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Speaker 1: The volume, Molly, Okay, if I picked the song to

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Speaker 1: start the episode today, sure, Rory.

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Speaker 2: Spinning through them with the fortune like say, Jack, you'll

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Speaker 2: pump your break scratched.

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Speaker 3: I only spin it for y'all and.

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Speaker 4: Niggas like my nigga.

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Speaker 2: Mall eating space back y'all niggas fumped.

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Speaker 4: Me a fit.

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Speaker 1: Why didn't you tell us that Beans rapped about that situation?

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Speaker 3: Because I don't. I don't know if that was about that, all.

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Speaker 1: Right, rap genius, tell how else could that bar be taken?

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Speaker 5: I'm just saying I don't know. I mean, if you

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Speaker 5: want me to make it about me, sure, no, make it.

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Speaker 1: I didn't make it about you. Beans made it about you.

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Speaker 5: I mean, yeah, probably, but that was so long ago, ok,

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Speaker 5: I can't remember.

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Speaker 1: I just cannot believe that you've held all this information

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Speaker 1: from us for so long. For those that didn't listen

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Speaker 1: to our last episode, Maul explained the time that he

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Speaker 1: ate way too many weed brownies, Oh my god, and

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Speaker 1: then Beanie Siegull called to him, I.

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Speaker 5: Got anxiety talking about it, like I started getting the

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Speaker 5: shakes just talking about that.

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Speaker 1: BINGI c called you space cakes. And then what does

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Speaker 1: he say in this verse? Space What space packs? Okay,

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Speaker 1: you what a whole pack? Wasn't even mister Brownie, it

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Speaker 1: felt like a pack. When was the first time you

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Speaker 1: heard heard your name over the airwaves?

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Speaker 3: First time ever?

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Speaker 1: When did you hear this song?

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Speaker 4: Oh?

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Speaker 1: Were you in the studio when they do this?

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Speaker 3: Nah? I mean, I don't know. That was what two thousand,

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Speaker 3: two thousand and one.

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Speaker 1: Two thousand and two, I think that was.

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Speaker 3: I don't know, man, I heard so much music I

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Speaker 3: can't remember.

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Speaker 5: But that's why when we were talking about what came out,

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Speaker 5: whether it was The Blueprint or Dynasty, you hear songs

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Speaker 5: getting recorded in two thousand comes out in two thousand

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Speaker 5: and one.

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Speaker 1: Ah, you're one of those like, oh you finally hearing this.

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Speaker 1: Glad the world can finally hear this record.

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Speaker 5: I mean, anybody that's in the studio feels like that

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Speaker 5: after you hear a song for.

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Speaker 1: Oh, y y'all finally hearing that. Yeah, it just came

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Speaker 1: out today with.

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Speaker 3: That old thing, like yeah, we want something new right now.

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Speaker 1: I also find it funny that like Beans, Beans only

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Speaker 1: does this rap shit for you, Like he only spits

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Speaker 1: it from all. Maybe I'm the only one that found

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Speaker 1: that baring alaryos that.

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Speaker 3: Why is that that funny?

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Speaker 1: Because beans, just doing this ship for you is funny.

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Speaker 1: That's not what he said, Like he really got into

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Speaker 1: this rap shit, like just to do it for you.

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Speaker 6: Y'all.

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Speaker 3: First, so you completely deleted that bar.

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Speaker 1: Wait so you're not y'all? No, it's just you and

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Speaker 1: then them.

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Speaker 3: Well, I could be included in, y'all. I'm allt of y'all.

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Speaker 3: I guess it depending on who's talking.

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Speaker 4: Yo.

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Speaker 1: That's that's hilarious. I'm gonna make that your ringtone like

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Speaker 1: when you call ring tones back. No, but I'm sure

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Speaker 1: I could make it somehow on my phone.

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Speaker 6: Okay, they still got ring tones, You can still get

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Speaker 6: ring tones.

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Speaker 1: Having your phone ring period, to me is weird. Like whoever,

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Speaker 1: whoever has their.

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Speaker 5: Only thing worse than your phone ringing is when your

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Speaker 5: phone doesn't ring but it does that crazy flash shit.

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Speaker 5: Oh yes, I hate that, Like that is the crazies

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Speaker 5: shit ever to.

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Speaker 1: Have your phone you're a psychopath?

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Speaker 3: You have that?

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Speaker 5: Yeah, that that might trigger I don't even have seizures,

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Speaker 5: but that might that might trigger a seizure for me.

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Speaker 1: You know, you know what group of people we should

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Speaker 1: place on an island The people.

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Speaker 6: That are.

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Speaker 3: That because I could have answered that for you.

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Speaker 1: We were doing so good.

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Speaker 3: I didn't.

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Speaker 1: I didn't so good everything.

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Speaker 5: Answered it for you. But then you answered it, you know,

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Speaker 5: I mean you just went ahead because you was like you.

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Speaker 1: Know the people that are on the speaker auxiliary bluetooth

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Speaker 1: that keep their phone on loud too, like you gave

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Speaker 1: when they got a text yes, yeah, and then just

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Speaker 1: keep letting it rock like it's no.

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Speaker 3: That's when you just go and just take their phone

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Speaker 3: and just unplug it.

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Speaker 1: No, unplugged, get out of my house.

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Speaker 3: Yeah, I feel you on that.

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Speaker 1: But how's your week?

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Speaker 4: Ben?

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Speaker 3: I've seen you every day this week, Rory. How do

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Speaker 3: you think my week is?

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Speaker 1: I'm exhausted. Yeah, coffee has me jittery. I'm I'm I'm exhausting.

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Speaker 3: Productive though productive week, busy but productive. I love busy,

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Speaker 3: productive weeks.

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Speaker 1: I've been kind of outside too. On top of us

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Speaker 1: being so busy, I look at its being out these streets.

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Speaker 5: Yeah, never mind all the beans state property. Like, let's

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Speaker 5: talk about you and Draymond Green and Steph Curry. Let's

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Speaker 5: talk hanging out with the mono warriors. It I told

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Speaker 5: you it was a man warrior went out with them people.

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Speaker 5: Why are you saying like that? No, not like that,

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Speaker 5: but like the people.

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Speaker 6: That he named, the people that he named, you went

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Speaker 6: out with those people.

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Speaker 1: I went to Draymond Green's birthday?

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Speaker 6: Did that happen?

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Speaker 1: When was that Tuesday night?

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Speaker 3: I love when you do that, when you scratch your

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Speaker 3: scalp like you don't know.

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Speaker 6: He lying, it's been a busy week.

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Speaker 1: I can't remember it was Monday.

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Speaker 3: I think it was Tuesday.

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Speaker 1: We recorded with Lexi Tuesday, so yeah, that was Tuesday. Listen.

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Speaker 1: He's our label mate. So you know, I just wanted

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Speaker 1: to go out shout out to Draymond.

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Speaker 3: Happy birthday, Draymond Green.

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Speaker 1: So after we had Lexi on the pod available now great,

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Speaker 1: great conversation Lexi Brown.

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Speaker 3: Shout out to Lexi Brown.

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Speaker 1: So her and I went to the birthday party. I

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Speaker 1: must be pussy like I have to be. Me and

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Speaker 1: Lexi are sitting there kicking it kind of by the

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Speaker 1: DJ boost, chilling, having a good time. An NBA player

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Speaker 1: that I will not name, walks up to us, boxes

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Speaker 1: me out in whispers in Lexi's ear, Yo, I love

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Speaker 1: your game.

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Speaker 4: I did.

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Speaker 1: I wasn't with Lexi, but I could have.

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Speaker 3: Been yeah, but don't you don't know that.

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Speaker 6: He don't know that.

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Speaker 1: Yeah, nah, well he's sixty five sixty six. No, he

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Speaker 1: was the point guard. Okay, so six four tall than me,

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Speaker 1: but that's, you know, not that difficult. He could probably

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Speaker 1: he probably didn't see you. This is the elevation was.

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Speaker 1: It was just her and I, right, did you stand up? No,

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Speaker 1: we were standing.

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Speaker 3: Up, damn standing up and he still couldn't see.

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Speaker 1: You, and like we were like this, and then he

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Speaker 1: just kind of moved his shoulder in and then whispering there.

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Speaker 1: I'm like, listen, she's not with me, but you could

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Speaker 1: have at least like checked first.

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Speaker 6: Did she giggle?

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Speaker 1: I'm not gonna say what her reaction was because it

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Speaker 1: wasn't favorable. And it was kind of funny because we

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Speaker 1: talked about how men approach her on the actual episode,

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Speaker 1: so to see that shit in person and like dudes

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Speaker 1: only complimenting her game as a way to try to

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Speaker 1: hit on her, it was one of the funniest things.

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Speaker 4: I'm saying.

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Speaker 5: He saw you trying to set a screen. He just

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Speaker 5: got over the screen. That's all he saw you. You're

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Speaker 5: trying to set a screen. He was like, watch out, man,

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Speaker 5: I'm getting over that. Get over that easy.

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Speaker 1: No, I was really I was not mad because I

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Speaker 1: had no right to be. But I started thinking, oh,

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Speaker 1: I must be pussy like how confidently he did not

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Speaker 1: give a fuck about me standing there talking to her

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Speaker 1: was like, all right, man, I have to air this

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Speaker 1: ship out.

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Speaker 5: The energy, the body language probably wasn't that of people

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Speaker 5: that are in a relationship or you know, you probably

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Speaker 5: felt the just friends.

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Speaker 1: Energy and trying to say me and like you could

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Speaker 1: never have chemistry. I mean you didn't feel it during

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Speaker 1: the episode. No, that's crazy, it's tangible.

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Speaker 6: Did you put your Sunday's Best on? Though? When Sunday's

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Speaker 6: Best is crazy? When you got on, they said, damn,

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Speaker 6: you got that ship on. Let me not have that

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Speaker 6: ship on. This is more dressed up than I was

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Speaker 6: dressed up with. You wear a T shirt everywhere else.

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Speaker 6: I had a T shirt on underneath a little The

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Speaker 6: match said, have been shirtless. You had a little matches

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Speaker 6: if I showed them shirt episode.

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Speaker 3: You gotta go shirtless under this, under the track suit.

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Speaker 6: That's what you gotta do. You gotta show the chest.

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Speaker 6: He said, you cross your legs. They said, you don't

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Speaker 6: never cross your legs in that cheer. They said you

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Speaker 6: had your legs crossed.

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Speaker 1: Yeah, you said, first of all, with that couch, it's tough,

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Speaker 1: like because you kind of like dip into it, and

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Speaker 1: the only way to get comfortable. Wait, first of all

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Speaker 1: is like leg crossing is supposed to.

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Speaker 3: Yeah, like this, that's the thing body language.

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Speaker 5: If your leg has crossed the same way that her

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Speaker 5: leg is, that's what means that.

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Speaker 3: It's it's no, it's a real thing.

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Speaker 1: An NBA player noticed that because y'all was standing, you

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Speaker 1: didn't have your legs cross up like that. Yeah, you

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Speaker 1: should have been like a flamingo, like a karate kid

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Speaker 1: me doing crane kicks at Draymond Green's barty.

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Speaker 5: That's what you should have been doing, practicing your crane.

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Speaker 5: That's your problem.

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Speaker 1: Now, if you practice practice, you are you can see

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Speaker 1: in the dark exactly exactly. And we we uh. We

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Speaker 1: interviewed another player for Don't Know Balls, you know Banking

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Speaker 1: some episodes and we discussed Chris Mullen for like most

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Speaker 1: of the episode.

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Speaker 3: Shout out to the legend, the legend Chris Mullin and

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Speaker 3: New York City legend.

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Speaker 1: You know, you know, my social anxiety whatever, I just

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Speaker 1: i'd be kind of out the mix in the mix.

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Speaker 1: So I found a nice cozy spot after I got

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Speaker 1: boxed the funk out and lost the lector.

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Speaker 3: Had to go find your pride.

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Speaker 5: Yeah, you want to go find your pride in a

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Speaker 5: bottle of whiskey?

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Speaker 3: I know. Yeah, I get it.

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Speaker 1: Don Julio. Yeah, So I go to the bar. Happens

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Speaker 1: to be another white person there. We make eye contact.

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Speaker 1: It's just an understanding two Republicans. Yeah, I get it,

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Speaker 1: I understand. I know what type of nat We had

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Speaker 1: some thoughts we weren't gonna say out loud, but we

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Speaker 1: both we we both knew yeah, and we just got

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Speaker 1: the talking, you know, hit it off in like a

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Speaker 1: man way. As I leaving, my friend was like, oh,

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Speaker 1: you know, you know what that was, right, I was like, no, no, idea,

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Speaker 1: it's Chris Mullen's son. I was like, dog, we just

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Speaker 1: talked about him for two hours. Yeah, fucking five minutes ago. Yeah,

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Speaker 1: that was the weirdesthit in the world for me.

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Speaker 3: That's the that's the that's the universe. You know.

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Speaker 5: You put that put that energy out and to find

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Speaker 5: you Chris Mullen's son found. Yeah, Chris Mullins manifested the

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Speaker 5: moment he found he found you, Okay, well you.

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Speaker 1: Been outside too, what are you talking about? Didn't you

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Speaker 1: go somewhere last night?

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Speaker 5: I went home, I got invited. Uh Vonna hit me

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Speaker 5: and invited me to uh what's that Girl's low karaoke?

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Speaker 3: Is that the name of it?

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Speaker 1: Yeah, it's a great party.

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Speaker 3: So he invited me to that.

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Speaker 5: But it was rain, it was pooring, it was nasty

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Speaker 5: outside last night. I was like, nah, it's nothing worse

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Speaker 5: than having to walk to the spot and he going

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Speaker 5: in and everything is your jacket is wet, And.

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Speaker 3: I was like, nah, I just wasn't feeling that.

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Speaker 1: Yeah, I mean Draymond's party. I hadn't really been like

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Speaker 1: outside outside in a little bit. I feel bad for

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Speaker 1: these young guys.

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Speaker 3: Man.

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Speaker 1: The new hoes are boring as fucked Like they're just boring.

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Speaker 3: When you say boring, what do you mean?

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Speaker 1: Like they literally just sit there and look pretty. They

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Speaker 1: offer nothing. Remember when hoes used to be fun, like

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Speaker 1: ho would get a party started. H They just they

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Speaker 1: literally just sit there.

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Speaker 3: That's because they only speak Zell. You got you ain't

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Speaker 3: speaking Zell.

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Speaker 5: You know what I'm saying. That's how you got to

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Speaker 5: introduce yourself. My name is Zelle and yours listen.

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Speaker 1: I probably should go to more NBA parties like that,

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Speaker 1: because all the hoes just think I'm like one of

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Speaker 1: their lawyers or something like, oh, he must be he

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Speaker 1: must be Draymond's manager.

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Speaker 3: Yeah, so you know, put that vibe in a room

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Speaker 3: foot ball player.

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Speaker 6: Weren't they young? Hose though?

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Speaker 3: Yeah? Now, well twenty four twenty five is young.

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Speaker 1: Yeah, they were definitely early twenties. Fifth and of course

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Speaker 1: you know Draymond and Steph far away from the hose. Yeah,

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Speaker 1: hose weren't getting they know, Steph Curry walked in with

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Speaker 1: a mink on.

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Speaker 3: Gangster like that period in the Rain, Yes, gangster like that.

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Speaker 1: I never thought I thought Steph Curry was going to

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Speaker 1: be like in this jersey. I could never picture him

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Speaker 1: and like clothes outside he was.

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Speaker 5: Under like exactly, Steph being a club underrest.

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Speaker 1: Any guy that doesn't even get a shape up for

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Speaker 1: his wedding. I could never picture going to a party

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Speaker 1: in a mick.

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Speaker 5: I mean after you finished doing what he did in

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Speaker 5: the Guard on Tuesday night, Yeah, I mean you have

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Speaker 5: to show up to Draymond's birthday with a mink on

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Speaker 5: it's only right.

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Speaker 1: Yeah, I was. I was a little a little bitter

283
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Speaker 1: even being in there. I kind of felt like somewhat

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Speaker 1: of a trader. But why listen, man, I'm the Knicks.

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Speaker 5: He owns the Knicks, and me he owns the New York.

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00:11:08,760 --> 00:11:10,520
Speaker 5: New York is steps like he lost one time I

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Speaker 5: think in the guard.

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Speaker 1: Really in his basketball he's won every single time in

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Speaker 1: his basketball career.

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Speaker 3: Davidson included he's lost one time.

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Speaker 1: And Davidson included his great in.

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Speaker 5: Madison, He's lost one time in Madison Square Guarden. He's

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Speaker 5: like thirteen and one to think it something like that.

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Speaker 1: That's wold crazy. Oh then yeah, I mean I'm definitely trader,

295
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Speaker 1: and I couldn't be seen next time the regular night

296
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Speaker 1: for Steph Man.

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Speaker 6: Where were you last night when the gang was outside? Though?

298
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Speaker 6: Because I was waiting on you it's going on.

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Speaker 5: Well we oh you didn't pull up on. I thought

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Speaker 5: you was pulling up on ganging them.

301
00:11:38,440 --> 00:11:42,160
Speaker 1: Nah, because our meeting went over and Marlon Craft had

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Speaker 1: had his residency.

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Speaker 3: Oh yes, shout out.

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Speaker 1: That was, by the way, incredible. If you can make

305
00:11:47,240 --> 00:11:51,440
Speaker 1: Marlon's residency, it's what I feel like. The New York

306
00:11:51,520 --> 00:11:54,600
Speaker 1: music scene has been missing for quite some time. Actual

307
00:11:54,720 --> 00:11:59,440
Speaker 1: live fucking music people actually rapping, like just jam session fans,

308
00:11:59,440 --> 00:12:01,760
Speaker 1: like a real unity. It was. Yeah, it felt like

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00:12:01,800 --> 00:12:04,760
Speaker 1: New York and shit felt like village underground Sundays. I

310
00:12:04,760 --> 00:12:07,199
Speaker 1: forgot the name of the venue. It's in Alphabet City,

311
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Speaker 1: and I feel bad because the venue was fucking fire.

312
00:12:09,920 --> 00:12:11,440
Speaker 1: I can't believe I had never even heard of it

313
00:12:11,520 --> 00:12:13,760
Speaker 1: or that new show. It's a new venue, not it's

314
00:12:13,800 --> 00:12:17,240
Speaker 1: been around forever. That's what I was asking for. I'll

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Speaker 1: find it maybe maybe posted. But it was great. I can't.

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Speaker 1: I can't say enough of how good that show is.

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Speaker 1: Bam Blue, New Blue, Yeah, yes.

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Speaker 3: Oh New Blues.

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Speaker 5: Oh yeah, my man, my man for Docman telling me

320
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Speaker 5: about New Blue because they do jam sessions in there.

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00:12:31,040 --> 00:12:33,600
Speaker 5: They have like a lot of producers going in on Mondays.

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Speaker 1: Right, Yeah, that's what the manager was telling me that,

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Speaker 1: like right after the show.

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Speaker 5: Yeah, my man, Docman telling me to slide through. I gotta,

325
00:12:38,679 --> 00:12:40,560
Speaker 5: I gotta, I gotta go check it out with him.

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Speaker 1: And now he sent me a video. It looked like

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Speaker 1: a vibe in there. Oh I'm definitely down. You know,

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00:12:43,600 --> 00:12:46,080
Speaker 1: that's my type of ship. But you know, Marlon smoked

329
00:12:46,080 --> 00:12:48,280
Speaker 1: that ship. It was it was a really fun, fun

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Speaker 1: fucking time. So shout out to malin Man highly suggests

331
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Speaker 1: people go to that. But yeah, that's like back to

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00:12:55,679 --> 00:12:57,839
Speaker 1: back to back nights out. And then I mean I

333
00:12:57,920 --> 00:12:59,360
Speaker 1: hit the Maris after the show. I was helping her

334
00:12:59,360 --> 00:13:00,720
Speaker 1: and you Alma was still in the streets, but.

335
00:13:01,800 --> 00:13:03,079
Speaker 6: She was home in my bed.

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00:13:04,120 --> 00:13:06,319
Speaker 1: There's nothing like going I figured Yomi had her out.

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Speaker 6: Now Yomi went to another spot. I went home. I'm

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00:13:09,480 --> 00:13:11,560
Speaker 6: not running. I'm not playing with Yomi. Ass like I

339
00:13:11,600 --> 00:13:12,080
Speaker 6: went home.

340
00:13:12,080 --> 00:13:15,599
Speaker 5: Yomi outside they moved. When they moved to the A,

341
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Speaker 5: by myself.

342
00:13:16,640 --> 00:13:19,560
Speaker 6: You tried it. I went by myself. What did I try?

343
00:13:19,800 --> 00:13:22,600
Speaker 6: I had to go upload ram radio or do ram

344
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Speaker 6: radio and go to sing.

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Speaker 3: Yeah that's what you had to go home and work

346
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Speaker 3: and go to sleep that ram that ram.

347
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Speaker 1: Do get rams.

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Speaker 6: But it was nic seeing Yom Yomi was. She told

349
00:13:34,280 --> 00:13:35,960
Speaker 6: me to tell y'all how end she's doing.

350
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Speaker 3: Well, you don't even text a nigga no more. See

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00:13:38,480 --> 00:13:40,719
Speaker 3: how they do move to the A and just of

352
00:13:41,040 --> 00:13:43,400
Speaker 3: that's how it goes though. Yeah, man, it's all good.

353
00:13:43,679 --> 00:13:45,040
Speaker 3: And I go to the A. I'm gonna just post

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Speaker 3: mad pictures in Atlanta. Not hit Yomy at all.

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00:13:48,200 --> 00:13:52,760
Speaker 1: She's gonna keep scrolling past single now you don't go ahead.

356
00:13:54,280 --> 00:13:56,040
Speaker 1: I kind of felt away. Was it yesterday two days

357
00:13:56,080 --> 00:13:58,840
Speaker 1: ago when Yomi text you to tell what's up?

358
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Speaker 3: Like?

359
00:13:59,559 --> 00:14:01,440
Speaker 1: I'm right, which she want to say? What's up to me?

360
00:14:01,920 --> 00:14:03,880
Speaker 6: It's crazy you sex her and say what up to her?

361
00:14:04,600 --> 00:14:06,800
Speaker 6: Looion reaches out? You reach out?

362
00:14:07,080 --> 00:14:09,760
Speaker 1: I mean I don't like to just you want people like.

363
00:14:09,760 --> 00:14:11,960
Speaker 5: No, I'm gonna start started on. I'm gonna be like, yo,

364
00:14:11,960 --> 00:14:13,679
Speaker 5: what's so? Why are you don't like say what's up?

365
00:14:13,720 --> 00:14:14,880
Speaker 5: Say hello when you come to the city.

366
00:14:14,880 --> 00:14:15,080
Speaker 6: No more?

367
00:14:15,120 --> 00:14:15,760
Speaker 3: What's going on with you?

368
00:14:15,840 --> 00:14:15,920
Speaker 1: Yo?

369
00:14:16,040 --> 00:14:16,640
Speaker 3: I don't like that.

370
00:14:16,760 --> 00:14:18,720
Speaker 6: She says she might slide through today, but I don't know.

371
00:14:18,760 --> 00:14:20,520
Speaker 6: She was out drinking last night, so I doubt she

372
00:14:20,600 --> 00:14:23,600
Speaker 6: said that yesterday. But I don't think she's still sleep.

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00:14:23,880 --> 00:14:26,320
Speaker 1: You almost can hang in Atlanta. Last time we were there,

374
00:14:26,840 --> 00:14:29,400
Speaker 1: only hung with us till like three o'clock in the morning.

375
00:14:29,560 --> 00:14:31,160
Speaker 5: You're telling me that's what me peag You know, we

376
00:14:31,240 --> 00:14:33,000
Speaker 5: was all in the lobby and Peach gave us a

377
00:14:33,000 --> 00:14:33,600
Speaker 5: fucking show.

378
00:14:33,640 --> 00:14:34,800
Speaker 3: He was the magician for the night.

379
00:14:35,840 --> 00:14:38,320
Speaker 1: That ship was so completely forgot did we ever talk

380
00:14:38,320 --> 00:14:39,280
Speaker 1: about that on that episode?

381
00:14:39,360 --> 00:14:41,240
Speaker 3: Yes, we did. Yo.

382
00:14:41,320 --> 00:14:42,800
Speaker 5: When I went up to the room, I was still

383
00:14:42,880 --> 00:14:46,000
Speaker 5: laughing at Peach. I'm like, Yo, he just a fucking

384
00:14:46,080 --> 00:14:48,560
Speaker 5: idiot man. He had those bers.

385
00:14:48,360 --> 00:14:49,640
Speaker 1: Gotten full characters.

386
00:14:49,680 --> 00:14:54,360
Speaker 3: Oh my god, Yo, we have.

387
00:14:54,440 --> 00:14:55,600
Speaker 1: To have a magician on the pod.

388
00:14:56,160 --> 00:14:59,240
Speaker 3: See we do have one p he made. He made

389
00:14:59,400 --> 00:15:00,320
Speaker 3: the nick bit.

390
00:15:00,320 --> 00:15:02,360
Speaker 1: Right, He'll have to multitize then, did you see?

391
00:15:02,440 --> 00:15:02,520
Speaker 6: Uh?

392
00:15:02,600 --> 00:15:05,160
Speaker 1: I forgot what the magician's name was. I feel bad.

393
00:15:05,160 --> 00:15:07,560
Speaker 1: But he just did a segment with Taylor Rooks and

394
00:15:08,080 --> 00:15:10,440
Speaker 1: he threw like all the cars on the ground or whatever,

395
00:15:10,920 --> 00:15:14,440
Speaker 1: shuffled them and then took out her phone number with

396
00:15:14,480 --> 00:15:18,360
Speaker 1: each card. Like I'm starting to believe, like like magic

397
00:15:18,440 --> 00:15:19,280
Speaker 1: might actually be real.

398
00:15:19,760 --> 00:15:20,760
Speaker 3: That's crazy, Like it's not.

399
00:15:20,720 --> 00:15:22,400
Speaker 5: Just you know, if I see something like that, I

400
00:15:22,480 --> 00:15:25,000
Speaker 5: might be like, you know what, that was crazy. I

401
00:15:25,080 --> 00:15:27,400
Speaker 5: might be on board, Like I might be on board

402
00:15:27,440 --> 00:15:29,920
Speaker 5: with certain certain magicians, like because to see somebody do

403
00:15:30,000 --> 00:15:31,920
Speaker 5: that is like you have to explain to me how

404
00:15:31,920 --> 00:15:33,760
Speaker 5: you did that or I'm gonna believe that you're just

405
00:15:33,800 --> 00:15:37,920
Speaker 5: a sorcerer. Absolutely, you have to break that. What was

406
00:15:37,960 --> 00:15:41,840
Speaker 5: the mass dude name that reveals all the magic? Massic

407
00:15:42,120 --> 00:15:44,840
Speaker 5: Mass magician has to he has to reveal how that's done.

408
00:15:45,560 --> 00:15:46,880
Speaker 3: You have to tell me how you do that.

409
00:15:47,040 --> 00:15:49,160
Speaker 1: What is what is it about magic that makes black

410
00:15:49,200 --> 00:15:49,760
Speaker 1: people run?

411
00:15:50,040 --> 00:15:50,120
Speaker 3: Like?

412
00:15:50,160 --> 00:15:52,680
Speaker 1: Why is that your immediate reaction when trick happens?

413
00:15:52,720 --> 00:15:54,080
Speaker 6: We run when we're entertained.

414
00:15:54,320 --> 00:15:56,840
Speaker 5: That's why we run for anything. We run when we're scared.

415
00:15:56,880 --> 00:15:59,920
Speaker 5: We wont we run when you run fair? Yeah, like

416
00:16:00,040 --> 00:16:01,400
Speaker 5: we just run, we're runners.

417
00:16:01,560 --> 00:16:04,640
Speaker 1: That's always it's always fun to watch black people watch.

418
00:16:04,440 --> 00:16:10,200
Speaker 7: Magic, magic Johnson or like magic because magic as well,

419
00:16:10,800 --> 00:16:12,400
Speaker 7: Magic Johnson because you got to see it when we

420
00:16:12,400 --> 00:16:14,440
Speaker 7: watch the show Tom Lake as we go crazy.

