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Speaker 1: We are dealing with the artists that just passed away.

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Speaker 1: And the interesting thing is, I was just outside listening

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Speaker 1: to your music, listening to the crag Diary of crab Shout,

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Speaker 1: and up next was Little Papa came what he wanted

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Speaker 1: to be to Jacksonville's a legend. Do you think that

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Speaker 1: some of y'all are really dealing with mental health issues? Absolutely?

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Speaker 1: Bro come from a real place.

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Speaker 2: Papa never was happy with life, had nothing to do

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Speaker 2: with anybody.

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Speaker 1: He just feel like he wouldn't make it nobody happy.

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Speaker 1: My fans ain't heard from you since that happened. A

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Speaker 1: rap artist O Mbpas was his veil, I should say,

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Speaker 1: was shot up just outside of his appearance at Star

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Speaker 1: bar Ra thirty shots at your sprinter vag.

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Speaker 3: Roven, my dollarsdoking, Hey, look take it out, hey telling.

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Speaker 1: Me on the way, we on the way to ride

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Speaker 1: it right now? Walk me through that night? Was there

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Speaker 1: any feelings? What was going on that day? You know,

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Speaker 1: you know a nigga, I always get them feelings and

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Speaker 1: shit whm. But you know you try your biz to

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Speaker 1: go with them, but everybody gotta be on punt here.

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Speaker 1: But this particular night, it was just like I ain't

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Speaker 1: for the standing here for too long being boom held

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Speaker 1: for the club that left our the more and more

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Speaker 1: of the club leaving, I'm like, I tell my cousin,

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Speaker 1: I'm like, I'm gone, like fl goddamn, I peep that ship.

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Speaker 1: We jump in the sprinting, we go to pull out

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Speaker 1: niggas just start hearing shot. I've been seeing Gloiala sister

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Speaker 1: bro real online. I mean, I don't respect that ship.

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Speaker 1: That are like, that's your sister, that's your family, no

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Speaker 1: matter what your feelily, let's say she has two million dollars,

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Speaker 1: how much of that does she owe to you and

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Speaker 1: the rest of the family of that.

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Speaker 4: Thinking all of a lot, twenty five line piece?

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Speaker 1: How much twenty five that's it? Just twenty five hundred flat?

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Speaker 1: Or is that a stop doing his simpathy. I'm gonna

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Speaker 1: leave you alone because the world don't know that you

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Speaker 1: are like literal mental patient and they laughing at you

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Speaker 1: when I'll reet you it's twenty five hundred flat? Is

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Speaker 1: you stupid? Is you sticking the head or something? That

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Speaker 1: was a withdrawing she If you ain't talking no throat,

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Speaker 1: then I ain't interrested.

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Speaker 3: Look, they say the sky's the limb and I'm going.

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Speaker 1: Farther than that.

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Speaker 3: She get bling on my phone, so I called her mom,

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Speaker 3: come and get your automatic. That one lit up better

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Speaker 3: than get them boys wag or what little one? And

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Speaker 3: I bush your brain, but get a hard hat. They said,

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Speaker 3: the sky's limb. I'm going father, you can try too,

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Speaker 3: but can't kill me.

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Speaker 1: I'm bater. I just bought it life as I did decide.

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Speaker 1: Come with that at you leaves it the reason you coroke.

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Speaker 3: You don't know how the horse donna trying me ain't

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Speaker 3: normal stretch something red run red, dysh any block one

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Speaker 3: twelve comes down. You know, I'm thinking to the footets

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Speaker 3: asking for a bullet because he never felt one stick

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Speaker 3: on to the wires and nail comes round with my

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Speaker 3: dollars trying to nail something and said done.

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Speaker 1: You wouldn't he got finna get in. They showed me

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Speaker 1: bro that that s showed me like who I am?

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Speaker 1: For real? Like that's what I I want to ask you.

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Speaker 1: That I wanted to ask you because it was doubt me.

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Speaker 1: Now I ain't gonna say they was doubt meant like

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Speaker 1: louis dout, like louis rooting for me? Yeah, who was down.

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Speaker 1: I feel like I feel like I feel like whoever

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Speaker 1: the tour agency in the beginning, they was kind of

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Speaker 1: skeptical back, like because he put you as like a

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Speaker 1: big dog. He didn't he put you as like another

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Speaker 1: not like a tag along like now tickets sell support. Yeah,

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Speaker 1: you need to really be moving two or three thousand

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Speaker 1: as we move along in the little city. Yeah, so

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Speaker 1: it's like people was I ain't like he just no

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Speaker 1: specific people. But I felt it in the air, like shit,

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Speaker 1: can't he do it like you feel me? It was.

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Speaker 1: I ain't gonna that shi It was crazy to bit

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Speaker 1: bro like I ain't gonna say I surprised myself. But

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Speaker 1: niggas nigga swim faster than faster than usual. You feel

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Speaker 1: him like they made even do it though, like even

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Speaker 1: with the police and throw the pillow. Yeah, I see

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Speaker 1: now that you know, I've been watching. But but for

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Speaker 1: the people who didn't see it, explain it to them.

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Speaker 1: Oh boom, I'm I'm on stage right later. I don't

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Speaker 1: come on you know that the old school beat that

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Speaker 1: bitch dropped. God damn, I'm chilling the ship. The crowd

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Speaker 1: go crazy. I see a pillow come on stage, fans

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Speaker 1: through a pillow on stage. Ship you know how, you

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Speaker 1: know me, I'll be having for so god damn hey,

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Speaker 1: I grabbed it, laid down. But when I laid down

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Speaker 1: on the pillow, the crowd like word for word, like

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Speaker 1: I was jumping around on stage or something like they

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Speaker 1: still was lit and they like she was a magical moment.

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Speaker 1: For we got clip that you gotta put that clue

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Speaker 1: now it's gonna be in here. But you know what,

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Speaker 1: and for y'all don't know, we got my little brother

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Speaker 1: n BPS and man, you know how everybody can't come

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Speaker 1: on this up there podcast. Everybody A lot of people skied, Yeah,

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Speaker 1: we got we gotta we gotta keep it real though.

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Speaker 1: It's a real thing. But you know what, though, I

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Speaker 1: think you wreak some of the benefits from the tour,

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Speaker 1: y'all off the groundwork you I'm putting in. Yeah, for sure,

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Speaker 1: it's a different feeling.

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Speaker 5: Bro.

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Speaker 1: See, I don't I always tell you I think you

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Speaker 1: underestimate the ground you don't cover, you know what I'm saying,

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Speaker 1: Like the people that fuck with you, and maybe that

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Speaker 1: gave you a glimpse into it, like going out on tour,

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Speaker 1: like oh, ship, it's really real, real talk like damn,

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Speaker 1: like what me like that type of ship like it

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Speaker 1: was wrong. It was one moment on the tour, right,

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Speaker 1: you know, I was going before, I was going before

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Speaker 1: Butna Be and white K and then Luca come on

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Speaker 1: right after white K. You feel me, and I'm telling

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Speaker 1: I'm telling why K? She like, I don't want to

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Speaker 1: perform after you feel me? You finis ain't number of

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Speaker 1: girls in the crowd. You got it?

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Speaker 3: Yeah, that.

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Speaker 1: Shut out we talking. She knows me. I don't want

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Speaker 1: to perform at it. I'm cool while I mean yeah,

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Speaker 1: like I'm chilling. It still be pick I still get

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Speaker 1: to do my thing. Ever, Yeah, it's talk man. It

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Speaker 1: was one day. Y K had got booked for a

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Speaker 1: cat Is the same day, so she had to go

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Speaker 1: before me and got damn and and and and and

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Speaker 1: dip and go do her show. Man. I had to

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Speaker 1: go f y K ray before. Lu Jaba was nervous

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Speaker 1: as a motherfucker, but she come on here, bitch, rocked

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Speaker 1: in here out like your friend. Fucking man, I'm talking

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Speaker 1: like a listen. I don't work out the boom, so

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Speaker 1: look god, damn, I'm tending thereby the ship. I tell

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Speaker 1: day they I tell a little manage. That's why he

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Speaker 1: called He called me his nervous little brother. Now you

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Speaker 1: ben bo what I'm like. Many they don't think, Man,

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Speaker 1: we need to switch to be baked. You feel we

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Speaker 1: need to figure how to way to switch it back.

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Speaker 1: You feel me like, man, you a superstar, my knee,

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Speaker 1: I'm god. He like, bro, you're a superstar. You feel me?

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Speaker 1: So I go to my Apartmer like you right, you

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Speaker 1: feeling but I'm still feeling you know so God damn.

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Speaker 1: I go to my part. I'm like, I can do that.

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Speaker 1: She though. He like, man, I know you can do it.

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Speaker 1: Like I go to my other partment. He's like, man,

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Speaker 1: you're crazy doing to get mad at me? Feel me?

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Speaker 1: I'm like, I bit everybody saying the same ship. Man,

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Speaker 1: I go out there, bitch had a bitch performers, I

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Speaker 1: had the whole toy. You feel me? I keep me

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Speaker 1: up right, That was a that was a defining moment

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Speaker 1: for me though right like, I'm good, I'm good. I'll

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Speaker 1: take it though if I don't take it. That was

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Speaker 1: a defining moment for me. Yo, Like damn, I was

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Speaker 1: telling him when I had to go after white k

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Speaker 1: on the tour for But you know what I think

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Speaker 1: it is though, It's like you gotta tell yourself and

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Speaker 1: you gotta remember the hard part over with. You See,

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Speaker 1: it's like you remember that this something hard. It's supposed

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Speaker 1: to be an obstacle involved in it, but you done forgot.

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Speaker 1: You've been doing it so long, you have forgot already

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Speaker 1: been through the obstacle. Now it was coming from. Yeah,

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Speaker 1: the groundwork is done, bro, like, And you know what,

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Speaker 1: I never for all the fans out there, in particular

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Speaker 1: my fans, and we're gonna get back to the tour

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Speaker 1: because I want to spend some time right there because

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Speaker 1: I know that was important for you and I want

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Speaker 1: to get into that. But all of it's up there

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Speaker 1: podcast fans I do like thirty million a month. Get

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Speaker 1: what they be saying, Nigga, whose song gets that in

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Speaker 1: the y? Hey, I want to I want to thank

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Speaker 1: you for that, bro, real talk my Nigga. I appreciate

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Speaker 1: you for that, Bro, That is an honor, Like real

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Speaker 1: appreciate you, good brother. Them folks be really on that

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Speaker 1: saying Nigga, that song so hard I've been saying I

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Speaker 1: wanted to do. They be coming up to you about it. Yeah,

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Speaker 1: my cousin Alabama, he ain't gonna like you. Fuck with

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Speaker 1: you one day I got to introduce you to it.

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Speaker 1: Yeah he like, bro, what the fuck? Yeah? Like people bro,

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Speaker 1: they love that more for But I just want you

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Speaker 1: all to know this Peas and this him on the song.

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Speaker 1: This is the guy that created the fucking intro for

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Speaker 1: It's up there podcast official song. So I just wanted

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Speaker 1: to get that out because some people, boy, are not familiar.

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Speaker 1: Some people know sound like Peas. I'm like, that is Peas,

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Speaker 1: you know, and then others is like, who is that man?

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Speaker 1: He going to fuck oh? And I said, now that's

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Speaker 1: my nigga Peas, and so I wanted to introduce you

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Speaker 1: to them. So let's get back to the tour. You

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Speaker 1: just come off tour for people who don't know you.

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Speaker 1: Was on the already Legend tour with WiFi and Luchi

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Speaker 1: Yk Burner Bunner being uh a young wolf, young Wolf

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Speaker 1: shut out the young Wolf, my litle nigga young Wolf

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Speaker 1: and you. We were talking about a defining moment on

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Speaker 1: the tour. Well Yk had to the part he had

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Speaker 1: to step off and I had I had step up

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Speaker 1: to the plee against God damn C. C. Sabathian and

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Speaker 1: I'm like, God damn, did you feel like do you

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Speaker 1: ever change your sets? Or like is it the same

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Speaker 1: set no matter where you're at, how you move I go,

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Speaker 1: I go out to see that, like, ain't I have

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Speaker 1: been written for like ten years old. I go out

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Speaker 1: to see that, and she's like different cities gravitation, because

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Speaker 1: you know, I blew up in the West Coach, even

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Speaker 1: I blew up in the West Coast. So it was

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Speaker 1: like I got I got songs that like Big Homie

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Speaker 1: that blew up in the South did the West Coast

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Speaker 1: don't really gravitate too? I got a song like ship

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Speaker 1: lay down here Whato for real? But I got I

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Speaker 1: got shipped like do better with PRIs and ship that

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Speaker 1: in the West Coast Me and Wiz Detroit that just

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Speaker 1: gonna go crazy whatever you feel. So it really depended

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Speaker 1: on the on the on the on the show and

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Speaker 1: what I mean, and like if it's a lot of girls,

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Speaker 1: if it's a lot of because I might incorporate some

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Speaker 1: Beyonce and they bitching something outs at one time. Something,

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Speaker 1: It really depends on do you ever do that acoustics ship?

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Speaker 1: Like what I think you can do that, especially when

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Speaker 1: you get to that ras spin you got, you get

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Speaker 1: to that little when my boys get the scratu. Yeah,

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Speaker 1: I think you can do that where you just sit

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Speaker 1: up there and let somebody go with the piano. Yeah,

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Speaker 1: I ain't gonna lie. I wanted to do that this tour,

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Speaker 1: you feel me. I try to set it up with

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Speaker 1: my dog David Man shot out my nigga David Uh.

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Speaker 1: He tended to his mother, fuck you feel me, saying

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Speaker 1: make all his own beats and ship. I wanted he

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Speaker 1: wanted to come, and I wanted him to come too,

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Speaker 1: but I just it was just too much going on

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Speaker 1: getting set up for the tour. But I want to

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Speaker 1: do that bad as hell because the way I found

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Speaker 1: the way I got interested in doing like that when

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Speaker 1: I was on a tour with Kevin Gates. Exactly does

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Speaker 1: the white boy been with the piano? Yes, and he goes,

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Speaker 1: sh I could pill it without the music behind him, right?

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Speaker 1: That is my type of shit? You know I love him? Yeah,

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Speaker 1: yeah for sure. And then you got this soul for music,

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Speaker 1: So I got so much ground. I need to cover

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Speaker 1: rights so much. I want to talk to you about

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Speaker 1: it because you know what I'm saying. So much on

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Speaker 1: my mind going on right there. But before I move

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Speaker 1: off of that, when we talk about the tour and

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Speaker 1: your position on the tour, I'm just trying to figure

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Speaker 1: out because you said something to me that shine to me.

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Speaker 1: You say, I blew up on the West Coast. When

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Speaker 1: we talk about your career, we just kind of spoke

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Speaker 1: about it, how it may not never happen like that again,

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Speaker 1: because you had to meet a dude named Young Boy

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Speaker 1: when he was on his come up. So not only

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Speaker 1: do the rapper have to be a certain level of

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Speaker 1: talent and get embraced by a dude from the West Coast,

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Speaker 1: but then you also got to have this anomaly of

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Speaker 1: a guy who's rapped, been out of baton ruge, just

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Speaker 1: just starting to.

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Speaker 2: Stop looking banks. But I'm gonna do somethings, Pa, I've

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Speaker 2: been one to.

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Speaker 1: Do something, and these guys, you know what I mean,

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Speaker 1: all of that just happening. I just don't see it

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Speaker 1: happening that way. Again. The pathways are open, but I

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Speaker 1: think that portal has closed. But you've covered so much ground, man,

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Speaker 1: and I think you need to have more confidence in that,

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Speaker 1: you know, with your relationship on the West Coast and

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Speaker 1: like you said, everybody knows laid down. The conversation I

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Speaker 1: want to have is about like little Russell for instance,

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Speaker 1: I love Russell, the Russell's a beast. Fuck with Russell.

