WEBVTT - A Multiverse of Possibilities with Marvel's What If...? + Shang-Chi's Simu Liu

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<v Speaker 1>You don't know what it is, but it's there, like

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<v Speaker 1>a splinter in your mind, driving you mad. It is

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<v Speaker 1>this feeling that has brought you to me. Do you

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<v Speaker 1>know what I'm talking about?

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<v Speaker 2>He's talking about spoilers. Warning this podcast could tase a

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<v Speaker 2>multiverse of spoilers about the shows What If on Disney

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<v Speaker 2>Plus FX, is Why the Last Man, and just general

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<v Speaker 2>geek outs over the new Matrix resurrections and Hawkeye trailers.

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<v Speaker 2>I think I randomly spoil some stuff from the Hawkeye

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<v Speaker 2>comic by Matt Fraction and David Daya. Just be warned

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<v Speaker 2>there are spoilers inside here. Hello and welcome to episode

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<v Speaker 2>three of x ray Vision and the Crooked Podcast, where

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<v Speaker 2>we delve into the nooks and crannies or your favorite shows,

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<v Speaker 2>favorite movies, comics, and pop culture. On today's episode, so

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<v Speaker 2>much news has broken in the last week, and we're

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<v Speaker 2>gonna cover it all, from the recently released Matrix resurrections

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<v Speaker 2>and Hawkeye trailers to the premiere of Why the Last

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<v Speaker 2>Man on FX. Then on x ray Vision Multiverse, we

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<v Speaker 2>post our own alternate timeline and discussion of the first

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<v Speaker 2>five episodes of the Disney Plus show What If and

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<v Speaker 2>it's comic origins, and finally, special treat for y'all. X

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<v Speaker 2>Ray Vision is pleased to offer an interview with Shang

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<v Speaker 2>Chi and the Legend of the Ten Rings star Simu Liu.

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<v Speaker 2>But first let me introduce this week's co host. You

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<v Speaker 2>can find her scholarly writings on matters large and small

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<v Speaker 2>in the worlds of film and comics and entertainment of

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<v Speaker 2>places like IGN, Nerdist and Esquire. Please welcome back, Rosie night, Rosie.

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<v Speaker 2>How are you.

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<v Speaker 3>I'm so good. I'm so happy to be here. How

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<v Speaker 3>are you doing.

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<v Speaker 2>I'm doing good. It's been a crazy it's been a

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<v Speaker 2>crazy week, yeah, all around, but a crazy week for

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<v Speaker 2>comic news. I can't man, I can't wait to talk

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<v Speaker 2>about it. We were already laughing about it. Let's just

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<v Speaker 2>get let's just get to the news quickly. First, the

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<v Speaker 2>Matrix Resurrections trailer has dropped. At first, they were initially

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<v Speaker 2>these little video offerings on the Matrix website that were

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<v Speaker 2>you could access through a bunch of hoops that you

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<v Speaker 2>could jump through. But now the trailer has dropped. The film,

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<v Speaker 2>director by Lanowichowski, hits theaters December twenty second, twenty twenty one.

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<v Speaker 2>It will be streaming for a month on HBO Max.

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<v Speaker 2>The trailer brings back your second or third favorite chosen one,

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<v Speaker 2>depending on the franchise you get. Neo Trinity is back,

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<v Speaker 2>yeah yah. Abdul Matin takes over as Morpheus for Laurence Fishburne,

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<v Speaker 2>who just doesn't want to do it anymore, and Neil

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<v Speaker 2>Patrick Harris plays a therapist with some very questionable motives.

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<v Speaker 2>I'm excited for this. I loved the first two Matrix movies,

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<v Speaker 2>the second, the third one was like fine, but let

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<v Speaker 2>me so, did you what was your Did you have

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<v Speaker 2>any connection to the Matrix movies?

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<v Speaker 3>Yeah? Yeah, I love the Matrix. When I was growing up,

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<v Speaker 3>I was actually really into like Kung Fu and Hong

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<v Speaker 3>Kong cinemar and stuff. So when I saw The Matrix

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<v Speaker 3>I thought I was really cool because I understood what work.

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<v Speaker 3>I was a kid when it came out. I watched

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<v Speaker 3>it on VHS at my dad's house in Hackney, and

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<v Speaker 3>I just remember thinking it was so cool and scary.

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<v Speaker 3>I love the techno thriller of it all. Like as

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<v Speaker 3>I've grown up, I really love knowing like Jeff Darrow,

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<v Speaker 3>who's this rad cartoonist. He was really involved with doing

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<v Speaker 3>the character designs like that it meilds a lot of

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<v Speaker 3>stuff that I love, like anime influences, Kung Fu, John Woo,

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<v Speaker 3>all that kind of stuff. So yeah, I was very

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<v Speaker 3>very I thought the Trainer was really cool. I really

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<v Speaker 3>like how they kind of embraced the things that Keanu

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<v Speaker 3>does now, like it feels more John Wiki, it's a

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<v Speaker 3>little bit less Snowy. It's it's this guy who's stuck

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<v Speaker 3>in this world that he kind of doesn't really fit into,

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<v Speaker 3>and he's gonna go on this mission to the past.

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<v Speaker 3>So I like those echoes fit. And I thought that

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<v Speaker 3>the action that they teased looked really good, so I

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<v Speaker 3>thought it was cool.

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<v Speaker 2>I agree.

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<v Speaker 4>Uh.

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<v Speaker 2>I thought that Trinity was dead, but like that's I'm

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<v Speaker 2>excited to see how we bring her back. So the

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<v Speaker 2>original Maje I had. I missed it in the theaters

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<v Speaker 2>because people forget this now, but I think at the

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<v Speaker 2>time it had one of the more confusing like promo

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<v Speaker 2>marketing pushes that I've ever Like I couldn't figure out

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<v Speaker 2>what the movie was about from the commercial, but then

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<v Speaker 2>everybody was like, oh my god, the Matrix, it's Star Wars,

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<v Speaker 2>It's Star Wars for this generation. I was like, okay,

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<v Speaker 2>I got it. So I skateboarded to Blockbuster and I

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<v Speaker 2>rented the movie and I rented a VHS player because

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<v Speaker 2>I didn't have anything to play on, so I had

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<v Speaker 2>to rent. You could rent VCRs from Blockbuster at the time.

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<v Speaker 2>It came in like this huge, like carrying case, and

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<v Speaker 2>I rode with all that stuff back on my on

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<v Speaker 2>my skateboard and then I watched the movie. I was like,

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<v Speaker 2>this is dope. It's funny that you mentioned that Hong

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<v Speaker 2>Kong influences. I had my nerd friend at that time,

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<v Speaker 2>this guy Keith that was my comic book Hong Kong

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<v Speaker 2>movie'es nerd stuff friend, and he was like, ah, man,

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<v Speaker 2>it's not it's not authentic enough, like you and woping

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<v Speaker 2>it's He did obviously like if you have him choreographing,

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<v Speaker 2>it's awesome, but like, I'm not sold on on Kia

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<v Speaker 2>like he was his It's this was like the nerd

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<v Speaker 2>conversation that I would have with him was like, it's

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<v Speaker 2>not it's not Hong Kong authentic enough, which was really funny. Anyway,

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<v Speaker 2>I'm excited for this. I think it makes sense to

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<v Speaker 2>bring back the Matrix and I again, like I think

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<v Speaker 2>you're right, like the aesthetics, the vibe. It's almost like

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<v Speaker 2>a lot of people on social media were like getting

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<v Speaker 2>at me, like have they merged? Like are the john

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<v Speaker 2>Wick Matrix universes? Like are they overlapping?

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<v Speaker 3>Yeah, it feels like, I mean the truth is, if

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<v Speaker 3>john Wick hadn't have been such a massive success, you

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<v Speaker 3>probably wouldn't be getting this movie. So it is like

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<v Speaker 3>at least not in this version with Keanu. So I

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<v Speaker 3>feel like that makes sense to kind of embrace those things.

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<v Speaker 3>Where does it fit in the time? Who knows?

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<v Speaker 2>Like, who knows.

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<v Speaker 3>I know. It was so funny when people were like, oh,

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<v Speaker 3>you know, because Lawrence Fishbrown said like he wasn't invited

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<v Speaker 3>to be in the movie. And then you have Yaya,

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<v Speaker 3>who I do love and any movie that puts Ya

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<v Speaker 3>in the suit. I love that. I love black Mans.

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<v Speaker 3>I loved him in Acman. I just say a candy man.

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<v Speaker 3>He's great. But also like, I don't know if he's

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<v Speaker 3>gonna be Morpheus because like here's some fun, ridiculous thing

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<v Speaker 3>that's definitely not Cannon. But when they launched the Matrix

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<v Speaker 3>online game.

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<v Speaker 2>Right, he died, He died he dies, he killed They

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<v Speaker 2>kill him with some nanoparticle bullet too, that like one hundred,

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<v Speaker 2>like he is dead, dead deck And it was meant to.

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<v Speaker 3>Be like this huge event, but then you know, the

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<v Speaker 3>game folded or whatever. But I I was when when

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<v Speaker 3>I saw this younger iteration and this kind of idea.

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<v Speaker 3>I guess you could have multiple versions of the character

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<v Speaker 3>because of the way the matrix works, But I did

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<v Speaker 3>think that would be really funny if they bought in

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<v Speaker 3>this canon that like that version of Morpheus.

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<v Speaker 2>Had died, right, Yeah, they just like have like a

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<v Speaker 2>cash yeah, version of the younger Morpheus or something. Lanawakowski

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<v Speaker 2>said at the Berlin International Literature Festival of Keanu's reaction

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<v Speaker 2>to the film. Quote, casual brilliance just kind of rolls

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<v Speaker 2>off piano and he was just sitting there and he goes,

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<v Speaker 2>twenty years ago, you told a story in which you

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<v Speaker 2>described the coming twenty years and the problems of the

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<v Speaker 2>nature of digital virtual life and how it is going

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<v Speaker 2>to impact this and how we think about it, and

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<v Speaker 2>gave us a frame to be able to think about

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<v Speaker 2>it and talk about it. And you took the same

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<v Speaker 2>character of the same stories and the same stuff and

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<v Speaker 2>somehow you made it about the next twenty years, so

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<v Speaker 2>that's exciting, I will say, you know, like I hope

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<v Speaker 2>it explores the central paradox of the Matrix to me,

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<v Speaker 2>which is that the heroes of this story want to

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<v Speaker 2>destroy it necessarily want to destroy the Matrix and free humanity.

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<v Speaker 2>But what makes the story cool is the Matrix. Like,

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<v Speaker 2>like what made the second and mostly the third film

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<v Speaker 2>is really not that cool, was like all this shit

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<v Speaker 2>happening in the real world, Like, I want the Matrix,

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<v Speaker 2>so that will be interesting. I'm excited.

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<v Speaker 3>Next lots of like the big Marvel DC video game

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<v Speaker 3>news for nerds and for people like us, basically because

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<v Speaker 3>we had Spider Man two, which people didn't know was coming,

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<v Speaker 3>and after Mars Morales I think is probably the most

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<v Speaker 3>anticipated game now. It was absolutely Miles Morales somehow managed

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<v Speaker 3>to step up that first Spider Man game, which playing

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<v Speaker 3>that was like a revelation to me. I could never

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<v Speaker 3>naturally that you would be able to actually swing through

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<v Speaker 3>this guys. And then I love the adaptations they made

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<v Speaker 3>for Miles, moving it away from the police and stuff

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<v Speaker 3>like that, making it moving.

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<v Speaker 2>It away for the police was great, Moving it away

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<v Speaker 2>for the great.

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<v Speaker 3>And like that's gonna be PS five only, which is

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<v Speaker 3>bad for me because I have a PS five. I'm

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<v Speaker 3>gonna have to get it because there's more than one

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<v Speaker 3>game I want now. Venom, that's the other big thing.

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<v Speaker 2>Yeah, Venom in the game, super super exciting. Insomniac the

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<v Speaker 2>developer is like hard carrying PlayStation exclusive right now, so

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<v Speaker 2>that is super exciting. I hope somehow they make Venom playable,

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<v Speaker 2>be that as it may, as the big bad as

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<v Speaker 2>the big boss of that game should be really fun.

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<v Speaker 2>I'm really excited, and I think.

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<v Speaker 3>It's gonna be like Peter Miles teaming up. And they

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<v Speaker 3>did say they're only gonna have it's not gonna have

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<v Speaker 3>like a co op mode, which I think a lot

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<v Speaker 3>of people want it. But yeah, you know, I understand

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<v Speaker 3>that because the quality of the gameplay that they're getting

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<v Speaker 3>as a single play is like so unreal that I

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<v Speaker 3>understand why they can't necessarily compromise that. Also, they came

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<v Speaker 3>out really strong because they were like, by the way,

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<v Speaker 3>we've got this surprise Spider Man two game like sequel

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<v Speaker 3>to probably the most famous Superher game of all time,

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<v Speaker 3>but also Wolverine, and every nineties kid was like, oh

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<v Speaker 3>my god.

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<v Speaker 2>Yeah, I mean this is the game that I've been

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<v Speaker 2>waiting for since ye no question, since, like you know,

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<v Speaker 2>the X Men Arcade game. I played it all the time.

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<v Speaker 2>Super fun. You know, this is Insomniac doing. This is

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<v Speaker 2>everything I've ever wanted. I have some questions about, like

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<v Speaker 2>I guess it's gonna be like a lot of robots

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<v Speaker 2>or something because I can't see like decapitations being being

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<v Speaker 2>in a you know, rated whatever for everyone game for everyone.

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<v Speaker 2>But uh, I'm excited. Nonetheless, this is gonna be super fun.

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<v Speaker 3>Man.

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<v Speaker 2>Yeah, this is literally what I've been waiting for, and

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<v Speaker 2>it's my entire life.

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<v Speaker 3>It's got a really cool team, like Evan Narcis is

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<v Speaker 3>going to be a writer on it, Mars Morales and

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<v Speaker 3>I think one of the other main writers from Mars

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<v Speaker 3>Morles is on it. And I thought they did. The

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<v Speaker 3>tease was so good, Like if you haven't seen it,

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<v Speaker 3>it's basically just Wolverine in a bar. The graphics look unreal.

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<v Speaker 3>You're getting real uncanny badly vibes. You've got to see

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<v Speaker 3>his arm hairs and everything, and then he just somebody

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<v Speaker 3>tries to start a fight and his little clause come out.

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<v Speaker 3>Huts every time. Yeah, he's ready. I want to. I'm

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<v Speaker 3>so excited about the fighting, like fighting mechanisms on games,

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<v Speaker 3>like really starting for me with Arkham Asylum, but going

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<v Speaker 3>to Spider Man and Males Morles. Yeah, so intuitive, and

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<v Speaker 3>that's going to be so good with Wolverine, like all

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<v Speaker 3>the moves. But like you said, who's he going to

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<v Speaker 3>be killing? Because I can't imagine that they're going to

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<v Speaker 3>make this a gtaesque like blood and Gore killing people

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<v Speaker 3>kind of game.

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<v Speaker 2>Yeah. Arkham, that mechanic, the kind of very simple but

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<v Speaker 2>very addictive attack counter dodge mechanic that made it a

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<v Speaker 2>kind of like a beat matching game in a certain way. Yeah,

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<v Speaker 2>and the Shadows and ward Or games also use this

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<v Speaker 2>kind of mechanic. It just is so addictive and it's

0:11:36.160 --> 0:11:38.800
<v Speaker 2>the same in the Miles Morales Spider Man and the

0:11:38.800 --> 0:11:41.160
<v Speaker 2>Spider Man games, like it's a very similar kind of mechanic.

0:11:41.200 --> 0:11:43.840
<v Speaker 2>So if they can figure out the right kind of

0:11:44.640 --> 0:11:48.880
<v Speaker 2>fighting mechanic for Wolverine, yeah, that will be amazing. Like

0:11:48.920 --> 0:11:52.040
<v Speaker 2>I literally can't wait. I used to I would play

0:11:52.120 --> 0:11:54.360
<v Speaker 2>hours of Arkham Asylum, just like the Beat Him Up

0:11:54.679 --> 0:11:57.840
<v Speaker 2>where you fight fifty guys like modes because it's just

0:11:58.120 --> 0:12:00.480
<v Speaker 2>super super I'm really also, like.

0:12:00.440 --> 0:12:01.800
<v Speaker 3>I know, I don't want to, there's so much more

0:12:01.800 --> 0:12:03.880
<v Speaker 3>stuff to cover. But like when you think about the

0:12:03.920 --> 0:12:06.680
<v Speaker 3>Spider Man games, right, both of them, the amount of

0:12:06.800 --> 0:12:10.079
<v Speaker 3>characters they managed to include in those games is so cool.

0:12:10.160 --> 0:12:12.679
<v Speaker 3>So when you think about Wolverine and you just think

0:12:12.720 --> 0:12:15.040
<v Speaker 3>about who you might see in it and the different

0:12:15.080 --> 0:12:17.560
<v Speaker 3>characters you might get to players or play against, that

0:12:17.720 --> 0:12:20.640
<v Speaker 3>is just I'm sure it's gonna be Logan esque stripped down,

0:12:20.760 --> 0:12:22.880
<v Speaker 3>like not too many, but they are gonna put some

0:12:22.920 --> 0:12:25.280
<v Speaker 3>deep cut X Men characters in there, definitely.

0:12:25.360 --> 0:12:27.720
<v Speaker 2>I mean, we have to see we have to see

0:12:27.720 --> 0:12:30.240
<v Speaker 2>Solar Samurai and has to be in there. Yeah, and

0:12:31.440 --> 0:12:33.959
<v Speaker 2>it will be weird if Sabertooth is not in there,

0:12:34.000 --> 0:12:36.240
<v Speaker 2>and in some yeah, in some way, I feel like.

0:12:36.200 --> 0:12:37.920
<v Speaker 3>He has to be in there because like it's they're

0:12:37.960 --> 0:12:40.960
<v Speaker 3>going for that whole Western kind of vibe, so the

0:12:41.080 --> 0:12:44.640
<v Speaker 3>brotherly drama it always fits in, you know. And I

0:12:44.640 --> 0:12:48.040
<v Speaker 3>also think whatever is going on with the MCU now,

0:12:48.720 --> 0:12:51.360
<v Speaker 3>Marvel and everyone is very aware that for a lot

0:12:51.400 --> 0:12:55.400
<v Speaker 3>of people, those X Men movies are the formative versions

0:12:55.400 --> 0:12:57.800
<v Speaker 3>of the X Men, Like especially if you weren't really

0:12:57.800 --> 0:13:01.480
<v Speaker 3>around for the ninety four cartoon, you know, the X

0:13:01.559 --> 0:13:05.000
<v Speaker 3>Men Night two stuff, so like, yeah, it's it's very interesting.

0:13:05.360 --> 0:13:08.559
<v Speaker 3>I cannot wait for it. And then it's like basically

0:13:08.640 --> 0:13:11.840
<v Speaker 3>anyone our age was getting blessed because then they were

0:13:11.880 --> 0:13:16.080
<v Speaker 3>also like, yeah, where Star Wars dot Com was like, oh,

0:13:16.120 --> 0:13:20.840
<v Speaker 3>we're gonna make a Night of Republic remake the game

0:13:20.840 --> 0:13:23.720
<v Speaker 3>that everyone had been asking for for like a million years.

0:13:24.000 --> 0:13:27.080
<v Speaker 2>So the only not the only reason, but the primary

0:13:27.160 --> 0:13:29.960
<v Speaker 2>reason that I have an Xbox is to play the

0:13:30.080 --> 0:13:33.920
<v Speaker 2>Kotor backwards compatible, which I was in the midst of

0:13:33.920 --> 0:13:38.400
<v Speaker 2>doing when this news came out. And good, finally, like

0:13:38.480 --> 0:13:41.120
<v Speaker 2>I like, that's all I have to say is finally,

0:13:41.160 --> 0:13:43.560
<v Speaker 2>I can't wait, Like just reskin the game and leave

0:13:43.600 --> 0:13:46.880
<v Speaker 2>it as is. It's perfect, Like the only thing that's

0:13:46.920 --> 0:13:49.480
<v Speaker 2>missing is updated graphics, and if they do that, like

0:13:49.800 --> 0:13:52.880
<v Speaker 2>I can't I cannot wait. Yeah, I mean the statement

0:13:52.920 --> 0:13:55.760
<v Speaker 2>on Star Wars dot Com reads announced the PlayStation showcase

0:13:55.760 --> 0:13:58.040
<v Speaker 2>twenty twenty one Star Wars Nights of the Old Republic remake.

0:13:58.080 --> 0:14:00.400
<v Speaker 2>We'll see the classic RPG return as a play station

0:14:00.520 --> 0:14:05.079
<v Speaker 2>five console exclusive. Sorry Xbox I launched in four PC

0:14:05.440 --> 0:14:08.120
<v Speaker 2>Asper the Texas based studio that has collaborated with Lucasfilm

0:14:08.120 --> 0:14:10.400
<v Speaker 2>in various projects for over a decade, including a recent

0:14:10.440 --> 0:14:13.000
<v Speaker 2>spate of well received re releases from Lucas Arts. Era

0:14:13.520 --> 0:14:15.800
<v Speaker 2>is handling development rebuilding the game from the ground up.

0:14:15.880 --> 0:14:19.320
<v Speaker 3>So yeah, it seemed like it seemed like this was

0:14:19.320 --> 0:14:21.760
<v Speaker 3>coming ever since they started doing like Jenna Knights stuff

0:14:21.800 --> 0:14:23.920
<v Speaker 3>like that. So yeah, but when will they remake Masters

0:14:23.960 --> 0:14:31.520
<v Speaker 3>of Tarakazi. That's the real question. That's what the reals dollars. Yeah,

0:14:31.520 --> 0:14:34.360
<v Speaker 3>but Warner Bros. Obviously they want to be like, you know,

0:14:34.480 --> 0:14:36.520
<v Speaker 3>left out. I was hoping to see something from Gotham

0:14:36.560 --> 0:14:39.040
<v Speaker 3>Knights because I loved the looks of that game. Didn't

0:14:39.040 --> 0:14:42.840
<v Speaker 3>get that. But one of their biggest releases in comics

0:14:42.880 --> 0:14:45.800
<v Speaker 3>and video games, I mean it started as video game Injustice.

0:14:46.200 --> 0:14:48.640
<v Speaker 3>They were giving like they released the first trailer for

0:14:48.680 --> 0:14:52.080
<v Speaker 3>the movie, which is based on the comics also which

0:14:52.120 --> 0:14:54.720
<v Speaker 3>came out of the video game. And so this is

0:14:54.760 --> 0:14:56.880
<v Speaker 3>what the announcement said, which was on screen. Rap was

0:14:56.880 --> 0:14:59.200
<v Speaker 3>based on Tom Taylor's graphic novel in Justice. God's among

0:14:59.240 --> 0:15:02.680
<v Speaker 3>last year one itself based on nether Realm Studios twenty

0:15:02.680 --> 0:15:05.360
<v Speaker 3>thirteen game in Justice God's among us. The film depicts

0:15:05.360 --> 0:15:07.800
<v Speaker 3>Superman going on a rampage off death of Lewis Lane

0:15:07.800 --> 0:15:09.680
<v Speaker 3>and the Umble Child and hands of the Joker that

0:15:10.120 --> 0:15:12.760
<v Speaker 3>I have to say, I actually think Tom Taylor's the

0:15:12.800 --> 0:15:16.400
<v Speaker 3>comic book writer he I think his biggest secret skill

0:15:16.480 --> 0:15:20.200
<v Speaker 3>is taking something like this like deceased that should be

0:15:20.240 --> 0:15:24.400
<v Speaker 3>a tie in forgettable thing, and making it some deep story.

0:15:24.840 --> 0:15:25.200
<v Speaker 1>I was.

0:15:25.440 --> 0:15:27.840
<v Speaker 2>I was like, this can't be good. Mm hmm, one

0:15:27.880 --> 0:15:31.240
<v Speaker 2>hundred percent, like, oh, they're doing a comic version of Injustice.

0:15:31.280 --> 0:15:33.120
<v Speaker 2>It can't be good. No, uh, it's good.

0:15:33.320 --> 0:15:35.080
<v Speaker 3>It's good, and not just that it became like a

0:15:35.200 --> 0:15:38.400
<v Speaker 3>huge smash it. I personally will say, I do not believe.

0:15:38.560 --> 0:15:40.760
<v Speaker 3>This is one of my deepest beliefs and my problem

0:15:40.840 --> 0:15:43.240
<v Speaker 3>with I actually love Injustice because I love mortal combat,

0:15:43.440 --> 0:15:46.640
<v Speaker 3>and I love like mortal combat but with superheroes. But

0:15:46.680 --> 0:15:49.480
<v Speaker 3>I do not believe on a base level that Superman

0:15:49.800 --> 0:15:52.720
<v Speaker 3>would go on a rampage if Lewis and his kid died.

