WEBVTT - Secrets Revealed ("The Whole Truth" S1 EP 16)

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<v Speaker 1>Still the Place with Laura Layton, Courtney Thorn Smith.

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<v Speaker 2>And Daphne's Aniga and iHeartRadio podcast.

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<v Speaker 1>Hi guys, welcome back.

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<v Speaker 2>Yeah, how's everyone doing?

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<v Speaker 3>Still recovering from Thanksgiving? Not gonna lie?

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<v Speaker 1>Yeah you had a house ful?

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<v Speaker 2>Right?

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<v Speaker 3>We have a house mess and then but yeah, I

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<v Speaker 3>mean I kind of always have a house full, just

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<v Speaker 3>because we have a big family. We didn't host the

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<v Speaker 3>big event.

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<v Speaker 2>We just oh you didn't. No, you went to someone

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<v Speaker 2>else's home.

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<v Speaker 3>We generally host Christmas and my sister in law host Thanksgiving.

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<v Speaker 2>So still and Cortney, you drove, We drove, drove.

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<v Speaker 1>My son passed his driving test on Monday and we

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<v Speaker 1>left Tuesday, so we drove up to northern California and

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<v Speaker 1>he drove the first three hours.

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<v Speaker 2>How did he do?

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<v Speaker 1>Great?

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<v Speaker 3>Just right up that five freeway, it's a nice straight line.

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<v Speaker 1>He did the grape vine. He did absolutely great. I

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<v Speaker 1>was just sitting there my lap covered in dogs, chatting away,

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<v Speaker 1>and then it was my tre and I was like, oh,

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<v Speaker 1>I was kind of hoping that he would love it

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<v Speaker 1>so much that he would want to try the whole way,

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<v Speaker 1>but no, I had to take my turn. But it

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<v Speaker 1>was great. We stayed at Cavola Point, which is gorgeous.

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<v Speaker 1>You know that it used to be for Baker just

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<v Speaker 1>over the bridge in Saucelito. They're super dog friendly, so

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<v Speaker 1>we brought the dogs and had such a great And

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<v Speaker 1>it still.

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<v Speaker 3>Feels like homped me up there.

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<v Speaker 1>Yeah, you know you grew up up there too, right, daf.

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<v Speaker 2>Yes, I did. I grew up in Berkeley.

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<v Speaker 1>Yeah, So we looked at UC Berkeley. We went and

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<v Speaker 1>walked through really Berkeley. We walked around Stamford. Yeah.

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<v Speaker 2>I used to skateboard and run around there. My dad

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<v Speaker 2>was going to school there, so we kind of like

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<v Speaker 2>were two kids running around. It was our backyard all over,

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<v Speaker 2>going up the camp and neely, just sneaking into lecture halls,

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<v Speaker 2>that kind of stuff you do as a kid.

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<v Speaker 1>It was fun. Yeah, my mom used to live there,

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<v Speaker 1>so we lived in Male Valley. My mom used to

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<v Speaker 1>live in Berkeley. So many men, right, I'm always surprised.

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<v Speaker 1>We went to Stanford Shopping Center to meet my step

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<v Speaker 1>mom for lunch, and it's so different, Like I couldn't

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<v Speaker 1>even recognize where we used to go. The whole parking

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<v Speaker 1>lot is stores now. It seems like the only mall

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<v Speaker 1>that's still thriving a lot of development. The bigger going.

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<v Speaker 3>Back to where your childhood was or where your memories where,

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<v Speaker 3>and everything's changed.

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<v Speaker 2>It's so bizarre.

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<v Speaker 3>I definitely have that out of body, like I don't

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<v Speaker 3>recognize it feeling when I go back home. Have you

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<v Speaker 3>guys been back to Santa Clarita since we shot in

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<v Speaker 3>Santa Clarita. Well, we drove through twice and it's but like,

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<v Speaker 3>have you tried to like find your way around. We

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<v Speaker 3>used to drive to the sets like on autopilot. We

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<v Speaker 3>knew our way so well. We drove there all the time.

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<v Speaker 2>And built up a lot of those warehouse built up

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<v Speaker 2>all those warehouses. Like back when we were shooting Melrose,

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<v Speaker 2>we were the only really ones. I mean there were

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<v Speaker 2>some on I forget that street, but yeah, they've built

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<v Speaker 2>up a lot of.

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<v Speaker 3>Yeah, I just found it like, oh, just it doesn't

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<v Speaker 3>seem like I should be not able to recognize it,

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<v Speaker 3>but it just feels so different and new.

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<v Speaker 1>I wonder if that Marie calendar is still there. I

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<v Speaker 1>been for tuna salad.

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<v Speaker 3>All right, we had a research research.

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<v Speaker 1>God, I know, wouldn't that be sweet? Now, Daphne, what

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<v Speaker 1>did you do?

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<v Speaker 2>I went to Texas. I went to Dallas. My brother

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<v Speaker 2>married a lovely woman from Dallas, so we were there

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<v Speaker 2>with her family. We had a roast turkey and a

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<v Speaker 2>fried turkey, because you do that in Dallas.

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<v Speaker 1>I guess, Wow, how was it?

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<v Speaker 2>I mean, you don't need me. I don't need turkeys.

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<v Speaker 2>The mom made sherry, made peacampi and all kinds of candies,

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<v Speaker 2>like just she made them, you know, bars and like

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<v Speaker 2>caramel and all this stuff. Was like there's lots of

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<v Speaker 2>forms of sugar that I never knew about. Amazing, amazing. Yeah,

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<v Speaker 2>it was really fun. It was very different. It was

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<v Speaker 2>really great.

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<v Speaker 1>My cousin made sweet potatoes and there was like an

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<v Speaker 1>inch of sweet potatoes and then maybe two inches then

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<v Speaker 1>the equal amount of brown sugar, butter and pecans. Wow,

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<v Speaker 1>like I'm pretending this is a vegetable and it's the

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<v Speaker 1>best one I've had in my entire life. Like the

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<v Speaker 1>offer is pie, and I was like, what pie could

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<v Speaker 1>be better than the sweet potatoes?

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<v Speaker 2>I know, Yeah, it's really true.

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<v Speaker 3>Well, I do feel like it's like the season for it,

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<v Speaker 3>and I do feel like I'm still recovering from everything

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<v Speaker 3>I over ate on Thanksgiving. But I rolled right into

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<v Speaker 3>Christmas season already, I'm like, oh, you know, my god,

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<v Speaker 3>game on.

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<v Speaker 2>It's literally like baking. And the day all the Turkey

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<v Speaker 2>designs came down and I helped Lindsay put up all

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<v Speaker 2>the Christmas and you know, all over Christmas trees and

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<v Speaker 2>Barkley things, and I'm like, well.

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<v Speaker 3>Yeah, it's on is Christmas.

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<v Speaker 1>Mine's already up. I put mine up three weeks ago.

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<v Speaker 1>But I did put out like the little trees and

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<v Speaker 1>the other decor. And then I had a dinner party

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<v Speaker 1>last night and everybody brought me out, just pointing it

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<v Speaker 1>out again without you, and I did realize that I

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<v Speaker 1>would hear about it, but but you mentioned it any

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<v Speaker 1>do it. I mentioned it anyway because they brought me

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<v Speaker 1>points stadi Is and it was so lovely. So we

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<v Speaker 1>will get something on the books so that next time

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<v Speaker 1>I mention it and you guys then mention it, actually.

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<v Speaker 2>We'll say, yeah, it was so great.

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<v Speaker 3>All right. So on that note, we have another recapped today,

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<v Speaker 3>our Reach episode sixteen, Episode sixteen.

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<v Speaker 1>I'm just gonna say this, Daphne and I both make

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<v Speaker 1>out with someone in this episode, just just putting that

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<v Speaker 1>out there, getting the interest up.

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<v Speaker 3>It happens it is really sex in this show. Yeah,

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<v Speaker 3>I think right about now, So if this episode was

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<v Speaker 3>airing November eighteenth and nineteen ninety two, I think I

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<v Speaker 3>was actually filming my first episodes as Sydney in November

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<v Speaker 3>of nineteen ninety two, So right around now, I was

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<v Speaker 3>probably filming Wow. And the only reason I sort of

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<v Speaker 3>remember this well because Sydney's gona appear in a episodes,

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<v Speaker 3>But so I remembered that after I was done with

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<v Speaker 3>my two episodes, I was like giving a Christmas gift

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<v Speaker 3>or a Christmas something to Josie and and like I

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<v Speaker 3>was just I think I was probably baking at that time,

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<v Speaker 3>and I was like, oh, do my little Christmas stuff.

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<v Speaker 3>But I feel like I it was right before the

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<v Speaker 3>Holidays that I was doing these two episodes anyway, So

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<v Speaker 3>while you guys are having fun making out and being

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<v Speaker 3>on the show, I was like, you know, hiking.

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<v Speaker 2>Out and fighting. It's like, we're gonna see this, but this,

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<v Speaker 2>this like most gorgeous guy is after me, and all

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<v Speaker 2>I do is yell at him and push him away

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<v Speaker 2>and like a million different forms, like every time he

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<v Speaker 2>makes an offering, I'm like, yeah, no, I mean I

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<v Speaker 2>just can't I'm like, I hope she like gives in soon.

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<v Speaker 1>Now you know how I feel with Billy?

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<v Speaker 2>I know, do you not have eyes?

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<v Speaker 1>I felt exact same way.

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<v Speaker 3>Yeah, Joe's kind of a tough nut.

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<v Speaker 1>Us be a female fantasy that these gorgeous guys that

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<v Speaker 1>were like, no, no, no, because our audience was primarily female,

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<v Speaker 1>it must be these gorgeous guys guys.

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<v Speaker 2>Yeah.

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<v Speaker 1>And by the way, first you turned down another gorgeous

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<v Speaker 1>guy before you turn down, right, Jake. So let's get

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<v Speaker 1>to the episode.

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<v Speaker 3>All right, So episode sixteen. The title of this one

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<v Speaker 3>is The Whole Truth. This is directed by Charles Braverman,

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<v Speaker 3>and it opens in Alison and Billy's apartment at night.

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<v Speaker 3>Billy walks out of his bedroom and tells Alison that

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<v Speaker 3>he's headed to Shooters for night out, and seeing as

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<v Speaker 3>he's dressed in a sport coat with something like a

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<v Speaker 3>Hawaiian print shirt underneath, it looks like he's really ready

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<v Speaker 3>for good night out, and he tells Alison he doesn't

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<v Speaker 3>want her to come along because he's planning to hopefully,

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<v Speaker 3>you know, pick up a girl. So she all right

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<v Speaker 3>jokingly calls him Fido. He barks, and he leaves, but

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<v Speaker 3>not before Alison sniffs him and teases him that he

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<v Speaker 3>has sent it himself for his night out in something

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<v Speaker 3>called love Spice.

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<v Speaker 1>Do you think that was an actual cologne name where

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<v Speaker 1>I was naming it?

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<v Speaker 2>I think the writers might.

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<v Speaker 1>I think it was a very bad, I mean, very

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<v Speaker 1>imaginary smell. But you know, Andrew is like, so I

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<v Speaker 1>bark like a dog and I smell bad.

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<v Speaker 3>He's like, bye, going out anyway, I got this.

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<v Speaker 1>Exactly like this handsome.

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<v Speaker 2>I mean, it's so funny how these writers create Andrew's

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<v Speaker 2>shoe to be like this duft is at times like

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<v Speaker 2>this puppy dog, little kid. And all the women were

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<v Speaker 2>just like, oh my god, Andrew, I'm crazy for him. Yeah.

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<v Speaker 3>Yeah, So he tells Alison don't wait up, and when

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<v Speaker 3>the door closes behind him, he sneakily retrieves a bottle

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<v Speaker 3>of champagne and two glasses hidden in the bushes right

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<v Speaker 3>outside his apartment door. He takes those items straight upstairs

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<v Speaker 3>to Joe's apartment and knocks on the door. She answers,

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<v Speaker 3>and Billy asks Joe if she's interested in a little

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<v Speaker 3>champagne and conversation, and then she says her. He's like,

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<v Speaker 3>oh what and uh, he ignores that. But anyway, and

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<v Speaker 3>you know, do you want to hang out? And she says, no, Bill,

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<v Speaker 3>I was planning to do nothing tonight. And he's like, well,

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<v Speaker 3>let's do it together. Let's do nothing together.

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<v Speaker 2>He and I love how she keeps calling him billious

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<v Speaker 2>so we all know him as Billy and it's like Bill.

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<v Speaker 2>And then later she calls Michael Mike. Thanks Mike.

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<v Speaker 3>She's got her own thing going on.

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<v Speaker 2>I love it.

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<v Speaker 3>And so he says, let's do nothing together and justice

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<v Speaker 3>now some other time Bill and closes the door in

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<v Speaker 3>his face.

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<v Speaker 1>Yeah, that, Daphne. You never say who is it? Or

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<v Speaker 1>look through the people. You just didn't notice that your door.

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<v Speaker 1>You did not I noticed it. I'm like, you just

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<v Speaker 1>swing your door open to anybody who know.

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<v Speaker 2>Oh that's so funny.

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<v Speaker 1>I remind woman with a frightening pass just opens her door.

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<v Speaker 2>I know. And if she's really from a frightening past,

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<v Speaker 2>she should have like like nine locks on the inside

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<v Speaker 2>of the door, right like every movie you see in

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<v Speaker 2>New York City, they all have like all these locks. Well,

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<v Speaker 2>she gets in trouble with a lot of guys, she

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<v Speaker 2>should have had locks on that door at.

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<v Speaker 1>Least say who is it? That would be nice.

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<v Speaker 3>So then we cut too from there shooters that night,

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<v Speaker 3>where Jake and Billy are drinking that bottle of champagne together.

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<v Speaker 3>Billy has decided to drink it with Jake instead, and

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<v Speaker 3>Jake tells Billy his line to Joe about doing nothing

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<v Speaker 3>together was really lame, and then he tells Jake that

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<v Speaker 3>he's giving up on Joe, and he warns Jake that women.

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<v Speaker 2>Like that will never ever give.

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<v Speaker 3>You a chance, and Jake sniffs the air and says, well,

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<v Speaker 3>maybe Joe turned you down because of that.

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<v Speaker 1>After Shape, I think Billy's having trouble taking responsibility. Women

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<v Speaker 1>like that won't give anyone a chance.

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<v Speaker 3>Not me, not you, Jake, don't even think about it,

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<v Speaker 3>because what do you have going for you?

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<v Speaker 2>Yeah?

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<v Speaker 3>I stink, But what do you have going for Yeah?

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<v Speaker 2>What do you have? And don't count the six pack

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<v Speaker 2>because I have one too.

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<v Speaker 3>So then we cut to Michael and Jane's apartment. They

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<v Speaker 3>are kissing in bed and the phone rings. Jean answers it,

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<v Speaker 3>and after a brief conversation, she hangs up and tells

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<v Speaker 3>Michael that she no longer has a job. That was

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<v Speaker 3>her ex boss, telling her that the clothing shop has

0:11:18.000 --> 0:11:19.959
<v Speaker 3>been sold and that Jane should come by in the

0:11:19.960 --> 0:11:21.560
<v Speaker 3>morning and pick up her personal stuff.

0:11:22.960 --> 0:11:25.760
<v Speaker 1>Interesting way to shoot it. Right, they're naked in bed.

0:11:25.880 --> 0:11:29.080
<v Speaker 1>They're clearly either they've just had sex or they're about

0:11:29.120 --> 0:11:31.679
<v Speaker 1>to have sex, and she gets fired. I thought that's

0:11:31.720 --> 0:11:33.000
<v Speaker 1>an interesting.

0:11:33.320 --> 0:11:35.079
<v Speaker 2>Yeah, yeah, that's interesting.

0:11:35.640 --> 0:11:38.040
<v Speaker 1>She could be making coffee and get the call and

0:11:38.080 --> 0:11:38.800
<v Speaker 1>they said.

0:11:38.559 --> 0:11:43.840
<v Speaker 2>Now, maybe there was like an editorial direction, like, remember,

0:11:43.920 --> 0:11:46.680
<v Speaker 2>we're spicing up this damn show, so I want them

0:11:46.720 --> 0:11:49.400
<v Speaker 2>to start naked in bed and right, you know what

0:11:49.440 --> 0:11:51.800
<v Speaker 2>I mean, Like it could be like a random, you know,

0:11:52.480 --> 0:11:54.719
<v Speaker 2>call or something, but it's like, let's start her in

0:11:54.760 --> 0:11:55.720
<v Speaker 2>bed or end them in bed.

0:11:56.040 --> 0:11:58.160
<v Speaker 1>Maybe there was a scene before this and they cut it.

0:11:58.480 --> 0:12:00.720
<v Speaker 3>And it's also I think maybe a pre to what

0:12:00.840 --> 0:12:03.119
<v Speaker 3>their storyline is going to be, where they're having conversations

0:12:03.160 --> 0:12:06.120
<v Speaker 3>about trying to have a baby and trying to get

0:12:06.120 --> 0:12:08.440
<v Speaker 3>pregnant again and like that. It does seem to be

0:12:08.480 --> 0:12:09.160
<v Speaker 3>a theme in there.

0:12:09.200 --> 0:12:09.960
<v Speaker 2>Yeah, that's true.

0:12:10.080 --> 0:12:13.520
<v Speaker 3>You're always Then we're back with Alison and Billy in

0:12:13.640 --> 0:12:15.760
<v Speaker 3>their apartment in the morning. Billy's in the kitchen. He's

0:12:15.800 --> 0:12:19.080
<v Speaker 3>looking for aspirin in the cupboard and Allison comes in

0:12:19.080 --> 0:12:22.160
<v Speaker 3>the kitchen dressed for work, tells Billy he looks miserable.

0:12:22.440 --> 0:12:24.800
<v Speaker 3>He tells her it's his tooth acting up again, and

0:12:24.840 --> 0:12:27.040
<v Speaker 3>she says, you know, you should see a dentist now

0:12:27.160 --> 0:12:30.000
<v Speaker 3>it'll go away. He says, but is it swollen, and

0:12:30.320 --> 0:12:32.120
<v Speaker 3>Allison says, yeah, maybe it is. He should make an

0:12:32.120 --> 0:12:35.320
<v Speaker 3>appointment with doctor Estrin, who's the best dentist in La.

0:12:35.440 --> 0:12:38.319
<v Speaker 1>She says, such a sweet scene. I think it's such

0:12:38.320 --> 0:12:40.160
<v Speaker 1>a sweet scene. And all I thought was, yeah, you

0:12:40.160 --> 0:12:44.720
<v Speaker 1>can tell we're dating because I realized sweet way, I'm like, Alison,

0:12:44.800 --> 0:12:45.559
<v Speaker 1>hanced yourself.

0:12:46.960 --> 0:12:49.720
<v Speaker 2>You say to him. Allison says to Billy, you look

0:12:49.760 --> 0:12:51.120
<v Speaker 2>like a mess. But what she really meant to say

0:12:51.160 --> 0:12:52.040
<v Speaker 2>is she was adorable.

0:12:52.160 --> 0:12:53.679
<v Speaker 1>You're adorable.

0:12:56.120 --> 0:12:57.400
<v Speaker 2>Because he was adorable.

0:12:58.240 --> 0:13:01.079
<v Speaker 3>So yeah, she's taking good care of him and getting

0:13:01.160 --> 0:13:03.840
<v Speaker 3>him a doctor's appointment. And he ends up saying, going,

0:13:03.880 --> 0:13:06.199
<v Speaker 3>thanks mom, of course, yeah, of course.

0:13:06.000 --> 0:13:08.160
<v Speaker 2>She has the best done just in the city. Yeah.

0:13:09.280 --> 0:13:11.520
<v Speaker 3>And then we got to the courtyard. During the day,

0:13:11.640 --> 0:13:14.760
<v Speaker 3>Joe is lying on the ground taking photos of Jake's

0:13:14.800 --> 0:13:17.719
<v Speaker 3>motorcycle for her portfolio. Jake walks up and jokes that

0:13:17.760 --> 0:13:20.840
<v Speaker 3>he charges two dollars a shot and Joe tells Jake

0:13:20.920 --> 0:13:23.520
<v Speaker 3>he has a beautiful bike, especially from the pipes up.

0:13:24.200 --> 0:13:26.480
<v Speaker 2>Yeah, they did a nice little crane shot or something.

0:13:26.520 --> 0:13:28.320
<v Speaker 2>Did you notice that when I come up, I'm lying

0:13:28.320 --> 0:13:29.760
<v Speaker 2>down on the ground that I come up and I

0:13:29.800 --> 0:13:32.800
<v Speaker 2>go it comes up, especially from the pipes side.

0:13:32.880 --> 0:13:35.840
<v Speaker 1>I feel like you were doing that a lot. I

0:13:35.840 --> 0:13:38.079
<v Speaker 1>feel like that's something you laying down to get a

0:13:38.120 --> 0:13:40.440
<v Speaker 1>shot on the show. Don't you feel like because I

0:13:40.480 --> 0:13:41.360
<v Speaker 1>saw that, I was like.

0:13:41.400 --> 0:13:43.640
<v Speaker 2>That or like climbing a ladder. It was always so

0:13:43.679 --> 0:13:45.280
<v Speaker 2>difficult for her to get an angle.