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Speaker 1: I think he's looking for that laid down record, you see,

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Speaker 1: because his groundwork also has been done. And so that's

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Speaker 1: the only way you can really susp thing, bro, when

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Speaker 1: you done really done the groundwork. That's that's the only

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Speaker 1: time a hit really works for you, and you don't

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Speaker 1: just sizzle out yeah one hit wonder as they said. Right,

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Speaker 1: So when you went on tour with Kevin Gates, what's

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Speaker 1: the difference between that tour and this tour because you're

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Speaker 1: now towing with the lay down as a hit is

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Speaker 1: a hit, so boom. The thing with with with Kevin

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Speaker 1: Gates toy it was like in the crowd, it was

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Speaker 1: it was it was spots of people who knew me

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Speaker 1: and like me. I do good with like finding them

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Speaker 1: people in that show that fuck with me and just

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Speaker 1: liking in on them. You feel me. But it was

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Speaker 1: like spots of people might be two people right here,

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Speaker 1: three people over here, this little small group of people

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Speaker 1: right here in the middle, but ship on the and

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Speaker 1: and that wasn't wrong, you feel me because I felt

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Speaker 1: like them people could grow into they gonna tell them people.

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Speaker 1: And I'm seeing people look at the other people who

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Speaker 1: know me, like with the with the look on their

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Speaker 1: face like damn, I've been under a rock or something

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Speaker 1: like this girl loved this nigga. So I always love

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Speaker 1: the people who know me and the people who don't

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Speaker 1: know me feel me. But on this tour, it was

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Speaker 1: like and then I had told my DJ, like, don't

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Speaker 1: tell nobody to turn on their lights before I walk

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Speaker 1: on stage. I don't like, I don't I don't like

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Speaker 1: when the DJ like the fake. Don't like it. As

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Speaker 1: soon as you walk on stage, the people who didn't

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Speaker 1: want to put their lights on gonna turn them off.

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Speaker 1: Your feel So I told him just organic, just let

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Speaker 1: me walk on stage and whoever screamed for And then

295
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Speaker 1: that helped me find the people who actually fuck with me.

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Speaker 1: Feel like when I walk on stage and I'm just

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Speaker 1: looking alright, bit alright, bit, I feel it's like this,

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Speaker 1: so their phone go When their phone goes up, an

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Speaker 1: artist sees that is, Oh, that's that's somebody that fuck

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Speaker 1: somebody who loves me, young boom. But when it's when

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Speaker 1: it's not organic. You feel me. It's like you don't

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Speaker 1: know who is who shows the show when I just

303
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Speaker 1: on this tool, when I walk on stage, whole crowd,

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Speaker 1: how am ship is going down? That was the fan

305
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Speaker 1: of moment? Yeah, I know, I know you feeling it.

306
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Speaker 1: How does it feel for you? Like, how does it

307
00:14:50,760 --> 00:14:53,760
Speaker 1: feel for you? Knowing? And do you leave that tool

308
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Speaker 1: with more confidence or you're stealing that some confortence through

309
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Speaker 1: the roof for real on my mom Like, but I

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Speaker 1: feel like, what what what's really gonna be? Like the

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Speaker 1: moment where I feel like, oh yeah, okay, all right,

312
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Speaker 1: I'm neck is when I hear like my own tour

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Speaker 1: and sell it out. You feel yeah, when they when

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Speaker 1: they actually hear for peas, you feel me. You know

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Speaker 1: what I'm saying, Yeah, and it's not a and it's

316
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Speaker 1: not a let me let me win, fans walk You

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Speaker 1: feel me like people over like I already wanted these

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Speaker 1: people over. They me they you know what I'm saying,

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Speaker 1: they buying merch. You feel me they did they here

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Speaker 1: for peasy? You feel me. So I don't care what

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Speaker 1: cap it is either, don't five hundred thousand as long

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Speaker 1: as it is a sellout for peas and p oh,

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Speaker 1: I'm on top of that's a blessing. Yeah, so do

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Speaker 1: you do you make a lot of money on tour? Here? Yeah,

325
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Speaker 1: you make you make money on tour because it's like

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Speaker 1: you're getting paid off the initial show. You're getting paid

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Speaker 1: off the departy. Nigga might get a feature, you feel me,

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Speaker 1: they might get a couple of fucking features. You feel me, like,

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Speaker 1: you know what I'm saying. You might do a walk

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Speaker 1: through after the f departy, you feel me. You know

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Speaker 1: what I'm saying. It's a lot of ways to get

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Speaker 1: money on it to show. Did you you learn like

333
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Speaker 1: merch and all of that when you're doing that kind

334
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Speaker 1: of level of business, Because yeah, here there's a that

335
00:16:06,160 --> 00:16:08,560
Speaker 1: was like my that was like my SIVN tower, that

336
00:16:08,720 --> 00:16:12,000
Speaker 1: was my sing to. So like when I first when

337
00:16:12,040 --> 00:16:13,600
Speaker 1: I first tried, you know, you try to have your

338
00:16:13,640 --> 00:16:16,160
Speaker 1: homeboys seal them up with the merger. You know, had

339
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Speaker 1: anybody see the mercher, that shit gets seid. So this

340
00:16:18,240 --> 00:16:21,160
Speaker 1: time I had got to give something homeboys Emergen the time,

341
00:16:21,960 --> 00:16:24,560
Speaker 1: you gotta damn to give a percentage or give you

342
00:16:24,600 --> 00:16:26,920
Speaker 1: got to give something up for somebody to run that

343
00:16:27,080 --> 00:16:30,040
Speaker 1: to know what they're doing and just know that because

344
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Speaker 1: you know, I was on tour with a couple of people.

345
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Speaker 1: I'm saying they were doing like six hundred thousand a night. Yeah,

346
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Speaker 1: for sure in merch. You know what I'm saying, Quarter

347
00:16:38,440 --> 00:16:41,560
Speaker 1: and Ship, like, you can't afford to run that, in

348
00:16:41,600 --> 00:16:43,840
Speaker 1: my opinion, in house and then run the show and

349
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Speaker 1: then run the features and then try to get the

350
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Speaker 1: interview with that. Yeah, you need to give up a

351
00:16:48,600 --> 00:16:52,080
Speaker 1: little sum a little percentage. You run that, no hiccups

352
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Speaker 1: and make sure it's together. Do you do that or

353
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Speaker 1: is it in house? It's in the house, But yeah,

354
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Speaker 1: it's in the house. But it's like, I ain't gotta really,

355
00:17:00,720 --> 00:17:03,800
Speaker 1: I ain't two hands on you, like you ain't got

356
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Speaker 1: a word about It's like, all right, this tour right here,

357
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Speaker 1: like I did the did the two tour buses back

358
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Speaker 1: to bag everybody the party, and Ship did all this Ship,

359
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Speaker 1: I did the sprint of Vans, my brother driving his

360
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Speaker 1: bus with crash and his bitch tearing the roof off.

361
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Speaker 1: This motherfucker. I did all that. You feel me? So

362
00:17:17,040 --> 00:17:19,040
Speaker 1: this tour right here, everybody who came on this tour

363
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Speaker 1: had a job. You feel once you get your job

364
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Speaker 1: done and you're gonna have fun. I ain't even tripping

365
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Speaker 1: about the personal. But I had a merchy guy. I

366
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Speaker 1: had a cameraman, I had a driver, I had a

367
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Speaker 1: role manager and my manager. I had a security go out.

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Speaker 1: You feel me. So it's like you turn it into

369
00:17:34,600 --> 00:17:39,159
Speaker 1: a ball. Yeah, it's like, uh, everything everybody handling their business.

370
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Speaker 1: And if you need help with the merchant ship all right,

371
00:17:41,680 --> 00:17:43,399
Speaker 1: the driveway you feel we got the time, he can help.

372
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Speaker 1: You care about the merger booth set it up. You

373
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Speaker 1: feel it's like we can get it carried in. Now

374
00:17:47,040 --> 00:17:50,000
Speaker 1: I'm talking about the logistics yeah, yeah, the legitis yeah,

375
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Speaker 1: and you're like, all right, the merchant nigga, you feel

376
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Speaker 1: me at the edge show you got you got eything.

377
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Speaker 1: Then some some of the venues, like the venues wanted

378
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Speaker 1: to sell the march, so the murders guy have to

379
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Speaker 1: stay stay beside. Then they give you the numbers at

380
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Speaker 1: the end of the night. You hear me ship like that,

381
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Speaker 1: But you gotta have the numbers right though, as That's

382
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Speaker 1: what I'm saying, like, because again, man, there's so much

383
00:18:10,520 --> 00:18:13,800
Speaker 1: money going hand for hand on that tour and then

384
00:18:13,840 --> 00:18:16,800
Speaker 1: he's moving so fast like people don't understand, like that's

385
00:18:16,800 --> 00:18:18,480
Speaker 1: why I give it up the artists, because you're in

386
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Speaker 1: a different city every night, and you got to give

387
00:18:20,600 --> 00:18:23,720
Speaker 1: you all the very next night, and traveling is not

388
00:18:23,800 --> 00:18:26,879
Speaker 1: a fun thing, like you could be exhausted and while

389
00:18:32,960 --> 00:18:37,480
Speaker 1: hey boy, that's crazy. I also last time I had

390
00:18:37,560 --> 00:18:40,040
Speaker 1: ran in to you was that when Luci first got out,

391
00:18:40,200 --> 00:18:45,119
Speaker 1: he had this show in Atlanta. I was down. I

392
00:18:45,200 --> 00:18:49,879
Speaker 1: love you nobody like yeah, nah, yeah, I don't do

393
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Speaker 1: no whole bunch of mixiant You come fake boy? What

394
00:18:56,440 --> 00:19:03,040
Speaker 1: looking that's how go though? You know, you know how

395
00:19:03,080 --> 00:19:09,119
Speaker 1: we come up? Yeah yeah yeah. When you what was

396
00:19:09,160 --> 00:19:12,560
Speaker 1: it like for you being around Luchi when he first

397
00:19:12,600 --> 00:19:15,560
Speaker 1: came home. What did you notice if anything was different

398
00:19:15,600 --> 00:19:18,479
Speaker 1: about him? Was anything different when I had when I

399
00:19:18,480 --> 00:19:20,880
Speaker 1: had first met Luca, When I when I first met

400
00:19:20,960 --> 00:19:22,560
Speaker 1: him like back in the days, you feel me was

401
00:19:22,640 --> 00:19:25,919
Speaker 1: like I still look at him like like like one

402
00:19:25,960 --> 00:19:27,800
Speaker 1: of one of the top one of one of my

403
00:19:27,880 --> 00:19:30,760
Speaker 1: top paved rot you feel it was like first meeting

404
00:19:30,840 --> 00:19:32,679
Speaker 1: It was like damn like and he was he was

405
00:19:32,680 --> 00:19:35,320
Speaker 1: like your niggas shit too. So they surprised me like,

406
00:19:35,320 --> 00:19:37,199
Speaker 1: oh yeah, we think we had a script club our

407
00:19:37,320 --> 00:19:39,439
Speaker 1: type of ship, like you feel what I noticed about him,

408
00:19:39,440 --> 00:19:42,240
Speaker 1: not like he more mature, like he more maenture like

409
00:19:42,240 --> 00:19:44,160
Speaker 1: that business getting handled like it ain't gonna lie brother,

410
00:19:44,240 --> 00:19:46,639
Speaker 1: focused as a motherfucker now like feeling. I love that.

411
00:19:47,160 --> 00:19:49,840
Speaker 1: I love that for shore. You could tell like what

412
00:19:49,840 --> 00:19:52,680
Speaker 1: what like that like the time he did for show,

413
00:19:52,760 --> 00:19:55,680
Speaker 1: did some for him like like it ain't it ain't tearing,

414
00:19:55,760 --> 00:19:58,160
Speaker 1: It ain't tear him down. You feel me, ain't tear

415
00:19:58,520 --> 00:20:02,280
Speaker 1: Okay up, It's like, yeah, I gotta cut these niggas out.

416
00:20:02,600 --> 00:20:05,240
Speaker 1: I gotta do this. I can't be over here doing

417
00:20:05,280 --> 00:20:08,040
Speaker 1: this all the time. Ship. I gotta focus on my kids.

418
00:20:08,040 --> 00:20:10,720
Speaker 1: You feel me like I ain't gonna lie brou he

419
00:20:10,800 --> 00:20:12,399
Speaker 1: for show, Like I don't want to say grew up,

420
00:20:12,400 --> 00:20:15,760
Speaker 1: but I've been following his steps. I got out this

421
00:20:15,800 --> 00:20:20,320
Speaker 1: busy feeling show. He trying to he trying to, like

422
00:20:20,400 --> 00:20:23,840
Speaker 1: I say, man, that time done something form and to

423
00:20:24,000 --> 00:20:27,280
Speaker 1: him because them dudes, life was on the line about

424
00:20:27,280 --> 00:20:29,520
Speaker 1: a whole bunch of ships, like I don't know where

425
00:20:29,800 --> 00:20:31,840
Speaker 1: if that's a long fall, you know what I'm saying.

426
00:20:35,480 --> 00:20:37,520
Speaker 1: Did you bring people out on tour? What was your

427
00:20:37,520 --> 00:20:39,680
Speaker 1: favorite moment on tour? Was it the moment when y

428
00:20:39,840 --> 00:20:42,040
Speaker 1: K dipped on you and you had to come out.

429
00:20:42,160 --> 00:20:45,679
Speaker 1: Was that the moment? Was that the highlight moment of

430
00:20:45,760 --> 00:20:47,520
Speaker 1: the tour? Like, yeah, that was that was that was

431
00:20:47,560 --> 00:20:49,679
Speaker 1: the moment. That was one of my Uh, that was

432
00:20:49,720 --> 00:20:52,240
Speaker 1: one of my favorites. I had brought one of my

433
00:20:52,800 --> 00:20:55,000
Speaker 1: one of my DC partners out to my nigga know

434
00:20:55,119 --> 00:20:57,239
Speaker 1: say it, that was I heard him. That was one

435
00:20:57,280 --> 00:21:00,399
Speaker 1: of my favorites. You feel me because he one of them.

436
00:21:00,440 --> 00:21:02,240
Speaker 1: He one of them niggas who ain't get their flowers

437
00:21:02,240 --> 00:21:04,199
Speaker 1: and ship. You feel me. You know that was me

438
00:21:04,280 --> 00:21:06,359
Speaker 1: being a part of him getting his flowers in your city.

439
00:21:06,400 --> 00:21:09,360
Speaker 1: You feel there, that would be for me. That's crazy

440
00:21:09,359 --> 00:21:12,120
Speaker 1: that rappers from the outside have to do that, Like, yeah,

441
00:21:12,160 --> 00:21:13,959
Speaker 1: that's crazy. I'm not even from out there. You hear,

442
00:21:14,080 --> 00:21:16,679
Speaker 1: and you know what I'm saying. And I took the

443
00:21:16,680 --> 00:21:20,040
Speaker 1: point myself to like you feeling like uplift somebody from

444
00:21:20,359 --> 00:21:22,280
Speaker 1: and it's big, it's big artist out there. You feel

445
00:21:22,440 --> 00:21:24,000
Speaker 1: why ain't doing this for each other? But I can

446
00:21:24,080 --> 00:21:27,359
Speaker 1: say I can say the same thing about that's damn

447
00:21:27,400 --> 00:21:29,000
Speaker 1: now all of us. That's what I'm saying. It's a

448
00:21:29,080 --> 00:21:31,800
Speaker 1: problem with us peer. We have a problem. We have

449
00:21:31,880 --> 00:21:35,720
Speaker 1: an issue with proximity. Man, A lot of times will

450
00:21:35,840 --> 00:21:38,840
Speaker 1: help people that's fall away from us and not next

451
00:21:38,880 --> 00:21:42,480
Speaker 1: to us. That that's an issue. You know, niggas team

452
00:21:42,520 --> 00:21:44,439
Speaker 1: and trust streams more than they trust people they know

453
00:21:44,480 --> 00:21:47,400
Speaker 1: because they're not already seen flowers. That's the thing too, right,

454
00:21:47,880 --> 00:21:51,960
Speaker 1: So it's it's a healthy relationship that we have with disappointment,

455
00:21:52,440 --> 00:21:55,359
Speaker 1: you know what I'm saying. We understand that disappointment is

456
00:21:55,400 --> 00:21:58,520
Speaker 1: always around the corner, especially when you put your trust

457
00:21:58,600 --> 00:22:00,879
Speaker 1: in your heart and your feelings and your money and

458
00:22:00,960 --> 00:22:03,879
Speaker 1: all that this shit. And then sometimes the people close

459
00:22:03,960 --> 00:22:07,240
Speaker 1: to me, I keep them out of certain scenarios because

460
00:22:07,280 --> 00:22:10,560
Speaker 1: if they mess it up, it'll ruin our relationship. So

461
00:22:10,720 --> 00:22:13,199
Speaker 1: sometimes it's like, nah, I don't want to hire you

462
00:22:13,280 --> 00:22:15,960
Speaker 1: to do this for me because if this don't go

463
00:22:16,160 --> 00:22:22,359
Speaker 1: right now, our personal relationship is affected. So sometimes people

464
00:22:22,400 --> 00:22:24,840
Speaker 1: don't they look at your artists or people who make

465
00:22:24,880 --> 00:22:27,919
Speaker 1: and give opportunity to him and wonder why why you

466
00:22:27,920 --> 00:22:29,719
Speaker 1: ain't giving it to the person right next to you.

