WEBVTT - Episode 449 | High School Prom

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<v Speaker 1>The volume.

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<v Speaker 2>All right, kids, do you like violets?

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<v Speaker 1>No?

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<v Speaker 3>Let to steak nine inch neil to each one.

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<v Speaker 2>Of your eyelids. No, okay, instead of eating spaghetti sandwiches.

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<v Speaker 2>I was listening to that. That's that's what's going on

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<v Speaker 2>at the time.

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<v Speaker 3>Old Anita.

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<v Speaker 2>First of all, Baby Carbs, by the way, baby k pasta, baby.

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<v Speaker 3>Came in here. You know what I'm saying, hamm and

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<v Speaker 3>Anita got the thmb slick cat suit on her.

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<v Speaker 2>Am.

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<v Speaker 4>Yeah, caught up in the rapture. I love, I just

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<v Speaker 4>want to slow y'all.

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<v Speaker 3>All right, all right, yo, we are back sponsored by

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<v Speaker 3>Boost Mobile unlimited talk texting data.

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<v Speaker 2>The way, she just turns into a whole new human

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<v Speaker 2>being from the instro she came in here. I've had

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<v Speaker 2>no alcohol or dick. I can't take this anymore now.

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<v Speaker 2>So she's in the rapture. She's in the love rapture.

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<v Speaker 3>Caught up in the rapture, love baby. I know that's right, figuratively, biguritive.

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<v Speaker 3>Come on always, you know you never mean literally.

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<v Speaker 2>What's been dry?

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<v Speaker 4>It's been a very dry, very dry January.

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<v Speaker 3>I'll dry it.

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<v Speaker 4>Crispy Demarus is still dry, dry ish.

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<v Speaker 2>The marriage panties for like a used dryer sheet, you know,

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<v Speaker 2>and that ship crumbled up, or the one that was

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<v Speaker 2>left in there for a few loads.

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<v Speaker 3>Like yeah, yeah, yeah, yeah, I'm that guy. I lead

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<v Speaker 3>him in there for like three drives.

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<v Speaker 2>Don't worry about it. That's hilarious. He Bro just commented

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<v Speaker 2>on our i G post said so so Drake told

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<v Speaker 2>maul Yo Cole won't speak to me anymore. That's kind

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<v Speaker 2>of funny when you word it that way, Hebro, shut up?

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<v Speaker 2>What that that's my new ship. You'll shut up now.

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<v Speaker 2>Shout out to bro.

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<v Speaker 3>Shout No, that's actually very shout out to shout out

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<v Speaker 3>the pete.

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<v Speaker 2>Uh yeah, we are back sponsored by Boost merch are

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<v Speaker 2>still on sale. Everything is everything.

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<v Speaker 3>Patreon dot com, Forward slash new Rory mal Yes for

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<v Speaker 3>all things Patreon.

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<v Speaker 2>Absolutely catch us over there getting an osh off, getting

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<v Speaker 2>oush off.

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<v Speaker 3>Netflix is already trying to send her mall clearly. Yeah, man,

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<v Speaker 3>as you can see, send me a very very long

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<v Speaker 3>form email. Yeah, last night, to whom to him make concern,

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<v Speaker 3>to whom it makes its hurd who your my feears

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<v Speaker 3>to click. That's what the email said.

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<v Speaker 2>Well, I mean they sent us Sonos headphones right before that.

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<v Speaker 2>They did.

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<v Speaker 3>They send us some some very good headphones. Thank you

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<v Speaker 3>Netflix for that. A nice welcome to the Netflix family.

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<v Speaker 2>That's what's up.

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<v Speaker 3>You know what I'm saying. We over here shaking ship.

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<v Speaker 3>Then you ain't get your pair of Baby d know, Netflix,

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<v Speaker 3>you gotta send another pick, you gotta. I actually sent

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<v Speaker 3>two more, sent a pair for peets, sent a pair

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<v Speaker 3>for baby D.

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<v Speaker 2>Man. We need some two more. So yeah, I mean

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<v Speaker 2>we've never really gotten welcoming guests, so that was actually

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<v Speaker 2>kind of appreciate it. That was dope. Shout out to Netflix.

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<v Speaker 4>The Volume sends you fifty pounds of popcorn every year

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<v Speaker 4>after that.

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<v Speaker 3>One thing to Vibue gonna do is make sure niggas

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<v Speaker 3>got that popcorn, ain't they? But now we got popcorn

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<v Speaker 3>to watch Netflix. See how they goes. See the Volume

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<v Speaker 3>knew what they was doing. They know what they was doing.

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<v Speaker 3>They was making sure we had enough popcorn and Netflix

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<v Speaker 3>and chill.

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<v Speaker 2>That's all. And every single time we do a partnership

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<v Speaker 2>with the sponsorship, I can't even speak. They send us

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<v Speaker 2>like a snapback hat that no one's ever gonna wear. Yeah,

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<v Speaker 2>like that material could go to homeless people.

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<v Speaker 3>Ship those wherever they ship when the loser team in

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<v Speaker 3>the finals lose, ship those to the same country.

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<v Speaker 2>Like boost, I love you, I promise you. I'm not

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<v Speaker 2>wearing a boost fitted ever. And it's and I don't

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<v Speaker 2>even think that's y'all like like model or your plan.

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<v Speaker 2>It's to get everyone whoever that boost. We love y'all,

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<v Speaker 2>But listen, it's not a paper plane.

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<v Speaker 3>That what the budget is for the hat y'all could

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<v Speaker 3>cut that, you that to charity, save that save the

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<v Speaker 3>hat money man.

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<v Speaker 2>Yeah, whoever they send all the losers of the Super

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<v Speaker 2>Bowl merch too. You know they make it all in

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<v Speaker 2>real time. Yeah, just find out where they send that

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<v Speaker 2>stuff and send all the hats there because they needed

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<v Speaker 2>way more than us. But how are you feeling? You

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<v Speaker 2>have the Internet in a frenzy once again? Do I? Yeah?

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<v Speaker 2>Said Peach said you shocked the world.

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<v Speaker 3>Yeah, I don't listen. I don't pay Peache anymore. When

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<v Speaker 3>I walk in Peache is.

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<v Speaker 2>Just it was pretty much like do you believe in miracles?

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<v Speaker 2>It was it was a USA hockey game. The whole

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<v Speaker 2>world stopped what they were doing.

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<v Speaker 4>But if you have any comments or any questions about

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<v Speaker 4>any of our episodes, I know we don't have a

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<v Speaker 4>comment section with Netflix. We lost the way YouTube, but

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<v Speaker 4>you can go to our Twitter community.

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<v Speaker 2>You also leave a voicemail also our discord and yeah,

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<v Speaker 2>leave some voicemails for us. Even hate, don't don't leave

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<v Speaker 2>non't hate no, because I mean, if you don't have

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<v Speaker 2>the YouTube section to get your anger out on us anymore,

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<v Speaker 2>I don't want to disrupt your daily routine. Just send

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<v Speaker 2>voicemail instead. Get that hate out your heart, put that

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<v Speaker 2>put that hate in your art. You know what I'm saying.

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<v Speaker 3>Could never he don't want it?

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<v Speaker 2>I so uh. I thought I was like, actually gonna

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<v Speaker 2>get lined in the barber shop today, speaking of Onandras.

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<v Speaker 2>My barber, who's also Jake Cole's barber, was like awkwardly

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<v Speaker 2>nice to me today. Well, this isn't always that nice

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<v Speaker 2>to me, he said. I was losing weight. I was

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<v Speaker 2>a little nervous having that barber right there with a

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<v Speaker 2>straight razor this like this close to my jugular. Sometimes

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<v Speaker 2>I was going to like hit you, like, yo, this

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<v Speaker 2>is my appointment this week with my barber. Can you

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<v Speaker 2>come with mm?

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<v Speaker 3>Like you be feeling good that he uses the same

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<v Speaker 3>clips on cold that he uses on you.

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<v Speaker 2>No, I know you tell him not to wash them between.

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<v Speaker 3>Like when you see a dread on the floor, you've

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<v Speaker 3>been thinking that's cold.

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<v Speaker 2>No, I would say, hey, he's probably sweep sweep up

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<v Speaker 2>before I sit down.

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<v Speaker 3>Please, Yo, Rory saying coldready, like let me take that,

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<v Speaker 3>let me take that, got put that in That didn't

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<v Speaker 3>even cold dread. He got some nigga from Brooklyn dredd

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<v Speaker 3>in his bag. Yo, that's not cold dread though. Ship went,

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<v Speaker 3>Oh my god, the studio with a fist ration, Yo.

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<v Speaker 3>Remember like a rabbits. He put colds dread on his

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<v Speaker 3>key chain.

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<v Speaker 2>You know your grandmother used to like tape hair or

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<v Speaker 2>like ship into a photo album.

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<v Speaker 3>You remember at school when you have to make clouds

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<v Speaker 3>out of cotton, you have to like make different clouds.

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<v Speaker 2>He put that on a baby like dreads. Yeah, on

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<v Speaker 2>his fridge. I'm not even like that because I there's

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<v Speaker 2>nothing I can say. It's funny. That was crazy man.

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<v Speaker 2>Uh No, but it has uh it's caused to cause

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<v Speaker 2>some some issues and in my barbershop life for not

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<v Speaker 2>really what will cause issues? Man, We just we're showing

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<v Speaker 2>we love j Cole here. But every time I love

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<v Speaker 2>every time I walk in, like you just miss him.

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<v Speaker 2>You want to call him back? No, I'm cool, you know, I.

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<v Speaker 3>Mean call him back.

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<v Speaker 2>Man's just a conversation. But nah, I don't know if

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<v Speaker 2>the internet was going to internet, I kind of knew

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<v Speaker 2>that was gonna go viral. Yeah, y'all was trying to

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<v Speaker 2>clown me yesterday of like, ya ya should probaly clip

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<v Speaker 2>that because it's gonna get cipp at five o'clock in

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<v Speaker 2>the morning. De Maris wanted to take the whole shit

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<v Speaker 2>out that.

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<v Speaker 3>No, no, no, no, no. See he telling the clip

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<v Speaker 3>out right after we recorded.

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<v Speaker 2>Yeah, because I knew it would get clipped by a

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<v Speaker 2>thousand people at five am.

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<v Speaker 4>Would you know we were snow we were still the

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<v Speaker 4>first people to clip it.

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<v Speaker 2>No clip it, Yeah, like in our computer to post it. Okay,

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<v Speaker 2>computer doesn't mean that the rest of the world is.

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<v Speaker 2>I don't you got to post it on the internet.

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<v Speaker 3>I don't you know, I don't pay attention to shit

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<v Speaker 3>like that. I mean, I just but it's okay. I

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<v Speaker 3>think the message got out there, and you know, we

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<v Speaker 3>had a good conversation and through it all we still

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<v Speaker 3>love cold. We just you know, disappointed, oh God, and

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<v Speaker 3>wear a little heart broken. That's all it is.

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<v Speaker 2>You wan bullshit in twenty twenty six.

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<v Speaker 3>Let's y'all know, I fuck with Cold. Y'all know that

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<v Speaker 3>the Internet made painted like I don't, but y'all in here,

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<v Speaker 3>y'all know with Cole, So that's all that matters.

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<v Speaker 2>Are you gonna go to the tour? Whose tour? I'm

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<v Speaker 2>sure there there'll be a fall off tour?

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<v Speaker 1>No?

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<v Speaker 2>Oh, I mean, you know what's funny, and that's got

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<v Speaker 2>to be the the jersey swap like tour, like the

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<v Speaker 2>way Lebron's gonna do his last Turah and every after

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<v Speaker 2>every regular season game is going to be a moment

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<v Speaker 2>like it's going to be the fall off tour. You've

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<v Speaker 2>got to go. You have to swap hoodies with with Cole.

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<v Speaker 2>I've never been to J Cole, so I don't think

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<v Speaker 2>really sing out. I've seen him.

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<v Speaker 3>I've seen him at I've seen him perform at what's

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<v Speaker 3>the spot in Brooklyn that y'all did plus at one time,

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<v Speaker 3>the outdoor spot.

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<v Speaker 2>Oh, but we all went, we all went together.

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<v Speaker 5>Yea.

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<v Speaker 3>I've seen him there and I think I saw him

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<v Speaker 3>that was their party. Yeah, I think he came out

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<v Speaker 3>as somebody's show before. But I've never been to like

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<v Speaker 3>a J. Cole show in an arena.

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<v Speaker 2>I mean, you didn't, you didn't believe me. But the

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<v Speaker 2>loudest I've ever heard the garden in my entire life

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<v Speaker 2>was that a J cooshow Knicks playoffs, any artist, the

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<v Speaker 2>loudest I've ever heard the garden.

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<v Speaker 3>He never saw Jordan in the garden, you know, No,

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<v Speaker 3>I did not. You don't know that on TV. Yeah,

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<v Speaker 3>you don't know that energy.

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<v Speaker 2>When Mike came out that tunnel, you don't know too

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<v Speaker 2>young it was booze.

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<v Speaker 3>I hope thought it was booze ship, not for Jordan,

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<v Speaker 3>not for twenty three. It wasn't no booze hell nah ship.

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<v Speaker 2>I was. I was thinking that the Seahawks, not Seahawks,

0:09:18.360 --> 0:09:23.120
<v Speaker 2>fucking Patriots AFC game. There was more fans in Denver.

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<v Speaker 2>They was chanting m v P the whole time. I

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<v Speaker 2>was like, does Denver have a fan base anymore? Yeah?

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<v Speaker 2>They do. At an AFC Championship game, the opposing quarterback

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<v Speaker 2>is getting MVP chance for.

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<v Speaker 3>The whole game. You're that good, You're that good man. Nah.

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<v Speaker 2>If I'm not, you have to exit na. You get

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<v Speaker 2>love all my stop. M v P of the a

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<v Speaker 2>FC Championship what the fuck. What do you think the

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<v Speaker 2>ratio will be in San Francisco? I mean, Seattle's right there.

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<v Speaker 2>It's going to be a lot of that's going to

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<v Speaker 2>be a rough one. Yeah. I think it's going to

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<v Speaker 2>be Ice and Seahawks fans just everywhere.

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<v Speaker 3>Yeah, definitely Ice Seahawks.

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<v Speaker 2>Yeah. I don't know, but I do think the New

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<v Speaker 2>England Patriot fans would would be helping, helping, helping Ice out.

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<v Speaker 3>And not only that, but Patriots fans are going to

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<v Speaker 3>travel to California.

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<v Speaker 2>Yeah. Absolutely, that's Super Bowl. But anyways, how's your week been.

0:10:12.520 --> 0:10:15.280
<v Speaker 2>It's good man, that's free, give us some updates. Stress free.

0:10:15.640 --> 0:10:18.199
<v Speaker 2>Be and Demarisa are very you know, in tune of

0:10:18.200 --> 0:10:22.360
<v Speaker 2>your personal life, Like, is there anything going on in

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<v Speaker 2>my personal life that's worth talking about? No, not really,

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<v Speaker 2>it's just January dry too.

0:10:28.440 --> 0:10:29.240
<v Speaker 3>Oh yeah, I'm not.

0:10:29.280 --> 0:10:29.520
<v Speaker 2>I don't.

0:10:29.559 --> 0:10:30.640
<v Speaker 3>I'm not smoking anymore.

0:10:31.080 --> 0:10:36.920
<v Speaker 2>No, but uh, intercourse, Oh and of course desert desert.

0:10:37.120 --> 0:10:38.959
<v Speaker 3>Not know what a nigga lying to me? No, I'm

0:10:39.000 --> 0:10:40.640
<v Speaker 3>dead serious. I ain't had no sex.

0:10:41.840 --> 0:10:43.760
<v Speaker 2>Like that girl, like that girl that ran through church.

0:10:44.320 --> 0:10:45.640
<v Speaker 2>I had no sex.

0:10:45.760 --> 0:10:46.400
<v Speaker 3>I didn't see that.

0:10:46.440 --> 0:10:49.120
<v Speaker 4>You never oh, Man's classic me. But anyway, I never

0:10:49.160 --> 0:10:52.600
<v Speaker 4>saw that one. Yeah, so now we see dry dry

0:10:52.679 --> 0:10:54.200
<v Speaker 4>jenuar over here. I don't know what that nigga got going.

0:10:54.240 --> 0:10:57.280
<v Speaker 3>But but not having sexual month is not It's not

0:10:57.320 --> 0:10:59.760
<v Speaker 3>crazy though, that's like very normal to not have sex.

0:11:00.480 --> 0:11:00.920
<v Speaker 2>Yeah.

0:11:01.120 --> 0:11:03.560
<v Speaker 3>Now if you have living like a boyfriend or girlfriend

0:11:03.559 --> 0:11:05.080
<v Speaker 3>and you ain't got no, then y'all need to talk

0:11:05.080 --> 0:11:06.720
<v Speaker 3>about something like we ain't have sex in a month,

0:11:06.800 --> 0:11:09.120
<v Speaker 3>like and I have a boyfriend or girlfriend, like it's

0:11:09.440 --> 0:11:10.959
<v Speaker 3>y'all might want to have a conversation. It's called the

0:11:10.960 --> 0:11:15.360
<v Speaker 3>marriage nageep. We be having sex not like you know,

0:11:16.240 --> 0:11:19.240
<v Speaker 3>cheating couples do. But you nobody fuck more than cheating

0:11:19.240 --> 0:11:21.600
<v Speaker 3>couples each other and others. Yeah, man, because you know

0:11:21.640 --> 0:11:23.760
<v Speaker 3>when you cheat and you feel that, you know, regret,

0:11:23.840 --> 0:11:25.360
<v Speaker 3>you got to go home and really put it on

0:11:25.600 --> 0:11:27.760
<v Speaker 3>your girlfriend, not even shower right Yeah, well no, no, no,

0:11:28.000 --> 0:11:33.960
<v Speaker 3>please wash that off. Shout don't do that, Please don't

0:11:33.960 --> 0:11:34.280
<v Speaker 3>do that.

0:11:35.360 --> 0:11:39.160
<v Speaker 2>I saw on the way here we had a Banks

0:11:39.160 --> 0:11:42.679
<v Speaker 2>and Fab conversation on bag fuel. Shout out to those guys.

0:11:42.679 --> 0:11:44.120
<v Speaker 2>And we were not the first people to have this

0:11:44.160 --> 0:11:47.880
<v Speaker 2>Banks in Fab conversation. It's kind of become a trendy thing.

0:11:48.600 --> 0:11:52.439
<v Speaker 2>Uh this year, I believe was it Mook and Lux. Yeah,

0:11:52.480 --> 0:11:54.520
<v Speaker 2>I think Mouke and Lux started this debate with Banks

0:11:54.520 --> 0:11:57.080
<v Speaker 2>and Fab and it definitely caught a lot of attention

0:11:57.120 --> 0:11:59.840
<v Speaker 2>because everyone's debating it. Uncle Murder an Tony y are

0:12:00.200 --> 0:12:02.240
<v Speaker 2>made shout out to them, were on the Breakfast Club

0:12:02.360 --> 0:12:05.160
<v Speaker 2>Shout out the Murder, shout out the Yo this morning,

0:12:05.720 --> 0:12:10.000
<v Speaker 2>and the Breakfast Club had brought up the Fab verse

0:12:10.000 --> 0:12:12.720
<v Speaker 2>Banks debate, which I was intrigued with because I consider

0:12:13.080 --> 0:12:15.120
<v Speaker 2>Envy to be Desert Storm even if he's not, that's

0:12:15.120 --> 0:12:18.959
<v Speaker 2>still his lineage. And then obviously Yo is genuine and Banks,

0:12:19.000 --> 0:12:21.559
<v Speaker 2>his brother Yao did what we knew Yao would do.

0:12:21.640 --> 0:12:23.600
<v Speaker 2>One of the most loyal people ever. He said he

0:12:23.600 --> 0:12:25.320
<v Speaker 2>didn't care I choose Banks, even when they brought up

0:12:25.320 --> 0:12:27.560
<v Speaker 2>like a fair points, I don't care. I choose Banks. Yeah,

0:12:27.800 --> 0:12:33.360
<v Speaker 2>you see how it works. And I love Yo, like

0:12:34.320 --> 0:12:36.959
<v Speaker 2>he'll admit out the gate like nas as Banks, that's

0:12:37.000 --> 0:12:38.560
<v Speaker 2>my brother. I'm always gonna pick that. But then just

0:12:38.559 --> 0:12:40.600
<v Speaker 2>bring a point like all right, well Banks about to

0:12:40.600 --> 0:12:42.679
<v Speaker 2>tour Fab not Torn. It's like, well Fab could tour,

0:12:43.400 --> 0:12:45.680
<v Speaker 2>that's a moot point in that just because Banks is

0:12:45.679 --> 0:12:49.280
<v Speaker 2>going out but after that fifty cent posted this maybe

0:12:49.320 --> 0:12:53.440
<v Speaker 2>about an hour ago since we recording this fab verse banks.

0:12:54.080 --> 0:12:56.680
<v Speaker 2>They both write better when it's about girls. They both

0:12:56.760 --> 0:12:59.960
<v Speaker 2>think they are better than everybody. They both never put

0:13:00.160 --> 0:13:03.840
<v Speaker 2>in no work themselves. They both are not likely to

0:13:03.960 --> 0:13:06.880
<v Speaker 2>sell at this point either in their career. It's a tie.

0:13:06.960 --> 0:13:10.439
<v Speaker 2>Ladies and gentlemen. They are the same. Some hate, man,

0:13:10.920 --> 0:13:15.280
<v Speaker 2>that's some hate what fifty mean by they I was

0:13:15.320 --> 0:13:16.960
<v Speaker 2>trying to think they are better than that Isn't every

0:13:17.000 --> 0:13:18.520
<v Speaker 2>rapper supposed to think they better than everybody?

0:13:19.000 --> 0:13:19.760
<v Speaker 3>That's just rap shit.

0:13:19.800 --> 0:13:21.840
<v Speaker 4>That's like law is you're supposed to say that you

0:13:21.880 --> 0:13:23.480
<v Speaker 4>think that you better. But I feel like rappers know

0:13:23.480 --> 0:13:24.360
<v Speaker 4>who they not better than?

0:13:24.640 --> 0:13:26.080
<v Speaker 3>Oh yeah, when you go home an now you know

0:13:26.080 --> 0:13:27.679
<v Speaker 3>when a rabbit whooped your ass, like you know, when

0:13:27.720 --> 0:13:28.600
<v Speaker 3>you lay down like Dan go.

