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Speaker 1: I listen to the Black Ayo Tips podcast because Rod

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Speaker 1: and Karen.

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Speaker 2: Hey, welcome to another episode of the Black Guy Who

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Speaker 2: Took Podcast. I'm your host, Rod, joined us always by

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Speaker 2: my co host, and we are live on a Wednesday,

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Speaker 2: ready to wrap up the week with The Walking Dead.

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Speaker 2: You guys know we do a recap of The Walking

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Speaker 2: Dead when it's on every Wednesday. You can count on

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Speaker 2: it like clockwork, and today is no exception. The official

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Speaker 2: weapon of the show is an unofficial sport and.

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Speaker 1: Bullet ball extreme.

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Speaker 2: Today's Walking Dead recap is about episode number twenty of

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Speaker 2: season ten, which is you know, like I said, these

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Speaker 2: are like almost bonus extended episodes, I would say. So

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Speaker 2: it's called Splinter, and it's about Princess being stuck in

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Speaker 2: a train car and you know, the the community that

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Speaker 2: Eugene set out on a path to meet Stephanie, his

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Speaker 2: his catfish girlfriend h He set out on a mission

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Speaker 2: to meet her, and Ezekiel, Princess and Yumiko are with him.

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Speaker 2: They met Princes along the way, and so now it's

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Speaker 2: about what happens there. I have been looking forward to

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Speaker 2: this episode because I really wanted to know what is

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Speaker 2: the intake, what is going on up there that seemed

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Speaker 2: like a big key to the season.

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Speaker 3: And also, in my opinion, I might be wrong, but

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Speaker 3: I think the other two episodes, which they were enjoyable,

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Speaker 3: I think they were filler And it wouldn't surprise me

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Speaker 3: if they were filler because of the COVID.

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Speaker 2: M hm, yes, So anyway, let's get into this episode, Splinter.

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Speaker 2: And I think you mean the other three episode was

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Speaker 2: actually yeah.

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Speaker 3: Three, Yeah, I think the COVID had a lot to

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Speaker 3: do with why they I might.

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Speaker 1: Be wrong, but I'm not. I think you're right.

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Speaker 3: You're normally because the way the season ended, this episode

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Speaker 3: we got today is literally where we should have picked

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Speaker 3: up with the first episode.

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Speaker 2: Okay, well, let's go ahead and get into this episode Splinter.

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Speaker 1: Karen U Oh wait, I gotta play the music for

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Speaker 1: a second.

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Speaker 2: All right, Karen, what do you think about this episode

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Speaker 2: Splinter in general?

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Speaker 1: Before we get into the breakdown.

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Speaker 4: I actually really liked this episode.

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Speaker 3: I like, out of the episodes we've seen since we've restarted,

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Speaker 3: this is the best one of my band. Okay, for me,

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Speaker 3: I didn't like it that much, and I think it

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Speaker 3: gets into something I'll talk about later in the review.

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Speaker 3: But I think This is when I started realizing, Oh,

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Speaker 3: the coronavirus shit is.

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Speaker 1: Hit impacting the set now.

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Speaker 2: Shout out to them, because I think what they're doing

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Speaker 2: is a herculean task. It's almost impossible with that many

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Speaker 2: people on production, that many actors and characters. I get

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Speaker 2: that this must have been super hard to even get done.

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Speaker 2: And I'm not knocking them for doing this, but this

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Speaker 2: isn't necessarily what I wanted from these bonus episodes.

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Speaker 1: Like I mean, they're truly bonus episodes.

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Speaker 2: It's like when you get a comic book and you

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Speaker 2: have a special issue and the comic book and it's

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Speaker 2: always made in a way that doesn't affect the story necessarily,

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Speaker 2: but you get to know a little bit more in

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Speaker 2: depth about the characters.

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Speaker 1: And that's what this has been I did.

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Speaker 2: It wasn't until this episode that it clicked for me

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Speaker 2: that oh, this is coronavirus yep pandemic episodes and you know,

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Speaker 2: no offense to them, but it's kind of you know,

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Speaker 2: like damn you know anyway. Splinter is the name of

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Speaker 2: this episode, directed by Laura Belzi, who also did one more,

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Speaker 2: and uh, yeah, the ratings have gone down a lot,

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Speaker 2: and I think it's because everyone's probably realizing the same

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Speaker 2: thing I'm realizing, which is these are kind of just

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Speaker 2: Feller like holder placeholder episodes to come back to the

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Speaker 2: next season. I don't think they're gonna have a huge

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Speaker 2: impact on next season, and I think it's specifically designed

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Speaker 2: that way on purpose.

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Speaker 1: All right, so let's get into it.

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Speaker 2: And Also, these recaps I think are gonna be short

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Speaker 2: because they all happen in like one place, very few characters,

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Speaker 2: you know.

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Speaker 3: Yeah, that's what made me think, oh, all these have

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Speaker 3: got to be COVID related, because you normally fall like

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Speaker 3: one two characters max, You're literally falling around, and if

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Speaker 3: they have interaction with other people, it's very limited interaction

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Speaker 3: with other.

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Speaker 4: Characters, right, And so I was like.

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Speaker 3: Okay, all this filming they probably had planned on, you know,

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Speaker 3: feeling something else that in my opinion, this may.

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Speaker 4: Be why they was like, you know what, guys.

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Speaker 3: We're gonna have to chop this up and you know,

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Speaker 3: have a season eleven or ten a or however they're

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Speaker 3: gonna do it, because they was like, there's no way

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Speaker 3: we're gonna be able to finish this.

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Speaker 2: Yeah, And I'm sure that when you dealing with unions

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Speaker 2: and actors gilds and shit. There's all kinds of protocols

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Speaker 2: for safety and stuff that it's like you can't film

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Speaker 2: what you were filming before.

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Speaker 1: So anyway, let's get into the actual breakdown.

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Speaker 2: So this all happens at the rail yard where they got,

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Speaker 2: you know, first surrounded.

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Speaker 1: We saw it at the end of last.

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Speaker 2: Season, Zeke, Eugene, Umica and Princess August surrounded by these

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Speaker 2: stormtrooper looking motherfuckers. They have white armor and guns, and

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Speaker 2: once they surround them, they're like, y'all got to come

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Speaker 2: with us, and they start splitting everybody up.

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Speaker 1: Princes lungees for one of their their weapons, like I

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Speaker 1: think it was a knife.

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Speaker 2: She doesn't get it, and then they like grab her

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Speaker 2: and then they're like throw her in the train. But

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Speaker 2: before they can do that, Yumiko sees they're roughing up

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Speaker 2: Princess and turns back to come to go to Princess

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Speaker 2: and like try to like help her, and somebody hits

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Speaker 2: her with the butt of a gun and then they

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Speaker 2: drag her off and Princess sees this too. Princess gets

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Speaker 2: thrown into an empty train car in the dark, and

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Speaker 2: then she starts listening to all these sounds, and you

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Speaker 2: can hear from the sounds that people outside are being

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Speaker 2: like taken to their own trailers and locked up as well.

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Speaker 2: Then she stares at the ceiling and we get to

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Speaker 2: opening you know, music and shit. She starts walking around

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Speaker 2: the car, pacing and counting her steps.

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Speaker 1: I don't know if it was just like she.

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Speaker 2: Was trying it was dark and she was trying to

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Speaker 2: see how big the area was, or if it was

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Speaker 2: just one of those things when she does it to

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Speaker 2: calm herself. I know, I do shit like count sometimes

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Speaker 2: h to calm myself in stressful situations.

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Speaker 3: I think she did the calm herself because you remember

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Speaker 3: when we first of we met her, she did a

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Speaker 3: lot of counting, you know, when she was like so

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Speaker 3: many paces like she would she did a lot of counting.

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Speaker 3: So it wouldn't surprise me if counting is something that

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Speaker 3: she did as far as something to calm down any

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Speaker 3: anxiety that she was feeling.

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Speaker 2: Right, So she hears them taking Ezekiel somewhere, and the

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Speaker 2: whole time she starts having these flashbacks to just moments

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Speaker 2: before when they were first captured and how she lunged

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Speaker 2: for the gun and Uh, they hit Yumiko and you know,

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Speaker 2: and then she starts, you know, doing more counting, and

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Speaker 2: then she does some she starts saying state capitals out

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Speaker 2: loud in alphabetical order. She searches some empty bags in

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Speaker 2: the corner of the thing.

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Speaker 1: Nothing in there, empty.

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Speaker 2: Uh.

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Speaker 1: Looks out of slit in the wall.

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Speaker 2: On the side because her she's in like a wood

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Speaker 2: paneled trailing car, so she can kind of see out

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Speaker 2: through the cracks, and she sees like troops making rounds,

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Speaker 2: so it's very secure. They make rounds in pairs, so

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Speaker 2: you know, like these are not amateurs. She finally looks

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Speaker 2: over in the corner and sees that a piece of

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Speaker 2: wood has like a like a sliver of a crack

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Speaker 2: or something in it, and she goes and pulls a

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Speaker 2: piece of pulls pulls at the wood because it's kind

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Speaker 2: of rotting, and she can see through it a little

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Speaker 2: bit better and she hears Yumico on the other side.

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Speaker 3: Now, for me, this is when I was like, well,

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Speaker 3: I kind of knew it was copra related, but this

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Speaker 3: when I was like, oh, it's definitely Cobra related, because

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Speaker 3: I I don't know if it's because the way they

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Speaker 3: filmed it or maybe it's recording. I was like, she

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Speaker 3: doesn't even sound like they're in the same room, you know,

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Speaker 3: like like she just sounded like somebody pressed the recording

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Speaker 3: this pre recorded, because.

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Speaker 2: I was like, why does she sound So I don't

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Speaker 2: know that that was a COVID choice, to be honest,

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Speaker 2: because later they have seen what She's literally talking directly

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Speaker 2: to Eugene through a great and they literally like inches

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Speaker 2: from each other's face.

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Speaker 4: Yeah, I think Eugene was actually dead. But I don't think, Yeah.

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Speaker 1: That's what I'm saying.

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Speaker 2: I don't know that that's a COVID thing, okay, because

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Speaker 2: because if it was just like, oh, we gotta cut

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Speaker 2: back on these actors, I mean, it.

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Speaker 1: Could be, but it could be.

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Speaker 2: I think it works for the script too, because it's

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Speaker 2: a very smart choice to not let her see Youmiko,

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Speaker 2: because I think Princess has a lot of stress and anxiety.

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Speaker 1: This is a character that we met that we.

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Speaker 2: Know is quote unquote off, you know, and I'm sure

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Speaker 2: there's not a lot of psychological and psychiatrists or therapist

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Speaker 2: in the zpoch. She's found a way to code, but

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Speaker 2: she was building fucking zombie zombie like tea parties and shit,

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Speaker 2: she was like she was on some whole other shit

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Speaker 2: in the city, the abandoned city she lived in. So

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Speaker 2: I would imagine that a person like that has been

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Speaker 2: isolated for that long and that it does that kind

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Speaker 2: of stuff is probably not necessarily Well, it doesn't mean

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Speaker 2: she can't survive and she can't fit in, but she's not.

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Speaker 2: You know, that much isolation and that much anxiety is

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Speaker 2: not good.

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Speaker 1: So I thought they made a.

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Speaker 2: Great choice of having Umica off screen, so that you

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Speaker 2: it's not even necessarily that you don't know that if

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Speaker 2: Umico exists or not, but you don't know that if

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Speaker 2: Umicoe's okay, and that's enough to trigger her in a

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Speaker 2: way that she would do some really erratic shit.

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Speaker 3: Oh yes, yes, yr step part I agree, And like

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Speaker 3: I said, I don't mind Umico not being there. I

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Speaker 3: actually think it was great that she didn't see her

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Speaker 3: because it explained some other things later on.

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Speaker 4: It was and maybe it's just me and my hearing.

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Speaker 3: I was like, oh, she just does not really Like,

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Speaker 3: if I'm listening to this, I don't believe that she's

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Speaker 3: on the other side.

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Speaker 4: Of that wall.

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Speaker 2: Okay, I believed it, but like I said, but I

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Speaker 2: thought it was a choice, like, oh yeah, I didn't

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Speaker 2: think it was a like COVID, like, let's not put

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Speaker 2: it on the other side of the wall. Anyway, She

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Speaker 2: talks to Umico and she gets a splinter in her hand.

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Speaker 2: When she tries to like pull apart the wall so

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Speaker 2: she can talk to Umico, she gets a splinter in

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Speaker 2: her finger and then she hears Umico and it's Umico sounds.

