1 00:00:02,000 --> 00:00:04,120 Speaker 1: So, after everything Teresa's been through, for it to go 2 00:00:04,120 --> 00:00:07,560 Speaker 1: out like this is just so when you think about it, 3 00:00:07,560 --> 00:00:10,080 Speaker 1: think about that family, think about the loss of their parents. 4 00:00:10,160 --> 00:00:13,480 Speaker 1: Teresa going to jail. She was in jail, her brother 5 00:00:13,640 --> 00:00:17,000 Speaker 1: the relationship. She's never going to talk to her brothers anymore. 6 00:00:17,200 --> 00:00:19,520 Speaker 1: She got on the stage, she's like, you read a journal. 7 00:00:19,680 --> 00:00:21,439 Speaker 1: I mean it was very funny, but she read a. 8 00:00:21,480 --> 00:00:25,120 Speaker 2: Journal like her reading her journal. She almost couldn't read 9 00:00:25,120 --> 00:00:28,200 Speaker 2: her own journal. I would love it, listen. I would 10 00:00:28,280 --> 00:00:32,280 Speaker 2: love to get to get like a reading reading like. 11 00:00:32,320 --> 00:00:37,280 Speaker 1: The Vagina monologue with people reading Teresa's journal. It would 12 00:00:37,320 --> 00:00:38,200 Speaker 1: be hilarious. 13 00:00:38,440 --> 00:00:40,320 Speaker 3: That would be awesome, amazing. 14 00:00:47,880 --> 00:00:48,160 Speaker 4: Tool. 15 00:00:48,360 --> 00:00:50,120 Speaker 1: No, babe, you can't start it like that. 16 00:00:50,600 --> 00:00:52,320 Speaker 3: No, that was the new opening. I was telling you. No, 17 00:00:53,200 --> 00:00:54,920 Speaker 3: welcome to now that. 18 00:00:54,960 --> 00:00:56,680 Speaker 1: I know what it means. You really can't start like that. 19 00:00:56,880 --> 00:00:58,720 Speaker 3: Do you think that's an appropriate way to start? 20 00:00:58,840 --> 00:00:58,920 Speaker 4: No? 21 00:00:59,280 --> 00:01:01,960 Speaker 1: Absolutely not, especially not when we're sitting in the bed. 22 00:01:02,960 --> 00:01:06,560 Speaker 3: All right, Welcome to Rappaport's Reality. My name is Michael. 23 00:01:06,319 --> 00:01:08,640 Speaker 1: Rappaport, I'm Kivy Rappaport. 24 00:01:08,240 --> 00:01:14,440 Speaker 2: And this is Rapaport's Reality, the reality TV Popular Culture 25 00:01:15,160 --> 00:01:21,280 Speaker 2: Rapaport's actual reality relationship podcast that the world has been screaming, 26 00:01:21,959 --> 00:01:26,960 Speaker 2: yelling and craving. Well, we are here, Yes we are, 27 00:01:27,319 --> 00:01:31,399 Speaker 2: and we are doing this podcast not from our luxurious 28 00:01:31,800 --> 00:01:37,440 Speaker 2: podcasting studio. We are actually doing today's podcast from our bedroom. 29 00:01:37,880 --> 00:01:38,959 Speaker 3: In the bed, the bed. 30 00:01:39,040 --> 00:01:41,039 Speaker 1: I don't know how we got here. You know, it's 31 00:01:41,400 --> 00:01:43,800 Speaker 1: you wanted to do it from my office, which was 32 00:01:43,880 --> 00:01:47,800 Speaker 1: not the right sound proofing because it's very empty, echoey. 33 00:01:48,680 --> 00:01:51,240 Speaker 1: Usually we do it in your podcast or you downstairs, 34 00:01:51,480 --> 00:01:52,640 Speaker 1: but now we're in our bedroom. 35 00:01:52,800 --> 00:01:55,920 Speaker 2: We're in our bedroom because you have a headache. I 36 00:01:55,960 --> 00:01:57,240 Speaker 2: have a slash stomach ache. 37 00:01:57,320 --> 00:01:59,840 Speaker 3: Yeah, slash possible COVID situation. 38 00:02:00,560 --> 00:02:03,080 Speaker 1: I diagnosed myself because I. 39 00:02:02,840 --> 00:02:04,960 Speaker 3: Gave yourself all sorts of life and you know why. 40 00:02:04,840 --> 00:02:07,680 Speaker 1: It's just I feel jetlag. The headache feels like when 41 00:02:07,680 --> 00:02:10,079 Speaker 1: I had COVID. That's why I said maybe I have COVID. 42 00:02:10,240 --> 00:02:11,560 Speaker 1: It's like this weird headache. 43 00:02:11,760 --> 00:02:15,320 Speaker 2: Well, Winter of the Dust Brothers, Jordan Winter of the 44 00:02:16,480 --> 00:02:20,480 Speaker 2: our producer, he had he had COVID recently. 45 00:02:20,840 --> 00:02:21,720 Speaker 3: He just had COVID. 46 00:02:21,760 --> 00:02:22,120 Speaker 1: He did. 47 00:02:22,160 --> 00:02:25,320 Speaker 3: He beat it like a fucking bad habit. Wow, he 48 00:02:25,400 --> 00:02:28,840 Speaker 3: had COVID and he was shut down. Uh so you 49 00:02:28,880 --> 00:02:32,040 Speaker 3: know who knows, but how do you feel in this moment? 50 00:02:32,080 --> 00:02:34,440 Speaker 1: I feel okay. I'm a professional, and so I'm gonna 51 00:02:34,639 --> 00:02:37,880 Speaker 1: on with the show. As they say, duress, why we're 52 00:02:37,880 --> 00:02:39,239 Speaker 1: sitting in the bed and people can see is that 53 00:02:39,280 --> 00:02:40,560 Speaker 1: we're sitting in our bed. 54 00:02:40,639 --> 00:02:42,720 Speaker 2: We're not laying in the bed. Were sitting sitting on 55 00:02:42,800 --> 00:02:45,520 Speaker 2: top of the bed. I'm really disappointed. I worked, I 56 00:02:45,560 --> 00:02:48,320 Speaker 2: tried to surprise you with that new cold opening that 57 00:02:49,120 --> 00:02:49,359 Speaker 2: just got. 58 00:02:49,480 --> 00:02:52,320 Speaker 1: I just don't even I don't understand the whole phenomenon. 59 00:02:52,440 --> 00:02:54,880 Speaker 1: I just think it's really weird. I think society is 60 00:02:54,880 --> 00:02:55,600 Speaker 1: falling apart. 61 00:02:55,840 --> 00:02:56,920 Speaker 3: Do you think she's a plant? 62 00:02:57,480 --> 00:03:00,200 Speaker 2: Because like sometimes like when somebody gets that kind of success, 63 00:03:00,240 --> 00:03:02,639 Speaker 2: like this was a plant and industry plant, and she's 64 00:03:02,680 --> 00:03:06,119 Speaker 2: gonna be, uh, you know, like campaigning for this one 65 00:03:06,240 --> 00:03:07,560 Speaker 2: or that one. Do you think she's like I don't know. 66 00:03:07,800 --> 00:03:09,919 Speaker 1: I mean what she's going to tell everybody to vote 67 00:03:09,919 --> 00:03:11,480 Speaker 1: for blue or something. 68 00:03:12,520 --> 00:03:14,840 Speaker 3: It's like, you know, it's I bet you, I bet you. 69 00:03:14,840 --> 00:03:17,040 Speaker 2: They've reached out to her. Somebody has reached out to 70 00:03:17,040 --> 00:03:19,480 Speaker 2: her about doing something. You know what's crazy. I was 71 00:03:19,720 --> 00:03:21,760 Speaker 2: I talked about this. There's gonna be a couple of 72 00:03:21,760 --> 00:03:27,840 Speaker 2: crossover theme segments from I Am Rappaport on today's Rapaport's 73 00:03:27,919 --> 00:03:32,160 Speaker 2: reality podcast. The Great Doctor Ruth Westheimer, who if you 74 00:03:32,200 --> 00:03:35,360 Speaker 2: were our age or maybe a little younger, she was 75 00:03:35,520 --> 00:03:42,360 Speaker 2: so much a part of the popular culture regime from 76 00:03:42,480 --> 00:03:45,559 Speaker 2: the eighties, nineties up until. 77 00:03:45,280 --> 00:03:46,320 Speaker 3: The two thousands. 78 00:03:46,360 --> 00:03:48,960 Speaker 2: The Great Doctor Ruth west Teimer has passed away, but 79 00:03:49,040 --> 00:03:52,640 Speaker 2: I remember her, like on Johnny Carson, I remember on Letterman, 80 00:03:52,720 --> 00:03:55,280 Speaker 2: I remember on the David Brent Done. 81 00:03:56,960 --> 00:04:00,240 Speaker 1: Yeah, she was. She was phenomenal. My mom said she 82 00:04:00,520 --> 00:04:03,680 Speaker 1: like she got her sexual awakening from doctor Ruth. She 83 00:04:03,720 --> 00:04:06,520 Speaker 1: didn't know about sex until it was doctor Ruth. I 84 00:04:06,560 --> 00:04:09,840 Speaker 1: was like, well, that's really that's sad, especially my mom's 85 00:04:09,840 --> 00:04:12,120 Speaker 1: a scorpion and I was like, how is that? But yeah, 86 00:04:12,240 --> 00:04:13,480 Speaker 1: doctor Ruth is incredible. 87 00:04:14,120 --> 00:04:16,320 Speaker 2: It's sad that your mom got her sexual awakening from 88 00:04:16,320 --> 00:04:20,279 Speaker 2: a little little Jewish woman, I mean tiny little Jewish woman. 89 00:04:21,040 --> 00:04:24,360 Speaker 2: But she passed away, lived a long life, always seemed 90 00:04:24,600 --> 00:04:29,080 Speaker 2: uh just genuinely happy to talk share all things about 91 00:04:29,120 --> 00:04:32,800 Speaker 2: positive sexuality, positive sharing your sex and. 92 00:04:32,760 --> 00:04:34,800 Speaker 1: At the time too, at the time she was talking 93 00:04:34,839 --> 00:04:37,919 Speaker 1: about it was incredible, what an inspiration. She was a 94 00:04:37,960 --> 00:04:40,640 Speaker 1: sniper and the haganab which was the IDF. 95 00:04:40,760 --> 00:04:41,720 Speaker 3: I didn't know that that. 96 00:04:42,000 --> 00:04:44,920 Speaker 1: You know, this is an incredible woman, an inspiration. 