WEBVTT - Ian Hecox - On Founding Smosh, Staying Power on Youtube, and Advice for Creators

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<v Speaker 1>Welcome to Behind the Influence, a production of I Heart

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<v Speaker 1>Radio and TDC Media. To say that we always just

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<v Speaker 1>kind of like went by the flow, that I guess

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<v Speaker 1>that's not completely true. Like we we did have this

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<v Speaker 1>vision of what Smash could become. We've been friends for

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<v Speaker 1>for nineteen years. So the moment we did that, we

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<v Speaker 1>found a remarkable increase in in our sanity. There was

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<v Speaker 1>a moment in time that I didn't know if Smash

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<v Speaker 1>was going to continue. Ian he talks, is in the house. Guys, Hello,

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<v Speaker 1>you don't know who Ian is? What do you know?

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<v Speaker 1>I know that was aggressive, but if you don't know

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<v Speaker 1>that name, we got to reevaluate life. I mean, the

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<v Speaker 1>internet is a big place. I never assume anybody you're

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<v Speaker 1>pretty a video of mine, but I assume so. And

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<v Speaker 1>the reason you're here is because of that. You were

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<v Speaker 1>one of the pioneers in the YouTube space. And not

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<v Speaker 1>only did you pioneer in a world that a lot

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<v Speaker 1>of people didn't understand back in two thousand five, by

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<v Speaker 1>the way, when people weren't really doing the YouTube thing. Yeah,

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<v Speaker 1>I mean, YouTube wasn't really a thing. It wasn't a thing.

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<v Speaker 1>It just recently, I think in the last decade has

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<v Speaker 1>become a thing in two thousand five. Starts with a

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<v Speaker 1>little a silly video, just you and your friend And

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<v Speaker 1>did you ever know that it would turn into this

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<v Speaker 1>empire that has employed so many people and made so

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<v Speaker 1>many people so much money. And yeah, we had no

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<v Speaker 1>no idea whatsoever. It was just us, you know, messing

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<v Speaker 1>around with the webcam. We started with lip syncs. We

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<v Speaker 1>did the Power Rangers theme song. That was our first

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<v Speaker 1>slip sync, and then we did a Mortal Kombat and

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<v Speaker 1>then Pokemon and then the Pokemon theme song music video

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<v Speaker 1>was the video that like really really blew up and

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<v Speaker 1>for I think a year and a half it was

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<v Speaker 1>the most viewed video on YouTube. And back in the day,

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<v Speaker 1>there was no discovery ability on YouTube. So the only

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<v Speaker 1>way that you could find quote unquote quality content, which

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<v Speaker 1>that video looking back, is not the only way you

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<v Speaker 1>can find quality content is if you went to the

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<v Speaker 1>most viewed page like most people of all time. Okay,

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<v Speaker 1>so all those videos that had the most views must

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<v Speaker 1>be the best videos on YouTube. That would be the theory.

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<v Speaker 1>But you know, our videos up at the top, and

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<v Speaker 1>it was like, think, why do you think about so

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<v Speaker 1>many views? Because nothing else like that was on YouTube,

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<v Speaker 1>and you guys were just kind of creating your own lane,

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<v Speaker 1>and people were curious because that's what I would think. Yeah,

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<v Speaker 1>I mean, I think music is universal. I mean, that's

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<v Speaker 1>why all the top view videos are are music videos.

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<v Speaker 1>So I think that's one thing Pokemon is, you know,

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<v Speaker 1>the sort of global unifier who doesn't like Pokemon. At

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<v Speaker 1>that time, a lot of people were doing lip syncs,

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<v Speaker 1>but a lot of people were just kind of standing

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<v Speaker 1>there and just lip sinking. But we were also throwing

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<v Speaker 1>in jokes into it, so like kind of like criticizing

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<v Speaker 1>the Pokemon while we were singing the song. Just the

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<v Speaker 1>fact that the like Pokemon in a strange way is

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<v Speaker 1>like animal abuse. So we had some like jokes. I

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<v Speaker 1>never thought of it. I don't need to left, but

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<v Speaker 1>I never thought about it. Yeah, I mean, you're you're

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<v Speaker 1>forcing it's it's it's no different than a than a

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<v Speaker 1>dog fight, and we don't allow that. So we, uh,

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<v Speaker 1>we kind of made some some jokes in the video.

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<v Speaker 1>I think that's what kind of made it stand out

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<v Speaker 1>from the other sort of lip syncs is we actually

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<v Speaker 1>had a take on it. I'm not saying like it's

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<v Speaker 1>supreme art, but Also, back in the days of YouTube,

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<v Speaker 1>you're not really competing with that much quality content. Anything

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<v Speaker 1>that's like sort of above like the worst quality ever

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<v Speaker 1>would automatically rise above everything else. So it had a

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<v Speaker 1>little bit of thought behind it, some creativity and use music.

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<v Speaker 1>What compelled you guys? First of all, for people who

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<v Speaker 1>don't know, who did you do the video with? Yeah,

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<v Speaker 1>so I did the video with my childhood friend Anthony.

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<v Speaker 1>We met in like the sixth grade, and we did

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<v Speaker 1>a share boredom. We just graduated high school. I was seventeen.

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<v Speaker 1>He might have been seventeen as well. Yeah at the time,

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<v Speaker 1>he's also seventeen. You guys go to the same high school. Yeah, okay, yeah, yeah,

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<v Speaker 1>so we went to the same elementary school, middle school,

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<v Speaker 1>high school, best friends, and we're both bored. All of

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<v Speaker 1>our friends were going off to real colleges. We were

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<v Speaker 1>staying in Sacramento and we're going to go to a

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<v Speaker 1>community college. So we were pretty bored. Over the summer.

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<v Speaker 1>We had actually started making videos and posting them on

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<v Speaker 1>my Space before we even knew what YouTube was. The

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<v Speaker 1>only reason we found out about YouTube so early was

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<v Speaker 1>because somebody had stolen our video and uploaded on YouTube. Yeah.

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<v Speaker 1>So that's how we actually found out about YouTube was

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<v Speaker 1>because somebody had ripped our content. So we started upload

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<v Speaker 1>kind of a compliment. Yeah right, yeah, so we started

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<v Speaker 1>uploading on there, it started getting the views, and to us,

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<v Speaker 1>over a hundred views was insane. And at that time,

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<v Speaker 1>you could just refresh YouTube and see the counter go up,

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<v Speaker 1>so like we would just like refresh and see like,

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<v Speaker 1>oh my god, there's five more views. Oh my god,

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<v Speaker 1>there's ten more views. So that was that was a

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<v Speaker 1>weird experience for us. What was monetization like back then?

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<v Speaker 1>Did you guys even think that this was something you

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<v Speaker 1>could make money from that early on? There's no way

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<v Speaker 1>of monization. I mean, like I guess we we had

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<v Speaker 1>sort of like the first Patreon in a sense where

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<v Speaker 1>we just not like solicited our viewers for donations, but

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<v Speaker 1>we said, like, hey, we want to film with more

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<v Speaker 1>than just a webcam that's tied to the computer. We

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<v Speaker 1>we would like a handicap. So people actually donated money

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<v Speaker 1>to us to buy a handicam so that we can

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<v Speaker 1>actually go beyond Anthony's bedroom, and then we put their

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<v Speaker 1>names and their like donation, I think we can put

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<v Speaker 1>their donation amounts like on the screen of our videos.

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<v Speaker 1>So at the end of the video, it's like, thanks

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<v Speaker 1>to this person for donating thirty So ahead of the times,

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<v Speaker 1>because I feel like that was a very early iteration

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<v Speaker 1>of what actually ends up happening if you fast forward. Yeah,

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<v Speaker 1>and the same time with the same thing with merch,

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<v Speaker 1>So we wanted to keep doing it. And then once

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<v Speaker 1>the Pokemon theme song music video was removed for copyright infringement,

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<v Speaker 1>we were like, hey, you know, we should probably start

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<v Speaker 1>making more original content that's not using other people's stuff.

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<v Speaker 1>And so from that point on, pretty much we were

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<v Speaker 1>we were wholly original content, not using copyrighted music or

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<v Speaker 1>you know, images or whatever. So we then sort of

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<v Speaker 1>transitioned to sketch comedy, and that's kind of the road

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<v Speaker 1>we went down. So sketch comedy for the first few

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<v Speaker 1>years of YouTube was kind of like the king of YouTube,

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<v Speaker 1>Like everybody wanted to do sketch comedy, and you know,

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<v Speaker 1>there's channels like balloon Shop that really pays me off.

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<v Speaker 1>Why would you knock the drink out of his hand?

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<v Speaker 1>What would you do that? Why would you do that?

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<v Speaker 1>The Lonely Island Lonely Island, obviously, Anie Sandberg, Kiva and Jorma,

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<v Speaker 1>who then went on to SNL and then bigger and

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<v Speaker 1>bigger things. Hello, welcome to the party. Hi, I've never

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<v Speaker 1>met you before. You know, just two guys and we're

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<v Speaker 1>having a good time. Derek Comedy where Donald Glover Childish

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<v Speaker 1>Gambino came from that sad one to YouTube. Sir sat

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<v Speaker 1>Opposite Day, Sir James Goody Endings? Or can I not

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<v Speaker 1>ask you something about Opposite Day? No? But sketch comedy

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<v Speaker 1>is really hard to continue and it's expensive. It's more

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<v Speaker 1>expensive than just doing a vlog, Like you need to

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<v Speaker 1>like hire people, and you know, writing sketches and shooting

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<v Speaker 1>it and editing. It takes a little bit longer than

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<v Speaker 1>normal kinds of things. So a lot of people burnt

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<v Speaker 1>out on making sketches. You're right out of high school.

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<v Speaker 1>What makes you think I'm qualified to be doing sketch Because,

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<v Speaker 1>like you said, it's not just about hiring people. Like

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<v Speaker 1>you could have the money. I know people who have

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<v Speaker 1>all the money in the world. But if you're not

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<v Speaker 1>a good writer, if you don't have good ideas, it's

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<v Speaker 1>not gonna fly. So how did you guys get to

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<v Speaker 1>the place where you were qualified enough to do successful

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<v Speaker 1>sketch comedy. I don't think we're qualified at all. Well

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<v Speaker 1>something made you think you were. I mean, it's really

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<v Speaker 1>we just kind of paid attention to the feedback on YouTube,

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<v Speaker 1>and I know that's not always the best idea to

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<v Speaker 1>read the comments, but some people have some pretty constructive

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<v Speaker 1>criticism that are acting sucked and our ideas sucked. So

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<v Speaker 1>we continue to go to community college, but only in

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<v Speaker 1>classes that applied to whatever we were doing. So we

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<v Speaker 1>took some acting classes, we took some writing classes, we

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<v Speaker 1>took some improv classes, took some film classes, and then

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<v Speaker 1>once we burned out on those. Once we did all

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<v Speaker 1>those classes, we just left. But with with sketch comedy,

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<v Speaker 1>you know, it takes a lot of time. We were

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<v Speaker 1>out of high school, so we're living in our parents

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<v Speaker 1>house and you know, start to have bills, so you

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<v Speaker 1>have to find some way to create an income. And

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<v Speaker 1>so the choice was either well, you try to find

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<v Speaker 1>a job and then find some time to make sketches,

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<v Speaker 1>or you can commit fully to creating sketches and try

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<v Speaker 1>to build a business doing that. So that then turned

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<v Speaker 1>our focus. What did family think about That family was

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<v Speaker 1>totally known. They were down there anything better, well, because

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<v Speaker 1>I think now it would be a lot easier for

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<v Speaker 1>you know, a fifteen year old or sixth year old

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<v Speaker 1>to convince their parents, like, look, Jake Paul is making

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<v Speaker 1>twenty two million dollars year, so can I two thousand five,

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<v Speaker 1>two thousand six. Whenever you were doing it, that was

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<v Speaker 1>not the case. So you didn't have a case study

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<v Speaker 1>to point to and say, these people are making a

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<v Speaker 1>living doing this, I'm gonna build an umpire. You had

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<v Speaker 1>literally nothing but your own drive and an idea. Yeah,

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<v Speaker 1>and we had viewers. You had viewers. I think my

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<v Speaker 1>dad's an accountant, so he kind of understands business, and

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<v Speaker 1>I think we had viewers. So that had to event something.

