WEBVTT - Demon Eaters and Possessed Tools

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<v Speaker 1>Welcome to Stuff to Blow your Mind from how Stuff

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<v Speaker 1>Works dot com. Hey you welcome to Stuff to Blow

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<v Speaker 1>your Mind. My name is Robert Lamb and I'm Joe McCormick.

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<v Speaker 1>And of course, if you've been listening to the show

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<v Speaker 1>for a while, you probably know that just about every

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<v Speaker 1>year we bring out some Lunar New Year themed content

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<v Speaker 1>and uh, this year, Lunar New Year fell right on

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<v Speaker 1>a Tuesday. Yeah, so how could we say no to that? Um? Now,

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<v Speaker 1>whether you celebrate Western New Year or you or you

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<v Speaker 1>like a good Lunar New Year or trip both or

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<v Speaker 1>Chinese New Year, well, I think there's always room for

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<v Speaker 1>both celebrations because you can you can shoot for your

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<v Speaker 1>Western New Year, you can make your various goals and resolutions,

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<v Speaker 1>and you can you have a good month to try

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<v Speaker 1>them out and fail with them, and then you have

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<v Speaker 1>another shot. You can say, all right, well I'm gonna

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<v Speaker 1>go for Lunar New Year. This is gonna be my

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<v Speaker 1>new beginning, because that first New Beginning didn't really take

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<v Speaker 1>off like I wanted it to. And if you feel

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<v Speaker 1>like you're early on you've already had your year kind

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<v Speaker 1>of infested with a lot of negative energy, you can

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<v Speaker 1>have some exorcisms, that's right. So that is one of

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<v Speaker 1>the things we're gonna be talking about in this episode.

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<v Speaker 1>It's this this episode, it might seem like something of

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<v Speaker 1>a of a potpourri episode, but but there there's there's

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<v Speaker 1>definitely a string connecting all of these together about the

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<v Speaker 1>exorcism of spirits, the exorcism of you can I mean,

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<v Speaker 1>you can even just think of them as negative emotional

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<v Speaker 1>states and associations from your life as you head into

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<v Speaker 1>some sort of new phase, which is kind of at

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<v Speaker 1>the heart of so many of our approaches to a

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<v Speaker 1>new year, we'll think about what most New Year's resolutions

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<v Speaker 1>actually are. I don't have empirical evidence for this, but

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<v Speaker 1>my gut feeling is that the majority of New Year's

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<v Speaker 1>resolutions are to stop doing something you see as a

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<v Speaker 1>negative presence in your life or reduce doing something you

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<v Speaker 1>see a sort of like a demon on your back. Right. Yeah.

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<v Speaker 1>And now there's been pushback against that, and a lot

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<v Speaker 1>of people say, we what we need to do. If

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<v Speaker 1>we are going to set little resolutions, in addition to

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<v Speaker 1>making them reasonable, we should try and make them more positive,

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<v Speaker 1>like things I Am going to do. Uh. And then,

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<v Speaker 1>of course realizing that you need to make it attainable.

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<v Speaker 1>I don't know, making an attainable sounds kind of scary

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<v Speaker 1>because then you'd have to actually do it. Yeah, but

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<v Speaker 1>then yeah, if you set it up too if you

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<v Speaker 1>set up too much of an obstacle, if the resolution

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<v Speaker 1>is too great, then you're just guaranteed to fail and

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<v Speaker 1>you're gonna feel bad about that. Anyway, what was it

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<v Speaker 1>we said one year in the past? We uh, we

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<v Speaker 1>decided the best New Year's resolution is that every year

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<v Speaker 1>you should decide you're gonna live forever. Maybe so, and

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<v Speaker 1>that might as well, right. Uh So we do have

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<v Speaker 1>to point out that this new year, there's a lot

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<v Speaker 1>of enthusiasm for the uh, the the ideas, the teachings

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<v Speaker 1>of Marie Condo. Oh yes, I've been hearing all about this,

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<v Speaker 1>and I will say so, I have not watched her show,

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<v Speaker 1>I've not read her stuff. I don't really know anything

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<v Speaker 1>about this except what I've gleaned second hand from the culture.

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<v Speaker 1>But I I sense that there is inherent controversy and

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<v Speaker 1>misunderstanding about her whole thing. But basically, what I gather

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<v Speaker 1>is that she's for sort of cleaning, cleansing your physical

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<v Speaker 1>surroundings and purging yourself of unnecessary, unwanted objects. Yeah, that's

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<v Speaker 1>that's my understanding. A lot of people have been watching

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<v Speaker 1>her Netflix series Tidying Up with Marie Condo, which which

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<v Speaker 1>was of course released January one, twenty nineteen, clearly aiming

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<v Speaker 1>for New Year's resolution minded folks. Uh. And she uses

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<v Speaker 1>what is what she calls the con Marii method, which

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<v Speaker 1>is said to be inspired by Shinto principles about the

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<v Speaker 1>spirit of things in one's life. And yeah, the basic

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<v Speaker 1>idea is throw out the stuff that isn't necessary and

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<v Speaker 1>doesn't believe the quote is spark joy. Oh yeah, I've

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<v Speaker 1>heard all about sparking joy. Yeah, and you know, I,

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<v Speaker 1>you know I, I see no problem with that. I

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<v Speaker 1>like that idea. I'd like to try and limit the

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<v Speaker 1>clutter in my own life. And if something isn't making

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<v Speaker 1>you happy, and it's a physical object and it's not necessary,

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<v Speaker 1>it's not holding up a bookcase or anything or enabling

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<v Speaker 1>you to make a living, like, what is it? What's

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<v Speaker 1>it doing right? Well? And I also certainly think that,

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<v Speaker 1>and I think I'm sometimes guilty of this myself, that

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<v Speaker 1>hanging on to lots of old objects and not getting

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<v Speaker 1>rid of them can essentially be a way of avoiding

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<v Speaker 1>processing and thinking about your own past, you know, Like

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<v Speaker 1>it can be a way like if you've got stuff

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<v Speaker 1>from previous years that you just know you're not going

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<v Speaker 1>to use again, but you don't want to go through

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<v Speaker 1>it and see what you need to get rid of.

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<v Speaker 1>That can often just be because you don't, you know,

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<v Speaker 1>you're kind of afraid to sit down and think about

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<v Speaker 1>what's been going on in your life, so like you

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<v Speaker 1>don't do it. Yeah, Or one of my favorites when

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<v Speaker 1>you find a box of old stuff that is quote

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<v Speaker 1>unquote meaningful, but you forgot you had it. You have

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<v Speaker 1>like looked in this box in years, and you ask youself, like,

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<v Speaker 1>I think this stuff was dead to me, and I

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<v Speaker 1>have brought it back to life by finding it. Maybe

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<v Speaker 1>it should have just stayed dead. Sometimes dead is better, right,

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<v Speaker 1>As a wise man once said, Uh so, you know,

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<v Speaker 1>not to spend a lot of time on mary condo,

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<v Speaker 1>but I imagine with with her work, Yeah, you're going

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<v Speaker 1>to see people who really dig it, who really get

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<v Speaker 1>enthusiastic about it, people who have a lot of problems

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<v Speaker 1>with it, people who try it and experience success, and

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<v Speaker 1>people who try it and find that, well, here's another

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<v Speaker 1>self help um guru whose advice has not fixed my life.

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<v Speaker 1>And I think that's part of the course with with

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<v Speaker 1>most teachings, uh that are aimed at changing the shape

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<v Speaker 1>of your life. I guess the more religious way of

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<v Speaker 1>thinking about it would be that these objects have like

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<v Speaker 1>a spirit to them, or spiritual energy. You obviously don't

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<v Speaker 1>have to think that there's such a thing as a

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<v Speaker 1>spirit in an object to recognize that objects have significance.

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<v Speaker 1>You know, the objects around you. They trigger certain like

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<v Speaker 1>cascades of memories and and and react actions and emotions,

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<v Speaker 1>and so in a certain way, they can sort of

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<v Speaker 1>have a spirit, even if they don't literally have a soul. Right,

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<v Speaker 1>It's something that we have clearly projected through our own

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<v Speaker 1>imaginations or own memories and even just through the like

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<v Speaker 1>the nature of of building being a tool building and

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<v Speaker 1>tool acquiring an object acquiring species. Yeah, I mean, is

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<v Speaker 1>there any other species that acquires objects in the way

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<v Speaker 1>we do? I mean, you could think about like birds

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<v Speaker 1>that build, you know, bower birds building building nests with

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<v Speaker 1>with strange attractive objects. But there is really nothing like

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<v Speaker 1>us in terms of all the objects we we bring

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<v Speaker 1>to surround ourselves with. Now you might think about a

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<v Speaker 1>lot of those objects is like, well, that's because we

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<v Speaker 1>are you know, primates with tool using intelligence, and most

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<v Speaker 1>of these objects are tools that we've figured out how

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<v Speaker 1>to use, but most of them you don't ever actually use.

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<v Speaker 1>They actually are more like the bower bird that you know,

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<v Speaker 1>most of them are not your kitchen knife that you

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<v Speaker 1>use every day. They might be a tool that could

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<v Speaker 1>maybe do something, but you never do that thing or

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<v Speaker 1>you never use them. So it is more like you're

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<v Speaker 1>just building a nest with strange bits of string intensil,

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<v Speaker 1>and it's not even attracting a mate or keeping your

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<v Speaker 1>in in the sense your collection of bubble heads or

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<v Speaker 1>you're like grandfather's collection of bubble heads. Whatever it happens

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<v Speaker 1>to be like something you even have you don't even

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<v Speaker 1>have direct emotional attachment to. Perhaps like it's it's no

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<v Speaker 1>longer winning you mates, it may be getting in the

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<v Speaker 1>way of your relationship with your existing mate. Um. Yeah,

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<v Speaker 1>so it's it's this weird byproduct of the human experience. Yeah.

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<v Speaker 1>Of course, then again, we we have a very complex

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<v Speaker 1>way of appreciating our aesthetic surroundings, and some of these

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<v Speaker 1>artificial objects we surround ourselves with are part of that.

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<v Speaker 1>So I guess I walked in here wondering if I

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<v Speaker 1>was going to have a take on the like whole

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<v Speaker 1>like purging all your unwanted old objects thing. I don't

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<v Speaker 1>have a take on it. I guess I just I'm

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<v Speaker 1>gonna say, do it if you want to do it. Well,

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<v Speaker 1>there's my boring pronouncement, folks. Well here's the definite fact.

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<v Speaker 1>Marie Condo was not the first individual to say, hey,

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<v Speaker 1>it's a new beginning, maybe I should throw a few

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<v Speaker 1>things away. Right to think that the new year is

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<v Speaker 1>a time to exercise old demons, whether metaphorically in the

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<v Speaker 1>modern age or quite literally in the mythological context, that's right.

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<v Speaker 1>So in this episode of Stuff to Blow your Mind,

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<v Speaker 1>we are going to We're going to continue to explore

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<v Speaker 1>these themes, and in doing so, we're gonna waltz between

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<v Speaker 1>Chinese and Japanese myths and legends. And first of all,

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<v Speaker 1>we are going to meet a demon slayer. I love

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<v Speaker 1>a good demon slayer. Yeah, so this is gonna be

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<v Speaker 1>what Buffy. No, no, no, this is the true fact.

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<v Speaker 1>Buffy did slay demons in addition to vampires. Most for

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<v Speaker 1>the vampire thing. I guess it looks better on a

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<v Speaker 1>calling card. Most of the interesting ones were more demon

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<v Speaker 1>than vampire, I think. Yeah, the vampires became less essential

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<v Speaker 1>as the series went on. But but no, we're talking

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<v Speaker 1>about one of the greatest did not the greatest demon slayer,

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<v Speaker 1>demon queller, demon defeat exorcist of all time, demon eater,

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<v Speaker 1>demon eatery ghost banisher. Uh demon I Gauger, Yes, I Gouger.

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<v Speaker 1>He was a man, a spirit of of many skills.

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<v Speaker 1>We're talking about zen Quay, the demon queller from from

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<v Speaker 1>Chinese legend in mythology. There are a lot of fantastic

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<v Speaker 1>paintings of zen Quay that I have found all over

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<v Speaker 1>the internet. There's just a rich artistic tradition with this

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<v Speaker 1>guy who's got this severe face that's sort of part

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<v Speaker 1>of his mythology. That he's kind of like like nasty

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<v Speaker 1>looking in the face, but that he's this real tough

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<v Speaker 1>guy with a beard who's usually found commanding a troop

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<v Speaker 1>of demons to do his will. Yeah, he's he's kind

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<v Speaker 1>of a vulcan figure to a certain extent. Yeah, And

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<v Speaker 1>he's he's often kind of like this squat maybe slightly

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<v Speaker 1>ugly or ourid, disfigured individual. The depictions range from him

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<v Speaker 1>just looking like an eccentric um like middle aged scholar

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<v Speaker 1>to looking like an outright like troll with like red

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<v Speaker 1>or dusky skin, you know, like he It varies a lot.