467
00:22:29,760 --> 00:22:32,840
Speaker 1: It's because this is so serious that if they drop

468
00:22:32,880 --> 00:22:35,240
Speaker 1: the ball on this, he won't be next to me

469
00:22:35,320 --> 00:22:38,360
Speaker 1: no more. And I ain't even gonna love him no more.

470
00:22:38,359 --> 00:22:40,240
Speaker 1: It's gonna be like that should have fuck me, man,

471
00:22:40,720 --> 00:22:43,320
Speaker 1: and niggas don't get that POI of you, Bro. Niggas

472
00:22:43,320 --> 00:22:46,439
Speaker 1: don't get that point. Like Bro, I'd rather reap the

473
00:22:46,480 --> 00:22:49,320
Speaker 1: benefits and like, help you start some shit that you're

474
00:22:49,359 --> 00:22:51,560
Speaker 1: good at. Don't come over. I can't let you in

475
00:22:51,600 --> 00:22:53,600
Speaker 1: here because if you fuck this up, I'm gonna hate

476
00:22:53,640 --> 00:22:55,080
Speaker 1: you for life. And I don't even want to hate you.

477
00:22:55,440 --> 00:22:59,240
Speaker 1: I'm saying because this all the nigga had right, especially

478
00:22:59,240 --> 00:23:01,560
Speaker 1: when you young done it as long as you like, well,

479
00:23:01,640 --> 00:23:03,880
Speaker 1: what what well should you want me to go with this? Yeah,

480
00:23:04,080 --> 00:23:07,840
Speaker 1: faced nigga, I don't put everything in this, like Bro.

481
00:23:08,359 --> 00:23:10,720
Speaker 1: I grew up in this ship exactly. Feel me, Like, nigga,

482
00:23:10,720 --> 00:23:14,439
Speaker 1: I've been half of my life been you posted the

483
00:23:14,480 --> 00:23:17,600
Speaker 1: other day. I'm like he was getting your ship mother,

484
00:23:18,359 --> 00:23:21,840
Speaker 1: you've seen just like your little boys and ship. Jesus,

485
00:23:22,600 --> 00:23:25,480
Speaker 1: it was a baby bro talk. I was a baby

486
00:23:25,600 --> 00:23:27,879
Speaker 1: grew up in this ship, bro, and I was just

487
00:23:27,960 --> 00:23:29,320
Speaker 1: telling her. I was just I was on the phone

488
00:23:29,359 --> 00:23:31,040
Speaker 1: with my little boys and ship day and I was

489
00:23:31,080 --> 00:23:34,280
Speaker 1: talking to your cousin on the punk God damn. He

490
00:23:34,440 --> 00:23:37,000
Speaker 1: like he like he was talking about he had brought

491
00:23:37,080 --> 00:23:40,520
Speaker 1: up the ship that happened in North Carolina feeling when

492
00:23:40,520 --> 00:23:42,360
Speaker 1: my spinding got shut up. Yeah, we're gonna talk about

493
00:23:42,400 --> 00:23:44,119
Speaker 1: wanted to because I haven't talked to you about to

494
00:23:44,160 --> 00:23:46,160
Speaker 1: go ahead. I'm like, I'm like, bro, that ain't nothing

495
00:23:46,200 --> 00:23:48,399
Speaker 1: you feel me. I'm like, you gotta understand. Like I

496
00:23:48,440 --> 00:23:50,600
Speaker 1: grew up, I grew up in a line like him.

497
00:23:50,680 --> 00:23:52,320
Speaker 1: I grew up in a in a lot of light.

498
00:23:52,440 --> 00:23:54,800
Speaker 1: You feel so it's like certain ship like that come

499
00:23:54,880 --> 00:23:57,760
Speaker 1: with it. But it ain't no different than I said.

500
00:23:57,800 --> 00:23:59,720
Speaker 1: I said. I told him, you gotta understand this life

501
00:23:59,760 --> 00:24:03,200
Speaker 1: I'm ain't no different than the life I was living.

502
00:24:03,240 --> 00:24:05,600
Speaker 1: You feel me. It's just like I'm playing more. I'm

503
00:24:05,640 --> 00:24:07,560
Speaker 1: a defense player. You feel me, But I'm still in

504
00:24:07,600 --> 00:24:09,080
Speaker 1: the game though. You feel me, and I can't. I

505
00:24:09,200 --> 00:24:12,080
Speaker 1: can't forget that you feel like that's a whole It's

506
00:24:12,160 --> 00:24:14,399
Speaker 1: important point. I'm just a defense player now. I'm not

507
00:24:14,480 --> 00:24:17,360
Speaker 1: on offense. I'm not going out looking at to Russian niggas.

508
00:24:17,480 --> 00:24:19,560
Speaker 1: Feel like you know what I'm saying. I'm a safety

509
00:24:19,680 --> 00:24:21,320
Speaker 1: or something. Anything. Come my way out, crack.

510
00:24:21,480 --> 00:24:21,640
Speaker 3: Yeah.

511
00:24:21,720 --> 00:24:23,920
Speaker 1: The minute you forget where you come from is the

512
00:24:24,040 --> 00:24:26,359
Speaker 1: minute to catch up with exactly. And this is what

513
00:24:26,440 --> 00:24:29,400
Speaker 1: I was saying. You feel like I can't just will

514
00:24:29,440 --> 00:24:31,560
Speaker 1: and needly like I'm just cool like this business because

515
00:24:32,119 --> 00:24:35,280
Speaker 1: I'm in our actuality as a black man in America.

516
00:24:35,320 --> 00:24:39,440
Speaker 1: You're not safe at all. Ever safe. Let's let's talk

517
00:24:39,480 --> 00:24:42,000
Speaker 1: about it, because I haven't spoke to you and my

518
00:24:42,160 --> 00:24:45,119
Speaker 1: fans ain't heard from you since that happened. But that

519
00:24:45,320 --> 00:24:48,399
Speaker 1: was a situation in North Carolina where they said, I

520
00:24:48,440 --> 00:24:51,800
Speaker 1: think it was seventy shots. Now they were thirty two shots.

521
00:24:52,280 --> 00:24:55,399
Speaker 1: Thirty shots. I'm like that, okay, thirty shots at your

522
00:24:55,440 --> 00:25:03,720
Speaker 1: sprinter van from road man Carolin. The game madout. You're

523
00:25:03,720 --> 00:25:05,560
Speaker 1: gonna go to rain as it is. I say it

524
00:25:05,680 --> 00:25:12,280
Speaker 1: right Rid and my dogars, hey, look take it out.

525
00:25:12,400 --> 00:25:13,000
Speaker 3: Hein' telling me.

526
00:25:13,080 --> 00:25:14,480
Speaker 1: On the way. We on the way to ride it

527
00:25:14,600 --> 00:25:14,879
Speaker 1: right now.

528
00:25:15,560 --> 00:25:20,920
Speaker 4: We on the way to ride it right now. We

529
00:25:21,040 --> 00:25:28,720
Speaker 4: know what, Jimmy, thank you for joining us this evening.

530
00:25:28,760 --> 00:25:29,840
Speaker 1: I'm Julian grace Well.

531
00:25:29,920 --> 00:25:33,399
Speaker 4: Dozens of shots fired, many vehicles damaged, and hundreds of

532
00:25:33,440 --> 00:25:36,200
Speaker 4: people running for safety. That was the scene at a

533
00:25:36,320 --> 00:25:39,159
Speaker 4: Raleigh nightclub this morning on Treywick Road. There it is

534
00:25:39,320 --> 00:25:41,880
Speaker 4: right there now, Please tell us it appears a rap

535
00:25:42,040 --> 00:25:43,879
Speaker 4: artist was the intended target.

536
00:25:44,320 --> 00:25:45,800
Speaker 1: W r l's lauryd Levine has.

537
00:25:45,760 --> 00:25:48,680
Speaker 4: The latest and speaks with the witness whose car was

538
00:25:48,760 --> 00:25:49,600
Speaker 4: hit by bullets.

539
00:25:52,240 --> 00:25:54,399
Speaker 5: Several hours later, and there's still so much of this

540
00:25:54,560 --> 00:25:58,840
Speaker 5: crime scene still left. Several vehicles like this with significant damage,

541
00:25:58,920 --> 00:26:01,320
Speaker 5: especially this one went this front and damage and then

542
00:26:01,359 --> 00:26:03,760
Speaker 5: we never walks this way. You'll find the Sperner van

543
00:26:04,080 --> 00:26:06,320
Speaker 5: which the artist and his team travels in.

544
00:26:06,680 --> 00:26:09,240
Speaker 1: You'll see that it's riddled with bullet holes.

545
00:26:10,160 --> 00:26:13,159
Speaker 5: A rat night scene a party after the party at

546
00:26:13,200 --> 00:26:16,280
Speaker 5: a Star bar in Raleigh ended in mayhem. Well, no

547
00:26:16,359 --> 00:26:19,680
Speaker 5: one was injured in this latest incident. Residents are calling

548
00:26:19,760 --> 00:26:22,480
Speaker 5: for change at this venue, which they say has become

549
00:26:22,640 --> 00:26:24,000
Speaker 5: a public safety hazard.

550
00:26:25,240 --> 00:26:27,840
Speaker 1: Walk me through that night. Was there any feelings? What

551
00:26:28,040 --> 00:26:29,920
Speaker 1: was going on that day? You know, you know a nigga,

552
00:26:29,960 --> 00:26:33,240
Speaker 1: I always feelings and shit whim. But you know you

553
00:26:33,320 --> 00:26:36,160
Speaker 1: try your biz to go with them, but everybody gotta

554
00:26:36,200 --> 00:26:41,000
Speaker 1: be on punt here. Oh you beat from the comstoe, Yeah,

555
00:26:43,119 --> 00:26:45,560
Speaker 1: but you know you try your bis to go with them,

556
00:26:45,600 --> 00:26:47,320
Speaker 1: but everybody got to be on point. Everybody got to

557
00:26:47,320 --> 00:26:49,800
Speaker 1: listen to Shay feels so God damn I go to

558
00:26:49,840 --> 00:26:52,400
Speaker 1: the club. It's a regular it's a regular show. It's

559
00:26:52,440 --> 00:26:57,080
Speaker 1: a regular show. Uh. Peg that name motherfucker is lit. Uh.

560
00:26:58,200 --> 00:27:00,359
Speaker 1: It's a little vibe in this motherfucker. But you know,

561
00:27:00,480 --> 00:27:02,720
Speaker 1: my biggest song is Murdered, Murder and Murder the kid kids,

562
00:27:02,800 --> 00:27:04,680
Speaker 1: So I be expecting the vibe anyway. You feel me.

563
00:27:04,880 --> 00:27:06,680
Speaker 1: I ain't got the bed bitches and the gangsters. You

564
00:27:06,680 --> 00:27:08,320
Speaker 1: feel me, so shit, I ain't tripping me, you feel me.

565
00:27:08,320 --> 00:27:10,760
Speaker 1: It's always at vibe. I'm ready for it. But this

566
00:27:10,920 --> 00:27:14,400
Speaker 1: particular night, it was just like, I ain't forna staying

567
00:27:14,400 --> 00:27:15,879
Speaker 1: here for too long, you feel me. It was like

568
00:27:15,920 --> 00:27:17,840
Speaker 1: one of them, like I never really stayed for too long,

569
00:27:17,920 --> 00:27:20,000
Speaker 1: but I ain't staying here for too long, you feel me.

570
00:27:20,119 --> 00:27:23,280
Speaker 1: Then boom, my cousin them had surprised me at the show,

571
00:27:23,320 --> 00:27:25,920
Speaker 1: right when I was about to leave. You feel me,

572
00:27:26,160 --> 00:27:28,679
Speaker 1: so mind you held for the club then left for right.

573
00:27:29,480 --> 00:27:31,359
Speaker 1: So when I'm about to leave my cousin them and

574
00:27:31,440 --> 00:27:34,520
Speaker 1: Steers that just pop up. Is they left because it's

575
00:27:34,600 --> 00:27:37,760
Speaker 1: late or they left because I'm done performed? Okay, So shit,

576
00:27:37,960 --> 00:27:40,000
Speaker 1: damn bruh, might bruh dawn, I feel I'm for gone

577
00:27:40,000 --> 00:27:43,160
Speaker 1: here getting my car your fuckunk, so god damn my cousin,

578
00:27:43,200 --> 00:27:44,720
Speaker 1: I'm surprised me at the show. I'm like, shit, I'm

579
00:27:44,720 --> 00:27:46,359
Speaker 1: gonna stay for about ten more minutes. You fee my know,

580
00:27:46,520 --> 00:27:48,920
Speaker 1: y'all want to have fun. So boom my peep like

581
00:27:49,440 --> 00:27:52,320
Speaker 1: the more and more of the club leaving. So I'm like,

582
00:27:53,119 --> 00:27:54,760
Speaker 1: I tell my cousin, I'm like, hey, I'm gone. With

583
00:27:54,840 --> 00:27:56,240
Speaker 1: like five minutes later, I'm like, bro, I'm gone. I

584
00:27:56,240 --> 00:27:59,240
Speaker 1: ain't stay for the whole ten minute. So boom like, bro,

585
00:27:59,280 --> 00:28:01,760
Speaker 1: we're gonna gotta go by the because I got I

586
00:28:01,920 --> 00:28:03,440
Speaker 1: got shot at the club before. You feel me, So

587
00:28:03,800 --> 00:28:05,639
Speaker 1: I don't even play like that was that time with Boost.

588
00:28:05,680 --> 00:28:08,479
Speaker 1: It was in here. We talked about that before their

589
00:28:08,520 --> 00:28:10,880
Speaker 1: motherfucker good as a motherphoner. I'm like, I'm fin the guilt.

590
00:28:11,320 --> 00:28:14,119
Speaker 1: So when I get outside, I get to the sprinter van.

591
00:28:15,920 --> 00:28:17,800
Speaker 1: But while walking to the sprinter van, I see the

592
00:28:17,880 --> 00:28:20,680
Speaker 1: whole club that just left out the club. Everybody's still

593
00:28:20,680 --> 00:28:23,240
Speaker 1: in the parking. I ain't nobody leaving. I feel me.

594
00:28:23,359 --> 00:28:25,840
Speaker 1: So I'm solder, So now what everybody It's like a

595
00:28:25,880 --> 00:28:27,879
Speaker 1: black porter. But I'm seeing niggas going. They call me

596
00:28:28,240 --> 00:28:30,040
Speaker 1: they scrap put it in their heip and post up.

597
00:28:30,560 --> 00:28:33,320
Speaker 1: I'm like, ah, now, exect me to go drop people

598
00:28:33,359 --> 00:28:36,160
Speaker 1: with guns, never mix you feel me? So, she got

599
00:28:36,240 --> 00:28:39,640
Speaker 1: damn when you're coming out the front, Yeah, come out

600
00:28:39,640 --> 00:28:41,760
Speaker 1: of the front to mistake. Yeah, I'm already folk at

601
00:28:41,760 --> 00:28:44,120
Speaker 1: the first mistake. But boom, that's how the club made

602
00:28:44,200 --> 00:28:46,280
Speaker 1: for him like it ain't no baked though, feel boom

603
00:28:46,880 --> 00:28:49,320
Speaker 1: got damn that said chilling circuit Mom for you. You

604
00:28:49,440 --> 00:28:55,080
Speaker 1: know you get like people. So God damn, I peeped

605
00:28:55,080 --> 00:28:56,480
Speaker 1: that ship. We jump in the sprinter, we go to

606
00:28:56,560 --> 00:29:02,560
Speaker 1: pull out. Niggas just start hearing shot. I'm saying, though

607
00:29:04,040 --> 00:29:06,800
Speaker 1: you ain't what No, you ain't bumping, No nigga, y'all

608
00:29:06,840 --> 00:29:09,240
Speaker 1: ain't got into it. You know I know how to

609
00:29:09,640 --> 00:29:13,000
Speaker 1: be so I respect man, man, respect me. You feel me?

