WEBVTT - Kenny Chesney

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<v Speaker 1>Welcome, Welcome, Welcome back to the Bob Leftsets podcast. My

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<v Speaker 1>guest today is Kenny Chesney, who's got a new word

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<v Speaker 1>of biography, part life Music. Kenny, Why this book? Why now?

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<v Speaker 2>Well, Bob, I have been really running pretty hard for

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<v Speaker 2>a while, and there was always, uh, I've always been driven.

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<v Speaker 2>I've always been insanely creative, which hasn't left a lot

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<v Speaker 2>of time for reflecting. And when Holly and I first

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<v Speaker 2>started thinking about this.

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<v Speaker 1>Holly Gleison, your co writer, Holly Lison.

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<v Speaker 2>My co writer, and we thought about all the roads

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<v Speaker 2>have gone down, We thought about, you know, all the

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<v Speaker 2>people that did it with me, and I just decided

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<v Speaker 2>that I'd better write it down now because there was

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<v Speaker 2>some hazy years. You know, we had a lot of

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<v Speaker 2>fun out there. But I also, you know, I wanted

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<v Speaker 2>to champion pay tribute to a lot of people that

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<v Speaker 2>championed me along the way also, And that's why now

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<v Speaker 2>I felt like now that was the best time, because

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<v Speaker 2>I still feel very creative and and want to move forward,

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<v Speaker 2>and but I just haven't. I just have not let

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<v Speaker 2>myself reflect that much. And until I sat down with

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<v Speaker 2>Holly Gleeson, and that's been like a year and something experience.

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<v Speaker 2>So but I'm really glad we did it. You know,

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<v Speaker 2>it's like almost like therapy. Every time, you know, in therapy,

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<v Speaker 2>they had you tell the story over and over again,

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<v Speaker 2>and every time you tell it, you remember something else.

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<v Speaker 2>And that's that's a lot about what writing this book

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<v Speaker 2>was Likeve.

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<v Speaker 1>So what did you learn writing the book yourself?

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<v Speaker 2>That's a great question. I have learned that how powerful

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<v Speaker 2>dreams can be. I was a kid, like we say

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<v Speaker 2>in the book, I literally I lived with my grandmother.

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<v Speaker 2>My mom and my real father divorced when I was one,

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<v Speaker 2>and so my mom married my stepfather after that, and

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<v Speaker 2>he was a Vietnam So we lived with my grandmother

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<v Speaker 2>and I would lay out in her backyard at night

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<v Speaker 2>and stare up at the sky because there was really

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<v Speaker 2>no we were so far out outside of Knoxville. We

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<v Speaker 2>we didn't get any light pollution, you know. So when

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<v Speaker 2>it was when it was dark and clear, it was beautiful.

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<v Speaker 2>And I was dreaming, Bob, But I didn't know what

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<v Speaker 2>the dream was. I was just dreaming to dream, like

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<v Speaker 2>I said in the book. But I was just so

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<v Speaker 2>curious about what was past my county line, what was

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<v Speaker 2>past the only roads I knew to go down with

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<v Speaker 2>the roads to school, the roads to church with my grandmother,

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<v Speaker 2>the rose to the ballpark, and that was about it.

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<v Speaker 2>And every Christmas, my grandfather would be the guy that goes, Hey,

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<v Speaker 2>we're all going to get in the car. We're going

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<v Speaker 2>to go to Knoxville to see the lights, right, And

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<v Speaker 2>he was also the person that would sit there and go, Wow,

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<v Speaker 2>I wonder what that lot bills costing them. So I

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<v Speaker 2>don't know. I think about that kid, and I think

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<v Speaker 2>about the person that I am now, and I just

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<v Speaker 2>think about how powerful my journey has been, about how

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<v Speaker 2>many and how my life has changed, and how many

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<v Speaker 2>how it changed the lives of people that have come

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<v Speaker 2>along with me. And that's a very powerful, profound thing

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<v Speaker 2>because we all came from different places, we all have

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<v Speaker 2>different religious beliefs, we all have different political beliefs, but

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<v Speaker 2>somehow we all play the same notes. And I think

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<v Speaker 2>that's beautiful.

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<v Speaker 1>Okay, are you talking the book about burnout? You don't

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<v Speaker 1>use that actual term, but you say one thing. You're

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<v Speaker 1>on stage and again you can barely finish the gieg.

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<v Speaker 2>Yeah, I had, And I hesitate saying this because my

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<v Speaker 2>heroes have been on the road their whole life, right

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<v Speaker 2>they have. And now I've been on I have been

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<v Speaker 2>doing this for over thirty two years now, believe it

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<v Speaker 2>or not. But there was a moment in two thousand

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<v Speaker 2>and nine where I went on the road in November

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<v Speaker 2>of ninety three, and I did not stop mentally, emotionally, physically,

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<v Speaker 2>creatively at all until that night in Indianapolis. And that

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<v Speaker 2>was two thousand and nine. So with that sixteen years.

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<v Speaker 2>So it was a constant, constant, and I felt numb.

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<v Speaker 2>I didn't feel like I was listening to music the

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<v Speaker 2>same way. I didn't feel like I was creating the

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<v Speaker 2>same way. I didn't feel like that I was. I

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<v Speaker 2>just felt I didn't felt good or bad. I just

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<v Speaker 2>felt numb. And that's not the way to make music.

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<v Speaker 2>That's not the way to create. And I wasn't a

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<v Speaker 2>great friend. I wasn't a great son. I wasn't I

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<v Speaker 2>just was just lost, you know, And I didn't I

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<v Speaker 2>was really scared because I really loved what I do,

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<v Speaker 2>but I could and I could just tell that I

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<v Speaker 2>wasn't the same up there, and I wasn't giving like

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<v Speaker 2>I used to, and I got really scared, and that's

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<v Speaker 2>why I took all of twenty ten off. I just

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<v Speaker 2>needed a break, and that's when I had already had

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<v Speaker 2>Boys of Fall recorded, and we went when I had

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<v Speaker 2>some time off that fall to start shooting. It was

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<v Speaker 2>a long form video for that song. And then when

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<v Speaker 2>we got done with it, I went and played it.

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<v Speaker 2>I met the guy who was ahead of things at

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<v Speaker 2>ESPN at the time. His name was John Walsh. I

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<v Speaker 2>met him with Jimmy Buffett at the super Bowl party

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<v Speaker 2>a couple of years at a super Bowl party a

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<v Speaker 2>couple of years prior, and he said, if you ever

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<v Speaker 2>you know, told me if I ever wanted anything him

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<v Speaker 2>to look at anything, to call him. So when I

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<v Speaker 2>had that long form video, I sent it to him

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<v Speaker 2>and that was the beginning of a whole other chapter

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<v Speaker 2>for me. That's when we all of a sudden, I

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<v Speaker 2>am in the living rooms of Bobby Balden, Nick Saban,

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<v Speaker 2>Bill Parcells. I flew to San Francisco and was in

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<v Speaker 2>John Madden's. It wasn't his house. He had this big

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<v Speaker 2>warehouse and he had big screen TVs all over it

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<v Speaker 2>in a big kitchen, and all of a sudden, I'm

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<v Speaker 2>in places like that interviewing these people that were very

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<v Speaker 2>that were giants in football. My dad was a coach.

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<v Speaker 2>Sports was always very important to me. So walking into

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<v Speaker 2>those rooms, I was like, Wow, this is this is

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<v Speaker 2>really different. But it was feeding me creatively in ways

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<v Speaker 2>that music wasn't at that time. And I spent all

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<v Speaker 2>of twenty ten making that documentary and it was on

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<v Speaker 2>ESPN for a good while about it took something different

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<v Speaker 2>like that to feed me in ways that I never

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<v Speaker 2>saw coming. I mean, I was in Joe NAMA's house

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<v Speaker 2>in Florida and we weren't talking about football. We were

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<v Speaker 2>talking about life. We were talking about how life is

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<v Speaker 2>not just to get you know, how football is at

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<v Speaker 2>a game, and how life is a game egle. But

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<v Speaker 2>life is the big game and you can't do it alone.

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<v Speaker 2>You've got to have people around you. I didn't expect

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<v Speaker 2>that stuff to come out of Joe Namas mouth. I

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<v Speaker 2>was like wow, I mean, I was so inspired, and

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<v Speaker 2>all of a sudden, there was a moment where I felt, Wow,

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<v Speaker 2>I'm back, I'm really back. And then I started listening.

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<v Speaker 2>I started listening differently. I mean, my manager, Dell Morris,

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<v Speaker 2>some of the best advice he gave me was there's

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<v Speaker 2>a fine line between a groove and a rut. And

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<v Speaker 2>you know what's really bad is when you think you're

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<v Speaker 2>in a groove, but you're really in a rut. And

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<v Speaker 2>I was in a rut for a minute. I mean

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<v Speaker 2>you may not, you know, I see it all the time,

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<v Speaker 2>and we all see it. You know, everybody keeps making

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<v Speaker 2>the same music. Well, they're in a rut. And I

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<v Speaker 2>could have stayed and kept doing what I was doing,

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<v Speaker 2>but the boys that year I took off and getting

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<v Speaker 2>out of the rut Boys Will Fall helped me find

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<v Speaker 2>my groove again. And had I not done that, I

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<v Speaker 2>would have been off in an exhaustion oblivion.

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<v Speaker 1>How do you avoid falling into a rut and getting

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<v Speaker 1>burned out going forward?

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<v Speaker 2>Well, I think that just creatively, I feel right now

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<v Speaker 2>I'm taking better care of myself more than ever, I think, physically, mentally, everything.

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<v Speaker 2>I think that for me, I try to write with

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<v Speaker 2>different people, and I try to I think when you've

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<v Speaker 2>been doing this as long as I have now, it's

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<v Speaker 2>very easy to get caught in the same if you

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<v Speaker 2>will rut melodically, especially as a writer, and so I

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<v Speaker 2>try to write with new people. I try to write

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<v Speaker 2>with younger writers that have fresh brains and doesn't have

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<v Speaker 2>this same neural pathway as I do. I think that's

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<v Speaker 2>that's the thing, is creating different roads to go down

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<v Speaker 2>in different neural pathways. And that's what I that I've

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<v Speaker 2>been trying to do, you know, for a while now.

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<v Speaker 2>But moving forward is I just always try to keep it,

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<v Speaker 2>try to keep it fresh and write and be around.

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<v Speaker 2>It's not doesn't always work out, but I mean there's

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<v Speaker 2>there's some great new riters in town, you know, and

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<v Speaker 2>that has a different They just have a different way

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<v Speaker 2>of thinking. And for me that's been writing the same

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<v Speaker 2>way for a while. That's really good to create those

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<v Speaker 2>neural pathways.

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<v Speaker 1>Okay, but what's driving you? You know, you're living in

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<v Speaker 1>the booney you have a dream, you take yourself to

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<v Speaker 1>Nashville after college, and let's just go to the end.

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<v Speaker 1>You achieve your dream. Yes, you're in the Country Music

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<v Speaker 1>Hall of Fame. You can't be any bigger in country music.

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<v Speaker 1>So what gets you up in the morning? What makes

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<v Speaker 1>you say, well, I want fact that I don't have that,

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<v Speaker 1>or I want to achieve this.

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<v Speaker 2>I would I would sincerely hope that I haven't written

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<v Speaker 2>my best song yet, And I sincerely hope that I

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<v Speaker 2>haven't made my best record yet. The idea of being better.

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<v Speaker 2>I try to be better. I you know, I don't

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<v Speaker 2>act like I used to out there on the road.

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<v Speaker 2>It's pretty boring out there. I remember you being in

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<v Speaker 2>LA when we played the Staples Center. It was called

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<v Speaker 2>then you know so, and we had a big party afterwards.

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<v Speaker 2>I mean it was We used to do that every

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<v Speaker 2>night and it was great. But I hadn't make a

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<v Speaker 2>decision right around I don't know, about fifteen years about ten,

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<v Speaker 2>fifteen years ago, if I was going to do that,

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<v Speaker 2>or if I was going to do this, you know,

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<v Speaker 2>if I was going to act like that all the

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<v Speaker 2>time and do that. Because I realized that I couldn't

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<v Speaker 2>do both. I couldn't live that lifestyle and give the

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<v Speaker 2>audience exactly what they deserved. And I didn't go down

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<v Speaker 2>all these roads to mail it in, you know, And

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<v Speaker 2>I just had a I don't know, I had to

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<v Speaker 2>come into Jesus meeting with myself in a way you

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<v Speaker 2>know where I said, no, you're you're going to give

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<v Speaker 2>these people care about your music, they care about you,

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<v Speaker 2>they care about the experience, and not only are they

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<v Speaker 2>going to get all of you, they're going to get

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<v Speaker 2>the best of you.

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<v Speaker 1>Okay, you reference therapy earlier. You reference a therapist in

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<v Speaker 1>the book. When did you start going? Do you still go?

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<v Speaker 1>Did it help?

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<v Speaker 2>Oh? Well that was only went once they made me

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<v Speaker 2>do that, or yes they helped? I think we should all,

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<v Speaker 2>you know, I try really hard to be in shape physically,

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<v Speaker 2>to go do what I do. My show is I

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<v Speaker 2>don't sit there and tap my toe. I have video

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<v Speaker 2>footage of me as a child in my grandmother's kitchen

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<v Speaker 2>listening to music, and I almost stand the same way

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<v Speaker 2>and move the same way. That being said, I think

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<v Speaker 2>it's also important for you to work out your brain too.

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<v Speaker 1>And yes, hell, you know you're talking the book about

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<v Speaker 1>eating the same meal and eating clean and you're eating

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<v Speaker 1>one day and people are eating the other way? What

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<v Speaker 1>is driving you there? I'm sure you know you want

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<v Speaker 1>to be in shape, but is it also a physicality?

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<v Speaker 1>And don't you feel deprived that you can't have, you know,

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<v Speaker 1>the junk that other people haven't.

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<v Speaker 2>Well, look, I come from a family of emotional eaters, right,

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<v Speaker 2>and I grew up loving to eat. I loved to eat.

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<v Speaker 2>But I don't necessarily feel deprived, I would say I

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<v Speaker 2>when I made this life choice and change. I was

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<v Speaker 2>still on one bus, so it was it was me

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<v Speaker 2>and the band, and we were pulling a trailer with

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<v Speaker 2>all the merch right, and they would get pizza after

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<v Speaker 2>the show and it would be the most excruciating thing ever.

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<v Speaker 2>So I would just open the box and smell it

0:13:28.600 --> 0:13:32.840
<v Speaker 2>and go to bed. But yeah, I mean sometimes I

0:13:32.880 --> 0:13:35.680
<v Speaker 2>feel deprived. But look, I will tell you when I'm

0:13:35.760 --> 0:13:39.600
<v Speaker 2>off the road, when I'm done. For the last how

0:13:39.600 --> 0:13:42.800
<v Speaker 2>many years, we've ended our shows. Ended our tour with

0:13:42.840 --> 0:13:45.960
<v Speaker 2>two nights in Foxboro and at Gillette Stadium, and I

0:13:46.240 --> 0:13:48.840
<v Speaker 2>trust me, I make up for it as soon as

0:13:48.880 --> 0:13:52.880
<v Speaker 2>that the next day for a while. And so but

0:13:52.920 --> 0:13:55.760
<v Speaker 2>I don't know, just being I'm so driven, and so

0:13:59.200 --> 0:14:02.440
<v Speaker 2>when I'm up there on stage, I don't it's I've

0:14:02.440 --> 0:14:04.600
<v Speaker 2>just built this. I don't know if it's a persona

0:14:04.720 --> 0:14:07.400
<v Speaker 2>or whatever it is, and it's I don't even know

0:14:07.400 --> 0:14:10.520
<v Speaker 2>how sustainable it is, to be honest with you, but

0:14:10.600 --> 0:14:14.280
<v Speaker 2>that's the way I've done it. And but I wouldn't

0:14:14.320 --> 0:14:18.800
<v Speaker 2>say deprived, but I I know I'm missing out, but

0:14:20.360 --> 0:14:22.160
<v Speaker 2>I'd rather do what I do. I'll eat later.

0:14:22.800 --> 0:14:25.720
<v Speaker 1>Well, any other vices, so to speak.

0:14:26.280 --> 0:14:33.920
<v Speaker 2>None no, not really. I'm I'm I'm as pretty boring

0:14:34.080 --> 0:14:36.400
<v Speaker 2>to be honest with you. I mean, I'm one of

0:14:36.440 --> 0:14:38.320
<v Speaker 2>the reasons that I you know, one of one of

0:14:38.320 --> 0:14:40.600
<v Speaker 2>the reasons I got tired while we were talking earlier,

0:14:40.920 --> 0:14:44.680
<v Speaker 2>and is doing what I do the way I do

0:14:44.760 --> 0:14:52.400
<v Speaker 2>it is sometimes feels I wouldn't say like I sacrificed,

0:14:52.520 --> 0:14:56.000
<v Speaker 2>but I will tell you it. Sometimes it feels very robotic.

0:14:56.400 --> 0:14:58.040
<v Speaker 2>So I have to go. I have to go jump

0:14:58.080 --> 0:15:00.200
<v Speaker 2>in the ocean. I have to go feel sunlight. I

0:15:00.240 --> 0:15:02.360
<v Speaker 2>have to I have to get out of my head

0:15:02.360 --> 0:15:06.320
<v Speaker 2>a little bit, you know. So, But that's the way

0:15:06.360 --> 0:15:09.720
<v Speaker 2>it's been for me, and it is every year. Around

0:15:09.760 --> 0:15:13.640
<v Speaker 2>the second week of January, I flipped I flipped the

0:15:13.680 --> 0:15:17.240
<v Speaker 2>switch off, and I go, Okay, now I start living

0:15:17.280 --> 0:15:20.240
<v Speaker 2>my life almost like it's like it's through a straw,

0:15:20.480 --> 0:15:23.600
<v Speaker 2>like this is all you see. And I work out,

0:15:23.680 --> 0:15:28.479
<v Speaker 2>I eat clean, I create, and I'm like, when we're

0:15:28.240 --> 0:15:32.520
<v Speaker 2>we already know right now that in June when we

0:15:32.600 --> 0:15:34.800
<v Speaker 2>go play the Spear again, that we're going to have

0:15:34.840 --> 0:15:37.600
<v Speaker 2>to change half that show. It took us a long

0:15:37.640 --> 0:15:41.560
<v Speaker 2>time to create that content. Well here we are almost,

0:15:41.960 --> 0:15:46.080
<v Speaker 2>you know, almost the end of the year. And we're

0:15:46.120 --> 0:15:52.240
<v Speaker 2>already working forward on that. So it's just a constant cycle.

0:15:52.280 --> 0:15:55.160
<v Speaker 2>But you know, look, I love it, I really do,

0:15:55.200 --> 0:15:57.280
<v Speaker 2>and I love being able to see what we can

0:15:57.280 --> 0:16:01.880
<v Speaker 2>create up there. But but that being said, I have

0:16:01.960 --> 0:16:05.160
<v Speaker 2>to sit there and go, Okay, now you're gonna eat

0:16:05.160 --> 0:16:07.240
<v Speaker 2>at Christmas, you're gonna eat it Thanksgiving, you're gonna go

0:16:07.280 --> 0:16:09.160
<v Speaker 2>to the Islands, you're gonna you're gonna get on a boat,

0:16:09.200 --> 0:16:12.160
<v Speaker 2>you're gonna, you know, do whatever. But it's second week

0:16:12.160 --> 0:16:14.600
<v Speaker 2>of January. You've got to prepare to start being that person.