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<v Speaker 1>Sometimes he's kind of serene seeming. Sometimes he is accompanied

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<v Speaker 1>by demons. Other times he is like actively perpetrating violence

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<v Speaker 1>against the demons, sometimes in a procession of demons as

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<v Speaker 1>if on parade, sometimes being carried in a sedan chair

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<v Speaker 1>by demons. So uh I actually, so there are different

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<v Speaker 1>versions of the story about him, different details regarding with

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<v Speaker 1>conflicting details, conflicting details about how he came to be,

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<v Speaker 1>what his role was, who tasked him with this role? Well,

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<v Speaker 1>tell me one version of the story, Robert, Okay, this

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<v Speaker 1>is the first version I came across in a book

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<v Speaker 1>of Chinese mythology. So they got the idea. Here's during

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<v Speaker 1>the eighth century uh Emperor Ming of Time who lived

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<v Speaker 1>six eighty five through seven sixty two. Uh an historic

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<v Speaker 1>individual suffered a fever one night and was assailed by

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<v Speaker 1>a rampaging demon dressed in red trousers. And though he

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<v Speaker 1>asked the demon what its name was, and the demon said,

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<v Speaker 1>my name is quote emptiness and desolation, and the Emperor

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<v Speaker 1>was just powerless to stop it. You know, it's just

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<v Speaker 1>still suffering under this fever. It's this demons running around

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<v Speaker 1>like cat in the hat, just messing anything up. I

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<v Speaker 1>think in some other tellings of it, it's running around

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<v Speaker 1>with a flute and a purse that it has stolen

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<v Speaker 1>from the emperor, which I think is a nice wrinkle

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<v Speaker 1>on everything, because here we see the introduction of objects,

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<v Speaker 1>objects with some sort of value or or or or

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<v Speaker 1>spirit to them. So who will come in to save

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<v Speaker 1>the emperor from this horrible ghost like figure. Well the

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<v Speaker 1>Emperor calls for his guards, of course, but you know

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<v Speaker 1>that that doesn't do any good. I don't even think

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<v Speaker 1>they just they show up. Instead. What happens is a

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<v Speaker 1>great frightening apparition storms into the chamber dressed in tattered

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<v Speaker 1>robes and a torn bandanna. It grabs this red demon up,

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<v Speaker 1>crunches it down into a ball cartoon style and then

0:12:07.880 --> 0:12:11.400
<v Speaker 1>swallows it whole well. And then the spirit introduces itself

0:12:11.440 --> 0:12:14.920
<v Speaker 1>to the Emperor as zong Quai, the soul of a

0:12:15.000 --> 0:12:18.960
<v Speaker 1>talented scholar who committed suicide after failing to achieve top

0:12:19.000 --> 0:12:23.280
<v Speaker 1>honors in the public examinations. The public examinations would have been.

0:12:23.320 --> 0:12:26.080
<v Speaker 1>This was like the test to determine like where you

0:12:26.120 --> 0:12:29.320
<v Speaker 1>were going to be professionally in society, so like if

0:12:29.360 --> 0:12:31.959
<v Speaker 1>you get a good score, you would get some kind

0:12:31.960 --> 0:12:34.960
<v Speaker 1>of good position in government service. Yeah, exactly. So it

0:12:35.040 --> 0:12:39.400
<v Speaker 1>was a huge, huge deal, not no mine or test. Okay,

0:12:39.440 --> 0:12:43.360
<v Speaker 1>So he he fails in achieving the score that he

0:12:43.440 --> 0:12:47.120
<v Speaker 1>was going for, and different versions of it play this differently,

0:12:47.120 --> 0:12:50.640
<v Speaker 1>and some he is kind of cheated out of top scores. Yeah.

0:12:50.679 --> 0:12:52.640
<v Speaker 1>I think I've read one where he did get a

0:12:52.640 --> 0:12:55.480
<v Speaker 1>top score but then something bad happened to him. Anyway.

0:12:55.800 --> 0:12:57.800
<v Speaker 1>I think there's a version where the emperor at the

0:12:57.880 --> 0:13:01.800
<v Speaker 1>time made fun of him for physical appearance and that

0:13:01.920 --> 0:13:04.920
<v Speaker 1>led to the despair that ends in suicide. So they're yeah,

0:13:04.920 --> 0:13:07.520
<v Speaker 1>there are different versions of exactly how it goes down,

0:13:07.880 --> 0:13:11.760
<v Speaker 1>but in all of them he ends up dying the

0:13:11.800 --> 0:13:14.040
<v Speaker 1>death of a suicide And is uh and is this

0:13:14.360 --> 0:13:17.680
<v Speaker 1>reduced to this raith like form? But here here's the

0:13:17.720 --> 0:13:21.199
<v Speaker 1>important detail. Since the imperial family had shown him honor

0:13:21.280 --> 0:13:23.679
<v Speaker 1>and buried him in green robes like a member of

0:13:23.720 --> 0:13:27.720
<v Speaker 1>the imperial household, despite his shame, he'd sworn to protect

0:13:27.760 --> 0:13:31.880
<v Speaker 1>the emperor and his successors from the demons of despair. Okay,

0:13:31.920 --> 0:13:35.800
<v Speaker 1>so you've got this beyond the grave demon fighter figure

0:13:36.080 --> 0:13:39.720
<v Speaker 1>who's paying back the debt of his honorable burial. Right, yeah,

0:13:39.800 --> 0:13:44.320
<v Speaker 1>you have a vengeful ghost who kills demons, kills rogue spirits.

0:13:44.400 --> 0:13:47.280
<v Speaker 1>Uh and and essentially as the I've seen him described

0:13:47.280 --> 0:13:51.520
<v Speaker 1>as the immortal exorcist of Chinese mythology. And so the

0:13:51.559 --> 0:13:53.760
<v Speaker 1>emperor in this case and this story ends up putting

0:13:53.840 --> 0:13:55.920
<v Speaker 1>up a picture of him to honor him and to

0:13:56.040 --> 0:13:59.640
<v Speaker 1>an invoke his presence over any you know, rogue spirits

0:13:59.640 --> 0:14:02.680
<v Speaker 1>that might mess with his demeanor. And so this hanging

0:14:02.720 --> 0:14:05.440
<v Speaker 1>up of a picture of gen Qui does sort of

0:14:05.480 --> 0:14:08.200
<v Speaker 1>become a tradition, right Oh, yes, absolutely, generally you know,

0:14:08.240 --> 0:14:12.720
<v Speaker 1>by doorways. So yeah, he's this tragic figure, clearly talented

0:14:12.760 --> 0:14:16.880
<v Speaker 1>and driven. And again the details very depending on the telling.

0:14:17.360 --> 0:14:20.520
<v Speaker 1>In one of them, I ran across. So he he dies,

0:14:20.840 --> 0:14:23.840
<v Speaker 1>and he ends up in the tin hells of dai U,

0:14:24.280 --> 0:14:27.480
<v Speaker 1>where the Tin Yama King's reside over the dead. And

0:14:27.560 --> 0:14:32.239
<v Speaker 1>here the lords of the underworld recognize zen Quays potential

0:14:32.560 --> 0:14:35.320
<v Speaker 1>and they offer him the position of King of Ghosts,

0:14:35.960 --> 0:14:39.920
<v Speaker 1>thus tasking him with policing unruly spirits and demons, which

0:14:39.920 --> 0:14:43.320
<v Speaker 1>I think is a pretty awesome origin story as well. Yeah,

0:14:43.400 --> 0:14:45.920
<v Speaker 1>in fact, I I like that one more because it's

0:14:46.000 --> 0:14:48.840
<v Speaker 1>you know, the the the agency here is not with

0:14:48.920 --> 0:14:52.680
<v Speaker 1>the Emperor but with the lords of Hell. Yeah, they're like, hey,

0:14:52.680 --> 0:14:55.080
<v Speaker 1>look we've got some spirits out here, some demons. They're

0:14:55.080 --> 0:14:57.760
<v Speaker 1>given the tin hell is a bad name. I actually

0:14:57.800 --> 0:15:00.560
<v Speaker 1>need you to go out and police them one by one.

0:15:00.680 --> 0:15:02.640
<v Speaker 1>Like that's a whole that's a TV series right there.

0:15:02.680 --> 0:15:05.880
<v Speaker 1>Like he's a cowboy or he's like an outlaw who's

0:15:05.920 --> 0:15:08.960
<v Speaker 1>given a bounty to go collect or exactly. Yeah, and

0:15:09.240 --> 0:15:12.200
<v Speaker 1>this type of figure I feel like this does this

0:15:12.240 --> 0:15:16.560
<v Speaker 1>trope does show up in in even modern fictions. Certainly

0:15:16.600 --> 0:15:19.960
<v Speaker 1>there are plenty of modern fictions that actually use zen

0:15:20.080 --> 0:15:23.080
<v Speaker 1>Quay as a as a title character. You will find

0:15:23.160 --> 0:15:27.600
<v Speaker 1>zen Quay to this day in Chinese television shows, movies.

0:15:27.840 --> 0:15:29.840
<v Speaker 1>I think I saw there was a video game apparently

0:15:29.960 --> 0:15:34.040
<v Speaker 1>video games, the opera, um, etcetera. So he's he's no

0:15:34.240 --> 0:15:37.600
<v Speaker 1>minor figure, as will continue to discuss. So, but basically

0:15:37.640 --> 0:15:42.400
<v Speaker 1>he's roman about out on the land, uh, putting down rogues,

0:15:42.600 --> 0:15:45.520
<v Speaker 1>spirits and ghosts and demons. Oh yeah, he's putting him

0:15:45.560 --> 0:15:48.440
<v Speaker 1>to the sword. He's a he's gouging out their eyes.

0:15:48.480 --> 0:15:51.560
<v Speaker 1>There's there's a painting or a tradition in paintings that

0:15:51.600 --> 0:15:54.000
<v Speaker 1>show him gouging out the eye of a demon. So

0:15:54.080 --> 0:15:58.160
<v Speaker 1>he's pretty ruthfully, he's a frightening figure, you know. With

0:15:58.280 --> 0:16:00.120
<v Speaker 1>then again, there's a long tradition of having like a

0:16:00.200 --> 0:16:03.560
<v Speaker 1>frightening figure to frighten away the demons and the spirits

0:16:03.640 --> 0:16:07.480
<v Speaker 1>and and all the malicious uh unseen entities that might

0:16:07.560 --> 0:16:11.440
<v Speaker 1>mess with with your health and happiness, and and he

0:16:11.560 --> 0:16:13.840
<v Speaker 1>is he is one of them. So he's like a figure,

0:16:14.160 --> 0:16:18.000
<v Speaker 1>a legendary figure embodying the spirit of apotropaic magic, the

0:16:18.040 --> 0:16:22.800
<v Speaker 1>magic of warding off evil spirits and curses and stuff exactly. Now,

0:16:22.840 --> 0:16:26.040
<v Speaker 1>as you mentioned earlier, not only is he happy to

0:16:26.240 --> 0:16:31.120
<v Speaker 1>quell and uh and slay and sometimes mutilate and eat

0:16:31.600 --> 0:16:34.760
<v Speaker 1>the demons that are running about, but he'll also bend

0:16:34.760 --> 0:16:37.760
<v Speaker 1>them to his will. He'll make them serve him, carry

0:16:37.800 --> 0:16:41.360
<v Speaker 1>him around on a litter for example, um as well

0:16:41.400 --> 0:16:45.360
<v Speaker 1>as his sister who in the tellings U he's part

0:16:45.400 --> 0:16:49.600
<v Speaker 1>of his gratitude to the emperor is Uh is betrothing

0:16:49.720 --> 0:16:52.440
<v Speaker 1>his his sister to the emperor, I believe. So you

0:16:52.520 --> 0:16:55.440
<v Speaker 1>end up with these illustrations such as the gong Kai

0:16:55.600 --> 0:17:00.160
<v Speaker 1>scroll from the Late Song dynasty, which depicts Zong eat

0:17:00.200 --> 0:17:02.160
<v Speaker 1>it in a litter carried and the litter is carried

0:17:02.160 --> 0:17:05.199
<v Speaker 1>by two male demons, while another litter is carrying his

0:17:05.280 --> 0:17:08.399
<v Speaker 1>sister carried by two female demons. And then you have

0:17:08.480 --> 0:17:13.000
<v Speaker 1>two demon attendants carrying a dog a package. All in all,

0:17:13.040 --> 0:17:17.560
<v Speaker 1>it's an eighteen demon servant entourage marching across this scroll.

0:17:18.040 --> 0:17:22.120
<v Speaker 1>And there are also seven smaller captured demons, some trust

0:17:22.240 --> 0:17:25.199
<v Speaker 1>up or in one case imprisoned in a jar like

0:17:25.240 --> 0:17:28.280
<v Speaker 1>an octopus filling a beer bottle. Yeah, so he's not

0:17:28.600 --> 0:17:31.399
<v Speaker 1>like in a sence, he is like the original Ghostbuster,

0:17:31.880 --> 0:17:35.080
<v Speaker 1>but he's not content to just shove the captured ghosts

0:17:35.119 --> 0:17:37.600
<v Speaker 1>into the containment unit. No, he is here to to

0:17:37.760 --> 0:17:40.920
<v Speaker 1>make all the slimmers and what have you uh carry

0:17:41.000 --> 0:17:44.800
<v Speaker 1>him about and then aid him in his ongoing war

0:17:44.960 --> 0:17:48.360
<v Speaker 1>against the demons. This is an awesome scroll, by the way.

0:17:48.359 --> 0:17:50.600
<v Speaker 1>I mean I mentioned earlier that there's a really cool

0:17:51.000 --> 0:17:54.800
<v Speaker 1>artistic tradition and this is one great example. The demons though,

0:17:55.240 --> 0:17:57.960
<v Speaker 1>so they're doing his will, But often the demons also

0:17:58.000 --> 0:18:00.119
<v Speaker 1>appear to be kind of having a good time, like

0:18:00.119 --> 0:18:05.119
<v Speaker 1>they'll be jumping about and doing cartwheels and sometimes playing instruments. Maybe, yeah,

0:18:05.200 --> 0:18:08.280
<v Speaker 1>there is there is definitely a sense of a of

0:18:08.280 --> 0:18:11.000
<v Speaker 1>a parade to what we're seeing here, and it's a

0:18:11.040 --> 0:18:15.679
<v Speaker 1>type of parade that to certainly too Western audiences, it

0:18:15.760 --> 0:18:19.360
<v Speaker 1>instantly makes one think of these crampus parades that one

0:18:19.440 --> 0:18:23.399
<v Speaker 1>sees where you have both um good st Nicholas marching

0:18:23.400 --> 0:18:28.560
<v Speaker 1>through the street, but also the unruly or slightly unruly crampuses.

