WEBVTT - 4 | 186,282

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<v Speaker 1>Consumed is a production of iHeart Podcasts and Grimm and

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<v Speaker 1>Mild from Aaron Manky Headphones recommended. Listener discretion advised.

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<v Speaker 2>And remember that Shock diner everyone in Danville eats well,

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<v Speaker 2>Come on down for a blue Play special just eleven

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<v Speaker 2>ninety nine.

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<v Speaker 1>And you'll walk away with a belly flask.

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<v Speaker 2>We guarantee it twelve dollars for a plate of crap.

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<v Speaker 3>Come on now.

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<v Speaker 4>Up next is another gem from our suppa Blazers.

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<v Speaker 3>Huh, what the hello?

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<v Speaker 5>Anyone in here?

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<v Speaker 3>Fucking kids?

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<v Speaker 2>If anyone is in here, I'm gonna beat your ass

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<v Speaker 2>if you're fucking with my cars?

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<v Speaker 3>What the hell is this? Who put this shirt on

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<v Speaker 3>the edge? What is that?

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<v Speaker 6>Oh? Gods, flashes? I should do lassis.

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<v Speaker 4>Tsis cancer today?

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<v Speaker 3>You shouldn't teach them. I don't just got you should

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<v Speaker 3>speaks like's.

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<v Speaker 7>I can't have the fins of sids and the should

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<v Speaker 7>be honor between your hides, and you should have in

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<v Speaker 7>your house.

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<v Speaker 5>I just don't know how you can prefer boneless, Okay.

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<v Speaker 7>I just think it's gross enough that we eat them

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<v Speaker 7>with our hands. They're covered in some kind of sauce

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<v Speaker 7>that only Americans got into.

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<v Speaker 5>That called Buffalo for a reason only.

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<v Speaker 8>We would say, hey, what can we add to hot

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<v Speaker 8>sauce butter? Yes, that's it.

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<v Speaker 5>Well, now I'm getting hungry.

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<v Speaker 8>No, I'm getting angry. Is there really no internet in

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<v Speaker 8>this town?

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<v Speaker 5>Well as established there usually is, though, it's like mid

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<v Speaker 5>nineties dial up, and there's.

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<v Speaker 7>Nothing we can do about it because everyone seems to left.

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<v Speaker 5>Yeah. I tried calling Rudy, Rudy the Internet guy.

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<v Speaker 8>It's a guy, not like a company.

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<v Speaker 5>I mean, Apple was just a couple of guys ones.

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<v Speaker 7>Fifty years ago, so there's just one person for everything

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<v Speaker 7>in Danville.

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<v Speaker 3>Guy.

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<v Speaker 5>Yeah, We're truly a time capsule, so it's usually a guy.

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<v Speaker 5>Are you recording this?

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<v Speaker 6>Uh?

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<v Speaker 7>Yeah, I'm just really curious as to why so many

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<v Speaker 7>people left.

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<v Speaker 5>Well, from my limited experience, is a relative nube up

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<v Speaker 5>here in the baronies?

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<v Speaker 3>Yeah?

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<v Speaker 8>What was that?

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<v Speaker 3>What was what?

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<v Speaker 8>That terrible Southern accent?

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<v Speaker 5>Oh? Okay, terrible is subjective. So Danville is not Boston

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<v Speaker 5>and it can really dip in tempts. Every year that

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<v Speaker 5>I've been here, there's always been an exodus of folks,

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<v Speaker 5>especially the older ones who take off till the end

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<v Speaker 5>of winter.

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<v Speaker 7>Yeah, that totally makes sense. But it's October and it's

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<v Speaker 7>like maybe sweatshirt weather outside.

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<v Speaker 5>And that doesn't help us with the question of Alfonso.

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<v Speaker 5>But hey, I'm just glad, I mean surprised that you

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<v Speaker 5>came back. Yeah, which if I was Valenti who basically

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<v Speaker 5>Mexico Sherlock Holmes.

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<v Speaker 8>Oh, yeah, totally.

