WEBVTT - Brian Tyree Henry / "If Beale Street Could Talk" & "Widows"

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<v Speaker 1>You're listening to playback a Variety I Heart Radio podcast.

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<v Speaker 1>I'm your host, Variety Awards editor Chris Tapley. This week,

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<v Speaker 1>I'm talking to an actor named Brian Tyree. Henry Brian

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<v Speaker 1>is one of my favorite actors working right now. You

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<v Speaker 1>probably know him from TV's Atlanta, plays paper Boy on

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<v Speaker 1>the show Emmy nominee, but he's all over the place

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<v Speaker 1>this year. In addition to that, on the big screen.

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<v Speaker 1>He's in White Boy, Rick, He's in Widows, He's in

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<v Speaker 1>Barry Jenkins. If Beal Street could talk, where he delivers

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<v Speaker 1>one of the finest performances of the year, and it's

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<v Speaker 1>he's literally in it for ten minutes. And he's a

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<v Speaker 1>voice in Spiderman into the spider Verse, which is out

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<v Speaker 1>now as well. Uh, you know, this podcast is landing

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<v Speaker 1>in that lull between OSCAR voting concluding and the nominations

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<v Speaker 1>which will be announced next week. And look, if I

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<v Speaker 1>had like a plea for the universe, it would be

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<v Speaker 1>that this guy would somehow slide in for his work.

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<v Speaker 1>Nfbl Street could talk the longest of long shots, but

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<v Speaker 1>strange things have happened. We got Michael Shannon that popped

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<v Speaker 1>in for Revolutionary Road a few years back. I don't

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<v Speaker 1>think many people saw like Maggie Jillenhall coming for Crazy Heart,

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<v Speaker 1>for instance, so you never know, uh, but I'm telling

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<v Speaker 1>you that he blew my mind. It's one of the

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<v Speaker 1>most electric things I've seen on a big screen this year,

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<v Speaker 1>and I was so stoked to finally catch up to him.

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<v Speaker 1>So here's my conversation with Brian. You can see all

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<v Speaker 1>the traffic here exactly and see what rights the end

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<v Speaker 1>of the day, and and it's not it's like I know,

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<v Speaker 1>I know, I'm trying to figure out l A traffic

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<v Speaker 1>and I'm like, so it's all the time basically from

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<v Speaker 1>two o'clock. Ye Hawaii man, it's kind of like all

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<v Speaker 1>my inspired stuff right now. Chicken us Yeah, there No.

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<v Speaker 1>I was filming um Godzilla Versus calling in for a

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<v Speaker 1>week and a half and so like I was able

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<v Speaker 1>to like rowing around and like you'd like to see

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<v Speaker 1>the locals and like chills the chickens because there were

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<v Speaker 1>five chickens that just run around and I was like, oh,

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<v Speaker 1>this is great, this is really dope. It was like

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<v Speaker 1>it's a chicken next in my car. There was one

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<v Speaker 1>point I was trying to get in my car and

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<v Speaker 1>there was like literally like five chickens behind my car

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<v Speaker 1>and like they were like crowing, and I was terrified

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<v Speaker 1>to get in my car because it was like, that's

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<v Speaker 1>a game and I'm not gonna mess with the chicken

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<v Speaker 1>at all. Like the roosters and stuff to wake you

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<v Speaker 1>up like five in the morning, they're ready to party. Yeah,

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<v Speaker 1>Kawaii has them all over the place. I know, I did.

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<v Speaker 1>I did not know that was gonna happen. But there

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<v Speaker 1>was one point on the island and the chickens. There

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<v Speaker 1>were chickens and straight hats and like they got along. Like.

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<v Speaker 1>I was like, so the cats aren't gonna like it's

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<v Speaker 1>like free game West Side Story. Yeah, I was like, Oh,

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<v Speaker 1>they actually like respect each other. That's funny. We're rolling

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<v Speaker 1>all right, Okay everyone, I'm here today with Brian Tyree Henry.

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<v Speaker 1>He's a star of about thirty five movies this year.

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<v Speaker 1>I mean, we're gonna talk about all he's all over

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<v Speaker 1>the place. You know him from Atlanta for sure. Uh,

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<v Speaker 1>he's in movies. White Boy. Rick Widows of Beal Street

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<v Speaker 1>can talk Spider Man into the spider Verse, which is

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<v Speaker 1>blowing up the pot. The almost called it the podcast podcast.

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<v Speaker 1>I got the podcast on my box office right now.

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<v Speaker 1>People are loving that movie. That movie is awesome. But anyway,

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<v Speaker 1>thank you for coming on the show, and of course

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<v Speaker 1>I really appreciate. It's good to be here. Man. Um.

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<v Speaker 1>Before I get to some of that stuff, I just

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<v Speaker 1>want to talk about where you came from. I mean, Fayetteville.

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<v Speaker 1>It's my neck of the woods, really believe it or not. Yeah, yeah,

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<v Speaker 1>I met. My whole family is from the east side

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<v Speaker 1>of North Carolina, north of Charlotte. Yeah, so you know

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<v Speaker 1>all about cook and all that good stuff. I'll say.

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<v Speaker 1>I was like, yeah, I missed those. Um. Yeah, man,

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<v Speaker 1>that's home born and raised. For the most part, I

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<v Speaker 1>spent time in Faytteville. I was born in Cape Valley

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<v Speaker 1>Hospital in uh Fayeville, North Carolina, and then I spent

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<v Speaker 1>a bit poor part of my life in Washington, d C.

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<v Speaker 1>As well. So like all my sisters and my niece

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<v Speaker 1>and nephews are all there in d C and UH,

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<v Speaker 1>but Fayetville, North Carolina is definitely home. That's that's the hometown.

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<v Speaker 1>And then morehouse. So we were probably passing each other

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<v Speaker 1>on five dude, but were like living next to each

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<v Speaker 1>other what we find out we were like neighbors and

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<v Speaker 1>like in the same ap class. Um, yeah, man in Atlanta, Georgia.

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<v Speaker 1>Man still home to me too, And I love Atlanta

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<v Speaker 1>so much. So that's what it's so great to be

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<v Speaker 1>able to do Atlanta. It's like, oh, like the even

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<v Speaker 1>the title of the show, I was like, oh, yeah,

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<v Speaker 1>this is definitely gonna be one of the best times

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<v Speaker 1>in my life because Atlanta was the best time in

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<v Speaker 1>my life. Like it's where I basically discovered that this

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<v Speaker 1>is what I wanted to do. Tell me about that.

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<v Speaker 1>What was that like discovery? Like for you was it early?

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<v Speaker 1>You know what I mean? Like people always ask about

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<v Speaker 1>I always want to be an actor, and if that

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<v Speaker 1>was something I want to do, it wasn't you know,

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<v Speaker 1>Like for me, it seemed like something very unobtainable, you know,

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<v Speaker 1>like because you know, I grew up in front of

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<v Speaker 1>the television, Like the television pretty much raised me, you know,

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<v Speaker 1>Like I was in a house full of adults, so

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<v Speaker 1>pretty much was left to my own devices. And that

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<v Speaker 1>device happened to be the television and the remote control

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<v Speaker 1>and so um, I didn't see me up there, you know,

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<v Speaker 1>I didn't really see any any anybody that like was

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<v Speaker 1>from like a little podunt town, like not that Famil's product.

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<v Speaker 1>I don't need you An'll screaming at me and here

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<v Speaker 1>this um but you know, like a little town, um

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<v Speaker 1>well in a little city that that represented me, that

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<v Speaker 1>that you know, had the upbring that I had, or

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<v Speaker 1>like told the stories that I saw happening in front

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<v Speaker 1>of me. So acting wasn't anything I thought I was

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<v Speaker 1>gonna do, but it was like a mote of survival,

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<v Speaker 1>you know what I mean, because like here I have

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<v Speaker 1>all these adults having these adult conversations and having these

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<v Speaker 1>adult things going on and then them and I just

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<v Speaker 1>always wanted to be a part of what that was.

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<v Speaker 1>So the storytelling aspect was always in me. And it

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<v Speaker 1>wasn't until I got to Morehouse that um uh. Good

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<v Speaker 1>friends of mine that I'm still friends with this day,

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<v Speaker 1>we're like, um, why are you sitting in this class?

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<v Speaker 1>I think I was like studying for business at the time,

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<v Speaker 1>and I hated it so bad, like it and it

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<v Speaker 1>was over like overbooked, you know how like classes are

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<v Speaker 1>like packed to the masses, So like there was like

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<v Speaker 1>thirty of us in desks and then thirty of us

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<v Speaker 1>standing in this classroom and I'm like by this window

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<v Speaker 1>reading the bluest Ide. I think at the time it

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<v Speaker 1>was it was an assignment that I had, and I

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<v Speaker 1>was just so into this book and like he's up

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<v Speaker 1>there talking about business law and I'm like not even

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<v Speaker 1>paying attention. And then my friends like knock on the

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<v Speaker 1>window and they're like, there's like an audition going on,

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<v Speaker 1>like you should probably come with us wiping on this

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<v Speaker 1>for this play. It's cool, let's go to spelling audition.

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<v Speaker 1>And I literally stood up in class and I was like,

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<v Speaker 1>I won't be back. I see you later. I won't

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<v Speaker 1>be back. I'm done. Uh And and I stayed there, man,

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<v Speaker 1>and uh, you know, I think that's the best part

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<v Speaker 1>about acting for me was the community I got to

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<v Speaker 1>be around my fellow freaks, you know what I mean.

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<v Speaker 1>Like I think my first class was a technical technical

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<v Speaker 1>direction and production class. You know. Um this great man

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<v Speaker 1>named Mr Thomas and he was teaching this class and

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<v Speaker 1>it was like at nine am. And I was like,

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<v Speaker 1>I don't do mornings, just like I just like I

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<v Speaker 1>don't do more, but this class I could get up for. Man,

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<v Speaker 1>like every day. I was like, yeah, this is great,

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<v Speaker 1>Like you know, you're learning about playwright and learn about directing,

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<v Speaker 1>and learning about all these plays that I didn't even

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<v Speaker 1>know about, all these black playwrights, all these Latino playwrights,

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<v Speaker 1>all these playwrights of color period. And it was really dope,

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<v Speaker 1>Like it was really dope, and so I just stuck

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<v Speaker 1>with it. And but I tell himself me to graduate.

