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Speaker 1: What's up and slip service. I mean, I'm guire, I'm

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Speaker 1: Jeordie jor j is here with us. Man, We're so

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Speaker 1: happy that you're here. And you know, I feel like

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Speaker 1: you got to lead on this because, oh my god,

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Speaker 1: this Magic City docuseries. I had a chance to see

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Speaker 1: two episodes. I saw two of the most important things

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Speaker 1: on one of them. Yeah, right now. But honestly, we

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Speaker 1: were watching some of it at work and well done.

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Speaker 1: Like everybody was talking about how just well produced. This

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Speaker 1: docu series is just the whole backstory, everything that we

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Speaker 1: did not know. It's like riveting and then getting to

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Speaker 1: see some of the women that used to work at

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Speaker 1: the club and when it first opened, the story of

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Speaker 1: even how it opened.

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Speaker 2: It's amazing. So congratulations, I mean, you know, you always

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Speaker 2: do it.

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Speaker 3: I mean I ain't do all that work, so I

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Speaker 3: gotta congratulate everybody else. I just you know, did my

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Speaker 3: little part. But yes, it was put together with.

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Speaker 4: I still haven't seen like the entire all of it.

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Speaker 1: Yeah, I haven't either. That's crazy that I.

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Speaker 5: Know.

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Speaker 1: You're excited though, But of course there's a soundtrack to

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Speaker 1: go with it.

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Speaker 4: Yeah, well, well, actually it's not the same. Well this

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Speaker 4: is a soundtrack.

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Speaker 3: But I tried to do the soundtrack and Stars didn't

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Speaker 3: want to do the soundtrack.

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Speaker 4: So then it was like.

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Speaker 3: I had already got into it. I was so wrapped

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Speaker 3: into it. I was just like, I'm gonna stay with

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Speaker 3: this and I'm just gonna.

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Speaker 4: Make it a new Jermaine. The pre album inspired by

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Speaker 4: Magic City.

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Speaker 1: Documentary and why not turn Around?

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Speaker 4: Yeah, turn Around?

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Speaker 1: I missed songs like that. I feel like people are

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Speaker 1: not really doing that so much anymore. That's a fun song.

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Speaker 3: Yeah, men are not making songs with tempo period, you

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Speaker 3: know what I mean, Like the men rap male rappers

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Speaker 3: not making like a lot of songs with tempo. So

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Speaker 3: but I think that is because males don't really dance

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Speaker 3: like they don't have a you know.

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Speaker 2: I think they want to see the acid shop. They

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Speaker 2: want to see the acid shake, so they need to

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Speaker 2: make music that.

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Speaker 4: Yeah. I don't know.

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Speaker 3: I just I don't think if a man is like,

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Speaker 3: go to clubs now, they don't. They just want to

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Speaker 3: hang out.

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Speaker 4: They want to just drink and just stand around dance.

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Speaker 3: I think I think it's glad that their boots on

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Speaker 3: the ground came into this era, so now.

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Speaker 1: People want to dance might come back, and.

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Speaker 4: It's actually coming back, definitely coming back.

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Speaker 1: Bringing the dance floors back to the club where you go.

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Speaker 1: Like I was in Detroit and I was in the

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Speaker 1: casino right and you know how they have like the

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Speaker 1: club and the mother casino. But anyway, they were they

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Speaker 1: were for real dancing.

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Speaker 2: Like line dancing or dancing dance like line dance something,

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Speaker 2: but like all night.

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Speaker 1: Yeah, it was packed. So I feel like it depends

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Speaker 1: in certain places where you go, like they really do

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Speaker 1: go out and dance, and when it's many, there's so

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Speaker 1: many line dances, there's so many songs that have choreos

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Speaker 1: that in.

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Speaker 4: New York bringing it back, Yeah.

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Speaker 1: So hopefully that involves into just regular dancing. Note Wario

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Speaker 1: at the Greek Picnics, they're dancing, They're dancing. That's what

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Speaker 1: we need to be Greek.

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Speaker 2: I can tell you that it should pledge now, yes, Angela, no, no,

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Speaker 2: she's yeah.

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Speaker 1: She sent me a text Monday. I was like, what

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Speaker 1: are you talking about? She said, we should pledge. I

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Speaker 1: think we should. I still think we should. I'm working

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Speaker 1: as a mission.

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Speaker 2: I said it as long as you have for forever. Yeah,

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Speaker 2: I couldn't pledge because I never went to school.

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Speaker 1: Does that matter? Yeah, it does matter.

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Speaker 2: Yeah, have your degree, but you can still be like

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Speaker 2: an honorary Yeah you know, blah blah blah. Okay, well listen,

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Speaker 2: So talk to me about the whole process of like

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Speaker 2: how you even with this Magic City docuseries, because I

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Speaker 2: remember when Gigi first started talking about it's a long

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Speaker 2: process for people listening, like it ain't like you do

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Speaker 2: a docuseries and then you know, Jermaine Dupree's attached to it,

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Speaker 2: Drake's attached to it, it's on stars. It was a

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Speaker 2: long process to get it to where it got to now,

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Speaker 2: So can you talk about that?

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Speaker 4: Yeah? So, I mean initially.

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Speaker 3: We it was an idea first about I talked with

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Speaker 3: Magic about this like two weeks ago. Initial idea came

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Speaker 3: from like it was like a whole conversation about Atlanta.

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Speaker 3: It was just gonna be like a story about things

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Speaker 3: that happened in Atlanta and just people was gonna tell

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Speaker 3: the story of Atlanta. But then I feel like everybody's

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Speaker 3: story about Atlanta stops in Magic City and it starts

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Speaker 3: becoming like, wait, so you was there too, you was there,

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Speaker 3: or you have a story about Magic City? It started

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Speaker 3: being like so many people have stories about magic in

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Speaker 3: their own stories, right, like your story that you're gonna

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Speaker 3: tell us about. Yeah, So I think everybody's story their

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Speaker 3: first time going to magic or whatever time going to magic.

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Speaker 4: Everybody's story is different. Right.

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Speaker 3: Something happened some whatever, whatever happened, And I think that

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Speaker 3: that's what led to maybe we should just talk about

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Speaker 3: Magic City. We should put like everybody's stories back to

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Speaker 3: back and talk about this, that and the third and

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Speaker 3: then get into magic himself because you don't see or

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Speaker 3: hear a lot about magic.

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Speaker 1: Was that hard to get him to be will? Yeah?

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Speaker 3: Yeah, he won't with it, but you know, like you

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Speaker 3: have a lot of conversations with him about this. Like

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Speaker 3: I feel like in black culture, we don't actually like

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Speaker 3: love our things the way we're supposed to.

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Speaker 4: Right. They got a whole movie about.

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Speaker 3: Studio fifty four, right, and they talking about how much

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Speaker 3: cocaine somebody was doing in the bathroom and ladies roller

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Speaker 3: skating and horses.

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Speaker 4: Coming like they're telling this whole story, don't.

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Speaker 3: We don't have that type of conversation about Magic City, right,

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Speaker 3: It's more about a black man moving to Atlanta trying

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Speaker 3: to get make a living working somewhere else, getting get

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Speaker 3: you know, me leaving that job and figuring out how

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Speaker 3: to start his own club and then not being able

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Speaker 3: to pay the employees and him actually working all the

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Speaker 3: positions inside the club.

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Speaker 4: It's a story that I just feel like, if you are.

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Speaker 3: You want to be an entrepreneur, you want to make

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Speaker 3: own a restaurant or something like that, you should hear

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Speaker 3: this conversations is forty years. You know, it's an institution

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Speaker 3: that's been open for forty years.

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Speaker 4: Forty blacks.

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Speaker 1: I feel like it's definitely the most popular stip club ever.

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Speaker 1: If you ask me, like anybody that knows about strip clubs,

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Speaker 1: Magic City is like it's kind of like how Petron

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Speaker 1: used to be for a tequila or how like you know,

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Speaker 1: Gray Goose used to be for vodka, like strip club

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Speaker 1: Magic City. Yeah.

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Speaker 3: I mean, like for me, I always you know, I

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Speaker 3: came in that I was younger, so I couldn't I

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Speaker 3: didn't go. I mean, I haven't been around for the

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Speaker 3: whole forty years, but I think like I always wanted

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Speaker 3: to know, like what was the girl picking process in

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Speaker 3: the beginning. I think that that was the key to

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Speaker 3: Magic City's real success.

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Speaker 1: And they talk about that. I saw that part in

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Speaker 1: the docu series.

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Speaker 3: Yeah, I ain't really seen that part because I want

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Speaker 3: I want, I want to know that from myself, like

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Speaker 3: how White Chocolate got to that club with who found her?

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Speaker 3: Like I don't you know what I'm saying, Like I don't.

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Speaker 3: It's a lot of that stuff that I feel like

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Speaker 3: that's what makes the difference in this club compared to

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Speaker 3: the other club, any other club, you know what I mean,

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Speaker 3: Like because even like I remember, like Trey, he used

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Speaker 3: to come to Atlanta.

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Speaker 4: He always wanted to go see gig everything going to

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Speaker 4: Magic City. When you get in there, you see like

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Speaker 4: people have their favorite people, right, you know what I'm saying.

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Speaker 4: It's just like and it's like a I don't even

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Speaker 4: know what you call it.

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Speaker 1: It's just what's your favorite? Like who would you say?

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Speaker 1: In different eras?

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Speaker 3: I mean I think it was I'm friends with everybody,

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Speaker 3: what I'm saying.

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Speaker 4: I still was like messised, how.

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Speaker 1: Hard is that for you when you go in there,

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Speaker 1: like because you're friends with everybody, and then there's an

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Speaker 1: expectation like JD's in the club.

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Speaker 3: You know, well, I used to have this what do

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Speaker 3: you call it?

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Speaker 4: It's not a rumor, but.

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Speaker 3: What is this thing called? They thought that I only

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Speaker 3: like light skined girls. So it's like, I guess a

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Speaker 3: little chatter in the locker room, then I ain't like

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Speaker 3: brownskin girls or something like that. He don't dance though

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Speaker 3: brownskin girls. He only like light skin girls.

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Speaker 1: I never heard that.

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Speaker 3: This was somebody told me, and I'm like what, And

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Speaker 3: then so I switched it just because I heard it.

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Speaker 3: So you started dancing brownskin girls that I wasn't even

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Speaker 3: like like trying to get at them. I just was

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Speaker 3: doing it just to see if then I start. Then

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Speaker 3: I became friends with these people. Like it wasn't even

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Speaker 3: about me trying to like look at them. From that,

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Speaker 3: I just was dancing. I'm like, just to have fun.

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Speaker 4: So then I just became friends with everybody club. It

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Speaker 4: don't even be like you.

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Speaker 3: Know what I mean, it's because And that's another thing

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Speaker 3: I want people to understand. I don't go to I

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Speaker 3: don't go to strip the strip club because it's sexual.

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Speaker 1: It's work.

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Speaker 4: It ain't even work.

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Speaker 1: It's fun because it just fun. But it's kind of

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Speaker 1: fun work. So you see what records Because I feel

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Speaker 1: like you, as an executive, you're always kind of like

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Speaker 1: analyzing things right. It is still fun, but it's work

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Speaker 1: right because you're also seeing what works, what are people liking,

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Speaker 1: what are people dancing to? You get in by some

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Speaker 1: music after that, you know what I mean. At the

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Speaker 1: same time, it's because you can write it off on

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Speaker 1: your taxes, right.

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Speaker 4: Maybe I don't know.

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Speaker 3: Maybe it helps you clear your mind like you can.

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Speaker 3: I could be going like through a long day like today,

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Speaker 3: I had all this press. If I could go to

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Speaker 3: Magic City, it was like, next two hours, It'll just

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Speaker 3: relax me.

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Speaker 1: Just like, but don't you obligated to have to throw

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Speaker 1: money when you go? No.

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Speaker 3: I was just explaining that you to Fat Joe because

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Speaker 3: he said he made the make It Ring song. He

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Speaker 3: felt like that was his first three.

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Speaker 1: Months he had he did he did have to.

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Speaker 3: Yeah, but you're don't have to. It's a secret to this.

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Speaker 3: You don't have to stand in that eight. You can

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Speaker 3: walk around the club. That's what I'm saying. I learned

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Speaker 3: that you will walk around, go to the DJ booll,

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Speaker 3: go talk to the waitresses at the bar. You don't

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Speaker 3: have to stand there and stay in the fish.

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Speaker 1: You don't have to.

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Speaker 2: Stay somebody like money anything or make it.

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Speaker 1: You gotta throw money, why come out?

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Speaker 3: I'm saying, like, you ain't good dollars.

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Speaker 4: You could throw that out. You could throw five hundred

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Speaker 4: dollars and still look like.

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Speaker 2: People fail to realize. They think that you got to

230
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Speaker 2: go to the strip club and just spend a lot

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Speaker 2: of money. You don't like, you could just go chill.

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Speaker 2: You could just go vibe out, hang out, smoke kookah.

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Speaker 2: I see j D in the club all the time,

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Speaker 2: and he's not always throwing a bunch of money. Almost

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Speaker 2: every time I'm in Magic JD's there were always there

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Speaker 2: at the same time.

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Speaker 1: It seems like and does he throw it up? Absolutely?

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Speaker 1: But does he have to do? You expect him to

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Speaker 1: do it?

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Speaker 2: Even when I was dancing, Like there's some people that

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Speaker 2: you know is gonna come in there and do what

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Speaker 2: they do.

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Speaker 1: But when they don't, it's like, oh he chilling today,

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Speaker 1: and that's okay.

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Speaker 4: Yeah, I mean, I think.

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Speaker 3: In Atlanta though, also, throwing money is a way for

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Speaker 3: people to pay attention to you.

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Speaker 4: Sometimes I don't want you paying attention to you, know

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Speaker 4: what I mean.

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Speaker 3: It's like the sparklers come out, like don't bring them,

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Speaker 3: don't come.

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Speaker 4: Yeah, like That's what I'm saying.

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Speaker 3: So I think like the throwing the money is like,

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Speaker 3: you know, ball of walking to you with all this money,

255
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Speaker 3: everybody looking, who is to see where the money going.

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Speaker 4: It's like, that's that's for you as as a person.

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Speaker 3: So like the younger rappers and the younger artists that

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Speaker 3: want to get on, that's they that's their thing. I'll

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Speaker 3: go stand over them in the corner, smoke my hooking

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Speaker 3: and watch and see what's going on.

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Speaker 1: So, since you talked about your the process of selecting

262
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Speaker 1: the women gg, yes, how was that process for you

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Speaker 1: when you started working in Magic City.

264
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Speaker 2: So my story is I was bartending and I hadn't

265
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Speaker 2: danced in two years, and I came to Atlanta. I

266
00:11:36,200 --> 00:11:38,079
Speaker 2: was in the process of moving there, and I was

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Speaker 2: with a friend who was working at Medic City, and

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Speaker 2: she would always try to get me to come to

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Speaker 2: Atlanta and work with her from Philly. But I was

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Speaker 2: one hundred and ten pounds and an acup and in

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Speaker 2: my mind, I'm like, I'm not gonna make no money

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Speaker 2: in the South. They like bick girls, right, So then

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Speaker 2: when I'm forced to move to Atlanta, we know that story,

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Speaker 2: and I'm in Magic City and I'm watching and I'm like,

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Speaker 2: these girls ain't even dancing and I had this amazing

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Speaker 2: dance bad So I learned that they have an amateur

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Speaker 2: night contest.

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Speaker 1: This was back at when they did. They don't do

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Speaker 1: it anymore.

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Speaker 2: So Monday, I watch A Magic City from three to three,

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Speaker 2: Open the Clothes. Tuesday, I'm back and my friend is

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Speaker 2: working and the girls start talking to me and they like,

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Speaker 2: you should do this amerate night contest. So I'm like,

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Speaker 2: I don't know, because in my mind I'm like, I'm

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Speaker 2: gonna get up on that stage and nigger like boom,

286
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Speaker 2: y'all get what splitch you could do?

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Speaker 5: You know?

288
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Speaker 2: So but you know the hustler in me, I don't

289
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Speaker 2: really turn down too many checks. So she was like,

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Speaker 2: well you could. Even if you don't win, you still

291
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Speaker 2: get to keep your tips. So I'm like, fucking I'm

292
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Speaker 2: gonna do it. So rest in peace of DJ Nan

293
00:12:33,720 --> 00:12:36,600
Speaker 2: though glove him down. I went into the DJ booth

294
00:12:36,679 --> 00:12:38,920
Speaker 2: and I'm like, I'm about to do this amateur night contest.

295
00:12:38,960 --> 00:12:41,280
Speaker 2: I don't know none of this music. I don't I

296
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Speaker 2: haven't danced in two years, and I want to do it,

297
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Speaker 2: but I'm a little scared, so like, what should I do?

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Speaker 1: And he was like, what do you What did you

299
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Speaker 1: dance to when you dance?

300
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Speaker 2: And I'm like, Michael Jackson teen turned Jackson, I worked

301
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Speaker 2: at white clubs, but that's not gonna work in Philly.

302
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Speaker 2: That's where I came from. I came from Delilahs. That's

303
00:13:01,840 --> 00:13:03,920
Speaker 2: like a cheetah for those who don't know if our

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Speaker 2: land of people. So I got on stage and he

305
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Speaker 2: played want to be starting something? Michael Jackson, Yes, and

306
00:13:13,120 --> 00:13:15,719
Speaker 2: tipping tiny was in age and when I tell you,

307
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Speaker 2: I danced boots to the ground, danced my ass off.

308
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Speaker 2: When I got off, I'm not that's a seven minute song,

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Speaker 2: Mama said, Mama right there.

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Speaker 1: He said that a lot.

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Speaker 2: I danced the entire seven minutes like my life depended

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Speaker 2: on it. And I literally like at that moment, I

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Speaker 2: was in my zone because I'm a dancery heart.

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Speaker 1: Get off stage. Big Match comes up to me. He's like,

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Speaker 1: who are you? Where'd you come from? You need a job?

316
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Speaker 4: You work?

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Speaker 1: You want a job?

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Speaker 2: Because I need to see that, and I'm like, I

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Speaker 2: bartend I want to work. He's like, no, the fuck

320
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Speaker 2: you don't you want to do that? He said, come

321
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Speaker 2: back tomorrow. Tell them I'm Magic. Tell him I hired you.

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Speaker 2: Come back tomorrow.

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Speaker 1: Do your paperwork.

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Speaker 2: I need to see that on my stage every night.

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Speaker 2: And then my friend came up like, well he just

326
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Speaker 2: said you know who that is? And I'm like, he

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Speaker 2: said his name was Magic and she was like, that's

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Speaker 2: the owner, bitch, what he say? And I was like,

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Speaker 2: he told me that I should dance, like to get

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Speaker 2: a job, like come work here.

