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Speaker 1: Heard around the world on the iHeartRadio app, Apple Podcast,

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Speaker 1: or wherever you get your podcast. It's Cannabis Talk one

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Speaker 1: on one with Blue and Welcome to Cannabis Talk one

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Speaker 1: on one and Blue and Joe Grande, the world's number

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Speaker 1: one source for everything cannabis. Thank you, guys for listening

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Speaker 1: to our podcasts all around the world. Make sure you

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Speaker 1: check out our website, Cannabis Talk one on one dot

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Speaker 1: com is We've got so many great articles and blogs

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Speaker 1: on there, and feel free to give us a call anytime.

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Speaker 1: One eight hundred four twenty nineteen eighty is that never go.

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Speaker 1: Check out the ig pages at Cannabis Talk one on one. Well,

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Speaker 1: Blue is at the number one Christopher writes and I

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Speaker 1: am at Joe Grande fifty two. And make sure you

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Speaker 1: train your typical into something special when it comes to

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Speaker 1: imfuse products. You, guys, the flavor uta should be just

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Speaker 1: as enjoyable as the feeling that you experienced. Visit the

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Speaker 1: website Lorente Oils dot com. Now, this guest on the

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Speaker 1: show today got a chance to meet him outside and

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Speaker 1: talk for a second. But since two thousand and thirteen, Jacob, no, right,

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Speaker 1: Did I get that right? Jacob no has made a

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Speaker 1: name for himself, elevating through their ranks and playing his dues,

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Speaker 1: paying his dudes, you guys within the southern California musical community.

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Speaker 1: He made Noise with his former band called Law for

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Speaker 1: many years, but now he's making his rounds and is

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Speaker 1: currently the singer of his new band, Jacob's Castle. Is

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Speaker 1: that the new one right there? Jacob's Castle the sound

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Speaker 1: of two worlds colliding in perfect union. Now the Castle

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Speaker 1: aims to connect the sounds of California's pass with this

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Speaker 1: fresh mystery of the internet underground culture. As of twenty

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Speaker 1: twenty three, Jacob's Castle has officially been singing to been signed,

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Speaker 1: actually to a record label. Congratulations as he just got signed?

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Speaker 1: As it epetic or what is it? What can I

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Speaker 1: talk about? Yeah? Okay, well he signed. You haven't signed anything.

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Speaker 1: I'll just knock on wood just in case anything happens.

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Speaker 1: I would bring a block of wood with me, all right.

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Speaker 1: It's with Epithath, so dope that you fucking pulled out of.

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Speaker 1: You never know when you're gonna need to knock on wood, man,

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Speaker 1: Epithath Okay records, that's the new one right there, new

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Speaker 1: music to his label is coming months along with numerous

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Speaker 1: tours in the works coming around, so make sure you

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Speaker 1: check that out and be sure to catch his next

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Speaker 1: performance at a trip to Garden Grove on Saint Patrick's

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Speaker 1: Day at the Garden Amp You guys, presented by Big

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Speaker 1: Bang Entertainment. Shout out to our guy, of course, our

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Speaker 1: pal the Owl aka Mark Garnitas, Mark Carnes, Big big, big,

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Speaker 1: big bag, big bag, big Bag Entertainment. My bag my

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Speaker 1: head just reads Big Bang, my bad, Big Bag Entertainment

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Speaker 1: is doing this out there. My buddy Mark Carnes is

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Speaker 1: doing a great event out there, so shout out to him, folks.

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Speaker 1: And if you haven't seen the lineup, make sure you

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Speaker 1: check it out. Ticketweb dot com as a spot where

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Speaker 1: you can get it and search a trip to Garden

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Speaker 1: Grove and grab tickets to see legendary ogs from the

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Speaker 1: LBC like Long Beach, Dub All Stars, Capital I, Jacob's

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Speaker 1: Castle and many more. And here to tell us about

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Speaker 1: himself and his journey here at the Cannabis Talk one

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Speaker 1: one campus. Give it up for our guy Jacob in

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Speaker 1: the building. Yeah what a weed. So Jacob, you're you

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Speaker 1: have this musical journey And for those who don't know

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Speaker 1: off the top, I mean, his father was the legendary

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Speaker 1: singer of Sublime, and you were a young boy when

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Speaker 1: he passed away, so it was like eleven months old,

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Speaker 1: if I'm not mistaken. Is that what I read? That's right? Yeah,

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Speaker 1: I was born in ninety five. I think he passed

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Speaker 1: in ninety six. Yeah, so you know, it's it's in

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Speaker 1: the genes, the music, the singing, the entertaining. You never

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Speaker 1: got a chance to be able to be taught by

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Speaker 1: your father, but it's just kind of cool that you

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Speaker 1: have these genes that are able to, you know, be

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Speaker 1: another artist like him, which is kind of funny and

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Speaker 1: weird and all of the above, right, Yeah, Yeah, it's

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Speaker 1: funny too because like I got this like red kind

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Speaker 1: of orange beard and he didn't, So I thought, I

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Speaker 1: think it'd be a trip if it my dad turned

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Speaker 1: out to be like the Milkman or something. And then

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Speaker 1: I'll make like an album cover that has like a

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Speaker 1: DNA test and it says like negative on it, and

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Speaker 1: then it'll trip everyone out, or who's the ginger? The

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Speaker 1: ginger come from Sublime and then just like watch all

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Speaker 1: the comments be like what he's not really the dude,

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Speaker 1: Oh my god, that is so funny. So now you know, yeah,

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Speaker 1: I mean according to my family in the weast saying

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Speaker 1: and stuff, there's all this cool little genetic stuff, and

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Speaker 1: I do feel really lucky and blessed to be a

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Speaker 1: part of something so big like this that has touched

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Speaker 1: so many amazing people's lives. It's yeah, it's got to

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Speaker 1: be interesting that, you know, when you have a dad

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Speaker 1: that's done something like that, because my dad was nothing

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Speaker 1: like that. And you know, we always can compare people

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Speaker 1: and oh this, oh that, but yet you never want

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Speaker 1: to compare that. Well, at least I had my dad

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Speaker 1: when you never had your dad, you know what I mean.

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Speaker 1: You only had him when you were a baby, and

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Speaker 1: you don't have any memories of them. So it's not like, oh,

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Speaker 1: look at you. You have all this to go off of,

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Speaker 1: and you've just took a path which is even stranger

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Speaker 1: and kind of cool. That is similar like choosing to

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Speaker 1: be a musician. Yeah, totally. Man, It's been one of

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Speaker 1: those things where there's always these pros and cons to

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Speaker 1: anybody's situation. Really, But because I have so much gratitude

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Speaker 1: and appreciation for all the fans out there, but every

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Speaker 1: now and again. It's I play a kind of funny

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Speaker 1: when I'm at shows, Like sometimes as fans, I'll come

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Speaker 1: up with crying. They'll be like, man, I wish I

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Speaker 1: could have met your dad. And I'll be like, hey,

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Speaker 1: me too, bro, And they were like, oh no, I

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Speaker 1: didn't mean it like that. I'm like, yeah, I get

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Speaker 1: him a big hug and I love him. So I

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Speaker 1: always come up and said, how to me at shows.

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Speaker 1: I appreciate that and show love I'm sure for Sublime

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Speaker 1: and all that, and show love for your dad because

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Speaker 1: there's a lot of people that loved him and oh yeah,

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Speaker 1: a lot of taken away, but you can normalize it

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Speaker 1: and make something funny about it because that's life. That's life,

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Speaker 1: and I think that's what I try to like, I

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Speaker 1: don't know present in my music and my performance something

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Speaker 1: that I think we can all relate relate with. I

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Speaker 1: think we were talking about that a little before the show.

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Speaker 1: But we've all had lost loved ones and we all

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Speaker 1: look back and wish we could have done things differently.

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Speaker 1: But the right here, the right now, you know, the

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Speaker 1: mixing of the old and the new, and when we're

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Speaker 1: headed towards in the future, that's the stuff that really

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Speaker 1: excites me that I want to capture and focus on

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Speaker 1: in my music. And that being said, where are you from? Exactly?

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Speaker 1: Are you born and raised in Long Beach as well?

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Speaker 1: I was born in Long Beach lived there for a

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Speaker 1: little bit when as a kid my mom moved to

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Speaker 1: me and my mom would to Hawaii actually when I

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Speaker 1: was like three or four. So I grew up there

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Speaker 1: for about a year or two and then San Diego

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Speaker 1: for most of my adolescents, I would say, from like

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Speaker 1: five to seventeen, San Diego, and then I dropped out

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Speaker 1: of school, moved to Long Beach at seventeen, and the

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Speaker 1: rest is history. I haven't live in Long Beach. A

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Speaker 1: lot of family there, a lot of and the history

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Speaker 1: and just you know, it just feels like whenever I'm

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Speaker 1: in Long Beach, I feel safe, you know really, Yeah,

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Speaker 1: that feels like the house of my father for sure.

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Speaker 1: And does it feel like when you're in Long Beach?

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Speaker 1: Is it becomes something spiritual? Is it emotional? Is it internal?

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Speaker 1: Because of all places that you could have moved back

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Speaker 1: to to go to a place Long Beach where your dad,

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Speaker 1: the bland sublime comes from that genetic is the history

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Speaker 1: is there, Oh yeah, all the above one. There's a

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Speaker 1: definite connection and a sort of pulse that I can feel,

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Speaker 1: you know, and it just everything that they did was

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Speaker 1: such an interesting cool like, you know, It's one of

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Speaker 1: those things with me growing up. I feel like, you know,

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Speaker 1: if you grow up in your dad whatever owned a

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Speaker 1: car dealership, you go work with the car dealership. Like

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Speaker 1: always knew I was going to probably go into music,

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Speaker 1: but I think there's this element when you're young of

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Speaker 1: kind rebelling against it, wanting to be so hard doing

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Speaker 1: your own thing, And then you mature a little bit,

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Speaker 1: hopefully some people do, and you start to realize, you know,

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Speaker 1: the stuff I was born into it's really fucking cool.

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Speaker 1: Can I say they? Okay, I've been in trouble with

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Speaker 1: that before on shows, so anyway, Yeah, what I'm trying

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Speaker 1: to say is that I've come to the realization how

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Speaker 1: cool this scene is and how many new and upcoming musicians,

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Speaker 1: maybe not even related to our reggae rock scene, that

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Speaker 1: have been inspired and influenced by the skunk record scene.

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Speaker 1: And it just makes me so happy that I get

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Speaker 1: to play a role in that whatsoever. And I hope

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Speaker 1: I get to facilitate and all the different armies from

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Speaker 1: all the different scenes, and so cal can exist under

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Speaker 1: one tent, and that tent will say Jacob's Castle. And

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Speaker 1: where did you get that love? Like when did it form?

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Speaker 1: Because if I'm not mistaken by hearing your dialogue, at

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Speaker 1: one point of your life, were you rebellion against it?