0:15:52.760 --> 0:15:55.120
<v Speaker 3>Superman is about love, He's about forgiveness, He's about hope.

0:15:55.120 --> 0:15:56.160
<v Speaker 3>I don't buy it. I don't buy it here. I

0:15:56.200 --> 0:15:59.000
<v Speaker 3>don't buy Injustice, Like, but the movie does it really good?

0:15:59.040 --> 0:16:02.040
<v Speaker 3>And the cost is stab act and I think people

0:16:02.040 --> 0:16:04.680
<v Speaker 3>are probably gonna love it because DC Animation is really rad.

0:16:04.880 --> 0:16:09.120
<v Speaker 2>Yes, is really rad and has been hard carrying Warner

0:16:09.120 --> 0:16:12.880
<v Speaker 2>Brothers DC content honestly for a long time. Yeah, I

0:16:12.920 --> 0:16:17.640
<v Speaker 2>agree with you. You know, read All Star Superman like

0:16:17.800 --> 0:16:22.640
<v Speaker 2>it's I don't Superman is and is a hero is

0:16:22.760 --> 0:16:26.600
<v Speaker 2>the hero like there is just and DC in its

0:16:26.720 --> 0:16:30.720
<v Speaker 2>video properties has kind of not been able to find

0:16:30.880 --> 0:16:36.120
<v Speaker 2>that tone of Superman. But I'm still excited for this.

0:16:36.200 --> 0:16:36.800
<v Speaker 2>I'm still excited.

0:16:36.840 --> 0:16:39.000
<v Speaker 3>Yah, it's gonna be cool and bass and that that's

0:16:39.040 --> 0:16:40.720
<v Speaker 3>the stuff that they've been doing that's more adult, the

0:16:40.960 --> 0:16:43.600
<v Speaker 3>more combat movies. They've been doing a super fun, super

0:16:43.640 --> 0:16:46.000
<v Speaker 3>violent super out there, So I think that they'll bring

0:16:46.040 --> 0:16:48.280
<v Speaker 3>that to Injustice and I think it will be really cool.

0:16:48.960 --> 0:16:53.640
<v Speaker 2>Next, so Marvel was releasing this one shot called Timeless

0:16:53.680 --> 0:16:59.080
<v Speaker 2>that was going to introduce a It's basically going to

0:16:59.080 --> 0:17:01.960
<v Speaker 2>introduce an audience to Kang as they're setting up Kang

0:17:02.080 --> 0:17:04.240
<v Speaker 2>is a big bad for Phase four in the MCU,

0:17:04.760 --> 0:17:07.560
<v Speaker 2>A good idea. The artist on this was Joe Bennett,

0:17:07.560 --> 0:17:13.160
<v Speaker 2>whose work on with valuing on the Immortal Hulk has

0:17:13.200 --> 0:17:19.080
<v Speaker 2>been some of the most exciting, weird and like body

0:17:19.400 --> 0:17:25.119
<v Speaker 2>horror creative art currently available at Big two Comics look

0:17:25.200 --> 0:17:28.680
<v Speaker 2>super super great. Unfortunately, Joe Bennett has been removed from

0:17:28.680 --> 0:17:33.280
<v Speaker 2>that from Timeless because we have learned now that Joe

0:17:33.359 --> 0:17:40.440
<v Speaker 2>Bennett is a fascist. Joe Bennett, Joe Bennett. Why why

0:17:40.520 --> 0:17:46.720
<v Speaker 2>Joe Bennett. So, Joe Bennett had slipped a anti Semitic reference

0:17:47.119 --> 0:17:49.480
<v Speaker 2>into Immortal Hulk in the pass Andy you kind of

0:17:49.480 --> 0:17:50.440
<v Speaker 2>like explained it off.

0:17:50.840 --> 0:17:54.000
<v Speaker 3>It was pretty explicit, though, it.

0:17:54.000 --> 0:17:57.560
<v Speaker 2>Was pretty explosive. So so the images is a banner

0:17:57.800 --> 0:18:01.719
<v Speaker 2>at a at a jewelry store and in the background

0:18:01.920 --> 0:18:05.240
<v Speaker 2>there is a glass window and there's writing on the

0:18:05.240 --> 0:18:08.280
<v Speaker 2>glass window and it says instead of jewelry, jewelry.

0:18:08.400 --> 0:18:11.119
<v Speaker 3>And I think that was even a star of David maybe.

0:18:10.960 --> 0:18:14.320
<v Speaker 2>Yes, yeah, it was. And then later Joe, more recently,

0:18:14.400 --> 0:18:19.919
<v Speaker 2>Joe released some pro Bolsonnaro, the president of Brazil, the

0:18:19.960 --> 0:18:24.400
<v Speaker 2>fascist president of Brazil, released some pro Bolsonaro art on

0:18:24.440 --> 0:18:30.920
<v Speaker 2>social media that showed Bolscenaro killing people with a sword and.

0:18:30.960 --> 0:18:33.800
<v Speaker 3>Yeah, and the people he was killing were like anti

0:18:33.800 --> 0:18:35.040
<v Speaker 3>Semitic caricatures.

0:18:35.160 --> 0:18:36.800
<v Speaker 2>It was, Yes, it was a lot of big noses

0:18:36.960 --> 0:18:37.480
<v Speaker 2>the whole thing.

0:18:37.480 --> 0:18:40.000
<v Speaker 3>And I think the worst thing about this, which is

0:18:40.000 --> 0:18:42.000
<v Speaker 3>isn't this the way with the internet. It was actually

0:18:42.000 --> 0:18:45.720
<v Speaker 3>from like twenty seventeen, but it was like we only

0:18:45.800 --> 0:18:48.879
<v Speaker 3>found out about it now because somebody shared it, and

0:18:48.920 --> 0:18:52.119
<v Speaker 3>so I think at this point people were just like, oh,

0:18:53.040 --> 0:18:57.160
<v Speaker 3>it's like, oh, this is not because obviously he explained away,

0:18:57.359 --> 0:19:00.960
<v Speaker 3>Oh it was a misspelling. Did it this? You can't

0:19:00.960 --> 0:19:03.680
<v Speaker 3>really explain it away. You are putting you can't You're

0:19:03.720 --> 0:19:08.159
<v Speaker 3>putting your propaganda art on the side of fascism, and

0:19:08.200 --> 0:19:09.440
<v Speaker 3>the art is fascistic.

0:19:09.720 --> 0:19:13.440
<v Speaker 2>It's really really bad. Aluing took to Twitter on September

0:19:13.520 --> 0:19:18.640
<v Speaker 2>second to basically apologize. He said, Immortal Hulk has done

0:19:18.680 --> 0:19:20.280
<v Speaker 2>but I won't be working with Joe again. If people

0:19:20.320 --> 0:19:22.240
<v Speaker 2>choose not to pick up my work with other artists

0:19:22.280 --> 0:19:24.240
<v Speaker 2>in the future on the basis of my handling of this,

0:19:24.320 --> 0:19:26.879
<v Speaker 2>I understand and except that if I've lost your trust,

0:19:26.920 --> 0:19:30.879
<v Speaker 2>that's on me. Basically, Amya Kalpa for not standing up

0:19:30.960 --> 0:19:35.440
<v Speaker 2>to this sooner and more authoritatively. But I think al,

0:19:36.440 --> 0:19:39.119
<v Speaker 2>I don't think anybody blames al for this. That said,

0:19:40.160 --> 0:19:43.000
<v Speaker 2>it sucks in the sense that Immortal Hulk really is amazing,

0:19:43.200 --> 0:19:46.840
<v Speaker 2>Like I don't it's a hard the tagline for Mortal Hulk,

0:19:46.880 --> 0:19:50.880
<v Speaker 2>which is Hulk is now help can't be killed. He

0:19:51.160 --> 0:19:54.440
<v Speaker 2>has reverted back to his original mode of turning into

0:19:54.480 --> 0:19:58.920
<v Speaker 2>the Hulk, which is it happens at night. It's existential

0:19:59.320 --> 0:20:02.520
<v Speaker 2>and gary, and it explodes.

0:20:02.080 --> 0:20:04.600
<v Speaker 3>Like every aspect of Hulk and what it means to

0:20:04.640 --> 0:20:05.200
<v Speaker 3>be Hulk.

0:20:05.359 --> 0:20:10.720
<v Speaker 2>It's yeah, the multiple personalities, the origins of the of

0:20:10.760 --> 0:20:16.720
<v Speaker 2>the gamma radiation, how the gamma ration radiation affected Bruce,

0:20:17.119 --> 0:20:20.200
<v Speaker 2>Bruce's own psyche in a way that builds on the

0:20:20.320 --> 0:20:24.080
<v Speaker 2>kind of like earlier work, uh, the kind of like

0:20:24.160 --> 0:20:27.320
<v Speaker 2>earlier developments of Hulk and Banner as like these multiple

0:20:27.400 --> 0:20:31.600
<v Speaker 2>versions of of Banner. It's really really cool. But yeah,

0:20:31.680 --> 0:20:36.439
<v Speaker 2>Joe Bennett has done now the replacement four times is

0:20:36.480 --> 0:20:41.680
<v Speaker 2>one Greg Land. So Greg Land is he's he has

0:20:42.080 --> 0:20:44.600
<v Speaker 2>has done a lot. He worked on X Men, He's

0:20:44.680 --> 0:20:48.520
<v Speaker 2>worked on a lot of comics, particularly from Marvel over

0:20:48.560 --> 0:20:55.560
<v Speaker 2>the years. Greg Land is divisive, not divisive in a

0:20:55.720 --> 0:20:57.800
<v Speaker 2>in a kind of like problematic, certainly not in the

0:20:57.840 --> 0:21:00.680
<v Speaker 2>sense of Joe Bennett, but divisive in the sense that

0:21:02.200 --> 0:21:05.280
<v Speaker 2>so he got this gig because they need clearly Marvel

0:21:05.280 --> 0:21:07.920
<v Speaker 2>needs to hit a deadline. This this comic has been announced,

0:21:07.960 --> 0:21:09.800
<v Speaker 2>it needs to come out, it needs to set up king,

0:21:09.840 --> 0:21:13.560
<v Speaker 2>and it needs to happen on time. And one, he's

0:21:13.680 --> 0:21:16.679
<v Speaker 2>very reliable. And and the reason that Greg Land is

0:21:16.720 --> 0:21:18.720
<v Speaker 2>very reliable, and the reason that he's divisive is that

0:21:18.800 --> 0:21:22.480
<v Speaker 2>he is known and he's kind of infamous for using

0:21:23.600 --> 0:21:28.680
<v Speaker 2>basically for for using guideline images that he then bases

0:21:28.840 --> 0:21:34.840
<v Speaker 2>his comic panels on, uh I E. Tracing and listen,

0:21:34.920 --> 0:21:39.480
<v Speaker 2>every artist does this to some express, Every artist working does.

0:21:41.680 --> 0:21:45.760
<v Speaker 3>Different ways. People. No one's saying that like Simonson and

0:21:45.760 --> 0:21:47.320
<v Speaker 3>Adams in the all days on a bit of paper.

0:21:48.200 --> 0:21:52.000
<v Speaker 3>Let's be real, where does where does Greg Lamb trace from? Jason?

0:21:52.640 --> 0:21:59.920
<v Speaker 2>Greg Land very often traces from erotic adult slash pornographic images.

0:22:00.119 --> 0:22:04.480
<v Speaker 2>Is he has been he has been caught doing this

0:22:04.640 --> 0:22:08.959
<v Speaker 2>numerous times. He's toned it down. Let's be clear about this.

0:22:09.119 --> 0:22:12.680
<v Speaker 2>He has toned it down. But he's kind of infamous

0:22:12.720 --> 0:22:16.199
<v Speaker 2>for this, and and as such he has gained a

0:22:16.240 --> 0:22:21.880
<v Speaker 2>reputation much like Robley Field for being this kind of

0:22:21.960 --> 0:22:26.320
<v Speaker 2>like we hate him, but also we get it, Like

0:22:26.800 --> 0:22:28.800
<v Speaker 2>it's just very funny to replace.

0:22:29.240 --> 0:22:33.159
<v Speaker 3>Yeah, it's really funny, funny, and it's like it's so

0:22:33.480 --> 0:22:36.320
<v Speaker 3>marvel right now that I was just like, yeah, of course, like,

0:22:36.400 --> 0:22:38.760
<v Speaker 3>of course that's what's gonna happen. But it is funny though,

0:22:38.840 --> 0:22:42.080
<v Speaker 3>especially because like I'm a fan, Like I love a

0:22:42.119 --> 0:22:45.639
<v Speaker 3>lot of like sexy comics. I have cheesecakess I like

0:22:45.840 --> 0:22:48.679
<v Speaker 3>I have I have like actual like legitimate like X

0:22:48.760 --> 0:22:51.000
<v Speaker 3>rated comics. I like I love Gilbert Hernandez. I love

0:22:51.040 --> 0:22:53.480
<v Speaker 3>all different kinds of stuff. But but like it is

0:22:53.560 --> 0:22:56.320
<v Speaker 3>really funny to see like an you know, it's Jean Gray,

0:22:56.359 --> 0:22:59.000
<v Speaker 3>but she's like traced from like a sexy porn star

0:22:59.080 --> 0:23:02.680
<v Speaker 3>and she and You're just like, what's going on? What

0:23:02.760 --> 0:23:06.920
<v Speaker 3>is going on? Yeah, Now, like the tracing issue has

0:23:06.960 --> 0:23:09.280
<v Speaker 3>become as the Internet has moved forward as well, Like

0:23:09.320 --> 0:23:13.240
<v Speaker 3>the tracing issue has definitely become like more prominent, like

0:23:13.280 --> 0:23:14.880
<v Speaker 3>people because it's easier to catch.

0:23:15.160 --> 0:23:18.000
<v Speaker 2>It's it's it's way easier to catch and and again,

0:23:18.119 --> 0:23:22.399
<v Speaker 2>every artist does this, but Greg's influences and the way

0:23:22.480 --> 0:23:27.399
<v Speaker 2>he uses these images is just kind of like a

0:23:28.160 --> 0:23:32.399
<v Speaker 2>degree more blatant than the way other artists use it.

0:23:32.480 --> 0:23:37.000
<v Speaker 2>Like it's artists, critics and other artists over the years

0:23:37.119 --> 0:23:41.840
<v Speaker 2>have quite easily found the original art that Greg is

0:23:41.880 --> 0:23:44.600
<v Speaker 2>basing his stuff off of He's been accused of plagiarizing

0:23:44.600 --> 0:23:47.359
<v Speaker 2>in the past by other artists like and that's.

0:23:47.119 --> 0:23:49.240
<v Speaker 3>The bigger issue is like, you know what, if you

0:23:49.240 --> 0:23:51.080
<v Speaker 3>want to poorn, trace and move, was gonna pay you,

0:23:51.119 --> 0:23:53.359
<v Speaker 3>like eight hundred dollars or whatever, like good for you,

0:23:55.520 --> 0:23:58.560
<v Speaker 3>like good for you whatever, likes other artists. I wish

0:23:58.840 --> 0:24:00.680
<v Speaker 3>they would have put on this book by so many

0:24:00.680 --> 0:24:02.920
<v Speaker 3>incredible arys that I wish would get a regular Marvel

0:24:02.920 --> 0:24:04.600
<v Speaker 3>book or a one show Marvel book. But you know what,

0:24:04.680 --> 0:24:06.919
<v Speaker 3>But the issue is, like you said, if if you

0:24:06.920 --> 0:24:10.120
<v Speaker 3>were plagiarizing like another artists work and then getting paid

0:24:10.160 --> 0:24:12.280
<v Speaker 3>for it, that is fucked up like that, And that's

0:24:12.520 --> 0:24:13.520
<v Speaker 3>that's why the issue looks.

0:24:14.480 --> 0:24:17.280
<v Speaker 2>That's why he was called out. He was called out

0:24:17.280 --> 0:24:21.640
<v Speaker 2>by Tristan Jones in twenty twenty for basically ripping off

0:24:22.000 --> 0:24:26.880
<v Speaker 2>art from the Aliens Omnibus. So this is around, this

0:24:26.960 --> 0:24:31.600
<v Speaker 2>is like this has been around at Marvel is not dumb.

0:24:31.880 --> 0:24:35.920
<v Speaker 2>They understand what Greg is doing. But again, like one

0:24:35.920 --> 0:24:39.080
<v Speaker 2>of the things that derailed Marvel in the nineties and

0:24:39.240 --> 0:24:43.439
<v Speaker 2>was a big problem for basically its entire lifespan from

0:24:43.440 --> 0:24:46.520
<v Speaker 2>the seventies up to the nineties was blown deadlines like

0:24:46.920 --> 0:24:50.199
<v Speaker 2>this was this was a company that was consistently like

0:24:50.359 --> 0:24:57.280
<v Speaker 2>late on delivering comics to printers and you know this

0:24:57.359 --> 0:25:00.879
<v Speaker 2>is later but famously like Ultimate Wolverine Versus Hulk was

0:25:00.880 --> 0:25:04.480
<v Speaker 2>delayed like five hundred years or something. It was like

0:25:04.480 --> 0:25:07.199
<v Speaker 2>a six it was a six issue limited series that

0:25:07.359 --> 0:25:10.199
<v Speaker 2>like stretched out over four years something like that, And

0:25:10.240 --> 0:25:10.640
<v Speaker 2>it's like.

0:25:11.080 --> 0:25:13.280
<v Speaker 3>It's the problem is like it's a bigger It's like

0:25:13.400 --> 0:25:15.520
<v Speaker 3>it is you do have to find these artists who

0:25:15.520 --> 0:25:17.600
<v Speaker 3>can get you the stuff fast, right, which but it's

0:25:17.640 --> 0:25:20.199
<v Speaker 3>also a bigger problem of like that exploit of industry

0:25:20.200 --> 0:25:22.680
<v Speaker 3>where people don't have protections, they don't have real deadline,

0:25:23.000 --> 0:25:25.239
<v Speaker 3>so you can a letter is getting the book two

0:25:25.320 --> 0:25:26.960
<v Speaker 3>days before it's meant to go to print because the

0:25:26.960 --> 0:25:29.000
<v Speaker 3>writer didn't know, and then the artist is So it's

0:25:29.040 --> 0:25:31.719
<v Speaker 3>like a comics is like a fake business. That's what

0:25:31.760 --> 0:25:33.840
<v Speaker 3>me and my friends always say, Like loads of us

0:25:33.840 --> 0:25:35.560
<v Speaker 3>make comics, and we always say it's like it's a

0:25:35.600 --> 0:25:38.359
<v Speaker 3>fake business, Like you wouldn't believe that this stuff could happen,

0:25:38.640 --> 0:25:41.040
<v Speaker 3>but it does. Like I'm sure there's people sitting here

0:25:41.080 --> 0:25:43.280
<v Speaker 3>right now who are like this guy does not trace

0:25:43.320 --> 0:25:45.560
<v Speaker 3>for important you know what he does.

0:25:46.040 --> 0:25:49.320
<v Speaker 2>I mean, like you just go go Greg Land trace

0:25:49.440 --> 0:25:52.000
<v Speaker 2>on Google and you'll find any number of our you'll find.

0:25:52.000 --> 0:25:55.400
<v Speaker 3>It's it's funny because Marvel actually has like a long

0:25:55.440 --> 0:25:59.600
<v Speaker 3>tradition of a famous older artists or like I guess

0:25:59.640 --> 0:26:02.320
<v Speaker 3>not old, but like male artists of a certain age

0:26:02.560 --> 0:26:05.600
<v Speaker 3>who loved to trace. I I always remember that Invincible.

0:26:05.640 --> 0:26:07.840
<v Speaker 3>I think it was like an invincible Iron Man book

0:26:08.240 --> 0:26:12.000
<v Speaker 3>where doctor Doom and the whole book is just it's

0:26:12.000 --> 0:26:15.560
<v Speaker 3>just mincing Cassel. And then that's I think, there's yeah,

0:26:15.720 --> 0:26:17.639
<v Speaker 3>and then there's like and I can't remember who there

0:26:17.640 --> 0:26:19.680
<v Speaker 3>are character is, but one of them is Tommy Lee Jones,

0:26:20.080 --> 0:26:21.760
<v Speaker 3>and you're just like, my guy, I don't think you

0:26:21.800 --> 0:26:23.600
<v Speaker 3>can do this, you know. And I think the only

0:26:23.640 --> 0:26:27.040
<v Speaker 3>person who actually ever properly leveraged that was Sam Jackson,

0:26:28.359 --> 0:26:30.680
<v Speaker 3>because these people just called Marvel straight away as soon

0:26:30.720 --> 0:26:32.600
<v Speaker 3>as that oh that's Nick Fiory book came.

0:26:32.480 --> 0:26:36.520
<v Speaker 2>Out and they were like, hey, yeah, Brian Hitch, Yeah,

0:26:36.560 --> 0:26:40.720
<v Speaker 2>I think Mark Millery, please do it.

0:26:40.960 --> 0:26:44.760
<v Speaker 3>Please do so. Yeah. It's it's an interesting jump, but

0:26:45.040 --> 0:26:47.280
<v Speaker 3>it's not all bad news in the world of Marvel.

0:26:47.600 --> 0:26:54.960
<v Speaker 3>It's not all weird sad Tracing. There's a new book

0:26:55.000 --> 0:26:58.040
<v Speaker 3>coming out. We think when we were talking, we think

0:26:58.040 --> 0:26:59.480
<v Speaker 3>it's going to be a pretty big deal and is

0:26:59.560 --> 0:27:02.720
<v Speaker 3>seeding big stuff. So it's Jason Aaron and Aaron Couter

0:27:03.280 --> 0:27:04.280
<v Speaker 3>doing Aveng just forever.

0:27:04.440 --> 0:27:07.960
<v Speaker 2>Yeah, Jason Aaron is kind of like the writer right

0:27:07.960 --> 0:27:11.600
<v Speaker 2>now at Marvel. Yeah, and Aaron Couter is We were

0:27:11.680 --> 0:27:14.240
<v Speaker 2>discussing this in the pre pro. I love his style.

0:27:14.359 --> 0:27:17.520
<v Speaker 2>It's kind of like he's like it's he's like a

0:27:17.600 --> 0:27:20.480
<v Speaker 2>child of Art Adams, who is my favorite. Like when

0:27:20.520 --> 0:27:25.520
<v Speaker 2>I first got into comics. There's something like cartoonys but

0:27:25.680 --> 0:27:29.080
<v Speaker 2>also very very detailed about it. Super super fun and

0:27:29.200 --> 0:27:33.159
<v Speaker 2>like the cover art, go go google it now is

0:27:34.320 --> 0:27:35.520
<v Speaker 2>so fun and exciting.

0:27:35.640 --> 0:27:38.320
<v Speaker 3>Yeah, it's like where's Waldo? For people who love Marvel,

0:27:38.800 --> 0:27:40.840
<v Speaker 3>like you can just and it doesn't matter. What I

0:27:40.960 --> 0:27:43.720
<v Speaker 3>love the most about this cover is literally if you

0:27:43.840 --> 0:27:46.919
<v Speaker 3>did not care about Marvel at all, but you just

0:27:47.080 --> 0:27:49.320
<v Speaker 3>watched What If and for some reason that was what

0:27:49.400 --> 0:27:51.439
<v Speaker 3>drew you in. You love animation, you can look at

0:27:51.440 --> 0:27:54.480
<v Speaker 3>that cover and there is Captain Carter And if you

0:27:54.920 --> 0:27:56.399
<v Speaker 3>just love one division, you can look at it and

0:27:56.440 --> 0:27:59.760
<v Speaker 3>there's Monica Rambo. But there's also, you know there's Tony

0:27:59.760 --> 0:28:04.040
<v Speaker 3>Stuff a man. There's there's a who did you see

0:28:04.040 --> 0:28:08.600
<v Speaker 3>on the speedball? There's beasts. You know, there's all different

0:28:08.720 --> 0:28:11.320
<v Speaker 3>kinds of just bonkers characters. You've got wonder, You've got

0:28:11.320 --> 0:28:13.800
<v Speaker 3>your main but it is unreal. Aaron Kuda's art is

0:28:13.840 --> 0:28:16.280
<v Speaker 3>like this beautiful like you said, it's like this intricate

0:28:16.320 --> 0:28:19.600
<v Speaker 3>cartooning that it has so much personality, that every character

0:28:19.600 --> 0:28:22.520
<v Speaker 3>has a different facial expression, and there's so many characters

0:28:23.040 --> 0:28:26.199
<v Speaker 3>and so Marvel dot Com like if you're interested in it.

