1 00:00:00,080 --> 00:00:04,640 Speaker 1: Hey rain Drops. Yes, so I finally got merch. That's right. 2 00:00:05,160 --> 00:00:10,799 Speaker 1: You can buy your Allegedly and my Boys mugs, T shirts, 3 00:00:11,080 --> 00:00:16,000 Speaker 1: rain drops, hoodies and T shirts all on Carlos Kingshop 4 00:00:16,520 --> 00:00:17,200 Speaker 1: dot com. 5 00:00:17,520 --> 00:00:18,119 Speaker 2: That's right. 6 00:00:18,440 --> 00:00:22,320 Speaker 1: Get your hoodies, your T shirts, and your mugs all 7 00:00:22,480 --> 00:00:29,160 Speaker 1: on Carlos Kingshop dot com. Welcome to Reality with the King. 8 00:00:29,520 --> 00:00:33,239 Speaker 1: It's me Carlos kings the King of Reality TV and 9 00:00:33,280 --> 00:00:37,040 Speaker 1: one of the most sought after executive producers in reality 10 00:00:37,120 --> 00:00:41,479 Speaker 1: television with over ten years of production experience. Twice a 11 00:00:41,520 --> 00:00:44,120 Speaker 1: week on Reality with the King, we'll sit down with 12 00:00:44,159 --> 00:00:48,560 Speaker 1: my friends across the entertainment industry, recap our favorite reality 13 00:00:48,600 --> 00:00:52,599 Speaker 1: shows and revisit unforgettable moments that we are still talking 14 00:00:52,960 --> 00:00:56,440 Speaker 1: and tweeting about. 15 00:00:56,680 --> 00:00:59,040 Speaker 2: Hey rain Drops, I'm ba. 16 00:01:00,720 --> 00:01:05,000 Speaker 1: Yes, So on today's episode of Reality with the King, 17 00:01:05,200 --> 00:01:10,360 Speaker 1: we have to recap the season premiere of the Real 18 00:01:10,400 --> 00:01:15,520 Speaker 1: Housewife of Salt Lake City. I want to be able 19 00:01:15,920 --> 00:01:20,000 Speaker 1: to really talk about this show in a way that 20 00:01:21,319 --> 00:01:25,600 Speaker 1: doesn't recap scene by scene, because when I do recaps 21 00:01:25,640 --> 00:01:28,240 Speaker 1: of shows, I don't want to go through scene by scene. 22 00:01:28,400 --> 00:01:31,080 Speaker 1: You guys seen it. We ain't got to do that. 23 00:01:31,319 --> 00:01:36,440 Speaker 1: I want to have an overall discussion about this season premiere. Okay, 24 00:01:37,680 --> 00:01:42,600 Speaker 1: on a scale of one to ten, drum roll, please, 25 00:01:46,040 --> 00:01:48,600 Speaker 1: I give the premiere a seven, and hear me out. 26 00:01:49,480 --> 00:01:53,480 Speaker 1: It's not that it was a bad premiere, because it wasn't. 27 00:01:53,960 --> 00:01:57,800 Speaker 1: I love the new girl Bronwin. I think she's a star. 28 00:01:58,760 --> 00:02:02,360 Speaker 1: She's beautiful, fashionable. We'll get into her a little bit later. 29 00:02:03,280 --> 00:02:05,920 Speaker 1: But you know, the thing for me, rain Drops is 30 00:02:05,960 --> 00:02:10,280 Speaker 1: the fact that I didn't feel anything. I watched it 31 00:02:10,800 --> 00:02:16,160 Speaker 1: and I was like, Okay, it was a premiere that 32 00:02:17,200 --> 00:02:19,320 Speaker 1: had these girls argue at a dinner table. 33 00:02:20,080 --> 00:02:22,840 Speaker 2: I've seen that before. Do you know what I mean? Like, 34 00:02:22,919 --> 00:02:25,040 Speaker 2: I okay, they had a dinner party and they argue 35 00:02:25,120 --> 00:02:27,720 Speaker 2: at a dinner party. Okay, got it? 36 00:02:28,320 --> 00:02:33,240 Speaker 1: And the words of Miranda Priestley from A Devil's Re 37 00:02:33,240 --> 00:02:40,840 Speaker 1: a Praduct, it's not necessarily groundbreaking. And for me, I'm 38 00:02:40,880 --> 00:02:44,639 Speaker 1: gonna give y'all my real opinion as if I don't 39 00:02:44,639 --> 00:02:49,440 Speaker 1: do that anyway. But for me, I felt like all 40 00:02:49,480 --> 00:02:53,440 Speaker 1: the ladies were being performative. Do not get me started 41 00:02:53,680 --> 00:02:58,680 Speaker 1: a hurricane ang and her scroll who the fuck? Ooh 42 00:02:58,720 --> 00:03:02,920 Speaker 1: excuse me, I'm sorry, listen. I know some of you 43 00:03:02,960 --> 00:03:05,760 Speaker 1: guys are Christians or even Mormons. 