WEBVTT - BONUS: Memphis Blues

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<v Speaker 1>Welcome to the MLK Tapes, a production of iHeartRadio and

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<v Speaker 1>Tenderfoot TV. The views and opinions expressed in this podcast

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<v Speaker 1>are solely those of the podcast author or individuals participating

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<v Speaker 1>in the podcast, and do not represent those of iHeartMedia,

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<v Speaker 1>Tenderfoot TV, or their employees. Listener discretion is advised.

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<v Speaker 2>The National Civil Rights Museum in Memphis traces the history

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<v Speaker 2>of slavery in America and then follows the nation's long

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<v Speaker 2>struggle for human rights. Its rooms portray lunch counter sit ins,

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<v Speaker 2>freedom rides, bus boycotts, and burned churches. To walk through

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<v Speaker 2>its halls is a moving experience, made all the more

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<v Speaker 2>exceptional because the museum is built into the shell of

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<v Speaker 2>the former Lorraine Motel, where Martin Luther King was murdered.

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<v Speaker 2>Being at the Lorraine also helps to bring into focus

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<v Speaker 2>some of the unresolved questions surrounding the death of doctor King,

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<v Speaker 2>more so because in two thousand and two, the museum

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<v Speaker 2>acquired the neighboring rooming house from where James Earl Ray

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<v Speaker 2>was said to have fired the fatal bullet. The rooming

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<v Speaker 2>house has been renovated to accommodate the public and its

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<v Speaker 2>access from the museum by way of a tunnel. Its

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<v Speaker 2>interior is dedicated to displays that pertained to the assassination,

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<v Speaker 2>such as a rifle said to be the murder weapon

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<v Speaker 2>and a replica of Ray's famous white Mustang. But a

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<v Speaker 2>few places had been preserved in the condition in which

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<v Speaker 2>they were found after the murder, such as the bedroom

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<v Speaker 2>that Ray had rented and the bathroom from which he

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<v Speaker 2>was said to have fired the shot. When I visited

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<v Speaker 2>Memphis last year, I was joined by historian Ryan Jones,

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<v Speaker 2>who accompanied me through both the Lorraine and the rooming

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<v Speaker 2>house sections of the museum. I was not permitted to

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<v Speaker 2>record any sound, so the voice of mister Jones that

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<v Speaker 2>you'll hear in this segment was recorded at a later date.

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<v Speaker 2>Mister Jones had grown up in Memphis and has been

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<v Speaker 2>with the museum for ten years. He is an expert

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<v Speaker 2>on the King assassination, and I asked him what God

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<v Speaker 2>him interested in the case.

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<v Speaker 3>It wasn't until I moved back to Memphis in nineteen

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<v Speaker 3>ninety seven.

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<v Speaker 4>I think I was watching a talk show.

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<v Speaker 3>It may have been Montell Williams to be exact, and

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<v Speaker 3>the King family, some of his children appeared on that

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<v Speaker 3>talk show and they were talking of getting James Olray,

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<v Speaker 3>the accused assassin, a trial here in Memphis, which he

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<v Speaker 3>never got in nineteen sixty eight and sixty nine. And

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<v Speaker 3>I really didn't get back into it until I began

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<v Speaker 3>starting to work at the museum.

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<v Speaker 4>And it was there when I realized that the.

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<v Speaker 3>Museum holds all of the state's evidence against James Alray

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<v Speaker 3>and its collections, and I just began to go by

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<v Speaker 3>box by box, file by file.

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<v Speaker 4>I left no foul, you know, unturned.

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<v Speaker 3>So I just began to do my own individual research

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<v Speaker 3>and began to interview people. And almost ten years later,

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<v Speaker 3>you know, I feel like I have a pathway of

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<v Speaker 3>what truly happened here in Memphis at the Lorraine on

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<v Speaker 3>April fourth, nineteen sixty eight.

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<v Speaker 2>It should be noted here that on the issue of

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<v Speaker 2>whether James Earl Ray was the lone assassin or if

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<v Speaker 2>others were involved, the museum itself takes what it calls

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<v Speaker 2>a neutral position. The people who work there are entitled

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<v Speaker 2>to their opinions, But we should remember that Ryan Jones

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<v Speaker 2>is speaking here on his own and not for the

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<v Speaker 2>museum itself. Of course, working at the museum in the

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<v Speaker 2>old Lorraine motel. Jones is in an excellent position to

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<v Speaker 2>have an informed opinion about certain matters. For example, did

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<v Speaker 2>King always stay at the Lorraine when he came to Memphis,

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<v Speaker 2>has some said? Or did he usually stay at other

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<v Speaker 2>places and was shamed or maneuvered into staying at the

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<v Speaker 2>Lorraine because a certain reception had been planned.

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<v Speaker 3>There is this myth that has been floating around for

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<v Speaker 3>the past fifty two years that doctor King was a

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<v Speaker 3>normal guest, and even that he stayed at the Lorraine

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<v Speaker 3>on numerous occasions.

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<v Speaker 4>This is, however, not true. This is indeed false.

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<v Speaker 3>The Reverend James Lawson, who lived in Memphis at the time,

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<v Speaker 3>whom King met with the day before his assassination, stated

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<v Speaker 3>affirmatively many times that when he came to Memphis, they

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<v Speaker 3>would stay at his house, they'd go to the Peabody,

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<v Speaker 3>They'd stayed at the Admiral Bimbo.

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<v Speaker 2>On March twenty eight, the night following the Memphis March

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<v Speaker 2>that became a riot, King stayed at the Rivermont Hotel

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<v Speaker 2>and held a press conference there the next morning, where

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<v Speaker 2>he condemned the riot but couldn't say for sure how

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<v Speaker 2>it had started, though there were those in his camp

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<v Speaker 2>who believed the window smashing and looting had somehow been

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<v Speaker 2>arranged in advance. Seven years later, in congressional hearings, it

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<v Speaker 2>would be revealed that the same morning that King was

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<v Speaker 2>speaking to the press, document was being produced by the

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<v Speaker 2>FBI in Washington. It was in the form of a

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<v Speaker 2>press release that criticized King for staying at the Rivermont

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<v Speaker 2>and specifically named the Lorraine Motel as the more appropriate

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<v Speaker 2>place for him to stay. It bore the approving initials

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<v Speaker 2>of J at Gar Hoover and was to be circulated

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<v Speaker 2>to what the FBI called friendly news outlets.

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<v Speaker 3>The very next day, on the twenty ninth, there is

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<v Speaker 3>a press release calling doctor King a hypocrite, and it

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<v Speaker 3>pretty much states that you are staying at a predominantly

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<v Speaker 3>white business and you're asking African Americans to boycott white

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<v Speaker 3>merchants when you're not even given business to the lavish

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<v Speaker 3>and plus Lorraine Motel. This was an FBI memorandum that

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<v Speaker 3>was released on March to twenty ninth, nineteen sixty eight.

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<v Speaker 3>Whyou the FBI care where doctor King stays at this

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<v Speaker 3>time unless the Lorraine Motel was a particular area that

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<v Speaker 3>they needed him to be at, and of course, you know,

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<v Speaker 3>he was eventually moved from his original room which was

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<v Speaker 3>down below, and was moved upstairs to three of six.

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<v Speaker 2>And just how did this room change come about? There

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<v Speaker 2>are two stories. Both come from the owner of the Lorraine,

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<v Speaker 2>Walter Bailey.

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<v Speaker 3>Mister Bailey told this story to an investigative reporter by

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<v Speaker 3>the name of Wayne Chastain, and the story states that

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<v Speaker 3>someone who appeared to be very tall and athletic with

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<v Speaker 3>it like complexion, came to missus Bailey, who did all

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<v Speaker 3>of the hotel reservations, and stated that doctor King did

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<v Speaker 3>not want this nice room inside and away from the

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<v Speaker 3>original trajectory, and that he wonted room three US six

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<v Speaker 3>on the second floor. The second story is that it

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<v Speaker 3>was a phone call from Atlanta that was made so

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<v Speaker 3>that the Bailey's got a phone call from Atlanta a

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<v Speaker 3>day or two before they arrived, stating that doctor King

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<v Speaker 3>specifically won at room three oh six.

