1 00:00:00,160 --> 00:00:03,800 Speaker 1: Daniel, will get your present. Sorry, did you get your present? 2 00:00:04,000 --> 00:00:06,480 Speaker 1: We sent you a present, Daniel, did you get it? No, 3 00:00:06,840 --> 00:00:09,080 Speaker 1: we didn't send you a present. I sent you a present. 4 00:00:09,119 --> 00:00:12,840 Speaker 1: We did, we did it. Yeah, though we were sending 5 00:00:13,039 --> 00:00:23,400 Speaker 1: it all for you. You're an interloper. Well your door? 6 00:00:23,680 --> 00:00:26,759 Speaker 1: Did you get your set up yet? Zach? No, I don't. 7 00:00:26,920 --> 00:00:29,000 Speaker 1: I have to buy this piece of hardware that I 8 00:00:29,000 --> 00:00:31,120 Speaker 1: went on Amazon. It's not going to be for better 9 00:00:31,200 --> 00:00:32,920 Speaker 1: or for worse. It's not going to be here for 10 00:00:32,920 --> 00:00:36,000 Speaker 1: a minute. So you have some time to decide. You 11 00:00:36,040 --> 00:00:37,760 Speaker 1: have some time to decide if this is a bad 12 00:00:37,760 --> 00:00:41,040 Speaker 1: idea or not. Well, Danil showed me what I need. 13 00:00:41,080 --> 00:00:44,320 Speaker 1: I need this pad, this sample pad thing, and I 14 00:00:44,360 --> 00:00:46,920 Speaker 1: found one on Amazon, and the one that we both 15 00:00:47,000 --> 00:00:49,880 Speaker 1: said was perfect. You know, it wasn't coming right away. 16 00:00:49,880 --> 00:00:51,520 Speaker 1: It's like going to be like, you know, a couple 17 00:00:51,520 --> 00:00:55,240 Speaker 1: of weeks. Oh, a couple of weeks. Okay, it's funny 18 00:00:55,280 --> 00:00:58,560 Speaker 1: in two thousand and twenty one, and like you buy 19 00:00:58,640 --> 00:01:00,959 Speaker 1: something and they're like a couple weeks, why isn't it here? 20 00:01:01,040 --> 00:01:06,120 Speaker 1: Like prime, like the next day, why isn't here right now? Yeah, 21 00:01:06,160 --> 00:01:07,560 Speaker 1: so you have a couple of weeks to decide if 22 00:01:07,560 --> 00:01:09,160 Speaker 1: it was a horrible idea to get to turn your 23 00:01:09,200 --> 00:01:11,800 Speaker 1: key for that when they say when they say a 24 00:01:11,840 --> 00:01:14,080 Speaker 1: couple of weeks, you're like, I'm not pretty ordering this ship. 25 00:01:14,200 --> 00:01:16,080 Speaker 1: It should be here tomorrow. I know you're like a 26 00:01:16,080 --> 00:01:24,440 Speaker 1: couple of a mistake, right? Did I put it in wrong? Standard? 27 00:01:25,240 --> 00:01:29,440 Speaker 1: This thing on your explore tab on Instagram where women 28 00:01:29,480 --> 00:01:31,760 Speaker 1: aren't doing I don't know the song, but it's I 29 00:01:31,760 --> 00:01:35,839 Speaker 1: can this is the part I know, small waist, pretty 30 00:01:35,880 --> 00:01:40,160 Speaker 1: faced with a big bank. I know exactly what you're 31 00:01:40,200 --> 00:01:43,320 Speaker 1: talking about. Okay, listen, It's all of our Instagram and 32 00:01:43,440 --> 00:01:45,320 Speaker 1: I'm not on TikTok, so I imagine this is the 33 00:01:45,360 --> 00:01:48,720 Speaker 1: TikTok thing. And I imagine so you know, on TikTok 34 00:01:48,840 --> 00:01:53,120 Speaker 1: these folks do a dance, do dances right, and then 35 00:01:53,160 --> 00:01:55,440 Speaker 1: now it's coming onto the Instagram explore tab. I think 36 00:01:55,480 --> 00:01:58,120 Speaker 1: that people are just just copying these are putting them on, 37 00:01:58,200 --> 00:02:00,000 Speaker 1: or maybe the people who do the dance or doing it. 38 00:02:00,640 --> 00:02:04,760 Speaker 1: But this particular dance is we like it? Well, I'm 39 00:02:04,920 --> 00:02:07,600 Speaker 1: I have feelings about it because sometimes I mean like 40 00:02:07,680 --> 00:02:11,880 Speaker 1: you and I both don't mind it A nice tush 41 00:02:12,000 --> 00:02:16,560 Speaker 1: and the song seems to feature women bouncing their booties. Yes, 42 00:02:16,680 --> 00:02:20,400 Speaker 1: have you seen the silhouette challenge too? No? What's the 43 00:02:20,440 --> 00:02:23,679 Speaker 1: silhouette challenge? Oh, it's great. What's the song that they're 44 00:02:23,760 --> 00:02:27,600 Speaker 1: using for the silhouette challenge? It's like, it's like a 45 00:02:27,680 --> 00:02:35,600 Speaker 1: clover tower head on My show? And then so what 46 00:02:35,639 --> 00:02:38,240 Speaker 1: are they doing with the silhouette? So it starts off dude, 47 00:02:40,760 --> 00:02:47,560 Speaker 1: damn booty bo boo writing a girl standing there in 48 00:02:47,680 --> 00:02:50,839 Speaker 1: like some baggy outfit or something that's not revealing. She's 49 00:02:50,880 --> 00:02:56,720 Speaker 1: gonna transform. Then goes put your head on My show. 50 00:02:56,880 --> 00:02:58,920 Speaker 1: And when it goes to show like this, bass kicks 51 00:02:59,000 --> 00:03:02,040 Speaker 1: in and it turns real like modern and now the 52 00:03:02,720 --> 00:03:06,359 Speaker 1: clothes are off and the room turns red and it's 53 00:03:06,480 --> 00:03:09,400 Speaker 1: just a silhouette of the body. And some of them 54 00:03:09,440 --> 00:03:12,720 Speaker 1: were dope, some of them are really really funny. Some 55 00:03:12,800 --> 00:03:17,079 Speaker 1: of them want to do it. Someone don't get rid, 56 00:03:17,160 --> 00:03:19,639 Speaker 1: Like Tiffany Hattish got the best one, I think out 57 00:03:19,639 --> 00:03:22,040 Speaker 1: of all of them, with her in common where she's doing, 58 00:03:22,120 --> 00:03:24,400 Speaker 1: she does the whole thing, and then she shows her 59 00:03:24,400 --> 00:03:27,160 Speaker 1: curves and then Common comes in and then it gets 60 00:03:27,160 --> 00:03:30,240 Speaker 1: a little you know, Bridgerton on your Real quick you 61 00:03:30,280 --> 00:03:33,679 Speaker 1: know what I mean, Like steamy like that, and then 62 00:03:34,760 --> 00:03:36,520 Speaker 1: and she has on a wig during the whole thing, 63 00:03:36,520 --> 00:03:38,920 Speaker 1: and then she pulls it off and she's bald, and 64 00:03:38,920 --> 00:03:41,400 Speaker 1: then it pauses for a second. But I don't think 65 00:03:41,400 --> 00:03:46,920 Speaker 1: I wouldn't mind. Shoot Tiffany find it in the motherfucking dog. Well, 66 00:03:46,960 --> 00:03:49,840 Speaker 1: I gotta tell you, I this thing, this song is 67 00:03:49,840 --> 00:03:52,560 Speaker 1: in my head now and I'm found myself walking around 68 00:03:52,720 --> 00:03:55,840 Speaker 1: singing small ways pretty fast with a big bank. And 69 00:03:55,880 --> 00:03:58,600 Speaker 1: I had to google the big bank. I mean, I 70 00:03:58,680 --> 00:04:02,920 Speaker 1: get it from the video, but again, a big tush. Indeed, 71 00:04:03,000 --> 00:04:05,960 Speaker 1: what's the video that you're talking about? Well, all these 72 00:04:05,960 --> 00:04:08,680 Speaker 1: when you say, when you say big bank, you said 73 00:04:08,720 --> 00:04:10,640 Speaker 1: you get it from the video, but they're talking about 74 00:04:10,680 --> 00:04:12,800 Speaker 1: a big tush. Well, when they do their dance, there's 75 00:04:12,840 --> 00:04:14,839 Speaker 1: a choreography to it. I'll do it for you. Yeah, 76 00:04:14,960 --> 00:04:19,320 Speaker 1: I can't wait. You go like this, you go, you go, 77 00:04:19,360 --> 00:04:21,599 Speaker 1: you pull up your shirt and you go, small waist, 78 00:04:21,760 --> 00:04:24,800 Speaker 1: pretty face with a big bank, and then you then 79 00:04:24,839 --> 00:04:35,720 Speaker 1: you bounce it. Nailed it. I'm sorry you don't get 80 00:04:35,720 --> 00:04:40,560 Speaker 1: to see that, but it's glorious. I don't have enough. 81 00:04:40,680 --> 00:04:42,640 Speaker 1: I don't have enough bank. I guess I don't know. Well, no, 82 00:04:42,760 --> 00:04:45,800 Speaker 1: it bounced a little bit. Yeah, there was some change 83 00:04:45,839 --> 00:04:47,880 Speaker 1: in there with you got some change in the bank. 84 00:04:48,240 --> 00:04:50,400 Speaker 1: I was walking around my yard today, like turning it 85 00:04:50,440 --> 00:04:53,440 Speaker 1: into like an opera. It's like small face pretty with 86 00:04:53,600 --> 00:04:59,440 Speaker 1: a big bag. But the people that are doing it seriously, 87 00:04:59,560 --> 00:05:01,640 Speaker 1: I feel bad for them, Like, I mean, it's one 88 00:05:01,680 --> 00:05:04,000 Speaker 1: thing to spoof it and like be stupid about it. 89 00:05:04,040 --> 00:05:06,559 Speaker 1: But don't you think it's I don't know, there's people 90 00:05:06,600 --> 00:05:09,320 Speaker 1: doing it like showing off their I'm not. I guess 91 00:05:09,320 --> 00:05:11,480 Speaker 1: that's I guess it's the point. I guess it's the 92 00:05:11,520 --> 00:05:14,160 Speaker 1: point of your attention. If you get your attention by 93 00:05:14,240 --> 00:05:17,640 Speaker 1: showing you a big bank and you take it seriously, 94 00:05:18,000 --> 00:05:19,919 Speaker 1: good for you. Man. The girls all seem to do 95 00:05:19,920 --> 00:05:22,279 Speaker 1: a laugh like, oh, isn't this so silly that I 96 00:05:22,320 --> 00:05:24,080 Speaker 1: did this? You know I didn't add that to mine. 97 00:05:24,120 --> 00:05:27,159 Speaker 1: Let me add that long. Okay, you gotta part of 98 00:05:27,160 --> 00:05:28,760 Speaker 1: the thing is that you do a giggle, like I'm 99 00:05:28,800 --> 00:05:30,920 Speaker 1: not taking this seriously. This isn't so weird that we're 100 00:05:30,920 --> 00:05:40,080 Speaker 1: all doing I read small ways pretty safe, I added, 101 00:05:40,240 --> 00:05:42,080 Speaker 1: you guys didn't see if I added the laugh. I 102 00:05:42,120 --> 00:05:54,400 Speaker 1: can't believe I'm doing this. Oh, I've reached that please 103 00:05:54,520 --> 00:05:58,320 Speaker 1: never apologize. I've reached the level of quarantine where I'm 104 00:05:58,360 --> 00:06:04,360 Speaker 1: fucking doing TikTok videos from myself. Good good, Express yourself 105 00:06:04,440 --> 00:06:08,640 Speaker 1: with us, express yourself. Hey, hey, hey, let's get into 106 00:06:08,680 --> 00:06:10,400 Speaker 1: the show man, let's just get into the show. Is 107 00:06:10,520 --> 00:06:13,080 Speaker 1: there's your baby? Count us in. Welcome fans. We love you, 108 00:06:13,120 --> 00:06:14,839 Speaker 1: We're here for you. We're here to tell you some 109 00:06:14,920 --> 00:06:19,760 Speaker 1: funny stories. Donald count us in to America's favorite theme song. 110 00:06:19,960 --> 00:06:25,680 Speaker 1: Wait before we do that, channel Joe will Yeah, Hi, Hi, great, 111 00:06:25,720 --> 00:06:29,240 Speaker 1: it's going Yeah, we're great. It's going very well. Right on, 112 00:06:29,520 --> 00:06:35,080 Speaker 1: right on six seven, eight. Stories about show we made, 113 00:06:36,360 --> 00:06:47,479 Speaker 1: about a bunch of docs and nurses. Stories. Gather around here, 114 00:06:48,360 --> 00:06:59,560 Speaker 1: get around here. Happy Friday, Happy Friday to you, Happy Friday. 115 00:06:59,720 --> 00:07:03,600 Speaker 1: You know, no la restaurants outside. I've been realp And 116 00:07:03,680 --> 00:07:05,760 Speaker 1: how do we feel do we feel brave enough to 117 00:07:05,920 --> 00:07:10,560 Speaker 1: try to know? Not yet? I'm not eat because the idea, 118 00:07:10,720 --> 00:07:14,280 Speaker 1: the idea of going and sitting outside, if the tables 119 00:07:14,320 --> 00:07:18,360 Speaker 1: were spaced apart, is so enticing, isn't it to like 120 00:07:18,480 --> 00:07:21,480 Speaker 1: a little smidgeon of normalcy? I did it once at 121 00:07:21,520 --> 00:07:24,400 Speaker 1: the top of quarantine last year, and it was It 122 00:07:24,520 --> 00:07:26,600 Speaker 1: creaked me out. Like at first, I was like, oh 123 00:07:26,720 --> 00:07:28,680 Speaker 1: my gosh, just like back to regular, Like we were 124 00:07:28,720 --> 00:07:30,760 Speaker 1: maybe two months in and I was like, yeah, I'll 125 00:07:30,760 --> 00:07:33,360 Speaker 1: just like go with some friends. It's very spacious they 126 00:07:33,440 --> 00:07:35,640 Speaker 1: had and they were like really respecting all of the rules, 127 00:07:35,720 --> 00:07:38,480 Speaker 1: like it's like eight feet away, but then everybody has 128 00:07:38,520 --> 00:07:40,880 Speaker 1: their mass off and you has to know we're outside, 129 00:07:40,920 --> 00:07:42,640 Speaker 1: but still we know that. It hangs in the air 130 00:07:43,160 --> 00:07:46,320 Speaker 1: for like a full sixteen minutes and it's like it 131 00:07:46,880 --> 00:07:48,800 Speaker 1: and then the waiters are coming up and I feel 132 00:07:48,840 --> 00:07:53,120 Speaker 1: so bad. They're like shielded and masked and they're interacting 133 00:07:53,160 --> 00:07:55,080 Speaker 1: with all these people and they're touching cash, and I'm like, 134 00:07:55,160 --> 00:07:57,320 Speaker 1: this is not good. Like this, there's too many warning 135 00:07:57,400 --> 00:08:00,400 Speaker 1: signs every couple of minutes. It really freaked me out. Well, 136 00:08:00,440 --> 00:08:03,040 Speaker 1: there's a restaurant that Donald and I. There's that where 137 00:08:03,080 --> 00:08:04,640 Speaker 1: they have an outside. I'm not going to reveal it 138 00:08:04,640 --> 00:08:06,400 Speaker 1: because I don't want people blow up our spot. But 139 00:08:06,640 --> 00:08:09,320 Speaker 1: they do it in a very safe way. All the 140 00:08:09,400 --> 00:08:13,280 Speaker 1: tables are spaced, the waiters are in shield. You don't 141 00:08:13,360 --> 00:08:15,000 Speaker 1: you do a queue what do you call a q 142 00:08:15,440 --> 00:08:18,240 Speaker 1: R code for the menu? You don't you don't touch anything. 143 00:08:18,720 --> 00:08:21,920 Speaker 1: There's no cash it's credit cards only. Okay, I don't know. 144 00:08:22,240 --> 00:08:24,200 Speaker 1: I'm just I'm just sad. I'm probably not gonna do it, 145 00:08:24,240 --> 00:08:26,360 Speaker 1: but I got to be a second. It'll be It'll 146 00:08:26,360 --> 00:08:28,240 Speaker 1: be a second. I will say this, Joe, I don't 147 00:08:28,280 --> 00:08:30,320 Speaker 1: know about outside. If it hangs in the air like that, 148 00:08:30,440 --> 00:08:33,520 Speaker 1: I think breeze and things like that, and particles drop 149 00:08:33,640 --> 00:08:36,839 Speaker 1: when outside, I think when it's well, this is we 150 00:08:36,960 --> 00:08:39,679 Speaker 1: know that outside is one step better than inside, know 151 00:08:39,800 --> 00:08:42,400 Speaker 1: better than inside. So I don't want to put I 152 00:08:42,440 --> 00:08:44,360 Speaker 1: don't want to scare anybody. Because when you said that, 153 00:08:44,400 --> 00:08:46,559 Speaker 1: I was like, wait a second, sixteen minutes in the 154 00:08:46,640 --> 00:08:49,040 Speaker 1: air outside, how does that possible? It kind of freaked 155 00:08:49,080 --> 00:08:50,720 Speaker 1: me out a little bit, So I say, I mean 156 00:08:50,760 --> 00:08:53,200 Speaker 1: to freak you out. Donald's not even gonna go outside? 157 00:08:53,320 --> 00:08:57,040 Speaker 1: Well you should. You should definitely feel people much r 158 00:08:57,280 --> 00:08:59,440 Speaker 1: than I say. It's it's good outside, just wear your 159 00:08:59,480 --> 00:09:01,200 Speaker 1: mask and it's fine. But you can't keep your mask 160 00:09:01,280 --> 00:09:05,319 Speaker 1: on if you're eating. Well. Now, even they're saying, even out, 161 00:09:05,520 --> 00:09:08,559 Speaker 1: they're saying, as long as you maintain say, pretend like 162 00:09:08,679 --> 00:09:11,640 Speaker 1: everybody has it right, and pretend like you have it obviously, 163 00:09:12,040 --> 00:09:14,120 Speaker 1: and so keep your keep your mask on. But if 164 00:09:14,160 --> 00:09:19,360 Speaker 1: you maintain, if you maintain the social distancing, it's okay 165 00:09:19,440 --> 00:09:22,520 Speaker 1: to run around with you know, exercise without your mask on, 166 00:09:23,360 --> 00:09:26,720 Speaker 1: you know, in areas where people are as long as 167 00:09:26,760 --> 00:09:29,839 Speaker 1: you're maintaining your space. It has to it has to be. 168 00:09:30,000 --> 00:09:32,800 Speaker 1: The distance has to be there. Do you spend today, Donald, 169 00:09:33,720 --> 00:09:37,280 Speaker 1: I did not spend today interesting today. I thought we 170 00:09:37,360 --> 00:09:39,760 Speaker 1: were doing this a peloton down with each other and 171 00:09:39,880 --> 00:09:42,360 Speaker 1: you look great. I'm lost. Wait, I don't know if 172 00:09:42,360 --> 00:09:43,599 Speaker 1: you notice a little bit let me. I know, I 173 00:09:43,679 --> 00:09:44,960 Speaker 1: know you saw it in the video when I did 174 00:09:45,080 --> 00:09:54,479 Speaker 1: my big bank, but yeah, I've lost ten pounds, Zach, goody, congratulations, 175 00:09:54,559 --> 00:09:57,120 Speaker 1: thank you very much. I'm excited about it. I'm happy 176 00:09:57,200 --> 00:09:59,559 Speaker 1: for you. My brother, I am doing it too. I 177 00:09:59,640 --> 00:10:02,520 Speaker 1: have an new guy used today. They all every pelotonic 178 00:10:02,520 --> 00:10:06,840 Speaker 1: structor has a different catchphrase, and his is he goes 179 00:10:07,320 --> 00:10:12,120 Speaker 1: if you feel if forgetting what it is? His name yo, 180 00:10:12,320 --> 00:10:16,920 Speaker 1: he's an Asian British guy and he's really fun and oh, 181 00:10:17,000 --> 00:10:18,880 Speaker 1: he goes if he feels good and you know you should, 182 00:10:19,040 --> 00:10:21,920 Speaker 1: let's turn it up three more points. All right, if 183 00:10:21,960 --> 00:10:24,079 Speaker 1: it feels good and you know you should, let's turn 184 00:10:24,120 --> 00:10:27,040 Speaker 1: it up five more points. Oh, my gosh, not turning 185 00:10:27,080 --> 00:10:29,599 Speaker 1: the British accent justice. My girlfriend would be cringing. But 186 00:10:32,080 --> 00:10:34,160 Speaker 1: I suck at a British accent like I can only 187 00:10:34,280 --> 00:10:38,120 Speaker 1: do like the whiney guy from Freaking Harry Potter or 188 00:10:38,760 --> 00:10:44,480 Speaker 1: Monty Python We're going on the walk allis. I'm not 189 00:10:44,559 --> 00:10:48,000 Speaker 1: good at it either. Every time I do it, my 190 00:10:48,240 --> 00:10:52,720 Speaker 1: my girlfriend and her family are like, oh Jesus, that bad. 191 00:10:53,440 --> 00:10:56,800 Speaker 1: You know what we should do whenever anybody from the 192 00:10:57,679 --> 00:11:03,160 Speaker 1: the Great Britain area does American accent, we should act 193 00:11:03,240 --> 00:11:05,240 Speaker 1: like it sucks even though it's really good. We should 194 00:11:05,240 --> 00:11:08,679 Speaker 1: be like, problem is, problem is they they're they're often 195 00:11:08,800 --> 00:11:11,160 Speaker 1: very good at I mean, flow is flawless. Out of it. 196 00:11:11,400 --> 00:11:14,440 Speaker 1: Act like act like she sucks, pretend she sucks. Just lie, 197 00:11:14,640 --> 00:11:18,000 Speaker 1: fuck it, fuck it. Lie what she goes she doesn't know. 198 00:11:18,360 --> 00:11:21,120 Speaker 1: She doesn't really know because she goes on sets and 199 00:11:21,200 --> 00:11:23,280 Speaker 1: people are like, wow, well there. You could be like, 200 00:11:23,320 --> 00:11:25,760 Speaker 1: they've been lying to you. They've been lying. There lying, 201 00:11:25,960 --> 00:11:28,360 Speaker 1: they've been lying, They've been lying. She doesn't really know. 202 00:11:28,559 --> 00:11:29,760 Speaker 1: At the end of the day, she could be like, 203 00:11:29,800 --> 00:11:32,319 Speaker 1: am I saying it right? You could cast doubt because 204 00:11:32,360 --> 00:11:36,800 Speaker 1: it's not her native tongue. It's not that British. British 205 00:11:36,840 --> 00:11:39,559 Speaker 1: people are better at doing American accents, although if you're 206 00:11:39,559 --> 00:11:43,000 Speaker 1: not a professional, like an actor. My experience is that 207 00:11:43,000 --> 00:11:45,079 Speaker 1: a lot of times they sound they revert to like 208 00:11:45,200 --> 00:11:47,679 Speaker 1: the valley girl thing. They go, oh my god, you 209 00:11:47,960 --> 00:11:52,720 Speaker 1: guys like that's their default, right, because that's what they think. 