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Speaker 1: Still the Place with Laura Layton, Courtney Thorn Smith.

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Speaker 2: And Daphne's Aniga and iHeartRadio podcast.

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Speaker 1: Hi guys, welcome back.

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Speaker 2: Yeah, how's everyone doing?

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Speaker 3: Still recovering from Thanksgiving? Not gonna lie?

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Speaker 1: Yeah you had a house ful?

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Speaker 2: Right?

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Speaker 3: We have a house mess and then but yeah, I

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Speaker 3: mean I kind of always have a house full, just

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Speaker 3: because we have a big family. We didn't host the

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Speaker 3: big event.

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Speaker 2: We just oh you didn't. No, you went to someone

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Speaker 2: else's home.

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Speaker 3: We generally host Christmas and my sister in law host Thanksgiving.

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Speaker 2: So still and Cortney, you drove, We drove, drove.

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Speaker 1: My son passed his driving test on Monday and we

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Speaker 1: left Tuesday, so we drove up to northern California and

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Speaker 1: he drove the first three hours.

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Speaker 2: How did he do?

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Speaker 1: Great?

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Speaker 3: Just right up that five freeway, it's a nice straight line.

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Speaker 1: He did the grape vine. He did absolutely great. I

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Speaker 1: was just sitting there my lap covered in dogs, chatting away,

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Speaker 1: and then it was my tre and I was like, oh,

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Speaker 1: I was kind of hoping that he would love it

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Speaker 1: so much that he would want to try the whole way,

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Speaker 1: but no, I had to take my turn. But it

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Speaker 1: was great. We stayed at Cavola Point, which is gorgeous.

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Speaker 1: You know that it used to be for Baker just

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Speaker 1: over the bridge in Saucelito. They're super dog friendly, so

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Speaker 1: we brought the dogs and had such a great And

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Speaker 1: it still.

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Speaker 3: Feels like homped me up there.

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Speaker 1: Yeah, you know you grew up up there too, right, daf.

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Speaker 2: Yes, I did. I grew up in Berkeley.

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Speaker 1: Yeah, So we looked at UC Berkeley. We went and

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Speaker 1: walked through really Berkeley. We walked around Stamford. Yeah.

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Speaker 2: I used to skateboard and run around there. My dad

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Speaker 2: was going to school there, so we kind of like

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Speaker 2: were two kids running around. It was our backyard all over,

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Speaker 2: going up the camp and neely, just sneaking into lecture halls,

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Speaker 2: that kind of stuff you do as a kid.

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Speaker 1: It was fun. Yeah, my mom used to live there,

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Speaker 1: so we lived in Male Valley. My mom used to

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Speaker 1: live in Berkeley. So many men, right, I'm always surprised.

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Speaker 1: We went to Stanford Shopping Center to meet my step

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Speaker 1: mom for lunch, and it's so different, Like I couldn't

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Speaker 1: even recognize where we used to go. The whole parking

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Speaker 1: lot is stores now. It seems like the only mall

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Speaker 1: that's still thriving a lot of development. The bigger going.

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Speaker 3: Back to where your childhood was or where your memories where,

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Speaker 3: and everything's changed.

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Speaker 2: It's so bizarre.

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Speaker 3: I definitely have that out of body, like I don't

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Speaker 3: recognize it feeling when I go back home. Have you

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Speaker 3: guys been back to Santa Clarita since we shot in

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Speaker 3: Santa Clarita. Well, we drove through twice and it's but like,

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Speaker 3: have you tried to like find your way around. We

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Speaker 3: used to drive to the sets like on autopilot. We

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Speaker 3: knew our way so well. We drove there all the time.

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Speaker 2: And built up a lot of those warehouse built up

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Speaker 2: all those warehouses. Like back when we were shooting Melrose,

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Speaker 2: we were the only really ones. I mean there were

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Speaker 2: some on I forget that street, but yeah, they've built

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Speaker 2: up a lot of.

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Speaker 3: Yeah, I just found it like, oh, just it doesn't

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Speaker 3: seem like I should be not able to recognize it,

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Speaker 3: but it just feels so different and new.

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Speaker 1: I wonder if that Marie calendar is still there. I

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Speaker 1: been for tuna salad.

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Speaker 3: All right, we had a research research.

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Speaker 1: God, I know, wouldn't that be sweet? Now, Daphne, what

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Speaker 1: did you do?

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Speaker 2: I went to Texas. I went to Dallas. My brother

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Speaker 2: married a lovely woman from Dallas, so we were there

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Speaker 2: with her family. We had a roast turkey and a

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Speaker 2: fried turkey, because you do that in Dallas.

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Speaker 1: I guess, Wow, how was it?

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Speaker 2: I mean, you don't need me. I don't need turkeys.

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Speaker 2: The mom made sherry, made peacampi and all kinds of candies,

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Speaker 2: like just she made them, you know, bars and like

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Speaker 2: caramel and all this stuff. Was like there's lots of

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Speaker 2: forms of sugar that I never knew about. Amazing, amazing. Yeah,

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Speaker 2: it was really fun. It was very different. It was

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Speaker 2: really great.

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Speaker 1: My cousin made sweet potatoes and there was like an

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Speaker 1: inch of sweet potatoes and then maybe two inches then

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Speaker 1: the equal amount of brown sugar, butter and pecans. Wow,

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Speaker 1: like I'm pretending this is a vegetable and it's the

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Speaker 1: best one I've had in my entire life. Like the

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Speaker 1: offer is pie, and I was like, what pie could

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Speaker 1: be better than the sweet potatoes?

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Speaker 2: I know, Yeah, it's really true.

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Speaker 3: Well, I do feel like it's like the season for it,

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Speaker 3: and I do feel like I'm still recovering from everything

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Speaker 3: I over ate on Thanksgiving. But I rolled right into

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Speaker 3: Christmas season already, I'm like, oh, you know, my god,

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Speaker 3: game on.

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Speaker 2: It's literally like baking. And the day all the Turkey

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Speaker 2: designs came down and I helped Lindsay put up all

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Speaker 2: the Christmas and you know, all over Christmas trees and

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Speaker 2: Barkley things, and I'm like, well.

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Speaker 3: Yeah, it's on is Christmas.

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Speaker 1: Mine's already up. I put mine up three weeks ago.

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Speaker 1: But I did put out like the little trees and

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Speaker 1: the other decor. And then I had a dinner party

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Speaker 1: last night and everybody brought me out, just pointing it

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Speaker 1: out again without you, and I did realize that I

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Speaker 1: would hear about it, but but you mentioned it any

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Speaker 1: do it. I mentioned it anyway because they brought me

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Speaker 1: points stadi Is and it was so lovely. So we

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Speaker 1: will get something on the books so that next time

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Speaker 1: I mention it and you guys then mention it, actually.

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Speaker 2: We'll say, yeah, it was so great.

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Speaker 3: All right. So on that note, we have another recapped today,

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Speaker 3: our Reach episode sixteen, Episode sixteen.

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Speaker 1: I'm just gonna say this, Daphne and I both make

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Speaker 1: out with someone in this episode, just just putting that

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Speaker 1: out there, getting the interest up.

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Speaker 3: It happens it is really sex in this show. Yeah,

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Speaker 3: I think right about now, So if this episode was

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Speaker 3: airing November eighteenth and nineteen ninety two, I think I

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Speaker 3: was actually filming my first episodes as Sydney in November

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Speaker 3: of nineteen ninety two, So right around now, I was

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Speaker 3: probably filming Wow. And the only reason I sort of

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Speaker 3: remember this well because Sydney's gona appear in a episodes,

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Speaker 3: But so I remembered that after I was done with

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Speaker 3: my two episodes, I was like giving a Christmas gift

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Speaker 3: or a Christmas something to Josie and and like I

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Speaker 3: was just I think I was probably baking at that time,

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Speaker 3: and I was like, oh, do my little Christmas stuff.

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Speaker 3: But I feel like I it was right before the

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Speaker 3: Holidays that I was doing these two episodes anyway, So

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Speaker 3: while you guys are having fun making out and being

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Speaker 3: on the show, I was like, you know, hiking.

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Speaker 2: Out and fighting. It's like, we're gonna see this, but this,

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Speaker 2: this like most gorgeous guy is after me, and all

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Speaker 2: I do is yell at him and push him away

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Speaker 2: and like a million different forms, like every time he

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Speaker 2: makes an offering, I'm like, yeah, no, I mean I

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Speaker 2: just can't I'm like, I hope she like gives in soon.

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Speaker 1: Now you know how I feel with Billy?

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Speaker 2: I know, do you not have eyes?

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Speaker 1: I felt exact same way.

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Speaker 3: Yeah, Joe's kind of a tough nut.

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Speaker 1: Us be a female fantasy that these gorgeous guys that

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Speaker 1: were like, no, no, no, because our audience was primarily female,

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Speaker 1: it must be these gorgeous guys guys.

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Speaker 2: Yeah.

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Speaker 1: And by the way, first you turned down another gorgeous

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Speaker 1: guy before you turn down, right, Jake. So let's get

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Speaker 1: to the episode.

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Speaker 3: All right, So episode sixteen. The title of this one

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Speaker 3: is The Whole Truth. This is directed by Charles Braverman,

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Speaker 3: and it opens in Alison and Billy's apartment at night.

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Speaker 3: Billy walks out of his bedroom and tells Alison that

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Speaker 3: he's headed to Shooters for night out, and seeing as

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Speaker 3: he's dressed in a sport coat with something like a

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Speaker 3: Hawaiian print shirt underneath, it looks like he's really ready

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Speaker 3: for good night out, and he tells Alison he doesn't

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Speaker 3: want her to come along because he's planning to hopefully,

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Speaker 3: you know, pick up a girl. So she all right

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Speaker 3: jokingly calls him Fido. He barks, and he leaves, but

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Speaker 3: not before Alison sniffs him and teases him that he

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Speaker 3: has sent it himself for his night out in something

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Speaker 3: called love Spice.

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Speaker 1: Do you think that was an actual cologne name where

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Speaker 1: I was naming it?

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Speaker 2: I think the writers might.

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Speaker 1: I think it was a very bad, I mean, very

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Speaker 1: imaginary smell. But you know, Andrew is like, so I

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Speaker 1: bark like a dog and I smell bad.

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Speaker 3: He's like, bye, going out anyway, I got this.

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Speaker 1: Exactly like this handsome.

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Speaker 2: I mean, it's so funny how these writers create Andrew's

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Speaker 2: shoe to be like this duft is at times like

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Speaker 2: this puppy dog, little kid. And all the women were

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Speaker 2: just like, oh my god, Andrew, I'm crazy for him. Yeah.

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Speaker 3: Yeah, So he tells Alison don't wait up, and when

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Speaker 3: the door closes behind him, he sneakily retrieves a bottle

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Speaker 3: of champagne and two glasses hidden in the bushes right

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Speaker 3: outside his apartment door. He takes those items straight upstairs

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Speaker 3: to Joe's apartment and knocks on the door. She answers,

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Speaker 3: and Billy asks Joe if she's interested in a little

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Speaker 3: champagne and conversation, and then she says her. He's like,

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Speaker 3: oh what and uh, he ignores that. But anyway, and

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Speaker 3: you know, do you want to hang out? And she says, no, Bill,

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Speaker 3: I was planning to do nothing tonight. And he's like, well,

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Speaker 3: let's do it together. Let's do nothing together.

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Speaker 2: He and I love how she keeps calling him billious

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Speaker 2: so we all know him as Billy and it's like Bill.

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Speaker 2: And then later she calls Michael Mike. Thanks Mike.

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Speaker 3: She's got her own thing going on.

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Speaker 2: I love it.

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Speaker 3: And so he says, let's do nothing together and justice

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Speaker 3: now some other time Bill and closes the door in

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Speaker 3: his face.

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Speaker 1: Yeah, that, Daphne. You never say who is it? Or

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Speaker 1: look through the people. You just didn't notice that your door.

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Speaker 1: You did not I noticed it. I'm like, you just

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Speaker 1: swing your door open to anybody who know.

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Speaker 2: Oh that's so funny.

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Speaker 1: I remind woman with a frightening pass just opens her door.

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Speaker 2: I know. And if she's really from a frightening past,

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Speaker 2: she should have like like nine locks on the inside

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Speaker 2: of the door, right like every movie you see in

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Speaker 2: New York City, they all have like all these locks. Well,

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Speaker 2: she gets in trouble with a lot of guys, she

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Speaker 2: should have had locks on that door at.

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Speaker 1: Least say who is it? That would be nice.

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Speaker 3: So then we cut too from there shooters that night,

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Speaker 3: where Jake and Billy are drinking that bottle of champagne together.

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Speaker 3: Billy has decided to drink it with Jake instead, and

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Speaker 3: Jake tells Billy his line to Joe about doing nothing

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Speaker 3: together was really lame, and then he tells Jake that

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Speaker 3: he's giving up on Joe, and he warns Jake that women.

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Speaker 2: Like that will never ever give.

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Speaker 3: You a chance, and Jake sniffs the air and says, well,

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Speaker 3: maybe Joe turned you down because of that.

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Speaker 1: After Shape, I think Billy's having trouble taking responsibility. Women

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Speaker 1: like that won't give anyone a chance.

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Speaker 3: Not me, not you, Jake, don't even think about it,

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Speaker 3: because what do you have going for you?

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Speaker 2: Yeah?

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Speaker 3: I stink, But what do you have going for Yeah?

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Speaker 2: What do you have? And don't count the six pack

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Speaker 2: because I have one too.

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Speaker 3: So then we cut to Michael and Jane's apartment. They

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Speaker 3: are kissing in bed and the phone rings. Jean answers it,

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Speaker 3: and after a brief conversation, she hangs up and tells

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Speaker 3: Michael that she no longer has a job. That was

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Speaker 3: her ex boss, telling her that the clothing shop has

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Speaker 3: been sold and that Jane should come by in the

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Speaker 3: morning and pick up her personal stuff.

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Speaker 1: Interesting way to shoot it. Right, they're naked in bed.

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Speaker 1: They're clearly either they've just had sex or they're about

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Speaker 1: to have sex, and she gets fired. I thought that's

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Speaker 1: an interesting.

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Speaker 2: Yeah, yeah, that's interesting.

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Speaker 1: She could be making coffee and get the call and

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Speaker 1: they said.

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Speaker 2: Now, maybe there was like an editorial direction, like, remember,

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Speaker 2: we're spicing up this damn show, so I want them

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Speaker 2: to start naked in bed and right, you know what

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Speaker 2: I mean, Like it could be like a random, you know,

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Speaker 2: call or something, but it's like, let's start her in

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Speaker 2: bed or end them in bed.

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Speaker 1: Maybe there was a scene before this and they cut it.

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Speaker 3: And it's also I think maybe a pre to what

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Speaker 3: their storyline is going to be, where they're having conversations

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Speaker 3: about trying to have a baby and trying to get

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Speaker 3: pregnant again and like that. It does seem to be

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Speaker 3: a theme in there.

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Speaker 2: Yeah, that's true.

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Speaker 3: You're always Then we're back with Alison and Billy in

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Speaker 3: their apartment in the morning. Billy's in the kitchen. He's

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Speaker 3: looking for aspirin in the cupboard and Allison comes in

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Speaker 3: the kitchen dressed for work, tells Billy he looks miserable.

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Speaker 3: He tells her it's his tooth acting up again, and

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Speaker 3: she says, you know, you should see a dentist now

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Speaker 3: it'll go away. He says, but is it swollen, and

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Speaker 3: Allison says, yeah, maybe it is. He should make an

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Speaker 3: appointment with doctor Estrin, who's the best dentist in La.

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Speaker 1: She says, such a sweet scene. I think it's such

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Speaker 1: a sweet scene. And all I thought was, yeah, you

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Speaker 1: can tell we're dating because I realized sweet way, I'm like, Alison,

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Speaker 1: hanced yourself.

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Speaker 2: You say to him. Allison says to Billy, you look

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Speaker 2: like a mess. But what she really meant to say

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Speaker 2: is she was adorable.

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Speaker 1: You're adorable.

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Speaker 2: Because he was adorable.

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Speaker 3: So yeah, she's taking good care of him and getting

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Speaker 3: him a doctor's appointment. And he ends up saying, going,

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Speaker 3: thanks mom, of course, yeah, of course.

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Speaker 2: She has the best done just in the city. Yeah.

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Speaker 3: And then we got to the courtyard. During the day,

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Speaker 3: Joe is lying on the ground taking photos of Jake's

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Speaker 3: motorcycle for her portfolio. Jake walks up and jokes that

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Speaker 3: he charges two dollars a shot and Joe tells Jake

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Speaker 3: he has a beautiful bike, especially from the pipes up.

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Speaker 2: Yeah, they did a nice little crane shot or something.

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Speaker 2: Did you notice that when I come up, I'm lying

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Speaker 2: down on the ground that I come up and I

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Speaker 2: go it comes up, especially from the pipes side.

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Speaker 1: I feel like you were doing that a lot. I

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Speaker 1: feel like that's something you laying down to get a

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Speaker 1: shot on the show. Don't you feel like because I

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Speaker 1: saw that, I was like.

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Speaker 2: That or like climbing a ladder. It was always so

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Speaker 2: difficult for her to get an angle.

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Speaker 3: How do we make this interesting? Let's put Joe somewhere

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Speaker 3: on the ground or upside that oily bike.

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Speaker 1: Well, I think they put a bag. I felt like

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Speaker 1: that bag was there to rest your head on. You

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Speaker 1: think probably donore you know all the track.

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Speaker 2: I probably rabbed it. They probably had nothing for me.

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Speaker 2: And you know, you're always when you're the one lying

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Speaker 2: down in the dirt or something. I've done tons of

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Speaker 2: like you know, Lifetime movies, and they're always like you're

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Speaker 2: running around the dark and I'm just like, could I

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Speaker 2: get a little padding please? I know I'm about to

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Speaker 2: blow him away or we're gonna have a fight.

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Speaker 1: But and so you find I don't have to be

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Speaker 1: uncomfortable while I'm killing him.

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Speaker 3: And that career is pretty filthy, like yeah, you know,

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Speaker 3: everybody walks through it, and yeah, I know instruction and yeah.

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Speaker 1: Didn't you think this is spicy? You were spiky? Yeah,

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Speaker 1: full of double on taundres.

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Speaker 2: Yeah, yes, And that's that she's starting to play with him,

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Speaker 2: you know. Yeah, so she like gets she says something

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Speaker 2: double on tundra like especially from the pipes up.

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Speaker 1: Yeah.

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Speaker 2: And then and then he goes, you want to go

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Speaker 2: for a ride and she's like no, she.

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Speaker 3: Says, yeah, he asked, do you want to go for

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Speaker 3: a ride, and she says she was planning on doing

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Speaker 3: nothing today. So Jake takes that opportunity to suggest they

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Speaker 3: do nothing together. And then that sort of is that

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Speaker 3: cute smile between him.

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Speaker 2: Because it's like, oh, it worked for him and then

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Speaker 2: the other gorgeous guy in the bed.

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Speaker 3: So then because we got to the street out on

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Speaker 3: the motorcycle, Joe and Jaker sharing, Joe is loving it

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Speaker 3: and Jake warns her watch out, you could swallow a

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Speaker 3: bug and uh. Then they pull over to the side

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Speaker 3: of the mountain road overlooking a rocky ravine and Jake

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Speaker 3: asks Joe where she learned to ride?

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Speaker 1: Like that, do you think for a second that Jake

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Speaker 1: would let a woman drive his motorcycle. I mean, I

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Speaker 1: liked it, but I thought, wow, that seemed out of character. Also,

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Speaker 1: seems were super tight.

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Speaker 3: And she was in the front like she was riding

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Speaker 3: and he was behind she instead of Yeah, So that

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Speaker 3: was surprising that the first time we see them on

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Speaker 3: the bike together, well.

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Speaker 2: Wasn't they doing it? Like were his arms around on

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Speaker 2: the handles as well? I felt like he was like

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Speaker 2: like trice like bike like training a child or something.

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Speaker 2: I mean, like he wasn't just on the back. But

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Speaker 2: maybe I felt.

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Speaker 3: Like I have to look at like later later year,

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Speaker 3: behind him and he's he's riding, he's steering. Yeah, but

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Speaker 3: it seemed like if you're in front, I mean, you

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Speaker 3: tell me you're you're the one who had a motorcycle. Yeah,

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Speaker 3: but if you're in front, it seems like you're you're

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Speaker 3: in control, like you're yeah, you're responsible sort of.