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Speaker 1: Like no, I'm not going to do that, I don't

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Speaker 1: want to do that. I want to be a baseball player,

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Speaker 1: I want to be or whatever. Yeah, there was a

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Speaker 1: long time. Like with my first project, we tried to

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Speaker 1: go so different than what the scene was, Like we

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Speaker 1: wanted to play like heavier music, and it wasn't always

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Speaker 1: a concerted effort, like we played the music we loved

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Speaker 1: at the time, but it also sort of wasn't genuine.

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Speaker 1: Like I think there's two extremes. One extreme would be

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Speaker 1: me doing something totally different than what Sublime did, and

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Speaker 1: the other extreme is just me jumping up and trying

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Speaker 1: to rejoin Sublime, which I also don't think would be

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Speaker 1: as sick as people think it would be. Like maybe

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Speaker 1: for one or two sets or something like that, that's cool,

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Speaker 1: But I want to be right in the middle where

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Speaker 1: I'm doing something that's genuine to me, but also honoring

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Speaker 1: the past, and that's the only way I think you

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Speaker 1: can move into the future. That's gonna be a compromise

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Speaker 1: that makes it something cool for everybody to appreciate. How

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Speaker 1: does your mom and how does she deal with it?

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Speaker 1: When you were like, Mom, I think I want to

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Speaker 1: get into music. Oh, it was always tough with my mom.

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Speaker 1: She left me at at the supermarket one time when

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Speaker 1: I was like six, and I couldn't find her, and

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Speaker 1: then she came back. She says, that doesn't happen. She'll

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Speaker 1: probably see this, but like I remember being at that

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Speaker 1: vons bro I was scared. But no, she she was

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Speaker 1: home already. Gross, she was away. Where are you? Yeah,

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Speaker 1: she's like, oh, should I forgot something? I knew I

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Speaker 1: forgot I knew I forgot oranges and what else? Yeah,

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Speaker 1: it was the eggs and the oh yeah, the kid.

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Speaker 1: But no, she was really happy. She's always been supportive

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Speaker 1: of me doing Really, it wasn't like, oh, no, I

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Speaker 1: don't want you doing music. This is gonna lead you

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Speaker 1: down a bad path. No, No, she really And um

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Speaker 1: and the man who raised me, my father, my stepdad,

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Speaker 1: Keith homes Kiki both my parents, Like you know, there

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Speaker 1: was all sorts of craziness growing up, but the good

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Speaker 1: times I remember was just that they had support for

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Speaker 1: what I want to do creatively. That that can never

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Speaker 1: not be said, and I think that's something not a

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Speaker 1: lot of people get. I would write a song on

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Speaker 1: acoustic guitar, and as a teenager, I was a weed show, right,

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Speaker 1: I'd be baked out of my mind. I'd be like,

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Speaker 1: I just wrote the coolest song in the world, and

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Speaker 1: I come outside of the backyard. There's always having a

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Speaker 1: big kickback every single day, and then everyone would just

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Speaker 1: get quiet and let me play the song for them,

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Speaker 1: and they'd all just be so appreciative, and they'd just

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Speaker 1: tell me all this cool stuff that would happen that

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Speaker 1: they thought would happen in the future, and I was like, man,

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Speaker 1: there's no way that's gonna happen like that, but it's

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Speaker 1: kind of happenings happening after ten years. They say it

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Speaker 1: takes ten years in the entertain right, and it's been

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Speaker 1: about ten since I've been playing show seventeen to twenty

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Speaker 1: seven now. And so you started with your first band,

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Speaker 1: how did that form? Yeah, So Law actually started when

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Speaker 1: I was still in San Diego. I grew up Pacific

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Speaker 1: Beach with my parents Kiki and Troy and um I.

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Speaker 1: My best friend in the world at the time when

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Speaker 1: I was a kid is my friend Dakota Etridge, and

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Speaker 1: we went to two different schools. Name by the way,

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Speaker 1: yeah I know it sounds great, right, Yeah, it's a

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Speaker 1: great name. Oh yeah, I like your name. But yeah, Well,

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Speaker 1: we grew up in h San Diego and there is

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Speaker 1: a street in Pacific Beach and he's been there. There's

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Speaker 1: a Law Street, right, We'd always passed by it, and

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Speaker 1: it reminded him one day. He's like, oh, yeah, my school,

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Speaker 1: we have this joke that we're part of this like

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Speaker 1: fake game called law to be like, Bro, you don't

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Speaker 1: know about law, well, then you don't need to know him.

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Speaker 1: I was like, what's LAW and he's like, it stands

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Speaker 1: for long ass Wings. It was like a total joke,

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Speaker 1: and I was like, dude, that should be the band

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Speaker 1: name of we ever start a band. He's like, nah, dude,

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Speaker 1: it's like a joke. I don't want to that's that's ridiculous.

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Speaker 1: But it's just stuck in our heads and we were

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Speaker 1: drawn in our binders and make stickers and stuff, and

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Speaker 1: when we moved up to Long Beach and started a band,

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Speaker 1: it just kind of stuck. And that project ended up

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Speaker 1: having so many different member shifts and different changes and sounds.

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Speaker 1: And really what that was is the last bit of

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Speaker 1: my adolescent years, really trying to learn and figure out

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Speaker 1: how to be an entertainer and how to be a

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Speaker 1: musician and be in the industry. And when that band

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Speaker 1: broke apart a year or two ago, as when I

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Speaker 1: started building the idea for Jacob's Castle, and where did

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Speaker 1: this idea come from? We're gonna get all that and more.

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Speaker 1: We're also hearing sing a little bit, and let's take

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Speaker 1: a break, and we're gonna come back and hear the

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Speaker 1: story about Jacob's Castle. It's Cannabis Talk one oh one.

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Speaker 1: We'll be right back after this break. We'll be right

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Speaker 1: back with Cannabis Talk one oh one. Welcome back to

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Speaker 1: Cannabis Talk one oh one. Kelly Effects is full and

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Speaker 1: broad spectrum hip extract and products contained CBD, CBEG, it's

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Speaker 1: a thirteen hundred other elements naturally derived from the hemp

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Speaker 1: and plant. You guys, go feel the effects at Kelly

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Speaker 1: Affects dot com. We are sitting here hearing the great

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Speaker 1: stories Jacob, and I love it. I love how open

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Speaker 1: you are and willing to be so vulnerable with your

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Speaker 1: stories and hearing this. But how did it now Jacob's

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Speaker 1: Castle come doing? What is Jacob's Castle? Yeah, Jacob's Castle

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Speaker 1: is sort of the culmination of everything in my childhood

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Speaker 1: and adulthood. It in the simple terms. My new band,

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Speaker 1: you know, we make Music, just recorded about thirteen tracks

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Speaker 1: the label and we're about to release our first single

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Speaker 1: coming up very soon. It's it's called close Enough to

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Speaker 1: double sided single. Close Enough in Motel Radio. Got this

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Speaker 1: really sick music video that we shot for it, which

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Speaker 1: was actually the first time me and my band makes

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Speaker 1: jamming like ever. And then we put like all this

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Speaker 1: cool AI stuff. I had to download this crazy coding

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Speaker 1: and hosting this little server on my compute. It was insane.

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Speaker 1: And then Roxy's sitting over there, my tour manager, she

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Speaker 1: edited the video for me and it came out what Rocks.

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Speaker 1: So I'm really excited to share that with the people.

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Speaker 1: And I think the kind of goal that I have

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Speaker 1: is to take all of that Skunk Records scene with

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Speaker 1: Sublime in the nineties and all of that excitement and

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Speaker 1: all the different genres they fuse and try to merge

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Speaker 1: that with the modern day scene that I see happening

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Speaker 1: in Southern California culture, all of these new bands that

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Speaker 1: aren't even necessarily reggae rock, you know, hip hop and

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Speaker 1: hyperpop and underground and emotion, you know, hip hop, and

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Speaker 1: and really try to merge the beach culture with the

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Speaker 1: internet culture. You know, Pass meets new pretty and gritty.

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Speaker 1: Like to me, it makes sense in my head, and

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Speaker 1: I hope that once people hear the music and see

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Speaker 1: the visuals, they'll kind of understand that I'm hoping to

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Speaker 1: sort of usher in a new age for So, are

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Speaker 1: we able to play a song for people here on

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Speaker 1: this podcast? You have an MP three that we can

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Speaker 1: give that to Goldie to play here all. I mean,

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Speaker 1: no music's out yet, but the singles about to drop.

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Speaker 1: I guess we could play close enough. I mean, can

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Speaker 1: we play one of those? Can we? You have it

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Speaker 1: on MP three already? Yeah, I can pull it up

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Speaker 1: right now. Yeah, let's get you can pull it up.

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Speaker 1: Give everybody a little sample of what it plays like.

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Speaker 1: Just play on the microphone, the microphone real quick. Let's

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Speaker 1: do it. Yeah, give it up your sound, give it

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Speaker 1: no sound. Here's y'all are about to hear the very

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Speaker 1: very this is. I mean, this is how cool it

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Speaker 1: can be. It's playing it from his bone, this old sea.

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Speaker 1: Get that first original uncut, that's what I love. I

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Speaker 1: like that it's even mastered. Oh see, okay, I'll play

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Speaker 1: you a little bit. Tell me when to stop. Got

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Speaker 1: simp bass in there, buzzy guitars. It's a little like

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Speaker 1: vinyl DJ scratches in the background. Call it try so

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Speaker 1: stony too, yeah, try that's my people trying to get

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Speaker 1: one fuck, trying to get good berth close all right.

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Speaker 1: He's a pre quorus. I can't even see shine. And

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Speaker 1: the scent a gangster wine. That's the hook, and then

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Speaker 1: like after the second hook, it does just like wait wait,

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Speaker 1: it goes into the I just want to show you

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Speaker 1: the solo on the scent. That's the hyperpop element, that grindy,

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Speaker 1: buzzy synth. Yeah, so that's dude. You heard it here first.

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Speaker 1: You know. It's such a good sound. It's everything you

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Speaker 1: were describing. It was well described with thank you, all

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Speaker 1: the different genres, and you're right when it came in

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Speaker 1: with that, dude, it took me back to, like, you know,

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Speaker 1: just like that old hip hop sound on your that

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Speaker 1: makes me so happy, dude. Yeah, it's like I call it,

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Speaker 1: it's beach music, but it merges the culture that I

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Speaker 1: grew up with, which is the Internet stuff all that

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Speaker 1: that weird ironic subculture. Like we have faster songs and

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Speaker 1: more like nightcore kind of stuff, some like jungle breakbeat

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Speaker 1: type of stuff as well, and uh, but all it's

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Speaker 1: all glued together with that, like just California Skunk Records

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Speaker 1: kind of beachiness. It's all in there. So thirteen songs

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Speaker 1: and I can't wait for people. Are you all of them? Yeah? Yeah, yeah,

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Speaker 1: it's me vocally. I made them all with my producer,

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Speaker 1: John Joseph. He's a really dope cat, just one of

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Speaker 1: the most talented producer engineers I've ever met. Like basically

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Speaker 1: I could just say, hey, here is the sound I

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Speaker 1: want that I have in my head, here's some sound references,

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Speaker 1: and he's like, bro, I got you, and he'll get

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Speaker 1: it like in a second. And it's just him and

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Speaker 1: me on all the instruments and him coaching me through

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Speaker 1: some vocal ideas he has in his head. A lot

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Speaker 1: of these that song was a co write that he

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Speaker 1: and I wrote together, actually, and it just sort of

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Speaker 1: we did that last year and it just sort of

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Speaker 1: all grew from there. Yeah, So it was And it

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Speaker 1: does cannabis play a big part in your creation? Are

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Speaker 1: you guys hitting there, ripping and just getting creative? You know?

