WEBVTT - Good Boy

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<v Speaker 1>Pushkin. Imagine there's a place in our world where the

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<v Speaker 1>known things go. A library, a cabinet of curiosities, bookshelves,

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<v Speaker 1>filing cabinets, old rules of film. The problem is my

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<v Speaker 1>dogs have gotten in here, slavered all over my copies

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<v Speaker 1>of Charles Darwin's books, completely chewed the cover off my

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<v Speaker 1>first edition of the Story of Doctor Doolittle. What are

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<v Speaker 1>they thinking, these dogs? Oh well, there they go out

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<v Speaker 1>the door, Get out out. I'm gonna follow them over

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<v Speaker 1>the threshold to the dog park. Good morning, the dog park.

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<v Speaker 1>We're out every day today. It's with my producer Ben

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<v Speaker 1>and of course my two Great Danes, Greta and Daisy.

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<v Speaker 1>At seven am on a cold, icy winter morning at

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<v Speaker 1>a park the size of a soccer field, but white

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<v Speaker 1>with a blanket of snow. If you've ever been to

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<v Speaker 1>a dog park, then you know the drill, the whole scene,

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<v Speaker 1>gossiping with people about their dogs. Who's that dog? That's

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<v Speaker 1>Stevie Stephen didn't like the ice or snow. People are

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<v Speaker 1>doing the usual things, standing around, handing out treats, trying

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<v Speaker 1>to read the minds of dogs. How do you know

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<v Speaker 1>he doesn't like the ice of the snow? Um his

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<v Speaker 1>owner just says like he just won't walk on it,

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<v Speaker 1>like it's been a prop h is Davie, Hi, I

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<v Speaker 1>know I keep this here? You are you? What are

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<v Speaker 1>you thinking of? The smartest dog at the park is

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<v Speaker 1>a little red, brown, foxy looking Retriever named Aila. Aila.

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<v Speaker 1>Can I give her a treat every morning? Rain, snow

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<v Speaker 1>or sleep. My dogs try to steal Isla's tennis ball.

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<v Speaker 1>Sometimes they succeed, but Ila, she's really restrained. Yeah, I

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<v Speaker 1>was very smart. Eilah knows she can't take Daisy's ball

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<v Speaker 1>because Daisy. Daisy would just need assistance with her distress.

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<v Speaker 1>Eila figured out that there's a reason to be worried

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<v Speaker 1>about both of my dogs, Daisy because she's so emotionally

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<v Speaker 1>fragile and Greta because she's so sneaky. She's learning that.

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<v Speaker 1>But but but Greta does not know that she should

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<v Speaker 1>not eat Alla's balls because Greta well maybe Greta knows,

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<v Speaker 1>but she doesn't care. How do I know what Greta knows?

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<v Speaker 1>I don't, but I wish I did. Welcome to the

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<v Speaker 1>Last Archive, the show about how we know things and

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<v Speaker 1>why it's a hard lately to know anything at all.

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<v Speaker 1>I'm Jill Lapour this episode, how to animals know things?

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<v Speaker 1>And why is it so hard for us to know

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<v Speaker 1>how much they know? And why it matters that we try?

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<v Speaker 1>All over the world, for tens of thousands of years,

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<v Speaker 1>people have believed that animals have minds and souls. This

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<v Speaker 1>was a belief once so widely held that it amounted

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<v Speaker 1>to common knowledge, nearly universal knowledge. Only very recently, around

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<v Speaker 1>the beginning of the scientific revolution in the West, did

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<v Speaker 1>animals come to be thought of as essentially machines. Lately, though,

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<v Speaker 1>that's been changing as the study of animal cognition undergoes

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<v Speaker 1>a revolution. Meanwhile, the rest of us, just regular people.

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<v Speaker 1>We all have our theories about animal minds. Do you

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<v Speaker 1>think that you understand allah Ah? Sometimes she has fouds brain,

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<v Speaker 1>and I generally speaking, I think she's she's I went

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<v Speaker 1>pretty clear about what she wants. What is what leads

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<v Speaker 1>to fuzz brain? Fuzz? Right, she just sits there and

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<v Speaker 1>stairs off into the world. He's actually just contemplating very deeply. Yeah,

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<v Speaker 1>that might be the case. Eila is a dog that

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<v Speaker 1>was bred for smarts, So they're like one of the

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<v Speaker 1>smallest retrieving family and they're meant for like duck hunting,

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<v Speaker 1>like a truffle hunting. Things like that. She knows how

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<v Speaker 1>to get things for people, sort of like higher level

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<v Speaker 1>fetch refer to something in the house, so she like, yeah,

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<v Speaker 1>she's learned, like stickball, toybox, like a lot of the

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<v Speaker 1>basics like not whether or not she always listens is

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<v Speaker 1>mostly in her mood. But it is so tempting to

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<v Speaker 1>bring triloquise for dogs. I do it all the time.

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<v Speaker 1>I talk to them and then I fill in their responses,

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<v Speaker 1>Like the other day it was raining and I wanted

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<v Speaker 1>to let Greta out, but Greta was all, I want

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<v Speaker 1>to go out, but not until it stops raining all

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<v Speaker 1>or at least that's what I said on her behalf

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<v Speaker 1>when I was answering my own question, and when I

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<v Speaker 1>listened back to myself doing this, I think of Doctor Doolittle,

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<v Speaker 1>the children's book character who can talk to the animals,

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<v Speaker 1>or more to the point, he can listen to them.

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<v Speaker 1>If people ask me, can you speak rhydoceros, I'd say.

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<v Speaker 1>Rex Harrison played Doctor Doolittle in a musical from nineteen

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<v Speaker 1>sixty seven. Eddie Murphy's played him Robert Downey Junior, but

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<v Speaker 1>the first Doctor Doolittle book was published more than a

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<v Speaker 1>century ago. To try to understand what people know about

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<v Speaker 1>what animals know, I figured i'd better start with Doctor Doolittle. Sorry,

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<v Speaker 1>Pups book, We've got to leave the dog park and

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<v Speaker 1>go somewhere else, far away and long ago, to Flanders

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<v Speaker 1>Fields on the Western Front. In nineteen fifteen, in the

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<v Speaker 1>middle of unutterable devastation, a million soldiers died or were

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<v Speaker 1>wounded or appeared in Flanders Fields fighting in the Great War,

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<v Speaker 1>in the trenches in the mock. John McCrae, a Canadian doctor,

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<v Speaker 1>soldier and poet, he was there. A year later he

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<v Speaker 1>memorialized all that death in his poem in Flanders Fields.

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<v Speaker 1>In Flanders Fields, the poppies blow between the crosses row

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<v Speaker 1>on row that mark our place, and in the sky

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<v Speaker 1>the larks still bravely singing fly scarce heard amid the

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<v Speaker 1>guns below. But it wasn't just a million men who died.

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<v Speaker 1>Untold numbers of animals died in Flanders Fields, and doctor

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<v Speaker 1>John McCray loved animals, especially horses. McCray had sailed to

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<v Speaker 1>Europe in nineteen fourteen in a military convoy with thirty

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<v Speaker 1>thousand men, had eight thousand horses, including his own horse, Bonfire,

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<v Speaker 1>bound for the front. McCray mentioned Bonfire and letters home

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<v Speaker 1>to his sister. It was as if Bonfire could communicate.

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<v Speaker 1>McCray wrote, I wish you could meet him. He puts

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<v Speaker 1>his lips to your face and give us a kind

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<v Speaker 1>of foolish waffle. McCray marched with nine hundred men and

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<v Speaker 1>six hundred horses to Flanders Fields. The ensuing slaughter, the suffering,

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<v Speaker 1>It was unfathomable. The staggering, needless loss of life, the maiming,

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<v Speaker 1>the killing, and the anguished, tortured suffering of all those horses.

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<v Speaker 1>Britain alone lost half a million horses in the war.

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<v Speaker 1>One horse was killed for every two men. They died

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<v Speaker 1>in the fighting where they died of starvation. They died

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<v Speaker 1>of infection and of exhaustion. They fell into minds, they

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<v Speaker 1>were shot, they died of poison, gas terrified. There is

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<v Speaker 1>nothing I hated more than that horse scream, McCray wrote home,

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<v Speaker 1>Bonfire's leg got infected. McCray was there to treat men,

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<v Speaker 1>but he began mending animals. Somewhere along the way he

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<v Speaker 1>acquired a dog. He wrote. He ran to me and

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<v Speaker 1>pressed his head hard against my leg. He named him Fleabag.

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<v Speaker 1>He wrote his poem, which went on to become the

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<v Speaker 1>best known poem of the First World War, and McCray

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<v Speaker 1>became the war's best known poet. Then, in nineteen eighteen,

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<v Speaker 1>he contracted pneumonia and meningitis and died before peace came.

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<v Speaker 1>At his funeral, bonfire followed the casket, carrying in his

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<v Speaker 1>stirrups McCrae's empty boots. We are the dead. Short days

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<v Speaker 1>ago we lived, felt dull, saw sunset glow, loved and

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<v Speaker 1>were loved, and now we lie in flanders Fields. I

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<v Speaker 1>can't see that anyone's ever made this claim before, but

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<v Speaker 1>I'm pretty sure Doctor John McCrae was the inspiration for

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<v Speaker 1>the character of doctor John Doolittle, a character who was

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<v Speaker 1>created by another soldier at flanders Field, a brit named

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<v Speaker 1>Hugh Lofting. Lofting served in the Irish Guards, and he

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<v Speaker 1>too wrote and spoke about animals just the same way

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<v Speaker 1>McCray had. Certain horses that were attached to your own company.

