WEBVTT - Broken Systems

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<v Speaker 1>This episode is sponsored by FX's Fleischman Is in Trouble,

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<v Speaker 1>starring Jesse Eisenberg, Claire Danes, Lizzie Kaplan, and Adam Brodie.

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<v Speaker 1>The strama tells the story of recently divorced Toby Fleischmann,

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<v Speaker 1>who dies into the world of app based dating with

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<v Speaker 1>the kind of success he never had in his youth.

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<v Speaker 1>Then his ex wife disappears, leaving him with their two

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<v Speaker 1>children and no hint of her return effectus. Fleischman Is

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<v Speaker 1>in Trouble, streaming November seventeenth only on Hulu. Good morning, peeps,

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<v Speaker 1>and welcome to wikate FP Daily with Meet your Girl

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<v Speaker 1>Danielle Moody recording Not So Live from La Folks. I

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<v Speaker 1>want to give a round up of the bullshit that

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<v Speaker 1>has transpired this week. You know, I spoke about this

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<v Speaker 1>yesterday and I said that they are a myriad of

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<v Speaker 1>people who want us to be satisfied with incremental change,

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<v Speaker 1>who are making pronouncements about what in fact is inside

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<v Speaker 1>of the Build Back Better Plan and the fact that

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<v Speaker 1>it was dramatically cut in half because of two senators

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<v Speaker 1>who are so in the pocket of corporations and the

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<v Speaker 1>wealthy that they don't see the needs of three hundred

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<v Speaker 1>and thirty some odd million Americans that they don't care

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<v Speaker 1>about the needs of three hundred and thirty some one

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<v Speaker 1>million Americans. I think that one of the greatest tragedies

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<v Speaker 1>of the last I don't know, eighteen nineteen months at

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<v Speaker 1>this point of COVID is not just the deaths. That

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<v Speaker 1>obviously is a major tragedy. Over seven hundred thousand Americans

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<v Speaker 1>have perished. The other greatest tragedy that I see unfolding

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<v Speaker 1>right now is our government's inability to use what we

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<v Speaker 1>learned about broken systems, broken agencies and use this chance,

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<v Speaker 1>this opportunity under the Biden administration to create massive progressive

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<v Speaker 1>overhaul of our country. If there was nothing else that

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<v Speaker 1>we learned during this global health pandemic, it's that our

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<v Speaker 1>schools don't have the right infrastructure, That there are some

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<v Speaker 1>schools that have had hvacts from decades ago. Right, that

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<v Speaker 1>our children across this country we're breathing in polluted air

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<v Speaker 1>before COVID, Right that there were no air purifiers. That's

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<v Speaker 1>just the basics. That there were children across the country

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<v Speaker 1>who we knew didn't have access to broadband, right making

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<v Speaker 1>it narrowly impossible to be able to keep up with

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<v Speaker 1>their counterparts who may be better off economically. We knew

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<v Speaker 1>that that childcare costs in this country are out of control,

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<v Speaker 1>forcing parents and caregivers to have to make critical decisions

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<v Speaker 1>between whether or not they're going to be able to

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<v Speaker 1>pay for a mortgage or their rent and also pay

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<v Speaker 1>for childcare, which in some states like the one that

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<v Speaker 1>I live in in New York and the one that

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<v Speaker 1>I'm currently in right now in California, have some of

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<v Speaker 1>the highest childcare costs in the country, where you are

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<v Speaker 1>looking at maybe three four five thousand dollars a month

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<v Speaker 1>right if you have more than one child that requires care.

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<v Speaker 1>That we've had no real investment in universal pre K

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<v Speaker 1>and all of these things that the pandemic illuminated for us.

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<v Speaker 1>What are some of the other things that we've seen,

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<v Speaker 1>The historic amount of storms, the intensity of those storms, fires, hurricanes, tornadoes,

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<v Speaker 1>and how they cost billions upon billions of dollars in repair.

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<v Speaker 1>And so to not look at these really critical times

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<v Speaker 1>that we are living in and not look at where

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<v Speaker 1>the opportunity lies for us to improve upon broken systems,

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<v Speaker 1>and instead decide that either we're just going to continue

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<v Speaker 1>to kick the can down the road or be happy

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<v Speaker 1>with the crumbs that we are given. You know, I

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<v Speaker 1>was never one of those people that believed that government

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<v Speaker 1>was broken, right, obviously, because I've spent my entire professional

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<v Speaker 1>career working in and around the federal government, right, whether

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<v Speaker 1>I was working on Capitol Hill or as a lobbyist,

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<v Speaker 1>or as a advisor on policy, or working in media

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<v Speaker 1>speaking on the issues that are plaguing our country. But

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<v Speaker 1>I always felt like, well, well, given more information, with

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<v Speaker 1>more people galvanized, right, more citizens paying attention and demanding better,

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<v Speaker 1>that we would get better. Right. So that was the

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<v Speaker 1>whole premise behind starting woke AF in the first place.

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<v Speaker 1>It was like, well, if more people had been conscious

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<v Speaker 1>right to the bullshit in twenty fifteen and twenty sixteen,

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<v Speaker 1>then maybe we wouldn't have gotten a Donald Trump. Maybe

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<v Speaker 1>trumps m wouldn't have been able to take hold and

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<v Speaker 1>spread like a cancer across this country in the way

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<v Speaker 1>that it has. But the reality is is that when

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<v Speaker 1>I sit back and I look around now, and I

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<v Speaker 1>think about how it has been ten months since the

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<v Speaker 1>Biden administration entered into power, and I keep asking everyone

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<v Speaker 1>that I come into contact with from various walks of life.

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<v Speaker 1>Do you feel better? There is not a person that

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<v Speaker 1>I am coming across that says yes, I do. So

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<v Speaker 1>what does that mean about people thoughts and feelings about

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<v Speaker 1>how our federal government is working for us. It means

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<v Speaker 1>that more people are feeling let down, disappointed, angry with

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<v Speaker 1>the ways in which they're seeing this political theater play

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<v Speaker 1>out around this legislation and others. I mean, it was

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<v Speaker 1>just over the summer when Corey Booker was holding a

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<v Speaker 1>microphone saying, well, after eight months of quote unquote good

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<v Speaker 1>faith negotiations with Republican Tim Scott, we're not getting any

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<v Speaker 1>police reform, regardless of the fact that as a country

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<v Speaker 1>and as the world watch George Floyd have his last breath,

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<v Speaker 1>hath his life squeezed out of his body by a

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<v Speaker 1>police officer. And before George Floyd, and after George Floyd,

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<v Speaker 1>too many black and brown people have been killed by police.

