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Speaker 1: What's up this way up for Angela Yee. I'm Angela

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Speaker 1: Ye and I'm here where Chicago's own.

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Speaker 2: I Scottscott in the building. Let's get it.

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Speaker 1: Well, it's good. We got a chance to talk to

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Speaker 1: you very briefly at the BET Awards, but we said

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Speaker 1: we got to do a real sit down interview, so

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Speaker 1: it was.

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Speaker 2: An honor to It was a magic moment for sure.

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Speaker 1: Well listen, it's an honor to have you here. And

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Speaker 1: I want to talk about just for people who are listening,

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Speaker 1: because I Rescott, you have a new single out right now,

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Speaker 1: but let's first dig into your background and what got

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Speaker 1: you to where you are, because you've written and produced

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Speaker 1: for some of the biggest artists and had some huge songs.

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Speaker 1: So let's let's get into it. Peru one of the

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Speaker 1: ones that was one of the ones fiveway dml ed

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Speaker 1: shearing sharing.

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Speaker 2: Yeah, it's definitely bucket list.

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Speaker 1: How did that even happen?

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Speaker 3: Actually, Happy from Empire and Tina Davis hit me up

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Speaker 3: and was like, yo, we got a new artist named Fireboy.

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Speaker 3: At the time, I had never even heard about fire Boy.

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Speaker 3: You know what I'm saying. But you know, Tina ain't

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Speaker 3: never let me wrong any sessions, so pretty much. They

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Speaker 3: brought me out to area, I mean Arizona, San Francisco

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Speaker 3: and San Francisco jamming. We was out there and me

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Speaker 3: and fire Boy cooked the record up and it was

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Speaker 3: just like magic Man. It was like a Nigerian party

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Speaker 3: for real.

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Speaker 1: That's dope.

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Speaker 2: It was crazy. We knew it was one when we

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Speaker 2: made it.

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Speaker 1: And then you also, that's good. You knew it. You

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Speaker 1: knew right away.

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Speaker 3: It was literally a party. It was a party in

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Speaker 3: the studio. He was like, oh yeah, this one.

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Speaker 1: That's a good feeling. When else has that happened for you?

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Speaker 1: Where it felt like a party in the studio.

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Speaker 3: I felt like when we did Baddest Yeah We're Young

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Speaker 3: Blue Chris Brown, like it was it was a movie.

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Speaker 3: We I feel like we always feel like we make

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Speaker 3: the best records, you know what I'm saying.

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Speaker 2: We having fun.

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Speaker 3: Like my brother, My brother hit Maker always tell me,

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Speaker 3: if you ain't having fun in the studio, it's trying

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Speaker 3: to go home.

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Speaker 1: So and hit Makers also the executive producer for your project.

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Speaker 2: Yeah for sure.

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Speaker 3: We actually did my single just like Me like two

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Speaker 3: years ago with me and Eric Bellinger, and like when

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Speaker 3: I came out the booth hit was like, Yo, we're

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Speaker 3: not giving this to nobody. It's your record, So when

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Speaker 3: we drop your project, it's gonna.

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Speaker 2: Be the first one.

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Speaker 1: So does that is that hard? And know you have

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Speaker 1: this hit record for two years and have to sit

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Speaker 1: on it for.

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Speaker 3: That Lone's been a lot of like times where artists

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Speaker 3: might hear the record, you know what I'm saying. It's

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Speaker 3: been to some big artists that have heard this record

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Speaker 3: and was like, Yo, I don't want to cut that,

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Speaker 3: And like that's why I got so much respect for

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Speaker 3: him because he's like, you know, that's every record, you

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Speaker 3: know what I'm saying, Like he always championed me. He

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Speaker 3: like he put me on his single you know what

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Speaker 3: I'm saying with him in fabulous, So like before I

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Speaker 3: had anything going on, so like, hey that's.

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Speaker 1: Bro and you guys are both from Chicago.

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Speaker 2: Yeah, yeah, crazy both from Chicago.

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Speaker 1: And Tink who's also from Chicago.

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Speaker 2: Yeah sir, yes, sir, she's she's amazing.

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Speaker 1: And Beyonce. I saw when you put to that and

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Speaker 1: found out you got that Beyonce placement, that has to

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Speaker 1: be an amazing cast.

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Speaker 2: That's another bucket list for sure.

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Speaker 1: So how did you find that out that news out man.

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Speaker 2: Actually, we were in Arizona.

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Speaker 3: I was with hit Maker and I was laying in

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Speaker 3: the bed and her track list came out and I

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Speaker 3: was like, I saw the title thet song, and I

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Speaker 3: was like, nah, this didn't make the project, no way,

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Speaker 3: pulled it up, press play and I promise you. I

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Speaker 3: was like, I literally jumped in the pool in Arizona.

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Speaker 3: It literally fully closed all jewelry. Oh my god, everything

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Speaker 3: that content will definitely surface.

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Speaker 1: I'm not mad at that. Yeah, we need to see

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Speaker 1: that for sure, all right. And so with all of

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Speaker 1: these and obviously with Tucy too, And I saw Tuscy

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Speaker 1: give you a shoutout also because and I didn't even

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Speaker 1: think about it like this, but he said a lot

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Speaker 1: of artists don't like to work with writers.

