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Speaker 1: It's nine O Gen one Engine with Jenny Garth and

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Speaker 1: Tory spelling. Oh mg, you guys, this is it. It's

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Speaker 1: finally here, Ellen, we made it. We are gonna see

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Speaker 1: some crazy you know what in this episode.

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Speaker 2: Tory, are you okay?

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Speaker 3: Are you O?

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Speaker 1: No?

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Speaker 3: Oh my god, I'm okay. My arm's okay. But poor

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Speaker 3: Donna gets this is the moment you've all been waiting for,

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Speaker 3: gets pushed down the stairs by Ray.

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Speaker 1: Oh Ray threw it be gone?

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Speaker 2: For how many years? Almost thirty years, people have been

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Speaker 2: going around Rancho Los Palmas looking for those stairs.

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Speaker 3: Like trying to recreate that scene.

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Speaker 2: The moment that ruined Jamie Walter's career.

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Speaker 1: And and and you guys, the end, Amy go ahead.

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Speaker 1: You love to talk about it.

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Speaker 2: I don't know if I loved it, hated it, loved

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Speaker 2: to hate it. But Brandon and Valerie are fully making out.

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Speaker 2: And it was like shocking, shocking.

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Speaker 1: Yeah, it made my head like spin on my neck.

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Speaker 1: It was weird. But we're gonna see it.

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Speaker 2: Let we talk about it all.

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Speaker 3: Oh, we do it.

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Speaker 1: Let's dive right in, you guys, Okay, you guys, Season five,

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Speaker 1: episode thirty one, ps I Love You, Part two, Aaron

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Speaker 1: May twenty fourth, nineteen ninety five.

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Speaker 3: Synopsis. Dylan finds himself at the edge of death when

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Speaker 3: the Mafia movie investor tells him he knows who killed

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Speaker 3: his father. Steve finds himself making out with a man,

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Speaker 3: Brandon is on the brink of giving into Valerie's advances,

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Speaker 3: and Donna finds herself falling hard. Oh thanks, Terray.

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Speaker 1: Directed by Victor Lobel, Written by Larry Mullen and Chip Johansson.

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Speaker 1: Oh okay, mm hm, ten's gonna be good. Ten ten.

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Speaker 1: You can't rate it yet, I guess you can.

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Speaker 2: I don't even know how to begin. I mean, I guess.

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Speaker 2: I know we started to dabbling it last week, but

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Speaker 2: maybe we just go through all of it from wherever

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Speaker 2: we left off.

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Speaker 1: I think we were off.

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Speaker 2: I think we left off like at the pool party.

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Speaker 4: The pool party, the like get out of the pool

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Speaker 4: and put this towel around you, which was just like,

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Speaker 4: oh god, no, come on, no.

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Speaker 2: Young guy is doing that. And if he is, it's

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Speaker 2: the biggest red flag on the planet.

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Speaker 4: Wait for red flags now, s guy Ray, Bless his heart,

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Speaker 4: but he's a mess.

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Speaker 2: And the fact that y'all thought you could clean him

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Speaker 2: up and bring him back and people wouldn't hate him.

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Speaker 2: How did anyone they say it like we did? It

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Speaker 2: feel like your dad maybe thought that.

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Speaker 3: Yeah, I'm thinking so series regular for.

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Speaker 2: Being so smart. These producers were not smart thinking that

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Speaker 2: anyone would accept this guy to be one of the gangs.

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Speaker 1: Yeah, I mean, every people love Donna. They don't want

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Speaker 1: to see anybody hurting her. They don't want to see

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Speaker 1: anybody hurting any of this core crew. So yeah, it

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Speaker 1: makes sense we didn't we leave off with Donna and

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Speaker 1: Ray horseback riding though, Oh yes.

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Speaker 2: We did, You're right. And it was so hot and

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Speaker 2: he had his double shirts on.

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Speaker 1: Yeah, that really bothered you because.

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Speaker 2: I'm just always hot, So I always just feel for

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Speaker 2: anybody that I'm like, god, they just look hot.

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Speaker 1: Well that's where Ray gives her health over the way

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Speaker 1: she is dressing and says that he is not high

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Speaker 1: enough on her list of priorities.

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Speaker 2: First of all, do you know what I wanted to say?

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Speaker 2: She told you it was gonna be a really busy weekend,

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Speaker 2: but that you should come and have a good time.

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Speaker 2: This guy's such a like every party has a pooper.

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Speaker 2: That's why we invited you, Like Ray, pretty sure, I'm

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Speaker 2: done with him.

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Speaker 1: I mean, Donna, why did you invite him? This is

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Speaker 1: going to go back?

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Speaker 3: I don't know. Yeah, we've talked about this.

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Speaker 1: This was just the wrong move, Like she if I

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Speaker 1: just start calling you, Donna, Yeah, okay.

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Speaker 3: I respond to you know, I just she set herself

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Speaker 3: up here, she said, everybody up. I don't know what's

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Speaker 3: going on.

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Speaker 1: Yeah, I mean we've all gotten ourselves into positions like

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Speaker 1: this where we think it's going to be great and

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Speaker 1: then it is backfires.

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Speaker 3: It's I mean in a big way.

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Speaker 2: When you're watching this, are you sort of as mad

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Speaker 2: as I am at how terrible Ray is? Like, what

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Speaker 2: are you feeling?

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Speaker 3: I'm so in the middle of it that I can't

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Speaker 3: see that?

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Speaker 2: So you still have, like you could sort of understand why.

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Speaker 3: She liked him, hmmm, I understand who she was at

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Speaker 3: that age and how she was like susceptible to men

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Speaker 3: influencing her. Yeah, even Donna then how she was able

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Speaker 3: to And I can't get out of it any other

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Speaker 3: way because it was the only journey I knew. Oh wow,

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Speaker 3: that didn't go down that way, right, Like if it

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Speaker 3: didn't happen that way, it would wouldn't have been part

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Speaker 3: of Donna's history in her journey.

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Speaker 2: Oh that's so interesting.

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Speaker 3: Yeah, even this, even because.

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Speaker 2: I'm watching it was such a different feeling about Ray

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Speaker 2: than I did thirty years ago. I think I thought

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Speaker 2: he was cute and I love that he could sing,

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Speaker 2: and I was like he's now I'm like, this guy sucks.

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Speaker 3: He sucks.

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Speaker 1: AnyWho.

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Speaker 3: Uh.

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Speaker 1: We find Brandon, who is now hungover in the pool

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Speaker 1: when Claire and David finally arrive, and David Brandon that

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Speaker 1: he and Claire walked in on Alison last night at

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Speaker 1: the bench House with Kelly.

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Speaker 2: Brandon called him Dave like nine times he did. Yes,

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Speaker 2: He's like dadda And I'm like, Dave, Dave is the

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Speaker 2: code word to save yourself from a like rapist? What

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Speaker 2: is this? What?

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Speaker 1: What Dave's a code?

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Speaker 2: Remember when Torri Remember when Donna said, I'm okay Dave

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Speaker 2: and that was how.

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Speaker 3: Dave need him that, Like no one calls him Dave And.

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Speaker 2: Then Brandon's just calling him that from the pools.

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Speaker 3: Willy nilly, like it has no repercussions.

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Speaker 1: Yeah, it matters to Dave's if you call them, if

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Speaker 1: to David's, if you call them Dave, And imagine Dave's

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Speaker 1: if you call them David, it's really yeah.

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Speaker 2: And I also did enjoy that scene. Though I thought

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Speaker 2: I thought it was good, I'm like, okay, this is juicy.

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Speaker 2: He's sort of telling him he felt obligated to tell him.

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Speaker 1: Oh okay, he's telling Brandon that, but he won't tell

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Speaker 1: Donna that Ray cheated on him with Valerie. I'm not

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Speaker 1: getting Oh my gosh, that is moral stance.

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Speaker 2: Here, literally such an aha moment that I did not

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Speaker 2: think of till you just said it.

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Speaker 1: He walks in and just flab of blabs about Kelly.

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Speaker 2: Who's really not even doing anything.

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Speaker 3: No dinner you guys, because it's more personal than other,

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Speaker 3: like he already cheated on her, Like now he's gonna

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Speaker 3: tell Donna someone else cheating on her, Like it's.

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Speaker 2: Wait, I'm really realizing though, WTF right, Like if Dave

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Speaker 2: David is so chill to tell Brandon this is like

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Speaker 2: the love of Brandon's life and he's just like, sorry, dude,

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Speaker 2: she's with a girl. Yet he won't tell his best

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Speaker 2: friend and ex girlfriend that she's could be getting like

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Speaker 2: a sexually transmitted disease from this.

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Speaker 1: Guy and the girl that he actually loves. He really

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Speaker 1: loves Yes, you think he jump at the chance, screw like,

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Speaker 1: it's screwy that.

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Speaker 2: This guy's cheating on you. And here I am, it's weird.

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Speaker 1: You guys want to go to the sorority panel?

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Speaker 3: Sure do.

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Speaker 1: Lise Martin, mommy is hosting a panel, and she brags

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Speaker 1: about being an elitist. What a great speech. Donna walks in,

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Speaker 1: uh late from her horseback ride. Oh and police calls

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Speaker 1: her a Johnny come lately.