610
00:29:13,080 --> 00:29:15,400
Speaker 1: So when I when I can walk through my own show,

611
00:29:15,440 --> 00:29:17,000
Speaker 1: I can walk through the crowd by myself and go

612
00:29:17,040 --> 00:29:18,800
Speaker 1: to the bathroom if I want to, I need it

613
00:29:18,840 --> 00:29:20,440
Speaker 1: plenty of times. Excuse me, brother, let me get through

614
00:29:20,440 --> 00:29:21,920
Speaker 1: the Excuse and me. Brother, I'm sorry, babe, I ain't

615
00:29:21,920 --> 00:29:23,560
Speaker 1: mean to step on. Excuse me brother, Excuse me brother,

616
00:29:23,640 --> 00:29:25,880
Speaker 1: how what's O? Excuse me? My vem like I know

617
00:29:25,960 --> 00:29:27,880
Speaker 1: how to treat people even that's why my fans love me.

618
00:29:28,000 --> 00:29:31,320
Speaker 1: Feli me so I know for a fake, ain't you know?

619
00:29:31,760 --> 00:29:35,000
Speaker 1: While I was performing? While performing, it's the only thing

620
00:29:35,080 --> 00:29:38,880
Speaker 1: that stuck out to me while performing. Got damn. There's

621
00:29:38,880 --> 00:29:42,320
Speaker 1: some niggas like rapping to each other, but they got

622
00:29:42,360 --> 00:29:43,440
Speaker 1: to do with them. I ain't got nothing to do

623
00:29:43,520 --> 00:29:46,120
Speaker 1: with me. You feel the nigga over here get like

624
00:29:46,160 --> 00:29:48,800
Speaker 1: that for real life while I'm performing, Oh yeah that

625
00:29:48,840 --> 00:29:52,280
Speaker 1: should Oh little fuck I spied it out. Yeah, I know,

626
00:29:52,480 --> 00:29:55,320
Speaker 1: I know, I know, really shit. I know niggas gags though,

627
00:29:55,840 --> 00:29:58,320
Speaker 1: so boy them the only two things they just but

628
00:29:58,400 --> 00:29:59,920
Speaker 1: I don't know who neither one of them nigga. W

629
00:30:00,080 --> 00:30:02,480
Speaker 1: All these shots hit your will?

630
00:30:02,880 --> 00:30:03,080
Speaker 2: Yeah?

631
00:30:03,640 --> 00:30:05,760
Speaker 1: Yeah, a lot of a lot of bullet people. I

632
00:30:06,000 --> 00:30:08,920
Speaker 1: was out the bitch shooting at each other kind of

633
00:30:09,000 --> 00:30:10,520
Speaker 1: kind of you just kind of got in the cross

634
00:30:10,560 --> 00:30:12,360
Speaker 1: file like like you know what I mean, kind of

635
00:30:12,440 --> 00:30:14,400
Speaker 1: the cross Yeah, but it seemed like it seemed like

636
00:30:14,480 --> 00:30:16,840
Speaker 1: majority of them. Yeah, it didn't seem like no crawl

637
00:30:16,880 --> 00:30:20,760
Speaker 1: file that is shot. I'm saying, like cross you feel

638
00:30:21,400 --> 00:30:24,440
Speaker 1: that is shots don't seem like craws file. But again

639
00:30:24,560 --> 00:30:26,920
Speaker 1: you ain't feeling no pressure. So that's why I'm trying

640
00:30:26,920 --> 00:30:29,240
Speaker 1: to figure out how it just come after the blue

641
00:30:29,280 --> 00:30:31,720
Speaker 1: skylight though what I'm saying, like what, I don't even

642
00:30:31,720 --> 00:30:33,360
Speaker 1: know what it was. I'm still baffled to this day,

643
00:30:33,480 --> 00:30:35,920
Speaker 1: be Bro, swear to god, I don't know what the

644
00:30:36,000 --> 00:30:40,640
Speaker 1: fu was, really don't know, couldn't call it. That's crazy.

645
00:30:40,720 --> 00:30:44,240
Speaker 1: Wasn't no nigga mugging me or nothing like she is?

646
00:30:44,760 --> 00:30:46,320
Speaker 1: And I don't even be on no freaking shit in

647
00:30:46,400 --> 00:30:48,840
Speaker 1: the club. I know I ain't slapt no nigga girl

648
00:30:48,920 --> 00:30:50,520
Speaker 1: on the ads of talk to no Niggas girl, I'd

649
00:30:50,520 --> 00:30:52,840
Speaker 1: be really trying to step on bitches. Yeah, you know

650
00:30:52,880 --> 00:30:55,640
Speaker 1: what I'm saying, shots and a nigga said, they just

651
00:30:55,800 --> 00:30:58,160
Speaker 1: crossed fire. You know, a nigga come from the gud

652
00:30:58,360 --> 00:31:02,400
Speaker 1: nigga that is shots up the cross file. Nigga just

653
00:31:02,560 --> 00:31:09,960
Speaker 1: chalk shots up the cross file. So let me ask

654
00:31:10,000 --> 00:31:14,680
Speaker 1: you this. I think one of the differences of you

655
00:31:14,880 --> 00:31:18,320
Speaker 1: touring with Gates and loose you to and then we'll

656
00:31:18,360 --> 00:31:22,040
Speaker 1: get off touring, is that with a label without a label,

657
00:31:23,560 --> 00:31:27,720
Speaker 1: with a hit without a hit, so and you still

658
00:31:27,840 --> 00:31:30,920
Speaker 1: have a label, you get your services and things outsourced

659
00:31:30,960 --> 00:31:34,800
Speaker 1: and you do have a situation right that you got partners,

660
00:31:35,000 --> 00:31:37,240
Speaker 1: so you're not just out there with nobody. But I'm

661
00:31:37,280 --> 00:31:40,600
Speaker 1: saying you were with a label. Do you see any

662
00:31:40,680 --> 00:31:44,640
Speaker 1: differences that was the label ever involved in touring for

663
00:31:44,720 --> 00:31:48,360
Speaker 1: any artist that's coming up, Like what's the label's positioning? Torn?

664
00:31:49,040 --> 00:31:51,240
Speaker 1: Because you're independent that you've been on both sides, so

665
00:31:51,520 --> 00:31:56,920
Speaker 1: what having having a good label behind you and like

666
00:31:57,000 --> 00:31:58,840
Speaker 1: a real label behind you and you know they shot

667
00:31:58,920 --> 00:32:01,760
Speaker 1: you for tours and ship, right, you feel so opportunity

668
00:32:01,800 --> 00:32:04,920
Speaker 1: for tour. But I'm saying on tour like it's the lady,

669
00:32:05,200 --> 00:32:08,160
Speaker 1: I ain't getting no tool support. Okay, yeah, saying getting

670
00:32:08,160 --> 00:32:08,800
Speaker 1: no tool support?

671
00:32:08,880 --> 00:32:09,840
Speaker 2: You know, like.

672
00:32:12,120 --> 00:32:15,160
Speaker 1: Dang, yeah, Dan, It wasn't shit like that was out

673
00:32:15,160 --> 00:32:16,760
Speaker 1: the most you know that that tour I got that

674
00:32:16,880 --> 00:32:21,120
Speaker 1: too was like strictly relationship me and brother. You feel

675
00:32:21,160 --> 00:32:23,400
Speaker 1: me like he like little br like I want you

676
00:32:23,400 --> 00:32:24,800
Speaker 1: to come on to it with me, feel me like

677
00:32:24,800 --> 00:32:28,640
Speaker 1: you know what I'm saying, that's love. It wasn't really no, no,

678
00:32:28,960 --> 00:32:31,440
Speaker 1: did they put you on the Kevin Gates tour the

679
00:32:31,600 --> 00:32:33,800
Speaker 1: label or how did that you? I think they shopped

680
00:32:33,840 --> 00:32:35,560
Speaker 1: me for the tour and then they accept the type

681
00:32:35,600 --> 00:32:37,680
Speaker 1: ship like, yeah, we'll be you know what I'm saying.

682
00:32:37,720 --> 00:32:39,960
Speaker 1: So they shop based on do you know how the

683
00:32:40,080 --> 00:32:42,040
Speaker 1: process go because I don't. I don't really know how

684
00:32:42,080 --> 00:32:45,360
Speaker 1: the process you can't, So they kind of do. They

685
00:32:45,440 --> 00:32:48,920
Speaker 1: shop like, hey, we got this pool of artists. You know,

686
00:32:49,040 --> 00:32:51,360
Speaker 1: he's doing this amount of number, but his markets are

687
00:32:51,400 --> 00:32:52,680
Speaker 1: strong getting here and then.

688
00:32:53,080 --> 00:32:57,440
Speaker 6: A lot of the Asian Okay, you know what I'm saying,

689
00:32:57,520 --> 00:33:03,040
Speaker 6: So like one of the biggest we all right, he

690
00:33:03,720 --> 00:33:04,040
Speaker 6: so like.

691
00:33:05,560 --> 00:33:11,640
Speaker 1: I don't know, I have a little more action that gain, right, Okay, Okay, yes,

692
00:33:11,760 --> 00:33:14,760
Speaker 1: that's okay, I see what you're saying. Okay, So okay, okay.

693
00:33:14,880 --> 00:33:17,120
Speaker 1: So they make money with Rod, Now that opens the

694
00:33:17,160 --> 00:33:19,600
Speaker 1: door for them to say, we got another pool of

695
00:33:19,800 --> 00:33:21,959
Speaker 1: artists that hey, what about working him and putting him

696
00:33:22,000 --> 00:33:25,360
Speaker 1: over here? With that that makes still relationship base. That's

697
00:33:25,400 --> 00:33:28,080
Speaker 1: why relationships is so important in this game. You know

698
00:33:28,120 --> 00:33:31,640
Speaker 1: what I'm saying. Yeah, yeah, it's a it's a political game, man.

699
00:33:33,480 --> 00:33:35,400
Speaker 1: But but I think some of that pop you were

700
00:33:35,440 --> 00:33:38,920
Speaker 1: getting tool was because you got if you ask me,

701
00:33:39,040 --> 00:33:41,560
Speaker 1: you now have an official hit, you got that song

702
00:33:41,720 --> 00:33:46,280
Speaker 1: that everybody knows that artists. Sometimes artists go their whole career.

703
00:33:46,480 --> 00:33:49,360
Speaker 1: Man nigga like Jada Kiss and people like that. They

704
00:33:49,400 --> 00:33:53,600
Speaker 1: have illustrious careers in the industry twenty five years, but

705
00:33:53,720 --> 00:33:59,760
Speaker 1: they don't got that one record everybody knows. Oh yeah

706
00:33:59,760 --> 00:34:03,960
Speaker 1: I got for them, but you do yeah, big hom see.

707
00:34:04,000 --> 00:34:06,880
Speaker 1: But lay Down went different. Lay Down when made, I

708
00:34:06,880 --> 00:34:09,680
Speaker 1: don't deal. It was almost gold right before that ship

709
00:34:09,719 --> 00:34:13,239
Speaker 1: with viral again it was it was gold before it went.

710
00:34:13,600 --> 00:34:16,280
Speaker 1: So that's why I'm saying, I'm going I had two goodness,

711
00:34:16,320 --> 00:34:23,560
Speaker 1: you're crazy do better doing bad. But but but gold

712
00:34:23,840 --> 00:34:28,399
Speaker 1: is one thing. And these are very good statistics and accolades, right,

713
00:34:28,960 --> 00:34:33,000
Speaker 1: but the ability to just know the record he got

714
00:34:33,080 --> 00:34:36,920
Speaker 1: that later that later soon they drop. It's a different thing, bro,

715
00:34:37,880 --> 00:34:41,600
Speaker 1: It's a different thing. And that is what people are

716
00:34:41,760 --> 00:34:45,640
Speaker 1: actually searching for. People are actually like as artists, like

717
00:34:45,760 --> 00:34:48,120
Speaker 1: I need one of them because they can sustain me.

718
00:34:49,000 --> 00:34:55,160
Speaker 1: You understand, house you do. That's real estate. And everybody

719
00:34:55,280 --> 00:34:57,480
Speaker 1: been to that house and they like that house. They like,

720
00:34:57,800 --> 00:35:00,440
Speaker 1: you know what I'm saying, And so if all else fails,

721
00:35:00,920 --> 00:35:03,680
Speaker 1: I got this house. That's my selling point. And while

722
00:35:03,680 --> 00:35:07,239
Speaker 1: I go, that's my selling point. It's my job to

723
00:35:07,280 --> 00:35:09,600
Speaker 1: get other people based on the other shit I got

724
00:35:09,880 --> 00:35:12,719
Speaker 1: right when I get there scraping new fans. But you

725
00:35:12,760 --> 00:35:14,840
Speaker 1: should be able to get a lot done just based

726
00:35:14,880 --> 00:35:17,880
Speaker 1: on the success. And that's what I'm saying, right, and

727
00:35:18,000 --> 00:35:21,840
Speaker 1: so I think that to me, that's one of the

728
00:35:21,880 --> 00:35:24,200
Speaker 1: biggest differences for you on this tour was like you

729
00:35:24,320 --> 00:35:27,800
Speaker 1: had an official record that was moving at a pace

730
00:35:27,920 --> 00:35:30,879
Speaker 1: that had to be that the industry had to take

731
00:35:30,960 --> 00:35:32,719
Speaker 1: notice of it fixed, you know what I'm saying, and

732
00:35:32,840 --> 00:35:36,080
Speaker 1: if the fans reacted to it. And what's interesting is

733
00:35:37,239 --> 00:35:39,960
Speaker 1: it's like a slow pace, but it's tearing the clubs.

734
00:35:41,280 --> 00:35:47,080
Speaker 1: It's not even it ain't that motherfucker. It's slow pacing. Yeah,

735
00:35:48,040 --> 00:35:52,200
Speaker 1: and they really love Yeah. Yeah, so I think that.

736
00:35:52,400 --> 00:35:55,880
Speaker 1: But but yeah, man, like I think, what's your next?

737
00:35:56,040 --> 00:35:58,200
Speaker 1: Do you have another toy locally? Going back out? You

738
00:35:58,480 --> 00:36:00,480
Speaker 1: you just taking bookings now? You know what I'm saying,

739
00:36:00,520 --> 00:36:02,279
Speaker 1: I'm taking bullets now that I'm trying, I'm really trying

740
00:36:02,280 --> 00:36:04,600
Speaker 1: to rob my own to it for real. How do

741
00:36:04,640 --> 00:36:08,160
Speaker 1: you go about doing that? Just yeah it God damn data,

742
00:36:08,480 --> 00:36:11,279
Speaker 1: Uh you know, figuring out what see this fuck with jam? Uh?

743
00:36:11,920 --> 00:36:13,840
Speaker 1: What cit this fuck with you? The most? You feel me?

744
00:36:13,960 --> 00:36:17,440
Speaker 1: And then uh, touring companies and shit Will reached out

745
00:36:17,480 --> 00:36:19,960
Speaker 1: to like make age said, reached out, but it wasn't

746
00:36:19,960 --> 00:36:22,279
Speaker 1: the right time. He had did a tour with young Boy.

747
00:36:22,320 --> 00:36:25,600
Speaker 1: You feel me then a G. I'm trying to fuck

748
00:36:25,640 --> 00:36:29,320
Speaker 1: with a G. That's their name. Y'all get up with me.

749
00:36:29,760 --> 00:36:34,920
Speaker 1: I feel like this tour like I proved a lot right, Like,

750
00:36:35,000 --> 00:36:37,399
Speaker 1: oh yeah, because my whole sit was lit like all

751
00:36:37,400 --> 00:36:39,799
Speaker 1: the way till I dropped laiter down. You feel it's

752
00:36:39,840 --> 00:36:41,840
Speaker 1: like I come out big home, do bet or you

753
00:36:41,880 --> 00:36:43,880
Speaker 1: fear him? Ship Like this was like, oh yeah, this

754
00:36:44,000 --> 00:36:46,719
Speaker 1: nick can actually sit on stage for hour. A lot

755
00:36:46,719 --> 00:36:49,280
Speaker 1: of niggas can't sit on stays for hour, no dry spots.