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<v Speaker 1>But over the summer, our political leaders walked in front

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<v Speaker 1>of cameras and threw up their hands. Then it has

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<v Speaker 1>been the same situation with voting rights, which in my opinion,

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<v Speaker 1>should have been the first thing outside of the rollout

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<v Speaker 1>for vaccines, should have been the first thing big initiative

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<v Speaker 1>that this administration was taking on following the death of

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<v Speaker 1>fucking John Lewis. It is not enough to put people's

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<v Speaker 1>names on legislation that you have no fucking intention or

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<v Speaker 1>strategy to pass. Oh, the George Floyd Policing Act, Yeah,

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<v Speaker 1>and it's as dead as George Floyd is. The John

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<v Speaker 1>Lewis Voting Rights Act, wonderful marker, but that's dead in

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<v Speaker 1>the water too. But at the same time that two

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<v Speaker 1>are these important pieces of legislation that would begin to

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<v Speaker 1>reshape and reimagine broken systems. Then they want to turn

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<v Speaker 1>around and pass Juneteenth legislation and then at the same

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<v Speaker 1>time make Juneteenth a federal holiday. But guess what, you

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<v Speaker 1>can't teach it and damn near half of the schools

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<v Speaker 1>in this country because they now have bands on actual,

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<v Speaker 1>real and inclusive and comprehensive American history otherwise known as

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<v Speaker 1>critical race theory. So when I look around right now

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<v Speaker 1>and I'm sitting back and I'm thinking to myself, is

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<v Speaker 1>government broken? Like? Are we just done? Because we realize

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<v Speaker 1>just how ineffective our political leaders are because they are

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<v Speaker 1>so bought and sold by the people who fill their

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<v Speaker 1>political coffers. If citizens United had never happened, Right if

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<v Speaker 1>that bullshit Supreme Court didn't decide that we could just

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<v Speaker 1>have an influx of money into our political system. Do

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<v Speaker 1>you think that Kirsten's cinema would have found herself across

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<v Speaker 1>the pond when major negotiations would happen because her constituents

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<v Speaker 1>eyes would have been on her and what she was doing.

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<v Speaker 1>But she's not beholden to them, so she could care less.

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<v Speaker 1>Minnie saw her presiding over the Senate in a denim jacket,

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<v Speaker 1>flipping her hair like she's some teenage girl trying to

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<v Speaker 1>get the attention of some boy or girl in their class.

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<v Speaker 1>That's how serious she looked. So without deep accountability, and

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<v Speaker 1>dare I say actual fear of what your constituents will do,

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<v Speaker 1>namely voting you out, then what are you actually doing?

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<v Speaker 1>Where is the where is your get up and go?

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<v Speaker 1>You have none? I told you yesterday there's not one

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<v Speaker 1>billionaire in West Virginia. But right now Joe Mansion doesn't

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<v Speaker 1>want a billionaire tax because it's the billionaires that feed

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<v Speaker 1>his energy company that are his shareholders. Forty years, this

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<v Speaker 1>man has been representing a very destitute state in this

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<v Speaker 1>country for forty years which tells you a couple of things. Either,

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<v Speaker 1>the people are so desperate and so unable to put

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<v Speaker 1>food on their table to go and pick up and

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<v Speaker 1>fill prescription drug medications because they don't have enough money.

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<v Speaker 1>They're so busy and underwater with their day to day

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<v Speaker 1>that they don't have the attention to wonder what is

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<v Speaker 1>my senator actually fucking doing for me? And I think

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<v Speaker 1>on both Democrats and Republican sides, that that's the way

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<v Speaker 1>they fucking want it. Keep people in despair, keep them

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<v Speaker 1>in dysfunction, so that then they're not paying enough attention

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<v Speaker 1>to know that you are literally picking their pockets, that

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<v Speaker 1>you are literally doing nothing that you took an oath

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<v Speaker 1>to do. I said yesterday it is time, I believe,

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<v Speaker 1>for us to move away from our focus on the

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<v Speaker 1>presidency and on Congress, not to not vote. That's not

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<v Speaker 1>what I'm saying, but I'm saying the fact is is

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<v Speaker 1>that the federal level ain't where things are at. It

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<v Speaker 1>is at the state and local level. And you know

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<v Speaker 1>who knows that fucking Republicans who are running for everything

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<v Speaker 1>from dog catcher to school board to city council to

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<v Speaker 1>state representatives because they know that they have no policies

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<v Speaker 1>that anybody gives a shit about, and as a matter

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<v Speaker 1>of fact, they know they don't need them, because when

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<v Speaker 1>you're the party of no, no one is looking to

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<v Speaker 1>you to offer a damn thing. They're just looking for

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<v Speaker 1>you to roll back the clock so that you can

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<v Speaker 1>feel better about your racism, so that you can feel

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<v Speaker 1>accepted in taking off your hood and letting people know

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<v Speaker 1>how you really feel. But the question that I continue

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<v Speaker 1>to ask is, if we know that to be true,

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<v Speaker 1>those of us who have the ability to be tapped in,

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<v Speaker 1>then why aren't we messaging that. How is it that

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<v Speaker 1>our government can be so ineffectual and these people hold

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<v Speaker 1>jobs for fucking decades and do absolutely nothing. It's why

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<v Speaker 1>I ask myself at the end of every week and

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<v Speaker 1>midweek and at the beginning of every week, what am

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<v Speaker 1>I doing? Because I want to actually be of service?

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<v Speaker 1>Because unlike our representatives right now, federal representatives, I want

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<v Speaker 1>to be of service. I want to help people be better,

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<v Speaker 1>do better, think clearer, understand their power and wield it

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<v Speaker 1>in a strategic manner. I try and inform as many

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<v Speaker 1>people as possible. This is one of the reasons why

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<v Speaker 1>we're going to be doing full video of the show,

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<v Speaker 1>but then offering the audio for free because I said,

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<v Speaker 1>I need to reach more people. I need to do

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<v Speaker 1>what I can do in my little corner of the universe,

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<v Speaker 1>because our democracy is slipping away, and it's not even slipping,

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<v Speaker 1>it's being pushed over a cliff. And the people that

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<v Speaker 1>we call on to represent us and be our voices

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<v Speaker 1>are the ones that are silent right now, with their

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<v Speaker 1>hands in their pockets, looking everywhere but at us. And

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<v Speaker 1>it's time that we start looking at each other and

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<v Speaker 1>ourselves and saying what is next? If this is broken

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<v Speaker 1>and we can't reimagine where we go with this current system,

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<v Speaker 1>then what do we do with it? Coming up next, friends,

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<v Speaker 1>is my conversation with a brilliant, brilliant Nigerian British artist, DeCicco.

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<v Speaker 1>We have a deep conversation about his understanding of blackness

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<v Speaker 1>and how he uses his understanding and his depth of

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<v Speaker 1>knowledge and his Nigerian roots to create some of the

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<v Speaker 1>most beautiful pieces I've ever seen. And if you are

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<v Speaker 1>on Instagram, look up a Sicco asi Ko and look

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<v Speaker 1>at his work. As we get into this conversation about art,

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<v Speaker 1>about beauty, about blackness, and about purpose, folks, I am

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<v Speaker 1>really excited to welcome to woke f for the very

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<v Speaker 1>first time, an artist that I came upon on Instagram

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<v Speaker 1>when I decided that I was no longer interested in

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<v Speaker 1>just following politicos and no longer interested in misery and

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<v Speaker 1>wanted to fill my feed with beauty. A Sicco is

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<v Speaker 1>an incredible artist that encapsulates the beauty of blackness and

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<v Speaker 1>the ordination and the spirituality and the royalty. That's what

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<v Speaker 1>those are all of the words, uh that come to

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<v Speaker 1>my mind when I see your work. And so I

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<v Speaker 1>just want to start off with one appreciating you because

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<v Speaker 1>in a time when still regardless of what part of

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<v Speaker 1>the Black diaspora you come from, you still are not

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<v Speaker 1>inundated with black beauty. You still are not inundated with

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<v Speaker 1>black success um and and excellence and innovation um in

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<v Speaker 1>a way that we should be in the in the

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<v Speaker 1>twenty first century. So I want to first ask you,

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<v Speaker 1>you know, about being about the label artist and what

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<v Speaker 1>that what that means to you and why you've chosen

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<v Speaker 1>um the subjects that you have. Okay, thank you so much,

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<v Speaker 1>Daniel for allowing to talk. It's always good to talk

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<v Speaker 1>about the work and always a share ideas. So for

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<v Speaker 1>me things, so my stories are strange. One. I so

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<v Speaker 1>I didn't start out as an artist, and that's an

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<v Speaker 1>interesting word artist. I think I'm a human being navigating

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<v Speaker 1>is the life and navigating who he is and how

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<v Speaker 1>he fits in the world. And then art is my

0:18:23.480 --> 0:18:27.040
<v Speaker 1>form of expression, my way to talk to the world,

0:18:27.440 --> 0:18:30.520
<v Speaker 1>my way to talk about the things that inspire me,

0:18:30.640 --> 0:18:34.000
<v Speaker 1>but also talk about the things that kissed me off

0:18:34.240 --> 0:18:39.320
<v Speaker 1>and talk about the things that I love, but then

0:18:39.359 --> 0:18:42.080
<v Speaker 1>the things that I want to shout about. And so

0:18:43.400 --> 0:18:47.639
<v Speaker 1>artists kind of my way to express and to talk

0:18:47.840 --> 0:18:51.840
<v Speaker 1>about those things. So the word artist has kind of

0:18:51.880 --> 0:18:57.880
<v Speaker 1>come with that whole. With that whole, I guess paradise.

