1 00:00:00,160 --> 00:00:03,000 Speaker 1: Consumed is a production of iHeart Podcasts and Grimm and 2 00:00:03,080 --> 00:00:07,680 Speaker 1: Mild from Aaron Manky Headphones recommended. Listener discretion advised. 3 00:00:08,920 --> 00:00:11,879 Speaker 2: And remember that Shock diner everyone in Danville eats well, 4 00:00:12,320 --> 00:00:14,880 Speaker 2: Come on down for a blue Play special just eleven 5 00:00:14,960 --> 00:00:15,600 Speaker 2: ninety nine. 6 00:00:15,440 --> 00:00:17,120 Speaker 1: And you'll walk away with a belly flask. 7 00:00:17,680 --> 00:00:23,400 Speaker 2: We guarantee it twelve dollars for a plate of crap. 8 00:00:24,320 --> 00:00:25,120 Speaker 3: Come on now. 9 00:00:25,960 --> 00:00:29,840 Speaker 4: Up next is another gem from our suppa Blazers. 10 00:00:40,960 --> 00:00:51,800 Speaker 3: Huh, what the hello? 11 00:00:57,040 --> 00:00:57,880 Speaker 5: Anyone in here? 12 00:01:00,400 --> 00:01:01,480 Speaker 3: Fucking kids? 13 00:01:10,600 --> 00:01:14,480 Speaker 2: If anyone is in here, I'm gonna beat your ass 14 00:01:14,520 --> 00:01:20,959 Speaker 2: if you're fucking with my cars? 15 00:01:21,040 --> 00:01:25,840 Speaker 3: What the hell is this? Who put this shirt on 16 00:01:25,880 --> 00:01:30,080 Speaker 3: the edge? What is that? 17 00:01:43,200 --> 00:02:13,000 Speaker 6: Oh? Gods, flashes? I should do lassis. 18 00:02:13,720 --> 00:02:21,000 Speaker 4: Tsis cancer today? 19 00:02:21,000 --> 00:02:24,760 Speaker 3: You shouldn't teach them. I don't just got you should 20 00:02:24,760 --> 00:02:29,800 Speaker 3: speaks like's. 21 00:02:29,880 --> 00:02:33,520 Speaker 7: I can't have the fins of sids and the should 22 00:02:33,560 --> 00:02:36,840 Speaker 7: be honor between your hides, and you should have in 23 00:02:36,919 --> 00:02:37,320 Speaker 7: your house. 24 00:03:08,240 --> 00:03:11,320 Speaker 5: I just don't know how you can prefer boneless, Okay. 25 00:03:11,560 --> 00:03:13,400 Speaker 7: I just think it's gross enough that we eat them 26 00:03:13,440 --> 00:03:15,400 Speaker 7: with our hands. They're covered in some kind of sauce 27 00:03:15,400 --> 00:03:16,760 Speaker 7: that only Americans got into. 28 00:03:16,600 --> 00:03:18,800 Speaker 5: That called Buffalo for a reason only. 29 00:03:18,600 --> 00:03:20,799 Speaker 8: We would say, hey, what can we add to hot 30 00:03:20,800 --> 00:03:23,079 Speaker 8: sauce butter? Yes, that's it. 31 00:03:23,600 --> 00:03:24,920 Speaker 5: Well, now I'm getting hungry. 32 00:03:25,240 --> 00:03:27,800 Speaker 8: No, I'm getting angry. Is there really no internet in 33 00:03:27,800 --> 00:03:28,160 Speaker 8: this town? 34 00:03:28,240 --> 00:03:31,320 Speaker 5: Well as established there usually is, though, it's like mid 35 00:03:31,400 --> 00:03:33,440 Speaker 5: nineties dial up, and there's. 36 00:03:33,400 --> 00:03:37,120 Speaker 7: Nothing we can do about it because everyone seems to left. 37 00:03:37,480 --> 00:03:41,280 Speaker 5: Yeah. I tried calling Rudy, Rudy the Internet guy. 38 00:03:41,680 --> 00:03:43,840 Speaker 8: It's a guy, not like a company. 39 00:03:44,000 --> 00:03:46,480 Speaker 5: I mean, Apple was just a couple of guys ones. 40 00:03:47,280 --> 00:03:51,240 Speaker 7: Fifty years ago, so there's just one person for everything 41 00:03:51,240 --> 00:03:51,840 Speaker 7: in Danville. 42 00:03:51,960 --> 00:03:52,160 Speaker 3: Guy. 43 00:03:52,560 --> 00:03:55,360 Speaker 5: Yeah, We're truly a time capsule, so it's usually a guy. 44 00:03:56,040 --> 00:03:57,000 Speaker 5: Are you recording this? 45 00:03:57,280 --> 00:03:57,360 Speaker 6: Uh? 46 00:03:57,480 --> 00:04:00,520 Speaker 7: Yeah, I'm just really curious as to why so many 47 00:04:00,520 --> 00:04:01,120 Speaker 7: people left. 48 00:04:01,680 --> 00:04:05,440 Speaker 5: Well, from my limited experience, is a relative nube up 49 00:04:05,480 --> 00:04:06,640 Speaker 5: here in the baronies? 50 00:04:07,720 --> 00:04:09,080 Speaker 3: Yeah? 51 00:04:09,160 --> 00:04:09,600 Speaker 8: What was that? 52 00:04:10,240 --> 00:04:10,720 Speaker 3: What was what? 53 00:04:11,920 --> 00:04:13,480 Speaker 8: That terrible Southern accent? 