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<v Speaker 5>Look, we smashed those history books for a reason. You

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<v Speaker 5>coming back knowing there's no technology except for the week

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<v Speaker 5>radio signal, knowing that there's some crazy shit happening, not

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<v Speaker 5>knowing when your call would be ready. I don't know.

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<v Speaker 3>It seems like you.

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<v Speaker 8>Wouldn't even bother to look in the rear view.

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<v Speaker 5>Yeah, or maybe it's been you alone.

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<v Speaker 7>Yeah, I've decided that you're not Valentino Quintana.

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<v Speaker 5>Valente Flente.

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<v Speaker 8>Just the facts, ma'am, the story, my well read friend.

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<v Speaker 5>There's been a murder or wildlife attack.

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<v Speaker 8>People are disappearing.

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<v Speaker 5>They do every year for the season.

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<v Speaker 8>But again, it's the middle of October.

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<v Speaker 5>Yeah, the mini exodus usually happens post Thanksgiving, so this

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<v Speaker 5>is early.

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<v Speaker 8>You know what doesn't make sense though.

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<v Speaker 5>You're going to say the internet, how how is it possible?

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<v Speaker 7>The twenty minutes away in Loomington, there's the clearest of signals.

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<v Speaker 7>And here it's a nothing burger and the one guy

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<v Speaker 7>in charge of skip town.

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<v Speaker 5>Mmm burger, we may have to go back to Shaw's.

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<v Speaker 8>Okay, you're just using food to change the subject again.

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<v Speaker 8>Now who looks sketch?

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<v Speaker 5>Uh guilty? But also remember I am incredibly awkward. I've

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<v Speaker 5>devoted my whole life to history and books and look around.

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<v Speaker 5>I mean, this is a pretty good racket, being able

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<v Speaker 5>to hide behind them for most of my life.

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<v Speaker 7>I'll come back to how that's slightly adorable in a second. Yes,

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<v Speaker 7>people have left, but have they ever just disappeared like Alfonso?

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<v Speaker 5>Off the top of my head, all I can think

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<v Speaker 5>of is Missus Milligan's.

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<v Speaker 8>Grandson, Missus Milligan.

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<v Speaker 5>Yeah, she comes in every Tuesday to check her email

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<v Speaker 5>account to see if her grandson mailed her an electric letter.

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<v Speaker 8>Jesus, that is a biggass book.

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<v Speaker 5>It's a copy of every Dan Bil Harold from the nineties.

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<v Speaker 8>I'm sorry you have a newspaper hat.

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<v Speaker 5>Yeah. I went digital for about five minutes in twenty

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<v Speaker 5>twelve and then shut down completely.

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<v Speaker 8>They should have pivoted to video.

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<v Speaker 5>Yeah, that sounds like an industry joke that only one

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<v Speaker 5>of us.

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<v Speaker 8>Gets still salty. Okay, so nineties newspaper right.

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<v Speaker 5>She'd occasionally ask if we'd ever heard from Jacob Winters.

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<v Speaker 5>Jake Winters. I found out just up and left one

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<v Speaker 5>morning in the early nineties. I want to see nineteenee

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<v Speaker 5>because yes, yes, so they say he disappeared after going

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<v Speaker 5>down to Boston to watch Ah Here it is September

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<v Speaker 5>twenty third, nineteen ninety one. Nirvana play their first show there.

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<v Speaker 8>So he went and never came back.

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<v Speaker 5>Yeah, that's what it says. Danville Sheriff Peter Brewder has

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<v Speaker 5>called off the search for Jacob Winters, citing the fact

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<v Speaker 5>that he most likely never came back from Boston.

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<v Speaker 8>Weird, is Peter Jack's dad?

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<v Speaker 5>I think so?

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<v Speaker 8>Was there a search in Boston? No idea, that's super bizarre.

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<v Speaker 7>But I don't know if some grunge head probably following

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<v Speaker 7>Nirvana on the road is the same as a local

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<v Speaker 7>cook disappearing overnight.

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<v Speaker 5>Yeah, Jesus sorry.

