WEBVTT - More Amnesia

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<v Speaker 1>Ladakasia kara rincon and contracted me the only kanoty as

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<v Speaker 1>your longa your name reception, la your asta.

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<v Speaker 2>Don't you under style.

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<v Speaker 3>Three Moti understands three three dolls something understand taboting that

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<v Speaker 3>that's all to nemis.

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<v Speaker 4>Okay, So I guess I've got some explaining to do.

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<v Speaker 4>So the last time you saw me alive, I had

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<v Speaker 4>just been dumped into the swamp in the trunk of

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<v Speaker 4>my car, and everyone thought that was the end of

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<v Speaker 4>old Nacho. But you can't keep old Nachos down. What

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<v Speaker 4>you didn't know was that this wasn't my first time

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<v Speaker 4>being locked in my trunk, And after I watched Uncut Gems,

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<v Speaker 4>I had a secret latch built into my trunk just

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<v Speaker 4>in case of scenarios like this, because if you stay ready,

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<v Speaker 4>you ain't gotta get ready.

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<v Speaker 5>Suck on that sadler.

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<v Speaker 4>Bada bing bada boom. Nacho lives to bet another day?

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<v Speaker 2>Right wrong?

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<v Speaker 6>Hey mister, hey, wake up, buddy?

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<v Speaker 2>You okay?

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<v Speaker 7>Where am I?

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<v Speaker 2>You're in the middle of the road.

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<v Speaker 4>What are you doing here?

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<v Speaker 8>Man?

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<v Speaker 4>You're trying to be Gator food.

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<v Speaker 5>I don't know.

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<v Speaker 2>Who am I?

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<v Speaker 4>That's right, I have amnesia. How could I forget I know, right,

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<v Speaker 4>What are the chances?

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<v Speaker 2>What did I just say?

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<v Speaker 4>Anyway, for the purposes of this story, we're going to

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<v Speaker 4>consider me too. From people me the Nacho that you

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<v Speaker 4>know and love that remembers everything. Let's call him just

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<v Speaker 4>old Nachos and John Doe or Nacho Light, the guy

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<v Speaker 4>with amnesia occupying my sexy ass body for the moment.

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<v Speaker 2>What did I just say?

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<v Speaker 9>So?

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<v Speaker 2>Am I dead?

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<v Speaker 3>No?

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<v Speaker 4>But I'm also not really alive either. Anyway, back to

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<v Speaker 4>our story. Like I said, I've been at the hospital

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<v Speaker 4>the whole time, and I just happened to be in

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<v Speaker 4>the same room where Raoul is recovering from his concussion.

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<v Speaker 2>What a lucky.

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<v Speaker 4>Coincidence only in novelas. Meanwhile, Luisa got engaged like what's

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<v Speaker 4>up with that? And lastly, Sarah finally recovered after her

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<v Speaker 4>accident and Estraya finally came clean about her search for

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<v Speaker 4>Gad and let's just say it didn't go over super well. Anyway,

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<v Speaker 4>Let's get back to the really important story.

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<v Speaker 2>Mind not sure? Oh is it real? He said you?

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<v Speaker 10>Is it real?

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<v Speaker 2>He said you? Oh my god, I pray for this.

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<v Speaker 5>I I can't believe it.

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<v Speaker 2>We don't don't touch me.

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<v Speaker 4>What's going on?

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<v Speaker 2>Nurse? Nurse? Help? Dad called down?

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<v Speaker 4>No, no, who are you? I'm not your dad?

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<v Speaker 2>With help? Help? Help?

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<v Speaker 5>What's going on in here?

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<v Speaker 2>Oh?

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<v Speaker 5>Sir, I'm gonna need you to compose yourself or I'm

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<v Speaker 5>gonna have to ask you to leave.

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<v Speaker 10>Oh that, don't you recognize me?

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<v Speaker 2>I'm your son.

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<v Speaker 4>I'm sorry, I know what are you talking for?

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<v Speaker 2>The heat?

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<v Speaker 4>Append a heat of what?

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<v Speaker 2>I'm sorry?

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<v Speaker 7>No?

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<v Speaker 4>No, none of these, none of the rings, any bells?

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<v Speaker 2>Miss?

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<v Speaker 10>How long has he been here? About six weeks?

