WEBVTT - The Mysterious Disappearance of Ambrose Bierce

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<v Speaker 1>Welcome to Criminalia, a production of Shondaland Audio in partnership

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<v Speaker 1>with iHeartRadio.

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<v Speaker 2>A year wrote Ambrose Bierce is quote a period of

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<v Speaker 2>three hundred and sixty five disappointments. Ambrose was an American

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<v Speaker 2>Civil War veteran, and he was also a writer. He

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<v Speaker 2>was one of the most famous journalists of the late

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<v Speaker 2>nineteenth century. He was a literary critic, a poet, and

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<v Speaker 2>a short story writer, primarily exploring themes of war, death,

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<v Speaker 2>and the general absurdity of life. He had a caustic

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<v Speaker 2>wit and was a sharp tongued, eviscerating cynic. It said

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<v Speaker 2>he kept both a human skull and a cigar box

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<v Speaker 2>of supposedly an enemy's ashes on his desk. His motto

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<v Speaker 2>in life was quote nothing matters. He's been called an editorialist,

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<v Speaker 2>a journalist, and a fabulist, and a veteran and one

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<v Speaker 2>of the biggest disappearing acts of the twentieth century. Welcome

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<v Speaker 2>to Criminalia. I'm Maria Tremarky.

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<v Speaker 1>And I'm Holly Frye. Ambrose Beers disappeared when he was

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<v Speaker 1>seventy one years old. He wrote Into Mexico, and that's

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<v Speaker 1>about the last anyone ever heard from him. But before

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<v Speaker 1>we talk about his many deaths that have been described

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<v Speaker 1>since his disappearance, let's talk about his very big life.

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<v Speaker 1>Ambrose Gwinnet Beers was born on June twenty fourth, eighteen

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<v Speaker 1>forty two, the tenth of thirteen children to Marcus Aurelius

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<v Speaker 1>and Laura Beerce. The Beers family lived in Horse Cave Creek, Ohio,

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<v Speaker 1>a primarily fundamentalist community that was close to the West

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<v Speaker 1>Virginia border. His father was a farmer but held several jobs,

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<v Speaker 1>including shopkeeper, and he'd been elected to county Overseer of

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<v Speaker 1>the Poor. That was a position that was responsible for

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<v Speaker 1>administering reals leaf such as food and clothing, and supervising

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<v Speaker 1>care of those living in poverty. He was never a

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<v Speaker 1>successful man, at least not when it came to money

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<v Speaker 1>or influence. He and Laura were, though, avid readers, and

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<v Speaker 1>some argued that the family's book collection could be the

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<v Speaker 1>largest in the county. Though Ambrose never had much good

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<v Speaker 1>to say about his family, he did not see eye

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<v Speaker 1>to eye with their long standing puritanical ways, he did

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<v Speaker 1>concede that his father's book collection was what turned him

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<v Speaker 1>into a serious reader and influenced his writing career.

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<v Speaker 2>The Beers family moved to Walnut Creek, Indiana, when Ambrose

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<v Speaker 2>was four years old, and for the next eleven years

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<v Speaker 2>he acted well as far as we can tell pretty

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<v Speaker 2>aloof from his siblings and his classmates. He wasn't interested

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<v Speaker 2>in making friends. We came across as one anecdote that

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<v Speaker 2>if you gave him a puppy, he'd prefer a snake.

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<v Speaker 2>At age fifteen, Ambrose left his family to work as

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<v Speaker 2>a printer's Devil for the Northern Indiana, an abolitionist newspaper.

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<v Speaker 2>A printer's devil is really just an apprentice with a

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<v Speaker 2>fancy name. His father had been an early anti slavery advocate,

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<v Speaker 2>and some biographers assume he may have influenced Ambrose's decision

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<v Speaker 2>to join that particular paper. But then it's also really

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<v Speaker 2>well documented that Ambrose wanted to get away from his family,

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<v Speaker 2>So here we are just speculating some more on his motivations.

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<v Speaker 2>When he left the paper after two years, he may

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<v Speaker 2>or may not have been accused of theft by his employer,

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<v Speaker 2>leading him to exit, but only after his name had

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<v Speaker 2>been cleared. Or maybe that's just a yarn and it

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<v Speaker 2>was just time to move on. And it did move

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<v Speaker 2>his personal story along. His next move landed him in

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<v Speaker 2>the home of his paternal uncle, Lucius Bears in Ohio.

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<v Speaker 1>Lucius was a strong, intelligent, and moral man, and Ambrose

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<v Speaker 1>admired him greatly. He wanted to be just like him

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<v Speaker 1>in both his personal and professional life. Ambrose's family was

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<v Speaker 1>strongly abolitionist. Lucius also was, but Ambrose liked that his

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<v Speaker 1>uncle was not just talk. He was a man of action.

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<v Speaker 1>There are many examples of that action, but an important

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<v Speaker 1>one is that he helped supply John Brown with the

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<v Speaker 1>weapons for his bold fight in Kansas. We have seen

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<v Speaker 1>Lucius described as a quote man who liked to argue

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<v Speaker 1>and had an appealing swagger, a man who'd witnessed a

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<v Speaker 1>slave auction in Charleston, South Carolina, and became an even

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<v Speaker 1>more ardent abolitionist than Bierce's father. Lucius once organized a

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<v Speaker 1>company of infantry and two companies of marines for battlefield service,

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<v Speaker 1>but mostly he did not fight himself. Lucius was elected

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<v Speaker 1>to the Ohio Senate, where he supported the war effort

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<v Speaker 1>through legislation. In fact, in his bellowing opinion, the Union

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<v Speaker 1>should be hitting the Confederacy even harder. In eighteen sixty three,

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<v Speaker 1>Lucius was appointed Assistant Adjutant General of the United States

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<v Speaker 1>Volunteers with the rank of major. Ambrose credited his uncle

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<v Speaker 1>for giving him a strong moral compass and the confidence

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<v Speaker 1>to speak out for his beliefs, even if they were

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<v Speaker 1>contrary to the popular opinion. We're going to take a

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<v Speaker 1>break here for a word from our sponsors, and when

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<v Speaker 1>we return we'll talk about Ambrosebier's first lieutenant.

