1 00:00:00,080 --> 00:00:03,240 Speaker 1: I'm Bradley Johnson with one eight hundred duy away. Not 2 00:00:03,440 --> 00:00:06,800 Speaker 1: Getting behind the wheel after drinking is the best choice, 3 00:00:07,080 --> 00:00:09,840 Speaker 1: But if you're pulled over, the next best choice it's 4 00:00:09,880 --> 00:00:20,840 Speaker 1: to call one eight hundred duy away on the twenties. Hello, Hi, 5 00:00:21,000 --> 00:00:24,479 Speaker 1: is this Doug? Oh? Yes it is Doug. This is 6 00:00:24,520 --> 00:00:28,400 Speaker 1: Scott Brand from the Colorado Springs Police Department Homicide Division. 7 00:00:28,440 --> 00:00:32,640 Speaker 1: Do you have a second? Um? Sure? What's up? I 8 00:00:32,720 --> 00:00:38,320 Speaker 1: need to talk to you about a Sabrina? Okay? Is 9 00:00:38,320 --> 00:00:45,640 Speaker 1: she okay? Do you know a Sabrina? Yeah, she's my fiance. Okay, yeah, Doug, 10 00:00:45,760 --> 00:00:49,480 Speaker 1: you could be in grave danger. What do you mean? 11 00:00:49,800 --> 00:00:51,360 Speaker 1: Do you know if this line is secure that we're 12 00:00:51,360 --> 00:00:54,720 Speaker 1: speaking on right now? Um, as far as I know, 13 00:00:55,440 --> 00:00:58,840 Speaker 1: I'm calling you to warn you that your fiance, as 14 00:00:58,920 --> 00:01:02,440 Speaker 1: you know, spent some time here in Colorado right and 15 00:01:02,600 --> 00:01:06,160 Speaker 1: we can't prove it, but I wanted to call him personally, 16 00:01:06,200 --> 00:01:10,520 Speaker 1: warn you, warn me. Yes, we believe that she's killed 17 00:01:10,680 --> 00:01:15,199 Speaker 1: her past two husbands. What you can't be talking about 18 00:01:15,240 --> 00:01:20,919 Speaker 1: my fiance. She's five six, short, brown hair, born June 19 00:01:20,959 --> 00:01:26,680 Speaker 1: twenty fourth, nineteen eighty four. So Brina, Oh my god, yeah, 20 00:01:26,280 --> 00:01:30,200 Speaker 1: that's her? How much do you know about her past? Well, 21 00:01:30,240 --> 00:01:33,679 Speaker 1: I knew she was married once before. I mean we 22 00:01:33,680 --> 00:01:35,360 Speaker 1: haven't todged that that long. But I guess they don't 23 00:01:35,360 --> 00:01:37,600 Speaker 1: know a lot. But I mean I don't know. I mean, 24 00:01:37,640 --> 00:01:39,840 Speaker 1: she doesn't really talk about it. Doug, you are in 25 00:01:39,920 --> 00:01:44,360 Speaker 1: deep and you really need to listen to me. Okay. 26 00:01:44,480 --> 00:01:48,160 Speaker 1: She's known as the Colorado Springs black Widow. Black widow. 27 00:01:49,000 --> 00:01:52,880 Speaker 1: She marries men and then she poisons their breakfast and 28 00:01:52,920 --> 00:01:55,400 Speaker 1: then collects the insurance money. Does she make you breakfast 29 00:01:55,440 --> 00:02:01,720 Speaker 1: every day? Yeah? Oh my god, I don't freaking me out. Listen, Listen. 30 00:02:01,720 --> 00:02:03,160 Speaker 1: I know this is hard to hear. And if you 31 00:02:03,200 --> 00:02:05,279 Speaker 1: don't believe me, go ahead and google it. The cases 32 00:02:05,320 --> 00:02:07,520 Speaker 1: will come up. And I've been trying to track her 33 00:02:07,520 --> 00:02:09,680 Speaker 1: down and thank god that I found her and found you. 34 00:02:10,400 --> 00:02:13,080 Speaker 1: What do I do? So? Have you been eating the 35 00:02:13,120 --> 00:02:17,360 Speaker 1: breakfast that she makes you every morning? Yeah? Oh god? 36 00:02:17,800 --> 00:02:20,880 Speaker 1: How are you feeling? Are you feeling okay? Actually I'm 37 00:02:20,919 --> 00:02:24,400 Speaker 1: home sick from work today. Oh no, I hate to 38 00:02:24,400 --> 00:02:26,840 Speaker 1: tell you this, but you've got to seek some medical 39 00:02:26,840 --> 00:02:30,040 Speaker 1: attention soon. Oh my god, she's not coming home soon. 40 00:02:30,160 --> 00:02:35,520 Speaker 1: Is she's gone? Yeah, she's out tonight Doug. She may 41 