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<v Speaker 11>He walked in one day looking like a zombie and

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<v Speaker 11>didn't have any identifying information, just the clothes on his

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<v Speaker 11>back in a small statue of San Martin de Pores.

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<v Speaker 8>Look, I've got a lot to do.

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<v Speaker 5>Are you all gonna be all right in here?

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<v Speaker 2>Uh?

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<v Speaker 5>Yes, I think so, because I'm gonna go.

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<v Speaker 2>You're my son and you're my bob.

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<v Speaker 11>Yeah, all right, this is getting weird, so I'm gonna go.

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<v Speaker 5>Good luck.

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<v Speaker 3>You don't remember anything, you don't remember me?

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<v Speaker 2>No, I'm sorry.

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<v Speaker 4>The first thing I remember is.

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<v Speaker 2>Walking into this, this hospital.

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<v Speaker 10>And it doesn't matter, it doesn't matter. What matters is

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<v Speaker 10>that you are alive. You are alive and it is

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<v Speaker 10>a miracle that I am never going to leave your

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<v Speaker 10>side again.

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<v Speaker 2>Let me be that you stop stop it.

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<v Speaker 4>I'm gonna stop kissing my hands. Okay that makes me

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<v Speaker 4>feel uncomfortable.

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<v Speaker 10>Yes, of course we will take it slow.

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<v Speaker 2>But you you said, my name is.

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<v Speaker 10>Nacho, like.

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<v Speaker 2>Nacho Cheese. I remember Nacho Cheese.

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<v Speaker 10>It's short for Rignacchio. And we have a lot of

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<v Speaker 10>catching up to But first there is something I have to.

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<v Speaker 2>Do, Raoul.

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<v Speaker 10>Where is history?

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<v Speaker 12>You sure you want to do this now more than ever?

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<v Speaker 12>And dah, I pray for one more day with your father,

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<v Speaker 12>and now I finally have it. I have to make

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<v Speaker 12>things right.

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<v Speaker 10>Natcho. Can I call you Nacho?

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<v Speaker 2>But if you have to, I have something I need

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<v Speaker 2>to do.

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<v Speaker 10>But when I get back, we are going to talk

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<v Speaker 10>about everything.

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<v Speaker 2>Raul.

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<v Speaker 10>Can you stay here with your father?

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<v Speaker 6>Of course, we have a lot of catching up to do, right, Babby,

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<v Speaker 6>as excited as I.

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<v Speaker 4>Am, my poppy even less, Nacho, you're not smiling.

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<v Speaker 12>It's just upstairs room five before perfect guard him with

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<v Speaker 12>your life. Now I am off to fight the dragon

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<v Speaker 12>and to rescue that.

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<v Speaker 4>I'm what the hell is going on?

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<v Speaker 2>I'm really confused.

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<v Speaker 6>Yeah, he said, stuff like that. Sometimes you get used

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<v Speaker 6>to it.

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<v Speaker 4>I'm not gonna lie me hinting. It's pretty weird to

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<v Speaker 4>be narrating a scene I'm in, but corporeal problems aside,

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<v Speaker 4>it's nice to see us stave On finally showing some growth.

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<v Speaker 4>I guess he is a grower, not a shower. Now

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<v Speaker 4>let's check in on how Louisa is handling her upcoming nuptials.

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<v Speaker 13>And then he said, send me some feet picks. Yes, yes,

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<v Speaker 13>with my tall rings and everything. Now, girl, I'm telling

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<v Speaker 13>you is rough up in these streets, so it's up.

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<v Speaker 14>Why the emergency text?

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<v Speaker 5>Well, remember how I was telling you about that doctor Joel.

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<v Speaker 13>Hmmmm, mister perfect, the one of the washboard abs who

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<v Speaker 13>adopts puppies on weekends or a volunteer firefighter or something.

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<v Speaker 2>That's the one. Well he asked me to marry.

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<v Speaker 14>Yeah, okay, wait wait, are you are you serious?

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<v Speaker 7>Uh huh?

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<v Speaker 14>I thought you guys had only known each other a.

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<v Speaker 2>Couple of weeks.

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<v Speaker 14>I know, I know it's sudden, but that's why I

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<v Speaker 14>need your help.

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<v Speaker 13>He knows neither of our families will accept this because

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<v Speaker 13>it's so fast, so he wants to be low.