54 00:04:13,800 --> 00:04:21,080 Speaker 5: Oh? Okay, terrible is subjective. So Danville is not Boston 55 00:04:21,440 --> 00:04:24,440 Speaker 5: and it can really dip in tempts. Every year that 56 00:04:24,480 --> 00:04:27,000 Speaker 5: I've been here, there's always been an exodus of folks, 57 00:04:27,080 --> 00:04:29,640 Speaker 5: especially the older ones who take off till the end 58 00:04:29,680 --> 00:04:30,000 Speaker 5: of winter. 59 00:04:30,560 --> 00:04:34,760 Speaker 7: Yeah, that totally makes sense. But it's October and it's 60 00:04:34,839 --> 00:04:37,040 Speaker 7: like maybe sweatshirt weather outside. 61 00:04:37,000 --> 00:04:39,200 Speaker 5: And that doesn't help us with the question of Alfonso. 62 00:04:39,720 --> 00:04:43,200 Speaker 5: But hey, I'm just glad, I mean surprised that you 63 00:04:43,320 --> 00:04:48,080 Speaker 5: came back. Yeah, which if I was Valenti who basically 64 00:04:48,200 --> 00:04:49,680 Speaker 5: Mexico Sherlock Holmes. 65 00:04:49,440 --> 00:04:50,520 Speaker 8: Oh, yeah, totally. 66 00:04:51,040 --> 00:04:54,000 Speaker 5: Look, we smashed those history books for a reason. You 67 00:04:54,080 --> 00:04:57,000 Speaker 5: coming back knowing there's no technology except for the week 68 00:04:57,120 --> 00:05:00,240 Speaker 5: radio signal, knowing that there's some crazy shit happening, not 69 00:05:00,360 --> 00:05:02,760 Speaker 5: knowing when your call would be ready. I don't know. 70 00:05:03,120 --> 00:05:04,239 Speaker 3: It seems like you. 71 00:05:04,120 --> 00:05:05,839 Speaker 8: Wouldn't even bother to look in the rear view. 72 00:05:06,200 --> 00:05:10,160 Speaker 5: Yeah, or maybe it's been you alone. 73 00:05:11,200 --> 00:05:14,520 Speaker 7: Yeah, I've decided that you're not Valentino Quintana. 74 00:05:14,200 --> 00:05:15,880 Speaker 5: Valente Flente. 75 00:05:16,760 --> 00:05:19,760 Speaker 8: Just the facts, ma'am, the story, my well read friend. 76 00:05:20,440 --> 00:05:22,840 Speaker 5: There's been a murder or wildlife attack. 77 00:05:23,040 --> 00:05:24,120 Speaker 8: People are disappearing. 78 00:05:24,200 --> 00:05:25,640 Speaker 5: They do every year for the season. 79 00:05:25,760 --> 00:05:27,440 Speaker 8: But again, it's the middle of October. 80 00:05:27,640 --> 00:05:31,039 Speaker 5: Yeah, the mini exodus usually happens post Thanksgiving, so this 81 00:05:31,160 --> 00:05:31,520 Speaker 5: is early. 82 00:05:32,320 --> 00:05:33,760 Speaker 8: You know what doesn't make sense though. 83 00:05:34,000 --> 00:05:36,800 Speaker 5: You're going to say the internet, how how is it possible? 84 00:05:36,839 --> 00:05:39,520 Speaker 7: The twenty minutes away in Loomington, there's the clearest of signals. 85 00:05:39,520 --> 00:05:41,640 Speaker 7: And here it's a nothing burger and the one guy 86 00:05:41,680 --> 00:05:43,000 Speaker 7: in charge of skip town. 87 00:05:42,960 --> 00:05:46,279 Speaker 5: Mmm burger, we may have to go back to Shaw's. 88 00:05:46,440 --> 00:05:49,480 Speaker 8: Okay, you're just using food to change the subject again. 89 00:05:50,000 --> 00:05:50,880 Speaker 8: Now who looks sketch? 90 00:05:51,400 --> 00:05:56,560 Speaker 5: Uh guilty? But also remember I am incredibly awkward. I've 91 00:05:56,600 --> 00:05:59,719 Speaker 5: devoted my whole life to history and books and look around. 92 00:06:00,279 --> 00:06:02,640 Speaker 5: I mean, this is a pretty good racket, being able 93 00:06:02,680 --> 00:06:04,279 Speaker 5: to hide behind them for most of my life. 94 00:06:05,320 --> 00:06:09,400 Speaker 7: I'll come back to how that's slightly adorable in a second. Yes, 95 00:06:09,600 --> 00:06:13,120 Speaker 7: people have left, but have they ever just disappeared like Alfonso? 96 00:06:14,520 --> 00:06:16,560 Speaker 5: Off the top of my head, all I can think 97 00:06:16,600 --> 00:06:18,359 Speaker 5: of is Missus Milligan's. 98 00:06:17,920 --> 00:06:20,520 Speaker 8: Grandson, Missus Milligan. 99 00:06:21,000 --> 00:06:23,040 Speaker 5: Yeah, she comes in every Tuesday to check her email 100 00:06:23,080 --> 00:06:26,560 Speaker 5: account to see if her grandson mailed her an electric letter. 