0:18:58.840 --> 0:19:01.159
<v Speaker 1>But I didn't start up as an artist. That I

0:19:01.359 --> 0:19:04.520
<v Speaker 1>started out. You know, I've got a Nigerian parents, So

0:19:04.760 --> 0:19:09.520
<v Speaker 1>I started out as a I have a master's degree

0:19:09.720 --> 0:19:15.040
<v Speaker 1>in biotraumatics and I'm a chemist, um, you know, trained

0:19:15.119 --> 0:19:19.400
<v Speaker 1>in university and I worked in the pharmacy pop industry

0:19:19.520 --> 0:19:21.920
<v Speaker 1>for you know, quite a couple of years and then.

0:19:22.640 --> 0:19:24.879
<v Speaker 1>But I was always interested in art and it was

0:19:24.920 --> 0:19:27.720
<v Speaker 1>something that fed my soul. You know. My dad was

0:19:27.760 --> 0:19:30.760
<v Speaker 1>a collector and he had worked all around, and I

0:19:30.840 --> 0:19:34.280
<v Speaker 1>was also interested in European arts. So a lot of

0:19:34.280 --> 0:19:37.360
<v Speaker 1>these things kind of fed me. And then I think

0:19:37.400 --> 0:19:40.840
<v Speaker 1>when it was time and when my work had developed,

0:19:40.920 --> 0:19:44.760
<v Speaker 1>I took that progression to become I guess the word

0:19:44.880 --> 0:19:49.119
<v Speaker 1>is full time artist. So it's been an interesting journey,

0:19:49.760 --> 0:19:52.480
<v Speaker 1>but I find for me it's a way to talk

0:19:52.520 --> 0:19:55.840
<v Speaker 1>about the things that I want to talk about. It

0:19:56.560 --> 0:20:00.960
<v Speaker 1>it's my journey understanding blackness. You know, I didn't just

0:20:01.840 --> 0:20:04.600
<v Speaker 1>all the world blackness till I moved to the UK.

0:20:05.720 --> 0:20:07.600
<v Speaker 1>It was in the UK that I found out I

0:20:07.680 --> 0:20:11.680
<v Speaker 1>was black. In Nigeria, where I lived till I was

0:20:11.720 --> 0:20:14.560
<v Speaker 1>about sixteen seventeen, I didn't think I was black. I

0:20:14.680 --> 0:20:17.600
<v Speaker 1>just thought I was I was just a guy. And

0:20:17.640 --> 0:20:20.240
<v Speaker 1>then I came to kind of found out was black.

0:20:20.320 --> 0:20:24.480
<v Speaker 1>And then so when I grew older, those other things

0:20:24.480 --> 0:20:27.920
<v Speaker 1>I started to talk about through my work to celebrate

0:20:28.400 --> 0:20:33.119
<v Speaker 1>my blackness, but also to um talk about the things

0:20:33.160 --> 0:20:41.080
<v Speaker 1>that was there in your journey, which is so interesting, right,

0:20:41.160 --> 0:20:45.919
<v Speaker 1>I think that we all enter into I'm a child

0:20:45.960 --> 0:20:49.159
<v Speaker 1>of immigrants to the United States myself. My family is

0:20:49.200 --> 0:20:54.320
<v Speaker 1>from Jamaica, and you know, there is always this idea

0:20:54.680 --> 0:20:58.240
<v Speaker 1>that there's only certain track that you can go into, right,

0:20:58.320 --> 0:21:01.480
<v Speaker 1>because your family wants you to have great success, and

0:21:01.560 --> 0:21:07.600
<v Speaker 1>great success means finance, financial stability. Right. What was the

0:21:07.640 --> 0:21:10.600
<v Speaker 1>tipping point moment or was there a tipping point moment

0:21:10.680 --> 0:21:14.240
<v Speaker 1>for you when you are you have your masters and

0:21:14.280 --> 0:21:19.119
<v Speaker 1>you're working in pharmaceuticals and a chemist and you're just like, so,

0:21:19.960 --> 0:21:22.080
<v Speaker 1>I don't want to do this anymore, or this is

0:21:22.160 --> 0:21:27.199
<v Speaker 1>not allowing me to really express my full self. I

0:21:27.240 --> 0:21:30.040
<v Speaker 1>still feel like I'm shelving a part of myself. Was

0:21:30.119 --> 0:21:33.320
<v Speaker 1>there a moment or a series of moments that led

0:21:33.359 --> 0:21:36.000
<v Speaker 1>to you saying this is what this is who I

0:21:36.040 --> 0:21:38.920
<v Speaker 1>want to be or how I want to express myself

0:21:38.920 --> 0:21:45.720
<v Speaker 1>full time? So that's an interesting question. There was no

0:21:45.880 --> 0:21:50.720
<v Speaker 1>definitive moment. There wasn't some sort of Eureka explosion about

0:21:50.960 --> 0:21:53.959
<v Speaker 1>this is the time. And I think, you know, as

0:21:54.119 --> 0:21:59.320
<v Speaker 1>as we get older, we have to be smart about

0:21:59.440 --> 0:22:04.320
<v Speaker 1>the about the sort of steps we take. And for me,

0:22:04.400 --> 0:22:06.679
<v Speaker 1>it was actually a gradual thing. And I was in

0:22:06.760 --> 0:22:09.720
<v Speaker 1>no rush because I actually did it once where I

0:22:09.720 --> 0:22:12.760
<v Speaker 1>did quit everything and I said, you know, I'm going

0:22:12.840 --> 0:22:14.720
<v Speaker 1>to be a full time market to quit my job,

0:22:15.880 --> 0:22:19.520
<v Speaker 1>and you know, I'd saved some money, and it didn't.