0:13:45.320 --> 0:13:48.520
<v Speaker 3>How do we make this interesting? Let's put Joe somewhere

0:13:48.559 --> 0:13:50.920
<v Speaker 3>on the ground or upside that oily bike.

0:13:51.480 --> 0:13:53.240
<v Speaker 1>Well, I think they put a bag. I felt like

0:13:53.280 --> 0:13:55.800
<v Speaker 1>that bag was there to rest your head on. You

0:13:55.880 --> 0:13:58.960
<v Speaker 1>think probably donore you know all the track.

0:13:59.400 --> 0:14:01.640
<v Speaker 2>I probably rabbed it. They probably had nothing for me.

0:14:01.679 --> 0:14:04.080
<v Speaker 2>And you know, you're always when you're the one lying

0:14:04.120 --> 0:14:06.000
<v Speaker 2>down in the dirt or something. I've done tons of

0:14:06.080 --> 0:14:08.560
<v Speaker 2>like you know, Lifetime movies, and they're always like you're

0:14:08.600 --> 0:14:10.719
<v Speaker 2>running around the dark and I'm just like, could I

0:14:10.760 --> 0:14:12.840
<v Speaker 2>get a little padding please? I know I'm about to

0:14:12.840 --> 0:14:14.400
<v Speaker 2>blow him away or we're gonna have a fight.

0:14:14.480 --> 0:14:16.760
<v Speaker 1>But and so you find I don't have to be

0:14:16.840 --> 0:14:18.280
<v Speaker 1>uncomfortable while I'm killing him.

0:14:18.679 --> 0:14:21.440
<v Speaker 3>And that career is pretty filthy, like yeah, you know,

0:14:21.680 --> 0:14:25.320
<v Speaker 3>everybody walks through it, and yeah, I know instruction and yeah.

0:14:25.840 --> 0:14:28.680
<v Speaker 1>Didn't you think this is spicy? You were spiky? Yeah,

0:14:28.720 --> 0:14:30.080
<v Speaker 1>full of double on taundres.

0:14:30.360 --> 0:14:33.600
<v Speaker 2>Yeah, yes, And that's that she's starting to play with him,

0:14:33.640 --> 0:14:36.480
<v Speaker 2>you know. Yeah, so she like gets she says something

0:14:36.520 --> 0:14:39.080
<v Speaker 2>double on tundra like especially from the pipes up.

0:14:39.320 --> 0:14:39.520
<v Speaker 1>Yeah.

0:14:39.520 --> 0:14:41.280
<v Speaker 2>And then and then he goes, you want to go

0:14:41.400 --> 0:14:46.080
<v Speaker 2>for a ride and she's like no, she.

0:14:46.120 --> 0:14:47.960
<v Speaker 3>Says, yeah, he asked, do you want to go for

0:14:47.960 --> 0:14:49.800
<v Speaker 3>a ride, and she says she was planning on doing

0:14:49.840 --> 0:14:53.080
<v Speaker 3>nothing today. So Jake takes that opportunity to suggest they

0:14:53.120 --> 0:14:55.400
<v Speaker 3>do nothing together. And then that sort of is that

0:14:55.480 --> 0:14:56.600
<v Speaker 3>cute smile between him.

0:14:56.520 --> 0:14:59.120
<v Speaker 2>Because it's like, oh, it worked for him and then

0:14:59.440 --> 0:15:01.280
<v Speaker 2>the other gorgeous guy in the bed.

0:15:03.920 --> 0:15:07.000
<v Speaker 3>So then because we got to the street out on

0:15:07.040 --> 0:15:10.360
<v Speaker 3>the motorcycle, Joe and Jaker sharing, Joe is loving it

0:15:10.400 --> 0:15:12.400
<v Speaker 3>and Jake warns her watch out, you could swallow a

0:15:12.400 --> 0:15:15.520
<v Speaker 3>bug and uh. Then they pull over to the side

0:15:15.520 --> 0:15:18.520
<v Speaker 3>of the mountain road overlooking a rocky ravine and Jake

0:15:18.600 --> 0:15:20.400
<v Speaker 3>asks Joe where she learned to ride?

0:15:20.480 --> 0:15:23.560
<v Speaker 1>Like that, do you think for a second that Jake

0:15:23.720 --> 0:15:26.600
<v Speaker 1>would let a woman drive his motorcycle. I mean, I

0:15:26.720 --> 0:15:29.080
<v Speaker 1>liked it, but I thought, wow, that seemed out of character. Also,

0:15:29.120 --> 0:15:30.880
<v Speaker 1>seems were super tight.

0:15:31.040 --> 0:15:33.480
<v Speaker 3>And she was in the front like she was riding

0:15:33.520 --> 0:15:38.080
<v Speaker 3>and he was behind she instead of Yeah, So that

0:15:38.240 --> 0:15:40.040
<v Speaker 3>was surprising that the first time we see them on

0:15:40.080 --> 0:15:41.200
<v Speaker 3>the bike together, well.

0:15:41.160 --> 0:15:43.440
<v Speaker 2>Wasn't they doing it? Like were his arms around on

0:15:43.560 --> 0:15:46.320
<v Speaker 2>the handles as well? I felt like he was like

0:15:46.320 --> 0:15:49.560
<v Speaker 2>like trice like bike like training a child or something.

0:15:49.680 --> 0:15:53.040
<v Speaker 2>I mean, like he wasn't just on the back. But

0:15:53.160 --> 0:15:54.400
<v Speaker 2>maybe I felt.

0:15:54.160 --> 0:15:58.880
<v Speaker 3>Like I have to look at like later later year,

0:15:59.000 --> 0:16:01.880
<v Speaker 3>behind him and he's he's riding, he's steering. Yeah, but

0:16:01.880 --> 0:16:03.880
<v Speaker 3>it seemed like if you're in front, I mean, you

0:16:03.920 --> 0:16:06.400
<v Speaker 3>tell me you're you're the one who had a motorcycle. Yeah,

0:16:06.400 --> 0:16:08.760
<v Speaker 3>but if you're in front, it seems like you're you're

0:16:08.800 --> 0:16:13.120
<v Speaker 3>in control, like you're yeah, you're responsible sort of.

0:16:13.560 --> 0:16:15.480
<v Speaker 2>But I think the way we got to look at

0:16:15.480 --> 0:16:19.160
<v Speaker 2>this again because the way that he was, I feel

0:16:19.200 --> 0:16:21.160
<v Speaker 2>like he was in control because I could be sitting

0:16:21.200 --> 0:16:23.920
<v Speaker 2>on the long seat and then put my legs up

0:16:23.920 --> 0:16:26.640
<v Speaker 2>on the there's the you know, little I don't know

0:16:26.680 --> 0:16:28.960
<v Speaker 2>he could have somehow like a father would do with

0:16:29.000 --> 0:16:30.440
<v Speaker 2>the child. But I have to look at it again

0:16:30.440 --> 0:16:32.400
<v Speaker 2>because it would be very weird to put me on

0:16:32.600 --> 0:16:34.320
<v Speaker 2>in front if she wasn't right.

0:16:34.480 --> 0:16:36.560
<v Speaker 3>She doesn't really were, But he says, where'd you learn

0:16:36.600 --> 0:16:40.040
<v Speaker 3>to write like that? And she goes prison joking, and

0:16:40.720 --> 0:16:42.440
<v Speaker 3>then he says, I.

0:16:42.400 --> 0:16:44.440
<v Speaker 1>Went one second, Daphne, where did you learn to write

0:16:44.440 --> 0:16:46.240
<v Speaker 1>a motorcycle? Did you know how to ride a motorcycle?

0:16:46.280 --> 0:16:48.760
<v Speaker 2>Okay, so this is yeah. I was gonna share all this.

0:16:48.880 --> 0:16:52.440
<v Speaker 2>So this starting to ride on the show got me interested,

0:16:52.520 --> 0:16:55.080
<v Speaker 2>and Grant and I on the weekends, I would go

0:16:55.160 --> 0:16:59.000
<v Speaker 2>with him and ride on the back, so he would

0:16:59.000 --> 0:17:02.760
<v Speaker 2>I would ride with him with who else went? The

0:17:02.840 --> 0:17:06.200
<v Speaker 2>Teamsters and Tony went. We had a bunch of us,

0:17:06.240 --> 0:17:08.800
<v Speaker 2>sometimes maybe Greg Lacova or makeup guy, but we would

0:17:08.840 --> 0:17:12.280
<v Speaker 2>go for these rides. Later, remember Jerry, she got a bike,

0:17:12.720 --> 0:17:15.880
<v Speaker 2>but I loved it. But I was like, I want

0:17:15.880 --> 0:17:19.760
<v Speaker 2>my own bike. So I went to Pasadena City College,

0:17:19.800 --> 0:17:24.440
<v Speaker 2>took a weekend motorcycle safety course, got my own little

0:17:24.440 --> 0:17:31.400
<v Speaker 2>sportster Harley and had the handlebars, got the high handlebars,

0:17:31.440 --> 0:17:33.679
<v Speaker 2>added some chrome, and then I would go out and

0:17:33.720 --> 0:17:35.400
<v Speaker 2>we'd all go up, but i'd have my own bike.

0:17:36.400 --> 0:17:38.720
<v Speaker 3>But I got interested.

0:17:38.440 --> 0:17:42.320
<v Speaker 2>On this show, so I didn't do it before, and

0:17:43.640 --> 0:17:46.159
<v Speaker 2>I really just loved it. I just loved it. I

0:17:46.200 --> 0:17:49.040
<v Speaker 2>had it for years because when Laura came on the

0:17:49.080 --> 0:17:51.320
<v Speaker 2>show and then later she would go on with us

0:17:51.359 --> 0:17:54.639
<v Speaker 2>with Grant, and it was really it was really fun

0:17:54.680 --> 0:17:56.520
<v Speaker 2>and it was something that bled into my real life.

0:17:56.800 --> 0:17:58.960
<v Speaker 1>And I would just like to point out, as you

0:17:58.960 --> 0:18:01.280
<v Speaker 1>guys are talking about high, I haven't had you over dinner.

0:18:01.720 --> 0:18:12.240
<v Speaker 1>Never even knew about these rides. Apparently everybody okay, busted. Yeah.

0:18:19.200 --> 0:18:22.880
<v Speaker 3>So Jake and Joe are looking out at the very

0:18:22.920 --> 0:18:27.199
<v Speaker 3>desolate view and they both share that they like to

0:18:27.240 --> 0:18:30.400
<v Speaker 3>be alone, and Joe reveals that when she was young,

0:18:30.440 --> 0:18:32.359
<v Speaker 3>she spent a lot of time alone and learned to

0:18:32.400 --> 0:18:34.639
<v Speaker 3>love it. He says he wants to show her a

0:18:34.640 --> 0:18:36.560
<v Speaker 3>cool part of the road up ahead, but Joe says

0:18:36.920 --> 0:18:40.280
<v Speaker 3>she has an interview at Wilsher and hunt for a

0:18:40.280 --> 0:18:43.520
<v Speaker 3>photo assistant job. Jake says he'll take her there. I

0:18:43.560 --> 0:18:45.639
<v Speaker 3>just want to point out the dynamic once again. The

0:18:45.720 --> 0:18:49.240
<v Speaker 3>last scene he says oh, and and she says, no,

0:18:49.440 --> 0:18:51.679
<v Speaker 3>I don't want to do and then turns up day

0:18:51.760 --> 0:18:53.720
<v Speaker 3>takes her for a ride and she goes, oh, I

0:18:53.760 --> 0:18:55.400
<v Speaker 3>want to you know, I want to take you off

0:18:55.400 --> 0:18:57.960
<v Speaker 3>for a beautiful another beautiful ride, and she goes, no,

0:18:58.160 --> 0:19:02.240
<v Speaker 3>I I God something meeting so and but he keeps

0:19:02.280 --> 0:19:05.080
<v Speaker 3>this whole episode, you know, yeah, And then he tries

0:19:06.200 --> 0:19:07.439
<v Speaker 3>and things get even worse.

0:19:07.680 --> 0:19:10.800
<v Speaker 2>So mine heart to get Jesus, I was never like

0:19:10.840 --> 0:19:11.480
<v Speaker 2>that in real life.

0:19:11.520 --> 0:19:12.960
<v Speaker 1>But I.

0:19:14.840 --> 0:19:15.280
<v Speaker 3>Move in.

0:19:16.520 --> 0:19:21.000
<v Speaker 2>Here's frush so funny.

0:19:21.400 --> 0:19:24.560
<v Speaker 1>We're acting your pants off all right, backing your pants

0:19:24.600 --> 0:19:25.480
<v Speaker 1>on right.

0:19:29.400 --> 0:19:31.480
<v Speaker 3>And the lawyer tells Matt that the Halfway House is

0:19:31.680 --> 0:19:35.880
<v Speaker 3>offering his job back, but they're not offering anything else.

0:19:35.920 --> 0:19:37.760
<v Speaker 3>She says the Halfway House won't admit that they have

0:19:37.840 --> 0:19:40.600
<v Speaker 3>fired Matt because he's gay, and they won't discuss a

0:19:40.640 --> 0:19:43.920
<v Speaker 3>monetary settlement, and Matt feels like that sends the message

0:19:43.920 --> 0:19:47.200
<v Speaker 3>that he was imagining the whole thing. He does admit

0:19:47.280 --> 0:19:49.440
<v Speaker 3>that he misses the Halfway House and he thinks about

0:19:49.440 --> 0:19:51.560
<v Speaker 3>the people there every day, not to mention the Burgerstan

0:19:51.680 --> 0:19:53.960
<v Speaker 3>job is getting kind of old. His lawyer says she

0:19:54.080 --> 0:19:57.359
<v Speaker 3>thinks that Matt should reject this offer and force the

0:19:57.400 --> 0:19:59.640
<v Speaker 3>Halfway House to do the right thing. And so Matt

0:19:59.680 --> 0:20:02.080
<v Speaker 3>agree telling his lawyer reject the offer, and I am

0:20:02.160 --> 0:20:05.040
<v Speaker 3>up for the fight, he says, which is very.

0:20:05.000 --> 0:20:08.080
<v Speaker 1>Doug So I like that this happened, Like he's like, no,

0:20:08.720 --> 0:20:10.359
<v Speaker 1>this is the right thing to do. I'm doing the

0:20:10.400 --> 0:20:10.919
<v Speaker 1>right thing.

0:20:11.080 --> 0:20:12.440
<v Speaker 2>And they know they have a strong case.

0:20:12.880 --> 0:20:13.560
<v Speaker 1>Yeah.

0:20:13.800 --> 0:20:18.320
<v Speaker 3>So then we cut to the fashion work room during

0:20:18.320 --> 0:20:20.200
<v Speaker 3>the day, where Jane has gone by the to pick

0:20:20.240 --> 0:20:24.320
<v Speaker 3>up her things and the new designer, Kay Beacon played

0:20:24.359 --> 0:20:25.120
<v Speaker 3>by Sidney has.

0:20:25.040 --> 0:20:27.080
<v Speaker 1>Been in everything tough as nails in.

0:20:27.080 --> 0:20:31.800
<v Speaker 2>This Oh she's I mean that's putting it nicely. She's horrible.

0:20:32.600 --> 0:20:36.160
<v Speaker 3>She was poopooing everything she sees and Kay gives Jane

0:20:36.200 --> 0:20:39.200
<v Speaker 3>a backhanded compliment on her dress and tells and Jane

0:20:39.200 --> 0:20:41.960
<v Speaker 3>tells Kate, oh, I design all my own dresses, and

0:20:42.520 --> 0:20:45.280
<v Speaker 3>another backhanded sort of cases everything about Jane's dress is

0:20:45.280 --> 0:20:48.640
<v Speaker 3>actually knockoff of her designs, but it's okay. Everyone does

0:20:48.680 --> 0:20:52.800
<v Speaker 3>it and imitation is the sincerest form of flattery and

0:20:52.840 --> 0:20:55.760
<v Speaker 3>it comes on really strong, and she says to Jane, well,

0:20:55.800 --> 0:20:58.000
<v Speaker 3>at least you used my ideas in a smart way.

0:20:59.359 --> 0:21:04.320
<v Speaker 3>See immediately sort of annoyed. But then Kay turns around

0:21:04.320 --> 0:21:07.000
<v Speaker 3>and asks, Jane, do you think you could do better

0:21:07.160 --> 0:21:11.680
<v Speaker 3>if you used my new ideas under my supervision? And

0:21:12.200 --> 0:21:14.959
<v Speaker 3>because I guess k Beekont is some hot shot designer,

0:21:15.040 --> 0:21:18.280
<v Speaker 3>Jane is intrigued, and Hay tells her to come by

0:21:18.280 --> 0:21:21.639
<v Speaker 3>the studio in the morning at nine. So long, Jane, Mancy,

0:21:21.720 --> 0:21:22.960
<v Speaker 3>you see you tomorrow.

0:21:23.440 --> 0:21:27.679
<v Speaker 2>I mean, Jane is so nice and you're just going like, oh,

0:21:27.680 --> 0:21:30.600
<v Speaker 2>she's being treated so like crap by this woman. But

0:21:30.680 --> 0:21:33.720
<v Speaker 2>she takes the job and she, you know, obviously.

0:21:33.840 --> 0:21:36.119
<v Speaker 3>Sees it as an opportunity, but like, wow, this is

0:21:36.160 --> 0:21:38.760
<v Speaker 3>going to be a challenge to work with this personality.

0:21:39.080 --> 0:21:41.360
<v Speaker 1>Well, I hope it's getting better. But that's why there's

0:21:41.400 --> 0:21:44.200
<v Speaker 1>been so much abuse in creative industries, right, because we're

0:21:44.240 --> 0:21:48.200
<v Speaker 1>so desperate for a shot that people on the top

0:21:48.240 --> 0:21:50.520
<v Speaker 1>have been allowed to behave very badly. I think it's

0:21:50.560 --> 0:21:53.760
<v Speaker 1>turning a little bit like there has been a shift.

0:21:53.800 --> 0:21:56.320
<v Speaker 1>But we've been called though on our set, but we've

0:21:56.359 --> 0:21:58.320
<v Speaker 1>all been on sets where people were allowed to behave

0:21:58.680 --> 0:22:01.679
<v Speaker 1>very very badly. But every everybody wants to be in

0:22:01.720 --> 0:22:03.439
<v Speaker 1>the industry so badly that they put up here.

0:22:03.520 --> 0:22:06.159
<v Speaker 2>Yeah, plus there. It kind of goes along with this

0:22:06.280 --> 0:22:09.600
<v Speaker 2>narrative that you know, the genius, Oh we can't you know,

0:22:09.840 --> 0:22:13.760
<v Speaker 2>he's moody or she's just like that, or there are

0:22:13.800 --> 0:22:16.560
<v Speaker 2>two when as if that's supposed to be an excuse.

0:22:16.800 --> 0:22:19.640
<v Speaker 1>There were so many producers in our day who would

0:22:19.680 --> 0:22:22.560
<v Speaker 1>throw things and yell and scream, and they were famous

0:22:22.600 --> 0:22:24.080
<v Speaker 1>for being awful, and it was sort of like, oh,

0:22:24.119 --> 0:22:27.199
<v Speaker 1>they're so awful, and I think now there's finally been

0:22:27.240 --> 0:22:30.160
<v Speaker 1>a comeuppance and that doesn't fly anymore.

0:22:29.880 --> 0:22:32.320
<v Speaker 2>Not ex cell phones cell phones.

0:22:33.720 --> 0:22:35.200
<v Speaker 1>Yes, exactly, that's true.

0:22:35.600 --> 0:22:38.239
<v Speaker 3>So we go for pumpkin pie once at somebody, you

0:22:38.320 --> 0:22:41.600
<v Speaker 3>threw a pumpkin pie, like out of anger, out of behavior?

0:22:42.240 --> 0:22:45.080
<v Speaker 2>Oh please, that's a whole other podcast. Are you waiting?

0:22:45.119 --> 0:22:48.239
<v Speaker 2>Me threw a pumpkin pie? But I was such a

0:22:48.240 --> 0:22:52.640
<v Speaker 2>moron that I didn't. It wasn't baked, it was raw.

0:22:53.280 --> 0:22:55.640
<v Speaker 2>It was a tofu pumpkin pie, so it was all

0:22:55.720 --> 0:22:59.640
<v Speaker 2>full of the sloppy orange tofu and I just threw it,

0:23:00.160 --> 0:23:03.600
<v Speaker 2>hit the wall, dented it and it slid down orange

0:23:03.600 --> 0:23:06.119
<v Speaker 2>and I'm like my boyfriend at the time goes, you

0:23:06.200 --> 0:23:08.520
<v Speaker 2>might want to bake it first. Its time because that's

0:23:08.520 --> 0:23:09.320
<v Speaker 2>gonna be a mess.

0:23:09.320 --> 0:23:14.960
<v Speaker 3>And I'm like, all right, little bad behavior from daff

0:23:15.440 --> 0:23:18.600
<v Speaker 3>Oh yeah, nice ended up in his orange stain on

0:23:18.640 --> 0:23:19.200
<v Speaker 3>your own wall.

0:23:19.400 --> 0:23:21.920
<v Speaker 2>Maybe you guys should keep the bumpers on my crib

0:23:21.960 --> 0:23:23.760
<v Speaker 2>over here when I start to go off in the

0:23:23.840 --> 0:23:27.320
<v Speaker 2>future and I really want to expose everything, Okay, but

0:23:27.400 --> 0:23:27.879
<v Speaker 2>go ahead.