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Speaker 1: Not in this project. But I grew up in a

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Speaker 1: household that I mean, since I was twelve years old,

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Speaker 1: we were a weed growing family. Like we had a

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Speaker 1: one hundred plant grows set up upstairs. I grew up

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Speaker 1: changing tubes and changing all the nutrients and stuff and

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Speaker 1: like freaking out when the spider mites came in, like,

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Speaker 1: oh my god, what are we gonna do that we

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Speaker 1: lost the whole crop, you know. And so I smoked

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Speaker 1: weed for for ten years of my life and then

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Speaker 1: I took a long break, and when I started smoking again,

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Speaker 1: it just didn't work the same. I hate weed was

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Speaker 1: like my like my first love, you know, And when

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Speaker 1: it stopped working the same way, it was tragic. It

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Speaker 1: was like I had to grow up a little bit.

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Speaker 1: It sucks. So my advice he was, never take a break.

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Speaker 1: Never take any tea breaks. You could take like an

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Speaker 1: hour long break, maybe but don't ever stop, man, otherwise

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Speaker 1: you'll end up like me. It's funny because I haven't

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Speaker 1: smoked weed in twenty four plus years. Yea, yeah, you

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Speaker 1: know what I mean. It's like I use products, but

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Speaker 1: and I love I'm a huge advocate, Like between you

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Speaker 1: and me. Don't tell anybody I told you, But I

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Speaker 1: think everything on this God's green Earth should be legal

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Speaker 1: substance wise, you know. I mean, I think there should

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Speaker 1: be education about harm reduction and funds put into that

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Speaker 1: to help people with their lives. But people exploring their

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Speaker 1: bodies and their consciousness and ways that is just natural

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Speaker 1: and ancient, and especially with weed, with how much it

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Speaker 1: helped me out through my years and my adolescence and

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Speaker 1: how much inspiration it did give me when first learning

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Speaker 1: to play music. Oh bro, you know you got it.

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Speaker 1: You got part of the foundation. It's part of the foundation. Yeah,

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Speaker 1: And it helps some people get creative and then to

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Speaker 1: get it helps people get real, you know, not creative.

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Speaker 1: So yeah, everything balance right, and try and see what

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Speaker 1: it does do for you everything. This first song right there,

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Speaker 1: did you say you made a video to that one

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Speaker 1: already too? Is that the one jump a video for? Yep?

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Speaker 1: We have subscribed me and Rocks. As soon as we

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Speaker 1: go back home, we're gonna put the finishing touches on

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Speaker 1: the video. And the video's actually two songs, the double

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Speaker 1: sided singles you'll get close enough, and then the second

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Speaker 1: half of the singles a song called Motel Radio. And

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Speaker 1: this is a song at the hotel radio. What's that?

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Speaker 1: Just sounds cool. I'm so happy asked takes me back

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Speaker 1: because it like makes me think of motel like it's holiday.

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Speaker 1: If Yo grow starts acting up, then you take her frame.

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Speaker 1: Come on now, dog up o school like that. I

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Speaker 1: love him, man, I go back to the hotel. Who

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Speaker 1: was back to the hotel that was in too Deep? Yes,

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Speaker 1: I'm in too deep out of Ballejo, Oh my good, Yes, yeah,

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Speaker 1: I've shout out my stuff techielms man. He I grew

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Speaker 1: up with all that stuff, man, like huge inspiration and

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Speaker 1: motel Radio. So when I first met rock Sand actually

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Speaker 1: out of motel well yeah technically, but it was like,

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Speaker 1: this is like the first Jacob's Castle thing we ever

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Speaker 1: really did. In my opinion, it was last year June

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Speaker 1: sixth um we got asked to open up at Fiddlers

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Speaker 1: on the for three to eleven, slightly Stupid and stick Figure.

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Speaker 1: It was amazing. And this when I was still figuring

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Speaker 1: everything out. I had just come up with the name,

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Speaker 1: and she hopped on as to her manager with her

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Speaker 1: friend Zane van der Voort from Strange Case, and he

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Speaker 1: played guitar with me. Hayden Hayden Hansen from a Tunnel

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Speaker 1: Vision played and our buddy Daryl Brown too, and we

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Speaker 1: all just gotten a van, drove like fifteen hours through

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Speaker 1: the night, made it as far as Grand Junction, Colorado,

425
00:20:24,400 --> 00:20:27,200
Speaker 1: and we stayed in this little motel six and while

426
00:20:27,200 --> 00:20:29,160
Speaker 1: we were driving, we just started making a song together.

427
00:20:29,240 --> 00:20:31,280
Speaker 1: Like Hayden had garage band open on his iPad and

428
00:20:31,320 --> 00:20:33,720
Speaker 1: we're like, bro, plug that in right now. Darryl's driving

429
00:20:33,760 --> 00:20:35,280
Speaker 1: the fucking van and he's like, bro, you don't know

430
00:20:35,280 --> 00:20:37,440
Speaker 1: how to program drums, give me that, like the car swervin.

431
00:20:37,520 --> 00:20:39,720
Speaker 1: It's like four am. And we finally get to the

432
00:20:40,040 --> 00:20:43,040
Speaker 1: motel and we had this crazy, creepy, haunted house type

433
00:20:43,080 --> 00:20:46,040
Speaker 1: of experience there and it's all part of the song now.

434
00:20:46,080 --> 00:20:48,520
Speaker 1: And so I made this cool kind of like hyperpop

435
00:20:48,680 --> 00:20:52,360
Speaker 1: meets you know, dub ska kind of jam. I love

436
00:20:52,400 --> 00:20:55,199
Speaker 1: your descriptions of everything that you described in a thanks man.

437
00:20:55,600 --> 00:20:57,960
Speaker 1: I just can't wait to hear your album and get

438
00:20:58,080 --> 00:21:00,680
Speaker 1: more of what you're all about in this new projects.

439
00:21:00,720 --> 00:21:03,040
Speaker 1: So excited to show people. Man, what I really want

440
00:21:03,080 --> 00:21:04,720
Speaker 1: to do too, is that you played that is? I

441
00:21:04,800 --> 00:21:06,960
Speaker 1: want you to give us just a little acapella verse

442
00:21:07,480 --> 00:21:09,520
Speaker 1: of the song? Yeah, what what's the one that you

443
00:21:09,600 --> 00:21:12,120
Speaker 1: could rip that? He's like, okay, this is my new one?

444
00:21:12,240 --> 00:21:13,760
Speaker 1: Or is it something? Yeah? I mean I just show

445
00:21:13,800 --> 00:21:15,200
Speaker 1: you close enough, I can I could sing a little

446
00:21:15,200 --> 00:21:17,520
Speaker 1: bit of Motel Radio. Please, let's get sample of that.

447
00:21:17,600 --> 00:21:21,359
Speaker 1: The hook is really cool. It's like me, me, me,

448
00:21:21,440 --> 00:21:24,159
Speaker 1: me me, that'd be great if you fuck rips and

449
00:21:24,280 --> 00:21:28,120
Speaker 1: that's it. He's like, this is it? Yeah? I can't

450
00:21:28,119 --> 00:21:31,879
Speaker 1: you imagine? Um? The hook's like thought, I heard a

451
00:21:32,040 --> 00:21:39,320
Speaker 1: ghost in the Motel radio. Thought I heard a ghost

452
00:21:39,760 --> 00:21:44,480
Speaker 1: and she was singing my favorite song. And I keep

453
00:21:44,640 --> 00:21:49,760
Speaker 1: on tripping and keep bun tripping. Song stuck in my head.

454
00:21:50,640 --> 00:21:54,680
Speaker 1: I keep on tripping and keep bunch ripping. The ghost

455
00:21:55,000 --> 00:22:00,800
Speaker 1: is in my bed, keep bunch tripping, keep bund tripping.

456
00:22:01,119 --> 00:22:06,120
Speaker 1: The sun stuck in my head head, I keep on tripping,

457
00:22:06,520 --> 00:22:11,280
Speaker 1: keep on tripping. This ghosts inside my bed. I thought

458
00:22:11,359 --> 00:22:16,640
Speaker 1: I heard uh heard to ghost in the motel radio.

459
00:22:18,119 --> 00:22:22,200
Speaker 1: Thought I heard a ghost and she was singing my

460
00:22:22,560 --> 00:22:29,480
Speaker 1: favorites up something like that, Let's go to Jacob's Castle

461
00:22:29,520 --> 00:22:32,560
Speaker 1: one thousand years motel radio coming soon, Jacob. And not

462
00:22:32,640 --> 00:22:35,959
Speaker 1: only that, but like, how many times have we been

463
00:22:36,000 --> 00:22:37,600
Speaker 1: in a mote like you tube me to a motel

464
00:22:37,640 --> 00:22:39,600
Speaker 1: that I was at where you're like, shit, the static,

465
00:22:39,640 --> 00:22:41,800
Speaker 1: You're like, what's there's a fucking ghost? Yeah, you hear

466
00:22:41,840 --> 00:22:44,040
Speaker 1: the static and those old school fucking things they had,

467
00:22:44,080 --> 00:22:45,760
Speaker 1: and it's like, is it that or is it because

468
00:22:45,800 --> 00:22:49,480
Speaker 1: I've been up for three days trap for four days

469
00:22:49,480 --> 00:22:52,040
Speaker 1: straight partying like that when you're on tour. When you're

470
00:22:52,080 --> 00:22:54,120
Speaker 1: on tour like that, you don't know what's what's kind

471
00:22:54,160 --> 00:22:56,159
Speaker 1: And the whole songs like that too, like the in

472
00:22:56,240 --> 00:22:59,120
Speaker 1: the verses, the main character he's like something's been keeping

473
00:22:59,160 --> 00:23:01,080
Speaker 1: me awake and it's like the ghost haunting him or

474
00:23:01,160 --> 00:23:03,720
Speaker 1: like is it just going crazy? Like yeah, all through

475
00:23:03,760 --> 00:23:07,800
Speaker 1: personal experiences and that's when you're doing that like that.