97 00:04:45,240 --> 00:04:49,359 Speaker 2: And the segue though, is that we've gone from doctor 98 00:04:49,440 --> 00:04:53,360 Speaker 2: Ruth Westeimer talking openly in a very sort of you know, 99 00:04:54,480 --> 00:04:59,360 Speaker 2: giggly fun safe way talking on you know, mainstream TV, 100 00:04:59,520 --> 00:05:03,680 Speaker 2: to sex about sex, to the Hoktua. 101 00:05:03,160 --> 00:05:04,960 Speaker 1: Girl to the spinning on a dick girl. 102 00:05:05,120 --> 00:05:07,800 Speaker 2: Yeah, the hoc too is spit on that thing. It's amazing. 103 00:05:08,120 --> 00:05:11,080 Speaker 2: The limitations have just been stripped down. You can say 104 00:05:11,240 --> 00:05:12,200 Speaker 2: literally anything. 105 00:05:12,279 --> 00:05:14,760 Speaker 1: Yeah, the world's gone to hell in a handbag real quick. 106 00:05:15,279 --> 00:05:17,600 Speaker 2: But we love the great doctor Ruth west Summer, and 107 00:05:17,640 --> 00:05:19,120 Speaker 2: I'm happy for the Hoktua girl. 108 00:05:19,360 --> 00:05:20,880 Speaker 3: You know, there was a little fit, you know, I 109 00:05:20,960 --> 00:05:22,840 Speaker 3: just there was a five minute little documentary on her. 110 00:05:22,839 --> 00:05:25,200 Speaker 2: She's just a yeah, she's like a poor like she 111 00:05:25,440 --> 00:05:27,719 Speaker 2: got a kind of a tough like. It's kind of 112 00:05:27,720 --> 00:05:31,120 Speaker 2: a crazy only in America, only on social media in 113 00:05:31,200 --> 00:05:32,080 Speaker 2: twenty twenty four. 114 00:05:32,160 --> 00:05:34,039 Speaker 1: Yeah, you know, I'm not hating on her. I just 115 00:05:34,120 --> 00:05:37,760 Speaker 1: I don't understand what it takes to become Like, what 116 00:05:37,880 --> 00:05:40,839 Speaker 1: are the things who puts the thumb print on who 117 00:05:40,920 --> 00:05:41,920 Speaker 1: becomes successful? 118 00:05:42,040 --> 00:05:42,440 Speaker 3: Why? 119 00:05:42,880 --> 00:05:44,719 Speaker 1: I don't get it I don't get it, but it's okay. 120 00:05:44,760 --> 00:05:48,520 Speaker 1: Good for her. She got like thirty k thirty to 121 00:05:48,720 --> 00:05:51,800 Speaker 1: appear somewhere. Where was it she made an appearance? You 122 00:05:51,839 --> 00:05:53,320 Speaker 1: said she got thirty thousand. 123 00:05:53,160 --> 00:05:56,240 Speaker 2: Thirty thousand dollars to doing appearent somewhere she's doing selling tires. 124 00:05:56,279 --> 00:05:58,160 Speaker 2: She's American, she's only in America. 125 00:05:58,200 --> 00:05:58,760 Speaker 1: Good for her. 126 00:05:58,960 --> 00:06:02,119 Speaker 2: We're going to just jump in to all things reality TV, 127 00:06:02,279 --> 00:06:06,520 Speaker 2: all things popular culture. I feel like cueueing the music 128 00:06:06,800 --> 00:06:10,919 Speaker 2: from the Doors. This is the end. Oh man, my 129 00:06:11,360 --> 00:06:14,000 Speaker 2: few f matter of fact, Miles Jordan's play a little 130 00:06:14,040 --> 00:06:16,839 Speaker 2: of the great Jim Morrison and the Doors singing, this 131 00:06:16,880 --> 00:06:17,559 Speaker 2: is the end. 132 00:06:18,320 --> 00:06:28,920 Speaker 5: This is the end, beautiful friend, this is the end. 133 00:06:30,880 --> 00:06:41,400 Speaker 4: Milely Oh, it is the end. 134 00:06:41,880 --> 00:06:45,760 Speaker 2: Unfortunately, we are coming to the end of the Real 135 00:06:45,800 --> 00:06:49,400 Speaker 2: Housewives of New Jersey, not of the end of this season. 136 00:06:49,920 --> 00:06:53,400 Speaker 1: The end the end, Andy said on Radio Andy, someone 137 00:06:53,440 --> 00:06:57,040 Speaker 1: called in and said, you know, listen, it's getting too toxic, 138 00:06:57,120 --> 00:06:59,719 Speaker 1: and uh, they gotta go and you gotta reboot it 139 00:06:59,800 --> 00:07:02,400 Speaker 1: just did New York. And you know what, he agreed, 140 00:07:02,720 --> 00:07:04,559 Speaker 1: he said, we're thinking we're on the same page. 141 00:07:04,600 --> 00:07:07,000 Speaker 2: And he knows what he was doing. He knows if 142 00:07:07,000 --> 00:07:09,920 Speaker 2: somebody's calling and bringing that up. He knows if he's 143 00:07:09,960 --> 00:07:10,760 Speaker 2: answering like that. 144 00:07:10,960 --> 00:07:14,200 Speaker 1: The audience is not with it. And it's sad. 145 00:07:14,560 --> 00:07:15,560 Speaker 3: It's really sad. 146 00:07:15,760 --> 00:07:19,640 Speaker 2: And I'm gonna be straight up, I can't place all 147 00:07:19,640 --> 00:07:25,160 Speaker 2: the blame on her, but Teresa Judas and Melissa gorgo. 148 00:07:25,240 --> 00:07:28,080 Speaker 2: But I gotta say Teresa Judas is the reason why 149 00:07:28,280 --> 00:07:33,920 Speaker 2: the show cannot sustain itself because Teresa Judas has been 150 00:07:34,200 --> 00:07:37,840 Speaker 2: so toxic and hasn't been able to see the big 151 00:07:37,880 --> 00:07:43,520 Speaker 2: picture and has been so divisive and has caused so 152 00:07:43,600 --> 00:07:46,320 Speaker 2: many allegiances and like it's like you're on the good 153 00:07:46,320 --> 00:07:47,280 Speaker 2: team or on the bat team. 154 00:07:47,320 --> 00:07:49,040 Speaker 3: You're on team Teresa, and you're not. 155 00:07:49,120 --> 00:07:52,000 Speaker 1: And I'm going to stop you. How how is it 156 00:07:52,080 --> 00:07:52,520 Speaker 1: just her? 157 00:07:52,840 --> 00:07:55,480 Speaker 3: I'm not saying Melissa is not responsible. 158 00:07:55,080 --> 00:07:58,400 Speaker 1: And Joey, Like, it's it's the three of them. They're 159 00:07:58,440 --> 00:08:01,440 Speaker 1: all equally responsible. Well you have to go back, but 160 00:08:01,480 --> 00:08:04,240 Speaker 1: everybody don't back to when their parents were alive in 161 00:08:04,320 --> 00:08:07,600 Speaker 1: the fighting. It's all of them, it really really is. 162 00:08:07,680 --> 00:08:10,680 Speaker 1: And then when joe when she was married. It's not 163 00:08:10,960 --> 00:08:11,920 Speaker 1: just Teresa. 164 00:08:11,680 --> 00:08:14,480 Speaker 2: Bank the last two let's say two seasons, I could 165 00:08:14,480 --> 00:08:16,200 Speaker 2: just say two. It's probably could go into the last 166 00:08:16,200 --> 00:08:20,240 Speaker 2: three seasons. But this season and last season this like 167 00:08:20,480 --> 00:08:22,680 Speaker 2: you're either with me or you are against me. And 168 00:08:22,720 --> 00:08:24,760 Speaker 2: I'm not speaking. And I know Melissa is a part 169 00:08:24,760 --> 00:08:26,480 Speaker 2: of that. I know Joe gorg is a part of it. 170 00:08:27,440 --> 00:08:30,160 Speaker 2: But I feel like Teresa, you know, just with the girls. 171 00:08:30,160 --> 00:08:34,559 Speaker 2: Forget Joe, just with the girls. And they got Jenfestlerole 172 00:08:34,920 --> 00:08:38,600 Speaker 2: whacked out of her mind, they got jen Aiden whacked 173 00:08:38,600 --> 00:08:40,600 Speaker 2: out of her mind, they got Margaret. 174 00:08:40,800 --> 00:08:43,880 Speaker 1: I'm gonna blame I'm gonna blame jen Aiden. I would 175 00:08:43,920 --> 00:08:48,160 Speaker 1: blame her more in the last two season, really really 176 00:08:48,240 --> 00:08:51,480 Speaker 1: really getting in the middle. Then I would blame Teresa 177 00:08:51,520 --> 00:08:53,560 Speaker 1: because I don't think Teresa is smart enough. 178 00:08:53,720 --> 00:08:57,160 Speaker 3: That's what I'm saying. You can't have a leader who. 179 00:08:57,040 --> 00:08:58,640 Speaker 1: Well, she's a star. She's a star. 180 00:08:58,720 --> 00:09:02,000 Speaker 3: She's a leader. He's a star. But she's also like, 181 00:09:02,120 --> 00:09:03,880 Speaker 3: I'm the leader. You know that. 182 00:09:04,160 --> 00:09:06,760 Speaker 2: During the reunion, she was like, you know, like remember 183 00:09:06,800 --> 00:09:09,920 Speaker 2: she tried to fire Melissa Gore because. 184 00:09:09,640 --> 00:09:12,480 Speaker 3: She's like, you're not coming back. And I'm just saying, like, 185 00:09:12,720 --> 00:09:15,679 Speaker 3: she's the leader, she's a star, but she's doing. 186 00:09:15,520 --> 00:09:18,360 Speaker 1: It long enough to know they all know what they're doing. 187 00:09:18,400 --> 00:09:20,120 Speaker 1: You know, when they're on the show. They know what 188 00:09:20,160 --> 00:09:23,280 Speaker 1: to do to keep the job, like they know, like, 189 00:09:23,440 --> 00:09:26,200 Speaker 1: come on, guys, you guys know what to do, like. 190 00:09:26,360 --> 00:09:28,000 Speaker 3: It's out of Dolores's hands. 