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Speaker 1: Welcome back to another episode about this COVID night JE

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Speaker 1: twenty vision. I'm your host, Kevin Poll. I guess that, Kevin, sure,

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Speaker 1: if you want to swing by for lunch, that would

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Speaker 1: be lovely. Let me just check my boone for ray.

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Speaker 1: I would say for four, Nick, you're at neon thirty?

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Speaker 1: Does that work? But I digress. Let's mean you're a kamis.

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Speaker 1: Shall we know particular order to say hello to Craig

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Speaker 1: Atkowski and Kakaw? Do you and Joe and Joe do

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Speaker 1: you also enjoy bowling? And if not, what is it

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Speaker 1: exactly that you don't enjoy? Oh? Wow, it sounds like

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Speaker 1: you're trying to stir up some controversy here. I am

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Speaker 1: fully into bowling, and Joe uh likes to bowl as well.

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Speaker 1: So when Joe and I bowl, Um. I did take

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Speaker 1: bowling as a pe in college, so I'm pretty good

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Speaker 1: at it. Um I Usually I'll do uh, you know,

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Speaker 1: like a one sixty some we're in that range. That's

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Speaker 1: a pretty solid average. The career highest twenty four. Wow,

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Speaker 1: really fucked up that perfect game, didn't you several times? Uh? Yeah,

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Speaker 1: we go on. You don't touch him there, it's James heeney, twinkle, twinkle,

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Speaker 1: little heen. What was the first time you flew an

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Speaker 1: actual kite? The first time I flew an actual kite,

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Speaker 1: I was I think five years old at a at

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Speaker 1: a park and carry and um god, it was beautiful.

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Speaker 1: It seemed to dance upon the sky and it had

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Speaker 1: a lone tail. It was beautiful. You were at a

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Speaker 1: park and carry, Carrie. It was Lions Park. It was

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Speaker 1: Lions Park. And at the at the entrance to the

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Speaker 1: park there was a giant like lion statue that you

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Speaker 1: would drink water out of. It was wonderful. Never forget

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Speaker 1: it clearly. And where is Carrie. It's just next to

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Speaker 1: Crystal Lake. It's what Illinois? It's Illinois? Okay, alright, alright,

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Speaker 1: thank you for so you say. The kite was dancing

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Speaker 1: upon the sky. It was a windy day, and it's

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Speaker 1: it was really high up there. It seems so small.

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Speaker 1: You know. Hey, hey, there's Chris Alvarado, Captain Crunch with

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Speaker 1: a sign of Alvarado. Are you watching below decks sailing yacht?

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Speaker 1: And if so, thoughts it's not all am I watching

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Speaker 1: below decks sailing out? But I message pretty regularly with

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Speaker 1: Jennah yeah you DM Yeah, um, because we met her

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Speaker 1: at your place, that's right. Um. Yeah, thoughts, it's weird

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Speaker 1: in Jenna specifically, it's hard to separate the mean character

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Speaker 1: or you know, the way they cut her on the

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Speaker 1: show exactly, from the nice person that that we got

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Speaker 1: to spend an evening with. Yeah, I brought her and

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Speaker 1: ship well. I brought hired Chap out of the cook

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Speaker 1: for my birthday at the house for a handful of us. Uh.

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Speaker 1: He one of the chefs on the Below Deck program um,

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Speaker 1: and he brought along his first to who no one

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Speaker 1: knew of because the show had the new season had

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Speaker 1: their um but didn't didn't know. You were still in

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Speaker 1: touch anyways. Last hold highest bowling score solid, solid as hell.

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Speaker 1: My highest score is only like a one four. I

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Speaker 1: think I think these are big numbers, fellas. How does

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Speaker 1: it multiply once? You? O? Man, it's strike as ten

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Speaker 1: and you'll get no pieces of his kid cat bar

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Speaker 1: if you think him least it is. In fact, Joey

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Speaker 1: Greer Carnieg walked me through your high school senior prom.

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Speaker 1: High school senior prom. I think I was wearing uh,

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Speaker 1: like a no light all white suit, no white shoes,

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Speaker 1: I remember that and uh tore the dance floor, sweated

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Speaker 1: it out. What was the big song that was? Come on?

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Speaker 1: You want to dance with it, but it knows that

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Speaker 1: the dances bag. Come on. Everybody want to touch your hands,

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Speaker 1: but you can't because your hands are back inside. So

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Speaker 1: it was wild. It was. It was a daft punk

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Speaker 1: original and it was great. Had a blast when it

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Speaker 1: was in I don't think it was in the beach.

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Speaker 1: We usually had a problems. I got a hotel in

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Speaker 1: Miami Beach, um, but I don't think this one was.

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Speaker 1: I forgot, but maybe this one was in the gables.

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Speaker 1: Problems have you been to? I've been to. I went

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Speaker 1: to three problems. You go back into the year, Yeah, yeah,

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Speaker 1: every year, I click and click out. Did anyone have

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Speaker 1: a guy who came back to the high school problem

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Speaker 1: and attended after they graduated? Had that ever happen? I

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Speaker 1: can't imagine much more creepy than that. It was. The

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Speaker 1: creepiest thing was the guys who would u because a

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Speaker 1: lot of people stayed in town in Miami. Imagine that's

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Speaker 1: like every every city, but like they would the guys

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Speaker 1: who had graduated a year or two later, we're dating

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Speaker 1: you know, juniors or whatever, my girls in our grade,

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Speaker 1: and it was just what I like you you have

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Speaker 1: the world now, like I am stuck in this provincial

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Speaker 1: bubble of the school that you have. You have every

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Speaker 1: you can go anywhere, And what are you coming back

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Speaker 1: to our crop for? Is that there's only Come on, dude,

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Speaker 1: no one talks to me anyway. Alright, alright, alright. Isn't

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Speaker 1: that what that character was all about? Uh? Today we

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Speaker 1: keep getting older and they keep staying the same or

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Speaker 1: something like that. Thanks with Trump said, let's get to

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Speaker 1: the damn show. Almost all of our scenes are gathered

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Speaker 1: from our patroon v I P or your listener emails.

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Speaker 1: If you'd like submit one of your scene suggestions, please

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Speaker 1: email the podcast that your name here at Alchemy, this

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Speaker 1: dot com. That's your name here at alchemy this dot

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Speaker 1: seen one comes from patron v I P. Day been

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Speaker 1: Weaver who wrote Kevin and Gang. I'll be honest, first

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Speaker 1: couple of COVID nineteen era episodes were kind of so

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Speaker 1: so thank you for that, but you've really found your

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Speaker 1: groove with the last couple. My favorite. What you want

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Speaker 1: to read and what you don't want to read? Yeah,

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Speaker 1: you don't gotta tell us this ship I finded so helpful.

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Speaker 1: All right, may quote unquote straw Doctor soon be conducted

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Speaker 1: into the alchemy this hall of Fame alongside Snooper and

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Speaker 1: Marvin mceugh. You guys remember straw Doctor. Nope, yeah, I don't.

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Speaker 1: What can you tell me about straw Doctor. It was

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Speaker 1: something like, yeah, it was the there it is cool,

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Speaker 1: keep up the strong work. David Weaver was on to

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Speaker 1: stay throughout these crazy times. Uh, here's my scene suggestion,

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Speaker 1: a seance from the late teen hundreds. I hope that

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Speaker 1: is vague, but not too vague. Well, no, it's completely vague,

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Speaker 1: David Weaver, and thank you for your support. Seance from

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Speaker 1: the late eighteen hundreds. She's a witch. She is a witch.

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Speaker 1: She's not. Oh, it's she's my wife. Okay, let's calm,

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Speaker 1: calm down, Harrigan. We're not you have coming really aggressively

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Speaker 1: with this witch accusation. Yes, I'm just saying it's clear

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Speaker 1: she's a witch, only one that seems to have problems.

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Speaker 1: Go ahead, We're not in Salem two hundred years ago.

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Speaker 1: This is the late eighteen hundreds. Were civilized men. Are

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Speaker 1: we civilized enough to befriend a hoven clothed female satanist. Hannigan.

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Speaker 1: We're just trying to sit down so that we may

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Speaker 1: have ourselves a little old fashioned seance. Is there anything

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Speaker 1: in the commune with the day, he said, right, commune

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Speaker 1: with the dead. I all the hate towards women in general,

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Speaker 1: I just don't understand. I'm confused, very insecure, confused by

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Speaker 1: the vagina in general. I just I feel inadequate. There's

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Speaker 1: a lot have arrived. That's a which which she's my wife,

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Speaker 1: and she's the only one of us that knows how

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Speaker 1: to do it. Say, is so, everybody you ready? Did

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Speaker 1: you bring the personal afficts I asked you to bring

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Speaker 1: before the seance begins? Yes, we did, Madame Leonora. Okay, Ma,

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Speaker 1: hand yours over and describe them as you hand them over.

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Speaker 1: This is a comb that my mother, my late mother,

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Speaker 1: used hoping to commune with her and find out if

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Speaker 1: mommy loves me. You're taste, you're tasting my mother's coming. Next,

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Speaker 1: this is this is a crucifix. Bring you hand them down, man, Okay, crucifix?

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Speaker 1: And who did this crucifix? Your eyes? Does it burn

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Speaker 1: your eyes? Um? You sir? What personal item did you

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Speaker 1: bring that I may use to contact those on the

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Speaker 1: other side. I brought a knife. A knife, and who

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Speaker 1: did this belong to you? I belonged to two of

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Speaker 1: my sons, but they shared this one knife. It belonged

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Speaker 1: to two of your son. Two of my sons shared

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Speaker 1: this knife. They are both no longer with us. M

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Speaker 1: hm mm hmm, sweetheart, did you want to participate in

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Speaker 1: the sands? I feel like I feel like it would

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Speaker 1: be a set up, but I did in case it was.

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Speaker 1: I brought your wedding gown. I brought your wedding gown,

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Speaker 1: and I thought, maybe we don't know. Maybe if you

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Speaker 1: need to say anything to me, darling, you can say

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Speaker 1: it now. Okay, Well, I just wanted to bring something

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Speaker 1: in poor and then everybody was bringing important things. Okay, okay,

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Speaker 1: very good. Does you understand how this works? Are I

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Speaker 1: don't know? Seances? It's her thing. Can we all hold

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Speaker 1: hands now? Please? That's right. I'm I'm sorry, I'm late,

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Speaker 1: I'm sorry. What's going on? I don't know, I'm late,

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Speaker 1: I'm sorry, I'm la. Did you you get an invitation

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Speaker 1: to the seance? Well? I did. A young boy knocked

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Speaker 1: on my door and he handed me a little letter

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Speaker 1: inside and said, come, there's gonna be a thing on

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Speaker 1: bringing the young King. Um, so I decided to make

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Speaker 1: my way over. Okay, okay, did you bring that? This

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Speaker 1: was supposed to be kind of a boy's night. Uh,

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Speaker 1: a guy's night. My wife's only here because she runs

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Speaker 1: the seance. Well, surely we can make room for this

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Speaker 1: woman white all right, been to the witch down now

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Speaker 1: before we get started. Uh please, I'm just again, I'm sorry,

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Speaker 1: I'm late. It's okay. What do you mean to come

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Speaker 1: in here? Late? It's okay? Did you did I did?

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Speaker 1: This is a key from my grandfather's buck room. He

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Speaker 1: locked his boost? Did he? He locked all this? But

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Speaker 1: legend has it that the keys. That's enough, that's enough.

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Speaker 1: I'm sorry, I'm like aging. Can we go around and

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Speaker 1: say your names for me? Please? You who brought the comb?

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Speaker 1: What is your name? Cornelius making the cutting? Cornelius Cornelius?

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Speaker 1: My friends going to Connie Mac, Connie Mac, and you, sir,

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Speaker 1: who brought the crucifix? Your name Hampton, Hampton, hamp Harrogan, Harrigan.

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Speaker 1: We've only said we've only said it thirty times. Look,

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Speaker 1: the witches are getting in my brain Connie mac and Harrington,

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Speaker 1: and you, sir, who brought the one knife. Yes your

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Speaker 1: name please? Um? Okay, sound you're about to make it

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Speaker 1: up your actually name. I mean I'm wondering about the

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Speaker 1: importances of giving my name. I was understooding an impression.

