Speaker 1: The volume.
Speaker 2: All right, kids, do you like violets?
Speaker 1: No?
Speaker 3: Let to steak nine inch neil to each one.
Speaker 2: Of your eyelids. No, okay, instead of eating spaghetti sandwiches.
Speaker 2: I was listening to that. That's that's what's going on
Speaker 2: at the time.
Speaker 3: Old Anita.
Speaker 2: First of all, Baby Carbs, by the way, baby k pasta, baby.
Speaker 3: Came in here. You know what I'm saying, hamm and
Speaker 3: Anita got the thmb slick cat suit on her.
Speaker 2: Am.
Speaker 4: Yeah, caught up in the rapture. I love, I just
Speaker 4: want to slow y'all.
Speaker 3: All right, all right, yo, we are back sponsored by
Speaker 3: Boost Mobile unlimited talk texting data.
Speaker 2: The way, she just turns into a whole new human
Speaker 2: being from the instro she came in here. I've had
Speaker 2: no alcohol or dick. I can't take this anymore now.
Speaker 2: So she's in the rapture. She's in the love rapture.
Speaker 3: Caught up in the rapture, love baby. I know that's right, figuratively, biguritive.
Speaker 3: Come on always, you know you never mean literally.
Speaker 2: What's been dry?
Speaker 4: It's been a very dry, very dry January.
Speaker 3: I'll dry it.
Speaker 4: Crispy Demarus is still dry, dry ish.
Speaker 2: The marriage panties for like a used dryer sheet, you know,
Speaker 2: and that ship crumbled up, or the one that was
Speaker 2: left in there for a few loads.
Speaker 3: Like yeah, yeah, yeah, yeah, I'm that guy. I lead
Speaker 3: him in there for like three drives.
Speaker 2: Don't worry about it. That's hilarious. He Bro just commented
Speaker 2: on our i G post said so so Drake told
Speaker 2: maul Yo Cole won't speak to me anymore. That's kind
Speaker 2: of funny when you word it that way, Hebro, shut up?
Speaker 2: What that that's my new ship. You'll shut up now.
Speaker 2: Shout out to bro.
Speaker 3: Shout No, that's actually very shout out to shout out
Speaker 3: the pete.
Speaker 2: Uh yeah, we are back sponsored by Boost merch are
Speaker 2: still on sale. Everything is everything.
Speaker 3: Patreon dot com, Forward slash new Rory mal Yes for
Speaker 3: all things Patreon.
Speaker 2: Absolutely catch us over there getting an osh off, getting
Speaker 2: oush off.
Speaker 3: Netflix is already trying to send her mall clearly. Yeah, man,
Speaker 3: as you can see, send me a very very long
Speaker 3: form email. Yeah, last night, to whom to him make concern,
Speaker 3: to whom it makes its hurd who your my feears
Speaker 3: to click. That's what the email said.
Speaker 2: Well, I mean they sent us Sonos headphones right before that.
Speaker 2: They did.
Speaker 3: They send us some some very good headphones. Thank you
Speaker 3: Netflix for that. A nice welcome to the Netflix family.
Speaker 2: That's what's up.
Speaker 3: You know what I'm saying. We over here shaking ship.
Speaker 3: Then you ain't get your pair of Baby d know, Netflix,
Speaker 3: you gotta send another pick, you gotta. I actually sent
Speaker 3: two more, sent a pair for peets, sent a pair
Speaker 3: for baby D.
Speaker 2: Man. We need some two more. So yeah, I mean
Speaker 2: we've never really gotten welcoming guests, so that was actually
Speaker 2: kind of appreciate it. That was dope. Shout out to Netflix.
Speaker 4: The Volume sends you fifty pounds of popcorn every year
Speaker 4: after that.
Speaker 3: One thing to Vibue gonna do is make sure niggas
Speaker 3: got that popcorn, ain't they? But now we got popcorn
Speaker 3: to watch Netflix. See how they goes. See the Volume
Speaker 3: knew what they was doing. They know what they was doing.
Speaker 3: They was making sure we had enough popcorn and Netflix
Speaker 3: and chill.
Speaker 2: That's all. And every single time we do a partnership
Speaker 2: with the sponsorship, I can't even speak. They send us
Speaker 2: like a snapback hat that no one's ever gonna wear. Yeah,
Speaker 2: like that material could go to homeless people.
Speaker 3: Ship those wherever they ship when the loser team in
Speaker 3: the finals lose, ship those to the same country.
Speaker 2: Like boost, I love you, I promise you. I'm not
Speaker 2: wearing a boost fitted ever. And it's and I don't
Speaker 2: even think that's y'all like like model or your plan.
Speaker 2: It's to get everyone whoever that boost. We love y'all,
Speaker 2: But listen, it's not a paper plane.
Speaker 3: That what the budget is for the hat y'all could
Speaker 3: cut that, you that to charity, save that save the
Speaker 3: hat money man.
Speaker 2: Yeah, whoever they send all the losers of the Super
Speaker 2: Bowl merch too. You know they make it all in
Speaker 2: real time. Yeah, just find out where they send that
Speaker 2: stuff and send all the hats there because they needed
Speaker 2: way more than us. But how are you feeling? You
Speaker 2: have the Internet in a frenzy once again? Do I? Yeah?
Speaker 2: Said Peach said you shocked the world.
Speaker 3: Yeah, I don't listen. I don't pay Peache anymore. When
Speaker 3: I walk in Peache is.
Speaker 2: Just it was pretty much like do you believe in miracles?
Speaker 2: It was it was a USA hockey game. The whole
Speaker 2: world stopped what they were doing.
Speaker 4: But if you have any comments or any questions about
Speaker 4: any of our episodes, I know we don't have a
Speaker 4: comment section with Netflix. We lost the way YouTube, but
Speaker 4: you can go to our Twitter community.
Speaker 2: You also leave a voicemail also our discord and yeah,
Speaker 2: leave some voicemails for us. Even hate, don't don't leave
Speaker 2: non't hate no, because I mean, if you don't have
Speaker 2: the YouTube section to get your anger out on us anymore,
Speaker 2: I don't want to disrupt your daily routine. Just send
Speaker 2: voicemail instead. Get that hate out your heart, put that
Speaker 2: put that hate in your art. You know what I'm saying.
Speaker 3: Could never he don't want it?
Speaker 2: I so uh. I thought I was like, actually gonna
Speaker 2: get lined in the barber shop today, speaking of Onandras.
Speaker 2: My barber, who's also Jake Cole's barber, was like awkwardly
Speaker 2: nice to me today. Well, this isn't always that nice
Speaker 2: to me, he said. I was losing weight. I was
Speaker 2: a little nervous having that barber right there with a
Speaker 2: straight razor this like this close to my jugular. Sometimes
Speaker 2: I was going to like hit you, like, yo, this
Speaker 2: is my appointment this week with my barber. Can you
Speaker 2: come with mm?
Speaker 3: Like you be feeling good that he uses the same
Speaker 3: clips on cold that he uses on you.
Speaker 2: No, I know you tell him not to wash them between.
Speaker 3: Like when you see a dread on the floor, you've
Speaker 3: been thinking that's cold.
Speaker 2: No, I would say, hey, he's probably sweep sweep up
Speaker 2: before I sit down.
Speaker 3: Please, Yo, Rory saying coldready, like let me take that,
Speaker 3: let me take that, got put that in That didn't
Speaker 3: even cold dread. He got some nigga from Brooklyn dredd
Speaker 3: in his bag. Yo, that's not cold dread though. Ship went,
Speaker 3: Oh my god, the studio with a fist ration, Yo.
Speaker 3: Remember like a rabbits. He put colds dread on his
Speaker 3: key chain.
Speaker 2: You know your grandmother used to like tape hair or
Speaker 2: like ship into a photo album.
Speaker 3: You remember at school when you have to make clouds
Speaker 3: out of cotton, you have to like make different clouds.
Speaker 2: He put that on a baby like dreads. Yeah, on
Speaker 2: his fridge. I'm not even like that because I there's
Speaker 2: nothing I can say. It's funny. That was crazy man.
Speaker 2: Uh No, but it has uh it's caused to cause
Speaker 2: some some issues and in my barbershop life for not
Speaker 2: really what will cause issues? Man, We just we're showing
Speaker 2: we love j Cole here. But every time I love
Speaker 2: every time I walk in, like you just miss him.
Speaker 2: You want to call him back? No, I'm cool, you know, I.
Speaker 3: Mean call him back.
Speaker 2: Man's just a conversation. But nah, I don't know if
Speaker 2: the internet was going to internet, I kind of knew
Speaker 2: that was gonna go viral. Yeah, y'all was trying to
Speaker 2: clown me yesterday of like, ya ya should probaly clip
Speaker 2: that because it's gonna get cipp at five o'clock in
Speaker 2: the morning. De Maris wanted to take the whole shit
Speaker 2: out that.
Speaker 3: No, no, no, no, no. See he telling the clip
Speaker 3: out right after we recorded.
Speaker 2: Yeah, because I knew it would get clipped by a
Speaker 2: thousand people at five am.
Speaker 4: Would you know we were snow we were still the
Speaker 4: first people to clip it.
Speaker 2: No clip it, Yeah, like in our computer to post it. Okay,
Speaker 2: computer doesn't mean that the rest of the world is.
Speaker 2: I don't you got to post it on the internet.
Speaker 3: I don't you know, I don't pay attention to shit
Speaker 3: like that. I mean, I just but it's okay. I
Speaker 3: think the message got out there, and you know, we
Speaker 3: had a good conversation and through it all we still
Speaker 3: love cold. We just you know, disappointed, oh God, and
Speaker 3: wear a little heart broken. That's all it is.
Speaker 2: You wan bullshit in twenty twenty six.
Speaker 3: Let's y'all know, I fuck with Cold. Y'all know that
Speaker 3: the Internet made painted like I don't, but y'all in here,
Speaker 3: y'all know with Cole, So that's all that matters.
Speaker 2: Are you gonna go to the tour? Whose tour? I'm
Speaker 2: sure there there'll be a fall off tour?
Speaker 1: No?
Speaker 2: Oh, I mean, you know what's funny, and that's got
Speaker 2: to be the the jersey swap like tour, like the
Speaker 2: way Lebron's gonna do his last Turah and every after
Speaker 2: every regular season game is going to be a moment
Speaker 2: like it's going to be the fall off tour. You've
Speaker 2: got to go. You have to swap hoodies with with Cole.
Speaker 2: I've never been to J Cole, so I don't think
Speaker 2: really sing out. I've seen him.
Speaker 3: I've seen him at I've seen him perform at what's
Speaker 3: the spot in Brooklyn that y'all did plus at one time,
Speaker 3: the outdoor spot.
Speaker 2: Oh, but we all went, we all went together.
Speaker 5: Yea.
Speaker 3: I've seen him there and I think I saw him
Speaker 3: that was their party. Yeah, I think he came out
Speaker 3: as somebody's show before. But I've never been to like
Speaker 3: a J. Cole show in an arena.
Speaker 2: I mean, you didn't, you didn't believe me. But the
Speaker 2: loudest I've ever heard the garden in my entire life
Speaker 2: was that a J cooshow Knicks playoffs, any artist, the
Speaker 2: loudest I've ever heard the garden.
Speaker 3: He never saw Jordan in the garden, you know, No,
Speaker 3: I did not. You don't know that on TV. Yeah,
Speaker 3: you don't know that energy.
Speaker 2: When Mike came out that tunnel, you don't know too
Speaker 2: young it was booze.
Speaker 3: I hope thought it was booze ship, not for Jordan,
Speaker 3: not for twenty three. It wasn't no booze hell nah ship.
Speaker 2: I was. I was thinking that the Seahawks, not Seahawks,
Speaker 2: fucking Patriots AFC game. There was more fans in Denver.
Speaker 2: They was chanting m v P the whole time. I
Speaker 2: was like, does Denver have a fan base anymore? Yeah?
Speaker 2: They do. At an AFC Championship game, the opposing quarterback
Speaker 2: is getting MVP chance for.
Speaker 3: The whole game. You're that good, You're that good man. Nah.
Speaker 2: If I'm not, you have to exit na. You get
Speaker 2: love all my stop. M v P of the a
Speaker 2: FC Championship what the fuck. What do you think the
Speaker 2: ratio will be in San Francisco? I mean, Seattle's right there.
Speaker 2: It's going to be a lot of that's going to
Speaker 2: be a rough one. Yeah. I think it's going to
Speaker 2: be Ice and Seahawks fans just everywhere.
Speaker 3: Yeah, definitely Ice Seahawks.