421
00:16:17,000 --> 00:16:19,280
Speaker 1: We've talked about what careers we would have liked to

422
00:16:19,280 --> 00:16:21,800
Speaker 1: have besides this. I think I had set a chef,

423
00:16:21,840 --> 00:16:24,080
Speaker 1: but a magician would definitely be up there. Being a

424
00:16:24,120 --> 00:16:27,800
Speaker 1: magician would be cool as shit, Like job, you really

425
00:16:27,880 --> 00:16:30,720
Speaker 1: knew how to do magic, that's definitely cool. Yeah, I'm

426
00:16:30,760 --> 00:16:32,200
Speaker 1: just saying, if you know, if you could do that

427
00:16:32,280 --> 00:16:34,560
Speaker 1: with Taylor's number, like you could throw a deck of

428
00:16:34,600 --> 00:16:36,440
Speaker 1: cars and for him pick up the number, it would

429
00:16:36,440 --> 00:16:38,080
Speaker 1: be more impressive. And he just picked up his phone

430
00:16:38,080 --> 00:16:42,360
Speaker 1: and called her. That's the real magic. Like we say,

431
00:16:42,440 --> 00:16:44,040
Speaker 1: we say that, but I don't know. You can find

432
00:16:44,040 --> 00:16:46,280
Speaker 1: anything on the internet these days. Maybe he subscribes to

433
00:16:46,360 --> 00:16:47,560
Speaker 1: like Yellow Pages or some shit.

434
00:16:48,880 --> 00:16:51,280
Speaker 3: That's magic. Subscribing to Yellow Pages is magic.

435
00:16:51,360 --> 00:16:53,760
Speaker 1: That's a monthly subscriptions. He could get tailor's number.

436
00:16:53,920 --> 00:16:54,720
Speaker 3: That's crazy as hell.

437
00:16:54,760 --> 00:16:56,760
Speaker 1: You'll be super funny if he just wasn't a magician

438
00:16:56,800 --> 00:16:59,320
Speaker 1: at all. He's just seen tailors like, yo, magician, let

439
00:16:59,320 --> 00:16:59,880
Speaker 1: me get your number.

440
00:17:00,040 --> 00:17:02,600
Speaker 5: Yeah, that's crazy, But we got to find out who

441
00:17:02,640 --> 00:17:03,720
Speaker 5: is that? You don't remember his name?

442
00:17:05,200 --> 00:17:05,919
Speaker 3: Did she post it?

443
00:17:07,080 --> 00:17:07,199
Speaker 4: Uh?

444
00:17:07,320 --> 00:17:09,119
Speaker 6: No, I was looking for it. I can't find it.

445
00:17:09,200 --> 00:17:11,080
Speaker 1: You know, sometimes like they just be putting ship on

446
00:17:11,119 --> 00:17:13,360
Speaker 1: your feet of things you don't even follow. I think

447
00:17:13,359 --> 00:17:16,639
Speaker 1: it was one of those. But no, I would definitely

448
00:17:16,640 --> 00:17:19,159
Speaker 1: want to have a magician on this podcast. I'll do

449
00:17:19,160 --> 00:17:21,239
Speaker 1: a whole segment with a magician. Yea, we should get

450
00:17:21,400 --> 00:17:22,320
Speaker 1: we should get a magician on.

451
00:17:23,200 --> 00:17:23,400
Speaker 3: Yeah.

452
00:17:23,400 --> 00:17:25,560
Speaker 1: I can't find it. Damn, I'm doing so bad with

453
00:17:25,640 --> 00:17:27,720
Speaker 1: plugging shit today. Kid can't find the venue name, can't

454
00:17:27,720 --> 00:17:33,320
Speaker 1: find this magician. But you know, yeah, oh GS Magic, GS.

455
00:17:32,920 --> 00:17:35,720
Speaker 3: Magic, GS Magic. We would love.

456
00:17:35,560 --> 00:17:37,760
Speaker 1: To have you on the show. Yeah, you're not you're

457
00:17:37,760 --> 00:17:38,840
Speaker 1: not jacking that GS.

458
00:17:38,880 --> 00:17:41,159
Speaker 3: He gotta get a better magician name that is.

459
00:17:42,480 --> 00:17:46,359
Speaker 6: His name is George Stanton, So George Stanton magic, but

460
00:17:46,400 --> 00:17:47,840
Speaker 6: his name is George George Stanton.

461
00:17:47,840 --> 00:17:48,960
Speaker 3: Stance sounds like a magician.

462
00:17:50,119 --> 00:17:51,040
Speaker 1: I'm looking accountant.

463
00:17:51,320 --> 00:17:53,160
Speaker 3: Well yeah that too. Well those are magicians as well.

464
00:17:53,359 --> 00:17:53,600
Speaker 4: Listen.

465
00:17:53,600 --> 00:17:55,120
Speaker 3: They know how to make a lot of things disappeared

466
00:17:55,119 --> 00:17:56,520
Speaker 3: through the exel sheets.

467
00:17:58,640 --> 00:18:01,920
Speaker 1: Lloy on the grade over there, you don't put that on?

468
00:18:02,000 --> 00:18:03,640
Speaker 6: Does everything above the book of course?

469
00:18:04,280 --> 00:18:07,640
Speaker 1: All right, Yeah, he legally makes things disappeared. Yeah, that's

470
00:18:07,680 --> 00:18:08,280
Speaker 1: really all it was.

471
00:18:09,760 --> 00:18:12,960
Speaker 3: I loved Matt. I loved Ben Affleck in that movie.

472
00:18:14,560 --> 00:18:15,760
Speaker 3: Which movie they're counting?

473
00:18:16,200 --> 00:18:16,600
Speaker 1: Oh?

474
00:18:17,200 --> 00:18:19,359
Speaker 3: Part two is coming out? So is it really? Yeah?

475
00:18:19,680 --> 00:18:20,520
Speaker 3: I'm excited for that.

476
00:18:21,200 --> 00:18:22,440
Speaker 1: Did he just spend the block again?

477
00:18:23,080 --> 00:18:27,119
Speaker 5: Nobody said he would. He said, he said, if if

478
00:18:27,160 --> 00:18:29,119
Speaker 5: he could get another chance with Jennifer Gardner, he would.

479
00:18:29,520 --> 00:18:31,240
Speaker 6: Oh that's oh Jennifer Garner.

480
00:18:31,240 --> 00:18:34,680
Speaker 5: Say yo, Ben is going crazy. He spun twice on him,

481
00:18:34,680 --> 00:18:36,040
Speaker 5: didn't he He's trying to spend.

482
00:18:35,880 --> 00:18:36,320
Speaker 3: A third time.

483
00:18:36,359 --> 00:18:38,359
Speaker 1: I've given Jlo a lot of shit of her maybe

484
00:18:38,359 --> 00:18:40,560
Speaker 1: being the problem and the common denominator and a lot

485
00:18:40,600 --> 00:18:42,280
Speaker 1: of things. But Ben Ben might be the problem too.

486
00:18:42,320 --> 00:18:45,400
Speaker 5: No, Ben's crazy. Ben Afflick is absolutely out of his mind, insane,

487
00:18:45,640 --> 00:18:48,040
Speaker 5: great actor, but I think I think he's still I

488
00:18:48,080 --> 00:18:51,240
Speaker 5: think he really believes he's Batman at this point, because

489
00:18:51,240 --> 00:18:52,760
Speaker 5: only Batman spends more than that.

490
00:18:53,160 --> 00:18:54,680
Speaker 3: What are you doing? Man? Method?

491
00:18:54,720 --> 00:18:55,480
Speaker 1: Acting a little too far?

492
00:18:55,760 --> 00:18:57,440
Speaker 3: Come on, I've seen the dunkin Donuts commercial?

493
00:18:57,800 --> 00:19:00,439
Speaker 1: All right? Anyways, what do we actually have as far

494
00:19:00,440 --> 00:19:03,160
Speaker 1: as topics today? So Casey Anthony's losing her fucking mind,

495
00:19:03,160 --> 00:19:05,119
Speaker 1: but what else is new? Did you subscribe to her

496
00:19:05,520 --> 00:19:07,080
Speaker 1: her legal TikTok show?

497
00:19:07,080 --> 00:19:10,120
Speaker 5: I don't have TikTok and this is probably another reason

498
00:19:10,119 --> 00:19:12,160
Speaker 5: why I don't, because if you're telling them Casey Anthony

499
00:19:12,280 --> 00:19:15,040
Speaker 5: is a legal advocate on TikTok, I don't even know

500
00:19:15,040 --> 00:19:16,680
Speaker 5: what that means. I don't even know. I didn't even

501
00:19:16,680 --> 00:19:21,520
Speaker 5: know TikTok had advocates. I mean, what is that?

502
00:19:21,560 --> 00:19:22,120
Speaker 3: What is her role?

503
00:19:22,119 --> 00:19:25,720
Speaker 6: What she's giving legal advice on TikTok oh?

504
00:19:25,800 --> 00:19:28,800
Speaker 1: Which, okay, I get it could be offensive people, But

505
00:19:29,000 --> 00:19:30,479
Speaker 1: don't you want to hear from the person?

506
00:19:30,840 --> 00:19:31,040
Speaker 3: Man?

507
00:19:32,040 --> 00:19:32,159
Speaker 4: Yo?

508
00:19:32,359 --> 00:19:34,160
Speaker 1: She don't you want to hear from a teflon donnan

509
00:19:34,560 --> 00:19:35,280
Speaker 1: that case.

510
00:19:35,080 --> 00:19:37,720
Speaker 3: She got out of that thought that was open and shut.

511
00:19:38,040 --> 00:19:40,679
Speaker 1: Yo, I will say I did watch that Casey Anthony

512
00:19:40,720 --> 00:19:42,920
Speaker 1: doc when it did come out. I have a whole

513
00:19:42,960 --> 00:19:45,119
Speaker 1: different perspective on that that case. Now, I honestly do

514
00:19:45,160 --> 00:19:47,280
Speaker 1: not think she killed her her child.

515
00:19:48,160 --> 00:19:48,880
Speaker 3: I don't know, man.

516
00:19:48,920 --> 00:19:52,720
Speaker 5: I just think her looking at like body language, and

517
00:19:52,840 --> 00:19:56,479
Speaker 5: you know, if somebody kills your child and they're like

518
00:19:56,840 --> 00:19:59,680
Speaker 5: saying you did it, I just think your natural reaction

519
00:19:59,760 --> 00:20:04,160
Speaker 5: would be a lot more uh aggressive, like yo, y'all

520
00:20:04,200 --> 00:20:06,000
Speaker 5: trying to pin this on me. Like I didn't feel

521
00:20:06,040 --> 00:20:08,000
Speaker 5: none of that from her. I felt that I felt

522
00:20:08,000 --> 00:20:10,919
Speaker 5: to prove it energy from her. She deserves to be

523
00:20:10,920 --> 00:20:12,800
Speaker 5: in jail for life. I just don't think she actually

524
00:20:13,119 --> 00:20:16,159
Speaker 5: killed her child. I think, yeah, I think her. I

525
00:20:16,160 --> 00:20:19,600
Speaker 5: think her and her dad buried their the child.

526
00:20:19,880 --> 00:20:21,960
Speaker 1: I think the child drowned in the pool and they

527
00:20:21,960 --> 00:20:24,560
Speaker 1: did some weird shit and her dad helped her get

528
00:20:24,640 --> 00:20:27,560
Speaker 1: rid of the body, which you deserve to be in

529
00:20:27,600 --> 00:20:28,320
Speaker 1: fucking jailed for Oh.

530
00:20:28,320 --> 00:20:28,760
Speaker 3: Absolutely.

531
00:20:28,840 --> 00:20:30,600
Speaker 1: I just don't think she actually like sat and like

532
00:20:30,680 --> 00:20:31,120
Speaker 1: killed her.

533
00:20:31,440 --> 00:20:33,280
Speaker 3: You think it was an accident that happened and they

534
00:20:33,560 --> 00:20:34,479
Speaker 3: tried to cover it up.

535
00:20:34,800 --> 00:20:38,240
Speaker 6: Yeah, but her dedication to not stand out the spotlight,

536
00:20:38,440 --> 00:20:41,600
Speaker 6: just like if you get away with accidental murder just

537
00:20:41,640 --> 00:20:43,560
Speaker 6: like kind of get away with it. She just refuses

538
00:20:43,600 --> 00:20:45,560
Speaker 6: to get away, like I don't understand.

539
00:20:45,920 --> 00:20:49,080
Speaker 5: Yeah, even accidental, like if your child drowned in the

540
00:20:49,119 --> 00:20:54,679
Speaker 5: pool accidentally, I still feel like if you bury a body,

541
00:20:54,880 --> 00:20:56,560
Speaker 5: that's still like insane to me, Like.

542
00:20:57,119 --> 00:20:59,640
Speaker 1: If you bury your child's yes, you should go to jail.

543
00:20:59,720 --> 00:21:02,679
Speaker 5: Yeah, I mean accidental death is an accidental death, especially

544
00:21:02,680 --> 00:21:03,920
Speaker 5: a pool drown but that.

545
00:21:03,720 --> 00:21:06,040
Speaker 6: Makes me feel like it's not accidental. Yeah, if you

546
00:21:06,040 --> 00:21:08,080
Speaker 6: really love your child and your child accidentally drowns, like

547
00:21:08,119 --> 00:21:09,600
Speaker 6: you're gonna I would be.

548
00:21:09,640 --> 00:21:12,720
Speaker 5: They would find me holding my child's body screaming if

549
00:21:12,880 --> 00:21:13,520
Speaker 5: that was the case.

550
00:21:13,600 --> 00:21:16,560
Speaker 1: Like, Oh, she's definitely sick in the fucking head, Yeah,

551
00:21:16,560 --> 00:21:17,080
Speaker 1: that's for sure.

552
00:21:17,119 --> 00:21:19,240
Speaker 3: But now she's on TikTok and you know, she.

553
00:21:19,200 --> 00:21:21,600
Speaker 6: Says she's been in the legal like she's been in

554
00:21:21,640 --> 00:21:24,119
Speaker 6: the field like for all of these years. Like but

555
00:21:24,200 --> 00:21:26,399
Speaker 6: like the date is like the day that she had

556
00:21:26,440 --> 00:21:30,280
Speaker 6: to go to jail. Yeah, she's sick. It's definitely sick.

557
00:21:30,359 --> 00:21:32,520
Speaker 5: Well, I mean, everybody on TikTok, if you need some

558
00:21:32,600 --> 00:21:35,720
Speaker 5: legal advice on whatever it may be, I mean, Casey

559
00:21:35,760 --> 00:21:38,240
Speaker 5: Anthony is available at your disposal. I mean, you know,

560
00:21:38,400 --> 00:21:40,639
Speaker 5: just follow her and I don't know. I don't know

561
00:21:40,640 --> 00:21:42,439
Speaker 5: how you do you DM on? Do you message on

562
00:21:42,480 --> 00:21:46,280
Speaker 5: TikTok as well? I've never been on TikTok. I can't

563
00:21:46,280 --> 00:21:47,800
Speaker 5: tell you if you could message somebody. I don't know

564
00:21:47,840 --> 00:21:48,280
Speaker 5: nothing about it.

565
00:21:48,640 --> 00:21:51,600
Speaker 1: Sliding sliding in Casey's DMS is fucking nuts, But if

566
00:21:51,640 --> 00:21:55,120
Speaker 1: you need legal advice is not. Yep, you know what's

567
00:21:55,160 --> 00:21:59,359
Speaker 1: kind of sick. There's definitely been a couple people that

568
00:21:59,400 --> 00:22:03,040
Speaker 1: are probably fucked Casey Anthony after the case Like that's

569
00:22:03,040 --> 00:22:03,600
Speaker 1: wild to me.

570
00:22:03,760 --> 00:22:06,240
Speaker 6: Yeah, absolutely, a lot of people probably don't even know

571
00:22:06,240 --> 00:22:08,560
Speaker 6: who like that she's fucking probably don't even know who

572
00:22:08,600 --> 00:22:09,639
Speaker 6: Casey Anthony is.

573
00:22:10,800 --> 00:22:12,600
Speaker 1: Imagine meeting her at the bar and not knowing who

574
00:22:12,640 --> 00:22:16,080
Speaker 1: she is, have a little quick one night, staying next morning,

575
00:22:16,560 --> 00:22:19,600
Speaker 1: like I don't even catch your last name anything, don't

576
00:22:19,640 --> 00:22:23,400
Speaker 1: google me. You get in the car and realize who

577
00:22:23,440 --> 00:22:26,080
Speaker 1: you just fucked her because she doesn't have a Like

578
00:22:26,119 --> 00:22:28,280
Speaker 1: if Casey Anthony walked in here right now, I don't.

579
00:22:28,160 --> 00:22:28,879
Speaker 3: Think I would recommenc.

580
00:22:29,720 --> 00:22:30,159
Speaker 1: I wouldn't.

581
00:22:30,240 --> 00:22:32,000
Speaker 5: I don't think I would know that that's Casey Anthony,

582
00:22:32,040 --> 00:22:33,920
Speaker 5: Like I don't remember her face like.

583
00:22:33,920 --> 00:22:36,960
Speaker 1: That, Like I don't remember wanting to have sex with her,

584
00:22:36,960 --> 00:22:38,639
Speaker 1: but I don't remember her. Yes, I don't think she

585
00:22:38,640 --> 00:22:41,879
Speaker 1: would be one that i'd give the pass for. Yeah,

586
00:22:42,000 --> 00:22:43,959
Speaker 1: but I mean, I don't know.

587
00:22:44,000 --> 00:22:46,040
Speaker 3: And she looks a lot different now is that the

588
00:22:46,359 --> 00:22:47,440
Speaker 3: current video on the left?

589
00:22:47,840 --> 00:22:50,879
Speaker 6: Yeah, she's older if she's like what ten fifteen years older?

590
00:22:51,680 --> 00:22:54,320
Speaker 1: Yeah, a while ago. All right, Well, if you need

591
00:22:54,400 --> 00:22:58,200
Speaker 1: some legal advice on TikTok, she's an influencer. She's an

592
00:22:58,200 --> 00:23:02,920
Speaker 1: influencer on how to how the body and no beat

593
00:23:02,960 --> 00:23:05,320
Speaker 1: the trial. I guess what is it with people that

594
00:23:05,400 --> 00:23:09,879
Speaker 1: have like crazy high level murder cases that just won't

595
00:23:11,320 --> 00:23:13,960
Speaker 1: like leave us alone, like oj because the moment he

596
00:23:14,000 --> 00:23:17,520
Speaker 1: got out, he was he was on Twitter every goddamn day.

597
00:23:17,600 --> 00:23:20,360
Speaker 5: Yeah, the world is obsessed, well especially America is obsessed

598
00:23:20,359 --> 00:23:23,800
Speaker 5: with murder and crime and things like that. Some of

599
00:23:23,840 --> 00:23:27,280
Speaker 5: the biggest podcasts in the world murder podcast, Murder Mysteries,

600
00:23:28,320 --> 00:23:32,399
Speaker 5: some of the best documentaries, murdered documentaries. People are have

601
00:23:32,520 --> 00:23:36,240
Speaker 5: this obsession with who did it, Who done it? Where's

602
00:23:36,280 --> 00:23:38,200
Speaker 5: the body? You know what I mean that type of thing.

603
00:23:38,200 --> 00:23:40,040
Speaker 5: It's just because it's it's a story. I mean, it's

604
00:23:40,040 --> 00:23:43,080
Speaker 5: a tragic story, but it is a story, and people

605
00:23:43,119 --> 00:23:44,560
Speaker 5: want to get to the end and feel like, Okay,

606
00:23:44,600 --> 00:23:46,960
Speaker 5: I knew that person did it, or damn that person

607
00:23:47,040 --> 00:23:48,480
Speaker 5: didn't do it. So I think that's what people are

608
00:23:48,480 --> 00:23:52,439
Speaker 5: obsessed with, just the story and the suspense of a murder.

609
00:23:52,720 --> 00:23:56,840
Speaker 1: Are you on the side of the theory that OJ's

610
00:23:56,840 --> 00:23:59,879
Speaker 1: son actually did it and OJ just you know, helped

611
00:24:00,119 --> 00:24:00,960
Speaker 1: helped him clean up.

612
00:24:02,200 --> 00:24:02,760
Speaker 3: I've heard that.

613
00:24:03,960 --> 00:24:05,600
Speaker 5: I mean, I could see it happening and we just

614
00:24:05,640 --> 00:24:11,400
Speaker 5: I just watched the what was the Gabby Patino Patito.

615
00:24:11,480 --> 00:24:15,239
Speaker 5: I just watched that documentary in Clear's day and her

616
00:24:15,440 --> 00:24:19,639
Speaker 5: and the guy's text messages. The mother was ready to

617
00:24:19,640 --> 00:24:21,800
Speaker 5: help him get rid of hide the body. So we

618
00:24:21,880 --> 00:24:25,439
Speaker 5: know that parents will go to extreme measures to protect

619
00:24:25,440 --> 00:24:27,720
Speaker 5: their children, even if it means, you know, helping them

620
00:24:28,040 --> 00:24:29,800
Speaker 5: hide the body that they, you know, a person that

621
00:24:29,800 --> 00:24:32,640
Speaker 5: they just killed. So I can I can see that.

622
00:24:33,480 --> 00:24:35,240
Speaker 5: I don't know if I ever subscribe to that theory.

623
00:24:35,240 --> 00:24:37,920
Speaker 5: In the OJ case, I always felt like OJ didn't

624
00:24:37,960 --> 00:24:39,960
Speaker 5: do it, but I did always feel like he knew

625
00:24:40,000 --> 00:24:40,520
Speaker 5: who did it.

626
00:24:41,160 --> 00:24:43,199
Speaker 1: I don't think I never felt like he did it,

627
00:24:43,200 --> 00:24:44,800
Speaker 1: though I was always on the side that he did it.

628
00:24:45,320 --> 00:24:48,080
Speaker 1: And then I watched one piece that was the theory

629
00:24:48,080 --> 00:24:51,040
Speaker 1: about the sun, and I believe that one it made

630
00:24:51,280 --> 00:24:53,760
Speaker 1: a lot of sense. So I don't know.

631
00:24:53,880 --> 00:24:55,119
Speaker 3: Yeah, I mean I could listen this.

632
00:24:55,200 --> 00:24:56,000
Speaker 1: He either did it or no.

633
00:24:56,119 --> 00:24:59,080
Speaker 5: So that's what I'm I'm with you in that. I'm no,

634
00:24:59,240 --> 00:25:00,800
Speaker 5: I don't think he did it. I don't think OJ

635
00:25:00,880 --> 00:25:03,800
Speaker 5: did it. I never felt like that, but I believe

636
00:25:04,240 --> 00:25:07,159
Speaker 5: he knew. Obviously he's no longer with it, so he

637
00:25:07,240 --> 00:25:08,480
Speaker 5: knew who did it.

638
00:25:08,680 --> 00:25:11,440
Speaker 1: I just think it's crazy after you beat a murder

639
00:25:11,480 --> 00:25:13,720
Speaker 1: case like that, you just get on Twitter every day

640
00:25:13,720 --> 00:25:16,680
Speaker 1: and say ooh it's the juice baby, like we didn't

641
00:25:16,720 --> 00:25:17,520
Speaker 1: remember that trial.

642
00:25:18,680 --> 00:25:20,360
Speaker 3: People don't care. Man, he was he was.

643
00:25:20,320 --> 00:25:23,520
Speaker 1: Giving like sports takes, rite.

644
00:25:23,400 --> 00:25:25,359
Speaker 6: Your own history. You can't let the last thing that

645
00:25:25,440 --> 00:25:27,560
Speaker 6: somebody say about you be something that you don't want

646
00:25:27,600 --> 00:25:29,359
Speaker 6: to be remembered for. So you got to rewrite your

647
00:25:29,359 --> 00:25:29,960
Speaker 6: own history.

648
00:25:30,280 --> 00:25:33,080
Speaker 1: OJ did not rewrite it on it. His history is

649
00:25:33,080 --> 00:25:36,399
Speaker 1: still his history. Remember that Twitter video now, I was like,

650
00:25:36,560 --> 00:25:37,400
Speaker 1: remember that murder case.

651
00:25:37,800 --> 00:25:39,960
Speaker 3: I remember you in the back of that bronco. Remember.

652
00:25:40,080 --> 00:25:42,960
Speaker 6: But his personality and who he continued to be after

653
00:25:43,040 --> 00:25:45,639
Speaker 6: that case now is why y'all can sit and laugh

654
00:25:45,800 --> 00:25:48,120
Speaker 6: when you say his name instead of just remember him

655
00:25:48,160 --> 00:25:51,080
Speaker 6: like a Casey Anthony because he has come out and

656
00:25:51,119 --> 00:25:53,080
Speaker 6: he made a joke of it. He leaned into it,

657
00:25:53,160 --> 00:25:55,440
Speaker 6: so it made it funny to other people.

658
00:25:55,520 --> 00:25:57,760
Speaker 3: Which is crazy because somebody actually died.

659
00:25:58,880 --> 00:26:01,360
Speaker 1: I mean I was two people does I wasn't even

660
00:26:01,400 --> 00:26:04,960
Speaker 1: alive when OJ was playing. I'm aware just off stats

661
00:26:05,000 --> 00:26:06,639
Speaker 1: that he was one of the greatest running backs, but

662
00:26:06,720 --> 00:26:10,040
Speaker 1: I don't have my thoughts about OJ actually aren't really football.

663
00:26:10,720 --> 00:26:12,879
Speaker 1: It's the case, yeah, absolutely, and he is like one

664
00:26:12,920 --> 00:26:14,479
Speaker 1: of the greatest running backs ever, but I don't even

665
00:26:14,480 --> 00:26:15,199
Speaker 1: think about football.

666
00:26:15,400 --> 00:26:17,879
Speaker 3: I mean, Naked Gun is a classic, though I.

667
00:26:17,840 --> 00:26:20,400
Speaker 1: Don't think I haven't seen that since I was a kid.

668
00:26:20,720 --> 00:26:23,879
Speaker 3: Naked Gun. I remember classic series, classic movie series.

669
00:26:23,960 --> 00:26:26,400
Speaker 6: So Rory, I looked up your question when you asked

670
00:26:26,440 --> 00:26:29,840
Speaker 6: why are people so obsessed with like murder docks and

671
00:26:29,880 --> 00:26:32,879
Speaker 6: things like that. One of them is the controlled fear,

672
00:26:33,040 --> 00:26:36,440
Speaker 6: Like apparently we really like fear as humans. We like fear.

673
00:26:36,480 --> 00:26:40,280
Speaker 6: We like having an adrenaline rush, but we're safe. So

674
00:26:40,320 --> 00:26:42,879
Speaker 6: it's it's that that thrill, but we're safe from it.

675
00:26:42,920 --> 00:26:44,680
Speaker 6: So it's like watch it's the same people white people

676
00:26:44,680 --> 00:26:46,919
Speaker 6: slow down and watch car crashes, like the brain is

677
00:26:47,000 --> 00:26:51,840
Speaker 6: naturally wired to want to investigate death in harm and fear,

678
00:26:52,040 --> 00:26:53,760
Speaker 6: but at the same time stay stay from it. So

679
00:26:54,000 --> 00:26:56,040
Speaker 6: as long as it's not happening to us, we like it.

680
00:26:56,119 --> 00:26:58,760
Speaker 6: And then women, women are obsessed with the No, it's

681
00:26:58,800 --> 00:27:01,480
Speaker 6: called the know your enemy effect, Like we're obsessed with

682
00:27:01,560 --> 00:27:03,840
Speaker 6: the person, the danger that is to us, and how

683
00:27:03,880 --> 00:27:05,000
Speaker 6: we can watch it from afar.

684
00:27:05,640 --> 00:27:07,680
Speaker 5: That's why people pull their phones out when they see

685
00:27:07,720 --> 00:27:09,840
Speaker 5: some wow shit happening, like to.

686
00:27:09,840 --> 00:27:12,360
Speaker 1: Watch and instead of helping the situations, want to keep

687
00:27:12,359 --> 00:27:13,840
Speaker 1: watching it. Yeah, I get it.

