and I was like,

1:21:32.000 --> 1:21:34.720
<v Speaker 1>that was really stupid, Like it was like and it

1:21:34.840 --> 1:21:37.160
<v Speaker 1>worked out. I had like a I had a short wedgon,

1:21:38.120 --> 1:21:40.280
<v Speaker 1>but it was like I threaded it between like a

1:21:40.320 --> 1:21:42.920
<v Speaker 1>ten yard gap between two bunkers, and it's like that,

1:21:43.120 --> 1:21:44.400
<v Speaker 1>I'm never going to do that again.

1:21:44.560 --> 1:21:47.479
<v Speaker 2>By the way, side note, give the caddies some time

1:21:48.240 --> 1:21:53.000
<v Speaker 2>to learn the Lido, because right now not all of

1:21:53.040 --> 1:21:55.639
<v Speaker 2>them might have all the information about how you should

1:21:55.680 --> 1:21:58.679
<v Speaker 2>really play this course. Well, it's hard, it's very difficult.

1:21:58.680 --> 1:22:00.080
<v Speaker 2>I relate with it.

1:22:00.200 --> 1:22:02.880
<v Speaker 1>I think the thing that I'm most amazed about with

1:22:02.960 --> 1:22:06.599
<v Speaker 1>the Lido after getting to play it so many times

1:22:07.400 --> 1:22:11.439
<v Speaker 1>is that it was so disorienting the first time around

1:22:11.600 --> 1:22:15.759
<v Speaker 1>and seemingly hard, and my last time around I felt

1:22:15.800 --> 1:22:19.559
<v Speaker 1>like it actually was getting pretty easy because if you

1:22:19.640 --> 1:22:23.040
<v Speaker 1>get into the right positions and you hit the shots.

1:22:23.040 --> 1:22:25.599
<v Speaker 1>And this was a day I played very well, but

1:22:25.680 --> 1:22:27.800
<v Speaker 1>like I got into spots and I all of a

1:22:27.840 --> 1:22:31.040
<v Speaker 1>sudden felt like I was hitting into bowls, but I

1:22:31.200 --> 1:22:33.880
<v Speaker 1>was getting to the right spots off the tee to

1:22:33.960 --> 1:22:37.799
<v Speaker 1>get those opportunities to hit into balls, if that makes sense.

1:22:38.200 --> 1:22:40.759
<v Speaker 2>You saw the puzzle, yeah, or parts of the puzzle,

1:22:41.040 --> 1:22:43.040
<v Speaker 2>and yeah, I mean that's what's so attractive about the

1:22:43.080 --> 1:22:43.600
<v Speaker 2>Lido is that.

1:22:44.200 --> 1:22:48.280
<v Speaker 1>In just a side note, you know this is anecdotal.

1:22:48.400 --> 1:22:51.680
<v Speaker 1>So Tom Doakes event has a champion, it's like a

1:22:51.720 --> 1:22:56.120
<v Speaker 1>matchplay event. Peter Floory won that. Two weeks earlier, the

1:22:56.160 --> 1:22:59.040
<v Speaker 1>Club Championship was held at the Lido and Peter Floory

1:22:59.120 --> 1:23:02.800
<v Speaker 1>won that. The man that like knows every contour out there.

1:23:03.000 --> 1:23:05.320
<v Speaker 2>Yeah, he's the one. He's been on the podcast. He's

1:23:05.360 --> 1:23:09.240
<v Speaker 2>the one who basically modeled the course and enabled them

1:23:09.280 --> 1:23:11.800
<v Speaker 2>to build it with such precision. So it makes sense.

1:23:11.840 --> 1:23:14.000
<v Speaker 2>It also happens to be the case that he is

1:23:14.040 --> 1:23:14.479
<v Speaker 2>a stick.