Speaker 2: Yeah. I don't know, but I do think the New
Speaker 2: England Patriot fans would would be helping, helping, helping Ice out.
Speaker 3: And not only that, but Patriots fans are going to
Speaker 3: travel to California.
Speaker 2: Yeah. Absolutely, that's Super Bowl. But anyways, how's your week been.
Speaker 2: It's good man, that's free, give us some updates. Stress free.
Speaker 2: Be and Demarisa are very you know, in tune of
Speaker 2: your personal life, Like, is there anything going on in
Speaker 2: my personal life that's worth talking about? No, not really,
Speaker 2: it's just January dry too.
Speaker 3: Oh yeah, I'm not.
Speaker 2: I don't.
Speaker 3: I'm not smoking anymore.
Speaker 2: No, but uh, intercourse, Oh and of course desert desert.
Speaker 3: Not know what a nigga lying to me? No, I'm
Speaker 3: dead serious. I ain't had no sex.
Speaker 2: Like that girl, like that girl that ran through church.
Speaker 2: I had no sex.
Speaker 3: I didn't see that.
Speaker 4: You never oh, Man's classic me. But anyway, I never
Speaker 4: saw that one. Yeah, so now we see dry dry
Speaker 4: jenuar over here. I don't know what that nigga got going.
Speaker 3: But but not having sexual month is not It's not
Speaker 3: crazy though, that's like very normal to not have sex.
Speaker 2: Yeah.
Speaker 3: Now if you have living like a boyfriend or girlfriend
Speaker 3: and you ain't got no, then y'all need to talk
Speaker 3: about something like we ain't have sex in a month,
Speaker 3: like and I have a boyfriend or girlfriend, like it's
Speaker 3: y'all might want to have a conversation. It's called the
Speaker 3: marriage nageep. We be having sex not like you know,
Speaker 3: cheating couples do. But you nobody fuck more than cheating
Speaker 3: couples each other and others. Yeah, man, because you know
Speaker 3: when you cheat and you feel that, you know, regret,
Speaker 3: you got to go home and really put it on
Speaker 3: your girlfriend, not even shower right Yeah, well no, no, no,
Speaker 3: please wash that off. Shout don't do that, Please don't
Speaker 3: do that.
Speaker 2: I saw on the way here we had a Banks
Speaker 2: and Fab conversation on bag fuel. Shout out to those guys.
Speaker 2: And we were not the first people to have this
Speaker 2: Banks in Fab conversation. It's kind of become a trendy thing.
Speaker 2: Uh this year, I believe was it Mook and Lux. Yeah,
Speaker 2: I think Mouke and Lux started this debate with Banks
Speaker 2: and Fab and it definitely caught a lot of attention
Speaker 2: because everyone's debating it. Uncle Murder an Tony y are
Speaker 2: made shout out to them, were on the Breakfast Club
Speaker 2: Shout out the Murder, shout out the Yo this morning,
Speaker 2: and the Breakfast Club had brought up the Fab verse
Speaker 2: Banks debate, which I was intrigued with because I consider
Speaker 2: Envy to be Desert Storm even if he's not, that's
Speaker 2: still his lineage. And then obviously Yo is genuine and Banks,
Speaker 2: his brother Yao did what we knew Yao would do.
Speaker 2: One of the most loyal people ever. He said he
Speaker 2: didn't care I choose Banks, even when they brought up
Speaker 2: like a fair points, I don't care. I choose Banks. Yeah,
Speaker 2: you see how it works. And I love Yo, like
Speaker 2: he'll admit out the gate like nas as Banks, that's
Speaker 2: my brother. I'm always gonna pick that. But then just
Speaker 2: bring a point like all right, well Banks about to
Speaker 2: tour Fab not Torn. It's like, well Fab could tour,
Speaker 2: that's a moot point in that just because Banks is
Speaker 2: going out but after that fifty cent posted this maybe
Speaker 2: about an hour ago since we recording this fab verse banks.
Speaker 2: They both write better when it's about girls. They both
Speaker 2: think they are better than everybody. They both never put
Speaker 2: in no work themselves. They both are not likely to
Speaker 2: sell at this point either in their career. It's a tie.
Speaker 2: Ladies and gentlemen. They are the same. Some hate, man,
Speaker 2: that's some hate what fifty mean by they I was
Speaker 2: trying to think they are better than that Isn't every
Speaker 2: rapper supposed to think they better than everybody?
Speaker 3: That's just rap shit.
Speaker 4: That's like law is you're supposed to say that you
Speaker 4: think that you better. But I feel like rappers know
Speaker 4: who they not better than?
Speaker 3: Oh yeah, when you go home an now you know
Speaker 3: when a rabbit whooped your ass, like you know, when
Speaker 3: you lay down like Dan go.
Speaker 4: Even not even even not even if you engage in battle,
Speaker 4: like you go home, and you know that.
Speaker 3: Ultimate feature, like even when you do a song together,
Speaker 3: you like, yeah, I ain't gonna lie that nigga got me,
Speaker 3: like you know, but you ain't gonna say that shit publicly.
Speaker 2: That I that part of it. I do believe fifty there.
Speaker 2: I also think that Fab and Banks quietly to themselves
Speaker 2: and humbly think they are better than everybody that raps.
Speaker 2: I don't think there's no humility in it, and I
Speaker 2: think there's plaunt that shit unless he's rapping. And even Fab,
Speaker 2: for what it's worth, who is more in the public.
Speaker 2: You've been around Fab, I've been around Fab and had
Speaker 2: conversations about other rappers and ship off Mike Fat rightfully,
Speaker 2: so thins he's better than everybody else. Yes, but you're
Speaker 2: supposed to know. There's nothing wrong with that. I'm not
Speaker 2: putting out any news. Somebody shouldn't know.
Speaker 3: Any type of competitive feel You're supposed to feel like
Speaker 3: you're the best.
Speaker 2: But there are rappers to Demarus's point, that like, no,
Speaker 2: they're not, and don't think that they could say that
Speaker 2: in a conversation like nah washing, but they know they
Speaker 2: know better.
Speaker 3: Yeah, every rapper knows, like I can't fuck with him,
Speaker 3: but I ain't gonna say that. Yeah, And I ain't
Speaker 3: about to go in the booth and do a song
Speaker 3: with him and feel like I ain't about to like
Speaker 3: I'm going in there to bus his ass. Yeah, So
Speaker 3: I mean I get that, but now I don't know
Speaker 3: what he what do you mean by they both never
Speaker 3: put in no work themselves.
Speaker 2: So I was trying to figure out, in the way
Speaker 2: he worded it what he meant there. I don't think
Speaker 2: he meant like they never put in no work in
Speaker 2: the street or whatever themselves. I think he was because
Speaker 2: Fifty's last book, book, fifty Laws of Power, he has
Speaker 2: a chapter where he mentions his relationship with Banks and
Speaker 2: he's like, Yo, this guy has lazy Lloyd tattooed on him.
Speaker 2: Banks never put in the work to match his talent.
Speaker 2: He thought he could coast because he was so talented. Okay,
Speaker 2: he's been on record for a while saying those things.
Speaker 2: Now the Fab side, I feel like Fab put in
Speaker 2: a lot of work into himself and his brand, and
Speaker 2: that was a solo artist.
Speaker 3: He was never in a group like you know, I
Speaker 3: Fifty says that about Banks because the whole g unit,
Speaker 3: and it feels like, you know.
Speaker 2: I understand, yeah, but Fab is their relationship Fab. I didn't.
Speaker 2: I was like, I don't think there's ever been a
Speaker 2: point that I felt like Fab didn't want it like Banks.
Speaker 2: Sometimes there was a point where I was like, he
Speaker 2: probably just doesn't like the shit. He doesn't like the limelight.
Speaker 2: He doesn't like to be around people like I'm cool, bro,
Speaker 2: I'm gonna do my verses and when it's time to
Speaker 2: make some money, I'll come outside. But if not, I'm chilling,
Speaker 2: like I don't want to do all this. But Fab,
Speaker 2: I mean, outside of recently, has been super consistent. He's
Speaker 2: done like brand shit. He's I don't know that he has
Speaker 2: always been.
Speaker 3: I'm always on the side. I do always feel like
Speaker 3: and I think I've expressed this before that I feel
Speaker 3: like Fab is is like very laid back, very cool
Speaker 3: thanks to m Yeah, he don't really have a lot
Speaker 3: of ego when it comes to trying to prove that
Speaker 3: he's better than everybody, Like he doesn't, you know what
Speaker 3: I mean. Like Fab is not just dropping music all
Speaker 3: the time. He's not doing a bunch of features. He's
Speaker 3: not and we want that, Like we want the Soul
Speaker 3: tape shit back, we want Summertime shootout back, we want
Speaker 3: a new Fab project. I don't know why. I think
Speaker 3: it was probably some legal things why Fab kind of
Speaker 3: didn't want to, you know, put out new music and
Speaker 3: shit like that. But as far as like, you know,
Speaker 3: not putting in no work, I mean I think fab
Speaker 3: like I said, he's since the late nineties and he's
Speaker 3: still relevant today.
Speaker 2: Like and even on the Bank side, I guess I can.
Speaker 2: I can understand fifties perspective there because you know, he's
Speaker 2: known Banks since Banks was like literally a child and
Speaker 2: has watched the entire thing, So of course his perspective
Speaker 2: would be more of a fact than us on the
Speaker 2: outside looking in. But I do feel in the last
Speaker 2: I don't know, six seven years, Banks has been super
Speaker 2: consistent now as impactful from eyes like fifty cent, I
Speaker 2: can see why he would say something like that, but
Speaker 2: to a consumer and fan of Banks, I think he's
Speaker 2: been super consistent and putting in a lot of work
Speaker 2: to help his brand in that regard and what Yeo said,
Speaker 2: he's about to go overseas on tour, which that's their
Speaker 2: bread and butter, Like oh yeah, you like when Gene
Speaker 2: is Wu tang Acon like those they'll never be because
Speaker 2: they have Europe like it'll they'll always always show up
Speaker 2: for them. I get it. It's just it's just sad
Speaker 2: to see the fab shit. I don't really care. I
Speaker 2: know him if fifty has something recent of a little
Speaker 2: back and forth, but it's it's heartbreaking as a lifelong
Speaker 2: g UNIT fan to see this fifty in Banks fly
Speaker 2: feud still going on, and I mean Fifties put out
Speaker 2: a record with Rest in Peace, p and b Rock.
Speaker 2: I'm going crazy that I love where he addresses the
Speaker 2: whole Banks thing. I don't know, I just I just
Speaker 2: hate to see this type of shit because Banks just
Speaker 2: kind of keeps to himself. Like if Banks was outside
Speaker 2: the way Yo was and was talking as much as yao,
Speaker 2: but in a negative way towards Fifty, I could totally
Speaker 2: see that. But Bro Banks be mind of his business,
Speaker 2: like it's very sad. It's sad to see the other bit.
Speaker 2: I can see Fifty feeling a way that being his
Speaker 2: little brother, Like Yo, I don't think you reach your potential.
Speaker 2: I wish you would have done this. I did do
Speaker 2: a lot for you. I think Banks would say the
Speaker 2: same thing that Fifty did so much for him. But
Speaker 2: we ain't got to do this, man, unless Banks are
Speaker 2: saying a bunch of shit behind the scenes that I
Speaker 2: don't know about.
Speaker 3: Yeah, that's different again.
Speaker 2: But we also know fifty. You'll just say something you.
Speaker 3: Just speculating off of a comment that Fifty made. But
Speaker 3: I mean you know, I'm still always on the side
Speaker 3: I'm waiting for new Fat music. Like I'm waiting for that.
Speaker 3: I've been vocal about that. I've spoken the Fab about that, like, yo,
Speaker 3: like what we're doing?
Speaker 2: Man?
Speaker 3: Yeah, because I always am down for a new FAB project.
Speaker 2: When when was the last time you had that conversation
Speaker 2: with Fat?
Speaker 3: When we were in Atlanta the last time we had
Speaker 3: we had a shot out there. I saw him at
Speaker 3: Copper Cove one night. Okay, I went there and because
Speaker 3: I was.
Speaker 2: What twenty and twenty four last time we were in
Speaker 2: twenty five, twenty four.
Speaker 3: Twenty four, Yeah, god damn yeah, And we had a
Speaker 3: conversation and you know, he was he just started laughing
Speaker 3: like he's like, yeah, I know I'll be hearing it.
Speaker 3: I'm like, Yo, what's up, what are you doing? Bro?