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Speaker 1: Like she's in pain, and she even says it hurts

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Speaker 1: a little to move.

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Speaker 2: And so I know, at this point, I'm thinking maybe

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Speaker 2: she got a concussion for when they hit her.

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Speaker 1: Maybe she fell and hit her head or something.

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Speaker 4: Yeah, because she went down kind of hard.

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Speaker 2: Yeah, And Prinsty says, hey, I'm gonna find a way

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Speaker 2: to you, Umico. Umico's like, don't don't come, don't come

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Speaker 2: over this wall.

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Speaker 1: Please stay where you're at. And PRIs says.

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Speaker 2: Nama, I gotta I'm gonna find a way to save you,

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Speaker 2: because you know you're hurt. They need to come, like

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Speaker 2: you need some type of medical attention and stuff. And

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Speaker 2: Umico asks her calm down, don't do anything, and she said,

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Speaker 2: can you just you because tells Princess, can you just

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Speaker 2: talk to me? You know, that's one of the things

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Speaker 2: they say when you have a concussion, talk to the

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Speaker 2: person and keep them awake, keep them alert. I know

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Speaker 2: when I had a concussion, my dad did that for me,

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Speaker 2: because they tell you if they say, if you come

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Speaker 2: to go to sleep, sometimes you won't even wake the

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Speaker 2: fuck up.

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Speaker 1: You just die.

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Speaker 2: So Princess tells the story of how when she was

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Speaker 2: a kid, she got a splinter in her hand and

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Speaker 2: it got affected so bad that she had to stay

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Speaker 2: home from school and her mom sent her back to

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Speaker 2: school before her hand here because.

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Speaker 1: She was nagging her mom, like I want to go

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Speaker 1: back to school.

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Speaker 2: And you know, she tells the story in such a

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Speaker 2: prince's way, you know, like some of the kids are

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Speaker 2: cool and some of the kids weren't.

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Speaker 1: This one girl taught me how to die my hair

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Speaker 1: and all.

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Speaker 2: This stuff, and then the thoughts everywhere. Yeah, yeah, like

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00:12:48,240 --> 00:12:51,839
Speaker 2: we know, Princess is just she just got a lot

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Speaker 2: going on, and so she went back to school.

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Speaker 1: Beforehand fully helled.

254
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Speaker 2: It got infected again, and then it got she said,

255
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Speaker 2: like a birthday balloon. And then she came home her dad,

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Speaker 2: her stepfather, who she kind of sounds like. She said,

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Speaker 2: he had an evil cold laugh or something like that.

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Speaker 2: And he wouldn't even let her eat at the table

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Speaker 2: with the rest of the family because of her hand,

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Speaker 2: and she had to eat in the garage by herself.

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Speaker 2: And she told her well, she said, well, this is

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Speaker 2: my family. I was here before you. You're not gonna

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Speaker 2: take my family. Her stepdad hit her in the jaw,

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Speaker 2: and then her mom essentially didn't do anything. She you know,

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Speaker 2: she said to her mom, Please, mom, you're not gonna

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Speaker 2: do anything. Please don't send me out to the garage

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Speaker 2: to eat by myself. And her mom said, then don't eat.

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Speaker 2: Basically you going out to the garage. And she chose

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Speaker 2: that man, that abusive man, over her own.

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Speaker 3: Child, because you know, and that's setting an example that

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Speaker 3: a lot of people actually have to go through, and

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Speaker 3: it's something that people have to kind of break from.

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Speaker 3: Is I rather have a piece of man than no man,

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Speaker 3: you know type of philosophy, and that's not good. I

275
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Speaker 3: rather have no man, you know, than a piece because.

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Speaker 4: I want a whole person. I don't want half a

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Speaker 4: part of a person to love me.

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Speaker 1: I was soon in the chat room.

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Speaker 2: Karina said the actress was in England because of COVID nineteen,

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Speaker 2: so I guess youma, that's that's why she wasn't there.

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Speaker 1: So, okare you were right? I was wrong.

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Speaker 2: I'm sorry they tricked me. It sounded good enough that

283
00:14:29,320 --> 00:14:33,240
Speaker 2: I thought she was there. Problem maybe it's because she

284
00:14:33,280 --> 00:14:36,080
Speaker 2: had the concussion too. I was like, okay, yes, silence,

285
00:14:36,160 --> 00:14:38,520
Speaker 2: she's out of it. And it did kind of distant,

286
00:14:38,800 --> 00:14:42,120
Speaker 2: but no care. You need to accept that you were right. Okay,

287
00:14:42,480 --> 00:14:44,960
Speaker 2: you don't need to make me feel better. Okay, you no,

288
00:14:46,240 --> 00:14:47,560
Speaker 2: you know you were doing stuff.

289
00:14:47,680 --> 00:14:50,280
Speaker 3: It was just a distinguished, you know, difference in the

290
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Speaker 3: in the voice.

291
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Speaker 4: I was like, oh, this sounds pre recorded. I don't

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Speaker 4: know why. I just felt felt in my heart.

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Speaker 5: It was like, this sounds pre recorded.

294
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Speaker 4: About something. Yes, I was.

295
00:15:19,720 --> 00:15:22,720
Speaker 6: So then.

296
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Speaker 2: It sounds like you Mico passes out. And also, of course,

297
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Speaker 2: as a character development, I kind of called this episode

298
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Speaker 2: I had a couple I had a couple secret names

299
00:15:36,600 --> 00:15:40,440
Speaker 2: for this episode, but one of them was Princesses One

300
00:15:40,440 --> 00:15:44,880
Speaker 2: Woman Show, because I think that's what these episodes are highlighting,

301
00:15:45,120 --> 00:15:48,960
Speaker 2: these very like taking these actors and just putting the

302
00:15:49,000 --> 00:15:51,400
Speaker 2: camera in their face and saying you got to carry

303
00:15:51,400 --> 00:15:54,280
Speaker 2: your show for sixty minutes, like we're not we don't

304
00:15:54,280 --> 00:15:56,200
Speaker 2: have a lot of We're not gonna be able to

305
00:15:56,240 --> 00:15:58,360
Speaker 2: do a lot of booms and busting all this extra shit.

306
00:15:59,040 --> 00:16:03,600
Speaker 4: And in my opinion, I've been enjoying it.

307
00:16:03,640 --> 00:16:05,800
Speaker 3: Some I've enjoyed more than others, but I've been enjoying

308
00:16:05,800 --> 00:16:09,480
Speaker 3: and this particular one, I really enjoyed it because this

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00:16:09,600 --> 00:16:13,600
Speaker 3: actually allows you to see an actor how strong an

310
00:16:13,600 --> 00:16:16,560
Speaker 3: actor really is. Yeah, and if they could carry it,

311
00:16:17,000 --> 00:16:20,440
Speaker 3: Like when we on Black Lightning, they had an episode

312
00:16:20,440 --> 00:16:23,240
Speaker 3: where the youngest daughter did a whole episode literally almost

313
00:16:23,280 --> 00:16:26,520
Speaker 3: by herself and because she was talking to herself and everything.

314
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Speaker 4: And I enjoyed that episode.

315
00:16:28,760 --> 00:16:30,720
Speaker 3: I was like, Oh, it's like you go, oh, that

316
00:16:30,760 --> 00:16:33,760
Speaker 3: can act, but you go, oh you can act act

317
00:16:33,840 --> 00:16:37,440
Speaker 3: because very very few people can literally pull a one

318
00:16:37,480 --> 00:16:41,240
Speaker 3: person show and it be good and be entertaining and

319
00:16:41,320 --> 00:16:45,080
Speaker 3: it can keep you and she kept me and I

320
00:16:45,200 --> 00:16:48,480
Speaker 3: was like, oh, she can act. Act Like That's what

321
00:16:48,600 --> 00:16:50,680
Speaker 3: I was like, I'm here for and it's one of

322
00:16:50,680 --> 00:16:54,640
Speaker 3: those things for me. It allows these actors to shine

323
00:16:55,120 --> 00:16:57,720
Speaker 3: so that you know they can go on to other

324
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Speaker 3: projects too.

325
00:16:59,600 --> 00:16:59,800
Speaker 1: Yeah.

326
00:17:00,040 --> 00:17:04,320
Speaker 2: I mean I think definitely give a shout out to

327
00:17:04,720 --> 00:17:05,680
Speaker 2: Peelo Lazari.

328
00:17:06,400 --> 00:17:07,280
Speaker 1: I think it's her name.

329
00:17:08,119 --> 00:17:12,720
Speaker 2: I hope I said it right. But she is Puerto Rican.

330
00:17:13,200 --> 00:17:16,359
Speaker 2: The character is Puerto Rican. Princess's real name is why

331
00:17:16,440 --> 00:17:20,919
Speaker 2: Nita Sanchez. And it's one of those things that the

332
00:17:20,960 --> 00:17:24,080
Speaker 2: show does that the comic books doesn't sometimes, which is

333
00:17:24,680 --> 00:17:27,359
Speaker 2: give a character a lot more seane and a lot

334
00:17:27,400 --> 00:17:29,560
Speaker 2: more spotlight.

335
00:17:30,480 --> 00:17:32,360
Speaker 1: In a way they never did in the comics.

336
00:17:33,119 --> 00:17:35,360
Speaker 3: Princess was like almost like a back She was kind

337
00:17:35,400 --> 00:17:38,080
Speaker 3: of a background character that came to the forefront but

338
00:17:38,119 --> 00:17:39,280
Speaker 3: then went back to the background.

339
00:17:39,600 --> 00:17:42,120
Speaker 2: Well, the thing for me was Princess is that Princess

340
00:17:42,160 --> 00:17:45,160
Speaker 2: was one of those people that I remember the comic

341
00:17:45,160 --> 00:17:49,679
Speaker 2: book cover when she was when they met her, and

342
00:17:50,560 --> 00:17:54,280
Speaker 2: you know, the purple furry jacket, the goggles, the big

343
00:17:54,280 --> 00:17:58,040
Speaker 2: ass gun. She very much felt like a character you

344
00:17:58,160 --> 00:18:01,359
Speaker 2: find in like a different comic, like this is someone

345
00:18:01,400 --> 00:18:03,879
Speaker 2: from an anime that landed in this world. And so

346
00:18:05,359 --> 00:18:07,919
Speaker 2: to do that with a character like this on the show,

347
00:18:08,800 --> 00:18:11,280
Speaker 2: the show is real life. It's live action, so you

348
00:18:11,320 --> 00:18:13,320
Speaker 2: almost have to ground the character in a way that

349
00:18:13,359 --> 00:18:14,440
Speaker 2: you don't in a comic book.

350
00:18:14,760 --> 00:18:16,600
Speaker 1: Like in a comic book with just like oh Man

351
00:18:16,680 --> 00:18:19,080
Speaker 1: what a cool you know, what a cool.

352
00:18:18,840 --> 00:18:20,840
Speaker 2: Design for a character. But in the show, it's like,

353
00:18:20,920 --> 00:18:23,560
Speaker 2: how did a person get like this? What would have

354
00:18:23,640 --> 00:18:26,520
Speaker 2: to happen to a person? And so in a way,

355
00:18:26,640 --> 00:18:29,440
Speaker 2: I kind of like the way they contextualize that Princess

356
00:18:30,280 --> 00:18:35,080
Speaker 2: comes from a background of dealing with some abuse and

357
00:18:35,200 --> 00:18:39,120
Speaker 2: possibly some some more serious psychological issues.

358
00:18:39,520 --> 00:18:43,119
Speaker 1: She's not a bad person. She doesn't hurt people. It's like,

359
00:18:43,160 --> 00:18:45,560
Speaker 1: it's not you know that the tropes of.

360
00:18:45,680 --> 00:18:49,120
Speaker 2: This person's unstable. Oh my god, they're gonna kill everybody.

361
00:18:49,160 --> 00:18:50,800
Speaker 2: Like it wasn't like that, you know, like when we

362
00:18:50,840 --> 00:18:54,320
Speaker 2: met that dude last week whatever, like Marx or whatever

363
00:18:54,400 --> 00:18:57,280
Speaker 2: his last name was, like it, she's not like that.

364
00:18:57,359 --> 00:19:00,280
Speaker 2: There's like a just a goodness to her spirit, but

365
00:19:00,280 --> 00:19:03,800
Speaker 2: there's also just like you know, this is this is

366
00:19:03,800 --> 00:19:07,240
Speaker 2: a world that's even less prepared to deal with someone

367
00:19:08,200 --> 00:19:11,280
Speaker 2: who has any psychological issues than the one we had before.