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<v Speaker 1>You became very fonder. It upset Hugh Lofting that the

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<v Speaker 1>horses were left to die in flanders Field. There was

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<v Speaker 1>very little you could do. Nearly all the horses that

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<v Speaker 1>were injured had to be shot. If we were as

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<v Speaker 1>far behind and medicine for ourselves as we were apparently

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<v Speaker 1>for our beasts of burden, we would go around shooting

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<v Speaker 1>all of our men. Lofting was supposed to be writing

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<v Speaker 1>letters home from the front to his very little children,

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<v Speaker 1>but what could he possibly write about? Everything was horrible,

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<v Speaker 1>So instead he began drawing pictures and writing his children's

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<v Speaker 1>stories about animals. Here are some animals playing ring a

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<v Speaker 1>ring of roses, Peter Piglett, Timothy Turtle, Frederick Fish, Daniel Dog,

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<v Speaker 1>Miss Catherine Cat, Miss Deborah Duck, Miss Melissent, Mouse, Master

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<v Speaker 1>Teddy Bear, and Squire Squill. They have all been to

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<v Speaker 1>the donkey's birthday party and have been enjoying themselves very much. Meanwhile,

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<v Speaker 1>at the front, watching those horses suffer in the field,

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<v Speaker 1>he kept thinking about them, and then it occurred to

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<v Speaker 1>me that, of course, to treat a horse properly, we

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<v Speaker 1>would have to have horse language. And then it occurred

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<v Speaker 1>to me that, of course, to be a good animal

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<v Speaker 1>doctor required a very much higher order of intelligence than

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<v Speaker 1>it did to be a human doctor. In one of

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<v Speaker 1>Laughting's letters home, he invented a fictional character, a man,

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<v Speaker 1>the Story of Doctor Doolittle. Once upon a time, many

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<v Speaker 1>years ago, when our grandfathers were little children, there was

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<v Speaker 1>a doctor and his name was Duelittle. The name, well, Doolittle,

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<v Speaker 1>was Lofting's nickname for his son Colin, who was lazy

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<v Speaker 1>Dolittle get it. But the character he, I'm pretty sure

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<v Speaker 1>was inspired by John McCray m d. The first patient

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<v Speaker 1>doctor Dolittle treats is a horse who's going blind in

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<v Speaker 1>one eye. The doctor gives him spectacles. I think Bonfire

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<v Speaker 1>would have liked that. Hugh Lofting was wounded and left

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<v Speaker 1>the service. He moved with his family to Killingworth, Connecticut,

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<v Speaker 1>a little farming town, where he kept writing about doctor Doolittle.

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<v Speaker 1>He lived in a little town called Puddleby on the

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<v Speaker 1>marsh All. The folks young and old knew him well

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<v Speaker 1>by sight. In nineteen twenty Lofting published a book, The

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<v Speaker 1>Story of Doctor Doolittle, the first in a long series.

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<v Speaker 1>One day, doctor Dolittle's parrot Polynesia scolds the doctor. He's

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<v Speaker 1>a medical doctor, not a veterinarian. Remember about how stupid

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<v Speaker 1>people are? People make me sick. I think they're so wonderful.

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<v Speaker 1>A vote has been going on now for thousands of years,

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<v Speaker 1>hasn't it? And the only thing in an animal language

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<v Speaker 1>the people have learned to understand is that when a

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<v Speaker 1>door quakes his tail, he means I'm glad. I happen

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<v Speaker 1>to have a very good friend who writes children's books

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<v Speaker 1>and who lives in a little farming town in Connecticut,

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<v Speaker 1>just like Hugh Lofting. Her name's lis Broach. She's magic

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<v Speaker 1>with animals. Actually, I believe she is my dog's very

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<v Speaker 1>favorite person. Oh oh my god, this is Ben. So

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<v Speaker 1>I asked Elsa if she'd be willing to join me

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<v Speaker 1>and Ben on a search for Doctor Doolittle, because Lofting

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<v Speaker 1>wound up publishing nearly a dozen do Little books in

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<v Speaker 1>his lifetime. And I wondered if there wasn't some magic

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<v Speaker 1>about the town of Killingworth that it helped Lofting, an

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<v Speaker 1>Mit trained civil engineer, hold onto the belief that animals

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<v Speaker 1>have minds and souls. She's a little trueman. She had

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<v Speaker 1>a boxer growing up in Oh yeah, oh yeah, he's

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<v Speaker 1>a foxy little I've known at least forever. We go

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<v Speaker 1>on writing retreats with our friend Jane. We walk in

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<v Speaker 1>the woods with our dogs and talk about the books

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<v Speaker 1>we're writing. I don't know anybody who's thought more carefully

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<v Speaker 1>about children's stories involving talking animals than at Lease. My

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<v Speaker 1>favorite of Elise's books is called Masterpiece. It's about a boy, James,

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<v Speaker 1>and a beatle named Marvin. There's a chapter book series

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<v Speaker 1>two based on the same characters. In one story, they

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<v Speaker 1>go to the country with Marvin's cousin, Elaine, another Beetle.

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<v Speaker 1>They go to a town just like Killingworth. Later on,

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<v Speaker 1>I asked Elise to read a little bit of the story.

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<v Speaker 1>Elaine and Marvin sit on the rail of the fence

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<v Speaker 1>in the warm sun, watching the animals. Isn't this nice? Marvin?

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<v Speaker 1>Elaine asks, don't you think it would be fun to

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<v Speaker 1>live here? All around them is the country, the big fields,

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<v Speaker 1>the rushing creek, fences and trees, and wide blue sky.

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<v Speaker 1>It's so different from the city. It is quiet, it

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<v Speaker 1>is green, it is full of animals, not people. In

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<v Speaker 1>Elisa's books, Marvin and Elaine, the Beatles, can understand everything

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<v Speaker 1>James the boy says, but James can't understand them. So

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<v Speaker 1>my point was just that I wanted kids to look

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<v Speaker 1>at all beetles and think, oh, you know, they may

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<v Speaker 1>be understanding what I say, and they may have these

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<v Speaker 1>rich family relationships, and you know they may be afraid

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<v Speaker 1>or the way that animals actually are. So I didn't

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<v Speaker 1>want to have kids think oh, that was just a

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<v Speaker 1>magic beatle. I wanted them to be able to see

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<v Speaker 1>the world, you know what I mean. Our first up

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<v Speaker 1>was the killing Worth Public Library. Elise and I talked

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<v Speaker 1>to one of the librarians, Tammy Eustace. I asked her

0:14:58.476 --> 0:15:00.196
<v Speaker 1>if there was anything about the town that made it

0:15:00.196 --> 0:15:02.156
<v Speaker 1>the kind of place you might want to live if

0:15:02.156 --> 0:15:04.556
<v Speaker 1>you were in the business of writing stories about animals.

0:15:05.196 --> 0:15:07.516
<v Speaker 1>I think it's very much the place. I've read a

0:15:07.556 --> 0:15:10.516
<v Speaker 1>lot of the history books, history essays, and people are

0:15:10.516 --> 0:15:15.236
<v Speaker 1>always writing about their farm animals or you know, being

0:15:15.356 --> 0:15:19.076
<v Speaker 1>even being on social media now everybody is posting pictures

0:15:19.076 --> 0:15:22.316
<v Speaker 1>of their chickens, and you know, a dog gets lost

0:15:22.356 --> 0:15:25.236
<v Speaker 1>and the town turns out to try and find the

0:15:25.276 --> 0:15:28.516
<v Speaker 1>dog or the cat. They've they've grown so much, would

0:15:28.556 --> 0:15:33.476
<v Speaker 1>be proud of what's happened here. I'd hope the library

0:15:33.556 --> 0:15:36.316
<v Speaker 1>might have some of Hugh Lofting stuff or a statue

0:15:36.516 --> 0:15:39.836
<v Speaker 1>something they didn't, but it turns out that Tammy, who

0:15:39.876 --> 0:15:43.316
<v Speaker 1>didn't grow up here, is known for her way with animals,

0:15:43.316 --> 0:15:47.076
<v Speaker 1>and everybody actually called me doctor Doolittle in college. That

0:15:47.196 --> 0:15:51.356
<v Speaker 1>was my nickname. So small world. We got back in

0:15:51.356 --> 0:15:54.436
<v Speaker 1>the car and headed for the Killingworth Historical Society. I

0:15:54.476 --> 0:15:59.036
<v Speaker 1>wondered if maybe they would have Lofting's papers, diaries, photographs, something.

0:15:59.836 --> 0:16:04.796
<v Speaker 1>It's housed in a nineteenth century farmhouse. So sweet. Unfortunately

0:16:04.876 --> 0:16:09.676
<v Speaker 1>they did not have Hugh Lofting's papers, but visire halts

0:16:11.516 --> 0:16:18.796
<v Speaker 1>these beautiful silly you know. They had Hugh Lofting's top hats.

0:16:19.436 --> 0:16:21.716
<v Speaker 1>And the curator also showed us a binder full of

0:16:21.836 --> 0:16:25.556
<v Speaker 1>Lofting memorabilia that he'd collected over the years, including a

0:16:25.596 --> 0:16:28.076
<v Speaker 1>photo of a historical marker that used to be out

0:16:28.076 --> 0:16:31.236
<v Speaker 1>in the front of Lofting's old house. It says Doctor

0:16:31.396 --> 0:16:34.916
<v Speaker 1>Little's House, built seventeen sixty one, owned in the nineteen

0:16:34.916 --> 0:16:37.556
<v Speaker 1>twenties by Hugh Lofting, author of the children's book series.

0:16:37.596 --> 0:16:39.476
<v Speaker 1>It was here that his stories came to life and

0:16:39.516 --> 0:16:43.836
<v Speaker 1>his animals learned to talk. Lofting's old house. I figured

0:16:43.916 --> 0:16:46.276
<v Speaker 1>maybe there'd be something there, tucked away in an attic.

0:16:46.796 --> 0:16:49.276
<v Speaker 1>One more stop on the drive, Lisa and I got

0:16:49.316 --> 0:16:52.876
<v Speaker 1>to talking more about animals and children's books. There's a distinction,

0:16:52.916 --> 0:16:55.876
<v Speaker 1>I think in children's literature between the books that are

0:16:56.196 --> 0:17:00.236
<v Speaker 1>entirely an animal world, um, you know, like the Beatrix

0:17:00.276 --> 0:17:04.236
<v Speaker 1>Potter books or um. Trying to think of other examples,

0:17:05.116 --> 0:17:07.396
<v Speaker 1>you know, honestly, it goes back to like Esop's Fables,

0:17:07.516 --> 0:17:10.756
<v Speaker 1>right where it's just an animal world that is animated

0:17:10.916 --> 0:17:14.556
<v Speaker 1>by human emotions or human values or whatever it is.