0:23:28.720 --> 0:23:31.800
<v Speaker 3>Oh my gosh. All right, So Jake and Joe, we

0:23:31.840 --> 0:23:36.520
<v Speaker 3>cut to their on the bike. They're arriving at Joe's destination.

0:23:36.640 --> 0:23:38.920
<v Speaker 3>She gets off the bike, thanks Jake for the ride

0:23:39.160 --> 0:23:41.160
<v Speaker 3>and turns him down when he offers to wait until

0:23:41.200 --> 0:23:44.199
<v Speaker 3>she's done, because he says, you know, I'll wait and

0:23:44.240 --> 0:23:46.440
<v Speaker 3>then I'll take you for the best tacos in town afterwards.

0:23:46.480 --> 0:23:48.560
<v Speaker 3>No thanks, she says, turning him down one more time.

0:23:49.080 --> 0:23:51.359
<v Speaker 3>Enough culture shock for one day. I'll take a cab.

0:23:51.680 --> 0:23:55.919
<v Speaker 3>So she heads into a pond chop where Joe hands

0:23:55.920 --> 0:23:59.040
<v Speaker 3>over a bracelet, asking to the appraiser how much she

0:23:59.040 --> 0:24:03.000
<v Speaker 3>can get for it. Salesman inspects the bracelet says he

0:24:03.040 --> 0:24:08.359
<v Speaker 3>will offer full market value of seven thousand dollars. She

0:24:08.400 --> 0:24:10.480
<v Speaker 3>says it was worth more, but he says this is

0:24:10.680 --> 0:24:12.880
<v Speaker 3>what happens. So he asks for a photo. I d

0:24:13.000 --> 0:24:16.359
<v Speaker 3>Joe tells him that she searches in her purse. I

0:24:16.480 --> 0:24:21.320
<v Speaker 3>forgot my wallet in the car, but he's not having it,

0:24:21.400 --> 0:24:26.280
<v Speaker 3>so Joe has to leave the store without getting that money.

0:24:27.160 --> 0:24:31.160
<v Speaker 2>Yeah, she paid twelve. She said she paid twelve four

0:24:31.240 --> 0:24:33.800
<v Speaker 2>years ago. And I'm just saying this because there's another

0:24:33.840 --> 0:24:36.160
<v Speaker 2>scene coming up at a pawnshop and you just see

0:24:36.200 --> 0:24:38.760
<v Speaker 2>the numbers. So he says seven.

0:24:38.880 --> 0:24:42.080
<v Speaker 1>She's like no, and I just looked up because I

0:24:42.080 --> 0:24:44.440
<v Speaker 1>don't know why this fascinates me. But in today's dollars,

0:24:44.440 --> 0:24:48.160
<v Speaker 1>that would be sixteen, nine hundred and six dollars in twenty.

0:24:47.840 --> 0:24:54.280
<v Speaker 3>Sixteen, which sixteen seven seven. It was fourteen back then,

0:24:54.440 --> 0:24:56.840
<v Speaker 3>all right, so that's twelve a lot from a pawn

0:24:56.880 --> 0:25:00.040
<v Speaker 3>shop too. It seems like, I don't know.

0:25:00.080 --> 0:25:01.800
<v Speaker 1>That didn't look like it didn't look like a pawn shop.

0:25:01.840 --> 0:25:03.000
<v Speaker 1>I thought it looked like a jeweler.

0:25:03.400 --> 0:25:04.639
<v Speaker 2>Yeah, the first one was a jeweler.

0:25:04.720 --> 0:25:05.399
<v Speaker 3>Oh that's a jeweler.

0:25:05.440 --> 0:25:07.400
<v Speaker 2>It goes into a pawnshop next. But they all play

0:25:07.440 --> 0:25:10.120
<v Speaker 2>that numbers game, you know, they go low, you go high,

0:25:10.119 --> 0:25:11.359
<v Speaker 2>and you're supposed to meet in the middle.

0:25:11.680 --> 0:25:15.480
<v Speaker 1>Yeah, so it's always so sad to sell jewelry. It's

0:25:15.560 --> 0:25:17.800
<v Speaker 1>so much. It's like driving a car off the lot,

0:25:18.280 --> 0:25:20.959
<v Speaker 1>like this second you buy it, it drops in value

0:25:21.000 --> 0:25:23.280
<v Speaker 1>so bad, so much Yeah, appreciation.

0:25:23.840 --> 0:25:26.240
<v Speaker 3>H So she's counting on that money, but she does

0:25:26.280 --> 0:25:27.679
<v Speaker 3>not have an ID to get it.

0:25:27.920 --> 0:25:30.240
<v Speaker 1>She's fluffling, Oh no, I left it. So we know

0:25:30.320 --> 0:25:31.959
<v Speaker 1>something's going on with the ID right there.

0:25:32.119 --> 0:25:37.119
<v Speaker 3>Yeah, there looks like she's not exactly in possession of

0:25:37.160 --> 0:25:40.840
<v Speaker 3>an idea or something, but we're not really sure she's getting.

0:25:41.160 --> 0:25:43.080
<v Speaker 2>What she says is well, I when I go to

0:25:43.119 --> 0:25:45.560
<v Speaker 2>the bank, I'll bring it back. Like she is used

0:25:45.600 --> 0:25:48.639
<v Speaker 2>to making up stories and covering. Do you notice that,

0:25:48.800 --> 0:25:51.639
<v Speaker 2>like she's it just comes out so naturally, which says

0:25:51.640 --> 0:25:54.600
<v Speaker 2>a lot about Joe, Like yeah, he's like, well I

0:25:54.640 --> 0:25:56.640
<v Speaker 2>need idea, Well, I'll bring it when I come back

0:25:56.640 --> 0:25:59.480
<v Speaker 2>from the bank. You know, she just makes up these stories.

0:26:00.960 --> 0:26:02.080
<v Speaker 2>It's very natural to her.

0:26:02.440 --> 0:26:04.359
<v Speaker 3>She goes out to find that Jake is sitting on

0:26:04.400 --> 0:26:07.800
<v Speaker 3>his motorcycle outside the shop waiting for her, And Joe

0:26:07.800 --> 0:26:09.600
<v Speaker 3>comes out and sees Jake sitting there, and she's like,

0:26:09.640 --> 0:26:13.520
<v Speaker 3>are you following me? She's kind of pissed, and Jake says, hey,

0:26:13.560 --> 0:26:16.440
<v Speaker 3>I thought you were looking for a photography job just says, well,

0:26:16.440 --> 0:26:18.320
<v Speaker 3>that's none of your business, and if you want to

0:26:18.320 --> 0:26:20.879
<v Speaker 3>know something about me, she just ask and Jake offers

0:26:20.920 --> 0:26:23.800
<v Speaker 3>to bring her home on his motorcycle, and Joe refuses,

0:26:23.800 --> 0:26:25.600
<v Speaker 3>saying no, I'll find my own way home.

0:26:26.359 --> 0:26:31.000
<v Speaker 2>One of those guys three rejections now, she said, yes,

0:26:31.160 --> 0:26:32.359
<v Speaker 2>I'll take you up on that.

0:26:33.520 --> 0:26:35.000
<v Speaker 1>I think are we at three or four?

0:26:36.160 --> 0:26:39.000
<v Speaker 2>Let's call this fourth. I think it's kind.

0:26:38.840 --> 0:26:39.480
<v Speaker 3>Of every time.

0:26:39.720 --> 0:26:42.920
<v Speaker 1>So sure the scenes recounting rejections.

0:26:42.359 --> 0:26:44.080
<v Speaker 2>Of yeah, let's get on that.

0:26:44.600 --> 0:26:46.480
<v Speaker 3>He keeps coming back.

0:26:46.840 --> 0:26:48.679
<v Speaker 1>I know that's what I'm saying. I think it's a

0:26:48.680 --> 0:26:52.600
<v Speaker 1>female fantasy that this guy's.

0:26:52.520 --> 0:26:55.040
<v Speaker 2>So she says, no, I'll find my own way home,

0:26:55.119 --> 0:26:55.639
<v Speaker 2>like you know.

0:26:56.840 --> 0:26:58.800
<v Speaker 3>So then we cut to Jane and Michael's apartment at night.

0:26:58.880 --> 0:27:01.760
<v Speaker 3>Michael is porn champagne to toast Jane's new career opportunity

0:27:01.800 --> 0:27:04.879
<v Speaker 3>is a junior design associate to K Beacon, the hot shot,

0:27:05.359 --> 0:27:09.439
<v Speaker 3>and then he says, wait, who's k Beacon and Jane

0:27:09.560 --> 0:27:11.520
<v Speaker 3>explains that Kay Beacon is one of the hottest names

0:27:11.560 --> 0:27:15.360
<v Speaker 3>in fashion and everyone including her, knocks off K's designs,

0:27:16.640 --> 0:27:16.920
<v Speaker 3>and I.

0:27:16.880 --> 0:27:19.359
<v Speaker 1>Wonder if they paid attention, if they got feedback about

0:27:19.359 --> 0:27:21.760
<v Speaker 1>stuff we talked about about. She's always like this beautiful

0:27:21.760 --> 0:27:24.760
<v Speaker 1>woman is always trying to get his attention. Because such

0:27:24.760 --> 0:27:28.000
<v Speaker 1>a turnaround in this episode. Right when he's paying attention

0:27:28.080 --> 0:27:30.280
<v Speaker 1>to her, she's getting busy and he's following her. It

0:27:30.359 --> 0:27:32.280
<v Speaker 1>was such a nice change.

0:27:32.600 --> 0:27:34.920
<v Speaker 3>Well, it's sort of the story right that she's having

0:27:34.960 --> 0:27:38.720
<v Speaker 3>this career moment that she's really going after. It looks

0:27:38.720 --> 0:27:40.680
<v Speaker 3>like it's going to be a challenging career moment for her,

0:27:40.680 --> 0:27:43.359
<v Speaker 3>but she's like sort of determined to do it. And

0:27:43.480 --> 0:27:46.119
<v Speaker 3>but Michael, you're right, is like really supportive and loving

0:27:46.160 --> 0:27:48.600
<v Speaker 3>all throughout. He's like, hey, I'm thrilled for you, and

0:27:48.640 --> 0:27:51.680
<v Speaker 3>they toast to her new job, and he's he just

0:27:51.720 --> 0:27:53.280
<v Speaker 3>seems to be really supportive.

0:27:53.320 --> 0:27:58.520
<v Speaker 2>And Michael still hasn't made that turn that character one eighty,

0:27:58.760 --> 0:28:01.200
<v Speaker 2>you know, which he will be for years to come,

0:28:01.280 --> 0:28:04.240
<v Speaker 2>but not fully No, uh huh, he's not there yet.

0:28:04.920 --> 0:28:05.080
<v Speaker 3>Yeah.

0:28:05.160 --> 0:28:08.080
<v Speaker 1>Yeah, he's super sweet and attentive in this which is nice.

0:28:08.520 --> 0:28:12.440
<v Speaker 3>Yeah, I have a feeling that turn is very near around.

0:28:12.240 --> 0:28:14.080
<v Speaker 1>Right around the corner, right.

0:28:13.840 --> 0:28:16.840
<v Speaker 3>Around the corner. So then we're back in Joe's apartment

0:28:17.440 --> 0:28:22.000
<v Speaker 3>during the day, Alison and Joe are eating pizza over

0:28:22.080 --> 0:28:26.560
<v Speaker 3>the bathroom sink, just a little bit more painting setting.

0:28:26.840 --> 0:28:27.960
<v Speaker 2>We're turning it into it.

0:28:28.160 --> 0:28:30.439
<v Speaker 3>At the beginning, you can't even tell that they're painting.

0:28:30.440 --> 0:28:32.920
<v Speaker 3>They're just eating the pizza in the bathroom, right, I thought.

0:28:33.000 --> 0:28:34.600
<v Speaker 2>I mean, it's it's her dark room.

0:28:34.600 --> 0:28:37.160
<v Speaker 1>It's going to be dark, and so we deal right

0:28:37.240 --> 0:28:39.240
<v Speaker 1>through us. We want to eat it right here in

0:28:39.280 --> 0:28:39.800
<v Speaker 1>the bathroom.

0:28:40.000 --> 0:28:42.720
<v Speaker 3>Yeah, but it just opens up like we've decided pizza

0:28:42.760 --> 0:28:44.080
<v Speaker 3>and we couldn't wait, and so here we are.

0:28:44.400 --> 0:28:47.840
<v Speaker 1>Because pineapple, pepperoni and goat cheese. You can't trust that

0:28:47.840 --> 0:28:48.440
<v Speaker 1>that's not good.

0:28:49.320 --> 0:28:52.760
<v Speaker 3>There's something special about that. Allison's ordered it.

0:28:52.840 --> 0:28:54.760
<v Speaker 1>I want to know whose idea was it.

0:28:55.160 --> 0:28:57.400
<v Speaker 3>I don't know this was enjoying.

0:28:57.080 --> 0:28:59.080
<v Speaker 2>It, you guys. Wasn't this era? Maybe it was a

0:28:59.080 --> 0:29:03.440
<v Speaker 2>few years later, that whole kind of California gourmet pizzas,

0:29:03.800 --> 0:29:07.560
<v Speaker 2>remember like Rolfame Pucks. So maybe Rugola and go California.

0:29:07.600 --> 0:29:08.960
<v Speaker 1>I don't think that just started.

0:29:09.440 --> 0:29:12.080
<v Speaker 2>Yes, I don't think that's what this was, but that

0:29:12.320 --> 0:29:14.080
<v Speaker 2>was this era, you know.

0:29:14.240 --> 0:29:17.840
<v Speaker 1>No, I think you're right, got cheese, remember go Cheese big?

0:29:18.520 --> 0:29:22.920
<v Speaker 3>You know, Rugula, all kinds of just discovering that and

0:29:23.000 --> 0:29:25.320
<v Speaker 3>they thought the bathroom, that's a perfect place to eat

0:29:25.320 --> 0:29:28.600
<v Speaker 3>this fancy pizza. But and it's not quite clear what

0:29:28.640 --> 0:29:30.720
<v Speaker 3>they're doing yet in the bathroom, but they are having

0:29:30.720 --> 0:29:33.760
<v Speaker 3>a conversation where Alison asks Joe, Hey, where did you

0:29:33.800 --> 0:29:35.800
<v Speaker 3>meet your ex husband, the one you never talk about?

0:29:35.800 --> 0:29:38.360
<v Speaker 3>And Joe says, sort of dismissively, matter of factly that

0:29:38.360 --> 0:29:40.040
<v Speaker 3>they met while she was in college New York doing

0:29:40.040 --> 0:29:44.280
<v Speaker 3>a project at the end of subject and then Alison, uh,

0:29:44.880 --> 0:29:48.400
<v Speaker 3>she basically tells Alison, you know, interrogation over.

0:29:48.920 --> 0:29:49.440
<v Speaker 2>Yeah.

0:29:49.480 --> 0:29:51.160
<v Speaker 3>But the way she says it is take the light

0:29:51.480 --> 0:29:53.920
<v Speaker 3>out of my eyes and put the rubber hose away.

0:29:54.640 --> 0:29:57.800
<v Speaker 2>It's like, yeah, a lot. I guess she has been

0:29:57.840 --> 0:29:58.280
<v Speaker 2>in jail.

0:29:59.360 --> 0:30:01.720
<v Speaker 3>Just in just did say just no more questions.

0:30:03.160 --> 0:30:06.040
<v Speaker 1>But I love this friendship. Don't you love this friendship? Back?

0:30:06.280 --> 0:30:08.720
<v Speaker 2>Like I've forgotten it? Court to tell you the truth?

0:30:08.960 --> 0:30:11.840
<v Speaker 2>Did you had so much to.

0:30:11.800 --> 0:30:13.120
<v Speaker 1>Both of us, we forgot it.

0:30:13.160 --> 0:30:16.600
<v Speaker 2>But I'm like, I'm going to reject this hot guy.

0:30:16.640 --> 0:30:18.479
<v Speaker 2>You're going to reject the hot guy you're living with.

0:30:18.560 --> 0:30:19.680
<v Speaker 2>Let's be Beth days too.

0:30:19.920 --> 0:30:23.800
<v Speaker 3>Yeah, but it's like fast friendship, Like I really it's

0:30:23.920 --> 0:30:26.920
<v Speaker 3>very sweet, it's very cute. And it's like, imagine moving

0:30:26.960 --> 0:30:29.080
<v Speaker 3>into a new apartment complex and like finding a great

0:30:29.080 --> 0:30:30.640
<v Speaker 3>friend that you hang out with and eat pizza in

0:30:30.680 --> 0:30:31.560
<v Speaker 3>the bathroom.

0:30:31.320 --> 0:30:34.520
<v Speaker 1>Like, yeah, right away, I don't have anybody eat pizza

0:30:34.520 --> 0:30:35.320
<v Speaker 1>in the bathroom with.

0:30:36.280 --> 0:30:38.240
<v Speaker 2>I mean, my apartment isn't even unpacked yet.

0:30:41.920 --> 0:30:44.560
<v Speaker 3>So Allison goes on to ask Joe about her job hunt.

0:30:44.600 --> 0:30:47.240
<v Speaker 3>Joe says it was total wash out, and Alison is sympathetic,

0:30:47.320 --> 0:30:51.040
<v Speaker 3>saying she wishes she had a talent like photography, and

0:30:51.040 --> 0:30:54.040
<v Speaker 3>then Joe shares that her mom was the one who

0:30:54.120 --> 0:30:56.479
<v Speaker 3>taught her photography and that they had been very close,

0:30:57.280 --> 0:31:00.560
<v Speaker 3>and Joe abruptly ends that subject. When Allison asks if

0:31:00.600 --> 0:31:03.200
<v Speaker 3>Joe's mom is still back east, she just says yep.

0:31:04.800 --> 0:31:08.080
<v Speaker 3>And then the subject of the painting comes up. Allison

0:31:08.120 --> 0:31:12.880
<v Speaker 3>comments she surprised Michael let Joe paint the bathroom especially black,

0:31:13.040 --> 0:31:16.160
<v Speaker 3>and Joe starts to apply black paint to the walls

0:31:16.160 --> 0:31:19.120
<v Speaker 3>and windows. Joe jokes, well, didn't I tell you that

0:31:19.160 --> 0:31:22.120
<v Speaker 3>I slept with them? Alison believes it for a second

0:31:22.200 --> 0:31:25.120
<v Speaker 3>before realizing that Joe was joking, and they laughed together

0:31:25.200 --> 0:31:26.560
<v Speaker 3>and finished painting the bathroom.

0:31:26.760 --> 0:31:27.160
<v Speaker 2>Aha.

0:31:28.880 --> 0:31:31.040
<v Speaker 1>The fact that I looked the By the way, I

0:31:31.080 --> 0:31:34.080
<v Speaker 1>had to hold that shocked expression for about five minutes.

0:31:34.080 --> 0:31:36.800
<v Speaker 3>Because they want to make sure how slow is Alison?

0:31:37.080 --> 0:31:42.640
<v Speaker 2>Right, Yeah, I'm just realizing. I'm just realizing she may

0:31:42.640 --> 0:31:45.880
<v Speaker 2>have said that because he's married and you just told

0:31:46.000 --> 0:31:49.840
<v Speaker 2>us the show before you left a married man. Do

0:31:49.840 --> 0:31:53.320
<v Speaker 2>you think she was like chiding him, like her like saying, oh,

0:31:53.400 --> 0:31:54.680
<v Speaker 2>did I tell you I slept with him? Or is

0:31:54.720 --> 0:31:57.479
<v Speaker 2>that just me going oh, you know what I mean?

0:31:57.600 --> 0:31:59.800
<v Speaker 1>No, I think you're just joking like you got you

0:31:59.800 --> 0:32:00.760
<v Speaker 1>can paint, like.

0:32:00.720 --> 0:32:02.120
<v Speaker 3>That's the way you got what you wanted.

0:32:02.920 --> 0:32:06.320
<v Speaker 2>I know, I'm just saying, all right, married, ma'am.

0:32:07.160 --> 0:32:09.520
<v Speaker 1>Layers I like it.

0:32:09.720 --> 0:32:14.720
<v Speaker 2>Thirty years later, they're so useful. These layers were added.

0:32:20.840 --> 0:32:23.800
<v Speaker 3>And then, speaking of Michael, we cut to the courtyard

0:32:23.840 --> 0:32:26.520
<v Speaker 3>where he is cleaning the pool, lamenting to Billy that

0:32:26.560 --> 0:32:28.800
<v Speaker 3>he doesn't get days off, and the new tenant is

0:32:28.880 --> 0:32:32.320
<v Speaker 3>leaving her paint cans in the trash, and Ronda makes

0:32:32.360 --> 0:32:35.160
<v Speaker 3>her really only appearance in this episode walks Now.

0:32:35.200 --> 0:32:36.240
<v Speaker 1>Where was she?

0:32:36.240 --> 0:32:38.320
<v Speaker 3>She was just here for this one.

0:32:38.840 --> 0:32:42.000
<v Speaker 2>Yeah, And it's always hard when you're in the background

0:32:42.040 --> 0:32:43.840
<v Speaker 2>and you have to time it for your entrance to

0:32:43.960 --> 0:32:46.440
<v Speaker 2>the scene, you know, because I saw her back there

0:32:46.480 --> 0:32:48.440
<v Speaker 2>and then you know, you just have to come in.