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Speaker 1: And she was like a.

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Speaker 2: Movie jacket, right, and she was like if you don't,

333
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Speaker 2: She's like, if you don't, you dump the bitch iver

334
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Speaker 2: met and I'm like okay. So we go in the

335
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Speaker 2: next day and I fill on paperwork at my permit

336
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Speaker 2: and within a year I have my own stage.

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00:14:14,640 --> 00:14:18,839
Speaker 1: That damn within a year. It was the twentieth year anniversary.

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Speaker 1: I was just about I was like, human nature, what

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Speaker 1: do you mean again? What music? Oh? I had to

340
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Speaker 1: fall in I had to learn.

341
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Speaker 4: Yeah, I had to watch and learn.

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Speaker 1: I had to learn and dance everything else.

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Speaker 2: This was two thousand and five, so it was g Z,

344
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Speaker 2: Gucci T Yeah, you know, it was that Nickey rain.

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Speaker 1: It was that era, you know. So I just had

346
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Speaker 1: to fall in line and learn. I learned the motivation

347
00:14:40,480 --> 00:14:40,720
Speaker 1: one on.

348
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Speaker 2: What ever got them living it? Walk it out?

349
00:14:46,080 --> 00:14:51,840
Speaker 1: Yeah, I had Jackson to absolutely good.

350
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Speaker 2: Twentieth year anniversary. We're now about to celebrate the fortieth

351
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Speaker 2: year anniversity. So this was twenty years ago, and yeah,

352
00:14:59,720 --> 00:15:02,120
Speaker 2: I felled in that place. By the time I was

353
00:15:02,360 --> 00:15:04,240
Speaker 2: had my last dance, they were like, why the fuck

354
00:15:04,240 --> 00:15:04,760
Speaker 2: are you leaving?

355
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Speaker 1: But we all know that story. Yeah I know that story.

356
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Speaker 1: Do you remember your first time going to Magic City?

357
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Speaker 4: No, well I do, I do, because I thought.

358
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Speaker 1: That weren't supposed to be there.

359
00:15:14,840 --> 00:15:16,240
Speaker 4: Yeah, I wasn't. I didn't get in.

360
00:15:16,320 --> 00:15:20,160
Speaker 3: That's that's my memory because I thought like, just because

361
00:15:20,160 --> 00:15:23,000
Speaker 3: I had money, I could get in and I was

362
00:15:23,080 --> 00:15:26,720
Speaker 3: I was nineteen, and they was like, nah, you ain't

363
00:15:26,720 --> 00:15:30,240
Speaker 3: getting in here. And so I always felt like I

364
00:15:30,280 --> 00:15:32,000
Speaker 3: had a chip on my shoulder a bout Magic.

365
00:15:32,040 --> 00:15:34,720
Speaker 4: I was mad, right, I think.

366
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Speaker 5: And then.

367
00:15:36,760 --> 00:15:41,000
Speaker 3: The club burnt down and then Gentlemen's Club open and

368
00:15:41,160 --> 00:15:43,880
Speaker 3: so I was like more Gentlemen's club guy at this

369
00:15:44,200 --> 00:15:46,760
Speaker 3: but it's cause Magic wasn't open. And then when Magic

370
00:15:46,840 --> 00:15:50,240
Speaker 3: came back, I started going to Magic and like, I

371
00:15:50,240 --> 00:15:53,560
Speaker 3: think the magic magic, Like I said, Magic City situation

372
00:15:53,680 --> 00:15:57,080
Speaker 3: has always been the dancers though the dancers. The dancers

373
00:15:57,160 --> 00:15:59,960
Speaker 3: drive the momentum in that club.

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Speaker 1: To me, maybe y'all need to do another amateur night.

375
00:16:03,000 --> 00:16:04,800
Speaker 1: I've been the law.

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00:16:05,360 --> 00:16:07,520
Speaker 2: I think it's against the law in some sort of

377
00:16:07,520 --> 00:16:09,360
Speaker 2: way because I tried to get them to bring it

378
00:16:09,400 --> 00:16:12,160
Speaker 2: back and I wanted to like host it. But I

379
00:16:12,200 --> 00:16:13,800
Speaker 2: talked to my key about it, who was Little Magic,

380
00:16:13,880 --> 00:16:15,840
Speaker 2: and he was saying like something about the law.

381
00:16:15,880 --> 00:16:18,160
Speaker 1: That's why they stopped doing it. Something against the law,

382
00:16:18,240 --> 00:16:19,920
Speaker 1: because you know, the dancers got to have permits.

383
00:16:20,600 --> 00:16:24,080
Speaker 2: So yeah, dance with Michael Jackson Neckett.

384
00:16:24,600 --> 00:16:26,880
Speaker 1: I did not take my clothes off, That's what I'm saying.

385
00:16:26,920 --> 00:16:28,000
Speaker 1: So yeah, so they.

386
00:16:27,920 --> 00:16:29,880
Speaker 2: Could do it not now, I did not take the

387
00:16:29,920 --> 00:16:32,680
Speaker 2: amateur contest. We need to figure out to great problem.

388
00:16:34,160 --> 00:16:38,520
Speaker 2: Speaking of promos, my leg remember the conversation we had

389
00:16:38,520 --> 00:16:40,440
Speaker 2: about being in the ogs Back for one night only.

390
00:16:40,560 --> 00:16:42,560
Speaker 1: You know, we really want to do that, right, who's

391
00:16:43,440 --> 00:16:47,080
Speaker 1: me the snack pack O g India mona Row.

392
00:16:47,840 --> 00:16:52,880
Speaker 2: It's about six and the Yeah, that a little era,

393
00:16:53,560 --> 00:16:54,360
Speaker 2: we want to do it.

394
00:16:54,600 --> 00:16:56,240
Speaker 1: I'm stretching. I stretched this morning.

395
00:16:58,840 --> 00:17:06,159
Speaker 4: Snack you I can call b whya pack? What happens?

396
00:17:06,320 --> 00:17:09,280
Speaker 1: What happened to the snack pack? Well after I left,

397
00:17:09,920 --> 00:17:12,920
Speaker 1: can you explain what the snackpack is? Because remember, everybody

398
00:17:12,960 --> 00:17:14,199
Speaker 1: don't know. Everybody don't know.

399
00:17:14,760 --> 00:17:17,600
Speaker 2: So taking it back to when I got my own

400
00:17:17,600 --> 00:17:20,359
Speaker 2: stage set, it was you remember Fierce Jojo?

401
00:17:20,520 --> 00:17:22,800
Speaker 1: I don't know. Anyway, there was me and Fierce. It

402
00:17:22,840 --> 00:17:23,680
Speaker 1: was gg and Fierce.

403
00:17:24,000 --> 00:17:27,880
Speaker 2: They Mikey Little Magic realized that we were the only

404
00:17:27,920 --> 00:17:29,480
Speaker 2: two girls out of the whole let's say it was

405
00:17:29,520 --> 00:17:31,280
Speaker 2: one hundred and fifty girls working on the Monday. We

406
00:17:31,280 --> 00:17:33,760
Speaker 2: were the only two doing poetriits that many people worked

407
00:17:33,760 --> 00:17:37,360
Speaker 2: on a Monday. Absolutely one hundred and fifty, absolutely crazy,

408
00:17:37,520 --> 00:17:40,760
Speaker 2: absolutely no exaggeration, one hundred and fifty dancers in the rotation.

409
00:17:41,520 --> 00:17:44,600
Speaker 2: So we would so the rotation that goes like first Come,

410
00:17:44,640 --> 00:17:47,200
Speaker 2: First Earth. When you walk in, you pay, they put

411
00:17:47,240 --> 00:17:49,080
Speaker 2: you on the list. So it literally got to the

412
00:17:49,080 --> 00:17:51,000
Speaker 2: point where girls would like wait for us to walk in,

413
00:17:51,040 --> 00:17:52,600
Speaker 2: so that did get put on the list with us.

414
00:17:52,800 --> 00:17:54,200
Speaker 2: So that because they knew that we was gonna do

415
00:17:54,240 --> 00:17:56,080
Speaker 2: the poetricks and that we got to split the money.

416
00:17:56,359 --> 00:17:57,919
Speaker 2: So Mike he took he to that and was like,

417
00:17:58,000 --> 00:17:59,640
Speaker 2: I'm about to take you all away from that I'm

418
00:17:59,640 --> 00:18:01,320
Speaker 2: gonna get y'all y'all own set. So this is when

419
00:18:01,320 --> 00:18:03,480
Speaker 2: twelve o'clock and two o'clock starts. It was just me

420
00:18:03,520 --> 00:18:05,880
Speaker 2: and Fierce, so would have come out so you didn't

421
00:18:05,880 --> 00:18:06,440
Speaker 2: have to slit the money.

422
00:18:06,680 --> 00:18:07,800
Speaker 1: A rotation would shut down.

423
00:18:07,840 --> 00:18:09,439
Speaker 2: It would be twelve o'clock, me and Fierce would come

424
00:18:09,480 --> 00:18:11,199
Speaker 2: on stage, and then a rotation will go back, and

425
00:18:11,200 --> 00:18:12,720
Speaker 2: then at two o'clock we would do it again and

426
00:18:12,720 --> 00:18:13,880
Speaker 2: then rotation will come back.

427
00:18:13,880 --> 00:18:16,280
Speaker 1: So now we're only splitting that money just us too. That,

428
00:18:16,359 --> 00:18:16,800
Speaker 1: aren't it.

429
00:18:17,440 --> 00:18:19,560
Speaker 2: About a year or two of that, she decided she

430
00:18:19,600 --> 00:18:21,480
Speaker 2: don't want to dance no more, and now I'm stuck

431
00:18:21,520 --> 00:18:24,680
Speaker 2: by myself. So my option is to go back into

432
00:18:24,760 --> 00:18:28,000
Speaker 2: general pop and share my money with Now two four

433
00:18:28,240 --> 00:18:30,879
Speaker 2: people were I'm the only one doing poetricks, and I

434
00:18:30,920 --> 00:18:33,000
Speaker 2: didn't want to do that. So at the same time,

435
00:18:33,119 --> 00:18:35,040
Speaker 2: Onyx was opening up in Philly, and Philly never had

436
00:18:35,040 --> 00:18:37,399
Speaker 2: a booty club. So I went back home in Philly

437
00:18:37,440 --> 00:18:40,159
Speaker 2: for a good like six and I was running up

438
00:18:40,160 --> 00:18:41,919
Speaker 2: the bag and ONX, and then when that kind of

439
00:18:41,960 --> 00:18:43,439
Speaker 2: slowed down, I'm like, all right, let me take my

440
00:18:43,440 --> 00:18:43,919
Speaker 2: ass back home.

441
00:18:43,960 --> 00:18:45,320
Speaker 1: You know, I really do live in Atlanta.

442
00:18:45,440 --> 00:18:49,280
Speaker 2: So I come back and Mikey's like the itty biddies

443
00:18:49,359 --> 00:18:50,960
Speaker 2: is what he called them, because they're all like five

444
00:18:50,960 --> 00:18:53,440
Speaker 2: foot one, one hundred pounds, and He's like they've been

445
00:18:53,720 --> 00:18:56,040
Speaker 2: low key taking over twelve and two on the low.

446
00:18:56,080 --> 00:18:57,640
Speaker 2: Like we ain't made it official, but if you want

447
00:18:57,640 --> 00:18:59,640
Speaker 2: to make it official, say the word and y'all pack.

448
00:19:00,040 --> 00:19:01,600
Speaker 2: So I'm like, all right, got fuck with them, let's

449
00:19:01,640 --> 00:19:04,080
Speaker 2: do it. So we wanted to name ourselves something else,

450
00:19:04,640 --> 00:19:07,639
Speaker 2: which was very corny. What was the n PA, like

451
00:19:07,680 --> 00:19:12,800
Speaker 2: the NBA. I wanted to be the National Poll Association. Yeah,

452
00:19:12,800 --> 00:19:15,600
Speaker 2: that was that was wet. But since we're all and

453
00:19:15,640 --> 00:19:17,520
Speaker 2: again I'm still one hundred and ten pounds at the time,

454
00:19:17,800 --> 00:19:18,960
Speaker 2: I was in the a cup. No more, I was

455
00:19:19,000 --> 00:19:21,720
Speaker 2: a tea cup at the time, but I'm still pounds

456
00:19:21,960 --> 00:19:23,159
Speaker 2: and so there, I'm we're.

457
00:19:23,040 --> 00:19:24,040
Speaker 1: All little bite sized.

458
00:19:24,920 --> 00:19:27,600
Speaker 2: Dj Esco start calling us the snack Pack and it

459
00:19:27,720 --> 00:19:32,000
Speaker 2: just stuck. So the snack Pack was Magic Cities. Even

460
00:19:32,000 --> 00:19:34,240
Speaker 2: though g G and Joja was first, Me and Fierce

461
00:19:34,320 --> 00:19:37,440
Speaker 2: was first, we got recognized as a snack pack because

462
00:19:37,440 --> 00:19:39,840
Speaker 2: it's five of us, so it would do.

463
00:19:40,000 --> 00:19:40,720
Speaker 1: We would be on the.

464
00:19:40,720 --> 00:19:43,439
Speaker 2: Pole, same damn time doing sit ups and standing on

465
00:19:43,480 --> 00:19:46,159
Speaker 2: each other's surfboard, all of the sideways, all of the tricks.

466
00:19:45,880 --> 00:19:48,280
Speaker 1: At the same time, and people would really come to

467
00:19:48,320 --> 00:19:48,960
Speaker 1: see that show.

468
00:19:49,119 --> 00:19:51,600
Speaker 4: Yeah, this was like so late.

469
00:19:51,680 --> 00:19:52,800
Speaker 1: Yeah, they would us.

470
00:19:53,600 --> 00:19:53,800
Speaker 2: It was.

471
00:19:54,480 --> 00:19:57,359
Speaker 1: They would call us the Theatrical Ballet. Ty ty you

472
00:19:57,400 --> 00:19:58,040
Speaker 1: started that.

473
00:19:59,440 --> 00:20:01,280
Speaker 2: Lim and all of them would come in here and

474
00:20:01,280 --> 00:20:03,440
Speaker 2: they would call us the Theatrical Ballet. And we would

475
00:20:03,440 --> 00:20:05,040
Speaker 2: get on stage at twelve o'clock and two o'clock and

476
00:20:05,080 --> 00:20:05,560
Speaker 2: we would.

477
00:20:05,440 --> 00:20:06,000
Speaker 1: Do our thing.

478
00:20:06,200 --> 00:20:09,600
Speaker 2: Then somebody ain't want me to dance no mo because

479
00:20:09,880 --> 00:20:12,679
Speaker 2: I don't know what happened. I was warter bottles or

480
00:20:12,680 --> 00:20:14,320
Speaker 2: whatever the fuck I did, and he said, bitch no.

481
00:20:14,960 --> 00:20:17,720
Speaker 2: So when I decided that I was going to retire,

482
00:20:18,600 --> 00:20:21,600
Speaker 2: they continued on. But there were two girls who was

483
00:20:21,600 --> 00:20:24,280
Speaker 2: like sneaky strippers, so they didn't want to do anything

484
00:20:24,400 --> 00:20:27,840
Speaker 2: like marketing, no pictures, no promo, you know. And I

485
00:20:27,880 --> 00:20:30,080
Speaker 2: had us traveling, we were features. We were all number

486
00:20:30,119 --> 00:20:32,520
Speaker 2: of the United States, Mexico, Canada, dancing.

487
00:20:32,320 --> 00:20:34,119
Speaker 1: Proudly doing what I do, doing what I do.

488
00:20:34,280 --> 00:20:37,160
Speaker 2: Yeah, And so it kind of like fizzled out. Then

489
00:20:37,200 --> 00:20:42,000
Speaker 2: Pea Valley happened, so they got casted to do two

490
00:20:42,000 --> 00:20:44,040
Speaker 2: of the girls got casted to do Pea Valley and

491
00:20:44,200 --> 00:20:46,439
Speaker 2: the club didn't like the way Pea Valley came in

492
00:20:46,440 --> 00:20:48,440
Speaker 2: there and kind of just snatched them away without going

493
00:20:48,440 --> 00:20:51,200
Speaker 2: through the club. And when they couldn't come to work

494
00:20:51,240 --> 00:20:53,240
Speaker 2: because they were on set at Pea Valley, they was like,

495
00:20:53,280 --> 00:20:54,840
Speaker 2: well stay at Pea Valley, don't come back.

496
00:20:55,320 --> 00:20:59,719
Speaker 1: So and that there's a whole other story now.

497
00:21:00,600 --> 00:21:04,080
Speaker 2: Yeah, so Urgo and Simone who was the other two

498
00:21:04,160 --> 00:21:06,960
Speaker 2: dancers who were you know, going traveling with me and

499
00:21:07,119 --> 00:21:09,160
Speaker 2: we are known as a trio because the other two

500
00:21:09,160 --> 00:21:10,159
Speaker 2: girls was like sneaky stripers.

501
00:21:10,160 --> 00:21:10,920
Speaker 1: Nobody knew they dance.

502
00:21:11,280 --> 00:21:14,320
Speaker 2: They are actually actresses on p Voley season one two

503
00:21:14,440 --> 00:21:17,000
Speaker 2: and they have a developed character coming up in season

504
00:21:17,040 --> 00:21:20,440
Speaker 2: three and going back to this one night only performance

505
00:21:20,440 --> 00:21:22,399
Speaker 2: that we're trying to do, I definitely can get them

506
00:21:22,440 --> 00:21:23,119
Speaker 2: to come do it with me.

507
00:21:23,560 --> 00:21:26,640
Speaker 1: I think, yeah, should do it for the.

508
00:21:29,800 --> 00:21:29,960
Speaker 2: Thing.

509
00:21:30,080 --> 00:21:33,080
Speaker 4: You gotta get up run the club. So this is

510
00:21:33,400 --> 00:21:35,719
Speaker 4: I have nothing to do with the club. I'll make

511
00:21:35,760 --> 00:21:36,720
Speaker 4: a suggestion.

512
00:21:38,720 --> 00:21:41,800
Speaker 1: Talk the Magic into doing this docu saries and being.

513
00:21:41,640 --> 00:21:44,280
Speaker 3: That I mean, I mean, it's a bunch of conversations

514
00:21:44,320 --> 00:21:46,880
Speaker 3: my father, my father was speaking to Magic a lot,

515
00:21:48,200 --> 00:21:50,720
Speaker 3: and there's other people that you know, Greg Johnson, look,

516
00:21:50,760 --> 00:21:54,040
Speaker 3: a lot of people that that had to like talk

517
00:21:54,080 --> 00:22:00,600
Speaker 3: to Magic and just like one, you know, mhm, Magic

518
00:22:00,920 --> 00:22:02,760
Speaker 3: knows I'm not going to I mean, I hope he knows.