0:13:28.760 --> 0:13:31.120
<v Speaker 4>Even not even even not even if you engage in battle,

0:13:31.120 --> 0:13:32.560
<v Speaker 4>like you go home, and you know that.

0:13:32.559 --> 0:13:35.120
<v Speaker 3>Ultimate feature, like even when you do a song together,

0:13:35.120 --> 0:13:36.800
<v Speaker 3>you like, yeah, I ain't gonna lie that nigga got me,

0:13:36.880 --> 0:13:39.280
<v Speaker 3>like you know, but you ain't gonna say that shit publicly.

0:13:40.679 --> 0:13:44.640
<v Speaker 2>That I that part of it. I do believe fifty there.

0:13:44.640 --> 0:13:48.320
<v Speaker 2>I also think that Fab and Banks quietly to themselves

0:13:48.960 --> 0:13:51.560
<v Speaker 2>and humbly think they are better than everybody that raps.

0:13:51.600 --> 0:13:54.559
<v Speaker 2>I don't think there's no humility in it, and I

0:13:54.760 --> 0:13:57.800
<v Speaker 2>think there's plaunt that shit unless he's rapping. And even Fab,

0:13:58.120 --> 0:13:59.960
<v Speaker 2>for what it's worth, who is more in the public.

0:14:00.840 --> 0:14:02.880
<v Speaker 2>You've been around Fab, I've been around Fab and had

0:14:03.200 --> 0:14:07.040
<v Speaker 2>conversations about other rappers and ship off Mike Fat rightfully,

0:14:07.040 --> 0:14:10.280
<v Speaker 2>so thins he's better than everybody else. Yes, but you're

0:14:10.280 --> 0:14:12.240
<v Speaker 2>supposed to know. There's nothing wrong with that. I'm not

0:14:13.120 --> 0:14:14.839
<v Speaker 2>putting out any news. Somebody shouldn't know.

0:14:14.920 --> 0:14:16.920
<v Speaker 3>Any type of competitive feel You're supposed to feel like

0:14:16.920 --> 0:14:17.520
<v Speaker 3>you're the best.

0:14:17.559 --> 0:14:21.840
<v Speaker 2>But there are rappers to Demarus's point, that like, no,

0:14:21.920 --> 0:14:24.640
<v Speaker 2>they're not, and don't think that they could say that

0:14:24.680 --> 0:14:26.520
<v Speaker 2>in a conversation like nah washing, but they know they

0:14:26.520 --> 0:14:26.920
<v Speaker 2>know better.

0:14:27.240 --> 0:14:30.480
<v Speaker 3>Yeah, every rapper knows, like I can't fuck with him,

0:14:30.480 --> 0:14:32.440
<v Speaker 3>but I ain't gonna say that. Yeah, And I ain't

0:14:32.520 --> 0:14:33.960
<v Speaker 3>about to go in the booth and do a song

0:14:34.000 --> 0:14:35.640
<v Speaker 3>with him and feel like I ain't about to like

0:14:35.680 --> 0:14:37.760
<v Speaker 3>I'm going in there to bus his ass. Yeah, So

0:14:37.800 --> 0:14:39.680
<v Speaker 3>I mean I get that, but now I don't know

0:14:39.720 --> 0:14:41.280
<v Speaker 3>what he what do you mean by they both never

0:14:41.320 --> 0:14:42.880
<v Speaker 3>put in no work themselves.

0:14:43.200 --> 0:14:47.520
<v Speaker 2>So I was trying to figure out, in the way

0:14:47.520 --> 0:14:50.120
<v Speaker 2>he worded it what he meant there. I don't think

0:14:50.120 --> 0:14:52.200
<v Speaker 2>he meant like they never put in no work in

0:14:52.240 --> 0:14:55.160
<v Speaker 2>the street or whatever themselves. I think he was because

0:14:55.720 --> 0:14:58.480
<v Speaker 2>Fifty's last book, book, fifty Laws of Power, he has

0:14:58.520 --> 0:15:01.000
<v Speaker 2>a chapter where he mentions his relationship with Banks and

0:15:01.040 --> 0:15:03.360
<v Speaker 2>he's like, Yo, this guy has lazy Lloyd tattooed on him.

0:15:03.600 --> 0:15:06.280
<v Speaker 2>Banks never put in the work to match his talent.

0:15:06.320 --> 0:15:09.360
<v Speaker 2>He thought he could coast because he was so talented. Okay,

0:15:10.200 --> 0:15:12.320
<v Speaker 2>he's been on record for a while saying those things.

0:15:13.840 --> 0:15:17.160
<v Speaker 2>Now the Fab side, I feel like Fab put in

0:15:17.200 --> 0:15:20.160
<v Speaker 2>a lot of work into himself and his brand, and

0:15:20.160 --> 0:15:21.280
<v Speaker 2>that was a solo artist.

0:15:21.520 --> 0:15:23.920
<v Speaker 3>He was never in a group like you know, I

0:15:23.960 --> 0:15:25.840
<v Speaker 3>Fifty says that about Banks because the whole g unit,

0:15:25.880 --> 0:15:26.760
<v Speaker 3>and it feels like, you know.

0:15:26.880 --> 0:15:31.480
<v Speaker 2>I understand, yeah, but Fab is their relationship Fab. I didn't.

0:15:31.520 --> 0:15:33.720
<v Speaker 2>I was like, I don't think there's ever been a

0:15:33.760 --> 0:15:38.520
<v Speaker 2>point that I felt like Fab didn't want it like Banks.

0:15:38.560 --> 0:15:40.800
<v Speaker 2>Sometimes there was a point where I was like, he

0:15:40.880 --> 0:15:43.200
<v Speaker 2>probably just doesn't like the shit. He doesn't like the limelight.

0:15:43.240 --> 0:15:45.560
<v Speaker 2>He doesn't like to be around people like I'm cool, bro,

0:15:45.760 --> 0:15:48.120
<v Speaker 2>I'm gonna do my verses and when it's time to

0:15:48.120 --> 0:15:51.040
<v Speaker 2>make some money, I'll come outside. But if not, I'm chilling,

0:15:51.360 --> 0:15:52.880
<v Speaker 2>like I don't want to do all this. But Fab,

0:15:53.720 --> 0:15:58.040
<v Speaker 2>I mean, outside of recently, has been super consistent. He's

0:15:58.400 --> 0:16:00.640
<v Speaker 2>done like brand shit. He's I don't know that he has

0:16:00.640 --> 0:16:01.160
<v Speaker 2>always been.

0:16:01.480 --> 0:16:03.360
<v Speaker 3>I'm always on the side. I do always feel like

0:16:03.400 --> 0:16:06.120
<v Speaker 3>and I think I've expressed this before that I feel

0:16:06.120 --> 0:16:11.359
<v Speaker 3>like Fab is is like very laid back, very cool

0:16:11.800 --> 0:16:14.720
<v Speaker 3>thanks to m Yeah, he don't really have a lot

0:16:14.720 --> 0:16:17.680
<v Speaker 3>of ego when it comes to trying to prove that

0:16:17.800 --> 0:16:19.760
<v Speaker 3>he's better than everybody, Like he doesn't, you know what

0:16:19.760 --> 0:16:21.520
<v Speaker 3>I mean. Like Fab is not just dropping music all

0:16:21.520 --> 0:16:23.480
<v Speaker 3>the time. He's not doing a bunch of features. He's

0:16:23.520 --> 0:16:25.680
<v Speaker 3>not and we want that, Like we want the Soul

0:16:25.720 --> 0:16:28.600
<v Speaker 3>tape shit back, we want Summertime shootout back, we want

0:16:28.640 --> 0:16:32.560
<v Speaker 3>a new Fab project. I don't know why. I think

0:16:32.560 --> 0:16:35.640
<v Speaker 3>it was probably some legal things why Fab kind of

0:16:35.640 --> 0:16:37.640
<v Speaker 3>didn't want to, you know, put out new music and

0:16:37.640 --> 0:16:40.800
<v Speaker 3>shit like that. But as far as like, you know,

0:16:41.720 --> 0:16:44.000
<v Speaker 3>not putting in no work, I mean I think fab

0:16:44.080 --> 0:16:47.040
<v Speaker 3>like I said, he's since the late nineties and he's

0:16:47.080 --> 0:16:48.600
<v Speaker 3>still relevant today.

0:16:48.560 --> 0:16:53.040
<v Speaker 2>Like and even on the Bank side, I guess I can.

0:16:53.120 --> 0:16:56.720
<v Speaker 2>I can understand fifties perspective there because you know, he's

0:16:56.760 --> 0:16:59.360
<v Speaker 2>known Banks since Banks was like literally a child and

0:16:59.360 --> 0:17:02.480
<v Speaker 2>has watched the entire thing, So of course his perspective

0:17:02.480 --> 0:17:04.919
<v Speaker 2>would be more of a fact than us on the

0:17:04.920 --> 0:17:07.760
<v Speaker 2>outside looking in. But I do feel in the last

0:17:08.280 --> 0:17:10.760
<v Speaker 2>I don't know, six seven years, Banks has been super

0:17:10.800 --> 0:17:17.159
<v Speaker 2>consistent now as impactful from eyes like fifty cent, I

0:17:17.200 --> 0:17:19.240
<v Speaker 2>can see why he would say something like that, but

0:17:19.480 --> 0:17:22.080
<v Speaker 2>to a consumer and fan of Banks, I think he's

0:17:22.640 --> 0:17:25.200
<v Speaker 2>been super consistent and putting in a lot of work

0:17:26.119 --> 0:17:28.480
<v Speaker 2>to help his brand in that regard and what Yeo said,

0:17:28.480 --> 0:17:31.440
<v Speaker 2>he's about to go overseas on tour, which that's their

0:17:31.440 --> 0:17:34.359
<v Speaker 2>bread and butter, Like oh yeah, you like when Gene

0:17:34.359 --> 0:17:40.359
<v Speaker 2>is Wu tang Acon like those they'll never be because

0:17:40.359 --> 0:17:44.760
<v Speaker 2>they have Europe like it'll they'll always always show up

0:17:44.920 --> 0:17:47.400
<v Speaker 2>for them. I get it. It's just it's just sad

0:17:47.480 --> 0:17:49.080
<v Speaker 2>to see the fab shit. I don't really care. I

0:17:49.119 --> 0:17:51.240
<v Speaker 2>know him if fifty has something recent of a little

0:17:51.240 --> 0:17:56.240
<v Speaker 2>back and forth, but it's it's heartbreaking as a lifelong

0:17:56.320 --> 0:18:00.200
<v Speaker 2>g UNIT fan to see this fifty in Banks fly

0:18:00.200 --> 0:18:04.280
<v Speaker 2>feud still going on, and I mean Fifties put out

0:18:04.520 --> 0:18:06.560
<v Speaker 2>a record with Rest in Peace, p and b Rock.

0:18:06.720 --> 0:18:08.480
<v Speaker 2>I'm going crazy that I love where he addresses the

0:18:08.480 --> 0:18:11.359
<v Speaker 2>whole Banks thing. I don't know, I just I just

0:18:11.359 --> 0:18:13.439
<v Speaker 2>hate to see this type of shit because Banks just

0:18:13.480 --> 0:18:16.960
<v Speaker 2>kind of keeps to himself. Like if Banks was outside

0:18:17.000 --> 0:18:20.200
<v Speaker 2>the way Yo was and was talking as much as yao,

0:18:20.440 --> 0:18:23.000
<v Speaker 2>but in a negative way towards Fifty, I could totally

0:18:23.000 --> 0:18:25.720
<v Speaker 2>see that. But Bro Banks be mind of his business,

0:18:25.760 --> 0:18:29.040
<v Speaker 2>like it's very sad. It's sad to see the other bit.

0:18:29.119 --> 0:18:32.320
<v Speaker 2>I can see Fifty feeling a way that being his

0:18:32.320 --> 0:18:34.119
<v Speaker 2>little brother, Like Yo, I don't think you reach your potential.

0:18:34.160 --> 0:18:35.840
<v Speaker 2>I wish you would have done this. I did do

0:18:35.880 --> 0:18:37.399
<v Speaker 2>a lot for you. I think Banks would say the

0:18:37.440 --> 0:18:40.280
<v Speaker 2>same thing that Fifty did so much for him. But

0:18:41.480 --> 0:18:43.159
<v Speaker 2>we ain't got to do this, man, unless Banks are

0:18:43.160 --> 0:18:44.440
<v Speaker 2>saying a bunch of shit behind the scenes that I

0:18:44.440 --> 0:18:44.920
<v Speaker 2>don't know about.

0:18:45.640 --> 0:18:47.080
<v Speaker 3>Yeah, that's different again.

0:18:46.880 --> 0:18:49.199
<v Speaker 2>But we also know fifty. You'll just say something you.

0:18:49.280 --> 0:18:52.399
<v Speaker 3>Just speculating off of a comment that Fifty made. But

0:18:53.000 --> 0:18:55.160
<v Speaker 3>I mean you know, I'm still always on the side

0:18:55.600 --> 0:19:00.320
<v Speaker 3>I'm waiting for new Fat music. Like I'm waiting for that.

0:19:00.480 --> 0:19:04.360
<v Speaker 3>I've been vocal about that. I've spoken the Fab about that, like, yo,

0:19:04.560 --> 0:19:05.840
<v Speaker 3>like what we're doing?

0:19:05.880 --> 0:19:06.040
<v Speaker 2>Man?

0:19:06.119 --> 0:19:08.320
<v Speaker 3>Yeah, because I always am down for a new FAB project.

0:19:08.320 --> 0:19:10.640
<v Speaker 2>When when was the last time you had that conversation

0:19:10.720 --> 0:19:11.080
<v Speaker 2>with Fat?

0:19:12.000 --> 0:19:15.880
<v Speaker 3>When we were in Atlanta the last time we had

0:19:15.920 --> 0:19:18.159
<v Speaker 3>we had a shot out there. I saw him at

0:19:18.280 --> 0:19:21.880
<v Speaker 3>Copper Cove one night. Okay, I went there and because

0:19:21.920 --> 0:19:22.119
<v Speaker 3>I was.

0:19:22.119 --> 0:19:23.920
<v Speaker 2>What twenty and twenty four last time we were in

0:19:24.880 --> 0:19:26.480
<v Speaker 2>twenty five, twenty four.

0:19:26.400 --> 0:19:28.879
<v Speaker 3>Twenty four, Yeah, god damn yeah, And we had a

0:19:28.920 --> 0:19:32.639
<v Speaker 3>conversation and you know, he was he just started laughing

0:19:32.680 --> 0:19:34.399
<v Speaker 3>like he's like, yeah, I know I'll be hearing it.

0:19:34.640 --> 0:19:37.280
<v Speaker 3>I'm like, Yo, what's up, what are you doing? Bro?

0:19:37.359 --> 0:19:40.439
<v Speaker 3>Like we need that music. But you know that is

0:19:40.480 --> 0:19:42.360
<v Speaker 3>you know, I guess whenever he's ready. But I do think,

0:19:42.520 --> 0:19:46.080
<v Speaker 3>you know, I never asked him personal business about his

0:19:46.119 --> 0:19:48.159
<v Speaker 3>you know, his career. But I do think it is

0:19:48.200 --> 0:19:52.440
<v Speaker 3>probably some legal contracts and things that people that's probably

0:19:52.440 --> 0:19:54.800
<v Speaker 3>still eating over his music that he's trying probably trying

0:19:54.840 --> 0:19:57.480
<v Speaker 3>to you know, moving or get away from it. Shit

0:19:57.560 --> 0:19:59.199
<v Speaker 3>like that. That is the reason why he's not his

0:19:59.320 --> 0:20:02.520
<v Speaker 3>output is not Yeah, sure, because again Fab's talent level.

0:20:02.560 --> 0:20:05.200
<v Speaker 3>He still raps better than ninety percent of the rappers

0:20:05.200 --> 0:20:08.040
<v Speaker 3>that we have. He makes better songs than ninety percent

0:20:08.080 --> 0:20:11.520
<v Speaker 3>of y'all. And again I'm always down to hear some

0:20:11.560 --> 0:20:12.320
<v Speaker 3>new Fab music.

0:20:12.480 --> 0:20:15.360
<v Speaker 2>I mean, I do know for a fact, I recently,

0:20:15.880 --> 0:20:20.160
<v Speaker 2>you know, within the last month, Benning sessions and Fab

0:20:20.240 --> 0:20:22.600
<v Speaker 2>is working. I don't know if he's gonna put any

0:20:22.640 --> 0:20:25.840
<v Speaker 2>music out, but it's great, like it Fab is in shape.

0:20:26.560 --> 0:20:27.960
<v Speaker 2>While I was listening to it, I was like, I

0:20:27.960 --> 0:20:32.960
<v Speaker 2>don't understand why you just don't hit upload. I was

0:20:33.000 --> 0:20:35.080
<v Speaker 2>right there, but right there actually like this goes off

0:20:35.080 --> 0:20:37.199
<v Speaker 2>to the world, not here to like I'm not revealing.

0:20:37.240 --> 0:20:40.240
<v Speaker 2>I have no idea what Fab wants to do is doing.

0:20:40.320 --> 0:20:43.119
<v Speaker 2>All I know is everything i've heard that is like

0:20:43.240 --> 0:20:47.959
<v Speaker 2>the newest Fab music sounds incredible, Like I could hear

0:20:48.119 --> 0:20:49.840
<v Speaker 2>me like, oh, that's not up to par. Maybe he's

0:20:49.840 --> 0:20:51.800
<v Speaker 2>trying to get back in shape, and that's why it's

0:20:51.840 --> 0:20:54.640
<v Speaker 2>it's great, Like, don't upload the shit now, don't.

0:20:54.800 --> 0:20:56.359
<v Speaker 3>That's why I'm saying it has to be some legal

0:20:56.640 --> 0:20:57.920
<v Speaker 3>something on the legal side.

0:20:58.040 --> 0:21:01.000
<v Speaker 2>I could see that Fab has been in some contracts.

0:21:01.040 --> 0:21:03.040
<v Speaker 3>Yeah, I cannot think it's some business shit that's in

0:21:03.040 --> 0:21:03.560
<v Speaker 3>the way of that.

0:21:03.800 --> 0:21:06.719
<v Speaker 2>Yeah, I can definitely see that. It's sad for me

0:21:06.760 --> 0:21:09.600
<v Speaker 2>to say, speaking New York hip hop, that it's only

0:21:09.640 --> 0:21:11.440
<v Speaker 2>been like a week or two, But in this day

0:21:11.480 --> 0:21:13.600
<v Speaker 2>and age, that's saying a lot that you're still listening

0:21:13.680 --> 0:21:15.720
<v Speaker 2>to an album. I'm still listening to this asap rocky

0:21:16.200 --> 0:21:19.280
<v Speaker 2>album every day. Like, it's still really good to me.

0:21:19.480 --> 0:21:22.440
<v Speaker 2>It's good driving music, in good shower music in the cars.

0:21:22.560 --> 0:21:25.040
<v Speaker 2>It's my favorite driving album right now.

0:21:25.040 --> 0:21:27.400
<v Speaker 3>The music is like we spoke about this might be

0:21:27.920 --> 0:21:30.000
<v Speaker 3>his best album.

0:21:30.359 --> 0:21:34.240
<v Speaker 2>Yeah, I'm not mad at that take whatsoever. It's so

0:21:34.320 --> 0:21:38.040
<v Speaker 2>crazy that now that's how we talk. It's been two weeks.

0:21:38.040 --> 0:21:38.679
<v Speaker 2>How's it aging?

0:21:39.560 --> 0:21:39.800
<v Speaker 4>Yeah?

0:21:40.000 --> 0:21:41.239
<v Speaker 2>Like now still I still fun with it.

0:21:41.240 --> 0:21:42.680
<v Speaker 3>You should fall out the rotation quick.

0:21:42.680 --> 0:21:44.720
<v Speaker 2>Oh it sounds crazy to say, but yeah.

0:21:44.560 --> 0:21:48.000
<v Speaker 3>Quick, you got the average lifespan of album is probably

0:21:48.040 --> 0:21:51.399
<v Speaker 3>six days. I mean even six You got six days

0:21:51.440 --> 0:21:54.080
<v Speaker 3>to prove that this is some fire or we will

0:21:54.080 --> 0:21:55.200
<v Speaker 3>never listen to this again.

0:21:55.040 --> 0:21:57.679
<v Speaker 2>Even with shit I like and this is not a

0:21:57.680 --> 0:21:59.600
<v Speaker 2>slight to Travis. Maybe it's more of a slight to

0:21:59.600 --> 0:22:02.480
<v Speaker 2>me as a consumer. I came in here when Travis

0:22:02.480 --> 0:22:04.200
<v Speaker 2>put out his last project and was like, yoh, shit

0:22:04.240 --> 0:22:07.600
<v Speaker 2>is fire. After a week passed, I was like, I'm cool.

0:22:08.760 --> 0:22:10.119
<v Speaker 3>It's crazy how it works.

0:22:09.920 --> 0:22:12.760
<v Speaker 2>And maybe that's a me thing. I don't know. I'm

0:22:12.800 --> 0:22:16.320
<v Speaker 2>sure Travis's fan base loves it and still listening. I'm

0:22:16.359 --> 0:22:18.879
<v Speaker 2>not saying no one but me. I'm like, damn, I

0:22:18.920 --> 0:22:20.600
<v Speaker 2>came in here and said I absolutely loved it. I'm

0:22:20.640 --> 0:22:22.399
<v Speaker 2>kind of cool. I don't even know which song to

0:22:22.480 --> 0:22:22.879
<v Speaker 2>run back to.

0:22:22.960 --> 0:22:25.199
<v Speaker 3>It's just too much mute. We have access to too

0:22:25.280 --> 0:22:28.399
<v Speaker 3>much fucking music because we listened to old school, like

0:22:28.400 --> 0:22:32.119
<v Speaker 3>we're just singing Anita Baker. We still listening to Anita, Like,

0:22:32.560 --> 0:22:34.640
<v Speaker 3>so how if we still listen to how the fuck

0:22:34.680 --> 0:22:36.639
<v Speaker 3>we got time to listen to the new R and

0:22:36.680 --> 0:22:39.399
<v Speaker 3>B girl that dropped, like we still listening to Anita?

0:22:39.400 --> 0:22:41.960
<v Speaker 3>We still listening in the ment condition, like we still

0:22:42.000 --> 0:22:42.720
<v Speaker 3>on that music.