0:18:28.840 --> 0:18:32.720
<v Speaker 1>And indeed, uh that that actually is there's actually a

0:18:32.760 --> 0:18:35.480
<v Speaker 1>strong comparison to be made between these two when we

0:18:35.480 --> 0:18:39.040
<v Speaker 1>start looking at some of the associations that Zong has

0:18:39.119 --> 0:18:42.679
<v Speaker 1>with New Year's exorcisms in Chinese traditions. Oh yeah, so

0:18:42.720 --> 0:18:44.840
<v Speaker 1>we started with the idea of the lunar new year

0:18:44.920 --> 0:18:48.640
<v Speaker 1>and with exercising the old. So how does zen Quai

0:18:48.760 --> 0:18:52.240
<v Speaker 1>tie back into that? Obviously I can begin to see

0:18:52.240 --> 0:18:56.119
<v Speaker 1>the exorcism part. Oh yes, yeah, so, so I have

0:18:56.240 --> 0:18:59.320
<v Speaker 1>actually a wonderful passage here I want to read. This

0:18:59.359 --> 0:19:02.600
<v Speaker 1>is from a late eighteenth century description of festivities in

0:19:02.800 --> 0:19:06.080
<v Speaker 1>Han Xiao from Wu Zimmu, as quoted by Sherman E.

0:19:06.280 --> 0:19:11.760
<v Speaker 1>Lee in an Artibus Asia article from nine quote. On

0:19:11.840 --> 0:19:15.080
<v Speaker 1>the four day of the twelfth Lunar month, regardless of

0:19:15.119 --> 0:19:19.000
<v Speaker 1>poverty or wealth, all prepare vegetarian food and sweet dishes

0:19:19.040 --> 0:19:22.960
<v Speaker 1>to sacrifice to Zal, the stove god. On the market

0:19:23.040 --> 0:19:25.439
<v Speaker 1>streets are poor beggars three to five men in a

0:19:25.480 --> 0:19:30.800
<v Speaker 1>company costumed as the figures of such as spirits and demons,

0:19:30.920 --> 0:19:35.479
<v Speaker 1>Panguan zong Quai and his younger sister, beating gongs and

0:19:35.520 --> 0:19:38.879
<v Speaker 1>striking drums from house to house they beg for money.

0:19:39.040 --> 0:19:42.040
<v Speaker 1>The end of the twelve month is termed chu Ye,

0:19:42.640 --> 0:19:46.520
<v Speaker 1>the eve of change. The official and commoner families, whether

0:19:46.560 --> 0:19:49.600
<v Speaker 1>of greater or small households, prepare wine, sweep the gates

0:19:49.600 --> 0:19:52.480
<v Speaker 1>and beams, remove the dust and dirt, clean the halls

0:19:52.480 --> 0:19:56.959
<v Speaker 1>and doors. Change the door guardians. Door guardians are are

0:19:57.000 --> 0:20:01.040
<v Speaker 1>a tradition h Chinese households with opi on the doors

0:20:01.160 --> 0:20:04.000
<v Speaker 1>or by the doors uh you know, guarding the household.

0:20:04.240 --> 0:20:09.880
<v Speaker 1>Interestingly enough, one has seen uh Santa Claus when when

0:20:09.920 --> 0:20:16.240
<v Speaker 1>transferred into modern Chinese holiday traditions, Santa Claus has sometimes

0:20:16.280 --> 0:20:21.439
<v Speaker 1>been utilized as twin doric guardians and hang pictures of

0:20:21.560 --> 0:20:24.919
<v Speaker 1>Zong Quay, so again helped put it put up a

0:20:24.960 --> 0:20:27.840
<v Speaker 1>picture of Zong to help keep the bad spirits away,

0:20:27.920 --> 0:20:30.800
<v Speaker 1>and the passage continues. In the forbidden interior of the

0:20:30.800 --> 0:20:34.400
<v Speaker 1>Imperial Palace, a great exorcism is carried out in a

0:20:34.400 --> 0:20:38.080
<v Speaker 1>demon expelling ceremony. Face masks are placed on the head,

0:20:38.119 --> 0:20:42.359
<v Speaker 1>and clothes and costumes with multi colored embroidered designs are worn.

0:20:42.840 --> 0:20:47.880
<v Speaker 1>Hands grasp golden spears, silver Halbard's painted wooden knives and swords,

0:20:48.240 --> 0:20:52.800
<v Speaker 1>multi huge dragons and phoenixes, and many colored flags and pinions,

0:20:52.840 --> 0:20:57.160
<v Speaker 1>and for amusement, the musicians are costumed as Panguan, Zong, Qua,

0:20:57.720 --> 0:21:02.119
<v Speaker 1>Zao Yun, etcetera. And the Forbidden interior, the drumming and

0:21:02.160 --> 0:21:06.480
<v Speaker 1>blowing begin and the exorcism of evil spirits proceeds at

0:21:06.480 --> 0:21:10.560
<v Speaker 1>the don Hua gate and goes around a dragon pond bay.

0:21:10.640 --> 0:21:13.439
<v Speaker 1>So this is this in a nutshell, you know, it

0:21:13.480 --> 0:21:17.560
<v Speaker 1>throws in a number of different New Year's traditions in

0:21:17.760 --> 0:21:20.359
<v Speaker 1>Chinese culture. But also there is this sense of of

0:21:20.400 --> 0:21:25.320
<v Speaker 1>the parade, the spectacle uh and people embodying themselves and

0:21:25.480 --> 0:21:29.040
<v Speaker 1>kind of a Mummers tradition as the spirits, spirits and

0:21:29.080 --> 0:21:32.920
<v Speaker 1>demons that are serving zen Quai or even zen Quay himself,

0:21:33.160 --> 0:21:35.919
<v Speaker 1>but also the idea of linking the New Year with

0:21:36.000 --> 0:21:40.359
<v Speaker 1>a type of exorcism and purging ritual exactly. Yes, you know,

0:21:40.440 --> 0:21:44.040
<v Speaker 1>and Zong remains an important part of Chinese New Year iconography.

0:21:44.200 --> 0:21:48.160
<v Speaker 1>You'll see him in parades certainly as ceremonial wall hangings

0:21:48.160 --> 0:21:50.879
<v Speaker 1>as well. And again he remains a popular figure in

0:21:50.960 --> 0:21:54.399
<v Speaker 1>Chinese opera, TV, movies, video games. For instance, there's a

0:21:54.400 --> 0:21:58.040
<v Speaker 1>two thousand fifteen film titled zhen Quai Snow Girl in

0:21:58.080 --> 0:22:01.800
<v Speaker 1>the Dark Crystal that centers around our demon hunter. I

0:22:01.840 --> 0:22:04.720
<v Speaker 1>assume it's a different Dark Crystal than correct, no relation

0:22:04.760 --> 0:22:07.000
<v Speaker 1>to Hintston at all. But I bet if you had

0:22:07.040 --> 0:22:10.200
<v Speaker 1>a Gartham infestation, he would get him right out of Yeah,

0:22:10.200 --> 0:22:12.960
<v Speaker 1>he could clear some Gartham right out, sweep him right

0:22:12.960 --> 0:22:15.880
<v Speaker 1>out of the out of the tomb. Alright. So, thus

0:22:15.920 --> 0:22:18.800
<v Speaker 1>far have we spoken mainly of Chinese mythology. But the

0:22:18.840 --> 0:22:22.560
<v Speaker 1>interesting thing about dozen Qua is that he travels. He

0:22:22.640 --> 0:22:27.000
<v Speaker 1>travels eventually over into Japanese traditions as well as due

0:22:27.040 --> 0:22:31.320
<v Speaker 1>depictions of demon and spirit processions. In Japan, he's known

0:22:31.400 --> 0:22:34.679
<v Speaker 1>as shokai and the oldest images a date back to

0:22:34.760 --> 0:22:37.080
<v Speaker 1>the twelfth century. So we're going to take a quick

0:22:37.080 --> 0:22:38.800
<v Speaker 1>break and when we come back, we're going to pick

0:22:38.880 --> 0:22:43.600
<v Speaker 1>up with Japanese traditions and another take on harmful spirits

0:22:43.600 --> 0:22:46.960
<v Speaker 1>and things that need to be expelled in order to

0:22:47.119 --> 0:22:51.720
<v Speaker 1>have a new beginning in your life. Alright, we're back

0:22:51.920 --> 0:22:54.320
<v Speaker 1>and we returned to Japan. Yes, it is time to

0:22:54.320 --> 0:22:58.000
<v Speaker 1>take a look at another lunar New Year related uh

0:22:58.200 --> 0:23:02.840
<v Speaker 1>spirit exorcism and and cleaning up tradition that also ties

0:23:02.880 --> 0:23:06.879
<v Speaker 1>in with demons. What a wonderful confluence of concepts. And

0:23:06.960 --> 0:23:09.080
<v Speaker 1>who could be surprised that we're brought back to our

0:23:09.119 --> 0:23:11.879
<v Speaker 1>old friend, the scholar Nariko t writer whose work on

0:23:11.920 --> 0:23:14.720
<v Speaker 1>the monsters of Japanese folklore and literature we have cited

0:23:14.840 --> 0:23:17.080
<v Speaker 1>multiple times on the show in the past. Oh, yes,

0:23:17.119 --> 0:23:21.080
<v Speaker 1>we've dealt with what giant spiders, the Kappa. Yeah, she

0:23:21.119 --> 0:23:25.960
<v Speaker 1>wrote that paper on the transformation of ony from from

0:23:26.040 --> 0:23:28.960
<v Speaker 1>monstrous and diabolical to cute and sexy, which we talked

0:23:28.960 --> 0:23:32.240
<v Speaker 1>about in I think an October past maybe a couple

0:23:32.280 --> 0:23:34.720
<v Speaker 1>of years ago. Yeah, I'll make sure to link to

0:23:34.800 --> 0:23:37.760
<v Speaker 1>that episode and some of these other Lunar New Year

0:23:37.760 --> 0:23:40.320
<v Speaker 1>related episodes we've recorded in the past. On the landing page.

0:23:40.400 --> 0:23:43.199
<v Speaker 1>For this episode, it's Stuff to Blow your Mind dot Com. Now,

0:23:43.240 --> 0:23:45.520
<v Speaker 1>I want to look to a book that Nariko T.

0:23:45.680 --> 0:23:49.520
<v Speaker 1>Writer wrote called Seven Demon Stories from Medieval Japan from

0:23:49.760 --> 0:23:54.720
<v Speaker 1>the University Press of Colorado, where she discusses the tradition

0:23:55.200 --> 0:23:58.760
<v Speaker 1>known as the suku Mogami narratives. And I'll explain what

0:23:58.800 --> 0:24:01.760
<v Speaker 1>those are in just a second. But the Sukamogami are

0:24:01.880 --> 0:24:07.280
<v Speaker 1>attested in old illustrated scrolls, with some with unknown authors,

0:24:07.800 --> 0:24:10.199
<v Speaker 1>and there are multiple versions of this story that are

0:24:10.240 --> 0:24:13.600
<v Speaker 1>reproduced across different sources. But writer writes that due to

0:24:13.840 --> 0:24:18.440
<v Speaker 1>an aristocrats diary entry about one of these stories from

0:24:18.520 --> 0:24:21.639
<v Speaker 1>fourteen eighty five, we know that the scrolls telling about

0:24:21.880 --> 0:24:25.640
<v Speaker 1>this stuff emerged no later than the late fifteenth century.

0:24:25.680 --> 0:24:28.640
<v Speaker 1>So definitely by late fifteenth century Japan, you've got these

0:24:28.640 --> 0:24:33.720
<v Speaker 1>stories of the suku Mogami, which are tool specters. Yeah,

0:24:33.800 --> 0:24:37.199
<v Speaker 1>the so the idea of tools coming alive can be

0:24:37.280 --> 0:24:40.440
<v Speaker 1>found in stories from as early as the hay On period,

0:24:40.520 --> 0:24:44.040
<v Speaker 1>which is through five, but they first get their common

0:24:44.119 --> 0:24:47.919
<v Speaker 1>name the Suku mogami later in the medieval period, and

0:24:48.040 --> 0:24:53.240
<v Speaker 1>one particularly prominent story of tool specters is the Sukamogami

0:24:53.359 --> 0:24:56.760
<v Speaker 1>Key The Record of the Tool Specters, a text which

0:24:56.800 --> 0:25:00.359
<v Speaker 1>comes from sometime in the Moral Machi period thirt thirty

0:25:00.400 --> 0:25:02.880
<v Speaker 1>six to fifteen seventy three, as we mentioned a minute ago,

0:25:02.880 --> 0:25:05.840
<v Speaker 1>definitely no later than like the fourteen eighties. So you

0:25:05.920 --> 0:25:09.200
<v Speaker 1>might wonder what our tool specters. Well, I think we

0:25:09.200 --> 0:25:12.800
<v Speaker 1>should turn directly to the Sukumgami Key to get the

0:25:12.840 --> 0:25:16.280
<v Speaker 1>full story. So this is gonna be I'm gonna be

0:25:16.320 --> 0:25:20.760
<v Speaker 1>summarizing and quoting from writers full translation of an illustrated

0:25:20.800 --> 0:25:24.240
<v Speaker 1>scroll of the Record of the Tool Specters from the

0:25:24.320 --> 0:25:27.639
<v Speaker 1>Japanese Journal of Religious Studies, published in two thousand nine.

