1
00:00:01,280 --> 00:00:01,880
Speaker 1: The volume.

2
00:00:07,840 --> 00:00:12,040
Speaker 2: All right, kids, do you like violets?

3
00:00:12,880 --> 00:00:12,920
Speaker 1: No?

4
00:00:13,400 --> 00:00:15,120
Speaker 3: Let to steak nine inch neil to each one.

5
00:00:15,000 --> 00:00:19,040
Speaker 2: Of your eyelids. No, okay, instead of eating spaghetti sandwiches.

6
00:00:19,040 --> 00:00:21,040
Speaker 2: I was listening to that. That's that's what's going on

7
00:00:21,200 --> 00:00:21,680
Speaker 2: at the time.

8
00:00:22,400 --> 00:00:22,919
Speaker 3: Old Anita.

9
00:00:23,239 --> 00:00:28,360
Speaker 2: First of all, Baby Carbs, by the way, baby k pasta, baby.

10
00:00:28,200 --> 00:00:29,600
Speaker 3: Came in here. You know what I'm saying, hamm and

11
00:00:29,640 --> 00:00:32,800
Speaker 3: Anita got the thmb slick cat suit on her.

12
00:00:33,760 --> 00:00:34,120
Speaker 2: Am.

13
00:00:34,840 --> 00:00:36,839
Speaker 4: Yeah, caught up in the rapture. I love, I just

14
00:00:36,840 --> 00:00:37,839
Speaker 4: want to slow y'all.

15
00:00:38,040 --> 00:00:40,120
Speaker 3: All right, all right, yo, we are back sponsored by

16
00:00:40,120 --> 00:00:43,000
Speaker 3: Boost Mobile unlimited talk texting data.

17
00:00:43,200 --> 00:00:45,400
Speaker 2: The way, she just turns into a whole new human

18
00:00:45,440 --> 00:00:47,560
Speaker 2: being from the instro she came in here. I've had

19
00:00:47,640 --> 00:00:50,239
Speaker 2: no alcohol or dick. I can't take this anymore now.

20
00:00:50,360 --> 00:00:52,880
Speaker 2: So she's in the rapture. She's in the love rapture.

21
00:00:52,920 --> 00:00:57,600
Speaker 3: Caught up in the rapture, love baby. I know that's right, figuratively, biguritive.

22
00:00:57,960 --> 00:00:59,960
Speaker 3: Come on always, you know you never mean literally.

23
00:01:00,120 --> 00:01:00,680
Speaker 2: What's been dry?

24
00:01:00,840 --> 00:01:03,040
Speaker 4: It's been a very dry, very dry January.

25
00:01:03,160 --> 00:01:03,840
Speaker 3: I'll dry it.

26
00:01:05,120 --> 00:01:13,440
Speaker 4: Crispy Demarus is still dry, dry ish.

27
00:01:14,840 --> 00:01:19,399
Speaker 2: The marriage panties for like a used dryer sheet, you know,

28
00:01:19,400 --> 00:01:23,040
Speaker 2: and that ship crumbled up, or the one that was

29
00:01:23,120 --> 00:01:24,759
Speaker 2: left in there for a few loads.

30
00:01:24,440 --> 00:01:26,800
Speaker 3: Like yeah, yeah, yeah, yeah, I'm that guy. I lead

31
00:01:26,880 --> 00:01:27,880
Speaker 3: him in there for like three drives.

32
00:01:27,880 --> 00:01:32,640
Speaker 2: Don't worry about it. That's hilarious. He Bro just commented

33
00:01:32,680 --> 00:01:36,440
Speaker 2: on our i G post said so so Drake told

34
00:01:36,520 --> 00:01:40,840
Speaker 2: maul Yo Cole won't speak to me anymore. That's kind

35
00:01:40,840 --> 00:01:43,360
Speaker 2: of funny when you word it that way, Hebro, shut up?

36
00:01:45,360 --> 00:01:49,960
Speaker 2: What that that's my new ship. You'll shut up now.

37
00:01:50,000 --> 00:01:50,640
Speaker 2: Shout out to bro.

38
00:01:50,800 --> 00:01:53,720
Speaker 3: Shout No, that's actually very shout out to shout out

39
00:01:53,760 --> 00:01:54,240
Speaker 3: the pete.

40
00:01:54,520 --> 00:01:59,280
Speaker 2: Uh yeah, we are back sponsored by Boost merch are

41
00:01:59,280 --> 00:02:01,920
Speaker 2: still on sale. Everything is everything.

42
00:02:01,640 --> 00:02:06,960
Speaker 3: Patreon dot com, Forward slash new Rory mal Yes for

43
00:02:07,040 --> 00:02:07,920
Speaker 3: all things Patreon.

44
00:02:08,160 --> 00:02:12,280
Speaker 2: Absolutely catch us over there getting an osh off, getting

45
00:02:12,320 --> 00:02:13,320
Speaker 2: oush off.

46
00:02:13,919 --> 00:02:16,560
Speaker 3: Netflix is already trying to send her mall clearly. Yeah, man,

47
00:02:16,639 --> 00:02:18,880
Speaker 3: as you can see, send me a very very long

48
00:02:18,919 --> 00:02:22,440
Speaker 3: form email. Yeah, last night, to whom to him make concern,

49
00:02:22,520 --> 00:02:24,200
Speaker 3: to whom it makes its hurd who your my feears

50
00:02:24,280 --> 00:02:27,320
Speaker 3: to click. That's what the email said.

51
00:02:27,560 --> 00:02:30,240
Speaker 2: Well, I mean they sent us Sonos headphones right before that.

52
00:02:30,280 --> 00:02:30,560
Speaker 2: They did.

53
00:02:30,560 --> 00:02:32,440
Speaker 3: They send us some some very good headphones. Thank you

54
00:02:32,480 --> 00:02:35,160
Speaker 3: Netflix for that. A nice welcome to the Netflix family.

55
00:02:35,520 --> 00:02:36,160
Speaker 2: That's what's up.

56
00:02:36,200 --> 00:02:37,520
Speaker 3: You know what I'm saying. We over here shaking ship.

57
00:02:37,560 --> 00:02:39,840
Speaker 3: Then you ain't get your pair of Baby d know, Netflix,

58
00:02:39,840 --> 00:02:42,000
Speaker 3: you gotta send another pick, you gotta. I actually sent

59
00:02:42,080 --> 00:02:44,760
Speaker 3: two more, sent a pair for peets, sent a pair

60
00:02:44,800 --> 00:02:45,280
Speaker 3: for baby D.

61
00:02:45,400 --> 00:02:48,280
Speaker 2: Man. We need some two more. So yeah, I mean

62
00:02:48,360 --> 00:02:50,520
Speaker 2: we've never really gotten welcoming guests, so that was actually

63
00:02:50,560 --> 00:02:52,600
Speaker 2: kind of appreciate it. That was dope. Shout out to Netflix.

64
00:02:52,680 --> 00:02:55,640
Speaker 4: The Volume sends you fifty pounds of popcorn every year

65
00:02:55,760 --> 00:02:56,160
Speaker 4: after that.

66
00:02:57,040 --> 00:02:58,680
Speaker 3: One thing to Vibue gonna do is make sure niggas

67
00:02:58,720 --> 00:03:01,160
Speaker 3: got that popcorn, ain't they? But now we got popcorn

68
00:03:01,200 --> 00:03:03,360
Speaker 3: to watch Netflix. See how they goes. See the Volume

69
00:03:03,440 --> 00:03:06,280
Speaker 3: knew what they was doing. They know what they was doing.

70
00:03:06,320 --> 00:03:08,280
Speaker 3: They was making sure we had enough popcorn and Netflix

71
00:03:08,280 --> 00:03:08,560
Speaker 3: and chill.

72
00:03:08,600 --> 00:03:12,639
Speaker 2: That's all. And every single time we do a partnership

73
00:03:12,639 --> 00:03:14,919
Speaker 2: with the sponsorship, I can't even speak. They send us

74
00:03:14,960 --> 00:03:17,600
Speaker 2: like a snapback hat that no one's ever gonna wear. Yeah,

75
00:03:17,639 --> 00:03:19,799
Speaker 2: like that material could go to homeless people.

76
00:03:20,400 --> 00:03:22,800
Speaker 3: Ship those wherever they ship when the loser team in

77
00:03:22,800 --> 00:03:26,560
Speaker 3: the finals lose, ship those to the same country.

78
00:03:26,200 --> 00:03:28,360
Speaker 2: Like boost, I love you, I promise you. I'm not

79
00:03:28,440 --> 00:03:31,000
Speaker 2: wearing a boost fitted ever. And it's and I don't

80
00:03:31,000 --> 00:03:33,320
Speaker 2: even think that's y'all like like model or your plan.

81
00:03:33,680 --> 00:03:36,000
Speaker 2: It's to get everyone whoever that boost. We love y'all,

82
00:03:36,000 --> 00:03:37,360
Speaker 2: But listen, it's not a paper plane.

83
00:03:37,520 --> 00:03:39,000
Speaker 3: That what the budget is for the hat y'all could

84
00:03:39,000 --> 00:03:44,080
Speaker 3: cut that, you that to charity, save that save the

85
00:03:44,080 --> 00:03:44,680
Speaker 3: hat money man.

86
00:03:44,760 --> 00:03:48,840
Speaker 2: Yeah, whoever they send all the losers of the Super

87
00:03:48,840 --> 00:03:50,480
Speaker 2: Bowl merch too. You know they make it all in

88
00:03:50,480 --> 00:03:52,480
Speaker 2: real time. Yeah, just find out where they send that

89
00:03:52,480 --> 00:03:54,400
Speaker 2: stuff and send all the hats there because they needed

90
00:03:54,400 --> 00:03:58,760
Speaker 2: way more than us. But how are you feeling? You

91
00:03:58,840 --> 00:04:02,080
Speaker 2: have the Internet in a frenzy once again? Do I? Yeah?

92
00:04:02,760 --> 00:04:05,200
Speaker 2: Said Peach said you shocked the world.

93
00:04:05,560 --> 00:04:07,880
Speaker 3: Yeah, I don't listen. I don't pay Peache anymore. When

94
00:04:07,880 --> 00:04:08,720
Speaker 3: I walk in Peache is.

95
00:04:08,760 --> 00:04:11,560
Speaker 2: Just it was pretty much like do you believe in miracles?

96
00:04:11,880 --> 00:04:18,040
Speaker 2: It was it was a USA hockey game. The whole

97
00:04:18,040 --> 00:04:19,320
Speaker 2: world stopped what they were doing.

98
00:04:20,320 --> 00:04:24,520
Speaker 4: But if you have any comments or any questions about

99
00:04:24,560 --> 00:04:26,039
Speaker 4: any of our episodes, I know we don't have a

100
00:04:26,040 --> 00:04:28,719
Speaker 4: comment section with Netflix. We lost the way YouTube, but

101
00:04:28,839 --> 00:04:31,680
Speaker 4: you can go to our Twitter community.

102
00:04:32,120 --> 00:04:35,039
Speaker 2: You also leave a voicemail also our discord and yeah,

103
00:04:35,279 --> 00:04:39,200
Speaker 2: leave some voicemails for us. Even hate, don't don't leave

104
00:04:39,240 --> 00:04:41,760
Speaker 2: non't hate no, because I mean, if you don't have

105
00:04:41,839 --> 00:04:45,000
Speaker 2: the YouTube section to get your anger out on us anymore,

106
00:04:45,000 --> 00:04:47,840
Speaker 2: I don't want to disrupt your daily routine. Just send

107
00:04:47,960 --> 00:04:52,440
Speaker 2: voicemail instead. Get that hate out your heart, put that

108
00:04:52,640 --> 00:04:54,400
Speaker 2: put that hate in your art. You know what I'm saying.

109
00:04:55,680 --> 00:05:00,240
Speaker 3: Could never he don't want it?

110
00:04:58,560 --> 00:05:03,719
Speaker 2: I so uh. I thought I was like, actually gonna

111
00:05:03,720 --> 00:05:06,800
Speaker 2: get lined in the barber shop today, speaking of Onandras.

112
00:05:07,760 --> 00:05:11,560
Speaker 2: My barber, who's also Jake Cole's barber, was like awkwardly

113
00:05:11,640 --> 00:05:13,360
Speaker 2: nice to me today. Well, this isn't always that nice

114
00:05:13,360 --> 00:05:16,279
Speaker 2: to me, he said. I was losing weight. I was

115
00:05:16,320 --> 00:05:19,240
Speaker 2: a little nervous having that barber right there with a

116
00:05:19,279 --> 00:05:24,440
Speaker 2: straight razor this like this close to my jugular. Sometimes

117
00:05:24,440 --> 00:05:26,280
Speaker 2: I was going to like hit you, like, yo, this

118
00:05:26,320 --> 00:05:28,760
Speaker 2: is my appointment this week with my barber. Can you

119
00:05:28,760 --> 00:05:29,320
Speaker 2: come with mm?

120
00:05:29,880 --> 00:05:31,640
Speaker 3: Like you be feeling good that he uses the same

121
00:05:31,640 --> 00:05:33,200
Speaker 3: clips on cold that he uses on you.

122
00:05:33,240 --> 00:05:36,119
Speaker 2: No, I know you tell him not to wash them between.