519
00:22:02,800 --> 00:22:04,680
Speaker 3: I'm not getting ready to do anything to like put

520
00:22:04,680 --> 00:22:06,840
Speaker 3: the club in the band like right, because even like

521
00:22:06,920 --> 00:22:09,119
Speaker 3: I'm listening to gg talk right now, I don't know

522
00:22:09,200 --> 00:22:11,639
Speaker 3: nothing about what she's talking about, like what's happened, what

523
00:22:11,720 --> 00:22:13,000
Speaker 3: happens down them steps down.

524
00:22:13,000 --> 00:22:13,359
Speaker 4: I don't go.

525
00:22:13,400 --> 00:22:15,439
Speaker 3: I don't go downstairs. That's not I don't work at

526
00:22:15,440 --> 00:22:17,520
Speaker 3: the club, so I don't know. I'm I come in

527
00:22:17,560 --> 00:22:20,200
Speaker 3: there and I spent my from view. Yeah, so from

528
00:22:20,200 --> 00:22:22,560
Speaker 3: my point of view, like I told her, you know,

529
00:22:22,560 --> 00:22:24,520
Speaker 3: I was telling Magic this before. I'm like, yo, I

530
00:22:24,520 --> 00:22:26,800
Speaker 3: would never I wouldn't do nothing to mess up this

531
00:22:26,840 --> 00:22:29,239
Speaker 3: because this is where I go. This is actually my

532
00:22:29,320 --> 00:22:31,560
Speaker 3: real life. So I'm not trying to I don't want

533
00:22:31,560 --> 00:22:34,119
Speaker 3: to do nothing that's gonna make this club have a

534
00:22:34,160 --> 00:22:37,280
Speaker 3: bad eye because this is where I go. Like I

535
00:22:37,320 --> 00:22:40,320
Speaker 3: was just there last night drinking the same thing I'm

536
00:22:40,359 --> 00:22:43,240
Speaker 3: drinking right now, right, and and.

537
00:22:43,240 --> 00:22:44,680
Speaker 4: I got on a plane at five in the morning

538
00:22:44,680 --> 00:22:46,800
Speaker 4: to come here, But I was in Magic all night.

539
00:22:48,840 --> 00:22:49,800
Speaker 4: I was last night.

540
00:22:49,840 --> 00:22:51,800
Speaker 3: So so I'm just saying like it's like it's my

541
00:22:51,920 --> 00:22:54,000
Speaker 3: real life. But like I said, I'm listening to the story.

542
00:22:54,040 --> 00:22:56,320
Speaker 3: I don't know nothing about. She talking about like putting

543
00:22:56,320 --> 00:22:58,239
Speaker 3: the names on the board. I don't that's not so.

544
00:22:58,720 --> 00:23:02,000
Speaker 3: I'm interested in knowing what happens downstairs, right right, So.

545
00:23:02,440 --> 00:23:04,560
Speaker 1: People are interested at this go from the front door

546
00:23:04,560 --> 00:23:06,959
Speaker 1: to the d y rotation. They still do that.

547
00:23:07,720 --> 00:23:09,560
Speaker 2: If we pay at the door, we pay to get

548
00:23:09,560 --> 00:23:12,280
Speaker 2: in the club, just like everybody else, and it goes

549
00:23:12,359 --> 00:23:13,800
Speaker 2: up by the day of the week and the time

550
00:23:13,840 --> 00:23:16,560
Speaker 2: you get there. You can pay twenty Well, in my dad,

551
00:23:16,560 --> 00:23:17,919
Speaker 2: you can pay twenty five dollars. You could pay two

552
00:23:17,960 --> 00:23:19,199
Speaker 2: hundred figured dollars depend on what.

553
00:23:19,240 --> 00:23:22,080
Speaker 4: So what is what is it dance? What's the dance cost?

554
00:23:22,480 --> 00:23:24,280
Speaker 1: Well, it was ten dollars a song back then. I

555
00:23:24,280 --> 00:23:25,080
Speaker 1: don't know what it is now.

556
00:23:25,200 --> 00:23:27,640
Speaker 3: I'm saying back then, it's never changed. That's what it's

557
00:23:27,680 --> 00:23:28,320
Speaker 3: ten dollars a song.

558
00:23:28,760 --> 00:23:29,320
Speaker 4: It should be.

559
00:23:29,400 --> 00:23:33,760
Speaker 2: And what they're charging y'all now, I believe I don't

560
00:23:33,800 --> 00:23:36,800
Speaker 2: pay per song. They don't charge people per song. That's

561
00:23:36,800 --> 00:23:37,320
Speaker 2: making it rain.

562
00:23:37,680 --> 00:23:38,800
Speaker 4: Well, you make it rain all.

563
00:23:38,760 --> 00:23:40,320
Speaker 1: Them thousands, and they come back and say, I didn't

564
00:23:40,320 --> 00:23:41,280
Speaker 1: say twenty songs.

565
00:23:41,359 --> 00:23:43,120
Speaker 3: Know that what I'm saying, that's the I think that

566
00:23:43,119 --> 00:23:46,200
Speaker 3: that's the crazy part about it is that the pricing

567
00:23:46,280 --> 00:23:49,360
Speaker 3: has never changed right now, so you start throwing hundreds

568
00:23:49,359 --> 00:23:52,080
Speaker 3: and hundreds and hundreds. It's like I said this to

569
00:23:52,080 --> 00:23:53,920
Speaker 3: somebody one day. I'm like, you know, you know what,

570
00:23:53,960 --> 00:23:56,680
Speaker 3: I ain't supposed to dance, but for ten dollars. Yeah,

571
00:23:56,880 --> 00:23:59,679
Speaker 3: you throw somebody at one thousand dollars or getting ten

572
00:23:59,720 --> 00:24:00,359
Speaker 3: dollars dance.

573
00:24:00,400 --> 00:24:01,359
Speaker 4: That's a lot of money.

574
00:24:01,680 --> 00:24:03,080
Speaker 1: Yeah, that is true. I didn't know that it was

575
00:24:03,119 --> 00:24:05,320
Speaker 1: only ten dollars, so you can really just get somebody

576
00:24:05,359 --> 00:24:07,800
Speaker 1: only ten dollars. So if I walk up to I

577
00:24:07,800 --> 00:24:11,800
Speaker 1: feel like that's not fair. Yeah, ten, that's the dance.

578
00:24:12,119 --> 00:24:13,399
Speaker 5: Dance to you.

579
00:24:16,720 --> 00:24:20,240
Speaker 2: It's a song. It's a full song. If I walk

580
00:24:20,320 --> 00:24:21,720
Speaker 2: up to you at the bar and say, hey, would

581
00:24:21,720 --> 00:24:23,600
Speaker 2: you like a dance? And I dance for two songs,

582
00:24:23,640 --> 00:24:26,000
Speaker 2: you owe me twenty dollars and I'm gonna get fully

583
00:24:26,080 --> 00:24:28,080
Speaker 2: naked and you owe me twenty dollars.

584
00:24:27,720 --> 00:24:31,639
Speaker 1: And you can choose to or not. You know, I

585
00:24:31,760 --> 00:24:34,879
Speaker 1: was bad. It's twenty dollars because that just feels like

586
00:24:34,920 --> 00:24:36,560
Speaker 1: that's a lot of work and I'm only give you

587
00:24:36,720 --> 00:24:40,080
Speaker 1: ten dollars over tip, especially now with the Naked rain era.

588
00:24:40,720 --> 00:24:42,840
Speaker 1: Still when you walk away and somebody only gave you

589
00:24:42,880 --> 00:24:45,800
Speaker 1: ten dollars in no tip, like I'm not doing definitely

590
00:24:45,840 --> 00:24:46,440
Speaker 1: walking away.

591
00:24:46,520 --> 00:24:48,239
Speaker 4: That's because I had a story like that.

592
00:24:48,280 --> 00:24:52,800
Speaker 3: Why when you first start throwing the money. I was

593
00:24:52,840 --> 00:24:55,000
Speaker 3: throwing the money on the ground. The girl looked at

594
00:24:55,000 --> 00:24:56,800
Speaker 3: me and she was like, you want me to get

595
00:24:56,840 --> 00:24:57,320
Speaker 3: down there and.

596
00:24:57,280 --> 00:24:58,119
Speaker 4: Pick up my money?

597
00:24:58,240 --> 00:25:01,240
Speaker 3: Like this was before people had somebody picked the money

598
00:25:01,280 --> 00:25:02,880
Speaker 3: up for the you know. She was like, you want

599
00:25:02,920 --> 00:25:04,240
Speaker 3: me to get on the ground and get my money,

600
00:25:04,240 --> 00:25:08,200
Speaker 3: And I was like, you didn't realize it's like five

601
00:25:08,280 --> 00:25:10,959
Speaker 3: hundred dollars down there. I'm only supposed to give you

602
00:25:11,000 --> 00:25:14,960
Speaker 3: ten dollars, right, Because what happens in the club and

603
00:25:15,080 --> 00:25:19,960
Speaker 3: the DJ, they'll play the same song five times right basically,

604
00:25:20,000 --> 00:25:22,400
Speaker 3: So that means the song never actually gets to play.

605
00:25:22,240 --> 00:25:22,840
Speaker 4: All the way out.

606
00:25:23,440 --> 00:25:28,840
Speaker 3: Somebody me or d yes the song ever plays all

607
00:25:28,880 --> 00:25:30,400
Speaker 3: the way out. You never get your full song. You're

608
00:25:30,400 --> 00:25:32,200
Speaker 3: gonna get the first part of it. He's gonna take

609
00:25:32,200 --> 00:25:32,720
Speaker 3: it back.

610
00:25:34,400 --> 00:25:34,640
Speaker 5: Talk.

611
00:25:35,000 --> 00:25:36,920
Speaker 4: So if you pay. You know, if you throw five

612
00:25:37,040 --> 00:25:38,920
Speaker 4: hundred and she only supposed to be getting ten.

613
00:25:39,640 --> 00:25:42,399
Speaker 1: That's interesting because so they didn't that. When did that start?

614
00:25:42,480 --> 00:25:45,080
Speaker 1: Like somebody picking up the money for you? I picked

615
00:25:45,119 --> 00:25:47,520
Speaker 1: up my own money, So it started after I left.

616
00:25:49,320 --> 00:25:49,800
Speaker 4: They didn't have that.

617
00:25:50,119 --> 00:25:51,160
Speaker 5: I mean they just started.

618
00:25:51,240 --> 00:25:53,280
Speaker 4: They just started having somebody actually do that.

619
00:25:53,320 --> 00:25:55,440
Speaker 2: They also just started the whole wristband thing. We didn't

620
00:25:55,440 --> 00:25:58,280
Speaker 2: have riskbands when I was rispands.

621
00:25:58,280 --> 00:26:01,600
Speaker 3: They remember the rooms when Magic had the rooms, the

622
00:26:01,600 --> 00:26:02,240
Speaker 3: private rooms.

623
00:26:02,240 --> 00:26:02,800
Speaker 1: I wasn't there there.

624
00:26:03,119 --> 00:26:05,480
Speaker 3: Yes, they used to have They used to have a section,

625
00:26:05,800 --> 00:26:08,359
Speaker 3: there's a whole thing, a section where you come in

626
00:26:08,440 --> 00:26:10,679
Speaker 3: Magic and used to go up these steps and they

627
00:26:10,720 --> 00:26:13,320
Speaker 3: had private rooms where you couldn't see what was going

628
00:26:13,320 --> 00:26:14,160
Speaker 3: on in the private rooms.

629
00:26:14,200 --> 00:26:15,680
Speaker 4: In order to get up the steps, you had to

630
00:26:15,720 --> 00:26:16,480
Speaker 4: have these bands.

631
00:26:17,000 --> 00:26:19,840
Speaker 1: Do you feel like this documentaries has re energized like

632
00:26:19,920 --> 00:26:21,960
Speaker 1: the music that you want to make now just to

633
00:26:22,040 --> 00:26:23,600
Speaker 1: kind of I know you wanted it to be with stars,

634
00:26:23,640 --> 00:26:26,200
Speaker 1: but now you're just having it coincide and you're doing it,

635
00:26:26,400 --> 00:26:29,119
Speaker 1: you know, so so deaf independently. But you think this

636
00:26:29,160 --> 00:26:31,840
Speaker 1: is something that's giving you, like a different type of energy,

637
00:26:31,880 --> 00:26:35,200
Speaker 1: like kind of nostalgic because they like you enjoying this process.

638
00:26:35,240 --> 00:26:36,400
Speaker 4: It's not nostalgic.

639
00:26:36,480 --> 00:26:39,160
Speaker 3: It's opportunity for me to do something I've never done.

640
00:26:39,200 --> 00:26:41,000
Speaker 3: So all the records that I'm making, I'm making with

641
00:26:41,200 --> 00:26:43,439
Speaker 3: artists that's from Atlanta that I never worked with. So

642
00:26:43,480 --> 00:26:45,560
Speaker 3: I never had a song with t I. I never

643
00:26:46,160 --> 00:26:48,679
Speaker 3: never hate a song with Two Change. I've never had

644
00:26:48,680 --> 00:26:51,239
Speaker 3: a song with Drow, So these these and Drow and

645
00:26:51,240 --> 00:26:52,840
Speaker 3: two Changs never had a song together.

646
00:26:53,280 --> 00:26:55,920
Speaker 1: That's crazy. I don't even realize. First of all, why

647
00:26:55,920 --> 00:26:57,000
Speaker 1: do you? Why is that?

648
00:26:57,119 --> 00:26:57,239
Speaker 2: Like?

649
00:26:57,280 --> 00:26:58,920
Speaker 1: Why have you? Because it just feels like that would

650
00:26:58,960 --> 00:26:59,800
Speaker 1: be a natural thing.

651
00:27:00,280 --> 00:27:02,760
Speaker 4: And Atlanta we never had well, me and me and

652
00:27:02,800 --> 00:27:05,520
Speaker 4: Tip we're supposed to have made records, but we still

653
00:27:05,840 --> 00:27:08,280
Speaker 4: you never had a real like reason, like you know

654
00:27:08,280 --> 00:27:08,600
Speaker 4: what I mean.

655
00:27:08,680 --> 00:27:10,960
Speaker 3: He makes his records, I make my records, you know

656
00:27:11,000 --> 00:27:13,560
Speaker 3: what I mean. We never really had a real reason.

657
00:27:13,560 --> 00:27:15,600
Speaker 3: If somebody was making an album, maybe that's what it is.

658
00:27:15,640 --> 00:27:18,119
Speaker 3: But this gives us the perfect backdrop for me to

659
00:27:18,160 --> 00:27:24,960
Speaker 3: make records with. Like Travis Porter, they signed, so that

660
00:27:25,040 --> 00:27:28,119
Speaker 3: was like more or less my situation. But like Jay Money,

661
00:27:28,160 --> 00:27:31,040
Speaker 3: I never had a record with him. I never did

662
00:27:31,040 --> 00:27:34,680
Speaker 3: a record for Quavo all the Megals. Wow, I never

663
00:27:34,680 --> 00:27:36,720
Speaker 3: did a record with ce Loo. I never did a

664
00:27:36,720 --> 00:27:40,120
Speaker 3: record with Big Boy or killing all these people. Tell

665
00:27:40,200 --> 00:27:41,879
Speaker 3: people on these albums that I never made.

666
00:27:41,720 --> 00:27:43,679
Speaker 1: Records just because you all have all been in this

667
00:27:43,760 --> 00:27:46,639
Speaker 1: game for so long and has such longevity. It's just

668
00:27:48,119 --> 00:27:48,520
Speaker 1: show you.

669
00:27:48,520 --> 00:27:51,600
Speaker 3: How nice Atlanta is. Atlanta is such a city that

670
00:27:51,960 --> 00:27:54,800
Speaker 3: got so much great talent that they don't need me.

671
00:27:55,119 --> 00:27:58,840
Speaker 3: They making their own way, right and vice versa. I

672
00:27:58,880 --> 00:28:00,840
Speaker 3: ain't really need them. I'm make my own way. So

673
00:28:01,600 --> 00:28:04,639
Speaker 3: we all just been moving. But it's definitely it's fun

674
00:28:04,680 --> 00:28:06,600
Speaker 3: to be able to do it because now it's like

675
00:28:08,880 --> 00:28:10,919
Speaker 3: I got something to look forward to more than just

676
00:28:10,960 --> 00:28:13,240
Speaker 3: making the music. Like I'm excited to go in the

677
00:28:13,240 --> 00:28:15,800
Speaker 3: studio with these people and see, you know what it

678
00:28:15,840 --> 00:28:17,919
Speaker 3: is that they do learn something, whatever it is.

679
00:28:18,240 --> 00:28:20,040
Speaker 1: I like hearing Young John that because I feel like

680
00:28:20,440 --> 00:28:22,879
Speaker 1: he last time we spoke to him, I know he's

681
00:28:22,920 --> 00:28:26,040
Speaker 1: been like on a different type of way, but you

682
00:28:26,080 --> 00:28:30,560
Speaker 1: know we still like we still that way. I'm mad

683
00:28:30,640 --> 00:28:32,040
Speaker 1: I missed that video. Shoot.

684
00:28:31,720 --> 00:28:34,359
Speaker 2: I got the call from JD and it was like

685
00:28:34,440 --> 00:28:37,119
Speaker 2: be here in two hours, and I'm like, yeah, I

686
00:28:37,160 --> 00:28:38,080
Speaker 2: ain't gonna be able to do that.

687
00:28:38,120 --> 00:28:38,960
Speaker 1: I wanted to make it though.

688
00:28:39,080 --> 00:28:40,400
Speaker 4: Yeah he should have been there.

689
00:28:40,400 --> 00:28:42,960
Speaker 1: Because it's at Magic City. Yeah no, it was. Yeah,

690
00:28:43,720 --> 00:28:45,320
Speaker 1: I mean it's a whole album. I'm sure it'll be another.

691
00:28:45,720 --> 00:28:48,040
Speaker 2: Speaking of which, Princess from Crime I vm me and

692
00:28:48,080 --> 00:28:49,640
Speaker 2: she like, why you ain't on this album? I'm like,

693
00:28:49,640 --> 00:28:51,320
Speaker 2: I've got an artist, but I'll come talk some shit

694
00:28:51,320 --> 00:28:52,720
Speaker 2: if y'all let me so.

695
00:28:53,160 --> 00:28:55,440
Speaker 4: Some talk some ship whatever y'all need you to say.

696
00:28:55,560 --> 00:29:00,560
Speaker 2: You know, I'm a little control or something.