476
00:23:07,920 --> 00:23:09,520
Speaker 1: I mean what other songs like that is there are

477
00:23:09,560 --> 00:23:12,320
Speaker 1: other things that you have on your album that are

478
00:23:12,400 --> 00:23:15,399
Speaker 1: personal songs and experiences like this, Oh yeah, all of them. Man.

479
00:23:15,520 --> 00:23:18,080
Speaker 1: In fact, like I thought it'd be really interesting because

480
00:23:18,160 --> 00:23:20,879
Speaker 1: when we were talking about drawing upon personal experiences and

481
00:23:20,960 --> 00:23:26,600
Speaker 1: the real like the heart of human life. I wish

482
00:23:26,640 --> 00:23:29,480
Speaker 1: we was recorded. That was actually a very touching conversation.

483
00:23:29,560 --> 00:23:31,600
Speaker 1: Market we had outside before the show. We did a

484
00:23:31,640 --> 00:23:34,600
Speaker 1: real good like so we just met each other. Yeah, yeah,

485
00:23:34,600 --> 00:23:37,320
Speaker 1: I did pull a mark. Well, yeah, we show it

486
00:23:37,520 --> 00:23:39,360
Speaker 1: was but it was like it was just more appropriate

487
00:23:39,440 --> 00:23:41,679
Speaker 1: to be authentic and organic and real with each other

488
00:23:41,760 --> 00:23:43,520
Speaker 1: out there and now we could chop it up like

489
00:23:43,560 --> 00:23:46,600
Speaker 1: buddies in here, because yeah, we're a way to do it. Yeah. Man,

490
00:23:46,720 --> 00:23:48,000
Speaker 1: what was the first time you? Usually I like to

491
00:23:48,000 --> 00:23:50,280
Speaker 1: stay away from our fuckers, but that was just personal

492
00:23:50,320 --> 00:23:52,240
Speaker 1: and great. Sometimes it just hits naturally, and that's what

493
00:23:52,320 --> 00:23:53,880
Speaker 1: I was telling you. I want that to show through

494
00:23:53,920 --> 00:23:55,480
Speaker 1: and the songs I write. So I have this one

495
00:23:55,560 --> 00:23:57,960
Speaker 1: song that actually is a little bit about like of

496
00:23:58,080 --> 00:24:01,760
Speaker 1: my relationship with my father and the fans and getting

497
00:24:01,760 --> 00:24:04,760
Speaker 1: put into a situation and like still being grateful for it,

498
00:24:04,880 --> 00:24:08,280
Speaker 1: but like constantly having everything you do in your life

499
00:24:08,359 --> 00:24:11,960
Speaker 1: colorized by one singular experience or or a person in

500
00:24:12,040 --> 00:24:14,480
Speaker 1: my in my case, and like it isn't bad or good.

501
00:24:14,480 --> 00:24:16,000
Speaker 1: It just sort of is what it is. And a

502
00:24:16,080 --> 00:24:17,800
Speaker 1: song is called It's Not Me, It's You. It's a

503
00:24:18,040 --> 00:24:19,720
Speaker 1: brand new song we just cut. It's still like in

504
00:24:19,840 --> 00:24:22,760
Speaker 1: rough mixed form, but it's got me singing all like

505
00:24:22,880 --> 00:24:24,840
Speaker 1: falsetto in the hook, and then we got these like

506
00:24:24,960 --> 00:24:28,720
Speaker 1: ska trumpets coming in and like that's great. Are you

507
00:24:28,800 --> 00:24:31,159
Speaker 1: gonna are not? Are you gonna do you watch like

508
00:24:31,320 --> 00:24:34,840
Speaker 1: old stuff of your dad. What's really funny is in

509
00:24:34,960 --> 00:24:38,600
Speaker 1: that song we sample, um, we sample this old thing.

510
00:24:38,640 --> 00:24:40,679
Speaker 1: Maybe I'll have to get the sample cleared, but we did.

511
00:24:40,720 --> 00:24:42,280
Speaker 1: We were just feeling it in the studio, like it's

512
00:24:42,280 --> 00:24:44,280
Speaker 1: just me and my producer John joe'sphere, like that'd be sick.

513
00:24:44,720 --> 00:24:48,320
Speaker 1: So there's this there's this famous clip of him performing

514
00:24:48,440 --> 00:24:51,760
Speaker 1: with his buddy Gwen Stefani at the ninety five Weenie Roast,

515
00:24:52,359 --> 00:24:54,200
Speaker 1: and I don't know if anybody's seen this one, but

516
00:24:54,600 --> 00:24:57,000
Speaker 1: he calls Gwen up on stage and she's like, Bradley,

517
00:24:57,040 --> 00:24:59,320
Speaker 1: he looks so cute, and he goes, I'm prosperous and

518
00:24:59,480 --> 00:25:02,760
Speaker 1: hits a big belly like and so we sampled just that,

519
00:25:02,960 --> 00:25:05,080
Speaker 1: like you look, Bradley, You're so cute and he's like,

520
00:25:05,160 --> 00:25:07,200
Speaker 1: I'm prosperous and we like trip it out and chop

521
00:25:07,280 --> 00:25:11,080
Speaker 1: it up and stuff. Oh they got to clear that

522
00:25:11,240 --> 00:25:13,440
Speaker 1: for you. I mean, shit like that is like, come on,

523
00:25:13,560 --> 00:25:15,600
Speaker 1: it's just a cool little reference to something like that.

524
00:25:15,840 --> 00:25:18,840
Speaker 1: And uh yeah, man, I love mixing like it's just

525
00:25:18,960 --> 00:25:20,360
Speaker 1: I want to get real with it. I don't want

526
00:25:20,359 --> 00:25:23,080
Speaker 1: to shy away from the comparison because it's gonna happen naturally.

527
00:25:23,560 --> 00:25:25,320
Speaker 1: I lean into it, but still do my own thing.

528
00:25:25,400 --> 00:25:26,960
Speaker 1: I think that's the only way we can grow and

529
00:25:27,080 --> 00:25:28,760
Speaker 1: really come into our own well. I think you have

530
00:25:28,840 --> 00:25:31,000
Speaker 1: your lane because, like I told you earlier, for those

531
00:25:31,080 --> 00:25:32,920
Speaker 1: that are listening in the office, it was great to

532
00:25:33,040 --> 00:25:35,280
Speaker 1: have you come in, but not only so great, like

533
00:25:35,440 --> 00:25:38,120
Speaker 1: Jennifer that works with us as a huge fan and going,

534
00:25:38,200 --> 00:25:40,600
Speaker 1: oh my god, Joe, and she's literally texting me as

535
00:25:40,600 --> 00:25:42,000
Speaker 1: she's right there. She might as will come on the

536
00:25:42,080 --> 00:25:44,440
Speaker 1: mic if you want to, Jennifer. You want to get

537
00:25:44,440 --> 00:25:46,040
Speaker 1: on Jennifer, come and join us. If you want to

538
00:25:46,040 --> 00:25:48,080
Speaker 1: ask him a question, Please feel free to come the

539
00:25:48,119 --> 00:25:51,240
Speaker 1: game though, because you're a real fan, Jennifer. If you

540
00:25:51,320 --> 00:25:52,960
Speaker 1: really want to come, feel free to sit down and

541
00:25:53,040 --> 00:25:55,840
Speaker 1: talk to him. Um, but she was like saying, how

542
00:25:55,920 --> 00:25:58,040
Speaker 1: this and that, and then Daniel was showing me things

543
00:25:58,080 --> 00:26:00,320
Speaker 1: about you and explaining these about Daniel. Eve called me

544
00:26:00,400 --> 00:26:03,359
Speaker 1: earlier this morning, at like eight thirty in the morning,

545
00:26:03,400 --> 00:26:05,879
Speaker 1: if I'm not mistaken. It was early and we were

546
00:26:05,880 --> 00:26:07,520
Speaker 1: talking about you and you're a third show that we

547
00:26:07,600 --> 00:26:09,080
Speaker 1: were talking about, like you what I mean, And he

548
00:26:09,200 --> 00:26:12,480
Speaker 1: was talking about you first the third show that we're

549
00:26:12,520 --> 00:26:14,920
Speaker 1: doing today. You gotta understand who this dude is. You

550
00:26:15,000 --> 00:26:17,760
Speaker 1: gotta understanding his music, Joe, you'd love it, blah blah

551
00:26:17,760 --> 00:26:21,639
Speaker 1: blah blah. And then Jennifer from yesterday was hyping you up.

552
00:26:21,840 --> 00:26:24,040
Speaker 1: And my point to all this his dude, you've created

553
00:26:24,080 --> 00:26:26,040
Speaker 1: your lane. See you know what I mean that this

554
00:26:26,280 --> 00:26:28,879
Speaker 1: is your lane that they didn't like. Oh he sells

555
00:26:28,960 --> 00:26:31,000
Speaker 1: just like his dad. I never heard that once. I

556
00:26:31,080 --> 00:26:33,600
Speaker 1: didn't hear himself, just like Sublime, I didn't hear that once.

557
00:26:33,960 --> 00:26:35,280
Speaker 1: You know what I mean. It was like, dude, his

558
00:26:35,440 --> 00:26:38,480
Speaker 1: music's dope, his style is dope, He's very cool, he

559
00:26:38,560 --> 00:26:42,040
Speaker 1: seems amazing, and everybody was just praising you. So you've

560
00:26:42,119 --> 00:26:44,720
Speaker 1: really created a lane for yourself and an avenue where

561
00:26:44,760 --> 00:26:47,400
Speaker 1: it's like this guy is on his way to becoming

562
00:26:47,720 --> 00:26:52,600
Speaker 1: a fucking real rock star. Knock on wood, knock on wood.

563
00:26:52,640 --> 00:26:54,440
Speaker 1: We're gonna come baf heard to talk some more with

564
00:26:54,560 --> 00:26:56,440
Speaker 1: this guy right here, and if you want to see

565
00:26:56,520 --> 00:27:00,440
Speaker 1: him live on stage out here in Orange County, make

566
00:27:00,480 --> 00:27:02,880
Speaker 1: sure you get your tickets to it, because it's gonna

567
00:27:02,920 --> 00:27:05,640
Speaker 1: be an amazing event, folks, brought to you by Big

568
00:27:05,760 --> 00:27:09,560
Speaker 1: Bag Entertainment. Shout out to our pal foul Owl. I'm

569
00:27:09,640 --> 00:27:11,960
Speaker 1: calling you the foul House Deal because your foul for

570
00:27:12,040 --> 00:27:14,600
Speaker 1: this were right here. Mark Karney is doing his damn thing.

571
00:27:14,680 --> 00:27:17,359
Speaker 1: It's called a trip to guard and Grove. Get your

572
00:27:17,440 --> 00:27:20,439
Speaker 1: tickets at ticketweb dot com. It's Cannabis Talk one oh one.

