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Speaker 1: Welcome Joe Coy, there's your songs. Cabbage Talk, Joe, come

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Speaker 1: out and say Detroit plays in Brooklyn. Right begin right

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Speaker 1: enough stops questions. How much did you pay to have

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Speaker 1: this in a special Oh my god, that was a lot?

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Speaker 1: That was that was that was in the millions. No, no, no,

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Speaker 1: but it comes down to h It comes down to seconds.

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Speaker 1: So I'll tell you that much. Right. So it's like

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Speaker 1: we paid for fifteen seconds. I think how much was that?

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Speaker 1: At sixteen seconds? It would have been more? Yeah, I

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Speaker 1: think so, I think, because then it goes into like

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Speaker 1: thirty seconds, and then it goes into thirty five seconds.

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Speaker 1: There's different tiers of cost. Yeah, yeah, there was a lot.

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Speaker 1: There was a lot. I just played it didn't pay

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Speaker 1: a damn penny. Yeah yeah, yeah, yeah, yeah yeah. Well

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Speaker 1: they brought you to do it. Yeah yeah, you're lucky.

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Speaker 1: You know what sucks to is the negotiation process sucked

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Speaker 1: because I told my DJ, I go, you know, I go, look, man,

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Speaker 1: even if I think about doing it, just don't press play.

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Speaker 1: You know what I mean. Don't press play. We'll do

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Speaker 1: it a cappella, you know what I mean? Even if

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Speaker 1: I but I was such in a zone because I

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Speaker 1: always did it everywhere I went that I always say

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Speaker 1: play that. I always say it. It's like like have

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Speaker 1: it And he pressed play and I remember when he

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Speaker 1: pressed play like I was happy. But in my head,

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Speaker 1: I'm like, oh, this is gonna cause so much money.

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Speaker 1: So literally, like the negotiation process sucked because we already

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Speaker 1: had it right they you know, and we had to

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Speaker 1: make sure that they didn't know that we had it

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Speaker 1: already taped because if they would have known we had

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Speaker 1: it already taped, then they would have came in high. See.

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Speaker 1: People don't know this in the in the world we

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Speaker 1: live in. Yeah, look, artists should be paid for their music, Yeah,

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Speaker 1: for sure, so pay him pay I'm not the one

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Speaker 1: that sat here, no, but but but it's cool though.

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Speaker 1: It's like it went super viral. It went super That

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Speaker 1: bit was massive, right, and it was worth every penny.

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Speaker 1: It was worth everybody. I got my money back and

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Speaker 1: then some but not only that, I got to go

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Speaker 1: get on the phone with Missus Wallace. Yeah, it was

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Speaker 1: the most amazing. You know, she's got that beautiful like

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Speaker 1: Caribbean accent. You know. I think it's like it was

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Speaker 1: just really cute, so sweet.

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Speaker 2: Oh thank you so much for you know, for using

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Speaker 2: my son's music on your your special my son's voice

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Speaker 2: and music will be forever for generations to come. And

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Speaker 2: it was so sweet, and I go, of course, miss Wallace,

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Speaker 2: I love your son, and you charged.

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Speaker 1: Me a lot of money for dear sweet miss Wallace.

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Speaker 1: But she passed after that, she did. But here's a

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Speaker 1: cool thing, like, you know, we get to use his

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Speaker 1: there's an iconic picture of him where he wears the

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Speaker 1: crown and and I get to use that image and

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Speaker 1: she's you know, of course it's the last because she

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Speaker 1: was in charge of the Biggie her that that whole thing,

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Speaker 1: that Biggie is her account, right, that's where she generally,

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Speaker 1: you know, that's where she got a lot of the money.

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Speaker 1: I think, you know, the backstory and the whole biggest

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Speaker 1: situation with that. And we get the okay to use it.

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Speaker 1: And it was the last collab that she had, the

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Speaker 1: last biggie joke call it. That was the last collab

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Speaker 1: with that image. So so we also donate to the

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Speaker 1: Wallace Foundation because of it. So it's kind of cool

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Speaker 1: that his face is on there says spread love. It's

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Speaker 1: the Brooklyn Way. And then on the back. It's my

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Speaker 1: my joke about Biggie. So this is going on my mind.

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Speaker 1: This is a great story.

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Speaker 3: Yeah, I have a question about the story you just

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Speaker 3: told really quickly. So you talked about her accent and

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Speaker 3: then you did a very light version of her accent.

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Speaker 1: Were you nervous?

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Speaker 3: Are you nervous?

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Speaker 1: I don't know how to do that. That's the one.

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Speaker 1: There's two. I can't really do the Indian. No, I

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Speaker 1: can't they teach her last name is Gondy. I bet

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Speaker 1: she can teach her. Yeah, no, no, but I I

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Speaker 1: always want to. It's it's that's a it's a tough one.

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Speaker 1: People always say it's easy and it's not. And then uh,

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Speaker 1: because the guy that opens for him, he's my best friend.