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Speaker 2: It looks it looks could kill. Police was like dagger

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Speaker 2: eyes straight at Donna.

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Speaker 1: Aren't you a Johnny come lately?

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Speaker 2: I can't unsee that Pelice Martin is married to Dean

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Speaker 2: Butler from Little House on the Prairie. I literally can't

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Speaker 2: get it off my mind now that I know it's

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Speaker 2: I don't know, Folice sucks.

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Speaker 3: Also I know she does.

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Speaker 2: She sucks. She's so dumb. Thanks for saving her.

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Speaker 3: Ray.

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Speaker 2: I know we'll get to that.

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Speaker 1: Yes, and then we see kind of this turn in

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Speaker 1: police where now she Ray is like her.

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Speaker 3: Guy, her tool that she can use to manipulate Donna.

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Speaker 2: She thinks, Yeah, Felice needs a lot of therapy. She's

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Speaker 2: like a mess.

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Speaker 1: Soom springs palm Springs Resort. Kelly's on the phone and

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Speaker 1: she is talking to Brandon right at the resort. Is

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Speaker 1: she on the phone with him? And we cut to

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Speaker 1: Brandon and the k guys doing stupid prank calls.

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Speaker 2: He just does, oh my god, oh my god, Yeah,

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Speaker 2: I forgot.

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Speaker 1: About this, hearing like a Brandon. She doesn't even know

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Speaker 1: who this guy is now all of a sudden, First.

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Speaker 2: Of all, can we just talk about the prank calls?

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Speaker 3: Yeah?

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Speaker 2: I don't know any college dudes. Then are like, you

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Speaker 2: know what we want to do right now? Like we

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Speaker 2: have all the alcohol we could want, thousands of girls

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Speaker 2: who golf. Yeah, let's sit around and make bad prank calls.

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Speaker 1: It was so imateure was that show on at this time?

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Speaker 3: That show the crank Guy, Cranky Anchors. I loved nut

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Speaker 3: show show too.

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Speaker 1: Maybe we're just as a material Brandon and Steve.

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Speaker 2: It was so like, just one level above is your

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Speaker 2: refrigerator running?

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Speaker 1: Wait, what's the rest? You better catch you, you better

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Speaker 1: catch it.

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Speaker 2: Ivon a tinkle to a tinkle?

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Speaker 3: So I feel like the guys always said of on

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Speaker 3: a tinkle on set? Wait, what was that? I remember?

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Speaker 2: Wait?

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Speaker 3: They did?

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Speaker 1: They had they had This is a terrible. And I

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Speaker 1: remember this one, did Richard you can call me dick Zenya.

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Speaker 1: You never heard that one.

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Speaker 3: I learned it from them, like, oh, they loved saying.

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Speaker 2: Literally, they're just playing themselves, these guys, they are just

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Speaker 2: truly playing themselves. Oh my god, Jenny.

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Speaker 1: I kind of like I liked it. Kelly did not

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Speaker 1: like it, though, Oh so funny. And then Brandon says, oh,

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Speaker 1: come hang with the guys. Oh wait, you don't like

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Speaker 1: guys an Oh my.

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Speaker 2: God, first ouch, I'm also what not first of all

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Speaker 2: not even true. Great if it would be true, I

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Speaker 2: wish you would have kissed her right, I would made

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Speaker 2: this episode even juicier. And like, Brandon, what's wrong with you?

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Speaker 2: Right now?

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Speaker 1: He's a drunker? He says, Kelly, you like women? Now?

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Speaker 3: I think he's so funny.

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Speaker 2: I'm my god, to me, he's just gonna like him too.

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Speaker 1: He's a little loosey goosey.

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Speaker 2: Yeah, yeah, I like it. But I would just be

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Speaker 2: running to Dylan, although he's sky high in a gondola

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Speaker 2: about to die, like it's just a mess.

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Speaker 1: And then there's old Val coming in to tell Brandon

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Speaker 1: that she got them a room. Oh my god, it

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Speaker 1: was weird. Kelly says, you can, you can have him,

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Speaker 1: and she walked away. I don't know, getting so bizarre.

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Speaker 1: We go to the the tennis court where Steve's dad.

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Speaker 1: What's his name again?

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00:12:08,440 --> 00:12:09,040
Speaker 2: Rush?

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Speaker 1: Rush? He tells the Rush, Yeah, Rush, but Rush he wants.

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Speaker 2: He tells the perfect name for that guy.

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Speaker 1: I want you to be with a dream boat on

231
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Speaker 1: in life. Hello, I take offense to that.

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Speaker 3: You should?

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Speaker 1: Yeah, Kelly and Steve nothing, no, okay, anyhow, And so

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Speaker 1: he's setting him. He's setting Steve up with this girl.

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Speaker 1: I don't really know why is this his motive just

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Speaker 1: so that he can be with the dream boat?

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Speaker 2: She seems fine too, Like, yeah, she seemed fine, Like

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Speaker 2: you'd think he'd have a fun time with that kind

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Speaker 2: of cute girl.

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Speaker 1: Are so not Steve to not like be into her?

241
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Speaker 2: Why does he care what the dad's motives are first

242
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Speaker 2: of all, and second, the dad's motives weren't even bad, Like,

243
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Speaker 2: just go have fun with this history.

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Speaker 3: We'll go through this storyline. That's why, right, we have

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Speaker 3: to get to the the big curan.

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Speaker 1: Oh god, oh wow, this is happening. Back at the

247
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Speaker 1: Mafia mansion, Dylan is doing a script read with the

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Speaker 1: mafia guy's girlfriend and she is not real good.

249
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Speaker 2: At acting what I thought she was so right for

250
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Speaker 2: the part.

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Speaker 1: That was so over the top. Oh my godness, what are.

252
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Speaker 2: The odds that? What's his dizzy? Why do I want

253
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Speaker 2: to call him Jonesy? But that's not his name?

254
00:13:37,160 --> 00:13:38,040
Speaker 3: What is Charlie?

255
00:13:39,559 --> 00:13:40,959
Speaker 2: Charlie? Charlie?

256
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Speaker 1: Jonesy was the other guy?

257
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Speaker 2: The other guy that kind of looks like him?

258
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Speaker 1: What do you guys tell him that they don't want

259
00:13:47,280 --> 00:13:50,920
Speaker 1: to do this script? And Dylan says, well, my dad

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Speaker 1: did it, and they realized that Jack McKay is Dylan's dad.

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00:14:08,480 --> 00:14:14,920
Speaker 2: Okay, there's so many holes. One is I know we

262
00:14:14,960 --> 00:14:17,000
Speaker 2: didn't have Google then, but like you'd think that if

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Speaker 2: they were like, yeah, you're gonna be meeting with me

264
00:14:20,640 --> 00:14:24,120
Speaker 2: and my business partner Dylan McKay, that somebody would be like, well,

265
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Speaker 2: like do you think that could be the son of Jack?

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Speaker 2: And if they're so up in Jack's business, they'd know

267
00:14:32,320 --> 00:14:35,239
Speaker 2: his kid was named Dylan McKay, So like what.

268
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Speaker 1: Well, they figure it all out and then something bad's

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Speaker 1: about to happen.

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Speaker 2: It also makes me want to go of all the

271
00:14:44,200 --> 00:14:46,440
Speaker 2: gin joints? Do you know? Like, what are the odds

272
00:14:46,440 --> 00:14:48,800
Speaker 2: that these two randos in Palm Springs that have money

273
00:14:49,160 --> 00:14:50,840
Speaker 2: and a wife that wants to be in a movie

274
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Speaker 2: also happened to be connected to Jack McKay's murder.

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Speaker 3: Like it's just like, really, I don't know. If it

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00:14:59,480 --> 00:15:04,480
Speaker 3: wasn't Dylan, I wouldn't be into the storyline at all. No,

277
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Speaker 3: this is not right for the show.

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00:15:07,760 --> 00:15:09,920
Speaker 1: I'm not into it even with it being Dylan.

279
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Speaker 2: Okay, fair, it's so dark. It's so dark, it took

280
00:15:13,040 --> 00:15:13,840
Speaker 2: a dark turn.

281
00:15:16,200 --> 00:15:20,520
Speaker 3: We're just we're just college kids having Fray already party.

282
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Speaker 3: I don't want to get into all this mafia stuff now.

283
00:15:23,920 --> 00:15:29,800
Speaker 1: No, what we want is for Brandon to go buy

284
00:15:29,880 --> 00:15:33,160
Speaker 1: some condoms because he's gonna back up with out.

285
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Speaker 2: Last.

286
00:15:35,120 --> 00:15:37,960
Speaker 1: He's thinking, you know, ahead and being safe.

287
00:15:38,160 --> 00:15:39,280
Speaker 3: He's so responsible.

288
00:15:39,320 --> 00:15:47,840
Speaker 1: Now, oh god. That is when Valerie hears Donna and

289
00:15:47,920 --> 00:15:51,600
Speaker 1: Ray arguing outside this.

290
00:15:51,720 --> 00:15:53,560
Speaker 2: I actually was happy that she was sort of eas

291
00:15:53,680 --> 00:15:57,520
Speaker 2: droppy because I wanted Donna to have a witness totally.