697
00:29:00,720 --> 00:29:02,680
Speaker 1: You know, I've been the South Side plenty times. I

698
00:29:02,720 --> 00:29:04,040
Speaker 1: know what to pull up to. Just let me know.

699
00:29:05,000 --> 00:29:07,280
Speaker 1: Let me actually have any of the women the dances

700
00:29:07,280 --> 00:29:09,880
Speaker 1: at Magic City ever approached you about like business, Like, hey,

701
00:29:09,920 --> 00:29:11,960
Speaker 1: I really you know, I feel like I could be an.

702
00:29:12,000 --> 00:29:17,400
Speaker 3: Artist or yeah, yeah, I mean White Russian's she rapped.

703
00:29:20,280 --> 00:29:22,520
Speaker 1: Wifey Baby, she's a wifey.

704
00:29:22,280 --> 00:29:25,160
Speaker 3: Baby actually is on the I put on a song

705
00:29:25,200 --> 00:29:25,920
Speaker 3: with Travis Porter.

706
00:29:26,840 --> 00:29:28,600
Speaker 4: I don't know if the song will make it yet, but

707
00:29:29,160 --> 00:29:29,640
Speaker 4: I did it.

708
00:29:29,680 --> 00:29:31,560
Speaker 3: I mean, like I said, I'm making all these records

709
00:29:31,600 --> 00:29:34,160
Speaker 3: and I'm trying to just like I'm doing. It's me

710
00:29:34,320 --> 00:29:36,680
Speaker 3: just doing stuff, and I hear it like so so

711
00:29:36,720 --> 00:29:38,280
Speaker 3: at first, I was listening to the song and we

712
00:29:38,320 --> 00:29:40,479
Speaker 3: needed a girl to do a part, and I was like,

713
00:29:41,960 --> 00:29:43,600
Speaker 3: if I get a regular girl to come in here

714
00:29:43,600 --> 00:29:46,280
Speaker 3: and do this part. And I got an opportunity to

715
00:29:46,360 --> 00:29:49,239
Speaker 3: let one of the girls to actually do this, right,

716
00:29:49,360 --> 00:29:52,360
Speaker 3: Because that's another thing about Like I think people was

717
00:29:52,360 --> 00:29:54,600
Speaker 3: mad at me because I said something about strip of rap,

718
00:29:54,720 --> 00:29:58,000
Speaker 3: right yeah, And I feel like, to me, that's the

719
00:29:58,200 --> 00:29:59,959
Speaker 3: I feel like that's the thing that Cardi B had

720
00:30:00,040 --> 00:30:02,240
Speaker 3: as over all these female rappers when it comes to

721
00:30:02,280 --> 00:30:06,640
Speaker 3: that sound. She actually stripped before, and she was actually

722
00:30:06,640 --> 00:30:10,040
Speaker 3: a worker in the clubs, right, So her music to

723
00:30:10,120 --> 00:30:13,920
Speaker 3: me feels more authentic than somebody I know ain't stripped,

724
00:30:13,960 --> 00:30:16,440
Speaker 3: or somebody that we don't know has the strip. Cardi

725
00:30:16,520 --> 00:30:18,280
Speaker 3: B can actually talk about it. She could actually tell

726
00:30:18,280 --> 00:30:20,640
Speaker 3: the story that she was just talking about in a way,

727
00:30:21,160 --> 00:30:23,440
Speaker 3: so all the other girls that's dancing, they don't know

728
00:30:23,480 --> 00:30:25,120
Speaker 3: what she's talking about. So I feel like in rap,

729
00:30:25,480 --> 00:30:28,080
Speaker 3: like the more authentic it is, it works. So that's

730
00:30:28,080 --> 00:30:29,280
Speaker 3: why I was like, Oh, let me get a wife

731
00:30:29,320 --> 00:30:32,320
Speaker 3: your baby on here, because now what we're talking about,

732
00:30:32,640 --> 00:30:35,239
Speaker 3: it's gonna sound perfect for her because she just what

733
00:30:35,320 --> 00:30:35,840
Speaker 3: she does.

734
00:30:36,560 --> 00:30:38,760
Speaker 2: Okay, see It's kind of like how he went back

735
00:30:38,760 --> 00:30:40,000
Speaker 2: to the club and was like, oh, y'all think I

736
00:30:40,000 --> 00:30:42,160
Speaker 2: don't like their skinned girls by this, and you're like,

737
00:30:42,200 --> 00:30:44,160
Speaker 2: you think I don't like strippers.

738
00:30:45,160 --> 00:30:49,560
Speaker 4: I know what cause it used to be white chocolate sugar.

739
00:30:49,480 --> 00:30:58,200
Speaker 2: Like like she was like, like, I'm telling you that.

740
00:31:00,200 --> 00:31:00,400
Speaker 5: Was there.

741
00:31:00,480 --> 00:31:03,480
Speaker 4: Let me say this white chocolate is white chocolate was.

742
00:31:03,520 --> 00:31:04,760
Speaker 1: And I want to tell you who she is.

743
00:31:05,080 --> 00:31:10,640
Speaker 3: She is the body that everybody wanted like she was

744
00:31:10,680 --> 00:31:14,400
Speaker 3: the first girl that actually looked like the BBL situation,

745
00:31:14,480 --> 00:31:18,120
Speaker 3: but it is real, real and she was dancing, so

746
00:31:18,520 --> 00:31:21,760
Speaker 3: it wasn't it wasn't like just their stiff you know.

747
00:31:23,680 --> 00:31:26,760
Speaker 1: Watching the documentary you get to see, like, know what

748
00:31:27,440 --> 00:31:31,160
Speaker 1: looked like in the beginning where logic the first open.

749
00:31:31,440 --> 00:31:33,520
Speaker 2: It's kind of like watching a guy video back in

750
00:31:33,560 --> 00:31:35,760
Speaker 2: the day hell yea, seeing the girls on the beach

751
00:31:35,800 --> 00:31:38,880
Speaker 2: and the bikinis and watching like that and then seeing

752
00:31:38,880 --> 00:31:43,120
Speaker 2: how much like what is desirable you know, has changed.

753
00:31:43,160 --> 00:31:45,080
Speaker 2: And she was definitely the bad girl and I want

754
00:31:45,120 --> 00:31:46,560
Speaker 2: to let the people know who she is because this

755
00:31:46,600 --> 00:31:48,840
Speaker 2: is a part of the documentary as well. She is

756
00:31:48,840 --> 00:31:51,160
Speaker 2: the girl from the Tip Drill video who Nelly swiped

757
00:31:51,200 --> 00:31:53,160
Speaker 2: the black card down her butt crack. And there's the

758
00:31:53,200 --> 00:31:56,440
Speaker 2: whole part in the docu series where they have Nelly,

759
00:31:56,600 --> 00:31:58,640
Speaker 2: they have White Chocolate, and they have the lady that

760
00:31:58,800 --> 00:32:01,280
Speaker 2: protested from space and my son and they're all telling

761
00:32:01,360 --> 00:32:03,200
Speaker 2: their versions of the story. I can't wait to see it,

762
00:32:03,240 --> 00:32:08,440
Speaker 2: but I know of my involvement. But when I tell you,

763
00:32:08,520 --> 00:32:11,640
Speaker 2: White Chocolate was like my idol, Like when I learned

764
00:32:11,680 --> 00:32:13,920
Speaker 2: about her and I like saw pictures of videos of her.

765
00:32:13,960 --> 00:32:15,480
Speaker 2: I didn't even know her because she had left in

766
00:32:15,480 --> 00:32:17,360
Speaker 2: two thousand and two, three years before I got there.

767
00:32:17,600 --> 00:32:20,360
Speaker 2: But when I tell you, she was that girl, like, yes,

768
00:32:20,960 --> 00:32:21,160
Speaker 2: was there?

769
00:32:21,200 --> 00:32:23,600
Speaker 1: Think a documentary like this Magic City One is going

770
00:32:23,680 --> 00:32:26,400
Speaker 1: to do for because I remember in the documentary they

771
00:32:26,400 --> 00:32:30,240
Speaker 1: talk about how women look down you know, and people

772
00:32:30,680 --> 00:32:33,800
Speaker 1: can look down on strippers. But then watching a documentary

773
00:32:33,920 --> 00:32:36,160
Speaker 1: like this, what do you want people to get from?

774
00:32:36,240 --> 00:32:39,959
Speaker 3: Well, me, personally, I want people to stop. First of all,

775
00:32:39,960 --> 00:32:43,960
Speaker 3: I want people to look at this. This is Atlanta culture, right,

776
00:32:44,320 --> 00:32:48,480
Speaker 3: And I feel like in hip hop, each region has

777
00:32:48,800 --> 00:32:50,440
Speaker 3: their own cultural things right.

778
00:32:50,920 --> 00:32:54,160
Speaker 4: And although gang banging is bad.

779
00:32:54,200 --> 00:32:56,280
Speaker 3: And you know, it ain't all good and it ain't

780
00:32:56,320 --> 00:32:59,120
Speaker 3: all bad, but we know what gang banging is right.

781
00:32:59,560 --> 00:33:02,360
Speaker 3: We look down on it when we talk about LA

782
00:33:02,400 --> 00:33:07,640
Speaker 3: and everybody, everybody just embraces it, right. You embrace the khakis,

783
00:33:07,680 --> 00:33:10,320
Speaker 3: you embrace the dickies and the low riders, and every

784
00:33:10,360 --> 00:33:13,080
Speaker 3: part of it is embraced because you're talking about l A.

785
00:33:13,360 --> 00:33:15,360
Speaker 3: I just want people to start doing that when it

786
00:33:15,360 --> 00:33:18,520
Speaker 3: comes to Atlanta. Don't don't look at like what you

787
00:33:18,640 --> 00:33:21,600
Speaker 3: we don't like degrading. No women like these girls in

788
00:33:21,640 --> 00:33:23,920
Speaker 3: there getting I'm saying, they getting paid, like it's not

789
00:33:23,960 --> 00:33:26,880
Speaker 3: like and you know it takes a lot for you

790
00:33:26,920 --> 00:33:28,800
Speaker 3: to dance naked. I'm sure I couldn't do it.

791
00:33:29,400 --> 00:33:32,240
Speaker 4: I was like, I couldn't. I couldn't for real, like

792
00:33:32,320 --> 00:33:33,240
Speaker 4: just running around the club.

793
00:33:33,520 --> 00:33:35,640
Speaker 1: Let me don't be cared about seeing men naked either.

794
00:33:37,680 --> 00:33:39,680
Speaker 3: I have her girls say she had to get over,

795
00:33:40,680 --> 00:33:43,920
Speaker 3: like just get through that. That problem was never a

796
00:33:43,920 --> 00:33:47,760
Speaker 3: problem for them, never, Nah, it ain't no problem.

797
00:33:49,880 --> 00:33:53,240
Speaker 1: Partly being a professional dance though, and being very comfortable,

798
00:33:54,160 --> 00:33:57,120
Speaker 1: comfortable and being comfortable on stage, and I remember that

799
00:33:57,200 --> 00:33:59,800
Speaker 1: is something that I feel like both cardib and Cashed

800
00:33:59,800 --> 00:34:02,239
Speaker 1: Out I have talked about how being a stipher has

801
00:34:02,280 --> 00:34:05,400
Speaker 1: helped them with becoming a rapper because It made them

802
00:34:05,480 --> 00:34:07,800
Speaker 1: very comfortable to be on stage, to be in front

803
00:34:07,800 --> 00:34:10,840
Speaker 1: of people, to have confidence, you know, in themselves. Because

804
00:34:10,840 --> 00:34:12,560
Speaker 1: if you can do that, you get on stage, you wrap,

805
00:34:12,600 --> 00:34:15,080
Speaker 1: you think you can dance, make it in front of strangers. Probably,

806
00:34:15,280 --> 00:34:16,880
Speaker 1: what about you? Well, you did playboys?

807
00:34:17,800 --> 00:34:20,920
Speaker 2: You think you post if you weren't this angela, you

808
00:34:21,000 --> 00:34:24,520
Speaker 2: think that you could.

809
00:34:23,280 --> 00:34:25,279
Speaker 1: You posted me? You want to Oh yeah you did,

810
00:34:26,840 --> 00:34:28,000
Speaker 1: Yeah that was me.

811
00:34:28,440 --> 00:34:32,839
Speaker 6: Wait, I don't know what that is that you let

812
00:34:32,920 --> 00:34:36,319
Speaker 6: me say the purple pomps and.

813
00:34:37,120 --> 00:34:37,760
Speaker 1: Little ass.

814
00:34:39,520 --> 00:34:40,719
Speaker 5: Just the.

815
00:34:48,520 --> 00:34:54,920
Speaker 1: He said said that.

816
00:34:56,520 --> 00:34:56,719
Speaker 6: Like that.

817
00:34:56,760 --> 00:34:58,279
Speaker 4: Not to cut you off, but looking at that, right,

818
00:34:58,680 --> 00:35:05,720
Speaker 4: that's that's not the great. It's like, I don't see nothing.

819
00:35:05,760 --> 00:35:11,040
Speaker 1: That's not what people don't realize. What people realize is

820
00:35:11,120 --> 00:35:12,760
Speaker 1: that we are women.

821
00:35:13,440 --> 00:35:16,040
Speaker 2: We are mothers, We are educated, we are homeowners, we

822
00:35:16,080 --> 00:35:18,799
Speaker 2: have other businesses. We start businesses with this money we

823
00:35:18,880 --> 00:35:21,080
Speaker 2: pay for our education. Now, you got some girls that's

824
00:35:21,080 --> 00:35:22,960
Speaker 2: out here funding their baby daddy rep career, or you

825
00:35:23,040 --> 00:35:25,160
Speaker 2: got girls that got pimps, and you know, you got

826
00:35:25,160 --> 00:35:27,319
Speaker 2: girls that are addicted to drugs and that are not

827
00:35:27,360 --> 00:35:29,439
Speaker 2: doing the right things by their children. But they put

828
00:35:29,520 --> 00:35:31,680
Speaker 2: us in that category as if that's all we are

829
00:35:31,880 --> 00:35:33,840
Speaker 2: and I blame a lot of that on movies and media.

830
00:35:34,239 --> 00:35:37,120
Speaker 2: You know, on television, the strippers are always drug addicted

831
00:35:37,200 --> 00:35:39,279
Speaker 2: and don't got their kids, and getting beat up and

832
00:35:39,320 --> 00:35:41,359
Speaker 2: giving a man their money and doing all the wrong things,

833
00:35:41,400 --> 00:35:43,040
Speaker 2: sucking dick in the corner for forty bucks whatever.

834
00:35:43,360 --> 00:35:43,560
Speaker 5: Right.

835
00:35:43,760 --> 00:35:46,359
Speaker 2: They don't see outside of that, And I think that

836
00:35:46,680 --> 00:35:50,600
Speaker 2: shows like p Valley Beyond the Pole, this documentary to

837
00:35:50,880 --> 00:35:53,960
Speaker 2: the Truth, it shows what really happens downstairs, you know,

838
00:35:54,280 --> 00:35:56,359
Speaker 2: like he said, he's been in Magic City for ten

839
00:35:56,440 --> 00:36:07,399
Speaker 2: years and he ain't never been down to don't. So

840
00:36:07,600 --> 00:36:10,560
Speaker 2: it's like people on the outside looking in, they don't

841
00:36:10,680 --> 00:36:14,279
Speaker 2: see that natural part of us. They see, Oh, she

842
00:36:14,400 --> 00:36:16,359
Speaker 2: take her clothes off of money, she must suck big

843
00:36:16,480 --> 00:36:17,440
Speaker 2: after And it's.

844
00:36:17,320 --> 00:36:18,480
Speaker 1: Just like mm hmm.

845
00:36:18,680 --> 00:36:20,480
Speaker 2: First of all, I just made so much money on

846
00:36:20,520 --> 00:36:22,840
Speaker 2: my feet that if somebody offered me to lay on

847
00:36:22,840 --> 00:36:24,160
Speaker 2: my back, they're not offering me enough.

848
00:36:24,200 --> 00:36:25,680
Speaker 1: So I'm not doing it for one. By the way,

849
00:36:25,680 --> 00:36:26,719
Speaker 1: a lot of women don't ship.

850
00:36:27,640 --> 00:36:28,600
Speaker 5: I was just that.

851
00:36:30,160 --> 00:36:32,520
Speaker 1: All of my friends that don't dance are the biggest

852
00:36:32,600 --> 00:36:34,000
Speaker 1: understand this for years in the.

853
00:36:34,000 --> 00:36:35,040
Speaker 4: Same spot for years.

854
00:36:35,120 --> 00:36:38,399
Speaker 2: All of my friends that don't dance are the biggest holes.

855
00:36:38,440 --> 00:36:38,680
Speaker 5: I know.

856
00:36:39,960 --> 00:36:42,359
Speaker 2: It's my friends that are in the nursing and then

857
00:36:42,440 --> 00:36:46,359
Speaker 2: the in the banking and in the retail teachers and

858
00:36:46,480 --> 00:36:50,000
Speaker 2: all types of regular professions.

859
00:36:48,000 --> 00:36:51,360
Speaker 1: That are respected in their profession.

860
00:36:51,640 --> 00:36:53,880
Speaker 2: Those are the ones that's out here sucking the fucking

861
00:36:54,000 --> 00:36:55,919
Speaker 2: for doing some strength, for some changing and it ain't

862
00:36:55,920 --> 00:36:56,880
Speaker 2: even enough in my opinion.

863
00:36:56,880 --> 00:36:58,000
Speaker 1: But you know what I'm saying.

864
00:36:58,400 --> 00:37:00,720
Speaker 2: But we get that because we choose to be naked,

865
00:37:00,800 --> 00:37:02,640
Speaker 2: it automatically goes to separate.

866
00:37:02,320 --> 00:37:05,040
Speaker 3: I mean, and the process is like, if you're trying

867
00:37:05,040 --> 00:37:08,239
Speaker 3: to mess with the stripper, you have to be a vampire.

868
00:37:08,920 --> 00:37:12,440
Speaker 2: You have to be okay, yeah, basically you as a person.

869
00:37:12,520 --> 00:37:15,520
Speaker 3: It's like as a regular man that has a regular job,

870
00:37:15,920 --> 00:37:17,360
Speaker 3: you can't do it. He's not getting ready to go

871
00:37:17,360 --> 00:37:20,680
Speaker 3: in there and get nothing. Because one if the girls

872
00:37:20,680 --> 00:37:23,839
Speaker 3: have an incredible night, they counting the money till seven in.

873
00:37:23,800 --> 00:37:25,960
Speaker 5: The morning sometime come back the next day and you

874
00:37:26,040 --> 00:37:26,640
Speaker 5: have to be.

875
00:37:26,920 --> 00:37:29,200
Speaker 3: Yeah, they don't count the money, so so much money.