688
00:27:14,520 --> 00:27:15,440
Speaker 3: Oh cooked in the brain.

689
00:27:16,440 --> 00:27:17,880
Speaker 1: Are you guys caught up on Paradise?

690
00:27:18,400 --> 00:27:18,640
Speaker 3: Yes?

691
00:27:18,760 --> 00:27:21,399
Speaker 6: Oh my god, I watched it. You watched it? I

692
00:27:21,440 --> 00:27:22,520
Speaker 6: loved it. I was obsessed.

693
00:27:22,680 --> 00:27:27,480
Speaker 1: What is Paradise the show on Hulu? What will be

694
00:27:27,480 --> 00:27:30,080
Speaker 1: the best way you think to describe the show without

695
00:27:30,119 --> 00:27:31,000
Speaker 1: giving away too much.

696
00:27:32,000 --> 00:27:37,560
Speaker 6: It is a end of the world tale. Yeah, end

697
00:27:37,600 --> 00:27:38,240
Speaker 6: of the world tales.

698
00:27:38,280 --> 00:27:43,040
Speaker 1: Essentially everything blows up, but they the elites build like

699
00:27:43,080 --> 00:27:45,399
Speaker 1: a society under a mountain to survive it.

700
00:27:46,440 --> 00:27:49,000
Speaker 3: Yes, everything in the world blows up.

701
00:27:49,280 --> 00:27:52,600
Speaker 6: Yes, a big catastrophe like they always are saying, is

702
00:27:52,640 --> 00:27:54,359
Speaker 6: coming for us, like an end of the world Tale,

703
00:27:54,720 --> 00:27:57,439
Speaker 6: but there's one of the bunker cities. There's a bunker

704
00:27:57,480 --> 00:28:01,080
Speaker 6: city that's created. Okay, but the first episode, which I

705
00:28:01,119 --> 00:28:02,960
Speaker 6: don't feel like this is giving it anything away because

706
00:28:02,960 --> 00:28:04,439
Speaker 6: I feel like this would be in the description, the

707
00:28:04,440 --> 00:28:07,760
Speaker 6: president of this bunker city is killed, and the first

708
00:28:07,760 --> 00:28:10,600
Speaker 6: season goes through why what happened? How like it just

709
00:28:10,680 --> 00:28:13,040
Speaker 6: keeps flashing back to how they got to where they are.

710
00:28:13,160 --> 00:28:15,520
Speaker 1: It's really good, though, No, it's it's an incredible show.

711
00:28:15,760 --> 00:28:16,560
Speaker 1: I'm in Paradise.

712
00:28:18,400 --> 00:28:18,560
Speaker 4: Yep.

713
00:28:18,560 --> 00:28:21,240
Speaker 6: It's headed by Sterling K. Brown, who was if you

714
00:28:21,280 --> 00:28:23,679
Speaker 6: guys don't know him, that's Randall from This is Us,

715
00:28:23,760 --> 00:28:25,960
Speaker 6: the Black Guy and This is Us. He's an amazing actor.

716
00:28:26,040 --> 00:28:28,159
Speaker 1: He was also in The People Versus O J.

717
00:28:28,240 --> 00:28:28,560
Speaker 3: Simpsons.

718
00:28:28,600 --> 00:28:31,439
Speaker 1: Oh yeah, he played what's what's the other prosecutor? That

719
00:28:31,480 --> 00:28:35,480
Speaker 1: was with Marshall Clark. No, Cochran's on the other side,

720
00:28:36,160 --> 00:28:40,920
Speaker 1: Carl the guy with the glasses bullhead. Yeah, and he

721
00:28:41,040 --> 00:28:45,440
Speaker 1: just represents somebody and then dropped the case uns killer, yes,

722
00:28:46,080 --> 00:28:51,480
Speaker 1: which which we should revisit. That was fucking weird. Christopher Darden, Yeah,

723
00:28:51,520 --> 00:28:54,440
Speaker 1: Christopher Darten. That was really really odd.

724
00:28:54,640 --> 00:28:57,880
Speaker 5: Wasn't there another Darden that like killed like the police

725
00:28:57,920 --> 00:28:58,520
Speaker 5: or something like that.

726
00:28:58,920 --> 00:29:01,040
Speaker 1: Yeah, Christopher Darden, say his name.

727
00:29:00,880 --> 00:29:03,160
Speaker 3: Is Christopher Darton Okay, I knew that name sounds familiar.

728
00:29:03,520 --> 00:29:07,240
Speaker 1: Or Donner Christopher Dorner Dorner Yeah, okay, Why Llo COOLJ

729
00:29:07,360 --> 00:29:10,360
Speaker 1: has not made the limited serious about that? I do

730
00:29:10,440 --> 00:29:10,760
Speaker 1: not know.

731
00:29:11,520 --> 00:29:14,040
Speaker 5: They did resemble a little bit, Yeah, Llo would smoke

732
00:29:14,080 --> 00:29:19,200
Speaker 5: that roll. Yeah, it's Ll the greatest rapper turn actor. No,

733
00:29:19,480 --> 00:29:24,920
Speaker 5: probably Will, I mean, but Ellll is a better rapper,

734
00:29:25,400 --> 00:29:30,480
Speaker 5: has better music, Yes, so that attribute is up, and

735
00:29:30,800 --> 00:29:31,680
Speaker 5: Ella has.

736
00:29:31,880 --> 00:29:35,480
Speaker 3: Great movies under his belt, great roles.

737
00:29:34,640 --> 00:29:35,880
Speaker 1: Of the best in both categories.

738
00:29:35,960 --> 00:29:39,520
Speaker 3: Yes, Will is obviously the better, but Will Hollywood.

739
00:29:39,080 --> 00:29:41,480
Speaker 6: Will is a way better actor than Ll. COJ is

740
00:29:41,480 --> 00:29:41,920
Speaker 6: a rapper.

741
00:29:43,440 --> 00:29:45,600
Speaker 3: Yeah, but Llo cooj is a way better rapper than

742
00:29:45,680 --> 00:29:46,280
Speaker 3: Will Smith.

743
00:29:46,480 --> 00:29:49,800
Speaker 6: Yes, but Will's if you're gonna do even for even. Yes,

744
00:29:49,840 --> 00:29:51,840
Speaker 6: one is good at one and one is better at

745
00:29:51,840 --> 00:29:54,520
Speaker 6: the other. But Will is such an amazing actor that

746
00:29:54,880 --> 00:29:56,520
Speaker 6: he will always be the best when it comes to

747
00:29:56,560 --> 00:29:59,400
Speaker 6: those two categories, because he's a better actor than Ll

748
00:29:59,640 --> 00:30:00,000
Speaker 6: is a rapper.

749
00:30:00,240 --> 00:30:01,480
Speaker 1: Do we count Mark Wahlberg?

750
00:30:02,720 --> 00:30:02,960
Speaker 4: Yeah?

751
00:30:03,840 --> 00:30:04,160
Speaker 3: Why not?

752
00:30:05,400 --> 00:30:06,320
Speaker 1: Ddy was kind of nice?

753
00:30:06,440 --> 00:30:10,600
Speaker 5: Yeah, Yeah, Mark Warburg is definitely in that conversation.

754
00:30:10,640 --> 00:30:13,000
Speaker 1: I just I just was googling Queen Latifa is definitely

755
00:30:13,040 --> 00:30:13,680
Speaker 1: has to be up there.

756
00:30:14,160 --> 00:30:16,720
Speaker 3: The equalizer might be ruined in the corrido. That's just

757
00:30:16,800 --> 00:30:18,200
Speaker 3: guys here. I love I love the queen.

758
00:30:18,560 --> 00:30:20,760
Speaker 5: I love the queen, but she she could have passed

759
00:30:20,800 --> 00:30:23,240
Speaker 5: on that role and that let Denzel be to equalize it.

760
00:30:23,280 --> 00:30:23,680
Speaker 4: That's it.

761
00:30:23,840 --> 00:30:25,720
Speaker 1: Why is Andy Samberg on this list?

762
00:30:26,280 --> 00:30:27,200
Speaker 3: Andy Samberg?

763
00:30:27,680 --> 00:30:28,240
Speaker 1: He rapped.

764
00:30:28,520 --> 00:30:32,720
Speaker 3: I don't know about that one dick in the box,

765
00:30:32,840 --> 00:30:33,240
Speaker 3: I'm sorry.

766
00:30:33,640 --> 00:30:38,000
Speaker 1: Yeah, he wrote the those funny like songs. I never

767
00:30:38,040 --> 00:30:39,200
Speaker 1: considered him a rapper.

768
00:30:38,920 --> 00:30:42,000
Speaker 3: Though, yeah, I'm yeah, we can get him off the list.

769
00:30:42,040 --> 00:30:43,880
Speaker 6: Most people would try to say that it was Tupac.

770
00:30:45,200 --> 00:30:48,040
Speaker 1: Yeah, yeah, Park might be number one.

771
00:30:48,680 --> 00:30:50,240
Speaker 6: I don't think is number one.

772
00:30:52,320 --> 00:30:52,760
Speaker 3: Number one.

773
00:30:54,040 --> 00:30:55,040
Speaker 1: He has iconic.

774
00:30:55,120 --> 00:30:58,560
Speaker 6: Gridlock really did it for That's what Gridlocked? It took

775
00:30:58,560 --> 00:31:01,440
Speaker 6: you there, that that was the that was the.

776
00:31:01,200 --> 00:31:03,960
Speaker 1: Pac And Jim Belushi is like, that's that's my north

777
00:31:04,000 --> 00:31:06,360
Speaker 1: star of Gridlock?

778
00:31:06,400 --> 00:31:06,840
Speaker 3: Did it for you?

779
00:31:07,400 --> 00:31:10,240
Speaker 1: All right? Come on? Juice Poetic Justice both we could

780
00:31:10,280 --> 00:31:11,480
Speaker 1: consider classic movies.

781
00:31:11,520 --> 00:31:14,920
Speaker 5: Correct Juice and Poetic Justice. You get no debate from me?

782
00:31:15,120 --> 00:31:15,400
Speaker 3: Yes?

783
00:31:15,720 --> 00:31:19,560
Speaker 1: On top of Park's catalog, Yes, you can definitely debate

784
00:31:19,880 --> 00:31:23,880
Speaker 1: Llo cool J verse Tupac in this category ll cool

785
00:31:23,920 --> 00:31:27,520
Speaker 1: J versus Tupac. Yeah, because you can't debate will because

786
00:31:27,560 --> 00:31:31,120
Speaker 1: I mean, I think it was the best ever.

787
00:31:31,160 --> 00:31:31,760
Speaker 3: But you just said one.

788
00:31:32,120 --> 00:31:34,320
Speaker 1: What I'm saying the one B the Llo cool J

789
00:31:34,480 --> 00:31:38,520
Speaker 1: verse Pac. I think pok takes that I ain't deliver

790
00:31:38,760 --> 00:31:40,560
Speaker 1: l movies Swat.

791
00:31:41,000 --> 00:31:43,160
Speaker 3: Hey, hey, I don't like that great movie. I like

792
00:31:43,520 --> 00:31:44,640
Speaker 3: great move. We're not doing that.

793
00:31:44,680 --> 00:31:48,160
Speaker 5: I love Swat. I mean and too deep mm hmm

794
00:31:49,240 --> 00:31:50,360
Speaker 5: classic to me as a.

795
00:31:50,280 --> 00:31:53,240
Speaker 1: Class I'm trying to think cool Jay.

796
00:31:53,440 --> 00:31:55,680
Speaker 6: I'm sorry. Deliver us from Eva as a Black classic.

797
00:31:55,680 --> 00:31:58,320
Speaker 6: I don't know if y'all on that from Them Come

798
00:31:58,400 --> 00:31:59,560
Speaker 6: is also a black classic?

799
00:32:00,040 --> 00:32:04,760
Speaker 3: Deep Blue c I was scared back to this fair thing.

800
00:32:04,800 --> 00:32:05,600
Speaker 1: I haven't been in the water.

801
00:32:05,600 --> 00:32:08,520
Speaker 3: I haven't been on vacation since Deep Lucy came.

802
00:32:08,360 --> 00:32:09,920
Speaker 1: Out and give it a Sunday. You already know how

803
00:32:09,960 --> 00:32:11,360
Speaker 1: I feel about that movie.

804
00:32:11,480 --> 00:32:15,520
Speaker 6: Damn Last Holiday with Queen Latifa. Damn you think that

805
00:32:15,600 --> 00:32:17,800
Speaker 6: was gonna bar for bar When I might walk, I

806
00:32:18,160 --> 00:32:19,120
Speaker 6: may walk back my table.

807
00:32:19,720 --> 00:32:21,200
Speaker 1: He's got some classic fucking.

808
00:32:20,960 --> 00:32:24,880
Speaker 3: And I mean, and uh, what was his sitcom name?

809
00:32:25,760 --> 00:32:29,120
Speaker 3: Was it? In the House? In the House, I didn't

810
00:32:29,160 --> 00:32:30,920
Speaker 3: watch that. You didn't watch in the house.

811
00:32:32,080 --> 00:32:35,440
Speaker 6: Damn, I'm old iceed tea.

812
00:32:36,360 --> 00:32:38,640
Speaker 3: Iceedy is definitely definitely on that list.

813
00:32:38,920 --> 00:32:39,880
Speaker 1: I gotta put him up there.

814
00:32:40,360 --> 00:32:42,360
Speaker 6: He was keeping the lights on that fucking long order.

815
00:32:42,480 --> 00:32:43,280
Speaker 3: He's on that list.

816
00:32:44,320 --> 00:32:47,400
Speaker 1: Oh, ship and ThReD three thousand. He doesn't have a

817
00:32:47,440 --> 00:32:48,440
Speaker 1: lot of movies, but.

818
00:32:48,480 --> 00:32:52,720
Speaker 5: I four Brothers Classic, I love I Love Idle wow

819
00:32:53,360 --> 00:32:53,840
Speaker 5: d MX.

820
00:32:54,120 --> 00:32:56,800
Speaker 1: Ice Cube up there for sure, Yeah, up there? How

821
00:32:56,800 --> 00:32:57,640
Speaker 1: do we not even mention q?

822
00:32:57,960 --> 00:33:00,520
Speaker 6: Ice Cube is probably the greatest wrap See, I think

823
00:33:00,560 --> 00:33:05,320
Speaker 6: ice Cube is above Tupac. Yeah, ice Cube, yeah, pressure,

824
00:33:05,400 --> 00:33:06,600
Speaker 6: he said, fuck the police.

825
00:33:07,800 --> 00:33:11,680
Speaker 1: No. Ice Cube has an insane desography plus a bunch

826
00:33:11,720 --> 00:33:14,960
Speaker 1: of classic movies classics. Yeah. Now, I think the debate

827
00:33:14,960 --> 00:33:16,240
Speaker 1: would be ice c versus.

828
00:33:15,960 --> 00:33:17,520
Speaker 6: Smith, ice Cub versus Will Smith.

829
00:33:17,760 --> 00:33:18,480
Speaker 1: That's a tough one.

830
00:33:18,760 --> 00:33:20,640
Speaker 3: Yeah. What was the ice Cube movie? When they was

831
00:33:20,640 --> 00:33:21,959
Speaker 3: in the Whitehouse.

832
00:33:22,600 --> 00:33:24,160
Speaker 5: And they got locked in, they was trying to find

833
00:33:24,160 --> 00:33:28,720
Speaker 5: the uh, the hidden like the jewelry, like the gold

834
00:33:28,720 --> 00:33:30,080
Speaker 5: and stuff that was in the all.

835
00:33:29,960 --> 00:33:30,760
Speaker 1: About the measurements.

836
00:33:31,000 --> 00:33:31,680
Speaker 6: Trespass.

837
00:33:31,800 --> 00:33:36,200
Speaker 5: Trespass, y'all don't know nothing about trespass classic movie.

838
00:33:36,760 --> 00:33:39,840
Speaker 1: How could we not bring up the game and Belly two.

839
00:33:41,200 --> 00:33:44,840
Speaker 3: We're not doing that, please, we're not game.

840
00:33:44,800 --> 00:33:48,520
Speaker 1: This game have a classic desography no, yes, music, yeah, absolutely, okay,

841
00:33:48,800 --> 00:33:49,360
Speaker 1: but not film.

842
00:33:49,440 --> 00:33:52,720
Speaker 5: Plus the classic movie Belly two is terrible. Well, I

843
00:33:52,720 --> 00:33:55,160
Speaker 5: don't even talk about that movie. I don't know why they.

844
00:33:55,200 --> 00:33:58,040
Speaker 6: What about though? We bring up what Aboutnas? You know

845
00:33:58,080 --> 00:34:00,680
Speaker 6: what's crazy to say something bad? One of my favorite

846
00:34:00,760 --> 00:34:07,960
Speaker 6: rappers not only did one movie though, right, thank godh nah,

847
00:34:08,080 --> 00:34:13,960
Speaker 6: So you got Elevator above this madness R because that's

848
00:34:13,960 --> 00:34:15,040
Speaker 6: one of your favorite movie.

849
00:34:15,239 --> 00:34:18,000
Speaker 1: Oh, it's incredible, but it's one of the worst acted

850
00:34:18,080 --> 00:34:21,160
Speaker 1: movies ever as well. That's the genius of Hey Williams.

851
00:34:21,160 --> 00:34:24,399
Speaker 1: We talked about that incredible movie with awful, awful fucking actor.

852
00:34:24,520 --> 00:34:27,120
Speaker 6: I don't know, but I think DMX. DMX is a

853
00:34:27,160 --> 00:34:29,720
Speaker 6: good actor. That's an incredible death. Raid is a grave.

854
00:34:30,040 --> 00:34:32,040
Speaker 6: No X is amazing.

855
00:34:32,080 --> 00:34:36,240
Speaker 1: That's what made it even crazier because you have an

856
00:34:36,280 --> 00:34:39,799
Speaker 1: incredible actor in every scene with some of the worst

857
00:34:39,800 --> 00:34:42,120
Speaker 1: actors of all time. Like the difference in the range

858
00:34:42,360 --> 00:34:43,080
Speaker 1: was hard to watch.

859
00:34:43,120 --> 00:34:47,160
Speaker 5: Belly is the best worst movie ever. Yeah, it's a

860
00:34:47,320 --> 00:34:48,840
Speaker 5: it's a cult classic without a doubt.

861
00:34:49,280 --> 00:34:52,400
Speaker 1: But is TVAS and NAS the worst acted couple of

862
00:34:52,440 --> 00:34:52,839
Speaker 1: all time.

863
00:34:54,680 --> 00:34:57,759
Speaker 6: I mean, like, what the fuck? That was a spot on?

864
00:35:01,080 --> 00:35:02,840
Speaker 5: Nah, I kind of believed that when she walked in

865
00:35:02,840 --> 00:35:04,399
Speaker 5: the house and the niggas were sitting in the living room,

866
00:35:04,440 --> 00:35:04,880
Speaker 5: I kind.

867
00:35:04,719 --> 00:35:06,480
Speaker 3: Of was like, T boys got in her acting bag

868
00:35:06,520 --> 00:35:06,959
Speaker 3: on that ship.

869
00:35:07,160 --> 00:35:07,560
Speaker 6: For real.

870
00:35:07,680 --> 00:35:09,840
Speaker 3: That was a good scene. We ain't gonna do T

871
00:35:09,960 --> 00:35:11,359
Speaker 3: boars like that. That was a good scene. She looked.

872
00:35:11,440 --> 00:35:12,640
Speaker 3: She did greater in that scene.

873
00:35:12,680 --> 00:35:15,560
Speaker 1: She did great magic getting shot in the leg and

874
00:35:15,600 --> 00:35:18,920
Speaker 1: just going home and being like Africa, we out give

875
00:35:18,960 --> 00:35:21,440
Speaker 1: a fuck, Let's go to the hospital.

876
00:35:21,000 --> 00:35:23,800
Speaker 3: Now, Nah, we out go straight to the airport.

877
00:35:24,000 --> 00:35:26,399
Speaker 6: I think, yeah, it's just that that first opening scene

878
00:35:26,520 --> 00:35:28,600
Speaker 6: really get people because it's the greatest opening scene of

879
00:35:28,640 --> 00:35:33,480
Speaker 6: a movie of all time. And then some bullshit. It's

880
00:35:33,520 --> 00:35:34,080
Speaker 6: some bullshit.

881
00:35:34,160 --> 00:35:35,920
Speaker 3: Ice Cube might be it, though he might be the

882
00:35:35,920 --> 00:35:37,160
Speaker 3: greatest rapper turned actor.

883
00:35:38,160 --> 00:35:40,160
Speaker 6: I'm still gonna go well. I think Will Smith is

884
00:35:40,160 --> 00:35:41,320
Speaker 6: a way better actor than ice Q.

885
00:35:41,760 --> 00:35:44,800
Speaker 1: I don't know, man, could I rule Fast and Furious

886
00:35:45,760 --> 00:35:48,200
Speaker 1: No Monica best line ever?

887
00:35:49,719 --> 00:35:54,920
Speaker 6: Listen, bow Wow and Fast and Furious bow.

888
00:35:54,600 --> 00:35:56,160
Speaker 1: Wow kind of smoke lottery ticket too.

889
00:35:56,200 --> 00:35:57,799
Speaker 6: Bow Wow got a couple on him.

890
00:35:58,320 --> 00:36:00,120
Speaker 3: Ludacris got some good films too, though.

891
00:36:00,320 --> 00:36:01,160
Speaker 1: Oh, I ain't think it yet.

892
00:36:01,200 --> 00:36:02,760
Speaker 6: Looted? Damn?

893
00:36:03,360 --> 00:36:06,240
Speaker 1: Can we pull up bow Wowser filmography.

894
00:36:07,400 --> 00:36:09,360
Speaker 3: Like Mike roll Bounce did it for you?

895
00:36:11,680 --> 00:36:12,520
Speaker 1: I like Robounce?

896
00:36:12,600 --> 00:36:13,120
Speaker 3: I do too.

897
00:36:13,280 --> 00:36:17,960
Speaker 6: Lottery Ticket was good, Johnson's family vacation like Mike. Obviously,

898
00:36:18,080 --> 00:36:19,480
Speaker 6: Madia's big happy family.

899
00:36:20,320 --> 00:36:24,960
Speaker 1: All right, I'm gonna go Will Smith, Ice, Cube, Tupac, Queen, Latafa.

900
00:36:27,040 --> 00:36:29,680
Speaker 1: I don't know who to put from my five. Maybe

901
00:36:29,800 --> 00:36:32,560
Speaker 1: L's there. I think that's my top five.

902
00:36:34,200 --> 00:36:36,759
Speaker 5: I'm not mad at that, as long as Cube and

903
00:36:36,840 --> 00:36:43,279
Speaker 5: will Pop got classic movies, though, I gotta put Park there.

904
00:36:44,480 --> 00:36:48,800
Speaker 1: Uh machine Gun, Kelly.

905
00:36:52,719 --> 00:37:03,000
Speaker 5: Ll I said, Cube right, Cube, Will Uh method Man.

906
00:37:03,080 --> 00:37:05,120
Speaker 5: I ain't gonna lie what he's doing with the Power series?

907
00:37:05,160 --> 00:37:07,640
Speaker 1: Man, Yeah, I'm with you.

908
00:37:07,640 --> 00:37:08,120
Speaker 3: Good acting.

909
00:37:08,280 --> 00:37:08,799
Speaker 1: I'm with you.

910
00:37:09,719 --> 00:37:10,200
Speaker 3: I mean.

911
00:37:11,600 --> 00:37:12,919
Speaker 1: Does all of State property count?

912
00:37:14,080 --> 00:37:15,000
Speaker 3: Don't put them all together?

913
00:37:15,280 --> 00:37:19,600
Speaker 1: I mean they have classic movies. Yeah, put Hope in

914
00:37:19,640 --> 00:37:20,000
Speaker 1: there too.

915
00:37:20,880 --> 00:37:22,680
Speaker 3: He didn't even say nothing in else he was in

916
00:37:22,719 --> 00:37:27,000
Speaker 3: the studio. He No, they got that one scene with

917
00:37:27,000 --> 00:37:28,720
Speaker 3: with Dame in the car, like when.

918
00:37:28,600 --> 00:37:29,520
Speaker 1: They robbed the same house.

919
00:37:29,640 --> 00:37:33,560
Speaker 3: Yeah. But I feel I feel like Jay wasn't acting.

920
00:37:33,600 --> 00:37:34,880
Speaker 6: I feel like I had talked to Bigs.

921
00:37:34,920 --> 00:37:36,880
Speaker 5: I feel like that scene, no, I feel like he

922
00:37:36,920 --> 00:37:38,560
Speaker 5: was like, I don't even want to be able. Fuck it, eye,

923
00:37:38,600 --> 00:37:39,800
Speaker 5: I played myself.

924
00:37:40,880 --> 00:37:43,640
Speaker 1: And I mean, streets Is watching that some terrible fucking acting.

925
00:37:44,160 --> 00:37:46,520
Speaker 3: But that suspected he was young and just had a

926
00:37:46,560 --> 00:37:47,920
Speaker 3: camera in the projects.

927
00:37:47,480 --> 00:37:51,120
Speaker 1: Like, oh no, they smoked. It was an incredible movie,

928
00:37:51,360 --> 00:37:53,080
Speaker 1: but at some of the worst actings.

929
00:37:53,160 --> 00:37:55,799
Speaker 5: Streets Is watching is such a brilliant idea though, like

930
00:37:56,080 --> 00:37:58,719
Speaker 5: she actually felt rapper to do that at that time.

931
00:37:59,680 --> 00:38:02,520
Speaker 5: I don't think we still haven't seen another rapper do

932
00:38:02,560 --> 00:38:03,120
Speaker 5: something like that.

933
00:38:03,440 --> 00:38:06,520
Speaker 1: I mean, we know Jays has been a shooter before,

934
00:38:06,560 --> 00:38:09,560
Speaker 1: but well he was trying to back out in the project.

935
00:38:09,640 --> 00:38:12,160
Speaker 1: Shooting was one of the funniest seas up the Switch Hands.

936
00:38:14,920 --> 00:38:20,319
Speaker 1: Jay can't do anything athletic at all. He if that

937
00:38:20,400 --> 00:38:24,560
Speaker 1: was a shootout, he was getting shot for sure, and

938
00:38:24,600 --> 00:38:27,000
Speaker 1: at the worst fucking aim ever. All the fake shots

939
00:38:27,000 --> 00:38:29,640
Speaker 1: going against the project, like who is shooting right?

940
00:38:30,800 --> 00:38:31,880
Speaker 3: Spray this whole shit up.

941
00:38:33,040 --> 00:38:35,640
Speaker 1: I feel like, that's that's crazy that Vaughn got to

942
00:38:35,680 --> 00:38:37,480
Speaker 1: be in that and they didn't, you know, bring you

943
00:38:37,520 --> 00:38:39,320
Speaker 1: in the mix. I know they did it in Marcie,

944
00:38:39,320 --> 00:38:41,719
Speaker 1: but I felt like Vaughn's role should have went to you.

945
00:38:42,360 --> 00:38:45,640
Speaker 1: I'm not from Marcie, Yeah, but I mean Damon Biggs

946
00:38:45,640 --> 00:38:48,480
Speaker 1: pulled up like they could have brought you from Harlem.

947
00:38:48,560 --> 00:38:50,960
Speaker 3: Nah, it was a Massie. That was a Massie movie.

948
00:38:51,440 --> 00:38:51,959
Speaker 3: Made sense.

949
00:38:58,280 --> 00:39:02,800
Speaker 1: Why was the internet killing our guy? JD saw yesterday?

950
00:39:02,840 --> 00:39:03,640
Speaker 1: They was tearing them.

951
00:39:03,600 --> 00:39:06,480
Speaker 3: Up, disrespectful to the legend.

952
00:39:07,400 --> 00:39:11,759
Speaker 1: I mean, I guess he was just asking a rhetorical question.

953
00:39:11,880 --> 00:39:13,360
Speaker 1: Wasn't suggesting the otherwise.

954
00:39:13,400 --> 00:39:16,720
Speaker 3: But he said, I'm a little lost. Well, he tweeted,

955
00:39:16,760 --> 00:39:17,439
Speaker 3: I'm a little lost.

