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Speaker 1: So I'm in the tow eat and breakfast. Yeah, I

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Speaker 1: get that idea, like one of the like one of

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Speaker 1: the drop arcing ideas. Yeah, reached for my mold scheme

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Speaker 1: that goes straight in the town.

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Speaker 2: And so I have that. You know, I have people

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Speaker 2: transcribe me and I have backups. But it's so scary.

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Speaker 2: Oh gosh.

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Speaker 1: Bye.

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Speaker 3: Welcome to Hollywood Handbook, an Insider's guide to kicking button

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Speaker 3: dropping names in the red carpet line back allways of

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Speaker 3: this industry we call show biz. I'm Hayes Davenport. I'm

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Speaker 3: here with Sean Clements. We're here to give you the

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Speaker 3: scoop on the entertainment business. This is our fourth episode.

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Speaker 3: It's been it's been fun, it's been rewarding so far.

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Speaker 3: Thank you all for listening.

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Speaker 4: A lot of early success already. People are starting to

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Speaker 4: have some really amazing success stories from listening to this show.

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Speaker 2: Yes, we always appreciate.

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Speaker 1: People have gone on iTunes and when they write their

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Speaker 1: reviews they sort of talk about what the show has

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Speaker 1: has done for them, and that is why we do this.

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Speaker 1: That is the only reason we are doing this. It

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Speaker 1: is not about the money, it is not about fame.

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Speaker 1: It's about helping you guys out to sort of get

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Speaker 1: to the place where we're at.

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Speaker 4: We've been given so much, yes, and we want to

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Speaker 4: give a little bit of it back, not too much.

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Speaker 2: We want to we want to speak on something.

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Speaker 3: We're a little early on this news maybe, but we

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Speaker 3: might as well get it out here.

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Speaker 4: It might not have broken to the general public.

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Speaker 2: But uh, there's a new Batman.

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Speaker 3: Yeah in quotes, Yeah, and this is one of our

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Speaker 3: favorite heroes.

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Speaker 1: What an amazing character and story. He's a very impressive man. Really,

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Speaker 1: all the stuff that he's accomplished.

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Speaker 4: Inspirational and I'm a mega fan of all the incarnations.

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Speaker 4: I mean, I don't want to get too deep been here,

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Speaker 4: but Frank Miller, you guys might not know that name,

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Speaker 4: but my true comic book heads. Yeah, do you know

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Speaker 4: he did some neat stuff with the Batman and I just.

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Speaker 3: Worship him, And so we were really excited to find

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Speaker 3: out who the next Dark Soldier was going to be.

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Speaker 3: Then we had a lot of ideas for it. We

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Speaker 3: took meetings with people. You know, they asked us, but

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Speaker 3: I guess they weren't really paying attention because they went.

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Speaker 2: He didn't quite listen. They went with Ben Affleck.

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Speaker 4: Ben Affleck, he's going to don the cowl, take off

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Speaker 4: his director's cap, which actually fit him pretty nicely, and

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Speaker 4: now he's going to don the cowl.

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Speaker 3: Only one word comes to mind when I think of

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Speaker 3: this decision, and that word is fail.

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Speaker 4: And I've got another word for it, epic fail.

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Speaker 2: What they say that this is a town of epic

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Speaker 2: fails and epic wins.

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Speaker 4: There's wins and there's fails, and I know which category

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Speaker 4: this casting goes in. And the fail whale from Twitters

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Speaker 4: spraying his water spout all over Ben Affleck and the

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Speaker 4: studio's face.

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Speaker 2: Our whole thing is that Batman is supposed to be

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Speaker 2: one of the tough guys.

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Speaker 1: He's tough, he beats guys up, he's punching and kicking,

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Speaker 1: he's crashing his car.

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Speaker 2: Yes, he doesn't care what he does.

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Speaker 4: He doesn't. He's sort of the Haze and Sean of

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Speaker 4: the crime fighting world because we don't give an f

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Speaker 4: and we just do what's right. And a lot of

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Speaker 4: times we're the acting and screenwriting heroes that this city

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Speaker 4: needs and maybe not even the one it deserves, and

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Speaker 4: we do.

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Speaker 3: That like there are just so many other options for

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Speaker 3: who could have done some of the really tough guys

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Speaker 3: out there, Maybe someone actually tough who should have been

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Speaker 3: the Batman?

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Speaker 4: Thank you? Yeah?

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Speaker 1: For example, how about one of these Metallica guys. Yeah,

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Speaker 1: couldn't it have been one of these Metallica guys is

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Speaker 1: being the Batman?

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Speaker 2: There's no tougher guys.

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Speaker 1: Nothing's tougher than rocking so hard on the drums and

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Speaker 1: the guitar and singing.

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Speaker 4: And the bass guitar and talk about singing. So it

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Speaker 4: could have been one of the Metallica guys. It could

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Speaker 4: have been. And I hate to say this, but what

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Speaker 4: about Kim Jong un?

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Speaker 2: Yes? What about Kim Jong un.

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Speaker 4: Who's scarier and tougher.

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Speaker 3: Who puts the fear of darkness into the whole United States?

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Speaker 2: Yeah?

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Speaker 4: And who's rich and can afford all those gadgets.

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Speaker 3: Yes, and has many ladies who are interested in him

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Speaker 3: in society, that's right. Or what about a tough guy

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Speaker 3: like Bo Jackson?

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Speaker 2: Hmm?

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Speaker 4: I was thinking Charles Oakley. Sure, but Bo Jackson is

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Speaker 4: so strong I could really see him being the Batman.

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Speaker 3: Yes, him, it's breaking bad guys over his knee like bats.

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Speaker 3: And is that another connection to be forged between Bo

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Speaker 3: Jackson and the traditional batman.

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Speaker 2: Yeah, do you work some baseball bats?

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Speaker 4: Batman leaves the baseball diamond, he's finishes swinging that bat,

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Speaker 4: then he becomes another bat.

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Speaker 2: Moving between the worlds of bats? Is that an interesting theme?

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Speaker 2: It is?

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Speaker 3: Or how about that Elizabeth Smart not much tougher than that.

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Speaker 3: Imagine if she could survive being kidnapped for six months,

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Speaker 3: I think she could handle the joke man. I agree,

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Speaker 3: I don't think she'd have much trouble with the joke man.

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Speaker 3: Name somebody tougher than Elizabeth Smart, I.

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Speaker 4: Defy you, and she could have really pulled that off.

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Speaker 4: M ben Affleck.

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Speaker 3: Or if you're even gonna use a director, why not

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Speaker 3: a truly spooky, scary director like Tim Burton that I'd watch.

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Speaker 3: I know he directed one of the original movies.

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Speaker 4: I don't think he did, but he is spooky and

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Speaker 4: scary and could really capture some of that living in

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Speaker 4: a cave element that we love about the Batman m hm.

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Speaker 2: Or how about one of those MythBusters?

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Speaker 4: Yes, finally, and this was my biggest pitch, and I

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Speaker 4: pushed this one hard. They are not scared of any myths,

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Speaker 4: and I've seen them bust open just about anything you

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Speaker 4: could imagine, things that I don't even think really are myths.

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Speaker 4: They go after sometimes because they're so brave.

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Speaker 3: Batman's all about making you question the establishment and challenging

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Speaker 3: your beliefs.

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Speaker 4: They are the original vigilantes. They operate completely outside the law,

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Speaker 4: and everyone's trying to stop them.

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Speaker 1: Yeah, that's right. People have a lot invested in these

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Speaker 1: original myths. Yeah, well they sell.

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Speaker 2: There's a lot of money.

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Speaker 4: They sell newspapers.

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Speaker 3: So the verdict is in fail. It's it's Halloween week,

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Speaker 3: which Sean and I it's not. It's not our favorite week.

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Speaker 4: Let's put it you No, no, not the best holiday

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Speaker 4: we ever came up with.

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Speaker 3: Halloween for us is way way too commercialized.

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Speaker 4: Yeah, and I think people could probably guess, oh, Hazen

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Speaker 4: shown they're not going to like Halloween. And you know

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Speaker 4: what we're going to say that it was invented by

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Speaker 4: Hallmark to sell more candy corn pumpkins.

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Speaker 3: Yes, it used to be all about playing tricks and

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Speaker 3: bobbing for apples, and now it's all about who who's

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Speaker 3: got the best candy? You know, Oh, mommy, get me

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Speaker 3: the get me the hottest new candy.

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Speaker 4: Ooh ooh Yeah, Oh, give me more, give me more,

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Speaker 4: free candy. Which what does this teaching our kids?

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Speaker 2: Yes?

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Speaker 4: And then and then it's all about what's hot, what's popular.

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Speaker 4: I want the Powderpuff Girls, candy airheads, or I want

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Speaker 4: the one with the latest, the SpongeBob Hershey's Kissing candies

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Speaker 4: and all of these which are just made to sell

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Speaker 4: more products and more of these shows.

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Speaker 3: I went to see my daughter this past week from

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Speaker 3: a previous relationship, and I show up and I see

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Speaker 3: that she's got bags and bags of these Demi Levado whoppers,

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Speaker 3: you know, those these new whoppers that all these kids

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Speaker 3: are eating.

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Speaker 2: That's this is the candy to have this Halloween.

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Speaker 4: You don't have to tell me.

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Speaker 3: And I take brook aside, and I'm like, Brookshields, you know,

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Speaker 3: remember what this is really you know what this holiday

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Speaker 3: is really about. It's about playing tricks, It's about bobbing

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Speaker 3: for rapples. And what does this teaching her kids?

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Speaker 2: Yeah?

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Speaker 4: And I had to tell Steffie Graff the same thing

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Speaker 4: about our kid, because when I was over there, she

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Speaker 4: had given my two daughter, twin daughters, beautiful girls, both

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Speaker 4: just wonderful and smart as whips, but she was letting

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Speaker 4: them munch on this nerds rope and Taylor Lawtner's shirtless torso,

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Speaker 4: is I'm the wrapper of the nerds rope? And what

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Speaker 4: does that mean? It's fillatio Taylor Lautner's nerds rope sticking

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Speaker 4: out of the bottom of his torso you don't have

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Speaker 4: to be a rocket side diist to figure out that

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Speaker 4: that's sexual.