573
00:27:20,600 --> 00:27:22,520
Speaker 1: We'll be right back after this. We'll be right back

574
00:27:22,600 --> 00:27:33,960
Speaker 1: with Cannabis Talk on one. Welcome back to Cannabis Talk

575
00:27:34,000 --> 00:27:36,280
Speaker 1: one oh one. Live a life you crave, you guys,

576
00:27:36,400 --> 00:27:39,800
Speaker 1: Rise above ordinary weekend plans. With Elevation Nations membership, you'll

577
00:27:39,840 --> 00:27:44,120
Speaker 1: gain access to exclusive events, entertainment, adventure and wellness experiences.

578
00:27:44,520 --> 00:27:47,280
Speaker 1: Visit the website Elevation Nations dot com to learn more.

579
00:27:47,280 --> 00:27:49,280
Speaker 1: I want to thank everybody around here for helping us

580
00:27:49,720 --> 00:27:52,280
Speaker 1: do what we do so much in Diego it's your

581
00:27:52,320 --> 00:27:54,680
Speaker 1: eyes that just masmerize me. So those eyes. Thank you

582
00:27:54,800 --> 00:27:57,800
Speaker 1: so much to your mother and father. Holdeay, Marcus Mondo,

583
00:27:57,960 --> 00:28:02,200
Speaker 1: by Dog You, Teddy, Daniel Diego, Jessica camp Solar, Ali

584
00:28:02,320 --> 00:28:06,000
Speaker 1: Goldie Brother, Pitt, Mark Carnes, Chris Frankino, Jennifer Erica, Elvis.

585
00:28:06,359 --> 00:28:08,200
Speaker 1: Thank you guys so much for doing what you do.

586
00:28:08,440 --> 00:28:12,080
Speaker 1: Jacob Nol, your new band is I think a lot

587
00:28:12,160 --> 00:28:15,480
Speaker 1: better than Law with Growth the dice on because what

588
00:28:15,640 --> 00:28:18,160
Speaker 1: you and your producer put together right there with all

589
00:28:18,200 --> 00:28:22,240
Speaker 1: these different sounds is so cool. How does this work

590
00:28:22,359 --> 00:28:24,240
Speaker 1: now that you're signed to a label if you have

591
00:28:24,320 --> 00:28:26,800
Speaker 1: to wait now to get your tour dates for you

592
00:28:26,880 --> 00:28:29,320
Speaker 1: to go places, because you're gonna performing here in Orange

593
00:28:29,359 --> 00:28:32,920
Speaker 1: County in Garden Grove. But like as your whole website

594
00:28:33,000 --> 00:28:34,800
Speaker 1: set up for the next year, or what's going on

595
00:28:34,880 --> 00:28:37,760
Speaker 1: with this? Still building it? Honestly, Yeah, I haven't even

596
00:28:37,840 --> 00:28:41,120
Speaker 1: officially announced the project yet to like the public, Like

597
00:28:41,440 --> 00:28:43,440
Speaker 1: I mean, I've mentioned it in some shows like this

598
00:28:43,600 --> 00:28:46,760
Speaker 1: and stuff, but like this whole path since really June sixth,

599
00:28:46,800 --> 00:28:49,520
Speaker 1: when we did that first run, it's just been building

600
00:28:49,600 --> 00:28:51,080
Speaker 1: like it. It's why it makes me happy when you

601
00:28:51,120 --> 00:28:53,760
Speaker 1: said people knew a little bits. That means my job,

602
00:28:53,800 --> 00:28:55,720
Speaker 1: I've been doing it. The whispers are starting to grow.

603
00:28:55,760 --> 00:28:57,160
Speaker 1: It's like I think he's doing this or was it

604
00:28:57,200 --> 00:28:58,600
Speaker 1: his old band or is it this new thing? Or

605
00:28:58,640 --> 00:29:01,080
Speaker 1: what's the easy playing with say that we had a

606
00:29:01,280 --> 00:29:04,720
Speaker 1: controversy and here we didn't know exactly what the new

607
00:29:04,800 --> 00:29:07,360
Speaker 1: band was or the old band, you know, and Daniel

608
00:29:07,400 --> 00:29:08,960
Speaker 1: had to figure that out. I'm sure that you probably

609
00:29:08,960 --> 00:29:11,000
Speaker 1: asked you when you give in. Once it's out, it

610
00:29:11,080 --> 00:29:14,480
Speaker 1: will be blasted out there because everything's still like you know,

611
00:29:14,640 --> 00:29:16,720
Speaker 1: in the in the planning phases of what's going to happen,

612
00:29:16,760 --> 00:29:19,520
Speaker 1: getting the website set up, getting the branding, getting all

613
00:29:19,520 --> 00:29:21,040
Speaker 1: the dates. But we do have dates in the books

614
00:29:21,120 --> 00:29:23,520
Speaker 1: for the project to play. And it's basically as soon

615
00:29:23,560 --> 00:29:26,760
Speaker 1: as we dropped this first single close enough in Motel radio,

616
00:29:27,120 --> 00:29:29,080
Speaker 1: that's gonna be the official announcement, like, Hey, this is

617
00:29:29,200 --> 00:29:31,840
Speaker 1: Jacob's Castle, this is Jacob Nole's new project, this is

618
00:29:31,880 --> 00:29:33,080
Speaker 1: what we do, this is what our sound is like,

619
00:29:33,160 --> 00:29:36,920
Speaker 1: here's our attentions. And then after that, singles will just

620
00:29:36,960 --> 00:29:39,440
Speaker 1: start coming out periodically, hopefully like every month and a half,

621
00:29:39,520 --> 00:29:41,360
Speaker 1: and then we just keep planning on shows from there,

622
00:29:41,480 --> 00:29:45,040
Speaker 1: So that's great. And have you done the whole you know,

623
00:29:45,360 --> 00:29:48,040
Speaker 1: covers for your dad yet, Like, have you did those

624
00:29:48,040 --> 00:29:49,880
Speaker 1: and made videos? I mean, I just think they would

625
00:29:49,880 --> 00:29:52,400
Speaker 1: go viral and just have the potential just you know,

626
00:29:52,680 --> 00:29:54,760
Speaker 1: and see. That's something I want to treat with a

627
00:29:54,840 --> 00:29:58,880
Speaker 1: lot of caution and also enthusiasm, because a lot of

628
00:29:58,960 --> 00:30:01,120
Speaker 1: people think it's like an epotism thing, like I could

629
00:30:01,160 --> 00:30:03,600
Speaker 1: just snap my fingers and immediately be at the top

630
00:30:03,640 --> 00:30:05,880
Speaker 1: of the reggae rock scene, and it's really I've been

631
00:30:06,000 --> 00:30:08,000
Speaker 1: in this since I was seventeen, for ten years, and

632
00:30:08,080 --> 00:30:10,000
Speaker 1: it has not been like that or that easy. Like

633
00:30:10,400 --> 00:30:13,160
Speaker 1: there's so much that goes into it, and so much

634
00:30:13,280 --> 00:30:16,760
Speaker 1: people's preconceived notions that go into who you are. So

635
00:30:17,040 --> 00:30:19,240
Speaker 1: I'd rather than just jump into something like that. I

636
00:30:19,360 --> 00:30:21,920
Speaker 1: want to really truly and organically build something that my

637
00:30:22,000 --> 00:30:25,240
Speaker 1: own fans are excited with, and then slowly sprinkle in

638
00:30:25,320 --> 00:30:27,440
Speaker 1: that other stuff, Like in my live set, like we

639
00:30:27,880 --> 00:30:29,680
Speaker 1: play a couple of my dad's songs, we cover that,

640
00:30:29,840 --> 00:30:31,640
Speaker 1: we throw it in there for the fans and for

641
00:30:31,800 --> 00:30:34,640
Speaker 1: charity events, I'll do, you know, some sublime stuff. But

642
00:30:35,240 --> 00:30:38,200
Speaker 1: as this stuff sort of starts to progress, like, I mean,

643
00:30:38,240 --> 00:30:40,720
Speaker 1: the sky's the limit, man, Like anything people could imagine

644
00:30:40,720 --> 00:30:43,520
Speaker 1: I think could be possible. And what I'm most excited

645
00:30:43,560 --> 00:30:45,920
Speaker 1: by is if there's any young, up and coming or

646
00:30:45,960 --> 00:30:48,880
Speaker 1: even established musicians out there in any genre that has

647
00:30:48,920 --> 00:30:51,240
Speaker 1: been inspired by Sublime. I would love to do like

648
00:30:51,320 --> 00:30:53,240
Speaker 1: a remix or a cover with those people, because I

649
00:30:53,280 --> 00:30:55,440
Speaker 1: think we could make it really dope. I'm sure you

650
00:30:55,520 --> 00:30:58,320
Speaker 1: guys could. And as you say that, is there anything

651
00:30:58,520 --> 00:31:00,480
Speaker 1: that hits you when you listen to that old shit?

652
00:31:00,600 --> 00:31:03,320
Speaker 1: Now that you're such an established artist, you know, you

653
00:31:03,400 --> 00:31:06,400
Speaker 1: got a record deal. When you look back at, you know,

654
00:31:06,520 --> 00:31:10,520
Speaker 1: the Sublime music, their path, their story, does it affect

655
00:31:10,560 --> 00:31:13,360
Speaker 1: you in any way whatsoever? Oh? Yeah, man, it's It's

656
00:31:13,400 --> 00:31:15,440
Speaker 1: both tragic and beautiful. They have one of the most

657
00:31:15,520 --> 00:31:18,160
Speaker 1: interesting stories of all time, and I really can't wait

658
00:31:18,240 --> 00:31:20,200
Speaker 1: for it to be told in its entirety. But um,

659
00:31:20,880 --> 00:31:22,680
Speaker 1: I mean, they just created something that was so cool

660
00:31:22,720 --> 00:31:25,240
Speaker 1: and genuine, touched so many people. They were shooting off

661
00:31:25,360 --> 00:31:28,400
Speaker 1: and then my Pops passed away, like right before they

662
00:31:28,440 --> 00:31:32,400
Speaker 1: were able to really capitalize on, you know, all of

663
00:31:32,480 --> 00:31:36,000
Speaker 1: that success, and you know, without the general the armies

664
00:31:36,040 --> 00:31:39,080
Speaker 1: start to scatter and form different camps, and I'm hoping

665
00:31:39,160 --> 00:31:41,880
Speaker 1: now enough time has passed that people can set aside

666
00:31:41,880 --> 00:31:46,400
Speaker 1: their differences and their previous enmities and reconvene again under

667
00:31:46,680 --> 00:31:49,200
Speaker 1: one singular tent that I hope gets to say Jacob's

668
00:31:49,240 --> 00:31:52,040
Speaker 1: Castle or Skunk Records, which were also in the process

669
00:31:52,400 --> 00:31:56,240
Speaker 1: of rebranding, relaunching and bringing back into the current day. Right,

670
00:31:56,360 --> 00:31:58,360
Speaker 1: and as you're doing that and building that part of

671
00:31:58,400 --> 00:32:01,360
Speaker 1: my ignorance, how did your pops pass a heroin overdose?