44 00:03:05,960 --> 00:03:09,000 Speaker 2: So I apologize, Hey, Hodey, I'm the audience. 45 00:03:09,480 --> 00:03:14,120 Speaker 1: I apologize for Cussy because listen, I'm trying to do better. 46 00:03:14,639 --> 00:03:19,240 Speaker 1: But who in the world breaks a scroll to a 47 00:03:19,800 --> 00:03:22,880 Speaker 1: party that's not real? 48 00:03:23,880 --> 00:03:27,680 Speaker 2: That's not real like it's performative. 49 00:03:28,480 --> 00:03:32,640 Speaker 1: Listen, I'm gonna use the premiere of the Real Housewives 50 00:03:32,680 --> 00:03:36,080 Speaker 1: of Salt Lake City to have a real discussion about 51 00:03:36,120 --> 00:03:39,560 Speaker 1: the state of reality television and how people are doing 52 00:03:39,600 --> 00:03:43,320 Speaker 1: things for moments instead of being the moment. I like 53 00:03:43,440 --> 00:03:47,480 Speaker 1: Hurricane Angie. When Tamra Judge, who's a friend of mine, 54 00:03:48,240 --> 00:03:51,320 Speaker 1: her and Teddy another friend of mine, on their podcast, 55 00:03:52,000 --> 00:03:55,080 Speaker 1: they called me because Cynthia Bailey, another friend of mine, 56 00:03:55,520 --> 00:03:59,240 Speaker 1: justin Key Key and Angie happened to be with them 57 00:03:59,600 --> 00:04:05,360 Speaker 1: and Aedgie, Edgie is aware of who I am at 58 00:04:05,360 --> 00:04:09,360 Speaker 1: my podcast, she said, oh god, it's Carlos Cake. I've 59 00:04:09,400 --> 00:04:11,720 Speaker 1: heard all the things you have to say about the show, 60 00:04:12,520 --> 00:04:14,880 Speaker 1: and I'm like, Aedgie, I like you, but you are 61 00:04:15,040 --> 00:04:19,599 Speaker 1: Hurricane Angie. You come in hot, you breathe into the scene, 62 00:04:19,760 --> 00:04:21,960 Speaker 1: and you go with the windblows. That's why I call 63 00:04:22,040 --> 00:04:26,080 Speaker 1: her Hurricane Angie. You know, the weather man says a forecast. 64 00:04:27,000 --> 00:04:31,440 Speaker 1: It's desperate and to bring a scroll inside of your 65 00:04:31,480 --> 00:04:37,159 Speaker 1: hermez bag was just late and tired. Four o'clock in 66 00:04:37,240 --> 00:04:41,640 Speaker 1: the morning, late and tired. It's looking for a moment 67 00:04:42,560 --> 00:04:45,640 Speaker 1: instead of being the moment. And that's the problem that 68 00:04:45,680 --> 00:04:48,680 Speaker 1: I have with the premiere. Let's have a real conversation. 69 00:04:49,400 --> 00:04:52,960 Speaker 1: All of the girls said to themselves and to each other, 70 00:04:53,640 --> 00:04:57,160 Speaker 1: we have to show the network, the producers, and the 71 00:04:57,200 --> 00:05:01,080 Speaker 1: world that we do not need Monica Garcia for the 72 00:05:01,120 --> 00:05:05,400 Speaker 1: show to be great. They all were performing like they 73 00:05:05,400 --> 00:05:11,280 Speaker 1: were at the halftime Super Bowl, Okay, rehearsing with Kendrick Lamar. 74 00:05:11,920 --> 00:05:16,320 Speaker 1: It was a rehearsal. It was Dance Moms. Where is 75 00:05:16,400 --> 00:05:20,000 Speaker 1: Abby Lee Miller when you need her? These ladies were performing. 76 00:05:20,400 --> 00:05:22,760 Speaker 1: The only one to me who was being themselves in 77 00:05:22,800 --> 00:05:24,560 Speaker 1: this premiere, and I'm being honest and. 78 00:05:24,520 --> 00:05:27,040 Speaker 2: I love all the girls was Mary. 79 00:05:27,640 --> 00:05:31,360 Speaker 1: Mary is herself like she shows up, she does her 80 00:05:31,360 --> 00:05:32,720 Speaker 1: one two's, and she keeps it moving. 81 00:05:32,839 --> 00:05:35,440 Speaker 2: I love Mary. Mary was great. It was nice to 82 00:05:35,480 --> 00:05:36,600 Speaker 2: see Mary. 83 00:05:36,720 --> 00:05:39,520 Speaker 1: To me, the rest of the girls were being performative 84 00:05:40,279 --> 00:05:43,120 Speaker 1: and they had to try hard to prove that they 85 00:05:43,160 --> 00:05:47,000 Speaker 1: do not need Monica Garcia. Monica Garcia was the elephant 86 00:05:47,080 --> 00:05:52,960 Speaker 1: in the room, okay, because it showed that they need 87 00:05:53,000 --> 00:05:57,960 Speaker 1: to prove that they're coming together. 