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Speaker 1: Stephie, We've got a really exciting guest today, Adam Pally

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Speaker 1: Uh you know him from Mimby Project.

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Speaker 4: Mimby Project, The Happy Ender's Crew Saving Woodstock, Saving Woodstock.

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Speaker 3: Very exciting guest. He's got a lot of stuff to say.

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Speaker 3: He's going to be around a little later on Hollywood Handbook.

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Speaker 2: Hollywood Handbook.

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Speaker 4: So at this point I'm curious and I go make

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Speaker 4: up your fucking mind, asshole. Is the apartment in Tribeca

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Speaker 4: or is it in soho it?

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Speaker 2: What I always say is like, it can't be both.

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Speaker 2: Stop saying it's both. Yes, it's impossible. Anyway, I beat

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Speaker 2: him up.

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Speaker 1: Hey that Cody let the song.

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Speaker 2: You know there's more song left? Okay, Yeah, you don't

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Speaker 2: even need to.

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Speaker 4: The song will stop when the song's over, so you don't.

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Speaker 1: Need to guess as hard you don't need to, So

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Speaker 1: you don't need to just bail on the song, Like,

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Speaker 1: don't be nervous that it's not gonna end.

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Speaker 2: It will end. Yeah.

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Speaker 4: The one thing you can't do is just completely drop

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Speaker 4: the sound of the song out and force it to

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Speaker 4: end and have it not feel really bad.

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Speaker 1: I would say, letting the song play to completion, as

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Speaker 1: far as I'm concerned, is literally your only job. And

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Speaker 1: so if you could just do your only job and

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Speaker 1: when we play the song, just do nothing.

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Speaker 4: That's a nice way to put it. Do nothing the

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Speaker 4: rest of the time, and then do your one single

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Speaker 4: job you do have during the time, which is about

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Speaker 4: twenty five seconds. During that twenty five seconds that you

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Speaker 4: do have to do that, we would appreciate it.

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Speaker 2: And thank you. We sincerely do appreciate it.

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Speaker 4: So we love you doing that and letting the song finish,

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Speaker 4: and you've been great at it up until today.

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Speaker 2: Yeah, but I I like it the way that I

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Speaker 2: did it.

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Speaker 3: Oh well, that's interesting because it definitely matters what you like.

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Speaker 4: Yeah. I was just thinking this morning, Uh, I wonder

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Speaker 4: how Cody would like the show to go. He's our

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Speaker 4: target audience, my fucking engineer.

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Speaker 2: I mean I'm sorry. I just thought it was kind

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Speaker 2: of cool. How it just cuts out a little bit.

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Speaker 4: Well, next time you have a thought of what what

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Speaker 4: is kind of cool?

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Speaker 2: Do the opposite you, Cody, correct me if I'm wrong.

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Speaker 2: You have a podcast, right, Well, no, but I do

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Speaker 2: a lot of these.

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Speaker 3: No, but you have your own podcasts that you're the

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Speaker 3: host of and you're listed on the earwell side as

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Speaker 3: the host.

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Speaker 2: Well not really, but I do a lot of the other.

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Speaker 1: Oh, you don't wonder why why would someone give you

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Speaker 1: a podcast? It's important what you like.

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Speaker 2: I don't know.

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Speaker 4: Yeah, you're sitting here telling me that the most important

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Speaker 4: thing about a podcast is what you think is cool

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Speaker 4: and what you like.

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Speaker 2: Seems like you should have your own podcast unless it's

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Speaker 2: not important.

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Speaker 4: Huh. I hate to even think about that. That would

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Speaker 4: mean you really screwed up.

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Speaker 2: So going to play it out next.

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Speaker 1: Time, maybe I will talk about it. I actually did

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Speaker 1: think that way of doing it.

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Speaker 4: Was It sounded interesting.

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Speaker 2: It was edgy. Yeah, so we'll we'll go.

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Speaker 3: We'll discuss it, and we'll discuss internally, and we'll tell

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Speaker 3: you what the best thing is before we do it.

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Speaker 3: This is a we want to do a segment what

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Speaker 3: is one of our favorite segments.

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Speaker 4: Yeah, and we really kind of our our it's some

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Speaker 4: of our fans' favorite segments, but they keep screwing it up.

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Speaker 1: Yeah, this is a good time to sort of clarify something.

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Speaker 2: This is a segment we like to do called The

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Speaker 2: Right Stuff.

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Speaker 3: It's about writing, about the craft of writing, just sort

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Speaker 3: of the nitty gritty, like basic tips on how to

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Speaker 3: create a good script. When we've seen our fans write

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Speaker 3: this segment title out on the internet on the message

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Speaker 3: person and stuff, they almost.

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Speaker 1: Always spell it w R I T yes, which but

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Speaker 1: our segment on writing, called the Right Stuff is spelled

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Speaker 1: r I g h T because what you need to

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Speaker 1: succeed is you need to have the right stuff. To

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Speaker 1: have the right stuff when you're writing a good script,

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Speaker 1: it doesn't make sense to spell that doesn't mean any

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Speaker 1: sense the right We would have called it the writing

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Speaker 1: Stuff if that's what we wanted.

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Speaker 4: We're talking about the writing stuff, but specifically we're talking

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Speaker 4: about the right stuff to do when you're writing.

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Speaker 3: When you're writing, so something that we sort of thought

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Speaker 3: was intuitive, but.

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Speaker 2: I guess people need to be told sometimes we're just fine.

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Speaker 4: And that's why we do this is we're here to educate.

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Speaker 1: When we when you and I sit down, you know,

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Speaker 1: there's that scary blank page you know that you have

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Speaker 1: to deal with, and you say, what am I gonna

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Speaker 1: what script? What am I going to write a script

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Speaker 1: about today?

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Speaker 2: Basically? Uh?

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Speaker 3: And I think the thing that we always draw from,

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Speaker 3: which has this is a tip that's gotten out there

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Speaker 3: is write what you know.

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Speaker 4: Yeah, you've heard it said before and you see it

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Speaker 4: every show, every movie that's worth anything has happened to

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Speaker 4: the person who wrote it.

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Speaker 1: Yes, you go into general meetings these days and they're

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Speaker 1: looking for an experience that you've really had so that

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Speaker 1: you have a personal connection to it, so it'll be real.

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Speaker 4: Well, I want to do something where there's a dad

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Speaker 4: and he's an inventor and it's like, well, what did

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Speaker 4: your dad do? And it's like, well, my dad got

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Speaker 4: hit by a bus And it's like, well, then that's

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Speaker 4: the show, is a dad who gets hit by a bus.

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Speaker 4: And that's how you write it. You know, if your

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Speaker 4: dad's not an inventor, go fucking screw with that story.

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Speaker 4: You can't write it. It's not for you.

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Speaker 1: So, in some ways, the easiest way to become a

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Speaker 1: writer is to just go out.

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Speaker 2: And live your fucking life, just to live, you know.

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Speaker 4: It's one of the reasons that Hayes and I go

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Speaker 4: on so many adventures, and we really create environments for

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Speaker 4: ourselves where we can have these experience and says that

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Speaker 4: are very relatable, that are very exciting. Yes, people love

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Speaker 4: adventure movies.

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Speaker 2: Talk about some of the adventures we've had that have led.

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Speaker 4: To Okay, well, Captain Phillips.

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Speaker 1: Captain Phillips is sort of on the surface, you know,

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Speaker 1: the story about a guy who gets captured by pirates.

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Speaker 1: That seems very fantastical, like it could never really happen.

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Speaker 4: Yeah, it doesn't seem like the kind of thing that's

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Speaker 4: really going on to people that you could relate to.

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Speaker 4: But here we are two of your best friends.

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Speaker 2: Sure.

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Speaker 4: And what Hayes and I did was we hopped on

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Speaker 4: a boat. I don't remember his boat or my boat,

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Speaker 4: or which boat it was, but we went out on

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Speaker 4: the water boat or maybe it was mine. We partied

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Speaker 4: our fucking dis off for six seven days, and then

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Speaker 4: when we were kind of bored of that scene, we

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Speaker 4: sort of butted up next to a pirate ship and

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Speaker 4: played possum a little bit like we weren't as strong

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Speaker 4: as we are, and we let him grab us. We said,

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Speaker 4: let's see what happens.

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Speaker 2: Now.

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Speaker 4: We did wind up having to bend the story a

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Speaker 4: little bit. We immediately kicked those pirates whole butts and

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Speaker 4: made them wish they were never born.

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Speaker 1: Yeah, but where's the but that's the second act.

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Speaker 4: Yes, we needed to stretch that out a little bit,

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Speaker 4: but we had the bulk of the experience. It's in

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Speaker 4: that film. And then we just interviewed a week guy

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Speaker 4: about I think it was engineer Cody, about how he

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Speaker 4: would just sort of lay down and cry and piss

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Speaker 4: himself if something like scary like that happened to him.

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Speaker 4: And we were like, well, we'll put that in the middle.

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Speaker 4: Do you have another adventure that we've been on that

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Speaker 4: has made a good movie?

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Speaker 3: Yeah, well we're there. Was that time we were we

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Speaker 3: went to that Knicks game. Mmm, it was halftime yep, okay,

336
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Speaker 3: and they said, we need a new coach. The coach

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Speaker 3: is sick, and so they said, you guys, you look

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Speaker 3: like you know your your basketball.

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Speaker 4: Stuff, know shit, Sure luck, you guys.

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Speaker 1: Come on and coach the team. And that became Saving

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Speaker 1: Private Ryan. Yeah, the same sort of narrative of going

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Speaker 1: in returning private Ryan the basketball, the basketball back to

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Speaker 1: his family.

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Speaker 2: His family, which is the hoop.

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Speaker 4: Yes, and so you see how something that really happened

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Speaker 4: to us became a story in a movie that people

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Speaker 4: really loved. And it's just it's just an easy tip.

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Speaker 4: You just sit down, you go, has anything happened to me?

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Speaker 4: And if not, get up, Get up, put down your phone,

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Speaker 4: detach from the screen you're staring at. Unplugged, unplug go

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Speaker 4: live your life.