Speaker 3: Like we need that music. But you know that is
Speaker 3: you know, I guess whenever he's ready. But I do think,
Speaker 3: you know, I never asked him personal business about his
Speaker 3: you know, his career. But I do think it is
Speaker 3: probably some legal contracts and things that people that's probably
Speaker 3: still eating over his music that he's trying probably trying
Speaker 3: to you know, moving or get away from it. Shit
Speaker 3: like that. That is the reason why he's not his
Speaker 3: output is not Yeah, sure, because again Fab's talent level.
Speaker 3: He still raps better than ninety percent of the rappers
Speaker 3: that we have. He makes better songs than ninety percent
Speaker 3: of y'all. And again I'm always down to hear some
Speaker 3: new Fab music.
Speaker 2: I mean, I do know for a fact, I recently,
Speaker 2: you know, within the last month, Benning sessions and Fab
Speaker 2: is working. I don't know if he's gonna put any
Speaker 2: music out, but it's great, like it Fab is in shape.
Speaker 2: While I was listening to it, I was like, I
Speaker 2: don't understand why you just don't hit upload. I was
Speaker 2: right there, but right there actually like this goes off
Speaker 2: to the world, not here to like I'm not revealing.
Speaker 2: I have no idea what Fab wants to do is doing.
Speaker 2: All I know is everything i've heard that is like
Speaker 2: the newest Fab music sounds incredible, Like I could hear
Speaker 2: me like, oh, that's not up to par. Maybe he's
Speaker 2: trying to get back in shape, and that's why it's
Speaker 2: it's great, Like, don't upload the shit now, don't.
Speaker 3: That's why I'm saying it has to be some legal
Speaker 3: something on the legal side.
Speaker 2: I could see that Fab has been in some contracts.
Speaker 3: Yeah, I cannot think it's some business shit that's in
Speaker 3: the way of that.
Speaker 2: Yeah, I can definitely see that. It's sad for me
Speaker 2: to say, speaking New York hip hop, that it's only
Speaker 2: been like a week or two, But in this day
Speaker 2: and age, that's saying a lot that you're still listening
Speaker 2: to an album. I'm still listening to this asap rocky
Speaker 2: album every day. Like, it's still really good to me.
Speaker 2: It's good driving music, in good shower music in the cars.
Speaker 2: It's my favorite driving album right now.
Speaker 3: The music is like we spoke about this might be
Speaker 3: his best album.
Speaker 2: Yeah, I'm not mad at that take whatsoever. It's so
Speaker 2: crazy that now that's how we talk. It's been two weeks.
Speaker 2: How's it aging?
Speaker 4: Yeah?
Speaker 2: Like now still I still fun with it.
Speaker 3: You should fall out the rotation quick.
Speaker 2: Oh it sounds crazy to say, but yeah.
Speaker 3: Quick, you got the average lifespan of album is probably
Speaker 3: six days. I mean even six You got six days
Speaker 3: to prove that this is some fire or we will
Speaker 3: never listen to this again.
Speaker 2: Even with shit I like and this is not a
Speaker 2: slight to Travis. Maybe it's more of a slight to
Speaker 2: me as a consumer. I came in here when Travis
Speaker 2: put out his last project and was like, yoh, shit
Speaker 2: is fire. After a week passed, I was like, I'm cool.
Speaker 3: It's crazy how it works.
Speaker 2: And maybe that's a me thing. I don't know. I'm
Speaker 2: sure Travis's fan base loves it and still listening. I'm
Speaker 2: not saying no one but me. I'm like, damn, I
Speaker 2: came in here and said I absolutely loved it. I'm
Speaker 2: kind of cool. I don't even know which song to
Speaker 2: run back to.
Speaker 3: It's just too much mute. We have access to too
Speaker 3: much fucking music because we listened to old school, like
Speaker 3: we're just singing Anita Baker. We still listening to Anita, Like,
Speaker 3: so how if we still listen to how the fuck
Speaker 3: we got time to listen to the new R and
Speaker 3: B girl that dropped, like we still listening to Anita?
Speaker 3: We still listening in the ment condition, like we still
Speaker 3: on that music.
Speaker 2: What are our timeless records from our generation? Maybe we
Speaker 2: put a year on it, and damn, I wish this
Speaker 2: was one of those we talked about before so we
Speaker 2: could come more prepared. But I'm cool having a conversation
Speaker 2: in real Time from two thousand and on Timeless, Yeah,
Speaker 2: in the last twenty five years. Just in general, I'm
Speaker 2: talking about timeless like narrow it down still well Sorry,
Speaker 2: R and B pop Uh love Love on Top? Okay,
Speaker 2: it's a timeless I think Amara will sing Love on Top,
Speaker 2: But then again I don't. I don't know. I think
Speaker 2: the age difference between you and when that Anita Baker
Speaker 2: record came out is insane. Do you think will have
Speaker 2: any of those records always on time? Ashanti G Yeah,
Speaker 2: I mean, like you name it, you name a song
Speaker 2: them the songs that they play on cruise ships, like
Speaker 2: that's that keeps music time?
Speaker 3: No, for sure. For sure when it crosses all genres
Speaker 3: like you know, like nationalities and cultures and things like that,
Speaker 3: they all love it, like because.
Speaker 4: Your kid will hear it again, Because like I feel
Speaker 4: like even with Timeless, like what I play in my house,
Speaker 4: another parent might not play in their house. So it
Speaker 4: needs to be something that you're gonna hear, not just
Speaker 4: in my house. You're gonna hear outside like you're gonna
Speaker 4: I want to figure out who Michael Jackson is, because
Speaker 4: everybody is talking about fucking Michael Jackson.
Speaker 2: Yeah, I mean I feel like I kind of to
Speaker 2: a most same with the cruise ship stuff. I feel
Speaker 2: like songs like hey, y'all have just got into that
Speaker 2: threshold where they'll be sung forever just because they entered there.
Speaker 2: But like when a Dorn came out, I was like, oh, look,
Speaker 2: our generation got one, like this is going to be
Speaker 2: played at weddings for the rest of eternity. And while
Speaker 2: it is a timeless record in my opinion, I don't
Speaker 2: know that to be true anymore. With the consumer change
Speaker 2: in music, I don't know if a Dorn is really
Speaker 2: I don't know if a mar is going to want
Speaker 2: to dance to a Dorn at her wedding, which is
Speaker 2: crazy to say, because to me that's a it checks
Speaker 2: every box in my head musically. Is a Thomas record
Speaker 2: a better question?
Speaker 3: What song did y'all graduate too?
Speaker 2: Graduate?
Speaker 4: Or pull up the prom too? Because I feel like that's.
Speaker 3: No like, what was your graduation song? What's song the junie?
Speaker 4: I don't remember. I remember my fifth grade graduation. We
Speaker 4: were supposed to dance, well we dance to I think
Speaker 4: it was which our Kelly song? Now I believe I
Speaker 4: could fly the other one, But.
Speaker 3: There's only two graduation songs, Well maybe three. Maybe I
Speaker 3: believe I could fly. Yep, Whitney Houston, I had the
Speaker 3: children our future.
Speaker 2: Did you and your brother have this conversation? Yeah, because
Speaker 2: your brother text me and we have the same conversation.
Speaker 3: And Tevin Campbell, I think Tevin Cambell got one tomorrow.
Speaker 3: I'm sorry, Campbells, there is no tea.
Speaker 2: I want to hear that. Quincy touched that one. You
Speaker 2: feel like I feel like Tim Campbell got one. Tevin
Speaker 2: Campbells and not tomorrow. It might be tomorrow. That's what
Speaker 2: I would imagine.
Speaker 3: It might be tomorrow.
Speaker 4: And that's vitamin C. What what Josh was singing? Vitamin
Speaker 4: C graduated the Vitamin C as you graduated the Vitamin
Speaker 4: C beach. We readmemeber all the good bigs, DM me
Speaker 4: this or I definitely walked.
Speaker 3: We definitely have a Winnie Houston at my Yeah tomorrow
Speaker 3: tomorrow tomorrow or Kelly that piece of shit. I believe
Speaker 3: I could fly.
Speaker 2: And my eighth grade it was eighth grade graduation, not
Speaker 2: like a it's not high school was definitely I believe
Speaker 2: I can fly. I don't even remember what played in
Speaker 2: my high school.
Speaker 4: Oh, I'm sorry. Fifth grade. It was the world's greatest.
Speaker 4: We did a dance to the World's Greatest at our graduation,
Speaker 4: but I didn't get to do it because I got like,
Speaker 4: I got in trouble, so I had to sit in
Speaker 4: the crowd.
Speaker 2: Like like one of like the church spiritual dance type.
Speaker 4: Of choreography, kind of like that, but not super spiritual
Speaker 4: because it was school.
Speaker 2: But yes, it was similar to that. Josh pulled up
Speaker 2: Green Day, Good Ridden. Yeah, they played that at the
Speaker 2: end of Seinfeld, So I feel like that believed that
Speaker 2: that became a tribute song. Time of your life.
Speaker 4: Yeah, we didn't don't want high school to never graduation song.
Speaker 2: I think you had to have a graduate didn't remember
Speaker 2: what was that was that? I don't remember. I was
Speaker 2: what's the graduation like actual sleep score?
Speaker 4: Like when we were all sitting there waiting for like
Speaker 4: the the fucking speeches and ship, I was that ass like.
Speaker 3: No, not the speeches, but don't y'all walk out to
Speaker 3: a song. No, y'all don't walk into the auditoria that
Speaker 3: it was a silence like silence.
Speaker 2: Yeah, that's wicked.
Speaker 3: That's a wicked graduation like this.
Speaker 2: Oh yeah, well yeah of course that But know what
Speaker 2: I'm saying. I think it was that for the walk
Speaker 2: in and the walk out. Yeah, I agree.
Speaker 4: I think I would have remembered if it was like
Speaker 4: a song with lyrics.
Speaker 2: I definitely remember. I believe I Can Fly for eighth grade.
Speaker 3: Yeah, I believe I Can Fly was definitely one.
Speaker 2: But no, I think it was. I think it was
Speaker 2: just this mm hmmm. Yeah, that's like and I feel
Speaker 2: like the school like band played it like they were
Speaker 2: in their capping gowns and sat down and went back
Speaker 2: up and did the whole okay thing.
Speaker 3: Yeah, yeah, no, we just pressed play on the motherfucking whitney.
Speaker 2: What did y'all pull up the prom and.
Speaker 3: We didn't have a prom? They took out prom away
Speaker 3: from us? Oh damn home he stole the.
Speaker 2: Oh yeah, just com remember that. That's like, that's fucked
Speaker 2: up though, that is to do that to everybody for prom,
Speaker 2: Like I could see no homecoming dance, but.
Speaker 3: Like everybody's all the final grades and everything was in
Speaker 3: the computer. I know, but like because I guess he failed,
Speaker 3: he was like fuck that, like he took the whole computer.
Speaker 2: He took the whole Maybe we should put together an
Speaker 2: adult prom from all we could do getting here? Do
Speaker 2: you want a sneaker ball? No, thank you.
Speaker 4: If you want to have one big room full of
Speaker 4: bad bitches, you still want want to come?
Speaker 2: Maybe we could talk about that exactly.
Speaker 3: We might be able to We might be able to
Speaker 3: have a conversation about that.
Speaker 2: That's the type of graduation I want and under that gown,
Speaker 2: girl and I could get a I get cipher sounds
Speaker 2: the DJ that was King prom DJ in New York City,
Speaker 2: I could get I get psyched to do it. We
Speaker 2: could do the after prom party at UH at Webster Hall.
Speaker 3: That's such a that's such an after promim Brooklyn Queen's
Speaker 3: after promise. It was such an after prom together Webster Hall,
Speaker 3: without a doubt. It was the only place that like
Speaker 3: allowed eighteen plus two on Thursday. You want to talk
Speaker 3: about Lloyd Banks, he was, He was big meets at
Speaker 3: the eighteen plus Webster Hall Thursday nights, him and Joel Santana.
Speaker 2: We're going crazy.
Speaker 3: Fab and French Ball drop. Might be the graduations going
Speaker 3: for the y Ns. Now you've really been walking out
Speaker 3: to that for the Wiians? Yeah, I can see. Are
Speaker 3: they graduating some Winans graduating, some wins graduating. You're seeing
Speaker 3: him with the shist he's on at the graduation.
Speaker 4: So you didn't have a you didn't have a song
Speaker 4: that you pulled up to promin like blasting out because
Speaker 4: I remember it was in Syracuse.
Speaker 2: It was our thing. You have to roll all the
Speaker 2: windows down, the drought.
Speaker 3: To all the small things.
Speaker 2: Truth to say, it ain't so I will not go
Speaker 2: turn the lights off. Carry me. Oh keep your head still.
Speaker 2: I don't know.