0:32:48.480 --> 0:32:50.719
<v Speaker 2>But she's no, I heard all that. But can we

0:32:50.800 --> 0:32:55.080
<v Speaker 2>just talk about how big and baggy Michael's shirt and

0:32:55.320 --> 0:32:58.280
<v Speaker 2>Billy's pants, Like they had so much fabric in the

0:32:58.360 --> 0:33:02.080
<v Speaker 2>nineties and they just made these everything. Just go back

0:33:02.120 --> 0:33:04.040
<v Speaker 2>and look at it again. His T shirt is hanging

0:33:04.080 --> 0:33:07.240
<v Speaker 2>down to his knees, Michael's and then Billy's pants are

0:33:07.280 --> 0:33:10.400
<v Speaker 2>like zoot suit kind of. I don't know it was.

0:33:11.240 --> 0:33:13.520
<v Speaker 2>I just love that about this show. I'm going, wow,

0:33:14.960 --> 0:33:15.560
<v Speaker 2>so different.

0:33:15.840 --> 0:33:18.520
<v Speaker 1>Yeah, Andrew just didn't care. It's like whatever they put

0:33:18.560 --> 0:33:21.160
<v Speaker 1>in his room he would just put on. So sometimes

0:33:21.200 --> 0:33:23.120
<v Speaker 1>it went around. I remember, I think last week he

0:33:23.160 --> 0:33:24.080
<v Speaker 1>had the pink pants on.

0:33:24.680 --> 0:33:26.160
<v Speaker 2>Well in the overalls with no shirt.

0:33:26.280 --> 0:33:28.400
<v Speaker 3>I think that made no opinion about it.

0:33:28.520 --> 0:33:31.040
<v Speaker 2>Take the case, don't forget the overalls with no shirt.

0:33:31.760 --> 0:33:35.040
<v Speaker 2>L Oh my god. That was that just creeped me out.

0:33:36.680 --> 0:33:40.520
<v Speaker 3>But then Ronda walks In started defending Joe, saying, well,

0:33:40.520 --> 0:33:42.720
<v Speaker 3>at least maybe she's just cleaning up a few earth

0:33:43.200 --> 0:33:46.000
<v Speaker 3>cracks in the paint, and Michael says, well, yeah, she's

0:33:46.080 --> 0:33:50.200
<v Speaker 3>using black paint, guys, to which Billy responds, at last

0:33:50.400 --> 0:33:54.400
<v Speaker 3>a little diversity around here. As Ronda exits the scene,

0:33:54.400 --> 0:33:59.080
<v Speaker 3>it's like, what what did just look at him like

0:33:59.280 --> 0:34:01.959
<v Speaker 3>you will never get it, will Yeah? She's like, this

0:34:02.000 --> 0:34:05.920
<v Speaker 3>doesn't even like warrant a line in response, Yeah.

0:34:05.800 --> 0:34:09.480
<v Speaker 2>Exactly, and I'm out, dumb white boy, I'm.

0:34:09.320 --> 0:34:12.440
<v Speaker 3>Gone, and so they h They all turned. As a

0:34:12.480 --> 0:34:15.040
<v Speaker 3>woman is walking down the stairs, Michael notices she's a

0:34:15.080 --> 0:34:18.239
<v Speaker 3>locksmith and asks which apartment were you working in, but

0:34:18.320 --> 0:34:20.960
<v Speaker 3>before she can answer, because obviously she wasn't being paid

0:34:21.000 --> 0:34:24.600
<v Speaker 3>to action, that's extra yeah, Joe appears at the top

0:34:24.640 --> 0:34:27.560
<v Speaker 3>of the stairs and tells Michael that the locksmith was

0:34:27.640 --> 0:34:31.480
<v Speaker 3>changing her lock. My lock, she says. Michael runs up

0:34:31.520 --> 0:34:35.160
<v Speaker 3>and says, well, as the manager, I'll need a duplicate key,

0:34:35.200 --> 0:34:39.080
<v Speaker 3>and just as no, no, you won't, and Michael races

0:34:39.160 --> 0:34:41.359
<v Speaker 3>up the stairs to her door and saying wait, wait,

0:34:41.440 --> 0:34:43.440
<v Speaker 3>let's let's not get off on the wrong foot here.

0:34:43.480 --> 0:34:46.239
<v Speaker 3>He then mentions the black paint, saying, I realize it's

0:34:46.239 --> 0:34:48.600
<v Speaker 3>probably for your dark room. I know you're a photographer,

0:34:49.120 --> 0:34:51.560
<v Speaker 3>but we should you know, maybe discuss these things first.

0:34:52.360 --> 0:34:54.960
<v Speaker 3>Just says okay, Mike. As soon as it came Mike,

0:34:55.040 --> 0:34:56.640
<v Speaker 3>we'll discuss it, okay.

0:34:56.360 --> 0:34:58.640
<v Speaker 2>Mike, Okay, Mike, you go back to Bill and you

0:34:58.640 --> 0:35:00.360
<v Speaker 2>guys clean the pool and get back to you.

0:35:00.440 --> 0:35:05.600
<v Speaker 1>And I'm trying to remember this, but of course that's true, right,

0:35:05.640 --> 0:35:07.799
<v Speaker 1>I mean, I've lived in California for so long ago,

0:35:08.280 --> 0:35:12.319
<v Speaker 1>like as many apartments as New York. But did they

0:35:12.320 --> 0:35:13.080
<v Speaker 1>always see key?

0:35:13.239 --> 0:35:15.920
<v Speaker 2>You never the super has a key, The super always

0:35:15.920 --> 0:35:16.960
<v Speaker 2>has a master key room.

0:35:17.320 --> 0:35:20.560
<v Speaker 1>I lived in those big, huge, like Oakwood complexes when

0:35:20.600 --> 0:35:23.560
<v Speaker 1>I lived in apartments here, and of course they all

0:35:23.560 --> 0:35:26.360
<v Speaker 1>had master keys. But you didn't think about.

0:35:26.120 --> 0:35:28.799
<v Speaker 3>It well, and you and you're not really allowed to

0:35:28.840 --> 0:35:35.120
<v Speaker 3>repaint without asking first. So he's Michael saying reasonable things, right, yeah,

0:35:35.440 --> 0:35:36.240
<v Speaker 3>and he's.

0:35:36.080 --> 0:35:40.000
<v Speaker 1>Trying to be inside. You can't paint the inside.

0:35:39.920 --> 0:35:43.920
<v Speaker 3>Well think, I mean, I think there's like a I

0:35:43.920 --> 0:35:44.239
<v Speaker 3>don't know.

0:35:44.239 --> 0:35:46.440
<v Speaker 2>It depends on the building. I'm sure it depends on

0:35:46.480 --> 0:35:48.000
<v Speaker 2>the rules. But black.

0:35:48.360 --> 0:35:50.319
<v Speaker 3>He is trying to be reasonable and just saying, hey,

0:35:50.560 --> 0:35:53.040
<v Speaker 3>I get it, but maybe just let's discuss it first,

0:35:53.040 --> 0:35:54.120
<v Speaker 3>and she is just not.

0:35:54.200 --> 0:35:56.400
<v Speaker 2>Think about it. If I'm just putting this together. She

0:35:56.480 --> 0:35:59.960
<v Speaker 2>wants black paint, and she's locking and changing the locks.

0:36:00.040 --> 0:36:03.359
<v Speaker 2>I mean, that's big for a little apartment building there,

0:36:03.400 --> 0:36:05.160
<v Speaker 2>you know, to like, what is she doing in there?

0:36:06.360 --> 0:36:08.319
<v Speaker 2>You know what I mean? Like, it's his responsibility if

0:36:08.360 --> 0:36:12.120
<v Speaker 2>she sets the place all fire, So it's you know,

0:36:12.200 --> 0:36:13.880
<v Speaker 2>she's pushing the boundaries there.

0:36:14.280 --> 0:36:17.200
<v Speaker 3>Yeah, so before every week, Michael reminds her, you know,

0:36:17.280 --> 0:36:18.799
<v Speaker 3>you'll just need to get me a copy of the key,

0:36:18.920 --> 0:36:22.480
<v Speaker 3>or else you'll have to consider living elsewhere. And she says,

0:36:22.480 --> 0:36:24.279
<v Speaker 3>all right, I'll get you a copy and closes the

0:36:24.320 --> 0:36:28.920
<v Speaker 3>door in his space. Yeah, not getting it right now, clearly, No, No,

0:36:29.480 --> 0:36:33.279
<v Speaker 3>they're bossy pants, that Joe right now. So then we

0:36:33.320 --> 0:36:36.560
<v Speaker 3>cut to the fashion work room where Jane is there

0:36:36.600 --> 0:36:42.160
<v Speaker 3>inspecting clothing and Kay corrects Jane's work, telling her that

0:36:42.160 --> 0:36:44.360
<v Speaker 3>she's doing things all wrong. She missed this, she missed

0:36:44.360 --> 0:36:47.520
<v Speaker 3>that the sleeve pleat is crooked. Everything needs to be perfect.

0:36:47.200 --> 0:36:47.720
<v Speaker 2>Kay says.

0:36:48.640 --> 0:36:53.000
<v Speaker 3>Jane says, okay, I understand, and Kay scoffs at her

0:36:53.000 --> 0:36:56.120
<v Speaker 3>and sort of sarcastically says, oh, because you're a designer too,

0:36:57.560 --> 0:37:01.640
<v Speaker 3>totally condescending, and Kay says Jane needs this job and

0:37:01.760 --> 0:37:04.960
<v Speaker 3>Jane's should study every move that k makes and maybe,

0:37:05.120 --> 0:37:09.480
<v Speaker 3>just maybe someday Jane will be successful. Then She turns

0:37:09.520 --> 0:37:11.480
<v Speaker 3>around and offers Jane anything she wants to wear from

0:37:11.520 --> 0:37:13.719
<v Speaker 3>last year's line in the back of the store, and

0:37:13.800 --> 0:37:19.000
<v Speaker 3>Jane's banks like totally whiplash. And then Ka tells an

0:37:19.000 --> 0:37:24.760
<v Speaker 3>off camera Moira to show Jane how to inspect the clothes,

0:37:24.880 --> 0:37:28.480
<v Speaker 3>show her again, show her the k Beacon weigh and

0:37:28.520 --> 0:37:29.239
<v Speaker 3>she walks off.

0:37:29.719 --> 0:37:33.799
<v Speaker 1>Now is this set in Malibu where the surfboard shop.

0:37:33.560 --> 0:37:37.600
<v Speaker 2>Is so big? It could be? Yeah, it looked familiar. Yeah, yes,

0:37:37.800 --> 0:37:38.520
<v Speaker 2>look like that.

0:37:38.520 --> 0:37:40.160
<v Speaker 3>There's been a lot of ho went You saw the

0:37:40.200 --> 0:37:43.200
<v Speaker 3>exterior establishing shot? Yeah?

0:37:43.560 --> 0:37:43.799
<v Speaker 2>Of that?

0:37:43.920 --> 0:37:45.040
<v Speaker 3>Is that why you're asking Court?

0:37:45.520 --> 0:37:47.759
<v Speaker 1>I just remember it. I got it all just now

0:37:47.800 --> 0:37:49.920
<v Speaker 1>as we were talking, when I just had a flash

0:37:49.960 --> 0:37:51.960
<v Speaker 1>of thinking it was that that I must have had

0:37:51.960 --> 0:37:54.360
<v Speaker 1>a scene there because thinking it was there, there's a

0:37:54.440 --> 0:37:55.280
<v Speaker 1>establishing shot.

0:37:55.440 --> 0:37:57.799
<v Speaker 3>Is it that there's a Malibu Yeah, there was a

0:37:57.840 --> 0:38:00.840
<v Speaker 3>Malibu set that served as this shop.

0:38:01.480 --> 0:38:01.760
<v Speaker 2>Yeah.

0:38:01.800 --> 0:38:04.040
<v Speaker 3>And the reason I know that is because when Sydney arrives,

0:38:04.080 --> 0:38:08.359
<v Speaker 3>she has some scenes in there and right mm hmm, yeah,

0:38:09.960 --> 0:38:12.480
<v Speaker 3>and that building is still there. I believe it is

0:38:12.560 --> 0:38:16.240
<v Speaker 3>something else entirely. I don't know what it is. But anyway,

0:38:16.320 --> 0:38:18.840
<v Speaker 3>so we go from here to Bikini Burger, where Matt

0:38:18.880 --> 0:38:20.920
<v Speaker 3>is delivering food to a table at his waiter job

0:38:20.960 --> 0:38:24.200
<v Speaker 3>and he accidentally spills food on a customer. The customer

0:38:24.360 --> 0:38:27.480
<v Speaker 3>hops out of his seat but immediately recognizes Matt, and

0:38:27.480 --> 0:38:30.680
<v Speaker 3>Matt realizes this kid in a shirt and tie is

0:38:30.760 --> 0:38:32.400
<v Speaker 3>Pete from the Halfway House.

0:38:33.480 --> 0:38:36.440
<v Speaker 1>Pete tells Matt Pete in the Halfway House scene, we saw.

0:38:36.360 --> 0:38:38.919
<v Speaker 2>Or I think it, so I didn't.

0:38:39.040 --> 0:38:41.560
<v Speaker 3>It was just saying that, yeah, that Matt knew him

0:38:41.560 --> 0:38:43.520
<v Speaker 3>and from there, but he wasn't there.

0:38:44.080 --> 0:38:49.600
<v Speaker 2>He was so cute and a funny laugh and everything yep.

0:38:49.719 --> 0:38:51.960
<v Speaker 3>And he tells Matt that he's now in sales, and

0:38:52.120 --> 0:38:55.160
<v Speaker 3>Matt notes that Pete still has the same goofy laugh.

0:38:56.040 --> 0:38:58.240
<v Speaker 3>He asks Matt how everyone is doing at the house,

0:38:58.280 --> 0:39:03.440
<v Speaker 3>and Matt covers and says everyone is fine, and Pete

0:39:03.440 --> 0:39:05.879
<v Speaker 3>tells Matt how their talks really helped him, and Matt

0:39:05.920 --> 0:39:08.040
<v Speaker 3>tells him he's proud of him for staying clean and

0:39:08.040 --> 0:39:11.920
<v Speaker 3>staying away from drugs, and Pete asks, Hey, what are

0:39:11.920 --> 0:39:14.719
<v Speaker 3>you doing here Bikini Burger and Matt again covers and

0:39:14.760 --> 0:39:17.759
<v Speaker 3>says it's just for extra money, and he tells Pete

0:39:17.760 --> 0:39:20.920
<v Speaker 3>to keep up the good work. So this scene is

0:39:20.920 --> 0:39:23.680
<v Speaker 3>really Matt covering and not telling Pete the whole story,

0:39:23.680 --> 0:39:26.919
<v Speaker 3>but it's again like reminding him how much he's sort

0:39:26.920 --> 0:39:27.760
<v Speaker 3>of miss is the work.

0:39:27.560 --> 0:39:32.000
<v Speaker 1>He loves the kids there, and how much he impacted

0:39:32.000 --> 0:39:32.440
<v Speaker 1>the kids.

0:39:32.640 --> 0:39:35.960
<v Speaker 2>Yes, yes, yeah, mm hmmm.

0:39:37.120 --> 0:39:40.239
<v Speaker 3>So then we're back at Joe's apartment during the day Jake.

0:39:40.440 --> 0:39:44.399
<v Speaker 3>Joe is showing Jake her dark room slash bathroom, and

0:39:44.440 --> 0:39:46.880
<v Speaker 3>she apologizes to him for how she acted in the morning.

0:39:47.600 --> 0:39:50.280
<v Speaker 3>Joe complains that Michael's being so uptight, but she says,

0:39:50.360 --> 0:39:53.480
<v Speaker 3>you know, I know, I'm a bitch, and then.

0:39:53.360 --> 0:39:55.200
<v Speaker 1>She told this line. I wrote it down and liked

0:39:55.239 --> 0:39:57.400
<v Speaker 1>it so much. Yeah, you're right, I'm a bitch. I

0:39:57.440 --> 0:39:58.000
<v Speaker 1>need a favor.

0:39:58.680 --> 0:40:01.120
<v Speaker 3>Yea loves straight from I'm a Bitch.

0:40:01.200 --> 0:40:03.799
<v Speaker 1>I was a loane. I was watching it while I

0:40:03.840 --> 0:40:05.879
<v Speaker 1>was working out. I just kept saying it. Yeah, you're right,

0:40:05.920 --> 0:40:07.920
<v Speaker 1>I'm a bitch, and I need a favor. I want

0:40:07.960 --> 0:40:08.319
<v Speaker 1>to say that.

0:40:10.480 --> 0:40:12.200
<v Speaker 2>I love I didn't even pause.

0:40:12.280 --> 0:40:16.120
<v Speaker 1>I love so much for her. She yeah.

0:40:16.200 --> 0:40:19.279
<v Speaker 3>Well, Jake says, all right, Well, do you have something

0:40:19.280 --> 0:40:21.520
<v Speaker 3>to drink besides water? Joe offers him a beer. He

0:40:21.600 --> 0:40:25.879
<v Speaker 3>takes one, and Joe tells Jake her favorite. She needs

0:40:25.880 --> 0:40:28.080
<v Speaker 3>to sell a bracelet, but she can't because she doesn't

0:40:28.080 --> 0:40:31.040
<v Speaker 3>have a photo I D. Joe says she's flat broke

0:40:31.080 --> 0:40:33.520
<v Speaker 3>and not used to that experience and asks Jake if

0:40:33.520 --> 0:40:36.440
<v Speaker 3>he'll help. Jake asks Joe, well, why didn't you have

0:40:36.440 --> 0:40:38.600
<v Speaker 3>a driver's license? And Joe says, well, who drives in

0:40:38.640 --> 0:40:41.440
<v Speaker 3>New York So then he offers to maybe loaner a

0:40:41.480 --> 0:40:43.319
<v Speaker 3>couple bucks. She rolls her eyes and says, all right,

0:40:43.360 --> 0:40:45.279
<v Speaker 3>come on, we help me. Yes or no?

0:40:46.440 --> 0:40:49.080
<v Speaker 1>Because she's an adult person going through life without a

0:40:49.080 --> 0:40:52.040
<v Speaker 1>photo ID. You know, we're just gonna go with it.

0:40:52.239 --> 0:40:56.400
<v Speaker 2>Okay, Yeah, So, well, don't have that in New York.

0:40:56.280 --> 0:40:59.520
<v Speaker 1>City because you have an ID. The other I have

0:40:59.520 --> 0:41:02.520
<v Speaker 1>a license, but you can't cash it walking it. At

0:41:02.520 --> 0:41:04.520
<v Speaker 1>the time, for the kids at home, a check was

0:41:04.560 --> 0:41:07.920
<v Speaker 1>a piece of paper. We wrote money now.

0:41:08.400 --> 0:41:11.000
<v Speaker 3>And you needed an ID, and we used to put

0:41:11.040 --> 0:41:13.160
<v Speaker 3>it in the mail with a stamp on it in

0:41:13.160 --> 0:41:14.040
<v Speaker 3>and all these.

0:41:13.960 --> 0:41:16.680
<v Speaker 1>Days and you'll know this, they don't even want cash,

0:41:16.960 --> 0:41:19.279
<v Speaker 1>like I'll give you like a cat. Jack went on

0:41:19.320 --> 0:41:21.560
<v Speaker 1>a trip with his class and I handed him cash.

0:41:21.600 --> 0:41:23.120
<v Speaker 1>You just looked at me, like, just take it, because

0:41:23.200 --> 0:41:25.239
<v Speaker 1>I need to know you have it, and he's like,

0:41:25.239 --> 0:41:26.640
<v Speaker 1>what would I possibly.

0:41:26.239 --> 0:41:27.440
<v Speaker 3>Where do I even put his?

0:41:27.560 --> 0:41:27.880
<v Speaker 2>Venmo?

0:41:28.040 --> 0:41:28.879
<v Speaker 1>Do you do with cat?

0:41:28.920 --> 0:41:29.000
<v Speaker 3>Like?

0:41:29.040 --> 0:41:32.760
<v Speaker 1>What is this weird thing? Yeah, it's just gonna appen

0:41:32.880 --> 0:41:34.920
<v Speaker 1>back and have a credit card. He's going to give

0:41:34.960 --> 0:41:37.320
<v Speaker 1>it away. He's going to hand it to somebody along

0:41:37.360 --> 0:41:37.719
<v Speaker 1>the way.

0:41:40.120 --> 0:41:40.520
<v Speaker 2>Funny.