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Speaker 1: I've known him for years. He's half he's half Indian,

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Speaker 1: half Filipino, and he kills it. He goes in and

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Speaker 1: out of that character when he does his grandfather, and

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Speaker 1: I'm just like, oh, it's such a good do your

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Speaker 1: great great grandfather.

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Speaker 3: I don't know that I could do gone the specifically,

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Speaker 3: but if you just change all your v's to w's

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Speaker 3: and vice versa, vice versa.

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Speaker 1: Whatever.

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Speaker 3: But's off, man, what's going on?

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Speaker 1: Yeah? But not the words. It's the mannerisms and the cadence,

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Speaker 1: you know what I mean. It's like it's that type

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Speaker 1: of stuff. And then also like the delays in each book,

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Speaker 1: like there's a there's a flow to it. I love it.

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Speaker 1: It's really cool. And then Jamaican one is another one

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Speaker 1: that I get jealous of because you know, there's different

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Speaker 1: styles of Jamaica. There's you know, there's Jamaica queens, there's

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Speaker 1: Toronto Jamaicans, there's all kinds of like there's Jamaican Jamaicans,

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Speaker 1: you know what I mean. So that accent's dope.

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Speaker 3: We have a thing around here about the accents because

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Speaker 3: Diamond does the worst. She's our phone screener, she does

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Speaker 3: the worst Australian accent ever. Yeah, and one of the

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Speaker 3: white guys we work with was like, that's horrible cultural appropriation.

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Speaker 1: You can't do an Australian accent. That's all a point.

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Speaker 3: Yeah, So we were just wondering what can people do

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Speaker 3: based on race. I think brown people can do everything,

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Speaker 3: but they say no, no, you.

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Speaker 1: Can't, thank you, yeah, yeah, yeah, whatever you want one,

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Speaker 1: No one canna argue with you over here. I'm not

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Speaker 1: gonna the white.

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Speaker 3: People won't do the Indian accent. They won't even try.

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Speaker 1: Why do you think ILMs went, hey, do it do

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Speaker 1: that job?

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Speaker 2: Do it for me?

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Speaker 1: So I'm Joe KOI by the way out on uh

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Speaker 1: On tour. You're rolling across America, Joe Koy, just being

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Speaker 1: Koy tour. Do you actually you hear about the tour bus?

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Speaker 1: Is there really a tour bus? I'm shure you just fly,

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Speaker 1: don't you? Yeah? We fly? But I you know, it's

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Speaker 1: funny because my bus driver goes, I'm a bus. Yeah, yeah, yeah,

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Speaker 1: I have a bus. And then but he calls it

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Speaker 1: a I'm a suitcase, I'm a suitcase grabber or something

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Speaker 1: like that. I forget what he calls it. And it's like,

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Speaker 1: cause there's there's rock tours where they literally live on

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Speaker 1: the bus and just go for like a year, right,

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Speaker 1: and then there's guys that fly to their bus and

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Speaker 1: the bus driver picks up our luggage and then for

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Speaker 1: three days he drives us around and then he drives

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Speaker 1: us to an airport and then we we leave again.

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Speaker 1: So then you have different buses. No, no, I have

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Speaker 1: the same bus. But how does it get to each place?

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Speaker 1: If he drives.

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Speaker 2: Drive?

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Speaker 1: Yeah? Yeah, yeah, Joey has never been on a bush

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Speaker 1: in his life. We stay on it for three days

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Speaker 1: and then and then the days off, I go home. Okay, sure,

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Speaker 1: and he and then he just dries. He drives to

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Speaker 1: the next city, which usually takes about two days or not.

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Speaker 1: You no, no, no, you got your plane now, yeah,

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Speaker 1: you got the bush in the air. Yeah, I got

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Speaker 1: to go home to my dogs. I'm with you. Yeah,

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Speaker 1: you can't take them on the road. No, these dogs

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Speaker 1: are they're not They're not well, they're just not. Like

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Speaker 1: you know, I see dogs on a plane and I'm

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Speaker 1: just like, Man, if my dog would just do that,

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Speaker 1: I'd have them with me. But nah, yeah, I got

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Speaker 1: the one that the one that I really like is

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Speaker 1: gonna talk too much. I don't know. They're they're they're

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Speaker 1: from the shelter, you know what I mean. Like, yeah,

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Speaker 1: so they're just dudes. How about how many do just too?

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Speaker 4: Yeah?

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Speaker 1: Yeah, you talk about your dogs like you talk about

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Speaker 1: your son, and yeah, we love my son. Loves him too.

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Speaker 1: What does he do it? He's great. I love it

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Speaker 1: when you talk about him and your mom. Those are

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Speaker 1: my two favorite things you talk about. Yeah, when you're

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Speaker 1: on stage and your kid oh, I love Yeah, my son.