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Speaker 3: Oh, I want to go see a movie about somebody

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Speaker 3: playing angry birds.

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Speaker 4: Oh, oh, that sounds good.

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Speaker 2: Oh, I want to play. I want to pay fifty

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Speaker 2: bucks or whatever movies cost.

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Speaker 4: Now, yeah something, let me shell out two hundred and

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Speaker 4: sixty bucks so I can go watch somebody play Snake.

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Speaker 2: That sounds like a great movie. Nobody says that, no

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Speaker 2: one's ever said it.

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Speaker 4: I said it just now in jest, but I was

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Speaker 4: making fun of how people won't say it, and that

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Speaker 4: I could write a movie about somebody making a comment

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Speaker 4: that no one would ever make. That's liar, liar, And

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Speaker 4: I wrote that, and that happened to me.

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Speaker 3: We're gonna be right back with our guest Adam Pally

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Speaker 3: got it's gonna be a really great conversation with him.

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Speaker 2: You've got to stay tuned.

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Speaker 4: Close friend of ours, really good, very good friend. He

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Speaker 4: likes what we're doing and we feel the same way.

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Speaker 2: We're gonna be right back on Hollywood Handbook.

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Speaker 1: Hollywood hand Book.

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Speaker 2: I watched Girls last night.

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Speaker 4: I heard about that. Yeah, it's pretty good, but I

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Speaker 4: feel a buck coming.

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Speaker 2: Well do it with you know guys, make that show,

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Speaker 2: make that same show, but just have be all men

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Speaker 2: and have like a man. And I would have watched

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Speaker 2: it was like in charge and stuff. What up?

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Speaker 4: What up? What up? What up?

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Speaker 2: Welcome back to Hollywood Handbook. What's good. We're here with

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Speaker 2: our our guest, Adam Pally. Hello, is here.

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Speaker 1: You know him from the Happy Enders from Mindy Project,

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Speaker 1: Indie Project, now Happy Endings. It's not well Happy Enders,

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Speaker 1: it's called Happy Endings. That's okay, It's totally okay. Blow

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Speaker 1: let's as we go.

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Speaker 4: No, no, no, no, this has never happened before.

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Speaker 2: I don't have many credit so okay.

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Speaker 1: We've known Adam a long time, going back to we

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Speaker 1: first met it that uh, that audition for for freaking

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Speaker 1: Geeks back when it was when when they were developing it.

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Speaker 2: It was going to be cool guys and babes.

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Speaker 3: And we all read in that one when that one

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Speaker 3: scene the group kiss with Cindy Margolis.

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Speaker 4: And yeah, it was her, Donnad Eric Oh, Cindy Crawford, Sidney.

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Speaker 2: Crawford, and Kathy Ireland.

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Speaker 4: Yeah, and it was those girls and the three of us,

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Speaker 4: and we were arguing over who could do the hardest kiss.

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Speaker 2: And I remember when we were in that feeling the

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Speaker 2: side of your lips at him, just thinking like, this

401
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Speaker 2: guy's really good, you know, he's really funny. Yeah.

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00:21:34,280 --> 00:21:36,200
Speaker 4: Yeah. We talked about it after because we were friends

403
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Speaker 4: at the time, and I said, this guy's got something.

404
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Speaker 4: And I actually think that show would have worked. And

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Speaker 4: I said that to them when they changed into freaks

406
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Speaker 4: and geeks. And I think we were proven right because

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Speaker 4: that show fucking failed failure.

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Speaker 1: Yeah, not even a cult would follow it. It's got

409
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Speaker 1: no following.

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Speaker 2: Yeah.

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Speaker 1: So, and we've just been rooting for you ever since. Man, oh,

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Speaker 1: we're so glad to have you. So, Pump, what's going

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Speaker 1: on you? You were on the Mimbi projects at today?

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Speaker 1: What will you say the Mimi project? We said, the

415
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Speaker 1: Mimbi Project.

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Speaker 3: This conversation we have had before this, yeah, with Jake

417
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Speaker 3: Johnson when he was in here.

418
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Speaker 2: Really. Yeah, there's some confusion about you're having me and.

419
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Speaker 1: Jake Johnson on the same podcast within the same month.

420
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Speaker 2: Well one episode apart. We split you up by one episode. Good.

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Speaker 1: And that's about how the amount people can tell us

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Speaker 1: apart is one like one minimum number. I'm like one

423
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Speaker 1: week younger the separation. Yeah, and you both have fuzzy beards.

424
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Speaker 1: We're both we're both like one notch handsomer than David

425
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Speaker 1: Crumholt's and not as big of a nightmare car wreck

426
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Speaker 1: yeah to deal with in life. Yeah, just a bad guy. Yeah,

427
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Speaker 1: I don't know. I've never met him.

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Speaker 2: But so they're casting something, they'll say like, let's get

429
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Speaker 2: Crumbolts and them'll be like, I don't know if we

430
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Speaker 2: want to. It usually goes like this. It usually goes

431
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Speaker 2: like this.

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Speaker 1: They go like the character breakdown comes in and it's

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Speaker 1: like a handsome, schlubby jewish guy. Right, So first they're like, well,

434
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Speaker 1: give it to Rogan, right, and then Rogan immediately is like, no,

435
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Speaker 1: I'm not doing this garbage. Yeah, And then that goes

436
00:23:15,920 --> 00:23:19,680
Speaker 1: down the list to Josh Gadd and then after gad

437
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Speaker 1: they call Jake And what usually happens is like Jake

438
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Speaker 1: will read it and say I like or I don't.

439
00:23:26,320 --> 00:23:28,840
Speaker 1: But if he doesn't, then they'll come to me. And

440
00:23:28,880 --> 00:23:31,240
Speaker 1: then if I like it or I don't, either the

441
00:23:31,280 --> 00:23:34,080
Speaker 1: project dies because I'm the last wrong on the letter,

442
00:23:34,920 --> 00:23:38,800
Speaker 1: or they'll give it to that sewer rat Crumbholts, and

443
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Speaker 1: you know, it'll be like a seventy five thousand dollars

444
00:23:41,440 --> 00:23:42,879
Speaker 1: art house film that no one will see.

445
00:23:43,040 --> 00:23:45,800
Speaker 4: So Crumbholts can't even find the ladder. You're the bottom

446
00:23:45,840 --> 00:23:48,160
Speaker 4: rung and then he's just feeling around in the dark cone.

447
00:23:48,200 --> 00:23:50,200
Speaker 4: I hope there's a ladder around here somewhere. Yeah, every

448
00:23:50,200 --> 00:23:52,879
Speaker 4: once in a while he lands on it.

449
00:23:53,000 --> 00:23:53,240
Speaker 2: Yeah.

450
00:23:53,280 --> 00:23:58,560
Speaker 1: And so you turned down numbers, huh. I turned down

451
00:23:58,640 --> 00:24:00,720
Speaker 1: numbers like four times. They tried to get me, like

452
00:24:00,720 --> 00:24:03,240
Speaker 1: four times, and not even for the Crumbholts role. Yeah,

453
00:24:03,280 --> 00:24:07,920
Speaker 1: the other guy. But then, you know, looking back on it,

454
00:24:08,320 --> 00:24:09,960
Speaker 1: I still think I dodged a bullet that shows a

455
00:24:09,960 --> 00:24:13,080
Speaker 1: piece of shit. I mean, what kind of show runs

456
00:24:13,080 --> 00:24:14,920
Speaker 1: for ten years and is never in syndication.

457
00:24:15,880 --> 00:24:18,320
Speaker 2: That's true. Nobody wanted to see it ever again, No.

458
00:24:18,280 --> 00:24:20,040
Speaker 3: It was like it was like I think for a

459
00:24:20,040 --> 00:24:22,320
Speaker 3: while it was the only thing they wanted to see.

460
00:24:23,280 --> 00:24:26,679
Speaker 2: What tell us about h the show you're r on? Now,

461
00:24:26,720 --> 00:24:28,560
Speaker 2: what was it like on the It's just like what's

462
00:24:28,560 --> 00:24:30,040
Speaker 2: a day in the life on that show?

463
00:24:30,840 --> 00:24:34,680
Speaker 1: It's great. I mean I get I get to work.

464
00:24:35,359 --> 00:24:37,600
Speaker 1: My call time is usually around seven, seven thirty. I'll

465
00:24:37,600 --> 00:24:40,399
Speaker 1: show up around nine just because I like to. I

466
00:24:40,480 --> 00:24:45,240
Speaker 1: think it shows power and dominant, demonstrates dominance. Yeah, scoop, troop,

467
00:24:45,280 --> 00:24:47,080
Speaker 1: get out your pens. He's giving you the scoop.

468
00:24:47,280 --> 00:24:48,960
Speaker 2: Hey, if you're if you if you want to know

469
00:24:49,000 --> 00:24:49,360
Speaker 2: how to.

470
00:24:51,000 --> 00:24:53,480
Speaker 1: Work in Hollywood, these are all good lessons. So show

471
00:24:53,560 --> 00:24:56,560
Speaker 1: up around nine nine thirty, usually with a smoothie to

472
00:24:56,600 --> 00:24:59,920
Speaker 1: show that I've stopped somewhere before I got to the set.

473
00:25:00,359 --> 00:25:02,760
Speaker 2: Hmm. They'll tell me to go hair and makeup. I'll

474
00:25:02,760 --> 00:25:03,199
Speaker 2: ignore it.

475
00:25:03,240 --> 00:25:05,600
Speaker 1: I'll walk right into a blocking rehearsal, and if they're

476
00:25:05,640 --> 00:25:08,120
Speaker 1: not there to block, I will immediately throw a fit.

477
00:25:08,240 --> 00:25:11,719
Speaker 1: And again that's the show dominance, but also to make

478
00:25:11,760 --> 00:25:14,880
Speaker 1: sure that everyone knows that the talent has arrived.

479
00:25:14,960 --> 00:25:17,880
Speaker 2: Right, We'll go through blocking rehearsal. I'll half pay attention.

480
00:25:18,520 --> 00:25:21,359
Speaker 1: Then I'll go into hair and makeup and demand that

481
00:25:21,400 --> 00:25:22,359
Speaker 1: they come to my trailer.