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<v Speaker 14>Wait a minute, Lisa, this is crazy. What are you

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<v Speaker 14>talking about.

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<v Speaker 10>It's a delicate situation.

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<v Speaker 11>That's that's why I need someone I trust to help me.

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<v Speaker 2>Okay, I I want you to marry us. What you're

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<v Speaker 2>an elected official?

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<v Speaker 6>Wait?

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<v Speaker 14>Wait, wait wait, Luisa, this is this is nuts. Could

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<v Speaker 14>I technically marry you?

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<v Speaker 2>Yes?

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<v Speaker 14>I could, but this is a terrible idea. I mean,

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<v Speaker 14>have you talked to anyone about this yet? Like your family,

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<v Speaker 14>stem on your daughter.

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<v Speaker 5>I don't want to involve them.

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<v Speaker 2>I already know what they'll say.

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<v Speaker 5>That's why I'm coming to you.

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<v Speaker 11>This is the first time in my life I've been

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<v Speaker 11>able to make decisions for myself.

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<v Speaker 5>No one has ever.

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<v Speaker 6>Trusted me to run my own life. They all think

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<v Speaker 6>I'm an idiot.

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<v Speaker 2>I really need you to support me. Just hear me out.

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<v Speaker 14>Oh Luisa, I don't know about trust me.

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<v Speaker 5>I know what I'm doing, do you, girl?

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<v Speaker 4>Because this all seems like a terrible decision. Oh Luisa,

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<v Speaker 4>what kind of a Roco mango are you dragging Alicia into?

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<v Speaker 4>And speaking of a Roco mango, there's one being mixed

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<v Speaker 4>back at the hospital right now.

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<v Speaker 10>Estraya, there you are. I am here to save the day.

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<v Speaker 5>Oh hell no, not you now.

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<v Speaker 10>Look, I know we didn't always get along in the past.

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<v Speaker 5>Oh are you serious get along?

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<v Speaker 2>Yes?

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<v Speaker 5>First off, you are a nightmare to work for.

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<v Speaker 8>Okay, you are nasty, you leave tonail clippers everywhere, and

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<v Speaker 8>you always left streaks in your charms. It still gives

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<v Speaker 8>me nightmares. I just get sick thinking about it. And

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<v Speaker 8>second off, you are a lion ass hypocrite and you

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<v Speaker 8>literally got elected by being hateful towards by community. And

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<v Speaker 8>third you have the most stupidest space I've ever seen.

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<v Speaker 10>That's one personal.

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<v Speaker 2>Look.

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<v Speaker 8>Whatever you have to say, I'm not interested, Okay, so

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<v Speaker 8>please do me a favorite and go play some traffic.

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<v Speaker 10>I'm here to rescue Gabby. You said, what bitch estraya.

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<v Speaker 12>I know you have no reason to trust me that

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<v Speaker 12>I've done terrible things in the past, but please believe

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<v Speaker 12>me when I tell you that.

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<v Speaker 10>I am trying to change.

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<v Speaker 12>Sometimes it takes losing someone you love to make you

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<v Speaker 12>realize that the lies aren't worth it.

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<v Speaker 5>Wow, you really loved natural Huh?

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<v Speaker 2>I did? I'll do.

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<v Speaker 10>Please let me help you.

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<v Speaker 5>Okay, what do you want?

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<v Speaker 10>I want to help you rescue Gary and I know

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<v Speaker 10>exactly where she is here.

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<v Speaker 5>What like in this hospital here.

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<v Speaker 8>Yep, what kind of coincidence is that?

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<v Speaker 10>Now that you mentioned it, it does seem like a

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<v Speaker 10>lot is going on at this hospital. But that is

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<v Speaker 10>not important. I have a plan to get her out,

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<v Speaker 10>and I just need you to come with me.

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<v Speaker 5>Why me, why me? Step By?

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<v Speaker 10>I need you to dress up like a maid, say hey,

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<v Speaker 10>there we go.

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<v Speaker 8>I was waiting for the real step By the show up.

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<v Speaker 8>I know you was gonna be on support it.

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<v Speaker 12>It's all part of the plan. Look, this is our

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<v Speaker 12>one chance at freeing Gabby once and for all.

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<v Speaker 2>So are you in?

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<v Speaker 5>I I can not unless Sarah gives me her blessing.