756
00:36:49,560 --> 00:36:52,040
Speaker 1: They came really talking and I'm talking to the forming

757
00:36:52,120 --> 00:36:55,319
Speaker 1: and everything. Right, yeah, let's let's talk about Let's talk

758
00:36:55,360 --> 00:36:59,960
Speaker 1: about so the single laid down I know last time

759
00:37:00,000 --> 00:37:03,560
Speaker 1: and we talked about some of the business behind it. Glorilla.

760
00:37:03,719 --> 00:37:07,120
Speaker 1: You and Glorilla had that record. You still talk to gloriala?

761
00:37:07,200 --> 00:37:13,120
Speaker 1: What's your relationship? Was she still enough for the show?

762
00:37:13,360 --> 00:37:17,279
Speaker 1: I think I also felt like when when the song

763
00:37:17,440 --> 00:37:19,960
Speaker 1: came and you know, we talked about it last time

764
00:37:20,000 --> 00:37:24,360
Speaker 1: because it made some uproar like people. Yeah. People was

765
00:37:24,480 --> 00:37:29,600
Speaker 1: like oh yeah, like whoa, that's crazy, and we talked

766
00:37:29,640 --> 00:37:32,480
Speaker 1: through it and really gave people is really on your side.

767
00:37:32,640 --> 00:37:34,960
Speaker 1: Like a lot of the fans, a lot of the

768
00:37:35,080 --> 00:37:37,640
Speaker 1: narrative was like, come on, man, y'all, that's wrong to do.

769
00:37:37,960 --> 00:37:42,880
Speaker 1: Right At the same time, I felt like the universe

770
00:37:42,920 --> 00:37:46,200
Speaker 1: and God gave you that record right before that deal

771
00:37:46,440 --> 00:37:52,000
Speaker 1: dissolved to sustain you through this next like because without

772
00:37:52,080 --> 00:37:55,160
Speaker 1: that record, things look different right now. You see what

773
00:37:55,200 --> 00:37:57,959
Speaker 1: I'm saying, not that you not that you wouldn't still

774
00:37:58,000 --> 00:38:00,080
Speaker 1: be you, and it would be it would be he

775
00:38:00,160 --> 00:38:02,520
Speaker 1: got to dropped because he didn't and he wasn't. They

776
00:38:02,560 --> 00:38:05,480
Speaker 1: didn't think he was gonna recop. No, I don't recouped, nigga.

777
00:38:05,920 --> 00:38:09,480
Speaker 1: They gotta pay me nothing type shit. Yeah, I give

778
00:38:09,560 --> 00:38:13,160
Speaker 1: my money, like it'll be looking way different as far

779
00:38:13,160 --> 00:38:15,239
Speaker 1: as like, damn they dropped him. He wasn't making no

780
00:38:15,360 --> 00:38:18,359
Speaker 1: money little but yeah, that ship is that was doing

781
00:38:18,400 --> 00:38:20,600
Speaker 1: this shit. It was the universe, bro, because it was

782
00:38:20,640 --> 00:38:23,120
Speaker 1: at the right time. You know what I'm saying. It

783
00:38:23,239 --> 00:38:25,640
Speaker 1: was like, this is gonna hold you for eighteen months

784
00:38:25,800 --> 00:38:28,760
Speaker 1: just on some you know what I mean. Figure figure

785
00:38:28,760 --> 00:38:31,080
Speaker 1: out what you're gonna do, but for the next eighteen months,

786
00:38:31,080 --> 00:38:33,640
Speaker 1: you're gonna get shows and looks and certain things just

787
00:38:34,080 --> 00:38:36,200
Speaker 1: because of this. You get what I'm saying, And so

788
00:38:36,360 --> 00:38:38,880
Speaker 1: I think, I really think the universe is perfect.

789
00:38:38,960 --> 00:38:39,080
Speaker 4: Man.

790
00:38:39,120 --> 00:38:41,480
Speaker 1: That's why I tell people don't worry, because you could

791
00:38:41,520 --> 00:38:44,279
Speaker 1: have easily panicked when those a lot of rappers and artists.

792
00:38:44,320 --> 00:38:45,680
Speaker 1: That's why I want to talk about it, because you

793
00:38:45,719 --> 00:38:48,719
Speaker 1: ain't the only artist that was in that scenario. Right

794
00:38:48,760 --> 00:38:52,200
Speaker 1: when these labels start to consolidate because AI and streaming

795
00:38:52,280 --> 00:38:56,040
Speaker 1: and things are collapsing, it's like, yo, artists are being affected.

796
00:38:56,560 --> 00:39:00,440
Speaker 1: You didn't panic, for sure, and the universe sure do

797
00:39:00,600 --> 00:39:03,759
Speaker 1: something that can sustain you for eighteen months. I know,

798
00:39:04,280 --> 00:39:06,600
Speaker 1: I know good got me bro, that'd be through heading

799
00:39:06,760 --> 00:39:08,480
Speaker 1: run no good gain? Yeah for shure. I don't know

800
00:39:09,080 --> 00:39:12,279
Speaker 1: else Why you give me this tenor that you ain't

801
00:39:12,320 --> 00:39:15,560
Speaker 1: gonna Why do I got this? And why did I

802
00:39:15,640 --> 00:39:18,319
Speaker 1: make it this far to you know what I'm saying, Yeah,

803
00:39:18,400 --> 00:39:21,239
Speaker 1: for sure to not do it. So it's like I

804
00:39:21,280 --> 00:39:24,399
Speaker 1: don't be letting she get me. I've been seeing though, Yeah,

805
00:39:24,480 --> 00:39:28,040
Speaker 1: for sure, I've been seeing glow real sister bro real online.

806
00:39:28,239 --> 00:39:28,399
Speaker 7: Man.

807
00:39:29,360 --> 00:39:31,319
Speaker 1: I don't respect that ship at all. I don't either.

808
00:39:31,360 --> 00:39:33,680
Speaker 1: I don't respect that ship at all. Bro, Like that's

809
00:39:33,719 --> 00:39:36,680
Speaker 1: your sister, that's your family. No matter what your felily,

810
00:39:36,719 --> 00:39:38,880
Speaker 1: you still go and you look just like her. So

811
00:39:39,080 --> 00:39:40,879
Speaker 1: now you done burnt your face out of the edge

812
00:39:40,920 --> 00:39:42,879
Speaker 1: where you go MoPo go? Damn? She look like, look,

813
00:39:43,080 --> 00:39:45,640
Speaker 1: damn you look. You feel you're finna torture yourself for

814
00:39:45,680 --> 00:39:47,600
Speaker 1: the rest of your life money. And for me it

815
00:39:47,719 --> 00:39:50,560
Speaker 1: was for some get hot money. And so I reached

816
00:39:50,600 --> 00:39:53,279
Speaker 1: out to real talk. I was finnah, bring her down

817
00:39:53,360 --> 00:39:56,120
Speaker 1: and really talk to her on some just some real

818
00:39:56,239 --> 00:39:58,400
Speaker 1: nigga ship, like what you knowing what you got going on?

819
00:39:58,800 --> 00:39:59,440
Speaker 4: Like what is it?

820
00:40:01,520 --> 00:40:03,759
Speaker 1: And she was she was, she was playing into it.

821
00:40:03,880 --> 00:40:05,600
Speaker 1: Then I just was like, hold on because I just

822
00:40:05,680 --> 00:40:08,120
Speaker 1: got my building. I might do it. I'm gonna let

823
00:40:08,160 --> 00:40:10,080
Speaker 1: the fansh y'all tell me should I do it? But

824
00:40:10,160 --> 00:40:12,720
Speaker 1: I think she need a real conversation, like with somebody,

825
00:40:13,120 --> 00:40:17,520
Speaker 1: what are you doing to your family? Respectfully? Though I

826
00:40:17,640 --> 00:40:19,840
Speaker 1: know you need your ones and tools and your tools

827
00:40:19,920 --> 00:40:22,719
Speaker 1: and your fuse, but you don't throw your people under

828
00:40:22,760 --> 00:40:26,000
Speaker 1: the bus, like you get what I'm saying. Do you

829
00:40:26,160 --> 00:40:30,200
Speaker 1: go through that? Do you do you feel the unrealistic

830
00:40:30,360 --> 00:40:34,799
Speaker 1: expectations that come along with fame, and like I went

831
00:40:34,840 --> 00:40:37,040
Speaker 1: through that ship a lot, not so much with my

832
00:40:37,200 --> 00:40:41,200
Speaker 1: family femily, but like homeboys like that, Like I just

833
00:40:41,280 --> 00:40:43,000
Speaker 1: had a nigga. I just had a nigga post on

834
00:40:43,080 --> 00:40:47,040
Speaker 1: Facebook fucking his lords nigga by one of my day ones,

835
00:40:47,160 --> 00:40:49,560
Speaker 1: fem Like, what was you the depth that what I'm saying,

836
00:40:49,560 --> 00:40:52,919
Speaker 1: like nigga, but what she crazy? Just because the nigga

837
00:40:52,960 --> 00:40:56,120
Speaker 1: feel like I fuck with certain niggas more thanough fuck

838
00:40:56,200 --> 00:40:58,200
Speaker 1: with him, or a nigga hanging with this nigga too much,

839
00:40:58,239 --> 00:41:00,000
Speaker 1: just because we don't talk as much as you would like, Nigga,

840
00:41:00,040 --> 00:41:02,440
Speaker 1: we grown, Nigga, I'm thirty years old, I'm twenty nine

841
00:41:02,520 --> 00:41:05,560
Speaker 1: years old. Money you feel me shit like that, like

842
00:41:05,640 --> 00:41:08,200
Speaker 1: I ain't gonna lie, And I feel like this is

843
00:41:08,200 --> 00:41:10,239
Speaker 1: another thing too, Like I feel like niggas who do

844
00:41:10,320 --> 00:41:12,080
Speaker 1: that type of shit, people who people who do that

845
00:41:12,160 --> 00:41:14,000
Speaker 1: type of shit to you that's close to you, and shit,

846
00:41:14,600 --> 00:41:16,440
Speaker 1: they know the type of person you is, Like nigga,

847
00:41:16,440 --> 00:41:17,759
Speaker 1: you know the type person I am, So you know

848
00:41:17,840 --> 00:41:19,320
Speaker 1: the type of shit you you have to say to

849
00:41:19,400 --> 00:41:21,480
Speaker 1: make me crash out and throw anything await and you

850
00:41:21,560 --> 00:41:23,560
Speaker 1: want me to throw anything away? You feel me, So

851
00:41:23,680 --> 00:41:26,640
Speaker 1: I'm not gonna do that, you feel me? Yeah, that's

852
00:41:26,719 --> 00:41:31,439
Speaker 1: what's unfortunate is because if we're not emotionally responsible, we'll

853
00:41:31,480 --> 00:41:34,080
Speaker 1: spend all our life climbing the mountain and then a

854
00:41:34,160 --> 00:41:36,200
Speaker 1: nigga will get us to jump off the leg. Yeah,

855
00:41:36,280 --> 00:41:38,759
Speaker 1: jump straight up the motherfuckering mountain close as fuck are

856
00:41:38,800 --> 00:41:40,759
Speaker 1: jumping out. And you know how long it took a

857
00:41:40,840 --> 00:41:44,080
Speaker 1: nigga to climb that mountain only to be talked in

858
00:41:44,239 --> 00:41:47,600
Speaker 1: the jumping off the ledge. So we gotta have emotional

859
00:41:48,080 --> 00:41:50,880
Speaker 1: You telling niggas mad as you climb the mountain and

860
00:41:50,960 --> 00:41:53,480
Speaker 1: you ain't carrying them on your back exactly. Niggas don't

861
00:41:53,480 --> 00:41:56,560
Speaker 1: even want to work their legs, bro, real talk. Niggas

862
00:41:56,600 --> 00:41:58,359
Speaker 1: mad that you climbed the mountain, putting out of work,

863
00:41:58,840 --> 00:42:00,520
Speaker 1: seeing how the work you put in and wanted to

864
00:42:00,520 --> 00:42:02,279
Speaker 1: add some extra wait on you like, damn, why you

865
00:42:02,320 --> 00:42:04,640
Speaker 1: can't carry me on your back? Money? You feel like,

866
00:42:04,719 --> 00:42:08,840
Speaker 1: what the type of shit is that? Money? Niggas ain't mean, bro,

867
00:42:09,000 --> 00:42:11,360
Speaker 1: Niggas ain't me and they should behaving my feelings Tooiga

868
00:42:11,400 --> 00:42:13,400
Speaker 1: know what type of nigga is right? And then I

869
00:42:13,480 --> 00:42:18,239
Speaker 1: think it's unfortunate because we could see people that they

870
00:42:18,320 --> 00:42:21,400
Speaker 1: want a short cut, but they don't understand the universe.

871
00:42:21,440 --> 00:42:25,759
Speaker 1: Don't honor shortcut exactly. They don't understand you cannot get

872
00:42:25,840 --> 00:42:28,120
Speaker 1: it that way. That's why I want to respect the ship.

873
00:42:28,560 --> 00:42:31,760
Speaker 1: Brorilla doing whatever fucking name right like that, that's weird.

874
00:42:31,880 --> 00:42:34,040
Speaker 1: You don't do your people like that. And then for

875
00:42:34,160 --> 00:42:36,640
Speaker 1: the number to be twenty five hundred was like twenty

876
00:42:36,719 --> 00:42:41,200
Speaker 1: five hundred flat. I'm on a generational run and you're

877
00:42:41,200 --> 00:42:45,680
Speaker 1: gonna pop out like that about twenty five generational run.

878
00:42:45,960 --> 00:42:48,520
Speaker 1: They can create generation no weever, and you pop out

879
00:42:48,600 --> 00:42:52,880
Speaker 1: like this for twenty five hundred dollars, it's you stupid?

880
00:42:53,560 --> 00:42:55,160
Speaker 1: Is you sick in the head or something? You got

881
00:42:55,200 --> 00:42:57,200
Speaker 1: to be? But but see get how money? Just like

882
00:42:57,239 --> 00:42:59,960
Speaker 1: you said, get how many? Yeah, for sure? And then

883
00:43:00,560 --> 00:43:07,279
Speaker 1: draw rents. That was a withdrawing ring. Yeah, because Bru,

884
00:43:07,440 --> 00:43:10,520
Speaker 1: like I asked myself, I'm like, what would it take

885
00:43:10,640 --> 00:43:12,799
Speaker 1: for somebody to do that? And then if I'm glow realer,

886
00:43:12,920 --> 00:43:15,759
Speaker 1: if you glow realer, could you ever mess with your

887
00:43:15,840 --> 00:43:20,080
Speaker 1: sister glove? It's a grab, bro. If I ever do

888
00:43:20,200 --> 00:43:22,600
Speaker 1: something for you, I'm gonna be leaving. I'm gonna leave.

889
00:43:22,600 --> 00:43:24,279
Speaker 1: I'm gonna leave twenty five hundred in the place to

890
00:43:24,320 --> 00:43:26,839
Speaker 1: beg You ain't eve gonna see my face. I'm gonna

891
00:43:26,840 --> 00:43:29,400
Speaker 1: throw it at your door and knock and run. We

892
00:43:29,400 --> 00:43:34,040
Speaker 1: ain't never talking again, Yeah, we ain't never talking again.

893
00:43:35,200 --> 00:43:37,640
Speaker 1: Fuck no, because you're trying to you you you tear down.

894
00:43:38,320 --> 00:43:41,200
Speaker 1: You're trying to tear down what I'm building for everybody

895
00:43:41,239 --> 00:43:43,000
Speaker 1: else in the family. The whole family should be mad

896
00:43:43,040 --> 00:43:45,640
Speaker 1: at You feel me. I just glow. She trying to

897
00:43:45,680 --> 00:43:48,120
Speaker 1: tear down and fuck up some shit that can help

898
00:43:48,160 --> 00:43:51,200
Speaker 1: the whole family. You feel me. But it felt like

899
00:43:51,320 --> 00:43:54,920
Speaker 1: she went rente game, looked like she crossed. She got

900
00:43:54,960 --> 00:43:57,279
Speaker 1: to talk about her mama too, Mom and them trying

901
00:43:57,320 --> 00:43:59,160
Speaker 1: to help Glow real clean it up, trying to come

902
00:43:59,239 --> 00:44:02,680
Speaker 1: and she coming out exposed to her number and this

903
00:44:02,840 --> 00:44:06,440
Speaker 1: and that. So I'm saying, as an artist, man, I

904
00:44:06,600 --> 00:44:09,000
Speaker 1: know y'all deal with it because here's the thing, and

905
00:44:09,360 --> 00:44:13,880
Speaker 1: I guess here's what the conversation lies. Because part of

906
00:44:14,320 --> 00:44:18,720
Speaker 1: being an artist and really in New fans is looking

907
00:44:18,880 --> 00:44:22,480
Speaker 1: like money, look like you ball and you understand me.