368
00:19:11,640 --> 00:19:13,080
Speaker 1: Yes, so.

369
00:19:14,520 --> 00:19:19,960
Speaker 2: At any rate, it sounds like Umico passes out. Princess

370
00:19:19,960 --> 00:19:22,920
Speaker 2: of course panics and it's like, you know, get.

371
00:19:22,760 --> 00:19:25,040
Speaker 1: In here and help her, like my friend, my friend

372
00:19:25,040 --> 00:19:25,560
Speaker 1: needs help.

373
00:19:26,000 --> 00:19:26,199
Speaker 5: You know.

374
00:19:26,359 --> 00:19:29,560
Speaker 2: She's like yelling at everybody and stuff, which you know,

375
00:19:29,960 --> 00:19:35,320
Speaker 2: I doubt is helping, not helping nobody, right, And then

376
00:19:35,440 --> 00:19:37,679
Speaker 2: but we do hear some people security guys come in

377
00:19:37,720 --> 00:19:40,760
Speaker 2: and drag human cod way. Princess kind of looks through

378
00:19:40,760 --> 00:19:42,280
Speaker 2: the cracks to try to see if she can see

379
00:19:42,280 --> 00:19:45,399
Speaker 2: them leaving with her. Then she demands that they answer her,

380
00:19:46,160 --> 00:19:46,520
Speaker 2: you know.

381
00:19:46,480 --> 00:19:48,400
Speaker 1: Like is she okay, what are y'all gonna do? Where

382
00:19:48,400 --> 00:19:49,200
Speaker 1: are you taking her?

383
00:19:49,560 --> 00:19:51,280
Speaker 2: And eventually one of them tells her to shut up,

384
00:19:52,119 --> 00:19:54,360
Speaker 2: and then she starts repeating state capitals.

385
00:19:53,920 --> 00:19:59,080
Speaker 1: Out loud again. And so then time passes.

386
00:19:59,320 --> 00:20:02,639
Speaker 2: Is now like enough time that it's like daylight peeking

387
00:20:02,640 --> 00:20:05,600
Speaker 2: through the panels of the car, and she can see

388
00:20:05,640 --> 00:20:10,560
Speaker 2: that Umico isn't back, but there's a panel on the

389
00:20:10,600 --> 00:20:13,879
Speaker 2: far side of the car that the side on the

390
00:20:13,880 --> 00:20:17,119
Speaker 2: opposite of where Umico is that you can loosen and

391
00:20:17,240 --> 00:20:18,560
Speaker 2: leave the train, leave.

392
00:20:18,440 --> 00:20:20,119
Speaker 4: The car like it was like a boat, like it

393
00:20:20,200 --> 00:20:20,879
Speaker 4: was boarded up.

394
00:20:21,080 --> 00:20:24,760
Speaker 2: Yeah, so she would, I'm like, this is the I

395
00:20:24,800 --> 00:20:27,560
Speaker 2: thought these people had that shit together, but this will

396
00:20:27,640 --> 00:20:31,280
Speaker 2: be the worst security I've ever seen, because of course

397
00:20:31,320 --> 00:20:33,360
Speaker 2: this person's gonna leave the car. And then I'll start

398
00:20:33,440 --> 00:20:35,720
Speaker 2: started thinking it's like some escape room type shit.

399
00:20:36,480 --> 00:20:39,080
Speaker 1: Is this like them seeing how resourceful. Is it a trap?

400
00:20:39,200 --> 00:20:41,280
Speaker 1: Is it a trick to see if you'll leave, to

401
00:20:41,320 --> 00:20:42,119
Speaker 1: see if they stay?

402
00:20:42,520 --> 00:20:44,000
Speaker 2: This is all the stuff I was thinking, because that

403
00:20:44,040 --> 00:20:47,399
Speaker 2: panel was so blatantly obvious, Like that's a terrible idea.

404
00:20:47,760 --> 00:20:50,480
Speaker 3: Yes, whoever thought of that should be five from the

405
00:20:50,520 --> 00:20:51,800
Speaker 3: interior decorating team.

406
00:20:52,200 --> 00:20:58,320
Speaker 2: Right, So she removes it and steps outside, and she

407
00:20:58,520 --> 00:21:01,199
Speaker 2: sees she comes face to face on the other side

408
00:21:01,240 --> 00:21:06,960
Speaker 2: with Eugene, who is in the car next to her.

409
00:21:06,560 --> 00:21:08,639
Speaker 4: You know how Eugene be talking.

410
00:21:13,720 --> 00:21:17,120
Speaker 2: Oh, let me just cut to the bar where they talk. Sorry, uh,

411
00:21:17,160 --> 00:21:17,640
Speaker 2: here we go.

412
00:21:23,280 --> 00:21:23,720
Speaker 5: Stop it.

413
00:21:25,760 --> 00:21:27,480
Speaker 1: Now. Eugene, of course, is telling her to stop.

414
00:21:27,920 --> 00:21:31,880
Speaker 3: Of course, ain't trying to screw up his catfish.

415
00:21:32,040 --> 00:21:36,240
Speaker 1: Right, Our armored chaperones are making frequent checks on these vacinities,

416
00:21:37,240 --> 00:21:39,400
Speaker 1: kinda find you mile, I think she said bad. There's

417
00:21:39,400 --> 00:21:41,000
Speaker 1: a similar portal on the other side.

418
00:21:41,359 --> 00:21:43,679
Speaker 7: Well not exactly, but I can hear they took her.

419
00:21:43,680 --> 00:21:46,560
Speaker 1: So when we have to go check what you said,

420
00:21:46,560 --> 00:21:48,880
Speaker 1: our potential benefaitors are providing her with assistance.

421
00:21:49,960 --> 00:21:53,639
Speaker 2: Now it's that thing where partially, yes, Eugene is a coward.

422
00:21:54,240 --> 00:21:56,439
Speaker 2: So it's like, of course, with all the people, Eugene

423
00:21:56,440 --> 00:21:57,800
Speaker 2: will be the first one to be like, just.

424
00:21:57,720 --> 00:22:00,320
Speaker 1: Get back inside, trust the program. We'll be fine. Don't

425
00:22:00,600 --> 00:22:02,679
Speaker 1: umicos her. I don't fuck her, let's just get it.

426
00:22:02,720 --> 00:22:03,280
Speaker 1: I'm scared.

427
00:22:03,920 --> 00:22:05,639
Speaker 2: But this didn't feel like it was coming out of

428
00:22:05,640 --> 00:22:10,439
Speaker 2: place of fear, though. I think he was rationalizing, like, Okay,

429
00:22:10,480 --> 00:22:11,080
Speaker 2: if you want.

430
00:22:11,000 --> 00:22:13,560
Speaker 3: To protect her and do kind of good for the group,

431
00:22:13,640 --> 00:22:16,680
Speaker 3: it's best that you go back to where you are were.

432
00:22:16,600 --> 00:22:19,840
Speaker 2: And I spent weeks talking to Stephanie. I think the

433
00:22:19,920 --> 00:22:22,960
Speaker 2: group is safe. I think we're gonna be fine. Like

434
00:22:23,200 --> 00:22:26,080
Speaker 2: just like I don't think this group would harm you,

435
00:22:26,280 --> 00:22:26,879
Speaker 2: her or me.

436
00:22:27,200 --> 00:22:29,480
Speaker 1: You know, I don't know where.

437
00:22:30,320 --> 00:22:30,800
Speaker 6: Come on.

438
00:22:33,800 --> 00:22:34,119
Speaker 8: With me.

439
00:22:34,320 --> 00:22:35,520
Speaker 6: No, it's not a good idea.

440
00:22:37,359 --> 00:22:40,159
Speaker 1: Smoke with stephan me for many, many weeks. Good character

441
00:22:40,280 --> 00:22:43,080
Speaker 1: is evident, which can't be anomally among her people. We'll

442
00:22:43,080 --> 00:22:45,520
Speaker 1: see that once we clear whatever process is required here.

443
00:22:45,640 --> 00:22:49,919
Speaker 6: You're betting us life on that, testing on the metal,

444
00:22:50,720 --> 00:22:52,800
Speaker 6: which means keeping us in good enough shape to talk.

445
00:22:53,040 --> 00:22:55,080
Speaker 1: I don't have to bet on anything a logic reason

446
00:22:55,119 --> 00:22:56,000
Speaker 1: for human being.

447
00:22:56,040 --> 00:22:59,880
Speaker 3: Okay, sorry, man, but that's match.

448
00:23:02,040 --> 00:23:05,399
Speaker 2: So she ducks around the corner at hot from security.

449
00:23:05,840 --> 00:23:08,200
Speaker 2: They don't see her, and then she eventually goes back

450
00:23:08,200 --> 00:23:13,840
Speaker 2: into her container, and you know, part of me was like,

451
00:23:14,600 --> 00:23:16,760
Speaker 2: was he being a coward? Then part of me is like,

452
00:23:17,440 --> 00:23:19,280
Speaker 2: he just wanted to have sex with Stephanie and she

453
00:23:19,320 --> 00:23:21,200
Speaker 2: about to mess it up. He's never been this close

454
00:23:21,280 --> 00:23:24,320
Speaker 2: to some sex since the epoch started, okay.

455
00:23:24,520 --> 00:23:27,360
Speaker 3: And also I think out of all the things that happened,

456
00:23:27,680 --> 00:23:29,960
Speaker 3: they kind of encourage each other that, hey, we need

457
00:23:30,000 --> 00:23:33,119
Speaker 3: to reach out to this community. Like so, so I

458
00:23:33,160 --> 00:23:35,520
Speaker 3: really do think it's a mixture of a little bit

459
00:23:35,560 --> 00:23:38,240
Speaker 3: of all those. But I think that he's like, hey,

460
00:23:38,280 --> 00:23:40,800
Speaker 3: from what I've heard, they're not gonna harm off, but

461
00:23:40,960 --> 00:23:43,879
Speaker 3: they have to, and you fucking it up, we're not

462
00:23:43,880 --> 00:23:44,880
Speaker 3: gonna get anywhere.

463
00:23:44,880 --> 00:23:46,680
Speaker 4: And they actually right.

464
00:23:46,800 --> 00:23:49,879
Speaker 2: Also, he appeals to the fact that she's not from

465
00:23:50,000 --> 00:23:52,679
Speaker 2: where they at, and he's like, my people are at

466
00:23:52,720 --> 00:23:54,720
Speaker 2: war right now, so as far as he knows, the

467
00:23:54,760 --> 00:24:00,320
Speaker 2: Whisper war hasn't ended yet. You know, he's like, these people,

468
00:24:00,320 --> 00:24:02,560
Speaker 2: in their resources could be the key to end in

469
00:24:02,640 --> 00:24:03,040
Speaker 2: that war.

470
00:24:03,600 --> 00:24:06,160
Speaker 1: But if I just simply.

471
00:24:07,280 --> 00:24:09,119
Speaker 2: If you fucked this up in any way and we

472
00:24:09,240 --> 00:24:11,960
Speaker 2: just go back with our hat in our hands, we've

473
00:24:12,000 --> 00:24:15,480
Speaker 2: basically lost the whole point of coming up here. Yes,

474
00:24:15,600 --> 00:24:18,520
Speaker 2: So just stay in the in the thing and don't

475
00:24:18,520 --> 00:24:19,960
Speaker 2: fuck this up. I think he said, I need to

476
00:24:19,960 --> 00:24:22,639
Speaker 2: be between across between Santa Claus and the Guardian Angel

477
00:24:23,200 --> 00:24:24,760
Speaker 2: right now to make it through this.

478
00:24:24,960 --> 00:24:28,240
Speaker 1: So she goes back into her.

479
00:24:28,960 --> 00:24:33,199
Speaker 2: Train car and a soldier enters the train car and

480
00:24:34,119 --> 00:24:37,040
Speaker 2: like almost as soon as she walks in as like,

481
00:24:37,160 --> 00:24:42,240
Speaker 2: come with me, and takes her to uh to be

482
00:24:42,920 --> 00:24:48,040
Speaker 2: to like I guess almost the interrogation facilities, and we

483
00:24:48,119 --> 00:24:50,400
Speaker 2: get this scene to her that where they've made her

484
00:24:50,520 --> 00:24:53,680
Speaker 2: you know, she's obviously taking a shower, and then there's

485
00:24:53,720 --> 00:24:58,159
Speaker 2: a soldier overlooking her like naked body. Now it wasn't

486
00:24:58,400 --> 00:25:01,960
Speaker 2: to me anyway like sexual like, it wasn't so, but

487
00:25:02,040 --> 00:25:04,120
Speaker 2: it was still creepy.