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<v Speaker 1>My mentor of mind suggested that I auditioned for Yale

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<v Speaker 1>UM and I laughed, like I was like, I was like,

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<v Speaker 1>I don't think you see my g P A bro,

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<v Speaker 1>because like if you did, I would not you would

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<v Speaker 1>not suggest Yale. But you know, I did it, and

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<v Speaker 1>and I still can't believe I got in because I

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<v Speaker 1>at that point it was like twenty two and just

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<v Speaker 1>a knucklehead and not really knowing what I wanted to pursue. Like,

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<v Speaker 1>you know, I was all good going back home finding

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<v Speaker 1>out something to do there and being okay with that,

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<v Speaker 1>you know, but I didn't. I never had the aspiration

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<v Speaker 1>of becoming an actor until all these people around me

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<v Speaker 1>were like, this is what you should do. What was

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<v Speaker 1>like the learning curve like that? Did you take to

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<v Speaker 1>it immediately? What did it feel natural? Was it weird

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<v Speaker 1>for you? It was, you know. First of all, that

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<v Speaker 1>was I did not know where you was. I didn't

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<v Speaker 1>know it was that far north. I was like, oh, Connecticut,

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<v Speaker 1>Oh bad, that's cool, like um, and I remember they

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<v Speaker 1>invited me, you know, our acting chair Run Van lou He,

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<v Speaker 1>he invited me to come to the school and like

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<v Speaker 1>do a tour, you know. But the tour lasted for

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<v Speaker 1>like four days and um, which meant I got to

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<v Speaker 1>see like plays that were at the Yale Rep because

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<v Speaker 1>we have a repertory theater there and I got to

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<v Speaker 1>see plays at Yale Rep. But I was just such

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<v Speaker 1>a It was such a knucklehead, like I didn't know

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<v Speaker 1>any of that meant. So, like I remember there was

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<v Speaker 1>one play. I was starving and I went to like

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<v Speaker 1>this take out across the street and I got fried

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<v Speaker 1>chicken wings and like French fries, and I took it

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<v Speaker 1>into the theater and this is where they're doing like

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<v Speaker 1>a classical, like I think, I don't even remember. It

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<v Speaker 1>was like oh my god, and I sat in the

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<v Speaker 1>back row and I was just eating in the theater

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<v Speaker 1>like I didn't know any etiquette. I didn't know anything.

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<v Speaker 1>I stunk up the whole theater with this one oh

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<v Speaker 1>my god, it was so stupid. Yeah, I was like,

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<v Speaker 1>this is what it is, and that that was the

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<v Speaker 1>thing that I loved about Yelle is that it allowed

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<v Speaker 1>me to really be me, you know, like I I

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<v Speaker 1>was able to keep a sense of self when I

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<v Speaker 1>got there, and that was like one of the one

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<v Speaker 1>things I told myself. I was like, Okay, you're at

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<v Speaker 1>this IVY League, You're at this prestigious school, which you know,

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<v Speaker 1>I'm very naive, Like I like my naive take kind

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<v Speaker 1>of saved my life sometimes. So like I didn't research,

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<v Speaker 1>you know, fellow alumni. I didn't research anything before I

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<v Speaker 1>went there. I was just like, let me just go

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<v Speaker 1>check this out. If they really think I belong here,

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<v Speaker 1>then let me see. Uh. So when I was going there,

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<v Speaker 1>for the first few months, I didn't know anything about

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<v Speaker 1>their alum Like, you know, I didn't know that Courtney b.

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<v Speaker 1>Vans and Angel Bassett went there. You know, I didn't

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<v Speaker 1>know that Paul Giamati and Meryl Streep party like just

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<v Speaker 1>the legacy of great actors had come out of that school.

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<v Speaker 1>So then I kind of like got really nervous. I

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<v Speaker 1>was like I was really an impostor syndrome mode, Like

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<v Speaker 1>are y'all sure that you want me here, like, because

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<v Speaker 1>I don't really see a person like me here, Like

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<v Speaker 1>you know, I was like still walking around with the

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<v Speaker 1>wallet chain, you know what I mean, like run over

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<v Speaker 1>Chucks and you know, just being like just this guy.

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<v Speaker 1>And and you know, manche was very very adamant that

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<v Speaker 1>this is where I belonged, and uh, it was one

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<v Speaker 1>of the best times. It was the hardest thing I've

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<v Speaker 1>ever done. It was like, it definitely was the hardest

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<v Speaker 1>program I've never been a part of. But it was

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<v Speaker 1>worth every minute of it because I'm still in contact

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<v Speaker 1>with that community, like I was always in the theater

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<v Speaker 1>management office or like stealing snacks from like the designers

0:10:53.600 --> 0:10:55.680
<v Speaker 1>in their office, and and like, you know, it was

0:10:55.720 --> 0:10:58.960
<v Speaker 1>just it just it cultivated the community that I'm so

0:10:59.040 --> 0:11:01.080
<v Speaker 1>grateful and part of because I wouldn't be sitting here

0:11:01.120 --> 0:11:03.360
<v Speaker 1>without it. Like, honestly, when did you get the confidence?

0:11:03.400 --> 0:11:08.680
<v Speaker 1>When did it? Finally? I don't know. There's there's something

0:11:08.720 --> 0:11:11.160
<v Speaker 1>about man I can't explain it. Like when I do

0:11:11.200 --> 0:11:14.680
<v Speaker 1>a play or when I'm doing theater, my favorite part

0:11:14.760 --> 0:11:16.760
<v Speaker 1>is the rehearsal, you know, like so you get like

0:11:17.320 --> 0:11:19.880
<v Speaker 1>a few weeks it's such a short amount of time,

0:11:20.200 --> 0:11:22.960
<v Speaker 1>and you're going in this room that has tape on

0:11:23.000 --> 0:11:25.400
<v Speaker 1>the floor, so that tape is supposed to be stairs,

0:11:25.400 --> 0:11:27.280
<v Speaker 1>and that tape that tape over here is supposed to

0:11:27.360 --> 0:11:29.520
<v Speaker 1>be you know, a door, and that's you know what.

0:11:29.640 --> 0:11:32.720
<v Speaker 1>You know, You're working with like raggedy tables that have

0:11:32.840 --> 0:11:35.559
<v Speaker 1>been in props for like years, and you're just discovering

0:11:35.600 --> 0:11:38.280
<v Speaker 1>stuff and you're just playing like you're literally playing. I

0:11:38.360 --> 0:11:41.160
<v Speaker 1>was like, oh, that's why they're called plays, okay, And uh,

0:11:42.080 --> 0:11:44.960
<v Speaker 1>I don't know, man, It's like there's a fearlessness that

0:11:45.000 --> 0:11:46.920
<v Speaker 1>comes out of it because you're up there together, you

0:11:46.960 --> 0:11:49.040
<v Speaker 1>know what I mean. You're sharing this space with somebody

0:11:49.040 --> 0:11:51.840
<v Speaker 1>else and telling the stories of somebody else, and you

0:11:52.360 --> 0:11:57.000
<v Speaker 1>get to be somebody else with somebody else at the

0:11:57.040 --> 0:12:00.200
<v Speaker 1>same time, and it's it's like it's like the one

0:12:00.320 --> 0:12:02.120
<v Speaker 1>when those lights come up. It's unlike anything in the

0:12:02.120 --> 0:12:05.520
<v Speaker 1>world because it's like I've never had stage right, like

0:12:05.760 --> 0:12:08.520
<v Speaker 1>because like when I'm playing somebody else, it's not me.

0:12:08.960 --> 0:12:11.040
<v Speaker 1>So therefore it's like, well, what do I have to

0:12:11.080 --> 0:12:13.360
<v Speaker 1>be nervous about because this is not me. I'm playing

0:12:13.400 --> 0:12:15.760
<v Speaker 1>somebody else. But it just I don't know it's just

0:12:15.840 --> 0:12:18.640
<v Speaker 1>fun and it literally it's something that I find to

0:12:18.720 --> 0:12:22.000
<v Speaker 1>be incredibly fascinating and fun. And even if you're doing

0:12:22.040 --> 0:12:24.680
<v Speaker 1>a drama, it's still fun to me because it's like, wow,

0:12:25.080 --> 0:12:28.400
<v Speaker 1>these words have to be said, like this character exists

0:12:28.440 --> 0:12:31.040
<v Speaker 1>at a point in time and you have to tell

0:12:31.080 --> 0:12:33.960
<v Speaker 1>their story like you it's so urgent. Like that's the

0:12:34.040 --> 0:12:36.320
<v Speaker 1>thing for me with acting, there's an urgency like you

0:12:36.360 --> 0:12:39.360
<v Speaker 1>have to tell this story immediately or else the lives

0:12:39.400 --> 0:12:41.959
<v Speaker 1>of someone in this story will be affected if you don't.

0:12:42.000 --> 0:12:44.240
<v Speaker 1>And it's just I don't know. I just never really

0:12:44.280 --> 0:12:46.320
<v Speaker 1>had nerves about it. It just seemed like something fun,

0:12:46.559 --> 0:12:49.880
<v Speaker 1>especially when you didn't think you would become anything, you know,

0:12:50.040 --> 0:12:52.480
<v Speaker 1>like if I got into acting to get my name

0:12:52.480 --> 0:12:55.800
<v Speaker 1>in lights, I was that's the dumbest thing ever. Like

0:12:56.200 --> 0:12:58.080
<v Speaker 1>there was a passion for it. And I know that

0:12:58.120 --> 0:13:00.960
<v Speaker 1>sounds kind of corny, but it really was. Like it

0:13:01.040 --> 0:13:03.000
<v Speaker 1>takes me at least a month and I have to

0:13:03.000 --> 0:13:05.440
<v Speaker 1>read a novel if not longer, but like if you

0:13:05.440 --> 0:13:06.960
<v Speaker 1>put a player script in front of me and I

0:13:07.000 --> 0:13:09.600
<v Speaker 1>see the dialogue and everything, it's my favorite thing. Man.

0:13:09.640 --> 0:13:11.080
<v Speaker 1>I could read it over and over and over and

0:13:11.080 --> 0:13:14.360
<v Speaker 1>over and over. Again. So yeah, I don't know, I

0:13:14.400 --> 0:13:16.319
<v Speaker 1>guess it. I guess it just came from a place

0:13:16.360 --> 0:13:22.480
<v Speaker 1>of the need to tell the story. Were speaking of Yale,

0:13:22.800 --> 0:13:24.880
<v Speaker 1>you know, Weston Duke and Lupete and Yana were you

0:13:24.880 --> 0:13:26.839
<v Speaker 1>were you guys there at the same time. They were

0:13:26.880 --> 0:13:30.760
<v Speaker 1>after me, after Yether, after me. Good good buddies of mine.

0:13:30.440 --> 0:13:33.720
<v Speaker 1>They're they're so great. There's a there's a whole gamut

0:13:33.720 --> 0:13:36.480
<v Speaker 1>of great actors coming out of Yale. Um. You know,

0:13:36.559 --> 0:13:38.640
<v Speaker 1>it's so weird because I look at them as my peers.

0:13:38.679 --> 0:13:41.200
<v Speaker 1>But I was like, damn, I feel old, like, you know,

0:13:41.240 --> 0:13:43.320
<v Speaker 1>because like we were under the same chair round Van

0:13:43.400 --> 0:13:45.960
<v Speaker 1>lou and I was his first class. I was in

0:13:46.000 --> 0:13:48.719
<v Speaker 1>the first class, so they were in the classes underneath me,

0:13:48.760 --> 0:13:52.440
<v Speaker 1>and I kind of feel like the old stage even

0:13:52.480 --> 0:13:56.120
<v Speaker 1>though these are my peers. But yeah, Yelle, it's got

0:13:56.160 --> 0:14:00.160
<v Speaker 1>some really really really great um and prolific people, you know,

0:14:00.200 --> 0:14:03.560
<v Speaker 1>to Releving McCraney was there for playwriting, and uh, you know,

0:14:03.600 --> 0:14:05.719
<v Speaker 1>there's some great directors come. I mean, it's it's it's

0:14:05.760 --> 0:14:07.839
<v Speaker 1>that place is dope. It's a dope place to go.