292
00:15:59,040 --> 00:16:00,600
Speaker 1: I mean, for one, thank.

293
00:16:00,440 --> 00:16:04,800
Speaker 2: God for val Literally, I agree.

294
00:16:05,200 --> 00:16:08,960
Speaker 1: Donna's really frustrated that Ray is always mad, and she

295
00:16:09,040 --> 00:16:12,920
Speaker 1: tries to walk away, but he grabs her so forcefully

296
00:16:12,960 --> 00:16:15,040
Speaker 1: that he basically shoots her down the stairs.

297
00:16:16,160 --> 00:16:17,840
Speaker 2: That was actually very traumatic.

298
00:16:18,040 --> 00:16:19,120
Speaker 1: That's when it happened.

299
00:16:20,160 --> 00:16:22,880
Speaker 3: But I gotta say rewatching it. I don't feel like

300
00:16:22,920 --> 00:16:25,440
Speaker 3: he pushed her or threw her down the stairs.

301
00:16:25,720 --> 00:16:28,359
Speaker 1: I agree, he's hapened so fast I couldn't really.

302
00:16:29,360 --> 00:16:32,680
Speaker 2: But he shouldn't be grabbing her at all. He definitely

303
00:16:34,040 --> 00:16:36,120
Speaker 2: played a part in the accident.

304
00:16:36,560 --> 00:16:37,000
Speaker 3: Correct.

305
00:16:37,440 --> 00:16:39,840
Speaker 1: And then he runs down, you know, and he's so like,

306
00:16:39,920 --> 00:16:43,760
Speaker 1: oh my gosh, are you okay? Of course he's so regretful.

307
00:16:44,240 --> 00:16:45,080
Speaker 2: Quite a tumble.

308
00:16:45,680 --> 00:16:50,800
Speaker 1: Yeah, wait, how did you feel about that stunt? Tell us?

309
00:16:51,240 --> 00:16:54,600
Speaker 3: Okay, So the stunt, you guys. First of all, the outfit,

310
00:16:54,800 --> 00:16:57,640
Speaker 3: you know, it was like one hundred and twenty degrees like,

311
00:16:57,840 --> 00:17:02,000
Speaker 3: and I had to wear Jean Jean so that they

312
00:17:02,040 --> 00:17:06,120
Speaker 3: could put patting on the stunt double. Right, So Jean's

313
00:17:06,320 --> 00:17:10,440
Speaker 3: the tank top, the jeans shirt, and then they brought

314
00:17:10,440 --> 00:17:14,320
Speaker 3: out my stunt double and she was going to walk

315
00:17:14,840 --> 00:17:16,600
Speaker 3: me through it so I can see how she lands.

316
00:17:17,080 --> 00:17:21,560
Speaker 3: And I just remember thinking at the time, wow, that

317
00:17:21,840 --> 00:17:24,480
Speaker 3: this is great. But the wig was really bad. Yeah,

318
00:17:25,000 --> 00:17:29,959
Speaker 3: and they're always really but how do I say this

319
00:17:30,040 --> 00:17:31,280
Speaker 3: without sounding horrible?

320
00:17:31,400 --> 00:17:32,280
Speaker 2: She didn't look like you.

321
00:17:33,080 --> 00:17:35,760
Speaker 3: I was really focused on her butt. I remember that

322
00:17:35,880 --> 00:17:36,359
Speaker 3: at the time.

323
00:17:36,840 --> 00:17:40,960
Speaker 1: Wait wait wait, wait, yes, why were you focused on it?

324
00:17:41,280 --> 00:17:44,080
Speaker 3: I'm not sure. I just remember thinking, like, people are

325
00:17:44,080 --> 00:17:46,959
Speaker 3: going to know it's not me, she's she's built very different,

326
00:17:47,119 --> 00:17:52,479
Speaker 3: that's all, okay, very different. Good. And usually when they

327
00:17:52,520 --> 00:17:55,199
Speaker 3: had stunt doubles for anything, and especially like when we

328
00:17:55,240 --> 00:17:58,240
Speaker 3: do TV movies and stuff, they try to match you

329
00:17:58,359 --> 00:18:00,680
Speaker 3: up pretty well so that it's, you know, the stunt

330
00:18:00,720 --> 00:18:04,160
Speaker 3: doubles the same height, same body frame. And she wasn't.

331
00:18:04,200 --> 00:18:05,760
Speaker 3: So this is the first time I'd done a stunt

332
00:18:05,760 --> 00:18:07,480
Speaker 3: on the show that it wasn't the same body And

333
00:18:07,520 --> 00:18:09,600
Speaker 3: I was like, hmmm, are people going to notice that?

334
00:18:09,680 --> 00:18:11,400
Speaker 3: And they were like no, no, no, But I did

335
00:18:11,440 --> 00:18:16,399
Speaker 3: say something. I was concerned. She didn't look anything like me.

336
00:18:16,720 --> 00:18:20,200
Speaker 1: I mean, yeah, she was a little more muscular, shall

337
00:18:20,240 --> 00:18:20,760
Speaker 1: we say.

338
00:18:20,760 --> 00:18:23,720
Speaker 2: And shorter. She looked shorter and more more muscular.

339
00:18:23,880 --> 00:18:28,000
Speaker 3: She was way shorter than me. And yeah, like very

340
00:18:28,040 --> 00:18:28,760
Speaker 3: fit and built.

341
00:18:29,119 --> 00:18:30,520
Speaker 1: But what a fall, man?

342
00:18:31,040 --> 00:18:31,920
Speaker 3: What it was a fall?

343
00:18:32,160 --> 00:18:32,480
Speaker 1: She did.

344
00:18:32,600 --> 00:18:36,240
Speaker 2: It was a fall, but it's a probably one of

345
00:18:36,240 --> 00:18:41,120
Speaker 2: the worst stunt double. Like it's not well known.

346
00:18:41,280 --> 00:18:43,679
Speaker 3: And I was so freaked out about it that I

347
00:18:43,920 --> 00:18:45,560
Speaker 3: like offered. I was like, I'll do it.

348
00:18:45,600 --> 00:18:46,080
Speaker 2: I'll do it.

349
00:18:46,080 --> 00:18:49,560
Speaker 3: Can we oh start a little bit higher? No, you know,

350
00:18:50,200 --> 00:18:52,800
Speaker 3: I'll like roll into it. But I was very concerned

351
00:18:52,840 --> 00:18:54,640
Speaker 3: that people would know it wasn't my body.

352
00:18:54,720 --> 00:18:57,879
Speaker 1: And people did yep. But I mean that's you know,

353
00:18:58,080 --> 00:18:59,520
Speaker 1: that's how TV shows go.

354
00:19:00,320 --> 00:19:04,040
Speaker 2: I actually actually made Lorraine send it to us in

355
00:19:04,080 --> 00:19:08,479
Speaker 2: slow motion. Oh okay, so I'm going to watch that

356
00:19:09,040 --> 00:19:10,040
Speaker 2: as we all talk.

357
00:19:10,320 --> 00:19:12,480
Speaker 1: Okay, let me let me look, we're going to watch

358
00:19:12,560 --> 00:19:13,760
Speaker 1: this and s emotion.

359
00:19:14,720 --> 00:19:22,960
Speaker 2: It's oh, he does sort of really cause the fall. Okay, sure,

360
00:19:23,000 --> 00:19:29,560
Speaker 2: we you know, oh yeah, yeah, yeah, okay, it's pretty bad.

361
00:19:30,760 --> 00:19:35,080
Speaker 2: We starts off okay, and then towards the bottom of

362
00:19:35,119 --> 00:19:36,160
Speaker 2: the fall, it.

363
00:19:36,160 --> 00:19:38,640
Speaker 1: Is just so not you. Yeah, he whips you around

364
00:19:38,680 --> 00:19:43,760
Speaker 1: that wig, that wig, Oh my goodness. But great job

365
00:19:43,800 --> 00:19:47,280
Speaker 1: on the landing there.

366
00:19:47,400 --> 00:19:50,720
Speaker 2: Yeah, I gotta do it one more time. Can you

367
00:19:50,760 --> 00:19:51,680
Speaker 2: freeze on the body seat?

368
00:19:51,680 --> 00:19:53,160
Speaker 3: There's the butt and I'm like, not my butt.

369
00:19:54,000 --> 00:19:57,359
Speaker 1: Okay, I gotta do it again, dude, Yeah, play it again.

370
00:19:58,080 --> 00:19:59,320
Speaker 2: Oh gosh, he really does.

371
00:19:59,400 --> 00:20:01,119
Speaker 1: He does so throw her around.

372
00:20:02,080 --> 00:20:07,320
Speaker 2: I don't think he meant to. Yeah, the landing is excellent.

373
00:20:08,440 --> 00:20:13,119
Speaker 1: All those metal stairs must have hurt.

374
00:20:13,920 --> 00:20:17,600
Speaker 2: Oh my gosh, it's just so not you. It's not you.

375
00:20:20,600 --> 00:20:22,399
Speaker 1: I could watch this all day long, you guys, or.

376
00:20:22,359 --> 00:20:24,280
Speaker 2: Maybe the person was taller than you.