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Speaker 2: But I think the way we got to look at

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Speaker 2: this again because the way that he was, I feel

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Speaker 2: like he was in control because I could be sitting

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Speaker 2: on the long seat and then put my legs up

352
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Speaker 2: on the there's the you know, little I don't know

353
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Speaker 2: he could have somehow like a father would do with

354
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Speaker 2: the child. But I have to look at it again

355
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Speaker 2: because it would be very weird to put me on

356
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Speaker 2: in front if she wasn't right.

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Speaker 3: She doesn't really were, But he says, where'd you learn

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Speaker 3: to write like that? And she goes prison joking, and

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Speaker 3: then he says, I.

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Speaker 1: Went one second, Daphne, where did you learn to write

361
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Speaker 1: a motorcycle? Did you know how to ride a motorcycle?

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Speaker 2: Okay, so this is yeah. I was gonna share all this.

363
00:16:48,880 --> 00:16:52,440
Speaker 2: So this starting to ride on the show got me interested,

364
00:16:52,520 --> 00:16:55,080
Speaker 2: and Grant and I on the weekends, I would go

365
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Speaker 2: with him and ride on the back, so he would

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Speaker 2: I would ride with him with who else went? The

367
00:17:02,840 --> 00:17:06,200
Speaker 2: Teamsters and Tony went. We had a bunch of us,

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00:17:06,240 --> 00:17:08,800
Speaker 2: sometimes maybe Greg Lacova or makeup guy, but we would

369
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Speaker 2: go for these rides. Later, remember Jerry, she got a bike,

370
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Speaker 2: but I loved it. But I was like, I want

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Speaker 2: my own bike. So I went to Pasadena City College,

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Speaker 2: took a weekend motorcycle safety course, got my own little

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Speaker 2: sportster Harley and had the handlebars, got the high handlebars,

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Speaker 2: added some chrome, and then I would go out and

375
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Speaker 2: we'd all go up, but i'd have my own bike.

376
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Speaker 3: But I got interested.

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Speaker 2: On this show, so I didn't do it before, and

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Speaker 2: I really just loved it. I just loved it. I

379
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Speaker 2: had it for years because when Laura came on the

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Speaker 2: show and then later she would go on with us

381
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Speaker 2: with Grant, and it was really it was really fun

382
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Speaker 2: and it was something that bled into my real life.

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Speaker 1: And I would just like to point out, as you

384
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Speaker 1: guys are talking about high, I haven't had you over dinner.

385
00:18:01,720 --> 00:18:12,240
Speaker 1: Never even knew about these rides. Apparently everybody okay, busted. Yeah.

386
00:18:19,200 --> 00:18:22,880
Speaker 3: So Jake and Joe are looking out at the very

387
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Speaker 3: desolate view and they both share that they like to

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Speaker 3: be alone, and Joe reveals that when she was young,

389
00:18:30,440 --> 00:18:32,359
Speaker 3: she spent a lot of time alone and learned to

390
00:18:32,400 --> 00:18:34,639
Speaker 3: love it. He says he wants to show her a

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Speaker 3: cool part of the road up ahead, but Joe says

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Speaker 3: she has an interview at Wilsher and hunt for a

393
00:18:40,280 --> 00:18:43,520
Speaker 3: photo assistant job. Jake says he'll take her there. I

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00:18:43,560 --> 00:18:45,639
Speaker 3: just want to point out the dynamic once again. The

395
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Speaker 3: last scene he says oh, and and she says, no,

396
00:18:49,440 --> 00:18:51,679
Speaker 3: I don't want to do and then turns up day

397
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Speaker 3: takes her for a ride and she goes, oh, I

398
00:18:53,760 --> 00:18:55,400
Speaker 3: want to you know, I want to take you off

399
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Speaker 3: for a beautiful another beautiful ride, and she goes, no,

400
00:18:58,160 --> 00:19:02,240
Speaker 3: I I God something meeting so and but he keeps

401
00:19:02,280 --> 00:19:05,080
Speaker 3: this whole episode, you know, yeah, And then he tries

402
00:19:06,200 --> 00:19:07,439
Speaker 3: and things get even worse.

403
00:19:07,680 --> 00:19:10,800
Speaker 2: So mine heart to get Jesus, I was never like

404
00:19:10,840 --> 00:19:11,480
Speaker 2: that in real life.

405
00:19:11,520 --> 00:19:12,960
Speaker 1: But I.

406
00:19:14,840 --> 00:19:15,280
Speaker 3: Move in.

407
00:19:16,520 --> 00:19:21,000
Speaker 2: Here's frush so funny.

408
00:19:21,400 --> 00:19:24,560
Speaker 1: We're acting your pants off all right, backing your pants

409
00:19:24,600 --> 00:19:25,480
Speaker 1: on right.

410
00:19:29,400 --> 00:19:31,480
Speaker 3: And the lawyer tells Matt that the Halfway House is

411
00:19:31,680 --> 00:19:35,880
Speaker 3: offering his job back, but they're not offering anything else.

412
00:19:35,920 --> 00:19:37,760
Speaker 3: She says the Halfway House won't admit that they have

413
00:19:37,840 --> 00:19:40,600
Speaker 3: fired Matt because he's gay, and they won't discuss a

414
00:19:40,640 --> 00:19:43,920
Speaker 3: monetary settlement, and Matt feels like that sends the message

415
00:19:43,920 --> 00:19:47,200
Speaker 3: that he was imagining the whole thing. He does admit

416
00:19:47,280 --> 00:19:49,440
Speaker 3: that he misses the Halfway House and he thinks about

417
00:19:49,440 --> 00:19:51,560
Speaker 3: the people there every day, not to mention the Burgerstan

418
00:19:51,680 --> 00:19:53,960
Speaker 3: job is getting kind of old. His lawyer says she

419
00:19:54,080 --> 00:19:57,359
Speaker 3: thinks that Matt should reject this offer and force the

420
00:19:57,400 --> 00:19:59,640
Speaker 3: Halfway House to do the right thing. And so Matt

421
00:19:59,680 --> 00:20:02,080
Speaker 3: agree telling his lawyer reject the offer, and I am

422
00:20:02,160 --> 00:20:05,040
Speaker 3: up for the fight, he says, which is very.

423
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Speaker 1: Doug So I like that this happened, Like he's like, no,

424
00:20:08,720 --> 00:20:10,359
Speaker 1: this is the right thing to do. I'm doing the

425
00:20:10,400 --> 00:20:10,919
Speaker 1: right thing.

426
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Speaker 2: And they know they have a strong case.

427
00:20:12,880 --> 00:20:13,560
Speaker 1: Yeah.

428
00:20:13,800 --> 00:20:18,320
Speaker 3: So then we cut to the fashion work room during

429
00:20:18,320 --> 00:20:20,200
Speaker 3: the day, where Jane has gone by the to pick

430
00:20:20,240 --> 00:20:24,320
Speaker 3: up her things and the new designer, Kay Beacon played

431
00:20:24,359 --> 00:20:25,120
Speaker 3: by Sidney has.

432
00:20:25,040 --> 00:20:27,080
Speaker 1: Been in everything tough as nails in.

433
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Speaker 2: This Oh she's I mean that's putting it nicely. She's horrible.

434
00:20:32,600 --> 00:20:36,160
Speaker 3: She was poopooing everything she sees and Kay gives Jane

435
00:20:36,200 --> 00:20:39,200
Speaker 3: a backhanded compliment on her dress and tells and Jane

436
00:20:39,200 --> 00:20:41,960
Speaker 3: tells Kate, oh, I design all my own dresses, and

437
00:20:42,520 --> 00:20:45,280
Speaker 3: another backhanded sort of cases everything about Jane's dress is

438
00:20:45,280 --> 00:20:48,640
Speaker 3: actually knockoff of her designs, but it's okay. Everyone does

439
00:20:48,680 --> 00:20:52,800
Speaker 3: it and imitation is the sincerest form of flattery and

440
00:20:52,840 --> 00:20:55,760
Speaker 3: it comes on really strong, and she says to Jane, well,

441
00:20:55,800 --> 00:20:58,000
Speaker 3: at least you used my ideas in a smart way.

442
00:20:59,359 --> 00:21:04,320
Speaker 3: See immediately sort of annoyed. But then Kay turns around

443
00:21:04,320 --> 00:21:07,000
Speaker 3: and asks, Jane, do you think you could do better

444
00:21:07,160 --> 00:21:11,680
Speaker 3: if you used my new ideas under my supervision? And

445
00:21:12,200 --> 00:21:14,959
Speaker 3: because I guess k Beekont is some hot shot designer,

446
00:21:15,040 --> 00:21:18,280
Speaker 3: Jane is intrigued, and Hay tells her to come by

447
00:21:18,280 --> 00:21:21,639
Speaker 3: the studio in the morning at nine. So long, Jane, Mancy,

448
00:21:21,720 --> 00:21:22,960
Speaker 3: you see you tomorrow.

449
00:21:23,440 --> 00:21:27,679
Speaker 2: I mean, Jane is so nice and you're just going like, oh,

450
00:21:27,680 --> 00:21:30,600
Speaker 2: she's being treated so like crap by this woman. But

451
00:21:30,680 --> 00:21:33,720
Speaker 2: she takes the job and she, you know, obviously.

452
00:21:33,840 --> 00:21:36,119
Speaker 3: Sees it as an opportunity, but like, wow, this is

453
00:21:36,160 --> 00:21:38,760
Speaker 3: going to be a challenge to work with this personality.

454
00:21:39,080 --> 00:21:41,360
Speaker 1: Well, I hope it's getting better. But that's why there's

455
00:21:41,400 --> 00:21:44,200
Speaker 1: been so much abuse in creative industries, right, because we're

456
00:21:44,240 --> 00:21:48,200
Speaker 1: so desperate for a shot that people on the top

457
00:21:48,240 --> 00:21:50,520
Speaker 1: have been allowed to behave very badly. I think it's

458
00:21:50,560 --> 00:21:53,760
Speaker 1: turning a little bit like there has been a shift.

459
00:21:53,800 --> 00:21:56,320
Speaker 1: But we've been called though on our set, but we've

460
00:21:56,359 --> 00:21:58,320
Speaker 1: all been on sets where people were allowed to behave

461
00:21:58,680 --> 00:22:01,679
Speaker 1: very very badly. But every everybody wants to be in

462
00:22:01,720 --> 00:22:03,439
Speaker 1: the industry so badly that they put up here.

463
00:22:03,520 --> 00:22:06,159
Speaker 2: Yeah, plus there. It kind of goes along with this

464
00:22:06,280 --> 00:22:09,600
Speaker 2: narrative that you know, the genius, Oh we can't you know,

465
00:22:09,840 --> 00:22:13,760
Speaker 2: he's moody or she's just like that, or there are

466
00:22:13,800 --> 00:22:16,560
Speaker 2: two when as if that's supposed to be an excuse.

467
00:22:16,800 --> 00:22:19,640
Speaker 1: There were so many producers in our day who would

468
00:22:19,680 --> 00:22:22,560
Speaker 1: throw things and yell and scream, and they were famous

469
00:22:22,600 --> 00:22:24,080
Speaker 1: for being awful, and it was sort of like, oh,

470
00:22:24,119 --> 00:22:27,199
Speaker 1: they're so awful, and I think now there's finally been

471
00:22:27,240 --> 00:22:30,160
Speaker 1: a comeuppance and that doesn't fly anymore.

472
00:22:29,880 --> 00:22:32,320
Speaker 2: Not ex cell phones cell phones.

473
00:22:33,720 --> 00:22:35,200
Speaker 1: Yes, exactly, that's true.

474
00:22:35,600 --> 00:22:38,239
Speaker 3: So we go for pumpkin pie once at somebody, you

475
00:22:38,320 --> 00:22:41,600
Speaker 3: threw a pumpkin pie, like out of anger, out of behavior?

476
00:22:42,240 --> 00:22:45,080
Speaker 2: Oh please, that's a whole other podcast. Are you waiting?

477
00:22:45,119 --> 00:22:48,239
Speaker 2: Me threw a pumpkin pie? But I was such a

478
00:22:48,240 --> 00:22:52,640
Speaker 2: moron that I didn't. It wasn't baked, it was raw.

479
00:22:53,280 --> 00:22:55,640
Speaker 2: It was a tofu pumpkin pie, so it was all

480
00:22:55,720 --> 00:22:59,640
Speaker 2: full of the sloppy orange tofu and I just threw it,

481
00:23:00,160 --> 00:23:03,600
Speaker 2: hit the wall, dented it and it slid down orange

482
00:23:03,600 --> 00:23:06,119
Speaker 2: and I'm like my boyfriend at the time goes, you

483
00:23:06,200 --> 00:23:08,520
Speaker 2: might want to bake it first. Its time because that's

484
00:23:08,520 --> 00:23:09,320
Speaker 2: gonna be a mess.

485
00:23:09,320 --> 00:23:14,960
Speaker 3: And I'm like, all right, little bad behavior from daff

486
00:23:15,440 --> 00:23:18,600
Speaker 3: Oh yeah, nice ended up in his orange stain on

487
00:23:18,640 --> 00:23:19,200
Speaker 3: your own wall.

488
00:23:19,400 --> 00:23:21,920
Speaker 2: Maybe you guys should keep the bumpers on my crib

489
00:23:21,960 --> 00:23:23,760
Speaker 2: over here when I start to go off in the

490
00:23:23,840 --> 00:23:27,320
Speaker 2: future and I really want to expose everything, Okay, but

491
00:23:27,400 --> 00:23:27,879
Speaker 2: go ahead.

492
00:23:28,720 --> 00:23:31,800
Speaker 3: Oh my gosh. All right, So Jake and Joe, we

493
00:23:31,840 --> 00:23:36,520
Speaker 3: cut to their on the bike. They're arriving at Joe's destination.

494
00:23:36,640 --> 00:23:38,920
Speaker 3: She gets off the bike, thanks Jake for the ride

495
00:23:39,160 --> 00:23:41,160
Speaker 3: and turns him down when he offers to wait until

496
00:23:41,200 --> 00:23:44,199
Speaker 3: she's done, because he says, you know, I'll wait and

497
00:23:44,240 --> 00:23:46,440
Speaker 3: then I'll take you for the best tacos in town afterwards.

498
00:23:46,480 --> 00:23:48,560
Speaker 3: No thanks, she says, turning him down one more time.

499
00:23:49,080 --> 00:23:51,359
Speaker 3: Enough culture shock for one day. I'll take a cab.

500
00:23:51,680 --> 00:23:55,919
Speaker 3: So she heads into a pond chop where Joe hands

501
00:23:55,920 --> 00:23:59,040
Speaker 3: over a bracelet, asking to the appraiser how much she

502
00:23:59,040 --> 00:24:03,000
Speaker 3: can get for it. Salesman inspects the bracelet says he

503
00:24:03,040 --> 00:24:08,359
Speaker 3: will offer full market value of seven thousand dollars. She

504
00:24:08,400 --> 00:24:10,480
Speaker 3: says it was worth more, but he says this is

505
00:24:10,680 --> 00:24:12,880
Speaker 3: what happens. So he asks for a photo. I d

506
00:24:13,000 --> 00:24:16,359
Speaker 3: Joe tells him that she searches in her purse. I

507
00:24:16,480 --> 00:24:21,320
Speaker 3: forgot my wallet in the car, but he's not having it,

508
00:24:21,400 --> 00:24:26,280
Speaker 3: so Joe has to leave the store without getting that money.

509
00:24:27,160 --> 00:24:31,160
Speaker 2: Yeah, she paid twelve. She said she paid twelve four

510
00:24:31,240 --> 00:24:33,800
Speaker 2: years ago. And I'm just saying this because there's another

511
00:24:33,840 --> 00:24:36,160
Speaker 2: scene coming up at a pawnshop and you just see

512
00:24:36,200 --> 00:24:38,760
Speaker 2: the numbers. So he says seven.

513
00:24:38,880 --> 00:24:42,080
Speaker 1: She's like no, and I just looked up because I

514
00:24:42,080 --> 00:24:44,440
Speaker 1: don't know why this fascinates me. But in today's dollars,

515
00:24:44,440 --> 00:24:48,160
Speaker 1: that would be sixteen, nine hundred and six dollars in twenty.

516
00:24:47,840 --> 00:24:54,280
Speaker 3: Sixteen, which sixteen seven seven. It was fourteen back then,

517
00:24:54,440 --> 00:24:56,840
Speaker 3: all right, so that's twelve a lot from a pawn

518
00:24:56,880 --> 00:25:00,040
Speaker 3: shop too. It seems like, I don't know.

519
00:25:00,080 --> 00:25:01,800
Speaker 1: That didn't look like it didn't look like a pawn shop.

520
00:25:01,840 --> 00:25:03,000
Speaker 1: I thought it looked like a jeweler.

521
00:25:03,400 --> 00:25:04,639
Speaker 2: Yeah, the first one was a jeweler.

522
00:25:04,720 --> 00:25:05,399
Speaker 3: Oh that's a jeweler.

523
00:25:05,440 --> 00:25:07,400
Speaker 2: It goes into a pawnshop next. But they all play

524
00:25:07,440 --> 00:25:10,120
Speaker 2: that numbers game, you know, they go low, you go high,

525
00:25:10,119 --> 00:25:11,359
Speaker 2: and you're supposed to meet in the middle.

526
00:25:11,680 --> 00:25:15,480
Speaker 1: Yeah, so it's always so sad to sell jewelry. It's

527
00:25:15,560 --> 00:25:17,800
Speaker 1: so much. It's like driving a car off the lot,

528
00:25:18,280 --> 00:25:20,959
Speaker 1: like this second you buy it, it drops in value

529
00:25:21,000 --> 00:25:23,280
Speaker 1: so bad, so much Yeah, appreciation.

530
00:25:23,840 --> 00:25:26,240
Speaker 3: H So she's counting on that money, but she does

531
00:25:26,280 --> 00:25:27,679
Speaker 3: not have an ID to get it.

532
00:25:27,920 --> 00:25:30,240
Speaker 1: She's fluffling, Oh no, I left it. So we know

533
00:25:30,320 --> 00:25:31,959
Speaker 1: something's going on with the ID right there.

534
00:25:32,119 --> 00:25:37,119
Speaker 3: Yeah, there looks like she's not exactly in possession of

535
00:25:37,160 --> 00:25:40,840
Speaker 3: an idea or something, but we're not really sure she's getting.

536
00:25:41,160 --> 00:25:43,080
Speaker 2: What she says is well, I when I go to

537
00:25:43,119 --> 00:25:45,560
Speaker 2: the bank, I'll bring it back. Like she is used

538
00:25:45,600 --> 00:25:48,639
Speaker 2: to making up stories and covering. Do you notice that,

539
00:25:48,800 --> 00:25:51,639
Speaker 2: like she's it just comes out so naturally, which says

540
00:25:51,640 --> 00:25:54,600
Speaker 2: a lot about Joe, Like yeah, he's like, well I

541
00:25:54,640 --> 00:25:56,640
Speaker 2: need idea, Well, I'll bring it when I come back

542
00:25:56,640 --> 00:25:59,480
Speaker 2: from the bank. You know, she just makes up these stories.

543
00:26:00,960 --> 00:26:02,080
Speaker 2: It's very natural to her.

544
00:26:02,440 --> 00:26:04,359
Speaker 3: She goes out to find that Jake is sitting on

545
00:26:04,400 --> 00:26:07,800
Speaker 3: his motorcycle outside the shop waiting for her, And Joe

546
00:26:07,800 --> 00:26:09,600
Speaker 3: comes out and sees Jake sitting there, and she's like,

547
00:26:09,640 --> 00:26:13,520
Speaker 3: are you following me? She's kind of pissed, and Jake says, hey,

548
00:26:13,560 --> 00:26:16,440
Speaker 3: I thought you were looking for a photography job just says, well,

549
00:26:16,440 --> 00:26:18,320
Speaker 3: that's none of your business, and if you want to

550
00:26:18,320 --> 00:26:20,879
Speaker 3: know something about me, she just ask and Jake offers

551
00:26:20,920 --> 00:26:23,800
Speaker 3: to bring her home on his motorcycle, and Joe refuses,

552
00:26:23,800 --> 00:26:25,600
Speaker 3: saying no, I'll find my own way home.

553
00:26:26,359 --> 00:26:31,000
Speaker 2: One of those guys three rejections now, she said, yes,

554
00:26:31,160 --> 00:26:32,359
Speaker 2: I'll take you up on that.