488
00:25:04,160 --> 00:25:04,399
Speaker 1: It was.

489
00:25:04,480 --> 00:25:05,920
Speaker 2: It was the kind of thing where it was a

490
00:25:05,960 --> 00:25:09,040
Speaker 2: man soldier. So obviously there's an element to it that's

491
00:25:09,119 --> 00:25:12,959
Speaker 2: that's even more threatening or whatever. But in general, it

492
00:25:13,000 --> 00:25:16,040
Speaker 2: did it felt like a routine thing they did to everybody,

493
00:25:16,160 --> 00:25:18,240
Speaker 2: Like they would have done this to Zekiel. They would

494
00:25:18,240 --> 00:25:18,800
Speaker 2: have done this.

495
00:25:19,480 --> 00:25:20,679
Speaker 1: It's like when you go to prison.

496
00:25:20,840 --> 00:25:23,200
Speaker 3: Yeah, they would have done everybody. And they were probably

497
00:25:23,280 --> 00:25:25,440
Speaker 3: checking more for bite marks and see if you had

498
00:25:25,480 --> 00:25:27,879
Speaker 3: weapons on person and things like that.

499
00:25:28,160 --> 00:25:28,960
Speaker 1: Yeah, so they were.

500
00:25:29,320 --> 00:25:33,280
Speaker 2: So they do that, but it's just such a invasive

501
00:25:33,880 --> 00:25:36,440
Speaker 2: and what do you call it?

502
00:25:36,720 --> 00:25:36,840
Speaker 9: Uh?

503
00:25:38,359 --> 00:25:41,119
Speaker 2: Yeah, it's just such a like this person staring at

504
00:25:41,160 --> 00:25:43,800
Speaker 2: your body, turned around and all this ship just to

505
00:25:43,800 --> 00:25:46,480
Speaker 2: see if you got bite marks and whatnot. And she

506
00:25:46,680 --> 00:25:49,480
Speaker 2: asked could he help, like, you know, the whole time

507
00:25:49,520 --> 00:25:53,640
Speaker 2: she's asking about her friend, Yumiko, you know, turn her off.

508
00:26:00,200 --> 00:26:01,240
Speaker 4: If you're looking for bites.

509
00:26:01,280 --> 00:26:01,920
Speaker 5: I don't have any.

510
00:26:03,000 --> 00:26:05,160
Speaker 1: I got this splinter in my mind that's driving me nuts.

511
00:26:05,840 --> 00:26:07,000
Speaker 4: Can you maybe take it out.

512
00:26:10,040 --> 00:26:15,880
Speaker 1: Please? So then they don't take it out. She goes to.

513
00:26:17,840 --> 00:26:21,800
Speaker 2: She goes to the interrogation room or the questioning room,

514
00:26:22,280 --> 00:26:24,600
Speaker 2: and then she goes through this questioning with this guy

515
00:26:24,720 --> 00:26:30,159
Speaker 2: who I think purposely for the sake of the scene,

516
00:26:30,200 --> 00:26:32,240
Speaker 2: whether they want to be scary or for stuff that

517
00:26:32,280 --> 00:26:35,200
Speaker 2: they reveal later. You really can't see make out his face,

518
00:26:35,520 --> 00:26:39,119
Speaker 2: Like it's like the guy's almost sitting in the dark.

519
00:26:40,800 --> 00:26:40,960
Speaker 5: You know.

520
00:26:41,200 --> 00:26:43,000
Speaker 1: Maybe that's the thing they do to scare you when

521
00:26:43,000 --> 00:26:45,600
Speaker 1: they question you. I don't know, I think, so please

522
00:26:45,800 --> 00:26:46,760
Speaker 1: tell me why I'm here.

523
00:26:48,280 --> 00:26:49,359
Speaker 7: Let's start with your name.

524
00:26:57,840 --> 00:27:00,439
Speaker 9: You don't know your name, Prince us.

525
00:27:00,960 --> 00:27:02,080
Speaker 7: You think this is a joke.

526
00:27:02,320 --> 00:27:03,280
Speaker 4: How's my friend doing?

527
00:27:03,520 --> 00:27:04,680
Speaker 6: The girl you took her?

528
00:27:05,520 --> 00:27:07,240
Speaker 1: You're helping her, right, she's getting help.

529
00:27:07,320 --> 00:27:07,399
Speaker 8: Now?

530
00:27:09,680 --> 00:27:10,280
Speaker 7: How old are you.

531
00:27:14,160 --> 00:27:15,320
Speaker 1: Nine? I could be fifty?

532
00:27:15,359 --> 00:27:17,679
Speaker 2: I don't know, man, I lost now persons is the

533
00:27:17,760 --> 00:27:20,879
Speaker 2: wrong person to be asking questions because we know that

534
00:27:22,240 --> 00:27:27,520
Speaker 2: it's not all there for her, and like her dismissiveness

535
00:27:27,560 --> 00:27:30,639
Speaker 2: in this case is only adding to the tension and

536
00:27:30,680 --> 00:27:34,840
Speaker 2: it's not answering the dudes questions. At the same time,

537
00:27:34,920 --> 00:27:36,800
Speaker 2: I kind of understand where she's coming from. This is

538
00:27:36,840 --> 00:27:41,919
Speaker 2: such an overwhelming situation. Separated from everybody. She doesn't know

539
00:27:42,040 --> 00:27:44,560
Speaker 2: she can trust these people at all, right, and out

540
00:27:44,560 --> 00:27:48,439
Speaker 2: of everybody, she's doing with the least amount of knowledge. Yeah,

541
00:27:48,840 --> 00:27:51,040
Speaker 2: track a long time ago. Can you just keep in

542
00:27:51,080 --> 00:27:53,800
Speaker 2: mind our people did something similar. I remember when they

543
00:27:53,800 --> 00:27:56,200
Speaker 2: had Alexandria and Rick came in and would asked the

544
00:27:56,320 --> 00:27:59,399
Speaker 2: questions and then you ask, you know, you separate the

545
00:27:59,440 --> 00:28:01,639
Speaker 2: groups and oh individual, how do you know some so

546
00:28:01,880 --> 00:28:04,159
Speaker 2: like just to see if there's like lies going on,

547
00:28:04,320 --> 00:28:07,119
Speaker 2: if there's some type of infiltration all that stuff is,

548
00:28:07,160 --> 00:28:08,359
Speaker 2: who's whose cover story?

549
00:28:08,440 --> 00:28:09,720
Speaker 1: Isn't sticking that kind of thing?

550
00:28:10,480 --> 00:28:15,280
Speaker 10: Tell me how she's free from?

551
00:28:15,320 --> 00:28:16,560
Speaker 7: Where are you from?

552
00:28:16,720 --> 00:28:17,439
Speaker 1: Where is she.

553
00:28:18,880 --> 00:28:19,560
Speaker 5: Okay? Fine?

554
00:28:21,200 --> 00:28:22,600
Speaker 7: Where were you when the fall happened?

555
00:28:23,560 --> 00:28:25,199
Speaker 5: Why is any of that important?

556
00:28:31,840 --> 00:28:33,000
Speaker 7: Pittsburgh?

557
00:28:33,359 --> 00:28:35,879
Speaker 10: Can you just tell me if she's alive, why'd you

558
00:28:35,960 --> 00:28:36,399
Speaker 10: come here?

559
00:28:37,480 --> 00:28:39,600
Speaker 9: She heard her have pretty bad You're avoiding the question.

560
00:28:39,720 --> 00:28:41,400
Speaker 10: She might have a concussion, she's fine.

561
00:28:43,160 --> 00:28:47,800
Speaker 1: You don't believe me. I want to just let me

562
00:28:47,840 --> 00:28:48,240
Speaker 1: see her.

563
00:28:50,480 --> 00:28:55,320
Speaker 7: Tell me about her. What tell me about your friends?

564
00:28:56,280 --> 00:28:58,560
Speaker 7: Start with the one you're worried about. What's her name?

565
00:29:02,520 --> 00:29:03,760
Speaker 7: You won't tell me her name.

566
00:29:06,680 --> 00:29:09,360
Speaker 2: Because you know she's from the stop Snitcher era. Okay,

567
00:29:09,960 --> 00:29:12,000
Speaker 2: this is uh, she's.

568
00:29:11,840 --> 00:29:14,360
Speaker 1: Not gonna cooperate with the police. Uh.

569
00:29:14,400 --> 00:29:19,280
Speaker 2: This eventually does culminate and her like getting ampt on

570
00:29:19,320 --> 00:29:21,040
Speaker 2: the dude because he's basically like, fuck it.

571
00:29:21,120 --> 00:29:32,320
Speaker 9: Then tell me why they're here, where are they from?

572
00:29:32,360 --> 00:29:35,760
Speaker 2: And some of these good questions you can't answer right

573
00:29:36,240 --> 00:29:38,880
Speaker 2: or she could have answered to the best of her ability.

574
00:29:38,960 --> 00:29:42,000
Speaker 2: But I think she's and from her perspective, and this

575
00:29:42,240 --> 00:29:44,440
Speaker 2: to me isn't anything to do with like any level

576
00:29:44,480 --> 00:29:48,280
Speaker 2: of like mental health shit, just from her perspective. They

577
00:29:48,280 --> 00:29:51,160
Speaker 2: split y' all up. They put you in a thing.

578
00:29:51,360 --> 00:29:55,280
Speaker 2: You saw them here, yumikhaw, You're like, you don't know

579
00:29:55,320 --> 00:29:57,600
Speaker 2: what the fuck these people are about? These aren't this

580
00:29:57,680 --> 00:30:00,560
Speaker 2: isn't your plan to be with these people? So I

581
00:30:00,600 --> 00:30:04,160
Speaker 2: can see being like, I don't trust you. I'm not

582
00:30:04,200 --> 00:30:07,120
Speaker 2: telling you shit. Y'all could have fucking killed her, and

583
00:30:07,160 --> 00:30:10,160
Speaker 2: then all question. We've seen so much.

584
00:30:10,040 --> 00:30:12,160
Speaker 1: Bad shit happen in this world.

585
00:30:12,320 --> 00:30:16,040
Speaker 2: Where people do evil, horrible things each other, So I

586
00:30:16,080 --> 00:30:19,120
Speaker 2: could see being like, I'm not telling y'all shit for

587
00:30:19,160 --> 00:30:20,880
Speaker 2: y'all to what use against these people?

588
00:30:21,320 --> 00:30:22,120
Speaker 1: Are y'all? You know?

589
00:30:22,120 --> 00:30:24,720
Speaker 2: Because what the question becomes, we're not having the conversations,

590
00:30:24,760 --> 00:30:28,480
Speaker 2: clearly interrogation what and this is not coming down in

591
00:30:28,520 --> 00:30:31,960
Speaker 2: the way that say, even in Alexandra where Rick since

592
00:30:32,000 --> 00:30:34,840
Speaker 2: she down pulls out his tape recorder, y'all sit down

593
00:30:34,920 --> 00:30:38,800
Speaker 2: and have a talk like this motherfucker got full armored.

594
00:30:39,080 --> 00:30:41,600
Speaker 2: Uh they got he got a guy, a security guy

595
00:30:41,600 --> 00:30:43,720
Speaker 2: with a gun standing by you watching this.

596
00:30:43,800 --> 00:30:46,360
Speaker 1: They just made you take a shower and looked off.

597
00:30:46,200 --> 00:30:51,200
Speaker 2: Of your body like this is not the welcome welcoming

598
00:30:51,560 --> 00:30:53,960
Speaker 2: that is. This feels a lot more like some cold

599
00:30:54,040 --> 00:30:58,720
Speaker 2: hearted like immigration type shit, like this is some ice ship.

600
00:31:00,440 --> 00:31:04,720
Speaker 4: What do you want from you? Why can't I see her?

601
00:31:04,840 --> 00:31:05,840
Speaker 11: What did you do with her?

602
00:31:06,560 --> 00:31:06,760
Speaker 2: Why?

603
00:31:06,760 --> 00:31:10,360
Speaker 9: Can't I see her?

604
00:31:11,720 --> 00:31:15,000
Speaker 2: And then he hits her right in the same in

605
00:31:15,080 --> 00:31:17,760
Speaker 2: the jaw, just like she said in that story her

606
00:31:17,800 --> 00:31:22,200
Speaker 2: stepdaddy did, which uh, you know was another thing.

607
00:31:23,480 --> 00:31:24,160
Speaker 1: So then.