101 00:06:29,360 --> 00:06:31,239 Speaker 8: Jesus, that is a biggass book. 102 00:06:31,600 --> 00:06:34,240 Speaker 5: It's a copy of every Dan Bil Harold from the nineties. 103 00:06:35,080 --> 00:06:37,279 Speaker 8: I'm sorry you have a newspaper hat. 104 00:06:37,480 --> 00:06:39,640 Speaker 5: Yeah. I went digital for about five minutes in twenty 105 00:06:39,640 --> 00:06:41,400 Speaker 5: twelve and then shut down completely. 106 00:06:41,600 --> 00:06:42,880 Speaker 8: They should have pivoted to video. 107 00:06:43,400 --> 00:06:45,520 Speaker 5: Yeah, that sounds like an industry joke that only one 108 00:06:45,520 --> 00:06:45,960 Speaker 5: of us. 109 00:06:45,839 --> 00:06:50,320 Speaker 8: Gets still salty. Okay, so nineties newspaper right. 110 00:06:50,480 --> 00:06:54,280 Speaker 5: She'd occasionally ask if we'd ever heard from Jacob Winters. 111 00:06:54,600 --> 00:06:57,200 Speaker 5: Jake Winters. I found out just up and left one 112 00:06:57,240 --> 00:07:00,440 Speaker 5: morning in the early nineties. I want to see nineteenee 113 00:07:00,600 --> 00:07:05,680 Speaker 5: because yes, yes, so they say he disappeared after going 114 00:07:05,680 --> 00:07:09,680 Speaker 5: down to Boston to watch Ah Here it is September 115 00:07:09,680 --> 00:07:14,320 Speaker 5: twenty third, nineteen ninety one. Nirvana play their first show there. 116 00:07:14,800 --> 00:07:16,400 Speaker 8: So he went and never came back. 117 00:07:17,040 --> 00:07:21,440 Speaker 5: Yeah, that's what it says. Danville Sheriff Peter Brewder has 118 00:07:21,480 --> 00:07:24,200 Speaker 5: called off the search for Jacob Winters, citing the fact 119 00:07:24,240 --> 00:07:27,800 Speaker 5: that he most likely never came back from Boston. 120 00:07:28,160 --> 00:07:30,560 Speaker 8: Weird, is Peter Jack's dad? 121 00:07:31,240 --> 00:07:31,840 Speaker 5: I think so? 122 00:07:32,720 --> 00:07:37,240 Speaker 8: Was there a search in Boston? No idea, that's super bizarre. 123 00:07:37,320 --> 00:07:41,320 Speaker 7: But I don't know if some grunge head probably following 124 00:07:41,400 --> 00:07:43,720 Speaker 7: Nirvana on the road is the same as a local 125 00:07:43,800 --> 00:07:45,080 Speaker 7: cook disappearing overnight. 126 00:07:45,560 --> 00:07:50,040 Speaker 5: Yeah, Jesus sorry. 127 00:07:49,040 --> 00:07:51,560 Speaker 8: It's okay. I guess we're right back where we started. 128 00:07:51,760 --> 00:07:54,000 Speaker 8: And I have so many questions. 129 00:07:54,400 --> 00:07:59,040 Speaker 5: I have one, yeah, yeah, would it be okay if 130 00:07:59,640 --> 00:08:00,280 Speaker 5: if I can us. 131 00:08:02,400 --> 00:08:04,360 Speaker 8: On one condition, name it. 132 00:08:05,360 --> 00:08:26,200 Speaker 4: You never ask again, Olbert, where is he? 133 00:08:26,360 --> 00:08:26,680 Speaker 3: Oh? 134 00:08:26,720 --> 00:08:30,560 Speaker 9: Whoa easy, brother, Let me inside, Let me inside, Bird, 135 00:08:31,080 --> 00:08:33,200 Speaker 9: Let me the fucking inside to see Buster. 136 00:08:33,400 --> 00:08:34,600 Speaker 5: I need to see Buster. 137 00:08:34,720 --> 00:08:34,960 Speaker 6: Jack. 138 00:08:35,040 --> 00:08:36,880 Speaker 5: I'm sorry. I can't, you can't. 139 00:08:36,960 --> 00:08:37,800 Speaker 10: I'm so sorry. 140 00:08:37,880 --> 00:08:41,319 Speaker 5: What No, I'm sorry, brother. If you lease up, I'll 141 00:08:41,320 --> 00:08:41,880 Speaker 5: have to cuff you. 142 00:08:42,440 --> 00:08:44,120 Speaker 3: I can't have you disturbing. 143 00:08:43,920 --> 00:08:48,840 Speaker 10: What what a possible crime scene. It's okay, Olbert, you 144 00:08:48,880 --> 00:08:49,880 Speaker 10: can let Jack up. 145 00:08:50,240 --> 00:08:50,560 Speaker 3: Max. 146 00:08:50,840 --> 00:08:54,200 Speaker 10: Jack, I strongly suggest you don't turn this corner. I 147 00:08:54,240 --> 00:08:56,880 Speaker 10: won't stop you, but I don't think you need to 148 00:08:56,920 --> 00:08:57,319 Speaker 10: see this. 149 00:08:59,400 --> 00:09:06,120 Speaker 9: Oh my oh Jesus Christ, they they they? 150 00:09:06,679 --> 00:09:07,240 Speaker 4: Who's they? 151 00:09:07,440 --> 00:09:07,720 Speaker 8: Jack? 152 00:09:07,960 --> 00:09:10,720 Speaker 3: It can't be It can't be Buster. 