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Speaker 1: It's even better now because he's on stage. We're not

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Speaker 1: on stage, he's on tour with me, so we see

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Speaker 1: in the world, you know what I mean. So it's

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Speaker 1: kind of cool to finally be able to like he

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Speaker 1: gets to witness what I've been doing my whole life

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Speaker 1: while he was a kid, because there was a point

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Speaker 1: where he didn't understand what I was doing, and uh,

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Speaker 1: and that and that always broke my heart. You know,

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Speaker 1: I would come home He's like, what do you do? Like,

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Speaker 1: you know what I mean? And all his other friends

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Speaker 1: were cool, you know, they had cool jobs, and and

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Speaker 1: then uh, and then he didn't understand what I was doing.

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Speaker 1: And then you know that that kind of hurt because

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Speaker 1: I was missing birthdays and stuff like that, and you know,

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Speaker 1: I was chasing a dream, you know what I mean.

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Speaker 1: And then finally when he graduated, he was like, there

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Speaker 1: was this one summer I was just like, this is

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Speaker 1: go on the road with me. I'll pay you, you

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Speaker 1: know what I mean. And then he went on the

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Speaker 1: road and and then that that's where he saw all.

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Speaker 1: That's why my dad did what he did. I get it.

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Speaker 1: He impressed. Oh, he loves it. Want to do that.

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Speaker 1: I we all say he's the funniest guy on the

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Speaker 1: tour and I and I know for a fact he is.

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Speaker 1: And I and he's got like the comedic skills. He's

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Speaker 1: got the timing, you know, he he he knows how

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Speaker 1: to do it naturally. And I always tell him please

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Speaker 1: get on stage because I would love it, and I

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Speaker 1: know he would kill it. And I would love to

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Speaker 1: have like the roles reverse, you know what I mean.

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Speaker 1: I opened for him that one day when he's having

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Speaker 1: to wipe your a minute, but my like when you

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Speaker 1: would talk about your son, Yeah, I mean you would

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Speaker 1: go into his voice dad, right, yeah? Yeah. Does he

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Speaker 1: still do that or is he growing? I do it

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Speaker 1: all the time that yeah, Okay, he's still yeah. Yeah. One.

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Speaker 1: It's so funny because he's twenty two and I still

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Speaker 1: look at him like he's fourteen, right, you know what

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Speaker 1: I mean, And and like I still see it in

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Speaker 1: the mannerisms. It's like talkies in the morning. It's like,

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Speaker 1: you know, that's breakfast for him. So it's like he's

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Speaker 1: still doing it, you know what I mean. He's still

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Speaker 1: he's still the kid, and I love it. Talk about

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Speaker 1: going to your stepfather's hometown to do a show in

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Speaker 1: this Was it a theater? Yeah, it was a small theater.

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Speaker 1: That's so funny. Yeah, uh yeah. When I was playing

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Speaker 1: in West Virginia and that's where my stepdad's from. There's

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Speaker 1: a joke that I do or I go. My dad

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Speaker 1: is the most indirect racist you know, I've ever met.

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Speaker 1: But I love him, you know what I mean. He

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Speaker 1: would have you know, I'd be sitting there eating dinner.

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Speaker 1: He's like, you know why I've married your MoMA. I'm

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Speaker 1: like why He's like, because I love Chinese food. And

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Speaker 1: I'm like, I'm like, she's Filipedo fred whatever. Right, Rice

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Speaker 1: is riss like and and everyone always everyone always thought

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Speaker 1: that I was talking about my real dad. It was

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Speaker 1: my stepdad, right and and and he was and he

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Speaker 1: was like my dad, you know what I mean. He

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Speaker 1: came into my life when I was like fourteen, issh whatever,

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Speaker 1: and and he was my everything, you know what I mean?

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Speaker 1: And uh he he was from West Virginia. Mountains of

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Speaker 1: West Virginia in West Virginia right now. Yeah, man, oh,

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Speaker 1: I love it there and and we finally I finally

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Speaker 1: got to play there in this this theater and we're

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Speaker 1: just I see all these chairs, like like like two

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Speaker 1: thousand chairs. I don't quote me on how many, but

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Speaker 1: like two thousand metal fold up chairs. It kind of

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Speaker 1: you remember from school back in the day, the old

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Speaker 1: classic fold and now they beat each other up into

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Speaker 1: w W. Yeah, but this is even older than that

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Speaker 1: like that, Like like when you pick up one, it

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Speaker 1: was heavy.

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Speaker 2: It was like this.

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Speaker 1: You could tell it was from like the fifties or

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Speaker 1: forties whatever. And they're all folded up in the back

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Speaker 1: and I was like, what do you guys doing with this?

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Speaker 1: And they're like overthrowing these away, and I'm like, oh man,

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Speaker 1: you're throwing it away and uh and he goes, yeah,

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Speaker 1: it's been here for years. And then uh, he was like,

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Speaker 1: you know, this is this is where Elvis Presley played.