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Speaker 1: This is an anonymous sort of thing. Okay, very well,

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Speaker 1: you will be Mr X for the rest of the time.

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Speaker 1: I mean, we all give it on names we have Connie, Harrington, Mr.

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Speaker 1: I mean, this is this is already we've already passed

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Speaker 1: that point. Name. If this was supposed to he is

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Speaker 1: Reginald Eggs. It's true, okay, Reginald Reginald Eggs Eggs. You dick, sweetheart?

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Speaker 1: Did you want to tell you everybody your name? Benegan?

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Speaker 1: My name is Bennigan, okay, and I brought everybody together?

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Speaker 1: I know Benny didn't um? And you miss me? Yes? You?

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Speaker 1: Oh well, my name is Candy Sugar. Look cool, Candy Sugar,

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Speaker 1: look cool. No judgment. That's a lovely name, madam. Now

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Speaker 1: we all I just got apologizing serious. We just fourth

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Speaker 1: back and forth and our shoulders hold hands swaying. Please

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Speaker 1: stay your intention all together. Now, who do you want

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Speaker 1: to speak to you today? Go ahead to start talking. Mother. Everybody,

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Speaker 1: everybody's everybody? Do you love me? A little comming back,

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Speaker 1: it was rich, Oh, mommy, something, mommy something, corny cony

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Speaker 1: is that you? She she's been taken over by spirit.

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Speaker 1: I've seen this, mother, Yes, yes, it's me. Pick your

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Speaker 1: pants down. I'm time to spank your booty. What don't

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Speaker 1: What did I do? Mother? What booty? Nobody knows that

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Speaker 1: you're the reason why I doe. Yes, yes, it's true. Oh, yes,

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Speaker 1: punished me. Mother, punished me, mother, and we're back. Oh

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Speaker 1: my god, that was so therapeutic. Which was hitting you?

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Speaker 1: How did you feel what you meant by booty? Harrogan me,

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Speaker 1: your name is possessed my spear. I don't know Whogan, Yes,

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Speaker 1: told me you love me? Oh my god, Oh my god.

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Speaker 1: It's it's my fencing instructor to tell me you love me.

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Speaker 1: Tell me you felt what I felt while we trained.

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Speaker 1: I guess I did. I don't know what happened down

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Speaker 1: to spank your booty with this? Put put your pets down.

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Speaker 1: You need to be punished spirit, which she's not suspect.

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Speaker 1: That wasn't my mother. I feel like this so strange.

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Speaker 1: We're all the spirits just gonna spank up. It's coincidence

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Speaker 1: bos to know we're back into the sway now, Well

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Speaker 1: we knew that because you were talking normally. Again, I

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Speaker 1: don't how do you disconnect like what? I hope this

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Speaker 1: word booty carries on? Daddy? Daddy? Why did you only

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Speaker 1: give us one knife? Why only one knife? Father? We

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Speaker 1: wanted our own knife. This is two different boys. I

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Speaker 1: don't know what's happening. This is rather disturbing. You've brought

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Speaker 1: my boys back to me? And why for what reason

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Speaker 1: are they dead? Well? They spank my booty. Yes, we

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Speaker 1: miss you children, miss your father. I'm sorry you're both dead.

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Speaker 1: I shouldn't have given either one of you the knife,

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Speaker 1: I mean a knife mostly surprising suicide. I should do

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Speaker 1: the spanking, I guess, just because it would be weirder

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Speaker 1: than do it. Spank daddie. I'll do it a sorry.

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Speaker 1: How is your spanking me not the weird way? It's

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Speaker 1: because we don't want I mean, these are your kids, eggs.

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Speaker 1: Just do it. Yeah, pull on your pants. I'm gonna.

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Speaker 1: I'm gonna spank you. You've got to be punished. I'd

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Speaker 1: rather not if you do. Mr. We've all done it.

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Speaker 1: Those are my three testicles have aganda, that's what it's

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Speaker 1: called eggs. They hang low, Yes they do. Okay, I'll

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Speaker 1: just after all, I'm forty one years old. Is that

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Speaker 1: what you call spanking? Wimping? King? Try a little harder, Yes,

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Speaker 1: keep trying, and we're bad? Were swaying? Where have you been?

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Speaker 1: You're late again? Are you talking to me? She's talking

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Speaker 1: to Candy? Gary ms, look all, you're late again? For Bible?

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Speaker 1: Who is this? Who is this? I don't know who this?

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Speaker 1: Father frank You don't know who it is? I just

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Speaker 1: I don't know who Father France. I don't know who

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Speaker 1: Father Francis is. So someone from the other world would

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Speaker 1: come back life, somebody come back looking for you by name,

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Speaker 1: and you don't know who it is. I don't Is

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Speaker 1: this for me? Who is not? For Candy? I don't

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Speaker 1: know what father Francis. Put your pants down, Candy, Yes, no, Candy,

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Speaker 1: you should pull your pants down. This makes sense. She's

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Speaker 1: you know, I'll pull my pants down because I think

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Speaker 1: I think I might know Father friends batch down. Okay, everybody,

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Speaker 1: pull your pants down, Candy. Don't be frightened by the

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Speaker 1: three testicles. I mean it's it's disturbing, but it's not

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Speaker 1: frighten kow. Wow, everybody, pull your pants back up. Why

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Speaker 1: are you wearing pants? Candy? Well, I ride horses and

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Speaker 1: uh okay, good enough, good enough Pantsgan, thank you for

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Speaker 1: arranging this seance. That was a unbelievable experience. Wow. I

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Speaker 1: felt so connected with the spirits and my testicles. That

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Speaker 1: was weird. We never used the wedding dress. Was that

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Speaker 1: something we were I think it got messed up when

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Speaker 1: that girl Candy came. I haven't messed up because of me. Well,

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Speaker 1: you were late, we didn't know. I'm sorry, I'm late.

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Speaker 1: I'm sorry I was late. Oh no, oh no, oh no,

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Speaker 1: I'm feeling something. I'm feeling. So this is where she

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Speaker 1: just disappeared. She's my wife. She just disappeared. Where did

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Speaker 1: my wife go? Your wife? The witch disappeared. She's not

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Speaker 1: a witch. Where did my wife go? She turned into

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Speaker 1: that chicken. I got this chicken. Stop my wife not ridiculous.

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Speaker 1: I'm not going to sleep with this chicken. Ben again,

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Speaker 1: that the chicken looks like your wife. Ridiculous. Have sex

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Speaker 1: with the chicken now, now, I wouldn't do that even

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Speaker 1: if it was my wife. Okay, well, now it's I

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Speaker 1: think that speak. Uh, and I'll take it his consent. Okay, yeah,

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Speaker 1: so I have a table for two? Is that right?

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Speaker 1: Yea table for two? Okay, yeah, this is my wife.

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Speaker 1: Please don't make it weird. So you know, a life

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Speaker 1: visit chicken? What happened to do that Italian man? He

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Speaker 1: just left her? Okay, so you, you and the chicken

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Speaker 1: are gonna come in. Well, yes, this is my wife.

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Speaker 1: She's it's uh, animal forces, I think is what it's called.

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Speaker 1: How long is it? How long is it? Wait tonight?

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Speaker 1: No way does it gonna be a bad to get

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Speaker 1: come back? So you that's not problem, Come on me

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Speaker 1: all right. One of the finest tables we have in

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Speaker 1: a joy You're just several little is his name? Ah?

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Speaker 1: You just try anyway. That's why the restaurants called Bennigan's

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Speaker 1: and we have all these old timey photos on the walls,

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Speaker 1: and why we always serve chicken. Can get you started

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Speaker 1: with some help in your papers. Uh that can't be true. No,

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Speaker 1: that's true. Oh my god, Luke, don't do this. I'm

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Speaker 1: done with people lying to me. Luke. I told you

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Speaker 1: that before we left the house today, I said, nowhere layers,

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Speaker 1: so they cannot be true. All right, Well, I mean

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Speaker 1: that's the story man. A guy named Ben again had

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Speaker 1: a seance and man man. So now we're so cash now, dude,

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Speaker 1: man Luke Please, Sarah, I'm sorry, I'm the manager. Is

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Speaker 1: there a problem here? Yes? How can I serve her here?

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Speaker 1: I'm just trying to serve these customers, Ted, let's served us.

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Speaker 1: You served us a plate full of lies and old tales.

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Speaker 1: Well that that sounds like Mike. He's quite the storyteller.

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Speaker 1: But it's one of the reasons we find him to

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Speaker 1: be employee of the month month after month after month.

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Speaker 1: Thanks Ted, that's great, that's fantastic. Yes, Sarah you would

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Speaker 1: say that. Yes, Sarah, that's fantastic. Can I bring you

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Speaker 1: called some some paupers just to make up for this

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Speaker 1: little inconvenience. Yeah, we'll do We'll do that. Forty poppers

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Speaker 1: coming up. Enjoy your evening. Do you have any good time? Sarah?

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Speaker 1: I was until once we got those forty poppers on

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Speaker 1: the house, and then now you just want to bring

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Speaker 1: the You fall for everyone's tales, don't you. Someone comes

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Speaker 1: and tells you a story and you automatically believe it. Sarah,

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Speaker 1: Why would they lie? Why would they lie? Here is

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Speaker 1: your complimentary poppers and a couple of skinny readers for

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Speaker 1: each of you. Quick question Mike, question Mike, um, do

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Speaker 1: you know how the Brooklyn Dodgers got their name? By

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Speaker 1: any chance? Yeah? They were in Brooklyn. This is what

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Speaker 1: I'm talking about, Sarah, this is what I'm talking about.

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Speaker 1: You front loaded it by saying the Brooklyn Dodgers. He's

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Speaker 1: still lied about what because I said he did you know?

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Speaker 1: And he said yes, he didn't know. They moved to

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Speaker 1: l A changed their name to Los Angeles Dodgers. I'm sure, thanks, Mike.

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Speaker 1: What is your question, Luke? What do you want to know?

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Speaker 1: What is? What is the point of that? Want to

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Speaker 1: know what? Everyone's lying to me? Do you know why

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Speaker 1: they're called the Todgers? Still like I'm having a fucking

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Speaker 1: breakdown stair? Do you understand that? Do you know? Yeah?

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Speaker 1: I know why. I came up all store and then

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Speaker 1: they moved out of the way. They are serious. That's

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Speaker 1: not a liar. Hey, Mike, what's the deal at the

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Speaker 1: table too? That couple soon as if you're having a

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Speaker 1: tough time. I don't know, It's like that guy's possessed

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Speaker 1: by a demon or something. What do you think how

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Speaker 1: I think we could make things right over there? I

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00:23:24,320 --> 00:23:26,080
Speaker 1: don't want to blow this tip for you. We already

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Speaker 1: gave them as many poppers it was possibly could. Yeah,

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Speaker 1: the most we've ever give them away before was eleven,

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Speaker 1: and I thought forty might smooth things over. But no,

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00:23:34,080 --> 00:23:36,680
Speaker 1: and they're they're popping them all. And what it helped?

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Speaker 1: You think to pick up their their check? Maybe or

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Speaker 1: just a ruse to get me to do that? Well,

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Speaker 1: I don't know. I I mean I need this tip.

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Speaker 1: I need this tip. You know more than anyone. How

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Speaker 1: much I do? I do? Your your two alimony checks.

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Speaker 1: I was gonna enough to bury any man. Let's be honest. Uh,

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Speaker 1: sorry to bring that up anyways. Let's uh, let's pick

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Speaker 1: up their check and let me know how it goes.

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Speaker 1: I don't feel good right out. Oh is this all

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Speaker 1: you got? Mike? Uh? Is this all the money you got? Suzanne? Please?

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00:24:06,920 --> 00:24:10,240
Speaker 1: You know I have another ex wife. Oh? I know

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Speaker 1: that you think I give a ship. You said you

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Speaker 1: are gonna be good for it. All right. Look, I'm

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00:24:15,040 --> 00:24:19,199
Speaker 1: already delivering to your alimony check in person. Okay, I

356
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Speaker 1: don't have to do this. No, you don't, but you

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00:24:22,280 --> 00:24:24,280
Speaker 1: do have to pay it. Jesus, what are you spending

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Speaker 1: all this money on that you're living in talk? I'm

359
00:24:27,480 --> 00:24:32,160
Speaker 1: trending up Portlain dolls and cigarettes and that scene one

360
00:24:32,840 --> 00:24:37,160
Speaker 1: Parcela dolls and cingarettes. That's what's gonna bring this one home.