88 00:05:58,400 --> 00:06:00,520 Speaker 2: To prevent her from being on the show. Show had 89 00:06:00,560 --> 00:06:02,200 Speaker 2: to work. Okay. 90 00:06:03,200 --> 00:06:07,080 Speaker 1: I did not want to watch last season's Salt Lake 91 00:06:07,120 --> 00:06:12,040 Speaker 1: City because the force multiplier Jen Shaw left the show. 92 00:06:12,640 --> 00:06:14,160 Speaker 2: Well, she didn't leave. 93 00:06:17,040 --> 00:06:20,400 Speaker 1: You know, she got handcuffed and you know, play guilty 94 00:06:20,480 --> 00:06:24,359 Speaker 1: and did some crime and now she's paying the time. Okay, 95 00:06:24,720 --> 00:06:28,600 Speaker 1: I'm just waiting for the Hulu you know, true crime series. 96 00:06:28,720 --> 00:06:30,080 Speaker 2: Okay, but I digress. 97 00:06:30,680 --> 00:06:34,200 Speaker 1: But everybody said to me, my rain drops and my friends, Okay, 98 00:06:34,320 --> 00:06:36,640 Speaker 1: you have to watch the Real House of Salt Lake City. 99 00:06:36,680 --> 00:06:39,599 Speaker 1: It's amazing, and they all said, this chick Monica is 100 00:06:39,600 --> 00:06:42,600 Speaker 1: bringing it. So I watched it last season and I 101 00:06:42,800 --> 00:06:45,440 Speaker 1: was so into it. And the reason why I was 102 00:06:45,480 --> 00:06:48,080 Speaker 1: so into last season after not even trying to watch 103 00:06:48,120 --> 00:06:51,600 Speaker 1: it is because I felt like, oh my gosh. 104 00:06:51,200 --> 00:06:53,839 Speaker 2: This is some real personal story. 105 00:06:53,960 --> 00:06:57,320 Speaker 1: It felt so real to me, and what Monica brought 106 00:06:57,680 --> 00:07:02,000 Speaker 1: to the show was so rich, and I felt like 107 00:07:02,040 --> 00:07:05,719 Speaker 1: all the ladies were being real because they really either 108 00:07:05,960 --> 00:07:10,160 Speaker 1: loved her or hated her. And listen, you don't have 109 00:07:10,200 --> 00:07:15,120 Speaker 1: to be a fan of Monica's to appreciate the fact 110 00:07:15,160 --> 00:07:19,080 Speaker 1: that she had all of these girls clock in. All 111 00:07:19,120 --> 00:07:22,480 Speaker 1: of these girls put in their time card, clocked in, 112 00:07:23,000 --> 00:07:28,400 Speaker 1: worked over time, got have time pay like they they 113 00:07:28,840 --> 00:07:31,120 Speaker 1: they got bonuses, do you know what I mean? Like 114 00:07:32,040 --> 00:07:38,760 Speaker 1: she allowed them to clock in. And Lisa Barlow's bestse's party, 115 00:07:39,280 --> 00:07:44,720 Speaker 1: although gorgeous, was not giving to me. It was predictable. 116 00:07:45,240 --> 00:07:47,960 Speaker 1: It was We're going to have her dinner party. We're 117 00:07:48,000 --> 00:07:51,320 Speaker 1: going to distract the audience by having this. 118 00:07:51,480 --> 00:07:53,960 Speaker 2: Amazing editing. The editing was amazing. 119 00:07:54,400 --> 00:07:58,520 Speaker 1: Shout out to the editor who had their hands onto 120 00:07:58,560 --> 00:08:02,600 Speaker 1: this episode. The editing of this show, the way it 121 00:08:02,680 --> 00:08:07,400 Speaker 1: opened up the flashbacks, it was now that was a 122 00:08:07,480 --> 00:08:09,960 Speaker 1: ten out of a ten. It was, in my opinion, 123 00:08:10,480 --> 00:08:13,360 Speaker 1: it was one of the best editing I've seen on 124 00:08:13,400 --> 00:08:13,920 Speaker 1: a premiere. 125 00:08:13,960 --> 00:08:16,880 Speaker 2: It was fantastic. Shot out to the editor. 126 00:08:17,480 --> 00:08:24,400 Speaker 1: The half time show performance left me less to be desired. 