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Speaker 1: His first concert was here, his very first concert was

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Speaker 1: right here. And I get out. He goes, come on,

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Speaker 1: come with me, and took me up these stairs, right

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Speaker 1: and if you go up these these stairs. Uh, there's

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Speaker 1: a Life magazine cover of him on the cover and

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Speaker 1: he's kissing this girl and he was kissing this girl

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Speaker 1: in this stairway at West Virginia and it was and

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Speaker 1: it was a whole article about him, you know, in

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Speaker 1: his first performance like the breakout Artist, you know, and

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Speaker 1: they showed me the stairway and everything, and I was

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Speaker 1: like what I go, I go, can I have some

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Speaker 1: of those chairs? And he goes, yeah, we're gonna throw

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Speaker 1: them away anyway, Yeah, because I guess history, like some

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Speaker 1: historian people already grabbed what they needed, but they were

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Speaker 1: gonna throw the rest of away. I was like, can

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Speaker 1: I just take like two I have it at my

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Speaker 1: house and then who cares? Who cares? And then on

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Speaker 1: top of that is uh, he goes, you want the

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Speaker 1: speakers and I go, yes, yes, I want those speakers

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Speaker 1: and it's like these these like one hundred year old speaker. Yeah,

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Speaker 1: these big giant like monitors and it's just you have

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Speaker 1: to tell you what do they do there? They no?

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Speaker 1: What we call this horn? I know is Elvis's voice

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Speaker 1: went through that speaker And maybe it's Ashtag on one

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Speaker 1: of those chairs. Yeah yeah, yeah, yeah, maybe not yeah

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Speaker 1: yeah no, but I I yeah, I had to take it.

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Speaker 1: But that's something I like to do, Like when I

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Speaker 1: when I toured and I hit some of these venues

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Speaker 1: like that, I like to take something from that venue.

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Speaker 1: Good God, keep an eye on Joe Koi when he

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Speaker 1: leaves the Z one hundred studio. Yeah, yeah, yeah, Oh

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Speaker 1: I already have it. It's that gold mic that you

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Speaker 1: It was like, so, uh, what an honor to have

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Speaker 1: your hand print and your footprint in front of the

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Speaker 1: Chinese theater. Who sponsors it now, someone? Yeah, Chinese theater.

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Speaker 1: That was nuts, you know. I remember going to to Hollywood.

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Speaker 1: Was when I was like, I don't know, eighteen or whatever, right,

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Speaker 1: and I remember putting my hand in Eddie Murphy's hand.

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Speaker 1: I remember like, wow, he's got small feet. I remember that,

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Speaker 1: and he had like dressed shoes on because he had

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Speaker 1: the heel in the front, and I was like, wow,

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Speaker 1: he's got small feet. I remember saying that and putting

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Speaker 1: my feet next to it, like you know, everyone does

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Speaker 1: that when they go to Hollywood. And then uh and

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Speaker 1: then when I was doing the uh, the speech that

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Speaker 1: you know, talked about that moment, it was so crazy

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Speaker 1: because well, I saw my life pass before my eyes,

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Speaker 1: and I remember coming here and doing that and everything

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Speaker 1: was just happening in my brain. Then I'm looking out

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Speaker 1: into the audience and who came for it? Like that?

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Speaker 1: That was a trip. Seeing baby face and Wannie and

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Speaker 1: Morris from Poiceman, and then of course Martin Lawrence was

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Speaker 1: there and Tisha Campbell was there next to you though,

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Speaker 1: who's your neighbor? Uh? You know, I think they put

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Speaker 1: those out randomly, so I guess they wherever they put it.

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Speaker 1: We don't know where they put it until they put

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Speaker 1: it out there. Yeah. Wow, I didn't know how I

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Speaker 1: got a star down the street. That's of course you do.

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Speaker 1: But by the way, every you know, every interview goes

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Speaker 1: back to you. You do know that, right, It always

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Speaker 1: goes back to the gold mic only the only reason

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Speaker 1: you're talking about. Yeah, let's interview you and let you

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Speaker 1: know the reason I'm better than Yeah, welcome to Elvis. No,

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Speaker 1: I went to a stupid star. You got your handprint

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Speaker 1: and your footprint. That's a much bigger things, much bigger thy.

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Speaker 1: Yeah yeah, yeah, but my neighbor, the guy from a

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Speaker 1: from Walking Dead, No, no, no, breaking Bad's yea Luther

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Speaker 1: Van Drass is right above me. How beautiful is that?

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Speaker 1: But last time I was there, there was like all

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Speaker 1: kinds of goop on his star. So I went and

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00:14:38,240 --> 00:14:41,920
Speaker 1: got like a I cleaned it off. She felt guilty.

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00:14:42,920 --> 00:14:44,840
Speaker 1: I felt bad, so I cleaned it off. Want to

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Speaker 1: see now? I don't even want to do it here

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Speaker 1: next to you, Joe. I want to go to Hollywood

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Speaker 1: and put my foot next Year's and see how big

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Speaker 1: it right now? No, no, they'll take it away without

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Speaker 1: her shoes. It would be a moment to do it.