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Speaker 1: Why was that girl late? I know why? I'm sorry.

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Speaker 1: Scene too comes from McCoy who wrote, Hello you fantastic folks.

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Speaker 1: Thank you for continue to record your wonderful madness fills

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00:24:55,040 --> 00:24:57,920
Speaker 1: all our days with laughter and helps us keep track

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00:24:57,960 --> 00:25:00,840
Speaker 1: of Tuesdays and Thursdays during this time. I'd also like

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Speaker 1: to make a note of what a fantastic addition Jessica

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00:25:04,240 --> 00:25:06,720
Speaker 1: Lowe has been to the podcast, and I hope she

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00:25:06,760 --> 00:25:09,960
Speaker 1: continues to contribute to the wacky ship we all love.

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Speaker 1: My scene suggestion is this in the spirit of the

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00:25:15,600 --> 00:25:19,880
Speaker 1: massive UFO news that went totally under the radar this week.

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Speaker 1: Get it. A group of aliens pick up a faint

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Speaker 1: radio transmission from Earth and travel across the stars to

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Speaker 1: make their introduction. Much love and see you on the

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Speaker 1: other side McCoy in California. PS. As soon as I'm

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00:25:35,200 --> 00:25:39,560
Speaker 1: employed again, there's a certain Patreon rren to get a

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Speaker 1: new member. It's very kind and thoughtful, very sweet of you.

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Speaker 1: Um sir, I've got something on my radar here that

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00:25:50,280 --> 00:25:55,200
Speaker 1: I'm not familiar with. It's probably just a flight. What's uh,

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Speaker 1: it's not any bogey that I'm familiar with. All right,

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00:26:00,040 --> 00:26:02,120
Speaker 1: write it down in the notebook. I'm sure it's we'll

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00:26:02,119 --> 00:26:04,600
Speaker 1: bring it up and ask about it later. So we've

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00:26:04,640 --> 00:26:12,919
Speaker 1: had computers here since. As much as I trust, I

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00:26:13,000 --> 00:26:15,040
Speaker 1: just don't trust. It's so easy to delete a file.

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Speaker 1: You would have to maliciously with that paper up. So please,

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00:26:20,280 --> 00:26:22,280
Speaker 1: would you please make a note of it. You can

386
00:26:22,320 --> 00:26:26,560
Speaker 1: put it in the computer if you feel let me

387
00:26:26,600 --> 00:26:28,359
Speaker 1: log it in the book. So there's a paper trail

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00:26:28,400 --> 00:26:34,200
Speaker 1: as well. Thank you, Corporal. We've been going through your

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00:26:34,240 --> 00:26:38,280
Speaker 1: files and it's just that it's pieces of paper everywhere. Uh,

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00:26:38,320 --> 00:26:41,479
Speaker 1: there's no day. It looks like you stapled something together,

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00:26:42,200 --> 00:26:47,719
Speaker 1: but it's really hard to track. The top one is today,

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00:26:48,240 --> 00:26:51,320
Speaker 1: Underneath that is yesterday. You didn't mix about, didn't you.

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Speaker 1: It's a pretty simple system. The day that it is

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Speaker 1: today is on top, and consecutively below it are the

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Speaker 1: days previous. Okay, so then what are all these piles

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00:27:03,440 --> 00:27:09,160
Speaker 1: over here. All you have to do is stack pile

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00:27:09,800 --> 00:27:13,560
Speaker 1: on that pile. This is this month, this is last month, Okay,

398
00:27:14,680 --> 00:27:17,200
Speaker 1: dates or times. It doesn't need that, because it's going

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00:27:17,280 --> 00:27:20,439
Speaker 1: back from today. What do you mean it doesn't need that? What? What?

400
00:27:20,280 --> 00:27:24,720
Speaker 1: What pile is? When is this? Uh? Dork Lan. I've

401
00:27:24,760 --> 00:27:29,119
Speaker 1: been sending transmissions to Earth. Um No, what is it,

402
00:27:29,240 --> 00:27:38,320
Speaker 1: jerk Lan. We have not received anything back. So perhaps

403
00:27:38,320 --> 00:27:41,720
Speaker 1: there is no life there after all, jerk land Dorlan,

404
00:27:41,880 --> 00:27:46,159
Speaker 1: I have a hunch. Oh so we're just operating on

405
00:27:46,240 --> 00:27:51,480
Speaker 1: your hunch. You said the next great discovery will come

406
00:27:51,520 --> 00:27:55,840
Speaker 1: from something beyond data. That is true. I stand by

407
00:27:55,880 --> 00:28:00,720
Speaker 1: that statement. Knock, knock, knock, looks like it's rink the clock,

408
00:28:01,080 --> 00:28:04,080
Speaker 1: dork line. This cannot continue. We cannot have drinks every

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00:28:04,119 --> 00:28:06,520
Speaker 1: thirty minutes because you think it's drink o' clock. It

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00:28:06,680 --> 00:28:09,840
Speaker 1: is drink o' clock. Look at the clock. You made

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00:28:09,840 --> 00:28:14,560
Speaker 1: that drink. Drink you drink, you, drink, you drink so

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00:28:14,600 --> 00:28:18,320
Speaker 1: many drink eas skinny teeny for you, skinny teeny for you,

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00:28:18,400 --> 00:28:24,080
Speaker 1: drink lin dork line, thank you, you're welcome. That's nuts

414
00:28:24,160 --> 00:28:28,359
Speaker 1: being only female alien on this intergalactic ship. Why is

415
00:28:28,400 --> 00:28:31,640
Speaker 1: that nuts? It's just nuts, just nuts, all right. I'm

416
00:28:31,680 --> 00:28:35,119
Speaker 1: gonna get back to it, like to drink hot long

417
00:28:35,200 --> 00:28:39,240
Speaker 1: before you leave. Do you think we should go to Earth?

418
00:28:41,160 --> 00:28:43,280
Speaker 1: I mean if the data shows it. Yeah, no, no no, no, no, no,

419
00:28:43,960 --> 00:28:50,960
Speaker 1: a hunch, be honest, hot line, I say, funky, let's

420
00:28:51,000 --> 00:28:52,720
Speaker 1: roll the dice, let's get weird, let's do it. I

421
00:28:52,840 --> 00:28:56,200
Speaker 1: like it. It's Earth o' clock, all right, Tim. What

422
00:28:56,240 --> 00:28:57,600
Speaker 1: I need you to do is I need you to

423
00:28:58,080 --> 00:29:00,520
Speaker 1: you got all those files in the computer to write

424
00:29:00,640 --> 00:29:02,920
Speaker 1: that I have on the paper trail. Yes, I have

425
00:29:03,560 --> 00:29:07,760
Speaker 1: all the files in the computer in very few files.

426
00:29:06,400 --> 00:29:09,960
Speaker 1: So it's just back check. Could you back check those

427
00:29:10,000 --> 00:29:12,200
Speaker 1: files to my paper files and the ones that match

428
00:29:12,240 --> 00:29:14,200
Speaker 1: put a date on the paper one. Sorry when you

429
00:29:14,200 --> 00:29:17,920
Speaker 1: say back check, this is all Greek. I'm just saying

430
00:29:17,960 --> 00:29:20,760
Speaker 1: they they they're changing procedures and they want dates on

431
00:29:20,800 --> 00:29:23,120
Speaker 1: all these papers. So what I want you to do

432
00:29:23,200 --> 00:29:26,280
Speaker 1: is just go ahead. Okay. When you say they, you

433
00:29:26,280 --> 00:29:28,600
Speaker 1: know a lot of times I'm it's unclear to me.

434
00:29:29,120 --> 00:29:33,240
Speaker 1: She speaking of the general wants it and he pulls ranks.

435
00:29:33,360 --> 00:29:36,880
Speaker 1: So okay, well, I'm just checking serve because sometimes they

436
00:29:36,960 --> 00:29:40,480
Speaker 1: represent the voices in your head. Oh no, no, no,

437
00:29:40,560 --> 00:29:44,760
Speaker 1: not this day. Day is the you know, the leadership.

438
00:29:45,520 --> 00:29:48,800
Speaker 1: So anyways, and they wanted to match my computer files

439
00:29:48,840 --> 00:29:51,560
Speaker 1: with your handwritten notes. They just want a date on

440
00:29:51,600 --> 00:29:53,800
Speaker 1: top of my handwritten notes because it looks messy to

441
00:29:53,920 --> 00:29:59,480
Speaker 1: have these piles which are clearly just um again, you've

442
00:29:59,520 --> 00:30:03,240
Speaker 1: had some as an episode. Yeah, I don't think it's

443
00:30:03,240 --> 00:30:07,960
Speaker 1: an episode. It's been a serious it's been a serious okay.

444
00:30:08,440 --> 00:30:11,040
Speaker 1: And the voices you say, it's that change in accents.

445
00:30:11,960 --> 00:30:15,840
Speaker 1: Some of them are sounding like me as they said that. Yeah,

446
00:30:15,880 --> 00:30:21,000
Speaker 1: I mean just standard different accents. Sure, standard different accents

447
00:30:21,000 --> 00:30:23,360
Speaker 1: as I was saying the same thing. So I'm telling

448
00:30:23,360 --> 00:30:27,160
Speaker 1: you to write on paper, to not just technology. They're

449
00:30:27,160 --> 00:30:29,960
Speaker 1: not telling me that I should, but they're also not

450
00:30:30,000 --> 00:30:31,959
Speaker 1: telling me to stop. I don't know what you're getting.

451
00:30:32,200 --> 00:30:36,640
Speaker 1: I'm sorry, what's your what's your angle here? You're supposed

452
00:30:36,680 --> 00:30:43,880
Speaker 1: to be helping me with my you know, temperament, right, yeah, temperament, Yeah, exactly.

453
00:30:43,920 --> 00:30:46,840
Speaker 1: I had to make sure that you're fine as you

454
00:30:46,880 --> 00:30:50,800
Speaker 1: feel comfortable. You know, you're able to live with this,

455
00:30:50,960 --> 00:30:53,240
Speaker 1: and it's something that you can use for your benefit

456
00:30:53,320 --> 00:30:55,880
Speaker 1: and the benefit has all around you. Yeah, I feel

457
00:30:55,920 --> 00:31:00,360
Speaker 1: like it's just like having Surri Courtana and they're always

458
00:31:00,400 --> 00:31:02,720
Speaker 1: had access and there my voices and do they helped

459
00:31:02,720 --> 00:31:09,440
Speaker 1: me eyes? You know? And you know that's not what

460
00:31:09,560 --> 00:31:12,160
Speaker 1: you have. You don't have Wikipedia in your head, you

461
00:31:12,160 --> 00:31:15,640
Speaker 1: know that, right, It's almost like it's almost like I

462
00:31:15,680 --> 00:31:23,400
Speaker 1: do though, Right? Was that the time, dork, I've been

463
00:31:24,080 --> 00:31:31,600
Speaker 1: daydreaming about Earth? Tell me more of this daydream, jerk Lin.

464
00:31:33,000 --> 00:31:37,720
Speaker 1: I picture a great, great society, not like Mars. That

465
00:31:37,800 --> 00:31:41,120
Speaker 1: was such a disappointment. I'm sorry to just barge in here.

466
00:31:41,160 --> 00:31:43,480
Speaker 1: Looks like someone's like really hot on the intercom. Can

467
00:31:43,480 --> 00:31:48,760
Speaker 1: you just uh thanks, I'm just trying to sleep. Is

468
00:31:48,800 --> 00:31:54,280
Speaker 1: this better? No, it's not exactly. Okay, Stan, if I

469
00:31:54,280 --> 00:31:56,560
Speaker 1: could get you off that mic a little bit, Um,

470
00:31:56,600 --> 00:31:59,520
Speaker 1: the reading is going great, and I think you were

471
00:31:59,560 --> 00:32:02,480
Speaker 1: the correct choice for books on tape for this particular outing.