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<v Speaker 1>It's like, oh, well, if we're getting similar views to

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<v Speaker 1>like a local TV show or something like, that's gotta

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<v Speaker 1>that's gotta mean something like, there's gotta be a way

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<v Speaker 1>to to monetize that. There was no way at that

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<v Speaker 1>time in regards to add revenue. I remember our first

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<v Speaker 1>brand deal we did for five dollars. That was a

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<v Speaker 1>big deal to us. But we we found other ways

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<v Speaker 1>of monetizing. We uh started selling merch and I think

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<v Speaker 1>we were some of the first people on the platform

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<v Speaker 1>to do that. We knew this like guy that worked

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<v Speaker 1>out of a warehouse down the street that was a

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<v Speaker 1>screen printer. Pretty sure he had one leg, but he

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<v Speaker 1>never showed us. Um, but we need I need to

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<v Speaker 1>find out. So we So then we started like marketing

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<v Speaker 1>our merch and like these little sort of like funny

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<v Speaker 1>commercials at the ends of our videos, Oh my god, yes,

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<v Speaker 1>what what look at my shirts? Oh my god, stoppers shirt.

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<v Speaker 1>We would have this guy screenpin all the shirts. Then

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<v Speaker 1>Anthony had a program that would take all the orders

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<v Speaker 1>in with like their names and their addresses, and then

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<v Speaker 1>we would package all the shirts ourselves. That we would

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<v Speaker 1>then load all the shirts into his car and then

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<v Speaker 1>we would drive to USPS and get very ugly looks

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<v Speaker 1>from the workers there because we'd be mailing out maybe

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<v Speaker 1>hundreds of shirts at a time. But that was the

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<v Speaker 1>way that we first sort of supplemented the income for

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<v Speaker 1>the business. That was that was so entrepreneurial. I knew

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<v Speaker 1>I was going to suck that up. Yeah, every time

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<v Speaker 1>I tried to say that one. But you know what

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<v Speaker 1>I mean, guys, entrepreneurial of you? Yeah, I mean we

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<v Speaker 1>didn't have any I mean We didn't have any choice.

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<v Speaker 1>It was like that was our only option. It was

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<v Speaker 1>trying to sell merch to create an income, to stay

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<v Speaker 1>out of a job or work a job and not

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<v Speaker 1>be able to create content. So and you're so young

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<v Speaker 1>to figure that out. Yeah, well, I think I think

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<v Speaker 1>I probably had some advice from my dad to we

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<v Speaker 1>didn't really have any other choice. It's just like that

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<v Speaker 1>was the only way to do it at the time.

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<v Speaker 1>And you're still going to school at this point, and

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<v Speaker 1>what were you majoring in? Was it anything to do

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<v Speaker 1>with this world? That was just general ed. We didn't

0:11:25.160 --> 0:11:27.200
<v Speaker 1>really know what we wanted to do. I think Anthony

0:11:27.640 --> 0:11:30.560
<v Speaker 1>thought he would get a business degree, but I think

0:11:30.600 --> 0:11:34.000
<v Speaker 1>he didn't really know quite what that meant. He's just like,

0:11:34.040 --> 0:11:36.440
<v Speaker 1>I don't know, business sounds nice. And he was already

0:11:36.640 --> 0:11:38.600
<v Speaker 1>he was running the website on his own, so he

0:11:38.679 --> 0:11:41.960
<v Speaker 1>kind of already had like a knack for entrepreneurial kind

0:11:42.000 --> 0:11:44.160
<v Speaker 1>of like, look at you. He just said it the

0:11:44.200 --> 0:11:47.440
<v Speaker 1>first time, Did I do it? Like? It was like, Butter,

0:11:48.000 --> 0:11:52.160
<v Speaker 1>I'm really jealous, you'll get it, you know. We we

0:11:52.200 --> 0:11:55.680
<v Speaker 1>didn't have any sort of set plan, and our parents

0:11:55.679 --> 0:11:59.719
<v Speaker 1>didn't have any expectation for us to become lawyers or

0:11:59.760 --> 0:12:02.160
<v Speaker 1>doc there. So there was nobody pushing us in a

0:12:02.200 --> 0:12:05.000
<v Speaker 1>specific direction. So that kind of allowed us to kind

0:12:05.000 --> 0:12:07.920
<v Speaker 1>of just see that this is a big opportunity that

0:12:08.000 --> 0:12:11.520
<v Speaker 1>it was our only chance to possibly take, so we

0:12:11.600 --> 0:12:13.120
<v Speaker 1>just kind of went full into it. But just like

0:12:13.200 --> 0:12:16.040
<v Speaker 1>they weren't pushing an agenda, it doesn't really sound like

0:12:16.160 --> 0:12:19.120
<v Speaker 1>you necessarily had an agenda either. It wasn't like some

0:12:19.120 --> 0:12:21.439
<v Speaker 1>people start a YouTube channel because the ultimate goal is

0:12:21.480 --> 0:12:23.959
<v Speaker 1>to be an actress, a series regular, or they want

0:12:24.000 --> 0:12:26.199
<v Speaker 1>to break into music. It just seemed like you guys

0:12:26.280 --> 0:12:29.040
<v Speaker 1>were throwing things to the ceiling and seeing what's stuck

0:12:29.080 --> 0:12:31.640
<v Speaker 1>that you enjoyed doing. But it didn't seem like you

0:12:31.679 --> 0:12:33.760
<v Speaker 1>had a well we're doing this because we want to be,

0:12:33.840 --> 0:12:36.960
<v Speaker 1>you know, movie stars in five years. Yeah. I'm a

0:12:37.120 --> 0:12:39.800
<v Speaker 1>very much go with the flow kind of guy. So

0:12:40.440 --> 0:12:45.600
<v Speaker 1>for me, I didn't have aspirations. I guess I wouldn't

0:12:45.600 --> 0:12:48.800
<v Speaker 1>say like, well, they'll look at you. It just fell

0:12:48.880 --> 0:12:52.080
<v Speaker 1>into a lot of success. I don't know, but I

0:12:52.120 --> 0:12:54.520
<v Speaker 1>think you worked very hard for that. I didn't have

0:12:54.760 --> 0:12:58.120
<v Speaker 1>I didn't have any I didn't feel like I deserved anything,

0:12:58.400 --> 0:13:01.120
<v Speaker 1>you know, I think a lot of people actors, you know,

0:13:01.200 --> 0:13:04.240
<v Speaker 1>they put a lot of time into this dream of

0:13:04.280 --> 0:13:06.960
<v Speaker 1>becoming an actor, and then when they get sort of

0:13:06.960 --> 0:13:10.679
<v Speaker 1>a taste of success, then they feel like I deserve this,

0:13:11.320 --> 0:13:13.920
<v Speaker 1>Like anything anything that comes my way, I don't feel

0:13:13.960 --> 0:13:16.200
<v Speaker 1>like I deserved it. I mean, I worked towards it

0:13:16.360 --> 0:13:18.960
<v Speaker 1>and it happened, and then I just try to, you know,

0:13:19.000 --> 0:13:21.640
<v Speaker 1>not take anything for granted. And that's just kind of

0:13:21.640 --> 0:13:24.400
<v Speaker 1>been the way that I've always kind of looked at

0:13:24.400 --> 0:13:26.439
<v Speaker 1>our career. It's like just kind of go with the flow,

0:13:26.559 --> 0:13:29.679
<v Speaker 1>go with like wherever this crazy thing is taking us.

0:13:30.240 --> 0:13:32.719
<v Speaker 1>Would you say that that has a lot to do

0:13:32.840 --> 0:13:36.720
<v Speaker 1>with the fifteen plus years of success this brand that

0:13:36.800 --> 0:13:39.640
<v Speaker 1>wasn't a brand at the time has seen because of

0:13:39.679 --> 0:13:42.600
<v Speaker 1>your mentality and because of your attitude towards everything you

0:13:42.640 --> 0:13:44.839
<v Speaker 1>were doing every day. Yeah, I think so. And I

0:13:44.880 --> 0:13:49.520
<v Speaker 1>wasn't looking to use Smash as a platform to become

0:13:49.600 --> 0:13:55.120
<v Speaker 1>a television actor or you know, a director or anything like.

0:13:55.480 --> 0:13:59.440
<v Speaker 1>To me, all those things are awesome and I love

0:13:59.520 --> 0:14:02.720
<v Speaker 1>doing that, um and I'll take those opportunities if they come.

0:14:03.360 --> 0:14:06.679
<v Speaker 1>But Smash has always made the most sense to me

0:14:06.920 --> 0:14:11.319
<v Speaker 1>as like that's my sort of base, That's what I understand,

0:14:11.400 --> 0:14:14.040
<v Speaker 1>and it's what I think that we're good at and

0:14:14.080 --> 0:14:18.880
<v Speaker 1>everything else is is nice, But there's probably other people

0:14:18.880 --> 0:14:21.080
<v Speaker 1>they're better at it than me. So you're creating content,

0:14:21.200 --> 0:14:23.960
<v Speaker 1>you're making you're getting little brand deals here and there,

0:14:24.040 --> 0:14:27.200
<v Speaker 1>you're selling merch just to keep things afloat. When did

0:14:27.240 --> 0:14:32.120
<v Speaker 1>it become something that you felt like wasn't a hustle struggle.