123
00:05:36,680 --> 00:05:38,040
Speaker 3: Like when you see a dread on the floor, you've

124
00:05:38,040 --> 00:05:39,080
Speaker 3: been thinking that's cold.

125
00:05:41,920 --> 00:05:44,919
Speaker 2: No, I would say, hey, he's probably sweep sweep up

126
00:05:44,920 --> 00:05:45,600
Speaker 2: before I sit down.

127
00:05:45,640 --> 00:05:48,359
Speaker 3: Please, Yo, Rory saying coldready, like let me take that,

128
00:05:48,440 --> 00:05:51,960
Speaker 3: let me take that, got put that in That didn't

129
00:05:51,960 --> 00:05:56,000
Speaker 3: even cold dread. He got some nigga from Brooklyn dredd

130
00:05:56,040 --> 00:06:00,480
Speaker 3: in his bag. Yo, that's not cold dread though. Ship went,

131
00:06:00,560 --> 00:06:05,840
Speaker 3: Oh my god, the studio with a fist ration, Yo.

132
00:06:07,080 --> 00:06:10,880
Speaker 3: Remember like a rabbits. He put colds dread on his

133
00:06:11,000 --> 00:06:11,480
Speaker 3: key chain.

134
00:06:16,480 --> 00:06:18,680
Speaker 2: You know your grandmother used to like tape hair or

135
00:06:18,720 --> 00:06:20,919
Speaker 2: like ship into a photo album.

136
00:06:21,720 --> 00:06:23,560
Speaker 3: You remember at school when you have to make clouds

137
00:06:23,560 --> 00:06:25,359
Speaker 3: out of cotton, you have to like make different clouds.

138
00:06:25,480 --> 00:06:29,360
Speaker 2: He put that on a baby like dreads. Yeah, on

139
00:06:29,400 --> 00:06:34,599
Speaker 2: his fridge. I'm not even like that because I there's

140
00:06:34,640 --> 00:06:39,320
Speaker 2: nothing I can say. It's funny. That was crazy man.

141
00:06:39,960 --> 00:06:43,159
Speaker 2: Uh No, but it has uh it's caused to cause

142
00:06:43,240 --> 00:06:47,560
Speaker 2: some some issues and in my barbershop life for not

143
00:06:47,560 --> 00:06:51,920
Speaker 2: really what will cause issues? Man, We just we're showing

144
00:06:51,960 --> 00:06:54,200
Speaker 2: we love j Cole here. But every time I love

145
00:06:54,360 --> 00:06:55,960
Speaker 2: every time I walk in, like you just miss him.

146
00:06:56,000 --> 00:06:57,920
Speaker 2: You want to call him back? No, I'm cool, you know, I.

147
00:06:57,880 --> 00:06:58,640
Speaker 3: Mean call him back.

148
00:06:58,680 --> 00:07:02,719
Speaker 2: Man's just a conversation. But nah, I don't know if

149
00:07:02,720 --> 00:07:04,479
Speaker 2: the internet was going to internet, I kind of knew

150
00:07:04,680 --> 00:07:07,800
Speaker 2: that was gonna go viral. Yeah, y'all was trying to

151
00:07:07,800 --> 00:07:09,880
Speaker 2: clown me yesterday of like, ya ya should probaly clip

152
00:07:09,880 --> 00:07:11,280
Speaker 2: that because it's gonna get cipp at five o'clock in

153
00:07:11,280 --> 00:07:13,600
Speaker 2: the morning. De Maris wanted to take the whole shit

154
00:07:13,640 --> 00:07:14,160
Speaker 2: out that.

155
00:07:14,200 --> 00:07:17,679
Speaker 3: No, no, no, no, no. See he telling the clip

156
00:07:17,680 --> 00:07:18,880
Speaker 3: out right after we recorded.

157
00:07:18,960 --> 00:07:21,360
Speaker 2: Yeah, because I knew it would get clipped by a

158
00:07:21,520 --> 00:07:23,320
Speaker 2: thousand people at five am.

159
00:07:23,360 --> 00:07:25,080
Speaker 4: Would you know we were snow we were still the

160
00:07:25,080 --> 00:07:26,120
Speaker 4: first people to clip it.

161
00:07:27,400 --> 00:07:32,160
Speaker 2: No clip it, Yeah, like in our computer to post it. Okay,

162
00:07:33,760 --> 00:07:35,560
Speaker 2: computer doesn't mean that the rest of the world is.

163
00:07:35,760 --> 00:07:37,200
Speaker 2: I don't you got to post it on the internet.

164
00:07:37,240 --> 00:07:38,720
Speaker 3: I don't you know, I don't pay attention to shit

165
00:07:38,760 --> 00:07:41,640
Speaker 3: like that. I mean, I just but it's okay. I

166
00:07:41,640 --> 00:07:43,960
Speaker 3: think the message got out there, and you know, we

167
00:07:44,000 --> 00:07:46,640
Speaker 3: had a good conversation and through it all we still

168
00:07:46,680 --> 00:07:49,680
Speaker 3: love cold. We just you know, disappointed, oh God, and

169
00:07:49,840 --> 00:07:54,040
Speaker 3: wear a little heart broken. That's all it is.

170
00:07:54,160 --> 00:07:55,720
Speaker 2: You wan bullshit in twenty twenty six.

171
00:07:56,120 --> 00:07:58,520
Speaker 3: Let's y'all know, I fuck with Cold. Y'all know that

172
00:07:58,600 --> 00:08:00,520
Speaker 3: the Internet made painted like I don't, but y'all in here,

173
00:08:00,560 --> 00:08:02,680
Speaker 3: y'all know with Cole, So that's all that matters.

174
00:08:03,160 --> 00:08:06,040
Speaker 2: Are you gonna go to the tour? Whose tour? I'm

175
00:08:06,080 --> 00:08:07,680
Speaker 2: sure there there'll be a fall off tour?

176
00:08:07,760 --> 00:08:07,840
Speaker 1: No?

177
00:08:08,560 --> 00:08:11,040
Speaker 2: Oh, I mean, you know what's funny, and that's got

178
00:08:11,040 --> 00:08:15,200
Speaker 2: to be the the jersey swap like tour, like the

179
00:08:15,240 --> 00:08:17,920
Speaker 2: way Lebron's gonna do his last Turah and every after

180
00:08:18,000 --> 00:08:19,960
Speaker 2: every regular season game is going to be a moment

181
00:08:20,320 --> 00:08:21,720
Speaker 2: like it's going to be the fall off tour. You've

182
00:08:21,720 --> 00:08:24,160
Speaker 2: got to go. You have to swap hoodies with with Cole.

183
00:08:24,360 --> 00:08:26,040
Speaker 2: I've never been to J Cole, so I don't think

184
00:08:26,600 --> 00:08:28,040
Speaker 2: really sing out. I've seen him.

185
00:08:28,080 --> 00:08:31,400
Speaker 3: I've seen him at I've seen him perform at what's

186
00:08:31,400 --> 00:08:33,400
Speaker 3: the spot in Brooklyn that y'all did plus at one time,

187
00:08:33,440 --> 00:08:34,280
Speaker 3: the outdoor spot.

188
00:08:34,920 --> 00:08:37,440
Speaker 2: Oh, but we all went, we all went together.

189
00:08:37,520 --> 00:08:37,640
Speaker 5: Yea.

190
00:08:37,640 --> 00:08:39,480
Speaker 3: I've seen him there and I think I saw him

191
00:08:39,480 --> 00:08:41,560
Speaker 3: that was their party. Yeah, I think he came out

192
00:08:41,880 --> 00:08:44,800
Speaker 3: as somebody's show before. But I've never been to like

193
00:08:45,640 --> 00:08:47,680
Speaker 3: a J. Cole show in an arena.

194
00:08:47,760 --> 00:08:50,520
Speaker 2: I mean, you didn't, you didn't believe me. But the

195
00:08:50,640 --> 00:08:52,679
Speaker 2: loudest I've ever heard the garden in my entire life

196
00:08:52,800 --> 00:08:56,160
Speaker 2: was that a J cooshow Knicks playoffs, any artist, the

197
00:08:56,200 --> 00:08:57,679
Speaker 2: loudest I've ever heard the garden.

198
00:08:57,720 --> 00:09:00,680
Speaker 3: He never saw Jordan in the garden, you know, No,

199
00:09:00,720 --> 00:09:03,000
Speaker 3: I did not. You don't know that on TV. Yeah,

200
00:09:03,000 --> 00:09:03,760
Speaker 3: you don't know that energy.

201
00:09:03,800 --> 00:09:05,679
Speaker 2: When Mike came out that tunnel, you don't know too

202
00:09:05,720 --> 00:09:06,960
Speaker 2: young it was booze.

203
00:09:07,280 --> 00:09:10,840
Speaker 3: I hope thought it was booze ship, not for Jordan,

204
00:09:11,120 --> 00:09:13,960
Speaker 3: not for twenty three. It wasn't no booze hell nah ship.

205
00:09:14,040 --> 00:09:17,800
Speaker 2: I was. I was thinking that the Seahawks, not Seahawks,

206
00:09:18,360 --> 00:09:23,120
Speaker 2: fucking Patriots AFC game. There was more fans in Denver.

207
00:09:23,400 --> 00:09:25,280
Speaker 2: They was chanting m v P the whole time. I

208
00:09:25,320 --> 00:09:27,240
Speaker 2: was like, does Denver have a fan base anymore? Yeah?

209
00:09:27,280 --> 00:09:31,320
Speaker 2: They do. At an AFC Championship game, the opposing quarterback

210
00:09:31,400 --> 00:09:32,719
Speaker 2: is getting MVP chance for.

211
00:09:32,679 --> 00:09:35,360
Speaker 3: The whole game. You're that good, You're that good man. Nah.

212
00:09:35,520 --> 00:09:38,840
Speaker 2: If I'm not, you have to exit na. You get

213
00:09:38,880 --> 00:09:41,679
Speaker 2: love all my stop. M v P of the a

214
00:09:41,800 --> 00:09:45,400
Speaker 2: FC Championship what the fuck. What do you think the

215
00:09:45,520 --> 00:09:48,920
Speaker 2: ratio will be in San Francisco? I mean, Seattle's right there.

216
00:09:50,040 --> 00:09:52,319
Speaker 2: It's going to be a lot of that's going to

217
00:09:52,360 --> 00:09:54,120
Speaker 2: be a rough one. Yeah. I think it's going to

218
00:09:54,160 --> 00:09:56,360
Speaker 2: be Ice and Seahawks fans just everywhere.

219
00:09:56,480 --> 00:09:59,600
Speaker 3: Yeah, definitely Ice Seahawks.

220
00:09:59,760 --> 00:10:01,520
Speaker 2: Yeah. I don't know, but I do think the New

221
00:10:01,520 --> 00:10:04,360
Speaker 2: England Patriot fans would would be helping, helping, helping Ice out.

222
00:10:04,440 --> 00:10:06,439
Speaker 3: And not only that, but Patriots fans are going to

223
00:10:06,480 --> 00:10:07,320
Speaker 3: travel to California.

224
00:10:07,480 --> 00:10:12,120
Speaker 2: Yeah. Absolutely, that's Super Bowl. But anyways, how's your week been.

225
00:10:12,520 --> 00:10:15,280
Speaker 2: It's good man, that's free, give us some updates. Stress free.

226
00:10:15,640 --> 00:10:18,199
Speaker 2: Be and Demarisa are very you know, in tune of

227
00:10:18,200 --> 00:10:22,360
Speaker 2: your personal life, Like, is there anything going on in

228
00:10:22,400 --> 00:10:26,160
Speaker 2: my personal life that's worth talking about? No, not really,

229
00:10:26,280 --> 00:10:27,600
Speaker 2: it's just January dry too.

230
00:10:28,440 --> 00:10:29,240
Speaker 3: Oh yeah, I'm not.

231
00:10:29,280 --> 00:10:29,520
Speaker 2: I don't.

232
00:10:29,559 --> 00:10:30,640
Speaker 3: I'm not smoking anymore.

233
00:10:31,080 --> 00:10:36,920
Speaker 2: No, but uh, intercourse, Oh and of course desert desert.

234
00:10:37,120 --> 00:10:38,959
Speaker 3: Not know what a nigga lying to me? No, I'm

235
00:10:39,000 --> 00:10:40,640
Speaker 3: dead serious. I ain't had no sex.

236
00:10:41,840 --> 00:10:43,760
Speaker 2: Like that girl, like that girl that ran through church.

237
00:10:44,320 --> 00:10:45,640
Speaker 2: I had no sex.

238
00:10:45,760 --> 00:10:46,400
Speaker 3: I didn't see that.

239
00:10:46,440 --> 00:10:49,120
Speaker 4: You never oh, Man's classic me. But anyway, I never

240
00:10:49,160 --> 00:10:52,600
Speaker 4: saw that one. Yeah, so now we see dry dry

241
00:10:52,679 --> 00:10:54,200
Speaker 4: jenuar over here. I don't know what that nigga got going.

242
00:10:54,240 --> 00:10:57,280
Speaker 3: But but not having sexual month is not It's not

243
00:10:57,320 --> 00:10:59,760
Speaker 3: crazy though, that's like very normal to not have sex.

244
00:11:00,480 --> 00:11:00,920
Speaker 2: Yeah.