0:25:27.960 --> 0:25:31.680
<v Speaker 1>So the scroll starts off by discussing a Japanese ritual

0:25:32.160 --> 0:25:36.400
<v Speaker 1>known as the susu Horai literally the sweeping suit, which

0:25:36.480 --> 0:25:39.879
<v Speaker 1>is this year end house cleaning ritual. And according to

0:25:39.920 --> 0:25:43.919
<v Speaker 1>this tradition, every year people bring out old tools and

0:25:44.000 --> 0:25:47.280
<v Speaker 1>discard them in alleyways before the change of the new year.

0:25:47.680 --> 0:25:50.320
<v Speaker 1>And the author of the scroll extends this concept to

0:25:50.400 --> 0:25:54.200
<v Speaker 1>quote renewing the hearth, fire, drawing fresh water, and renewing

0:25:54.280 --> 0:25:57.639
<v Speaker 1>everything from clothing to furniture at the new year so

0:25:57.680 --> 0:26:00.520
<v Speaker 1>we're seeing a few parallels and similarities some to some

0:26:00.600 --> 0:26:03.919
<v Speaker 1>of the Chinese Lunar New Year UH rituals we were

0:26:03.960 --> 0:26:06.480
<v Speaker 1>just talking about. Yeah, related to the like the physical

0:26:06.680 --> 0:26:10.800
<v Speaker 1>cleansing of the space of of your home UH and

0:26:10.800 --> 0:26:15.080
<v Speaker 1>in doing that also the removal of negative spirits and on.

0:26:15.160 --> 0:26:18.480
<v Speaker 1>Then the idea of removing old tools. I mean that

0:26:18.800 --> 0:26:21.080
<v Speaker 1>that that is a that's something that I think UH

0:26:21.359 --> 0:26:24.680
<v Speaker 1>speaks to everybody. Like what is sadder than an old,

0:26:24.800 --> 0:26:27.720
<v Speaker 1>unused tool in a drawer, you know, like a pair

0:26:27.760 --> 0:26:30.960
<v Speaker 1>of rusted duh hedge clippers that are no longer even

0:26:31.000 --> 0:26:33.640
<v Speaker 1>functional but you still have for some reason. Uh yeah,

0:26:33.680 --> 0:26:36.399
<v Speaker 1>that's like, yeah, throw it in the alleyway, begone with it.

0:26:36.760 --> 0:26:38.640
<v Speaker 1>Oh well, you still have them in case you ever

0:26:38.680 --> 0:26:41.840
<v Speaker 1>need props for like a sauce equal I guess yeah.

0:26:41.920 --> 0:26:44.000
<v Speaker 1>They're they're shooting at your house and you you know,

0:26:44.080 --> 0:26:46.439
<v Speaker 1>so they're like, oh, where are the rusty tools and

0:26:46.480 --> 0:26:48.800
<v Speaker 1>you're like, hold on, I got this, they had that.

0:26:48.960 --> 0:26:51.240
<v Speaker 1>Or you open a cracker barrel right now. You know,

0:26:51.359 --> 0:26:52.960
<v Speaker 1>there are always two options like what should I do

0:26:52.960 --> 0:26:54.600
<v Speaker 1>with all this junk? Is it a cracker barrel? Or

0:26:54.680 --> 0:26:57.679
<v Speaker 1>saw a movie? Which one is is in fashion at

0:26:57.680 --> 0:27:00.680
<v Speaker 1>the moment, or if the things you be throwing out

0:27:00.680 --> 0:27:03.960
<v Speaker 1>are like old road signs and alligators with sunglasses and

0:27:04.000 --> 0:27:07.040
<v Speaker 1>hats on, you could open up early two thousands chilies.

0:27:07.359 --> 0:27:09.280
<v Speaker 1>There you go. I would I would love to hear

0:27:09.320 --> 0:27:12.000
<v Speaker 1>from anyone out there who who has some some hard

0:27:12.080 --> 0:27:17.560
<v Speaker 1>facts on the the business of repurposing junk as as

0:27:17.640 --> 0:27:20.679
<v Speaker 1>decoration in restaurants. I've noticed they don't do that as

0:27:20.760 --> 0:27:23.160
<v Speaker 1>much these days. If you've go into a Chili's nowadays,

0:27:23.200 --> 0:27:25.960
<v Speaker 1>the walls are very clean. I don't know how that happened.

0:27:26.600 --> 0:27:28.800
<v Speaker 1>I have not been in one recently. Like, that's my

0:27:28.840 --> 0:27:30.960
<v Speaker 1>other theories that we just simply don't go to restaurants

0:27:30.960 --> 0:27:33.639
<v Speaker 1>with a junk on the walls anymore, you know. Okay,

0:27:33.640 --> 0:27:36.639
<v Speaker 1>But let's go back to the ritual, the yearly ritual

0:27:36.680 --> 0:27:40.960
<v Speaker 1>of the sweeping suit, the susu Hurai. Why this yearly ritual, Well,

0:27:41.240 --> 0:27:45.720
<v Speaker 1>the author of this medieval scroll says, well, originally some

0:27:45.760 --> 0:27:48.760
<v Speaker 1>scholars assume this to be based on like people emulating

0:27:48.760 --> 0:27:52.560
<v Speaker 1>the extravagant wastefulness of the rich, but the author of

0:27:52.560 --> 0:27:55.360
<v Speaker 1>the scroll says that this tradition is now known instead

0:27:55.520 --> 0:27:59.280
<v Speaker 1>to be rooted in the avoidance of mischief and misfortune

0:27:59.400 --> 0:28:03.199
<v Speaker 1>from a class of demons called the Suku mogami. In

0:28:03.320 --> 0:28:06.360
<v Speaker 1>explaining this, the author relates a legend supposedly from an

0:28:06.359 --> 0:28:10.400
<v Speaker 1>ancient Chinese text called Miscellaneous Records of Yen and Young,

0:28:11.040 --> 0:28:13.680
<v Speaker 1>and writer notes that if this text exists, we don't

0:28:13.680 --> 0:28:17.320
<v Speaker 1>really know anything about it. So, according to this legend,

0:28:17.440 --> 0:28:22.560
<v Speaker 1>any common tool, container or instrument essentially gets granted a

0:28:22.600 --> 0:28:27.320
<v Speaker 1>soul on its one birthday, and after that it becomes

0:28:27.359 --> 0:28:30.880
<v Speaker 1>a type of sentient trickster demon that you don't want

0:28:30.920 --> 0:28:35.560
<v Speaker 1>in your house. It's interesting, It's almost it makes sense, right.

0:28:35.840 --> 0:28:38.120
<v Speaker 1>It sounds like after a hundred years, if you've had

0:28:38.160 --> 0:28:41.360
<v Speaker 1>an object that has been around for an entire century,

0:28:41.440 --> 0:28:44.280
<v Speaker 1>it's probably picked up a number of different associations. It

0:28:44.320 --> 0:28:48.800
<v Speaker 1>has its own personal history, it has perhaps, uh you know,

0:28:48.880 --> 0:28:53.200
<v Speaker 1>been shadowed by the death of a previous owner. It's

0:28:53.280 --> 0:28:55.760
<v Speaker 1>taken on a life of its own. I mean, we

0:28:55.800 --> 0:29:00.080
<v Speaker 1>see this to a certain extent with the consideration of

0:29:00.120 --> 0:29:04.040
<v Speaker 1>like buildings and whatnot. Right when when a when a

0:29:04.080 --> 0:29:06.960
<v Speaker 1>building or a location is old enough in uh, in

0:29:07.320 --> 0:29:11.120
<v Speaker 1>various countries, certain new protections kick in. Like it is

0:29:11.160 --> 0:29:14.680
<v Speaker 1>no longer treated like a like just any other building.

0:29:14.680 --> 0:29:17.000
<v Speaker 1>Now it is an historic building, but to a certain thing.

0:29:17.080 --> 0:29:18.960
<v Speaker 1>We kind of think this right when we when we

0:29:19.000 --> 0:29:21.000
<v Speaker 1>look at it an item, we're like, oh, I can't

0:29:21.000 --> 0:29:23.800
<v Speaker 1>throw that out that's a hundred years old has a soul? Now, well, yeah,

0:29:23.800 --> 0:29:26.400
<v Speaker 1>what kind of jerk would I be? Exactly? We we

0:29:26.480 --> 0:29:30.040
<v Speaker 1>do think this way. I mean, obviously we're not literally

0:29:30.160 --> 0:29:33.080
<v Speaker 1>literally advocating the idea that objects have souls, but they

0:29:33.120 --> 0:29:35.640
<v Speaker 1>gain something, and the something is in you. It's in

0:29:35.720 --> 0:29:38.600
<v Speaker 1>your brain, Like you can't stop thinking about all the

0:29:38.600 --> 0:29:40.880
<v Speaker 1>other hands that touched this thing and what it was

0:29:40.960 --> 0:29:43.240
<v Speaker 1>used for. I mean, there's a common thing about like

0:29:43.640 --> 0:29:46.800
<v Speaker 1>to get rid of the things that were owned by,

0:29:46.880 --> 0:29:50.000
<v Speaker 1>say an ancestor of yours might make you feel like

0:29:50.040 --> 0:29:53.760
<v Speaker 1>you're making your ancient ancestor more dead or more gone.

0:29:53.880 --> 0:29:57.360
<v Speaker 1>You know, you're erasing their legacy or something. Absolutely, and

0:29:57.440 --> 0:29:59.560
<v Speaker 1>of course we have we have so many different horror

0:29:59.600 --> 0:30:02.880
<v Speaker 1>stories and ghost stories. They revolve around this basic concept.

0:30:03.000 --> 0:30:05.200
<v Speaker 1>And speaking of I know, there has to be a

0:30:05.200 --> 0:30:08.080
<v Speaker 1>story here, oh yeah, yeah. So in this particular story

0:30:08.080 --> 0:30:10.840
<v Speaker 1>and the record of the Tool Specters, it starts with

0:30:10.880 --> 0:30:13.000
<v Speaker 1>a bunch of tools getting thrown out in the trash

0:30:13.240 --> 0:30:16.680
<v Speaker 1>during the susuhurai one year, the the yearly sweeping of

0:30:16.720 --> 0:30:19.400
<v Speaker 1>the soot, the yearly cleansing. And so this group of

0:30:19.400 --> 0:30:23.120
<v Speaker 1>old tools gather around after they're thrown out, and they

0:30:23.160 --> 0:30:27.480
<v Speaker 1>become really angry about how they were mistreated. They say, quote,

0:30:27.760 --> 0:30:31.240
<v Speaker 1>we have faithfully served the houses as furniture and utensils

0:30:31.280 --> 0:30:34.040
<v Speaker 1>for a long time. Instead of getting the reward that

0:30:34.160 --> 0:30:36.560
<v Speaker 1>is our due, we are abandoned in the alleys to

0:30:36.600 --> 0:30:40.040
<v Speaker 1>be kicked by oxen and horses. Insult has been added

0:30:40.040 --> 0:30:42.880
<v Speaker 1>to injury, and this is the greatest insult of all.

0:30:43.040 --> 0:30:47.000
<v Speaker 1>Whatever it takes, we should become specters and exact vengeance.

0:30:47.720 --> 0:30:50.440
<v Speaker 1>And I've got I've added an illustration here of meeting

0:30:50.480 --> 0:30:53.280
<v Speaker 1>of all the tools hanging out, but beside a tree.

0:30:53.400 --> 0:30:56.040
<v Speaker 1>We've got like a it's hard to tell what a

0:30:56.080 --> 0:30:59.040
<v Speaker 1>lot of those are. There's obviously a Buddhist rosary, and

0:30:59.120 --> 0:31:01.640
<v Speaker 1>there's something that looks like a whip. Yeah, somethink it

0:31:01.720 --> 0:31:03.840
<v Speaker 1>was kind of like a foot rest or a side table.

0:31:03.960 --> 0:31:06.120
<v Speaker 1>There's something looks like a plunger. I don't think that's

0:31:06.160 --> 0:31:09.400
<v Speaker 1>what it is anyway. So one of the discarded tools was,

0:31:09.440 --> 0:31:12.240
<v Speaker 1>as I just mentioned, a Buddhist Rosary, and it was

0:31:12.280 --> 0:31:15.440
<v Speaker 1>called each year en Novice and h the each year

0:31:15.520 --> 0:31:19.680
<v Speaker 1>in Novice counseled against vengeance, saying that well, our our

0:31:19.760 --> 0:31:22.760
<v Speaker 1>karma probably earned us the fate of being thrown out,

0:31:23.000 --> 0:31:25.800
<v Speaker 1>and we should instead turn the other cheek. But the

0:31:25.840 --> 0:31:28.560
<v Speaker 1>others do not like this, and the discard there was.

0:31:28.760 --> 0:31:32.760
<v Speaker 1>There's one discarded tool, which is a club, the discarded club,

0:31:32.800 --> 0:31:37.720
<v Speaker 1>which Nariko t Rider translates as rough John, and rough

0:31:37.800 --> 0:31:40.640
<v Speaker 1>John insults the eat your in novice and beats him

0:31:40.640 --> 0:31:43.040
<v Speaker 1>within an inch of his life. I guess he beats

0:31:43.120 --> 0:31:47.200
<v Speaker 1>him with himself. So the Rosary doesn't die. The Rosary

0:31:47.320 --> 0:31:49.920
<v Speaker 1>escapes with the help of his disciples. I guess he's

0:31:49.920 --> 0:31:53.880
<v Speaker 1>a Buddhist teacher Rosary and he's got disciples. But then

0:31:54.280 --> 0:31:57.800
<v Speaker 1>there's another discarded tool. This discarded tool is an old

0:31:57.880 --> 0:32:04.320
<v Speaker 1>scroll named Professor Classical Chinese literature. Um, that's I don't

0:32:04.320 --> 0:32:06.640
<v Speaker 1>know that, maybe could have a more creative name. But

0:32:07.400 --> 0:32:10.320
<v Speaker 1>I bet there's probably a pun in the original language there.