0:16:14.880 --> 0:16:17.400
<v Speaker 2>And that has been the cycle I've been on for

0:16:17.440 --> 0:16:23.120
<v Speaker 2>a lot of years.

0:16:25.960 --> 0:16:28.920
<v Speaker 1>Okay, you go on the road, you finish in Foxborough.

0:16:29.400 --> 0:16:31.720
<v Speaker 1>How long does it take you to decompress from being

0:16:31.760 --> 0:16:32.280
<v Speaker 1>on the road.

0:16:33.360 --> 0:16:37.120
<v Speaker 2>Well, in twenty twenty four was like, we didn't do

0:16:38.120 --> 0:16:40.960
<v Speaker 2>stadium shows last year. In twenty twenty four was the

0:16:41.040 --> 0:16:45.080
<v Speaker 2>last one, and it took a minute. To be honest

0:16:45.120 --> 0:16:49.880
<v Speaker 2>with you, there is and I don't know why, but

0:16:50.080 --> 0:16:55.280
<v Speaker 2>that year specifically, I felt a real emotional and mental

0:16:55.680 --> 0:16:59.160
<v Speaker 2>release from it all because you and I wasn't prepared

0:16:59.200 --> 0:17:01.680
<v Speaker 2>for it. It was really hard, and there was such

0:17:01.680 --> 0:17:05.280
<v Speaker 2>a calm down from all of it. And you know,

0:17:05.359 --> 0:17:10.520
<v Speaker 2>for years I've I took my band and crew, probably

0:17:10.520 --> 0:17:12.800
<v Speaker 2>one hundred people all down more than that to the

0:17:12.920 --> 0:17:15.520
<v Speaker 2>Virgin Islands after after every tour and let them jump

0:17:15.560 --> 0:17:18.760
<v Speaker 2>in the ocean and just let us celebrate the life

0:17:18.800 --> 0:17:24.600
<v Speaker 2>we get to live. Well, that specific year, I was

0:17:24.720 --> 0:17:29.800
<v Speaker 2>just emotionally so tired, and it was the first time

0:17:29.800 --> 0:17:35.280
<v Speaker 2>that I felt that emotional and mental release that hard.

0:17:35.560 --> 0:17:39.080
<v Speaker 2>And I don't know why, but it messed with me

0:17:39.119 --> 0:17:41.800
<v Speaker 2>a little bit, you know, and it was it took

0:17:41.920 --> 0:17:43.600
<v Speaker 2>it took about a month for me to go, oh, wait,

0:17:43.600 --> 0:17:46.720
<v Speaker 2>where did everybody go? You know, because we're just all

0:17:47.160 --> 0:17:50.280
<v Speaker 2>together for so long, and you live every day out there,

0:17:50.520 --> 0:17:52.160
<v Speaker 2>and these people that have been with me have been

0:17:52.200 --> 0:17:55.119
<v Speaker 2>with me for years. I mean, we're a family out there.

0:17:55.520 --> 0:18:00.840
<v Speaker 2>But yeah, it's it's hard to say goodbye to that.

0:18:01.280 --> 0:18:04.480
<v Speaker 2>To me, it's a lot like our last show of

0:18:04.480 --> 0:18:06.920
<v Speaker 2>the year. Is a lot like when we were kids.

0:18:06.920 --> 0:18:10.440
<v Speaker 2>It was a lot like the last day of school, right.

0:18:10.560 --> 0:18:12.240
<v Speaker 2>I mean, you're ready for a break, but you don't

0:18:12.240 --> 0:18:15.359
<v Speaker 2>want to let go of it either because it's so great.

0:18:15.400 --> 0:18:17.480
<v Speaker 2>And that's how it is for me, you know, I

0:18:17.560 --> 0:18:20.800
<v Speaker 2>look forward to my summer vacation but I start to

0:18:21.960 --> 0:18:23.680
<v Speaker 2>get antsy if I say it still too long.

0:18:24.520 --> 0:18:29.200
<v Speaker 1>Okay, On a more a granular level, you're out there

0:18:29.280 --> 0:18:34.280
<v Speaker 1>playing maybe to fifty thousand people. You leave the stage,

0:18:34.400 --> 0:18:36.840
<v Speaker 1>you have the same people you might have known for decades.

0:18:37.280 --> 0:18:40.080
<v Speaker 1>How long did it take you to wind down and

0:18:40.160 --> 0:18:42.000
<v Speaker 1>go to sleep after a show?

0:18:44.480 --> 0:18:50.760
<v Speaker 2>Well, I haven't slept in years. I don't feel like

0:18:51.160 --> 0:18:54.080
<v Speaker 2>you know. I've my brain. The one side of my

0:18:54.080 --> 0:18:56.160
<v Speaker 2>brain is turning one way or the other side terms

0:18:56.200 --> 0:18:58.640
<v Speaker 2>the other, and I got to find the happy medium

0:18:58.680 --> 0:19:03.960
<v Speaker 2>in there. It takes a couple hours, you know. But

0:19:04.520 --> 0:19:08.639
<v Speaker 2>my after show, what after shows look like now, is

0:19:08.760 --> 0:19:12.159
<v Speaker 2>much different than when I met you originally, and when

0:19:12.200 --> 0:19:15.520
<v Speaker 2>I when all this, than when my life really changed.

0:19:16.119 --> 0:19:18.840
<v Speaker 2>Like I look forward to after the show, I don't don't.

0:19:19.200 --> 0:19:21.159
<v Speaker 2>I don't drink like I used to. I don't I

0:19:21.560 --> 0:19:26.119
<v Speaker 2>don't live that lifestyle. I truly like now. I have

0:19:26.200 --> 0:19:30.080
<v Speaker 2>an ice tub out outside my bus that my friend

0:19:30.119 --> 0:19:30.880
<v Speaker 2>Lard Hamilton.

0:19:32.280 --> 0:19:35.560
<v Speaker 1>Let me start, How the fuck do you know Lard Hamilton?

0:19:35.800 --> 0:19:37.639
<v Speaker 2>I know Lard Hamilton for years.

0:19:37.760 --> 0:19:43.440
<v Speaker 1>I mean no, wait, in the book, you are constantly

0:19:43.600 --> 0:19:49.240
<v Speaker 1>talking about different people, but you have relationships with these people.

0:19:49.400 --> 0:19:52.639
<v Speaker 1>It's not here one. It's not like you said, Nolly,

0:19:53.040 --> 0:19:56.600
<v Speaker 1>I met that person, we had a conversation. No, we continue,

0:19:56.760 --> 0:19:58.080
<v Speaker 1>you know, etcetera.

0:19:58.520 --> 0:20:02.399
<v Speaker 2>Here's how I met Lard Hamilton is the girl that

0:20:02.440 --> 0:20:04.639
<v Speaker 2>I was dating at the time, Mary. She and I

0:20:04.680 --> 0:20:07.840
<v Speaker 2>were in Maui and there was a lady that was

0:20:07.880 --> 0:20:11.000
<v Speaker 2>cooking us breakfast every morning, and she goes, well, where

0:20:11.000 --> 0:20:12.760
<v Speaker 2>are you guys going next? I said, well, I've never

0:20:12.760 --> 0:20:14.960
<v Speaker 2>been to Kawhi. We're going to go to Kawai. She goes, well,

0:20:14.960 --> 0:20:17.520
<v Speaker 2>you should call Laird Hamilton. I said, well, he don't

0:20:17.520 --> 0:20:20.040
<v Speaker 2>know me. I don't know him, you know, why should

0:20:20.040 --> 0:20:23.520
<v Speaker 2>I call him? But I did, and him and his

0:20:23.560 --> 0:20:26.600
<v Speaker 2>wife Gabby met us down at their barn right on

0:20:26.640 --> 0:20:28.400
<v Speaker 2>the river in Kawai, and they let us go out

0:20:28.440 --> 0:20:31.240
<v Speaker 2>on their paddle boards and when we got back, they

0:20:31.240 --> 0:20:34.800
<v Speaker 2>had two open coconuts in our jeep and that was

0:20:34.800 --> 0:20:39.080
<v Speaker 2>the beginning of our friendship. And I've been they have

0:20:39.200 --> 0:20:41.520
<v Speaker 2>really been a positive impact on my life, you know,

0:20:41.680 --> 0:20:44.000
<v Speaker 2>mentally and physically. I go up there and train with

0:20:44.080 --> 0:20:48.880
<v Speaker 2>Laird and it's a grueling thing, but yeah, I mean

0:20:48.920 --> 0:20:53.560
<v Speaker 2>I this goes to show you how powerful the universe is.

0:20:53.600 --> 0:20:55.480
<v Speaker 2>I mean, the kid from me Tennessee is not supposed

0:20:55.480 --> 0:20:58.760
<v Speaker 2>to be friends with Larr at Hamilton, right, That's just

0:20:58.800 --> 0:21:01.240
<v Speaker 2>the way it is, or even met all these people

0:21:01.280 --> 0:21:04.720
<v Speaker 2>that I that I reference in the book. So but Laird,

0:21:05.359 --> 0:21:09.159
<v Speaker 2>I spent countless days up at Laird's house, setting in

0:21:09.200 --> 0:21:11.479
<v Speaker 2>asauna and getting an ice tub. I went, wow, this

0:21:11.520 --> 0:21:13.040
<v Speaker 2>is what I need out on the road, you know,

0:21:13.080 --> 0:21:17.280
<v Speaker 2>because I beat my body up so much during a

0:21:17.359 --> 0:21:20.080
<v Speaker 2>show that I went, well, I need to get an

0:21:20.119 --> 0:21:22.679
<v Speaker 2>ice instead of acting like I used to, I need

0:21:22.720 --> 0:21:24.560
<v Speaker 2>to set an ice tub and let my body heal

0:21:24.600 --> 0:21:28.280
<v Speaker 2>and then go to bed. So that's basically what after

0:21:28.359 --> 0:21:32.160
<v Speaker 2>shows look like now. And it's become a thing out

0:21:32.160 --> 0:21:36.600
<v Speaker 2>there like now. Like I told you earlier, I take

0:21:36.600 --> 0:21:38.800
<v Speaker 2>a lot of Bandon crew down to the Islands after

0:21:38.920 --> 0:21:41.960
<v Speaker 2>our tour. Well, one of the caveats is is they

0:21:42.000 --> 0:21:45.160
<v Speaker 2>have to at least participate onints in the Cold Plunge,

0:21:45.240 --> 0:21:46.960
<v Speaker 2>and if they don't get in the Cold Plunge, then

0:21:47.000 --> 0:21:50.359
<v Speaker 2>they don't get to go. So it'll be okay. We

0:21:50.480 --> 0:21:52.439
<v Speaker 2>got two weeks left in the tour, and there's I

0:21:52.520 --> 0:21:54.920
<v Speaker 2>know exactly how many people haven't hadn't done it yet,

0:21:55.240 --> 0:21:58.679
<v Speaker 2>and so so and I know who they are, and

0:21:58.720 --> 0:22:00.640
<v Speaker 2>so if they want to go, they got to get

0:22:00.640 --> 0:22:02.520
<v Speaker 2>in that ice tub. And last day of the tour

0:22:02.600 --> 0:22:05.280
<v Speaker 2>is always really fun because everybody has to pay the

0:22:05.320 --> 0:22:08.000
<v Speaker 2>piper and they got to get that ice And it's

0:22:08.000 --> 0:22:09.439
<v Speaker 2>taught me a lot about I know, I'm off the

0:22:09.440 --> 0:22:11.280
<v Speaker 2>subject now, but it's taught me a lot about human

0:22:11.280 --> 0:22:16.760
<v Speaker 2>behavior because you never know how people are going to

0:22:16.840 --> 0:22:22.359
<v Speaker 2>react under pressure. Some react favorably, some react unfavorably, and

0:22:22.440 --> 0:22:24.560
<v Speaker 2>it teaches you a lot about that person, you know.

0:22:24.760 --> 0:22:28.040
<v Speaker 2>So it been it's so fun to watch them, to

0:22:28.119 --> 0:22:31.240
<v Speaker 2>watch that game in the ice it's great. But Lair

0:22:31.280 --> 0:22:32.040
<v Speaker 2>taught me all that.

0:22:32.920 --> 0:22:37.280
<v Speaker 1>Okay, once again, a little more granular. You have the

0:22:37.359 --> 0:22:39.440
<v Speaker 1>people they don't you know, there's some people who die

0:22:39.560 --> 0:22:42.960
<v Speaker 1>that jump in the water. That's what the other people

0:22:43.040 --> 0:22:45.000
<v Speaker 1>they would do anything. So what did you learn about

0:22:45.040 --> 0:22:46.320
<v Speaker 1>people observing this?

0:22:47.480 --> 0:22:50.280
<v Speaker 2>Well, it gets everybody out of their comfort zone. I

0:22:50.320 --> 0:22:55.520
<v Speaker 2>mean everybody. They'll participate, but I don't know. Here's what

0:22:55.560 --> 0:23:01.480
<v Speaker 2>it does. As terrible as it is for some of them,

0:23:01.880 --> 0:23:05.480
<v Speaker 2>it does it's a bonding moment for all of us.

0:23:05.640 --> 0:23:07.800
<v Speaker 2>That's what I learned. I mean, next thing, you know,

0:23:08.160 --> 0:23:11.360
<v Speaker 2>there's fifty people around that coplonde watching everybody do it,

0:23:11.640 --> 0:23:14.080
<v Speaker 2>and it just brought us all together in ways that

0:23:14.119 --> 0:23:16.600
<v Speaker 2>you don't you don't see. You don't see that coming, right,

0:23:17.000 --> 0:23:21.840
<v Speaker 2>But it's just human behavior is a tricky thing, and

0:23:22.000 --> 0:23:24.399
<v Speaker 2>some people that you think would flourish in that moment,

0:23:25.480 --> 0:23:28.280
<v Speaker 2>they don't do well. And then some people that you

0:23:28.320 --> 0:23:31.439
<v Speaker 2>think wouldn't do well do great. So I don't know,

0:23:31.560 --> 0:23:34.680
<v Speaker 2>but it's for me. I like doing it because it's

0:23:34.720 --> 0:23:36.920
<v Speaker 2>such a bonding moment for everybody out there on the road.

0:23:38.200 --> 0:23:44.560
<v Speaker 1>Okay, you're obviously the boss, but are you a person

0:23:44.600 --> 0:23:48.560
<v Speaker 1>in the cabin at summer camp or you the camp counselor.

0:23:50.680 --> 0:23:55.159
<v Speaker 2>Well, I have a camp counselor I like to be

0:23:55.200 --> 0:23:58.240
<v Speaker 2>in the cabin. I mean, I'm paying for it.

0:23:58.480 --> 0:23:59.760
<v Speaker 1>Who's in charge?

0:24:00.160 --> 0:24:03.120
<v Speaker 2>Well, David, David Farmer is you know, my road manager,

0:24:03.160 --> 0:24:07.240
<v Speaker 2>and he's him, and uh my production manager, Ed Wannabo.

0:24:07.359 --> 0:24:09.679
<v Speaker 2>But David's the boss of everybody. I'm the boss, but

0:24:09.760 --> 0:24:15.960
<v Speaker 2>David's the the underboss, right so, and he's done a

0:24:15.960 --> 0:24:19.040
<v Speaker 2>great job over the years, you know. But yes, Look,

0:24:20.000 --> 0:24:22.840
<v Speaker 2>one one day I was looking out my bus window.

0:24:23.280 --> 0:24:25.359
<v Speaker 2>We were It was one of the first few years

0:24:25.359 --> 0:24:28.240
<v Speaker 2>that I was playing stadiums. I was outside of the

0:24:28.280 --> 0:24:30.520
<v Speaker 2>Pittsburgh Steed there was football stadium and I was looking

0:24:30.560 --> 0:24:33.040
<v Speaker 2>at all this stuff, and I went, you know, who's

0:24:33.040 --> 0:24:34.960
<v Speaker 2>paying for this? And I was like, God, I am

0:24:35.440 --> 0:24:40.000
<v Speaker 2>And it really hit me, you know, so I tried

0:24:40.000 --> 0:24:42.560
<v Speaker 2>not to think about. I don't like to be the boss.

0:24:42.800 --> 0:24:44.560
<v Speaker 2>I really don't. I like to I like to be

0:24:44.680 --> 0:24:47.960
<v Speaker 2>the kid the cabin I really do. But I know

0:24:48.000 --> 0:24:50.400
<v Speaker 2>I'm the boss, but I let I delegate a lot

0:24:50.400 --> 0:24:51.159
<v Speaker 2>of that stuff to Dave.

0:24:51.240 --> 0:24:53.439
<v Speaker 1>Well, okay, you got a lot of people on the

0:24:53.480 --> 0:24:56.000
<v Speaker 1>road with you interact with a lot of people. There

0:24:56.000 --> 0:24:59.240
<v Speaker 1>are band members don't even hang with each other. Okay,

0:25:00.600 --> 0:25:04.280
<v Speaker 1>a person, you know, it's a well oiled machine. So

0:25:05.119 --> 0:25:08.399
<v Speaker 1>are you the type of person you know, don't bug Kenny.

0:25:08.520 --> 0:25:10.960
<v Speaker 1>He's doing this thing, He'll show up. Well, are you

0:25:11.080 --> 0:25:14.920
<v Speaker 1>the type person knows what everybody's doing, giving everybody shit?

0:25:15.520 --> 0:25:15.800
<v Speaker 2>You know?

0:25:16.040 --> 0:25:17.960
<v Speaker 1>Connected all the time? Yeah?

0:25:18.000 --> 0:25:21.480
<v Speaker 2>I try to stay connected. I don't disappear. I mean, look,

0:25:21.520 --> 0:25:24.240
<v Speaker 2>I'm isolated enough in my life. You know. That's the

0:25:24.280 --> 0:25:26.639
<v Speaker 2>one place where I don't have to be isolated. I

0:25:27.280 --> 0:25:30.119
<v Speaker 2>got my family around me, So no, I mean I

0:25:30.160 --> 0:25:32.720
<v Speaker 2>have seen that what you're saying happen. I really have

0:25:33.600 --> 0:25:37.280
<v Speaker 2>my really big acts and people that some of my heroes,

0:25:37.600 --> 0:25:40.600
<v Speaker 2>and they don't really communicate with anybody, And I think,

0:25:40.640 --> 0:25:43.879
<v Speaker 2>I think, wow, what a You know, our life is

0:25:44.200 --> 0:25:47.359
<v Speaker 2>isolating enough. We're doing enough a good enough job on

0:25:47.359 --> 0:25:50.280
<v Speaker 2>our own doing that, you know, or I do anyway,

0:25:50.720 --> 0:25:52.800
<v Speaker 2>especially when I'm off the road. But when I'm out there,

0:25:53.040 --> 0:25:55.359
<v Speaker 2>that's where one of the places that I feel actually

0:25:55.400 --> 0:25:58.639
<v Speaker 2>comfortable in my skin and is communicating with everybody and

0:25:58.680 --> 0:26:01.400
<v Speaker 2>having fun. Look, I've been doing this a while now,

0:26:01.560 --> 0:26:05.120
<v Speaker 2>and I'm telling you, we have the fund meter out

0:26:05.119 --> 0:26:07.439
<v Speaker 2>there for a lot of years has been all the

0:26:07.480 --> 0:26:09.240
<v Speaker 2>way over. I mean, we have had a lot of

0:26:09.280 --> 0:26:12.960
<v Speaker 2>fun doing this, and I couldn't think of just isolating

0:26:13.000 --> 0:26:17.320
<v Speaker 2>myself and I don't know, having some sort of this

0:26:17.520 --> 0:26:22.520
<v Speaker 2>unapproachable persona. I just never understood that. I never understood

0:26:22.560 --> 0:26:26.000
<v Speaker 2>people with you know, I'd go to friends shows and

0:26:26.000 --> 0:26:29.160
<v Speaker 2>they would have all this this this over the top

0:26:29.200 --> 0:26:31.840
<v Speaker 2>security with the microphones in their face, and you know

0:26:32.000 --> 0:26:35.600
<v Speaker 2>that I just it's just I just don't do it

0:26:35.640 --> 0:26:39.200
<v Speaker 2>that way. I refuse to because it just it's I

0:26:39.240 --> 0:26:41.159
<v Speaker 2>would go to shows that would make me uncomfortable, and

0:26:41.240 --> 0:26:43.800
<v Speaker 2>I do this for a living, So you'd imagine what

0:26:44.119 --> 0:26:46.760
<v Speaker 2>somebody that that's just back there for how they feel.