0:14:07.960 --> 0:14:10.360
<v Speaker 1>And also it's the best place to study because you're

0:14:10.360 --> 0:14:13.320
<v Speaker 1>in New Haven, Connecticut. There's nothing to do. They're like,

0:14:13.320 --> 0:14:15.480
<v Speaker 1>you know, like there's nowhere to go. So it's like

0:14:15.559 --> 0:14:18.320
<v Speaker 1>you're in New Haven and you better master your craft

0:14:18.320 --> 0:14:21.800
<v Speaker 1>because like you're up here in the snow and like

0:14:21.960 --> 0:14:25.440
<v Speaker 1>it's like but it's it's a great place. And it's

0:14:25.480 --> 0:14:28.280
<v Speaker 1>so nice to see us all emerging that way and

0:14:28.320 --> 0:14:30.520
<v Speaker 1>doing so well. Like it's really it's really good. I

0:14:30.520 --> 0:14:33.280
<v Speaker 1>think it's a testament to the institution, honestly, and I'm

0:14:33.320 --> 0:14:35.080
<v Speaker 1>just so glad to be great to be a part

0:14:35.120 --> 0:14:36.280
<v Speaker 1>of the number. So glad to be a part of

0:14:36.280 --> 0:14:39.040
<v Speaker 1>the Number. Man. Very cool. Well let's talk about let's

0:14:39.040 --> 0:14:41.600
<v Speaker 1>start with Spider Man. This one's out in theaters now

0:14:41.640 --> 0:14:44.120
<v Speaker 1>as well. It's just really took off at the end

0:14:44.120 --> 0:14:48.120
<v Speaker 1>of the year. I saw it, you know, December or something,

0:14:48.160 --> 0:14:49.760
<v Speaker 1>and you know, I was looking forward to it, but

0:14:49.760 --> 0:14:51.040
<v Speaker 1>I had no idea I was gonna love it as

0:14:51.080 --> 0:14:53.600
<v Speaker 1>much as Yeah. I mean, this this movie is awesome

0:14:53.600 --> 0:14:55.880
<v Speaker 1>and it's doing really well. It's winning all these critics awards,

0:14:55.960 --> 0:14:57.960
<v Speaker 1>just won the Golden Globe last Yeah, I did, man,

0:14:58.480 --> 0:15:00.640
<v Speaker 1>So I mean, being a part of this movie, I

0:15:00.680 --> 0:15:03.040
<v Speaker 1>don't think you've done have you done voice acting before?

0:15:03.080 --> 0:15:06.720
<v Speaker 1>Am I. Yeah, like I did, uh a brief episode

0:15:06.720 --> 0:15:12.080
<v Speaker 1>of BoJack horse Man. Yeah, and I think I've done,

0:15:12.600 --> 0:15:15.360
<v Speaker 1>have I done? But this was like the first emotion picture.

0:15:15.760 --> 0:15:17.760
<v Speaker 1>This is interesting too because you're playing like it's not

0:15:17.840 --> 0:15:19.720
<v Speaker 1>like you're playing like a kid, you know, like you're

0:15:19.760 --> 0:15:23.120
<v Speaker 1>playing like a real guy. It's like a very emotional part. Anyways,

0:15:23.520 --> 0:15:25.520
<v Speaker 1>So just tell me about being a part of this project.

0:15:25.560 --> 0:15:28.600
<v Speaker 1>I mean, man, I think it's it's the dream come true.

0:15:28.600 --> 0:15:30.280
<v Speaker 1>I've always wanted to be a part of the Marvel

0:15:30.440 --> 0:15:33.920
<v Speaker 1>universe in any way whatsoever, because you know, like the

0:15:33.960 --> 0:15:36.040
<v Speaker 1>Marvel Universe kind of saved my life, you know, as

0:15:36.080 --> 0:15:39.160
<v Speaker 1>a kid, and it said this day, and you know,

0:15:39.320 --> 0:15:41.520
<v Speaker 1>especially the story of Spider Man, it was like it's

0:15:41.560 --> 0:15:44.240
<v Speaker 1>really cool, like how you have this kid who's like,

0:15:44.840 --> 0:15:47.880
<v Speaker 1>you know, just ordinary kid. It's been by in Spider

0:15:47.880 --> 0:15:49.560
<v Speaker 1>and all of a sudden could do everything spiders do,

0:15:50.080 --> 0:15:51.920
<v Speaker 1>and you know, he gets a really cool outfit and

0:15:51.920 --> 0:15:54.360
<v Speaker 1>he saves the day. And what I like about this

0:15:54.400 --> 0:15:57.120
<v Speaker 1>story is that the whole theme is that anybody can

0:15:57.160 --> 0:16:00.640
<v Speaker 1>wear the mask, and that includes who look like me,

0:16:00.880 --> 0:16:04.320
<v Speaker 1>you know what I'm saying. So, um, Miles Morales, first

0:16:04.360 --> 0:16:07.600
<v Speaker 1>of all, being you know, a biracial child from Brooklyn.

0:16:07.720 --> 0:16:10.960
<v Speaker 1>You know, I'm his father, and then uh Luna Vale's

0:16:10.960 --> 0:16:15.800
<v Speaker 1>plays his mom, who is Latina, And it's really cool,

0:16:16.080 --> 0:16:19.200
<v Speaker 1>Like I mean, it's it's something that I it's so

0:16:19.280 --> 0:16:21.720
<v Speaker 1>weird how you look at something like that. Like in

0:16:21.800 --> 0:16:25.240
<v Speaker 1>my lifetime, I always just envisioned Spider Man being a

0:16:25.240 --> 0:16:28.080
<v Speaker 1>white guy. It's Peter Parker, you know, from Queen's Like

0:16:28.120 --> 0:16:32.040
<v Speaker 1>that's how it's always been. But to know that Stanley

0:16:32.080 --> 0:16:35.400
<v Speaker 1>has created this universe where anyone you can look and

0:16:35.480 --> 0:16:39.000
<v Speaker 1>be anything and be you be from anywhere and still

0:16:39.000 --> 0:16:42.320
<v Speaker 1>be a superhero is the most amazing thing in the world.

0:16:42.360 --> 0:16:45.440
<v Speaker 1>So to get the opportunity to play his father, you know,

0:16:45.520 --> 0:16:47.680
<v Speaker 1>because you also have this kid who's both of his

0:16:47.760 --> 0:16:50.080
<v Speaker 1>parents are in his life. You know, both of his

0:16:50.160 --> 0:16:53.080
<v Speaker 1>parents are like service people. You know. His mom's a doctor.

0:16:53.120 --> 0:16:54.640
<v Speaker 1>I'm a cop, you know what I mean. And it's

0:16:54.680 --> 0:16:58.200
<v Speaker 1>like it's a whole different thing. He's he's bilingual, you

0:16:58.200 --> 0:16:59.840
<v Speaker 1>know what I mean. He goes to a great school

0:16:59.880 --> 0:17:02.600
<v Speaker 1>and he's he's a great kid. He's a great kid,

0:17:03.240 --> 0:17:06.800
<v Speaker 1>and all of a sudden, it's responsibility comes, you know

0:17:06.840 --> 0:17:08.399
<v Speaker 1>what I mean, all of a sudden he becomes the

0:17:08.440 --> 0:17:12.480
<v Speaker 1>superhero and it's just I don't know, man, And they

0:17:12.560 --> 0:17:15.919
<v Speaker 1>did something very special, uh with this project, and I'm

0:17:15.960 --> 0:17:19.680
<v Speaker 1>really incredibly, incredibly grateful to be a part of it.

0:17:19.840 --> 0:17:23.399
<v Speaker 1>I didn't realize like how because I'm a huge animated dude. Okay,

0:17:23.440 --> 0:17:25.640
<v Speaker 1>Like I love I love animation, Like I will watch

0:17:25.680 --> 0:17:28.200
<v Speaker 1>it all the time, like I still watch The Simpsons

0:17:28.200 --> 0:17:29.919
<v Speaker 1>to this day, Like I mean, I would never stop

0:17:29.920 --> 0:17:33.560
<v Speaker 1>watching the Simpsons. You know, South Park, Pops Burgers, all

0:17:33.600 --> 0:17:38.360
<v Speaker 1>that stuff has been my life's blood. Like I love

0:17:38.359 --> 0:17:40.680
<v Speaker 1>it because like you don't see the person who's doing

0:17:40.720 --> 0:17:43.640
<v Speaker 1>the voice, but you gotta really make people believe that

0:17:43.720 --> 0:17:46.720
<v Speaker 1>these characters are going through it to go through. And um,

0:17:46.760 --> 0:17:49.639
<v Speaker 1>I will say that this movie is doing something I

0:17:49.680 --> 0:17:52.359
<v Speaker 1>think kind of revolutionary because it's the first animated Marvel

0:17:52.400 --> 0:17:55.560
<v Speaker 1>movie and like everyone is doing like everyone's acting the

0:17:55.640 --> 0:17:57.800
<v Speaker 1>faces off in this movie. Like it's really and it's

0:17:57.880 --> 0:18:00.919
<v Speaker 1>like a drama and a comedy an action movie at

0:18:00.920 --> 0:18:03.639
<v Speaker 1>the same time. And it's and you know, it sprints

0:18:03.680 --> 0:18:05.840
<v Speaker 1>far and wide, like you can be three years old,

0:18:05.960 --> 0:18:08.440
<v Speaker 1>you can be like thirty five or fifty six years

0:18:08.440 --> 0:18:10.640
<v Speaker 1>old and still enjoy this movie and I like what

0:18:10.680 --> 0:18:13.600
<v Speaker 1>it's doing about bringing people together and just like really

0:18:13.680 --> 0:18:15.800
<v Speaker 1>driving home the fact that anyone can wear the mask,

0:18:15.880 --> 0:18:18.879
<v Speaker 1>like even you like the fact that I'm excited for

0:18:18.920 --> 0:18:22.000
<v Speaker 1>Halloween because I can't wait to see how many little kids,

0:18:22.000 --> 0:18:23.840
<v Speaker 1>how many little black and brown kids are gonna run

0:18:23.880 --> 0:18:27.560
<v Speaker 1>around being Miles Miless. You know, there's Halloween and it's

0:18:27.600 --> 0:18:29.840
<v Speaker 1>really really dope. And it was really important for me

0:18:29.880 --> 0:18:33.560
<v Speaker 1>to play his father um in a way that you

0:18:33.640 --> 0:18:36.280
<v Speaker 1>understood that this kid has loved you know what I mean.