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<v Speaker 8>It's okay. I guess we're right back where we started.

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<v Speaker 8>And I have so many questions.

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<v Speaker 5>I have one, yeah, yeah, would it be okay if

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<v Speaker 5>if I can us.

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<v Speaker 8>On one condition, name it.

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<v Speaker 4>You never ask again, Olbert, where is he?

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<v Speaker 3>Oh?

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<v Speaker 9>Whoa easy, brother, Let me inside, Let me inside, Bird,

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<v Speaker 9>Let me the fucking inside to see Buster.

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<v Speaker 5>I need to see Buster.

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<v Speaker 6>Jack.

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<v Speaker 5>I'm sorry. I can't, you can't.

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<v Speaker 10>I'm so sorry.

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<v Speaker 5>What No, I'm sorry, brother. If you lease up, I'll

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<v Speaker 5>have to cuff you.

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<v Speaker 3>I can't have you disturbing.

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<v Speaker 10>What what a possible crime scene. It's okay, Olbert, you

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<v Speaker 10>can let Jack up.

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<v Speaker 3>Max.

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<v Speaker 10>Jack, I strongly suggest you don't turn this corner. I

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<v Speaker 10>won't stop you, but I don't think you need to

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<v Speaker 10>see this.

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<v Speaker 9>Oh my oh Jesus Christ, they they they?

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<v Speaker 4>Who's they?

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<v Speaker 8>Jack?

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<v Speaker 3>It can't be It can't be Buster.

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<v Speaker 10>Who's they Jack?

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<v Speaker 3>The this is I'm sorry, I just he's just rambling.

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<v Speaker 4>Max. Buster was Jack's best man.

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<v Speaker 8>Jesus.

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<v Speaker 10>All right, Jack, why don't we take this down to

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<v Speaker 10>the station.

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<v Speaker 3>Are you arresting me?

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<v Speaker 10>Let's just have a conversation. Come on, I'll drive, okay, Jack,

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<v Speaker 10>let me be clear. This is just a formality.

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<v Speaker 3>But you're still recording.

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<v Speaker 8>I understand.

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<v Speaker 10>And the sooner we get through these questions, the sooner

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<v Speaker 10>you can go home to Rema and Avery. All right, fine,

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<v Speaker 10>lovely Ki, where were you this morning at home?

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<v Speaker 3>And yes, my wife and son can vouch for me.

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<v Speaker 11>Great, Why did you decide to go to Busters after

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<v Speaker 11>the incident.

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<v Speaker 3>The girl's car?

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<v Speaker 11>The girl Sarah Simmons, Yes, and why did you speed

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<v Speaker 11>in so hot?

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<v Speaker 3>Really, the town, or what's left of it, is on

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<v Speaker 3>pretty high alert. In case you haven't noticed.

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<v Speaker 9>We found a body near the cemetery. So when I

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<v Speaker 9>saw you and Olbert's cruiser and an ambulance in these

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<v Speaker 9>EMT vehicles outside my best friend's place of business, yeah,

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<v Speaker 9>I went to the worst case scenario, so I floored it.

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<v Speaker 3>That doesn't make me guilty.

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<v Speaker 5>No one said you wear it makes me a good friend.

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<v Speaker 8>I understand.

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<v Speaker 10>And we're almost done here, I promise.

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<v Speaker 4>Jack.

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<v Speaker 11>When you were outside, you said the what did you

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<v Speaker 11>mean by the? But what what did you mean by the.

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<v Speaker 3>I don't.

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<v Speaker 10>Sorry, These old fashioned things can be a pain sometimes

0:11:14.160 --> 0:11:15.040
<v Speaker 10>bloody machine.

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<v Speaker 8>All right, Jack, you're.

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<v Speaker 10>Free to go. And Jack, Yeah, I'm truly sorry.

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<v Speaker 3>What happened to him?

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<v Speaker 10>Honestly, it looks like he got too close to the

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<v Speaker 10>engine and you saw how greasy that floor was.

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<v Speaker 8>I think he slipped and one.