0:14:32.360 --> 0:14:34.480
<v Speaker 1>It was more of like, Okay, we have a system

0:14:34.600 --> 0:14:37.240
<v Speaker 1>going and this is this is a real business. Was

0:14:37.240 --> 0:14:39.760
<v Speaker 1>there like a video that went viral? Was there a

0:14:39.840 --> 0:14:43.880
<v Speaker 1>moment a validation? Can you remember a time when it

0:14:44.000 --> 0:14:46.440
<v Speaker 1>felt real, because I'm sure it took a while to

0:14:46.480 --> 0:14:51.000
<v Speaker 1>feel like a real quote unquote real Job's say, in

0:14:51.120 --> 0:14:56.920
<v Speaker 1>like two thousand seven, we were contacted by um, this guy,

0:14:56.960 --> 0:15:01.720
<v Speaker 1>Barry Bloomberg. He was Disney television executive that had left

0:15:01.720 --> 0:15:04.040
<v Speaker 1>Disney and he was kind of looking for the next

0:15:04.080 --> 0:15:06.960
<v Speaker 1>thing to focus on and he sort of saw, you know,

0:15:07.120 --> 0:15:10.280
<v Speaker 1>online media as being this sort of next thing. So

0:15:11.080 --> 0:15:13.640
<v Speaker 1>he started working with us and was like, if you

0:15:13.640 --> 0:15:15.640
<v Speaker 1>guys want to do this for a long time, you

0:15:15.680 --> 0:15:18.560
<v Speaker 1>need to start thinking of Smash as like a comedy brand.

0:15:18.760 --> 0:15:20.760
<v Speaker 1>So it was now small at this point, you had

0:15:20.920 --> 0:15:23.880
<v Speaker 1>evolved into Smash. Yeah, I mean Smash was a name

0:15:23.920 --> 0:15:27.800
<v Speaker 1>that we had actually had since sophomore year of high school. Okay,

0:15:27.800 --> 0:15:30.800
<v Speaker 1>so that was not like evolved into the name Smash.

0:15:30.800 --> 0:15:33.240
<v Speaker 1>You guys always kind of called it Smash. Yeah. That

0:15:33.360 --> 0:15:35.640
<v Speaker 1>really worked out because, like at the time of like

0:15:35.800 --> 0:15:38.680
<v Speaker 1>the beginning of YouTube, everybody was like their channels were

0:15:38.720 --> 0:15:42.080
<v Speaker 1>just like their names. If we didn't have Smash, we

0:15:42.160 --> 0:15:45.239
<v Speaker 1>might have called our channel like Ian and Anthony Productions,

0:15:45.720 --> 0:15:49.880
<v Speaker 1>which doesn't exactly lend itself to longevity. But luckily we

0:15:49.920 --> 0:15:52.160
<v Speaker 1>had this great name because it was a it was

0:15:52.200 --> 0:15:54.440
<v Speaker 1>an inside joke that our friends that came up with,

0:15:54.520 --> 0:15:57.520
<v Speaker 1>and then Anthony created a website for it, and then

0:15:57.560 --> 0:16:00.000
<v Speaker 1>when the YouTube video started picking up, we're like, well,

0:16:00.040 --> 0:16:03.120
<v Speaker 1>let's just continue to have it tied to this Smash name.

0:16:03.800 --> 0:16:06.480
<v Speaker 1>At that time, it was just Anthony and myself as

0:16:06.600 --> 0:16:10.840
<v Speaker 1>the faces of Smash, and it was Barry that you know,

0:16:10.960 --> 0:16:12.800
<v Speaker 1>sort of said, if you guys wanted to be doing

0:16:12.840 --> 0:16:15.760
<v Speaker 1>this ten years, twenty years, whatever years down the road,

0:16:15.880 --> 0:16:17.440
<v Speaker 1>it needs to be more than just you two. It

0:16:17.480 --> 0:16:20.880
<v Speaker 1>needs to be a brand. And that's something that we

0:16:20.880 --> 0:16:22.360
<v Speaker 1>weren't thinking of the time. I don't think that was

0:16:22.520 --> 0:16:26.920
<v Speaker 1>something anybody's thinking about at the time. Nowadays, every Instagram

0:16:27.080 --> 0:16:30.880
<v Speaker 1>model is like, this is my brand. Everything is happiness

0:16:30.920 --> 0:16:34.440
<v Speaker 1>and beauty and positivity. Everybody's thinking like what their brand

0:16:34.520 --> 0:16:37.240
<v Speaker 1>is now. But back then it's like, no, our channel

0:16:37.280 --> 0:16:39.280
<v Speaker 1>is like we're just like two guys. But it made

0:16:39.280 --> 0:16:41.400
<v Speaker 1>a lot of sense to say that we always just

0:16:41.480 --> 0:16:42.880
<v Speaker 1>kind of like went by the flow that I guess

0:16:42.880 --> 0:16:44.960
<v Speaker 1>that's not completely true. Like we we did have this

0:16:45.080 --> 0:16:48.520
<v Speaker 1>vision of what smash could become. I mean just from

0:16:48.560 --> 0:16:52.000
<v Speaker 1>the beginning, you screenprinting your own merch you may have

0:16:52.000 --> 0:16:54.080
<v Speaker 1>been go with the flow and attitude of like where

0:16:54.080 --> 0:16:58.320
<v Speaker 1>this goes, but you were very much proactive in everything

0:16:58.320 --> 0:17:01.600
<v Speaker 1>that you guys did, like the to the Patreon, your

0:17:01.600 --> 0:17:04.400
<v Speaker 1>own version of Patriot. Yeah, that ended once we started

0:17:04.480 --> 0:17:06.480
<v Speaker 1>like actually getting money from merch. Were like, okay, we

0:17:06.520 --> 0:17:08.560
<v Speaker 1>can't just ask for money from We can't just be

0:17:08.680 --> 0:17:11.000
<v Speaker 1>like can I have five dollars? We can give you

0:17:11.000 --> 0:17:12.800
<v Speaker 1>a shout out at the end. Yeah, we stopped. We

0:17:12.800 --> 0:17:15.479
<v Speaker 1>stopped doing that. We're like, okay, that's just kind of wrong.

0:17:15.680 --> 0:17:18.200
<v Speaker 1>And I'm not I'm not talking Patreon. I think Patreon

0:17:18.320 --> 0:17:20.159
<v Speaker 1>is great, but you were not pay I mean you

0:17:20.240 --> 0:17:23.320
<v Speaker 1>were just saying five dollars please. Yeah. Yeah, We're like, hey,

0:17:23.359 --> 0:17:25.119
<v Speaker 1>we'll show you on the video if you give us.

0:17:26.119 --> 0:17:28.720
<v Speaker 1>But yeah, that that changed once. That probably paid for that.

0:17:29.400 --> 0:17:31.720
<v Speaker 1>I mean people do. But if we were look back

0:17:31.720 --> 0:17:37.080
<v Speaker 1>and be like Tatiana Bruckly, Um, so Barry comes along

0:17:37.160 --> 0:17:40.720
<v Speaker 1>two thousand seven. This was I believe around the time

0:17:40.920 --> 0:17:45.480
<v Speaker 1>when YouTube started their partner program two thousand right, yeah,

0:17:45.520 --> 0:17:49.320
<v Speaker 1>I think, yeah, so that is when the partnership program.

0:17:49.680 --> 0:17:52.240
<v Speaker 1>I'm sure you were one of the very first. Yeah,

0:17:52.280 --> 0:17:54.919
<v Speaker 1>we were one of the first ten channels actually. For

0:17:54.960 --> 0:17:57.560
<v Speaker 1>the partnership program. YouTube was like, hey, we'll pay you

0:17:58.080 --> 0:18:01.399
<v Speaker 1>this base amount of money and we're gonna put ads

0:18:01.440 --> 0:18:03.479
<v Speaker 1>on your videos. And that was something we were nervous

0:18:03.480 --> 0:18:05.920
<v Speaker 1>about at first because there had never been an add

0:18:05.960 --> 0:18:08.320
<v Speaker 1>on YouTube, like maybe on like a banner on the

0:18:08.320 --> 0:18:10.800
<v Speaker 1>front page, but to have an ad play before the

0:18:10.920 --> 0:18:13.119
<v Speaker 1>video or just at that time, it wasn't even pre

0:18:13.240 --> 0:18:15.280
<v Speaker 1>role pre roles weren't even a thing. It was just

0:18:15.359 --> 0:18:17.560
<v Speaker 1>a pop up they put in our videos. Our fans

0:18:17.600 --> 0:18:19.760
<v Speaker 1>freaked out, They're like, what is this garbage? Oh you

0:18:19.760 --> 0:18:22.080
<v Speaker 1>guys sold out, like, well, we need to do this

0:18:22.119 --> 0:18:24.640
<v Speaker 1>if we're going to continue to create videos, and and

0:18:24.680 --> 0:18:28.480
<v Speaker 1>at that time, like the audiences didn't really have an

0:18:28.560 --> 0:18:32.720
<v Speaker 1>understanding of, oh, if they want to keep creating content,

0:18:32.800 --> 0:18:36.560
<v Speaker 1>they actually need to make money doing this. Now everyone understands,

0:18:36.720 --> 0:18:40.680
<v Speaker 1>and now like audiences are excited when they see YouTubers

0:18:40.800 --> 0:18:44.840
<v Speaker 1>or instagrammers or even tiktoker's get brand deals. They're like,

0:18:44.840 --> 0:18:47.159
<v Speaker 1>they're like, yeah, get that money, get that money. But

0:18:47.320 --> 0:18:51.040
<v Speaker 1>for probably the first six years or maybe even beyond that,

0:18:51.119 --> 0:18:53.840
<v Speaker 1>whenever we did a brand deal, we just got shipped

0:18:53.880 --> 0:18:56.320
<v Speaker 1>on all the time. Was it the nature of the

0:18:56.359 --> 0:18:58.560
<v Speaker 1>brand or was it any time you did a brand

0:18:58.640 --> 0:19:01.760
<v Speaker 1>Because I could see if a brand was like completely unaligned,

0:19:02.040 --> 0:19:04.040
<v Speaker 1>people being like, why are you doing a Tampax? Not

0:19:04.080 --> 0:19:08.480
<v Speaker 1>that did that, I mean, but if they came and

0:19:08.520 --> 0:19:10.600
<v Speaker 1>they you know, had some good you know, we we

0:19:10.600 --> 0:19:13.439
<v Speaker 1>we toss some good creative back at them. Tampax hit

0:19:13.480 --> 0:19:14.919
<v Speaker 1>us up. And I feel like, if there's somebody that

0:19:14.920 --> 0:19:17.840
<v Speaker 1>could pull it off, I would be you guys. I

0:19:17.840 --> 0:19:20.720
<v Speaker 1>think it's you know, also, some some people were very

0:19:20.760 --> 0:19:23.240
<v Speaker 1>young and don't understand that. You know, when you leave

0:19:23.280 --> 0:19:25.520
<v Speaker 1>your parents house, you need to make money. And I

0:19:25.560 --> 0:19:27.520
<v Speaker 1>think you know to to a degree, like a lot

0:19:27.560 --> 0:19:29.960
<v Speaker 1>of the things we're doing are brand integrations, which at

0:19:29.960 --> 0:19:32.959
<v Speaker 1>that time nobody had really done on YouTube. Obviously, like

0:19:33.119 --> 0:19:36.119
<v Speaker 1>television does it. You know, American Idol has a Coca

0:19:36.200 --> 0:19:39.080
<v Speaker 1>Cola cup next to them, But also a lot of

0:19:39.119 --> 0:19:44.520
<v Speaker 1>those companies didn't trust online brands to get their message

0:19:44.520 --> 0:19:47.399
<v Speaker 1>across well. So a lot of the messaging that we

0:19:47.480 --> 0:19:50.640
<v Speaker 1>had to put into videos was insane, like you have

0:19:50.760 --> 0:19:52.600
<v Speaker 1>to say this slogan and you have to do this,

0:19:52.640 --> 0:19:54.120
<v Speaker 1>and you have to do that, and it's like at

0:19:54.160 --> 0:19:56.480
<v Speaker 1>that time, a lot of brands didn't understand like no,

0:19:56.840 --> 0:20:01.119
<v Speaker 1>like allow this person to work your and into the

0:20:01.200 --> 0:20:05.000
<v Speaker 1>creative rather than forcing them to create what's essentially a commercial.