245
00:11:01,120 --> 00:11:03,560
Speaker 3: Now if you have living like a boyfriend or girlfriend

246
00:11:03,559 --> 00:11:05,080
Speaker 3: and you ain't got no, then y'all need to talk

247
00:11:05,080 --> 00:11:06,720
Speaker 3: about something like we ain't have sex in a month,

248
00:11:06,800 --> 00:11:09,120
Speaker 3: like and I have a boyfriend or girlfriend, like it's

249
00:11:09,440 --> 00:11:10,959
Speaker 3: y'all might want to have a conversation. It's called the

250
00:11:10,960 --> 00:11:15,360
Speaker 3: marriage nageep. We be having sex not like you know,

251
00:11:16,240 --> 00:11:19,240
Speaker 3: cheating couples do. But you nobody fuck more than cheating

252
00:11:19,240 --> 00:11:21,600
Speaker 3: couples each other and others. Yeah, man, because you know

253
00:11:21,640 --> 00:11:23,760
Speaker 3: when you cheat and you feel that, you know, regret,

254
00:11:23,840 --> 00:11:25,360
Speaker 3: you got to go home and really put it on

255
00:11:25,600 --> 00:11:27,760
Speaker 3: your girlfriend, not even shower right Yeah, well no, no, no,

256
00:11:28,000 --> 00:11:33,960
Speaker 3: please wash that off. Shout don't do that, Please don't

257
00:11:33,960 --> 00:11:34,280
Speaker 3: do that.

258
00:11:35,360 --> 00:11:39,160
Speaker 2: I saw on the way here we had a Banks

259
00:11:39,160 --> 00:11:42,679
Speaker 2: and Fab conversation on bag fuel. Shout out to those guys.

260
00:11:42,679 --> 00:11:44,120
Speaker 2: And we were not the first people to have this

261
00:11:44,160 --> 00:11:47,880
Speaker 2: Banks in Fab conversation. It's kind of become a trendy thing.

262
00:11:48,600 --> 00:11:52,439
Speaker 2: Uh this year, I believe was it Mook and Lux. Yeah,

263
00:11:52,480 --> 00:11:54,520
Speaker 2: I think Mouke and Lux started this debate with Banks

264
00:11:54,520 --> 00:11:57,080
Speaker 2: and Fab and it definitely caught a lot of attention

265
00:11:57,120 --> 00:11:59,840
Speaker 2: because everyone's debating it. Uncle Murder an Tony y are

266
00:12:00,200 --> 00:12:02,240
Speaker 2: made shout out to them, were on the Breakfast Club

267
00:12:02,360 --> 00:12:05,160
Speaker 2: Shout out the Murder, shout out the Yo this morning,

268
00:12:05,720 --> 00:12:10,000
Speaker 2: and the Breakfast Club had brought up the Fab verse

269
00:12:10,000 --> 00:12:12,720
Speaker 2: Banks debate, which I was intrigued with because I consider

270
00:12:13,080 --> 00:12:15,120
Speaker 2: Envy to be Desert Storm even if he's not, that's

271
00:12:15,120 --> 00:12:18,959
Speaker 2: still his lineage. And then obviously Yo is genuine and Banks,

272
00:12:19,000 --> 00:12:21,559
Speaker 2: his brother Yao did what we knew Yao would do.

273
00:12:21,640 --> 00:12:23,600
Speaker 2: One of the most loyal people ever. He said he

274
00:12:23,600 --> 00:12:25,320
Speaker 2: didn't care I choose Banks, even when they brought up

275
00:12:25,320 --> 00:12:27,560
Speaker 2: like a fair points, I don't care. I choose Banks. Yeah,

276
00:12:27,800 --> 00:12:33,360
Speaker 2: you see how it works. And I love Yo, like

277
00:12:34,320 --> 00:12:36,959
Speaker 2: he'll admit out the gate like nas as Banks, that's

278
00:12:37,000 --> 00:12:38,560
Speaker 2: my brother. I'm always gonna pick that. But then just

279
00:12:38,559 --> 00:12:40,600
Speaker 2: bring a point like all right, well Banks about to

280
00:12:40,600 --> 00:12:42,679
Speaker 2: tour Fab not Torn. It's like, well Fab could tour,

281
00:12:43,400 --> 00:12:45,680
Speaker 2: that's a moot point in that just because Banks is

282
00:12:45,679 --> 00:12:49,280
Speaker 2: going out but after that fifty cent posted this maybe

283
00:12:49,320 --> 00:12:53,440
Speaker 2: about an hour ago since we recording this fab verse banks.

284
00:12:54,080 --> 00:12:56,680
Speaker 2: They both write better when it's about girls. They both

285
00:12:56,760 --> 00:12:59,960
Speaker 2: think they are better than everybody. They both never put

286
00:13:00,160 --> 00:13:03,840
Speaker 2: in no work themselves. They both are not likely to

287
00:13:03,960 --> 00:13:06,880
Speaker 2: sell at this point either in their career. It's a tie.

288
00:13:06,960 --> 00:13:10,439
Speaker 2: Ladies and gentlemen. They are the same. Some hate, man,

289
00:13:10,920 --> 00:13:15,280
Speaker 2: that's some hate what fifty mean by they I was

290
00:13:15,320 --> 00:13:16,960
Speaker 2: trying to think they are better than that Isn't every

291
00:13:17,000 --> 00:13:18,520
Speaker 2: rapper supposed to think they better than everybody?

292
00:13:19,000 --> 00:13:19,760
Speaker 3: That's just rap shit.

293
00:13:19,800 --> 00:13:21,840
Speaker 4: That's like law is you're supposed to say that you

294
00:13:21,880 --> 00:13:23,480
Speaker 4: think that you better. But I feel like rappers know

295
00:13:23,480 --> 00:13:24,360
Speaker 4: who they not better than?

296
00:13:24,640 --> 00:13:26,080
Speaker 3: Oh yeah, when you go home an now you know

297
00:13:26,080 --> 00:13:27,679
Speaker 3: when a rabbit whooped your ass, like you know, when

298
00:13:27,720 --> 00:13:28,600
Speaker 3: you lay down like Dan go.

299
00:13:28,760 --> 00:13:31,120
Speaker 4: Even not even even not even if you engage in battle,

300
00:13:31,120 --> 00:13:32,560
Speaker 4: like you go home, and you know that.

301
00:13:32,559 --> 00:13:35,120
Speaker 3: Ultimate feature, like even when you do a song together,

302
00:13:35,120 --> 00:13:36,800
Speaker 3: you like, yeah, I ain't gonna lie that nigga got me,

303
00:13:36,880 --> 00:13:39,280
Speaker 3: like you know, but you ain't gonna say that shit publicly.

304
00:13:40,679 --> 00:13:44,640
Speaker 2: That I that part of it. I do believe fifty there.

305
00:13:44,640 --> 00:13:48,320
Speaker 2: I also think that Fab and Banks quietly to themselves

306
00:13:48,960 --> 00:13:51,560
Speaker 2: and humbly think they are better than everybody that raps.

307
00:13:51,600 --> 00:13:54,559
Speaker 2: I don't think there's no humility in it, and I

308
00:13:54,760 --> 00:13:57,800
Speaker 2: think there's plaunt that shit unless he's rapping. And even Fab,

309
00:13:58,120 --> 00:13:59,960
Speaker 2: for what it's worth, who is more in the public.

310
00:14:00,840 --> 00:14:02,880
Speaker 2: You've been around Fab, I've been around Fab and had

311
00:14:03,200 --> 00:14:07,040
Speaker 2: conversations about other rappers and ship off Mike Fat rightfully,

312
00:14:07,040 --> 00:14:10,280
Speaker 2: so thins he's better than everybody else. Yes, but you're

313
00:14:10,280 --> 00:14:12,240
Speaker 2: supposed to know. There's nothing wrong with that. I'm not

314
00:14:13,120 --> 00:14:14,839
Speaker 2: putting out any news. Somebody shouldn't know.

315
00:14:14,920 --> 00:14:16,920
Speaker 3: Any type of competitive feel You're supposed to feel like

316
00:14:16,920 --> 00:14:17,520
Speaker 3: you're the best.

317
00:14:17,559 --> 00:14:21,840
Speaker 2: But there are rappers to Demarus's point, that like, no,

318
00:14:21,920 --> 00:14:24,640
Speaker 2: they're not, and don't think that they could say that

319
00:14:24,680 --> 00:14:26,520
Speaker 2: in a conversation like nah washing, but they know they

320
00:14:26,520 --> 00:14:26,920
Speaker 2: know better.

321
00:14:27,240 --> 00:14:30,480
Speaker 3: Yeah, every rapper knows, like I can't fuck with him,

322
00:14:30,480 --> 00:14:32,440
Speaker 3: but I ain't gonna say that. Yeah, And I ain't

323
00:14:32,520 --> 00:14:33,960
Speaker 3: about to go in the booth and do a song

324
00:14:34,000 --> 00:14:35,640
Speaker 3: with him and feel like I ain't about to like

325
00:14:35,680 --> 00:14:37,760
Speaker 3: I'm going in there to bus his ass. Yeah, So

326
00:14:37,800 --> 00:14:39,680
Speaker 3: I mean I get that, but now I don't know

327
00:14:39,720 --> 00:14:41,280
Speaker 3: what he what do you mean by they both never

328
00:14:41,320 --> 00:14:42,880
Speaker 3: put in no work themselves.

329
00:14:43,200 --> 00:14:47,520
Speaker 2: So I was trying to figure out, in the way

330
00:14:47,520 --> 00:14:50,120
Speaker 2: he worded it what he meant there. I don't think

331
00:14:50,120 --> 00:14:52,200
Speaker 2: he meant like they never put in no work in

332
00:14:52,240 --> 00:14:55,160
Speaker 2: the street or whatever themselves. I think he was because

333
00:14:55,720 --> 00:14:58,480
Speaker 2: Fifty's last book, book, fifty Laws of Power, he has

334
00:14:58,520 --> 00:15:01,000
Speaker 2: a chapter where he mentions his relationship with Banks and

335
00:15:01,040 --> 00:15:03,360
Speaker 2: he's like, Yo, this guy has lazy Lloyd tattooed on him.

336
00:15:03,600 --> 00:15:06,280
Speaker 2: Banks never put in the work to match his talent.

337
00:15:06,320 --> 00:15:09,360
Speaker 2: He thought he could coast because he was so talented. Okay,

338
00:15:10,200 --> 00:15:12,320
Speaker 2: he's been on record for a while saying those things.

339
00:15:13,840 --> 00:15:17,160
Speaker 2: Now the Fab side, I feel like Fab put in

340
00:15:17,200 --> 00:15:20,160
Speaker 2: a lot of work into himself and his brand, and

341
00:15:20,160 --> 00:15:21,280
Speaker 2: that was a solo artist.

342
00:15:21,520 --> 00:15:23,920
Speaker 3: He was never in a group like you know, I

343
00:15:23,960 --> 00:15:25,840
Speaker 3: Fifty says that about Banks because the whole g unit,

344
00:15:25,880 --> 00:15:26,760
Speaker 3: and it feels like, you know.

345
00:15:26,880 --> 00:15:31,480
Speaker 2: I understand, yeah, but Fab is their relationship Fab. I didn't.

346
00:15:31,520 --> 00:15:33,720
Speaker 2: I was like, I don't think there's ever been a

347
00:15:33,760 --> 00:15:38,520
Speaker 2: point that I felt like Fab didn't want it like Banks.

348
00:15:38,560 --> 00:15:40,800
Speaker 2: Sometimes there was a point where I was like, he

349
00:15:40,880 --> 00:15:43,200
Speaker 2: probably just doesn't like the shit. He doesn't like the limelight.

350
00:15:43,240 --> 00:15:45,560
Speaker 2: He doesn't like to be around people like I'm cool, bro,

351
00:15:45,760 --> 00:15:48,120
Speaker 2: I'm gonna do my verses and when it's time to

352
00:15:48,120 --> 00:15:51,040
Speaker 2: make some money, I'll come outside. But if not, I'm chilling,

353
00:15:51,360 --> 00:15:52,880
Speaker 2: like I don't want to do all this. But Fab,

354
00:15:53,720 --> 00:15:58,040
Speaker 2: I mean, outside of recently, has been super consistent. He's

355
00:15:58,400 --> 00:16:00,640
Speaker 2: done like brand shit. He's I don't know that he has

356
00:16:00,640 --> 00:16:01,160
Speaker 2: always been.

