1 00:00:10,280 --> 00:00:13,200 Speaker 1: Kick us off. We're good. Yeah, we be turned out. 2 00:00:16,560 --> 00:00:18,119 Speaker 1: We're gonna keep it here, We're gonna keep it quick. 3 00:00:18,800 --> 00:00:19,360 Speaker 1: Already know what. 4 00:00:19,360 --> 00:00:21,360 Speaker 2: Time of their man bad Wood back stage? Man, you 5 00:00:21,360 --> 00:00:24,079 Speaker 2: dig what I'm saying, DC, Young Flizzle, eighty five South 6 00:00:24,120 --> 00:00:27,400 Speaker 2: and the Beautiful Poor minds us in the building. 7 00:00:28,040 --> 00:00:29,240 Speaker 1: Hey man, we got. 8 00:00:29,120 --> 00:00:33,120 Speaker 2: Us an icon, we got our legend, we got us 9 00:00:33,120 --> 00:00:34,480 Speaker 2: a real light man. 10 00:00:34,640 --> 00:00:38,159 Speaker 1: Listen, I'm talking about Beautiful just all the way. Well rid. 11 00:00:42,800 --> 00:00:47,479 Speaker 3: The biggest, the biggest, Like, what what's. 12 00:00:46,440 --> 00:00:53,319 Speaker 1: Up with you? Dream? Let me say congratulations. You got 13 00:00:53,360 --> 00:00:59,000 Speaker 1: the number one movie on starts. Both Eyes Opening. 14 00:00:58,800 --> 00:01:02,680 Speaker 3: On Stars, Harlem Is on Amazon, Crazy Snowfall got to spin. 15 00:01:02,480 --> 00:01:06,440 Speaker 1: Off, got a whole lot of ship taking over. So 16 00:01:06,520 --> 00:01:08,000 Speaker 1: act like, you know what the fuck going on? 17 00:01:11,840 --> 00:01:12,120 Speaker 3: Run man? 18 00:01:12,120 --> 00:01:14,520 Speaker 1: You know he the producer on the shout out to. 19 00:01:15,400 --> 00:01:25,880 Speaker 3: M money and that's you broke baby. Be a little 20 00:01:25,920 --> 00:01:28,600 Speaker 3: bit about the movie because it's like a thriller, and 21 00:01:28,840 --> 00:01:29,360 Speaker 3: we don't. 22 00:01:29,200 --> 00:01:31,440 Speaker 4: See a lot of you know, black women get to 23 00:01:31,440 --> 00:01:33,560 Speaker 4: do thriller movies. You know, they always want to slave, 24 00:01:34,840 --> 00:01:35,520 Speaker 4: you know what you know? 25 00:01:35,640 --> 00:01:37,360 Speaker 3: I think people really thought it was gonna be a 26 00:01:37,440 --> 00:01:39,840 Speaker 3: victim story because it's domestic violence. But then when it 27 00:01:39,920 --> 00:01:43,760 Speaker 3: turned to like overcoming trauma and being a psychological thriller, 28 00:01:43,840 --> 00:01:46,160 Speaker 3: it really hit some folks with like whoa, They didn't 29 00:01:46,160 --> 00:01:49,120 Speaker 3: know how it was going in I'm the Number One talk, 30 00:01:49,240 --> 00:01:51,920 Speaker 3: which was my very first number one, which I think 31 00:01:52,040 --> 00:01:54,760 Speaker 3: was a great opener to the Snowfall spin off because 32 00:01:54,800 --> 00:01:57,320 Speaker 3: being the number one on that shoutout to John Singleton, 33 00:01:57,520 --> 00:02:02,360 Speaker 3: RP and everybody involved, FX, Disney, Damson did everybody who 34 00:02:02,440 --> 00:02:05,840 Speaker 3: was in Snowfall Universe really held it down. I know 35 00:02:05,920 --> 00:02:10,920 Speaker 3: y'all still mad about Sissy. I'm sorry, y'all got to 36 00:02:10,919 --> 00:02:12,640 Speaker 3: try to understand what it would be like to be 37 00:02:12,680 --> 00:02:14,360 Speaker 3: a mama. 38 00:02:14,880 --> 00:02:21,200 Speaker 1: Oh, not understand you don't want to be man, it's 39 00:02:21,240 --> 00:02:24,280 Speaker 1: a beautiful thing. Is I want a couple? I wouldn't know. 40 00:02:24,320 --> 00:02:25,560 Speaker 1: I don't have no kids either. 