0:20:05.160 --> 0:20:07.560
<v Speaker 1>I cannot relate more. I'm not going to name the company.

0:20:07.560 --> 0:20:09.560
<v Speaker 1>I was working for a company that they did a

0:20:09.600 --> 0:20:13.160
<v Speaker 1>deal with Turbo Tax, which I'm on a red carpet

0:20:13.240 --> 0:20:15.879
<v Speaker 1>for the Grammys, and they're like, work in Turbo Tax.

0:20:15.920 --> 0:20:19.000
<v Speaker 1>I'm like, what do you fucking mean? They so then

0:20:19.040 --> 0:20:22.000
<v Speaker 1>I was like, so have you done your taxes? Miley

0:20:22.200 --> 0:20:25.560
<v Speaker 1>cyrus like it was just and the way that they want,

0:20:26.000 --> 0:20:28.399
<v Speaker 1>you know, And then they didn't. They weren't thinking ahead.

0:20:28.400 --> 0:20:30.760
<v Speaker 1>And I think it's really great that they do trust

0:20:30.800 --> 0:20:33.240
<v Speaker 1>content creators, but trust content creators to come up with

0:20:33.280 --> 0:20:35.600
<v Speaker 1>a creative way to do it because but I also

0:20:35.640 --> 0:20:38.280
<v Speaker 1>think in everyone's defense, it was such a new concept,

0:20:38.400 --> 0:20:40.960
<v Speaker 1>and I just remember being so uncomfortable being like a

0:20:41.000 --> 0:20:42.920
<v Speaker 1>little way and have you done your taxes? I mean,

0:20:42.920 --> 0:20:45.439
<v Speaker 1>I'm not saying you didn't, but have you? It was

0:20:45.480 --> 0:20:48.359
<v Speaker 1>just awkward, and I just remember being in these awful

0:20:48.440 --> 0:20:52.480
<v Speaker 1>situations with these brands. Turbo tax scarred me a little. Yeah,

0:20:52.720 --> 0:20:55.720
<v Speaker 1>shout out, I don't blame you. Yeah, we had some

0:20:55.800 --> 0:20:57.880
<v Speaker 1>pretty bad ones. And it was also just like they

0:20:57.880 --> 0:21:01.159
<v Speaker 1>were very controlling about the creative and they'll be like

0:21:01.480 --> 0:21:04.199
<v Speaker 1>silly violent things that would happen in our videos, and

0:21:04.200 --> 0:21:06.879
<v Speaker 1>they'd be like, oh, I'm sorry, could the lawn flamingo

0:21:07.000 --> 0:21:10.000
<v Speaker 1>not hit her in the head. You're like, no, it

0:21:10.040 --> 0:21:12.320
<v Speaker 1>has to hit her on that. Yeah, that's just too violent.

0:21:12.520 --> 0:21:14.359
<v Speaker 1>That's too violent. I'm sorry, Like, we don't want to

0:21:14.359 --> 0:21:16.720
<v Speaker 1>promote violence. So it's just we we had to deal

0:21:16.760 --> 0:21:18.800
<v Speaker 1>with a lot of that garbage. And I feel like

0:21:18.960 --> 0:21:21.480
<v Speaker 1>brands are a little bit better now and they trust

0:21:21.560 --> 0:21:23.520
<v Speaker 1>the creators a little bit more, and now they just

0:21:23.680 --> 0:21:26.520
<v Speaker 1>if they want to market their product to young people.

0:21:27.040 --> 0:21:30.359
<v Speaker 1>They have to work with us because they're not watching television.

0:21:31.119 --> 0:21:34.120
<v Speaker 1>We are the only option for these companies. And someone

0:21:34.160 --> 0:21:37.520
<v Speaker 1>would much rather watch you throw a flamingo at someone's

0:21:37.560 --> 0:21:40.159
<v Speaker 1>head to sell a product than like some I'm being like,

0:21:40.200 --> 0:21:42.359
<v Speaker 1>you should get this product. It just it doesn't work

0:21:42.400 --> 0:21:45.000
<v Speaker 1>if they're smart. But I mean not every not everybody's

0:21:45.000 --> 0:21:47.280
<v Speaker 1>there yet. I think brands are definitely coming around. I'm

0:21:47.280 --> 0:21:50.760
<v Speaker 1>seeing brands really trust content creators, especially on Instagram, these

0:21:50.800 --> 0:21:53.080
<v Speaker 1>like short little videos and people are able to make

0:21:53.160 --> 0:21:55.639
<v Speaker 1>up their own sketches to promote whatever. I'm seeing that

0:21:55.720 --> 0:21:58.400
<v Speaker 1>a lot, and it's very refreshing. But you're right, there's

0:21:58.400 --> 0:22:01.200
<v Speaker 1>a lot of brands it's still probably don't fully get

0:22:01.240 --> 0:22:03.400
<v Speaker 1>it yet. A lot of the bigger brands are still

0:22:03.560 --> 0:22:06.800
<v Speaker 1>very concerned about this idea of Middle America where they

0:22:06.840 --> 0:22:09.879
<v Speaker 1>think that everybody in quote unquote Middle America is this

0:22:10.040 --> 0:22:14.600
<v Speaker 1>sort of like very delicate, you know, very religious, like

0:22:14.720 --> 0:22:18.320
<v Speaker 1>if they say anything about violence or sex, like they're

0:22:18.359 --> 0:22:21.000
<v Speaker 1>gonna leave this brand forever. And it's like, no, they're

0:22:21.040 --> 0:22:25.040
<v Speaker 1>just people, but they're very concerned about offending. If anything,

0:22:25.080 --> 0:22:28.680
<v Speaker 1>I think people are so unaffected now and people want

0:22:28.880 --> 0:22:32.399
<v Speaker 1>fun and a little bit more just lighthearted stuff. I think,

0:22:32.680 --> 0:22:35.760
<v Speaker 1>and especially I think the people that you're targeting the millennials.

0:22:35.920 --> 0:22:39.440
<v Speaker 1>I love that term, but you know, you influence the millennial,

0:22:39.480 --> 0:22:42.000
<v Speaker 1>the people that spend the most money. Those people they

0:22:42.040 --> 0:22:43.960
<v Speaker 1>want to see you doing it, so you start getting

0:22:43.960 --> 0:22:46.960
<v Speaker 1>brand deals, money is coming in, you're dealing with content.

0:22:47.320 --> 0:22:50.439
<v Speaker 1>This was still just you and Anthony at this point, right,

0:22:50.480 --> 0:22:53.480
<v Speaker 1>we're still the faces we started on. One of the

0:22:53.520 --> 0:22:55.720
<v Speaker 1>other things that that Barry was kind of pushing for

0:22:55.880 --> 0:22:59.560
<v Speaker 1>is early YouTube, you're doing everything yourself. There's nobody that

0:22:59.600 --> 0:23:02.439
<v Speaker 1>was really building a business off of YouTube. There's no

0:23:02.480 --> 0:23:05.399
<v Speaker 1>sort of guidelines on what's a healthy way to work

0:23:05.440 --> 0:23:08.920
<v Speaker 1>on online. Every YouTuber is working seven days a week,

0:23:09.080 --> 0:23:11.680
<v Speaker 1>fourteen hours a day. And Barry was one of those

0:23:11.680 --> 0:23:14.280
<v Speaker 1>people that's like, you need to treat this like a job,

0:23:14.600 --> 0:23:17.160
<v Speaker 1>and in in that way, you're taking the weekends off,

0:23:17.400 --> 0:23:20.560
<v Speaker 1>you're hiring people to help you. The moment we did that,

0:23:20.720 --> 0:23:23.800
<v Speaker 1>we found a remarkable increase in in our sanity, and

0:23:23.800 --> 0:23:26.639
<v Speaker 1>I think that's something that like I have always tried

0:23:26.720 --> 0:23:29.679
<v Speaker 1>to preach to other YouTubers. I'm like, the moment you

0:23:29.720 --> 0:23:32.840
<v Speaker 1>make any sort of extra income, like put the workload

0:23:32.920 --> 0:23:36.040
<v Speaker 1>onto somebody else that can help you create content, whether

0:23:36.080 --> 0:23:40.240
<v Speaker 1>it's editing, or whether it's an assistant or whether it's

0:23:40.240 --> 0:23:43.000
<v Speaker 1>a producer, like anybody that can take that workload off

0:23:43.160 --> 0:23:46.159
<v Speaker 1>off what you're doing. Artists are very controlling about the

0:23:46.160 --> 0:23:49.560
<v Speaker 1>thing they're putting out, so they have this mindset that like, oh,

0:23:49.600 --> 0:23:51.600
<v Speaker 1>but nobody can do it like me, And that's just

0:23:51.640 --> 0:23:53.879
<v Speaker 1>not the truth for a lot of YouTube content, a

0:23:53.920 --> 0:23:55.919
<v Speaker 1>lot of people like I just can't find an editor

0:23:56.080 --> 0:23:58.720
<v Speaker 1>that understands what I'm doing, Like, I just I just

0:23:58.760 --> 0:24:01.080
<v Speaker 1>can't do that. It's like, there's a lot of very

0:24:01.080 --> 0:24:03.399
<v Speaker 1>talented people out there, and like, as long as you

0:24:03.440 --> 0:24:05.919
<v Speaker 1>just stay with them and teach them the sort of

0:24:05.920 --> 0:24:08.520
<v Speaker 1>way that you create content, they can get there. Was

0:24:08.560 --> 0:24:11.480
<v Speaker 1>it hard for you, guys? Obviously you're starting to hire people.

0:24:11.960 --> 0:24:14.840
<v Speaker 1>You edited your own stuff from the beginning of time.