876
00:37:29,200 --> 00:37:31,759
Speaker 3: They have to come back the next day. They gotta

877
00:37:31,800 --> 00:37:33,800
Speaker 3: count their money and they gotta leave. They not coming

878
00:37:33,840 --> 00:37:36,080
Speaker 3: to you, see you. They going to sleep for a

879
00:37:36,120 --> 00:37:38,640
Speaker 3: minute and going back to finish counting their money because

880
00:37:38,640 --> 00:37:41,279
Speaker 3: they think somebody gonna take their money. Right, So, as

881
00:37:41,320 --> 00:37:45,279
Speaker 3: a man, you trying to like be with one of

882
00:37:45,320 --> 00:37:48,640
Speaker 3: these girls, this is what you gotta do with Call yo,

883
00:37:48,920 --> 00:37:49,359
Speaker 3: what's up?

884
00:37:49,760 --> 00:37:51,440
Speaker 4: We count money? It's six o'clock.

885
00:37:53,560 --> 00:37:55,719
Speaker 2: I felt like if I took the day off, I

886
00:37:55,760 --> 00:37:58,680
Speaker 2: was missing money. If I'm not making money, I'm missing money.

887
00:37:58,920 --> 00:38:00,799
Speaker 2: I'm not going to no regularly paying to get in,

888
00:38:00,840 --> 00:38:02,479
Speaker 2: paying to get my hair done, paying the park, behind

889
00:38:02,480 --> 00:38:03,600
Speaker 2: a drink when I can do that and I can

890
00:38:03,600 --> 00:38:05,560
Speaker 2: make your day's pay check. If I want to work

891
00:38:05,560 --> 00:38:07,040
Speaker 2: on a Monday in May, five thousand dollars, I was

892
00:38:07,080 --> 00:38:08,880
Speaker 2: coming back on Tuesday because guess what, I need that

893
00:38:08,920 --> 00:38:11,160
Speaker 2: five hundred and I'm about to make Tuesday day shift.

894
00:38:11,280 --> 00:38:11,799
Speaker 1: I need that.

895
00:38:12,120 --> 00:38:14,600
Speaker 2: And if I'm not there, it's because I'm tired. Excuse me,

896
00:38:14,600 --> 00:38:16,520
Speaker 2: because I'm tired. I got to deal with my child.

897
00:38:16,760 --> 00:38:18,719
Speaker 2: But guess what, I would sit at home on days

898
00:38:18,760 --> 00:38:20,279
Speaker 2: that I wasn't never work, Like damn, I know I'm

899
00:38:20,280 --> 00:38:23,480
Speaker 2: missing Have you ever been in a serious relationship with

900
00:38:23,560 --> 00:38:27,680
Speaker 2: a dancer, serious relationship like.

901
00:38:27,600 --> 00:38:29,719
Speaker 1: Where it was like, okay, this is something like we

902
00:38:29,840 --> 00:38:30,279
Speaker 1: locked in.

903
00:38:31,920 --> 00:38:33,560
Speaker 3: You can't That's what I'm saying I don't think you

904
00:38:33,600 --> 00:38:36,320
Speaker 3: could be in a serious relationship with dancer because, like

905
00:38:36,400 --> 00:38:38,360
Speaker 3: I said, at the end of the day, they are.

906
00:38:38,880 --> 00:38:41,279
Speaker 1: Because I feel like you would you're you're up at

907
00:38:41,360 --> 00:38:43,440
Speaker 1: night and you're a vampire. Yeah, but I mean that

908
00:38:43,960 --> 00:38:45,240
Speaker 1: you understand count of money.

909
00:38:45,320 --> 00:38:47,040
Speaker 4: At six in the morning, he's doing his own thing.

910
00:38:47,160 --> 00:38:50,680
Speaker 4: At seven in the morning, I'm you know, somebody who

911
00:38:50,840 --> 00:38:55,080
Speaker 4: we got to go to sleep sleep around.

912
00:38:55,480 --> 00:38:58,000
Speaker 1: I mean, you can't do that every day because I

913
00:38:58,000 --> 00:39:00,080
Speaker 1: also feel like it's probably hard for some money to

914
00:39:00,120 --> 00:39:02,760
Speaker 1: date you at the same time, not regularly.

915
00:39:03,120 --> 00:39:05,160
Speaker 3: It's not that hard though, Like I don't have that

916
00:39:05,280 --> 00:39:06,680
Speaker 3: type of you know what I mean, I don't I

917
00:39:06,719 --> 00:39:10,120
Speaker 3: don't have to stay and do something at that time

918
00:39:10,239 --> 00:39:13,400
Speaker 3: of the morning every day, this everyday thing like right,

919
00:39:13,680 --> 00:39:15,839
Speaker 3: like you know, like even with me, I was going

920
00:39:15,880 --> 00:39:19,360
Speaker 3: to Magic City religiously for like I said, between the

921
00:39:19,400 --> 00:39:21,640
Speaker 3: Gentleman's Club and Magic City for twenty years straight. I

922
00:39:21,640 --> 00:39:24,600
Speaker 3: spent ten thousand dollars twenty years straight, every Monday night

923
00:39:24,960 --> 00:39:27,880
Speaker 3: between the Gentleman's Club and Magic City.

924
00:39:28,000 --> 00:39:29,280
Speaker 4: Right, this is my religion.

925
00:39:29,680 --> 00:39:32,160
Speaker 3: And just to think about a girl that has to

926
00:39:32,280 --> 00:39:34,839
Speaker 3: do like theyre in there counting this money they being

927
00:39:34,920 --> 00:39:36,080
Speaker 3: there like forever.

928
00:39:36,520 --> 00:39:38,480
Speaker 2: I've always been in a relationship though when I was

929
00:39:38,520 --> 00:39:41,560
Speaker 2: a dancer, yeah, I always was in a relationship.

930
00:39:42,600 --> 00:39:46,600
Speaker 1: Too, But sugar daddy and ship, yeah I did, I

931
00:39:46,640 --> 00:39:47,960
Speaker 1: stay with it. I'm mad. I ain't got nothing like

932
00:39:48,360 --> 00:39:50,120
Speaker 1: you think you have you ever been in sugar daddy?

933
00:39:50,920 --> 00:39:51,920
Speaker 4: What's the sugar dady?

934
00:39:52,080 --> 00:39:52,160
Speaker 2: Like?

935
00:39:52,239 --> 00:39:54,920
Speaker 1: You know, just maybe having like a girl, but you

936
00:39:55,080 --> 00:39:59,080
Speaker 1: just yeah, like sponsoring her, just giving her money, just

937
00:39:59,080 --> 00:40:00,000
Speaker 1: giving them money.

938
00:39:59,800 --> 00:40:02,960
Speaker 6: Because you like what she does for you.

939
00:40:03,000 --> 00:40:05,680
Speaker 4: No, it's not just not just giving money just to

940
00:40:05,719 --> 00:40:08,880
Speaker 4: be giving money. If you ask me for some money, maybe.

941
00:40:09,239 --> 00:40:11,759
Speaker 1: Given money to be given money, let me let me

942
00:40:11,800 --> 00:40:15,120
Speaker 1: take care of that, take care of your let me

943
00:40:15,120 --> 00:40:16,560
Speaker 1: take care of all that.

944
00:40:16,560 --> 00:40:17,960
Speaker 4: That's not you.

945
00:40:17,960 --> 00:40:19,479
Speaker 1: You never told a girl don't come to work today.

946
00:40:19,480 --> 00:40:20,000
Speaker 1: I got you.

947
00:40:20,760 --> 00:40:24,200
Speaker 2: Yeah, okay, the same thing, same thing. That's not really

948
00:40:24,200 --> 00:40:25,600
Speaker 2: a sugar daddy, but same shit.

949
00:40:25,640 --> 00:40:26,200
Speaker 1: So what we got?

950
00:40:26,360 --> 00:40:28,160
Speaker 4: I mean because ultimately, if I.

951
00:40:28,080 --> 00:40:34,080
Speaker 3: Said sugar brother, but I answer if I asking how much,

952
00:40:34,120 --> 00:40:35,759
Speaker 3: like how much money you think you're gonna make? Like

953
00:40:36,840 --> 00:40:40,319
Speaker 3: and she saying like fifteen hundred dollars? Cool, don't know,

954
00:40:40,520 --> 00:40:41,600
Speaker 3: you don't even got to go there.

955
00:40:41,719 --> 00:40:44,040
Speaker 1: Yeah, I'm say more must always.

956
00:40:45,120 --> 00:40:45,480
Speaker 4: It's real.

957
00:40:45,640 --> 00:40:47,879
Speaker 3: It's a real question, you know what I mean, it's

958
00:40:47,880 --> 00:40:50,040
Speaker 3: a real question how much mone you're gonna make. But

959
00:40:50,120 --> 00:40:51,680
Speaker 3: I was just saying, that's a night that's not like

960
00:40:52,040 --> 00:40:52,480
Speaker 3: not Monday.

961
00:40:52,600 --> 00:40:55,560
Speaker 4: It's not Monday night. You give me a real answer,

962
00:40:56,040 --> 00:40:57,120
Speaker 4: So yeah, I did that before.

963
00:40:57,400 --> 00:40:59,400
Speaker 1: Ultimately, what type of women do you see yourself with?

964
00:41:02,239 --> 00:41:05,680
Speaker 4: I don't, it don't matter whatever, Like if you could, like.

965
00:41:05,719 --> 00:41:12,600
Speaker 1: We're science like build your perfect like perfect woman, yeah,

966
00:41:13,080 --> 00:41:14,200
Speaker 1: like this inside and out.

967
00:41:16,080 --> 00:41:18,440
Speaker 4: I don't know, it's just I think I think my

968
00:41:18,600 --> 00:41:20,600
Speaker 4: brain is like this. I don't.

969
00:41:20,640 --> 00:41:23,680
Speaker 3: I mean, you know what I mean, Sometimes somebody cool, somebody.

970
00:41:23,920 --> 00:41:26,880
Speaker 3: Sometimes I want somebody that's little ghetto, and sometimes I

971
00:41:26,920 --> 00:41:28,520
Speaker 3: don't want somebody to ghetto.

972
00:41:28,320 --> 00:41:30,759
Speaker 1: Like, But like what's important to you, like fundamentally, if

973
00:41:30,800 --> 00:41:33,080
Speaker 1: you're like these are the things that a woman must.

974
00:41:32,960 --> 00:41:35,000
Speaker 4: Have their own ship.

975
00:41:38,200 --> 00:41:40,479
Speaker 3: When I say that, I'm just saying, like I don't

976
00:41:40,920 --> 00:41:42,600
Speaker 3: do if I get up and go do what I

977
00:41:42,640 --> 00:41:44,320
Speaker 3: gotta do, I would hope that you got something that

978
00:41:44,400 --> 00:41:47,640
Speaker 3: you gotta do. Like, I don't really understand people that

979
00:41:47,800 --> 00:41:50,840
Speaker 3: I'm talking from both sides. Man, I don't understand niggas

980
00:41:50,880 --> 00:41:53,279
Speaker 3: that don't got nothing to do. When you get up,

981
00:41:53,480 --> 00:41:56,280
Speaker 3: it's time to get up and go somewhere and do something.

982
00:41:56,640 --> 00:41:58,080
Speaker 1: Are there ever an artists you feel like has so

983
00:41:58,200 --> 00:42:00,399
Speaker 1: much potential, but they just would not motivated enough.

984
00:42:01,800 --> 00:42:06,239
Speaker 3: There's hundreds of them, Yeah, but I mean it's like

985
00:42:06,320 --> 00:42:09,200
Speaker 3: they don't you know, they don't understand that the work

986
00:42:09,320 --> 00:42:11,919
Speaker 3: that like the word work. It's a lot of people

987
00:42:11,960 --> 00:42:13,799
Speaker 3: that don't understand that, you know what I mean. It's

988
00:42:13,800 --> 00:42:15,080
Speaker 3: a bunch of people that be coming to me like

989
00:42:15,200 --> 00:42:17,080
Speaker 3: JD put me in the game, put me in a game.

990
00:42:17,120 --> 00:42:19,719
Speaker 3: I put them in the game that they they ready

991
00:42:19,840 --> 00:42:23,760
Speaker 3: check out because the work is different. Working is different,

992
00:42:23,840 --> 00:42:25,400
Speaker 3: especially working for me, I don't I.

993
00:42:25,400 --> 00:42:26,320
Speaker 4: Don't have no stop.

994
00:42:26,960 --> 00:42:31,520
Speaker 2: Yeah, he doesn't have like formal business out to be

995
00:42:31,560 --> 00:42:33,200
Speaker 2: put up to the studio and he in there at

996
00:42:33,200 --> 00:42:34,200
Speaker 2: six am, like what's up?

997
00:42:34,239 --> 00:42:34,439
Speaker 6: Y'all?

998
00:42:36,480 --> 00:42:40,080
Speaker 4: A lot of them, And I allow people that work

999
00:42:40,120 --> 00:42:42,239
Speaker 4: for me to just like not be a part of

1000
00:42:42,320 --> 00:42:44,960
Speaker 4: that part of my life. Like I go in there.

1001
00:42:45,160 --> 00:42:47,080
Speaker 3: You know, I like to be by myself when I'm working,

1002
00:42:47,160 --> 00:42:50,960
Speaker 3: but in real life it should be somebody that wants

1003
00:42:51,040 --> 00:42:53,600
Speaker 3: to be in that space. But that majority of them

1004
00:42:53,640 --> 00:42:54,719
Speaker 3: can't run that race with me.

1005
00:42:55,920 --> 00:42:58,200
Speaker 1: You now, you have like a tremendous work ethic, and

1006
00:42:58,360 --> 00:43:01,040
Speaker 1: that's something that I feel like, no matter what, from

1007
00:43:01,080 --> 00:43:03,080
Speaker 1: the beginning of from when we first heard your name

1008
00:43:03,600 --> 00:43:06,759
Speaker 1: until where we are today, it hasn't stopped. Now, I

1009
00:43:06,880 --> 00:43:07,759
Speaker 1: just had a random thought.

1010
00:43:08,719 --> 00:43:10,560
Speaker 2: The other two members of the Snack Pack were the

1011
00:43:10,680 --> 00:43:14,240
Speaker 2: girls that danced on the pole BT Hip Hop Awards

1012
00:43:14,920 --> 00:43:15,520
Speaker 2: when y'all did.

1013
00:43:16,000 --> 00:43:18,600
Speaker 3: No, I mean, I'm trying to figure out what what

1014
00:43:18,880 --> 00:43:20,400
Speaker 3: happened to the snack Snack Pack?

1015
00:43:20,560 --> 00:43:25,279
Speaker 1: What happened to the snack It got disbanded. I mean

1016
00:43:25,360 --> 00:43:27,319
Speaker 1: it started when I left, but they carried it doing

1017
00:43:27,400 --> 00:43:28,359
Speaker 1: for about a year or two.

1018
00:43:28,760 --> 00:43:34,000
Speaker 4: M Yeah, because I never that surfboarding that was amazing. Ye.

1019
00:43:35,000 --> 00:43:37,080
Speaker 2: And you know what's crazy is you was just there

1020
00:43:37,160 --> 00:43:39,000
Speaker 2: last night. I'm sure you saw girls doing what I'm

1021
00:43:39,000 --> 00:43:40,080
Speaker 2: saying poetriits last night.

1022
00:43:40,239 --> 00:43:42,360
Speaker 4: No, they got a swinging thing now from the.

1023
00:43:42,360 --> 00:43:44,200
Speaker 1: Middle, but they're still surfing too.

1024
00:43:44,280 --> 00:43:44,680
Speaker 5: I see it.

1025
00:43:45,239 --> 00:43:48,000
Speaker 4: Surfing a like that. But y'all had the three people surfboard. Yeah.

1026
00:43:50,200 --> 00:43:52,520
Speaker 1: Do you feel like things have changed them kind of

1027
00:43:52,520 --> 00:43:55,200
Speaker 1: shifted away from that? Because I do feel like there

1028
00:43:55,320 --> 00:43:57,200
Speaker 1: was a period of time when I heard about all

1029
00:43:57,239 --> 00:43:59,240
Speaker 1: the different ship clubs every time I went to Atlanta,

1030
00:43:59,360 --> 00:44:02,319
Speaker 1: it was like, and I maybe I'm just not out

1031
00:44:02,360 --> 00:44:04,080
Speaker 1: as much because it's me. I don't know if it's

1032
00:44:04,120 --> 00:44:05,600
Speaker 1: me or if it's the culture, because even in New

1033
00:44:05,680 --> 00:44:08,400
Speaker 1: York or even in Miami, I feel like the clubs

1034
00:44:08,440 --> 00:44:10,400
Speaker 1: aren't like what they used to be at all. And

1035
00:44:10,440 --> 00:44:12,239
Speaker 1: I don't know if it's because it's younger people going

1036
00:44:12,280 --> 00:44:14,320
Speaker 1: and I'm not and I've aged out of it, or

1037
00:44:14,360 --> 00:44:15,560
Speaker 1: if it really isn't like that.

1038
00:44:15,800 --> 00:44:21,879
Speaker 3: Well, I think the girls now don't take it as

1039
00:44:22,040 --> 00:44:26,359
Speaker 3: serious as a thing as these girls did.

1040
00:44:26,719 --> 00:44:28,080
Speaker 1: We had this conversation in medicine.

1041
00:44:28,120 --> 00:44:32,600
Speaker 3: It used to be a thing like the performance is

1042
00:44:32,640 --> 00:44:35,480
Speaker 3: a sign, like it's about Magic City. But it used

1043
00:44:35,520 --> 00:44:37,040
Speaker 3: to be a sign at the Gentleman's Club. When you

1044
00:44:37,120 --> 00:44:39,200
Speaker 3: walk into Gerons Club there, I have strip of the

1045
00:44:39,280 --> 00:44:42,520
Speaker 3: month like right there, big picture whoever that girl was?

1046
00:44:42,600 --> 00:44:45,000
Speaker 3: And that changed, right And I remember we used to

1047
00:44:45,080 --> 00:44:46,640
Speaker 3: go in and and looking to see who it was

1048
00:44:47,040 --> 00:44:50,520
Speaker 3: like this month, like you I mean used to be.

1049
00:44:50,840 --> 00:44:52,799
Speaker 3: I'm saying that's why I feel like even like that's

1050
00:44:52,800 --> 00:44:53,799
Speaker 3: what white Chocolate brought.

1051
00:44:53,880 --> 00:45:02,960
Speaker 4: She brought the mess. I keep white chocolate because because

1052
00:45:03,080 --> 00:45:06,480
Speaker 4: she was, she was, she brought she brought the Cream

1053
00:45:06,520 --> 00:45:12,600
Speaker 4: of the Crops to the club episode White Chocolate Pop, Sugar.