555
00:26:33,520 --> 00:26:35,000
Speaker 1: I think are we at three or four?

556
00:26:36,160 --> 00:26:39,000
Speaker 2: Let's call this fourth. I think it's kind.

557
00:26:38,840 --> 00:26:39,480
Speaker 3: Of every time.

558
00:26:39,720 --> 00:26:42,920
Speaker 1: So sure the scenes recounting rejections.

559
00:26:42,359 --> 00:26:44,080
Speaker 2: Of yeah, let's get on that.

560
00:26:44,600 --> 00:26:46,480
Speaker 3: He keeps coming back.

561
00:26:46,840 --> 00:26:48,679
Speaker 1: I know that's what I'm saying. I think it's a

562
00:26:48,680 --> 00:26:52,600
Speaker 1: female fantasy that this guy's.

563
00:26:52,520 --> 00:26:55,040
Speaker 2: So she says, no, I'll find my own way home,

564
00:26:55,119 --> 00:26:55,639
Speaker 2: like you know.

565
00:26:56,840 --> 00:26:58,800
Speaker 3: So then we cut to Jane and Michael's apartment at night.

566
00:26:58,880 --> 00:27:01,760
Speaker 3: Michael is porn champagne to toast Jane's new career opportunity

567
00:27:01,800 --> 00:27:04,879
Speaker 3: is a junior design associate to K Beacon, the hot shot,

568
00:27:05,359 --> 00:27:09,439
Speaker 3: and then he says, wait, who's k Beacon and Jane

569
00:27:09,560 --> 00:27:11,520
Speaker 3: explains that Kay Beacon is one of the hottest names

570
00:27:11,560 --> 00:27:15,360
Speaker 3: in fashion and everyone including her, knocks off K's designs,

571
00:27:16,640 --> 00:27:16,920
Speaker 3: and I.

572
00:27:16,880 --> 00:27:19,359
Speaker 1: Wonder if they paid attention, if they got feedback about

573
00:27:19,359 --> 00:27:21,760
Speaker 1: stuff we talked about about. She's always like this beautiful

574
00:27:21,760 --> 00:27:24,760
Speaker 1: woman is always trying to get his attention. Because such

575
00:27:24,760 --> 00:27:28,000
Speaker 1: a turnaround in this episode. Right when he's paying attention

576
00:27:28,080 --> 00:27:30,280
Speaker 1: to her, she's getting busy and he's following her. It

577
00:27:30,359 --> 00:27:32,280
Speaker 1: was such a nice change.

578
00:27:32,600 --> 00:27:34,920
Speaker 3: Well, it's sort of the story right that she's having

579
00:27:34,960 --> 00:27:38,720
Speaker 3: this career moment that she's really going after. It looks

580
00:27:38,720 --> 00:27:40,680
Speaker 3: like it's going to be a challenging career moment for her,

581
00:27:40,680 --> 00:27:43,359
Speaker 3: but she's like sort of determined to do it. And

582
00:27:43,480 --> 00:27:46,119
Speaker 3: but Michael, you're right, is like really supportive and loving

583
00:27:46,160 --> 00:27:48,600
Speaker 3: all throughout. He's like, hey, I'm thrilled for you, and

584
00:27:48,640 --> 00:27:51,680
Speaker 3: they toast to her new job, and he's he just

585
00:27:51,720 --> 00:27:53,280
Speaker 3: seems to be really supportive.

586
00:27:53,320 --> 00:27:58,520
Speaker 2: And Michael still hasn't made that turn that character one eighty,

587
00:27:58,760 --> 00:28:01,200
Speaker 2: you know, which he will be for years to come,

588
00:28:01,280 --> 00:28:04,240
Speaker 2: but not fully No, uh huh, he's not there yet.

589
00:28:04,920 --> 00:28:05,080
Speaker 3: Yeah.

590
00:28:05,160 --> 00:28:08,080
Speaker 1: Yeah, he's super sweet and attentive in this which is nice.

591
00:28:08,520 --> 00:28:12,440
Speaker 3: Yeah, I have a feeling that turn is very near around.

592
00:28:12,240 --> 00:28:14,080
Speaker 1: Right around the corner, right.

593
00:28:13,840 --> 00:28:16,840
Speaker 3: Around the corner. So then we're back in Joe's apartment

594
00:28:17,440 --> 00:28:22,000
Speaker 3: during the day, Alison and Joe are eating pizza over

595
00:28:22,080 --> 00:28:26,560
Speaker 3: the bathroom sink, just a little bit more painting setting.

596
00:28:26,840 --> 00:28:27,960
Speaker 2: We're turning it into it.

597
00:28:28,160 --> 00:28:30,439
Speaker 3: At the beginning, you can't even tell that they're painting.

598
00:28:30,440 --> 00:28:32,920
Speaker 3: They're just eating the pizza in the bathroom, right, I thought.

599
00:28:33,000 --> 00:28:34,600
Speaker 2: I mean, it's it's her dark room.

600
00:28:34,600 --> 00:28:37,160
Speaker 1: It's going to be dark, and so we deal right

601
00:28:37,240 --> 00:28:39,240
Speaker 1: through us. We want to eat it right here in

602
00:28:39,280 --> 00:28:39,800
Speaker 1: the bathroom.

603
00:28:40,000 --> 00:28:42,720
Speaker 3: Yeah, but it just opens up like we've decided pizza

604
00:28:42,760 --> 00:28:44,080
Speaker 3: and we couldn't wait, and so here we are.

605
00:28:44,400 --> 00:28:47,840
Speaker 1: Because pineapple, pepperoni and goat cheese. You can't trust that

606
00:28:47,840 --> 00:28:48,440
Speaker 1: that's not good.

607
00:28:49,320 --> 00:28:52,760
Speaker 3: There's something special about that. Allison's ordered it.

608
00:28:52,840 --> 00:28:54,760
Speaker 1: I want to know whose idea was it.

609
00:28:55,160 --> 00:28:57,400
Speaker 3: I don't know this was enjoying.

610
00:28:57,080 --> 00:28:59,080
Speaker 2: It, you guys. Wasn't this era? Maybe it was a

611
00:28:59,080 --> 00:29:03,440
Speaker 2: few years later, that whole kind of California gourmet pizzas,

612
00:29:03,800 --> 00:29:07,560
Speaker 2: remember like Rolfame Pucks. So maybe Rugola and go California.

613
00:29:07,600 --> 00:29:08,960
Speaker 1: I don't think that just started.

614
00:29:09,440 --> 00:29:12,080
Speaker 2: Yes, I don't think that's what this was, but that

615
00:29:12,320 --> 00:29:14,080
Speaker 2: was this era, you know.

616
00:29:14,240 --> 00:29:17,840
Speaker 1: No, I think you're right, got cheese, remember go Cheese big?

617
00:29:18,520 --> 00:29:22,920
Speaker 3: You know, Rugula, all kinds of just discovering that and

618
00:29:23,000 --> 00:29:25,320
Speaker 3: they thought the bathroom, that's a perfect place to eat

619
00:29:25,320 --> 00:29:28,600
Speaker 3: this fancy pizza. But and it's not quite clear what

620
00:29:28,640 --> 00:29:30,720
Speaker 3: they're doing yet in the bathroom, but they are having

621
00:29:30,720 --> 00:29:33,760
Speaker 3: a conversation where Alison asks Joe, Hey, where did you

622
00:29:33,800 --> 00:29:35,800
Speaker 3: meet your ex husband, the one you never talk about?

623
00:29:35,800 --> 00:29:38,360
Speaker 3: And Joe says, sort of dismissively, matter of factly that

624
00:29:38,360 --> 00:29:40,040
Speaker 3: they met while she was in college New York doing

625
00:29:40,040 --> 00:29:44,280
Speaker 3: a project at the end of subject and then Alison, uh,

626
00:29:44,880 --> 00:29:48,400
Speaker 3: she basically tells Alison, you know, interrogation over.

627
00:29:48,920 --> 00:29:49,440
Speaker 2: Yeah.

628
00:29:49,480 --> 00:29:51,160
Speaker 3: But the way she says it is take the light

629
00:29:51,480 --> 00:29:53,920
Speaker 3: out of my eyes and put the rubber hose away.

630
00:29:54,640 --> 00:29:57,800
Speaker 2: It's like, yeah, a lot. I guess she has been

631
00:29:57,840 --> 00:29:58,280
Speaker 2: in jail.

632
00:29:59,360 --> 00:30:01,720
Speaker 3: Just in just did say just no more questions.

633
00:30:03,160 --> 00:30:06,040
Speaker 1: But I love this friendship. Don't you love this friendship? Back?

634
00:30:06,280 --> 00:30:08,720
Speaker 2: Like I've forgotten it? Court to tell you the truth?

635
00:30:08,960 --> 00:30:11,840
Speaker 2: Did you had so much to.

636
00:30:11,800 --> 00:30:13,120
Speaker 1: Both of us, we forgot it.

637
00:30:13,160 --> 00:30:16,600
Speaker 2: But I'm like, I'm going to reject this hot guy.

638
00:30:16,640 --> 00:30:18,479
Speaker 2: You're going to reject the hot guy you're living with.

639
00:30:18,560 --> 00:30:19,680
Speaker 2: Let's be Beth days too.

640
00:30:19,920 --> 00:30:23,800
Speaker 3: Yeah, but it's like fast friendship, Like I really it's

641
00:30:23,920 --> 00:30:26,920
Speaker 3: very sweet, it's very cute. And it's like, imagine moving

642
00:30:26,960 --> 00:30:29,080
Speaker 3: into a new apartment complex and like finding a great

643
00:30:29,080 --> 00:30:30,640
Speaker 3: friend that you hang out with and eat pizza in

644
00:30:30,680 --> 00:30:31,560
Speaker 3: the bathroom.

645
00:30:31,320 --> 00:30:34,520
Speaker 1: Like, yeah, right away, I don't have anybody eat pizza

646
00:30:34,520 --> 00:30:35,320
Speaker 1: in the bathroom with.

647
00:30:36,280 --> 00:30:38,240
Speaker 2: I mean, my apartment isn't even unpacked yet.

648
00:30:41,920 --> 00:30:44,560
Speaker 3: So Allison goes on to ask Joe about her job hunt.

649
00:30:44,600 --> 00:30:47,240
Speaker 3: Joe says it was total wash out, and Alison is sympathetic,

650
00:30:47,320 --> 00:30:51,040
Speaker 3: saying she wishes she had a talent like photography, and

651
00:30:51,040 --> 00:30:54,040
Speaker 3: then Joe shares that her mom was the one who

652
00:30:54,120 --> 00:30:56,479
Speaker 3: taught her photography and that they had been very close,

653
00:30:57,280 --> 00:31:00,560
Speaker 3: and Joe abruptly ends that subject. When Allison asks if

654
00:31:00,600 --> 00:31:03,200
Speaker 3: Joe's mom is still back east, she just says yep.

655
00:31:04,800 --> 00:31:08,080
Speaker 3: And then the subject of the painting comes up. Allison

656
00:31:08,120 --> 00:31:12,880
Speaker 3: comments she surprised Michael let Joe paint the bathroom especially black,

657
00:31:13,040 --> 00:31:16,160
Speaker 3: and Joe starts to apply black paint to the walls

658
00:31:16,160 --> 00:31:19,120
Speaker 3: and windows. Joe jokes, well, didn't I tell you that

659
00:31:19,160 --> 00:31:22,120
Speaker 3: I slept with them? Alison believes it for a second

660
00:31:22,200 --> 00:31:25,120
Speaker 3: before realizing that Joe was joking, and they laughed together

661
00:31:25,200 --> 00:31:26,560
Speaker 3: and finished painting the bathroom.

662
00:31:26,760 --> 00:31:27,160
Speaker 2: Aha.

663
00:31:28,880 --> 00:31:31,040
Speaker 1: The fact that I looked the By the way, I

664
00:31:31,080 --> 00:31:34,080
Speaker 1: had to hold that shocked expression for about five minutes.

665
00:31:34,080 --> 00:31:36,800
Speaker 3: Because they want to make sure how slow is Alison?

666
00:31:37,080 --> 00:31:42,640
Speaker 2: Right, Yeah, I'm just realizing. I'm just realizing she may

667
00:31:42,640 --> 00:31:45,880
Speaker 2: have said that because he's married and you just told

668
00:31:46,000 --> 00:31:49,840
Speaker 2: us the show before you left a married man. Do

669
00:31:49,840 --> 00:31:53,320
Speaker 2: you think she was like chiding him, like her like saying, oh,

670
00:31:53,400 --> 00:31:54,680
Speaker 2: did I tell you I slept with him? Or is

671
00:31:54,720 --> 00:31:57,479
Speaker 2: that just me going oh, you know what I mean?

672
00:31:57,600 --> 00:31:59,800
Speaker 1: No, I think you're just joking like you got you

673
00:31:59,800 --> 00:32:00,760
Speaker 1: can paint, like.

674
00:32:00,720 --> 00:32:02,120
Speaker 3: That's the way you got what you wanted.

675
00:32:02,920 --> 00:32:06,320
Speaker 2: I know, I'm just saying, all right, married, ma'am.

676
00:32:07,160 --> 00:32:09,520
Speaker 1: Layers I like it.

677
00:32:09,720 --> 00:32:14,720
Speaker 2: Thirty years later, they're so useful. These layers were added.

678
00:32:20,840 --> 00:32:23,800
Speaker 3: And then, speaking of Michael, we cut to the courtyard

679
00:32:23,840 --> 00:32:26,520
Speaker 3: where he is cleaning the pool, lamenting to Billy that

680
00:32:26,560 --> 00:32:28,800
Speaker 3: he doesn't get days off, and the new tenant is

681
00:32:28,880 --> 00:32:32,320
Speaker 3: leaving her paint cans in the trash, and Ronda makes

682
00:32:32,360 --> 00:32:35,160
Speaker 3: her really only appearance in this episode walks Now.

683
00:32:35,200 --> 00:32:36,240
Speaker 1: Where was she?

684
00:32:36,240 --> 00:32:38,320
Speaker 3: She was just here for this one.

685
00:32:38,840 --> 00:32:42,000
Speaker 2: Yeah, And it's always hard when you're in the background

686
00:32:42,040 --> 00:32:43,840
Speaker 2: and you have to time it for your entrance to

687
00:32:43,960 --> 00:32:46,440
Speaker 2: the scene, you know, because I saw her back there

688
00:32:46,480 --> 00:32:48,440
Speaker 2: and then you know, you just have to come in.

689
00:32:48,480 --> 00:32:50,719
Speaker 2: But she's no, I heard all that. But can we

690
00:32:50,800 --> 00:32:55,080
Speaker 2: just talk about how big and baggy Michael's shirt and

691
00:32:55,320 --> 00:32:58,280
Speaker 2: Billy's pants, Like they had so much fabric in the

692
00:32:58,360 --> 00:33:02,080
Speaker 2: nineties and they just made these everything. Just go back

693
00:33:02,120 --> 00:33:04,040
Speaker 2: and look at it again. His T shirt is hanging

694
00:33:04,080 --> 00:33:07,240
Speaker 2: down to his knees, Michael's and then Billy's pants are

695
00:33:07,280 --> 00:33:10,400
Speaker 2: like zoot suit kind of. I don't know it was.

696
00:33:11,240 --> 00:33:13,520
Speaker 2: I just love that about this show. I'm going, wow,

697
00:33:14,960 --> 00:33:15,560
Speaker 2: so different.

698
00:33:15,840 --> 00:33:18,520
Speaker 1: Yeah, Andrew just didn't care. It's like whatever they put

699
00:33:18,560 --> 00:33:21,160
Speaker 1: in his room he would just put on. So sometimes

700
00:33:21,200 --> 00:33:23,120
Speaker 1: it went around. I remember, I think last week he

701
00:33:23,160 --> 00:33:24,080
Speaker 1: had the pink pants on.

702
00:33:24,680 --> 00:33:26,160
Speaker 2: Well in the overalls with no shirt.

703
00:33:26,280 --> 00:33:28,400
Speaker 3: I think that made no opinion about it.

704
00:33:28,520 --> 00:33:31,040
Speaker 2: Take the case, don't forget the overalls with no shirt.

705
00:33:31,760 --> 00:33:35,040
Speaker 2: L Oh my god. That was that just creeped me out.

706
00:33:36,680 --> 00:33:40,520
Speaker 3: But then Ronda walks In started defending Joe, saying, well,

707
00:33:40,520 --> 00:33:42,720
Speaker 3: at least maybe she's just cleaning up a few earth

708
00:33:43,200 --> 00:33:46,000
Speaker 3: cracks in the paint, and Michael says, well, yeah, she's

709
00:33:46,080 --> 00:33:50,200
Speaker 3: using black paint, guys, to which Billy responds, at last

710
00:33:50,400 --> 00:33:54,400
Speaker 3: a little diversity around here. As Ronda exits the scene,

711
00:33:54,400 --> 00:33:59,080
Speaker 3: it's like, what what did just look at him like

712
00:33:59,280 --> 00:34:01,959
Speaker 3: you will never get it, will Yeah? She's like, this

713
00:34:02,000 --> 00:34:05,920
Speaker 3: doesn't even like warrant a line in response, Yeah.

714
00:34:05,800 --> 00:34:09,480
Speaker 2: Exactly, and I'm out, dumb white boy, I'm.

715
00:34:09,320 --> 00:34:12,440
Speaker 3: Gone, and so they h They all turned. As a

716
00:34:12,480 --> 00:34:15,040
Speaker 3: woman is walking down the stairs, Michael notices she's a

717
00:34:15,080 --> 00:34:18,239
Speaker 3: locksmith and asks which apartment were you working in, but

718
00:34:18,320 --> 00:34:20,960
Speaker 3: before she can answer, because obviously she wasn't being paid

719
00:34:21,000 --> 00:34:24,600
Speaker 3: to action, that's extra yeah, Joe appears at the top

720
00:34:24,640 --> 00:34:27,560
Speaker 3: of the stairs and tells Michael that the locksmith was

721
00:34:27,640 --> 00:34:31,480
Speaker 3: changing her lock. My lock, she says. Michael runs up

722
00:34:31,520 --> 00:34:35,160
Speaker 3: and says, well, as the manager, I'll need a duplicate key,

723
00:34:35,200 --> 00:34:39,080
Speaker 3: and just as no, no, you won't, and Michael races

724
00:34:39,160 --> 00:34:41,359
Speaker 3: up the stairs to her door and saying wait, wait,

725
00:34:41,440 --> 00:34:43,440
Speaker 3: let's let's not get off on the wrong foot here.

726
00:34:43,480 --> 00:34:46,239
Speaker 3: He then mentions the black paint, saying, I realize it's

727
00:34:46,239 --> 00:34:48,600
Speaker 3: probably for your dark room. I know you're a photographer,

728
00:34:49,120 --> 00:34:51,560
Speaker 3: but we should you know, maybe discuss these things first.

729
00:34:52,360 --> 00:34:54,960
Speaker 3: Just says okay, Mike. As soon as it came Mike,

730
00:34:55,040 --> 00:34:56,640
Speaker 3: we'll discuss it, okay.

731
00:34:56,360 --> 00:34:58,640
Speaker 2: Mike, Okay, Mike, you go back to Bill and you

732
00:34:58,640 --> 00:35:00,360
Speaker 2: guys clean the pool and get back to you.

733
00:35:00,440 --> 00:35:05,600
Speaker 1: And I'm trying to remember this, but of course that's true, right,

734
00:35:05,640 --> 00:35:07,799
Speaker 1: I mean, I've lived in California for so long ago,

735
00:35:08,280 --> 00:35:12,319
Speaker 1: like as many apartments as New York. But did they

736
00:35:12,320 --> 00:35:13,080
Speaker 1: always see key?

737
00:35:13,239 --> 00:35:15,920
Speaker 2: You never the super has a key, The super always

738
00:35:15,920 --> 00:35:16,960
Speaker 2: has a master key room.

739
00:35:17,320 --> 00:35:20,560
Speaker 1: I lived in those big, huge, like Oakwood complexes when

740
00:35:20,600 --> 00:35:23,560
Speaker 1: I lived in apartments here, and of course they all

741
00:35:23,560 --> 00:35:26,360
Speaker 1: had master keys. But you didn't think about.

742
00:35:26,120 --> 00:35:28,799
Speaker 3: It well, and you and you're not really allowed to

743
00:35:28,840 --> 00:35:35,120
Speaker 3: repaint without asking first. So he's Michael saying reasonable things, right, yeah,

744
00:35:35,440 --> 00:35:36,240
Speaker 3: and he's.