0:28:26.240 --> 0:28:29.480
<v Speaker 3>Basically it sounds very multiversally relevant right now. And it

0:28:29.920 --> 0:28:34.320
<v Speaker 3>begins with a quest for cosmic vengeance. Ghost Rider, I

0:28:34.320 --> 0:28:37.040
<v Speaker 3>believe it's Robby Rays. Ghostwrider finds himself roaring through the

0:28:37.040 --> 0:28:39.280
<v Speaker 3>wasteland on a ruined Earth where the Great Age of

0:28:39.320 --> 0:28:41.480
<v Speaker 3>Heroes never came to be, where hope is a four

0:28:41.560 --> 0:28:43.760
<v Speaker 3>letter word and wears only ally in the coming battle

0:28:43.760 --> 0:28:46.720
<v Speaker 3>against the greatest villains any universe has ever seen. Is

0:28:46.760 --> 0:28:51.600
<v Speaker 3>the world's most wanted archaeologist, Tony Stark, the Invincible a man.

0:28:51.960 --> 0:28:53.880
<v Speaker 3>I love Tony Stark as a man. It makes so

0:28:53.960 --> 0:28:54.840
<v Speaker 3>much sense.

0:28:55.440 --> 0:28:58.680
<v Speaker 2>It makes so much sense, and against anytime I see Speedball.

0:28:58.760 --> 0:29:01.880
<v Speaker 2>The New Universe for those who remember, the New Universe

0:29:02.520 --> 0:29:05.000
<v Speaker 2>was an attempt. It was basically like an attempt to

0:29:05.040 --> 0:29:08.640
<v Speaker 2>do Ultimate Marvel before Ultimate Marvel launched. This kind of

0:29:08.680 --> 0:29:12.360
<v Speaker 2>like new generation of Heroes and this and Speedball was

0:29:12.440 --> 0:29:17.400
<v Speaker 2>kind of like the flagship hero. He bounces around like

0:29:17.400 --> 0:29:21.400
<v Speaker 2>a speedball, and anytime I see him in something, I'm like,

0:29:21.480 --> 0:29:23.560
<v Speaker 2>I'm glad they're keeping up with this guy. I'm glad

0:29:23.600 --> 0:29:27.160
<v Speaker 2>that he's still around. It's gonna be super super fun.

0:29:27.200 --> 0:29:30.080
<v Speaker 2>And it's a titled Avengers Forever, which is a direct

0:29:30.160 --> 0:29:35.080
<v Speaker 2>reference to the very well regarded Kurt bussiek Roger Stern

0:29:35.760 --> 0:29:40.240
<v Speaker 2>late nineties twelve issue limited series that is, you know

0:29:40.280 --> 0:29:42.600
<v Speaker 2>a lot of the Kang stuff if you want to

0:29:42.680 --> 0:29:47.640
<v Speaker 2>understand Loki and the introduction of Kang, Avengers Forever is

0:29:47.680 --> 0:29:49.360
<v Speaker 2>a great place to do it because I think it's

0:29:49.400 --> 0:29:53.880
<v Speaker 2>like issue eleven or maybe twelve. Kang basically is like, Okay,

0:29:53.920 --> 0:29:55.800
<v Speaker 2>here's the deal with me, and he lays the whole

0:29:55.800 --> 0:29:58.000
<v Speaker 2>thing out. So it's like, if you want to understand Kang,

0:29:58.440 --> 0:30:01.880
<v Speaker 2>check out the late nineties Avengers Forever. I'm trying to think,

0:30:01.880 --> 0:30:05.080
<v Speaker 2>but like, maybe the best thing going at Marvel during

0:30:05.160 --> 0:30:07.320
<v Speaker 2>that late nineties like collapse era.

0:30:07.480 --> 0:30:09.560
<v Speaker 3>Yeah, it's one of the it's really interesting to look

0:30:09.600 --> 0:30:12.239
<v Speaker 3>back in that era and the stuff where we know,

0:30:12.320 --> 0:30:14.880
<v Speaker 3>like when the boys went to you know, Found Image

0:30:14.880 --> 0:30:16.720
<v Speaker 3>and everything and kind of the way the boom and

0:30:16.760 --> 0:30:19.480
<v Speaker 3>the bust was happening. Yeah, it's really interesting the cool

0:30:19.520 --> 0:30:24.719
<v Speaker 3>stuff that snuck through, the cool weird ideas that and

0:30:24.960 --> 0:30:26.680
<v Speaker 3>a lot of these creators they say that, you know,

0:30:26.680 --> 0:30:28.760
<v Speaker 3>the eighties the nineties, they didn't know these were going

0:30:28.800 --> 0:30:31.720
<v Speaker 3>to become multi billion dollar properties. Like you were just

0:30:31.760 --> 0:30:33.840
<v Speaker 3>making an idea that would make someone want to pick

0:30:33.880 --> 0:30:35.880
<v Speaker 3>up the next issue, and in that way, some of

0:30:35.880 --> 0:30:40.200
<v Speaker 3>this stuff becomes really really cool and unexpected.

0:30:40.480 --> 0:30:43.360
<v Speaker 2>I agree like that. The kind of like post bankruptcy

0:30:43.480 --> 0:30:47.680
<v Speaker 2>era Marvel, I think is some of the most creative

0:30:47.680 --> 0:30:50.520
<v Speaker 2>stuff happened there, whether it's Black Panther and Marvel Knights

0:30:51.360 --> 0:30:57.480
<v Speaker 2>or or Avengers Forever or like Exstatics X Force Ecstatics,

0:30:57.520 --> 0:30:58.960
<v Speaker 2>Like there's just a lot of fun stuff.

0:30:59.040 --> 0:31:02.280
<v Speaker 3>Yeah. Joke Asarda like had this space where it was

0:31:02.360 --> 0:31:05.520
<v Speaker 3>kind of like you could bringing in like these really

0:31:05.640 --> 0:31:08.960
<v Speaker 3>cool cartoonists that he knew and making work that maybe

0:31:08.960 --> 0:31:11.680
<v Speaker 3>wouldn't have been able to be made in the Robliefeld

0:31:11.880 --> 0:31:14.440
<v Speaker 3>like era, you know, and you got really weird stuff

0:31:14.440 --> 0:31:18.600
<v Speaker 3>out at Frankincastle, you know, punish your guy. I love

0:31:18.720 --> 0:31:21.880
<v Speaker 3>Marvel Knights. Obviously, Marvel Knight's so bloody cool, and I

0:31:21.880 --> 0:31:25.280
<v Speaker 3>think that stuff's going to become like really really intrinsic

0:31:25.320 --> 0:31:25.720
<v Speaker 3>to what's.

0:31:25.560 --> 0:31:29.200
<v Speaker 2>Going I think the Yeah, the moon I would expect that.

0:31:29.880 --> 0:31:32.880
<v Speaker 2>Obviously there's been various incarnations of Moonlight, but I would

0:31:32.880 --> 0:31:38.560
<v Speaker 2>expect that what we see from Moonnight is adapted from

0:31:38.560 --> 0:31:41.360
<v Speaker 2>the Marvel Knights stuff. That's my expecting.

0:31:41.480 --> 0:31:43.680
<v Speaker 3>Yeah, I think that. I think it's going to be

0:31:44.280 --> 0:31:45.960
<v Speaker 3>I think that's going to be the major source point.

0:31:45.960 --> 0:31:47.400
<v Speaker 3>And I also think they're going to have to do

0:31:48.440 --> 0:31:51.760
<v Speaker 3>not necessarily like a Watchman level reconsideration, but they're definitely

0:31:51.800 --> 0:31:53.720
<v Speaker 3>going to have to be very thoughtful about the things

0:31:53.760 --> 0:31:55.520
<v Speaker 3>that they're doing and the way that they're taking on

0:31:55.600 --> 0:31:58.160
<v Speaker 3>the character, because there's so much there that can can

0:31:58.280 --> 0:31:58.720
<v Speaker 3>kind of go wrong.

0:31:59.080 --> 0:32:02.840
<v Speaker 2>But I'm sure talk the mental Yeah, the mental health

0:32:02.840 --> 0:32:04.640
<v Speaker 2>aspect of you we'll table that for now, but the

0:32:04.640 --> 0:32:08.360
<v Speaker 2>mental health aspect of Moonnight needs to be handled in

0:32:08.360 --> 0:32:10.480
<v Speaker 2>the right way. And I'm excited to see how they do.

0:32:10.640 --> 0:32:13.360
<v Speaker 3>I think off to one division and the exploration of

0:32:13.400 --> 0:32:16.040
<v Speaker 3>trauma and different kinds and still centering all different kinds

0:32:16.040 --> 0:32:18.120
<v Speaker 3>of stories within that. I think I've got hope that

0:32:18.160 --> 0:32:19.200
<v Speaker 3>they could do a cool version.

0:32:19.640 --> 0:32:23.880
<v Speaker 2>In recent news, we're recording this on a Tuesday. Yesterday,

0:32:24.000 --> 0:32:28.960
<v Speaker 2>the trailer for Hawkeye limited series on Disney Plus, which

0:32:29.040 --> 0:32:34.080
<v Speaker 2>launches on November twenty fourth, dropped on the internet, and man,

0:32:34.200 --> 0:32:38.240
<v Speaker 2>it is a lot of fun, clearly adapted from the

0:32:38.280 --> 0:32:43.480
<v Speaker 2>Matt Fraction and David Daya solo title that really like

0:32:43.920 --> 0:32:47.120
<v Speaker 2>redefined Clint Barton as a character in the Marvel universe.

0:32:47.720 --> 0:32:50.760
<v Speaker 2>If you want to pick up a great, great comic

0:32:50.840 --> 0:32:53.680
<v Speaker 2>that you don't need to know a lot about other

0:32:53.920 --> 0:32:56.920
<v Speaker 2>things that are happening in Marvel Comics, even at the

0:32:56.960 --> 0:33:00.440
<v Speaker 2>time or that came before, pick up Matt Frat and

0:33:00.920 --> 0:33:07.200
<v Speaker 2>David Daya's Hawkeye. It is great and like everything about

0:33:07.240 --> 0:33:12.560
<v Speaker 2>it is fresh and fantastic. It's like there are themes

0:33:12.680 --> 0:33:19.720
<v Speaker 2>of like gentrification and like working class strife, and it

0:33:19.920 --> 0:33:23.600
<v Speaker 2>is incredible. There's a great there's a great dog in it.

0:33:23.680 --> 0:33:27.680
<v Speaker 2>And David's art. I think no one does No one

0:33:27.720 --> 0:33:31.600
<v Speaker 2>does layouts like no one from the art, from the

0:33:31.640 --> 0:33:35.080
<v Speaker 2>way he does his panels, from the cadence of the pages.

0:33:35.920 --> 0:33:39.800
<v Speaker 2>There's an early page in issue to where Clint is

0:33:39.840 --> 0:33:41.640
<v Speaker 2>hanging out with Kate Bishop and their training. They're just

0:33:41.680 --> 0:33:46.400
<v Speaker 2>firing arrows into a dummy and Kate is asking him

0:33:46.400 --> 0:33:51.920
<v Speaker 2>a question, and as Clint is drawing and firing, the

0:33:52.040 --> 0:33:55.800
<v Speaker 2>thing she is asking him gets spread out like letter

0:33:55.880 --> 0:34:00.360
<v Speaker 2>by letters, so that you understand how quick Clint's reactions are,

0:34:00.520 --> 0:34:03.440
<v Speaker 2>how fast he is with the bow. It's so cool,

0:34:03.480 --> 0:34:06.040
<v Speaker 2>And there's a million things like that. I'm really and

0:34:06.200 --> 0:34:08.400
<v Speaker 2>and from the trailer, it seems like a lot of

0:34:08.400 --> 0:34:10.799
<v Speaker 2>that is in there. There's a ton of it.

0:34:10.800 --> 0:34:12.640
<v Speaker 3>It's the only way you can do a Hawkeye show. Look,

0:34:12.920 --> 0:34:14.839
<v Speaker 3>I'm not gonna lie. I was kind of mad at

0:34:14.840 --> 0:34:16.719
<v Speaker 3>how good this trailer is because I don't want to

0:34:16.760 --> 0:34:19.000
<v Speaker 3>care about Hawkeye. I'm ready for that. I'm ready for

0:34:19.520 --> 0:34:22.680
<v Speaker 3>that Hawkeye, that man Hawkeye, that Jeremy and Hawkeye. He

0:34:22.719 --> 0:34:24.880
<v Speaker 3>can be gone. I don't. So when I saw this, like,

0:34:25.080 --> 0:34:28.360
<v Speaker 3>I was felt personally attacked because one that comic is amazing.

0:34:28.800 --> 0:34:32.839
<v Speaker 3>Two like it's a Christmas show and I fucking love

0:34:32.920 --> 0:34:36.680
<v Speaker 3>Christmas movies shows whatever, Like I love that shit, it's

0:34:36.719 --> 0:34:39.080
<v Speaker 3>got big die hard energy, but.

0:34:38.960 --> 0:34:41.399
<v Speaker 2>Also like, yes, it's I think the.

0:34:41.360 --> 0:34:43.840
<v Speaker 3>Only way you can legitimately make this show is to

0:34:43.920 --> 0:34:45.960
<v Speaker 3>take from that series, because there is stuff, like you

0:34:46.080 --> 0:34:48.319
<v Speaker 3>just said, right, this is gonna be We get to

0:34:48.320 --> 0:34:50.120
<v Speaker 3>see a lot of cool stuff in these Marvel shows,

0:34:50.120 --> 0:34:51.640
<v Speaker 3>the One Division show, for example, I talk about it

0:34:51.680 --> 0:34:53.719
<v Speaker 3>a lot. I could not believe how much they took

0:34:53.760 --> 0:34:56.319
<v Speaker 3>directly from these real, those really amazing mini series in

0:34:56.320 --> 0:34:59.759
<v Speaker 3>the eighties. Yeah, but this is a I think that

0:34:59.760 --> 0:35:03.960
<v Speaker 3>they're very smart to look at this book and know

0:35:04.080 --> 0:35:05.800
<v Speaker 3>that there is stuff that they are going to basically

0:35:05.840 --> 0:35:08.600
<v Speaker 3>take straight from that. Because let's be real, so straight

0:35:08.760 --> 0:35:12.759
<v Speaker 3>from you got issue eleven, right, which is the Lucky

0:35:12.760 --> 0:35:16.080
<v Speaker 3>the Pizza Dog issue, or the from Lucky's perspective, that

0:35:16.200 --> 0:35:17.560
<v Speaker 3>is going to be an episode, and if it's not

0:35:17.600 --> 0:35:19.640
<v Speaker 3>a whole episode, it will be at least half of

0:35:19.680 --> 0:35:22.480
<v Speaker 3>an episode or a recurring thing. It's an iconic issue.

0:35:22.520 --> 0:35:26.040
<v Speaker 2>You can't not do the iconic Lucky the Pizza Dog again.

0:35:26.320 --> 0:35:28.920
<v Speaker 2>Like pick up this comic, pick up the trades, Go

0:35:28.960 --> 0:35:31.560
<v Speaker 2>to your local comic book shop and pick up the trades.

0:35:31.600 --> 0:35:35.320
<v Speaker 2>It's worth it. The Lucky the Pizza Dog Bottle issue

0:35:36.080 --> 0:35:40.160
<v Speaker 2>is one of the greatest single issues in comics history,

0:35:40.280 --> 0:35:44.120
<v Speaker 2>like ever, ever, ever, ever. It's from the perspective of

0:35:44.160 --> 0:35:47.720
<v Speaker 2>the dog, and that's all I'll say. But the storytelling

0:35:47.800 --> 0:35:52.040
<v Speaker 2>and the way Dovey cracks the code on how to

0:35:52.120 --> 0:35:56.000
<v Speaker 2>tell this story through the perspective of the dog, it's

0:35:56.080 --> 0:35:58.600
<v Speaker 2>unbelievable and it's so good and I agree with you.

0:35:58.719 --> 0:36:00.920
<v Speaker 2>It's just got a yeah, it's gonna be that.

0:36:02.040 --> 0:36:04.200
<v Speaker 3>And Lucky is in the show. We know that they

0:36:04.280 --> 0:36:06.279
<v Speaker 3>released a poster with Lucky on it, like he.

0:36:06.280 --> 0:36:07.680
<v Speaker 2>Had to be in the show. He's not in the

0:36:07.680 --> 0:36:10.279
<v Speaker 2>show that I'm a nobody and something that.

0:36:10.200 --> 0:36:12.799
<v Speaker 3>I think is like really amazing about that book. Right,

0:36:12.880 --> 0:36:16.200
<v Speaker 3>So the book deals with Hawky and deafness, which is

0:36:16.280 --> 0:36:19.440
<v Speaker 3>throughout his that's throughout his storyline, but it's on and

0:36:19.480 --> 0:36:21.880
<v Speaker 3>off again, it depends, and that's never been in the MCU.

0:36:22.040 --> 0:36:23.520
<v Speaker 3>But we know it is going to be in this

0:36:24.040 --> 0:36:26.399
<v Speaker 3>show because we saw him wearing hearing aids. And also

0:36:26.840 --> 0:36:30.120
<v Speaker 3>they cast an actual deaf indigenous actress called a lack

0:36:30.160 --> 0:36:32.399
<v Speaker 3>of Cox to play Echo, who's a deaf Indigenous hero

0:36:32.480 --> 0:36:37.080
<v Speaker 3>and I'm so stoked about that. That's just and the

0:36:37.120 --> 0:36:38.640
<v Speaker 3>thing that I think another thing that I think is

0:36:38.680 --> 0:36:40.839
<v Speaker 3>really cool about this is like, so when the Lucky

0:36:40.840 --> 0:36:42.960
<v Speaker 3>the Pizza Dog episode came out, every issue came out,

0:36:42.960 --> 0:36:44.799
<v Speaker 3>everyone was like, this is really cool, and I think

0:36:44.840 --> 0:36:46.440
<v Speaker 3>there was like a little bit of thing around deaf

0:36:46.480 --> 0:36:48.400
<v Speaker 3>people being like, well, this is the only episode, this

0:36:48.440 --> 0:36:50.960
<v Speaker 3>is the only issue that's like seems to want to

0:36:51.000 --> 0:36:53.400
<v Speaker 3>represent that lack of communication, but it's from the perspective

0:36:53.400 --> 0:36:56.319
<v Speaker 3>of a dog lo and behold. Eight issues later they

0:36:56.320 --> 0:36:58.920
<v Speaker 3>do an issue that is a sign language issue, and

0:36:59.040 --> 0:37:02.160
<v Speaker 3>I just think like, and that issue as well, Issue

0:37:02.239 --> 0:37:05.879
<v Speaker 3>nineteen unbelievable, like one of the coolest issues and one

0:37:05.880 --> 0:37:09.920
<v Speaker 3>of the coolest ways of showcasing like visual storytelling and

0:37:10.040 --> 0:37:12.759
<v Speaker 3>how you can change the communication in that way. So

0:37:12.960 --> 0:37:15.960
<v Speaker 3>I feel like one also, I love I think Hayley

0:37:16.080 --> 0:37:18.400
<v Speaker 3>is like perfect casting as Kate Bishop.

0:37:18.200 --> 0:37:19.520
<v Speaker 2>So really I'm really excited.

0:37:19.640 --> 0:37:21.400
<v Speaker 3>I just think there's a lot of potential for this

0:37:21.480 --> 0:37:25.200
<v Speaker 3>to be like not only really cool, fun die Hard

0:37:25.400 --> 0:37:28.960
<v Speaker 3>esque like Holiday Magic, but also like a kind of

0:37:29.000 --> 0:37:33.640
<v Speaker 3>step towards a death representation that we've never really seen

0:37:33.640 --> 0:37:37.960
<v Speaker 3>in any like rarely any TV shows, let alone Supero.

0:37:37.640 --> 0:37:40.799
<v Speaker 2>Yes, which is just so cool. That is really exciting

0:37:41.400 --> 0:37:48.680
<v Speaker 2>one small aside, So apparently Kate is introduced in this show.

0:37:50.280 --> 0:37:52.680
<v Speaker 2>She comes to Clint's attention because she is wearing the

0:37:52.800 --> 0:37:56.600
<v Speaker 2>rone in costume and she's out there doing stuff. It's

0:37:56.680 --> 0:38:00.479
<v Speaker 2>just so hilarious to me because, like I mean, listen,

0:38:00.480 --> 0:38:03.560
<v Speaker 2>I love Clint and he's been through a love he

0:38:03.640 --> 0:38:06.840
<v Speaker 2>became he became a fucking serial killer. Can we just

0:38:07.320 --> 0:38:08.840
<v Speaker 2>get this sonata?

0:38:08.880 --> 0:38:13.520
<v Speaker 3>He didn't just killed Ton down being in joem Wick three.

0:38:13.560 --> 0:38:15.920
<v Speaker 3>He turned down being in Joe Wick three, playing the

0:38:15.960 --> 0:38:18.480
<v Speaker 3>pole the monde caskis pop to be in the man

0:38:18.880 --> 0:38:21.719
<v Speaker 3>game and to get killed by serial killer. Hold on,

0:38:21.840 --> 0:38:24.520
<v Speaker 3>I will never forgive it. I will never forget. I hate.

0:38:25.960 --> 0:38:32.360
<v Speaker 2>Clint went country to country to country killing, murdering specifically,

0:38:32.760 --> 0:38:35.680
<v Speaker 2>look at what the fuck Clint?

0:38:35.760 --> 0:38:35.840
<v Speaker 1>What?

0:38:36.200 --> 0:38:39.560
<v Speaker 2>And then he's just like yeah, like again, it's this

0:38:39.640 --> 0:38:42.600
<v Speaker 2>show is gonna be really fun and it's but it is.

0:38:43.040 --> 0:38:45.480
<v Speaker 2>It is really funny to me how we just like

0:38:45.680 --> 0:38:51.360
<v Speaker 2>moved past Clint's time as a legitimate serial killer with.

0:38:51.480 --> 0:38:54.120
<v Speaker 3>The masma like a Ted Bundy level. This is like

0:38:54.560 --> 0:38:58.839
<v Speaker 3>hundreds of people that he's killing, and like I I

0:38:58.920 --> 0:39:02.799
<v Speaker 3>will never forgive that. I will never forget seeing her

0:39:02.880 --> 0:39:05.719
<v Speaker 3>Yuki Sonata, who's like maybe my favoritectory all time, but

0:39:05.760 --> 0:39:08.960
<v Speaker 3>definitely like up there on the Crton red carpet for

0:39:09.000 --> 0:39:10.400
<v Speaker 3>that movie. And they're like, what did you feel like

0:39:10.440 --> 0:39:12.000
<v Speaker 3>when they asked you said, who says no to a

0:39:12.040 --> 0:39:15.000
<v Speaker 3>Marvel movie? Like it's a Marvel movie. And they killed

0:39:15.040 --> 0:39:15.920
<v Speaker 3>him in like five minutes.

0:39:16.080 --> 0:39:18.799
<v Speaker 2>I'll you saw this at all?

0:39:18.880 --> 0:39:22.160
<v Speaker 3>Clint Clint as if sorry, that's never gonna happen festival

0:39:22.440 --> 0:39:25.840
<v Speaker 3>and like, I, yeah, this is my dream for this show.

0:39:26.040 --> 0:39:27.480
<v Speaker 3>I just want him to just like die in the

0:39:27.480 --> 0:39:29.960
<v Speaker 3>first episode. And then it's just like Kate Bishop and

0:39:29.960 --> 0:39:30.680
<v Speaker 3>a Lacqua Cox.

0:39:30.680 --> 0:39:32.040
<v Speaker 2>I't Bishop, I'm too old for that.

0:39:32.200 --> 0:39:35.160
<v Speaker 3>I'm like, I don't need to see my hope is

0:39:35.280 --> 0:39:38.040
<v Speaker 3>the one thing I thought was at least a bit good.

0:39:38.400 --> 0:39:40.160
<v Speaker 3>If you're not going to deal with that, which they

0:39:40.160 --> 0:39:40.440
<v Speaker 3>are not.

0:39:41.360 --> 0:39:43.040
<v Speaker 2>They're we're never gonna deal with it.

0:39:45.719 --> 0:39:46.640
<v Speaker 3>If you're not gonna do it.

0:39:46.640 --> 0:39:52.359
<v Speaker 2>But Clint killed like five hundred people, but whatever, Yeah,

0:39:52.360 --> 0:39:53.000
<v Speaker 2>it was a blurb.

0:39:53.040 --> 0:39:55.279
<v Speaker 3>It's fine, But you know what, I kind of like

0:39:55.360 --> 0:39:57.600
<v Speaker 3>that they're making him a ship dad. I'm like, if

0:39:57.640 --> 0:39:58.920
<v Speaker 3>that's all he's going, I don't want to have to

0:39:58.920 --> 0:40:01.279
<v Speaker 3>see him have some redemption whatever. It's like if he's

0:40:01.360 --> 0:40:03.840
<v Speaker 3>just letting down his family and then we don't have

0:40:03.880 --> 0:40:06.279
<v Speaker 3>to see him again after this and it can just

0:40:06.320 --> 0:40:09.320
<v Speaker 3>be Kate in the Young Avengers and a lacquise Echo

0:40:09.440 --> 0:40:12.919
<v Speaker 3>like cool, but I will never forget. I will never

0:40:13.000 --> 0:40:14.960
<v Speaker 3>forget what he did. And then when they bought the

0:40:15.040 --> 0:40:17.040
<v Speaker 3>roan In costume, because I think the rumor was that

0:40:17.120 --> 0:40:20.640
<v Speaker 3>like Echo would at some point take that one. The Kate.