Speaker 3: Oh no, that's what.
Speaker 2: What's my age again? What's my age again?
Speaker 3: That's what Rory pulled up to his first of all.
Speaker 2: Let's not do that. That blank one any two album
Speaker 2: is a classic. That's a time unt. I love Blink
Speaker 2: one eighty two, but no blank one ay two. That
Speaker 2: song was probably fifteen years old by the time I
Speaker 2: got to PROM. I don't know. It was probably like
Speaker 2: some little scrappy shit or something. It was two thousand
Speaker 2: and eight, Oh scrash the South, And when my senior
Speaker 2: high school was the South, thought like every hit record
Speaker 2: was from the South, Like Fat Joe came in and
Speaker 2: at least like got us there with Make It Rain.
Speaker 3: But I thought you about say you graduated the lean bag.
Speaker 2: Even even Roy Jones was forced you got left back.
Speaker 2: Left back. It's left back. I'm fucking crying the thing
Speaker 2: I probably should have been. I probably be smarter now
Speaker 2: if they weren't just like, just go ahead, just let
Speaker 2: him go, let me go ahead, let him didn't even
Speaker 2: say go ahead, go ahead, go ahead, go.
Speaker 3: Ahead, and get up. Man, we're tired of looking at
Speaker 3: your fee.
Speaker 2: But no, I don't have for junior or senior. I
Speaker 2: don't remember. I don't even know if the limo we
Speaker 2: took like allowed us to play music. I put up
Speaker 2: the motivation.
Speaker 4: Kelly Rowling, not geezy Kelly Rowling, all as you said,
Speaker 4: thug motivation.
Speaker 2: I'm like that would make more sense tob to prom
Speaker 2: than Kelly Roland motivation. And I was on the back
Speaker 2: of like the drop top the camaro.
Speaker 3: Camlaro. What are you, army wife? Drop camaro widow goes
Speaker 3: to a funeral? I'm fucking ryan camaro, you know, to
Speaker 3: give sign.
Speaker 2: I was on the back of it. That's the motivation.
Speaker 2: My uh, junior prom was all right. My senior problem
Speaker 2: had a lot of fun. It We stuck, We snuck
Speaker 2: a lot of bottles in that that was actually a
Speaker 2: really good time.
Speaker 4: I was never I never used to like sneak alcohol
Speaker 4: in school like functions. I never did that unless it
Speaker 4: was like a football game. I was drinking palm my
Speaker 4: sign at a football game. But other than that, I
Speaker 4: and J, E and J.
Speaker 3: That esus, Jesus.
Speaker 4: But he's believes I and J in a sixteen year
Speaker 4: old system. It's just like it's just destroying me. That's
Speaker 4: why I probably got my overy fucked up.
Speaker 2: Now that might be, Hey, you might. I definitely was
Speaker 2: drinking E and J at fourteen years old, for sure.
Speaker 3: Yeah, y'all crazy. Well, I ain't no better. I have that,
Speaker 3: not bananas. I can't even smell that shit.
Speaker 2: I mean, oh yeah, that's how I feel about bok cartal.
Speaker 3: Not bananas. The worst shit ever.
Speaker 2: That was like a special occasion for us at that age,
Speaker 2: not banana. It was to a fifteen year old that
Speaker 2: was expensive.
Speaker 3: That ship is Oh my god, I threw up so crazy.
Speaker 3: I can't That should make me know?
Speaker 2: You just think we were listen, man, we was mixing
Speaker 2: like Boon's farm and fucking ever clear.
Speaker 4: Ever clear being the base of jungle juice. Like well,
Speaker 4: my kid grows up and asks me, hey, mom, what's
Speaker 4: jungle juice or what's I'm like telling them whatever, explaining
Speaker 4: Ever Clear and Devil's.
Speaker 2: Spring, like like, hey, do you see what daddy puts
Speaker 2: in his car to make it work? That's pretty much
Speaker 2: what we were drinking on the rocks. No straight with
Speaker 2: mad floating fruit in it cold like that was premium
Speaker 2: gas chilled. It's really really all it was. But yeah,
Speaker 2: that was awful, like really bad. And then Wild Irish
Speaker 2: Rose and Mad Dog twenty twenty. Oh was real.
Speaker 3: You was real Hood, Mad Dog, madg.
Speaker 2: And then uh, I can see they had every single
Speaker 2: flavor you could think of.
Speaker 4: I can see the plastic before they took the cocaine
Speaker 4: out was crazy.
Speaker 2: That was my freshman going into sophomore college. Summer was
Speaker 2: the four Local when I was I was in high
Speaker 2: school for four Local.
Speaker 3: Never did a full local.
Speaker 4: You never had a four Local without a crack, I
Speaker 4: mean with the crack in it.
Speaker 2: Oh my god. You ever had a Celsius.
Speaker 4: That's like missing, Oh my god, it's hard to explain.
Speaker 4: I can't even that shit was battery acid, fruity battery
Speaker 4: acid with caffeine in it.
Speaker 2: But like in a legal amount, like the way I
Speaker 2: see like white Claw has the White Claw Surge or whatever,
Speaker 2: and my God gave me one and I was like, oh, yeah,
Speaker 2: this is this is gobbage. This is cut down.
Speaker 3: Cut water.
Speaker 2: Oh I love me a cuddy.
Speaker 3: A cuddy.
Speaker 2: That's what they call it. A I love your cut water.
Speaker 4: Cut cut water is it's supposed to be liquor cut
Speaker 4: with water because it's like it's not like malt liquors.
Speaker 4: It's like actual like tequila or vodka or whatever, and
Speaker 4: then cut with whatever flavor something. It's supposed to be
Speaker 4: like a mixed drink in a can, but with real
Speaker 4: kind of But it wasn't always sprints, Like sometimes it's
Speaker 4: just like a cocktail.
Speaker 2: That's what West Indians do with blue label. Pour it
Speaker 2: straight and then just just a dash of water to
Speaker 2: a little bit of that. Yeah that's water, little bacon soda.
Speaker 2: That's all it is.
Speaker 4: Toe up, So you drew cut water.
Speaker 2: Be toe up? Mall. I see that Demerius is over
Speaker 2: there on a phone that is not the all new
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Speaker 2: Like what is that?
Speaker 3: Is that a flip phone?
Speaker 2: Yeah? Are you concerned about traffic or is someone trying
Speaker 2: to transfer all your data?
Speaker 3: You got no snowstorm updates on that phone.
Speaker 2: Well, good news to Maris. I know you're sitting over there.
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Speaker 2: Terms are block You haven't had a quaylut and Coca cola?
Speaker 3: I wish it was a real lawyer that was the
Speaker 3: drink of choice in the eighties to his lawyer, he said,
Speaker 3: London Oak, sir, No, No, his lawyer's saying like quailudes
Speaker 3: was a party drug, which it was. Yeah, they had
Speaker 3: billboards of it, and you know in the in the
Speaker 3: eighties and the seventies and they did quaylud and a coke.
Speaker 2: Well it was for like pregnant women and shit, right now,
Speaker 2: the billboards wasn't It wasn't for pregnant women. It was
Speaker 2: for women, but not pregnant women, all right. I don't
Speaker 2: know what I thought her whatever the fuck was for.
Speaker 2: I thought it was like to help pregnant women sleep
Speaker 2: or some shit.
Speaker 3: Well, Bill Cosby under oath admitted to refilling a recreational
Speaker 3: prescription for Kuaeludes as Josh Josh, just.
Speaker 2: By the Nike sneakers. It's the third time he pulled
Speaker 2: them up.
Speaker 3: Pull prescription for kueludes he got from a gynecologist at
Speaker 3: a poker game seven times with the intention of giving
Speaker 3: the pills to women in hopes of having sex with them.
Speaker 2: And he says he never downed a single pill himself.
Speaker 2: I believe that would fall under the exact definition of
Speaker 2: date rape.
Speaker 3: Yeah, the docs said that doctor Amar is a disgraced
Speaker 3: gynecologist who was Cosby's friend, and the poker game with
Speaker 3: Cosby got the Kwailu prescription was hosted at Cosby's Los
Speaker 3: Angeles house prior to nineteen seventy two, which is significant.
Speaker 3: So yeah, man, I don't know, this is not looking
Speaker 3: good for mister Bill Cosmy.
Speaker 2: Yeah, I mean he got off just because of paperwork,
Speaker 2: So I don't know they're going to retry him because
Speaker 2: of this entire thing. But yeah, and this may have
Speaker 2: been under oath with the paperwork that got him dismissed.
Speaker 2: This might not even being new information. Yeah, I mean
Speaker 2: it's awful. But also now you have to look at
Speaker 2: everyone else that hasn't said this under oath that we
Speaker 2: know for a fact was probably doing the exact same thing.
Speaker 2: Like we look at Hugh Hefner as an icon, right.
Speaker 3: Yeah, someone will say he is an icon. Ya Okay,
Speaker 3: I know where you're going. I know where you're going.
Speaker 2: I'm not dismissing anything. Yeah Bill did. Yeah, I think
Speaker 2: he should be locked up. And I think the paperwork
Speaker 2: shit is bullshit and just proves our judicial system works
Speaker 2: when it wants to off technicalities and doesn't when it doesn't.
Speaker 2: But yeah, this was a thing. It was normal. It's
Speaker 2: even crazy that Bill was dead sober for it. Yeah.
Speaker 2: Like sometimes if two people are taking drugs and everything
Speaker 2: it gets foggy and no one knows what they're doing
Speaker 2: and the guy ends up getting a charge this and that.
Speaker 2: It's like, bro, if everyone was all in the wrong mind,
Speaker 2: who knew what was going on? If you dead sober
Speaker 2: and dropping drugs without telling people, that's the definition of
Speaker 2: date right now. I not like two consenting adults taking
Speaker 2: drugs blacking out and not knowing what happened the next morning.
Speaker 3: Now I do listen, and you know how we are
Speaker 3: when it comes to these types of situations where anybody
Speaker 3: is sexually assault or anything like that. But if you're
Speaker 3: in a party atmosphere insh seventies, eighties, nineties, whenever there
Speaker 3: is a thing where you may party, somebody gets drunk,
Speaker 3: you may be intoxicated yourself, you have sex, You have sex.
Speaker 3: It feels consensual. You're not ripping anybody's clothes off, you're
Speaker 3: not fighting nobody trying to take sex. And then years
Speaker 3: later somebody says, oh, like, I don't remember what happened
Speaker 3: at night. I just know that I felt like I was,
Speaker 3: I was. I had sex, and I didn't remember consenting
Speaker 3: to it. So there are things where it's like damn, like,
Speaker 3: because we've all been to parties, we've all been on vacations.
Speaker 3: People get drunk, people get high whatever they do and
Speaker 3: having fun, and you look over and be like, yo, yall,
Speaker 3: y'all dipped off too. And you see two drunk people
Speaker 3: coming from wherever they coming from and dipped off from
Speaker 3: the party, and they may have did something, and it's
Speaker 3: like okay, But you don't ever feel like that was
Speaker 3: something that she wasn't consenting or he wasn't consenting to,
Speaker 3: because I've been around that and I've seen dude, I'm like, yo,
Speaker 3: and I tell you all the time, I never was
Speaker 3: into having sex with women that was too intoxicated that
Speaker 3: I just that was never into that. Like I actually
Speaker 3: don't even like when women get drunk around me like
Speaker 3: that shit is you start feel like you baby sitting
Speaker 3: at that point. So I don't even like that. But
Speaker 3: I've been in parties where everybody's fucked, the people are drunk,
Speaker 3: and like I said, people dip off, go somewhere in
Speaker 3: the house or go somewhere or wherever. You don't know
Speaker 3: what's happening. But it never in that moment, you don't
Speaker 3: ever even think like he may have did something non
Speaker 3: consensual with this girl, because at that point you would
Speaker 3: check them, like yo, what the like you would see
Speaker 3: something or you think you would see something and something
Speaker 3: doesn't feel right. I don't know if this is You know,
Speaker 3: Cosby has been a star for years. He admitsed there
Speaker 3: was partying. No Kueludes was a party drug. We know
Speaker 3: that that people was popping it, just like people pop
Speaker 3: Miley just like people pop e. It's just different generations
Speaker 3: do different drugs.
Speaker 2: Like Yeah, But the difference with the cosmy stuff based
Speaker 2: off the testimony of countless people, reputable people that were
Speaker 2: famous and didn't have any reason to lie, similar to
Speaker 2: like the Cassie thing, which we found out clearly was
Speaker 2: fucking true. He was dropping that in drinks without them knowing. Now,
Speaker 2: two people take quailudes and it gets busy, and then
Speaker 2: the next morning she's like, I didn't want to do that.