127 00:08:25,280 --> 00:08:29,360 Speaker 2: I cannot promise that I'm. 128 00:08:29,200 --> 00:08:33,199 Speaker 1: Going to stay tuned for the entire season because I 129 00:08:33,400 --> 00:08:37,119 Speaker 1: want to feel something. I want to feel it injected 130 00:08:37,160 --> 00:08:40,120 Speaker 1: in my veins. I want to feel the reality of 131 00:08:40,200 --> 00:08:46,679 Speaker 1: these women being themselves and showing up as themselves and 132 00:08:46,720 --> 00:08:53,480 Speaker 1: allowing us to appreciate their authenticity. Hurricane Angie. That had 133 00:08:53,520 --> 00:08:57,760 Speaker 1: to be the most cringe worthy moment I have ever 134 00:08:57,840 --> 00:09:01,400 Speaker 1: seen in the history of the Real Housewives franchise. 135 00:09:02,120 --> 00:09:07,680 Speaker 2: It was bad, stale, molded. No one does that in 136 00:09:07,720 --> 00:09:08,400 Speaker 2: real life. 137 00:09:08,760 --> 00:09:13,679 Speaker 1: Do you see Kathy Hilton having her Christmas party and 138 00:09:14,480 --> 00:09:20,080 Speaker 1: those women who can afford an ermez bag taking out 139 00:09:20,120 --> 00:09:25,240 Speaker 1: a scroll to read a girl that's not reality. First 140 00:09:25,280 --> 00:09:28,080 Speaker 1: of all, I can't believe that she did it. I 141 00:09:28,320 --> 00:09:30,720 Speaker 1: would have cut that scene out. I would have been like, 142 00:09:30,760 --> 00:09:35,199 Speaker 1: what are we doing here? It's not exciting, it's not real. 143 00:09:35,600 --> 00:09:40,400 Speaker 1: Kenya Icon legend More season five of the Real Housewives 144 00:09:40,440 --> 00:09:45,400 Speaker 1: of Atlanta showing up to Nini's Shoe Dazzle party dressed 145 00:09:45,480 --> 00:09:49,600 Speaker 1: up in a costume as Phedra. That's comedy, that's funny. 146 00:09:50,000 --> 00:09:54,240 Speaker 1: We're in on the joke, Like Kenya, was it being serious? 147 00:09:54,520 --> 00:09:58,920 Speaker 1: Kenya having the butt pads and the fishnet bathing suit 148 00:10:00,040 --> 00:10:03,320 Speaker 1: walking in with Miss Lawrence like that was funny. It 149 00:10:03,360 --> 00:10:06,640 Speaker 1: was comedy. It wasn't meant to be taken seriously. Showing 150 00:10:06,720 --> 00:10:10,280 Speaker 1: up with the scroll, it's just cringey. So that threw 151 00:10:10,320 --> 00:10:13,760 Speaker 1: me off. And then let me talk about something I 152 00:10:13,760 --> 00:10:17,600 Speaker 1: did like. I really like Bronwyn. I think she's a star. 153 00:10:18,240 --> 00:10:22,560 Speaker 1: She's a mixture between Mia Thornton on Potomac and Derete 154 00:10:23,400 --> 00:10:28,040 Speaker 1: first season Derete, Let's be very clear because Derit hasn't 155 00:10:28,040 --> 00:10:32,720 Speaker 1: dereted since her first season. Let's have that real conversation 156 00:10:32,880 --> 00:10:37,640 Speaker 1: another day. Bronwyn is a mixture of Deret's first season 157 00:10:37,679 --> 00:10:41,680 Speaker 1: on Belly Hills and Mia Thornton, who, by the way, 158 00:10:42,160 --> 00:10:44,720 Speaker 1: has become the face of Potomac, but we'll talk about 159 00:10:44,760 --> 00:10:48,160 Speaker 1: that later. Braunman as a star shot out to the 160 00:10:48,200 --> 00:10:54,280 Speaker 1: casting person who cast her. She's perfect, she's amazing, she's beautiful, 161 00:10:54,640 --> 00:10:57,240 Speaker 1: she's a kept wife, She's a star. 162 00:10:58,120 --> 00:11:00,280 Speaker 2: I would have love real talk. 163 00:11:00,400 --> 00:11:06,040 Speaker 1: I would have loved to invested in what her home 164 00:11:06,160 --> 00:11:10,000 Speaker 1: life was like in the first episode. Honestly, I would 165 00:11:10,000 --> 00:11:12,720 Speaker 1: have loved to see her at home. Let me see 166 00:11:12,760 --> 00:11:16,480 Speaker 1: the husband, let me see the stepchildren, let me see 167 00:11:16,520 --> 00:11:19,280 Speaker 1: the stepchild who is six months older than she is. 168 00:11:19,800 --> 00:11:21,599 Speaker 1: I want to see her family life. I want to 169 00:11:21,600 --> 00:11:24,360 Speaker 1: see her closet. I want to see her dynamic. I 170 00:11:24,400 --> 00:11:27,240 Speaker 1: want to see that. I don't care to see