377
00:20:24,720 --> 00:20:26,879
Speaker 1: Can I say one more time, Loraine, a little shorter

378
00:20:27,000 --> 00:20:27,320
Speaker 1: than you?

379
00:20:27,400 --> 00:20:29,840
Speaker 3: I don't know. It was just just wasn't any time

380
00:20:29,920 --> 00:20:31,879
Speaker 3: in ten years that it was a stunt double that

381
00:20:32,240 --> 00:20:33,439
Speaker 3: the body looked nothing like me.

382
00:20:34,960 --> 00:20:37,359
Speaker 2: Okay, so here we go. I do blame him.

383
00:20:38,040 --> 00:20:39,800
Speaker 3: Why would he pull on that shoulder? You shouldn't have

384
00:20:39,840 --> 00:20:40,840
Speaker 3: pulled on that shoulder.

385
00:20:41,000 --> 00:20:42,560
Speaker 2: God, the wig is so bad.

386
00:20:42,640 --> 00:20:49,240
Speaker 1: The wig. The wig, Oh my god.

387
00:20:49,040 --> 00:20:51,440
Speaker 3: I could brown hair underneath.

388
00:20:54,080 --> 00:20:57,280
Speaker 2: I can't, my god, doesn't even look like the same

389
00:20:57,400 --> 00:21:01,000
Speaker 2: outfit it was.

390
00:21:00,680 --> 00:21:00,720
Speaker 3: It.

391
00:21:01,480 --> 00:21:03,920
Speaker 1: We have got to show that this liw emotion for all.

392
00:21:04,000 --> 00:21:07,480
Speaker 3: I could literally just stare at that zoom in right

393
00:21:07,520 --> 00:21:09,000
Speaker 3: on the face when she turns around.

394
00:21:09,200 --> 00:21:13,800
Speaker 2: What is this the second most thing people ask you about? Obviously,

395
00:21:13,880 --> 00:21:18,080
Speaker 2: Donna Martin graduates first. Is this number two correct? Yes?

396
00:21:18,240 --> 00:21:18,720
Speaker 3: Always?

397
00:21:19,000 --> 00:21:20,280
Speaker 2: And what do they typically say?

398
00:21:21,320 --> 00:21:23,200
Speaker 3: Oh, my gosh, I felt so bad for Donna, and

399
00:21:23,359 --> 00:21:24,760
Speaker 3: Ray pushed her down the stairs.

400
00:21:25,119 --> 00:21:26,240
Speaker 2: I don't know why I'm laughing.

401
00:21:27,119 --> 00:21:30,240
Speaker 3: And I always say I wasn't me, That wasn't the

402
00:21:30,359 --> 00:21:34,480
Speaker 3: worst like so like still like traumatized, like not that

403
00:21:34,600 --> 00:21:36,919
Speaker 3: like someone like almost got killed, like going down like

404
00:21:37,080 --> 00:21:38,960
Speaker 3: their neck. I'm like, it's not my butt.

405
00:21:39,680 --> 00:21:39,840
Speaker 2: No.

406
00:21:39,960 --> 00:21:43,119
Speaker 1: And also you always justify and like try to defend

407
00:21:43,200 --> 00:21:44,320
Speaker 1: Ray Jamie.

408
00:21:44,600 --> 00:21:47,040
Speaker 2: Oh god, he's Jamie Walter.

409
00:21:47,359 --> 00:21:52,120
Speaker 1: Jamie Jamie Walters. He's such a great guy, you guys.

410
00:21:53,040 --> 00:21:57,280
Speaker 2: Jamie Walters is a great guy. Ray Prewitt is horrific.

411
00:21:57,880 --> 00:21:59,800
Speaker 2: And I know we're getting in the weeds, but like

412
00:22:00,240 --> 00:22:03,879
Speaker 2: they literally make him a series regular. The next season

413
00:22:04,000 --> 00:22:06,919
Speaker 2: starts with him being in the credit opening credits, and

414
00:22:06,960 --> 00:22:10,080
Speaker 2: I think they literally get rid of him very quickly

415
00:22:10,119 --> 00:22:12,960
Speaker 2: because they realize the audience is like, are you nothing

416
00:22:13,080 --> 00:22:18,440
Speaker 2: kidding me? Yeah, Like even then they were like no.

417
00:22:19,000 --> 00:22:26,639
Speaker 1: Yeah, well, crazy things are happening at the gas station too.

418
00:22:27,720 --> 00:22:29,320
Speaker 2: Does this fill up my tank?

419
00:22:29,920 --> 00:22:35,280
Speaker 1: Yeah? Steve magically spots the car Goddess that he's been

420
00:22:35,520 --> 00:22:38,480
Speaker 1: dreaming about since he got there, and he offers to

421
00:22:38,520 --> 00:22:41,879
Speaker 1: help her put her gas in and she says, go ahead, Amy,

422
00:22:41,920 --> 00:22:42,520
Speaker 1: you can say it.

423
00:22:43,080 --> 00:22:46,560
Speaker 2: I forget the exact line. Somebody give me the exact line.

424
00:22:47,400 --> 00:22:49,040
Speaker 3: Is this supposed to be like a callback to like

425
00:22:49,119 --> 00:22:51,360
Speaker 3: vacation like with Christy Brinkley and like.

426
00:22:51,480 --> 00:22:56,159
Speaker 1: Kind of okay, kind of but not really at all. Right,

427
00:22:56,280 --> 00:22:58,680
Speaker 1: I'm very different, she says, So are you going to

428
00:22:58,760 --> 00:23:01,560
Speaker 1: stand there with that hoes in your hand? Or are

429
00:23:01,600 --> 00:23:04,680
Speaker 1: you going to stick it in my tank? Thank you?

430
00:23:04,800 --> 00:23:07,800
Speaker 1: That's that's what she said. But back to the important stuff.

431
00:23:07,920 --> 00:23:11,240
Speaker 1: Kelly comes to the hospital, thank god, and Ray covers

432
00:23:11,280 --> 00:23:14,600
Speaker 1: up how Donna really fell, and Donna doesn't tell Kelly

433
00:23:14,640 --> 00:23:19,400
Speaker 1: the truth. Why do you think she didn't tell Kelly because.

434
00:23:19,200 --> 00:23:19,960
Speaker 3: You'd be mad at me.

435
00:23:21,200 --> 00:23:22,560
Speaker 1: I'd be mad at you.

436
00:23:24,720 --> 00:23:31,120
Speaker 3: Do you like how that just impulsively came out? Oh? No,

437
00:23:31,160 --> 00:23:32,680
Speaker 3: I don't even know what I meant by that.

438
00:23:33,040 --> 00:23:36,200
Speaker 2: I don't think you tell her because.

439
00:23:35,880 --> 00:23:39,000
Speaker 3: I don't want her to know, don't you understand you? Guys?

440
00:23:40,320 --> 00:23:42,440
Speaker 2: Yeah, I think you're embarrassed that you're dating this guy

441
00:23:42,480 --> 00:23:46,160
Speaker 2: who's this terrible and you're also like very sucked into

442
00:23:46,200 --> 00:23:50,720
Speaker 2: his abusive behavior. Yeah.

443
00:23:53,080 --> 00:23:56,080
Speaker 1: I think that's, you know, pretty reflective of how it

444
00:23:56,119 --> 00:23:58,760
Speaker 1: is in real life when someone's in an abusive relationship.

445
00:24:00,040 --> 00:24:01,679
Speaker 1: That's not something they want to talk about, even to

446
00:24:01,720 --> 00:24:02,639
Speaker 1: their very best friend.

447
00:24:04,240 --> 00:24:07,680
Speaker 2: Yeah, the shame, it's just totally that part is realistic.

448
00:24:07,720 --> 00:24:09,000
Speaker 2: She's feeling so much shame.

449
00:24:09,440 --> 00:24:12,360
Speaker 3: Yeah, and she's like terrified of him at this point.

450
00:24:12,440 --> 00:24:14,600
Speaker 3: At this point now she is like, you know.

451
00:24:15,119 --> 00:24:17,240
Speaker 2: It's like I'm almost making light of it because it's

452
00:24:17,240 --> 00:24:18,879
Speaker 2: so sort of the whole thing so ridiculous. But like,

453
00:24:18,920 --> 00:24:20,800
Speaker 2: if you really think about it, it's really bad.

454
00:24:21,280 --> 00:24:23,320
Speaker 1: Yeah, it's bad.

455
00:24:23,600 --> 00:24:26,560
Speaker 3: It's really What happens after this? Does she leave him?

456
00:24:27,240 --> 00:24:27,760
Speaker 3: I don't know.

457
00:24:27,960 --> 00:24:30,920
Speaker 1: She pretty much tells him off in this episode.

458
00:24:30,520 --> 00:24:36,199
Speaker 3: Though, Yeah, I don't think they're done done. No, I

459
00:24:36,200 --> 00:24:38,720
Speaker 3: don't know. Amy are they done after this? No?

460
00:24:39,160 --> 00:24:40,720
Speaker 2: I mean no shorts? No.