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<v Speaker 10>Of his overall straps was in the wrong place at

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<v Speaker 10>the wrong time.

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<v Speaker 3>So you don't think it was foul play.

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<v Speaker 5>I don't think so.

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<v Speaker 3>All right, thanks.

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<v Speaker 10>Max, No, thank you.

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<v Speaker 8>Let's get you home.

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<v Speaker 7>You know, for a studio inside an old library and

0:11:59.600 --> 0:12:00.679
<v Speaker 7>a small down.

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<v Speaker 8>This is a pretty swinky bed.

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<v Speaker 5>Oh you like it.

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<v Speaker 8>I'm sure you've had so many bibliotaco groupies up here.

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<v Speaker 5>Oh are you trying to say library and Spanish? Maybe

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<v Speaker 5>ah as in be able to take ah ah correct.

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<v Speaker 5>And furthermore, you're honor now that we're on the stand.

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<v Speaker 8>Come on, you're not on the stand.

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<v Speaker 5>You're grilling me like it's the fourth of July.

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<v Speaker 8>That's actually funny.

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<v Speaker 5>Okay, thanks, But to answer your question, there's no way

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<v Speaker 5>to answer this question.

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<v Speaker 8>Oh yeah, why not?

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<v Speaker 5>Because if I say, yeah, bro, i've had more nergirls

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<v Speaker 5>up here than ship's launch for Helen of Troy, you

0:12:36.600 --> 0:12:40.240
<v Speaker 5>may judge me. Conversely, if I say, nope, you're the

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<v Speaker 5>first person terribly into bed that isn't me, Well, then

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<v Speaker 5>I'm even more boring than you probably already think.

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<v Speaker 8>It's the second one is, of course, it's the second one.

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<v Speaker 8>That's what I don't get. What you're smart?

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<v Speaker 7>Kind not too shabby on the eyes, I mean, yes, okay,

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<v Speaker 7>the Spanish is also cute, but I'm not trying to fetishize.

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<v Speaker 8>It's your ethnicity stock, but.

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<v Speaker 7>All I'm saying is, why did you say why aren't

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<v Speaker 7>you at the Boston Public Library, the Benecke Help, the

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<v Speaker 7>Library of Congress.

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<v Speaker 5>Okay, for the record, the fact that you just referenced

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<v Speaker 5>to Bennicky ooh, sexy as hell.

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<v Speaker 8>Okay, now I understand why no one else has been

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<v Speaker 8>up here.

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<v Speaker 6>Ha ha.

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<v Speaker 8>No, but really, why.

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<v Speaker 5>Is this pillow talk?

0:13:25.400 --> 0:13:27.680
<v Speaker 7>If by pillow you mean I'm getting to know you

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<v Speaker 7>after we've had some fun, because I think you're not

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<v Speaker 7>half bad, then yes, we sent talk pillows with me.

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<v Speaker 5>Um one hundred and eighty six thousand, two eighty two.

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<v Speaker 5>What one hundred eighty six thousand, two hundred eighty two

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<v Speaker 5>miles per second? That's the speed of light?

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<v Speaker 8>Okay.

0:13:46.360 --> 0:13:47.920
<v Speaker 5>When I was a kid, we lived with my older

0:13:47.960 --> 0:13:51.760
<v Speaker 5>brother half brother, but we never used half. He was

0:13:51.800 --> 0:13:54.440
<v Speaker 5>from my dad's first marriage and was a military guy.

0:13:54.800 --> 0:13:57.280
<v Speaker 5>With my pops being so old, he raised me part time.

0:13:57.360 --> 0:14:01.280
<v Speaker 5>Once my mom left the picture. Sorry, it's fine. She

0:14:01.440 --> 0:14:05.040
<v Speaker 5>was in a situation took me years, but I don't

0:14:05.040 --> 0:14:08.400
<v Speaker 5>blame her anymore. So my dad was very old school,

0:14:08.600 --> 0:14:11.440
<v Speaker 5>and mind you, this was a different generation. So the

0:14:11.480 --> 0:14:17.320
<v Speaker 5>occasional sorry, so, the occasional slap or Napalisa as they

0:14:17.320 --> 0:14:19.360
<v Speaker 5>call him, was a bit common from the old man.