0:40:22.360 --> 0:40:23.239
<v Speaker 2>I was like why.

0:40:23.480 --> 0:40:29.080
<v Speaker 3>I was like, Kate Bishop has iconic costumes contemporary Marvel history,

0:40:29.200 --> 0:40:32.120
<v Speaker 3>Like nobody needs to see that Ronan costume and remember

0:40:32.160 --> 0:40:35.040
<v Speaker 3>what he did? Like is she a serial killer fan girl?

0:40:35.120 --> 0:40:37.759
<v Speaker 4>Like when she said to him, She's like, I'm so

0:40:38.080 --> 0:40:39.880
<v Speaker 4>oh my god, you're climbot.

0:40:39.440 --> 0:40:41.759
<v Speaker 3>And like I remember when they released the description and

0:40:41.840 --> 0:40:46.080
<v Speaker 3>it was like Kate Bishop is like obsessed with Hawkwy,

0:40:46.160 --> 0:40:48.920
<v Speaker 3>I'm out of every Avenger like Pase.

0:40:48.719 --> 0:40:52.880
<v Speaker 2>You know that's never gonna happen. And one more, you know,

0:40:53.040 --> 0:40:55.040
<v Speaker 2>like I don't want to speak ill of the dead

0:40:55.320 --> 0:40:59.440
<v Speaker 2>and criticize the dead, but uh, Natasha did really just

0:40:59.520 --> 0:41:03.120
<v Speaker 2>stand there and not do anything? Nope, Well, Clint murdered

0:41:03.920 --> 0:41:05.160
<v Speaker 2>half a dozen guys.

0:41:05.560 --> 0:41:08.399
<v Speaker 3>Those two they were always off their bad vibes. Now

0:41:08.440 --> 0:41:12.040
<v Speaker 3>she's got fuck he did the wrong thing anyway, Like

0:41:12.360 --> 0:41:15.560
<v Speaker 3>in what world? In what? I don't even rate black widow.

0:41:15.560 --> 0:41:17.719
<v Speaker 3>I don't like him MC, I don't like that. Whole

0:41:17.719 --> 0:41:19.960
<v Speaker 3>thing is just not for me. But I was even

0:41:20.040 --> 0:41:22.360
<v Speaker 3>mad when she sacrificed herself. I was like, for this

0:41:22.600 --> 0:41:25.520
<v Speaker 3>serial killer, you're gonna let you would be better off

0:41:25.360 --> 0:41:28.200
<v Speaker 3>if you care about his family. Let him go off

0:41:28.200 --> 0:41:30.440
<v Speaker 3>the edge, and then he's not gonna kill his family

0:41:30.440 --> 0:41:32.760
<v Speaker 3>because honestly, you don't know that that's not gonna happen.

0:41:33.400 --> 0:41:35.680
<v Speaker 3>Like this guy just killed so many What if his

0:41:36.200 --> 0:41:38.279
<v Speaker 3>daughter smokes some weed one time? Is he gonna kill

0:41:38.280 --> 0:41:40.839
<v Speaker 3>her because she's a criminal like this guy.

0:41:42.239 --> 0:41:45.680
<v Speaker 2>Florence Pugh is confirmed in this, not in the trailer,

0:41:45.719 --> 0:41:49.280
<v Speaker 2>but we're gonna see this. We're gonna see her as Yelena.

0:41:50.280 --> 0:41:52.680
<v Speaker 2>So for those of you who are like, Yelene is

0:41:52.960 --> 0:41:56.080
<v Speaker 2>the better and less murderous Natasha, although we don't know

0:41:56.080 --> 0:41:58.719
<v Speaker 2>the murders that she's carried out, but she's under mind controlling. Yeah,

0:41:58.719 --> 0:42:03.040
<v Speaker 2>she's cool, you will be uh. One thing that absolutely

0:42:03.080 --> 0:42:07.279
<v Speaker 2>delighted me was Rogers the musical. Like I tweeted a

0:42:07.320 --> 0:42:10.040
<v Speaker 2>bunch of song names. Let me just quickly pull them

0:42:10.120 --> 0:42:14.200
<v Speaker 2>up from my version of Rogers the Musical. I think

0:42:14.239 --> 0:42:17.759
<v Speaker 2>we opened with just a kid from Brooklyn obviously. Then

0:42:17.800 --> 0:42:23.920
<v Speaker 2>we go the flagpole g Captain Phillips, my shot, Steve's

0:42:23.920 --> 0:42:27.760
<v Speaker 2>not thrown away his shot of super Soldier Serum, star

0:42:27.800 --> 0:42:30.000
<v Speaker 2>Spangled Man with a Plan. We get the reprise of

0:42:30.040 --> 0:42:31.800
<v Speaker 2>Star Spangled Man with a Plan, which is kind of

0:42:31.920 --> 0:42:35.000
<v Speaker 2>like the part where Steve's like, oh, is this all

0:42:35.040 --> 0:42:39.160
<v Speaker 2>there is to this? Heidi, Heidi ho Hydra till the

0:42:39.239 --> 0:42:41.919
<v Speaker 2>end of the line and our dance after all this time,

0:42:42.000 --> 0:42:44.799
<v Speaker 2>the sacrifice play, and then finally you're getting sleepy. I

0:42:44.800 --> 0:42:46.520
<v Speaker 2>could do this all day, and then we get a

0:42:47.520 --> 0:42:50.680
<v Speaker 2>uh till the end of the line reprise at the end.

0:42:50.920 --> 0:42:52.480
<v Speaker 2>That's my That's what I think.

0:42:52.600 --> 0:42:56.120
<v Speaker 3>That up writing on a Marvel TV show, And I

0:42:56.160 --> 0:42:58.279
<v Speaker 3>will forever just be sitting hell of about stuff because

0:42:58.280 --> 0:43:02.920
<v Speaker 3>literally I came up with I was like, that's America's ass.

0:43:03.160 --> 0:43:08.280
<v Speaker 2>I was like, that's the America's ass. America's ass feels

0:43:08.360 --> 0:43:12.480
<v Speaker 2>like so you know how in Greece the Broadway. So

0:43:13.520 --> 0:43:16.239
<v Speaker 2>the end song in Grease the movie I Got You

0:43:17.120 --> 0:43:20.840
<v Speaker 2>that was written, that was written for the movie and

0:43:20.920 --> 0:43:26.080
<v Speaker 2>as a kind of band slash drama kid nerd. I

0:43:26.160 --> 0:43:29.560
<v Speaker 2>played in the bands that backed the plays at school.

0:43:30.520 --> 0:43:34.120
<v Speaker 2>We were all really pissed because you couldn't play the

0:43:34.200 --> 0:43:37.160
<v Speaker 2>song because they didn't include it with the because they

0:43:37.160 --> 0:43:39.120
<v Speaker 2>read it. They wrote it directly for the for the movie.

0:43:39.160 --> 0:43:41.360
<v Speaker 2>So the rights, there's a whole rights issue, and basically

0:43:41.400 --> 0:43:43.520
<v Speaker 2>you can only play the music from the Broadway play.

0:43:44.120 --> 0:43:46.160
<v Speaker 2>I think that that's what happens with Rogers the Musical.

0:43:46.360 --> 0:43:50.319
<v Speaker 2>I think when they adapt Rogers the Musical for the

0:43:50.360 --> 0:43:54.880
<v Speaker 2>film version in the MCU, they will have America's ass

0:43:55.000 --> 0:43:58.480
<v Speaker 2>Like as the end song, the big Like number, but

0:43:58.600 --> 0:44:00.919
<v Speaker 2>it won't be part of of Rogers the music.

0:44:01.080 --> 0:44:06.880
<v Speaker 3>It's a serious, light Broadway musical. Of course, there's emotions

0:44:06.880 --> 0:44:07.440
<v Speaker 3>to be had there.

0:44:07.600 --> 0:44:12.080
<v Speaker 2>Yes, and the next up. The first three episodes of

0:44:12.160 --> 0:44:15.080
<v Speaker 2>Why the Last Man have dropped on the internet. You

0:44:15.080 --> 0:44:20.239
<v Speaker 2>can watch them on Hulu through FX and These are

0:44:20.239 --> 0:44:26.640
<v Speaker 2>adapted from the well regarded and critically acclaimed comics from Vertigo,

0:44:26.920 --> 0:44:31.719
<v Speaker 2>written by Brian Kavon with art by Piagara. I have

0:44:31.800 --> 0:44:34.440
<v Speaker 2>watched the first three episodes. I've watched the first six episodes.

0:44:35.000 --> 0:44:36.520
<v Speaker 2>What do you think Rosie.

0:44:36.560 --> 0:44:40.240
<v Speaker 3>It did not answer my biggest question about this show sure,

0:44:40.360 --> 0:44:43.920
<v Speaker 3>which is should you have made this show? Does this

0:44:43.960 --> 0:44:46.719
<v Speaker 3>show need to exist in twenty twenty one. I don't

0:44:46.760 --> 0:44:49.879
<v Speaker 3>feel like that is what I saw that that would

0:44:49.920 --> 0:44:54.320
<v Speaker 3>be my ye. I feel like it's a very well

0:44:54.360 --> 0:44:55.840
<v Speaker 3>made show.

0:44:56.600 --> 0:44:57.640
<v Speaker 2>But it looks great.

0:44:57.680 --> 0:44:59.120
<v Speaker 3>It looks great, but you know what the truth is

0:44:59.160 --> 0:45:01.280
<v Speaker 3>when I think about Why the Last Man, which obviously

0:45:01.360 --> 0:45:05.760
<v Speaker 3>was like such an iconic book for people like our age,

0:45:05.760 --> 0:45:07.399
<v Speaker 3>people a bit older than us, people a bit younger

0:45:07.440 --> 0:45:09.600
<v Speaker 3>than us, that was like the Vertigo book, that is

0:45:09.640 --> 0:45:12.719
<v Speaker 3>like the When I think about that, even the esthetically

0:45:12.880 --> 0:45:15.000
<v Speaker 3>like I think of like Peers R. And I think

0:45:15.040 --> 0:45:17.160
<v Speaker 3>of like the Colors, and it has that comic book

0:45:17.200 --> 0:45:21.320
<v Speaker 3>feel to me. The biggest immediate issue of Disconnected is

0:45:21.360 --> 0:45:23.560
<v Speaker 3>it just feels like The Walking Dead And I understand

0:45:23.600 --> 0:45:26.040
<v Speaker 3>why you do that because The Walking Dead is so popular,

0:45:26.400 --> 0:45:30.480
<v Speaker 3>but that gritty dark even the setup, the way they

0:45:30.600 --> 0:45:32.760
<v Speaker 3>changed it kind of gives it more of that vibe.

0:45:33.560 --> 0:45:37.239
<v Speaker 3>It's not a show that excited me in the way

0:45:37.239 --> 0:45:40.040
<v Speaker 3>that I hoped it would. But again, I do feel

0:45:40.040 --> 0:45:43.680
<v Speaker 3>like for this show to work now, it has to

0:45:43.680 --> 0:45:48.840
<v Speaker 3>be an almost like Watchmen level reconsideration of what it means,

0:45:49.600 --> 0:45:53.120
<v Speaker 3>what you're really dealing with, rather than just like another

0:45:53.239 --> 0:45:56.719
<v Speaker 3>apocalyptic show. And that, for me is is kind of

0:45:56.719 --> 0:45:57.200
<v Speaker 3>what I got.

0:45:57.280 --> 0:46:00.319
<v Speaker 2>I think that's really well said, because my end shoal

0:46:00.360 --> 0:46:05.360
<v Speaker 2>reaction is this is too much of what is actually

0:46:05.360 --> 0:46:08.680
<v Speaker 2>going on, right, you know, it's about a plague that

0:46:10.600 --> 0:46:15.879
<v Speaker 2>kills every holder of the Y chromosome. All men die,

0:46:16.239 --> 0:46:21.959
<v Speaker 2>all male animals die, like wiped out, and the only

0:46:22.000 --> 0:46:26.600
<v Speaker 2>survivor from the men is this character York and his

0:46:26.880 --> 0:46:30.200
<v Speaker 2>monkey Ampersand and what happens now? What happens to the world,

0:46:30.200 --> 0:46:32.120
<v Speaker 2>How does America carry on? How does the world carry out?

0:46:32.680 --> 0:46:36.239
<v Speaker 2>It was a little and what are the political ramifications

0:46:36.239 --> 0:46:40.480
<v Speaker 2>of that? It felt so present that it felt like, Man,

0:46:40.520 --> 0:46:42.400
<v Speaker 2>if I want to catch this fibe, I'll just watch

0:46:42.640 --> 0:46:44.960
<v Speaker 2>the news. Also, I think one of the things that

0:46:45.080 --> 0:46:48.840
<v Speaker 2>like kind of bumped me in the comics, there's a

0:46:48.960 --> 0:46:53.160
<v Speaker 2>level of emotional sustain that makes sense for that medium.

0:46:53.600 --> 0:46:56.920
<v Speaker 2>What I mean by that is Yorick is confronted with

0:46:57.200 --> 0:47:00.840
<v Speaker 2>this massive death, incredible loss. He might see someone's brain's

0:47:00.880 --> 0:47:03.200
<v Speaker 2>blown out right in front of him, someone dies in

0:47:03.239 --> 0:47:06.680
<v Speaker 2>his arms two panels later, a page later, If that

0:47:07.200 --> 0:47:10.120
<v Speaker 2>if he if that energy seems to have faded away,

0:47:10.360 --> 0:47:13.560
<v Speaker 2>we don't think about that because it's a comic. Uh,

0:47:13.600 --> 0:47:15.799
<v Speaker 2>it makes sense that the characters would have moved on

0:47:17.239 --> 0:47:20.240
<v Speaker 2>in the context of this show. It's hard to escape

0:47:20.239 --> 0:47:21.800
<v Speaker 2>that Yorick is just an asshole.

0:47:21.880 --> 0:47:23.120
<v Speaker 3>Oh, like this sucks.

0:47:23.200 --> 0:47:28.359
<v Speaker 2>He's absolute west it And it's really every time he's

0:47:28.400 --> 0:47:31.480
<v Speaker 2>on the screen, I'm like, this fucking guy. It's like, listen,

0:47:31.520 --> 0:47:34.319
<v Speaker 2>everybody has died and you're like, I need to find

0:47:34.320 --> 0:47:38.240
<v Speaker 2>my girlfriend, and like I'm complaining about shit. It's like, dude,

0:47:38.560 --> 0:47:41.520
<v Speaker 2>you have no responsibilities. Your mom's trying to run the country,

0:47:41.880 --> 0:47:44.560
<v Speaker 2>Like what are you and you're sitting here complaining about

0:47:44.640 --> 0:47:47.200
<v Speaker 2>like like your life and stuff like this is so

0:47:47.280 --> 0:47:49.360
<v Speaker 2>out of touch. And in the comics that kind of

0:47:49.400 --> 0:47:52.759
<v Speaker 2>made sense, and there was like a quippiness and a

0:47:52.960 --> 0:47:57.520
<v Speaker 2>and a breeziness to the horror that to the horror

0:47:57.600 --> 0:48:00.080
<v Speaker 2>of the cond of what was going on in the

0:48:00.239 --> 0:48:03.640
<v Speaker 2>in the world that felt right for a comic book

0:48:03.640 --> 0:48:07.719
<v Speaker 2>and made it and created the kind of tone that

0:48:07.840 --> 0:48:12.480
<v Speaker 2>made it a critically acclaimed book. Taking that directly to

0:48:12.840 --> 0:48:17.160
<v Speaker 2>live action, it's really hard man, And again, this guy

0:48:17.280 --> 0:48:18.880
<v Speaker 2>is uric, just fucking sucks.

0:48:19.040 --> 0:48:20.920
<v Speaker 3>He sucks, And I think that the other thing is, like,

0:48:21.960 --> 0:48:24.840
<v Speaker 3>so something really important to point out right, is like,

0:48:25.480 --> 0:48:29.200
<v Speaker 3>so every like cis man dies, right, but that also

0:48:29.280 --> 0:48:31.919
<v Speaker 3>means that a bunch of trans women die, and there's

0:48:31.960 --> 0:48:34.560
<v Speaker 3>all these different The way that we talk about gender

0:48:34.600 --> 0:48:36.319
<v Speaker 3>and explore gender has changed so much, and in the

0:48:36.360 --> 0:48:38.799
<v Speaker 3>original comics that's like one of its biggest flaws when

0:48:38.840 --> 0:48:42.640
<v Speaker 3>you read it back, is it has it's very sensationalist

0:48:42.760 --> 0:48:46.400
<v Speaker 3>and like tropy around ideas of different gender, different ideas

0:48:46.400 --> 0:48:49.800
<v Speaker 3>of gender and the way that people would be affected

0:48:49.800 --> 0:48:53.040
<v Speaker 3>by this y chromosome. So it's very bio essentialist whatever bullshit.

0:48:53.400 --> 0:48:57.680
<v Speaker 3>But like, I don't feel like there's still something about

0:48:57.719 --> 0:49:00.000
<v Speaker 3>the original version of Euorp that feels kind of like,

0:49:00.440 --> 0:49:02.160
<v Speaker 3>I don't know, maybe it was the era of the time,

0:49:02.520 --> 0:49:06.080
<v Speaker 3>but him being a jerk it kind of fits. You're like,

0:49:06.160 --> 0:49:10.279
<v Speaker 3>he's this unlikable, like he sucks, he's just this average guy.

0:49:10.800 --> 0:49:14.240
<v Speaker 3>But twenty years later, when those guys are like ruling

0:49:14.280 --> 0:49:16.360
<v Speaker 3>the country and every story is still about them, it

0:49:16.360 --> 0:49:19.000
<v Speaker 3>doesn't feel that way. It's like, I don't I understand

0:49:19.040 --> 0:49:22.879
<v Speaker 3>now why they were thinking of casting Barry keone who

0:49:22.960 --> 0:49:26.200
<v Speaker 3>from because he's a creepy, good, weird actor.

0:49:26.239 --> 0:49:29.359
<v Speaker 4>And when I saw that, I was like, Oh, I

0:49:29.400 --> 0:49:31.560
<v Speaker 4>was like, if you're gonna do yorick, but you know,

0:49:31.719 --> 0:49:34.720
<v Speaker 4>Yorick sucks, and like we are left in this position

0:49:34.760 --> 0:49:37.880
<v Speaker 4>where the last CIS guy on earth?

0:49:38.239 --> 0:49:43.000
<v Speaker 3>Is this just the worst dude who's so ungrateful for

0:49:43.040 --> 0:49:44.600
<v Speaker 3>it and you are knowledgeable about it. I was like,

0:49:44.680 --> 0:49:49.080
<v Speaker 3>that's interesting. But instead they cast they recast hunky Yorick,

0:49:49.239 --> 0:49:51.600
<v Speaker 3>and you're meant to care about him, and he sucks.

0:49:51.600 --> 0:49:53.759
<v Speaker 3>He's not even a good escape artist, which doesn't make

0:49:53.760 --> 0:49:55.960
<v Speaker 3>any sense because he's him being an escape artist is

0:49:56.000 --> 0:49:57.640
<v Speaker 3>important to the story going on.

0:49:57.880 --> 0:50:01.240
<v Speaker 2>I agree that would have been really to your earlier

0:50:01.239 --> 0:50:04.879
<v Speaker 2>point about like taking it to a Watchman level where

0:50:04.920 --> 0:50:07.800
<v Speaker 2>you're making a different kind of commentary on the world.

0:50:07.840 --> 0:50:12.080
<v Speaker 2>Now m m, that would have been really interesting, and

0:50:12.120 --> 0:50:16.520
<v Speaker 2>maybe that happens like a kind of subversive take on

0:50:17.160 --> 0:50:20.439
<v Speaker 2>this regular Cis white guy. He's the last one left,

0:50:20.480 --> 0:50:23.520
<v Speaker 2>and he's not up to it. He's not up to

0:50:23.760 --> 0:50:27.759
<v Speaker 2>any of the challenges of the world. He's not up

0:50:27.760 --> 0:50:30.760
<v Speaker 2>to the responsibility. He's trying to shirk it and doesn't

0:50:30.760 --> 0:50:33.920
<v Speaker 2>this suck? Yeah, this is him and this is an

0:50:33.960 --> 0:50:37.640
<v Speaker 2>average guy like this is this is We're surrounded by

0:50:37.640 --> 0:50:40.880
<v Speaker 2>these guys in our current life, and I think that

0:50:40.880 --> 0:50:43.480
<v Speaker 2>that would have been cool and subversive. It's but I

0:50:43.480 --> 0:50:45.319
<v Speaker 2>agree with you, they're not. That's not what they're doing.

0:50:45.400 --> 0:50:47.840
<v Speaker 3>They do or and he they want him to be

0:50:47.880 --> 0:50:50.239
<v Speaker 3>the next Rick Grimes or whatever, and he's just some

0:50:50.320 --> 0:50:52.120
<v Speaker 3>guy like and I will say, the one thing I

0:50:52.200 --> 0:50:54.640
<v Speaker 3>think is really good about the show by a mile

0:50:54.880 --> 0:50:58.080
<v Speaker 3>is Ashley Romans as three five the agent.

0:50:58.520 --> 0:51:02.120
<v Speaker 2>He is great. She needs to be the.

0:51:01.680 --> 0:51:04.759
<v Speaker 3>Protagonist, Like she's the best character in the comics. She's

0:51:05.000 --> 0:51:08.080
<v Speaker 3>the best character in the show. I really didn't like

0:51:08.920 --> 0:51:12.400
<v Speaker 3>what they did with hero who in the comics is

0:51:12.520 --> 0:51:16.160
<v Speaker 3>that's your sister. She is this complex, she's an EMT.

0:51:16.360 --> 0:51:18.360
<v Speaker 3>She struggles with addictions, trying to get her life together.

0:51:18.480 --> 0:51:21.040
<v Speaker 3>In this they randomly made it where she like murdered

0:51:21.080 --> 0:51:24.520
<v Speaker 3>her lover before everyone died, and then they were like,

0:51:24.520 --> 0:51:26.480
<v Speaker 3>and now she's gonna have to live with the guilt,

0:51:26.680 --> 0:51:30.399
<v Speaker 3>And I was like, why, Like one, if she murdered him,

0:51:30.600 --> 0:51:32.359
<v Speaker 3>then what about we just get to see her being

0:51:32.480 --> 0:51:34.920
<v Speaker 3>so stoked that she got away with it because nobody cares.

0:51:35.000 --> 0:51:37.320
<v Speaker 3>I would be interested to see that and two why

0:51:37.360 --> 0:51:39.120
<v Speaker 3>did she have to murder him at all? Like, I

0:51:39.440 --> 0:51:40.839
<v Speaker 3>don't get it. I didn't get it.

0:51:40.960 --> 0:51:44.680
<v Speaker 2>I guess that's the uh setup for her eventually joining

0:51:44.680 --> 0:51:48.279
<v Speaker 2>the Amazons. But like listen, just as a structural thing,

0:51:49.000 --> 0:51:52.000
<v Speaker 2>they released the first three episodes, which to me is

0:51:52.040 --> 0:51:56.320
<v Speaker 2>like a red flag because it says, hey, this should

0:51:56.320 --> 0:52:00.160
<v Speaker 2>really be one episode. What what a single episode of

0:52:00.200 --> 0:52:02.640
<v Speaker 2>the show should do, which is launch you forward into

0:52:02.680 --> 0:52:05.000
<v Speaker 2>the story and want and leave you wanting more and

0:52:05.000 --> 0:52:08.360
<v Speaker 2>wanting to know what happens. It's actually three episodes that

0:52:08.440 --> 0:52:10.759
<v Speaker 2>does that do that, And you know, the first few

0:52:10.760 --> 0:52:13.040
<v Speaker 2>episodes it feels like kind of nothing happens for a

0:52:13.080 --> 0:52:16.240
<v Speaker 2>long time. It's just like introduction, introduction and the introduction

0:52:16.280 --> 0:52:20.120
<v Speaker 2>of hero in much the same way. It's like, so

0:52:20.200 --> 0:52:22.080
<v Speaker 2>we go to that, we have her commit the murder,

0:52:22.120 --> 0:52:25.120
<v Speaker 2>and then we just that just goes away, like we know,

0:52:25.239 --> 0:52:26.959
<v Speaker 2>we don't come back to that. I guess we're gonna

0:52:26.960 --> 0:52:29.560
<v Speaker 2>meet her eventually when she has fallen in with the Amazons.