0:22:19.800 --> 0:22:22.760
<v Speaker 1>But I know why I didn't work because I wasn't

0:22:22.840 --> 0:22:27.040
<v Speaker 1>the artist that I am now. I wasn't fully leaned

0:22:27.119 --> 0:22:30.199
<v Speaker 1>into who I'm supposed to be as a person. I

0:22:30.240 --> 0:22:34.560
<v Speaker 1>don't fully activated that part of myself. And it was

0:22:34.640 --> 0:22:37.480
<v Speaker 1>when I started, when I went through a self discovery

0:22:37.560 --> 0:22:40.200
<v Speaker 1>journey of knowing that actually I just shouldn't be making

0:22:40.200 --> 0:22:43.240
<v Speaker 1>the work for other people. I should be making work

0:22:43.320 --> 0:22:47.600
<v Speaker 1>about my journey. And then and in some ways that

0:22:47.680 --> 0:22:51.960
<v Speaker 1>was a transition from being a photographer to being an

0:22:52.040 --> 0:22:56.480
<v Speaker 1>artist where the work has more meaning and it has

0:22:56.560 --> 0:23:00.880
<v Speaker 1>more debt to it. So there wasn't that definitive moments,

0:23:00.920 --> 0:23:03.840
<v Speaker 1>and for some people there is, but I didn't have

0:23:03.880 --> 0:23:09.040
<v Speaker 1>the luxury of that. You know, I'm married, and you

0:23:09.040 --> 0:23:11.879
<v Speaker 1>know I can't just there are two people involved in

0:23:11.920 --> 0:23:16.360
<v Speaker 1>that equation, so I can't just jump everything and just say, hey,

0:23:16.520 --> 0:23:18.800
<v Speaker 1>you know what, We're going to go and live on

0:23:18.840 --> 0:23:23.520
<v Speaker 1>somebody's couch right now and be a what what's the word, uh,

0:23:23.960 --> 0:23:30.719
<v Speaker 1>struggling artist And the Nigerian narrative. Nigerians don't do struggling,

0:23:31.040 --> 0:23:34.800
<v Speaker 1>you know, um not have any money in their profits

0:23:34.960 --> 0:23:37.520
<v Speaker 1>kind of art that it doesn't work in our narratives,

0:23:37.600 --> 0:23:39.200
<v Speaker 1>and those are some of the things I picked from

0:23:39.200 --> 0:23:42.800
<v Speaker 1>my parents, as much as it was challenging to express

0:23:42.840 --> 0:23:45.520
<v Speaker 1>to them, this is what I do. I've learned a

0:23:45.520 --> 0:23:48.560
<v Speaker 1>lot of things about how to take the family, of

0:23:48.760 --> 0:23:52.879
<v Speaker 1>how to be responsible, of how to build a life.

0:23:53.920 --> 0:23:57.240
<v Speaker 1>And I learned that those bits from them. So I'm

0:23:57.280 --> 0:24:01.040
<v Speaker 1>a balance between both of those worlds and I've learned

0:24:01.040 --> 0:24:04.080
<v Speaker 1>to navigate them well over the past couple of years.

0:24:05.240 --> 0:24:09.960
<v Speaker 1>What was it about moving to the UK that had

0:24:10.000 --> 0:24:15.280
<v Speaker 1>you really begin to understand your blackness in the perspective

0:24:15.359 --> 0:24:19.480
<v Speaker 1>of other people's view of you? Right? Because you understood

0:24:19.520 --> 0:24:23.840
<v Speaker 1>yourself in one context living in Nigeria being around people

0:24:24.040 --> 0:24:26.840
<v Speaker 1>who who look like you, right, who are in all

0:24:26.880 --> 0:24:31.399
<v Speaker 1>sorts of positions of power, right from prime ministers and

0:24:31.480 --> 0:24:35.240
<v Speaker 1>presidents and you know, nurses and doctors and all of

0:24:35.240 --> 0:24:40.320
<v Speaker 1>these different things. How did you understand then your black

0:24:40.440 --> 0:24:43.200
<v Speaker 1>or begin to understand your blackness through what I'm assuming

0:24:43.320 --> 0:24:46.440
<v Speaker 1>is the white gaze, right is through white people's is

0:24:46.480 --> 0:24:50.000
<v Speaker 1>through white people's eyes as a post through your own.

0:24:50.480 --> 0:24:56.400
<v Speaker 1>How did that come about? So this is so late.

0:24:59.520 --> 0:25:04.320
<v Speaker 1>So first, living in Nigeria, there's a lot of imports

0:25:04.640 --> 0:25:09.320
<v Speaker 1>of Western culture. So from TVs to film, so you

0:25:09.600 --> 0:25:12.240
<v Speaker 1>in some way do you start to see a reflection

0:25:12.960 --> 0:25:17.560
<v Speaker 1>of what other people feel black people are. Um, you know,

0:25:17.680 --> 0:25:23.840
<v Speaker 1>so the narrative is a gang banger or or or

0:25:24.040 --> 0:25:27.760
<v Speaker 1>drug dealer or or or he's he's the person that's

0:25:27.760 --> 0:25:31.920
<v Speaker 1>always going to get killed before you know, the film

0:25:31.960 --> 0:25:34.920
<v Speaker 1>gets anyway, before we get halfway through the film, you

0:25:35.000 --> 0:25:38.840
<v Speaker 1>get killed, which is interesting because black people have this

0:25:39.160 --> 0:25:43.080
<v Speaker 1>amazing self preservation. So if there was a real life situation,

0:25:43.359 --> 0:25:46.000
<v Speaker 1>the black people are definitely not going to get killed first.

0:25:46.080 --> 0:25:48.720
<v Speaker 1>So I don't understand how the how it goes like

0:25:48.800 --> 0:25:54.359
<v Speaker 1>that film. Um, but so I started to see through

0:25:54.480 --> 0:25:58.480
<v Speaker 1>this influx or Western culture, you start to get an

0:25:58.520 --> 0:26:01.760
<v Speaker 1>idea of how you're going to be view But it

0:26:01.880 --> 0:26:03.919
<v Speaker 1>didn't prepare me for when I actually moved to be

0:26:04.000 --> 0:26:07.719
<v Speaker 1>kid because I moved at about sixteen seventeen. But also

0:26:08.400 --> 0:26:13.080
<v Speaker 1>in some subconscious way, I don't think I appreciate it

0:26:13.280 --> 0:26:16.640
<v Speaker 1>being black. I just kind of went, you know, I'm

0:26:16.680 --> 0:26:20.399
<v Speaker 1>just a human being, just I'm kids, I'm living my life.

0:26:20.480 --> 0:26:24.680
<v Speaker 1>But it was because of the stuff I'd been fed.

0:26:25.160 --> 0:26:27.960
<v Speaker 1>So I moved to the UK, and then there was

0:26:28.000 --> 0:26:32.159
<v Speaker 1>this whole thing of how people approached me, how people

0:26:32.280 --> 0:26:35.480
<v Speaker 1>pronounced my name, how they thought that. You know, we

0:26:35.680 --> 0:26:39.800
<v Speaker 1>swung from tree in Africa and we didn't have any technology.

0:26:40.040 --> 0:26:44.000
<v Speaker 1>And this is always the interesting one. We speak a

0:26:44.040 --> 0:26:49.120
<v Speaker 1>really good influition for a Nigerian, for an African. Oh,

0:26:49.160 --> 0:26:51.879
<v Speaker 1>I've heard that one like a thousand and many times.

0:26:51.480 --> 0:26:55.840
<v Speaker 1>It's not even a thing. It's actually not a thing.

0:26:56.840 --> 0:27:01.240
<v Speaker 1>And sometimes I will cheekily reply, um, we speak better

0:27:01.280 --> 0:27:04.560
<v Speaker 1>English than you. You know how to use consonance, verbs

0:27:04.600 --> 0:27:08.239
<v Speaker 1>and proverbs well in a sentence. I'll respond like that

0:27:08.320 --> 0:27:12.639
<v Speaker 1>in a sort of cheeky way. Um. So you start

0:27:12.760 --> 0:27:17.119
<v Speaker 1>to get an idea that you are different because of

0:27:17.160 --> 0:27:23.040
<v Speaker 1>the color of the skin. And I didn't fully appreciate

0:27:23.080 --> 0:27:25.520
<v Speaker 1>that until I started to get as I started to

0:27:25.520 --> 0:27:27.840
<v Speaker 1>get older. So I lived in Brixton when I first

0:27:27.920 --> 0:27:33.120
<v Speaker 1>lived to the UK. Brixton is likened to Brooklyn. It's

0:27:33.119 --> 0:27:36.800
<v Speaker 1>an area that we redeveloped. A lot of black people,

0:27:37.000 --> 0:27:40.520
<v Speaker 1>you know from the Caribbean, lived in Brixton, but it's

0:27:40.560 --> 0:27:45.160
<v Speaker 1>gone through a gentification and now that's not casting. Um.