0:14:19.920 --> 0:14:23.360
<v Speaker 5>But my brother, God bless him. He he wentted to

0:14:23.440 --> 0:14:26.320
<v Speaker 5>change the cycle, and coming from the military, he had

0:14:26.320 --> 0:14:28.160
<v Speaker 5>his own way to discipline me.

0:14:29.040 --> 0:14:30.040
<v Speaker 8>Did he make you enlist?

0:14:30.280 --> 0:14:31.960
<v Speaker 5>Oh? Can you imagine?

0:14:31.960 --> 0:14:32.160
<v Speaker 2>No?

0:14:32.160 --> 0:14:35.360
<v Speaker 5>No, God, no, no. Remember I was very much full

0:14:35.480 --> 0:14:36.640
<v Speaker 5>Gordon mode at this point.

0:14:37.000 --> 0:14:38.280
<v Speaker 3>So when he came home it.

0:14:38.360 --> 0:14:42.520
<v Speaker 5>Was inspection timepially, so for every corner of the bed

0:14:42.560 --> 0:14:46.560
<v Speaker 5>that wasn't folded perfectly, or during laundry or homework not done,

0:14:46.560 --> 0:14:50.240
<v Speaker 5>et cetera, it was push ups or Britannica, the old

0:14:50.320 --> 0:14:54.040
<v Speaker 5>Encyclopedia yep, depending on the violation. I had the copy

0:14:54.360 --> 0:14:58.840
<v Speaker 5>by hand, the Encyclopedia, which part all of it. Wow,

0:15:00.280 --> 0:15:02.200
<v Speaker 5>years later, I can still tell you this speed of

0:15:02.280 --> 0:15:04.200
<v Speaker 5>light or who first figured it out?

0:15:04.440 --> 0:15:05.400
<v Speaker 8>You're gonna tell me, aren't you?

0:15:05.440 --> 0:15:08.560
<v Speaker 5>One hundred six eighty two miles per second and Danie's

0:15:08.560 --> 0:15:12.760
<v Speaker 5>astronomer only Roamer in sixteen seventy six. Sorry, are you

0:15:12.760 --> 0:15:13.320
<v Speaker 5>asleep yet?

0:15:13.640 --> 0:15:17.080
<v Speaker 8>I mean I'm already in bed. So is that why

0:15:17.080 --> 0:15:21.240
<v Speaker 8>he became a librarian? Some literal Stockholmie in syndrome.

0:15:21.440 --> 0:15:24.320
<v Speaker 5>You see there, Patty Hurst, It's actually the opposite. I

0:15:24.600 --> 0:15:27.240
<v Speaker 5>stayed here because I left there as soon as I could.

0:15:27.720 --> 0:15:29.480
<v Speaker 5>I moved as far away as I could for school,

0:15:29.680 --> 0:15:32.360
<v Speaker 5>and then even farther away for whatever job I could get.

0:15:32.920 --> 0:15:35.160
<v Speaker 5>I just wanted a clean break from the environment of

0:15:35.280 --> 0:15:37.520
<v Speaker 5>Gordo and the aforementioned baloney.

0:15:37.840 --> 0:15:39.160
<v Speaker 8>You found refuge up here.

0:15:39.120 --> 0:15:42.600
<v Speaker 5>Bet your ass. And it's for those famous libraries. They're

0:15:42.600 --> 0:15:45.600
<v Speaker 5>amazing to visit. But do you know how many years

0:15:45.600 --> 0:15:48.240
<v Speaker 5>I'd had to spend in the basement sub circulation desk

0:15:48.480 --> 0:15:51.400
<v Speaker 5>with no windows, learning how to catalog for next to

0:15:51.400 --> 0:15:54.360
<v Speaker 5>no money, while trying to live in New York or

0:15:54.440 --> 0:15:57.520
<v Speaker 5>Boston or god forbid, New Haven.