Whitney 171 00:11:28,080 --> 00:11:34,840 Speaker 1: arguing with Meredith and Lisa over a podcast interview. We 172 00:11:35,520 --> 00:11:40,880 Speaker 1: had nice things last season. There was not one filler 173 00:11:40,960 --> 00:11:45,839 Speaker 1: episode last season. We have real conversations, we had real receeats, 174 00:11:46,160 --> 00:11:50,040 Speaker 1: we had real moments, we have real arguments, we had 175 00:11:50,200 --> 00:11:54,600 Speaker 1: real shade. And now we are stuck with Hurricane Angie 176 00:11:54,720 --> 00:11:59,439 Speaker 1: giving props the same way drusep Dora brought Doggie treats 177 00:12:00,000 --> 00:12:03,720 Speaker 1: bringing props. Can you legend icon More is the queen 178 00:12:03,760 --> 00:12:07,600 Speaker 1: of props. Stop trying to make fetch happen. 179 00:12:08,520 --> 00:12:13,840 Speaker 2: Be yourself. So now I'm subjected to an argument. 180 00:12:13,559 --> 00:12:17,960 Speaker 1: Over bath bowls, and you stole my idea of the 181 00:12:18,080 --> 00:12:21,680 Speaker 1: bath bowl and I'm mad at you because of that. 182 00:12:22,480 --> 00:12:26,160 Speaker 1: And then Whitney's in the hot seat at the table, 183 00:12:26,440 --> 00:12:29,680 Speaker 1: Lisa Barlow gets up and screams at her in front 184 00:12:29,679 --> 00:12:33,880 Speaker 1: of her group of women. That was so performative as well, 185 00:12:34,360 --> 00:12:37,520 Speaker 1: because one thing, because I do watch the show, so 186 00:12:37,640 --> 00:12:41,680 Speaker 1: hear me out the real Lisa Barlow. She is so 187 00:12:41,960 --> 00:12:48,079 Speaker 1: put together and classy, and she's aware of her surroundings 188 00:12:48,120 --> 00:12:51,280 Speaker 1: when she's in a group setting outside of her cast. 189 00:12:51,960 --> 00:12:55,400 Speaker 1: That the real Lisa Barlow, who spent so much money 190 00:12:55,440 --> 00:12:58,400 Speaker 1: to make that dinner party look gorgeous, and in fact 191 00:12:58,440 --> 00:13:03,199 Speaker 1: it did be real Lisa Barlow would never allow herself 192 00:13:03,679 --> 00:13:07,880 Speaker 1: to get up at a dinner party of her own 193 00:13:07,920 --> 00:13:13,319 Speaker 1: event and argue with a woman across from her. She's 194 00:13:13,520 --> 00:13:18,240 Speaker 1: too put together and she's too conscious of her surroundings 195 00:13:18,240 --> 00:13:20,920 Speaker 1: and her brand. Now, if she was around the girls 196 00:13:20,960 --> 00:13:25,040 Speaker 1: on a cash trip, yes, but not that Lisa Barlow. 197 00:13:25,240 --> 00:13:28,040 Speaker 2: I fell in love with. I fell in love. 198 00:13:27,880 --> 00:13:31,840 Speaker 1: With Lisa Barlow because her face. Clark never declines. Lisa 199 00:13:31,920 --> 00:13:37,079 Speaker 1: Bralo's face is an American Express card. It is unlimited funds, 200 00:13:37,520 --> 00:13:40,800 Speaker 1: it gets charged back, you get points, You get to 201 00:13:40,920 --> 00:13:44,559 Speaker 1: charge that bitch to a trip to Pari. You know 202 00:13:44,640 --> 00:13:48,720 Speaker 1: what I'm saying. Like, the woman is stunning. Lisa Barlow 203 00:13:48,800 --> 00:13:52,720 Speaker 1: is so conscious of her image that when Jen Shaw 204 00:13:53,200 --> 00:13:57,200 Speaker 1: got pulled over by the FEDS while she was on 205 00:13:57,240 --> 00:14:02,400 Speaker 1: the Sprinter two seasons ago, and she whispered to her 206 00:14:02,520 --> 00:14:03,959 Speaker 1: brand manager. 207 00:14:04,240 --> 00:14:06,480 Speaker 2: I'm shaking. I'm literally shaking. 208 00:14:06,800 --> 00:14:09,800 Speaker 1: She made sure to like whisper because again she's very 209 00:14:09,840 --> 00:14:11,040 Speaker 1: conscious of her image. 