461
00:24:41,640 --> 00:24:47,000
Speaker 1: Okay. So at the restaurant, Brandon is having his weird

462
00:24:47,480 --> 00:24:52,760
Speaker 1: Jim and Cindy flash backs or whatever they are, his

463
00:24:52,840 --> 00:24:54,880
Speaker 1: parents warning him not to sleep with Valerie.

464
00:24:54,880 --> 00:24:57,480
Speaker 3: Those were so bizarre, not.

465
00:24:57,560 --> 00:24:58,840
Speaker 2: Oh my god, that was.

466
00:25:01,400 --> 00:25:06,040
Speaker 1: And that's when Steve and Elle, the lady with the car,

467
00:25:06,440 --> 00:25:10,320
Speaker 1: they're standing outside the restaurant and apparently they're gonna get

468
00:25:10,440 --> 00:25:15,199
Speaker 1: down to it, and then Steve pulls something out of

469
00:25:15,200 --> 00:25:17,520
Speaker 1: her bra and he holds it up and he says,

470
00:25:17,520 --> 00:25:22,160
Speaker 1: what's this? And at that point I was kind of

471
00:25:22,520 --> 00:25:24,879
Speaker 1: I kind of knew, did you know that Elle was

472
00:25:24,920 --> 00:25:25,240
Speaker 1: a man?

473
00:25:26,119 --> 00:25:30,880
Speaker 3: So I remembered you remember, like could you tell watching.

474
00:25:31,840 --> 00:25:36,000
Speaker 2: Yeah, I was asking myself that and I think I remembered.

475
00:25:36,320 --> 00:25:38,160
Speaker 2: I actually don't think you could tell.

476
00:25:38,680 --> 00:25:40,080
Speaker 1: She looked damn good to me.

477
00:25:40,359 --> 00:25:44,040
Speaker 2: Totally. It feels dated this part.

478
00:25:45,320 --> 00:25:45,720
Speaker 3: Mm hmm.

479
00:25:46,200 --> 00:25:48,800
Speaker 2: This is the other thing. That character was played by

480
00:25:48,840 --> 00:25:52,840
Speaker 2: Monica Shnaire, a Canadian model, actress, television host, and real

481
00:25:52,960 --> 00:25:53,639
Speaker 2: estate agent.

482
00:25:54,119 --> 00:25:57,240
Speaker 1: Oh yeah, it's nice.

483
00:25:57,600 --> 00:26:00,880
Speaker 2: So there's some flags on the whole thing.

484
00:26:01,119 --> 00:26:03,560
Speaker 3: But whoa, she's six one.

485
00:26:04,160 --> 00:26:08,440
Speaker 2: Yeah, she's very beautiful legs, Yeah, totally beautiful.

486
00:26:09,200 --> 00:26:12,159
Speaker 1: She and then Steve says no. She el tells him,

487
00:26:12,200 --> 00:26:17,320
Speaker 1: don't act like you didn't know, eh, And Steve looks down,

488
00:26:17,359 --> 00:26:18,400
Speaker 1: screams and runs away.

489
00:26:18,800 --> 00:26:24,040
Speaker 2: Right, it was not the best great reaction, right. Oh wait,

490
00:26:24,080 --> 00:26:26,200
Speaker 2: have we had the gondola scene yet?

491
00:26:26,920 --> 00:26:27,040
Speaker 4: No?

492
00:26:27,680 --> 00:26:31,280
Speaker 2: Oh wow, oh my god. This episode Okay.

493
00:26:31,000 --> 00:26:36,400
Speaker 1: So he uh, Dylan is making a secret call and

494
00:26:36,560 --> 00:26:38,359
Speaker 1: they see him doing it. They find out and he

495
00:26:38,400 --> 00:26:43,000
Speaker 1: goes inside and the mafia guys and Charlie. The mafia

496
00:26:43,000 --> 00:26:44,960
Speaker 1: guys are in the limo, but not Charlie.

497
00:26:45,160 --> 00:26:45,560
Speaker 3: Right to go.

498
00:26:47,359 --> 00:26:51,760
Speaker 2: They mysteriously told him go do something else because we're about.

499
00:26:51,480 --> 00:26:55,280
Speaker 1: To I was working with the actress the girlfriend. Oh yeah, hellye,

500
00:26:55,359 --> 00:27:01,120
Speaker 1: running lines with her, so Dylan glasses on and gets

501
00:27:01,200 --> 00:27:02,720
Speaker 1: into the limo with the bad guys.

502
00:27:03,040 --> 00:27:03,320
Speaker 3: Bad.

503
00:27:03,560 --> 00:27:04,440
Speaker 2: I knew it was bad.

504
00:27:05,880 --> 00:27:11,359
Speaker 1: Mm hmm, real bad. That's when Kelly finally meets up

505
00:27:11,359 --> 00:27:14,080
Speaker 1: with David McLaren tells them that she doesn't really appreciate

506
00:27:14,080 --> 00:27:16,800
Speaker 1: that brand there gave Brandon the wrong impression about her

507
00:27:16,840 --> 00:27:21,680
Speaker 1: in a so that was good. She she kind of.

508
00:27:22,000 --> 00:27:25,440
Speaker 2: Called them out, those two little gossipy.

509
00:27:27,800 --> 00:27:31,680
Speaker 1: Brandon has taken VAL's car on his uh condom run

510
00:27:34,359 --> 00:27:36,240
Speaker 1: and then he gets pulled over and he doesn't have

511
00:27:36,280 --> 00:27:39,399
Speaker 1: the rest registration because it's not his car, and then

512
00:27:39,440 --> 00:27:43,920
Speaker 1: he pulls down the sunvisor and out drops uh, marriage

513
00:27:43,920 --> 00:27:52,199
Speaker 1: you want a cigarette? Was wacky tobacky right falls right

514
00:27:52,240 --> 00:27:54,200
Speaker 1: on his lap and the cop makes him step out

515
00:27:54,240 --> 00:27:54,640
Speaker 1: of the car.

516
00:27:54,880 --> 00:28:01,480
Speaker 2: Oh God, God, but I don't know how.

517
00:28:01,440 --> 00:28:04,600
Speaker 1: Brandon gets away with it. I guess it wasn't enough

518
00:28:04,640 --> 00:28:06,760
Speaker 1: because he comes back. He wakes up Valerie and he

519
00:28:06,760 --> 00:28:09,200
Speaker 1: tells her that he spent the night in jail thanks

520
00:28:09,200 --> 00:28:13,359
Speaker 1: to her joint. He gives her a keys back and

521
00:28:13,400 --> 00:28:15,439
Speaker 1: says he's going to find his own way home. So

522
00:28:15,520 --> 00:28:18,200
Speaker 1: I guess he lost his boner for a vow at

523
00:28:18,200 --> 00:28:24,600
Speaker 1: the same I mean wait, who did he call? Though,

524
00:28:25,280 --> 00:28:26,920
Speaker 1: who did they called? What do you mean?

525
00:28:27,480 --> 00:28:30,159
Speaker 3: But he spent the night in jail they let him out.

526
00:28:30,200 --> 00:28:31,360
Speaker 1: I don't think he called anyone.

527
00:28:32,119 --> 00:28:33,639
Speaker 2: Yeah, how did they? I think they just let him

528
00:28:33,680 --> 00:28:35,040
Speaker 2: out on his own recognisance.

529
00:28:35,240 --> 00:28:36,879
Speaker 3: That happens. I don't know any things.

530
00:28:37,080 --> 00:28:41,240
Speaker 1: Maybe in Palm Springs, maybe one joint, I don't know. Sure,

531
00:28:53,880 --> 00:28:56,240
Speaker 1: Steve comes back. He's so embarrassed. He doesn't want to

532
00:28:56,280 --> 00:29:01,360
Speaker 1: tell Brandon about his goddess. Oh yeah, and then he

533
00:29:01,400 --> 00:29:03,080
Speaker 1: tells him. But then he says it to Brandon, if

534
00:29:03,120 --> 00:29:09,360
Speaker 1: you tell anyone, I'll bet you senseless.

535
00:29:05,800 --> 00:29:05,920
Speaker 3: Ye.

536
00:29:09,360 --> 00:29:13,800
Speaker 1: See Donna in bed, sweet Donna with her little arm

537
00:29:13,920 --> 00:29:19,840
Speaker 1: sling on, and she is uh watching Felice go over

538
00:29:19,880 --> 00:29:25,640
Speaker 1: her speech. And then yeah, she's scared.

539
00:29:26,280 --> 00:29:27,240
Speaker 2: She is scared.

540
00:29:27,440 --> 00:29:30,960
Speaker 3: Yeah, she's scared. Now get rid of this guy.

541
00:29:31,920 --> 00:29:33,680
Speaker 1: And she tells him, I want you to stay away

542
00:29:33,680 --> 00:29:35,440
Speaker 1: from me. I never spakin something like that.

543
00:29:35,800 --> 00:29:36,240
Speaker 3: Mm hm.

544
00:29:37,880 --> 00:29:38,280
Speaker 2: Mm hmm.

545
00:29:39,520 --> 00:29:44,560
Speaker 3: But Felice, Felice leaves are in his hands again.

546
00:29:46,840 --> 00:29:49,880
Speaker 1: Yep, Mommy of the year.