956
00:39:17,440 --> 00:39:20,080
Speaker 5: Can somebody tell me what the goal of being an

957
00:39:20,120 --> 00:39:22,880
Speaker 5: independent artist is today? Because all of the things that

958
00:39:22,920 --> 00:39:27,239
Speaker 5: people are chasing is made is shit that major artists do.

959
00:39:27,640 --> 00:39:31,880
Speaker 5: What's the thing that indie artists do that make it special?

960
00:39:32,600 --> 00:39:36,040
Speaker 5: And I saw a Larussell chimed Dan and he said

961
00:39:36,440 --> 00:39:41,000
Speaker 5: I think he said own the music. You know, if

962
00:39:41,000 --> 00:39:43,200
Speaker 5: you know anything about Russell, makes sense that he was

963
00:39:43,280 --> 00:39:46,839
Speaker 5: chiming on that. But I understand what Jad was saying.

964
00:39:46,840 --> 00:39:49,759
Speaker 5: I think he was kind of saying, you know, you

965
00:39:49,800 --> 00:39:53,759
Speaker 5: want to be independent, but then you want to, you know,

966
00:39:53,920 --> 00:39:55,600
Speaker 5: do the things that major artists do. You want the

967
00:39:55,600 --> 00:39:58,839
Speaker 5: things that major artists want. You want the lights, the glitch.

968
00:39:58,560 --> 00:39:59,840
Speaker 3: The glamour. You don't want the grind.

969
00:40:00,040 --> 00:40:02,080
Speaker 5: Don't want to You want to be on the same

970
00:40:02,160 --> 00:40:06,400
Speaker 5: stage as a major artist when you're independent, and it

971
00:40:06,480 --> 00:40:09,000
Speaker 5: takes a lot a lot more work when you're independent

972
00:40:09,520 --> 00:40:12,080
Speaker 5: to kind of be on the same you know, field

973
00:40:12,120 --> 00:40:14,080
Speaker 5: and the same level as a major artist and get

974
00:40:14,120 --> 00:40:16,960
Speaker 5: the same looks that major artists get. So I think,

975
00:40:17,040 --> 00:40:20,280
Speaker 5: you know, it was a rhetorical question that Jadi was asking,

976
00:40:20,360 --> 00:40:22,399
Speaker 5: like how do you want to be Say you want

977
00:40:22,400 --> 00:40:25,080
Speaker 5: to be independent, but you want to look like a

978
00:40:25,120 --> 00:40:25,880
Speaker 5: major artist.

979
00:40:26,680 --> 00:40:29,560
Speaker 1: I mean, I don't get it because it's not like

980
00:40:29,600 --> 00:40:31,640
Speaker 1: people say, I want to go be indie, but I

981
00:40:31,680 --> 00:40:35,239
Speaker 1: don't want to be successful. Like the goal is to

982
00:40:35,280 --> 00:40:38,600
Speaker 1: get your music to as many possible people that you

983
00:40:38,680 --> 00:40:43,880
Speaker 1: can absolutely make money off it hopefully change change people's lives.

984
00:40:44,360 --> 00:40:46,440
Speaker 1: I don't understand what major and independent even has to

985
00:40:46,480 --> 00:40:48,600
Speaker 1: do with what the end goal for most artists is,

986
00:40:48,600 --> 00:40:50,839
Speaker 1: which is to be a star and to get your

987
00:40:50,920 --> 00:40:53,520
Speaker 1: music heard by as many people as you can at

988
00:40:53,520 --> 00:40:54,879
Speaker 1: a price that makes you rich.

989
00:40:55,120 --> 00:40:57,479
Speaker 5: Like again, I think it's subjective though, Like what what's

990
00:40:57,480 --> 00:40:59,640
Speaker 5: the start as far as you're concerned as an artist

991
00:41:00,040 --> 00:41:01,439
Speaker 5: to the specific artist.

992
00:41:01,640 --> 00:41:03,399
Speaker 1: What is a star to you? What does a star

993
00:41:03,440 --> 00:41:05,960
Speaker 1: look like a star? I don't know these stars that

994
00:41:06,000 --> 00:41:11,040
Speaker 1: are independent. I know extremely successful artists, Like I watched

995
00:41:11,120 --> 00:41:16,040
Speaker 1: Russ sell out Radio City and Barclay Center independently.

996
00:41:16,400 --> 00:41:16,839
Speaker 6: Mm hmm.

997
00:41:17,840 --> 00:41:20,400
Speaker 1: Russ, I wouldn't say he's a superstar. He's he's definitely

998
00:41:21,120 --> 00:41:23,839
Speaker 1: up there as far as popular popularity. But I don't

999
00:41:23,880 --> 00:41:25,520
Speaker 1: know if I know any superstars that are independent.

1000
00:41:26,120 --> 00:41:29,120
Speaker 6: Sure is independent now now? Now?

1001
00:41:29,320 --> 00:41:31,480
Speaker 3: Yeah, I mean that's you know, but.

1002
00:41:31,600 --> 00:41:32,839
Speaker 1: You hope is independent now?

1003
00:41:33,160 --> 00:41:33,359
Speaker 3: Yeah?

1004
00:41:33,480 --> 00:41:36,080
Speaker 5: Like it's you know. But again, Russ is a great example.

1005
00:41:36,560 --> 00:41:39,160
Speaker 5: Russ is somebody who you might not be. You know,

1006
00:41:39,200 --> 00:41:42,320
Speaker 5: you don't think about when you start talking about superstars.

1007
00:41:42,360 --> 00:41:44,960
Speaker 5: But if you go to a Russ show, yeah, and

1008
00:41:45,000 --> 00:41:47,080
Speaker 5: you see it, so the venues that he's able to

1009
00:41:47,120 --> 00:41:50,000
Speaker 5: sell out, that's superstar shit.

1010
00:41:50,160 --> 00:41:53,880
Speaker 1: But why would JD not understand that some artists just

1011
00:41:53,920 --> 00:41:58,560
Speaker 1: don't want their music owned in perpetuity forever. Like even

1012
00:41:58,920 --> 00:42:02,839
Speaker 1: the way he's seeing people sell their catalogs, Like, well,

1013
00:42:02,880 --> 00:42:05,279
Speaker 1: he's you can't sell your full catalog if you're not

1014
00:42:05,320 --> 00:42:06,120
Speaker 1: completely independent.

1015
00:42:06,160 --> 00:42:09,120
Speaker 5: But he's asking, but he's asking, what's the goal of

1016
00:42:09,160 --> 00:42:12,799
Speaker 5: being an independent artist today? Because all the things that

1017
00:42:13,000 --> 00:42:17,600
Speaker 5: people are chasing is what the major artists get.

1018
00:42:19,080 --> 00:42:21,839
Speaker 1: Yeah, but that's just it's just a weird point because

1019
00:42:21,840 --> 00:42:23,879
Speaker 1: everyone is changing. That's the way it successful. Like it's

1020
00:42:24,120 --> 00:42:25,960
Speaker 1: very I just don't get it. It's a bad question.

1021
00:42:26,000 --> 00:42:28,040
Speaker 6: The way he asked the question doesn't even make sense,

1022
00:42:28,040 --> 00:42:29,920
Speaker 6: Like it's a bad question.

1023
00:42:30,640 --> 00:42:34,279
Speaker 5: Well, he did started with I'm a little lost, so

1024
00:42:34,360 --> 00:42:36,840
Speaker 5: let's let's start there. He did start with I'm a

1025
00:42:36,840 --> 00:42:39,719
Speaker 5: little lost, and then he said, can somebody tell me

1026
00:42:40,400 --> 00:42:43,400
Speaker 5: what the goal of being an independent artist is today?

1027
00:42:43,760 --> 00:42:46,880
Speaker 5: Because all of the things that people are chasing is

1028
00:42:46,920 --> 00:42:50,600
Speaker 5: the ship that major artists have. So what is the

1029
00:42:50,640 --> 00:42:55,719
Speaker 5: thing that independent artists do that make it special? Well,

1030
00:42:55,800 --> 00:42:57,200
Speaker 5: somebody I understand the question.

1031
00:42:57,640 --> 00:43:00,400
Speaker 6: Crooked I responded and said, freedom. And I'm not against

1032
00:43:00,400 --> 00:43:02,520
Speaker 6: majors as long as the deal has beneficial for everyone.

1033
00:43:02,560 --> 00:43:04,640
Speaker 6: But being India is the freedom to choose the what, when,

1034
00:43:04,680 --> 00:43:07,400
Speaker 6: where and how? And Jermaine de preresponded to Crooked I

1035
00:43:07,520 --> 00:43:09,960
Speaker 6: and said, so you're saying freedom is the perk? So

1036
00:43:10,520 --> 00:43:13,839
Speaker 6: I think JD is wondering what's the perk of being independent?

1037
00:43:14,080 --> 00:43:17,200
Speaker 6: But I feel like that's such an easy question to answer,

1038
00:43:17,719 --> 00:43:18,919
Speaker 6: even if that is what he's asking.

1039
00:43:19,000 --> 00:43:21,600
Speaker 1: It's like, I mean, the answer is pretty obviously, even

1040
00:43:21,680 --> 00:43:24,560
Speaker 1: like Ransom reply to own their masters, own their name

1041
00:43:24,560 --> 00:43:27,759
Speaker 1: and likeness, own their creative direction, own their freedom. We

1042
00:43:27,840 --> 00:43:29,520
Speaker 1: don't have to wait for someone to tell us when

1043
00:43:29,560 --> 00:43:32,279
Speaker 1: we can release a song, album, mixtape, tour, interview. We

1044
00:43:32,360 --> 00:43:35,160
Speaker 1: do what we want when we want. Yeah, and to me,

1045
00:43:35,239 --> 00:43:37,160
Speaker 1: I mean, yeah, that's pretty obvious.

1046
00:43:37,280 --> 00:43:39,960
Speaker 6: Yeah. I think JD is probably saying like it's like

1047
00:43:40,400 --> 00:43:42,759
Speaker 6: you're chasing When he says they're chasing the things that

1048
00:43:42,800 --> 00:43:45,920
Speaker 6: major artists have or get. I'm assuming they mean like

1049
00:43:46,040 --> 00:43:49,759
Speaker 6: Grammys or things like that. But it's like, yeah, it's

1050
00:43:49,760 --> 00:43:51,800
Speaker 6: going to be harder for me to get these things,

1051
00:43:51,880 --> 00:43:55,600
Speaker 6: but I'll keep more of my money in the long run. Yeah.

1052
00:43:55,640 --> 00:44:00,360
Speaker 1: And I mean, obviously we know JD still hip hop legend,

1053
00:44:01,200 --> 00:44:04,640
Speaker 1: but a lot of JD's biggest stuff is been popping

1054
00:44:04,760 --> 00:44:09,080
Speaker 1: R and B, which is not typically ever an independent

1055
00:44:09,120 --> 00:44:13,160
Speaker 1: worlds at all. Like JD is very much used to

1056
00:44:13,200 --> 00:44:16,719
Speaker 1: that system because to create superstars you do need a

1057
00:44:16,760 --> 00:44:20,239
Speaker 1: major label to some degree, So that's probably I'm just

1058
00:44:20,560 --> 00:44:24,320
Speaker 1: sure JD has seen the benefits of what a major

1059
00:44:24,360 --> 00:44:27,560
Speaker 1: can actually do and provide for you because he's you know,

1060
00:44:27,640 --> 00:44:30,960
Speaker 1: so so deaf with universal and I'm so Sonya rather

1061
00:44:31,719 --> 00:44:34,440
Speaker 1: has helped a lot of his artists to become superstars.

1062
00:44:34,480 --> 00:44:37,920
Speaker 1: So maybe he just doesn't see the value in the

1063
00:44:37,920 --> 00:44:40,320
Speaker 1: indie thing because his goals are more on the superside,

1064
00:44:40,800 --> 00:44:45,200
Speaker 1: superstar side. I guess, yeah, I don't know.

1065
00:44:45,320 --> 00:44:47,000
Speaker 3: See, I know what happened. He was in the studio.

1066
00:44:47,320 --> 00:44:49,439
Speaker 3: One of them conversations came about.

1067
00:44:50,000 --> 00:44:52,080
Speaker 1: JD's good good for this. At least once a month

1068
00:44:52,120 --> 00:44:53,560
Speaker 1: he does stir up the timeline with no.

1069
00:44:53,600 --> 00:44:56,520
Speaker 5: But I like it though, because obviously we're talking about,

1070
00:44:56,600 --> 00:45:00,319
Speaker 5: you know, one of the most legendary producers and that

1071
00:45:00,360 --> 00:45:03,520
Speaker 5: we have in our culture. So I like the fact

1072
00:45:03,560 --> 00:45:05,680
Speaker 5: that you know, this is to me, this is what

1073
00:45:06,160 --> 00:45:09,600
Speaker 5: social media is about, Like you know, somebody like Jermain

1074
00:45:09,640 --> 00:45:11,759
Speaker 5: Duprix who has accomplished all that he has in the

1075
00:45:11,840 --> 00:45:16,160
Speaker 5: music industry and entertainment industry, you know, just having you know,

1076
00:45:16,320 --> 00:45:19,400
Speaker 5: those conversations in the studio that I've been or that

1077
00:45:19,440 --> 00:45:21,919
Speaker 5: we've been privy enough to be around in real time

1078
00:45:22,600 --> 00:45:24,520
Speaker 5: and just go to social media with it and just

1079
00:45:24,600 --> 00:45:26,920
Speaker 5: pose the question where it reaches a bunch of different people,

1080
00:45:27,320 --> 00:45:29,560
Speaker 5: because it's like, Okay, if it's five of us in

1081
00:45:29,600 --> 00:45:32,560
Speaker 5: here having this conversation and we're all arguing and yelling,

1082
00:45:32,760 --> 00:45:35,200
Speaker 5: it's like, you know what, let me tweet this. Other

1083
00:45:35,360 --> 00:45:37,839
Speaker 5: artists that you know, someone who are independent will see this.

1084
00:45:37,920 --> 00:45:40,520
Speaker 5: They'll chime in and they'll you know, respond to it,

1085
00:45:40,560 --> 00:45:43,280
Speaker 5: which is what Ransom and Crook and obviously l Russell

1086
00:45:43,719 --> 00:45:44,760
Speaker 5: and others have done.

1087
00:45:44,880 --> 00:45:46,359
Speaker 3: So I like this. I like this type of.

1088
00:45:47,920 --> 00:45:51,120
Speaker 5: Question posing from an artist or you know, a producer

1089
00:45:51,480 --> 00:45:52,400
Speaker 5: such as Jamaine Depris.

1090
00:45:52,480 --> 00:45:54,000
Speaker 1: I can't think of an example right off the top

1091
00:45:54,000 --> 00:45:55,520
Speaker 1: of my head right now, but have you ever had

1092
00:45:56,239 --> 00:45:58,319
Speaker 1: like a convo with your friends or even like when

1093
00:45:58,320 --> 00:46:00,840
Speaker 1: we're off Mike in the studio having a great debate

1094
00:46:01,000 --> 00:46:02,759
Speaker 1: or make a great point like I should tweet this

1095
00:46:03,040 --> 00:46:05,799
Speaker 1: thinking like you really smoke something because in the room

1096
00:46:05,840 --> 00:46:08,239
Speaker 1: at that time it felt like you were winning. And

1097
00:46:08,280 --> 00:46:10,960
Speaker 1: then you know, Timeline, you don't sem to think otherwise.

1098
00:46:11,040 --> 00:46:13,400
Speaker 5: You don't know how many times I've had that situation

1099
00:46:13,520 --> 00:46:15,600
Speaker 5: and somebody said, yo, mal you got the most tweet

1100
00:46:15,640 --> 00:46:17,680
Speaker 5: it right now and ask and I'm like, hell no,

1101
00:46:18,120 --> 00:46:22,840
Speaker 5: because I know I know what reading it versus having

1102
00:46:22,880 --> 00:46:27,480
Speaker 5: somebody ask you, Yeah, like this question that Jamaine tweeted.

1103
00:46:27,880 --> 00:46:30,759
Speaker 5: I know if he actually you actually could hear him

1104
00:46:30,880 --> 00:46:33,360
Speaker 5: asking the question, the context is totally different.

1105
00:46:33,440 --> 00:46:36,239
Speaker 1: Yeah, and give more points and more context to it.

1106
00:46:36,440 --> 00:46:38,560
Speaker 5: You only have so many Well, now you can tweet

1107
00:46:38,560 --> 00:46:40,400
Speaker 5: as much as you want, right, there's not a character

1108
00:46:40,400 --> 00:46:41,440
Speaker 5: limit on tweets anymore.

1109
00:46:41,480 --> 00:46:43,560
Speaker 3: No, I just see porns. I'm guessing there's no, no.

1110
00:46:43,600 --> 00:46:45,680
Speaker 6: There's character limits if you don't pay for Twitter.

1111
00:46:46,040 --> 00:46:50,200
Speaker 1: Oh okay, okay, okay, gotcha, I deliver right to Elon's pockets.

1112
00:46:50,280 --> 00:46:52,440
Speaker 3: Yeah, you can put it right in there. You head

1113
00:46:52,440 --> 00:46:52,680
Speaker 3: it to it.

1114
00:46:53,000 --> 00:46:54,600
Speaker 1: When I saw it, they like changed it to two

1115
00:46:54,600 --> 00:46:56,960
Speaker 1: eighty and then to unlimited. I thought I was gonna

1116
00:46:57,000 --> 00:46:59,120
Speaker 1: like be happy about that. I don't really go above

1117
00:46:59,120 --> 00:47:00,839
Speaker 1: one forty anyway. That was a good note.

1118
00:47:01,040 --> 00:47:02,640
Speaker 3: That's why I never paid for because I'm like, I

1119
00:47:02,640 --> 00:47:03,359
Speaker 3: don't tweet that much.

1120
00:47:03,400 --> 00:47:06,440
Speaker 6: It rory. Do you ever regret not being like regret

1121
00:47:06,560 --> 00:47:09,640
Speaker 6: being independent? No, not at all, because you are fully

1122
00:47:09,640 --> 00:47:11,240
Speaker 6: independent right completely.

1123
00:47:11,320 --> 00:47:15,719
Speaker 1: It's I will say, because compilation albums are very tough

1124
00:47:15,760 --> 00:47:18,120
Speaker 1: because everything is feature based, and getting features is tough,

1125
00:47:18,160 --> 00:47:20,960
Speaker 1: and you're waiting on other people's time. It would be

1126
00:47:21,040 --> 00:47:24,040
Speaker 1: way easier if I was on a major the resources

1127
00:47:24,160 --> 00:47:27,399
Speaker 1: of one money because you know, a lot of what

1128
00:47:28,120 --> 00:47:30,480
Speaker 1: I do, my project is based off personal relationships with

1129
00:47:30,560 --> 00:47:33,560
Speaker 1: people that are doing it to make the song. They're

1130
00:47:33,560 --> 00:47:35,759
Speaker 1: not looking for like a verse fee or anything like that.

1131
00:47:36,760 --> 00:47:39,680
Speaker 1: I could probably get some bigger features if I was like, Yo,

1132
00:47:39,719 --> 00:47:43,239
Speaker 1: I have a butt, do you need fifty K? Yeah?

1133
00:47:43,719 --> 00:47:44,279
Speaker 6: And not.

1134
00:47:44,520 --> 00:47:47,560
Speaker 1: You know, I don't believe the rumor that major labels

1135
00:47:47,560 --> 00:47:50,480
Speaker 1: can just hit a button and make your song go crazy.

1136
00:47:50,520 --> 00:47:53,759
Speaker 1: But they definitely you don't believe that. I think it's

1137
00:47:53,800 --> 00:47:56,440
Speaker 1: way more complicated and way more factors than just going

1138
00:47:56,640 --> 00:47:59,960
Speaker 1: this is a hit in your superstar because I'm universal,

1139
00:48:00,680 --> 00:48:01,280
Speaker 1: I think.

1140
00:48:01,080 --> 00:48:02,799
Speaker 3: They have that's exactly how easy it is.

1141
00:48:03,960 --> 00:48:06,799
Speaker 1: Then why wouldn't they do it all the time? Because

1142
00:48:06,800 --> 00:48:08,759
Speaker 1: it was why is rare them?

1143
00:48:08,840 --> 00:48:11,360
Speaker 5: It would be way too is a superstar rare? Yes,

1144
00:48:11,960 --> 00:48:14,640
Speaker 5: I don't know why Why can't they just still? I

1145
00:48:14,719 --> 00:48:16,319
Speaker 5: still don't understand the Playboy Cardi thing.

1146
00:48:16,920 --> 00:48:20,719
Speaker 1: Still that But to me, that's not major label ship.

1147
00:48:20,800 --> 00:48:23,640
Speaker 1: That's him building a cult and core fan base that

1148
00:48:23,800 --> 00:48:24,520
Speaker 1: like that type of ship.

1149
00:48:25,000 --> 00:48:26,960
Speaker 6: Play will Cardi showed them niggas it is mobbing and

1150
00:48:27,080 --> 00:48:28,600
Speaker 6: he's agreement, and but.

1151
00:48:28,560 --> 00:48:31,680
Speaker 1: Otto built a crazy community and I don't think it

1152
00:48:31,880 --> 00:48:34,799
Speaker 1: was a major going what was the song? Just tell

1153
00:48:34,800 --> 00:48:35,879
Speaker 1: when you're asking the wrong person.

1154
00:48:35,960 --> 00:48:36,600
Speaker 3: But that's what I'm saying.

1155
00:48:36,600 --> 00:48:39,319
Speaker 5: I don't even know what the song like and point

1156
00:48:39,360 --> 00:48:42,240
Speaker 5: to me this is this is no knock to Cardi,

1157
00:48:42,600 --> 00:48:44,239
Speaker 5: But I'm just saying when you have it, because he's

1158
00:48:44,280 --> 00:48:47,720
Speaker 5: a superstar. As far as I'm concerned, I can't attach

1159
00:48:47,760 --> 00:48:50,840
Speaker 5: it to a like what was the record, what was

1160
00:48:50,880 --> 00:48:51,280
Speaker 5: the moment?

1161
00:48:51,320 --> 00:48:54,080
Speaker 3: What was the I just can't see it.

1162
00:48:54,200 --> 00:48:55,920
Speaker 1: And I mean, I think that kind of proves the

1163
00:48:56,040 --> 00:48:58,960
Speaker 1: point then, because we don't know what that major label

1164
00:48:58,960 --> 00:49:03,680
Speaker 1: button moment was. It was over time. He built that community.

1165
00:49:03,880 --> 00:49:07,160
Speaker 1: And if major labels could do that, why when Rihanna

1166
00:49:07,280 --> 00:49:10,160
Speaker 1: has clearly retired, they didn't go new Rihanna.

1167
00:49:10,840 --> 00:49:13,120
Speaker 3: Because Rihanna doesn't want to put out music she could know, why.

1168
00:49:13,040 --> 00:49:14,759
Speaker 1: Can't they just create an Rihanna? Then if they can

1169
00:49:14,840 --> 00:49:15,560
Speaker 1: just hit a button.

1170
00:49:16,680 --> 00:49:21,160
Speaker 5: I mean, I feel like Tyler's on the way.

1171
00:49:21,320 --> 00:49:25,600
Speaker 1: I now you disrespect rihal I like Tyler too, but

1172
00:49:25,719 --> 00:49:28,240
Speaker 1: let's not even put certain people in a sentence.

1173
00:49:29,040 --> 00:49:30,680
Speaker 3: You know you miss you miss what I'm saying. I'm

1174
00:49:30,719 --> 00:49:31,120
Speaker 3: not saying.

1175
00:49:31,120 --> 00:49:34,120
Speaker 5: I'm just saying that I could the same package, the

1176
00:49:34,160 --> 00:49:37,640
Speaker 5: same way Rihanna came out, and people kind of were

1177
00:49:37,680 --> 00:49:42,120
Speaker 5: like a little hesitant on deciding, you know, if they

1178
00:49:42,239 --> 00:49:45,920
Speaker 5: liked her or not, because I remember that, I remember ponder, ponder,

1179
00:49:45,960 --> 00:49:48,120
Speaker 5: replaying all that I was did for that, I remember

1180
00:49:48,160 --> 00:49:51,359
Speaker 5: those moments. I'm just saying it got to a point

1181
00:49:51,400 --> 00:49:54,919
Speaker 5: that with Tyler's smashed with her water record smash, right,

1182
00:49:55,640 --> 00:49:58,080
Speaker 5: But I could see them kind of putting her through

1183
00:49:58,120 --> 00:50:00,920
Speaker 5: the same type of you know, that's kind of like

1184
00:50:01,000 --> 00:50:03,520
Speaker 5: she's a She's obviously a beautiful, a beautiful woman. I

1185
00:50:03,520 --> 00:50:05,440
Speaker 5: could see her at some point in time getting into

1186
00:50:05,480 --> 00:50:10,239
Speaker 5: the beauty space. Okay, the music the same type of

1187
00:50:10,280 --> 00:50:14,279
Speaker 5: you know, Caribbean, afrocentric, that type of vibe. I could

1188
00:50:14,280 --> 00:50:16,640
Speaker 5: see her than now them pushing her more into like

1189
00:50:16,719 --> 00:50:19,680
Speaker 5: real R and B lane at some point, Okay, I

1190
00:50:19,680 --> 00:50:21,440
Speaker 5: could see it. I'm sitting here with certain writers, R

1191
00:50:21,480 --> 00:50:24,439
Speaker 5: and B writers, producers getting her real R and B sound,

1192
00:50:25,080 --> 00:50:28,520
Speaker 5: getting her away from the African just afrobeats type of vibe,

1193
00:50:28,560 --> 00:50:31,280
Speaker 5: and I could see I could see that for Tyler.

1194
00:50:31,320 --> 00:50:34,799
Speaker 5: I could see the music industry absolutely pushing her through

1195
00:50:34,800 --> 00:50:37,480
Speaker 5: the same type of gauntlet that they did Ranne. At

1196
00:50:37,520 --> 00:50:40,040
Speaker 5: one point and shout out to Tyler because she's obviously

1197
00:50:40,080 --> 00:50:42,960
Speaker 5: talented and she's dope. But you can see it, like, Okay,

1198
00:50:43,000 --> 00:50:45,160
Speaker 5: I've seen this, seen this play before.

1199
00:50:45,840 --> 00:50:50,440
Speaker 1: I mean how that mean when she makes anti?

1200
00:50:50,520 --> 00:50:52,279
Speaker 5: Yeah, but you're talked about but how long? How long

1201
00:50:52,360 --> 00:50:53,800
Speaker 5: unto Rihanna's career did that happen?

1202
00:50:54,320 --> 00:50:54,440
Speaker 4: Oh?

1203
00:50:54,520 --> 00:50:54,880
Speaker 1: Later on?

1204
00:50:55,000 --> 00:50:57,000
Speaker 3: But exactly so it's the same thing.

1205
00:50:57,160 --> 00:50:59,560
Speaker 5: The point I'm making to you, give it time, let's

1206
00:50:59,600 --> 00:51:02,160
Speaker 5: watch it, but I can see it early, like, Okay,

1207
00:51:02,200 --> 00:51:05,040
Speaker 5: they're gonna sit Tyler with a real R and B producer,

1208
00:51:05,360 --> 00:51:08,399
Speaker 5: get her real R and B album project, and it's

1209
00:51:08,400 --> 00:51:10,839
Speaker 5: gonna Now she's into the R and B lane.

1210
00:51:10,880 --> 00:51:11,520
Speaker 3: I would dominate.

1211
00:51:11,719 --> 00:51:13,319
Speaker 6: I wouldn't say R and B because R and B

1212
00:51:13,640 --> 00:51:16,719
Speaker 6: singers are not really successful these days. Like R and

1213
00:51:16,760 --> 00:51:20,040
Speaker 6: B is not the successful Rihanna wasn't even R and

1214
00:51:20,040 --> 00:51:21,280
Speaker 6: B Rihanna as a pop artist.

1215
00:51:21,800 --> 00:51:24,000
Speaker 5: Yeah, but I mean yeah, but R and B pop

1216
00:51:24,040 --> 00:51:26,080
Speaker 5: pop is just popular, like we know R and B

1217
00:51:26,320 --> 00:51:27,000
Speaker 5: is pop music.