672
00:32:01,560 --> 00:32:03,720
Speaker 1: That's right? Yeah, so a big part of what my

673
00:32:03,760 --> 00:32:05,960
Speaker 1: family's But the block of wood that I keep bringing

674
00:32:05,960 --> 00:32:07,520
Speaker 1: out to knock on this will be a good little

675
00:32:07,560 --> 00:32:11,360
Speaker 1: product placement. This is a Bradley's House coast. I don't

676
00:32:11,360 --> 00:32:12,560
Speaker 1: know if you can see it on the cameras, but

677
00:32:13,360 --> 00:32:16,720
Speaker 1: my family has a foundation started by my brads, my

678
00:32:16,840 --> 00:32:19,960
Speaker 1: dad's sister, Kelly Nole, and it's called the Nol Family Foundation,

679
00:32:20,080 --> 00:32:22,720
Speaker 1: and we seek to raise awareness about the opioid crisis

680
00:32:22,800 --> 00:32:24,760
Speaker 1: and the epidemic. You can check us out on Instagram

681
00:32:24,880 --> 00:32:27,840
Speaker 1: or online at an old family And um, it's a

682
00:32:27,880 --> 00:32:30,720
Speaker 1: big problem right now, it's a it's a big crisis. Yeah,

683
00:32:30,840 --> 00:32:32,200
Speaker 1: you know, it used to be the twenty seven club

684
00:32:32,240 --> 00:32:34,120
Speaker 1: and now it's like it's the seventeen club. Man. It's

685
00:32:34,160 --> 00:32:37,200
Speaker 1: it's just crazy. So our big mission is, you know,

686
00:32:37,360 --> 00:32:41,480
Speaker 1: create events and fundraisers to raise awareness and eventually open

687
00:32:41,600 --> 00:32:44,960
Speaker 1: up a treatment facility called Bradley's House where we can

688
00:32:45,080 --> 00:32:49,680
Speaker 1: help musicians without the necessary means to hopefully overcome their

689
00:32:49,720 --> 00:32:53,600
Speaker 1: opioid That's beautiful, man, addiction, that's great. If there's anything

690
00:32:53,640 --> 00:32:55,160
Speaker 1: that we could do here at Cannabis Talk one, I

691
00:32:55,200 --> 00:32:56,760
Speaker 1: wanted to help with that, please let us. Oh, I

692
00:32:56,800 --> 00:32:59,680
Speaker 1: would love spreading that word and hearing that, because you're right.

693
00:32:59,720 --> 00:33:02,480
Speaker 1: I mean, I constantly am trying to get back. I've

694
00:33:02,520 --> 00:33:05,600
Speaker 1: been sober for twenty four years and I party real

695
00:33:05,680 --> 00:33:07,200
Speaker 1: hard and I should be dead, you know. And I

696
00:33:07,560 --> 00:33:10,480
Speaker 1: recently just had a buddy that committed suicide just like

697
00:33:10,640 --> 00:33:12,800
Speaker 1: last week, and it's just crazy to think that, you know,

698
00:33:13,200 --> 00:33:15,320
Speaker 1: how this thing can get us. Whether it's a drug,

699
00:33:15,400 --> 00:33:17,800
Speaker 1: whether it's the mind or too much drugs, a disease,

700
00:33:18,200 --> 00:33:20,160
Speaker 1: whatever it is, but people need help out there, and

701
00:33:20,200 --> 00:33:22,360
Speaker 1: it's because that you guys are doing that and honoring

702
00:33:22,400 --> 00:33:24,720
Speaker 1: your father that way. It's serious and important. And that's

703
00:33:24,760 --> 00:33:27,000
Speaker 1: the big thing too, is I think it's that whole

704
00:33:27,080 --> 00:33:30,120
Speaker 1: coming full circle, you know, is that like I never

705
00:33:30,240 --> 00:33:33,240
Speaker 1: seek to demonize the use of drugs, but just harm reduction.

706
00:33:33,320 --> 00:33:35,000
Speaker 1: You know, it's always going to be out there, It's

707
00:33:35,000 --> 00:33:37,360
Speaker 1: always going to be available for people, and I just

708
00:33:37,480 --> 00:33:39,880
Speaker 1: want people out there to know that there are ways

709
00:33:40,040 --> 00:33:42,360
Speaker 1: that there's there's there's a future, there's something else that

710
00:33:42,400 --> 00:33:44,480
Speaker 1: can be done out there, There's another outlets. You don't

711
00:33:44,520 --> 00:33:46,960
Speaker 1: need to overdose them, you know, I want to use them,

712
00:33:47,480 --> 00:33:50,840
Speaker 1: use them, but be cautious and be aware of the knowledge,

713
00:33:50,920 --> 00:33:53,160
Speaker 1: be armed with the facts. Yes, I think that's so

714
00:33:53,360 --> 00:33:54,960
Speaker 1: key right there. Man. I can't wait for you to

715
00:33:55,040 --> 00:33:57,200
Speaker 1: perform at this great event that you're going to be

716
00:33:57,320 --> 00:33:59,800
Speaker 1: doing that and so many other great performers. Have you

717
00:34:00,200 --> 00:34:02,480
Speaker 1: thought about things that you'd like to perform with, because

718
00:34:02,520 --> 00:34:05,360
Speaker 1: we were talking out there, you mentioned somebody that you

719
00:34:05,360 --> 00:34:08,560
Speaker 1: would love to do a collab with, and Damon albarn

720
00:34:08,640 --> 00:34:12,040
Speaker 1: bro fucking gorillas. That's like my number one guy I'd

721
00:34:12,040 --> 00:34:14,279
Speaker 1: ever want to That's so when people come up to

722
00:34:14,360 --> 00:34:16,480
Speaker 1: me with how much you know my dad influenced them,

723
00:34:16,560 --> 00:34:18,880
Speaker 1: that's like that for me, Like all of my stuff

724
00:34:18,960 --> 00:34:21,600
Speaker 1: was influenced by gorillas growing up, and as far as

725
00:34:21,640 --> 00:34:24,040
Speaker 1: like newer people. I mean, one hundred Gas is probably

726
00:34:24,120 --> 00:34:27,399
Speaker 1: my favorite artists and the most recent memory. I think

727
00:34:27,440 --> 00:34:31,040
Speaker 1: that they make just amazing, really cool music that cycles

728
00:34:31,080 --> 00:34:33,200
Speaker 1: a lot of the early two thousands internet culture that

729
00:34:33,239 --> 00:34:35,200
Speaker 1: I grew up with. I seek to incorporate a lot

730
00:34:35,239 --> 00:34:38,560
Speaker 1: of that kind of hyperpop stuff. So many bands out there.

731
00:34:38,680 --> 00:34:40,400
Speaker 1: You know Black Midi on the rock scene. I think

732
00:34:40,400 --> 00:34:43,479
Speaker 1: they're the most exciting rock band out there right now. Also,

733
00:34:43,600 --> 00:34:46,040
Speaker 1: King Gizzard's been doing stuff for a while that's in

734
00:34:46,080 --> 00:34:48,280
Speaker 1: the rock scene, and then like some more electronic stuff

735
00:34:48,320 --> 00:34:51,480
Speaker 1: so underground. The British duo Peery and Tommy. I'd love

736
00:34:51,520 --> 00:34:54,800
Speaker 1: to work with those two. They insanely really good production

737
00:34:54,840 --> 00:34:58,000
Speaker 1: work and really great songwriting. And there's a smaller band

738
00:34:58,040 --> 00:34:59,960
Speaker 1: two called Kids Smoko that I heard about. You check

739
00:35:00,080 --> 00:35:01,600
Speaker 1: them out as well. They do a bunch of cool

740
00:35:01,680 --> 00:35:05,000
Speaker 1: mix of different genres. And my boy Mark over here

741
00:35:05,080 --> 00:35:07,439
Speaker 1: was telling me about was like a no fun That's

742
00:35:07,480 --> 00:35:10,239
Speaker 1: another great example of like this is some California music now,

743
00:35:10,280 --> 00:35:12,960
Speaker 1: of mixing a bunch of different genres in a really cool,

744
00:35:13,080 --> 00:35:15,680
Speaker 1: underground and authentic way. Like that's the kind of stuff

745
00:35:15,680 --> 00:35:17,800
Speaker 1: I seek to do with Jacob's Castle and the relaunch

746
00:35:17,840 --> 00:35:20,080
Speaker 1: of Skunk Records. Well, God, William, we get to see

747
00:35:20,080 --> 00:35:22,440
Speaker 1: all those happen in those collaborations happened. We'd like to

748
00:35:22,520 --> 00:35:24,319
Speaker 1: do the high five with every guest that we come

749
00:35:24,360 --> 00:35:26,440
Speaker 1: on this show. Jacob, So I'm gonna ask you some

750
00:35:26,560 --> 00:35:29,000
Speaker 1: fun questions. I know you're not smoking now, but how

751
00:35:29,040 --> 00:35:30,960
Speaker 1: old are you the first time you smoked cannabis? And

752
00:35:31,000 --> 00:35:34,440
Speaker 1: where did you get it? From? Twelve years old? And

753
00:35:34,560 --> 00:35:36,480
Speaker 1: it's not to implicate that I love my parents. I

754
00:35:36,560 --> 00:35:38,600
Speaker 1: think I raised your kids how you will. But we

755
00:35:38,719 --> 00:35:40,319
Speaker 1: grew up in a weird family where that was normal.

756
00:35:40,400 --> 00:35:42,759
Speaker 1: So my first time smoking was the first time doing

757
00:35:42,760 --> 00:35:45,600
Speaker 1: everything was with my family at a big party with everybody.

758
00:35:45,600 --> 00:35:47,680
Speaker 1: It's always my first time smoking. I was six with

759
00:35:47,760 --> 00:35:50,000
Speaker 1: my older brother. I mean, come on now, he was sponding.

760
00:35:50,080 --> 00:35:52,640
Speaker 1: That's true bonding. You know, it's called family. It's family

761
00:35:53,320 --> 00:35:56,520
Speaker 1: very much. Is It's exactly what it is? Question number

762
00:35:56,520 --> 00:35:59,000
Speaker 1: two of the high five, Jacob, No, what is your

763
00:35:59,040 --> 00:36:02,080
Speaker 1: favorite way to use annabis? Okay? When I smoked, I

764
00:36:02,239 --> 00:36:04,960
Speaker 1: was a joint man. I mean I loved having my bonds,

765
00:36:05,000 --> 00:36:07,080
Speaker 1: but I would just break them like routinely. Bro I

766
00:36:07,160 --> 00:36:08,880
Speaker 1: had like the worst luck with bonds. I don't know

767
00:36:08,920 --> 00:36:11,800
Speaker 1: what it was. So I really got good at rolling joints.