0:24:14.960 --> 0:24:17.040
<v Speaker 1>Now other people are editing your content. Was that like

0:24:17.080 --> 0:24:18.760
<v Speaker 1>a hard thing because it is hard to let go,

0:24:18.840 --> 0:24:20.960
<v Speaker 1>like you said, if you're creative, Was it hard for

0:24:21.000 --> 0:24:24.800
<v Speaker 1>you and were there any challenges with becoming bigger because

0:24:24.840 --> 0:24:26.760
<v Speaker 1>in a sense now you have very involved it's not

0:24:26.840 --> 0:24:29.400
<v Speaker 1>just you and Anthony sitting at a table collaborating saying

0:24:29.400 --> 0:24:32.000
<v Speaker 1>we want to do this, there's people invested in involved

0:24:32.560 --> 0:24:35.280
<v Speaker 1>that have an effect on your content. Was that hard

0:24:35.280 --> 0:24:38.160
<v Speaker 1>for you as far as the creative and writing process goes,

0:24:38.320 --> 0:24:42.040
<v Speaker 1>we were. We were writing everything for the first maybe

0:24:43.000 --> 0:24:48.040
<v Speaker 1>five for six years, so creatively we were still we

0:24:48.119 --> 0:24:53.320
<v Speaker 1>still had control. As it went on and as the

0:24:53.440 --> 0:24:57.480
<v Speaker 1>channel expanded, we couldn't do everything, so we hired an editor,

0:24:57.920 --> 0:25:01.119
<v Speaker 1>and then later on when we started doing another channel,

0:25:01.359 --> 0:25:05.080
<v Speaker 1>we hired a writer who's actually still with us, so

0:25:05.119 --> 0:25:07.879
<v Speaker 1>he's been with us for about nine years. I really

0:25:08.440 --> 0:25:11.720
<v Speaker 1>believe in collaboration. I don't think I have the best ideas.

0:25:11.920 --> 0:25:15.520
<v Speaker 1>I think I have ideas, but I'm perfectly okay with

0:25:15.520 --> 0:25:17.760
<v Speaker 1>with passing them by somebody and say, hey, is this

0:25:17.880 --> 0:25:19.760
<v Speaker 1>a good idea or is this a shit idea? And

0:25:19.800 --> 0:25:22.160
<v Speaker 1>if they're like shit idea and they can explain why,

0:25:22.320 --> 0:25:24.840
<v Speaker 1>then I'm okay with that. And for me, I think

0:25:24.920 --> 0:25:27.040
<v Speaker 1>that collaborating with people is only going to create a

0:25:27.040 --> 0:25:35.200
<v Speaker 1>better product unless you're a genius than unless you're Kanye West. Yeah, yeah, sure, sure,

0:25:36.040 --> 0:25:40.800
<v Speaker 1>no comment, but I think, you know, I think in

0:25:40.840 --> 0:25:44.600
<v Speaker 1>most cases, collaboration never hurts, or at least never hurts

0:25:44.640 --> 0:25:47.320
<v Speaker 1>to run it by a second opinion, I couldn't agree

0:25:47.359 --> 0:25:50.080
<v Speaker 1>with you more so. I read an article actually that

0:25:50.560 --> 0:25:52.760
<v Speaker 1>said that on multiple occasions, I think it was like

0:25:52.880 --> 0:25:56.240
<v Speaker 1>three or four different time periods between like two thousand

0:25:56.200 --> 0:25:58.480
<v Speaker 1>and eight and two thousand and fifteen, Smash was the

0:25:58.560 --> 0:26:02.000
<v Speaker 1>number one most subscribe to channel on YouTube. Do you

0:26:02.040 --> 0:26:05.040
<v Speaker 1>pinch yourself when you think about that, because it's massive,

0:26:05.240 --> 0:26:08.480
<v Speaker 1>especially as we get later in time like two, when

0:26:08.480 --> 0:26:11.880
<v Speaker 1>there are so many content creators and so many YouTube channels.

0:26:12.000 --> 0:26:16.680
<v Speaker 1>What do you think attributed to this consistency and success? Yeah,

0:26:17.119 --> 0:26:19.320
<v Speaker 1>I think the thing is we were always doing the

0:26:19.359 --> 0:26:22.320
<v Speaker 1>content that we wanted to do at the time. We

0:26:22.320 --> 0:26:25.560
<v Speaker 1>were never chasing trends. Like the reason why we hit

0:26:25.760 --> 0:26:29.880
<v Speaker 1>the most subscribed four times was because a certain trend

0:26:29.880 --> 0:26:32.879
<v Speaker 1>would hit or YouTube would shift an algorithm. Then a

0:26:33.000 --> 0:26:37.000
<v Speaker 1>creator would get this crazy bump, crazy bumping views, crazy

0:26:37.040 --> 0:26:40.760
<v Speaker 1>bumping subs. Then they would rise above everyone else, and

0:26:40.800 --> 0:26:43.560
<v Speaker 1>then the algorithm would shift or trend would shift, and

0:26:43.560 --> 0:26:46.400
<v Speaker 1>then their content would no longer be favored, so then

0:26:46.840 --> 0:26:49.320
<v Speaker 1>they would maybe sort of drop out of favor. But

0:26:49.359 --> 0:26:52.600
<v Speaker 1>we were always just constant, which is remarkable because it's

0:26:52.640 --> 0:26:55.600
<v Speaker 1>not just like, oh, you guys took over two thousand eight.

0:26:55.680 --> 0:26:59.440
<v Speaker 1>It was like to be able to consistently be at

0:26:59.480 --> 0:27:03.160
<v Speaker 1>the top, you've got to be evolving NonStop and knowing

0:27:03.200 --> 0:27:05.840
<v Speaker 1>what your viewers want because your viewers are also growing,

0:27:05.880 --> 0:27:08.000
<v Speaker 1>and so there's this like balance of like what do

0:27:08.080 --> 0:27:10.679
<v Speaker 1>we want to do as creators because you're evolving, and

0:27:10.720 --> 0:27:12.720
<v Speaker 1>then what do our fans want? It has to be

0:27:12.760 --> 0:27:15.320
<v Speaker 1>such a hard thing to balance and figure out, like

0:27:15.359 --> 0:27:17.760
<v Speaker 1>what the secret sauces in a sense, But you guys

0:27:17.840 --> 0:27:21.240
<v Speaker 1>figured it out. I mean, I mean, there's the algorithm

0:27:21.240 --> 0:27:24.000
<v Speaker 1>is always shifting, so it's it's never it's never like,

0:27:24.040 --> 0:27:27.359
<v Speaker 1>oh we figured it out, We're good forever exactly. It's like,

0:27:27.400 --> 0:27:30.040
<v Speaker 1>you know, every once in a while, we'll have something

0:27:30.160 --> 0:27:32.640
<v Speaker 1>that will that will hit and will be like, oh, okay,

0:27:32.800 --> 0:27:35.600
<v Speaker 1>that works, so then let's kind of keep going down

0:27:35.680 --> 0:27:38.840
<v Speaker 1>that route. But there's obviously people right now that are

0:27:39.080 --> 0:27:42.159
<v Speaker 1>killing the game, killing it way more than us, Like

0:27:42.200 --> 0:27:44.879
<v Speaker 1>we just look like little teeny tiny tadpoles compared to

0:27:44.920 --> 0:27:47.439
<v Speaker 1>them because they've figured it out. But do you think

0:27:47.480 --> 0:27:51.000
<v Speaker 1>it's a temporary figured it out? Like I think I

0:27:51.000 --> 0:27:53.160
<v Speaker 1>think as long as as long as they're savvy, then

0:27:53.280 --> 0:27:56.640
<v Speaker 1>then they could probably stay up there forever as long

0:27:56.680 --> 0:27:59.479
<v Speaker 1>as the YouTube keeps favoring that content. But you know,

0:27:59.600 --> 0:28:02.680
<v Speaker 1>YouTube gets something like three hours of video every second

0:28:02.760 --> 0:28:05.320
<v Speaker 1>or something like that, So what you see on YouTube

0:28:05.440 --> 0:28:08.240
<v Speaker 1>is just this teeny tiny little tip of the iceberg

0:28:08.760 --> 0:28:12.120
<v Speaker 1>above like all the other stuff on YouTube. So I've

0:28:12.119 --> 0:28:15.560
<v Speaker 1>always kind of, you know, had this this mentality that

0:28:15.640 --> 0:28:18.240
<v Speaker 1>it could be over the next day. That's why we

0:28:18.440 --> 0:28:21.080
<v Speaker 1>had always put focus on our website because we're like, okay,

0:28:21.119 --> 0:28:23.920
<v Speaker 1>we can at least control whatever happens on the website.

0:28:23.960 --> 0:28:28.480
<v Speaker 1>We own that we own, you know, anything that happens there. Nowadays,

0:28:28.760 --> 0:28:32.600
<v Speaker 1>you know, the sort of landscape online is completely shifted.

0:28:32.760 --> 0:28:35.120
<v Speaker 1>Like you don't go to websites anymore. How many websites

0:28:35.160 --> 0:28:38.640
<v Speaker 1>do you go to that aren't Twitter, Facebook, Instagram, YouTube,

0:28:38.800 --> 0:28:40.440
<v Speaker 1>And you're not even you're going to the app on

0:28:40.480 --> 0:28:43.840
<v Speaker 1>your phone. You're not even like actually going to website. Right, Yeah,

0:28:43.880 --> 0:28:48.120
<v Speaker 1>websites are irrelevant now. It's it's become completely whittled down

0:28:48.200 --> 0:28:51.880
<v Speaker 1>to a few social media sites, in my opinion, So

0:28:52.120 --> 0:28:54.960
<v Speaker 1>our strategy of build the website that that became less

0:28:55.000 --> 0:28:56.840
<v Speaker 1>and less relevant as it went on, So like, okay,

0:28:56.880 --> 0:28:59.640
<v Speaker 1>we just need to focus on social media. Then unfortunately

0:28:59.640 --> 0:29:02.080
<v Speaker 1>you don't. We don't own that. So it's just kind

0:29:02.120 --> 0:29:05.320
<v Speaker 1>of like our strategy has always been, like, don't discount

0:29:05.600 --> 0:29:07.960
<v Speaker 1>the other social media, like don't put all your eggs

0:29:07.960 --> 0:29:12.080
<v Speaker 1>in one basket. Don't mean yeah, don't be just a YouTuber,

0:29:12.240 --> 0:29:14.400
<v Speaker 1>like also be on Facebook. Like we get a ton

0:29:14.440 --> 0:29:17.000
<v Speaker 1>of yous on Facebook. We're also on Twitter and Instagram,

0:29:17.040 --> 0:29:20.240
<v Speaker 1>not quite on Snapchat, you guys dabble and twitch at all. Well,

0:29:20.280 --> 0:29:24.080
<v Speaker 1>the thing with twitches that Twitch is in a weird

0:29:24.200 --> 0:29:25.960
<v Speaker 1>kind of place and that if you want to be

0:29:26.000 --> 0:29:29.280
<v Speaker 1>a prolific person on Twitch, you have to be able

0:29:29.320 --> 0:29:33.600
<v Speaker 1>to stream something like five hours a day. I mean

0:29:33.680 --> 0:29:36.600
<v Speaker 1>you have to consistently be on Twitch to even for

0:29:36.680 --> 0:29:39.120
<v Speaker 1>anyone to even notice you. We've had good meetings with

0:29:39.200 --> 0:29:41.160
<v Speaker 1>the people at Twitch, and I think it's an awesome

0:29:41.200 --> 0:29:44.120
<v Speaker 1>platform and I love for us to be on it,

0:29:44.240 --> 0:29:45.800
<v Speaker 1>Like I'd love to find a way for us to

0:29:45.800 --> 0:29:48.720
<v Speaker 1>be on it, But if it's gonna take me being

0:29:48.800 --> 0:29:51.520
<v Speaker 1>on Twitch for five hours a day, three times a week,

0:29:51.680 --> 0:29:53.960
<v Speaker 1>I just physically can't do that with all the other

0:29:53.960 --> 0:29:56.360
<v Speaker 1>stuff we do. So I totally believe in Twitch and

0:29:56.400 --> 0:29:59.160
<v Speaker 1>I think it's a great platform. I'm interested to see

0:29:59.320 --> 0:30:02.800
<v Speaker 1>what happened with the sort of public opinion on the

0:30:02.800 --> 0:30:05.120
<v Speaker 1>creators on there, because I think I think a lot

0:30:05.160 --> 0:30:07.560
<v Speaker 1>of the creators on there being worked to the bone.