1:23:14.760 --> 1:23:17.439
<v Speaker 1>Yeah he's a great player, but he's play and he's

1:23:17.479 --> 1:23:20.040
<v Speaker 1>played it a ton. But I I we were talking

1:23:20.080 --> 1:23:22.200
<v Speaker 1>about it, and I just like you can just start

1:23:22.240 --> 1:23:24.840
<v Speaker 1>to see, Like I was texting with another guy, I

1:23:24.920 --> 1:23:26.639
<v Speaker 1>know that it's a member out there that's really good

1:23:26.640 --> 1:23:29.840
<v Speaker 1>players like you. Once you start to understand the course,

1:23:29.880 --> 1:23:33.120
<v Speaker 1>it's like, oh, this isn't that hard. You just have

1:23:33.200 --> 1:23:37.800
<v Speaker 1>to understand. It's hard to understand, but it's once you

1:23:37.880 --> 1:23:41.600
<v Speaker 1>understand it, it becomes very like it's it's like addicting

1:23:42.000 --> 1:23:44.080
<v Speaker 1>because you know where you need to get to for

1:23:44.160 --> 1:23:47.479
<v Speaker 1>different spots, and it changes, and it's you know, it's

1:23:47.640 --> 1:23:50.639
<v Speaker 1>it's a It's an amazing strategic golf course.

1:23:51.160 --> 1:23:54.080
<v Speaker 2>I think the Lido deserves its own podcast probably, you know,

1:23:54.120 --> 1:23:56.360
<v Speaker 2>we've touched on a few key aspects of the Lido,

1:23:57.200 --> 1:24:00.520
<v Speaker 2>but it might be the most interesting course to discuss

1:24:01.400 --> 1:24:05.000
<v Speaker 2>that has been built since I've been working in golf,

1:24:05.720 --> 1:24:09.240
<v Speaker 2>maybe in the twentieth twenty first century. You know, like

1:24:09.840 --> 1:24:12.960
<v Speaker 2>it is fascinating to think about, not only because of

1:24:13.000 --> 1:24:15.519
<v Speaker 2>the stuff that you're talking about, the strategic puzzle and

1:24:15.560 --> 1:24:19.800
<v Speaker 2>the opportunity to kind of figure out intricacies that other

1:24:19.840 --> 1:24:23.080
<v Speaker 2>people might not know about. That that possibility is real

1:24:23.120 --> 1:24:25.519
<v Speaker 2>out there because of how complex the course is and

1:24:25.560 --> 1:24:28.800
<v Speaker 2>how much is going on on each hole, And so

1:24:28.920 --> 1:24:32.720
<v Speaker 2>that's one area to talk about the other thing to

1:24:32.720 --> 1:24:35.160
<v Speaker 2>talk about when it comes to the Lido is some

1:24:35.280 --> 1:24:38.080
<v Speaker 2>of the I don't know what you would call them,

1:24:38.080 --> 1:24:42.639
<v Speaker 2>like historical ethical considerations. Yeah, like just taking this course

1:24:42.720 --> 1:24:46.600
<v Speaker 2>that once existed on Long Island and kind of transplanting

1:24:46.680 --> 1:24:50.320
<v Speaker 2>it to Wisconsin. It is strange to be out there.

1:24:50.760 --> 1:24:55.360
<v Speaker 2>It's uncanny. It's almost uncomfortable where you like, should this

1:24:55.479 --> 1:24:59.160
<v Speaker 2>be here? You know, I'm glad it's there, but I

1:24:59.320 --> 1:25:02.719
<v Speaker 2>was unsettled buy it because it's like I was walking

1:25:02.800 --> 1:25:07.040
<v Speaker 2>through I don't let like a mausoleum or something, you know,

1:25:08.200 --> 1:25:08.559
<v Speaker 2>and so.

1:25:09.080 --> 1:25:11.000
<v Speaker 1>Well, I mean I think like I think where I

1:25:11.040 --> 1:25:14.559
<v Speaker 1>would lend, where I would struggle is like I don't

1:25:14.600 --> 1:25:17.360
<v Speaker 1>know how many more Lido projects should exist where we're

1:25:17.400 --> 1:25:22.519
<v Speaker 1>just copying something versus building something new. Like That's like

1:25:23.080 --> 1:25:28.720
<v Speaker 1>my takeaway from Lido is like, how come architects like

1:25:28.800 --> 1:25:34.000
<v Speaker 1>Tom Fazio, who constructed courses like from nothing didn't think

1:25:34.040 --> 1:25:37.800
<v Speaker 1>about things in this detail? Because that's the thing. I

1:25:37.880 --> 1:25:41.040
<v Speaker 1>just felt like, it's a different level of golf architecture

1:25:42.400 --> 1:25:46.240
<v Speaker 1>in terms of like thought process of around strategy right

1:25:46.360 --> 1:25:49.519
<v Speaker 1>and alternate roots. And it kind of is like, well,

1:25:49.720 --> 1:25:53.680
<v Speaker 1>like how was this built in nineteen. What was it

1:25:53.800 --> 1:25:57.600
<v Speaker 1>nineteen ten or twelve something, nineteen sixteen.