191 00:09:28,080 --> 00:09:30,400 Speaker 1: Yea, it's just so dumb. It's like you guys know 192 00:09:30,440 --> 00:09:31,679 Speaker 1: what to do to keep the job. 193 00:09:31,760 --> 00:09:34,400 Speaker 3: Your family like they can't do it. You can't do it. 194 00:09:34,760 --> 00:09:38,720 Speaker 1: You got your ego and your they did it to themselves. 195 00:09:38,720 --> 00:09:41,120 Speaker 2: And I feel I feel bad because I know Dolores 196 00:09:41,280 --> 00:09:43,560 Speaker 2: likes doing the show, and I know that the other ones. 197 00:09:43,600 --> 00:09:45,640 Speaker 2: I'm sure they all part of them like doing the show. 198 00:09:45,679 --> 00:09:48,520 Speaker 2: But I think you're right, You're right, right. 199 00:09:48,600 --> 00:09:52,600 Speaker 3: I can't say it's all do you love her? 200 00:09:53,000 --> 00:09:55,200 Speaker 1: She's a star. I'm not saying she's like, you know, 201 00:09:55,240 --> 00:09:57,680 Speaker 1: she's not a rocket scientist, but like she is the star. 202 00:09:58,200 --> 00:10:01,200 Speaker 1: And listen, Melissa and are smart, like they all know 203 00:10:01,280 --> 00:10:03,160 Speaker 1: what they're doing. They know how to keep the job. 204 00:10:03,200 --> 00:10:05,520 Speaker 1: They've been doing. These are professional knows how many seas 205 00:10:05,600 --> 00:10:09,080 Speaker 1: fourteen seasons this show has been on, right, fourteen something 206 00:10:09,120 --> 00:10:10,960 Speaker 1: like that, like it's over, it's over. 207 00:10:10,800 --> 00:10:13,600 Speaker 3: We're we're declaring it. Andy hasn't said it, Bravo, wisn't 208 00:10:13,600 --> 00:10:15,319 Speaker 3: said it. It's obvious it's over. 209 00:10:15,400 --> 00:10:17,680 Speaker 1: It's so upsetting. But by the way, last night I 210 00:10:17,720 --> 00:10:19,560 Speaker 1: was when we were watching, I was like, Danielle's star, 211 00:10:19,920 --> 00:10:22,840 Speaker 1: this is Danielle's great, she's great. I mean, it's a 212 00:10:22,880 --> 00:10:24,800 Speaker 1: bummer two years in and this is it's going to 213 00:10:24,840 --> 00:10:28,120 Speaker 1: be over for her. I have a feeling Danielle will stay, 214 00:10:28,840 --> 00:10:30,480 Speaker 1: the foods will stay. They could know. 215 00:10:30,640 --> 00:10:33,040 Speaker 3: They're not the whole thing you think. 216 00:10:33,200 --> 00:10:33,679 Speaker 1: I don't know. 217 00:10:34,000 --> 00:10:35,800 Speaker 3: It is a bummer because Daniel's great. 218 00:10:35,880 --> 00:10:39,600 Speaker 1: She's great, she's great TV, her family or kids, or 219 00:10:39,600 --> 00:10:41,880 Speaker 1: her relationship with her husband. She's got all the elements. 220 00:10:41,880 --> 00:10:44,480 Speaker 1: She's got relationship with her dad. It's a husband that's 221 00:10:44,520 --> 00:10:45,120 Speaker 1: going to try to help. 222 00:10:45,200 --> 00:10:46,000 Speaker 3: I mean, maybe she will. 223 00:10:46,040 --> 00:10:48,440 Speaker 2: Maybe they won't do a total revamp in Jersey, but 224 00:10:49,320 --> 00:10:51,560 Speaker 2: or maybe they'll do the Real Housewives of Staten Island. 225 00:10:51,600 --> 00:10:55,000 Speaker 1: I don't know, but Dolores could have her own thing. 226 00:10:55,080 --> 00:10:56,240 Speaker 1: I mean, listen, it's. 227 00:10:56,120 --> 00:10:58,719 Speaker 3: Really it's really really disappointing. 228 00:10:58,720 --> 00:10:59,520 Speaker 1: I'm bummed and. 229 00:10:59,480 --> 00:11:01,480 Speaker 2: This season and I gotta tell you, like I love it. 230 00:11:01,520 --> 00:11:04,720 Speaker 2: I'm entertained. But it's like a merry go round. 231 00:11:04,760 --> 00:11:05,320 Speaker 3: It's just the. 232 00:11:05,240 --> 00:11:08,800 Speaker 2: Same thing, same thing, same thing, same thing, going around 233 00:11:08,800 --> 00:11:12,000 Speaker 2: and around and obviously the Daniella fight and the Jenaden fight. 234 00:11:12,400 --> 00:11:13,160 Speaker 3: It was exciting. 235 00:11:13,320 --> 00:11:15,880 Speaker 1: No, it's not even exciting, babe, would she When they're 236 00:11:15,880 --> 00:11:18,040 Speaker 1: in the dressing room and there's five you know, they're 237 00:11:18,080 --> 00:11:21,440 Speaker 1: taking a five minute break from the NOMA Stay Bitches 238 00:11:21,520 --> 00:11:25,800 Speaker 1: Live podcast and Danielle walked out and she looks like. 239 00:11:26,040 --> 00:11:27,880 Speaker 3: She looks like it looked like shit. 240 00:11:28,520 --> 00:11:31,120 Speaker 1: Be good. I mean, it's good, but it's like another 241 00:11:31,280 --> 00:11:34,560 Speaker 1: level of like Mob Wives, like they didn't even go. 242 00:11:35,280 --> 00:11:38,679 Speaker 2: Daniel brings that Mob Wives energy, she brings that Big Ange. 243 00:11:39,400 --> 00:11:41,160 Speaker 3: What was the other one we liked from Mob Wives? 244 00:11:42,360 --> 00:11:46,160 Speaker 2: Uh, the one who was like she was really scary baby, 245 00:11:47,200 --> 00:11:49,800 Speaker 2: I know people whatever her name is, that was a 246 00:11:50,240 --> 00:11:51,880 Speaker 2: you know mob wofs had a good run too, but 247 00:11:51,920 --> 00:11:55,280 Speaker 2: it was again, it's just too wacky and Big Anne 248 00:11:55,400 --> 00:11:57,760 Speaker 2: was I mean, when Big Ange came on the television, 249 00:11:58,480 --> 00:11:59,880 Speaker 2: she was a talk about a star. 250 00:12:00,240 --> 00:12:15,319 Speaker 3: That's the Big Ange was a star. Rip. It's just sad. 251 00:12:15,400 --> 00:12:18,439 Speaker 3: It's just there's no reunion. There's no closure. 252 00:12:18,880 --> 00:12:21,679 Speaker 2: Obviously they keep saying, well, the last episode is kind 253 00:12:21,679 --> 00:12:25,760 Speaker 2: of like a reunion and it closes the story. And 254 00:12:26,280 --> 00:12:29,880 Speaker 2: I personally think, I don't know, man, I don't where 255 00:12:30,160 --> 00:12:32,319 Speaker 2: what's gonna happen. They're gonna revamp, and you know how 256 00:12:32,320 --> 00:12:35,000 Speaker 2: long it's gonna take to revamping, or they're probably soft 257 00:12:35,040 --> 00:12:37,280 Speaker 2: casting now they're doing things behind this scene. 258 00:12:37,400 --> 00:12:39,120 Speaker 1: Andy already knows writing's on the wall. 259 00:12:39,360 --> 00:12:43,520 Speaker 2: But I don't like that. This is like really like disappointing. 260 00:12:43,720 --> 00:12:46,880 Speaker 2: It's disappointing for them to go out like this, terrible. 261 00:12:46,960 --> 00:12:49,040 Speaker 1: So after everything Teresa's been through, for it to go 262 00:12:49,080 --> 00:12:52,480 Speaker 1: out like this is just so when you think about it, 263 00:12:52,520 --> 00:12:55,000 Speaker 1: think about that family, think about the loss of their parents. 264 00:12:55,120 --> 00:12:59,280 Speaker 1: Teresa going to jail, she was jail, her brother the relationship. 265 00:12:59,440 --> 00:13:02,240 Speaker 1: She's ever going to talk to her brothers anymore. She 266 00:13:02,280 --> 00:13:04,480 Speaker 1: got on the stage, She's like, you read her journal? 267 00:13:04,640 --> 00:13:06,439 Speaker 1: I mean it was very funny, but she read a. 268 00:13:06,440 --> 00:13:10,040 Speaker 2: Journal like her reading her journal? She almost couldn't read 269 00:13:10,040 --> 00:13:13,360 Speaker 2: her own journal. I would love listen. I would love 270 00:13:13,400 --> 00:13:17,000 Speaker 2: to get to get like a reading reading. 271 00:13:17,160 --> 00:13:22,200 Speaker 1: Like the Vagina monologue with people reading Teresa's journal would 272 00:13:22,280 --> 00:13:23,120 Speaker 1: be hilarious. 273 00:13:23,400 --> 00:13:26,720 Speaker 2: That would be awesome, amazing, That would be no, I 274 00:13:26,720 --> 00:13:30,760 Speaker 2: would that would be great. But I was saying, I 275 00:13:30,960 --> 00:13:32,800 Speaker 2: can't remember what it's called. I would like to see 276 00:13:32,800 --> 00:13:37,520 Speaker 2: what great, right, I can't like I'm a great speaker 277 00:13:37,520 --> 00:13:38,480 Speaker 2: because I just prove I can. 278 00:13:38,640 --> 00:13:41,880 Speaker 1: It's funny because the camera angle caught her like journal, 279 00:13:42,000 --> 00:13:43,960 Speaker 1: like the size that she writes in, Like it was 280 00:13:44,040 --> 00:13:47,600 Speaker 1: really written really big, like she writes handwriting. Yeah, look 281 00:13:47,720 --> 00:13:49,760 Speaker 1: very neat, but it was very big her like. 282 00:13:49,600 --> 00:13:50,400 Speaker 3: Like black letters. 