608
00:31:26,520 --> 00:31:28,720
Speaker 2: Uh, back in the train car, she's holding the jaw,

609
00:31:28,880 --> 00:31:31,360
Speaker 2: she goes to check on umicod of course, no answer,

610
00:31:31,840 --> 00:31:34,600
Speaker 2: she tells you. She starts talking to umicol even though

611
00:31:34,640 --> 00:31:35,800
Speaker 2: she can't hear her, see her.

612
00:31:36,240 --> 00:31:37,280
Speaker 1: She might not even be there.

613
00:31:37,760 --> 00:31:40,520
Speaker 2: And she's like, I didn't tell him anything, you know,

614
00:31:40,560 --> 00:31:42,680
Speaker 2: I did what you said. I tried to make it work,

615
00:31:42,760 --> 00:31:48,000
Speaker 2: but I think I still messed everything up, and you know.

616
00:31:48,080 --> 00:31:50,000
Speaker 2: And then she hears a noise on the other side

617
00:31:50,000 --> 00:31:52,520
Speaker 2: of the car, and so she axes through the hole

618
00:31:53,240 --> 00:31:55,880
Speaker 2: and looks there, looks through the same train the other

619
00:31:55,920 --> 00:31:57,680
Speaker 2: train car where she saw Eugenie see if she could

620
00:31:57,680 --> 00:32:00,360
Speaker 2: see him, he's gone. And what she looks down she

621
00:32:00,400 --> 00:32:03,560
Speaker 2: sees that his plastic wrist band cuffs have been taken off.

622
00:32:05,240 --> 00:32:07,600
Speaker 2: And so then the guards walked by on patrol again.

623
00:32:07,720 --> 00:32:10,720
Speaker 2: She ducks out of the way. She goes back into

624
00:32:10,720 --> 00:32:13,600
Speaker 2: her train car. She hears some noise from up top

625
00:32:13,880 --> 00:32:16,560
Speaker 2: of her train car and a.

626
00:32:16,560 --> 00:32:18,040
Speaker 1: Panel opens up in the ceiling.

627
00:32:18,160 --> 00:32:22,760
Speaker 2: It's Ezekiel and he's wet from the shower and he

628
00:32:23,280 --> 00:32:26,040
Speaker 2: just had an interview with the people as well, and

629
00:32:26,120 --> 00:32:28,080
Speaker 2: he asked if she knows what the others are.

630
00:32:28,480 --> 00:32:29,280
Speaker 1: She was like no.

631
00:32:29,400 --> 00:32:32,240
Speaker 2: He says, we'll figure it out, but first of all,

632
00:32:32,400 --> 00:32:35,240
Speaker 2: let's get the hell out of here. And she's like

633
00:32:35,360 --> 00:32:38,120
Speaker 2: now and he's like yes, and she's like, but what

634
00:32:38,280 --> 00:32:42,360
Speaker 2: about the others. We can't leave everybody behind? And you

635
00:32:42,400 --> 00:32:44,640
Speaker 2: know these are you know, these are friends and he

636
00:32:44,720 --> 00:32:48,440
Speaker 2: was like, they're my friends and she was like what

637
00:32:48,680 --> 00:32:53,200
Speaker 2: the like, no, they are like he was like, oh,

638
00:32:53,240 --> 00:32:55,400
Speaker 2: I didn't mean it that way. And she's like, I

639
00:32:55,480 --> 00:32:57,280
Speaker 2: know how to make friends. Like, I know what you're

640
00:32:57,320 --> 00:32:58,360
Speaker 2: trying to say, right.

641
00:32:58,520 --> 00:33:01,080
Speaker 4: I might be crazy, but I'm not crazy great and she.

642
00:33:01,040 --> 00:33:03,320
Speaker 2: Said you messed up. I messed up in the interview

643
00:33:03,560 --> 00:33:04,800
Speaker 2: and he was like, what did you say?

644
00:33:04,840 --> 00:33:08,200
Speaker 1: What'd you do? Whatever? And then they sit down in

645
00:33:08,240 --> 00:33:12,320
Speaker 1: the train car. We'll figure it out. Let's get out

646
00:33:12,320 --> 00:33:15,600
Speaker 1: of here right now, no, next week, yes, right.

647
00:33:15,400 --> 00:33:18,320
Speaker 5: Now, hurt, I think they took her to help her.

648
00:33:18,840 --> 00:33:22,000
Speaker 6: You think, yeah, maybe, what but.

649
00:33:22,120 --> 00:33:29,640
Speaker 9: What listen, uh, I didn't do us any favors.

650
00:33:29,280 --> 00:33:32,800
Speaker 3: In my interview? What did you do?

651
00:33:33,800 --> 00:33:34,120
Speaker 6: Nothing?

652
00:33:34,320 --> 00:33:38,120
Speaker 1: I mean I got a little bit upset. I might have.

653
00:33:42,120 --> 00:33:50,000
Speaker 1: The inquisition was aggressive. They are doing with us, let's go.

654
00:33:52,320 --> 00:33:55,520
Speaker 5: What's wrong. I don't think running will help right now?

655
00:33:56,800 --> 00:33:57,920
Speaker 1: But what if they really are helping?

656
00:33:57,960 --> 00:33:59,840
Speaker 4: You said there would, and you trust him?

657
00:33:59,880 --> 00:34:00,000
Speaker 6: Right?

658
00:34:00,280 --> 00:34:02,720
Speaker 2: We don't know these people, and we can't trust what

659
00:34:02,760 --> 00:34:03,400
Speaker 2: we don't know.

660
00:34:04,280 --> 00:34:05,200
Speaker 1: We can't find a way.

661
00:34:05,440 --> 00:34:07,920
Speaker 11: You don't know that I made it here then and

662
00:34:07,920 --> 00:34:09,640
Speaker 11: I will be fun.

663
00:34:12,160 --> 00:34:14,319
Speaker 2: And she touches her face and he sees that that's

664
00:34:14,360 --> 00:34:19,719
Speaker 2: where they hit her on the face, And like I said,

665
00:34:19,760 --> 00:34:21,120
Speaker 2: finally they sit down.

666
00:34:23,000 --> 00:34:27,480
Speaker 1: And decide to basically wait it out. What if Eugene

667
00:34:27,480 --> 00:34:34,040
Speaker 1: trusted the wrong people this time? People suck you see

668
00:34:34,080 --> 00:34:35,120
Speaker 1: one thing but mean another.

669
00:34:36,680 --> 00:34:39,319
Speaker 4: They tell you they love you, but they don't act

670
00:34:39,400 --> 00:34:39,640
Speaker 4: like it.

671
00:34:42,520 --> 00:34:51,600
Speaker 3: People are assholes, especially family, not all family, most families.

672
00:34:54,640 --> 00:34:57,000
Speaker 2: Now, I thought it was interesting how they're both sitting

673
00:34:57,480 --> 00:35:01,440
Speaker 2: exactly the same and this is probably the most personal

674
00:35:01,480 --> 00:35:04,839
Speaker 2: space that you've seen her share with Like it's like.

675
00:35:05,320 --> 00:35:08,279
Speaker 1: Her and Zeke go way back now. It's like, what

676
00:35:08,320 --> 00:35:14,800
Speaker 1: the fuck is happening right now? I just want to

677
00:35:14,840 --> 00:35:18,080
Speaker 1: do the right thing. I know.

678
00:35:21,040 --> 00:35:22,160
Speaker 10: We need a better plan.

679
00:35:23,880 --> 00:35:28,480
Speaker 2: Right So they say, yeah, we need a better plan

680
00:35:29,440 --> 00:35:30,680
Speaker 2: and wait.

681
00:35:30,520 --> 00:35:32,400
Speaker 1: Till I stop sharing my screen. Sorry about that if

682
00:35:32,440 --> 00:35:32,719
Speaker 1: I did.

683
00:35:32,920 --> 00:35:34,800
Speaker 4: Yeah, we didn't see that, but but we heard it.

684
00:35:34,920 --> 00:35:37,600
Speaker 1: Yeah, yeah, y'all got it. So then.

685
00:35:39,480 --> 00:35:44,520
Speaker 2: A guard comes in and Princess starts trying to talk

686
00:35:44,600 --> 00:35:48,799
Speaker 2: to him about, you know, trying to make things right.

687
00:35:49,000 --> 00:35:51,520
Speaker 1: You know, now I do have this scene. I can

688
00:35:51,560 --> 00:35:54,080
Speaker 1: show y'all some of it.

689
00:35:54,200 --> 00:35:55,520
Speaker 4: The hello, we're supposed to explain this.

690
00:35:56,400 --> 00:35:59,680
Speaker 2: So while she's talking to him like, you look, I'm sorry,

691
00:35:59,719 --> 00:36:01,839
Speaker 2: we got to the wrong foot. You know, I've messed

692
00:36:01,880 --> 00:36:03,560
Speaker 2: up the interview, but maybe we can fix this, blah

693
00:36:03,560 --> 00:36:06,000
Speaker 2: blah blah. And the guy's basically like, I'm just coming

694
00:36:06,040 --> 00:36:06,640
Speaker 2: here to bring you.

695
00:36:06,600 --> 00:36:08,759
Speaker 1: Some food and just eat the food.

696
00:36:08,760 --> 00:36:11,279
Speaker 2: I'm about to leave, And while she's talking to him,

697
00:36:11,360 --> 00:36:13,759
Speaker 2: Zeke knocks him the fuck out out of know what too,

698
00:36:13,880 --> 00:36:15,640
Speaker 2: and he knocked That's why I say it must be

699
00:36:15,640 --> 00:36:19,120
Speaker 2: stormtrooper armor, because that's the only armor where someone can

700
00:36:19,160 --> 00:36:20,880
Speaker 2: punch you in the face and you get knocked out,

701
00:36:21,200 --> 00:36:24,719
Speaker 2: come out stormtroopers, Like that's the only armor.

702
00:36:24,840 --> 00:36:27,280
Speaker 3: The only end, because anybody else that is just blinked

703
00:36:27,320 --> 00:36:29,120
Speaker 3: at you, like the fuck you hitting on me for.

704
00:36:29,280 --> 00:36:31,920
Speaker 2: A helmet is supposed to protect your head, right if

705
00:36:31,920 --> 00:36:34,120
Speaker 2: you have even if you just have a bicycle helmet

706
00:36:34,160 --> 00:36:35,640
Speaker 2: on and it's one hits you upside the head with

707
00:36:35,680 --> 00:36:38,719
Speaker 2: a punch, you're probably gonna be fine. But it's the

708
00:36:38,760 --> 00:36:41,120
Speaker 2: only armor. Where someone punches you, you fall out like

709
00:36:41,160 --> 00:36:45,640
Speaker 2: you had no armor. It does, it does the reverse

710
00:36:45,640 --> 00:36:47,840
Speaker 2: of safety. It's like you punch it and all the

711
00:36:47,960 --> 00:36:49,560
Speaker 2: energy goes on the inside of it.

712
00:36:49,640 --> 00:36:53,880
Speaker 1: Like, what's happened? So that Zeke knocks him out.

713
00:36:58,280 --> 00:36:58,759
Speaker 10: Here out?

714
00:36:59,360 --> 00:37:04,440
Speaker 1: Yes, he's quiet.

715
00:37:04,760 --> 00:37:07,160
Speaker 2: He takes the guy's gun, points the gun at his head,

716
00:37:07,880 --> 00:37:09,440
Speaker 2: and I'm like, I don't know if I've said ever

717
00:37:09,480 --> 00:37:10,359
Speaker 2: seen Zeke like this?

718
00:37:10,800 --> 00:37:13,200
Speaker 1: Right, tell us what you did with our friends.

719
00:37:13,280 --> 00:37:17,040
Speaker 4: You don't have to do this, Hey, hey, just let

720
00:37:17,040 --> 00:37:17,720
Speaker 4: me do the talking.

721
00:37:21,040 --> 00:37:24,080
Speaker 1: I just need to know that my friend is okay, okay.

722
00:37:24,840 --> 00:37:27,239
Speaker 1: Your boss said she was getting helped. Is she? Why

723
00:37:27,280 --> 00:37:27,920
Speaker 1: wouldn't she be?

724
00:37:28,360 --> 00:37:29,160
Speaker 4: Then tell me where she?

725
00:37:29,280 --> 00:37:30,160
Speaker 6: I don't know, She's.

726
00:37:29,960 --> 00:37:31,400
Speaker 1: Probably with one of the medics.

727
00:37:31,440 --> 00:37:32,560
Speaker 5: We're supposed to believe that.