0:41:40.719 --> 0:41:43.120
<v Speaker 3>So, speaking of cash, we cut to the pawn shop

0:41:43.160 --> 0:41:47.000
<v Speaker 3>where Jake is. There different pawn shop and an appraiser

0:41:47.040 --> 0:41:49.239
<v Speaker 3>is telling Jake that the bracelet is worth four thousand dollars,

0:41:49.280 --> 0:41:51.880
<v Speaker 3>but it'll give him forty five hundred. Jake says he

0:41:51.960 --> 0:41:54.920
<v Speaker 3>knows the bracelet cost over ten thousand, but it's worth

0:41:55.000 --> 0:41:58.080
<v Speaker 3>eight thousand, so he'll take seven. He gives him the

0:41:58.120 --> 0:42:01.759
<v Speaker 3>number he wanted to get for Joe. The appraiser tells

0:42:01.840 --> 0:42:04.440
<v Speaker 3>Jake he's wrong, so Jake picks up the bracelet starts

0:42:04.440 --> 0:42:06.680
<v Speaker 3>to walk away, and the appraiser says, wait, wait, wait, wait,

0:42:06.760 --> 0:42:10.160
<v Speaker 3>all right and agrees to pay him seven. So Jake

0:42:10.200 --> 0:42:14.160
<v Speaker 3>brings out his ID and the appraiser asks who's Beth,

0:42:14.960 --> 0:42:18.560
<v Speaker 3>and Jake has no idea what he's talking about. An

0:42:18.560 --> 0:42:22.040
<v Speaker 3>appraiser mentions that Beth is engraved on the back of

0:42:22.080 --> 0:42:26.640
<v Speaker 3>this bracelet, so Jake explained, stole it from Beth. He's

0:42:26.719 --> 0:42:29.360
<v Speaker 3>selling it for a friend, but the appraiser says, I

0:42:29.560 --> 0:42:31.680
<v Speaker 3>can't do this transaction because.

0:42:31.400 --> 0:42:33.960
<v Speaker 2>This bracelet is stolen. Who's Beth?

0:42:34.560 --> 0:42:35.280
<v Speaker 3>Who's Beth?

0:42:36.760 --> 0:42:39.719
<v Speaker 1>Which is so funny based on an engraving, right, I

0:42:39.800 --> 0:42:42.720
<v Speaker 1>know he's on it. This is a very honest pom broker.

0:42:42.840 --> 0:42:43.400
<v Speaker 2>But he didn't.

0:42:43.440 --> 0:42:46.400
<v Speaker 3>He didn't have an answer like you know that, huh.

0:42:46.600 --> 0:42:48.200
<v Speaker 3>I don't even know that it's on there. He didn't

0:42:48.200 --> 0:42:51.880
<v Speaker 3>even know that, yeah, was there. So he walks outside

0:42:51.920 --> 0:42:54.440
<v Speaker 3>where Joe is sitting on Jake's motorcycle waiting for him

0:42:54.440 --> 0:42:56.239
<v Speaker 3>to come back out, and she's disappointed to see that

0:42:56.280 --> 0:42:58.680
<v Speaker 3>the bracelet is still in Jake's hand. He hasn't managed

0:42:58.719 --> 0:43:01.000
<v Speaker 3>to get the seven thousand dollars, so Jake asks Joe

0:43:01.000 --> 0:43:04.800
<v Speaker 3>who's Beth, and asks Joe if the bracelet is stolen.

0:43:05.280 --> 0:43:08.920
<v Speaker 3>Joe is offended but doesn't answer the question, and Jake says,

0:43:08.960 --> 0:43:11.880
<v Speaker 3>I hate being used. Worse, I hate being lied to.

0:43:13.440 --> 0:43:17.640
<v Speaker 1>Yeah, vainly finally mad, Yeah.

0:43:17.120 --> 0:43:19.280
<v Speaker 2>And this is all being filmed down by the Santa

0:43:19.280 --> 0:43:23.120
<v Speaker 2>Monica Pier. It's Palisades Park, which a lot of them

0:43:23.440 --> 0:43:24.960
<v Speaker 2>all on Santa Monica.

0:43:25.080 --> 0:43:29.600
<v Speaker 3>Yeah, I remember, which we know there's not a pawn

0:43:29.600 --> 0:43:33.160
<v Speaker 3>shop right across the street like they are, right, So

0:43:33.200 --> 0:43:35.120
<v Speaker 3>they've done the pawn chop scene on one day and

0:43:36.160 --> 0:43:38.920
<v Speaker 3>in the sixter year scene that supposedly.

0:43:38.480 --> 0:43:41.799
<v Speaker 1>Happened, probably did Kay Beacon and Malibu right, probably, and

0:43:42.160 --> 0:43:45.359
<v Speaker 1>did this one right up the Yeah, yeah, it's right

0:43:45.400 --> 0:43:46.880
<v Speaker 1>on the beach where she's hanging out.

0:43:46.680 --> 0:43:49.200
<v Speaker 2>Just because it's beautiful. It's a beautiful place to film.

0:43:49.360 --> 0:43:51.160
<v Speaker 2>That's a great shot. Mm hmmm.

0:43:51.480 --> 0:43:53.440
<v Speaker 3>So but Jake is pissed. He says he doesn't like

0:43:53.480 --> 0:43:55.800
<v Speaker 3>being lied to and Joe. Joe gets sort of defensive

0:43:55.880 --> 0:43:57.960
<v Speaker 3>and says, why should I answer your questions if you're

0:43:57.960 --> 0:44:00.560
<v Speaker 3>not going to believe the answer, And he says, try me.

0:44:00.680 --> 0:44:04.040
<v Speaker 3>And Joseah's to Jake that she's sick of everyone's questions

0:44:04.080 --> 0:44:07.200
<v Speaker 3>and you should just mind your own business. And Jake

0:44:07.320 --> 0:44:09.360
<v Speaker 3>is pissed and a half he gets on his motorcycle

0:44:09.400 --> 0:44:11.959
<v Speaker 3>and he drives away, leaving Joe alone in the park

0:44:12.040 --> 0:44:14.760
<v Speaker 3>with her helmet in her hand and her really cute

0:44:14.800 --> 0:44:16.080
<v Speaker 3>bob haircut.

0:44:15.880 --> 0:44:19.920
<v Speaker 1>And she her haircuts gorgeous. But this broke my heart

0:44:19.960 --> 0:44:21.399
<v Speaker 1>when you started crying.

0:44:21.520 --> 0:44:24.480
<v Speaker 3>Starts to cry and the camera pulls all because it's

0:44:24.520 --> 0:44:27.880
<v Speaker 3>all her facade, her lies, her stories are just coming,

0:44:28.600 --> 0:44:31.160
<v Speaker 3>you know, apart vulnerability.

0:44:31.239 --> 0:44:32.480
<v Speaker 1>It was really sweet.

0:44:32.480 --> 0:44:35.839
<v Speaker 3>And her anger didn't really surf her here, push pushed

0:44:35.920 --> 0:44:36.320
<v Speaker 3>him away.

0:44:36.480 --> 0:44:38.879
<v Speaker 1>Finally she's like, wait, that's the word. The fifth time

0:44:38.920 --> 0:44:40.759
<v Speaker 1>he leaves went he rejected him five times?

0:44:41.360 --> 0:44:44.040
<v Speaker 2>Yeah, and each yeah, each time is asking for more

0:44:44.080 --> 0:44:46.000
<v Speaker 2>and not telling him enough. And what comes up This

0:44:46.160 --> 0:44:50.719
<v Speaker 2>next montage is so cool. It's this jazzy kind of

0:44:51.600 --> 0:44:54.440
<v Speaker 2>we haven't really seen that, I mean, very kind of jazzy,

0:44:54.960 --> 0:44:57.919
<v Speaker 2>you know montage with I don't know if it looked

0:44:57.960 --> 0:45:02.040
<v Speaker 2>aged or what, you know, handheld vision, you know, pictures

0:45:02.080 --> 0:45:06.880
<v Speaker 2>of Melos Avenue. Yeah, kind of yeah, kind of.

0:45:06.840 --> 0:45:09.520
<v Speaker 3>Felt old more old just because of the tone of

0:45:09.520 --> 0:45:10.400
<v Speaker 3>the music and stuff.

0:45:11.440 --> 0:45:13.920
<v Speaker 2>Pianos and they feel like a director's choice. It just

0:45:13.920 --> 0:45:16.239
<v Speaker 2>felt like that direct I thought of the director like

0:45:16.280 --> 0:45:19.600
<v Speaker 2>he probably because I uh, we don't see that often.

0:45:19.640 --> 0:45:21.160
<v Speaker 2>You see a little bit of the taste of that

0:45:21.239 --> 0:45:23.120
<v Speaker 2>in the beginning and the credits, but this was very

0:45:23.120 --> 0:45:24.480
<v Speaker 2>cool and kind of lasting.

0:45:24.840 --> 0:45:28.200
<v Speaker 3>Styley kind of over all those stores on Melrose, including

0:45:28.239 --> 0:45:32.359
<v Speaker 3>Johnny Rockets, the Burger Place. But then we go from

0:45:32.360 --> 0:45:34.920
<v Speaker 3>there and it lands shooters the exterior, and then we

0:45:34.960 --> 0:45:38.600
<v Speaker 3>pushed in and Jake and Billy again are shooters having beers.

0:45:38.840 --> 0:45:42.880
<v Speaker 3>Jake is telling Billy that Joe is trouble and I

0:45:42.920 --> 0:45:45.279
<v Speaker 3>don't trust her, and Billy says, you know, Jake, you

0:45:45.320 --> 0:45:49.080
<v Speaker 3>should keep your distance from Joe, and jake advice is Billy, well,

0:45:49.120 --> 0:45:53.040
<v Speaker 3>you should do the same. You should stay away. No, no,

0:45:53.160 --> 0:45:55.440
<v Speaker 3>you you really should stay away. No, no, but you

0:45:55.520 --> 0:45:59.880
<v Speaker 3>should know you should not even try and Billy Billy's

0:46:00.080 --> 0:46:02.840
<v Speaker 3>works about that and tells Jake that he thinks that

0:46:02.920 --> 0:46:05.759
<v Speaker 3>Joe got under his skin, and Jake says no, and

0:46:06.440 --> 0:46:08.920
<v Speaker 3>Billy gives him a knowing smile. Yeah, I think she

0:46:09.040 --> 0:46:11.880
<v Speaker 3>kind of did. Jane and Michael at their apartment at night,

0:46:11.960 --> 0:46:14.640
<v Speaker 3>Jane and Michael are eating dinner at their coffee table

0:46:14.680 --> 0:46:16.520
<v Speaker 3>on the floor in the living room and Jane tells

0:46:16.560 --> 0:46:20.279
<v Speaker 3>Michael that Kay is manipulative, arrogant and she's humiliated Jane

0:46:20.320 --> 0:46:23.399
<v Speaker 3>at work and then she turned around and sent Jane

0:46:23.440 --> 0:46:25.680
<v Speaker 3>home with a free outfit. And Kay is totally meaning

0:46:25.719 --> 0:46:28.640
<v Speaker 3>to everyone, and Michael cuts her off.

0:46:28.520 --> 0:46:31.040
<v Speaker 2>And says, hey, can we stop talking about Kay Beacon.

0:46:32.600 --> 0:46:35.440
<v Speaker 3>And he then starts to rub Jane's neck, telling her

0:46:35.480 --> 0:46:38.560
<v Speaker 3>she's sexy and she should relax, and they start kissing,

0:46:38.800 --> 0:46:41.560
<v Speaker 3>and from there, Jane gets up and says, hey, give

0:46:41.560 --> 0:46:43.640
<v Speaker 3>me give me a sec she leaves the room.

0:46:44.640 --> 0:46:47.200
<v Speaker 1>Didn't you in that moment though, like you know, we've

0:46:47.239 --> 0:46:49.080
<v Speaker 1>all had that moment before. Didn't you want to say,

0:46:49.640 --> 0:46:52.080
<v Speaker 1>I'm telling you something like did you want to say,

0:46:52.160 --> 0:46:54.960
<v Speaker 1>like a wander to go, don't give me a massage

0:46:55.400 --> 0:46:57.200
<v Speaker 1>right now. I'm trying to I need to do it

0:46:57.239 --> 0:46:59.440
<v Speaker 1>up my day. I need to vent, Like give me

0:46:59.480 --> 0:47:02.920
<v Speaker 1>a minute. Yeah, I was a but no, sweet lovely

0:47:03.040 --> 0:47:05.040
<v Speaker 1>Jane's like, oh, all right, I guess we're doing this.

0:47:05.280 --> 0:47:07.880
<v Speaker 2>I guess we're doing this. Don't get my Yeah.

0:47:08.120 --> 0:47:11.040
<v Speaker 3>Yeah, So we we follow her into the bathroom and

0:47:11.080 --> 0:47:13.960
<v Speaker 3>where she's getting her birth control and Jans Michael huge.

0:47:13.760 --> 0:47:18.280
<v Speaker 1>Diaphragm Chrit's very laned up on the in the foreground

0:47:18.320 --> 0:47:20.040
<v Speaker 1>nine by eleven diaphragm case.

0:47:20.480 --> 0:47:22.239
<v Speaker 3>And Michael shows up in the door.

0:47:22.520 --> 0:47:23.719
<v Speaker 2>Yeah.

0:47:23.719 --> 0:47:25.240
<v Speaker 1>Wow, that's a blast of the past.

0:47:27.440 --> 0:47:29.680
<v Speaker 2>It's such a movie. Also, it's such a movie or

0:47:29.760 --> 0:47:34.160
<v Speaker 2>t TV that shot through the medicine cabinet, like the

0:47:34.200 --> 0:47:37.719
<v Speaker 2>camera's here and you know, so it's behind and that

0:47:37.719 --> 0:47:39.120
<v Speaker 2>that diaphragm sitting.

0:47:38.920 --> 0:47:42.640
<v Speaker 1>Right up with both hands because it's so bitt this

0:47:42.840 --> 0:47:43.440
<v Speaker 1>huge thing.

0:47:43.880 --> 0:47:46.719
<v Speaker 3>But in case the audience didn't understand what it was,

0:47:47.160 --> 0:47:49.120
<v Speaker 3>Michael shows up in the door. We're saying, hey, I

0:47:49.120 --> 0:47:51.640
<v Speaker 3>thought we agreed about trying to get pregnant again, and

0:47:51.760 --> 0:47:53.720
<v Speaker 3>Jane says, yeah, but does it have to be tonight?

0:47:55.160 --> 0:47:58.879
<v Speaker 3>And Michael says, well, is this change of heart about

0:47:58.880 --> 0:48:00.640
<v Speaker 3>your new job now that you've got great job? And

0:48:00.640 --> 0:48:03.279
<v Speaker 3>then all of a sudden, our you know, conversations and

0:48:03.280 --> 0:48:05.480
<v Speaker 3>our feelings about having a child has gone out the window.

0:48:05.680 --> 0:48:08.400
<v Speaker 3>But Jane says, actually, she's having doubts about whether or

0:48:08.440 --> 0:48:11.840
<v Speaker 3>not she wants to have a child now or anytime soon.

0:48:13.560 --> 0:48:15.719
<v Speaker 1>Which I was all alone in my room going yeah,

0:48:15.960 --> 0:48:19.120
<v Speaker 1>because I love that she's finally getting her voice and saying.

0:48:19.120 --> 0:48:20.920
<v Speaker 3>Seeing what she's thinking and feeling.

0:48:21.080 --> 0:48:23.279
<v Speaker 1>Yes, saying what she's thinking and feeling with him. I

0:48:23.320 --> 0:48:27.400
<v Speaker 1>love it. And he's suddenly in the position of he

0:48:27.440 --> 0:48:29.000
<v Speaker 1>has time, he has days off of work, which he

0:48:29.080 --> 0:48:32.600
<v Speaker 1>never does, and he's listening to her and trying to

0:48:32.640 --> 0:48:35.160
<v Speaker 1>get her attention. I was so happy to see this shift.

0:48:35.920 --> 0:48:38.760
<v Speaker 2>Yes, she says, it's kind of like being a young doctor.

0:48:38.960 --> 0:48:41.359
<v Speaker 2>He's like, you're always at work, you know, Oh, your

0:48:41.440 --> 0:48:45.279
<v Speaker 2>boss taking all your time. And also now he's like,

0:48:45.360 --> 0:48:47.080
<v Speaker 2>I thought you want a child. It's kind of like

0:48:47.960 --> 0:48:51.320
<v Speaker 2>reverse and it's kind of like Michael just not getting

0:48:51.320 --> 0:48:53.319
<v Speaker 2>what he wants. But we'll move on.

0:48:53.520 --> 0:48:55.520
<v Speaker 3>And it's only for a second. And it's only for

0:48:55.600 --> 0:48:56.959
<v Speaker 3>a second.

0:48:57.160 --> 0:48:58.279
<v Speaker 2>I know what I clocked it.

0:48:58.360 --> 0:49:01.960
<v Speaker 3>It's for this episode, Michael. Don't get used to this.

0:49:04.440 --> 0:49:05.320
<v Speaker 2>Everything changes.

0:49:05.640 --> 0:49:08.720
<v Speaker 3>Yeah, So we cut to Jake's apartment in the morning.

0:49:08.840 --> 0:49:11.080
<v Speaker 3>There's a knock at the door. The police are knocking

0:49:11.160 --> 0:49:13.399
<v Speaker 3>on Jake's door, asking if he owns a sixty eight

0:49:13.440 --> 0:49:17.520
<v Speaker 3>Triumph and if he loaned it to anyone. He's no,

0:49:17.560 --> 0:49:19.919
<v Speaker 3>he knows he didn't. But then Joe appears right behind

0:49:19.920 --> 0:49:21.919
<v Speaker 3>the cops of the door, saying, of course he loaned

0:49:21.960 --> 0:49:24.280
<v Speaker 3>it to me. Do I look like a motorcycle thief.

0:49:24.400 --> 0:49:27.000
<v Speaker 2>She's all grumpy with the cop too, like she's just like,

0:49:27.040 --> 0:49:30.600
<v Speaker 2>I have cars. She's just like thinking she can just

0:49:30.719 --> 0:49:33.160
<v Speaker 2>lie and steal and do whatever, and everyone else is

0:49:33.200 --> 0:49:34.000
<v Speaker 2>just a pain in my.

0:49:33.960 --> 0:49:36.319
<v Speaker 3>Ass and they'll just go along, right, yeah, the she

0:49:36.440 --> 0:49:39.320
<v Speaker 3>just go along, Yeah, And Jake defiantly tells the cops, No,

0:49:39.480 --> 0:49:44.120
<v Speaker 3>I've never seen her before, and Joe protests Jake X yes,

0:49:44.160 --> 0:49:46.000
<v Speaker 3>he is telling the police, yeah, all right, I let

0:49:46.000 --> 0:49:47.680
<v Speaker 3>her borrow my motorcycle.

0:49:47.840 --> 0:49:48.320
<v Speaker 2>I didn't.

0:49:49.000 --> 0:49:51.880
<v Speaker 3>And then they promptly give Jake a ticket for loaning

0:49:51.880 --> 0:49:56.120
<v Speaker 3>his bike to an unlicensed driver. Don't and then they leave,

0:49:56.800 --> 0:49:59.759
<v Speaker 3>and as Joe was walking into Jake's apartment, we see

0:49:59.760 --> 0:50:03.000
<v Speaker 3>that Matt, Alison and Ronda are just very small figures

0:50:03.000 --> 0:50:05.440
<v Speaker 3>in the barred in the background. They've just watched the

0:50:05.440 --> 0:50:07.080
<v Speaker 3>whole cop drama. So like you guys had to be

0:50:07.120 --> 0:50:09.480
<v Speaker 3>there just to listen in and over here and like

0:50:09.760 --> 0:50:11.680
<v Speaker 3>you were just like to be there for the background.

0:50:13.080 --> 0:50:15.400
<v Speaker 2>What's going on with a strange new girl? What's happening?

0:50:15.440 --> 0:50:18.399
<v Speaker 3>The cops are here, Yeah, this new girl, Jake.

0:50:18.840 --> 0:50:21.200
<v Speaker 2>It's the scene where it's like you just go, okay,

0:50:21.239 --> 0:50:22.759
<v Speaker 2>there gonna end.

0:50:22.840 --> 0:50:25.960
<v Speaker 3>Una lying next they want to see.

0:50:27.000 --> 0:50:30.080
<v Speaker 2>Yeah, well you're quick, You're you're kind of ahead of

0:50:30.120 --> 0:50:32.680
<v Speaker 2>the rest of us. Uh.

0:50:32.719 --> 0:50:34.920
<v Speaker 3>So they go inside and Joe tells Jake that she

0:50:35.520 --> 0:50:37.520
<v Speaker 3>He's like, how did you? What the how did you?

0:50:37.560 --> 0:50:40.480
<v Speaker 3>And she says, I used the spare house key from

0:50:40.560 --> 0:50:45.600
<v Speaker 3>under the plant to steal is motorcycle. Borrow whatever, and

0:50:45.680 --> 0:50:48.280
<v Speaker 3>Jake is pissed and tells Joe you're out of control.

0:50:48.800 --> 0:50:51.200
<v Speaker 3>So they're having a fight here. Joe says, you know, wait,

0:50:51.239 --> 0:50:53.960
<v Speaker 3>you were right about getting out into the wind to

0:50:54.040 --> 0:50:58.319
<v Speaker 3>clear my head and it was great. And he says, yeah, well,

0:50:58.360 --> 0:51:02.400
<v Speaker 3>next time, get a fan. He's pissed and Joe swears

0:51:02.400 --> 0:51:04.200
<v Speaker 3>to Jake the bracelet.

0:51:03.880 --> 0:51:04.920
<v Speaker 2>No, Jake, believe me.

0:51:04.960 --> 0:51:06.960
<v Speaker 3>The bracelet is mine and I want things to be

0:51:07.000 --> 0:51:08.960
<v Speaker 3>right between us, and.

0:51:09.239 --> 0:51:11.600
<v Speaker 2>She goes, even share the ticket with you.