908
00:44:23,120 --> 00:44:25,680
Speaker 1: And a lot of times what I see happening is

909
00:44:26,880 --> 00:44:29,680
Speaker 1: is that, Yeah, you're really the fans in and the

910
00:44:29,760 --> 00:44:31,840
Speaker 1: fans are believe in you, but so is some of

911
00:44:31,880 --> 00:44:35,120
Speaker 1: the family and some of the friends. Thank you, and

912
00:44:35,280 --> 00:44:38,239
Speaker 1: they said the same way. You damn the trick and

913
00:44:38,320 --> 00:44:40,279
Speaker 1: the fans that you got more money than you got,

914
00:44:41,400 --> 00:44:43,800
Speaker 1: they damn their trick about that million dollars you just

915
00:44:43,920 --> 00:44:46,640
Speaker 1: signs ain't getting umber two hundred thousand? What do you

916
00:44:46,680 --> 00:44:48,640
Speaker 1: sign for a me? And didn't it you feel I

917
00:44:48,719 --> 00:44:53,799
Speaker 1: don't understand business? Crazy, bro? Yeah, yeah, yeah, I'm going

918
00:44:53,880 --> 00:44:56,680
Speaker 1: to shoot the mini movie about just that. Yeah, I'm good.

919
00:44:56,719 --> 00:44:58,600
Speaker 1: We were just talking about that in the car. I'm good. Right,

920
00:44:59,160 --> 00:45:01,040
Speaker 1: you need to do that. I deal with it. And

921
00:45:01,160 --> 00:45:02,960
Speaker 1: that's part of the reason too. It I'll just say,

922
00:45:03,000 --> 00:45:05,440
Speaker 1: do you do? You do you deal with that? Man?

923
00:45:05,560 --> 00:45:10,280
Speaker 1: People are irresponsible with their request, you know what I'm saying.

924
00:45:10,640 --> 00:45:13,480
Speaker 1: People are irresponsible with their request. Man, some of the

925
00:45:13,560 --> 00:45:17,480
Speaker 1: things that I get asked for, in particular me knowing

926
00:45:17,600 --> 00:45:22,520
Speaker 1: that I haven't asked anybody for anything. That'd be the

927
00:45:22,640 --> 00:45:24,880
Speaker 1: killer put Bro, that's what offends you, you know what

928
00:45:24,920 --> 00:45:28,360
Speaker 1: I'm saying. But I'm trying to wonder it's family because

929
00:45:28,400 --> 00:45:30,840
Speaker 1: I do want to be responsible and say, all right,

930
00:45:31,520 --> 00:45:34,520
Speaker 1: will you forgive family? I still think now says no though,

931
00:45:34,640 --> 00:45:40,640
Speaker 1: because I don't forgive the internet shit. Glorilla been literally

932
00:45:40,800 --> 00:45:44,160
Speaker 1: she's trying to scrape it in. Baby. If everything goes well, y'all,

933
00:45:44,320 --> 00:45:46,600
Speaker 1: just shut the fuck up. Let me keep running this thing.

934
00:45:46,760 --> 00:45:48,160
Speaker 5: Go yeah. Do you know?

935
00:45:48,320 --> 00:45:50,600
Speaker 1: Do you know people don't really get reason to they

936
00:45:50,719 --> 00:45:53,080
Speaker 1: forty and she what I'm saying, people don't get well

937
00:45:53,200 --> 00:45:55,560
Speaker 1: off until they forty y'all chill out, ya ya, y'all

938
00:45:55,719 --> 00:45:58,080
Speaker 1: rushing me? You fee like, what the fuck? I ain't

939
00:45:58,120 --> 00:46:00,720
Speaker 1: gonna lie. You can't come back from that time? What about?

940
00:46:00,800 --> 00:46:03,160
Speaker 1: What about the culture propping it up? What's your feelings

941
00:46:03,200 --> 00:46:04,640
Speaker 1: on that? We don't do nothing to tell each other

942
00:46:04,719 --> 00:46:07,920
Speaker 1: down anyway, We don't do it. So that ship don't surprise.

943
00:46:08,160 --> 00:46:10,920
Speaker 1: Even that ship don't surprise you're talking to people agree

944
00:46:10,960 --> 00:46:14,440
Speaker 1: with that well, not only that, the clip pages and

945
00:46:14,520 --> 00:46:17,600
Speaker 1: the blog page. Oh she damn near start and get books.

946
00:46:17,680 --> 00:46:20,960
Speaker 1: Niggas interview on the niggas is doing skits Twitter. It's

947
00:46:21,040 --> 00:46:24,279
Speaker 1: like you turning up look about envy. I look at

948
00:46:24,360 --> 00:46:27,200
Speaker 1: that ship like they know they can't afford glow, so

949
00:46:27,280 --> 00:46:29,719
Speaker 1: they don't get broke. Youve like and this this is

950
00:46:29,800 --> 00:46:31,560
Speaker 1: tied to her, and I know this is gonna bring

951
00:46:31,640 --> 00:46:33,520
Speaker 1: me man. People greet it. People want the money, man,

952
00:46:33,560 --> 00:46:36,680
Speaker 1: this is gonna bring me money. Bit Yeah, people want content. Bro,

953
00:46:36,840 --> 00:46:38,839
Speaker 1: you feel like it's a content world. They don't give

954
00:46:38,840 --> 00:46:41,759
Speaker 1: a fuck who it is, like you feel. I seen

955
00:46:41,840 --> 00:46:44,839
Speaker 1: that when they started interviewing the snitches and ship doing

956
00:46:44,880 --> 00:46:47,080
Speaker 1: all this ship. I think that broke the mold. It's like,

957
00:46:47,239 --> 00:46:49,520
Speaker 1: anybody can get on if you can get some views

958
00:46:49,600 --> 00:46:51,400
Speaker 1: and ship, if you can get some people to with

959
00:46:51,480 --> 00:46:54,520
Speaker 1: the don't give you like real talk. I'm not doing no.

960
00:46:54,760 --> 00:46:57,319
Speaker 1: I'm not doing no. I only dial one twiny versus

961
00:46:57,360 --> 00:46:59,319
Speaker 1: one even. I don't even want a nigga to think

962
00:46:59,360 --> 00:47:01,200
Speaker 1: I'm I'm on that type of shit and try to

963
00:47:01,239 --> 00:47:02,960
Speaker 1: put me with one of them niggas they be on

964
00:47:03,040 --> 00:47:05,759
Speaker 1: that motherfucker. What they're gonna do, That's the first thing

965
00:47:05,800 --> 00:47:10,160
Speaker 1: they want to do, is like because those collaborations is

966
00:47:10,200 --> 00:47:12,600
Speaker 1: what they think that people want to see. You know,

967
00:47:12,719 --> 00:47:16,800
Speaker 1: two comedians and a comedian, a rapper and twin the girls.

968
00:47:16,840 --> 00:47:19,200
Speaker 1: You know, it's like and then it's being scripted now

969
00:47:20,000 --> 00:47:22,400
Speaker 1: you know, fights breaking down and things. You know what

970
00:47:22,440 --> 00:47:24,480
Speaker 1: I'm saying, So it's content. It's doing what it is

971
00:47:24,640 --> 00:47:27,759
Speaker 1: what they're doing. But you know, I'm not interested in

972
00:47:27,920 --> 00:47:30,160
Speaker 1: certain kind of content. I was gonna have a real

973
00:47:30,280 --> 00:47:33,160
Speaker 1: conversation with gloriala sister, but I think out show. The

974
00:47:33,239 --> 00:47:35,040
Speaker 1: thing is is that when you don't do a lot

975
00:47:35,120 --> 00:47:37,439
Speaker 1: of media, these people are take your story or however

976
00:47:37,560 --> 00:47:40,080
Speaker 1: they can get it. You know what I'm saying, Like

977
00:47:40,160 --> 00:47:43,520
Speaker 1: they'll talk to your hater, your eggs yo, whoever, because

978
00:47:43,560 --> 00:47:45,920
Speaker 1: you ain't talking anybody from you. You feel them. So

979
00:47:46,000 --> 00:47:48,600
Speaker 1: whatever story might they died, they're like the story with

980
00:47:48,719 --> 00:47:51,120
Speaker 1: the head to come sit down with you about the

981
00:47:51,800 --> 00:47:54,520
Speaker 1: about doing see women, you feel me, no problems, you

982
00:47:54,600 --> 00:47:56,399
Speaker 1: feel me. That why I had to come sit down

983
00:47:56,400 --> 00:47:57,920
Speaker 1: and talk to you about the ship when the motherfuckers

984
00:47:57,920 --> 00:47:59,879
Speaker 1: try to smell on my name and shit if they're

985
00:48:00,000 --> 00:48:02,040
Speaker 1: if you don't talk about it or if you don't

986
00:48:02,080 --> 00:48:04,840
Speaker 1: say nothing, it's gone. They're gonna They're gonna work or

987
00:48:04,880 --> 00:48:08,640
Speaker 1: whatever they want you Craky, no matter what. Oh yeah

988
00:48:08,640 --> 00:48:12,840
Speaker 1: that don't smoke, Craky, ain't say nothing. You feel the narrative.

989
00:48:12,920 --> 00:48:15,400
Speaker 1: Get to go on. Let me ask you about the

990
00:48:15,560 --> 00:48:18,239
Speaker 1: kind of music that you make because we are dealing

991
00:48:18,320 --> 00:48:22,560
Speaker 1: with the artists that just passed away. And the interesting

992
00:48:22,640 --> 00:48:25,080
Speaker 1: thing is, I was just outside listening to your music,

993
00:48:25,719 --> 00:48:29,799
Speaker 1: listening to the crag Diary of crab Shout, and up

994
00:48:29,960 --> 00:48:34,759
Speaker 1: next was Little Popper. I don't know r I p

995
00:48:34,920 --> 00:48:38,439
Speaker 1: Little Poper, I don't know him. What do you think

996
00:48:38,600 --> 00:48:41,319
Speaker 1: that that kind of music or because you do make

997
00:48:41,400 --> 00:48:45,400
Speaker 1: this kind of music, like the introspective kind of music,

998
00:48:45,520 --> 00:48:48,520
Speaker 1: do you think that some of y'all are really dealing

999
00:48:48,640 --> 00:48:56,600
Speaker 1: with mental health issues? Absolutely? Absolutely, BRO come from a

1000
00:48:56,680 --> 00:48:59,560
Speaker 1: real place like because because people and I was just

1001
00:48:59,640 --> 00:49:01,040
Speaker 1: I was we were talking about this ship when I

1002
00:49:01,080 --> 00:49:03,320
Speaker 1: was on tour and this ship heaven right, and I

1003
00:49:03,440 --> 00:49:06,239
Speaker 1: was like, uhhad told my people, like, Bro, I ain't

1004
00:49:06,280 --> 00:49:08,279
Speaker 1: a lot of people be hearing the music, but they

1005
00:49:08,320 --> 00:49:11,080
Speaker 1: don't be listening to what niggas be saying. Bro, you

1006
00:49:11,200 --> 00:49:14,279
Speaker 1: have to listen to what people saying, Like I ain't

1007
00:49:14,560 --> 00:49:17,759
Speaker 1: not like feel me. I always say like I'd rather

1008
00:49:17,840 --> 00:49:19,719
Speaker 1: make somebody cry with my music and dance you feel

1009
00:49:19,760 --> 00:49:23,959
Speaker 1: like daying, Like what I'm saying, that shit is real,

1010
00:49:24,120 --> 00:49:27,400
Speaker 1: Like if you don't know, ain't know faking no, no,

1011
00:49:27,480 --> 00:49:29,320
Speaker 1: none of that shit, Like these are my real emotions

1012
00:49:29,360 --> 00:49:31,279
Speaker 1: you feel me like you know what I'm saying. That's

1013
00:49:31,640 --> 00:49:33,520
Speaker 1: why I like recalling by myself and shit, you feel

1014
00:49:33,520 --> 00:49:35,600
Speaker 1: me like I don't, Like I ain't. I'm talking about

1015
00:49:35,600 --> 00:49:39,360
Speaker 1: real shit. We're vulnerable shit. So not saying that I

1016
00:49:39,560 --> 00:49:42,480
Speaker 1: understand the route he took you feel me, but like

1017
00:49:42,680 --> 00:49:50,160
Speaker 1: I understand, I understand the the the mentality of a

1018
00:49:50,320 --> 00:49:53,560
Speaker 1: young nigga who come from the urban community and and

1019
00:49:53,719 --> 00:49:55,560
Speaker 1: and s that he was facing the shit that he

1020
00:49:55,640 --> 00:49:57,480
Speaker 1: betterling in a place that he want to be, that

1021
00:49:57,600 --> 00:49:59,680
Speaker 1: he ain't there yet, and people think he there and

1022
00:50:00,160 --> 00:50:02,279
Speaker 1: ship like that, Like that should the way you down

1023
00:50:02,480 --> 00:50:04,960
Speaker 1: like them phone calls, bro, the way you down them

1024
00:50:05,080 --> 00:50:08,000
Speaker 1: them dumb Everybody just pouring into the point, like draining

1025
00:50:08,040 --> 00:50:09,960
Speaker 1: you and not pouring into you like that? Should the

1026
00:50:10,000 --> 00:50:12,680
Speaker 1: way you're down, like you feel me, People losing whole,

1027
00:50:12,760 --> 00:50:15,399
Speaker 1: people not believing in you like they once hear people

1028
00:50:15,400 --> 00:50:18,400
Speaker 1: stop calling your phone. Nigga stopped changing they Nigga stopped

1029
00:50:18,480 --> 00:50:21,040
Speaker 1: changing their profile pictures to your album cover when they dropped.

1030
00:50:21,160 --> 00:50:24,560
Speaker 1: Nigga stopped posting your ship liking and ship I'm nigga

1031
00:50:24,560 --> 00:50:25,680
Speaker 1: started putting.

1032
00:50:25,440 --> 00:50:25,800
Speaker 3: Up on you.

1033
00:50:25,960 --> 00:50:29,440
Speaker 1: Just see what you're doing, Damn nigga was on the

1034
00:50:29,560 --> 00:50:32,640
Speaker 1: wrong because yeah, because I was on or you can

1035
00:50:32,719 --> 00:50:35,440
Speaker 1: get to where you thought it was. Yeah, I know

1036
00:50:35,520 --> 00:50:36,640
Speaker 1: it will and it's real.

1037
00:50:37,200 --> 00:50:37,400
Speaker 2: You know.

1038
00:50:37,560 --> 00:50:41,239
Speaker 1: I think, like you said, the medicine is in the

1039
00:50:41,320 --> 00:50:44,560
Speaker 1: caddor the message is in the the raps. You know

1040
00:50:44,600 --> 00:50:47,120
Speaker 1: what I'm saying. Sometimes these dudes really be crying out

1041
00:50:47,160 --> 00:50:50,640
Speaker 1: for help in they songs, no fact, and you you

1042
00:50:50,840 --> 00:50:54,479
Speaker 1: share that you raw wave. You know, certain artists shall

1043
00:50:54,560 --> 00:50:56,840
Speaker 1: where they get Sometimes they get into these molds and

1044
00:50:56,880 --> 00:51:01,399
Speaker 1: you like, alright, it's bringing my height over cool over there. Yeah,

1045
00:51:01,480 --> 00:51:03,960
Speaker 1: but I get it cause I understand it. You understand

1046
00:51:04,040 --> 00:51:07,000
Speaker 1: what I'm saying. But I just wonder, how do you

1047
00:51:07,120 --> 00:51:10,360
Speaker 1: pull yourself out of that with the music so you

1048
00:51:10,560 --> 00:51:13,440
Speaker 1: make more songs? Do you talk about it more? Or

1049
00:51:13,600 --> 00:51:16,560
Speaker 1: liken like I ain't gonna lie. I'm blessed. I'm blessed

1050
00:51:16,600 --> 00:51:20,040
Speaker 1: the hell a mentality the world. Once I rap about

1051
00:51:20,040 --> 00:51:21,560
Speaker 1: it and I make a song about it and it

1052
00:51:21,680 --> 00:51:24,160
Speaker 1: actually come out of something, I don't feel it no more.