1218
00:51:27,040 --> 00:51:29,200
Speaker 1: I'm actually shocked this take is coming from you, because

1219
00:51:29,239 --> 00:51:33,320
Speaker 1: you are typically the person that has so much respect

1220
00:51:33,320 --> 00:51:37,240
Speaker 1: for actual like legends that you hate when we even compare,

1221
00:51:37,880 --> 00:51:40,080
Speaker 1: like the person.

1222
00:51:39,200 --> 00:51:40,240
Speaker 6: That hates Jello.

1223
00:51:40,320 --> 00:51:43,160
Speaker 1: When we say it's a good record to even compare

1224
00:51:43,160 --> 00:51:46,000
Speaker 1: to other legitimate artists, you rightfully so get upset. So

1225
00:51:46,040 --> 00:51:47,960
Speaker 1: that's why I think it's kind of nuts that you

1226
00:51:48,000 --> 00:51:51,319
Speaker 1: would put Tyler, even in a sentence off a hypothetical.

1227
00:51:51,960 --> 00:51:54,120
Speaker 3: No, but I'm you're you're making it too much.

1228
00:51:54,560 --> 00:51:56,279
Speaker 5: You'regging it a little bit because you're making it too

1229
00:51:56,320 --> 00:51:59,040
Speaker 5: much of a comparison thing. I'm not saying Tyler. I'm

1230
00:51:59,040 --> 00:52:01,440
Speaker 5: saying the same thing that they did for Rihanna. They

1231
00:52:01,480 --> 00:52:04,239
Speaker 5: started out with her roots, her sound, her culture. It

1232
00:52:04,320 --> 00:52:06,920
Speaker 5: was that heavy. It was Caribbean heavy with Rihanna at first.

1233
00:52:07,200 --> 00:52:10,600
Speaker 5: It then transitions into shit her with Neo. Let's get

1234
00:52:10,600 --> 00:52:13,080
Speaker 5: these records, get with the dream, get the umbrella and

1235
00:52:13,120 --> 00:52:14,759
Speaker 5: all of that. Let Jake put a verse on that,

1236
00:52:14,800 --> 00:52:16,640
Speaker 5: you know what I'm saying, Like I could see them

1237
00:52:16,680 --> 00:52:19,560
Speaker 5: doing the same thing with Tyler milliare.

1238
00:52:19,239 --> 00:52:22,520
Speaker 1: Definitely invested in going to make sure she continues to

1239
00:52:22,600 --> 00:52:27,600
Speaker 1: be a very popular artist. But I just don't think

1240
00:52:27,719 --> 00:52:31,520
Speaker 1: it's just a label thing at that point. Like Water

1241
00:52:32,040 --> 00:52:34,239
Speaker 1: was successful, yes, because the majors did get behind it

1242
00:52:34,280 --> 00:52:37,480
Speaker 1: and you could not fucking escape that song. Water is

1243
00:52:37,520 --> 00:52:39,319
Speaker 1: also an incredible fucking song.

1244
00:52:39,360 --> 00:52:41,400
Speaker 3: Absolutely, I'm not saying it's not.

1245
00:52:41,560 --> 00:52:46,000
Speaker 1: Yes, major labels know how to push the button on

1246
00:52:46,120 --> 00:52:49,040
Speaker 1: incredible records to get them in front of more eyes

1247
00:52:49,080 --> 00:52:52,400
Speaker 1: and ears. Like, let's not just say they hit a

1248
00:52:52,400 --> 00:52:55,640
Speaker 1: button on anything. It takes two to get to that

1249
00:52:55,640 --> 00:52:58,719
Speaker 1: superstar level. They'll put some bullshit out that'll just play

1250
00:52:58,760 --> 00:52:59,120
Speaker 1: on radio.

1251
00:52:59,360 --> 00:53:01,279
Speaker 5: You worked in it industry, You mean to tell me

1252
00:53:01,360 --> 00:53:03,480
Speaker 5: you don't think that is It's just a simple phone

1253
00:53:03,480 --> 00:53:05,560
Speaker 5: call for them to say, you know what, we're going

1254
00:53:05,640 --> 00:53:07,960
Speaker 5: to get her on the view with Whoopee, We're going

1255
00:53:08,040 --> 00:53:09,840
Speaker 5: to get her on this with her, We're going to

1256
00:53:09,920 --> 00:53:12,200
Speaker 5: put this artist on this show with that daytime TV.

1257
00:53:12,800 --> 00:53:14,360
Speaker 3: It's literally just phone calls.

1258
00:53:14,360 --> 00:53:16,080
Speaker 6: But that doesn't make you a superstars.

1259
00:53:16,480 --> 00:53:20,239
Speaker 1: I agree that the major system back to the superstar shit.

1260
00:53:20,320 --> 00:53:24,000
Speaker 1: You need a major to have those connections. Yes, with

1261
00:53:24,160 --> 00:53:28,359
Speaker 1: a major, you'll probably get on fallin easier, but that

1262
00:53:28,440 --> 00:53:31,640
Speaker 1: doesn't mean you're going to stay on if the music sucks.

1263
00:53:32,120 --> 00:53:34,520
Speaker 1: That's what makes superstars. Yes, they get buttons.

1264
00:53:34,239 --> 00:53:35,600
Speaker 6: Pushed again, but they delivered.

1265
00:53:35,680 --> 00:53:39,080
Speaker 5: But the button pushing is literally Yo, get her in

1266
00:53:39,120 --> 00:53:42,600
Speaker 5: the studio with Mike Dean, get her in the studio

1267
00:53:42,719 --> 00:53:46,080
Speaker 5: with this person, it's literally just the label making calls

1268
00:53:46,080 --> 00:53:48,480
Speaker 5: that they already have with people they already have relationships with,

1269
00:53:48,760 --> 00:53:52,000
Speaker 5: like this is the next superstar. Label, you can create

1270
00:53:52,040 --> 00:53:54,719
Speaker 5: the next superstar. You can absolutely push a button to

1271
00:53:54,760 --> 00:53:56,120
Speaker 5: say this is the next superstar.

1272
00:53:56,200 --> 00:53:58,520
Speaker 1: I agree, But what is the deciding factor that makes

1273
00:53:58,560 --> 00:54:01,520
Speaker 1: them a superstar and keep them in the game for

1274
00:54:01,560 --> 00:54:04,960
Speaker 1: fifteen twenty years. It's their talent level as well. They

1275
00:54:04,960 --> 00:54:08,840
Speaker 1: have given plenty of artists an opportunity to be on

1276
00:54:09,000 --> 00:54:11,360
Speaker 1: Foulin and do a live performance on late night TV.

1277
00:54:11,520 --> 00:54:14,239
Speaker 1: Doesn't mean they become superstars. Yes, the majors give you

1278
00:54:14,640 --> 00:54:17,160
Speaker 1: the opportunity. Yeah, but how much a lot of people

1279
00:54:17,239 --> 00:54:17,920
Speaker 1: don't deliver from.

1280
00:54:17,920 --> 00:54:20,280
Speaker 3: How much talent do you need today to be a superstar?

1281
00:54:20,880 --> 00:54:22,719
Speaker 6: Well, who are this super about to say? And we

1282
00:54:22,760 --> 00:54:23,160
Speaker 6: have a lot?

1283
00:54:23,239 --> 00:54:24,399
Speaker 1: Because isn't there isn't.

1284
00:54:24,400 --> 00:54:26,200
Speaker 6: No, you don't need a lot of this hand, don't

1285
00:54:26,239 --> 00:54:27,760
Speaker 6: need a lot this superstar title.

1286
00:54:27,960 --> 00:54:30,600
Speaker 5: You do not need a loperstar right now. I'm whoever

1287
00:54:30,600 --> 00:54:32,200
Speaker 5: you want to name is a superstar. I'm saying you

1288
00:54:32,239 --> 00:54:34,719
Speaker 5: today in twenty twenty five, to be a superstar in

1289
00:54:34,760 --> 00:54:36,960
Speaker 5: the music business, you do not need a lot of

1290
00:54:37,040 --> 00:54:39,839
Speaker 5: talent because a lot of superstars that we can name

1291
00:54:40,040 --> 00:54:42,839
Speaker 5: are not great vocalists. I'm not gonna put no names

1292
00:54:42,880 --> 00:54:45,920
Speaker 5: on it with y'all. They're not great vocalists Without all

1293
00:54:45,960 --> 00:54:48,279
Speaker 5: of the bells and whistles and tricks and shit on

1294
00:54:48,640 --> 00:54:51,000
Speaker 5: the mixing board, they do not sound that good. They

1295
00:54:51,000 --> 00:54:53,719
Speaker 5: cannot dance that good. So what are we talking about?

1296
00:54:53,719 --> 00:54:55,239
Speaker 5: Whilere you acting like it's so hard to make it?

1297
00:54:55,320 --> 00:54:58,759
Speaker 5: If a label decides this is the person we're investing in,

1298
00:54:58,800 --> 00:55:01,239
Speaker 5: and we're putting the house behind that person is going

1299
00:55:01,280 --> 00:55:03,680
Speaker 5: to be successful. We've seen it Tom and Tom again,

1300
00:55:04,000 --> 00:55:05,759
Speaker 5: and then we see people that are like them. She

1301
00:55:05,880 --> 00:55:08,000
Speaker 5: sings better than her, or he sings better. How is

1302
00:55:08,000 --> 00:55:11,719
Speaker 5: that he dances better than him, she dances better than her?

1303
00:55:11,880 --> 00:55:13,040
Speaker 5: How is she not a superstar?

1304
00:55:13,160 --> 00:55:15,160
Speaker 6: There's things that go into being so first of all,

1305
00:55:15,280 --> 00:55:16,960
Speaker 6: that's why I said, what's a superstar?

1306
00:55:19,400 --> 00:55:24,040
Speaker 5: A superstar somebody that just has that. It's a confidence thing,

1307
00:55:24,200 --> 00:55:26,520
Speaker 5: It's a it's a you elude this type of energy.

1308
00:55:26,680 --> 00:55:27,640
Speaker 3: Like you know what I'm saying.

1309
00:55:27,680 --> 00:55:30,200
Speaker 5: Why you may not be the greatest singer or greatest

1310
00:55:30,280 --> 00:55:33,200
Speaker 5: dancer when you walk in the room. It's something about

1311
00:55:33,239 --> 00:55:34,719
Speaker 5: you that people say I like this.

1312
00:55:34,840 --> 00:55:37,360
Speaker 1: That's definitely a factor. For sure. That's a talent and that,

1313
00:55:39,680 --> 00:55:42,279
Speaker 1: but it's a movie star. It's not the acting. I

1314
00:55:42,280 --> 00:55:44,120
Speaker 1: agree with you, that is definitely so it's the same

1315
00:55:44,160 --> 00:55:46,279
Speaker 1: thing in movies. It's the same thing you can't you

1316
00:55:46,320 --> 00:55:47,759
Speaker 1: can't name. I don't need to be able to hit

1317
00:55:47,800 --> 00:55:48,200
Speaker 1: that note.

1318
00:55:48,239 --> 00:55:49,880
Speaker 5: If I sing it to this mic and you do

1319
00:55:49,960 --> 00:55:51,879
Speaker 5: what you have to do behind that board, I hit

1320
00:55:51,920 --> 00:55:52,600
Speaker 5: that note by.

1321
00:55:52,440 --> 00:55:53,200
Speaker 3: The time you hear it.

1322
00:55:53,280 --> 00:55:56,279
Speaker 1: I'm not saying every superstar is Christina Aguilera when it

1323
00:55:56,280 --> 00:55:59,600
Speaker 1: comes to singing, but you cannot name me one superstar

1324
00:56:00,080 --> 00:56:04,160
Speaker 1: that is not extremely, extremely, extremely talented, not one.

1325
00:56:04,440 --> 00:56:06,359
Speaker 6: I think the only one that people will argue would

1326
00:56:06,360 --> 00:56:08,520
Speaker 6: be Rihanna. And that's not Shaye to Rihanna, because I

1327
00:56:08,560 --> 00:56:10,720
Speaker 6: absolutely love Rihanna. But it's been well known that people

1328
00:56:10,719 --> 00:56:12,719
Speaker 6: have doubted her vocals over the year, so that she

1329
00:56:12,760 --> 00:56:15,000
Speaker 6: wasn't a strong vocalist, said that she's not a strong dancer.

1330
00:56:15,239 --> 00:56:17,600
Speaker 6: Rihanna is just going a for aura. You can't out.

1331
00:56:17,719 --> 00:56:20,279
Speaker 6: She was born to be a store. She was born

1332
00:56:20,320 --> 00:56:22,120
Speaker 6: to be a star.

1333
00:56:22,200 --> 00:56:27,520
Speaker 1: And what did Rihanna do her entire career deliver incredible

1334
00:56:27,560 --> 00:56:31,760
Speaker 1: classic music Despite agree not being the best vocalist spirit

1335
00:56:31,960 --> 00:56:34,000
Speaker 1: Jennifer Lopez is not a good vocalist.

1336
00:56:34,040 --> 00:56:36,319
Speaker 5: What's the part of the superstar. What's the part of

1337
00:56:36,360 --> 00:56:39,839
Speaker 5: delivering those those records? What's a major part of delivering.

1338
00:56:39,480 --> 00:56:42,720
Speaker 6: Those records is the people writing them and producing them.

1339
00:56:42,960 --> 00:56:44,160
Speaker 6: I mean, he's not lying about that.

1340
00:56:45,360 --> 00:56:46,719
Speaker 3: Why are you acting like this right now?

1341
00:56:46,960 --> 00:56:51,400
Speaker 1: You make music, bro, the amount of references with Rihanna records,

1342
00:56:51,440 --> 00:56:52,719
Speaker 1: I've heard and we know.

1343
00:56:52,960 --> 00:56:56,920
Speaker 5: People that I don't want to delivered this better. I

1344
00:56:56,920 --> 00:56:58,520
Speaker 5: don't want it more of a wait wait, wait, I

1345
00:56:58,560 --> 00:57:00,440
Speaker 5: do not want to make this a Rihanna thing. I'm

1346
00:57:00,480 --> 00:57:02,800
Speaker 5: not trying to make the surrianite. I'm talking in general.

1347
00:57:03,320 --> 00:57:07,120
Speaker 5: Why are you acting like you can't just take this person,

1348
00:57:07,200 --> 00:57:09,880
Speaker 5: this artist, and once you put them in a room

1349
00:57:10,440 --> 00:57:12,359
Speaker 5: ry Right now, if you put me in the room

1350
00:57:12,360 --> 00:57:16,160
Speaker 5: with Dream and whatever fucking other producer you want to

1351
00:57:16,160 --> 00:57:17,920
Speaker 5: put me in a room with, I could make a

1352
00:57:17,920 --> 00:57:18,800
Speaker 5: fucking hit record.

1353
00:57:18,880 --> 00:57:23,160
Speaker 1: Moll, I guarantee you there are thousands and thousands and

1354
00:57:23,240 --> 00:57:28,800
Speaker 1: thousands of songs that labels sent to the Dream that

1355
00:57:28,840 --> 00:57:29,600
Speaker 1: did not work out.

1356
00:57:30,400 --> 00:57:32,680
Speaker 5: Of course, I'm not saying it's not I'm just saying

1357
00:57:32,720 --> 00:57:35,520
Speaker 5: when it label decides that they have this person, like, damn,

1358
00:57:35,560 --> 00:57:37,000
Speaker 5: this person right here, this is the next.

1359
00:57:37,120 --> 00:57:39,840
Speaker 1: So why don't they do that? Why is Tanashi not

1360
00:57:39,880 --> 00:57:40,160
Speaker 1: a star?

1361
00:57:41,000 --> 00:57:44,400
Speaker 6: Why they tried very hard and everything.

1362
00:57:44,800 --> 00:57:48,160
Speaker 1: World for her, every opportunity, And I do think she's talented,

1363
00:57:48,400 --> 00:57:50,560
Speaker 1: not the best vocalist all the time either does kind

1364
00:57:50,560 --> 00:57:51,400
Speaker 1: of have an hit factor?

1365
00:57:51,640 --> 00:57:53,480
Speaker 6: Why why didn't that work out? Why didn't read the

1366
00:57:53,560 --> 00:57:58,000
Speaker 6: oral workout? It's not foolproof, Like I get what Maul

1367
00:57:58,120 --> 00:58:01,720
Speaker 6: is saying, like it does help, but you have to

1368
00:58:01,840 --> 00:58:04,640
Speaker 6: be that girl. If you not or that boy, if

1369
00:58:04,680 --> 00:58:07,280
Speaker 6: you not that, then there's no button in the world

1370
00:58:07,320 --> 00:58:09,040
Speaker 6: they can press that will give you. You might have

1371
00:58:09,080 --> 00:58:11,520
Speaker 6: one hit, but it's not gonna give you longevity. Like

1372
00:58:11,560 --> 00:58:14,480
Speaker 6: it's just not gonna happen. You can't fake that, especially

1373
00:58:14,480 --> 00:58:16,120
Speaker 6: for too long. You can't fake it for too long.

1374
00:58:16,200 --> 00:58:18,919
Speaker 6: The reader or is a perfect example because they put

1375
00:58:18,920 --> 00:58:20,320
Speaker 6: the fucking house behind.

1376
00:58:20,080 --> 00:58:24,920
Speaker 1: Her, and that is what separates it. Anyone can get

1377
00:58:24,920 --> 00:58:28,479
Speaker 1: the opportunities from the majors. They themselves are what keeps

1378
00:58:28,480 --> 00:58:30,320
Speaker 1: them on. Yes, of course there's help, there's right as

1379
00:58:30,360 --> 00:58:32,760
Speaker 1: a producers. But so there's plenty of people that get

1380
00:58:32,800 --> 00:58:37,120
Speaker 1: those shots and put out bullshit. Plenty of people have

1381
00:58:37,160 --> 00:58:41,280
Speaker 1: worked with Dream, have had Timberland Beats, had every fucking

1382
00:58:41,360 --> 00:58:44,600
Speaker 1: publication look that you could get, and did not make

1383
00:58:44,640 --> 00:58:48,440
Speaker 1: it because they weren't a superstar. Like I won't say

1384
00:58:48,480 --> 00:58:49,960
Speaker 1: dogect superstar, but she's a star.

1385
00:58:51,120 --> 00:58:51,360
Speaker 3: Y'all.

1386
00:58:51,400 --> 00:58:53,280
Speaker 6: Just hold on wait, y'all just called Playboy Cardi a

1387
00:58:53,360 --> 00:58:55,280
Speaker 6: superstar if you can call it Playboy Cardi a superstar.

1388
00:58:55,360 --> 00:58:57,680
Speaker 6: Called Playboy Cardios, y'all did? That was how this whole

1389
00:58:57,800 --> 00:58:59,000
Speaker 6: entire conversation came.

1390
00:58:58,880 --> 00:59:01,680
Speaker 1: About star thing. But I think Playboy Cardi is a superstar.

1391
00:59:01,880 --> 00:59:02,080
Speaker 4: I do.

1392
00:59:02,200 --> 00:59:04,960
Speaker 6: I think that that that's super one that said that different.

1393
00:59:05,080 --> 00:59:08,040
Speaker 6: He has a literal coach. That's not when I think

1394
00:59:08,120 --> 00:59:09,840
Speaker 6: super can You can't.

1395
00:59:09,600 --> 00:59:11,400
Speaker 3: Have a coat following and not be a superstar.

1396
00:59:11,480 --> 00:59:13,920
Speaker 1: Taylor Swift is a superstar. Beyonce is a superstar. Justin

1397
00:59:13,920 --> 00:59:16,160
Speaker 1: Bieber is a superstar. Think that guy is a superstar.

1398
00:59:16,200 --> 00:59:18,480
Speaker 6: Beyonce is a mega star. Is a little bit different, Beyonce,

1399
00:59:18,680 --> 00:59:22,320
Speaker 6: Michael Jackson, you and entering into mega I think Usher

1400
00:59:22,680 --> 00:59:24,680
Speaker 6: Usher is a superstar. Yeah, I don't think Playboy cart

1401
00:59:24,800 --> 00:59:29,000
Speaker 6: is a superstar. Usher is a superstar. Rihanna is a superstar.

1402
00:59:29,120 --> 00:59:33,360
Speaker 6: Bruno Mars superstar, Playboy Carti is not a superstar. He's

1403
00:59:33,400 --> 00:59:36,240
Speaker 6: a star, but he's not a superstar. I think there's

1404
00:59:36,280 --> 00:59:37,280
Speaker 6: a little bit of a difference.

1405
00:59:38,000 --> 00:59:39,720
Speaker 1: And so back to the Dojakat thing.

1406
00:59:39,880 --> 00:59:42,200
Speaker 5: If Playboy CARDI tweet right now that he's a Union

1407
00:59:42,200 --> 00:59:44,640
Speaker 5: Square Park, it's gonna be pandemonium on Fourteenth Street.

1408
00:59:46,280 --> 00:59:49,280
Speaker 1: What all right? What if Ariana Grande tweeted that they

1409
00:59:49,400 --> 00:59:50,720
Speaker 1: got a city down superstar.

1410
00:59:51,320 --> 00:59:55,160
Speaker 6: Yeah, I think the same ship would have with Playboy Superstar.

1411
00:59:55,680 --> 00:59:58,920
Speaker 6: If Playboy CARDI tweets I'm in Union Square Park right

1412
00:59:58,960 --> 01:00:02,560
Speaker 6: now playing my album, it's going to be pandemonium uptown.

1413
01:00:02,600 --> 01:00:02,960
Speaker 1: I agree.

1414
01:00:03,000 --> 01:00:04,720
Speaker 6: He's a very popular I.

1415
01:00:04,640 --> 01:00:07,400
Speaker 5: Don't say popular, he's a superstar. Bro, we're not doing

1416
01:00:07,480 --> 01:00:09,360
Speaker 5: that he's in I don't understand it. I'm gonna be

1417
01:00:09,360 --> 01:00:10,880
Speaker 5: the first to tell you. Maybe it's outside of what

1418
01:00:10,960 --> 01:00:13,280
Speaker 5: I'm my algorithm. I don't understand it.

1419
01:00:13,200 --> 01:00:15,840
Speaker 3: But I recognize a superstar when I see one. Playboy

1420
01:00:15,880 --> 01:00:16,680
Speaker 3: Card is a superstar.

1421
01:00:16,800 --> 01:00:18,240
Speaker 1: He's a list in hip hop.

1422
01:00:19,880 --> 01:00:21,040
Speaker 3: That's not however you want to.

1423
01:00:21,040 --> 01:00:23,120
Speaker 1: Listen, it's playable pretty much.

1424
01:00:22,960 --> 01:00:24,680
Speaker 5: Cut you want to put on that dope, Rory, do

1425
01:00:24,760 --> 01:00:28,000
Speaker 5: what you gotta do. Playboy Card is a superstar.

1426
01:00:28,400 --> 01:00:31,760
Speaker 1: What's the biggest venue that he's gonna sell out?

1427
01:00:32,160 --> 01:00:33,520
Speaker 6: Oh, don't do that because Playboy Card.

1428
01:00:33,800 --> 01:00:38,480
Speaker 1: I'm not taking anything Cardi. I'm aware of how poper

1429
01:00:38,600 --> 01:00:41,680
Speaker 1: I believe you could sell out the Garden. I wouldn't

1430
01:00:41,720 --> 01:00:42,960
Speaker 1: be shocked if he sold out the Garden.

1431
01:00:43,000 --> 01:00:43,760
Speaker 3: But that's a superstar.

1432
01:00:43,840 --> 01:00:44,520
Speaker 1: Oh that's a star.

1433
01:00:45,280 --> 01:00:45,440
Speaker 6: Bro.

1434
01:00:45,600 --> 01:00:47,680
Speaker 1: You when he sells out MetLife, then talk.

1435
01:00:47,560 --> 01:00:49,400
Speaker 6: To me, Well he has two shows.

1436
01:00:51,560 --> 01:00:55,760
Speaker 1: Nah if I Met Life like that's insane. There's a

1437
01:00:55,800 --> 01:00:59,560
Speaker 1: handful of people that could do. Travis Scott is a superstar. Yes, star,

1438
01:01:00,240 --> 01:01:03,520
Speaker 1: he sold our Met Life. He's a star.

1439
01:01:04,040 --> 01:01:04,160
Speaker 2: Yo.

1440
01:01:04,320 --> 01:01:07,160
Speaker 6: You tripping? What ain't talking about? Nobody gonna fuck you?

1441
01:01:07,200 --> 01:01:10,760
Speaker 6: Squabble up that nigga. Playboy Carti is a superstar. Bro,

1442
01:01:11,040 --> 01:01:12,880
Speaker 6: I'll fight you one on one. I don't give a fuck.

1443
01:01:12,960 --> 01:01:15,560
Speaker 6: I don't need no help. Playboy Catti is a superstar. How

1444
01:01:15,600 --> 01:01:16,160
Speaker 6: you take that far?

1445
01:01:16,240 --> 01:01:16,880
Speaker 1: I don't need help.

1446
01:01:16,920 --> 01:01:17,120
Speaker 2: I don't.

1447
01:01:17,160 --> 01:01:19,200
Speaker 3: I'm just saying that's like that.

1448
01:01:19,280 --> 01:01:20,520
Speaker 6: I'll take the I'll take.

1449
01:01:20,360 --> 01:01:22,360
Speaker 3: The one on one. Playboy Card is a superstar.

1450
01:01:22,400 --> 01:01:24,840
Speaker 1: If this podcast breaks up because of Playboy Cardian.

1451
01:01:25,000 --> 01:01:27,800
Speaker 5: No, I'm just saying, Playboy Carti to me is a superstar.

1452
01:01:28,080 --> 01:01:30,120
Speaker 5: I think if you have a coat following the side

1453
01:01:30,160 --> 01:01:31,920
Speaker 5: that he has, bro, that's superstar.

1454
01:01:32,040 --> 01:01:34,480
Speaker 3: Shit, Bro, that's not easy about star.

1455
01:01:34,600 --> 01:01:36,600
Speaker 6: I think of talent, So I won't agree with you

1456
01:01:36,640 --> 01:01:38,320
Speaker 6: on that because I think that talent is a factor

1457
01:01:38,400 --> 01:01:40,080
Speaker 6: no matter how popular you are. I think it ordered

1458
01:01:40,080 --> 01:01:42,240
Speaker 6: to be a superstar, you have to have the company

1459
01:01:42,240 --> 01:01:43,160
Speaker 6: and talent to back it up.

1460
01:01:43,200 --> 01:01:46,520
Speaker 1: Which which one of these does not belong Taylor Swift, Beyonce.

1461
01:01:46,400 --> 01:01:48,400
Speaker 6: Joe, Taylor Swift is a megastar, Leeve, g.

1462
01:01:48,520 --> 01:01:53,520
Speaker 1: GA, Madonna, Rihanna, Ari, you on Grande? Playboy CARDI which one?

1463
01:01:53,560 --> 01:01:54,400
Speaker 1: Which one is not belonged?

1464
01:01:54,400 --> 01:01:56,000
Speaker 5: Because I don't even like your tone in the way

1465
01:01:56,080 --> 01:01:57,840
Speaker 5: you drop your tone when you said his name and

1466
01:01:57,840 --> 01:01:58,200
Speaker 5: all of that.

1467
01:01:58,200 --> 01:01:58,760
Speaker 3: Don't do that.

1468
01:01:59,120 --> 01:02:00,760
Speaker 5: Because I think that all of those artists that you

1469
01:02:00,880 --> 01:02:02,400
Speaker 5: just named, I think they'll do They'll do a song

1470
01:02:02,440 --> 01:02:05,200
Speaker 5: with Playboy Cardy. I think he can get a feature

1471
01:02:05,200 --> 01:02:07,320
Speaker 5: with all of them. I Spike's got a record with

1472
01:02:07,320 --> 01:02:09,400
Speaker 5: Taylor Swift, We're not doing that. Playboy card could get

1473
01:02:09,400 --> 01:02:11,080
Speaker 5: a record with Taylor Swift, We're not doing that.

1474
01:02:11,120 --> 01:02:14,440
Speaker 1: Well, he he just got a song win a superstar

1475
01:02:15,360 --> 01:02:16,640
Speaker 1: the weekend exactly.