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<v Speaker 2>Why two stories, both supposedly from mister Bailey, we don't know,

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<v Speaker 2>But if the real story involved the phone call from Atlanta,

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<v Speaker 2>why would Walter Bailey make up another story of a tall,

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<v Speaker 2>athletic man coming to the Lorraine to make the room change.

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<v Speaker 5>It makes no sense.

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<v Speaker 2>But if it were the other way around, and the

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<v Speaker 2>room was changed by someone posing as an advanced man,

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<v Speaker 2>a description of that man might, upon further thought, be

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<v Speaker 2>a dangerous story to tell and give birth to the

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<v Speaker 2>supposed phone call. Of course, a quick conversation with missus

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<v Speaker 2>Bailey who changed the room could clear up the situation,

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<v Speaker 2>but as mister Jones explains, that was never possible.

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<v Speaker 3>Her name was Laurie Bailey, and she really was the

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<v Speaker 3>one who ran the Loraino Motel. On the afternoon of

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<v Speaker 3>April fourth, nineteen sixty eight, doctor King speaks with Missus

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<v Speaker 3>Bailey standing on the balcony and he says, listen, Missus Bailey,

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<v Speaker 3>if the food over at Reverend Kyle's's home is not good,

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<v Speaker 3>I'm going to come back and count on you. And

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<v Speaker 3>she kind of blushed and said, of course, anything for you,

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<v Speaker 3>Doctor King, And then they go back into the kitchen

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<v Speaker 3>area of the diner of the Lorraine. Then the shot

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<v Speaker 3>rings out and the Baileys hear it from inside. They

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<v Speaker 3>walk outside and they see doctor King Worley wounded on

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<v Speaker 3>the second floor outside of room three of six, and

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<v Speaker 3>immediately Missus Bailey says, why why, why? She took her

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<v Speaker 3>hand and she kept hitting the side of her temple

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<v Speaker 3>to the point where he could see her blood vessels

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<v Speaker 3>moving oddly enough, mister Bailey left the Lora Hotel a

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<v Speaker 3>few hours he lays his wife when there's police and

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<v Speaker 3>investigators all over the motel's grounds, and he goes to

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<v Speaker 3>his other job at the Holiday Inn on Lamar Avenue,

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<v Speaker 3>and he gets a call from his brother, Beatrice Bailey,

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<v Speaker 3>and Beatrice says Laurie, he's not an answering, She's not answering,

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<v Speaker 3>And then they finally get to her, and they found

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<v Speaker 3>her slumped over and she's gone into a coma to

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<v Speaker 3>a stroke where she never gains consciousness again and actually

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<v Speaker 3>dies at nine am on April and ninth, nineteen sixty eight.

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<v Speaker 3>We know now that a bud vessel ruptured in her brain.

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<v Speaker 2>Mister Jones and I walk through the tunnel to the

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<v Speaker 2>basement of the rooming house and then take the elevator

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<v Speaker 2>up to the second floor. We come upon a glass

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<v Speaker 2>case displaying the rifle that was found on the street

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<v Speaker 2>just minutes after the shooting. Mister jo Jones gives a

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<v Speaker 2>small laugh and informs me that the scope on the

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<v Speaker 2>rifle is still not properly sighted. The rooming house has

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<v Speaker 2>been gut renovated, so on the inside it doesn't look

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<v Speaker 2>like it did in nineteen sixty eight, but the room

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<v Speaker 2>that Ray rented and the bathroom down the hall had

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<v Speaker 2>been recreated to be replicas of what was found right

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<v Speaker 2>after King was killed. Over the years, a lot has

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<v Speaker 2>been made about Ray choosing room five B because of

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<v Speaker 2>its window rather than the only other room, which had

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<v Speaker 2>no view but did have a stove. I asked Jones

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<v Speaker 2>about five B and what problems it might present to

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<v Speaker 2>a would be assassin.

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<v Speaker 3>You are able to see the Lorainotel, and you are

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<v Speaker 3>able to see the second four balcony of the Lorainmotel

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<v Speaker 3>as well. Now, however, if your purpose is to assassinate

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<v Speaker 3>Martin Luther King Jr. And you're using a rifle, you

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<v Speaker 3>have a significant problem. In order to get a sufficient trajectory,

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<v Speaker 3>have to walk outside of the bedroom of five B,

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<v Speaker 3>down the hall and into a community bathroom in order

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<v Speaker 3>to even get an attempt.

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<v Speaker 2>The problem with that window was although you could see

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<v Speaker 2>the rear part of the Lorraine Motel, you could not

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<v Speaker 2>see room three h six, where doctor King was staying.

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<v Speaker 2>Without opening the window and leaning out, and no one

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<v Speaker 2>has ever said the shot was fired from there. I

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<v Speaker 2>asked mister Jones to describe the bathroom, but I encourage

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<v Speaker 2>the listener to look on her website to see the

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<v Speaker 2>photo of the tiny room to better understand the issues

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<v Speaker 2>at play here.

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<v Speaker 3>When you look inside of this very small community bathroom

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<v Speaker 3>that was shared by other people who were staying on

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<v Speaker 3>the same floor, you see a commode, you see a

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<v Speaker 3>very small sink, and until the left and the corner

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<v Speaker 3>right beneath a partially open window, there's a bathtub. Now

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<v Speaker 3>here's a significant red flag with that. James Olray was

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<v Speaker 3>six feet in height, and the weapon that he admitted

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<v Speaker 3>to buying in Birmingham, Alabama, a few days prior to

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<v Speaker 3>doctor King's death is not a small weapon at all.

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<v Speaker 3>It's a fairly large weapon with a scope as well.

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<v Speaker 3>And James Alray, we know, was a right handed marksman.

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<v Speaker 3>I about six feet, I'm about five to nine, and

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<v Speaker 3>I've gotten into that bathtub with a rifle that's not

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<v Speaker 3>the size of the one that rifle is accused of musing.

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<v Speaker 3>And it was almost impossible for myself, also right handed,

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<v Speaker 3>to have gotten a sufficient trajectory and My honest estimation

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<v Speaker 3>is that if there was a shot fired from that

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<v Speaker 3>community bathroom, which I don't think happened, you will have

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<v Speaker 3>had to have been a left handed marksman to situate

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<v Speaker 3>yourself in the bathtub in a very uncomfortable position.

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<v Speaker 2>The bathroom window is small and leaves very little room

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<v Speaker 2>for a weapon and a body to gain the needed

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<v Speaker 2>angle to make the shot not impossible, But it's not

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<v Speaker 2>like someone would just walk up to this window, take aim,

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<v Speaker 2>and shoot something directly in front of it. As it

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<v Speaker 2>exists today, the window is now open, just a matter

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<v Speaker 2>of benches, as it apparently was on the day of

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<v Speaker 2>the murder, and it appears to me as though the

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<v Speaker 2>wooden bottom frame of the window would block or partially

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<v Speaker 2>block the view through the scope of the rifle, even

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<v Speaker 2>assuming it was properly sighted. But what got me most

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<v Speaker 2>when I looked at the bathroom is the tub, a small, narrow,

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<v Speaker 2>old fashioned bathtub with steep sloping sides. So instead of

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<v Speaker 2>spreading his legs and creating a secure base for a

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<v Speaker 2>difficult shot, our presumed shooter, mister Ray has to stand

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<v Speaker 2>with his feet close together inside this narrow bathtub and

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<v Speaker 2>get all balanced and squared away at just the time

0:14:02.880 --> 0:14:04.880
<v Speaker 2>the King came out of his room at the Lorraine.

0:14:05.640 --> 0:14:08.600
<v Speaker 2>Then Ray fired the only bullet he had loaded into

0:14:08.640 --> 0:14:11.480
<v Speaker 2>his gun because he was that certain of his skill

0:14:11.520 --> 0:14:13.600
<v Speaker 2>with the rifle he had only owned for four days.