472
00:32:02,880 --> 00:32:04,480
Speaker 1: It's just, um, I just need you to give a

473
00:32:04,520 --> 00:32:07,360
Speaker 1: little space between you and the microphone and trust that

474
00:32:07,440 --> 00:32:09,280
Speaker 1: I've set it to pick you up standing in a

475
00:32:09,400 --> 00:32:17,880
Speaker 1: normal position. Okay, Yeah, Still, if I could get you

476
00:32:17,920 --> 00:32:21,040
Speaker 1: to give me three more inches between you and the microphone,

477
00:32:21,360 --> 00:32:23,640
Speaker 1: and then um, let's pick it up on Paide six

478
00:32:24,120 --> 00:32:28,360
Speaker 1: where I don't remember if your Xylon or Cultron or

479
00:32:28,280 --> 00:32:33,200
Speaker 1: or who. Yeah, I'm I'm I'm jerk Lin jerk Lan. Yeah, okay, sweet?

480
00:32:33,240 --> 00:32:36,120
Speaker 1: So this how is this this volume? Here? I'm very

481
00:32:36,120 --> 00:32:39,240
Speaker 1: far away from the microphone. Something is going down a

482
00:32:39,240 --> 00:32:42,880
Speaker 1: little funky and funky town stand Toby started interrupted session here,

483
00:32:42,880 --> 00:32:45,560
Speaker 1: But we actually do have jerk Lan and dork Lawn

484
00:32:45,680 --> 00:32:47,600
Speaker 1: here there. They want to come into the session and

485
00:32:47,600 --> 00:32:49,800
Speaker 1: to see how the book on tape is going. So

486
00:32:50,120 --> 00:32:51,760
Speaker 1: that's crazy. Just to give you a hind of head up,

487
00:32:52,760 --> 00:32:58,240
Speaker 1: send him in. This is exciting. Can you buss this in?

488
00:32:59,320 --> 00:33:03,200
Speaker 1: Please let us in, Let us in. Buzz us in. Jerkin,

489
00:33:03,280 --> 00:33:05,600
Speaker 1: by the way, you sound fantastic this This is such

490
00:33:05,640 --> 00:33:08,920
Speaker 1: an amazing relief to have the both of you here. Buzzman,

491
00:33:09,400 --> 00:33:13,040
Speaker 1: I how do I do that again? How do I?

492
00:33:13,080 --> 00:33:17,920
Speaker 1: Buzz am I? Lightning? Then? No, stay come in? Is

493
00:33:17,960 --> 00:33:20,239
Speaker 1: he gonna keep recording? Is he gonna record himself? Oh? Yeah, no,

494
00:33:20,320 --> 00:33:23,640
Speaker 1: you should definitely. We can also dissolve our material beings

495
00:33:23,640 --> 00:33:27,480
Speaker 1: and walk straight through the wall. Let's do that. We'll

496
00:33:27,520 --> 00:33:32,000
Speaker 1: do that. No, No, Jerkline, Jerkline, it's their Earth, that's right.

497
00:33:32,040 --> 00:33:35,280
Speaker 1: We should adhere to Earth customs. Yep. How do I

498
00:33:35,320 --> 00:33:39,400
Speaker 1: buzz them in? Tim? It's a square. It's the square

499
00:33:41,320 --> 00:33:44,440
Speaker 1: you found. There's a square, should be wet? What square?

500
00:33:44,440 --> 00:33:48,400
Speaker 1: Where am I looking the ability to dissolve our molecules

501
00:33:48,440 --> 00:33:52,000
Speaker 1: and merely walk through walls? All right? So it looks

502
00:33:52,040 --> 00:33:55,320
Speaker 1: like there was nobody. Nobody mentioned that there was this

503
00:33:55,960 --> 00:33:58,320
Speaker 1: dot on the radar that was not supposed to be there.

504
00:33:58,440 --> 00:34:01,640
Speaker 1: And now I think that aliens have invaded and I

505
00:34:01,680 --> 00:34:05,360
Speaker 1: think that it's your fault. Timph. Yeah, sorry, I told

506
00:34:05,400 --> 00:34:07,040
Speaker 1: you there was a bogy that didn't record. I don't

507
00:34:07,080 --> 00:34:14,239
Speaker 1: remember that that. Okay, look sir, all due respect. If

508
00:34:14,280 --> 00:34:16,000
Speaker 1: you're trying to cover your ass, just talk to me

509
00:34:16,120 --> 00:34:19,440
Speaker 1: like a human being. I'm trying to cover my ass.

510
00:34:19,480 --> 00:34:21,479
Speaker 1: You're trying to point fingers at me, is what I'm feeling.

511
00:34:21,560 --> 00:34:24,360
Speaker 1: You're saying. You're the one that's in charge of checking

512
00:34:24,360 --> 00:34:26,080
Speaker 1: to see if there's dot's off the radar, and this

513
00:34:26,280 --> 00:34:29,839
Speaker 1: right here, both on your computer and my notebook says

514
00:34:29,880 --> 00:34:32,359
Speaker 1: the dot and we didn't do anything about it. Let's

515
00:34:32,360 --> 00:34:34,520
Speaker 1: not split hairs. Let's get back to the point that

516
00:34:34,680 --> 00:34:36,840
Speaker 1: we seem to agree on, and that is that aliens

517
00:34:36,840 --> 00:34:38,719
Speaker 1: have in fact entered our air spence I think that

518
00:34:38,800 --> 00:34:40,920
Speaker 1: they're all I I don't know how many there is,

519
00:34:40,960 --> 00:34:44,880
Speaker 1: but this space craft could have had six. How do

520
00:34:44,960 --> 00:34:48,120
Speaker 1: you know this? I'm looking at the boards. It is me,

521
00:34:48,280 --> 00:34:51,319
Speaker 1: the voice in your head. This isn't a good time

522
00:34:51,360 --> 00:34:54,319
Speaker 1: I've got I've got a real person here. Please I

523
00:34:54,360 --> 00:34:56,839
Speaker 1: get to speak it to you. All right, Well, I'm

524
00:34:56,840 --> 00:34:58,680
Speaker 1: gonna have to talk as if you're not here. So

525
00:34:58,760 --> 00:35:03,040
Speaker 1: I'm speaking to you and code Tim, sir, you who

526
00:35:03,040 --> 00:35:07,880
Speaker 1: are you talking to? It's so right, thank you, jerk Lan.

527
00:35:08,280 --> 00:35:10,880
Speaker 1: I'm picking up a faint signal. It is a signal

528
00:35:11,040 --> 00:35:18,880
Speaker 1: of a loose leaf notebook paper. Somebody has clearly kept

529
00:35:19,280 --> 00:35:24,520
Speaker 1: accurate records. This is better than we could have expected, Dorlan.

530
00:35:25,600 --> 00:35:28,240
Speaker 1: Should we do next? There are there is life on earth?

531
00:35:28,280 --> 00:35:32,840
Speaker 1: After all. Let's go to this. Let's go to the

532
00:35:32,880 --> 00:35:39,319
Speaker 1: source of the notebook. Let's go follow my hunch. We're

533
00:35:39,320 --> 00:35:41,600
Speaker 1: gonna have to write a book about this some day.

534
00:35:43,800 --> 00:35:47,160
Speaker 1: Do you think we'll we'll be doing the voices ourselves. Well,

535
00:35:47,160 --> 00:35:50,080
Speaker 1: why wouldn't we. Our voices are so distinct, and our

536
00:35:50,160 --> 00:35:57,640
Speaker 1: mic technique is immaculate. Corporal, Yeah, corporal, get in my office,

537
00:35:57,760 --> 00:36:00,719
Speaker 1: thank you. I'd like Tim to stay outside, so I

538
00:36:00,719 --> 00:36:03,920
Speaker 1: can explain all these problems. I make that call, corporal.

539
00:36:03,960 --> 00:36:05,480
Speaker 1: You don't make that call. You understand how the chain

540
00:36:05,480 --> 00:36:07,759
Speaker 1: of command works? Yeah, I understand. It's just that as

541
00:36:07,800 --> 00:36:09,520
Speaker 1: somebody that's been the boss at him for a while,

542
00:36:09,600 --> 00:36:12,160
Speaker 1: he just confuses things. So maybe it just me and

543
00:36:12,239 --> 00:36:14,080
Speaker 1: you have this meeting. He doesn't make it a call.

544
00:36:14,600 --> 00:36:21,160
Speaker 1: You make it a calls. Yeah, I make it a calls, Corporal.

545
00:36:21,520 --> 00:36:23,920
Speaker 1: I make the calls here. You understand that. You make

546
00:36:23,960 --> 00:36:28,719
Speaker 1: it the calls? Yeah, you to make it. What the

547
00:36:28,719 --> 00:36:32,120
Speaker 1: hell are you talking like that? I'm just saying, Tim

548
00:36:32,120 --> 00:36:39,480
Speaker 1: in here, messer. I want to get Tim in here ship. Yes, sir,

549
00:36:39,920 --> 00:36:43,200
Speaker 1: how gonna help? Are you doing a sergeant? Very well?

550
00:36:43,239 --> 00:36:46,840
Speaker 1: Thank you, sir. It's come to my attention that you

551
00:36:47,080 --> 00:36:50,760
Speaker 1: too have been conflicting reports on what is happening outside.

552
00:36:51,760 --> 00:36:55,120
Speaker 1: Kiss the man? Kissing the man? You are you doing, corporal?

553
00:36:56,440 --> 00:36:58,640
Speaker 1: What the hell are you doing? You don't kiss me, corporal.

554
00:36:59,120 --> 00:37:03,000
Speaker 1: I just wanted to show my allegiance. You know you

555
00:37:03,040 --> 00:37:05,239
Speaker 1: said you show my allegiance. You show your allegiance by

556
00:37:05,280 --> 00:37:09,400
Speaker 1: wearing that flag on your shoulder. It, sir, if I

557
00:37:09,400 --> 00:37:12,560
Speaker 1: can struggle back to when you said you do or

558
00:37:12,600 --> 00:37:16,360
Speaker 1: the band is the band coming to Bates? This is funny.

559
00:37:16,400 --> 00:37:19,839
Speaker 1: I'm lulling my ass off. What the fund is going

560
00:37:19,920 --> 00:37:23,920
Speaker 1: on at that department? S I'm doing whatever. Sergeant, you

561
00:37:24,000 --> 00:37:25,560
Speaker 1: better tell me what the hell is going on, or

562
00:37:25,600 --> 00:37:27,799
Speaker 1: your asses are going in the fire. Okay, I don't

563
00:37:27,840 --> 00:37:29,640
Speaker 1: mean that metaphor I picked up a boggy on the

564
00:37:29,680 --> 00:37:32,040
Speaker 1: screen shirt. I mentioned it to the corporal. Corporal start

565
00:37:32,080 --> 00:37:34,600
Speaker 1: asking me to make paper notes, wasting a whole lot

566
00:37:34,600 --> 00:37:36,920
Speaker 1: of time. Or when I started making paper notes, my

567
00:37:36,960 --> 00:37:40,080
Speaker 1: paper notes go far far beyond that. I asked to

568
00:37:40,120 --> 00:37:44,359
Speaker 1: see his paper notes? Or hello, where what the hell?

569
00:37:44,400 --> 00:37:48,520
Speaker 1: Holy ship? We've we We are from a distant galaxy

570
00:37:48,600 --> 00:37:51,040
Speaker 1: and we are following a signal that has taken us here.

571
00:37:51,840 --> 00:37:56,399
Speaker 1: Where is the notebook? That is your leader? I think

572
00:37:56,400 --> 00:37:59,239
Speaker 1: we have a right to ask for the following information.

573
00:37:59,280 --> 00:38:02,200
Speaker 1: Which galax far away did you in fact come from?

574
00:38:02,680 --> 00:38:07,960
Speaker 1: Is e bulon too far? Dinine, don't know that one.

575
00:38:08,360 --> 00:38:12,280
Speaker 1: But if you're following notes, it's probably my notes. I've

576
00:38:12,400 --> 00:38:16,160
Speaker 1: got a lot of notes, so you must be the leader.