547
00:29:51,120 --> 00:29:51,320
Speaker 3: Yep.

548
00:29:54,680 --> 00:29:55,680
Speaker 2: Oh what a mess.

549
00:29:56,640 --> 00:30:02,120
Speaker 1: And Brandon apologized Kelly for thinking that she was Allison

550
00:30:02,200 --> 00:30:05,640
Speaker 1: for believing what Claren David said, and Kelly asks Brandon,

551
00:30:05,680 --> 00:30:08,160
Speaker 1: why does everything have to be over just because she

552
00:30:08,200 --> 00:30:09,160
Speaker 1: wouldn't marry him?

553
00:30:09,240 --> 00:30:13,000
Speaker 2: Which I thought was a great point, like a really

554
00:30:13,040 --> 00:30:13,680
Speaker 2: great point.

555
00:30:14,360 --> 00:30:18,920
Speaker 1: Yeah, he really did a three sixty there right that

556
00:30:18,920 --> 00:30:23,120
Speaker 1: that his actions were not that of a guy who

557
00:30:23,240 --> 00:30:25,120
Speaker 1: just asked this girl to marry him.

558
00:30:25,360 --> 00:30:25,640
Speaker 2: Yep.

559
00:30:26,440 --> 00:30:30,360
Speaker 3: Yeah, but he's heartbroken, and so when you're heartbroken, you

560
00:30:30,400 --> 00:30:30,760
Speaker 3: go fuck.

561
00:30:30,800 --> 00:30:34,680
Speaker 1: Oops. I can't say that. When your heartbroken, you you

562
00:30:34,800 --> 00:30:36,960
Speaker 1: do what he's doing with Fal, what he planned to

563
00:30:36,960 --> 00:30:37,800
Speaker 1: do with bel.

564
00:30:38,040 --> 00:30:41,400
Speaker 3: No, I don't. We wouldn't. It doesn't track.

565
00:30:41,520 --> 00:30:43,160
Speaker 1: But I don't think Brandon would.

566
00:30:43,880 --> 00:30:47,480
Speaker 3: No, but at his age, and he's just like yeah.

567
00:30:47,600 --> 00:30:49,880
Speaker 2: I also think Brandon would have been like really stoked

568
00:30:49,880 --> 00:30:52,160
Speaker 2: to hear that from Kelly and be like, oh, you

569
00:30:52,200 --> 00:30:55,720
Speaker 2: know what, we should stay together. We're young. She's basically saying,

570
00:30:55,720 --> 00:30:56,640
Speaker 2: I still want to be with you.

571
00:30:56,920 --> 00:30:58,960
Speaker 1: Yeah, because he didn't really want to get married.

572
00:30:58,720 --> 00:31:05,200
Speaker 2: Either, exactly. The whole thing is so absurd. It's like,

573
00:31:05,760 --> 00:31:08,040
Speaker 2: you're like twenty years old, bro.

574
00:31:08,120 --> 00:31:10,800
Speaker 1: What and then this is it? This is the aerial tramway.

575
00:31:11,200 --> 00:31:14,200
Speaker 1: Oh my god. They take Dylan into the onto the

576
00:31:14,240 --> 00:31:15,240
Speaker 1: thing that goes up.

577
00:31:15,640 --> 00:31:17,800
Speaker 2: That real thing. That thing is a real thing.

578
00:31:18,160 --> 00:31:20,080
Speaker 1: Yeah, that's a ride you can go on.

579
00:31:21,080 --> 00:31:23,000
Speaker 2: Which you could not pay me enough money to ever

580
00:31:23,080 --> 00:31:26,640
Speaker 2: go on that, which Toy and I've talked about. Pass.

581
00:31:27,640 --> 00:31:29,120
Speaker 1: They put duct tape on his mouth.

582
00:31:29,400 --> 00:31:29,880
Speaker 2: Oh.

583
00:31:30,000 --> 00:31:32,120
Speaker 1: I always love when when they do that on the

584
00:31:32,160 --> 00:31:35,360
Speaker 1: show because you can tell it's not stuck to them

585
00:31:35,400 --> 00:31:39,320
Speaker 1: at all.

586
00:31:39,320 --> 00:31:43,880
Speaker 2: Oh and all out of nowhere, suddenly these guys we

587
00:31:43,920 --> 00:31:48,240
Speaker 2: don't even understand why. We're like, what did Dylan do? Nothing?

588
00:31:48,600 --> 00:31:53,640
Speaker 2: They're all mad because he went and called who'sy dc? I? Yeah,

589
00:31:53,720 --> 00:31:59,280
Speaker 2: whatever her name was, Christine, No, not floozy doozy, who'sy doozy?

590
00:31:59,600 --> 00:31:59,760
Speaker 3: Guy?

591
00:32:01,760 --> 00:32:04,000
Speaker 2: Who'sy Doozy? I couldn't remember her name.

592
00:32:04,520 --> 00:32:06,240
Speaker 1: I thought you called her a floozy.

593
00:32:07,200 --> 00:32:10,440
Speaker 2: Wait, that's what she just said. I said, who'sy Doozy?

594
00:32:10,480 --> 00:32:11,840
Speaker 2: Because I came for her name.

595
00:32:13,440 --> 00:32:17,200
Speaker 1: But yeah, I guess they're worried that he's like an

596
00:32:17,240 --> 00:32:19,479
Speaker 1: informant for the FBI. I don't know.

597
00:32:19,560 --> 00:32:21,360
Speaker 2: I'm like, we don't even know what their crime is.

598
00:32:21,840 --> 00:32:24,280
Speaker 1: And then the guy, the mob guy, tells him he

599
00:32:24,360 --> 00:32:25,920
Speaker 1: knows who killed Jack.

600
00:32:27,760 --> 00:32:29,520
Speaker 3: First of all, that was crazy too.

601
00:32:31,920 --> 00:32:34,320
Speaker 1: Yeah, and then thank god they let him off the hook.

602
00:32:35,200 --> 00:32:37,280
Speaker 2: It reminds me of that line in speed do you

603
00:32:37,320 --> 00:32:40,080
Speaker 2: guys know? On the bus and Keanu Reeves and like

604
00:32:40,400 --> 00:32:42,959
Speaker 2: one of the guys has obviously done something bad and

605
00:32:43,000 --> 00:32:47,400
Speaker 2: like turns the gun on Keanu Reeves Jack Travers and

606
00:32:47,440 --> 00:32:52,959
Speaker 2: he's like, I don't care about your crime. It is

607
00:32:53,160 --> 00:32:54,040
Speaker 2: good with me.

608
00:32:54,560 --> 00:32:59,840
Speaker 1: Like, whoa why would these mob guys have this much time?

609
00:33:00,400 --> 00:33:02,959
Speaker 1: Aren't they busy? Like do they really have time to

610
00:33:03,000 --> 00:33:03,960
Speaker 1: go up in a tramp?

611
00:33:04,240 --> 00:33:09,560
Speaker 2: Exactly, they're up the gondola. They don't hang him out,

612
00:33:09,800 --> 00:33:13,600
Speaker 2: like just to scare him and then to admit that

613
00:33:13,680 --> 00:33:16,080
Speaker 2: they have knowledge of the crime, like that they're an

614
00:33:16,080 --> 00:33:18,680
Speaker 2: accessory to murder. It's like why did they do that?

615
00:33:18,800 --> 00:33:21,200
Speaker 2: Like they should have just said we're not going to

616
00:33:21,240 --> 00:33:21,920
Speaker 2: fund your movies.

617
00:33:22,480 --> 00:33:27,880
Speaker 3: You know, I hate this storyline.

618
00:33:27,960 --> 00:33:30,640
Speaker 1: Well, luckily Dylan tells Charlie he wants out of the movie,

619
00:33:30,680 --> 00:33:31,480
Speaker 1: so hopefully.

620
00:33:31,160 --> 00:33:31,600
Speaker 3: Thank god.

621
00:33:33,600 --> 00:33:37,200
Speaker 1: But I have a feeling because I know, like I

622
00:33:37,320 --> 00:33:40,760
Speaker 1: kind of know what, yeah happens, like what you do?

623
00:33:41,080 --> 00:33:43,360
Speaker 1: Why you know? I know what kind of happened. So

624
00:33:43,600 --> 00:33:45,400
Speaker 1: the market thing is here to stay.

625
00:33:45,440 --> 00:33:49,800
Speaker 2: I think this is the beginning of a major storyline

626
00:33:51,240 --> 00:33:53,880
Speaker 2: that is like here to stay.

627
00:33:54,480 --> 00:33:56,280
Speaker 3: A life changing storyline.

628
00:33:56,440 --> 00:34:00,840
Speaker 2: Yeah, so that's why I don't think the jumps are

629
00:34:01,600 --> 00:34:07,800
Speaker 2: season seven because season six is still real solid.

630
00:34:08,360 --> 00:34:15,439
Speaker 1: Yeah, this is wild. They're at a bus stop. Oh yeah,

631
00:34:16,560 --> 00:34:19,120
Speaker 1: are both waiting for a bus home.

632
00:34:25,160 --> 00:34:27,120
Speaker 2: He could have just bought a car and said he's

633
00:34:27,120 --> 00:34:29,600
Speaker 2: gonna take the bus.