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Speaker 3: It's tough, like especially like as a as a rapper,

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Speaker 3: Like your lyrics is really who you are, you know

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Speaker 3: what I'm saying. So if somebody else is like writing

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Speaker 3: those lyrics, you know, that kind of takes away from

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Speaker 3: your stain. But like I always say, like I'm just

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Speaker 3: the inspo when I come in a room, you know,

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Speaker 3: I'm just trying to inspire the artists and That's why

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Speaker 3: most artists are good with working with me, rappers, R

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Speaker 3: and B singers, whatever, you know what I'm saying, just

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Speaker 3: because like I'm just inspo, Like I'm just trying to

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Speaker 3: inspire their greatness.

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Speaker 2: That's really how I come.

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Speaker 3: So that makes me more welcoming, like opposed to me

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Speaker 3: like writing songs and like going like, yeah.

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Speaker 2: I wrote this song for Dirk or I wrote this

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Speaker 2: song for whoever.

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Speaker 3: Like I'm really just you know, giving it up to them.

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Speaker 3: They the star and I'm an inspo on the fly

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Speaker 3: fly on the wall for real?

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Speaker 1: Do artists sometimes try to if you give them a song, right,

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Speaker 1: and I know a lot of times to get their

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Speaker 1: own writing credit to they change some things up so

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Speaker 1: they can be like, all right, so we co wrote this.

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Speaker 3: I mean I feel like I feel like, you know,

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Speaker 3: they deserve some sort of credit anyway, you know what

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Speaker 3: I'm saying as a writer, because the song can't become

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Speaker 3: the song without the artists just as much as the

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Speaker 3: writer or the producer. So they're entitled to that even

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Speaker 3: if they don't write a lyric. But you know, I

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Speaker 3: feel like I want them it to be tailored to

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Speaker 3: them anyway. So like I'm happy for them to be. Like, Look,

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Speaker 3: that's when I give artists records, I'm like, yo, make

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Speaker 3: it your own. You know what I'm saying, Like how

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Speaker 3: you might come off might not be how I come off.

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Speaker 3: So I'm open for that always.

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Speaker 1: Yeah, because I was wondering, is that hard when you

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Speaker 1: write something that comes from your own experience to give

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Speaker 1: to someone and then they change it up and it

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Speaker 1: kind of sometimes if you love it how you did it,

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Speaker 1: is it hard to give that away and have somebody

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Speaker 1: change and then they You're like, man, I liked it

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Speaker 1: so much better the way that I had, and then

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Speaker 1: it's cool.

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Speaker 2: That's for sure.

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Speaker 3: It definitely happens like that sometimes. But like records that

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Speaker 3: happen for me like that are records that I like

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Speaker 3: for myself. So like records that I write that are

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Speaker 3: so personal to myself, like they for me, they're not

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Speaker 3: really for another artist. But if I'm writing a record

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Speaker 3: for Blue, then it's like it's Taylor for Blue, So

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Speaker 3: like I'm getting into the mindset of how Bro might

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Speaker 3: be thinking, how he might come off, you know, his perspective.

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Speaker 3: So like most of the time when I write a

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Speaker 3: song for another artist is Taylor, you know, what I'm saying, Like,

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Speaker 3: it's rare times where it'd be like, yo, I like

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Speaker 3: this song that is just for me.

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Speaker 1: How did you end up writing for other artists? Because

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Speaker 1: it feels like all along you've known that you yourself

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Speaker 1: wanted to come out and be an artist. Yeah, right,

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Speaker 1: So how did you end up giving some of those

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Speaker 1: songs and writing for other people? How did that even happen?

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Speaker 2: Well?

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Speaker 3: I feel like, like because like I'm writing so many

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Speaker 3: different genres, Like I've written songs for Lotto, Like I've

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Speaker 3: like Donna, Madonna, Like it's so many different genres that like,

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Speaker 3: it's no way Ivery Scott can drop a Madonna.

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Speaker 2: Song, you know what I'm saying.

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Speaker 3: So all those different like elements are a part of me,

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Speaker 3: so it's easier for me to lock in with an

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Speaker 3: artist and you know be like, oh, this is more

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Speaker 3: like a Cardi record, or this is more like you know,

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Speaker 3: et cetera.

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Speaker 2: So it's really, like I said, it's Taylor made everything.

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Speaker 1: I saw you posted done being a ghost. Yeah, So

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Speaker 1: explain what you were thinking at that time, because it's interesting,

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Speaker 1: like we see artists come out on the stage and

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Speaker 1: the reaction to the audience when some of these artists

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Speaker 1: that you've written for, they go on stage and they're

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Speaker 1: performing these huge songs that you know you had a

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Speaker 1: part in. Yeah, right, and so now you got to

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Speaker 1: come out and it's kind of like starting all over

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Speaker 1: to it at the same time, knowing that you got

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Speaker 1: these big, huge stadium songs, but now you got to

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Speaker 1: do it for you.

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Speaker 2: Yeah. No, I feel like, you know, you may hit records,

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Speaker 2: you make hit records. You know.

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Speaker 3: There's been times while I've been backstage watching artists before

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Speaker 3: my songs, and I knew it was time for me

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Speaker 3: to step out of the ghost world when I felt

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Speaker 3: the energy like that I should have been out there,

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Speaker 3: that I should be out there, I should be sucking

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Speaker 3: in the energy. And of course, like I've always wanted

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Speaker 3: to be an artist, but I've had a vision for

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Speaker 3: how I wanted to become an artist. Like I was

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Speaker 3: inspired by the dream, you know, I was inspired by Neo,

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Speaker 3: Like I love the behind the scenes stories that come

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Speaker 3: to greatness.

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Speaker 2: You know what I'm saying.

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Speaker 3: Some of the best artists that we have with writers

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Speaker 3: before they were artists. So like I wanted to go

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Speaker 3: on that trail. So that's why you know, I came I.