210 00:14:11,679 --> 00:14:13,760 Speaker 2: So you guys know I'm not lying here. 211 00:14:14,240 --> 00:14:18,400 Speaker 1: So when Lisa Barlow gave the halftime show performance of 212 00:14:18,440 --> 00:14:21,400 Speaker 1: The Evening, I'm like, that's not who she is. 213 00:14:21,800 --> 00:14:22,840 Speaker 2: She would never do that. 214 00:14:23,640 --> 00:14:27,120 Speaker 1: The real Lisa Barlow would have taken Winny aside and say, hey, 215 00:14:27,160 --> 00:14:29,280 Speaker 1: can I talk to you for a second, because I'm 216 00:14:29,280 --> 00:14:31,160 Speaker 1: not gonna sit up here and argue in front of 217 00:14:31,160 --> 00:14:35,400 Speaker 1: all these rich women at my event and embarrass myself. 218 00:14:35,800 --> 00:14:37,880 Speaker 1: She would have had a one on one. So when 219 00:14:37,880 --> 00:14:41,840 Speaker 1: she's arguing to Whitney, I'm like, that's not the Leasta 220 00:14:41,880 --> 00:14:44,120 Speaker 1: I fell in love with. And you guys know I'm right. 221 00:14:44,160 --> 00:14:46,760 Speaker 1: I'll just give you a freaking example. 222 00:14:47,440 --> 00:14:48,280 Speaker 2: I didn't like that. 223 00:14:49,040 --> 00:14:55,040 Speaker 1: And then Angie, Angie, I really do like you, so 224 00:14:55,200 --> 00:14:58,320 Speaker 1: please don't get offended when I say this. Angie is 225 00:14:58,360 --> 00:15:02,920 Speaker 1: the poster child of I'm here to save my job. 226 00:15:03,720 --> 00:15:08,040 Speaker 1: And I loved Angie last season because I said this before. 227 00:15:08,760 --> 00:15:13,000 Speaker 1: To me, she was this animated cartoon character. You know 228 00:15:13,000 --> 00:15:15,440 Speaker 1: what I mean, Like, do y'all remember when she was 229 00:15:15,480 --> 00:15:17,760 Speaker 1: like running down like the hall when they went on 230 00:15:17,760 --> 00:15:20,800 Speaker 1: the cast trip and she had her glasses and her 231 00:15:20,840 --> 00:15:24,320 Speaker 1: heels and her bathing suit like I thought she was 232 00:15:24,320 --> 00:15:29,680 Speaker 1: so animated and authentic. And I feel like the problem 233 00:15:30,240 --> 00:15:33,240 Speaker 1: with the Real Housewives of Salt Lake City. I feel 234 00:15:33,280 --> 00:15:37,320 Speaker 1: like nobody's authentic except Mary. I think Mary does what 235 00:15:37,360 --> 00:15:41,640 Speaker 1: she wants to do and because Mary has not changed 236 00:15:41,680 --> 00:15:45,800 Speaker 1: since season one. She says the most off color comments, 237 00:15:46,600 --> 00:15:51,160 Speaker 1: and she doesn't mind removing herself from a scene when 238 00:15:51,720 --> 00:15:55,080 Speaker 1: this new woman Britney came to sit between her and 239 00:15:55,120 --> 00:16:02,480 Speaker 1: Bronwin and called Bronwin's amazing, gorgeous fifteen thousand dollars heart 240 00:16:02,680 --> 00:16:08,160 Speaker 1: shaped shaw baby and cause it a costume. Then said 241 00:16:08,600 --> 00:16:13,360 Speaker 1: to marry you a hoarder, you know, like Mary said, bitch, 242 00:16:13,360 --> 00:16:15,680 Speaker 1: I'm out of here. And that's why we love her, 243 00:16:16,160 --> 00:16:19,560 Speaker 1: That's the reason why we see it for her. I 244 00:16:19,680 --> 00:16:24,960 Speaker 1: don't feel like the cast is being authentic anymore, and 245 00:16:25,040 --> 00:16:29,640 Speaker 1: that's the sad part. And I'm not certain that this 246 00:16:29,800 --> 00:16:34,560 Speaker 1: season can't survive with Almonica. I'm sorry. Let me tell 247 00:16:34,600 --> 00:16:38,120 Speaker 1: y'all something about reality TV one oh one. You always 248 00:16:38,240 --> 00:16:44,280 Speaker 1: need a force multiplier to bring out the best in 249 00:16:44,720 --> 00:16:50,280 Speaker 1: these women. Kyle Richards is a force multiplier because she's 250 00:16:50,440 --> 00:16:54,720 Speaker 1: able to get every woman activated and come out unscathed. 