0:14:14.600 --> 0:14:16.520
<v Speaker 2>Then there is the question of what needs to happen

0:14:16.520 --> 0:14:19.160
<v Speaker 2>in the next couple of minutes. As soon as the

0:14:19.200 --> 0:14:22.120
<v Speaker 2>fatal shot us fired. Ray would need to return to

0:14:22.200 --> 0:14:24.960
<v Speaker 2>Room five B, place the rifle in the box, and

0:14:25.040 --> 0:14:28.400
<v Speaker 2>throw his personal belongings into a bag made from a bedspread,

0:14:28.440 --> 0:14:31.080
<v Speaker 2>if he hadn't already done that before making his way

0:14:31.120 --> 0:14:34.080
<v Speaker 2>down to his car. But instead of just throwing his

0:14:34.120 --> 0:14:37.640
<v Speaker 2>stuff into his car, he leaves the bag and the

0:14:37.680 --> 0:14:44.120
<v Speaker 2>gun on the street. Harold Weisberg's nineteen seventy one book

0:14:44.240 --> 0:14:47.360
<v Speaker 2>Frame Up was the first to call into question the

0:14:47.440 --> 0:14:50.560
<v Speaker 2>official story of the king murder, and we all owe

0:14:50.600 --> 0:14:53.920
<v Speaker 2>him a debt. He died in two thousand and two,

0:14:54.040 --> 0:14:56.320
<v Speaker 2>but I'd like to play for you here. His take

0:14:56.360 --> 0:15:00.840
<v Speaker 2>on the stuff found on the street with Ray's rifle ridiculous.

0:15:01.280 --> 0:15:03.520
<v Speaker 6>He's required of going to his room in the flophouse

0:15:03.560 --> 0:15:06.840
<v Speaker 6>and picked up the why does collection of junk bobby pins,

0:15:07.160 --> 0:15:11.200
<v Speaker 6>bobby pins, cans of beer that hadn't been opened. You know,

0:15:11.240 --> 0:15:13.000
<v Speaker 6>a guy has been a crime like that and he's

0:15:13.000 --> 0:15:14.280
<v Speaker 6>playing for his life. You're going to pick up a

0:15:14.280 --> 0:15:17.080
<v Speaker 6>couple of cans of beer or bobby pin. The box

0:15:17.240 --> 0:15:19.000
<v Speaker 6>didn't hold the rifle. He had to put the rifle

0:15:19.000 --> 0:15:22.680
<v Speaker 6>in that all sorts of other junk, ridiculous collection of it.

0:15:23.120 --> 0:15:25.440
<v Speaker 6>The one thing that that bundle served to do was

0:15:25.480 --> 0:15:26.640
<v Speaker 6>the point a finger it ready.

0:15:27.720 --> 0:15:31.560
<v Speaker 2>Ryan Jones agrees with Weisberg's doubt about the likelihood that

0:15:31.680 --> 0:15:33.840
<v Speaker 2>Ray was the one who left the bundle with the

0:15:33.920 --> 0:15:34.880
<v Speaker 2>rifle on the street.

0:15:36.000 --> 0:15:40.240
<v Speaker 3>Why he would have ever have done that will always

0:15:40.280 --> 0:15:43.400
<v Speaker 3>be a mystery. The car wasn't parked right in front

0:15:43.400 --> 0:15:45.080
<v Speaker 3>of Jim's drills.

0:15:44.640 --> 0:15:49.360
<v Speaker 7>Parked a little closer to the firehouse, but it's close

0:15:49.520 --> 0:15:52.760
<v Speaker 7>enough to where he does not have to like run

0:15:53.200 --> 0:15:54.720
<v Speaker 7>a significant long way.

0:15:54.880 --> 0:15:58.480
<v Speaker 3>He had more than enough time. It was probably safer

0:15:58.760 --> 0:16:01.720
<v Speaker 3>for him to just put the rifle and his car

0:16:01.760 --> 0:16:02.600
<v Speaker 3>and drive off.

0:16:05.000 --> 0:16:07.640
<v Speaker 2>It was strange to stand on South Maine with Ryan

0:16:07.760 --> 0:16:10.600
<v Speaker 2>Jones and try to imagine things that had happened.

0:16:10.320 --> 0:16:11.160
<v Speaker 5>Fifty years ago.

0:16:12.080 --> 0:16:15.720
<v Speaker 2>There's no question that James Earl Ray rented Room five

0:16:15.800 --> 0:16:19.120
<v Speaker 2>B from Bessie Brewer the day of the murder, but

0:16:19.200 --> 0:16:22.800
<v Speaker 2>all the rest of it seems unlikely. I was grateful

0:16:22.840 --> 0:16:24.840
<v Speaker 2>for the time Ryan Jones spent with me, so I

0:16:24.880 --> 0:16:28.480
<v Speaker 2>asked him if he had anything else he wanted to say.

0:16:29.320 --> 0:16:32.760
<v Speaker 3>I think that this would have been a very very

0:16:32.800 --> 0:16:38.200
<v Speaker 3>interesting trial had Ray gone to trial. We have this

0:16:38.360 --> 0:16:42.640
<v Speaker 3>weapon and it's never you know, the ballistics and trajectory

0:16:42.640 --> 0:16:46.600
<v Speaker 3>are not tested. The room changed, Why the weapon was

0:16:46.680 --> 0:16:50.960
<v Speaker 3>found when it was found? Who supplied Ray? The aliases

0:16:51.120 --> 0:16:56.720
<v Speaker 3>of Gault Lobyer, Willard Bridgeman, Snay and you know what,

0:16:56.760 --> 0:16:59.360
<v Speaker 3>this was a hate crime. You know I'm not buying

0:16:59.400 --> 0:17:03.040
<v Speaker 3>it is said, hey crime, any ku kluks klansmen could

0:17:03.080 --> 0:17:05.760
<v Speaker 3>have gotten doctor King of Montgomery. They could have got

0:17:05.800 --> 0:17:08.639
<v Speaker 3>him in Reachville, Georgia. They could have gotten him in Birmingham.

0:17:08.680 --> 0:17:11.600
<v Speaker 3>They could have got him in Saint Augustine Selma, Chicago,

0:17:12.680 --> 0:17:15.560
<v Speaker 3>walking the two hundred and twenty one mile distance from

0:17:15.600 --> 0:17:17.960
<v Speaker 3>Memphis to Jackson at the March against Fear. But no,

0:17:18.000 --> 0:17:22.400
<v Speaker 3>they don't get him until he is opposing the Vietnam

0:17:22.560 --> 0:17:25.680
<v Speaker 3>War in April of nineteen sixty seven. For the very

0:17:25.800 --> 0:17:28.959
<v Speaker 3>last year. They wait and get him when he proposes

0:17:29.040 --> 0:17:34.120
<v Speaker 3>on December fourth, nineteen sixty seven to the Poor People's Campaign,

0:17:34.200 --> 0:17:36.720
<v Speaker 3>where he wants to bring black and white people who

0:17:36.760 --> 0:17:40.399
<v Speaker 3>are stricken by poverty to the nation's capital and to

0:17:40.560 --> 0:17:44.760
<v Speaker 3>demand that the country, you know, write the check to

0:17:44.840 --> 0:17:47.320
<v Speaker 3>the people out in their backyard versus an a war.