210 00:11:52,720 --> 00:11:56,000 Speaker 1: Americans all sound like, oh my god, you go like, 211 00:11:56,120 --> 00:11:58,520 Speaker 1: I'm gonna keep it one hundred. I have yet to 212 00:11:58,600 --> 00:12:02,400 Speaker 1: hear a British dude sound exactly like they're from Brooklyn 213 00:12:03,000 --> 00:12:05,600 Speaker 1: or something like that. I've yet to hear that. I've 214 00:12:05,760 --> 00:12:08,720 Speaker 1: yet to hear that I've seen. I've seen British dudes 215 00:12:09,320 --> 00:12:16,079 Speaker 1: uh come across as tough and uh as American hoods do, 216 00:12:16,559 --> 00:12:19,199 Speaker 1: but I've yet to see them come across with the 217 00:12:19,600 --> 00:12:21,560 Speaker 1: you know where. I was like, damn, that dude, he's 218 00:12:22,120 --> 00:12:24,760 Speaker 1: where is he from? He's from where? That's that's like 219 00:12:25,000 --> 00:12:28,320 Speaker 1: from Brooklyn, that's like from Manhattan, or that's like from Uptown, 220 00:12:28,440 --> 00:12:32,280 Speaker 1: or that's like from the brook I can't find. I 221 00:12:32,440 --> 00:12:34,880 Speaker 1: can't find one. I can't find Because most people that 222 00:12:34,960 --> 00:12:39,679 Speaker 1: play these characters are people from California or something like that. 223 00:12:39,840 --> 00:12:41,839 Speaker 1: It's rare that you have people that there are a 224 00:12:41,880 --> 00:12:44,120 Speaker 1: few people. There are a few, but it's rare that 225 00:12:44,200 --> 00:12:47,559 Speaker 1: you have them actually playing Brooklyn Nights, or people from Manhattan, 226 00:12:47,960 --> 00:12:49,880 Speaker 1: or people from the tri State or from New York 227 00:12:50,000 --> 00:12:53,920 Speaker 1: or something like that playing these characters. Usually somebody from Chicago. 228 00:12:54,559 --> 00:12:56,280 Speaker 1: I was just going to add that I'm tempted to 229 00:12:56,320 --> 00:12:59,120 Speaker 1: agree with Donald in the sense that, like, uh, it's 230 00:12:59,200 --> 00:13:02,040 Speaker 1: tough to do American dialects. I think there's a lot 231 00:13:02,160 --> 00:13:04,319 Speaker 1: of you know, British actors and people from different countries 232 00:13:04,360 --> 00:13:07,160 Speaker 1: who do a very standard American engineer Well totally get 233 00:13:07,200 --> 00:13:08,480 Speaker 1: it off. And the only person that I was going 234 00:13:08,559 --> 00:13:10,360 Speaker 1: to throw out there I think does a particular dialect 235 00:13:10,400 --> 00:13:13,920 Speaker 1: well is Dominic West in the wire, his his very 236 00:13:14,040 --> 00:13:16,920 Speaker 1: his Baltimore is what about sorry that I forgot the 237 00:13:17,000 --> 00:13:21,640 Speaker 1: name of that amazing African Americana. He does it pretty 238 00:13:21,640 --> 00:13:25,000 Speaker 1: good sounds. Look, he Alba is dope and he's you 239 00:13:25,040 --> 00:13:27,040 Speaker 1: know what I mean, he still has his little British 240 00:13:27,080 --> 00:13:29,360 Speaker 1: things in him when he's when he's acting dude, but 241 00:13:29,440 --> 00:13:32,160 Speaker 1: he's the five don't get it twisted. I think interest 242 00:13:32,280 --> 00:13:34,040 Speaker 1: is the man. I mean, like, I think he could 243 00:13:34,040 --> 00:13:36,040 Speaker 1: do don't don't all of a sudden turn me into 244 00:13:36,040 --> 00:13:39,559 Speaker 1: a Haita and stuff like that. But here's a perfect 245 00:13:39,600 --> 00:13:41,480 Speaker 1: examp you know who sounded like it and he's not 246 00:13:41,640 --> 00:13:44,640 Speaker 1: from there? Was would would you know? I would believe 247 00:13:44,720 --> 00:13:47,640 Speaker 1: would more than I would believe An. Yet he's out 248 00:13:47,679 --> 00:13:51,599 Speaker 1: the cast because he actually has a genuine connection to 249 00:13:52,360 --> 00:13:57,599 Speaker 1: that type of urban American uh urban light. So you 250 00:13:57,640 --> 00:14:00,520 Speaker 1: want to talk about accents, yes, I agree with you. 251 00:14:01,120 --> 00:14:04,880 Speaker 1: British people do great American accents, but when you go specific, 252 00:14:05,600 --> 00:14:07,839 Speaker 1: I don't know about all that just yet. I've yet 253 00:14:07,920 --> 00:14:11,439 Speaker 1: to see it. Sir. Sharonin is pretty amazing too. I'm 254 00:14:11,440 --> 00:14:14,720 Speaker 1: always surprised when I see her speak with her natural 255 00:14:15,720 --> 00:14:22,560 Speaker 1: Irish brogue. Is that what you call it? Ye? Well yeah, Donald, 256 00:14:22,680 --> 00:14:25,080 Speaker 1: should we get into this, baby girl? Yeah, let's do this, 257 00:14:27,240 --> 00:14:31,040 Speaker 1: Hey yo, Daniel, funny episode, no doubt, Daniel, I feel 258 00:14:31,120 --> 00:14:35,000 Speaker 1: like this beat, it might be a little uh whoa, 259 00:14:35,600 --> 00:14:39,440 Speaker 1: I feel like this one. I feel like this beat 260 00:14:39,560 --> 00:14:43,160 Speaker 1: might be a little Adam's family ish. You'll understand what 261 00:14:43,240 --> 00:14:44,800 Speaker 1: I'm saying. When we're done, you're ready, you want him 262 00:14:44,800 --> 00:14:46,680 Speaker 1: to change? Hold on, you want to chant the beat? 263 00:14:46,840 --> 00:14:50,960 Speaker 1: Here we go, and if you don't need to stop watch, 264 00:14:51,120 --> 00:14:54,800 Speaker 1: but the last beat was fuego. They're always pretty thank 265 00:14:54,840 --> 00:14:59,240 Speaker 1: you are ready? And hey yo, Carla lose his rowdy, 266 00:14:59,600 --> 00:15:02,840 Speaker 1: Janet have a squirrel army Turk, streams of coming true 267 00:15:02,920 --> 00:15:06,440 Speaker 1: and Elliott fights with Molly Jake Deep doesn't want to 268 00:15:06,560 --> 00:15:11,240 Speaker 1: hurt nobody that Todd has superhery. He enters and it's comedy. 269 00:15:11,480 --> 00:15:14,680 Speaker 1: The talk side is so powerful and useful. If you're fearing, 270 00:15:15,000 --> 00:15:17,680 Speaker 1: beer can save Like that's crazy, right, Like what you're 271 00:15:17,720 --> 00:15:21,840 Speaker 1: hearing Big Doctor's real friends, DJ, Danielle Joel, Monique dB. 272 00:15:22,400 --> 00:15:25,960 Speaker 1: That's the recap under a subploster. Turn your key, who 273 00:15:30,360 --> 00:15:34,760 Speaker 1: here we go? Incredible, He's got your Hamilton bag dy. Dude, 274 00:15:35,040 --> 00:15:36,760 Speaker 1: that's the best one you've ever done. I look like, 275 00:15:36,880 --> 00:15:40,240 Speaker 1: look I got goosebumps. That's the best one you've ever done. 276 00:15:40,400 --> 00:15:43,680 Speaker 1: And you hit thirty two seconds. My god, damn not 277 00:15:43,760 --> 00:15:46,240 Speaker 1: even thirty. I was trying to get thirty dude, what 278 00:15:46,520 --> 00:15:49,760 Speaker 1: was I have so many amazing What led you to 279 00:15:49,960 --> 00:15:58,680 Speaker 1: take it so much? Manjana fire in my day so much, Rawana, 280 00:15:58,840 --> 00:16:03,120 Speaker 1: It's fine in my day today. O. Wait, so you're 281 00:16:03,240 --> 00:16:06,360 Speaker 1: crediting Ganja for that, because I would have. I was 282 00:16:06,480 --> 00:16:12,720 Speaker 1: sitting in my house watching my kids and I was bored. Okay, 283 00:16:13,040 --> 00:16:15,720 Speaker 1: so they were doing their zoom and I was like, 284 00:16:15,840 --> 00:16:19,200 Speaker 1: I'm gonna write this down so like a rap song. 285 00:16:19,680 --> 00:16:21,800 Speaker 1: It was a combina. But but but you always are 286 00:16:21,920 --> 00:16:24,280 Speaker 1: high when you write these, and this one was particularly great. 287 00:16:25,720 --> 00:16:28,480 Speaker 1: I don't know what happened. Something got into me today. 288 00:16:28,480 --> 00:16:32,680 Speaker 1: I feel like, ODB, something got in down. You gotta 289 00:16:32,760 --> 00:16:35,200 Speaker 1: you gotta make sure the beat is worthy of that 290 00:16:35,680 --> 00:16:37,280 Speaker 1: I was. I was just going to say a little 291 00:16:37,280 --> 00:16:38,960 Speaker 1: peak behind the curtain. All the beats that I've played 292 00:16:39,000 --> 00:16:40,400 Speaker 1: you are like you know, beats that I've made over 293 00:16:40,440 --> 00:16:41,880 Speaker 1: the past, like four or five years whatever that I 294 00:16:41,960 --> 00:16:43,400 Speaker 1: was pulled from the bank and just like you know, 295 00:16:43,520 --> 00:16:45,920 Speaker 1: little bits here and there, this is gonna be Oh 296 00:16:46,040 --> 00:16:48,880 Speaker 1: you might do any you were an original, Well they've 297 00:16:48,960 --> 00:16:54,360 Speaker 1: all been original. Might do one just pletely fresh? This 298 00:16:54,520 --> 00:16:57,160 Speaker 1: is this is this, this will be this will be intended. Damn, 299 00:16:57,240 --> 00:17:01,000 Speaker 1: this is gonna be a there's gonna be a brand 300 00:17:01,040 --> 00:17:03,320 Speaker 1: new one for you. Well, let's see, it's the fans 301 00:17:03,400 --> 00:17:06,720 Speaker 1: like it. Maybe well every once love it. They're gonna 302 00:17:06,800 --> 00:17:08,800 Speaker 1: love it. What I'm a fan of yours and I 303 00:17:08,960 --> 00:17:10,879 Speaker 1: love it. So I don't know why anyone wouldn't that 304 00:17:11,000 --> 00:17:14,000 Speaker 1: was really good. This episode is very funny. I laughed 305 00:17:14,280 --> 00:17:18,600 Speaker 1: a lot. Did we meet Stephen for the first time. 306 00:17:19,760 --> 00:17:22,760 Speaker 1: This is the episode where Stephen comes into our family 307 00:17:22,960 --> 00:17:25,440 Speaker 1: where I was I was so confused because I thought 308 00:17:25,480 --> 00:17:27,879 Speaker 1: he came in a different way. I had no idea 309 00:17:28,000 --> 00:17:31,520 Speaker 1: that the janitor was spoiler alert, I didn't had no 310 00:17:31,640 --> 00:17:35,840 Speaker 1: idea that the janitor actually named Stephen and found Stephen. 311 00:17:36,280 --> 00:17:39,320 Speaker 1: I had no idea. It becomes sort of attached to Stephen. 312 00:17:39,359 --> 00:17:41,240 Speaker 1: He really doesn't want Carla to take him, and he 313 00:17:41,960 --> 00:17:44,280 Speaker 1: he sort of laments that he he's not going to 314 00:17:44,320 --> 00:17:46,400 Speaker 1: be able to take him to the park. He really 315 00:17:46,440 --> 00:17:50,520 Speaker 1: bonded the janitor. Now, this is one of the more surreal. 316 00:17:50,760 --> 00:17:53,920 Speaker 1: This is one of those things where Bill, you know, 317 00:17:54,119 --> 00:17:56,320 Speaker 1: we joke about how Bill probably should have put it 318 00:17:56,359 --> 00:17:58,320 Speaker 1: in a fantasy but chose to put it in the 319 00:17:58,440 --> 00:18:03,159 Speaker 1: real world. And that is that the nitor captures squirrels, 320 00:18:03,720 --> 00:18:07,440 Speaker 1: kills them, taxidermis them, and collects them and has made 321 00:18:07,520 --> 00:18:11,280 Speaker 1: a squirrel army. Not only that he's he's holding committee. 322 00:18:11,320 --> 00:18:13,920 Speaker 1: He's holding meetings like a committee. Yes, yes, and he's 323 00:18:14,080 --> 00:18:18,120 Speaker 1: obviously schizophrenic or some condition because he believes that they're 324 00:18:18,119 --> 00:18:20,399 Speaker 1: all talking back to him and says, like, Gregory, do 325 00:18:20,440 --> 00:18:25,159 Speaker 1: you mind if I lead the meeting? Right? Yeah? And 326 00:18:25,240 --> 00:18:28,720 Speaker 1: he doesn't discriminate on names either, like there's Leroy, there's 327 00:18:29,240 --> 00:18:34,240 Speaker 1: there's a bunch of different names. It's so bizarre but 328 00:18:34,480 --> 00:18:37,040 Speaker 1: funny that the janitor has a squirrel army. I remember, 329 00:18:37,359 --> 00:18:41,080 Speaker 1: I remember them, the prop guys, trying to collect enough 330 00:18:41,200 --> 00:18:43,920 Speaker 1: taxidermy squirrels. You can tell that it's like sort of 331 00:18:43,960 --> 00:18:47,680 Speaker 1: a bad comp of copy and pasting more into the shot. 332 00:18:47,800 --> 00:18:50,199 Speaker 1: But I don't think he really I don't think they 333 00:18:50,760 --> 00:18:54,399 Speaker 1: certainly didn't make end or track down what looks like 334 00:18:55,119 --> 00:19:02,280 Speaker 1: fifty taxidermy squirrels. He also so to squirrel army for Stephen. 335 00:19:02,600 --> 00:19:08,200 Speaker 1: So Rowdy's lost. He feels bad. He goes searching, can't 336 00:19:08,280 --> 00:19:13,880 Speaker 1: find then takes his squirrel, puts his squirrel army up 337 00:19:14,280 --> 00:19:17,040 Speaker 1: so that he can get Stephen and give Stephen the 338 00:19:17,119 --> 00:19:20,280 Speaker 1: Carlos Socarlo won't get in trouble. Yeah, he does a trade. 339 00:19:20,560 --> 00:19:22,520 Speaker 1: He does a trade. Now, I understand leaving something on 340 00:19:22,600 --> 00:19:25,960 Speaker 1: your roof. We've all done it, A coffee cup, a 341 00:19:26,040 --> 00:19:30,880 Speaker 1: stack of papers. Would Carlo really accidentally Why did Carly 342 00:19:31,040 --> 00:19:34,680 Speaker 1: even put Rowdy on the roof. I don't know what 343 00:19:35,160 --> 00:19:37,800 Speaker 1: was going on in her day that she thought, while 344 00:19:37,840 --> 00:19:40,639 Speaker 1: I quickly get my keys, I'm gonna put Rowdy on 345 00:19:40,680 --> 00:19:42,520 Speaker 1: the roof of the car. It just doesn't make any sense. 346 00:19:42,520 --> 00:19:44,240 Speaker 1: He put him down on the ground. He's he's a dog. 347 00:19:50,080 --> 00:19:52,640 Speaker 1: She didn't well, it's clear she's clearly she doesn't see 348 00:19:52,760 --> 00:19:55,400 Speaker 1: Rowdy as a dog anymore. It's now, I just don't 349 00:19:55,520 --> 00:20:00,159 Speaker 1: understand donald the movements that went quickly while I do 350 00:20:00,640 --> 00:20:02,639 Speaker 1: X Y or Z, I'm going to place him on 351 00:20:02,680 --> 00:20:05,240 Speaker 1: the roof of my car. Right, You gotta kind of 352 00:20:05,240 --> 00:20:08,920 Speaker 1: bet it. Does it have a lift? You gotta you 353 00:20:08,960 --> 00:20:12,080 Speaker 1: gotta lift. There's there's extra energy where it's putting it down. 354 00:20:12,160 --> 00:20:15,359 Speaker 1: Seems like the easier. How bad was that backwards effect 355 00:20:15,440 --> 00:20:17,479 Speaker 1: of the of Rowdy falling off the car and then 356 00:20:17,600 --> 00:20:20,640 Speaker 1: landing perfectly in front of that kid? That was so bad? 357 00:20:21,840 --> 00:20:24,960 Speaker 1: How about Carla taking Rowdy to get washed, right and 358 00:20:25,080 --> 00:20:29,040 Speaker 1: Danny rose, Yeah, So if you're curious and you want 359 00:20:29,040 --> 00:20:30,679 Speaker 1: to and you're someone who goes back. It looks at 360 00:20:30,680 --> 00:20:34,200 Speaker 1: these after we talk about them. In the scene where 361 00:20:34,280 --> 00:20:38,040 Speaker 1: Carla is trying to get Rowdy cleaned by a groomer, 362 00:20:38,359 --> 00:20:40,280 Speaker 1: there's two guys behind the counter, and there's one who's 363 00:20:40,320 --> 00:20:42,800 Speaker 1: washing a dog or cleaning a dog whatever, grooming a dog, 364 00:20:43,080 --> 00:20:46,040 Speaker 1: and he's like, no, And that's Danny Rose, who was 365 00:20:46,720 --> 00:20:49,399 Speaker 1: Bill's assistant when we started. He was in all of 366 00:20:49,480 --> 00:20:52,679 Speaker 1: our first auditions with Bill. He was really really involved 367 00:20:52,720 --> 00:20:54,560 Speaker 1: in the casting and the show with Bill. He was 368 00:20:54,640 --> 00:20:56,800 Speaker 1: the one I used to bug all the time when 369 00:20:56,920 --> 00:20:59,760 Speaker 1: we before we ever went to before we went to production, 370 00:21:00,000 --> 00:21:01,920 Speaker 1: to the pilot. I should be like, Danny, when do 371 00:21:02,000 --> 00:21:04,359 Speaker 1: we go? Man, I need this money. Dude. I used 372 00:21:04,359 --> 00:21:06,200 Speaker 1: to call him all the time. What day are we going? 