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Speaker 1: I have no problem. Well, you do have to take

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Speaker 1: off your left you got small feet off your left.

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Speaker 3: Someone should film take.

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Speaker 1: The sketchers size figure, sketcher sketch step the sketcher moves,

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Speaker 1: Oh yeah, yeah, Look how white his socks are? You

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00:15:19,560 --> 00:15:22,200
Speaker 1: got white sock? I think I'm bigger that. Can't we

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Speaker 1: just stop stretching your toe like that? Why you just

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Speaker 1: tell us what your sizes are? Because I want to

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Speaker 1: touch a grown man's foot past that. It's hot? Yeah,

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Speaker 1: thank you? Was like physics. His heels off the treble.

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Speaker 1: Shouldn't you have told him.

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Speaker 2: You have.

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Speaker 1: A serious bottom the bottom of her sock too. That's

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Speaker 1: that's blood right there is that. It's definitely not a

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Speaker 1: clean sock. That's so it's contagious. I don't have ring worm.

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Speaker 1: Can you clean the goop off of my feet?

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Speaker 2: Yeah?

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Speaker 1: Yeah? Could I just say about seed? What your size? Well?

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Speaker 1: I'm not in a raff. I have to wear an

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Speaker 1: eleven because of the bunions you saw right, I have too.

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Speaker 1: I have one that I removed and I still have

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Speaker 1: the one on the right catch a.

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Speaker 3: Yes, what just happening? Here is the beginning of a

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Speaker 3: glorious only fans page.

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Speaker 1: I love that it's called sock fetish.

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Speaker 3: I don't have ringworm okay anymore?

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Speaker 1: You know what? Hey, guys, everyone that's listening, please donate

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Speaker 1: clean sock to the Elvis Durrant Show. I don't even

342
00:17:02,360 --> 00:17:04,800
Speaker 1: know that's that. I don't let this guy up a

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Speaker 1: golden mic and his rusty socks. I've had enough of you.

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Speaker 1: I don't know. I don't know that I usually have

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Speaker 1: clean socks. I don't know what that I swear I'm

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Speaker 1: gonna send you socks. I'm I'm gonna send you the

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00:17:19,280 --> 00:17:21,440
Speaker 1: kind I always will. I'm gonna talk about that. Joe

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00:17:21,560 --> 00:17:25,040
Speaker 1: coy is Ganny and Daniel backed me up. Is the

349
00:17:25,200 --> 00:17:27,600
Speaker 1: only guest who says he's gonna send swag and you

350
00:17:27,760 --> 00:17:31,520
Speaker 1: actually send people. Come on, I'm gonna send you a

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00:17:31,600 --> 00:17:36,360
Speaker 1: brand new Sharon and Sharon promised us all this new merch.

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00:17:37,320 --> 00:17:42,320
Speaker 1: I got the big black penis wait what, yes, what, well,

353
00:17:42,400 --> 00:17:47,400
Speaker 1: congratulations I had read that Ed Shearon gave this big

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00:17:47,560 --> 00:17:52,200
Speaker 1: black granite penis to Elton John and oh oh and

355
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Speaker 1: uh and the other singer, the other British singer, Sam Smith.

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Speaker 1: He's giving all his gay friends big blake penises and

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00:17:57,920 --> 00:18:00,960
Speaker 1: I'm like, well, where's mine? So one day I kid

358
00:18:01,000 --> 00:18:03,840
Speaker 1: you not knock at the door a big, a big

359
00:18:03,960 --> 00:18:06,159
Speaker 1: huge box from London, I mean, and I had to

360
00:18:06,880 --> 00:18:09,199
Speaker 1: pry it open with a crowbar. Who is a crowbar?

361
00:18:09,800 --> 00:18:11,920
Speaker 1: Open it up? Big black penis? No letter, no note?

362
00:18:11,920 --> 00:18:14,800
Speaker 1: I mean he sent me one. Why are we talking

363
00:18:14,800 --> 00:18:20,200
Speaker 1: about this because once again it's about you. That's why

364
00:18:21,280 --> 00:18:24,639
Speaker 1: it will be right back with more about me. Elvis

365
00:18:24,800 --> 00:18:28,879
Speaker 1: Durant on the Elvis Durant Show. Okay, let me be

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00:18:29,000 --> 00:18:31,160
Speaker 1: very clear. You would think after all these years, I'd

367
00:18:31,240 --> 00:18:33,520
Speaker 1: run out of things to say about myself. It's true

368
00:18:33,800 --> 00:18:37,720
Speaker 1: enough about me? What do you think about me? Is

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00:18:37,760 --> 00:18:40,160
Speaker 1: there anything that you did that I probably already did?