0:32:10.640 --> 0:32:12.840
<v Speaker 1>I bet so there's something lost in the translation. Well,

0:32:12.840 --> 0:32:15.400
<v Speaker 1>writer mentions that this thing is full of puns and

0:32:15.440 --> 0:32:17.480
<v Speaker 1>word play, that a lot of it just doesn't come

0:32:17.480 --> 0:32:21.080
<v Speaker 1>through in the English But so the professor Scroll addresses

0:32:21.120 --> 0:32:24.680
<v Speaker 1>everybody with a plan. He says, quote, the beginning of

0:32:24.760 --> 0:32:27.920
<v Speaker 1>creation is chaos, and there is no form for humans,

0:32:28.000 --> 0:32:32.120
<v Speaker 1>grasses or trees. But because of yin Yang energy and

0:32:32.160 --> 0:32:36.240
<v Speaker 1>the heavenly furnace, things are given temporary shapes. If we

0:32:36.560 --> 0:32:39.880
<v Speaker 1>chance upon the art of yin Yang and heavenly craft,

0:32:40.080 --> 0:32:45.040
<v Speaker 1>we inanimate beings will surely be given souls. Aren't such

0:32:45.120 --> 0:32:49.200
<v Speaker 1>stories as the old pebbles talking and Mr Goose turning

0:32:49.240 --> 0:32:52.120
<v Speaker 1>into a carriage? And Writer mentions that nobody knows what

0:32:52.160 --> 0:32:56.239
<v Speaker 1>that means testimony to the transformation of beings at the

0:32:56.280 --> 0:32:59.760
<v Speaker 1>time of yin yang change. So let us wait for

0:32:59.800 --> 0:33:03.520
<v Speaker 1>the Setsubun, which is the lunar New Year's eve, when

0:33:03.640 --> 0:33:07.080
<v Speaker 1>Yin and Yang change their places and shapes are formed

0:33:07.120 --> 0:33:11.040
<v Speaker 1>out of entities. At that time we must empty ourselves

0:33:11.120 --> 0:33:14.120
<v Speaker 1>and leave our bodies to the hands of a creation god.

0:33:14.560 --> 0:33:18.560
<v Speaker 1>Then we will surely become specters. So the eve of

0:33:18.600 --> 0:33:21.400
<v Speaker 1>the lunar New Year comes around, and the tools do

0:33:21.560 --> 0:33:24.920
<v Speaker 1>what the professor advised them. They empty themselves and the

0:33:25.000 --> 0:33:30.440
<v Speaker 1>creation God uses its power to change them into vengeful specters. Quote.

0:33:30.640 --> 0:33:34.560
<v Speaker 1>Some tools became men or women, older, young, others took

0:33:34.600 --> 0:33:38.400
<v Speaker 1>the shape of demons or goblins. Still others became beasts

0:33:38.440 --> 0:33:42.320
<v Speaker 1>such as foxes and wolves. These various shapes were indeed

0:33:42.360 --> 0:33:45.480
<v Speaker 1>fearful beyond description. And I've got another image here of

0:33:45.520 --> 0:33:48.160
<v Speaker 1>what they look like once they're transformed. And and this

0:33:48.200 --> 0:33:51.080
<v Speaker 1>is where we begin to see these spirits take on

0:33:51.360 --> 0:33:55.280
<v Speaker 1>the the often common kind of comical appearance that you

0:33:55.320 --> 0:33:58.600
<v Speaker 1>see in these various Yokai paintings. Yeah, you know, we

0:33:58.600 --> 0:34:01.400
<v Speaker 1>will see this weird it looks like an umbrella, that

0:34:01.560 --> 0:34:03.560
<v Speaker 1>sort of thing. Well, it's interesting the way you see

0:34:03.560 --> 0:34:07.000
<v Speaker 1>this mingling of sort of like this comical trickster thing

0:34:07.080 --> 0:34:10.640
<v Speaker 1>with this horrible, violent, malevolent spirit thing. They seem to

0:34:10.760 --> 0:34:13.359
<v Speaker 1>exist right alongside each other. Like it's not like a

0:34:13.360 --> 0:34:16.840
<v Speaker 1>demon is either just funny and playing jokes on you,

0:34:17.560 --> 0:34:20.640
<v Speaker 1>or it's like eating you and kidnapping your children and

0:34:20.680 --> 0:34:25.120
<v Speaker 1>boiling them alive. It's doing both. So after this transformation

0:34:25.400 --> 0:34:29.080
<v Speaker 1>of the spirits, the reign of terror really begins. So

0:34:29.440 --> 0:34:31.600
<v Speaker 1>they go in and out of the capital city taking

0:34:31.600 --> 0:34:34.640
<v Speaker 1>out their anger against humans of all kinds. They steal

0:34:34.719 --> 0:34:37.880
<v Speaker 1>animals and eat them, They kidnap humans and eat them.

0:34:37.920 --> 0:34:40.480
<v Speaker 1>They're invisible, so the people don't really have any way

0:34:40.480 --> 0:34:44.279
<v Speaker 1>of protecting themselves against them except for prayers, and so

0:34:44.360 --> 0:34:47.880
<v Speaker 1>the tool Specters have a fabulous time exacting their revenge.

0:34:47.920 --> 0:34:52.040
<v Speaker 1>They hold banquets and festivals around around their tricks and

0:34:52.040 --> 0:34:56.000
<v Speaker 1>and their their vengeance. They have dances, they have drinking

0:34:56.160 --> 0:35:00.120
<v Speaker 1>poetry readings, and eventually quote building a castle out of

0:35:00.239 --> 0:35:04.520
<v Speaker 1>flesh and creating a blood fountain. Damn. So things are

0:35:04.560 --> 0:35:07.640
<v Speaker 1>officially out of hand at this point. They are talking

0:35:07.680 --> 0:35:12.160
<v Speaker 1>about building things out of flesh and making blood fountains. Yes,

0:35:12.200 --> 0:35:14.640
<v Speaker 1>and that's all it says about that. No, no further

0:35:14.719 --> 0:35:20.160
<v Speaker 1>commentary about the flesh castle or the blood fountain. But

0:35:20.239 --> 0:35:23.520
<v Speaker 1>this all comes to a head when the tool Specters

0:35:23.560 --> 0:35:27.200
<v Speaker 1>attack a Prince regent's party as it's proceeding through the streets,

0:35:27.560 --> 0:35:30.279
<v Speaker 1>and the Prince Regent repels the tool Specters with the

0:35:30.280 --> 0:35:33.080
<v Speaker 1>help of a magical amulet, and this leads to a

0:35:33.200 --> 0:35:37.120
<v Speaker 1>long section. The story in terms of just scroll length,

0:35:37.239 --> 0:35:40.080
<v Speaker 1>is not nearly over by this point, because it gets

0:35:40.080 --> 0:35:43.799
<v Speaker 1>into all this involved stuff about the imperial powers invoking

0:35:43.840 --> 0:35:47.279
<v Speaker 1>the help of Buddhist religious leaders to summon spirits known

0:35:47.320 --> 0:35:52.120
<v Speaker 1>as the Divine Boys to banish the Sukumogami, and then

0:35:52.200 --> 0:35:55.800
<v Speaker 1>after the Sukumogami are defeated and humbled by the Divine Boys,

0:35:55.880 --> 0:35:59.440
<v Speaker 1>the tool specters convert to Buddhism, and after that the

0:35:59.480 --> 0:36:04.640
<v Speaker 1>scroll descends into this highly didactic parable about religious doctrine,

0:36:04.680 --> 0:36:08.399
<v Speaker 1>about like attaining Buddha hood and the virtues of specifically

0:36:08.480 --> 0:36:12.560
<v Speaker 1>the right kind of Buddhism, which is Shingon esoteric Buddhism.

0:36:13.280 --> 0:36:17.160
<v Speaker 1>Like the scroll is sectarian, it's working hard for the

0:36:17.160 --> 0:36:20.799
<v Speaker 1>Shingon sect with the Tools all repenting and joining up

0:36:21.000 --> 0:36:24.640
<v Speaker 1>and achieving Buddha hood through their devotion to the Shingon program.

0:36:24.680 --> 0:36:26.960
<v Speaker 1>And it kind of reminds me of like those Christian

0:36:26.960 --> 0:36:30.200
<v Speaker 1>apocalypse movies that have a thriller plot about the Antichrist

0:36:30.239 --> 0:36:32.520
<v Speaker 1>early on, but then the last twenty minutes is just

0:36:32.600 --> 0:36:35.920
<v Speaker 1>a sermon about full immersion baptism. Yes, yeah, I know

0:36:36.000 --> 0:36:38.200
<v Speaker 1>exactly the sort of thing look like going to haunted

0:36:38.640 --> 0:36:41.839
<v Speaker 1>tractional haunted house. And then after after you get out

0:36:41.880 --> 0:36:44.120
<v Speaker 1>of the house, you're you have to listen to a sermon.

0:36:44.280 --> 0:36:46.520
<v Speaker 1>Like the plot kind of stops and you realize what

0:36:46.600 --> 0:36:49.719
<v Speaker 1>this whole exercise was really about, yeah, or at least

0:36:49.719 --> 0:36:51.920
<v Speaker 1>what paid for it. But I think that the tool

0:36:52.000 --> 0:36:55.399
<v Speaker 1>specter's part is not incidental to the religious message because

0:36:55.440 --> 0:36:58.400
<v Speaker 1>it actually does make a theological point. I think basically

0:36:58.440 --> 0:37:02.520
<v Speaker 1>it's saying, hey, if even beings who are non sentient

0:37:02.600 --> 0:37:05.920
<v Speaker 1>tools can achieve enlightenment through the awesome power of the

0:37:05.960 --> 0:37:08.840
<v Speaker 1>shingle on esoteric Buddhism, think what a human could do.

0:37:09.320 --> 0:37:12.680
<v Speaker 1>That's right. Yeah, If this you know, umbrella or you know,

0:37:12.680 --> 0:37:17.640
<v Speaker 1>a discarded UH shovel, it can essentially gain a soul

0:37:18.280 --> 0:37:23.640
<v Speaker 1>and UH and achieve Buddha hood, then then certainly a

0:37:23.719 --> 0:37:25.360
<v Speaker 1>human can do that as well, like you already have

0:37:25.480 --> 0:37:29.799
<v Speaker 1>this tremendous advantage over a pair of head shears. Yeah.

0:37:29.920 --> 0:37:32.399
<v Speaker 1>And actually, in her book, writer goes on to talk

0:37:32.400 --> 0:37:36.080
<v Speaker 1>about like the traditions of UH. There's this isn't not

0:37:36.160 --> 0:37:38.480
<v Speaker 1>the only story like this. There's this whole tradition of

0:37:39.000 --> 0:37:43.400
<v Speaker 1>non human things attaining Buddha hood. This is fascinating because

0:37:43.680 --> 0:37:47.399
<v Speaker 1>especially when we're talking about Japanese traditions here. Uh. There

0:37:47.480 --> 0:37:52.320
<v Speaker 1>is a Japanese wrestling promotion professional wrestling promotion called DDT,

0:37:53.200 --> 0:37:57.520
<v Speaker 1>and they have one championship in the promotion. I think

0:37:57.520 --> 0:38:02.400
<v Speaker 1>it's there like their hardcore title UM and it started

0:38:02.400 --> 0:38:05.480
<v Speaker 1>off with just various people holding the belt, but then

0:38:05.680 --> 0:38:09.200
<v Speaker 1>various inanimate objects began to win the championship as well,

0:38:09.239 --> 0:38:12.440
<v Speaker 1>Like I think a ladder has won the championship. I

0:38:12.480 --> 0:38:17.319
<v Speaker 1>think the championship itself won itself at some point. I

0:38:17.320 --> 0:38:21.000
<v Speaker 1>can't remember the entire um you know, lineage there, but

0:38:21.000 --> 0:38:22.960
<v Speaker 1>but I wonder to what extent that plays in with

0:38:23.000 --> 0:38:26.200
<v Speaker 1>these traditions, the idea that an inanimate object can can

0:38:26.239 --> 0:38:29.600
<v Speaker 1>achieve something with its spirit, with its soul, then of

0:38:29.640 --> 0:38:33.479
<v Speaker 1>course it can also win a championship professional wrestling belt. Yeah,

0:38:33.480 --> 0:38:37.240
<v Speaker 1>despite the fact that this scroll descends into like making

0:38:37.280 --> 0:38:42.000
<v Speaker 1>theological points, there's clearly like that kind of cheekiness about it,

0:38:42.160 --> 0:38:44.480
<v Speaker 1>Like the the author of the story is having a

0:38:44.480 --> 0:38:46.959
<v Speaker 1>lot of fun and writer, as I mentioned earlier, points

0:38:46.960 --> 0:38:48.640
<v Speaker 1>out that there's a lot of there are a lot

0:38:48.680 --> 0:38:51.040
<v Speaker 1>of like puns and word play that don't come through

0:38:51.040 --> 0:38:54.080
<v Speaker 1>in the English version, but that this is I think

0:38:54.120 --> 0:38:57.040
<v Speaker 1>supposed to be entertaining and funny. Like it's a little

0:38:57.040 --> 0:39:00.239
<v Speaker 1>bit absurd the idea of like a club gaining a ole,

0:39:00.560 --> 0:39:03.520
<v Speaker 1>or like a you know, the Rosary having disciples and

0:39:03.520 --> 0:39:06.760
<v Speaker 1>all that, but that it actually does end up being

0:39:06.880 --> 0:39:09.840
<v Speaker 1>part of the theological point that's being made. So is

0:39:09.920 --> 0:39:12.600
<v Speaker 1>that that sweet spot that's mixing, Like, is it absurd

0:39:12.640 --> 0:39:15.400
<v Speaker 1>just for comedy or is it actually making a point.