373 00:21:06,760 --> 00:21:09,720 Speaker 1: When do I shoot? Yeah? So anyway, he then, of 374 00:21:09,800 --> 00:21:12,840 Speaker 1: course over the years got promoted and got promoted. By 375 00:21:12,880 --> 00:21:15,359 Speaker 1: the end he was he was running post production for 376 00:21:15,400 --> 00:21:18,480 Speaker 1: the show. And by the way Bill texted me this 377 00:21:18,560 --> 00:21:20,760 Speaker 1: morning was so funny. He was like wanting to come on. 378 00:21:20,840 --> 00:21:22,960 Speaker 1: He's like, hey, when can I come back on? I 379 00:21:23,080 --> 00:21:25,520 Speaker 1: was like, I was like, dude, you can come on 380 00:21:25,680 --> 00:21:27,919 Speaker 1: whenever you want. The fans love it. We just assume 381 00:21:27,960 --> 00:21:30,000 Speaker 1: you're You're such a mugul, You're so busy. He's like, 382 00:21:30,040 --> 00:21:34,240 Speaker 1: I can come on? When can I come on? It 383 00:21:34,400 --> 00:21:36,840 Speaker 1: was the most random text. He was like fishing from 384 00:21:36,840 --> 00:21:39,600 Speaker 1: when he could be invited back on the show. I 385 00:21:39,680 --> 00:21:43,760 Speaker 1: think he loves coming on more than he would admit. Well, 386 00:21:44,200 --> 00:21:48,680 Speaker 1: he thinks it's his show man, it's indirectly his show 387 00:21:48,880 --> 00:21:51,160 Speaker 1: right at the end. Well, at the end of the day, 388 00:21:51,880 --> 00:21:55,360 Speaker 1: it is yours, Bill, it's your show, Bill, and I'm 389 00:21:55,400 --> 00:21:58,200 Speaker 1: glad that you love it, but he's your show. I 390 00:21:58,280 --> 00:21:59,600 Speaker 1: was like, I was like, come on, how about I 391 00:21:59,680 --> 00:22:01,639 Speaker 1: go have Tuesday? And he goes, okay, I go. He 392 00:22:01,720 --> 00:22:03,800 Speaker 1: goes try to send an interrupting bill. In the meantime, 393 00:22:08,720 --> 00:22:10,320 Speaker 1: I was like, if you want to send an interrupt 394 00:22:10,320 --> 00:22:11,760 Speaker 1: you know what, it would be funny if he did, 395 00:22:12,359 --> 00:22:14,840 Speaker 1: if he was on the show and then sent an 396 00:22:14,920 --> 00:22:19,720 Speaker 1: interrupting bill. Also, that's a great ideas. Next level, I 397 00:22:19,760 --> 00:22:24,119 Speaker 1: would love her. That's like inception Bill sception. He just 398 00:22:24,200 --> 00:22:29,320 Speaker 1: finished shooting. He's done ahead of the class remake. Oh nice, 399 00:22:30,160 --> 00:22:33,480 Speaker 1: And I believe it's stars instead of an old white guy, 400 00:22:33,800 --> 00:22:37,639 Speaker 1: a young Hispanic woman. The actress whose name I don't know, 401 00:22:38,520 --> 00:22:39,720 Speaker 1: will you look it up for me? J While she 402 00:22:39,840 --> 00:22:43,000 Speaker 1: was the I guess the on one day at a time, 403 00:22:43,720 --> 00:22:48,359 Speaker 1: she was the oldest talking about I believe she If 404 00:22:48,400 --> 00:22:51,800 Speaker 1: I'm not mistaken, she's the star of Bill's Out of 405 00:22:51,840 --> 00:22:59,400 Speaker 1: the Class remake Good actress Isabella Gomez. Yeah, yeah, what's 406 00:22:59,480 --> 00:23:03,359 Speaker 1: the ex now that people do joel latin X, oh 407 00:23:03,520 --> 00:23:08,440 Speaker 1: latin X, latin X or latin X huh what say? Oh? Okay, 408 00:23:08,640 --> 00:23:12,400 Speaker 1: so Latina if you're a female, Latino if you're male. 409 00:23:12,520 --> 00:23:15,480 Speaker 1: People were like, I fall in between those binaries. Latin 410 00:23:15,640 --> 00:23:17,280 Speaker 1: X has come about as a way of like, hey, 411 00:23:17,359 --> 00:23:20,160 Speaker 1: this describes all of our community. Everyone can fit under 412 00:23:20,200 --> 00:23:23,160 Speaker 1: this banner, all right, so they so, so people prefer 413 00:23:23,359 --> 00:23:26,240 Speaker 1: that as just saying Latina or Latino. They it's still 414 00:23:26,560 --> 00:23:29,840 Speaker 1: very hotly contested amongst the latin X community and part 415 00:23:29,880 --> 00:23:31,639 Speaker 1: of it. But I've definitely yeah, I want to be 416 00:23:31,720 --> 00:23:34,760 Speaker 1: respectful of whatever. Yeah, whenever they prefer, I feel like 417 00:23:34,800 --> 00:23:37,480 Speaker 1: it's it's a perfectly respectable term to use. I don't 418 00:23:37,520 --> 00:23:39,600 Speaker 1: think anyone's gonna be like no, but there still is, 419 00:23:39,800 --> 00:23:42,520 Speaker 1: like some some conversation happening. Is this where X Tina 420 00:23:42,640 --> 00:23:45,800 Speaker 1: came from? No? No, okay, so this isn't where Christina. 421 00:23:48,640 --> 00:23:50,840 Speaker 1: This is much later. But yeah, that's like X miss 422 00:23:51,080 --> 00:23:53,720 Speaker 1: you've heard of latin X, right donald or No? No, 423 00:23:53,840 --> 00:23:56,280 Speaker 1: it's my first time I've ever hear another way, I'm 424 00:23:56,280 --> 00:23:58,600 Speaker 1: a week off Twitter? Can I get thunderous appause for 425 00:23:58,640 --> 00:24:02,200 Speaker 1: being a week off Twitter? You miss my you missed 426 00:24:02,200 --> 00:24:05,040 Speaker 1: my big announcement yesterday, though you did. What's your big announcement? 427 00:24:05,480 --> 00:24:12,080 Speaker 1: That was five? What? Slow it down? Slow down? Daniel? 428 00:24:12,160 --> 00:24:14,880 Speaker 1: Got a PS five? Oh? Okay, that would be great 429 00:24:14,920 --> 00:24:18,560 Speaker 1: if you came out on Twitter. Daniel, I support I 430 00:24:18,640 --> 00:24:22,240 Speaker 1: support you, whether it's my anniversary with my girlfriends in 431 00:24:22,320 --> 00:24:26,520 Speaker 1: two weeks. Got why are you getting all the come on? 432 00:24:29,680 --> 00:24:33,399 Speaker 1: I was trying to PS five Daniel? Why are you 433 00:24:33,520 --> 00:24:39,800 Speaker 1: so quick to want to be gay? Were all a 434 00:24:39,840 --> 00:24:43,320 Speaker 1: little gay? Dwn? Oh? God, okay some of us a 435 00:24:43,359 --> 00:24:47,000 Speaker 1: lot o wame? You got a PS five? That's what 436 00:24:47,080 --> 00:24:51,200 Speaker 1: you're celebrating. Yes, yes, as you're coming out? But okay, 437 00:24:51,480 --> 00:24:58,000 Speaker 1: got what game did you play? What? What? What is 438 00:24:58,040 --> 00:25:00,440 Speaker 1: your most exciting game you've started playing on the has five? 439 00:25:00,760 --> 00:25:03,480 Speaker 1: Oh it hasn't gotten here yet. One it was? It 440 00:25:03,600 --> 00:25:06,280 Speaker 1: was I won the rally yesterday of beating the box 441 00:25:06,359 --> 00:25:10,240 Speaker 1: to the Walmart final to the final button. So you'll 442 00:25:10,240 --> 00:25:12,600 Speaker 1: be more excited by what's outside your door when we're 443 00:25:12,600 --> 00:25:16,000 Speaker 1: done with the show. Because Mark has dropped off a 444 00:25:16,760 --> 00:25:20,800 Speaker 1: signed copy of the garden. It's there right now, Vinyl, 445 00:25:20,920 --> 00:25:23,040 Speaker 1: it should be. He went out the game, go see 446 00:25:23,040 --> 00:25:25,320 Speaker 1: if it's there. If it's not there, then he then 447 00:25:25,359 --> 00:25:27,880 Speaker 1: he's out. It's on its way. Daniel was in his underwear. 448 00:25:27,920 --> 00:25:30,040 Speaker 1: I just want you to know he wasn't that was 449 00:25:30,160 --> 00:25:34,280 Speaker 1: his underwear, Dude, he was in boxer. He was in 450 00:25:34,400 --> 00:25:36,160 Speaker 1: boxer's just now that was what That was his under 451 00:25:36,480 --> 00:25:39,640 Speaker 1: was that not his underwear? D come to work underwear? 452 00:25:41,119 --> 00:25:42,800 Speaker 1: You know his job. He's not coming to work in 453 00:25:42,840 --> 00:25:48,280 Speaker 1: his underwear. Okay, stand up and expose himself and let's 454 00:25:48,520 --> 00:25:50,719 Speaker 1: let's see what happens when he walks back. That's how 455 00:25:50,720 --> 00:25:54,000 Speaker 1: people go. That's how people get ruined their careers. First 456 00:25:54,040 --> 00:25:57,560 Speaker 1: of all, First of all, wireless headphones. So I'm just 457 00:25:57,680 --> 00:26:01,520 Speaker 1: taking a second. Of all, these are called shorts by bro. 458 00:26:02,040 --> 00:26:05,560 Speaker 1: They look like I know where I dude by my 459 00:26:05,640 --> 00:26:09,280 Speaker 1: knee shorts? What are you talking about? They have they 460 00:26:09,359 --> 00:26:12,080 Speaker 1: have pockets. I'm not alan iverson here. I'm not like 461 00:26:12,200 --> 00:26:14,440 Speaker 1: fighting to have shorts below the knee or something. I like, 462 00:26:15,320 --> 00:26:18,320 Speaker 1: did you yeah, you know that the NBA players never 463 00:26:18,480 --> 00:26:21,280 Speaker 1: were allowed to wear those shorts below their knees, and 464 00:26:21,400 --> 00:26:24,600 Speaker 1: so as baggy as those shorts got they never went 465 00:26:24,720 --> 00:26:27,520 Speaker 1: below their knees. They were always at the at You 466 00:26:27,560 --> 00:26:30,359 Speaker 1: were absolutely right about that, Daniel Daniels this stuff. By 467 00:26:30,400 --> 00:26:32,960 Speaker 1: the way, I've been watching that show. I know I'm 468 00:26:33,000 --> 00:26:36,119 Speaker 1: late to it, but the last dance, I think I 469 00:26:36,240 --> 00:26:39,399 Speaker 1: might like sports. Now, Well, you like the drama. Do 470 00:26:39,480 --> 00:26:42,440 Speaker 1: you like the drama of it? Well, dramas and all seriousness. 471 00:26:42,480 --> 00:26:45,200 Speaker 1: I gotta say that documentaries is Here's how you know 472 00:26:45,320 --> 00:26:47,879 Speaker 1: that documentary is so well made. I have as as 473 00:26:47,960 --> 00:26:51,280 Speaker 1: well documented, I have no interest in sports. I'm fascinated 474 00:26:51,320 --> 00:26:54,320 Speaker 1: by that documentary. It is so well done and I 475 00:26:54,720 --> 00:26:58,119 Speaker 1: love it. So you know what I love. You'd like 476 00:26:58,480 --> 00:27:01,879 Speaker 1: a lot to you Watch thirty thirty no Oh has 477 00:27:01,920 --> 00:27:05,280 Speaker 1: a series of documentaries where it's like the great emotional 478 00:27:05,440 --> 00:27:08,720 Speaker 1: highs and loads of sports and just real, really deep guys. 479 00:27:08,760 --> 00:27:10,439 Speaker 1: And then they have short ones too, they're like eight 480 00:27:10,520 --> 00:27:15,440 Speaker 1: minutes long. I'm obsessed. You would love that. Watch the 481 00:27:15,480 --> 00:27:19,119 Speaker 1: Dennis Rodman one. You'd like that one, especially while watching 482 00:27:19,200 --> 00:27:22,280 Speaker 1: this thirty foot watching the one that you're watching right now. 483 00:27:22,680 --> 00:27:25,200 Speaker 1: Watch the Dennis Rodman one. The filmmaker who made this, 484 00:27:25,400 --> 00:27:29,359 Speaker 1: this this last dance is clearly so talented. I mean, 485 00:27:29,440 --> 00:27:32,040 Speaker 1: you know, I'm so well told, and then they're so good. 486 00:27:32,040 --> 00:27:34,159 Speaker 1: I'm getting goosebumps as I think about it, just the 487 00:27:34,200 --> 00:27:35,919 Speaker 1: way they like. They'll have the cold open and then 488 00:27:35,920 --> 00:27:37,520 Speaker 1: they'll be something you'll be said, and then they'll cut 489 00:27:37,560 --> 00:27:40,160 Speaker 1: to the fucking title sequence, and it's so good. It's 490 00:27:40,200 --> 00:27:43,440 Speaker 1: so dramatic, and Jordan is such an interesting I love 491 00:27:43,560 --> 00:27:45,040 Speaker 1: now I know why all they had all those memes 492 00:27:45,080 --> 00:27:51,440 Speaker 1: of Jordan's smiling looking at the eyepads and him saying, 493 00:27:51,560 --> 00:27:55,800 Speaker 1: and I took that ship personal. That is the truth, dude. Yeah, listen, 494 00:27:56,160 --> 00:27:59,280 Speaker 1: I wish I wish I had that button where I 495 00:27:59,359 --> 00:28:04,159 Speaker 1: could take anything anyone said and be like, oh really, well, 496 00:28:04,240 --> 00:28:07,760 Speaker 1: let me prove why I gotta tell you. Let me 497 00:28:07,840 --> 00:28:10,240 Speaker 1: prove if anyone, if you're listening and you need any 498 00:28:10,320 --> 00:28:15,280 Speaker 1: inspiration for caters being your motivators, this guy, no matter 499 00:28:15,440 --> 00:28:20,119 Speaker 1: what happened, would use it and go Okay, motherfucker's you 500 00:28:20,200 --> 00:28:23,720 Speaker 1: don't you doubt me or you doubt my team? You 501 00:28:23,840 --> 00:28:26,200 Speaker 1: doubt what we can do? Watch No, it's not you 502 00:28:26,280 --> 00:28:29,040 Speaker 1: doubt my team. It's definitely not you doubt my team. 503 00:28:29,080 --> 00:28:34,399 Speaker 1: It's you doubt me. Yeah, you doubt I'm Michael motherfucking Jordan, dude. 504 00:28:34,680 --> 00:28:36,520 Speaker 1: But I thought it was really But I thought I 505 00:28:36,600 --> 00:28:39,400 Speaker 1: just thought it was inspirational from a forget sports point 506 00:28:39,440 --> 00:28:42,560 Speaker 1: of view, just a human being that is so driven 507 00:28:42,760 --> 00:28:47,240 Speaker 1: and so competitive that he feeds off of people doubting him. 508 00:28:47,360 --> 00:28:51,120 Speaker 1: He feeds off of people saying you're done, it's over. 509 00:28:51,400 --> 00:28:54,800 Speaker 1: I just thought that was really inspiring, inspiring for for people. 510 00:28:55,000 --> 00:28:57,560 Speaker 1: You know, no matter what you do, that you can go, okay, 511 00:28:58,240 --> 00:29:03,320 Speaker 1: all right, watch yeah, and then do it. All right, 512 00:29:03,320 --> 00:29:05,000 Speaker 1: We're gonna go to break and when we come back, 513 00:29:05,080 --> 00:29:08,320 Speaker 1: we're gonna actually talk about things more than just rowdy. 514 00:29:08,400 --> 00:29:10,520 Speaker 1: I have this, I wrote down so much for this episode. 515 00:29:10,960 --> 00:29:13,640 Speaker 1: But wait, if you had Adams made fun of and 516 00:29:13,680 --> 00:29:15,560 Speaker 1: I'm really not okay with him, we'll talk about what 517 00:29:17,080 --> 00:29:27,760 Speaker 1: We'll be right back and we're bad. Bill would occasionally 518 00:29:27,800 --> 00:29:30,040 Speaker 1: take digs at us and our own physical appearance, like 519 00:29:30,320 --> 00:29:32,160 Speaker 1: the fact that this episode has a whole thing about 520 00:29:32,160 --> 00:29:35,120 Speaker 1: how I have a giant Adam's apple. Well, yeah, there's that. 521 00:29:36,000 --> 00:29:38,360 Speaker 1: But we can't stop the rowdy talk just yet. Dude, 522 00:29:38,400 --> 00:29:40,600 Speaker 1: I do want to get into that. But I gasped 523 00:29:40,760 --> 00:29:44,440 Speaker 1: out loud when Carla dropped rowdy. We gasped in the show, 524 00:29:44,520 --> 00:29:47,440 Speaker 1: I really gasped out loud. I was like, oh, like, 525 00:29:47,720 --> 00:29:51,160 Speaker 1: how dare you? Our collective gasped together? Was really funny. 526 00:29:51,160 --> 00:29:54,600 Speaker 1: I laughed at that. I did it with us accidentally, 527 00:29:54,880 --> 00:29:58,000 Speaker 1: like it was simultaneously I did it. Let's go to 528 00:29:58,080 --> 00:30:00,240 Speaker 1: the top. So JD wears leg warmers to the Jim. 529 00:30:00,360 --> 00:30:03,560 Speaker 1: We learned that Cox accuses him of wearing leg warmers 530 00:30:03,640 --> 00:30:06,320 Speaker 1: while he's on the on the on the ball. How 531 00:30:06,480 --> 00:30:09,160 Speaker 1: is Dug still working at this hospital? Dude? How does 532 00:30:09,240 --> 00:30:12,040 Speaker 1: he still he should be fired by now? It's so 533 00:30:12,200 --> 00:30:15,080 Speaker 1: funny that Cox goes, Doug has killed so many patients 534 00:30:15,160 --> 00:30:20,480 Speaker 1: that he might be a government operative. By the way, 535 00:30:20,520 --> 00:30:23,200 Speaker 1: he noticed that when Cox says, go Doug, Doug, Dug, 536 00:30:23,240 --> 00:30:25,920 Speaker 1: go go go you idiot, she doesn't have the right thing. 537 00:30:26,000 --> 00:30:28,040 Speaker 1: And he goes over there and they reveal like it's 538 00:30:28,080 --> 00:30:30,880 Speaker 1: a young girl. Like he's like, he's not just fucking 539 00:30:31,200 --> 00:30:33,360 Speaker 1: he's not just sucking up with seniors. He's sucking up 540 00:30:33,400 --> 00:30:36,760 Speaker 1: with like children. No, he goes to the wrong bed. No, 541 00:30:36,880 --> 00:30:39,240 Speaker 1: there's another there's two girls, just two young girls and 542 00:30:39,320 --> 00:30:41,160 Speaker 1: two beds next to each other. Wow, I mean it 543 00:30:41,200 --> 00:30:44,280 Speaker 1: was probably just you know, someone put the background person there, 544 00:30:44,320 --> 00:30:46,440 Speaker 1: but I just thought it was funny that it's a kid. Well, 545 00:30:46,480 --> 00:30:48,280 Speaker 1: he eventually gets moved to the Morgue where it's safer 546 00:30:48,360 --> 00:30:50,960 Speaker 1: for Doug to work because he knows about I don't 547 00:30:50,960 --> 00:30:54,240 Speaker 1: know when that happens, but it's coming up soon. Hanging 548 00:30:54,320 --> 00:30:56,600 Speaker 1: up because it has to pay off soon, because this 549 00:30:56,720 --> 00:30:58,800 Speaker 1: dude's got to get out of there. I'm wearing an 550 00:30:58,800 --> 00:31:02,080 Speaker 1: Alphabet City. I'm wearing Alphabet City T shirt. And you know, 551 00:31:02,120 --> 00:31:04,040 Speaker 1: I used to live in Alphabet City. What you know 552 00:31:04,120 --> 00:31:06,840 Speaker 1: about Alphabet City, bro, I used to live in Alphabet 553 00:31:06,920 --> 00:31:10,160 Speaker 1: City Avenue A in Seventh Street. Really. Yeah, for those 554 00:31:10,200 --> 00:31:13,240 Speaker 1: you d did you go below D well, you meant 555 00:31:13,320 --> 00:31:16,400 Speaker 1: east to east to D, and you can probably go 556 00:31:16,480 --> 00:31:18,040 Speaker 1: to D now, But when I lived there, you didn't 557 00:31:18,040 --> 00:31:22,000 Speaker 1: go to D. You didn't go get that D. If 558 00:31:22,000 --> 00:31:23,480 Speaker 1: you don't know what we're talking about, there's an area 559 00:31:23,480 --> 00:31:26,600 Speaker 1: of Manhattan called Alphabet City. The avenues, you know, when 560 00:31:26,640 --> 00:31:32,320 Speaker 1: they get past one, they become ABC D. And when 561 00:31:32,360 --> 00:31:35,959 Speaker 1: I graduated in Northwestern ninety seven, I moved to an 562 00:31:35,960 --> 00:31:40,640 Speaker 1: apartment one oh three Avenue A, Seventh Street and Avenue A, 563 00:31:41,680 --> 00:31:44,280 Speaker 1: and it was awesome. I mean it was it was 564 00:31:44,320 --> 00:31:47,400 Speaker 1: a great place to live. You lived on seventh and A. Yeah, 565 00:31:47,400 --> 00:31:49,360 Speaker 1: I lived on A and actually there was a restaurant 566 00:31:49,360 --> 00:31:51,000 Speaker 1: it's no longer there. It was called seven A. And 567 00:31:51,000 --> 00:31:52,440 Speaker 1: I couldn't even afford to eat there. They had a 568 00:31:52,480 --> 00:31:56,320 Speaker 1: breakfast that was like four bucks, and I couldn't even 569 00:31:56,360 --> 00:32:00,840 Speaker 1: afford to get the breakfast. I remember, and I remember thinking, 570 00:32:01,000 --> 00:32:03,080 Speaker 1: one day, I'm going to be able to just get 571 00:32:03,640 --> 00:32:06,400 Speaker 1: up this this, this three dollars breakfast whenever I want. 572 00:32:07,760 --> 00:32:11,040 Speaker 1: I mean, there's this crazy time. That's real talking man, 573 00:32:11,080 --> 00:32:13,040 Speaker 1: that's broke, broke man. Well, I just had, you know, 574 00:32:13,280 --> 00:32:15,120 Speaker 1: you know, I when I first got to college, my 575 00:32:15,160 --> 00:32:16,960 Speaker 1: parents were helping me out a little bit with with rent, 576 00:32:17,040 --> 00:32:20,000 Speaker 1: and I was paying on music videos and commercials. But 577 00:32:20,160 --> 00:32:22,440 Speaker 1: I certainly didn't have, like you know, I had. I 578 00:32:22,560 --> 00:32:24,400 Speaker 1: had buy a box of cereal money I didn't have, 579 00:32:25,200 --> 00:32:27,480 Speaker 1: especially when, especially when you could get a bagel and 580 00:32:27,600 --> 00:32:30,120 Speaker 1: cream cheese for like fifty cent at the deli. You 581 00:32:30,160 --> 00:32:33,320 Speaker 1: know what I mean exactly it totally. I totally get 582 00:32:33,360 --> 00:32:35,400 Speaker 1: what you're talking about, Like if I would have spend 583 00:32:35,480 --> 00:32:38,080 Speaker 1: three dollars. I remember there was a hammett. My dad 584 00:32:38,160 --> 00:32:40,360 Speaker 1: didn't want us eating pork when we were kids, right, 585 00:32:41,160 --> 00:32:43,240 Speaker 1: but they would get but they would give us like 586 00:32:43,400 --> 00:32:46,680 Speaker 1: three dollars for lunch, right, and that had to be 587 00:32:46,840 --> 00:32:50,040 Speaker 1: for the whole day, so I got to eat, uh, 588 00:32:51,240 --> 00:32:53,480 Speaker 1: And usually you would have your lunch tickets for school. 