0:26:47.119 --> 0:26:49.879
<v Speaker 2>So I've tried not to be that person.

0:26:50.480 --> 0:26:53.840
<v Speaker 1>Well tell me you did say I'm isolated enough. Tell

0:26:53.840 --> 0:26:54.720
<v Speaker 1>me more about that.

0:26:56.000 --> 0:27:02.840
<v Speaker 2>Well, I think over the years I have. I think

0:27:02.920 --> 0:27:05.760
<v Speaker 2>over the years I wouldn't always I was. I was

0:27:05.760 --> 0:27:08.399
<v Speaker 2>always a very people person. Now I can be up

0:27:08.440 --> 0:27:11.320
<v Speaker 2>there on stage and communicate and be intimate, I mean

0:27:11.560 --> 0:27:14.280
<v Speaker 2>so intimate, and I can take my finger and I

0:27:14.280 --> 0:27:16.760
<v Speaker 2>can move fifty thousand people to the left if I want,

0:27:16.760 --> 0:27:19.000
<v Speaker 2>and to the right if I want, and I know

0:27:19.040 --> 0:27:23.080
<v Speaker 2>how to do that. That's one thing. But over the

0:27:23.200 --> 0:27:27.000
<v Speaker 2>years I've developed I would say, some sort of social anxiety,

0:27:27.640 --> 0:27:30.919
<v Speaker 2>especially with the new technologies and all the devices that

0:27:30.960 --> 0:27:35.280
<v Speaker 2>we have, and with all and how quickly an awkward

0:27:35.359 --> 0:27:39.520
<v Speaker 2>interaction can go viral, right, and when you don't even

0:27:39.520 --> 0:27:42.240
<v Speaker 2>mean it for it to like somebody, Oh, Kenny didn't

0:27:42.240 --> 0:27:45.880
<v Speaker 2>say hi to me, he's an asshole, And maybe I'm

0:27:46.000 --> 0:27:48.040
<v Speaker 2>maybe I didn't hear them, maybe I'm having a bad day.

0:27:48.040 --> 0:27:49.919
<v Speaker 2>Maybe I was, you know what I mean. And so

0:27:50.280 --> 0:27:55.480
<v Speaker 2>it's that way. So I have developed social anxiety to

0:27:55.600 --> 0:27:58.479
<v Speaker 2>a point. I'm not saying that I don't I do

0:27:58.560 --> 0:28:02.360
<v Speaker 2>get out of the house. I I'm not painting myself

0:28:02.359 --> 0:28:06.400
<v Speaker 2>into a room or anything. But it has changed out there.

0:28:08.240 --> 0:28:11.640
<v Speaker 1>Okay, but you have, as I say, it was very

0:28:11.680 --> 0:28:15.040
<v Speaker 1>notable reading the book. You have a number of people

0:28:15.880 --> 0:28:19.640
<v Speaker 1>who are celebrities, let's call them, in different walks of life. Yeah,

0:28:19.880 --> 0:28:23.280
<v Speaker 1>you maintain contact with is the type of thing where

0:28:23.280 --> 0:28:26.119
<v Speaker 1>you say, hey, I haven't heard from the guy in

0:28:26.160 --> 0:28:28.159
<v Speaker 1>a while. I'm in the text or are you in

0:28:28.240 --> 0:28:32.200
<v Speaker 1>constant communication? Are you the recipient or you the person

0:28:32.200 --> 0:28:34.520
<v Speaker 1>who does the outreach? What does it look like?

0:28:34.840 --> 0:28:40.000
<v Speaker 2>It's different for everybody, you know? Got I got a

0:28:40.120 --> 0:28:43.280
<v Speaker 2>video this morning from Joe Walsh. It was this funny

0:28:43.320 --> 0:28:45.840
<v Speaker 2>video of this guy playing guitar and it just I

0:28:45.880 --> 0:28:48.280
<v Speaker 2>forgot what was but it was just burning his hands off,

0:28:48.320 --> 0:28:52.120
<v Speaker 2>you know. And it was just Joe's a very Joe's

0:28:52.440 --> 0:28:56.320
<v Speaker 2>got a very unique sense of humor and I love

0:28:56.400 --> 0:28:59.040
<v Speaker 2>him and Joe's one of those guys that just showed

0:28:59.120 --> 0:29:02.200
<v Speaker 2>up in my life. Know it was. It was great

0:29:02.480 --> 0:29:06.200
<v Speaker 2>because me and the guy was talking about earlier David Farmer.

0:29:06.400 --> 0:29:11.040
<v Speaker 2>David Farmer had had a pool table in his garage

0:29:11.400 --> 0:29:13.560
<v Speaker 2>and we were those kids. You know that that would

0:29:13.560 --> 0:29:15.840
<v Speaker 2>take the pool sticks and play the guitar licks, you know,

0:29:16.000 --> 0:29:21.400
<v Speaker 2>to Uh to the James Gang, or to Montrose with

0:29:21.400 --> 0:29:25.040
<v Speaker 2>Sammy Hagar or I mean every Van Halen record that

0:29:25.080 --> 0:29:29.400
<v Speaker 2>was ever made, we were we were doing that. So

0:29:30.480 --> 0:29:33.400
<v Speaker 2>to think that you would be later on in your

0:29:33.440 --> 0:29:35.960
<v Speaker 2>life and get being this place and you would be

0:29:36.000 --> 0:29:39.200
<v Speaker 2>friends with those people on any level. The fact that

0:29:39.240 --> 0:29:42.440
<v Speaker 2>they know who you are at all is one of

0:29:42.480 --> 0:29:45.960
<v Speaker 2>the most amazing things. That's That's about what's happened to

0:29:46.000 --> 0:29:49.960
<v Speaker 2>me in my journey that I did become friends that

0:29:50.000 --> 0:29:52.080
<v Speaker 2>one day out of the blue, Irving asof called me

0:29:52.120 --> 0:29:54.200
<v Speaker 2>and he goes, hey, Adie van Halen's gonna call you.

0:29:54.360 --> 0:29:57.360
<v Speaker 2>I went, yeah, okay, right, And next thing you know,

0:29:57.440 --> 0:29:59.200
<v Speaker 2>I answered the phone and it was Eddie. I could

0:29:59.240 --> 0:30:01.840
<v Speaker 2>tell it was Eddie. I I saw interviews I had,

0:30:02.960 --> 0:30:05.400
<v Speaker 2>you know, and so the fact and then you fast forward.

0:30:05.480 --> 0:30:07.640
<v Speaker 2>Then Eddie and Eddie and Alice come to our show.

0:30:07.680 --> 0:30:10.720
<v Speaker 2>I think we played the soccer stadium outside of LA

0:30:11.720 --> 0:30:15.320
<v Speaker 2>and they came and showed up and got there early.

0:30:15.400 --> 0:30:18.479
<v Speaker 2>And Eddie had his long hair and he had his

0:30:18.520 --> 0:30:21.000
<v Speaker 2>shirt off and he was ripped and then all of

0:30:21.040 --> 0:30:24.520
<v Speaker 2>a sudden here are It was like a it was

0:30:24.560 --> 0:30:27.200
<v Speaker 2>such a Wayne's World moment or a Beavis and butt

0:30:27.200 --> 0:30:28.600
<v Speaker 2>Head moment, you know what I mean. It was like

0:30:28.600 --> 0:30:31.600
<v Speaker 2>we couldn't believe it. And everybody that was on the

0:30:31.680 --> 0:30:36.640
<v Speaker 2>road with me loved that music so much, not just

0:30:36.880 --> 0:30:39.360
<v Speaker 2>my crew, but every band that was on the show,

0:30:39.520 --> 0:30:42.320
<v Speaker 2>their crew and everybody. You could just see hundreds of

0:30:42.360 --> 0:30:46.320
<v Speaker 2>people stage right and stage left seeing this moment. And

0:30:46.400 --> 0:30:48.920
<v Speaker 2>my guitar player at the time, Clayton Mitchell, was one

0:30:48.920 --> 0:30:51.280
<v Speaker 2>of those guys that sat in his that sat in

0:30:51.320 --> 0:30:55.800
<v Speaker 2>his closet and learned every single lick of Eddie's. He

0:30:55.960 --> 0:31:00.280
<v Speaker 2>tried to to copy everything. So to see that moment,

0:31:00.400 --> 0:31:05.440
<v Speaker 2>it was, it was it was insane. So our communication,

0:31:05.840 --> 0:31:08.600
<v Speaker 2>my communication with Eddie was back and forth a lot.

0:31:09.040 --> 0:31:12.600
<v Speaker 2>Now with Sammy, it's it's that on steroids, you know.

0:31:12.880 --> 0:31:16.080
<v Speaker 2>I I love being around Sammy because he feels like

0:31:16.160 --> 0:31:20.520
<v Speaker 2>sunshine to me. I just I love him. And the

0:31:20.560 --> 0:31:23.080
<v Speaker 2>first time I went to play Sammy's birthday party in Cabo,

0:31:23.600 --> 0:31:27.160
<v Speaker 2>I was thirty six years old, and I talk about

0:31:27.160 --> 0:31:29.600
<v Speaker 2>this in the book, but it was a life changing

0:31:29.640 --> 0:31:33.560
<v Speaker 2>moment for me, you know, in a way, because I

0:31:33.640 --> 0:31:38.720
<v Speaker 2>was thirty six, and I felt like I had to.

0:31:39.200 --> 0:31:41.360
<v Speaker 2>I didn't know where this this journey was taking me.

0:31:41.840 --> 0:31:44.000
<v Speaker 2>I had just broken up with a girl at the time,

0:31:44.600 --> 0:31:48.200
<v Speaker 2>and I was going, wow, like where is my life going?

0:31:48.360 --> 0:31:52.320
<v Speaker 2>You know? And that night I was like, we played

0:31:52.320 --> 0:31:56.640
<v Speaker 2>almost three hours at Cabo Wabo and at Sammy's bar,

0:31:57.400 --> 0:31:59.280
<v Speaker 2>and then I went back to the house the Samy

0:31:59.280 --> 0:32:01.240
<v Speaker 2>god for me and I'm the guitar out and I thought, well,

0:32:01.280 --> 0:32:03.840
<v Speaker 2>I don't have to figure out what's next. I just

0:32:03.840 --> 0:32:07.520
<v Speaker 2>got to go and just just live it. And that's

0:32:07.560 --> 0:32:10.680
<v Speaker 2>the night that I I wrote very in Mexico, all

0:32:10.720 --> 0:32:14.120
<v Speaker 2>of it that night, and that taught me a lesson too,

0:32:14.160 --> 0:32:18.600
<v Speaker 2>about you know, creating and and just writing what you

0:32:18.680 --> 0:32:22.760
<v Speaker 2>live and how you feel and not just some something

0:32:22.800 --> 0:32:24.880
<v Speaker 2>that's made up in a a in a room with

0:32:24.960 --> 0:32:27.560
<v Speaker 2>three or four co writers on a writing trip, you know.

0:32:27.640 --> 0:32:29.560
<v Speaker 2>I mean, that was a real that was a real

0:32:29.720 --> 0:32:34.920
<v Speaker 2>soulful there was a glimpse into my soul. Really, people

0:32:34.920 --> 0:32:37.000
<v Speaker 2>that listen to the people that I always saw that

0:32:37.040 --> 0:32:38.960
<v Speaker 2>title thought it was a drinking song, but it wasn't.

0:32:39.040 --> 0:32:42.120
<v Speaker 2>It was it was a it was a glimpse into

0:32:42.160 --> 0:32:43.920
<v Speaker 2>my soul, like I said, and it was a turning

0:32:43.920 --> 0:32:44.640
<v Speaker 2>of the page for me.

0:32:52.720 --> 0:32:57.280
<v Speaker 1>Let's go back to John Madden. You rest him. John

0:32:57.360 --> 0:33:00.800
<v Speaker 1>Madden one said, you play one game in the NFL

0:33:01.240 --> 0:33:04.760
<v Speaker 1>and your body will never be the same. Yeah, you

0:33:04.960 --> 0:33:09.640
<v Speaker 1>played high school football. How's your body?

0:33:09.800 --> 0:33:12.440
<v Speaker 2>Well, my body is a lot better than the guys

0:33:12.440 --> 0:33:16.320
<v Speaker 2>that play in the NFL. I was. I loved high

0:33:16.360 --> 0:33:19.360
<v Speaker 2>school football, but I was absolutely terrible at it. I

0:33:19.400 --> 0:33:21.920
<v Speaker 2>mean that was five six and one hundred and forty pounds,

0:33:21.920 --> 0:33:24.720
<v Speaker 2>soak and web and we were just an okay team.

0:33:25.040 --> 0:33:27.800
<v Speaker 2>I mean we lived out in the country. We lived

0:33:28.160 --> 0:33:29.920
<v Speaker 2>you know, we had what we had. We didn't have

0:33:29.960 --> 0:33:31.880
<v Speaker 2>a lot of great athletes. We had one guy on

0:33:31.920 --> 0:33:34.800
<v Speaker 2>our team that played a Division one football. His name

0:33:34.840 --> 0:33:37.160
<v Speaker 2>was Donnie Collins and he went to the University of Georgia.

0:33:37.240 --> 0:33:39.520
<v Speaker 2>So we were just we knew that we weren't going

0:33:39.560 --> 0:33:43.400
<v Speaker 2>to play past foot class high school. But Bob, I

0:33:43.400 --> 0:33:45.480
<v Speaker 2>got to tell you, man, it taught me so much

0:33:45.560 --> 0:33:48.520
<v Speaker 2>about the way that I do business today, and especially

0:33:48.560 --> 0:33:53.960
<v Speaker 2>when you try to achieve something wonderful with a lot

0:33:53.960 --> 0:33:57.960
<v Speaker 2>of people, and football taught me that lesson. You know,

0:33:58.000 --> 0:34:00.920
<v Speaker 2>you can't everybody has to be on the same page,

0:34:01.080 --> 0:34:04.000
<v Speaker 2>you know, whether whether you're on the road or you're

0:34:04.040 --> 0:34:07.800
<v Speaker 2>in corporate America or whatever. If not, ever, if everybody

0:34:07.880 --> 0:34:10.840
<v Speaker 2>is not aligned, and what's the same thing, it's not

0:34:11.040 --> 0:34:14.680
<v Speaker 2>it's not gonna it's gonna be really hard to achieve

0:34:14.719 --> 0:34:23.320
<v Speaker 2>anything great. But I've also learned through sports that mediocre

0:34:23.360 --> 0:34:26.160
<v Speaker 2>people don't like high achievers, and high achievers don't like

0:34:26.200 --> 0:34:31.200
<v Speaker 2>mediocre people that they want because their thought processes aren't aligned.

0:34:31.480 --> 0:34:34.680
<v Speaker 2>They're not because the mediocre people think they're working hard,

0:34:34.840 --> 0:34:37.160
<v Speaker 2>but the high achievers know they're not, and so it's

0:34:37.200 --> 0:34:40.280
<v Speaker 2>never going to be aligned. Ever. So that's what football

0:34:40.360 --> 0:34:42.520
<v Speaker 2>taught me, and that's what thirty years of being on

0:34:42.560 --> 0:34:43.279
<v Speaker 2>the road has taught me.

0:34:44.280 --> 0:34:50.279
<v Speaker 1>Can you lift a mediocre person who's not working enough

0:34:50.320 --> 0:34:53.839
<v Speaker 1>for efficiently up into the upper realm.

0:34:53.680 --> 0:34:59.800
<v Speaker 2>If they're willing, Yes, if they're willing. It depends on

0:34:59.840 --> 0:35:05.279
<v Speaker 2>what work ethic I think that you know, especially if

0:35:05.320 --> 0:35:08.839
<v Speaker 2>they have if they have some sort of talent. But

0:35:09.000 --> 0:35:12.240
<v Speaker 2>you can have things without talent and still and still

0:35:14.719 --> 0:35:17.680
<v Speaker 2>you know, because you don't need talent to have work ethic.

0:35:17.719 --> 0:35:19.840
<v Speaker 2>You don't need you don't have to have talent to

0:35:19.880 --> 0:35:24.080
<v Speaker 2>be coachable. You don't have to have talent to show up,

0:35:24.880 --> 0:35:26.799
<v Speaker 2>you don't have you see what I'm saying, Like, they

0:35:26.840 --> 0:35:30.160
<v Speaker 2>have to. They have to have all those things if

0:35:30.440 --> 0:35:33.160
<v Speaker 2>they're mediocre, and then they can overachieve. For sure they can,

0:35:33.239 --> 0:35:35.000
<v Speaker 2>you could, but they got to want to be there.

0:35:35.680 --> 0:35:39.600
<v Speaker 2>And so that's what that's I've tried over my career.

0:35:39.680 --> 0:35:43.120
<v Speaker 2>I've tried really hard to look at that through a

0:35:43.120 --> 0:35:46.239
<v Speaker 2>fish eye lens and just see how people react. It

0:35:46.320 --> 0:35:48.160
<v Speaker 2>goes back to the ice cub in a way. It

0:35:48.160 --> 0:35:51.080
<v Speaker 2>goes back to how they act and react and under

0:35:51.080 --> 0:35:55.839
<v Speaker 2>pressure or when they're uncomfortable. That says a lot because

0:35:55.840 --> 0:35:58.880
<v Speaker 2>it's it's it's it's it's really. Football also taught me this.

0:35:59.160 --> 0:36:04.200
<v Speaker 2>It's really people. Really, everybody reacts favorably when things are good.

0:36:05.400 --> 0:36:07.920
<v Speaker 2>It's how when things are bad, when they see it,

0:36:08.040 --> 0:36:10.840
<v Speaker 2>you start to see you start to measure human behavior.

0:36:12.080 --> 0:36:15.880
<v Speaker 2>It's it's how people react under pressure is one of

0:36:15.920 --> 0:36:20.600
<v Speaker 2>the biggest barometers of human behavior that I've ever seen.

0:36:21.320 --> 0:36:22.920
<v Speaker 1>How do you react under pressure?

0:36:23.520 --> 0:36:25.759
<v Speaker 2>Yeah, I just I turn it up and just go.

0:36:26.360 --> 0:36:30.120
<v Speaker 2>You know, I have the most pressure I have ever

0:36:30.680 --> 0:36:33.319
<v Speaker 2>I mean, this was the scaredest I've ever been and

0:36:33.360 --> 0:36:36.080
<v Speaker 2>the most nervous I've ever been, and the most pressure

0:36:36.239 --> 0:36:41.319
<v Speaker 2>I've ever been. Music Cares honor Bruce Springsteen in La

0:36:42.400 --> 0:36:46.040
<v Speaker 2>You're in Gramy Week and I was asked to come

0:36:46.080 --> 0:36:49.919
<v Speaker 2>sing One Step Up and Two Steps Back for him

0:36:50.000 --> 0:36:52.239
<v Speaker 2>that night, and I'd sing that song forever. I mean,

0:36:52.239 --> 0:36:55.640
<v Speaker 2>I could play it backwards. I played it in college.