0:17:48.400 --> 0:17:52.320
<v Speaker 3>I think that the story that we've been given for

0:17:52.400 --> 0:17:56.879
<v Speaker 3>the past fifty three years is just fictional. It's laughable

0:17:57.000 --> 0:18:00.399
<v Speaker 3>in certain areas that this limon was sold to the

0:18:00.440 --> 0:18:05.679
<v Speaker 3>American public, that this insignificant man is James Olray was

0:18:05.760 --> 0:18:08.399
<v Speaker 3>able to kill Martin Luther King Junior standing on the

0:18:08.400 --> 0:18:11.960
<v Speaker 3>balcony of a Memphis hotel room, and to flee and

0:18:12.040 --> 0:18:16.480
<v Speaker 3>get away untouched, not once. At the end of the day,

0:18:16.480 --> 0:18:18.600
<v Speaker 3>when we look at it, the people who hated him

0:18:18.600 --> 0:18:21.919
<v Speaker 3>the most yetbi who was committed to discrediting him, to

0:18:22.000 --> 0:18:26.000
<v Speaker 3>destroy him, who urged him to commit suicide in January

0:18:26.160 --> 0:18:30.840
<v Speaker 3>nineteen sixty five, are the same people responsible for investigating

0:18:30.880 --> 0:18:34.399
<v Speaker 3>his death. If that's done a disservice to justice in

0:18:34.440 --> 0:18:37.399
<v Speaker 3>this country, I don't know it is. And I feel

0:18:37.400 --> 0:18:40.200
<v Speaker 3>that the story will never rest, and I will never

0:18:40.240 --> 0:18:41.840
<v Speaker 3>rest until we get it to the bottom of it,

0:18:41.920 --> 0:18:45.320
<v Speaker 3>until we give the justice that's due and served to

0:18:45.440 --> 0:18:55.920
<v Speaker 3>doctor King's family into history.

0:19:09.320 --> 0:19:11.359
<v Speaker 5>One of my court reporters was down at the Shelby

0:19:11.400 --> 0:19:14.359
<v Speaker 5>County Courthouse and said there was a British English producer

0:19:14.440 --> 0:19:16.240
<v Speaker 5>named Jack Saltman there and he was going to be

0:19:16.240 --> 0:19:19.440
<v Speaker 5>doing this teletrial that never occurred, the trial of James

0:19:19.440 --> 0:19:21.919
<v Speaker 5>Earl Ray. I thought it was a hoax at first,

0:19:21.920 --> 0:19:25.320
<v Speaker 5>but I threw on my coat, ran down seven blocks

0:19:25.440 --> 0:19:27.879
<v Speaker 5>on a cold winter's day, and there was Jack Saltman

0:19:28.000 --> 0:19:30.920
<v Speaker 5>with contract in hand. He said, I need a real

0:19:30.960 --> 0:19:33.760
<v Speaker 5>time court reporting for this trial I'm doing. It's going

0:19:33.840 --> 0:19:36.040
<v Speaker 5>to be a real trial for all intents and purposes,

0:19:36.359 --> 0:19:38.840
<v Speaker 5>but it will have no judicial weight. Trial of James

0:19:38.880 --> 0:19:40.280
<v Speaker 5>Earl Ray is what it was called.

0:19:41.440 --> 0:19:44.359
<v Speaker 2>I'm in Memphis, a block away from the Formula Rainbow

0:19:44.440 --> 0:19:47.200
<v Speaker 2>Tel talking to Brian de Minski, who is a court

0:19:47.240 --> 0:19:50.120
<v Speaker 2>reporter and someone who has lived in Memphis.

0:19:49.680 --> 0:19:50.760
<v Speaker 5>For most of his life.

0:19:51.160 --> 0:19:53.760
<v Speaker 2>For the last three decades, he's had a front row

0:19:53.880 --> 0:19:55.840
<v Speaker 2>seat for some of the more important events in the

0:19:55.840 --> 0:19:59.120
<v Speaker 2>ongoing challenge to the story of how Martin Luther King

0:19:59.200 --> 0:20:03.040
<v Speaker 2>was murdered. As we just heard, Brian's entrance into the

0:20:03.040 --> 0:20:05.719
<v Speaker 2>case began when he offered himself as a court reporter

0:20:06.000 --> 0:20:08.920
<v Speaker 2>to an English producer who was attempting to stage a.

0:20:08.880 --> 0:20:10.920
<v Speaker 5>Mock trial of James Earl Ray.

0:20:11.880 --> 0:20:14.919
<v Speaker 2>The trial was to mimic in all possible ways a

0:20:14.920 --> 0:20:19.200
<v Speaker 2>real trial, with a retired federal judge presiding, attorneys arguing

0:20:19.240 --> 0:20:22.720
<v Speaker 2>both sides, and an impartial jury to hear the evidence

0:20:23.040 --> 0:20:25.600
<v Speaker 2>and to come to a verdict. This is in nineteen

0:20:25.680 --> 0:20:29.080
<v Speaker 2>ninety three. An edited tape of the trial was televised

0:20:29.320 --> 0:20:33.000
<v Speaker 2>on HBO on the twenty fifth anniversary of the murder

0:20:33.280 --> 0:20:34.280
<v Speaker 2>of Martin Luther King.

0:20:35.560 --> 0:20:37.720
<v Speaker 5>It was a little surreal doing my job as a

0:20:37.720 --> 0:20:40.359
<v Speaker 5>court reporter, but so that my left is a track

0:20:40.400 --> 0:20:42.639
<v Speaker 5>with a journey on it and a big television camera

0:20:42.720 --> 0:20:46.479
<v Speaker 5>filming me. It was cool stuff. I enjoyed it.

0:20:46.920 --> 0:20:48.360
<v Speaker 8>And who were the attorneys involved?

0:20:48.880 --> 0:20:52.280
<v Speaker 5>Bill Pepper, William Pepper and Pickman Ewing Junior, who was

0:20:52.480 --> 0:20:56.119
<v Speaker 5>our United States District Attorney for the Western District of

0:20:56.119 --> 0:20:59.359
<v Speaker 5>Tennessee prior to that he had left that post and

0:20:59.400 --> 0:21:04.760
<v Speaker 5>they hired him as the prosecutor against versus Bill. James

0:21:04.880 --> 0:21:08.400
<v Speaker 5>Rolry tested via satellite for two full days and one

0:21:08.400 --> 0:21:11.280
<v Speaker 5>of the days was a vigorous cross examination by Hickman

0:21:11.320 --> 0:21:14.560
<v Speaker 5>Ewing Jr. The jury was sequestered every evening. It was

0:21:14.640 --> 0:21:17.880
<v Speaker 5>done airtight, better than the ones that I actually would

0:21:17.920 --> 0:21:19.719
<v Speaker 5>handle in my other court reporting life.

0:21:20.280 --> 0:21:22.600
<v Speaker 2>And for our listeners who were not in class that day,

0:21:23.080 --> 0:21:24.720
<v Speaker 2>what was the result of the trial.

0:21:25.200 --> 0:21:28.600
<v Speaker 5>That Ray was not guilty of the assassination of Martin

0:21:28.640 --> 0:21:29.160
<v Speaker 5>Luther King?

0:21:30.080 --> 0:21:33.560
<v Speaker 2>Okay, so tell us about Bill Pepper? What was he like?

0:21:34.480 --> 0:21:38.080
<v Speaker 5>He was very difficult during that entire time. He was frankly,

0:21:38.440 --> 0:21:41.560
<v Speaker 5>he was an ass to everybody. And as you and

0:21:41.600 --> 0:21:44.840
<v Speaker 5>I know, he's a charming, wonderful man. But during that

0:21:44.920 --> 0:21:47.479
<v Speaker 5>trial it was so intense because he was having his

0:21:47.520 --> 0:21:50.880
<v Speaker 5>shot now. He was extremely intense and he was difficult

0:21:50.920 --> 0:21:54.200
<v Speaker 5>to everybody. He even made his co consul cry during

0:21:54.359 --> 0:21:58.080
<v Speaker 5>the trial. April Ferguson made her cry because I don't

0:21:58.119 --> 0:21:59.879
<v Speaker 5>know what the issue was, so she left the table

0:22:00.119 --> 0:22:01.760
<v Speaker 5>during one of the days in tears.

0:22:02.520 --> 0:22:06.120
<v Speaker 8>Did you feel going into the HBO trial that there

0:22:06.160 --> 0:22:08.359
<v Speaker 8>was something wrong with the King murder or did you

0:22:08.960 --> 0:22:11.520
<v Speaker 8>basically think that Ray had done ed? What was your

0:22:11.560 --> 0:22:14.399
<v Speaker 8>mindset before you went in or did it change during

0:22:14.400 --> 0:22:14.840
<v Speaker 8>the trial.