1054
00:45:12,320 --> 00:45:14,440
Speaker 1: Pop, I'm so mad.

1055
00:45:15,480 --> 00:45:18,960
Speaker 4: It's a whole crew of them that was like that

1056
00:45:19,360 --> 00:45:22,240
Speaker 4: Magic City starting five was crazy.

1057
00:45:22,040 --> 00:45:23,879
Speaker 2: And that's who I looked up to when I got there.

1058
00:45:24,320 --> 00:45:30,360
Speaker 2: It was the og Indio, the Sugar, the of Holly Shell.

1059
00:45:30,480 --> 00:45:33,160
Speaker 1: That whole crew. There was the Ogs, the O G set.

1060
00:45:33,880 --> 00:45:35,480
Speaker 2: They were the only ones before the Snack Pack. They

1061
00:45:35,520 --> 00:45:37,600
Speaker 2: went on stage together. They all was signing together and

1062
00:45:37,680 --> 00:45:39,319
Speaker 2: going stage together, and they would make all the money

1063
00:45:39,480 --> 00:45:41,279
Speaker 2: and they was all fine as fun and they knew

1064
00:45:41,280 --> 00:45:42,920
Speaker 2: all of the rappers and we would just look at them.

1065
00:45:42,840 --> 00:45:47,720
Speaker 1: Like, yeah, my time going to strip clubs.

1066
00:45:48,680 --> 00:45:51,160
Speaker 6: It's completely different because I was going with King of

1067
00:45:51,239 --> 00:45:53,040
Speaker 6: Diamonds in Miami because I was in school at the

1068
00:45:53,080 --> 00:45:55,920
Speaker 6: time and we had G six and like all these.

1069
00:45:55,840 --> 00:45:58,680
Speaker 1: Things aren't G five, That aren't.

1070
00:45:58,880 --> 00:45:59,560
Speaker 4: Going to the hood?

1071
00:45:59,760 --> 00:46:06,160
Speaker 1: Yeah, the audi Yeah, and it's just not giving.

1072
00:46:06,320 --> 00:46:08,320
Speaker 6: They're just standing there and it's kind of you know,

1073
00:46:08,760 --> 00:46:10,560
Speaker 6: there's no dances, there's no outfits, there's no.

1074
00:46:12,160 --> 00:46:15,080
Speaker 1: But so huge well like it it's hard to pack

1075
00:46:15,120 --> 00:46:15,359
Speaker 1: that out.

1076
00:46:16,719 --> 00:46:17,759
Speaker 4: It's the music too, though.

1077
00:46:18,160 --> 00:46:20,760
Speaker 3: The music also plays a major role in these girls

1078
00:46:20,880 --> 00:46:24,279
Speaker 3: not actually performing the way that they used to. You know,

1079
00:46:24,400 --> 00:46:28,480
Speaker 3: if you're playing thirty trap records and you ain't really

1080
00:46:28,560 --> 00:46:35,040
Speaker 3: talking about anything sexually, trying to be sexy everything.

1081
00:46:35,480 --> 00:46:36,120
Speaker 1: And that's what they do.

1082
00:46:37,920 --> 00:46:48,080
Speaker 5: Girls doing this like they really are, you know what

1083
00:46:50,080 --> 00:46:50,399
Speaker 5: the music.

1084
00:46:52,000 --> 00:46:53,880
Speaker 2: One of them is like a general strip question, and

1085
00:46:53,960 --> 00:46:56,479
Speaker 2: one of them is Atlanta question. So the general strip

1086
00:46:56,600 --> 00:46:59,879
Speaker 2: question is what do you think or do you even

1087
00:47:00,040 --> 00:47:02,239
Speaker 2: think that social media and the internet plays a role

1088
00:47:02,320 --> 00:47:03,680
Speaker 2: in how the club has changed?

1089
00:47:06,120 --> 00:47:09,880
Speaker 4: No, well, yeah, I think that because.

1090
00:47:11,560 --> 00:47:15,200
Speaker 3: Regular girls want to look like strippers, and I think

1091
00:47:15,280 --> 00:47:19,880
Speaker 3: that that it made it made it made girls in

1092
00:47:19,960 --> 00:47:23,040
Speaker 3: the strip club not special anymore because the girls outside

1093
00:47:23,080 --> 00:47:24,400
Speaker 3: of the strip club looked just like.

1094
00:47:26,640 --> 00:47:26,719
Speaker 4: Us.

1095
00:47:27,320 --> 00:47:30,040
Speaker 3: You could only go to the strip club and see

1096
00:47:30,080 --> 00:47:34,800
Speaker 3: them tends only in the strip club, right, You couldn't

1097
00:47:34,800 --> 00:47:36,880
Speaker 3: walk down the street and see this. Now you can

1098
00:47:36,920 --> 00:47:39,839
Speaker 3: go to the regular club and the girl is standing out.

1099
00:47:40,920 --> 00:47:42,200
Speaker 1: They dressed like us too, And.

1100
00:47:44,120 --> 00:47:49,359
Speaker 2: From period of time, we're way more like, Yeah, that's

1101
00:47:49,400 --> 00:47:52,240
Speaker 2: the thing up here making more money than the stupid

1102
00:47:52,239 --> 00:47:53,080
Speaker 2: but that's the New York thing.

1103
00:47:53,120 --> 00:47:53,319
Speaker 1: Okay.

1104
00:47:53,360 --> 00:47:56,080
Speaker 2: My second question, this is another question, how do you

1105
00:47:56,160 --> 00:47:58,600
Speaker 2: feel about them trying to bring follies back and making

1106
00:47:58,680 --> 00:48:01,239
Speaker 2: it the old foxy lady ak A the Office aka Rain.

1107
00:48:01,440 --> 00:48:02,640
Speaker 1: Have you seen that I saw?

1108
00:48:03,120 --> 00:48:05,399
Speaker 4: I thought I heard somebody saying this, but I thought

1109
00:48:05,400 --> 00:48:08,399
Speaker 4: it was like I saw this is real.

1110
00:48:08,600 --> 00:48:09,239
Speaker 1: Yeah, it's real.

1111
00:48:09,560 --> 00:48:14,200
Speaker 3: Why wasn't a Folie fan. I wasn't a Folie fan. Yeah,

1112
00:48:14,200 --> 00:48:15,759
Speaker 3: I was never a Folie fan either.

1113
00:48:16,040 --> 00:48:16,879
Speaker 4: It was too dark.

1114
00:48:17,360 --> 00:48:21,000
Speaker 3: I mean, like, like I said to me, it is

1115
00:48:21,080 --> 00:48:23,759
Speaker 3: the safest club in Atlanta, absolutely, And I could go

1116
00:48:23,840 --> 00:48:27,200
Speaker 3: to Magic City by myself right with no security, and

1117
00:48:27,320 --> 00:48:29,480
Speaker 3: I feel like I'll be safe. I feel like I

1118
00:48:29,600 --> 00:48:32,360
Speaker 3: have a great time. And it's like I feel like

1119
00:48:32,400 --> 00:48:34,920
Speaker 3: there's no other strip club in America that's got that

1120
00:48:35,200 --> 00:48:37,120
Speaker 3: vibe to y'all, so it's hard.

1121
00:48:36,960 --> 00:48:37,680
Speaker 5: For me to go to.

1122
00:48:38,560 --> 00:48:42,959
Speaker 3: Yeah, it's hard going to other clubs and they're dark

1123
00:48:43,719 --> 00:48:47,720
Speaker 3: and they sectioned off and it's like you can barely

1124
00:48:47,760 --> 00:48:48,360
Speaker 3: see the girls.

1125
00:48:48,440 --> 00:48:50,000
Speaker 4: Like I don't like that either. I don't like dark

1126
00:48:50,080 --> 00:48:51,520
Speaker 4: strip clubs because I like this.

1127
00:48:51,800 --> 00:48:53,880
Speaker 2: It's not just right, but it's like one open space,

1128
00:48:54,000 --> 00:48:57,120
Speaker 2: but it's one those of y'all who have never been.

1129
00:48:57,200 --> 00:49:00,399
Speaker 2: Magic City is one open space and you can see

1130
00:49:00,440 --> 00:49:01,719
Speaker 2: what's over there. You can see what's over there. You

1131
00:49:01,719 --> 00:49:03,239
Speaker 2: canee who walking through the front door. You can see

1132
00:49:03,280 --> 00:49:05,080
Speaker 2: who won in the bathroom like you can see every

1133
00:49:05,120 --> 00:49:06,520
Speaker 2: you can see where your waitress at, you can see

1134
00:49:06,520 --> 00:49:07,800
Speaker 2: where the hookah girl at. You can look into the

1135
00:49:07,880 --> 00:49:09,640
Speaker 2: kitchen like you can see everything.

1136
00:49:09,880 --> 00:49:10,000
Speaker 4: Right.

1137
00:49:10,400 --> 00:49:11,960
Speaker 1: You know safe, it's very safe.

1138
00:49:13,560 --> 00:49:16,800
Speaker 3: The darkness takes away Like I said, darkness creates this

1139
00:49:16,920 --> 00:49:19,960
Speaker 3: illusion of what you might be looking at and magic

1140
00:49:20,040 --> 00:49:21,640
Speaker 3: you see you see looking.

1141
00:49:21,480 --> 00:49:25,480
Speaker 1: At right, Yeah, you can see period perfect. Well, listen, y'all,

1142
00:49:25,520 --> 00:49:27,600
Speaker 1: I am so excited about this. And aside from this,

1143
00:49:28,280 --> 00:49:30,239
Speaker 1: you know, and we don't want to also we want

1144
00:49:30,280 --> 00:49:31,839
Speaker 1: to make sure we also talk about solf So Deaf

1145
00:49:31,960 --> 00:49:34,920
Speaker 1: University and what you do students from Emory.

1146
00:49:34,960 --> 00:49:38,200
Speaker 4: That's yeah, yeah, my first year doing that and.

1147
00:49:39,680 --> 00:49:40,920
Speaker 3: I've been trying to do it for a minute, but

1148
00:49:41,120 --> 00:49:43,600
Speaker 3: Emory was the first person that, like the first school

1149
00:49:43,640 --> 00:49:45,919
Speaker 3: that agreed to make it a situation where I could

1150
00:49:45,920 --> 00:49:46,600
Speaker 3: give out credits.

1151
00:49:47,480 --> 00:49:50,400
Speaker 1: That's amazing. Can you imagine how competitive is that to

1152
00:49:50,520 --> 00:49:53,440
Speaker 1: be able to get into university.

1153
00:49:54,800 --> 00:49:55,480
Speaker 4: This is the first year.

1154
00:49:55,719 --> 00:49:57,719
Speaker 3: I'm gonna make it more competitive because I learned this

1155
00:49:57,880 --> 00:49:59,640
Speaker 3: year that you know, these kids thought they was coming

1156
00:49:59,680 --> 00:50:01,440
Speaker 3: to make it music as opposed to like taking the

1157
00:50:01,520 --> 00:50:02,840
Speaker 3: trash out and being an intern.

1158
00:50:03,560 --> 00:50:04,799
Speaker 4: Okay, so you know what I mean.

1159
00:50:05,480 --> 00:50:07,200
Speaker 3: So I got a group of you know, these four

1160
00:50:07,280 --> 00:50:09,360
Speaker 3: kids now that I could say, this is what the

1161
00:50:09,400 --> 00:50:11,879
Speaker 3: interns are, and the interns that was there they could

1162
00:50:11,920 --> 00:50:14,200
Speaker 3: tell you. They could tell the new interns like, this

1163
00:50:15,239 --> 00:50:17,440
Speaker 3: is not like you coming over here to record, right,

1164
00:50:17,560 --> 00:50:19,239
Speaker 3: you get to sit in a session. You might see

1165
00:50:19,320 --> 00:50:23,160
Speaker 3: somebody coming in there making it whatever, but your your

1166
00:50:23,320 --> 00:50:26,840
Speaker 3: job is to introduce yourself, asks the person if they

1167
00:50:26,920 --> 00:50:30,240
Speaker 3: need anything. If you see somebody needing something, be an intern,

1168
00:50:30,320 --> 00:50:31,520
Speaker 3: you know what I mean. Like, and I don't think,

1169
00:50:31,600 --> 00:50:33,440
Speaker 3: I think I think the world don't.

1170
00:50:33,280 --> 00:50:36,239
Speaker 4: Teach people to be interns before they get to what

1171
00:50:36,280 --> 00:50:37,120
Speaker 4: they gotta get no more.

1172
00:50:37,280 --> 00:50:39,759
Speaker 1: What do you think about kids like taking initiative as

1173
00:50:39,880 --> 00:50:44,040
Speaker 1: interns to because there's a balance between doing too much

1174
00:50:44,880 --> 00:50:48,880
Speaker 1: right and but also like seizing an opportunity, And so

1175
00:50:49,000 --> 00:50:52,040
Speaker 1: how do you teach like students this balance? Because I

1176
00:50:52,120 --> 00:50:53,880
Speaker 1: do feel like it's a different day and age and

1177
00:50:54,520 --> 00:50:57,640
Speaker 1: sometimes you know, kids can sometimes feel a little entitled

1178
00:50:57,680 --> 00:50:59,920
Speaker 1: to things, where like you said, you got to teach

1179
00:51:00,000 --> 00:51:01,759
Speaker 1: people how to be interns, right, because they'll be like,

1180
00:51:01,800 --> 00:51:03,239
Speaker 1: I don't do that. That's not what I'm here for.

1181
00:51:03,719 --> 00:51:06,799
Speaker 1: But how do you teach somebody not to like, yes,

1182
00:51:07,000 --> 00:51:09,080
Speaker 1: there's an opportunity, you got to speak up. We tell

1183
00:51:09,080 --> 00:51:10,839
Speaker 1: people that all the time. But at the same time,

1184
00:51:11,200 --> 00:51:13,920
Speaker 1: how do you not make people uncomfortable with you, like

1185
00:51:14,520 --> 00:51:17,640
Speaker 1: as an intern overstepping certain boundaries, you know, like what's

1186
00:51:17,680 --> 00:51:18,200
Speaker 1: that balance?

1187
00:51:18,400 --> 00:51:18,640
Speaker 4: I mean?

1188
00:51:18,680 --> 00:51:21,640
Speaker 3: But you gotta you have to make people understand that

1189
00:51:23,000 --> 00:51:26,719
Speaker 3: a great intern will get their opportunity. So like when

1190
00:51:26,760 --> 00:51:28,439
Speaker 3: people be like, I'm gonna miss my opportunity, you can't

1191
00:51:28,440 --> 00:51:31,120
Speaker 3: miss your opportunity if you're a great intern. Like if

1192
00:51:31,160 --> 00:51:33,520
Speaker 3: it's somebody came here right now and they was cleaning up,

1193
00:51:34,000 --> 00:51:35,960
Speaker 3: and they came up here and they cleaned up this table.

1194
00:51:36,480 --> 00:51:38,800
Speaker 3: One of us is gonna watch how they clean this table.

1195
00:51:39,200 --> 00:51:40,839
Speaker 3: If they do it three or four times the same

1196
00:51:40,880 --> 00:51:43,680
Speaker 3: way and it's really done well, you're gonna want someone

1197
00:51:43,680 --> 00:51:45,880
Speaker 3: else clean at some point, and that person that you

1198
00:51:46,000 --> 00:51:47,960
Speaker 3: saw do it, you're gonna reach out for that person.

1199
00:51:48,120 --> 00:51:49,880
Speaker 4: You ain't gonna try to find somebody else. I know

1200
00:51:49,960 --> 00:51:50,640
Speaker 4: me anyway, if I.

1201
00:51:50,680 --> 00:51:53,279
Speaker 3: See somebody doing something, even if they ain't working for me,

1202
00:51:53,600 --> 00:51:55,520
Speaker 3: I see somebody working for somebody else and they doing

1203
00:51:55,560 --> 00:51:58,440
Speaker 3: it the right way, I'm be like, yo, who they

1204
00:51:58,520 --> 00:51:58,840
Speaker 3: work for?

1205
00:51:59,520 --> 00:51:59,640
Speaker 4: Right?

1206
00:52:00,000 --> 00:52:02,279
Speaker 3: And they might if they save me, then I'm like, damn,

1207
00:52:02,280 --> 00:52:03,560
Speaker 3: you know what I'm saying. But other than that, if

1208
00:52:03,560 --> 00:52:05,400
Speaker 3: you find you see people, that's how you I mean,

1209
00:52:05,440 --> 00:52:06,319
Speaker 3: that's how I hired people.

1210
00:52:06,360 --> 00:52:06,919
Speaker 4: All my life.

1211
00:52:06,960 --> 00:52:10,600
Speaker 3: I seen somebody doing something well, you never know space

1212
00:52:10,640 --> 00:52:12,840
Speaker 3: and be like, yeah, you want a job what you

1213
00:52:13,000 --> 00:52:14,960
Speaker 3: do because you look like you know.

1214
00:52:15,000 --> 00:52:16,719
Speaker 4: How to do this right, And that's that's it.

1215
00:52:16,880 --> 00:52:19,319
Speaker 3: So I feel like, if you're a great intern, that's

1216
00:52:19,360 --> 00:52:20,880
Speaker 3: what I'm trying to tell all these kids, If you're

1217
00:52:20,880 --> 00:52:23,279
Speaker 3: a great intern, it'll automatically.

1218
00:52:22,800 --> 00:52:23,520
Speaker 4: Turn into something.

1219
00:52:23,840 --> 00:52:26,400
Speaker 3: You ain't got to jump out here and overstep your

1220
00:52:26,440 --> 00:52:29,640
Speaker 3: boundaries because then you then you're making people not want

1221
00:52:29,640 --> 00:52:30,120
Speaker 3: you around.

1222
00:52:30,320 --> 00:52:31,680
Speaker 1: Yeah, it is a fine.

1223
00:52:32,920 --> 00:52:35,279
Speaker 2: My first internship was at TVT Records. Do you remember

1224
00:52:35,320 --> 00:52:36,080
Speaker 2: this record label?