283 00:13:50,520 --> 00:13:55,640 Speaker 1: Yeah yeah, I love to Jui best. 284 00:13:55,920 --> 00:13:58,080 Speaker 3: She's fucking great, man, it really really. 285 00:13:58,760 --> 00:14:01,080 Speaker 1: She can't leave television. This is terrible for me. 286 00:14:01,320 --> 00:14:03,920 Speaker 2: And you know what, without without a whole thing around her, 287 00:14:03,960 --> 00:14:06,640 Speaker 2: she can't carry a show on her own. She could 288 00:14:06,679 --> 00:14:09,719 Speaker 2: pop up on other shows, she can't care orchestrate a 289 00:14:09,760 --> 00:14:10,600 Speaker 2: whole show on her own. 290 00:14:10,640 --> 00:14:13,080 Speaker 3: She can't do it. She's just herself. 291 00:14:13,640 --> 00:14:15,600 Speaker 1: I don't know what you mean by that, because she's 292 00:14:15,640 --> 00:14:16,400 Speaker 1: not performing. 293 00:14:16,520 --> 00:14:17,680 Speaker 3: She's just her fucking self. 294 00:14:17,760 --> 00:14:19,920 Speaker 1: That's great, though, what are you talking about? She could 295 00:14:19,960 --> 00:14:22,160 Speaker 1: have a reality show with Louis and their family and 296 00:14:22,240 --> 00:14:23,320 Speaker 1: their life. Are you crazy? 297 00:14:23,400 --> 00:14:25,840 Speaker 2: Yeah, but they need the drama, like we don't want 298 00:14:25,840 --> 00:14:27,160 Speaker 2: to seek oh our love. 299 00:14:26,960 --> 00:14:27,560 Speaker 3: Bubble and all. 300 00:14:27,600 --> 00:14:28,560 Speaker 1: That's not interesting. 301 00:14:28,800 --> 00:14:32,400 Speaker 3: No, that is just not that interesting, you know, Like, No, it. 302 00:14:32,320 --> 00:14:34,280 Speaker 1: Could be with her and her kids and Louie and 303 00:14:34,440 --> 00:14:35,320 Speaker 1: they could have a show. 304 00:14:36,000 --> 00:14:38,280 Speaker 3: Traders, did they say she'd know Dolores's. 305 00:14:38,040 --> 00:14:38,960 Speaker 1: Traders, Traders. 306 00:14:39,000 --> 00:14:39,680 Speaker 3: They could have a show. 307 00:14:39,680 --> 00:14:43,280 Speaker 1: I don't know where you Milf Manner, Theresa could have 308 00:14:43,320 --> 00:14:44,040 Speaker 1: a show. What are you talk? 309 00:14:44,280 --> 00:14:47,520 Speaker 2: By the way, we watched about fifteen or twenty minutes 310 00:14:47,560 --> 00:14:48,000 Speaker 2: to do it. 311 00:14:48,280 --> 00:14:50,880 Speaker 3: Milf Manner is even below ourselves. 312 00:14:50,880 --> 00:14:52,880 Speaker 1: Listen, we do all of them, though we could do 313 00:14:52,920 --> 00:14:54,880 Speaker 1: all of them. We've been Love Island. By the way, 314 00:14:54,960 --> 00:15:01,800 Speaker 1: Love Island is the number one streaming show untilelevision, number one. 315 00:15:01,880 --> 00:15:04,720 Speaker 3: And I don't I don't get now I'll watch some Island. 316 00:15:04,840 --> 00:15:06,680 Speaker 1: I love it. I don't know why you say it. 317 00:15:06,680 --> 00:15:07,400 Speaker 1: It's so good? 318 00:15:08,200 --> 00:15:08,600 Speaker 3: Is it? 319 00:15:08,840 --> 00:15:10,960 Speaker 1: I love it? It's I think it's great. By the way, 320 00:15:11,280 --> 00:15:15,120 Speaker 1: when when when Arianna can't lose? I'm so happy for 321 00:15:15,160 --> 00:15:17,720 Speaker 1: her because she can't. She's just winning, winning, winning, do 322 00:15:17,800 --> 00:15:20,600 Speaker 1: you think? By the way, babe, did you see the 323 00:15:21,440 --> 00:15:25,600 Speaker 1: video of oh Boy? Why am I forgetting his name? 324 00:15:26,400 --> 00:15:28,120 Speaker 1: That's how much he doesn't mean anything? 325 00:15:28,480 --> 00:15:32,320 Speaker 3: Cool? Not ben Affleck Please, we're not talking about not 326 00:15:32,440 --> 00:15:32,680 Speaker 3: j Lo. 327 00:15:32,960 --> 00:15:36,720 Speaker 1: No, what's his name? I call Arianna's ex boyfriend. 328 00:15:36,240 --> 00:15:38,600 Speaker 3: Tom Tom san her ex Tom Sannibal. 329 00:15:40,520 --> 00:15:43,600 Speaker 2: Yes, yeah, he's a wait wait wait wait Before we 330 00:15:43,640 --> 00:15:45,920 Speaker 2: get to that, I just want to just finish up 331 00:15:45,920 --> 00:15:47,240 Speaker 2: what we're saying about Milf Manor. 332 00:15:47,640 --> 00:15:51,760 Speaker 3: We have friends Tammy and Allen. They watch Milf Manor. 333 00:15:51,880 --> 00:15:52,760 Speaker 1: They go hard for it. 334 00:15:52,880 --> 00:15:53,880 Speaker 3: They and there's other. 335 00:15:53,840 --> 00:15:58,080 Speaker 2: People Dean the Young Shooter f Dean, my friend Dean 336 00:15:58,200 --> 00:16:01,560 Speaker 2: aka the Young Shooter from the Ironmrapersaria, Pakistan, and now 337 00:16:01,960 --> 00:16:06,000 Speaker 2: they go hard for Milf Manor. I we maybe it's 338 00:16:06,040 --> 00:16:08,080 Speaker 2: because our standards are so high or we can. 339 00:16:08,040 --> 00:16:11,160 Speaker 3: Only take so much. I don't think are that high, babe. 340 00:16:11,240 --> 00:16:12,640 Speaker 3: Our standards are pretty high. 341 00:16:12,880 --> 00:16:15,920 Speaker 2: We watch these shows, like you know, the Criterion Collection 342 00:16:15,960 --> 00:16:18,640 Speaker 2: where they show like all the great, the great, the 343 00:16:18,680 --> 00:16:21,480 Speaker 2: great movies. It's like a Criterion collection. If you don't know, 344 00:16:21,480 --> 00:16:23,200 Speaker 2: it was like it used to. They used to take 345 00:16:23,280 --> 00:16:27,320 Speaker 2: LaserDisc and DVDs and they would take like classic movies 346 00:16:27,360 --> 00:16:31,280 Speaker 2: like Casablanca or like Goodfellas, and they would all these 347 00:16:31,360 --> 00:16:34,160 Speaker 2: kinds of like great movies Chinatown, and they would you. 348 00:16:34,120 --> 00:16:36,400 Speaker 3: Know, it was the elite of the elite, like Our 349 00:16:36,520 --> 00:16:37,080 Speaker 3: and the Day. 350 00:16:37,000 --> 00:16:40,080 Speaker 1: And the director would talk over it and describe. 351 00:16:39,800 --> 00:16:42,520 Speaker 2: The greatness of the film like I feel like we're 352 00:16:42,640 --> 00:16:47,200 Speaker 2: Criterion Collection of reality TV show. Now, I'm not going 353 00:16:47,240 --> 00:16:50,040 Speaker 2: to say there's not an audience in people. Certain people 354 00:16:50,360 --> 00:16:55,760 Speaker 2: can't enjoy, and I can't understand why certain people enjoy 355 00:16:55,840 --> 00:16:58,560 Speaker 2: milf manner. I'm just saying, maybe I don't have we 356 00:16:58,600 --> 00:17:00,800 Speaker 2: don't have enough bandwidth to go. 357 00:17:00,720 --> 00:17:03,400 Speaker 1: Into real fool already of the junk food. Is that 358 00:17:03,400 --> 00:17:05,480 Speaker 1: what you're saying to the front of the brim? Yeah, 359 00:17:05,480 --> 00:17:06,880 Speaker 1: because when I was watching, I was like. 360 00:17:07,000 --> 00:17:10,359 Speaker 2: Whoa, because you got uncles with their their nephews and 361 00:17:10,960 --> 00:17:13,639 Speaker 2: fathers and sons and brothers and the making out with 362 00:17:13,920 --> 00:17:16,560 Speaker 2: and it just like, what the hell is this? And 363 00:17:16,640 --> 00:17:20,159 Speaker 2: I gotta I gotta protect what I have left of 364 00:17:20,200 --> 00:17:23,600 Speaker 2: our souls. My soul's in like my integrity, no disrespect 365 00:17:23,640 --> 00:17:25,760 Speaker 2: to the fans of milk manner, No. 366 00:17:25,520 --> 00:17:28,720 Speaker 1: No is fully entertaining. But we can only do so much. 367 00:17:28,840 --> 00:17:31,520 Speaker 2: We can only do so much, So maybe maybe it's 368 00:17:31,560 --> 00:17:33,080 Speaker 2: that and we can only do. 369 00:17:33,040 --> 00:17:35,840 Speaker 1: So somewhere behind on some things, so we have to 370 00:17:35,880 --> 00:17:36,760 Speaker 1: save some room for. 371 00:17:37,080 --> 00:17:39,080 Speaker 2: But like when you turn on an episode of Below Deck, 372 00:17:39,119 --> 00:17:41,880 Speaker 2: I don't feel any shame at all. Like Below Deck 373 00:17:41,960 --> 00:17:44,720 Speaker 2: is a good Showlow Deck Yachting is a good show, 374 00:17:44,840 --> 00:17:47,320 Speaker 2: Blow Deck Mediterranean, these are good shows. 375 00:17:47,119 --> 00:17:50,960 Speaker 3: Right, Yes, Like I don't feel shame or embarrassment. 