357
00:16:01,480 --> 00:16:03,360
Speaker 3: I'm always on the side. I do always feel like

358
00:16:03,400 --> 00:16:06,120
Speaker 3: and I think I've expressed this before that I feel

359
00:16:06,120 --> 00:16:11,359
Speaker 3: like Fab is is like very laid back, very cool

360
00:16:11,800 --> 00:16:14,720
Speaker 3: thanks to m Yeah, he don't really have a lot

361
00:16:14,720 --> 00:16:17,680
Speaker 3: of ego when it comes to trying to prove that

362
00:16:17,800 --> 00:16:19,760
Speaker 3: he's better than everybody, Like he doesn't, you know what

363
00:16:19,760 --> 00:16:21,520
Speaker 3: I mean. Like Fab is not just dropping music all

364
00:16:21,520 --> 00:16:23,480
Speaker 3: the time. He's not doing a bunch of features. He's

365
00:16:23,520 --> 00:16:25,680
Speaker 3: not and we want that, Like we want the Soul

366
00:16:25,720 --> 00:16:28,600
Speaker 3: tape shit back, we want Summertime shootout back, we want

367
00:16:28,640 --> 00:16:32,560
Speaker 3: a new Fab project. I don't know why. I think

368
00:16:32,560 --> 00:16:35,640
Speaker 3: it was probably some legal things why Fab kind of

369
00:16:35,640 --> 00:16:37,640
Speaker 3: didn't want to, you know, put out new music and

370
00:16:37,640 --> 00:16:40,800
Speaker 3: shit like that. But as far as like, you know,

371
00:16:41,720 --> 00:16:44,000
Speaker 3: not putting in no work, I mean I think fab

372
00:16:44,080 --> 00:16:47,040
Speaker 3: like I said, he's since the late nineties and he's

373
00:16:47,080 --> 00:16:48,600
Speaker 3: still relevant today.

374
00:16:48,560 --> 00:16:53,040
Speaker 2: Like and even on the Bank side, I guess I can.

375
00:16:53,120 --> 00:16:56,720
Speaker 2: I can understand fifties perspective there because you know, he's

376
00:16:56,760 --> 00:16:59,360
Speaker 2: known Banks since Banks was like literally a child and

377
00:16:59,360 --> 00:17:02,480
Speaker 2: has watched the entire thing, So of course his perspective

378
00:17:02,480 --> 00:17:04,919
Speaker 2: would be more of a fact than us on the

379
00:17:04,920 --> 00:17:07,760
Speaker 2: outside looking in. But I do feel in the last

380
00:17:08,280 --> 00:17:10,760
Speaker 2: I don't know, six seven years, Banks has been super

381
00:17:10,800 --> 00:17:17,159
Speaker 2: consistent now as impactful from eyes like fifty cent, I

382
00:17:17,200 --> 00:17:19,240
Speaker 2: can see why he would say something like that, but

383
00:17:19,480 --> 00:17:22,080
Speaker 2: to a consumer and fan of Banks, I think he's

384
00:17:22,640 --> 00:17:25,200
Speaker 2: been super consistent and putting in a lot of work

385
00:17:26,119 --> 00:17:28,480
Speaker 2: to help his brand in that regard and what Yeo said,

386
00:17:28,480 --> 00:17:31,440
Speaker 2: he's about to go overseas on tour, which that's their

387
00:17:31,440 --> 00:17:34,359
Speaker 2: bread and butter, Like oh yeah, you like when Gene

388
00:17:34,359 --> 00:17:40,359
Speaker 2: is Wu tang Acon like those they'll never be because

389
00:17:40,359 --> 00:17:44,760
Speaker 2: they have Europe like it'll they'll always always show up

390
00:17:44,920 --> 00:17:47,400
Speaker 2: for them. I get it. It's just it's just sad

391
00:17:47,480 --> 00:17:49,080
Speaker 2: to see the fab shit. I don't really care. I

392
00:17:49,119 --> 00:17:51,240
Speaker 2: know him if fifty has something recent of a little

393
00:17:51,240 --> 00:17:56,240
Speaker 2: back and forth, but it's it's heartbreaking as a lifelong

394
00:17:56,320 --> 00:18:00,200
Speaker 2: g UNIT fan to see this fifty in Banks fly

395
00:18:00,200 --> 00:18:04,280
Speaker 2: feud still going on, and I mean Fifties put out

396
00:18:04,520 --> 00:18:06,560
Speaker 2: a record with Rest in Peace, p and b Rock.

397
00:18:06,720 --> 00:18:08,480
Speaker 2: I'm going crazy that I love where he addresses the

398
00:18:08,480 --> 00:18:11,359
Speaker 2: whole Banks thing. I don't know, I just I just

399
00:18:11,359 --> 00:18:13,439
Speaker 2: hate to see this type of shit because Banks just

400
00:18:13,480 --> 00:18:16,960
Speaker 2: kind of keeps to himself. Like if Banks was outside

401
00:18:17,000 --> 00:18:20,200
Speaker 2: the way Yo was and was talking as much as yao,

402
00:18:20,440 --> 00:18:23,000
Speaker 2: but in a negative way towards Fifty, I could totally

403
00:18:23,000 --> 00:18:25,720
Speaker 2: see that. But Bro Banks be mind of his business,

404
00:18:25,760 --> 00:18:29,040
Speaker 2: like it's very sad. It's sad to see the other bit.

405
00:18:29,119 --> 00:18:32,320
Speaker 2: I can see Fifty feeling a way that being his

406
00:18:32,320 --> 00:18:34,119
Speaker 2: little brother, Like Yo, I don't think you reach your potential.

407
00:18:34,160 --> 00:18:35,840
Speaker 2: I wish you would have done this. I did do

408
00:18:35,880 --> 00:18:37,399
Speaker 2: a lot for you. I think Banks would say the

409
00:18:37,440 --> 00:18:40,280
Speaker 2: same thing that Fifty did so much for him. But

410
00:18:41,480 --> 00:18:43,159
Speaker 2: we ain't got to do this, man, unless Banks are

411
00:18:43,160 --> 00:18:44,440
Speaker 2: saying a bunch of shit behind the scenes that I

412
00:18:44,440 --> 00:18:44,920
Speaker 2: don't know about.

413
00:18:45,640 --> 00:18:47,080
Speaker 3: Yeah, that's different again.

414
00:18:46,880 --> 00:18:49,199
Speaker 2: But we also know fifty. You'll just say something you.

415
00:18:49,280 --> 00:18:52,399
Speaker 3: Just speculating off of a comment that Fifty made. But

416
00:18:53,000 --> 00:18:55,160
Speaker 3: I mean you know, I'm still always on the side

417
00:18:55,600 --> 00:19:00,320
Speaker 3: I'm waiting for new Fat music. Like I'm waiting for that.

418
00:19:00,480 --> 00:19:04,360
Speaker 3: I've been vocal about that. I've spoken the Fab about that, like, yo,

419
00:19:04,560 --> 00:19:05,840
Speaker 3: like what we're doing?

420
00:19:05,880 --> 00:19:06,040
Speaker 2: Man?

421
00:19:06,119 --> 00:19:08,320
Speaker 3: Yeah, because I always am down for a new FAB project.

422
00:19:08,320 --> 00:19:10,640
Speaker 2: When when was the last time you had that conversation

423
00:19:10,720 --> 00:19:11,080
Speaker 2: with Fat?

424
00:19:12,000 --> 00:19:15,880
Speaker 3: When we were in Atlanta the last time we had

425
00:19:15,920 --> 00:19:18,159
Speaker 3: we had a shot out there. I saw him at

426
00:19:18,280 --> 00:19:21,880
Speaker 3: Copper Cove one night. Okay, I went there and because

427
00:19:21,920 --> 00:19:22,119
Speaker 3: I was.

428
00:19:22,119 --> 00:19:23,920
Speaker 2: What twenty and twenty four last time we were in

429
00:19:24,880 --> 00:19:26,480
Speaker 2: twenty five, twenty four.

430
00:19:26,400 --> 00:19:28,879
Speaker 3: Twenty four, Yeah, god damn yeah, And we had a

431
00:19:28,920 --> 00:19:32,639
Speaker 3: conversation and you know, he was he just started laughing

432
00:19:32,680 --> 00:19:34,399
Speaker 3: like he's like, yeah, I know I'll be hearing it.

433
00:19:34,640 --> 00:19:37,280
Speaker 3: I'm like, Yo, what's up, what are you doing? Bro?

434
00:19:37,359 --> 00:19:40,439
Speaker 3: Like we need that music. But you know that is

435
00:19:40,480 --> 00:19:42,360
Speaker 3: you know, I guess whenever he's ready. But I do think,

436
00:19:42,520 --> 00:19:46,080
Speaker 3: you know, I never asked him personal business about his

437
00:19:46,119 --> 00:19:48,159
Speaker 3: you know, his career. But I do think it is

438
00:19:48,200 --> 00:19:52,440
Speaker 3: probably some legal contracts and things that people that's probably

439
00:19:52,440 --> 00:19:54,800
Speaker 3: still eating over his music that he's trying probably trying

440
00:19:54,840 --> 00:19:57,480
Speaker 3: to you know, moving or get away from it. Shit

441
00:19:57,560 --> 00:19:59,199
Speaker 3: like that. That is the reason why he's not his

442
00:19:59,320 --> 00:20:02,520
Speaker 3: output is not Yeah, sure, because again Fab's talent level.

443
00:20:02,560 --> 00:20:05,200
Speaker 3: He still raps better than ninety percent of the rappers

444
00:20:05,200 --> 00:20:08,040
Speaker 3: that we have. He makes better songs than ninety percent

445
00:20:08,080 --> 00:20:11,520
Speaker 3: of y'all. And again I'm always down to hear some

446
00:20:11,560 --> 00:20:12,320
Speaker 3: new Fab music.

447
00:20:12,480 --> 00:20:15,360
Speaker 2: I mean, I do know for a fact, I recently,

448
00:20:15,880 --> 00:20:20,160
Speaker 2: you know, within the last month, Benning sessions and Fab

449
00:20:20,240 --> 00:20:22,600
Speaker 2: is working. I don't know if he's gonna put any

450
00:20:22,640 --> 00:20:25,840
Speaker 2: music out, but it's great, like it Fab is in shape.

451
00:20:26,560 --> 00:20:27,960
Speaker 2: While I was listening to it, I was like, I

452
00:20:27,960 --> 00:20:32,960
Speaker 2: don't understand why you just don't hit upload. I was

453
00:20:33,000 --> 00:20:35,080
Speaker 2: right there, but right there actually like this goes off

454
00:20:35,080 --> 00:20:37,199
Speaker 2: to the world, not here to like I'm not revealing.

455
00:20:37,240 --> 00:20:40,240
Speaker 2: I have no idea what Fab wants to do is doing.

456
00:20:40,320 --> 00:20:43,119
Speaker 2: All I know is everything i've heard that is like

457
00:20:43,240 --> 00:20:47,959
Speaker 2: the newest Fab music sounds incredible, Like I could hear

458
00:20:48,119 --> 00:20:49,840
Speaker 2: me like, oh, that's not up to par. Maybe he's

459
00:20:49,840 --> 00:20:51,800
Speaker 2: trying to get back in shape, and that's why it's

460
00:20:51,840 --> 00:20:54,640
Speaker 2: it's great, Like, don't upload the shit now, don't.

461
00:20:54,800 --> 00:20:56,359
Speaker 3: That's why I'm saying it has to be some legal

462
00:20:56,640 --> 00:20:57,920
Speaker 3: something on the legal side.

463
00:20:58,040 --> 00:21:01,000
Speaker 2: I could see that Fab has been in some contracts.

464
00:21:01,040 --> 00:21:03,040
Speaker 3: Yeah, I cannot think it's some business shit that's in

465
00:21:03,040 --> 00:21:03,560
Speaker 3: the way of that.

466
00:21:03,800 --> 00:21:06,719
Speaker 2: Yeah, I can definitely see that. It's sad for me

467
00:21:06,760 --> 00:21:09,600
Speaker 2: to say, speaking New York hip hop, that it's only

468
00:21:09,640 --> 00:21:11,440
Speaker 2: been like a week or two, But in this day

469
00:21:11,480 --> 00:21:13,600
Speaker 2: and age, that's saying a lot that you're still listening

470
00:21:13,680 --> 00:21:15,720
Speaker 2: to an album. I'm still listening to this asap rocky

471
00:21:16,200 --> 00:21:19,280
Speaker 2: album every day. Like, it's still really good to me.

472
00:21:19,480 --> 00:21:22,440
Speaker 2: It's good driving music, in good shower music in the cars.

473
00:21:22,560 --> 00:21:25,040
Speaker 2: It's my favorite driving album right now.

474
00:21:25,040 --> 00:21:27,400
Speaker 3: The music is like we spoke about this might be

475
00:21:27,920 --> 00:21:30,000
Speaker 3: his best album.

476
00:21:30,359 --> 00:21:34,240
Speaker 2: Yeah, I'm not mad at that take whatsoever. It's so

477
00:21:34,320 --> 00:21:38,040
Speaker 2: crazy that now that's how we talk. It's been two weeks.

478
00:21:38,040 --> 00:21:38,679
Speaker 2: How's it aging?

479
00:21:39,560 --> 00:21:39,800
Speaker 4: Yeah?

480
00:21:40,000 --> 00:21:41,239
Speaker 2: Like now still I still fun with it.

481
00:21:41,240 --> 00:21:42,680
Speaker 3: You should fall out the rotation quick.

482
00:21:42,680 --> 00:21:44,720
Speaker 2: Oh it sounds crazy to say, but yeah.

483
00:21:44,560 --> 00:21:48,000
Speaker 3: Quick, you got the average lifespan of album is probably

484
00:21:48,040 --> 00:21:51,399
Speaker 3: six days. I mean even six You got six days

485
00:21:51,440 --> 00:21:54,080
Speaker 3: to prove that this is some fire or we will

486
00:21:54,080 --> 00:21:55,200
Speaker 3: never listen to this again.