153 00:09:11,120 --> 00:09:12,240 Speaker 10: Who's they Jack? 154 00:09:13,040 --> 00:09:23,000 Speaker 3: The this is I'm sorry, I just he's just rambling. 155 00:09:23,080 --> 00:09:25,120 Speaker 4: Max. Buster was Jack's best man. 156 00:09:25,880 --> 00:09:26,320 Speaker 8: Jesus. 157 00:09:26,600 --> 00:09:32,200 Speaker 10: All right, Jack, why don't we take this down to 158 00:09:32,240 --> 00:09:32,640 Speaker 10: the station. 159 00:09:33,960 --> 00:09:35,000 Speaker 3: Are you arresting me? 160 00:09:35,280 --> 00:09:46,040 Speaker 10: Let's just have a conversation. Come on, I'll drive, okay, Jack, 161 00:09:46,200 --> 00:09:49,240 Speaker 10: let me be clear. This is just a formality. 162 00:09:50,360 --> 00:09:51,400 Speaker 3: But you're still recording. 163 00:09:51,800 --> 00:09:52,600 Speaker 8: I understand. 164 00:09:52,679 --> 00:09:55,559 Speaker 10: And the sooner we get through these questions, the sooner 165 00:09:55,600 --> 00:09:58,840 Speaker 10: you can go home to Rema and Avery. All right, fine, 166 00:09:59,360 --> 00:10:03,680 Speaker 10: lovely Ki, where were you this morning at home? 167 00:10:04,559 --> 00:10:06,920 Speaker 3: And yes, my wife and son can vouch for me. 168 00:10:07,440 --> 00:10:11,080 Speaker 11: Great, Why did you decide to go to Busters after 169 00:10:11,840 --> 00:10:12,920 Speaker 11: the incident. 170 00:10:12,840 --> 00:10:13,680 Speaker 3: The girl's car? 171 00:10:14,200 --> 00:10:18,600 Speaker 11: The girl Sarah Simmons, Yes, and why did you speed 172 00:10:18,600 --> 00:10:19,240 Speaker 11: in so hot? 173 00:10:19,600 --> 00:10:23,040 Speaker 3: Really, the town, or what's left of it, is on 174 00:10:23,200 --> 00:10:26,280 Speaker 3: pretty high alert. In case you haven't noticed. 175 00:10:26,440 --> 00:10:28,800 Speaker 9: We found a body near the cemetery. So when I 176 00:10:28,840 --> 00:10:32,040 Speaker 9: saw you and Olbert's cruiser and an ambulance in these 177 00:10:32,160 --> 00:10:36,680 Speaker 9: EMT vehicles outside my best friend's place of business, yeah, 178 00:10:36,679 --> 00:10:38,960 Speaker 9: I went to the worst case scenario, so I floored it. 179 00:10:39,559 --> 00:10:40,840 Speaker 3: That doesn't make me guilty. 180 00:10:41,000 --> 00:10:43,360 Speaker 5: No one said you wear it makes me a good friend. 181 00:10:43,559 --> 00:10:44,439 Speaker 8: I understand. 182 00:10:44,520 --> 00:10:46,360 Speaker 10: And we're almost done here, I promise. 183 00:10:47,880 --> 00:10:48,160 Speaker 4: Jack. 184 00:10:49,000 --> 00:10:53,800 Speaker 11: When you were outside, you said the what did you 185 00:10:53,880 --> 00:10:59,679 Speaker 11: mean by the? But what what did you mean by the. 186 00:11:01,320 --> 00:11:10,480 Speaker 3: I don't. 187 00:11:08,000 --> 00:11:11,360 Speaker 10: Sorry, These old fashioned things can be a pain sometimes 188 00:11:14,160 --> 00:11:15,040 Speaker 10: bloody machine. 189 00:11:16,400 --> 00:11:18,920 Speaker 8: All right, Jack, you're. 190 00:11:18,720 --> 00:11:24,520 Speaker 10: Free to go. And Jack, Yeah, I'm truly sorry. 191 00:11:26,080 --> 00:11:27,479 Speaker 3: What happened to him? 192 00:11:27,520 --> 00:11:31,280 Speaker 10: Honestly, it looks like he got too close to the 193 00:11:31,320 --> 00:11:34,280 Speaker 10: engine and you saw how greasy that floor was. 194 00:11:35,240 --> 00:11:37,360 Speaker 8: I think he slipped and one. 195 00:11:37,200 --> 00:11:39,520 Speaker 10: Of his overall straps was in the wrong place at 196 00:11:39,559 --> 00:11:40,400 Speaker 10: the wrong time. 197 00:11:41,679 --> 00:11:43,760 Speaker 3: So you don't think it was foul play. 198 00:11:44,640 --> 00:11:45,360 Speaker 5: I don't think so. 199 00:11:46,000 --> 00:11:47,960 Speaker 3: All right, thanks. 200 00:11:47,640 --> 00:11:49,679 Speaker 10: Max, No, thank you. 201 00:11:50,200 --> 00:11:51,040 Speaker 8: Let's get you home. 202 00:11:57,320 --> 00:11:59,559 Speaker 7: You know, for a studio inside an old library and 203 00:11:59,600 --> 00:12:00,679 Speaker 7: a small down. 204 00:12:00,559 --> 00:12:02,400 Speaker 8: This is a pretty swinky bed. 205 00:12:02,760 --> 00:12:03,440 Speaker 5: Oh you like it. 206 00:12:03,679 --> 00:12:06,680 Speaker 8: I'm sure you've had so many bibliotaco groupies up here. 207 00:12:07,040 --> 00:12:10,600 Speaker 5: Oh are you trying to say library and Spanish? Maybe 208 00:12:11,640 --> 00:12:14,880 Speaker 5: ah as in be able to take ah ah correct. 