376 00:17:50,960 --> 00:17:53,560 Speaker 2: When I was watching that fifteen to twenty minutes of 377 00:17:53,600 --> 00:17:54,480 Speaker 2: Milk Manner, I was like. 378 00:17:54,520 --> 00:17:57,840 Speaker 1: Especially that one lady that's overly tanned, the white lady 379 00:17:57,880 --> 00:18:00,200 Speaker 1: that was like high fight the black dude, that old 380 00:18:00,240 --> 00:18:02,800 Speaker 1: white I was like, oh no, I. 381 00:18:02,720 --> 00:18:05,240 Speaker 3: Can And they made out and they're like. 382 00:18:06,560 --> 00:18:09,000 Speaker 1: Oh man. I was like. And then the dad was 383 00:18:09,000 --> 00:18:10,560 Speaker 1: with the de and his son was in the. 384 00:18:10,560 --> 00:18:13,440 Speaker 3: Room with and the nephew and they're trying to go. 385 00:18:13,680 --> 00:18:14,480 Speaker 1: They say too much. 386 00:18:14,520 --> 00:18:16,520 Speaker 3: How do you just get over that? At Thanksgiving? 387 00:18:16,840 --> 00:18:19,159 Speaker 2: Like when you go, like the whole family gets together, 388 00:18:19,200 --> 00:18:21,960 Speaker 2: like there's like there's gotta be some come on. 389 00:18:22,240 --> 00:18:22,440 Speaker 1: Yeah. 390 00:18:22,440 --> 00:18:25,080 Speaker 2: I mean there's another show that you're watching that I watch, like, 391 00:18:25,119 --> 00:18:26,639 Speaker 2: it's like Elevator music, what is it? 392 00:18:26,800 --> 00:18:27,720 Speaker 1: The Perfect Match? 393 00:18:27,760 --> 00:18:28,240 Speaker 3: Perfect? 394 00:18:28,359 --> 00:18:30,040 Speaker 1: I know, I don't know why you don't like that one. 395 00:18:30,119 --> 00:18:32,800 Speaker 1: But see there's a bunch of these young people on 396 00:18:32,840 --> 00:18:35,200 Speaker 1: the beach and bathing suit shows. 397 00:18:37,040 --> 00:18:41,359 Speaker 2: About Netflix is they have like a recurring, returning, rotating 398 00:18:41,480 --> 00:18:45,160 Speaker 2: cast of people. There's Love is Blind obviously, the Ultimatum, 399 00:18:45,200 --> 00:18:48,320 Speaker 2: There's Queer Love, the Ultimatum, Marrier Move. 400 00:18:48,440 --> 00:18:49,080 Speaker 1: I watch all of. 401 00:18:49,080 --> 00:18:52,360 Speaker 2: Them hot to handle, and from what I got from 402 00:18:52,400 --> 00:18:53,320 Speaker 2: Perfect Matches, like. 403 00:18:53,240 --> 00:18:56,240 Speaker 1: The cast is to the thing I was saying about 404 00:18:56,240 --> 00:18:59,200 Speaker 1: perfect like the Battle of the Network Star. Yes, exactly, 405 00:18:59,240 --> 00:19:01,800 Speaker 1: and that's why it because it's all about casting. 406 00:19:01,960 --> 00:19:03,840 Speaker 2: But they show each other on one show and then 407 00:19:03,880 --> 00:19:05,520 Speaker 2: they're mad at each other on another show. 408 00:19:05,600 --> 00:19:07,800 Speaker 1: No, but this is why the casting is very important. 409 00:19:07,880 --> 00:19:10,360 Speaker 1: And there's some skill to this show in terms of casting. 410 00:19:11,480 --> 00:19:13,879 Speaker 1: It could it could win an award in casting the 411 00:19:14,480 --> 00:19:17,520 Speaker 1: skill there. So I like that, you know, and young people, 412 00:19:17,800 --> 00:19:20,760 Speaker 1: you know, trying to make a perfect match is interesting. 413 00:19:20,840 --> 00:19:22,560 Speaker 3: But are they actually trying to do. 414 00:19:23,080 --> 00:19:24,879 Speaker 1: Just like a fuck fast? This is what it is. 415 00:19:25,480 --> 00:19:28,600 Speaker 3: Yeah, it's a fast exactly, It's a fast they go 416 00:19:28,640 --> 00:19:29,360 Speaker 3: from show to. 417 00:19:29,400 --> 00:19:32,840 Speaker 1: Show and like, you know, and it's so mean of us. 418 00:19:33,160 --> 00:19:36,840 Speaker 1: Why is it mean? Because milk manners just older people, 419 00:19:37,320 --> 00:19:42,600 Speaker 1: you know, the dad with the sons. Like, I'm watching 420 00:19:42,640 --> 00:19:47,000 Speaker 1: young people swap so what with each other? You know sons. 421 00:19:46,800 --> 00:19:48,919 Speaker 1: It's like, you know, we're being judgmental. 422 00:19:49,359 --> 00:19:52,639 Speaker 3: No, I don't think we're being judgmental. I do not. 423 00:19:52,720 --> 00:19:56,000 Speaker 2: We're not judging the people. What we are judging the people. 424 00:19:56,080 --> 00:19:58,920 Speaker 2: We're judging the show. We're allowed to judge the show. 425 00:19:58,960 --> 00:20:03,520 Speaker 2: And if I have high standards and I refuse to, 426 00:20:04,440 --> 00:20:07,600 Speaker 2: you know, bend my standards. That doesn't mean I'm judging 427 00:20:07,640 --> 00:20:09,680 Speaker 2: the show. It just means maybe I'm a reality TV 428 00:20:09,760 --> 00:20:10,320 Speaker 2: snap stop. 429 00:20:10,359 --> 00:20:11,680 Speaker 1: That's it. That's what we are. 430 00:20:12,200 --> 00:20:13,560 Speaker 3: Do You can see the I don't I think we 431 00:20:13,600 --> 00:20:15,720 Speaker 3: are because you know TV. 432 00:20:16,400 --> 00:20:19,320 Speaker 1: I do because I won't go deep into the like 433 00:20:19,440 --> 00:20:22,520 Speaker 1: my six hundred pound life. I won't go into like 434 00:20:23,640 --> 00:20:26,159 Speaker 1: and I won't go deep. But we started off with 435 00:20:26,280 --> 00:20:29,080 Speaker 1: ninety day Fiance. During the pandemic, we kind of fell 436 00:20:29,119 --> 00:20:32,080 Speaker 1: off of that, or like the what's the one with 437 00:20:32,119 --> 00:20:35,119 Speaker 1: the mom the you know, the overprotective mom one or 438 00:20:35,280 --> 00:20:37,760 Speaker 1: some of these TLC ones. They don't do it for me. 439 00:20:38,119 --> 00:20:39,879 Speaker 1: There's a ton of them that we just won't do. 440 00:20:40,160 --> 00:20:41,600 Speaker 3: Let me ask you a hard hitting question. 441 00:20:42,480 --> 00:20:48,439 Speaker 2: Do you feel like we are missing out because we're 442 00:20:48,640 --> 00:20:51,360 Speaker 2: we haven't been on the train of ninety day Fiance. 443 00:20:52,920 --> 00:20:55,680 Speaker 2: I part of me feels like, yes, we have missed 444 00:20:55,720 --> 00:20:59,200 Speaker 2: out on a good time because we we haven't rolled 445 00:20:59,240 --> 00:21:02,600 Speaker 2: that ninety eight fiance train. And the people that ride 446 00:21:02,600 --> 00:21:05,760 Speaker 2: that ninety dight fiance train, they're like, they seem happy, 447 00:21:07,240 --> 00:21:10,560 Speaker 2: they seem very very happy. There's a part of me 448 00:21:11,160 --> 00:21:14,000 Speaker 2: that feels like I wish we had been on that. Yes, 449 00:21:14,160 --> 00:21:16,520 Speaker 2: we got our tickets early. Yeah, but now I feel 450 00:21:16,520 --> 00:21:17,800 Speaker 2: like it's too late. 451 00:21:18,359 --> 00:21:21,080 Speaker 1: You know, it's too late because there's branches off to say, 452 00:21:21,080 --> 00:21:23,920 Speaker 1: you know, six ninety days after and after the after 453 00:21:24,119 --> 00:21:27,399 Speaker 1: and before the after. Like so I feel like jumping 454 00:21:27,440 --> 00:21:30,840 Speaker 1: in now, although I caught it, you know when Tammy 455 00:21:30,880 --> 00:21:32,679 Speaker 1: and Allen were there and I jumped in and I 456 00:21:32,720 --> 00:21:35,440 Speaker 1: was like, oh, I remember them. Oh, and that's her 457 00:21:35,640 --> 00:21:37,280 Speaker 1: and that's him, and there's still there. 458 00:21:37,280 --> 00:21:38,679 Speaker 3: You don't have to be a rocket science. 459 00:21:38,800 --> 00:21:41,160 Speaker 1: I mean, all the same people, the same players are 460 00:21:41,200 --> 00:21:43,439 Speaker 1: still around. So I think if we jump back in, 461 00:21:43,520 --> 00:21:44,240 Speaker 1: we'd be in the know. 462 00:21:44,520 --> 00:21:47,119 Speaker 2: But I like, I'd rather go with the fuck fest shows. 463 00:21:47,119 --> 00:21:49,760 Speaker 2: The one thing I'll say about ninety dight Fiance is 464 00:21:49,800 --> 00:21:51,399 Speaker 2: that the episodes are so long. 465 00:21:51,640 --> 00:21:54,199 Speaker 1: Yeah, they're long, and then we have to get on 466 00:21:54,240 --> 00:21:56,760 Speaker 1: the app thing where you don't have to watch the 467 00:21:56,800 --> 00:21:58,360 Speaker 1: commercials and just catch up. 468 00:21:58,760 --> 00:22:01,480 Speaker 2: But I like, see there's another pandemic, that's something we 469 00:22:01,480 --> 00:22:01,960 Speaker 2: should mark. 470 00:22:02,320 --> 00:22:03,400 Speaker 1: Not knock knocknock knock. 471 00:22:03,960 --> 00:22:05,320 Speaker 3: If there's another pandemic. 472 00:22:05,720 --> 00:22:08,640 Speaker 1: Yeah, there's always that, there's always a pending pandasm. 