0:39:15.440 --> 0:39:17.880
<v Speaker 1>It's kind of both, yeah, And it can be difficult

0:39:17.920 --> 0:39:21.440
<v Speaker 1>to to really judge outside of its language or outside

0:39:21.480 --> 0:39:24.880
<v Speaker 1>of its time and culture. Now, as for the idea itself,

0:39:24.880 --> 0:39:27.360
<v Speaker 1>writer points out on our scholarship that the legend of

0:39:27.400 --> 0:39:31.279
<v Speaker 1>the Suka Mogami does not come from this story. Rather,

0:39:31.400 --> 0:39:35.520
<v Speaker 1>this story was created as an entertaining vehicle to sell

0:39:35.600 --> 0:39:38.480
<v Speaker 1>the virtues of Shingon Buddhism to a wide audience by

0:39:38.560 --> 0:39:43.120
<v Speaker 1>capitalizing on the pre existing belief in the Sukamogami, which

0:39:43.160 --> 0:39:46.399
<v Speaker 1>is just this popular folk idea that tools must be

0:39:46.520 --> 0:39:49.880
<v Speaker 1>discarded before they become too old and gain a soul

0:39:50.040 --> 0:39:52.560
<v Speaker 1>and start getting up to no good. Uh. And so

0:39:52.640 --> 0:39:54.760
<v Speaker 1>in the record of the tool specters itself, it almost

0:39:54.800 --> 0:39:58.240
<v Speaker 1>seems a little bit backwards, right, because the tools somehow

0:39:58.360 --> 0:40:00.600
<v Speaker 1>already seemed to be sent to in at least by

0:40:00.640 --> 0:40:03.640
<v Speaker 1>the time like right after they get thrown out. Then

0:40:03.680 --> 0:40:06.480
<v Speaker 1>it's the throwing out that causes them to want revenge

0:40:06.520 --> 0:40:09.560
<v Speaker 1>on people and become monsters and build the flesh Palace

0:40:09.600 --> 0:40:12.759
<v Speaker 1>and the blood fountain, when originally the tradition is that

0:40:12.840 --> 0:40:15.879
<v Speaker 1>the throwing out is what's supposed to prevent this right.

0:40:15.920 --> 0:40:18.000
<v Speaker 1>By throwing them out is what's supposed to keep them

0:40:18.040 --> 0:40:21.319
<v Speaker 1>from becoming vengeful spirits that that mess with you. So

0:40:21.360 --> 0:40:24.560
<v Speaker 1>the mythology in this one particular scroll seems a little. Uh.

0:40:25.080 --> 0:40:27.680
<v Speaker 1>I'm not sure what the order of causation is here,

0:40:27.760 --> 0:40:31.239
<v Speaker 1>but I'm captivated by the idea of like wanting to

0:40:31.280 --> 0:40:33.799
<v Speaker 1>get rid of household items for the fear that they

0:40:33.840 --> 0:40:38.080
<v Speaker 1>become endowed with a soul and do harm to their owners. Well,

0:40:38.120 --> 0:40:39.960
<v Speaker 1>I mean it comes back to to some of the

0:40:39.960 --> 0:40:44.600
<v Speaker 1>Baitic basic Buddhist ideas concerning attachment right and having too many,

0:40:45.440 --> 0:40:48.680
<v Speaker 1>too many things or or you know, physical things or

0:40:48.719 --> 0:40:52.200
<v Speaker 1>non physical things in your life that you are shackle

0:40:52.320 --> 0:40:55.000
<v Speaker 1>to in one way or another. You know, and you

0:40:55.000 --> 0:40:57.560
<v Speaker 1>can imagine it coming to the point where you essentially

0:40:58.280 --> 0:41:01.880
<v Speaker 1>are in a household where the items no longer serve you,

0:41:01.960 --> 0:41:04.120
<v Speaker 1>but you serve them because they all have taken on

0:41:04.200 --> 0:41:06.080
<v Speaker 1>a life of their own. You know. I did not

0:41:06.239 --> 0:41:08.239
<v Speaker 1>think at all about the parallel to the idea of

0:41:08.280 --> 0:41:10.799
<v Speaker 1>attachment and Buddhist I don't know how that went over

0:41:10.840 --> 0:41:14.840
<v Speaker 1>my head. But yeah, yeah, absolutely, it's like part profound

0:41:14.920 --> 0:41:17.640
<v Speaker 1>insight on the nature of suffering and attachment and part

0:41:17.640 --> 0:41:20.160
<v Speaker 1>Brave Little Toaster. Know what's to deal with the Brave

0:41:20.200 --> 0:41:23.160
<v Speaker 1>Little Toaster? You don't know the Brave Little Toaster children's book.

0:41:23.280 --> 0:41:27.120
<v Speaker 1>It's a children's movie in which household items have uh

0:41:27.520 --> 0:41:31.640
<v Speaker 1>there there, they have humanlike characteristics, and they get abandoned

0:41:31.640 --> 0:41:33.920
<v Speaker 1>in an old house. And I think after journey across

0:41:33.960 --> 0:41:36.680
<v Speaker 1>the wilderness, it's like homeward bound, except instead of like

0:41:36.880 --> 0:41:39.319
<v Speaker 1>dogs and a cat, it's a toaster and a lamp

0:41:39.320 --> 0:41:42.080
<v Speaker 1>and a radio. Well, you know this makes this, of course,

0:41:42.080 --> 0:41:45.480
<v Speaker 1>reminds me of Maximum Overdrive Stephen King film. I wondered

0:41:45.480 --> 0:41:49.879
<v Speaker 1>to what extent Maximum Overdrive is a treatment of these

0:41:49.920 --> 0:41:54.680
<v Speaker 1>same ideas. Probably be reaching we get there, Yeah, probably

0:41:54.680 --> 0:41:58.279
<v Speaker 1>reach and probably reaching after the Maximum Overdrive content here.

0:41:58.400 --> 0:41:59.960
<v Speaker 1>All right, let's take a second break, and when we

0:42:00.040 --> 0:42:02.000
<v Speaker 1>come back we will talk a little bit about the

0:42:02.040 --> 0:42:08.440
<v Speaker 1>idea of anthropomorphizing objects. Thank alright, we're back. You know,

0:42:08.480 --> 0:42:11.960
<v Speaker 1>I joked about Maximum Overdrive, But as I've mentioned before,

0:42:12.200 --> 0:42:17.440
<v Speaker 1>Maximum Overdrive is a less ridiculous film. The more we

0:42:17.719 --> 0:42:22.200
<v Speaker 1>um we imbue our our daily objects in our vehicles, etcetera,

0:42:22.680 --> 0:42:27.640
<v Speaker 1>with with with some level of gadgetry, with internet connections

0:42:27.800 --> 0:42:31.760
<v Speaker 1>and human voices and in a sense, but the Internet

0:42:31.800 --> 0:42:34.040
<v Speaker 1>of things is kind of like a we were filling

0:42:34.080 --> 0:42:38.440
<v Speaker 1>our objects with more unruly spirits or opening them up

0:42:38.480 --> 0:42:43.280
<v Speaker 1>to malicious spirit um possession. Well that's an interesting idea

0:42:43.360 --> 0:42:45.880
<v Speaker 1>because I actually so I want to look at a

0:42:45.960 --> 0:42:49.080
<v Speaker 1>study that sort of puts together a framework for thinking

0:42:49.120 --> 0:42:53.440
<v Speaker 1>about when we anthropomorphize a non human objects. So, of course,

0:42:53.760 --> 0:43:00.280
<v Speaker 1>anthromorphization or anthropomorphism is when you attribute human characteristics, thoughts, feelings,

0:43:00.400 --> 0:43:02.759
<v Speaker 1>or tendencies to non human objects. So this could be

0:43:02.760 --> 0:43:06.400
<v Speaker 1>two animals, or it could be to robots or a computer,

0:43:06.680 --> 0:43:08.799
<v Speaker 1>or even just like a you know, a coffee mug.

0:43:09.480 --> 0:43:12.160
<v Speaker 1>You put a smiley face on a coffee mug, and

0:43:12.160 --> 0:43:14.319
<v Speaker 1>you're gonna be afraid to shatter it because you've given

0:43:14.360 --> 0:43:18.000
<v Speaker 1>it a face. You've given it some like the slight

0:43:18.160 --> 0:43:21.560
<v Speaker 1>sliver of human identity. Yeah, and tons of studies have

0:43:21.680 --> 0:43:24.919
<v Speaker 1>shown that we are we are so bad at not

0:43:25.080 --> 0:43:29.040
<v Speaker 1>doing this, Like we we really just give ourselves over

0:43:29.080 --> 0:43:33.200
<v Speaker 1>to anthropomorphism very easily. It takes almost no work at all.

0:43:33.440 --> 0:43:35.879
<v Speaker 1>Once people get a room, but they essentially think about

0:43:35.920 --> 0:43:38.919
<v Speaker 1>it as another person that lives in the house. It's

0:43:39.000 --> 0:43:42.480
<v Speaker 1>I mean, we are this. This is just an absolutely

0:43:42.760 --> 0:43:46.320
<v Speaker 1>insanely weak point of entry into our brains. This is

0:43:46.360 --> 0:43:50.560
<v Speaker 1>how the skynet, the anti sky Net resistance defenses get penetrated.

0:43:50.960 --> 0:43:53.520
<v Speaker 1>You just barely ask people to think of a machine

0:43:53.560 --> 0:43:56.080
<v Speaker 1>as human and they'll do it. And it's an interesting

0:43:56.160 --> 0:44:00.520
<v Speaker 1>question to think, like what the adaptive value that kind

0:44:00.560 --> 0:44:04.080
<v Speaker 1>of like broadly inclusive idea of humanity is because on

0:44:04.080 --> 0:44:06.759
<v Speaker 1>on the other hand, you often just it seems like

0:44:06.800 --> 0:44:09.959
<v Speaker 1>people are way too quick to dehumanize each other real

0:44:10.080 --> 0:44:13.560
<v Speaker 1>other humans, Right, you know, you don't like somebody for

0:44:13.600 --> 0:44:15.600
<v Speaker 1>some reason, and you start thinking of them is not

0:44:15.680 --> 0:44:18.080
<v Speaker 1>really human. And yet the you know, the room by

0:44:18.160 --> 0:44:20.919
<v Speaker 1>bumping into your feet is like, that's a person. Yeah,

0:44:20.960 --> 0:44:23.719
<v Speaker 1>we can be so selective about it when it comes

0:44:23.760 --> 0:44:27.560
<v Speaker 1>to other humans and categorizations of humans. But yeah, when

0:44:27.600 --> 0:44:30.319
<v Speaker 1>it comes to household items, we can just fall down

0:44:30.360 --> 0:44:34.320
<v Speaker 1>this well of of of placing way too much value

0:44:34.360 --> 0:44:36.960
<v Speaker 1>on all of our possessions. Yeah. Now, I wanted to

0:44:36.960 --> 0:44:40.439
<v Speaker 1>look at one study that U the just basically put

0:44:40.520 --> 0:44:44.239
<v Speaker 1>forward an interesting three part framework for thinking about the

0:44:44.280 --> 0:44:49.399
<v Speaker 1>conditions under which we anthropomorphize objects. So this was by Epley,

0:44:49.440 --> 0:44:53.439
<v Speaker 1>Weights and Capoccio in Psychological Review in two thousands seven

0:44:53.480 --> 0:44:58.120
<v Speaker 1>called on Seeing Human a three factor theory of anthropomorphism,

0:44:58.160 --> 0:45:00.920
<v Speaker 1>and basically I'll just do the short version. The authors

0:45:00.920 --> 0:45:03.359
<v Speaker 1>here put forward a framework that suggests people are more

0:45:03.440 --> 0:45:08.240
<v Speaker 1>likely to anthropomorphize under certain conditions, like you don't always

0:45:08.320 --> 0:45:13.480
<v Speaker 1>anthropomorphize everything, equally, certain things are more likely to get anthropomorphized,

0:45:13.520 --> 0:45:18.040
<v Speaker 1>and certain things make you more uh increase your tendency

0:45:18.080 --> 0:45:20.600
<v Speaker 1>to do so. So one of the things they put

0:45:20.640 --> 0:45:25.840
<v Speaker 1>forward is uh quote the accessibility and applicability of anthropocentric

0:45:25.920 --> 0:45:29.080
<v Speaker 1>knowledge elicited agent knowledge. And this just means like when

0:45:29.160 --> 0:45:32.520
<v Speaker 1>you can think of ways that this object actually is

0:45:32.600 --> 0:45:36.440
<v Speaker 1>like a person, So like you can identify characteristics that

0:45:36.600 --> 0:45:40.000
<v Speaker 1>are in some ways actually like what a person is like,

0:45:40.000 --> 0:45:42.480
<v Speaker 1>Like if there is an object, even if it's a

0:45:42.480 --> 0:45:45.240
<v Speaker 1>garbage can, that a peers to sort of have a head,

0:45:45.400 --> 0:45:48.239
<v Speaker 1>or it's sort of has two feet, you know, or

0:45:48.360 --> 0:45:51.480
<v Speaker 1>or the way that two screws or holding like a

0:45:51.560 --> 0:45:54.479
<v Speaker 1>coat rack on the wall, it may look like those

0:45:54.480 --> 0:45:58.680
<v Speaker 1>are eyes. The second is quote the motivation to explain

0:45:58.760 --> 0:46:01.799
<v Speaker 1>and understand the behavior your of agents, which or they

0:46:01.840 --> 0:46:05.040
<v Speaker 1>call this effectantce motivation. So essentially here this is just

0:46:05.160 --> 0:46:08.799
<v Speaker 1>like when a thing's behavior is confusing to you and

0:46:08.840 --> 0:46:11.640
<v Speaker 1>you're trying to understand why it's doing what it's doing.