577
00:38:16,560 --> 00:38:21,800
Speaker 1: Just don't intelligent being No, no no, no no, I'm in

578
00:38:21,880 --> 00:38:25,799
Speaker 1: charge of im in charge, your chance to be in charge?

579
00:38:25,800 --> 00:38:28,200
Speaker 1: Do you call it the shots. I call it the shots.

580
00:38:28,520 --> 00:38:31,759
Speaker 1: Which date? No, no, no alien? Person? Which date on

581
00:38:31,800 --> 00:38:33,759
Speaker 1: the notes? Did you are you looking for? Because they're

582
00:38:33,800 --> 00:38:38,480
Speaker 1: all organized rather well by date. Don't worry. I can

583
00:38:38,480 --> 00:38:44,080
Speaker 1: explain the dates. Date in particular, no date in particular.

584
00:38:45,400 --> 00:38:49,719
Speaker 1: We're not fussy. O good, it's the data. Face, It's

585
00:38:49,760 --> 00:38:52,200
Speaker 1: not a date, it's all of the data. This is

586
00:38:52,280 --> 00:38:54,560
Speaker 1: dream come true for you, corporal that they don't care

587
00:38:54,560 --> 00:38:56,400
Speaker 1: about which date it is, seeing how you don't have

588
00:38:56,440 --> 00:38:59,120
Speaker 1: a fucking clue what any of these pages? Excuse me?

589
00:38:59,160 --> 00:39:02,439
Speaker 1: My new role is leader. Speaking of date, we would

590
00:39:02,480 --> 00:39:05,840
Speaker 1: like to introduce you to the only female alien aboard

591
00:39:05,880 --> 00:39:11,799
Speaker 1: our craft. She is looking for hot. Her name is

592
00:39:15,239 --> 00:39:24,560
Speaker 1: hot Lon. Hey, it looks like a drink of clock. Now,

593
00:39:24,640 --> 00:39:27,920
Speaker 1: skinny teeny, skinny teens, drink of clock. Look at the clock.

594
00:39:28,440 --> 00:39:31,640
Speaker 1: Look at the clock. Gentlemen, take these drinks. This is

595
00:39:31,680 --> 00:39:34,280
Speaker 1: a sign of peace. Drink at the drink, Come and charge.

596
00:39:34,600 --> 00:39:40,399
Speaker 1: I'm the leader. Drink the drinks. Everybody kissing the hot aliens?

597
00:39:42,040 --> 00:39:45,240
Speaker 1: What was that? What the fuck? Wipe that? Are you serious?

598
00:39:45,320 --> 00:39:49,319
Speaker 1: It's in our world. We're gonna vapor your ass. Oh

599
00:39:49,360 --> 00:39:51,560
Speaker 1: please don't do that. I'm the leader here, and I

600
00:39:51,600 --> 00:39:55,920
Speaker 1: don't know what they do without my leadership. We just

601
00:39:56,320 --> 00:39:58,600
Speaker 1: we would go to the next scene, that scene number two.

602
00:40:00,040 --> 00:40:08,960
Speaker 1: The camic question, Oh, corporal, the lowest ranking officer. Corporal

603
00:40:09,000 --> 00:40:16,360
Speaker 1: is a noncommissioned officer just above private private. Is that true?

604
00:40:16,480 --> 00:40:23,000
Speaker 1: The corporal asked, seen three comples from patron V I

605
00:40:23,080 --> 00:40:26,800
Speaker 1: P and returning Champion too, who wrote, Hey, dear Alec

606
00:40:26,880 --> 00:40:29,360
Speaker 1: and this even before the whole COVID nineteen pandemic, I

607
00:40:29,400 --> 00:40:32,279
Speaker 1: thought you were the best podcast crew out there. But

608
00:40:32,440 --> 00:40:36,400
Speaker 1: because of the recommended or in some cases enforced social distancing,

609
00:40:36,480 --> 00:40:40,360
Speaker 1: you're inspiring improvinsanity has become a true mental medicine against

610
00:40:40,400 --> 00:40:49,400
Speaker 1: the crisis. Thank you, thank you, thank you, and healthy. Yeah,

611
00:40:49,480 --> 00:40:52,759
Speaker 1: I've got no number one favorites among you anymore. I

612
00:40:52,800 --> 00:40:55,239
Speaker 1: love you all the same. That said, only very few

613
00:40:55,280 --> 00:41:00,440
Speaker 1: people make as fine impression as fine impression of Morgan

614
00:41:00,520 --> 00:41:04,880
Speaker 1: Freeman's voice as cold Stratton. Well, yes, he is listed

615
00:41:04,920 --> 00:41:08,080
Speaker 1: among the sixty people who can do Morgan Freeman. That

616
00:41:08,239 --> 00:41:14,239
Speaker 1: is true. Any hooting any hooting owls, here's any hooting owls? Oh?

617
00:41:14,280 --> 00:41:17,960
Speaker 1: Any who? Any hooting owls? Here's my next demented scene suggestion.

618
00:41:18,040 --> 00:41:22,840
Speaker 1: A shabby and sleezing outskirt motel welcomes too poor folk

619
00:41:23,160 --> 00:41:28,640
Speaker 1: musicians to spend a rainy night after a show. Uh,

620
00:41:29,160 --> 00:41:36,200
Speaker 1: socially distancing hugs for all of you from Finland fingling.

621
00:41:36,600 --> 00:41:40,040
Speaker 1: Oh welcome, Oh, come in out of that rain welcome.

622
00:41:40,640 --> 00:41:43,640
Speaker 1: How can I help you? Just any room that you

623
00:41:43,680 --> 00:41:47,680
Speaker 1: guys have available. If you have a room available, and

624
00:41:47,800 --> 00:41:51,040
Speaker 1: here are two beds, two beds for one room. Yeah,

625
00:41:51,080 --> 00:41:53,759
Speaker 1: we will be sleeping in the same bed, the same

626
00:41:53,800 --> 00:41:59,920
Speaker 1: bed room where we're but two poor folk musicians. Oh wonderful.

627
00:42:00,160 --> 00:42:04,640
Speaker 1: Were you playing a gig nearby? The weather drag you in? Well,

628
00:42:04,680 --> 00:42:07,799
Speaker 1: the weather actually ended our show little early. Are you

629
00:42:07,880 --> 00:42:11,760
Speaker 1: playing outdoors? Yeah? Yeah, we were busting on the street,

630
00:42:13,000 --> 00:42:16,960
Speaker 1: just passing the hat around. Right. Well, listen, I've got

631
00:42:17,200 --> 00:42:21,640
Speaker 1: three rooms, one with a king size bed, second room

632
00:42:21,640 --> 00:42:24,279
Speaker 1: has a queen size bed, and the third room has

633
00:42:24,320 --> 00:42:27,080
Speaker 1: a twin bed. I have no rooms with two beds.

634
00:42:27,239 --> 00:42:29,839
Speaker 1: So what can I do with you for? Is there

635
00:42:29,880 --> 00:42:34,120
Speaker 1: a difference in price? Yeah? What's in this hat? Mr?

636
00:42:34,760 --> 00:42:38,799
Speaker 1: It looks like you've got seven dollars? Oh jeez, yeah, wait,

637
00:42:38,840 --> 00:42:42,280
Speaker 1: I've got and then I have this it's a gold coin.

638
00:42:42,760 --> 00:42:48,600
Speaker 1: I can't imagine. Oh, is that from two that could

639
00:42:48,640 --> 00:42:50,680
Speaker 1: be worth an awful lot. I'd be happy to take

640
00:42:50,719 --> 00:42:52,520
Speaker 1: that off your hands. Oh no, you know what, maybe

641
00:42:52,520 --> 00:42:54,000
Speaker 1: we should keep this. I thought it was a second

642
00:42:54,160 --> 00:42:55,919
Speaker 1: were you Well, you're not going to get a room

643
00:42:55,960 --> 00:43:00,640
Speaker 1: for seven dollars, I'm so sorry. We could we take

644
00:43:00,719 --> 00:43:04,440
Speaker 1: a gold? Could we trade? Starting to rub the goddamn

645
00:43:04,480 --> 00:43:06,880
Speaker 1: ice machines all funked up. Looks like someone put some

646
00:43:06,920 --> 00:43:09,799
Speaker 1: wet socks on the out poor button whatever the hell

647
00:43:09,840 --> 00:43:11,279
Speaker 1: it is, and none of the ice can shoot out

648
00:43:11,360 --> 00:43:13,080
Speaker 1: it is. You might want to get in there and

649
00:43:13,120 --> 00:43:15,200
Speaker 1: fix it. Thank you, Jim Bob. We'll get all over

650
00:43:15,239 --> 00:43:17,840
Speaker 1: that out poor button. Gentlemen, if you could busk me

651
00:43:18,120 --> 00:43:21,360
Speaker 1: a song real quick, maybe we could do. I settle

652
00:43:21,440 --> 00:43:24,040
Speaker 1: up a real nice price for that rong. Well, that

653
00:43:24,040 --> 00:43:26,120
Speaker 1: that's what I was about to suggest, that that we

654
00:43:26,200 --> 00:43:30,400
Speaker 1: trade with our art, with our song, sing for your supper.

655
00:43:30,400 --> 00:43:33,520
Speaker 1: In this case, let me just tune my old banjo here,

656
00:43:33,680 --> 00:43:43,880
Speaker 1: all right, and let me just let's just all right,

657
00:43:46,480 --> 00:43:54,760
Speaker 1: um um bum bum lum bum bum room. I'm hoping

658
00:43:54,800 --> 00:43:58,360
Speaker 1: that you'll let me get something pretty soon, because my

659
00:43:58,480 --> 00:44:01,279
Speaker 1: hair is all wet. That's as good as it's good

660
00:44:01,320 --> 00:44:05,520
Speaker 1: to get if I've got to go back outside, go

661
00:44:05,600 --> 00:44:12,880
Speaker 1: back outside, sad uh part of me Nashville music executive

662
00:44:15,680 --> 00:44:17,839
Speaker 1: here at this motel, sir, I'm trying to check in.

663
00:44:18,920 --> 00:44:23,840
Speaker 1: May I hi? One room please? Yes, I've got a

664
00:44:24,000 --> 00:44:26,200
Speaker 1: room with a king size band. Perfect, I'll take the

665
00:44:26,280 --> 00:44:32,400
Speaker 1: king Okay, that'll be there. You are keep the change. Oh,

666
00:44:32,520 --> 00:44:36,400
Speaker 1: thank you very much. That's a hundred dollar bill. I

667
00:44:36,440 --> 00:44:41,400
Speaker 1: don't get a change for you. Okay. Uh, just sign

668
00:44:41,440 --> 00:44:46,200
Speaker 1: the register here. Where are you coming in from Nashville, Nashville,

669
00:44:46,400 --> 00:44:52,440
Speaker 1: Tennessee or contract? Alright, I'm a big music executive. I'm

670
00:44:52,480 --> 00:44:55,319
Speaker 1: not sure now that's my business. But welcome, sir. Just

671
00:44:55,400 --> 00:44:58,120
Speaker 1: letting you know, letting you know. I'm here to scout

672
00:44:58,120 --> 00:45:02,879
Speaker 1: the two youngs. So you're a sellout. You're sell out. Yeah,

673
00:45:02,920 --> 00:45:07,520
Speaker 1: we don't sell were true musicians. M You caught me.

674
00:45:07,600 --> 00:45:13,160
Speaker 1: I'm a sellout. Here's smell smell house. Yeah, sorry to

675
00:45:13,360 --> 00:45:17,560
Speaker 1: erupt you just looking for a room. Uh, Jimmy, June,

676
00:45:17,680 --> 00:45:20,840
Speaker 1: we we've been over this. You got a house that

677
00:45:21,040 --> 00:45:22,880
Speaker 1: was dead. Look, I'm looking for a room, all right.

678
00:45:22,960 --> 00:45:24,759
Speaker 1: You got a house up the road of peace, go

679
00:45:24,840 --> 00:45:27,680
Speaker 1: back there. Your mom is just pop it for a bill,

680
00:45:27,760 --> 00:45:30,040
Speaker 1: I got the money for it, Jimmy June, I got

681
00:45:30,080 --> 00:45:32,359
Speaker 1: real customers here right now, and I can't do this

682
00:45:32,400 --> 00:45:34,360
Speaker 1: is a real good. Look at this. This is raccoon money.