745
00:35:36,080 --> 00:35:40,000
Speaker 1: Trying to be inside. You can't paint the inside.

746
00:35:39,920 --> 00:35:43,920
Speaker 3: Well think, I mean, I think there's like a I

747
00:35:43,920 --> 00:35:44,239
Speaker 3: don't know.

748
00:35:44,239 --> 00:35:46,440
Speaker 2: It depends on the building. I'm sure it depends on

749
00:35:46,480 --> 00:35:48,000
Speaker 2: the rules. But black.

750
00:35:48,360 --> 00:35:50,319
Speaker 3: He is trying to be reasonable and just saying, hey,

751
00:35:50,560 --> 00:35:53,040
Speaker 3: I get it, but maybe just let's discuss it first,

752
00:35:53,040 --> 00:35:54,120
Speaker 3: and she is just not.

753
00:35:54,200 --> 00:35:56,400
Speaker 2: Think about it. If I'm just putting this together. She

754
00:35:56,480 --> 00:35:59,960
Speaker 2: wants black paint, and she's locking and changing the locks.

755
00:36:00,040 --> 00:36:03,359
Speaker 2: I mean, that's big for a little apartment building there,

756
00:36:03,400 --> 00:36:05,160
Speaker 2: you know, to like, what is she doing in there?

757
00:36:06,360 --> 00:36:08,319
Speaker 2: You know what I mean? Like, it's his responsibility if

758
00:36:08,360 --> 00:36:12,120
Speaker 2: she sets the place all fire, So it's you know,

759
00:36:12,200 --> 00:36:13,880
Speaker 2: she's pushing the boundaries there.

760
00:36:14,280 --> 00:36:17,200
Speaker 3: Yeah, so before every week, Michael reminds her, you know,

761
00:36:17,280 --> 00:36:18,799
Speaker 3: you'll just need to get me a copy of the key,

762
00:36:18,920 --> 00:36:22,480
Speaker 3: or else you'll have to consider living elsewhere. And she says,

763
00:36:22,480 --> 00:36:24,279
Speaker 3: all right, I'll get you a copy and closes the

764
00:36:24,320 --> 00:36:28,920
Speaker 3: door in his space. Yeah, not getting it right now, clearly, No, No,

765
00:36:29,480 --> 00:36:33,279
Speaker 3: they're bossy pants, that Joe right now. So then we

766
00:36:33,320 --> 00:36:36,560
Speaker 3: cut to the fashion work room where Jane is there

767
00:36:36,600 --> 00:36:42,160
Speaker 3: inspecting clothing and Kay corrects Jane's work, telling her that

768
00:36:42,160 --> 00:36:44,360
Speaker 3: she's doing things all wrong. She missed this, she missed

769
00:36:44,360 --> 00:36:47,520
Speaker 3: that the sleeve pleat is crooked. Everything needs to be perfect.

770
00:36:47,200 --> 00:36:47,720
Speaker 2: Kay says.

771
00:36:48,640 --> 00:36:53,000
Speaker 3: Jane says, okay, I understand, and Kay scoffs at her

772
00:36:53,000 --> 00:36:56,120
Speaker 3: and sort of sarcastically says, oh, because you're a designer too,

773
00:36:57,560 --> 00:37:01,640
Speaker 3: totally condescending, and Kay says Jane needs this job and

774
00:37:01,760 --> 00:37:04,960
Speaker 3: Jane's should study every move that k makes and maybe,

775
00:37:05,120 --> 00:37:09,480
Speaker 3: just maybe someday Jane will be successful. Then She turns

776
00:37:09,520 --> 00:37:11,480
Speaker 3: around and offers Jane anything she wants to wear from

777
00:37:11,520 --> 00:37:13,719
Speaker 3: last year's line in the back of the store, and

778
00:37:13,800 --> 00:37:19,000
Speaker 3: Jane's banks like totally whiplash. And then Ka tells an

779
00:37:19,000 --> 00:37:24,760
Speaker 3: off camera Moira to show Jane how to inspect the clothes,

780
00:37:24,880 --> 00:37:28,480
Speaker 3: show her again, show her the k Beacon weigh and

781
00:37:28,520 --> 00:37:29,239
Speaker 3: she walks off.

782
00:37:29,719 --> 00:37:33,799
Speaker 1: Now is this set in Malibu where the surfboard shop.

783
00:37:33,560 --> 00:37:37,600
Speaker 2: Is so big? It could be? Yeah, it looked familiar. Yeah, yes,

784
00:37:37,800 --> 00:37:38,520
Speaker 2: look like that.

785
00:37:38,520 --> 00:37:40,160
Speaker 3: There's been a lot of ho went You saw the

786
00:37:40,200 --> 00:37:43,200
Speaker 3: exterior establishing shot? Yeah?

787
00:37:43,560 --> 00:37:43,799
Speaker 2: Of that?

788
00:37:43,920 --> 00:37:45,040
Speaker 3: Is that why you're asking Court?

789
00:37:45,520 --> 00:37:47,759
Speaker 1: I just remember it. I got it all just now

790
00:37:47,800 --> 00:37:49,920
Speaker 1: as we were talking, when I just had a flash

791
00:37:49,960 --> 00:37:51,960
Speaker 1: of thinking it was that that I must have had

792
00:37:51,960 --> 00:37:54,360
Speaker 1: a scene there because thinking it was there, there's a

793
00:37:54,440 --> 00:37:55,280
Speaker 1: establishing shot.

794
00:37:55,440 --> 00:37:57,799
Speaker 3: Is it that there's a Malibu Yeah, there was a

795
00:37:57,840 --> 00:38:00,840
Speaker 3: Malibu set that served as this shop.

796
00:38:01,480 --> 00:38:01,760
Speaker 2: Yeah.

797
00:38:01,800 --> 00:38:04,040
Speaker 3: And the reason I know that is because when Sydney arrives,

798
00:38:04,080 --> 00:38:08,359
Speaker 3: she has some scenes in there and right mm hmm, yeah,

799
00:38:09,960 --> 00:38:12,480
Speaker 3: and that building is still there. I believe it is

800
00:38:12,560 --> 00:38:16,240
Speaker 3: something else entirely. I don't know what it is. But anyway,

801
00:38:16,320 --> 00:38:18,840
Speaker 3: so we go from here to Bikini Burger, where Matt

802
00:38:18,880 --> 00:38:20,920
Speaker 3: is delivering food to a table at his waiter job

803
00:38:20,960 --> 00:38:24,200
Speaker 3: and he accidentally spills food on a customer. The customer

804
00:38:24,360 --> 00:38:27,480
Speaker 3: hops out of his seat but immediately recognizes Matt, and

805
00:38:27,480 --> 00:38:30,680
Speaker 3: Matt realizes this kid in a shirt and tie is

806
00:38:30,760 --> 00:38:32,400
Speaker 3: Pete from the Halfway House.

807
00:38:33,480 --> 00:38:36,440
Speaker 1: Pete tells Matt Pete in the Halfway House scene, we saw.

808
00:38:36,360 --> 00:38:38,919
Speaker 2: Or I think it, so I didn't.

809
00:38:39,040 --> 00:38:41,560
Speaker 3: It was just saying that, yeah, that Matt knew him

810
00:38:41,560 --> 00:38:43,520
Speaker 3: and from there, but he wasn't there.

811
00:38:44,080 --> 00:38:49,600
Speaker 2: He was so cute and a funny laugh and everything yep.

812
00:38:49,719 --> 00:38:51,960
Speaker 3: And he tells Matt that he's now in sales, and

813
00:38:52,120 --> 00:38:55,160
Speaker 3: Matt notes that Pete still has the same goofy laugh.

814
00:38:56,040 --> 00:38:58,240
Speaker 3: He asks Matt how everyone is doing at the house,

815
00:38:58,280 --> 00:39:03,440
Speaker 3: and Matt covers and says everyone is fine, and Pete

816
00:39:03,440 --> 00:39:05,879
Speaker 3: tells Matt how their talks really helped him, and Matt

817
00:39:05,920 --> 00:39:08,040
Speaker 3: tells him he's proud of him for staying clean and

818
00:39:08,040 --> 00:39:11,920
Speaker 3: staying away from drugs, and Pete asks, Hey, what are

819
00:39:11,920 --> 00:39:14,719
Speaker 3: you doing here Bikini Burger and Matt again covers and

820
00:39:14,760 --> 00:39:17,759
Speaker 3: says it's just for extra money, and he tells Pete

821
00:39:17,760 --> 00:39:20,920
Speaker 3: to keep up the good work. So this scene is

822
00:39:20,920 --> 00:39:23,680
Speaker 3: really Matt covering and not telling Pete the whole story,

823
00:39:23,680 --> 00:39:26,919
Speaker 3: but it's again like reminding him how much he's sort

824
00:39:26,920 --> 00:39:27,760
Speaker 3: of miss is the work.

825
00:39:27,560 --> 00:39:32,000
Speaker 1: He loves the kids there, and how much he impacted

826
00:39:32,000 --> 00:39:32,440
Speaker 1: the kids.

827
00:39:32,640 --> 00:39:35,960
Speaker 2: Yes, yes, yeah, mm hmmm.

828
00:39:37,120 --> 00:39:40,239
Speaker 3: So then we're back at Joe's apartment during the day Jake.

829
00:39:40,440 --> 00:39:44,399
Speaker 3: Joe is showing Jake her dark room slash bathroom, and

830
00:39:44,440 --> 00:39:46,880
Speaker 3: she apologizes to him for how she acted in the morning.

831
00:39:47,600 --> 00:39:50,280
Speaker 3: Joe complains that Michael's being so uptight, but she says,

832
00:39:50,360 --> 00:39:53,480
Speaker 3: you know, I know, I'm a bitch, and then.

833
00:39:53,360 --> 00:39:55,200
Speaker 1: She told this line. I wrote it down and liked

834
00:39:55,239 --> 00:39:57,400
Speaker 1: it so much. Yeah, you're right, I'm a bitch. I

835
00:39:57,440 --> 00:39:58,000
Speaker 1: need a favor.

836
00:39:58,680 --> 00:40:01,120
Speaker 3: Yea loves straight from I'm a Bitch.

837
00:40:01,200 --> 00:40:03,799
Speaker 1: I was a loane. I was watching it while I

838
00:40:03,840 --> 00:40:05,879
Speaker 1: was working out. I just kept saying it. Yeah, you're right,

839
00:40:05,920 --> 00:40:07,920
Speaker 1: I'm a bitch, and I need a favor. I want

840
00:40:07,960 --> 00:40:08,319
Speaker 1: to say that.

841
00:40:10,480 --> 00:40:12,200
Speaker 2: I love I didn't even pause.

842
00:40:12,280 --> 00:40:16,120
Speaker 1: I love so much for her. She yeah.

843
00:40:16,200 --> 00:40:19,279
Speaker 3: Well, Jake says, all right, Well, do you have something

844
00:40:19,280 --> 00:40:21,520
Speaker 3: to drink besides water? Joe offers him a beer. He

845
00:40:21,600 --> 00:40:25,879
Speaker 3: takes one, and Joe tells Jake her favorite. She needs

846
00:40:25,880 --> 00:40:28,080
Speaker 3: to sell a bracelet, but she can't because she doesn't

847
00:40:28,080 --> 00:40:31,040
Speaker 3: have a photo I D. Joe says she's flat broke

848
00:40:31,080 --> 00:40:33,520
Speaker 3: and not used to that experience and asks Jake if

849
00:40:33,520 --> 00:40:36,440
Speaker 3: he'll help. Jake asks Joe, well, why didn't you have

850
00:40:36,440 --> 00:40:38,600
Speaker 3: a driver's license? And Joe says, well, who drives in

851
00:40:38,640 --> 00:40:41,440
Speaker 3: New York So then he offers to maybe loaner a

852
00:40:41,480 --> 00:40:43,319
Speaker 3: couple bucks. She rolls her eyes and says, all right,

853
00:40:43,360 --> 00:40:45,279
Speaker 3: come on, we help me. Yes or no?

854
00:40:46,440 --> 00:40:49,080
Speaker 1: Because she's an adult person going through life without a

855
00:40:49,080 --> 00:40:52,040
Speaker 1: photo ID. You know, we're just gonna go with it.

856
00:40:52,239 --> 00:40:56,400
Speaker 2: Okay, Yeah, So, well, don't have that in New York.

857
00:40:56,280 --> 00:40:59,520
Speaker 1: City because you have an ID. The other I have

858
00:40:59,520 --> 00:41:02,520
Speaker 1: a license, but you can't cash it walking it. At

859
00:41:02,520 --> 00:41:04,520
Speaker 1: the time, for the kids at home, a check was

860
00:41:04,560 --> 00:41:07,920
Speaker 1: a piece of paper. We wrote money now.

861
00:41:08,400 --> 00:41:11,000
Speaker 3: And you needed an ID, and we used to put

862
00:41:11,040 --> 00:41:13,160
Speaker 3: it in the mail with a stamp on it in

863
00:41:13,160 --> 00:41:14,040
Speaker 3: and all these.

864
00:41:13,960 --> 00:41:16,680
Speaker 1: Days and you'll know this, they don't even want cash,

865
00:41:16,960 --> 00:41:19,279
Speaker 1: like I'll give you like a cat. Jack went on

866
00:41:19,320 --> 00:41:21,560
Speaker 1: a trip with his class and I handed him cash.

867
00:41:21,600 --> 00:41:23,120
Speaker 1: You just looked at me, like, just take it, because

868
00:41:23,200 --> 00:41:25,239
Speaker 1: I need to know you have it, and he's like,

869
00:41:25,239 --> 00:41:26,640
Speaker 1: what would I possibly.

870
00:41:26,239 --> 00:41:27,440
Speaker 3: Where do I even put his?

871
00:41:27,560 --> 00:41:27,880
Speaker 2: Venmo?

872
00:41:28,040 --> 00:41:28,879
Speaker 1: Do you do with cat?

873
00:41:28,920 --> 00:41:29,000
Speaker 3: Like?

874
00:41:29,040 --> 00:41:32,760
Speaker 1: What is this weird thing? Yeah, it's just gonna appen

875
00:41:32,880 --> 00:41:34,920
Speaker 1: back and have a credit card. He's going to give

876
00:41:34,960 --> 00:41:37,320
Speaker 1: it away. He's going to hand it to somebody along

877
00:41:37,360 --> 00:41:37,719
Speaker 1: the way.

878
00:41:40,120 --> 00:41:40,520
Speaker 2: Funny.

879
00:41:40,719 --> 00:41:43,120
Speaker 3: So, speaking of cash, we cut to the pawn shop

880
00:41:43,160 --> 00:41:47,000
Speaker 3: where Jake is. There different pawn shop and an appraiser

881
00:41:47,040 --> 00:41:49,239
Speaker 3: is telling Jake that the bracelet is worth four thousand dollars,

882
00:41:49,280 --> 00:41:51,880
Speaker 3: but it'll give him forty five hundred. Jake says he

883
00:41:51,960 --> 00:41:54,920
Speaker 3: knows the bracelet cost over ten thousand, but it's worth

884
00:41:55,000 --> 00:41:58,080
Speaker 3: eight thousand, so he'll take seven. He gives him the

885
00:41:58,120 --> 00:42:01,759
Speaker 3: number he wanted to get for Joe. The appraiser tells

886
00:42:01,840 --> 00:42:04,440
Speaker 3: Jake he's wrong, so Jake picks up the bracelet starts

887
00:42:04,440 --> 00:42:06,680
Speaker 3: to walk away, and the appraiser says, wait, wait, wait, wait,

888
00:42:06,760 --> 00:42:10,160
Speaker 3: all right and agrees to pay him seven. So Jake

889
00:42:10,200 --> 00:42:14,160
Speaker 3: brings out his ID and the appraiser asks who's Beth,

890
00:42:14,960 --> 00:42:18,560
Speaker 3: and Jake has no idea what he's talking about. An

891
00:42:18,560 --> 00:42:22,040
Speaker 3: appraiser mentions that Beth is engraved on the back of

892
00:42:22,080 --> 00:42:26,640
Speaker 3: this bracelet, so Jake explained, stole it from Beth. He's

893
00:42:26,719 --> 00:42:29,360
Speaker 3: selling it for a friend, but the appraiser says, I

894
00:42:29,560 --> 00:42:31,680
Speaker 3: can't do this transaction because.

895
00:42:31,400 --> 00:42:33,960
Speaker 2: This bracelet is stolen. Who's Beth?

896
00:42:34,560 --> 00:42:35,280
Speaker 3: Who's Beth?

897
00:42:36,760 --> 00:42:39,719
Speaker 1: Which is so funny based on an engraving, right, I

898
00:42:39,800 --> 00:42:42,720
Speaker 1: know he's on it. This is a very honest pom broker.

899
00:42:42,840 --> 00:42:43,400
Speaker 2: But he didn't.

900
00:42:43,440 --> 00:42:46,400
Speaker 3: He didn't have an answer like you know that, huh.

901
00:42:46,600 --> 00:42:48,200
Speaker 3: I don't even know that it's on there. He didn't

902
00:42:48,200 --> 00:42:51,880
Speaker 3: even know that, yeah, was there. So he walks outside

903
00:42:51,920 --> 00:42:54,440
Speaker 3: where Joe is sitting on Jake's motorcycle waiting for him

904
00:42:54,440 --> 00:42:56,239
Speaker 3: to come back out, and she's disappointed to see that

905
00:42:56,280 --> 00:42:58,680
Speaker 3: the bracelet is still in Jake's hand. He hasn't managed

906
00:42:58,719 --> 00:43:01,000
Speaker 3: to get the seven thousand dollars, so Jake asks Joe

907
00:43:01,000 --> 00:43:04,800
Speaker 3: who's Beth, and asks Joe if the bracelet is stolen.

908
00:43:05,280 --> 00:43:08,920
Speaker 3: Joe is offended but doesn't answer the question, and Jake says,

909
00:43:08,960 --> 00:43:11,880
Speaker 3: I hate being used. Worse, I hate being lied to.

910
00:43:13,440 --> 00:43:17,640
Speaker 1: Yeah, vainly finally mad, Yeah.

911
00:43:17,120 --> 00:43:19,280
Speaker 2: And this is all being filmed down by the Santa

912
00:43:19,280 --> 00:43:23,120
Speaker 2: Monica Pier. It's Palisades Park, which a lot of them

913
00:43:23,440 --> 00:43:24,960
Speaker 2: all on Santa Monica.

914
00:43:25,080 --> 00:43:29,600
Speaker 3: Yeah, I remember, which we know there's not a pawn

915
00:43:29,600 --> 00:43:33,160
Speaker 3: shop right across the street like they are, right, So

916
00:43:33,200 --> 00:43:35,120
Speaker 3: they've done the pawn chop scene on one day and

917
00:43:36,160 --> 00:43:38,920
Speaker 3: in the sixter year scene that supposedly.

918
00:43:38,480 --> 00:43:41,799
Speaker 1: Happened, probably did Kay Beacon and Malibu right, probably, and

919
00:43:42,160 --> 00:43:45,359
Speaker 1: did this one right up the Yeah, yeah, it's right

920
00:43:45,400 --> 00:43:46,880
Speaker 1: on the beach where she's hanging out.

921
00:43:46,680 --> 00:43:49,200
Speaker 2: Just because it's beautiful. It's a beautiful place to film.

922
00:43:49,360 --> 00:43:51,160
Speaker 2: That's a great shot. Mm hmmm.

923
00:43:51,480 --> 00:43:53,440
Speaker 3: So but Jake is pissed. He says he doesn't like

924
00:43:53,480 --> 00:43:55,800
Speaker 3: being lied to and Joe. Joe gets sort of defensive

925
00:43:55,880 --> 00:43:57,960
Speaker 3: and says, why should I answer your questions if you're

926
00:43:57,960 --> 00:44:00,560
Speaker 3: not going to believe the answer, And he says, try me.

927
00:44:00,680 --> 00:44:04,040
Speaker 3: And Joseah's to Jake that she's sick of everyone's questions

928
00:44:04,080 --> 00:44:07,200
Speaker 3: and you should just mind your own business. And Jake

929
00:44:07,320 --> 00:44:09,360
Speaker 3: is pissed and a half he gets on his motorcycle

930
00:44:09,400 --> 00:44:11,959
Speaker 3: and he drives away, leaving Joe alone in the park

931
00:44:12,040 --> 00:44:14,760
Speaker 3: with her helmet in her hand and her really cute

932
00:44:14,800 --> 00:44:16,080
Speaker 3: bob haircut.