209 00:12:14,920 --> 00:12:17,360 Speaker 5: And furthermore, you're honor now that we're on the stand. 210 00:12:17,520 --> 00:12:18,800 Speaker 8: Come on, you're not on the stand. 211 00:12:18,880 --> 00:12:20,720 Speaker 5: You're grilling me like it's the fourth of July. 212 00:12:21,200 --> 00:12:22,880 Speaker 8: That's actually funny. 213 00:12:23,240 --> 00:12:27,719 Speaker 5: Okay, thanks, But to answer your question, there's no way 214 00:12:27,760 --> 00:12:28,680 Speaker 5: to answer this question. 215 00:12:28,960 --> 00:12:30,120 Speaker 8: Oh yeah, why not? 216 00:12:30,880 --> 00:12:34,000 Speaker 5: Because if I say, yeah, bro, i've had more nergirls 217 00:12:34,040 --> 00:12:36,520 Speaker 5: up here than ship's launch for Helen of Troy, you 218 00:12:36,600 --> 00:12:40,240 Speaker 5: may judge me. Conversely, if I say, nope, you're the 219 00:12:40,280 --> 00:12:43,800 Speaker 5: first person terribly into bed that isn't me, Well, then 220 00:12:43,800 --> 00:12:45,920 Speaker 5: I'm even more boring than you probably already think. 221 00:12:46,720 --> 00:12:49,480 Speaker 8: It's the second one is, of course, it's the second one. 222 00:12:49,480 --> 00:12:52,079 Speaker 8: That's what I don't get. What you're smart? 223 00:12:52,400 --> 00:12:56,760 Speaker 7: Kind not too shabby on the eyes, I mean, yes, okay, 224 00:12:56,800 --> 00:12:59,960 Speaker 7: the Spanish is also cute, but I'm not trying to fetishize. 225 00:12:59,960 --> 00:13:04,120 Speaker 8: It's your ethnicity stock, but. 226 00:13:04,800 --> 00:13:07,800 Speaker 7: All I'm saying is, why did you say why aren't 227 00:13:07,800 --> 00:13:10,680 Speaker 7: you at the Boston Public Library, the Benecke Help, the 228 00:13:10,720 --> 00:13:11,880 Speaker 7: Library of Congress. 229 00:13:12,160 --> 00:13:14,559 Speaker 5: Okay, for the record, the fact that you just referenced 230 00:13:14,559 --> 00:13:16,839 Speaker 5: to Bennicky ooh, sexy as hell. 231 00:13:17,280 --> 00:13:19,240 Speaker 8: Okay, now I understand why no one else has been 232 00:13:19,320 --> 00:13:19,640 Speaker 8: up here. 233 00:13:20,400 --> 00:13:20,800 Speaker 6: Ha ha. 234 00:13:21,520 --> 00:13:23,920 Speaker 8: No, but really, why. 235 00:13:23,920 --> 00:13:24,880 Speaker 5: Is this pillow talk? 236 00:13:25,400 --> 00:13:27,680 Speaker 7: If by pillow you mean I'm getting to know you 237 00:13:27,760 --> 00:13:29,720 Speaker 7: after we've had some fun, because I think you're not 238 00:13:29,800 --> 00:13:34,400 Speaker 7: half bad, then yes, we sent talk pillows with me. 239 00:13:35,800 --> 00:13:39,120 Speaker 5: Um one hundred and eighty six thousand, two eighty two. 240 00:13:39,800 --> 00:13:42,640 Speaker 5: What one hundred eighty six thousand, two hundred eighty two 241 00:13:42,720 --> 00:13:44,679 Speaker 5: miles per second? That's the speed of light? 242 00:13:45,400 --> 00:13:46,319 Speaker 8: Okay. 243 00:13:46,360 --> 00:13:47,920 Speaker 5: When I was a kid, we lived with my older 244 00:13:47,960 --> 00:13:51,760 Speaker 5: brother half brother, but we never used half. He was 245 00:13:51,800 --> 00:13:54,440 Speaker 5: from my dad's first marriage and was a military guy. 246 00:13:54,800 --> 00:13:57,280 Speaker 5: With my pops being so old, he raised me part time. 247 00:13:57,360 --> 00:14:01,280 Speaker 5: Once my mom left the picture. Sorry, it's fine. She 248 00:14:01,440 --> 00:14:05,040 Speaker 5: was in a situation took me years, but I don't 249 00:14:05,040 --> 00:14:08,400 Speaker 5: blame her anymore. So my dad was very old school, 250 00:14:08,600 --> 00:14:11,440 Speaker 5: and mind you, this was a different generation. So the 251 00:14:11,480 --> 00:14:17,320 Speaker 5: occasional sorry, so, the occasional slap or Napalisa as they 252 00:14:17,320 --> 00:14:19,360 Speaker 5: call him, was a bit common from the old man. 253 00:14:19,920 --> 00:14:23,360 Speaker 5: But my brother, God bless him. He he wentted to 254 00:14:23,440 --> 00:14:26,320 Speaker 5: change the cycle, and coming from the military, he had 255 00:14:26,320 --> 00:14:28,160 Speaker 5: his own way to discipline me. 256 00:14:29,040 --> 00:14:30,040 Speaker 8: Did he make you enlist? 