683
00:45:34,360 --> 00:45:36,640
Speaker 1: Look at this. Oh that's a paw on the tail.

684
00:45:36,800 --> 00:45:41,319
Speaker 1: This gentleman here from Ushville, Tennessee. Oh city boy, huh

685
00:45:41,840 --> 00:45:46,160
Speaker 1: big apple, huh, very wealthy. Oh yeah, you like pizza,

686
00:45:46,239 --> 00:45:50,440
Speaker 1: pie pizza. Jimmy June, Please don't tell the man he's

687
00:45:50,440 --> 00:45:53,200
Speaker 1: got a pretty mouth. Come on, whatt you come back

688
00:45:53,200 --> 00:46:00,400
Speaker 1: to my house? Huh me? Yeah? You city boy? Where

689
00:46:00,440 --> 00:46:05,400
Speaker 1: you all right? Outside? I propped all those empty propane

690
00:46:05,440 --> 00:46:07,719
Speaker 1: tanks together. They got a little top on top. That's

691
00:46:07,719 --> 00:46:10,879
Speaker 1: what I call my abode. All right, to be the way.

692
00:46:11,840 --> 00:46:15,839
Speaker 1: Come on, it looks like your lucky day. We got

693
00:46:15,840 --> 00:46:19,640
Speaker 1: a king size bed already paid for and cat Wow,

694
00:46:19,920 --> 00:46:22,879
Speaker 1: you fellas can stay there the night. Well, we sure

695
00:46:22,880 --> 00:46:26,919
Speaker 1: appreciate it, sir. Alright, you like splitting the bed or

696
00:46:27,840 --> 00:46:31,200
Speaker 1: you all work that autumonia. I'll have Timmy Tune take

697
00:46:31,239 --> 00:46:36,120
Speaker 1: you to your room now, Timmy tam Yeah, I got

698
00:46:36,120 --> 00:46:38,080
Speaker 1: in here, bond take these two to their room. Please,

699
00:46:41,200 --> 00:46:46,239
Speaker 1: all right, now, just much what's up? You don't got

700
00:46:46,280 --> 00:46:49,600
Speaker 1: much lugo. It's it's just us and our musical talents.

701
00:46:50,120 --> 00:46:53,719
Speaker 1: Just just my banjo on my banjo case. What do

702
00:46:53,800 --> 00:47:01,279
Speaker 1: you mean one of you has a stick in a band? Uh?

703
00:47:01,640 --> 00:47:07,520
Speaker 1: Let's man, I carry my voice in that Rocky's way. Okay,

704
00:47:07,600 --> 00:47:14,120
Speaker 1: here's your room. Wow, this is luxurious. Enter at your

705
00:47:14,120 --> 00:47:21,240
Speaker 1: own reel. Wait a minute, Oh yes, this one's haunted.

706
00:47:24,000 --> 00:47:29,040
Speaker 1: Oh do you think we should stay still? I guess, well,

707
00:47:29,800 --> 00:47:33,480
Speaker 1: can we get the queen size? Then? I think that

708
00:47:33,640 --> 00:47:39,799
Speaker 1: was open? Right? No? Not anymore? Filled up? Quick? Huh?

709
00:47:40,160 --> 00:47:46,120
Speaker 1: Don't forget to tip Timm too. Okay, well, I guess

710
00:47:46,120 --> 00:47:50,520
Speaker 1: we saved some money from not getting the thing. Well

711
00:47:50,520 --> 00:47:54,440
Speaker 1: sammy tune? Uh, well, we don't have any coins we

712
00:47:54,480 --> 00:47:58,200
Speaker 1: could give you, But would you would you like to

713
00:47:58,200 --> 00:48:02,440
Speaker 1: hear a song? Oh? Yes, By the way, I died

714
00:48:02,520 --> 00:48:12,840
Speaker 1: seventy four years ago. Oh boy, he's a ghost. Ghost

715
00:48:13,360 --> 00:48:22,080
Speaker 1: bell boy to stay away from him, goes by. Stay

716
00:48:22,120 --> 00:48:28,399
Speaker 1: away from him. They say his name is Tim. Stay

717
00:48:28,440 --> 00:48:33,719
Speaker 1: away from him ghost. Aren't you gotta harmonize with me?

718
00:48:36,920 --> 00:48:40,440
Speaker 1: Would I? Felt you? Fellas? Want to start again? This

719
00:48:40,880 --> 00:48:46,040
Speaker 1: be take two track one the hill billy gents. All right,

720
00:48:46,440 --> 00:48:50,239
Speaker 1: when you're ready to take your own cube mm hmm

721
00:48:51,280 --> 00:48:55,240
Speaker 1: and a one two, one two, three or four ghos? Okay,

722
00:48:55,840 --> 00:48:59,200
Speaker 1: we're gonna sing at the same time. Yeah, yeah, I know,

723
00:48:59,280 --> 00:49:01,439
Speaker 1: I know. I'm just I feel like I I caught

724
00:49:01,480 --> 00:49:04,279
Speaker 1: a chill when we took that hotel room. I think

725
00:49:04,280 --> 00:49:07,680
Speaker 1: I might be a little gentleman. Gentleman, sorry to torp

726
00:49:07,760 --> 00:49:11,080
Speaker 1: date to burst into a session like this. But the

727
00:49:11,120 --> 00:49:13,360
Speaker 1: money's dried up. Okay, we're not gonna be able to

728
00:49:13,360 --> 00:49:17,200
Speaker 1: cut this record like we thought we were. Okay, um,

729
00:49:17,400 --> 00:49:21,600
Speaker 1: really we said we'd do it for twenty bucks. Yeah, well,

730
00:49:21,600 --> 00:49:24,279
Speaker 1: that money's dried up. That money dried up. How dry

731
00:49:24,360 --> 00:49:29,759
Speaker 1: could it possibly get dry? Okay? Trying up? All right? Dry?

732
00:49:30,200 --> 00:49:32,880
Speaker 1: Oh you got any work like any other work, like

733
00:49:32,920 --> 00:49:36,719
Speaker 1: a book on tape or something like that. Yes, yeah,

734
00:49:36,719 --> 00:49:38,120
Speaker 1: I guess there's a book on tape. Yeah, I guess

735
00:49:38,160 --> 00:49:42,600
Speaker 1: you could do that. All right? All right, you gonna

736
00:49:42,640 --> 00:49:47,640
Speaker 1: take it or not? You know what? Jobs off the table?

737
00:49:47,680 --> 00:49:52,479
Speaker 1: Looks like that work just dry up? Alright, gentlemen, you'll

738
00:49:52,480 --> 00:49:56,359
Speaker 1: be reading from page seven of My name is Joey Greer.

739
00:49:56,480 --> 00:50:00,319
Speaker 1: What's your problem? I appreciate you coming in today. If

740
00:50:00,320 --> 00:50:03,239
Speaker 1: you could read every other paragraph, that'd be terrific. Let's

741
00:50:03,239 --> 00:50:05,400
Speaker 1: start that. I think this job was taking out the

742
00:50:05,400 --> 00:50:11,680
Speaker 1: table for them. I don't we need this work one second, fellaws.

743
00:50:12,080 --> 00:50:14,040
Speaker 1: You know I am dork lion. I am ready to

744
00:50:14,040 --> 00:50:16,960
Speaker 1: record the Joey Greherbuck. That's we got big, we got

745
00:50:17,000 --> 00:50:23,640
Speaker 1: a big name. Now let's get dork in there, fellaws.

746
00:50:23,640 --> 00:50:26,600
Speaker 1: I've got two hitters coming in if you wouldn't mind

747
00:50:26,880 --> 00:50:32,000
Speaker 1: taking a five. Oh, that's a real shame. Step aside.

748
00:50:32,160 --> 00:50:34,080
Speaker 1: You guys show businesses. So you guys are in the

749
00:50:34,560 --> 00:50:36,239
Speaker 1: you guys are in there. I got fired lobby to

750
00:50:36,560 --> 00:50:40,280
Speaker 1: huh yeah yeah, lost our job a couple of aliens.

751
00:50:41,320 --> 00:50:46,239
Speaker 1: Yeah yeah, yeah. I don't really want to get into that.

752
00:50:46,360 --> 00:50:51,000
Speaker 1: So donuts donuts for sale? I think maybe we should

753
00:50:51,000 --> 00:50:57,960
Speaker 1: go to the bank and see what the donut. Oh well,

754
00:50:58,000 --> 00:51:01,640
Speaker 1: we don't have any cash for a doughnut. Okay, it's

755
00:51:01,680 --> 00:51:08,319
Speaker 1: a free today, three donuts. I'm hungry. You clearly walked

756
00:51:08,320 --> 00:51:11,520
Speaker 1: through the hallway saying donuts for sale, when therefore you

757
00:51:11,560 --> 00:51:15,160
Speaker 1: see someone selling donuts in the hallway shirt Yeah yeah

758
00:51:15,440 --> 00:51:23,840
Speaker 1: that that person on the ground. Just free, just have creezy,

759
00:51:24,160 --> 00:51:26,360
Speaker 1: bullshit free donut. Those things are like with LSD. Al right,

760
00:51:26,360 --> 00:51:31,800
Speaker 1: they're at everyone highest ship. Hey, thank you guys for

761
00:51:31,800 --> 00:51:34,000
Speaker 1: for getting a purpose doing my job on. Here's twenty

762
00:51:34,040 --> 00:51:39,000
Speaker 1: bucks each right keep them? Oh man, wait wait, we

763
00:51:39,040 --> 00:51:42,960
Speaker 1: can spend this money on our debut album. Yeah, let's

764
00:51:42,960 --> 00:51:45,279
Speaker 1: get back to that studio. All right. This would be

765
00:51:45,360 --> 00:51:50,799
Speaker 1: a track one, uh, you have from when we were

766
00:51:50,800 --> 00:51:54,800
Speaker 1: here before, because that was gold, that was solid gold. Yeah,

767
00:51:54,920 --> 00:51:57,960
Speaker 1: that was terrific stuff. Fellas. We're just gonna move on

768
00:51:58,000 --> 00:52:00,400
Speaker 1: to another take. If you don't, you still have you

769
00:52:00,440 --> 00:52:02,640
Speaker 1: still have what we did before. Yeah, let's go ahead

770
00:52:02,640 --> 00:52:06,279
Speaker 1: and leave the engineer into the engineer. Okay, layer our

771
00:52:06,360 --> 00:52:08,960
Speaker 1: vocals over what we did before, all right, With just

772
00:52:09,000 --> 00:52:10,759
Speaker 1: two of us, it's hard to have the We want

773
00:52:10,800 --> 00:52:15,719
Speaker 1: that beach boys like a bohemian rapsody thing. We're just

774
00:52:15,719 --> 00:52:19,000
Speaker 1: gonna keep over, Dvin, we can do that. But we

775
00:52:19,000 --> 00:52:21,120
Speaker 1: we got a name for that. It's called post production.

776
00:52:21,160 --> 00:52:27,080
Speaker 1: So let's just go ahead and record another track. Three four,

777
00:52:28,000 --> 00:52:33,320
Speaker 1: good boy boy. Okay, if I can stop you there, Um,

778
00:52:33,560 --> 00:52:38,359
Speaker 1: this is is this the sound you want? Well, it's

779
00:52:38,440 --> 00:52:42,279
Speaker 1: it's halfway there. I mean, really, we should practice a

780
00:52:42,320 --> 00:52:44,560
Speaker 1: couple of times before we hit records. Let's do that.

781
00:52:44,640 --> 00:52:48,920
Speaker 1: Let's rehearse. Okay, what wrong? What song? Let's first agree

782
00:52:48,960 --> 00:52:50,840
Speaker 1: what are we going to that we should do a

783
00:52:50,880 --> 00:52:54,320
Speaker 1: different song with ghost bill Boy? Uh huh, I'm listening.