41 00:02:25,560 --> 00:02:25,720 Speaker 4: Girl. 42 00:02:25,840 --> 00:02:28,320 Speaker 3: Shout out to my future maybe daddy husband loving my life? 43 00:02:29,000 --> 00:02:29,320 Speaker 4: Period. 44 00:02:31,120 --> 00:02:34,040 Speaker 3: Now we have to ask you because everybody always want 45 00:02:34,040 --> 00:02:34,960 Speaker 3: to know about p Valley. 46 00:02:35,000 --> 00:02:35,480 Speaker 1: So are we. 47 00:02:35,480 --> 00:02:38,720 Speaker 3: Getting a new season of p vlval is coming back? 48 00:02:38,919 --> 00:02:40,720 Speaker 1: You've already shot season three? 49 00:02:41,080 --> 00:02:45,160 Speaker 3: Oh it's pulling up with the blicky period? 50 00:02:46,960 --> 00:02:49,320 Speaker 1: What you know now? Now in this game? 51 00:02:49,400 --> 00:02:49,560 Speaker 3: Man? 52 00:02:50,600 --> 00:02:50,960 Speaker 1: Sorry? 53 00:02:54,120 --> 00:02:55,920 Speaker 2: Now, is that anybody you want to work with because 54 00:02:55,919 --> 00:02:57,480 Speaker 2: you know, as an actress man, you want to be 55 00:02:57,639 --> 00:03:00,000 Speaker 2: like in a put in a situation where they could 56 00:03:00,080 --> 00:03:01,320 Speaker 2: bring the best out of you. 57 00:03:01,360 --> 00:03:04,079 Speaker 3: Correct, do you think who is that? Who is that collapse? 58 00:03:04,200 --> 00:03:08,680 Speaker 3: You want black people? Are you want non black people? Okay? 59 00:03:08,680 --> 00:03:12,480 Speaker 3: I want to work with Cilia Murphy from Blinders. I 60 00:03:12,520 --> 00:03:14,760 Speaker 3: want to work with maryon Contilliar. I want to work 61 00:03:14,760 --> 00:03:17,320 Speaker 3: with Julianne Moore. Now if we go to the black folks, 62 00:03:17,560 --> 00:03:19,919 Speaker 3: who doesn't want to work with then zel? I want 63 00:03:19,919 --> 00:03:23,040 Speaker 3: to work with Jarell Jerome, Like there's I want to 64 00:03:23,040 --> 00:03:27,200 Speaker 3: work with Danielle Debt Waller again and again. There's so 65 00:03:27,400 --> 00:03:30,440 Speaker 3: many people I want to work with. So I mean 66 00:03:30,480 --> 00:03:31,520 Speaker 3: the listen is en listen. 67 00:03:31,360 --> 00:03:34,840 Speaker 1: And Tasha smill shit directed Tasha Smith is amazing. 68 00:03:34,880 --> 00:03:40,040 Speaker 3: She directed me in Harlem, that love bomb actress bomb director. 69 00:03:40,720 --> 00:03:43,040 Speaker 1: You're really from that life, like she's the. 70 00:03:43,000 --> 00:03:45,560 Speaker 2: One she'll talk to you like, look, look, do what 71 00:03:45,600 --> 00:03:49,960 Speaker 2: I want you to do because these motherfuckers don't understand. 72 00:03:50,000 --> 00:03:52,080 Speaker 3: We got tim motherfucking minutes to get the shots. Are 73 00:03:52,120 --> 00:03:54,480 Speaker 3: you even gonna do the ship? You ain't what it 74 00:03:54,600 --> 00:03:56,000 Speaker 3: is I need you to be coming from a bitch, 75 00:03:56,400 --> 00:03:59,000 Speaker 3: I've been there but it's soft and understands she's not 76 00:03:59,040 --> 00:04:01,960 Speaker 3: gonna break it down and like terms where we're just 77 00:04:02,040 --> 00:04:09,640 Speaker 3: trying to be politically correct situation. She's not gonna give 78 00:04:09,640 --> 00:04:11,240 Speaker 3: you twenty five takes to get that. Look, we got 79 00:04:11,240 --> 00:04:13,120 Speaker 3: two takes. You ain't gonna get this ship and were 80 00:04:13,120 --> 00:04:14,280 Speaker 3: moving on right exactly. 