487
00:21:55,040 --> 00:21:57,679
Speaker 2: Even with shit I like and this is not a

488
00:21:57,680 --> 00:21:59,600
Speaker 2: slight to Travis. Maybe it's more of a slight to

489
00:21:59,600 --> 00:22:02,480
Speaker 2: me as a consumer. I came in here when Travis

490
00:22:02,480 --> 00:22:04,200
Speaker 2: put out his last project and was like, yoh, shit

491
00:22:04,240 --> 00:22:07,600
Speaker 2: is fire. After a week passed, I was like, I'm cool.

492
00:22:08,760 --> 00:22:10,119
Speaker 3: It's crazy how it works.

493
00:22:09,920 --> 00:22:12,760
Speaker 2: And maybe that's a me thing. I don't know. I'm

494
00:22:12,800 --> 00:22:16,320
Speaker 2: sure Travis's fan base loves it and still listening. I'm

495
00:22:16,359 --> 00:22:18,879
Speaker 2: not saying no one but me. I'm like, damn, I

496
00:22:18,920 --> 00:22:20,600
Speaker 2: came in here and said I absolutely loved it. I'm

497
00:22:20,640 --> 00:22:22,399
Speaker 2: kind of cool. I don't even know which song to

498
00:22:22,480 --> 00:22:22,879
Speaker 2: run back to.

499
00:22:22,960 --> 00:22:25,199
Speaker 3: It's just too much mute. We have access to too

500
00:22:25,280 --> 00:22:28,399
Speaker 3: much fucking music because we listened to old school, like

501
00:22:28,400 --> 00:22:32,119
Speaker 3: we're just singing Anita Baker. We still listening to Anita, Like,

502
00:22:32,560 --> 00:22:34,640
Speaker 3: so how if we still listen to how the fuck

503
00:22:34,680 --> 00:22:36,639
Speaker 3: we got time to listen to the new R and

504
00:22:36,680 --> 00:22:39,399
Speaker 3: B girl that dropped, like we still listening to Anita?

505
00:22:39,400 --> 00:22:41,960
Speaker 3: We still listening in the ment condition, like we still

506
00:22:42,000 --> 00:22:42,720
Speaker 3: on that music.

507
00:22:42,880 --> 00:22:47,639
Speaker 2: What are our timeless records from our generation? Maybe we

508
00:22:47,640 --> 00:22:49,159
Speaker 2: put a year on it, and damn, I wish this

509
00:22:49,240 --> 00:22:50,720
Speaker 2: was one of those we talked about before so we

510
00:22:50,720 --> 00:22:53,040
Speaker 2: could come more prepared. But I'm cool having a conversation

511
00:22:53,080 --> 00:22:59,720
Speaker 2: in real Time from two thousand and on Timeless, Yeah,

512
00:23:00,400 --> 00:23:04,960
Speaker 2: in the last twenty five years. Just in general, I'm

513
00:23:04,960 --> 00:23:08,960
Speaker 2: talking about timeless like narrow it down still well Sorry,

514
00:23:09,480 --> 00:23:14,560
Speaker 2: R and B pop Uh love Love on Top? Okay,

515
00:23:14,640 --> 00:23:17,440
Speaker 2: it's a timeless I think Amara will sing Love on Top,

516
00:23:17,520 --> 00:23:20,320
Speaker 2: But then again I don't. I don't know. I think

517
00:23:20,119 --> 00:23:23,600
Speaker 2: the age difference between you and when that Anita Baker

518
00:23:23,600 --> 00:23:27,160
Speaker 2: record came out is insane. Do you think will have

519
00:23:27,240 --> 00:23:33,320
Speaker 2: any of those records always on time? Ashanti G Yeah,

520
00:23:34,240 --> 00:23:35,920
Speaker 2: I mean, like you name it, you name a song

521
00:23:35,960 --> 00:23:37,919
Speaker 2: them the songs that they play on cruise ships, like

522
00:23:38,080 --> 00:23:40,680
Speaker 2: that's that keeps music time?

523
00:23:40,720 --> 00:23:43,159
Speaker 3: No, for sure. For sure when it crosses all genres

524
00:23:43,200 --> 00:23:46,480
Speaker 3: like you know, like nationalities and cultures and things like that,

525
00:23:46,480 --> 00:23:47,879
Speaker 3: they all love it, like because.

526
00:23:47,600 --> 00:23:50,000
Speaker 4: Your kid will hear it again, Because like I feel

527
00:23:50,040 --> 00:23:53,040
Speaker 4: like even with Timeless, like what I play in my house,

528
00:23:53,760 --> 00:23:55,600
Speaker 4: another parent might not play in their house. So it

529
00:23:55,640 --> 00:23:57,639
Speaker 4: needs to be something that you're gonna hear, not just

530
00:23:57,680 --> 00:24:00,000
Speaker 4: in my house. You're gonna hear outside like you're gonna

531
00:24:00,000 --> 00:24:01,680
Speaker 4: I want to figure out who Michael Jackson is, because

532
00:24:01,720 --> 00:24:03,359
Speaker 4: everybody is talking about fucking Michael Jackson.

533
00:24:03,480 --> 00:24:05,760
Speaker 2: Yeah, I mean I feel like I kind of to

534
00:24:05,800 --> 00:24:07,639
Speaker 2: a most same with the cruise ship stuff. I feel

535
00:24:07,680 --> 00:24:12,439
Speaker 2: like songs like hey, y'all have just got into that

536
00:24:12,480 --> 00:24:16,320
Speaker 2: threshold where they'll be sung forever just because they entered there.

537
00:24:16,600 --> 00:24:20,440
Speaker 2: But like when a Dorn came out, I was like, oh, look,

538
00:24:20,480 --> 00:24:22,399
Speaker 2: our generation got one, like this is going to be

539
00:24:22,400 --> 00:24:25,680
Speaker 2: played at weddings for the rest of eternity. And while

540
00:24:25,680 --> 00:24:27,480
Speaker 2: it is a timeless record in my opinion, I don't

541
00:24:27,480 --> 00:24:30,679
Speaker 2: know that to be true anymore. With the consumer change

542
00:24:31,400 --> 00:24:33,840
Speaker 2: in music, I don't know if a Dorn is really

543
00:24:34,640 --> 00:24:35,800
Speaker 2: I don't know if a mar is going to want

544
00:24:35,800 --> 00:24:38,320
Speaker 2: to dance to a Dorn at her wedding, which is

545
00:24:38,359 --> 00:24:40,800
Speaker 2: crazy to say, because to me that's a it checks

546
00:24:41,119 --> 00:24:43,520
Speaker 2: every box in my head musically. Is a Thomas record

547
00:24:44,520 --> 00:24:45,160
Speaker 2: a better question?

548
00:24:45,240 --> 00:24:46,479
Speaker 3: What song did y'all graduate too?

549
00:24:47,640 --> 00:24:48,040
Speaker 2: Graduate?

550
00:24:48,160 --> 00:24:49,879
Speaker 4: Or pull up the prom too? Because I feel like that's.

551
00:24:49,960 --> 00:24:52,800
Speaker 3: No like, what was your graduation song? What's song the junie?

552
00:24:53,560 --> 00:24:57,760
Speaker 4: I don't remember. I remember my fifth grade graduation. We

553
00:24:57,760 --> 00:25:00,720
Speaker 4: were supposed to dance, well we dance to I think

554
00:25:00,720 --> 00:25:03,040
Speaker 4: it was which our Kelly song? Now I believe I

555
00:25:03,040 --> 00:25:04,920
Speaker 4: could fly the other one, But.

556
00:25:05,200 --> 00:25:09,800
Speaker 3: There's only two graduation songs, Well maybe three. Maybe I

557
00:25:09,840 --> 00:25:13,760
Speaker 3: believe I could fly. Yep, Whitney Houston, I had the

558
00:25:13,840 --> 00:25:14,639
Speaker 3: children our future.

559
00:25:14,680 --> 00:25:16,720
Speaker 2: Did you and your brother have this conversation? Yeah, because

560
00:25:16,720 --> 00:25:19,400
Speaker 2: your brother text me and we have the same conversation.

561
00:25:19,480 --> 00:25:23,120
Speaker 3: And Tevin Campbell, I think Tevin Cambell got one tomorrow.

562
00:25:28,880 --> 00:25:35,560
Speaker 3: I'm sorry, Campbells, there is no tea.

563
00:25:35,720 --> 00:25:38,240
Speaker 2: I want to hear that. Quincy touched that one. You

564
00:25:38,280 --> 00:25:40,639
Speaker 2: feel like I feel like Tim Campbell got one. Tevin

565
00:25:40,680 --> 00:25:45,320
Speaker 2: Campbells and not tomorrow. It might be tomorrow. That's what

566
00:25:45,359 --> 00:25:46,640
Speaker 2: I would imagine.

567
00:25:46,720 --> 00:25:47,560
Speaker 3: It might be tomorrow.

568
00:25:47,640 --> 00:25:51,320
Speaker 4: And that's vitamin C. What what Josh was singing? Vitamin

569
00:25:51,320 --> 00:25:54,679
Speaker 4: C graduated the Vitamin C as you graduated the Vitamin

570
00:25:54,680 --> 00:25:59,680
Speaker 4: C beach. We readmemeber all the good bigs, DM me

571
00:25:59,760 --> 00:26:01,680
Speaker 4: this or I definitely walked.

572
00:26:01,840 --> 00:26:05,800
Speaker 3: We definitely have a Winnie Houston at my Yeah tomorrow

573
00:26:05,880 --> 00:26:09,639
Speaker 3: tomorrow tomorrow or Kelly that piece of shit. I believe

574
00:26:09,640 --> 00:26:10,120
Speaker 3: I could fly.

575
00:26:10,720 --> 00:26:15,159
Speaker 2: And my eighth grade it was eighth grade graduation, not

576
00:26:15,280 --> 00:26:18,080
Speaker 2: like a it's not high school was definitely I believe

577
00:26:18,080 --> 00:26:20,920
Speaker 2: I can fly. I don't even remember what played in

578
00:26:20,960 --> 00:26:21,520
Speaker 2: my high school.

579
00:26:21,520 --> 00:26:23,400
Speaker 4: Oh, I'm sorry. Fifth grade. It was the world's greatest.

580
00:26:23,600 --> 00:26:25,600
Speaker 4: We did a dance to the World's Greatest at our graduation,

581
00:26:25,680 --> 00:26:27,040
Speaker 4: but I didn't get to do it because I got like,

582
00:26:27,160 --> 00:26:28,760
Speaker 4: I got in trouble, so I had to sit in

583
00:26:28,760 --> 00:26:29,320
Speaker 4: the crowd.

584
00:26:29,359 --> 00:26:32,919
Speaker 2: Like like one of like the church spiritual dance type.

585
00:26:32,920 --> 00:26:35,600
Speaker 4: Of choreography, kind of like that, but not super spiritual

586
00:26:35,640 --> 00:26:36,560
Speaker 4: because it was school.

587
00:26:36,560 --> 00:26:40,000
Speaker 2: But yes, it was similar to that. Josh pulled up

588
00:26:40,040 --> 00:26:43,800
Speaker 2: Green Day, Good Ridden. Yeah, they played that at the

589
00:26:43,840 --> 00:26:45,760
Speaker 2: end of Seinfeld, So I feel like that believed that

590
00:26:45,760 --> 00:26:50,280
Speaker 2: that became a tribute song. Time of your life.

591
00:26:50,320 --> 00:26:52,720
Speaker 4: Yeah, we didn't don't want high school to never graduation song.

592
00:26:53,359 --> 00:26:55,240
Speaker 2: I think you had to have a graduate didn't remember

593
00:26:55,280 --> 00:26:57,840
Speaker 2: what was that was that? I don't remember. I was

594
00:26:57,880 --> 00:27:00,520
Speaker 2: what's the graduation like actual sleep score?

595
00:27:01,000 --> 00:27:02,760
Speaker 4: Like when we were all sitting there waiting for like

596
00:27:02,800 --> 00:27:05,560
Speaker 4: the the fucking speeches and ship, I was that ass like.

597
00:27:05,960 --> 00:27:07,800
Speaker 3: No, not the speeches, but don't y'all walk out to

598
00:27:07,840 --> 00:27:11,840
Speaker 3: a song. No, y'all don't walk into the auditoria that

599
00:27:11,840 --> 00:27:13,760
Speaker 3: it was a silence like silence.

600
00:27:13,840 --> 00:27:15,200
Speaker 2: Yeah, that's wicked.

601
00:27:15,400 --> 00:27:17,080
Speaker 3: That's a wicked graduation like this.

602
00:27:19,040 --> 00:27:22,320
Speaker 2: Oh yeah, well yeah of course that But know what

603
00:27:22,320 --> 00:27:24,640
Speaker 2: I'm saying. I think it was that for the walk

604
00:27:24,680 --> 00:27:27,239
Speaker 2: in and the walk out. Yeah, I agree.

605
00:27:26,640 --> 00:27:29,359
Speaker 4: I think I would have remembered if it was like

606
00:27:29,400 --> 00:27:30,560
Speaker 4: a song with lyrics.

607
00:27:30,640 --> 00:27:32,800
Speaker 2: I definitely remember. I believe I Can Fly for eighth grade.

608
00:27:33,800 --> 00:27:35,560
Speaker 3: Yeah, I believe I Can Fly was definitely one.