0:15:57.680 --> 0:16:01.240
<v Speaker 7>Oh I love this story.

0:16:02.000 --> 0:16:05.320
<v Speaker 5>Yeah, see see.

0:16:04.960 --> 0:16:21.160
<v Speaker 8>This is where you don't ask and just kiss me again? Avery,

0:16:21.840 --> 0:16:23.680
<v Speaker 8>Could you lower that and come here?

0:16:27.480 --> 0:16:28.480
<v Speaker 5>What what do you mean?

0:16:28.560 --> 0:16:32.920
<v Speaker 8>What shows some respect? Your father just lost his best friend.

0:16:33.080 --> 0:16:35.680
<v Speaker 3>It's fine, it's fine. It's not fine.

0:16:35.880 --> 0:16:36.760
<v Speaker 5>What's not fine?

0:16:36.880 --> 0:16:37.320
<v Speaker 4>None of this?

0:16:38.760 --> 0:16:39.040
<v Speaker 5>Jack?

0:16:40.200 --> 0:16:43.200
<v Speaker 3>You have to ream my dad, not now, son, Jack?

0:16:44.640 --> 0:16:49.480
<v Speaker 7>If you don't reelux, what's happened the McDonald's girl?

0:16:49.640 --> 0:16:52.560
<v Speaker 5>Enough dad, not now? What about?

0:16:52.600 --> 0:16:53.320
<v Speaker 2>Aaron said?

0:16:53.400 --> 0:16:53.840
<v Speaker 5>Not now?

0:16:54.360 --> 0:16:54.800
<v Speaker 11>Bonzo.

0:16:55.520 --> 0:17:00.880
<v Speaker 7>Now, Fluster, your best friend, the man who gave the toast.

0:17:00.360 --> 0:17:01.560
<v Speaker 5>Freaking said, stop it.

0:17:01.600 --> 0:17:03.280
<v Speaker 3>Okay, stop all of this.

0:17:03.960 --> 0:17:07.679
<v Speaker 9>I don't care about Erin or or Alfonso, and Buster

0:17:08.040 --> 0:17:10.280
<v Speaker 9>was just an accident until someone tells.

0:17:10.000 --> 0:17:12.120
<v Speaker 3>Me other turns that fucking thing off.

0:17:16.760 --> 0:17:22.200
<v Speaker 11>Avery, How could you you know how much she meant

0:17:22.200 --> 0:17:22.679
<v Speaker 11>to him?

0:17:22.840 --> 0:17:25.720
<v Speaker 3>Avery, Come back, son, I'm sorry, you.

0:17:25.760 --> 0:17:27.240
<v Speaker 4>Know all of this is connected.

0:17:28.080 --> 0:17:32.200
<v Speaker 9>Dear, just just stay out of this. For the love

0:17:32.240 --> 0:17:34.040
<v Speaker 9>of God, I am asking you, and.

0:17:34.040 --> 0:17:37.320
<v Speaker 7>I'm telling you, if we don't change things up, don't

0:17:37.720 --> 0:17:40.080
<v Speaker 7>make me do something I don't want to.

0:17:40.800 --> 0:17:50.960
<v Speaker 3>Look, I'll take care of it. Please, please, please please stop.

0:18:04.520 --> 0:18:13.040
<v Speaker 7>Smart and sexy but snores story of my life. And

0:18:13.240 --> 0:18:15.359
<v Speaker 7>now for the only other thing this thousand dollars recorder

0:18:15.400 --> 0:18:15.760
<v Speaker 7>can do?

0:18:16.880 --> 0:18:21.320
<v Speaker 8>What a flashlight? Right now?

0:18:21.440 --> 0:18:24.160
<v Speaker 7>If I were a pantry or kitchen, where would I be?

0:18:26.760 --> 0:18:28.040
<v Speaker 7>Definitely not in the YA section.

0:18:30.720 --> 0:18:32.600
<v Speaker 8>Oh, cooking books.