1225
00:52:37,160 --> 00:52:39,560
Speaker 1: When I was in college, I enterned at TVT Records

1226
00:52:40,000 --> 00:52:41,560
Speaker 1: and there was like eight of us. It was an

1227
00:52:41,640 --> 00:52:45,800
Speaker 1: unpaid internship, but at the end of the internship, I

1228
00:52:45,840 --> 00:52:47,520
Speaker 1: was the only one left that was still coming to

1229
00:52:47,600 --> 00:52:50,320
Speaker 1: work every day. And I remember the guy I was

1230
00:52:50,360 --> 00:52:51,920
Speaker 1: record for. It was in the legal department, which I

1231
00:52:51,960 --> 00:52:55,040
Speaker 1: did not care about, and I was like one day

1232
00:52:55,080 --> 00:52:56,960
Speaker 1: and he was an asshole, but one day he was

1233
00:52:57,040 --> 00:52:59,560
Speaker 1: like you're always so pleasant and so like, how are

1234
00:52:59,600 --> 00:53:01,080
Speaker 1: you able to to coming here every day with like

1235
00:53:01,120 --> 00:53:02,920
Speaker 1: with a smile on your face. And the other thing

1236
00:53:02,960 --> 00:53:04,160
Speaker 1: I used to do was when he would leave for

1237
00:53:04,160 --> 00:53:05,480
Speaker 1: the day, I would still be there and I would

1238
00:53:05,520 --> 00:53:08,480
Speaker 1: work in like the promotions department and marketing and A

1239
00:53:08,640 --> 00:53:10,440
Speaker 1: and R and like talk to other people. When I

1240
00:53:10,600 --> 00:53:13,480
Speaker 1: was done and he went home, I was still there

1241
00:53:13,640 --> 00:53:16,480
Speaker 1: like doing stuff in other departments. And so after that,

1242
00:53:16,760 --> 00:53:19,919
Speaker 1: like I interned at MTV, I interned for Wu Tang,

1243
00:53:20,040 --> 00:53:21,800
Speaker 1: and then when I graduated from college, I had like

1244
00:53:21,800 --> 00:53:24,680
Speaker 1: a couple of job offers, you know, and I was

1245
00:53:24,719 --> 00:53:26,759
Speaker 1: being patient. I wasn't doing the most. I always had

1246
00:53:26,800 --> 00:53:30,560
Speaker 1: a good attitude. Want Yeah, yeah, they don't want to

1247
00:53:30,600 --> 00:53:32,279
Speaker 1: work for it because I know even that I heard

1248
00:53:32,320 --> 00:53:34,560
Speaker 1: with our interns they're really careful about who they hired

1249
00:53:34,640 --> 00:53:37,200
Speaker 1: because there's like certain rules now what you can and

1250
00:53:37,280 --> 00:53:40,600
Speaker 1: can't ask interns to do. Really yeah, like when I

1251
00:53:40,640 --> 00:53:42,319
Speaker 1: have my internship act, like go pick up this guy's

1252
00:53:42,400 --> 00:53:45,560
Speaker 1: dry cleaning, like everything, you can't do that, yeah, nothing

1253
00:53:45,600 --> 00:53:47,680
Speaker 1: personal like yeah they can't.

1254
00:53:48,040 --> 00:53:51,400
Speaker 2: Yeah, it's like yeah, it's like laws and what interns

1255
00:53:51,440 --> 00:53:53,839
Speaker 2: can get in some states you have to pay them

1256
00:53:53,920 --> 00:53:55,960
Speaker 2: to university.

1257
00:53:57,600 --> 00:54:02,120
Speaker 3: The treasure, Like I mean, I would have him going

1258
00:54:02,200 --> 00:54:04,520
Speaker 3: up if I don't know you, like now, ain't let

1259
00:54:04,560 --> 00:54:06,520
Speaker 3: you do nothing personal like that for me. But they

1260
00:54:06,600 --> 00:54:08,960
Speaker 3: still should be doing things that's in that type of

1261
00:54:09,000 --> 00:54:11,560
Speaker 3: space because I'm saying all that does is teach you

1262
00:54:13,239 --> 00:54:16,719
Speaker 3: how to take care of something that's not yours. And

1263
00:54:17,440 --> 00:54:20,160
Speaker 3: the best job in the world is what you know,

1264
00:54:20,320 --> 00:54:23,840
Speaker 3: somebody that owns something putting their life in your hands.

1265
00:54:24,280 --> 00:54:26,080
Speaker 3: Like if you if I let you be the manager

1266
00:54:26,120 --> 00:54:29,160
Speaker 3: of this shot, this is my shot. If you don't

1267
00:54:29,200 --> 00:54:30,560
Speaker 3: do it right, That's what I'm saying. You got to

1268
00:54:30,640 --> 00:54:33,000
Speaker 3: learn how to take care of other people's stuff as

1269
00:54:33,040 --> 00:54:35,399
Speaker 3: if it's yours. So they shouldn't have them rules because

1270
00:54:35,400 --> 00:54:37,080
Speaker 3: that's the only people that's the only way people learn.

1271
00:54:37,120 --> 00:54:39,560
Speaker 1: To me, you know, it's interesting to me how with

1272
00:54:39,680 --> 00:54:42,360
Speaker 1: this docu series, it starts off with Magic's wife saying

1273
00:54:42,440 --> 00:54:47,120
Speaker 1: how she didn't want to move to Atlanta right because

1274
00:54:47,160 --> 00:54:48,960
Speaker 1: she was like, it's just so slow, like you know,

1275
00:54:49,040 --> 00:54:52,600
Speaker 1: people think that, and I feel like Atlanta in the

1276
00:54:52,680 --> 00:54:54,920
Speaker 1: beginning has always had like a chip on their shoulder

1277
00:54:55,000 --> 00:54:55,719
Speaker 1: about people.

1278
00:54:56,800 --> 00:54:57,680
Speaker 4: Second time I heard that.

1279
00:54:57,719 --> 00:55:02,000
Speaker 3: To day, But it is it's it's about because people

1280
00:55:02,080 --> 00:55:05,040
Speaker 3: have always been so vocal about Atlanta. Like even with

1281
00:55:05,160 --> 00:55:07,880
Speaker 3: me making records that it starting off. You know, I

1282
00:55:08,000 --> 00:55:10,719
Speaker 3: was telling the story earlier. Red Alert and Chuck Chill Out.

1283
00:55:10,719 --> 00:55:13,520
Speaker 3: They both was like, man, that nigga's so country that

1284
00:55:13,600 --> 00:55:15,080
Speaker 3: and now this shit ain't gonna work in New York.

1285
00:55:15,200 --> 00:55:19,719
Speaker 3: Like actually telling you that makes you like go want

1286
00:55:19,760 --> 00:55:21,360
Speaker 3: to get it right. But at the same time, you

1287
00:55:21,400 --> 00:55:23,720
Speaker 3: do have a chip on your shoulder because people always

1288
00:55:23,760 --> 00:55:25,960
Speaker 3: felt like a certain way, like even like with Killer

1289
00:55:26,080 --> 00:55:28,759
Speaker 3: Mike and Andre three thousand Tips and all of these

1290
00:55:28,800 --> 00:55:32,359
Speaker 3: guys rapping, they always felt like New York or any

1291
00:55:32,440 --> 00:55:34,800
Speaker 3: other place looked at the South like it was no

1292
00:55:34,920 --> 00:55:38,080
Speaker 3: real rappers, like they couldn't rap because we was from

1293
00:55:38,120 --> 00:55:40,480
Speaker 3: the South. That's even why that's why Dre said that,

1294
00:55:40,680 --> 00:55:44,480
Speaker 3: you know what I mean say so I just feel like, yeah,

1295
00:55:44,480 --> 00:55:46,960
Speaker 3: I don't know why people were always so vocal about Atlanta.

1296
00:55:47,000 --> 00:55:49,000
Speaker 3: But that's the same thing I'm saying about this documentary.

1297
00:55:49,440 --> 00:55:53,680
Speaker 3: People are vocal about strip clubs instead of not just

1298
00:55:53,880 --> 00:55:56,680
Speaker 3: instead of saying this is the culture of Atlanta. You

1299
00:55:56,760 --> 00:55:58,360
Speaker 3: know what I mean, we got roller skating, we like,

1300
00:55:58,719 --> 00:56:01,160
Speaker 3: we like stripp.

1301
00:56:01,640 --> 00:56:10,120
Speaker 1: Yeah, but I'm saying to say, aside from all of that,

1302
00:56:10,280 --> 00:56:12,200
Speaker 1: look at all you know, the chip on the should

1303
00:56:12,239 --> 00:56:14,640
Speaker 1: or whatever what people thought, people's perceptions of Atlanta was.

1304
00:56:14,880 --> 00:56:17,640
Speaker 1: Look at how long Atlanta has been just really like

1305
00:56:18,320 --> 00:56:21,040
Speaker 1: still got something. It started and then it just never stopped.

1306
00:56:21,239 --> 00:56:21,439
Speaker 5: Yeah.

1307
00:56:21,520 --> 00:56:23,640
Speaker 4: Yeah, yeah, it's a fight though. I mean, you know,

1308
00:56:23,719 --> 00:56:24,719
Speaker 4: we've been fighting.

1309
00:56:25,480 --> 00:56:28,000
Speaker 1: So still because I feel like now people be moving

1310
00:56:28,080 --> 00:56:30,640
Speaker 1: to Atlanta because they're like they do, but they move

1311
00:56:30,680 --> 00:56:31,879
Speaker 1: in there not for the wrong reason.

1312
00:56:31,960 --> 00:56:33,839
Speaker 3: They moving there for the wrong reasons. They ain't moving

1313
00:56:33,880 --> 00:56:36,839
Speaker 3: there to like help the source of Atlanta. So if

1314
00:56:36,880 --> 00:56:39,000
Speaker 3: you from Atlanta, you still got to fight to get

1315
00:56:39,040 --> 00:56:39,640
Speaker 3: in this space.

1316
00:56:40,600 --> 00:56:43,719
Speaker 1: I'm a transplant. I moved here by default, I know,

1317
00:56:44,239 --> 00:56:46,760
Speaker 1: but you are so ingreated. But I am so Atlanta.

1318
00:56:47,280 --> 00:56:50,040
Speaker 2: I'm celebrating twenty years August twenty ninth, which is the

1319
00:56:50,239 --> 00:56:53,120
Speaker 2: Hurricane Katrina. I literally moved to Atlanta today Hurricane Katrina,

1320
00:56:53,200 --> 00:56:55,040
Speaker 2: and not by because of that, because clearly I was

1321
00:56:55,080 --> 00:56:57,120
Speaker 2: coming from Philly, but it was that was the exact

1322
00:56:57,200 --> 00:56:59,360
Speaker 2: day that I got there. And when I tell you

1323
00:56:59,400 --> 00:57:01,920
Speaker 2: I'm so at, you can't tell me I'm not from there,

1324
00:57:02,120 --> 00:57:02,440
Speaker 2: y'all know.

1325
00:57:02,840 --> 00:57:06,480
Speaker 1: You know, listen, marrying a woman who's not from Atlanta.

1326
00:57:06,560 --> 00:57:09,600
Speaker 1: People gonna be so disappointed in you if you end

1327
00:57:09,680 --> 00:57:11,320
Speaker 1: up marrying a woman who's not from Atlanta.

1328
00:57:11,600 --> 00:57:14,560
Speaker 4: Yes, people will be so they don't care about that.

1329
00:57:14,840 --> 00:57:16,760
Speaker 1: You don't think so, do you?

1330
00:57:18,120 --> 00:57:20,160
Speaker 4: They definitely care about that that I marry a woman

1331
00:57:20,200 --> 00:57:22,120
Speaker 4: from Atlanta, Like I can't.

1332
00:57:22,120 --> 00:57:25,480
Speaker 1: You know you're so Atlanta. Yeah, I don't think people

1333
00:57:25,520 --> 00:57:25,920
Speaker 1: care about that.

1334
00:57:26,040 --> 00:57:29,040
Speaker 4: You don't care. They want to see me bring somebody down.

1335
00:57:33,440 --> 00:57:33,720
Speaker 5: Ends up.

1336
00:57:35,440 --> 00:57:36,880
Speaker 2: This is going to be interesting. I can't wait to

1337
00:57:36,920 --> 00:57:38,520
Speaker 2: see this later on. You got to come back when

1338
00:57:38,560 --> 00:57:39,960
Speaker 2: you when.

1339
00:57:41,360 --> 00:57:41,960
Speaker 5: You find.

1340
00:57:45,200 --> 00:57:52,840
Speaker 1: Don't listen famous last words, when somebody right before it happens.

1341
00:57:52,880 --> 00:57:55,720
Speaker 1: I'm telling you, I feel it for some reason. I

1342
00:57:55,840 --> 00:58:05,560
Speaker 1: think it's marriage. Yeah about that? Wow, you feeling that?

1343
00:58:06,600 --> 00:58:09,919
Speaker 1: Maoomer ray happens. Boy, that's gonna be crazy. But listen,

1344
00:58:10,200 --> 00:58:15,280
Speaker 1: we love that. But No, for Re always congratulations on everything.

1345
00:58:15,680 --> 00:58:18,360
Speaker 1: Every time I see JD. It's like, you know, he

1346
00:58:18,440 --> 00:58:21,200
Speaker 1: always got something new happening, like it never ever stops.

1347
00:58:22,480 --> 00:58:24,400
Speaker 2: Want to take this time to say thank you for

1348
00:58:24,680 --> 00:58:28,160
Speaker 2: even having this documentary a thing. It's a life changing

1349
00:58:28,240 --> 00:58:31,200
Speaker 2: full circle moment for me personally. When I first got

1350
00:58:31,280 --> 00:58:34,320
Speaker 2: the call, it was just do an interview. That interview

1351
00:58:34,400 --> 00:58:37,320
Speaker 2: turned into narrate. That narrator turned into pitch team, turned

1352
00:58:37,360 --> 00:58:39,760
Speaker 2: into producer credit turned into you sitting on this couch

1353
00:58:39,840 --> 00:58:43,040
Speaker 2: right now, And I can't be more elated, more honored,

1354
00:58:43,240 --> 00:58:45,520
Speaker 2: and just I'm so happy that this is a thing

1355
00:58:45,640 --> 00:58:47,240
Speaker 2: because it's really my life.

1356
00:58:47,480 --> 00:58:48,920
Speaker 1: Like the reason when I got xked to be on

1357
00:58:48,960 --> 00:58:50,000
Speaker 1: the pitch team. You know what they told me.

1358
00:58:50,560 --> 00:58:53,200
Speaker 2: None of us in production can tell this story from

1359
00:58:53,240 --> 00:58:54,840
Speaker 2: a first hand account because we didn't live it.

1360
00:58:54,920 --> 00:58:59,720
Speaker 4: You did. So are you nervous about people actually seeing you?

1361
00:59:00,120 --> 00:59:00,200
Speaker 5: Now?

1362
00:59:00,640 --> 00:59:03,360
Speaker 2: She's agreed, Like honestly, I was watching it and I

1363
00:59:03,480 --> 00:59:05,080
Speaker 2: was like, Gigi is fucking killing.

1364
00:59:04,920 --> 00:59:09,800
Speaker 4: It, Like it's really on real TV, Like this ain't

1365
00:59:09,840 --> 00:59:10,800
Speaker 4: like I want people.

1366
00:59:10,600 --> 00:59:11,400
Speaker 5: To lead story.

1367
00:59:11,640 --> 00:59:13,720
Speaker 2: Yeah, I want people to see I mean I don't really,

1368
00:59:13,960 --> 00:59:15,760
Speaker 2: you know, I'm not really nervous about people seeing my

1369
00:59:15,800 --> 00:59:18,080
Speaker 2: TDS because I was a stripper for I don't know,

1370
00:59:18,160 --> 00:59:20,080
Speaker 2: I'm ten years, So that's not even like I don't

1371
00:59:20,080 --> 00:59:24,400
Speaker 2: really care about that, But it's more about just my involvement.

1372
00:59:25,560 --> 00:59:27,480
Speaker 2: Y'all see this this inc you know what I'm saying

1373
00:59:27,520 --> 00:59:29,200
Speaker 2: this is Fancy for y'all who don't know. Her name

1374
00:59:29,280 --> 00:59:32,080
Speaker 2: is Fancy. And I left Mega City fifteen years ago,

1375
00:59:32,160 --> 00:59:34,400
Speaker 2: but I still live, breathing, eat Mega City every chance

1376
00:59:34,400 --> 00:59:35,760
Speaker 2: I get. Even when I lived in the state of

1377
00:59:35,840 --> 00:59:37,880
Speaker 2: New York for six years, every time I went to Atlanta,

1378
00:59:38,000 --> 00:59:40,440
Speaker 2: I had to go to Megic City. Like I'm one

1379
00:59:40,480 --> 00:59:43,240
Speaker 2: of the dancers that I've retired and I left, but

1380
00:59:43,360 --> 00:59:45,680
Speaker 2: I never walked away. There's so many dancers, and I'm

1381
00:59:45,720 --> 00:59:47,320
Speaker 2: getting the hate for this too. A lot of dancers

1382
00:59:47,360 --> 00:59:49,160
Speaker 2: is in my DM's like, oh this some Hollywood shit.

1383
00:59:49,280 --> 00:59:50,720
Speaker 2: Why I ain't ask me to do it? I should

1384
00:59:50,760 --> 00:59:51,080
Speaker 2: have been there.

1385
00:59:51,120 --> 00:59:52,520
Speaker 1: I was there long of you. I was there before you.

1386
00:59:52,680 --> 00:59:54,320
Speaker 2: I whatever they got to say, And it's just like

1387
00:59:54,440 --> 00:59:56,320
Speaker 2: you left and you turned around and you walked away,

1388
00:59:56,320 --> 00:59:58,840
Speaker 2: and you never look bad. I've always been a part

1389
00:59:58,880 --> 01:00:00,320
Speaker 2: of Mega City, and I'm gonna always He's be a

1390
01:00:00,360 --> 01:00:03,280
Speaker 2: part of Magic City. So I feel like this is

1391
01:00:03,360 --> 01:00:04,680
Speaker 2: a part of me just as much as it's a

1392
01:00:04,680 --> 01:00:06,280
Speaker 2: part of Big Matches, as much as a part of you,

1393
01:00:06,440 --> 01:00:08,320
Speaker 2: because you've been there for all of those years, you

1394
01:00:08,360 --> 01:00:08,919
Speaker 2: know what I'm saying.

1395
01:00:09,120 --> 01:00:10,880
Speaker 1: I feel like as a dancer.

1396
01:00:11,560 --> 01:00:13,720
Speaker 2: The story needs to be told for people to see

1397
01:00:13,760 --> 01:00:15,760
Speaker 2: what's really going on because y'all put us in this

1398
01:00:15,880 --> 01:00:19,000
Speaker 2: box of being drugged out pimph out prostitutes. You know,

1399
01:00:19,160 --> 01:00:22,240
Speaker 2: y'all need to see that we really helped create some

1400
01:00:22,320 --> 01:00:25,360
Speaker 2: of these careers. We really help artist music, We really

1401
01:00:25,480 --> 01:00:28,000
Speaker 2: helped with this process of this club being to where

1402
01:00:28,000 --> 01:00:31,440
Speaker 2: it is today. And again, thank you because this is

1403
01:00:31,520 --> 01:00:33,120
Speaker 2: a full circle, life changing moment for.