0:22:42.880 --> 0:22:47.639
<v Speaker 2>What are our timeless records from our generation? Maybe we

0:22:47.640 --> 0:22:49.159
<v Speaker 2>put a year on it, and damn, I wish this

0:22:49.240 --> 0:22:50.720
<v Speaker 2>was one of those we talked about before so we

0:22:50.720 --> 0:22:53.040
<v Speaker 2>could come more prepared. But I'm cool having a conversation

0:22:53.080 --> 0:22:59.720
<v Speaker 2>in real Time from two thousand and on Timeless, Yeah,

0:23:00.400 --> 0:23:04.960
<v Speaker 2>in the last twenty five years. Just in general, I'm

0:23:04.960 --> 0:23:08.960
<v Speaker 2>talking about timeless like narrow it down still well Sorry,

0:23:09.480 --> 0:23:14.560
<v Speaker 2>R and B pop Uh love Love on Top? Okay,

0:23:14.640 --> 0:23:17.440
<v Speaker 2>it's a timeless I think Amara will sing Love on Top,

0:23:17.520 --> 0:23:20.320
<v Speaker 2>But then again I don't. I don't know. I think

0:23:20.119 --> 0:23:23.600
<v Speaker 2>the age difference between you and when that Anita Baker

0:23:23.600 --> 0:23:27.160
<v Speaker 2>record came out is insane. Do you think will have

0:23:27.240 --> 0:23:33.320
<v Speaker 2>any of those records always on time? Ashanti G Yeah,

0:23:34.240 --> 0:23:35.920
<v Speaker 2>I mean, like you name it, you name a song

0:23:35.960 --> 0:23:37.919
<v Speaker 2>them the songs that they play on cruise ships, like

0:23:38.080 --> 0:23:40.680
<v Speaker 2>that's that keeps music time?

0:23:40.720 --> 0:23:43.159
<v Speaker 3>No, for sure. For sure when it crosses all genres

0:23:43.200 --> 0:23:46.480
<v Speaker 3>like you know, like nationalities and cultures and things like that,

0:23:46.480 --> 0:23:47.879
<v Speaker 3>they all love it, like because.

0:23:47.600 --> 0:23:50.000
<v Speaker 4>Your kid will hear it again, Because like I feel

0:23:50.040 --> 0:23:53.040
<v Speaker 4>like even with Timeless, like what I play in my house,

0:23:53.760 --> 0:23:55.600
<v Speaker 4>another parent might not play in their house. So it

0:23:55.640 --> 0:23:57.639
<v Speaker 4>needs to be something that you're gonna hear, not just

0:23:57.680 --> 0:24:00.000
<v Speaker 4>in my house. You're gonna hear outside like you're gonna

0:24:00.000 --> 0:24:01.680
<v Speaker 4>I want to figure out who Michael Jackson is, because

0:24:01.720 --> 0:24:03.359
<v Speaker 4>everybody is talking about fucking Michael Jackson.

0:24:03.480 --> 0:24:05.760
<v Speaker 2>Yeah, I mean I feel like I kind of to

0:24:05.800 --> 0:24:07.639
<v Speaker 2>a most same with the cruise ship stuff. I feel

0:24:07.680 --> 0:24:12.439
<v Speaker 2>like songs like hey, y'all have just got into that

0:24:12.480 --> 0:24:16.320
<v Speaker 2>threshold where they'll be sung forever just because they entered there.

0:24:16.600 --> 0:24:20.440
<v Speaker 2>But like when a Dorn came out, I was like, oh, look,

0:24:20.480 --> 0:24:22.399
<v Speaker 2>our generation got one, like this is going to be

0:24:22.400 --> 0:24:25.680
<v Speaker 2>played at weddings for the rest of eternity. And while

0:24:25.680 --> 0:24:27.480
<v Speaker 2>it is a timeless record in my opinion, I don't

0:24:27.480 --> 0:24:30.679
<v Speaker 2>know that to be true anymore. With the consumer change

0:24:31.400 --> 0:24:33.840
<v Speaker 2>in music, I don't know if a Dorn is really

0:24:34.640 --> 0:24:35.800
<v Speaker 2>I don't know if a mar is going to want

0:24:35.800 --> 0:24:38.320
<v Speaker 2>to dance to a Dorn at her wedding, which is

0:24:38.359 --> 0:24:40.800
<v Speaker 2>crazy to say, because to me that's a it checks

0:24:41.119 --> 0:24:43.520
<v Speaker 2>every box in my head musically. Is a Thomas record

0:24:44.520 --> 0:24:45.160
<v Speaker 2>a better question?

0:24:45.240 --> 0:24:46.479
<v Speaker 3>What song did y'all graduate too?

0:24:47.640 --> 0:24:48.040
<v Speaker 2>Graduate?

0:24:48.160 --> 0:24:49.879
<v Speaker 4>Or pull up the prom too? Because I feel like that's.

0:24:49.960 --> 0:24:52.800
<v Speaker 3>No like, what was your graduation song? What's song the junie?

0:24:53.560 --> 0:24:57.760
<v Speaker 4>I don't remember. I remember my fifth grade graduation. We

0:24:57.760 --> 0:25:00.720
<v Speaker 4>were supposed to dance, well we dance to I think

0:25:00.720 --> 0:25:03.040
<v Speaker 4>it was which our Kelly song? Now I believe I

0:25:03.040 --> 0:25:04.920
<v Speaker 4>could fly the other one, But.

0:25:05.200 --> 0:25:09.800
<v Speaker 3>There's only two graduation songs, Well maybe three. Maybe I

0:25:09.840 --> 0:25:13.760
<v Speaker 3>believe I could fly. Yep, Whitney Houston, I had the

0:25:13.840 --> 0:25:14.639
<v Speaker 3>children our future.

0:25:14.680 --> 0:25:16.720
<v Speaker 2>Did you and your brother have this conversation? Yeah, because

0:25:16.720 --> 0:25:19.400
<v Speaker 2>your brother text me and we have the same conversation.

0:25:19.480 --> 0:25:23.120
<v Speaker 3>And Tevin Campbell, I think Tevin Cambell got one tomorrow.

0:25:28.880 --> 0:25:35.560
<v Speaker 3>I'm sorry, Campbells, there is no tea.

0:25:35.720 --> 0:25:38.240
<v Speaker 2>I want to hear that. Quincy touched that one. You

0:25:38.280 --> 0:25:40.639
<v Speaker 2>feel like I feel like Tim Campbell got one. Tevin

0:25:40.680 --> 0:25:45.320
<v Speaker 2>Campbells and not tomorrow. It might be tomorrow. That's what

0:25:45.359 --> 0:25:46.640
<v Speaker 2>I would imagine.

0:25:46.720 --> 0:25:47.560
<v Speaker 3>It might be tomorrow.

0:25:47.640 --> 0:25:51.320
<v Speaker 4>And that's vitamin C. What what Josh was singing? Vitamin

0:25:51.320 --> 0:25:54.679
<v Speaker 4>C graduated the Vitamin C as you graduated the Vitamin

0:25:54.680 --> 0:25:59.680
<v Speaker 4>C beach. We readmemeber all the good bigs, DM me

0:25:59.760 --> 0:26:01.680
<v Speaker 4>this or I definitely walked.

0:26:01.840 --> 0:26:05.800
<v Speaker 3>We definitely have a Winnie Houston at my Yeah tomorrow

0:26:05.880 --> 0:26:09.639
<v Speaker 3>tomorrow tomorrow or Kelly that piece of shit. I believe

0:26:09.640 --> 0:26:10.120
<v Speaker 3>I could fly.

0:26:10.720 --> 0:26:15.159
<v Speaker 2>And my eighth grade it was eighth grade graduation, not

0:26:15.280 --> 0:26:18.080
<v Speaker 2>like a it's not high school was definitely I believe

0:26:18.080 --> 0:26:20.920
<v Speaker 2>I can fly. I don't even remember what played in

0:26:20.960 --> 0:26:21.520
<v Speaker 2>my high school.

0:26:21.520 --> 0:26:23.400
<v Speaker 4>Oh, I'm sorry. Fifth grade. It was the world's greatest.

0:26:23.600 --> 0:26:25.600
<v Speaker 4>We did a dance to the World's Greatest at our graduation,

0:26:25.680 --> 0:26:27.040
<v Speaker 4>but I didn't get to do it because I got like,

0:26:27.160 --> 0:26:28.760
<v Speaker 4>I got in trouble, so I had to sit in

0:26:28.760 --> 0:26:29.320
<v Speaker 4>the crowd.

0:26:29.359 --> 0:26:32.919
<v Speaker 2>Like like one of like the church spiritual dance type.

0:26:32.920 --> 0:26:35.600
<v Speaker 4>Of choreography, kind of like that, but not super spiritual

0:26:35.640 --> 0:26:36.560
<v Speaker 4>because it was school.

0:26:36.560 --> 0:26:40.000
<v Speaker 2>But yes, it was similar to that. Josh pulled up

0:26:40.040 --> 0:26:43.800
<v Speaker 2>Green Day, Good Ridden. Yeah, they played that at the

0:26:43.840 --> 0:26:45.760
<v Speaker 2>end of Seinfeld, So I feel like that believed that

0:26:45.760 --> 0:26:50.280
<v Speaker 2>that became a tribute song. Time of your life.

0:26:50.320 --> 0:26:52.720
<v Speaker 4>Yeah, we didn't don't want high school to never graduation song.

0:26:53.359 --> 0:26:55.240
<v Speaker 2>I think you had to have a graduate didn't remember

0:26:55.280 --> 0:26:57.840
<v Speaker 2>what was that was that? I don't remember. I was

0:26:57.880 --> 0:27:00.520
<v Speaker 2>what's the graduation like actual sleep score?

0:27:01.000 --> 0:27:02.760
<v Speaker 4>Like when we were all sitting there waiting for like

0:27:02.800 --> 0:27:05.560
<v Speaker 4>the the fucking speeches and ship, I was that ass like.

0:27:05.960 --> 0:27:07.800
<v Speaker 3>No, not the speeches, but don't y'all walk out to

0:27:07.840 --> 0:27:11.840
<v Speaker 3>a song. No, y'all don't walk into the auditoria that

0:27:11.840 --> 0:27:13.760
<v Speaker 3>it was a silence like silence.

0:27:13.840 --> 0:27:15.200
<v Speaker 2>Yeah, that's wicked.

0:27:15.400 --> 0:27:17.080
<v Speaker 3>That's a wicked graduation like this.

0:27:19.040 --> 0:27:22.320
<v Speaker 2>Oh yeah, well yeah of course that But know what

0:27:22.320 --> 0:27:24.640
<v Speaker 2>I'm saying. I think it was that for the walk

0:27:24.680 --> 0:27:27.239
<v Speaker 2>in and the walk out. Yeah, I agree.

0:27:26.640 --> 0:27:29.359
<v Speaker 4>I think I would have remembered if it was like

0:27:29.400 --> 0:27:30.560
<v Speaker 4>a song with lyrics.

0:27:30.640 --> 0:27:32.800
<v Speaker 2>I definitely remember. I believe I Can Fly for eighth grade.

0:27:33.800 --> 0:27:35.560
<v Speaker 3>Yeah, I believe I Can Fly was definitely one.

0:27:35.640 --> 0:27:38.000
<v Speaker 2>But no, I think it was. I think it was

0:27:38.080 --> 0:27:41.520
<v Speaker 2>just this mm hmmm. Yeah, that's like and I feel

0:27:41.520 --> 0:27:45.240
<v Speaker 2>like the school like band played it like they were

0:27:45.240 --> 0:27:47.080
<v Speaker 2>in their capping gowns and sat down and went back

0:27:47.160 --> 0:27:49.080
<v Speaker 2>up and did the whole okay thing.

0:27:49.160 --> 0:27:51.639
<v Speaker 3>Yeah, yeah, no, we just pressed play on the motherfucking whitney.

0:27:51.800 --> 0:27:53.160
<v Speaker 2>What did y'all pull up the prom and.

0:27:55.320 --> 0:27:57.720
<v Speaker 3>We didn't have a prom? They took out prom away

0:27:57.720 --> 0:28:00.639
<v Speaker 3>from us? Oh damn home he stole the.

0:28:01.080 --> 0:28:07.280
<v Speaker 2>Oh yeah, just com remember that. That's like, that's fucked

0:28:07.320 --> 0:28:09.639
<v Speaker 2>up though, that is to do that to everybody for prom,

0:28:09.760 --> 0:28:12.240
<v Speaker 2>Like I could see no homecoming dance, but.

0:28:12.200 --> 0:28:14.240
<v Speaker 3>Like everybody's all the final grades and everything was in

0:28:14.240 --> 0:28:16.359
<v Speaker 3>the computer. I know, but like because I guess he failed,

0:28:16.359 --> 0:28:18.680
<v Speaker 3>he was like fuck that, like he took the whole computer.

0:28:20.400 --> 0:28:24.399
<v Speaker 2>He took the whole Maybe we should put together an

0:28:24.400 --> 0:28:28.800
<v Speaker 2>adult prom from all we could do getting here? Do

0:28:28.840 --> 0:28:30.760
<v Speaker 2>you want a sneaker ball? No, thank you.

0:28:32.080 --> 0:28:33.879
<v Speaker 4>If you want to have one big room full of

0:28:33.920 --> 0:28:35.280
<v Speaker 4>bad bitches, you still want want to come?

0:28:36.560 --> 0:28:38.360
<v Speaker 2>Maybe we could talk about that exactly.

0:28:38.360 --> 0:28:39.600
<v Speaker 3>We might be able to We might be able to

0:28:39.640 --> 0:28:41.520
<v Speaker 3>have a conversation about that.

0:28:41.520 --> 0:28:44.480
<v Speaker 2>That's the type of graduation I want and under that gown,

0:28:44.560 --> 0:28:47.200
<v Speaker 2>girl and I could get a I get cipher sounds

0:28:47.200 --> 0:28:51.120
<v Speaker 2>the DJ that was King prom DJ in New York City,

0:28:52.400 --> 0:28:55.200
<v Speaker 2>I could get I get psyched to do it. We

0:28:55.240 --> 0:28:58.360
<v Speaker 2>could do the after prom party at UH at Webster Hall.

0:28:59.480 --> 0:29:02.280
<v Speaker 3>That's such a that's such an after promim Brooklyn Queen's

0:29:02.320 --> 0:29:05.640
<v Speaker 3>after promise. It was such an after prom together Webster Hall,

0:29:05.800 --> 0:29:07.960
<v Speaker 3>without a doubt. It was the only place that like

0:29:07.960 --> 0:29:10.400
<v Speaker 3>allowed eighteen plus two on Thursday. You want to talk

0:29:10.440 --> 0:29:15.320
<v Speaker 3>about Lloyd Banks, he was, He was big meets at

0:29:15.360 --> 0:29:18.920
<v Speaker 3>the eighteen plus Webster Hall Thursday nights, him and Joel Santana.

0:29:19.080 --> 0:29:20.560
<v Speaker 2>We're going crazy.

0:29:20.320 --> 0:29:23.480
<v Speaker 3>Fab and French Ball drop. Might be the graduations going

0:29:23.520 --> 0:29:25.560
<v Speaker 3>for the y Ns. Now you've really been walking out

0:29:25.600 --> 0:29:27.959
<v Speaker 3>to that for the Wiians? Yeah, I can see. Are

0:29:27.960 --> 0:29:32.280
<v Speaker 3>they graduating some Winans graduating, some wins graduating. You're seeing

0:29:32.320 --> 0:29:34.280
<v Speaker 3>him with the shist he's on at the graduation.

0:29:34.400 --> 0:29:36.120
<v Speaker 4>So you didn't have a you didn't have a song

0:29:36.160 --> 0:29:38.680
<v Speaker 4>that you pulled up to promin like blasting out because

0:29:38.680 --> 0:29:40.160
<v Speaker 4>I remember it was in Syracuse.

0:29:40.200 --> 0:29:41.760
<v Speaker 2>It was our thing. You have to roll all the

0:29:41.800 --> 0:29:43.200
<v Speaker 2>windows down, the drought.

0:29:43.000 --> 0:29:45.320
<v Speaker 3>To all the small things.

0:29:46.000 --> 0:29:50.880
<v Speaker 2>Truth to say, it ain't so I will not go

0:29:51.360 --> 0:29:56.200
<v Speaker 2>turn the lights off. Carry me. Oh keep your head still.

0:29:58.520 --> 0:29:59.280
<v Speaker 2>I don't know.

0:30:00.040 --> 0:30:02.640
<v Speaker 3>Oh no, that's what.

0:30:02.640 --> 0:30:04.760
<v Speaker 2>What's my age again? What's my age again?

0:30:05.920 --> 0:30:07.680
<v Speaker 3>That's what Rory pulled up to his first of all.

0:30:07.640 --> 0:30:09.280
<v Speaker 2>Let's not do that. That blank one any two album

0:30:09.320 --> 0:30:11.440
<v Speaker 2>is a classic. That's a time unt. I love Blink

0:30:11.480 --> 0:30:14.520
<v Speaker 2>one eighty two, but no blank one ay two. That

0:30:14.600 --> 0:30:16.720
<v Speaker 2>song was probably fifteen years old by the time I

0:30:16.720 --> 0:30:19.160
<v Speaker 2>got to PROM. I don't know. It was probably like

0:30:19.320 --> 0:30:21.240
<v Speaker 2>some little scrappy shit or something. It was two thousand

0:30:21.280 --> 0:30:24.400
<v Speaker 2>and eight, Oh scrash the South, And when my senior

0:30:24.480 --> 0:30:26.720
<v Speaker 2>high school was the South, thought like every hit record

0:30:26.720 --> 0:30:29.320
<v Speaker 2>was from the South, Like Fat Joe came in and

0:30:29.680 --> 0:30:31.840
<v Speaker 2>at least like got us there with Make It Rain.

0:30:31.960 --> 0:30:34.800
<v Speaker 3>But I thought you about say you graduated the lean bag.

0:30:36.400 --> 0:30:40.000
<v Speaker 2>Even even Roy Jones was forced you got left back.

0:30:40.320 --> 0:30:44.520
<v Speaker 2>Left back. It's left back. I'm fucking crying the thing

0:30:44.560 --> 0:30:46.680
<v Speaker 2>I probably should have been. I probably be smarter now

0:30:46.720 --> 0:30:50.320
<v Speaker 2>if they weren't just like, just go ahead, just let

0:30:50.360 --> 0:30:51.880
<v Speaker 2>him go, let me go ahead, let him didn't even

0:30:51.880 --> 0:30:53.880
<v Speaker 2>say go ahead, go ahead, go ahead, go.

0:30:53.880 --> 0:30:56.760
<v Speaker 3>Ahead, and get up. Man, we're tired of looking at

0:30:56.800 --> 0:30:57.120
<v Speaker 3>your fee.

0:30:57.360 --> 0:30:59.680
<v Speaker 2>But no, I don't have for junior or senior. I

0:30:59.720 --> 0:31:02.200
<v Speaker 2>don't remember. I don't even know if the limo we

0:31:02.280 --> 0:31:05.160
<v Speaker 2>took like allowed us to play music. I put up

0:31:05.160 --> 0:31:06.240
<v Speaker 2>the motivation.

0:31:07.400 --> 0:31:11.800
<v Speaker 4>Kelly Rowling, not geezy Kelly Rowling, all as you said,

0:31:11.800 --> 0:31:12.480
<v Speaker 4>thug motivation.

0:31:12.560 --> 0:31:14.880
<v Speaker 2>I'm like that would make more sense tob to prom

0:31:14.880 --> 0:31:18.280
<v Speaker 2>than Kelly Roland motivation. And I was on the back

0:31:18.320 --> 0:31:20.520
<v Speaker 2>of like the drop top the camaro.

0:31:21.800 --> 0:31:32.440
<v Speaker 3>Camlaro. What are you, army wife? Drop camaro widow goes

0:31:32.480 --> 0:31:38.120
<v Speaker 3>to a funeral? I'm fucking ryan camaro, you know, to

0:31:38.200 --> 0:31:39.320
<v Speaker 3>give sign.

0:31:40.600 --> 0:31:43.120
<v Speaker 2>I was on the back of it. That's the motivation.

0:31:44.120 --> 0:31:46.640
<v Speaker 2>My uh, junior prom was all right. My senior problem

0:31:46.720 --> 0:31:48.640
<v Speaker 2>had a lot of fun. It We stuck, We snuck

0:31:48.640 --> 0:31:50.760
<v Speaker 2>a lot of bottles in that that was actually a

0:31:50.800 --> 0:31:51.360
<v Speaker 2>really good time.

0:31:51.960 --> 0:31:54.800
<v Speaker 4>I was never I never used to like sneak alcohol

0:31:54.880 --> 0:31:57.360
<v Speaker 4>in school like functions. I never did that unless it

0:31:57.400 --> 0:31:58.880
<v Speaker 4>was like a football game. I was drinking palm my

0:31:58.920 --> 0:32:01.600
<v Speaker 4>sign at a football game. But other than that, I

0:32:01.640 --> 0:32:02.920
<v Speaker 4>and J, E and J.

0:32:03.080 --> 0:32:04.080
<v Speaker 3>That esus, Jesus.

0:32:04.680 --> 0:32:07.600
<v Speaker 4>But he's believes I and J in a sixteen year

0:32:07.600 --> 0:32:10.160
<v Speaker 4>old system. It's just like it's just destroying me. That's

0:32:10.160 --> 0:32:11.600
<v Speaker 4>why I probably got my overy fucked up.

0:32:11.600 --> 0:32:15.240
<v Speaker 2>Now that might be, Hey, you might. I definitely was

0:32:15.320 --> 0:32:17.240
<v Speaker 2>drinking E and J at fourteen years old, for sure.

0:32:17.400 --> 0:32:20.080
<v Speaker 3>Yeah, y'all crazy. Well, I ain't no better. I have that,

0:32:20.560 --> 0:32:22.040
<v Speaker 3>not bananas. I can't even smell that shit.

0:32:22.120 --> 0:32:23.920
<v Speaker 2>I mean, oh yeah, that's how I feel about bok cartal.

0:32:25.000 --> 0:32:26.200
<v Speaker 3>Not bananas. The worst shit ever.

0:32:26.360 --> 0:32:28.360
<v Speaker 2>That was like a special occasion for us at that age,

0:32:28.640 --> 0:32:31.080
<v Speaker 2>not banana. It was to a fifteen year old that

0:32:31.120 --> 0:32:31.640
<v Speaker 2>was expensive.

0:32:32.040 --> 0:32:35.000
<v Speaker 3>That ship is Oh my god, I threw up so crazy.