933
00:44:15,880 --> 00:44:19,920
Speaker 1: And she her haircuts gorgeous. But this broke my heart

934
00:44:19,960 --> 00:44:21,399
Speaker 1: when you started crying.

935
00:44:21,520 --> 00:44:24,480
Speaker 3: Starts to cry and the camera pulls all because it's

936
00:44:24,520 --> 00:44:27,880
Speaker 3: all her facade, her lies, her stories are just coming,

937
00:44:28,600 --> 00:44:31,160
Speaker 3: you know, apart vulnerability.

938
00:44:31,239 --> 00:44:32,480
Speaker 1: It was really sweet.

939
00:44:32,480 --> 00:44:35,839
Speaker 3: And her anger didn't really surf her here, push pushed

940
00:44:35,920 --> 00:44:36,320
Speaker 3: him away.

941
00:44:36,480 --> 00:44:38,879
Speaker 1: Finally she's like, wait, that's the word. The fifth time

942
00:44:38,920 --> 00:44:40,759
Speaker 1: he leaves went he rejected him five times?

943
00:44:41,360 --> 00:44:44,040
Speaker 2: Yeah, and each yeah, each time is asking for more

944
00:44:44,080 --> 00:44:46,000
Speaker 2: and not telling him enough. And what comes up This

945
00:44:46,160 --> 00:44:50,719
Speaker 2: next montage is so cool. It's this jazzy kind of

946
00:44:51,600 --> 00:44:54,440
Speaker 2: we haven't really seen that, I mean, very kind of jazzy,

947
00:44:54,960 --> 00:44:57,919
Speaker 2: you know montage with I don't know if it looked

948
00:44:57,960 --> 00:45:02,040
Speaker 2: aged or what, you know, handheld vision, you know, pictures

949
00:45:02,080 --> 00:45:06,880
Speaker 2: of Melos Avenue. Yeah, kind of yeah, kind of.

950
00:45:06,840 --> 00:45:09,520
Speaker 3: Felt old more old just because of the tone of

951
00:45:09,520 --> 00:45:10,400
Speaker 3: the music and stuff.

952
00:45:11,440 --> 00:45:13,920
Speaker 2: Pianos and they feel like a director's choice. It just

953
00:45:13,920 --> 00:45:16,239
Speaker 2: felt like that direct I thought of the director like

954
00:45:16,280 --> 00:45:19,600
Speaker 2: he probably because I uh, we don't see that often.

955
00:45:19,640 --> 00:45:21,160
Speaker 2: You see a little bit of the taste of that

956
00:45:21,239 --> 00:45:23,120
Speaker 2: in the beginning and the credits, but this was very

957
00:45:23,120 --> 00:45:24,480
Speaker 2: cool and kind of lasting.

958
00:45:24,840 --> 00:45:28,200
Speaker 3: Styley kind of over all those stores on Melrose, including

959
00:45:28,239 --> 00:45:32,359
Speaker 3: Johnny Rockets, the Burger Place. But then we go from

960
00:45:32,360 --> 00:45:34,920
Speaker 3: there and it lands shooters the exterior, and then we

961
00:45:34,960 --> 00:45:38,600
Speaker 3: pushed in and Jake and Billy again are shooters having beers.

962
00:45:38,840 --> 00:45:42,880
Speaker 3: Jake is telling Billy that Joe is trouble and I

963
00:45:42,920 --> 00:45:45,279
Speaker 3: don't trust her, and Billy says, you know, Jake, you

964
00:45:45,320 --> 00:45:49,080
Speaker 3: should keep your distance from Joe, and jake advice is Billy, well,

965
00:45:49,120 --> 00:45:53,040
Speaker 3: you should do the same. You should stay away. No, no,

966
00:45:53,160 --> 00:45:55,440
Speaker 3: you you really should stay away. No, no, but you

967
00:45:55,520 --> 00:45:59,880
Speaker 3: should know you should not even try and Billy Billy's

968
00:46:00,080 --> 00:46:02,840
Speaker 3: works about that and tells Jake that he thinks that

969
00:46:02,920 --> 00:46:05,759
Speaker 3: Joe got under his skin, and Jake says no, and

970
00:46:06,440 --> 00:46:08,920
Speaker 3: Billy gives him a knowing smile. Yeah, I think she

971
00:46:09,040 --> 00:46:11,880
Speaker 3: kind of did. Jane and Michael at their apartment at night,

972
00:46:11,960 --> 00:46:14,640
Speaker 3: Jane and Michael are eating dinner at their coffee table

973
00:46:14,680 --> 00:46:16,520
Speaker 3: on the floor in the living room and Jane tells

974
00:46:16,560 --> 00:46:20,279
Speaker 3: Michael that Kay is manipulative, arrogant and she's humiliated Jane

975
00:46:20,320 --> 00:46:23,399
Speaker 3: at work and then she turned around and sent Jane

976
00:46:23,440 --> 00:46:25,680
Speaker 3: home with a free outfit. And Kay is totally meaning

977
00:46:25,719 --> 00:46:28,640
Speaker 3: to everyone, and Michael cuts her off.

978
00:46:28,520 --> 00:46:31,040
Speaker 2: And says, hey, can we stop talking about Kay Beacon.

979
00:46:32,600 --> 00:46:35,440
Speaker 3: And he then starts to rub Jane's neck, telling her

980
00:46:35,480 --> 00:46:38,560
Speaker 3: she's sexy and she should relax, and they start kissing,

981
00:46:38,800 --> 00:46:41,560
Speaker 3: and from there, Jane gets up and says, hey, give

982
00:46:41,560 --> 00:46:43,640
Speaker 3: me give me a sec she leaves the room.

983
00:46:44,640 --> 00:46:47,200
Speaker 1: Didn't you in that moment though, like you know, we've

984
00:46:47,239 --> 00:46:49,080
Speaker 1: all had that moment before. Didn't you want to say,

985
00:46:49,640 --> 00:46:52,080
Speaker 1: I'm telling you something like did you want to say,

986
00:46:52,160 --> 00:46:54,960
Speaker 1: like a wander to go, don't give me a massage

987
00:46:55,400 --> 00:46:57,200
Speaker 1: right now. I'm trying to I need to do it

988
00:46:57,239 --> 00:46:59,440
Speaker 1: up my day. I need to vent, Like give me

989
00:46:59,480 --> 00:47:02,920
Speaker 1: a minute. Yeah, I was a but no, sweet lovely

990
00:47:03,040 --> 00:47:05,040
Speaker 1: Jane's like, oh, all right, I guess we're doing this.

991
00:47:05,280 --> 00:47:07,880
Speaker 2: I guess we're doing this. Don't get my Yeah.

992
00:47:08,120 --> 00:47:11,040
Speaker 3: Yeah, So we we follow her into the bathroom and

993
00:47:11,080 --> 00:47:13,960
Speaker 3: where she's getting her birth control and Jans Michael huge.

994
00:47:13,760 --> 00:47:18,280
Speaker 1: Diaphragm Chrit's very laned up on the in the foreground

995
00:47:18,320 --> 00:47:20,040
Speaker 1: nine by eleven diaphragm case.

996
00:47:20,480 --> 00:47:22,239
Speaker 3: And Michael shows up in the door.

997
00:47:22,520 --> 00:47:23,719
Speaker 2: Yeah.

998
00:47:23,719 --> 00:47:25,240
Speaker 1: Wow, that's a blast of the past.

999
00:47:27,440 --> 00:47:29,680
Speaker 2: It's such a movie. Also, it's such a movie or

1000
00:47:29,760 --> 00:47:34,160
Speaker 2: t TV that shot through the medicine cabinet, like the

1001
00:47:34,200 --> 00:47:37,719
Speaker 2: camera's here and you know, so it's behind and that

1002
00:47:37,719 --> 00:47:39,120
Speaker 2: that diaphragm sitting.

1003
00:47:38,920 --> 00:47:42,640
Speaker 1: Right up with both hands because it's so bitt this

1004
00:47:42,840 --> 00:47:43,440
Speaker 1: huge thing.

1005
00:47:43,880 --> 00:47:46,719
Speaker 3: But in case the audience didn't understand what it was,

1006
00:47:47,160 --> 00:47:49,120
Speaker 3: Michael shows up in the door. We're saying, hey, I

1007
00:47:49,120 --> 00:47:51,640
Speaker 3: thought we agreed about trying to get pregnant again, and

1008
00:47:51,760 --> 00:47:53,720
Speaker 3: Jane says, yeah, but does it have to be tonight?

1009
00:47:55,160 --> 00:47:58,879
Speaker 3: And Michael says, well, is this change of heart about

1010
00:47:58,880 --> 00:48:00,640
Speaker 3: your new job now that you've got great job? And

1011
00:48:00,640 --> 00:48:03,279
Speaker 3: then all of a sudden, our you know, conversations and

1012
00:48:03,280 --> 00:48:05,480
Speaker 3: our feelings about having a child has gone out the window.

1013
00:48:05,680 --> 00:48:08,400
Speaker 3: But Jane says, actually, she's having doubts about whether or

1014
00:48:08,440 --> 00:48:11,840
Speaker 3: not she wants to have a child now or anytime soon.

1015
00:48:13,560 --> 00:48:15,719
Speaker 1: Which I was all alone in my room going yeah,

1016
00:48:15,960 --> 00:48:19,120
Speaker 1: because I love that she's finally getting her voice and saying.

1017
00:48:19,120 --> 00:48:20,920
Speaker 3: Seeing what she's thinking and feeling.

1018
00:48:21,080 --> 00:48:23,279
Speaker 1: Yes, saying what she's thinking and feeling with him. I

1019
00:48:23,320 --> 00:48:27,400
Speaker 1: love it. And he's suddenly in the position of he

1020
00:48:27,440 --> 00:48:29,000
Speaker 1: has time, he has days off of work, which he

1021
00:48:29,080 --> 00:48:32,600
Speaker 1: never does, and he's listening to her and trying to

1022
00:48:32,640 --> 00:48:35,160
Speaker 1: get her attention. I was so happy to see this shift.

1023
00:48:35,920 --> 00:48:38,760
Speaker 2: Yes, she says, it's kind of like being a young doctor.

1024
00:48:38,960 --> 00:48:41,359
Speaker 2: He's like, you're always at work, you know, Oh, your

1025
00:48:41,440 --> 00:48:45,279
Speaker 2: boss taking all your time. And also now he's like,

1026
00:48:45,360 --> 00:48:47,080
Speaker 2: I thought you want a child. It's kind of like

1027
00:48:47,960 --> 00:48:51,320
Speaker 2: reverse and it's kind of like Michael just not getting

1028
00:48:51,320 --> 00:48:53,319
Speaker 2: what he wants. But we'll move on.

1029
00:48:53,520 --> 00:48:55,520
Speaker 3: And it's only for a second. And it's only for

1030
00:48:55,600 --> 00:48:56,959
Speaker 3: a second.

1031
00:48:57,160 --> 00:48:58,279
Speaker 2: I know what I clocked it.

1032
00:48:58,360 --> 00:49:01,960
Speaker 3: It's for this episode, Michael. Don't get used to this.

1033
00:49:04,440 --> 00:49:05,320
Speaker 2: Everything changes.

1034
00:49:05,640 --> 00:49:08,720
Speaker 3: Yeah, So we cut to Jake's apartment in the morning.

1035
00:49:08,840 --> 00:49:11,080
Speaker 3: There's a knock at the door. The police are knocking

1036
00:49:11,160 --> 00:49:13,399
Speaker 3: on Jake's door, asking if he owns a sixty eight

1037
00:49:13,440 --> 00:49:17,520
Speaker 3: Triumph and if he loaned it to anyone. He's no,

1038
00:49:17,560 --> 00:49:19,919
Speaker 3: he knows he didn't. But then Joe appears right behind

1039
00:49:19,920 --> 00:49:21,919
Speaker 3: the cops of the door, saying, of course he loaned

1040
00:49:21,960 --> 00:49:24,280
Speaker 3: it to me. Do I look like a motorcycle thief.

1041
00:49:24,400 --> 00:49:27,000
Speaker 2: She's all grumpy with the cop too, like she's just like,

1042
00:49:27,040 --> 00:49:30,600
Speaker 2: I have cars. She's just like thinking she can just

1043
00:49:30,719 --> 00:49:33,160
Speaker 2: lie and steal and do whatever, and everyone else is

1044
00:49:33,200 --> 00:49:34,000
Speaker 2: just a pain in my.

1045
00:49:33,960 --> 00:49:36,319
Speaker 3: Ass and they'll just go along, right, yeah, the she

1046
00:49:36,440 --> 00:49:39,320
Speaker 3: just go along, Yeah, And Jake defiantly tells the cops, No,

1047
00:49:39,480 --> 00:49:44,120
Speaker 3: I've never seen her before, and Joe protests Jake X yes,

1048
00:49:44,160 --> 00:49:46,000
Speaker 3: he is telling the police, yeah, all right, I let

1049
00:49:46,000 --> 00:49:47,680
Speaker 3: her borrow my motorcycle.

1050
00:49:47,840 --> 00:49:48,320
Speaker 2: I didn't.

1051
00:49:49,000 --> 00:49:51,880
Speaker 3: And then they promptly give Jake a ticket for loaning

1052
00:49:51,880 --> 00:49:56,120
Speaker 3: his bike to an unlicensed driver. Don't and then they leave,

1053
00:49:56,800 --> 00:49:59,759
Speaker 3: and as Joe was walking into Jake's apartment, we see

1054
00:49:59,760 --> 00:50:03,000
Speaker 3: that Matt, Alison and Ronda are just very small figures

1055
00:50:03,000 --> 00:50:05,440
Speaker 3: in the barred in the background. They've just watched the

1056
00:50:05,440 --> 00:50:07,080
Speaker 3: whole cop drama. So like you guys had to be

1057
00:50:07,120 --> 00:50:09,480
Speaker 3: there just to listen in and over here and like

1058
00:50:09,760 --> 00:50:11,680
Speaker 3: you were just like to be there for the background.

1059
00:50:13,080 --> 00:50:15,400
Speaker 2: What's going on with a strange new girl? What's happening?

1060
00:50:15,440 --> 00:50:18,399
Speaker 3: The cops are here, Yeah, this new girl, Jake.

1061
00:50:18,840 --> 00:50:21,200
Speaker 2: It's the scene where it's like you just go, okay,

1062
00:50:21,239 --> 00:50:22,759
Speaker 2: there gonna end.

1063
00:50:22,840 --> 00:50:25,960
Speaker 3: Una lying next they want to see.

1064
00:50:27,000 --> 00:50:30,080
Speaker 2: Yeah, well you're quick, You're you're kind of ahead of

1065
00:50:30,120 --> 00:50:32,680
Speaker 2: the rest of us. Uh.

1066
00:50:32,719 --> 00:50:34,920
Speaker 3: So they go inside and Joe tells Jake that she

1067
00:50:35,520 --> 00:50:37,520
Speaker 3: He's like, how did you? What the how did you?

1068
00:50:37,560 --> 00:50:40,480
Speaker 3: And she says, I used the spare house key from

1069
00:50:40,560 --> 00:50:45,600
Speaker 3: under the plant to steal is motorcycle. Borrow whatever, and

1070
00:50:45,680 --> 00:50:48,280
Speaker 3: Jake is pissed and tells Joe you're out of control.

1071
00:50:48,800 --> 00:50:51,200
Speaker 3: So they're having a fight here. Joe says, you know, wait,

1072
00:50:51,239 --> 00:50:53,960
Speaker 3: you were right about getting out into the wind to

1073
00:50:54,040 --> 00:50:58,319
Speaker 3: clear my head and it was great. And he says, yeah, well,

1074
00:50:58,360 --> 00:51:02,400
Speaker 3: next time, get a fan. He's pissed and Joe swears

1075
00:51:02,400 --> 00:51:04,200
Speaker 3: to Jake the bracelet.

1076
00:51:03,880 --> 00:51:04,920
Speaker 2: No, Jake, believe me.

1077
00:51:04,960 --> 00:51:06,960
Speaker 3: The bracelet is mine and I want things to be

1078
00:51:07,000 --> 00:51:08,960
Speaker 3: right between us, and.

1079
00:51:09,239 --> 00:51:11,600
Speaker 2: She goes, even share the ticket with you.

1080
00:51:11,600 --> 00:51:14,160
Speaker 3: You know I need and I need friends, and I

1081
00:51:14,160 --> 00:51:17,239
Speaker 3: think you do too. And meanwhile, Jake is angrily pouring

1082
00:51:17,280 --> 00:51:19,360
Speaker 3: a cup of orange juice. He's dunking his doughnut in

1083
00:51:19,400 --> 00:51:21,080
Speaker 3: and he's taking a big bite and Joe says, I'll

1084
00:51:21,120 --> 00:51:24,600
Speaker 3: split the ticket with you. He's absolutely flabbergasted, like what

1085
00:51:24,640 --> 00:51:29,960
Speaker 3: do you Yeah, Jake tells Joe that no, you owe

1086
00:51:29,960 --> 00:51:32,480
Speaker 3: me big time and for starters, he'll be taking me

1087
00:51:32,520 --> 00:51:33,600
Speaker 3: to dinner tonight.

1088
00:51:34,239 --> 00:51:37,880
Speaker 2: And she goes, I pick where. I mean, it's like

1089
00:51:38,000 --> 00:51:39,759
Speaker 2: building up. You just know they're going to be a

1090
00:51:39,800 --> 00:51:41,319
Speaker 2: couple and they're going to do this day in and

1091
00:51:41,400 --> 00:51:44,120
Speaker 2: day out, you know. And by the way, I'm having

1092
00:51:44,160 --> 00:51:46,600
Speaker 2: fun Alison and Billy had the same fight.

1093
00:51:47,280 --> 00:51:48,000
Speaker 1: I'll show you.

1094
00:51:48,000 --> 00:51:50,439
Speaker 3: You have to take me to dinner, dinner, like yeah,

1095
00:51:51,160 --> 00:51:55,080
Speaker 3: and this is how we get there.

1096
00:51:55,200 --> 00:51:57,080
Speaker 2: We can't just go to dinner. That would be boring.

1097
00:51:58,239 --> 00:52:03,240
Speaker 3: Drive this date that you and taking me to dinner.

1098
00:52:03,480 --> 00:52:05,799
Speaker 3: So she's like, fine, but I picked the place. And

1099
00:52:05,840 --> 00:52:07,520
Speaker 3: he dunks his donut and his orange juice and he

1100
00:52:07,520 --> 00:52:11,520
Speaker 3: eats it, and Jo says, that is an extraordinarily disgusting habit.

1101
00:52:12,200 --> 00:52:14,759
Speaker 1: And that's what they Grant did. Did Grant did they

1102
00:52:14,800 --> 00:52:16,080
Speaker 1: get that from? Did he did?

1103
00:52:16,400 --> 00:52:19,239
Speaker 2: Think so? But he took to it really naturally, didn't he?

1104
00:52:19,480 --> 00:52:23,560
Speaker 3: Yeah, because then he deliberately another really slow like a

1105
00:52:23,640 --> 00:52:25,479
Speaker 3: double bite bite bite, and then.

1106
00:52:25,400 --> 00:52:29,160
Speaker 2: And she's like, oh man, I'm gonna come for you. Boy.

1107
00:52:29,520 --> 00:52:33,440
Speaker 1: I remember, I remember resenting so much that he and

1108
00:52:33,440 --> 00:52:37,839
Speaker 1: Andrew could eat all day every day. Yeah, and then

1109
00:52:37,960 --> 00:52:43,120
Speaker 1: take their shirt off and it and have their as yes. Yes,

1110
00:52:43,200 --> 00:52:44,759
Speaker 1: people like what do you do? How hard you work

1111
00:52:44,800 --> 00:52:45,480
Speaker 1: out to get those?

1112
00:52:45,560 --> 00:52:45,759
Speaker 3: Oh?

1113
00:52:45,840 --> 00:52:48,320
Speaker 1: Nothing, just born with it. Oh my god.

1114
00:52:48,719 --> 00:52:50,920
Speaker 2: Yeah, yeah, well eat a lot of donuts.