0:17:14.596 --> 0:17:17.036
<v Speaker 1>And then there are these other stories that involve human

0:17:17.076 --> 0:17:25.196
<v Speaker 1>animal relationships. Animal fables, stories about talking animals go back

0:17:25.196 --> 0:17:28.436
<v Speaker 1>to antiquity, but the so called Golden Age of children's

0:17:28.476 --> 0:17:32.876
<v Speaker 1>literature ran from eighteen seventy to nineteen thirty. Beatrix Potter

0:17:33.036 --> 0:17:36.196
<v Speaker 1>a a Milne, that whole late late Victorian sort of

0:17:36.276 --> 0:17:40.916
<v Speaker 1>tweet sensibility. All of that, which includes Doctor Doolittle stories,

0:17:41.316 --> 0:17:44.436
<v Speaker 1>came out of changing ideas about animals, and this itself

0:17:44.436 --> 0:17:46.476
<v Speaker 1>had to do with what scientists have been doing to

0:17:46.556 --> 0:17:51.196
<v Speaker 1>animals and laboratories. So hold onto your top hat while

0:17:51.196 --> 0:17:55.276
<v Speaker 1>we make a brutal last archive historical detour, a hard turn,

0:17:55.596 --> 0:18:07.396
<v Speaker 1>not so much historically but emotionally. After the break in

0:18:07.476 --> 0:18:12.876
<v Speaker 1>the seventeenth century, rants the philosopher Renee Descartes argued that

0:18:12.956 --> 0:18:17.476
<v Speaker 1>animals have no rational souls and no minds. They can't

0:18:17.516 --> 0:18:22.876
<v Speaker 1>experience pain. They were basically just machines, Descartes said. Meanwhile,

0:18:22.876 --> 0:18:29.036
<v Speaker 1>over in England, William Harvey dissected animals living animals without anesthesia.

0:18:29.196 --> 0:18:33.476
<v Speaker 1>This is called vivisection. Harvey discovered the circulation of the blood,

0:18:33.836 --> 0:18:37.956
<v Speaker 1>a major discovery. His experiments were brutal and cruel, but

0:18:38.036 --> 0:18:40.796
<v Speaker 1>if you didn't think animals had souls or felt pain,

0:18:41.516 --> 0:18:45.996
<v Speaker 1>then maybe those experiments were less cruel. Vivisection became common

0:18:46.076 --> 0:18:50.116
<v Speaker 1>during the Scientific Revolution. Often it was done on dogs.

0:18:50.716 --> 0:18:54.076
<v Speaker 1>The experiments took hours, sometimes it was days before the

0:18:54.116 --> 0:18:59.036
<v Speaker 1>animals died. A century later, people finally started saying vivisection

0:18:59.316 --> 0:19:03.036
<v Speaker 1>had to stop, partly because another philosopher came along and said,

0:19:03.516 --> 0:19:06.956
<v Speaker 1>oh yeah, Descartes, he was just entirely wrong. In the

0:19:06.996 --> 0:19:11.196
<v Speaker 1>seventeen eighties, Jeremy Bentam insisted about animals, the question is

0:19:11.236 --> 0:19:16.356
<v Speaker 1>not can they reason nor can they talk? But can

0:19:16.396 --> 0:19:20.396
<v Speaker 1>they suffer? I mean, obviously they can suffer. Thus was

0:19:20.436 --> 0:19:24.196
<v Speaker 1>born the animal welfare movement in England. The first animal

0:19:24.236 --> 0:19:28.116
<v Speaker 1>welfare legislation was passed by Parliament in eighteen twenty two.

0:19:28.836 --> 0:19:32.316
<v Speaker 1>In eighteen twenty four, reformers founded the Society for the

0:19:32.356 --> 0:19:37.116
<v Speaker 1>Prevention of Cruelty to Animals. Animal welfare advocates especially wanted

0:19:37.116 --> 0:19:41.276
<v Speaker 1>to outlaw vivisection, which was still taking place. That movement

0:19:41.316 --> 0:19:44.636
<v Speaker 1>was led by an Irish suffragist named Francis power Cobb.

0:19:45.476 --> 0:19:48.636
<v Speaker 1>It also, to a degree, enjoyed the support of Charles Darwin.

0:19:49.636 --> 0:19:52.876
<v Speaker 1>Darwin loved dogs. He devoted a chunk of the Descent

0:19:52.956 --> 0:19:56.196
<v Speaker 1>of Man to them. In eighteen seventy one. He wrote,

0:19:56.596 --> 0:19:58.916
<v Speaker 1>it is curious to speculate on the feelings of a

0:19:58.956 --> 0:20:01.756
<v Speaker 1>dog who will rest peacefully for hours in a room

0:20:01.876 --> 0:20:04.836
<v Speaker 1>with his master or any of the family, without the

0:20:04.916 --> 0:20:07.756
<v Speaker 1>least notice being taken of him, but if left for

0:20:07.796 --> 0:20:12.196
<v Speaker 1>a short time by himself, barques or howls dismally. What

0:20:12.316 --> 0:20:16.836
<v Speaker 1>staggered Darwin was that this love extended even to his torturer.

0:20:17.156 --> 0:20:20.116
<v Speaker 1>The vivisectionist who nailed a dog to a table, cut

0:20:20.196 --> 0:20:22.796
<v Speaker 1>him up, left him there all night to suffer, and

0:20:22.876 --> 0:20:25.556
<v Speaker 1>went back to do more cutting in the morning. As

0:20:25.636 --> 0:20:29.796
<v Speaker 1>Darwin wrote, everyone has heard of the dog suffering under vivisection,

0:20:30.276 --> 0:20:34.156
<v Speaker 1>who licked the hand of the operator. This man, unless

0:20:34.156 --> 0:20:36.796
<v Speaker 1>he had a heart of stone, must have felt remorse

0:20:37.076 --> 0:20:42.396
<v Speaker 1>to the last hour of his life. Darwin helped draft

0:20:42.436 --> 0:20:46.076
<v Speaker 1>an anti vivisection bill. He also testified before a parliamentary

0:20:46.116 --> 0:20:49.876
<v Speaker 1>commission charged with investigating the practice. A version of that

0:20:49.956 --> 0:20:53.436
<v Speaker 1>legislation passed in eighteen seventy six, but it continued to

0:20:53.476 --> 0:20:57.236
<v Speaker 1>be a source of debate. Americans had gotten involved by now, too,

0:20:57.396 --> 0:21:01.396
<v Speaker 1>founding the American Anti Vivisection Society in eighteen eighty three,

0:21:01.956 --> 0:21:05.076
<v Speaker 1>three years before Hugh Lofting was born. By the time

0:21:05.116 --> 0:21:07.996
<v Speaker 1>of the First World War, when Lofting wrote those letters

0:21:08.036 --> 0:21:11.036
<v Speaker 1>home from the Western Front, the Royal Society for the

0:21:11.036 --> 0:21:13.956
<v Speaker 1>Prevention of Cruelty to Animals was working hard to save

0:21:14.036 --> 0:21:17.596
<v Speaker 1>war horses, had established a fund for sick and wounded horses,

0:21:17.756 --> 0:21:22.596
<v Speaker 1>had set up horse ambulances, had built horse hospitals. Doctor

0:21:22.636 --> 0:21:25.716
<v Speaker 1>Doolittle came out of all of this when Lofting began thinking,

0:21:26.476 --> 0:21:29.276
<v Speaker 1>maybe the best way to treat animals would be to

0:21:29.436 --> 0:21:35.636
<v Speaker 1>learn their languages. Talk to the animals their languages. Maybe

0:21:35.636 --> 0:21:40.916
<v Speaker 1>take an animal degree. I'd study elephant and eagle, buff

0:21:41.236 --> 0:21:47.476
<v Speaker 1>and eagle, alligator, guinea pig, and flee. Chances are you've

0:21:47.516 --> 0:21:50.516
<v Speaker 1>never read The Doctor to Little Books. Maybe you've seen

0:21:50.556 --> 0:21:53.276
<v Speaker 1>that old Rex Harris and Musical though, or the lousy

0:21:53.356 --> 0:21:56.676
<v Speaker 1>Eddie Murphy movies or the Robber Downey Junior one. Believe me,

0:21:56.716 --> 0:21:59.596
<v Speaker 1>they're all terrible, But the original stories from the nineteen

0:21:59.636 --> 0:22:03.756
<v Speaker 1>twenties are full of fantastic elements, like the Pushmi Pullyu,

0:22:03.956 --> 0:22:06.756
<v Speaker 1>a lama with a head at both ends. There are

0:22:06.756 --> 0:22:10.196
<v Speaker 1>many voyages, there are many adventures. The Doctor to Little

0:22:10.196 --> 0:22:13.956
<v Speaker 1>Books are a little like superhero comics. Still, Dolittle is

0:22:14.036 --> 0:22:17.716
<v Speaker 1>older than Superman, Batman, and Wonder Woman. Those characters were

0:22:17.716 --> 0:22:21.436
<v Speaker 1>created in the nineteen thirties and nineteen forties. Doolittle was

0:22:21.476 --> 0:22:25.356
<v Speaker 1>created in the nineteenteens and nineteen twenties. That means there's

0:22:25.396 --> 0:22:28.516
<v Speaker 1>all kinds of datedness to the stories, including a lot

0:22:28.556 --> 0:22:33.196
<v Speaker 1>of truly outrageously racist depictions of African and Indigenous peoples.

0:22:33.916 --> 0:22:36.516
<v Speaker 1>In spite of the fact that Lofting, a progressive and

0:22:36.596 --> 0:22:39.596
<v Speaker 1>a pacifist who wrote for the Nation, was an ardent

0:22:39.636 --> 0:22:43.796
<v Speaker 1>opponent of racism and of imperialism too. In a nineteen

0:22:43.836 --> 0:22:46.876
<v Speaker 1>twenty four article in the Nation, for instance, he damned

0:22:47.116 --> 0:22:50.356
<v Speaker 1>race hatred and urged the writers of children's books to

0:22:50.396 --> 0:22:54.396
<v Speaker 1>get away from the bigoted misrepresentation of people of different races.

0:22:57.076 --> 0:22:59.556
<v Speaker 1>Back in Connecticut, Elise and I were just pulling up

0:22:59.556 --> 0:23:01.836
<v Speaker 1>to the house where Lofting used to live, a yellow

0:23:01.876 --> 0:23:05.076
<v Speaker 1>farmhouse with a fence out front. The house he lived

0:23:05.076 --> 0:23:07.836
<v Speaker 1>in on the edge of town was quite small, but

0:23:07.996 --> 0:23:11.196
<v Speaker 1>his garden was any large, and he had a wide

0:23:11.236 --> 0:23:15.756
<v Speaker 1>long and stone seats and weeping willows hanging over. It

0:23:15.836 --> 0:23:19.156
<v Speaker 1>turns out a doctor lives there now, Caroline, an emergency

0:23:19.236 --> 0:23:21.796
<v Speaker 1>room doctor. She and her son Ben answered the door

0:23:21.956 --> 0:23:25.116
<v Speaker 1>and invited us around back for iced tea. We're gonna

0:23:25.116 --> 0:23:28.356
<v Speaker 1>stay outside. That's fine, both multitude of reasons, of course,

0:23:28.476 --> 0:23:36.596
<v Speaker 1>that's fine. Not always Lofting he always had three or

0:23:36.636 --> 0:23:39.636
<v Speaker 1>four dogs around at his house. Caroline and Ben have two,

0:23:40.116 --> 0:23:44.876
<v Speaker 1>two German Shepherds, rescue dogs. We could hear them inside howling.