0:18:36.320 --> 0:18:38.400
<v Speaker 1>Like there's a scene in the movie. I'm not gonna

0:18:38.400 --> 0:18:40.080
<v Speaker 1>give it away, but you know, he goes through something

0:18:40.760 --> 0:18:43.840
<v Speaker 1>really kind of like shocking, and the first person he

0:18:43.880 --> 0:18:46.879
<v Speaker 1>calls his dad, and I was like, wow, Like, not

0:18:47.040 --> 0:18:49.720
<v Speaker 1>his friends, not somebody you know, not somebody else. You

0:18:49.720 --> 0:18:52.359
<v Speaker 1>know that from the block. You know, he's calling his dad,

0:18:52.600 --> 0:18:54.600
<v Speaker 1>And I just really wanted to drive home the fact

0:18:54.600 --> 0:18:56.919
<v Speaker 1>that that that they love each other, Like that's the

0:18:56.920 --> 0:18:58.960
<v Speaker 1>big thing that I that I really really love about

0:18:59.000 --> 0:19:01.920
<v Speaker 1>this movie is that this family loves each other and

0:19:01.960 --> 0:19:04.720
<v Speaker 1>they will do anything to take care of each other.

0:19:04.760 --> 0:19:07.320
<v Speaker 1>And and it's just great, man. I mean, like everyone

0:19:07.359 --> 0:19:09.920
<v Speaker 1>in the movie is fantastic. Shamik is great, Jake is great,

0:19:09.960 --> 0:19:12.760
<v Speaker 1>like every I mean, like Reherschela is my brother, you know,

0:19:13.200 --> 0:19:15.119
<v Speaker 1>And it's just so great because you're not in the

0:19:15.119 --> 0:19:18.159
<v Speaker 1>studio with these people. Um, I had the luxury of

0:19:18.200 --> 0:19:21.879
<v Speaker 1>doing my scenes with Shamik though, Like we were in

0:19:21.920 --> 0:19:24.399
<v Speaker 1>the studio together. So like like there's a car scene

0:19:24.920 --> 0:19:27.159
<v Speaker 1>that's in the movie, and like they literally set up

0:19:27.200 --> 0:19:29.080
<v Speaker 1>the room to be like a car, so like there's

0:19:29.080 --> 0:19:31.560
<v Speaker 1>two chairs, yeah, like a rear view mirror, and it

0:19:31.640 --> 0:19:34.280
<v Speaker 1>was really cool. And I love that it's the play

0:19:34.320 --> 0:19:36.720
<v Speaker 1>of that that I like, you know, that like that

0:19:36.840 --> 0:19:40.640
<v Speaker 1>kind of connection. Man, Like seriously, it was great. So

0:19:40.920 --> 0:19:42.720
<v Speaker 1>I'm really glad to see that it's doing so well.

0:19:42.800 --> 0:19:45.600
<v Speaker 1>And I'm really really so honored that we want to

0:19:45.640 --> 0:19:47.040
<v Speaker 1>go and globe And it had to be a trip

0:19:47.080 --> 0:19:48.440
<v Speaker 1>to when you finally saw it. I mean you're in

0:19:48.560 --> 0:19:52.280
<v Speaker 1>rooms doing these vocals performances and then you finally see

0:19:52.359 --> 0:19:57.240
<v Speaker 1>like this is a trippy, psychedelic, amazingly animated film and

0:19:57.680 --> 0:19:59.560
<v Speaker 1>they like they really broke some ground. I feel like

0:19:59.680 --> 0:20:02.000
<v Speaker 1>it's kind of like I really feel like it's ear

0:20:02.000 --> 0:20:03.920
<v Speaker 1>in his place in history a little bit. I've never

0:20:04.080 --> 0:20:07.720
<v Speaker 1>I've literally never seen anything like it. I want to

0:20:07.720 --> 0:20:09.760
<v Speaker 1>talk about Beal Street now I was. I've seen this

0:20:09.800 --> 0:20:12.359
<v Speaker 1>movie a couple of times now, I adore it. I

0:20:12.400 --> 0:20:17.560
<v Speaker 1>was at the Apollo screening. Great screening obviously. Uh. We

0:20:17.640 --> 0:20:19.159
<v Speaker 1>talked to Barry when I was in New York for

0:20:19.200 --> 0:20:23.639
<v Speaker 1>that on the show. This movie is is stunning. It's exquisite.

0:20:23.640 --> 0:20:25.440
<v Speaker 1>The craft is amazing, and you come into it, You've

0:20:25.480 --> 0:20:29.600
<v Speaker 1>got ten minutes and you I'm in all of what

0:20:29.640 --> 0:20:30.960
<v Speaker 1>you do in this movie. Man, I just gotta tell

0:20:30.960 --> 0:20:32.760
<v Speaker 1>you straight up, I think it. I think it's one

0:20:32.800 --> 0:20:36.919
<v Speaker 1>of the greatest performances of the year, you know, whatever category, whatever,

0:20:37.000 --> 0:20:39.840
<v Speaker 1>whatever I mean, It's just like it's a stunning It's

0:20:39.920 --> 0:20:41.520
<v Speaker 1>it's like it's a moment in the movie that just

0:20:41.560 --> 0:20:42.879
<v Speaker 1>grabs you and does not let go of you for

0:20:42.920 --> 0:20:45.800
<v Speaker 1>those ten minutes. And it was all on your shoulders.

0:20:45.800 --> 0:20:47.600
<v Speaker 1>And I mean Stefan is doing a lot too, but

0:20:47.680 --> 0:20:51.120
<v Speaker 1>like it was, it was a huge moment for you.

0:20:51.160 --> 0:20:53.400
<v Speaker 1>And just what did it feel like knowing or did

0:20:53.400 --> 0:20:54.960
<v Speaker 1>you know that? Did you know did it feel like

0:20:55.000 --> 0:20:56.560
<v Speaker 1>it was going to be this huge anchor in the

0:20:56.600 --> 0:20:59.119
<v Speaker 1>middle of that. I had no idea. I had no

0:20:59.160 --> 0:21:02.000
<v Speaker 1>idea and I and I'm kind of glad because that's

0:21:02.000 --> 0:21:04.720
<v Speaker 1>a testament to Barry, you know what I mean, Like, um,

0:21:04.920 --> 0:21:06.320
<v Speaker 1>the way that he works and the way that he

0:21:06.359 --> 0:21:11.040
<v Speaker 1>crafts these environments is so it's unlike anything I've ever seen.

0:21:11.119 --> 0:21:13.840
<v Speaker 1>And you know, I live in Harlem. I'm like, that's

0:21:13.960 --> 0:21:17.639
<v Speaker 1>that's my home, and so we're filming like eight blocks

0:21:17.640 --> 0:21:20.080
<v Speaker 1>from my house. So there was something that the one

0:21:20.160 --> 0:21:22.440
<v Speaker 1>responsibility that I did feel like I had to have

0:21:22.880 --> 0:21:27.280
<v Speaker 1>is to make sure that I represented my my neighborhood. Well,

0:21:27.720 --> 0:21:30.560
<v Speaker 1>you know, because Daniel, you know, is of that ilk.

0:21:30.720 --> 0:21:32.320
<v Speaker 1>You know that's where that's home. You know, it's where

0:21:32.320 --> 0:21:37.240
<v Speaker 1>it's from. And um, yeah, and uh. And so when

0:21:37.240 --> 0:21:41.000
<v Speaker 1>I read this scene, I was like, Okay, that's heavy.

0:21:41.480 --> 0:21:43.280
<v Speaker 1>You know, it's like this is heavy, Like it's heavy,

0:21:43.320 --> 0:21:45.879
<v Speaker 1>but it's still a moment two between two friends, you

0:21:45.920 --> 0:21:48.240
<v Speaker 1>know what I mean. And and here's another thing, like,

0:21:48.320 --> 0:21:51.960
<v Speaker 1>you know, whenever I get the opportunity to play these

0:21:52.000 --> 0:21:55.800
<v Speaker 1>black men that I play, I don't ever wanna pretend

0:21:55.880 --> 0:22:00.159
<v Speaker 1>like I know everything that they've been through. So like,

0:22:00.280 --> 0:22:02.840
<v Speaker 1>for example, I've never been to jail. I don't ever

0:22:02.880 --> 0:22:04.720
<v Speaker 1>want to know what that's like. I don't ever want

0:22:04.720 --> 0:22:07.480
<v Speaker 1>to lie on what that experiences either for people who

0:22:07.480 --> 0:22:09.440
<v Speaker 1>have been through it, you know, like there's no way

0:22:09.440 --> 0:22:11.800
<v Speaker 1>I'll ever go to somebody who's been locked up, especially

0:22:11.840 --> 0:22:14.240
<v Speaker 1>a black man, and asked him, you know, how, how

0:22:14.359 --> 0:22:16.639
<v Speaker 1>was it in there? Not that's not my place, but

0:22:16.800 --> 0:22:19.040
<v Speaker 1>for real, like the fact that you're even out and

0:22:19.119 --> 0:22:22.120
<v Speaker 1>that you're in this world and you made it through that,

0:22:22.119 --> 0:22:24.159
<v Speaker 1>that's enough for me. Like that, that's enough for me.

0:22:24.200 --> 0:22:26.880
<v Speaker 1>You served your time. Like there's just something I don't

0:22:26.960 --> 0:22:28.920
<v Speaker 1>want to I don't want to feel like I'm invading

0:22:28.960 --> 0:22:32.159
<v Speaker 1>that experience or taking away from what that experience is,

0:22:32.200 --> 0:22:34.920
<v Speaker 1>because that's heavy. You know, the statistics say that one

0:22:34.920 --> 0:22:36.760
<v Speaker 1>in three black men are gonna be incarcerated. That's just

0:22:36.800 --> 0:22:39.280
<v Speaker 1>how it is, Like that's just the way of the world.

0:22:39.359 --> 0:22:43.200
<v Speaker 1>And and it's here are two men, two black men,

0:22:43.200 --> 0:22:45.240
<v Speaker 1>sitting in the room when one of them has already

0:22:45.280 --> 0:22:49.680
<v Speaker 1>been uh put in jail. So with Daniel just wanted

0:22:49.720 --> 0:22:52.960
<v Speaker 1>to make sure for all the Daniels out there that

0:22:53.359 --> 0:22:56.040
<v Speaker 1>they felt like they were being heard man, because it's

0:22:56.119 --> 0:22:58.520
<v Speaker 1>very rare that there's someone that you feel like you

0:22:58.560 --> 0:23:01.440
<v Speaker 1>can open up to with that experience. And it's also

0:23:01.480 --> 0:23:04.120
<v Speaker 1>we we live in a society especially as black men,

0:23:04.200 --> 0:23:06.560
<v Speaker 1>that we're told that we can't have feelings, that we

0:23:06.680 --> 0:23:10.760
<v Speaker 1>can't really you know, cry, or that we can't be angry,

0:23:10.840 --> 0:23:13.280
<v Speaker 1>or that we can't you know, be passionate about a

0:23:13.280 --> 0:23:15.840
<v Speaker 1>lot of things. And and I feel like this scene

0:23:16.080 --> 0:23:19.440
<v Speaker 1>in particular was important for me to showcase the fact

0:23:19.480 --> 0:23:22.679
<v Speaker 1>that Daniel has all these things inside of him. But

0:23:22.760 --> 0:23:25.679
<v Speaker 1>the first thing you see of him is joy, you know,

0:23:25.720 --> 0:23:28.000
<v Speaker 1>like he sees his friend coming down the street. And

0:23:28.119 --> 0:23:30.239
<v Speaker 1>this era that we're living in that's already telling us

0:23:30.280 --> 0:23:32.040
<v Speaker 1>we can't have anything, and he's coming from having a