0:22:15.359 --> 0:22:18.080
<v Speaker 5>I had an open mind. As the days unfolded, though,

0:22:18.119 --> 0:22:21.760
<v Speaker 5>I was just astounded at what I didn't know and

0:22:21.800 --> 0:22:22.719
<v Speaker 5>then what I was learning.

0:22:23.520 --> 0:22:27.760
<v Speaker 8>What witnesses stick out in your mind from that trial, Well,

0:22:27.800 --> 0:22:31.320
<v Speaker 8>there's there's Lieutenant Hamby who is sent to a coroner

0:22:31.320 --> 0:22:34.160
<v Speaker 8>of Francisco's office to pick up the slug and bring

0:22:34.200 --> 0:22:37.480
<v Speaker 8>it back to Director Holloman's office, the head of Fire

0:22:37.520 --> 0:22:38.480
<v Speaker 8>in place of Memphis.

0:22:38.640 --> 0:22:41.600
<v Speaker 5>He saw it was an intact bullet. And now even

0:22:41.640 --> 0:22:43.760
<v Speaker 5>at the Civil Rights Museum across the street from where

0:22:43.760 --> 0:22:46.800
<v Speaker 5>we're at, there was this three fragments of a bullet.

0:22:47.400 --> 0:22:49.439
<v Speaker 5>I recall they were going to put Lloyd Jowers on

0:22:49.440 --> 0:22:51.480
<v Speaker 5>the stand. I think he actually was on the stand,

0:22:51.880 --> 0:22:54.760
<v Speaker 5>and there were certain questions that Judge Frankel said, we're

0:22:54.800 --> 0:22:56.760
<v Speaker 5>not going there. You're not going to ask this. Well,

0:22:56.760 --> 0:22:59.800
<v Speaker 5>Pepper tried to ask it anyway. He asked, mister Jowers, well,

0:22:59.840 --> 0:23:03.439
<v Speaker 5>you know what were you doing behind your bar and

0:23:03.440 --> 0:23:06.520
<v Speaker 5>grilla in that day? And Judge Frankel said, you'll see

0:23:06.520 --> 0:23:09.760
<v Speaker 5>me in chambers right now. And they went into the chambers,

0:23:10.359 --> 0:23:15.080
<v Speaker 5>hic Youing and Jowers, lawyer Lewis Garrison and Bill and

0:23:15.119 --> 0:23:17.320
<v Speaker 5>they came back out and they took Jowers off the stand.

0:23:17.760 --> 0:23:21.399
<v Speaker 8>Frankel had some objection to asking Jowers whether he was

0:23:21.400 --> 0:23:23.720
<v Speaker 8>involved or what he might have been doing.

0:23:24.600 --> 0:23:29.200
<v Speaker 5>Correct now. During the HbA trial is when I first

0:23:29.240 --> 0:23:32.640
<v Speaker 5>saw the photograph of the open window where they alleged

0:23:32.840 --> 0:23:34.920
<v Speaker 5>ray what fired the shot from in the rooming house.

0:23:35.320 --> 0:23:38.240
<v Speaker 5>Sergeant Papia testified and he said that he came upon

0:23:38.240 --> 0:23:40.919
<v Speaker 5>the scene at approximately six point thirty and goes up

0:23:41.000 --> 0:23:44.480
<v Speaker 5>to the rooming house and then requisitions a photographer to

0:23:44.480 --> 0:23:47.560
<v Speaker 5>come up there. So that's the exact position of the window.

0:23:47.760 --> 0:23:50.320
<v Speaker 5>And in the Civil Rights Museum there is a photograph

0:23:50.520 --> 0:23:52.760
<v Speaker 5>of that on the wall. And when you look at

0:23:52.760 --> 0:23:55.320
<v Speaker 5>that window, it is open. We couldn't go in the

0:23:55.320 --> 0:23:58.639
<v Speaker 5>bathroom and measure it three four inches max. If you

0:23:58.680 --> 0:24:01.520
<v Speaker 5>take the Remington game Master with scope and you put

0:24:01.560 --> 0:24:05.760
<v Speaker 5>it into that window sill, the scope then a butts

0:24:05.880 --> 0:24:08.120
<v Speaker 5>into the wood of the window sill. That's the first

0:24:08.119 --> 0:24:11.280
<v Speaker 5>time I came across that evidence. After the HBO trial,

0:24:11.840 --> 0:24:14.320
<v Speaker 5>we left shaking hands and he went on his way.

0:24:14.359 --> 0:24:16.040
<v Speaker 5>I went on my way, thinking I'd never hear from

0:24:16.119 --> 0:24:18.879
<v Speaker 5>him again. About three years later, he calls me up

0:24:18.880 --> 0:24:20.720
<v Speaker 5>out of the blue and says, I need to use

0:24:20.760 --> 0:24:23.000
<v Speaker 5>your services and your conference room, Brian, and I want

0:24:23.000 --> 0:24:25.320
<v Speaker 5>you to be the court reporter. We have another trial

0:24:25.359 --> 0:24:28.480
<v Speaker 5>coming up, a civil trial involving doctor King's death, and

0:24:28.480 --> 0:24:31.760
<v Speaker 5>this one will be in Shelby County Circuit Court, and

0:24:31.840 --> 0:24:34.560
<v Speaker 5>we need to take some depositions. Can you do that?

0:24:34.640 --> 0:24:36.480
<v Speaker 5>And of course I said yes, And it was a

0:24:36.480 --> 0:24:39.360
<v Speaker 5>different William Pepper this time around. I like to say

0:24:39.359 --> 0:24:42.560
<v Speaker 5>that once that aired on HBO and national television, it

0:24:42.640 --> 0:24:45.840
<v Speaker 5>shook things loose because people saw that and they said

0:24:45.960 --> 0:24:47.800
<v Speaker 5>I was there that day too, or I know this,

0:24:48.080 --> 0:24:51.120
<v Speaker 5>and they started contacting William Pepper or others saying I'd

0:24:51.160 --> 0:24:53.240
<v Speaker 5>like to come forth and give you my testimony of

0:24:54.119 --> 0:24:56.960
<v Speaker 5>what happened. So that was a real watershed event for

0:24:57.080 --> 0:24:57.480
<v Speaker 5>the case.

0:24:58.080 --> 0:24:59.240
<v Speaker 8>So who did you depose?

0:25:00.000 --> 0:25:02.639
<v Speaker 5>We had a series of people like Glinda Grabo, the

0:25:03.440 --> 0:25:07.800
<v Speaker 5>captain of the fire station, Carthel Whedon, taxi drivers. We

0:25:07.920 --> 0:25:11.240
<v Speaker 5>deposed the Jowers. Although I didn't do Jowers deposition, one

0:25:11.240 --> 0:25:14.080
<v Speaker 5>of my associates did. At that day. A lot of

0:25:14.119 --> 0:25:18.000
<v Speaker 5>the people that appear in the ninety nine trial were deposed. First.

0:25:18.680 --> 0:25:22.040
<v Speaker 8>Now, you said you deposed Glinda Grabo. Tell me about

0:25:22.040 --> 0:25:23.920
<v Speaker 8>Glenda Grabo, Well.

0:25:23.760 --> 0:25:27.040
<v Speaker 5>She was extremely nervous. She was going to testify a trial,

0:25:27.160 --> 0:25:29.679
<v Speaker 5>but she became ill. She didn't want to take the

0:25:29.720 --> 0:25:32.359
<v Speaker 5>stand in a public forum. But she did give her deposition.

0:25:32.920 --> 0:25:36.440
<v Speaker 5>It speaks for itself. But she tied in the fact

0:25:36.440 --> 0:25:40.359
<v Speaker 5>that she knew Raoul the operative that we had learned

0:25:40.359 --> 0:25:42.600
<v Speaker 5>that was raised operative leading him around the country.