589 00:32:53,720 --> 00:32:55,160 Speaker 1: So I would take the three dollars and I'd go 590 00:32:55,200 --> 00:32:57,720 Speaker 1: to the arcade and play video games after school. And 591 00:32:57,800 --> 00:32:59,760 Speaker 1: three dollars at the arcade, that's a lot of video games. 592 00:33:00,280 --> 00:33:02,560 Speaker 1: But there was this ham and cheese sandwich that was 593 00:33:02,640 --> 00:33:08,640 Speaker 1: a dollar ninety nine. Dude, I remember that, thinking, dude, 594 00:33:08,680 --> 00:33:11,880 Speaker 1: and it was like so much ham cheese, and I 595 00:33:12,000 --> 00:33:14,400 Speaker 1: hated mayo, so I would make them just putting mustard 596 00:33:14,440 --> 00:33:17,840 Speaker 1: on it. Nice to be like, yo, it isn't funny 597 00:33:17,840 --> 00:33:19,520 Speaker 1: when you look back. When we're gonna do this show. 598 00:33:19,520 --> 00:33:21,280 Speaker 1: Are we gonna do that show, Joel where we driving 599 00:33:21,280 --> 00:33:24,560 Speaker 1: around LA and talk about our old haunts? Yeah, Donald 600 00:33:24,600 --> 00:33:26,200 Speaker 1: should be getting the car next week. We're working on 601 00:33:26,320 --> 00:33:28,520 Speaker 1: des Yeah, we're gonna be doing a show where we 602 00:33:28,600 --> 00:33:31,360 Speaker 1: where we driving around. We're gonna it'll be a special 603 00:33:31,400 --> 00:33:34,040 Speaker 1: episode where we all four of us getting a car 604 00:33:34,920 --> 00:33:37,720 Speaker 1: and we're gonna drive around LA and just talk about 605 00:33:38,400 --> 00:33:42,160 Speaker 1: like different things that happened to us. It's gonna be fun. 606 00:33:42,640 --> 00:33:45,400 Speaker 1: I can't. I remember I got in so much trouble 607 00:33:46,600 --> 00:33:49,840 Speaker 1: for buying that sandwich, and I remember, Sorry, I didn't 608 00:33:49,880 --> 00:33:53,200 Speaker 1: mean to jump your story. I showed my dad the sandwich. 609 00:33:53,240 --> 00:33:55,160 Speaker 1: He was like, what the fuck is this? I was like, 610 00:33:55,280 --> 00:33:57,080 Speaker 1: it's a ham and cheese sandwich. And he took that 611 00:33:57,120 --> 00:33:59,040 Speaker 1: ship and slammed it so hard in the trash can. 612 00:33:59,480 --> 00:34:02,840 Speaker 1: He was like, you don't ever eat pork? Why was 613 00:34:02,920 --> 00:34:06,040 Speaker 1: he so anti pork? My dad told him. When I 614 00:34:06,200 --> 00:34:07,720 Speaker 1: was a kid, my dad would tell me things like, 615 00:34:07,840 --> 00:34:10,960 Speaker 1: pork eats the skin off your veins. Don't eat that shit. 616 00:34:12,520 --> 00:34:15,960 Speaker 1: H I grew up kosher, so I didn't eat pork either. Yeah, 617 00:34:16,400 --> 00:34:21,200 Speaker 1: you know, Uh, that's a good question. I should ask 618 00:34:21,280 --> 00:34:23,440 Speaker 1: my dad where it came from. I know a lot 619 00:34:23,520 --> 00:34:29,520 Speaker 1: of African American families stayed away from pork, uh when 620 00:34:30,080 --> 00:34:32,480 Speaker 1: I was a youth, And I wonder, I wonder what 621 00:34:32,600 --> 00:34:34,520 Speaker 1: his reason. I should I should ask my father what 622 00:34:34,600 --> 00:34:38,360 Speaker 1: that is before. Maybe it's the Samuel Jackson reason from fiction. 623 00:34:38,440 --> 00:34:40,480 Speaker 1: I don't dig on swine. I just don't dig swine 624 00:34:40,760 --> 00:34:45,839 Speaker 1: right anyway. So, yeah, alphabet, if you want, if you're 625 00:34:45,920 --> 00:34:48,480 Speaker 1: if you're walking, if you're in Manhattan, go visit one 626 00:34:48,560 --> 00:34:51,839 Speaker 1: or three Avenue way and wave for me. How about 627 00:34:51,880 --> 00:34:53,960 Speaker 1: the giant siptake I take from the punch Bowl. That 628 00:34:54,040 --> 00:34:57,680 Speaker 1: was funny, very big, very big siptake, very big stake. 629 00:34:57,760 --> 00:34:59,600 Speaker 1: And then we gasped. I laughed at our gasp. And 630 00:34:59,640 --> 00:35:02,400 Speaker 1: then I don't listen to him. He's drunk on cheese. 631 00:35:08,719 --> 00:35:11,320 Speaker 1: Carla's being very aggressive with Rowdy. I just didn't. I 632 00:35:11,360 --> 00:35:13,319 Speaker 1: didn't like it, even this many years later, I didn't 633 00:35:13,360 --> 00:35:18,440 Speaker 1: like it. She wants her spaces. That's what's coming. It's coming. Yeah, 634 00:35:18,480 --> 00:35:20,480 Speaker 1: it's gonna be time for me. I'm gonna get kicked out. 635 00:35:20,640 --> 00:35:22,719 Speaker 1: It's pretty soon. You gotta get kicked out, man, it's coming. 636 00:35:23,360 --> 00:35:26,240 Speaker 1: And that's great. That's what's great about Bill and the writers. 637 00:35:26,239 --> 00:35:28,239 Speaker 1: They're building it. It's not going to be something that 638 00:35:28,320 --> 00:35:33,200 Speaker 1: comes out of nowhere. They're showing you Carla getting sick 639 00:35:33,320 --> 00:35:35,719 Speaker 1: and tired of all of this stuff. And even even 640 00:35:36,200 --> 00:35:38,200 Speaker 1: if she's all right with the kind, that's like, I 641 00:35:38,320 --> 00:35:40,240 Speaker 1: need my own space. It's got to be met Turk 642 00:35:40,560 --> 00:35:44,520 Speaker 1: because we're gonna start a family. You see it coming, man, Yeah, yeah, 643 00:35:44,560 --> 00:35:49,719 Speaker 1: poor poor g d Rowdy comes to life. That was 644 00:35:49,760 --> 00:35:51,800 Speaker 1: funny in the Fantasy where all of a sudden he 645 00:35:52,000 --> 00:35:56,560 Speaker 1: tackles Carla. Yeah, yeah, yeah, and then I go, easy boy, 646 00:35:56,920 --> 00:35:59,320 Speaker 1: she ain't worth it. She ain't worth it. She ain't 647 00:35:59,360 --> 00:36:06,359 Speaker 1: worth it, easy boy, she ain't worth it. Hey, yo, 648 00:36:06,480 --> 00:36:10,520 Speaker 1: I got a question to ask. It's Heather Graham boobing 649 00:36:10,640 --> 00:36:13,480 Speaker 1: on purpose in this episode. There's a lot of cleavage. 650 00:36:13,880 --> 00:36:18,280 Speaker 1: Holy shit, it's distracting. It's like squeezes. She even squeezes 651 00:36:18,360 --> 00:36:20,080 Speaker 1: in a couple of times. I don't know. But Ken 652 00:36:20,160 --> 00:36:22,600 Speaker 1: Winningham also framed for it. There's one shot where it's 653 00:36:22,600 --> 00:36:25,480 Speaker 1: like it just comes around Heather and like her boobs 654 00:36:25,480 --> 00:36:29,040 Speaker 1: are just bouncing on the bottom of the frame. What 655 00:36:29,520 --> 00:36:35,439 Speaker 1: uh wow, I noticed it. She looks, she looks great. Yeah, 656 00:36:35,440 --> 00:36:39,520 Speaker 1: and that preempts. You know, you were distracted. You were distracted. 657 00:36:39,880 --> 00:36:41,840 Speaker 1: I was very distracted by it. And then when they 658 00:36:41,960 --> 00:36:45,120 Speaker 1: talk about making out and out of nowhere, Oh my god, 659 00:36:45,160 --> 00:36:47,840 Speaker 1: that's so funny. Twice the Todd runs in, he steals 660 00:36:47,840 --> 00:36:50,040 Speaker 1: the show every time. Dude, I don't know, I can't, 661 00:36:50,080 --> 00:36:52,120 Speaker 1: I can't. I don't know what it is, but that 662 00:36:52,440 --> 00:36:54,440 Speaker 1: makes me laugh every time. One time he runs in 663 00:36:54,520 --> 00:36:57,360 Speaker 1: and he's fresh out of the oh, he's in the 664 00:36:57,400 --> 00:36:59,600 Speaker 1: middle of surgery. No, he was in with a transplant 665 00:37:00,120 --> 00:37:02,920 Speaker 1: in they say, they make some joke about kissing each other, 666 00:37:03,080 --> 00:37:06,480 Speaker 1: and he runs in in his O. R. Uniform and 667 00:37:06,600 --> 00:37:09,160 Speaker 1: he says and they go, no Todd, and he goes 668 00:37:09,400 --> 00:37:14,080 Speaker 1: back to the transplant right. And then the next time 669 00:37:14,200 --> 00:37:17,759 Speaker 1: they're arguing and she says, you will make out with 670 00:37:17,960 --> 00:37:20,520 Speaker 1: me like you said we were gonna do, and out 671 00:37:20,560 --> 00:37:24,239 Speaker 1: of nowhere from the show, from the showers, they'll sut 672 00:37:24,320 --> 00:37:29,120 Speaker 1: it up. Sut it up there. I just no Todd. 673 00:37:29,560 --> 00:37:33,719 Speaker 1: Oh man, he's funny. Rob mash you, I know you listen. 674 00:37:33,800 --> 00:37:37,080 Speaker 1: You're a funny man and you're very funny. We have 675 00:37:37,200 --> 00:37:39,839 Speaker 1: this random thing we did on E with with Rob 676 00:37:39,920 --> 00:37:43,880 Speaker 1: that's coming out. Yes, we have a little surprise for 677 00:37:43,960 --> 00:37:47,480 Speaker 1: you listeners. I'm gonna give you the first tease. He 678 00:37:48,040 --> 00:37:51,320 Speaker 1: has the show where they get cast members together and 679 00:37:51,640 --> 00:37:55,400 Speaker 1: you sort of do some random activities and me and 680 00:37:55,520 --> 00:37:59,080 Speaker 1: Donald did it coming Soon to Eat. Do you know 681 00:37:59,160 --> 00:38:01,840 Speaker 1: what it's called? No, I don't. It's something like Reunion, 682 00:38:02,160 --> 00:38:04,160 Speaker 1: like road Trip or some shit like that. Road Trip 683 00:38:04,560 --> 00:38:06,960 Speaker 1: and Joel and Daniel are have have a cameo in 684 00:38:07,040 --> 00:38:10,960 Speaker 1: it as well. So you visit heaven, and I visit 685 00:38:11,080 --> 00:38:13,640 Speaker 1: heaven and I see all the people that I've been 686 00:38:13,880 --> 00:38:16,160 Speaker 1: Who's who've died under my watch? Now, I imagine there's 687 00:38:16,200 --> 00:38:20,160 Speaker 1: way more people than that that have died under my watch, 688 00:38:20,520 --> 00:38:22,880 Speaker 1: but I think these are four years. These are the 689 00:38:22,920 --> 00:38:25,480 Speaker 1: ones that got featured on the show, including the patient 690 00:38:25,520 --> 00:38:31,120 Speaker 1: I lost in the pilot. Is that who that was? Yeah? Interesting, 691 00:38:32,239 --> 00:38:35,000 Speaker 1: I didn't know who that was. Yeah, talking about the 692 00:38:35,040 --> 00:38:38,680 Speaker 1: old man, Well, they were all pretty senior except for 693 00:38:39,320 --> 00:38:44,560 Speaker 1: Tim Hulbert's wife. But the right but he's what he 694 00:38:44,640 --> 00:38:47,640 Speaker 1: had a line though, he was like, I forget his line. Yeah, 695 00:38:47,680 --> 00:38:49,879 Speaker 1: they all I think they all had a line. But anyway, Yeah, 696 00:38:49,880 --> 00:38:51,840 Speaker 1: the guy you probably didn't recognize was the guy I 697 00:38:51,960 --> 00:38:56,200 Speaker 1: lost in the pilot. Yeah, So to remind you audience, 698 00:38:56,280 --> 00:38:59,600 Speaker 1: Cox is talking to j D and j d's interns 699 00:38:59,600 --> 00:39:02,480 Speaker 1: about how you're gonna kill someone it happens, everybody kills someone. 700 00:39:02,480 --> 00:39:04,640 Speaker 1: You're gonna kill someone's gonna be your fault. And so 701 00:39:05,320 --> 00:39:09,759 Speaker 1: JD really gets insecure because he doesn't think he's accidentally 702 00:39:09,920 --> 00:39:11,880 Speaker 1: killed anyone. He thinks, you know, people have died, but 703 00:39:12,000 --> 00:39:14,239 Speaker 1: not not because of a mistake he's made, and so 704 00:39:14,360 --> 00:39:17,600 Speaker 1: he gets so insecurity even he doesn't even want to 705 00:39:17,640 --> 00:39:20,439 Speaker 1: do a tricky procedure because he's worried he's gonna kill someone. 706 00:39:20,880 --> 00:39:23,440 Speaker 1: And there's a funny bit of dialogue with one of 707 00:39:23,480 --> 00:39:27,080 Speaker 1: the women that's under his care, and she says, can 708 00:39:27,160 --> 00:39:30,800 Speaker 1: I drive my trans am? And he says that's not 709 00:39:31,000 --> 00:39:33,320 Speaker 1: up to me. It's up to the police and the 710 00:39:33,400 --> 00:39:37,000 Speaker 1: owners of those horses you killed, and she says they 711 00:39:37,080 --> 00:39:41,040 Speaker 1: were everywhere, and I go, you were on a race track, 712 00:39:41,239 --> 00:39:46,560 Speaker 1: missus Carter. Yeah, I noticed she mowed down horses on 713 00:39:46,640 --> 00:39:49,680 Speaker 1: a race track. I noticed something, and this is my 714 00:39:49,760 --> 00:39:54,239 Speaker 1: first time noticing it. So please don't, please don't make 715 00:39:54,320 --> 00:39:56,200 Speaker 1: fun of me, Zach. I will never make money. I 716 00:39:56,320 --> 00:40:00,680 Speaker 1: love you. I know that we're a medical comedy, yes, 717 00:40:00,840 --> 00:40:04,640 Speaker 1: but every time we come into the hospital, there's always 718 00:40:04,680 --> 00:40:09,440 Speaker 1: a medical joke. Did you notice that that's what anal 719 00:40:09,520 --> 00:40:13,719 Speaker 1: Jesuic is? All of these things are how we start off. 720 00:40:15,600 --> 00:40:18,560 Speaker 1: I always stought, I don't know why, but this is 721 00:40:18,600 --> 00:40:20,680 Speaker 1: how we start the show off. A lot of times 722 00:40:20,760 --> 00:40:24,080 Speaker 1: you're implying that the show often opens with a medical 723 00:40:24,200 --> 00:40:28,480 Speaker 1: related comedy. I don't know if that's okay. It happens 724 00:40:28,480 --> 00:40:31,400 Speaker 1: a lot. It goes boom boom, and then it's the 725 00:40:31,480 --> 00:40:36,440 Speaker 1: medical joke, right, bim boom ba bo and then it's 726 00:40:36,480 --> 00:40:38,239 Speaker 1: the medical joke, and then we go if the show 727 00:40:38,320 --> 00:40:42,920 Speaker 1: is extra long, Wow. The one that I liked the 728 00:40:42,960 --> 00:40:46,160 Speaker 1: best is boom boom. Can you imagine you're a composer 729 00:40:46,200 --> 00:40:54,560 Speaker 1: and you're like, Wow, done? What's his name? Jen? Was 730 00:40:54,600 --> 00:41:00,839 Speaker 1: that Jan finished my homework? Wow? No? I Jan did 731 00:41:00,880 --> 00:41:03,440 Speaker 1: a good job. I'm Jan. You're very talented. If you listen. 732 00:41:04,920 --> 00:41:09,400 Speaker 1: Those are called stings everybody in the parlance of score, 733 00:41:09,880 --> 00:41:13,640 Speaker 1: when you just need a little moment wow or making 734 00:41:13,719 --> 00:41:23,920 Speaker 1: to bow bim bill Wow. Molly tells the truth. I 735 00:41:24,040 --> 00:41:28,439 Speaker 1: love that she can't help Elliott has. Yeah, Elliott has 736 00:41:29,200 --> 00:41:35,040 Speaker 1: a patient who is an addict and needs a heart transplant, 737 00:41:35,840 --> 00:41:39,960 Speaker 1: and for him to get the heart transplant, his file 738 00:41:40,040 --> 00:41:42,360 Speaker 1: has to go up against the board and they have 739 00:41:42,560 --> 00:41:46,080 Speaker 1: to deem him worthy of the transplant because they don't 740 00:41:46,080 --> 00:41:49,160 Speaker 1: want to give it to someone who's who's still an addict, right, 741 00:41:49,680 --> 00:41:54,000 Speaker 1: and uh, you know this guy, he comes in with 742 00:41:54,160 --> 00:41:57,279 Speaker 1: this kid, and you know, everybody wants to live, and 743 00:41:58,320 --> 00:42:04,040 Speaker 1: you know when it's brought to the board, Kelso asks 744 00:42:04,920 --> 00:42:09,000 Speaker 1: Molly straight up, is this guy a liability and she 745 00:42:09,200 --> 00:42:14,640 Speaker 1: tells the truth and it fractures her relationship with h 746 00:42:15,000 --> 00:42:19,800 Speaker 1: Elliott temporarily, but still, uh, that's the only way to 747 00:42:19,880 --> 00:42:21,640 Speaker 1: do it, right, Like, if you were put in that situation, 748 00:42:21,719 --> 00:42:24,000 Speaker 1: that's what you do right of course, if you have integrity. 