0:23:32.119 --> 0:23:34.560
<v Speaker 1>job and I'm being released. But he don't have to

0:23:34.560 --> 0:23:36.679
<v Speaker 1>know that, you know, all he needs to do is

0:23:36.720 --> 0:23:38.399
<v Speaker 1>see that. I want to throw my arms around him

0:23:38.440 --> 0:23:40.879
<v Speaker 1>and hug him because here we are out in the world,

0:23:41.160 --> 0:23:46.560
<v Speaker 1>free technically, and so to reconnect with him and hear

0:23:46.600 --> 0:23:50.040
<v Speaker 1>what he's going through, you know, with tissue, you know,

0:23:50.240 --> 0:23:54.120
<v Speaker 1>like it's like, at the end of the day, I'm

0:23:54.160 --> 0:23:56.280
<v Speaker 1>still happy that you have that, Like even though I

0:23:56.359 --> 0:23:58.879
<v Speaker 1>see this department that you're in that is, you know,

0:23:58.920 --> 0:24:02.040
<v Speaker 1>a little dilapidated, it you have a roof, even though

0:24:02.440 --> 0:24:04.159
<v Speaker 1>you know it doesn't seem like you have a lot

0:24:04.160 --> 0:24:05.400
<v Speaker 1>of money, and no one is giving you a chance

0:24:05.400 --> 0:24:07.439
<v Speaker 1>to have an apartment. You get to your art, you

0:24:07.480 --> 0:24:09.400
<v Speaker 1>know what I mean. And so I think that that

0:24:09.440 --> 0:24:12.879
<v Speaker 1>moment sitting at the table with stuff, uh, was just

0:24:12.960 --> 0:24:15.040
<v Speaker 1>a moment in time. It's like Barry dropped us in

0:24:15.040 --> 0:24:18.520
<v Speaker 1>this room. And it's very rare that you don't have

0:24:18.720 --> 0:24:21.920
<v Speaker 1>like the crew on set, like you know, usually when

0:24:21.920 --> 0:24:23.919
<v Speaker 1>you're doing a scene, there's something you can see the boom,

0:24:23.920 --> 0:24:26.840
<v Speaker 1>like you can see you know, the directors sitting there,

0:24:26.880 --> 0:24:29.720
<v Speaker 1>you can see this. This That's not how Barry did this.

0:24:29.800 --> 0:24:32.280
<v Speaker 1>He basically this The set was set up for it

0:24:32.320 --> 0:24:34.280
<v Speaker 1>to be this apartment and they were on the outside

0:24:34.840 --> 0:24:37.720
<v Speaker 1>and uh, Barry took away a camera and just let

0:24:37.800 --> 0:24:39.680
<v Speaker 1>it be one camera. So it's going back and forth

0:24:39.680 --> 0:24:43.000
<v Speaker 1>between his and we just talked and we just had

0:24:43.040 --> 0:24:46.960
<v Speaker 1>the scene, and the weight of that moment was so

0:24:47.080 --> 0:24:51.160
<v Speaker 1>terrifying to me. But I knew that this how can

0:24:51.200 --> 0:24:54.359
<v Speaker 1>I stop him from going through the same thing, Like honestly, like,

0:24:54.440 --> 0:24:56.440
<v Speaker 1>how can I stop him from going through the same thing?

0:24:56.600 --> 0:24:59.280
<v Speaker 1>Because this is my brother, man, Like, I'm sure that

0:24:59.400 --> 0:25:01.560
<v Speaker 1>up until that him and we talked about everything, but

0:25:01.680 --> 0:25:03.399
<v Speaker 1>I was out of your life for two years. I

0:25:03.440 --> 0:25:05.399
<v Speaker 1>was locked up for two years, and in those two years,

0:25:06.440 --> 0:25:09.639
<v Speaker 1>the things I've seen, you you, I wouldn't wish that

0:25:09.720 --> 0:25:12.600
<v Speaker 1>on anybody. And I just wanted to really make sure

0:25:12.640 --> 0:25:17.920
<v Speaker 1>that every every brother out there who has been through

0:25:17.960 --> 0:25:20.239
<v Speaker 1>that hurt it, you know what I mean. Like, I

0:25:20.280 --> 0:25:22.800
<v Speaker 1>wanted to make sure that they that they knew that

0:25:23.000 --> 0:25:28.439
<v Speaker 1>one you are welcome here and you are free, you

0:25:28.480 --> 0:25:30.680
<v Speaker 1>know what I mean, And even when you don't feel free,

0:25:30.680 --> 0:25:33.880
<v Speaker 1>there is a freedom and brotherhood honestly, and it just

0:25:33.920 --> 0:25:37.199
<v Speaker 1>felt like a space to be free with um Fani

0:25:37.280 --> 0:25:40.239
<v Speaker 1>in that in that moment and uh, Barry, just let

0:25:40.320 --> 0:25:42.000
<v Speaker 1>us have it, you know, just let us have it.

0:25:42.080 --> 0:25:45.399
<v Speaker 1>And then right after that, Tish cooks the meal and

0:25:45.400 --> 0:25:47.800
<v Speaker 1>were rejoice again. And that's what it feels like, I mean,

0:25:47.840 --> 0:25:51.400
<v Speaker 1>like that's what it feels like for for us sometimes

0:25:51.480 --> 0:25:55.080
<v Speaker 1>because it's like you have to you're made to feel

0:25:55.080 --> 0:25:57.600
<v Speaker 1>like you have to hide, you know, what you're going through.

0:25:58.160 --> 0:26:00.360
<v Speaker 1>Sometimes you feel like nobody cares what you're going through

0:26:00.680 --> 0:26:02.720
<v Speaker 1>being a black person in this country, and being a

0:26:02.760 --> 0:26:04.600
<v Speaker 1>black man in this country, and being a black woman

0:26:04.600 --> 0:26:07.360
<v Speaker 1>in this country. To sleep, it just feels like no

0:26:07.400 --> 0:26:10.760
<v Speaker 1>one hears you, you know, sometimes and we have to

0:26:10.800 --> 0:26:13.159
<v Speaker 1>create safe spaces sometimes, and I feel like in that

0:26:13.359 --> 0:26:15.879
<v Speaker 1>in that scene, you get to see a safe space

0:26:15.920 --> 0:26:19.080
<v Speaker 1>being created, no matter how much time is happening between

0:26:19.600 --> 0:26:22.800
<v Speaker 1>us being a part. It's like we pick up right

0:26:22.800 --> 0:26:24.919
<v Speaker 1>where we left off. And I kind of call it

0:26:25.000 --> 0:26:27.520
<v Speaker 1>kind of like a ballot like like ballid scene because

0:26:27.520 --> 0:26:30.040
<v Speaker 1>it's kind of musical to me. Um, it's kind of

0:26:30.080 --> 0:26:32.880
<v Speaker 1>there's like I think you can feel the weight once

0:26:32.920 --> 0:26:36.400
<v Speaker 1>this Daniel decides to really share with funding what's going on,

0:26:36.560 --> 0:26:42.959
<v Speaker 1>and yeah, man, I just really wanted to show my

0:26:43.080 --> 0:26:46.880
<v Speaker 1>respect to the Daniels out there. And as you say,

0:26:46.920 --> 0:26:49.760
<v Speaker 1>I mean you cover a spectrum in this scene. I

0:26:49.760 --> 0:26:52.880
<v Speaker 1>mean it's not like one gear. I mean you're shifting

0:26:52.880 --> 0:26:55.080
<v Speaker 1>all over the place. So ultimately just ramping into what

0:26:55.080 --> 0:26:57.119
<v Speaker 1>you're gonna talk about. I feel like the whole movie

0:26:57.200 --> 0:27:00.000
<v Speaker 1>is in this scene in some sense. To just thematically speak,

0:27:00.000 --> 0:27:03.160
<v Speaker 1>you can just things like the by the balls comment.

0:27:03.240 --> 0:27:05.000
<v Speaker 1>I mean, it's all it's all in the scene. The

0:27:05.040 --> 0:27:08.680
<v Speaker 1>movie is in the scene, and uh yeah, dude, I

0:27:08.680 --> 0:27:12.760
<v Speaker 1>mean it's it's it's a stunning display. I kind of

0:27:12.760 --> 0:27:15.200
<v Speaker 1>just want to fawn over here, man. I appreciate it

0:27:15.480 --> 0:27:17.159
<v Speaker 1>saying I've been talking about all your line I love.

0:27:17.200 --> 0:27:18.919
<v Speaker 1>I love the little things you do, like just like

0:27:18.960 --> 0:27:21.000
<v Speaker 1>the interplay with Kiki when she comes in, just like

0:27:21.000 --> 0:27:25.920
<v Speaker 1>they like sharing that kind of that's the life. That's

0:27:25.960 --> 0:27:28.640
<v Speaker 1>the life. That's that's kind of Like the one thing

0:27:28.680 --> 0:27:32.280
<v Speaker 1>that I love about what I get to do is that,

0:27:33.840 --> 0:27:37.800
<v Speaker 1>you know, these men are men that I know, you know,

0:27:37.960 --> 0:27:41.040
<v Speaker 1>Like they're all men that I know and that I've

0:27:41.600 --> 0:27:44.960
<v Speaker 1>I've lived with and and could one day become you

0:27:45.000 --> 0:27:47.320
<v Speaker 1>know what I mean. Like that's that's the thing. I mean,

0:27:47.680 --> 0:27:50.720
<v Speaker 1>Like that's like Alfred is one of my favorite people

0:27:50.880 --> 0:27:53.520
<v Speaker 1>on the planet. Like getting to play Alfred is one

0:27:53.600 --> 0:27:56.560
<v Speaker 1>of my favorite things because like he is literally my

0:27:56.600 --> 0:27:59.199
<v Speaker 1>best friend. Like I know this guy, Like I went

0:27:59.240 --> 0:28:01.200
<v Speaker 1>to school with this guy. Uh, I see my father

0:28:01.280 --> 0:28:04.119
<v Speaker 1>and this guy, And I just don't ever want to

0:28:04.359 --> 0:28:07.320
<v Speaker 1>um to lose the opportunity to share those moments with

0:28:07.400 --> 0:28:09.560
<v Speaker 1>people because there's a lot of there's a lot of

0:28:09.600 --> 0:28:14.360
<v Speaker 1>people who will never encounter Alfred truly, who will try

0:28:14.440 --> 0:28:18.280
<v Speaker 1>not to encounter Alfred truly. There are people who already

0:28:18.280 --> 0:28:20.520
<v Speaker 1>gonna put their things on Daniel, you know what I mean.