0:25:43.040 --> 0:25:46.080
<v Speaker 8>I'm kind of interested in your perception of her as

0:25:46.119 --> 0:25:48.320
<v Speaker 8>a person. Did she have some reason to come and

0:25:48.320 --> 0:25:50.840
<v Speaker 8>make up a story that you're aware of?

0:25:51.480 --> 0:25:53.520
<v Speaker 5>I sensed her she was fearing for her life just

0:25:53.560 --> 0:25:56.760
<v Speaker 5>giving her deposition. I mean, she was extremely nervous, and

0:25:57.040 --> 0:25:59.760
<v Speaker 5>Pepper had a kind of draw out from her by

0:25:59.760 --> 0:26:02.439
<v Speaker 5>this point that William Pepper is representing the King family,

0:26:02.640 --> 0:26:05.040
<v Speaker 5>not James Alray. They've come to him and they said,

0:26:05.119 --> 0:26:07.240
<v Speaker 5>you know, we know you're onto something. We believe what

0:26:07.359 --> 0:26:09.800
<v Speaker 5>you've got. We'd like to retain you for the civil trial.

0:26:10.440 --> 0:26:11.080
<v Speaker 5>What was it like.

0:26:11.400 --> 0:26:13.360
<v Speaker 8>I don't know being there with Coreta Scott King.

0:26:14.119 --> 0:26:16.480
<v Speaker 5>I'm not a big spiritual person, but when Missus King,

0:26:16.560 --> 0:26:18.680
<v Speaker 5>she was the first witness when she took the stand,

0:26:18.760 --> 0:26:21.240
<v Speaker 5>the jury hadn't come out yet, and the core reporters

0:26:21.240 --> 0:26:23.520
<v Speaker 5>spot was right in front of the witness stand, so

0:26:23.720 --> 0:26:26.280
<v Speaker 5>Missus King was standing there and I introduced myself and

0:26:26.320 --> 0:26:29.360
<v Speaker 5>we chatted for a moment, and she had this angelic

0:26:29.400 --> 0:26:32.640
<v Speaker 5>glow about her, just a specially touched person. And again

0:26:32.680 --> 0:26:35.879
<v Speaker 5>I'm not spiritual, but she had just a glower aura

0:26:36.080 --> 0:26:37.080
<v Speaker 5>that she was unique.

0:26:40.520 --> 0:26:42.719
<v Speaker 2>We are listening to a conversation that I had this

0:26:42.760 --> 0:26:46.400
<v Speaker 2>past summer with court reporter Brian Domnski, who's been involved

0:26:46.400 --> 0:26:48.600
<v Speaker 2>in the King case in one way or another for

0:26:48.680 --> 0:26:51.160
<v Speaker 2>thirty years. He has told us how he was brought

0:26:51.160 --> 0:26:54.080
<v Speaker 2>in as court reporter for the nineteen ninety three hbo

0:26:54.200 --> 0:26:57.919
<v Speaker 2>Mont trial, which found James Earl Ray not guilty of

0:26:58.000 --> 0:27:01.280
<v Speaker 2>murdering Martin Luther King. Now we served the same function

0:27:01.480 --> 0:27:05.400
<v Speaker 2>in the nineteen ninety nine civil trial King Family versus Showers,

0:27:05.640 --> 0:27:08.520
<v Speaker 2>which found that doctor King had been killed by a conspiracy.

0:27:09.320 --> 0:27:12.119
<v Speaker 2>But in the twenty plus years following the civil trial,

0:27:12.560 --> 0:27:16.800
<v Speaker 2>Dominski participated in or was witnessed to a half dozen

0:27:16.840 --> 0:27:19.920
<v Speaker 2>events that brought new understanding to the murder of doctor King.

0:27:20.880 --> 0:27:23.560
<v Speaker 2>One of those events was something Dominski did on his own,

0:27:24.080 --> 0:27:27.760
<v Speaker 2>the publication of the entire transcript of the ninety nine

0:27:27.800 --> 0:27:28.439
<v Speaker 2>civil trial.

0:27:29.720 --> 0:27:32.000
<v Speaker 5>It took me a good five years because I was

0:27:32.000 --> 0:27:34.280
<v Speaker 5>fearful too that if I put this out, particularly under

0:27:34.320 --> 0:27:37.200
<v Speaker 5>my name in Memphis I'd have lawyers saying I'm never

0:27:37.280 --> 0:27:40.400
<v Speaker 5>using Dominski again. I finally came to the conclusion. I said,

0:27:40.400 --> 0:27:42.399
<v Speaker 5>somebody's going to find this transcript in my attic one

0:27:42.480 --> 0:27:44.840
<v Speaker 5>day after I'm deceased and go, oh my god, this

0:27:44.920 --> 0:27:46.760
<v Speaker 5>is the ninety nine King trial, and then read it

0:27:46.800 --> 0:27:48.879
<v Speaker 5>and go, wait a second. They've just proved that it

0:27:48.920 --> 0:27:49.919
<v Speaker 5>wasn't James, all right.

0:27:51.080 --> 0:27:54.120
<v Speaker 2>The book is titled The Thirteenth Juror, and anyone can

0:27:54.160 --> 0:27:57.240
<v Speaker 2>buy it online. It is seven hundred and fifty pages,

0:27:57.280 --> 0:27:59.600
<v Speaker 2>a complete record of the civil trial, and it was

0:27:59.640 --> 0:28:02.359
<v Speaker 2>a has helped me in the making of this podcast.

0:28:03.200 --> 0:28:07.200
<v Speaker 2>Another unique contribution by Domnski was his in depth interview

0:28:07.359 --> 0:28:11.000
<v Speaker 2>of Lewis Garrison, the lawyer for the self confessed conspirator

0:28:11.440 --> 0:28:12.200
<v Speaker 2>Lloyd Jowers.

0:28:13.200 --> 0:28:15.959
<v Speaker 5>So we have Lewis Garrison, who represented Lloyd Jowers from

0:28:15.960 --> 0:28:19.040
<v Speaker 5>approximately nineteen seventy two, and he was his lawyer for

0:28:19.080 --> 0:28:21.000
<v Speaker 5>the HBO trial. He was a lawyer for the ninety

0:28:21.080 --> 0:28:23.760
<v Speaker 5>nine trial. I know Lewis. He's a Memphis lawyer. I'd

0:28:23.800 --> 0:28:25.760
<v Speaker 5>known him over the years. We would chat about the

0:28:25.760 --> 0:28:30.600
<v Speaker 5>case because we both intimately involved. So in twenty seventeen,

0:28:30.960 --> 0:28:33.600
<v Speaker 5>Lewis calls me he says, Brian, because of your involvement

0:28:33.600 --> 0:28:36.720
<v Speaker 5>in the case and being licensed corport as stenographer, I'd

0:28:36.720 --> 0:28:38.080
<v Speaker 5>like you to come to my office. I want to

0:28:38.120 --> 0:28:40.880
<v Speaker 5>tell you everything I know. Lewis is about eighty nine

0:28:40.920 --> 0:28:43.640
<v Speaker 5>at this point eighty seven, and I don't know if

0:28:43.680 --> 0:28:46.680
<v Speaker 5>it's a Catharsis or what. But I videoed it as well,

0:28:47.040 --> 0:28:50.120
<v Speaker 5>since wasn't an illegal proceeding pending anymore, I just called

0:28:50.120 --> 0:28:54.720
<v Speaker 5>it a video affidavit of Lewis Garrison not attaching in

0:28:54.720 --> 0:28:57.080
<v Speaker 5>I llegal proceeding. But yet I swore him in under oath,

0:28:57.840 --> 0:28:59.720
<v Speaker 5>and he being a member of the Memphis barr he

0:28:59.720 --> 0:29:03.680
<v Speaker 5>felt that oath was binding. And he testified for about

0:29:03.760 --> 0:29:06.400
<v Speaker 5>an hour and a half and he spoke of everything