473 00:22:08,680 --> 00:22:10,679 Speaker 3: I mean, I was a big heads ass during the 474 00:22:10,720 --> 00:22:11,880 Speaker 3: pandemic we loved it. 475 00:22:12,000 --> 00:22:14,399 Speaker 1: That's what saved us. But we also are into the 476 00:22:14,440 --> 00:22:17,960 Speaker 1: Love is Blind Married at first Sight. Those are good, 477 00:22:18,080 --> 00:22:18,480 Speaker 1: and we have. 478 00:22:18,440 --> 00:22:19,840 Speaker 3: The Bachelor at which is starting. 479 00:22:20,080 --> 00:22:21,240 Speaker 1: We haven't we didn't watch that. 480 00:22:21,440 --> 00:22:22,119 Speaker 3: We're going to. 481 00:22:22,119 --> 00:22:25,199 Speaker 2: Get into that, and I don't know, I mean, I 482 00:22:25,280 --> 00:22:28,240 Speaker 2: just I feel like there are listen, there's only there's 483 00:22:28,280 --> 00:22:28,840 Speaker 2: only so. 484 00:22:28,760 --> 00:22:31,400 Speaker 1: Many hours and we have no time. And also there's 485 00:22:31,400 --> 00:22:33,040 Speaker 1: a thing with you traveling and I have to wait 486 00:22:33,080 --> 00:22:36,359 Speaker 1: for you, so well, you know, what can you do? 487 00:22:36,840 --> 00:22:39,480 Speaker 2: You are listening to rap a ports reality We will 488 00:22:39,520 --> 00:22:56,879 Speaker 2: be ranked back. Another crossover theme, another crossover segment, an 489 00:22:56,920 --> 00:23:00,000 Speaker 2: excellent reality TV show. Now, this isn't a fuck fan, 490 00:23:00,640 --> 00:23:02,080 Speaker 2: This isn't a milf manner. 491 00:23:02,200 --> 00:23:06,480 Speaker 1: This is where we go highbrow on everyone. This is 492 00:23:06,840 --> 00:23:08,160 Speaker 1: this is where we go elite US. 493 00:23:09,680 --> 00:23:13,479 Speaker 3: Receiver, Yes on Netflix. You're like, wait, what is that? Receiver? 494 00:23:13,600 --> 00:23:16,119 Speaker 3: Is this about, like, you know, giving taking during sex? 495 00:23:16,200 --> 00:23:19,520 Speaker 2: No, it has nothing to do about giving or taking 496 00:23:19,600 --> 00:23:25,200 Speaker 2: during sex. Receiver is the second season of a series 497 00:23:25,200 --> 00:23:29,200 Speaker 2: of shows that I could see going into Linebacker, going 498 00:23:29,240 --> 00:23:32,639 Speaker 2: into running back, tight ends all of it, and it 499 00:23:32,760 --> 00:23:36,399 Speaker 2: is produced by Peyton Manning, and it is Receiver. It 500 00:23:36,520 --> 00:23:41,120 Speaker 2: follows a group of the top NFL receivers all through 501 00:23:41,200 --> 00:23:45,359 Speaker 2: last season, and it's so well done, excellent, so fascinating, 502 00:23:45,920 --> 00:23:50,360 Speaker 2: so well shot, and you get to know these NFL 503 00:23:50,520 --> 00:23:53,120 Speaker 2: wide receivers and tight end. George Kittle's actually a tight 504 00:23:53,240 --> 00:23:55,720 Speaker 2: end and it's George Kittle of the San Francisco forty 505 00:23:55,800 --> 00:23:57,960 Speaker 2: nine favor great personality. 506 00:23:58,119 --> 00:23:59,760 Speaker 1: Yes, he's a superstar. 507 00:24:00,040 --> 00:24:02,639 Speaker 2: He's like the for those of you who don't know, 508 00:24:02,680 --> 00:24:04,720 Speaker 2: he plays the same position as Travis Kel. 509 00:24:04,920 --> 00:24:06,520 Speaker 3: Everybody knows Travis. 510 00:24:06,720 --> 00:24:08,760 Speaker 1: Because of the swifty. If you're swifty, you know. 511 00:24:08,960 --> 00:24:12,040 Speaker 3: So George Kittle's on the San Francisco forty Deebo. 512 00:24:11,880 --> 00:24:14,280 Speaker 1: Samuel also on the forty nine ers and. 513 00:24:14,200 --> 00:24:18,280 Speaker 2: Has one of the cutest kids. I think his name 514 00:24:18,320 --> 00:24:19,959 Speaker 2: is Tyson Tyson Tyson. 515 00:24:20,040 --> 00:24:21,320 Speaker 3: Yeah, so cute. 516 00:24:21,440 --> 00:24:23,960 Speaker 2: I call him Little Debo and he runs like him 517 00:24:24,040 --> 00:24:27,320 Speaker 2: and he's so freaking cute and you get to follow him. 518 00:24:27,400 --> 00:24:31,040 Speaker 2: DeVante Adams, Justin Jefferson, Aman, Saint. 519 00:24:30,760 --> 00:24:35,399 Speaker 1: Brown, He's got a great family brother also plays for 520 00:24:35,680 --> 00:24:36,720 Speaker 1: the Chicago. 521 00:24:36,320 --> 00:24:39,840 Speaker 2: Bears, and you just get to It just goes to 522 00:24:39,880 --> 00:24:43,600 Speaker 2: show that if casting and storytelling, that's it. 523 00:24:44,040 --> 00:24:46,800 Speaker 3: Like we said with reality TV, everybody has a story. 524 00:24:46,880 --> 00:24:47,760 Speaker 1: Everyone has a story. 525 00:24:47,840 --> 00:24:50,280 Speaker 2: And if you if you pick the right people and 526 00:24:50,359 --> 00:24:51,920 Speaker 2: you know how. 527 00:24:51,760 --> 00:24:53,400 Speaker 3: To get the story at it. I mean you could 528 00:24:53,400 --> 00:24:54,720 Speaker 3: do this on any player in there. 529 00:24:54,920 --> 00:24:55,880 Speaker 1: Make anything interesting. 530 00:24:55,960 --> 00:24:58,520 Speaker 2: By the way, you literally can't ye now, whether you 531 00:24:58,520 --> 00:25:01,040 Speaker 2: want to watch it, I'll la Milfman, that's up to you. 532 00:25:01,400 --> 00:25:04,520 Speaker 3: But Receiver, whether you're a football fan or not. 533 00:25:04,760 --> 00:25:07,800 Speaker 1: It doesn't matter though. I mean, I love football, but 534 00:25:08,359 --> 00:25:10,080 Speaker 1: you love football, okay. 535 00:25:09,920 --> 00:25:11,000 Speaker 3: Do you love the players? 536 00:25:11,119 --> 00:25:15,320 Speaker 2: I Sometimes I'm like, it's just like a sopho were 537 00:25:15,359 --> 00:25:18,280 Speaker 2: watching for you, Like, why are you like because you 538 00:25:18,280 --> 00:25:18,800 Speaker 2: love football? 539 00:25:18,800 --> 00:25:21,200 Speaker 3: Then like I'm like, watch the games with me. I'm like, well, the. 540 00:25:21,200 --> 00:25:23,320 Speaker 1: Games it's so long, it's and you watch the game 541 00:25:23,359 --> 00:25:25,920 Speaker 1: in a really different by the way, you're always because 542 00:25:25,920 --> 00:25:28,119 Speaker 1: of fantasy football, you take the fun out of it. 543 00:25:28,200 --> 00:25:30,280 Speaker 1: And also when you're watching the games, you always have 544 00:25:30,359 --> 00:25:32,640 Speaker 1: the red zone on and it's all the things going on. 545 00:25:32,800 --> 00:25:35,399 Speaker 1: I always say, let's watch one game and watch the 546 00:25:35,440 --> 00:25:37,639 Speaker 1: whole game. You turn me off when you have to. 547 00:25:37,880 --> 00:25:40,399 Speaker 1: You're doing fantasy and so it's not that fun for 548 00:25:40,480 --> 00:25:43,560 Speaker 1: me to watch a game. I love football because football. 549 00:25:43,640 --> 00:25:45,640 Speaker 1: It has a place in my heart. As a kid 550 00:25:45,840 --> 00:25:49,919 Speaker 1: growing up with my Mary and Pat, my godparents, they 551 00:25:50,000 --> 00:25:52,119 Speaker 1: always had it on. So football, the sound of it, 552 00:25:52,520 --> 00:25:55,919 Speaker 1: the feel of it, that time of year, it's so 553 00:25:56,080 --> 00:25:59,160 Speaker 1: meaningful to my life. Receiver is such a good show, 554 00:25:59,800 --> 00:26:04,280 Speaker 1: you know me. It's like The Sweethearts Dallas CCC. Same thing. 555 00:26:04,400 --> 00:26:07,640 Speaker 1: I love any show the same with The Quarterback Show, 556 00:26:07,720 --> 00:26:08,879 Speaker 1: also a great show that. 557 00:26:09,200 --> 00:26:12,040 Speaker 2: Was the first season of it last year, followed Patrick Mahomes, 558 00:26:12,320 --> 00:26:14,680 Speaker 2: who is the quarterback who throws the ball to Travis Kelts. 559 00:26:14,720 --> 00:26:16,960 Speaker 3: For those who know nothing about football, they are great shows. 560 00:26:16,960 --> 00:26:19,680 Speaker 1: Why do I like those shows? Because I like anybody 561 00:26:19,680 --> 00:26:22,080 Speaker 1: who works hard at anything. That's why the cheerleaders thinks. 