1476
01:02:16,640 --> 01:02:19,000
Speaker 6: He's on tour with the weekend Actually the weekend superstar

1477
01:02:19,080 --> 01:02:22,200
Speaker 6: is a superstar. Yeah, playboy card is right there.

1478
01:02:22,360 --> 01:02:24,360
Speaker 1: You've never seen a tour with two superstars except for

1479
01:02:24,440 --> 01:02:25,640
Speaker 1: jay Z and Beyonce. And I don't even know if

1480
01:02:25,680 --> 01:02:26,960
Speaker 1: jay Z would be consider a superstar.

1481
01:02:27,600 --> 01:02:30,720
Speaker 6: We're not doing that another one that was a superstar tour.

1482
01:02:30,880 --> 01:02:34,280
Speaker 3: Jay Z is a superstar. We're not doing that. We're

1483
01:02:34,320 --> 01:02:37,160
Speaker 3: not doing that. Jay Z is a superstar, y you

1484
01:02:37,360 --> 01:02:37,720
Speaker 3: cat in.

1485
01:02:38,040 --> 01:02:45,280
Speaker 6: I mean, we don't need to, we don't need topics. Stop,

1486
01:02:45,760 --> 01:02:46,680
Speaker 6: just stopper.

1487
01:02:47,240 --> 01:02:49,800
Speaker 3: Jay Z is not a superstar. Just stop, yo, what's up?

1488
01:02:50,160 --> 01:02:55,960
Speaker 6: Star? No, Jalen Brunton is a star. Jay Z is

1489
01:02:56,000 --> 01:02:58,360
Speaker 6: a He's a mega star. In my world, jay Z

1490
01:02:58,560 --> 01:03:01,160
Speaker 6: is a fucking superstar. We are you talking about star?

1491
01:03:01,760 --> 01:03:03,120
Speaker 6: Are you crazy?

1492
01:03:03,840 --> 01:03:05,960
Speaker 1: I just reserved that for people that I named.

1493
01:03:06,480 --> 01:03:09,320
Speaker 6: He started a billionaire walk like he walks with billionaires

1494
01:03:09,320 --> 01:03:11,040
Speaker 6: in the morning just to get his steps in.

1495
01:03:11,200 --> 01:03:13,040
Speaker 3: That's superstar shit are you talking?

1496
01:03:13,200 --> 01:03:15,280
Speaker 1: No, that's a that's a superstar business man.

1497
01:03:15,920 --> 01:03:16,680
Speaker 6: What however, you.

1498
01:03:16,640 --> 01:03:18,640
Speaker 3: Want to again put as much cut on the dope

1499
01:03:18,680 --> 01:03:19,800
Speaker 3: as you want, jay Z.

1500
01:03:20,000 --> 01:03:22,240
Speaker 1: You know I'm a whole avenger that I would say

1501
01:03:22,240 --> 01:03:23,880
Speaker 1: that Michael Jackson and jay Z should be in the

1502
01:03:23,880 --> 01:03:28,040
Speaker 1: same sentence. But if somebody was being objective and put

1503
01:03:28,120 --> 01:03:30,240
Speaker 1: up the stats of both of those people, they do

1504
01:03:30,320 --> 01:03:31,480
Speaker 1: not belong in the same sentence.

1505
01:03:31,520 --> 01:03:33,760
Speaker 6: But do you keep saying, Michael Jackson ain't no superstar,

1506
01:03:34,200 --> 01:03:36,800
Speaker 6: fucking god, like that's what I'm saying, Like you care

1507
01:03:36,880 --> 01:03:40,560
Speaker 6: about Michael Jackson, Taylor Swift, Beyonce are not superstars there

1508
01:03:40,720 --> 01:03:43,480
Speaker 6: they are surpassed that. That's what that's why they bring.

1509
01:03:43,960 --> 01:03:47,520
Speaker 1: Maybe that's where our disconnecting this conversation is done. If

1510
01:03:47,760 --> 01:03:49,720
Speaker 1: going off the definitions you guys are saying, then yes,

1511
01:03:49,760 --> 01:03:52,560
Speaker 1: jay Z's is a superstar. If we're having the level

1512
01:03:52,560 --> 01:03:55,880
Speaker 1: of megastar in this mix, jay Z is a superstar.

1513
01:03:56,640 --> 01:03:58,720
Speaker 1: Cardi is still just a star even if we're adding

1514
01:03:58,760 --> 01:03:59,640
Speaker 1: megastars in this mix.

1515
01:04:00,080 --> 01:04:02,520
Speaker 6: Yeah I don't. Yeah, I'm not really going with that.

1516
01:04:03,120 --> 01:04:06,960
Speaker 6: But again, I'm using an old school definition. So but

1517
01:04:07,080 --> 01:04:09,240
Speaker 6: I think this is our a list conversation all over again,

1518
01:04:09,320 --> 01:04:10,520
Speaker 6: and I think that we just all.

1519
01:04:10,760 --> 01:04:12,600
Speaker 1: Well, I didn't want to get back to the point

1520
01:04:12,680 --> 01:04:15,400
Speaker 1: of if labels can just do that, why don't they

1521
01:04:15,440 --> 01:04:17,640
Speaker 1: do it more? That was my original point too.

1522
01:04:17,720 --> 01:04:21,800
Speaker 5: Yes, well again because everybody doesn't have that thing about them.

1523
01:04:22,040 --> 01:04:23,880
Speaker 5: They don't have that air about them, they don't have

1524
01:04:23,920 --> 01:04:26,280
Speaker 5: that presence, they don't have that you know, that thing.

1525
01:04:26,440 --> 01:04:28,200
Speaker 5: Sometimes they try it with certain people and it just

1526
01:04:28,240 --> 01:04:32,680
Speaker 5: doesn't work. But again when you have certain people, sometimes

1527
01:04:32,720 --> 01:04:34,960
Speaker 5: they get it right. And I just think that, you know,

1528
01:04:35,440 --> 01:04:37,720
Speaker 5: we got to start just acknowledging, like, yeah, no, definitely

1529
01:04:37,760 --> 01:04:40,160
Speaker 5: they push the buttons on that artist to make it

1530
01:04:40,160 --> 01:04:43,320
Speaker 5: a little Artists are talented artists, you know has that thing.

1531
01:04:43,680 --> 01:04:45,960
Speaker 5: But the labels definitely do a thing where they're like, yo, listen,

1532
01:04:46,000 --> 01:04:48,760
Speaker 5: we're going to pull out all the stops for this person.

1533
01:04:49,040 --> 01:04:51,600
Speaker 6: But it's usually because that person absolutely do that.

1534
01:04:51,760 --> 01:04:54,280
Speaker 3: But it's because that person, again, we have that thing.

1535
01:04:54,520 --> 01:04:57,600
Speaker 6: So then so then the deciding factor is not the labels,

1536
01:04:57,640 --> 01:04:59,360
Speaker 6: because again the labels try it with some people and

1537
01:04:59,400 --> 01:05:02,320
Speaker 6: it doesn't work. Then this deciding factor is that artist,

1538
01:05:03,000 --> 01:05:05,520
Speaker 6: which goes back to the labels. Cannot just push a

1539
01:05:05,560 --> 01:05:07,680
Speaker 6: button and make an artist a star. This the artist

1540
01:05:07,720 --> 01:05:09,320
Speaker 6: has to have star quality already.

1541
01:05:10,160 --> 01:05:12,960
Speaker 1: Yeah, I think we are actually kind of all agreeing

1542
01:05:13,000 --> 01:05:17,280
Speaker 1: with each other in a weird argumentative way. No, I

1543
01:05:17,320 --> 01:05:24,600
Speaker 1: don't call that, but even like I will say Eminem

1544
01:05:24,600 --> 01:05:27,840
Speaker 1: would probably not be a superstar if he did not

1545
01:05:27,920 --> 01:05:32,400
Speaker 1: have Jimmy Iveen, Interscope, doctor Dre. He would still be

1546
01:05:32,520 --> 01:05:35,360
Speaker 1: an extremely talented, talented rapper, one of the greatest people

1547
01:05:35,360 --> 01:05:39,160
Speaker 1: to pick up a pen. But yes, the majors made

1548
01:05:39,200 --> 01:05:41,800
Speaker 1: him a superstar, but that came with his talent as well.

1549
01:05:42,280 --> 01:05:44,320
Speaker 1: I think there is deciding factors where people wouldn't have

1550
01:05:44,360 --> 01:05:47,680
Speaker 1: been superstars if they didn't have a major, but they

1551
01:05:47,760 --> 01:05:48,720
Speaker 1: still would be talented.

1552
01:05:49,280 --> 01:05:51,000
Speaker 3: Oh yeah, it's a lot of people that are talented.

1553
01:05:51,120 --> 01:05:53,720
Speaker 5: Talent is something that a lot of people, you know,

1554
01:05:53,880 --> 01:05:56,720
Speaker 5: in music or film and things like that, that they have.

1555
01:05:57,480 --> 01:06:00,400
Speaker 3: But again, sometimes talent is just not enough.

1556
01:06:01,360 --> 01:06:03,640
Speaker 5: I know a lot of talented people and I'm like, damn,

1557
01:06:04,000 --> 01:06:06,760
Speaker 5: why are you not You way more talented than this person.

1558
01:06:06,760 --> 01:06:09,200
Speaker 3: Why your shit ain't And there's other things.

1559
01:06:08,960 --> 01:06:11,640
Speaker 5: Work ethic, you know, things like that, that factor, and

1560
01:06:11,800 --> 01:06:13,080
Speaker 5: you know, little attributes that.

1561
01:06:13,040 --> 01:06:13,680
Speaker 3: You need as well.

1562
01:06:13,720 --> 01:06:15,600
Speaker 5: When you're talking about superstar shit, you have to be

1563
01:06:16,080 --> 01:06:19,480
Speaker 5: you know, you have to go literally, you know, blackout

1564
01:06:19,560 --> 01:06:23,720
Speaker 5: into what your art, your craft, lose friendships, not speak

1565
01:06:23,760 --> 01:06:25,200
Speaker 5: to your family. You got to be willing to go

1566
01:06:25,240 --> 01:06:27,640
Speaker 5: down those type of holes to just become who you

1567
01:06:27,680 --> 01:06:29,320
Speaker 5: want to become, and some people are not willing to

1568
01:06:29,360 --> 01:06:33,000
Speaker 5: do that. But more times than none, if.

1569
01:06:32,920 --> 01:06:35,920
Speaker 3: A person has that air, that quality about them and

1570
01:06:35,960 --> 01:06:39,480
Speaker 3: they have just a little talent, labels will push a

1571
01:06:39,520 --> 01:06:42,560
Speaker 3: button to magnify that little talent that that person has

1572
01:06:42,600 --> 01:06:45,080
Speaker 3: because they believe this person is a star. Why they

1573
01:06:45,160 --> 01:06:47,040
Speaker 3: might not be as talented as they may not be

1574
01:06:47,040 --> 01:06:48,160
Speaker 3: able to sing like Whitney.

1575
01:06:48,680 --> 01:06:55,040
Speaker 1: But and to me, outside of Rihanna's taste level, her quality,

1576
01:06:55,080 --> 01:06:59,720
Speaker 1: to me, her real, real raw talent is hard work because,

1577
01:07:00,080 --> 01:07:02,040
Speaker 1: as were saying, when she first came out, it wasn't

1578
01:07:02,120 --> 01:07:04,720
Speaker 1: like obvious that she was gonna be the next one.

1579
01:07:05,720 --> 01:07:08,800
Speaker 1: She worked her fucking ass off to even get to

1580
01:07:08,840 --> 01:07:12,200
Speaker 1: that point where her vocals weren't the best but could

1581
01:07:12,240 --> 01:07:15,120
Speaker 1: make number one records. Like I went to early Rihanna

1582
01:07:15,200 --> 01:07:18,080
Speaker 1: show and then I went to the was unapologetic to her.

1583
01:07:18,480 --> 01:07:23,360
Speaker 1: The difference in her performances was insane. There's no way

1584
01:07:23,360 --> 01:07:25,840
Speaker 1: you do that and improve like that if you're not

1585
01:07:25,880 --> 01:07:27,080
Speaker 1: one of the hardest working people.

1586
01:07:27,440 --> 01:07:29,920
Speaker 5: I mean, we yeah, that's part of it, but again,

1587
01:07:30,000 --> 01:07:34,920
Speaker 5: you know, we've seen what Cassie looked like early and

1588
01:07:34,960 --> 01:07:36,600
Speaker 5: we thought it was going to be something we thought,

1589
01:07:36,640 --> 01:07:37,040
Speaker 5: I mean, we.

1590
01:07:37,000 --> 01:07:38,400
Speaker 3: Thought she was on her way.

1591
01:07:39,240 --> 01:07:41,040
Speaker 5: What Ryan Leslie was doing with her, the music that

1592
01:07:41,040 --> 01:07:43,400
Speaker 5: they were creating, undeniable records.

1593
01:07:43,640 --> 01:07:46,760
Speaker 1: Yeah, Me and You was there another undeniable Castie record.

1594
01:07:48,560 --> 01:07:49,760
Speaker 1: Me and You was a class.

1595
01:07:49,760 --> 01:07:52,160
Speaker 6: I missed your girl, I miss you girl. I'm gonna

1596
01:07:52,160 --> 01:07:56,400
Speaker 6: make you my official girl and long long way Togo,

1597
01:07:57,480 --> 01:08:01,200
Speaker 6: but official girl with Lil Wayne. She had some for sure.

1598
01:08:01,400 --> 01:08:04,160
Speaker 6: I think at one point Tierra Marie might have had

1599
01:08:04,160 --> 01:08:06,280
Speaker 6: a bigger record than Rihanna.

1600
01:08:06,440 --> 01:08:08,800
Speaker 1: Absolutely, So this is what I'm saying. So you know

1601
01:08:09,400 --> 01:08:13,520
Speaker 1: she was a priority at before. This is when I'm

1602
01:08:13,520 --> 01:08:15,520
Speaker 1: playing they were there at the same time. Yeah, but

1603
01:08:16,760 --> 01:08:19,280
Speaker 1: kream where I stopped. Look at the difference in that,

1604
01:08:19,680 --> 01:08:23,160
Speaker 1: you can't Rihanna's undeniable with her hard work, and even

1605
01:08:23,200 --> 01:08:24,599
Speaker 1: if she wasn't.

1606
01:08:24,360 --> 01:08:27,080
Speaker 5: Understand it for sure she did that. I ain't mean

1607
01:08:27,080 --> 01:08:29,160
Speaker 5: a scream at you. I don't know if, but I

1608
01:08:29,160 --> 01:08:29,960
Speaker 5: ain't mean to do that to you.

1609
01:08:30,040 --> 01:08:33,519
Speaker 6: I mean, but to Ma's point, Tiera Marie might to

1610
01:08:33,560 --> 01:08:36,080
Speaker 6: Tierra Marie might be on that side of it's not

1611
01:08:36,160 --> 01:08:38,280
Speaker 6: about how work. They came and saw this, this light

1612
01:08:38,320 --> 01:08:40,280
Speaker 6: skinned girl, and they pushed the button on her and

1613
01:08:40,439 --> 01:08:42,280
Speaker 6: I was left in the dust even though I had

1614
01:08:42,320 --> 01:08:42,719
Speaker 6: the talent.

1615
01:08:43,640 --> 01:08:46,600
Speaker 1: Listen, So I'm not saying that you can't push the

1616
01:08:46,640 --> 01:08:48,840
Speaker 1: button and have your moment. A label can create a

1617
01:08:48,880 --> 01:08:51,519
Speaker 1: moment an artist once not fucking deserve it all. I'm

1618
01:08:51,520 --> 01:08:54,280
Speaker 1: not saying that, but you see, when they're not talented

1619
01:08:54,560 --> 01:08:57,720
Speaker 1: or have that edge factor, it was just a momently

1620
01:08:57,720 --> 01:08:59,800
Speaker 1: because they pushed that button. Of course, Tia Marie, she

1621
01:08:59,880 --> 01:09:03,600
Speaker 1: was like, what's seventeen eighteen? Like, I don't want to

1622
01:09:03,680 --> 01:09:05,360
Speaker 1: like say this if she did write the record, but

1623
01:09:05,479 --> 01:09:08,519
Speaker 1: I'm assuming like she was given that record. They put

1624
01:09:08,600 --> 01:09:12,240
Speaker 1: a crazy budget behind the video of course, serviced one

1625
01:09:12,320 --> 01:09:14,200
Speaker 1: or six of Park Trol put jay Z in the

1626
01:09:14,200 --> 01:09:17,719
Speaker 1: fucking video. Like yeah, those were button pushing shit. Yeah,

1627
01:09:17,720 --> 01:09:19,559
Speaker 1: but you see that that's not the only thing that

1628
01:09:19,600 --> 01:09:22,679
Speaker 1: can keep someone around. But also, to her credit, label

1629
01:09:22,720 --> 01:09:25,439
Speaker 1: politics fucked her shit up as well. It wasn't I

1630
01:09:25,439 --> 01:09:26,800
Speaker 1: don't want to say, like, yo, she didn't work hard

1631
01:09:26,800 --> 01:09:28,360
Speaker 1: and that's why she didn't make it. A lot of

1632
01:09:28,400 --> 01:09:31,639
Speaker 1: funck shit was happening. Timing is a huge thing too. Timing,

1633
01:09:31,760 --> 01:09:34,160
Speaker 1: luck and politics also are factors and all that.

1634
01:09:34,240 --> 01:09:37,479
Speaker 5: You know, it's other things that play into being you know,

1635
01:09:37,880 --> 01:09:42,000
Speaker 5: getting to that superstar level, but you know, the label

1636
01:09:43,040 --> 01:09:45,479
Speaker 5: recognizing that, you know, we have something here.

1637
01:09:45,560 --> 01:09:47,760
Speaker 3: Let's kind of like amplify this. Let's kind of like

1638
01:09:48,560 --> 01:09:51,080
Speaker 3: put the nitrous oxide in the front. Like I think

1639
01:09:51,120 --> 01:09:51,479
Speaker 3: it works.

1640
01:09:51,560 --> 01:09:56,320
Speaker 1: I think a Mill had some of the worst timing ever.

1641
01:09:56,520 --> 01:09:57,840
Speaker 1: Like I feel for her. I think she was on

1642
01:09:57,880 --> 01:09:59,920
Speaker 1: her way, but what was going on at Rock of

1643
01:10:00,000 --> 01:10:02,240
Speaker 1: Fell around the time she was starting to have her

1644
01:10:02,320 --> 01:10:05,920
Speaker 1: moment moment was fucked up. Yeah, so even though she

1645
01:10:06,000 --> 01:10:08,479
Speaker 1: was super talented, no buttons could be pushed at that time,

1646
01:10:08,520 --> 01:10:11,599
Speaker 1: and everything broke off and she was, you know, only

1647
01:10:11,640 --> 01:10:14,040
Speaker 1: relying on them to put the music out. So timing

1648
01:10:14,120 --> 01:10:14,960
Speaker 1: is a huge thing as well.

1649
01:10:15,000 --> 01:10:16,360
Speaker 3: Absolutely, timing is everything.

1650
01:10:16,920 --> 01:10:19,519
Speaker 1: But with that said, Playbook Cardi is nice.

1651
01:10:20,760 --> 01:10:22,840
Speaker 3: He tripped. I can't wait.

1652
01:10:23,000 --> 01:10:24,920
Speaker 5: I can't wait for play with Cardi to announce a

1653
01:10:25,000 --> 01:10:28,880
Speaker 5: surprise show and then you just see exactly how Yeah

1654
01:10:28,960 --> 01:10:31,760
Speaker 5: it'll be nuts and then he won't show up. That's

1655
01:10:31,840 --> 01:10:36,040
Speaker 5: superstar shit. Only the superstars could do that. That's reserved

1656
01:10:36,240 --> 01:10:38,679
Speaker 5: for the superstars. I got a show and I won't

1657
01:10:38,680 --> 01:10:41,760
Speaker 5: be there and it's still sold out. Yeah, superstar shit.

1658
01:10:42,680 --> 01:10:45,639
Speaker 1: Outside of like money, legacy and all that I do

1659
01:10:45,840 --> 01:10:49,000
Speaker 1: envy that I can't do superstars. She like when Mariah Carey,

1660
01:10:49,040 --> 01:10:51,000
Speaker 1: the rumors would be like she needs like a hundred

1661
01:10:51,000 --> 01:10:54,120
Speaker 1: puppies on her rider in the green room, like only

1662
01:10:54,200 --> 01:10:55,439
Speaker 1: yellow Eminem's.

1663
01:10:54,960 --> 01:10:56,400
Speaker 3: And shit, yeah superstar shit.

1664
01:10:56,560 --> 01:10:57,920
Speaker 1: Like I kind of wish I could get some of

1665
01:10:57,960 --> 01:10:59,639
Speaker 1: that shit because I feel like I'd get really really

1666
01:10:59,680 --> 01:11:02,240
Speaker 1: creative if I had the juice where somebody like, well,

1667
01:11:02,280 --> 01:11:03,679
Speaker 1: we have to get your hundred puppies.

1668
01:11:03,760 --> 01:11:05,720
Speaker 3: Exactly, superstars that have.

1669
01:11:05,760 --> 01:11:09,120
Speaker 6: To get hundred puppies reserve for select few.

1670
01:11:09,840 --> 01:11:13,280
Speaker 1: I forgot what artist it was that kind of explained

1671
01:11:13,640 --> 01:11:16,200
Speaker 1: insane riders. That did make sense because there was always

1672
01:11:16,280 --> 01:11:19,640
Speaker 1: articles about like artists is being super divas and like

1673
01:11:19,680 --> 01:11:22,120
Speaker 1: look how weird these people are what they make venues

1674
01:11:22,160 --> 01:11:26,759
Speaker 1: go through. He said, yeah, I only put yellow Eminem's

1675
01:11:26,800 --> 01:11:29,360
Speaker 1: on my rider because when I walk in the green room,

1676
01:11:29,479 --> 01:11:33,200
Speaker 1: if they did that, I know everything else is covered. Yeah, okay,

1677
01:11:33,360 --> 01:11:35,400
Speaker 1: they put little weird detail ship and that would be

1678
01:11:35,400 --> 01:11:37,040
Speaker 1: the same fact that they cover. But they did that,

1679
01:11:37,160 --> 01:11:39,679
Speaker 1: then the ship I really need, like the right water

1680
01:11:39,720 --> 01:11:42,559
Speaker 1: where like they did it. Then it's just to force

1681
01:11:42,600 --> 01:11:44,800
Speaker 1: people to pay attention to details, which makes sense.

1682
01:11:44,880 --> 01:11:47,559
Speaker 3: I understand that. I could definitely understand that. Yeah, yeah,

1683
01:11:47,560 --> 01:11:48,040
Speaker 3: but my bad.

1684
01:11:48,360 --> 01:11:50,080
Speaker 5: I mean, you know, I gave the little animated you

1685
01:11:50,080 --> 01:11:51,800
Speaker 5: look excited and you know, my guy, my friend, I

1686
01:11:51,800 --> 01:11:52,519
Speaker 5: don't want to listen.

1687
01:11:52,640 --> 01:11:54,680
Speaker 1: I'm gonna say I forgive you on Mike and then

1688
01:11:55,120 --> 01:11:58,040
Speaker 1: hold in my actual resentments and just be passive aggressive.

1689
01:12:00,400 --> 01:12:02,439
Speaker 1: But talk to my therapist about it and not ever

1690
01:12:02,479 --> 01:12:03,120
Speaker 1: to you.

1691
01:12:03,160 --> 01:12:05,479
Speaker 5: No, but do you think that because it is it

1692
01:12:05,560 --> 01:12:08,599
Speaker 5: is healthy for I think friends to debate and argunion.

1693
01:12:08,680 --> 01:12:10,639
Speaker 1: Of course I don't know. I never take that ship.

1694
01:12:10,800 --> 01:12:12,240
Speaker 5: No, no, no, I know that. But have you ever

1695
01:12:12,360 --> 01:12:14,519
Speaker 5: like physically fought one of your friends?

1696
01:12:15,000 --> 01:12:15,439
Speaker 1: Yeah?

1697
01:12:15,479 --> 01:12:17,320
Speaker 3: And are y'all still friends?

1698
01:12:17,760 --> 01:12:18,000
Speaker 4: Yeah?

1699
01:12:18,280 --> 01:12:20,200
Speaker 1: We're friends since like real friends.

1700
01:12:20,920 --> 01:12:21,760
Speaker 3: But when did y'all fight?

1701
01:12:21,800 --> 01:12:23,320
Speaker 1: I was about saying it was in high school, like

1702
01:12:23,400 --> 01:12:25,200
Speaker 1: when I was okay, yeah, I'm talking about it was.

1703
01:12:25,200 --> 01:12:29,719
Speaker 1: It was over a fucking bed at a sleepover. We scratched,

1704
01:12:29,760 --> 01:12:32,080
Speaker 1: like we That was like the first time I really

1705
01:12:32,080 --> 01:12:35,599
Speaker 1: felt like like sore as fuck after a fight the

1706
01:12:35,600 --> 01:12:36,720
Speaker 1: next day was a lot to.

1707
01:12:36,720 --> 01:12:38,920
Speaker 6: JOA was probably fighting for mad long too, just dumb.

1708
01:12:39,640 --> 01:12:44,080
Speaker 5: I don't think you could ever really well as teenagers. Yes,

1709
01:12:44,200 --> 01:12:47,599
Speaker 5: I can understand, but as an adult, do you think

1710
01:12:47,600 --> 01:12:50,559
Speaker 5: that you could fight, like physically fight a friend and

1711
01:12:51,360 --> 01:12:52,680
Speaker 5: go back to being friends.

1712
01:12:52,439 --> 01:12:53,240
Speaker 1: Not not as an adult.

1713
01:12:53,479 --> 01:12:55,000
Speaker 3: I don't think I don't. As an adult, I don't

1714
01:12:55,000 --> 01:12:55,280
Speaker 3: think so.

1715
01:12:55,439 --> 01:12:58,960
Speaker 1: I think high school younger, like that is kind of

1716
01:12:59,040 --> 01:13:01,760
Speaker 1: part of growing up, like you definitely fight with the

1717
01:13:01,800 --> 01:13:03,960
Speaker 1: people in your neighborhood that are your friends, Like I

1718
01:13:03,960 --> 01:13:06,680
Speaker 1: don't know, just growing up with kid emotions that that

1719
01:13:06,720 --> 01:13:09,400
Speaker 1: can happen, and as long as you know there's no

1720
01:13:09,439 --> 01:13:11,040
Speaker 1: grinding shit, you can move on and just be friends.

1721
01:13:11,040 --> 01:13:14,400
Speaker 1: As an adult, though, I think that's kind of weird, yah,

1722
01:13:14,400 --> 01:13:16,880
Speaker 1: because I feel like if I even think adults should

1723
01:13:16,880 --> 01:13:19,599
Speaker 1: really fight like that, if it's not a legitimate fucking reason,

1724
01:13:19,960 --> 01:13:22,040
Speaker 1: so let alone with a friend, Like I'm not fighting

1725
01:13:22,080 --> 01:13:24,240
Speaker 1: my now, yeah, thirty four years old, I'm not going

1726
01:13:24,280 --> 01:13:24,640
Speaker 1: to do no.

1727
01:13:24,880 --> 01:13:27,040
Speaker 5: I just think that you know, younger, you don't understand.

1728
01:13:27,040 --> 01:13:30,400
Speaker 5: We don't well, we didn't understand how to express certain

1729
01:13:30,439 --> 01:13:33,799
Speaker 5: emotions and certain things we was feeling, you know, as

1730
01:13:33,920 --> 01:13:37,880
Speaker 5: young males. But as a grown man, I think if

1731
01:13:37,880 --> 01:13:39,840
Speaker 5: you get into like you go to blows with like

1732
01:13:39,880 --> 01:13:40,360
Speaker 5: one of your.

1733
01:13:40,240 --> 01:13:42,599
Speaker 3: Friends, I don't think that y'all are real friends.

1734
01:13:42,640 --> 01:13:45,800
Speaker 5: I think that there's something that one of y'all would

1735
01:13:45,840 --> 01:13:49,559
Speaker 5: kind of like harboring and it just came to a head.