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<v Speaker 2>Who the hell is Sarah? Who you?

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<v Speaker 5>Okay, there's my girlfriend. She just got out of a coma.

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<v Speaker 8>And look, it's the long story, and it's actually none

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<v Speaker 8>of your business. The point is, if I'm gonna do this,

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<v Speaker 8>I need to clear with her first.

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<v Speaker 2>Are you serious?

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<v Speaker 12>I am here offering to the blowtorch to my life

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<v Speaker 12>and you need to clear it with your little girlfriend.

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<v Speaker 12>I am blowing up everything. I just left the most

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<v Speaker 12>important moment of my entire life a miracle, literal miracle.

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<v Speaker 2>Thank you Jesus?

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<v Speaker 7>Like that?

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<v Speaker 10>Like fine, whatever?

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<v Speaker 4>You just you you go and stay on geto, I said, Chico,

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<v Speaker 4>what kind of crazy scheme do you have cooked up? Well,

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<v Speaker 4>it looks like Astraya has her work cut out for her. Meanwhile,

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<v Speaker 4>Raoul is getting some unexpected visitors. Why would I keep

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<v Speaker 4>betting on horses after I lost all my money?

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<v Speaker 6>I don't know, puppy, you really have a thing for horses.

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<v Speaker 6>One time you said to me, I wish you were

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<v Speaker 6>a horse.

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<v Speaker 4>But that doesn't make any sense.

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<v Speaker 2>Who would do that?

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<v Speaker 7>You?

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<v Speaker 2>You did that? I hope I'm not interrupting?

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<v Speaker 7>What? What?

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<v Speaker 2>What are you?

0:14:09.200 --> 0:14:10.120
<v Speaker 6>What are you doing here?

0:14:10.280 --> 0:14:10.439
<v Speaker 2>Hey?

0:14:10.600 --> 0:14:12.200
<v Speaker 9>Hey, I came as soon as I could.

0:14:12.240 --> 0:14:14.559
<v Speaker 2>I was worried. I mean, you sounded terrible. You know,

0:14:14.720 --> 0:14:19.360
<v Speaker 2>you call me? I did m Hello, nasty?

0:14:22.040 --> 0:14:22.400
<v Speaker 7>Not so.

0:14:23.960 --> 0:14:26.320
<v Speaker 9>I thought you were dead, like I was pretty sure,

0:14:26.360 --> 0:14:28.320
<v Speaker 9>because if you weren't dead, I was gonna kill you.

0:14:28.640 --> 0:14:29.840
<v Speaker 4>And I'm pretty sure I didn't kill you.

0:14:29.960 --> 0:14:32.960
<v Speaker 2>So uh what?

0:14:33.680 --> 0:14:36.200
<v Speaker 6>Oh, he's got anesia. He doesn't remember who he is

0:14:36.440 --> 0:14:37.160
<v Speaker 6>or anything.

0:14:37.600 --> 0:14:38.480
<v Speaker 2>No, it doesn't not real.

0:14:38.560 --> 0:14:40.600
<v Speaker 5>That only happens to soap operas, you know.

0:14:40.680 --> 0:14:41.080
<v Speaker 2>It's real.

0:14:41.280 --> 0:14:44.520
<v Speaker 6>I've been catching him up on his whole life, you know.

0:14:44.640 --> 0:14:47.880
<v Speaker 6>I Oh, I told him about how you beat me up.

0:14:48.080 --> 0:14:51.000
<v Speaker 6>But that were friends. You've just kind of been telling

0:14:51.080 --> 0:14:55.760
<v Speaker 6>him everything about my life, you know, So you have.

0:14:55.880 --> 0:14:57.040
<v Speaker 2>No idea who I am?

0:14:57.960 --> 0:15:03.480
<v Speaker 9>Not the faintest mm hmm, Gonzalo the load shark. I

0:15:03.600 --> 0:15:05.520
<v Speaker 9>let your money a bunch of times. I'm the reason

0:15:05.560 --> 0:15:07.280
<v Speaker 9>you don't have either of your pinky toes.

0:15:07.520 --> 0:15:11.040
<v Speaker 4>I don't have pinking toes my picking toe.

0:15:12.360 --> 0:15:14.880
<v Speaker 9>Yeah, my man, good times.