0:32:35.160 --> 0:32:36.280
<v Speaker 3>I can't That should make me know?

0:32:36.440 --> 0:32:38.880
<v Speaker 2>You just think we were listen, man, we was mixing

0:32:38.920 --> 0:32:41.560
<v Speaker 2>like Boon's farm and fucking ever clear.

0:32:43.120 --> 0:32:46.040
<v Speaker 4>Ever clear being the base of jungle juice. Like well,

0:32:46.080 --> 0:32:47.800
<v Speaker 4>my kid grows up and asks me, hey, mom, what's

0:32:47.880 --> 0:32:51.640
<v Speaker 4>jungle juice or what's I'm like telling them whatever, explaining

0:32:51.680 --> 0:32:53.160
<v Speaker 4>Ever Clear and Devil's.

0:32:52.800 --> 0:32:55.520
<v Speaker 2>Spring, like like, hey, do you see what daddy puts

0:32:55.560 --> 0:32:57.600
<v Speaker 2>in his car to make it work? That's pretty much

0:32:57.640 --> 0:33:02.160
<v Speaker 2>what we were drinking on the rocks. No straight with

0:33:02.280 --> 0:33:05.040
<v Speaker 2>mad floating fruit in it cold like that was premium

0:33:05.080 --> 0:33:09.160
<v Speaker 2>gas chilled. It's really really all it was. But yeah,

0:33:09.160 --> 0:33:13.800
<v Speaker 2>that was awful, like really bad. And then Wild Irish

0:33:13.840 --> 0:33:16.960
<v Speaker 2>Rose and Mad Dog twenty twenty. Oh was real.

0:33:17.000 --> 0:33:20.520
<v Speaker 3>You was real Hood, Mad Dog, madg.

0:33:19.920 --> 0:33:22.920
<v Speaker 2>And then uh, I can see they had every single

0:33:22.920 --> 0:33:23.800
<v Speaker 2>flavor you could think of.

0:33:23.880 --> 0:33:26.520
<v Speaker 4>I can see the plastic before they took the cocaine

0:33:26.520 --> 0:33:27.320
<v Speaker 4>out was crazy.

0:33:27.760 --> 0:33:33.600
<v Speaker 2>That was my freshman going into sophomore college. Summer was

0:33:33.640 --> 0:33:35.200
<v Speaker 2>the four Local when I was I was in high

0:33:35.200 --> 0:33:36.000
<v Speaker 2>school for four Local.

0:33:36.240 --> 0:33:37.280
<v Speaker 3>Never did a full local.

0:33:37.480 --> 0:33:39.160
<v Speaker 4>You never had a four Local without a crack, I

0:33:39.160 --> 0:33:40.000
<v Speaker 4>mean with the crack in it.

0:33:40.080 --> 0:33:43.160
<v Speaker 2>Oh my god. You ever had a Celsius.

0:33:44.280 --> 0:33:47.640
<v Speaker 4>That's like missing, Oh my god, it's hard to explain.

0:33:47.920 --> 0:33:51.520
<v Speaker 4>I can't even that shit was battery acid, fruity battery

0:33:51.520 --> 0:33:53.240
<v Speaker 4>acid with caffeine in it.

0:33:53.640 --> 0:33:56.080
<v Speaker 2>But like in a legal amount, like the way I

0:33:56.080 --> 0:33:58.480
<v Speaker 2>see like white Claw has the White Claw Surge or whatever,

0:33:59.640 --> 0:34:02.000
<v Speaker 2>and my God gave me one and I was like, oh, yeah,

0:34:02.040 --> 0:34:05.560
<v Speaker 2>this is this is gobbage. This is cut down.

0:34:09.680 --> 0:34:10.120
<v Speaker 3>Cut water.

0:34:10.719 --> 0:34:11.880
<v Speaker 2>Oh I love me a cuddy.

0:34:12.600 --> 0:34:13.520
<v Speaker 3>A cuddy.

0:34:14.840 --> 0:34:17.600
<v Speaker 2>That's what they call it. A I love your cut water.

0:34:18.400 --> 0:34:21.120
<v Speaker 4>Cut cut water is it's supposed to be liquor cut

0:34:21.160 --> 0:34:23.760
<v Speaker 4>with water because it's like it's not like malt liquors.

0:34:23.840 --> 0:34:27.239
<v Speaker 4>It's like actual like tequila or vodka or whatever, and

0:34:27.280 --> 0:34:29.600
<v Speaker 4>then cut with whatever flavor something. It's supposed to be

0:34:29.640 --> 0:34:31.200
<v Speaker 4>like a mixed drink in a can, but with real

0:34:33.120 --> 0:34:35.920
<v Speaker 4>kind of But it wasn't always sprints, Like sometimes it's

0:34:35.960 --> 0:34:37.160
<v Speaker 4>just like a cocktail.

0:34:37.560 --> 0:34:40.040
<v Speaker 2>That's what West Indians do with blue label. Pour it

0:34:40.120 --> 0:34:42.120
<v Speaker 2>straight and then just just a dash of water to

0:34:42.480 --> 0:34:48.120
<v Speaker 2>a little bit of that. Yeah that's water, little bacon soda.

0:34:48.160 --> 0:34:48.719
<v Speaker 2>That's all it is.

0:34:49.320 --> 0:34:51.279
<v Speaker 4>Toe up, So you drew cut water.

0:34:51.360 --> 0:34:56.839
<v Speaker 2>Be toe up? Mall. I see that Demerius is over

0:34:56.840 --> 0:34:59.040
<v Speaker 2>there on a phone that is not the all new

0:34:59.080 --> 0:35:04.120
<v Speaker 2>iPhone pro seventeen, designed to be the most powerful iPhone ever.

0:35:04.480 --> 0:35:05.080
<v Speaker 2>Like what is that?

0:35:05.160 --> 0:35:05.879
<v Speaker 3>Is that a flip phone?

0:35:05.960 --> 0:35:08.960
<v Speaker 2>Yeah? Are you concerned about traffic or is someone trying

0:35:09.040 --> 0:35:10.319
<v Speaker 2>to transfer all your data?

0:35:10.400 --> 0:35:12.360
<v Speaker 3>You got no snowstorm updates on that phone.

0:35:12.440 --> 0:35:14.759
<v Speaker 2>Well, good news to Maris. I know you're sitting over there.

0:35:15.280 --> 0:35:17.480
<v Speaker 2>If you go to boost Mobile, they will send an

0:35:17.480 --> 0:35:20.560
<v Speaker 2>expert to your home and deliver your brand new iPhone

0:35:20.600 --> 0:35:22.640
<v Speaker 2>seventeen Pro, so you don't have to have that sour

0:35:22.680 --> 0:35:24.319
<v Speaker 2>look that you have on your face right now while

0:35:24.320 --> 0:35:26.240
<v Speaker 2>you're scrolling through it was that an iPhone twelve.

0:35:26.719 --> 0:35:29.439
<v Speaker 3>Boost Mobile would never If you visit bootsmobile dot com

0:35:29.440 --> 0:35:31.520
<v Speaker 3>to get started. Delivery available for select devices. Purchase at

0:35:31.480 --> 0:35:32.200
<v Speaker 3>boosbogo dot com.

0:35:32.280 --> 0:35:40.160
<v Speaker 2>Terms are block You haven't had a quaylut and Coca cola?

0:35:41.360 --> 0:35:43.320
<v Speaker 3>I wish it was a real lawyer that was the

0:35:43.400 --> 0:35:46.080
<v Speaker 3>drink of choice in the eighties to his lawyer, he said,

0:35:46.120 --> 0:35:50.040
<v Speaker 3>London Oak, sir, No, No, his lawyer's saying like quailudes

0:35:50.120 --> 0:35:52.480
<v Speaker 3>was a party drug, which it was. Yeah, they had

0:35:52.520 --> 0:35:54.520
<v Speaker 3>billboards of it, and you know in the in the

0:35:54.560 --> 0:35:57.799
<v Speaker 3>eighties and the seventies and they did quaylud and a coke.

0:35:57.920 --> 0:35:59.920
<v Speaker 2>Well it was for like pregnant women and shit, right now,

0:36:00.360 --> 0:36:03.279
<v Speaker 2>the billboards wasn't It wasn't for pregnant women. It was

0:36:03.320 --> 0:36:05.600
<v Speaker 2>for women, but not pregnant women, all right. I don't

0:36:05.600 --> 0:36:07.160
<v Speaker 2>know what I thought her whatever the fuck was for.

0:36:07.560 --> 0:36:09.600
<v Speaker 2>I thought it was like to help pregnant women sleep

0:36:09.640 --> 0:36:10.000
<v Speaker 2>or some shit.

0:36:10.160 --> 0:36:13.240
<v Speaker 3>Well, Bill Cosby under oath admitted to refilling a recreational

0:36:13.600 --> 0:36:16.759
<v Speaker 3>prescription for Kuaeludes as Josh Josh, just.

0:36:16.680 --> 0:36:19.480
<v Speaker 2>By the Nike sneakers. It's the third time he pulled

0:36:19.520 --> 0:36:19.799
<v Speaker 2>them up.

0:36:20.200 --> 0:36:23.879
<v Speaker 3>Pull prescription for kueludes he got from a gynecologist at

0:36:23.880 --> 0:36:27.040
<v Speaker 3>a poker game seven times with the intention of giving

0:36:27.040 --> 0:36:29.799
<v Speaker 3>the pills to women in hopes of having sex with them.

0:36:29.800 --> 0:36:33.160
<v Speaker 2>And he says he never downed a single pill himself.

0:36:35.600 --> 0:36:38.840
<v Speaker 2>I believe that would fall under the exact definition of

0:36:39.239 --> 0:36:39.880
<v Speaker 2>date rape.

0:36:41.719 --> 0:36:44.640
<v Speaker 3>Yeah, the docs said that doctor Amar is a disgraced

0:36:44.640 --> 0:36:47.360
<v Speaker 3>gynecologist who was Cosby's friend, and the poker game with

0:36:47.480 --> 0:36:50.920
<v Speaker 3>Cosby got the Kwailu prescription was hosted at Cosby's Los

0:36:50.960 --> 0:36:55.000
<v Speaker 3>Angeles house prior to nineteen seventy two, which is significant.

0:36:56.480 --> 0:36:59.799
<v Speaker 3>So yeah, man, I don't know, this is not looking

0:36:59.800 --> 0:37:01.400
<v Speaker 3>good for mister Bill Cosmy.

0:37:02.360 --> 0:37:04.880
<v Speaker 2>Yeah, I mean he got off just because of paperwork,

0:37:04.880 --> 0:37:06.080
<v Speaker 2>So I don't know they're going to retry him because

0:37:06.080 --> 0:37:08.560
<v Speaker 2>of this entire thing. But yeah, and this may have

0:37:08.560 --> 0:37:11.480
<v Speaker 2>been under oath with the paperwork that got him dismissed.

0:37:11.480 --> 0:37:14.960
<v Speaker 2>This might not even being new information. Yeah, I mean

0:37:15.719 --> 0:37:18.799
<v Speaker 2>it's awful. But also now you have to look at

0:37:18.800 --> 0:37:21.799
<v Speaker 2>everyone else that hasn't said this under oath that we

0:37:21.880 --> 0:37:24.480
<v Speaker 2>know for a fact was probably doing the exact same thing.

0:37:25.040 --> 0:37:27.400
<v Speaker 2>Like we look at Hugh Hefner as an icon, right.

0:37:28.200 --> 0:37:31.880
<v Speaker 3>Yeah, someone will say he is an icon. Ya Okay,

0:37:32.520 --> 0:37:34.200
<v Speaker 3>I know where you're going. I know where you're going.

0:37:35.160 --> 0:37:38.200
<v Speaker 2>I'm not dismissing anything. Yeah Bill did. Yeah, I think

0:37:38.200 --> 0:37:39.920
<v Speaker 2>he should be locked up. And I think the paperwork

0:37:39.920 --> 0:37:42.560
<v Speaker 2>shit is bullshit and just proves our judicial system works

0:37:42.560 --> 0:37:45.760
<v Speaker 2>when it wants to off technicalities and doesn't when it doesn't.

0:37:46.040 --> 0:37:52.000
<v Speaker 2>But yeah, this was a thing. It was normal. It's

0:37:52.040 --> 0:37:54.359
<v Speaker 2>even crazy that Bill was dead sober for it. Yeah.

0:37:54.760 --> 0:37:58.760
<v Speaker 2>Like sometimes if two people are taking drugs and everything

0:37:58.880 --> 0:38:01.360
<v Speaker 2>it gets foggy and no one knows what they're doing

0:38:01.880 --> 0:38:04.920
<v Speaker 2>and the guy ends up getting a charge this and that.

0:38:05.000 --> 0:38:07.480
<v Speaker 2>It's like, bro, if everyone was all in the wrong mind,

0:38:07.480 --> 0:38:09.560
<v Speaker 2>who knew what was going on? If you dead sober

0:38:09.600 --> 0:38:12.840
<v Speaker 2>and dropping drugs without telling people, that's the definition of

0:38:12.880 --> 0:38:15.879
<v Speaker 2>date right now. I not like two consenting adults taking

0:38:15.960 --> 0:38:18.760
<v Speaker 2>drugs blacking out and not knowing what happened the next morning.

0:38:19.760 --> 0:38:22.440
<v Speaker 3>Now I do listen, and you know how we are

0:38:22.440 --> 0:38:25.200
<v Speaker 3>when it comes to these types of situations where anybody

0:38:25.280 --> 0:38:28.319
<v Speaker 3>is sexually assault or anything like that. But if you're

0:38:28.320 --> 0:38:32.560
<v Speaker 3>in a party atmosphere insh seventies, eighties, nineties, whenever there

0:38:32.719 --> 0:38:37.640
<v Speaker 3>is a thing where you may party, somebody gets drunk,

0:38:37.680 --> 0:38:40.240
<v Speaker 3>you may be intoxicated yourself, you have sex, You have sex.

0:38:40.560 --> 0:38:43.680
<v Speaker 3>It feels consensual. You're not ripping anybody's clothes off, you're

0:38:43.719 --> 0:38:46.640
<v Speaker 3>not fighting nobody trying to take sex. And then years

0:38:46.719 --> 0:38:49.240
<v Speaker 3>later somebody says, oh, like, I don't remember what happened

0:38:49.239 --> 0:38:51.360
<v Speaker 3>at night. I just know that I felt like I was,

0:38:51.560 --> 0:38:54.440
<v Speaker 3>I was. I had sex, and I didn't remember consenting

0:38:54.480 --> 0:38:57.000
<v Speaker 3>to it. So there are things where it's like damn, like,

0:38:57.080 --> 0:38:59.680
<v Speaker 3>because we've all been to parties, we've all been on vacations.

0:38:59.719 --> 0:39:02.200
<v Speaker 3>People get drunk, people get high whatever they do and

0:39:02.239 --> 0:39:05.760
<v Speaker 3>having fun, and you look over and be like, yo, yall,

0:39:05.840 --> 0:39:08.239
<v Speaker 3>y'all dipped off too. And you see two drunk people

0:39:08.239 --> 0:39:10.120
<v Speaker 3>coming from wherever they coming from and dipped off from

0:39:10.120 --> 0:39:12.960
<v Speaker 3>the party, and they may have did something, and it's

0:39:13.040 --> 0:39:16.360
<v Speaker 3>like okay, But you don't ever feel like that was

0:39:16.680 --> 0:39:19.480
<v Speaker 3>something that she wasn't consenting or he wasn't consenting to,

0:39:20.320 --> 0:39:22.279
<v Speaker 3>because I've been around that and I've seen dude, I'm like, yo,

0:39:22.480 --> 0:39:23.960
<v Speaker 3>and I tell you all the time, I never was

0:39:24.040 --> 0:39:26.880
<v Speaker 3>into having sex with women that was too intoxicated that

0:39:27.160 --> 0:39:28.880
<v Speaker 3>I just that was never into that. Like I actually

0:39:28.960 --> 0:39:30.600
<v Speaker 3>don't even like when women get drunk around me like

0:39:30.640 --> 0:39:32.600
<v Speaker 3>that shit is you start feel like you baby sitting

0:39:32.640 --> 0:39:34.239
<v Speaker 3>at that point. So I don't even like that. But

0:39:34.719 --> 0:39:37.760
<v Speaker 3>I've been in parties where everybody's fucked, the people are drunk,

0:39:38.160 --> 0:39:40.040
<v Speaker 3>and like I said, people dip off, go somewhere in

0:39:40.040 --> 0:39:43.480
<v Speaker 3>the house or go somewhere or wherever. You don't know

0:39:43.520 --> 0:39:46.520
<v Speaker 3>what's happening. But it never in that moment, you don't

0:39:46.520 --> 0:39:49.520
<v Speaker 3>ever even think like he may have did something non

0:39:49.520 --> 0:39:52.439
<v Speaker 3>consensual with this girl, because at that point you would

0:39:52.520 --> 0:39:54.440
<v Speaker 3>check them, like yo, what the like you would see

0:39:54.440 --> 0:39:56.839
<v Speaker 3>something or you think you would see something and something

0:39:56.880 --> 0:39:59.880
<v Speaker 3>doesn't feel right. I don't know if this is You know,

0:40:00.200 --> 0:40:03.600
<v Speaker 3>Cosby has been a star for years. He admitsed there

0:40:03.600 --> 0:40:05.759
<v Speaker 3>was partying. No Kueludes was a party drug. We know

0:40:05.840 --> 0:40:08.040
<v Speaker 3>that that people was popping it, just like people pop

0:40:08.080 --> 0:40:10.960
<v Speaker 3>Miley just like people pop e. It's just different generations

0:40:10.960 --> 0:40:11.840
<v Speaker 3>do different drugs.

0:40:11.880 --> 0:40:14.319
<v Speaker 2>Like Yeah, But the difference with the cosmy stuff based

0:40:14.360 --> 0:40:19.640
<v Speaker 2>off the testimony of countless people, reputable people that were

0:40:19.680 --> 0:40:23.480
<v Speaker 2>famous and didn't have any reason to lie, similar to

0:40:23.520 --> 0:40:25.360
<v Speaker 2>like the Cassie thing, which we found out clearly was

0:40:25.400 --> 0:40:30.799
<v Speaker 2>fucking true. He was dropping that in drinks without them knowing. Now,

0:40:31.000 --> 0:40:33.759
<v Speaker 2>two people take quailudes and it gets busy, and then

0:40:33.760 --> 0:40:35.960
<v Speaker 2>the next morning she's like, I didn't want to do that.

0:40:36.640 --> 0:40:40.480
<v Speaker 2>Now we have a conversation. But if you're dropping quailudes, Molly,

0:40:40.640 --> 0:40:45.560
<v Speaker 2>anything in somebody's drink without them knowing, this is a

0:40:45.600 --> 0:40:46.880
<v Speaker 2>clear cutcase to me.

0:40:47.800 --> 0:40:50.040
<v Speaker 3>Listen, you're right, you're about a law. That's you're You're

0:40:50.040 --> 0:40:53.640
<v Speaker 3>absolutely right by anything. But I'm also from a time

0:40:53.640 --> 0:40:56.919
<v Speaker 3>where we was outside and when Rick Ross said, put

0:40:56.920 --> 0:40:58.480
<v Speaker 3>Molly on law champagne.

0:40:58.040 --> 0:40:59.520
<v Speaker 2>She didn't even know it. Most insane.

0:41:00.080 --> 0:41:03.319
<v Speaker 3>Every girl is the pool party yelled that part. Ain't

0:41:03.320 --> 0:41:05.760
<v Speaker 3>nobody like yo, that's crazy, Like we.

0:41:05.640 --> 0:41:06.239
<v Speaker 2>All said that was.

0:41:07.440 --> 0:41:10.160
<v Speaker 3>The DJ would cut that part off and everybody start

0:41:10.239 --> 0:41:10.879
<v Speaker 3>yelling that part.

0:41:11.600 --> 0:41:14.760
<v Speaker 2>Now, I feel like that that verse got cut within

0:41:14.800 --> 0:41:16.880
<v Speaker 2>a week. No, hell, we don't do that.

0:41:17.200 --> 0:41:17.960
<v Speaker 3>You're crazy.

0:41:18.120 --> 0:41:19.759
<v Speaker 2>What do you mean that verse got cut? It's still

0:41:22.600 --> 0:41:23.880
<v Speaker 2>excuse hear that is it?

0:41:24.480 --> 0:41:27.279
<v Speaker 3>We're not doing it like I'm not doing that.

0:41:27.480 --> 0:41:29.719
<v Speaker 2>Trying to remember when that whole that sh did that

0:41:29.800 --> 0:41:31.840
<v Speaker 2>was the remix, wasn't even the real Ross.

0:41:31.600 --> 0:41:33.480
<v Speaker 3>Didn't get heat for that for years.

0:41:33.960 --> 0:41:36.520
<v Speaker 2>Okay, so maybe that's what I'm remembering that years later

0:41:36.560 --> 0:41:37.080
<v Speaker 2>everyone was like.

0:41:37.080 --> 0:41:40.600
<v Speaker 3>That Ross got heat for that years later. Yeah, okay, sorry,

0:41:40.719 --> 0:41:43.160
<v Speaker 3>I'm in that. When that record came out and keep

0:41:44.680 --> 0:41:47.560
<v Speaker 3>I remember every pool party, when that ship came on,

0:41:48.120 --> 0:41:52.719
<v Speaker 3>every cookout, everybody was yelling that part that was like

0:41:53.040 --> 0:41:53.440
<v Speaker 3>that was like.

0:41:53.840 --> 0:41:57.600
<v Speaker 4>This being worse it is. I took her home and

0:41:57.719 --> 0:42:00.120
<v Speaker 4>I enjoyed that. She ain't even know it that that

0:42:00.200 --> 0:42:00.760
<v Speaker 4>still marriage.

0:42:01.360 --> 0:42:04.400
<v Speaker 2>One year that came out was that twenty twelve eleven.

0:42:04.440 --> 0:42:06.880
<v Speaker 2>I was gonna say eleven, let me tell you something,

0:42:06.920 --> 0:42:07.480
<v Speaker 2>but I could be wrong.

0:42:07.600 --> 0:42:12.480
<v Speaker 3>Every twenty thirteen thirteen, every time that part played, you

0:42:12.560 --> 0:42:15.000
<v Speaker 3>felt like that was the hook. Matter of fact, some

0:42:15.080 --> 0:42:18.080
<v Speaker 3>DJs took that part and would go into a whole

0:42:18.120 --> 0:42:19.759
<v Speaker 3>nother record with a different beatle still playing it.