0:30:07.800 --> 0:30:10.120
<v Speaker 1>I mean just in the news this week with streamers

0:30:10.120 --> 0:30:12.560
<v Speaker 1>and people who are in competitive gaming, like all the

0:30:12.600 --> 0:30:15.080
<v Speaker 1>news that came out with bass Plan and it's a

0:30:15.080 --> 0:30:17.600
<v Speaker 1>whole world for sure. The thing I love about Twitch,

0:30:17.600 --> 0:30:19.320
<v Speaker 1>and I'm sure this is one of the reasons you

0:30:19.360 --> 0:30:21.880
<v Speaker 1>love it, is the real time interaction with your fans

0:30:22.320 --> 0:30:24.360
<v Speaker 1>that like, you can't beat that. But I know that

0:30:24.400 --> 0:30:27.160
<v Speaker 1>you guys do interact and you have engagement on YouTube,

0:30:27.200 --> 0:30:29.560
<v Speaker 1>and I'm sure you do Facebook lives and things like that,

0:30:29.680 --> 0:30:32.360
<v Speaker 1>but allow you to connect. But you would think, because

0:30:32.560 --> 0:30:36.040
<v Speaker 1>you guys do fall into the gaming category that it

0:30:36.080 --> 0:30:40.720
<v Speaker 1>would be a natural but not. It's it's a little

0:30:40.800 --> 0:30:43.560
<v Speaker 1>it's different for us because we've never been about competitive

0:30:43.600 --> 0:30:46.480
<v Speaker 1>gaming exactly. So like a lot of times brands will

0:30:46.480 --> 0:30:48.800
<v Speaker 1>come to us and they'll be like, so smash e

0:30:48.960 --> 0:30:51.840
<v Speaker 1>Sports and we're like, no, like have you seen my content?

0:30:52.600 --> 0:30:55.040
<v Speaker 1>Like so we have Smash Games, which is another channel

0:30:55.080 --> 0:30:57.280
<v Speaker 1>that we have and that's our that's our gaming stuff.

0:30:57.600 --> 0:31:00.760
<v Speaker 1>But none of us are good gamers were our sort

0:31:00.760 --> 0:31:04.040
<v Speaker 1>of outlook on gaming. For for Smashes, it's it's a

0:31:04.080 --> 0:31:07.560
<v Speaker 1>group of friends having fun and that's that's how it's

0:31:07.560 --> 0:31:10.120
<v Speaker 1>always been. And none of us are particularly good at it.

0:31:10.240 --> 0:31:13.440
<v Speaker 1>That's one side of twitches, like people that competitively play,

0:31:13.480 --> 0:31:15.680
<v Speaker 1>people that are good. You have the Ninjas and the

0:31:15.760 --> 0:31:19.080
<v Speaker 1>te Fews of the world. That's definitely not us, and

0:31:19.120 --> 0:31:21.920
<v Speaker 1>I think there's there's obviously room for both. You were

0:31:21.960 --> 0:31:25.800
<v Speaker 1>talking about how you in your head always said this

0:31:25.840 --> 0:31:27.960
<v Speaker 1>could end any day, and there have been some close

0:31:28.000 --> 0:31:30.320
<v Speaker 1>calls in the career who got a touch on it,

0:31:30.840 --> 0:31:34.520
<v Speaker 1>but you're still going strong. You specifically are still you know,

0:31:34.640 --> 0:31:38.640
<v Speaker 1>carrying out the Smash legacy. Anthony is no longer um

0:31:38.640 --> 0:31:40.600
<v Speaker 1>a part of the brand, but still very close friend

0:31:40.640 --> 0:31:42.800
<v Speaker 1>of yours. Can you just for people who may not

0:31:43.120 --> 0:31:45.280
<v Speaker 1>be aware of there were things in the last I

0:31:45.280 --> 0:31:47.920
<v Speaker 1>would say like five years that affected the brand and

0:31:48.360 --> 0:31:52.200
<v Speaker 1>how you kind of ruled with those times. So yeah,

0:31:52.200 --> 0:31:54.040
<v Speaker 1>I say five years is probably a good a good

0:31:54.200 --> 0:31:56.960
<v Speaker 1>distance to go back. So you know, one of our

0:31:57.440 --> 0:32:00.360
<v Speaker 1>big direction we want to go Smash was grows Smash

0:32:00.400 --> 0:32:03.800
<v Speaker 1>beyond Anthony and myself sort of the idea that I

0:32:03.800 --> 0:32:06.680
<v Speaker 1>had always had is you know, you look at Smash

0:32:06.720 --> 0:32:10.880
<v Speaker 1>like a Saturday Night Live that has a cast of talent,

0:32:11.120 --> 0:32:14.560
<v Speaker 1>we would be the sort of Lauren Michaels of the

0:32:14.600 --> 0:32:17.520
<v Speaker 1>Saturday Night Live. And that's the direction that I've always

0:32:17.560 --> 0:32:19.680
<v Speaker 1>wanted to go. I don't think I need to be

0:32:19.800 --> 0:32:23.120
<v Speaker 1>the star of the channel forever, and I still want

0:32:23.120 --> 0:32:25.960
<v Speaker 1>to be heavily involved. But I think, you know, if

0:32:26.000 --> 0:32:28.000
<v Speaker 1>if you look at our content now, we have people

0:32:28.360 --> 0:32:31.880
<v Speaker 1>like Shane Top, Courtney Miller, Olivia Sway Like, it's just

0:32:32.000 --> 0:32:35.160
<v Speaker 1>incredibly talented people and they bring something to the table

0:32:35.320 --> 0:32:38.480
<v Speaker 1>that I can't bring. You built that table, you better

0:32:38.520 --> 0:32:41.720
<v Speaker 1>not forget it. But like I'm I'm also just like

0:32:41.800 --> 0:32:47.200
<v Speaker 1>a white guy from suburban Surprise, I'm just a white

0:32:47.240 --> 0:32:50.640
<v Speaker 1>dude from suburban northern California. Like I, I have a

0:32:50.640 --> 0:32:53.880
<v Speaker 1>certain life experience that I can draw from. But the

0:32:53.920 --> 0:32:56.840
<v Speaker 1>beauty of comedy is that it comes from life experience.

0:32:56.920 --> 0:32:59.560
<v Speaker 1>So I can only tell one side of comedy. So

0:32:59.600 --> 0:33:01.800
<v Speaker 1>if I can bring in people from all walks of

0:33:01.880 --> 0:33:05.520
<v Speaker 1>life to tell their sort of side, than that's representing

0:33:05.920 --> 0:33:08.480
<v Speaker 1>more of the country or the world. All these people

0:33:08.480 --> 0:33:12.240
<v Speaker 1>started joining on, you guys get acquired a couple of times, right,

0:33:12.280 --> 0:33:15.760
<v Speaker 1>I mean, not specifically Smash, but through changing hands a

0:33:15.800 --> 0:33:18.480
<v Speaker 1>few times. Can you talk us through the different companies

0:33:18.520 --> 0:33:21.120
<v Speaker 1>that you kind of had to associate with along the

0:33:21.120 --> 0:33:23.400
<v Speaker 1>way and then severed ties with Yeah. So I think

0:33:23.560 --> 0:33:26.640
<v Speaker 1>the very very first thing was we we needed to

0:33:26.680 --> 0:33:30.640
<v Speaker 1>grow beyond what we were capable of becoming on our own.

0:33:30.880 --> 0:33:36.040
<v Speaker 1>So in two thousand leven I think, we sold Smash

0:33:36.160 --> 0:33:39.120
<v Speaker 1>to a company called Alloy Digital, and they were a

0:33:39.120 --> 0:33:43.920
<v Speaker 1>company that they were starting to acquire other digital entertainment properties,

0:33:44.040 --> 0:33:46.520
<v Speaker 1>one of which you know very well, Clever, which was

0:33:46.560 --> 0:33:49.280
<v Speaker 1>an entertainment news company. So for us, it was it

0:33:49.320 --> 0:33:52.240
<v Speaker 1>was a chance to be part of something bigger than ourselves.

0:33:52.640 --> 0:33:55.880
<v Speaker 1>And it was obviously a risk, but every choice in

0:33:55.960 --> 0:33:59.560
<v Speaker 1>business is a risk, and at the beginning it seemed

0:33:59.600 --> 0:34:03.120
<v Speaker 1>like a really good idea. Obviously, they helped us grow

0:34:03.320 --> 0:34:05.760
<v Speaker 1>to a point that we couldn't have gotten to ourselves.

0:34:05.800 --> 0:34:07.640
<v Speaker 1>So I'm not saying it was all a bad thing.

0:34:07.920 --> 0:34:10.319
<v Speaker 1>I think that they helped us greatly, and I mean

0:34:10.360 --> 0:34:13.000
<v Speaker 1>we're we're paid just fine doing it, so it's like

0:34:13.239 --> 0:34:16.359
<v Speaker 1>it wasn't a totally bad bet. So eventually Alloy then

0:34:16.440 --> 0:34:20.600
<v Speaker 1>merged with Break Media, famous for the break website, which

0:34:20.680 --> 0:34:23.239
<v Speaker 1>was at the time just uh. It was a lot

0:34:23.280 --> 0:34:25.279
<v Speaker 1>of like, oh, here's a girl in a bikini. That

0:34:25.320 --> 0:34:28.400
<v Speaker 1>was kind of their business model. I think I'm not

0:34:28.440 --> 0:34:31.200
<v Speaker 1>the biggest fan of that content. But so anyway, they

0:34:31.520 --> 0:34:37.080
<v Speaker 1>merged and became Defy Media. Then they would acquire more brands,

0:34:37.360 --> 0:34:40.200
<v Speaker 1>and I was like, okay, that's fine. They they gave

0:34:40.280 --> 0:34:43.480
<v Speaker 1>us so much creative freedom to do what we wanted

0:34:43.520 --> 0:34:47.000
<v Speaker 1>to do. They didn't meddle in that side of our business,

0:34:47.040 --> 0:34:50.279
<v Speaker 1>so in that respect they were great. Apparently they made

0:34:50.320 --> 0:34:56.840
<v Speaker 1>some bad business, bad business decisions, and the company effectively collapsed,

0:34:57.400 --> 0:35:00.000
<v Speaker 1>which left Smash in a weird place because I didn't

0:35:00.040 --> 0:35:03.480
<v Speaker 1>known it anymore, but it was no longer in their possession.