0:28:20.600 --> 0:28:22.320
<v Speaker 1>Like there are people who and it's so, and I

0:28:22.359 --> 0:28:24.920
<v Speaker 1>want to always show what you're missing out on, like

0:28:24.960 --> 0:28:28.240
<v Speaker 1>they're actually pretty dope people, like even Jamal and widows,

0:28:28.280 --> 0:28:30.879
<v Speaker 1>like honestly, I mean, he may be a psychopath, but

0:28:31.000 --> 0:28:33.440
<v Speaker 1>at the end of the day, you know what I mean,

0:28:33.520 --> 0:28:37.199
<v Speaker 1>Like he's something to somebody, and um, I don't know,

0:28:37.320 --> 0:28:41.440
<v Speaker 1>there's just a there's a These guys are all so

0:28:41.680 --> 0:28:45.040
<v Speaker 1>unique and so dope, and I hate that in this

0:28:45.160 --> 0:28:47.160
<v Speaker 1>lifetime some people just won't ever get a chance to

0:28:47.160 --> 0:28:50.280
<v Speaker 1>to to know them. So I just want to make

0:28:50.320 --> 0:28:53.320
<v Speaker 1>it where when you see these people and you hear them,

0:28:53.360 --> 0:28:55.080
<v Speaker 1>and you hear these characters and hear these men that

0:28:55.160 --> 0:28:57.000
<v Speaker 1>you're like, I want to get to know them. I

0:28:57.040 --> 0:28:58.720
<v Speaker 1>want to know what's going on with them, like after

0:28:58.760 --> 0:29:01.320
<v Speaker 1>it's done, I want to get to to really experience

0:29:01.360 --> 0:29:03.080
<v Speaker 1>what they experience. And that's kind of what I love

0:29:03.120 --> 0:29:06.080
<v Speaker 1>about the scene in Bill Street, for being twelve minutes

0:29:06.160 --> 0:29:09.640
<v Speaker 1>or whatever how short it is, is that I want

0:29:09.760 --> 0:29:12.280
<v Speaker 1>you to think about him, because there's a lot of

0:29:12.320 --> 0:29:15.600
<v Speaker 1>them that don't get thought of. Once you know you,

0:29:15.640 --> 0:29:18.640
<v Speaker 1>you you see them, and they're never seen again. And

0:29:18.800 --> 0:29:21.080
<v Speaker 1>I want them to sit with you. I want you

0:29:21.080 --> 0:29:23.920
<v Speaker 1>to take them home with you. You know, so, so yeah,

0:29:23.960 --> 0:29:26.800
<v Speaker 1>I always want to I really always want to embody

0:29:27.560 --> 0:29:31.360
<v Speaker 1>what their experience is because it happens so quickly. Sometimes

0:29:31.400 --> 0:29:34.520
<v Speaker 1>like Alpha technically should shouldn't be around, you know what

0:29:34.560 --> 0:29:37.400
<v Speaker 1>I mean, Andy, And please believe he's heard that. Please

0:29:37.440 --> 0:29:39.080
<v Speaker 1>believe that offers heard that. People are like, man, you

0:29:39.080 --> 0:29:41.880
<v Speaker 1>shouldn't even be here right now, like when you people

0:29:41.880 --> 0:29:43.880
<v Speaker 1>have probably told him he couldn't be anything, you know,

0:29:43.960 --> 0:29:47.240
<v Speaker 1>And so I just always want to show the I

0:29:47.280 --> 0:29:51.480
<v Speaker 1>guess humanity of them. You know, it sounds very artsy fartsy,

0:29:51.600 --> 0:29:54.840
<v Speaker 1>but like that's true because they are human beings and

0:29:55.280 --> 0:29:56.760
<v Speaker 1>you know you're missing out if you don't get to

0:29:56.800 --> 0:30:00.920
<v Speaker 1>know them. Also, I told Barry this the beginning of

0:30:00.960 --> 0:30:04.040
<v Speaker 1>that scene, it's like the greatest screen hug in history.

0:30:04.080 --> 0:30:05.520
<v Speaker 1>Like I want to be a part of that hug.

0:30:06.960 --> 0:30:09.880
<v Speaker 1>It's like the first shot of you, it's just shot shut.

0:30:09.960 --> 0:30:12.960
<v Speaker 1>So well, yeah, man, I mean, like he's a visionary man,

0:30:13.080 --> 0:30:14.880
<v Speaker 1>I mean, and to mean, let's not let's not sleep

0:30:14.920 --> 0:30:17.200
<v Speaker 1>on the score of this movie either, what's going on

0:30:17.240 --> 0:30:19.000
<v Speaker 1>with the score and the I mean the Miles Davis

0:30:19.040 --> 0:30:20.400
<v Speaker 1>is in the first half of what he does with

0:30:20.440 --> 0:30:22.480
<v Speaker 1>the score at the second half and cranks it down.

0:30:22.560 --> 0:30:25.480
<v Speaker 1>This is amazing man. That score. It's like it's like,

0:30:26.080 --> 0:30:29.480
<v Speaker 1>I mean, I find myself playing the soundtrack in my

0:30:29.560 --> 0:30:32.120
<v Speaker 1>house all the time, and it's just so it's just

0:30:32.280 --> 0:30:35.760
<v Speaker 1>it it's so visceral, like you can't help but feel

0:30:35.960 --> 0:30:39.720
<v Speaker 1>what's going on on that screen. And you know, I'm

0:30:39.760 --> 0:30:41.480
<v Speaker 1>so glad that I got to act with you know,

0:30:41.880 --> 0:30:45.000
<v Speaker 1>Regina King, who you know, it's just like she's been

0:30:45.120 --> 0:30:47.520
<v Speaker 1>like an icon to me for most of my life

0:30:47.600 --> 0:30:51.520
<v Speaker 1>and and in a masterclass as well, and Coleman Domingo

0:30:51.640 --> 0:30:54.080
<v Speaker 1>and Kiki and stuff, and I mean, like it's it's like,

0:30:56.720 --> 0:30:59.800
<v Speaker 1>I'm I haven't had a chance to actually think about

0:31:00.040 --> 0:31:03.400
<v Speaker 1>how great this year has been because I've been doing

0:31:03.440 --> 0:31:06.040
<v Speaker 1>the work and now I actually get to sit down

0:31:06.040 --> 0:31:09.200
<v Speaker 1>and go, holy sh it, like wait, like you just

0:31:09.360 --> 0:31:13.000
<v Speaker 1>were in the number with these people, created this this

0:31:13.000 --> 0:31:17.080
<v Speaker 1>this beautiful, beautiful art with them, and it's like, I

0:31:17.320 --> 0:31:18.719
<v Speaker 1>don't know, I wouldn't trade it for the world. So

0:31:18.760 --> 0:31:20.280
<v Speaker 1>to hear you say what you're saying to mean and

0:31:20.320 --> 0:31:23.320
<v Speaker 1>what you're taking from it means that I'm I'm I'm

0:31:23.320 --> 0:31:25.960
<v Speaker 1>I must be doing the right thing. So I really

0:31:25.960 --> 0:31:28.520
<v Speaker 1>appreciate that. Man, let's talk a little bit about Widows.

0:31:28.560 --> 0:31:30.280
<v Speaker 1>Actually mentioned it there. I mean, you get to go

0:31:30.760 --> 0:31:35.080
<v Speaker 1>dark and villain us with this one jerking dogs around.

0:31:35.160 --> 0:31:39.280
<v Speaker 1>I mean, like he I want my money. It's just

0:31:39.360 --> 0:31:41.880
<v Speaker 1>as It's as simple as that. And that's the funny

0:31:41.880 --> 0:31:44.760
<v Speaker 1>thing about Widows is like you know, Jamal really just

0:31:44.800 --> 0:31:46.920
<v Speaker 1>wanted to run for all them and that's it. Like

0:31:47.080 --> 0:31:51.520
<v Speaker 1>and he you mess with my money? Um uh. Working

0:31:51.520 --> 0:31:55.920
<v Speaker 1>with Steve McQueen first of all, was unlike anything in

0:31:55.960 --> 0:31:59.960
<v Speaker 1>the world because he's he's awesome, Like the see see's

0:32:00.040 --> 0:32:01.680
<v Speaker 1>all coming out now, Like I'm saying it out loud,

0:32:01.720 --> 0:32:03.400
<v Speaker 1>I'm like, oh wait, you just work with Barry Jenkins

0:32:03.440 --> 0:32:07.320
<v Speaker 1>and Steve McQueen, Like that's that's really dope. But Steve

0:32:07.360 --> 0:32:10.880
<v Speaker 1>McQueen is really great. He's like he is really a true, true, true,

0:32:11.080 --> 0:32:16.080
<v Speaker 1>true artist. And like, getting the chance to be in

0:32:16.160 --> 0:32:20.040
<v Speaker 1>Chicago to do this movie was an incredible getting a

0:32:20.120 --> 0:32:23.800
<v Speaker 1>chance to me make a kind of activist movie in

0:32:24.200 --> 0:32:27.560
<v Speaker 1>my way, not not just for the female empowerment, but

0:32:27.840 --> 0:32:32.440
<v Speaker 1>also for like, you know, a black kid from Chicago

0:32:32.560 --> 0:32:34.840
<v Speaker 1>running for Alderman, you know what I mean, Like he's

0:32:34.880 --> 0:32:38.880
<v Speaker 1>this is where he's from, and uh, I was doing

0:32:38.920 --> 0:32:42.920
<v Speaker 1>it with Violet Davis, like you know, doing Violet Davis

0:32:42.960 --> 0:32:45.560
<v Speaker 1>and Elizabeth de Bicky and mAChR Reeves, the Cynthia Revo,

0:32:45.680 --> 0:32:50.480
<v Speaker 1>like just these amazingly, amazing, amazing talents that I just

0:32:50.600 --> 0:32:55.160
<v Speaker 1>never in a million years, um thought that. And Daniel

0:32:55.320 --> 0:32:57.959
<v Speaker 1>as my brother man, like, I mean Dan Listener man

0:32:58.120 --> 0:33:01.360
<v Speaker 1>like that, Like that was like the sickest feeling in

0:33:01.400 --> 0:33:03.240
<v Speaker 1>the world, like that, me and him are playing brothers,

0:33:03.400 --> 0:33:06.240
<v Speaker 1>studying a cemetery watching this woman like we gotta go

0:33:06.280 --> 0:33:10.520
<v Speaker 1>get our money like you can't. Oh man, it was

0:33:10.600 --> 0:33:13.520
<v Speaker 1>like I mean, it was just the greatest, greatest, greatest moment.

0:33:13.600 --> 0:33:19.000
<v Speaker 1>And I love Jamal too, like I love Jamal very much, man,

0:33:19.080 --> 0:33:22.680
<v Speaker 1>like I love Jamal so much. And uh, I don't know,

0:33:22.800 --> 0:33:30.040
<v Speaker 1>like I think there's something to be said about walking

0:33:30.080 --> 0:33:32.440
<v Speaker 1>into an apartment and threatening while the day was his life,

0:33:32.520 --> 0:33:34.280
<v Speaker 1>you know what I mean, Like I kind of want

0:33:34.360 --> 0:33:36.440
<v Speaker 1>that on my tomb saying remember me as the guy

0:33:36.520 --> 0:33:39.520
<v Speaker 1>that right in her life. But yeah, it was a

0:33:39.520 --> 0:33:41.720
<v Speaker 1>great experience, man. I mean, I don't know what I mean.

0:33:41.760 --> 0:33:44.440
<v Speaker 1>There's so much I could say. It's just like, um,

0:33:44.520 --> 0:33:46.360
<v Speaker 1>we'll talk about Steve maybe, I mean Stevens I love

0:33:46.400 --> 0:33:47.960
<v Speaker 1>him because it's one of the most direct people in

0:33:47.960 --> 0:33:51.640
<v Speaker 1>this business. He is not like dance around stuff, and

0:33:51.640 --> 0:33:54.160
<v Speaker 1>I love him for it and I love talking to him.