0:27:45.400 --> 0:27:48.920
<v Speaker 1>So I lived it, and I was surrounded by a few,

0:27:49.520 --> 0:27:52.320
<v Speaker 1>quite a few black people. But once you step out

0:27:52.320 --> 0:27:56.199
<v Speaker 1>of Brixton. We start to see how people view you

0:27:56.440 --> 0:27:59.960
<v Speaker 1>and how they how they you know, Bucher your name

0:28:00.200 --> 0:28:03.840
<v Speaker 1>and not in a I don't understand how to pronouncing him,

0:28:03.920 --> 0:28:07.320
<v Speaker 1>but in a sort of derogatory way, right, I don't.

0:28:07.400 --> 0:28:11.280
<v Speaker 1>I'm not even gonna trouble myself to and extend myself

0:28:11.640 --> 0:28:16.600
<v Speaker 1>because you're not deserving of even the proper pronunciation. Oh yes, exactly.

0:28:16.640 --> 0:28:20.879
<v Speaker 1>And and you see these sorts of things are there's

0:28:20.880 --> 0:28:24.760
<v Speaker 1>a certain sort of superiority. Um, you know, I've come

0:28:24.840 --> 0:28:27.640
<v Speaker 1>to live in your country, I come to school here.

0:28:27.760 --> 0:28:29.920
<v Speaker 1>I'm a British citident. You know I was born here

0:28:29.920 --> 0:28:32.320
<v Speaker 1>when I was a kid. But I've come to school

0:28:32.359 --> 0:28:35.400
<v Speaker 1>here and you know i'd got back. Um, but there's

0:28:35.400 --> 0:28:39.560
<v Speaker 1>a certain level of superiority to how people view you,

0:28:39.840 --> 0:28:42.960
<v Speaker 1>and that comes across in the way they speak. So

0:28:43.040 --> 0:28:45.240
<v Speaker 1>all of these things were things that I kind of

0:28:45.280 --> 0:28:49.360
<v Speaker 1>took in and absorbed. And um, there's a certain level

0:28:49.360 --> 0:28:53.320
<v Speaker 1>of being a Nigerian where I'll push back and say no,

0:28:53.560 --> 0:28:56.560
<v Speaker 1>you can't talk to me like that, or you can't

0:28:56.720 --> 0:29:00.440
<v Speaker 1>you can't behave like behave like that to me. But

0:29:00.680 --> 0:29:05.920
<v Speaker 1>the challenges there is still a taken on with human

0:29:05.960 --> 0:29:10.480
<v Speaker 1>beings and they will still be There's levels of build

0:29:10.520 --> 0:29:14.640
<v Speaker 1>up and in some ways can cause trauma. And those

0:29:14.680 --> 0:29:17.400
<v Speaker 1>are the sorts of things that affect you know, me

0:29:17.560 --> 0:29:19.800
<v Speaker 1>as a person and affect a lot of you know,

0:29:19.960 --> 0:29:24.280
<v Speaker 1>Nigerians or Black people or Black British people who live here. Um,

0:29:25.280 --> 0:29:29.880
<v Speaker 1>so that that whole thing had kind of been simmering

0:29:30.120 --> 0:29:33.400
<v Speaker 1>under the surface. So for me, when I started to create,

0:29:33.640 --> 0:29:37.120
<v Speaker 1>I found an avenue to speak about black people in

0:29:37.280 --> 0:29:44.040
<v Speaker 1>positive life. More so women. M I my narrative has

0:29:44.160 --> 0:29:47.880
<v Speaker 1>been you know, my mother was quite a strong, powerful

0:29:48.480 --> 0:29:53.800
<v Speaker 1>and Nigerian woman, and she kind of shaped my ideas

0:29:53.840 --> 0:29:58.560
<v Speaker 1>of womanhood. And then my my dad's sisters as well

0:29:58.680 --> 0:30:02.200
<v Speaker 1>were quite powerful. And then you know, growing up in me,

0:30:02.400 --> 0:30:06.440
<v Speaker 1>I've met all these beautiful, amazing women, married to an

0:30:06.480 --> 0:30:09.880
<v Speaker 1>amazing woman, and so all of these different things that

0:30:10.040 --> 0:30:13.400
<v Speaker 1>kind of start to shape my my narratives of women,

0:30:13.480 --> 0:30:16.040
<v Speaker 1>and that feeds into my work. And then one of

0:30:16.080 --> 0:30:20.000
<v Speaker 1>the challenges is whenever I go back to Nigeria, I

0:30:20.120 --> 0:30:22.680
<v Speaker 1>see how women are treated them. Women are treats to

0:30:22.680 --> 0:30:25.560
<v Speaker 1>their second part citizens and some of these things that

0:30:25.680 --> 0:30:31.200
<v Speaker 1>come from colonial narratives which have fed into our culture

0:30:31.680 --> 0:30:35.560
<v Speaker 1>and to women are treated, you know, unfairly. So I

0:30:35.600 --> 0:30:38.800
<v Speaker 1>want to edify women with my work as well and

0:30:38.920 --> 0:30:43.000
<v Speaker 1>show that women are beautiful. Black women are amazing, you know,

0:30:43.120 --> 0:30:46.680
<v Speaker 1>they are the pillars of the community and of the society.

0:30:46.920 --> 0:30:51.080
<v Speaker 1>If women were gone and the sort of contributions they

0:30:51.640 --> 0:30:55.320
<v Speaker 1>you know, contribute to our societies, if those weren't there,

0:30:55.720 --> 0:30:59.000
<v Speaker 1>societies will crumble. And people might not fully agree with that,

0:30:59.160 --> 0:31:02.120
<v Speaker 1>but it's to be able to frumble because at the

0:31:02.240 --> 0:31:06.240
<v Speaker 1>grassroots women are really important, you know, holding its time together.

0:31:07.000 --> 0:31:09.960
<v Speaker 1>I mean, I could not agree more. And it is

0:31:09.960 --> 0:31:12.760
<v Speaker 1>always shocking to me. Women make up you know, half

0:31:12.800 --> 0:31:15.720
<v Speaker 1>of the world, right I'm in I'm in the United States.

0:31:15.720 --> 0:31:18.920
<v Speaker 1>We make up over half of the population in the

0:31:19.000 --> 0:31:21.840
<v Speaker 1>United States, and yet when you look at who is

0:31:21.880 --> 0:31:25.360
<v Speaker 1>in power and who has power, the numbers are paltry

0:31:25.480 --> 0:31:28.840
<v Speaker 1>in comparison to the actually you know, to the actual

0:31:29.080 --> 0:31:33.680
<v Speaker 1>demographics of of women in this country and around the world.