482
00:25:23,040 --> 00:25:27,479
Speaker 4: Now I've heard that you will if you weren't happy with,

483
00:25:27,560 --> 00:25:29,800
Speaker 4: say the first half of a take, you will cut

484
00:25:29,800 --> 00:25:30,640
Speaker 4: a big chunk.

485
00:25:30,440 --> 00:25:32,640
Speaker 2: Of your hair off. That's true, so that they have

486
00:25:32,680 --> 00:25:34,120
Speaker 2: to shoot it again from the beginning.

487
00:25:34,160 --> 00:25:36,840
Speaker 1: That's true. This is a true story. When I was

488
00:25:36,880 --> 00:25:41,119
Speaker 1: doing Iron Man three, which I have a small but

489
00:25:41,280 --> 00:25:45,520
Speaker 1: very memorable cameo made over a billion dollars. When I

490
00:25:45,560 --> 00:25:47,639
Speaker 1: was doing that scene, I was doing a take with

491
00:25:47,720 --> 00:25:51,000
Speaker 1: Robert Doney Junior an He flubbed his line, but it

492
00:25:51,080 --> 00:25:54,160
Speaker 1: was on my coverage. So I had my little nose

493
00:25:54,160 --> 00:25:56,200
Speaker 1: hair trimmer that I always keep in my pocket because

494
00:25:56,240 --> 00:25:58,640
Speaker 1: my nose hair grows if I don't do it every

495
00:25:58,680 --> 00:26:02,840
Speaker 1: four hours. And I just took off both eyebrows and

496
00:26:03,160 --> 00:26:05,000
Speaker 1: it was in my cover. So they were looking at me,

497
00:26:05,080 --> 00:26:09,199
Speaker 1: like what happened. Shane black Yell's cut, he directed all

498
00:26:09,200 --> 00:26:12,760
Speaker 1: the leath, the weapons, and uh. He comes up and

499
00:26:12,800 --> 00:26:15,199
Speaker 1: he's like, what the fuck are you doing? And I

500
00:26:15,240 --> 00:26:18,080
Speaker 1: was like, how dare he? This is mine? This take

501
00:26:18,160 --> 00:26:20,360
Speaker 1: his mind. I'm not here for very long. I want

502
00:26:20,359 --> 00:26:21,120
Speaker 1: to make it special.

503
00:26:21,359 --> 00:26:23,480
Speaker 4: Yeah, shut out the whole movie to his lines.

504
00:26:23,480 --> 00:26:28,600
Speaker 1: Not today, not today, downy, Long story short, they shut

505
00:26:28,640 --> 00:26:30,840
Speaker 1: down production for ten days to wait for my eyebrows

506
00:26:30,840 --> 00:26:33,679
Speaker 1: to grow back. I comment, I nail the scene, and

507
00:26:33,720 --> 00:26:35,800
Speaker 1: that's all everyone's talking about when the movie comes out.

508
00:26:36,440 --> 00:26:39,399
Speaker 1: So that's the only scene I know from the movie.

509
00:26:39,560 --> 00:26:41,600
Speaker 1: Your pens a white iron man win. I don't know,

510
00:26:41,720 --> 00:26:43,760
Speaker 1: it doesn't matter. I know Gary, the camera guy did

511
00:26:44,640 --> 00:26:45,280
Speaker 1: that scene.

512
00:26:45,560 --> 00:26:46,960
Speaker 2: It's a funny name. Gary.

513
00:26:47,119 --> 00:26:51,200
Speaker 3: They should use that name more for comedy guys, yes,

514
00:26:51,760 --> 00:26:54,240
Speaker 3: you know, not just for like the serious leads and

515
00:26:54,320 --> 00:26:56,119
Speaker 3: movies and stuff, for the like the funny people.

516
00:26:56,240 --> 00:26:56,760
Speaker 2: Yeah.

517
00:26:57,000 --> 00:26:59,840
Speaker 1: I every male character in any script I've written as

518
00:26:59,880 --> 00:27:03,040
Speaker 1: name Gary, which can be confusing, But fuck you if

519
00:27:03,080 --> 00:27:03,639
Speaker 1: you don't get.

520
00:27:03,480 --> 00:27:06,840
Speaker 4: It, you know, and fuck you. That's a good lesson

521
00:27:06,920 --> 00:27:09,479
Speaker 4: to have that attitude towards anyone who's reading your stuff.

522
00:27:11,400 --> 00:27:16,880
Speaker 1: Let's talk about happy endings a little bit. When we're

523
00:27:16,920 --> 00:27:18,679
Speaker 1: getting that right now, Yeah.

524
00:27:18,600 --> 00:27:19,239
Speaker 2: You're getting it right.

525
00:27:19,520 --> 00:27:21,880
Speaker 1: I'm getting the feeling since you rattled that off with ease,

526
00:27:21,880 --> 00:27:23,320
Speaker 1: that you could have gotten it right before.

527
00:27:24,520 --> 00:27:29,200
Speaker 4: Well, I have a big question, just differences between new

528
00:27:29,280 --> 00:27:33,320
Speaker 4: job and the old one. Yeah, yeah, was Crafty better

529
00:27:33,440 --> 00:27:37,040
Speaker 4: on happy endings than on the Minbi Project or.

530
00:27:37,320 --> 00:27:40,080
Speaker 1: You know, it's called the MINDI Project. And that's a

531
00:27:40,119 --> 00:27:43,960
Speaker 1: good question. And crafty is way better on the MINDI Project.

532
00:27:44,840 --> 00:27:48,520
Speaker 1: And I'll tell you why. Oh, the network that it's

533
00:27:48,560 --> 00:27:53,159
Speaker 1: on Fox likes the show, and thus they promote it

534
00:27:53,480 --> 00:27:56,760
Speaker 1: and do good things for its cast and writers. Happy Endings,

535
00:27:56,760 --> 00:28:01,040
Speaker 1: which was on ABC. That network hated that show, did

536
00:28:01,080 --> 00:28:03,680
Speaker 1: not like it because the president at the time did

537
00:28:03,680 --> 00:28:06,080
Speaker 1: not develop it, so he had no skin in the

538
00:28:06,119 --> 00:28:08,080
Speaker 1: game on it. So if it was the success, no

539
00:28:08,119 --> 00:28:10,480
Speaker 1: one would say, hey, it's that guy's show. So they

540
00:28:10,480 --> 00:28:13,120
Speaker 1: took away our crafty. They give you poison a lot

541
00:28:13,119 --> 00:28:16,439
Speaker 1: of times. Yeah, I mean Alicia Kupfer had to get

542
00:28:16,440 --> 00:28:19,160
Speaker 1: her stomach pumped a couple times because she went over

543
00:28:19,240 --> 00:28:21,520
Speaker 1: to make an espresso and it was literally poison.

544
00:28:23,440 --> 00:28:28,240
Speaker 4: So okay, so two different Crafti's sounds like the Mindy

545
00:28:28,280 --> 00:28:29,080
Speaker 4: ones a little better.

546
00:28:30,160 --> 00:28:34,280
Speaker 2: Yeah, I did have a question about Happy Endings. It

547
00:28:34,320 --> 00:28:36,320
Speaker 2: ran for three seasons as ever.

548
00:28:36,440 --> 00:28:39,680
Speaker 1: That's correct, so you know how long it ran. And

549
00:28:39,720 --> 00:28:41,680
Speaker 1: you have no promising the name. Yet when you first

550
00:28:41,720 --> 00:28:44,920
Speaker 1: introduced me, you flubbed it. Well, I've been doing computer stuff.

551
00:28:45,080 --> 00:28:48,480
Speaker 1: Oh so you've not been paying attention. Great, and it's

552
00:28:48,480 --> 00:28:52,040
Speaker 1: a show. It has its fans. He's got a seven

553
00:28:52,080 --> 00:28:54,720
Speaker 1: point one here in the computer people obviously like.

554
00:28:54,680 --> 00:28:57,800
Speaker 2: It, a seven point one in the Rotten Tomatoes. So

555
00:28:57,840 --> 00:28:58,400
Speaker 2: what's this is?

556
00:28:58,440 --> 00:29:01,080
Speaker 1: IMDb on IMDb rates is seven point seven point one,

557
00:29:01,080 --> 00:29:02,160
Speaker 1: which is actually very good.

558
00:29:02,200 --> 00:29:02,760
Speaker 2: I'll take it.

559
00:29:03,320 --> 00:29:05,840
Speaker 1: So some people must like it. My question is what

560
00:29:05,960 --> 00:29:09,560
Speaker 1: is it like that? The show is mostly remembered as

561
00:29:09,600 --> 00:29:13,200
Speaker 1: the show that allowed Lamar and Morris to be on

562
00:29:13,280 --> 00:29:16,880
Speaker 1: New Girl and kind of make that show big.

563
00:29:17,240 --> 00:29:20,160
Speaker 2: I don't know if it. I don't know if that's

564
00:29:20,160 --> 00:29:22,600
Speaker 2: what it's remembered for. To tell you the truth, what

565
00:29:22,720 --> 00:29:23,479
Speaker 2: people say.

566
00:29:23,640 --> 00:29:26,320
Speaker 1: People say, like they watch New Girl, they say, Okay,

567
00:29:26,360 --> 00:29:27,960
Speaker 1: this is like Lamar and Morris's show.

568
00:29:27,960 --> 00:29:29,160
Speaker 2: How did this happen? Right?

569
00:29:29,200 --> 00:29:31,000
Speaker 1: I don't think anyone watches New Girl and says this

570
00:29:31,040 --> 00:29:32,280
Speaker 1: is Lamar and Morris's show.

571
00:29:33,080 --> 00:29:35,560
Speaker 4: Well, you have looking at you guys right now.

572
00:29:36,080 --> 00:29:37,800
Speaker 2: If they do. If that's the case, I would say,

573
00:29:37,840 --> 00:29:41,240
Speaker 2: both of you are retarded. You have no way. Is

574
00:29:41,240 --> 00:29:41,880
Speaker 2: there a history?

575
00:29:42,080 --> 00:29:44,200
Speaker 1: Ninety nine point nine percent of people who see that

576
00:29:44,200 --> 00:29:47,080
Speaker 1: show know him as the black guy on Actually Okay, well, now.