0:46:12.320 --> 0:46:14.920
<v Speaker 1>Under that condition, people start thinking of the thing as

0:46:14.960 --> 0:46:17.640
<v Speaker 1>being like a human because they're they're trying to find

0:46:17.719 --> 0:46:21.320
<v Speaker 1>some avenue to explain behavior, and that's like the easiest

0:46:21.360 --> 0:46:24.240
<v Speaker 1>thing to go to. It's a poor carpenter who blames

0:46:24.239 --> 0:46:27.320
<v Speaker 1>his tools, and yet at the same time that's exactly

0:46:27.320 --> 0:46:28.920
<v Speaker 1>what we're talking about here. Well, yeah, it's like when

0:46:28.920 --> 0:46:31.600
<v Speaker 1>your computer is screwing up and you don't know what's

0:46:31.640 --> 0:46:34.719
<v Speaker 1>causing it, Like you can't actually troubleshoot it from a

0:46:34.760 --> 0:46:38.040
<v Speaker 1>mechanical point of view, so you just start attributing malice

0:46:38.120 --> 0:46:41.680
<v Speaker 1>to be like, what is this computer doing to me? Now, yeah, yeah,

0:46:41.680 --> 0:46:44.600
<v Speaker 1>it's it's acting up. It is it is, it is.

0:46:44.680 --> 0:46:47.520
<v Speaker 1>It takes on this malicious spirit. Yeah, and this is

0:46:47.520 --> 0:46:50.440
<v Speaker 1>actually a useful way of thinking. I mean, this is uh,

0:46:50.520 --> 0:46:53.600
<v Speaker 1>this is, in Daniel Dennett's terms, the intentional stance, Like

0:46:53.600 --> 0:46:56.600
<v Speaker 1>if you can't think of why something is happening from

0:46:56.600 --> 0:46:59.160
<v Speaker 1>the physical stance or the design stance, like you can't

0:46:59.200 --> 0:47:02.799
<v Speaker 1>actually get into the code and troubleshoot your computer. You

0:47:02.840 --> 0:47:05.640
<v Speaker 1>just start thinking about it as if it has intentions,

0:47:05.680 --> 0:47:09.239
<v Speaker 1>because that's the only level that you're capable of accessing, right,

0:47:09.280 --> 0:47:11.879
<v Speaker 1>And I basically think about printers this way all the time.

0:47:11.920 --> 0:47:15.920
<v Speaker 1>I just I'm just a step away from just assuming

0:47:15.960 --> 0:47:19.200
<v Speaker 1>that there is a malicious spirit that resides in every printer.

0:47:19.920 --> 0:47:22.279
<v Speaker 1>And then the third motivation that they pose it is

0:47:22.360 --> 0:47:25.719
<v Speaker 1>the desire for social contact and affiliation, which they called

0:47:25.719 --> 0:47:28.880
<v Speaker 1>the sociality motivation. And this is when people feel they

0:47:28.920 --> 0:47:33.600
<v Speaker 1>need social contact and relationships. When you're when you're feeling lonely,

0:47:33.719 --> 0:47:37.759
<v Speaker 1>when you're feeling a desire for stronger social bonds, you

0:47:37.840 --> 0:47:42.560
<v Speaker 1>are more likely they hypothesize to anthropomorphized non human objects.

0:47:42.960 --> 0:47:45.439
<v Speaker 1>And then there were some follow up studies, actually one

0:47:45.520 --> 0:47:49.360
<v Speaker 1>by Epley A, Kalis, Weights and Capoccio in two thousand

0:47:49.480 --> 0:47:53.680
<v Speaker 1>eight in Psychological Science. Uh that essentially it tested out

0:47:53.719 --> 0:47:58.160
<v Speaker 1>this question about loneliness and anthropomorphization. So they took gadgets

0:47:58.239 --> 0:48:02.000
<v Speaker 1>like an alarm clock and air purifier and so forth,

0:48:02.200 --> 0:48:04.719
<v Speaker 1>and ask people to rate how much they saw human

0:48:04.800 --> 0:48:08.480
<v Speaker 1>qualities in these objects. Like the questions that would suss

0:48:08.480 --> 0:48:10.440
<v Speaker 1>out do you think it has feelings, do you think

0:48:10.520 --> 0:48:14.120
<v Speaker 1>it has intentions? And they found essentially that the lonelier

0:48:14.239 --> 0:48:18.399
<v Speaker 1>you are, the more likely you are to anthropomorphize non

0:48:18.480 --> 0:48:21.719
<v Speaker 1>human objects. And uh so that is one of the

0:48:21.760 --> 0:48:23.240
<v Speaker 1>you know, that's one of those kind of like social

0:48:23.280 --> 0:48:25.920
<v Speaker 1>science studies, like I wonder if that could be replicated.

0:48:26.120 --> 0:48:29.960
<v Speaker 1>There is a replication of it from sixteen by Bart's,

0:48:30.040 --> 0:48:34.000
<v Speaker 1>Chilova and uh Finurci, and so this was also in

0:48:34.040 --> 0:48:37.520
<v Speaker 1>psychological science. It replicated the last study with a larger sample.

0:48:37.920 --> 0:48:40.440
<v Speaker 1>They also found that this is kind of interesting. So

0:48:40.480 --> 0:48:44.960
<v Speaker 1>people who are more psychologically lonely are more likely to

0:48:45.080 --> 0:48:48.800
<v Speaker 1>think that inanimate objects have intentions and thoughts and stuff.

0:48:49.120 --> 0:48:51.759
<v Speaker 1>But if you just ask people to think about a

0:48:51.800 --> 0:48:55.000
<v Speaker 1>close personal relationship with someone that they could depend on,

0:48:55.680 --> 0:48:59.640
<v Speaker 1>that caused people to anthropomorphize gadgets less if you just

0:48:59.680 --> 0:49:02.720
<v Speaker 1>spin to minute thinking about that relationship in that person

0:49:04.040 --> 0:49:06.280
<v Speaker 1>and then I just want to read another quote quote.

0:49:06.400 --> 0:49:11.200
<v Speaker 1>Last we showed the attachment anxiety, characterized by intense desire

0:49:11.280 --> 0:49:15.200
<v Speaker 1>for and preoccupation with closeness, fear of abandonment, and hyper

0:49:15.280 --> 0:49:20.400
<v Speaker 1>vigilance to social cues, was a stronger predictor of anthropomorphism

0:49:20.440 --> 0:49:24.400
<v Speaker 1>than loneliness. Was. This finding helps clarify the mechanisms underlying

0:49:24.440 --> 0:49:28.799
<v Speaker 1>anthropomorphism and supports the idea that anthropomorphism is a motivated

0:49:28.840 --> 0:49:33.200
<v Speaker 1>process reflecting the active search for potential sources of connection.

0:49:33.600 --> 0:49:37.160
<v Speaker 1>So we know that it's extremely common to to sort

0:49:37.160 --> 0:49:40.200
<v Speaker 1>of see a spirit in inanimate object. Even if you

0:49:40.320 --> 0:49:42.960
<v Speaker 1>rationally know that, you know there's no reason to think

0:49:43.000 --> 0:49:45.799
<v Speaker 1>that this old inanimate object from my house, this old

0:49:45.840 --> 0:49:48.400
<v Speaker 1>gardening tool or whatever, actually has a soul or a

0:49:48.400 --> 0:49:51.200
<v Speaker 1>spirit or anything magic about it or thoughts or intentions.

0:49:51.920 --> 0:49:54.040
<v Speaker 1>We we have this tendency to see it that way,

0:49:54.040 --> 0:49:56.560
<v Speaker 1>to think it has maybe bad energy that needs to

0:49:56.560 --> 0:49:58.920
<v Speaker 1>be gotten rid of or good energy that needs to

0:49:58.920 --> 0:50:03.000
<v Speaker 1>be protected. In pres irved. Clearly this energy is in us,

0:50:03.080 --> 0:50:05.560
<v Speaker 1>It's in our brains. But this is this, This is

0:50:05.600 --> 0:50:09.200
<v Speaker 1>a powerful feeling that lots of people share, and this

0:50:09.320 --> 0:50:11.600
<v Speaker 1>seems to be one thing that could be going on

0:50:11.719 --> 0:50:15.319
<v Speaker 1>when we project intentions on objects this way. It's not

0:50:15.400 --> 0:50:17.600
<v Speaker 1>just about the object itself. A lot of times, it's

0:50:17.600 --> 0:50:20.640
<v Speaker 1>about what we need socially, right, And so you could

0:50:20.920 --> 0:50:23.200
<v Speaker 1>you can you can have these in situations where if

0:50:23.239 --> 0:50:25.919
<v Speaker 1>an individual doesn't have enough like personal connections in their

0:50:25.960 --> 0:50:30.000
<v Speaker 1>life and it makes them more susceptible to the sort

0:50:30.040 --> 0:50:33.960
<v Speaker 1>of the siren song of the spirits and their possessions. Yeah,

0:50:34.000 --> 0:50:36.120
<v Speaker 1>and you can see it going both ways, right, Like

0:50:36.200 --> 0:50:39.360
<v Speaker 1>you could see it if people are more likely to

0:50:39.520 --> 0:50:43.759
<v Speaker 1>anthropomorphize objects, inanimate objects in a friendly way when they're

0:50:43.760 --> 0:50:46.840
<v Speaker 1>more lonely. You can see how like having fear about

0:50:46.880 --> 0:50:50.319
<v Speaker 1>loss of social connections, this attachment anxiety kind of state

0:50:50.360 --> 0:50:53.080
<v Speaker 1>of mind could make you more likely to want to

0:50:53.440 --> 0:50:55.560
<v Speaker 1>want to not let go of things to keep them,

0:50:55.640 --> 0:50:57.480
<v Speaker 1>because it would almost be like if you let go

0:50:57.560 --> 0:51:00.480
<v Speaker 1>of them, it's more like losing friends or like losing pets.

0:51:01.480 --> 0:51:03.280
<v Speaker 1>And it's certainly I'm not going to be the person

0:51:03.320 --> 0:51:06.880
<v Speaker 1>to say, uh, throw your dolls away if they're making

0:51:06.880 --> 0:51:09.399
<v Speaker 1>you happy, you know, I mean, if it's if it's

0:51:09.400 --> 0:51:12.320
<v Speaker 1>not helping you cope with, say, kind of a lonely

0:51:12.360 --> 0:51:14.680
<v Speaker 1>time in your life, or just helps you cope with loneliness.

0:51:14.680 --> 0:51:17.239
<v Speaker 1>In general, life can be lonely. It's all right to

0:51:17.239 --> 0:51:19.279
<v Speaker 1>have a few bobble heads around. Yeah. Well, I mean,

0:51:19.320 --> 0:51:21.719
<v Speaker 1>another thing that's clearly coming through in these studies is

0:51:21.760 --> 0:51:26.440
<v Speaker 1>that loneliness is not an objective state. It's a subjective state.

0:51:26.840 --> 0:51:31.200
<v Speaker 1>Loneliness does not go away if you just actually physically

0:51:31.239 --> 0:51:35.280
<v Speaker 1>have people around you. Loneliness depends on how you feel

0:51:35.520 --> 0:51:38.960
<v Speaker 1>about your relationships, you know. I want to actually go

0:51:39.000 --> 0:51:41.080
<v Speaker 1>back to Nariko t Writer for a minute in her

0:51:41.320 --> 0:51:44.839
<v Speaker 1>Seven Demon Stories book, because she she has a long

0:51:44.880 --> 0:51:47.280
<v Speaker 1>section in that book discussing all kinds of interesting ideas

0:51:47.320 --> 0:51:49.759
<v Speaker 1>about the Suka mogami. But one of the things in

0:51:49.800 --> 0:51:52.040
<v Speaker 1>there is the idea of, like, where does this come from?

0:51:52.040 --> 0:51:55.280
<v Speaker 1>Like what's the possible origin of the tool specter's belief?

0:51:56.040 --> 0:51:58.840
<v Speaker 1>And one of the things she points to is um

0:51:58.920 --> 0:52:04.319
<v Speaker 1>the possibility of uh this belief coming from rituals in

0:52:04.400 --> 0:52:08.760
<v Speaker 1>which an evil possessing demon is exercised from a person

0:52:09.000 --> 0:52:13.080
<v Speaker 1>and deposited into a physical thing. And she gives an

0:52:13.080 --> 0:52:17.360
<v Speaker 1>example of records about this type of purification ceremony that

0:52:17.480 --> 0:52:20.760
<v Speaker 1>quote was held twice a year in the Imperial Palace,

0:52:20.840 --> 0:52:24.640
<v Speaker 1>when the Emperor, Impress and Crown prints transferred their impurities

0:52:24.960 --> 0:52:28.480
<v Speaker 1>as well as the accumulated impurities of the nation into

0:52:28.520 --> 0:52:33.040
<v Speaker 1>five bamboo scales, swords, and a pot into which they

0:52:33.120 --> 0:52:38.600
<v Speaker 1>breathed these agomano things into which pollution, defilement, and crimes

0:52:38.600 --> 0:52:41.960
<v Speaker 1>are transferred for a purification ceremony. Were then to be

0:52:42.080 --> 0:52:45.200
<v Speaker 1>thrown away in the river or on river banks. The

0:52:45.239 --> 0:52:49.160
<v Speaker 1>discarded agomano, paper, dolls, jars, and whatever was used for

0:52:49.200 --> 0:52:52.880
<v Speaker 1>the purification ceremony were to be abandoned with people's breath

0:52:52.920 --> 0:52:56.239
<v Speaker 1>and impurities. These abandoned objects may have been thought to

0:52:56.280 --> 0:53:00.200
<v Speaker 1>contain evil spirits and to act vengefully. Again, tools and

0:53:00.280 --> 0:53:02.879
<v Speaker 1>utensils used in rituals seem to have had a deep

0:53:02.920 --> 0:53:08.279
<v Speaker 1>relationship with the formation of Sukumagami beliefs, So this is

0:53:08.320 --> 0:53:12.799
<v Speaker 1>tracing it back to like another sense of purging, like

0:53:12.880 --> 0:53:16.120
<v Speaker 1>that not only do you purge bad old objects to

0:53:16.160 --> 0:53:18.000
<v Speaker 1>get rid of them and get their you know, get

0:53:18.040 --> 0:53:20.520
<v Speaker 1>the spirit that you've imbued them without of your way.