0:52:29.600 --> 0:52:35.360
<v Speaker 2>But like, it just feels like, what happens in episode

0:52:35.360 --> 0:52:38.919
<v Speaker 2>three that should be episode one, Like that should that's

0:52:38.920 --> 0:52:41.439
<v Speaker 2>how the story should start. It just is a lot

0:52:41.440 --> 0:52:45.040
<v Speaker 2>of set up and I'll say this, and this is

0:52:45.040 --> 0:52:48.040
<v Speaker 2>a spoiler. So for those of you who have not

0:52:48.120 --> 0:52:51.360
<v Speaker 2>read the comics and are going to do it, maybe

0:52:51.400 --> 0:52:55.279
<v Speaker 2>pause or something. But if they pull off a three

0:52:55.400 --> 0:52:59.839
<v Speaker 2>five five uric romance in this show, it is going

0:52:59.840 --> 0:53:03.800
<v Speaker 2>to be one of the greatest accomploicies in storytelling history.

0:53:04.000 --> 0:53:06.920
<v Speaker 2>Because York is such a piece of shit that I

0:53:07.120 --> 0:53:11.319
<v Speaker 2>just can't see it being believable. Yes, he is the

0:53:11.400 --> 0:53:14.839
<v Speaker 2>last literally the last guy on earth, but like every

0:53:14.880 --> 0:53:17.520
<v Speaker 2>time he opens his mouth, you're like, dude, shut up

0:53:17.960 --> 0:53:20.759
<v Speaker 2>and please put a fucking leash on your monkey. Like

0:53:20.800 --> 0:53:23.359
<v Speaker 2>that's the That's the other thing on my read. Is

0:53:25.000 --> 0:53:27.400
<v Speaker 2>it really hit at the time? Like that comic again

0:53:27.520 --> 0:53:29.279
<v Speaker 2>in the post nine to eleven era, it was like

0:53:30.480 --> 0:53:33.960
<v Speaker 2>it was white like why the Last Man? Uh, Scott

0:53:34.000 --> 0:53:38.839
<v Speaker 2>Pilgrim and the Walking Dead were like the critically acclaimed

0:53:40.040 --> 0:53:43.160
<v Speaker 2>comic series that like you just had to read, but

0:53:43.320 --> 0:53:46.280
<v Speaker 2>like looking back on it after the third or fourth

0:53:46.640 --> 0:53:50.560
<v Speaker 2>ampersand Escape, put a fucking leash on the monkey, tie

0:53:50.600 --> 0:53:53.760
<v Speaker 2>a rope around the monkey. Why are you constantly letting

0:53:53.800 --> 0:53:56.239
<v Speaker 2>this monkey escape? Anyway?

0:53:57.000 --> 0:54:00.920
<v Speaker 3>Yorick sucks And like I don't know. I I was

0:54:01.040 --> 0:54:05.040
<v Speaker 3>like hope for the show. It's not for me basically,

0:54:05.120 --> 0:54:07.200
<v Speaker 3>and maybe there's someone out there who's going to be

0:54:07.280 --> 0:54:12.160
<v Speaker 3>like really interested in this deep like political kind of

0:54:12.360 --> 0:54:15.160
<v Speaker 3>plot lines they put in. But it's very American centric,

0:54:15.160 --> 0:54:17.040
<v Speaker 3>which I understand on a budget level, but it's also

0:54:17.120 --> 0:54:20.920
<v Speaker 3>very different from the comic. And yeah, I just I'll

0:54:20.960 --> 0:54:24.040
<v Speaker 3>be interested. Hopefully they'll maybe do some really subversive stuff.

0:54:24.080 --> 0:54:25.920
<v Speaker 3>I think they really wanted to plan for it to

0:54:25.960 --> 0:54:28.160
<v Speaker 3>be five seasons, so there's a lot of time to

0:54:28.840 --> 0:54:32.319
<v Speaker 3>explore that. But yuric sucks and like you said, there's

0:54:32.320 --> 0:54:34.640
<v Speaker 3>a real plague, So no, thank you.

0:54:35.520 --> 0:54:40.680
<v Speaker 2>It's very rude. But listen, uh, I didn't love The

0:54:40.719 --> 0:54:43.839
<v Speaker 2>Walking Dad either. It wasn't for me that but it

0:54:43.880 --> 0:54:46.520
<v Speaker 2>wasn't for me, but like, who knows, maybe it finds

0:54:46.560 --> 0:54:48.399
<v Speaker 2>an audience in the same way that The walk found

0:54:48.400 --> 0:54:49.600
<v Speaker 2>a massive eyes I do.

0:54:49.800 --> 0:54:52.120
<v Speaker 3>I do have a Walking Dead dream though, which is like,

0:54:52.520 --> 0:54:54.680
<v Speaker 3>so okay, so I don't. I don't really like the

0:54:54.680 --> 0:54:58.600
<v Speaker 3>Walking Dead show. It's not for me. But when Robert

0:54:58.680 --> 0:55:02.040
<v Speaker 3>how Robert Kirkman got The Walking Dead picked up by Image,

0:55:02.480 --> 0:55:04.440
<v Speaker 3>he was like driving one of the founders around and

0:55:04.480 --> 0:55:06.239
<v Speaker 3>he was pitching them this comic and it was a

0:55:06.280 --> 0:55:07.880
<v Speaker 3>zombie comic, and they were like, no, we don't want

0:55:07.920 --> 0:55:11.120
<v Speaker 3>a zombie comic. So he told them the twist was

0:55:11.719 --> 0:55:15.160
<v Speaker 3>it was actually an alien invasion comic and that the

0:55:15.200 --> 0:55:18.480
<v Speaker 3>aliens were the ones who put the zombies there. And

0:55:18.520 --> 0:55:20.160
<v Speaker 3>then like he puts out the book and the book

0:55:20.200 --> 0:55:22.400
<v Speaker 3>starts coming out and they're like, where are the Aliens?

0:55:22.400 --> 0:55:24.160
<v Speaker 3>And he's like, it's coming. And then the book gets

0:55:24.160 --> 0:55:26.080
<v Speaker 3>so successful they just forgot about it and it was

0:55:26.160 --> 0:55:28.040
<v Speaker 3>just a straight up lie. But now it's the final

0:55:28.080 --> 0:55:29.800
<v Speaker 3>season of The Walking Dead. I'm like, if you actually

0:55:29.800 --> 0:55:31.920
<v Speaker 3>want to make me a fan, just say it was aliens.

0:55:33.760 --> 0:55:36.840
<v Speaker 2>It's like, well, I mean to your point about this

0:55:36.920 --> 0:55:38.640
<v Speaker 2>being like The Walking Dead, you know, one of the

0:55:39.080 --> 0:55:41.200
<v Speaker 2>kind of central mysteries of Why the Last Man is

0:55:41.239 --> 0:55:44.640
<v Speaker 2>like why did this play start? Much like that? And

0:55:44.800 --> 0:55:48.279
<v Speaker 2>much like The Walking Dead, we never really get there,

0:55:48.480 --> 0:55:52.120
<v Speaker 2>like it's it's not about that, it's about journey the

0:55:52.120 --> 0:55:56.120
<v Speaker 2>world after this happened. So is that satisfying to people

0:55:56.160 --> 0:55:58.560
<v Speaker 2>in the same way that like we never find out

0:55:58.640 --> 0:56:01.000
<v Speaker 2>like what what caused the zon Bobbie plague? And in

0:56:01.080 --> 0:56:03.960
<v Speaker 2>The Walking Dead? I don't know, but I wish everyone

0:56:04.000 --> 0:56:06.080
<v Speaker 2>in the best of luck because it does. It looks great,

0:56:06.120 --> 0:56:09.560
<v Speaker 2>the performances are very good. It just thus far was

0:56:09.600 --> 0:56:11.640
<v Speaker 2>not for me. When we come back, Rosie and I,

0:56:11.640 --> 0:56:25.719
<v Speaker 2>we'd be diving into Marvel's what If. Okay, welcome to

0:56:25.760 --> 0:56:29.640
<v Speaker 2>the airlock. Today we are going to talk about we're

0:56:29.640 --> 0:56:31.440
<v Speaker 2>going to look forward to what If. This is kind

0:56:31.440 --> 0:56:33.080
<v Speaker 2>of going to come out on a Wednesday, so we're

0:56:33.120 --> 0:56:39.560
<v Speaker 2>going to miss, unfortunately, the what if kill Monger save

0:56:39.719 --> 0:56:43.200
<v Speaker 2>Tony Stark episode, which which is what we expect to

0:56:43.239 --> 0:56:47.560
<v Speaker 2>be that episode. But let's talk about what if. Let's

0:56:47.600 --> 0:56:50.080
<v Speaker 2>talk about the previous episodes, some of the comics stuff,

0:56:50.120 --> 0:56:53.520
<v Speaker 2>and then let's take a look forward into what appears

0:56:53.560 --> 0:56:58.360
<v Speaker 2>to be based off the trailer that recently dropped, what

0:56:58.520 --> 0:57:04.240
<v Speaker 2>appears to be a team up close to this season.

0:57:06.280 --> 0:57:09.359
<v Speaker 2>Super super fun, super exciting. Of course, let's quickly run

0:57:09.400 --> 0:57:12.120
<v Speaker 2>through the episodes. Episodes one, what if Captain Carter were

0:57:12.120 --> 0:57:17.560
<v Speaker 2>the first Avenger? We introduced Shuma Gorerath into XCU continuity,

0:57:18.920 --> 0:57:22.720
<v Speaker 2>What if the Challah became star Lord? Episode two? Super

0:57:22.760 --> 0:57:26.280
<v Speaker 2>fun episode, Yeah, maybe my favorite of the early run.

0:57:26.680 --> 0:57:29.960
<v Speaker 2>Episode three, what If the World Lost its Mightiest Heroes?

0:57:30.520 --> 0:57:34.080
<v Speaker 2>In which Hank him always an asshole in the MCU

0:57:34.160 --> 0:57:38.680
<v Speaker 2>and obviously a troubled figure in Marvel Comics canon. He

0:57:38.840 --> 0:57:43.800
<v Speaker 2>just kind of goes ronan serial killer and decides to

0:57:43.880 --> 0:57:46.040
<v Speaker 2>kill all the heroes before they can join up as

0:57:46.080 --> 0:57:48.920
<v Speaker 2>the Avengers. Episode four, what if Doctor Strange lost his

0:57:48.960 --> 0:57:51.560
<v Speaker 2>heart instead of his hands, we get an evil Doctor Strange,

0:57:51.560 --> 0:57:57.560
<v Speaker 2>corrupted Doctor Strange in the in the vernacular of the MCU.

0:57:57.800 --> 0:58:01.520
<v Speaker 2>Episode five, What if Zombies, which I was waiting for,

0:58:01.680 --> 0:58:05.520
<v Speaker 2>super fun. Okay, let's pause here for a second. I

0:58:05.600 --> 0:58:10.240
<v Speaker 2>really like this. I really liked this episode. Hope's sacrifice

0:58:11.160 --> 0:58:15.640
<v Speaker 2>hit me. That was really cool. I don't think Stark's

0:58:15.760 --> 0:58:18.640
<v Speaker 2>armor responds to zombie Stark, Like, I don't think it

0:58:18.680 --> 0:58:19.120
<v Speaker 2>would work.

0:58:19.440 --> 0:58:21.760
<v Speaker 3>I think that's this is my biggest This is my

0:58:21.800 --> 0:58:25.840
<v Speaker 3>biggest problem with the episode. Right, I feel like, rather

0:58:25.880 --> 0:58:28.040
<v Speaker 3>than and it's thirty minute episode, I get it, but

0:58:28.080 --> 0:58:32.640
<v Speaker 3>I feel like, rather than doing a zombie story that

0:58:32.720 --> 0:58:35.680
<v Speaker 3>fits into what we love about zombie stories, which is sacrifice,

0:58:35.760 --> 0:58:39.560
<v Speaker 3>emotional loss. Somebody was like, but what if a zombie

0:58:39.640 --> 0:58:42.600
<v Speaker 3>had Tony Starks armor and like Hulk's powers or whatever,

0:58:42.840 --> 0:58:45.600
<v Speaker 3>Like it's a cool idea to have superhero zombies. But

0:58:45.640 --> 0:58:49.400
<v Speaker 3>I don't think that the suit would do that, and

0:58:49.480 --> 0:58:53.360
<v Speaker 3>I don't necessarily like it's a cool action piece. And

0:58:53.400 --> 0:58:55.040
<v Speaker 3>I kind of in that way, I kind of really

0:58:55.400 --> 0:58:58.240
<v Speaker 3>respect the vibe of like just doing like thirty minutes

0:58:58.240 --> 0:59:01.360
<v Speaker 3>of just pure horror action. There's just choices that I

0:59:01.400 --> 0:59:04.240
<v Speaker 3>do not believe that Bucky could just like kill Steve

0:59:04.280 --> 0:59:06.600
<v Speaker 3>and it wouldn't be a thing like that. I know.

0:59:06.680 --> 0:59:08.040
<v Speaker 3>That was very unbelievable.

0:59:08.200 --> 0:59:12.440
<v Speaker 2>Unbelievable that was that was very like we're in the

0:59:12.480 --> 0:59:15.800
<v Speaker 2>animated world, and therefore we're going to modulate down like

0:59:15.840 --> 0:59:19.080
<v Speaker 2>the emotional exactly, because he definitely was like I should

0:59:19.400 --> 0:59:21.400
<v Speaker 2>what does he say something like I should feel something?

0:59:21.440 --> 0:59:26.600
<v Speaker 3>Yeah? But and Cap and he's like peace, like cool uh,

0:59:27.520 --> 0:59:30.720
<v Speaker 3>And like I don't. I don't love like I feel

0:59:30.720 --> 0:59:32.360
<v Speaker 3>like I get that you want to have stuff from

0:59:32.360 --> 0:59:35.280
<v Speaker 3>the comics, but like I didn't need to see to'challa

0:59:35.400 --> 0:59:38.360
<v Speaker 3>be the one getting zombie munched one again, like we've

0:59:38.400 --> 0:59:40.240
<v Speaker 3>seen that happen to him in the comics. They could

0:59:40.240 --> 0:59:42.480
<v Speaker 3>have changed it. It wasn't. I didn't love it. But you

0:59:42.520 --> 0:59:45.720
<v Speaker 3>know what, wondering vision they deserve each other that we've

0:59:45.800 --> 0:59:50.240
<v Speaker 3>learned now from this episode. Wonderful those two are.

0:59:50.240 --> 0:59:53.240
<v Speaker 2>I will say, so this is an important thing. I

0:59:53.280 --> 0:59:56.800
<v Speaker 2>think that does set up Multiverse of Madness and Phase

0:59:56.800 --> 0:59:59.960
<v Speaker 2>four in general, which is as we saw from Wandavis.

1:00:01.600 --> 1:00:05.600
<v Speaker 2>It certainly seems as if we are pivoting towards a

1:00:05.680 --> 1:00:13.120
<v Speaker 2>Wanda who is either a flat out villain or is

1:00:13.480 --> 1:00:17.240
<v Speaker 2>the Shades of Gray character much like in the comics,

1:00:17.600 --> 1:00:22.920
<v Speaker 2>whose power level makes her either a villain or a

1:00:23.040 --> 1:00:27.840
<v Speaker 2>hero depending on circumstances. And that is, on the one

1:00:27.840 --> 1:00:32.360
<v Speaker 2>hand's super interesting and also, like, I guess they're just

1:00:32.400 --> 1:00:34.480
<v Speaker 2>turning her into Jean Gray in a weird way. But like,

1:00:34.520 --> 1:00:36.840
<v Speaker 2>I know that is how it is.

1:00:36.880 --> 1:00:38.800
<v Speaker 3>You know that that is what? Yeah, I mean, even

1:00:38.840 --> 1:00:42.320
<v Speaker 3>the power set the way that it's represented here, I mean, yeah, that.

1:00:42.360 --> 1:00:44.920
<v Speaker 2>Is an interesting thing to note as we go forward,

1:00:45.160 --> 1:00:48.760
<v Speaker 2>is Yeah, Listen, in the comics, the relationship between Vision

1:00:48.840 --> 1:00:54.400
<v Speaker 2>and Wanda, their love for each other causes no end

1:00:54.440 --> 1:01:00.520
<v Speaker 2>of problems, up to and including Wanda wishing a way

1:01:00.560 --> 1:01:04.720
<v Speaker 2>basically all the mutants. Nearly this is on the heels

1:01:04.760 --> 1:01:08.560
<v Speaker 2>of creating a world in which the mutants had basically won.

1:01:09.240 --> 1:01:12.880
<v Speaker 3>So yeah, with the manipulation of like her brother and

1:01:12.920 --> 1:01:15.880
<v Speaker 3>her dad, well her sometimes brother and dad magneto and quick.

1:01:16.200 --> 1:01:18.480
<v Speaker 2>So this is gonna this is gonna be, This is

1:01:18.520 --> 1:01:21.040
<v Speaker 2>gonna be. This is a thing to note going forward,

1:01:21.040 --> 1:01:23.640
<v Speaker 2>because it certainly seems as if we're setting up one

1:01:23.760 --> 1:01:26.720
<v Speaker 2>ye'ld be some sort of villain.

1:01:26.520 --> 1:01:31.240
<v Speaker 3>Definitely, and they're establishing that Vision will do whatever he

1:01:31.400 --> 1:01:34.280
<v Speaker 3>needs to do, even in Wonder Vision, like he forgives her,

1:01:34.560 --> 1:01:37.240
<v Speaker 3>you know, like it's it's okay, whatever she's done. And

1:01:37.280 --> 1:01:39.960
<v Speaker 3>in this version we get to see him doing these

1:01:40.000 --> 1:01:44.080
<v Speaker 3>horrific things, you know, torturing people, killing people to feed

1:01:44.120 --> 1:01:46.640
<v Speaker 3>his zombie wife. You know. So these two like they

1:01:46.720 --> 1:01:49.240
<v Speaker 3>don't cause some trouble, and they they got some problems,

1:01:49.280 --> 1:01:50.720
<v Speaker 3>they got some marital issues.

1:01:51.400 --> 1:01:53.080
<v Speaker 2>Do we ever get do you think we ever get

1:01:53.200 --> 1:01:53.760
<v Speaker 2>Power Man?

1:01:54.560 --> 1:01:59.560
<v Speaker 3>I do believe that there is a version where we see,

1:01:59.840 --> 1:02:04.160
<v Speaker 3>like Simon Williams Wonder Man like version of Vision, like

1:02:04.240 --> 1:02:06.600
<v Speaker 3>real vision. I think that that could happen. I was

1:02:06.640 --> 1:02:09.600
<v Speaker 3>sure it was going to happen in I thought it

1:02:08.960 --> 1:02:12.640
<v Speaker 3>would in Wonder Vision. I was just sure because it

1:02:12.720 --> 1:02:16.120
<v Speaker 3>makes so much sense, because so in the comics, Vision's

1:02:16.760 --> 1:02:20.840
<v Speaker 3>mind is based on the imprint of Wonder Man's mind,

1:02:20.880 --> 1:02:23.560
<v Speaker 3>and then later on when he turns into White Vision,

1:02:23.600 --> 1:02:26.520
<v Speaker 3>wonderfuls and love Simon Williams, and then it's all very dramatic,

1:02:26.560 --> 1:02:28.840
<v Speaker 3>and obviously that's not how it was in the MCU

1:02:29.120 --> 1:02:34.840
<v Speaker 3>because you have the Tony starkth or Ultron situation. But

1:02:34.920 --> 1:02:37.600
<v Speaker 3>I do I think that that is likely another character

1:02:37.640 --> 1:02:40.960
<v Speaker 3>who was on the Avengers Forever cover. So I I

1:02:41.960 --> 1:02:45.560
<v Speaker 3>think it is a likely turn of events. And I

1:02:45.600 --> 1:02:48.360
<v Speaker 3>wouldn't even be surprised if we get some hints towards

1:02:48.400 --> 1:02:50.880
<v Speaker 3>the end of What If after all these episodes that

1:02:50.920 --> 1:02:54.760
<v Speaker 3>have seemed slightly disparate apart from Schumerg the recurring Champion,

1:02:55.240 --> 1:02:58.400
<v Speaker 3>But like I wouldn't be I think we're seeing some

1:02:58.520 --> 1:03:00.440
<v Speaker 3>things that are going to be seen into that may and.

1:03:00.560 --> 1:03:04.080
<v Speaker 2>MC let's talk about the mid season sneak peak trailer,

1:03:04.120 --> 1:03:10.520
<v Speaker 2>which is super fun. Unfortunately, so if you don't IMDb

1:03:11.000 --> 1:03:15.800
<v Speaker 2>appears to have spoiled what the find the finale is about,

1:03:15.840 --> 1:03:19.600
<v Speaker 2>So if you don't want to hear this, turnaway now,

1:03:19.640 --> 1:03:22.160
<v Speaker 2>but well, I'll just say that the appears that the

1:03:22.680 --> 1:03:27.160
<v Speaker 2>Big Bad of what looks like a team up of

1:03:27.280 --> 1:03:30.920
<v Speaker 2>the various heroes introduced through the over the course of

1:03:30.960 --> 1:03:33.800
<v Speaker 2>the series, who then join together under the Moniker the

1:03:33.840 --> 1:03:38.120
<v Speaker 2>Guardians of the Multiverse will be fighting Infinite Ultron, which

1:03:38.160 --> 1:03:42.040
<v Speaker 2>is kind of like a merging of Ultron with the Vision,

1:03:43.280 --> 1:03:47.160
<v Speaker 2>a seeming nod to both the Age the Comics Age

1:03:47.160 --> 1:03:51.720
<v Speaker 2>of Ultron limited series crossover event and also like Annihilation

1:03:51.880 --> 1:03:56.120
<v Speaker 2>Conquest in which Ultron sends himself out out into space

1:03:56.200 --> 1:03:58.600
<v Speaker 2>and becomes like an army of Ultrons and then just

1:03:58.600 --> 1:03:59.920
<v Speaker 2>starts like knocking off planets.

1:04:00.240 --> 1:04:02.680
<v Speaker 3>Yeah, and there's even like there's like what if issues

1:04:02.680 --> 1:04:05.440
<v Speaker 3>that play on that too, like what if Vision defeated

1:04:05.480 --> 1:04:07.520
<v Speaker 3>the Avengers. So this it kind of plays on what

1:04:07.560 --> 1:04:10.520
<v Speaker 3>you were already hinting, which is this idea of Vision

1:04:10.760 --> 1:04:14.840
<v Speaker 3>and Wanda potentially being these gray area antagonist characters that

1:04:14.920 --> 1:04:17.760
<v Speaker 3>kind of live outside of that safe bubble of the Avengers.

1:04:18.080 --> 1:04:22.040
<v Speaker 2>So the the mid season sneak Peak trailer is super

1:04:22.040 --> 1:04:28.439
<v Speaker 2>super fun, and we have four episodes left. Of course,

1:04:28.480 --> 1:04:30.520
<v Speaker 2>again this is coming out on the day and episode drops,

1:04:30.720 --> 1:04:35.520
<v Speaker 2>So I would assume that we get Thor we have

1:04:35.640 --> 1:04:37.800
<v Speaker 2>we'd have to get Thor. Thor appears in this sneak

1:04:37.840 --> 1:04:44.560
<v Speaker 2>Peak episode. He is dead in the in the Cannon

1:04:44.600 --> 1:04:47.960
<v Speaker 2>that we have now killed by Hank Pim. But so

1:04:48.000 --> 1:04:50.600
<v Speaker 2>I would assume we get Thor probably in the in

1:04:50.640 --> 1:04:54.600
<v Speaker 2>the what if Killmongers save Tony Stark episode, we still

1:04:54.640 --> 1:04:57.280
<v Speaker 2>need to get we would need to get Tony Stark

1:04:57.320 --> 1:05:01.040
<v Speaker 2>probably from there. That's where we get kill Munger from

1:05:01.120 --> 1:05:05.200
<v Speaker 2>Kill Munger is early in this episode. Let's see Hawkeye

1:05:05.240 --> 1:05:10.360
<v Speaker 2>has been introduced, Spider Man has been introduced. Oh here's

1:05:10.400 --> 1:05:14.080
<v Speaker 2>a fun idea. So we see Gomorra in Thanos armor,

1:05:14.120 --> 1:05:19.640
<v Speaker 2>and we also see Coorg in what appears to be Siicar,

1:05:19.680 --> 1:05:25.120
<v Speaker 2>and we also see the Grand Master dj if hypothesis,

1:05:25.240 --> 1:05:29.960
<v Speaker 2>if this is somehow based on Annihilation Conquest or something

1:05:30.000 --> 1:05:35.600
<v Speaker 2>like that Age of Old, maybe I'm gonna say that

1:05:35.640 --> 1:05:37.760
<v Speaker 2>we're probably getting like a two part finale in which

1:05:37.840 --> 1:05:41.920
<v Speaker 2>the penultimate episode is like the setup. We need to

1:05:42.000 --> 1:05:43.840
<v Speaker 2>here comes the threat, we need to figure out how

1:05:43.840 --> 1:05:46.800
<v Speaker 2>to face the threat, and then they defeat the threat.