577
00:29:47,120 --> 00:29:50,520
Speaker 2: The truth I dumping there must be a story behind that.

578
00:29:50,640 --> 00:29:53,640
Speaker 4: The answer to your question, then, Hayes is it doesn't

579
00:29:53,680 --> 00:29:55,840
Speaker 4: feel good and there's a little bit of bitterness. And

580
00:29:55,880 --> 00:29:57,920
Speaker 4: what I know must have put the words in my mouth.

581
00:29:58,000 --> 00:30:00,640
Speaker 4: What I know must have happened is there was a

582
00:30:00,680 --> 00:30:03,680
Speaker 4: meeting in some back room somewhere on Happy Endings where

583
00:30:03,720 --> 00:30:06,760
Speaker 4: you guys went, do we try to trade for Lamorne?

584
00:30:07,200 --> 00:30:10,680
Speaker 2: I can assure you that that never happened, and that

585
00:30:10,840 --> 00:30:12,640
Speaker 2: you know you couldn't get him. Listen to me for

586
00:30:12,680 --> 00:30:18,760
Speaker 2: one second, Scott is your name? No? Steve? No, it

587
00:30:18,760 --> 00:30:22,080
Speaker 2: doesn't feel good, does it? No, it doesn't feel good.

588
00:30:22,080 --> 00:30:23,520
Speaker 2: Oh so you do know his name? You knew you

589
00:30:23,520 --> 00:30:25,160
Speaker 2: were getting his name wrong? Did I get it right

590
00:30:25,200 --> 00:30:27,800
Speaker 2: on Steve? No? But I had no clue.

591
00:30:28,520 --> 00:30:30,520
Speaker 1: Can I tell you that must feel when I walked

592
00:30:30,520 --> 00:30:32,600
Speaker 1: in here and both of you guys introduced yourself to me.

593
00:30:32,680 --> 00:30:36,800
Speaker 1: You know what I heard arian blah blah blah blonde

594
00:30:36,960 --> 00:30:39,360
Speaker 1: guys and to a Jew, that means there's a chance

595
00:30:39,360 --> 00:30:41,520
Speaker 1: you could both turn on me and walk me to

596
00:30:41,600 --> 00:30:43,320
Speaker 1: a shower, which is my ultimate death.

597
00:30:43,680 --> 00:30:44,400
Speaker 2: So that's all I heard.

598
00:30:44,400 --> 00:30:47,240
Speaker 1: When you guys start talking, what did you ask me

599
00:30:47,280 --> 00:30:48,640
Speaker 1: if I would rather have Leamrne?

600
00:30:49,000 --> 00:30:49,200
Speaker 2: No?

601
00:30:49,720 --> 00:30:52,520
Speaker 1: La Morne is a replacement of Damon, who we had

602
00:30:52,560 --> 00:30:53,360
Speaker 1: in the first place.

603
00:30:53,880 --> 00:30:55,400
Speaker 2: I would not want to have him. Damon.

604
00:30:56,960 --> 00:30:59,959
Speaker 1: This is Damon Wayne's the sun. He is Damon Wayne's junior.

605
00:31:00,840 --> 00:31:04,720
Speaker 1: Is he not Damon Wayne is? It's not little Damon. No,

606
00:31:04,840 --> 00:31:09,120
Speaker 1: it's Damon Wayne's junior. He's a talented guy.

607
00:31:09,680 --> 00:31:12,120
Speaker 2: Yeah, he's very talented, very talented.

608
00:31:11,800 --> 00:31:15,240
Speaker 1: Really funny and you guys show Yes, yeah, I didn't

609
00:31:15,280 --> 00:31:15,880
Speaker 1: want to.

610
00:31:15,920 --> 00:31:18,840
Speaker 2: You know, his show is no longer on the air.

611
00:31:18,960 --> 00:31:22,760
Speaker 2: We were on the same show, okay.

612
00:31:23,000 --> 00:31:27,040
Speaker 1: But Lamarn once he got on New Girl. Now that

613
00:31:27,160 --> 00:31:30,600
Speaker 1: show is a really big show. Yeah, it wouldn't sure,

614
00:31:30,880 --> 00:31:33,960
Speaker 1: it wouldn't have been on TV without Damon. Damon was

615
00:31:33,960 --> 00:31:36,400
Speaker 1: in the pilot and actually Damon now that Happy As

616
00:31:36,480 --> 00:31:38,440
Speaker 1: is off their Damon is going to be back on

617
00:31:38,560 --> 00:31:43,120
Speaker 1: New Girl starting like next week. So they got him

618
00:31:43,160 --> 00:31:45,400
Speaker 1: back right away. I don't know if they're phasing Lamarn out,

619
00:31:45,800 --> 00:31:47,440
Speaker 1: you know, I don't know why there can't be two

620
00:31:47,520 --> 00:31:48,760
Speaker 1: black guys on network.

621
00:31:48,880 --> 00:31:51,360
Speaker 4: Probably Lamore or probably Lamarne wanted to go toe to

622
00:31:51,400 --> 00:31:52,240
Speaker 4: toe with him.

623
00:31:52,480 --> 00:31:55,040
Speaker 2: I don't think that's the case. I don't think that's

624
00:31:55,080 --> 00:31:56,960
Speaker 2: the case. I don't know why there would be a

625
00:31:57,000 --> 00:31:58,200
Speaker 2: tot to toe.

626
00:31:57,480 --> 00:32:00,800
Speaker 4: I'll text him about it, and wanted to go toe

627
00:32:00,800 --> 00:32:01,120
Speaker 4: to toe.

628
00:32:01,200 --> 00:32:02,680
Speaker 1: I don't think so it's a race. That is a

629
00:32:02,800 --> 00:32:06,600
Speaker 1: racist idea that you just had. It's it's Jordan and

630
00:32:06,720 --> 00:32:09,680
Speaker 1: Kobe always said that, like they wish they could go

631
00:32:09,840 --> 00:32:11,920
Speaker 1: head to head to prove who is the best. I

632
00:32:11,920 --> 00:32:15,560
Speaker 1: think it's exactly like that situation. I think it's completely different.

633
00:32:15,760 --> 00:32:18,320
Speaker 1: Jordan was retired when Kobe was in his prime.

634
00:32:18,400 --> 00:32:20,000
Speaker 2: They that's why I'm saying they wish they could.

635
00:32:20,080 --> 00:32:22,960
Speaker 4: Yeah, well, Damon retired from the New Girl pilot, and then.

636
00:32:23,520 --> 00:32:25,560
Speaker 2: You're gonna try to squeeze this in to make it right.

637
00:32:25,560 --> 00:32:26,280
Speaker 2: It's not gonna work.

638
00:32:26,320 --> 00:32:28,520
Speaker 4: Yeah, Damon retired from the New Girl pilot. And then

639
00:32:28,760 --> 00:32:32,000
Speaker 4: I think Leamrne, straight out of high school got put

640
00:32:32,040 --> 00:32:32,560
Speaker 4: in that show.

641
00:32:32,680 --> 00:32:37,880
Speaker 1: Yeah, Leamrne is like fifty, Okay, he's not straight out

642
00:32:37,880 --> 00:32:38,480
Speaker 1: of high school.

643
00:32:38,640 --> 00:32:41,120
Speaker 4: Well, the show's been on for quite a while, A

644
00:32:41,240 --> 00:32:44,560
Speaker 4: New Girl, it feels like it. Yeah, that's that's what

645
00:32:44,680 --> 00:32:45,360
Speaker 4: Jake told us.

646
00:32:46,800 --> 00:32:48,880
Speaker 1: I'm glad that Jake was able to boast about how

647
00:32:48,880 --> 00:32:52,120
Speaker 1: many episodes his show has run for that seems really

648
00:32:52,200 --> 00:32:52,680
Speaker 1: down to earth.

649
00:32:52,840 --> 00:32:57,840
Speaker 2: Salt of the Earth. That guy, let's Uh, let's reach

650
00:32:57,880 --> 00:33:02,920
Speaker 2: into the popcorn gallery. Yes, the popcorn is where we

651
00:33:02,920 --> 00:33:05,040
Speaker 2: asked questions from fans. Fans.

652
00:33:05,200 --> 00:33:07,560
Speaker 3: I know, it's like like the peanut gallery. Yeah, I

653
00:33:07,560 --> 00:33:09,840
Speaker 3: got it, but it's like popcorn. It's a popcorn at movie.

654
00:33:09,880 --> 00:33:13,479
Speaker 3: So this is the pop I put it together. We

655
00:33:13,520 --> 00:33:16,320
Speaker 3: have a question from Toby Keith Sweat, and this was

656
00:33:16,360 --> 00:33:19,200
Speaker 3: actually a question Toby Keith Sweat. Yes, this is one

657
00:33:19,240 --> 00:33:21,920
Speaker 3: of our regular Toby Keith's a country singer.

658
00:33:22,720 --> 00:33:26,000
Speaker 2: I can't sweat understand name.

659
00:33:27,520 --> 00:33:29,920
Speaker 4: Well, this is his name, but it just as easy

660
00:33:29,920 --> 00:33:31,560
Speaker 4: to remember if you think about the two.

661
00:33:31,680 --> 00:33:33,080
Speaker 2: I get it. Uh.

662
00:33:34,120 --> 00:33:35,920
Speaker 1: This is a question that we've actually had for a

663
00:33:35,920 --> 00:33:39,600
Speaker 1: long time. M hm uh, which is you look at

664
00:33:39,600 --> 00:33:45,320
Speaker 1: the TV landscape right now and there's dramas, romances, actions.

665
00:33:45,320 --> 00:33:47,720
Speaker 2: This is the longest I've ever waited for a question

666
00:33:47,760 --> 00:33:49,600
Speaker 2: to be asked. Seriously, I just.

667
00:33:50,760 --> 00:33:57,360
Speaker 1: Set up, uh, dramas, romances, actions, thrillers. My question is

668
00:33:57,720 --> 00:34:00,160
Speaker 1: you haven't even asked the question yet. Then this is

669
00:34:00,160 --> 00:34:03,440
Speaker 1: Toby Keith Sweat's question. Also, and our question is why

670
00:34:03,480 --> 00:34:04,680
Speaker 1: is there no sports on TV?