0:31:34.040 --> 0:31:36.520
<v Speaker 1>And I mean, you know, there are so many campaigns

0:31:36.560 --> 0:31:39.040
<v Speaker 1>that have been that have been done about letting women

0:31:39.160 --> 0:31:41.800
<v Speaker 1>learn and letting women you know, lead, and doing all

0:31:41.840 --> 0:31:44.959
<v Speaker 1>of these things because at the essence of it, you know,

0:31:45.440 --> 0:31:48.760
<v Speaker 1>women are essential, right and not just essential in the

0:31:48.800 --> 0:31:52.080
<v Speaker 1>way in how patriarchy wants to see us as essential,

0:31:52.320 --> 0:31:56.560
<v Speaker 1>which is just as producers, right, we manufacture maybe's and

0:31:56.640 --> 0:31:59.640
<v Speaker 1>so that is our sole purpose. Um it is so

0:31:59.760 --> 0:32:04.120
<v Speaker 1>much there, It's so much more expansive than that. Um

0:32:04.200 --> 0:32:07.959
<v Speaker 1>there is. And I am not an artist, but I

0:32:08.000 --> 0:32:12.320
<v Speaker 1>appreciate art. And the thing that I appreciate, particularly around

0:32:12.800 --> 0:32:16.800
<v Speaker 1>some of the pieces that I've seen with you, is

0:32:17.680 --> 0:32:23.640
<v Speaker 1>the way that the blackness comes through. It is the lighting,

0:32:24.240 --> 0:32:28.680
<v Speaker 1>it is the depth, like the like the only thing

0:32:28.720 --> 0:32:32.120
<v Speaker 1>that I can think of is richness. It is, I mean,

0:32:32.240 --> 0:32:36.240
<v Speaker 1>it is I've never I've never seen anything like it.

0:32:36.440 --> 0:32:39.640
<v Speaker 1>And I want to talk to you about that, about

0:32:39.760 --> 0:32:43.280
<v Speaker 1>this this richness and in the lines and the you know,

0:32:43.360 --> 0:32:47.240
<v Speaker 1>there's a particular series and forgive me because the name

0:32:47.240 --> 0:32:49.280
<v Speaker 1>of it is not coming to me, but it is

0:32:49.320 --> 0:32:54.120
<v Speaker 1>a particular series. And the women are in a range

0:32:54.320 --> 0:33:00.120
<v Speaker 1>of what looks like warrior attire and there and it

0:33:00.200 --> 0:33:04.840
<v Speaker 1>is like this expression of femininity of power. But again

0:33:05.320 --> 0:33:09.600
<v Speaker 1>there is it's the skin and the coloring looks like

0:33:09.640 --> 0:33:13.880
<v Speaker 1>I could reach through and just grab it. Can you

0:33:13.920 --> 0:33:17.600
<v Speaker 1>speak about that? And like that, the technique and and

0:33:17.600 --> 0:33:22.360
<v Speaker 1>and the and the thoughtfulness behind it yeah, of course.

0:33:22.440 --> 0:33:27.000
<v Speaker 1>So for me, it's skin is important. Um, it's texture,

0:33:28.040 --> 0:33:34.320
<v Speaker 1>how it reflects light. Um, those things, especially with black skins,

0:33:34.440 --> 0:33:38.800
<v Speaker 1>just how that looks. It's focus riches and you know,

0:33:39.040 --> 0:33:41.120
<v Speaker 1>I mean in the UK we don't get that much

0:33:41.200 --> 0:33:45.080
<v Speaker 1>sun here, which is not great. But in in in

0:33:45.640 --> 0:33:49.400
<v Speaker 1>or whenever I travel in a hot climate, you just

0:33:49.440 --> 0:33:53.640
<v Speaker 1>see how the sun bounces off and there's a there's

0:33:53.640 --> 0:33:57.920
<v Speaker 1>a shine. You know, our skin is beautiful and it's

0:33:58.000 --> 0:34:00.440
<v Speaker 1>just amazing to see. And for me, I want to

0:34:00.440 --> 0:34:03.920
<v Speaker 1>photograph that. And it's not just photographing it from a

0:34:04.920 --> 0:34:07.960
<v Speaker 1>from a I mean, this is how I saw it.

0:34:07.960 --> 0:34:12.040
<v Speaker 1>It's also about this is how I feel about it.

0:34:12.400 --> 0:34:18.040
<v Speaker 1>This is how that black skin makes me feel. It's howful,

0:34:18.160 --> 0:34:21.960
<v Speaker 1>it's beautiful, it's something to do celebrate. It might not

0:34:22.040 --> 0:34:26.160
<v Speaker 1>be prevalent in media, but this is how I see

0:34:26.239 --> 0:34:29.120
<v Speaker 1>black people. This is how I see black women. And

0:34:29.200 --> 0:34:32.160
<v Speaker 1>I photographed there and I thought, and I try as

0:34:32.239 --> 0:34:37.680
<v Speaker 1>much as I can to um show complexity, because there

0:34:37.800 --> 0:34:42.880
<v Speaker 1>is a complexity there. To show strength, to show vulnerability,

0:34:43.120 --> 0:34:49.200
<v Speaker 1>to show um all these different emotions that we carry

0:34:49.880 --> 0:34:52.759
<v Speaker 1>as as a black race. And those for me are

0:34:52.760 --> 0:34:58.120
<v Speaker 1>the ways because technique is great um in terms of

0:34:58.160 --> 0:35:01.680
<v Speaker 1>showing me things, but it's more how does that make

0:35:01.840 --> 0:35:06.799
<v Speaker 1>me feel? And how do I photograph that? Or how

0:35:06.880 --> 0:35:10.359
<v Speaker 1>do I make that in a photograph? And I think

0:35:10.440 --> 0:35:14.040
<v Speaker 1>that's kind of how I approach when I'm photographing women.

0:35:14.080 --> 0:35:16.600
<v Speaker 1>So in some cases, I want to show their strength.

0:35:16.719 --> 0:35:19.640
<v Speaker 1>In some places I want to show their vulnerability. Depends

0:35:19.680 --> 0:35:25.240
<v Speaker 1>on the stories. I did a body of work called Conversations,

0:35:25.560 --> 0:35:31.640
<v Speaker 1>and it was about FGM female genitalium, new relations cultural practice,

0:35:32.200 --> 0:35:37.120
<v Speaker 1>which still happens in Nigeria and in parts of Africa,

0:35:37.719 --> 0:35:40.560
<v Speaker 1>And for me, I wanted to show the vulnerability, but

0:35:40.640 --> 0:35:43.480
<v Speaker 1>I just didn't want to show the vulnerability of what

0:35:43.600 --> 0:35:48.080
<v Speaker 1>women go through with these acts of violence committed against them.

0:35:48.160 --> 0:35:51.120
<v Speaker 1>I also wanted to make sure that those women or

0:35:51.160 --> 0:35:55.640
<v Speaker 1>whoever I was photographing still had a level of dignity

0:35:55.840 --> 0:36:00.239
<v Speaker 1>and grace which black women exhibits. You know, they uh,

0:36:00.440 --> 0:36:02.960
<v Speaker 1>you know, black women go through a lot, and you know,

0:36:03.000 --> 0:36:05.040
<v Speaker 1>it's a sad thing. I think that at the bottom

0:36:05.080 --> 0:36:08.040
<v Speaker 1>of fooching when you look at to raise them a gender,

0:36:09.239 --> 0:36:13.719
<v Speaker 1>so they they go through all this stuff, but then

0:36:13.760 --> 0:36:17.520
<v Speaker 1>they still hold their heads high and they are still

0:36:17.640 --> 0:36:21.680
<v Speaker 1>powerful in the midst of how they are treated, portrayed

0:36:21.840 --> 0:36:24.759
<v Speaker 1>in in in our society. So for me, I want

0:36:24.800 --> 0:36:28.040
<v Speaker 1>to be able to show aspects of that complexity. And