0:23:45.476 --> 0:23:50.196
<v Speaker 1>They harmonize too, and um, what do you think they're

0:23:50.236 --> 0:23:53.996
<v Speaker 1>trying to tell us? They just they want to come out,

0:23:54.156 --> 0:23:58.636
<v Speaker 1>They want to say hi. They're crazy. I mean they

0:23:58.636 --> 0:24:02.356
<v Speaker 1>won't they won't hurt you, but they're crazy. I know

0:24:02.436 --> 0:24:05.676
<v Speaker 1>all about those crazy dogs. Sadly they didn't come out

0:24:05.716 --> 0:24:09.556
<v Speaker 1>to join us. Carolin hadn't known much about too when

0:24:09.556 --> 0:24:11.956
<v Speaker 1>she bought the house, but the spirit of the place

0:24:12.476 --> 0:24:16.036
<v Speaker 1>had been hard to resist. We would need a party,

0:24:16.356 --> 0:24:20.196
<v Speaker 1>a big neighborhood party. And made little push meeep never

0:24:20.276 --> 0:24:23.836
<v Speaker 1>mind who was then a little plastic horses and cut

0:24:23.876 --> 0:24:27.436
<v Speaker 1>them in half, really include them together for glue their

0:24:27.476 --> 0:24:35.956
<v Speaker 1>heads to play around still at the house. Didn't come

0:24:35.996 --> 0:24:39.476
<v Speaker 1>with any secret stash of Hugh Lofting's papers, but Carolyn

0:24:39.556 --> 0:24:42.076
<v Speaker 1>did end up collecting a set of first Editions, each

0:24:42.156 --> 0:24:45.236
<v Speaker 1>illustrated by Lofting. She said she'd planned to leave them

0:24:45.236 --> 0:24:49.396
<v Speaker 1>in the house and someday she moves out. We went

0:24:49.436 --> 0:24:52.156
<v Speaker 1>her on the front to see the homemade painted wooden sign,

0:24:52.476 --> 0:24:56.396
<v Speaker 1>a new one that Caroline's kids had updated. My brother

0:24:56.436 --> 0:25:00.676
<v Speaker 1>made this one. Um so it says Doctor Dolittle House

0:25:00.956 --> 0:25:05.076
<v Speaker 1>Circus seventeen sixty one, owned by author Hugh Lofting eighteen

0:25:05.116 --> 0:25:09.156
<v Speaker 1>eighty six to nineteen forty seven. That's his life in

0:25:09.236 --> 0:25:11.756
<v Speaker 1>nineteen twenties. This is where doctor Dolittle came to life

0:25:11.756 --> 0:25:15.676
<v Speaker 1>and learned to talk to his animals. The old one said,

0:25:15.676 --> 0:25:23.636
<v Speaker 1>where his animals learned to talk rated an issue or correction,

0:25:23.716 --> 0:25:31.396
<v Speaker 1>You just uplogether. I loved that the updating of the

0:25:31.436 --> 0:25:35.076
<v Speaker 1>historical record correcting it. The animals didn't learn to talk

0:25:35.116 --> 0:25:38.476
<v Speaker 1>to us. People learned to listen to the animals, and

0:25:38.556 --> 0:25:42.396
<v Speaker 1>it's true. Learning animal language was Doctor doolittle superpower, not

0:25:42.556 --> 0:25:46.516
<v Speaker 1>talking to them. The Doctor Dolittle stories date to the

0:25:46.556 --> 0:25:50.196
<v Speaker 1>era of animal welfare, when reformers were fighting against cruelty

0:25:50.236 --> 0:25:54.516
<v Speaker 1>to animals, trying to end vivisection. Today there are different fights.

0:25:54.716 --> 0:25:58.396
<v Speaker 1>It's an age of mass extinction and climate catastrophe. There

0:25:58.396 --> 0:26:01.476
<v Speaker 1>are other questions to ask about humans relationship to animals,

0:26:01.956 --> 0:26:05.316
<v Speaker 1>including whether sometime soon there will be hardly any of

0:26:05.356 --> 0:26:10.156
<v Speaker 1>them left. Animal cognition is like any other signiance. It's

0:26:10.196 --> 0:26:13.196
<v Speaker 1>a means of producing knowledge, but it's also freighted with

0:26:13.196 --> 0:26:17.196
<v Speaker 1>an almost existential burden, the burden of this moment. If

0:26:17.236 --> 0:26:20.916
<v Speaker 1>we could understand better what animals know, would we find

0:26:20.956 --> 0:26:31.156
<v Speaker 1>better ways of sharing the planet with them. Ben and

0:26:31.196 --> 0:26:33.796
<v Speaker 1>I have gone to Killingworth, Connecticut with a children's book

0:26:33.836 --> 0:26:37.076
<v Speaker 1>writer a lease Broach, to search for doctor Doolittle, who

0:26:37.116 --> 0:26:40.516
<v Speaker 1>could talk to the animals. I came away from that trip, though,

0:26:40.956 --> 0:26:43.996
<v Speaker 1>wondering what had happened to that idea, to an interest

0:26:44.156 --> 0:26:47.596
<v Speaker 1>not in teaching animals to talk. But in listening to them,

0:26:47.836 --> 0:26:53.036
<v Speaker 1>I could talk to the animals. Just imagine it chatting

0:26:53.036 --> 0:27:00.116
<v Speaker 1>to a chimp in chimpanzee chatting to a cheetah. What.

0:27:03.916 --> 0:27:05.956
<v Speaker 1>Right around the time Hugh Lofting was writing the first

0:27:05.996 --> 0:27:09.996
<v Speaker 1>Doctor Dolittle Stories, the scientific study of animals was changing too.

0:27:11.436 --> 0:27:15.276
<v Speaker 1>In nineteen oh eight, Margaret Floy Washburn published a book

0:27:15.276 --> 0:27:19.116
<v Speaker 1>called The Animal Mind. She was a psychologist and her

0:27:19.156 --> 0:27:22.556
<v Speaker 1>work involved trying to imagine the minds of animals. For instance,

0:27:22.636 --> 0:27:25.676
<v Speaker 1>we talk about an angry wasp, or like when we

0:27:25.716 --> 0:27:29.636
<v Speaker 1>say someone as mad as a hornet, Washburn wrote, anger

0:27:29.676 --> 0:27:33.076
<v Speaker 1>in our own experience is largely composed of sensations of

0:27:33.156 --> 0:27:37.796
<v Speaker 1>quickened heartbeat, of altered breathing, of muscular tension, of increased

0:27:37.796 --> 0:27:41.436
<v Speaker 1>blood pressure in the head and face. The circulation of

0:27:41.436 --> 0:27:44.996
<v Speaker 1>a wasp is fundamentally different from that of any vertebrate.

0:27:45.476 --> 0:27:48.316
<v Speaker 1>The wasp does not breathe through its lungs. It wears

0:27:48.316 --> 0:27:51.116
<v Speaker 1>its skeleton on the outside, and it has the muscles

0:27:51.156 --> 0:27:54.596
<v Speaker 1>attached to the inside of the skeleton. What is anger

0:27:54.716 --> 0:27:59.356
<v Speaker 1>like in the wasps consciousness? We can form no adequate

0:27:59.436 --> 0:28:02.876
<v Speaker 1>idea of it. Even as she was making that point,

0:28:03.196 --> 0:28:06.836
<v Speaker 1>a new kind of psychology was on the rise. Behaviorism

0:28:07.156 --> 0:28:10.556
<v Speaker 1>an attempt to discipline the science of psychology to make

0:28:10.596 --> 0:28:13.916
<v Speaker 1>it more accountable to experimentation, more of a lab science.

0:28:14.716 --> 0:28:17.876
<v Speaker 1>But behaviorism also had inside it an old idea, the

0:28:17.956 --> 0:28:23.276
<v Speaker 1>idea that non human animals are just machines. Behaviorists experimented.

0:28:23.316 --> 0:28:26.556
<v Speaker 1>They brought animals into buildings and caged them, and essentially

0:28:26.636 --> 0:28:31.796
<v Speaker 1>tortured them, not by vivisection, but by experiments so artificial

0:28:32.116 --> 0:28:36.276
<v Speaker 1>and painful and emotionally tortuous that one critic said that

0:28:36.396 --> 0:28:38.916
<v Speaker 1>if these experiments had been done on a person, it

0:28:38.956 --> 0:28:41.356
<v Speaker 1>would be like taking a living man in a coffin,

0:28:41.996 --> 0:28:45.116
<v Speaker 1>lowering him against his will, into the earth, and attempting

0:28:45.156 --> 0:28:49.676
<v Speaker 1>to deduce normal psychology from his conduct. With this device,

0:28:49.876 --> 0:28:52.356
<v Speaker 1>we can put a mild electric shock on the grid

0:28:52.396 --> 0:28:54.796
<v Speaker 1>on which the rat starts. You will see that it

0:28:54.836 --> 0:28:58.236
<v Speaker 1>supplies enough drive to produce a radical change in the

0:28:58.276 --> 0:29:01.676
<v Speaker 1>behavior of the satiated rat. He hits the bar, the

0:29:01.716 --> 0:29:06.196
<v Speaker 1>shot goes off, and he's reward. That approach lasted for

0:29:06.236 --> 0:29:10.196
<v Speaker 1>decades into the nineteen seventies and nineteen eighties, right around

0:29:10.196 --> 0:29:14.156
<v Speaker 1>when animal rights activists were challenging all kinds of animal testing.

0:29:15.316 --> 0:29:17.156
<v Speaker 1>But I was on the hunt for something new in

0:29:17.236 --> 0:29:21.276
<v Speaker 1>animal science, something doctor Doolittle had done in fiction and

0:29:21.436 --> 0:29:25.876
<v Speaker 1>Margaret Floyd Washburn had tried in real life. I was

0:29:25.916 --> 0:29:29.076
<v Speaker 1>interested in the kind of animal scientists who are studying

0:29:29.356 --> 0:29:33.676
<v Speaker 1>how animals think and communicate. I think it's this left

0:29:33.796 --> 0:29:36.516
<v Speaker 1>right here, see what these this break is your destination.