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Speaker 1: Came and I saw your story talking about how you

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Speaker 1: slept in your car.

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Speaker 2: Yeah, nine months? For nine months, yep, I moved your car.

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Speaker 3: I moved from Chicago when I was sixteen, went to

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Speaker 3: LA and I had a meeting with like I think

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Speaker 3: it was like Sony Records at the time, and one

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Speaker 3: of my friends brought me down there. I had a meeting.

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Speaker 3: The meeting didn't go well, nothing happened. So the FRAME

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Speaker 3: was like, Yo, you know what I'm saying, it's time

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Speaker 3: to go back to the rack. And I was just like, man,

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Speaker 3: ain't nothing out there in the ract for me, you

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Speaker 3: know what I'm saying. So I bought my first car.

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Speaker 3: I sold my keyboard, bought my first car, lived in

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Speaker 3: my car for nine months, just chasing, just studio hoping.

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Speaker 3: Just like That's why I always say, like when people hoping,

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Speaker 3: the DM was like, bro, give me a chance sign me.

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Speaker 3: I'm like, man, you gotta get hungry, you know what

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Speaker 3: I'm saying. If you want what you want, nothing can

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Speaker 3: stop you. You just gotta really want it. You gotta

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Speaker 3: go get it. So you know, I slept in my car,

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Speaker 3: you know what I'm saying. It was times where my

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Speaker 3: windows were ten it was time where people trying to

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Speaker 3: steal my car while I was sleeping in it, you

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Speaker 3: know what I mean. Like, so, but you know, I

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Speaker 3: give that the crew because you know, you got to

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Speaker 3: go through something to get something.

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Speaker 1: How much did that hurt for you at that time?

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Speaker 1: And to have to sell your keyboard knowing that you're

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Speaker 1: still pursuing this dream, But this is something you really.

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Speaker 2: Need to man, because I'm gonna tell you why.

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Speaker 3: Because the first night I slept outside and I was

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Speaker 3: just like, you know, I'm not gonna sleep outside. And

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Speaker 3: if I sleep outside, how I'm gonna keep this keyboard anyway?

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Speaker 3: It's gonna rain one day. So I've always known that,

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Speaker 3: like sacrifices is the key to anything, you know, So

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Speaker 3: that was just a sacrifice to give me you know.

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Speaker 3: Now you know I got a one hundred thousand dollars

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Speaker 3: studio in my house right now, So it's like, you know,

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Speaker 3: that sacrifice is what got me to this point.

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Speaker 2: So no sought off my back for losing that. For sure,

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Speaker 2: I'm glad I sold it.

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Speaker 1: And what happened at Sunny did you feel like something

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Speaker 1: was gonna happen and they were.

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Speaker 3: Just yeah, I feel like I feel like what happens

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Speaker 3: is a lot of times like we have an overexpectation,

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Speaker 3: you know, when we don't know what's going on in

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Speaker 3: the business. It's like I was just saying, like people

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Speaker 3: hit me in a DM like bro sign me or

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Speaker 3: change my life. You know, people think a deal is

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Speaker 3: gonna change their life. You know they think it's like

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Speaker 3: I think it's that easy to man. When I signed

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Speaker 3: my publishing deal, Ray Daniels like he took me to

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Speaker 3: Mike Hearing and I promise you, Like I literally didn't

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Speaker 3: have no money. I barely had money for ubers and

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Speaker 3: I had a deal. So it was like, you know,

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Speaker 3: from the outside looking in, you're like, oh, he's rich now,

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Speaker 3: you know, even family members and stuff like that. So

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Speaker 3: it's like, you know, you gotta go through it, like

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Speaker 3: I say, to get through it.

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Speaker 1: And my question is though, for nine months, so you

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Speaker 1: didn't have other people in the business that was like yo,

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Speaker 1: I see your talent, Like.

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Speaker 2: Come on, nah, it was just ground floor. Like it

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Speaker 2: was ground floor.

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Speaker 3: It was really just me like seeking out opportunities like

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Speaker 3: being in being at the studios, like taking sleeping on

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Speaker 3: the couch in the studio, like going through those emotions

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Speaker 3: to ultimately getting into the relationship, because everything in this

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Speaker 3: business about relationship about who you know, you know what

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Speaker 3: I'm saying. So I just had to build get my

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Speaker 3: nose out the way, you know what I'm saying. I

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Speaker 3: had to get all the nose out the way to

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Speaker 3: get to my yes.

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Speaker 1: And man, So did anybody know what you was going

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Speaker 1: through or was it something you hear?

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Speaker 3: I kept it low and I was always clean, like

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Speaker 3: you know what I'm saying, Like I was the cleanest.

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Speaker 3: I was the cleanest home homeless dudes you'll ever meet,

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Speaker 3: you know what I'm saying. And my clothes in the trunk,

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Speaker 3: you know what I'm saying. But I was clean.

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Speaker 2: Man.

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Speaker 3: I would take showers in Walmart bathroom, like I would

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Speaker 3: go in like the pool area and apartments like I

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Speaker 3: was like really, but I was clean, like I wasn't obum,

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Speaker 3: you know what I'm saying. I feel like, you know,

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Speaker 3: you always got address, you know, for the job you want,

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Speaker 3: not the one you got.

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Speaker 1: So during this time, you always knew though eventually it

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Speaker 1: was gonna happen. You knew that this was a sacrifice.

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Speaker 1: Was there every time you were like, man, I might

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Speaker 1: as well just go on ahead and tons.