0:51:11.600 --> 0:51:14.160
<v Speaker 3>You know I need and I need friends, and I

0:51:14.160 --> 0:51:17.239
<v Speaker 3>think you do too. And meanwhile, Jake is angrily pouring

0:51:17.280 --> 0:51:19.360
<v Speaker 3>a cup of orange juice. He's dunking his doughnut in

0:51:19.400 --> 0:51:21.080
<v Speaker 3>and he's taking a big bite and Joe says, I'll

0:51:21.120 --> 0:51:24.600
<v Speaker 3>split the ticket with you. He's absolutely flabbergasted, like what

0:51:24.640 --> 0:51:29.960
<v Speaker 3>do you Yeah, Jake tells Joe that no, you owe

0:51:29.960 --> 0:51:32.480
<v Speaker 3>me big time and for starters, he'll be taking me

0:51:32.520 --> 0:51:33.600
<v Speaker 3>to dinner tonight.

0:51:34.239 --> 0:51:37.880
<v Speaker 2>And she goes, I pick where. I mean, it's like

0:51:38.000 --> 0:51:39.759
<v Speaker 2>building up. You just know they're going to be a

0:51:39.800 --> 0:51:41.319
<v Speaker 2>couple and they're going to do this day in and

0:51:41.400 --> 0:51:44.120
<v Speaker 2>day out, you know. And by the way, I'm having

0:51:44.160 --> 0:51:46.600
<v Speaker 2>fun Alison and Billy had the same fight.

0:51:47.280 --> 0:51:48.000
<v Speaker 1>I'll show you.

0:51:48.000 --> 0:51:50.439
<v Speaker 3>You have to take me to dinner, dinner, like yeah,

0:51:51.160 --> 0:51:55.080
<v Speaker 3>and this is how we get there.

0:51:55.200 --> 0:51:57.080
<v Speaker 2>We can't just go to dinner. That would be boring.

0:51:58.239 --> 0:52:03.240
<v Speaker 3>Drive this date that you and taking me to dinner.

0:52:03.480 --> 0:52:05.799
<v Speaker 3>So she's like, fine, but I picked the place. And

0:52:05.840 --> 0:52:07.520
<v Speaker 3>he dunks his donut and his orange juice and he

0:52:07.520 --> 0:52:11.520
<v Speaker 3>eats it, and Jo says, that is an extraordinarily disgusting habit.

0:52:12.200 --> 0:52:14.759
<v Speaker 1>And that's what they Grant did. Did Grant did they

0:52:14.800 --> 0:52:16.080
<v Speaker 1>get that from? Did he did?

0:52:16.400 --> 0:52:19.239
<v Speaker 2>Think so? But he took to it really naturally, didn't he?

0:52:19.480 --> 0:52:23.560
<v Speaker 3>Yeah, because then he deliberately another really slow like a

0:52:23.640 --> 0:52:25.479
<v Speaker 3>double bite bite bite, and then.

0:52:25.400 --> 0:52:29.160
<v Speaker 2>And she's like, oh man, I'm gonna come for you. Boy.

0:52:29.520 --> 0:52:33.440
<v Speaker 1>I remember, I remember resenting so much that he and

0:52:33.440 --> 0:52:37.839
<v Speaker 1>Andrew could eat all day every day. Yeah, and then

0:52:37.960 --> 0:52:43.120
<v Speaker 1>take their shirt off and it and have their as yes. Yes,

0:52:43.200 --> 0:52:44.759
<v Speaker 1>people like what do you do? How hard you work

0:52:44.800 --> 0:52:45.480
<v Speaker 1>out to get those?

0:52:45.560 --> 0:52:45.759
<v Speaker 3>Oh?

0:52:45.840 --> 0:52:48.320
<v Speaker 1>Nothing, just born with it. Oh my god.

0:52:48.719 --> 0:52:50.920
<v Speaker 2>Yeah, yeah, well eat a lot of donuts.

0:52:51.160 --> 0:52:56.839
<v Speaker 3>Wow, yeah, dipping an orange jese. So then we cut

0:52:56.920 --> 0:53:00.000
<v Speaker 3>to Brack in the lawyer's office, where Matt is coming in,

0:53:00.040 --> 0:53:03.680
<v Speaker 3>and the lawyer tells Matt that his former employee has

0:53:03.680 --> 0:53:07.080
<v Speaker 3>now upped the offer, offering ten thousand dollars plus his

0:53:07.200 --> 0:53:10.200
<v Speaker 3>job back if they settle out of court. Matt is

0:53:10.320 --> 0:53:13.440
<v Speaker 3>thrilled and says, we won, but his lawyer tells him

0:53:13.480 --> 0:53:16.040
<v Speaker 3>that's not exactly a win, and she thinks they should

0:53:16.040 --> 0:53:18.880
<v Speaker 3>take the case to trial, which would mean upwards of

0:53:19.080 --> 0:53:21.960
<v Speaker 3>one hundred thousand dollars minimum, she says, since it's such

0:53:22.000 --> 0:53:25.359
<v Speaker 3>a slam dunk of a case of discrimination. Matt tells

0:53:25.360 --> 0:53:27.759
<v Speaker 3>his lawyer that he misses the kids at his old

0:53:27.800 --> 0:53:29.600
<v Speaker 3>job and he can't help them if he's in court

0:53:29.640 --> 0:53:31.640
<v Speaker 3>for another year, and that nothing matters more to him

0:53:31.640 --> 0:53:34.000
<v Speaker 3>than getting back to work and making a difference.

0:53:34.400 --> 0:53:36.200
<v Speaker 2>Because of her. I've seen that, we saw where he

0:53:36.280 --> 0:53:40.000
<v Speaker 2>runs into that kid. He right, and she's thinking dollar

0:53:40.120 --> 0:53:42.440
<v Speaker 2>signs and how famous she'll be and how good it

0:53:42.440 --> 0:53:44.560
<v Speaker 2>will be for her firm, and maybe she'll make partner,

0:53:44.600 --> 0:53:45.680
<v Speaker 2>you know, if we go to trial.

0:53:47.040 --> 0:53:49.680
<v Speaker 3>So she's disappointed and she tells Matt, well, I hope

0:53:49.719 --> 0:53:56.040
<v Speaker 3>you're satisfied, and Matt replies that he's static, thrilled. So

0:53:56.239 --> 0:53:58.759
<v Speaker 3>ten thousand dollars and his job back and he is

0:53:58.840 --> 0:54:02.200
<v Speaker 3>super excited, and then we cut to Alison Billy in

0:54:02.239 --> 0:54:06.080
<v Speaker 3>their apartment. Billy is lying on the couch during the day,

0:54:06.120 --> 0:54:09.280
<v Speaker 3>recovering from his visit to the dentist. When Alison comes

0:54:09.280 --> 0:54:10.479
<v Speaker 3>home asking how it went.

0:54:11.680 --> 0:54:16.120
<v Speaker 2>Bill is such a cute is dentist novacane drunk guy?

0:54:16.680 --> 0:54:20.000
<v Speaker 3>Yeah, he's more than a little lapy, he's so cute

0:54:20.719 --> 0:54:23.040
<v Speaker 3>loopy and he tells Alison that they had to drill

0:54:23.120 --> 0:54:28.239
<v Speaker 3>so deep he could hear people speaking Chinese. Thought that

0:54:28.320 --> 0:54:32.600
<v Speaker 3>was fun, and that he had novacaine, he had headphones,

0:54:32.640 --> 0:54:35.120
<v Speaker 3>he had gas and pills to alleviate the pain, and

0:54:35.160 --> 0:54:38.160
<v Speaker 3>so it was less painful than a New Kid's concert.

0:54:39.080 --> 0:54:42.680
<v Speaker 3>Allison says, well, maybe I came home early for nothing.

0:54:42.760 --> 0:54:45.359
<v Speaker 3>Maybe you're fine without me, gives him another pain pill.

0:54:46.120 --> 0:54:48.719
<v Speaker 3>Billy asks Allison, wait, wait, can you turn on the

0:54:48.760 --> 0:54:50.759
<v Speaker 3>TV for me? Can you grab a blanket for me?

0:54:50.800 --> 0:54:52.279
<v Speaker 3>And oh, maybe run to the video.

0:54:52.000 --> 0:54:52.520
<v Speaker 2>Store for me?

0:54:52.560 --> 0:54:55.080
<v Speaker 3>And just like being all needy and you know, trying

0:54:55.080 --> 0:54:57.839
<v Speaker 3>to get her come back, and he's loopy Billy, and

0:54:57.880 --> 0:55:00.360
<v Speaker 3>Allison suggests, maybe Billy, you should go to your parents'

0:55:00.400 --> 0:55:04.160
<v Speaker 3>house to recover. Yeah, and Billy reminds Allison, you know,

0:55:04.239 --> 0:55:05.880
<v Speaker 3>I just got you through a broken heart.

0:55:06.400 --> 0:55:10.160
<v Speaker 1>Yeah, which is a really good point because she's like,

0:55:10.200 --> 0:55:12.080
<v Speaker 1>get you a blanket, go to your parents' house.

0:55:12.400 --> 0:55:13.839
<v Speaker 2>I know, step it.

0:55:13.840 --> 0:55:14.319
<v Speaker 1>Up a little.

0:55:14.440 --> 0:55:17.400
<v Speaker 3>I took care of you at your worst and I

0:55:17.760 --> 0:55:18.520
<v Speaker 3>just had a little.

0:55:18.320 --> 0:55:21.800
<v Speaker 2>Novacaine through a broken heart.

0:55:23.640 --> 0:55:26.919
<v Speaker 3>But she agrees, she agrees to put on her metaphorical

0:55:27.120 --> 0:55:32.680
<v Speaker 3>nurses uniform. So that's super cute. They're super cute. And

0:55:32.680 --> 0:55:36.799
<v Speaker 3>then we cut to another couple, Jake Joe in the

0:55:36.800 --> 0:55:39.080
<v Speaker 3>parking lot at night. After their dinner. They ride up

0:55:39.120 --> 0:55:42.439
<v Speaker 3>on his motorcycle to happen in hotspot and parking lot.

0:55:42.840 --> 0:55:45.360
<v Speaker 2>I was spending my time noticing that his arm is

0:55:45.400 --> 0:55:49.239
<v Speaker 2>now around my shoulder. Yes, like IMA's girl. Yeah. And

0:55:49.320 --> 0:55:52.120
<v Speaker 2>so they're at that point where she's like not moving it,

0:55:52.520 --> 0:55:55.840
<v Speaker 2>but they haven't like, you know, officially hooked up yet.

0:55:55.880 --> 0:55:59.319
<v Speaker 2>So yeah, I thought that was really interesting their body language. Yeah.

0:55:59.400 --> 0:56:01.520
<v Speaker 3>So as they get off the bike and walk toward

0:56:01.600 --> 0:56:04.400
<v Speaker 3>the building's and he's like just casually got his arm

0:56:04.480 --> 0:56:07.560
<v Speaker 3>draped around her, and Joe says that she wants to

0:56:07.560 --> 0:56:10.000
<v Speaker 3>take some dark and moody photos at this cool place

0:56:10.040 --> 0:56:11.080
<v Speaker 3>for her portfolio.

0:56:11.160 --> 0:56:11.640
<v Speaker 2>And then.

0:56:13.480 --> 0:56:15.080
<v Speaker 3>There's a Oh, by the way, did I mention him

0:56:15.080 --> 0:56:19.120
<v Speaker 3>a photographer? There is a large sign right out front

0:56:19.360 --> 0:56:23.600
<v Speaker 3>of the restaurant saying no drugs, no cameras, and so

0:56:23.800 --> 0:56:27.480
<v Speaker 3>Joe promptly photographs it. She's like, let me take a

0:56:27.520 --> 0:56:32.080
<v Speaker 3>picture of that. No drugs, no cameras. Joe then tries

0:56:32.120 --> 0:56:34.440
<v Speaker 3>to hide her camera and Jake's jacket and things get

0:56:34.440 --> 0:56:36.759
<v Speaker 3>a little flirty. They're teasing each other and it's a

0:56:36.800 --> 0:56:39.319
<v Speaker 3>little bit of a tussle. It looks like Jake is

0:56:39.360 --> 0:56:42.440
<v Speaker 3>maybe trying to sneak a kiss, and jo says, Jake,

0:56:42.680 --> 0:56:46.000
<v Speaker 3>you have to have every woman you meet fall over you,

0:56:46.040 --> 0:56:48.520
<v Speaker 3>and Jake sort of spins her around. He's teasing her back,

0:56:48.600 --> 0:56:50.560
<v Speaker 3>and he says, oh, look, I think I see Madonna

0:56:50.680 --> 0:56:52.919
<v Speaker 3>entering the club. He's like trying to steal a kiss,

0:56:52.920 --> 0:56:55.959
<v Speaker 3>and then a guy suddenly comes up to them and says, hey, Beth,

0:56:56.640 --> 0:57:00.960
<v Speaker 3>when did you hit La? And Joe's stopped in her tracks,

0:57:00.920 --> 0:57:04.120
<v Speaker 3>so you have the wrong lady, But the guy says, Beth,

0:57:04.160 --> 0:57:08.360
<v Speaker 3>it's me Jerry, and Joe loudly repeats wrong lady, and

0:57:08.400 --> 0:57:10.200
<v Speaker 3>she tries to walk away and the guy reaches her

0:57:10.360 --> 0:57:12.320
<v Speaker 3>arm as she goes Jake sort of swats away the

0:57:12.320 --> 0:57:15.279
<v Speaker 3>guy's hand away from Joe, telling Jerry back off, dude.

0:57:15.320 --> 0:57:18.360
<v Speaker 3>The lady says she doesn't know you, and then Jerry

0:57:18.600 --> 0:57:22.240
<v Speaker 3>hauls off and punches Jake. Jake punches him back with

0:57:22.320 --> 0:57:23.720
<v Speaker 3>one swing to the gut in one of the face.

0:57:23.800 --> 0:57:26.479
<v Speaker 3>Jerry ends up on the ground. He's out cold. Jake

0:57:26.600 --> 0:57:28.840
<v Speaker 3>is calling for Joe, but she is gone.

0:57:29.240 --> 0:57:32.000
<v Speaker 2>Joe is wow. I mean this is now I would

0:57:32.000 --> 0:57:35.960
<v Speaker 2>say the extreme. He's literally hit another guy. He's put

0:57:36.040 --> 0:57:38.560
<v Speaker 2>up with so much friend, this is like God the defense.

0:57:40.000 --> 0:57:45.200
<v Speaker 3>But she's disappeared, completely disappeared, all right. So then we're

0:57:45.200 --> 0:57:48.240
<v Speaker 3>back with Alison and Billy at their apartment where Billy

0:57:48.320 --> 0:57:51.960
<v Speaker 3>is sleeping on the couch and he is calling Alison's

0:57:52.040 --> 0:57:56.120
<v Speaker 3>name in his sleep and calling her name, and then

0:57:56.320 --> 0:58:00.000
<v Speaker 3>Alison appears next to Billy on the couch. She's wearing

0:58:00.080 --> 0:58:03.600
<v Speaker 3>a silky lacy robe and lingerie and she's asking what

0:58:03.640 --> 0:58:06.840
<v Speaker 3>can I do to make it better? She then leans

0:58:06.920 --> 0:58:10.800
<v Speaker 3>down and kisses him and they make out finally.

0:58:11.040 --> 0:58:13.560
<v Speaker 1>Like Andrew having a thing about they don't get to

0:58:13.640 --> 0:58:16.440
<v Speaker 1>like sneak in the Billy and alson. So we did

0:58:16.440 --> 0:58:20.800
<v Speaker 1>this really sort of exaggerated the dream sequence dream kiss,

0:58:20.920 --> 0:58:23.680
<v Speaker 1>but I was like, I don't like. As an audience member,

0:58:23.680 --> 0:58:25.280
<v Speaker 1>I would have been like, they don't look like they

0:58:25.320 --> 0:58:26.160
<v Speaker 1>like each other very much.

0:58:26.200 --> 0:58:27.160
<v Speaker 2>No, I thought.

0:58:27.360 --> 0:58:31.720
<v Speaker 3>Still the audience is like cheering at this point, going yay, finally.

0:58:31.640 --> 0:58:33.520
<v Speaker 1>Something something throw it's a bone.

0:58:33.760 --> 0:58:35.120
<v Speaker 2>Even though it's a fantasy, it's.

0:58:35.000 --> 0:58:37.560
<v Speaker 3>Not real, and yeah, it's obvious that it's a dream dreams.

0:58:37.600 --> 0:58:40.240
<v Speaker 1>At the end of the scene, Andrew very hilariously like

0:58:40.280 --> 0:58:41.840
<v Speaker 1>brings a pillow over his lap.

0:58:48.400 --> 0:58:53.560
<v Speaker 2>I just think it's so cute. Billy's like Alisons, Allison, Allison,

0:58:53.600 --> 0:58:57.840
<v Speaker 2>and you're like, yes, hello, wake up.

0:58:59.280 --> 0:59:01.960
<v Speaker 3>Yeah. Because the dream fades and Alison, that version of

0:59:02.000 --> 0:59:04.520
<v Speaker 3>Alison disappears. Billy's still sleeping on the couch and still

0:59:04.520 --> 0:59:07.400
<v Speaker 3>calling out Alison's name, and he's like clutching at his blanket,

0:59:07.440 --> 0:59:10.960
<v Speaker 3>and real life Alison is just nearby, like leaning over

0:59:11.200 --> 0:59:13.800
<v Speaker 3>in her big fluffy robe, her real life robe, and

0:59:13.880 --> 0:59:16.440
<v Speaker 3>she wakes Billy up from his dream and she's smiling.

0:59:16.520 --> 0:59:19.760
<v Speaker 3>She's pretty amused, and Billy is kind of flustered about

0:59:19.800 --> 0:59:21.640
<v Speaker 3>being awakened from the stream and there she is, and

0:59:21.680 --> 0:59:25.760
<v Speaker 3>he almost tells her why we were uh, but then instead,

0:59:25.800 --> 0:59:30.200
<v Speaker 3>he says it was just a disturbing dream, and he says,

0:59:30.200 --> 0:59:31.520
<v Speaker 3>you know that I should have been warned about the

0:59:31.520 --> 0:59:34.960
<v Speaker 3>side effects of these pain pills. And Alison is just

0:59:35.080 --> 0:59:38.120
<v Speaker 3>sort of cutely smiling, wishes him good night and walks

0:59:38.160 --> 0:59:41.880
<v Speaker 3>back to her room smiling. I thought that was super cute, like,

0:59:42.080 --> 0:59:46.400
<v Speaker 3>I know what you were dreaming, And then we cut

0:59:46.400 --> 0:59:49.440
<v Speaker 3>to Joe's apartment later that night, Joe Jake knocks on

0:59:49.520 --> 0:59:52.120
<v Speaker 3>Joe's door. Joe answers, and Jake says, what happened to you?

0:59:53.360 --> 0:59:55.880
<v Speaker 3>And here again. Joe tries to close the door on Jake,

0:59:55.960 --> 0:59:59.000
<v Speaker 3>pushing him away, but he pushes the door open. Joe

0:59:59.000 --> 1:00:02.560
<v Speaker 3>says she just doesn't like fights and that Jerry was

1:00:02.600 --> 1:00:05.800
<v Speaker 3>mistaken when he called her Beth. Jake points out that

1:00:05.880 --> 1:00:09.280
<v Speaker 3>some coincidence that Beth is also the name inside the bracelet.

1:00:10.400 --> 1:00:12.000
<v Speaker 3>That he doesn't care what the truth is, he just

1:00:12.000 --> 1:00:14.480
<v Speaker 3>wants to hear it. It's simpler, The truth is simpler,

1:00:15.360 --> 1:00:21.440
<v Speaker 3>and there is nothing. Yeah, she says, there's nothing simple

1:00:21.440 --> 1:00:23.720
<v Speaker 3>about my life right now, and she slams the door

1:00:24.120 --> 1:00:28.440
<v Speaker 3>in his face. I just might I just want everything.

1:00:28.800 --> 1:00:31.040
<v Speaker 2>I just want to say, like, because she's so extreme.

1:00:31.960 --> 1:00:35.600
<v Speaker 2>It comes across that there's something bigger than she's letting

1:00:35.600 --> 1:00:40.960
<v Speaker 2>on right in her life, very clearly. Okay, good, yeah, Okay,

1:00:41.240 --> 1:00:44.919
<v Speaker 2>once we find out what really went on, we're dying.

1:00:44.960 --> 1:00:47.000
<v Speaker 1>I was dying to know at this point, like at

1:00:47.160 --> 1:00:49.040
<v Speaker 1>this point in the story, because they've dropped so many

1:00:49.040 --> 1:00:49.600
<v Speaker 1>bread crumbs.

1:00:49.960 --> 1:00:52.560
<v Speaker 3>Yeah, what is it we all need to know?

1:00:53.120 --> 1:00:53.760
<v Speaker 2>Yeah, it's time.

1:00:53.960 --> 1:00:56.800
<v Speaker 3>Okay, yeah, because there's no other explanation for why she's

1:00:56.840 --> 1:00:58.720
<v Speaker 3>turning down Jake Hansen so many times.

1:00:59.240 --> 1:01:01.880
<v Speaker 1>Cut to the next she goes, I got my period.