728
00:37:34,160 --> 00:37:35,959
Speaker 1: The thought has crossed our minds.

729
00:37:37,200 --> 00:37:39,680
Speaker 6: The benefit of all and for all who seeks solace

730
00:37:39,760 --> 00:37:40,520
Speaker 6: to our kids.

731
00:37:40,880 --> 00:37:42,840
Speaker 2: And I noticed too, Zeke is doing a lot of

732
00:37:42,880 --> 00:37:46,520
Speaker 2: we us our talking, like not for.

733
00:37:46,480 --> 00:37:50,000
Speaker 1: Himself, but for both of them. He's a hype man.

734
00:37:50,360 --> 00:37:57,440
Speaker 2: Stand yeah, he just in the background of a rap battle, like, oh, son.

735
00:37:57,880 --> 00:37:59,799
Speaker 1: If your friend was sick, then she got help.

736
00:38:00,080 --> 00:38:01,759
Speaker 4: She's not sick. You guys beat the crap out.

737
00:38:01,640 --> 00:38:04,400
Speaker 6: Of here, know anything about that bullshit? Look, I know

738
00:38:04,440 --> 00:38:06,600
Speaker 6: this is a lot, but isn't it possible, just maybe

739
00:38:06,719 --> 00:38:08,080
Speaker 6: that we're not the bad guys.

740
00:38:07,800 --> 00:38:10,560
Speaker 4: Who's separated us and locked us inside training guards.

741
00:38:10,600 --> 00:38:12,520
Speaker 6: Since I get that, Okay, but if you just stay.

742
00:38:12,280 --> 00:38:15,040
Speaker 1: Calm, we really.

743
00:38:14,800 --> 00:38:17,280
Speaker 6: Can't help you. How Let's just say we have access

744
00:38:17,280 --> 00:38:19,400
Speaker 6: to things that are valuable in times like these.

745
00:38:19,600 --> 00:38:21,040
Speaker 4: Food, medicine ponies.

746
00:38:21,080 --> 00:38:23,200
Speaker 6: What I'm not saying yes, but I'm not saying no.

747
00:38:23,320 --> 00:38:24,600
Speaker 6: You know what I mean. We're organized.

748
00:38:24,640 --> 00:38:26,600
Speaker 1: You should let us help you. That's why you came, right.

749
00:38:28,880 --> 00:38:30,960
Speaker 3: So let's say you're telling the truth and you're actually

750
00:38:31,200 --> 00:38:33,360
Speaker 3: very helpful people who like to help, even if you

751
00:38:33,360 --> 00:38:35,680
Speaker 3: look like a bunch of scary action biggers came to light.

752
00:38:36,200 --> 00:38:39,200
Speaker 2: And the way that they're doing the staging and the

753
00:38:39,239 --> 00:38:41,919
Speaker 2: blocking and they're saying to sell perfect because you see

754
00:38:41,920 --> 00:38:45,279
Speaker 2: Ezekiel over her shoulder at times, and then sometimes it's

755
00:38:45,320 --> 00:38:48,600
Speaker 2: like he's literally in her shadow, like you just can't

756
00:38:48,640 --> 00:38:51,400
Speaker 2: even see him anymore. Like when the guy came in

757
00:38:51,480 --> 00:38:53,439
Speaker 2: the car, you couldn't see him, but if.

758
00:38:53,320 --> 00:38:55,200
Speaker 4: You looked like a bunch of scary action biggers came

759
00:38:55,200 --> 00:38:59,360
Speaker 4: to light. What happens after this? What are you gonna

760
00:38:59,360 --> 00:38:59,759
Speaker 4: do with us?

761
00:39:00,920 --> 00:39:02,040
Speaker 6: I don't know he's lying.

762
00:39:02,239 --> 00:39:05,719
Speaker 1: I don't know exactly the point of that. That's not

763
00:39:05,760 --> 00:39:07,520
Speaker 1: the first time at the rodeo with people like you.

764
00:39:07,680 --> 00:39:09,680
Speaker 4: People do terrible ship to each other all the time.

765
00:39:10,360 --> 00:39:12,959
Speaker 6: I meant what I said, what we stand for is real.

766
00:39:13,520 --> 00:39:16,480
Speaker 6: This all this is just standard protocol on a mission

767
00:39:16,480 --> 00:39:19,319
Speaker 6: based assignments. We have paperwork to fill out for Christ's sake.

768
00:39:19,640 --> 00:39:23,080
Speaker 6: The place we live is a good place. It's our

769
00:39:23,160 --> 00:39:25,759
Speaker 6: job to keep them, many many good people who live

770
00:39:25,800 --> 00:39:28,960
Speaker 6: there safe. We're careful because we have a lot to lose.

771
00:39:29,640 --> 00:39:35,000
Speaker 3: Don't you get that. I still need answers, like a

772
00:39:35,040 --> 00:39:36,920
Speaker 3: good will gesture is not hard.

773
00:39:37,480 --> 00:39:39,719
Speaker 10: Just tell me where my friend is. I can't do that.

774
00:39:39,840 --> 00:39:40,839
Speaker 6: See why not?

775
00:39:40,920 --> 00:39:41,719
Speaker 1: Because I don't know.

776
00:39:41,840 --> 00:39:44,439
Speaker 4: My orders were to keep you fed until they were ready, ready,

777
00:39:44,560 --> 00:39:46,399
Speaker 4: ready for what you don't get it. I'm just a grunt.

778
00:39:46,400 --> 00:39:47,480
Speaker 1: I don't get the kind of intel.

779
00:39:47,480 --> 00:39:49,480
Speaker 4: You want, all right, three square meals in a uniform.

780
00:39:49,480 --> 00:39:52,120
Speaker 4: That's it's hey, all right, you have to believe me. Look,

781
00:39:52,400 --> 00:39:53,520
Speaker 4: I'm on probation as it is.

782
00:39:53,560 --> 00:39:55,719
Speaker 6: They're gonna discharge me for this getting snatched up by

783
00:39:55,719 --> 00:39:56,160
Speaker 6: some chick.

784
00:39:56,239 --> 00:39:58,279
Speaker 1: Maybe we need to start breaking some thing because just

785
00:39:58,320 --> 00:40:01,320
Speaker 1: a rookie, I'm so new, isn't even loaded.

786
00:40:02,960 --> 00:40:06,680
Speaker 2: So when he says that, she looks towards the rifle

787
00:40:07,120 --> 00:40:09,960
Speaker 2: and he tries to bum rusher, and like he hits her,

788
00:40:10,040 --> 00:40:14,759
Speaker 2: and then she gets the better of him, I mean,

789
00:40:14,800 --> 00:40:16,719
Speaker 2: and then Ezekiel gets the better of him by coming

790
00:40:16,719 --> 00:40:18,800
Speaker 2: and grabbing him from behind, throwing him on the ground,

791
00:40:19,200 --> 00:40:22,080
Speaker 2: and he just starts mercilessly beating the ship out.

792
00:40:22,080 --> 00:40:32,200
Speaker 10: This dude, oh my god.

793
00:40:32,320 --> 00:40:40,720
Speaker 2: Stop and the guys tied up like his hands are cuffed,

794
00:40:40,719 --> 00:40:42,879
Speaker 2: his feet up here to be tied up as well.

795
00:40:43,680 --> 00:40:45,759
Speaker 2: So this is basically him lunging to get out of

796
00:40:45,800 --> 00:40:48,000
Speaker 2: there because at some point she tied him up or

797
00:40:48,040 --> 00:40:48,759
Speaker 2: they tied him up.

798
00:40:50,480 --> 00:41:05,319
Speaker 4: Stop stop.

799
00:41:04,719 --> 00:41:12,760
Speaker 2: Side And that was the big reveal because he says,

800
00:41:12,880 --> 00:41:15,560
Speaker 2: no one's gonna hurt me anymore, just listening to what

801
00:41:15,600 --> 00:41:18,400
Speaker 2: we say. And then they switched the camera angles and

802
00:41:18,760 --> 00:41:21,960
Speaker 2: suddenly he ain't there no more. Princess is the one

803
00:41:22,000 --> 00:41:24,440
Speaker 2: on top of the guy beating the ship out of him.

804
00:41:24,840 --> 00:41:28,520
Speaker 2: And it appears Zekiel was never in the car with her,

805
00:41:31,680 --> 00:41:36,200
Speaker 2: and she's just now realizing she had this like psychotic break.

806
00:41:40,640 --> 00:41:43,360
Speaker 1: Her hands are bloody, she's the you know, it's obviously

807
00:41:43,360 --> 00:41:44,120
Speaker 1: she was hitting them.

808
00:41:51,480 --> 00:41:55,080
Speaker 2: There's no there's no sliver in the wall where she

809
00:41:55,080 --> 00:41:56,880
Speaker 2: could have talked to you, Yumiko.

810
00:41:57,200 --> 00:41:58,880
Speaker 4: And I don't think it was the spot where she

811
00:41:58,880 --> 00:41:59,799
Speaker 4: talked to Eugene either.

812
00:42:00,000 --> 00:42:00,759
Speaker 1: We'll get to that.

813
00:42:01,960 --> 00:42:04,680
Speaker 2: There's no but there's also, yeah, no panel in the

814
00:42:04,680 --> 00:42:07,399
Speaker 2: wall behind her that could have been removed for her

815
00:42:07,400 --> 00:42:11,520
Speaker 2: to talk to Eugene.

816
00:42:11,360 --> 00:42:11,879
Speaker 10: Little boy.

817
00:42:13,920 --> 00:42:16,120
Speaker 2: There's no pane in the ceiling where she could have

818
00:42:16,200 --> 00:42:20,279
Speaker 2: seen Zeke. So it's looking like she made all this

819
00:42:20,320 --> 00:42:21,239
Speaker 2: shit up in her head.

820
00:42:21,440 --> 00:42:22,000
Speaker 1: Possibly.

821
00:42:23,120 --> 00:42:25,919
Speaker 2: I don't even know if she did the questioning at

822
00:42:25,920 --> 00:42:29,480
Speaker 2: this point, like when she got showered and the people

823
00:42:30,040 --> 00:42:33,279
Speaker 2: interrogated her. I don't even know if that happened, right,

824
00:42:34,239 --> 00:42:37,719
Speaker 2: because none of this, you know, none of this is real,

825
00:42:38,160 --> 00:42:40,720
Speaker 2: at least none of this stuff that we've been seeing

826
00:42:40,760 --> 00:42:43,120
Speaker 2: so far. And it was definitely some like you know,

827
00:42:43,280 --> 00:42:47,400
Speaker 2: sixth sense fight club level, like what the fuck is

828
00:42:47,480 --> 00:42:48,040
Speaker 2: just happening?

829
00:42:48,680 --> 00:42:52,240
Speaker 3: Right, because I was like, oh, And at that moment,

830
00:42:52,280 --> 00:42:54,400
Speaker 3: I was like, this makes sense, because I was like,

831
00:42:54,560 --> 00:42:59,440
Speaker 3: this is out of Ezekiel's whole ass character, Like he.

832
00:42:59,440 --> 00:43:02,320
Speaker 8: Wouldn't ever do anything like this, not the fact that

833
00:43:02,360 --> 00:43:05,680
Speaker 8: he wouldn't find her, but because of his personality is

834
00:43:05,680 --> 00:43:09,880
Speaker 8: such a peaceful spirit, Like I don't see him doing

835
00:43:09,920 --> 00:43:10,399
Speaker 8: something like.

836
00:43:10,360 --> 00:43:12,040
Speaker 4: That unless he was forced toward something.

837
00:43:12,200 --> 00:43:14,920
Speaker 2: Yeah, we've never seen this word, even when Zeke was

838
00:43:14,960 --> 00:43:17,359
Speaker 2: like mad as hell at the Hilltop and Carol broke

839
00:43:17,440 --> 00:43:19,839
Speaker 2: up with him and he, you know, realized he had

840
00:43:19,920 --> 00:43:21,560
Speaker 2: thyroid cancer and depressed.

841
00:43:21,840 --> 00:43:24,640
Speaker 1: Yeah, he wasn't out here just fucking welling on people.

842
00:43:26,440 --> 00:43:29,920
Speaker 2: And so it seems that something inside of Princess, as

843
00:43:29,960 --> 00:43:32,200
Speaker 2: a protection mechanism or whatever.

844
00:43:32,920 --> 00:43:35,160
Speaker 1: Seized on Ezekiel as just like.