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Speaker 3: There's tons of times. I probably quit ten thousand times,

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Speaker 3: you know what I'm saying. But at the end of

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Speaker 3: the day, I always bounced back because I knew what

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Speaker 3: it was on my heart, you know, And as long

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Speaker 3: as I'm breathing and living, I knew that my existence

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Speaker 3: was belonged in the music business, and I just had

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Speaker 3: to fight to get it.

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Speaker 1: So when did things change? That was when you hooked

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Speaker 1: up but Ray Daniels and my Karen, is that what?

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Speaker 3: Well, when I moved to Atlanta, Like, I came to

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Speaker 3: Atlanta and I was heavily still pursuing music like every

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Speaker 3: place that I've ever been, Like I started off when

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Speaker 3: I was a kid. I had a studio in the

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Speaker 3: pantry of my mom's house. Like I've always created the

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Speaker 3: environment to create, you know what I'm saying. So when

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Speaker 3: I came to Atlanta, I was doing construction, you know

300
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Speaker 3: what I'm saying. I worked at Red Lobster like I was,

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Speaker 3: you know what I'm saying. Like one thing for sure,

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Speaker 3: like my dad always told me, like you got to

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Speaker 3: still feed yourself. That's why I tell like a lot

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Speaker 3: of my colleagues, like you don't have to be a

305
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Speaker 3: trapper to be a rapper, you know what I'm saying.

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Speaker 3: You can go get a job and take care of

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Speaker 3: yourself and feed yourself and still pursue your dream.

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Speaker 2: Show. For Shure, I used to come home from work

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Speaker 2: in twelve hour shift, come home write ten songs a night.

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Speaker 1: Damn.

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Speaker 2: So it's like you gotta just you gotta be.

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Speaker 1: Deadicated, get from God for real, to be it is

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Speaker 1: to do.

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Speaker 2: That definitely is for sure. For sure, I give everything

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Speaker 2: to God.

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Speaker 1: Because to be able to write ten songs, I can

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Speaker 1: imagine that there's people that want to write and that

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Speaker 1: really do that. Like do you ever get writers black?

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Speaker 1: Or the songs? Like how does that happen? The songs

320
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Speaker 1: just flow out of you.

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Speaker 3: Like I feel like the more you go through, the

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Speaker 3: more you can put on paper, you know what I'm saying.

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Speaker 3: The more I've seen, the more you experience, Like I'm

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Speaker 3: just full of experiences. So it's like I don't ever

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Speaker 3: feel like it's a time like where I'm like I

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Speaker 3: just don't know what to write about. You know, there's

327
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Speaker 3: always something, you know what I'm saying, that's always something

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Speaker 3: on my heart.

329
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Speaker 1: And what was your first first check? Like when did

330
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Speaker 1: you realize. Okay, now people are starting to see it,

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Speaker 1: and I got my first You said you got a

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Speaker 1: publishing deal, but what was the first placement that you got?

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Speaker 3: Well, the first first, man, I kind of got a

334
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Speaker 3: couple of placements at the same time. Like I worked

335
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Speaker 3: on Indiors project, which was early I did some stuff

336
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Speaker 3: with him and Gunner like it was like that was

337
00:12:21,800 --> 00:12:24,800
Speaker 3: like the early like trail, but like Peru and Baddest

338
00:12:24,840 --> 00:12:26,280
Speaker 3: were kind of like the records that kind of like

339
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Speaker 3: broke me out and opened the floodgates. But before I

340
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Speaker 3: had those records, I probably had fifty placements already. Okay,

341
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Speaker 3: all right, but when I signed my publishing deal, I

342
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Speaker 3: had none. Ray Daniels invited me to his office and

343
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Speaker 3: he set out with me and he wrote me a

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Speaker 3: check for twenty K the first day I met him. Wow,

345
00:12:43,200 --> 00:12:44,559
Speaker 3: he wrote me a check for twenty K. He said,

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Speaker 3: give me some time, I'm gonna get you a publishing deal.

347
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Speaker 3: He said, you're one of the best writers I've heard

348
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Speaker 3: of since since Neo and mind You Tehran is under

349
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Speaker 3: Ray Daniels and he's one of the greatest of our era.

350
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Speaker 3: So like, you know, that was like, you know, he

351
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Speaker 3: kind of like was like, gave me a check for

352
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Speaker 3: like twenty K, and he was like, just give me

353
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Speaker 3: some time. Oka you know what I'm saying, Like from

354
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Speaker 3: that moment, like my life's just kind of like start

355
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Speaker 3: going up, you know what I'm saying, God open the doors.

356
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Speaker 1: And people always talk about publishing deals and when is

357
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Speaker 1: the right time to sign one. But for you, you

358
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Speaker 1: think that if you wouldn't have been in a situation

359
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Speaker 1: where you did kind of need the money right where

360
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Speaker 1: you would have held off.

361
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Speaker 3: You know, the money does play a big part in it.

362
00:13:19,880 --> 00:13:21,280
Speaker 3: You know what I'm saying. I could sit here today

363
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Speaker 3: having money in my pocket. Tell a songwriter be like, hey,

364
00:13:23,880 --> 00:13:25,959
Speaker 3: don't sign no bad publishing deal. Don't get into no

365
00:13:26,040 --> 00:13:30,000
Speaker 3: bad situations. But a situation is a situation. Everything is

366
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Speaker 3: a step.

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Speaker 2: You know.