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<v Speaker 2>Welcome back to Criminalia. Ambrose had a big military life

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<v Speaker 2>and he had a big life as a writer, so

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<v Speaker 2>let's talk about both of those things.

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<v Speaker 1>Over the years, Ambrose emerged as a renowned writer, but

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<v Speaker 1>before that course of events could be set into motion,

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<v Speaker 1>Ambrose went to war. At age seventeen, he enrolled at

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<v Speaker 1>the Kentucky Military Institute and trained to become a topographical engineer.

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<v Speaker 1>That's someone who makes maps after collecting information and data

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<v Speaker 1>about the area to be mapped. He was one of

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<v Speaker 1>the first to enlist in the ninth Indiana Volunteer Infantry

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<v Speaker 1>Regiment for the Union at the start of the American

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<v Speaker 1>Civil War, which officially began shortly after he left the Institute.

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<v Speaker 1>He fought with the ninth Indiana Infantry Regiment and Buell's

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<v Speaker 1>Army of the Ohio in military engagements that included the

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<v Speaker 1>Battle of Shiloh, the Battle of Stones River, the Battle

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<v Speaker 1>of Chickamauga, and the Battle of Missionary Ridge. Also the

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<v Speaker 1>Battle of Pickett's Mill, the Battle of Kennesaw Mountain, and

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<v Speaker 1>Sherman's March to the Sea. The list is really quite lengthy.

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<v Speaker 1>He served on and off for most of the duration

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<v Speaker 1>of the war, and during his service he received numerous

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<v Speaker 1>citations for bravery, and he rode to the rank of

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<v Speaker 1>first lieutenant.

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<v Speaker 2>Ambrose is considered to have been an admirable soldier who

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<v Speaker 2>was also quite brave. For example, on July eleventh, eighteen

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<v Speaker 2>sixty one, at the Battle of Rich Mountain, his first

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<v Speaker 2>heavy combat situation, he received recognition for carrying a seriously

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<v Speaker 2>wounded officer off the battlefield to safety while himself under

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<v Speaker 2>fire from the enemy. In general, Bierce looked down upon

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<v Speaker 2>those who behaved what he considered cowardly in battle. In

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<v Speaker 2>Indiana newspaper published an article stating that quote in open

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<v Speaker 2>view of the enemy, Bierce acted heroically as bullets were

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<v Speaker 2>quote again falling around him. Like Hale. He later wrote

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<v Speaker 2>fictionalized and semi fictionalized narratives of what he saw that

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<v Speaker 2>day and during the rest of his time at war

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<v Speaker 2>in his short stories.

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<v Speaker 1>During fierce combat in the Battle of Kenesam Mountain in

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<v Speaker 1>June of eighteen sixty four, Ambrose was wounded when Confederate

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<v Speaker 1>marksman shot him in the head. Yes, the bullet fractured

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<v Speaker 1>Bears's temporal bone and it got stuck in his skull,

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<v Speaker 1>lodged behind his left ear. This was not a fatal shot,

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<v Speaker 1>but there were complications from the injury, and he was

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<v Speaker 1>placed on medical leave for months. Ambrose became prone to

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<v Speaker 1>severe headaches, dizziness, and sudden fainting spells, and those would

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<v Speaker 1>last for the rest of his life. He later wrote

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<v Speaker 1>of his injury, quote at night, the bright, cold moonlight

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<v Speaker 1>gave him quote jarring headaches. Despite the injury, he returned

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<v Speaker 1>to duty during September of that same year, but he

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<v Speaker 1>was discharged on January twenty fifth, eighteen sixty five, at

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<v Speaker 1>the age of twenty two. He would often later recall

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<v Speaker 1>in his writing that his head had quote broken like

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<v Speaker 1>a walnut.

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<v Speaker 2>He resumed his military career for just one year in

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<v Speaker 2>eighteen sixty six, when he joined General William Hazen on

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<v Speaker 2>an expedition inspecting military outposts across the Great Plains while

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<v Speaker 2>mapping the topography from Nebraska to California. Later, Ambrose would

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<v Speaker 2>write of him quote the best hated man I ever knew.

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<v Speaker 1>When they arrived on the West Coast, Ambrose decided to

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<v Speaker 1>settle in San Francisco, where he left the army and

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<v Speaker 1>began a literary career. Though many critics have said of

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<v Speaker 1>him that he may have left the war, but the

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<v Speaker 1>war never left him, and that's true on many levels,

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<v Speaker 1>including in his writing. In eighteen sixty eight, he was

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<v Speaker 1>hired on with a newspaper called The Newsletter, for which

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<v Speaker 1>he penned a column titled town Crier. That column became

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<v Speaker 1>a place for him to stretch his acerbic satire and wit,

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<v Speaker 1>and he went all in on exposing and attacking any

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<v Speaker 1>public figures and institutions that he considered guilty of hypocrisy.

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<v Speaker 1>And he was a success, at least locally.

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<v Speaker 2>On Christmas Day of eighteen seventy one, amb Gross married

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<v Speaker 2>Mary Day known as Molly, the daughter of a wealthy miner.

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<v Speaker 2>Her father gifted them a honeymoon trip overseas. This was

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<v Speaker 2>the first time Ambrose had been to London, and he

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<v Speaker 2>and Molly stayed in England for much longer than their honeymoon.

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<v Speaker 2>The couple had two sons, Richard known as Day and

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<v Speaker 2>Lee while living in London. Their daughter, Helen, was born

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<v Speaker 2>in October of eighteen seventy five, but that was shortly

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<v Speaker 2>after their return to the United States.