1:05:46.880 --> 1:05:51.760
<v Speaker 2>So I think it's some version of It's possibly some

1:05:51.880 --> 1:05:55.720
<v Speaker 2>version of like, let's get the Infinity Gauntlet from Zombie

1:05:55.800 --> 1:05:59.800
<v Speaker 2>Thanos so we can beat this guy. And when Ultron

1:06:00.160 --> 1:06:04.200
<v Speaker 2>is you know, zooming towards Earth, maybe he takes out

1:06:04.240 --> 1:06:07.120
<v Speaker 2>Scar and that is how we see Corgan the Grandmaster.

1:06:07.440 --> 1:06:10.680
<v Speaker 3>Yeah, so I'm gonna throw in something very funny, The

1:06:10.800 --> 1:06:15.080
<v Speaker 3>Joys of Capitalism. Yeah, and so I was in Target

1:06:15.400 --> 1:06:18.040
<v Speaker 3>and I saw a what if lego set. Now there

1:06:18.080 --> 1:06:20.480
<v Speaker 3>are two what if Lego sets that have been released.

1:06:20.520 --> 1:06:26.240
<v Speaker 3>One is what If Hydra Stomper the Cool Captain Carr

1:06:26.840 --> 1:06:32.840
<v Speaker 3>Steve Rodgers Stomper and the other one was that one

1:06:33.000 --> 1:06:36.240
<v Speaker 3>very core. I love it. It's a rad design, so

1:06:36.320 --> 1:06:38.560
<v Speaker 3>that shows that they are making things there in the show.

1:06:38.800 --> 1:06:43.600
<v Speaker 3>The other one was Tony Stark's Sakarian Armor and it

1:06:43.680 --> 1:06:46.640
<v Speaker 3>was basically Tony in like a circar mec. So I

1:06:46.680 --> 1:06:49.080
<v Speaker 3>do wonder if you're a scent I think you might

1:06:49.080 --> 1:06:51.160
<v Speaker 3>be on the right track. I just think that maybe

1:06:51.520 --> 1:06:55.040
<v Speaker 3>something to do with Killmonger saving Tony is going to

1:06:55.160 --> 1:06:57.560
<v Speaker 3>end up with them on that space, which is also

1:06:57.600 --> 1:07:01.680
<v Speaker 3>where we could potentially see thought yes and something along

1:07:01.720 --> 1:07:05.160
<v Speaker 3>those lines. But I definitely, I definitely think that the

1:07:05.240 --> 1:07:07.080
<v Speaker 3>two part finale makes sense. I think you're going to

1:07:07.120 --> 1:07:09.680
<v Speaker 3>get the assembling of the team, yeah, and then you're

1:07:09.680 --> 1:07:12.080
<v Speaker 3>going to get that we gotta fight kind of thing.

1:07:12.160 --> 1:07:15.480
<v Speaker 3>The big question is do you think Uatu like the

1:07:15.520 --> 1:07:17.600
<v Speaker 3>Watcher is going to join them, because I think that

1:07:17.680 --> 1:07:20.560
<v Speaker 3>will be the thing. I think that might be the

1:07:20.640 --> 1:07:23.320
<v Speaker 3>secret kind of Guardians of the Multiverse helper.

1:07:23.600 --> 1:07:25.880
<v Speaker 2>I mean, I think they've been hinting at it now. Listen,

1:07:25.920 --> 1:07:29.040
<v Speaker 2>o Watu famously does not interfere in the comics, he

1:07:29.120 --> 1:07:32.800
<v Speaker 2>does not interfere what a lie what he has. Of course,

1:07:33.120 --> 1:07:37.320
<v Speaker 2>when in any story, when when a character who is

1:07:37.360 --> 1:07:41.200
<v Speaker 2>recurring says, I won't do this, the only way the

1:07:41.240 --> 1:07:44.520
<v Speaker 2>story works is if you is, if the creators create

1:07:44.560 --> 1:07:48.000
<v Speaker 2>the context for that person then breaking that rule and

1:07:48.040 --> 1:07:51.880
<v Speaker 2>doing it so I feel like he has to get

1:07:51.920 --> 1:07:53.640
<v Speaker 2>involved somehow, right, Like it has to happen.

1:07:53.840 --> 1:07:57.120
<v Speaker 3>Yeah, And if you think about, like just aesthetically, the

1:07:57.160 --> 1:07:59.520
<v Speaker 3>way the show looks, the animation they use. One of

1:07:59.560 --> 1:08:01.240
<v Speaker 3>the coolest things about it has been how they bring

1:08:01.280 --> 1:08:03.840
<v Speaker 3>him to life with like the stars and the different representations.

1:08:03.840 --> 1:08:05.560
<v Speaker 3>So if you're gonna have this huge Guardians of the

1:08:05.600 --> 1:08:08.919
<v Speaker 3>Multiverse team with all these different rad characters, it would

1:08:08.920 --> 1:08:12.080
<v Speaker 3>be very It would be a cool visual storytelling thing

1:08:12.160 --> 1:08:14.680
<v Speaker 3>to have him there alongside them. And like in the comics,

1:08:14.720 --> 1:08:16.840
<v Speaker 3>I think in the Eternals two thousand and eight series,

1:08:17.080 --> 1:08:22.240
<v Speaker 3>the Dreaming Celestial says he's broken it like four hundred times,

1:08:22.280 --> 1:08:24.519
<v Speaker 3>like he's his thing not to interfit and then like

1:08:25.000 --> 1:08:27.920
<v Speaker 3>one of my favorite ones is in this Fantastic Four

1:08:27.960 --> 1:08:30.479
<v Speaker 3>comic in the eighties ages like in nineteen eighty four,

1:08:30.880 --> 1:08:36.280
<v Speaker 3>the Oatu is like Read Richard's Lawyer because Read Richards

1:08:36.320 --> 1:08:42.120
<v Speaker 3>like saves Galactus or something. But I feel like, especially

1:08:42.240 --> 1:08:47.920
<v Speaker 3>after the emotional kind of drive behind the Doctor Strange

1:08:47.960 --> 1:08:50.920
<v Speaker 3>episode where you really saw are to make that choice

1:08:50.920 --> 1:08:53.639
<v Speaker 3>to not help because it was all about strangers arrogance,

1:08:54.479 --> 1:08:57.280
<v Speaker 3>I think that was like setting here's the line he

1:08:57.360 --> 1:09:00.559
<v Speaker 3>won't cross, but maybe we're going to get see the

1:09:00.560 --> 1:09:01.880
<v Speaker 3>one he will court.

1:09:01.920 --> 1:09:03.920
<v Speaker 2>I think we'll see something like that. You know, the

1:09:04.000 --> 1:09:09.200
<v Speaker 2>multiverse is so threatened that you know, what does it matter?

1:09:09.360 --> 1:09:11.080
<v Speaker 2>What does it mean to be a watcher if there's

1:09:11.120 --> 1:09:15.240
<v Speaker 2>nothing to watch exactly? And I think that's when Uwatu,

1:09:15.280 --> 1:09:18.839
<v Speaker 2>and again it's not actually confirmed that he is Uatu,

1:09:18.880 --> 1:09:20.880
<v Speaker 2>but we'll just call him a Watu for now, the

1:09:20.920 --> 1:09:27.559
<v Speaker 2>watch the Watcher. I think that is when Uwatu decides, fine,

1:09:27.720 --> 1:09:33.160
<v Speaker 2>I will help you by either providing information about the

1:09:33.200 --> 1:09:37.240
<v Speaker 2>things that he's seen. He knows about these other multiverses.

1:09:37.280 --> 1:09:40.080
<v Speaker 2>How are they gonna get together? Right? He's gonna say,

1:09:40.360 --> 1:09:42.360
<v Speaker 2>I know someone who can help. I know a hero

1:09:42.479 --> 1:09:43.840
<v Speaker 2>from this other multiple.

1:09:44.280 --> 1:09:46.520
<v Speaker 3>And like a multiverse or Nick Fury.

1:09:46.240 --> 1:09:48.920
<v Speaker 2>Yes, and that is how they will all get together

1:09:48.920 --> 1:09:51.200
<v Speaker 2>because they don't know about each other right now. So

1:09:51.320 --> 1:09:53.439
<v Speaker 2>I think Owatu will come to a point where he

1:09:53.720 --> 1:09:57.720
<v Speaker 2>sees the multiverse under existential threat, and he and one

1:09:57.760 --> 1:10:00.680
<v Speaker 2>of these heroes will appeal to him how you can't really, like,

1:10:01.479 --> 1:10:04.759
<v Speaker 2>I can't do this alone, and then Oatu will say, okay, fine,

1:10:05.120 --> 1:10:08.560
<v Speaker 2>I know other people who can help, and then it

1:10:08.600 --> 1:10:10.599
<v Speaker 2>will probably be up to that hero to figure out

1:10:10.640 --> 1:10:13.679
<v Speaker 2>how to get to those timelines to bring the people in.

1:10:14.000 --> 1:10:15.439
<v Speaker 2>But I think that's how it happens.

1:10:15.600 --> 1:10:17.559
<v Speaker 3>Yeah, I think you're definitely right, because when you even

1:10:17.600 --> 1:10:19.760
<v Speaker 3>think about the name of the team, the Guardians of

1:10:19.800 --> 1:10:24.080
<v Speaker 3>the Multiverse, that very specific. They are protecting everything. Yeah,

1:10:24.120 --> 1:10:26.559
<v Speaker 3>it's like you are too. Wouldn't save Doctor Strange or

1:10:26.560 --> 1:10:29.760
<v Speaker 3>the Watch, wouldn't save Doctor Strange's one universe that he

1:10:29.920 --> 1:10:33.000
<v Speaker 3>messed up with his own selfish things. But if it's

1:10:33.080 --> 1:10:35.599
<v Speaker 3>every universe, then surely you have to step in because

1:10:35.600 --> 1:10:37.320
<v Speaker 3>otherwise do you even exist?

1:10:37.560 --> 1:10:41.600
<v Speaker 2>Like you know, for if people want to get some

1:10:41.840 --> 1:10:46.439
<v Speaker 2>Uatu comics knowledge, where would you where would you point

1:10:46.520 --> 1:10:46.840
<v Speaker 2>them to?

1:10:47.200 --> 1:10:50.000
<v Speaker 3>I think that I do like, I like the weird

1:10:50.080 --> 1:10:52.680
<v Speaker 3>old stuff, so like the Fantastic four stuff like the

1:10:53.320 --> 1:10:56.960
<v Speaker 3>eighties and it basically any weird like comic you could

1:10:57.000 --> 1:10:59.439
<v Speaker 3>pick up in a you know, a quarter bin is

1:10:59.439 --> 1:11:02.560
<v Speaker 3>really my favorite stuff. But there is like speaking of

1:11:02.640 --> 1:11:05.600
<v Speaker 3>Jason Aaron again with actually Might the Other to the

1:11:06.280 --> 1:11:10.479
<v Speaker 3>Invincible Iron Man Artist. Yeah, there was an Original Sin

1:11:10.640 --> 1:11:13.439
<v Speaker 3>Original Sin series. I think people really really like dig

1:11:13.479 --> 1:11:14.040
<v Speaker 3>on that one.

1:11:14.560 --> 1:11:18.240
<v Speaker 2>That was a fun like Marvel does. Yeah, Marvel doesn't

1:11:18.280 --> 1:11:20.880
<v Speaker 2>do Who Done It very often and so like, yeah,

1:11:21.160 --> 1:11:25.720
<v Speaker 2>it's like I dug the who Done It ness of it.

1:11:25.800 --> 1:11:29.040
<v Speaker 2>I would I would argue that the that the reveal

1:11:29.160 --> 1:11:32.880
<v Speaker 2>is not super satisfying, but like the journey is is

1:11:32.920 --> 1:11:33.519
<v Speaker 2>pretty fun.

1:11:34.600 --> 1:11:36.519
<v Speaker 3>Yeah, and I think that. I think that. I think

1:11:36.640 --> 1:11:42.080
<v Speaker 3>that also just looking for any comics that are cosmic,

1:11:42.160 --> 1:11:44.640
<v Speaker 3>you'll usually find the watches popping up. Yeah, I'm a

1:11:44.640 --> 1:11:47.080
<v Speaker 3>big fan of any kind of like Infinity Want the

1:11:47.200 --> 1:11:49.920
<v Speaker 3>Infinity War, that kind of stuff, Like they're always popping

1:11:49.960 --> 1:11:52.840
<v Speaker 3>up doing some nonsense, the Dreaming, the Eternals, the two

1:11:52.840 --> 1:11:55.320
<v Speaker 3>thousand and eight, which I think is volume three series

1:11:55.360 --> 1:11:58.120
<v Speaker 3>that has quite a lot of a war Tu centric

1:11:58.160 --> 1:11:59.960
<v Speaker 3>stuff because like a war two doesn't want to walk

1:12:00.000 --> 1:12:02.840
<v Speaker 3>when the Dreaming Celestial is worn and stuff like that.

1:12:02.960 --> 1:12:06.000
<v Speaker 3>So like, I feel like that. I feel like the

1:12:06.040 --> 1:12:07.840
<v Speaker 3>fact that we've got this what if series, and my

1:12:07.840 --> 1:12:10.400
<v Speaker 3>brain does always make connections that are not always true

1:12:10.400 --> 1:12:12.320
<v Speaker 3>because I just have too much information in there and

1:12:12.320 --> 1:12:14.320
<v Speaker 3>trying to make sense of it. But the I was

1:12:14.360 --> 1:12:16.120
<v Speaker 3>thinking about that Eternal stuff a lot, and I was

1:12:16.160 --> 1:12:19.160
<v Speaker 3>feeling like what if right now introducing the concept of

1:12:19.200 --> 1:12:22.480
<v Speaker 3>the Watcher and then having this emergence in the Eternals

1:12:22.479 --> 1:12:24.479
<v Speaker 3>movie and stuff, I feel like there's this is again

1:12:24.560 --> 1:12:26.280
<v Speaker 3>something that could very easily cross over.

1:12:26.479 --> 1:12:29.160
<v Speaker 2>I agree with you. And then certainly, you know, as

1:12:29.160 --> 1:12:33.439
<v Speaker 2>we saw from the announcement for Avengance Forever, this stuff

1:12:33.479 --> 1:12:36.599
<v Speaker 2>is is it's starting to cross over now like once,

1:12:37.880 --> 1:12:42.760
<v Speaker 2>we haven't seen anything jump obviously it's too soon, right,

1:12:43.000 --> 1:12:45.000
<v Speaker 2>but we but it's yet to be seen if stuff

1:12:45.040 --> 1:12:48.439
<v Speaker 2>will jump directly from animated to live action, but certainly

1:12:48.560 --> 1:12:53.200
<v Speaker 2>jumping from live action animated to comics is yeah, the

1:12:53.240 --> 1:12:57.679
<v Speaker 2>next step is live action. Yeah, yeah, I'm I gotta say,

1:12:57.760 --> 1:13:00.920
<v Speaker 2>like if what if? Really, I think they'll I think

1:13:00.920 --> 1:13:04.840
<v Speaker 2>they will nail listen that animated is I love animated

1:13:04.920 --> 1:13:07.519
<v Speaker 2>series and then this is like, again something that I've

1:13:07.560 --> 1:13:09.040
<v Speaker 2>been waiting for for a long time. I think that

1:13:09.640 --> 1:13:12.599
<v Speaker 2>if they nail this team up, it opens the door

1:13:12.680 --> 1:13:16.200
<v Speaker 2>to a lot of really really fun things. Brad winder Bomb,

1:13:16.240 --> 1:13:19.360
<v Speaker 2>the head of Streaming TV and animation at Marvel, said quote,

1:13:19.600 --> 1:13:22.519
<v Speaker 2>all Marvel projects are in some way connected. There's always

1:13:22.560 --> 1:13:26.519
<v Speaker 2>the potential with regards to animation going to live action. Again,

1:13:26.560 --> 1:13:30.680
<v Speaker 2>I would imagine it seems to me more plausible that

1:13:30.760 --> 1:13:35.320
<v Speaker 2>it would go animation to Comics two.

1:13:35.640 --> 1:13:41.280
<v Speaker 3>Because becomes canon then yeah, the correct but yeah, it's

1:13:41.280 --> 1:13:44.160
<v Speaker 3>super super funny. Yeah. I also think that, like you're

1:13:44.160 --> 1:13:47.640
<v Speaker 3>so right about that. I think that if this lands

1:13:47.680 --> 1:13:49.880
<v Speaker 3>in the way that they want it to, I just

1:13:49.920 --> 1:13:53.879
<v Speaker 3>think there's so much space for a mark a solid

1:13:54.160 --> 1:13:57.679
<v Speaker 3>Marvel animation because like, yeah, we will have amazing memories

1:13:57.680 --> 1:13:59.479
<v Speaker 3>of the X Men ninety show and stuff. But like

1:13:59.520 --> 1:14:02.840
<v Speaker 3>if you've like one wasn't made by Marvel two, Like

1:14:04.040 --> 1:14:08.320
<v Speaker 3>the animation is very nineties, that's the nice place the

1:14:08.400 --> 1:14:10.439
<v Speaker 3>quality of it, you know, and in a world where

1:14:10.520 --> 1:14:14.960
<v Speaker 3>DC is putting out multiple incredible, like cinema level, iconic

1:14:15.479 --> 1:14:20.000
<v Speaker 3>like animated movies, obviously you have a space now because

1:14:20.000 --> 1:14:23.800
<v Speaker 3>of streaming services. People are getting to watch not just

1:14:23.880 --> 1:14:27.000
<v Speaker 3>classic anime series and stuff, but also like brand new

1:14:27.040 --> 1:14:29.840
<v Speaker 3>anime at all times, Like there's always new stuff coming

1:14:29.840 --> 1:14:32.639
<v Speaker 3>out that's inspiring people. This is a space where Marvel,

1:14:32.680 --> 1:14:34.840
<v Speaker 3>I think not just can grow, but kind of needs

1:14:34.920 --> 1:14:35.360
<v Speaker 3>to grow.

1:14:35.640 --> 1:14:39.960
<v Speaker 2>Well, where DC really took the lead. I think one

1:14:39.960 --> 1:14:41.920
<v Speaker 2>of the great things that DC has done is they

1:14:41.960 --> 1:14:46.400
<v Speaker 2>made animated versions of some of their great arcs, great stories.

1:14:48.000 --> 1:14:50.240
<v Speaker 2>That's the next step if Marvel wants to and it

1:14:50.280 --> 1:14:52.280
<v Speaker 2>wants to get into the space, it's like, what what

1:14:52.360 --> 1:14:56.679
<v Speaker 2>do we have in the vaults that And I don't

1:14:56.680 --> 1:15:01.200
<v Speaker 2>think it's I don't think U the story already being

1:15:01.200 --> 1:15:03.840
<v Speaker 2>adapted for live actions, say the Ultimates or something like that.

1:15:03.960 --> 1:15:06.800
<v Speaker 2>I don't think that's a problem because the live actions

1:15:06.800 --> 1:15:09.479
<v Speaker 2>are so different, it's different. What do you think is

1:15:09.560 --> 1:15:12.960
<v Speaker 2>like the arcs to pick if they're gonna do that?

1:15:13.080 --> 1:15:15.120
<v Speaker 3>This is what I think is the most obvious thing, right,

1:15:15.160 --> 1:15:17.280
<v Speaker 3>And I really liked What If, But I would hope

1:15:17.280 --> 1:15:19.960
<v Speaker 3>that this I think, like the Doctor Strange episode, specifically,

1:15:19.960 --> 1:15:22.799
<v Speaker 3>some of the face animation wasn't really like one hundred

1:15:22.800 --> 1:15:27.479
<v Speaker 3>percent there, Like I would love to see a lot

1:15:27.520 --> 1:15:31.200
<v Speaker 3>of money thrown at a real Infinity Saga, like a

1:15:31.360 --> 1:15:35.360
<v Speaker 3>real like from the comics. Imagine that sprawling you. It

1:15:35.400 --> 1:15:38.320
<v Speaker 3>doesn't matter. People have seen the MCU, they've read the comics,

1:15:38.360 --> 1:15:40.479
<v Speaker 3>they know who Fanos is. You can do Adam Warlock,

1:15:40.880 --> 1:15:45.120
<v Speaker 3>the just imagine the cosmos like the Unbelievable Adventure, getting

1:15:45.120 --> 1:15:47.240
<v Speaker 3>to see the duality of all those characters. And then

1:15:47.680 --> 1:15:49.680
<v Speaker 3>if you want, you can even call it like Infinity

1:15:49.720 --> 1:15:53.040
<v Speaker 3>Saga legacy or whatever, and it's a way to once

1:15:53.080 --> 1:15:56.639
<v Speaker 3>again reintroduce characters. The thing. Now, there's a million other

1:15:56.720 --> 1:15:58.479
<v Speaker 3>stories that I would love to see as well, like

1:15:59.240 --> 1:16:02.120
<v Speaker 3>why not make a fensetastic four movie based on like

1:16:02.160 --> 1:16:05.479
<v Speaker 3>that introduction of Galactus. You know you could, you could

1:16:05.520 --> 1:16:08.360
<v Speaker 3>really do that that that little short arc. Marvel has

1:16:08.439 --> 1:16:11.519
<v Speaker 3>so many famous like three four issue. Yes, but I

1:16:11.600 --> 1:16:14.240
<v Speaker 3>do think that post MCU, post what they call the

1:16:14.280 --> 1:16:17.400
<v Speaker 3>Infinity Saga, if you're going to make an animated movie

1:16:17.600 --> 1:16:19.880
<v Speaker 3>or a series of animated movies, that is a place

1:16:19.920 --> 1:16:22.519
<v Speaker 3>where you could do something really spectacular that would really

1:16:22.560 --> 1:16:25.559
<v Speaker 3>make you stand out, that is also already accessible to

1:16:25.560 --> 1:16:27.880
<v Speaker 3>people who love the MCU. Do you have any that

1:16:27.920 --> 1:16:29.200
<v Speaker 3>you would love to see?

1:16:29.400 --> 1:16:31.240
<v Speaker 2>I would love to see a bunch of X Men stuff.

1:16:31.280 --> 1:16:33.880
<v Speaker 2>Like take any of the of the great arcs of

1:16:33.880 --> 1:16:38.439
<v Speaker 2>the Claremont era and just directly translate them as Guardian Wars,

1:16:39.040 --> 1:16:41.920
<v Speaker 2>which is the X Men and the New Mutants getting

1:16:41.960 --> 1:16:44.960
<v Speaker 2>wrapped up in a bunch of skullduggery and Asgard would

1:16:45.000 --> 1:16:50.639
<v Speaker 2>be an absolutely like incredible animated series. Avengers under Siege,

1:16:50.880 --> 1:16:54.400
<v Speaker 2>the famous Roger Stern arc in which the Masters of

1:16:54.439 --> 1:16:58.280
<v Speaker 2>Evil break into the Avengers mansion and basically lay waste

1:16:58.280 --> 1:17:02.080
<v Speaker 2>to it, and it's up to Wasp and Black Knight

1:17:02.160 --> 1:17:05.800
<v Speaker 2>and Captain America basically to like take it back. Hercules

1:17:05.840 --> 1:17:12.960
<v Speaker 2>gets his fucking ass dump, you know, Like you know,

1:17:13.560 --> 1:17:15.559
<v Speaker 2>Ultimate Spider Man is kind of like a no brainer,

1:17:15.640 --> 1:17:18.400
<v Speaker 2>Like like the early Ultimate Ultimate spider Man arcs are

1:17:18.439 --> 1:17:20.960
<v Speaker 2>like if you made a two hour Ultimate Spider Man

1:17:21.200 --> 1:17:24.040
<v Speaker 2>like movie that's based like right off of the first

1:17:24.200 --> 1:17:26.679
<v Speaker 2>like twenty four issues of that comic, I think that's

1:17:27.000 --> 1:17:28.519
<v Speaker 2>that would absolutely hit.

1:17:28.800 --> 1:17:30.800
<v Speaker 3>Yeah. I think that there's like a really into when

1:17:30.800 --> 1:17:32.400
<v Speaker 3>you brought Roger Sterne as well. Like I was just

1:17:32.439 --> 1:17:35.360
<v Speaker 3>thinking of some comics that like so something that I

1:17:35.360 --> 1:17:38.479
<v Speaker 3>think a lot of people really especially like people our

1:17:38.520 --> 1:17:41.120
<v Speaker 3>age people a bit older. The Bob Late and Iron

1:17:41.200 --> 1:17:45.080
<v Speaker 3>Man stuff where Tony's like struggling with addiction. Yeah, that's

1:17:45.120 --> 1:17:48.360
<v Speaker 3>not really gonna they touch on it, ay the tiniest

1:17:48.439 --> 1:17:50.840
<v Speaker 3>knots in the MCU because they know people care about it.