634
00:34:30,560 --> 00:34:33,680
Speaker 1: Oh, but that's where we see the two guys bond again.

635
00:34:35,239 --> 00:34:37,719
Speaker 2: Which I was actually pleased with. I'm not gonna lie.

636
00:34:37,800 --> 00:34:40,000
Speaker 2: That made me happy. But right, why would they take

637
00:34:40,000 --> 00:34:41,920
Speaker 2: a bus? Like the two of them could easily like

638
00:34:42,040 --> 00:34:43,480
Speaker 2: figure it out. I guess they can't run a car

639
00:34:43,520 --> 00:34:48,200
Speaker 2: because they're too young. I don't know, but I think

640
00:34:48,200 --> 00:34:50,279
Speaker 2: they could have taken a plane. I don't I don't

641
00:34:50,280 --> 00:34:54,280
Speaker 2: even know, helicopter. Dylan's got loads of dough.

642
00:34:55,200 --> 00:34:56,640
Speaker 1: They could have rented a camel.

643
00:34:56,719 --> 00:34:57,120
Speaker 3: I don't know.

644
00:34:58,960 --> 00:35:02,400
Speaker 1: Brandon gets home finally from his bus ride, and he

645
00:35:02,520 --> 00:35:04,920
Speaker 1: realizes that the wash house has been sold.

646
00:35:05,560 --> 00:35:06,520
Speaker 3: Oh that's it.

647
00:35:07,160 --> 00:35:12,560
Speaker 1: Bye bye m Alta Dina. Oh thank god, no more

648
00:35:12,640 --> 00:35:13,920
Speaker 1: driving to Dinas.

649
00:35:14,120 --> 00:35:16,680
Speaker 2: Oh no, there'll be a twist, don't you worry?

650
00:35:17,120 --> 00:35:21,279
Speaker 1: Good lord? Oh I remember, I feel like every time

651
00:35:21,280 --> 00:35:23,520
Speaker 1: we say something's over, you're like, oh no.

652
00:35:23,200 --> 00:35:28,520
Speaker 2: No, no, things can definitely fall out of escrow, guys,

653
00:35:29,120 --> 00:35:31,800
Speaker 2: don't you worry. That's just a cliffhanger.

654
00:35:32,640 --> 00:35:35,120
Speaker 1: And then, of course Dylan has a message on his

655
00:35:35,239 --> 00:35:39,360
Speaker 1: answering machine from the FBI agent Christine, warning him about

656
00:35:39,360 --> 00:35:41,719
Speaker 1: the dangerous mafia guys in the desert.

657
00:35:41,640 --> 00:35:45,080
Speaker 2: A little late. Look, if he was in that much danger,

658
00:35:45,120 --> 00:35:47,880
Speaker 2: he'd be in witness protection. This is like so crazy.

659
00:35:49,600 --> 00:35:51,680
Speaker 1: So then she tells him that they're really close to

660
00:35:51,760 --> 00:35:54,279
Speaker 1: arresting the guys that tried to kill us, that killed

661
00:35:54,320 --> 00:35:56,279
Speaker 1: his dad. So Dylan gets his gun.

662
00:35:56,000 --> 00:35:57,520
Speaker 3: Out, loads it.

663
00:35:58,600 --> 00:36:00,480
Speaker 1: Yeah, and he loads it.

664
00:36:00,480 --> 00:36:01,920
Speaker 3: It's going, it's going in.

665
00:36:02,400 --> 00:36:05,840
Speaker 1: What's like, that's the cliffhanger first first season five. Dylan

666
00:36:05,880 --> 00:36:09,600
Speaker 1: loads his gun and then and then this is a cliffhanger,

667
00:36:09,640 --> 00:36:14,160
Speaker 1: you guys, you tell them, I can't this.

668
00:36:13,440 --> 00:36:19,280
Speaker 2: This show brand Yeah, this show is somewhere between Porky's Meats,

669
00:36:19,360 --> 00:36:28,680
Speaker 2: like meets like What's Likes or Meatballs, Meatballs, Revenge of

670
00:36:28,719 --> 00:36:32,200
Speaker 2: the Nerds whatever, one of those sort of eighties you know,

671
00:36:32,440 --> 00:36:40,160
Speaker 2: Booby rom com teen Romp things whatever, while simultaneously being like,

672
00:36:40,920 --> 00:36:43,000
Speaker 2: I don't know, I can't think of a movie that's

673
00:36:43,040 --> 00:36:48,560
Speaker 2: like a team like a like a Wilder Broody like

674
00:36:51,360 --> 00:36:56,560
Speaker 2: FBI movie, Like it's like one of those John Grisham novels.

675
00:36:56,560 --> 00:37:00,680
Speaker 1: I'm like, what, it's a Pelican brief, It's a lend.

676
00:37:04,120 --> 00:37:11,040
Speaker 2: Ah Well. Who wrote this again? Uh, Larry Mullen, Is

677
00:37:11,040 --> 00:37:11,399
Speaker 2: that right?

678
00:37:11,480 --> 00:37:12,160
Speaker 3: Larry Mullen.

679
00:37:12,280 --> 00:37:15,319
Speaker 2: I don't even know, Like he's my best friend, Larry Moan.

680
00:37:17,360 --> 00:37:19,000
Speaker 3: Johansson got it.

681
00:37:19,280 --> 00:37:22,279
Speaker 2: Like the ogs wrote this, like right, they're living their

682
00:37:22,280 --> 00:37:26,160
Speaker 2: best lives writing this so like and then let's throw

683
00:37:26,280 --> 00:37:26,840
Speaker 2: this in.

684
00:37:26,800 --> 00:37:30,120
Speaker 1: Like it's just what they had to have, some big

685
00:37:30,280 --> 00:37:32,680
Speaker 1: thing to go out on for the season.

686
00:37:32,880 --> 00:37:39,920
Speaker 2: Right. The kiss, the weird hook armed kiss, do you

687
00:37:39,960 --> 00:37:41,840
Speaker 2: know what I mean? Like he kind of reached back

688
00:37:41,880 --> 00:37:42,600
Speaker 2: and I was like.

689
00:37:42,560 --> 00:37:46,400
Speaker 1: What, Oh God, I closed my eyes. I didn't see it.

690
00:37:46,960 --> 00:37:48,040
Speaker 3: Oh, I have my eyes.

691
00:37:48,400 --> 00:37:50,560
Speaker 1: You liked it, you always love it. You love what

692
00:37:50,680 --> 00:37:52,400
Speaker 1: Valerie kisses anyone because.

693
00:37:52,280 --> 00:37:57,480
Speaker 3: You got the hots for val I enjoy watching her kiss.

694
00:37:57,960 --> 00:37:59,600
Speaker 2: They had weird chemistry too.

695
00:37:59,640 --> 00:38:04,120
Speaker 3: I was like, I know, weird this, this.

696
00:38:02,520 --> 00:38:05,000
Speaker 2: Is this is not what I expected.

697
00:38:05,320 --> 00:38:07,920
Speaker 3: Because we want to think of them related, but they're.

698
00:38:08,680 --> 00:38:11,040
Speaker 1: H I will still to be brother and sister kind.

699
00:38:10,880 --> 00:38:12,600
Speaker 2: Of, I know, and yet they're really not.

700
00:38:14,600 --> 00:38:17,120
Speaker 1: Yeah, So they start making out on the couch and

701
00:38:17,320 --> 00:38:20,439
Speaker 1: that's it. People, that's a rapt dumb.

702
00:38:20,960 --> 00:38:23,200
Speaker 3: Do you think he used that condom he brought brought

703
00:38:23,280 --> 00:38:24,680
Speaker 3: back by.

704
00:38:26,360 --> 00:38:26,600
Speaker 2: God?

705
00:38:27,000 --> 00:38:28,880
Speaker 1: But did he ever even get the condoms because he

706
00:38:28,920 --> 00:38:30,080
Speaker 1: got Oh.

707
00:38:29,760 --> 00:38:32,920
Speaker 2: Yeah, maybe he has some upstairs in the dresser.

708
00:38:32,800 --> 00:38:35,439
Speaker 1: Or he goes into Gym's room. No, they never mind.

709
00:38:35,760 --> 00:38:38,040
Speaker 2: It really sets us up for a big season six.

710
00:38:38,600 --> 00:38:41,680
Speaker 3: I don't even know what could happen after this, Like I.

711
00:38:41,520 --> 00:38:44,520
Speaker 1: Hope it's like a a like an immediate pickup, you know,

712
00:38:45,239 --> 00:38:47,080
Speaker 1: I just know the end of that scene. I hope

713
00:38:47,080 --> 00:38:49,440
Speaker 1: it opens up with that scene Ginger Lamona.

714
00:38:49,440 --> 00:38:52,759
Speaker 3: I don't want like months to be gone like ginger Monica.

715
00:38:52,800 --> 00:38:55,720
Speaker 2: You guys, ginger La Monica is coming. Do you remember

716
00:38:55,840 --> 00:38:56,920
Speaker 2: ginger La Monica?

717
00:38:57,320 --> 00:38:58,920
Speaker 1: Sure do I don't.