257 00:14:30,280 --> 00:14:31,960 Speaker 5: Oh? Can you imagine? 258 00:14:31,960 --> 00:14:32,160 Speaker 2: No? 259 00:14:32,160 --> 00:14:35,360 Speaker 5: No, God, no, no. Remember I was very much full 260 00:14:35,480 --> 00:14:36,640 Speaker 5: Gordon mode at this point. 261 00:14:37,000 --> 00:14:38,280 Speaker 3: So when he came home it. 262 00:14:38,360 --> 00:14:42,520 Speaker 5: Was inspection timepially, so for every corner of the bed 263 00:14:42,560 --> 00:14:46,560 Speaker 5: that wasn't folded perfectly, or during laundry or homework not done, 264 00:14:46,560 --> 00:14:50,240 Speaker 5: et cetera, it was push ups or Britannica, the old 265 00:14:50,320 --> 00:14:54,040 Speaker 5: Encyclopedia yep, depending on the violation. I had the copy 266 00:14:54,360 --> 00:14:58,840 Speaker 5: by hand, the Encyclopedia, which part all of it. Wow, 267 00:15:00,280 --> 00:15:02,200 Speaker 5: years later, I can still tell you this speed of 268 00:15:02,280 --> 00:15:04,200 Speaker 5: light or who first figured it out? 269 00:15:04,440 --> 00:15:05,400 Speaker 8: You're gonna tell me, aren't you? 270 00:15:05,440 --> 00:15:08,560 Speaker 5: One hundred six eighty two miles per second and Danie's 271 00:15:08,560 --> 00:15:12,760 Speaker 5: astronomer only Roamer in sixteen seventy six. Sorry, are you 272 00:15:12,760 --> 00:15:13,320 Speaker 5: asleep yet? 273 00:15:13,640 --> 00:15:17,080 Speaker 8: I mean I'm already in bed. So is that why 274 00:15:17,080 --> 00:15:21,240 Speaker 8: he became a librarian? Some literal Stockholmie in syndrome. 275 00:15:21,440 --> 00:15:24,320 Speaker 5: You see there, Patty Hurst, It's actually the opposite. I 276 00:15:24,600 --> 00:15:27,240 Speaker 5: stayed here because I left there as soon as I could. 277 00:15:27,720 --> 00:15:29,480 Speaker 5: I moved as far away as I could for school, 278 00:15:29,680 --> 00:15:32,360 Speaker 5: and then even farther away for whatever job I could get. 279 00:15:32,920 --> 00:15:35,160 Speaker 5: I just wanted a clean break from the environment of 280 00:15:35,280 --> 00:15:37,520 Speaker 5: Gordo and the aforementioned baloney. 281 00:15:37,840 --> 00:15:39,160 Speaker 8: You found refuge up here. 282 00:15:39,120 --> 00:15:42,600 Speaker 5: Bet your ass. And it's for those famous libraries. They're 283 00:15:42,600 --> 00:15:45,600 Speaker 5: amazing to visit. But do you know how many years 284 00:15:45,600 --> 00:15:48,240 Speaker 5: I'd had to spend in the basement sub circulation desk 285 00:15:48,480 --> 00:15:51,400 Speaker 5: with no windows, learning how to catalog for next to 286 00:15:51,400 --> 00:15:54,360 Speaker 5: no money, while trying to live in New York or 287 00:15:54,440 --> 00:15:57,520 Speaker 5: Boston or god forbid, New Haven. 288 00:15:57,680 --> 00:16:01,240 Speaker 7: Oh I love this story. 289 00:16:02,000 --> 00:16:05,320 Speaker 5: Yeah, see see. 290 00:16:04,960 --> 00:16:21,160 Speaker 8: This is where you don't ask and just kiss me again? Avery, 291 00:16:21,840 --> 00:16:23,680 Speaker 8: Could you lower that and come here? 292 00:16:27,480 --> 00:16:28,480 Speaker 5: What what do you mean? 293 00:16:28,560 --> 00:16:32,920 Speaker 8: What shows some respect? Your father just lost his best friend. 294 00:16:33,080 --> 00:16:35,680 Speaker 3: It's fine, it's fine. It's not fine. 295 00:16:35,880 --> 00:16:36,760 Speaker 5: What's not fine? 296 00:16:36,880 --> 00:16:37,320 Speaker 4: None of this? 297 00:16:38,760 --> 00:16:39,040 Speaker 5: Jack? 298 00:16:40,200 --> 00:16:43,200 Speaker 3: You have to ream my dad, not now, son, Jack? 299 00:16:44,640 --> 00:16:49,480 Speaker 7: If you don't reelux, what's happened the McDonald's girl? 300 00:16:49,640 --> 00:16:52,560 Speaker 5: Enough dad, not now? What about? 