368
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Speaker 3: You can't look at it so much like Yo, they

369
00:13:33,840 --> 00:13:35,600
Speaker 3: ribbing me, They taking fifty percent of what I have,

370
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Speaker 3: but they're giving you the opportunity, you know what I'm saying,

371
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Speaker 3: to be in the door. Like I'd be having my

372
00:13:39,480 --> 00:13:41,600
Speaker 3: ups and downs with my publisher all the time. We

373
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Speaker 3: go back and forth, but at the end of the day,

374
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Speaker 3: they gave me the opportunity to end the platform to

375
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Speaker 3: be where I am today. So you know, I can't

376
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Speaker 3: do nothing but give respect. So you know, ain't no

377
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Speaker 3: if you ain't got no deal, you know what I'm saying, Like,

378
00:13:53,960 --> 00:13:54,800
Speaker 3: what's a bad deal?

379
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Speaker 1: And when you do a publishing deal, do they also

380
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Speaker 1: just for people who are listening? Do they help get

381
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Speaker 1: you placement? And do they also connect you with people?

382
00:14:01,760 --> 00:14:04,160
Speaker 3: Is that's tough? That's I mean, that's tough. Like you know,

383
00:14:04,200 --> 00:14:06,079
Speaker 3: Mike Carr introduced me to hit making, you know what

384
00:14:06,080 --> 00:14:08,160
Speaker 3: I'm saying, Like he put us on text that was great,

385
00:14:08,160 --> 00:14:10,079
Speaker 3: So that was a great connection, you know what I'm saying.

386
00:14:10,160 --> 00:14:12,760
Speaker 3: So yeah, of course they do put you in situations

387
00:14:12,800 --> 00:14:15,280
Speaker 3: like that, but you still gotta work. You know, you

388
00:14:15,320 --> 00:14:16,920
Speaker 3: got to get out here and see who's relevant and

389
00:14:16,920 --> 00:14:20,200
Speaker 3: getting those rooms, like as a songwriter, like are the

390
00:14:20,280 --> 00:14:22,880
Speaker 3: gate for songwriters is the producer And there's so many

391
00:14:22,920 --> 00:14:25,400
Speaker 3: great producers in this business right now and they're collaborating

392
00:14:25,800 --> 00:14:27,520
Speaker 3: and you know, it's just a great environment to create.

393
00:14:27,600 --> 00:14:30,200
Speaker 3: So that's the way in for real.

394
00:14:30,720 --> 00:14:32,520
Speaker 1: And now you also have a family, so I want

395
00:14:32,520 --> 00:14:35,440
Speaker 1: to talk about that, so let's discuss like, you know,

396
00:14:35,640 --> 00:14:37,920
Speaker 1: just your personal life as far as everything that you

397
00:14:38,000 --> 00:14:40,400
Speaker 1: have going on outside of music and the balance between

398
00:14:40,480 --> 00:14:41,760
Speaker 1: work and home life.

399
00:14:41,920 --> 00:14:44,040
Speaker 2: I mean, I feel like you got to separate those worlds.

400
00:14:44,200 --> 00:14:45,880
Speaker 3: You know what I'm saying, You got to completely when

401
00:14:45,880 --> 00:14:48,640
Speaker 3: you start mixing your worlds up, and you know, he

402
00:14:48,760 --> 00:14:52,080
Speaker 3: started getting confused between the difference between the matrix and.

403
00:14:52,080 --> 00:14:52,640
Speaker 2: The real world.

404
00:14:52,760 --> 00:14:55,080
Speaker 3: You know what I'm saying, Like in music, this is

405
00:14:55,080 --> 00:14:56,760
Speaker 3: the matrix. To me, this is you know, when I

406
00:14:56,840 --> 00:14:59,280
Speaker 3: go how I go make my money when I go home.

407
00:14:59,360 --> 00:15:01,800
Speaker 3: I'm a country boy. You know what I'm saying. I'm

408
00:15:01,840 --> 00:15:06,120
Speaker 3: building cars, I'm building houses. I'm chopping down trees. You

409
00:15:06,120 --> 00:15:07,920
Speaker 3: know what I'm saying, Like I'm in that bag, you know.

410
00:15:08,360 --> 00:15:09,040
Speaker 1: Down trees.

411
00:15:09,200 --> 00:15:11,440
Speaker 2: Man, Yes, I got content. I'm gonna drop me cutting

412
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Speaker 2: down a big tree.

413
00:15:13,360 --> 00:15:15,600
Speaker 3: This is crazy, Like for I did construction, Like I

414
00:15:15,640 --> 00:15:18,480
Speaker 3: built some of the biggest buildings in Atlanta downtown right now,

415
00:15:18,480 --> 00:15:20,000
Speaker 3: the handover buildings, a penthouse.

416
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Speaker 2: You know, I actually ended up living in the penthouse

417
00:15:22,440 --> 00:15:23,520
Speaker 2: after once I got my deal.

418
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Speaker 1: Oh my gosh.

419
00:15:24,440 --> 00:15:24,760
Speaker 2: Crazy.

420
00:15:24,800 --> 00:15:26,760
Speaker 1: But this is amazing because you probably make so much

421
00:15:26,760 --> 00:15:27,480
Speaker 1: money doing.

422
00:15:27,320 --> 00:15:30,000
Speaker 2: That I was making. So just put this in perspective.

423
00:15:30,040 --> 00:15:32,200
Speaker 3: When Ray Daniels gave me the twenty k He was

424
00:15:32,240 --> 00:15:34,600
Speaker 3: basically telling me to say no to a big contract

425
00:15:34,600 --> 00:15:36,640
Speaker 3: that I was supposed to take because I had to,

426
00:15:36,680 --> 00:15:40,000
Speaker 3: you know, like I told Ray, I said, you said,

427
00:15:40,040 --> 00:15:41,600
Speaker 3: I said, you love my music, right, he said, why

428
00:15:41,640 --> 00:15:43,480
Speaker 3: should Mike Karen was like, why should I sign you?