562 00:26:22,280 --> 00:26:26,919 Speaker 1: It's like this inspirational, meaningful thing which somebody has a 563 00:26:26,960 --> 00:26:29,800 Speaker 1: goal at something and they work their ass off to 564 00:26:29,880 --> 00:26:32,880 Speaker 1: get it. Is so inspiring to me. I just love it. 565 00:26:32,880 --> 00:26:36,400 Speaker 2: It also shows their personalities and George Kittle's very fun. 566 00:26:36,640 --> 00:26:41,399 Speaker 2: Oh this guy love positive and plays so tenaciously. But 567 00:26:42,119 --> 00:26:44,920 Speaker 2: you know when they're micd up on the field because 568 00:26:45,359 --> 00:26:48,359 Speaker 2: they have all access this Netflix show, you know, like 569 00:26:48,680 --> 00:26:50,879 Speaker 2: sometimes it looks like he's like fuck you, fuck you. 570 00:26:51,000 --> 00:26:52,800 Speaker 3: He's all he's having fun. The hold. 571 00:26:52,840 --> 00:26:55,560 Speaker 2: It's like literally he's literally like a wrestler. He has 572 00:26:55,600 --> 00:26:59,200 Speaker 2: like a wrestler personality, but he's playing in the NFL, and. 573 00:26:59,160 --> 00:27:03,080 Speaker 1: Because I was an Apple, I understand that mentality and 574 00:27:03,200 --> 00:27:05,280 Speaker 1: I just love it. Anyway, my favorite show right now, and. 575 00:27:05,800 --> 00:27:08,240 Speaker 2: It's really good and we're slow burning it because I 576 00:27:08,240 --> 00:27:09,880 Speaker 2: don't want it to end, because you do not want 577 00:27:09,920 --> 00:27:10,280 Speaker 2: it to end. 578 00:27:10,400 --> 00:27:13,320 Speaker 1: It's really really it's like how I feel about Hard Knocks, and. 579 00:27:13,320 --> 00:27:16,600 Speaker 2: Which is another show which we watch every season, and 580 00:27:16,760 --> 00:27:20,080 Speaker 2: they have Hard Knocks, which we just started watching Hard 581 00:27:20,160 --> 00:27:24,080 Speaker 2: Knocks off season with the New York Giants, which isn't 582 00:27:24,080 --> 00:27:27,720 Speaker 2: as great as Hard Knocks Training camp, but it's still 583 00:27:27,840 --> 00:27:30,159 Speaker 2: really interesting and you get to know these people and 584 00:27:30,200 --> 00:27:32,560 Speaker 2: their passion and it's sort of like almost like a 585 00:27:32,560 --> 00:27:35,320 Speaker 2: business show. Hard Knocks off season, you really get to 586 00:27:35,400 --> 00:27:38,719 Speaker 2: understand the business football right, and the minutia and the 587 00:27:38,760 --> 00:27:41,800 Speaker 2: contract absolutely and all that stuff. But those are two 588 00:27:42,320 --> 00:27:45,439 Speaker 2: great shows. I don't care if you're into milf manor 589 00:27:45,920 --> 00:27:48,960 Speaker 2: ninety eight Fiance My six hundred Pound Life. These are 590 00:27:49,040 --> 00:27:53,480 Speaker 2: two great reality TV shows that are currently on receiver 591 00:27:53,640 --> 00:27:57,480 Speaker 2: on Netflix. You could also watch Quarterback on Netflix and 592 00:27:58,560 --> 00:28:00,840 Speaker 2: HBO's Hard Knocks all season. 593 00:28:00,560 --> 00:28:01,879 Speaker 3: With the New York Giants. 594 00:28:01,960 --> 00:28:05,000 Speaker 2: Great shows, great personalities, a lot of fun and you 595 00:28:05,640 --> 00:28:06,200 Speaker 2: like the guys. 596 00:28:06,880 --> 00:28:08,520 Speaker 3: Yeah, maybe they're twenty two years old. 597 00:28:08,520 --> 00:28:14,320 Speaker 1: I do not care. I do like the guys. I 598 00:28:14,400 --> 00:28:16,919 Speaker 1: like the hard bodies. And I feel like your body's 599 00:28:16,960 --> 00:28:19,520 Speaker 1: looking really great, babe. My god, I compliment you on 600 00:28:19,560 --> 00:28:20,760 Speaker 1: your almost abs. 601 00:28:20,840 --> 00:28:22,320 Speaker 3: You see, I see you coming. 602 00:28:22,400 --> 00:28:24,800 Speaker 1: Because we're we're days off sugar. I don't know how 603 00:28:24,840 --> 00:28:27,840 Speaker 1: many days, but let's just say we're four days off sugar. 604 00:28:28,000 --> 00:28:31,240 Speaker 1: It's showing. It's showing, and I want to encourage you. 605 00:28:31,560 --> 00:28:33,760 Speaker 1: Although I have those cookies downstairs that I could make, 606 00:28:33,960 --> 00:28:34,880 Speaker 1: but I'm holding off. 607 00:28:35,800 --> 00:28:38,080 Speaker 3: You know, his aren't as bad as fucking I mean. 608 00:28:38,200 --> 00:28:41,680 Speaker 1: Listen, listen, I'm gonna let's do Sunday cheat Day. 609 00:28:42,000 --> 00:28:45,520 Speaker 2: No, why because it's Wednesday. This it's Wednesday and we're 610 00:28:45,520 --> 00:28:46,520 Speaker 2: recording this podcast. 611 00:28:46,640 --> 00:28:49,000 Speaker 1: So when can we have cheat day today? 612 00:28:50,720 --> 00:28:55,200 Speaker 3: I mean tomorrow? Mandy, what are you telling you about 613 00:28:55,360 --> 00:28:57,760 Speaker 3: the other day? You had the butter out, you got sick? 614 00:28:57,840 --> 00:28:57,880 Speaker 2: You? 615 00:28:59,720 --> 00:29:02,080 Speaker 1: Yeah, no, we should make such Let's wait, let's wait. 616 00:29:02,120 --> 00:29:04,640 Speaker 1: You're doing good. I swear I could tell already. You 617 00:29:04,760 --> 00:29:08,200 Speaker 1: have inflammation. You get inflamed very quickly. You look so good. 618 00:29:08,200 --> 00:29:09,440 Speaker 1: And the other day when you had to go to 619 00:29:09,480 --> 00:29:11,120 Speaker 1: the city and you put your suit on, you look 620 00:29:11,200 --> 00:29:11,840 Speaker 1: so handsome. 621 00:29:12,000 --> 00:29:14,360 Speaker 2: I know, really, I know we're trying the foo because 622 00:29:14,480 --> 00:29:17,320 Speaker 2: when we were in Israel, man, babe, we were drinking 623 00:29:17,360 --> 00:29:19,520 Speaker 2: at some days coke zeros are bad. 624 00:29:19,800 --> 00:29:20,680 Speaker 3: They're not good for you. 625 00:29:20,720 --> 00:29:23,160 Speaker 2: And I shout out to my cousin Ira, who squears 626 00:29:23,200 --> 00:29:24,200 Speaker 2: by coke zeros. 627 00:29:24,520 --> 00:29:27,640 Speaker 3: He thinks coke zero's like a water. I know they 628 00:29:27,760 --> 00:29:28,840 Speaker 3: can't be good, I know. 629 00:29:28,800 --> 00:29:30,760 Speaker 1: But I do it there for some reason because it's 630 00:29:30,800 --> 00:29:33,680 Speaker 1: like it keeps me off of like eating sugar, Like 631 00:29:33,960 --> 00:29:35,960 Speaker 1: it's like a little treat. Like it's bad, but it 632 00:29:35,960 --> 00:29:38,480 Speaker 1: can't be good. Oh, by the way, on receiver, when 633 00:29:38,480 --> 00:29:41,160 Speaker 1: the dad said when you're when. 634 00:29:41,000 --> 00:29:46,040 Speaker 2: Aman saying, Brown's father is a former bodybuilder. He's like 635 00:29:46,200 --> 00:29:50,600 Speaker 2: Serena and Venus's father literally, but he's not as intense 636 00:29:50,600 --> 00:29:53,080 Speaker 2: as them, but you you know he was. He's just 637 00:29:53,120 --> 00:29:57,760 Speaker 2: an eccentric bodybuilder from the eighties and the nineties, and. 638 00:29:58,520 --> 00:30:01,080 Speaker 1: He recommends when you're feeling low, when you don't have energy, 639 00:30:01,160 --> 00:30:03,440 Speaker 1: drink a coke. I thought that was so funny because 640 00:30:03,440 --> 00:30:05,640 Speaker 1: I was like, who recommends drinking a coke with you? 641 00:30:05,680 --> 00:30:07,800 Speaker 1: Not a catorade but a coke. But yeah, but when 642 00:30:07,800 --> 00:30:11,360 Speaker 1: we're in israel I. For some reason, they're like everybody 643 00:30:11,440 --> 00:30:14,520 Speaker 1: drinks coke zeros or yeah, it's like a thing. People 644 00:30:14,520 --> 00:30:17,560 Speaker 1: are like really into coke zeros. You would think that's terrible, 645 00:30:17,640 --> 00:30:18,920 Speaker 1: like it's really bad for you. 646 00:30:18,960 --> 00:30:20,480 Speaker 3: Coke zero can't be good for you. 647 00:30:20,680 --> 00:30:23,440 Speaker 1: I know, obviously know it's really bad for you. But 648 00:30:23,480 --> 00:30:26,480 Speaker 1: for some reason, when we're there, we drink them. It's weird, 649 00:30:26,560 --> 00:30:27,680 Speaker 1: like we're drinking coke zeros. 650 00:30:27,680 --> 00:30:30,400 Speaker 3: Anyway, when I was on the plane, baby, I had three. 651 00:30:30,520 --> 00:30:34,200 Speaker 1: I saw, I could see it. I know it's really bad. 652 00:30:34,280 --> 00:30:36,800 Speaker 1: So anyway, we're trying to be very good with the 653 00:30:36,880 --> 00:30:38,880 Speaker 1: no sugar. Well, I got some fruit. I have some 654 00:30:39,000 --> 00:30:41,840 Speaker 1: cherries that we could bust out if we want some sugar. 655 00:30:41,880 --> 00:30:44,320 Speaker 1: But yes, you're doing good, and your abs are coming out. 656 00:30:44,400 --> 00:30:46,320 Speaker 1: I see you were flexing for me the other day. 657 00:30:46,320 --> 00:30:50,040 Speaker 1: It was cute. You're really cute. You're so cute. 658 00:30:50,160 --> 00:30:52,480 Speaker 2: All right, Well, Babe, the one thing I have to 659 00:30:52,520 --> 00:30:55,000 Speaker 2: talk about, and I've been reluctant to talk about it, 660 00:30:55,040 --> 00:30:56,800 Speaker 2: and I know you don't like me talking about women 661 00:30:57,680 --> 00:31:00,800 Speaker 2: and their looks. But this gone into christ, this situation. 