0:29:36.876 --> 0:29:39.756
<v Speaker 1>It says it's in there. The study of animal cognition

0:29:39.996 --> 0:29:42.716
<v Speaker 1>is just exploding right now. So I decided to seek

0:29:42.716 --> 0:29:46.436
<v Speaker 1>out one of its leading practitioners, a German scientist named

0:29:46.476 --> 0:29:49.836
<v Speaker 1>Yuliana Breuer, whose new book is called What Dogs Know.

0:29:51.356 --> 0:29:53.156
<v Speaker 1>To meet her, I had to go to Germany, to

0:29:53.196 --> 0:29:56.356
<v Speaker 1>a town I'd never been to before. Dogs, of course,

0:29:56.356 --> 0:30:00.276
<v Speaker 1>are famously good at finding places sniffing things out. I'm

0:30:00.356 --> 0:30:02.596
<v Speaker 1>terrible at this. So to help me out on my

0:30:02.636 --> 0:30:04.956
<v Speaker 1>trip to Germany, I took one of my kids. He's

0:30:04.996 --> 0:30:07.596
<v Speaker 1>studying German. Yeah, it says it on the sign right there,

0:30:08.036 --> 0:30:14.836
<v Speaker 1>Max Planck Institute for me. Okay, I figured at least

0:30:14.876 --> 0:30:22.876
<v Speaker 1>he could read the signs out loud mensch heights human Yeah,

0:30:22.956 --> 0:30:29.276
<v Speaker 1>human history. You're a stumped. The Max Plank Institute for

0:30:29.316 --> 0:30:31.676
<v Speaker 1>the Science of Human History sits on top of a

0:30:31.756 --> 0:30:34.316
<v Speaker 1>hill in the North German city of Yenna. It's a

0:30:34.356 --> 0:30:38.876
<v Speaker 1>cluster of buildings, sort of Walter Gropia style. Everything's connected

0:30:38.876 --> 0:30:41.956
<v Speaker 1>by cobbled paths. I think I had in mind that

0:30:41.996 --> 0:30:44.756
<v Speaker 1>we just follow the sound of barking, but the place

0:30:44.876 --> 0:30:47.396
<v Speaker 1>was dead silent, so we tried to follow a map

0:30:47.796 --> 0:30:51.556
<v Speaker 1>and read the signs using our eyes. A dog. A

0:30:51.636 --> 0:30:56.796
<v Speaker 1>dog would have just sniffed this place out. Hello, Sorry,

0:30:56.956 --> 0:31:01.676
<v Speaker 1>we're looking for Yule. The doglet would be like a

0:31:01.796 --> 0:31:07.116
<v Speaker 1>round corner in this building. Finally we found it, our clue,

0:31:07.356 --> 0:31:11.116
<v Speaker 1>a dog bowl outside the door. We stepped over the

0:31:11.156 --> 0:31:14.156
<v Speaker 1>dog bowl and Yuleiana Broyer let us inside to a

0:31:14.156 --> 0:31:18.716
<v Speaker 1>glass wild office overlooking the city. Broers this very no

0:31:18.716 --> 0:31:22.196
<v Speaker 1>nonsense sort of person, jeans, pull over, short hair. She

0:31:22.236 --> 0:31:24.956
<v Speaker 1>has my dream job. I kept thinking, that's pretty keen

0:31:24.956 --> 0:31:26.796
<v Speaker 1>to meet her dog, but she was nowhere to be

0:31:26.836 --> 0:31:30.196
<v Speaker 1>seen or heard my dogs. If someone came to visit,

0:31:30.436 --> 0:31:34.436
<v Speaker 1>there'd be no talking over their barking. This dog unseen

0:31:34.596 --> 0:31:38.236
<v Speaker 1>and unheard. Brower is a biologist who's interested in the

0:31:38.316 --> 0:31:42.316
<v Speaker 1>differences between humans and other animals. Technically, her field is

0:31:42.396 --> 0:31:46.836
<v Speaker 1>comparative psychology. The idea of comparative psychology has basically to

0:31:48.836 --> 0:31:54.356
<v Speaker 1>find similarities and differences between humans and animals. And you

0:31:54.476 --> 0:31:58.716
<v Speaker 1>can come from the psychological perspective than you are usually

0:31:58.716 --> 0:32:03.196
<v Speaker 1>more interested into the humans or what's special ah about

0:32:03.236 --> 0:32:06.036
<v Speaker 1>the human? Why are we different from animals? And we

0:32:06.076 --> 0:32:09.876
<v Speaker 1>are obviously, or you can also come from a more

0:32:09.996 --> 0:32:13.916
<v Speaker 1>biological way of thinking just to look at the similarities

0:32:13.916 --> 0:32:19.556
<v Speaker 1>and to look what cognitive skills do animals have, and

0:32:19.556 --> 0:32:24.956
<v Speaker 1>and let's say, to find the animals interesting in themselves.

0:32:25.676 --> 0:32:29.116
<v Speaker 1>Broyer didn't start out studying dogs. She started out studying

0:32:29.196 --> 0:32:33.236
<v Speaker 1>chimpanzees in an apouse at the Leipsig Zoo. And of

0:32:33.236 --> 0:32:36.156
<v Speaker 1>course they share a lot of skills with us, but

0:32:36.516 --> 0:32:40.876
<v Speaker 1>there are skills and where chimpanzees are really not not

0:32:40.996 --> 0:32:45.236
<v Speaker 1>good or where where you are surprised that they are

0:32:45.276 --> 0:32:49.476
<v Speaker 1>not doing well. And one topic there was a huge

0:32:49.476 --> 0:32:53.156
<v Speaker 1>topic when I started, actually was that chimpanzees do not

0:32:53.636 --> 0:32:56.436
<v Speaker 1>use a human pointing gesture. If I want to show

0:32:56.476 --> 0:32:58.676
<v Speaker 1>you something, the school bus, a cloud in the sky,

0:32:59.196 --> 0:33:01.796
<v Speaker 1>I'll point at it and you'll look where I'm pointing.

0:33:02.276 --> 0:33:06.076
<v Speaker 1>That's common knowledge, a universal human cognitive skill, a skill

0:33:06.156 --> 0:33:11.116
<v Speaker 1>you'd assume chimpanzees have because they're so closely related to us.

0:33:11.116 --> 0:33:14.956
<v Speaker 1>But strangely enough, chimpanzees do not do this. One day,

0:33:14.956 --> 0:33:17.556
<v Speaker 1>about twenty years ago in that zoo and Leipzig Brier

0:33:17.676 --> 0:33:20.436
<v Speaker 1>and her dissertation advisor, the whole lab, they're all talking

0:33:20.436 --> 0:33:23.996
<v Speaker 1>about this, and another graduate student says, yeah, but my

0:33:24.076 --> 0:33:27.796
<v Speaker 1>dog can do that. So they started testing dogs and yeah,

0:33:27.836 --> 0:33:30.316
<v Speaker 1>with dogs, you point at something, they look where you point,

0:33:30.516 --> 0:33:33.916
<v Speaker 1>no problem. But then it turned out that really even

0:33:33.996 --> 0:33:36.996
<v Speaker 1>hendread wolves cannot do it as as good as dogs,

0:33:37.036 --> 0:33:39.996
<v Speaker 1>or dogs are special. A laboratory and Hungary at the

0:33:40.116 --> 0:33:43.076
<v Speaker 1>very same time came up with that same result. I

0:33:43.116 --> 0:33:45.756
<v Speaker 1>think was that paper. The view on dogs changed a

0:33:45.796 --> 0:33:49.436
<v Speaker 1>lot because before, I mean my abiology professor would say,

0:33:49.436 --> 0:33:54.436
<v Speaker 1>our dogs they are somehow artificial, strange creatures, and they

0:33:54.436 --> 0:33:58.836
<v Speaker 1>are not as intelligent like wolves. The wolves are the

0:33:58.956 --> 0:34:02.156
<v Speaker 1>real animals, and dogs out something in between, something strange.

0:34:02.196 --> 0:34:05.476
<v Speaker 1>But then if you changed, because people thought, look, the

0:34:05.596 --> 0:34:11.116
<v Speaker 1>dog has a very very special kneed. So the ecological

0:34:11.276 --> 0:34:14.556
<v Speaker 1>niche of a dog is being with a human, and

0:34:14.596 --> 0:34:19.076
<v Speaker 1>that's why dogs have evolved very very special skills. Now

0:34:19.196 --> 0:34:21.676
<v Speaker 1>you might think, if you have a dog, yeah, this

0:34:21.716 --> 0:34:24.956
<v Speaker 1>isn't very surprising. I know, my dog looks where I point,

0:34:25.396 --> 0:34:28.916
<v Speaker 1>but you don't know that in any scientific sense for dogs,

0:34:28.956 --> 0:34:31.316
<v Speaker 1>we don't have that. We have this what you would

0:34:31.316 --> 0:34:35.036
<v Speaker 1>call common knowledge, and I assume that most of this

0:34:35.156 --> 0:34:37.796
<v Speaker 1>is what we can read in and common dog books

0:34:38.236 --> 0:34:42.036
<v Speaker 1>is correct, but we do not have studies about it.

0:34:42.756 --> 0:34:45.356
<v Speaker 1>So they started doing those studies. The more you think

0:34:45.356 --> 0:34:48.996
<v Speaker 1>about that pointing situation, the more you investigate it, the

0:34:49.116 --> 0:34:53.276
<v Speaker 1>more striking the finding brower. Another dog scientists around the

0:34:53.276 --> 0:34:56.956
<v Speaker 1>world are writing a kind of codebook decoding the behavior

0:34:56.956 --> 0:35:00.036
<v Speaker 1>of dogs. There are a thousand reasons to do this research,

0:35:00.196 --> 0:35:03.396
<v Speaker 1>but the biggest is dogs are the first animal humans

0:35:03.436 --> 0:35:08.116
<v Speaker 1>ever domesticated. Why out of all possible animals did humans

0:35:08.156 --> 0:35:11.356
<v Speaker 1>domesticate dogs first. One theory has it that it's because

0:35:11.396 --> 0:35:14.596
<v Speaker 1>dogs have such an incredibly sophisticated sense of smell and

0:35:14.716 --> 0:35:17.676
<v Speaker 1>we have such a worthless one. It's a thing humans needed,

0:35:18.316 --> 0:35:21.636
<v Speaker 1>but you do not know much about the sense of smells.

0:35:21.636 --> 0:35:27.796
<v Speaker 1>It's sometimes really amazing. What's funny to me is doctor

0:35:27.836 --> 0:35:31.436
<v Speaker 1>Doolittle had this all figured out, at least in his imagination.