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00:18:41,680 --> 00:18:44,959
Speaker 1: Let us know and then I'll let you know here

371
00:18:45,040 --> 00:18:49,120
Speaker 1: on the Elda Durrant Show. Was you you say you're

372
00:18:49,119 --> 00:18:51,240
Speaker 1: gonna say something and you back it up and you

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00:18:51,280 --> 00:18:55,040
Speaker 1: actually send it. It's about you, Ja things a moment

374
00:18:55,280 --> 00:18:59,840
Speaker 1: of us scary as a comment about your.

375
00:19:00,440 --> 00:19:02,560
Speaker 5: Thank you so much for the shirt and the time

376
00:19:02,600 --> 00:19:05,040
Speaker 5: I wear it out in New York City, Filipino people

377
00:19:05,080 --> 00:19:05,520
Speaker 5: stop me.

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00:19:05,520 --> 00:19:14,280
Speaker 1: On the street. That's so funny, thank you, thank you

379
00:19:14,680 --> 00:19:15,600
Speaker 1: popping with the Filipino.

380
00:19:16,480 --> 00:19:17,760
Speaker 3: Are you sure they're Filipino?

381
00:19:18,359 --> 00:19:19,479
Speaker 1: I would imagine they were.

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00:19:21,320 --> 00:19:26,560
Speaker 3: Thanks so funny, just like your stepdad, Like, did they

383
00:19:26,600 --> 00:19:27,680
Speaker 3: say scary, I'm Filipino?

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00:19:27,720 --> 00:19:33,240
Speaker 4: I love Josh recording for General. That's so funny. Visit

385
00:19:34,000 --> 00:19:39,240
Speaker 4: I think, so, Hey, you know what's pushing me off, Joe,

386
00:19:39,320 --> 00:19:42,560
Speaker 4: It's not me. It's right back to me.

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Speaker 1: I turned on Netflix almost every week waiting for the

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00:19:47,480 --> 00:19:49,719
Speaker 1: new joke coy stand up, and I haven't seen one

389
00:19:49,720 --> 00:19:51,719
Speaker 1: in a while. Watch the Last Morning. I want one,

390
00:19:52,320 --> 00:19:57,399
Speaker 1: Brooklyn one. Yeah, new one drops. Uh. Well that's why

391
00:19:57,440 --> 00:19:59,959
Speaker 1: I'm not here. I'm editing. So we're editing it right now.

392
00:20:00,160 --> 00:20:02,719
Speaker 1: We just shot it and it'll probably be done right

393
00:20:02,760 --> 00:20:05,480
Speaker 1: around June. Let's try and get what we're looking for

394
00:20:05,920 --> 00:20:09,400
Speaker 1: June for the release. Be hot. But you know April

395
00:20:09,560 --> 00:20:13,920
Speaker 1: third and fourth, I met Radio City. Oh and it's

396
00:20:14,040 --> 00:20:14,720
Speaker 1: sold out.

397
00:20:15,200 --> 00:20:17,440
Speaker 3: Wow, we see that every day we drive Vice. Is

398
00:20:17,480 --> 00:20:17,960
Speaker 3: it right, across.

399
00:20:18,000 --> 00:20:20,760
Speaker 1: That's so crazy. I would have got a slice last

400
00:20:20,840 --> 00:20:23,720
Speaker 1: night at like midnight, And as I tell the driver,

401
00:20:23,800 --> 00:20:25,480
Speaker 1: I go open up the sunroof and I pop my

402
00:20:25,560 --> 00:20:28,760
Speaker 1: head out and I literally I'm like Radio City Music Hall.

403
00:20:28,920 --> 00:20:31,080
Speaker 1: I'm looking at the camera and I wanted to time

404
00:20:31,119 --> 00:20:32,879
Speaker 1: it so when we drive by, I'll just pull the

405
00:20:32,960 --> 00:20:35,000
Speaker 1: camera out and it'll be Radio City behind me. And

406
00:20:35,119 --> 00:20:39,040
Speaker 1: then as i'm my timing is perfect right, like I'm

407
00:20:39,119 --> 00:20:41,960
Speaker 1: about to hit Radio City, and then a car from

408
00:20:42,000 --> 00:20:44,159
Speaker 1: the left wane pulls in front of the driver to

409
00:20:44,240 --> 00:20:47,640
Speaker 1: make a right and brings us to us, and I'm

410
00:20:47,720 --> 00:20:49,600
Speaker 1: like this guy, so I'm just looking at the camera,

411
00:20:49,680 --> 00:20:51,840
Speaker 1: turned the plane off, and then we slowly roll after

412
00:20:51,880 --> 00:20:53,760
Speaker 1: it makes the right, and I pulled the camera and

413
00:20:53,880 --> 00:20:56,399
Speaker 1: as I pulled the camera, it said Joe Cooy And

414
00:20:56,480 --> 00:20:58,480
Speaker 1: I had no idea my name was on the marquee.