0:36:28.160 --> 0:36:31.680
<v Speaker 1>so in that work conversations I spoke to women who've

0:36:31.760 --> 0:36:38.080
<v Speaker 1>been through this, who've been cuvert in the in their teams,

0:36:38.239 --> 0:36:40.799
<v Speaker 1>and I wanted to show so I used all these

0:36:40.840 --> 0:36:43.959
<v Speaker 1>conversations that I had with them to make the work

0:36:44.680 --> 0:36:48.160
<v Speaker 1>um And you know, the work came about because I'd

0:36:48.200 --> 0:36:52.120
<v Speaker 1>never heard of it. So as a man sitting in

0:36:52.160 --> 0:36:56.680
<v Speaker 1>a place of privilege, nothing I've ever happened to me

0:36:56.920 --> 0:37:01.000
<v Speaker 1>like that and hearing that, so my thought, this is

0:37:01.040 --> 0:37:04.080
<v Speaker 1>not even something I thought happened in my culture and

0:37:04.239 --> 0:37:07.479
<v Speaker 1>cultured something I love and I want to put most

0:37:08.400 --> 0:37:10.799
<v Speaker 1>So for me, it was important to talk about that,

0:37:10.960 --> 0:37:13.640
<v Speaker 1>which is something you know that should stop. You know,

0:37:13.680 --> 0:37:17.840
<v Speaker 1>as cultures, as we evolved as human beings, our cultures

0:37:17.880 --> 0:37:21.440
<v Speaker 1>evolved and things need to some things need to be

0:37:21.680 --> 0:37:25.879
<v Speaker 1>edited out. We need to know that happened, but those

0:37:25.920 --> 0:37:30.120
<v Speaker 1>things need to be removed from our cultive society. So

0:37:30.200 --> 0:37:33.280
<v Speaker 1>for me, it's it's that whole thing. I want to

0:37:33.280 --> 0:37:36.760
<v Speaker 1>show the beauty and entify who we are with black people.

0:37:37.560 --> 0:37:41.120
<v Speaker 1>I mean, it's just your work is so extraordinary an

0:37:41.120 --> 0:37:44.240
<v Speaker 1>a word came into my head. I kept trying to

0:37:44.440 --> 0:37:47.960
<v Speaker 1>express to friends when I would send your page to

0:37:48.000 --> 0:37:50.319
<v Speaker 1>them and say, look at look at this art, like

0:37:50.400 --> 0:37:53.040
<v Speaker 1>look like you know, and I kept trying to like

0:37:53.200 --> 0:37:57.880
<v Speaker 1>articulate what the what it reminded me of And it

0:37:58.040 --> 0:38:02.360
<v Speaker 1>is the way that you create the depth of texture

0:38:02.440 --> 0:38:06.840
<v Speaker 1>of skin. It's like looking at the most fertile soil

0:38:07.160 --> 0:38:11.560
<v Speaker 1>that you've ever seen. It is so rich and so

0:38:11.960 --> 0:38:15.840
<v Speaker 1>black and so and like where life is coming from.

0:38:16.160 --> 0:38:18.680
<v Speaker 1>It's and and that is It's like it's the it's

0:38:18.719 --> 0:38:23.040
<v Speaker 1>the texturedness of of like the most fertile soil is

0:38:23.040 --> 0:38:26.680
<v Speaker 1>how like is how I see it when when I

0:38:26.719 --> 0:38:30.919
<v Speaker 1>when I look at your art, um you know. Last

0:38:31.000 --> 0:38:36.360
<v Speaker 1>question for you is the world as a whole is

0:38:36.400 --> 0:38:41.840
<v Speaker 1>in such turmoil right now, um racial reckonings happening in

0:38:41.880 --> 0:38:46.000
<v Speaker 1>the United States as well as UM in the UK

0:38:46.239 --> 0:38:51.120
<v Speaker 1>and just around the globe right the idea of pervasive

0:38:51.239 --> 0:38:55.160
<v Speaker 1>white supremacy and how it has been how we have

0:38:55.239 --> 0:39:00.400
<v Speaker 1>been inductrinated in so many ways. How do how do

0:39:00.480 --> 0:39:08.200
<v Speaker 1>you come to understand how art can help articulate that reality,

0:39:08.360 --> 0:39:14.400
<v Speaker 1>that pain, that frustration, Like how do you go about

0:39:14.640 --> 0:39:20.520
<v Speaker 1>thinking about encapsulating than this now that we're in in

0:39:20.560 --> 0:39:27.600
<v Speaker 1>your in your work. Hmm, that's good question. Um. I

0:39:27.680 --> 0:39:32.919
<v Speaker 1>think the should be a level of authenticity and that's

0:39:32.960 --> 0:39:35.960
<v Speaker 1>one of the things that I try to show because

0:39:36.000 --> 0:39:41.799
<v Speaker 1>I'm in this world. I'm my work is inspired by

0:39:42.600 --> 0:39:47.760
<v Speaker 1>African heritage, but also my British heritage. I've spent more

0:39:48.520 --> 0:39:52.120
<v Speaker 1>my life here than when I was than when I

0:39:52.200 --> 0:39:55.239
<v Speaker 1>lived in my year, so I've grown up here, thank you.

0:39:56.760 --> 0:40:00.160
<v Speaker 1>But I think it's and I've seen this as a

0:40:00.200 --> 0:40:06.560
<v Speaker 1>way within the black community, there is a very strong

0:40:09.400 --> 0:40:12.879
<v Speaker 1>move to talk about the things that we are going through.

0:40:13.239 --> 0:40:16.560
<v Speaker 1>It is very important to talk about the narrative of

0:40:16.800 --> 0:40:19.480
<v Speaker 1>who we are. And I feel people are, you know,

0:40:19.640 --> 0:40:23.000
<v Speaker 1>artists are being very authentic to who they are and

0:40:23.080 --> 0:40:27.160
<v Speaker 1>talking about the injustice they feel or what they see

0:40:27.200 --> 0:40:31.480
<v Speaker 1>on the news or what they see in society. I

0:40:31.600 --> 0:40:35.640
<v Speaker 1>created a body work called the Black Life Matters, and

0:40:35.719 --> 0:40:42.239
<v Speaker 1>it was after George Floyd's passing in the summer of

0:40:42.440 --> 0:40:46.760
<v Speaker 1>last year, and you know, just seeing that happened made

0:40:46.760 --> 0:40:51.120
<v Speaker 1>me come front my issues as well with racism, and

0:40:51.160 --> 0:40:53.560
<v Speaker 1>you know, just hearing all the news cycles. I mean,

0:40:53.840 --> 0:40:56.800
<v Speaker 1>you you are very much you watch the news and

0:40:56.920 --> 0:41:00.279
<v Speaker 1>you are in the news cycles, and you understand that

0:41:00.800 --> 0:41:04.399
<v Speaker 1>if you take everything on board, you can just wake

0:41:04.520 --> 0:41:11.719
<v Speaker 1>up real every day and just exactly it affects. And

0:41:11.800 --> 0:41:15.400
<v Speaker 1>so what I find and what I feel am blessed

0:41:15.440 --> 0:41:19.360
<v Speaker 1>with is as an artist to use my work to

0:41:19.920 --> 0:41:23.640
<v Speaker 1>as a form of therapy for myself, but also to

0:41:23.760 --> 0:41:28.960
<v Speaker 1>be able to speak to the world about being black

0:41:29.560 --> 0:41:34.040
<v Speaker 1>living in the UK or being black living from you know,

0:41:34.200 --> 0:41:37.640
<v Speaker 1>conversations that can be friends. And I think we need

0:41:37.680 --> 0:41:45.480
<v Speaker 1>to be authentic and also emphatic to each other because

0:41:45.960 --> 0:41:49.120
<v Speaker 1>we all have this just one plan. This is it.