749 00:42:24,040 --> 00:42:26,680 Speaker 1: I mean it speaks a lot to her character. She's like, look, 750 00:42:26,719 --> 00:42:29,000 Speaker 1: you're my friend, but I'm I'm not gonna this is 751 00:42:29,040 --> 00:42:32,719 Speaker 1: too important for me to not be truthful, right, I don't. 752 00:42:32,760 --> 00:42:36,840 Speaker 1: I do think in my experience as a psychologist that 753 00:42:37,120 --> 00:42:40,640 Speaker 1: he's a he's a great risk to to you know, 754 00:42:40,760 --> 00:42:43,800 Speaker 1: fall off the wagon. But it's still but it's willing 755 00:42:43,880 --> 00:42:46,799 Speaker 1: to not say anything and let this thing go through. Also, yeah, 756 00:42:46,920 --> 00:42:49,480 Speaker 1: she's letting well she's letting me do her thing. She's 757 00:42:49,480 --> 00:42:52,399 Speaker 1: not she's not involved until she is. And she didn't 758 00:42:52,400 --> 00:42:55,080 Speaker 1: and she didn't have to go either. She was. She 759 00:42:55,480 --> 00:42:58,080 Speaker 1: goes to show Elliott support. You know what, I'll go 760 00:42:58,160 --> 00:42:59,759 Speaker 1: with you to show support. How about that, I'll hang 761 00:42:59,800 --> 00:43:03,600 Speaker 1: out And it turns out kels Kelso flips and it's like, 762 00:43:03,680 --> 00:43:08,480 Speaker 1: well we have a Sam Lloyd Ted the lawyer is 763 00:43:08,560 --> 00:43:11,719 Speaker 1: so oh my god, I loved um. When he goes 764 00:43:12,200 --> 00:43:14,040 Speaker 1: first of all, they both know his name. Molly and 765 00:43:14,719 --> 00:43:17,040 Speaker 1: Elliott know his name, and he can't believe that they 766 00:43:17,120 --> 00:43:21,359 Speaker 1: know his name and and uh, and he's like, yeah, 767 00:43:21,440 --> 00:43:23,200 Speaker 1: they can have whatever they want. They know my name, 768 00:43:23,360 --> 00:43:25,680 Speaker 1: and Kelso goes, why don't I open the floor to 769 00:43:25,760 --> 00:43:35,600 Speaker 1: those people who don't currently have erections? Oh my god, 770 00:43:35,680 --> 00:43:38,959 Speaker 1: that was funny, very funny, very very funny. What about 771 00:43:39,000 --> 00:43:40,520 Speaker 1: the thing where I got First of all, I saw Beard, 772 00:43:40,600 --> 00:43:42,239 Speaker 1: for say in the ICU, and now I have this 773 00:43:42,440 --> 00:43:45,760 Speaker 1: total neuroses whenever I see Beard saying, oh, he's everywhere. 774 00:43:45,840 --> 00:43:49,320 Speaker 1: Why aren't you in the pharmacy? Bro's everywhere? Yeah? But 775 00:43:49,440 --> 00:43:52,200 Speaker 1: why is the pharmacist? Because I'm currently on a kick 776 00:43:52,239 --> 00:43:54,120 Speaker 1: where I think that Beard, for say, is the main 777 00:43:54,280 --> 00:43:57,960 Speaker 1: pharmacist of the hospital. There's obviously a lot of prescriptions 778 00:43:58,000 --> 00:44:00,640 Speaker 1: that need filling. It's a huge, old hospital. Why are 779 00:44:00,680 --> 00:44:04,359 Speaker 1: you in the ICU. I have no idea why he's 780 00:44:04,400 --> 00:44:06,160 Speaker 1: in the ICU. I have a whole I have a 781 00:44:06,200 --> 00:44:08,399 Speaker 1: whole thing going on. Beard foots every time I see him, 782 00:44:08,640 --> 00:44:10,839 Speaker 1: not in that, not in the pharmacy. I'm like, bro, 783 00:44:12,000 --> 00:44:17,200 Speaker 1: back down there. Elliot's a pretty petty. Also, how petty 784 00:44:17,280 --> 00:44:22,239 Speaker 1: is Elliott? Well, she's pissed, she feels betrayed. Yeah, but 785 00:44:22,560 --> 00:44:25,839 Speaker 1: when she wins, she rubs it in her friend's face. Yeah, 786 00:44:25,920 --> 00:44:28,919 Speaker 1: because she she but then again she was wrong because 787 00:44:28,920 --> 00:44:32,400 Speaker 1: the guy disappears right. But when she wins, she's like 788 00:44:32,560 --> 00:44:35,880 Speaker 1: all up in Molly's face, like she pages her. So 789 00:44:36,160 --> 00:44:38,839 Speaker 1: that's a funny bit though, So she goes, she goes, 790 00:44:38,920 --> 00:44:40,440 Speaker 1: you don't want to mess with me because you know, 791 00:44:40,520 --> 00:44:42,200 Speaker 1: one of the reasons I came in psychologists is I 792 00:44:42,280 --> 00:44:44,440 Speaker 1: really know how to pinpoint every once in securities really well. 793 00:44:44,480 --> 00:44:46,880 Speaker 1: And and Elliot's like, oh no, you know she was eyebrows. 794 00:44:47,880 --> 00:44:53,000 Speaker 1: Elliott cut back to Elliott and she's already sobbing. Her 795 00:44:53,120 --> 00:44:57,000 Speaker 1: must scatter is running down her face, and I'm like, Elliott, 796 00:44:57,040 --> 00:44:59,960 Speaker 1: are you really that insecure? And she goes John Adams 797 00:45:00,000 --> 00:45:04,719 Speaker 1: Apple and I go My lip starts quivering, and I'm like, 798 00:45:05,120 --> 00:45:07,120 Speaker 1: I need to go, and then then they and then 799 00:45:07,120 --> 00:45:09,120 Speaker 1: they card cut to me and I'm in a fucking 800 00:45:09,160 --> 00:45:17,400 Speaker 1: red That ship was hilarious. The red turtle neck, Like, 801 00:45:17,400 --> 00:45:18,759 Speaker 1: if you're gonna wear a turtle neck, why are you 802 00:45:18,800 --> 00:45:22,359 Speaker 1: mine wearing like you're wearing a red turtle neck while 803 00:45:22,360 --> 00:45:26,600 Speaker 1: you while you perform a minor surgery too. Yeah, I 804 00:45:26,640 --> 00:45:28,600 Speaker 1: looked so funny. I think turtle night. I can't pull 805 00:45:28,640 --> 00:45:30,160 Speaker 1: off a turtle neck, but maybe I should because of 806 00:45:30,200 --> 00:45:32,719 Speaker 1: my giant Adams apple. But I just think they always 807 00:45:32,760 --> 00:45:38,040 Speaker 1: look super funny. Yeah, I remember to listen. I remember 808 00:45:38,120 --> 00:45:41,000 Speaker 1: Matthew Perry did that show back in the day where 809 00:45:41,040 --> 00:45:43,680 Speaker 1: he wore where he used to wear turtlenecks. All not 810 00:45:43,840 --> 00:45:47,080 Speaker 1: Friends Before Friends. Matt Perry has been around forever, right, 811 00:45:47,120 --> 00:45:48,640 Speaker 1: But I remember there was like when I used to 812 00:45:48,760 --> 00:45:50,520 Speaker 1: ride the subway back in New York City, there was 813 00:45:50,560 --> 00:45:54,160 Speaker 1: one with him and he was on the show. But 814 00:45:54,280 --> 00:45:55,920 Speaker 1: the cover, well can you find out what that is? 815 00:45:55,960 --> 00:45:58,720 Speaker 1: I didn't know that Matt Perry was successful before Friends. 816 00:45:59,200 --> 00:46:02,040 Speaker 1: Matt Perry was very successful before Friends. He was in 817 00:46:02,080 --> 00:46:07,960 Speaker 1: a lot of things before Friends. Actually paid his Friend's 818 00:46:07,960 --> 00:46:11,120 Speaker 1: gonna be Our our our rewatched show after Scrubs. A 819 00:46:11,160 --> 00:46:14,960 Speaker 1: lot of people have requested it. The reason my thinking 820 00:46:15,040 --> 00:46:19,040 Speaker 1: behind it, Donald is it's that and Seinfeld and the 821 00:46:19,080 --> 00:46:21,600 Speaker 1: Office are like the most watched ones. We want to 822 00:46:21,800 --> 00:46:24,120 Speaker 1: pull the most. I think we should. I think we 823 00:46:24,200 --> 00:46:27,880 Speaker 1: should be obscure and do things that are a little 824 00:46:27,880 --> 00:46:30,279 Speaker 1: bit different. I promise you. I think there are some 825 00:46:30,480 --> 00:46:33,480 Speaker 1: shows that are very funny that we're just as successful, 826 00:46:34,040 --> 00:46:39,040 Speaker 1: that we could do like a different World. I'm trying 827 00:46:39,080 --> 00:46:42,600 Speaker 1: to tell you right now that would be fire. You 828 00:46:43,160 --> 00:46:46,799 Speaker 1: watching Hillman College would be fire. But I just don't 829 00:46:46,840 --> 00:46:48,880 Speaker 1: know as many people would tune in for that, like 830 00:46:49,400 --> 00:46:51,600 Speaker 1: the audience tuning in. The audience is tuning in for 831 00:46:51,719 --> 00:46:54,320 Speaker 1: Scrubs or obviously, before there was Friends, there was a 832 00:46:54,400 --> 00:46:56,960 Speaker 1: different world before that was all this Cosby and a 833 00:46:57,080 --> 00:47:01,120 Speaker 1: different world and Cheers ran Thursday night before Friends and 834 00:47:01,160 --> 00:47:03,680 Speaker 1: all that stuff, and we can do Cheers, same type 835 00:47:03,680 --> 00:47:11,399 Speaker 1: of Cheers. No black people the shows, dude, I'm keeping 836 00:47:11,520 --> 00:47:14,400 Speaker 1: one with you, man. Some of this it's like, look, man, 837 00:47:14,600 --> 00:47:16,600 Speaker 1: what am I I'm gonna watch a bunch of white 838 00:47:16,600 --> 00:47:19,800 Speaker 1: people tell white people jokes? Nope, not being racist. But 839 00:47:19,920 --> 00:47:23,279 Speaker 1: that doesn't it doesn't. I can't really know that. I 840 00:47:23,400 --> 00:47:26,800 Speaker 1: didn't know that you were saying in so many words, 841 00:47:26,880 --> 00:47:29,760 Speaker 1: you want to pick a show Marissa Tome Marissa Tommey 842 00:47:29,880 --> 00:47:31,879 Speaker 1: is in the first season of A Different World, man, 843 00:47:31,920 --> 00:47:34,279 Speaker 1: there's a white person in that. Ain't no white people 844 00:47:34,320 --> 00:47:36,320 Speaker 1: in any of these shows you talk about, not Cheers, 845 00:47:36,800 --> 00:47:41,000 Speaker 1: not Friends, not any of them, dude. One hundred Okay, well, 846 00:47:41,000 --> 00:47:43,680 Speaker 1: I didn't realize until now that your objection was related 847 00:47:43,760 --> 00:47:48,400 Speaker 1: to African American representation. I apologize that you didn't know 848 00:47:48,520 --> 00:47:52,000 Speaker 1: that Perry had guest spots on West Wing growing all 849 00:47:52,040 --> 00:47:54,680 Speaker 1: the African American people out there. I'm sorry he didn't 850 00:47:54,719 --> 00:47:57,239 Speaker 1: know that. Y'all, boys will be Boys? Is that the 851 00:47:57,280 --> 00:47:59,040 Speaker 1: show you're thinking of me? I think it's Boys will 852 00:47:59,040 --> 00:48:03,319 Speaker 1: Be Boys? I how about when the janitor says, I'm 853 00:48:03,320 --> 00:48:10,080 Speaker 1: still a little drunk from breakfast? What about you at 854 00:48:10,120 --> 00:48:13,160 Speaker 1: the strip club with the stripper? That was a great moment, 855 00:48:13,440 --> 00:48:15,960 Speaker 1: as you remember shooting that. I don't, but you could 856 00:48:16,000 --> 00:48:18,279 Speaker 1: tell I was having a great time. Really looked like 857 00:48:18,440 --> 00:48:22,240 Speaker 1: you were method acting you. You really was in your bones. 858 00:48:22,800 --> 00:48:26,920 Speaker 1: How about you? So Carla fantasizes a Carla fantasy that 859 00:48:27,000 --> 00:48:28,960 Speaker 1: she imagines you're in a strip club. Why why is 860 00:48:28,960 --> 00:48:31,680 Speaker 1: your character on the strip club? Because she tells him 861 00:48:31,960 --> 00:48:36,839 Speaker 1: he can go to get him off the the scent 862 00:48:37,000 --> 00:48:41,000 Speaker 1: that Rowdy's missing? Is that said in the show? Did 863 00:48:41,000 --> 00:48:43,000 Speaker 1: I miss it? She says, go to a strip club? Yeah, 864 00:48:43,040 --> 00:48:46,000 Speaker 1: she says, yeah, She gives him the She goes go 865 00:48:46,120 --> 00:48:48,239 Speaker 1: to a strip club because he's like, I can't find Rowdy. 866 00:48:48,280 --> 00:48:51,920 Speaker 1: An I don't think any woman would actually do that. Okay, 867 00:48:52,880 --> 00:48:54,759 Speaker 1: I don't think any woman would be like, Oh, I 868 00:48:54,800 --> 00:48:57,600 Speaker 1: need to distract my husband. Here's Cash go to his 869 00:48:57,760 --> 00:49:01,640 Speaker 1: strip club. Carrie brother at the end of the show 870 00:49:01,719 --> 00:49:06,200 Speaker 1: and Alma, Alma has one joke and the whole show 871 00:49:06,320 --> 00:49:09,239 Speaker 1: and she nails it. When this is all over, I'm 872 00:49:09,320 --> 00:49:17,440 Speaker 1: going to kill you. Yeah, so Carrie Brothers Blue Eyes. Yes, 873 00:49:17,840 --> 00:49:21,880 Speaker 1: this had been on the Garden State soundtrack beforehand, just 874 00:49:22,040 --> 00:49:26,960 Speaker 1: so you know. And Carrie, the funny thing is this 875 00:49:27,080 --> 00:49:31,800 Speaker 1: Carrie singing the song in the karaoke bar. He's singing 876 00:49:31,880 --> 00:49:36,279 Speaker 1: his own song. I need then today's episode with Blue 877 00:49:36,280 --> 00:49:39,879 Speaker 1: Eyes since we can. Okay, have you ever experienced that before? Though? 878 00:49:39,920 --> 00:49:43,600 Speaker 1: Have you ever experienced karaoke where an artist has walked 879 00:49:43,640 --> 00:49:46,279 Speaker 1: in and sang their own song? No, that's a thing, Yeah, 880 00:49:46,640 --> 00:49:50,720 Speaker 1: I have experienced that before. Really, where do you remember 881 00:49:52,600 --> 00:49:55,080 Speaker 1: before it became the Pink Taco What was that? Or 882 00:49:55,239 --> 00:49:58,600 Speaker 1: it was the sushi spot on Sunset? So it was 883 00:49:58,719 --> 00:50:02,359 Speaker 1: before it was pink Tacos like Miyagi's or something like that, right, right, 884 00:50:03,320 --> 00:50:04,839 Speaker 1: I think it was something like that. Never went there. 885 00:50:05,200 --> 00:50:08,799 Speaker 1: They used to do Jamie Fox one night. They used 886 00:50:08,800 --> 00:50:13,240 Speaker 1: to do a karaoke night right, and it would be packed. 887 00:50:13,520 --> 00:50:15,279 Speaker 1: And I say when I say packed, I mean like 888 00:50:15,760 --> 00:50:18,279 Speaker 1: it would be packed to the point where you be 889 00:50:18,440 --> 00:50:21,080 Speaker 1: stuck at the bar and maybe people on stage. And 890 00:50:21,080 --> 00:50:24,400 Speaker 1: it's Hollywood, so you got you know, actors and actresses 891 00:50:24,600 --> 00:50:26,719 Speaker 1: like you know, Jamie Fox went up once and did 892 00:50:26,760 --> 00:50:29,399 Speaker 1: a song and he did like doom Baby or something 893 00:50:29,480 --> 00:50:31,520 Speaker 1: like that with a bunch of his friends. Can do 894 00:50:33,840 --> 00:50:37,080 Speaker 1: me in the night. Tila Tequila jumped up and sang 895 00:50:37,160 --> 00:50:39,000 Speaker 1: a song. I forget what it was. Anyway, One night, 896 00:50:39,080 --> 00:50:41,800 Speaker 1: this young lady jumps up on stage, No doubt love it. 897 00:50:42,000 --> 00:50:45,160 Speaker 1: I love it. Tequila is one of your examples of it. 898 00:50:45,400 --> 00:50:47,399 Speaker 1: It's gonna get even better. One night, this young lady 899 00:50:47,440 --> 00:50:50,839 Speaker 1: jumps up on stage and sing Selene Dion's Near Far 900 00:50:51,600 --> 00:50:57,160 Speaker 1: wherever you are. I believe that the heart right nails it, 901 00:50:57,719 --> 00:51:05,920 Speaker 1: kills it. Immediately after she's done, everybody's going crazy onto 902 00:51:06,040 --> 00:51:15,640 Speaker 1: the stage walks Whitney Houston, what shut up? If no? No, 903 00:51:16,920 --> 00:51:33,200 Speaker 1: she was gonna cry stay hi, leeing your way? Oh 904 00:51:33,280 --> 00:51:35,520 Speaker 1: my god, are you sure it was her not an impersonator? 905 00:51:35,920 --> 00:51:37,279 Speaker 1: I know it was her because she came up and 906 00:51:37,320 --> 00:51:39,600 Speaker 1: said hi. After me and we hugged and everything like that. 907 00:51:39,640 --> 00:51:44,320 Speaker 1: Oh my god, dude, dude sang the whole song kills it. 908 00:51:45,239 --> 00:51:47,719 Speaker 1: I felt so bad to a karaoke track, or like 909 00:51:47,760 --> 00:51:51,160 Speaker 1: a composed to the karaoke track, Oh my god, crushes it. 910 00:51:51,520 --> 00:51:53,480 Speaker 1: I felt so bad for the young lady who came 911 00:51:53,560 --> 00:51:56,040 Speaker 1: up and sang Seline Dion right before that, like she 912 00:51:56,520 --> 00:51:59,239 Speaker 1: like she murdered it. But the freaking star power you 913 00:51:59,280 --> 00:52:01,760 Speaker 1: know how you played band in the star power happens 914 00:52:02,000 --> 00:52:04,840 Speaker 1: and you can that thing hits so hard man, Like 915 00:52:05,000 --> 00:52:08,480 Speaker 1: the whole room turned like that blue that happens. I 916 00:52:08,640 --> 00:52:12,240 Speaker 1: felt it. I felt that energy right wow, So she crushes. 917 00:52:14,560 --> 00:52:16,560 Speaker 1: This is where I gets real awesome too, because you 918 00:52:16,680 --> 00:52:23,080 Speaker 1: know I love this brother. Immediately after, Bobby Brown jumps 919 00:52:23,160 --> 00:52:25,880 Speaker 1: up on stage and does my prerogative the best night. 920 00:52:27,280 --> 00:52:29,520 Speaker 1: It was the best night ever. It was like it 921 00:52:29,640 --> 00:52:32,000 Speaker 1: was one of the dude he jumped up on it's 922 00:52:32,120 --> 00:52:35,400 Speaker 1: my parrogative. Did the whole thing man like it was? 923 00:52:36,040 --> 00:52:38,520 Speaker 1: It was I could. That's why I ask you, have 924 00:52:38,600 --> 00:52:41,160 Speaker 1: you ever seen so Carol doing his own song? I 925 00:52:41,239 --> 00:52:43,239 Speaker 1: get it so in reminding me of one of the 926 00:52:43,280 --> 00:52:45,800 Speaker 1: most embarrassing moments in our history together do you know 927 00:52:45,840 --> 00:52:48,719 Speaker 1: what it is? No? You know, you know you like 928 00:52:48,800 --> 00:52:51,080 Speaker 1: you cringe sometime. I think, remind me if I've told 929 00:52:51,080 --> 00:52:52,759 Speaker 1: this in the podcast before, but like sometimes do you 930 00:52:52,840 --> 00:52:54,600 Speaker 1: ever have that thing in your life that happened that 931 00:52:54,640 --> 00:52:57,160 Speaker 1: makes you cringe and like you have to like shake 932 00:52:57,200 --> 00:53:00,279 Speaker 1: it off because you're like thinking of how embarrassing it was? Yes, 933 00:53:01,000 --> 00:53:03,279 Speaker 1: well this is one of mine. Donald and I run 934 00:53:03,360 --> 00:53:10,280 Speaker 1: a party and we were intoxicated and the DJ struck 935 00:53:10,400 --> 00:53:18,320 Speaker 1: up I don't want no scrub and I both went no, no, no, 936 00:53:18,440 --> 00:53:19,839 Speaker 1: no no no no no no no no, don't get, 937 00:53:20,200 --> 00:53:25,200 Speaker 1: don't get, don't don't don't letter over the dance no 938 00:53:25,320 --> 00:53:26,680 Speaker 1: no no, no no no no no no no no 939 00:53:26,760 --> 00:53:31,680 Speaker 1: no no, and started dancing scrubs. Don't you love me? 940 00:53:31,760 --> 00:53:34,600 Speaker 1: In on this ship that creeps me up? At night? Dude, 941 00:53:34,680 --> 00:53:36,920 Speaker 1: I was on the dance floor dancing with my wife. Alright, 942 00:53:37,440 --> 00:53:40,600 Speaker 1: the song comes on. The song comes on. I remember 943 00:53:40,680 --> 00:53:43,640 Speaker 1: it because we me and my wife started walking off 944 00:53:43,680 --> 00:53:47,400 Speaker 1: the dance floor. You're You're gonna buy it comes ZV. 945 00:53:47,800 --> 00:53:52,239 Speaker 1: Hot stepping, hot stepping like it was his freaking bart 946 00:53:52,280 --> 00:53:54,879 Speaker 1: miss for high stepping, like it was his body miss 947 00:53:54,920 --> 00:53:58,480 Speaker 1: for I don't want no scrubs. The scrubs. It's a 948 00:53:58,600 --> 00:54:01,480 Speaker 1: gy cake getting no from And I was like pointing, 949 00:54:01,560 --> 00:54:08,600 Speaker 1: like you scrubs embarrassing. I'm telling you. I will be 950 00:54:08,680 --> 00:54:10,800 Speaker 1: falling asleep and think of that moment and like shiver 951 00:54:10,920 --> 00:54:14,040 Speaker 1: because it's so embarrassing. But Yo, that happens, all right. 