415
00:20:58,600 --> 00:21:00,359
Speaker 1: Oh really, So it was just like this. It was

416
00:21:00,400 --> 00:21:02,040
Speaker 1: like this thing because it would have been just a

417
00:21:02,200 --> 00:21:05,120
Speaker 1: drive by, but but when he stopped us, it slowed

418
00:21:05,200 --> 00:21:07,200
Speaker 1: us down enough to where it hit right in the middle.

419
00:21:07,200 --> 00:21:09,439
Speaker 1: It was It was crazy how it all happened last night.

420
00:21:09,520 --> 00:21:11,960
Speaker 1: By the way they bolted their chairs down. Radio yeah,

421
00:21:12,000 --> 00:21:14,399
Speaker 1: you can't take it. I already got one, had a

422
00:21:14,480 --> 00:21:17,960
Speaker 1: Phillip screw driver. I go on tour with I don't know,

423
00:21:18,040 --> 00:21:20,720
Speaker 1: you know, I we drive by Radio City every morning

424
00:21:20,760 --> 00:21:22,680
Speaker 1: coming to work, and it's like, oh God, this is

425
00:21:22,760 --> 00:21:24,879
Speaker 1: a New York thing. Yeah, being able to drive by

426
00:21:25,000 --> 00:21:28,160
Speaker 1: Radio City coming to work. But to see your name

427
00:21:29,520 --> 00:21:34,639
Speaker 1: on that historically significant marquee, Yeah, is that another one

428
00:21:34,640 --> 00:21:36,959
Speaker 1: of those moments? Yeah, because you know, I remember when

429
00:21:37,000 --> 00:21:38,520
Speaker 1: when I used to come to New York because I

430
00:21:38,640 --> 00:21:41,439
Speaker 1: walked all the time, and uh and I remember always

431
00:21:41,480 --> 00:21:46,040
Speaker 1: walking past MSG as well, and I remember the guy

432
00:21:46,119 --> 00:21:47,680
Speaker 1: at Caroline would always go, do you want to go

433
00:21:47,720 --> 00:21:49,000
Speaker 1: to a next game? I want to go to? I

434
00:21:49,040 --> 00:21:50,720
Speaker 1: got I can get you two tickets to the next game.

435
00:21:50,960 --> 00:21:53,720
Speaker 1: And I always said no because in my brain I

436
00:21:53,840 --> 00:21:55,119
Speaker 1: was like, no, the only time I want to go

437
00:21:55,200 --> 00:21:57,560
Speaker 1: in there is if I'm on stage. And then that

438
00:21:57,680 --> 00:21:59,240
Speaker 1: finally happened, so you know, you can go to a

439
00:21:59,320 --> 00:22:02,120
Speaker 1: next game now I can. But but but like those

440
00:22:02,160 --> 00:22:06,119
Speaker 1: are those are those iconic venues that we all like someday,

441
00:22:06,800 --> 00:22:08,520
Speaker 1: like these are all like those things where we just

442
00:22:08,560 --> 00:22:10,199
Speaker 1: look at it and it's like, Okay, yes, someday I'll

443
00:22:10,200 --> 00:22:12,280
Speaker 1: play it, Joe. But now you're you're doing it shows

444
00:22:12,359 --> 00:22:16,399
Speaker 1: in Dubai and you're doing shows so far we just

445
00:22:16,480 --> 00:22:20,919
Speaker 1: sold out so far? Are you choking?

446
00:22:21,160 --> 00:22:21,200
Speaker 5: No?

447
00:22:22,560 --> 00:22:28,080
Speaker 1: No, no, no, no choked up? Man, this is the

448
00:22:28,160 --> 00:22:34,480
Speaker 1: longest you've ever gone without mentioning yourself. I wish I

449
00:22:34,560 --> 00:22:37,760
Speaker 1: had you to you right now. You know, I played

450
00:22:37,920 --> 00:22:42,320
Speaker 1: M S. G. And I was the headliner. I remember

451
00:22:42,359 --> 00:22:48,080
Speaker 1: bringing def Leppard up. I'm not he people spend time

452
00:22:48,160 --> 00:22:50,400
Speaker 1: with us here in the chair because they were usually

453
00:22:50,440 --> 00:22:52,879
Speaker 1: promoting something. You're sold out here, so what are you

454
00:22:52,960 --> 00:22:55,119
Speaker 1: doing here? And just to say hi, Well, no one

455
00:22:55,160 --> 00:22:57,040
Speaker 1: gets a touch bet the way we touched it.

456
00:23:00,080 --> 00:23:03,159
Speaker 3: Lou day in uh like where Joe Koy Day in Honolu.

457
00:23:03,680 --> 00:23:06,119
Speaker 1: Yeah, it's so funny. We my son and I were

458
00:23:06,160 --> 00:23:08,639
Speaker 1: looking at all these things where it's like I have days.