1404
01:00:33,200 --> 01:00:34,880
Speaker 4: Me and you.

1405
01:00:37,720 --> 01:00:40,600
Speaker 1: Earned career, but like it ain't, this is where you

1406
01:00:41,000 --> 01:00:44,480
Speaker 1: you deserve, it's earned it. Thank you and congratulations to

1407
01:00:44,520 --> 01:00:50,360
Speaker 1: all you guys. Drink none of his drink. He took

1408
01:00:50,360 --> 01:00:50,640
Speaker 1: a little.

1409
01:00:51,640 --> 01:00:52,200
Speaker 5: He's been drinking.

1410
01:00:53,160 --> 01:00:59,200
Speaker 1: He's gonna go home and propose to somebody. You get

1411
01:00:59,320 --> 01:01:01,360
Speaker 1: married so bad because that's gonna be the wedding of

1412
01:01:01,400 --> 01:01:04,720
Speaker 1: the century. WHOA, that's just right, you know that that's

1413
01:01:04,840 --> 01:01:16,000
Speaker 1: patty gonna be like question, my last question. What is

1414
01:01:16,360 --> 01:01:18,600
Speaker 1: the thing about it for you?

1415
01:01:18,840 --> 01:01:20,880
Speaker 2: Just like I just said about it for you that

1416
01:01:21,160 --> 01:01:23,160
Speaker 2: you can't wait for the people to like see and

1417
01:01:23,400 --> 01:01:25,880
Speaker 2: and kind of like realize about.

1418
01:01:25,840 --> 01:01:28,080
Speaker 3: Well, I mean I feel for me, it's like an accomplishment.

1419
01:01:28,240 --> 01:01:31,000
Speaker 3: Like like I said, I try to I've been trying

1420
01:01:31,000 --> 01:01:34,680
Speaker 3: to uplift Atlanta. When I may Welcome to Atlanta, I

1421
01:01:34,760 --> 01:01:36,680
Speaker 3: want to make a song to make people see how

1422
01:01:36,760 --> 01:01:39,680
Speaker 3: proud I was about Atlanta, like when I you know

1423
01:01:39,720 --> 01:01:40,200
Speaker 3: what I'm saying.

1424
01:01:40,280 --> 01:01:41,080
Speaker 4: Like before.

1425
01:01:43,760 --> 01:01:45,520
Speaker 3: Before even making Welcome to Atlanta, I used to be

1426
01:01:45,640 --> 01:01:48,160
Speaker 3: like here in New York, and Frank Sinatra got you

1427
01:01:48,240 --> 01:01:48,640
Speaker 3: know what I mean?

1428
01:01:49,880 --> 01:01:54,160
Speaker 4: And then l A got l A we love it.

1429
01:01:54,520 --> 01:01:58,600
Speaker 4: I love l A like I kept saying, well, I

1430
01:01:58,720 --> 01:02:01,920
Speaker 4: love Atlanta like me. So it's like trying to do

1431
01:02:02,040 --> 01:02:05,040
Speaker 4: something to continue to keep pumping my city up. That's

1432
01:02:05,080 --> 01:02:06,760
Speaker 4: what this is to me. So I just want people,

1433
01:02:06,800 --> 01:02:08,360
Speaker 4: like when I did Freaking Nick, the same thing. I

1434
01:02:09,160 --> 01:02:09,880
Speaker 4: know people was mad.

1435
01:02:09,920 --> 01:02:12,760
Speaker 3: They wanted to see the freaking, but I didn't want

1436
01:02:12,800 --> 01:02:14,480
Speaker 3: you to see that part because I feel like that's

1437
01:02:14,520 --> 01:02:16,240
Speaker 3: the part that people wanted to see in there so

1438
01:02:16,320 --> 01:02:17,320
Speaker 3: that they could tear it down.

1439
01:02:17,680 --> 01:02:20,560
Speaker 1: There was a lot of history and freaking yeah, what

1440
01:02:20,720 --> 01:02:21,560
Speaker 1: was going on with that?

1441
01:02:21,720 --> 01:02:25,200
Speaker 3: Yeah, But everybody, I understand everybody's story about freak niggas different.

1442
01:02:25,240 --> 01:02:27,520
Speaker 3: If you saw something crazy happening Freakingnick, you might have

1443
01:02:27,560 --> 01:02:30,200
Speaker 3: saw that. I didn't see that because I was younger

1444
01:02:30,240 --> 01:02:31,640
Speaker 3: and I couldn't you know what I mean. I couldn't

1445
01:02:31,640 --> 01:02:33,840
Speaker 3: even go in the clubs when freaking it was actually popping.

1446
01:02:34,280 --> 01:02:35,960
Speaker 3: I was in the streets and on the streets where

1447
01:02:36,000 --> 01:02:38,280
Speaker 3: I was at, I ain't see nobody get raped. I

1448
01:02:38,440 --> 01:02:40,880
Speaker 3: just seen people come into my city having a good time,

1449
01:02:41,520 --> 01:02:43,280
Speaker 3: dancing on cars, being in the streets.

1450
01:02:44,400 --> 01:02:45,360
Speaker 4: Yeah, ton of traffic.

1451
01:02:45,480 --> 01:02:48,280
Speaker 3: So I just want people to respect our culture. These

1452
01:02:48,280 --> 01:02:51,160
Speaker 3: are things that happened in Atlanta. We ain't asking nobody.

1453
01:02:50,960 --> 01:02:53,440
Speaker 4: Come when you know what I'm saying, when we just

1454
01:02:53,880 --> 01:02:55,360
Speaker 4: if you don't want to see it, we got to

1455
01:02:55,400 --> 01:02:56,920
Speaker 4: come to Atlanta. You know what I mean, You ain't.

1456
01:02:57,360 --> 01:03:02,120
Speaker 2: Don't come here during the pandemic. That's where I got

1457
01:03:02,200 --> 01:03:03,120
Speaker 2: COVID in Atlanta.

1458
01:03:03,280 --> 01:03:08,080
Speaker 1: Thank you guys. The person. Yeah, I've never cod and

1459
01:03:08,120 --> 01:03:09,760
Speaker 1: I got it there. It was like some R and

1460
01:03:09,840 --> 01:03:12,040
Speaker 1: B Awards show that they had me doing like interviews

1461
01:03:12,120 --> 01:03:14,720
Speaker 1: for So. I came down here to work. I heart

1462
01:03:14,800 --> 01:03:17,040
Speaker 1: sent me so I heard give you COVID yea.

1463
01:03:17,400 --> 01:03:19,040
Speaker 4: SO was talking with no mask on.

1464
01:03:19,280 --> 01:03:24,080
Speaker 1: Yeah, we were doing interviews. Yeah the first day they

1465
01:03:24,120 --> 01:03:26,040
Speaker 1: opened after COVID and I was fine with my little

1466
01:03:26,080 --> 01:03:26,520
Speaker 1: pink mask.

1467
01:03:26,600 --> 01:03:27,320
Speaker 4: You did you get?

1468
01:03:27,440 --> 01:03:28,240
Speaker 1: Did you get COVID?

1469
01:03:28,560 --> 01:03:30,800
Speaker 4: Atlanta was with a mask on.

1470
01:03:31,280 --> 01:03:31,640
Speaker 1: I didn't.

1471
01:03:32,160 --> 01:03:33,240
Speaker 5: I was.

1472
01:03:35,840 --> 01:03:39,760
Speaker 1: We're gonna be out. And somebody said to me yesterday

1473
01:03:39,800 --> 01:03:44,200
Speaker 1: they were like, is there any place that celebrates and

1474
01:03:44,360 --> 01:03:47,800
Speaker 1: that has like the black excellence that Atlanta has? Somebody

1475
01:03:47,880 --> 01:03:50,480
Speaker 1: now asking me that yesterday, like that has like is

1476
01:03:50,560 --> 01:03:52,320
Speaker 1: there another major city like that?

1477
01:03:53,080 --> 01:03:56,960
Speaker 3: I realized like about a week ago, I've heard the

1478
01:03:57,080 --> 01:04:00,360
Speaker 3: veto talking about his godfather and He's god father is

1479
01:04:00,400 --> 01:04:02,760
Speaker 3: the richest black man in the world and he never

1480
01:04:02,840 --> 01:04:05,120
Speaker 3: took a vacation in like the twenty years of him

1481
01:04:05,200 --> 01:04:09,160
Speaker 3: becoming this rich man. And the one day that he

1482
01:04:09,240 --> 01:04:11,160
Speaker 3: decided he wanted to take a vacation, was like, where

1483
01:04:11,200 --> 01:04:11,600
Speaker 3: you want to go?

1484
01:04:11,720 --> 01:04:12,040
Speaker 4: He said?

1485
01:04:12,040 --> 01:04:12,600
Speaker 5: Atlanta?

1486
01:04:13,160 --> 01:04:15,960
Speaker 4: Wow? And I'm like, oh, ship, that's crazy.

1487
01:04:16,600 --> 01:04:19,320
Speaker 3: Like the richest man place, the richest black man in

1488
01:04:19,360 --> 01:04:21,840
Speaker 3: the world for his vacation, want to come to Atlanta?

1489
01:04:22,000 --> 01:04:22,400
Speaker 5: Did he say?

1490
01:04:22,480 --> 01:04:23,000
Speaker 1: Magic City?

1491
01:04:24,440 --> 01:04:24,800
Speaker 5: Fancy?

1492
01:04:26,360 --> 01:04:26,760
Speaker 1: He stopped.

1493
01:04:29,200 --> 01:04:30,280
Speaker 5: He went through that night and.

1494
01:04:33,600 --> 01:04:36,320
Speaker 1: But no, you're right, there's no there. There definitely is,

1495
01:04:36,560 --> 01:04:38,840
Speaker 1: like I feel like the trace on the come up.

1496
01:04:38,880 --> 01:04:41,080
Speaker 1: But you know, obviously Atlanta's had a huge head start.

1497
01:04:41,200 --> 01:04:42,080
Speaker 1: People love Houston.

1498
01:04:42,560 --> 01:04:44,160
Speaker 4: Yeah, I mean I think, like I said, I feel

1499
01:04:44,200 --> 01:04:47,960
Speaker 4: like all cities they got their music. They got to

1500
01:04:48,040 --> 01:04:48,919
Speaker 4: sound DC.

1501
01:04:49,080 --> 01:04:51,680
Speaker 3: But like I said, with Atlanta, it's like, for some reason,

1502
01:04:51,760 --> 01:04:53,680
Speaker 3: people don't want to stick us with this one.

1503
01:04:54,200 --> 01:04:54,640
Speaker 5: You know what I mean.

1504
01:04:54,800 --> 01:04:57,960
Speaker 3: We have our we have our cultural things, and the

1505
01:04:58,040 --> 01:05:00,680
Speaker 3: strip clubs is a cultural thing, not this Magic City,

1506
01:05:00,760 --> 01:05:02,600
Speaker 3: Blue Flame, all of them, all of these.

1507
01:05:04,000 --> 01:05:04,400
Speaker 4: Spots.

1508
01:05:04,960 --> 01:05:06,480
Speaker 1: The only time I go to the strip because is

1509
01:05:06,480 --> 01:05:09,880
Speaker 1: if I'm in Atlanta. Oh, tell us some time. My

1510
01:05:09,960 --> 01:05:12,040
Speaker 1: first time at City story you want to hear it.

1511
01:05:12,120 --> 01:05:13,920
Speaker 1: So my first time at Magic City, I was with

1512
01:05:14,000 --> 01:05:16,440
Speaker 1: it some of my homegirls, and so I'm like, I've

1513
01:05:16,480 --> 01:05:19,200
Speaker 1: never been here before, this is my first time. As

1514
01:05:19,240 --> 01:05:21,960
Speaker 1: soon as I walk in the door, Gigi comes running over,

1515
01:05:22,080 --> 01:05:24,880
Speaker 1: but ass naked. She's giving somebody a dance. She left

1516
01:05:24,920 --> 01:05:30,040
Speaker 1: them came up. I'm just walking and then the DJ's saying,

1517
01:05:30,080 --> 01:05:32,760
Speaker 1: angela ye in the building. My friends are like, for real,

1518
01:05:32,800 --> 01:05:36,240
Speaker 1: it's your first time here. I was like, I swear

1519
01:05:36,320 --> 01:05:37,680
Speaker 1: to you, I just know Gigi.

1520
01:05:37,760 --> 01:05:39,920
Speaker 2: And then somebody must have told the DJ I was here,

1521
01:05:40,240 --> 01:05:41,960
Speaker 2: because it made it look like I was a regular

1522
01:05:42,080 --> 01:05:44,400
Speaker 2: when I first came in there. That's that's that's Magic City.

1523
01:05:44,440 --> 01:05:46,200
Speaker 2: You always gonna feel at home. They're always going to

1524
01:05:46,240 --> 01:05:49,240
Speaker 2: make you feel welcome and respected. They're gonna shout you out,

1525
01:05:49,240 --> 01:05:51,200
Speaker 2: they're gonna call your name, they're gonna say who you are,

1526
01:05:51,280 --> 01:05:52,200
Speaker 2: they're gonna show you love.

1527
01:05:52,280 --> 01:05:53,400
Speaker 4: So, did you get some dances?

1528
01:05:54,120 --> 01:05:57,360
Speaker 1: No, that's not really my thing. I'll throw some money.

1529
01:05:57,640 --> 01:05:59,840
Speaker 1: But she was at my last dance and she definitely

1530
01:06:00,040 --> 01:06:02,520
Speaker 1: do all of that man's money. Yeah, sure he did.

1531
01:06:02,600 --> 01:06:04,200
Speaker 1: I was giving them money and I wanted to stage.

1532
01:06:04,200 --> 01:06:07,640
Speaker 1: He's taking it off. One thing I will do is

1533
01:06:07,720 --> 01:06:10,600
Speaker 1: I will make sure that these dancers get their money

1534
01:06:10,760 --> 01:06:12,640
Speaker 1: when I go to any won't I. When I go

1535
01:06:12,760 --> 01:06:14,760
Speaker 1: to any club and the guys that I'll be like,

1536
01:06:14,800 --> 01:06:16,240
Speaker 1: come on, we got to get some more money. Come on,

1537
01:06:16,360 --> 01:06:18,680
Speaker 1: we gotta throw some more money. There's times I don't

1538
01:06:18,720 --> 01:06:22,720
Speaker 1: have people spend ten thousand, twenty thousand dollars, you know,

1539
01:06:22,920 --> 01:06:24,960
Speaker 1: So it's gonna be my money. But I'm gonna make

1540
01:06:25,040 --> 01:06:28,000
Speaker 1: where around with And one thing I noticed that dancers

1541
01:06:28,080 --> 01:06:29,720
Speaker 1: do is if I'm with guys, they'll come.

1542
01:06:29,640 --> 01:06:30,080
Speaker 5: Over to me.

1543
01:06:30,840 --> 01:06:33,400
Speaker 1: That's the smartest. That's the smart because they know that the.

1544
01:06:33,480 --> 01:06:36,919
Speaker 2: Woman, the woman is going to control who's getting the money.

1545
01:06:37,480 --> 01:06:39,840
Speaker 2: And so that's definitely strip club etiquette. You gotta speak

1546
01:06:39,840 --> 01:06:40,440
Speaker 2: to the woman.

1547
01:06:40,320 --> 01:06:42,440
Speaker 1: First, so gotta love it.

1548
01:06:42,560 --> 01:06:45,040
Speaker 2: But yeah, so that was my first time, and you know,

1549
01:06:45,200 --> 01:06:47,400
Speaker 2: been there a few times since a few times, and

1550
01:06:47,480 --> 01:06:50,760
Speaker 2: that was the night that that guy was like, oh yeah, god,

1551
01:06:51,320 --> 01:06:56,280
Speaker 2: all right, stories, all right, Well, well.

1552
01:06:56,200 --> 01:06:59,200
Speaker 1: Thank you so much, so much, And again, can you

1553
01:06:59,240 --> 01:07:01,760
Speaker 1: ask when it is? I'm the documentaries starting on starta

1554
01:07:02,200 --> 01:07:05,440
Speaker 1: August fifteen, and then every Friday, five Fridays, five Friday.

1555
01:07:06,560 --> 01:07:10,840
Speaker 2: I can't wait until this whole thing happens and we celebrate,

1556
01:07:10,920 --> 01:07:12,880
Speaker 2: and then right after that we celebrate the forty years

1557
01:07:12,920 --> 01:07:15,360
Speaker 2: of Magic City. They're having a black tie gala in

1558
01:07:15,440 --> 01:07:17,560
Speaker 2: Atlanta September fourteenth at the Fox Theater.

1559
01:07:17,720 --> 01:07:19,600
Speaker 1: It's all happening at one time, the time.

1560
01:07:19,640 --> 01:07:22,400
Speaker 2: It couldn't be more perfect for this to happen, even

1561
01:07:22,440 --> 01:07:25,240
Speaker 2: though we filmed but two almost three years ago. The

1562
01:07:25,320 --> 01:07:27,760
Speaker 2: fact that it's coming out in August, and then the

1563
01:07:28,000 --> 01:07:30,640
Speaker 2: anniversary is actually in October, but the party is in September,

1564
01:07:30,680 --> 01:07:32,520
Speaker 2: so it's kind of back to back and it's going

1565
01:07:32,600 --> 01:07:33,360
Speaker 2: to be a whole thing.

1566
01:07:33,480 --> 01:07:35,440
Speaker 1: And again, I'm just grateful and excited that I'm that

1567
01:07:35,520 --> 01:07:37,120
Speaker 1: this is my real life. And then the full album

1568
01:07:37,160 --> 01:07:38,280
Speaker 1: August fifteenth, also the.

1569
01:07:38,280 --> 01:07:38,880
Speaker 5: Same day.

1570
01:07:41,800 --> 01:07:44,360
Speaker 1: You got your picture. Yeah, I come get to our

1571
01:07:44,480 --> 01:07:46,720
Speaker 1: put my voice on the wax, put me in a

1572
01:07:46,760 --> 01:07:49,400
Speaker 1: booth coach, and lastly, shout out to white Chocolate. And

1573
01:07:50,120 --> 01:07:51,919
Speaker 1: I just was DM her too. Shout out the white

1574
01:07:51,960 --> 01:07:54,480
Speaker 1: chocolate can come up here.

1575
01:07:54,800 --> 01:08:00,120
Speaker 4: Here, We get her to come up here. Yeah, I'm

1576
01:08:00,160 --> 01:08:01,400
Speaker 4: not gonna watch I'll watch it.

1577
01:08:02,760 --> 01:08:03,280
Speaker 1: Let's do this.

1578
01:08:03,800 --> 01:08:04,000
Speaker 4: Cheer