1115
00:52:51,160 --> 00:52:56,839
Speaker 3: Wow, yeah, dipping an orange jese. So then we cut

1116
00:52:56,920 --> 00:53:00,000
Speaker 3: to Brack in the lawyer's office, where Matt is coming in,

1117
00:53:00,040 --> 00:53:03,680
Speaker 3: and the lawyer tells Matt that his former employee has

1118
00:53:03,680 --> 00:53:07,080
Speaker 3: now upped the offer, offering ten thousand dollars plus his

1119
00:53:07,200 --> 00:53:10,200
Speaker 3: job back if they settle out of court. Matt is

1120
00:53:10,320 --> 00:53:13,440
Speaker 3: thrilled and says, we won, but his lawyer tells him

1121
00:53:13,480 --> 00:53:16,040
Speaker 3: that's not exactly a win, and she thinks they should

1122
00:53:16,040 --> 00:53:18,880
Speaker 3: take the case to trial, which would mean upwards of

1123
00:53:19,080 --> 00:53:21,960
Speaker 3: one hundred thousand dollars minimum, she says, since it's such

1124
00:53:22,000 --> 00:53:25,359
Speaker 3: a slam dunk of a case of discrimination. Matt tells

1125
00:53:25,360 --> 00:53:27,759
Speaker 3: his lawyer that he misses the kids at his old

1126
00:53:27,800 --> 00:53:29,600
Speaker 3: job and he can't help them if he's in court

1127
00:53:29,640 --> 00:53:31,640
Speaker 3: for another year, and that nothing matters more to him

1128
00:53:31,640 --> 00:53:34,000
Speaker 3: than getting back to work and making a difference.

1129
00:53:34,400 --> 00:53:36,200
Speaker 2: Because of her. I've seen that, we saw where he

1130
00:53:36,280 --> 00:53:40,000
Speaker 2: runs into that kid. He right, and she's thinking dollar

1131
00:53:40,120 --> 00:53:42,440
Speaker 2: signs and how famous she'll be and how good it

1132
00:53:42,440 --> 00:53:44,560
Speaker 2: will be for her firm, and maybe she'll make partner,

1133
00:53:44,600 --> 00:53:45,680
Speaker 2: you know, if we go to trial.

1134
00:53:47,040 --> 00:53:49,680
Speaker 3: So she's disappointed and she tells Matt, well, I hope

1135
00:53:49,719 --> 00:53:56,040
Speaker 3: you're satisfied, and Matt replies that he's static, thrilled. So

1136
00:53:56,239 --> 00:53:58,759
Speaker 3: ten thousand dollars and his job back and he is

1137
00:53:58,840 --> 00:54:02,200
Speaker 3: super excited, and then we cut to Alison Billy in

1138
00:54:02,239 --> 00:54:06,080
Speaker 3: their apartment. Billy is lying on the couch during the day,

1139
00:54:06,120 --> 00:54:09,280
Speaker 3: recovering from his visit to the dentist. When Alison comes

1140
00:54:09,280 --> 00:54:10,479
Speaker 3: home asking how it went.

1141
00:54:11,680 --> 00:54:16,120
Speaker 2: Bill is such a cute is dentist novacane drunk guy?

1142
00:54:16,680 --> 00:54:20,000
Speaker 3: Yeah, he's more than a little lapy, he's so cute

1143
00:54:20,719 --> 00:54:23,040
Speaker 3: loopy and he tells Alison that they had to drill

1144
00:54:23,120 --> 00:54:28,239
Speaker 3: so deep he could hear people speaking Chinese. Thought that

1145
00:54:28,320 --> 00:54:32,600
Speaker 3: was fun, and that he had novacaine, he had headphones,

1146
00:54:32,640 --> 00:54:35,120
Speaker 3: he had gas and pills to alleviate the pain, and

1147
00:54:35,160 --> 00:54:38,160
Speaker 3: so it was less painful than a New Kid's concert.

1148
00:54:39,080 --> 00:54:42,680
Speaker 3: Allison says, well, maybe I came home early for nothing.

1149
00:54:42,760 --> 00:54:45,359
Speaker 3: Maybe you're fine without me, gives him another pain pill.

1150
00:54:46,120 --> 00:54:48,719
Speaker 3: Billy asks Allison, wait, wait, can you turn on the

1151
00:54:48,760 --> 00:54:50,759
Speaker 3: TV for me? Can you grab a blanket for me?

1152
00:54:50,800 --> 00:54:52,279
Speaker 3: And oh, maybe run to the video.

1153
00:54:52,000 --> 00:54:52,520
Speaker 2: Store for me?

1154
00:54:52,560 --> 00:54:55,080
Speaker 3: And just like being all needy and you know, trying

1155
00:54:55,080 --> 00:54:57,839
Speaker 3: to get her come back, and he's loopy Billy, and

1156
00:54:57,880 --> 00:55:00,360
Speaker 3: Allison suggests, maybe Billy, you should go to your parents'

1157
00:55:00,400 --> 00:55:04,160
Speaker 3: house to recover. Yeah, and Billy reminds Allison, you know,

1158
00:55:04,239 --> 00:55:05,880
Speaker 3: I just got you through a broken heart.

1159
00:55:06,400 --> 00:55:10,160
Speaker 1: Yeah, which is a really good point because she's like,

1160
00:55:10,200 --> 00:55:12,080
Speaker 1: get you a blanket, go to your parents' house.

1161
00:55:12,400 --> 00:55:13,839
Speaker 2: I know, step it.

1162
00:55:13,840 --> 00:55:14,319
Speaker 1: Up a little.

1163
00:55:14,440 --> 00:55:17,400
Speaker 3: I took care of you at your worst and I

1164
00:55:17,760 --> 00:55:18,520
Speaker 3: just had a little.

1165
00:55:18,320 --> 00:55:21,800
Speaker 2: Novacaine through a broken heart.

1166
00:55:23,640 --> 00:55:26,919
Speaker 3: But she agrees, she agrees to put on her metaphorical

1167
00:55:27,120 --> 00:55:32,680
Speaker 3: nurses uniform. So that's super cute. They're super cute. And

1168
00:55:32,680 --> 00:55:36,799
Speaker 3: then we cut to another couple, Jake Joe in the

1169
00:55:36,800 --> 00:55:39,080
Speaker 3: parking lot at night. After their dinner. They ride up

1170
00:55:39,120 --> 00:55:42,439
Speaker 3: on his motorcycle to happen in hotspot and parking lot.

1171
00:55:42,840 --> 00:55:45,360
Speaker 2: I was spending my time noticing that his arm is

1172
00:55:45,400 --> 00:55:49,239
Speaker 2: now around my shoulder. Yes, like IMA's girl. Yeah. And

1173
00:55:49,320 --> 00:55:52,120
Speaker 2: so they're at that point where she's like not moving it,

1174
00:55:52,520 --> 00:55:55,840
Speaker 2: but they haven't like, you know, officially hooked up yet.

1175
00:55:55,880 --> 00:55:59,319
Speaker 2: So yeah, I thought that was really interesting their body language. Yeah.

1176
00:55:59,400 --> 00:56:01,520
Speaker 3: So as they get off the bike and walk toward

1177
00:56:01,600 --> 00:56:04,400
Speaker 3: the building's and he's like just casually got his arm

1178
00:56:04,480 --> 00:56:07,560
Speaker 3: draped around her, and Joe says that she wants to

1179
00:56:07,560 --> 00:56:10,000
Speaker 3: take some dark and moody photos at this cool place

1180
00:56:10,040 --> 00:56:11,080
Speaker 3: for her portfolio.

1181
00:56:11,160 --> 00:56:11,640
Speaker 2: And then.

1182
00:56:13,480 --> 00:56:15,080
Speaker 3: There's a Oh, by the way, did I mention him

1183
00:56:15,080 --> 00:56:19,120
Speaker 3: a photographer? There is a large sign right out front

1184
00:56:19,360 --> 00:56:23,600
Speaker 3: of the restaurant saying no drugs, no cameras, and so

1185
00:56:23,800 --> 00:56:27,480
Speaker 3: Joe promptly photographs it. She's like, let me take a

1186
00:56:27,520 --> 00:56:32,080
Speaker 3: picture of that. No drugs, no cameras. Joe then tries

1187
00:56:32,120 --> 00:56:34,440
Speaker 3: to hide her camera and Jake's jacket and things get

1188
00:56:34,440 --> 00:56:36,759
Speaker 3: a little flirty. They're teasing each other and it's a

1189
00:56:36,800 --> 00:56:39,319
Speaker 3: little bit of a tussle. It looks like Jake is

1190
00:56:39,360 --> 00:56:42,440
Speaker 3: maybe trying to sneak a kiss, and jo says, Jake,

1191
00:56:42,680 --> 00:56:46,000
Speaker 3: you have to have every woman you meet fall over you,

1192
00:56:46,040 --> 00:56:48,520
Speaker 3: and Jake sort of spins her around. He's teasing her back,

1193
00:56:48,600 --> 00:56:50,560
Speaker 3: and he says, oh, look, I think I see Madonna

1194
00:56:50,680 --> 00:56:52,919
Speaker 3: entering the club. He's like trying to steal a kiss,

1195
00:56:52,920 --> 00:56:55,959
Speaker 3: and then a guy suddenly comes up to them and says, hey, Beth,

1196
00:56:56,640 --> 00:57:00,960
Speaker 3: when did you hit La? And Joe's stopped in her tracks,

1197
00:57:00,920 --> 00:57:04,120
Speaker 3: so you have the wrong lady, But the guy says, Beth,

1198
00:57:04,160 --> 00:57:08,360
Speaker 3: it's me Jerry, and Joe loudly repeats wrong lady, and

1199
00:57:08,400 --> 00:57:10,200
Speaker 3: she tries to walk away and the guy reaches her

1200
00:57:10,360 --> 00:57:12,320
Speaker 3: arm as she goes Jake sort of swats away the

1201
00:57:12,320 --> 00:57:15,279
Speaker 3: guy's hand away from Joe, telling Jerry back off, dude.

1202
00:57:15,320 --> 00:57:18,360
Speaker 3: The lady says she doesn't know you, and then Jerry

1203
00:57:18,600 --> 00:57:22,240
Speaker 3: hauls off and punches Jake. Jake punches him back with

1204
00:57:22,320 --> 00:57:23,720
Speaker 3: one swing to the gut in one of the face.

1205
00:57:23,800 --> 00:57:26,479
Speaker 3: Jerry ends up on the ground. He's out cold. Jake

1206
00:57:26,600 --> 00:57:28,840
Speaker 3: is calling for Joe, but she is gone.

1207
00:57:29,240 --> 00:57:32,000
Speaker 2: Joe is wow. I mean this is now I would

1208
00:57:32,000 --> 00:57:35,960
Speaker 2: say the extreme. He's literally hit another guy. He's put

1209
00:57:36,040 --> 00:57:38,560
Speaker 2: up with so much friend, this is like God the defense.

1210
00:57:40,000 --> 00:57:45,200
Speaker 3: But she's disappeared, completely disappeared, all right. So then we're

1211
00:57:45,200 --> 00:57:48,240
Speaker 3: back with Alison and Billy at their apartment where Billy

1212
00:57:48,320 --> 00:57:51,960
Speaker 3: is sleeping on the couch and he is calling Alison's

1213
00:57:52,040 --> 00:57:56,120
Speaker 3: name in his sleep and calling her name, and then

1214
00:57:56,320 --> 00:58:00,000
Speaker 3: Alison appears next to Billy on the couch. She's wearing

1215
00:58:00,080 --> 00:58:03,600
Speaker 3: a silky lacy robe and lingerie and she's asking what

1216
00:58:03,640 --> 00:58:06,840
Speaker 3: can I do to make it better? She then leans

1217
00:58:06,920 --> 00:58:10,800
Speaker 3: down and kisses him and they make out finally.

1218
00:58:11,040 --> 00:58:13,560
Speaker 1: Like Andrew having a thing about they don't get to

1219
00:58:13,640 --> 00:58:16,440
Speaker 1: like sneak in the Billy and alson. So we did

1220
00:58:16,440 --> 00:58:20,800
Speaker 1: this really sort of exaggerated the dream sequence dream kiss,

1221
00:58:20,920 --> 00:58:23,680
Speaker 1: but I was like, I don't like. As an audience member,

1222
00:58:23,680 --> 00:58:25,280
Speaker 1: I would have been like, they don't look like they

1223
00:58:25,320 --> 00:58:26,160
Speaker 1: like each other very much.

1224
00:58:26,200 --> 00:58:27,160
Speaker 2: No, I thought.

1225
00:58:27,360 --> 00:58:31,720
Speaker 3: Still the audience is like cheering at this point, going yay, finally.

1226
00:58:31,640 --> 00:58:33,520
Speaker 1: Something something throw it's a bone.

1227
00:58:33,760 --> 00:58:35,120
Speaker 2: Even though it's a fantasy, it's.

1228
00:58:35,000 --> 00:58:37,560
Speaker 3: Not real, and yeah, it's obvious that it's a dream dreams.

1229
00:58:37,600 --> 00:58:40,240
Speaker 1: At the end of the scene, Andrew very hilariously like

1230
00:58:40,280 --> 00:58:41,840
Speaker 1: brings a pillow over his lap.

1231
00:58:48,400 --> 00:58:53,560
Speaker 2: I just think it's so cute. Billy's like Alisons, Allison, Allison,

1232
00:58:53,600 --> 00:58:57,840
Speaker 2: and you're like, yes, hello, wake up.

1233
00:58:59,280 --> 00:59:01,960
Speaker 3: Yeah. Because the dream fades and Alison, that version of

1234
00:59:02,000 --> 00:59:04,520
Speaker 3: Alison disappears. Billy's still sleeping on the couch and still

1235
00:59:04,520 --> 00:59:07,400
Speaker 3: calling out Alison's name, and he's like clutching at his blanket,

1236
00:59:07,440 --> 00:59:10,960
Speaker 3: and real life Alison is just nearby, like leaning over

1237
00:59:11,200 --> 00:59:13,800
Speaker 3: in her big fluffy robe, her real life robe, and

1238
00:59:13,880 --> 00:59:16,440
Speaker 3: she wakes Billy up from his dream and she's smiling.

1239
00:59:16,520 --> 00:59:19,760
Speaker 3: She's pretty amused, and Billy is kind of flustered about

1240
00:59:19,800 --> 00:59:21,640
Speaker 3: being awakened from the stream and there she is, and

1241
00:59:21,680 --> 00:59:25,760
Speaker 3: he almost tells her why we were uh, but then instead,

1242
00:59:25,800 --> 00:59:30,200
Speaker 3: he says it was just a disturbing dream, and he says,

1243
00:59:30,200 --> 00:59:31,520
Speaker 3: you know that I should have been warned about the

1244
00:59:31,520 --> 00:59:34,960
Speaker 3: side effects of these pain pills. And Alison is just

1245
00:59:35,080 --> 00:59:38,120
Speaker 3: sort of cutely smiling, wishes him good night and walks

1246
00:59:38,160 --> 00:59:41,880
Speaker 3: back to her room smiling. I thought that was super cute, like,

1247
00:59:42,080 --> 00:59:46,400
Speaker 3: I know what you were dreaming, And then we cut

1248
00:59:46,400 --> 00:59:49,440
Speaker 3: to Joe's apartment later that night, Joe Jake knocks on

1249
00:59:49,520 --> 00:59:52,120
Speaker 3: Joe's door. Joe answers, and Jake says, what happened to you?

1250
00:59:53,360 --> 00:59:55,880
Speaker 3: And here again. Joe tries to close the door on Jake,

1251
00:59:55,960 --> 00:59:59,000
Speaker 3: pushing him away, but he pushes the door open. Joe

1252
00:59:59,000 --> 01:00:02,560
Speaker 3: says she just doesn't like fights and that Jerry was

1253
01:00:02,600 --> 01:00:05,800
Speaker 3: mistaken when he called her Beth. Jake points out that

1254
01:00:05,880 --> 01:00:09,280
Speaker 3: some coincidence that Beth is also the name inside the bracelet.

1255
01:00:10,400 --> 01:00:12,000
Speaker 3: That he doesn't care what the truth is, he just

1256
01:00:12,000 --> 01:00:14,480
Speaker 3: wants to hear it. It's simpler, The truth is simpler,

1257
01:00:15,360 --> 01:00:21,440
Speaker 3: and there is nothing. Yeah, she says, there's nothing simple

1258
01:00:21,440 --> 01:00:23,720
Speaker 3: about my life right now, and she slams the door

1259
01:00:24,120 --> 01:00:28,440
Speaker 3: in his face. I just might I just want everything.

1260
01:00:28,800 --> 01:00:31,040
Speaker 2: I just want to say, like, because she's so extreme.

1261
01:00:31,960 --> 01:00:35,600
Speaker 2: It comes across that there's something bigger than she's letting

1262
01:00:35,600 --> 01:00:40,960
Speaker 2: on right in her life, very clearly. Okay, good, yeah, Okay,

1263
01:00:41,240 --> 01:00:44,919
Speaker 2: once we find out what really went on, we're dying.

1264
01:00:44,960 --> 01:00:47,000
Speaker 1: I was dying to know at this point, like at

1265
01:00:47,160 --> 01:00:49,040
Speaker 1: this point in the story, because they've dropped so many

1266
01:00:49,040 --> 01:00:49,600
Speaker 1: bread crumbs.

1267
01:00:49,960 --> 01:00:52,560
Speaker 3: Yeah, what is it we all need to know?

1268
01:00:53,120 --> 01:00:53,760
Speaker 2: Yeah, it's time.

1269
01:00:53,960 --> 01:00:56,800
Speaker 3: Okay, yeah, because there's no other explanation for why she's

1270
01:00:56,840 --> 01:00:58,720
Speaker 3: turning down Jake Hansen so many times.

1271
01:00:59,240 --> 01:01:01,880
Speaker 1: Cut to the next she goes, I got my period.

1272
01:01:02,360 --> 01:01:03,320
Speaker 3: That was it?

1273
01:01:04,360 --> 01:01:04,480
Speaker 2: Right?

1274
01:01:04,880 --> 01:01:11,520
Speaker 3: Was it? Here's the big explanation. Instead, we cut to

1275
01:01:11,680 --> 01:01:13,840
Speaker 3: Jane and Michael's apartment in the morning. Jane is checking

1276
01:01:13,840 --> 01:01:16,680
Speaker 3: her teeth in the reflection of the stainless Steell toaster,

1277
01:01:17,400 --> 01:01:21,040
Speaker 3: and Michael comes into the kitchen groggy asleep, and Jane says,

1278
01:01:21,120 --> 01:01:22,800
Speaker 3: go back to bed. I just have to go to work.

1279
01:01:23,240 --> 01:01:26,560
Speaker 3: She complains to Michael about Kay, saying, Hey is just rude,

1280
01:01:26,600 --> 01:01:30,080
Speaker 3: she's vain, she's opinionated. Michael points out that the collective

1281
01:01:30,160 --> 01:01:33,640
Speaker 3: term for that is bitch, and it's the second time

1282
01:01:33,680 --> 01:01:36,640
Speaker 3: we've said bitch, and yes, Jane says that she just

1283
01:01:36,680 --> 01:01:38,920
Speaker 3: wants Kay to know that she too is good at

1284
01:01:38,920 --> 01:01:42,200
Speaker 3: her job. But Michael says, Kay's type is never going

1285
01:01:42,280 --> 01:01:46,120
Speaker 3: to admit that Jane is a good designer. Michael says

1286
01:01:46,160 --> 01:01:48,160
Speaker 3: he doesn't want to see Jane heard. Jane doesn't need

1287
01:01:48,200 --> 01:01:50,160
Speaker 3: this woman to tell her that she's great, and then

1288
01:01:50,200 --> 01:01:52,360
Speaker 3: they kiss and they exchange I love yous, and Jane

1289
01:01:52,400 --> 01:01:54,200
Speaker 3: says they'll spend the next day, which is going to

1290
01:01:54,280 --> 01:01:56,320
Speaker 3: be Sunday, together and they can pick up where they

1291
01:01:56,400 --> 01:01:58,360
Speaker 3: left off a couple of nights ago. But right now

1292
01:01:58,520 --> 01:02:01,640
Speaker 3: she's got to get to work, so off she goes.

1293
01:02:01,960 --> 01:02:04,120
Speaker 3: And we're back with Alison and Billy in the apartment

1294
01:02:04,120 --> 01:02:05,920
Speaker 3: in the morning, where Alison is reading the paper in

1295
01:02:05,960 --> 01:02:08,720
Speaker 3: the kitchen. Billy walks in and asks him, did you

1296
01:02:08,760 --> 01:02:09,400
Speaker 3: sleep okay?