1053
00:51:24,480 --> 00:51:26,800
Speaker 1: You feel me like I'm blessed to have that mentality

1054
00:51:26,840 --> 00:51:29,239
Speaker 1: about it, Like once it's in the universe, I let

1055
00:51:29,320 --> 00:51:30,880
Speaker 1: it go. God got it. You feel like I gave

1056
00:51:30,960 --> 00:51:33,000
Speaker 1: it to God. You feel me, and then it's like

1057
00:51:33,200 --> 00:51:35,600
Speaker 1: that shit really therapeutic for me. Like a lot of

1058
00:51:35,640 --> 00:51:37,440
Speaker 1: people say music therapeutic for me and they put it

1059
00:51:37,480 --> 00:51:39,440
Speaker 1: everything in they songs shit, and it's really not therapy.

1060
00:51:39,480 --> 00:51:41,600
Speaker 1: You fore me not saying that that it wasn't therapy

1061
00:51:41,680 --> 00:51:45,759
Speaker 1: for the popa and what I'm saying like it's really

1062
00:51:45,840 --> 00:51:47,960
Speaker 1: my therapy, like you feel me. I have to talk

1063
00:51:48,000 --> 00:51:49,840
Speaker 1: about this, you feel me, even if I got to

1064
00:51:49,840 --> 00:51:51,680
Speaker 1: put it in an intricate way, I won't hurt nobody

1065
00:51:51,719 --> 00:51:54,480
Speaker 1: feeling you feel me. I gots to talk about it though,

1066
00:51:54,480 --> 00:51:57,239
Speaker 1: you feel me real show now you gotta get it out,

1067
00:51:57,480 --> 00:52:00,479
Speaker 1: you know. But I think y'all got to speak about

1068
00:52:00,520 --> 00:52:04,520
Speaker 1: mental health more. Hold on, let me change it, cause

1069
00:52:04,520 --> 00:52:07,680
Speaker 1: I ain't gonna take no, I ain't taking nor. We're back.

1070
00:52:08,560 --> 00:52:10,560
Speaker 1: We had to take a brief in a mission, man,

1071
00:52:10,640 --> 00:52:12,080
Speaker 1: you did you know what I'm saying. Man, I had

1072
00:52:12,120 --> 00:52:13,759
Speaker 1: to go check on my dog. Man, make sure I'm

1073
00:52:13,800 --> 00:52:17,080
Speaker 1: over here. You don't want to shoe you wandered. Treat

1074
00:52:17,160 --> 00:52:26,719
Speaker 1: me like you give me a little bit. Yeah, yeah,

1075
00:52:26,719 --> 00:52:29,720
Speaker 1: I'm a little bitty nigga with that liquor. That liquor

1076
00:52:29,800 --> 00:52:31,719
Speaker 1: had me, boy, you don't want to see me on no,

1077
00:52:31,880 --> 00:52:39,839
Speaker 1: look I get back going by. Yeah, they don't want

1078
00:52:39,840 --> 00:52:42,600
Speaker 1: to see that. Not yet, not yet, I need to

1079
00:52:43,120 --> 00:52:54,600
Speaker 1: look okay right now? Yeah, which one long time ago. Yeah,

1080
00:52:55,920 --> 00:52:57,920
Speaker 1: nigga try to come up to the spot. Got got

1081
00:52:58,000 --> 00:53:03,920
Speaker 1: it there. Yeah you had you had to pissing. I didn't.

1082
00:53:04,200 --> 00:53:06,080
Speaker 1: But one of the home boys, one of the home

1083
00:53:06,160 --> 00:53:08,440
Speaker 1: boys just you know, I mean, and he wasn't doing

1084
00:53:08,520 --> 00:53:13,200
Speaker 1: no ducking no nothing. I was proud looking at it.

1085
00:53:14,400 --> 00:53:16,759
Speaker 1: I'm talking about. He wasn't doing no kind of He

1086
00:53:16,960 --> 00:53:20,200
Speaker 1: wasn't trying to nah, he was trying to say, y'all

1087
00:53:20,280 --> 00:53:23,680
Speaker 1: come this what you come fine, ain't this what you

1088
00:53:23,840 --> 00:53:26,200
Speaker 1: come from? He wasn't and get what he was hitting

1089
00:53:26,239 --> 00:53:29,880
Speaker 1: at them. But you know that kind of ship happened

1090
00:53:29,880 --> 00:53:32,480
Speaker 1: here and there. But niggas ain't gonna bro move. But

1091
00:53:32,600 --> 00:53:35,719
Speaker 1: I try to be leave me no real me be

1092
00:53:36,960 --> 00:53:39,880
Speaker 1: and it ain't no type, ain't nothing. We finna handle that, homeboy.

1093
00:53:40,120 --> 00:53:42,239
Speaker 1: So I hope you really owned that. And so I

1094
00:53:42,320 --> 00:53:44,360
Speaker 1: seen the nigga on Twitter a few minutes ago, Nigga

1095
00:53:44,400 --> 00:53:46,320
Speaker 1: talking talking talk. Nigga fine on him, He ain't he

1096
00:53:46,440 --> 00:53:49,480
Speaker 1: hit him back that beat. There's a lot of that

1097
00:53:49,680 --> 00:53:52,000
Speaker 1: going on, going straight to the police, going straight to

1098
00:53:52,120 --> 00:53:55,040
Speaker 1: the because I've seen you beat the nigga up too

1099
00:53:55,120 --> 00:53:58,960
Speaker 1: with one of them clubs. I seen a video. I said, man,

1100
00:53:59,000 --> 00:54:03,719
Speaker 1: that peas and whooping man. That was that terrain. Mother

1101
00:54:03,800 --> 00:54:06,120
Speaker 1: fucking security, Greg. I don't know what security I always

1102
00:54:06,160 --> 00:54:08,319
Speaker 1: grabbed me though. But I'm coming to our rope though,

1103
00:54:08,400 --> 00:54:11,520
Speaker 1: hag like I'm coming nigga fucked the bitch. Nigga Bro,

1104
00:54:11,760 --> 00:54:15,080
Speaker 1: manitch nigga rolling up weed on the table. I'm standing

1105
00:54:15,120 --> 00:54:18,040
Speaker 1: on the couch for he he put roll the weed

1106
00:54:18,120 --> 00:54:20,160
Speaker 1: up and swipe out the weed on my slides. And

1107
00:54:20,440 --> 00:54:22,239
Speaker 1: I don't never go to the club with slides. This day,

1108
00:54:22,239 --> 00:54:24,480
Speaker 1: I will slide on my orange slides. That's my favorite

1109
00:54:24,480 --> 00:54:26,799
Speaker 1: color of my mornings. I put my hand a little bit, Bro,

1110
00:54:26,880 --> 00:54:28,440
Speaker 1: I swae the gud. This is I respect for him.

1111
00:54:28,440 --> 00:54:31,000
Speaker 1: I put my hands behind my bake, leaning down like

1112
00:54:31,160 --> 00:54:34,120
Speaker 1: damn brother, Yeah you just put that on my slide.

1113
00:54:34,160 --> 00:54:36,600
Speaker 1: Give what the nigga head me tell me, nigga, we

1114
00:54:36,760 --> 00:54:38,080
Speaker 1: rich out buit you some more of them. Just in

1115
00:54:38,120 --> 00:54:41,560
Speaker 1: the morning, peeing his head to the wall like a

1116
00:54:41,600 --> 00:54:44,080
Speaker 1: high school teacher. Oh my mom, peeing his head straight

1117
00:54:44,120 --> 00:54:46,480
Speaker 1: to the wall like a gym coach. My mom said,

1118
00:54:46,560 --> 00:54:48,920
Speaker 1: Nigga talks to ain't about six six I ain't loud.

1119
00:54:51,360 --> 00:54:54,160
Speaker 1: I see that ship on the car. Ain't you active

1120
00:54:54,239 --> 00:54:58,520
Speaker 1: on them? And you got out of there out? Yeah? Yeah,

1121
00:54:58,920 --> 00:55:02,600
Speaker 1: they're talking about this old with crazy. Yeah, I seen it.

1122
00:55:02,760 --> 00:55:05,279
Speaker 1: I've seen that. I said, man, yeah that, But that's

1123
00:55:05,280 --> 00:55:11,160
Speaker 1: what I'm saying. The kids ain't seen that happened. Oh yeah,

1124
00:55:11,200 --> 00:55:14,200
Speaker 1: that be saying yeah that nigg and I seen him.

1125
00:55:14,280 --> 00:55:16,680
Speaker 1: Did it finish? Try to sue and Nigga instood it?

1126
00:55:16,760 --> 00:55:21,080
Speaker 1: Me bro mm hmm. Yeah, why you can't do ship

1127
00:55:21,200 --> 00:55:32,160
Speaker 1: like it? Fifty oh around, I'm gonna smack you. Yeah

1128
00:55:32,280 --> 00:55:34,839
Speaker 1: you can get that, Nigga because you really can. Sho

1129
00:55:34,960 --> 00:55:38,840
Speaker 1: you make him sign something? Ain't really Now, I wouldn't

1130
00:55:38,840 --> 00:55:40,600
Speaker 1: even never say I done nothing to him. You know

1131
00:55:40,600 --> 00:55:43,080
Speaker 1: what I'm saying. I ain't did a motherfucking thing to him.

1132
00:55:44,200 --> 00:55:46,680
Speaker 1: But but yeah, let's talk about Little Papa man, because

1133
00:55:48,320 --> 00:55:51,319
Speaker 1: you know, like we were saying, man, there's a dog

1134
00:55:51,400 --> 00:55:54,320
Speaker 1: cloud over this industry and particularly if you're like a

1135
00:55:54,440 --> 00:55:59,120
Speaker 1: B C D tier artist. Little Papa was on c

1136
00:55:59,320 --> 00:56:01,719
Speaker 1: MG and he had a lot of competition on over

1137
00:56:01,760 --> 00:56:06,239
Speaker 1: there now then, I I mean cause now we kind

1138
00:56:06,239 --> 00:56:09,000
Speaker 1: of slight the thing with that, I want to pick

1139
00:56:09,040 --> 00:56:11,880
Speaker 1: a big out that we can our era bro me

1140
00:56:12,280 --> 00:56:15,279
Speaker 1: little powerful younger age, NBA, young boy jad young like

1141
00:56:15,360 --> 00:56:17,000
Speaker 1: we came in the game dirty like we was a

1142
00:56:17,000 --> 00:56:19,160
Speaker 1: little dirty nepper head little kids like you feel me

1143
00:56:19,600 --> 00:56:22,280
Speaker 1: these days niggas coming in with kids here kids nigga

1144
00:56:22,320 --> 00:56:24,960
Speaker 1: foth chained like you feel me so like that's the

1145
00:56:25,000 --> 00:56:27,120
Speaker 1: type of ship niggas be battling too, like niggas, that's

1146
00:56:27,160 --> 00:56:29,920
Speaker 1: ship we competing with and we never been the flag

1147
00:56:29,960 --> 00:56:32,799
Speaker 1: ship flaz shit niggas like we gritted, grimmy like come

1148
00:56:32,840 --> 00:56:35,200
Speaker 1: from the slums like you feel ship like that. You

1149
00:56:35,239 --> 00:56:37,040
Speaker 1: feel me Not to say that's what we're bothering, bro,

1150
00:56:37,160 --> 00:56:39,719
Speaker 1: but I know they should be bothering. But we we're

1151
00:56:39,760 --> 00:56:42,200
Speaker 1: talking about just our class because now that you say that,

1152
00:56:43,640 --> 00:56:46,800
Speaker 1: that's damn thear like the lost class years old like

1153
00:56:47,280 --> 00:56:49,120
Speaker 1: over with because you know, I just I just let

1154
00:56:49,320 --> 00:56:51,239
Speaker 1: be on the phone the other day like ship I

1155
00:56:51,239 --> 00:56:53,520
Speaker 1: would with younger age you feel when I went he

1156
00:56:53,600 --> 00:56:55,080
Speaker 1: was on for the tour, like you feel. We're keeping

1157
00:56:55,120 --> 00:56:58,440
Speaker 1: this ship up right, but it's hard for this A

1158
00:56:58,560 --> 00:57:00,440
Speaker 1: lot of on the game now a lot of them

1159
00:57:00,480 --> 00:57:03,600
Speaker 1: that ain't ain't around no more. That kind of fizzled out,

1160
00:57:04,160 --> 00:57:06,920
Speaker 1: you know what I'm saying. It's like, damn that class

1161
00:57:07,000 --> 00:57:10,040
Speaker 1: of artists. I remember that little class you Jade, the

1162
00:57:10,160 --> 00:57:14,480
Speaker 1: young young boy was in that class. Who else was

1163
00:57:14,560 --> 00:57:18,760
Speaker 1: in that class back then? The little d White and

1164
00:57:18,960 --> 00:57:23,040
Speaker 1: Surewood Marten, Yeah, feel and the Maine and Tick Yeah

1165
00:57:23,560 --> 00:57:26,880
Speaker 1: in Tick. It's a lot on yoh man, And it

1166
00:57:27,040 --> 00:57:30,520
Speaker 1: was that. It was that like pain type ship y'all

1167
00:57:30,560 --> 00:57:33,520
Speaker 1: were doing. You know what I'm saying, Yeah, I remember that, man,

1168
00:57:33,600 --> 00:57:34,200
Speaker 1: I remember that.

1169
00:57:34,440 --> 00:57:34,600
Speaker 2: Man.

1170
00:57:35,320 --> 00:57:37,800
Speaker 1: We ain't had no no, we ain't have no wen't

1171
00:57:37,800 --> 00:57:39,520
Speaker 1: know how to dritch nigga. We ain't had no change

1172
00:57:39,560 --> 00:57:41,560
Speaker 1: on no none of that ship. You feel that's crazy

1173
00:57:41,760 --> 00:57:43,920
Speaker 1: out and it's like it's hard for like, the only

1174
00:57:43,960 --> 00:57:46,920
Speaker 1: person I see doing that right now is Rick Baby.

1175
00:57:47,280 --> 00:57:49,880
Speaker 1: You feel a little young nigga out out of you

1176
00:57:49,920 --> 00:57:52,040
Speaker 1: probably ain't familiar with They gotta heard his name. I

1177
00:57:52,040 --> 00:57:54,720
Speaker 1: don't know who he is, and you want to know

1178
00:57:54,720 --> 00:57:57,840
Speaker 1: who the last wanted to blow up like that Hurricane

1179
00:57:57,920 --> 00:58:01,160
Speaker 1: Wilsam after him. They ain't been letting nobody else in

1180
00:58:01,240 --> 00:58:04,480
Speaker 1: the door on no, Like you feel like on this

1181
00:58:04,640 --> 00:58:06,400
Speaker 1: type of time. Yeah, like you got to hear your

1182
00:58:06,400 --> 00:58:10,600
Speaker 1: own kid. You gotta be that's crazy. I want trapples. Yeah,

1183
00:58:10,760 --> 00:58:13,320
Speaker 1: I feel like And it wasn't that at first. It

1184
00:58:13,440 --> 00:58:15,760
Speaker 1: was a story and nigga was telling the story. I

1185
00:58:15,840 --> 00:58:19,280
Speaker 1: come from nothing to something and that's like. But I

1186
00:58:19,400 --> 00:58:25,040
Speaker 1: think part of it too, is that street niggas started

1187
00:58:25,120 --> 00:58:27,720
Speaker 1: kind of trying to be rappers and then they start

1188
00:58:27,840 --> 00:58:32,040
Speaker 1: kind of shipping on rappers saying, I come in with money, y'all.

1189
00:58:32,040 --> 00:58:34,479
Speaker 1: Ain't get no money as a rapper. That type of ship.

1190
00:58:35,040 --> 00:58:37,600
Speaker 1: Rappers ain't really getting no more rapping. And that's crazy

1191
00:58:37,640 --> 00:58:40,440
Speaker 1: that nigga rapping now gotta have a whole kit and

1192
00:58:40,600 --> 00:58:43,000
Speaker 1: be worth nothing. I ain't made no money at the game.