952 00:54:14,080 --> 00:54:16,200 Speaker 1: So like when we were coming up in New York 953 00:54:16,320 --> 00:54:17,719 Speaker 1: and stuff like that. When I was coming up and 954 00:54:17,719 --> 00:54:19,800 Speaker 1: I would go to clubs. If you went to a 955 00:54:19,920 --> 00:54:22,759 Speaker 1: club and the DJ was there and you had uh 956 00:54:23,280 --> 00:54:25,919 Speaker 1: like we're in movies or in TV shows or something 957 00:54:26,000 --> 00:54:28,840 Speaker 1: like that, and there were songs that were related to that, 958 00:54:29,000 --> 00:54:32,680 Speaker 1: the DJ would play it to acknowledge you and acknowledge 959 00:54:32,680 --> 00:54:34,680 Speaker 1: the fact that you're at the party. So do you 960 00:54:34,760 --> 00:54:37,320 Speaker 1: think the DJ did that for us? Definitely? But you 961 00:54:37,440 --> 00:54:39,760 Speaker 1: were You acted like you had that had never happened 962 00:54:39,800 --> 00:54:42,520 Speaker 1: to you before, Like the dashbook it happened, I know, 963 00:54:42,640 --> 00:54:44,600 Speaker 1: but you're supposed to act like you've been there before, 964 00:54:44,640 --> 00:54:46,160 Speaker 1: a dog, you're supposed to. I think it was in 965 00:54:46,239 --> 00:54:50,239 Speaker 1: Kate Hudson's backyard. It was oh yeah, in front of Leo, 966 00:54:50,680 --> 00:54:53,520 Speaker 1: in front of all of them. This it was worse. 967 00:54:53,719 --> 00:54:55,640 Speaker 1: It was worse because it was in front of all 968 00:54:55,680 --> 00:55:01,120 Speaker 1: these A list celebrities, so cringing. But Donald, I think 969 00:55:01,160 --> 00:55:03,439 Speaker 1: you're minimizing the fact that you definitely raised your hand 970 00:55:03,520 --> 00:55:07,480 Speaker 1: in the air. I did listen. If anything, you are 971 00:55:07,560 --> 00:55:10,320 Speaker 1: my best friend. It's kind of like go out like that. 972 00:55:10,520 --> 00:55:14,719 Speaker 1: It's kind of like, oh this guy, dude. It's kind 973 00:55:14,760 --> 00:55:17,040 Speaker 1: of like in the show when when Jad lies down 974 00:55:17,160 --> 00:55:19,879 Speaker 1: next to Turk on the ground at the basketball game. Yes, 975 00:55:20,800 --> 00:55:23,080 Speaker 1: you joined me, he joined me, And when all you're like, 976 00:55:23,120 --> 00:55:24,799 Speaker 1: all right, he's gonna make it fool himself. But I'm 977 00:55:24,800 --> 00:55:26,520 Speaker 1: not gonna leave my buddy out there to fucking hang 978 00:55:26,600 --> 00:55:29,759 Speaker 1: himself alone. All right, Joel is the guest here? Is 979 00:55:29,880 --> 00:55:31,600 Speaker 1: guest here? All right, Kay, We're gonna go to break 980 00:55:31,600 --> 00:55:40,040 Speaker 1: and we'll be right back with a guest. Edward back. 981 00:55:43,400 --> 00:55:46,000 Speaker 1: Let's see who we got for day. Let's see. Oh 982 00:55:46,560 --> 00:55:52,080 Speaker 1: we have Katie Price. Hi, ladies and gentlemen, give it 983 00:55:52,200 --> 00:55:58,080 Speaker 1: up for Katie Price. And friend and friend is wearing 984 00:55:58,120 --> 00:56:00,479 Speaker 1: a wish I Always her t shirt. Hello, my friend, 985 00:56:00,640 --> 00:56:06,879 Speaker 1: what's your name? I'm Eric? What is it? And Eric? Eric? Eric? 986 00:56:07,000 --> 00:56:08,879 Speaker 1: Nice to meet you and thank you for repping wish 987 00:56:08,920 --> 00:56:13,200 Speaker 1: I was here swag. That's a dope shirt. Where are 988 00:56:13,200 --> 00:56:16,640 Speaker 1: you guys calling from. We're from a small little city 989 00:56:16,880 --> 00:56:20,760 Speaker 1: in Michigan called Albion. Okay, I've never heard of albi, 990 00:56:21,080 --> 00:56:23,279 Speaker 1: but I am noticing that Donald is going to geek 991 00:56:23,320 --> 00:56:27,480 Speaker 1: out because you have h Star Wars prints on your wall. 992 00:56:27,520 --> 00:56:29,719 Speaker 1: What's the story behind those? Well, the first one, the 993 00:56:29,800 --> 00:56:33,960 Speaker 1: first one on above Katie, that's the shield generator from 994 00:56:34,360 --> 00:56:37,440 Speaker 1: Return of the Jedi, and it looks like an at 995 00:56:39,400 --> 00:56:43,640 Speaker 1: Walker walker. And then above I see a speeder bike 996 00:56:43,760 --> 00:56:48,200 Speaker 1: and I can't tell what it looks like. Dago Yoda 997 00:56:48,480 --> 00:56:55,080 Speaker 1: yea four for four. Well, dude, you what an entrance. 998 00:56:55,120 --> 00:56:56,640 Speaker 1: You've got Star Wars prints on the wall, and I 999 00:56:56,680 --> 00:56:58,399 Speaker 1: wish I was here. Che shirt you had to sit hello, 1000 00:56:58,840 --> 00:57:04,200 Speaker 1: and they have a debunking in here. Eric wrote in ahead, Eric, 1001 00:57:04,280 --> 00:57:07,279 Speaker 1: tell us your story. So I've been listening for the 1002 00:57:07,480 --> 00:57:11,600 Speaker 1: entire run of the podcast. Thank you, sir. I was. 1003 00:57:11,719 --> 00:57:15,040 Speaker 1: I started running last year and this was my podcast 1004 00:57:15,120 --> 00:57:18,160 Speaker 1: I listened to while I was running. Great, so I'd 1005 00:57:18,160 --> 00:57:21,240 Speaker 1: always hear the guest and like's so cool they call 1006 00:57:21,320 --> 00:57:23,280 Speaker 1: in they get to talk to you guys, Like, I 1007 00:57:23,400 --> 00:57:25,720 Speaker 1: can't think of anything that I could bring to the 1008 00:57:25,760 --> 00:57:29,600 Speaker 1: table to be a good guest until the recent episode 1009 00:57:29,680 --> 00:57:32,960 Speaker 1: with Sarah Chuck. Okay, and you got to the words 1010 00:57:33,000 --> 00:57:35,640 Speaker 1: of the end of it, and Donald seemed to think 1011 00:57:35,800 --> 00:57:40,440 Speaker 1: that there's no way that anyone could date, break up 1012 00:57:41,200 --> 00:57:46,160 Speaker 1: and then years later get back to Mary. Yes, I 1013 00:57:46,240 --> 00:57:47,720 Speaker 1: want to hear when it. First of all, hold on, 1014 00:57:47,760 --> 00:57:51,040 Speaker 1: don't I'm not good. I listen, man, let's stop it, 1015 00:57:51,320 --> 00:57:55,640 Speaker 1: stop stop it, stop it. Let them have their moment. 1016 00:57:55,760 --> 00:57:57,960 Speaker 1: They're gonna have the moment. I just want to make 1017 00:57:58,000 --> 00:58:01,520 Speaker 1: sure that the rules are clear. No, you guys broke up. 1018 00:58:01,640 --> 00:58:03,920 Speaker 1: You guys broke up because want to use what one 1019 00:58:03,960 --> 00:58:08,160 Speaker 1: of you was an asshole though? Right? Okay, cool, okay, 1020 00:58:08,200 --> 00:58:10,080 Speaker 1: all right, okay, let him tell the story. Go ahead, 1021 00:58:10,120 --> 00:58:14,919 Speaker 1: what's your journey? Tell us your journal. I moved moved 1022 00:58:14,960 --> 00:58:16,800 Speaker 1: away from my first couple of years of college and 1023 00:58:16,880 --> 00:58:20,520 Speaker 1: then came back to my hometown college, where I started 1024 00:58:20,600 --> 00:58:22,720 Speaker 1: to date a girl from my high school right away. 1025 00:58:23,760 --> 00:58:25,640 Speaker 1: Little did I know that this girl from my high 1026 00:58:25,680 --> 00:58:29,640 Speaker 1: school was dating this friends with me, friends with sorry, yes, 1027 00:58:29,720 --> 00:58:32,800 Speaker 1: the girls dating was friends with this absolute rocket here 1028 00:58:32,880 --> 00:58:36,440 Speaker 1: next to me. Right, So I started developing feelings for her, 1029 00:58:37,480 --> 00:58:40,960 Speaker 1: broke up with the first girl, started dating her afterwards, 1030 00:58:42,400 --> 00:58:45,840 Speaker 1: dated for a couple of years, and towards the end 1031 00:58:45,880 --> 00:58:48,000 Speaker 1: of the couple of years we started to grow part 1032 00:58:48,040 --> 00:58:50,880 Speaker 1: a little bit. Things got sour. I wasn't the most 1033 00:58:51,000 --> 00:58:56,520 Speaker 1: mature person, and so we both graduated and I moved 1034 00:58:56,560 --> 00:59:01,080 Speaker 1: away and she went to grad school. Fast forward a 1035 00:59:01,120 --> 00:59:04,560 Speaker 1: couple of years. I'm living out in Las Vegas. She 1036 00:59:04,760 --> 00:59:09,600 Speaker 1: comes out there for a conference. We meet up, hang 1037 00:59:09,640 --> 00:59:12,800 Speaker 1: out a little bit, and maybe start to rekindle things, 1038 00:59:12,960 --> 00:59:16,280 Speaker 1: and then of course I'm the asshole and break things 1039 00:59:16,320 --> 00:59:19,760 Speaker 1: apart again. Oh man, that's two strikes, I know. We 1040 00:59:19,960 --> 00:59:22,800 Speaker 1: go our separate ways for a couple more years. Fast 1041 00:59:22,840 --> 00:59:28,560 Speaker 1: forward to twenty twelve. I'm still in grad school doing 1042 00:59:28,640 --> 00:59:32,520 Speaker 1: my PhD. And I hear from him for the first 1043 00:59:32,600 --> 00:59:35,880 Speaker 1: time in years because things were not good after the 1044 00:59:35,920 --> 00:59:40,680 Speaker 1: whole Las Vegas Shenanigan, and he was like, hey, I know, 1045 00:59:40,720 --> 00:59:43,439 Speaker 1: we haven't talked in a while. I'm gonna be where 1046 00:59:43,520 --> 00:59:46,840 Speaker 1: you live. Are you around? And I felt kind of 1047 00:59:46,880 --> 00:59:48,440 Speaker 1: bad for him because he was going to be by 1048 00:59:48,560 --> 00:59:50,720 Speaker 1: himself in this city where he didn't know anybody in 1049 00:59:50,760 --> 00:59:53,000 Speaker 1: It was his birthday, So it's like, I'll throw him 1050 00:59:53,040 --> 00:59:56,160 Speaker 1: a bone. You know, he's nice. You're a nice woman. 1051 00:59:56,200 --> 00:59:58,800 Speaker 1: Because he had had two different periods of being a 1052 00:59:58,920 --> 01:00:01,320 Speaker 1: jerk to you. Yeah, and I also, I have to 1053 01:00:01,400 --> 01:00:03,640 Speaker 1: say it was a good thing we broke up because 1054 01:00:03,680 --> 01:00:06,560 Speaker 1: grad school was a really good time of personal growth 1055 01:00:06,640 --> 01:00:09,080 Speaker 1: for me where I got really good at like loving 1056 01:00:09,160 --> 01:00:12,240 Speaker 1: myself and being single and just having fun on my 1057 01:00:12,320 --> 01:00:14,120 Speaker 1: own self. So you you you sort of you did 1058 01:00:14,160 --> 01:00:15,960 Speaker 1: your own thing. You like you got some you got 1059 01:00:16,080 --> 01:00:18,200 Speaker 1: some of that, Yeah, Donald, go ahead, you guys, are 1060 01:00:18,920 --> 01:00:21,280 Speaker 1: you guys aren't giving a good example. I'm gonna be 1061 01:00:21,360 --> 01:00:26,000 Speaker 1: honest with you talking. Let them finish, Okay, So our 1062 01:00:26,040 --> 01:00:29,280 Speaker 1: past kept crossing though over these years, so you don't 1063 01:00:29,320 --> 01:00:31,600 Speaker 1: have to be right. Let them have their moment. I'm 1064 01:00:31,640 --> 01:00:33,040 Speaker 1: going to be right at the end of this. This 1065 01:00:33,200 --> 01:00:36,200 Speaker 1: is a This couple right here is destined to be together. 1066 01:00:36,640 --> 01:00:38,840 Speaker 1: You could tell from when they met. This is this 1067 01:00:39,040 --> 01:00:41,280 Speaker 1: is when Harriet, this is a nice little meat cute 1068 01:00:41,560 --> 01:00:44,160 Speaker 1: as he don't worry about don't worry about him. Go ahead, 1069 01:00:44,600 --> 01:00:48,200 Speaker 1: So we hang out on my birthday when I'm in 1070 01:00:48,280 --> 01:00:51,640 Speaker 1: her city, and we go back our separate ways. Bate 1071 01:00:51,720 --> 01:00:55,960 Speaker 1: brought us back together again at a friend's father's funeral, 1072 01:00:56,920 --> 01:01:00,320 Speaker 1: brought me home to where she's teaching she's now a 1073 01:01:00,400 --> 01:01:03,600 Speaker 1: college professor, brought me home to where she's teaching. We 1074 01:01:03,720 --> 01:01:07,840 Speaker 1: meet up again, rekindle things. She makes it very clear 1075 01:01:07,920 --> 01:01:10,280 Speaker 1: to me at this point that if you met, like, 1076 01:01:10,680 --> 01:01:12,960 Speaker 1: if we're getting back together, this is for real. Yeah. 1077 01:01:13,600 --> 01:01:17,440 Speaker 1: I also, in the meantime had a very strict policy 1078 01:01:17,480 --> 01:01:20,040 Speaker 1: with anybody else I was dating, like we date once. 1079 01:01:20,160 --> 01:01:23,040 Speaker 1: If we break up, there's a reason it's over. So 1080 01:01:23,160 --> 01:01:25,480 Speaker 1: you didn't with other with other people that you saw, 1081 01:01:25,520 --> 01:01:27,840 Speaker 1: you didn't never go back, of course, not yeah, but 1082 01:01:27,920 --> 01:01:31,480 Speaker 1: you obviously you obviously had strong feelings for this guy 1083 01:01:31,640 --> 01:01:35,919 Speaker 1: because somebody there's something special about this was something there. Well, 1084 01:01:36,160 --> 01:01:38,560 Speaker 1: So that's kind of the underlying thing is that I 1085 01:01:39,600 --> 01:01:41,840 Speaker 1: was truly and fully in love with Eric when we 1086 01:01:41,920 --> 01:01:44,040 Speaker 1: were in college, and I knew what it felt like 1087 01:01:44,200 --> 01:01:47,640 Speaker 1: to truly be in love with somebody, and I promised 1088 01:01:47,720 --> 01:01:50,600 Speaker 1: myself that I would never get married unless I've felt 1089 01:01:50,640 --> 01:01:54,160 Speaker 1: that way again about somebody. Good for you. So we 1090 01:01:54,480 --> 01:01:57,439 Speaker 1: get back to there and start dating again. She lays 1091 01:01:57,480 --> 01:01:59,720 Speaker 1: it down like, if this is happening, like we're getting married, 1092 01:01:59,760 --> 01:02:02,360 Speaker 1: Like we're dating again, this is it, Like this is 1093 01:02:02,400 --> 01:02:06,320 Speaker 1: the ultimatum. So I'd done my own personal growth at 1094 01:02:06,360 --> 01:02:08,600 Speaker 1: this point I'd matured. I was like, yep, I'm in 1095 01:02:09,320 --> 01:02:12,480 Speaker 1: So we start dating again, we move into we moved 1096 01:02:12,480 --> 01:02:16,600 Speaker 1: back to the same city again, and we got engaged 1097 01:02:16,880 --> 01:02:21,920 Speaker 1: in twenty twenty fifteen, got married in twenty seventeen, and 1098 01:02:22,040 --> 01:02:28,960 Speaker 1: we're coming up on four years next month. Well, congratulations, 1099 01:02:29,000 --> 01:02:31,280 Speaker 1: I'm a romantic so I love stuff like that. Now 1100 01:02:31,360 --> 01:02:34,200 Speaker 1: Donald is going to say why you don't meet the 1101 01:02:34,280 --> 01:02:37,000 Speaker 1: criteria that he said, go ahead, okay, So this story 1102 01:02:37,280 --> 01:02:39,640 Speaker 1: already comes from love. So you knew you were in 1103 01:02:39,800 --> 01:02:42,560 Speaker 1: love all the way back then, and you just were 1104 01:02:42,680 --> 01:02:45,760 Speaker 1: waiting for him to get to the level that you 1105 01:02:45,840 --> 01:02:49,080 Speaker 1: were at. So therefore all of the breakups in your 1106 01:02:49,160 --> 01:02:52,840 Speaker 1: heart because you were in love. We're kind of like, 1107 01:02:53,160 --> 01:02:56,600 Speaker 1: you know what, he kind of holds a place I'll 1108 01:02:56,640 --> 01:02:59,720 Speaker 1: see him soon. Where the story would have been would 1109 01:02:59,720 --> 01:03:02,919 Speaker 1: have been held the criteria the girl that you broke 1110 01:03:03,040 --> 01:03:06,480 Speaker 1: up with to get with her after you that and 1111 01:03:06,600 --> 01:03:09,000 Speaker 1: you got back with her, that I would have been like, 1112 01:03:09,160 --> 01:03:12,600 Speaker 1: holy shit, that's that. I would have never did your 1113 01:03:12,720 --> 01:03:16,160 Speaker 1: story right there. That's kind of like me and my 1114 01:03:17,040 --> 01:03:20,640 Speaker 1: now wife. I chased after her forever and ever and ever, 1115 01:03:21,120 --> 01:03:24,760 Speaker 1: and then she finally said yes. She said yes, when 1116 01:03:24,840 --> 01:03:27,640 Speaker 1: she knew I was ready. It sounds like the same 1117 01:03:27,720 --> 01:03:30,080 Speaker 1: thing with you. It sounds like it sounds like you 1118 01:03:30,240 --> 01:03:32,200 Speaker 1: came back and you were like, gee, how do I 1119 01:03:32,320 --> 01:03:34,280 Speaker 1: keep messing this up? And she was like, well, I'm here, 1120 01:03:34,600 --> 01:03:36,560 Speaker 1: and you're like, well, what's up? And then you're like, oh, 1121 01:03:36,600 --> 01:03:38,400 Speaker 1: I'm gonna mess it up again, and she was like, 1122 01:03:38,680 --> 01:03:42,600 Speaker 1: when you're ready, I'll be here again. I was not 1123 01:03:42,760 --> 01:03:44,919 Speaker 1: sure he was ever going to get his ship together 1124 01:03:45,120 --> 01:03:47,440 Speaker 1: enough though, but you were banking on. But you had 1125 01:03:47,600 --> 01:03:50,080 Speaker 1: in your heart you knew well, now I'm not gonna 1126 01:03:50,120 --> 01:03:54,000 Speaker 1: say in your heart, but you were hoping he did. Yes. 1127 01:03:54,120 --> 01:03:58,360 Speaker 1: I was definitely hoping. You're so lucky that she's so cool. Dude, 1128 01:03:58,400 --> 01:04:00,440 Speaker 1: You're a very lucky man. Dude, you are a very 1129 01:04:00,520 --> 01:04:04,280 Speaker 1: lucky man. And I hope you understand this, because anyone, okay, 1130 01:04:04,600 --> 01:04:08,040 Speaker 1: anyone who is willing to put up with some bullshit 1131 01:04:08,240 --> 01:04:11,880 Speaker 1: like that to two times where he's like I can't, 1132 01:04:12,640 --> 01:04:14,880 Speaker 1: it was it was more. It was many more times 1133 01:04:14,920 --> 01:04:17,880 Speaker 1: than that. I'm always found his way back into my 1134 01:04:18,000 --> 01:04:21,320 Speaker 1: life and then destroyed me. Oh man, well I'm so 1135 01:04:21,480 --> 01:04:24,560 Speaker 1: happy that it destroyed is a heavy I'm saying to 1136 01:04:24,640 --> 01:04:28,600 Speaker 1: damn but I know, damn well, it has a happy 1137 01:04:28,720 --> 01:04:31,360 Speaker 1: ending and that's what we like, and we love people 1138 01:04:31,400 --> 01:04:33,680 Speaker 1: to be happy and in love. We're in the process 1139 01:04:33,760 --> 01:04:35,800 Speaker 1: of finding Joelle love here on the show. Is you know, 1140 01:04:36,920 --> 01:04:40,680 Speaker 1: we're still waiting on someone to sponsor the Joelle Loves segment. 