1297
01:02:10,640 --> 01:02:14,160
Speaker 2: He says, how still you are? You just wait like

1298
01:02:14,280 --> 01:02:17,280
Speaker 2: the cat waiting for the little mouse to make the

1299
01:02:17,320 --> 01:02:23,560
Speaker 2: wrong move, you know. He's like, oh, like mm hmmm yeah,

1300
01:02:24,520 --> 01:02:26,360
Speaker 2: and then she pounces.

1301
01:02:26,800 --> 01:02:30,680
Speaker 3: He says yeah. He says something about like thawing after

1302
01:02:30,760 --> 01:02:34,040
Speaker 3: being cryogenically frozen, which I think is his metaphor for

1303
01:02:34,160 --> 01:02:37,680
Speaker 3: saying he's starting to feel more normal, and Alison presses

1304
01:02:37,720 --> 01:02:40,640
Speaker 3: him about his dream last night. Following him into the kitchen,

1305
01:02:40,720 --> 01:02:44,120
Speaker 3: asking him what was happening in that dream? Clutching your

1306
01:02:44,120 --> 01:02:45,160
Speaker 3: pillow and screening.

1307
01:02:45,280 --> 01:02:47,280
Speaker 2: She sits up on the counter right next him, right

1308
01:02:47,320 --> 01:02:48,760
Speaker 2: in his face. But what's going on?

1309
01:02:49,240 --> 01:02:53,800
Speaker 3: Yeah, Billy says, I can't remember. She insists that he

1310
01:02:53,920 --> 01:02:59,439
Speaker 3: tell her. So. Then Billy says, well, a Tyronosaurus rex

1311
01:02:59,520 --> 01:03:03,160
Speaker 3: showed up dream and it snatched you away, and and yeah,

1312
01:03:03,200 --> 01:03:04,360
Speaker 3: that's why I was calling your name.

1313
01:03:04,560 --> 01:03:07,440
Speaker 2: That's why I was clinging to the pillow and yeah, and.

1314
01:03:07,360 --> 01:03:10,080
Speaker 3: She says to the pillow, Well that was because uh, yeah,

1315
01:03:10,120 --> 01:03:13,160
Speaker 3: in the dream he was holding on I was holding

1316
01:03:13,160 --> 01:03:16,040
Speaker 3: onto the dinosaur's tail and trying to get the dinosaur

1317
01:03:16,080 --> 01:03:20,440
Speaker 3: to drop you, like the silly scoofiest story. And Alison

1318
01:03:20,520 --> 01:03:21,560
Speaker 3: is not buying.

1319
01:03:21,320 --> 01:03:26,200
Speaker 1: You know, like he's nine. There's a dinosaur and another dinosaurs.

1320
01:03:27,360 --> 01:03:30,520
Speaker 1: The dinosaur albathin so big it was green.

1321
01:03:33,440 --> 01:03:33,840
Speaker 2: Yeah.

1322
01:03:34,000 --> 01:03:37,400
Speaker 3: Then so he turns around and says, well, do you

1323
01:03:37,480 --> 01:03:41,960
Speaker 3: ever dream about me? And Allison says no, but very

1324
01:03:42,040 --> 01:03:45,160
Speaker 3: coyly says well, if I did, it wouldn't be something

1325
01:03:45,160 --> 01:03:47,520
Speaker 3: we could talk about. And she hops down off the counter.

1326
01:03:47,720 --> 01:03:51,520
Speaker 3: She brushes by Billy, saying something about like something should

1327
01:03:51,520 --> 01:03:53,640
Speaker 3: be kept private and leaves the kitchen.

1328
01:03:54,280 --> 01:03:57,080
Speaker 1: Yeah, so she's all but admitting to dirty dirty dream.

1329
01:03:57,240 --> 01:04:01,160
Speaker 3: Yeah, well this one again, this is happening.

1330
01:04:01,200 --> 01:04:04,640
Speaker 1: Game on, we should bet on dinner sometime.

1331
01:04:04,960 --> 01:04:05,760
Speaker 2: It is happening.

1332
01:04:06,440 --> 01:04:11,680
Speaker 1: Yeah.

1333
01:04:11,840 --> 01:04:13,960
Speaker 3: So back in the courtyard, Ronda and Matt are coming

1334
01:04:14,000 --> 01:04:17,120
Speaker 3: down the stairs from Ronda's apartment in. Ronda is thrilled

1335
01:04:17,160 --> 01:04:19,080
Speaker 3: for Matt that he's going to be getting ten thousand

1336
01:04:19,120 --> 01:04:22,720
Speaker 3: dollars for his settlement, and Randa suggests mutual funds buy

1337
01:04:22,960 --> 01:04:26,880
Speaker 3: some land without all that money. Matt says he's going

1338
01:04:26,920 --> 01:04:29,440
Speaker 3: to start a legal aid fund for victims of discrimination

1339
01:04:29,560 --> 01:04:33,160
Speaker 3: based on sexual orientation, and Ronda says that's a great idea,

1340
01:04:33,240 --> 01:04:35,680
Speaker 3: great investment, and she's very happy for Matt.

1341
01:04:35,480 --> 01:04:39,280
Speaker 2: Because he's such a good guy. She's likeness all of

1342
01:04:39,360 --> 01:04:44,920
Speaker 2: it away, and he's like, yep, yeah, amazing, okay.

1343
01:04:44,920 --> 01:04:50,080
Speaker 3: And then back at the fashion workroom at the store shop,

1344
01:04:50,760 --> 01:04:54,040
Speaker 3: Kay is barking orders to all the employees. While walking

1345
01:04:54,080 --> 01:04:59,240
Speaker 3: around the workroom, Kay says the new k Beacon collection

1346
01:04:59,400 --> 01:05:03,400
Speaker 3: is smart, flattering, and perfect, and she notices that Jane

1347
01:05:03,480 --> 01:05:05,400
Speaker 3: is not fawning all over her, and she says, well,

1348
01:05:05,480 --> 01:05:09,120
Speaker 3: how did I know my brilliance wouldn't satisfy everyone? What

1349
01:05:09,280 --> 01:05:12,800
Speaker 3: is wrong Jane? And she asks Jane her thoughts on

1350
01:05:12,840 --> 01:05:16,880
Speaker 3: the designs, and then Jane tells her a couple of things,

1351
01:05:16,920 --> 01:05:20,040
Speaker 3: and Kay very condescendingly dismisses everything that Jane said.

1352
01:05:21,640 --> 01:05:24,240
Speaker 2: Did you notice those dresses were so big in the nineties,

1353
01:05:24,320 --> 01:05:28,560
Speaker 2: Maxie dresses were just everywhere. I mean we wore them

1354
01:05:28,680 --> 01:05:32,480
Speaker 2: and press and they were just everywhere. Those dresses just

1355
01:05:32,720 --> 01:05:33,680
Speaker 2: brought it all back.

1356
01:05:34,040 --> 01:05:36,720
Speaker 3: Yeah, those were everywhere, somewhere between your knee and your ankle.

1357
01:05:37,280 --> 01:05:37,560
Speaker 2: Yeah.

1358
01:05:38,160 --> 01:05:41,720
Speaker 3: Okay, God, but Jane is she's had it, and she says, tokay,

1359
01:05:41,800 --> 01:05:44,520
Speaker 3: if becoming a successful designer means turning into a rude,

1360
01:05:44,640 --> 01:05:48,720
Speaker 3: egomaniacal bitch like yourself, third, bitch, I must be in

1361
01:05:48,760 --> 01:05:49,960
Speaker 3: the wrong business.

1362
01:05:50,120 --> 01:05:51,920
Speaker 2: That's a bitch. Can spicy this show?

1363
01:05:52,160 --> 01:05:55,360
Speaker 1: Yeah you mean, and it's way before the Mondays are

1364
01:05:55,360 --> 01:05:55,840
Speaker 1: a bitch?

1365
01:05:56,120 --> 01:05:56,320
Speaker 2: Yeah.

1366
01:05:56,360 --> 01:06:01,080
Speaker 3: Advertising campaign no, Kate Beacon, Joe and Kay Beacon is

1367
01:06:01,120 --> 01:06:01,320
Speaker 3: a bit.

1368
01:06:01,560 --> 01:06:03,920
Speaker 2: The guys are just going like, what the hell's happening?

1369
01:06:04,640 --> 01:06:07,600
Speaker 2: Or women, We're all starting to turn.

1370
01:06:08,000 --> 01:06:10,480
Speaker 3: And to all of that, Kay just rolls her eyes

1371
01:06:10,520 --> 01:06:14,480
Speaker 3: and says, see me in my office. So we cut

1372
01:06:14,520 --> 01:06:17,560
Speaker 3: to Kay's office, where Kay admits to Jane that she

1373
01:06:17,680 --> 01:06:20,200
Speaker 3: has been thoughtless and insensitive, and Kay goes on to

1374
01:06:20,240 --> 01:06:22,600
Speaker 3: tell Jane she thinks Jane is talented and she would

1375
01:06:22,600 --> 01:06:25,440
Speaker 3: hate to see Jane leave. And all of a sudden,

1376
01:06:25,440 --> 01:06:28,040
Speaker 3: Michael shows up. He's got even lunch basket and he

1377
01:06:28,280 --> 01:06:29,280
Speaker 3: is there to have some.

1378
01:06:29,280 --> 01:06:29,880
Speaker 2: Lunch with Jane.

1379
01:06:29,920 --> 01:06:32,160
Speaker 3: Jane introduces Michael to Kay and Ca says, oh, good

1380
01:06:32,200 --> 01:06:34,320
Speaker 3: looking and a doctor. I guess your mother sleeps like

1381
01:06:34,320 --> 01:06:34,680
Speaker 3: a log.

1382
01:06:34,840 --> 01:06:35,720
Speaker 2: Jane.

1383
01:06:36,000 --> 01:06:39,320
Speaker 1: See a completely different person in this episode, Yeah, completely

1384
01:06:39,360 --> 01:06:41,400
Speaker 1: see It's like, wait, what what just happened?

1385
01:06:41,600 --> 01:06:45,320
Speaker 3: Loving doting husband with a cute little little print.

1386
01:06:45,080 --> 01:06:46,000
Speaker 1: Like needy husband.

1387
01:06:46,120 --> 01:06:48,919
Speaker 2: That's I mean, remember that it wasn't too long ago

1388
01:06:49,000 --> 01:06:51,600
Speaker 2: that she was coming to the doctor to the hospital

1389
01:06:51,640 --> 01:06:53,920
Speaker 2: with lunch. He was like all like, what are you

1390
01:06:53,960 --> 01:06:56,800
Speaker 2: doing here? And you know, she's like he has a

1391
01:06:56,800 --> 01:06:59,120
Speaker 2: different reaction. He brings her lunch. They go up to

1392
01:06:59,160 --> 01:07:01,440
Speaker 2: the roof and have a NYE lunch in the middle.

1393
01:07:01,320 --> 01:07:04,280
Speaker 3: And then, quite out of character, Ky suggests that they

1394
01:07:04,320 --> 01:07:07,200
Speaker 3: go up onto the roof right like that. She's suddenly

1395
01:07:07,280 --> 01:07:09,320
Speaker 3: nice because he's there. Is that why she's nice?

1396
01:07:09,440 --> 01:07:12,200
Speaker 1: Then she's well, she started apologizing, which doesn't seem very

1397
01:07:12,240 --> 01:07:15,000
Speaker 1: in line with her bully character, but maybe yeah, Jane

1398
01:07:15,120 --> 01:07:16,840
Speaker 1: standing up to her shifted something.

1399
01:07:17,240 --> 01:07:19,240
Speaker 3: And it was also like even her apology comes with well,

1400
01:07:19,280 --> 01:07:22,160
Speaker 3: I hate I would hate to see leave. Yeah, almost

1401
01:07:22,200 --> 01:07:28,720
Speaker 3: like you know, try that, Good luck with that. But anyway,

1402
01:07:28,800 --> 01:07:30,200
Speaker 3: So Michael and Jane go up to the roof to

1403
01:07:30,200 --> 01:07:31,720
Speaker 3: have their lunch at a table on the roof with

1404
01:07:31,720 --> 01:07:34,440
Speaker 3: a view of the ocean, and Michael tells Jane that

1405
01:07:34,480 --> 01:07:37,440
Speaker 3: her new job has pushed some buttons for him that

1406
01:07:37,480 --> 01:07:39,400
Speaker 3: he didn't know he had, but that he really does

1407
01:07:39,440 --> 01:07:43,320
Speaker 3: support her in her career, and Jane says she knows

1408
01:07:43,320 --> 01:07:45,479
Speaker 3: that Michael and Jane, that she knows that they both

1409
01:07:45,480 --> 01:07:47,200
Speaker 3: want to have a baby, that right now she wants

1410
01:07:47,240 --> 01:07:49,120
Speaker 3: to focus on her career, and she asks if that's

1411
01:07:49,160 --> 01:07:51,120
Speaker 3: okay with Michael, and he says, I love you too

1412
01:07:51,200 --> 01:07:54,400
Speaker 3: much to say no, who are you?

1413
01:07:54,520 --> 01:07:58,520
Speaker 1: Real life? Wasn't Josie like twenty two at this point?

1414
01:07:58,640 --> 01:08:02,200
Speaker 2: At most two? I think twenty one because when I

1415
01:08:02,280 --> 01:08:04,640
Speaker 2: came on she I remember being in her trailer and

1416
01:08:04,880 --> 01:08:08,560
Speaker 2: talking to her and finding out like she was twenty one,

1417
01:08:08,960 --> 01:08:10,800
Speaker 2: so h yeah, very young.

1418
01:08:11,880 --> 01:08:14,640
Speaker 3: Yeah, So then we cut back to Joe's apartment during

1419
01:08:14,640 --> 01:08:17,120
Speaker 3: the day. She's in her dark room bathroom developing some

1420
01:08:17,160 --> 01:08:20,160
Speaker 3: photos and Jake knocks at the door, walks in, telling

1421
01:08:20,240 --> 01:08:23,000
Speaker 3: Joe that he's not the kind of guy that Joe

1422
01:08:23,040 --> 01:08:26,559
Speaker 3: needs to run away from. Jake tells Joe, I care

1423
01:08:26,600 --> 01:08:28,840
Speaker 3: about you, and Joe says, why why do you care

1424
01:08:28,880 --> 01:08:32,519
Speaker 3: about me? And Jake says that Joe uh. He thinks

1425
01:08:32,600 --> 01:08:34,880
Speaker 3: Joe's desperate to have someone care about her, and he

1426
01:08:34,960 --> 01:08:37,920
Speaker 3: says he wants Joe to trust him and he just

1427
01:08:38,000 --> 01:08:38,840
Speaker 3: wants to be around her.

1428
01:08:38,880 --> 01:08:41,040
Speaker 2: It's just come in with this force. He's like, I'm

1429
01:08:41,040 --> 01:08:43,559
Speaker 2: not taking this anymore from you. It's not like it's

1430
01:08:43,920 --> 01:08:45,840
Speaker 2: and it's a different kind of energy. It's not like,

1431
01:08:46,479 --> 01:08:48,280
Speaker 2: you know, I'm going to force you to talk about

1432
01:08:48,280 --> 01:08:50,360
Speaker 2: things you don't want to talk about. It's like, you know,

1433
01:08:50,400 --> 01:08:52,920
Speaker 2: I got to set it straight. You think I'm you know,

1434
01:08:53,800 --> 01:08:55,840
Speaker 2: taking things from you, and you think I'm a bad person,

1435
01:08:55,880 --> 01:08:57,760
Speaker 2: and you think you can't trust me. But I like

1436
01:08:57,800 --> 01:08:59,760
Speaker 2: how he finally puts down his foot, he gets in

1437
01:08:59,800 --> 01:09:04,639
Speaker 2: that thing, and that's you're like, oh, finally, okay, yeah,

1438
01:09:04,680 --> 01:09:07,479
Speaker 2: and he does, but in a really supportive way, really

1439
01:09:07,520 --> 01:09:09,840
Speaker 2: supportive way, I don't care about all this stuff, your lies.

1440
01:09:09,840 --> 01:09:13,040
Speaker 3: I care about you. And it does force her to

1441
01:09:13,080 --> 01:09:15,479
Speaker 3: sort of feel comfortable enough to start opening up, and

1442
01:09:15,560 --> 01:09:18,519
Speaker 3: she then starts to tell him that her mother died

1443
01:09:18,560 --> 01:09:21,760
Speaker 3: by suicide when she was seven years old, and that

1444
01:09:21,840 --> 01:09:25,400
Speaker 3: her father remarried. She tells him that she met her husband,

1445
01:09:25,600 --> 01:09:29,040
Speaker 3: Charles Reynolds, in college and he was from a disgustingly

1446
01:09:29,120 --> 01:09:30,960
Speaker 3: wealthy family and it was pretty good for a while,

1447
01:09:31,000 --> 01:09:33,600
Speaker 3: she said, but she dropped out of college to be

1448
01:09:33,640 --> 01:09:36,519
Speaker 3: a socialite for her husband that eventually that felt like

1449
01:09:36,640 --> 01:09:40,160
Speaker 3: she was fading away in the marriage and just losing herself,

1450
01:09:40,160 --> 01:09:42,160
Speaker 3: and so she left without a note or even a goodbye,

1451
01:09:42,240 --> 01:09:45,160
Speaker 3: and she started she wanted to start living her life,

1452
01:09:45,360 --> 01:09:50,200
Speaker 3: her life, she emphasized, and she explains the Beth, Yeah,

1453
01:09:50,280 --> 01:09:52,280
Speaker 3: she tells her. She tells Jake that her full name

1454
01:09:52,320 --> 01:09:54,639
Speaker 3: is Joe Beth and that her mother had called her Joe,

1455
01:09:54,640 --> 01:09:56,800
Speaker 3: and so Joe is who she really is.

1456
01:09:57,640 --> 01:09:59,920
Speaker 2: But everyone else called her Beth in her husband's life,

1457
01:10:00,160 --> 01:10:03,080
Speaker 2: than her old daughter that bracelet, and so this is

1458
01:10:03,080 --> 01:10:05,600
Speaker 2: her going back to the name Joe, but really she

1459
01:10:05,640 --> 01:10:06,960
Speaker 2: has been Beth all those years.

1460
01:10:07,600 --> 01:10:10,200
Speaker 3: Joe then apologizes to Jake for all the lies, and

1461
01:10:10,280 --> 01:10:11,760
Speaker 3: Jake says he knows a way to get them to

1462
01:10:11,800 --> 01:10:16,000
Speaker 3: both stop running from whatever their past, and then he

1463
01:10:16,120 --> 01:10:16,680
Speaker 3: kisses her.

1464
01:10:18,280 --> 01:10:21,879
Speaker 1: She kiss him back, right, she kisses and how surprised

1465
01:10:21,960 --> 01:10:24,840
Speaker 1: for you? I was like, oh, oh, we're here, Oh

1466
01:10:24,840 --> 01:10:25,559
Speaker 1: my god, we're kissing.

1467
01:10:25,880 --> 01:10:27,960
Speaker 3: He just like he leans in, it's very sweet, kisses

1468
01:10:27,960 --> 01:10:30,559
Speaker 3: her on the cheek and Joe's oh no, we're doing this,

1469
01:10:30,600 --> 01:10:32,720
Speaker 3: and she leans in and kisses him back, and then

1470
01:10:32,760 --> 01:10:35,880
Speaker 3: they start making out and they stop for a second

1471
01:10:36,000 --> 01:10:37,160
Speaker 3: just smile at each other, like.

1472
01:10:37,800 --> 01:10:40,559
Speaker 1: Yeah, I mean it was earned, Like we've seen them

1473
01:10:40,640 --> 01:10:43,240
Speaker 1: go back and forth, right, it's really earned. But I

1474
01:10:43,320 --> 01:10:49,200
Speaker 1: was still surprised because they're very emotional connected scene then

1475
01:10:49,200 --> 01:10:51,599
Speaker 1: they're kissing. Were you surprised after? Did you remember it?

1476
01:10:52,400 --> 01:10:53,759
Speaker 3: Uh?