0:15:16.160 --> 0:15:21.000
<v Speaker 2>So Raoul, how you feeling but uh.

0:15:21.240 --> 0:15:26.920
<v Speaker 6>Not bad, doctor says, the concussions getting better. Listen about

0:15:26.960 --> 0:15:27.840
<v Speaker 6>the money I owe you?

0:15:28.400 --> 0:15:29.280
<v Speaker 4>You owe him money.

0:15:30.240 --> 0:15:32.040
<v Speaker 6>Yeah, it's a long story.

0:15:32.920 --> 0:15:34.080
<v Speaker 2>Like father, like son.

0:15:34.440 --> 0:15:35.000
<v Speaker 7>Relax.

0:15:36.120 --> 0:15:40.400
<v Speaker 2>I'm not here for the money. I'm here because we're friends, right.

0:15:42.000 --> 0:15:45.920
<v Speaker 6>Yeah, yeah, yeah, we're friends for sure.

0:15:46.200 --> 0:15:46.400
<v Speaker 2>Yep.

0:15:47.640 --> 0:15:51.120
<v Speaker 9>Visiting someone at the hospital is a friendly.

0:15:50.880 --> 0:15:54.600
<v Speaker 2>Thing to do, I guess. So why do you and

0:15:54.760 --> 0:15:57.040
<v Speaker 2>I go for friendly little walk?

0:16:00.800 --> 0:16:04.360
<v Speaker 4>Oh boy, it looks like the waiaua doesn't fall far

0:16:04.480 --> 0:16:08.080
<v Speaker 4>from the tree. I don't like the sound of this walk. Well,

0:16:08.440 --> 0:16:12.000
<v Speaker 4>let's leave this little family reunion and see how Astrea

0:16:12.080 --> 0:16:13.080
<v Speaker 4>is faring with Sarah.

0:16:32.600 --> 0:16:35.760
<v Speaker 8>Hey, I told you I didn't want to see you,

0:16:36.640 --> 0:16:40.040
<v Speaker 8>I know, and I wouldn't respect your wishes, But I

0:16:40.160 --> 0:16:42.200
<v Speaker 8>also love the shit out of you and can't stand

0:16:42.240 --> 0:16:42.640
<v Speaker 8>that you're.

0:16:42.560 --> 0:16:43.120
<v Speaker 5>Upset with me.

0:16:44.840 --> 0:16:45.520
<v Speaker 11>Sounds rough.

0:16:46.000 --> 0:16:48.360
<v Speaker 8>You have every right to be upset, and if you

0:16:48.440 --> 0:16:50.920
<v Speaker 8>never want to speak to me again, you'll be totally justified.

0:16:51.680 --> 0:16:52.240
<v Speaker 10>But I just.

0:16:53.760 --> 0:16:55.680
<v Speaker 5>I need you to understand something first.

0:16:56.120 --> 0:16:57.160
<v Speaker 11>I understand everything.

0:16:57.320 --> 0:17:01.520
<v Speaker 5>Please, please, please, just let me explain telling you I

0:17:01.680 --> 0:17:01.960
<v Speaker 5>love you.

0:17:04.400 --> 0:17:06.119
<v Speaker 8>It's one of the hardest things I've ever done in

0:17:06.200 --> 0:17:08.920
<v Speaker 8>my life. And it's not because you're hard to love.

0:17:10.280 --> 0:17:13.360
<v Speaker 8>You're amazing. You're more than I deserve, and I fell

0:17:13.440 --> 0:17:16.920
<v Speaker 8>for you the moment I met you. But loving someone

0:17:18.160 --> 0:17:21.120
<v Speaker 8>is scary, and the last time I did it turned

0:17:21.119 --> 0:17:26.080
<v Speaker 8>out really bad. Jee, I don't want to Please just listen, Okay.

0:17:27.680 --> 0:17:30.360
<v Speaker 8>When Gabby went missing, I fell into a black hole.

0:17:31.680 --> 0:17:36.560
<v Speaker 8>I've spent the last six years feeling completely helpless knowing

0:17:36.640 --> 0:17:37.480
<v Speaker 8>that you can help the.

0:17:37.520 --> 0:17:41.520
<v Speaker 5>Person you love. It's the worst feeling in the world.