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<v Speaker 1>In London, Ambrose began writing under the pseudonym DoD Grile

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<v Speaker 1>for Tom Hood's Fun and for Figuaro, a popular Victorian

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<v Speaker 1>weekly humor magazine. He also published three collections of columns, sketches,

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<v Speaker 1>and fiction under that alias while abroad. The level of

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<v Speaker 1>cynicism weaved into the pieces in these books, as well

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<v Speaker 1>as in articles that he wrote for London papers, landed

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<v Speaker 1>him the nickname Bitter beerce his motto nothing matters well

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<v Speaker 1>that probably contributed to.

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<v Speaker 2>In eighteen seventy seven, again living in the United States,

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<v Speaker 2>Ambrose became associate editor of the San Francisco Argonaut. He

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<v Speaker 2>left to become editor of the San Francisco Illustrated Wasp,

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<v Speaker 2>and then in eighteen eighty seven he joined the staff

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<v Speaker 2>of William Randolpherst's San Francisco Examiner, for which he wrote

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<v Speaker 2>the Prattler column, where he specialized in attacking all kinds

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<v Speaker 2>of things, from amateur poets, the clergy, politicians, money grabbers,

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<v Speaker 2>those he considered boring, and frauds of all shapes and sizes.

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<v Speaker 2>He also put together a collection of what many have

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<v Speaker 2>called pessimistic and satirical themes, a now famous book of

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<v Speaker 2>social commentary that's really just loosely disguised as definitions, titled

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<v Speaker 2>The Devil's Dictionary. And here's an example quote litigation noun

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<v Speaker 2>a machine which you go into as a pig and

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<v Speaker 2>come out of as a sausage. He was known for

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<v Speaker 2>his sardonic wit and bad observations on the personalities and

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<v Speaker 2>events of his day, and it turned him into quote,

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<v Speaker 2>the wickedest man in San Francisco. Despite that reputation, he

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<v Speaker 2>was also known as a generous mentor to younger writers,

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<v Speaker 2>including poet George Sterling and fiction author W. C. Morrow.

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<v Speaker 1>Between eighteen eighty eight and nineteen oh five, Ambrose couldn't

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<v Speaker 1>seem to escape tragedy in his personal life. Both of

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<v Speaker 1>his sons predeceased him. Day took his own life at

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<v Speaker 1>the age of seventeen after being rejected by a romantic

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<v Speaker 1>interest in eighteen eighty nine, and Lee, his younger son,

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<v Speaker 1>passed away from alcohol related pneumonia in nineteen oh one

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<v Speaker 1>at the age of twenty seven. The same year as

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<v Speaker 1>Lee's death, Bierce's daughter Helen, spent eight uncertain weeks in

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<v Speaker 1>a hospital recovering from typhoid fever, but she did recover.

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<v Speaker 1>In eighteen eighty eight, he and his wife separated after

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<v Speaker 1>he discovered compromising letters sent to Molly from an admirer.

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<v Speaker 1>Molly died on April twenty seventh, nineteen oh five, just

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<v Speaker 1>before their divorce was finalized.

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<v Speaker 2>In eighteen ninety nine, Ambrose moved to Washington, d c.

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<v Speaker 2>Where he continued newspaper and magazine writing for more roughly

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<v Speaker 2>the next fourteen years. He also focused more on writing

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<v Speaker 2>short stories and poems. Originally published in nineteen oh six

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<v Speaker 2>under the title The Cynic's Word Book. The Devil's Dictionary,

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<v Speaker 2>which we mentioned earlier, was one of his best known works,

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<v Speaker 2>has been called quote, a volume of ironic, even bitter

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<v Speaker 2>definitions that has often been reprinted. He's perhaps best known

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<v Speaker 2>for his anthologized short story titled An Occurrence at Owl

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<v Speaker 2>Creek Bridge, about a Southern plantation owner who attempts to

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<v Speaker 2>sabotage a railroad bridge and is condemned to be hanged

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<v Speaker 2>by Union soldiers. Elements and theme is drawn from his

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<v Speaker 2>war experiences at Chickamauga, Shiloh, and Kennassau Mountain all together

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<v Speaker 2>in this work. Bierce's war experiences proved to be so

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<v Speaker 2>influential to him and his work that biographer Richard O'Connor

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<v Speaker 2>commented of it, quote, war was the making of Beers

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<v Speaker 2>as a man.

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<v Speaker 1>And a writer.

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<v Speaker 2>Bierce himself wrote, quote, When I ask myself what has

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<v Speaker 2>become of Ambrose Bierce, the youth who fought at Chickamauga,

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<v Speaker 2>I am bound to answer that he is dead.

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<v Speaker 1>You can't argue Ambrose Bierce had a lasting legacy. But

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<v Speaker 1>that legacy isn't necessarily his writing or his military successes.

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<v Speaker 1>It's his disappearance. We're going to take a break for

0:14:37.520 --> 0:14:39.920
<v Speaker 1>a word from our sponsors, and when we're back, we'll

0:14:39.960 --> 0:14:43.360
<v Speaker 1>ask the question, what the heck happened to Ambrose Biers.

0:14:58.480 --> 0:15:03.880
<v Speaker 2>Welcome back to Criminalia. Ambrosepierce disappeared while trying to allegedly

0:15:04.120 --> 0:15:08.640
<v Speaker 2>gain first hand experience in the Mexican Revolution. Was he

0:15:08.720 --> 0:15:12.600
<v Speaker 2>killed in action? Was he executed was it aliens? Let's

0:15:12.640 --> 0:15:16.600
<v Speaker 2>talk about how many theories there are surrounding his disappearance.

0:15:17.480 --> 0:15:22.160
<v Speaker 1>In October of nineteen thirteen, at age seventy one, Ambrose

0:15:22.240 --> 0:15:26.680
<v Speaker 1>organized his personal affairs. He visited the American Civil War

0:15:26.760 --> 0:15:31.000
<v Speaker 1>battlefields one last time. His plan was then to go

0:15:31.080 --> 0:15:35.680
<v Speaker 1>to Mexico, find Pancho Villa's forces, and document the Mexican

0:15:35.720 --> 0:15:39.360
<v Speaker 1>Revolution up close and personal as it was playing out.