301 00:16:52,600 --> 00:16:53,320 Speaker 2: Aaron said? 302 00:16:53,400 --> 00:16:53,840 Speaker 5: Not now? 303 00:16:54,360 --> 00:16:54,800 Speaker 11: Bonzo. 304 00:16:55,520 --> 00:17:00,880 Speaker 7: Now, Fluster, your best friend, the man who gave the toast. 305 00:17:00,360 --> 00:17:01,560 Speaker 5: Freaking said, stop it. 306 00:17:01,600 --> 00:17:03,280 Speaker 3: Okay, stop all of this. 307 00:17:03,960 --> 00:17:07,679 Speaker 9: I don't care about Erin or or Alfonso, and Buster 308 00:17:08,040 --> 00:17:10,280 Speaker 9: was just an accident until someone tells. 309 00:17:10,000 --> 00:17:12,120 Speaker 3: Me other turns that fucking thing off. 310 00:17:16,760 --> 00:17:22,200 Speaker 11: Avery, How could you you know how much she meant 311 00:17:22,200 --> 00:17:22,679 Speaker 11: to him? 312 00:17:22,840 --> 00:17:25,720 Speaker 3: Avery, Come back, son, I'm sorry, you. 313 00:17:25,760 --> 00:17:27,240 Speaker 4: Know all of this is connected. 314 00:17:28,080 --> 00:17:32,200 Speaker 9: Dear, just just stay out of this. For the love 315 00:17:32,240 --> 00:17:34,040 Speaker 9: of God, I am asking you, and. 316 00:17:34,040 --> 00:17:37,320 Speaker 7: I'm telling you, if we don't change things up, don't 317 00:17:37,720 --> 00:17:40,080 Speaker 7: make me do something I don't want to. 318 00:17:40,800 --> 00:17:50,960 Speaker 3: Look, I'll take care of it. Please, please, please please stop. 319 00:18:04,520 --> 00:18:13,040 Speaker 7: Smart and sexy but snores story of my life. And 320 00:18:13,240 --> 00:18:15,359 Speaker 7: now for the only other thing this thousand dollars recorder 321 00:18:15,400 --> 00:18:15,760 Speaker 7: can do? 322 00:18:16,880 --> 00:18:21,320 Speaker 8: What a flashlight? Right now? 323 00:18:21,440 --> 00:18:24,160 Speaker 7: If I were a pantry or kitchen, where would I be? 324 00:18:26,760 --> 00:18:28,040 Speaker 7: Definitely not in the YA section. 325 00:18:30,720 --> 00:18:32,600 Speaker 8: Oh, cooking books. 326 00:18:32,720 --> 00:18:36,200 Speaker 7: You would think we're getting warmer. Oh, but I'm actually 327 00:18:36,280 --> 00:18:45,800 Speaker 7: pretty fucking cold right now. I'm in a closed windowless 328 00:18:45,840 --> 00:18:46,400 Speaker 7: room right now. 329 00:18:46,480 --> 00:18:49,760 Speaker 8: And can you hear that? That's a draft coming from 330 00:18:49,800 --> 00:18:57,840 Speaker 8: this shelf? Podcasting for Dummies? But that makes no sense. 331 00:18:58,680 --> 00:19:05,879 Speaker 8: Wait a minute, it's coming from behind the books. 332 00:19:05,920 --> 00:19:06,280 Speaker 6: This is. 333 00:19:10,119 --> 00:19:10,800 Speaker 3: Holy shit. 334 00:19:12,920 --> 00:19:15,360 Speaker 7: So I've just discovered a hidden door behind a bookcase 335 00:19:15,359 --> 00:19:16,080 Speaker 7: in this library. 336 00:19:16,720 --> 00:19:18,359 Speaker 8: I just need to figure out how to open this lock. 337 00:19:19,040 --> 00:19:24,080 Speaker 5: Looks like I'll need a barrel key. Jesus, Sorry, but 338 00:19:24,200 --> 00:19:27,280 Speaker 5: this door is alarm activated in my system, beeped on 339 00:19:27,280 --> 00:19:28,520 Speaker 5: my phone when you open the shelf. 340 00:19:28,600 --> 00:19:33,040 Speaker 7: Okay, but A, I'm recording and B what the hell 341 00:19:33,119 --> 00:19:34,240 Speaker 7: is behind this door? A? 342 00:19:34,680 --> 00:19:37,600 Speaker 5: Why did you have to qualify that you're recording? Do 343 00:19:37,640 --> 00:19:39,960 Speaker 5: you think I have something to hide? Is this a 344 00:19:39,960 --> 00:19:42,159 Speaker 5: big reveal that I'm the big bad killer? 345 00:19:43,359 --> 00:19:45,359 Speaker 7: If you don't open this door, what else am I 346 00:19:45,359 --> 00:19:46,159 Speaker 7: supposed to believe? 347 00:19:46,320 --> 00:19:50,919 Speaker 5: It's a utility closet? What a utility closet? There's a 348 00:19:50,960 --> 00:19:53,720 Speaker 5: breaker for the power, a bunch of brooms, a shitty mop, 349 00:19:53,760 --> 00:19:57,199 Speaker 5: and an even shittier yellow bucket brass pull. Sorry, do 350 00:19:57,240 --> 00:19:58,440 Speaker 5: you want the entire inventory? 