1736
01:13:49,600 --> 01:13:51,880
Speaker 5: And sure, because I've been down that road, Like you

1737
01:13:52,360 --> 01:13:56,760
Speaker 5: have like little debates with a friend and they'll say

1738
01:13:56,800 --> 01:13:58,639
Speaker 5: something and you'd be like, I just need a reason,

1739
01:13:58,760 --> 01:14:00,760
Speaker 5: like you just holding like you tell when they was

1740
01:14:00,800 --> 01:14:02,840
Speaker 5: holding that, Like, Yo, you've been waiting to get that off?

1741
01:14:02,920 --> 01:14:03,759
Speaker 3: Because what we're.

1742
01:14:03,600 --> 01:14:06,280
Speaker 6: Talking about right like Playboy cart Yeah? Yeah, Like because

1743
01:14:06,320 --> 01:14:08,759
Speaker 6: what we are Playboy KARTI ain't gonna bring that emotion

1744
01:14:08,840 --> 01:14:11,240
Speaker 6: out of you, like you ain't gonna tell me like yeah,

1745
01:14:11,320 --> 01:14:13,200
Speaker 6: and I ain't like what you just like wait, what

1746
01:14:13,400 --> 01:14:14,160
Speaker 6: was this party?

1747
01:14:14,160 --> 01:14:14,360
Speaker 2: Shit?

1748
01:14:14,439 --> 01:14:14,679
Speaker 4: Yeah?

1749
01:14:14,800 --> 01:14:16,760
Speaker 5: But like nah, as grown men, I don't think that

1750
01:14:17,240 --> 01:14:20,160
Speaker 5: you could come into like a physical blows with your

1751
01:14:20,240 --> 01:14:22,719
Speaker 5: friend and it'd be like, nah, were back homes.

1752
01:14:22,720 --> 01:14:24,280
Speaker 1: I just don't like when I've seen a new feeling

1753
01:14:24,280 --> 01:14:26,360
Speaker 1: for me. Though, I will say I never fought any

1754
01:14:26,400 --> 01:14:29,719
Speaker 1: of my friends in my twenties or the early thirties

1755
01:14:29,760 --> 01:14:31,880
Speaker 1: and anything, but I would probably if you asked me

1756
01:14:31,920 --> 01:14:35,040
Speaker 1: that question a couple of years ago, I would say, yes,

1757
01:14:35,720 --> 01:14:38,559
Speaker 1: it would have to be a legitimate, real reason to fight.

1758
01:14:38,920 --> 01:14:40,760
Speaker 1: And I think you guys can go back to being

1759
01:14:40,800 --> 01:14:43,519
Speaker 1: friends at thirty four going on thirty five. No, I'm

1760
01:14:43,520 --> 01:14:44,080
Speaker 1: not going to.

1761
01:14:44,280 --> 01:14:44,840
Speaker 3: A friend of mine.

1762
01:14:44,840 --> 01:14:46,960
Speaker 1: I'm not having an altercation physically with my friends.

1763
01:14:47,000 --> 01:14:48,719
Speaker 5: A friend of mine called me out for a fight

1764
01:14:48,800 --> 01:14:51,439
Speaker 5: one time. Well he didn't call me out, but it

1765
01:14:51,840 --> 01:14:55,799
Speaker 5: it almost came to like we almost came to blows.

1766
01:14:55,840 --> 01:14:57,439
Speaker 3: But I knew.

1767
01:14:58,120 --> 01:15:00,320
Speaker 5: I knew what it was because we had conversation like

1768
01:15:00,800 --> 01:15:02,320
Speaker 5: a couple of weeks before, and I knew what he

1769
01:15:02,360 --> 01:15:04,639
Speaker 5: was dealing with and going through. So in that moment

1770
01:15:05,080 --> 01:15:07,040
Speaker 5: where he was like it seemed like he wanted to fight.

1771
01:15:08,560 --> 01:15:10,759
Speaker 5: If you were there, I looked like I got pumped

1772
01:15:11,160 --> 01:15:11,680
Speaker 5: because I was.

1773
01:15:11,680 --> 01:15:13,320
Speaker 3: Like, yo, you know what, you got it? But I

1774
01:15:13,400 --> 01:15:14,439
Speaker 3: knew why he was.

1775
01:15:14,680 --> 01:15:16,599
Speaker 5: You know, those emotions was there because we had had

1776
01:15:16,640 --> 01:15:19,880
Speaker 5: like a real talk. He was going through some things,

1777
01:15:19,960 --> 01:15:23,760
Speaker 5: you know, financially, he wasn't in the greatest space. So

1778
01:15:23,880 --> 01:15:26,559
Speaker 5: it got a little but I recognized it, and I

1779
01:15:26,600 --> 01:15:28,760
Speaker 5: was like, you got it, bro, you know what I'm saying,

1780
01:15:28,800 --> 01:15:31,080
Speaker 5: And that's my you know, that's like a friend. But

1781
01:15:31,160 --> 01:15:33,680
Speaker 5: I knew in that moment if I responded with aggression,

1782
01:15:34,120 --> 01:15:35,519
Speaker 5: we would have came to blows and it would have

1783
01:15:35,520 --> 01:15:37,800
Speaker 5: been whacked because I know what he was really going

1784
01:15:37,800 --> 01:15:39,920
Speaker 5: through at the time, and that energy wasn't for me.

1785
01:15:40,200 --> 01:15:42,799
Speaker 1: No, of course, of course it wouldn't be in that regard.

1786
01:15:42,880 --> 01:15:45,280
Speaker 1: You just have to learn how to carry your emotions

1787
01:15:45,280 --> 01:15:47,800
Speaker 1: because fighting you wouldn't get him out of that financials

1788
01:15:47,800 --> 01:15:47,960
Speaker 1: is that?

1789
01:15:48,080 --> 01:15:48,439
Speaker 3: No?

1790
01:15:48,200 --> 01:15:51,200
Speaker 1: No, there was no grandpa at the end of the fight.

1791
01:15:51,280 --> 01:15:52,040
Speaker 3: Absolutely not.

1792
01:15:52,720 --> 01:15:54,840
Speaker 1: I mean unless he like robbed you for your debit

1793
01:15:54,880 --> 01:15:57,920
Speaker 1: card and ran right to the ATM before you could

1794
01:15:57,960 --> 01:16:00,960
Speaker 1: cancel it. That's the tree after he beat you up live.

1795
01:16:01,040 --> 01:16:02,000
Speaker 3: Maybe that's different.

1796
01:16:02,080 --> 01:16:02,200
Speaker 2: Yo.

1797
01:16:02,280 --> 01:16:11,360
Speaker 5: JD is calling me, Yo, my brother, j D. How

1798
01:16:11,400 --> 01:16:13,080
Speaker 5: you feeling what's happening?

1799
01:16:13,960 --> 01:16:14,559
Speaker 3: I'm good, bro.

1800
01:16:14,640 --> 01:16:17,400
Speaker 5: So we was just in there talking and your tweet,

1801
01:16:17,520 --> 01:16:20,559
Speaker 5: you know, came up that you tweeted out last night,

1802
01:16:20,600 --> 01:16:22,120
Speaker 5: and me and Rory were talking. I said, I know

1803
01:16:22,240 --> 01:16:24,680
Speaker 5: JD was probably in the studio having one of them

1804
01:16:24,680 --> 01:16:28,840
Speaker 5: conversations and just wanted to get the feeling, the vibe

1805
01:16:28,880 --> 01:16:31,080
Speaker 5: of the outside world and see what they were they

1806
01:16:31,120 --> 01:16:31,599
Speaker 5: were feeling.

1807
01:16:31,640 --> 01:16:33,000
Speaker 4: But uh so.

1808
01:16:33,080 --> 01:16:35,719
Speaker 5: About the tweet, how did that? How did that come about?

1809
01:16:35,760 --> 01:16:37,280
Speaker 5: What was you in in the studio talking about? Because

1810
01:16:37,280 --> 01:16:38,120
Speaker 5: I know that's where he was at.

1811
01:16:39,439 --> 01:16:41,479
Speaker 2: Yeah, I was in the studio actually by myself though

1812
01:16:41,520 --> 01:16:46,080
Speaker 2: I was actually I saw something that said Instagram had

1813
01:16:46,680 --> 01:16:52,439
Speaker 2: they made a new function. That is the guy the

1814
01:16:52,680 --> 01:16:54,960
Speaker 2: commercial said it could be the greatest thing.

1815
01:16:54,840 --> 01:16:55,960
Speaker 4: For independent artists.

1816
01:16:56,040 --> 01:16:58,519
Speaker 2: And at that at that second, I'm like, okay, So

1817
01:16:58,880 --> 01:17:02,280
Speaker 2: he left out major artists, he said independent artists only.

1818
01:17:02,360 --> 01:17:05,040
Speaker 2: So then I'm like, okay, so let me So I'm

1819
01:17:05,080 --> 01:17:06,600
Speaker 2: checking it out and looking and see what it is.

1820
01:17:06,640 --> 01:17:09,799
Speaker 2: And it says that you know, you could play independent

1821
01:17:09,880 --> 01:17:12,200
Speaker 2: artists could play their new music for their fans for

1822
01:17:12,280 --> 01:17:16,840
Speaker 2: thirty seconds in the DM and it helps the algorithm

1823
01:17:17,160 --> 01:17:20,559
Speaker 2: at Spotify, right. So so I mean at that point

1824
01:17:20,600 --> 01:17:24,479
Speaker 2: I'm just like okay, cool. So then I just want to,

1825
01:17:25,000 --> 01:17:28,559
Speaker 2: like I said, I this is just made me ask

1826
01:17:28,720 --> 01:17:30,360
Speaker 2: like what is the special thing.

1827
01:17:31,040 --> 01:17:35,040
Speaker 4: About being independent? Like the special thing? Right? And I

1828
01:17:35,080 --> 01:17:35,439
Speaker 4: was just.

1829
01:17:35,360 --> 01:17:38,639
Speaker 2: Reading right now waiting on you to call me that

1830
01:17:39,080 --> 01:17:42,519
Speaker 2: you can go this way. That that Steve Stout wrote ownership, control,

1831
01:17:42,640 --> 01:17:46,559
Speaker 2: freedom of all all the things that have been taken

1832
01:17:46,560 --> 01:17:48,439
Speaker 2: from artists since the beginning of time.

1833
01:17:49,080 --> 01:17:50,800
Speaker 3: I mean that that was his response. That was his

1834
01:17:50,840 --> 01:17:51,439
Speaker 3: response to you.

1835
01:17:52,320 --> 01:17:57,160
Speaker 4: Yeah, that's his response that from artists. That's the answer.

1836
01:17:57,200 --> 01:17:57,759
Speaker 4: That's the answer.

1837
01:17:57,800 --> 01:18:01,240
Speaker 2: I just was saying, like, you know, and in anything

1838
01:18:01,280 --> 01:18:05,280
Speaker 2: that we do, it's a special it's a special thing

1839
01:18:05,800 --> 01:18:07,960
Speaker 2: or reason why you want to go to the NBA.

1840
01:18:08,120 --> 01:18:09,639
Speaker 4: If you're in college, it's.

1841
01:18:09,520 --> 01:18:12,480
Speaker 2: A special reason that you want to go to the NFL.

1842
01:18:13,120 --> 01:18:17,040
Speaker 2: If you play Pop Warner, it's a special reason that

1843
01:18:17,080 --> 01:18:19,000
Speaker 2: you go to Paris for.

1844
01:18:21,280 --> 01:18:21,920
Speaker 4: Fashion Week.

1845
01:18:22,000 --> 01:18:25,680
Speaker 2: It's a special reason, right, I just wanted to I

1846
01:18:25,760 --> 01:18:27,479
Speaker 2: was asking what is a special reason.

1847
01:18:27,479 --> 01:18:27,840
Speaker 4: I don't know.

1848
01:18:28,040 --> 01:18:31,040
Speaker 2: And it's crazy that people got so mad about the question,

1849
01:18:31,120 --> 01:18:36,160
Speaker 2: because yeah, but I'm saying, when people get mad, it starts.

1850
01:18:36,640 --> 01:18:38,080
Speaker 4: It lets me know that there's.

1851
01:18:37,960 --> 01:18:40,639
Speaker 2: Something else going on because you can't.

1852
01:18:40,880 --> 01:18:41,240
Speaker 4: You can't.

1853
01:18:41,280 --> 01:18:42,200
Speaker 2: You can ask me a question.

1854
01:18:42,240 --> 01:18:43,120
Speaker 4: I'm not gonna get.

1855
01:18:42,920 --> 01:18:44,519
Speaker 2: Mad like you asked me any question you want to

1856
01:18:44,560 --> 01:18:47,479
Speaker 2: ask me. I'm not gonna get mad and start saying

1857
01:18:47,520 --> 01:18:48,680
Speaker 2: crazy shit to you, like.

1858
01:18:49,040 --> 01:18:52,240
Speaker 4: Well, because well you know what I mean.

1859
01:18:52,240 --> 01:18:53,680
Speaker 2: I'm not gonna do I don't have a reason to

1860
01:18:53,680 --> 01:18:56,639
Speaker 2: do that. And it's it's like and ultimately, like I said,

1861
01:18:56,680 --> 01:18:58,639
Speaker 2: I wasn't picking at nobody.

1862
01:18:58,640 --> 01:19:00,639
Speaker 4: That's independent. If that's what you do, that's cool.

1863
01:19:00,640 --> 01:19:03,040
Speaker 2: But I'm also saying, if I was a person that

1864
01:19:03,280 --> 01:19:06,600
Speaker 2: just was coming a bud, coming into the world, and

1865
01:19:06,640 --> 01:19:08,960
Speaker 2: I was like, I want to I want to go independent.

1866
01:19:09,360 --> 01:19:13,320
Speaker 2: And I ask somebody, what's the special what's what's special.

1867
01:19:12,920 --> 01:19:15,280
Speaker 4: About me being if I go independent?

1868
01:19:15,320 --> 01:19:20,880
Speaker 2: And you told me ownership, control and freedom, I'm I'm,

1869
01:19:20,920 --> 01:19:23,920
Speaker 2: I'm I'm gonna be left with looking for something. I

1870
01:19:24,040 --> 01:19:26,880
Speaker 2: maybe I'm maybe I'm maybe my goals are too high,

1871
01:19:26,960 --> 01:19:31,000
Speaker 2: but that that doesn't give me enough because I know

1872
01:19:31,160 --> 01:19:36,240
Speaker 2: people who are going to masters, they get their ownership myself.

1873
01:19:37,560 --> 01:19:41,280
Speaker 2: I know people who's going to to to to the

1874
01:19:41,360 --> 01:19:45,000
Speaker 2: to the to the majors, and they get control myself.

1875
01:19:45,400 --> 01:19:48,400
Speaker 2: I know people that's going to majors and they get

1876
01:19:48,400 --> 01:19:50,080
Speaker 2: the freedom to put out whatever.

1877
01:19:49,800 --> 01:19:51,479
Speaker 4: They want myself, right.

1878
01:19:52,640 --> 01:19:55,160
Speaker 2: And and I've seen other people do this, right. I

1879
01:19:55,200 --> 01:19:59,479
Speaker 2: have seen it where these labels hire people who get in.

1880
01:19:59,479 --> 01:20:02,000
Speaker 4: The way, right, and they get in a way.

1881
01:20:01,800 --> 01:20:04,439
Speaker 2: Of people like myself, and then it's a problem. But

1882
01:20:04,760 --> 01:20:07,759
Speaker 2: it's all business, right, It's all business, and it's all

1883
01:20:08,040 --> 01:20:10,080
Speaker 2: that's the part that I'm trying to make sure people

1884
01:20:10,320 --> 01:20:12,480
Speaker 2: and a younger generation of people understand.

1885
01:20:12,800 --> 01:20:13,839
Speaker 4: It's all business.

1886
01:20:14,000 --> 01:20:14,160
Speaker 2: Right.

1887
01:20:14,160 --> 01:20:17,440
Speaker 4: And you say better contracts.

1888
01:20:16,920 --> 01:20:20,760
Speaker 2: I don't, that's not that's not a specialty of going independent,

1889
01:20:20,880 --> 01:20:26,080
Speaker 2: because better contracts is based on your business mindset, the

1890
01:20:26,160 --> 01:20:28,760
Speaker 2: lawyer that you have, and how you create a deal.

1891
01:20:28,840 --> 01:20:30,479
Speaker 4: It's all about you know what I mean.

1892
01:20:30,560 --> 01:20:34,720
Speaker 2: Like Magic Johnson was offered stocking to Nike and he

1893
01:20:34,760 --> 01:20:35,360
Speaker 2: didn't take it.

1894
01:20:35,400 --> 01:20:37,240
Speaker 4: Michael Jordan did deal.

1895
01:20:37,680 --> 01:20:39,799
Speaker 2: Michael Jordan's mother made the Nike deal.

1896
01:20:39,600 --> 01:20:41,280
Speaker 4: And Michael Jordan's a billionaire.

1897
01:20:41,320 --> 01:20:45,400
Speaker 2: Right, It's all about business. It's not and even in sports,

1898
01:20:45,680 --> 01:20:47,920
Speaker 2: right when you look at sports and you look at fashion, right,

1899
01:20:48,280 --> 01:20:49,160
Speaker 2: I looking at for real?

1900
01:20:49,240 --> 01:20:49,400
Speaker 4: Right.

1901
01:20:49,439 --> 01:20:54,479
Speaker 2: Pharell became the creative director of Louis Vuitton. That's a

1902
01:20:54,560 --> 01:20:58,080
Speaker 2: company that he doesn't own. He works there now he's

1903
01:20:58,120 --> 01:21:00,880
Speaker 2: a creative director. He has a deal with mo Ed,

1904
01:21:01,280 --> 01:21:05,000
Speaker 2: he has to deal with Tiffany. Why ain't nobody saying

1905
01:21:05,160 --> 01:21:07,679
Speaker 2: why ain't for real creating his own clothing and doing

1906
01:21:07,800 --> 01:21:10,800
Speaker 2: you know what I'm saying. It's interesting to me that

1907
01:21:11,000 --> 01:21:15,479
Speaker 2: only in the music business we have this mentality, and

1908
01:21:16,120 --> 01:21:16,719
Speaker 2: every other.

1909
01:21:16,640 --> 01:21:19,320
Speaker 4: Business in the world is the same. It's just business.

1910
01:21:19,360 --> 01:21:21,439
Speaker 2: So that's all I was asking. I would I wasn't

1911
01:21:21,439 --> 01:21:24,320
Speaker 2: really trying to what did y'all think when y'all ready.

1912
01:21:25,080 --> 01:21:28,320
Speaker 5: Well I said, I started with well JD did say,

1913
01:21:28,479 --> 01:21:31,200
Speaker 5: I'm a little lost. So I started with that. I said,

1914
01:21:31,240 --> 01:21:33,800
Speaker 5: I think that people read that the you know, they

1915
01:21:33,800 --> 01:21:35,479
Speaker 5: read it out of context. I thought that if you,

1916
01:21:35,800 --> 01:21:37,640
Speaker 5: if they if you posted a video asking it, I

1917
01:21:37,640 --> 01:21:40,000
Speaker 5: think people would have understood the context.

1918
01:21:40,160 --> 01:21:42,040
Speaker 2: I went. I did. I went to that's what I'm saying,

1919
01:21:42,040 --> 01:21:44,240
Speaker 2: that's what the Steve Stout coming is on my on

1920
01:21:44,320 --> 01:21:48,040
Speaker 2: my Instagram page. So I posted I went live because

1921
01:21:48,040 --> 01:21:50,759
Speaker 2: somebody on there said, JD you tripping and I said, Okay,

1922
01:21:50,760 --> 01:21:53,160
Speaker 2: I'm gonna go live so you can tell me why

1923
01:21:53,200 --> 01:21:55,599
Speaker 2: I'm tripping, because all I did was ask a question.

1924
01:21:56,040 --> 01:21:57,200
Speaker 4: I didn't even say nothing.

1925
01:21:57,520 --> 01:22:00,479
Speaker 2: I'm trying to figure out how I'm tripping by asking question.

1926
01:22:02,040 --> 01:22:04,439
Speaker 3: No, I totally understand that.

1927
01:22:04,640 --> 01:22:06,479
Speaker 5: And we was in here saying, like, you know, I

1928
01:22:06,479 --> 01:22:08,759
Speaker 5: think that it got what you asked was out of context.

1929
01:22:08,760 --> 01:22:12,479
Speaker 5: People didn't understand the context of it, because I did

1930
01:22:12,520 --> 01:22:14,439
Speaker 5: feel like you were just trying to figure out, like, well,

1931
01:22:14,840 --> 01:22:17,680
Speaker 5: what is it that y'all want? And you know, if

1932
01:22:17,800 --> 01:22:19,559
Speaker 5: y'all want to be independent, but y'all want the same

1933
01:22:19,560 --> 01:22:21,400
Speaker 5: thing that the majors want, So what is it that

1934
01:22:21,479 --> 01:22:22,679
Speaker 5: y'all want on the indie level?

1935
01:22:22,680 --> 01:22:24,599
Speaker 3: Like what are y'all after? What are y'all chasing and

1936
01:22:24,680 --> 01:22:25,400
Speaker 3: like you say, you.

1937
01:22:25,320 --> 01:22:28,320
Speaker 5: Know, you've gotten control of your own your masters, and

1938
01:22:28,400 --> 01:22:31,040
Speaker 5: gotten all of this creative freedom and to do whatever

1939
01:22:31,080 --> 01:22:33,559
Speaker 5: you want on a major as well. So again it's

1940
01:22:33,600 --> 01:22:35,800
Speaker 5: all up to how you structure your deal and go

1941
01:22:35,880 --> 01:22:36,599
Speaker 5: after what you want.

1942
01:22:36,640 --> 01:22:38,639
Speaker 3: But you can do that on a major level. You don't.

1943
01:22:38,680 --> 01:22:41,160
Speaker 5: You can't because you can have a terrible indie deal

1944
01:22:41,200 --> 01:22:44,679
Speaker 5: as well. You can have a terrible situation independent as well.

1945
01:22:45,360 --> 01:22:48,200
Speaker 2: Like I look at like like Saint Fancis Kanye deal

1946
01:22:48,360 --> 01:22:51,400
Speaker 2: that was at def Camp. From my understanding, Kanye had

1947
01:22:51,920 --> 01:22:55,559
Speaker 2: one of the most glorified deals that Universal has ever

1948
01:22:55,600 --> 01:22:56,840
Speaker 2: given an artist.

1949
01:22:56,720 --> 01:22:57,880
Speaker 4: Period right.

1950
01:22:58,120 --> 01:23:03,720
Speaker 2: It's just one of the biggest favor any artist period right.

1951
01:23:03,760 --> 01:23:06,960
Speaker 2: And and as a as a as a person, if

1952
01:23:07,000 --> 01:23:10,960
Speaker 2: you're good and your music is great, like Kanye's music,

1953
01:23:12,520 --> 01:23:14,639
Speaker 2: you can get whatever you want. I think that that's

1954
01:23:14,640 --> 01:23:15,920
Speaker 2: a I think that's another thing.

1955
01:23:15,800 --> 01:23:17,640
Speaker 4: That people don't understand, you know.

1956
01:23:18,080 --> 01:23:20,360
Speaker 2: And I, like I said, when I when I first

1957
01:23:20,360 --> 01:23:24,719
Speaker 2: started making music, the goal was to make a demo

1958
01:23:26,080 --> 01:23:28,880
Speaker 2: hit the streets, run around New York, go to l

1959
01:23:28,920 --> 01:23:30,600
Speaker 2: a meet, have meetings and talk to.

1960
01:23:30,600 --> 01:23:32,160
Speaker 4: People and see if you're gonna get signed.

1961
01:23:33,360 --> 01:23:34,080
Speaker 6: I get it now.

1962
01:23:34,120 --> 01:23:36,240
Speaker 4: It's just like you just put the music out. I

1963
01:23:36,280 --> 01:23:36,599
Speaker 4: get it.

1964
01:23:36,640 --> 01:23:38,679
Speaker 2: So I mean but that, but like I said, none

1965
01:23:38,720 --> 01:23:40,040
Speaker 2: of that was what my question was.

1966
01:23:40,080 --> 01:23:44,440
Speaker 4: I'm just asking what is the perk of being independent?

1967
01:23:45,120 --> 01:23:48,040
Speaker 2: And I guess, like I said, Steve stopped being you know,

1968
01:23:48,200 --> 01:23:51,360
Speaker 2: United masters him saying that, I'm I just posted what

1969
01:23:51,439 --> 01:23:53,920
Speaker 2: he said because I guess that's the that's it. You

1970
01:23:54,120 --> 01:23:58,760
Speaker 2: just get freedom and creative control and that's it, right,

1971
01:23:58,880 --> 01:23:59,800
Speaker 2: So cool.

1972
01:23:59,680 --> 01:24:01,920
Speaker 3: But you had that, You've had that on the major yourself.

1973
01:24:01,960 --> 01:24:04,960
Speaker 2: So yeah, like I'm saying, I've seen by the way

1974
01:24:04,960 --> 01:24:07,439
Speaker 2: I've seen rest in Peace. My brother got it. Erv

1975
01:24:07,479 --> 01:24:10,280
Speaker 2: got it own Murder inc. That's why he sold it,

1976
01:24:10,479 --> 01:24:11,880
Speaker 2: you know what I mean. He got big bag this

1977
01:24:11,920 --> 01:24:14,320
Speaker 2: and the third he owned it. If you write your music,

1978
01:24:15,520 --> 01:24:17,040
Speaker 2: you own all your publishing.

1979
01:24:16,720 --> 01:24:19,200
Speaker 4: Anyway, right, So that I don't even have nothing to do

1980
01:24:19,280 --> 01:24:21,040
Speaker 4: with a label or majors or not.

1981
01:24:21,479 --> 01:24:24,240
Speaker 2: Right. I'm a guy that's been writing songs since the

1982
01:24:24,280 --> 01:24:27,840
Speaker 2: beginning one hundred percent of I don't know nothing about people.

1983
01:24:27,560 --> 01:24:30,960
Speaker 4: Taking my royalties, right, it ain't.

1984
01:24:33,640 --> 01:24:34,120
Speaker 3: Put on that.

1985
01:24:34,720 --> 01:24:36,680
Speaker 2: I'm just saying, you know, I'm saying, it ain't no

1986
01:24:36,720 --> 01:24:39,360
Speaker 2: other names for me to put on the records for

1987
01:24:39,960 --> 01:24:41,960
Speaker 2: it to go that direction. If you writing your own

1988
01:24:42,040 --> 01:24:44,479
Speaker 2: music and you're sitting in the studio every night, the

1989
01:24:44,560 --> 01:24:45,440
Speaker 2: credit automatic.

1990
01:24:45,680 --> 01:24:47,960
Speaker 4: I mean, you know it's an automatically coming. You gotta

1991
01:24:48,000 --> 01:24:49,040
Speaker 4: fight for what you got to do.

1992
01:24:49,680 --> 01:24:52,080
Speaker 2: It's just part of business. And like I said, I

1993
01:24:52,200 --> 01:24:54,840
Speaker 2: wasn't trying to shoot on nobody. I was really just

1994
01:24:54,880 --> 01:24:56,680
Speaker 2: asking a real question. I didn't know that niggas is

1995
01:24:56,680 --> 01:24:59,960
Speaker 2: gonna get mad at you. But I'm like God, because

1996
01:25:00,040 --> 01:25:02,640
Speaker 2: I'm saying I still don't understand why the guy on

1997
01:25:02,720 --> 01:25:05,519
Speaker 2: Instagram said this is be the.

1998
01:25:05,479 --> 01:25:08,000
Speaker 4: Thing for independent artists. Why can't just be the thing

1999
01:25:08,040 --> 01:25:08,760
Speaker 4: for everybody?

2000
01:25:08,920 --> 01:25:10,760
Speaker 3: Right right, Okay, I'll see what you're saying.

2001
01:25:11,040 --> 01:25:11,680
Speaker 2: What is what is?

2002
01:25:11,760 --> 01:25:14,080
Speaker 4: What is it? What is it? What is like?