1:01:02.360 --> 1:01:03.320
<v Speaker 3>That was it?

1:01:04.360 --> 1:01:04.480
<v Speaker 2>Right?

1:01:04.880 --> 1:01:11.520
<v Speaker 3>Was it? Here's the big explanation. Instead, we cut to

1:01:11.680 --> 1:01:13.840
<v Speaker 3>Jane and Michael's apartment in the morning. Jane is checking

1:01:13.840 --> 1:01:16.680
<v Speaker 3>her teeth in the reflection of the stainless Steell toaster,

1:01:17.400 --> 1:01:21.040
<v Speaker 3>and Michael comes into the kitchen groggy asleep, and Jane says,

1:01:21.120 --> 1:01:22.800
<v Speaker 3>go back to bed. I just have to go to work.

1:01:23.240 --> 1:01:26.560
<v Speaker 3>She complains to Michael about Kay, saying, Hey is just rude,

1:01:26.600 --> 1:01:30.080
<v Speaker 3>she's vain, she's opinionated. Michael points out that the collective

1:01:30.160 --> 1:01:33.640
<v Speaker 3>term for that is bitch, and it's the second time

1:01:33.680 --> 1:01:36.640
<v Speaker 3>we've said bitch, and yes, Jane says that she just

1:01:36.680 --> 1:01:38.920
<v Speaker 3>wants Kay to know that she too is good at

1:01:38.920 --> 1:01:42.200
<v Speaker 3>her job. But Michael says, Kay's type is never going

1:01:42.280 --> 1:01:46.120
<v Speaker 3>to admit that Jane is a good designer. Michael says

1:01:46.160 --> 1:01:48.160
<v Speaker 3>he doesn't want to see Jane heard. Jane doesn't need

1:01:48.200 --> 1:01:50.160
<v Speaker 3>this woman to tell her that she's great, and then

1:01:50.200 --> 1:01:52.360
<v Speaker 3>they kiss and they exchange I love yous, and Jane

1:01:52.400 --> 1:01:54.200
<v Speaker 3>says they'll spend the next day, which is going to

1:01:54.280 --> 1:01:56.320
<v Speaker 3>be Sunday, together and they can pick up where they

1:01:56.400 --> 1:01:58.360
<v Speaker 3>left off a couple of nights ago. But right now

1:01:58.520 --> 1:02:01.640
<v Speaker 3>she's got to get to work, so off she goes.

1:02:01.960 --> 1:02:04.120
<v Speaker 3>And we're back with Alison and Billy in the apartment

1:02:04.120 --> 1:02:05.920
<v Speaker 3>in the morning, where Alison is reading the paper in

1:02:05.960 --> 1:02:08.720
<v Speaker 3>the kitchen. Billy walks in and asks him, did you

1:02:08.760 --> 1:02:09.400
<v Speaker 3>sleep okay?

1:02:10.640 --> 1:02:14.160
<v Speaker 2>He says, how still you are? You just wait like

1:02:14.280 --> 1:02:17.280
<v Speaker 2>the cat waiting for the little mouse to make the

1:02:17.320 --> 1:02:23.560
<v Speaker 2>wrong move, you know. He's like, oh, like mm hmmm yeah,

1:02:24.520 --> 1:02:26.360
<v Speaker 2>and then she pounces.

1:02:26.800 --> 1:02:30.680
<v Speaker 3>He says yeah. He says something about like thawing after

1:02:30.760 --> 1:02:34.040
<v Speaker 3>being cryogenically frozen, which I think is his metaphor for

1:02:34.160 --> 1:02:37.680
<v Speaker 3>saying he's starting to feel more normal, and Alison presses

1:02:37.720 --> 1:02:40.640
<v Speaker 3>him about his dream last night. Following him into the kitchen,

1:02:40.720 --> 1:02:44.120
<v Speaker 3>asking him what was happening in that dream? Clutching your

1:02:44.120 --> 1:02:45.160
<v Speaker 3>pillow and screening.

1:02:45.280 --> 1:02:47.280
<v Speaker 2>She sits up on the counter right next him, right

1:02:47.320 --> 1:02:48.760
<v Speaker 2>in his face. But what's going on?

1:02:49.240 --> 1:02:53.800
<v Speaker 3>Yeah, Billy says, I can't remember. She insists that he

1:02:53.920 --> 1:02:59.439
<v Speaker 3>tell her. So. Then Billy says, well, a Tyronosaurus rex

1:02:59.520 --> 1:03:03.160
<v Speaker 3>showed up dream and it snatched you away, and and yeah,

1:03:03.200 --> 1:03:04.360
<v Speaker 3>that's why I was calling your name.

1:03:04.560 --> 1:03:07.440
<v Speaker 2>That's why I was clinging to the pillow and yeah, and.

1:03:07.360 --> 1:03:10.080
<v Speaker 3>She says to the pillow, Well that was because uh, yeah,

1:03:10.120 --> 1:03:13.160
<v Speaker 3>in the dream he was holding on I was holding

1:03:13.160 --> 1:03:16.040
<v Speaker 3>onto the dinosaur's tail and trying to get the dinosaur

1:03:16.080 --> 1:03:20.440
<v Speaker 3>to drop you, like the silly scoofiest story. And Alison

1:03:20.520 --> 1:03:21.560
<v Speaker 3>is not buying.

1:03:21.320 --> 1:03:26.200
<v Speaker 1>You know, like he's nine. There's a dinosaur and another dinosaurs.

1:03:27.360 --> 1:03:30.520
<v Speaker 1>The dinosaur albathin so big it was green.

1:03:33.440 --> 1:03:33.840
<v Speaker 2>Yeah.

1:03:34.000 --> 1:03:37.400
<v Speaker 3>Then so he turns around and says, well, do you

1:03:37.480 --> 1:03:41.960
<v Speaker 3>ever dream about me? And Allison says no, but very

1:03:42.040 --> 1:03:45.160
<v Speaker 3>coyly says well, if I did, it wouldn't be something

1:03:45.160 --> 1:03:47.520
<v Speaker 3>we could talk about. And she hops down off the counter.

1:03:47.720 --> 1:03:51.520
<v Speaker 3>She brushes by Billy, saying something about like something should

1:03:51.520 --> 1:03:53.640
<v Speaker 3>be kept private and leaves the kitchen.

1:03:54.280 --> 1:03:57.080
<v Speaker 1>Yeah, so she's all but admitting to dirty dirty dream.

1:03:57.240 --> 1:04:01.160
<v Speaker 3>Yeah, well this one again, this is happening.

1:04:01.200 --> 1:04:04.640
<v Speaker 1>Game on, we should bet on dinner sometime.

1:04:04.960 --> 1:04:05.760
<v Speaker 2>It is happening.

1:04:06.440 --> 1:04:11.680
<v Speaker 1>Yeah.

1:04:11.840 --> 1:04:13.960
<v Speaker 3>So back in the courtyard, Ronda and Matt are coming

1:04:14.000 --> 1:04:17.120
<v Speaker 3>down the stairs from Ronda's apartment in. Ronda is thrilled

1:04:17.160 --> 1:04:19.080
<v Speaker 3>for Matt that he's going to be getting ten thousand

1:04:19.120 --> 1:04:22.720
<v Speaker 3>dollars for his settlement, and Randa suggests mutual funds buy

1:04:22.960 --> 1:04:26.880
<v Speaker 3>some land without all that money. Matt says he's going

1:04:26.920 --> 1:04:29.440
<v Speaker 3>to start a legal aid fund for victims of discrimination

1:04:29.560 --> 1:04:33.160
<v Speaker 3>based on sexual orientation, and Ronda says that's a great idea,

1:04:33.240 --> 1:04:35.680
<v Speaker 3>great investment, and she's very happy for Matt.

1:04:35.480 --> 1:04:39.280
<v Speaker 2>Because he's such a good guy. She's likeness all of

1:04:39.360 --> 1:04:44.920
<v Speaker 2>it away, and he's like, yep, yeah, amazing, okay.

1:04:44.920 --> 1:04:50.080
<v Speaker 3>And then back at the fashion workroom at the store shop,

1:04:50.760 --> 1:04:54.040
<v Speaker 3>Kay is barking orders to all the employees. While walking

1:04:54.080 --> 1:04:59.240
<v Speaker 3>around the workroom, Kay says the new k Beacon collection

1:04:59.400 --> 1:05:03.400
<v Speaker 3>is smart, flattering, and perfect, and she notices that Jane

1:05:03.480 --> 1:05:05.400
<v Speaker 3>is not fawning all over her, and she says, well,

1:05:05.480 --> 1:05:09.120
<v Speaker 3>how did I know my brilliance wouldn't satisfy everyone? What

1:05:09.280 --> 1:05:12.800
<v Speaker 3>is wrong Jane? And she asks Jane her thoughts on

1:05:12.840 --> 1:05:16.880
<v Speaker 3>the designs, and then Jane tells her a couple of things,

1:05:16.920 --> 1:05:20.040
<v Speaker 3>and Kay very condescendingly dismisses everything that Jane said.

1:05:21.640 --> 1:05:24.240
<v Speaker 2>Did you notice those dresses were so big in the nineties,

1:05:24.320 --> 1:05:28.560
<v Speaker 2>Maxie dresses were just everywhere. I mean we wore them

1:05:28.680 --> 1:05:32.480
<v Speaker 2>and press and they were just everywhere. Those dresses just

1:05:32.720 --> 1:05:33.680
<v Speaker 2>brought it all back.

1:05:34.040 --> 1:05:36.720
<v Speaker 3>Yeah, those were everywhere, somewhere between your knee and your ankle.

1:05:37.280 --> 1:05:37.560
<v Speaker 2>Yeah.

1:05:38.160 --> 1:05:41.720
<v Speaker 3>Okay, God, but Jane is she's had it, and she says, tokay,

1:05:41.800 --> 1:05:44.520
<v Speaker 3>if becoming a successful designer means turning into a rude,

1:05:44.640 --> 1:05:48.720
<v Speaker 3>egomaniacal bitch like yourself, third, bitch, I must be in

1:05:48.760 --> 1:05:49.960
<v Speaker 3>the wrong business.

1:05:50.120 --> 1:05:51.920
<v Speaker 2>That's a bitch. Can spicy this show?

1:05:52.160 --> 1:05:55.360
<v Speaker 1>Yeah you mean, and it's way before the Mondays are

1:05:55.360 --> 1:05:55.840
<v Speaker 1>a bitch?

1:05:56.120 --> 1:05:56.320
<v Speaker 2>Yeah.

1:05:56.360 --> 1:06:01.080
<v Speaker 3>Advertising campaign no, Kate Beacon, Joe and Kay Beacon is

1:06:01.120 --> 1:06:01.320
<v Speaker 3>a bit.

1:06:01.560 --> 1:06:03.920
<v Speaker 2>The guys are just going like, what the hell's happening?

1:06:04.640 --> 1:06:07.600
<v Speaker 2>Or women, We're all starting to turn.

1:06:08.000 --> 1:06:10.480
<v Speaker 3>And to all of that, Kay just rolls her eyes

1:06:10.520 --> 1:06:14.480
<v Speaker 3>and says, see me in my office. So we cut

1:06:14.520 --> 1:06:17.560
<v Speaker 3>to Kay's office, where Kay admits to Jane that she

1:06:17.680 --> 1:06:20.200
<v Speaker 3>has been thoughtless and insensitive, and Kay goes on to

1:06:20.240 --> 1:06:22.600
<v Speaker 3>tell Jane she thinks Jane is talented and she would

1:06:22.600 --> 1:06:25.440
<v Speaker 3>hate to see Jane leave. And all of a sudden,

1:06:25.440 --> 1:06:28.040
<v Speaker 3>Michael shows up. He's got even lunch basket and he

1:06:28.280 --> 1:06:29.280
<v Speaker 3>is there to have some.

1:06:29.280 --> 1:06:29.880
<v Speaker 2>Lunch with Jane.

1:06:29.920 --> 1:06:32.160
<v Speaker 3>Jane introduces Michael to Kay and Ca says, oh, good

1:06:32.200 --> 1:06:34.320
<v Speaker 3>looking and a doctor. I guess your mother sleeps like

1:06:34.320 --> 1:06:34.680
<v Speaker 3>a log.

1:06:34.840 --> 1:06:35.720
<v Speaker 2>Jane.

1:06:36.000 --> 1:06:39.320
<v Speaker 1>See a completely different person in this episode, Yeah, completely

1:06:39.360 --> 1:06:41.400
<v Speaker 1>see It's like, wait, what what just happened?

1:06:41.600 --> 1:06:45.320
<v Speaker 3>Loving doting husband with a cute little little print.

1:06:45.080 --> 1:06:46.000
<v Speaker 1>Like needy husband.

1:06:46.120 --> 1:06:48.919
<v Speaker 2>That's I mean, remember that it wasn't too long ago

1:06:49.000 --> 1:06:51.600
<v Speaker 2>that she was coming to the doctor to the hospital

1:06:51.640 --> 1:06:53.920
<v Speaker 2>with lunch. He was like all like, what are you

1:06:53.960 --> 1:06:56.800
<v Speaker 2>doing here? And you know, she's like he has a

1:06:56.800 --> 1:06:59.120
<v Speaker 2>different reaction. He brings her lunch. They go up to

1:06:59.160 --> 1:07:01.440
<v Speaker 2>the roof and have a NYE lunch in the middle.

1:07:01.320 --> 1:07:04.280
<v Speaker 3>And then, quite out of character, Ky suggests that they

1:07:04.320 --> 1:07:07.200
<v Speaker 3>go up onto the roof right like that. She's suddenly

1:07:07.280 --> 1:07:09.320
<v Speaker 3>nice because he's there. Is that why she's nice?

1:07:09.440 --> 1:07:12.200
<v Speaker 1>Then she's well, she started apologizing, which doesn't seem very

1:07:12.240 --> 1:07:15.000
<v Speaker 1>in line with her bully character, but maybe yeah, Jane

1:07:15.120 --> 1:07:16.840
<v Speaker 1>standing up to her shifted something.

1:07:17.240 --> 1:07:19.240
<v Speaker 3>And it was also like even her apology comes with well,

1:07:19.280 --> 1:07:22.160
<v Speaker 3>I hate I would hate to see leave. Yeah, almost

1:07:22.200 --> 1:07:28.720
<v Speaker 3>like you know, try that, Good luck with that. But anyway,

1:07:28.800 --> 1:07:30.200
<v Speaker 3>So Michael and Jane go up to the roof to

1:07:30.200 --> 1:07:31.720
<v Speaker 3>have their lunch at a table on the roof with

1:07:31.720 --> 1:07:34.440
<v Speaker 3>a view of the ocean, and Michael tells Jane that

1:07:34.480 --> 1:07:37.440
<v Speaker 3>her new job has pushed some buttons for him that

1:07:37.480 --> 1:07:39.400
<v Speaker 3>he didn't know he had, but that he really does

1:07:39.440 --> 1:07:43.320
<v Speaker 3>support her in her career, and Jane says she knows

1:07:43.320 --> 1:07:45.479
<v Speaker 3>that Michael and Jane, that she knows that they both

1:07:45.480 --> 1:07:47.200
<v Speaker 3>want to have a baby, that right now she wants

1:07:47.240 --> 1:07:49.120
<v Speaker 3>to focus on her career, and she asks if that's

1:07:49.160 --> 1:07:51.120
<v Speaker 3>okay with Michael, and he says, I love you too

1:07:51.200 --> 1:07:54.400
<v Speaker 3>much to say no, who are you?

1:07:54.520 --> 1:07:58.520
<v Speaker 1>Real life? Wasn't Josie like twenty two at this point?

1:07:58.640 --> 1:08:02.200
<v Speaker 2>At most two? I think twenty one because when I

1:08:02.280 --> 1:08:04.640
<v Speaker 2>came on she I remember being in her trailer and

1:08:04.880 --> 1:08:08.560
<v Speaker 2>talking to her and finding out like she was twenty one,

1:08:08.960 --> 1:08:10.800
<v Speaker 2>so h yeah, very young.

1:08:11.880 --> 1:08:14.640
<v Speaker 3>Yeah, So then we cut back to Joe's apartment during

1:08:14.640 --> 1:08:17.120
<v Speaker 3>the day. She's in her dark room bathroom developing some

1:08:17.160 --> 1:08:20.160
<v Speaker 3>photos and Jake knocks at the door, walks in, telling

1:08:20.240 --> 1:08:23.000
<v Speaker 3>Joe that he's not the kind of guy that Joe

1:08:23.040 --> 1:08:26.559
<v Speaker 3>needs to run away from. Jake tells Joe, I care

1:08:26.600 --> 1:08:28.840
<v Speaker 3>about you, and Joe says, why why do you care

1:08:28.880 --> 1:08:32.519
<v Speaker 3>about me? And Jake says that Joe uh. He thinks

1:08:32.600 --> 1:08:34.880
<v Speaker 3>Joe's desperate to have someone care about her, and he

1:08:34.960 --> 1:08:37.920
<v Speaker 3>says he wants Joe to trust him and he just

1:08:38.000 --> 1:08:38.840
<v Speaker 3>wants to be around her.

1:08:38.880 --> 1:08:41.040
<v Speaker 2>It's just come in with this force. He's like, I'm

1:08:41.040 --> 1:08:43.559
<v Speaker 2>not taking this anymore from you. It's not like it's

1:08:43.920 --> 1:08:45.840
<v Speaker 2>and it's a different kind of energy. It's not like,

1:08:46.479 --> 1:08:48.280
<v Speaker 2>you know, I'm going to force you to talk about

1:08:48.280 --> 1:08:50.360
<v Speaker 2>things you don't want to talk about. It's like, you know,

1:08:50.400 --> 1:08:52.920
<v Speaker 2>I got to set it straight. You think I'm you know,

1:08:53.800 --> 1:08:55.840
<v Speaker 2>taking things from you, and you think I'm a bad person,

1:08:55.880 --> 1:08:57.760
<v Speaker 2>and you think you can't trust me. But I like

1:08:57.800 --> 1:08:59.760
<v Speaker 2>how he finally puts down his foot, he gets in

1:08:59.800 --> 1:09:04.639
<v Speaker 2>that thing, and that's you're like, oh, finally, okay, yeah,

1:09:04.680 --> 1:09:07.479
<v Speaker 2>and he does, but in a really supportive way, really

1:09:07.520 --> 1:09:09.840
<v Speaker 2>supportive way, I don't care about all this stuff, your lies.

1:09:09.840 --> 1:09:13.040
<v Speaker 3>I care about you. And it does force her to

1:09:13.080 --> 1:09:15.479
<v Speaker 3>sort of feel comfortable enough to start opening up, and

1:09:15.560 --> 1:09:18.519
<v Speaker 3>she then starts to tell him that her mother died

1:09:18.560 --> 1:09:21.760
<v Speaker 3>by suicide when she was seven years old, and that

1:09:21.840 --> 1:09:25.400
<v Speaker 3>her father remarried. She tells him that she met her husband,

1:09:25.600 --> 1:09:29.040
<v Speaker 3>Charles Reynolds, in college and he was from a disgustingly

1:09:29.120 --> 1:09:30.960
<v Speaker 3>wealthy family and it was pretty good for a while,

1:09:31.000 --> 1:09:33.600
<v Speaker 3>she said, but she dropped out of college to be

1:09:33.640 --> 1:09:36.519
<v Speaker 3>a socialite for her husband that eventually that felt like

1:09:36.640 --> 1:09:40.160
<v Speaker 3>she was fading away in the marriage and just losing herself,

1:09:40.160 --> 1:09:42.160
<v Speaker 3>and so she left without a note or even a goodbye,

1:09:42.240 --> 1:09:45.160
<v Speaker 3>and she started she wanted to start living her life,

1:09:45.360 --> 1:09:50.200
<v Speaker 3>her life, she emphasized, and she explains the Beth, Yeah,

1:09:50.280 --> 1:09:52.280
<v Speaker 3>she tells her. She tells Jake that her full name

1:09:52.320 --> 1:09:54.639
<v Speaker 3>is Joe Beth and that her mother had called her Joe,

1:09:54.640 --> 1:09:56.800
<v Speaker 3>and so Joe is who she really is.

1:09:57.640 --> 1:09:59.920
<v Speaker 2>But everyone else called her Beth in her husband's life,

1:10:00.160 --> 1:10:03.080
<v Speaker 2>than her old daughter that bracelet, and so this is

1:10:03.080 --> 1:10:05.600
<v Speaker 2>her going back to the name Joe, but really she

1:10:05.640 --> 1:10:06.960
<v Speaker 2>has been Beth all those years.

1:10:07.600 --> 1:10:10.200
<v Speaker 3>Joe then apologizes to Jake for all the lies, and

1:10:10.280 --> 1:10:11.760
<v Speaker 3>Jake says he knows a way to get them to

1:10:11.800 --> 1:10:16.000
<v Speaker 3>both stop running from whatever their past, and then he

1:10:16.120 --> 1:10:16.680
<v Speaker 3>kisses her.

1:10:18.280 --> 1:10:21.879
<v Speaker 1>She kiss him back, right, she kisses and how surprised

1:10:21.960 --> 1:10:24.840
<v Speaker 1>for you? I was like, oh, oh, we're here, Oh

1:10:24.840 --> 1:10:25.559
<v Speaker 1>my god, we're kissing.