609
00:27:35,640 --> 00:27:38,000
Speaker 2: But no, I think it was. I think it was

610
00:27:38,080 --> 00:27:41,520
Speaker 2: just this mm hmmm. Yeah, that's like and I feel

611
00:27:41,520 --> 00:27:45,240
Speaker 2: like the school like band played it like they were

612
00:27:45,240 --> 00:27:47,080
Speaker 2: in their capping gowns and sat down and went back

613
00:27:47,160 --> 00:27:49,080
Speaker 2: up and did the whole okay thing.

614
00:27:49,160 --> 00:27:51,639
Speaker 3: Yeah, yeah, no, we just pressed play on the motherfucking whitney.

615
00:27:51,800 --> 00:27:53,160
Speaker 2: What did y'all pull up the prom and.

616
00:27:55,320 --> 00:27:57,720
Speaker 3: We didn't have a prom? They took out prom away

617
00:27:57,720 --> 00:28:00,639
Speaker 3: from us? Oh damn home he stole the.

618
00:28:01,080 --> 00:28:07,280
Speaker 2: Oh yeah, just com remember that. That's like, that's fucked

619
00:28:07,320 --> 00:28:09,639
Speaker 2: up though, that is to do that to everybody for prom,

620
00:28:09,760 --> 00:28:12,240
Speaker 2: Like I could see no homecoming dance, but.

621
00:28:12,200 --> 00:28:14,240
Speaker 3: Like everybody's all the final grades and everything was in

622
00:28:14,240 --> 00:28:16,359
Speaker 3: the computer. I know, but like because I guess he failed,

623
00:28:16,359 --> 00:28:18,680
Speaker 3: he was like fuck that, like he took the whole computer.

624
00:28:20,400 --> 00:28:24,399
Speaker 2: He took the whole Maybe we should put together an

625
00:28:24,400 --> 00:28:28,800
Speaker 2: adult prom from all we could do getting here? Do

626
00:28:28,840 --> 00:28:30,760
Speaker 2: you want a sneaker ball? No, thank you.

627
00:28:32,080 --> 00:28:33,879
Speaker 4: If you want to have one big room full of

628
00:28:33,920 --> 00:28:35,280
Speaker 4: bad bitches, you still want want to come?

629
00:28:36,560 --> 00:28:38,360
Speaker 2: Maybe we could talk about that exactly.

630
00:28:38,360 --> 00:28:39,600
Speaker 3: We might be able to We might be able to

631
00:28:39,640 --> 00:28:41,520
Speaker 3: have a conversation about that.

632
00:28:41,520 --> 00:28:44,480
Speaker 2: That's the type of graduation I want and under that gown,

633
00:28:44,560 --> 00:28:47,200
Speaker 2: girl and I could get a I get cipher sounds

634
00:28:47,200 --> 00:28:51,120
Speaker 2: the DJ that was King prom DJ in New York City,

635
00:28:52,400 --> 00:28:55,200
Speaker 2: I could get I get psyched to do it. We

636
00:28:55,240 --> 00:28:58,360
Speaker 2: could do the after prom party at UH at Webster Hall.

637
00:28:59,480 --> 00:29:02,280
Speaker 3: That's such a that's such an after promim Brooklyn Queen's

638
00:29:02,320 --> 00:29:05,640
Speaker 3: after promise. It was such an after prom together Webster Hall,

639
00:29:05,800 --> 00:29:07,960
Speaker 3: without a doubt. It was the only place that like

640
00:29:07,960 --> 00:29:10,400
Speaker 3: allowed eighteen plus two on Thursday. You want to talk

641
00:29:10,440 --> 00:29:15,320
Speaker 3: about Lloyd Banks, he was, He was big meets at

642
00:29:15,360 --> 00:29:18,920
Speaker 3: the eighteen plus Webster Hall Thursday nights, him and Joel Santana.

643
00:29:19,080 --> 00:29:20,560
Speaker 2: We're going crazy.

644
00:29:20,320 --> 00:29:23,480
Speaker 3: Fab and French Ball drop. Might be the graduations going

645
00:29:23,520 --> 00:29:25,560
Speaker 3: for the y Ns. Now you've really been walking out

646
00:29:25,600 --> 00:29:27,959
Speaker 3: to that for the Wiians? Yeah, I can see. Are

647
00:29:27,960 --> 00:29:32,280
Speaker 3: they graduating some Winans graduating, some wins graduating. You're seeing

648
00:29:32,320 --> 00:29:34,280
Speaker 3: him with the shist he's on at the graduation.

649
00:29:34,400 --> 00:29:36,120
Speaker 4: So you didn't have a you didn't have a song

650
00:29:36,160 --> 00:29:38,680
Speaker 4: that you pulled up to promin like blasting out because

651
00:29:38,680 --> 00:29:40,160
Speaker 4: I remember it was in Syracuse.

652
00:29:40,200 --> 00:29:41,760
Speaker 2: It was our thing. You have to roll all the

653
00:29:41,800 --> 00:29:43,200
Speaker 2: windows down, the drought.

654
00:29:43,000 --> 00:29:45,320
Speaker 3: To all the small things.

655
00:29:46,000 --> 00:29:50,880
Speaker 2: Truth to say, it ain't so I will not go

656
00:29:51,360 --> 00:29:56,200
Speaker 2: turn the lights off. Carry me. Oh keep your head still.

657
00:29:58,520 --> 00:29:59,280
Speaker 2: I don't know.

658
00:30:00,040 --> 00:30:02,640
Speaker 3: Oh no, that's what.

659
00:30:02,640 --> 00:30:04,760
Speaker 2: What's my age again? What's my age again?

660
00:30:05,920 --> 00:30:07,680
Speaker 3: That's what Rory pulled up to his first of all.

661
00:30:07,640 --> 00:30:09,280
Speaker 2: Let's not do that. That blank one any two album

662
00:30:09,320 --> 00:30:11,440
Speaker 2: is a classic. That's a time unt. I love Blink

663
00:30:11,480 --> 00:30:14,520
Speaker 2: one eighty two, but no blank one ay two. That

664
00:30:14,600 --> 00:30:16,720
Speaker 2: song was probably fifteen years old by the time I

665
00:30:16,720 --> 00:30:19,160
Speaker 2: got to PROM. I don't know. It was probably like

666
00:30:19,320 --> 00:30:21,240
Speaker 2: some little scrappy shit or something. It was two thousand

667
00:30:21,280 --> 00:30:24,400
Speaker 2: and eight, Oh scrash the South, And when my senior

668
00:30:24,480 --> 00:30:26,720
Speaker 2: high school was the South, thought like every hit record

669
00:30:26,720 --> 00:30:29,320
Speaker 2: was from the South, Like Fat Joe came in and

670
00:30:29,680 --> 00:30:31,840
Speaker 2: at least like got us there with Make It Rain.

671
00:30:31,960 --> 00:30:34,800
Speaker 3: But I thought you about say you graduated the lean bag.

672
00:30:36,400 --> 00:30:40,000
Speaker 2: Even even Roy Jones was forced you got left back.

673
00:30:40,320 --> 00:30:44,520
Speaker 2: Left back. It's left back. I'm fucking crying the thing

674
00:30:44,560 --> 00:30:46,680
Speaker 2: I probably should have been. I probably be smarter now

675
00:30:46,720 --> 00:30:50,320
Speaker 2: if they weren't just like, just go ahead, just let

676
00:30:50,360 --> 00:30:51,880
Speaker 2: him go, let me go ahead, let him didn't even

677
00:30:51,880 --> 00:30:53,880
Speaker 2: say go ahead, go ahead, go ahead, go.

678
00:30:53,880 --> 00:30:56,760
Speaker 3: Ahead, and get up. Man, we're tired of looking at

679
00:30:56,800 --> 00:30:57,120
Speaker 3: your fee.

680
00:30:57,360 --> 00:30:59,680
Speaker 2: But no, I don't have for junior or senior. I

681
00:30:59,720 --> 00:31:02,200
Speaker 2: don't remember. I don't even know if the limo we

682
00:31:02,280 --> 00:31:05,160
Speaker 2: took like allowed us to play music. I put up

683
00:31:05,160 --> 00:31:06,240
Speaker 2: the motivation.

684
00:31:07,400 --> 00:31:11,800
Speaker 4: Kelly Rowling, not geezy Kelly Rowling, all as you said,

685
00:31:11,800 --> 00:31:12,480
Speaker 4: thug motivation.

686
00:31:12,560 --> 00:31:14,880
Speaker 2: I'm like that would make more sense tob to prom

687
00:31:14,880 --> 00:31:18,280
Speaker 2: than Kelly Roland motivation. And I was on the back

688
00:31:18,320 --> 00:31:20,520
Speaker 2: of like the drop top the camaro.

689
00:31:21,800 --> 00:31:32,440
Speaker 3: Camlaro. What are you, army wife? Drop camaro widow goes

690
00:31:32,480 --> 00:31:38,120
Speaker 3: to a funeral? I'm fucking ryan camaro, you know, to

691
00:31:38,200 --> 00:31:39,320
Speaker 3: give sign.

692
00:31:40,600 --> 00:31:43,120
Speaker 2: I was on the back of it. That's the motivation.

693
00:31:44,120 --> 00:31:46,640
Speaker 2: My uh, junior prom was all right. My senior problem

694
00:31:46,720 --> 00:31:48,640
Speaker 2: had a lot of fun. It We stuck, We snuck

695
00:31:48,640 --> 00:31:50,760
Speaker 2: a lot of bottles in that that was actually a

696
00:31:50,800 --> 00:31:51,360
Speaker 2: really good time.

697
00:31:51,960 --> 00:31:54,800
Speaker 4: I was never I never used to like sneak alcohol

698
00:31:54,880 --> 00:31:57,360
Speaker 4: in school like functions. I never did that unless it

699
00:31:57,400 --> 00:31:58,880
Speaker 4: was like a football game. I was drinking palm my

700
00:31:58,920 --> 00:32:01,600
Speaker 4: sign at a football game. But other than that, I

701
00:32:01,640 --> 00:32:02,920
Speaker 4: and J, E and J.

702
00:32:03,080 --> 00:32:04,080
Speaker 3: That esus, Jesus.

703
00:32:04,680 --> 00:32:07,600
Speaker 4: But he's believes I and J in a sixteen year

704
00:32:07,600 --> 00:32:10,160
Speaker 4: old system. It's just like it's just destroying me. That's

705
00:32:10,160 --> 00:32:11,600
Speaker 4: why I probably got my overy fucked up.

706
00:32:11,600 --> 00:32:15,240
Speaker 2: Now that might be, Hey, you might. I definitely was

707
00:32:15,320 --> 00:32:17,240
Speaker 2: drinking E and J at fourteen years old, for sure.

708
00:32:17,400 --> 00:32:20,080
Speaker 3: Yeah, y'all crazy. Well, I ain't no better. I have that,

709
00:32:20,560 --> 00:32:22,040
Speaker 3: not bananas. I can't even smell that shit.

710
00:32:22,120 --> 00:32:23,920
Speaker 2: I mean, oh yeah, that's how I feel about bok cartal.

711
00:32:25,000 --> 00:32:26,200
Speaker 3: Not bananas. The worst shit ever.

712
00:32:26,360 --> 00:32:28,360
Speaker 2: That was like a special occasion for us at that age,

713
00:32:28,640 --> 00:32:31,080
Speaker 2: not banana. It was to a fifteen year old that

714
00:32:31,120 --> 00:32:31,640
Speaker 2: was expensive.

715
00:32:32,040 --> 00:32:35,000
Speaker 3: That ship is Oh my god, I threw up so crazy.

716
00:32:35,160 --> 00:32:36,280
Speaker 3: I can't That should make me know?

717
00:32:36,440 --> 00:32:38,880
Speaker 2: You just think we were listen, man, we was mixing

718
00:32:38,920 --> 00:32:41,560
Speaker 2: like Boon's farm and fucking ever clear.

719
00:32:43,120 --> 00:32:46,040
Speaker 4: Ever clear being the base of jungle juice. Like well,

720
00:32:46,080 --> 00:32:47,800
Speaker 4: my kid grows up and asks me, hey, mom, what's

721
00:32:47,880 --> 00:32:51,640
Speaker 4: jungle juice or what's I'm like telling them whatever, explaining

722
00:32:51,680 --> 00:32:53,160
Speaker 4: Ever Clear and Devil's.

723
00:32:52,800 --> 00:32:55,520
Speaker 2: Spring, like like, hey, do you see what daddy puts

724
00:32:55,560 --> 00:32:57,600
Speaker 2: in his car to make it work? That's pretty much

725
00:32:57,640 --> 00:33:02,160
Speaker 2: what we were drinking on the rocks. No straight with

726
00:33:02,280 --> 00:33:05,040
Speaker 2: mad floating fruit in it cold like that was premium

727
00:33:05,080 --> 00:33:09,160
Speaker 2: gas chilled. It's really really all it was. But yeah,

728
00:33:09,160 --> 00:33:13,800
Speaker 2: that was awful, like really bad. And then Wild Irish

729
00:33:13,840 --> 00:33:16,960
Speaker 2: Rose and Mad Dog twenty twenty. Oh was real.

730
00:33:17,000 --> 00:33:20,520
Speaker 3: You was real Hood, Mad Dog, madg.