0:15:40.240 --> 0:15:43.320
<v Speaker 1>In a letter to his niece Laura, he wrote, quote, goodbye.

0:15:43.880 --> 0:15:46.080
<v Speaker 1>If you hear of my being stood up against a

0:15:46.120 --> 0:15:49.280
<v Speaker 1>Mexican stone wall and shot to rags, please know that

0:15:49.360 --> 0:15:51.840
<v Speaker 1>I think that a pretty good way to depart this life.

0:15:52.320 --> 0:15:55.400
<v Speaker 1>It beats old age disease or falling down the cellar

0:15:55.480 --> 0:16:00.160
<v Speaker 1>stairs to be a gringo in Mexico, Ah, that is euthanasia.

0:16:00.720 --> 0:16:03.800
<v Speaker 1>And then in El Paso, he crossed the border into

0:16:03.840 --> 0:16:06.600
<v Speaker 1>Mexico on horseback and disappeared.

0:16:07.000 --> 0:16:12.360
<v Speaker 2>According to alleged witnesses, Ambrose died over and over again

0:16:12.640 --> 0:16:14.800
<v Speaker 2>and all over Mexico.

0:16:15.200 --> 0:16:19.720
<v Speaker 1>For two decades. After his disappearance, search parties traveled to

0:16:19.800 --> 0:16:23.480
<v Speaker 1>Mexico to try to solve the mystery. The United States

0:16:23.480 --> 0:16:28.200
<v Speaker 1>Department of State and Pinkerton Private detectives questioned former officers

0:16:28.480 --> 0:16:32.360
<v Speaker 1>in Poncho Villa's army. Bierce had written in correspondence that

0:16:32.440 --> 0:16:35.840
<v Speaker 1>he wanted to join the revolutionary forces as an observer,

0:16:36.000 --> 0:16:40.760
<v Speaker 1>of course, but no one there recognized Bierce's description or picture.

0:16:41.480 --> 0:16:44.960
<v Speaker 1>There were alleged witnesses, and yes we have to air

0:16:45.040 --> 0:16:48.360
<v Speaker 1>quote that, who claimed to have seen his execution or

0:16:48.440 --> 0:16:52.480
<v Speaker 1>had heard about it happening. There were problems, though. These

0:16:52.520 --> 0:16:56.560
<v Speaker 1>witnesses all placed his execution in different states, at different

0:16:56.600 --> 0:17:02.080
<v Speaker 1>time periods, and conducted by different factions. The search for Ambrose, though,

0:17:02.200 --> 0:17:05.560
<v Speaker 1>was ultimately curtailed when the United States joined the First

0:17:05.560 --> 0:17:09.719
<v Speaker 1>World War. There just weren't resources to continue, and that

0:17:09.960 --> 0:17:12.719
<v Speaker 1>left us with theories.

0:17:12.920 --> 0:17:16.400
<v Speaker 2>And there are a lot of theories. Bierce's stated intentions

0:17:16.560 --> 0:17:20.720
<v Speaker 2>leave many to believe that he did actually travel to Mexico,

0:17:21.280 --> 0:17:25.320
<v Speaker 2>But then there are different narratives as to what happened

0:17:25.359 --> 0:17:29.960
<v Speaker 2>once he got there. So let's just begin. Maybe he

0:17:30.080 --> 0:17:34.439
<v Speaker 2>fell victim to bandits or local militias, suggests one theory.

0:17:35.160 --> 0:17:38.600
<v Speaker 2>An alleged witness, this one an American soldier of fortune

0:17:38.640 --> 0:17:42.560
<v Speaker 2>named tex O'Reilly, claimed that Ambrose was killed by government

0:17:42.600 --> 0:17:46.200
<v Speaker 2>security forces in the isolated mountain mining camp of Sierra

0:17:46.280 --> 0:17:50.320
<v Speaker 2>Mohatta because they suspected that the elderly man who didn't

0:17:50.320 --> 0:17:55.000
<v Speaker 2>speak Spanish was actually a spy. According to O'Reilly, a

0:17:55.040 --> 0:17:57.760
<v Speaker 2>local who claimed to have housed Beerce for a short

0:17:57.800 --> 0:18:01.960
<v Speaker 2>time was able to produce letters he'd left behind, each

0:18:02.000 --> 0:18:04.399
<v Speaker 2>one addressed to Ambrose Bierce.

0:18:05.119 --> 0:18:09.280
<v Speaker 1>One newspaper published a story that Ambrose wasn't following Pancho

0:18:09.400 --> 0:18:13.080
<v Speaker 1>Villa's revolutionary fighters to write about them, and that he

0:18:13.240 --> 0:18:17.359
<v Speaker 1>wasn't even in Mexico. They reported that instead he was

0:18:17.359 --> 0:18:20.960
<v Speaker 1>seen in France fighting for the Allies in the World War.

0:18:21.720 --> 0:18:24.280
<v Speaker 1>There were a lot of odd theories, so we're just

0:18:24.320 --> 0:18:27.679
<v Speaker 1>gonna wrap these ones up together. There was a story

0:18:27.720 --> 0:18:33.280
<v Speaker 1>of beers and a magical crystal skull. Really Indiana bears no.

0:18:34.359 --> 0:18:37.600
<v Speaker 1>Another story suggested that he was seen in a South

0:18:37.640 --> 0:18:43.160
<v Speaker 1>American jungle dressed in animal skins. Yes, even the possibility

0:18:43.200 --> 0:18:46.720
<v Speaker 1>of alien abduction has been considered by some. Things have

0:18:46.800 --> 0:18:49.600
<v Speaker 1>gotten pretty far fetched in the Ambrose beers theory.