0:18:32.720 --> 0:18:36.200
<v Speaker 7>You would think we're getting warmer. Oh, but I'm actually

0:18:36.280 --> 0:18:45.800
<v Speaker 7>pretty fucking cold right now. I'm in a closed windowless

0:18:45.840 --> 0:18:46.400
<v Speaker 7>room right now.

0:18:46.480 --> 0:18:49.760
<v Speaker 8>And can you hear that? That's a draft coming from

0:18:49.800 --> 0:18:57.840
<v Speaker 8>this shelf? Podcasting for Dummies? But that makes no sense.

0:18:58.680 --> 0:19:05.879
<v Speaker 8>Wait a minute, it's coming from behind the books.

0:19:05.920 --> 0:19:06.280
<v Speaker 6>This is.

0:19:10.119 --> 0:19:10.800
<v Speaker 3>Holy shit.

0:19:12.920 --> 0:19:15.360
<v Speaker 7>So I've just discovered a hidden door behind a bookcase

0:19:15.359 --> 0:19:16.080
<v Speaker 7>in this library.

0:19:16.720 --> 0:19:18.359
<v Speaker 8>I just need to figure out how to open this lock.

0:19:19.040 --> 0:19:24.080
<v Speaker 5>Looks like I'll need a barrel key. Jesus, Sorry, but

0:19:24.200 --> 0:19:27.280
<v Speaker 5>this door is alarm activated in my system, beeped on

0:19:27.280 --> 0:19:28.520
<v Speaker 5>my phone when you open the shelf.

0:19:28.600 --> 0:19:33.040
<v Speaker 7>Okay, but A, I'm recording and B what the hell

0:19:33.119 --> 0:19:34.240
<v Speaker 7>is behind this door? A?

0:19:34.680 --> 0:19:37.600
<v Speaker 5>Why did you have to qualify that you're recording? Do

0:19:37.640 --> 0:19:39.960
<v Speaker 5>you think I have something to hide? Is this a

0:19:39.960 --> 0:19:42.159
<v Speaker 5>big reveal that I'm the big bad killer?

0:19:43.359 --> 0:19:45.359
<v Speaker 7>If you don't open this door, what else am I

0:19:45.359 --> 0:19:46.159
<v Speaker 7>supposed to believe?

0:19:46.320 --> 0:19:50.919
<v Speaker 5>It's a utility closet? What a utility closet? There's a

0:19:50.960 --> 0:19:53.720
<v Speaker 5>breaker for the power, a bunch of brooms, a shitty mop,

0:19:53.760 --> 0:19:57.199
<v Speaker 5>and an even shittier yellow bucket brass pull. Sorry, do

0:19:57.240 --> 0:19:58.440
<v Speaker 5>you want the entire inventory?

0:19:58.640 --> 0:19:59.320
<v Speaker 8>I want to see it.

0:19:59.760 --> 0:20:02.359
<v Speaker 5>You, I want to see it, Gordon, If.

0:20:02.200 --> 0:20:04.160
<v Speaker 7>You value anything we've been through in the last twenty

0:20:04.160 --> 0:20:06.520
<v Speaker 7>four hours, you'll understand that. Though I do believe you

0:20:06.600 --> 0:20:10.080
<v Speaker 7>and I want you, truly, the world literally right outside

0:20:10.080 --> 0:20:11.800
<v Speaker 7>here is a fucked up place, and things are happening

0:20:11.800 --> 0:20:14.000
<v Speaker 7>to people, and I need a little extra reassurance that

0:20:14.000 --> 0:20:15.439
<v Speaker 7>I'm not about to be added to the list of

0:20:15.480 --> 0:20:16.240
<v Speaker 7>fucked up things.

0:20:17.240 --> 0:20:19.879
<v Speaker 5>Move what You're gonna have to move out of the

0:20:19.920 --> 0:20:29.880
<v Speaker 5>way so I can open it? See Oh thank god.

0:20:30.119 --> 0:20:31.760
<v Speaker 5>I want to tell your listeners.