1:25:58.439 --> 1:26:01.679
<v Speaker 2>It opened in I might be wrong here, but nineteen

1:26:01.760 --> 1:26:05.839
<v Speaker 2>seventeen at nineteen seventeen, and so obviously National was earlier.

1:26:06.040 --> 1:26:09.680
<v Speaker 1>How How did we have someone that understood strategy and

1:26:09.720 --> 1:26:14.400
<v Speaker 1>golf so well then? And how we've had so many

1:26:14.479 --> 1:26:18.439
<v Speaker 1>golf courses that none of which have reached even close

1:26:18.479 --> 1:26:19.960
<v Speaker 1>to that level of strategy.

1:26:20.600 --> 1:26:24.040
<v Speaker 2>Yeah, and and you know, to the point that maybe

1:26:24.040 --> 1:26:27.320
<v Speaker 2>we don't want to see a lot more of these reconstructions.

1:26:28.040 --> 1:26:32.040
<v Speaker 2>I can guarantee that it's all downhill from the lead

1:26:32.080 --> 1:26:33.559
<v Speaker 2>out from this idea.

1:26:33.800 --> 1:26:35.760
<v Speaker 1>Now we're now, we're now, we're getting into the lead

1:26:35.840 --> 1:26:38.640
<v Speaker 1>up podcast, we're ending. Yeah, we gotta find I had

1:26:38.640 --> 1:26:41.880
<v Speaker 1>a nine. I had a parse sixty nine. This was

1:26:41.920 --> 1:26:44.200
<v Speaker 1>fun to do. If you asked me tomorrow, it might

1:26:44.240 --> 1:26:48.240
<v Speaker 1>be different. But this was fun. Uh, lots of uh,

1:26:48.680 --> 1:26:51.799
<v Speaker 1>lots of blindness in mind, lots.

1:26:51.560 --> 1:26:53.639
<v Speaker 2>Of blindness in mind. Mine was a par sixty eight.

1:26:54.120 --> 1:26:56.160
<v Speaker 2>Lots of par three's and par fives.

1:26:56.280 --> 1:26:56.519
<v Speaker 1>Yeah.

1:26:56.520 --> 1:26:58.960
<v Speaker 2>I think the par three's were expected because we were

1:26:58.960 --> 1:27:02.200
<v Speaker 2>dealing with a well know, the courses having all par threes.

1:27:02.800 --> 1:27:04.960
<v Speaker 2>But I had quite a few par fives, and I

1:27:05.000 --> 1:27:07.000
<v Speaker 2>think that that's one thing that stands out about the

1:27:07.000 --> 1:27:09.760
<v Speaker 2>resort as a whole, is the quality of the par

1:27:09.920 --> 1:27:12.760
<v Speaker 2>fives and how memorable many of the par fives are.

1:27:13.120 --> 1:27:15.640
<v Speaker 1>All Right, thanks Garrett, and let us know what you

1:27:15.680 --> 1:27:18.000
<v Speaker 1>agree with, what you disagree with. This is a fun

1:27:18.040 --> 1:27:20.760
<v Speaker 1>topic and definitely, by no means do we have the

1:27:20.840 --> 1:27:22.000
<v Speaker 1>right answers.

1:27:21.960 --> 1:27:25.080
<v Speaker 2>That these are not authoritative. These are meant to spark discussion.

1:27:25.560 --> 1:27:38.200
<v Speaker 2>Dream eteens always do so. Thanks Andy. This episode of

1:27:38.240 --> 1:27:42.840
<v Speaker 2>the Friday Golf Podcast was produced by Matt Ruschius. Thank you, Matt.

1:27:43.640 --> 1:27:47.360
<v Speaker 2>If you are enjoying the Friday Golf Podcast, then please

1:27:47.400 --> 1:27:51.400
<v Speaker 2>consider giving us a rating and review wherever you happen

1:27:51.439 --> 1:27:54.519
<v Speaker 2>to be listening to us. We really appreciate those and

1:27:54.600 --> 1:27:58.080
<v Speaker 2>we like hearing feedback on what we're doing. All right,

1:27:58.400 --> 1:28:00.639
<v Speaker 2>thanks for listening and we'll talk again soon.