0:17:42.680 --> 0:17:45.200
<v Speaker 8>I felt it when Gabby disappeared, and I felt it

0:17:45.359 --> 0:17:49.359
<v Speaker 8>again when they told me about your accident. I know

0:17:49.440 --> 0:17:53.280
<v Speaker 8>I messed up with you big time, but please believe

0:17:53.320 --> 0:17:54.920
<v Speaker 8>me when I say that I wasn't.

0:17:55.080 --> 0:17:58.400
<v Speaker 5>Trying to hurt you. I was scared of hurting myself.

0:17:59.280 --> 0:18:02.000
<v Speaker 8>But I don't care if I get hurt anymore, nothing

0:18:02.080 --> 0:18:04.320
<v Speaker 8>could be worse than sitting by your bed wondering if

0:18:04.320 --> 0:18:04.600
<v Speaker 8>you were.

0:18:04.600 --> 0:18:08.760
<v Speaker 5>Going to wake up. I love you, Sarah, and I

0:18:08.920 --> 0:18:10.920
<v Speaker 5>promise you that I won't ever hold the truth back

0:18:10.960 --> 0:18:12.880
<v Speaker 5>from you again, which is why I'm here.

0:18:13.600 --> 0:18:22.840
<v Speaker 8>Okay, outside this door Esteban God that is saying he's

0:18:22.880 --> 0:18:25.719
<v Speaker 8>found Gabby. He has a plan for how to rescue her,

0:18:25.960 --> 0:18:28.639
<v Speaker 8>and he needs me to do it. But I'm not

0:18:28.680 --> 0:18:30.800
<v Speaker 8>going to do anything unless you tell me I should.

0:18:31.560 --> 0:18:34.280
<v Speaker 8>I'm not trying to trick you or force you into

0:18:34.320 --> 0:18:37.560
<v Speaker 8>saying yes. This is me telling you that what happened

0:18:37.560 --> 0:18:40.840
<v Speaker 8>in my past doesn't matter. What I want most is

0:18:40.920 --> 0:18:44.480
<v Speaker 8>a future with you. So if you want me to,

0:18:44.640 --> 0:18:46.480
<v Speaker 8>I'll let this whole thing go here and now it's

0:18:46.560 --> 0:18:46.840
<v Speaker 8>up to you.

0:18:49.640 --> 0:18:50.560
<v Speaker 14>So, just to.

0:18:50.600 --> 0:18:57.560
<v Speaker 11>Recap, your ex girlfriend is kidnapped. Yeah, and your old

0:18:57.680 --> 0:19:01.160
<v Speaker 11>boss slash current mayor has a plan to arrest her. Yes,

0:19:02.400 --> 0:19:04.160
<v Speaker 11>and you're asking my permission.

0:19:04.720 --> 0:19:04.920
<v Speaker 5>Yes.

0:19:07.800 --> 0:19:11.439
<v Speaker 11>Look, I don't know what kind of relationships you've been

0:19:11.520 --> 0:19:12.040
<v Speaker 11>in before.

0:19:12.320 --> 0:19:15.120
<v Speaker 5>I haven't really been in another serious relationship.

0:19:15.560 --> 0:19:20.119
<v Speaker 11>Yeah, I can tell well this really is and how

0:19:20.200 --> 0:19:22.800
<v Speaker 11>it works. You don't have to ask my permission to

0:19:22.880 --> 0:19:23.320
<v Speaker 11>do stuff.

0:19:23.560 --> 0:19:25.679
<v Speaker 5>Yeah, I know, but I'm trying to be radically honest

0:19:25.720 --> 0:19:26.119
<v Speaker 5>and stuff.

0:19:26.280 --> 0:19:28.720
<v Speaker 11>Yeah, and I want you to be honest. But being

0:19:28.800 --> 0:19:32.119
<v Speaker 11>in a relationship doesn't mean we have to clear everything

0:19:32.240 --> 0:19:35.600
<v Speaker 11>with each other. That's what trust is for. That's why

0:19:35.760 --> 0:19:39.680
<v Speaker 11>I was and still a I'm so mad at you

0:19:40.240 --> 0:19:41.679
<v Speaker 11>because you broke that trust.

0:19:42.160 --> 0:19:43.080
<v Speaker 5>So what are you saying?

0:19:43.720 --> 0:19:47.320
<v Speaker 11>I'm saying, grow up? Of course you should go and

0:19:47.440 --> 0:19:48.320
<v Speaker 11>rescue this girl.