784
00:52:54,840 --> 00:52:56,880
Speaker 1: So you say you have the new hottest act. You

785
00:52:56,920 --> 00:53:03,160
Speaker 1: say they're raw underground. You understand I'm a big Nashville executive. Yes,

786
00:53:03,200 --> 00:53:04,399
Speaker 1: I know what you're saying. Look, I want to see

787
00:53:04,400 --> 00:53:07,080
Speaker 1: other people, okay, and I don't care anymore, all right,

788
00:53:07,120 --> 00:53:12,600
Speaker 1: I just I want to see other people, and you

789
00:53:12,640 --> 00:53:15,799
Speaker 1: want to see these people. I don't give a ship, okay.

790
00:53:15,800 --> 00:53:18,279
Speaker 1: I just want someone who's around, someone who cares and

791
00:53:18,320 --> 00:53:21,880
Speaker 1: pays attention. That's it. Questions. That's not gonna work for me.

792
00:53:21,880 --> 00:53:23,799
Speaker 1: That's not gonna work for me. So this is still

793
00:53:23,960 --> 00:53:26,960
Speaker 1: not gonna work for It's not this is still a thing.

794
00:53:27,680 --> 00:53:30,399
Speaker 1: Sorry interrupt. I know you're on a phone call. Here's

795
00:53:30,440 --> 00:53:36,120
Speaker 1: your poppers and skinny rita, thank you. Would you like

796
00:53:36,160 --> 00:53:41,600
Speaker 1: to hear the story of this Bennigans? Hold on, Ellen,

797
00:53:41,640 --> 00:53:46,160
Speaker 1: do you have any of those lsd laden or sucking donuts? Yeah?

798
00:53:46,280 --> 00:53:48,560
Speaker 1: I mean that's our traditional dessert. You want that, now,

799
00:53:49,840 --> 00:53:53,480
Speaker 1: let's do it. Losing my fucking mind, all right, I'm

800
00:53:53,480 --> 00:53:55,440
Speaker 1: still on the phone. I'm gonna hang out. I don't

801
00:53:55,480 --> 00:54:00,040
Speaker 1: give a ship. You're still like girlfriend, You're still to

802
00:54:00,080 --> 00:54:03,239
Speaker 1: go over right. Sure, that's one thing I know. I'm not.

803
00:54:03,760 --> 00:54:08,759
Speaker 1: I'm not Madame Leonora Ben again had a seance in

804
00:54:08,840 --> 00:54:12,240
Speaker 1: this very store. She was then transformed into a chicken.

805
00:54:12,520 --> 00:54:15,520
Speaker 1: That chicken was cooked and eaten. I'm taking the first

806
00:54:16,120 --> 00:54:19,440
Speaker 1: everything out of the house. And all these pictures on

807
00:54:19,480 --> 00:54:22,319
Speaker 1: the wall here are images of the attendees of the

808
00:54:22,400 --> 00:54:26,880
Speaker 1: very first seance that was here. Uh. And then a

809
00:54:27,400 --> 00:54:32,480
Speaker 1: murder of crows descended upon the restaurant. And uh. Anyway,

810
00:54:32,719 --> 00:54:36,160
Speaker 1: the jalapeno poppers are kind of our specialty. It's a

811
00:54:36,480 --> 00:54:41,959
Speaker 1: cream cheese and breading and are acid. Donuts are a

812
00:54:42,000 --> 00:54:49,560
Speaker 1: real fan favorite. Trying to Jack Danniels, Oh, thank you

813
00:54:49,680 --> 00:54:55,560
Speaker 1: so much, Mike, even a wonderful server really really uh well,

814
00:54:55,600 --> 00:54:58,560
Speaker 1: it's traditional to repay me with a little tip. Well,

815
00:54:58,600 --> 00:55:02,000
Speaker 1: at least a song is not traditional is the heart

816
00:55:02,040 --> 00:55:05,000
Speaker 1: in which you use to tell me that whole story.

817
00:55:05,400 --> 00:55:07,920
Speaker 1: So I'm gonna do something for you. I'm gonna give

818
00:55:07,960 --> 00:55:11,000
Speaker 1: you two hundred cash and I'm gonna give you a

819
00:55:11,120 --> 00:55:13,680
Speaker 1: record contract if you ever want to cut a record. Oh,

820
00:55:13,719 --> 00:55:16,160
Speaker 1: I don't want that at all. Well, it's in your

821
00:55:16,160 --> 00:55:19,839
Speaker 1: pocket if you ever needed two, Well, I could get

822
00:55:19,920 --> 00:55:25,960
Speaker 1: two motel rooms with a king bed, or you can

823
00:55:26,000 --> 00:55:27,880
Speaker 1: give me the money back and just keep the contract.

824
00:55:28,719 --> 00:55:33,600
Speaker 1: I'll do that. I'll keep the contract. So let me

825
00:55:33,640 --> 00:55:35,640
Speaker 1: see if I got this trade. He offered you those

826
00:55:35,719 --> 00:55:38,319
Speaker 1: choices and you said, I'll keep the contract. I don't know.

827
00:55:38,520 --> 00:55:40,640
Speaker 1: I don't know why I said that. I got Alamani,

828
00:55:40,680 --> 00:55:43,239
Speaker 1: got Alamo to two ladies. I gotta pay right, but

829
00:55:43,280 --> 00:55:46,160
Speaker 1: he offered you can. He did offer me cash. Yeah,

830
00:55:46,960 --> 00:55:50,360
Speaker 1: this guy was a fast talking, high powered executive from Nashville.

831
00:55:50,400 --> 00:55:54,080
Speaker 1: Like he was just dazzling me with offers. Right. Okay, Well,

832
00:55:54,120 --> 00:55:58,719
Speaker 1: your third wife, my my sister, Sarah um asked me

833
00:55:58,760 --> 00:56:02,000
Speaker 1: to you know, see you on the on the camp

834
00:56:02,200 --> 00:56:04,960
Speaker 1: as it were. And I'm happy to do whatever I

835
00:56:05,000 --> 00:56:07,920
Speaker 1: can for you. But um, what I'm hearing is a

836
00:56:07,920 --> 00:56:10,840
Speaker 1: guy who wants to be an artist, doesn't want anything

837
00:56:10,880 --> 00:56:15,879
Speaker 1: to do with money, and can't sustain a relationship. Yeah, yeah,

838
00:56:16,000 --> 00:56:20,040
Speaker 1: that's me. Does that sound familiar? That sounds very familiar. Okay,

839
00:56:20,120 --> 00:56:22,960
Speaker 1: And and I'm gonna bring in, if I may, your

840
00:56:22,960 --> 00:56:27,960
Speaker 1: singing partner, and I'd like you to talk together and

841
00:56:28,040 --> 00:56:33,960
Speaker 1: see where. I don't think we're a partnership anymore. What happened.

842
00:56:34,960 --> 00:56:37,520
Speaker 1: I'm gonna bring him in and and see if we

843
00:56:37,560 --> 00:56:43,279
Speaker 1: can repair this relationship. Okay, all right, I just I

844
00:56:43,320 --> 00:56:48,360
Speaker 1: need to know his name? Uh Z is his name? Okay? Z,

845
00:56:48,480 --> 00:56:50,319
Speaker 1: I'm gonna bring you in if you don't mind, I'm

846
00:56:50,320 --> 00:56:53,240
Speaker 1: gonna bring in to talk to your I gotta buzze

847
00:56:53,239 --> 00:56:57,080
Speaker 1: you in. Can you buzz me in one second? Greg

848
00:56:57,160 --> 00:57:02,320
Speaker 1: bug can't get a buzz in? Please? Hey, got a buzzing? Alright,

849
00:57:02,320 --> 00:57:05,319
Speaker 1: we're buzzing you win, alright, sir, get the press that button,

850
00:57:05,400 --> 00:57:09,480
Speaker 1: let me in place, hit the square, yes, sir? Okay,

851
00:57:09,800 --> 00:57:13,279
Speaker 1: beautif al right, okay, I mean I'm not in. I

852
00:57:13,280 --> 00:57:17,320
Speaker 1: gotta buzz you in, sir. Right, this is so confusing.

853
00:57:17,360 --> 00:57:20,280
Speaker 1: I just thought, I don't know. This is way more

854
00:57:20,280 --> 00:57:25,040
Speaker 1: confusing than we gotta work this out, said, I don't

855
00:57:25,040 --> 00:57:28,440
Speaker 1: know what there is to work out. Okay, now, pull

856
00:57:28,480 --> 00:57:31,680
Speaker 1: down your pants and pull down your pants, and this

857
00:57:31,720 --> 00:57:34,840
Speaker 1: council is gonna spank both of us. Oh, this seems

858
00:57:36,080 --> 00:57:42,280
Speaker 1: it's therapeutic. Okay, it's your willingness to evolve that matters

859
00:57:42,320 --> 00:57:44,800
Speaker 1: the most, right now? Is that all right? I'm willing

860
00:57:44,840 --> 00:57:47,800
Speaker 1: to evolve. Wow, three testicles. I haven't seen that in

861
00:57:47,840 --> 00:57:56,400
Speaker 1: a while. Okay, so I'm gonna go ahead. That's one

862
00:57:56,440 --> 00:58:04,400
Speaker 1: bottom O. That's the We're bad. We're bad folk singers,

863
00:58:04,440 --> 00:58:15,280
Speaker 1: folk singers, folk singers, singers in spankers on our get

864
00:58:15,280 --> 00:58:18,440
Speaker 1: it get it together? Pal? Is it me or sent you?

865
00:58:18,640 --> 00:58:20,600
Speaker 1: I think that I should have just never been busting.

866
00:58:21,080 --> 00:58:24,400
Speaker 1: You're constantly like five seconds behind. Well, I'm trying to

867
00:58:24,440 --> 00:58:26,240
Speaker 1: follow what you're doing it. It's hard to know what

868
00:58:26,280 --> 00:58:29,200
Speaker 1: you're about to do when you're still doing it. Maybe

869
00:58:29,240 --> 00:58:32,600
Speaker 1: we shouldn't improvise all these songs. Let's write it down

870
00:58:32,640 --> 00:58:37,439
Speaker 1: on some paper. Okay, we're bad folk singers, spank us

871
00:58:37,440 --> 00:58:41,360
Speaker 1: on our naughty bottoms, dork line, dorc line, I'm getting

872
00:58:42,760 --> 00:58:46,760
Speaker 1: I'm getting a paper transmission from earth again, the most

873
00:58:46,800 --> 00:58:55,760
Speaker 1: powerful segno on Earth. Somebody is writing lyrics, larys lyrics, lyrics,

874
00:58:56,840 --> 00:59:04,360
Speaker 1: music music and lyrix lyrics and music. Okay, we don't

875
00:59:04,360 --> 00:59:10,880
Speaker 1: have to do that. I'm I'm intrigued. I would like

876
00:59:10,920 --> 00:59:14,680
Speaker 1: to go closer and hear this well written and rehearsed music.

877
00:59:15,640 --> 00:59:18,080
Speaker 1: I would love to hear it as well. What do

878
00:59:18,120 --> 00:59:24,520
Speaker 1: you think? No, I think it's a great idea. You've changed,

879
00:59:24,800 --> 00:59:29,600
Speaker 1: you've changed. It's true, I have changed. I went through

880
00:59:29,640 --> 00:59:33,560
Speaker 1: a metamorphis what's your point. Let's go ahead and get closer.

881
00:59:34,240 --> 00:59:42,160
Speaker 1: We're bad bad song. Yeah, we got the words. It's

882
00:59:42,200 --> 00:59:47,080
Speaker 1: bad fook singers. Okay, well maybe we're doing we're doing

883
00:59:47,400 --> 00:59:51,520
Speaker 1: the really hot parts and you're doing the like mid parts. Right, Okay,

884
00:59:51,600 --> 00:59:53,720
Speaker 1: I'll do the mid, you do the high. All right,

885
00:59:55,360 --> 01:00:00,000
Speaker 1: we're badd. Okay, I'm gonna count a cent. I'm gonna

886
01:00:00,040 --> 01:00:03,160
Speaker 1: conisan you didn't count that time. Well, we're not doing around?

887
01:00:03,320 --> 01:00:06,720
Speaker 1: Are we doing around? Are we doing a row row row?

888
01:00:06,800 --> 01:00:09,480
Speaker 1: You're both things where you coming to measure later. No,

889
01:00:09,680 --> 01:00:14,480
Speaker 1: we're not doing that. No, we're gonna all right, how

890
01:00:14,480 --> 01:00:17,080
Speaker 1: about this? You start, all right, I'll follow you. I start.