768
00:36:11,920 --> 00:36:14,480
Speaker 1: Like my dad had this technique my mis step day.

769
00:36:14,719 --> 00:36:16,400
Speaker 1: He taught me how to roll these perfect joints. And

770
00:36:16,480 --> 00:36:18,600
Speaker 1: so nowadays, Oh I'm not my jacket on me, but

771
00:36:18,600 --> 00:36:20,840
Speaker 1: I still smoke cigarettes. I should quit. I'm a singer.

772
00:36:21,120 --> 00:36:22,800
Speaker 1: I had was quit for three years, but I started

773
00:36:22,840 --> 00:36:26,040
Speaker 1: smoking again on tour and anymore. Yeah, yeah, And I'm

774
00:36:26,040 --> 00:36:28,160
Speaker 1: not gonna turn my back on my good friend tobacco.

775
00:36:28,840 --> 00:36:30,799
Speaker 1: But I roll my own cigarettes now and I got

776
00:36:30,960 --> 00:36:32,279
Speaker 1: I got it down to a science. Man, it's my

777
00:36:32,320 --> 00:36:34,440
Speaker 1: favorite white a smoke. It gives you that ritual that

778
00:36:34,520 --> 00:36:37,680
Speaker 1: you've been missing. Ritual is so important in everything, routine

779
00:36:37,760 --> 00:36:40,560
Speaker 1: and ritual. That's the key to staying happy, exactly true. Like,

780
00:36:40,640 --> 00:36:42,920
Speaker 1: let me roll a spliff without though cannabis and I'm

781
00:36:42,960 --> 00:36:44,719
Speaker 1: good to go. That's it, exactly. And if you've seen

782
00:36:44,760 --> 00:36:45,680
Speaker 1: me at the show, you want me to roll a

783
00:36:45,760 --> 00:36:47,719
Speaker 1: joint for you, I bet best joint you ever had

784
00:36:47,800 --> 00:36:51,120
Speaker 1: there it is. Try him on that crushing number three.

785
00:36:51,200 --> 00:36:54,320
Speaker 1: Craziest place you ever used or smoked cannabis? Man, I

786
00:36:54,400 --> 00:36:57,360
Speaker 1: can't remember. I bet it was sick though, dude, I

787
00:36:57,400 --> 00:36:59,280
Speaker 1: bet it was like the coolest place and I forgot

788
00:36:59,680 --> 00:37:01,520
Speaker 1: maybe just at your house though. It's just funny to

789
00:37:01,560 --> 00:37:03,840
Speaker 1: think growing out and having a bunch of plants around

790
00:37:03,880 --> 00:37:06,400
Speaker 1: you at all times and just cannabis. They're just okay.

791
00:37:06,760 --> 00:37:08,200
Speaker 1: I just I don't have to steal it. I'm just

792
00:37:08,440 --> 00:37:10,640
Speaker 1: grabbing some weed here. Oh yeah exactly. And then I

793
00:37:10,680 --> 00:37:13,839
Speaker 1: remember my dad gave me this like little like dead

794
00:37:13,920 --> 00:37:15,360
Speaker 1: kind of clone. He was like, you can grow it

795
00:37:15,400 --> 00:37:17,520
Speaker 1: out out back, son. I was like really, And I

796
00:37:17,600 --> 00:37:19,840
Speaker 1: put in a potted plant and it got big and beautiful,

797
00:37:20,040 --> 00:37:22,000
Speaker 1: and then San Diego had like a cold season, so

798
00:37:22,239 --> 00:37:24,440
Speaker 1: it got all purple right, and I was all bummed

799
00:37:24,440 --> 00:37:26,239
Speaker 1: because it was dying. I'm like, no, wait, I could

800
00:37:26,239 --> 00:37:27,960
Speaker 1: sell it as like purple cutch because when I was

801
00:37:28,000 --> 00:37:29,719
Speaker 1: growing up, that's what all the rappers were singing about,

802
00:37:29,960 --> 00:37:31,680
Speaker 1: and I was like the coolest kid in school. Man.

803
00:37:31,719 --> 00:37:33,920
Speaker 1: I was just like, it's like real purple weed. They

804
00:37:33,920 --> 00:37:35,560
Speaker 1: didn't know that. It just got all destroyed by the

805
00:37:35,640 --> 00:37:38,840
Speaker 1: car and it's horrible. Why did you chaste like fucking

806
00:37:39,120 --> 00:37:44,040
Speaker 1: water like nasty outdoor dirt and water weed? Right here?

807
00:37:44,239 --> 00:37:47,120
Speaker 1: Question number four the High five. What was your go

808
00:37:47,360 --> 00:37:50,600
Speaker 1: to munchies after you got high. Oh man. You know

809
00:37:50,640 --> 00:37:53,200
Speaker 1: what's funny is after smoking regularly for long enough, like

810
00:37:53,320 --> 00:37:55,680
Speaker 1: I actually, it started to suppress my appetite and like

811
00:37:55,760 --> 00:37:57,680
Speaker 1: a cool, healthy way. It was like it was like

812
00:37:57,719 --> 00:37:59,360
Speaker 1: I would smoke and then I wouldn't you know, I

813
00:37:59,400 --> 00:38:01,279
Speaker 1: could just go up about my day. But when you

814
00:38:01,320 --> 00:38:03,439
Speaker 1: first start smoking, I think you pretty much tear apart

815
00:38:03,480 --> 00:38:06,360
Speaker 1: your fridge. I used to make these nasty, disgusting sundays

816
00:38:07,080 --> 00:38:09,160
Speaker 1: with my buddies. We would just raid my parents fridge

817
00:38:09,160 --> 00:38:12,000
Speaker 1: and just like pour everything and ice cream and then

818
00:38:12,040 --> 00:38:14,839
Speaker 1: the pop tarts and then sprinkles and then just throw

819
00:38:15,160 --> 00:38:17,480
Speaker 1: throw the Cheetohs on there, you know, and then and

820
00:38:17,480 --> 00:38:19,279
Speaker 1: then we just fall asleep. My mom would walk in

821
00:38:19,360 --> 00:38:22,279
Speaker 1: and there's just pile of trash in my room. You're

822
00:38:22,320 --> 00:38:25,600
Speaker 1: never smoking again, goddamn. I don't know problem with me

823
00:38:25,640 --> 00:38:27,759
Speaker 1: smoking until it became a man. Where did you learn

824
00:38:27,840 --> 00:38:32,640
Speaker 1: this from? Yeah, I'm learning from watching you right this

825
00:38:33,160 --> 00:38:36,760
Speaker 1: commercial ever right, and then it's like the best watched

826
00:38:36,760 --> 00:38:40,200
Speaker 1: the commercial together and die dude. And then it's like

827
00:38:40,400 --> 00:38:42,520
Speaker 1: so funny, like when your parents catch like I used

828
00:38:42,520 --> 00:38:44,840
Speaker 1: to be drunk or whatever, or I'm where do you

829
00:38:45,000 --> 00:38:46,719
Speaker 1: not make from you, Dad? What do you mean? What

830
00:38:46,800 --> 00:38:49,040
Speaker 1: do you think? This is what we do with the house.

831
00:38:49,320 --> 00:38:51,839
Speaker 1: We get all fucked up and shit our pants. Oh,

832
00:38:51,880 --> 00:38:54,040
Speaker 1: I got so many stories about that. It's just so

833
00:38:54,360 --> 00:38:57,480
Speaker 1: funny to think when you're like, where did you do this? Side?

834
00:38:57,719 --> 00:39:01,359
Speaker 1: Who taught you you did? Mom? All right? Question number

835
00:39:01,480 --> 00:39:04,719
Speaker 1: five of the high five Jacob No lead singer of

836
00:39:04,920 --> 00:39:08,799
Speaker 1: Jacob's Castle. You can catch their big for whoa performance

837
00:39:09,200 --> 00:39:12,279
Speaker 1: coming out here? What's the date on that? Again? St?

838
00:39:12,320 --> 00:39:16,080
Speaker 1: Patty's a seventeen seventeenth Yes, Sarah garden Grove Amphitheater. It's

839
00:39:16,080 --> 00:39:17,560
Speaker 1: gonna be the sickest show you everything the trip to

840
00:39:17,719 --> 00:39:21,440
Speaker 1: Garden Grove. Go get your tickets. Ticketweb dot com is

841
00:39:21,480 --> 00:39:23,680
Speaker 1: the spot, So go there and make sure you cop

842
00:39:23,760 --> 00:39:25,759
Speaker 1: that right there. But if you could smoke cannabis with

843
00:39:25,880 --> 00:39:30,640
Speaker 1: anyone dead or alive, who would it be? And why?

844
00:39:31,160 --> 00:39:33,919
Speaker 1: This was like the hardest question because there's so many good,

845
00:39:34,640 --> 00:39:38,200
Speaker 1: so many good answers. But there's one of my my hero,

846
00:39:38,480 --> 00:39:42,440
Speaker 1: my all time hero is this guy called Longmont potion Castle. Now,

847
00:39:42,719 --> 00:39:44,640
Speaker 1: he's a prank caller. He's been doing it since the

848
00:39:44,719 --> 00:39:46,879
Speaker 1: eighties and he's a very mysterious guy. No one really

849
00:39:46,920 --> 00:39:49,480
Speaker 1: knows his true identity. People theorize he's like in some

850
00:39:49,640 --> 00:39:52,200
Speaker 1: metal band or something, because he puts out these albums

851
00:39:52,239 --> 00:39:54,439
Speaker 1: where each track is just a prank call that he does,

852
00:39:54,800 --> 00:39:57,200
Speaker 1: and like there's some little metal interludes and you guys,

853
00:39:57,280 --> 00:39:59,919
Speaker 1: when you go home, please look up Longmont Potion Cast

854
00:40:00,040 --> 00:40:02,319
Speaker 1: if you want to just die laughing. He'll prank call

855
00:40:02,400 --> 00:40:04,560
Speaker 1: these people and then he'll put like these effects and

856
00:40:04,680 --> 00:40:07,520
Speaker 1: pedals on his voice and he just gets it. He

857
00:40:08,080 --> 00:40:10,959
Speaker 1: sounds totally ridiculous, Like he'll say the most absurd stuff.

858
00:40:11,000 --> 00:40:12,839
Speaker 1: He'll call pretend to be the ups guy and I'll

859
00:40:12,880 --> 00:40:14,840
Speaker 1: be like, um, you know, we have a forty cables

860
00:40:14,840 --> 00:40:16,440
Speaker 1: from Guam here that you ordered, and then they'll get

861
00:40:16,440 --> 00:40:17,920
Speaker 1: all pissed at him, like, well man, you need to

862
00:40:17,960 --> 00:40:20,400
Speaker 1: be president accountable and it's a cash on delivery. We're

863
00:40:20,400 --> 00:40:22,440
Speaker 1: gonna need you up front. We had our guy down

864
00:40:22,480 --> 00:40:24,120
Speaker 1: at the docks there and you didn't show up, and like,

865
00:40:24,280 --> 00:40:26,800
Speaker 1: and he'll just get them feeble furious, even though he

866
00:40:26,840 --> 00:40:30,160
Speaker 1: sounds ridiculous. So it's so absurd, it's so like adult

867
00:40:30,239 --> 00:40:34,000
Speaker 1: swim old school, like just internet culture type of humor

868
00:40:34,440 --> 00:40:36,400
Speaker 1: makes me die laughing whenever I need to be cheered up.