Speaker 2: Now we have a conversation. But if you're dropping quailudes, Molly,
Speaker 2: anything in somebody's drink without them knowing, this is a
Speaker 2: clear cutcase to me.
Speaker 3: Listen, you're right, you're about a law. That's you're You're
Speaker 3: absolutely right by anything. But I'm also from a time
Speaker 3: where we was outside and when Rick Ross said, put
Speaker 3: Molly on law champagne.
Speaker 2: She didn't even know it. Most insane.
Speaker 3: Every girl is the pool party yelled that part. Ain't
Speaker 3: nobody like yo, that's crazy, Like we.
Speaker 2: All said that was.
Speaker 3: The DJ would cut that part off and everybody start
Speaker 3: yelling that part.
Speaker 2: Now, I feel like that that verse got cut within
Speaker 2: a week. No, hell, we don't do that.
Speaker 3: You're crazy.
Speaker 2: What do you mean that verse got cut? It's still
Speaker 2: excuse hear that is it?
Speaker 3: We're not doing it like I'm not doing that.
Speaker 2: Trying to remember when that whole that sh did that
Speaker 2: was the remix, wasn't even the real Ross.
Speaker 3: Didn't get heat for that for years.
Speaker 2: Okay, so maybe that's what I'm remembering that years later
Speaker 2: everyone was like.
Speaker 3: That Ross got heat for that years later. Yeah, okay, sorry,
Speaker 3: I'm in that. When that record came out and keep
Speaker 3: I remember every pool party, when that ship came on,
Speaker 3: every cookout, everybody was yelling that part that was like
Speaker 3: that was like.
Speaker 4: This being worse it is. I took her home and
Speaker 4: I enjoyed that. She ain't even know it that that
Speaker 4: still marriage.
Speaker 2: One year that came out was that twenty twelve eleven.
Speaker 2: I was gonna say eleven, let me tell you something,
Speaker 2: but I could be wrong.
Speaker 3: Every twenty thirteen thirteen, every time that part played, you
Speaker 3: felt like that was the hook. Matter of fact, some
Speaker 3: DJs took that part and would go into a whole
Speaker 3: nother record with a different beatle still playing it.
Speaker 2: She ain't even know it was. I mean, she didn't
Speaker 2: even know what the record, But that was the remix.
Speaker 4: Right, Ross wasn't No, that was he was a feature.
Speaker 4: It wasn't a remix. He was just on the feature.
Speaker 2: Okay, I don't know why I thought that was the
Speaker 2: remix and he featured on that. But I mean here,
Speaker 2: that record went crazy. Listen. I was never at a
Speaker 2: party that the music went out and everyone said I
Speaker 2: took her home and enjoyed. I was. I never saw that.
Speaker 2: She didn't even know. I know that played, but that
Speaker 2: part being a moment I personally was never around when
Speaker 2: everyone was like, dropped in my lind or drink. She
Speaker 2: ain't even know it. I took her home, had my
Speaker 2: way with her. She didn't even know it. No, I
Speaker 2: don't ever remember rapping along to that.
Speaker 3: I think I got an archive video on my Instagram,
Speaker 3: But that shit, I'm gonna find it.
Speaker 2: I'm telling you, it's a wild bar.
Speaker 4: Of course, it was wild, like when when I first
Speaker 4: heard it, I didn't. I feel like sometimes, especially back then,
Speaker 4: like we just weren't thinking.
Speaker 2: Sometimes when you listen to the first part in that game,
Speaker 2: that time dropped of mind and drink shen't even know
Speaker 2: it awful, But in that time I can see it
Speaker 2: skipping over that that second one. Even in that time,
Speaker 2: I just don't feel like everyone be like, yeah, I
Speaker 2: fuck with that.
Speaker 3: That's crossed. Listen. It's a different world we're in thirteen
Speaker 3: years lady, and I understand that it's a different world
Speaker 3: where in thirteen years later, thirteen years ago, I'm telling
Speaker 3: nobody really looked at that and felt no type of
Speaker 3: way to understand, because maybe people understand it's just a bar,
Speaker 3: it's just music. People was like, we don't really think
Speaker 3: that that's real. But when that song came on, that
Speaker 3: was the song of the summer. Yeah, yeah, it ain't.
Speaker 3: Nobody be like, yo, but don't play that part. Niggas
Speaker 3: couldn't wait lean into that part. And I'm just saying again,
Speaker 3: I was there. I'm just telling you if the moment
Speaker 3: when I was.
Speaker 4: I'm happy hindsight it's twenty twenty because that shit was
Speaker 4: fucking insane.
Speaker 3: Yeah it is, But so was Miguel's. How many drinks
Speaker 3: we had Miguel here. We asked him like, Yo, you're
Speaker 3: gonna perform, and they was like, yeah, I'm performing that record.
Speaker 2: A little different than that Ross line, but of course,
Speaker 2: of course it was a.
Speaker 3: Little different but it's still like what you mean, how
Speaker 3: many drinks would it take for you to leave with me?
Speaker 3: Like what you People could still frown they nose that.
Speaker 3: That part is what I'm saying, and that's the hook
Speaker 3: at that's the hook. So that's what I'm saying. It
Speaker 3: was a different time. We understand now things are different.
Speaker 3: It's a little more sensitive, gotta be more careful with
Speaker 3: your words and good sensitivity to me is stuff. Oh no,
Speaker 3: for sure, But I'm just saying happy for that. So
Speaker 3: now we talked about thirteen years ago, Bill and caught
Speaker 3: talking about fifty four years ago seventy two where they
Speaker 3: was doing this shit and he's one of the biggest actors.
Speaker 2: They were still debating why they let women vote at
Speaker 2: that time.
Speaker 3: This is what I'm saying.
Speaker 4: It was wrong, and I think everybody knew it was wrong.
Speaker 2: There's always was.
Speaker 4: Everybody was doing it so or a lot of people
Speaker 4: was doing it. So he didn't find anything.
Speaker 2: Yeah, but even yo, I remember my frat brothers in Philly,
Speaker 2: there was another fraternity. There's a rumor. That's why I'm
Speaker 2: not going to say what the other fraternity was that
Speaker 2: they stopped going to their parties because when they would
Speaker 2: walk in, they'd be I don't want to say what
Speaker 2: their jungle juice was called. There'd be two jugs of it,
Speaker 2: and they would tell them like, yo, drink out of
Speaker 2: that one, not that one. And they was like, yo,
Speaker 2: we can't. We can't know what the fuck is wrong
Speaker 2: with y'all drink out of that. It was a very
Speaker 2: popular frat. But I want to put that on them
Speaker 2: because one, it's a rumor in too, that's just one
Speaker 2: chapter that doesn't define a whole fraternity. But that to
Speaker 2: me was crazy when I was in college, Like, wait,
Speaker 2: so they just told the guys in the party which
Speaker 2: one to drink from. That's crazy, that's just that's just rape.
Speaker 4: You're literally in a frat, you're good. Pussy flies at you,
Speaker 4: you'll be fine. You don't need to drug girls for it.
Speaker 2: Like that was.
Speaker 3: But again even that, like remember when they say spiked
Speaker 3: the punch, Well that's what they that's all still like
Speaker 3: nobody don't know what's in this, yeah, so then you
Speaker 3: know what I mean. And again we told about we
Speaker 3: just hearing this and movies when they were to high school.
Speaker 3: Somebody go by the punch bowl, drop something in there,
Speaker 3: give his man the bottle back, like y'all, they don't
Speaker 3: know what they just put it in that I'm talking about.
Speaker 3: This was normal shit. Again. I understand now twenty twenty
Speaker 3: six things are different in the world than God. But
Speaker 3: I'm just saying Bill Cosby nineteen seventy two were talking
Speaker 3: about whatever seventy years that were was. I can see
Speaker 3: how at that time it was things that was going
Speaker 3: on that was perceived as normal. Yeah, perceived that's fun
Speaker 3: popping kualudes, whatever, fun time, party time. I mean, let's
Speaker 3: not get into the fucking I'm not into the eighties.
Speaker 3: And what was the club in New York that everybody
Speaker 3: went to get into Greenhouse in the eighties, Go to
Speaker 3: Greenhouse Studio Studio fifty four. If we start talking to
Speaker 3: some of the bouncers and wagresses a studio from Studio
Speaker 3: fifty four, Oh.
Speaker 4: I know they was carrying half dead bodies out.
Speaker 3: They're gonna be like, yo, famn, like that was regular shit.
Speaker 3: We not like I get it. Somebody woke up in
Speaker 3: nineteen ninety nine. It felt like, damn, yo, I ain't
Speaker 3: gonna lie. I feel like they took advantage of me
Speaker 3: in seventy five, like okay, but like and that in
Speaker 3: seventy five, that's which I was doing for fun.
Speaker 2: And that's also why I hate some of the holier
Speaker 2: than now people in this time because a lot of people,
Speaker 2: which is not excusing anything, are just products of the
Speaker 2: time that they were. So everyone that is, like social
Speaker 2: justice warriors on Twitter, I'd be curious to see if
Speaker 2: we placed you in a time machine in the year
Speaker 2: of slavery, how liberal you'd really be? Yo, I know,
Speaker 2: I'm serious. A lot of people act like I would
Speaker 2: have been the only one in Alabama going this is wrong.
Speaker 2: I don't know if you would dog, Nah, you'd.
Speaker 3: Have been out there picking that cotton with everybody else.
Speaker 2: Fam know what I'm saying. The white liberals, Oh no, no,
Speaker 2: white it was like, Yo, you wouldn't have You wouldn't
Speaker 2: have been this guy at we have to abolish that.
Speaker 2: I don't think you would have been that. No. I
Speaker 2: think a lot of y'all are saying it now because
Speaker 2: it was trendy, because y'all was saying it five years ago. Yeah.
Speaker 3: I think people just need to keep that in context.
Speaker 3: The world is different than it was, however many years ago.
Speaker 2: But at a time I'm glad we're in a time
Speaker 2: where people are that hyper aware. I'm not saying that
Speaker 2: hyper scared, hyper aware that they would even think that
Speaker 2: they would be that progressive in those times. I'm glad
Speaker 2: people think that because this is sensitivity. I'm I'm happy
Speaker 2: that the changes have been made, like we shouldn't think
Speaker 2: any of this is okay. And if that takes people
Speaker 2: thinking that they would never do this in this time, cool,
Speaker 2: I'm with you. But I just think some of y'all
Speaker 2: are full of shit and say things just because it
Speaker 2: sounds good.
Speaker 3: A lot of y'all full of shit.
Speaker 4: And just as a reminder in case we have young listeners. Okay,
Speaker 4: a drunk person, even if you are drunk, a drunk
Speaker 4: person cannot consent, you know if you haven't especially My
Speaker 4: number one rule is this, if you have not had
Speaker 4: sex with this person before, do not have sex with
Speaker 4: them for the first time drunk.
Speaker 2: I don't give the one drink, two drinks, three drink four,
Speaker 2: Do not always been crazy to do that. Do not
Speaker 2: do that. That is wild.
Speaker 4: You're not I'm not saying you're a bad person. Is
Speaker 4: It's not about that. It's not about I'm trying to
Speaker 4: keep you from some ship. Just please do not keep
Speaker 4: you away from the podium. Yeah, do not have they're
Speaker 4: trying to have sex with you.
Speaker 3: Talk about I don't remember you remember? Stop man, No,
Speaker 3: I'm just saying that they should take what you're saying seriously,
Speaker 3: because I'm saying they'll end up at the podium talking about,
Speaker 3: oh I don't remember, I don't feel Nah, you remember,
Speaker 3: you remember which I did coming back from six flags? Man,
Speaker 3: Just back of that bus.
Speaker 2: Go go go home, Go home and beat off, Go
Speaker 2: home and hit your rose. Live to fight another day.
Speaker 2: You have to fight another day. You don't need to
Speaker 2: do that. You can have sex on another time. And
Speaker 2: I mean that even starts the relationship better. In my opinion,
Speaker 2: we all lusty and ship when you are drunk and
Speaker 2: don't fuck. Now, we got some tension to be sober
Speaker 2: and fucking no.
Speaker 4: Especially if you stay to night and you don't fuck
Speaker 4: y'all wake up in the morning. That's that's when the
Speaker 4: sex is gonna be good. Just chill, Just go to sleep,
Speaker 4: Let that girl go to sleep.
Speaker 3: Calm your horny ass down. Relax, pussy ain't going nowhere.
Speaker 2: Just chill out.
Speaker 3: Just realize if she likes you, she likes you makeing chill, relax,
Speaker 3: no good.