0:33:54.280 --> 0:33:56.240
<v Speaker 1>Uh is he is he that way as a director?

0:33:56.360 --> 0:33:59.560
<v Speaker 1>Is he very just like? Well, you can tell that

0:33:59.600 --> 0:34:02.520
<v Speaker 1>he loved of actors, you know what I mean. Like

0:34:02.600 --> 0:34:05.800
<v Speaker 1>you can tell that he wants to know what we're thinking,

0:34:06.000 --> 0:34:08.759
<v Speaker 1>why we're thinking, what we're thinking, where we're going with

0:34:08.800 --> 0:34:13.840
<v Speaker 1>what we're thinking. He's incredibly malleable. Like he he really

0:34:14.120 --> 0:34:17.920
<v Speaker 1>will let you go where you want to go, but

0:34:17.960 --> 0:34:21.719
<v Speaker 1>he also has no problem guiding you with not just

0:34:21.800 --> 0:34:24.759
<v Speaker 1>the tone or are pushing you to do things that

0:34:24.800 --> 0:34:27.279
<v Speaker 1>you probably didn't even know I wanted. I didn't know

0:34:27.320 --> 0:34:29.200
<v Speaker 1>I was gonna be going to dog. I had no

0:34:29.280 --> 0:34:33.360
<v Speaker 1>clue that this obstacle of having this actual dog was

0:34:33.400 --> 0:34:37.120
<v Speaker 1>gonna be in there. But you know your husband stow

0:34:37.200 --> 0:34:40.319
<v Speaker 1>my money and you look just like me. But you

0:34:40.400 --> 0:34:43.240
<v Speaker 1>live in this penthouse. You would never come to Mineck

0:34:43.239 --> 0:34:45.680
<v Speaker 1>of the Woods ever. You know, you would never come

0:34:46.200 --> 0:34:48.640
<v Speaker 1>to West South Chicago, south Side Chicago. There's no way

0:34:48.640 --> 0:34:51.920
<v Speaker 1>you would do it. And the fact that you just

0:34:52.840 --> 0:34:54.799
<v Speaker 1>why don't we know each other? You know what I mean, like,

0:34:54.840 --> 0:34:58.040
<v Speaker 1>why don't we have this opportunity, right, Like there's a

0:34:58.120 --> 0:35:00.640
<v Speaker 1>kind of like I don't know. And and then Steve

0:35:00.640 --> 0:35:04.040
<v Speaker 1>will let you find that. He'll let you play with that,

0:35:04.160 --> 0:35:06.799
<v Speaker 1>you know. Um, because with with Jamal, I was like,

0:35:06.800 --> 0:35:08.840
<v Speaker 1>it could be very easy to do the whole villain

0:35:09.200 --> 0:35:10.880
<v Speaker 1>thing because in my mind he's not a villain. And

0:35:10.920 --> 0:35:13.080
<v Speaker 1>he didn't he really didn't do anything wrong. I said.

0:35:13.080 --> 0:35:14.600
<v Speaker 1>We just watched the Open up a movie of these

0:35:14.640 --> 0:35:19.600
<v Speaker 1>four it was taken man like right, like like Jack,

0:35:19.800 --> 0:35:22.120
<v Speaker 1>you know what I mean. So it's like to me,

0:35:22.520 --> 0:35:26.880
<v Speaker 1>he is doing what is necessary, like I'm trying to

0:35:26.920 --> 0:35:33.200
<v Speaker 1>make a better place for my community, and you don't care,

0:35:33.520 --> 0:35:34.879
<v Speaker 1>like you know what I mean, Like you don't care,

0:35:34.920 --> 0:35:36.520
<v Speaker 1>Like I get that you lost your husband and everything,

0:35:36.560 --> 0:35:38.239
<v Speaker 1>but you know what you lost as because you stole

0:35:38.239 --> 0:35:41.279
<v Speaker 1>my money. So it's like I don't know. And Steve,

0:35:41.440 --> 0:35:43.440
<v Speaker 1>Steve would literally he would sit with me and let

0:35:43.440 --> 0:35:44.879
<v Speaker 1>me do that, you know, when I got the part,

0:35:44.920 --> 0:35:48.279
<v Speaker 1>Like he flew me to Chicago and he sat me

0:35:48.320 --> 0:35:50.600
<v Speaker 1>involve in a room much like this, like across the

0:35:50.640 --> 0:35:53.200
<v Speaker 1>table of the table from each other. And I'd say,

0:35:53.200 --> 0:35:54.520
<v Speaker 1>for the first half the day, he just let us

0:35:54.560 --> 0:35:56.239
<v Speaker 1>play with it. He just let us read it over

0:35:56.280 --> 0:35:58.440
<v Speaker 1>and over again and and just really try to feel it,

0:35:58.520 --> 0:36:01.000
<v Speaker 1>like really try to like show at the layers of

0:36:01.000 --> 0:36:03.400
<v Speaker 1>what doesn't need to be there when. And he crafted

0:36:03.440 --> 0:36:05.600
<v Speaker 1>this kind of relationship because like, at the end of

0:36:05.600 --> 0:36:09.120
<v Speaker 1>the day, she needs to fear me and understand the thing,

0:36:09.400 --> 0:36:11.239
<v Speaker 1>and I I also had to get over the fact

0:36:11.320 --> 0:36:14.960
<v Speaker 1>that I am doing this with by Davis. So regardless

0:36:15.040 --> 0:36:17.800
<v Speaker 1>of that, all of that has to be broken down.

0:36:18.560 --> 0:36:20.399
<v Speaker 1>We gotta get to the meet potatoes of what needs

0:36:20.400 --> 0:36:22.640
<v Speaker 1>to be done. And that scene happens, you know, like

0:36:23.760 --> 0:36:26.240
<v Speaker 1>you know, just drops in the movie at that point,

0:36:26.520 --> 0:36:29.000
<v Speaker 1>And yeah, he just really wanted to make sure that

0:36:29.040 --> 0:36:32.279
<v Speaker 1>we had that kind of connection because that's also the

0:36:32.280 --> 0:36:35.200
<v Speaker 1>tricky thing about movies. Sometimes it's like you don't really

0:36:35.200 --> 0:36:37.640
<v Speaker 1>know the people you're working with, you know, sometimes you

0:36:37.640 --> 0:36:40.359
<v Speaker 1>don't even know where your location is. You don't even

0:36:40.360 --> 0:36:42.479
<v Speaker 1>know like and that was the other thing about that scene.

0:36:42.560 --> 0:36:44.480
<v Speaker 1>I was like, I had no idea when I saw

0:36:44.520 --> 0:36:46.400
<v Speaker 1>that when I saw this apartment. What you said that

0:36:46.520 --> 0:36:49.560
<v Speaker 1>is really me being like, oh, oh this she keeps

0:36:49.600 --> 0:36:52.200
<v Speaker 1>going like it wraps around that, Like that's like Michigan

0:36:52.200 --> 0:36:56.320
<v Speaker 1>that you see like, oh and you stole my money back. Great,

0:36:56.440 --> 0:37:00.160
<v Speaker 1>this is let's let's go. Um. And so it can

0:37:00.160 --> 0:37:02.440
<v Speaker 1>be a little nerve racking sometimes to do that, you know,

0:37:02.480 --> 0:37:05.719
<v Speaker 1>because you've got like, you've got these takes that you

0:37:05.760 --> 0:37:09.759
<v Speaker 1>gotta get. And you know, I hadn't met Viola before

0:37:09.760 --> 0:37:12.080
<v Speaker 1>I met her own set How to Get Away with Murderer.

0:37:12.160 --> 0:37:15.160
<v Speaker 1>I did an appearance on an episode of that, and

0:37:15.520 --> 0:37:19.839
<v Speaker 1>but it was so crazy because I was playing the

0:37:19.920 --> 0:37:23.239
<v Speaker 1>lawyer to Frank who was in in uh in court

0:37:23.280 --> 0:37:25.239
<v Speaker 1>at the time, and she was in court with him

0:37:25.239 --> 0:37:27.880
<v Speaker 1>at the time as well. But my character doesn't interact

0:37:27.920 --> 0:37:30.040
<v Speaker 1>with her, so I'm literally sitting at a table next

0:37:30.080 --> 0:37:32.759
<v Speaker 1>while the like, but not having any exchanges with her

0:37:32.760 --> 0:37:36.040
<v Speaker 1>at all. And um, you know until they said cut,

0:37:36.080 --> 0:37:37.880
<v Speaker 1>you know, and you talked. But in the scene, I

0:37:37.880 --> 0:37:39.879
<v Speaker 1>didn't get to play with her, you know. And so

0:37:40.600 --> 0:37:43.160
<v Speaker 1>this time I was like, I really get to play,

0:37:43.239 --> 0:37:46.719
<v Speaker 1>like this is what this is what I wanted, this

0:37:46.760 --> 0:37:49.040
<v Speaker 1>is and the fact that stevem in the opportunity to

0:37:49.120 --> 0:37:54.040
<v Speaker 1>do that is really really great. Oh, let's see, you

0:37:54.080 --> 0:37:55.719
<v Speaker 1>just want to cover a couple of quick things here

0:37:55.800 --> 0:38:02.000
<v Speaker 1>you got coming up me. You're in child's play's, oh man,

0:38:02.320 --> 0:38:05.799
<v Speaker 1>like it's it's a dream come true. Man. Man. The horror,

0:38:05.840 --> 0:38:08.480
<v Speaker 1>the horror genre is one of my favorite genres of

0:38:08.520 --> 0:38:12.160
<v Speaker 1>all time, and um, because I honestly believe in the

0:38:12.200 --> 0:38:14.520
<v Speaker 1>horror you have to really be able to act. Like

0:38:14.760 --> 0:38:17.000
<v Speaker 1>how I like, it's really funny. I was watching Child

0:38:17.160 --> 0:38:21.279
<v Speaker 1>the original Child's Playing over Christmas, and uh Domin singing

0:38:21.480 --> 0:38:24.120
<v Speaker 1>is such a genius, Like he's such a genius. Like

0:38:25.880 --> 0:38:28.719
<v Speaker 1>because there's such a commentary horror movies, I feel like,

0:38:29.080 --> 0:38:31.359
<v Speaker 1>you know, they were a commentary about you know, like

0:38:31.480 --> 0:38:35.600
<v Speaker 1>drugs and economics and socio economic status and what happens

0:38:35.640 --> 0:38:38.399
<v Speaker 1>when you know, kids go out and discussed. But this

0:38:38.480 --> 0:38:42.040
<v Speaker 1>movie simply was like about a mother wanted to get

0:38:42.120 --> 0:38:45.279
<v Speaker 1>her child a doll that everybody loved. And you know

0:38:45.440 --> 0:38:49.120
<v Speaker 1>my eighties baby, and you remember like the good I mean, well,

0:38:49.200 --> 0:38:51.840
<v Speaker 1>we didn't have good guys about my buddy. And I

0:38:51.880 --> 0:38:55.920
<v Speaker 1>just remember, you know, we weren't really we didn't have

0:38:55.960 --> 0:38:57.759
<v Speaker 1>money growing up, so I knew that I was never

0:38:57.760 --> 0:39:01.800
<v Speaker 1>gonna get in my buddy. And I just remember that

0:39:01.840 --> 0:39:03.880
<v Speaker 1>after that movie came out, all the kids in my

0:39:03.920 --> 0:39:06.719
<v Speaker 1>neighborhood who could afford my buddies all their dolls are

0:39:06.719 --> 0:39:09.440
<v Speaker 1>in the trash, and I was like, ha, it's like

0:39:09.560 --> 0:39:13.760
<v Speaker 1>that's so like it's so to be able as I digressed,

0:39:14.040 --> 0:39:17.120
<v Speaker 1>So to be able to do this movie was the

0:39:17.160 --> 0:39:19.400
<v Speaker 1>biggest joy that I've ever had. Like I was a

0:39:19.480 --> 0:39:21.640
<v Speaker 1>kid in a candy shop. Mind you, I'm doing this

0:39:21.719 --> 0:39:25.319
<v Speaker 1>movie with kids who weren't born when the original came out,

0:39:25.360 --> 0:39:31.320
<v Speaker 1>so they have no clue like how Chucky affected our youth,

0:39:31.719 --> 0:39:34.320
<v Speaker 1>you know what I mean. Um, it's a great script.