845
00:43:36,760 --> 00:43:40,040
Speaker 2: I don't know, almost guardian angel or something, this part

846
00:43:40,080 --> 00:43:41,759
Speaker 2: of her that gets to do the things that's gonna

847
00:43:41,800 --> 00:43:44,840
Speaker 2: take for her to survive. And he was beating the

848
00:43:44,880 --> 00:43:46,240
Speaker 2: shit out of that dude there.

849
00:43:47,680 --> 00:43:51,680
Speaker 1: So then she backs off of the man slowly.

850
00:43:52,080 --> 00:43:54,759
Speaker 2: She gets his gun, runs outside to the train yard,

851
00:43:54,840 --> 00:43:57,479
Speaker 2: tries to escape. She can't get the gun through the gate,

852
00:43:57,520 --> 00:43:59,520
Speaker 2: with her, and then she crawls back and then she

853
00:43:59,560 --> 00:44:03,840
Speaker 2: starts and she starts guilt tripping, thinking about leaving everyone behind.

854
00:44:04,600 --> 00:44:08,400
Speaker 2: And that's when fake Zeke comes back with two zombie

855
00:44:08,440 --> 00:44:13,839
Speaker 2: train conductor pals somebody and tells her to basically leave

856
00:44:13,880 --> 00:44:17,560
Speaker 2: everybody behind, and princess like, but if I leave everybody,

857
00:44:17,640 --> 00:44:20,040
Speaker 2: I'm gonna be just like my mom, but just like her.

858
00:44:20,280 --> 00:44:22,000
Speaker 2: And he was like, that's right, you'll be just like

859
00:44:22,080 --> 00:44:25,000
Speaker 2: your mom. And she was like she was a survivor

860
00:44:25,480 --> 00:44:27,800
Speaker 2: and he's like, yep, and she was like, but also,

861
00:44:28,160 --> 00:44:30,160
Speaker 2: you know, she let you know, that's the man that

862
00:44:30,560 --> 00:44:34,560
Speaker 2: let that man be her. So she doesn't want to

863
00:44:34,600 --> 00:44:37,279
Speaker 2: really be like her mom and leave them behind. So

864
00:44:37,320 --> 00:44:40,200
Speaker 2: she goes back into the train where she had the

865
00:44:40,280 --> 00:44:46,640
Speaker 2: d tied up and it has another talk with him,

866
00:44:47,360 --> 00:44:48,319
Speaker 2: and he's still there.

867
00:44:48,560 --> 00:44:50,359
Speaker 1: You know, like that that part is real.

868
00:45:00,760 --> 00:45:02,120
Speaker 9: I don't know my own strength.

869
00:45:02,160 --> 00:45:07,839
Speaker 1: Sometimes she beat the ship out this man. She's like,

870
00:45:08,400 --> 00:45:10,239
Speaker 1: my bad, Okay.

871
00:45:10,040 --> 00:45:12,319
Speaker 4: I did not realize I got turn to she hulk,

872
00:45:12,320 --> 00:45:13,000
Speaker 4: I apologize.

873
00:45:13,080 --> 00:45:14,719
Speaker 2: Let me come in here with my wife holding my

874
00:45:14,800 --> 00:45:16,719
Speaker 2: hand and tell you I'll let you down.

875
00:45:16,880 --> 00:45:19,120
Speaker 1: Yes, the community, so we let you down.

876
00:45:19,160 --> 00:45:22,279
Speaker 4: It's a couple you're talking to now no one.

877
00:45:22,600 --> 00:45:27,239
Speaker 2: So he saw her talking to fake fake Ezekiel, and

878
00:45:27,280 --> 00:45:29,960
Speaker 2: he's like, I know, this motherfucker is crazy.

879
00:45:30,520 --> 00:45:31,440
Speaker 1: I don't like.

880
00:45:32,160 --> 00:45:35,960
Speaker 11: Is she talking to me? Is she talking to somebody else?

881
00:45:36,200 --> 00:45:40,040
Speaker 11: I don't know because she ain't all there. And she

882
00:45:40,160 --> 00:45:44,360
Speaker 11: got that crazy strip.

883
00:45:41,880 --> 00:45:48,120
Speaker 1: Oh you crazy I have.

884
00:45:57,520 --> 00:46:01,239
Speaker 3: I'm not crazy if that's what you're thinking. I mean,

885
00:46:01,320 --> 00:46:04,640
Speaker 3: there's the ADHD, the anxiety, the PTSD, the depression on,

886
00:46:04,680 --> 00:46:07,200
Speaker 3: the crushing loneliness, and the active imagination.

887
00:46:06,760 --> 00:46:07,920
Speaker 4: That helps me cope with all of that.

888
00:46:08,000 --> 00:46:13,560
Speaker 3: But Lake, maybe that's the only same response to an

889
00:46:13,600 --> 00:46:14,480
Speaker 3: insane world.

890
00:46:14,960 --> 00:46:15,720
Speaker 4: You know what I'm saying.

891
00:46:18,760 --> 00:46:22,000
Speaker 1: She got that gun, so yes, I know what you're saying.

892
00:46:23,880 --> 00:46:24,960
Speaker 4: We are all in agreeants.

893
00:46:26,040 --> 00:46:31,839
Speaker 3: Small dark spaces just do bad things to my head because.

894
00:46:36,200 --> 00:46:39,080
Speaker 5: Well I don't like, but who does, right, So screw

895
00:46:39,160 --> 00:46:40,279
Speaker 5: you for judging.

896
00:46:41,760 --> 00:46:42,440
Speaker 1: To say anything.

897
00:46:44,560 --> 00:46:46,640
Speaker 4: I'm just seeing a stone trooper uniform, ma'am.

898
00:46:46,719 --> 00:46:51,000
Speaker 2: Ma'am, I just I'm gonna get fired. I'm already late.

899
00:46:50,800 --> 00:46:52,120
Speaker 4: For my shift, ma'am.

900
00:46:52,160 --> 00:46:55,440
Speaker 3: I The only protection I had against your fist was

901
00:46:55,480 --> 00:47:00,000
Speaker 3: this paper thing, that color uniform.

902
00:47:00,160 --> 00:47:01,960
Speaker 2: Right, I don't want I don't want to mess anything else.

903
00:47:01,960 --> 00:47:02,319
Speaker 8: Over here.

904
00:47:03,000 --> 00:47:03,879
Speaker 6: You won't put nothing.

905
00:47:05,680 --> 00:47:07,560
Speaker 3: I'm gonna hold onto it just a little longer if

906
00:47:07,560 --> 00:47:08,720
Speaker 3: it's all the same to you.

907
00:47:10,200 --> 00:47:11,080
Speaker 1: That baby laugh.

908
00:47:11,160 --> 00:47:13,680
Speaker 2: When I heard her the first time, it's so funny

909
00:47:13,680 --> 00:47:16,400
Speaker 2: because like he's talking about his fucking assault rifle.

910
00:47:16,880 --> 00:47:18,400
Speaker 1: She's like, I'm gonna just hold on to it for

911
00:47:18,440 --> 00:47:18,919
Speaker 1: a little while.

912
00:47:19,000 --> 00:47:21,400
Speaker 2: So I'm saying you like it's so polite, but at

913
00:47:21,400 --> 00:47:23,799
Speaker 2: the same time, like she literally just whooped his ass

914
00:47:23,800 --> 00:47:24,960
Speaker 2: and now she got his gun.

915
00:47:25,600 --> 00:47:26,040
Speaker 4: Mm hmm.

916
00:47:27,320 --> 00:47:27,600
Speaker 5: Can you.

917
00:47:30,560 --> 00:47:33,600
Speaker 2: Oh, so you ask her to uncomfort him? She does that,

918
00:47:35,800 --> 00:47:37,360
Speaker 2: and then they start.

919
00:47:37,440 --> 00:47:38,799
Speaker 1: She's basically he's on some.

920
00:47:39,000 --> 00:47:42,040
Speaker 2: Like I'm a grunt. I'm gonna get fired for this ship.

921
00:47:42,200 --> 00:47:44,840
Speaker 2: I fucked up even letting you get to drop on me.

922
00:47:47,160 --> 00:47:49,840
Speaker 2: And she's like, well, it's gotta be some kind of

923
00:47:49,880 --> 00:47:52,160
Speaker 2: way we can compromise, you know.

924
00:47:53,120 --> 00:47:56,359
Speaker 4: Like he looking like, look, I just I'm just the

925
00:47:56,360 --> 00:47:57,640
Speaker 4: persson to bring the meals, ma'am.

926
00:47:57,840 --> 00:48:00,480
Speaker 1: Right. He's like, I'm essentially a waiter with a gun.

927
00:48:00,760 --> 00:48:04,439
Speaker 2: Yeah, and you done beat my ass And I'm I'm

928
00:48:04,480 --> 00:48:05,520
Speaker 2: already on probation.

929
00:48:06,440 --> 00:48:09,120
Speaker 1: This is my first ninety days, right, I.

930
00:48:09,040 --> 00:48:10,920
Speaker 4: Don't already got three occurrences.

931
00:48:10,960 --> 00:48:13,759
Speaker 2: One more on on five, right, she uh, well, she

932
00:48:13,880 --> 00:48:17,120
Speaker 2: uncufsomed the splinter comes out of her finger, and then

933
00:48:17,360 --> 00:48:22,080
Speaker 2: she also thanks him for not screaming and feels bad

934
00:48:22,120 --> 00:48:24,239
Speaker 2: that he's gonna get in trouble for this, and so

935
00:48:24,280 --> 00:48:25,520
Speaker 2: they come up with this compromise.

936
00:48:25,560 --> 00:48:27,960
Speaker 1: She's like, what if I answered some of your boss's.

937
00:48:27,680 --> 00:48:33,400
Speaker 2: Questions and then you know we can you know we

938
00:48:33,440 --> 00:48:34,279
Speaker 2: can go from there.

939
00:48:34,560 --> 00:48:38,840
Speaker 4: Exactly for me, you're really gonna get busted for this home.

940
00:48:42,640 --> 00:48:48,520
Speaker 5: Worse for you, you're gonna have to explain this.

941
00:48:49,040 --> 00:48:49,759
Speaker 10: I'll figure it out.

942
00:48:51,560 --> 00:48:52,520
Speaker 6: Give me the reson.

943
00:48:56,080 --> 00:48:58,680
Speaker 4: I can tell them. Maybe that's sometimes I have to take.

944
00:49:00,200 --> 00:49:02,480
Speaker 1: Maybe you can explain to them that you slipped.

945
00:49:02,560 --> 00:49:05,000
Speaker 6: No, no, no, I screwed up. I have to face

946
00:49:05,080 --> 00:49:08,040
Speaker 6: the consequences. Okay, And you and your friends, God bless you,

947
00:49:08,080 --> 00:49:09,560
Speaker 6: good luck. You have to go back to whatever sheity

948
00:49:09,600 --> 00:49:11,000
Speaker 6: corner of the world you came from.

949
00:49:11,400 --> 00:49:13,120
Speaker 4: There's gotta be a way we can help each other out.

950
00:49:18,160 --> 00:49:18,800
Speaker 6: I'm listening.

951
00:49:20,160 --> 00:49:23,960
Speaker 5: What if I answer your boss's questions.

952
00:49:23,960 --> 00:49:27,200
Speaker 4: So she really may have seen them.

953
00:49:27,520 --> 00:49:31,120
Speaker 2: I can work with them, all right, So what I

954
00:49:31,120 --> 00:49:36,440
Speaker 2: thought was interesting. Here he touches his walkie talkie and

955
00:49:36,520 --> 00:49:40,000
Speaker 2: it makes a little beep, right, before she answers his questions,

956
00:49:42,440 --> 00:49:50,480
Speaker 2: or maybe it's right after she answers the questions, and uh, yeah, yeah,

957
00:49:50,520 --> 00:49:52,800
Speaker 2: right before she answers the questions, and so she gives

958
00:49:52,840 --> 00:49:54,759
Speaker 2: the answers the best she can because she don't really

959
00:49:54,800 --> 00:49:57,920
Speaker 2: know these people that well, Uh she's from Pittsburgh by

960
00:49:57,920 --> 00:50:02,160
Speaker 2: way of San Juan, and yeah.

961
00:50:01,920 --> 00:50:02,839
Speaker 1: She knows all their names.

962
00:50:02,880 --> 00:50:05,800
Speaker 2: Blah blah blah, and he says, see, the rules are simple.

963
00:50:06,040 --> 00:50:07,680
Speaker 2: You just need to know that you were willing to

964
00:50:07,680 --> 00:50:10,600
Speaker 2: play ball. She asked, when can she see her friends?