Speaker 2: But let's let's get back to music. Get back to
Speaker 2: the music. It's always about the music.
Speaker 3: Rory Mass will no matter what they tell you, Rory
Speaker 3: goes back to the music.
Speaker 2: Mass Appeal. You guys, you guys, you guys have my art.
Speaker 2: You guys, you guys just keep doing amazing things that
Speaker 2: I am so jealous that we aren't able to do
Speaker 2: stuff like this. So after having one of my favorite
Speaker 2: years of hip hop and twenty twenty five with what
Speaker 2: Mass Appeal did without a doubt a label of the year,
Speaker 2: shout out to everyone over there. They have a new
Speaker 2: idea for twenty twenty six. They posted this on their
Speaker 2: Twitter today. For decades, dream collaborations have lived in conversation,
Speaker 2: the overdue, the inevitable, and the unexpected. They're starting a
Speaker 2: program called Imagine That that invites you to submit your
Speaker 2: ideal artist to artist or artist to producer pairings and
Speaker 2: see which vision we're bring into life. So on their
Speaker 2: website on mass Appeal imagine that dot mass appeal, you
Speaker 2: can type in the artists and producers that you would
Speaker 2: like to collab on an album. This is pretty much
Speaker 2: like the draft we do on Patreon or the conversations
Speaker 2: we have, but Mass Appeal actually has the power and
Speaker 2: relationships to make it happen. That's why I'm saying, in
Speaker 2: a healthy way, I'm jealous of how cool this is
Speaker 2: going to end up. What a way to follow in
Speaker 2: my head. We never spoke about it, but after we
Speaker 2: did the ghost Face interview and went to the mass
Speaker 2: Appel pop up and saw all the installations, I was like,
Speaker 2: how the fuck could they follow this up? How do
Speaker 2: they keep this theme moving within their label trajectory? And
Speaker 2: now we have this, Now fans get to pick a
Speaker 2: collab and Mass Appeal can try to make it.
Speaker 4: Happen beyond their submit fifty times a month.
Speaker 2: Yeah no, I've already And I was like shooting for
Speaker 2: the fucking stars on shiit are you saying? I was like, Yo,
Speaker 2: YG and Pete Rock GZ and Premiere, what's up?
Speaker 3: Let's go. It's just I feel sorry for whoever has
Speaker 3: to go through all of these submissions, because it's gonna
Speaker 3: be a lot of just ship like.
Speaker 2: It's gonna be a lot of artists saying me like
Speaker 2: me and Premiere And here's a link to my Instagram.
Speaker 3: Yeah, me and Alchemist that make it happen. But this
Speaker 3: is cool though. Yeah, this is a really cool idea, and.
Speaker 2: I think, I mean, I'm sure they have some type
Speaker 2: of AI program that can sift through all the madness.
Speaker 2: And I don't know if they're gonna end up going
Speaker 2: with the highest percentage of collapse or whatever, but I
Speaker 2: do think they probably have some in mind already that
Speaker 2: are going to go against this entire thing, because that's
Speaker 2: tough to just find sifting through all of this pros.
Speaker 3: Yeah, that's a lot, but like even.
Speaker 2: People were going to that what John is people were
Speaker 2: posting there is what I also love that too, that
Speaker 2: fan generated stuff where you can post what you wanted
Speaker 2: to put up. I always think that stuff is the.
Speaker 3: Best bag nas producers mad Lib, dj Dhi Pharrell than
Speaker 3: the Alchemist. Oh you niggas just trying to rap rap,
Speaker 3: You niggas overly rapping, all right?
Speaker 2: Well, definitely a big Krit fan here and shout out
Speaker 2: to Crit Kendrick, Big Crit j I D produced by
Speaker 2: Big Crip, battle Cat, Pharrell, battle Cat and Big Crit
Speaker 2: on production would actually be fire. I'm not mad at
Speaker 2: that one at all. Cannabis Rass cast Killer Priest corrupt
Speaker 2: DJ Muggs. That's a hip hop fan.
Speaker 6: Yeah, that niggas just came home, Jack Goodson, were glad
Speaker 6: to see you out of that YO from behind a
Speaker 6: g wall, Cannabis, rass cast who kill a priest to
Speaker 6: corrupt with DJ.
Speaker 2: Mus You don't have many bars that in.
Speaker 3: Yeah, yeah, Jo was it John Goodson? Yeah, Jack Goodson,
Speaker 3: Welcome home Jack Goodson. That nigga is he definitely went
Speaker 3: into ninety eight.
Speaker 2: Loope, Nas Black Thought, produced by Hip Boy Alchemists, mad Lib,
Speaker 2: Danger Mouse. Oh my god, I love the Danger Mouse
Speaker 2: is thrown in the mix there.
Speaker 3: So they want Nads to wrap some more.
Speaker 2: Yo, just NOAs and Danger Mouse will be kind of crazy.
Speaker 3: Nazzy and nas Asy Comega, Foxy Brown the first just
Speaker 3: without Dread. Yeah, the Alchemists have it, Conductor and hit Boy.
Speaker 3: I ain't mad at that.
Speaker 2: What's what's interesting with these collabse is less about the rappers.
Speaker 2: To me, four producers together, those type of producers trying
Speaker 2: to put an album together. It's kind of nuts, like I
Speaker 2: could see put three artists in the one producer, but yeah,
Speaker 2: trying to get al had Like that's that's what I
Speaker 2: don't have is not a stretch. That's that's fine, they
Speaker 2: did the last mob deep one. But once you start
Speaker 2: adding in hip that's just a hit boy and a
Speaker 2: lot of producers in the way that they produce. But
Speaker 2: because that's only really like a hip hop thing where
Speaker 2: it's a one producer. That's That's also why I hate
Speaker 2: some of these new hip hop fans when they they
Speaker 2: they just got their Spotify credits finally for the first
Speaker 2: time in their life, they're seeing who's produced the song
Speaker 2: because they never opened the CD and went through the booklets.
Speaker 2: They didn't live that. So now they can go on
Speaker 2: Spotify and try to discredit an artists because there's seven
Speaker 2: fucking producers on a record. It's like, no, that's how
Speaker 2: music has always been made. Yeah, hip hop is the
Speaker 2: first genre that's ever had one producer, and people don't
Speaker 2: understand producing. That word producing. It's I think it has
Speaker 2: more meaning than people think. Quincy Jones produced Thriller. There
Speaker 2: was seventy five people on e Yeah, so the people
Speaker 2: don't understand that part of it.
Speaker 3: So five producers on one beat is not like in
Speaker 3: I Fox shout the money man. That's not this tweet
Speaker 3: it's crazy. That's not crazy.
Speaker 2: Though five people producing one beat is diabolical, it's not.
Speaker 2: That's actually actually very normal, like the way Kanye's credits look.
Speaker 2: When you're also adding in samples as well, because then
Speaker 2: whatever sample it is Kanye usually samples soulful shit from
Speaker 2: the seventies whatever, that's already going to have twenty five
Speaker 2: producers on it. So add those twenty five to that
Speaker 2: plus all the musicians Kanye is using, and you're gonna
Speaker 2: have fifty people on a fucking record like Anti sounds
Speaker 2: the way it does, because yes, each record has fifty producers. Yeah,
Speaker 2: that's the point. It's collaboration.
Speaker 3: Back to the conversation we had the other day, you
Speaker 3: was actually right when it comes to hip hop and
Speaker 3: it being like business. On the business side of it production,
Speaker 3: it is tricky because of samples, clearances, other labels, other artists.
Speaker 3: You throw more people in that pot. So yeah, he
Speaker 3: was right. We must have talked to hot No no, no,
Speaker 3: I just.
Speaker 2: Fuck up.
Speaker 3: Yeah no no, no, it wasn't that. But when you
Speaker 3: think about it like that is because now you're bringing
Speaker 3: in people that you know, it's not probably not even alive.
Speaker 3: Somebody owns the state. Now you gotta go through lawyers.
Speaker 3: Now you gotta go this like it does get a little.
Speaker 2: And on top of that, like let's use Quincy Jones
Speaker 2: for example, just putting his name on something at that
Speaker 2: time is going to make the record bigger as is.
Speaker 2: And Quincy knows that if my name is on this,
Speaker 2: it's going to be worth more money. My name is
Speaker 2: worth more than just the music I'm playing, right, So
Speaker 2: the ten musicians he's using, I'm walking in this studio.
Speaker 2: My minimum with pub just putting Quincy Jones on it
Speaker 2: is thirty right, Like you shit, Beyonce. I don't know
Speaker 2: where splits. But an artist like Beyonce, when she walks
Speaker 2: in the studio, even if she's not writing something, she's
Speaker 2: going to get a PUB on that because it's beyond
Speaker 2: She just hurt her name brand is putting in this
Speaker 2: song could be the greatest thing ever. But I'm singing it.
Speaker 2: But some people but would argue that's not how pub works.
Speaker 2: Pub should just go to who's writing. But at the
Speaker 2: same time, the writers wouldn't get the money they deserve
Speaker 2: if this person didn't sing it. I see both sides.
Speaker 2: That's why it's the most difficult conversation ever. If Rihanna
Speaker 2: doesn't sing kiss it better? Is everyone going to get
Speaker 2: the money that they think they deserve? Pub is interesting,
Speaker 2: but no disrespect to money, man. I just think that's.
Speaker 1: Kind of.
Speaker 2: It's a novice thought when it comes to production, because
Speaker 2: that is very much a hip hop thing and very
Speaker 2: much you know, rap duo shit Eric being rocket like
Speaker 2: that all started with the DJ and the MC, and
Speaker 2: then it turned into the producer and the EMC. That's
Speaker 2: how hip hop started. But they were still sampling at
Speaker 2: that time. Like if you even go to what the
Speaker 2: breakbeat is, it's a sample, someone else would get the
Speaker 2: pub There'd be other writers on a break beat, not
Speaker 2: just the DJ's. It's complicated. So I hate when fans
Speaker 2: do that on Twitter of like look at how many
Speaker 2: writers and also so writers they get that wrong. So
Speaker 2: much writer in the Spotify category, a rapper could go
Speaker 2: in there and wrap the entire verse hook he wrote
Speaker 2: everything by himself. There could be seven writers on there
Speaker 2: because they're also crediting the guy that played bass. He's
Speaker 2: a producer and a writer because he wrote the bassline.
Speaker 2: You write music, you write lyrics, and you write music.
Speaker 2: So yeah, there's any seven writers on that song. Because
Speaker 2: people wrote the notes that you're hearing.
Speaker 3: Yeah, are we getting too nerdy right now?
Speaker 4: No, but we did have this conversation, so we can
Speaker 4: we can move forward.
Speaker 2: But Rory is right. Yeah. Now, just with that tweet
Speaker 2: that Josh pulled up that it's diabolical to have five producers,
Speaker 2: I wish more of y'all would have five producers on
Speaker 2: your song.
Speaker 3: All y'all needs on y'all music. Y'all need a lot
Speaker 3: of people in them studios with y'all.
Speaker 2: We were, we were spoiled by Just Blaze when I
Speaker 2: was a kid. But then again, Just is going to
Speaker 2: hire a whole choir, and that's what he's gonna chop up. Like, Yeah,
Speaker 2: some of y'all need more produce. Some of y'all don't
Speaker 2: just need fruity loops and your microphone. Yeah, go get
Speaker 2: a fucking musician to play, learn.
Speaker 4: How to read and write music so that you can
Speaker 4: do some new ship and not just go like this.
Speaker 2: And that's I'm not don't do it. I'm not.
Speaker 4: Hey, let me finish, because even a pop was made
Speaker 4: that way. Okay, let me finish. Not everybody is talented
Speaker 4: for that, talented enough for that to be enough and
Speaker 4: that's why some music sounds boring and doesn't sound layered enough.
Speaker 4: Some people can do it, but not everybody can, and
Speaker 4: it's too many people trying.
Speaker 2: But to me, a lot of the sample MPC keyboard
Speaker 2: producers I would love for them. They put together the
Speaker 2: greatest beats, like the way a conductor, for example, who's
Speaker 2: who's one of my favorite producers? Period conductor will come
Speaker 2: up with everything MPC sample, get on the keys, and
Speaker 2: then maybe come in and be like, all right, I
Speaker 2: have this baseline I made off my keys and my MPC,
Speaker 2: but I'm gonna have someone replay it live. Like I
Speaker 2: wish more of the MPC producers would do that with
Speaker 2: that feeling in that life, like I'm gonna come in
Speaker 2: with a horn player. I may. I may have sampled
Speaker 2: some horns, I'd rather have them live and then that's
Speaker 2: gonna be another credit. Guys. Sorry on Spotify. I know
Speaker 2: you want to see one person in one person, but
Speaker 2: that's just not how the world works. Oh buddy. The
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Speaker 2: Anyways, we out to the Summer Walker Show. We're out
Speaker 2: all of a sudden. Now, it's just I always don't
Speaker 2: do that, you know, I always wayday to him in May. No, yeah,
Speaker 2: I did. Actually, what's his birthday?