0:53:20.560 --> 0:53:23.840
<v Speaker 1>That they were like literal rituals where you purge the

0:53:23.880 --> 0:53:26.840
<v Speaker 1>badness out of yourself, you put it in a physical,

0:53:26.960 --> 0:53:29.720
<v Speaker 1>inanimate object, and then you get rid of that object

0:53:29.760 --> 0:53:31.719
<v Speaker 1>to take it away. It's sort of a classic type

0:53:31.760 --> 0:53:35.080
<v Speaker 1>of like the sort of version of sympathetic magic, you know,

0:53:35.120 --> 0:53:38.000
<v Speaker 1>where you're like you're transferring something to something else by

0:53:38.040 --> 0:53:41.640
<v Speaker 1>touch or by ritual breathing or contact, and then you

0:53:41.800 --> 0:53:43.880
<v Speaker 1>purge it, you get it out of your surroundings and

0:53:43.920 --> 0:53:46.479
<v Speaker 1>it takes away the bad stuff with it. Oh yeah,

0:53:46.840 --> 0:53:49.440
<v Speaker 1>kind of like writing a nasty email and then deleting

0:53:49.480 --> 0:53:52.200
<v Speaker 1>it instead of sending it, that sort of thing. Kind

0:53:52.239 --> 0:53:54.440
<v Speaker 1>of like that. Though, I think I've I've said on

0:53:54.440 --> 0:53:57.640
<v Speaker 1>this show before that I have mixed feelings about the

0:53:57.840 --> 0:54:02.239
<v Speaker 1>virtues of venting actually, like expressing your frustrations to get

0:54:02.280 --> 0:54:05.920
<v Speaker 1>them out. I feel pretty convinced that sometimes enumerating all

0:54:05.960 --> 0:54:09.480
<v Speaker 1>your frustrations with a person does not actually make you

0:54:09.520 --> 0:54:12.319
<v Speaker 1>feel better in the long run, does not improve your

0:54:12.320 --> 0:54:15.239
<v Speaker 1>state of mind, but can actually tend to make you

0:54:15.280 --> 0:54:18.520
<v Speaker 1>just feel more frustrated, Like, you know, listing all the

0:54:18.600 --> 0:54:21.440
<v Speaker 1>things you're mad about. It might be good to like

0:54:21.560 --> 0:54:26.040
<v Speaker 1>have somebody sympathetic to talk to about your frustrations. But

0:54:26.040 --> 0:54:28.759
<v Speaker 1>but I I have seen lots of cases in my

0:54:28.840 --> 0:54:32.399
<v Speaker 1>life where venting that was supposed to help somebody feel

0:54:32.480 --> 0:54:35.680
<v Speaker 1>better makes them feel worse and just makes them make

0:54:35.800 --> 0:54:39.520
<v Speaker 1>themselves matter and matter. Yeah, I can just gonna get

0:54:39.520 --> 0:54:42.319
<v Speaker 1>you riled up and and then there's no real way

0:54:42.320 --> 0:54:44.719
<v Speaker 1>to shut it off. This this all does make like

0:54:44.719 --> 0:54:48.520
<v Speaker 1>we're talking about kind of like literal um ways of

0:54:48.640 --> 0:54:52.359
<v Speaker 1>venting and releasing here. I'm trying to think if there

0:54:52.400 --> 0:54:57.480
<v Speaker 1>are any modern like secular or even just Western traditions

0:54:57.520 --> 0:55:02.360
<v Speaker 1>that really entail this kind of like the the sympathetic

0:55:02.400 --> 0:55:06.280
<v Speaker 1>magic of taking uh the bad out of you, putting

0:55:06.280 --> 0:55:09.040
<v Speaker 1>into into something else, and than discarding it. Yeah. Well,

0:55:09.080 --> 0:55:12.759
<v Speaker 1>I mean I wonder if this is this is the

0:55:12.840 --> 0:55:16.479
<v Speaker 1>kind of thing that more secular people could benefit from

0:55:16.560 --> 0:55:19.240
<v Speaker 1>without having to literally believe in any sort of magic,

0:55:19.320 --> 0:55:24.600
<v Speaker 1>to just sort of enact a psychological drama that where

0:55:24.600 --> 0:55:26.840
<v Speaker 1>where you like take all the bad stuff out and

0:55:26.880 --> 0:55:28.879
<v Speaker 1>you put it in an object and you get rid

0:55:28.880 --> 0:55:32.400
<v Speaker 1>of that object. If even even though you're not believing

0:55:32.440 --> 0:55:35.279
<v Speaker 1>that this has literal magic power or their souls or

0:55:35.360 --> 0:55:38.520
<v Speaker 1>spirits or ghosts or anything like that, the doing the

0:55:38.560 --> 0:55:43.919
<v Speaker 1>physical ritual does something healthy and healing to your mind. Yeah. Yeah,

0:55:43.960 --> 0:55:47.799
<v Speaker 1>and into a certain extent, various like self help scenarios,

0:55:48.160 --> 0:55:51.440
<v Speaker 1>you you are dealing with a spirit, and the spirit

0:55:51.440 --> 0:55:54.560
<v Speaker 1>you're you're kind of trying to go exercises yourself in

0:55:54.600 --> 0:55:58.480
<v Speaker 1>the sense that you're trying to become a new person. Uh.

0:55:58.520 --> 0:56:00.920
<v Speaker 1>You know, we've talked about an the show before, like

0:56:00.960 --> 0:56:03.719
<v Speaker 1>how you know how ridiculous that may seem, because we

0:56:03.760 --> 0:56:06.600
<v Speaker 1>are always becoming a new person. We are essentially we're

0:56:06.760 --> 0:56:09.280
<v Speaker 1>a different person now than we were earlier this morning,

0:56:09.480 --> 0:56:12.040
<v Speaker 1>will be a different person this afternoon. But we're also

0:56:12.120 --> 0:56:15.120
<v Speaker 1>creatures of habit, and we tend to do what we've

0:56:15.160 --> 0:56:18.360
<v Speaker 1>done before, and we tend to think what we've thought before.

0:56:18.840 --> 0:56:23.680
<v Speaker 1>And without without some kind of rupturing of those habits cycles,

0:56:23.800 --> 0:56:26.600
<v Speaker 1>without something to to come in and force a change

0:56:26.600 --> 0:56:29.799
<v Speaker 1>of routine, we will just tend to do the things

0:56:29.840 --> 0:56:32.680
<v Speaker 1>we've done before. And sometimes those things are are things

0:56:32.719 --> 0:56:35.080
<v Speaker 1>that make us feel bad. Right, And of course, if

0:56:35.120 --> 0:56:38.319
<v Speaker 1>we're trying to change our routine, it's I've often seen

0:56:38.320 --> 0:56:40.360
<v Speaker 1>it pointed out that it's easier to change your routine

0:56:40.440 --> 0:56:42.560
<v Speaker 1>if you are, say on a trip, you know you're

0:56:42.560 --> 0:56:45.680
<v Speaker 1>going vacations. Suddenly you can, you know, for many number

0:56:45.719 --> 0:56:47.120
<v Speaker 1>of reasons, you can do things you don't do in

0:56:47.400 --> 0:56:50.680
<v Speaker 1>a typical week. But sometimes, like just having a different

0:56:50.680 --> 0:56:54.080
<v Speaker 1>physical environment allows you to break some of these habits

0:56:54.120 --> 0:56:57.480
<v Speaker 1>that you've kept before. And physical ritual could be like

0:56:57.600 --> 0:57:03.080
<v Speaker 1>that too, right, and certainly, changing your immediate physical uh circumstances,

0:57:03.400 --> 0:57:06.719
<v Speaker 1>you know, purging yourself with various items could give you

0:57:06.840 --> 0:57:11.840
<v Speaker 1>the advantage that you need in creating some new habits

0:57:11.920 --> 0:57:13.960
<v Speaker 1>in your life. You know what I started at the

0:57:14.000 --> 0:57:16.480
<v Speaker 1>beginning saying, I don't have a take because I've never

0:57:16.520 --> 0:57:19.000
<v Speaker 1>watched the Marie Condo stuff or whatever, But I think

0:57:19.080 --> 0:57:21.520
<v Speaker 1>maybe I'm coming around. I think through the course of

0:57:21.600 --> 0:57:24.840
<v Speaker 1>this episode, I've talked myself into the idea that maybe,

0:57:25.600 --> 0:57:29.240
<v Speaker 1>like changing your physical surroundings, purging yourself of old items

0:57:29.400 --> 0:57:31.880
<v Speaker 1>that that you don't actually need anymore or have in

0:57:31.920 --> 0:57:35.000
<v Speaker 1>a metaphorical way, become imbued with some kind of bad spirit,

0:57:35.120 --> 0:57:38.320
<v Speaker 1>that's the associations in your memory that could actually have

0:57:38.440 --> 0:57:41.640
<v Speaker 1>a really positive impact on your life. Maybe people should

0:57:41.680 --> 0:57:44.960
<v Speaker 1>try it out. This episode is not paid for by

0:57:45.040 --> 0:57:47.840
<v Speaker 1>the Marie Condo Show or anything like that, by the way, No, no,

0:57:47.960 --> 0:57:51.520
<v Speaker 1>not at all. But speaking of Netflix, they've got Marie Condo. Okay,

0:57:51.680 --> 0:57:55.640
<v Speaker 1>it's it's a hit. They have the Sabrina show where

0:57:55.720 --> 0:57:57.920
<v Speaker 1>she fights demons, and it's a hit. They need to

0:57:57.960 --> 0:58:00.000
<v Speaker 1>bridge these two. They need a show in which Marie

0:58:00.000 --> 0:58:03.760
<v Speaker 1>Eacondo physically battles demons. If he goes to people's house,

0:58:04.160 --> 0:58:06.320
<v Speaker 1>the houses to help them deal with their clutter, and

0:58:06.400 --> 0:58:10.360
<v Speaker 1>then she physically battles the spirits of these items with

0:58:10.480 --> 0:58:13.320
<v Speaker 1>a sword, gouges their eyes out, real real good. This

0:58:13.440 --> 0:58:18.439
<v Speaker 1>proposal is definitely sparking some joy in me. I'm I'm yeah,

0:58:18.560 --> 0:58:20.920
<v Speaker 1>I'm with you here. But in any case, yeah, I've

0:58:21.000 --> 0:58:23.400
<v Speaker 1>been brought around. I think whether it's a Western style

0:58:23.440 --> 0:58:27.200
<v Speaker 1>New Year's resolution, whether it's a ritual for lunar New Year,

0:58:27.640 --> 0:58:29.800
<v Speaker 1>or whether it's good old fashioned spring cleaning, I think

0:58:29.880 --> 0:58:34.200
<v Speaker 1>maybe maybe some good physical environment exorcism is actually a

0:58:34.240 --> 0:58:36.400
<v Speaker 1>healthy thing to consider. All right, we're gonna end it

0:58:36.520 --> 0:58:38.440
<v Speaker 1>right there, But if you want to check out more

0:58:38.480 --> 0:58:40.640
<v Speaker 1>episodes of Stuff to Blow your Mind, head on over

0:58:40.720 --> 0:58:42.400
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0:58:42.400 --> 0:58:45.120
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0:58:45.160 --> 0:58:47.920
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0:58:47.960 --> 0:58:50.040
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0:58:50.160 --> 0:58:55.400
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0:58:55.480 --> 0:58:57.920
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0:58:57.920 --> 0:58:59.520
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0:58:59.560 --> 0:59:01.880
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0:59:01.920 --> 0:59:05.040
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0:59:05.160 --> 0:59:08.320
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0:59:11.840 --> 0:59:14.960
<v Speaker 1>That's right, talking about the importance of things in your life?

0:59:15.000 --> 0:59:17.840
<v Speaker 1>Where do those things come from, who invented them, who

0:59:18.440 --> 0:59:21.040
<v Speaker 1>improved upon the designs? And then how did they change

0:59:21.080 --> 0:59:23.320
<v Speaker 1>our lives? Why are we so resistant to throw them out?

0:59:23.600 --> 0:59:27.040
<v Speaker 1>Huge thanks as always to our excellent audio producers Alex

0:59:27.080 --> 0:59:29.800
<v Speaker 1>Williams and Try Harrison. If you would like to get

0:59:29.840 --> 0:59:32.400
<v Speaker 1>in touch with us directly with feedback on this episode

0:59:32.480 --> 0:59:35.120
<v Speaker 1>or any other, with a suggestion for a topic on

0:59:35.240 --> 0:59:36.960
<v Speaker 1>the show in the future, or just to say hi,

0:59:37.080 --> 0:59:39.560
<v Speaker 1>you can email us at blow the Mind at how

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<v Speaker 1>stuff works dot com for more on this and thousands

0:59:52.640 --> 0:59:54.960
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