0:35:32.156 --> 0:35:34.116
<v Speaker 1>My favorite scene in all the books is when the

0:35:34.196 --> 0:35:37.556
<v Speaker 1>doctor is talking with his dog Jip about what it's

0:35:37.596 --> 0:35:41.796
<v Speaker 1>like to smell like a dog. Then Jip went up

0:35:41.796 --> 0:35:43.716
<v Speaker 1>to the front of the ship and smelt the wind,

0:35:44.356 --> 0:35:51.036
<v Speaker 1>and he started muttering to himself. Tar, Spanish onion, kerosene oil,

0:35:51.996 --> 0:35:59.876
<v Speaker 1>white raincoats, crust raal leaf, rubber, burning, lace, curtains being walsht. No, no, no,

0:35:59.956 --> 0:36:04.276
<v Speaker 1>my mistake, lace curtains hanging out to dry, and foxes,

0:36:04.356 --> 0:36:08.276
<v Speaker 1>hundreds of them, cops. And can you really smell all

0:36:08.316 --> 0:36:12.636
<v Speaker 1>those different things in this one wind, asked the doctor. Why,

0:36:12.716 --> 0:36:16.236
<v Speaker 1>of course, said Jim. And those are only a few

0:36:16.236 --> 0:36:20.396
<v Speaker 1>of the easy smells, A strong one. Any mongrel could

0:36:20.396 --> 0:36:23.436
<v Speaker 1>smell those with a cold in his head. Wait now,

0:36:23.836 --> 0:36:25.796
<v Speaker 1>and I'll tell you some of the hardest scents that

0:36:25.836 --> 0:36:28.956
<v Speaker 1>are coming on this wind are view of the dainty one.

0:36:30.556 --> 0:36:34.076
<v Speaker 1>Then Jip closes his eyes and seems to be barely breathing,

0:36:34.676 --> 0:36:42.396
<v Speaker 1>almost dreaming. Bricks, he whispered, very low, old yellow bricks

0:36:42.396 --> 0:36:45.996
<v Speaker 1>crumbling with age in a garden wall, the sweet breath

0:36:46.076 --> 0:36:50.196
<v Speaker 1>of young cows standing in a mountain stream, the lead

0:36:50.276 --> 0:36:54.636
<v Speaker 1>roof of a dovecoat or perhaps a granary with the

0:36:54.716 --> 0:36:58.876
<v Speaker 1>midday sun on it. Black kid gloves lying in a

0:36:58.956 --> 0:37:02.756
<v Speaker 1>bureau drawer of walnut wood, a dusty road with a

0:37:02.836 --> 0:37:08.196
<v Speaker 1>horse's drinking trough beneath the sycamore, the little mushrooms bursting

0:37:08.276 --> 0:37:17.596
<v Speaker 1>with the rotting le. Okay, so that's fiction. Juliana Breyer

0:37:17.716 --> 0:37:21.196
<v Speaker 1>is a scientist. She got interested in figuring out there's

0:37:21.236 --> 0:37:24.396
<v Speaker 1>so many sense How do dogs decide what to smell?

0:37:25.076 --> 0:37:28.156
<v Speaker 1>They imagine being a dog entering a room, and then

0:37:28.716 --> 0:37:33.956
<v Speaker 1>how can I distinguish all these different orders? How do

0:37:34.036 --> 0:37:37.516
<v Speaker 1>I distinguish what is important to me? Breyer came up

0:37:37.596 --> 0:37:41.156
<v Speaker 1>with an ingenious idea and then began experimenting. I should

0:37:41.156 --> 0:37:44.076
<v Speaker 1>explain that she uses dogs, any dogs, people's pets, and

0:37:44.116 --> 0:37:47.116
<v Speaker 1>her experiments. She's got a few hundred of them on call.

0:37:47.636 --> 0:37:50.276
<v Speaker 1>They volunteer, They come with their owners, their owners stay

0:37:50.356 --> 0:37:53.076
<v Speaker 1>for the tests. The dogs are not special genius dogs,

0:37:53.076 --> 0:37:56.796
<v Speaker 1>They're just ordinary dogs. Before she explained the smelling study

0:37:56.836 --> 0:38:03.156
<v Speaker 1>to me, though, she showed me how the laboratory actually works.

0:38:03.156 --> 0:38:05.396
<v Speaker 1>She took us through a hallway and into the dog

0:38:05.476 --> 0:38:11.636
<v Speaker 1>lab itself. So dark, basement room empty, but in the

0:38:11.636 --> 0:38:14.036
<v Speaker 1>back of the room, Brier opened a door and let

0:38:14.076 --> 0:38:16.996
<v Speaker 1>out her dog, a Border Colli mix. What's her name?

0:38:17.556 --> 0:38:22.876
<v Speaker 1>Nah nah nah Hey Brier took us to another room

0:38:23.156 --> 0:38:26.756
<v Speaker 1>set up for an experiment. Yeah, so we're in a

0:38:26.796 --> 0:38:29.796
<v Speaker 1>sort of polygon almost room with file cabins on one

0:38:29.836 --> 0:38:32.876
<v Speaker 1>long end and three windows. We're in the basement, so

0:38:32.916 --> 0:38:35.676
<v Speaker 1>there's sort of garden windows French windows, and there are

0:38:35.716 --> 0:38:39.796
<v Speaker 1>four boxes spread across the window sills. They are this

0:38:40.196 --> 0:38:43.476
<v Speaker 1>black boxes, size of maybe a kid's shoe box, and

0:38:43.636 --> 0:38:46.836
<v Speaker 1>each have a number one, two, three, four. There's a

0:38:46.876 --> 0:38:48.876
<v Speaker 1>camera stand set up, there's not a camera, and then

0:38:48.916 --> 0:38:51.916
<v Speaker 1>there's a red chair in the middle of this tiled

0:38:52.036 --> 0:38:57.396
<v Speaker 1>great floor room. Also on this test, sole knew already

0:38:57.436 --> 0:39:01.956
<v Speaker 1>that dogs are able to even unskilled dogs, untrained dogs

0:39:01.956 --> 0:39:04.876
<v Speaker 1>are able to communicate up all the hidden toy and

0:39:04.996 --> 0:39:10.516
<v Speaker 1>we wanted to know how it works. Exactly like if

0:39:10.556 --> 0:39:13.076
<v Speaker 1>your dog loses her tennis ball under the sofa and

0:39:13.156 --> 0:39:15.196
<v Speaker 1>you ask her to go get her ball, she'll find

0:39:15.196 --> 0:39:16.716
<v Speaker 1>a way to tell you that that's where her ball

0:39:16.796 --> 0:39:19.556
<v Speaker 1>is and then it's stuck there. Right. This is called

0:39:19.796 --> 0:39:23.796
<v Speaker 1>the showing behavior. Briar wanted to test that you can

0:39:23.796 --> 0:39:26.356
<v Speaker 1>only do this test with dogs who really love toys.

0:39:27.036 --> 0:39:30.596
<v Speaker 1>Nana loves toys. Briar came back with a yellow ball

0:39:30.916 --> 0:39:33.276
<v Speaker 1>with a bell in it and she threw it for Nana.

0:39:33.876 --> 0:39:36.356
<v Speaker 1>So she's crazy about toys. This is what we need.

0:39:37.956 --> 0:39:40.116
<v Speaker 1>Then Brier handed me the ball and told me to

0:39:40.156 --> 0:39:42.356
<v Speaker 1>put it inside one of the numbered shoe boxes on

0:39:42.396 --> 0:39:46.596
<v Speaker 1>the window sill. Yeah. You show the ball to her

0:39:46.636 --> 0:39:51.116
<v Speaker 1>and she can watch me, but she can know where

0:39:51.116 --> 0:39:57.156
<v Speaker 1>it will lose. Okay, okay, I have this ball. She's

0:39:57.196 --> 0:40:04.756
<v Speaker 1>gone putting it in box number three. Okay, you saw

0:40:04.796 --> 0:40:10.316
<v Speaker 1>the Broert called back from the next room. Yes. She

0:40:10.396 --> 0:40:12.476
<v Speaker 1>came back in and sat down on the red chair.

0:40:12.636 --> 0:40:15.436
<v Speaker 1>She told Nana to sit, and then she asked her

0:40:15.716 --> 0:40:25.276
<v Speaker 1>where the ball was. Sex see. Nana ran to the

0:40:25.316 --> 0:40:29.396
<v Speaker 1>window and jumped up at box number three. Brower got

0:40:29.476 --> 0:40:32.516
<v Speaker 1>up and walked over to the box. Wallah, the ball

0:40:32.716 --> 0:40:37.236
<v Speaker 1>was inside that box. What Broyer studying here is exactly

0:40:37.276 --> 0:40:41.556
<v Speaker 1>which gestures dogs use to communicate with us. Sometimes they jump,

0:40:41.916 --> 0:40:44.276
<v Speaker 1>Sometimes they go to the box and bark. Sometimes they'll

0:40:44.316 --> 0:40:46.156
<v Speaker 1>look at the box, then look back at their owner,

0:40:46.356 --> 0:40:48.396
<v Speaker 1>look at the box, then look back at their owner.

0:40:48.956 --> 0:40:50.756
<v Speaker 1>One of my dogs does this when she wants to

0:40:50.796 --> 0:40:53.516
<v Speaker 1>go outside. She doesn't like to bark. She's the smart one.

0:40:54.236 --> 0:40:56.076
<v Speaker 1>She'll go to the back door, look at the door,

0:40:56.116 --> 0:40:57.636
<v Speaker 1>look at me, look at the door, look at me,

0:40:57.796 --> 0:40:59.916
<v Speaker 1>look at the door until I finally get the message

0:40:59.956 --> 0:41:02.916
<v Speaker 1>and open the door. That's showing behavior. That's one way

0:41:02.956 --> 0:41:06.516
<v Speaker 1>dogs communicate with us. But how do they think? How

0:41:06.516 --> 0:41:10.116
<v Speaker 1>do they think about smells? For one, were smell studies.

0:41:10.276 --> 0:41:13.436
<v Speaker 1>Brower came into the lab and made scent trails for

0:41:13.476 --> 0:41:17.236
<v Speaker 1>the dogs to follow. We have a track or a trail,

0:41:17.716 --> 0:41:20.516
<v Speaker 1>and in the end of the trail is not the

0:41:20.516 --> 0:41:24.916
<v Speaker 1>thing that was made by the trail. The dog enters

0:41:24.956 --> 0:41:28.396
<v Speaker 1>the room smells a favorite toy, say it's a red ball.