731
00:33:19,920 --> 00:33:22,920
Speaker 2: And then uh, I can see they had every single

732
00:33:22,920 --> 00:33:23,800
Speaker 2: flavor you could think of.

733
00:33:23,880 --> 00:33:26,520
Speaker 4: I can see the plastic before they took the cocaine

734
00:33:26,520 --> 00:33:27,320
Speaker 4: out was crazy.

735
00:33:27,760 --> 00:33:33,600
Speaker 2: That was my freshman going into sophomore college. Summer was

736
00:33:33,640 --> 00:33:35,200
Speaker 2: the four Local when I was I was in high

737
00:33:35,200 --> 00:33:36,000
Speaker 2: school for four Local.

738
00:33:36,240 --> 00:33:37,280
Speaker 3: Never did a full local.

739
00:33:37,480 --> 00:33:39,160
Speaker 4: You never had a four Local without a crack, I

740
00:33:39,160 --> 00:33:40,000
Speaker 4: mean with the crack in it.

741
00:33:40,080 --> 00:33:43,160
Speaker 2: Oh my god. You ever had a Celsius.

742
00:33:44,280 --> 00:33:47,640
Speaker 4: That's like missing, Oh my god, it's hard to explain.

743
00:33:47,920 --> 00:33:51,520
Speaker 4: I can't even that shit was battery acid, fruity battery

744
00:33:51,520 --> 00:33:53,240
Speaker 4: acid with caffeine in it.

745
00:33:53,640 --> 00:33:56,080
Speaker 2: But like in a legal amount, like the way I

746
00:33:56,080 --> 00:33:58,480
Speaker 2: see like white Claw has the White Claw Surge or whatever,

747
00:33:59,640 --> 00:34:02,000
Speaker 2: and my God gave me one and I was like, oh, yeah,

748
00:34:02,040 --> 00:34:05,560
Speaker 2: this is this is gobbage. This is cut down.

749
00:34:09,680 --> 00:34:10,120
Speaker 3: Cut water.

750
00:34:10,719 --> 00:34:11,880
Speaker 2: Oh I love me a cuddy.

751
00:34:12,600 --> 00:34:13,520
Speaker 3: A cuddy.

752
00:34:14,840 --> 00:34:17,600
Speaker 2: That's what they call it. A I love your cut water.

753
00:34:18,400 --> 00:34:21,120
Speaker 4: Cut cut water is it's supposed to be liquor cut

754
00:34:21,160 --> 00:34:23,760
Speaker 4: with water because it's like it's not like malt liquors.

755
00:34:23,840 --> 00:34:27,239
Speaker 4: It's like actual like tequila or vodka or whatever, and

756
00:34:27,280 --> 00:34:29,600
Speaker 4: then cut with whatever flavor something. It's supposed to be

757
00:34:29,640 --> 00:34:31,200
Speaker 4: like a mixed drink in a can, but with real

758
00:34:33,120 --> 00:34:35,920
Speaker 4: kind of But it wasn't always sprints, Like sometimes it's

759
00:34:35,960 --> 00:34:37,160
Speaker 4: just like a cocktail.

760
00:34:37,560 --> 00:34:40,040
Speaker 2: That's what West Indians do with blue label. Pour it

761
00:34:40,120 --> 00:34:42,120
Speaker 2: straight and then just just a dash of water to

762
00:34:42,480 --> 00:34:48,120
Speaker 2: a little bit of that. Yeah that's water, little bacon soda.

763
00:34:48,160 --> 00:34:48,719
Speaker 2: That's all it is.

764
00:34:49,320 --> 00:34:51,279
Speaker 4: Toe up, So you drew cut water.

765
00:34:51,360 --> 00:34:56,839
Speaker 2: Be toe up? Mall. I see that Demerius is over

766
00:34:56,840 --> 00:34:59,040
Speaker 2: there on a phone that is not the all new

767
00:34:59,080 --> 00:35:04,120
Speaker 2: iPhone pro seventeen, designed to be the most powerful iPhone ever.

768
00:35:04,480 --> 00:35:05,080
Speaker 2: Like what is that?

769
00:35:05,160 --> 00:35:05,879
Speaker 3: Is that a flip phone?

770
00:35:05,960 --> 00:35:08,960
Speaker 2: Yeah? Are you concerned about traffic or is someone trying

771
00:35:09,040 --> 00:35:10,319
Speaker 2: to transfer all your data?

772
00:35:10,400 --> 00:35:12,360
Speaker 3: You got no snowstorm updates on that phone.

773
00:35:12,440 --> 00:35:14,759
Speaker 2: Well, good news to Maris. I know you're sitting over there.

774
00:35:15,280 --> 00:35:17,480
Speaker 2: If you go to boost Mobile, they will send an

775
00:35:17,480 --> 00:35:20,560
Speaker 2: expert to your home and deliver your brand new iPhone

776
00:35:20,600 --> 00:35:22,640
Speaker 2: seventeen Pro, so you don't have to have that sour

777
00:35:22,680 --> 00:35:24,319
Speaker 2: look that you have on your face right now while

778
00:35:24,320 --> 00:35:26,240
Speaker 2: you're scrolling through it was that an iPhone twelve.

779
00:35:26,719 --> 00:35:29,439
Speaker 3: Boost Mobile would never If you visit bootsmobile dot com

780
00:35:29,440 --> 00:35:31,520
Speaker 3: to get started. Delivery available for select devices. Purchase at

781
00:35:31,480 --> 00:35:32,200
Speaker 3: boosbogo dot com.

782
00:35:32,280 --> 00:35:40,160
Speaker 2: Terms are block You haven't had a quaylut and Coca cola?

783
00:35:41,360 --> 00:35:43,320
Speaker 3: I wish it was a real lawyer that was the

784
00:35:43,400 --> 00:35:46,080
Speaker 3: drink of choice in the eighties to his lawyer, he said,

785
00:35:46,120 --> 00:35:50,040
Speaker 3: London Oak, sir, No, No, his lawyer's saying like quailudes

786
00:35:50,120 --> 00:35:52,480
Speaker 3: was a party drug, which it was. Yeah, they had

787
00:35:52,520 --> 00:35:54,520
Speaker 3: billboards of it, and you know in the in the

788
00:35:54,560 --> 00:35:57,799
Speaker 3: eighties and the seventies and they did quaylud and a coke.

789
00:35:57,920 --> 00:35:59,920
Speaker 2: Well it was for like pregnant women and shit, right now,

790
00:36:00,360 --> 00:36:03,279
Speaker 2: the billboards wasn't It wasn't for pregnant women. It was

791
00:36:03,320 --> 00:36:05,600
Speaker 2: for women, but not pregnant women, all right. I don't

792
00:36:05,600 --> 00:36:07,160
Speaker 2: know what I thought her whatever the fuck was for.

793
00:36:07,560 --> 00:36:09,600
Speaker 2: I thought it was like to help pregnant women sleep

794
00:36:09,640 --> 00:36:10,000
Speaker 2: or some shit.

795
00:36:10,160 --> 00:36:13,240
Speaker 3: Well, Bill Cosby under oath admitted to refilling a recreational

796
00:36:13,600 --> 00:36:16,759
Speaker 3: prescription for Kuaeludes as Josh Josh, just.

797
00:36:16,680 --> 00:36:19,480
Speaker 2: By the Nike sneakers. It's the third time he pulled

798
00:36:19,520 --> 00:36:19,799
Speaker 2: them up.

799
00:36:20,200 --> 00:36:23,879
Speaker 3: Pull prescription for kueludes he got from a gynecologist at

800
00:36:23,880 --> 00:36:27,040
Speaker 3: a poker game seven times with the intention of giving

801
00:36:27,040 --> 00:36:29,799
Speaker 3: the pills to women in hopes of having sex with them.

802
00:36:29,800 --> 00:36:33,160
Speaker 2: And he says he never downed a single pill himself.

803
00:36:35,600 --> 00:36:38,840
Speaker 2: I believe that would fall under the exact definition of

804
00:36:39,239 --> 00:36:39,880
Speaker 2: date rape.

805
00:36:41,719 --> 00:36:44,640
Speaker 3: Yeah, the docs said that doctor Amar is a disgraced

806
00:36:44,640 --> 00:36:47,360
Speaker 3: gynecologist who was Cosby's friend, and the poker game with

807
00:36:47,480 --> 00:36:50,920
Speaker 3: Cosby got the Kwailu prescription was hosted at Cosby's Los

808
00:36:50,960 --> 00:36:55,000
Speaker 3: Angeles house prior to nineteen seventy two, which is significant.

809
00:36:56,480 --> 00:36:59,799
Speaker 3: So yeah, man, I don't know, this is not looking

810
00:36:59,800 --> 00:37:01,400
Speaker 3: good for mister Bill Cosmy.

811
00:37:02,360 --> 00:37:04,880
Speaker 2: Yeah, I mean he got off just because of paperwork,

812
00:37:04,880 --> 00:37:06,080
Speaker 2: So I don't know they're going to retry him because

813
00:37:06,080 --> 00:37:08,560
Speaker 2: of this entire thing. But yeah, and this may have

814
00:37:08,560 --> 00:37:11,480
Speaker 2: been under oath with the paperwork that got him dismissed.

815
00:37:11,480 --> 00:37:14,960
Speaker 2: This might not even being new information. Yeah, I mean

816
00:37:15,719 --> 00:37:18,799
Speaker 2: it's awful. But also now you have to look at

817
00:37:18,800 --> 00:37:21,799
Speaker 2: everyone else that hasn't said this under oath that we

818
00:37:21,880 --> 00:37:24,480
Speaker 2: know for a fact was probably doing the exact same thing.

819
00:37:25,040 --> 00:37:27,400
Speaker 2: Like we look at Hugh Hefner as an icon, right.

820
00:37:28,200 --> 00:37:31,880
Speaker 3: Yeah, someone will say he is an icon. Ya Okay,

821
00:37:32,520 --> 00:37:34,200
Speaker 3: I know where you're going. I know where you're going.

822
00:37:35,160 --> 00:37:38,200
Speaker 2: I'm not dismissing anything. Yeah Bill did. Yeah, I think

823
00:37:38,200 --> 00:37:39,920
Speaker 2: he should be locked up. And I think the paperwork

824
00:37:39,920 --> 00:37:42,560
Speaker 2: shit is bullshit and just proves our judicial system works

825
00:37:42,560 --> 00:37:45,760
Speaker 2: when it wants to off technicalities and doesn't when it doesn't.

826
00:37:46,040 --> 00:37:52,000
Speaker 2: But yeah, this was a thing. It was normal. It's

827
00:37:52,040 --> 00:37:54,359
Speaker 2: even crazy that Bill was dead sober for it. Yeah.

828
00:37:54,760 --> 00:37:58,760
Speaker 2: Like sometimes if two people are taking drugs and everything

829
00:37:58,880 --> 00:38:01,360
Speaker 2: it gets foggy and no one knows what they're doing

830
00:38:01,880 --> 00:38:04,920
Speaker 2: and the guy ends up getting a charge this and that.

831
00:38:05,000 --> 00:38:07,480
Speaker 2: It's like, bro, if everyone was all in the wrong mind,

832
00:38:07,480 --> 00:38:09,560
Speaker 2: who knew what was going on? If you dead sober

833
00:38:09,600 --> 00:38:12,840
Speaker 2: and dropping drugs without telling people, that's the definition of

834
00:38:12,880 --> 00:38:15,879
Speaker 2: date right now. I not like two consenting adults taking

835
00:38:15,960 --> 00:38:18,760
Speaker 2: drugs blacking out and not knowing what happened the next morning.

836
00:38:19,760 --> 00:38:22,440
Speaker 3: Now I do listen, and you know how we are

837
00:38:22,440 --> 00:38:25,200
Speaker 3: when it comes to these types of situations where anybody

838
00:38:25,280 --> 00:38:28,319
Speaker 3: is sexually assault or anything like that. But if you're

839
00:38:28,320 --> 00:38:32,560
Speaker 3: in a party atmosphere insh seventies, eighties, nineties, whenever there

840
00:38:32,719 --> 00:38:37,640
Speaker 3: is a thing where you may party, somebody gets drunk,

841
00:38:37,680 --> 00:38:40,240
Speaker 3: you may be intoxicated yourself, you have sex, You have sex.

842
00:38:40,560 --> 00:38:43,680
Speaker 3: It feels consensual. You're not ripping anybody's clothes off, you're

843
00:38:43,719 --> 00:38:46,640
Speaker 3: not fighting nobody trying to take sex. And then years

844
00:38:46,719 --> 00:38:49,240
Speaker 3: later somebody says, oh, like, I don't remember what happened

845
00:38:49,239 --> 00:38:51,360
Speaker 3: at night. I just know that I felt like I was,

846
00:38:51,560 --> 00:38:54,440
Speaker 3: I was. I had sex, and I didn't remember consenting

847
00:38:54,480 --> 00:38:57,000
Speaker 3: to it. So there are things where it's like damn, like,

848
00:38:57,080 --> 00:38:59,680
Speaker 3: because we've all been to parties, we've all been on vacations.