0:18:49.640 --> 0:18:53.880
<v Speaker 2>Pool because his body has never been found, you're bound

0:18:53.880 --> 0:18:58.720
<v Speaker 2>to run into the theory that maybe he's still alive. Yes,

0:18:58.960 --> 0:19:02.040
<v Speaker 2>there is one rather silly theory out there that Ambrose

0:19:02.240 --> 0:19:05.600
<v Speaker 2>is alive. While maybe that could have been possible for

0:19:05.640 --> 0:19:08.960
<v Speaker 2>a decade or two after his disappearance, today he would

0:19:08.960 --> 0:19:12.760
<v Speaker 2>be one hundred and eighty two years old. So was

0:19:12.760 --> 0:19:16.960
<v Speaker 2>there something to that magical crystal skull after all? A

0:19:17.000 --> 0:19:19.520
<v Speaker 2>few reports over the years have mentioned a middle aged

0:19:19.560 --> 0:19:24.240
<v Speaker 2>man who looked suspiciously like Beiers, except he was Mexican

0:19:24.280 --> 0:19:29.520
<v Speaker 2>American writer and journalist Francisco Goldman. Coincidence most certainly.

0:19:30.160 --> 0:19:33.920
<v Speaker 1>In his nineteen twenty nine biography Life of Ambrose Biers,

0:19:34.359 --> 0:19:37.919
<v Speaker 1>author Walter Neil stated quote, his last letters to me

0:19:38.040 --> 0:19:42.760
<v Speaker 1>were written in December nineteen thirteen. He first wrote from Galveston,

0:19:43.200 --> 0:19:47.720
<v Speaker 1>next from San Antonio, and a few days later from Laredo, Texas.

0:19:48.119 --> 0:19:51.240
<v Speaker 1>I know he greatly desired to visit both Eagle Pass

0:19:51.359 --> 0:19:56.080
<v Speaker 1>and El Paso, but there is also speculation that Beerce's

0:19:56.119 --> 0:19:59.200
<v Speaker 1>final letters to close friends and family were all a

0:19:59.320 --> 0:20:04.320
<v Speaker 1>ruse and that he never actually went to Mexico. Heads up.

0:20:04.359 --> 0:20:07.600
<v Speaker 1>As we get into this next section, there is a

0:20:07.600 --> 0:20:10.800
<v Speaker 1>brief mention of suicide. So if you don't want to

0:20:10.800 --> 0:20:13.119
<v Speaker 1>listen to that, you can just jump forward about a minute.

0:20:13.160 --> 0:20:16.800
<v Speaker 1>You'll be good. In his nineteen twenty nine biography Life

0:20:16.800 --> 0:20:20.600
<v Speaker 1>of Ambrose Bierce, author Walter Neil stated quote his last

0:20:20.680 --> 0:20:24.320
<v Speaker 1>letters to me were written in December nineteen thirteen. He

0:20:24.359 --> 0:20:27.639
<v Speaker 1>first wrote from Galveston, next from San Antonio, and a

0:20:27.680 --> 0:20:31.520
<v Speaker 1>few days later from Laredo, Texas. I know he greatly

0:20:31.560 --> 0:20:35.600
<v Speaker 1>desired to visit both Eagle Pass and El Paso. But

0:20:35.680 --> 0:20:39.000
<v Speaker 1>there's also speculation that Bierce's final letters to close friends

0:20:39.000 --> 0:20:41.240
<v Speaker 1>and family were all a ruse, and that he never

0:20:41.359 --> 0:20:45.840
<v Speaker 1>actually went to Mexico. Some have considered that he secretly

0:20:45.840 --> 0:20:48.720
<v Speaker 1>took his own life by jumping off a cliff into

0:20:48.760 --> 0:20:52.920
<v Speaker 1>the Grand Canyon. Some thought that he went to Mexico

0:20:53.160 --> 0:20:55.560
<v Speaker 1>as a way of taking his own life, and by

0:20:55.600 --> 0:20:58.399
<v Speaker 1>that we mean that he went with the assumption that

0:20:58.480 --> 0:21:02.720
<v Speaker 1>he would be executed during revolutionary fighting. While there are

0:21:02.880 --> 0:21:06.159
<v Speaker 1>some stories of his execution by firing squad under the

0:21:06.240 --> 0:21:10.080
<v Speaker 1>orders of General Thomas Urbina, some scholars believe he may

0:21:10.119 --> 0:21:13.399
<v Speaker 1>have been killed while fighting with revolutionary forces in the

0:21:13.440 --> 0:21:17.679
<v Speaker 1>taking of Ohinaga in January of nineteen fourteen, a battle

0:21:17.720 --> 0:21:20.639
<v Speaker 1>that took place just across the border from the American

0:21:20.680 --> 0:21:24.639
<v Speaker 1>town of Presidio. We can't forget, after all, that it

0:21:24.880 --> 0:21:27.520
<v Speaker 1>was his own suggestion that he may be shot in

0:21:27.600 --> 0:21:33.560
<v Speaker 1>the turmoil of the Mexican Revolution. Ambrose Bierce clairvoyant, probably not.

0:21:34.240 --> 0:21:38.840
<v Speaker 2>Both Beer's biographer, Richard O'Connor and Don Swam, who runs

0:21:38.880 --> 0:21:43.040
<v Speaker 2>the Ambrose Bierce site, have over the years both concluded

0:21:43.080 --> 0:21:47.320
<v Speaker 2>that the most likely scenario now still remember that this

0:21:47.440 --> 0:21:51.640
<v Speaker 2>is not at all proven, is that Biers probably accompanied

0:21:51.680 --> 0:21:55.200
<v Speaker 2>Pancho Villa's forces to the taking of Okinaga, during which

0:21:55.200 --> 0:21:59.639
<v Speaker 2>he was killed and left in a mass grave. Or maybe,

0:21:59.640 --> 0:22:02.960
<v Speaker 2>if not that they have a backup theory that his

0:22:03.160 --> 0:22:07.640
<v Speaker 2>quote asthma strained heart gave out on him, or perhaps

0:22:07.640 --> 0:22:11.840
<v Speaker 2>that traumatic head injury had some new and unforeseen consequences

0:22:11.960 --> 0:22:13.000
<v Speaker 2>later in his life.