671
00:34:05,240 --> 00:34:08,920
Speaker 4: Yeah? Very good. Yeah, Now I've heard this complaint before. I,

672
00:34:09,040 --> 00:34:10,919
Speaker 4: of course I don't own a TV.

673
00:34:11,440 --> 00:34:13,600
Speaker 2: You don't own a TV and you're doing a show

674
00:34:13,640 --> 00:34:14,719
Speaker 2: about television.

675
00:34:14,960 --> 00:34:18,040
Speaker 4: You're doing it's not about television, it's about But I

676
00:34:18,080 --> 00:34:20,200
Speaker 4: think it's pretty interesting toy of.

677
00:34:20,280 --> 00:34:22,200
Speaker 1: There are plenty of people who can do a show

678
00:34:22,200 --> 00:34:26,960
Speaker 1: about watching TV. But what about doing TV mastering.

679
00:34:27,000 --> 00:34:28,480
Speaker 2: I don't understand what you're saying.

680
00:34:29,360 --> 00:34:33,680
Speaker 4: Oh yeah, but how come there's no sports.

681
00:34:36,280 --> 00:34:42,680
Speaker 2: I there's a lot of sports on television. Every every channel,

682
00:34:42,760 --> 00:34:47,200
Speaker 2: every network is anchored by sports. Well that's the reason

683
00:34:47,239 --> 00:34:48,200
Speaker 2: I'll explain this to you.

684
00:34:49,320 --> 00:34:52,960
Speaker 1: The reason that you guys don't think there's sports on

685
00:34:53,040 --> 00:34:55,719
Speaker 1: television is because admittedly.

686
00:34:55,480 --> 00:34:57,680
Speaker 2: You don't own TV. I know. I do own a TV.

687
00:34:57,960 --> 00:35:01,200
Speaker 1: I have a great TV, very nice, big TV. My

688
00:35:01,400 --> 00:35:07,080
Speaker 1: thing is, I'm barely I'm home to watch if that,

689
00:35:07,280 --> 00:35:10,120
Speaker 1: if that? If I mean, if that, if that?

690
00:35:10,440 --> 00:35:14,720
Speaker 2: Please? If that do I'm on set, I'm on the lot,

691
00:35:15,080 --> 00:35:17,839
Speaker 2: I'm on location, and I'm home.

692
00:35:17,960 --> 00:35:20,440
Speaker 4: He's on he's on just about everything except the couch

693
00:35:20,520 --> 00:35:23,040
Speaker 4: watching his big, nice TV, which I've actually seen.

694
00:35:23,200 --> 00:35:27,200
Speaker 2: But if there was sports, if there was sports.

695
00:35:26,880 --> 00:35:27,920
Speaker 4: Well then I might buy one.

696
00:35:27,920 --> 00:35:30,279
Speaker 2: Then I might have some some more time to well

697
00:35:30,440 --> 00:35:31,319
Speaker 2: to watch my big TV.

698
00:35:31,480 --> 00:35:33,120
Speaker 1: Let me tell you this is and This is just

699
00:35:33,160 --> 00:35:36,400
Speaker 1: a tip. You don't have to work in Hollywood to

700
00:35:36,960 --> 00:35:42,399
Speaker 1: know this. But turn on your television whenever, when the

701
00:35:42,560 --> 00:35:45,880
Speaker 1: fuck ever, and you will find sports on some channel

702
00:35:46,120 --> 00:35:50,120
Speaker 1: and you can buy one if you want to watch sports.

703
00:35:50,640 --> 00:35:52,840
Speaker 1: If you want to watch sports, they are there for

704
00:35:52,920 --> 00:35:53,840
Speaker 1: you on television.

705
00:35:53,920 --> 00:35:54,840
Speaker 4: Well, I'm on the fence.

706
00:35:54,920 --> 00:35:59,920
Speaker 2: I think you might be thinking of TV's TV's at

707
00:36:00,520 --> 00:36:03,680
Speaker 2: sports games. I'm not. I'm not.

708
00:36:03,800 --> 00:36:06,880
Speaker 1: I'll tell you this right now. Those have sports. Now

709
00:36:07,160 --> 00:36:09,960
Speaker 1: we've been in those front row and the box I

710
00:36:10,000 --> 00:36:12,480
Speaker 1: know for a fact. And like the box, I'm not

711
00:36:12,520 --> 00:36:14,080
Speaker 1: the one getting the messages.

712
00:36:13,840 --> 00:36:18,640
Speaker 4: Mix the w E box as well sports TV that

713
00:36:18,680 --> 00:36:23,320
Speaker 4: has sports all the time. So all right, the gersh Nook.

714
00:36:24,280 --> 00:36:27,160
Speaker 2: The gersh Nook you gotta be.

715
00:36:29,719 --> 00:36:30,759
Speaker 4: That reminds me of a question.

716
00:36:31,640 --> 00:36:33,480
Speaker 2: Here's a question. I wouldn't even be friends with someone

717
00:36:33,520 --> 00:36:36,160
Speaker 2: that was reped at girsh I was I made that up?

718
00:36:36,200 --> 00:36:38,960
Speaker 4: I don't is that an agency? It sounds it sounds

719
00:36:38,960 --> 00:36:40,239
Speaker 4: like a fart, doesn't it.

720
00:36:41,120 --> 00:36:42,640
Speaker 2: I was thinking of beer.

721
00:36:42,920 --> 00:36:45,520
Speaker 4: Yeah, But I here's a question that I think a

722
00:36:45,520 --> 00:36:47,200
Speaker 4: lot of people will want to know. What did you

723
00:36:47,200 --> 00:36:48,880
Speaker 4: get your commercial agent for Christmas?

724
00:36:48,920 --> 00:36:49,399
Speaker 2: Last year?

725
00:36:50,680 --> 00:36:53,360
Speaker 1: You got your you guys are so pleased with yourselves

726
00:36:53,840 --> 00:36:55,080
Speaker 1: on these fucking questions.

727
00:36:55,480 --> 00:36:56,200
Speaker 2: It's pathetic.

728
00:36:56,960 --> 00:37:01,879
Speaker 1: The fact that you guys are doing this fucking podcast

729
00:37:02,320 --> 00:37:06,600
Speaker 1: and are so fucking up your own asses about it

730
00:37:06,680 --> 00:37:08,000
Speaker 1: is ridiculous.

731
00:37:08,280 --> 00:37:10,240
Speaker 2: What was the question? What did I get my commercial

732
00:37:10,239 --> 00:37:11,560
Speaker 2: agent for Christmas? Last year?

733
00:37:11,560 --> 00:37:14,040
Speaker 1: I wouldn't buy an agent a gift if you fucking

734
00:37:14,200 --> 00:37:16,520
Speaker 1: saved my life, if you pulled me from under a bus.

735
00:37:16,640 --> 00:37:19,120
Speaker 1: I wouldn't buy an agent a gift because he's already

736
00:37:19,120 --> 00:37:20,760
Speaker 1: getting ten percent of my fucking money.

737
00:37:21,239 --> 00:37:27,120
Speaker 2: Let's go back in the popcorn gallery. Yes, make this sound? Thanks?

738
00:37:27,480 --> 00:37:32,120
Speaker 2: Oh yeah, me? Oh my god. Anthony scan Trino.

739
00:37:32,760 --> 00:37:35,799
Speaker 1: Uh, one of our listeners asks, uh, he hears you're

740
00:37:35,840 --> 00:37:38,480
Speaker 1: a big prankster on a set. What kind of what

741
00:37:38,560 --> 00:37:40,040
Speaker 1: kinds of twisted pranks have.

742
00:37:40,000 --> 00:37:41,239
Speaker 2: You have you pulled on set?

743
00:37:42,400 --> 00:37:46,440
Speaker 1: I I don't know where Anthony Scantreno would have heard that,

744
00:37:46,520 --> 00:37:50,520
Speaker 1: but I've nay Scntrino. I don't give a fuck if

745
00:37:50,520 --> 00:37:52,320
Speaker 1: I messed up the Twitter handle?

746
00:37:52,560 --> 00:37:55,839
Speaker 2: Do you even have listeners? Has this even been broadcast yet? This?

747
00:37:56,120 --> 00:38:00,000
Speaker 1: No, this is we're recording it now to be broadcast.

748
00:38:00,880 --> 00:38:02,680
Speaker 1: But we asked some people for questions ahead of it.

749
00:38:02,840 --> 00:38:05,040
Speaker 1: I've never pulled a prank on a step before ever,

750
00:38:05,360 --> 00:38:07,600
Speaker 1: even once. I would never do shit like that when

751
00:38:07,640 --> 00:38:09,400
Speaker 1: I hear shit like that, when I hear like about

752
00:38:09,440 --> 00:38:13,719
Speaker 1: Clooney pulling like putting like fucking cat litter boxes and

753
00:38:13,760 --> 00:38:16,319
Speaker 1: taking shits in them, and people's just I think it's disgusting.

754
00:38:16,400 --> 00:38:18,959
Speaker 2: Like that's a place, it's where you work.

755
00:38:19,000 --> 00:38:20,480
Speaker 4: You don't have to use shit for it to be

756
00:38:20,520 --> 00:38:20,920
Speaker 4: a prank.

757
00:38:22,920 --> 00:38:26,920
Speaker 2: Yeah, I know, I know you don't have to use

758
00:38:26,960 --> 00:38:28,000
Speaker 2: shit for it to be a prank.

759
00:38:28,040 --> 00:38:30,560
Speaker 4: Well, I agree with you. That's disgusting and it's not

760
00:38:30,600 --> 00:38:33,279
Speaker 4: the position of this podcast to judge how other people live.

761
00:38:33,320 --> 00:38:36,279
Speaker 4: But if you're using shit and that's the only way

762
00:38:36,320 --> 00:38:38,520
Speaker 4: you know how to prank, then that's not funny to me.

763
00:38:38,600 --> 00:38:40,359
Speaker 1: That's not what I'm saying. What I'm saying is that

764
00:38:40,440 --> 00:38:42,880
Speaker 1: I do not I would not pull a prank.