81 00:04:14,400 --> 00:04:16,040 Speaker 1: Yeah, but she donna give it to you to where 82 00:04:16,080 --> 00:04:17,320 Speaker 1: you understand in your term. 83 00:04:17,800 --> 00:04:20,000 Speaker 4: I think that makes it more comfortable though, when you're shooting, 84 00:04:20,040 --> 00:04:23,279 Speaker 4: so you feel like, Okay, this is not so uptight. Yeah, 85 00:04:23,960 --> 00:04:26,240 Speaker 4: so you really feel comfortable. So let us know what 86 00:04:26,279 --> 00:04:29,279 Speaker 4: you got coming up and all that good stuffs. 87 00:04:29,480 --> 00:04:32,960 Speaker 1: Girl Executive number one, it hasn't been in now she has. 88 00:04:33,000 --> 00:04:36,039 Speaker 3: I'm gonna get our little drop love. You're gonna catch 89 00:04:36,080 --> 00:04:40,039 Speaker 3: me in somebody video. They're from Atlanta and they're very, 90 00:04:40,279 --> 00:04:41,599 Speaker 3: very major artists. 91 00:04:42,400 --> 00:04:44,719 Speaker 1: That's what's up you have. 92 00:04:47,960 --> 00:04:53,720 Speaker 3: So you're also gonna catch me on stage. I'm doing theater. 93 00:04:53,800 --> 00:04:54,560 Speaker 3: That's my foundation. 94 00:04:54,920 --> 00:04:57,680 Speaker 1: Yea, in l A, we're gonna be at the guessing. 95 00:04:58,040 --> 00:05:01,000 Speaker 3: You're also gonna catch me in the snow fallspin off 96 00:05:02,120 --> 00:05:06,200 Speaker 3: number one on the car, she's so really pulling out 97 00:05:07,440 --> 00:05:09,719 Speaker 3: and it's a couple of other things. I'm executive producing 98 00:05:09,920 --> 00:05:11,120 Speaker 3: and producing and writing now. 99 00:05:11,160 --> 00:05:13,200 Speaker 1: So we got a little ship in the bag. Your 100 00:05:13,279 --> 00:05:17,599 Speaker 1: car La Cat, y'all don't know. I got a house 101 00:05:17,600 --> 00:05:18,000 Speaker 1: in Ghana. 102 00:05:18,000 --> 00:05:20,400 Speaker 3: So anybody who's trying to come to Africa, fuck with 103 00:05:20,400 --> 00:05:20,760 Speaker 3: the pimp. 104 00:05:21,400 --> 00:05:23,640 Speaker 1: We're gonna make sure that y'all is situated and straight 105 00:05:23,640 --> 00:05:24,080 Speaker 1: and good. 106 00:05:24,600 --> 00:05:27,320 Speaker 3: Just by your flight and you look in the jar 107 00:05:27,680 --> 00:05:29,040 Speaker 3: for the people who cleaned the house. 108 00:05:29,160 --> 00:05:31,560 Speaker 1: You ain't even got to pay Tony. I'm here now. 109 00:05:31,600 --> 00:05:39,760 Speaker 1: I'm gonna pull up African King and Prince again. 110 00:05:39,960 --> 00:05:43,600 Speaker 3: The first time I did was with poor Mind when 111 00:05:43,839 --> 00:05:45,039 Speaker 3: eighty five souven you wasn't dead. 112 00:05:45,080 --> 00:05:45,279 Speaker 2: I know. 113 00:05:46,800 --> 00:05:51,640 Speaker 1: It's okay. Now we keep we keep missing each other. 114 00:05:51,640 --> 00:05:53,560 Speaker 1: We both did a movie, but we will let it 115 00:05:53,640 --> 00:05:54,080 Speaker 1: don't come. 116 00:05:54,360 --> 00:05:56,960 Speaker 3: I'm gonna I gotta go see j I D. 117 00:05:57,080 --> 00:05:59,000 Speaker 1: She did show up to the East Side. But I 118 00:05:59,040 --> 00:06:06,960 Speaker 1: love y'all. Yeah,