Speaker 3: I don't know his exacts, That's what I'm saying. But
Speaker 3: you know, when Summer coming to New York though, well,
Speaker 3: I mean it's on the list, all right. Well, justice
Speaker 3: his birthday is on the list too.
Speaker 2: Okay, when when it is summer in New York? June second,
Speaker 2: All right, June second. So, like I said, you're gonna
Speaker 2: have to get Justice a birthday present.
Speaker 3: It's his birthday is right before that. Now I'm going
Speaker 3: back to I'm going I'm keeping tradition going. I'm going
Speaker 3: to Toronto to see her. I went to see her first
Speaker 3: tour in Toronto.
Speaker 2: It's only what a week apart. Let's go to both.
Speaker 3: Yeah, I'm going to Toronto.
Speaker 2: I love. I gotta keep the tradition going. Baby, d
Speaker 2: you know what I'm saying.
Speaker 4: Well, I mean what you saw her in Fiel, so
Speaker 4: like you'll see her anywhere.
Speaker 3: I didn't see someone walking through Yes she.
Speaker 2: Did it took a sprinter by yourself. Excuse me though,
Speaker 2: so much meat that was small legra. No baby, no baby,
Speaker 2: we're at the roots. We were at the roots. It
Speaker 2: was summer. We were all we all went insane. It's insane.
Speaker 2: We all seen.
Speaker 4: Summer walking together at the roots picnic.
Speaker 2: What you mean when we were performing that when we yes,
Speaker 2: but wait no, I'm talking about the time he took
Speaker 2: a sprinter by himself down ninety five. There was fourteen
Speaker 2: other seats. That was snow allegra. Yeah, that wasn't something
Speaker 2: that was snow. See, Okay, when's the time it was
Speaker 2: snow and it was it was snow and it was Yeah,
Speaker 2: I'm telling you the col a problem. No Coke could
Speaker 2: never do a four seasons on time.
Speaker 3: Yeah, I'm going to.
Speaker 4: Toronto and she's bringing the Leo we Aid shot and
Speaker 4: the old deal is fire.
Speaker 2: Yeah.
Speaker 3: Also LVR and artist, but he's firing his own that's
Speaker 3: a projects. So that's that's a lot of good music.
Speaker 2: Now that eight oh two at the O two in London. Wait,
Speaker 2: hold on, hold on, now, hold on now.
Speaker 3: Oh you're Scheck in London?
Speaker 2: Why mall? Well, you know I rarely ask for thank you.
Speaker 2: Everybody on in our our staff, family, my actual blood family,
Speaker 2: my daughter, all that needs to thank me. I would
Speaker 2: abandon you guys so quickly to move to London. You
Speaker 2: guys are the ones abandon me. No, you and I
Speaker 2: would move. Oh yeah, you figure I would. That's the
Speaker 2: only thing stopping me from doing that is like, you know,
Speaker 2: this responsibility ship.
Speaker 3: Here, Yeah, this this ship, this home that we've built.
Speaker 2: I can do this in London.
Speaker 3: I love London. You know how I feel about London
Speaker 3: your places, but.
Speaker 2: No, we'll do the Brooklyn Show. But if it's just
Speaker 2: me and you, are you fine with that? Like does
Speaker 2: it have to are you bringing?
Speaker 4: Like like what you say, because because sometimes I'm what
Speaker 4: you're saying.
Speaker 2: This is where like friendship lines get blurred sometimes, and
Speaker 2: I love blurring friendship good because me and demeris no
Speaker 2: whole bars on anything. But sometimes when she asked for
Speaker 2: tickets for stuff, I'm like, you know, it's a show
Speaker 2: I'm gonna go to and I only may get so
Speaker 2: many tickets, so that means you and me are going
Speaker 2: And I don't know if that was your plan. Yeah,
Speaker 2: which that definitely wasn't, which which let me let me interject,
Speaker 2: that was not Demarus was planning to go to someone
Speaker 2: walking with you. I'm aware, Okay, Damarics already got her
Speaker 2: outfit laid out.
Speaker 3: Let me look at that, she already at the person
Speaker 3: she knows she wanted to go with, Like, no looking
Speaker 3: at other dates like where they go. Maybe I might
Speaker 3: go to Atlanta, like like like Brandy and Monica.
Speaker 2: No, that was hilarious. I don't know if anyone listening
Speaker 2: caught what you said. Yeah said I'm cool, She's cool.
Speaker 5: It's hold on from Atlanta. Yeah, you couldn't get never
Speaker 5: want to go to the show with Atlanta. That it
Speaker 5: was cook Why I live in Brooklyn. Everybody comes here.
Speaker 2: Saying, but she gets PTSD anytime she sees the Mercedes Best.
Speaker 3: Quick flight quick like Atlanta.
Speaker 2: That's why Atlanta the Philly they go like it's I
Speaker 2: don't she takes the ship.
Speaker 3: You go to Baltimore.
Speaker 4: I was gonna say DC show. I was gonna say,
Speaker 4: no Baltimore. Yeah, I was gonna say, maybe I might
Speaker 4: ask the tickets to the Baltimore.
Speaker 2: Show more as a great city, great city. Uh, but yeah,
Speaker 2: I'm very self aware more that she did not want
Speaker 2: to go to the Summer Walker show with me, And
Speaker 2: I'm saying, the amount of tickets I can get, one
Speaker 2: of them is mine. So which is It might be
Speaker 2: a Brandy a Monica situation again, where it's like it's
Speaker 2: gonna be me and.
Speaker 3: You sign I'm gonna Toto. So it's all good.
Speaker 2: We'll know a lot of people at the that we
Speaker 2: don't have to just sit me. You'll know people there.
Speaker 4: I don't mind, like I don't mind hanging out with you.
Speaker 4: I don't mind hanging out with you.
Speaker 2: That ain't even sound like I don't need a lot
Speaker 2: of that's like a lot of that's somebody want.
Speaker 3: To you, like I don't know, I mean, if you
Speaker 3: want to go, it's like you want all you want
Speaker 3: to go though.
Speaker 4: No, it's not that I origally was asking for me, Alex,
Speaker 4: but that we.
Speaker 2: Know who you.
Speaker 3: We know your road dog Alice could get kicked out again,
Speaker 3: like you know what I'm saying, Like we know I'm
Speaker 3: just saying, we know how Alice get down and loved shows.
Speaker 3: You know what I'm saying. We know her get down.
Speaker 2: You know what I'm saying.
Speaker 4: Anyway, But yeah, sorry, I would. I would love to
Speaker 4: go with you, but I am going to ask for
Speaker 4: a ticket to.
Speaker 2: The Baltimore show as well. Be more, you know, I
Speaker 2: know that's right. You know I like fake live there
Speaker 2: for a while, so maybe I want to go to
Speaker 2: Baltimore shows.
Speaker 4: Fuck like Nigga like a herb Be's bump, like you
Speaker 4: just can't get rid of him, Like.
Speaker 2: Who's Mason is not trying to go see someone.
Speaker 3: Like she's not fucking that's at all trying to go somewhere.
Speaker 2: I know either of you want to go with me
Speaker 2: to any show, because I'll go with you to Toronto.
Speaker 2: Let's see his response, we out, we out, or like
Speaker 2: I'll meet you there. Oh he showed me either there. Yeah,
Speaker 2: there's a difference between we out and I'll meet you there.
Speaker 3: Well, you want to take the same flight, like I
Speaker 3: don't know how to I don't know.
Speaker 2: We've taken the same flight, same hotel, same uber car,
Speaker 2: same show, and I've still never seen you. We are
Speaker 2: you talking about? But I'm never going to a show
Speaker 2: to Toronto. When you was in Toronto, I took you
Speaker 2: to Daniel Caesar as my date.
Speaker 3: Well, yeah, but we went together though. See that, so
Speaker 3: that that right there throws your theory out the window.
Speaker 3: We went together? No, no, but here's the difference. Not
Speaker 3: to say you couldn't get Daniel Caesar tickets, but I
Speaker 3: just I just had the plug because I'm close with him. Yeah,
Speaker 3: you could get Summer Walker tickets without me in a harp.
Speaker 2: It would take one. Hey, what's up? Can I get
Speaker 2: some tickets? Yeah? I don't think I'd be on the
Speaker 2: same my tenerary as you. I had noticed the tickets
Speaker 2: were under my name. Okay, that's why you had to
Speaker 2: go with me. No, Peage was saying when we were
Speaker 2: in London. So outside of the Daniel Caesar show, every
Speaker 2: time we've ever been in cities, I've like wanted to
Speaker 2: go to shows and ship, like, you know, just just
Speaker 2: be be in the pulse of the city, support the
Speaker 2: social pipeline of the arts. Yeah. And Leon Bridges is
Speaker 2: an associate. Yeah, I fuck with Leon. And he happened
Speaker 2: to be at Earth Theater, which we performed at, which
Speaker 2: was like my favorite venue I think we've ever performed at.
Speaker 2: And he was there doing like an intimate, like invite
Speaker 2: only show thing, and I had three tickets after I
Speaker 2: had just gotten tickets for all of us go the festival.
Speaker 2: I thought everyone was just going to go to go
Speaker 2: to sleep, and I had three tickets, and for the
Speaker 2: first time ever, Maul and Benner are like, yo, I'll roll.
Speaker 2: And I was like, out of all the things they
Speaker 2: were going, both of them are going to walk in
Speaker 2: there and kick up a fuss that I dragged them
Speaker 2: to this event. No, that's not true. So what happened
Speaker 2: was and I know, you fuck with Leon Bridges, but
Speaker 2: it was very much an intimate R and B set,
Speaker 2: like where I feel like, but we were it's more
Speaker 2: of my thing. We were coming from like we did radio.
Speaker 2: I think we were coming from. You guys had said
Speaker 2: you weren't going, and I was like, why am I?
Speaker 2: I'm gonna get in. Then Uber and then both y'all
Speaker 2: out of nowhere decided y'all roll with and I was like,
Speaker 2: fuck yeah, but it was cool though, I know, yeah,
Speaker 2: I just I could see our faces.
Speaker 3: I show the show was cool. I enjoyed the show,
Speaker 3: and that's not a leon.
Speaker 2: The show was incredible, but it was like a sitar
Speaker 2: and a fucking stand up. It was you gotta be
Speaker 2: in that mind state, like you weren't in that mindset.
Speaker 3: That's not for the fellas to go together.
Speaker 2: And I was just gonna go by myself and just,
Speaker 2: you know, sit right there and watch the three of
Speaker 2: us pulling up. I was like, why didn't Maul roll
Speaker 2: me when I go to the strip club? He wants
Speaker 2: to come with me? Now some music, which made me
Speaker 2: think that you've never gone out with me since and
Speaker 2: you think that's not that's my style.
Speaker 3: I met you at the what is the where who
Speaker 3: does the We went to the Nikola I'm talking remember.
Speaker 2: The name of Marlin, kraft Man and Craft. Here's a
Speaker 2: regiency at New Blue, which he still does morlling craft
Speaker 2: dot com. Yeah, but that was she don't do that
Speaker 2: because that's because Nick and Marlin respect each other and
Speaker 2: that Nick was gonna come. If Nick wasn't here, you
Speaker 2: wasn't pulling up. No, I would have pulled up because
Speaker 2: my all the boy was telling me about that spot
Speaker 2: for a while. I would have pulled up. No New Blue.
Speaker 2: If you're in New York City Monday nights especially or
Speaker 2: the best if you love jam sessions, random producers just
Speaker 2: doing shit. But Marlon has his residency there and I
Speaker 2: brought them all there. But that was a great event.
Speaker 2: I was happy you came to that one, just to
Speaker 2: show that, like I have range in my invites.
Speaker 3: No, that was cool.
Speaker 2: That was a good show for sure. DeMars, I just
Speaker 2: have to find like Hose and she's there. Well, they're
Speaker 2: gonna be at the Summer Walker show for sure.
Speaker 4: All the holes, the last hole you had me around I.
Speaker 2: Could have did without. Oh yeah, oh god, look, Oh
Speaker 2: mar did I ever tell you about that? I never
Speaker 2: told me all about him.
Speaker 3: Never tell me about the Hose. Baby was there there,
Speaker 3: he was there, there, I was there with the whole.