0:39:34.360 --> 0:39:37.279
<v Speaker 1>It's it's really brilliant. It's really smart, um, you know,

0:39:37.560 --> 0:39:41.040
<v Speaker 1>and and it's a testament to the greatness of dumb

0:39:41.120 --> 0:39:44.080
<v Speaker 1>and Seining and how he crafted this story and and

0:39:44.120 --> 0:39:47.880
<v Speaker 1>how like just what happens, you know, to our youth,

0:39:48.280 --> 0:39:51.160
<v Speaker 1>and like how it can easily be penetrated by something

0:39:51.440 --> 0:39:54.759
<v Speaker 1>as sinister as this doll that's possessed by this man

0:39:54.960 --> 0:39:57.560
<v Speaker 1>that it just as you know, And it was fun

0:39:57.600 --> 0:40:01.280
<v Speaker 1>waiting when Aubrey was great. You know, our partnership was unbelievable. Lars,

0:40:01.280 --> 0:40:04.000
<v Speaker 1>our director is amazing. It was. It was a great

0:40:04.040 --> 0:40:08.239
<v Speaker 1>time and like, I know people are gonna enjoy it.

0:40:08.360 --> 0:40:09.880
<v Speaker 1>The best part for me is that it comes out

0:40:09.920 --> 0:40:14.239
<v Speaker 1>the same day. It's Toy Story four doesn't really. I

0:40:14.360 --> 0:40:18.360
<v Speaker 1>was like, oh, that's great. It's like, let's go on

0:40:18.440 --> 0:40:22.160
<v Speaker 1>the kids. That's great. And then you're you just mentioned

0:40:22.160 --> 0:40:26.000
<v Speaker 1>at the top you're back from hawaii're shooting gods over Yeah,

0:40:26.600 --> 0:40:32.200
<v Speaker 1>massive movie obviously, yeah gulp. Of course. I was like,

0:40:32.280 --> 0:40:37.200
<v Speaker 1>of course, like it's um all this stuff, like I'm

0:40:37.239 --> 0:40:39.400
<v Speaker 1>hearing you say this stuff, and I'm like, it's just

0:40:39.680 --> 0:40:42.719
<v Speaker 1>crazy that I'm doing that. But like it's great, man,

0:40:42.800 --> 0:40:45.640
<v Speaker 1>Like I'm working with Molly Bobby Brown, you know, and

0:40:45.680 --> 0:40:50.480
<v Speaker 1>it's it's it's great. We're having like so many Like

0:40:51.160 --> 0:40:54.960
<v Speaker 1>it's crazy because like you're you're acting in this movie

0:40:55.360 --> 0:40:58.080
<v Speaker 1>about the destruction of the world, you know what i mean,

0:40:58.160 --> 0:41:03.040
<v Speaker 1>like from this tightened you know, from this godlike thing,

0:41:03.680 --> 0:41:06.959
<v Speaker 1>and you know, but we're in Hawaii. So I'm like, well,

0:41:07.200 --> 0:41:09.239
<v Speaker 1>I mean, I don't know, it's it's been pretty great.

0:41:09.680 --> 0:41:11.839
<v Speaker 1>But it's it's great, man. It was it's really cool

0:41:11.880 --> 0:41:14.520
<v Speaker 1>to to do that, to do this movie. We're still

0:41:14.520 --> 0:41:18.000
<v Speaker 1>shooting it actually, and uh, it's it's it's like I said,

0:41:18.040 --> 0:41:20.360
<v Speaker 1>it's all a dream come true. Trailers cool. I just

0:41:20.400 --> 0:41:22.960
<v Speaker 1>saw the other day and then the last thing Atlanta,

0:41:23.000 --> 0:41:25.160
<v Speaker 1>when's the next year. Are you working on it now?

0:41:25.640 --> 0:41:27.160
<v Speaker 1>I think that we're going to get back to it

0:41:27.280 --> 0:41:30.040
<v Speaker 1>later this year. Um, but we definitely got a third season,

0:41:30.120 --> 0:41:33.040
<v Speaker 1>and I can't wait. I cannot wait. I just saw

0:41:33.160 --> 0:41:35.719
<v Speaker 1>Hero and Keith not too long ago, and I was just, oh,

0:41:35.800 --> 0:41:37.560
<v Speaker 1>my god, I miss you guys, and I can't wait.

0:41:37.840 --> 0:41:40.719
<v Speaker 1>But I'm also excited to see where we're gonna go

0:41:41.200 --> 0:41:43.880
<v Speaker 1>this season because, like you know, Robin's season was unlike

0:41:43.880 --> 0:41:46.840
<v Speaker 1>anything I've ever experienced in my life, and um, it

0:41:46.960 --> 0:41:50.480
<v Speaker 1>was life saving actually, and and the stories of our

0:41:50.520 --> 0:41:53.080
<v Speaker 1>heroes have just gone in all different kinds of ways.

0:41:53.440 --> 0:41:57.120
<v Speaker 1>I'm praying that Teddy Perkins does not returned, um, but

0:41:57.239 --> 0:42:00.280
<v Speaker 1>I mean yeah, like that, We've got plenty, plenty, plenty

0:42:00.320 --> 0:42:03.080
<v Speaker 1>of stories to tell this season, so yeah, I'll look

0:42:03.080 --> 0:42:05.719
<v Speaker 1>out for it. The one time I saw you here

0:42:06.040 --> 0:42:08.520
<v Speaker 1>a few months back, you were doing some press with

0:42:08.600 --> 0:42:10.279
<v Speaker 1>some of our TV team. I saw you on the

0:42:10.320 --> 0:42:12.960
<v Speaker 1>elevator and I was like, oh, ship paper Boy, Like

0:42:13.000 --> 0:42:15.319
<v Speaker 1>I didn't even think, I know you knew your name,

0:42:15.360 --> 0:42:16.960
<v Speaker 1>but it just that's what came to mind. So that

0:42:17.080 --> 0:42:19.399
<v Speaker 1>tells you everything when when your character kind of is

0:42:19.480 --> 0:42:21.840
<v Speaker 1>the first thing people see. But I'm happy that I

0:42:21.840 --> 0:42:24.719
<v Speaker 1>can call you Brian right now. Also, man, I don't

0:42:24.760 --> 0:42:26.080
<v Speaker 1>want to let you know a Woman in the Window.

0:42:26.120 --> 0:42:29.920
<v Speaker 1>I'm doing Woman in the Window Joe right, Yeah, yeah,

0:42:29.920 --> 0:42:33.080
<v Speaker 1>Amy Adams and Garry old Man bro. I don't know

0:42:33.120 --> 0:42:35.319
<v Speaker 1>what else. I don't know what more you can possibly say,

0:42:35.440 --> 0:42:38.239
<v Speaker 1>but I hear that book. It's fantastic. It is. It's

0:42:38.280 --> 0:42:41.000
<v Speaker 1>really dope, man, And it's it's like it's this crazy thriller,

0:42:41.160 --> 0:42:43.840
<v Speaker 1>like you get to watch Amy Adams like let it

0:42:43.880 --> 0:42:47.319
<v Speaker 1>all out and go insane and I get to be

0:42:47.360 --> 0:42:51.160
<v Speaker 1>a detective again. But it was it's just's NNA that's

0:42:51.160 --> 0:42:53.160
<v Speaker 1>coming out next year as well. What that is? You

0:42:53.320 --> 0:42:55.320
<v Speaker 1>keep getting these kind of you know what? I was

0:42:55.360 --> 0:42:57.880
<v Speaker 1>always like, why my cop? But it's like, what's going on?

0:42:57.960 --> 0:43:00.680
<v Speaker 1>What the what did people find? But you know what,

0:43:00.719 --> 0:43:06.160
<v Speaker 1>I yeah, yeah, spider Man. But I actually appreciate it

0:43:06.200 --> 0:43:08.680
<v Speaker 1>because it's like I actually get to actually under try

0:43:08.760 --> 0:43:11.680
<v Speaker 1>to understand what that role is and what that what

0:43:11.719 --> 0:43:14.920
<v Speaker 1>it means, because you know, my relationship with the cops

0:43:14.920 --> 0:43:16.879
<v Speaker 1>isn't that great and I don't, like, you know, we're

0:43:16.960 --> 0:43:19.600
<v Speaker 1>not very but I'm trying to understand what that is.

0:43:19.960 --> 0:43:21.840
<v Speaker 1>And I think that it's great that these projects have

0:43:21.880 --> 0:43:24.239
<v Speaker 1>come up, that I get to play these guys in

0:43:24.320 --> 0:43:30.440
<v Speaker 1>this way and show a different side to Do you

0:43:30.440 --> 0:43:32.759
<v Speaker 1>ever think you'd say that? Never in my life, man,

0:43:32.880 --> 0:43:34.520
<v Speaker 1>Never in my life. But here we are. Go check

0:43:34.560 --> 0:43:36.520
<v Speaker 1>out all these movies. If Bill Streaking Talk should be

0:43:36.560 --> 0:43:38.719
<v Speaker 1>wide by, now go check it out. If it's near you,

0:43:38.760 --> 0:43:41.200
<v Speaker 1>go see Spider Man. If you haven't already, It's fantastic.

0:43:41.360 --> 0:43:45.799
<v Speaker 1>Widows is out, White Boy Rick is Deep almost video

0:43:45.840 --> 0:43:51.200
<v Speaker 1>as it's which I partake in. Stiff Good. Don't see

0:43:51.239 --> 0:43:53.040
<v Speaker 1>all this stuff, man, I love all this stuff you're doing. Bro,

0:43:53.120 --> 0:43:56.399
<v Speaker 1>thank you one of my favorite actors things, man, thank

0:43:56.440 --> 0:44:02.760
<v Speaker 1>you so much. I really appreciate it. Eight