0:29:06.400 --> 0:29:08.640
<v Speaker 5>that mister Jowers had told him over the years as

0:29:08.640 --> 0:29:11.320
<v Speaker 5>his lawyer. But he said the Jowers had received one

0:29:11.360 --> 0:29:14.520
<v Speaker 5>hundred thousand dollars from mister Loberto and bought the cab

0:29:14.560 --> 0:29:18.080
<v Speaker 5>company shortly some time after the assassination, and how he

0:29:18.120 --> 0:29:21.080
<v Speaker 5>could have never done that owning a greasy spoon bar

0:29:21.160 --> 0:29:23.320
<v Speaker 5>and grill, and he didn't have one hundred thousand dollars

0:29:23.360 --> 0:29:25.360
<v Speaker 5>to buy that. And Lewis Garrison said he bought the

0:29:25.360 --> 0:29:28.280
<v Speaker 5>cab company with the money he got for acting as

0:29:28.320 --> 0:29:32.960
<v Speaker 5>the facilitator. Lewis had said when Lloyd Jowers passing away

0:29:33.200 --> 0:29:35.800
<v Speaker 5>on his deathbed, he called Lewis up and the day

0:29:35.800 --> 0:29:38.000
<v Speaker 5>before he died he told Lewis that yes, I was

0:29:38.000 --> 0:29:42.040
<v Speaker 5>a shooter. Now, that's in juxtaposition to two other stories

0:29:42.040 --> 0:29:42.440
<v Speaker 5>that we know.

0:29:44.680 --> 0:29:47.280
<v Speaker 2>Dominski was also in the room with Bill Pepper and

0:29:47.360 --> 0:29:50.680
<v Speaker 2>Martin king Thid for the two thousand and three sworn

0:29:50.760 --> 0:29:52.960
<v Speaker 2>deposition of Lenny Curtis.

0:29:54.040 --> 0:29:57.400
<v Speaker 5>Lenny Curtis was a janitor at the MPD shooting range

0:29:57.720 --> 0:30:00.600
<v Speaker 5>and Jim and on the day of the assassination. Lenny

0:30:00.640 --> 0:30:03.960
<v Speaker 5>Curtis testified that Frank Strauser had came in early that

0:30:04.080 --> 0:30:06.320
<v Speaker 5>day and was carrying a rifle and went down to

0:30:06.360 --> 0:30:10.160
<v Speaker 5>the shooting range and was constantly firing away. Around noon,

0:30:10.600 --> 0:30:14.080
<v Speaker 5>Director Hollman, Mayor Loeb and two people he doesn't know

0:30:14.200 --> 0:30:17.720
<v Speaker 5>in suits and ties come and meet with Frank Strauser

0:30:17.760 --> 0:30:20.680
<v Speaker 5>in a conference room. He's next door sweeping. He's trying

0:30:20.680 --> 0:30:23.120
<v Speaker 5>to listen in and he doesn't quite pick up on

0:30:23.360 --> 0:30:26.160
<v Speaker 5>what they're talking about, but they leave. Strausser then goes

0:30:26.400 --> 0:30:30.240
<v Speaker 5>and practices a little longer and then leaves in a

0:30:30.280 --> 0:30:31.880
<v Speaker 5>sports car with the rifle.

0:30:33.280 --> 0:30:35.960
<v Speaker 2>As we heard Curtis tell us in episode eleven, he

0:30:36.040 --> 0:30:39.040
<v Speaker 2>felt certain that Strausser was intending to shoot doctor King.

0:30:39.720 --> 0:30:42.160
<v Speaker 2>Curtis tried to call a minister he knew to pass

0:30:42.240 --> 0:30:46.040
<v Speaker 2>the warning along, but he couldn't get through. Curtis told

0:30:46.080 --> 0:30:48.880
<v Speaker 2>his story in the presence of Martin King II, with

0:30:48.960 --> 0:30:51.440
<v Speaker 2>a promise that no one could listen to it or

0:30:51.520 --> 0:30:54.680
<v Speaker 2>even hear of it until after he had died. But

0:30:54.840 --> 0:30:58.640
<v Speaker 2>after Curtis did die, Bill Pepper sought out Frank Strausser

0:30:58.840 --> 0:31:01.160
<v Speaker 2>and offered him five hundred if he would have.

0:31:01.160 --> 0:31:01.760
<v Speaker 5>Lunch with him.

0:31:02.280 --> 0:31:05.960
<v Speaker 2>Strausser agrees, and the two men meet and Brian Demnsky

0:31:06.120 --> 0:31:07.480
<v Speaker 2>is sitting at a nearby table.

0:31:08.640 --> 0:31:11.680
<v Speaker 5>Ahead of time. Bill asked that I have him wired

0:31:11.720 --> 0:31:14.280
<v Speaker 5>for sound, and we did a rudimentary attempt at that

0:31:14.680 --> 0:31:17.479
<v Speaker 5>recorder in his pocket, but Bill welcomed him and they

0:31:17.480 --> 0:31:19.440
<v Speaker 5>sat down and they had about a forty five minute

0:31:19.480 --> 0:31:22.320
<v Speaker 5>chat about what life was like in nineteen sixty eight

0:31:22.320 --> 0:31:24.480
<v Speaker 5>in Memphis and that sort of thing.

0:31:25.560 --> 0:31:28.760
<v Speaker 2>In episode eleven, you can hear our recreation of Pepper's

0:31:28.760 --> 0:31:32.800
<v Speaker 2>conversation with Frank Strausser that Brian de Minsky overheard and

0:31:32.880 --> 0:31:38.560
<v Speaker 2>taped via recorder in Bill Pepper's shirt pocket. Dominski was

0:31:38.640 --> 0:31:41.040
<v Speaker 2>also in the room, this time as a court reporter.

0:31:41.600 --> 0:31:46.960
<v Speaker 2>During the stunning seven hours sworn deposition by Ronnie Lee Atkins.

0:31:49.160 --> 0:31:51.280
<v Speaker 5>Ronnie Lee was a fascinating interesting man. He was an

0:31:51.320 --> 0:31:54.680
<v Speaker 5>iron horseman, biker and his family. They were the Dixie

0:31:54.720 --> 0:31:58.600
<v Speaker 5>Mafia family, not mafia as an Italian mafia. Dixie Mafias

0:31:58.640 --> 0:32:02.600
<v Speaker 5>in Southern tough guys that do things, illicit things, and

0:32:02.640 --> 0:32:07.120
<v Speaker 5>they still exist. He gave his deposition for seven hours.

0:32:07.640 --> 0:32:10.560
<v Speaker 5>At first I was skeptical. He almost looked like Hulk Hogan.

0:32:10.600 --> 0:32:13.440
<v Speaker 5>He's had this flowing hair, big mustache. I had to

0:32:13.480 --> 0:32:16.960
<v Speaker 5>be two eighty but really built strong. But as he

0:32:17.240 --> 0:32:19.720
<v Speaker 5>gave his testimony over those seven hours, he had so

0:32:19.840 --> 0:32:23.360
<v Speaker 5>many intricate Memphis facts. No, he's from Memphis, so it's understandable,

0:32:23.400 --> 0:32:26.320
<v Speaker 5>but he had so much detail that he couldn't have

0:32:26.320 --> 0:32:28.560
<v Speaker 5>possibly made this up. Bill. He was telling the story

0:32:28.600 --> 0:32:31.200
<v Speaker 5>of his life and his family's life back in the day.

0:32:32.920 --> 0:32:35.520
<v Speaker 2>As we were beginning to pack up, I asked Brian

0:32:35.560 --> 0:32:38.880
<v Speaker 2>Demnsky if looking back, he felt encouraged by all the

0:32:38.880 --> 0:32:41.920
<v Speaker 2>people that have braved the storm and come forward and

0:32:42.000 --> 0:32:44.520
<v Speaker 2>all the evidence they have brought with them, or was

0:32:44.520 --> 0:32:47.120
<v Speaker 2>he discouraged by how immune to it all the lie

0:32:47.160 --> 0:32:50.760
<v Speaker 2>surrounding King's murder seemed to be he was upbeat.