1477
01:10:53,840 --> 01:10:56,280
Speaker 2: I was surprised because we're on my second episode and

1478
01:10:56,320 --> 01:10:57,640
Speaker 2: I was like, oh, I didn't know that I was

1479
01:10:57,680 --> 01:11:00,000
Speaker 2: besties with you starting the first episode and then I'm

1480
01:11:00,040 --> 01:11:02,439
Speaker 2: start making out with Jake the second episode. She's like,

1481
01:11:03,600 --> 01:11:07,040
Speaker 2: you know, yeah, jump right in. But once I really

1482
01:11:07,160 --> 01:11:09,599
Speaker 2: liked and it did bring up I always looked forward

1483
01:11:09,640 --> 01:11:13,280
Speaker 2: to my scenes with Jake, you know, with Grant and

1484
01:11:13,320 --> 01:11:15,160
Speaker 2: we always had fun, and I like they caught that

1485
01:11:15,200 --> 01:11:17,360
Speaker 2: moment after the kiss. It was a very real moment

1486
01:11:17,360 --> 01:11:19,880
Speaker 2: of like smiling, like, oh, we're actually kissing, you know.

1487
01:11:20,680 --> 01:11:23,720
Speaker 2: They ended the episode, and it just reminded me how

1488
01:11:23,760 --> 01:11:26,240
Speaker 2: much fun we always had and I always just loved

1489
01:11:26,240 --> 01:11:27,760
Speaker 2: playing with them, you know, when I first came on.

1490
01:11:27,840 --> 01:11:33,200
Speaker 2: This also reminded me. I first came in and I

1491
01:11:33,320 --> 01:11:36,480
Speaker 2: asked him if he wanted to rehearse. No one rehearses

1492
01:11:36,479 --> 01:11:39,400
Speaker 2: in TV. There's not time to rehearse, but he said yes,

1493
01:11:39,520 --> 01:11:42,120
Speaker 2: and he came over to my house on the weekend.

1494
01:11:42,960 --> 01:11:45,360
Speaker 2: We didn't rehearse making out or anything that's like not.

1495
01:11:45,640 --> 01:11:47,880
Speaker 2: We just rehearsed and we talked about it and we

1496
01:11:48,000 --> 01:11:50,479
Speaker 2: you know, we both were really into it, and I

1497
01:11:50,479 --> 01:11:52,880
Speaker 2: think that really shows that there was a comfort with

1498
01:11:52,920 --> 01:11:57,280
Speaker 2: each other and a playfulness. So yeah, and we had

1499
01:11:57,280 --> 01:12:03,120
Speaker 2: a real nice that started and lasted years to this day.

1500
01:12:03,200 --> 01:12:04,800
Speaker 3: It sounds like you knew that there was going to

1501
01:12:04,880 --> 01:12:07,479
Speaker 3: be like a big relationship on the show, and you

1502
01:12:07,560 --> 01:12:10,120
Speaker 3: really wanted to get it right and like establish that

1503
01:12:10,200 --> 01:12:13,000
Speaker 3: relationship and wanting to rehearse that and stuff.

1504
01:12:13,320 --> 01:12:17,720
Speaker 2: Grant always says this thing about how before I even

1505
01:12:17,760 --> 01:12:20,200
Speaker 2: came on the show. He saw me in New York City.

1506
01:12:20,280 --> 01:12:21,720
Speaker 2: I don't know if you guys remember this story, but

1507
01:12:21,760 --> 01:12:24,280
Speaker 2: he's like, yeah, he would always say this in interviews.

1508
01:12:24,320 --> 01:12:26,280
Speaker 2: It made me sound like such a jerk. Yeah, I

1509
01:12:26,360 --> 01:12:28,320
Speaker 2: saw you. I saw a dad in New York City

1510
01:12:28,760 --> 01:12:31,840
Speaker 2: and we both went to UCLA together. And I come

1511
01:12:31,920 --> 01:12:34,400
Speaker 2: up to her in this Mexican restaurant. I know it

1512
01:12:34,400 --> 01:12:36,400
Speaker 2: because I've heard this so many times, and I don't

1513
01:12:36,439 --> 01:12:39,920
Speaker 2: remember it, I promise you. But he comes up and says, hey,

1514
01:12:39,920 --> 01:12:41,960
Speaker 2: I went to UCLA too. We know people in common.

1515
01:12:42,160 --> 01:12:46,720
Speaker 2: And apparently I look at him and go no oh,

1516
01:12:46,760 --> 01:12:49,400
Speaker 2: and he's like she said that to me and nah,

1517
01:12:49,439 --> 01:12:52,400
Speaker 2: and so he's like okay, and he walks off. I

1518
01:12:52,400 --> 01:12:55,040
Speaker 2: guess and so here we are there's already kind of

1519
01:12:55,080 --> 01:12:56,160
Speaker 2: guess that thing going on.

1520
01:12:56,240 --> 01:13:01,000
Speaker 1: I don't know, but so anyway, don't remember it at all.

1521
01:13:01,120 --> 01:13:04,240
Speaker 2: You know, I don't remember it. I clearly do you

1522
01:13:04,320 --> 01:13:06,120
Speaker 2: do you think it's possible that and I don't remember

1523
01:13:06,160 --> 01:13:09,240
Speaker 2: him at UCLA, but we did have people, but we

1524
01:13:09,280 --> 01:13:11,719
Speaker 2: did have people in common. I know who those people

1525
01:13:11,800 --> 01:13:16,160
Speaker 2: are in the theater department. Yeah, but anyway, there.

1526
01:13:16,040 --> 01:13:16,920
Speaker 3: Was this time.

1527
01:13:19,479 --> 01:13:21,360
Speaker 1: If it wasn't you like if you came up to

1528
01:13:21,400 --> 01:13:25,160
Speaker 1: some random brunette and the story, Yes, but.

1529
01:13:25,280 --> 01:13:28,400
Speaker 2: I'm like, what you think we all look alike? No,

1530
01:13:29,720 --> 01:13:34,920
Speaker 2: but I felt bad retroactively powerful.

1531
01:13:34,720 --> 01:13:39,720
Speaker 3: But uh yeah, I don't remember it all right. Well,

1532
01:13:39,760 --> 01:13:41,160
Speaker 3: we've got a couple of fan questions here.

1533
01:13:43,160 --> 01:13:45,400
Speaker 2: Was there ever a character that you wish you had

1534
01:13:45,439 --> 01:13:48,320
Speaker 2: interacted with more, shared more scenes with? That's to all

1535
01:13:48,360 --> 01:13:50,760
Speaker 2: of us. I think I never had much with you,

1536
01:13:50,800 --> 01:13:51,240
Speaker 2: did I?

1537
01:13:51,400 --> 01:13:51,719
Speaker 3: Laura?

1538
01:13:52,040 --> 01:13:53,599
Speaker 2: Did Joe and Sydney have scenes?

1539
01:13:54,439 --> 01:13:58,439
Speaker 3: No? It's interesting, like I was, I was noting it

1540
01:13:58,479 --> 01:14:03,200
Speaker 3: from this episode that like the Allison character had so

1541
01:14:03,400 --> 01:14:06,040
Speaker 3: much going on in the early episodes, right, like you

1542
01:14:06,080 --> 01:14:09,280
Speaker 3: were such the onngnoon and such the lead character, Like

1543
01:14:09,320 --> 01:14:12,759
Speaker 3: you not only had this rich, rich and robust story

1544
01:14:12,880 --> 01:14:15,639
Speaker 3: and then this billy thing that's brewing your own stuff

1545
01:14:15,680 --> 01:14:17,639
Speaker 3: going on, and then you get to be the character

1546
01:14:17,680 --> 01:14:19,080
Speaker 3: that's going to be the best friend of the new

1547
01:14:19,280 --> 01:14:22,320
Speaker 3: character coming in, so like you really sort of everywhere.

1548
01:14:23,000 --> 01:14:25,040
Speaker 3: And then I was thinking about it, like when my

1549
01:14:25,200 --> 01:14:27,680
Speaker 3: character came in, I was very isolated in my own

1550
01:14:27,680 --> 01:14:31,240
Speaker 3: little storyline, and then Michael and Jane World.

1551
01:14:30,960 --> 01:14:33,840
Speaker 2: Jane and you, and then Marshall when she came on yeah,

1552
01:14:33,920 --> 01:14:36,160
Speaker 2: it wasn't that like you guys' group.

1553
01:14:36,400 --> 01:14:39,840
Speaker 3: Yeah, And then late like in later episodes I I had,

1554
01:14:39,880 --> 01:14:42,640
Speaker 3: I got to have scenes with Heather and and I

1555
01:14:43,080 --> 01:14:46,719
Speaker 3: had with Grant and things like that, and sometimes with

1556
01:14:46,720 --> 01:14:50,519
Speaker 3: with Doug. But I didn't really interact with I know,

1557
01:14:51,160 --> 01:14:54,280
Speaker 3: I didn't really have scenes like our characters really didn't

1558
01:14:54,560 --> 01:14:59,439
Speaker 3: overlap or intertwine. And and yeah, yeah I was. I

1559
01:14:59,479 --> 01:15:00,880
Speaker 3: was often my scenes.

1560
01:15:01,320 --> 01:15:04,120
Speaker 2: I liked my scenes with Heather because I liked, at

1561
01:15:04,200 --> 01:15:06,200
Speaker 2: least for a while, at least for a while, Joe

1562
01:15:06,320 --> 01:15:09,200
Speaker 2: was very strong. I feel like then they got into

1563
01:15:09,240 --> 01:15:11,880
Speaker 2: kind of like these men would come and take advantage

1564
01:15:11,920 --> 01:15:14,320
Speaker 2: of her, just like beat her down and kind of

1565
01:15:14,400 --> 01:15:17,559
Speaker 2: or something. She became less strong. I noticed that. But

1566
01:15:17,800 --> 01:15:20,160
Speaker 2: I would have liked it with Sidney, I think, and

1567
01:15:20,200 --> 01:15:24,160
Speaker 2: I liked it with Heather because Heather was strong and

1568
01:15:24,160 --> 01:15:25,760
Speaker 2: I would meet her there. I remember in a few

1569
01:15:25,760 --> 01:15:28,360
Speaker 2: scenes that we had what about you, Core, you seemed

1570
01:15:28,400 --> 01:15:31,480
Speaker 2: to any one that you wish you worked with are.

1571
01:15:31,520 --> 01:15:34,280
Speaker 1: I got to have scenes with almost everybody but except Laura.

1572
01:15:34,400 --> 01:15:37,920
Speaker 1: Same thing because you and in the beginning, I had

1573
01:15:37,920 --> 01:15:40,439
Speaker 1: scenes with Josie. But then you guys sort of had

1574
01:15:40,479 --> 01:15:43,320
Speaker 1: your own storyline. I think it's when the medical office

1575
01:15:43,360 --> 01:15:45,760
Speaker 1: opened with Jack Wagner. So I would have liked to

1576
01:15:45,800 --> 01:15:48,240
Speaker 1: play more with you guys, with Jack and Heather and you,

1577
01:15:48,680 --> 01:15:50,360
Speaker 1: although Heather and I for a long time I had

1578
01:15:50,360 --> 01:15:53,639
Speaker 1: scenes at D and D. Yeah, I think Jack Wagner

1579
01:15:53,680 --> 01:15:55,599
Speaker 1: and you are the two people I would have had

1580
01:15:55,680 --> 01:15:58,599
Speaker 1: fun working with. We had great storylines together Daftney. I mean,

1581
01:15:58,600 --> 01:16:01,960
Speaker 1: we don't remember the beginning one, but we had great

1582
01:16:02,000 --> 01:16:04,479
Speaker 1: ones in the future. So they kind I wonder too

1583
01:16:04,520 --> 01:16:06,880
Speaker 1: if it's part of double ups that they had to

1584
01:16:06,920 --> 01:16:10,880
Speaker 1: separate the storylines because we had two crews, so we

1585
01:16:11,000 --> 01:16:14,000
Speaker 1: had less group scenes with all of us. In the beginning,

1586
01:16:14,040 --> 01:16:15,720
Speaker 1: we had that a lot more and it sort of

1587
01:16:15,760 --> 01:16:16,439
Speaker 1: faded away.

1588
01:16:17,040 --> 01:16:19,439
Speaker 2: So I think the writers probably, like, you know, they

1589
01:16:19,479 --> 01:16:22,240
Speaker 2: see something that's working and they got a confused. Don't

1590
01:16:22,240 --> 01:16:24,960
Speaker 2: you think it would confuse the audience if they criss

1591
01:16:25,000 --> 01:16:25,960
Speaker 2: crossed us a lot.

1592
01:16:26,439 --> 01:16:29,799
Speaker 3: Yeah, Because like I think the whole Sydney Michael Jane world,

1593
01:16:29,840 --> 01:16:32,200
Speaker 3: it was like I feel like Sydney especially was like

1594
01:16:32,400 --> 01:16:34,960
Speaker 3: on Planet Sydney, like there was a whole, like she

1595
01:16:35,160 --> 01:16:38,360
Speaker 3: was unlikely to be like even moving in and getting

1596
01:16:38,360 --> 01:16:40,080
Speaker 3: her own apartment, she was never going to be that

1597
01:16:40,360 --> 01:16:44,439
Speaker 3: character that was like on the same wavelength or level

1598
01:16:44,479 --> 01:16:47,200
Speaker 3: as everybody else at the thing. She was always like younger,

1599
01:16:47,439 --> 01:16:51,080
Speaker 3: you know, imaginary younger as a character, lest I think

1600
01:16:51,120 --> 01:16:52,839
Speaker 3: she was a different planet.

1601
01:16:53,240 --> 01:16:56,720
Speaker 2: Well, she was also like wanting to really get at

1602
01:16:56,760 --> 01:17:00,599
Speaker 2: her sister, and I think she was so manipul and

1603
01:17:00,720 --> 01:17:03,920
Speaker 2: so pulling all this stuff that I don't know, maybe

1604
01:17:03,960 --> 01:17:05,920
Speaker 2: she knew she wouldn't have gotten away with that with

1605
01:17:06,240 --> 01:17:08,160
Speaker 2: the rest of us, Like yeah, I don't.

1606
01:17:08,280 --> 01:17:09,760
Speaker 3: I don't know, Like I just think there's only so

1607
01:17:09,840 --> 01:17:12,320
Speaker 3: much they could write, you know, Like, yeah, but it'd

1608
01:17:12,360 --> 01:17:16,679
Speaker 3: be really hard to like intertwine this totally different universe

1609
01:17:16,920 --> 01:17:19,080
Speaker 3: with that universe. And you know, there was the D

1610
01:17:19,120 --> 01:17:22,320
Speaker 3: and D universe, and then there was the Burnsvancina universe

1611
01:17:22,360 --> 01:17:24,519
Speaker 3: and the Beach House universe and all that stuff, and

1612
01:17:24,560 --> 01:17:26,280
Speaker 3: like the Jake and Joe I feel like, is a

1613
01:17:26,360 --> 01:17:29,000
Speaker 3: universe too, you know, Like and so I think it's

1614
01:17:29,040 --> 01:17:33,560
Speaker 3: hard to intertwine all of those. Yeah, the universes, I

1615
01:17:33,560 --> 01:17:35,760
Speaker 3: don't know. That's but it would have been fun, would

1616
01:17:35,760 --> 01:17:40,360
Speaker 3: have been fun to work together. So maybe maybe sometime

1617
01:17:40,400 --> 01:17:41,000
Speaker 3: in the future.

1618
01:17:41,840 --> 01:17:45,360
Speaker 1: Yeah, I'm curious to see if we had scenes together.

1619
01:17:45,400 --> 01:17:48,280
Speaker 1: I remember hanging out with you in the makeup trailer, Laura. Yeah,

1620
01:17:48,360 --> 01:17:53,040
Speaker 1: I remember that being fun, but I don't. I'm trying

1621
01:17:53,040 --> 01:17:55,080
Speaker 1: to remember when we would have had scenes.

1622
01:17:55,320 --> 01:17:58,080
Speaker 3: Yeah, and then only only big group scenes where you know,

1623
01:17:58,120 --> 01:18:03,120
Speaker 3: inevitably Sydney's doing something wrong and making you know, a

1624
01:18:03,200 --> 01:18:04,400
Speaker 3: mess of things or something.

1625
01:18:05,280 --> 01:18:07,519
Speaker 1: Yeah. Yeah, Well I'm excited to see and I like

1626
01:18:07,600 --> 01:18:09,559
Speaker 1: what they did in this in this show, Daffy, they

1627
01:18:09,600 --> 01:18:12,440
Speaker 1: really brought your character in strong, and they're really focusing

1628
01:18:12,479 --> 01:18:14,920
Speaker 1: on you so that the audience is getting to change

1629
01:18:14,920 --> 01:18:16,760
Speaker 1: because it already feels like you're a part of it.

1630
01:18:17,680 --> 01:18:19,519
Speaker 1: She's great. They really did this in a smart way.

1631
01:18:19,560 --> 01:18:22,120
Speaker 1: So only your second episode, they got around you're already

1632
01:18:22,160 --> 01:18:24,960
Speaker 1: a part of the show, but very well intertwined with it.

1633
01:18:25,000 --> 01:18:26,360
Speaker 1: They really did, so.

1634
01:18:26,400 --> 01:18:29,720
Speaker 3: There's a There's another question that asks us, all, how

1635
01:18:29,760 --> 01:18:33,080
Speaker 3: do we like to rewatch these episodes as we're rewatching

1636
01:18:33,120 --> 01:18:35,040
Speaker 3: to prepare for our podcast. Do we watch with a

1637
01:18:35,040 --> 01:18:37,200
Speaker 3: glass of wine at home or with friends, et cetera.

1638
01:18:37,280 --> 01:18:41,240
Speaker 3: Would we consider doing a live recap together?

1639
01:18:41,680 --> 01:18:42,559
Speaker 2: That would be cool.

1640
01:18:42,720 --> 01:18:45,000
Speaker 1: Characters are fun, That would be so fun.

1641
01:18:45,560 --> 01:18:48,880
Speaker 3: When I watch Melrose out like the episodes, I get

1642
01:18:48,920 --> 01:18:51,240
Speaker 3: to watch with Doug. Sometimes I make him sit down

1643
01:18:51,240 --> 01:18:53,240
Speaker 3: and watch with me. But it would be super fun

1644
01:18:53,760 --> 01:18:55,680
Speaker 3: if we all had a night the three of us

1645
01:18:55,800 --> 01:18:57,559
Speaker 3: wait and where we watched all together.

1646
01:18:58,120 --> 01:19:00,559
Speaker 2: I've been known to have a spritzer and and David

1647
01:19:00,600 --> 01:19:02,320
Speaker 2: brings it to me and and then he goes, you're

1648
01:19:02,320 --> 01:19:05,080
Speaker 2: watching yourself on TV again, And I'm like, yep, I

1649
01:19:05,120 --> 01:19:07,960
Speaker 2: want to, Like, he's just not interested. I want to watch,

1650
01:19:09,400 --> 01:19:11,840
Speaker 2: but uh but and then he comes in and he goes,

1651
01:19:11,880 --> 01:19:14,240
Speaker 2: what you're doing? I go working watching TV?

1652
01:19:14,400 --> 01:19:20,080
Speaker 3: What are you doing? Doing these podcast episodes is kind

1653
01:19:20,080 --> 01:19:23,240
Speaker 3: of like the rewatch together, Like we do our little

1654
01:19:23,240 --> 01:19:25,479
Speaker 3: rewatch on our own, but then coming together to talk

1655
01:19:25,520 --> 01:19:29,280
Speaker 3: about it is like having the shared experience. So it

1656
01:19:29,320 --> 01:19:32,160
Speaker 3: feels like that's almost what we're doing is having this

1657
01:19:32,200 --> 01:19:35,759
Speaker 3: shared experience by doing these podcasts recaps every week together.

1658
01:19:36,000 --> 01:19:36,400
Speaker 3: I love it.

1659
01:19:36,479 --> 01:19:38,200
Speaker 1: Yeah, you know, it would be really fun if we

1660
01:19:38,240 --> 01:19:41,519
Speaker 1: could get everybody together to be determined dinner party.

1661
01:19:42,040 --> 01:19:45,680
Speaker 2: Well, I think that'd be really fun party.

1662
01:19:45,760 --> 01:19:47,559
Speaker 3: I just want to show that'd be really fun.

1663
01:19:48,479 --> 01:19:52,240
Speaker 2: Just invite us, please, Let's just have a damn dinner party.

1664
01:19:52,360 --> 01:19:55,439
Speaker 3: Thank you guys for coming to listen to another episode

1665
01:19:55,479 --> 01:19:59,519
Speaker 3: of Still the place, yes, thanks everybody, Gay Week.

1666
01:20:00,200 --> 01:20:02,280
Speaker 2: I fine,