0:22:13.920 --> 0:22:18.920
<v Speaker 1>There is no concrete evidence to support any of these ideas.

0:22:19.280 --> 0:22:23.120
<v Speaker 1>Whatever the real story is, one thing is sure. By

0:22:23.160 --> 0:22:26.040
<v Speaker 1>the fall of nineteen fourteen, no one had heard from

0:22:26.080 --> 0:22:29.639
<v Speaker 1>him in several months, and then no one would ever

0:22:29.680 --> 0:22:33.159
<v Speaker 1>hear from him again. His death is presumed to have

0:22:33.240 --> 0:22:35.680
<v Speaker 1>been in January of nineteen fourteen.

0:22:36.400 --> 0:22:40.399
<v Speaker 2>Whatever may have really happened, Perhaps the most fitting epitaph

0:22:40.560 --> 0:22:44.720
<v Speaker 2>was offered by Ambrose's fellow iconoclast H. L. Mencken, who wrote,

0:22:44.800 --> 0:22:49.240
<v Speaker 2>quote death to him was not something repulsive but sort

0:22:49.240 --> 0:22:53.119
<v Speaker 2>of low comedy, the last act of a squalid and

0:22:53.200 --> 0:22:57.840
<v Speaker 2>rib rocking buffoonery. When grown old and weary, he departed

0:22:57.840 --> 0:23:01.040
<v Speaker 2>from Mexico and there, if legend is to be believed,

0:23:01.560 --> 0:23:05.280
<v Speaker 2>marched into the revolution, then going on and had himself shot.

0:23:05.640 --> 0:23:09.280
<v Speaker 2>There was certainly nothing in the transaction to surprise his acquaintances.

0:23:09.760 --> 0:23:14.120
<v Speaker 2>The whole thing was typically Beiersian. He died happy when

0:23:14.119 --> 0:23:17.680
<v Speaker 2>maybe sure if his executioners made a botch of dispatching him,

0:23:18.000 --> 0:23:20.520
<v Speaker 2>if there was a flash of the grotesque at the end.

0:23:21.080 --> 0:23:23.600
<v Speaker 1>When he announced he was going to Mexico to see

0:23:23.640 --> 0:23:27.960
<v Speaker 1>the revolution, he promised, quote nobody, we'll find my bones,

0:23:28.760 --> 0:23:32.440
<v Speaker 1>and nobody has. But perhaps the best theory in all

0:23:32.480 --> 0:23:35.680
<v Speaker 1>of this is Beer would have wanted it this way.

0:23:36.160 --> 0:23:37.720
<v Speaker 2>He would have wanted it this way, and he would

0:23:37.720 --> 0:23:40.800
<v Speaker 2>have written about it. Yeah.

0:23:40.840 --> 0:23:44.320
<v Speaker 1>I have strong feelings about amberse Beier. He's kind of

0:23:44.320 --> 0:23:47.359
<v Speaker 1>one of my history crushes. He was cute as a button.

0:23:47.400 --> 0:23:52.119
<v Speaker 1>He was real cute. But also I just for some

0:23:52.359 --> 0:23:55.040
<v Speaker 1>random I don't even know how I stumbled across it,

0:23:55.440 --> 0:23:57.840
<v Speaker 1>but I stumbled across the Devil's Dictionary when I was

0:23:57.920 --> 0:24:03.040
<v Speaker 1>pretty young. Did you I remember in school one of

0:24:03.080 --> 0:24:07.240
<v Speaker 1>my teachers saying something about Mark Twain being the great,

0:24:07.280 --> 0:24:09.919
<v Speaker 1>you know, the greatest humorist of the US, which is

0:24:09.920 --> 0:24:13.120
<v Speaker 1>often reported, and I remember asking, have you not read

0:24:13.200 --> 0:24:14.400
<v Speaker 1>Ambrose Biers like.

0:24:15.000 --> 0:24:17.400
<v Speaker 2>Your teacher's like, yes, I know who Ambrose Beeers is.

0:24:17.480 --> 0:24:20.560
<v Speaker 1>Like, because to me, he's way funnier. Like I just

0:24:21.280 --> 0:24:23.720
<v Speaker 1>no shade to Mark Twain, but I've never connected with

0:24:23.760 --> 0:24:25.879
<v Speaker 1>his work the way a lot of people do. And

0:24:25.960 --> 0:24:29.200
<v Speaker 1>Ambrose Beers really shaped my humor in a lot of ways.

0:24:29.320 --> 0:24:30.919
<v Speaker 2>I was I was gonna say, the wit that he

0:24:31.000 --> 0:24:32.800
<v Speaker 2>has is it's not the same as Mark Twain. Ever,

0:24:33.200 --> 0:24:33.680
<v Speaker 2>you can't.

0:24:34.040 --> 0:24:38.800
<v Speaker 1>Yeah, just that that cynecal really wry aspect to it.

0:24:38.880 --> 0:24:44.280
<v Speaker 1>I have always loved so I I really really adore

0:24:44.359 --> 0:24:49.040
<v Speaker 1>Ambrose Beiers in a big way. The Devil's Dictionary is

0:24:49.080 --> 0:24:51.000
<v Speaker 1>a really fun read if it's one of those great

0:24:51.000 --> 0:24:53.320
<v Speaker 1>books because of the way that it's laid out as

0:24:53.359 --> 0:24:56.920
<v Speaker 1>a dictionary, you can just turn to any page any

0:24:57.000 --> 0:25:00.359
<v Speaker 1>day you need a you need a humorous thing. And

0:25:00.400 --> 0:25:03.960
<v Speaker 1>it also contains a lot of references to alcohol, which

0:25:04.000 --> 0:25:07.040
<v Speaker 1>are many which are very very funny. Like he describes rum,

0:25:07.080 --> 0:25:09.520
<v Speaker 1>I'm going by memory and not not quoting but he

0:25:09.640 --> 0:25:15.320
<v Speaker 1>described rum is something that will that makes that drives

0:25:15.359 --> 0:25:19.560
<v Speaker 1>people mad and crazes them, especially if they don't drink it. Essentially,

0:25:20.960 --> 0:25:21.800
<v Speaker 1>he's very funny.