459
00:23:09,359 --> 00:23:11,800
Speaker 1: Joe Coy's pretty cool. Yeah, it's pretty cool. And my

460
00:23:11,920 --> 00:23:13,399
Speaker 1: son's like, you need to hang these up. They're all

461
00:23:13,480 --> 00:23:15,200
Speaker 1: in the garage, you know what I mean. So with

462
00:23:15,359 --> 00:23:17,760
Speaker 1: the chairs, yeah, yeah, with the chairs and the speakers,

463
00:23:17,880 --> 00:23:20,560
Speaker 1: so yeah, I need to start hanging stuff up like that.

464
00:23:20,800 --> 00:23:22,200
Speaker 3: Why did you get your own day?

465
00:23:22,240 --> 00:23:28,879
Speaker 1: And why yeah get one? I would have watch we did.

466
00:23:29,000 --> 00:23:29,119
Speaker 5: Uh.

467
00:23:29,480 --> 00:23:32,000
Speaker 1: I got that when I did uh, I did the

468
00:23:32,080 --> 00:23:35,200
Speaker 1: Hawaii Theater and I sold it out so fast it

469
00:23:35,320 --> 00:23:37,400
Speaker 1: was like twelve shows. I got like twenty. I sold

470
00:23:37,480 --> 00:23:40,440
Speaker 1: like over twenty two twenty three thousand. I have, I

471
00:23:40,480 --> 00:23:43,920
Speaker 1: have all the information jeerally. Wow, I beat Mariah Carey's record.

472
00:23:44,600 --> 00:23:47,040
Speaker 1: Wow wow, yeah? Does she know about that?

473
00:23:47,200 --> 00:23:48,240
Speaker 3: Has she tried to kill you yet?

474
00:23:48,400 --> 00:23:48,440
Speaker 5: No?

475
00:23:48,680 --> 00:23:51,520
Speaker 1: No, no one, no. They gave you a day, Joe

476
00:23:51,600 --> 00:23:54,879
Speaker 1: Coy day. You know, good for you. We got to

477
00:23:54,880 --> 00:23:59,360
Speaker 1: get our own day. Speaking to your day me, that's

478
00:23:59,400 --> 00:24:01,040
Speaker 1: a one time. I was like, you know what, this

479
00:24:01,480 --> 00:24:05,520
Speaker 1: interview is done. I don't have a day yet, and

480
00:24:05,680 --> 00:24:08,440
Speaker 1: I will when I get it. I do, I'll play

481
00:24:08,520 --> 00:24:14,399
Speaker 1: this segment. But now, why are you ragging on me? Man?

482
00:24:15,600 --> 00:24:20,960
Speaker 1: This is awesome, I mean awful. I love your energy

483
00:24:21,000 --> 00:24:22,080
Speaker 1: when you come to see us, and I want you

484
00:24:22,119 --> 00:24:24,359
Speaker 1: to always come back and you can abuse me all

485
00:24:24,400 --> 00:24:27,320
Speaker 1: you want with warm feet. I'll get new socks. But

486
00:24:27,440 --> 00:24:29,720
Speaker 1: you did promise you'd sidy socks, and I bet you do. No,

487
00:24:29,840 --> 00:24:34,880
Speaker 1: I'm gonna I'm gonna see you have a day. Of course,

488
00:24:34,920 --> 00:24:36,960
Speaker 1: you have a day. I have a day. Elvis Duran

489
00:24:37,119 --> 00:24:43,119
Speaker 1: day from Nassau County, Long Island. Well look at that.

490
00:24:44,080 --> 00:24:45,760
Speaker 1: Why did you get that day? Almost? Do you remember?

491
00:24:45,880 --> 00:24:50,680
Speaker 1: I don't know. I'm Elvis Drad. Damn it, I don't know.

492
00:24:50,840 --> 00:24:52,720
Speaker 1: I have a day. Here. Hold this on my wall.

493
00:24:53,200 --> 00:25:00,520
Speaker 1: You I'm gonna put it next to your trophyphy. It

494
00:25:00,640 --> 00:25:05,000
Speaker 1: did come back to you. He somehow made it out

495
00:25:05,080 --> 00:25:06,720
Speaker 1: that I'm leaving. I'm leaving right now. You can have

496
00:25:06,800 --> 00:25:07,560
Speaker 1: the show. I saw Nate.

497
00:25:07,600 --> 00:25:09,639
Speaker 5: I saw Nate leave the city. It's like someone get

498
00:25:09,720 --> 00:25:14,639
Speaker 5: a day. Just preat something up. We can't let the

499
00:25:14,760 --> 00:25:17,960
Speaker 5: show out this way. You know he's a one upper.

500
00:25:18,240 --> 00:25:25,040
Speaker 1: Hurry up, prent something now here you go, Nate. Oh

501
00:25:25,160 --> 00:25:28,720
Speaker 1: thank god, oh god, we got a day, boss, we

502
00:25:28,800 --> 00:25:34,399
Speaker 1: got a day. You wore me out. Joe, we love you.

503
00:25:34,600 --> 00:25:35,200
Speaker 1: I love you, boy,