0:42:19.760 --> 0:42:22.200
<v Speaker 2>She ain't even know it was. I mean, she didn't

0:42:22.200 --> 0:42:24.160
<v Speaker 2>even know what the record, But that was the remix.

0:42:23.880 --> 0:42:26.520
<v Speaker 4>Right, Ross wasn't No, that was he was a feature.

0:42:26.760 --> 0:42:28.520
<v Speaker 4>It wasn't a remix. He was just on the feature.

0:42:28.600 --> 0:42:30.359
<v Speaker 2>Okay, I don't know why I thought that was the

0:42:30.360 --> 0:42:32.640
<v Speaker 2>remix and he featured on that. But I mean here,

0:42:32.719 --> 0:42:36.200
<v Speaker 2>that record went crazy. Listen. I was never at a

0:42:36.239 --> 0:42:39.319
<v Speaker 2>party that the music went out and everyone said I

0:42:39.360 --> 0:42:42.880
<v Speaker 2>took her home and enjoyed. I was. I never saw that.

0:42:43.000 --> 0:42:44.839
<v Speaker 2>She didn't even know. I know that played, but that

0:42:44.920 --> 0:42:48.279
<v Speaker 2>part being a moment I personally was never around when

0:42:48.320 --> 0:42:49.759
<v Speaker 2>everyone was like, dropped in my lind or drink. She

0:42:49.800 --> 0:42:51.680
<v Speaker 2>ain't even know it. I took her home, had my

0:42:51.760 --> 0:42:54.239
<v Speaker 2>way with her. She didn't even know it. No, I

0:42:54.239 --> 0:42:56.120
<v Speaker 2>don't ever remember rapping along to that.

0:42:56.440 --> 0:42:58.520
<v Speaker 3>I think I got an archive video on my Instagram,

0:42:58.520 --> 0:42:59.640
<v Speaker 3>But that shit, I'm gonna find it.

0:43:00.320 --> 0:43:01.879
<v Speaker 2>I'm telling you, it's a wild bar.

0:43:02.800 --> 0:43:04.839
<v Speaker 4>Of course, it was wild, like when when I first

0:43:04.840 --> 0:43:07.520
<v Speaker 4>heard it, I didn't. I feel like sometimes, especially back then,

0:43:07.680 --> 0:43:09.440
<v Speaker 4>like we just weren't thinking.

0:43:09.560 --> 0:43:12.200
<v Speaker 2>Sometimes when you listen to the first part in that game,

0:43:12.360 --> 0:43:14.920
<v Speaker 2>that time dropped of mind and drink shen't even know

0:43:15.000 --> 0:43:16.960
<v Speaker 2>it awful, But in that time I can see it

0:43:17.040 --> 0:43:19.759
<v Speaker 2>skipping over that that second one. Even in that time,

0:43:19.840 --> 0:43:22.840
<v Speaker 2>I just don't feel like everyone be like, yeah, I

0:43:22.920 --> 0:43:24.640
<v Speaker 2>fuck with that.

0:43:23.960 --> 0:43:26.680
<v Speaker 3>That's crossed. Listen. It's a different world we're in thirteen

0:43:26.719 --> 0:43:29.160
<v Speaker 3>years lady, and I understand that it's a different world

0:43:29.160 --> 0:43:33.920
<v Speaker 3>where in thirteen years later, thirteen years ago, I'm telling

0:43:34.000 --> 0:43:35.880
<v Speaker 3>nobody really looked at that and felt no type of

0:43:35.880 --> 0:43:38.960
<v Speaker 3>way to understand, because maybe people understand it's just a bar,

0:43:39.000 --> 0:43:40.879
<v Speaker 3>it's just music. People was like, we don't really think

0:43:40.880 --> 0:43:44.759
<v Speaker 3>that that's real. But when that song came on, that

0:43:44.960 --> 0:43:48.040
<v Speaker 3>was the song of the summer. Yeah, yeah, it ain't.

0:43:48.080 --> 0:43:50.440
<v Speaker 3>Nobody be like, yo, but don't play that part. Niggas

0:43:50.440 --> 0:43:54.000
<v Speaker 3>couldn't wait lean into that part. And I'm just saying again,

0:43:54.040 --> 0:43:55.920
<v Speaker 3>I was there. I'm just telling you if the moment

0:43:55.920 --> 0:43:56.360
<v Speaker 3>when I was.

0:43:57.400 --> 0:43:59.480
<v Speaker 4>I'm happy hindsight it's twenty twenty because that shit was

0:43:59.480 --> 0:44:00.000
<v Speaker 4>fucking insane.

0:44:00.560 --> 0:44:02.920
<v Speaker 3>Yeah it is, But so was Miguel's. How many drinks

0:44:03.320 --> 0:44:05.000
<v Speaker 3>we had Miguel here. We asked him like, Yo, you're

0:44:05.000 --> 0:44:07.600
<v Speaker 3>gonna perform, and they was like, yeah, I'm performing that record.

0:44:07.320 --> 0:44:10.359
<v Speaker 2>A little different than that Ross line, but of course,

0:44:10.400 --> 0:44:10.920
<v Speaker 2>of course it was a.

0:44:10.920 --> 0:44:12.880
<v Speaker 3>Little different but it's still like what you mean, how

0:44:12.920 --> 0:44:15.600
<v Speaker 3>many drinks would it take for you to leave with me?

0:44:15.719 --> 0:44:18.640
<v Speaker 3>Like what you People could still frown they nose that.

0:44:18.640 --> 0:44:21.040
<v Speaker 3>That part is what I'm saying, and that's the hook

0:44:24.120 --> 0:44:28.040
<v Speaker 3>at that's the hook. So that's what I'm saying. It

0:44:28.640 --> 0:44:31.800
<v Speaker 3>was a different time. We understand now things are different.

0:44:31.800 --> 0:44:33.759
<v Speaker 3>It's a little more sensitive, gotta be more careful with

0:44:33.800 --> 0:44:36.880
<v Speaker 3>your words and good sensitivity to me is stuff. Oh no,

0:44:36.960 --> 0:44:38.680
<v Speaker 3>for sure, But I'm just saying happy for that. So

0:44:38.760 --> 0:44:42.160
<v Speaker 3>now we talked about thirteen years ago, Bill and caught

0:44:42.200 --> 0:44:45.319
<v Speaker 3>talking about fifty four years ago seventy two where they

0:44:45.400 --> 0:44:47.120
<v Speaker 3>was doing this shit and he's one of the biggest actors.

0:44:47.320 --> 0:44:50.120
<v Speaker 2>They were still debating why they let women vote at

0:44:50.120 --> 0:44:50.479
<v Speaker 2>that time.

0:44:50.880 --> 0:44:51.560
<v Speaker 3>This is what I'm saying.

0:44:51.600 --> 0:44:55.000
<v Speaker 4>It was wrong, and I think everybody knew it was wrong.

0:44:55.040 --> 0:44:55.880
<v Speaker 2>There's always was.

0:44:55.920 --> 0:44:58.080
<v Speaker 4>Everybody was doing it so or a lot of people

0:44:58.200 --> 0:44:59.600
<v Speaker 4>was doing it. So he didn't find anything.

0:44:59.719 --> 0:45:03.000
<v Speaker 2>Yeah, but even yo, I remember my frat brothers in Philly,

0:45:03.239 --> 0:45:05.560
<v Speaker 2>there was another fraternity. There's a rumor. That's why I'm

0:45:05.560 --> 0:45:07.239
<v Speaker 2>not going to say what the other fraternity was that

0:45:07.280 --> 0:45:09.000
<v Speaker 2>they stopped going to their parties because when they would

0:45:09.000 --> 0:45:11.800
<v Speaker 2>walk in, they'd be I don't want to say what

0:45:11.840 --> 0:45:15.120
<v Speaker 2>their jungle juice was called. There'd be two jugs of it,

0:45:15.200 --> 0:45:18.080
<v Speaker 2>and they would tell them like, yo, drink out of

0:45:18.120 --> 0:45:20.279
<v Speaker 2>that one, not that one. And they was like, yo,

0:45:20.320 --> 0:45:21.879
<v Speaker 2>we can't. We can't know what the fuck is wrong

0:45:21.920 --> 0:45:25.160
<v Speaker 2>with y'all drink out of that. It was a very

0:45:25.200 --> 0:45:26.680
<v Speaker 2>popular frat. But I want to put that on them

0:45:26.680 --> 0:45:28.239
<v Speaker 2>because one, it's a rumor in too, that's just one

0:45:28.320 --> 0:45:31.279
<v Speaker 2>chapter that doesn't define a whole fraternity. But that to

0:45:31.320 --> 0:45:33.600
<v Speaker 2>me was crazy when I was in college, Like, wait,

0:45:33.640 --> 0:45:37.439
<v Speaker 2>so they just told the guys in the party which

0:45:37.440 --> 0:45:41.960
<v Speaker 2>one to drink from. That's crazy, that's just that's just rape.

0:45:42.040 --> 0:45:44.919
<v Speaker 4>You're literally in a frat, you're good. Pussy flies at you,

0:45:44.920 --> 0:45:47.560
<v Speaker 4>you'll be fine. You don't need to drug girls for it.

0:45:48.000 --> 0:45:48.400
<v Speaker 2>Like that was.

0:45:48.560 --> 0:45:50.840
<v Speaker 3>But again even that, like remember when they say spiked

0:45:50.880 --> 0:45:54.000
<v Speaker 3>the punch, Well that's what they that's all still like

0:45:54.440 --> 0:45:57.400
<v Speaker 3>nobody don't know what's in this, yeah, so then you

0:45:57.400 --> 0:45:59.000
<v Speaker 3>know what I mean. And again we told about we

0:45:59.040 --> 0:46:01.680
<v Speaker 3>just hearing this and movies when they were to high school.

0:46:02.400 --> 0:46:04.520
<v Speaker 3>Somebody go by the punch bowl, drop something in there,

0:46:05.600 --> 0:46:07.919
<v Speaker 3>give his man the bottle back, like y'all, they don't

0:46:07.920 --> 0:46:09.399
<v Speaker 3>know what they just put it in that I'm talking about.

0:46:09.400 --> 0:46:12.960
<v Speaker 3>This was normal shit. Again. I understand now twenty twenty

0:46:13.040 --> 0:46:15.799
<v Speaker 3>six things are different in the world than God. But

0:46:15.840 --> 0:46:19.040
<v Speaker 3>I'm just saying Bill Cosby nineteen seventy two were talking

0:46:19.040 --> 0:46:22.640
<v Speaker 3>about whatever seventy years that were was. I can see

0:46:22.680 --> 0:46:25.239
<v Speaker 3>how at that time it was things that was going

0:46:25.280 --> 0:46:29.239
<v Speaker 3>on that was perceived as normal. Yeah, perceived that's fun

0:46:29.920 --> 0:46:34.480
<v Speaker 3>popping kualudes, whatever, fun time, party time. I mean, let's

0:46:34.480 --> 0:46:36.560
<v Speaker 3>not get into the fucking I'm not into the eighties.

0:46:36.560 --> 0:46:39.360
<v Speaker 3>And what was the club in New York that everybody

0:46:39.400 --> 0:46:45.480
<v Speaker 3>went to get into Greenhouse in the eighties, Go to

0:46:45.560 --> 0:46:50.520
<v Speaker 3>Greenhouse Studio Studio fifty four. If we start talking to

0:46:50.560 --> 0:46:53.600
<v Speaker 3>some of the bouncers and wagresses a studio from Studio

0:46:53.600 --> 0:46:54.439
<v Speaker 3>fifty four, Oh.

0:46:54.360 --> 0:46:56.480
<v Speaker 4>I know they was carrying half dead bodies out.

0:46:56.320 --> 0:46:59.520
<v Speaker 3>They're gonna be like, yo, famn, like that was regular shit.

0:47:00.120 --> 0:47:03.000
<v Speaker 3>We not like I get it. Somebody woke up in

0:47:03.120 --> 0:47:06.640
<v Speaker 3>nineteen ninety nine. It felt like, damn, yo, I ain't

0:47:06.680 --> 0:47:09.040
<v Speaker 3>gonna lie. I feel like they took advantage of me

0:47:09.040 --> 0:47:12.360
<v Speaker 3>in seventy five, like okay, but like and that in

0:47:12.440 --> 0:47:14.719
<v Speaker 3>seventy five, that's which I was doing for fun.

0:47:15.040 --> 0:47:17.640
<v Speaker 2>And that's also why I hate some of the holier

0:47:17.680 --> 0:47:20.880
<v Speaker 2>than now people in this time because a lot of people,

0:47:20.960 --> 0:47:23.680
<v Speaker 2>which is not excusing anything, are just products of the

0:47:23.719 --> 0:47:26.440
<v Speaker 2>time that they were. So everyone that is, like social

0:47:26.560 --> 0:47:30.080
<v Speaker 2>justice warriors on Twitter, I'd be curious to see if

0:47:30.120 --> 0:47:32.439
<v Speaker 2>we placed you in a time machine in the year

0:47:32.520 --> 0:47:37.840
<v Speaker 2>of slavery, how liberal you'd really be? Yo, I know,

0:47:37.880 --> 0:47:40.120
<v Speaker 2>I'm serious. A lot of people act like I would

0:47:40.160 --> 0:47:42.720
<v Speaker 2>have been the only one in Alabama going this is wrong.

0:47:43.200 --> 0:47:45.680
<v Speaker 2>I don't know if you would dog, Nah, you'd.

0:47:45.480 --> 0:47:47.319
<v Speaker 3>Have been out there picking that cotton with everybody else.

0:47:47.360 --> 0:47:50.080
<v Speaker 2>Fam know what I'm saying. The white liberals, Oh no, no,

0:47:50.480 --> 0:47:53.520
<v Speaker 2>white it was like, Yo, you wouldn't have You wouldn't

0:47:53.520 --> 0:47:55.279
<v Speaker 2>have been this guy at we have to abolish that.

0:47:55.600 --> 0:47:57.600
<v Speaker 2>I don't think you would have been that. No. I

0:47:57.600 --> 0:47:59.160
<v Speaker 2>think a lot of y'all are saying it now because

0:47:59.160 --> 0:48:01.399
<v Speaker 2>it was trendy, because y'all was saying it five years ago. Yeah.

0:48:01.400 --> 0:48:03.160
<v Speaker 3>I think people just need to keep that in context.

0:48:03.160 --> 0:48:05.520
<v Speaker 3>The world is different than it was, however many years ago.

0:48:05.920 --> 0:48:07.839
<v Speaker 2>But at a time I'm glad we're in a time

0:48:07.840 --> 0:48:10.960
<v Speaker 2>where people are that hyper aware. I'm not saying that

0:48:11.040 --> 0:48:13.920
<v Speaker 2>hyper scared, hyper aware that they would even think that

0:48:13.960 --> 0:48:17.919
<v Speaker 2>they would be that progressive in those times. I'm glad

0:48:17.920 --> 0:48:21.160
<v Speaker 2>people think that because this is sensitivity. I'm I'm happy

0:48:21.200 --> 0:48:24.200
<v Speaker 2>that the changes have been made, like we shouldn't think

0:48:24.239 --> 0:48:26.239
<v Speaker 2>any of this is okay. And if that takes people

0:48:26.280 --> 0:48:28.720
<v Speaker 2>thinking that they would never do this in this time, cool,

0:48:29.320 --> 0:48:31.200
<v Speaker 2>I'm with you. But I just think some of y'all

0:48:31.239 --> 0:48:32.759
<v Speaker 2>are full of shit and say things just because it

0:48:32.800 --> 0:48:33.239
<v Speaker 2>sounds good.

0:48:33.280 --> 0:48:34.319
<v Speaker 3>A lot of y'all full of shit.

0:48:34.320 --> 0:48:39.520
<v Speaker 4>And just as a reminder in case we have young listeners. Okay,

0:48:39.760 --> 0:48:42.120
<v Speaker 4>a drunk person, even if you are drunk, a drunk

0:48:42.120 --> 0:48:45.320
<v Speaker 4>person cannot consent, you know if you haven't especially My

0:48:45.440 --> 0:48:46.759
<v Speaker 4>number one rule is this, if you have not had

0:48:46.800 --> 0:48:48.640
<v Speaker 4>sex with this person before, do not have sex with

0:48:48.680 --> 0:48:49.680
<v Speaker 4>them for the first time drunk.

0:48:50.440 --> 0:48:53.080
<v Speaker 2>I don't give the one drink, two drinks, three drink four,

0:48:53.239 --> 0:48:55.920
<v Speaker 2>Do not always been crazy to do that. Do not

0:48:55.960 --> 0:48:56.840
<v Speaker 2>do that. That is wild.

0:48:57.440 --> 0:48:59.880
<v Speaker 4>You're not I'm not saying you're a bad person. Is

0:49:00.040 --> 0:49:01.640
<v Speaker 4>It's not about that. It's not about I'm trying to

0:49:01.680 --> 0:49:04.040
<v Speaker 4>keep you from some ship. Just please do not keep

0:49:04.040 --> 0:49:08.359
<v Speaker 4>you away from the podium. Yeah, do not have they're

0:49:08.360 --> 0:49:09.160
<v Speaker 4>trying to have sex with you.

0:49:09.640 --> 0:49:13.239
<v Speaker 3>Talk about I don't remember you remember? Stop man, No,

0:49:13.320 --> 0:49:16.640
<v Speaker 3>I'm just saying that they should take what you're saying seriously,

0:49:16.640 --> 0:49:18.560
<v Speaker 3>because I'm saying they'll end up at the podium talking about,

0:49:18.600 --> 0:49:21.440
<v Speaker 3>oh I don't remember, I don't feel Nah, you remember,

0:49:22.040 --> 0:49:25.439
<v Speaker 3>you remember which I did coming back from six flags? Man,

0:49:25.520 --> 0:49:26.320
<v Speaker 3>Just back of that bus.

0:49:26.440 --> 0:49:28.680
<v Speaker 2>Go go go home, Go home and beat off, Go

0:49:28.719 --> 0:49:31.759
<v Speaker 2>home and hit your rose. Live to fight another day.

0:49:32.680 --> 0:49:34.759
<v Speaker 2>You have to fight another day. You don't need to

0:49:34.760 --> 0:49:38.600
<v Speaker 2>do that. You can have sex on another time. And

0:49:38.760 --> 0:49:41.800
<v Speaker 2>I mean that even starts the relationship better. In my opinion,

0:49:42.000 --> 0:49:44.000
<v Speaker 2>we all lusty and ship when you are drunk and

0:49:44.040 --> 0:49:47.600
<v Speaker 2>don't fuck. Now, we got some tension to be sober

0:49:47.640 --> 0:49:48.360
<v Speaker 2>and fucking no.

0:49:48.600 --> 0:49:50.239
<v Speaker 4>Especially if you stay to night and you don't fuck

0:49:50.320 --> 0:49:53.279
<v Speaker 4>y'all wake up in the morning. That's that's when the

0:49:53.280 --> 0:49:55.560
<v Speaker 4>sex is gonna be good. Just chill, Just go to sleep,

0:49:55.600 --> 0:49:56.440
<v Speaker 4>Let that girl go to sleep.

0:49:56.800 --> 0:50:00.960
<v Speaker 3>Calm your horny ass down. Relax, pussy ain't going nowhere.

0:50:01.080 --> 0:50:01.560
<v Speaker 2>Just chill out.

0:50:01.920 --> 0:50:04.640
<v Speaker 3>Just realize if she likes you, she likes you makeing chill, relax,

0:50:04.960 --> 0:50:05.759
<v Speaker 3>no good.

0:50:06.239 --> 0:50:08.799
<v Speaker 2>But let's let's get back to music. Get back to

0:50:08.840 --> 0:50:10.760
<v Speaker 2>the music. It's always about the music.

0:50:10.840 --> 0:50:13.719
<v Speaker 3>Rory Mass will no matter what they tell you, Rory

0:50:13.840 --> 0:50:14.680
<v Speaker 3>goes back to the music.

0:50:14.800 --> 0:50:19.160
<v Speaker 2>Mass Appeal. You guys, you guys, you guys have my art.

0:50:20.400 --> 0:50:23.600
<v Speaker 2>You guys, you guys just keep doing amazing things that

0:50:24.280 --> 0:50:28.399
<v Speaker 2>I am so jealous that we aren't able to do

0:50:28.880 --> 0:50:31.480
<v Speaker 2>stuff like this. So after having one of my favorite

0:50:31.520 --> 0:50:33.319
<v Speaker 2>years of hip hop and twenty twenty five with what

0:50:33.360 --> 0:50:36.520
<v Speaker 2>Mass Appeal did without a doubt a label of the year,

0:50:36.560 --> 0:50:39.640
<v Speaker 2>shout out to everyone over there. They have a new

0:50:39.680 --> 0:50:42.759
<v Speaker 2>idea for twenty twenty six. They posted this on their

0:50:42.800 --> 0:50:46.880
<v Speaker 2>Twitter today. For decades, dream collaborations have lived in conversation,

0:50:47.880 --> 0:50:50.920
<v Speaker 2>the overdue, the inevitable, and the unexpected. They're starting a

0:50:50.920 --> 0:50:54.640
<v Speaker 2>program called Imagine That that invites you to submit your

0:50:54.760 --> 0:50:58.759
<v Speaker 2>ideal artist to artist or artist to producer pairings and

0:50:58.840 --> 0:51:01.080
<v Speaker 2>see which vision we're bring into life. So on their

0:51:01.080 --> 0:51:05.200
<v Speaker 2>website on mass Appeal imagine that dot mass appeal, you

0:51:05.239 --> 0:51:08.560
<v Speaker 2>can type in the artists and producers that you would

0:51:08.600 --> 0:51:11.879
<v Speaker 2>like to collab on an album. This is pretty much

0:51:11.920 --> 0:51:15.319
<v Speaker 2>like the draft we do on Patreon or the conversations

0:51:15.320 --> 0:51:18.640
<v Speaker 2>we have, but Mass Appeal actually has the power and

0:51:18.680 --> 0:51:21.799
<v Speaker 2>relationships to make it happen. That's why I'm saying, in

0:51:21.880 --> 0:51:24.719
<v Speaker 2>a healthy way, I'm jealous of how cool this is

0:51:24.719 --> 0:51:30.080
<v Speaker 2>going to end up. What a way to follow in

0:51:30.120 --> 0:51:32.880
<v Speaker 2>my head. We never spoke about it, but after we

0:51:32.920 --> 0:51:35.680
<v Speaker 2>did the ghost Face interview and went to the mass

0:51:35.680 --> 0:51:39.080
<v Speaker 2>Appel pop up and saw all the installations, I was like,

0:51:39.120 --> 0:51:41.560
<v Speaker 2>how the fuck could they follow this up? How do

0:51:41.600 --> 0:51:46.239
<v Speaker 2>they keep this theme moving within their label trajectory? And

0:51:46.280 --> 0:51:50.279
<v Speaker 2>now we have this, Now fans get to pick a

0:51:50.360 --> 0:51:52.279
<v Speaker 2>collab and Mass Appeal can try to make it.