429
00:15:43,960 --> 00:15:45,840
Speaker 3: I said, because you got me here in your office

430
00:15:45,920 --> 00:15:47,400
Speaker 3: right now, and I've only been able to get this

431
00:15:47,520 --> 00:15:50,000
Speaker 3: ten percent. Imagine if I was given one hundred percent,

432
00:15:50,080 --> 00:15:52,320
Speaker 3: no one can stop me. So I knew when I

433
00:15:52,360 --> 00:15:54,840
Speaker 3: had the transition, I had to give it one hundred

434
00:15:54,840 --> 00:15:57,360
Speaker 3: percent so I couldn't do the construction. So basically, that

435
00:15:57,440 --> 00:15:59,880
Speaker 3: twenty grand might sound like a lot of money to somebody,

436
00:16:00,080 --> 00:16:02,480
Speaker 3: but if you're making bread during construction and stuff like that,

437
00:16:02,520 --> 00:16:04,080
Speaker 3: you really had to downgrade your life.

438
00:16:04,440 --> 00:16:06,400
Speaker 2: So I had to lose in order. I had to

439
00:16:06,480 --> 00:16:08,440
Speaker 2: go down to come up passion.

440
00:16:08,520 --> 00:16:11,360
Speaker 1: Yeah for sure, because construction is a great thing to

441
00:16:11,360 --> 00:16:12,920
Speaker 1: be able to do, by the way, just to have

442
00:16:13,000 --> 00:16:15,800
Speaker 1: somebody home, Yeah.

443
00:16:16,280 --> 00:16:17,960
Speaker 2: For sure, because we need some things in here.

444
00:16:19,680 --> 00:16:24,320
Speaker 1: Talks about management, We managed the construction too, like believe

445
00:16:24,360 --> 00:16:26,360
Speaker 1: that if you want, we don't have time for that.

446
00:16:26,800 --> 00:16:29,240
Speaker 1: So now that you're you have this new single out

447
00:16:29,680 --> 00:16:35,840
Speaker 1: and actually sampled some of our favorite artists, Ralph Tresbient. Yeah, yeah, yeah,

448
00:16:35,880 --> 00:16:38,960
Speaker 1: So let's discuss how you even you said this was

449
00:16:38,960 --> 00:16:40,800
Speaker 1: two years ago that you made this sign.

450
00:16:41,280 --> 00:16:43,920
Speaker 2: It was two years ago. We were in Miami, me

451
00:16:44,040 --> 00:16:45,280
Speaker 2: hit Maker Eric Belinger.

452
00:16:46,000 --> 00:16:48,360
Speaker 1: Eric Belinger is amazing too, That's what it makes. I mean,

453
00:16:48,360 --> 00:16:50,360
Speaker 1: that's like a dream team right there for sure.

454
00:16:50,440 --> 00:16:52,360
Speaker 3: Man, Like I just always think of us as like

455
00:16:52,360 --> 00:16:53,880
Speaker 3: the dream team, Like you know what I'm saying, We're

456
00:16:53,880 --> 00:16:55,040
Speaker 3: the best of the best. That's why most of the

457
00:16:55,040 --> 00:16:57,680
Speaker 3: biggest records come out of our camp. So, like you know,

458
00:16:57,720 --> 00:16:59,720
Speaker 3: it was just us cooking, like like I said, like

459
00:17:00,560 --> 00:17:02,960
Speaker 3: doing ten records a night, whatever, and that was just

460
00:17:03,000 --> 00:17:04,560
Speaker 3: happened to be one of the ones that we did.

461
00:17:04,600 --> 00:17:06,159
Speaker 3: But it felt special, you know what I'm saying at

462
00:17:06,200 --> 00:17:08,920
Speaker 3: that time two years ago, and like for the comfortull

463
00:17:08,920 --> 00:17:11,040
Speaker 3: circle to day, you know what I'm saying, for hit

464
00:17:11,080 --> 00:17:13,800
Speaker 3: to be executive producing my project, Like you know, it's

465
00:17:13,800 --> 00:17:15,439
Speaker 3: a dream for show for show and you have.

466
00:17:15,440 --> 00:17:17,880
Speaker 1: An EP coming out next month? Is that correct?

467
00:17:17,920 --> 00:17:19,080
Speaker 2: Okay?

468
00:17:19,200 --> 00:17:21,640
Speaker 1: So what I see Project Ebony, I see Suki Hanna's

469
00:17:21,640 --> 00:17:26,720
Speaker 1: on their movie. I cannot wait to hear what that's

470
00:17:26,760 --> 00:17:28,680
Speaker 1: about to be about a movie are you about to

471
00:17:28,720 --> 00:17:29,840
Speaker 1: get nasty or was it?

472
00:17:29,880 --> 00:17:33,160
Speaker 2: I mean, what else is gonna happen on that song? Nah?

473
00:17:33,200 --> 00:17:35,439
Speaker 2: But it's a great song for show show. She's a

474
00:17:35,480 --> 00:17:39,080
Speaker 2: sweetheart too. She is a sweetheart, service sweetheart for real?

475
00:17:39,760 --> 00:17:43,159
Speaker 1: And who else is on the project? How could you

476
00:17:43,240 --> 00:17:45,840
Speaker 1: not have? Tank? Is so amazing. What I love about

477
00:17:45,880 --> 00:17:48,240
Speaker 1: her is that when she first came out, didn't feel

478
00:17:48,280 --> 00:17:50,480
Speaker 1: like that was who she was necessarily, But now I

479
00:17:50,480 --> 00:17:51,280
Speaker 1: feel like this is.