351 00:19:58,640 --> 00:19:59,320 Speaker 8: I want to see it. 352 00:19:59,760 --> 00:20:02,359 Speaker 5: You, I want to see it, Gordon, If. 353 00:20:02,200 --> 00:20:04,160 Speaker 7: You value anything we've been through in the last twenty 354 00:20:04,160 --> 00:20:06,520 Speaker 7: four hours, you'll understand that. Though I do believe you 355 00:20:06,600 --> 00:20:10,080 Speaker 7: and I want you, truly, the world literally right outside 356 00:20:10,080 --> 00:20:11,800 Speaker 7: here is a fucked up place, and things are happening 357 00:20:11,800 --> 00:20:14,000 Speaker 7: to people, and I need a little extra reassurance that 358 00:20:14,000 --> 00:20:15,439 Speaker 7: I'm not about to be added to the list of 359 00:20:15,480 --> 00:20:16,240 Speaker 7: fucked up things. 360 00:20:17,240 --> 00:20:19,879 Speaker 5: Move what You're gonna have to move out of the 361 00:20:19,920 --> 00:20:29,880 Speaker 5: way so I can open it? See Oh thank god. 362 00:20:30,119 --> 00:20:31,760 Speaker 5: I want to tell your listeners. 363 00:20:31,680 --> 00:20:35,040 Speaker 7: I'm not streaming live as if Danville could handle that bandwidth. 364 00:20:35,080 --> 00:20:39,240 Speaker 7: I'm just recording for later. But yes, I feel like COLDO. 365 00:20:39,400 --> 00:20:43,040 Speaker 7: But at least there's something in here, literally everything Gordon 366 00:20:43,160 --> 00:20:45,919 Speaker 7: just mentioned, plus more cleaning products and a poster of 367 00:20:46,400 --> 00:20:48,520 Speaker 7: what looks like is that Tom Brady? 368 00:20:48,640 --> 00:20:54,680 Speaker 5: Forget it, Sarah, it's New England a Hurrala reference. 369 00:20:54,840 --> 00:21:01,159 Speaker 8: Oh yeah, journalism, degree, hard and work. I'm still hong Ah, You're. 370 00:21:01,560 --> 00:21:34,960 Speaker 1: Food Consumed Episode four one eighty six, two eighty two, 371 00:21:35,359 --> 00:21:39,440 Speaker 1: written by Carlos Folia, editing and sound design by Noah 372 00:21:39,440 --> 00:21:44,800 Speaker 1: me Griffin, Starring Rachel Rosenbloom and Arturo Castro, with Ruth Connell, 373 00:21:45,160 --> 00:21:51,400 Speaker 1: Sam Rod, Genevieve Padlaki, Benjamin Stockholm, Charlie David Newell, Mike Korich, 374 00:21:51,760 --> 00:21:56,679 Speaker 1: Anna East Fairweather, Junior. A labby Alma Martinez, Tracy Martin, 375 00:21:57,080 --> 00:22:01,920 Speaker 1: Laura Shine, George Vincent and Raphae El Corkill, directed by 376 00:22:01,960 --> 00:22:06,840 Speaker 1: Alexander Williams, Assistant director Trevor Young, Casting by Sunday Bowling 377 00:22:07,000 --> 00:22:12,760 Speaker 1: CSA and Meg Mormon CSA. Production coordinator Wayna Calderon. Music 378 00:22:12,920 --> 00:22:16,880 Speaker 1: by Carlos Folia. Consumed The season one score available now 379 00:22:16,920 --> 00:22:21,440 Speaker 1: on Apple Music, Spotify, or wherever music is streamed. Executive 380 00:22:21,480 --> 00:22:26,520 Speaker 1: producers Aaron Mankey, Carlos Folia, Matt Frederick and Alexander Williams. 381 00:22:26,800 --> 00:22:31,680 Speaker 1: Supervising producers Trevor Young and Josh Thain. Producers Noami Griffin, 382 00:22:31,880 --> 00:22:36,040 Speaker 1: Jesse Funk, and rima Ilkeali. Recorded at This Is Sound 383 00:22:36,040 --> 00:22:43,000 Speaker 1: Design Studios, Burbank, California, engineered by Ross Erroneout east Side Studios, Austin, Texas, 384 00:22:43,200 --> 00:22:48,560 Speaker 1: engineered by Austin Sisler and Aros Creative In Sound OHI, California, 385 00:22:48,600 --> 00:22:53,280 Speaker 1: engineered by Ken Aros. Consumed was created by Carlos Folia, 386 00:22:53,359 --> 00:22:56,760 Speaker 1: inspired by the novel by Aaron Manky. Consumed is the 387 00:22:56,800 --> 00:22:59,760 Speaker 1: newest chapter in the Bridgewater universe. To learn more and 388 00:22:59,800 --> 00:23:04,400 Speaker 1: k up, visit Grimandmild dot com Slash Bridgewater. Learn more 389 00:23:04,440 --> 00:23:08,280 Speaker 1: about Consumed at grimanmil dot com, Slash Consumed, and find 390 00:23:08,320 --> 00:23:13,040 Speaker 1: more podcasts from iHeartRadio by visiting the iHeartRadio app, Apple podcasts, 391 00:23:13,119 --> 00:23:15,320 Speaker 1: or wherever you listen to your favorite shows.