1:17:50.840 --> 1:17:53.240
<v Speaker 3>But imagine if you made an animated movie that was

1:17:53.280 --> 1:17:55.960
<v Speaker 3>actually just about like Tony at his lowest but kind

1:17:55.960 --> 1:17:59.040
<v Speaker 3>of coming through it. Like DC has broached that R

1:17:59.160 --> 1:18:02.760
<v Speaker 3>rated boundary. You know, they've done the Dark Night Returns,

1:18:02.800 --> 1:18:05.680
<v Speaker 3>They've done like these different things. You could use this

1:18:05.720 --> 1:18:08.519
<v Speaker 3>as a space. I do think the most likely first

1:18:08.600 --> 1:18:10.600
<v Speaker 3>version of it is seeding stuff. Whether you are going

1:18:10.680 --> 1:18:13.759
<v Speaker 3>to do something, they'll be really cool like that Jason

1:18:13.800 --> 1:18:18.400
<v Speaker 3>Aarron Like, uh see Wakanda and Die the Secret Invasion Wakanda,

1:18:18.520 --> 1:18:20.960
<v Speaker 3>Like that's a great art that's really visually interesting that

1:18:21.000 --> 1:18:24.120
<v Speaker 3>you could really use to set up the Secret Invasion show. Right,

1:18:24.160 --> 1:18:27.000
<v Speaker 3>that's gonna happen. So I think seeding stuff is really

1:18:27.320 --> 1:18:29.559
<v Speaker 3>what they're going to be doing. But just now talking

1:18:29.560 --> 1:18:32.080
<v Speaker 3>to you, I just realized that something that's really cool

1:18:32.160 --> 1:18:34.559
<v Speaker 3>is it could be a space for stories from the

1:18:34.560 --> 1:18:36.960
<v Speaker 3>comics that we're probably never going to see in live action,

1:18:37.479 --> 1:18:39.759
<v Speaker 3>a little bit more deep cut, a little bit darker.

1:18:40.400 --> 1:18:43.439
<v Speaker 2>I'm not saying born again again, you know, it's a

1:18:43.439 --> 1:18:44.640
<v Speaker 2>great exactly.

1:18:44.520 --> 1:18:46.920
<v Speaker 3>But then again I realized I just jinxed myself because

1:18:47.080 --> 1:18:50.439
<v Speaker 3>my worst nightmare would be like a trouble animated series

1:18:50.479 --> 1:18:53.920
<v Speaker 3>about like sexy slight, aren't they And I'm like, that's.

1:18:55.720 --> 1:18:56.920
<v Speaker 1>Like, I don't.

1:18:57.040 --> 1:18:59.200
<v Speaker 2>I don't think they'll ever. For instance, in live action,

1:19:00.520 --> 1:19:03.639
<v Speaker 2>people are like, oh, Craven's Last Hunt, Cravens Last Hunt,

1:19:03.680 --> 1:19:09.040
<v Speaker 2>like that is such a dark comic. Like rereading it,

1:19:09.120 --> 1:19:10.560
<v Speaker 2>I was shocked.

1:19:10.439 --> 1:19:13.000
<v Speaker 3>How but it would be an amazing animated.

1:19:12.560 --> 1:19:15.759
<v Speaker 2>But as an animated it would be really really really cool.

1:19:16.080 --> 1:19:19.360
<v Speaker 2>And also like because you know, listen, we'll probably never

1:19:20.840 --> 1:19:24.720
<v Speaker 2>well who knows, but like a very very clean and

1:19:24.760 --> 1:19:27.559
<v Speaker 2>easy way to do like why not do the classic

1:19:27.640 --> 1:19:30.200
<v Speaker 2>saga of the of the Alien Suit? Like do that

1:19:30.320 --> 1:19:33.799
<v Speaker 2>do that? You know Peter comes back from Secret Wars

1:19:34.200 --> 1:19:36.920
<v Speaker 2>and then the whole thing like that was such an

1:19:37.080 --> 1:19:38.080
<v Speaker 2>iconic run.

1:19:38.320 --> 1:19:40.160
<v Speaker 3>I do think that one of the things that people

1:19:40.200 --> 1:19:42.640
<v Speaker 3>don't really I talk like, I'm always thinking about this,

1:19:42.880 --> 1:19:44.880
<v Speaker 3>and I do think one of the things. The reason

1:19:44.920 --> 1:19:47.880
<v Speaker 3>why that X Men cartoon, the ninety Spider Man cartoon,

1:19:48.080 --> 1:19:50.240
<v Speaker 3>I think the reason that those really spoke to people

1:19:50.280 --> 1:19:52.760
<v Speaker 3>even when they were just kids, right, is because they

1:19:52.840 --> 1:19:56.320
<v Speaker 3>did these really really really really really really really simplified

1:19:56.400 --> 1:20:01.600
<v Speaker 3>versions of these iconic arcs, whether it's you know, the Phoenix,

1:20:01.720 --> 1:20:04.120
<v Speaker 3>whether it's the Black Suit. Like, they're not great, but

1:20:04.160 --> 1:20:06.519
<v Speaker 3>you're taking from these stories that have so much depth.

1:20:06.600 --> 1:20:10.760
<v Speaker 3>So to be able to actually do like a Phoenix saga,

1:20:11.000 --> 1:20:14.360
<v Speaker 3>a true Phoenix saga, or a true you know, black

1:20:14.360 --> 1:20:18.160
<v Speaker 3>Suit Spider Man, but maybe the kind of I mean,

1:20:18.200 --> 1:20:20.040
<v Speaker 3>obviously we know it was Sony, but like into the

1:20:20.080 --> 1:20:22.719
<v Speaker 3>Spider Verse just opened up the idea of what animation

1:20:22.800 --> 1:20:25.960
<v Speaker 3>can be in these stories. And I feel like there's

1:20:25.960 --> 1:20:28.680
<v Speaker 3>so many lessons there for everyone to learn. And I

1:20:28.720 --> 1:20:31.400
<v Speaker 3>think that I definitely thought what if it was? I

1:20:31.439 --> 1:20:33.760
<v Speaker 3>had quite a low expectations because for a long time,

1:20:33.800 --> 1:20:36.840
<v Speaker 3>my understanding of Marvel animation was those terrible motion comics

1:20:36.840 --> 1:20:39.519
<v Speaker 3>they would make out of arcs, which were like really

1:20:39.600 --> 1:20:42.000
<v Speaker 3>upsetting to me. I have like a real aversion to

1:20:42.040 --> 1:20:44.040
<v Speaker 3>a motion comic. I think it's because they used to

1:20:44.040 --> 1:20:46.400
<v Speaker 3>sell that Watchmen motion comic in every comic shop for

1:20:46.400 --> 1:20:47.120
<v Speaker 3>like twenty pounds.

1:20:47.200 --> 1:20:50.240
<v Speaker 2>Well, I mean, it's just like just make the animated

1:20:50.280 --> 1:20:53.439
<v Speaker 2>series or don't don't ease, but don't do this. But

1:20:53.439 --> 1:20:55.360
<v Speaker 2>but to be honest with you, I think that that was.

1:20:55.400 --> 1:20:57.600
<v Speaker 3>What it blew me away. Yea, yeah, because that was

1:20:57.640 --> 1:20:59.880
<v Speaker 3>like that was it was like a step they I

1:21:00.120 --> 1:21:01.960
<v Speaker 3>wasn't expecting the animation to be so good. I feel

1:21:01.960 --> 1:21:05.200
<v Speaker 3>like they found this really dynamic, unique way of telling

1:21:05.280 --> 1:21:08.000
<v Speaker 3>these stories that represents the characters in a way that

1:21:08.000 --> 1:21:11.000
<v Speaker 3>you know them, but that has a lot of fun

1:21:11.280 --> 1:21:13.400
<v Speaker 3>out there stuff that you need from what if. So

1:21:13.520 --> 1:21:15.760
<v Speaker 3>I'm really excited to see what that next step is

1:21:15.880 --> 1:21:19.080
<v Speaker 3>and how they could bring like I don't want them

1:21:19.080 --> 1:21:21.559
<v Speaker 3>to get stuck in one animation style. I think the

1:21:21.640 --> 1:21:26.080
<v Speaker 3>idea of having multiple animation styles potentially inspired by some

1:21:26.120 --> 1:21:28.040
<v Speaker 3>of these great artists that we love, or just doing

1:21:28.120 --> 1:21:30.760
<v Speaker 3>something totally different than fits the story. I think that's

1:21:30.840 --> 1:21:33.800
<v Speaker 3>just a really exciting next step and maybe even a world.

1:21:33.840 --> 1:21:37.599
<v Speaker 3>You know, Disney is known for releasing animated movies, Disney

1:21:37.640 --> 1:21:39.559
<v Speaker 3>picks up, maybe there's a world where we could one

1:21:39.600 --> 1:21:41.600
<v Speaker 3>day see like an X Men animated movie in a

1:21:41.680 --> 1:21:44.160
<v Speaker 3>theater Like that just warms my heart. That idea, that's

1:21:44.200 --> 1:21:44.880
<v Speaker 3>something I could.

1:21:44.760 --> 1:21:46.880
<v Speaker 2>See up next. In the Hive Mind, I chat with

1:21:47.040 --> 1:21:59.519
<v Speaker 2>Shang Chi and the Legend and the ten Ring star Simouliu. Hey, guys, Hello,

1:21:59.600 --> 1:22:00.000
<v Speaker 2>how are you?

1:22:00.080 --> 1:22:01.360
<v Speaker 1>I'm really good man, how are you?

1:22:01.680 --> 1:22:05.280
<v Speaker 2>I'm doing great. The movie is fantastic. It was an

1:22:05.360 --> 1:22:08.439
<v Speaker 2>extremely emotional experience as a long time a comic book

1:22:08.479 --> 1:22:13.679
<v Speaker 2>fan to watch it and congratulations on not only getting

1:22:13.680 --> 1:22:15.960
<v Speaker 2>the role, but becoming a funko pop and an action figure.

1:22:16.479 --> 1:22:20.559
<v Speaker 2>When did it become real for you? Like, oh my god,

1:22:20.560 --> 1:22:22.800
<v Speaker 2>we're doing this? Was it the chemistry read was it

1:22:22.880 --> 1:22:26.160
<v Speaker 2>the call from from Marvel? Was it the costume fitting?

1:22:26.320 --> 1:22:27.320
<v Speaker 1>I think it was Comic Con.

1:22:27.360 --> 1:22:31.280
<v Speaker 5>I think it was just been you know, cast four

1:22:31.400 --> 1:22:33.280
<v Speaker 5>days and I was asked to fly down to San

1:22:33.320 --> 1:22:38.360
<v Speaker 5>Diego and meet everybody. And I mean everybody. I mean

1:22:38.479 --> 1:22:43.040
<v Speaker 5>we're talking like you know post Endgame. Wow, the like

1:22:43.160 --> 1:22:46.240
<v Speaker 5>the comic Con that happened. You know, Endgame had literally

1:22:46.360 --> 1:22:49.639
<v Speaker 5>just come out two months prior. Everyone was like, what

1:22:49.840 --> 1:22:53.080
<v Speaker 5>is face for? There's all these question marks. Nobody knew

1:22:53.120 --> 1:22:56.439
<v Speaker 5>what was happening. People speculated, but you know that that

1:22:56.520 --> 1:22:57.840
<v Speaker 5>was the landscape that I fel So it was a

1:22:57.960 --> 1:23:02.879
<v Speaker 5>very very exciting year. People from every single upcoming movie,

1:23:03.160 --> 1:23:06.080
<v Speaker 5>Disney plus project, they all flew in and all of

1:23:06.120 --> 1:23:09.760
<v Speaker 5>a sudden, I found myself on stage with Angelina.

1:23:09.400 --> 1:23:11.800
<v Speaker 1>Jolie, with Chris Hemsworth.

1:23:11.439 --> 1:23:14.360
<v Speaker 5>With you know, Sebastian Stan Anthony Mackie, like just some

1:23:14.439 --> 1:23:19.880
<v Speaker 5>of the most famous people on earth and me in

1:23:19.880 --> 1:23:22.360
<v Speaker 5>in my skinny jeans from.

1:23:22.320 --> 1:23:26.240
<v Speaker 2>Zara Great I mean a great a great outlet.

1:23:26.320 --> 1:23:30.240
<v Speaker 5>Yeah yeah, yeah, no, no, no, knock on Zara.

1:23:30.280 --> 1:23:31.679
<v Speaker 1>But I mean some of these some of these people

1:23:31.680 --> 1:23:32.280
<v Speaker 1>were just I.

1:23:32.200 --> 1:23:35.720
<v Speaker 5>Mean they looked like the visage of beauty and then

1:23:35.800 --> 1:23:38.639
<v Speaker 5>I looked I just like some schmuck that had just

1:23:38.760 --> 1:23:41.719
<v Speaker 5>shown up out of the blue, like off the street

1:23:41.840 --> 1:23:46.479
<v Speaker 5>or just stepped on stage randomly. But yeah, just just

1:23:46.520 --> 1:23:50.880
<v Speaker 5>being there among among everybody really really just hit that

1:23:50.920 --> 1:23:51.360
<v Speaker 5>home for me.

1:23:51.560 --> 1:23:53.639
<v Speaker 2>It's I mean, it's been so meaningful for me as

1:23:53.680 --> 1:23:57.799
<v Speaker 2>a you know, Asian American to to to watch this happen.

1:23:58.600 --> 1:24:01.360
<v Speaker 2>Are you, like, how much are you of allowing yourself

1:24:01.400 --> 1:24:04.360
<v Speaker 2>to feel that, to feel like, what an amazing moment,

1:24:04.479 --> 1:24:07.439
<v Speaker 2>especially after a tough year it's been for for Asians

1:24:07.439 --> 1:24:11.800
<v Speaker 2>in the West, like for to be that representative figure.

1:24:12.160 --> 1:24:13.360
<v Speaker 1>I am a I.

1:24:13.680 --> 1:24:17.040
<v Speaker 5>Think of myself as a representative figure, and I think

1:24:17.080 --> 1:24:20.080
<v Speaker 5>it it is a wonderful moment for our community. Because

1:24:20.600 --> 1:24:23.840
<v Speaker 5>we finally, you know, get to have a lead superhero.

1:24:23.880 --> 1:24:27.519
<v Speaker 5>We get to watch a movie where that you know,

1:24:27.600 --> 1:24:30.960
<v Speaker 5>the title is an Asian is an Asian name, and

1:24:31.000 --> 1:24:33.080
<v Speaker 5>I think that's so incredible. But but further than that,

1:24:33.120 --> 1:24:36.120
<v Speaker 5>I think there's also you know, many other Asian characters

1:24:36.120 --> 1:24:39.760
<v Speaker 5>in our story that you know, are are you know,

1:24:39.840 --> 1:24:43.840
<v Speaker 5>equally bad ass, have have amazing arcs and their own

1:24:44.080 --> 1:24:48.439
<v Speaker 5>dimensionality and nuance, which which is incredible. But uh yeah,

1:24:48.479 --> 1:24:50.400
<v Speaker 5>I mean I've never I've never kind of shied away

1:24:50.439 --> 1:24:54.840
<v Speaker 5>from from being one of you know, some somebody who's

1:24:54.840 --> 1:24:56.000
<v Speaker 5>who's outspoken about that.

1:24:56.200 --> 1:24:58.880
<v Speaker 1>I think, Uh, I owe a lot of my career too,

1:25:00.120 --> 1:25:01.320
<v Speaker 1>to you know.

1:25:01.400 --> 1:25:05.160
<v Speaker 5>The gates opening and Asian creatives being allowed to tell

1:25:05.200 --> 1:25:09.240
<v Speaker 5>their stories, from Kim's Convenience to you know, Nora from

1:25:09.280 --> 1:25:13.080
<v Speaker 5>Queen's Fresh off the Boat. I mean, without the community,

1:25:13.120 --> 1:25:15.479
<v Speaker 5>there literally is none of none of those things. So

1:25:16.720 --> 1:25:19.120
<v Speaker 5>I'm very happy to be one of their, one of

1:25:19.120 --> 1:25:22.679
<v Speaker 5>the many representatives and to and to speak out about

1:25:22.760 --> 1:25:25.320
<v Speaker 5>about issues that I think affect us.

1:25:25.360 --> 1:25:28.559
<v Speaker 1>Our communities come out in a in a massive way

1:25:28.640 --> 1:25:28.960
<v Speaker 1>for us.

1:25:29.000 --> 1:25:30.280
<v Speaker 2>I mean it's a massive.

1:25:31.400 --> 1:25:34.400
<v Speaker 1>Anecdotally just what I see on the street, it's what

1:25:34.479 --> 1:25:37.160
<v Speaker 1>I it's what I see all my friends blowing up

1:25:37.160 --> 1:25:38.680
<v Speaker 1>my phone and saying, hey, I'm going to watch it

1:25:38.720 --> 1:25:41.280
<v Speaker 1>again and again and again. I think people really are

1:25:41.360 --> 1:25:43.479
<v Speaker 1>rooting for the success of this movie, and it's and

1:25:43.520 --> 1:25:47.600
<v Speaker 1>it's just absolutely so touching to see the community all galvanized.

1:25:47.720 --> 1:25:53.120
<v Speaker 2>It's an absolutely terrible day for for your enemies and

1:25:53.160 --> 1:25:56.200
<v Speaker 2>for the enemies of anybody who doubted this film. Uh,

1:25:56.800 --> 1:25:59.840
<v Speaker 2>it's it's crushing right now. It must it must feel

1:25:59.880 --> 1:26:03.880
<v Speaker 2>me that you're doing it. The movie is as a hit.

1:26:04.120 --> 1:26:06.920
<v Speaker 5>I mean, it feels it feels great. It feels great

1:26:06.920 --> 1:26:08.719
<v Speaker 5>to share it with the world and and to see

1:26:08.760 --> 1:26:12.519
<v Speaker 5>them to feel their response to it because we've been

1:26:12.520 --> 1:26:15.599
<v Speaker 5>sitting on this thing for for so long. We filmed it,

1:26:15.680 --> 1:26:20.360
<v Speaker 5>you know, a year ago in Sydney, and I mean

1:26:21.240 --> 1:26:22.439
<v Speaker 5>we we we knew that we.

1:26:22.400 --> 1:26:23.360
<v Speaker 1>Had something special.

1:26:23.439 --> 1:26:26.240
<v Speaker 5>I knew right off the bat that Destin was a

1:26:26.720 --> 1:26:30.840
<v Speaker 5>it was a very special filmmaker. But yeah, I mean,

1:26:30.920 --> 1:26:34.720
<v Speaker 5>I mean, I couldn't have imagined the way that, you know,

1:26:34.760 --> 1:26:36.679
<v Speaker 5>the series of events that that would have played out

1:26:36.680 --> 1:26:40.880
<v Speaker 5>to lead us here. It's been tough, you know, for

1:26:41.160 --> 1:26:43.599
<v Speaker 5>the whole world, and for for a number of reasons.

1:26:43.640 --> 1:26:46.200
<v Speaker 5>So I'm really not the only one who's going through it.

1:26:46.280 --> 1:26:50.400
<v Speaker 5>But uh yeah, it's it's, it's it's it's a happy

1:26:50.520 --> 1:26:53.719
<v Speaker 5>ending to a movie that almost almost didn't get made.

1:26:53.880 --> 1:26:59.400
<v Speaker 2>Have you allowed yourself to like eat a carb yet? Uh,

1:26:59.560 --> 1:27:03.160
<v Speaker 2>you're training for this. Uh you've talked about it. But

1:27:03.320 --> 1:27:09.600
<v Speaker 2>must have been incredible, very arduous physicality throughout these the

1:27:09.680 --> 1:27:12.839
<v Speaker 2>various scenes in this movie. What was that like doing

1:27:12.920 --> 1:27:16.320
<v Speaker 2>the real hardcore action fight scenes.

1:27:17.080 --> 1:27:18.519
<v Speaker 1>It was it was really cool.

1:27:18.640 --> 1:27:21.960
<v Speaker 5>It was you know, it was it was like preparing

1:27:22.000 --> 1:27:25.280
<v Speaker 5>for a season of professional athletics. It was like training

1:27:25.400 --> 1:27:28.200
<v Speaker 5>five six hours every day, you know, with the stunt

1:27:28.200 --> 1:27:30.720
<v Speaker 5>team and working everything from like the range of motion,

1:27:30.840 --> 1:27:35.439
<v Speaker 5>the flexibility to explosiveness, fight choreography, martial arts.

1:27:35.520 --> 1:27:37.240
<v Speaker 1>I mean, I mean it was.

1:27:37.439 --> 1:27:40.280
<v Speaker 5>It was as much of a of a martial arts

1:27:40.320 --> 1:27:41.559
<v Speaker 5>boot camp as you could get.

1:27:42.280 --> 1:27:46.760
<v Speaker 1>And I often just kind of come home and collapse.

1:27:46.320 --> 1:27:49.599
<v Speaker 5>On the bed and like literally sleep at like eight

1:27:49.640 --> 1:27:52.360
<v Speaker 5>pm because I was so tired. I literally had no

1:27:52.560 --> 1:27:55.519
<v Speaker 5>energy to even like eat dinner. I mean, that's the

1:27:55.880 --> 1:27:58.880
<v Speaker 5>that's I think, what it what it takes, you know. Yeah,

1:27:59.280 --> 1:28:02.400
<v Speaker 5>we had so many action sequences and we had a

1:28:02.520 --> 1:28:04.719
<v Speaker 5>very very high bar for what those sequences we're gonna

1:28:04.760 --> 1:28:06.519
<v Speaker 5>be and what they're going to do for our movies.

1:28:06.600 --> 1:28:09.800
<v Speaker 1>So you know, I wanted to do as much as

1:28:09.840 --> 1:28:10.639
<v Speaker 1>I possibly could.

1:28:10.720 --> 1:28:12.880
<v Speaker 5>I knew that that would benefit the movie if we

1:28:12.960 --> 1:28:15.320
<v Speaker 5>didn't constantly cut away to stunt people.

1:28:16.280 --> 1:28:19.559
<v Speaker 1>So wherever I could, I asked to do the shots.

1:28:19.560 --> 1:28:22.040
<v Speaker 5>I asked to put in the work because you know,

1:28:22.400 --> 1:28:24.519
<v Speaker 5>you don't get an opportunity like this every day, and

1:28:24.560 --> 1:28:27.200
<v Speaker 5>I just I just wanted to embrace it as much

1:28:27.200 --> 1:28:27.679
<v Speaker 5>as I could.

1:28:27.720 --> 1:28:30.040
<v Speaker 2>There's so many fun set pieces in the film, whether

1:28:30.080 --> 1:28:32.920
<v Speaker 2>it's the bus fight and fighting the outside of the building.

1:28:34.120 --> 1:28:36.519
<v Speaker 2>Do you have a personal favorite it, you know, whether

1:28:36.560 --> 1:28:39.120
<v Speaker 2>it's a fight scene, an action scene, or just a

1:28:39.200 --> 1:28:42.519
<v Speaker 2>quieter moment that that you just find yourself thinking about

1:28:42.520 --> 1:28:43.120
<v Speaker 2>and returning to.

1:28:43.439 --> 1:28:48.679
<v Speaker 5>Yeah, I personally actually really love the fight between Shang

1:28:48.760 --> 1:28:50.000
<v Speaker 5>Chi and his dad.

1:28:50.680 --> 1:28:53.799
<v Speaker 1>Yeah, you know, just that whole journey.

1:28:53.800 --> 1:28:58.120
<v Speaker 5>And it's not the most intricately choreograph like, it doesn't

1:28:58.120 --> 1:28:59.760
<v Speaker 5>take place on the side of a building or a

1:28:59.760 --> 1:29:03.000
<v Speaker 5>bus us, but it is so emotionally raw and I

1:29:03.080 --> 1:29:06.880
<v Speaker 5>and I remember, you know, being there with with Tony

1:29:06.960 --> 1:29:10.000
<v Speaker 5>Lung and in that moment and and going through that

1:29:10.080 --> 1:29:14.200
<v Speaker 5>scene and feeling just the very real emotions that were

1:29:14.560 --> 1:29:16.240
<v Speaker 5>that I think we were both feeling.

1:29:17.840 --> 1:29:18.040
<v Speaker 1>You know.

1:29:18.680 --> 1:29:20.360
<v Speaker 5>I think when I watch it back, I still get

1:29:20.439 --> 1:29:24.479
<v Speaker 5>chills because it is so much more than than a fight,

1:29:24.800 --> 1:29:27.920
<v Speaker 5>you know, and sure by the numbers as a fight,

1:29:27.960 --> 1:29:29.560
<v Speaker 5>it's it's relatively straightforward.

1:29:29.560 --> 1:29:31.719
<v Speaker 1>One guy's got a stick, one guy's got two rings.