00:02:35,520 --> 00:02:38,480 Speaker 1: be outside watching you at this very moment. What do 42 00:02:38,480 --> 00:02:40,320 Speaker 1: you mean. I don't want to freak you out, but 43 00:02:40,320 --> 00:02:43,000 Speaker 1: that's a possibility. She may be outside watching you. You're 44 00:02:43,040 --> 00:02:46,160 Speaker 1: not near a window, are you? Yes? Should I move? 45 00:02:46,639 --> 00:02:50,400 Speaker 1: Move away from the window? And you are royally right now. 46 00:02:50,760 --> 00:02:53,040 Speaker 1: I'm down behind a chair by my bed. Is that 47 00:02:53,360 --> 00:02:57,800 Speaker 1: that's safe? Curl up into a ball. It helps the 48 00:02:57,840 --> 00:03:00,800 Speaker 1: poison drain faster, and it's maybe your only option and 49 00:03:00,840 --> 00:03:04,560 Speaker 1: I will get the authorities on the line. Yeah. Can 50 00:03:04,600 --> 00:03:08,239 Speaker 1: you roll from side to side? Please? I'm rolling. Say 51 00:03:08,280 --> 00:03:14,359 Speaker 1: something so I can hear you. Roll? Ah, faster, faster, faster, Yes, 52 00:03:15,120 --> 00:03:18,120 Speaker 1: my kind of hurt. We're gonna get through this. We're 53 00:03:18,120 --> 00:03:20,920 Speaker 1: gonna be okay. We're gonna get this poison out of you. Okay. 54 00:03:21,200 --> 00:03:23,040 Speaker 1: We've got agents heading to your house right now, and 55 00:03:23,040 --> 00:03:28,320 Speaker 1: I want you to just keep rolling until they get there. Doug, Doug, Doug, Doug. 56 00:03:28,560 --> 00:03:30,560 Speaker 1: What I just got a report that she's coming in 57 00:03:30,600 --> 00:03:33,120 Speaker 1: the front door. You need to hide what you need 58 00:03:33,120 --> 00:03:39,640 Speaker 1: to hide? Now, get in a closet, all right, Hold on, Doug, 59 00:03:39,680 --> 00:03:43,040 Speaker 1: you're inside the closet now. I've got a cracked over 60 00:03:43,280 --> 00:03:46,480 Speaker 1: just a little bit though, Doug, you don't understand this woman. 61 00:03:46,600 --> 00:03:50,080 Speaker 1: She mates, she kills, and no man can resist her. 62 00:03:50,680 --> 00:03:54,880 Speaker 1: I can't believe that's happening, I hear. Don't you dare 63 00:03:54,920 --> 00:03:59,800 Speaker 1: open that closet no matter what. Oh my God, give 64 00:03:59,880 --> 00:04:03,000 Speaker 1: your Doug. She moves from husband to husband, killing for 65 00:04:03,080 --> 00:04:08,240 Speaker 1: insurance money. Do you know when the cops are gonna 66 00:04:08,280 --> 00:04:10,560 Speaker 1: get her. I've alerted the authorities. They're on their way. 67 00:04:10,640 --> 00:04:12,360 Speaker 1: Agents are headed to your house right now. But if 68 00:04:12,360 --> 00:04:15,160 Speaker 1: she finds you in there, God knows what's going to happen. 69 00:04:16,800 --> 00:04:21,360 Speaker 1: You're to talk, Doug. Doug, I need you to speak 70 00:04:21,400 --> 00:04:29,080 Speaker 1: to me in a French accent right now. Yes, why 71 00:04:29,160 --> 00:04:30,880 Speaker 1: listen to me, Doug. If you want to get out 72 00:04:30,880 --> 00:04:37,680 Speaker 1: of this alive, you'll do what I say. The door 73 00:04:37,720 --> 00:04:44,560 Speaker 1: to the closet is closed tight. Hey, Doug, this is 74 00:04:44,600 --> 00:04:46,800 Speaker 1: actually Jewel from Brook and Jewel in the morning doing 75 00:04:46,800 --> 00:04:50,600 Speaker 1: a phone tap on you. Sabrina, set you up? Are you? 76 00:04:54,120 --> 00:04:57,040 Speaker 1: I can't believe myself that I was in the closet. 77 00:04:57,400 --> 00:05:01,560 Speaker 1: It's time to come out of the closet, Doug, Chuck kiss, 78 00:05:01,560 --> 00:05:06,960 Speaker 1: You're right. Wake up every morning with Jo Holsong Tabs 79 00:05:07,000 --> 00:05:10,000 Speaker 1: weekday mornings on the twenties Holy On removing N. Eightighty 80 00:05:10,040 --> 00:05:15,400 Speaker 1: two point five. I got a candle with Manhattan