480
00:17:51,520 --> 00:17:53,560
Speaker 3: Yeah for sure, Like I feel like she she stepped

481
00:17:53,600 --> 00:17:55,840
Speaker 3: into her own and she's always stayed down and she

482
00:17:55,960 --> 00:17:58,040
Speaker 3: a good business woman, you know what I'm saying that,

483
00:17:58,160 --> 00:18:00,320
Speaker 3: Like that's always a rare thing to find, like people

484
00:18:00,320 --> 00:18:02,800
Speaker 3: that's so locked into they craft and they business Like

485
00:18:02,840 --> 00:18:05,359
Speaker 3: I saw her work like in environments like where it

486
00:18:05,440 --> 00:18:08,239
Speaker 3: wasn't a work worthy environment and she be locked in.

487
00:18:08,359 --> 00:18:09,440
Speaker 2: So she's a talent for real.

488
00:18:09,520 --> 00:18:11,440
Speaker 3: For it's an honor to be a part of her

489
00:18:11,480 --> 00:18:13,159
Speaker 3: work and for her to be a part of my

490
00:18:13,200 --> 00:18:13,800
Speaker 3: work as well.

491
00:18:13,880 --> 00:18:14,760
Speaker 2: So that's a.

492
00:18:14,720 --> 00:18:16,960
Speaker 1: Movie, alright, So Tank, Sukihana, who else?

493
00:18:16,960 --> 00:18:19,440
Speaker 2: Todd Dollar Son? Oh my god, we got it.

494
00:18:20,080 --> 00:18:20,919
Speaker 1: You gonna have it.

495
00:18:20,920 --> 00:18:22,560
Speaker 2: It's gonna make the world explode.

496
00:18:23,359 --> 00:18:25,680
Speaker 3: It's gonna make a world explode. But nah, it's a great,

497
00:18:25,720 --> 00:18:27,199
Speaker 3: you know, great record like we got. We got hit

498
00:18:27,400 --> 00:18:30,080
Speaker 3: hits together before this record. So for him to bless

499
00:18:30,119 --> 00:18:31,879
Speaker 3: my project, you know what, I'm sound blessed like to

500
00:18:31,920 --> 00:18:34,159
Speaker 3: be able to have like so many crazy people you

501
00:18:34,200 --> 00:18:35,280
Speaker 3: know on the project.

502
00:18:35,320 --> 00:18:37,320
Speaker 1: So Project Ebonie first is an EP, but then there's

503
00:18:37,359 --> 00:18:38,640
Speaker 1: a full length project.

504
00:18:38,320 --> 00:18:39,400
Speaker 2: Here in twelve songs.

505
00:18:39,440 --> 00:18:41,720
Speaker 1: Twelve songs, so both is Project Ebonie.

506
00:18:41,800 --> 00:18:44,480
Speaker 3: Yeah, both this Project Ebne. So basically we released just

507
00:18:44,520 --> 00:18:45,760
Speaker 3: like me, you know what I'm saying, and then we

508
00:18:45,760 --> 00:18:48,320
Speaker 3: about to release three more joints. I got Queen Nije

509
00:18:48,359 --> 00:18:50,560
Speaker 3: on the project. She's the next single nice okay, and

510
00:18:50,600 --> 00:18:51,840
Speaker 3: we got one.

511
00:18:51,680 --> 00:18:52,400
Speaker 2: For Shure for show.

512
00:18:52,440 --> 00:18:54,960
Speaker 3: It's gonna this this one of them, and then we're

513
00:18:54,960 --> 00:18:56,680
Speaker 3: gonna roll it out as twelve songs, but we dropping

514
00:18:56,720 --> 00:18:59,119
Speaker 3: three songs next and then the whole project all roll

515
00:18:59,160 --> 00:18:59,520
Speaker 3: out over the.

516
00:18:59,520 --> 00:19:02,480
Speaker 2: Next couple okay, business man, we see, so we gonna

517
00:19:02,480 --> 00:19:03,320
Speaker 2: we don't put it together.

518
00:19:03,520 --> 00:19:05,720
Speaker 1: And being that you wrote this song just like me,

519
00:19:05,880 --> 00:19:09,040
Speaker 1: so I assume the hook and everything is real life.

520
00:19:09,160 --> 00:19:11,280
Speaker 3: Yeeah, Nah, it's definitely that's the kind of woman I

521
00:19:11,280 --> 00:19:12,720
Speaker 3: feel like, you know what, I'm saying like I'm a

522
00:19:12,840 --> 00:19:14,960
Speaker 3: man of multi facist like I was saying before, Like

523
00:19:15,160 --> 00:19:16,919
Speaker 3: I'm not just you know in the music like I

524
00:19:16,960 --> 00:19:19,479
Speaker 3: do basically whatever I want to do and everything. So

525
00:19:19,560 --> 00:19:21,919
Speaker 3: like I need somebody that can stand next to me

526
00:19:21,960 --> 00:19:23,560
Speaker 3: in that world, you know what I'm saying, Like I

527
00:19:23,640 --> 00:19:25,520
Speaker 3: might need you to hold up a two by four,

528
00:19:25,640 --> 00:19:27,760
Speaker 3: you know what I'm saying, Like, you know, I need

529
00:19:27,760 --> 00:19:29,520
Speaker 3: somebody that's gonna be you know, I feel like we

530
00:19:29,600 --> 00:19:32,040
Speaker 3: always need somebody that's compatible with who we are because

531
00:19:32,040 --> 00:19:33,760
Speaker 3: a lot of times we begin with people that are

532
00:19:33,800 --> 00:19:35,960
Speaker 3: beautiful but are unbalanced with our with our energy.