0:36:55.719 --> 0:36:58.400
<v Speaker 2>It was on my No Shoes record. I did a

0:36:58.440 --> 0:37:01.399
<v Speaker 2>cover of it. But this was different. I mean here

0:37:01.440 --> 0:37:05.080
<v Speaker 2>I am me, my guitar on a stool, my piano player,

0:37:05.440 --> 0:37:09.600
<v Speaker 2>and there's Bruce ten feet away from me, and Sting

0:37:10.160 --> 0:37:15.239
<v Speaker 2>and Jackson Brown and Bruce's wife and this all these

0:37:15.280 --> 0:37:18.439
<v Speaker 2>people in front of me, and I went, oh wow.

0:37:18.560 --> 0:37:22.320
<v Speaker 2>I mean I really felt the gravity of that moment.

0:37:22.480 --> 0:37:25.839
<v Speaker 2>I mean I was like, I don't know, I could

0:37:25.880 --> 0:37:28.680
<v Speaker 2>feel sweat going down my nose. But I just took

0:37:28.680 --> 0:37:31.839
<v Speaker 2>a deep breath and I just went, hey, just go

0:37:31.840 --> 0:37:34.759
<v Speaker 2>be your authentic self. Do it just like you did

0:37:34.800 --> 0:37:37.680
<v Speaker 2>at Chucky's Trading Post in Johnson City, Tennessee. That's a

0:37:37.719 --> 0:37:40.120
<v Speaker 2>Mexican restaurant I played at in college. And I would

0:37:40.120 --> 0:37:44.600
<v Speaker 2>play One Step Up because I love that song so much. Well,

0:37:44.920 --> 0:37:47.400
<v Speaker 2>I love the whole Tunnel of Love record a lot,

0:37:47.840 --> 0:37:50.680
<v Speaker 2>and because I think it had a country soul to it,

0:37:51.280 --> 0:37:55.279
<v Speaker 2>but especially one step up. All of a sudden, there

0:37:55.320 --> 0:37:57.920
<v Speaker 2>I was, in my life in front of the man

0:37:58.000 --> 0:38:00.279
<v Speaker 2>that wrote that song, and he's watching me say it,

0:38:01.360 --> 0:38:04.959
<v Speaker 2>and I don't know. It was just one of those

0:38:05.000 --> 0:38:07.200
<v Speaker 2>really surreal moments, But that was that. That is the

0:38:07.239 --> 0:38:09.759
<v Speaker 2>scariest and the most pressure I've ever felt as an

0:38:09.840 --> 0:38:12.880
<v Speaker 2>entertainer in my life. If I look, I don't get nervous.

0:38:14.239 --> 0:38:17.000
<v Speaker 2>I know this probably sounds cocky, but I don't get

0:38:17.000 --> 0:38:20.680
<v Speaker 2>nervous doing the stadium shows because I have forgotten the words.

0:38:22.000 --> 0:38:26.480
<v Speaker 2>I have fell off stage. I have, I've had fans

0:38:26.520 --> 0:38:28.279
<v Speaker 2>come on stage, so those don't Those kinds of things

0:38:28.280 --> 0:38:32.279
<v Speaker 2>don't make me nervous. But playing a really great song

0:38:32.320 --> 0:38:34.359
<v Speaker 2>for one of your heroes right in front of you

0:38:35.000 --> 0:38:37.480
<v Speaker 2>is really difficult.

0:38:37.600 --> 0:38:41.640
<v Speaker 1>It was for me. You ever get the sensation or

0:38:41.680 --> 0:38:46.160
<v Speaker 1>feeling like I don't want to do it, I mean

0:38:46.440 --> 0:38:49.799
<v Speaker 1>ultimately not doing it, but the reaction going, you know,

0:38:49.960 --> 0:38:51.880
<v Speaker 1>reacting to the pressure that you know is going to

0:38:51.880 --> 0:38:52.200
<v Speaker 1>be there.

0:38:53.640 --> 0:38:58.000
<v Speaker 2>Well, I mean I I never I never thought that

0:38:58.040 --> 0:39:00.799
<v Speaker 2>I didn't want to do it, but trust me, on

0:39:00.880 --> 0:39:03.560
<v Speaker 2>the flight out there, it hit me. I went, oh wow,

0:39:03.760 --> 0:39:05.240
<v Speaker 2>I mean, this is this is going to be different.

0:39:05.239 --> 0:39:07.720
<v Speaker 2>This is going to be different than in college. And

0:39:08.960 --> 0:39:12.000
<v Speaker 2>but what made me so happy. You know, a couple

0:39:12.040 --> 0:39:15.200
<v Speaker 2>of weeks later, they send you the audio and the

0:39:15.280 --> 0:39:18.040
<v Speaker 2>video because they do some sort of thing they show

0:39:18.080 --> 0:39:20.960
<v Speaker 2>it the next year or whatever, and they wanted me

0:39:21.000 --> 0:39:25.480
<v Speaker 2>to approve the cut of my performance. And when I'm done,

0:39:25.480 --> 0:39:27.440
<v Speaker 2>they cut to Bruce and you can read his lips

0:39:28.000 --> 0:39:30.319
<v Speaker 2>and he's whispering to his wife Patty. He goes, I

0:39:30.360 --> 0:39:33.680
<v Speaker 2>loved it, and that made that validated my whole dream

0:39:33.800 --> 0:39:36.040
<v Speaker 2>as good as it gets. I mean, that's as good

0:39:36.160 --> 0:39:40.279
<v Speaker 2>and validated my whole dream. And so I'm glad I

0:39:40.280 --> 0:39:41.840
<v Speaker 2>did it, even though I was I was under a

0:39:41.840 --> 0:39:42.440
<v Speaker 2>lot of pressure.

0:39:43.239 --> 0:39:45.800
<v Speaker 1>What's the best show you've ever seen that you weren't

0:39:46.080 --> 0:39:46.760
<v Speaker 1>on the stage.

0:39:50.400 --> 0:39:57.320
<v Speaker 3>My first rock show I saw was was def Leppard

0:39:58.640 --> 0:40:00.480
<v Speaker 3>in Knoxville.

0:40:01.160 --> 0:40:03.520
<v Speaker 2>I don't know if that's the best. I mean, I

0:40:03.560 --> 0:40:07.319
<v Speaker 2>saw Bruce when they got back. It was when it

0:40:07.360 --> 0:40:10.440
<v Speaker 2>was this because him and the EA street Man hadn't

0:40:10.440 --> 0:40:12.120
<v Speaker 2>played in a while, and then they got back together,

0:40:12.440 --> 0:40:16.120
<v Speaker 2>right and it was that year. So me and Holly

0:40:16.160 --> 0:40:22.160
<v Speaker 2>went to Baltimore to see them, and I was just

0:40:22.800 --> 0:40:27.920
<v Speaker 2>stunned to see someone give every sale of their body

0:40:29.000 --> 0:40:33.200
<v Speaker 2>and to I I just couldn't believe it, you know,

0:40:33.320 --> 0:40:37.160
<v Speaker 2>and just how the how the the momentum kept going.

0:40:37.239 --> 0:40:38.719
<v Speaker 2>You thought for a minute that it was going on,

0:40:38.800 --> 0:40:40.879
<v Speaker 2>you know, because a concert is a lot like sex.

0:40:40.920 --> 0:40:42.879
<v Speaker 2>You know, it has its ups and downs. It's kind

0:40:42.880 --> 0:40:46.680
<v Speaker 2>of you know, it's it's flow. But I mean, it

0:40:46.800 --> 0:40:50.759
<v Speaker 2>was a freight train. It was a freight train. I

0:40:50.800 --> 0:40:52.600
<v Speaker 2>watched the drummer, and I watched how they played and

0:40:52.640 --> 0:40:57.680
<v Speaker 2>how they interacted with each other, and it was just

0:40:58.400 --> 0:41:02.319
<v Speaker 2>that's the best. That's the best. I walked away from

0:41:02.320 --> 0:41:04.160
<v Speaker 2>there and I was on my way home going that's

0:41:04.160 --> 0:41:05.600
<v Speaker 2>the best thing I've ever seen.

0:41:06.120 --> 0:41:10.640
<v Speaker 1>Ever jumping around. Let's go back to college football. What

0:41:10.800 --> 0:41:13.000
<v Speaker 1>was your best play?

0:41:13.440 --> 0:41:16.279
<v Speaker 2>Well, I didn't play college football. I played I met

0:41:16.360 --> 0:41:18.719
<v Speaker 2>high school. Yeah no, I was too small to play

0:41:18.719 --> 0:41:21.359
<v Speaker 2>college football. My best play I don't know. I mean

0:41:21.360 --> 0:41:23.200
<v Speaker 2>I called four passes in one game.

0:41:23.719 --> 0:41:25.000
<v Speaker 1>Well that's pretty good.

0:41:25.320 --> 0:41:29.640
<v Speaker 2>That's my high school highlight. Because we weren't that talented,

0:41:29.840 --> 0:41:32.200
<v Speaker 2>and uh, we ran the ball a lot. We ran

0:41:32.239 --> 0:41:35.080
<v Speaker 2>what is called in football the power eye, which is

0:41:35.120 --> 0:41:37.839
<v Speaker 2>a running formation, and we ran the power out because

0:41:37.840 --> 0:41:41.000
<v Speaker 2>we didn't because we weren't that athletic, and we got

0:41:41.000 --> 0:41:43.120
<v Speaker 2>the ship kicked down of us a lot, you know, so,

0:41:43.480 --> 0:41:49.080
<v Speaker 2>but we had fun. And like I said, that, playing

0:41:49.200 --> 0:41:51.560
<v Speaker 2>playing football changed my life. I still love it to

0:41:51.560 --> 0:41:53.880
<v Speaker 2>this day. But I was just I mean, I was little.

0:41:54.200 --> 0:41:56.040
<v Speaker 2>I was I got to ship kicked down on.

0:41:56.040 --> 0:41:59.520
<v Speaker 1>Me, all okay, So no one was forcing me to play.

0:41:59.600 --> 0:42:00.319
<v Speaker 1>Why did you play?

0:42:01.400 --> 0:42:02.480
<v Speaker 2>I love competition.

0:42:03.520 --> 0:42:05.640
<v Speaker 1>I've played because across the board.

0:42:05.960 --> 0:42:09.240
<v Speaker 2>I love competition. I mean, you can ask my band,

0:42:09.760 --> 0:42:15.560
<v Speaker 2>my band, my crew. There was a moment where I

0:42:15.640 --> 0:42:18.560
<v Speaker 2>get that competition from my father and all of his friends.

0:42:18.840 --> 0:42:21.560
<v Speaker 2>I still to this day. Then I'll go back to

0:42:21.600 --> 0:42:24.120
<v Speaker 2>the band thing, but I still to this day. My

0:42:24.200 --> 0:42:28.400
<v Speaker 2>dad has two friends in Knoxville, Tennessee. One Jim cogged

0:42:28.440 --> 0:42:31.320
<v Speaker 2>on John Stay, and to this day, for the last

0:42:31.360 --> 0:42:35.080
<v Speaker 2>fifteen years, I talk to them every Saturday morning and

0:42:35.120 --> 0:42:38.600
<v Speaker 2>every Sunday morning, and we met every game on the line,

0:42:39.680 --> 0:42:43.600
<v Speaker 2>the Vegas line and the over and under on each game. Now,

0:42:43.600 --> 0:42:46.160
<v Speaker 2>we've never paid each other. I'm not a gambler really,

0:42:46.520 --> 0:42:50.439
<v Speaker 2>but I am with them and we've never paid each other.

0:42:50.760 --> 0:42:53.000
<v Speaker 2>And it's all in fifty dollars bets, and so it's

0:42:53.040 --> 0:42:57.200
<v Speaker 2>been a rolling amount for the last fifteen years. And

0:42:57.440 --> 0:42:59.200
<v Speaker 2>I say it in the book and I'm right around

0:42:59.200 --> 0:43:03.719
<v Speaker 2>the same thing. I'm about almost eight thousand dollars in

0:43:03.800 --> 0:43:08.200
<v Speaker 2>the hole in fifty dollars bets right now to Jim Cogging, Knoxville, Tennessee.

0:43:08.719 --> 0:43:12.200
<v Speaker 2>It's crazy, but it's all about competition. There was a

0:43:12.239 --> 0:43:18.600
<v Speaker 2>time where, you know, when college PlayStation came out and

0:43:18.800 --> 0:43:21.240
<v Speaker 2>we had that football game in there and we played.

0:43:22.000 --> 0:43:25.279
<v Speaker 2>I've held shows for fifteen to twenty minutes because we

0:43:25.280 --> 0:43:28.120
<v Speaker 2>weren't done with the game. And I can do that

0:43:28.200 --> 0:43:30.920
<v Speaker 2>because I can get ready to go on stage in

0:43:31.000 --> 0:43:33.400
<v Speaker 2>less than five minutes. I got a T shirt, I

0:43:33.440 --> 0:43:36.200
<v Speaker 2>got jeans, boots, straw cowboy had. Okay, I'm ready to go,

0:43:37.200 --> 0:43:39.440
<v Speaker 2>and so I can hold it. But that's how that's

0:43:39.480 --> 0:43:42.799
<v Speaker 2>how competitive I am. And rolling down the highway were

0:43:43.560 --> 0:43:46.200
<v Speaker 2>we were somewhere in Alabama and I had a terrible game,

0:43:46.320 --> 0:43:48.200
<v Speaker 2>and I got so pissed off that I pulled the

0:43:48.239 --> 0:43:50.640
<v Speaker 2>whole game out of the console, like the whole game,

0:43:50.880 --> 0:43:52.840
<v Speaker 2>and threw it out the side, out the window, and

0:43:52.880 --> 0:43:54.840
<v Speaker 2>the band just looked at me like I was crazy.

0:43:55.560 --> 0:43:57.480
<v Speaker 2>I was that pissed off. I think I threw like

0:43:57.520 --> 0:44:00.759
<v Speaker 2>five interceptions in the game. But that's how competitive I am.

0:44:01.480 --> 0:44:04.359
<v Speaker 2>And I remember why I'm my piano player. I mean,

0:44:04.920 --> 0:44:07.360
<v Speaker 2>he kicked my ass like it was almost like the

0:44:07.400 --> 0:44:09.840
<v Speaker 2>whole week. We played every day and he beat me

0:44:09.880 --> 0:44:12.560
<v Speaker 2>by over twenty points. And we were playing rupp Arena

0:44:12.600 --> 0:44:15.480
<v Speaker 2>in Lesington, Kentucky one night. We had these big screen

0:44:15.520 --> 0:44:18.560
<v Speaker 2>TVs behind us, and why it had taken a picture

0:44:18.560 --> 0:44:20.960
<v Speaker 2>without me knowing it of the screen of the score.

0:44:21.400 --> 0:44:23.560
<v Speaker 2>And while I was introducing the band, they put that

0:44:24.160 --> 0:44:29.680
<v Speaker 2>picture up there on the on the screen, and yeah,

0:44:29.680 --> 0:44:31.719
<v Speaker 2>it really pissed me off. But I was like, that's

0:44:31.719 --> 0:44:33.879
<v Speaker 2>how competitive I am. So that answered to you. That's

0:44:33.880 --> 0:44:36.320
<v Speaker 2>a long answer to your question. But I just loved

0:44:38.120 --> 0:44:42.520
<v Speaker 2>I just loved being competitive, and I liked playing football

0:44:42.560 --> 0:44:45.560
<v Speaker 2>because it it got me out of my comfort zone.

0:44:45.640 --> 0:44:48.400
<v Speaker 2>That's what that goes back to Laird. Laird taught me

0:44:48.400 --> 0:44:51.839
<v Speaker 2>a lot about, especially with pool training and being out

0:44:51.840 --> 0:44:54.520
<v Speaker 2>in the ocean. Is you grow a lot as a

0:44:54.640 --> 0:44:56.880
<v Speaker 2>as a human, and you get better when you're out

0:44:56.920 --> 0:44:57.760
<v Speaker 2>of your comfort zone.

0:44:59.120 --> 0:45:03.120
<v Speaker 1>Okay, you know that's not a good story. In the

0:45:03.160 --> 0:45:06.839
<v Speaker 1>bus throw you know, throwing stuff out the ego. Did

0:45:06.880 --> 0:45:09.400
<v Speaker 1>you say you're at it's great to win. But would

0:45:09.400 --> 0:45:11.600
<v Speaker 1>you say sometimes you're a sore loser.

0:45:12.120 --> 0:45:17.080
<v Speaker 2>No, well they all tell me that I'm a sore loser.

0:45:17.120 --> 0:45:19.960
<v Speaker 2>But I'm a worst winner, you know, because when I win,

0:45:20.120 --> 0:45:22.880
<v Speaker 2>I just you know, I like to I like to

0:45:24.280 --> 0:45:26.640
<v Speaker 2>run my mouth and so yeah, I mean I think

0:45:26.680 --> 0:45:27.919
<v Speaker 2>a lot of my band and a lot of people

0:45:27.960 --> 0:45:30.680
<v Speaker 2>have been around me. I'm so competitive that I am

0:45:30.719 --> 0:45:32.520
<v Speaker 2>a bad loser, but I'm a worst winner.

0:45:34.360 --> 0:45:37.840
<v Speaker 1>And are you someone like you know, in today's online world,

0:45:38.280 --> 0:45:42.080
<v Speaker 1>you can be you know, playing scrabble with somebody. You

0:45:42.160 --> 0:45:45.840
<v Speaker 1>can be you know, an online multiplayer game, you involved

0:45:45.840 --> 0:45:46.680
<v Speaker 1>in any of that shit.

0:45:47.000 --> 0:45:52.040
<v Speaker 2>No, I don't know. No, that's I don't do that. Uh.

0:45:52.640 --> 0:45:54.560
<v Speaker 2>I try to stay off the devices in the computer

0:45:54.600 --> 0:45:58.000
<v Speaker 2>as much as possible, honestly. But I mean, if you're

0:45:58.120 --> 0:46:00.719
<v Speaker 2>we got a basketball, go out by the bus. I mean,

0:46:01.040 --> 0:46:05.279
<v Speaker 2>I'm you know, you can always get a game of

0:46:05.320 --> 0:46:06.960
<v Speaker 2>horse with somebody, you know.

0:46:07.400 --> 0:46:12.080
<v Speaker 1>So wait, wait there's a basketball there, it's sitting by

0:46:12.120 --> 0:46:14.839
<v Speaker 1>the hoop. No one is there. Yeah? Are you going

0:46:14.920 --> 0:46:17.800
<v Speaker 1>to be the person say hey, who's playing ones?

0:46:18.080 --> 0:46:22.279
<v Speaker 2>Yeah? Yeah, no, no question, Yeah, I really am. Look,

0:46:22.440 --> 0:46:25.840
<v Speaker 2>there's only so many, Like I said, I've been on

0:46:25.840 --> 0:46:28.600
<v Speaker 2>a bus now for thirty two years. It's crazy to

0:46:28.640 --> 0:46:31.720
<v Speaker 2>think about, but I have. And there's only so many

0:46:31.760 --> 0:46:33.440
<v Speaker 2>times that you can walk from the back of the

0:46:33.480 --> 0:46:36.560
<v Speaker 2>bus to the front of the bus and then walk

0:46:36.560 --> 0:46:38.800
<v Speaker 2>from the front of the bus back to the bus,

0:46:38.800 --> 0:46:41.919
<v Speaker 2>thinking you're going to see something different. So I've got

0:46:41.920 --> 0:46:45.680
<v Speaker 2>to get I've got to get out of there. That's

0:46:45.680 --> 0:46:48.080
<v Speaker 2>why I don't iscolate myself like you were talking about.