Speaker 2: Patreon patren not not like a whole I was like
Speaker 2: fucking or anything, you know, a whore. Yes, you know
Speaker 2: that just makes every situation annoying. Yeah, we went.
Speaker 4: To Leon Thomas together. We had a good time, so
Speaker 4: we can go the third Wheel there.
Speaker 2: Do you guys ever have that anxiety of when you're
Speaker 2: the one inviting people to events that you events you
Speaker 2: can't even control. Mm hmm, Like I hope everything is smooth.
Speaker 2: I hope everything is cool.
Speaker 4: That's why I don't bring anybody to events with me
Speaker 4: unless we're really really close, like for example that was
Speaker 4: my boyfriend at the time, or like Alex. I can't
Speaker 4: bring like because like looking like you. I don't want
Speaker 4: to make it seem like I'm the plug and I'm
Speaker 4: not the plug and shit and I plugging in't not
Speaker 4: even just that just like not.
Speaker 3: That just not plugging it just.
Speaker 2: More so like is it gonna be cool? We're all old?
Speaker 2: Like do we have a spot to sit? That's the
Speaker 2: number one thing. Do we have a spot to set?
Speaker 2: Are we comfortable? Yeah? It's less about the plug shit,
Speaker 2: just is it going to be a good experience?
Speaker 4: My biggest fear is somebody giving me tickets to something
Speaker 4: and I go and they like, you ain't man on
Speaker 4: a list. Hmmmmm, that's very embarrassing. And I got somebody
Speaker 4: with me. That's so embarrassing.
Speaker 3: That felt like it was gonna happen to me. When
Speaker 3: I went to go see Usher, Oh, but I was
Speaker 3: just at the wrong gate. I walked up there was like, no,
Speaker 3: we ain't got I was like, y, don't play with
Speaker 3: me like that.
Speaker 2: You got a girl with you?
Speaker 3: Yeah, my hole, they don't play with me like that.
Speaker 3: And then I hit JD. He was like, nah, they
Speaker 3: said this at the other gate. So I had to
Speaker 3: go like walk around the other side.
Speaker 4: That's how it was with and the crazy shit is
Speaker 4: I had two sets of tickets for Atlanta one Music
Speaker 4: Fest and that line was around the corner. I walked
Speaker 4: all the way to the front of the line. I
Speaker 4: was like immediate. It was like, well, you're not on
Speaker 4: the list. I said, man, call somebody. I start naming names.
Speaker 4: I got my tea not.
Speaker 3: Being on the list, and you walk in it's people
Speaker 3: standing behind you.
Speaker 2: Yeah, they know they on the list.
Speaker 3: That's the worst.
Speaker 2: Now you got to fake standing on the side and
Speaker 2: start texting you. That shit is so embarrassing. I'll go
Speaker 2: the fuck home pretending you're on the phone. Yeah, yeah,
Speaker 2: but I'm talking to Bryon to the person system.
Speaker 4: The computer system was down at one music fest and
Speaker 4: that's why. But I'm like, y'all gonna get somebody on
Speaker 4: this spot. I had to start and like Rory, I
Speaker 4: was like, y'are gonna get somebody on his phone.
Speaker 2: I think I texted Rory too. I was the one
Speaker 2: that got you the past flush. Yeah.
Speaker 3: One of my concerts. I didn't go to Bryson Chris.
Speaker 2: Yeah, but I had to FaceTime you with the ticket
Speaker 2: person and show your passport. Yeah.
Speaker 3: I wasn't doing that. I literally got dressed. It was
Speaker 3: it was thunderstorm and I think that yeah, and I
Speaker 3: had got dressed and I put I'm so weird. I
Speaker 3: spray cologne and I was like, yo, I just put
Speaker 3: colone on to go see a nigga on stage. Yeah,
Speaker 3: but it was still.
Speaker 2: Just fell on helone before I come here, Like, I
Speaker 2: don't know, just it's part of a routine. Baby said,
Speaker 2: you don't give a funk. I smell like, yeah, but
Speaker 2: you gotta you know I do.
Speaker 4: I don't want you to smell like wet dog. So
Speaker 4: please put like.
Speaker 2: Some and I ever smelled like wet dog? No, because
Speaker 2: you put perview.
Speaker 3: Man, he's white. You smelled like wet dog before. That's
Speaker 3: just your.
Speaker 2: Top of the head and ain't even enough hair for that. Yeah.
Speaker 2: This with the Scout, it's the Scout skin.
Speaker 3: It's your skin.
Speaker 1: But I.
Speaker 2: Maybe it's Mabel over here. It's the skin. Don't wear
Speaker 2: black without the blue or whatever that shit used to
Speaker 2: be cool? Oh? Man, No, but seriously, I don't. I
Speaker 2: don't smell like a what dog? No, but like no,
Speaker 2: but really I don't. Okay, he should believe you, but
Speaker 2: I don't. Oh do we have voicemails? Guy, Yes, we do.
Speaker 5: SpongeBob bou smell, but unlimited talk texting that you've got male.
Speaker 2: And the best snap as one can find.
Speaker 7: Four. I'm hearing Rory talking about the kid Cutti Jim
Speaker 7: Jones debate. And he don't say I forgot the time
Speaker 7: period he just said, but he just said New York
Speaker 7: radio ran fifty space.
Speaker 1: You lost your fucking minup New York. He never ran
Speaker 1: the fucking radio.
Speaker 7: In Texas, like fucking ever, never ever, ever have we
Speaker 7: based our listening off of fucking New York radio.
Speaker 1: Let's get this ship straight.
Speaker 7: We always play our artists down here, always, yeah, always period.
Speaker 1: That's why all our artists signed. They come in there
Speaker 1: with a milli empo.
Speaker 7: He signed, Paul Wall, Mike Joe Pole, Switch House well
Speaker 7: millionaires when he signed they deal.
Speaker 1: Go listen to I'm so happy every thing was name
Speaker 1: right now, he said something with the Mann before I signed.
Speaker 1: All our artists right now are still.
Speaker 7: Millionaires because it's down here.
Speaker 1: We listen to you want to Boushi and waveb are
Speaker 1: big because of down South. Yeah.
Speaker 7: I only know them for fucking wipe me down. Like
Speaker 7: I remember Busha got out on the Hot, Hot and
Speaker 7: the Deeper gonna say, well, we know it, wipe it down.
Speaker 1: So what's songs that people listen to and we're like,
Speaker 1: what the listening to? Talk about your legend down here? Yeah?
Speaker 1: They never ran the fucking radio in the South ever.
Speaker 2: Here's the thing. I completely agree with everything this gentleman
Speaker 2: just said. I don't disagree with one one thing that
Speaker 2: he said. I also think Millionaire and Paul Wall were
Speaker 2: amazing entrepreneurs that were millionaires because they were selling out
Speaker 2: their trunk before any record really hit. I think he
Speaker 2: misunderstood what I was saying as far as New York
Speaker 2: radio with program directors and major markets of things being
Speaker 2: proven when it comes to records that got as big
Speaker 2: as Day and Night are I am not saying that
Speaker 2: New York Music ever controlled anything in the South. We
Speaker 2: were just talking about prom and I said in two
Speaker 2: thousand and eight, the South was running everything at that time.
Speaker 2: I am not saying that New York and Music controlled
Speaker 2: anything that was playing on Southern radio. I'm saying with
Speaker 2: records pop records that were like Day and Night, it
Speaker 2: came from a hip hop space. But that is a
Speaker 2: poper No. That shit is a classic pop record for sure,
Speaker 2: the most major market and where all the radio execs,
Speaker 2: label execs, everyone that got shit moving and could really
Speaker 2: press a button at that time because internet was still
Speaker 2: the Internet. Don't get me wrong, but Oha, I saw
Speaker 2: a lot of people on Twitter killing me in the
Speaker 2: comments of that of like, we didn't listen to Hot
Speaker 2: ninety seven in two thousand and eight, cool if you didn't.
Speaker 2: I didn't either. I had a iPod. I wasn't really
Speaker 2: listening to Hot like that. But you're very naive if
Speaker 2: you think radio still matters in twenty twenty six. You
Speaker 2: don't think it mattered in two thousand and eight. Radio
Speaker 2: really mattered at that time, and where every radio exec
Speaker 2: was at, where every label exec was in New York City,
Speaker 2: which made it have even more purpose at that time.
Speaker 2: That's what I was saying. As far as the trajectory
Speaker 2: of anything that happened, I'm not saying that there wasn't
Speaker 2: mix show shit with Houston DJs that didn't make Paul
Speaker 2: wall in Chamelion are pot. Of course, the South has
Speaker 2: always had better radio. Anytime I've traveled, I don't mind
Speaker 2: sitting on the Uber and listening to the radio. South
Speaker 2: DJ's the smoking rs up here. They played fucking amazing music.
Speaker 2: They play local shit. I love what the South does.
Speaker 2: But as far as that radio rotation with those hit
Speaker 2: records TI, I'll tell you, you got to go to
Speaker 2: New York at the toime t I was trying to pop.
Speaker 2: You had to go to New York to get your
Speaker 2: shit really in rotation around the country because syndication started
Speaker 2: a few blocks from here at iHeartRadio, Syndication started in
Speaker 2: New York City. So I understand what this gentleman is saying.
Speaker 2: He completely missed my point, which is probably my fault
Speaker 2: for not articulating it correctly. But I'm not talking about
Speaker 2: New York music. I don't think Jim Jones Day and
Speaker 2: Night Remix played in Houston. I don't think that at all.
Speaker 2: I'm saying a lot of decisions that were being made,
Speaker 2: the pulse of New York mattered at that time with
Speaker 2: what was going on and what was working because those
Speaker 2: people were living in New York City. It's action, it's
Speaker 2: a fact. It's not even really a debate.
Speaker 3: I always tell a story about seeing Future in Sin
Speaker 3: City when he was working as Tony Montana record. Never
Speaker 3: heard the record before that. In Sin City one night,
Speaker 3: see this skinny, tall guy with dreads jumping up and
Speaker 3: he's the only one that knows the words.
Speaker 2: But it was catchy. Me and my homeboy Leaf Sin City.
Speaker 3: We saw rhyming Tony Montan with everything about to go
Speaker 3: get some food, Tony Montana, get some pizza whatever. Everything
Speaker 3: was twenty mon ten, and then two days later heard
Speaker 3: it on the radio.
Speaker 2: Yeah. And I also want to be very clear that
Speaker 2: I'm not saying that even in two thousand and eight,
Speaker 2: radio execs or major label execs were the most important
Speaker 2: fucking people. At the end of the day, what Houston
Speaker 2: does on an independent level is so admirable. What New
Speaker 2: Orleans has always done on an independent level. The streets
Speaker 2: made all those records hot, and then the execs had
Speaker 2: to catch up. But I'm saying a record like Dan
Speaker 2: Knight in that pop world, you do need a little
Speaker 2: bit of a push button from major radio and major
Speaker 2: labels that were in major markets in bed together at
Speaker 2: that time. And iHeartMedia, which was also whether you were
Speaker 2: saying one of six hot ninety seven obviously isn't part
Speaker 2: of that. But syndication matters. Syndication starts in New York City. Yeah,
Speaker 2: it's just a fact based off the people pushing buttons
Speaker 2: starts here. It's not what y'all were doing. I don't
Speaker 2: think New York City had anything to do with Paul
Speaker 2: Wall Camellionaire, fucking cash money, none of that shit. To
Speaker 2: pop and Kit Cutty, day and night would have been
Speaker 2: day and night. It was clipped up thanks Page, day
Speaker 2: and night would have been day and night. I know
Speaker 2: a lot of people just watch the clips and not
Speaker 2: watch the full thing. I'm not saying that Jim Jones
Speaker 2: made fucking day and night work. I'm just talking about
Speaker 2: people that worked in the city made the decisions at
Speaker 2: that time, and New York was prevalent behind the scenes,
Speaker 2: even with Southern music at that time. But y'all, no,
Speaker 2: I'm never given New York credit for Paul Wall or Chamellion, Like,
Speaker 2: come on, what are we talking about.
Speaker 3: Thank you for that, Matthew. Thank you for getting Rory right,
Speaker 3: getting him together.
Speaker 2: He got you together real quick, made you explain yourself.
Speaker 2: If it wasn't patpoos, I don't think sitting sideways would
Speaker 2: even be what it is right now. Oh man, all right,
Speaker 2: well we're going to Patreon. That we are.
Speaker 3: We got more energy for Patreon.
Speaker 2: We're good. I'm ready to do. All right, Well, we'll
Speaker 2: talk to y'all soon. Be safe, be blessed. I'm knitting.
Speaker 2: He's just p