0:25:22.640 --> 0:25:25.640
<v Speaker 2>He's very funny, and if you haven't had any introduction

0:25:25.720 --> 0:25:27.240
<v Speaker 2>to him, that is a good place to begin.

0:25:27.520 --> 0:25:32.320
<v Speaker 1>I love it. His favorite drink, by many accounts, was cognac,

0:25:33.200 --> 0:25:35.720
<v Speaker 1>which also endears me to him because.

0:25:35.440 --> 0:25:37.840
<v Speaker 2>I love because it's serious too. I love it.

0:25:38.440 --> 0:25:41.000
<v Speaker 1>There are like some wild stories about him and drinking,

0:25:41.440 --> 0:25:44.719
<v Speaker 1>so I knew I wanted to use cognac in his drink.

0:25:45.560 --> 0:25:47.879
<v Speaker 1>But I also got to thinking that I also wanted

0:25:47.920 --> 0:25:51.520
<v Speaker 1>to use tequila because of the whole Mexico connection. If

0:25:51.520 --> 0:25:54.240
<v Speaker 1>that sounds crazy to you to combine these two things,

0:25:54.280 --> 0:25:58.040
<v Speaker 1>I promise it's been done in drinks before. There's actually

0:25:58.040 --> 0:26:01.520
<v Speaker 1>a drink called Adulce di Tequila that is very popular

0:26:01.600 --> 0:26:07.280
<v Speaker 1>that literally means tequila candy. Essentially that combines cognac and tequila.

0:26:07.359 --> 0:26:10.280
<v Speaker 1>Although the proportions are flipped from what I'm about to do.

0:26:11.000 --> 0:26:13.399
<v Speaker 1>Mine is heavier on the cognac and that one is

0:26:13.400 --> 0:26:17.520
<v Speaker 1>heavier on the tequila. But I also wanted to include

0:26:17.720 --> 0:26:21.720
<v Speaker 1>other notes to it, and so I started thinking about

0:26:21.760 --> 0:26:25.159
<v Speaker 1>fruits that are native to Mexico, and we haven't really

0:26:25.359 --> 0:26:27.879
<v Speaker 1>we have used I think passionfruit liqueur once, but we

0:26:27.920 --> 0:26:29.760
<v Speaker 1>haven't used passion fruit juice.

0:26:30.240 --> 0:26:33.280
<v Speaker 2>Actually, we've only used anything passionfruit.

0:26:32.800 --> 0:26:36.679
<v Speaker 1>Wants very delicious in anything. So passion fruit juice is coming.

0:26:37.160 --> 0:26:40.679
<v Speaker 1>And then we're also going to have a note of

0:26:40.880 --> 0:26:47.160
<v Speaker 1>violet because in a lot of a lot of cultures

0:26:47.320 --> 0:26:52.080
<v Speaker 1>that practice magic, violet is one of the things that

0:26:52.200 --> 0:26:56.119
<v Speaker 1>is used to draw out the truth in rituals, and

0:26:56.160 --> 0:26:57.679
<v Speaker 1>so I thought that would be a good addition.

0:26:57.920 --> 0:26:59.920
<v Speaker 2>So maybe we can get a litld truth around his

0:27:00.119 --> 0:27:01.560
<v Speaker 2>death right exactly.

0:27:01.800 --> 0:27:05.200
<v Speaker 1>So this drink, which I am called dying wish because

0:27:05.240 --> 0:27:09.000
<v Speaker 1>I do think if there's an afterlife. He loves all

0:27:09.080 --> 0:27:13.520
<v Speaker 1>of this. He loves that nobody knows what happened and

0:27:13.560 --> 0:27:15.000
<v Speaker 1>that they're He's like, I.

0:27:14.960 --> 0:27:17.040
<v Speaker 2>Told you, you're never gonna find my bones.

0:27:17.160 --> 0:27:19.800
<v Speaker 1>He loves that someone thought he was in France. He

0:27:19.880 --> 0:27:20.320
<v Speaker 1>loves it.

0:27:21.000 --> 0:27:23.680
<v Speaker 2>So it's like an alien abduction. Of course that happened.

0:27:25.800 --> 0:27:27.639
<v Speaker 2>I got to add an entry in my dictionary.

0:27:27.960 --> 0:27:30.640
<v Speaker 1>Here is how you make the dying wish. You're gonna

0:27:30.680 --> 0:27:33.560
<v Speaker 1>do a half ounce of lemon juice, an ounce of

0:27:33.640 --> 0:27:38.080
<v Speaker 1>passion fruit juice, three quarters of an ounce of violet syrup,

0:27:38.240 --> 0:27:40.199
<v Speaker 1>and I will tell you at the end you can

0:27:40.320 --> 0:27:42.440
<v Speaker 1>dial that back if you want, but it does change

0:27:42.440 --> 0:27:45.560
<v Speaker 1>it a lot. A half ounce of tequila and then

0:27:45.760 --> 0:27:48.440
<v Speaker 1>an ounce and a half of cognac, and you are

0:27:48.480 --> 0:27:51.440
<v Speaker 1>gonna shake this in your shaking tin with ice, get

0:27:51.440 --> 0:27:54.840
<v Speaker 1>it really nice and cold, and strain it into a

0:27:54.880 --> 0:27:59.560
<v Speaker 1>pre chilled glass. This is another one of those dangerous

0:27:59.600 --> 0:28:02.240
<v Speaker 1>ones where you cannot tell there's a ton of kognac

0:28:02.440 --> 0:28:07.480
<v Speaker 1>and tequila in it. The note that really starts to

0:28:07.520 --> 0:28:11.640
<v Speaker 1>come through is violet from the syrup, which I actually

0:28:11.840 --> 0:28:17.119
<v Speaker 1>love because it obscures all of the other ingredients, just

0:28:17.200 --> 0:28:21.920
<v Speaker 1>the way his story gets completely obscured by all of

0:28:21.960 --> 0:28:24.640
<v Speaker 1>the question marks. So I really really liked that that happened.