1141 01:04:42,040 --> 01:04:44,160 Speaker 1: All right, guys, well that's a great story, and I'm 1142 01:04:44,200 --> 01:04:46,000 Speaker 1: welcome to the show. And do you have a question 1143 01:04:46,120 --> 01:04:51,320 Speaker 1: for us? Yes, we do. So we've been fans of 1144 01:04:51,360 --> 01:04:52,840 Speaker 1: the show. That's one of the things we bonded over 1145 01:04:52,920 --> 01:04:55,760 Speaker 1: when we first started dating was the show. She was 1146 01:04:55,840 --> 01:04:58,320 Speaker 1: watching it first. She got me into it, and I 1147 01:04:58,480 --> 01:05:02,640 Speaker 1: like that, that's what's and so it's been something we've 1148 01:05:02,680 --> 01:05:06,400 Speaker 1: been watched. Were we rewatched. We also don't recognize the 1149 01:05:06,520 --> 01:05:08,480 Speaker 1: ninth season as being a thing. It's not part of 1150 01:05:08,480 --> 01:05:11,600 Speaker 1: the original I've never actually been seeing it. Yeah, neither 1151 01:05:11,640 --> 01:05:14,960 Speaker 1: of mine. I've never watched one. I've never watched one 1152 01:05:15,000 --> 01:05:16,800 Speaker 1: episode of the ninth I don't think i've ever watched 1153 01:05:16,840 --> 01:05:18,480 Speaker 1: an episode of scene. It's gonna be really fun when 1154 01:05:18,520 --> 01:05:20,280 Speaker 1: we get to it because we'll be seeing it for 1155 01:05:20,360 --> 01:05:23,720 Speaker 1: the first time. We have the DVD box set from 1156 01:05:23,720 --> 01:05:26,600 Speaker 1: seasons one through eight til we stopped it yeah, that's all. 1157 01:05:26,680 --> 01:05:29,880 Speaker 1: We recommend that with so many stories being told during 1158 01:05:29,960 --> 01:05:32,800 Speaker 1: that time, is there any story that you wish had 1159 01:05:32,880 --> 01:05:35,720 Speaker 1: been told, or any story in Scrubs that you wish 1160 01:05:35,800 --> 01:05:41,800 Speaker 1: had been told differently? M? I wish we would have 1161 01:05:41,840 --> 01:05:48,160 Speaker 1: met Turk's father. M. Father. Did you not have a father? 1162 01:05:48,800 --> 01:05:51,000 Speaker 1: I think he does. I'm pretty sure he does. I 1163 01:05:51,040 --> 01:05:54,680 Speaker 1: don't remember why they never got to cast Billy was 1164 01:05:54,720 --> 01:06:00,560 Speaker 1: the dad? No, Billy Dean was Billy Dee was uh 1165 01:06:02,200 --> 01:06:09,680 Speaker 1: Zach's uh girlfriend at the times, father godfather, godfather. Oh yeah, 1166 01:06:09,720 --> 01:06:12,760 Speaker 1: and he's really Billy D. And he's really Billy D. Williams. Yeah, yeah, 1167 01:06:12,760 --> 01:06:15,800 Speaker 1: because you go ben it D, will you? No? I go, Lando, 1168 01:06:15,960 --> 01:06:19,520 Speaker 1: Calarizzi Billy D. Damn it. It's Billy D. Damn it. 1169 01:06:20,000 --> 01:06:25,919 Speaker 1: It's Billy D. Damn it. No, Cal I told y'all 1170 01:06:25,960 --> 01:06:27,520 Speaker 1: the story on what I did when I did that 1171 01:06:27,600 --> 01:06:29,560 Speaker 1: to him in real life and what happened. Yeah, yeah, 1172 01:06:29,960 --> 01:06:32,800 Speaker 1: did not go well for me. I don't know if 1173 01:06:32,840 --> 01:06:36,400 Speaker 1: you're gonna be playing young Lando anytime soon. Well, it did, 1174 01:06:36,560 --> 01:06:38,560 Speaker 1: it didn't happen. It did it already didn't happen. And 1175 01:06:38,680 --> 01:06:41,160 Speaker 1: the meme that you posted online was one of the 1176 01:06:41,240 --> 01:06:43,320 Speaker 1: worst things you've ever done to mother. I remember being 1177 01:06:43,400 --> 01:06:46,760 Speaker 1: so upset but so thinking it was so funny when Lando, 1178 01:06:46,880 --> 01:06:50,680 Speaker 1: when Donald Glover was announced as Lando Calarissian. Zach Braff 1179 01:06:50,840 --> 01:06:53,919 Speaker 1: posts the picture the meme of me in the back 1180 01:06:54,000 --> 01:06:56,880 Speaker 1: in the in the car from Clueless, when the truck 1181 01:06:57,000 --> 01:06:59,640 Speaker 1: comes behind me and I'm yelling he and he wrote 1182 01:06:59,760 --> 01:07:07,960 Speaker 1: under it, when you find out you're not playing Lando, adamage. 1183 01:07:10,680 --> 01:07:12,760 Speaker 1: I don't forgot I did that. That's funny that it 1184 01:07:12,840 --> 01:07:14,840 Speaker 1: was so I remember being so I remember the laughing. 1185 01:07:14,960 --> 01:07:21,520 Speaker 1: You were mad dude when listen when it said when 1186 01:07:21,560 --> 01:07:24,360 Speaker 1: it said Lando Calarissia is gonna be played by Donald 1187 01:07:24,720 --> 01:07:27,360 Speaker 1: and then dot dot dot dot dot. I think I 1188 01:07:27,440 --> 01:07:29,920 Speaker 1: think all media was fucking with me that day. I 1189 01:07:30,000 --> 01:07:32,560 Speaker 1: think all media was fucking with me that day. They 1190 01:07:32,600 --> 01:07:35,640 Speaker 1: didn't they could have said Donald Glover right away, but 1191 01:07:35,720 --> 01:07:38,360 Speaker 1: they wrote Donald dot dot dot dot, and I was like, 1192 01:07:38,480 --> 01:07:43,720 Speaker 1: I got a chance quick. You thought you might not 1193 01:07:43,840 --> 01:07:46,680 Speaker 1: have been warned that you had been cast as you like, 1194 01:07:47,320 --> 01:07:49,600 Speaker 1: I'm just reading the news. I don't know. I don't 1195 01:07:49,600 --> 01:07:52,240 Speaker 1: know how shit works. You hear people are freaking driving 1196 01:07:52,280 --> 01:07:55,040 Speaker 1: in their car and they get nominated for Academy Awards 1197 01:07:55,120 --> 01:07:57,120 Speaker 1: and shit like that. I was like, maybe this is 1198 01:07:57,160 --> 01:07:59,920 Speaker 1: how the shit happens for me. Maybe my life gets 1199 01:08:00,160 --> 01:08:02,560 Speaker 1: turned upside down like the fresh Prince of bell Air 1200 01:08:03,000 --> 01:08:05,760 Speaker 1: the same way that you know. Maybe it happens over 1201 01:08:06,720 --> 01:08:09,120 Speaker 1: the trades. Maybe that's how I find out and it 1202 01:08:09,200 --> 01:08:11,960 Speaker 1: didn't happen that way. I think I'm hoping that's how 1203 01:08:12,040 --> 01:08:14,120 Speaker 1: I find out. I'm in one of these Star Wars shows. 1204 01:08:14,400 --> 01:08:17,680 Speaker 1: Donald Fazon is cast as such and such in one 1205 01:08:17,720 --> 01:08:20,000 Speaker 1: of these Star Wars shows. I gotta I gotta make 1206 01:08:20,040 --> 01:08:22,720 Speaker 1: that happen. Man, I wish there was something I wish. 1207 01:08:23,160 --> 01:08:25,720 Speaker 1: There's nothing you can do unless you work for Lucasfilm. 1208 01:08:26,479 --> 01:08:29,200 Speaker 1: Let's start speaking of Are you guys watching any I 1209 01:08:29,320 --> 01:08:31,360 Speaker 1: hate to do it, but I'm gonna. Are you guys 1210 01:08:31,400 --> 01:08:35,960 Speaker 1: watching WandaVision? We haven't watched today's episode yet? Oh my god, 1211 01:08:36,000 --> 01:08:41,000 Speaker 1: it's so good. I know, Joel turn your key, Joel 1212 01:08:41,760 --> 01:08:44,640 Speaker 1: it turned? I haven't seen it yet, is it is? He? 1213 01:08:45,240 --> 01:08:51,360 Speaker 1: Oh my listen, if you have, you have you Daniel's 1214 01:08:51,400 --> 01:08:53,679 Speaker 1: not watching any of anytime. I'm just happy you're watching 1215 01:08:53,720 --> 01:08:55,920 Speaker 1: a TV show, my friend, because you don't normally you 1216 01:08:55,960 --> 01:08:59,280 Speaker 1: only watch the final because it's like a movie because 1217 01:08:59,280 --> 01:09:02,280 Speaker 1: it's crazy to watch it. It is so and the 1218 01:09:02,479 --> 01:09:06,160 Speaker 1: way they flawlessly moved between television formats and film formats 1219 01:09:06,640 --> 01:09:10,280 Speaker 1: is mind blowing. Then they got like top tier actors. 1220 01:09:10,360 --> 01:09:14,479 Speaker 1: Tiana Parish is just killing it. They are not words 1221 01:09:14,560 --> 01:09:16,960 Speaker 1: to discuss the talent this woman has. If you kill 1222 01:09:17,000 --> 01:09:19,439 Speaker 1: the mill Street to talk, she's the main girl in that. 1223 01:09:19,920 --> 01:09:22,040 Speaker 1: They cast her in here to play Monica Rambo, one 1224 01:09:22,040 --> 01:09:24,720 Speaker 1: of them killing bad ist mother efforts ever to be 1225 01:09:24,840 --> 01:09:35,080 Speaker 1: in Marvel bad motherfuckers ever. No, Joell, no, no, no, 1226 01:09:35,320 --> 01:09:39,080 Speaker 1: I'm I'm trying. When it's PG and Disney, I try 1227 01:09:39,160 --> 01:09:42,000 Speaker 1: to stay away from them. I'm trying to corrupt. I'm 1228 01:09:42,080 --> 01:09:44,920 Speaker 1: trying to corrupt Joel and to turn it too, turning 1229 01:09:45,040 --> 01:09:47,639 Speaker 1: to the side that I'm on. But we have two takes. 1230 01:09:48,120 --> 01:09:50,840 Speaker 1: We can elaborately bleep me out. But the show is 1231 01:09:51,360 --> 01:09:55,320 Speaker 1: it's very, very good and I love Why can I 1232 01:09:55,479 --> 01:09:58,439 Speaker 1: not think of Janda's actual human name? You mean you 1233 01:09:58,520 --> 01:10:02,479 Speaker 1: mean a little very Mary Mary Kayton Nashley's sister. Yeah, 1234 01:10:02,520 --> 01:10:05,280 Speaker 1: a little baby sister. Oh. She is so talented and 1235 01:10:05,560 --> 01:10:08,160 Speaker 1: really holding down the four on the show. It's exciting. 1236 01:10:08,240 --> 01:10:10,679 Speaker 1: I don't know where it's going. It's a really great 1237 01:10:10,720 --> 01:10:12,880 Speaker 1: in a year where we haven't had a Marvel movie. 1238 01:10:13,120 --> 01:10:15,000 Speaker 1: It's like a really interesting way to be like Marvel, 1239 01:10:15,160 --> 01:10:17,479 Speaker 1: to move into the next phaise. Like I think there're 1240 01:10:17,479 --> 01:10:19,439 Speaker 1: maybe one of the very few companies that it's like 1241 01:10:19,520 --> 01:10:22,479 Speaker 1: this pandemic might work for us, Like we can build 1242 01:10:22,479 --> 01:10:24,840 Speaker 1: a ton of story out and explore new world and 1243 01:10:24,920 --> 01:10:27,800 Speaker 1: really get people into whatever our second wave is gonna look. 1244 01:10:27,840 --> 01:10:31,080 Speaker 1: Like I huge fan of the show, really enjoying this. 1245 01:10:31,240 --> 01:10:34,000 Speaker 1: If this is what TV is now, if this is 1246 01:10:34,040 --> 01:10:36,760 Speaker 1: what television is going to be, holy cow, we are 1247 01:10:37,160 --> 01:10:39,920 Speaker 1: it's about to get it. We're about to jump to 1248 01:10:40,040 --> 01:10:42,720 Speaker 1: the next level. You know, if Disney has taken over 1249 01:10:42,840 --> 01:10:46,599 Speaker 1: where Lucasfilm left off, they're doing it right. Because TV 1250 01:10:46,840 --> 01:10:50,599 Speaker 1: is now, it's it's it might as well look it's 1251 01:10:50,840 --> 01:10:53,639 Speaker 1: it is a movie. It looks just like the movie, 1252 01:10:54,320 --> 01:10:56,960 Speaker 1: just like it and it never did that before. And 1253 01:10:57,080 --> 01:10:59,479 Speaker 1: now we're there when they go from the four by 1254 01:10:59,560 --> 01:11:02,479 Speaker 1: three ft and it starts to slowly pan out and 1255 01:11:02,560 --> 01:11:04,840 Speaker 1: then go to the y screen like you know, it's 1256 01:11:04,840 --> 01:11:09,640 Speaker 1: about to go down. Yeah, that's cool, that's cool. I 1257 01:11:09,720 --> 01:11:11,639 Speaker 1: want to check it out. Yeah, I've been hearing great 1258 01:11:11,640 --> 01:11:13,439 Speaker 1: things about it, and that's something I'll watch. Donald, We're 1259 01:11:13,439 --> 01:11:15,760 Speaker 1: gonna have a show that we both watch besides Mandalorian. 1260 01:11:16,000 --> 01:11:20,240 Speaker 1: I love it all right, what's your next question? So 1261 01:11:20,600 --> 01:11:24,280 Speaker 1: I know that Scrubs has been said to be one 1262 01:11:24,320 --> 01:11:26,840 Speaker 1: of the most medically accurate shows. My mom was a nurse. 1263 01:11:26,920 --> 01:11:29,600 Speaker 1: She was even like, this is the closest it actually is, 1264 01:11:30,120 --> 01:11:34,040 Speaker 1: you know, to real life in a hospital. It's also 1265 01:11:34,200 --> 01:11:38,880 Speaker 1: very useful in academia. I swear somebody in the writer's 1266 01:11:38,960 --> 01:11:41,720 Speaker 1: room took a calm one O one textbook opened it 1267 01:11:41,840 --> 01:11:47,479 Speaker 1: up two chapters about listening, identity, and conflict. And I 1268 01:11:47,600 --> 01:11:50,479 Speaker 1: can't tell you how many times I have watched My 1269 01:11:50,560 --> 01:11:57,040 Speaker 1: Own American Girl, My Office and My fifteen Seconds to 1270 01:11:57,280 --> 01:12:00,880 Speaker 1: teach those concepts in the class room. What do you 1271 01:12:01,000 --> 01:12:02,960 Speaker 1: use them? Do you use them in the classroom? Yeah, 1272 01:12:03,240 --> 01:12:05,080 Speaker 1: I've watched them with my students. You're that you're that 1273 01:12:05,200 --> 01:12:07,439 Speaker 1: cool teacher that rolls in remember and when we were 1274 01:12:07,479 --> 01:12:08,960 Speaker 1: in when we were in public school, and they would 1275 01:12:09,040 --> 01:12:11,240 Speaker 1: roll in the TV cart and you were like, yes, 1276 01:12:12,280 --> 01:12:16,759 Speaker 1: TV cart. Yeah, So I've gotten I've gotten some students 1277 01:12:16,920 --> 01:12:20,799 Speaker 1: in two Scrubs. We appreciate you, but I am curious 1278 01:12:21,000 --> 01:12:25,040 Speaker 1: if since it clearly has applications to lots of different 1279 01:12:25,080 --> 01:12:27,360 Speaker 1: areas of life. If you have heard of any other 1280 01:12:28,720 --> 01:12:33,320 Speaker 1: industries that have found scrubs to be useful, No, I 1281 01:12:33,479 --> 01:12:35,640 Speaker 1: personally haven't, but I love the fact that you see that. 1282 01:12:37,280 --> 01:12:39,400 Speaker 1: I don't think I've ever heard of anyone referencing it 1283 01:12:39,479 --> 01:12:42,600 Speaker 1: besides the medical community, which seems to really love it. 1284 01:12:42,960 --> 01:12:45,960 Speaker 1: It's good because it was a network TV show, so 1285 01:12:46,000 --> 01:12:49,439 Speaker 1: there's not a lot of swear words are graphic sex 1286 01:12:49,560 --> 01:12:53,920 Speaker 1: or anything, so you can mean there was some mean, 1287 01:12:54,040 --> 01:13:01,080 Speaker 1: there's a lot of todd, a lot of todd. Yeah, 1288 01:13:01,640 --> 01:13:04,960 Speaker 1: it's pretty sexy for a for a network show, though, 1289 01:13:05,080 --> 01:13:09,520 Speaker 1: I think, especially in this episode, Donald Sung getting gyrated 1290 01:13:09,600 --> 01:13:13,519 Speaker 1: on by an erotic dancer. Well, no, Turkey is. I 1291 01:13:13,680 --> 01:13:16,680 Speaker 1: wasn't Turk was. Well, you were in real life, I 1292 01:13:16,800 --> 01:13:19,599 Speaker 1: was acting. You don't remember shooting. You don't remember shooting 1293 01:13:19,680 --> 01:13:25,920 Speaker 1: that scene. There's so many strip clubs, Zach, so much. Okay, 1294 01:13:26,040 --> 01:13:28,920 Speaker 1: it just goes together with all your other experiences. All right, 1295 01:13:29,240 --> 01:13:31,960 Speaker 1: it's time ladies and gentlemen. Drum roll, danalel I want 1296 01:13:32,000 --> 01:13:34,840 Speaker 1: a drum roll here, timpany drum roll, thought Daniel. It's 1297 01:13:34,920 --> 01:13:40,120 Speaker 1: time for a tiny town in Michigan's favorite segment, it's 1298 01:13:40,200 --> 01:13:48,080 Speaker 1: time to fix yeah life? All right, go ahead, guys, 1299 01:13:48,120 --> 01:13:49,639 Speaker 1: how can we fix your life? You seem like pretty 1300 01:13:49,640 --> 01:13:53,760 Speaker 1: happy people, but we're gonna do it anyway. So this 1301 01:13:53,960 --> 01:13:56,240 Speaker 1: is kind of a fix our life plus probably fix 1302 01:13:56,280 --> 01:13:59,960 Speaker 1: a lot of people's lives. Yes, we've we've done during pandem, 1303 01:14:00,240 --> 01:14:04,040 Speaker 1: We've done puzzles, we've done baking together, we've gone for walks, 1304 01:14:04,120 --> 01:14:07,160 Speaker 1: we've kind of done a lot of card games. We've 1305 01:14:07,240 --> 01:14:09,240 Speaker 1: done a lot of stuff, and so we're kind of 1306 01:14:09,360 --> 01:14:13,120 Speaker 1: running out of things to do. So anything that you 1307 01:14:13,240 --> 01:14:16,040 Speaker 1: guys have done with your significant others or other people 1308 01:14:16,080 --> 01:14:18,360 Speaker 1: in your lives that you can share that we can 1309 01:14:18,439 --> 01:14:22,680 Speaker 1: also do to stave off some boredom. Great idea. We 1310 01:14:22,800 --> 01:14:26,160 Speaker 1: started a garden. You have a beautiful garden. You have 1311 01:14:26,280 --> 01:14:29,160 Speaker 1: room for a garden. Beautiful gardens. I know it's freezing 1312 01:14:29,160 --> 01:14:32,600 Speaker 1: because it's Michigan. It's not the Yeah, sorry, it's not 1313 01:14:32,640 --> 01:14:38,560 Speaker 1: gonna work. Sorry where it's seventy right now? What I 1314 01:14:38,560 --> 01:14:40,760 Speaker 1: would about to say, what can you grow that by 1315 01:14:41,360 --> 01:14:44,360 Speaker 1: by May you can plant and be ready to you 1316 01:14:44,400 --> 01:14:45,800 Speaker 1: know what I mean? What is there that you can 1317 01:14:45,880 --> 01:14:49,120 Speaker 1: do indoor and then take it outdoor because it's like 1318 01:14:49,360 --> 01:14:52,360 Speaker 1: you're you're creating a baby. Yeah, a little right, could 1319 01:14:52,360 --> 01:14:54,439 Speaker 1: you could? You could do seedlings like in your window. 