869
00:40:36,440 --> 00:40:38,239
Speaker 1: I feel like if I did still smoke weed, or

870
00:40:38,239 --> 00:40:40,319
Speaker 1: back when I did, you smoke with that guy would

871
00:40:40,320 --> 00:40:42,160
Speaker 1: probably be a pretty good time. He's my hero. Fun

872
00:40:42,360 --> 00:40:44,919
Speaker 1: is that random? And now that you're lacing up people

873
00:40:44,960 --> 00:40:48,320
Speaker 1: on some random dude that like, I'd never heard of

874
00:40:48,360 --> 00:40:50,399
Speaker 1: this dude. Oh he's still making He's still making stuff

875
00:40:50,440 --> 00:40:51,920
Speaker 1: and putting it out there. And now that you got

876
00:40:52,000 --> 00:40:55,040
Speaker 1: like what's the skype and stuff? He'll do these great

877
00:40:55,080 --> 00:40:57,799
Speaker 1: bits where he'll connect multiple people together in a call

878
00:40:57,840 --> 00:41:00,239
Speaker 1: and then he'll mute himself and so people be like, hello,

879
00:41:00,280 --> 00:41:02,279
Speaker 1: who is it, and like, oh, well you called me? Like, no,

880
00:41:02,400 --> 00:41:04,320
Speaker 1: I didn't you called me? Because he's calling both of

881
00:41:04,320 --> 00:41:07,279
Speaker 1: them and putting him in a conference call. Oh dude,

882
00:41:07,520 --> 00:41:09,640
Speaker 1: he's like a magician. You gotta look up long Mot

883
00:41:09,640 --> 00:41:12,279
Speaker 1: potion castle hero. It's just funny because I used to

884
00:41:12,440 --> 00:41:14,959
Speaker 1: love doing those type of thing. It's like I would

885
00:41:15,000 --> 00:41:18,080
Speaker 1: get baked and do oh man, I'll do that calling

886
00:41:18,160 --> 00:41:21,719
Speaker 1: the radio station's just doing the stupidest shit ever. I

887
00:41:21,920 --> 00:41:23,719
Speaker 1: just love that. That's funny. I gotta look up this

888
00:41:23,800 --> 00:41:25,520
Speaker 1: guy's name again. A matter of fact, right, how do

889
00:41:25,560 --> 00:41:29,680
Speaker 1: you spell his name? Longmont? One word? Ye, and then

890
00:41:29,760 --> 00:41:34,520
Speaker 1: potion castle two words castle and honestly kind of inspiration

891
00:41:34,560 --> 00:41:37,799
Speaker 1: for Jacob's Castle Longmont potion Castle. So really yeah, yeah,

892
00:41:37,960 --> 00:41:39,840
Speaker 1: I was gonna ask that too. As he said castle

893
00:41:39,880 --> 00:41:42,319
Speaker 1: at the end, was that like an influence of Okay? Yeah.

894
00:41:42,360 --> 00:41:44,120
Speaker 1: The way that name actually came about is I played

895
00:41:44,200 --> 00:41:46,520
Speaker 1: D and D old school. So does my uncle Opie.

896
00:41:46,560 --> 00:41:49,880
Speaker 1: By the way, so some old school seventies shit. And uh.

897
00:41:50,000 --> 00:41:51,560
Speaker 1: One of my buddies asks like, are we meeting at

898
00:41:51,600 --> 00:41:54,160
Speaker 1: Bow's house or at Jacob's Castle today in the text

899
00:41:54,200 --> 00:41:56,040
Speaker 1: and I looked at it and I was like, that's

900
00:41:56,120 --> 00:41:59,799
Speaker 1: the name Jacob's Castles. Shout out my friend Jared. How

901
00:42:00,080 --> 00:42:03,160
Speaker 1: random as that he sent you the texts and that's

902
00:42:03,200 --> 00:42:05,279
Speaker 1: what led you to believe that's my new project? Yeah?

903
00:42:05,400 --> 00:42:07,319
Speaker 1: My writer about a Jared Reeve man, like he just said,

904
00:42:07,360 --> 00:42:10,000
Speaker 1: and I was like, dude, you name the band. He's like, what, no, way?

905
00:42:11,160 --> 00:42:13,719
Speaker 1: Oh that is great, Jacob. I can't wait to come

906
00:42:13,800 --> 00:42:16,880
Speaker 1: out there and support this. It's gonna be a great event.

907
00:42:17,160 --> 00:42:19,440
Speaker 1: I think that our whole show is gonna be out

908
00:42:19,480 --> 00:42:22,239
Speaker 1: there because Mark's doing it. And Mark already invited me

909
00:42:22,280 --> 00:42:24,600
Speaker 1: and told me I have to come, So I'm gonna

910
00:42:24,640 --> 00:42:27,040
Speaker 1: show up for this one because Mark normally he does

911
00:42:27,080 --> 00:42:29,560
Speaker 1: events what he tells me him after the facts, you

912
00:42:29,640 --> 00:42:32,440
Speaker 1: missed a sick thing. No, no, no, they all just go.

913
00:42:32,640 --> 00:42:34,360
Speaker 1: And then Mark goes, oh, Joe, I didn't tell you

914
00:42:34,440 --> 00:42:36,200
Speaker 1: because you're an old man and you don't want to go.

915
00:42:36,280 --> 00:42:38,400
Speaker 1: You didn't blah blah blah. I'm like, Mark, can I

916
00:42:38,480 --> 00:42:40,279
Speaker 1: get down with you guys and go hang out and

917
00:42:40,400 --> 00:42:43,080
Speaker 1: kick it? Well? No, but he actually gave me a

918
00:42:43,160 --> 00:42:45,000
Speaker 1: phone call actually ahead of time and say, Joe, I

919
00:42:45,080 --> 00:42:47,120
Speaker 1: want you to come to this event, so I can't

920
00:42:47,160 --> 00:42:48,640
Speaker 1: wait to come. And we got to bring the nut

921
00:42:48,719 --> 00:42:51,120
Speaker 1: young new interns because I think these guys can be

922
00:42:51,160 --> 00:42:52,480
Speaker 1: in your band. Look at him, they got the young

923
00:42:52,520 --> 00:42:54,759
Speaker 1: good look over there a DJ. I need a dj

924
00:42:55,600 --> 00:42:58,279
Speaker 1: H Goldie if you know anybody, that's what I was

925
00:42:58,280 --> 00:42:59,759
Speaker 1: worth a three piece. I need a fourth member. I

926
00:42:59,800 --> 00:43:02,920
Speaker 1: need DJ. I'm an audio engineer. Bro Bro, you want

927
00:43:02,960 --> 00:43:04,520
Speaker 1: to come do live sound for us? We need a

928
00:43:04,560 --> 00:43:08,200
Speaker 1: live guy man, Bro, Yes, let me meet your number

929
00:43:08,200 --> 00:43:12,000
Speaker 1: after the show. Brook At show him the hair too,

930
00:43:12,080 --> 00:43:13,719
Speaker 1: show him there, Look at the look, Look at the look.

931
00:43:14,200 --> 00:43:17,920
Speaker 1: He's ready. Let's go. Oh that's our man, exactly. My

932
00:43:18,040 --> 00:43:21,839
Speaker 1: drummer has his hair buzz, but it's died pink. I'm

933
00:43:21,880 --> 00:43:23,600
Speaker 1: trying to do that. Actually next I just don't want

934
00:43:23,640 --> 00:43:25,440
Speaker 1: to copy. I might go like green or something that's

935
00:43:25,480 --> 00:43:29,960
Speaker 1: the vibe. Oh shit in away. So it's great. You

936
00:43:30,000 --> 00:43:31,600
Speaker 1: know what's funny is when I was young, grace to

937
00:43:31,680 --> 00:43:34,480
Speaker 1: do my hair green, purple red. You got here purple.

938
00:43:34,480 --> 00:43:35,880
Speaker 1: I can show you some pictures when we get off

939
00:43:35,880 --> 00:43:37,359
Speaker 1: the show. Oh bro, I want to say, Oh yeah,

940
00:43:37,360 --> 00:43:38,759
Speaker 1: I can't wait to show you because it's just so

941
00:43:38,920 --> 00:43:42,200
Speaker 1: crazy to look at oak stuff and it's a great time.

942
00:43:42,280 --> 00:43:44,600
Speaker 1: Saint Patrick's Day is the spot, you guys. The Garden

943
00:43:44,680 --> 00:43:47,920
Speaker 1: Namp Big Bag Entertainment is doing a great one. You

944
00:43:48,040 --> 00:43:50,840
Speaker 1: guys a trip to Garden Grove. Go check out our

945
00:43:50,880 --> 00:43:52,920
Speaker 1: guys gonna be performing out there. Thank you so much

946
00:43:52,960 --> 00:43:55,040
Speaker 1: for coming on the shows or anything that you want

947
00:43:55,040 --> 00:43:56,879
Speaker 1: to mention or anything you want to talk about before

948
00:43:56,880 --> 00:43:58,560
Speaker 1: we let you go. But we're definitely gonna have you back.

949
00:43:58,719 --> 00:44:01,040
Speaker 1: I want you coming here and perform live here at

950
00:44:01,080 --> 00:44:03,000
Speaker 1: the campus when we have an events. Oh I would

951
00:44:03,000 --> 00:44:05,279
Speaker 1: love that brings out by the time and just shot

952
00:44:05,560 --> 00:44:07,200
Speaker 1: rip and have a great time. The project will be

953
00:44:07,239 --> 00:44:09,880
Speaker 1: in full swing all I have to say is Skunk

954
00:44:09,960 --> 00:44:14,040
Speaker 1: Records is back, Jacob's Castle one thousand years, Southern California

955
00:44:14,080 --> 00:44:16,439
Speaker 1: shall rule the world, and don't forget to knock on Wood.

956
00:44:17,200 --> 00:44:19,680
Speaker 1: It's Cannabis Talk one oh one, folks. If nobody else

957
00:44:19,760 --> 00:44:22,960
Speaker 1: loves you, we do, and go knock on wood. Thank

958
00:44:23,040 --> 00:44:25,160
Speaker 1: you for listening to Cannabis Talk one oh one on

959
00:44:25,239 --> 00:44:29,560
Speaker 1: the iHeartRadio app, Apple Podcasts, or wherever you get your podcasts.