0:20:31.680 --> 0:20:35.040
<v Speaker 7>I'm not streaming live as if Danville could handle that bandwidth.

0:20:35.080 --> 0:20:39.240
<v Speaker 7>I'm just recording for later. But yes, I feel like COLDO.

0:20:39.400 --> 0:20:43.040
<v Speaker 7>But at least there's something in here, literally everything Gordon

0:20:43.160 --> 0:20:45.919
<v Speaker 7>just mentioned, plus more cleaning products and a poster of

0:20:46.400 --> 0:20:48.520
<v Speaker 7>what looks like is that Tom Brady?

0:20:48.640 --> 0:20:54.680
<v Speaker 5>Forget it, Sarah, it's New England a Hurrala reference.

0:20:54.840 --> 0:21:01.159
<v Speaker 8>Oh yeah, journalism, degree, hard and work. I'm still hong Ah, You're.

0:21:01.560 --> 0:21:34.960
<v Speaker 1>Food Consumed Episode four one eighty six, two eighty two,

0:21:35.359 --> 0:21:39.440
<v Speaker 1>written by Carlos Folia, editing and sound design by Noah

0:21:39.440 --> 0:21:44.800
<v Speaker 1>me Griffin, Starring Rachel Rosenbloom and Arturo Castro, with Ruth Connell,

0:21:45.160 --> 0:21:51.400
<v Speaker 1>Sam Rod, Genevieve Padlaki, Benjamin Stockholm, Charlie David Newell, Mike Korich,

0:21:51.760 --> 0:21:56.679
<v Speaker 1>Anna East Fairweather, Junior. A labby Alma Martinez, Tracy Martin,

0:21:57.080 --> 0:22:01.920
<v Speaker 1>Laura Shine, George Vincent and Raphae El Corkill, directed by

0:22:01.960 --> 0:22:06.840
<v Speaker 1>Alexander Williams, Assistant director Trevor Young, Casting by Sunday Bowling

0:22:07.000 --> 0:22:12.760
<v Speaker 1>CSA and Meg Mormon CSA. Production coordinator Wayna Calderon. Music

0:22:12.920 --> 0:22:16.880
<v Speaker 1>by Carlos Folia. Consumed The season one score available now

0:22:16.920 --> 0:22:21.440
<v Speaker 1>on Apple Music, Spotify, or wherever music is streamed. Executive

0:22:21.480 --> 0:22:26.520
<v Speaker 1>producers Aaron Mankey, Carlos Folia, Matt Frederick and Alexander Williams.

0:22:26.800 --> 0:22:31.680
<v Speaker 1>Supervising producers Trevor Young and Josh Thain. Producers Noami Griffin,

0:22:31.880 --> 0:22:36.040
<v Speaker 1>Jesse Funk, and rima Ilkeali. Recorded at This Is Sound

0:22:36.040 --> 0:22:43.000
<v Speaker 1>Design Studios, Burbank, California, engineered by Ross Erroneout east Side Studios, Austin, Texas,

0:22:43.200 --> 0:22:48.560
<v Speaker 1>engineered by Austin Sisler and Aros Creative In Sound OHI, California,

0:22:48.600 --> 0:22:53.280
<v Speaker 1>engineered by Ken Aros. Consumed was created by Carlos Folia,

0:22:53.359 --> 0:22:56.760
<v Speaker 1>inspired by the novel by Aaron Manky. Consumed is the

0:22:56.800 --> 0:22:59.760
<v Speaker 1>newest chapter in the Bridgewater universe. To learn more and

0:22:59.800 --> 0:23:04.400
<v Speaker 1>k up, visit Grimandmild dot com Slash Bridgewater. Learn more

0:23:04.440 --> 0:23:08.280
<v Speaker 1>about Consumed at grimanmil dot com, Slash Consumed, and find

0:23:08.320 --> 0:23:13.040
<v Speaker 1>more podcasts from iHeartRadio by visiting the iHeartRadio app, Apple podcasts,

0:23:13.119 --> 0:23:15.320
<v Speaker 1>or wherever you listen to your favorite shows.