251 00:16:55,120 --> 00:17:02,560 Speaker 1: Kyle Richards knows that her job is to get all 252 00:17:02,600 --> 00:17:07,440 Speaker 1: of those women to be honest and real and make 253 00:17:07,520 --> 00:17:13,359 Speaker 1: sure that once they become uncomfortable, she comes in and 254 00:17:13,400 --> 00:17:16,560 Speaker 1: tries to make things right. That's who Kyle Richards is. 255 00:17:17,880 --> 00:17:22,280 Speaker 1: The other force multiplier is Tamra Judge, who's able to 256 00:17:22,440 --> 00:17:27,080 Speaker 1: poke and prod to get the best moments out of people. Okay, 257 00:17:27,720 --> 00:17:31,240 Speaker 1: there's not a force multiplier on the Real Housewives of 258 00:17:31,240 --> 00:17:33,879 Speaker 1: Salt Lake City. There's not a Queen Bee. To me, 259 00:17:34,720 --> 00:17:38,280 Speaker 1: I'm not sure who the face of this franchise is. 260 00:17:38,920 --> 00:17:43,080 Speaker 1: I strongly do not think it's Heather at all. If 261 00:17:43,080 --> 00:17:46,639 Speaker 1: I'm being very honest, I think Lisa Barlow had the 262 00:17:46,640 --> 00:17:51,399 Speaker 1: best chance of being the force multiplier because she's able 263 00:17:51,920 --> 00:17:56,480 Speaker 1: to be entertaining and seeing, and she's and she and 264 00:17:56,520 --> 00:18:02,960 Speaker 1: she's capable of asking the questions. I think Meredith has 265 00:18:03,000 --> 00:18:08,120 Speaker 1: an opportunity to be a force multiplier. She's another one 266 00:18:08,160 --> 00:18:13,440 Speaker 1: who is gorgeous, and she's funny, and I like watching her, 267 00:18:13,720 --> 00:18:18,119 Speaker 1: and I believe she also is able to be authentic 268 00:18:18,680 --> 00:18:21,879 Speaker 1: because I've seen it in the past. I do not 269 00:18:22,160 --> 00:18:28,439 Speaker 1: believe that Heather can't be authentic. Whitney can't be the 270 00:18:28,560 --> 00:18:34,120 Speaker 1: leader because they don't respect her. Mary ain't got time 271 00:18:34,320 --> 00:18:38,600 Speaker 1: to be there all the time, and Mary doesn't care 272 00:18:38,640 --> 00:18:41,720 Speaker 1: to clock in to get these girls to work. Mary 273 00:18:41,840 --> 00:18:43,720 Speaker 1: is like, I'm here to do my job, and when 274 00:18:43,720 --> 00:18:46,240 Speaker 1: I do it, I'm out of here right giving my 275 00:18:46,359 --> 00:18:51,159 Speaker 1: happy meal, my McDonald's cheeseburger with a small fries, a milkshake, 276 00:18:51,200 --> 00:18:53,040 Speaker 1: and a possible Sunday with nuts on it. 277 00:18:53,280 --> 00:18:53,920 Speaker 2: You know what I mean? 278 00:18:54,760 --> 00:18:59,920 Speaker 1: What Monica did last season that that show needed was 279 00:19:00,560 --> 00:19:06,160 Speaker 1: she made everybody work. And I thought that show could 280 00:19:06,200 --> 00:19:10,439 Speaker 1: not survive without Jenshaw. So when they cast Monica Garcia, 281 00:19:11,000 --> 00:19:14,040 Speaker 1: I gagged because I was like, wait a second, you 282 00:19:14,080 --> 00:19:19,000 Speaker 1: mean to tell me you have somebody arguably that can 283 00:19:19,320 --> 00:19:24,200 Speaker 1: hold her own and gave us personal story, personal story 284 00:19:24,240 --> 00:19:27,800 Speaker 1: with her mother, sleeping with her brother in law, like 285 00:19:28,040 --> 00:19:30,960 Speaker 1: being flawed, you know what I mean, Like that's what 286 00:19:31,000 --> 00:19:35,200 Speaker 1: we want to see. I don't care about a podcast 287 00:19:35,359 --> 00:19:39,480 Speaker 1: interview where she called you a villain. I don't care 288 00:19:39,520 --> 00:19:43,080 Speaker 1: about bath balls. And then when they all were like, well, Whitney, 289 00:19:43,280 --> 00:19:46,160 Speaker 1: you know you're always lying on people, blah blah blah, 290 00:19:46,320 --> 00:19:48,320 Speaker 1: and then they had like a montage on them like 291 00:19:48,359 --> 00:19:51,600 Speaker 1: coming out Whitney, and then Lisa's like you can leave. Girls. 292 00:19:51,600 --> 00:19:52,520 Speaker 2: She's like I'm gonna leave. 