1193
00:58:43,040 --> 00:58:45,880
Speaker 1: Ain't made no money at the game, feel, and they

1194
00:58:45,920 --> 00:58:49,360
Speaker 1: don't speaking that she short. You gotta shore, you gotta

1195
00:58:49,400 --> 00:58:51,280
Speaker 1: show that what I just wanted. I just went in

1196
00:58:51,560 --> 00:58:54,000
Speaker 1: no ligway drop fift on the plane. I see you

1197
00:58:54,200 --> 00:58:56,760
Speaker 1: dropping it on fucking them whole value too. If it's

1198
00:58:56,800 --> 00:59:01,760
Speaker 1: so much like you feel, ain't I ain't doing ain't

1199
00:59:01,880 --> 00:59:03,520
Speaker 1: that ain't even my type of lane, bro, I don't

1200
00:59:03,520 --> 00:59:05,480
Speaker 1: even do that type of ship. Do you think you

1201
00:59:05,560 --> 00:59:07,840
Speaker 1: made more money since you left the label than you

1202
00:59:07,960 --> 00:59:11,600
Speaker 1: did own the label. Yeah here, yeah for sure, absolutely, absolutely,

1203
00:59:11,760 --> 00:59:14,760
Speaker 1: absolutely absolutely. I can't even I can't even add I

1204
00:59:14,840 --> 00:59:16,720
Speaker 1: can't add up the money from this because I owner

1205
00:59:16,840 --> 00:59:19,480
Speaker 1: was making sure money with them. You said you never

1206
00:59:19,600 --> 00:59:22,160
Speaker 1: had got a rap check, never got a RAPI. I

1207
00:59:22,280 --> 00:59:25,200
Speaker 1: just got my first couple of top of this year

1208
00:59:25,200 --> 00:59:28,320
Speaker 1: and ship loving it? Yeah, loving it now? So what

1209
00:59:28,440 --> 00:59:30,560
Speaker 1: about tone core and all of that kind of ship

1210
00:59:31,080 --> 00:59:33,479
Speaker 1: card like I ain't never really is? So your music

1211
00:59:33,600 --> 00:59:38,520
Speaker 1: was uploaded through the label, like distributed Yeah, okay, distributing

1212
00:59:38,560 --> 00:59:41,840
Speaker 1: it through my label, right yeah, okay, okay. See that's

1213
00:59:41,880 --> 00:59:44,560
Speaker 1: the that's the thing Rusty talking about this, like the

1214
00:59:44,680 --> 00:59:47,919
Speaker 1: tune cores and the distro kids and some of those,

1215
00:59:48,200 --> 00:59:52,960
Speaker 1: because what's happening now is an artist would, if you're

1216
00:59:53,000 --> 00:59:56,400
Speaker 1: asking me, an artist would much rather want to have

1217
00:59:56,520 --> 00:59:59,760
Speaker 1: a relationship with the platforms than the labels at this

1218
01:00:00,560 --> 01:00:02,480
Speaker 1: And that's why a lot of the artists treat the

1219
01:00:02,560 --> 01:00:06,640
Speaker 1: labels like banks, because it's naturally what it is. The

1220
01:00:06,720 --> 01:00:11,840
Speaker 1: relationship with the platforms is much more important because they

1221
01:00:11,880 --> 01:00:14,880
Speaker 1: have the real estate, the digital real estate, to put

1222
01:00:14,920 --> 01:00:18,360
Speaker 1: your records on. Because when you your relationship with the label,

1223
01:00:19,680 --> 01:00:22,720
Speaker 1: and how successful your song is is contingent on their

1224
01:00:22,800 --> 01:00:26,920
Speaker 1: relationship with the platform. So when you have that direct

1225
01:00:27,000 --> 01:00:29,080
Speaker 1: relationship with the platform, that's why when you're onto it,

1226
01:00:29,160 --> 01:00:32,080
Speaker 1: you got to get names and numbers. But that's why

1227
01:00:32,120 --> 01:00:34,480
Speaker 1: it's hard. That's why it's hard to get certain looks

1228
01:00:34,480 --> 01:00:37,320
Speaker 1: as an independent artists. You feel me because they certain

1229
01:00:37,360 --> 01:00:39,800
Speaker 1: platforms so scared to lose a relationship with the label

1230
01:00:39,800 --> 01:00:41,600
Speaker 1: that they ain't gonna fuck with the independent artists who

1231
01:00:41,760 --> 01:00:44,000
Speaker 1: just left this label or film. They don't know how

1232
01:00:44,000 --> 01:00:45,400
Speaker 1: to They don't know if it was an amical but

1233
01:00:45,520 --> 01:00:47,280
Speaker 1: agreement when you left. They don't know. I don't even

1234
01:00:47,320 --> 01:00:48,960
Speaker 1: want to put their hands in it at all. So

1235
01:00:49,040 --> 01:00:50,760
Speaker 1: it'd be hard to get certain type of looks for

1236
01:00:50,960 --> 01:00:53,040
Speaker 1: independent artist. Are you finding trouble with that?

1237
01:00:53,440 --> 01:00:53,480
Speaker 6: Like?

1238
01:00:53,720 --> 01:00:56,040
Speaker 1: Yeah, yeah, kindo, you feel the kindle you feel it.

1239
01:00:56,160 --> 01:00:58,320
Speaker 1: I've been getting a lot of support from Apple Music

1240
01:00:58,440 --> 01:01:01,640
Speaker 1: and Spotify audio makes shout out here, make you feel me,

1241
01:01:01,960 --> 01:01:05,160
Speaker 1: But it's like, yeah, the double A c a freshman list.

1242
01:01:05,200 --> 01:01:07,320
Speaker 1: I never got a chance to experience that type of ship.

1243
01:01:07,480 --> 01:01:09,600
Speaker 1: You wouldn't never, you ain't never did the freshman coul No.

1244
01:01:10,120 --> 01:01:11,360
Speaker 1: I feel like it's too late for me to do that.

1245
01:01:11,400 --> 01:01:12,680
Speaker 1: Ship or not. I ain't even got my eyes on

1246
01:01:12,760 --> 01:01:14,120
Speaker 1: that type of ship. I don't even give a fuck

1247
01:01:14,120 --> 01:01:16,800
Speaker 1: about no fris if they came, though, what would you

1248
01:01:16,880 --> 01:01:19,040
Speaker 1: say ship? I wouldn't. I wouldn't be tripping out proud

1249
01:01:19,040 --> 01:01:20,640
Speaker 1: to do it. But it wouldn't be no. It wouldn't

1250
01:01:20,680 --> 01:01:22,760
Speaker 1: be no. I just go on that motherfucker just to

1251
01:01:22,800 --> 01:01:24,520
Speaker 1: be fresh as hell and then kill everybody in the

1252
01:01:24,560 --> 01:01:26,640
Speaker 1: freestyle career. I wouldn't give a fuck about the moment

1253
01:01:26,720 --> 01:01:28,520
Speaker 1: for real. I think you done had a good moment.

1254
01:01:28,600 --> 01:01:30,960
Speaker 1: I guess that's the Let's let's have that conversation. What

1255
01:01:31,240 --> 01:01:33,200
Speaker 1: is the freshman list?

1256
01:01:33,560 --> 01:01:33,600
Speaker 5: Like?

1257
01:01:33,760 --> 01:01:37,560
Speaker 1: What is that? I? Ohso you think it's pop political? Yeah?

1258
01:01:37,560 --> 01:01:41,600
Speaker 1: I think it's political. Yeah, because I don't. I don't

1259
01:01:41,600 --> 01:01:43,760
Speaker 1: think it represents your first year in the game. It

1260
01:01:43,840 --> 01:01:48,160
Speaker 1: doesn't because because they'll put somebody who who is a

1261
01:01:48,200 --> 01:01:50,440
Speaker 1: sophomore in the in the freshman list. You feel like

1262
01:01:50,520 --> 01:01:52,760
Speaker 1: this nigga a junior and you put he been around

1263
01:01:52,800 --> 01:01:55,320
Speaker 1: three four year Yeah yeah, man, and and that right there.

1264
01:01:55,440 --> 01:01:59,160
Speaker 1: That don't that don't appease me? So how do they qualified?

1265
01:01:59,320 --> 01:01:59,680
Speaker 1: Do you know?

1266
01:01:59,800 --> 01:01:59,840
Speaker 2: Me?

1267
01:02:00,040 --> 01:02:02,600
Speaker 1: You know how to lower the qualifications. What's the qualified?

1268
01:02:02,800 --> 01:02:07,360
Speaker 1: What makes you eligible for the freshman list? Picture?

1269
01:02:07,400 --> 01:02:15,200
Speaker 8: Because they all on going to what has that person

1270
01:02:15,440 --> 01:02:17,840
Speaker 8: done and ship? Or have they been some people like

1271
01:02:17,880 --> 01:02:19,960
Speaker 8: you said, some people have been out for two three years?

1272
01:02:20,480 --> 01:02:23,120
Speaker 8: But is it making a noise down to forget about this?

1273
01:02:23,920 --> 01:02:24,080
Speaker 2: Is it?

1274
01:02:25,000 --> 01:02:27,640
Speaker 1: Is it a relevancy of the year thing? That's what

1275
01:02:27,760 --> 01:02:31,920
Speaker 1: I'm saying. If it's a relevancy of the year, then

1276
01:02:32,040 --> 01:02:34,440
Speaker 1: you've had that kind of year. You know what I'm

1277
01:02:34,440 --> 01:02:37,560
Speaker 1: saying with the tour, with the record, with the being

1278
01:02:37,640 --> 01:02:40,360
Speaker 1: able to sustain after the collapsing of Atlantic and all

1279
01:02:40,400 --> 01:02:41,320
Speaker 1: those labels kind.

1280
01:02:41,240 --> 01:02:47,120
Speaker 8: Of considered that they wouldn't considering is es Basically, have

1281
01:02:47,200 --> 01:02:49,000
Speaker 8: you been the first two years?

1282
01:02:49,040 --> 01:02:52,080
Speaker 1: And it's hyped up? You know what I'm saying. Okay,

1283
01:02:52,120 --> 01:02:54,480
Speaker 1: because it ain't sayically a freshman like you said that.

1284
01:02:54,600 --> 01:02:58,200
Speaker 1: That's what I'm saying to be a sophomore. So what

1285
01:02:58,320 --> 01:03:01,320
Speaker 1: do you think hype is? And g hype is the

1286
01:03:01,360 --> 01:03:04,040
Speaker 1: opposite of the energy? I'm energy over hype? Like me,

1287
01:03:04,160 --> 01:03:06,040
Speaker 1: I feel like my energy, don care me you feel

1288
01:03:06,040 --> 01:03:08,440
Speaker 1: my hype is like the build up. I feel like

1289
01:03:08,520 --> 01:03:10,880
Speaker 1: it's it's a bunch of paid blogs. It's a bunch

1290
01:03:10,960 --> 01:03:13,360
Speaker 1: of it's a bunch of proper gam and ship. It's

1291
01:03:13,400 --> 01:03:15,080
Speaker 1: a bunch of gimmicks and ship. You feel me to

1292
01:03:15,160 --> 01:03:17,680
Speaker 1: make you seen as big as you are. You feel me,

1293
01:03:17,680 --> 01:03:19,560
Speaker 1: And ain't nobody riding to that ship? You feel me

1294
01:03:19,960 --> 01:03:22,120
Speaker 1: like a lot of people, a lot of people. Ain't

1295
01:03:22,120 --> 01:03:25,680
Speaker 1: nobody riding to that ship. Bro, Like, let's just keep

1296
01:03:25,720 --> 01:03:29,800
Speaker 1: it clean. Don't ride into that ship. Uh, and you

1297
01:03:29,880 --> 01:03:31,800
Speaker 1: ain't getting booked. You feel me like even like bro

1298
01:03:31,960 --> 01:03:34,360
Speaker 1: swell before before lay Down took off again, I was

1299
01:03:34,440 --> 01:03:38,360
Speaker 1: booked everybody the hard part done real. So it's like

1300
01:03:39,440 --> 01:03:41,600
Speaker 1: like it'd be hype, bro, it be the ending. It's

1301
01:03:41,720 --> 01:03:44,040
Speaker 1: like the eyes if you catch them motherfucker eyes down

1302
01:03:44,120 --> 01:03:45,760
Speaker 1: and got them. You feel me. It's like that type

1303
01:03:45,800 --> 01:03:47,400
Speaker 1: of ship you feel It's like they build up so

1304
01:03:47,520 --> 01:03:50,680
Speaker 1: much hype and then in these small country country towns,

1305
01:03:50,680 --> 01:03:52,120
Speaker 1: you feel me. They don't really know. They just see

1306
01:03:52,120 --> 01:03:53,360
Speaker 1: you on the ind of this ship, so they gonna

1307
01:03:53,360 --> 01:03:55,320
Speaker 1: book it and ship you feel me. Yeah, that's the

1308
01:03:55,440 --> 01:03:57,919
Speaker 1: thing that And like you said, they can be manufactured.

1309
01:03:58,000 --> 01:04:01,720
Speaker 1: I think hypeist is hype is all theficial, you know

1310
01:04:01,720 --> 01:04:06,600
Speaker 1: what I'm saying. I think that organic ship is different. Damn.

1311
01:04:06,720 --> 01:04:10,560
Speaker 1: That's Crazyl Russell been on the internet and been under

1312
01:04:10,640 --> 01:04:14,080
Speaker 1: fire for something he said about Little Wayne. I guess

1313
01:04:14,120 --> 01:04:17,280
Speaker 1: they misdistributed a clip. I think they edited it or something.

1314
01:04:17,360 --> 01:04:21,720
Speaker 1: But the gist of it is that Wayne wasn't really

1315
01:04:21,840 --> 01:04:24,000
Speaker 1: talking about nothing yet.

1316
01:04:25,760 --> 01:04:28,280
Speaker 7: You know, you know I had I had a moment

1317
01:04:28,400 --> 01:04:31,760
Speaker 7: in my journey where I had grew up disdainful Wayne,

1318
01:04:32,600 --> 01:04:36,040
Speaker 7: just because I started listening to everything, like I started

1319
01:04:36,120 --> 01:04:40,960
Speaker 7: maturing as a human and I'm like, Damn, this nigga wasn't.

1320
01:04:40,800 --> 01:04:43,880
Speaker 1: Talking about nothing for a long time.

1321
01:04:43,960 --> 01:04:44,640
Speaker 5: And you.

1322
01:04:46,200 --> 01:04:48,680
Speaker 7: Know, like as a as as someone who like grew

1323
01:04:48,760 --> 01:04:52,200
Speaker 7: up in these communities and grew up with with homies

1324
01:04:52,240 --> 01:04:55,400
Speaker 7: who I seen I want to be bloods because they

1325
01:04:55,480 --> 01:04:57,640
Speaker 7: following Wayne and want to be gangster and want to

1326
01:04:57,640 --> 01:05:00,280
Speaker 7: shoot all the gun bar It's like, I've seen the

1327
01:05:00,360 --> 01:05:03,560
Speaker 7: negative that he contributed to the community, and I had

1328
01:05:03,600 --> 01:05:05,840
Speaker 7: to look like, man, what are the songs where he

1329
01:05:05,960 --> 01:05:08,960
Speaker 7: really talked about something and gave And out of a

1330
01:05:09,080 --> 01:05:12,480
Speaker 7: thousand song catalog, you know, it's minute on this.

1331
01:05:12,760 --> 01:05:15,000
Speaker 1: End, like Georgia Bush and that do and that do

1332
01:05:15,200 --> 01:05:19,000
Speaker 1: bother tie my hands, That's the only one.

1333
01:05:19,720 --> 01:05:22,919
Speaker 7: And that's the thing It's like if I hug you once,

1334
01:05:23,040 --> 01:05:25,080
Speaker 7: but I slapped the shit out to you a thousand times.

1335
01:05:25,280 --> 01:05:27,520
Speaker 1: You know, your affinity for me is going. You're probably

1336
01:05:27,560 --> 01:05:30,520
Speaker 1: gonna remember me for this and a lot of people, don't.

1337
01:05:30,600 --> 01:05:30,760
Speaker 6: You know.

1338
01:05:30,920 --> 01:05:33,360
Speaker 7: As I'm mature, a lot of my old favorite artists,

1339
01:05:33,400 --> 01:05:37,320
Speaker 7: I'm now like, damn like, I love you because I

1340
01:05:37,520 --> 01:05:38,480
Speaker 7: learned how to rap through you.

1341
01:05:38,600 --> 01:05:40,640
Speaker 1: But when you look at the contribution, it's like, man,