765
00:38:42,800 --> 00:38:44,480
Speaker 4: Hang on at them because you made a great point.

766
00:38:44,520 --> 00:38:45,560
Speaker 2: I didn't make a point.

767
00:38:45,600 --> 00:38:50,560
Speaker 4: I if the only way you prank is by using shit,

768
00:38:50,719 --> 00:38:52,400
Speaker 4: now me and Adam your point stand for?

769
00:38:52,560 --> 00:38:54,479
Speaker 2: This is your point?

770
00:38:55,719 --> 00:38:58,200
Speaker 1: Is there are there any more questions from the fucking

771
00:38:58,239 --> 00:38:59,080
Speaker 1: Popcorn Gallery?

772
00:38:59,160 --> 00:39:00,520
Speaker 2: There is one? Yeah, one more.

773
00:39:00,560 --> 00:39:03,200
Speaker 1: I just want you both to know that I missed

774
00:39:03,200 --> 00:39:07,080
Speaker 1: putting my children to bed tonight for this and you

775
00:39:07,160 --> 00:39:09,320
Speaker 1: have kids, Yeah, I have two kids.

776
00:39:09,520 --> 00:39:15,600
Speaker 2: You play younger. Thank you, You're welcome.

777
00:39:17,000 --> 00:39:22,840
Speaker 1: This is a question from Andy Nice, one of our listeners.

778
00:39:23,680 --> 00:39:28,359
Speaker 1: With the advent of a DVR and internet streaming, are

779
00:39:28,400 --> 00:39:30,920
Speaker 1: you worried that people now have the ability to pause

780
00:39:30,960 --> 00:39:33,640
Speaker 1: your show on the TV and you'll be stuck making

781
00:39:33,680 --> 00:39:34,520
Speaker 1: a goofy face?

782
00:39:37,520 --> 00:39:42,080
Speaker 2: No. I mean, first of all, the technology to pause

783
00:39:42,120 --> 00:39:45,040
Speaker 2: television has been around, I'm pretty sure a good seven

784
00:39:45,120 --> 00:39:49,640
Speaker 2: years at this point. I don't know one that's been stated,

785
00:39:49,920 --> 00:39:53,040
Speaker 2: and I so No, I am not afraid of it.

786
00:39:53,200 --> 00:39:55,480
Speaker 1: I used to worry about it, but now seven years later,

787
00:39:55,520 --> 00:39:56,680
Speaker 1: you don't worry about it anymore.

788
00:39:56,920 --> 00:40:00,520
Speaker 2: No, it's not not what I'm saying. Did you talk

789
00:40:00,520 --> 00:40:02,279
Speaker 2: about how it's been around for so long?

790
00:40:02,360 --> 00:40:06,120
Speaker 4: He's saying, because those are what face your fears, you know,

791
00:40:06,200 --> 00:40:08,000
Speaker 4: seven years ago he said I'm so scared of this.

792
00:40:08,200 --> 00:40:09,160
Speaker 4: That's probably what he did.

793
00:40:09,280 --> 00:40:12,839
Speaker 2: Never said that at all. Well, you ow about the

794
00:40:12,920 --> 00:40:14,320
Speaker 2: length of time it's been.

795
00:40:14,480 --> 00:40:16,600
Speaker 4: Probably for the rest you know, for six of those

796
00:40:16,680 --> 00:40:18,759
Speaker 4: years he was pausing it on goofy faces and just

797
00:40:18,800 --> 00:40:20,919
Speaker 4: looking at it and saying, is this what people are doing?

798
00:40:21,640 --> 00:40:23,400
Speaker 4: And then he just got comfortable with it.

799
00:40:23,680 --> 00:40:26,359
Speaker 1: Now you both write in television, right, Oh yeah, what

800
00:40:26,400 --> 00:40:27,359
Speaker 1: the fuck are you doing here?

801
00:40:27,400 --> 00:40:29,239
Speaker 2: Why are you doing this? What is this? What is

802
00:40:29,760 --> 00:40:31,280
Speaker 2: this whole? Is this selling?

803
00:40:32,120 --> 00:40:33,960
Speaker 1: How many people are going to listen to this? Ten

804
00:40:34,719 --> 00:40:37,399
Speaker 1: twenty people even if it's five hundred, even if it's

805
00:40:37,440 --> 00:40:38,160
Speaker 1: twelve hundred.

806
00:40:38,360 --> 00:40:40,600
Speaker 2: What are you getting from this? What is this? Even

807
00:40:40,640 --> 00:40:42,799
Speaker 2: if it's twelve hundred? Really you think that's bad?

808
00:40:43,160 --> 00:40:45,919
Speaker 1: I think it's inconsequential to what you guys are doing.

809
00:40:47,280 --> 00:40:51,840
Speaker 1: Who cares do something for other people? The people that

810
00:40:51,880 --> 00:40:53,480
Speaker 1: are trying to get into the business.

811
00:40:54,680 --> 00:40:59,799
Speaker 2: You're hold on, You're doing this podcast for the people

812
00:40:59,840 --> 00:41:03,200
Speaker 2: that trying to get into this business. It's not for money.

813
00:41:03,480 --> 00:41:06,520
Speaker 2: Got plenty of that, do you?

814
00:41:06,600 --> 00:41:06,680
Speaker 4: So?

815
00:41:06,760 --> 00:41:08,440
Speaker 2: What else could it be? Because otherwise I'd be like,

816
00:41:08,520 --> 00:41:12,000
Speaker 2: what is happening here? Why are we I'm yet to

817
00:41:12,560 --> 00:41:17,040
Speaker 2: know why I'm here? What am I doing here?

818
00:41:17,960 --> 00:41:19,680
Speaker 4: Well? You could plug a project?

819
00:41:20,160 --> 00:41:22,960
Speaker 1: Yeah, is there anything you want to plus people? Yes,

820
00:41:23,080 --> 00:41:24,960
Speaker 1: want to get their stuff to a wid your audience.

821
00:41:24,960 --> 00:41:26,920
Speaker 1: And I do have a couple of things to plug.

822
00:41:27,000 --> 00:41:32,360
Speaker 2: Thank you. I'm I'm going to be performing with my

823
00:41:32,480 --> 00:41:37,600
Speaker 2: band at what what is I sneeze?

824
00:41:39,760 --> 00:41:42,480
Speaker 1: Sorry, I'm sensitive a lot of actors when they say

825
00:41:42,480 --> 00:41:45,759
Speaker 1: they have bands, it gets a bad rap. But the

826
00:41:45,800 --> 00:41:49,319
Speaker 1: truth is, if you ever listen to Dog Star, if

827
00:41:49,360 --> 00:41:51,720
Speaker 1: you ever listen to thirty odd foot Runs.

828
00:41:51,920 --> 00:41:53,839
Speaker 2: Love three seconds from Mars, you.

829
00:41:53,719 --> 00:41:56,200
Speaker 1: Ever thirty Seconds, if you ever listened to thirty seconds

830
00:41:56,200 --> 00:41:59,239
Speaker 1: from Mars, they're really really good. And I think that

831
00:41:59,280 --> 00:42:01,160
Speaker 1: the fact that it's an actor doing it is it

832
00:42:01,280 --> 00:42:02,240
Speaker 1: makes it even better.

833
00:42:03,120 --> 00:42:06,920
Speaker 4: I Bacon Brothers is like the sound of my soul.

834
00:42:06,800 --> 00:42:11,319
Speaker 1: The best, the best the Jeff Bridges acoustic album is.

835
00:42:12,280 --> 00:42:15,480
Speaker 2: I mean that puts me asleep every night. I Anyway,

836
00:42:16,680 --> 00:42:17,359
Speaker 2: my band is.

837
00:42:17,800 --> 00:42:20,400
Speaker 1: My band is playing at the Roxy on Friday and

838
00:42:20,440 --> 00:42:23,160
Speaker 1: Saturday night, and then we're going down to the Ice

839
00:42:23,200 --> 00:42:26,799
Speaker 1: House in Palasadena on Monday and Tuesday, and then we'll

840
00:42:26,800 --> 00:42:31,600
Speaker 1: be in Santa Clarita at the Melbourne on Thursday and Friday,

841
00:42:31,640 --> 00:42:34,840
Speaker 1: and then the following Saturday, we'll be down at Duckies

842
00:42:35,640 --> 00:42:40,839
Speaker 1: in Montclair, California, and then we'll be doing a five

843
00:42:40,920 --> 00:42:46,879
Speaker 1: day stint up in Irvine at Felipe's Risotto's, and then

844
00:42:47,280 --> 00:42:50,920
Speaker 1: we're gonna be coming down the coast to San Diego

845
00:42:50,960 --> 00:42:55,000
Speaker 1: where we're gonna be doing the Lighthouse Light Brunch Festival,

846
00:42:55,440 --> 00:42:59,760
Speaker 1: and then hopefully by the end of the month will

847
00:43:00,080 --> 00:43:05,040
Speaker 1: be kicking it back up to Palm Desert where we're

848
00:43:05,120 --> 00:43:10,280
Speaker 1: gonna be headlining our own uh uh Jimmy Chiro's.

849
00:43:11,840 --> 00:43:13,840
Speaker 4: And for people who haven't heard some of your stuff,

850
00:43:13,840 --> 00:43:14,640
Speaker 4: what's your sound?

851
00:43:15,880 --> 00:43:20,439
Speaker 1: It's kind of uh, it's hard to describe. It's kind

852
00:43:20,440 --> 00:43:25,840
Speaker 1: of Mumford and Sons meets a white noise machine.

853
00:43:26,080 --> 00:43:27,920
Speaker 2: I don't know if that is getting the message.

854
00:43:28,200 --> 00:43:30,480
Speaker 4: Yeah, it's if Mumford and Son sang all their songs

855
00:43:30,480 --> 00:43:32,480
Speaker 4: through sort of a bunch of cotton.

856
00:43:33,719 --> 00:43:35,400
Speaker 2: Yeah. Yeah, kind of like that.

857
00:43:35,480 --> 00:43:36,560
Speaker 4: It's almost mic and cotton.

858
00:43:36,680 --> 00:43:38,480
Speaker 1: It's like if you you know the sounds that they

859
00:43:38,560 --> 00:43:39,760
Speaker 1: used to put babies to sleep.