1:29:33.200 --> 1:29:38.000
<v Speaker 5>But but there's just you know, there's just a world

1:29:38.120 --> 1:29:41.800
<v Speaker 5>of like trauma and grief and anger and just being

1:29:41.880 --> 1:29:44.840
<v Speaker 5>hurled at each other. This father and son that are

1:29:44.880 --> 1:29:48.560
<v Speaker 5>just so desperate to connect and and so desperate to

1:29:48.640 --> 1:29:50.600
<v Speaker 5>love again. It's it's really you know, I think I

1:29:50.600 --> 1:29:52.800
<v Speaker 5>find it really sad and heartbreaking but up but also

1:29:53.000 --> 1:29:56.280
<v Speaker 5>just like so human and and so watchable.

1:29:57.560 --> 1:30:00.920
<v Speaker 2>Spoiler Shong is now in possession of the ten Rings

1:30:01.880 --> 1:30:05.240
<v Speaker 2>at the end of the film, Can you tell us

1:30:05.320 --> 1:30:07.559
<v Speaker 2>a little bit about like what they do or where

1:30:07.600 --> 1:30:10.559
<v Speaker 2>they come from? And if you can't, do you know,

1:30:10.720 --> 1:30:14.360
<v Speaker 2>do you know like the origins of these mysterious and

1:30:14.400 --> 1:30:15.240
<v Speaker 2>powerful items?

1:30:15.439 --> 1:30:16.320
<v Speaker 3>No, what.

1:30:19.640 --> 1:30:20.200
<v Speaker 1>My journey.

1:30:20.320 --> 1:30:24.160
<v Speaker 5>My journey is exactly the same as my characters, which is, oh,

1:30:24.240 --> 1:30:27.559
<v Speaker 5>there are those giant ass rings that my dad's been

1:30:27.720 --> 1:30:30.439
<v Speaker 5>wielding around for the last however long.

1:30:30.640 --> 1:30:33.439
<v Speaker 1>Oh shoot, now they're on my arm. Well, I don't know.

1:30:33.760 --> 1:30:36.559
<v Speaker 5>I guess I'll just I guess I'll just carry these

1:30:36.600 --> 1:30:39.840
<v Speaker 5>around until someone tells me what they're doing or what

1:30:39.880 --> 1:30:42.759
<v Speaker 5>they're what they were. You know, I honestly have no idea,

1:30:42.760 --> 1:30:44.840
<v Speaker 5>But I do know that that you know, Kevin and

1:30:44.920 --> 1:30:50.040
<v Speaker 5>the rest of the folks at Marble do, and they will,

1:30:50.080 --> 1:30:55.559
<v Speaker 5>they will craft a very very incredible story around it

1:30:55.600 --> 1:30:57.840
<v Speaker 5>when the when the time is right, which may or

1:30:57.840 --> 1:30:58.720
<v Speaker 5>may not involve me.

1:30:58.760 --> 1:30:59.639
<v Speaker 1>I have no idea.

1:31:00.360 --> 1:31:02.360
<v Speaker 2>What's it like to see yourself now as a Funko

1:31:02.479 --> 1:31:04.960
<v Speaker 2>pop as an action figure? I also have your action

1:31:05.080 --> 1:31:09.479
<v Speaker 2>figure on it on the shelf behind me. What is it?

1:31:09.640 --> 1:31:11.200
<v Speaker 2>That must be surreal? What is it like?

1:31:11.920 --> 1:31:14.439
<v Speaker 1>Surreal? You described it?

1:31:14.439 --> 1:31:17.599
<v Speaker 5>It definitely throws me for a loop every time I

1:31:17.600 --> 1:31:22.439
<v Speaker 5>see it. I mean, I was a big action figure

1:31:22.479 --> 1:31:24.680
<v Speaker 5>guy when I was when I was little, except we

1:31:24.720 --> 1:31:27.840
<v Speaker 5>couldn't afford to buy any action figures full price, so

1:31:27.880 --> 1:31:31.920
<v Speaker 5>my parents just bought whatever was that yard sales, you know,

1:31:32.439 --> 1:31:35.440
<v Speaker 5>all over the place. So I had this like mismatched

1:31:36.439 --> 1:31:42.120
<v Speaker 5>group of random action figures from random universes. None of

1:31:42.120 --> 1:31:45.519
<v Speaker 5>them were ever Asian, not a single one, So it's

1:31:45.560 --> 1:31:47.680
<v Speaker 5>it's pretty cool that we have we.

1:31:47.680 --> 1:31:52.280
<v Speaker 1>Have some now not just one, but yeah, many characters.

1:31:52.320 --> 1:31:56.599
<v Speaker 5>And I just think that represents represents a lot for

1:31:56.760 --> 1:31:58.760
<v Speaker 5>a kid to be able to be able to see

1:31:58.800 --> 1:32:01.800
<v Speaker 5>themselves and that the heroes that they play with and

1:32:01.840 --> 1:32:06.360
<v Speaker 5>that they, you know, use their imagination for, and I

1:32:06.360 --> 1:32:09.400
<v Speaker 5>think in a way shows them that anything is possible.

1:32:09.520 --> 1:32:15.920
<v Speaker 2>You mentioned just the outpouring of of fan reviews and

1:32:16.000 --> 1:32:18.400
<v Speaker 2>feedback and stuff. Is there and has been anything that

1:32:18.400 --> 1:32:22.360
<v Speaker 2>that particularly touched you in terms of people saying, it's

1:32:22.439 --> 1:32:26.280
<v Speaker 2>incredible to see this see myself represented on any number

1:32:26.320 --> 1:32:28.479
<v Speaker 2>of the characters, by any number of the characters that

1:32:28.520 --> 1:32:29.200
<v Speaker 2>I see on screen.

1:32:29.320 --> 1:32:33.240
<v Speaker 5>Yeah, absolutely, I mean that's that's definitely very special for

1:32:33.320 --> 1:32:34.720
<v Speaker 5>me to hear. And I've and I've heard it a

1:32:34.720 --> 1:32:39.400
<v Speaker 5>couple of times, you know, I've I've read it in reviews,

1:32:39.560 --> 1:32:41.880
<v Speaker 5>I've I've had people texted to me, and that's always

1:32:41.920 --> 1:32:45.000
<v Speaker 5>incredibly touching. What I like, too, is that a lot

1:32:45.040 --> 1:32:47.840
<v Speaker 5>of people will say, I didn't you know, people, people

1:32:47.920 --> 1:32:51.360
<v Speaker 5>maybe outside of the Asian community, will say, I didn't

1:32:51.400 --> 1:32:55.439
<v Speaker 5>go in expecting to like this movie, but I came

1:32:55.479 --> 1:32:57.559
<v Speaker 5>out of it with a whole you know, I came

1:32:57.600 --> 1:33:00.760
<v Speaker 5>out loving it. It was one of my favorites, you know,

1:33:00.840 --> 1:33:02.680
<v Speaker 5>movies in the MCU, and I came out of it

1:33:02.680 --> 1:33:05.559
<v Speaker 5>with a whole new understanding. And it means that it

1:33:05.600 --> 1:33:08.799
<v Speaker 5>means that this movie is more than just about being

1:33:08.840 --> 1:33:12.599
<v Speaker 5>made for Asian people by Asian people, that this movie

1:33:12.640 --> 1:33:13.759
<v Speaker 5>can also be a bridge.

1:33:13.840 --> 1:33:14.040
<v Speaker 2>You know.

1:33:14.080 --> 1:33:16.679
<v Speaker 5>It's a bridge between cultures, it's a bridge between languages.

1:33:16.880 --> 1:33:22.360
<v Speaker 5>It's you know, it really is an invitation to everybody

1:33:23.000 --> 1:33:28.240
<v Speaker 5>to come and share in our joys and our sorrows

1:33:28.280 --> 1:33:31.120
<v Speaker 5>and everything in between, you know, and our culture and

1:33:31.160 --> 1:33:34.040
<v Speaker 5>our language and all of the things that make us proud.

1:33:35.880 --> 1:33:38.760
<v Speaker 1>And yeah, I certainly hope that it continues to do that.

1:33:39.280 --> 1:33:42.720
<v Speaker 2>Uh, if you could just imagine something, I know you

1:33:42.760 --> 1:33:44.920
<v Speaker 2>can't tell us specifically, but where would you what kind

1:33:44.960 --> 1:33:47.599
<v Speaker 2>of like adventures would you like to see Schunk show

1:33:47.640 --> 1:33:49.280
<v Speaker 2>up on next? Like are we going to see him

1:33:49.720 --> 1:33:52.439
<v Speaker 2>punching a variant Fanos in the face with the ten rings?

1:33:52.479 --> 1:33:54.920
<v Speaker 2>Like what would be a fun will be a fun

1:33:55.160 --> 1:33:56.400
<v Speaker 2>adventure for Stung to go on?

1:33:57.080 --> 1:33:59.040
<v Speaker 5>I kind of hope, I kind of hope that he

1:33:59.160 --> 1:34:02.880
<v Speaker 5>does more you know, grounded stuff, you know, Like I

1:34:02.920 --> 1:34:07.759
<v Speaker 5>think the way that the rings of such a massive

1:34:08.520 --> 1:34:10.600
<v Speaker 5>power set and I and I just hope that it

1:34:10.640 --> 1:34:13.840
<v Speaker 5>doesn't come at the cost of really really cool action

1:34:13.920 --> 1:34:15.960
<v Speaker 5>sequences because because you know, one of the things that

1:34:16.200 --> 1:34:18.639
<v Speaker 5>really worked with our movie is that, you know, Sean,

1:34:18.760 --> 1:34:20.640
<v Speaker 5>Sean doesn't really have superpowers.

1:34:20.680 --> 1:34:23.000
<v Speaker 1>So yeah, he's got to fly. He can't just fly

1:34:23.200 --> 1:34:24.040
<v Speaker 1>through the scaffolding.

1:34:24.080 --> 1:34:27.759
<v Speaker 5>He's got to like climb, and same thing with the bus,

1:34:27.800 --> 1:34:30.519
<v Speaker 5>Like he can't just blow the bus in half and

1:34:30.640 --> 1:34:32.800
<v Speaker 5>you know, or lift the entire but like he's got

1:34:32.840 --> 1:34:36.000
<v Speaker 5>to really work within the constraints of the physical universe.

1:34:36.040 --> 1:34:38.559
<v Speaker 1>So I would you know, I hope that that happens

1:34:38.560 --> 1:34:40.000
<v Speaker 1>at least, you know a little bit more.

1:34:40.040 --> 1:34:42.040
<v Speaker 2>He's got to go back to being a valet. He's

1:34:42.160 --> 1:34:44.240
<v Speaker 2>just you know, it's got to apologize for taking time

1:34:44.280 --> 1:34:46.640
<v Speaker 2>off and and go back to parking the cars.

1:34:47.840 --> 1:34:49.519
<v Speaker 1>Exactly like San Francisco.

1:34:49.760 --> 1:34:51.840
<v Speaker 2>Thank you so much for taking the time seeming really

1:34:51.840 --> 1:34:54.680
<v Speaker 2>appreciate it, and congratulations on the success of the film.

1:34:55.200 --> 1:34:56.920
<v Speaker 2>It's been amazing to watch.

1:34:57.040 --> 1:34:59.280
<v Speaker 1>Thanks man, really appreciate it. It's great talking.

1:34:59.520 --> 1:35:02.439
<v Speaker 2>When we're back, Rosie and I will enter the End Game.

1:35:07.400 --> 1:35:10.760
<v Speaker 2>Welcome to the Endgame, where me and Rosie get to

1:35:10.800 --> 1:35:13.840
<v Speaker 2>play a game, sometimes with a guest, this time just

1:35:13.880 --> 1:35:16.799
<v Speaker 2>with each other. And the game today is Top fives,

1:35:17.040 --> 1:35:21.160
<v Speaker 2>in which we list our top five apocalypses in pop

1:35:21.240 --> 1:35:24.800
<v Speaker 2>culture across the board. We have decided, because we make

1:35:24.840 --> 1:35:28.680
<v Speaker 2>the rules that dystopian fiction is also allowed, we can

1:35:28.720 --> 1:35:33.800
<v Speaker 2>do dystopius. Yes, it's so, Rosie, would you like to

1:35:33.840 --> 1:35:34.240
<v Speaker 2>go first?

1:35:34.320 --> 1:35:37.519
<v Speaker 3>Yes, okay, So I have very specific reasons for it.

1:35:37.640 --> 1:35:38.280
<v Speaker 2>So yeah.

1:35:38.280 --> 1:35:41.120
<v Speaker 3>My first one is Night of the Comet, which is

1:35:41.600 --> 1:35:42.400
<v Speaker 3>a one.

1:35:42.520 --> 1:35:43.760
<v Speaker 2>Yeah.

1:35:42.760 --> 1:35:46.639
<v Speaker 3>Yeah, that's what I call the chill apocalypse because it's

1:35:46.720 --> 1:35:48.479
<v Speaker 3>like that one you can just be like in the

1:35:48.560 --> 1:35:51.040
<v Speaker 3>mall or like watching a movie and you just like

1:35:51.120 --> 1:35:54.760
<v Speaker 3>occasionally kill like a slow zombie. I used to work

1:35:54.760 --> 1:35:57.519
<v Speaker 3>in a cinema and I used to definitely like think

1:35:57.560 --> 1:35:59.720
<v Speaker 3>that I was the main character from that movie. I'll

1:35:59.720 --> 1:36:01.200
<v Speaker 3>be like, yeah, I'll just come out of the middle

1:36:01.240 --> 1:36:03.200
<v Speaker 3>of the night. If there's an apocalypse, I'll be cool.

1:36:04.240 --> 1:36:07.600
<v Speaker 3>Next is a Kira, just because I mean I just

1:36:07.760 --> 1:36:11.160
<v Speaker 3>want to be cool and live in neo Tokyo. So

1:36:11.280 --> 1:36:14.519
<v Speaker 3>obviously post destruction of Tokyo, very dramatic. People are getting

1:36:14.560 --> 1:36:18.920
<v Speaker 3>mutant powers. There's cool gangs everywhere. Everyone's riding a sick motorcycle.

1:36:19.640 --> 1:36:21.840
<v Speaker 3>I love Akira, so that would definitely be high up

1:36:21.840 --> 1:36:22.320
<v Speaker 3>on my list.

1:36:22.760 --> 1:36:26.320
<v Speaker 2>Tank Girl, oh a tank Girl movies or the comic.

1:36:27.080 --> 1:36:28.840
<v Speaker 3>I'm gonna go with the movie just because it fits

1:36:28.840 --> 1:36:31.120
<v Speaker 3>better because it's like post a Comet. There's like a

1:36:31.200 --> 1:36:33.960
<v Speaker 3>drought and a water sore. It's so tech again, just

1:36:34.000 --> 1:36:36.920
<v Speaker 3>be cool driving around the tank looking cool, having a

1:36:36.960 --> 1:36:41.519
<v Speaker 3>cool lesbian friend, like living life. Next up is my

1:36:41.600 --> 1:36:44.160
<v Speaker 3>comics one, which is Age of Apocalypse. I don't think

1:36:44.200 --> 1:36:47.360
<v Speaker 3>it would be like particularly enjoyable to be there, but

1:36:47.479 --> 1:36:51.120
<v Speaker 3>like it's very epic. Yeah, it's a lot of like Shenanigans. Yeah,

1:36:51.160 --> 1:36:55.160
<v Speaker 3>there are a lot of so like legions killed Charles

1:36:55.280 --> 1:36:58.280
<v Speaker 3>Xavier instead of Magneto, and that means Apocalypse comes earlier

1:36:58.320 --> 1:37:00.879
<v Speaker 3>and things are going bad, mutants are running right. Hopefully

1:37:00.920 --> 1:37:02.519
<v Speaker 3>I would be a mutant in that world, I guess

1:37:02.560 --> 1:37:04.800
<v Speaker 3>if I get to pick, because otherwise humans are getting killed.

1:37:05.200 --> 1:37:08.800
<v Speaker 3>But just like cool, I mune Uprising stuff and my

1:37:08.880 --> 1:37:11.559
<v Speaker 3>last one, which is definitely more dystopian, but we agree

1:37:11.600 --> 1:37:15.599
<v Speaker 3>that works. Escape from New York that's the Yeah, maybe

1:37:15.680 --> 1:37:17.639
<v Speaker 3>Escape from LAF. I want to do like some surfing,

1:37:17.720 --> 1:37:18.839
<v Speaker 3>but I'm bad at surfing.

1:37:18.880 --> 1:37:25.479
<v Speaker 2>So dope, that's my Donald hung out with Kurt.

1:37:25.320 --> 1:37:28.000
<v Speaker 3>Russell, have the sunglasses.

1:37:32.000 --> 1:37:39.360
<v Speaker 2>Here's here's Donald pleasance in Halloween. Now now, okay, those

1:37:39.360 --> 1:37:43.000
<v Speaker 2>are all great, So I'm gonna say my number first

1:37:43.000 --> 1:37:46.519
<v Speaker 2>one is Twenty eight Days Later, the movie which kind

1:37:46.560 --> 1:37:51.920
<v Speaker 2>of revitalized the zombie genre, you know, along with Max

1:37:52.040 --> 1:37:56.920
<v Speaker 2>Brooks's uh it was the name of the books, along

1:37:56.960 --> 1:38:00.920
<v Speaker 2>with Max Brooks's World war Z, and introduced as zombies

1:38:01.000 --> 1:38:06.320
<v Speaker 2>into the pop cultural cannon. That movie, so it was produced,

1:38:06.439 --> 1:38:08.400
<v Speaker 2>It was filmed before nine to eleven, but came out,

1:38:08.439 --> 1:38:12.280
<v Speaker 2>like I want to say, a month later, right around there,

1:38:12.360 --> 1:38:16.519
<v Speaker 2>and it seemed so of a time of that time.

1:38:16.800 --> 1:38:18.799
<v Speaker 2>And I remember seeing in the theater and just being

1:38:19.240 --> 1:38:21.760
<v Speaker 2>like horrified and blown away and also just like ge

1:38:21.840 --> 1:38:24.240
<v Speaker 2>chanted by, like the low fineness of it, like the

1:38:24.320 --> 1:38:29.920
<v Speaker 2>kind of gorilla filmmaking London, completely like abandoned. They filmed

1:38:29.920 --> 1:38:33.280
<v Speaker 2>it at like six am on Sundays when there was

1:38:33.320 --> 1:38:35.559
<v Speaker 2>the least amount of people that could be around, and

1:38:35.600 --> 1:38:39.759
<v Speaker 2>it just looks incredible. Next, I'm Gonna go Time runs

1:38:39.800 --> 1:38:43.519
<v Speaker 2>out of the Jonathan Hickman storyline that ran in New

1:38:43.560 --> 1:38:48.960
<v Speaker 2>Avengers and Avengers and is about a version of which

1:38:49.000 --> 1:38:51.240
<v Speaker 2>I'm sure we'll see in the MCU, which is about

1:38:51.720 --> 1:38:57.920
<v Speaker 2>various multiversal realities crashing into the main Earth reality and

1:38:58.080 --> 1:39:00.559
<v Speaker 2>the kind of moral lines the heroes have to cross

1:39:00.560 --> 1:39:04.360
<v Speaker 2>in order to deal with this threat. Next, Children of Men,

1:39:05.080 --> 1:39:09.280
<v Speaker 2>which is like a prophetic movie, like if you watching

1:39:09.320 --> 1:39:12.040
<v Speaker 2>it at the time, it's one of those very rare feelings,

1:39:12.360 --> 1:39:14.760
<v Speaker 2>you know. It was a Christmas movie. Weirdly enough, I

1:39:14.760 --> 1:39:19.479
<v Speaker 2>remember seeing it and thinking, this feels like the world

1:39:19.800 --> 1:39:23.200
<v Speaker 2>in ten, fifteen and or twenty years, and lo and

1:39:23.240 --> 1:39:27.439
<v Speaker 2>behold it happened. Days of Future passed the comic arc.

1:39:27.560 --> 1:39:30.200
<v Speaker 2>It's crazy you mentioned earlier in the podcast, like these

1:39:30.200 --> 1:39:33.519
<v Speaker 2>little two and three mini arcs, that was like the

1:39:33.560 --> 1:39:35.960
<v Speaker 2>norm back then when it was harder to keep track

1:39:36.000 --> 1:39:38.240
<v Speaker 2>of comics, and it was it was just harder for

1:39:38.320 --> 1:39:41.240
<v Speaker 2>people to like keep up with them and know what

1:39:41.400 --> 1:39:44.080
<v Speaker 2>was going on, so you couldn't really stretch a story

1:39:44.120 --> 1:39:47.040
<v Speaker 2>out over ten twelve issues, you know, not until like

1:39:47.080 --> 1:39:51.600
<v Speaker 2>Secret Wars and stuff. But the two so it's X

1:39:51.680 --> 1:39:58.520
<v Speaker 2>Men one forty one and one forty two, and it's

1:39:58.600 --> 1:40:03.200
<v Speaker 2>just is the cover of one, which is like old

1:40:03.240 --> 1:40:08.160
<v Speaker 2>Wolverine and Kitty Pride Kate Pride standing in front of

1:40:08.360 --> 1:40:12.080
<v Speaker 2>a wanted poster of all the X Men, and it

1:40:12.200 --> 1:40:15.599
<v Speaker 2>just says like slain over there over their faces is

1:40:15.760 --> 1:40:18.880
<v Speaker 2>just It's one of the most referenced and iconic covers

1:40:18.880 --> 1:40:23.520
<v Speaker 2>in comics history. I love it. And then finally Armageddon,

1:40:23.800 --> 1:40:27.040
<v Speaker 2>which I think is the most entertaining right wing movie

1:40:27.240 --> 1:40:30.880
<v Speaker 2>ever made. It is about, for those of you don't know,

1:40:31.040 --> 1:40:35.040
<v Speaker 2>is about a massive comment that's gonna hit Earth and

1:40:35.320 --> 1:40:38.960
<v Speaker 2>the conceit is. Yes we have NASA, Yes we have

1:40:39.200 --> 1:40:43.799
<v Speaker 2>like astronauts, Yes we have like our massive military machine.

1:40:44.280 --> 1:40:46.760
<v Speaker 2>But the only people who can deal with this are

1:40:47.439 --> 1:40:51.439
<v Speaker 2>the oil workers, oil company workers. And what do they

1:40:51.479 --> 1:40:55.080
<v Speaker 2>want in order to deal with this? They want to

1:40:55.160 --> 1:40:58.080
<v Speaker 2>never pay taxes again, that's what they want, So that

1:40:58.280 --> 1:41:00.960
<v Speaker 2>is the movie. Also, it opens with iconic scene of

1:41:01.000 --> 1:41:04.240
<v Speaker 2>like Bruce Willis like hitting golf balls at a green

1:41:04.280 --> 1:41:09.760
<v Speaker 2>peace boat. Again, the politics of this movie are horrific,

1:41:10.280 --> 1:41:13.160
<v Speaker 2>but I enjoy watching it. What are your top five

1:41:13.360 --> 1:41:19.040
<v Speaker 2>apocalypse movies about dystopian fiction. I almost did Mad Max,

1:41:19.080 --> 1:41:22.000
<v Speaker 2>but it seemed like that apocalypse was too far in

1:41:22.040 --> 1:41:25.360
<v Speaker 2>the past, like that was it had already happened, maybe

1:41:25.360 --> 1:41:26.559
<v Speaker 2>one hundred years ago or something.

1:41:26.600 --> 1:41:26.800
<v Speaker 1>Like that.

1:41:26.840 --> 1:41:29.439
<v Speaker 2>So I these are our top fives? What are your

1:41:29.479 --> 1:41:33.719
<v Speaker 2>top fives? Get at us, tweeted us, post at us,

1:41:34.080 --> 1:41:38.599
<v Speaker 2>let us know what your top five apocalypses are. Well,

1:41:38.640 --> 1:41:41.240
<v Speaker 2>that's it for our show today on behalf of Rosie

1:41:41.280 --> 1:41:44.920
<v Speaker 2>and myself. Thank you for listening. Please tune in again

1:41:44.960 --> 1:41:47.080
<v Speaker 2>wherever you get your podcast. X ray Vision is a

1:41:47.080 --> 1:41:49.280
<v Speaker 2>Crooked Media production. The show is produced by Chris Lord

1:41:49.280 --> 1:41:52.000
<v Speaker 2>and Saul Rubin. The show is executive produced by me

1:41:52.720 --> 1:41:55.800
<v Speaker 2>and Sandy Gerard. Caroline Reston and Carlton Gillespie are are

1:41:55.840 --> 1:41:58.519
<v Speaker 2>consulting producers, and our editing and sound design is by

1:41:58.640 --> 1:42:01.880
<v Speaker 2>David Grinbaum foks. At chapter four, thank you to Brian

1:42:01.960 --> 1:42:04.360
<v Speaker 2>Vasquez for our theme music. See you next time.