0:46:48.320 --> 0:46:50.520
<v Speaker 2>I mean, I can't tell you how many times I

0:46:50.560 --> 0:46:54.360
<v Speaker 2>walked into the production office and just to say hi, people,

0:46:54.440 --> 0:46:55.960
<v Speaker 2>you know, just say what's up.

0:46:56.440 --> 0:47:00.600
<v Speaker 1>Okay, you're off the road. When you're off the road, listen,

0:47:00.680 --> 0:47:03.880
<v Speaker 1>there are things you do. You answer emails, talk on

0:47:03.920 --> 0:47:06.400
<v Speaker 1>the phone. There's a little but that doesn't take twenty

0:47:06.440 --> 0:47:09.080
<v Speaker 1>four hours. You write a few songs. What do you

0:47:09.400 --> 0:47:10.720
<v Speaker 1>do with the rest of the time.

0:47:12.200 --> 0:47:15.760
<v Speaker 2>Well, this year has been different. I was with Holly

0:47:15.760 --> 0:47:18.440
<v Speaker 2>Gleason Rydne's book. That's what I did this year, and

0:47:18.480 --> 0:47:20.560
<v Speaker 2>we haven't stopped. I mean once I let.

0:47:20.520 --> 0:47:23.080
<v Speaker 1>Me let me be very clear, there's work. You're not

0:47:23.120 --> 0:47:24.600
<v Speaker 1>writing a book all day long.

0:47:25.160 --> 0:47:26.160
<v Speaker 2>No, No, you're right.

0:47:26.239 --> 0:47:29.719
<v Speaker 1>Let's you assume it's seven o'clock. Are you calling somebody up.

0:47:29.760 --> 0:47:30.440
<v Speaker 1>What are you up to?

0:47:30.800 --> 0:47:34.960
<v Speaker 4>Are you watching soon television? Are Yeah, I'll binge watch.

0:47:35.239 --> 0:47:38.200
<v Speaker 4>I mean, I'll probably binge watch. And if it's football season,

0:47:38.239 --> 0:47:42.560
<v Speaker 4>I'll watch football, you know. Or I'll go hang with

0:47:42.560 --> 0:47:44.480
<v Speaker 4>my dad, or I'll you know, do whatever.

0:47:44.600 --> 0:47:47.000
<v Speaker 2>I mean. It's it's I will tell you it is

0:47:47.400 --> 0:47:51.760
<v Speaker 2>when when you're really busy and you've in your brain tired.

0:47:52.040 --> 0:47:54.799
<v Speaker 2>I look forward to sitting still, I really do. But

0:47:54.880 --> 0:47:58.520
<v Speaker 2>I got to tell you, I'm I'm I'm a little

0:47:58.560 --> 0:48:00.560
<v Speaker 2>tangled in the vine. When it comes is the time

0:48:00.600 --> 0:48:03.960
<v Speaker 2>off because I crave time off. I do, But when

0:48:04.000 --> 0:48:07.240
<v Speaker 2>I get it, I start to freak out. I start

0:48:07.280 --> 0:48:10.600
<v Speaker 2>to I start to wonder if I'm missing something, you

0:48:10.640 --> 0:48:13.439
<v Speaker 2>know what I mean. So it's so, I I work

0:48:13.480 --> 0:48:16.440
<v Speaker 2>out a lot. I love the ocean. I love it,

0:48:16.480 --> 0:48:22.120
<v Speaker 2>get on the paddle board, I I I don't know,

0:48:22.160 --> 0:48:26.480
<v Speaker 2>I visit family. I it's just whatever, you know.

0:48:27.640 --> 0:48:29.440
<v Speaker 1>So, how much time are you in the islands?

0:48:29.480 --> 0:48:34.399
<v Speaker 2>Now that's gotten, that's that's decreased in the last couple

0:48:34.440 --> 0:48:39.600
<v Speaker 2>of years, But a lot once I get done with

0:48:39.600 --> 0:48:44.120
<v Speaker 2>with the launch, and once I get I think I'm done.

0:48:44.120 --> 0:48:47.160
<v Speaker 2>On the seventeenth or eighteenth something like that. I'll probably

0:48:47.200 --> 0:48:49.040
<v Speaker 2>go down for a little bit. You know, it takes

0:48:49.080 --> 0:48:55.359
<v Speaker 2>me a minute because I it's it's uh, sooner or later,

0:48:55.440 --> 0:48:57.480
<v Speaker 2>I will pull the guitar out of the case. Sooner

0:48:57.600 --> 0:49:02.000
<v Speaker 2>or later. It takes it takes a minute, but it

0:49:02.040 --> 0:49:03.759
<v Speaker 2>may not take as long this year because I've been

0:49:03.760 --> 0:49:08.719
<v Speaker 2>actually done playing music since since July. And once I

0:49:08.760 --> 0:49:11.240
<v Speaker 2>got out, once I got done at the sphere this year,

0:49:11.440 --> 0:49:15.200
<v Speaker 2>I went straight into the audiobook. And theo book is

0:49:15.239 --> 0:49:18.399
<v Speaker 2>another animal. I don't know, but I'm telling you that's

0:49:18.440 --> 0:49:20.759
<v Speaker 2>one of the most unpleasant things I've ever done in

0:49:20.800 --> 0:49:24.319
<v Speaker 2>my life. It's the audiobook. But I'm glad I did it.

0:49:24.320 --> 0:49:26.600
<v Speaker 2>It was business. And you know, if I'm a fan,

0:49:26.719 --> 0:49:28.839
<v Speaker 2>like we were talking about my friends and heroes, you know,

0:49:28.960 --> 0:49:32.520
<v Speaker 2>if Sammy Hagar wrote, if he wrote a new book

0:49:32.680 --> 0:49:34.440
<v Speaker 2>and put it out, I'm going to want to hear

0:49:34.480 --> 0:49:36.840
<v Speaker 2>Sammy do the audiobook. You're not going to want to

0:49:36.840 --> 0:49:38.480
<v Speaker 2>hear me do it. You want him to do it.

0:49:38.719 --> 0:49:42.440
<v Speaker 2>And so I understand that it took me a month

0:49:42.719 --> 0:49:46.080
<v Speaker 2>to read this book in the studio. It was just

0:49:46.560 --> 0:49:48.760
<v Speaker 2>it was I was like I was like a week

0:49:48.880 --> 0:49:52.400
<v Speaker 2>in and I was only like on chapter four and

0:49:52.440 --> 0:49:56.319
<v Speaker 2>there's forty nine chapters in this book. I was like, wow,

0:49:56.360 --> 0:50:00.759
<v Speaker 2>this is going to take a minute, but yeah, this

0:50:01.000 --> 0:50:03.800
<v Speaker 2>But now I think when I get done with the

0:50:03.800 --> 0:50:05.680
<v Speaker 2>book launches because the guitar is going to come out

0:50:05.680 --> 0:50:07.399
<v Speaker 2>of the case a little sooner than usual because I've

0:50:07.400 --> 0:50:09.319
<v Speaker 2>been done playing music for a minute and I miss it.

0:50:11.120 --> 0:50:13.360
<v Speaker 1>When you go down, do you ever go down alone?

0:50:14.920 --> 0:50:17.839
<v Speaker 2>I yeah, because I'm not alone down there. I've got

0:50:17.920 --> 0:50:23.560
<v Speaker 2>I've got a lot of still a really close group

0:50:23.640 --> 0:50:27.840
<v Speaker 2>of Island friends that really in ways knew me before

0:50:28.920 --> 0:50:30.840
<v Speaker 2>they even knew what I did. That that was the

0:50:30.840 --> 0:50:33.120
<v Speaker 2>beauty of it. You know, when I first went down,

0:50:33.160 --> 0:50:36.120
<v Speaker 2>I was spending time there. There was you know, it

0:50:36.160 --> 0:50:39.880
<v Speaker 2>was way before social media. It was way before you know,

0:50:39.960 --> 0:50:45.680
<v Speaker 2>everything was so instant, and I don't know that I

0:50:45.680 --> 0:50:48.839
<v Speaker 2>could insulate myself in a way. I mean I was,

0:50:49.120 --> 0:50:52.080
<v Speaker 2>I was playing arenas. I was wow. I mean I

0:50:52.200 --> 0:50:55.600
<v Speaker 2>was on the climb right. But these people didn't care.

0:50:55.680 --> 0:50:58.120
<v Speaker 2>They didn't know, so they really got to know the

0:50:58.160 --> 0:51:00.440
<v Speaker 2>real meat. And then they would come to shows and

0:51:00.480 --> 0:51:01.960
<v Speaker 2>they would see what I do on stage and they

0:51:01.960 --> 0:51:04.840
<v Speaker 2>would scratch their head and go, They're going, wow, we

0:51:04.920 --> 0:51:09.560
<v Speaker 2>had no idea that this person that was down here

0:51:09.920 --> 0:51:13.200
<v Speaker 2>constantly with us on boats and in bars does this

0:51:13.280 --> 0:51:15.200
<v Speaker 2>for a living. They truly, I mean, they knew what

0:51:15.280 --> 0:51:18.400
<v Speaker 2>I did eventually, but they didn't know that that was

0:51:18.440 --> 0:51:21.239
<v Speaker 2>our life at all. So it was really interesting, you know,

0:51:21.400 --> 0:51:25.640
<v Speaker 2>to see them see that. But yeah, I'll either take

0:51:26.640 --> 0:51:31.279
<v Speaker 2>my girlfriend down, or I'll go with my family, or sometimes,

0:51:31.400 --> 0:51:35.120
<v Speaker 2>I mean we usually do it once a year, I'll

0:51:35.160 --> 0:51:37.520
<v Speaker 2>take some writing friends down and we'll just go hang

0:51:37.600 --> 0:51:38.880
<v Speaker 2>for a week and see what we can come up

0:51:38.920 --> 0:51:41.520
<v Speaker 2>with and see if we can find something inspired in

0:51:41.520 --> 0:51:43.720
<v Speaker 2>a different way. And I think as a creative person,

0:51:43.760 --> 0:51:46.319
<v Speaker 2>that's really that's really good to do, you know, because

0:51:46.360 --> 0:51:51.160
<v Speaker 2>earlier we were speaking about neural pathways. As a songwriter,

0:51:51.440 --> 0:51:56.400
<v Speaker 2>for me, I'm always feel like that I need to

0:51:56.400 --> 0:51:59.000
<v Speaker 2>get out of my comfort zone and create somewhere else,

0:51:59.040 --> 0:52:01.600
<v Speaker 2>because you can go down the same neural pathway that

0:52:01.640 --> 0:52:04.120
<v Speaker 2>a room can make you create the same thing. And

0:52:04.640 --> 0:52:07.680
<v Speaker 2>so it's always good to do that, especially after you

0:52:07.719 --> 0:52:10.880
<v Speaker 2>make a record, you know, or while you're making a record.

0:52:10.920 --> 0:52:14.000
<v Speaker 2>More importantly, I get asked for advice all the time about,

0:52:14.040 --> 0:52:16.879
<v Speaker 2>you know, how I made my records and what I've

0:52:16.920 --> 0:52:20.280
<v Speaker 2>done over the years. And the one thing that I

0:52:20.280 --> 0:52:23.280
<v Speaker 2>still do is in the process of making my record,

0:52:23.600 --> 0:52:26.640
<v Speaker 2>especially when I think it's almost done, I'll take that

0:52:27.520 --> 0:52:29.640
<v Speaker 2>in the sequence of the songs and I'll go listen

0:52:29.680 --> 0:52:33.440
<v Speaker 2>to that in different environments, like I'll go to the Islands,

0:52:33.520 --> 0:52:35.120
<v Speaker 2>or I'll go to easton a see because those are

0:52:35.120 --> 0:52:38.319
<v Speaker 2>my people. Or I'll go to New England, or I'll

0:52:38.400 --> 0:52:41.480
<v Speaker 2>drive across Mulholland in la or I'll just see how

0:52:41.480 --> 0:52:44.319
<v Speaker 2>it sits in every environment. And if it doesn't sit

0:52:44.400 --> 0:52:47.160
<v Speaker 2>great in every environment, then I'll try to, Okay, well,

0:52:47.640 --> 0:52:51.759
<v Speaker 2>what will make it sit? And that's exactly how you

0:52:51.840 --> 0:52:56.160
<v Speaker 2>and Tequila came about that whole story right there, because

0:52:56.200 --> 0:52:58.200
<v Speaker 2>I was I didn't have I did. There was this

0:52:58.239 --> 0:53:02.640
<v Speaker 2>missing piece of the Hemming Ways Whiskey record, and I

0:53:02.640 --> 0:53:05.719
<v Speaker 2>had no idea what it was. And Materesa Berg sent

0:53:05.800 --> 0:53:09.640
<v Speaker 2>me you in Tequila. I was driving north at that time.

0:53:09.719 --> 0:53:12.680
<v Speaker 2>I was renting a house. There's this market in Malibu

0:53:12.760 --> 0:53:15.359
<v Speaker 2>culture it used to be called Trapas Market, and I

0:53:15.400 --> 0:53:19.359
<v Speaker 2>was reading a house north of there, and so I

0:53:19.400 --> 0:53:21.759
<v Speaker 2>was just driving home one night and she sent me

0:53:21.800 --> 0:53:23.279
<v Speaker 2>a song and I listened to it on the way

0:53:23.280 --> 0:53:26.800
<v Speaker 2>home and it was just magic, the sun was setting,

0:53:26.840 --> 0:53:29.960
<v Speaker 2>it was it was just a perfect, perfect scenario to

0:53:30.080 --> 0:53:34.400
<v Speaker 2>hear to hear that song. And once I heard that,

0:53:34.480 --> 0:53:36.840
<v Speaker 2>I went, wow, Okay, this is the missing piece because

0:53:37.200 --> 0:53:39.640
<v Speaker 2>I had listened to that what was supposed to be

0:53:39.719 --> 0:53:42.279
<v Speaker 2>the heming Ways Whiskey record, and there was a few

0:53:42.280 --> 0:53:51.400
<v Speaker 2>things missing and that was one of them.

0:53:51.520 --> 0:53:56.000
<v Speaker 1>So what degree do you feel pressure to be part

0:53:56.000 --> 0:53:59.960
<v Speaker 1>of the game and to continue to have charge success

0:54:00.680 --> 0:54:03.480
<v Speaker 1>because you know, country is a little bit different country.

0:54:03.520 --> 0:54:06.000
<v Speaker 1>You know, it's not like pop radio where you can

0:54:06.040 --> 0:54:08.080
<v Speaker 1>have a hit and your audience moves on. If you've

0:54:08.160 --> 0:54:10.520
<v Speaker 1>got a good audience and country, they stay with you.

0:54:10.960 --> 0:54:13.480
<v Speaker 1>There are people who that hit for a long time,

0:54:13.640 --> 0:54:17.200
<v Speaker 1>but most people, even Garth Brooks, you have your time

0:54:17.600 --> 0:54:20.279
<v Speaker 1>and you're done. You're not going to have another hit.

0:54:21.239 --> 0:54:24.640
<v Speaker 1>How do you mentally deal with all that? Well?

0:54:25.480 --> 0:54:29.680
<v Speaker 2>I think for me that we have built something a

0:54:29.719 --> 0:54:35.319
<v Speaker 2>little unique and different. I mean, I have built an

0:54:35.360 --> 0:54:38.799
<v Speaker 2>audience that I hope that you know, I don't feel

0:54:38.800 --> 0:54:42.160
<v Speaker 2>anywhere close to being out the tank, you know, I

0:54:42.280 --> 0:54:44.200
<v Speaker 2>just still feel creative. I still want to go to

0:54:44.560 --> 0:54:46.719
<v Speaker 2>do great shows, and I think that we've built an

0:54:46.760 --> 0:54:48.839
<v Speaker 2>audience over the years that will that will go down

0:54:48.840 --> 0:54:52.600
<v Speaker 2>that road with us, no matter what the success is. Look,

0:54:52.640 --> 0:54:56.600
<v Speaker 2>the business has changed from when I started making records

0:54:56.600 --> 0:55:00.640
<v Speaker 2>with Mary Beckett. The business is not even recogniz as

0:55:00.680 --> 0:55:03.319
<v Speaker 2>you know. You know, Barry taught me so much. But

0:55:03.760 --> 0:55:05.640
<v Speaker 2>that's a whole other podcast.

0:55:05.520 --> 0:55:05.759
<v Speaker 1>You know.

0:55:06.239 --> 0:55:13.799
<v Speaker 2>But yeah, it's just it's just it's just changed a lot,

0:55:13.960 --> 0:55:16.560
<v Speaker 2>you know. But for me, I mean, I think that

0:55:17.480 --> 0:55:21.600
<v Speaker 2>we have built such a unique audience and people that

0:55:21.840 --> 0:55:24.080
<v Speaker 2>not only have just listened to these songs on the radio,

0:55:24.120 --> 0:55:26.080
<v Speaker 2>they've lived their life with them and they come to

0:55:26.440 --> 0:55:31.200
<v Speaker 2>the show to experience it live, and they've given They

0:55:31.320 --> 0:55:33.520
<v Speaker 2>realize how much of myself that I've given, and I

0:55:33.600 --> 0:55:36.520
<v Speaker 2>realize how much of themselves that they give to come

0:55:36.560 --> 0:55:41.879
<v Speaker 2>and experience that experience. And I think as long as

0:55:42.160 --> 0:55:45.720
<v Speaker 2>because I've seen artists get complacent, I've seen artists dollar

0:55:45.800 --> 0:55:47.719
<v Speaker 2>in and they get to this weird point where they

0:55:47.760 --> 0:55:51.439
<v Speaker 2>just don't care, and I've never understood it, I still care.

0:55:52.239 --> 0:55:54.000
<v Speaker 2>And I think as long as my audience knows I

0:55:54.080 --> 0:55:56.440
<v Speaker 2>care about them, and they care about the experience and

0:55:56.480 --> 0:56:01.680
<v Speaker 2>still care about the music, then a lot of the

0:56:01.719 --> 0:56:03.799
<v Speaker 2>other stuff I don't have to worry about as much,

0:56:03.920 --> 0:56:06.040
<v Speaker 2>you know, well, you have a.

0:56:06.160 --> 0:56:10.200
<v Speaker 1>Large audience, and you know, let's use Jimmy Buffett. You know,

0:56:10.280 --> 0:56:12.920
<v Speaker 1>Jimmy Buffett had his hits at the end of the seventies.

0:56:13.360 --> 0:56:16.600
<v Speaker 1>He continued to put out records until he did a

0:56:16.719 --> 0:56:19.719
<v Speaker 1>Nashville record. Long and deep into his career he had

0:56:19.760 --> 0:56:23.359
<v Speaker 1>no more chart success, but he had his audience who

0:56:23.400 --> 0:56:28.719
<v Speaker 1>consumed that to what is that okay for you? Or

0:56:28.800 --> 0:56:32.279
<v Speaker 1>do you need to have something that's on the chart,

0:56:32.400 --> 0:56:34.919
<v Speaker 1>something that's hot in Nashville that people are talking about

0:56:34.960 --> 0:56:36.840
<v Speaker 1>that might spread to different people.