0:19:48.960 --> 0:19:50.080
<v Speaker 5>And you're not going to be mad.

0:19:50.520 --> 0:19:52.639
<v Speaker 11>Are you going to rescue her vagina in your mouth?

0:19:53.280 --> 0:19:53.320
<v Speaker 4>No?

0:19:54.480 --> 0:19:57.680
<v Speaker 11>Then no, I'm not going to be mad. But you

0:19:57.840 --> 0:20:02.080
<v Speaker 11>being radically honest and fix what you did, and you're

0:20:02.160 --> 0:20:03.240
<v Speaker 11>just gonna have to live with that.

0:20:06.480 --> 0:20:06.920
<v Speaker 5>I love you.

0:20:08.000 --> 0:20:09.240
<v Speaker 10>Go do what you have to do.

0:20:10.240 --> 0:20:11.520
<v Speaker 11>We can talk when you get back.

0:20:14.880 --> 0:20:20.160
<v Speaker 4>Youch not the answer you were expecting Hans today. Well

0:20:20.240 --> 0:20:25.119
<v Speaker 4>these two ever work it out. I know what you're thinking,

0:20:25.800 --> 0:20:28.000
<v Speaker 4>who knows and who cares?

0:20:28.720 --> 0:20:30.960
<v Speaker 2>I don't you know what? I want to know?

0:20:32.400 --> 0:20:33.800
<v Speaker 4>What the happened to?

0:20:34.000 --> 0:20:34.400
<v Speaker 2>Gabby?

0:20:49.359 --> 0:20:52.320
<v Speaker 7>The Princess of South Beach Season two was produced by

0:20:52.400 --> 0:20:56.880
<v Speaker 7>Sonoto in partnership with Our Heart's Michael Touda Network. Created

0:20:56.920 --> 0:21:01.359
<v Speaker 7>and directed by Jasmine Rometto, written by Jazmine Romero with

0:21:01.560 --> 0:21:06.560
<v Speaker 7>help from Anissa Hendrix. Produced by Luisa Duardo Castillo, Executive

0:21:06.600 --> 0:21:10.840
<v Speaker 7>produced by Jasmine Romero. Executive produced by Conaal Bayne and

0:21:10.920 --> 0:21:15.520
<v Speaker 7>Jessel Bances for iHeart and Camilla Victoriano and Josha Weinstein

0:21:15.800 --> 0:21:22.080
<v Speaker 7>for Sonoro. Performances in this episode by Danny Pino, Paco Loosano,

0:21:22.640 --> 0:21:29.720
<v Speaker 7>Andy Bustigios, Raoul Sparson, Kelsey gann Jazmine Romero, Gina Torres,

0:21:30.560 --> 0:21:36.800
<v Speaker 7>Ex Mayo, Alfredo Narciso, and Kueitan. Our production manager is

0:21:36.920 --> 0:21:42.200
<v Speaker 7>Kerenza Childis. Recording engineering and sound design by Luin Rigoyan

0:21:42.240 --> 0:21:46.040
<v Speaker 7>and Juan Diaz, with help from Cassandra Tinajro and Andres Bayena.

0:21:46.640 --> 0:21:51.560
<v Speaker 7>Casting a coordination by Kerenza Chaildis, Ansli Martinez, Alex Gonzalez

0:21:51.680 --> 0:21:56.440
<v Speaker 7>and Andres Childis. Theme song and original music by Rodrigo Garcia.

0:21:56.560 --> 0:22:01.120
<v Speaker 7>Rolis theme song performed by Jafet, Samajoa and Carol Velasco

0:22:01.960 --> 0:22:05.480
<v Speaker 7>voices recorded at the Invisible Studios in Los Angeles, the

0:22:05.640 --> 0:22:08.640
<v Speaker 7>Ralely Room in New York, and the Hollowod Halls in Portland,

0:22:09.119 --> 0:22:14.200
<v Speaker 7>with engineering by Charles Carroll, David Wilson, Neil Wagenson, Sam

0:22:14.280 --> 0:22:19.200
<v Speaker 7>Bear Brett Tubin and Justin Philps with special thanks to

0:22:19.320 --> 0:22:20.240
<v Speaker 7>Heronimoabila