1:10:25.880 --> 1:10:27.960
<v Speaker 3>He just like he leans in, it's very sweet, kisses

1:10:27.960 --> 1:10:30.559
<v Speaker 3>her on the cheek and Joe's oh no, we're doing this,

1:10:30.600 --> 1:10:32.720
<v Speaker 3>and she leans in and kisses him back, and then

1:10:32.760 --> 1:10:35.880
<v Speaker 3>they start making out and they stop for a second

1:10:36.000 --> 1:10:37.160
<v Speaker 3>just smile at each other, like.

1:10:37.800 --> 1:10:40.559
<v Speaker 1>Yeah, I mean it was earned, Like we've seen them

1:10:40.640 --> 1:10:43.240
<v Speaker 1>go back and forth, right, it's really earned. But I

1:10:43.320 --> 1:10:49.200
<v Speaker 1>was still surprised because they're very emotional connected scene then

1:10:49.200 --> 1:10:51.599
<v Speaker 1>they're kissing. Were you surprised after? Did you remember it?

1:10:52.400 --> 1:10:53.759
<v Speaker 3>Uh?

1:10:53.840 --> 1:10:56.280
<v Speaker 2>I was surprised because we're on my second episode and

1:10:56.320 --> 1:10:57.640
<v Speaker 2>I was like, oh, I didn't know that I was

1:10:57.680 --> 1:11:00.000
<v Speaker 2>besties with you starting the first episode and then I'm

1:11:00.040 --> 1:11:02.439
<v Speaker 2>start making out with Jake the second episode. She's like,

1:11:03.600 --> 1:11:07.040
<v Speaker 2>you know, yeah, jump right in. But once I really

1:11:07.160 --> 1:11:09.599
<v Speaker 2>liked and it did bring up I always looked forward

1:11:09.640 --> 1:11:13.280
<v Speaker 2>to my scenes with Jake, you know, with Grant and

1:11:13.320 --> 1:11:15.160
<v Speaker 2>we always had fun, and I like they caught that

1:11:15.200 --> 1:11:17.360
<v Speaker 2>moment after the kiss. It was a very real moment

1:11:17.360 --> 1:11:19.880
<v Speaker 2>of like smiling, like, oh, we're actually kissing, you know.

1:11:20.680 --> 1:11:23.720
<v Speaker 2>They ended the episode, and it just reminded me how

1:11:23.760 --> 1:11:26.240
<v Speaker 2>much fun we always had and I always just loved

1:11:26.240 --> 1:11:27.760
<v Speaker 2>playing with them, you know, when I first came on.

1:11:27.840 --> 1:11:33.200
<v Speaker 2>This also reminded me. I first came in and I

1:11:33.320 --> 1:11:36.480
<v Speaker 2>asked him if he wanted to rehearse. No one rehearses

1:11:36.479 --> 1:11:39.400
<v Speaker 2>in TV. There's not time to rehearse, but he said yes,

1:11:39.520 --> 1:11:42.120
<v Speaker 2>and he came over to my house on the weekend.

1:11:42.960 --> 1:11:45.360
<v Speaker 2>We didn't rehearse making out or anything that's like not.

1:11:45.640 --> 1:11:47.880
<v Speaker 2>We just rehearsed and we talked about it and we

1:11:48.000 --> 1:11:50.479
<v Speaker 2>you know, we both were really into it, and I

1:11:50.479 --> 1:11:52.880
<v Speaker 2>think that really shows that there was a comfort with

1:11:52.920 --> 1:11:57.280
<v Speaker 2>each other and a playfulness. So yeah, and we had

1:11:57.280 --> 1:12:03.120
<v Speaker 2>a real nice that started and lasted years to this day.

1:12:03.200 --> 1:12:04.800
<v Speaker 3>It sounds like you knew that there was going to

1:12:04.880 --> 1:12:07.479
<v Speaker 3>be like a big relationship on the show, and you

1:12:07.560 --> 1:12:10.120
<v Speaker 3>really wanted to get it right and like establish that

1:12:10.200 --> 1:12:13.000
<v Speaker 3>relationship and wanting to rehearse that and stuff.

1:12:13.320 --> 1:12:17.720
<v Speaker 2>Grant always says this thing about how before I even

1:12:17.760 --> 1:12:20.200
<v Speaker 2>came on the show. He saw me in New York City.

1:12:20.280 --> 1:12:21.720
<v Speaker 2>I don't know if you guys remember this story, but

1:12:21.760 --> 1:12:24.280
<v Speaker 2>he's like, yeah, he would always say this in interviews.

1:12:24.320 --> 1:12:26.280
<v Speaker 2>It made me sound like such a jerk. Yeah, I

1:12:26.360 --> 1:12:28.320
<v Speaker 2>saw you. I saw a dad in New York City

1:12:28.760 --> 1:12:31.840
<v Speaker 2>and we both went to UCLA together. And I come

1:12:31.920 --> 1:12:34.400
<v Speaker 2>up to her in this Mexican restaurant. I know it

1:12:34.400 --> 1:12:36.400
<v Speaker 2>because I've heard this so many times, and I don't

1:12:36.439 --> 1:12:39.920
<v Speaker 2>remember it, I promise you. But he comes up and says, hey,

1:12:39.920 --> 1:12:41.960
<v Speaker 2>I went to UCLA too. We know people in common.

1:12:42.160 --> 1:12:46.720
<v Speaker 2>And apparently I look at him and go no oh,

1:12:46.760 --> 1:12:49.400
<v Speaker 2>and he's like she said that to me and nah,

1:12:49.439 --> 1:12:52.400
<v Speaker 2>and so he's like okay, and he walks off. I

1:12:52.400 --> 1:12:55.040
<v Speaker 2>guess and so here we are there's already kind of

1:12:55.080 --> 1:12:56.160
<v Speaker 2>guess that thing going on.

1:12:56.240 --> 1:13:01.000
<v Speaker 1>I don't know, but so anyway, don't remember it at all.

1:13:01.120 --> 1:13:04.240
<v Speaker 2>You know, I don't remember it. I clearly do you

1:13:04.320 --> 1:13:06.120
<v Speaker 2>do you think it's possible that and I don't remember

1:13:06.160 --> 1:13:09.240
<v Speaker 2>him at UCLA, but we did have people, but we

1:13:09.280 --> 1:13:11.719
<v Speaker 2>did have people in common. I know who those people

1:13:11.800 --> 1:13:16.160
<v Speaker 2>are in the theater department. Yeah, but anyway, there.

1:13:16.040 --> 1:13:16.920
<v Speaker 3>Was this time.

1:13:19.479 --> 1:13:21.360
<v Speaker 1>If it wasn't you like if you came up to

1:13:21.400 --> 1:13:25.160
<v Speaker 1>some random brunette and the story, Yes, but.

1:13:25.280 --> 1:13:28.400
<v Speaker 2>I'm like, what you think we all look alike? No,

1:13:29.720 --> 1:13:34.920
<v Speaker 2>but I felt bad retroactively powerful.

1:13:34.720 --> 1:13:39.720
<v Speaker 3>But uh yeah, I don't remember it all right. Well,

1:13:39.760 --> 1:13:41.160
<v Speaker 3>we've got a couple of fan questions here.

1:13:43.160 --> 1:13:45.400
<v Speaker 2>Was there ever a character that you wish you had

1:13:45.439 --> 1:13:48.320
<v Speaker 2>interacted with more, shared more scenes with? That's to all

1:13:48.360 --> 1:13:50.760
<v Speaker 2>of us. I think I never had much with you,

1:13:50.800 --> 1:13:51.240
<v Speaker 2>did I?

1:13:51.400 --> 1:13:51.719
<v Speaker 3>Laura?

1:13:52.040 --> 1:13:53.599
<v Speaker 2>Did Joe and Sydney have scenes?

1:13:54.439 --> 1:13:58.439
<v Speaker 3>No? It's interesting, like I was, I was noting it

1:13:58.479 --> 1:14:03.200
<v Speaker 3>from this episode that like the Allison character had so

1:14:03.400 --> 1:14:06.040
<v Speaker 3>much going on in the early episodes, right, like you

1:14:06.080 --> 1:14:09.280
<v Speaker 3>were such the onngnoon and such the lead character, Like

1:14:09.320 --> 1:14:12.759
<v Speaker 3>you not only had this rich, rich and robust story

1:14:12.880 --> 1:14:15.639
<v Speaker 3>and then this billy thing that's brewing your own stuff

1:14:15.680 --> 1:14:17.639
<v Speaker 3>going on, and then you get to be the character

1:14:17.680 --> 1:14:19.080
<v Speaker 3>that's going to be the best friend of the new

1:14:19.280 --> 1:14:22.320
<v Speaker 3>character coming in, so like you really sort of everywhere.

1:14:23.000 --> 1:14:25.040
<v Speaker 3>And then I was thinking about it, like when my

1:14:25.200 --> 1:14:27.680
<v Speaker 3>character came in, I was very isolated in my own

1:14:27.680 --> 1:14:31.240
<v Speaker 3>little storyline, and then Michael and Jane World.

1:14:30.960 --> 1:14:33.840
<v Speaker 2>Jane and you, and then Marshall when she came on yeah,

1:14:33.920 --> 1:14:36.160
<v Speaker 2>it wasn't that like you guys' group.

1:14:36.400 --> 1:14:39.840
<v Speaker 3>Yeah, And then late like in later episodes I I had,

1:14:39.880 --> 1:14:42.640
<v Speaker 3>I got to have scenes with Heather and and I

1:14:43.080 --> 1:14:46.719
<v Speaker 3>had with Grant and things like that, and sometimes with

1:14:46.720 --> 1:14:50.519
<v Speaker 3>with Doug. But I didn't really interact with I know,

1:14:51.160 --> 1:14:54.280
<v Speaker 3>I didn't really have scenes like our characters really didn't

1:14:54.560 --> 1:14:59.439
<v Speaker 3>overlap or intertwine. And and yeah, yeah I was. I

1:14:59.479 --> 1:15:00.880
<v Speaker 3>was often my scenes.

1:15:01.320 --> 1:15:04.120
<v Speaker 2>I liked my scenes with Heather because I liked, at

1:15:04.200 --> 1:15:06.200
<v Speaker 2>least for a while, at least for a while, Joe

1:15:06.320 --> 1:15:09.200
<v Speaker 2>was very strong. I feel like then they got into

1:15:09.240 --> 1:15:11.880
<v Speaker 2>kind of like these men would come and take advantage

1:15:11.920 --> 1:15:14.320
<v Speaker 2>of her, just like beat her down and kind of

1:15:14.400 --> 1:15:17.559
<v Speaker 2>or something. She became less strong. I noticed that. But

1:15:17.800 --> 1:15:20.160
<v Speaker 2>I would have liked it with Sidney, I think, and

1:15:20.200 --> 1:15:24.160
<v Speaker 2>I liked it with Heather because Heather was strong and

1:15:24.160 --> 1:15:25.760
<v Speaker 2>I would meet her there. I remember in a few

1:15:25.760 --> 1:15:28.360
<v Speaker 2>scenes that we had what about you, Core, you seemed

1:15:28.400 --> 1:15:31.480
<v Speaker 2>to any one that you wish you worked with are.

1:15:31.520 --> 1:15:34.280
<v Speaker 1>I got to have scenes with almost everybody but except Laura.

1:15:34.400 --> 1:15:37.920
<v Speaker 1>Same thing because you and in the beginning, I had

1:15:37.920 --> 1:15:40.439
<v Speaker 1>scenes with Josie. But then you guys sort of had

1:15:40.479 --> 1:15:43.320
<v Speaker 1>your own storyline. I think it's when the medical office

1:15:43.360 --> 1:15:45.760
<v Speaker 1>opened with Jack Wagner. So I would have liked to

1:15:45.800 --> 1:15:48.240
<v Speaker 1>play more with you guys, with Jack and Heather and you,

1:15:48.680 --> 1:15:50.360
<v Speaker 1>although Heather and I for a long time I had

1:15:50.360 --> 1:15:53.639
<v Speaker 1>scenes at D and D. Yeah, I think Jack Wagner

1:15:53.680 --> 1:15:55.599
<v Speaker 1>and you are the two people I would have had

1:15:55.680 --> 1:15:58.599
<v Speaker 1>fun working with. We had great storylines together Daftney. I mean,

1:15:58.600 --> 1:16:01.960
<v Speaker 1>we don't remember the beginning one, but we had great

1:16:02.000 --> 1:16:04.479
<v Speaker 1>ones in the future. So they kind I wonder too

1:16:04.520 --> 1:16:06.880
<v Speaker 1>if it's part of double ups that they had to

1:16:06.920 --> 1:16:10.880
<v Speaker 1>separate the storylines because we had two crews, so we

1:16:11.000 --> 1:16:14.000
<v Speaker 1>had less group scenes with all of us. In the beginning,

1:16:14.040 --> 1:16:15.720
<v Speaker 1>we had that a lot more and it sort of

1:16:15.760 --> 1:16:16.439
<v Speaker 1>faded away.

1:16:17.040 --> 1:16:19.439
<v Speaker 2>So I think the writers probably, like, you know, they

1:16:19.479 --> 1:16:22.240
<v Speaker 2>see something that's working and they got a confused. Don't

1:16:22.240 --> 1:16:24.960
<v Speaker 2>you think it would confuse the audience if they criss

1:16:25.000 --> 1:16:25.960
<v Speaker 2>crossed us a lot.

1:16:26.439 --> 1:16:29.799
<v Speaker 3>Yeah, Because like I think the whole Sydney Michael Jane world,

1:16:29.840 --> 1:16:32.200
<v Speaker 3>it was like I feel like Sydney especially was like

1:16:32.400 --> 1:16:34.960
<v Speaker 3>on Planet Sydney, like there was a whole, like she

1:16:35.160 --> 1:16:38.360
<v Speaker 3>was unlikely to be like even moving in and getting

1:16:38.360 --> 1:16:40.080
<v Speaker 3>her own apartment, she was never going to be that

1:16:40.360 --> 1:16:44.439
<v Speaker 3>character that was like on the same wavelength or level

1:16:44.479 --> 1:16:47.200
<v Speaker 3>as everybody else at the thing. She was always like younger,

1:16:47.439 --> 1:16:51.080
<v Speaker 3>you know, imaginary younger as a character, lest I think

1:16:51.120 --> 1:16:52.839
<v Speaker 3>she was a different planet.

1:16:53.240 --> 1:16:56.720
<v Speaker 2>Well, she was also like wanting to really get at

1:16:56.760 --> 1:17:00.599
<v Speaker 2>her sister, and I think she was so manipul and

1:17:00.720 --> 1:17:03.920
<v Speaker 2>so pulling all this stuff that I don't know, maybe

1:17:03.960 --> 1:17:05.920
<v Speaker 2>she knew she wouldn't have gotten away with that with

1:17:06.240 --> 1:17:08.160
<v Speaker 2>the rest of us, Like yeah, I don't.

1:17:08.280 --> 1:17:09.760
<v Speaker 3>I don't know, Like I just think there's only so

1:17:09.840 --> 1:17:12.320
<v Speaker 3>much they could write, you know, Like, yeah, but it'd

1:17:12.360 --> 1:17:16.679
<v Speaker 3>be really hard to like intertwine this totally different universe

1:17:16.920 --> 1:17:19.080
<v Speaker 3>with that universe. And you know, there was the D

1:17:19.120 --> 1:17:22.320
<v Speaker 3>and D universe, and then there was the Burnsvancina universe

1:17:22.360 --> 1:17:24.519
<v Speaker 3>and the Beach House universe and all that stuff, and

1:17:24.560 --> 1:17:26.280
<v Speaker 3>like the Jake and Joe I feel like, is a

1:17:26.360 --> 1:17:29.000
<v Speaker 3>universe too, you know, Like and so I think it's

1:17:29.040 --> 1:17:33.560
<v Speaker 3>hard to intertwine all of those. Yeah, the universes, I

1:17:33.560 --> 1:17:35.760
<v Speaker 3>don't know. That's but it would have been fun, would

1:17:35.760 --> 1:17:40.360
<v Speaker 3>have been fun to work together. So maybe maybe sometime

1:17:40.400 --> 1:17:41.000
<v Speaker 3>in the future.

1:17:41.840 --> 1:17:45.360
<v Speaker 1>Yeah, I'm curious to see if we had scenes together.

1:17:45.400 --> 1:17:48.280
<v Speaker 1>I remember hanging out with you in the makeup trailer, Laura. Yeah,

1:17:48.360 --> 1:17:53.040
<v Speaker 1>I remember that being fun, but I don't. I'm trying

1:17:53.040 --> 1:17:55.080
<v Speaker 1>to remember when we would have had scenes.

1:17:55.320 --> 1:17:58.080
<v Speaker 3>Yeah, and then only only big group scenes where you know,

1:17:58.120 --> 1:18:03.120
<v Speaker 3>inevitably Sydney's doing something wrong and making you know, a

1:18:03.200 --> 1:18:04.400
<v Speaker 3>mess of things or something.

1:18:05.280 --> 1:18:07.519
<v Speaker 1>Yeah. Yeah, Well I'm excited to see and I like

1:18:07.600 --> 1:18:09.559
<v Speaker 1>what they did in this in this show, Daffy, they

1:18:09.600 --> 1:18:12.440
<v Speaker 1>really brought your character in strong, and they're really focusing

1:18:12.479 --> 1:18:14.920
<v Speaker 1>on you so that the audience is getting to change

1:18:14.920 --> 1:18:16.760
<v Speaker 1>because it already feels like you're a part of it.

1:18:17.680 --> 1:18:19.519
<v Speaker 1>She's great. They really did this in a smart way.

1:18:19.560 --> 1:18:22.120
<v Speaker 1>So only your second episode, they got around you're already

1:18:22.160 --> 1:18:24.960
<v Speaker 1>a part of the show, but very well intertwined with it.

1:18:25.000 --> 1:18:26.360
<v Speaker 1>They really did, so.

1:18:26.400 --> 1:18:29.720
<v Speaker 3>There's a There's another question that asks us, all, how

1:18:29.760 --> 1:18:33.080
<v Speaker 3>do we like to rewatch these episodes as we're rewatching

1:18:33.120 --> 1:18:35.040
<v Speaker 3>to prepare for our podcast. Do we watch with a

1:18:35.040 --> 1:18:37.200
<v Speaker 3>glass of wine at home or with friends, et cetera.

1:18:37.280 --> 1:18:41.240
<v Speaker 3>Would we consider doing a live recap together?

1:18:41.680 --> 1:18:42.559
<v Speaker 2>That would be cool.

1:18:42.720 --> 1:18:45.000
<v Speaker 1>Characters are fun, That would be so fun.

1:18:45.560 --> 1:18:48.880
<v Speaker 3>When I watch Melrose out like the episodes, I get

1:18:48.920 --> 1:18:51.240
<v Speaker 3>to watch with Doug. Sometimes I make him sit down

1:18:51.240 --> 1:18:53.240
<v Speaker 3>and watch with me. But it would be super fun

1:18:53.760 --> 1:18:55.680
<v Speaker 3>if we all had a night the three of us

1:18:55.800 --> 1:18:57.559
<v Speaker 3>wait and where we watched all together.

1:18:58.120 --> 1:19:00.559
<v Speaker 2>I've been known to have a spritzer and and David

1:19:00.600 --> 1:19:02.320
<v Speaker 2>brings it to me and and then he goes, you're

1:19:02.320 --> 1:19:05.080
<v Speaker 2>watching yourself on TV again, And I'm like, yep, I

1:19:05.120 --> 1:19:07.960
<v Speaker 2>want to, Like, he's just not interested. I want to watch,

1:19:09.400 --> 1:19:11.840
<v Speaker 2>but uh but and then he comes in and he goes,

1:19:11.880 --> 1:19:14.240
<v Speaker 2>what you're doing? I go working watching TV?

1:19:14.400 --> 1:19:20.080
<v Speaker 3>What are you doing? Doing these podcast episodes is kind

1:19:20.080 --> 1:19:23.240
<v Speaker 3>of like the rewatch together, Like we do our little

1:19:23.240 --> 1:19:25.479
<v Speaker 3>rewatch on our own, but then coming together to talk

1:19:25.520 --> 1:19:29.280
<v Speaker 3>about it is like having the shared experience. So it

1:19:29.320 --> 1:19:32.160
<v Speaker 3>feels like that's almost what we're doing is having this

1:19:32.200 --> 1:19:35.759
<v Speaker 3>shared experience by doing these podcasts recaps every week together.

1:19:36.000 --> 1:19:36.400
<v Speaker 3>I love it.

1:19:36.479 --> 1:19:38.200
<v Speaker 1>Yeah, you know, it would be really fun if we

1:19:38.240 --> 1:19:41.519
<v Speaker 1>could get everybody together to be determined dinner party.

1:19:42.040 --> 1:19:45.680
<v Speaker 2>Well, I think that'd be really fun party.

1:19:45.760 --> 1:19:47.559
<v Speaker 3>I just want to show that'd be really fun.

1:19:48.479 --> 1:19:52.240
<v Speaker 2>Just invite us, please, Let's just have a damn dinner party.

1:19:52.360 --> 1:19:55.439
<v Speaker 3>Thank you guys for coming to listen to another episode

1:19:55.479 --> 1:19:59.519
<v Speaker 3>of Still the place, yes, thanks everybody, Gay Week.

1:20:00.200 --> 1:20:02.280
<v Speaker 2>I fine,