2003
01:25:14,160 --> 01:25:16,280
Speaker 2: That's that's what really made me say, Okay, so wait,

2004
01:25:16,320 --> 01:25:19,400
Speaker 2: why is this special for independent artists? And he's not

2005
01:25:19,439 --> 01:25:22,360
Speaker 2: saying this could be crazy for musical artists period.

2006
01:25:23,360 --> 01:25:23,720
Speaker 3: I get it.

2007
01:25:23,760 --> 01:25:25,960
Speaker 2: And then somebody then last night, somebody told me when

2008
01:25:26,000 --> 01:25:27,720
Speaker 2: they got on the phone, they was like, you know,

2009
01:25:27,800 --> 01:25:31,160
Speaker 2: JD is because an independent artist, we need everything that

2010
01:25:31,200 --> 01:25:33,280
Speaker 2: we can get, so any little thing that we can

2011
01:25:33,320 --> 01:25:35,560
Speaker 2: get is a special thing for us. And That's what

2012
01:25:35,560 --> 01:25:38,840
Speaker 2: I'm saying, Like it's all worth conversation and talking. But

2013
01:25:39,200 --> 01:25:41,760
Speaker 2: people just get mad about you asking a question.

2014
01:25:41,800 --> 01:25:44,720
Speaker 5: It's crazy they taking it, they taking it personal, like

2015
01:25:44,760 --> 01:25:47,280
Speaker 5: you asking them directly why you want to be independent?

2016
01:25:47,360 --> 01:25:49,880
Speaker 3: Like that's how a lot of people took that.

2017
01:25:49,120 --> 01:25:50,439
Speaker 4: I don't care.

2018
01:25:51,160 --> 01:25:58,680
Speaker 3: I was offended, he said, he.

2019
01:26:00,120 --> 01:26:00,679
Speaker 4: You got offends.

2020
01:26:00,920 --> 01:26:05,080
Speaker 1: No, No, I'm saying, not for real, I don't.

2021
01:26:05,080 --> 01:26:05,920
Speaker 2: I don't that part.

2022
01:26:05,960 --> 01:26:06,360
Speaker 4: I don't get.

2023
01:26:06,400 --> 01:26:08,479
Speaker 2: I don't understand that because I'm like, all I did

2024
01:26:08,520 --> 01:26:08,960
Speaker 2: was ask.

2025
01:26:08,880 --> 01:26:10,679
Speaker 4: You, like, what is the special thing?

2026
01:26:11,000 --> 01:26:17,120
Speaker 2: I'm saying, like niggas, niggas bought Louis Vaton Timberland's special, right?

2027
01:26:17,640 --> 01:26:17,920
Speaker 4: Right?

2028
01:26:18,640 --> 01:26:20,439
Speaker 2: I remember a time in my life when I said

2029
01:26:20,439 --> 01:26:22,840
Speaker 2: I would never pay two thousand dollars for a pair

2030
01:26:22,840 --> 01:26:23,320
Speaker 2: of shoes.

2031
01:26:23,920 --> 01:26:25,320
Speaker 4: It was a time in my life.

2032
01:26:25,080 --> 01:26:29,400
Speaker 2: When I said this, right, But then I start chasing special, right,

2033
01:26:29,439 --> 01:26:33,479
Speaker 2: you start chasing special. Niggas want niggas buys niggas got

2034
01:26:33,479 --> 01:26:36,960
Speaker 2: sneaker collections. Niggas buying two thousand dollars Jordans.

2035
01:26:36,360 --> 01:26:37,919
Speaker 4: Why because they special?

2036
01:26:38,160 --> 01:26:42,960
Speaker 2: So that's all I'm asking, what's special about being independent?

2037
01:26:43,360 --> 01:26:43,639
Speaker 3: Right?

2038
01:26:43,760 --> 01:26:46,280
Speaker 5: I totally understand that before we let you go. We

2039
01:26:46,360 --> 01:26:50,280
Speaker 5: had another conversation. Do you believe that Playboy Carti is

2040
01:26:50,280 --> 01:26:50,920
Speaker 5: a superstar?

2041
01:26:54,720 --> 01:26:57,439
Speaker 4: Yes, but without the music.

2042
01:26:58,080 --> 01:26:59,080
Speaker 3: I still don't understand it.

2043
01:26:59,120 --> 01:27:01,760
Speaker 5: Like I believe he's a but I can't attach it

2044
01:27:01,840 --> 01:27:03,880
Speaker 5: to the like I don't know the music.

2045
01:27:03,800 --> 01:27:09,960
Speaker 2: Because SUPERSTARUM SUPERSTARUM is not musically connected all at all times, right,

2046
01:27:10,280 --> 01:27:13,439
Speaker 2: Like I thought Chris Klass from Superstars when I first

2047
01:27:13,520 --> 01:27:14,800
Speaker 2: saw them, and then we didn't have.

2048
01:27:14,800 --> 01:27:17,400
Speaker 4: No music, right, that's what made me. That's what there

2049
01:27:17,520 --> 01:27:18,719
Speaker 4: was something to work.

2050
01:27:19,120 --> 01:27:23,040
Speaker 2: Yeah, So I believe that people can be superstars without

2051
01:27:23,280 --> 01:27:25,240
Speaker 2: the music, you know what I mean? I think that

2052
01:27:25,439 --> 01:27:27,960
Speaker 2: I think that we connect the two together. I don't.

2053
01:27:28,280 --> 01:27:30,200
Speaker 2: I don't because, like I said, I can see an

2054
01:27:30,240 --> 01:27:32,479
Speaker 2: artist walking down the street, or I can see a

2055
01:27:32,520 --> 01:27:35,040
Speaker 2: person moving around and just be like, okay, I see

2056
01:27:35,040 --> 01:27:35,720
Speaker 2: how people.

2057
01:27:35,439 --> 01:27:36,479
Speaker 1: Paying attention to this person.

2058
01:27:36,479 --> 01:27:40,880
Speaker 2: They start, they got something about them, and then then

2059
01:27:40,920 --> 01:27:43,719
Speaker 2: if you put the music for them, that the right music,

2060
01:27:44,080 --> 01:27:46,479
Speaker 2: then it all it all adds up. I think that

2061
01:27:46,479 --> 01:27:48,719
Speaker 2: that's what from what from what I.

2062
01:27:48,680 --> 01:27:51,120
Speaker 4: Hear, right, because I never really.

2063
01:27:50,880 --> 01:27:54,200
Speaker 2: Go to Rolling Loud and see Playboy Cardi perform and

2064
01:27:54,240 --> 01:27:56,360
Speaker 2: all that, but from what I hear and when people

2065
01:27:56,360 --> 01:27:58,720
Speaker 2: tell me to his performances and all of this type

2066
01:27:58,720 --> 01:28:01,920
Speaker 2: of stuff. The way that people react. They're reacting as

2067
01:28:01,920 --> 01:28:03,080
Speaker 2: if he's a superstar.

2068
01:28:03,360 --> 01:28:05,400
Speaker 5: Right, but it's yeah, but you can't connect it to

2069
01:28:05,439 --> 01:28:06,480
Speaker 5: the music necessarily.

2070
01:28:06,800 --> 01:28:09,600
Speaker 3: It's something about him. It's a quality about him.

2071
01:28:09,760 --> 01:28:12,639
Speaker 2: Yeah, it's not a musical thing to me. It's more

2072
01:28:12,760 --> 01:28:17,360
Speaker 2: it's got to be all about his personality, his swag.

2073
01:28:17,479 --> 01:28:19,840
Speaker 4: The way you know, his aura aura.

2074
01:28:19,960 --> 01:28:21,000
Speaker 3: Yeah, I get it.

2075
01:28:21,920 --> 01:28:23,040
Speaker 1: You be feeling his aura?

2076
01:28:23,280 --> 01:28:24,920
Speaker 3: No, not me, all right, Bro, just wanted to get

2077
01:28:24,960 --> 01:28:25,760
Speaker 3: some clarity on that.

2078
01:28:25,840 --> 01:28:31,000
Speaker 5: I appreciate you for calling me back, man.

2079
01:28:30,120 --> 01:28:34,760
Speaker 1: Bro, all right, I want to have that conversation with

2080
01:28:34,840 --> 01:28:37,559
Speaker 1: him in person, because I wasn't gonna I'm gonna let

2081
01:28:37,640 --> 01:28:39,280
Speaker 1: him get a ship off yelling.

2082
01:28:39,280 --> 01:28:40,320
Speaker 3: About the independent thing.

2083
01:28:40,840 --> 01:28:43,640
Speaker 1: Yeah, I'm lost how he would be lost in that?

2084
01:28:43,760 --> 01:28:46,080
Speaker 1: If whatever this programming was talking about that he saw

2085
01:28:46,080 --> 01:28:51,160
Speaker 1: the ad for. It's harder for independent artists to get

2086
01:28:51,160 --> 01:28:54,479
Speaker 1: in the algorithms, to get on the Spotify playlist, to

2087
01:28:54,479 --> 01:28:56,600
Speaker 1: get all that. It is much easier for someone on

2088
01:28:56,640 --> 01:28:58,760
Speaker 1: a major to get that. So if there's a program

2089
01:28:59,080 --> 01:29:02,479
Speaker 1: that is allowing artists to get into those algorithms without

2090
01:29:02,479 --> 01:29:06,000
Speaker 1: having to be on a major, that's only important for

2091
01:29:06,040 --> 01:29:11,920
Speaker 1: independent artists because that program people on Majors already have.

2092
01:29:13,560 --> 01:29:18,960
Speaker 1: It's called it the entire Digital Team. But no, I know,

2093
01:29:19,880 --> 01:29:22,200
Speaker 1: I agree that Majors will get you on a playlist

2094
01:29:22,640 --> 01:29:26,360
Speaker 1: before independent all day. It's harder for independent artists do that.

2095
01:29:26,400 --> 01:29:29,960
Speaker 1: So of course I see why whoever was advertising that

2096
01:29:30,400 --> 01:29:32,160
Speaker 1: would try to cater it to the people it would

2097
01:29:32,160 --> 01:29:32,639
Speaker 1: matter the most.

2098
01:29:32,680 --> 01:29:32,800
Speaker 4: Two.

2099
01:29:33,720 --> 01:29:36,680
Speaker 1: So that's where I'm confused with JD has confused that.

2100
01:29:37,240 --> 01:29:43,080
Speaker 1: And also yes, JD owns his masters. IRV Gotti owned

2101
01:29:43,080 --> 01:29:46,679
Speaker 1: half his Masters. They had joint ventures with major labels

2102
01:29:46,800 --> 01:29:51,880
Speaker 1: because they had a proven track record that was undeniable.

2103
01:29:52,080 --> 01:29:54,559
Speaker 1: There is no risk if I do a deal with

2104
01:29:54,600 --> 01:29:57,320
Speaker 1: IRV Gotti. Look at what he's brought this building. But

2105
01:29:57,600 --> 01:30:01,880
Speaker 1: IRV didn't get any percentage at all when he brought

2106
01:30:02,000 --> 01:30:04,799
Speaker 1: DMX to the building, when he brought JA to the building.

2107
01:30:05,479 --> 01:30:08,840
Speaker 1: But they said, oh, IRV has brought our last two

2108
01:30:08,920 --> 01:30:11,320
Speaker 1: superstars and he's got this Godjy rule, we should do

2109
01:30:11,360 --> 01:30:13,760
Speaker 1: a joint venture. And IRV had the leverage at that

2110
01:30:13,800 --> 01:30:15,920
Speaker 1: point to say, dog, no, you need to give me

2111
01:30:15,960 --> 01:30:17,920
Speaker 1: proof of this is a fifty to fifty joint venture

2112
01:30:17,920 --> 01:30:21,439
Speaker 1: that we're doing and because IRV had proved himself. JD

2113
01:30:21,600 --> 01:30:24,160
Speaker 1: before he did the Soco Deaf joint venture, had proved

2114
01:30:24,200 --> 01:30:29,080
Speaker 1: himself to be a fucking genius. So JD speaking from

2115
01:30:29,600 --> 01:30:33,200
Speaker 1: a deserved, privileged place, like not everybody is. IRV and

2116
01:30:33,280 --> 01:30:36,280
Speaker 1: JD they had leverage, which is tough to have and

2117
01:30:36,320 --> 01:30:39,160
Speaker 1: it takes time and you've to sign a shitty deal usually.

2118
01:30:38,880 --> 01:30:41,160
Speaker 3: Before and so they had they had movie about.

2119
01:30:41,000 --> 01:30:45,920
Speaker 1: Talent, undeniable talent, and proof that they were profitable. Fuck talent.

2120
01:30:46,439 --> 01:30:49,080
Speaker 1: We know you can make hit records. Absolutely, So I

2121
01:30:49,720 --> 01:30:52,200
Speaker 1: don't really understand what JD was saying at all. Still,

2122
01:30:52,720 --> 01:30:53,120
Speaker 1: even in.

2123
01:30:53,080 --> 01:30:55,240
Speaker 3: Context, I'll text him and telling that, so you can

2124
01:30:55,320 --> 01:30:55,559
Speaker 3: have a.

2125
01:30:55,760 --> 01:30:59,360
Speaker 1: No, I love to over some vegan ice cream. I

2126
01:30:59,400 --> 01:31:02,840
Speaker 1: would love to which I need to get a They

2127
01:31:02,840 --> 01:31:05,560
Speaker 1: saw it at Walmart Target, I gotta get it was

2128
01:31:05,600 --> 01:31:05,960
Speaker 1: really good.

2129
01:31:06,080 --> 01:31:07,599
Speaker 3: It might be another stores now, but I know at

2130
01:31:07,600 --> 01:31:09,719
Speaker 3: the time it was and it was definitely a Walmart.

2131
01:31:09,960 --> 01:31:12,240
Speaker 1: Even if you're not a vegan but you like ice

2132
01:31:12,280 --> 01:31:15,160
Speaker 1: grade ice JD has amazing ice cream, great ice cream.

2133
01:31:15,479 --> 01:31:17,280
Speaker 1: I feel like there's a pause somewhere in there, but

2134
01:31:17,320 --> 01:31:22,160
Speaker 1: I just can't find it. No, I was pausing myself

2135
01:31:22,160 --> 01:31:28,599
Speaker 1: by saying JD is good ice cream.

2136
01:31:26,120 --> 01:31:27,120
Speaker 3: He was being gay.

2137
01:31:29,040 --> 01:31:32,240
Speaker 5: Roy speaking of Playboy CARDI, he has one week left

2138
01:31:32,280 --> 01:31:35,439
Speaker 5: to drop Iron Music or his label will have to

2139
01:31:35,520 --> 01:31:39,800
Speaker 5: refund all of the pre orders. I don't know if

2140
01:31:39,800 --> 01:31:41,519
Speaker 5: we think that's gonna happen. I think the music will

2141
01:31:41,600 --> 01:31:43,719
Speaker 5: end up coming out. I don't see the labels refunding.

2142
01:31:43,840 --> 01:31:45,360
Speaker 1: If he was independent, he would never do that.

2143
01:31:49,040 --> 01:31:51,360
Speaker 3: Points are made, But I do think the album will

2144
01:31:51,400 --> 01:31:52,679
Speaker 3: come out. I don't. I don't, I don't. I don't

2145
01:31:52,680 --> 01:31:54,360
Speaker 3: see them ever letting go there.

2146
01:31:54,439 --> 01:31:56,320
Speaker 1: I don't think he's ever gonna put music out ever again,

2147
01:31:56,800 --> 01:31:58,600
Speaker 1: like in life. Yes, I think he like kind of

2148
01:31:58,680 --> 01:32:02,040
Speaker 1: enjoys what this mystery is now, or he'll put out

2149
01:32:02,080 --> 01:32:02,840
Speaker 1: like a blank CD.

2150
01:32:04,000 --> 01:32:05,320
Speaker 3: He might be able to sell a blank CD.

2151
01:32:05,400 --> 01:32:07,479
Speaker 1: Oh, he would definitely sell a blank city Superstar ship.

2152
01:32:07,560 --> 01:32:09,160
Speaker 3: See see how.

2153
01:32:09,080 --> 01:32:12,120
Speaker 5: I wrote, I rerilled you right into that. Only superstars

2154
01:32:12,120 --> 01:32:12,880
Speaker 5: can do that.

2155
01:32:13,640 --> 01:32:14,920
Speaker 3: I rerilled you right in it.

2156
01:32:15,000 --> 01:32:18,600
Speaker 1: Not only could he do that, he also has the

2157
01:32:18,640 --> 01:32:21,919
Speaker 1: ability and a fan base that would call it genius classic.

2158
01:32:22,400 --> 01:32:25,040
Speaker 3: I could hear it, yeah, y'all, don't hear it, y'all? No,

2159
01:32:25,160 --> 01:32:25,559
Speaker 3: that could be.

2160
01:32:25,640 --> 01:32:27,120
Speaker 5: That would be a thing on Twitter like Yo, y'all

2161
01:32:27,160 --> 01:32:28,280
Speaker 5: really don't hear the music?

2162
01:32:28,760 --> 01:32:30,320
Speaker 6: People like, wait, went over your head?

2163
01:32:30,400 --> 01:32:32,599
Speaker 5: Yeah, y'all really no, I really hear the music. Ya,

2164
01:32:32,640 --> 01:32:35,040
Speaker 5: y'all don't hear yah, you're your your ship is blank.

2165
01:32:35,200 --> 01:32:36,680
Speaker 5: Like I could see people getting into a back and

2166
01:32:36,680 --> 01:32:37,280
Speaker 5: forth about that.

2167
01:32:37,760 --> 01:32:40,960
Speaker 1: I wish that happened with Playboy Cardi's music. I'm mad,

2168
01:32:41,000 --> 01:32:41,640
Speaker 1: I have to hear it.

2169
01:32:41,880 --> 01:32:45,400
Speaker 5: Really I I don't really like I said, I don't.

2170
01:32:46,040 --> 01:32:47,519
Speaker 5: I can't connect it. But he is a he is

2171
01:32:47,520 --> 01:32:51,479
Speaker 5: a superstar. As far as unclecterned other music coming out tonight, well,

2172
01:32:51,800 --> 01:32:54,479
Speaker 5: if you're reading this, you listen to this is already

2173
01:32:54,520 --> 01:32:56,280
Speaker 5: out jell On Glorilla.

2174
01:32:56,280 --> 01:32:58,280
Speaker 1: It's gonna be a long Friday from all because you

2175
01:32:58,400 --> 01:33:01,240
Speaker 1: know that's a bona fide hit, jel On Glorilla. I

2176
01:33:01,960 --> 01:33:03,320
Speaker 1: don't even need to hear it. It could be a

2177
01:33:03,320 --> 01:33:06,080
Speaker 1: blank CD. That's a fucking record.

2178
01:33:06,320 --> 01:33:08,400
Speaker 3: That's the labels pushing the button. Back to what I'm.

2179
01:33:08,240 --> 01:33:11,960
Speaker 6: Saying, invested seven million, they pushing noted, that's their button,

2180
01:33:12,000 --> 01:33:12,599
Speaker 6: seven million dollars.

2181
01:33:12,600 --> 01:33:14,840
Speaker 3: That's how much a button costs. How much your buttons costs.

2182
01:33:16,520 --> 01:33:18,439
Speaker 1: So you're telling me you don't think jell is put

2183
01:33:18,439 --> 01:33:21,000
Speaker 1: in the necessary even put the work hours to get

2184
01:33:21,000 --> 01:33:22,200
Speaker 1: that global fat No, I.

2185
01:33:22,160 --> 01:33:24,160
Speaker 5: Don't think he did at all. I don't think he did.

2186
01:33:24,240 --> 01:33:27,599
Speaker 5: But whatever it is, I ain't hated. Get your money, Gunner, Turbo,

2187
01:33:27,720 --> 01:33:31,040
Speaker 5: Classy Girl, Wu Tang has a Mandingo.

2188
01:33:31,439 --> 01:33:33,840
Speaker 3: I mean, I don't know who listen.

2189
01:33:33,920 --> 01:33:36,600
Speaker 5: We gotta talk to to the brothers of Is it

2190
01:33:36,640 --> 01:33:39,280
Speaker 5: an hour? I don't know what it is, but whatever

2191
01:33:39,320 --> 01:33:41,639
Speaker 5: it is, I don't want no parts of man Dingo now,

2192
01:33:41,640 --> 01:33:43,080
Speaker 5: but I'm assuming it's an album though.

2193
01:33:43,560 --> 01:33:45,479
Speaker 1: I feel like there'd be more promo than Wu Tang.

2194
01:33:45,560 --> 01:33:48,439
Speaker 1: I mean, I know they're going on tour, but I

2195
01:33:48,479 --> 01:33:50,560
Speaker 1: just feel like there'd be more promo putting ot the

2196
01:33:50,560 --> 01:33:51,000
Speaker 1: full project.

2197
01:33:51,080 --> 01:33:54,000
Speaker 5: Yeah, I don't know, but whatever it is, I'm I'm

2198
01:33:54,040 --> 01:33:57,800
Speaker 5: checking it out. Benny the Butcher, The Outcome, Little Dirk,

2199
01:33:57,880 --> 01:34:00,360
Speaker 5: Deep Thoughts Uh and those are just some of the

2200
01:34:00,720 --> 01:34:03,240
Speaker 5: projects dropping already out now. If you're listening to this,

2201
01:34:03,360 --> 01:34:05,880
Speaker 5: so a lot of new music coming out. Good Friday

2202
01:34:05,920 --> 01:34:06,360
Speaker 5: for music.

2203
01:34:06,840 --> 01:34:09,400
Speaker 1: I feel crazy even saying this. Benny is gonna be

2204
01:34:09,400 --> 01:34:11,000
Speaker 1: the first album that I hit play on, but I

2205
01:34:11,240 --> 01:34:13,760
Speaker 1: think Jello and Gloilla is gonna be the first thing

2206
01:34:13,760 --> 01:34:14,439
Speaker 1: I go to him at.

2207
01:34:14,400 --> 01:34:17,439
Speaker 5: Night yeah, because you just want to hear if I'm right,

2208
01:34:17,760 --> 01:34:19,360
Speaker 5: just so you can text me and be like, yo, fam.

2209
01:34:20,280 --> 01:34:21,599
Speaker 3: You don't want to walk that take back.

2210
01:34:22,439 --> 01:34:25,200
Speaker 1: Anytime Nas puts anything out, I drop what I'm doing

2211
01:34:25,600 --> 01:34:27,920
Speaker 1: to go listen. You don't think I give a goat

2212
01:34:27,960 --> 01:34:28,799
Speaker 1: like Jello the same.

2213
01:34:28,680 --> 01:34:31,479
Speaker 3: Respect, same respect as Nas. I like that for you.

2214
01:34:31,800 --> 01:34:32,679
Speaker 1: Is Jello superstar?

2215
01:34:33,280 --> 01:34:38,439
Speaker 3: No? Absolutely not, absolutely not, not even.

2216
01:34:38,320 --> 01:34:40,519
Speaker 1: He's on his way like Tyler though. No, he's not

2217
01:34:40,600 --> 01:34:41,160
Speaker 1: the same thing.

2218
01:34:41,439 --> 01:34:44,519
Speaker 5: It's no, it's not water and what's the name of

2219
01:34:44,520 --> 01:34:46,719
Speaker 5: the other record with Jello's record tweaker?

2220
01:34:46,800 --> 01:34:49,559
Speaker 3: Water and tweak is not the same thing. I mean

2221
01:34:49,600 --> 01:34:53,280
Speaker 3: not smoke. You ain't listen to tweakers.

2222
01:34:54,400 --> 01:34:54,719
Speaker 6: Kissing.

2223
01:34:55,360 --> 01:34:57,400
Speaker 1: You get so mad when I get crazy, bars off

2224
01:34:57,479 --> 01:34:59,560
Speaker 1: like it's starting to feel like jealousy at this point.

2225
01:35:00,160 --> 01:35:09,920
Speaker 6: Of you, nigga, I mean, man, sir, episode, it's been

2226
01:35:09,920 --> 01:35:10,320
Speaker 6: a rough week.

2227
01:35:10,720 --> 01:35:12,479
Speaker 1: I smoked you at the top of the week.

2228
01:35:12,320 --> 01:35:14,800
Speaker 6: So I at the top of the week. By the way,

2229
01:35:14,840 --> 01:35:17,479
Speaker 6: you were saying, your Instagram comments were saying that you won,

2230
01:35:17,600 --> 01:35:20,400
Speaker 6: but the YouTube comment said and the Twitter comment said

2231
01:35:20,439 --> 01:35:20,680
Speaker 6: I won.

2232
01:35:21,120 --> 01:35:23,200
Speaker 1: No. I went to the YouTube comments after you said that,

2233
01:35:23,320 --> 01:35:24,840
Speaker 1: and you misleaded me. You chied to me and they

2234
01:35:24,840 --> 01:35:29,920
Speaker 1: played me. No, they don't okay, they say I want okay, everybody, everybody.

2235
01:35:29,439 --> 01:35:30,920
Speaker 6: Well, we all see the best. We all see what

2236
01:35:30,920 --> 01:35:31,320
Speaker 6: we want.

2237
01:35:31,160 --> 01:35:33,120
Speaker 1: To Wait, wait till the major push that button.

2238
01:35:32,840 --> 01:35:34,519
Speaker 6: From we all see what we want to see.

2239
01:35:35,920 --> 01:35:38,040
Speaker 5: Either way, man, some good music coming out. I am

2240
01:35:38,080 --> 01:35:40,599
Speaker 5: excited to hear what Benny did with this project, saying

2241
01:35:41,520 --> 01:35:45,000
Speaker 5: so yeah, definitely listen to that. Support these artists, support

2242
01:35:45,040 --> 01:35:46,920
Speaker 5: all dope artists. Man, we need to continue to support

2243
01:35:46,960 --> 01:35:49,479
Speaker 5: dope music. So a lot of good music out this Friday.

2244
01:35:49,720 --> 01:35:51,760
Speaker 5: What you got going on this weekend? I'll be in

2245
01:35:51,920 --> 01:35:52,800
Speaker 5: chilling up in the house.

2246
01:35:52,840 --> 01:35:54,679
Speaker 3: You can relaxing. Reset.

2247
01:35:55,120 --> 01:35:57,320
Speaker 1: The way I was outside this week at thirty four

2248
01:35:57,400 --> 01:35:58,639
Speaker 1: is not the same as when I was twenty.

2249
01:35:58,680 --> 01:36:00,960
Speaker 5: Recovery and you recovery to cover. Yeah, take it, take

2250
01:36:01,080 --> 01:36:03,640
Speaker 5: a nice shower, bath, whatever you gotta do. Soak and

2251
01:36:03,720 --> 01:36:05,160
Speaker 5: he plans baby d No.

2252
01:36:05,240 --> 01:36:08,000
Speaker 6: I'm gonna start what's the new show Surrender, Severance. I'm

2253
01:36:08,000 --> 01:36:11,479
Speaker 6: gonna start Severance is great, and we'll start that it's

2254
01:36:11,520 --> 01:36:12,440
Speaker 6: dropping Sunday.

2255
01:36:12,760 --> 01:36:14,800
Speaker 3: I'm gonna start that Paradise show that you've been talking about.

2256
01:36:14,920 --> 01:36:18,840
Speaker 1: What's what's this blog on this week on My Week

2257
01:36:19,400 --> 01:36:21,280
Speaker 1: and got the special guest Yoms in it. You know

2258
01:36:21,320 --> 01:36:22,200
Speaker 1: it's gonna go crazy.

2259
01:36:22,520 --> 01:36:23,800
Speaker 3: Oh your young she shot it.

2260
01:36:24,479 --> 01:36:26,120
Speaker 1: I mean I assume she's a creative director.

2261
01:36:26,960 --> 01:36:28,679
Speaker 3: Shout out to your shout out to Yoming.

2262
01:36:28,920 --> 01:36:31,759
Speaker 5: All right, well, have a safe weekend, be safe, be blessed.

2263
01:36:31,920 --> 01:36:33,320
Speaker 5: We'll talk to you in a couple of days. I'm

2264
01:36:33,360 --> 01:36:33,800
Speaker 5: that nigga.

2265
01:36:33,840 --> 01:36:35,040
Speaker 3: He's just Ginger Peace.