0:51:52.280 --> 0:51:54.719
<v Speaker 4>Happen beyond their submit fifty times a month.

0:51:54.920 --> 0:51:57.880
<v Speaker 2>Yeah no, I've already And I was like shooting for

0:51:57.960 --> 0:52:01.839
<v Speaker 2>the fucking stars on shiit are you saying? I was like, Yo,

0:52:01.920 --> 0:52:10.520
<v Speaker 2>YG and Pete Rock GZ and Premiere, what's up?

0:52:10.600 --> 0:52:14.560
<v Speaker 3>Let's go. It's just I feel sorry for whoever has

0:52:14.560 --> 0:52:17.120
<v Speaker 3>to go through all of these submissions, because it's gonna

0:52:17.120 --> 0:52:18.040
<v Speaker 3>be a lot of just ship like.

0:52:18.480 --> 0:52:21.440
<v Speaker 2>It's gonna be a lot of artists saying me like

0:52:21.480 --> 0:52:30.640
<v Speaker 2>me and Premiere And here's a link to my Instagram.

0:52:30.719 --> 0:52:33.759
<v Speaker 3>Yeah, me and Alchemist that make it happen. But this

0:52:33.840 --> 0:52:36.680
<v Speaker 3>is cool though. Yeah, this is a really cool idea, and.

0:52:36.840 --> 0:52:39.520
<v Speaker 2>I think, I mean, I'm sure they have some type

0:52:39.520 --> 0:52:44.080
<v Speaker 2>of AI program that can sift through all the madness.

0:52:44.120 --> 0:52:45.439
<v Speaker 2>And I don't know if they're gonna end up going

0:52:45.480 --> 0:52:51.120
<v Speaker 2>with the highest percentage of collapse or whatever, but I

0:52:51.200 --> 0:52:54.440
<v Speaker 2>do think they probably have some in mind already that

0:52:54.520 --> 0:52:58.239
<v Speaker 2>are going to go against this entire thing, because that's

0:52:58.280 --> 0:53:02.080
<v Speaker 2>tough to just find sifting through all of this pros.

0:53:02.320 --> 0:53:03.520
<v Speaker 3>Yeah, that's a lot, but like even.

0:53:03.400 --> 0:53:06.000
<v Speaker 2>People were going to that what John is people were

0:53:06.000 --> 0:53:08.319
<v Speaker 2>posting there is what I also love that too, that

0:53:09.080 --> 0:53:12.399
<v Speaker 2>fan generated stuff where you can post what you wanted

0:53:12.400 --> 0:53:14.480
<v Speaker 2>to put up. I always think that stuff is the.

0:53:14.440 --> 0:53:18.680
<v Speaker 3>Best bag nas producers mad Lib, dj Dhi Pharrell than

0:53:18.719 --> 0:53:22.919
<v Speaker 3>the Alchemist. Oh you niggas just trying to rap rap,

0:53:23.040 --> 0:53:27.360
<v Speaker 3>You niggas overly rapping, all right?

0:53:27.400 --> 0:53:29.480
<v Speaker 2>Well, definitely a big Krit fan here and shout out

0:53:29.480 --> 0:53:32.200
<v Speaker 2>to Crit Kendrick, Big Crit j I D produced by

0:53:32.200 --> 0:53:38.279
<v Speaker 2>Big Crip, battle Cat, Pharrell, battle Cat and Big Crit

0:53:38.320 --> 0:53:41.040
<v Speaker 2>on production would actually be fire. I'm not mad at

0:53:41.040 --> 0:53:44.480
<v Speaker 2>that one at all. Cannabis Rass cast Killer Priest corrupt

0:53:44.840 --> 0:53:46.480
<v Speaker 2>DJ Muggs. That's a hip hop fan.

0:53:46.880 --> 0:53:52.799
<v Speaker 6>Yeah, that niggas just came home, Jack Goodson, were glad

0:53:52.840 --> 0:53:55.160
<v Speaker 6>to see you out of that YO from behind a

0:53:55.239 --> 0:54:00.160
<v Speaker 6>g wall, Cannabis, rass cast who kill a priest to

0:54:00.239 --> 0:54:01.440
<v Speaker 6>corrupt with DJ.

0:54:01.239 --> 0:54:03.120
<v Speaker 2>Mus You don't have many bars that in.

0:54:03.400 --> 0:54:06.480
<v Speaker 3>Yeah, yeah, Jo was it John Goodson? Yeah, Jack Goodson,

0:54:06.520 --> 0:54:09.520
<v Speaker 3>Welcome home Jack Goodson. That nigga is he definitely went

0:54:09.560 --> 0:54:10.520
<v Speaker 3>into ninety eight.

0:54:12.280 --> 0:54:15.719
<v Speaker 2>Loope, Nas Black Thought, produced by Hip Boy Alchemists, mad Lib,

0:54:15.880 --> 0:54:18.399
<v Speaker 2>Danger Mouse. Oh my god, I love the Danger Mouse

0:54:18.400 --> 0:54:19.279
<v Speaker 2>is thrown in the mix there.

0:54:19.880 --> 0:54:21.600
<v Speaker 3>So they want Nads to wrap some more.

0:54:22.600 --> 0:54:24.840
<v Speaker 2>Yo, just NOAs and Danger Mouse will be kind of crazy.

0:54:24.920 --> 0:54:29.560
<v Speaker 3>Nazzy and nas Asy Comega, Foxy Brown the first just

0:54:29.600 --> 0:54:32.879
<v Speaker 3>without Dread. Yeah, the Alchemists have it, Conductor and hit Boy.

0:54:34.920 --> 0:54:35.719
<v Speaker 3>I ain't mad at that.

0:54:36.120 --> 0:54:39.520
<v Speaker 2>What's what's interesting with these collabse is less about the rappers.

0:54:39.520 --> 0:54:43.799
<v Speaker 2>To me, four producers together, those type of producers trying

0:54:43.800 --> 0:54:45.799
<v Speaker 2>to put an album together. It's kind of nuts, like I

0:54:45.800 --> 0:54:49.680
<v Speaker 2>could see put three artists in the one producer, but yeah,

0:54:49.719 --> 0:54:53.520
<v Speaker 2>trying to get al had Like that's that's what I

0:54:53.560 --> 0:54:56.040
<v Speaker 2>don't have is not a stretch. That's that's fine, they

0:54:56.120 --> 0:54:58.520
<v Speaker 2>did the last mob deep one. But once you start

0:54:58.640 --> 0:55:01.719
<v Speaker 2>adding in hip that's just a hit boy and a

0:55:01.760 --> 0:55:04.840
<v Speaker 2>lot of producers in the way that they produce. But

0:55:05.680 --> 0:55:09.200
<v Speaker 2>because that's only really like a hip hop thing where

0:55:09.200 --> 0:55:12.399
<v Speaker 2>it's a one producer. That's That's also why I hate

0:55:12.440 --> 0:55:15.120
<v Speaker 2>some of these new hip hop fans when they they

0:55:15.840 --> 0:55:18.640
<v Speaker 2>they just got their Spotify credits finally for the first

0:55:18.640 --> 0:55:20.399
<v Speaker 2>time in their life, they're seeing who's produced the song

0:55:20.440 --> 0:55:23.320
<v Speaker 2>because they never opened the CD and went through the booklets.

0:55:23.320 --> 0:55:26.239
<v Speaker 2>They didn't live that. So now they can go on

0:55:26.280 --> 0:55:30.640
<v Speaker 2>Spotify and try to discredit an artists because there's seven

0:55:30.719 --> 0:55:33.719
<v Speaker 2>fucking producers on a record. It's like, no, that's how

0:55:33.800 --> 0:55:36.960
<v Speaker 2>music has always been made. Yeah, hip hop is the

0:55:37.000 --> 0:55:42.080
<v Speaker 2>first genre that's ever had one producer, and people don't

0:55:42.120 --> 0:55:46.600
<v Speaker 2>understand producing. That word producing. It's I think it has

0:55:46.680 --> 0:55:50.560
<v Speaker 2>more meaning than people think. Quincy Jones produced Thriller. There

0:55:50.600 --> 0:55:54.000
<v Speaker 2>was seventy five people on e Yeah, so the people

0:55:54.040 --> 0:55:55.160
<v Speaker 2>don't understand that part of it.

0:55:55.200 --> 0:55:59.239
<v Speaker 3>So five producers on one beat is not like in

0:55:59.440 --> 0:56:02.080
<v Speaker 3>I Fox shout the money man. That's not this tweet

0:56:02.080 --> 0:56:03.160
<v Speaker 3>it's crazy. That's not crazy.

0:56:03.200 --> 0:56:06.520
<v Speaker 2>Though five people producing one beat is diabolical, it's not.

0:56:06.719 --> 0:56:12.680
<v Speaker 2>That's actually actually very normal, like the way Kanye's credits look.

0:56:13.280 --> 0:56:16.120
<v Speaker 2>When you're also adding in samples as well, because then

0:56:16.160 --> 0:56:20.120
<v Speaker 2>whatever sample it is Kanye usually samples soulful shit from

0:56:20.200 --> 0:56:22.879
<v Speaker 2>the seventies whatever, that's already going to have twenty five

0:56:22.880 --> 0:56:25.960
<v Speaker 2>producers on it. So add those twenty five to that

0:56:26.360 --> 0:56:29.120
<v Speaker 2>plus all the musicians Kanye is using, and you're gonna

0:56:29.160 --> 0:56:31.800
<v Speaker 2>have fifty people on a fucking record like Anti sounds

0:56:31.800 --> 0:56:35.680
<v Speaker 2>the way it does, because yes, each record has fifty producers. Yeah,

0:56:35.719 --> 0:56:37.440
<v Speaker 2>that's the point. It's collaboration.

0:56:37.640 --> 0:56:39.440
<v Speaker 3>Back to the conversation we had the other day, you

0:56:39.560 --> 0:56:41.480
<v Speaker 3>was actually right when it comes to hip hop and

0:56:41.480 --> 0:56:45.160
<v Speaker 3>it being like business. On the business side of it production,

0:56:45.960 --> 0:56:50.000
<v Speaker 3>it is tricky because of samples, clearances, other labels, other artists.

0:56:50.640 --> 0:56:52.360
<v Speaker 3>You throw more people in that pot. So yeah, he

0:56:52.440 --> 0:56:55.040
<v Speaker 3>was right. We must have talked to hot No no, no,

0:56:55.080 --> 0:56:55.279
<v Speaker 3>I just.

0:56:56.880 --> 0:56:57.200
<v Speaker 2>Fuck up.

0:56:57.280 --> 0:56:59.040
<v Speaker 3>Yeah no no, no, it wasn't that. But when you

0:56:59.080 --> 0:57:01.680
<v Speaker 3>think about it like that is because now you're bringing

0:57:01.719 --> 0:57:04.560
<v Speaker 3>in people that you know, it's not probably not even alive.

0:57:04.719 --> 0:57:06.920
<v Speaker 3>Somebody owns the state. Now you gotta go through lawyers.

0:57:06.960 --> 0:57:09.680
<v Speaker 3>Now you gotta go this like it does get a little.

0:57:09.400 --> 0:57:11.560
<v Speaker 2>And on top of that, like let's use Quincy Jones

0:57:11.560 --> 0:57:15.320
<v Speaker 2>for example, just putting his name on something at that

0:57:15.480 --> 0:57:18.440
<v Speaker 2>time is going to make the record bigger as is.

0:57:19.880 --> 0:57:22.600
<v Speaker 2>And Quincy knows that if my name is on this,

0:57:22.760 --> 0:57:24.960
<v Speaker 2>it's going to be worth more money. My name is

0:57:24.960 --> 0:57:28.400
<v Speaker 2>worth more than just the music I'm playing, right, So

0:57:28.800 --> 0:57:32.280
<v Speaker 2>the ten musicians he's using, I'm walking in this studio.

0:57:32.520 --> 0:57:36.400
<v Speaker 2>My minimum with pub just putting Quincy Jones on it

0:57:36.480 --> 0:57:42.720
<v Speaker 2>is thirty right, Like you shit, Beyonce. I don't know

0:57:42.760 --> 0:57:46.560
<v Speaker 2>where splits. But an artist like Beyonce, when she walks

0:57:46.600 --> 0:57:48.840
<v Speaker 2>in the studio, even if she's not writing something, she's

0:57:48.880 --> 0:57:51.200
<v Speaker 2>going to get a PUB on that because it's beyond

0:57:52.360 --> 0:57:56.080
<v Speaker 2>She just hurt her name brand is putting in this

0:57:56.160 --> 0:57:59.160
<v Speaker 2>song could be the greatest thing ever. But I'm singing it.

0:57:59.520 --> 0:58:01.240
<v Speaker 2>But some people but would argue that's not how pub works.

0:58:01.280 --> 0:58:03.040
<v Speaker 2>Pub should just go to who's writing. But at the

0:58:03.080 --> 0:58:06.160
<v Speaker 2>same time, the writers wouldn't get the money they deserve

0:58:06.280 --> 0:58:08.600
<v Speaker 2>if this person didn't sing it. I see both sides.

0:58:08.640 --> 0:58:11.720
<v Speaker 2>That's why it's the most difficult conversation ever. If Rihanna

0:58:11.760 --> 0:58:15.120
<v Speaker 2>doesn't sing kiss it better? Is everyone going to get

0:58:15.120 --> 0:58:20.440
<v Speaker 2>the money that they think they deserve? Pub is interesting,

0:58:20.480 --> 0:58:23.960
<v Speaker 2>but no disrespect to money, man. I just think that's.

0:58:25.280 --> 0:58:25.520
<v Speaker 1>Kind of.

0:58:27.720 --> 0:58:30.320
<v Speaker 2>It's a novice thought when it comes to production, because

0:58:30.360 --> 0:58:33.680
<v Speaker 2>that is very much a hip hop thing and very

0:58:33.720 --> 0:58:36.440
<v Speaker 2>much you know, rap duo shit Eric being rocket like

0:58:36.600 --> 0:58:38.640
<v Speaker 2>that all started with the DJ and the MC, and

0:58:38.680 --> 0:58:41.400
<v Speaker 2>then it turned into the producer and the EMC. That's

0:58:41.440 --> 0:58:44.920
<v Speaker 2>how hip hop started. But they were still sampling at

0:58:44.920 --> 0:58:47.920
<v Speaker 2>that time. Like if you even go to what the

0:58:47.920 --> 0:58:50.120
<v Speaker 2>breakbeat is, it's a sample, someone else would get the

0:58:50.120 --> 0:58:52.880
<v Speaker 2>pub There'd be other writers on a break beat, not

0:58:52.920 --> 0:58:56.720
<v Speaker 2>just the DJ's. It's complicated. So I hate when fans

0:58:57.000 --> 0:58:59.000
<v Speaker 2>do that on Twitter of like look at how many

0:58:59.000 --> 0:59:01.480
<v Speaker 2>writers and also so writers they get that wrong. So

0:59:01.600 --> 0:59:06.440
<v Speaker 2>much writer in the Spotify category, a rapper could go

0:59:06.440 --> 0:59:09.240
<v Speaker 2>in there and wrap the entire verse hook he wrote

0:59:09.320 --> 0:59:12.240
<v Speaker 2>everything by himself. There could be seven writers on there

0:59:12.400 --> 0:59:15.320
<v Speaker 2>because they're also crediting the guy that played bass. He's

0:59:15.360 --> 0:59:18.080
<v Speaker 2>a producer and a writer because he wrote the bassline.

0:59:18.120 --> 0:59:21.480
<v Speaker 2>You write music, you write lyrics, and you write music.

0:59:22.520 --> 0:59:24.800
<v Speaker 2>So yeah, there's any seven writers on that song. Because

0:59:24.800 --> 0:59:27.320
<v Speaker 2>people wrote the notes that you're hearing.

0:59:27.680 --> 0:59:29.480
<v Speaker 3>Yeah, are we getting too nerdy right now?

0:59:29.840 --> 0:59:32.320
<v Speaker 4>No, but we did have this conversation, so we can

0:59:32.480 --> 0:59:33.160
<v Speaker 4>we can move forward.

0:59:33.160 --> 0:59:35.480
<v Speaker 2>But Rory is right. Yeah. Now, just with that tweet

0:59:35.480 --> 0:59:38.320
<v Speaker 2>that Josh pulled up that it's diabolical to have five producers,

0:59:38.360 --> 0:59:40.000
<v Speaker 2>I wish more of y'all would have five producers on

0:59:40.040 --> 0:59:40.320
<v Speaker 2>your song.

0:59:41.640 --> 0:59:44.440
<v Speaker 3>All y'all needs on y'all music. Y'all need a lot

0:59:44.480 --> 0:59:45.880
<v Speaker 3>of people in them studios with y'all.

0:59:46.280 --> 0:59:49.640
<v Speaker 2>We were, we were spoiled by Just Blaze when I

0:59:49.720 --> 0:59:52.680
<v Speaker 2>was a kid. But then again, Just is going to

0:59:52.760 --> 0:59:56.520
<v Speaker 2>hire a whole choir, and that's what he's gonna chop up. Like, Yeah,

0:59:56.560 --> 0:59:58.439
<v Speaker 2>some of y'all need more produce. Some of y'all don't

0:59:58.680 --> 1:00:01.760
<v Speaker 2>just need fruity loops and your microphone. Yeah, go get

1:00:01.760 --> 1:00:04.320
<v Speaker 2>a fucking musician to play, learn.

1:00:04.200 --> 1:00:07.080
<v Speaker 4>How to read and write music so that you can

1:00:07.640 --> 1:00:10.000
<v Speaker 4>do some new ship and not just go like this.

1:00:11.360 --> 1:00:13.920
<v Speaker 2>And that's I'm not don't do it. I'm not.

1:00:14.080 --> 1:00:17.200
<v Speaker 4>Hey, let me finish, because even a pop was made

1:00:17.240 --> 1:00:20.600
<v Speaker 4>that way. Okay, let me finish. Not everybody is talented

1:00:20.720 --> 1:00:23.440
<v Speaker 4>for that, talented enough for that to be enough and

1:00:23.440 --> 1:00:26.800
<v Speaker 4>that's why some music sounds boring and doesn't sound layered enough.

1:00:27.040 --> 1:00:29.760
<v Speaker 4>Some people can do it, but not everybody can, and

1:00:29.800 --> 1:00:30.880
<v Speaker 4>it's too many people trying.

1:00:31.080 --> 1:00:35.880
<v Speaker 2>But to me, a lot of the sample MPC keyboard

1:00:35.960 --> 1:00:39.000
<v Speaker 2>producers I would love for them. They put together the

1:00:39.320 --> 1:00:42.840
<v Speaker 2>greatest beats, like the way a conductor, for example, who's

1:00:42.840 --> 1:00:45.320
<v Speaker 2>who's one of my favorite producers? Period conductor will come

1:00:45.360 --> 1:00:47.840
<v Speaker 2>up with everything MPC sample, get on the keys, and

1:00:47.840 --> 1:00:49.400
<v Speaker 2>then maybe come in and be like, all right, I

1:00:49.440 --> 1:00:53.000
<v Speaker 2>have this baseline I made off my keys and my MPC,

1:00:53.440 --> 1:00:55.760
<v Speaker 2>but I'm gonna have someone replay it live. Like I

1:00:55.800 --> 1:00:59.520
<v Speaker 2>wish more of the MPC producers would do that with

1:00:59.520 --> 1:01:01.880
<v Speaker 2>that feeling in that life, like I'm gonna come in

1:01:01.920 --> 1:01:03.880
<v Speaker 2>with a horn player. I may. I may have sampled

1:01:03.920 --> 1:01:06.680
<v Speaker 2>some horns, I'd rather have them live and then that's

1:01:06.680 --> 1:01:09.800
<v Speaker 2>gonna be another credit. Guys. Sorry on Spotify. I know

1:01:09.800 --> 1:01:11.600
<v Speaker 2>you want to see one person in one person, but

1:01:11.640 --> 1:01:17.960
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<v Speaker 2>Anyways, we out to the Summer Walker Show. We're out

1:03:13.840 --> 1:03:16.040
<v Speaker 2>all of a sudden. Now, it's just I always don't

1:03:16.080 --> 1:03:20.240
<v Speaker 2>do that, you know, I always wayday to him in May. No, yeah,

1:03:20.320 --> 1:03:22.920
<v Speaker 2>I did. Actually, what's his birthday?

1:03:23.200 --> 1:03:25.880
<v Speaker 3>I don't know his exacts, That's what I'm saying. But

1:03:25.920 --> 1:03:28.120
<v Speaker 3>you know, when Summer coming to New York though, well,

1:03:28.160 --> 1:03:30.320
<v Speaker 3>I mean it's on the list, all right. Well, justice

1:03:30.520 --> 1:03:31.760
<v Speaker 3>his birthday is on the list too.

1:03:31.960 --> 1:03:37.720
<v Speaker 2>Okay, when when it is summer in New York? June second,

1:03:38.880 --> 1:03:41.040
<v Speaker 2>All right, June second. So, like I said, you're gonna

1:03:41.040 --> 1:03:43.000
<v Speaker 2>have to get Justice a birthday present.

1:03:43.120 --> 1:03:45.080
<v Speaker 3>It's his birthday is right before that. Now I'm going

1:03:45.080 --> 1:03:46.680
<v Speaker 3>back to I'm going I'm keeping tradition going. I'm going

1:03:46.720 --> 1:03:49.120
<v Speaker 3>to Toronto to see her. I went to see her first

1:03:49.120 --> 1:03:49.960
<v Speaker 3>tour in Toronto.

1:03:50.600 --> 1:03:54.120
<v Speaker 2>It's only what a week apart. Let's go to both.

1:03:54.280 --> 1:03:55.560
<v Speaker 3>Yeah, I'm going to Toronto.

1:03:55.960 --> 1:03:57.880
<v Speaker 2>I love. I gotta keep the tradition going. Baby, d

1:03:58.000 --> 1:03:58.640
<v Speaker 2>you know what I'm saying.