860
00:43:40,000 --> 00:43:43,600
Speaker 2: Yeah, a white noise machine. Yeah, mix that with aluminears. Okay,

861
00:43:44,040 --> 00:43:45,879
Speaker 2: m And we are.

862
00:43:45,760 --> 00:43:49,000
Speaker 1: The vacuum player, the guy, the guy that plays vacuum

863
00:43:49,960 --> 00:43:53,640
Speaker 1: and he also plays the drums of his hands.

864
00:43:55,160 --> 00:44:01,719
Speaker 2: I guess, I guess all drummers do. M hmm. Yeah. Yeah.

865
00:44:01,760 --> 00:44:03,799
Speaker 2: And what's the name of that band of people don't know,

866
00:44:05,480 --> 00:44:12,520
Speaker 2: the Adam Palley Project. Ah. Hey, it's been so great, that.

867
00:44:12,840 --> 00:44:14,680
Speaker 4: Really good here.

868
00:44:15,040 --> 00:44:19,840
Speaker 2: Really it hasn't felt that way. Guys. We're always pulling

869
00:44:19,920 --> 00:44:20,160
Speaker 2: for you.

870
00:44:20,960 --> 00:44:21,279
Speaker 4: You do.

871
00:44:21,840 --> 00:44:24,200
Speaker 2: Thank you love people love hearing all that, and for

872
00:44:24,280 --> 00:44:29,279
Speaker 2: you to make that you know, that last breakthrough, you

873
00:44:29,360 --> 00:44:31,600
Speaker 2: know what I mean, what the fuck does that mean?

874
00:44:31,880 --> 00:44:35,800
Speaker 2: Just to get to that big what that big place?

875
00:44:35,960 --> 00:44:37,880
Speaker 2: What's the big place? What the fun? You know?

876
00:44:38,000 --> 00:44:41,400
Speaker 1: Just to like, really what do career wise? Just like

877
00:44:41,560 --> 00:44:45,319
Speaker 1: career wise, just when you really okay, do it all right?

878
00:44:45,440 --> 00:44:47,000
Speaker 2: You know what I mean. I haven't done it yet

879
00:44:47,040 --> 00:44:47,680
Speaker 2: to you.

880
00:44:47,480 --> 00:44:50,839
Speaker 1: But God, like, when you do, you know who's going

881
00:44:50,880 --> 00:44:54,480
Speaker 1: to be right there? And what do you guys write

882
00:44:54,480 --> 00:44:58,719
Speaker 1: for a Night of Too Many Stars? What's like your gig? Yeah,

883
00:44:58,840 --> 00:45:02,000
Speaker 1: we're for a Night of too Many Stars?

884
00:45:02,200 --> 00:45:02,600
Speaker 2: You did.

885
00:45:03,160 --> 00:45:05,719
Speaker 1: Yeah, we're one of like fifty white dudes, right that

886
00:45:05,760 --> 00:45:06,760
Speaker 1: won an Emmy for that.

887
00:45:08,040 --> 00:45:10,880
Speaker 2: Is Jewish white? Did you call Jewish white?

888
00:45:10,920 --> 00:45:13,480
Speaker 1: No, one of neither of fifty white, and I would

889
00:45:13,520 --> 00:45:17,360
Speaker 1: not white and Jewish dudes. Danny, your eyes just popped

890
00:45:17,360 --> 00:45:19,080
Speaker 1: out of your head when I said I would not

891
00:45:19,120 --> 00:45:19,919
Speaker 1: call Jewish white.

892
00:45:19,960 --> 00:45:22,359
Speaker 2: I would not call Jewish white. So that's what we're saying.

893
00:45:22,440 --> 00:45:24,920
Speaker 1: We're saying, they're saying, there are white guys and Jewish guys.

894
00:45:24,960 --> 00:45:25,840
Speaker 1: Oh so it's both.

895
00:45:26,480 --> 00:45:28,360
Speaker 2: Yeah, whatever, I don't know.

896
00:45:28,640 --> 00:45:32,440
Speaker 1: Michael is a legend. Yes, Michael, you're saying Robert Smigel.

897
00:45:32,480 --> 00:45:34,680
Speaker 2: I am not saying that Robert Smichel is not a legend.

898
00:45:34,760 --> 00:45:37,759
Speaker 1: I you're saying, you're saying it. You say it for

899
00:45:37,840 --> 00:45:41,400
Speaker 1: a bad cause. I'm just saying that. It's like a

900
00:45:41,440 --> 00:45:45,240
Speaker 1: hacky thing to call your TV writer and.

901
00:45:45,120 --> 00:45:46,160
Speaker 2: That's like your credit.

902
00:45:47,239 --> 00:45:52,040
Speaker 1: Well, it's on IMDb, So what I could IM's like Wikipedia.

903
00:45:52,600 --> 00:45:54,600
Speaker 1: I could I could put a jpeg up of like

904
00:45:54,640 --> 00:45:56,279
Speaker 1: a fucking rotating fan and not.

905
00:45:56,280 --> 00:45:59,520
Speaker 4: For too not for too long. They do actually check

906
00:45:59,560 --> 00:46:00,399
Speaker 4: it and take it down.

907
00:46:02,160 --> 00:46:04,640
Speaker 2: So you've you've posted some fake credits.

908
00:46:05,160 --> 00:46:07,200
Speaker 4: I've had some trouble getting some stuff on there that

909
00:46:07,280 --> 00:46:12,560
Speaker 4: I think I was owed, and that fight's not over either.

910
00:46:12,640 --> 00:46:13,400
Speaker 4: I'm not giving in.

911
00:46:13,600 --> 00:46:16,440
Speaker 2: Yeah, what did you what do you feel like you've met?

912
00:46:16,440 --> 00:46:19,080
Speaker 2: You're missing out on, Brian.

913
00:46:19,480 --> 00:46:22,000
Speaker 4: Just some stuff that I think was really more my idea.

914
00:46:23,000 --> 00:46:23,759
Speaker 4: Chappelle's show.

915
00:46:25,320 --> 00:46:31,840
Speaker 1: You believe that Chappelle's show Dave named after Dave Chappelle,

916
00:46:32,200 --> 00:46:37,520
Speaker 1: created by Dave Chappelle and Neil Brennan, is your idea primarily?

917
00:46:37,600 --> 00:46:40,160
Speaker 4: Yeah, Okay, I had been working on a sketch show

918
00:46:40,200 --> 00:46:40,960
Speaker 4: around the same time.

919
00:46:41,040 --> 00:46:42,359
Speaker 2: Okay, I think I'm done here.

920
00:46:42,560 --> 00:46:45,040
Speaker 3: This is Hey, guys, so much for thanks so much

921
00:46:45,080 --> 00:46:48,560
Speaker 3: for listening. Rate us on iTunes. Give him a good

922
00:46:48,640 --> 00:46:50,480
Speaker 3: rating by the pro version. What do we have on

923
00:46:50,520 --> 00:46:51,680
Speaker 3: the pro version this week?

924
00:46:52,360 --> 00:46:52,960
Speaker 2: This week?

925
00:46:53,719 --> 00:46:58,120
Speaker 4: Well, oh, you can get the key card for Hayes's

926
00:46:58,200 --> 00:46:59,680
Speaker 4: pool to community.

927
00:46:59,320 --> 00:47:02,759
Speaker 1: Here this shit goes on. Yeah, you can get the

928
00:47:02,800 --> 00:47:05,759
Speaker 1: key card for my pool. You get you get a

929
00:47:05,800 --> 00:47:12,200
Speaker 1: free visit to the Earwolf studios after work hours. Uh,

930
00:47:12,520 --> 00:47:15,400
Speaker 1: just to hang out with whoever you know, whoever's.

931
00:47:14,960 --> 00:47:17,120
Speaker 4: There, see engineer Bread or whatever.

932
00:47:17,320 --> 00:47:21,400
Speaker 1: Maybe cool Op will be here, you know maybe uh

933
00:47:21,640 --> 00:47:25,239
Speaker 1: maybe our brothers Liz Lane will be here.

934
00:47:25,440 --> 00:47:26,680
Speaker 2: She records somewhere else.

935
00:47:27,000 --> 00:47:30,759
Speaker 4: You never know. And and that's the point. So please

936
00:47:30,760 --> 00:47:32,640
Speaker 4: subscribe to the perversion rate us on ires.

937
00:47:32,719 --> 00:47:36,040
Speaker 1: When this can you fucking leave me the fuck alone

938
00:47:36,120 --> 00:47:38,520
Speaker 1: while I'm doing you a goddamn favor, finish, wrap up

939
00:47:38,520 --> 00:47:39,319
Speaker 1: your stupid shit.

940
00:47:39,600 --> 00:47:43,200
Speaker 4: We're getting right towards the end. And uh and uh,

941
00:47:43,520 --> 00:47:46,279
Speaker 4: get on the forums. Talk on the forums. Did you

942
00:47:46,480 --> 00:47:48,920
Speaker 4: like the way Adam treated us?

943
00:47:49,560 --> 00:47:50,080
Speaker 2: Did you not?

944
00:47:50,320 --> 00:47:52,080
Speaker 4: It's a you know, it's up in the air. Maybe

945
00:47:52,120 --> 00:47:53,920
Speaker 4: start a poll and.

946
00:47:53,680 --> 00:47:59,600
Speaker 1: Then to follow Adam Twitter. He follow Adam Twitter. Real pros,

947
00:48:00,320 --> 00:48:01,120
Speaker 1: bunch of pros.

948
00:48:02,719 --> 00:48:06,440
Speaker 4: Bye bye.

949
00:48:09,360 --> 00:48:10,960
Speaker 2: This has been an Earwolf Media production.

950
00:48:11,200 --> 00:48:14,240
Speaker 4: Executive producers Jeff Ulrick and Scott Ackerman. For more information,

951
00:48:14,360 --> 00:48:15,320
Speaker 4: visit earwolf dot.

952
00:48:15,160 --> 00:48:22,840
Speaker 2: Com, ear Warf Radio, Boom dot

953
00:48:22,880 --> 00:48:30,840
Speaker 4: Com, The Worf Dead