0:35:03.600 --> 0:35:07.680
<v Speaker 1>There was a moment in time late last year that

0:35:07.840 --> 0:35:11.719
<v Speaker 1>I didn't know if Smash was going to continue. Somebody

0:35:11.880 --> 0:35:15.719
<v Speaker 1>very wonderful at Defy gave me access to the logins

0:35:15.880 --> 0:35:20.440
<v Speaker 1>to the YouTube channels during the downtime. Legally was they

0:35:20.520 --> 0:35:22.880
<v Speaker 1>don't know. I think I think for I think it

0:35:23.000 --> 0:35:27.640
<v Speaker 1>was wise for all parties to allow us to create

0:35:27.640 --> 0:35:30.680
<v Speaker 1>content and keep the channel alive. Because the bank that

0:35:30.760 --> 0:35:35.880
<v Speaker 1>was selling the properties obviously they don't want a depreciating assets,

0:35:35.880 --> 0:35:39.120
<v Speaker 1>so for us to continue to create content and keep

0:35:39.160 --> 0:35:42.520
<v Speaker 1>the brand alive, that's just you were. You were creating content,

0:35:43.040 --> 0:35:46.359
<v Speaker 1>not getting paid, just just hoping to keep this thing

0:35:46.400 --> 0:35:49.720
<v Speaker 1>alive what you did. So, I think that's really interesting.

0:35:49.760 --> 0:35:52.440
<v Speaker 1>I didn't know that people were getting paid and people

0:35:52.480 --> 0:35:55.640
<v Speaker 1>actually put in a lot of work. Are our longtime

0:35:55.680 --> 0:35:58.640
<v Speaker 1>director Ryan Todd, who has been with us for ten years,

0:35:58.800 --> 0:36:01.960
<v Speaker 1>he's living up in Acrimento. He was flying down to

0:36:02.080 --> 0:36:05.200
<v Speaker 1>help us shoot these videos with no pay on his

0:36:05.239 --> 0:36:09.279
<v Speaker 1>own dime. And our cast also not getting paid. They

0:36:09.320 --> 0:36:12.040
<v Speaker 1>were coming like we had some crew people, like longtime

0:36:12.040 --> 0:36:15.200
<v Speaker 1>crew people showing up to help us shoot. They're all

0:36:15.239 --> 0:36:17.319
<v Speaker 1>doing it for no pay. It was just like it

0:36:17.400 --> 0:36:19.399
<v Speaker 1>was a really cool thing to to sort of see

0:36:19.440 --> 0:36:22.120
<v Speaker 1>like this is something that we all put work into

0:36:22.320 --> 0:36:25.040
<v Speaker 1>and to see people you know, have a commitment to

0:36:25.120 --> 0:36:27.600
<v Speaker 1>it at that level is really really awesome. Well, it

0:36:27.640 --> 0:36:30.279
<v Speaker 1>goes to show that people really believed in the in

0:36:30.320 --> 0:36:32.960
<v Speaker 1>the brand and the product, right, I mean, you've been

0:36:32.960 --> 0:36:36.120
<v Speaker 1>in this for so long. They're basically saying we we

0:36:36.160 --> 0:36:38.319
<v Speaker 1>believe in your baby, and we don't want it to

0:36:38.360 --> 0:36:41.640
<v Speaker 1>go away. Yeah. Yeah, And I think yeah, everyone believed

0:36:41.680 --> 0:36:43.759
<v Speaker 1>in it, and they and they believed in what it

0:36:43.800 --> 0:36:48.359
<v Speaker 1>could still do in the future. So well it worked out. Yeah,

0:36:48.400 --> 0:36:50.640
<v Speaker 1>it worked out. I mean I I set out to

0:36:50.719 --> 0:36:53.400
<v Speaker 1>try to pull together investment to pull it out myself.

0:36:53.760 --> 0:36:57.480
<v Speaker 1>The timeline was too crazy for that. And then last minute,

0:36:57.520 --> 0:37:00.640
<v Speaker 1>Retton Link stepped up. Retten Link, who are also long

0:37:00.800 --> 0:37:04.680
<v Speaker 1>time YouTubers. They run a show called Good Mythical Morning.

0:37:05.080 --> 0:37:07.800
<v Speaker 1>They are also childhood friends like Anthony and myself, and

0:37:07.880 --> 0:37:11.640
<v Speaker 1>they stepped up and they acquired Smash and it's been really,

0:37:11.680 --> 0:37:15.440
<v Speaker 1>really awesome. And now we can announce that Rhett in

0:37:15.640 --> 0:37:19.040
<v Speaker 1>Link have bought Smash and made us a part of

0:37:19.120 --> 0:37:22.200
<v Speaker 1>Mythical Entertainment, which we are so excited about because they

0:37:22.200 --> 0:37:26.439
<v Speaker 1>are creators helping creators. It really is an awesome thing.

0:37:26.680 --> 0:37:30.400
<v Speaker 1>We get to do whatever we want and we're super

0:37:30.480 --> 0:37:34.279
<v Speaker 1>super excited. That's so great. I mean, this is you

0:37:34.320 --> 0:37:36.799
<v Speaker 1>don't hear stories like the story of Smash, which is

0:37:36.800 --> 0:37:39.160
<v Speaker 1>why I really wanted you to come in, because you

0:37:39.200 --> 0:37:43.399
<v Speaker 1>guys defied every odd You stayed true to who you were.

0:37:43.840 --> 0:37:45.959
<v Speaker 1>You didn't kind of as we touched on, you didn't

0:37:46.040 --> 0:37:48.719
<v Speaker 1>roll with the trend. You kind of just stayed consistent,

0:37:48.800 --> 0:37:52.920
<v Speaker 1>and because of that consistency, you gained new fans. But

0:37:53.000 --> 0:37:56.000
<v Speaker 1>then I'm assuming a lot of your Day one fans

0:37:56.040 --> 0:37:58.240
<v Speaker 1>are still with you. There. There has to be, because

0:37:58.480 --> 0:38:01.960
<v Speaker 1>our demographics or I mean it's it's eighteen to twenty

0:38:01.960 --> 0:38:04.600
<v Speaker 1>four is the largest demo, but then the second largest

0:38:04.600 --> 0:38:07.200
<v Speaker 1>demo according to YouTube, And obviously I'm sure there's kids

0:38:07.239 --> 0:38:09.760
<v Speaker 1>are using their parents accounts, but our second largest demo

0:38:09.880 --> 0:38:13.080
<v Speaker 1>is thirty five, So those are like the Day one

0:38:13.239 --> 0:38:15.719
<v Speaker 1>I think, so. Yeah, So there's definitely there's definitely a

0:38:15.760 --> 0:38:18.759
<v Speaker 1>group of legacy viewers people have been watching since the

0:38:18.800 --> 0:38:22.000
<v Speaker 1>beginning or relatively since the beginning. And then there's the

0:38:22.040 --> 0:38:25.080
<v Speaker 1>people that are that are just now finding Smash. That's incredible.

0:38:25.480 --> 0:38:28.399
<v Speaker 1>And so Anthony is no longer with Smash. You guys

0:38:28.440 --> 0:38:30.799
<v Speaker 1>are still good friends, I assume, Yeah, we stay in touch.

0:38:30.920 --> 0:38:32.480
<v Speaker 1>Was it hard for you to make the decision to

0:38:32.560 --> 0:38:34.560
<v Speaker 1>stay or was that just not even an option not

0:38:34.680 --> 0:38:40.080
<v Speaker 1>to when your other half essentially leaves. Yeah, we definitely

0:38:40.120 --> 0:38:42.480
<v Speaker 1>talked about it because he he told me like, hey,

0:38:42.880 --> 0:38:46.080
<v Speaker 1>you know, thinking about leaving, and and he asked me

0:38:46.160 --> 0:38:47.480
<v Speaker 1>to keep it a secret for a little bit, what

0:38:47.760 --> 0:38:50.480
<v Speaker 1>for a little while, So he could sort of get prepared.

0:38:51.160 --> 0:38:55.480
<v Speaker 1>And obviously I honored that Anthony is leaving Smash. This

0:38:55.560 --> 0:38:59.160
<v Speaker 1>is not click bait, this is not a sketch. I

0:38:59.239 --> 0:39:03.120
<v Speaker 1>just need to do it's best for me, and that

0:39:03.320 --> 0:39:06.000
<v Speaker 1>right now for me is to focus on creating stuff

0:39:06.080 --> 0:39:09.839
<v Speaker 1>as an independent creator on my own channel. And that's

0:39:09.840 --> 0:39:13.279
<v Speaker 1>something that I fully support and I cannot wait to

0:39:13.400 --> 0:39:17.080
<v Speaker 1>see what Anthony goes out there and create some I'm

0:39:17.120 --> 0:39:20.200
<v Speaker 1>excited for him. Thank you. I like, I'm talking about you,

0:39:20.400 --> 0:39:24.640
<v Speaker 1>like literally, I'm excited for you. Did you feel pressured

0:39:24.719 --> 0:39:27.360
<v Speaker 1>to jump ship with him just because you had started

0:39:27.400 --> 0:39:29.680
<v Speaker 1>it together? Or were you just he he asked me

0:39:29.719 --> 0:39:32.080
<v Speaker 1>if if I wanted to leave, and and he's like,

0:39:32.239 --> 0:39:35.600
<v Speaker 1>you're thinking about leaving? I was like, I just doesn't

0:39:35.680 --> 0:39:38.840
<v Speaker 1>feel right. It's just not doesn't feel like the right time.

0:39:39.520 --> 0:39:41.600
<v Speaker 1>I think that a lot of those kinds of decisions

0:39:41.600 --> 0:39:43.520
<v Speaker 1>you just have to trust your gut. You might not

0:39:43.560 --> 0:39:46.840
<v Speaker 1>be able to put it into words. Why, But like,

0:39:46.880 --> 0:39:48.640
<v Speaker 1>I feel like there's so much more we could do

0:39:48.800 --> 0:39:53.520
<v Speaker 1>with Smash, And I think it's such a cool Brandon

0:39:53.640 --> 0:39:58.160
<v Speaker 1>for me. The ability to employ, you know, thirty people

0:39:58.719 --> 0:40:01.960
<v Speaker 1>is is a source of pride for me for myself,

0:40:02.000 --> 0:40:04.960
<v Speaker 1>and I think what he did like he needed to do,

0:40:05.560 --> 0:40:07.960
<v Speaker 1>and I don't think what he did was selfish in

0:40:08.000 --> 0:40:12.680
<v Speaker 1>any way. Also, being being a solo creator isn't attractive

0:40:12.719 --> 0:40:16.239
<v Speaker 1>to me. Like I said, I like collaboration, and you

0:40:16.280 --> 0:40:18.520
<v Speaker 1>guys were the dynamic duo. It was just it was

0:40:18.560 --> 0:40:21.440
<v Speaker 1>Ian and Anthony. So that had to be a transition

0:40:21.560 --> 0:40:23.799
<v Speaker 1>for you as well. Well. At that point there was

0:40:23.840 --> 0:40:26.719
<v Speaker 1>already the the other cast, so that that was something

0:40:26.719 --> 0:40:30.040
<v Speaker 1>that was started maybe about four years ago. And the

0:40:30.080 --> 0:40:33.160
<v Speaker 1>company that was, you know, Defy, they were very insistent