662 00:31:01,920 --> 00:31:06,600 Speaker 2: This girl what is his name? Beyoncea Bianca sensory. 663 00:31:05,880 --> 00:31:07,600 Speaker 1: Yeah, Kanye's wife. 664 00:31:08,000 --> 00:31:08,840 Speaker 3: Is it his wife? 665 00:31:08,960 --> 00:31:12,520 Speaker 1: I guess they're married. Yeah, they're married. It's really. 666 00:31:15,240 --> 00:31:15,440 Speaker 3: I know. 667 00:31:15,520 --> 00:31:16,880 Speaker 1: I saw a picture of there the other day and 668 00:31:16,920 --> 00:31:18,640 Speaker 1: said they were coming from the movies, and she was 669 00:31:18,720 --> 00:31:20,400 Speaker 1: asked naked, and I was like, the first of all, 670 00:31:20,400 --> 00:31:22,920 Speaker 1: it's cold in the movie theater. I mean, I always 671 00:31:22,920 --> 00:31:25,280 Speaker 1: bring a sweater in socks or whatever. She had her 672 00:31:25,480 --> 00:31:27,960 Speaker 1: literally her vagina was out like you could see it. 673 00:31:28,000 --> 00:31:29,800 Speaker 1: She was probably sitting on do you know what the 674 00:31:29,920 --> 00:31:32,040 Speaker 1: kind of things if you brought a blue light into 675 00:31:32,120 --> 00:31:34,080 Speaker 1: the movie theater, the ship that you would find on 676 00:31:34,120 --> 00:31:35,760 Speaker 1: a seat in a movie theater. That's all I could 677 00:31:35,760 --> 00:31:38,600 Speaker 1: think about. It's like, what's on a movie theater seat? 678 00:31:38,920 --> 00:31:41,960 Speaker 1: And this woman had her ass out, Her whole body 679 00:31:42,040 --> 00:31:45,240 Speaker 1: is out naked in the movie theater number one, number two. 680 00:31:45,760 --> 00:31:49,560 Speaker 1: She looks like a sex slave, like she's he's prancing 681 00:31:49,600 --> 00:31:53,440 Speaker 1: around a woman half naked. She looks dough wide and scared, 682 00:31:53,560 --> 00:31:56,920 Speaker 1: like she is a he's sex trafficking her. 683 00:31:58,160 --> 00:31:59,040 Speaker 3: This is not dope. 684 00:31:59,200 --> 00:32:01,160 Speaker 1: This is not dope. This is not cute, this is 685 00:32:01,280 --> 00:32:04,760 Speaker 1: it's not sexy. He's got his daughter around her. This 686 00:32:04,840 --> 00:32:07,000 Speaker 1: is by the way, there was the thing in the 687 00:32:07,080 --> 00:32:12,600 Speaker 1: Daily Mail, saying that she may get arrested for yeah, 688 00:32:12,760 --> 00:32:16,920 Speaker 1: for the arrest her arrested and put on a you know, 689 00:32:17,440 --> 00:32:20,520 Speaker 1: a list for who knows they need to arrest. 690 00:32:20,200 --> 00:32:20,760 Speaker 3: Her and needs. 691 00:32:21,000 --> 00:32:24,840 Speaker 2: I'm so tired of this guy and his antics and 692 00:32:24,880 --> 00:32:27,000 Speaker 2: this girl. I don't know if she thinks it's like 693 00:32:27,040 --> 00:32:29,800 Speaker 2: we're art and like we're living the art. You look 694 00:32:30,560 --> 00:32:35,760 Speaker 2: totally ridiculous. You look totally uncomfortable. There's nothing sexy, there's 695 00:32:35,840 --> 00:32:40,120 Speaker 2: nothing cute. This is not art, this is not fun. 696 00:32:40,000 --> 00:32:41,160 Speaker 1: Looks slobby. 697 00:32:41,160 --> 00:32:42,760 Speaker 3: It's just disgusting. 698 00:32:42,920 --> 00:32:46,160 Speaker 2: And like she does and she like like she doesn't smile, 699 00:32:46,240 --> 00:32:47,600 Speaker 2: she doesn't look like she's having fun. 700 00:32:47,680 --> 00:32:50,160 Speaker 1: No, she looks like she's trapped in a like a 701 00:32:50,240 --> 00:32:54,040 Speaker 1: by a cuckoo person. It's disgusting. She look gross. 702 00:32:54,560 --> 00:32:57,200 Speaker 2: Can I say, lock her up, lock her up, lock 703 00:32:57,200 --> 00:32:58,920 Speaker 2: her lock her up, and they need to lock her 704 00:32:59,000 --> 00:33:00,000 Speaker 2: up and lock his ass. 705 00:33:01,040 --> 00:33:01,880 Speaker 3: I don't like it. 706 00:33:01,960 --> 00:33:03,800 Speaker 2: And the fact that you're telling me that she was 707 00:33:03,880 --> 00:33:06,000 Speaker 2: dressed like that going to the movies, like a. 708 00:33:05,960 --> 00:33:07,640 Speaker 3: Regular movie theater, a movie theater. 709 00:33:07,720 --> 00:33:11,600 Speaker 2: And then because in the winter, they wear like garbage bags, right, 710 00:33:11,680 --> 00:33:14,040 Speaker 2: you saw them in like the garbage bags. Yeah, Like 711 00:33:14,520 --> 00:33:16,800 Speaker 2: you're just gonna go out to the movie theater, Like 712 00:33:16,880 --> 00:33:19,200 Speaker 2: do they go get popcorn when they're there? Like, can 713 00:33:19,200 --> 00:33:23,080 Speaker 2: I get a large coke zero, some Eminem's and some 714 00:33:23,160 --> 00:33:24,680 Speaker 2: milk duds and maybe like a popcorn? 715 00:33:24,760 --> 00:33:27,520 Speaker 1: Yeah? With their ass out, it's just literally see through 716 00:33:27,600 --> 00:33:30,560 Speaker 1: and oh so that Yeah, the one picture she literally 717 00:33:30,600 --> 00:33:33,080 Speaker 1: walked out with just boobs out, just out with the 718 00:33:33,080 --> 00:33:36,240 Speaker 1: little shorts on. I mean, this is just what's wrong 719 00:33:36,280 --> 00:33:36,560 Speaker 1: with her? 720 00:33:36,720 --> 00:33:38,520 Speaker 2: I don't know, And what's wrong with him? And like 721 00:33:38,560 --> 00:33:40,239 Speaker 2: and does he It's just like some kind of like 722 00:33:40,760 --> 00:33:41,600 Speaker 2: a freak movie. 723 00:33:41,640 --> 00:33:44,200 Speaker 1: We know he's crazy, but we don't know much about her. 724 00:33:44,320 --> 00:33:45,000 Speaker 1: What's wrong with her? 725 00:33:45,120 --> 00:33:47,400 Speaker 2: And she doesn't speak and like, isn't the sister like 726 00:33:47,440 --> 00:33:48,520 Speaker 2: going out with somebody too? 727 00:33:48,680 --> 00:33:50,600 Speaker 1: Like I don't know anything about her. I just see 728 00:33:50,800 --> 00:33:52,959 Speaker 1: the pictures of her as she's I guess she's an 729 00:33:53,040 --> 00:33:58,120 Speaker 1: architects studios. Can we get architects she's Yeah, she's ridiculous, 730 00:33:58,240 --> 00:34:01,239 Speaker 1: and it's I don't blame she's grown. She don't need 731 00:34:01,280 --> 00:34:03,200 Speaker 1: to walk around like that. I don't blame him, Like 732 00:34:03,440 --> 00:34:05,120 Speaker 1: stop it, what's wrong with you? 733 00:34:05,240 --> 00:34:07,200 Speaker 3: Yeah, it's not cool. It's not like you know what 734 00:34:07,280 --> 00:34:07,600 Speaker 3: he was. 735 00:34:07,520 --> 00:34:10,080 Speaker 1: With Kim Kardashian. You could see he tried to change 736 00:34:10,080 --> 00:34:11,960 Speaker 1: her style and dress her a certain way that he 737 00:34:12,160 --> 00:34:16,120 Speaker 1: was okay dress her. She's undressed. So this is the thing, 738 00:34:16,320 --> 00:34:18,920 Speaker 1: like you put clothes on Kim and you took clothes 739 00:34:18,920 --> 00:34:20,680 Speaker 1: off of her. It's ridiculous, and. 740 00:34:20,640 --> 00:34:22,720 Speaker 3: She's weird enough to go with it. But why doesn't 741 00:34:22,719 --> 00:34:23,239 Speaker 3: he wear no? 742 00:34:23,320 --> 00:34:25,920 Speaker 1: Yeah, he's fully dressed, almost to address he's covering his 743 00:34:26,040 --> 00:34:28,600 Speaker 1: face and he's got her ass naked. It looks ridiculous, 744 00:34:28,640 --> 00:34:30,360 Speaker 1: and she's stupid enough to go along with it. 745 00:34:30,480 --> 00:34:31,319 Speaker 3: Yeah, I don't like it. 746 00:34:31,360 --> 00:34:33,360 Speaker 2: And your daughter's around that ship and none of it. 747 00:34:33,400 --> 00:34:35,640 Speaker 2: None of it is cool, none of it is dope. 748 00:34:35,800 --> 00:34:39,400 Speaker 2: But The Rap Reports Reality is a fantastic podcast, and 749 00:34:39,440 --> 00:34:42,600 Speaker 2: I want everybody to make sure they passed the link 750 00:34:42,680 --> 00:34:45,720 Speaker 2: on to tell a friend, to tell a friend about 751 00:34:46,200 --> 00:34:49,400 Speaker 2: Rap Reports Reality, The podcast that the world asked for, 752 00:34:49,600 --> 00:34:53,120 Speaker 2: the podcast that the world screamed for, all about popular culture, 753 00:34:53,400 --> 00:34:58,320 Speaker 2: reality TV and sort of living with the Rap Reports. Anyway, 754 00:34:58,400 --> 00:34:59,440 Speaker 2: We're done, Lovely bab. 755 00:34:59,400 --> 00:35:07,480 Speaker 1: Love you baby, Dodd sat 756 00:35:09,960 --> 00:35:10,000 Speaker 2: Do