0:32:51.960 --> 0:32:54.800
<v Speaker 5>Pepper would like this, I'm a wax poetic, but doctor

0:32:54.880 --> 0:32:57.400
<v Speaker 5>King used to like to quote the truth crushed Earth

0:32:57.440 --> 0:33:00.920
<v Speaker 5>will rise again. So as the years passed, it is rising.

0:33:01.360 --> 0:33:04.760
<v Speaker 5>It's coming out. But we're not totally there now. The

0:33:04.840 --> 0:33:07.720
<v Speaker 5>ninety nine Trials a wonderful template, and there's more, of course,

0:33:07.960 --> 0:33:09.680
<v Speaker 5>the weave on Earth, and there's still a little bit

0:33:09.720 --> 0:33:12.000
<v Speaker 5>more that we don't have, but we did a pretty

0:33:12.000 --> 0:33:13.680
<v Speaker 5>good job of those two trials.

0:33:20.080 --> 0:33:23.480
<v Speaker 2>This is Bill Klaber, creator of the MLK Tapes. Before

0:33:23.520 --> 0:33:26.320
<v Speaker 2>we walk away from the podcast, I wanted to play

0:33:26.320 --> 0:33:29.360
<v Speaker 2>the interviews you just heard of two people who have

0:33:29.400 --> 0:33:31.760
<v Speaker 2>had a front row seat as this story has played

0:33:31.760 --> 0:33:35.000
<v Speaker 2>out in Memphis. For most of us, the murder of

0:33:35.000 --> 0:33:37.640
<v Speaker 2>Martin Luther King is something that took place over fifty

0:33:37.720 --> 0:33:41.840
<v Speaker 2>years ago, but for Ryan Jones and Brian Deminski, it

0:33:41.920 --> 0:33:44.360
<v Speaker 2>is a battle between truth and lies that is still

0:33:44.440 --> 0:33:47.760
<v Speaker 2>very much alive today. If you are with us this far,

0:33:48.440 --> 0:33:50.239
<v Speaker 2>I would like to think that you now know a

0:33:50.240 --> 0:33:52.680
<v Speaker 2>great deal more about the murder of Martin Luther King

0:33:52.840 --> 0:33:56.000
<v Speaker 2>than you did before, and considering the importance of the

0:33:56.040 --> 0:33:59.040
<v Speaker 2>man murdered, I hope that feels odd to you, and

0:33:59.120 --> 0:34:02.280
<v Speaker 2>it should, because US Americans think King was killed by

0:34:02.360 --> 0:34:07.000
<v Speaker 2>alone assassin driven by racial hatred. They think this because

0:34:07.040 --> 0:34:09.840
<v Speaker 2>for fifty years, the American media has seen fit to

0:34:09.960 --> 0:34:13.759
<v Speaker 2>champion the single corrupt story that was provided to them

0:34:14.280 --> 0:34:17.920
<v Speaker 2>and to allow for nothing else. So, for example, if

0:34:17.960 --> 0:34:20.320
<v Speaker 2>you have written a book that challenges the official version

0:34:20.360 --> 0:34:23.840
<v Speaker 2>of this crime, as Bill Pepper has done, your book,

0:34:24.280 --> 0:34:27.640
<v Speaker 2>no matter how carefully vetted, will not even be reviewed.

0:34:28.280 --> 0:34:29.719
<v Speaker 2>Polite people don't talk about the.

0:34:29.760 --> 0:34:30.919
<v Speaker 5>Murder of doctor King.

0:34:32.239 --> 0:34:35.799
<v Speaker 2>But podcasts offer a way around those gatekeepers. So we

0:34:35.880 --> 0:34:38.280
<v Speaker 2>have put the evidence as we know it into audio

0:34:38.320 --> 0:34:41.200
<v Speaker 2>episodes and shot them out into the ether, where from

0:34:41.239 --> 0:34:41.760
<v Speaker 2>now on.

0:34:41.800 --> 0:34:43.160
<v Speaker 5>Anyone can access them.

0:34:43.760 --> 0:34:46.560
<v Speaker 2>Anyone can hear how Percy Foreman was paid to make

0:34:46.600 --> 0:34:49.600
<v Speaker 2>sure that James Earl Ray pled guilty, and they can

0:34:49.640 --> 0:34:54.360
<v Speaker 2>ask themselves how did this happen and why? And of course,

0:34:54.400 --> 0:34:56.720
<v Speaker 2>none of this could have happened if Bill Pepper hadn't

0:34:56.719 --> 0:34:59.839
<v Speaker 2>decided to investigate the murder of his friend Martin King,

0:35:00.560 --> 0:35:02.800
<v Speaker 2>so I want to thank Bill again for those efforts

0:35:03.200 --> 0:35:06.160
<v Speaker 2>and for his bravery. I also want to thank Donald

0:35:06.200 --> 0:35:10.240
<v Speaker 2>Albright and Jamie Olbright of Tenderfoot TV, and Matt Frederick

0:35:10.280 --> 0:35:13.400
<v Speaker 2>and Trevor Young of iHeartMedia for the belief and the

0:35:13.440 --> 0:35:16.440
<v Speaker 2>importance of this story and for their confidence in me.

0:35:17.200 --> 0:35:20.400
<v Speaker 2>I'm grateful for their exceptional talent and for the spirit

0:35:20.520 --> 0:35:23.640
<v Speaker 2>they brought with it. It's not every day that one

0:35:23.640 --> 0:35:26.480
<v Speaker 2>gets to shatter a lie as big as this one.

0:35:32.280 --> 0:35:34.520
<v Speaker 9>Thanks for listening to The MLK Tapes, a production of

0:35:34.520 --> 0:35:38.920
<v Speaker 9>iHeartRadio and Tenderfoot TV. This podcast is not specifically endorsed

0:35:38.960 --> 0:35:41.320
<v Speaker 9>by the King Family or the King of State. The

0:35:41.440 --> 0:35:45.080
<v Speaker 9>MLK Tapes is written and hosted by Bill Clayber, Matt Frederick,

0:35:45.120 --> 0:35:48.399
<v Speaker 9>and Alex Williams our executive producers on behalf of iHeartRadio,

0:35:48.760 --> 0:35:52.480
<v Speaker 9>with producers Trevor Young and Jesse Fonk. Donald Albright and

0:35:52.520 --> 0:35:55.520
<v Speaker 9>Payne Lindsay are executive producers on behalf of Tenderfoot TV,

0:35:55.920 --> 0:36:00.200
<v Speaker 9>with producers Jamie Albright and Meredith Dedman. Original music by

0:36:00.200 --> 0:36:03.480
<v Speaker 9>Makeup and Vanity Set. Cover art by Mister Soul two

0:36:03.480 --> 0:36:07.920
<v Speaker 9>one six with photography by Artemis Jenkins. Special thanks to

0:36:07.920 --> 0:36:11.560
<v Speaker 9>Owin Rosenbaum and Grace Royer at UTA, the Nord Group,

0:36:11.880 --> 0:36:16.839
<v Speaker 9>Beck Median Marketing, Envision Business Management, and Station sixteen. If

0:36:16.880 --> 0:36:19.960
<v Speaker 9>you have questions, you can visit our website, the emailktapes

0:36:20.080 --> 0:36:23.319
<v Speaker 9>dot com. We posted photos and videos related to the

0:36:23.360 --> 0:36:26.040
<v Speaker 9>podcast on our social media accounts. You can check them

0:36:26.080 --> 0:36:30.000
<v Speaker 9>out at the emailk Tapes. For more podcasts from iHeartRadio

0:36:30.120 --> 0:36:34.080
<v Speaker 9>and Tenderfoot TV, please visit the iHeartRadio app, Apple Podcasts,

0:36:34.200 --> 0:36:36.319
<v Speaker 9>or wherever you listen to your favorite shows,