0:41:28.916 --> 0:41:31.756
<v Speaker 1>The dog follows that smell the trail left by the

0:41:31.796 --> 0:41:34.996
<v Speaker 1>red ball. Sometimes at the end of that trail, the

0:41:35.036 --> 0:41:38.316
<v Speaker 1>dog will find that red ball. Sometimes, in some trials

0:41:38.316 --> 0:41:41.316
<v Speaker 1>of the experiment, the dog will find something else, another

0:41:41.356 --> 0:41:45.076
<v Speaker 1>favorite toy, say a yellow frisbee, that Brower's switched out

0:41:45.116 --> 0:41:47.716
<v Speaker 1>for the red ball. The important thing was here, that

0:41:48.076 --> 0:41:51.916
<v Speaker 1>both toys were really important with the dog, so they

0:41:51.996 --> 0:41:54.956
<v Speaker 1>locked them equally. Here's what she was trying to find out.

0:41:55.436 --> 0:41:58.556
<v Speaker 1>When a dog is following a scent trail, sniffing along,

0:41:59.156 --> 0:42:02.396
<v Speaker 1>is he thinking, oh, something good, something good, something good,

0:42:02.996 --> 0:42:05.876
<v Speaker 1>or is he thinking, ooh, my red ball, my red ball,

0:42:06.036 --> 0:42:08.756
<v Speaker 1>my red ball? How would you find that out? What

0:42:08.836 --> 0:42:11.316
<v Speaker 1>would happened if sniffing the scent of the red ball,

0:42:11.836 --> 0:42:14.596
<v Speaker 1>that dog following that trail found at the end of

0:42:14.596 --> 0:42:19.476
<v Speaker 1>that trail a yellow frisbee. They went there, and then

0:42:19.556 --> 0:42:22.476
<v Speaker 1>when the toy was exchanged, they took the toy, but

0:42:22.596 --> 0:42:26.316
<v Speaker 1>then they would just keep on searching for the real one.

0:42:27.276 --> 0:42:29.556
<v Speaker 1>This would seem to suggest, then that the dog isn't

0:42:29.556 --> 0:42:33.196
<v Speaker 1>just following the trail thinking good smell, good smell. The

0:42:33.236 --> 0:42:36.876
<v Speaker 1>dog is following a specific smell, looking for a specific thing,

0:42:37.356 --> 0:42:40.636
<v Speaker 1>and thinking something like I was following the trail of

0:42:40.676 --> 0:42:43.556
<v Speaker 1>my red ball, but what the hell, here's my yellow frisbee.

0:42:44.396 --> 0:42:47.236
<v Speaker 1>Broyer's experiment proved that dogs have an idea, a way

0:42:47.236 --> 0:42:51.436
<v Speaker 1>of thinking about what they're smelling. Doctor Doolittle imagined that

0:42:52.076 --> 0:42:57.516
<v Speaker 1>Broyer proved it. Saying goodbye to Breyer, I remembered something

0:42:57.636 --> 0:43:00.356
<v Speaker 1>my friend Elisad told me that she'd learned about on

0:43:00.396 --> 0:43:03.796
<v Speaker 1>a podcast. Dogs can smell time, so they can tell

0:43:03.836 --> 0:43:06.516
<v Speaker 1>it's morning because of the way the air and the

0:43:06.556 --> 0:43:10.396
<v Speaker 1>smells in the summer, and they can tell evening because

0:43:10.436 --> 0:43:13.156
<v Speaker 1>those things change. And that's the dog's way of interacting

0:43:13.196 --> 0:43:20.916
<v Speaker 1>with the world. I love that smelling time. That was

0:43:20.956 --> 0:43:23.996
<v Speaker 1>an idea. I was really interested in the totally unique

0:43:23.996 --> 0:43:26.916
<v Speaker 1>experience of being a dog in the world. At least

0:43:26.996 --> 0:43:29.636
<v Speaker 1>dug up that podcast. It was an interview with a

0:43:29.636 --> 0:43:33.356
<v Speaker 1>scientist named Alexander Horowitz. She'd written a book called Inside

0:43:33.356 --> 0:43:37.276
<v Speaker 1>of a Dog, What Dogs See, Smell, and No. I

0:43:37.316 --> 0:43:40.156
<v Speaker 1>figured I should meet this Horowitz and headed to New York.

0:43:40.676 --> 0:43:42.876
<v Speaker 1>I wanted to get a kind of dog's eye view

0:43:43.556 --> 0:43:48.236
<v Speaker 1>or I guess a dog's noses scent of the dog park.

0:43:55.676 --> 0:43:57.556
<v Speaker 1>You may think this is a lot of globe trotting

0:43:57.636 --> 0:44:00.636
<v Speaker 1>for a podcast episode about dogs, but have you read

0:44:00.636 --> 0:44:03.116
<v Speaker 1>the Doctor Doolittle stories. The man is half the time

0:44:03.156 --> 0:44:06.476
<v Speaker 1>gallivanting across the planet looking for obscure animals like the

0:44:06.556 --> 0:44:10.076
<v Speaker 1>giant sea snail. One time, he even rides a lunamoth

0:44:10.196 --> 0:44:13.916
<v Speaker 1>to the moon. I didn't take a lunamoth to the moon,

0:44:14.356 --> 0:44:16.716
<v Speaker 1>but I did take Amtrak to New York to meet

0:44:16.716 --> 0:44:19.876
<v Speaker 1>Alexander Horowitz, a Barnard professor and head of the Dog

0:44:19.916 --> 0:44:23.476
<v Speaker 1>Cognition Lab. She's got a fantastic podcast about dogs called

0:44:23.596 --> 0:44:26.916
<v Speaker 1>Off Leash. Her basic research question is what is it

0:44:26.956 --> 0:44:29.916
<v Speaker 1>like to be a dog. She's interested in how dogs smell.

0:44:30.116 --> 0:44:32.636
<v Speaker 1>That's how she figured out dogs can smell time. But

0:44:32.716 --> 0:44:35.156
<v Speaker 1>she started out as a fact checker at The New Yorker.

0:44:36.276 --> 0:44:38.476
<v Speaker 1>It was really, really fun. Yeah, it was a great

0:44:39.316 --> 0:44:43.476
<v Speaker 1>exercise in thinking about knowledge and truth. Yeah, what counts

0:44:43.516 --> 0:44:46.356
<v Speaker 1>us truth? Horowitz came at dog research by way of

0:44:46.356 --> 0:44:49.796
<v Speaker 1>fact checking for one writer in particular. Yeah. I was

0:44:49.876 --> 0:44:55.916
<v Speaker 1>checking for Oliver Sacks, and I thought, oh, cognitive science. Yeah.

0:44:55.996 --> 0:44:59.476
<v Speaker 1>Oliver Sacks, the neurologist, wrote about how people think, what

0:44:59.516 --> 0:45:02.156
<v Speaker 1>it means to be a human. Hero books like The

0:45:02.236 --> 0:45:04.516
<v Speaker 1>Man who Mistook his Wife for a hat, about a

0:45:04.556 --> 0:45:07.076
<v Speaker 1>disorder where you see things as things that are not there.

0:45:07.836 --> 0:45:11.716
<v Speaker 1>Sachs had this tremendous moral imagination combined with his own

0:45:11.756 --> 0:45:15.116
<v Speaker 1>scientific mind, and then his extraordinary gifts as a writer.

0:45:15.556 --> 0:45:18.356
<v Speaker 1>He could picture and then conjure on the page how

0:45:18.356 --> 0:45:22.676
<v Speaker 1>an entirely different being experiences the world. He inspired generations

0:45:22.716 --> 0:45:27.036
<v Speaker 1>of scientists and writers, including Horowitz. So she left The

0:45:27.076 --> 0:45:29.836
<v Speaker 1>New Yorker and went to graduate school. I was interested

0:45:29.876 --> 0:45:33.196
<v Speaker 1>in a metacognitive skill called theory of mind, which is

0:45:33.236 --> 0:45:37.956
<v Speaker 1>an ability that humans develop typically at about age three ish,

0:45:37.996 --> 0:45:42.076
<v Speaker 1>where we start thinking and realizing others have opinions and

0:45:42.156 --> 0:45:46.556
<v Speaker 1>knowledge different than we do, which is obviously foremost in

0:45:46.636 --> 0:45:50.756
<v Speaker 1>our cognition. There hadn't been any evidence in these experimental

0:45:50.796 --> 0:45:55.116
<v Speaker 1>approaches with non humans of theory of mind, but it

0:45:55.196 --> 0:45:58.116
<v Speaker 1>seemed to me something that you would expect to see

0:45:58.316 --> 0:46:02.796
<v Speaker 1>in a lot of social animals, because sociability requires having

0:46:02.796 --> 0:46:05.996
<v Speaker 1>some sense of what others. Yeah, one kind of evidence

0:46:05.996 --> 0:46:09.476
<v Speaker 1>for a theory of mind is play playing, you have

0:46:09.516 --> 0:46:12.836
<v Speaker 1>to have a theory of mind. Harwood's decided she needed

0:46:12.876 --> 0:46:16.156
<v Speaker 1>to watch animals play. So I was looking for playing animals,

0:46:16.156 --> 0:46:19.116
<v Speaker 1>seeing if I could see anything in their interactions which

0:46:19.116 --> 0:46:21.836
<v Speaker 1>would tell me about their minds. But animals don't just

0:46:21.916 --> 0:46:25.556
<v Speaker 1>play on demand typically right often they might want to

0:46:25.836 --> 0:46:28.756
<v Speaker 1>disappear from view to play. It probably took me about

0:46:28.756 --> 0:46:32.156
<v Speaker 1>six months before I realized taking her out three times

0:46:32.156 --> 0:46:34.796
<v Speaker 1>a day to play with other dogs, I should study

0:46:34.876 --> 0:46:40.356
<v Speaker 1>dogs they're playing. It was a Eureka moment, ah dogs,

0:46:40.916 --> 0:46:44.836
<v Speaker 1>but she wasn't alone. Suddenly we all found we had

0:46:44.876 --> 0:46:48.956
<v Speaker 1>this very good subject. They were good because they're convenience,

0:46:49.316 --> 0:46:52.316
<v Speaker 1>but they were good because they're also smart. They have

0:46:52.316 --> 0:46:57.316
<v Speaker 1>a lot of social cognition, meaning they are skilled socially

0:46:57.556 --> 0:47:03.636
<v Speaker 1>they're able to get information from others. They're very cooperative,

0:47:03.676 --> 0:47:07.036
<v Speaker 1>not just with other dogs, but inter specifically with humans.