293 00:19:52,720 --> 00:19:56,960 Speaker 1: I'm gonna leave, and she walks out and it's like child, 294 00:19:57,920 --> 00:19:59,440 Speaker 1: I really did not care. 295 00:20:00,040 --> 00:20:01,119 Speaker 2: I want to hear from you guys. 296 00:20:01,760 --> 00:20:06,840 Speaker 1: Did y'all care did y'all care enough to want to 297 00:20:06,840 --> 00:20:10,200 Speaker 1: be invested in the rest of the season, because look, 298 00:20:10,200 --> 00:20:13,000 Speaker 1: this is what I'm gonna do. I'm going to watch 299 00:20:13,280 --> 00:20:18,840 Speaker 1: the next two episodes of this current season, Okay, so 300 00:20:19,000 --> 00:20:21,480 Speaker 1: that I can promise you I am going to watch 301 00:20:21,520 --> 00:20:23,520 Speaker 1: the next two episodes of this current season. 302 00:20:24,080 --> 00:20:25,480 Speaker 2: And if I don't see. 303 00:20:25,280 --> 00:20:28,840 Speaker 1: Any real authentic moments, if I don't really get a 304 00:20:28,920 --> 00:20:31,119 Speaker 1: chance to see braun Win's personal. 305 00:20:30,800 --> 00:20:35,320 Speaker 2: Story in her life and really see these. 306 00:20:35,160 --> 00:20:40,760 Speaker 1: Women not try to show Monica that they don't need her. Girls, guys, 307 00:20:40,840 --> 00:20:45,600 Speaker 1: and they I'm not sure. I'm I'm gonna stick with it. 308 00:20:46,200 --> 00:20:48,240 Speaker 1: And look, I could be the minority in this. A 309 00:20:48,240 --> 00:20:50,560 Speaker 1: lot of people could could say, don't I don't know, 310 00:20:51,080 --> 00:20:53,399 Speaker 1: Oh my gosh, it was great. Yes, yes, honey, we 311 00:20:53,480 --> 00:20:56,640 Speaker 1: lived for it. Yes, And that's okay, that's what you want. 312 00:20:57,040 --> 00:20:59,639 Speaker 1: And maybe you're the audience that they're catering to. 313 00:21:00,359 --> 00:21:00,879 Speaker 2: The girls. 314 00:21:01,000 --> 00:21:04,840 Speaker 1: You know, this ain't it, baby, This ain't it. The 315 00:21:04,880 --> 00:21:07,560 Speaker 1: Real Housewives of Orange County is where it's at. So 316 00:21:07,640 --> 00:21:10,560 Speaker 1: The Real Housewives of Orange County remains the number one 317 00:21:11,160 --> 00:21:14,280 Speaker 1: best housewives on air right now. 318 00:21:15,119 --> 00:21:16,880 Speaker 2: It's real, it's authentic. 319 00:21:17,280 --> 00:21:25,080 Speaker 1: What Shannon is going through Alexis Bellino, John Janssen, Real Gina, Katie, Heather, 320 00:21:25,720 --> 00:21:30,159 Speaker 1: Real Emily versus Gina's friendship, Real Jen going through the 321 00:21:30,160 --> 00:21:35,119 Speaker 1: stuff with Ryan and her personal life Real Real, Real, Real. 322 00:21:35,680 --> 00:21:39,720 Speaker 1: So to the ladies of Salt Lake City, hear me 323 00:21:40,920 --> 00:21:45,120 Speaker 1: and hear me loud and clear. You guys, not wanting 324 00:21:45,280 --> 00:21:49,960 Speaker 1: Monica Garcia to return just may have cost you. 325 00:21:53,400 --> 00:21:55,600 Speaker 2: Thank you for listening to Reality with the King. 326 00:21:56,040 --> 00:22:01,960 Speaker 1: New episodes dropped on Tuesdays and Thursdays. Comment, follow, and 327 00:22:02,080 --> 00:22:06,320 Speaker 1: subscribe to Reality with the King. Wherever you get your podcast, 328 00:22:06,920 --> 00:22:10,800 Speaker 1: visit Reality Withtheking dot com and be sure to follow 329 00:22:10,840 --> 00:22:15,919 Speaker 1: me at the Carlos King Underscore on Instagram, Twitter, TikTok 330 00:22:16,080 --> 00:22:19,000 Speaker 1: and Yes, Baby, my YouTube channel where you could get 331 00:22:19,040 --> 00:22:23,200 Speaker 1: all of my visuals, baby, my expressions yet and don't 332 00:22:23,240 --> 00:22:26,480 Speaker 1: forget Tweet me your thoughts and hot takes about this 333 00:22:26,680 --> 00:22:32,359 Speaker 1: episode using the hashtag Reality with the King. Reality with 334 00:22:32,400 --> 00:22:36,639 Speaker 1: the King is a production of Kingdom Rain Entertainment. It 335 00:22:36,720 --> 00:22:41,359 Speaker 1: is produced by Sierra Spragley Rix An executive produced by Me, 336 00:22:41,880 --> 00:22:54,720 Speaker 1: Carlos King, Kingdom Rain Entertainment, Baby