0:40:33.320 --> 0:40:36.200
<v Speaker 1>on like forcing them into the content, like, Okay, they're

0:40:36.200 --> 0:40:38.320
<v Speaker 1>just gonna be in the videos now are we talking

0:40:38.360 --> 0:40:41.080
<v Speaker 1>about like the so Hankies and the Jovins of the world,

0:40:41.200 --> 0:40:43.640
<v Speaker 1>and that was Smash Games. But yes, but they were

0:40:43.680 --> 0:40:48.239
<v Speaker 1>also doing crossover into some of your content, right, yeah,

0:40:48.320 --> 0:40:50.160
<v Speaker 1>but that made a little bit more sense because we

0:40:50.160 --> 0:40:52.520
<v Speaker 1>were starting a whole new channel. It's like they're gamers

0:40:52.560 --> 0:40:55.160
<v Speaker 1>and we're gamers. That in a less sense, but it

0:40:55.239 --> 0:40:59.120
<v Speaker 1>was the people like Courtney Miller, Shane top Le, No Grossman,

0:40:59.160 --> 0:41:02.040
<v Speaker 1>olivious way. So you didn't feel completely on your own

0:41:02.120 --> 0:41:04.280
<v Speaker 1>in the sea of what do I do? You had

0:41:04.320 --> 0:41:06.480
<v Speaker 1>you had a great team at the at the point

0:41:06.560 --> 0:41:08.800
<v Speaker 1>that Anthony left. Our channel was more than just E

0:41:08.960 --> 0:41:11.319
<v Speaker 1>and Anthony by by the time he left. But there

0:41:11.360 --> 0:41:15.360
<v Speaker 1>was obviously some really painful transition periods when we started

0:41:15.440 --> 0:41:19.040
<v Speaker 1>introducing the cast four years ago, because the company insisted

0:41:19.040 --> 0:41:20.960
<v Speaker 1>on just throwing the people in there, like, that's not

0:41:21.000 --> 0:41:24.479
<v Speaker 1>how YouTube works. This isn't the Disney Channel. You can't

0:41:24.520 --> 0:41:26.920
<v Speaker 1>just hire a bunch of young people and throw them

0:41:26.960 --> 0:41:29.600
<v Speaker 1>on and expect people to be okay with that. Were

0:41:29.600 --> 0:41:33.239
<v Speaker 1>you in a position that you could voice that no, no,

0:41:33.560 --> 0:41:36.000
<v Speaker 1>I mean I voiced it, but you weren't in a

0:41:36.080 --> 0:41:39.680
<v Speaker 1>position where it had weight Because now this the company,

0:41:39.840 --> 0:41:42.680
<v Speaker 1>huge company is just too bad. We're paying them, so

0:41:43.120 --> 0:41:45.920
<v Speaker 1>you need to use them, I mean for us and myself.

0:41:46.000 --> 0:41:47.480
<v Speaker 1>You know, I'll go with the flow. So it's like,

0:41:47.520 --> 0:41:49.440
<v Speaker 1>okay if you say so, And we tried to do

0:41:49.480 --> 0:41:52.160
<v Speaker 1>it and as natural of a way as possible. But

0:41:52.280 --> 0:41:55.680
<v Speaker 1>with YouTube you can't lie. You can't, well you can,

0:41:55.800 --> 0:41:59.840
<v Speaker 1>but eventually catches up to you. But you can't like

0:42:00.040 --> 0:42:02.960
<v Speaker 1>bullshit your way through your content. So you know your

0:42:02.960 --> 0:42:05.280
<v Speaker 1>fans would call you out in two seconds. Yeah, exactly.

0:42:05.400 --> 0:42:07.279
<v Speaker 1>So a lot of people were like, who are these

0:42:07.280 --> 0:42:09.040
<v Speaker 1>new people, Why are they doing this? And it was

0:42:09.239 --> 0:42:12.359
<v Speaker 1>very clear it had to happen. I think it could

0:42:12.360 --> 0:42:15.759
<v Speaker 1>have been a little bit softer of a of a transition,

0:42:16.360 --> 0:42:19.800
<v Speaker 1>but it happened. Some people got mad, but then people

0:42:19.880 --> 0:42:24.000
<v Speaker 1>then realize like, oh, they're literally just helping the content

0:42:24.160 --> 0:42:27.279
<v Speaker 1>be better, because you can't just continue to do the

0:42:27.360 --> 0:42:31.800
<v Speaker 1>same thing for fourteen years, like you have to evolve

0:42:31.920 --> 0:42:34.840
<v Speaker 1>and it can't just be Ian and Anthony sitting in

0:42:34.880 --> 0:42:38.360
<v Speaker 1>a living room on a couch for every single sketch,

0:42:38.760 --> 0:42:41.239
<v Speaker 1>and that's what it was for for what felt like

0:42:41.520 --> 0:42:47.480
<v Speaker 1>too long. So in hindsight, fifteen fourteen years later, you

0:42:47.960 --> 0:42:51.399
<v Speaker 1>can whisper into young Ian's ear and tell him one

0:42:51.440 --> 0:42:56.000
<v Speaker 1>piece of advice that might make things transition smoother business

0:42:56.040 --> 0:42:58.759
<v Speaker 1>deals better. Would there be something that you would, in

0:42:58.880 --> 0:43:02.799
<v Speaker 1>hindsight tell younger I I don't think so. I mean,

0:43:02.840 --> 0:43:05.200
<v Speaker 1>I think obviously there was. There was things that didn't

0:43:05.280 --> 0:43:09.240
<v Speaker 1>work out, but that's still worked out in a sense. Yeah,

0:43:09.360 --> 0:43:11.719
<v Speaker 1>I mean, whether it was like a bad brand deal

0:43:11.760 --> 0:43:14.880
<v Speaker 1>and we got backlash or you know, some sort of

0:43:14.920 --> 0:43:18.120
<v Speaker 1>bad business deal, or like oh we hired this person

0:43:18.200 --> 0:43:20.920
<v Speaker 1>and they weren't great, Like that's all part of learning.

0:43:21.360 --> 0:43:25.560
<v Speaker 1>So whatever bad things happened, they happened, and we became

0:43:26.040 --> 0:43:29.600
<v Speaker 1>better because of it. Absolutely, it actually shaped your journey

0:43:29.640 --> 0:43:32.759
<v Speaker 1>and probably taught you, you know, how to get over

0:43:32.800 --> 0:43:35.480
<v Speaker 1>the hurdle. And you guys are thriving. Now. How many

0:43:35.560 --> 0:43:38.560
<v Speaker 1>I think I've saw twenty four million subscribers across it

0:43:38.600 --> 0:43:43.280
<v Speaker 1>might I might even be think we're twenty five something.

0:43:44.920 --> 0:43:47.040
<v Speaker 1>We were we were stuck. We were stuck at twenty

0:43:47.080 --> 0:43:50.680
<v Speaker 1>two million for like I think, like a year because

0:43:50.880 --> 0:43:53.800
<v Speaker 1>just our content was not was not in the right place.

0:43:53.840 --> 0:43:57.160
<v Speaker 1>And then once once we got things correct and we

0:43:57.160 --> 0:43:59.760
<v Speaker 1>started doing the things that we felt like we needed

0:43:59.760 --> 0:44:03.600
<v Speaker 1>to do, you it immediately changed. Can you wrap your

0:44:03.600 --> 0:44:06.840
<v Speaker 1>head around it's a big number. Twenty five million people

0:44:07.239 --> 0:44:11.200
<v Speaker 1>wait for your content. That's a lot that's subs and

0:44:11.280 --> 0:44:14.799
<v Speaker 1>that's also people that subscribe maybe eight years ago that

0:44:14.840 --> 0:44:18.160
<v Speaker 1>are that moved on, So it's not necessarily million people

0:44:18.200 --> 0:44:21.880
<v Speaker 1>that are watching. Okay, fine, but still I mean, starting

0:44:22.000 --> 0:44:26.880
<v Speaker 1>from a couch doing lip singing videos, fast forward fourteen years,

0:44:27.200 --> 0:44:31.120
<v Speaker 1>you've built an empire that huge beheamoths of companies have

0:44:31.239 --> 0:44:34.000
<v Speaker 1>wanted to buy. It started on a couch you and

0:44:34.040 --> 0:44:36.040
<v Speaker 1>your best friend that's got to be a pinch me.

0:44:36.320 --> 0:44:39.640
<v Speaker 1>It's weird. It's pretty weird. I mean, you're so in it,

0:44:39.640 --> 0:44:41.799
<v Speaker 1>it's your life, so you probably don't see it that way.

0:44:41.800 --> 0:44:45.560
<v Speaker 1>But from the outside it's an insane story. I I agree,

0:44:45.560 --> 0:44:48.000
<v Speaker 1>it's insane, and thank you for sharing you with us today.

0:44:48.680 --> 0:44:51.279
<v Speaker 1>I'm really excited to see where Smash goes in the

0:44:51.320 --> 0:44:53.160
<v Speaker 1>next couple of years. Do you have any do you

0:44:53.160 --> 0:44:55.799
<v Speaker 1>have a vision for what you think? Let's not even

0:44:55.840 --> 0:44:57.279
<v Speaker 1>do a big one, but like, where do you see that?

0:44:57.480 --> 0:44:59.719
<v Speaker 1>Where do you see Smash in the next year? Let's

0:44:59.719 --> 0:45:02.880
<v Speaker 1>go super small? Yeah. Well, we we got back on

0:45:02.920 --> 0:45:08.640
<v Speaker 1>our feet in February with Mythical and if these past

0:45:09.120 --> 0:45:12.920
<v Speaker 1>four months are indicative of where we're going that I

0:45:12.960 --> 0:45:16.160
<v Speaker 1>feel very very positive about our future. That's awesome. It's

0:45:16.200 --> 0:45:20.480
<v Speaker 1>been nothing but good ship. The ship is going to

0:45:20.600 --> 0:45:23.879
<v Speaker 1>get better and better, like the biggest, best ship you've

0:45:23.880 --> 0:45:27.680
<v Speaker 1>ever seen. Yeah, and you know what we're ending on that.

0:45:29.000 --> 0:45:31.520
<v Speaker 1>Thank you so much for stopping by. I'm really excited

0:45:31.560 --> 0:45:34.200
<v Speaker 1>for everything that you have going on, big big things,

0:45:34.320 --> 0:45:37.319
<v Speaker 1>big big ships. Yeah. Well, thank you for having me

0:45:37.360 --> 0:45:39.719
<v Speaker 1>on here to talk about my ships. Now all day,

0:45:39.760 --> 0:45:42.080
<v Speaker 1>you can always come and talk about your pooh. All right,

0:45:42.600 --> 0:45:44.800
<v Speaker 1>I just said pooh, and we're definitely just going to

0:45:44.920 --> 0:45:49.239
<v Speaker 1>cut right now. Hi guys, thanks for listening. Behind the

0:45:49.320 --> 0:45:51.640
<v Speaker 1>Influence is a production of I Heart Radio and t

0:45:51.800 --> 0:45:52.440
<v Speaker 1>DC Media