0:28:26.480 --> 0:28:31.680
<v Speaker 1>As I said, if you don't like a drink that's sweet,

0:28:31.760 --> 0:28:35.399
<v Speaker 1>you could dial that back to like a half ounce,

0:28:35.600 --> 0:28:38.840
<v Speaker 1>but you're not going to get that same impact, but

0:28:38.920 --> 0:28:41.800
<v Speaker 1>it will be a brighter drink and less sweet. It's

0:28:41.800 --> 0:28:44.840
<v Speaker 1>so yummy, It's so dangerously yummy. The mock tail, we're

0:28:44.840 --> 0:28:49.880
<v Speaker 1>going to do some tricks here, so the measures are

0:28:49.880 --> 0:28:52.480
<v Speaker 1>the same in lieu of kognak, you're going to do

0:28:52.760 --> 0:28:55.520
<v Speaker 1>an ounce and a half of chai tea. I know

0:28:55.640 --> 0:28:58.760
<v Speaker 1>chai also means tea, but you know, most of the

0:28:58.800 --> 0:29:02.640
<v Speaker 1>time when you are in the US, your ki will

0:29:02.640 --> 0:29:05.960
<v Speaker 1>be labeled as Chai tea. And then you're gonna do

0:29:06.040 --> 0:29:08.960
<v Speaker 1>a half ounce of white grape juice. You'll still keep

0:29:09.000 --> 0:29:11.720
<v Speaker 1>your ounce of passion fruit juice, your half ounce of lemon,

0:29:12.080 --> 0:29:14.360
<v Speaker 1>and you're three quarters of an ounce of violet syrup.

0:29:14.880 --> 0:29:17.760
<v Speaker 1>But for the mocktail, you are also going to add

0:29:17.800 --> 0:29:22.280
<v Speaker 1>into your shaking tin one slice of a fresh holapeno

0:29:23.080 --> 0:29:25.680
<v Speaker 1>to give it just a little more kickup and counter

0:29:25.840 --> 0:29:29.320
<v Speaker 1>some of the sugar of having more juice in it

0:29:30.040 --> 0:29:33.400
<v Speaker 1>and not as much spirit. So give that a shake,

0:29:33.640 --> 0:29:36.000
<v Speaker 1>make sure you strain it, perhaps even double strain it

0:29:36.040 --> 0:29:39.880
<v Speaker 1>to make sure you don't get any little jolopenno seeds

0:29:39.920 --> 0:29:42.400
<v Speaker 1>in there, and then you are ready to go. I

0:29:42.560 --> 0:29:47.920
<v Speaker 1>also as an optional garnish, if you have access to

0:29:48.520 --> 0:29:53.640
<v Speaker 1>fresh violets. It makes it very pretty. It might be

0:29:53.720 --> 0:29:57.960
<v Speaker 1>too fruitfreugh of a drink for Ambrose Beers himself. He'd

0:29:57.960 --> 0:30:00.280
<v Speaker 1>be like, just stop at the kognac and keep that coming.

0:30:00.400 --> 0:30:03.600
<v Speaker 1>But it's a really fun drink and I do like

0:30:03.680 --> 0:30:06.240
<v Speaker 1>that it kind of plays. It's a nice way to

0:30:06.280 --> 0:30:08.680
<v Speaker 1>tell his story in the glass because it does obscure

0:30:08.840 --> 0:30:12.719
<v Speaker 1>itself with all of the other things. So that is

0:30:12.800 --> 0:30:16.360
<v Speaker 1>the dying wish, which I think might get made at

0:30:16.400 --> 0:30:19.600
<v Speaker 1>my house with that might go on my canteena menu,

0:30:19.680 --> 0:30:21.720
<v Speaker 1>is what I'm saying. It'll have to get a Star

0:30:21.760 --> 0:30:23.680
<v Speaker 1>Wars name to work in there, but it'll happen.

0:30:23.960 --> 0:30:25.080
<v Speaker 2>It's still in beta mode.

0:30:25.080 --> 0:30:27.640
<v Speaker 1>It's yeah, still, we can do more tweets. We'll still

0:30:27.640 --> 0:30:32.200
<v Speaker 1>it happens, to see what happens. We are so grateful

0:30:32.240 --> 0:30:34.000
<v Speaker 1>that you spent this time with us. We hope you

0:30:34.040 --> 0:30:36.440
<v Speaker 1>like Ambrose Beiers as much as we do. I like

0:30:36.520 --> 0:30:38.960
<v Speaker 1>this one for this season because it feels a little

0:30:39.040 --> 0:30:41.200
<v Speaker 1>less tragic and sad than some of our others.

0:30:41.360 --> 0:30:42.240
<v Speaker 2>Oh by far.

0:30:43.280 --> 0:30:46.840
<v Speaker 1>Hopefully it's been a nice respite for you, the listener,

0:30:46.920 --> 0:30:49.280
<v Speaker 1>as well as for us. We will be right back

0:30:49.280 --> 0:30:52.880
<v Speaker 1>here though, next week, with another cold case and another

0:30:53.680 --> 0:31:15.760
<v Speaker 1>probably cold drink to go with it. Criminalia is a

0:31:15.760 --> 0:31:19.800
<v Speaker 1>production of Shondaland Audio in partnership with iHeartRadio. For more

0:31:19.840 --> 0:31:24.840
<v Speaker 1>podcasts from Shondaland Audio, please visit the iHeartRadio app Apple podcasts,

0:31:25.000 --> 0:31:26.920
<v Speaker 1>or wherever you listen to your favorite shows.