1:03:58.840 --> 1:04:00.360
<v Speaker 4>Well, I mean what you saw her in Fiel, so

1:04:00.400 --> 1:04:01.320
<v Speaker 4>like you'll see her anywhere.

1:04:01.360 --> 1:04:02.840
<v Speaker 3>I didn't see someone walking through Yes she.

1:04:02.760 --> 1:04:06.080
<v Speaker 2>Did it took a sprinter by yourself. Excuse me though,

1:04:06.400 --> 1:04:10.160
<v Speaker 2>so much meat that was small legra. No baby, no baby,

1:04:10.160 --> 1:04:13.360
<v Speaker 2>we're at the roots. We were at the roots. It

1:04:13.440 --> 1:04:16.480
<v Speaker 2>was summer. We were all we all went insane. It's insane.

1:04:16.760 --> 1:04:17.960
<v Speaker 2>We all seen.

1:04:17.720 --> 1:04:19.480
<v Speaker 4>Summer walking together at the roots picnic.

1:04:20.480 --> 1:04:22.840
<v Speaker 2>What you mean when we were performing that when we yes,

1:04:22.880 --> 1:04:25.240
<v Speaker 2>but wait no, I'm talking about the time he took

1:04:25.240 --> 1:04:28.480
<v Speaker 2>a sprinter by himself down ninety five. There was fourteen

1:04:28.520 --> 1:04:31.160
<v Speaker 2>other seats. That was snow allegra. Yeah, that wasn't something

1:04:31.200 --> 1:04:34.960
<v Speaker 2>that was snow. See, Okay, when's the time it was

1:04:34.960 --> 1:04:37.520
<v Speaker 2>snow and it was it was snow and it was Yeah,

1:04:37.520 --> 1:04:42.600
<v Speaker 2>I'm telling you the col a problem. No Coke could

1:04:42.680 --> 1:04:46.400
<v Speaker 2>never do a four seasons on time.

1:04:49.120 --> 1:04:49.920
<v Speaker 3>Yeah, I'm going to.

1:04:49.760 --> 1:04:53.320
<v Speaker 4>Toronto and she's bringing the Leo we Aid shot and

1:04:53.520 --> 1:04:54.400
<v Speaker 4>the old deal is fire.

1:04:54.600 --> 1:04:54.800
<v Speaker 2>Yeah.

1:04:54.880 --> 1:04:57.760
<v Speaker 3>Also LVR and artist, but he's firing his own that's

1:04:57.760 --> 1:04:59.960
<v Speaker 3>a projects. So that's that's a lot of good music.

1:05:00.240 --> 1:05:03.800
<v Speaker 2>Now that eight oh two at the O two in London. Wait,

1:05:03.840 --> 1:05:05.960
<v Speaker 2>hold on, hold on, now, hold on now.

1:05:06.320 --> 1:05:08.400
<v Speaker 3>Oh you're Scheck in London?

1:05:09.120 --> 1:05:17.880
<v Speaker 2>Why mall? Well, you know I rarely ask for thank you.

1:05:19.400 --> 1:05:26.160
<v Speaker 2>Everybody on in our our staff, family, my actual blood family,

1:05:26.560 --> 1:05:29.160
<v Speaker 2>my daughter, all that needs to thank me. I would

1:05:29.160 --> 1:05:31.880
<v Speaker 2>abandon you guys so quickly to move to London. You

1:05:31.920 --> 1:05:34.120
<v Speaker 2>guys are the ones abandon me. No, you and I

1:05:34.120 --> 1:05:38.600
<v Speaker 2>would move. Oh yeah, you figure I would. That's the

1:05:38.640 --> 1:05:41.560
<v Speaker 2>only thing stopping me from doing that is like, you know,

1:05:41.600 --> 1:05:42.800
<v Speaker 2>this responsibility ship.

1:05:42.680 --> 1:05:45.520
<v Speaker 3>Here, Yeah, this this ship, this home that we've built.

1:05:45.640 --> 1:05:46.640
<v Speaker 2>I can do this in London.

1:05:47.560 --> 1:05:49.560
<v Speaker 3>I love London. You know how I feel about London

1:05:50.000 --> 1:05:51.000
<v Speaker 3>your places, but.

1:05:51.000 --> 1:05:54.680
<v Speaker 2>No, we'll do the Brooklyn Show. But if it's just

1:05:54.720 --> 1:05:56.160
<v Speaker 2>me and you, are you fine with that? Like does

1:05:56.200 --> 1:05:57.600
<v Speaker 2>it have to are you bringing?

1:05:58.400 --> 1:06:01.320
<v Speaker 4>Like like what you say, because because sometimes I'm what

1:06:01.360 --> 1:06:01.919
<v Speaker 4>you're saying.

1:06:03.800 --> 1:06:06.200
<v Speaker 2>This is where like friendship lines get blurred sometimes, and

1:06:06.240 --> 1:06:11.080
<v Speaker 2>I love blurring friendship good because me and demeris no

1:06:11.200 --> 1:06:13.560
<v Speaker 2>whole bars on anything. But sometimes when she asked for

1:06:13.600 --> 1:06:15.600
<v Speaker 2>tickets for stuff, I'm like, you know, it's a show

1:06:15.640 --> 1:06:17.640
<v Speaker 2>I'm gonna go to and I only may get so

1:06:17.640 --> 1:06:20.200
<v Speaker 2>many tickets, so that means you and me are going

1:06:20.200 --> 1:06:23.160
<v Speaker 2>And I don't know if that was your plan. Yeah,

1:06:23.400 --> 1:06:26.320
<v Speaker 2>which that definitely wasn't, which which let me let me interject,

1:06:26.640 --> 1:06:28.800
<v Speaker 2>that was not Demarus was planning to go to someone

1:06:28.800 --> 1:06:34.200
<v Speaker 2>walking with you. I'm aware, Okay, Damarics already got her

1:06:34.200 --> 1:06:34.920
<v Speaker 2>outfit laid out.

1:06:35.000 --> 1:06:36.440
<v Speaker 3>Let me look at that, she already at the person

1:06:36.480 --> 1:06:38.880
<v Speaker 3>she knows she wanted to go with, Like, no looking

1:06:38.920 --> 1:06:40.760
<v Speaker 3>at other dates like where they go. Maybe I might

1:06:40.800 --> 1:06:46.440
<v Speaker 3>go to Atlanta, like like like Brandy and Monica.

1:06:48.680 --> 1:06:53.000
<v Speaker 2>No, that was hilarious. I don't know if anyone listening

1:06:53.080 --> 1:07:00.600
<v Speaker 2>caught what you said. Yeah said I'm cool, She's cool.

1:06:59.800 --> 1:07:05.040
<v Speaker 5>It's hold on from Atlanta. Yeah, you couldn't get never

1:07:05.120 --> 1:07:06.560
<v Speaker 5>want to go to the show with Atlanta. That it

1:07:07.120 --> 1:07:10.360
<v Speaker 5>was cook Why I live in Brooklyn. Everybody comes here.

1:07:10.280 --> 1:07:13.280
<v Speaker 2>Saying, but she gets PTSD anytime she sees the Mercedes Best.

1:07:13.160 --> 1:07:14.560
<v Speaker 3>Quick flight quick like Atlanta.

1:07:14.600 --> 1:07:19.160
<v Speaker 2>That's why Atlanta the Philly they go like it's I

1:07:19.200 --> 1:07:21.520
<v Speaker 2>don't she takes the ship.

1:07:21.800 --> 1:07:22.680
<v Speaker 3>You go to Baltimore.

1:07:23.000 --> 1:07:26.280
<v Speaker 4>I was gonna say DC show. I was gonna say,

1:07:26.360 --> 1:07:30.280
<v Speaker 4>no Baltimore. Yeah, I was gonna say, maybe I might

1:07:30.440 --> 1:07:32.200
<v Speaker 4>ask the tickets to the Baltimore.

1:07:31.760 --> 1:07:35.800
<v Speaker 2>Show more as a great city, great city. Uh, but yeah,

1:07:35.920 --> 1:07:39.080
<v Speaker 2>I'm very self aware more that she did not want

1:07:39.080 --> 1:07:40.760
<v Speaker 2>to go to the Summer Walker show with me, And

1:07:40.800 --> 1:07:43.480
<v Speaker 2>I'm saying, the amount of tickets I can get, one

1:07:43.520 --> 1:07:48.920
<v Speaker 2>of them is mine. So which is It might be

1:07:48.920 --> 1:07:51.720
<v Speaker 2>a Brandy a Monica situation again, where it's like it's

1:07:51.760 --> 1:07:52.400
<v Speaker 2>gonna be me and.

1:07:52.400 --> 1:07:56.440
<v Speaker 3>You sign I'm gonna Toto. So it's all good.

1:07:56.480 --> 1:07:59.240
<v Speaker 2>We'll know a lot of people at the that we

1:07:59.280 --> 1:08:02.600
<v Speaker 2>don't have to just sit me. You'll know people there.

1:08:02.840 --> 1:08:04.720
<v Speaker 4>I don't mind, like I don't mind hanging out with you.

1:08:04.760 --> 1:08:05.720
<v Speaker 4>I don't mind hanging out with you.

1:08:06.280 --> 1:08:09.040
<v Speaker 2>That ain't even sound like I don't need a lot

1:08:09.080 --> 1:08:13.680
<v Speaker 2>of that's like a lot of that's somebody want.

1:08:12.560 --> 1:08:13.960
<v Speaker 3>To you, like I don't know, I mean, if you

1:08:13.960 --> 1:08:15.640
<v Speaker 3>want to go, it's like you want all you want

1:08:15.680 --> 1:08:16.080
<v Speaker 3>to go though.

1:08:16.520 --> 1:08:18.960
<v Speaker 4>No, it's not that I origally was asking for me, Alex,

1:08:19.120 --> 1:08:20.760
<v Speaker 4>but that we.

1:08:20.720 --> 1:08:21.080
<v Speaker 2>Know who you.

1:08:21.200 --> 1:08:24.240
<v Speaker 3>We know your road dog Alice could get kicked out again,

1:08:24.360 --> 1:08:27.120
<v Speaker 3>like you know what I'm saying, Like we know I'm

1:08:27.160 --> 1:08:29.160
<v Speaker 3>just saying, we know how Alice get down and loved shows.

1:08:29.200 --> 1:08:30.519
<v Speaker 3>You know what I'm saying. We know her get down.

1:08:30.560 --> 1:08:31.240
<v Speaker 2>You know what I'm saying.

1:08:31.280 --> 1:08:33.439
<v Speaker 4>Anyway, But yeah, sorry, I would. I would love to

1:08:33.479 --> 1:08:35.160
<v Speaker 4>go with you, but I am going to ask for

1:08:35.160 --> 1:08:35.680
<v Speaker 4>a ticket to.

1:08:35.600 --> 1:08:38.880
<v Speaker 2>The Baltimore show as well. Be more, you know, I

1:08:38.960 --> 1:08:41.200
<v Speaker 2>know that's right. You know I like fake live there

1:08:41.200 --> 1:08:42.240
<v Speaker 2>for a while, so maybe I want to go to

1:08:42.240 --> 1:08:42.840
<v Speaker 2>Baltimore shows.

1:08:43.600 --> 1:08:47.080
<v Speaker 4>Fuck like Nigga like a herb Be's bump, like you

1:08:47.160 --> 1:08:48.519
<v Speaker 4>just can't get rid of him, Like.

1:08:49.560 --> 1:08:52.280
<v Speaker 2>Who's Mason is not trying to go see someone.

1:08:53.960 --> 1:08:58.520
<v Speaker 3>Like she's not fucking that's at all trying to go somewhere.

1:08:59.640 --> 1:09:01.439
<v Speaker 2>I know either of you want to go with me

1:09:01.560 --> 1:09:03.599
<v Speaker 2>to any show, because I'll go with you to Toronto.

1:09:03.720 --> 1:09:07.680
<v Speaker 2>Let's see his response, we out, we out, or like

1:09:07.720 --> 1:09:10.559
<v Speaker 2>I'll meet you there. Oh he showed me either there. Yeah,

1:09:10.640 --> 1:09:13.080
<v Speaker 2>there's a difference between we out and I'll meet you there.

1:09:13.280 --> 1:09:15.040
<v Speaker 3>Well, you want to take the same flight, like I

1:09:15.080 --> 1:09:16.360
<v Speaker 3>don't know how to I don't know.

1:09:16.960 --> 1:09:20.080
<v Speaker 2>We've taken the same flight, same hotel, same uber car,

1:09:20.880 --> 1:09:23.280
<v Speaker 2>same show, and I've still never seen you. We are

1:09:23.280 --> 1:09:24.800
<v Speaker 2>you talking about? But I'm never going to a show

1:09:24.840 --> 1:09:27.960
<v Speaker 2>to Toronto. When you was in Toronto, I took you

1:09:27.960 --> 1:09:29.200
<v Speaker 2>to Daniel Caesar as my date.

1:09:30.200 --> 1:09:33.160
<v Speaker 3>Well, yeah, but we went together though. See that, so

1:09:33.240 --> 1:09:35.519
<v Speaker 3>that that right there throws your theory out the window.

1:09:35.560 --> 1:09:38.479
<v Speaker 3>We went together? No, no, but here's the difference. Not

1:09:38.560 --> 1:09:41.600
<v Speaker 3>to say you couldn't get Daniel Caesar tickets, but I

1:09:41.680 --> 1:09:44.439
<v Speaker 3>just I just had the plug because I'm close with him. Yeah,

1:09:44.840 --> 1:09:48.280
<v Speaker 3>you could get Summer Walker tickets without me in a harp.

1:09:48.360 --> 1:09:50.840
<v Speaker 2>It would take one. Hey, what's up? Can I get

1:09:50.880 --> 1:09:54.080
<v Speaker 2>some tickets? Yeah? I don't think I'd be on the

1:09:54.080 --> 1:09:57.960
<v Speaker 2>same my tenerary as you. I had noticed the tickets

1:09:58.000 --> 1:10:00.560
<v Speaker 2>were under my name. Okay, that's why you had to

1:10:00.600 --> 1:10:04.960
<v Speaker 2>go with me. No, Peage was saying when we were

1:10:05.000 --> 1:10:09.400
<v Speaker 2>in London. So outside of the Daniel Caesar show, every

1:10:09.439 --> 1:10:11.519
<v Speaker 2>time we've ever been in cities, I've like wanted to

1:10:11.560 --> 1:10:13.840
<v Speaker 2>go to shows and ship, like, you know, just just

1:10:13.880 --> 1:10:16.360
<v Speaker 2>be be in the pulse of the city, support the

1:10:16.400 --> 1:10:20.080
<v Speaker 2>social pipeline of the arts. Yeah. And Leon Bridges is

1:10:21.120 --> 1:10:24.759
<v Speaker 2>an associate. Yeah, I fuck with Leon. And he happened

1:10:24.760 --> 1:10:27.200
<v Speaker 2>to be at Earth Theater, which we performed at, which

1:10:27.240 --> 1:10:29.960
<v Speaker 2>was like my favorite venue I think we've ever performed at.

1:10:30.479 --> 1:10:33.280
<v Speaker 2>And he was there doing like an intimate, like invite

1:10:33.360 --> 1:10:37.680
<v Speaker 2>only show thing, and I had three tickets after I

1:10:37.680 --> 1:10:39.400
<v Speaker 2>had just gotten tickets for all of us go the festival.

1:10:39.400 --> 1:10:40.680
<v Speaker 2>I thought everyone was just going to go to go

1:10:40.760 --> 1:10:43.360
<v Speaker 2>to sleep, and I had three tickets, and for the

1:10:43.400 --> 1:10:46.320
<v Speaker 2>first time ever, Maul and Benner are like, yo, I'll roll.

1:10:46.880 --> 1:10:49.840
<v Speaker 2>And I was like, out of all the things they

1:10:49.840 --> 1:10:51.360
<v Speaker 2>were going, both of them are going to walk in

1:10:51.400 --> 1:10:55.639
<v Speaker 2>there and kick up a fuss that I dragged them

1:10:55.680 --> 1:10:58.280
<v Speaker 2>to this event. No, that's not true. So what happened

1:10:58.400 --> 1:11:00.080
<v Speaker 2>was and I know, you fuck with Leon Bridges, but

1:11:00.120 --> 1:11:02.960
<v Speaker 2>it was very much an intimate R and B set,

1:11:03.040 --> 1:11:04.960
<v Speaker 2>like where I feel like, but we were it's more

1:11:04.960 --> 1:11:07.400
<v Speaker 2>of my thing. We were coming from like we did radio.

1:11:07.560 --> 1:11:09.639
<v Speaker 2>I think we were coming from. You guys had said

1:11:09.680 --> 1:11:11.240
<v Speaker 2>you weren't going, and I was like, why am I?

1:11:11.240 --> 1:11:12.880
<v Speaker 2>I'm gonna get in. Then Uber and then both y'all

1:11:12.880 --> 1:11:15.400
<v Speaker 2>out of nowhere decided y'all roll with and I was like,

1:11:15.520 --> 1:11:19.679
<v Speaker 2>fuck yeah, but it was cool though, I know, yeah,

1:11:19.760 --> 1:11:21.080
<v Speaker 2>I just I could see our faces.

1:11:21.400 --> 1:11:23.360
<v Speaker 3>I show the show was cool. I enjoyed the show,

1:11:23.400 --> 1:11:24.160
<v Speaker 3>and that's not a leon.

1:11:24.800 --> 1:11:27.200
<v Speaker 2>The show was incredible, but it was like a sitar

1:11:27.520 --> 1:11:31.439
<v Speaker 2>and a fucking stand up. It was you gotta be

1:11:31.479 --> 1:11:34.200
<v Speaker 2>in that mind state, like you weren't in that mindset.

1:11:34.200 --> 1:11:35.679
<v Speaker 3>That's not for the fellas to go together.

1:11:36.800 --> 1:11:38.600
<v Speaker 2>And I was just gonna go by myself and just,

1:11:38.640 --> 1:11:41.000
<v Speaker 2>you know, sit right there and watch the three of

1:11:41.080 --> 1:11:43.120
<v Speaker 2>us pulling up. I was like, why didn't Maul roll

1:11:43.200 --> 1:11:44.880
<v Speaker 2>me when I go to the strip club? He wants

1:11:44.920 --> 1:11:48.040
<v Speaker 2>to come with me? Now some music, which made me

1:11:48.080 --> 1:11:50.360
<v Speaker 2>think that you've never gone out with me since and

1:11:50.400 --> 1:11:52.360
<v Speaker 2>you think that's not that's my style.

1:11:52.800 --> 1:11:57.760
<v Speaker 3>I met you at the what is the where who

1:11:57.800 --> 1:12:02.600
<v Speaker 3>does the We went to the Nikola I'm talking remember.

1:12:02.320 --> 1:12:05.200
<v Speaker 2>The name of Marlin, kraft Man and Craft. Here's a

1:12:05.240 --> 1:12:08.240
<v Speaker 2>regiency at New Blue, which he still does morlling craft

1:12:08.280 --> 1:12:11.240
<v Speaker 2>dot com. Yeah, but that was she don't do that

1:12:11.280 --> 1:12:14.360
<v Speaker 2>because that's because Nick and Marlin respect each other and

1:12:14.400 --> 1:12:17.400
<v Speaker 2>that Nick was gonna come. If Nick wasn't here, you

1:12:17.439 --> 1:12:19.679
<v Speaker 2>wasn't pulling up. No, I would have pulled up because

1:12:20.000 --> 1:12:21.559
<v Speaker 2>my all the boy was telling me about that spot

1:12:21.600 --> 1:12:23.200
<v Speaker 2>for a while. I would have pulled up. No New Blue.

1:12:23.320 --> 1:12:25.479
<v Speaker 2>If you're in New York City Monday nights especially or

1:12:25.560 --> 1:12:28.720
<v Speaker 2>the best if you love jam sessions, random producers just

1:12:28.720 --> 1:12:31.479
<v Speaker 2>doing shit. But Marlon has his residency there and I

1:12:31.520 --> 1:12:33.559
<v Speaker 2>brought them all there. But that was a great event.

1:12:34.040 --> 1:12:35.640
<v Speaker 2>I was happy you came to that one, just to

1:12:35.680 --> 1:12:38.799
<v Speaker 2>show that, like I have range in my invites.

1:12:39.160 --> 1:12:39.920
<v Speaker 3>No, that was cool.

1:12:40.040 --> 1:12:43.720
<v Speaker 2>That was a good show for sure. DeMars, I just

1:12:43.760 --> 1:12:46.439
<v Speaker 2>have to find like Hose and she's there. Well, they're

1:12:46.439 --> 1:12:47.880
<v Speaker 2>gonna be at the Summer Walker show for sure.

1:12:48.439 --> 1:12:50.200
<v Speaker 4>All the holes, the last hole you had me around I.

1:12:50.160 --> 1:12:54.280
<v Speaker 2>Could have did without. Oh yeah, oh god, look, Oh

1:12:54.400 --> 1:12:56.160
<v Speaker 2>mar did I ever tell you about that? I never

1:12:56.200 --> 1:12:57.040
<v Speaker 2>told me all about him.

1:12:57.040 --> 1:12:59.519
<v Speaker 3>Never tell me about the Hose. Baby was there there,

1:12:59.560 --> 1:13:02.879
<v Speaker 3>he was there, there, I was there with the whole.

1:13:02.680 --> 1:13:07.120
<v Speaker 2>Patreon patren not not like a whole I was like

1:13:07.840 --> 1:13:12.360
<v Speaker 2>fucking or anything, you know, a whore. Yes, you know

1:13:12.600 --> 1:13:16.599
<v Speaker 2>that just makes every situation annoying. Yeah, we went.

1:13:16.439 --> 1:13:18.439
<v Speaker 4>To Leon Thomas together. We had a good time, so

1:13:18.560 --> 1:13:19.960
<v Speaker 4>we can go the third Wheel there.

1:13:20.520 --> 1:13:22.720
<v Speaker 2>Do you guys ever have that anxiety of when you're

1:13:22.720 --> 1:13:25.920
<v Speaker 2>the one inviting people to events that you events you

1:13:25.960 --> 1:13:30.519
<v Speaker 2>can't even control. Mm hmm, Like I hope everything is smooth.

1:13:30.560 --> 1:13:31.639
<v Speaker 2>I hope everything is cool.