965
00:50:10,600 --> 00:50:12,759
Speaker 2: He says right now. He opens up.

966
00:50:12,800 --> 00:50:15,319
Speaker 1: He bangs on the door and says, I got her,

967
00:50:15,400 --> 00:50:17,080
Speaker 1: let's go. And then they open up the.

968
00:50:17,040 --> 00:50:23,319
Speaker 2: Door and you could see Umicole, Eugene, and Ezekiel all

969
00:50:24,040 --> 00:50:27,480
Speaker 2: standing there under arm guard with bags over their heads.

970
00:50:27,840 --> 00:50:29,600
Speaker 2: And then she goes, no, wait a minute, and then

971
00:50:30,160 --> 00:50:32,320
Speaker 2: he puts a bag over her head and that's the

972
00:50:32,400 --> 00:50:33,200
Speaker 2: end of the episode.

973
00:50:33,320 --> 00:50:36,080
Speaker 3: Yes, And I think it was one of those things

974
00:50:36,080 --> 00:50:38,120
Speaker 3: where they followed her the whole time, like they was like,

975
00:50:38,200 --> 00:50:39,919
Speaker 3: let's see what she's going to do.

976
00:50:40,320 --> 00:50:42,360
Speaker 2: I don't think she ever left that plane, so I

977
00:50:42,360 --> 00:50:44,680
Speaker 2: don't even know, Like the only time she left I

978
00:50:44,680 --> 00:50:46,560
Speaker 2: guess was when she got his gun.

979
00:50:47,719 --> 00:50:48,960
Speaker 4: They probably allowed her to do it.

980
00:50:49,000 --> 00:50:49,120
Speaker 5: Well.

981
00:50:49,160 --> 00:50:51,719
Speaker 2: My thing is, I wonder if it was when he

982
00:50:52,200 --> 00:50:55,439
Speaker 2: hit that button on the walkie talkie that made them

983
00:50:55,440 --> 00:50:56,279
Speaker 2: know to show up.

984
00:50:57,200 --> 00:50:59,520
Speaker 1: I think, like, hey, okay, I got like they did.

985
00:50:59,520 --> 00:51:01,680
Speaker 2: They just say, each person in there to do whatever

986
00:51:01,680 --> 00:51:05,200
Speaker 2: they do, talk to the folks, and then they all coordinate,

987
00:51:05,280 --> 00:51:07,680
Speaker 2: all right, let's uh, let's meet outside. And she was

988
00:51:07,719 --> 00:51:08,720
Speaker 2: the last one or something.

989
00:51:08,760 --> 00:51:10,520
Speaker 4: I think she I think she was the last one.

990
00:51:10,640 --> 00:51:11,839
Speaker 1: Yeah, something like that.

991
00:51:11,960 --> 00:51:13,839
Speaker 2: So maybe we'll find out a little bit more about

992
00:51:13,880 --> 00:51:18,000
Speaker 2: that process either next season or you know, the later

993
00:51:18,120 --> 00:51:22,880
Speaker 2: on in this these little separate episodes. But it was

994
00:51:22,960 --> 00:51:26,399
Speaker 2: definitely well acted and all this stuff. But like I said,

995
00:51:26,560 --> 00:51:28,439
Speaker 2: I think I'm just getting a little tired of all

996
00:51:28,520 --> 00:51:31,080
Speaker 2: the stories a bottleneck because of the pandemic, and so

997
00:51:31,160 --> 00:51:35,560
Speaker 2: it's like, sure, it's an eye opening look into Princess,

998
00:51:35,600 --> 00:51:39,320
Speaker 2: a character that probably wouldn't have got this treatment throughout

999
00:51:39,360 --> 00:51:40,880
Speaker 2: the last season or whatever.

1000
00:51:40,960 --> 00:51:41,920
Speaker 1: I get that, But.

1001
00:51:43,840 --> 00:51:46,280
Speaker 2: I was hyped to see more like the inner workings

1002
00:51:46,320 --> 00:51:47,319
Speaker 2: of the community.

1003
00:51:47,480 --> 00:51:51,320
Speaker 1: Who was the leader? What what Eugeneie Stephanie.

1004
00:51:51,400 --> 00:51:52,960
Speaker 3: Now, I don't think we're gonna get that until they

1005
00:51:53,000 --> 00:51:55,640
Speaker 3: come back from me too, me too, because like I said,

1006
00:51:56,320 --> 00:51:58,759
Speaker 3: those are the things we would have started off running with,

1007
00:51:58,960 --> 00:52:01,239
Speaker 3: because you know, it's sounds like we're going to go

1008
00:52:01,280 --> 00:52:04,480
Speaker 3: to a community, which means a lot of people in

1009
00:52:04,520 --> 00:52:07,000
Speaker 3: an enclosed space, which means they was like, nah, we

1010
00:52:07,040 --> 00:52:07,960
Speaker 3: can't do this with cold And.

1011
00:52:08,000 --> 00:52:13,279
Speaker 2: I think they were clearly under observation obviously, But the

1012
00:52:13,520 --> 00:52:17,280
Speaker 2: limits of observation I do wonder, because are we saying

1013
00:52:17,400 --> 00:52:20,080
Speaker 2: they were under observation? And then they let her beat

1014
00:52:20,080 --> 00:52:23,400
Speaker 2: the shit out of this dude, get his gun, almost

1015
00:52:23,480 --> 00:52:26,480
Speaker 2: leave the train yard, and they still was like, Oh,

1016
00:52:26,520 --> 00:52:29,879
Speaker 2: she'll come back, It'll be staying there, lay down, it'll

1017
00:52:29,880 --> 00:52:30,360
Speaker 2: be fine.

1018
00:52:30,560 --> 00:52:30,759
Speaker 1: You know.

1019
00:52:30,920 --> 00:52:34,520
Speaker 2: Like at some point I would like, if they were

1020
00:52:34,600 --> 00:52:38,120
Speaker 2: under very close supervision, I would imagine somebody would be like, no,

1021
00:52:38,600 --> 00:52:41,239
Speaker 2: she didn't pass a test, like you know what I mean,

1022
00:52:41,360 --> 00:52:43,759
Speaker 2: like clearly, like what are we gonna let her do?

1023
00:52:43,960 --> 00:52:44,160
Speaker 1: You know?

1024
00:52:44,320 --> 00:52:45,799
Speaker 2: Like how far are we gonna let her go with

1025
00:52:45,880 --> 00:52:49,439
Speaker 2: this weapon and all this shit? So maybe the test

1026
00:52:49,480 --> 00:52:51,239
Speaker 2: is to see if you leave your friends behind, or

1027
00:52:52,360 --> 00:52:55,000
Speaker 2: if you really are a group, and or if you

1028
00:52:55,040 --> 00:52:57,719
Speaker 2: know how valid you get, cause I'm like, it's still

1029
00:52:57,719 --> 00:52:59,319
Speaker 2: a knife on the end of that gun. Even if

1030
00:52:59,360 --> 00:53:01,560
Speaker 2: it wasn't loaded, she could fucking stab that in the

1031
00:53:01,640 --> 00:53:04,640
Speaker 2: neck and kill him. Like they're lucky Carroll didn't come

1032
00:53:04,640 --> 00:53:07,160
Speaker 2: on this trip. Oh oh, he'd have been good as dead.

1033
00:53:08,080 --> 00:53:10,120
Speaker 3: And I do think, which I didn't catch with the

1034
00:53:10,160 --> 00:53:13,080
Speaker 3: walkie talkie, I do think that the signal where the

1035
00:53:13,080 --> 00:53:15,000
Speaker 3: waukie talkie was for the rest of the.

1036
00:53:15,000 --> 00:53:16,560
Speaker 4: Group to come come over he took.

1037
00:53:16,640 --> 00:53:19,280
Speaker 3: I think she was the last one, and I think

1038
00:53:19,320 --> 00:53:22,120
Speaker 3: that he didn't do it until she Basically when she

1039
00:53:22,200 --> 00:53:24,719
Speaker 3: came back, he was like okay, and he talked her down.

1040
00:53:25,239 --> 00:53:27,600
Speaker 4: He's like, okay, now we can go yep.

1041
00:53:27,680 --> 00:53:29,839
Speaker 1: So that's it. What do you look forward to next week?

1042
00:53:29,880 --> 00:53:32,000
Speaker 1: It was like some Carol and Daryl stuff.

1043
00:53:32,680 --> 00:53:35,200
Speaker 4: Yeah, to see what's going on with them.

1044
00:53:36,120 --> 00:53:38,120
Speaker 3: I actually wanted to see, even I don't know if

1045
00:53:38,120 --> 00:53:40,600
Speaker 3: we're gonna get it or not, see what's happening with Oceanside,

1046
00:53:40,920 --> 00:53:43,600
Speaker 3: because you know, people are at ocean Side and we're

1047
00:53:43,680 --> 00:53:47,040
Speaker 3: not even talking or discussing them. My I actually want

1048
00:53:47,080 --> 00:53:49,000
Speaker 3: to see the new community, but like I said, I

1049
00:53:49,000 --> 00:53:51,040
Speaker 3: don't think that's something we're gonna get to, like later

1050
00:53:51,120 --> 00:53:54,960
Speaker 3: later on down the line, to see he was up

1051
00:53:55,000 --> 00:53:59,160
Speaker 3: with Maggie and all them with her, you know, joining

1052
00:53:59,200 --> 00:54:02,279
Speaker 3: the community and how you know, the handful of people

1053
00:54:02,280 --> 00:54:05,880
Speaker 3: that she came with have their getting adjusted to the community.

1054
00:54:05,960 --> 00:54:09,000
Speaker 3: Is there going to be any conflict or anything between

1055
00:54:09,320 --> 00:54:15,120
Speaker 3: not Maggie, but Maggie's grouping them between Maggie and Nagan

1056
00:54:15,400 --> 00:54:17,200
Speaker 3: on to see what happens with that. So it's going

1057
00:54:17,280 --> 00:54:21,400
Speaker 3: to be interesting to see what happens and where it

1058
00:54:21,400 --> 00:54:21,919
Speaker 3: goes from here.

1059
00:54:22,640 --> 00:54:24,600
Speaker 1: Yeah, I'm looking forward to everything you just said.

1060
00:54:24,880 --> 00:54:31,319
Speaker 2: I think, uh, the last two episodes, one's name diverged,

1061
00:54:32,560 --> 00:54:35,520
Speaker 2: so we'll see what that's about. And then the last

1062
00:54:35,520 --> 00:54:37,840
Speaker 2: one is here is Megan, So I'm wondering if that

1063
00:54:38,040 --> 00:54:41,480
Speaker 2: if that's gonna be Anagan centric ending to the season.

1064
00:54:41,640 --> 00:54:42,680
Speaker 4: Oh so that's the last one.

1065
00:54:43,120 --> 00:54:44,160
Speaker 1: We only got two more left?

1066
00:54:44,480 --> 00:54:47,200
Speaker 4: Oh wow, because six.

1067
00:54:47,120 --> 00:54:50,520
Speaker 2: And we watched for Yeah, so this thing is almost

1068
00:54:50,640 --> 00:54:52,200
Speaker 2: these bonus episodes is almost over.

1069
00:54:52,200 --> 00:54:53,720
Speaker 1: We got two more weeks of walking their.

1070
00:54:53,560 --> 00:54:56,880
Speaker 4: Reviews and Break to Fear.

1071
00:54:56,680 --> 00:55:01,399
Speaker 2: And yeah and Fears behind the Paywall, you know. So yeah,

1072
00:55:01,480 --> 00:55:04,160
Speaker 2: that's it man, Thank you all for listening. We'll be

1073
00:55:04,239 --> 00:55:09,520
Speaker 2: back Saturday for feedback show. Sunday, our guest is gonna

1074
00:55:09,520 --> 00:55:15,400
Speaker 2: be Roy Wood Junior. Heay looking forward to that, and

1075
00:55:15,920 --> 00:55:19,680
Speaker 2: of course balls Deep pre gave us tomorrow NERD Office Friday,

1076
00:55:19,800 --> 00:55:22,239
Speaker 2: so you know, if your premium the show goes on

1077
00:55:22,680 --> 00:55:25,480
Speaker 2: until then the first time we had the show under

1078
00:55:25,520 --> 00:55:27,040
Speaker 2: hour in a minute until then.

1079
00:55:27,120 --> 00:55:28,240
Speaker 4: I love you.

1080
00:55:28,280 --> 00:55:28,480
Speaker 5: Why