0:56:38.040 --> 0:56:41.040
<v Speaker 2>Well, I mean, yeah, of course, I mean everybody would

0:56:41.080 --> 0:56:43.040
<v Speaker 2>want to have chart success, and I still feel like

0:56:43.080 --> 0:56:47.680
<v Speaker 2>that we're going to have some. But moving forward, I

0:56:47.719 --> 0:56:51.879
<v Speaker 2>mean I do. I feel very fortunate to have had

0:56:51.920 --> 0:56:54.760
<v Speaker 2>the chart success that I've had, and I still feel

0:56:54.880 --> 0:57:00.920
<v Speaker 2>very creative and I try really hard to and I

0:57:00.960 --> 0:57:04.680
<v Speaker 2>added myself to a phone. I really do, because when

0:57:04.680 --> 0:57:07.600
<v Speaker 2>I'm listening to songs and even creating, I'm like, Okay, well,

0:57:07.600 --> 0:57:09.719
<v Speaker 2>how is this to your point? How is this going

0:57:09.800 --> 0:57:12.359
<v Speaker 2>to fit now? Because sonically a lot of the things

0:57:12.360 --> 0:57:15.920
<v Speaker 2>are different. They are and I've changed mixers and I've

0:57:15.920 --> 0:57:18.360
<v Speaker 2>done a lot of stuff, but I can't sing what

0:57:18.480 --> 0:57:20.600
<v Speaker 2>some of these people are singing about because I've already

0:57:20.600 --> 0:57:25.280
<v Speaker 2>done it right, And so it's it's tricky. If if

0:57:26.600 --> 0:57:29.000
<v Speaker 2>a brand new guy can go sing the next version

0:57:29.000 --> 0:57:31.080
<v Speaker 2>of no shoes, no shirt, no problems, and he'd be

0:57:31.360 --> 0:57:33.880
<v Speaker 2>and he'll be a genius, I can go sing the

0:57:33.920 --> 0:57:37.600
<v Speaker 2>exact same song, and I'm repeating myself. So it's it's

0:57:37.840 --> 0:57:40.600
<v Speaker 2>I got a thin target to hit and I know that.

0:57:40.720 --> 0:57:43.720
<v Speaker 2>And God, I mean, I am so blessed to say this,

0:57:44.800 --> 0:57:47.400
<v Speaker 2>because not every act in the world gets to say this.

0:57:47.800 --> 0:57:50.000
<v Speaker 2>But I've reached a point in my life and in

0:57:50.080 --> 0:57:56.320
<v Speaker 2>my career where I'm competing with myself and I'm thankful

0:57:56.360 --> 0:57:59.360
<v Speaker 2>for that. But it's hard. It's hard creatively, it really is.

0:58:00.640 --> 0:58:02.760
<v Speaker 2>So that's why it takes me longer to get there,

0:58:03.000 --> 0:58:09.840
<v Speaker 2>because I just can't throw anything against a blank page

0:58:10.080 --> 0:58:15.840
<v Speaker 2>and it be accepted because I'm competing with myself and

0:58:15.920 --> 0:58:17.560
<v Speaker 2>I know that I can't go do when the sun

0:58:17.600 --> 0:58:19.480
<v Speaker 2>goes down again, I can't. I don't even know if

0:58:19.480 --> 0:58:24.160
<v Speaker 2>I can go do I go back again? So so yeah,

0:58:24.160 --> 0:58:27.800
<v Speaker 2>it's harder, you know. So, But if I to answer

0:58:27.840 --> 0:58:30.600
<v Speaker 2>your question, yeah, I still want radio success, but am

0:58:30.600 --> 0:58:32.760
<v Speaker 2>I fine with it not having it. I don't know.

0:58:32.840 --> 0:58:37.240
<v Speaker 2>I haven't thought about it yet, to be honest, But

0:58:38.240 --> 0:58:40.120
<v Speaker 2>if you really want the honest answer, I haven't thought

0:58:40.120 --> 0:58:42.600
<v Speaker 2>about that yet. But yeah, I mean, look, I'm not

0:58:43.680 --> 0:58:46.160
<v Speaker 2>immune to what happens to every act in the world.

0:58:46.200 --> 0:58:48.120
<v Speaker 2>It happened to Bruce Springsteak, for God's sake.

0:58:49.720 --> 0:58:55.320
<v Speaker 1>Okay, you barely touch on romance in the book, and

0:58:55.360 --> 0:58:57.840
<v Speaker 1>you say you want to respect the privacy of this

0:58:57.880 --> 0:59:03.480
<v Speaker 1>one specific to Todd Lloyd romance whatever. But you're a

0:59:03.520 --> 0:59:07.920
<v Speaker 1>fifty seven year old guy, hasn't been married, doesn't have children.

0:59:08.320 --> 0:59:12.640
<v Speaker 1>What my average person has no idea. They have no

0:59:13.160 --> 0:59:16.720
<v Speaker 1>idea how hard it is to make it. You have

0:59:16.840 --> 0:59:21.200
<v Speaker 1>to literally work all day every that's right. They just

0:59:21.360 --> 0:59:22.840
<v Speaker 1>literally have no idea.

0:59:24.080 --> 0:59:28.200
<v Speaker 2>And I'll tell you that. Look, my mother has asked me,

0:59:28.280 --> 0:59:29.920
<v Speaker 2>she goes, when am I going to have grand babies?

0:59:30.040 --> 0:59:31.720
<v Speaker 2>I said, I better hurry. I won't be deald to

0:59:31.720 --> 0:59:36.920
<v Speaker 2>play with them. You know. But Bob, I think you

0:59:37.000 --> 0:59:40.280
<v Speaker 2>know this, and especially everybody on my team known this.

0:59:40.760 --> 0:59:43.880
<v Speaker 2>I had somebody say to me recently, we think it's

0:59:43.920 --> 0:59:45.440
<v Speaker 2>great that you give so much of your life to

0:59:45.480 --> 0:59:47.560
<v Speaker 2>what you do. And I stopped them. I said, no, no, no,

0:59:47.800 --> 0:59:51.160
<v Speaker 2>I said, I've given everything I have, I've given all

0:59:51.200 --> 0:59:53.840
<v Speaker 2>of me to do what I do because I felt like.

0:59:55.560 --> 0:59:55.760
<v Speaker 4>That.

0:59:56.520 --> 0:59:58.160
<v Speaker 2>I don't know. I guess maybe it's the way I

0:59:58.200 --> 1:00:03.000
<v Speaker 2>grew up because we didn't we poor Bob, but we

1:00:03.400 --> 1:00:05.600
<v Speaker 2>but it was right down the street from us, if

1:00:05.600 --> 1:00:08.760
<v Speaker 2>you know what I mean. And so I've always had

1:00:08.800 --> 1:00:11.280
<v Speaker 2>this this thing. If I didn't give all of myself

1:00:11.640 --> 1:00:15.200
<v Speaker 2>to everything that I'm doing, that it wouldn't happen. And

1:00:15.960 --> 1:00:17.840
<v Speaker 2>maybe that's how I was brought up, I don't know.

1:00:18.000 --> 1:00:21.520
<v Speaker 2>Or being competitive from my father, I don't know. But yeah,

1:00:21.840 --> 1:00:27.360
<v Speaker 2>in ways, my look, my personal life has has I've

1:00:27.480 --> 1:00:30.880
<v Speaker 2>sacrificed son, we're talking about sacrifice earlier. I never fell

1:00:30.960 --> 1:00:33.920
<v Speaker 2>a personal sacrifice, but it was really hard on a

1:00:33.920 --> 1:00:38.080
<v Speaker 2>lot of people, honestly. But I don't think now though.

1:00:38.280 --> 1:00:44.640
<v Speaker 2>I think now though, Yeah, look I think for me

1:00:44.720 --> 1:00:48.280
<v Speaker 2>now in my life now, I'm not the same. And

1:00:49.760 --> 1:00:57.080
<v Speaker 2>I I realized at one point about three years ago,

1:00:57.200 --> 1:01:01.840
<v Speaker 2>three or four years ago actually, that I had given

1:01:03.080 --> 1:01:06.880
<v Speaker 2>every decision and every choice I ever made, I had

1:01:07.360 --> 1:01:13.920
<v Speaker 2>given to the persona not the person, and whether that

1:01:14.000 --> 1:01:17.640
<v Speaker 2>be good or bad, it got me here, right. And

1:01:17.720 --> 1:01:19.640
<v Speaker 2>if I did make a personal choice. I had to

1:01:19.720 --> 1:01:21.560
<v Speaker 2>check with a persona to see how it was going

1:01:21.600 --> 1:01:25.800
<v Speaker 2>to affect all of it before I made that choice,

1:01:25.920 --> 1:01:28.120
<v Speaker 2>and which is really hard, you know, But I didn't

1:01:28.160 --> 1:01:31.240
<v Speaker 2>realize that until about three or four years ago because

1:01:31.240 --> 1:01:33.480
<v Speaker 2>I was still so in the zone. You know, it

1:01:33.560 --> 1:01:38.080
<v Speaker 2>was just so just grinding and creative and driven, and

1:01:38.960 --> 1:01:41.440
<v Speaker 2>you're right to do it like we've done it, and

1:01:41.480 --> 1:01:45.280
<v Speaker 2>to get to this place, it takes all of you,

1:01:45.680 --> 1:01:48.160
<v Speaker 2>it really has. And I'm not been great at balance,

1:01:48.280 --> 1:01:50.800
<v Speaker 2>I'll admit I haven't.

1:01:51.440 --> 1:01:54.520
<v Speaker 1>Can you give me an example of the separation between

1:01:54.600 --> 1:01:56.440
<v Speaker 1>personal and persona choice?

1:01:56.920 --> 1:02:00.720
<v Speaker 2>No, I don't know. It was just whether I was

1:02:00.760 --> 1:02:06.560
<v Speaker 2>going to I mean, it got so even the where

1:02:06.560 --> 1:02:09.280
<v Speaker 2>I was going to live, right because when I met

1:02:09.360 --> 1:02:12.640
<v Speaker 2>Lard and Gabby, I said, oh man, I'm gonna I'm

1:02:12.640 --> 1:02:14.480
<v Speaker 2>going to move to Malibu full time. I'm going to

1:02:14.560 --> 1:02:16.560
<v Speaker 2>train with them every day. And I do have a

1:02:16.560 --> 1:02:19.240
<v Speaker 2>great circle of friends out there. That's at the time,

1:02:19.560 --> 1:02:22.200
<v Speaker 2>you know, it still is a lot healthier lifestyle for me.

1:02:22.560 --> 1:02:24.160
<v Speaker 2>But I was going to do that, and I went

1:02:25.360 --> 1:02:28.919
<v Speaker 2>my creative community in there. Your persona is not there,

1:02:28.960 --> 1:02:32.360
<v Speaker 2>You're what you've created is here. Your creative community is here,

1:02:33.400 --> 1:02:36.440
<v Speaker 2>so and now. But that was before you know, we've

1:02:36.480 --> 1:02:39.200
<v Speaker 2>realized we could get on a call a lot like

1:02:39.240 --> 1:02:41.400
<v Speaker 2>this one in FaceTime. But still it's not the same.

1:02:41.440 --> 1:02:45.680
<v Speaker 2>But that's not how you write songs. And so that

1:02:45.920 --> 1:02:48.920
<v Speaker 2>was just one example, you know. Or I could go, hey,

1:02:48.960 --> 1:02:50.400
<v Speaker 2>I'm going to live in the version iss I love

1:02:50.440 --> 1:02:52.560
<v Speaker 2>getting on the boat every day. I'm going to but

1:02:52.680 --> 1:02:58.680
<v Speaker 2>that's not I can't do that either. So because you

1:02:58.720 --> 1:03:00.760
<v Speaker 2>have to be present, you have to be available to

1:03:00.800 --> 1:03:02.680
<v Speaker 2>what I felt like I had to be available to

1:03:02.760 --> 1:03:06.439
<v Speaker 2>what I built and everybody around me. And it goes

1:03:06.480 --> 1:03:09.440
<v Speaker 2>back to this. I mean, I truly do Bob feel

1:03:09.480 --> 1:03:13.920
<v Speaker 2>a And I don't know the answer because I can

1:03:13.960 --> 1:03:17.520
<v Speaker 2>just see you that's ask me why on this? But

1:03:18.040 --> 1:03:20.960
<v Speaker 2>I don't know the answer to it. But We've been

1:03:20.960 --> 1:03:23.200
<v Speaker 2>able to achieve so much success, and I've had so

1:03:23.320 --> 1:03:25.760
<v Speaker 2>many people around me to do this with me, that

1:03:25.800 --> 1:03:29.440
<v Speaker 2>there is when you do it with all these people

1:03:29.480 --> 1:03:31.760
<v Speaker 2>all these years, you feel some sort of sense of

1:03:31.800 --> 1:03:39.560
<v Speaker 2>responsibility to them and to what you created. And yeah,

1:03:39.600 --> 1:03:42.560
<v Speaker 2>so every decision you make you kind of go, oh, wow, okay,

1:03:42.600 --> 1:03:45.080
<v Speaker 2>how is how is this decision you might want to

1:03:45.080 --> 1:03:50.120
<v Speaker 2>make for the person going to affect the hope, and

1:03:51.040 --> 1:03:52.600
<v Speaker 2>I deal with that a lot in my life.

1:03:53.520 --> 1:03:55.720
<v Speaker 1>So when did you realize you were smarter than the

1:03:55.800 --> 1:03:56.560
<v Speaker 1>average beer?

1:04:01.160 --> 1:04:04.160
<v Speaker 2>Well, I don't know. I think it was I learned

1:04:04.160 --> 1:04:07.600
<v Speaker 2>how to do the quadratic formula pretty quickly in high school.

1:04:08.880 --> 1:04:11.920
<v Speaker 2>I still know it. You can thank my math teacher,

1:04:12.000 --> 1:04:14.000
<v Speaker 2>Joe Hollander for that, because he would give us a

1:04:14.040 --> 1:04:17.600
<v Speaker 2>pop quiz on it and if we got it right,

1:04:17.800 --> 1:04:20.800
<v Speaker 2>we would get the equivalent to an A on a test.

1:04:21.440 --> 1:04:24.760
<v Speaker 2>So I knew the quadratic formula just it's X equals

1:04:24.880 --> 1:04:28.080
<v Speaker 2>negative B plus or minus the square root of A

1:04:28.240 --> 1:04:31.640
<v Speaker 2>squared minus four a C all over two A. That's

1:04:31.680 --> 1:04:35.040
<v Speaker 2>the quadratic formula. And I knew the protagon. Riam there,

1:04:35.120 --> 1:04:36.560
<v Speaker 2>but I can't say it right now. I didn't know,

1:04:38.160 --> 1:04:40.080
<v Speaker 2>but it was a round. I don't know, but I

1:04:40.120 --> 1:04:42.080
<v Speaker 2>didn't know that I was smarter than the average Joe,

1:04:42.120 --> 1:04:44.640
<v Speaker 2>I don't know that I am now or not, but

1:04:44.840 --> 1:04:52.560
<v Speaker 2>you definitely are, yeah, but I am. I don't know.

1:04:52.800 --> 1:04:54.920
<v Speaker 2>I think that when I went on the road and

1:04:54.960 --> 1:04:58.160
<v Speaker 2>I started to really dive into because there was a

1:04:58.200 --> 1:05:03.640
<v Speaker 2>moment where when I first got started. There was years. Honestly,

1:05:03.680 --> 1:05:05.760
<v Speaker 2>when I first got started that I was just trying

1:05:05.800 --> 1:05:08.000
<v Speaker 2>to do whatever made sense. I was. I just wanted

1:05:08.080 --> 1:05:10.800
<v Speaker 2>my songs on the radio. Everybody was trying to be

1:05:11.040 --> 1:05:14.720
<v Speaker 2>a B and C version of George Strait, and I

1:05:14.800 --> 1:05:20.000
<v Speaker 2>was right in there with them. But I still felt

1:05:20.200 --> 1:05:22.960
<v Speaker 2>like it was when I would go up there on

1:05:23.040 --> 1:05:26.520
<v Speaker 2>stage and I don't know, I was wearing a belt

1:05:26.600 --> 1:05:29.120
<v Speaker 2>buckle and I had these jeans, these certain genes on,

1:05:29.160 --> 1:05:32.880
<v Speaker 2>you know, and I'm going it felt so disingenuous, right,

1:05:32.960 --> 1:05:35.320
<v Speaker 2>and I was, I don't know. And then there was

1:05:35.360 --> 1:05:38.360
<v Speaker 2>ways that I wanted to create around us the the

1:05:39.760 --> 1:05:42.280
<v Speaker 2>I don't know if this is the answer to me

1:05:42.600 --> 1:05:45.320
<v Speaker 2>being smarter than the average Joe, but I felt very creative.

1:05:45.600 --> 1:05:48.920
<v Speaker 2>And I saw everybody was doing their show, and it's

1:05:48.960 --> 1:05:51.760
<v Speaker 2>a lot like I guess having kids and being a parent,

1:05:52.200 --> 1:05:55.640
<v Speaker 2>Like you don't I don't know how to be a parent,

1:05:56.000 --> 1:05:58.600
<v Speaker 2>but I know what not to do, I think. And

1:05:59.080 --> 1:06:02.520
<v Speaker 2>so when I was trying to create my show, I'd

1:06:02.560 --> 1:06:05.560
<v Speaker 2>watched how everybody did it that I didn't like, and

1:06:05.600 --> 1:06:07.920
<v Speaker 2>I was making mental notes. I was going, Okay, I

1:06:07.960 --> 1:06:10.240
<v Speaker 2>don't want that, And then I would see things that

1:06:10.280 --> 1:06:12.280
<v Speaker 2>I loved. One, Oh wow, if I ever get to

1:06:12.320 --> 1:06:14.280
<v Speaker 2>do this. I'm gonna remember just a version of that

1:06:14.320 --> 1:06:17.520
<v Speaker 2>and make it my own. And that's it was. I

1:06:17.520 --> 1:06:22.800
<v Speaker 2>guess around then when I started to go, yeah, maybe

1:06:22.840 --> 1:06:24.160
<v Speaker 2>I think differently than some people.

1:06:25.600 --> 1:06:30.240
<v Speaker 1>So let's assume you know, you're at depth's door, hopefully

1:06:30.440 --> 1:06:33.680
<v Speaker 1>you know, forty odd years from now, and it turns

1:06:33.720 --> 1:06:37.240
<v Speaker 1>out you never got married, you never had children. When

1:06:37.240 --> 1:06:39.160
<v Speaker 1>you say, well, listen, I can't have it all. I

1:06:39.240 --> 1:06:43.400
<v Speaker 1>dedicated myself to my career, really worked out. Or are

1:06:43.440 --> 1:06:45.160
<v Speaker 1>you going to say, fuck, I miss something.

1:06:46.240 --> 1:06:47.920
<v Speaker 2>I don't think I'll say I miss something. I think

1:06:47.960 --> 1:06:52.200
<v Speaker 2>everybody's on a different journey. I think everybody is. I

1:06:52.680 --> 1:06:54.680
<v Speaker 2>sincerely hope I get married and have kid one day.

1:06:54.720 --> 1:06:57.800
<v Speaker 2>I really do, because it would be really strange to

1:06:58.600 --> 1:07:01.760
<v Speaker 2>build this and not share it with someone and let

1:07:01.960 --> 1:07:05.120
<v Speaker 2>you know, give it to someone, you know, just I

1:07:05.160 --> 1:07:08.960
<v Speaker 2>don't have them give it to you know. But yeah,

1:07:09.080 --> 1:07:12.640
<v Speaker 2>I really hope that happens. I am more available now

1:07:12.680 --> 1:07:15.520
<v Speaker 2>for that to happen. I wasn't available until four or

1:07:15.520 --> 1:07:20.520
<v Speaker 2>five years ago. And I look, I have not been

1:07:21.880 --> 1:07:24.080
<v Speaker 2>my mother And I say, I think I say this

1:07:24.160 --> 1:07:25.680
<v Speaker 2>in the book. I'm not sure if I do or not.