891
01:00:17,280 --> 01:00:20,280
Speaker 1: Oh god, I've been wanting to do this for so long.

892
01:00:21,600 --> 01:00:27,800
Speaker 1: A one too A one to three. We're bad, bad folks.

893
01:00:28,200 --> 01:00:33,480
Speaker 1: They're two bads or one bad. I mean the paper

894
01:00:33,520 --> 01:00:36,840
Speaker 1: it says it twice. There's two, there's two of us,

895
01:00:36,880 --> 01:00:40,240
Speaker 1: and we're both bad. Okay, okay, sorry, that was my bad,

896
01:00:40,400 --> 01:00:44,640
Speaker 1: my bad. Uh you started one more time? Okay, A

897
01:00:44,680 --> 01:00:47,400
Speaker 1: one to three it should be the same count you

898
01:00:47,440 --> 01:00:50,720
Speaker 1: did before. All right, let me just get it back

899
01:00:50,760 --> 01:00:54,200
Speaker 1: from take it from one A one two one to

900
01:00:55,720 --> 01:01:04,200
Speaker 1: bad folks singers. I think it was you know what,

901
01:01:04,960 --> 01:01:07,760
Speaker 1: Maybe we should have just broke up like we did. No, gentlemen, Hey,

902
01:01:07,800 --> 01:01:11,080
Speaker 1: this is the engineer. Um that was good. And I'm

903
01:01:11,120 --> 01:01:14,440
Speaker 1: gonna be honest. I've been recording every take. We're going

904
01:01:14,480 --> 01:01:18,520
Speaker 1: to build a sound wall like Bohemian Rhapsodia you mentioned before.

905
01:01:19,760 --> 01:01:23,120
Speaker 1: I want take after take after take, and we're going

906
01:01:23,160 --> 01:01:27,040
Speaker 1: to crush these people with that music. I don't think

907
01:01:27,080 --> 01:01:29,200
Speaker 1: you want the same thing we want with music. I

908
01:01:29,200 --> 01:01:31,160
Speaker 1: don't want to crush anybody. This is more of a

909
01:01:31,960 --> 01:01:36,280
Speaker 1: feel good music. And don't mind us. We're high powered

910
01:01:36,360 --> 01:01:39,760
Speaker 1: music executives from zebulon seven. We just snuck into the room.

911
01:01:39,800 --> 01:01:44,920
Speaker 1: We dissolved our molecules and wandered in. No buzzing in necessary.

912
01:01:45,480 --> 01:01:50,320
Speaker 1: And everything you're doing is absolutely beautiful. Do it more, please,

913
01:01:57,400 --> 01:02:01,520
Speaker 1: I don't know. Listen, I'm the the engineer here. I

914
01:02:01,600 --> 01:02:04,000
Speaker 1: know I'm not the high powered executive. I know I

915
01:02:04,000 --> 01:02:05,680
Speaker 1: don't have all the money, but I do have an ear.

916
01:02:06,360 --> 01:02:09,200
Speaker 1: And if you don't want to crush these people with

917
01:02:09,320 --> 01:02:12,640
Speaker 1: your sound, I think you gotta quick the music business.

918
01:02:14,600 --> 01:02:18,520
Speaker 1: What do you think said? Are we done? I don't know.

919
01:02:18,640 --> 01:02:22,760
Speaker 1: I feel like there's other art that we could try

920
01:02:22,800 --> 01:02:24,560
Speaker 1: to do, and we're not making a lot of money.

921
01:02:24,880 --> 01:02:26,720
Speaker 1: I have this gold coin. I can figure out what

922
01:02:26,800 --> 01:02:29,240
Speaker 1: to do with this gold coin. It does look valuable.

923
01:02:29,720 --> 01:02:31,960
Speaker 1: I mean, I had no idea. I thought it was

924
01:02:32,040 --> 01:02:37,600
Speaker 1: just a dollar coin. Hey, you're the two new writers

925
01:02:37,600 --> 01:02:42,400
Speaker 1: we got for the Sketch Company. Look look there, Yes

926
01:02:42,440 --> 01:02:45,680
Speaker 1: we are, Yes, we are, sir. Welcome. Yeah, I guess

927
01:02:45,680 --> 01:02:48,840
Speaker 1: we got your package. Those sketches are amazing. So just

928
01:02:48,920 --> 01:02:51,200
Speaker 1: joined the group. We're in mid session right now, coming

929
01:02:51,240 --> 01:02:54,400
Speaker 1: up with next month show great love love to chip

930
01:02:54,440 --> 01:02:58,200
Speaker 1: in on a pitch meeting. So I don't think so.

931
01:02:58,280 --> 01:03:00,360
Speaker 1: I think it's the fart. I think the fart. So

932
01:03:00,480 --> 01:03:04,440
Speaker 1: the fart always comes in where it's funny. We're on

933
01:03:04,440 --> 01:03:08,240
Speaker 1: the same page. Okay, who are these two knuckleheads? Hey guys,

934
01:03:09,160 --> 01:03:15,320
Speaker 1: I'm sad z. Yep. We're first time sketch writers, but

935
01:03:16,080 --> 01:03:22,800
Speaker 1: long time writers traditionally American folk music. Traditionally American folk music.

936
01:03:22,840 --> 01:03:26,480
Speaker 1: And now you're writing sketches. It's writing is writing. Don't

937
01:03:26,560 --> 01:03:32,240
Speaker 1: judge him so harshly. Someone looking your stuff, and I

938
01:03:32,280 --> 01:03:34,560
Speaker 1: thought it was great. Yeah, let's let's help us out here.

939
01:03:34,600 --> 01:03:36,520
Speaker 1: We're trying to write this sketch about a surfer who

940
01:03:36,560 --> 01:03:39,800
Speaker 1: goes to the bank and ends up playing baseball. Oh

941
01:03:39,960 --> 01:03:44,280
Speaker 1: well that's pretty complicated. Um well that sounds like that

942
01:03:44,400 --> 01:03:50,040
Speaker 1: be about a seven verse song. Uh huh. Keep going

943
01:03:50,720 --> 01:03:53,160
Speaker 1: with a with a refrain that everybody can join in

944
01:03:54,040 --> 01:03:58,680
Speaker 1: and a call back at the end, a simultaneous fart

945
01:03:58,720 --> 01:04:02,640
Speaker 1: with all the customers in the bad like that? Like it?

946
01:04:04,120 --> 01:04:10,200
Speaker 1: What would that sound like? Fellows? The simultane for God?

947
01:04:11,600 --> 01:04:14,400
Speaker 1: What do you want for me? And that's our show

948
01:04:14,520 --> 01:04:21,160
Speaker 1: for today. Let's thank all of our alchemists, starting with

949
01:04:21,240 --> 01:04:27,440
Speaker 1: Joey Greer. Joey, thank you so much for being here today.

950
01:04:25,840 --> 01:04:32,240
Speaker 1: Actually it's gonna be here. We don't know where and

951
01:04:32,280 --> 01:04:36,480
Speaker 1: why or how Joey left the building as it were, um,

952
01:04:36,520 --> 01:04:42,440
Speaker 1: but we'll thank him. Um in his honor. Craig Atkowski,

953
01:04:42,520 --> 01:04:44,680
Speaker 1: thank you as well for joining us today. Yeah, it's

954
01:04:44,720 --> 01:04:50,880
Speaker 1: gonna be here. Uh, don't forget folks. You can listen

955
01:04:50,920 --> 01:04:57,680
Speaker 1: to the final episode of Craig's List available. We're gonna

956
01:04:57,680 --> 01:05:00,920
Speaker 1: recommend you start with number one excuse me, number one

957
01:05:00,960 --> 01:05:05,200
Speaker 1: hundred episode one, moving number one hundred, work your way

958
01:05:05,360 --> 01:05:08,040
Speaker 1: through the whole list. Would it be weird if they

959
01:05:08,040 --> 01:05:10,080
Speaker 1: went and reverse listen to the first choice? It would

960
01:05:10,120 --> 01:05:12,920
Speaker 1: be weird. That's the whole point of the show. Yeah,

961
01:05:13,320 --> 01:05:16,040
Speaker 1: you want to hear a marriage dissolving over four years,

962
01:05:17,280 --> 01:05:22,640
Speaker 1: not strengthening. Got you, Got you? And Chris Avarando, thank

963
01:05:22,680 --> 01:05:25,120
Speaker 1: you so very very much. Oh thank you for letting

964
01:05:25,160 --> 01:05:28,000
Speaker 1: me get silly. Uh sorry about my hot Mike issues.

965
01:05:28,080 --> 01:05:30,280
Speaker 1: I don't know what happened there. Also for the people

966
01:05:30,320 --> 01:05:33,600
Speaker 1: who are listening, Joey froze and then cut out. And

967
01:05:33,600 --> 01:05:36,040
Speaker 1: then at one point, Kevin, you were frozen, and it

968
01:05:36,200 --> 01:05:39,480
Speaker 1: just felt like and then at one point Kevin was

969
01:05:39,520 --> 01:05:41,280
Speaker 1: trying to call it to James, but James, you were

970
01:05:41,360 --> 01:05:44,320
Speaker 1: off camera. I mean, this whole thing just got crazy,

971
01:05:44,360 --> 01:05:47,200
Speaker 1: and there are some and I want to I have

972
01:05:47,320 --> 01:05:49,160
Speaker 1: to get to it in a moment, but there is

973
01:05:49,200 --> 01:05:52,360
Speaker 1: a gathering of teenagers on my front porch drinking, and like,

974
01:05:52,400 --> 01:05:56,720
Speaker 1: I'm gonna have to deal with it. We're hearing this live, folks.

975
01:05:56,920 --> 01:05:59,800
Speaker 1: At this point in the story, James Heeney is still alive.

976
01:06:00,480 --> 01:06:02,560
Speaker 1: This might be the last recording we do with James

977
01:06:02,760 --> 01:06:05,600
Speaker 1: and unharmed. Hey, James, can you just give us like

978
01:06:05,600 --> 01:06:07,320
Speaker 1: a quick quick like, what is that? What is that

979
01:06:07,360 --> 01:06:09,680
Speaker 1: gonna sound like? I have no idea. I don't want

980
01:06:09,680 --> 01:06:11,800
Speaker 1: to say it too loud because the walls are so thin.

981
01:06:12,200 --> 01:06:15,960
Speaker 1: Once you run, bounce it off us for a second. Okay, Hey,

982
01:06:15,960 --> 01:06:18,520
Speaker 1: what's up, old man? You call that a mustache? That's

983
01:06:18,560 --> 01:06:22,720
Speaker 1: probably what they're gonna say. Can you see guys? And

984
01:06:23,200 --> 01:06:26,000
Speaker 1: I like, honestly, I'm gonna have to be by the way,

985
01:06:26,040 --> 01:06:28,320
Speaker 1: what's the worst thing of those teenagers on your porch?

986
01:06:29,320 --> 01:06:36,200
Speaker 1: Well that's to be found out turn a cheek maybe

987
01:06:36,480 --> 01:06:38,720
Speaker 1: maybe all right, Well, thank you both for being here,

988
01:06:38,800 --> 01:06:41,200
Speaker 1: and Craig you as well. Thank the three of you.

989
01:06:41,600 --> 01:06:44,360
Speaker 1: Thank Joey Greer and absence. Let's thank our engineer and

990
01:06:44,440 --> 01:06:49,000
Speaker 1: producer to the stars, Mr Doug Bain, and I heart Media.

991
01:06:51,480 --> 01:06:53,480
Speaker 1: I am, as always your proud host. Thank you all

992
01:06:53,520 --> 01:06:56,080
Speaker 1: for very much for all the emails. Keep writing to

993
01:06:56,160 --> 01:06:58,040
Speaker 1: us at your name here and talking to this dot com.

994
01:06:58,120 --> 01:07:00,720
Speaker 1: Love hearing from you. I reply to each and every

995
01:07:00,800 --> 01:07:02,600
Speaker 1: damn one of your story. If you're not getting a reply,

996
01:07:03,360 --> 01:07:09,280
Speaker 1: well there's probably a reason. Until next time,