1:13:31.800 --> 1:13:33.600
<v Speaker 4>That's why I don't bring anybody to events with me

1:13:33.680 --> 1:13:35.800
<v Speaker 4>unless we're really really close, like for example that was

1:13:35.840 --> 1:13:37.840
<v Speaker 4>my boyfriend at the time, or like Alex. I can't

1:13:37.840 --> 1:13:40.639
<v Speaker 4>bring like because like looking like you. I don't want

1:13:40.640 --> 1:13:42.200
<v Speaker 4>to make it seem like I'm the plug and I'm

1:13:42.240 --> 1:13:43.920
<v Speaker 4>not the plug and shit and I plugging in't not

1:13:43.960 --> 1:13:46.280
<v Speaker 4>even just that just like not.

1:13:46.320 --> 1:13:48.360
<v Speaker 3>That just not plugging it just.

1:13:48.360 --> 1:13:51.920
<v Speaker 2>More so like is it gonna be cool? We're all old?

1:13:52.080 --> 1:13:53.760
<v Speaker 2>Like do we have a spot to sit? That's the

1:13:53.840 --> 1:13:55.000
<v Speaker 2>number one thing. Do we have a spot to set?

1:13:55.040 --> 1:13:57.519
<v Speaker 2>Are we comfortable? Yeah? It's less about the plug shit,

1:13:57.640 --> 1:13:59.520
<v Speaker 2>just is it going to be a good experience?

1:13:59.800 --> 1:14:02.080
<v Speaker 4>My biggest fear is somebody giving me tickets to something

1:14:02.120 --> 1:14:03.400
<v Speaker 4>and I go and they like, you ain't man on

1:14:03.400 --> 1:14:09.920
<v Speaker 4>a list. Hmmmmm, that's very embarrassing. And I got somebody

1:14:09.920 --> 1:14:11.280
<v Speaker 4>with me. That's so embarrassing.

1:14:11.960 --> 1:14:13.360
<v Speaker 3>That felt like it was gonna happen to me. When

1:14:13.360 --> 1:14:16.240
<v Speaker 3>I went to go see Usher, Oh, but I was

1:14:16.240 --> 1:14:20.040
<v Speaker 3>just at the wrong gate. I walked up there was like, no,

1:14:20.160 --> 1:14:21.479
<v Speaker 3>we ain't got I was like, y, don't play with

1:14:21.520 --> 1:14:21.800
<v Speaker 3>me like that.

1:14:21.840 --> 1:14:22.599
<v Speaker 2>You got a girl with you?

1:14:22.720 --> 1:14:25.200
<v Speaker 3>Yeah, my hole, they don't play with me like that.

1:14:25.560 --> 1:14:27.479
<v Speaker 3>And then I hit JD. He was like, nah, they

1:14:27.479 --> 1:14:28.720
<v Speaker 3>said this at the other gate. So I had to

1:14:28.760 --> 1:14:30.000
<v Speaker 3>go like walk around the other side.

1:14:30.280 --> 1:14:32.040
<v Speaker 4>That's how it was with and the crazy shit is

1:14:32.080 --> 1:14:35.280
<v Speaker 4>I had two sets of tickets for Atlanta one Music

1:14:35.360 --> 1:14:38.599
<v Speaker 4>Fest and that line was around the corner. I walked

1:14:38.600 --> 1:14:39.600
<v Speaker 4>all the way to the front of the line. I

1:14:39.640 --> 1:14:40.960
<v Speaker 4>was like immediate. It was like, well, you're not on

1:14:41.000 --> 1:14:44.280
<v Speaker 4>the list. I said, man, call somebody. I start naming names.

1:14:44.280 --> 1:14:45.040
<v Speaker 4>I got my tea not.

1:14:45.000 --> 1:14:46.400
<v Speaker 3>Being on the list, and you walk in it's people

1:14:46.479 --> 1:14:47.160
<v Speaker 3>standing behind you.

1:14:47.280 --> 1:14:48.639
<v Speaker 2>Yeah, they know they on the list.

1:14:49.360 --> 1:14:50.400
<v Speaker 3>That's the worst.

1:14:50.560 --> 1:14:52.120
<v Speaker 2>Now you got to fake standing on the side and

1:14:52.200 --> 1:14:56.240
<v Speaker 2>start texting you. That shit is so embarrassing. I'll go

1:14:56.360 --> 1:15:03.320
<v Speaker 2>the fuck home pretending you're on the phone. Yeah, yeah,

1:15:03.560 --> 1:15:05.839
<v Speaker 2>but I'm talking to Bryon to the person system.

1:15:05.880 --> 1:15:08.160
<v Speaker 4>The computer system was down at one music fest and

1:15:08.200 --> 1:15:09.760
<v Speaker 4>that's why. But I'm like, y'all gonna get somebody on

1:15:09.760 --> 1:15:11.439
<v Speaker 4>this spot. I had to start and like Rory, I

1:15:11.479 --> 1:15:12.960
<v Speaker 4>was like, y'are gonna get somebody on his phone.

1:15:13.200 --> 1:15:14.760
<v Speaker 2>I think I texted Rory too. I was the one

1:15:14.760 --> 1:15:16.360
<v Speaker 2>that got you the past flush. Yeah.

1:15:16.920 --> 1:15:19.240
<v Speaker 3>One of my concerts. I didn't go to Bryson Chris.

1:15:19.439 --> 1:15:22.200
<v Speaker 2>Yeah, but I had to FaceTime you with the ticket

1:15:22.240 --> 1:15:25.639
<v Speaker 2>person and show your passport. Yeah.

1:15:24.520 --> 1:15:28.200
<v Speaker 3>I wasn't doing that. I literally got dressed. It was

1:15:28.320 --> 1:15:31.360
<v Speaker 3>it was thunderstorm and I think that yeah, and I

1:15:31.400 --> 1:15:34.680
<v Speaker 3>had got dressed and I put I'm so weird. I

1:15:34.720 --> 1:15:36.920
<v Speaker 3>spray cologne and I was like, yo, I just put

1:15:36.920 --> 1:15:41.880
<v Speaker 3>colone on to go see a nigga on stage. Yeah,

1:15:41.920 --> 1:15:42.719
<v Speaker 3>but it was still.

1:15:42.560 --> 1:15:44.720
<v Speaker 2>Just fell on helone before I come here, Like, I

1:15:44.720 --> 1:15:47.599
<v Speaker 2>don't know, just it's part of a routine. Baby said,

1:15:47.640 --> 1:15:48.960
<v Speaker 2>you don't give a funk. I smell like, yeah, but

1:15:49.000 --> 1:15:50.160
<v Speaker 2>you gotta you know I do.

1:15:50.240 --> 1:15:51.640
<v Speaker 4>I don't want you to smell like wet dog. So

1:15:51.680 --> 1:15:52.479
<v Speaker 4>please put like.

1:15:52.400 --> 1:15:54.400
<v Speaker 2>Some and I ever smelled like wet dog? No, because

1:15:54.400 --> 1:15:55.000
<v Speaker 2>you put perview.

1:15:55.080 --> 1:15:58.439
<v Speaker 3>Man, he's white. You smelled like wet dog before. That's

1:15:58.439 --> 1:15:58.800
<v Speaker 3>just your.

1:15:58.920 --> 1:16:03.320
<v Speaker 2>Top of the head and ain't even enough hair for that. Yeah.

1:16:03.360 --> 1:16:05.679
<v Speaker 2>This with the Scout, it's the Scout skin.

1:16:05.800 --> 1:16:06.400
<v Speaker 3>It's your skin.

1:16:06.760 --> 1:16:06.960
<v Speaker 1>But I.

1:16:09.120 --> 1:16:15.080
<v Speaker 2>Maybe it's Mabel over here. It's the skin. Don't wear

1:16:15.120 --> 1:16:16.680
<v Speaker 2>black without the blue or whatever that shit used to

1:16:16.680 --> 1:16:21.400
<v Speaker 2>be cool? Oh? Man, No, but seriously, I don't. I

1:16:21.400 --> 1:16:24.240
<v Speaker 2>don't smell like a what dog? No, but like no,

1:16:24.320 --> 1:16:27.519
<v Speaker 2>but really I don't. Okay, he should believe you, but

1:16:27.560 --> 1:16:31.720
<v Speaker 2>I don't. Oh do we have voicemails? Guy, Yes, we do.

1:16:31.840 --> 1:16:35.919
<v Speaker 5>SpongeBob bou smell, but unlimited talk texting that you've got male.

1:16:36.960 --> 1:16:39.800
<v Speaker 2>And the best snap as one can find.

1:16:39.880 --> 1:16:43.800
<v Speaker 7>Four. I'm hearing Rory talking about the kid Cutti Jim

1:16:43.880 --> 1:16:47.720
<v Speaker 7>Jones debate. And he don't say I forgot the time

1:16:47.760 --> 1:16:50.760
<v Speaker 7>period he just said, but he just said New York

1:16:50.840 --> 1:16:52.519
<v Speaker 7>radio ran fifty space.

1:16:52.600 --> 1:16:56.080
<v Speaker 1>You lost your fucking minup New York. He never ran

1:16:56.120 --> 1:16:57.000
<v Speaker 1>the fucking radio.

1:16:56.800 --> 1:17:01.240
<v Speaker 7>In Texas, like fucking ever, never ever, ever have we

1:17:01.280 --> 1:17:04.080
<v Speaker 7>based our listening off of fucking New York radio.

1:17:04.160 --> 1:17:05.120
<v Speaker 1>Let's get this ship straight.

1:17:07.000 --> 1:17:11.960
<v Speaker 7>We always play our artists down here, always, yeah, always period.

1:17:13.080 --> 1:17:16.639
<v Speaker 1>That's why all our artists signed. They come in there

1:17:16.640 --> 1:17:17.240
<v Speaker 1>with a milli empo.

1:17:17.320 --> 1:17:22.680
<v Speaker 7>He signed, Paul Wall, Mike Joe Pole, Switch House well

1:17:22.760 --> 1:17:24.000
<v Speaker 7>millionaires when he signed they deal.

1:17:24.240 --> 1:17:29.960
<v Speaker 1>Go listen to I'm so happy every thing was name

1:17:30.080 --> 1:17:34.160
<v Speaker 1>right now, he said something with the Mann before I signed.

1:17:35.640 --> 1:17:37.400
<v Speaker 1>All our artists right now are still.

1:17:37.240 --> 1:17:40.560
<v Speaker 7>Millionaires because it's down here.

1:17:40.680 --> 1:17:45.000
<v Speaker 1>We listen to you want to Boushi and waveb are

1:17:45.040 --> 1:17:46.679
<v Speaker 1>big because of down South. Yeah.

1:17:46.720 --> 1:17:49.000
<v Speaker 7>I only know them for fucking wipe me down. Like

1:17:49.040 --> 1:17:51.880
<v Speaker 7>I remember Busha got out on the Hot, Hot and

1:17:52.000 --> 1:17:53.880
<v Speaker 7>the Deeper gonna say, well, we know it, wipe it down.

1:17:53.880 --> 1:17:56.720
<v Speaker 1>So what's songs that people listen to and we're like,

1:17:56.760 --> 1:18:00.920
<v Speaker 1>what the listening to? Talk about your legend down here? Yeah?

1:18:01.000 --> 1:18:03.800
<v Speaker 1>They never ran the fucking radio in the South ever.

1:18:05.920 --> 1:18:08.240
<v Speaker 2>Here's the thing. I completely agree with everything this gentleman

1:18:08.320 --> 1:18:12.120
<v Speaker 2>just said. I don't disagree with one one thing that

1:18:12.560 --> 1:18:16.200
<v Speaker 2>he said. I also think Millionaire and Paul Wall were

1:18:16.360 --> 1:18:19.559
<v Speaker 2>amazing entrepreneurs that were millionaires because they were selling out

1:18:19.600 --> 1:18:23.360
<v Speaker 2>their trunk before any record really hit. I think he

1:18:23.439 --> 1:18:27.280
<v Speaker 2>misunderstood what I was saying as far as New York

1:18:27.439 --> 1:18:32.479
<v Speaker 2>radio with program directors and major markets of things being

1:18:32.560 --> 1:18:35.080
<v Speaker 2>proven when it comes to records that got as big

1:18:35.120 --> 1:18:37.680
<v Speaker 2>as Day and Night are I am not saying that

1:18:37.800 --> 1:18:40.960
<v Speaker 2>New York Music ever controlled anything in the South. We

1:18:40.960 --> 1:18:42.800
<v Speaker 2>were just talking about prom and I said in two

1:18:42.800 --> 1:18:46.880
<v Speaker 2>thousand and eight, the South was running everything at that time.

1:18:47.160 --> 1:18:49.639
<v Speaker 2>I am not saying that New York and Music controlled

1:18:50.479 --> 1:18:52.960
<v Speaker 2>anything that was playing on Southern radio. I'm saying with

1:18:53.120 --> 1:18:58.120
<v Speaker 2>records pop records that were like Day and Night, it

1:18:58.160 --> 1:18:59.600
<v Speaker 2>came from a hip hop space. But that is a

1:18:59.600 --> 1:19:04.599
<v Speaker 2>poper No. That shit is a classic pop record for sure,

1:19:05.280 --> 1:19:08.799
<v Speaker 2>the most major market and where all the radio execs,

1:19:08.960 --> 1:19:12.320
<v Speaker 2>label execs, everyone that got shit moving and could really

1:19:12.360 --> 1:19:14.360
<v Speaker 2>press a button at that time because internet was still

1:19:14.360 --> 1:19:16.479
<v Speaker 2>the Internet. Don't get me wrong, but Oha, I saw

1:19:16.520 --> 1:19:19.479
<v Speaker 2>a lot of people on Twitter killing me in the

1:19:19.520 --> 1:19:21.240
<v Speaker 2>comments of that of like, we didn't listen to Hot

1:19:21.320 --> 1:19:23.519
<v Speaker 2>ninety seven in two thousand and eight, cool if you didn't.

1:19:23.800 --> 1:19:26.519
<v Speaker 2>I didn't either. I had a iPod. I wasn't really

1:19:26.520 --> 1:19:28.760
<v Speaker 2>listening to Hot like that. But you're very naive if

1:19:28.760 --> 1:19:31.160
<v Speaker 2>you think radio still matters in twenty twenty six. You

1:19:31.160 --> 1:19:34.000
<v Speaker 2>don't think it mattered in two thousand and eight. Radio

1:19:34.439 --> 1:19:38.439
<v Speaker 2>really mattered at that time, and where every radio exec

1:19:39.439 --> 1:19:42.439
<v Speaker 2>was at, where every label exec was in New York City,

1:19:42.600 --> 1:19:45.400
<v Speaker 2>which made it have even more purpose at that time.

1:19:45.520 --> 1:19:47.480
<v Speaker 2>That's what I was saying. As far as the trajectory

1:19:47.520 --> 1:19:50.120
<v Speaker 2>of anything that happened, I'm not saying that there wasn't

1:19:50.160 --> 1:19:54.439
<v Speaker 2>mix show shit with Houston DJs that didn't make Paul

1:19:54.479 --> 1:19:57.040
<v Speaker 2>wall in Chamelion are pot. Of course, the South has

1:19:57.080 --> 1:20:00.360
<v Speaker 2>always had better radio. Anytime I've traveled, I don't mind

1:20:00.400 --> 1:20:03.080
<v Speaker 2>sitting on the Uber and listening to the radio. South

1:20:03.160 --> 1:20:05.840
<v Speaker 2>DJ's the smoking rs up here. They played fucking amazing music.

1:20:06.000 --> 1:20:08.240
<v Speaker 2>They play local shit. I love what the South does.

1:20:08.280 --> 1:20:11.240
<v Speaker 2>But as far as that radio rotation with those hit

1:20:11.479 --> 1:20:14.519
<v Speaker 2>records TI, I'll tell you, you got to go to

1:20:14.520 --> 1:20:16.160
<v Speaker 2>New York at the toime t I was trying to pop.

1:20:16.200 --> 1:20:18.519
<v Speaker 2>You had to go to New York to get your

1:20:18.560 --> 1:20:24.439
<v Speaker 2>shit really in rotation around the country because syndication started

1:20:24.520 --> 1:20:29.360
<v Speaker 2>a few blocks from here at iHeartRadio, Syndication started in

1:20:29.400 --> 1:20:33.160
<v Speaker 2>New York City. So I understand what this gentleman is saying.

1:20:33.200 --> 1:20:35.160
<v Speaker 2>He completely missed my point, which is probably my fault

1:20:35.160 --> 1:20:38.639
<v Speaker 2>for not articulating it correctly. But I'm not talking about

1:20:38.680 --> 1:20:41.080
<v Speaker 2>New York music. I don't think Jim Jones Day and

1:20:41.160 --> 1:20:45.040
<v Speaker 2>Night Remix played in Houston. I don't think that at all.

1:20:45.400 --> 1:20:47.800
<v Speaker 2>I'm saying a lot of decisions that were being made,

1:20:48.040 --> 1:20:51.080
<v Speaker 2>the pulse of New York mattered at that time with

1:20:51.120 --> 1:20:53.160
<v Speaker 2>what was going on and what was working because those

1:20:53.200 --> 1:20:57.200
<v Speaker 2>people were living in New York City. It's action, it's

1:20:57.240 --> 1:20:59.080
<v Speaker 2>a fact. It's not even really a debate.

1:20:59.160 --> 1:21:03.400
<v Speaker 3>I always tell a story about seeing Future in Sin

1:21:03.479 --> 1:21:07.400
<v Speaker 3>City when he was working as Tony Montana record. Never

1:21:07.439 --> 1:21:10.439
<v Speaker 3>heard the record before that. In Sin City one night,

1:21:11.000 --> 1:21:14.280
<v Speaker 3>see this skinny, tall guy with dreads jumping up and

1:21:14.400 --> 1:21:15.759
<v Speaker 3>he's the only one that knows the words.

1:21:16.800 --> 1:21:20.080
<v Speaker 2>But it was catchy. Me and my homeboy Leaf Sin City.

1:21:20.400 --> 1:21:22.760
<v Speaker 3>We saw rhyming Tony Montan with everything about to go

1:21:22.800 --> 1:21:26.679
<v Speaker 3>get some food, Tony Montana, get some pizza whatever. Everything

1:21:26.720 --> 1:21:29.519
<v Speaker 3>was twenty mon ten, and then two days later heard

1:21:29.560 --> 1:21:30.160
<v Speaker 3>it on the radio.

1:21:30.240 --> 1:21:33.120
<v Speaker 2>Yeah. And I also want to be very clear that

1:21:33.200 --> 1:21:35.960
<v Speaker 2>I'm not saying that even in two thousand and eight,

1:21:36.040 --> 1:21:39.559
<v Speaker 2>radio execs or major label execs were the most important

1:21:39.600 --> 1:21:43.200
<v Speaker 2>fucking people. At the end of the day, what Houston

1:21:43.320 --> 1:21:46.760
<v Speaker 2>does on an independent level is so admirable. What New

1:21:46.840 --> 1:21:49.519
<v Speaker 2>Orleans has always done on an independent level. The streets

1:21:49.520 --> 1:21:52.680
<v Speaker 2>made all those records hot, and then the execs had

1:21:52.680 --> 1:21:56.120
<v Speaker 2>to catch up. But I'm saying a record like Dan

1:21:56.200 --> 1:21:59.200
<v Speaker 2>Knight in that pop world, you do need a little

1:21:59.200 --> 1:22:02.960
<v Speaker 2>bit of a push button from major radio and major

1:22:03.000 --> 1:22:06.559
<v Speaker 2>labels that were in major markets in bed together at

1:22:06.600 --> 1:22:10.840
<v Speaker 2>that time. And iHeartMedia, which was also whether you were

1:22:10.840 --> 1:22:13.080
<v Speaker 2>saying one of six hot ninety seven obviously isn't part

1:22:13.080 --> 1:22:18.519
<v Speaker 2>of that. But syndication matters. Syndication starts in New York City. Yeah,

1:22:18.560 --> 1:22:21.200
<v Speaker 2>it's just a fact based off the people pushing buttons

1:22:21.479 --> 1:22:23.920
<v Speaker 2>starts here. It's not what y'all were doing. I don't

1:22:23.920 --> 1:22:25.639
<v Speaker 2>think New York City had anything to do with Paul

1:22:25.640 --> 1:22:28.640
<v Speaker 2>Wall Camellionaire, fucking cash money, none of that shit. To

1:22:28.960 --> 1:22:30.800
<v Speaker 2>pop and Kit Cutty, day and night would have been

1:22:30.880 --> 1:22:36.240
<v Speaker 2>day and night. It was clipped up thanks Page, day

1:22:36.240 --> 1:22:37.680
<v Speaker 2>and night would have been day and night. I know

1:22:37.720 --> 1:22:39.040
<v Speaker 2>a lot of people just watch the clips and not

1:22:39.080 --> 1:22:40.800
<v Speaker 2>watch the full thing. I'm not saying that Jim Jones

1:22:40.840 --> 1:22:42.639
<v Speaker 2>made fucking day and night work. I'm just talking about

1:22:42.680 --> 1:22:46.040
<v Speaker 2>people that worked in the city made the decisions at

1:22:46.040 --> 1:22:48.639
<v Speaker 2>that time, and New York was prevalent behind the scenes,

1:22:49.000 --> 1:22:51.840
<v Speaker 2>even with Southern music at that time. But y'all, no,

1:22:51.880 --> 1:22:54.519
<v Speaker 2>I'm never given New York credit for Paul Wall or Chamellion, Like,

1:22:54.560 --> 1:22:55.599
<v Speaker 2>come on, what are we talking about.

1:22:55.760 --> 1:22:57.800
<v Speaker 3>Thank you for that, Matthew. Thank you for getting Rory right,

1:22:58.600 --> 1:22:59.400
<v Speaker 3>getting him together.

1:22:59.479 --> 1:23:02.559
<v Speaker 2>He got you together real quick, made you explain yourself.

1:23:03.000 --> 1:23:05.639
<v Speaker 2>If it wasn't patpoos, I don't think sitting sideways would

1:23:05.640 --> 1:23:10.160
<v Speaker 2>even be what it is right now. Oh man, all right,

1:23:10.160 --> 1:23:13.280
<v Speaker 2>well we're going to Patreon. That we are.

1:23:13.320 --> 1:23:14.519
<v Speaker 3>We got more energy for Patreon.

1:23:14.600 --> 1:23:16.800
<v Speaker 2>We're good. I'm ready to do. All right, Well, we'll

1:23:16.840 --> 1:23:19.519
<v Speaker 2>talk to y'all soon. Be safe, be blessed. I'm knitting.

1:23:19.800 --> 1:23:20.960
<v Speaker 2>He's just p