1:07:25.760 --> 1:07:28.840
<v Speaker 2>But my mother This was when I was first starting.

1:07:28.840 --> 1:07:31.120
<v Speaker 2>It was around two thousand and two, right when the

1:07:31.160 --> 1:07:34.720
<v Speaker 2>Nose Shoes album came out, and things were different. They

1:07:34.720 --> 1:07:38.760
<v Speaker 2>were just different. I've been on the road since, you know,

1:07:39.360 --> 1:07:42.560
<v Speaker 2>ten years earlier, with my band and crew, but I

1:07:42.600 --> 1:07:48.320
<v Speaker 2>was still available because I hadn't felt that that change yet.

1:07:48.960 --> 1:07:51.440
<v Speaker 2>So I was available to my mother, I was I

1:07:51.480 --> 1:07:54.400
<v Speaker 2>was available to my friends. But when all that changed,

1:07:54.840 --> 1:07:57.400
<v Speaker 2>I was like, oh wow, this is unbelievable, and that

1:07:57.640 --> 1:08:01.680
<v Speaker 2>that dream that I was dream and that I don't know.

1:08:01.720 --> 1:08:04.760
<v Speaker 2>It's this horniness to go and do all that and

1:08:04.800 --> 1:08:08.000
<v Speaker 2>do experience that what we've experienced, and meet our heroes

1:08:08.040 --> 1:08:10.480
<v Speaker 2>and collaborate with them. And the rush of the audience

1:08:10.600 --> 1:08:14.360
<v Speaker 2>and building your audience was all a part of it.

1:08:14.720 --> 1:08:16.720
<v Speaker 2>So it was all a part of this train that

1:08:16.840 --> 1:08:22.360
<v Speaker 2>was taking me away, right And my own mother came

1:08:22.479 --> 1:08:24.640
<v Speaker 2>up to me and she goes, I can't seem to

1:08:24.680 --> 1:08:30.759
<v Speaker 2>reach you. And you know what I did. I dismissed her.

1:08:31.479 --> 1:08:33.040
<v Speaker 2>And if you can do that to your own mother,

1:08:33.160 --> 1:08:37.800
<v Speaker 2>you could do it to anybody, anybody. I just wasn't available,

1:08:38.520 --> 1:08:41.479
<v Speaker 2>you know, because I I dismissed her because I couldn't

1:08:41.560 --> 1:08:44.840
<v Speaker 2>change it, because I was gone. I was gone on

1:08:44.880 --> 1:08:47.559
<v Speaker 2>this I was gone on this journey, and there was

1:08:47.840 --> 1:08:51.439
<v Speaker 2>nothing gonna there was nothing gonna pull me back. Nothing.

1:08:59.479 --> 1:09:02.320
<v Speaker 1>Before you started to really click, did you ever have

1:09:02.439 --> 1:09:04.320
<v Speaker 1>doubts say, well, maybe I should do something else.

1:09:06.880 --> 1:09:10.400
<v Speaker 2>No, but no, because I loved I truly believe that

1:09:10.479 --> 1:09:15.280
<v Speaker 2>I was born to do this. I get asked a lot.

1:09:15.560 --> 1:09:17.120
<v Speaker 2>I would like to go back and say, now, me

1:09:17.120 --> 1:09:21.160
<v Speaker 2>and my mother have ironed all that out. Shit. I mean,

1:09:21.160 --> 1:09:23.080
<v Speaker 2>my mother, as you can read in the book, is

1:09:23.120 --> 1:09:25.479
<v Speaker 2>the lot of my life. But that was hard, you know,

1:09:25.600 --> 1:09:29.680
<v Speaker 2>But that just shows you how unavailable I have been

1:09:30.280 --> 1:09:32.960
<v Speaker 2>to certain things in my life at the you know,

1:09:33.600 --> 1:09:36.160
<v Speaker 2>for the greater good of just being this person. And

1:09:37.720 --> 1:09:39.920
<v Speaker 2>the answer to your question at forty years from now,

1:09:40.000 --> 1:09:43.439
<v Speaker 2>whenever I'm at death's door, I mean, I'm going to say, wow,

1:09:43.520 --> 1:09:45.920
<v Speaker 2>that was fun. That was a lot of fun. And

1:09:45.960 --> 1:09:48.080
<v Speaker 2>I got to make music and I got to give

1:09:48.120 --> 1:09:49.559
<v Speaker 2>it to people, and I got to give that to

1:09:49.600 --> 1:09:51.879
<v Speaker 2>the world, and I got to create with my heroes.

1:09:52.320 --> 1:09:58.160
<v Speaker 2>I got to know them. But I think everybody has that.

1:09:58.280 --> 1:10:02.280
<v Speaker 2>I think everybody has their own. I'm a big believer

1:10:02.360 --> 1:10:05.960
<v Speaker 2>in the universe big and I think everybody's got their

1:10:05.960 --> 1:10:09.080
<v Speaker 2>own path. Everybody's on different paths. You know. I talk

1:10:09.160 --> 1:10:11.840
<v Speaker 2>about that specific thing in the book when I the

1:10:11.920 --> 1:10:14.559
<v Speaker 2>night I wrote beer in Mexico. Okay, well, I'm thirty six.

1:10:15.000 --> 1:10:18.000
<v Speaker 2>Most thirty six year olds have maybe have two kids. Here.

1:10:18.080 --> 1:10:21.120
<v Speaker 2>I am a little buzzed at Sammy Hagar's pool he

1:10:21.200 --> 1:10:25.200
<v Speaker 2>got for us writing a song. It just played, So

1:10:25.240 --> 1:10:28.240
<v Speaker 2>my life was different. I just played Sammy Hagar's birthday party.

1:10:28.640 --> 1:10:31.680
<v Speaker 2>I don't have two kids, but I have this amazing experience,

1:10:32.320 --> 1:10:34.840
<v Speaker 2>and so no, I don't think i'll have that. I

1:10:34.840 --> 1:10:37.000
<v Speaker 2>hope I don't have that. Oh I wish I hadn't

1:10:37.040 --> 1:10:40.080
<v Speaker 2>done this because I really got to do this and

1:10:40.240 --> 1:10:45.679
<v Speaker 2>that is special. And but yeah, I mean I think

1:10:45.920 --> 1:10:48.000
<v Speaker 2>what's great for me now is I'm learning how to

1:10:48.000 --> 1:10:51.960
<v Speaker 2>be more available now in my life, and that's a

1:10:51.960 --> 1:10:52.360
<v Speaker 2>good thing.

1:10:53.880 --> 1:10:57.679
<v Speaker 1>So you're a smart guy. I didn't realize how smart

1:10:57.720 --> 1:11:03.640
<v Speaker 1>you were till today. You have a Southern accent. Yeah,

1:11:03.720 --> 1:11:06.640
<v Speaker 1>every Southern accent a little bit different. A lot of

1:11:06.680 --> 1:11:10.560
<v Speaker 1>people in the North look down on people with accents.

1:11:11.080 --> 1:11:14.240
<v Speaker 1>By the same token, you're very successful in the Boston

1:11:14.320 --> 1:11:18.160
<v Speaker 1>area and other places in the Northeast. What the people

1:11:18.240 --> 1:11:20.599
<v Speaker 1>in the North. Not get about the South.

1:11:22.000 --> 1:11:26.280
<v Speaker 2>Oh, I don't know. I don't know. I can't speak

1:11:26.360 --> 1:11:28.639
<v Speaker 2>to that really because I swear to God. I mean

1:11:31.640 --> 1:11:36.160
<v Speaker 2>maybe it was because of my Virgin Islands connection, but

1:11:37.360 --> 1:11:40.400
<v Speaker 2>the Six States of New England has always been an

1:11:40.479 --> 1:11:43.320
<v Speaker 2>unbelievable place for us to play music. And the audience

1:11:43.439 --> 1:11:49.000
<v Speaker 2>is just insane there. I think there's the only difference

1:11:49.000 --> 1:11:51.000
<v Speaker 2>between me and the audience there and a lot of

1:11:51.040 --> 1:11:53.200
<v Speaker 2>people that live in New England is the accent. I

1:11:53.240 --> 1:11:57.240
<v Speaker 2>say that in the book. I mean the people, their

1:11:57.280 --> 1:12:00.280
<v Speaker 2>work ethic is insane. They love sports, they love food,

1:12:00.439 --> 1:12:02.720
<v Speaker 2>they love family, and that's a lot. I mean, it's

1:12:02.760 --> 1:12:07.880
<v Speaker 2>everything I grew up on and for I don't know.

1:12:07.960 --> 1:12:10.240
<v Speaker 2>I can't speak to everybody else, but for us it's

1:12:10.320 --> 1:12:13.240
<v Speaker 2>just been it's been such a strong connection, and I

1:12:13.280 --> 1:12:15.600
<v Speaker 2>don't think they look at it north or South. For me.

1:12:16.400 --> 1:12:19.640
<v Speaker 2>They made for some. I mean, look, if you got

1:12:19.640 --> 1:12:23.519
<v Speaker 2>a bunch of corny songs, maybe you know what I mean.

1:12:25.800 --> 1:12:30.639
<v Speaker 2>I think speaking of corny songs, like the only station

1:12:30.720 --> 1:12:34.000
<v Speaker 2>in America when it was out that didn't play she

1:12:34.040 --> 1:12:37.679
<v Speaker 2>thinks my Tractor Sexy was the Boston Country radio statements.

1:12:38.240 --> 1:12:41.400
<v Speaker 2>It's not for us it's not for us. You fast

1:12:41.439 --> 1:12:44.240
<v Speaker 2>forward two years after the song had peaked. I think

1:12:44.240 --> 1:12:47.320
<v Speaker 2>it peaked at twelve something like that. It wasn't even

1:12:47.360 --> 1:12:52.760
<v Speaker 2>a top ten record. Two years later, I'm playing the

1:12:52.800 --> 1:12:57.040
<v Speaker 2>big beautiful theater in downtown Boston. We hadn't we hadn't

1:12:57.439 --> 1:13:00.559
<v Speaker 2>graduated to arenas yet, but we're playing a big theater

1:13:00.640 --> 1:13:03.599
<v Speaker 2>in downtown Boston. It's packed, and I go into Tractor

1:13:03.680 --> 1:13:08.479
<v Speaker 2>and the place comes unglued right well. Jenny Brofy and

1:13:08.520 --> 1:13:13.320
<v Speaker 2>Mike Brophy, who ran the Boston radio station at the time,

1:13:13.800 --> 1:13:16.200
<v Speaker 2>were in the audience and they went, well, how are

1:13:16.200 --> 1:13:21.240
<v Speaker 2>they hearing this? Because this is before streaming, This is

1:13:21.280 --> 1:13:25.200
<v Speaker 2>before you could you could listen to anything by anybody

1:13:25.240 --> 1:13:29.160
<v Speaker 2>at any moment that you wanted to. So back then,

1:13:29.280 --> 1:13:30.880
<v Speaker 2>the only way you heard it is if you were

1:13:31.320 --> 1:13:32.920
<v Speaker 2>if you heard it on the radio, or heard it

1:13:32.960 --> 1:13:35.759
<v Speaker 2>on an album cut, if you bought the record. And

1:13:36.280 --> 1:13:40.000
<v Speaker 2>the next Monday and one of the one of the

1:13:41.360 --> 1:13:43.120
<v Speaker 2>one of the surfaces where it was bill Boarder or

1:13:43.280 --> 1:13:45.040
<v Speaker 2>you know, when R and R put out their magazine

1:13:45.080 --> 1:13:47.960
<v Speaker 2>or whatever they called in the add and she thinks

1:13:48.000 --> 1:13:52.080
<v Speaker 2>my tractor sexty two years after and they said in

1:13:52.240 --> 1:13:54.799
<v Speaker 2>big letters, you probably find it. They said, the panel

1:13:54.880 --> 1:14:01.559
<v Speaker 2>is finally closed. And that's our joke. I mean, for years,

1:14:01.600 --> 1:14:04.680
<v Speaker 2>you know so so, but but I get what you're saying, like,

1:14:05.040 --> 1:14:07.479
<v Speaker 2>if you come with songs like that over and over again,

1:14:07.560 --> 1:14:12.480
<v Speaker 2>there will be some sort of a disconnect regionally. But

1:14:12.479 --> 1:14:15.200
<v Speaker 2>but thank god, there was more to me than that. Uh.

1:14:15.560 --> 1:14:20.800
<v Speaker 2>Anderson Cooper. Anderson Cooper's first segment that he ever did

1:14:20.840 --> 1:14:24.599
<v Speaker 2>on Sixty Minutes was on me and he brought that up.

1:14:24.640 --> 1:14:26.519
<v Speaker 2>He goes, well, tell me tell me about she thinks

1:14:26.520 --> 1:14:29.479
<v Speaker 2>my tractor sex. And I told Anderson, I said, well,

1:14:29.520 --> 1:14:31.600
<v Speaker 2>I was smart enough to record it, and I was

1:14:31.640 --> 1:14:39.160
<v Speaker 2>smart enough to not record it again. So because for him,

1:14:39.240 --> 1:14:42.040
<v Speaker 2>you know, his mom being Gloria Vanderbilt and his whole

1:14:42.240 --> 1:14:45.240
<v Speaker 2>you know, New York lifestyle, he did not understand.

1:14:46.320 --> 1:14:55.160
<v Speaker 5>So, so, who is the coolest, most pinch me moment

1:14:55.320 --> 1:14:56.600
<v Speaker 5>person you've met?

1:14:59.479 --> 1:15:11.479
<v Speaker 2>Oh? Wow, that's a hard one. Hmm. One of the

1:15:11.479 --> 1:15:14.519
<v Speaker 2>coolest people that I met, only because and look, I

1:15:14.600 --> 1:15:19.720
<v Speaker 2>didn't realize the genius. There's two people I'm going to

1:15:19.760 --> 1:15:23.120
<v Speaker 2>tell you. I didn't realize the genius of Bob Marley

1:15:23.120 --> 1:15:25.920
<v Speaker 2>and the Whalers until I got into college. Like going

1:15:25.960 --> 1:15:30.040
<v Speaker 2>back to that point on tractor, you heard what you

1:15:30.080 --> 1:15:32.320
<v Speaker 2>were given, right. So we didn't hear Bob Marley and

1:15:32.360 --> 1:15:34.800
<v Speaker 2>the Way There's in East Tennessee. I didn't hear that

1:15:34.920 --> 1:15:37.719
<v Speaker 2>music until I went to college at East Tennessee State,

1:15:38.640 --> 1:15:42.600
<v Speaker 2>and so I was. I just loved it. It was

1:15:42.640 --> 1:15:45.400
<v Speaker 2>the most universe. I felt like, Wow, this is really

1:15:45.400 --> 1:15:48.600
<v Speaker 2>aspiring and it's all about love and positive energy. And

1:15:49.920 --> 1:15:54.720
<v Speaker 2>I don't know. Years later, I got to collaborate with

1:15:54.800 --> 1:15:57.919
<v Speaker 2>Junior Marvin and family Man bear Ashton, family man Beartt.

1:15:58.120 --> 1:16:01.120
<v Speaker 2>I sat on the beach with the family man Barrett

1:16:01.160 --> 1:16:04.759
<v Speaker 2>we were doing the video. I talked those guys, Junior

1:16:04.800 --> 1:16:06.880
<v Speaker 2>Marvin and family Man and some of the other guys

1:16:06.880 --> 1:16:08.640
<v Speaker 2>that were in the whalers to do the video for

1:16:08.760 --> 1:16:11.040
<v Speaker 2>me on the north to do the video with me

1:16:11.520 --> 1:16:13.519
<v Speaker 2>on the North shore in Jamaica. One night. It was

1:16:13.520 --> 1:16:15.439
<v Speaker 2>for the song Everybody wants to go to Heaven, but

1:16:15.479 --> 1:16:20.960
<v Speaker 2>nobody wants to go now. And we were done with

1:16:21.080 --> 1:16:23.479
<v Speaker 2>the video and me and family Man said right there

1:16:23.520 --> 1:16:26.040
<v Speaker 2>on the beach and talked about Bob's life, how they

1:16:26.120 --> 1:16:29.040
<v Speaker 2>met each other, and family Man said something that I

1:16:29.120 --> 1:16:31.680
<v Speaker 2>take with me to this day. He goes, Reggae and

1:16:31.720 --> 1:16:34.439
<v Speaker 2>country are cousins. He goes, they tell it like it

1:16:34.560 --> 1:16:38.160
<v Speaker 2>is and uncut and that's I went, Wow, what a

1:16:38.240 --> 1:16:42.720
<v Speaker 2>great what a great thing to share with me. But Bob,

1:16:42.760 --> 1:16:46.000
<v Speaker 2>we sat there on the beach and I have it recorded.

1:16:46.080 --> 1:16:48.320
<v Speaker 2>I'll send it to you. That I asked him if

1:16:48.320 --> 1:16:52.600
<v Speaker 2>I could record it. He said yeah, And that was

1:16:52.640 --> 1:16:54.320
<v Speaker 2>one of the coolest things that's ever happened to me,

1:16:54.360 --> 1:16:56.000
<v Speaker 2>and one of the coolest people that I ever met.

1:16:56.560 --> 1:16:58.599
<v Speaker 2>And just to sit there and talk to him about

1:16:58.600 --> 1:17:00.760
<v Speaker 2>his life and about what it was like, you know,

1:17:01.960 --> 1:17:03.879
<v Speaker 2>with him and Bob when they were just getting started

1:17:03.920 --> 1:17:07.080
<v Speaker 2>and everything they went through, and it just goes to

1:17:07.160 --> 1:17:11.439
<v Speaker 2>show you, like we all come from different places. We all,

1:17:12.240 --> 1:17:15.639
<v Speaker 2>like I said earlier, have different political beliefs, different religious beliefs.

1:17:16.000 --> 1:17:18.000
<v Speaker 2>And that's no more evident evident than being on the

1:17:18.080 --> 1:17:20.880
<v Speaker 2>road with over one hundred people. Right, they all didn't

1:17:20.920 --> 1:17:23.800
<v Speaker 2>go to Cedar four Baptist Church and electoral Tennessee, Right,

1:17:23.880 --> 1:17:25.760
<v Speaker 2>they have. So when you go out there on the road,

1:17:25.760 --> 1:17:32.439
<v Speaker 2>you you get you get to see a lot of things,

1:17:32.479 --> 1:17:34.080
<v Speaker 2>and you get to meet a lot of people who

1:17:34.120 --> 1:17:39.160
<v Speaker 2>are just so so their heart is unbelievable and what

1:17:39.200 --> 1:17:42.200
<v Speaker 2>that tell What that told me? And in collaborating with

1:17:42.240 --> 1:17:47.840
<v Speaker 2>them and with you, look into the audience and all

1:17:47.880 --> 1:17:49.880
<v Speaker 2>of it. We all come from different places, but we

1:17:50.000 --> 1:17:54.479
<v Speaker 2>play the same notes. We really do. And that's what

1:17:54.560 --> 1:17:56.680
<v Speaker 2>I learned from family man Bearrack. But we couldn't be

1:17:56.720 --> 1:17:59.840
<v Speaker 2>more different. But we loved each other. And I felt

1:17:59.880 --> 1:18:02.000
<v Speaker 2>the same way with Bruce. The first time I met Bruce,

1:18:02.000 --> 1:18:04.240
<v Speaker 2>I thought he was the coolest person ever. We played

1:18:04.280 --> 1:18:09.519
<v Speaker 2>in Holmedewe, New Jersey at the Amphitheater there and I

1:18:09.560 --> 1:18:12.679
<v Speaker 2>get a call from Louis Messina and Louis goes, Bruce

1:18:12.680 --> 1:18:15.679
<v Speaker 2>Springsteen's want to come to your show tonight. I went, yeah, whatever, Louie,

1:18:16.640 --> 1:18:23.559
<v Speaker 2>and he drove to the show on his motorcycle and we,

1:18:24.320 --> 1:18:27.040
<v Speaker 2>I mean literally, somebody's knocking on the bus door and

1:18:27.120 --> 1:18:29.479
<v Speaker 2>I'm looking out and it's really Bruce, you know. And

1:18:29.520 --> 1:18:32.480
<v Speaker 2>he comes up and we get we say our pleasantries,

1:18:32.560 --> 1:18:37.160
<v Speaker 2>we say hello, and and it was time for me

1:18:37.200 --> 1:18:40.759
<v Speaker 2>to go on stage. And my rod manager David, walked

1:18:40.800 --> 1:18:42.840
<v Speaker 2>Bruce to the front of house sound mix and he,

1:18:42.920 --> 1:18:45.479
<v Speaker 2>I mean it was he felt very comfortable there. And

1:18:45.479 --> 1:18:47.120
<v Speaker 2>he walked out to the front of house board and

1:18:47.160 --> 1:18:51.360
<v Speaker 2>watched our show and at the time we had I

1:18:51.400 --> 1:18:53.360
<v Speaker 2>had a horn section. I thought I felt like I

1:18:53.400 --> 1:18:55.080
<v Speaker 2>was wanting to be different and I had a horn section.