1320 01:14:54,960 --> 01:14:58,000 Speaker 1: It is fun to watch everything grow. That's something that 1321 01:14:58,360 --> 01:15:01,680 Speaker 1: we've done that I really enjoy. What's the favorite thing 1322 01:15:01,720 --> 01:15:04,800 Speaker 1: that you plant in tomatoes? I mean, it's not the 1323 01:15:04,880 --> 01:15:07,639 Speaker 1: season even in a lafe for tomatoes, but we planted 1324 01:15:07,760 --> 01:15:10,680 Speaker 1: so many cherry tomatoes and it's like they're green. They're green, 1325 01:15:10,760 --> 01:15:12,400 Speaker 1: the green all of a sudden one week, it's just 1326 01:15:12,520 --> 01:15:15,400 Speaker 1: like so many. You have to just give them away 1327 01:15:15,400 --> 01:15:17,680 Speaker 1: and you eat them off the vine and they're so delicious, 1328 01:15:18,160 --> 01:15:20,720 Speaker 1: and heirloom tomatoes we had, we had, I mean, I 1329 01:15:20,880 --> 01:15:23,040 Speaker 1: was just like giving tomatoes away to all my friends 1330 01:15:23,080 --> 01:15:26,120 Speaker 1: and neighbors because we have so many. Yeah, Donald, your hand, 1331 01:15:26,120 --> 01:15:27,360 Speaker 1: you're the coach. I don't want to. I don't want 1332 01:15:27,360 --> 01:15:29,479 Speaker 1: I don't want to cut you off. Why why don't 1333 01:15:29,479 --> 01:15:33,280 Speaker 1: you guys do grapes? That would be great? I did 1334 01:15:33,479 --> 01:15:37,600 Speaker 1: owe them, no you, Zach, I did imagine having just 1335 01:15:37,840 --> 01:15:42,560 Speaker 1: as I think that vineyard looks so cool, like just 1336 01:15:42,680 --> 01:15:46,800 Speaker 1: doing a section like that. But I don't know, there's people, 1337 01:15:47,160 --> 01:15:48,920 Speaker 1: there's companies that like if you have like a small 1338 01:15:48,920 --> 01:15:52,080 Speaker 1: amount of grapes, you know, not like zero, not like nothing, 1339 01:15:52,160 --> 01:15:55,080 Speaker 1: but like, you know, a low amount of grapes that 1340 01:15:55,080 --> 01:15:57,040 Speaker 1: you're only gonna get a couple of bottles of wine 1341 01:15:57,040 --> 01:16:00,719 Speaker 1: at them. There's companies that will take all your grapes 1342 01:16:00,760 --> 01:16:03,280 Speaker 1: that you harvest and make you like two bottles of 1343 01:16:03,360 --> 01:16:06,720 Speaker 1: wine from your crop or whatever it is. I don't know, 1344 01:16:06,720 --> 01:16:08,960 Speaker 1: I think it was. That would be really cool if 1345 01:16:09,120 --> 01:16:13,360 Speaker 1: you got some wine, if you made some wine and 1346 01:16:13,520 --> 01:16:16,960 Speaker 1: then put it up on the Fake Doctor's Real Friends site. 1347 01:16:17,400 --> 01:16:20,240 Speaker 1: And I don't think that I could could make enough 1348 01:16:20,880 --> 01:16:24,200 Speaker 1: wine on my on my my b one bottle, one bottle, 1349 01:16:24,640 --> 01:16:27,400 Speaker 1: one bottle. We've been on it, we have people been 1350 01:16:27,479 --> 01:16:30,800 Speaker 1: on and it goes to charity. That would be so cool. 1351 01:16:30,880 --> 01:16:33,680 Speaker 1: That's a good idea, that would be so cool. I 1352 01:16:33,800 --> 01:16:37,920 Speaker 1: just have to play you know what here, guys, forget 1353 01:16:37,960 --> 01:16:41,160 Speaker 1: about fixing your life. We're gonna fix Zach's life now 1354 01:16:41,320 --> 01:16:53,479 Speaker 1: za thinking we thank you? What else at all? Like 1355 01:16:53,960 --> 01:16:57,200 Speaker 1: it's it seems sort of sometimes tribularly silly, but I 1356 01:16:57,560 --> 01:17:01,200 Speaker 1: like just painting, like just movie paint around, experimenting with 1357 01:17:01,320 --> 01:17:04,920 Speaker 1: colors and mixings, and it's like a small investment. But 1358 01:17:05,000 --> 01:17:07,439 Speaker 1: once you have it like on a nice sunny day 1359 01:17:07,560 --> 01:17:09,759 Speaker 1: you just want to like go outside and paint a field, 1360 01:17:09,880 --> 01:17:12,400 Speaker 1: and you can easily track your progress as you grow 1361 01:17:12,479 --> 01:17:14,640 Speaker 1: as an artist, and then you have nice gifts for 1362 01:17:14,760 --> 01:17:19,280 Speaker 1: everybody birthdays, holidays, just because it's be like, oh, you 1363 01:17:19,400 --> 01:17:22,000 Speaker 1: moved in here, have a painting, you need something on 1364 01:17:22,120 --> 01:17:24,400 Speaker 1: your walls. It's like, it's just a really lovely like 1365 01:17:24,560 --> 01:17:26,479 Speaker 1: hobby that you can do it by yourself or together. 1366 01:17:27,240 --> 01:17:29,160 Speaker 1: I got one. Go ahead. Now you're gonna think it's 1367 01:17:29,200 --> 01:17:31,920 Speaker 1: weird and you're not gonna want to do it. So 1368 01:17:32,040 --> 01:17:35,240 Speaker 1: it sounds great so far. Maybe you will, Maybe you will, 1369 01:17:36,040 --> 01:17:38,479 Speaker 1: But I do I do I do animation. That could 1370 01:17:38,479 --> 01:17:40,519 Speaker 1: be something you could get into together. You know what 1371 01:17:40,560 --> 01:17:43,120 Speaker 1: I mean? Why not? You got a bunch of time 1372 01:17:43,240 --> 01:17:45,320 Speaker 1: on your hand. It takes a lot of time. Well, 1373 01:17:45,439 --> 01:17:47,519 Speaker 1: you're you're this is You're you're saying like, this is 1374 01:17:47,560 --> 01:17:49,680 Speaker 1: a this is a hobby that you're very skilled at 1375 01:17:49,720 --> 01:17:52,719 Speaker 1: and have had ten thousand hours of experience. That's somebody. 1376 01:17:52,840 --> 01:17:55,000 Speaker 1: You don't just dip your toe and stop motion animation. 1377 01:17:55,280 --> 01:17:57,559 Speaker 1: Sure you do. That's how it starts. You say, hey, 1378 01:17:57,600 --> 01:17:59,160 Speaker 1: you know what, let's get some play. Though you get 1379 01:17:59,240 --> 01:18:02,000 Speaker 1: you got Adapts on the Wall, you got you know, 1380 01:18:02,120 --> 01:18:04,080 Speaker 1: you've got a bunch of Star Wars stuff. So it's 1381 01:18:04,120 --> 01:18:08,599 Speaker 1: clear that you're into that type of stuff, So why 1382 01:18:08,680 --> 01:18:11,639 Speaker 1: not why not create? You guys could create your own 1383 01:18:11,680 --> 01:18:15,360 Speaker 1: little shorts, create your own little the software. It's inexpensive. 1384 01:18:15,800 --> 01:18:18,200 Speaker 1: It doesn't take much. You can even buy Lego or 1385 01:18:18,360 --> 01:18:22,160 Speaker 1: whatever to tell your story. What do they call that 1386 01:18:22,360 --> 01:18:26,120 Speaker 1: series of Lego that where they're like the town where 1387 01:18:26,120 --> 01:18:30,280 Speaker 1: they you know, not really creator creator, Yeah, that series 1388 01:18:30,560 --> 01:18:32,439 Speaker 1: if you want to. Really, it's like I thought of 1389 01:18:32,479 --> 01:18:34,840 Speaker 1: it like doing a puzzle in a sense that it's 1390 01:18:34,880 --> 01:18:38,120 Speaker 1: a big ass house and it's not meant for a child. 1391 01:18:38,240 --> 01:18:40,599 Speaker 1: I mean, I think it says like sixteen and up 1392 01:18:40,680 --> 01:18:43,240 Speaker 1: or something. But that's fun to do together. That's something 1393 01:18:43,320 --> 01:18:44,960 Speaker 1: I didn't do during the pandemic, but I have done. 1394 01:18:45,000 --> 01:18:46,800 Speaker 1: When I was procrastinating is supposed to be writing, I 1395 01:18:46,880 --> 01:18:49,679 Speaker 1: was like, I know what I'll do. I'll write after 1396 01:18:49,800 --> 01:18:54,200 Speaker 1: I build this giant Lego house. I have another really 1397 01:18:54,280 --> 01:18:56,200 Speaker 1: quick idea that my friends are doing that are a 1398 01:18:56,280 --> 01:18:59,960 Speaker 1: couple as like they're reading to each other every day, 1399 01:19:00,360 --> 01:19:03,680 Speaker 1: which I think is just the sweetest thing. I don't know, 1400 01:19:03,840 --> 01:19:05,320 Speaker 1: you're a professor. So maybe you're like a girl, I 1401 01:19:05,320 --> 01:19:07,479 Speaker 1: don't want to read anything else, but I get home, 1402 01:19:07,560 --> 01:19:10,360 Speaker 1: I'm done. But if you guys enjoy Star Wars, there's 1403 01:19:10,360 --> 01:19:12,639 Speaker 1: an entire new line of Star Wars books coming out 1404 01:19:13,439 --> 01:19:16,360 Speaker 1: that are really well written. If you're into Star Wars 1405 01:19:16,520 --> 01:19:18,680 Speaker 1: High Republic, it's years before the movie, so that's kind 1406 01:19:18,720 --> 01:19:20,880 Speaker 1: of funny universe to dive into. And I just spent 1407 01:19:20,920 --> 01:19:22,720 Speaker 1: like two or three hours reading to each other each night, 1408 01:19:22,720 --> 01:19:25,599 Speaker 1: and I just think it's so romantic, it's sweet, it's 1409 01:19:25,760 --> 01:19:36,360 Speaker 1: very sweets. Do well. What kind of paints do you 1410 01:19:36,400 --> 01:19:40,560 Speaker 1: paint with? Oh, I'm partial to watercolors because they're not 1411 01:19:40,680 --> 01:19:44,160 Speaker 1: as expensive as oils, and they're easier to blend. Like 1412 01:19:44,240 --> 01:19:46,080 Speaker 1: you gotta really be in there with like oils with 1413 01:19:46,160 --> 01:19:48,160 Speaker 1: the like metal tool and mashing, and I'm like, I'm 1414 01:19:48,160 --> 01:19:49,719 Speaker 1: gonna mess it up. And then I spent fifty dollars 1415 01:19:49,800 --> 01:19:52,799 Speaker 1: on this one tube of paint, and I'm angry. There's watercolors. 1416 01:19:52,840 --> 01:19:54,280 Speaker 1: You know, you spent fifty dollars. You could think a 1417 01:19:54,360 --> 01:19:58,080 Speaker 1: nice little palette. I mostly like to do like sunsets, 1418 01:19:58,320 --> 01:20:00,760 Speaker 1: like obsessed with painting sunsets. They're not hard at all. 1419 01:20:01,200 --> 01:20:03,439 Speaker 1: They're fun. You don't feel like a failure. Afterwards, people 1420 01:20:03,479 --> 01:20:05,160 Speaker 1: are like, that's a sunset, Like, yes, it is. Thank 1421 01:20:05,200 --> 01:20:15,559 Speaker 1: you because you are very special guests, and because you're 1422 01:20:15,600 --> 01:20:18,920 Speaker 1: wearing that very awesome T shirt. We're gonna give you 1423 01:20:18,960 --> 01:20:22,880 Speaker 1: a special prize today. You're the first recipient. Wait, do 1424 01:20:22,920 --> 01:20:26,120 Speaker 1: you have a record player? Yes? Okay, I'm gonna give 1425 01:20:26,120 --> 01:20:32,040 Speaker 1: you a signed of Wish I was here. Yay, So 1426 01:20:32,640 --> 01:20:36,240 Speaker 1: that's awesome. Joel will get your address and I will 1427 01:20:36,280 --> 01:20:39,000 Speaker 1: write you a personal note. And this is a really 1428 01:20:39,080 --> 01:20:41,799 Speaker 1: beautiful double album. And it's one hundred and eighty Grahams, 1429 01:20:41,880 --> 01:20:47,240 Speaker 1: which means it's good. And it's from Zach and Donald. Yes. 1430 01:20:47,600 --> 01:20:49,639 Speaker 1: By the way, by the way, if you look closely, 1431 01:20:50,120 --> 01:20:53,680 Speaker 1: that's Donald's arms because this is the scene where we 1432 01:20:53,800 --> 01:20:55,680 Speaker 1: drive the aston Martin Donald. You probably didn't know this. 1433 01:20:55,760 --> 01:20:59,840 Speaker 1: Your your arms are on the poster? Is that meet 1434 01:20:59,880 --> 01:21:05,040 Speaker 1: the look? Oh? Yeah, I recognize that. Now. Well I 1435 01:21:05,120 --> 01:21:07,479 Speaker 1: know something funny. Do I know a bit of funny trivia? 1436 01:21:07,600 --> 01:21:10,840 Speaker 1: So when you when you make a movie poster, every 1437 01:21:10,920 --> 01:21:14,720 Speaker 1: actor has a different contractual thing. If they're they have 1438 01:21:14,840 --> 01:21:17,440 Speaker 1: to be on the poster or it's up to the filmmakers. 1439 01:21:17,520 --> 01:21:20,439 Speaker 1: It's it's all in the contract and in certain things, 1440 01:21:20,479 --> 01:21:23,720 Speaker 1: it's like, well, if you show one person that they 1441 01:21:23,760 --> 01:21:25,679 Speaker 1: have it in their contract, like, well, if this person's 1442 01:21:25,720 --> 01:21:27,680 Speaker 1: face is on the on the poster, then mine has 1443 01:21:27,720 --> 01:21:29,040 Speaker 1: to be on the poster. It's all this, you know, 1444 01:21:29,160 --> 01:21:33,519 Speaker 1: small print stuff. While we're making the poster. It turns 1445 01:21:33,560 --> 01:21:35,800 Speaker 1: out and Josh Gad wouldn't have cared, but it didn't matter. 1446 01:21:35,840 --> 01:21:38,120 Speaker 1: It was already in the in the contract. If his 1447 01:21:38,439 --> 01:21:41,719 Speaker 1: face was on the poster, then it triggered other people 1448 01:21:41,840 --> 01:21:44,360 Speaker 1: had to be on the poster and we couldn't have 1449 01:21:44,439 --> 01:21:47,160 Speaker 1: that because we like the design. So Josh Gad is 1450 01:21:47,240 --> 01:21:50,280 Speaker 1: technically on, but we put a glare over his face. 1451 01:21:50,720 --> 01:21:57,880 Speaker 1: You see that. That is it's a little bit of 1452 01:21:57,960 --> 01:22:02,040 Speaker 1: trivia for you. Oh if you're looking as Josh is 1453 01:22:02,080 --> 01:22:07,040 Speaker 1: a cool dude, because I'd be like, looks strategically placed 1454 01:22:07,160 --> 01:22:11,599 Speaker 1: glare over his face. That's so funny. Pretty sneaky, Zach, 1455 01:22:11,920 --> 01:22:16,080 Speaker 1: pretty sneaky. All right, guys, thank you for coming on 1456 01:22:16,120 --> 01:22:20,759 Speaker 1: the show. You can stay because we're done, right fans, 1457 01:22:20,920 --> 01:22:24,160 Speaker 1: we sold out donald of those of the of the 1458 01:22:24,280 --> 01:22:27,120 Speaker 1: key chain things, the lockets, they sold out like in 1459 01:22:27,200 --> 01:22:29,120 Speaker 1: twenty four hours, no matter how many things we put 1460 01:22:29,200 --> 01:22:31,160 Speaker 1: up they're gone. Do you think it had something to 1461 01:22:31,240 --> 01:22:35,679 Speaker 1: do with me singing Annie? Yes, yes, of course maybe. 1462 01:22:37,160 --> 01:22:38,920 Speaker 1: I can't fathom how many of those things we bought. 1463 01:22:39,040 --> 01:22:42,920 Speaker 1: See what you did there, Daniel, Daniel, Daniel? Did you 1464 01:22:42,960 --> 01:22:47,439 Speaker 1: plan that? Daniel? Did you plan that? You did? Let's 1465 01:22:47,479 --> 01:22:50,479 Speaker 1: take credit you did? What can I say? So? The 1466 01:22:50,560 --> 01:22:53,360 Speaker 1: only thing exciting new thing we have in the merge shop, 1467 01:22:53,400 --> 01:22:55,439 Speaker 1: if you're intrigued, is we have these badge poles. If 1468 01:22:55,439 --> 01:22:57,280 Speaker 1: you have a job where you need to pull out 1469 01:22:57,320 --> 01:23:00,360 Speaker 1: your your badge, why not look cool with Donald and 1470 01:23:00,400 --> 01:23:06,679 Speaker 1: I snuggling on your chest. A right, all you lovers 1471 01:23:06,720 --> 01:23:10,439 Speaker 1: out there, ye pulls for all you love. By the way, 1472 01:23:10,880 --> 01:23:13,640 Speaker 1: we know we created the keychain thing for a Valentine's 1473 01:23:13,640 --> 01:23:15,400 Speaker 1: they gift, but they're sold out. So give your lover 1474 01:23:15,560 --> 01:23:19,040 Speaker 1: a badge pull for all you lovers out there. We 1475 01:23:19,120 --> 01:23:23,479 Speaker 1: have You can attach the badge part to your lover's 1476 01:23:23,560 --> 01:23:26,040 Speaker 1: waist and then clip this on your waist and then 1477 01:23:26,080 --> 01:23:27,960 Speaker 1: you guys can just go like this back and forth 1478 01:23:28,040 --> 01:23:30,200 Speaker 1: and bag. I thought you were gonna say something else. 1479 01:23:30,520 --> 01:23:33,720 Speaker 1: I'm so glad you didn't. Let us move on to 1480 01:23:33,880 --> 01:23:36,280 Speaker 1: the end of the show, where Carrie Brothers will be 1481 01:23:36,360 --> 01:23:40,120 Speaker 1: singing yes, So everybody, thank you for tuning in. We 1482 01:23:40,280 --> 01:23:44,280 Speaker 1: care about you, Stay safe, be kind, love each other 1483 01:23:44,439 --> 01:23:47,040 Speaker 1: like this beautiful couple does. And we're gonna end the 1484 01:23:47,040 --> 01:23:50,400 Speaker 1: show with our friend Carrie Brothers, who is an incredibly 1485 01:23:50,439 --> 01:23:54,360 Speaker 1: talented musician, and here is his song that everybody loves. 1486 01:23:54,520 --> 01:23:56,120 Speaker 1: Go ahead, don what are you trying to say when 1487 01:23:56,160 --> 01:23:58,200 Speaker 1: I first heard this song? And you, guys, tell me 1488 01:23:58,360 --> 01:24:00,280 Speaker 1: when you listen to it, if you understand and what 1489 01:24:00,360 --> 01:24:03,599 Speaker 1: he's saying in the first verse, it's something like wishing 1490 01:24:05,800 --> 01:24:11,120 Speaker 1: a wiseman to tell you lie, No, this is what 1491 01:24:11,200 --> 01:24:15,280 Speaker 1: I'm talking about. When the blue talsing, What the heck 1492 01:24:15,360 --> 01:24:18,559 Speaker 1: does he say right there? Wood? I asked him once. 1493 01:24:18,600 --> 01:24:20,000 Speaker 1: He was like, I don't know what I'm saying. Yes, 1494 01:24:21,400 --> 01:24:23,479 Speaker 1: I asked him, and he said he didn't know. When 1495 01:24:23,520 --> 01:24:25,280 Speaker 1: you listen to listen to them. When you listen to 1496 01:24:25,400 --> 01:24:27,880 Speaker 1: the song, now you'll see, uh, you'll see if you 1497 01:24:27,960 --> 01:24:31,439 Speaker 1: can find out what Carry's singing about. And also check 1498 01:24:31,479 --> 01:24:33,559 Speaker 1: out Carry Brothers music because he's a friend of ours, 1499 01:24:33,640 --> 01:24:36,479 Speaker 1: he's a friend of the show, and he's a delightful 1500 01:24:36,560 --> 01:24:38,920 Speaker 1: human being. So here's Carry Brothers with Blue Eyes love you, 1501 01:24:38,960 --> 01:25:03,240 Speaker 1: Michael Wiseman to lie when a broom screams. Children of 1502 01:25:03,600 --> 01:25:13,400 Speaker 1: single tragic scene. I swan se song you. I swan 1503 01:25:13,800 --> 01:25:34,439 Speaker 1: take it off you. It's black you, I near it's 1504 01:25:34,640 --> 01:25:53,840 Speaker 1: black your sweet SMI listen TI on the ponm your hair. 1505 01:25:57,640 --> 01:26:06,799 Speaker 1: I can have day saved it up for this dance. 1506 01:26:10,320 --> 01:26:14,760 Speaker 1: Tell me our friends. Can I have a swung Si 1507 01:26:15,120 --> 01:26:42,320 Speaker 1: song you? I swung strung spr your own silke splace, 1508 01:26:48,760 --> 01:26:57,759 Speaker 1: old song, A life which can't on me, your heart 1509 01:27:01,520 --> 01:27:11,000 Speaker 1: to blind stars, all life, but you don't know. Turn 1510 01:27:11,280 --> 01:27:37,800 Speaker 1: up the grass. It's b you disles. That's one, the 1511 01:27:38,240 --> 01:28:01,000 Speaker 1: one I won't say so, that's one gets yours good. 1512 01:28:01,160 --> 01:28:19,120 Speaker 1: I ken it's bad that small sense, all that small 1513 01:28:19,360 --> 01:28:26,200 Speaker 1: cities are young. That's true sense.