0:41:49.560 --> 0:41:56.480
<v Speaker 1>There's no other, there's no so we have to work together.

0:41:57.920 --> 0:42:02.520
<v Speaker 1>And as an artist, mind is to contribute who I

0:42:02.560 --> 0:42:05.279
<v Speaker 1>am as an artist, to be able to talk in

0:42:05.480 --> 0:42:09.399
<v Speaker 1>spaces about my journey, because I feel like the more

0:42:09.440 --> 0:42:11.640
<v Speaker 1>we get to understand each other, the more we get

0:42:11.680 --> 0:42:15.560
<v Speaker 1>to understand where we're coming from, then we are a

0:42:15.600 --> 0:42:20.839
<v Speaker 1>bit more open to hear each other's journey, to get

0:42:20.880 --> 0:42:23.359
<v Speaker 1>each other's competitions. I mean, as you know, just being

0:42:23.400 --> 0:42:26.640
<v Speaker 1>online can be quite a crazy place. Um. You know,

0:42:26.760 --> 0:42:29.080
<v Speaker 1>I can put up a body of work and some

0:42:29.120 --> 0:42:32.160
<v Speaker 1>people just come from and you know, and they have

0:42:32.239 --> 0:42:37.440
<v Speaker 1>their opinions. But I feel I wish we were a

0:42:37.480 --> 0:42:40.319
<v Speaker 1>bit more open to each other and to listen to

0:42:40.440 --> 0:42:44.239
<v Speaker 1>each other and not be so fast to say, oh,

0:42:44.320 --> 0:42:51.160
<v Speaker 1>your cancel or your cancel. It's we need to There's

0:42:51.239 --> 0:42:53.440
<v Speaker 1>there's a lot of growing that we all need to

0:42:53.480 --> 0:42:57.799
<v Speaker 1>do together people. And so for me, my work is

0:42:57.840 --> 0:43:00.960
<v Speaker 1>to be able to talk about my experience, to be

0:43:01.000 --> 0:43:03.160
<v Speaker 1>able to share a bit of my world, and you know,

0:43:03.320 --> 0:43:06.440
<v Speaker 1>I hope in the hope that you know a bit

0:43:06.480 --> 0:43:10.239
<v Speaker 1>about me and we can have conversations. We can sit

0:43:10.280 --> 0:43:15.040
<v Speaker 1>down and not fight, but have conversations. We might not agree,

0:43:15.239 --> 0:43:18.600
<v Speaker 1>and we're not supposed to. All of the six seven

0:43:18.640 --> 0:43:24.319
<v Speaker 1>billion people, we're not going to agree, but we do

0:43:24.400 --> 0:43:27.080
<v Speaker 1>it with dignity, and we do it with great and

0:43:27.160 --> 0:43:31.600
<v Speaker 1>we do it with empathy. And that's what I hope

0:43:32.000 --> 0:43:36.040
<v Speaker 1>in some place, in some way my work will will

0:43:36.120 --> 0:43:39.239
<v Speaker 1>bring to the world and um, you know, it will

0:43:39.320 --> 0:43:42.279
<v Speaker 1>be a legacy thing. My work is not just about me,

0:43:42.719 --> 0:43:45.640
<v Speaker 1>also for people who are going through what I do

0:43:46.520 --> 0:43:50.400
<v Speaker 1>or an igerency've moved here to then understand what it

0:43:50.640 --> 0:43:55.279
<v Speaker 1>is and to understand the space of women in society

0:43:56.120 --> 0:44:01.600
<v Speaker 1>so beautiful I can't express to you how gorgeous and

0:44:01.800 --> 0:44:05.600
<v Speaker 1>powerful and honest your work is, UM, and I am

0:44:05.640 --> 0:44:10.080
<v Speaker 1>just so fortunate for the opportunity that I stumbled upon

0:44:10.160 --> 0:44:14.160
<v Speaker 1>it and then was able to get into conversation with you.

0:44:14.520 --> 0:44:19.600
<v Speaker 1>It's it's surpassed my my expectations so much. Thank you

0:44:19.680 --> 0:44:23.480
<v Speaker 1>very much. UM. Is it will your I justum quickly

0:44:23.520 --> 0:44:27.400
<v Speaker 1>for those who would love to see your your work?

0:44:27.800 --> 0:44:30.320
<v Speaker 1>Does it? Will you? Do you show in the States?

0:44:30.360 --> 0:44:35.200
<v Speaker 1>Do you have a show in the States coming? Or um?

0:44:35.239 --> 0:44:42.760
<v Speaker 1>A virtual virtual? Oh oh and not at the moment,

0:44:42.880 --> 0:44:47.880
<v Speaker 1>but people can stay stay follow me on Instagram there

0:44:48.080 --> 0:44:52.520
<v Speaker 1>is I'm always announced new things. UM. I have a

0:44:52.600 --> 0:44:58.600
<v Speaker 1>gallery I work with and the great so hopefully we'll

0:44:58.640 --> 0:45:01.480
<v Speaker 1>be showing some more. But I was, I was very

0:45:01.520 --> 0:45:06.239
<v Speaker 1>fortunate this year we did h The images from A

0:45:06.320 --> 0:45:10.480
<v Speaker 1>Black Lives Matters were moving around the US, so they

0:45:10.560 --> 0:45:15.799
<v Speaker 1>showed the New York Planter somewhere I think, and this

0:45:16.000 --> 0:45:20.240
<v Speaker 1>was the work about you know where I was working

0:45:21.040 --> 0:45:25.680
<v Speaker 1>flum the British and American flag and it was about

0:45:25.680 --> 0:45:29.360
<v Speaker 1>that period when George Floyd's cost Yeah, yeah, I felt

0:45:29.440 --> 0:45:33.239
<v Speaker 1>about the institution. So that work did move around the

0:45:33.360 --> 0:45:38.000
<v Speaker 1>US during I think, Yes, it was the song earlier

0:45:38.000 --> 0:45:41.040
<v Speaker 1>on some of this year it shows great um but

0:45:41.320 --> 0:45:43.960
<v Speaker 1>um I there are a few things in the pipelon,

0:45:44.120 --> 0:45:47.879
<v Speaker 1>so hopefully the next year they will be in. But yeah,

0:45:48.000 --> 0:45:51.120
<v Speaker 1>looking forward to sharing new work. I will have my

0:45:51.200 --> 0:45:55.160
<v Speaker 1>ice field because I would just love the opportunity to

0:45:55.200 --> 0:45:58.040
<v Speaker 1>see the work in person um and hopefully you would

0:45:58.719 --> 0:46:01.880
<v Speaker 1>be able to meet you in person as well. A

0:46:01.960 --> 0:46:06.239
<v Speaker 1>SICCO thank you so very much for your time and

0:46:06.360 --> 0:46:11.600
<v Speaker 1>for your talent. Just really appreciate you. Thank you so much,

0:46:12.120 --> 0:46:19.239
<v Speaker 1>thanks for your opportunity. That is it for me, dear

0:46:19.320 --> 0:46:23.400
<v Speaker 1>friends today on woke a f as always Power to

0:46:23.480 --> 0:46:26.680
<v Speaker 1>the people and to all the people. Power, get woke

0:46:26.840 --> 0:46:28.520
<v Speaker 1>and stay woke as fuck.