1:18:55.200 --> 1:18:58.320
<v Speaker 2>So I had Jim Horn, the famous saxophone player, and

1:18:58.880 --> 1:19:01.360
<v Speaker 2>I had the trumpet. I had the whole thing. And

1:19:02.880 --> 1:19:05.400
<v Speaker 2>Bruce came back on the bus after the show and

1:19:06.200 --> 1:19:08.639
<v Speaker 2>he was he just loved that we had Jim Horn

1:19:08.720 --> 1:19:12.719
<v Speaker 2>in the band. He couldn't believe it. But we sat

1:19:12.720 --> 1:19:15.200
<v Speaker 2>there and talked for almost two hours, and that was

1:19:15.240 --> 1:19:17.280
<v Speaker 2>one of the coolest experiences ever. And he was so

1:19:17.560 --> 1:19:21.759
<v Speaker 2>humble and real and I and you hope, you really

1:19:21.800 --> 1:19:24.519
<v Speaker 2>hope that when and I felt this way about Jimmy

1:19:24.520 --> 1:19:27.920
<v Speaker 2>Buffett too, Like you you build up in your head

1:19:27.920 --> 1:19:30.479
<v Speaker 2>before you meet your heroes who you think they are.

1:19:32.960 --> 1:19:35.479
<v Speaker 2>And when I met Jimmy. I met Jimmy at the

1:19:35.520 --> 1:19:38.599
<v Speaker 2>Four Seasons in a cabana in Vegas. He was out

1:19:38.640 --> 1:19:40.719
<v Speaker 2>hanging out by the pool with a guy named Mick Ramos,

1:19:40.720 --> 1:19:42.479
<v Speaker 2>and he was reading the Wall Street Journal and he

1:19:42.640 --> 1:19:46.760
<v Speaker 2>was just he was so cool and wonderful to me.

1:19:47.000 --> 1:19:50.080
<v Speaker 2>But he exceeded what I had built up in my head.

1:19:50.439 --> 1:19:53.439
<v Speaker 2>Bruce was the same way. I mean, he he sat

1:19:53.479 --> 1:19:57.800
<v Speaker 2>on the bus and we talked about songwriting and you know,

1:19:57.880 --> 1:19:59.800
<v Speaker 2>and it was just amazing to hear it this come

1:19:59.840 --> 1:20:02.360
<v Speaker 2>out out of his mouth. But he said, songwriting, you know,

1:20:02.439 --> 1:20:04.080
<v Speaker 2>you can write a song on a half a piece

1:20:04.080 --> 1:20:07.720
<v Speaker 2>of paper, and you can put that song in a

1:20:07.800 --> 1:20:10.439
<v Speaker 2>drawer and you can come back to it two or

1:20:10.439 --> 1:20:12.160
<v Speaker 2>three years later and pull that song out of the

1:20:12.200 --> 1:20:14.519
<v Speaker 2>drawer and it'll still be there. He goes, Your life

1:20:14.600 --> 1:20:17.280
<v Speaker 2>isn't like that. Your life is way more fluid, So

1:20:17.360 --> 1:20:19.360
<v Speaker 2>pay attention to things that matter, is what What was

1:20:19.360 --> 1:20:22.120
<v Speaker 2>his point? But to get a life lesson like that

1:20:22.240 --> 1:20:24.360
<v Speaker 2>from the boss, it was like, wow, I mean this

1:20:24.439 --> 1:20:28.519
<v Speaker 2>is that was one one one of the coolest persons

1:20:28.560 --> 1:20:32.080
<v Speaker 2>and one of the coolest experiences that I had because honestly,

1:20:32.120 --> 1:20:33.760
<v Speaker 2>he didn't have to be there and he didn't have

1:20:33.840 --> 1:20:35.599
<v Speaker 2>to care enough to give me that advice.

1:20:38.000 --> 1:20:40.080
<v Speaker 1>Okay, you gotta go to dinner, I do.

1:20:40.960 --> 1:20:43.000
<v Speaker 4>I gotta go to talk to you.

1:20:43.280 --> 1:20:47.240
<v Speaker 2>Oh yeah, you've you've gotta go. Yeah right, Sorry, I

1:20:47.360 --> 1:20:47.880
<v Speaker 2>long winded.

1:20:47.920 --> 1:20:52.360
<v Speaker 1>I'm sorry, No, we could talk for you talk. I

1:20:52.439 --> 1:20:56.120
<v Speaker 1>love it. I love that you're so forthcoming and honest.

1:20:56.200 --> 1:20:58.559
<v Speaker 2>No, that's true. I love talking to you. Man, you

1:20:58.600 --> 1:21:01.519
<v Speaker 2>know that, like I've learned in my life that you're

1:21:01.560 --> 1:21:04.559
<v Speaker 2>an average of the five people you hang around the most, right,

1:21:05.160 --> 1:21:08.120
<v Speaker 2>So you don't get to have these conversations every day.

1:21:08.160 --> 1:21:09.599
<v Speaker 2>So I'm really enjoyed it.

1:21:09.920 --> 1:21:13.200
<v Speaker 1>Well, you know, listen, I'll just talk from myself. It's

1:21:13.280 --> 1:21:17.000
<v Speaker 1>not easy to find people on your wavelength, and when

1:21:17.080 --> 1:21:21.760
<v Speaker 1>you do, you can't shut up because it's so exciting

1:21:22.320 --> 1:21:24.439
<v Speaker 1>that someone's tuned into what you're saying.

1:21:24.840 --> 1:21:27.840
<v Speaker 2>No, I get it, I get it. I appreciate it, man,

1:21:27.880 --> 1:21:29.960
<v Speaker 2>I really do. And it was great met I have

1:21:30.120 --> 1:21:32.599
<v Speaker 2>seen I don't think I've seen you at all since

1:21:33.520 --> 1:21:34.280
<v Speaker 2>since it up that.

1:21:34.320 --> 1:21:36.080
<v Speaker 1>La Now I haven't rock.

1:21:36.200 --> 1:21:39.400
<v Speaker 2>Was there? We had a bunch of people, yeah, yeah, yeah, yeah,

1:21:39.760 --> 1:21:41.559
<v Speaker 2>I remember. I remember I walked off the bus and

1:21:41.600 --> 1:21:43.800
<v Speaker 2>walked through the hallway and there you were. You stuck

1:21:43.840 --> 1:21:44.880
<v Speaker 2>your hand out.

1:21:46.479 --> 1:21:51.960
<v Speaker 1>Absolutely listen, Kenny, it's been wonderful the book. Certainly, once

1:21:52.000 --> 1:21:55.120
<v Speaker 1>you get continue to Rule, you find its rhythm and

1:21:55.160 --> 1:21:59.320
<v Speaker 1>it's really honest because at first, taken out, it seems simple,

1:21:59.800 --> 1:22:03.800
<v Speaker 1>but that's because you're getting the essence and the essences

1:22:03.840 --> 1:22:06.960
<v Speaker 1>to go through. And you know, a lot of these

1:22:07.040 --> 1:22:09.280
<v Speaker 1>rock biographies if you read it okay, now, I know.

1:22:10.080 --> 1:22:12.960
<v Speaker 1>I read it and I was thinking about the messages,

1:22:13.000 --> 1:22:15.439
<v Speaker 1>and I was saying, yeah, you know what am I doing?

1:22:16.080 --> 1:22:19.640
<v Speaker 1>And you know, as they say, it's not only for

1:22:19.760 --> 1:22:21.280
<v Speaker 1>Kenny Chesney fans.

1:22:21.080 --> 1:22:24.880
<v Speaker 2>Well, I think it was more about you know, for me. Yes,

1:22:24.960 --> 1:22:27.759
<v Speaker 2>we talk about certain vignettes and snapshots of my journey

1:22:27.800 --> 1:22:30.000
<v Speaker 2>in my life, but if you pull back from all

1:22:30.040 --> 1:22:32.840
<v Speaker 2>of it, Bob, it truly is about the dream of

1:22:32.880 --> 1:22:35.920
<v Speaker 2>it all. And that's why in the beginning we have

1:22:35.960 --> 1:22:37.880
<v Speaker 2>to set the simple stuff up to see how far

1:22:38.160 --> 1:22:41.120
<v Speaker 2>this journey has taken me, you know, because yeah, I

1:22:41.160 --> 1:22:43.080
<v Speaker 2>mean I didn't know if I was ever going to

1:22:43.120 --> 1:22:45.599
<v Speaker 2>go past my county line. But these stories I'm telling

1:22:45.640 --> 1:22:48.519
<v Speaker 2>you about Ashton family, man, Barrett and Bruce, and I

1:22:48.560 --> 1:22:51.360
<v Speaker 2>mean I never saw that coming. I never would. You

1:22:51.360 --> 1:22:53.640
<v Speaker 2>don't know, the dream of stuff. So the book is

1:22:53.680 --> 1:22:55.320
<v Speaker 2>more about the dream of it all than it is

1:22:55.400 --> 1:22:59.000
<v Speaker 2>about the actual experiences. I'm proud of the experiences, but

1:22:59.120 --> 1:23:01.160
<v Speaker 2>this book, I mean, no matter what your dream is,

1:23:01.760 --> 1:23:04.719
<v Speaker 2>if it's music, if it's whatever it is, the lessons

1:23:04.720 --> 1:23:07.280
<v Speaker 2>are kind of the same. Just just just go do it.

1:23:07.320 --> 1:23:09.439
<v Speaker 2>You know. People ask me all the time for advice

1:23:09.479 --> 1:23:11.920
<v Speaker 2>and I'll leave you with this. But I get people

1:23:11.960 --> 1:23:14.800
<v Speaker 2>asking me for advice these new kids and whether they're

1:23:14.840 --> 1:23:18.240
<v Speaker 2>in the genre or whatever, and they ask me how

1:23:18.360 --> 1:23:21.680
<v Speaker 2>you know how to make it? And I'm going that

1:23:21.760 --> 1:23:24.479
<v Speaker 2>eternal voice in my head right there. I don't want

1:23:24.520 --> 1:23:26.439
<v Speaker 2>to tell them this because I'm thinking this to myself.

1:23:26.439 --> 1:23:31.280
<v Speaker 2>And I would never I would never deflate them at all.

1:23:31.920 --> 1:23:33.519
<v Speaker 2>But I'm thinking these guests, guys are never going to

1:23:33.600 --> 1:23:35.200
<v Speaker 2>make it because you don't do it to make it

1:23:35.560 --> 1:23:39.000
<v Speaker 2>in this world of celebrity, you know, these talent shows

1:23:39.000 --> 1:23:41.719
<v Speaker 2>on TV and people calling it is to a drives

1:23:41.720 --> 1:23:43.519
<v Speaker 2>me crazy. But you don't do it to make it.

1:23:43.600 --> 1:23:46.960
<v Speaker 2>You do it because it's what you do. And that's

1:23:47.000 --> 1:23:50.880
<v Speaker 2>why forty years from now or whenever the Good Lord

1:23:50.960 --> 1:23:55.960
<v Speaker 2>calls me home, I won't be that disappointed, you know,

1:23:56.040 --> 1:23:57.479
<v Speaker 2>because I got to do what I loved and I

1:23:57.520 --> 1:23:59.800
<v Speaker 2>got to I did it because it's what I do.

1:24:00.240 --> 1:24:03.679
<v Speaker 1>And well, just one point on that. Bob Dylan, who's

1:24:03.680 --> 1:24:06.439
<v Speaker 1>famous for obsic skating but drops truth here and there.

1:24:06.840 --> 1:24:09.280
<v Speaker 1>He was interviewed on it could have been sixty minutes

1:24:09.840 --> 1:24:12.759
<v Speaker 1>and he said, I don't tell my people my hopes

1:24:12.800 --> 1:24:16.280
<v Speaker 1>and dreams because they would laugh and they deride because

1:24:16.720 --> 1:24:20.200
<v Speaker 1>they have no idea how big and powerful they are.

1:24:20.840 --> 1:24:27.280
<v Speaker 2>Yeah that's right, Yeah, yeah, but it is. I don't

1:24:27.280 --> 1:24:30.240
<v Speaker 2>know when people ask me for advice like that, but

1:24:30.280 --> 1:24:33.720
<v Speaker 2>when they especially when they say that they make it

1:24:35.120 --> 1:24:37.040
<v Speaker 2>and yeah, look, I was the same kid, and I

1:24:37.080 --> 1:24:39.559
<v Speaker 2>wanted to make it. But at some point you go, wow,

1:24:39.680 --> 1:24:42.840
<v Speaker 2>I would be doing this on some level if I

1:24:42.880 --> 1:24:47.479
<v Speaker 2>didn't make it. If I wasn't this version of Kenny Chesney, right,

1:24:47.520 --> 1:24:49.840
<v Speaker 2>I would be doing it somewhere, maybe a holiday in

1:24:49.920 --> 1:24:50.720
<v Speaker 2>on a Thursday night.

1:24:50.840 --> 1:24:54.719
<v Speaker 1>Yeah. Yeah, but talking to you now, that's all fine.

1:24:54.760 --> 1:24:58.960
<v Speaker 1>In dandy Obviously, there was something deep inside you that

1:24:59.120 --> 1:25:02.799
<v Speaker 1>had to make whether it be in music or whatever,

1:25:03.160 --> 1:25:06.240
<v Speaker 1>whether it be you know, growing up with parents who

1:25:06.240 --> 1:25:10.599
<v Speaker 1>weren't together, growing up off the grid, you know, some

1:25:10.920 --> 1:25:14.880
<v Speaker 1>personal experience somewhere inside you had to say I'm special.

1:25:15.120 --> 1:25:16.559
<v Speaker 1>I have to leave my mark.

1:25:17.200 --> 1:25:22.760
<v Speaker 2>No, that's right. There was there was, and whatever that is,

1:25:22.800 --> 1:25:26.400
<v Speaker 2>it was fuel. I'm still figuring out what that was.

1:25:26.560 --> 1:25:28.320
<v Speaker 2>I said. If you ask me right now what that is,

1:25:28.400 --> 1:25:30.599
<v Speaker 2>I can't tell you. But it was fuel for sure.

1:25:30.720 --> 1:25:34.559
<v Speaker 2>Whatever that is, whether it was I wrote a song

1:25:34.560 --> 1:25:37.880
<v Speaker 2>about a girl in my persuasion class, ironically enough, at

1:25:37.880 --> 1:25:41.799
<v Speaker 2>East Tennessee State University. It was a Tuesday Thursday class

1:25:42.320 --> 1:25:44.040
<v Speaker 2>and there was a girl that sat beside me and

1:25:44.040 --> 1:25:46.080
<v Speaker 2>I was trying to persuade her to go out with me.

1:25:46.439 --> 1:25:48.320
<v Speaker 2>And it was the first song I ever wrote in

1:25:48.320 --> 1:25:50.760
<v Speaker 2>my life, and I went, I want to write her

1:25:50.760 --> 1:25:53.760
<v Speaker 2>a song, you know. So I did that and I

1:25:53.800 --> 1:25:55.559
<v Speaker 2>gave it to her on a Thursday and it split

1:25:55.600 --> 1:26:02.679
<v Speaker 2>it across the table. So I had to wait all weekend, okay, Friday, Saturday, Sunday, Monday,

1:26:03.320 --> 1:26:05.640
<v Speaker 2>and then to go back into class on Tuesday to

1:26:05.640 --> 1:26:09.360
<v Speaker 2>see how she felt about it. Well, when I walked in,

1:26:09.479 --> 1:26:12.000
<v Speaker 2>she was sitting in the furthest corner she could possibly

1:26:12.040 --> 1:26:15.920
<v Speaker 2>sit for me, and I went, hmmm, I got my

1:26:15.960 --> 1:26:18.240
<v Speaker 2>songwriter has got to get a little bit better, you know. So,

1:26:18.280 --> 1:26:21.639
<v Speaker 2>whether it's that, that was my first taste of rejection

1:26:21.760 --> 1:26:24.760
<v Speaker 2>in the music business ever. And so whether it was

1:26:24.840 --> 1:26:27.880
<v Speaker 2>that or who whatever, it was, my humble upbringings, whatever

1:26:27.880 --> 1:26:31.920
<v Speaker 2>it was, it was fuel to do whatever, to keep

1:26:32.720 --> 1:26:34.240
<v Speaker 2>the drive, you know, keep going.

1:26:34.760 --> 1:26:39.840
<v Speaker 1>Okay, just one final philipathy. Did you ever talk to

1:26:39.880 --> 1:26:40.599
<v Speaker 1>the bull again?

1:26:42.360 --> 1:26:43.400
<v Speaker 2>No? I never did.

1:26:43.560 --> 1:26:45.639
<v Speaker 1>I never talked to.

1:26:45.600 --> 1:26:49.120
<v Speaker 2>The girl again, and I just decided, you know, I've

1:26:49.160 --> 1:26:52.080
<v Speaker 2>got it before I talked to her, Before I send

1:26:52.160 --> 1:26:53.880
<v Speaker 2>another girl a song, I've got to get a little

1:26:53.880 --> 1:26:54.280
<v Speaker 2>bit better.

1:26:55.040 --> 1:26:59.080
<v Speaker 1>Well, you certainly got a whole tone better. We've been talking,

1:26:59.080 --> 1:27:03.080
<v Speaker 1>Tony chesh. We're leaving a lot on the table, but

1:27:03.120 --> 1:27:04.240
<v Speaker 1>we got a lot there.

1:27:04.760 --> 1:27:07.000
<v Speaker 2>We'll go around to you one day, Bob, I love it.

1:27:07.240 --> 1:27:09.800
<v Speaker 1>Right, Okay, Kenny, you gotta go.

1:27:10.040 --> 1:27:12.800
<v Speaker 2>I gotta go, all right, man, until next time. I

1:27:12.840 --> 1:27:13.519
<v Speaker 2>really enjoyed it.

1:27:13.560 --> 1:27:15.559
<v Speaker 1>Oh man, it was great. Till next time. This is

1:27:15.640 --> 1:27:16.639
<v Speaker 1>Bob left sets