533
00:19:36,080 --> 00:19:38,080
Speaker 1: Well let's talk about this chasing women with you too?

534
00:19:38,240 --> 00:19:46,600
Speaker 1: So you need that also? Nah, that was just for

535
00:19:46,640 --> 00:19:47,000
Speaker 1: the song.

536
00:19:47,119 --> 00:19:49,679
Speaker 2: Yeah, yeah, that was for the song. Yeah, that's for

537
00:19:49,800 --> 00:19:53,320
Speaker 2: the song on the spot. I'm trying to tell.

538
00:19:53,160 --> 00:19:57,240
Speaker 1: You, So, is there a tour coming with this or

539
00:19:57,240 --> 00:19:58,560
Speaker 1: what are we doing to make sure.

540
00:19:58,400 --> 00:19:59,600
Speaker 2: Well first were putting out the project?

541
00:19:59,640 --> 00:20:00,880
Speaker 3: You know what I'm saying, Like I got a lot

542
00:20:00,920 --> 00:20:02,800
Speaker 3: of you know, key artists that are in my corner,

543
00:20:02,880 --> 00:20:04,600
Speaker 3: so like I'm basically what you do you know what

544
00:20:04,600 --> 00:20:07,159
Speaker 3: I'm saying, I'm gonna go out with them a few times,

545
00:20:07,240 --> 00:20:08,879
Speaker 3: just catch a vibe until like you know, when I

546
00:20:08,920 --> 00:20:10,320
Speaker 3: catch my wave and then I'm gonna get a world

547
00:20:10,400 --> 00:20:10,840
Speaker 3: meet for real.

548
00:20:11,119 --> 00:20:13,399
Speaker 1: All right, that sounds like a play. Well I'm excited

549
00:20:13,440 --> 00:20:15,480
Speaker 1: for and congratulations because all the work that you've been

550
00:20:15,480 --> 00:20:18,080
Speaker 1: doing behind the scenes. You right, it's time to stop being.

551
00:20:17,920 --> 00:20:20,600
Speaker 2: A It's time for show for show, and it feels.

552
00:20:20,320 --> 00:20:21,879
Speaker 1: Like and you got a lot of people in your corner.

553
00:20:21,920 --> 00:20:24,280
Speaker 1: And part of the reason for that is because of

554
00:20:24,320 --> 00:20:26,679
Speaker 1: the working relationship you've had with people, for sure, and

555
00:20:26,680 --> 00:20:27,520
Speaker 1: that they respect that.

556
00:20:27,520 --> 00:20:28,120
Speaker 2: Too, for sure.

557
00:20:28,200 --> 00:20:30,639
Speaker 1: But the talent and also you're just a cool person.

558
00:20:31,000 --> 00:20:32,000
Speaker 2: I appreciate that, you.

559
00:20:31,960 --> 00:20:34,159
Speaker 1: Know, shout out how I got Louis v Also, yes.

560
00:20:34,119 --> 00:20:35,680
Speaker 2: Sir, one of the greatest ever.

561
00:20:35,840 --> 00:20:37,520
Speaker 1: All right, well, we're looking forward to it, and I'm

562
00:20:37,560 --> 00:20:39,760
Speaker 1: sure you're gonna be back up here once the project

563
00:20:39,800 --> 00:20:40,840
Speaker 1: is out and everything.

564
00:20:40,560 --> 00:20:41,520
Speaker 2: Definitely all right.

565
00:20:41,560 --> 00:20:43,400
Speaker 1: Well, I Scott, How can people find you?

566
00:20:44,040 --> 00:20:46,760
Speaker 3: I am Marve Scott on Instagram? You can add me anywhere.

567
00:20:46,760 --> 00:20:48,159
Speaker 3: You know what I'm saying. My new single just like

568
00:20:48,240 --> 00:20:51,400
Speaker 3: me out all platforms. Check out the visualizer too. It's funny,

569
00:20:51,440 --> 00:20:51,880
Speaker 3: you know what I'm saying.

570
00:20:52,240 --> 00:20:52,840
Speaker 1: Quite funny.

571
00:20:52,920 --> 00:20:55,080
Speaker 2: I actually played one of I played one of the

572
00:20:55,160 --> 00:20:56,200
Speaker 2: one of the one of the dates.

573
00:20:56,200 --> 00:20:57,720
Speaker 1: I don't even know if you notice that, but I

574
00:20:57,720 --> 00:20:58,520
Speaker 1: did not notice.

575
00:20:58,880 --> 00:21:00,680
Speaker 2: Now when you go back, you're gonna be like, this

576
00:21:00,720 --> 00:21:01,560
Speaker 2: boy is a fool.

577
00:21:01,640 --> 00:21:03,000
Speaker 1: But yeah, you're having a good time.

578
00:21:03,200 --> 00:21:04,919
Speaker 2: No, for sure, for sure, this is art. We got

579
00:21:04,960 --> 00:21:06,479
Speaker 2: to express ourselves, all right.

580
00:21:06,520 --> 00:21:08,399
Speaker 1: Well, thank you so much. It is way up for Angela.

581
00:21:08,440 --> 00:21:10,560
Speaker 1: Yee I Scott, make sure you check him out. Project

582
00:21:10,640 --> 00:21:12,200
Speaker 1: Ebony is coming out later this month.

583
00:21:14,800 --> 00:21:15,040
Speaker 2: Wall