0:47:07.476 --> 0:47:11.716
<v Speaker 1>And so a few old of dog cognition kind of

0:47:11.756 --> 0:47:14.676
<v Speaker 1>started blooming in the early two thousands and now actually

0:47:14.756 --> 0:47:19.956
<v Speaker 1>is quite prolific. Right, there are hundreds of articles written

0:47:19.956 --> 0:47:22.556
<v Speaker 1>every year on the field, whereas when I began their word,

0:47:23.156 --> 0:47:26.676
<v Speaker 1>there were none. Horowitz took hundreds of hours of footage

0:47:26.676 --> 0:47:29.916
<v Speaker 1>of dogs playing and analyze them second by second, breaking

0:47:29.956 --> 0:47:33.116
<v Speaker 1>them down into episodes of play. A unit of play

0:47:33.276 --> 0:47:39.956
<v Speaker 1>she called about like in boxing, about talking about dogs

0:47:39.996 --> 0:47:43.156
<v Speaker 1>playing is like singing about bicycle riding. We had to

0:47:43.196 --> 0:47:45.876
<v Speaker 1>go watch it. So I packed up and headed up

0:47:45.916 --> 0:47:49.156
<v Speaker 1>to a dog park along the Hudson River. Now they're

0:47:49.156 --> 0:47:51.676
<v Speaker 1>staring at each other, right, there could be a something, ye,

0:47:52.316 --> 0:47:58.076
<v Speaker 1>So that's like an exaggerated approach. And there's a playbout

0:47:58.116 --> 0:48:01.196
<v Speaker 1>under the bench and sort of wandering off. For this

0:48:01.236 --> 0:48:05.076
<v Speaker 1>dog is wagging, but I don't know if she's going

0:48:05.116 --> 0:48:08.116
<v Speaker 1>to engage. She hiding under her owner. She's like tentative

0:48:08.156 --> 0:48:11.316
<v Speaker 1>with the keeping in touch, more touch with the owner.

0:48:12.116 --> 0:48:16.756
<v Speaker 1>Not maybe the most confident dog. I'm surprised because he

0:48:16.836 --> 0:48:19.596
<v Speaker 1>did go mount right away. She reminded me of a

0:48:19.636 --> 0:48:23.036
<v Speaker 1>sports commentator. Oh look, here's another here's another little belt.

0:48:23.076 --> 0:48:26.436
<v Speaker 1>So you have a dog on their back. You can

0:48:26.476 --> 0:48:28.876
<v Speaker 1>really take advantage of that, and the good player will not.

0:48:29.636 --> 0:48:32.836
<v Speaker 1>We'll just see if he's doing little feigning. But he's

0:48:32.876 --> 0:48:37.476
<v Speaker 1>not all going all in like he could and waits

0:48:37.556 --> 0:48:40.876
<v Speaker 1>and then she jumps up. That's a nice little bout.

0:48:41.636 --> 0:48:44.236
<v Speaker 1>So there's a lot of turn taking there here. Like

0:48:44.316 --> 0:48:47.716
<v Speaker 1>I do a job, I knew. I was fortified with

0:48:47.836 --> 0:48:50.316
<v Speaker 1>new information to bring back to the dog Bark with

0:48:50.316 --> 0:48:54.756
<v Speaker 1>my dogs Greta and Daisy. I also couldn't help prontriloquising

0:48:55.556 --> 0:48:59.196
<v Speaker 1>the tall doodles looking for a playmate. I could see

0:48:59.796 --> 0:49:03.356
<v Speaker 1>longingly over the gate, who's coming in? I only have

0:49:03.436 --> 0:49:10.396
<v Speaker 1>a dreevers in here. He Real dog science isn't ignoring

0:49:10.436 --> 0:49:13.116
<v Speaker 1>everything common sense tells you about the reality of animal

0:49:13.156 --> 0:49:17.516
<v Speaker 1>consciousness so you can experiment on animals. It's following your

0:49:17.516 --> 0:49:20.396
<v Speaker 1>own curiosity, your own love of dogs, in this case,

0:49:21.076 --> 0:49:23.836
<v Speaker 1>out of curiosity just to know, but also for the

0:49:23.916 --> 0:49:27.356
<v Speaker 1>same reason that Hugh Lofting created Doctor Doolittle while watching

0:49:27.396 --> 0:49:31.276
<v Speaker 1>horses being slaughtered on Flanders fields. I want to know

0:49:31.356 --> 0:49:33.676
<v Speaker 1>what it's like to be an animal in order to

0:49:33.676 --> 0:49:38.756
<v Speaker 1>treat them better. Every road you drive down in the

0:49:38.796 --> 0:49:43.036
<v Speaker 1>town of Killingworth, Connecticut, you come across another farm, horse farm,

0:49:43.316 --> 0:49:47.916
<v Speaker 1>goat farm, sheep farm, goose farm, duck farm. Hugh Lofting,

0:49:48.116 --> 0:49:52.116
<v Speaker 1>the creator of Doctor Doolittle, loved this place. Near the

0:49:52.196 --> 0:49:53.956
<v Speaker 1>end of his life, he decided he wanted to be

0:49:53.956 --> 0:49:57.676
<v Speaker 1>buried here. He died in nineteen forty seven. His body

0:49:57.756 --> 0:50:00.596
<v Speaker 1>was shipped back to Connecticut. When Ben and I went

0:50:00.636 --> 0:50:03.436
<v Speaker 1>there with my friend Elise Brooch. We went in search

0:50:03.476 --> 0:50:06.956
<v Speaker 1>of his grave, trudging across a field, watching out for

0:50:06.996 --> 0:50:10.556
<v Speaker 1>ticks and poison. Ivy all right, three leaves green and shiny.

0:50:10.676 --> 0:50:15.916
<v Speaker 1>Right yeah. With the owners of Lofting's old house, we

0:50:16.036 --> 0:50:19.956
<v Speaker 1>crossed a field of very tall grass. Man, I feel

0:50:19.996 --> 0:50:24.076
<v Speaker 1>that this is very last dark right here. Yes, would

0:50:24.156 --> 0:50:26.276
<v Speaker 1>nearly come to the end of our mad cap adventure,

0:50:26.476 --> 0:50:29.156
<v Speaker 1>hunting for the evidence of the age old knowledge that

0:50:29.316 --> 0:50:36.436
<v Speaker 1>animals have minds and souls. Finally we spied the cemetery

0:50:37.436 --> 0:50:42.316
<v Speaker 1>the back corner. Okay, so it's a granite marker, like

0:50:42.316 --> 0:50:46.756
<v Speaker 1>a small rectangular almost like a child sized coffin, baby

0:50:46.796 --> 0:50:50.356
<v Speaker 1>sized coffin, And says Hugh Lofting, eighteen eighty six to

0:50:50.476 --> 0:50:53.516
<v Speaker 1>nineteen forty seven. Maybe we should look up how to

0:50:53.556 --> 0:50:57.036
<v Speaker 1>pronounce the left for you quiz right? I mean I

0:50:57.076 --> 0:51:02.956
<v Speaker 1>think quo quis? Okay, quick, separate rabbit. I like how

0:51:02.956 --> 0:51:12.836
<v Speaker 1>you just rolled. They are just want to Caroline, who

0:51:12.876 --> 0:51:15.876
<v Speaker 1>lives in Lofting's old house, comes by every once in

0:51:15.916 --> 0:51:20.756
<v Speaker 1>a while and leaves animals here by Lofting's grave plastic animals.

0:51:21.756 --> 0:51:26.676
<v Speaker 1>Alise helped me out with the Latin quiss separabit. Who

0:51:26.676 --> 0:51:31.916
<v Speaker 1>shall separate us? It's the motto of the Irish Guards,

0:51:32.236 --> 0:51:34.916
<v Speaker 1>the regiment Lofting fought with during the First World War,

0:51:35.276 --> 0:51:38.356
<v Speaker 1>when so many animals, human and horse and dog alike

0:51:39.036 --> 0:51:44.636
<v Speaker 1>died needlessly. Who shall separate us? I loved that for

0:51:44.756 --> 0:51:49.116
<v Speaker 1>Lofting's grave marker. For a very long time, people have

0:51:49.196 --> 0:51:52.596
<v Speaker 1>believed in a great separation, a wall dividing humans from

0:51:52.596 --> 0:51:56.796
<v Speaker 1>all other animals. Weirdly, children's literature is one place where

0:51:56.796 --> 0:52:00.676
<v Speaker 1>that wall gets broken down, and lately it's being broken

0:52:00.716 --> 0:52:04.836
<v Speaker 1>down by animal science. The more scientists study animals, the

0:52:04.916 --> 0:52:08.516
<v Speaker 1>more we know what animals know. What do dogs know?

0:52:09.556 --> 0:52:12.596
<v Speaker 1>We still don't really know, But the more we do know,

0:52:13.236 --> 0:52:17.196
<v Speaker 1>the clarer it becomes that less separates us than some

0:52:17.236 --> 0:52:23.596
<v Speaker 1>people used to think. The Last Archive is written and

0:52:23.676 --> 0:52:27.596
<v Speaker 1>hosted by me Jill Lapour. It's produced by Sophie Crane,

0:52:27.676 --> 0:52:30.916
<v Speaker 1>Ben Natt of Haffrey and Lucy Sullivan. Our editors are

0:52:30.996 --> 0:52:34.116
<v Speaker 1>Julia Barton and Sophie Crane, and our executive producer is

0:52:34.156 --> 0:52:38.316
<v Speaker 1>Mia Lobel. Jake Gorsky is our engineer. Fact checking by

0:52:38.316 --> 0:52:42.836
<v Speaker 1>Amy Gaines. Original music by Matthias Bossi and John Evans

0:52:42.916 --> 0:52:47.516
<v Speaker 1>of Stellwagen Symfinett. Our research assistant is Mia Hazra. Our

0:52:47.556 --> 0:52:51.836
<v Speaker 1>full proof players are Least Brooch and Robert Riccatta. Many

0:52:51.836 --> 0:52:54.076
<v Speaker 1>of our sound effects are from Harry Jeannette Junior and

0:52:54.156 --> 0:52:57.596
<v Speaker 1>the Star Jeannette Foundation. The Last Archive is a production

0:52:57.596 --> 0:53:00.836
<v Speaker 1>of Pushkin Industries. If you love this show, consider subscribing

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<v Speaker 1>Look for the Pushkin Plus channel on Apple Podcasts or

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<v Speaker 1>get your podcasts. I'm Jill Lapour,