718
00:39:00,120 --> 00:39:02,480
Speaker 2: Elisa Donovan is ginger lah Monica.

719
00:39:03,200 --> 00:39:04,040
Speaker 1: Oh I love her.

720
00:39:04,320 --> 00:39:07,600
Speaker 2: Yeah, she's like VAL's best friend from Buffalo or whatever

721
00:39:09,000 --> 00:39:10,000
Speaker 2: they are going to be up to.

722
00:39:10,680 --> 00:39:14,440
Speaker 3: Yeah, are you ready?

723
00:39:15,080 --> 00:39:18,840
Speaker 1: I don't think so. I need to take a nap

724
00:39:18,920 --> 00:39:19,560
Speaker 1: before I watch.

725
00:39:20,880 --> 00:39:24,040
Speaker 2: It is a good finale, though, I have to say,

726
00:39:24,280 --> 00:39:28,239
Speaker 2: like I actually might call this people Can Come at

727
00:39:28,280 --> 00:39:32,439
Speaker 2: Me the best finale of so far.

728
00:39:34,000 --> 00:39:37,239
Speaker 3: Sorry, okay, I didn't know where she was going with

729
00:39:37,320 --> 00:39:37,960
Speaker 3: It wasn't.

730
00:39:37,719 --> 00:39:39,400
Speaker 2: As like, you know, there's the I think there's the

731
00:39:39,440 --> 00:39:44,120
Speaker 2: one where it's like where you tell I can't remember

732
00:39:44,120 --> 00:39:46,280
Speaker 2: if that's a finale or not, where you tell Brenda.

733
00:39:47,000 --> 00:39:53,799
Speaker 2: That was pretty gnarly, But this is like very That

734
00:39:53,920 --> 00:39:56,719
Speaker 2: was really good. Yeah that was that was good, but

735
00:39:56,840 --> 00:40:02,920
Speaker 2: this is like more juicy. Everybody he's got a situation practically,

736
00:40:03,480 --> 00:40:03,879
Speaker 2: mm hmm.

737
00:40:04,080 --> 00:40:07,680
Speaker 1: Yeah, well David and Claire don't.

738
00:40:08,000 --> 00:40:10,000
Speaker 2: Yeah, but they're kind of annoying. I'm ready for them

739
00:40:10,040 --> 00:40:10,879
Speaker 2: to be done.

740
00:40:10,920 --> 00:40:11,960
Speaker 3: So they're in a breakup.

741
00:40:12,040 --> 00:40:14,000
Speaker 1: Yeah, did they break up in season six?

742
00:40:15,000 --> 00:40:15,239
Speaker 3: Yeah?

743
00:40:15,440 --> 00:40:18,960
Speaker 1: Yeah, you guys did it. We made it through season five.

744
00:40:19,200 --> 00:40:19,719
Speaker 1: I didn't think this.

745
00:40:19,840 --> 00:40:20,000
Speaker 3: Yea.

746
00:40:21,320 --> 00:40:26,080
Speaker 1: It was literally a year that we can't get back.

747
00:40:27,520 --> 00:40:28,160
Speaker 3: Times two.

748
00:40:28,320 --> 00:40:30,080
Speaker 1: We had to live at the first time, and now

749
00:40:30,120 --> 00:40:32,000
Speaker 1: we just relived another year of our life gone.

750
00:40:32,160 --> 00:40:35,200
Speaker 2: Yeah, it was actually a year, almost a year that

751
00:40:35,239 --> 00:40:40,279
Speaker 2: we've been on season five. I really it's thirty three

752
00:40:40,400 --> 00:40:43,160
Speaker 2: episodes and like, and we had a couple of double

753
00:40:43,280 --> 00:40:46,000
Speaker 2: so forty weeks, so we basically have been doing season

754
00:40:46,040 --> 00:40:48,160
Speaker 2: five for forty weeks too long.

755
00:40:48,600 --> 00:40:51,680
Speaker 3: When I said I loved the college years, maybe it's

756
00:40:51,719 --> 00:40:52,480
Speaker 3: season six.

757
00:40:52,600 --> 00:40:53,839
Speaker 2: I love you.

758
00:40:53,840 --> 00:40:56,640
Speaker 1: You keep saying that. I know you keep saying that.

759
00:40:56,680 --> 00:40:58,840
Speaker 1: You're like maybe at the end of season four, You're like,

760
00:40:58,880 --> 00:41:02,360
Speaker 1: maybe it was season five. I said, I love keep going.

761
00:41:03,600 --> 00:41:06,000
Speaker 2: First of all, this is a ten, you guys.

762
00:41:05,760 --> 00:41:09,840
Speaker 1: This is I liked the season as a whole, like

763
00:41:10,400 --> 00:41:10,759
Speaker 1: a lot.

764
00:41:11,120 --> 00:41:13,719
Speaker 2: Oh yeah, that's a great question, Jenny. What do you

765
00:41:13,760 --> 00:41:15,400
Speaker 2: guys give the whole season?

766
00:41:16,040 --> 00:41:16,120
Speaker 1: Like?

767
00:41:16,200 --> 00:41:18,319
Speaker 2: I obviously this episode's a ten. What do you both

768
00:41:18,360 --> 00:41:21,000
Speaker 2: give the whole season? Oh my god, I was wrong.

769
00:41:21,040 --> 00:41:23,920
Speaker 2: There's thirty two episodes in seasons, thank god.

770
00:41:25,680 --> 00:41:30,320
Speaker 3: Forever and ever and ever and ever.

771
00:41:33,320 --> 00:41:39,320
Speaker 1: Take me away. You remember those commercials of course, of course.

772
00:41:39,840 --> 00:41:41,640
Speaker 2: Okay, so what do you guys give the whole season?

773
00:41:43,080 --> 00:41:44,839
Speaker 1: I give it like a seven or eight?

774
00:41:46,640 --> 00:41:51,480
Speaker 2: So low because definitely in nine nine, thank.

775
00:41:51,320 --> 00:41:51,759
Speaker 3: You, Tori.

776
00:41:53,040 --> 00:41:55,600
Speaker 2: Yeah, it's definitely a nine. I mean it's it's.

777
00:41:55,480 --> 00:41:57,480
Speaker 3: Really been right where it started.

778
00:41:58,400 --> 00:42:02,200
Speaker 1: I just I all of the honestly, all of the

779
00:42:02,320 --> 00:42:07,560
Speaker 1: like Dylan stuff wasn't great this year, and yeah, yeah

780
00:42:07,680 --> 00:42:08,719
Speaker 1: towards the end, and.

781
00:42:08,640 --> 00:42:10,560
Speaker 3: Then you know, I didn't like his wardrobe, you know.

782
00:42:10,680 --> 00:42:13,880
Speaker 1: The fire wardrobe. The fire was fun and excitement.

783
00:42:14,080 --> 00:42:15,160
Speaker 2: I like, the cult.

784
00:42:16,560 --> 00:42:19,839
Speaker 1: Was great, Colt and the fire happened this year?

785
00:42:19,920 --> 00:42:22,640
Speaker 2: Oh yeah, oh yeah, I can't.

786
00:42:22,400 --> 00:42:30,680
Speaker 1: Even remember already problem, but also, uh, the whole introduction.

787
00:42:31,000 --> 00:42:33,759
Speaker 1: Is this the season that they introduced the peach pit

788
00:42:33,880 --> 00:42:34,479
Speaker 1: after dark?

789
00:42:34,960 --> 00:42:37,040
Speaker 2: This is what this is the one in season five?

790
00:42:37,160 --> 00:42:39,279
Speaker 1: Yes, yeah, I didn't love the peach pit.

791
00:42:39,360 --> 00:42:43,000
Speaker 2: After we met Valerie in season five that was huge.

792
00:42:43,320 --> 00:42:44,440
Speaker 2: We literally began.

793
00:42:44,239 --> 00:42:48,480
Speaker 3: The year one season Yeah, this is where Brand's Brenda

794
00:42:49,480 --> 00:42:50,320
Speaker 3: in one season.

795
00:42:50,880 --> 00:42:55,240
Speaker 2: The end of last year, season whatever was Brenda leaving

796
00:42:55,680 --> 00:42:59,760
Speaker 2: and the beginning of this was Valerie showing up right.

797
00:42:59,640 --> 00:43:02,719
Speaker 1: Wow, yeah, she's what a whirlwind.

798
00:43:03,520 --> 00:43:04,680
Speaker 2: Season six begins.

799
00:43:05,080 --> 00:43:08,120
Speaker 3: Okay, so are we ready? Are we ready for season six?

800
00:43:08,200 --> 00:43:09,320
Speaker 1: You guys so ready?

801
00:43:10,520 --> 00:43:11,320
Speaker 2: I'm pretty ready.

802
00:43:11,960 --> 00:43:16,440
Speaker 1: Maybe after a little nap, yeah, like a power now.

803
00:43:19,200 --> 00:43:21,640
Speaker 1: I hope you guys love season five. We love you.

804
00:43:21,680 --> 00:43:25,000
Speaker 1: Can't wait to see you next year aka next week.

805
00:43:25,040 --> 00:43:28,920
Speaker 2: Bye.