849
00:38:59,719 --> 00:39:02,200
Speaker 3: People get drunk, people get high whatever they do and

850
00:39:02,239 --> 00:39:05,760
Speaker 3: having fun, and you look over and be like, yo, yall,

851
00:39:05,840 --> 00:39:08,239
Speaker 3: y'all dipped off too. And you see two drunk people

852
00:39:08,239 --> 00:39:10,120
Speaker 3: coming from wherever they coming from and dipped off from

853
00:39:10,120 --> 00:39:12,960
Speaker 3: the party, and they may have did something, and it's

854
00:39:13,040 --> 00:39:16,360
Speaker 3: like okay, But you don't ever feel like that was

855
00:39:16,680 --> 00:39:19,480
Speaker 3: something that she wasn't consenting or he wasn't consenting to,

856
00:39:20,320 --> 00:39:22,279
Speaker 3: because I've been around that and I've seen dude, I'm like, yo,

857
00:39:22,480 --> 00:39:23,960
Speaker 3: and I tell you all the time, I never was

858
00:39:24,040 --> 00:39:26,880
Speaker 3: into having sex with women that was too intoxicated that

859
00:39:27,160 --> 00:39:28,880
Speaker 3: I just that was never into that. Like I actually

860
00:39:28,960 --> 00:39:30,600
Speaker 3: don't even like when women get drunk around me like

861
00:39:30,640 --> 00:39:32,600
Speaker 3: that shit is you start feel like you baby sitting

862
00:39:32,640 --> 00:39:34,239
Speaker 3: at that point. So I don't even like that. But

863
00:39:34,719 --> 00:39:37,760
Speaker 3: I've been in parties where everybody's fucked, the people are drunk,

864
00:39:38,160 --> 00:39:40,040
Speaker 3: and like I said, people dip off, go somewhere in

865
00:39:40,040 --> 00:39:43,480
Speaker 3: the house or go somewhere or wherever. You don't know

866
00:39:43,520 --> 00:39:46,520
Speaker 3: what's happening. But it never in that moment, you don't

867
00:39:46,520 --> 00:39:49,520
Speaker 3: ever even think like he may have did something non

868
00:39:49,520 --> 00:39:52,439
Speaker 3: consensual with this girl, because at that point you would

869
00:39:52,520 --> 00:39:54,440
Speaker 3: check them, like yo, what the like you would see

870
00:39:54,440 --> 00:39:56,839
Speaker 3: something or you think you would see something and something

871
00:39:56,880 --> 00:39:59,880
Speaker 3: doesn't feel right. I don't know if this is You know,

872
00:40:00,200 --> 00:40:03,600
Speaker 3: Cosby has been a star for years. He admitsed there

873
00:40:03,600 --> 00:40:05,759
Speaker 3: was partying. No Kueludes was a party drug. We know

874
00:40:05,840 --> 00:40:08,040
Speaker 3: that that people was popping it, just like people pop

875
00:40:08,080 --> 00:40:10,960
Speaker 3: Miley just like people pop e. It's just different generations

876
00:40:10,960 --> 00:40:11,840
Speaker 3: do different drugs.

877
00:40:11,880 --> 00:40:14,319
Speaker 2: Like Yeah, But the difference with the cosmy stuff based

878
00:40:14,360 --> 00:40:19,640
Speaker 2: off the testimony of countless people, reputable people that were

879
00:40:19,680 --> 00:40:23,480
Speaker 2: famous and didn't have any reason to lie, similar to

880
00:40:23,520 --> 00:40:25,360
Speaker 2: like the Cassie thing, which we found out clearly was

881
00:40:25,400 --> 00:40:30,799
Speaker 2: fucking true. He was dropping that in drinks without them knowing. Now,

882
00:40:31,000 --> 00:40:33,759
Speaker 2: two people take quailudes and it gets busy, and then

883
00:40:33,760 --> 00:40:35,960
Speaker 2: the next morning she's like, I didn't want to do that.

884
00:40:36,640 --> 00:40:40,480
Speaker 2: Now we have a conversation. But if you're dropping quailudes, Molly,

885
00:40:40,640 --> 00:40:45,560
Speaker 2: anything in somebody's drink without them knowing, this is a

886
00:40:45,600 --> 00:40:46,880
Speaker 2: clear cutcase to me.

887
00:40:47,800 --> 00:40:50,040
Speaker 3: Listen, you're right, you're about a law. That's you're You're

888
00:40:50,040 --> 00:40:53,640
Speaker 3: absolutely right by anything. But I'm also from a time

889
00:40:53,640 --> 00:40:56,919
Speaker 3: where we was outside and when Rick Ross said, put

890
00:40:56,920 --> 00:40:58,480
Speaker 3: Molly on law champagne.

891
00:40:58,040 --> 00:40:59,520
Speaker 2: She didn't even know it. Most insane.

892
00:41:00,080 --> 00:41:03,319
Speaker 3: Every girl is the pool party yelled that part. Ain't

893
00:41:03,320 --> 00:41:05,760
Speaker 3: nobody like yo, that's crazy, Like we.

894
00:41:05,640 --> 00:41:06,239
Speaker 2: All said that was.

895
00:41:07,440 --> 00:41:10,160
Speaker 3: The DJ would cut that part off and everybody start

896
00:41:10,239 --> 00:41:10,879
Speaker 3: yelling that part.

897
00:41:11,600 --> 00:41:14,760
Speaker 2: Now, I feel like that that verse got cut within

898
00:41:14,800 --> 00:41:16,880
Speaker 2: a week. No, hell, we don't do that.

899
00:41:17,200 --> 00:41:17,960
Speaker 3: You're crazy.

900
00:41:18,120 --> 00:41:19,759
Speaker 2: What do you mean that verse got cut? It's still

901
00:41:22,600 --> 00:41:23,880
Speaker 2: excuse hear that is it?

902
00:41:24,480 --> 00:41:27,279
Speaker 3: We're not doing it like I'm not doing that.

903
00:41:27,480 --> 00:41:29,719
Speaker 2: Trying to remember when that whole that sh did that

904
00:41:29,800 --> 00:41:31,840
Speaker 2: was the remix, wasn't even the real Ross.

905
00:41:31,600 --> 00:41:33,480
Speaker 3: Didn't get heat for that for years.

906
00:41:33,960 --> 00:41:36,520
Speaker 2: Okay, so maybe that's what I'm remembering that years later

907
00:41:36,560 --> 00:41:37,080
Speaker 2: everyone was like.

908
00:41:37,080 --> 00:41:40,600
Speaker 3: That Ross got heat for that years later. Yeah, okay, sorry,

909
00:41:40,719 --> 00:41:43,160
Speaker 3: I'm in that. When that record came out and keep

910
00:41:44,680 --> 00:41:47,560
Speaker 3: I remember every pool party, when that ship came on,

911
00:41:48,120 --> 00:41:52,719
Speaker 3: every cookout, everybody was yelling that part that was like

912
00:41:53,040 --> 00:41:53,440
Speaker 3: that was like.

913
00:41:53,840 --> 00:41:57,600
Speaker 4: This being worse it is. I took her home and

914
00:41:57,719 --> 00:42:00,120
Speaker 4: I enjoyed that. She ain't even know it that that

915
00:42:00,200 --> 00:42:00,760
Speaker 4: still marriage.

916
00:42:01,360 --> 00:42:04,400
Speaker 2: One year that came out was that twenty twelve eleven.

917
00:42:04,440 --> 00:42:06,880
Speaker 2: I was gonna say eleven, let me tell you something,

918
00:42:06,920 --> 00:42:07,480
Speaker 2: but I could be wrong.

919
00:42:07,600 --> 00:42:12,480
Speaker 3: Every twenty thirteen thirteen, every time that part played, you

920
00:42:12,560 --> 00:42:15,000
Speaker 3: felt like that was the hook. Matter of fact, some

921
00:42:15,080 --> 00:42:18,080
Speaker 3: DJs took that part and would go into a whole

922
00:42:18,120 --> 00:42:19,759
Speaker 3: nother record with a different beatle still playing it.

923
00:42:19,760 --> 00:42:22,200
Speaker 2: She ain't even know it was. I mean, she didn't

924
00:42:22,200 --> 00:42:24,160
Speaker 2: even know what the record, But that was the remix.

925
00:42:23,880 --> 00:42:26,520
Speaker 4: Right, Ross wasn't No, that was he was a feature.

926
00:42:26,760 --> 00:42:28,520
Speaker 4: It wasn't a remix. He was just on the feature.

927
00:42:28,600 --> 00:42:30,359
Speaker 2: Okay, I don't know why I thought that was the

928
00:42:30,360 --> 00:42:32,640
Speaker 2: remix and he featured on that. But I mean here,

929
00:42:32,719 --> 00:42:36,200
Speaker 2: that record went crazy. Listen. I was never at a

930
00:42:36,239 --> 00:42:39,319
Speaker 2: party that the music went out and everyone said I

931
00:42:39,360 --> 00:42:42,880
Speaker 2: took her home and enjoyed. I was. I never saw that.

932
00:42:43,000 --> 00:42:44,839
Speaker 2: She didn't even know. I know that played, but that

933
00:42:44,920 --> 00:42:48,279
Speaker 2: part being a moment I personally was never around when

934
00:42:48,320 --> 00:42:49,759
Speaker 2: everyone was like, dropped in my lind or drink. She

935
00:42:49,800 --> 00:42:51,680
Speaker 2: ain't even know it. I took her home, had my

936
00:42:51,760 --> 00:42:54,239
Speaker 2: way with her. She didn't even know it. No, I

937
00:42:54,239 --> 00:42:56,120
Speaker 2: don't ever remember rapping along to that.

938
00:42:56,440 --> 00:42:58,520
Speaker 3: I think I got an archive video on my Instagram,

939
00:42:58,520 --> 00:42:59,640
Speaker 3: But that shit, I'm gonna find it.

940
00:43:00,320 --> 00:43:01,879
Speaker 2: I'm telling you, it's a wild bar.

941
00:43:02,800 --> 00:43:04,839
Speaker 4: Of course, it was wild, like when when I first

942
00:43:04,840 --> 00:43:07,520
Speaker 4: heard it, I didn't. I feel like sometimes, especially back then,

943
00:43:07,680 --> 00:43:09,440
Speaker 4: like we just weren't thinking.

944
00:43:09,560 --> 00:43:12,200
Speaker 2: Sometimes when you listen to the first part in that game,

945
00:43:12,360 --> 00:43:14,920
Speaker 2: that time dropped of mind and drink shen't even know

946
00:43:15,000 --> 00:43:16,960
Speaker 2: it awful, But in that time I can see it

947
00:43:17,040 --> 00:43:19,759
Speaker 2: skipping over that that second one. Even in that time,

948
00:43:19,840 --> 00:43:22,840
Speaker 2: I just don't feel like everyone be like, yeah, I

949
00:43:22,920 --> 00:43:24,640
Speaker 2: fuck with that.

950
00:43:23,960 --> 00:43:26,680
Speaker 3: That's crossed. Listen. It's a different world we're in thirteen

951
00:43:26,719 --> 00:43:29,160
Speaker 3: years lady, and I understand that it's a different world

952
00:43:29,160 --> 00:43:33,920
Speaker 3: where in thirteen years later, thirteen years ago, I'm telling

953
00:43:34,000 --> 00:43:35,880
Speaker 3: nobody really looked at that and felt no type of

954
00:43:35,880 --> 00:43:38,960
Speaker 3: way to understand, because maybe people understand it's just a bar,

955
00:43:39,000 --> 00:43:40,879
Speaker 3: it's just music. People was like, we don't really think

956
00:43:40,880 --> 00:43:44,759
Speaker 3: that that's real. But when that song came on, that

957
00:43:44,960 --> 00:43:48,040
Speaker 3: was the song of the summer. Yeah, yeah, it ain't.

958
00:43:48,080 --> 00:43:50,440
Speaker 3: Nobody be like, yo, but don't play that part. Niggas

959
00:43:50,440 --> 00:43:54,000
Speaker 3: couldn't wait lean into that part. And I'm just saying again,

960
00:43:54,040 --> 00:43:55,920
Speaker 3: I was there. I'm just telling you if the moment

961
00:43:55,920 --> 00:43:56,360
Speaker 3: when I was.

962
00:43:57,400 --> 00:43:59,480
Speaker 4: I'm happy hindsight it's twenty twenty because that shit was

963
00:43:59,480 --> 00:44:00,000
Speaker 4: fucking insane.

964
00:44:00,560 --> 00:44:02,920
Speaker 3: Yeah it is, But so was Miguel's. How many drinks

965
00:44:03,320 --> 00:44:05,000
Speaker 3: we had Miguel here. We asked him like, Yo, you're

966
00:44:05,000 --> 00:44:07,600
Speaker 3: gonna perform, and they was like, yeah, I'm performing that record.

967
00:44:07,320 --> 00:44:10,359
Speaker 2: A little different than that Ross line, but of course,

968
00:44:10,400 --> 00:44:10,920
Speaker 2: of course it was a.

969
00:44:10,920 --> 00:44:12,880
Speaker 3: Little different but it's still like what you mean, how

970
00:44:12,920 --> 00:44:15,600
Speaker 3: many drinks would it take for you to leave with me?

971
00:44:15,719 --> 00:44:18,640
Speaker 3: Like what you People could still frown they nose that.

972
00:44:18,640 --> 00:44:21,040
Speaker 3: That part is what I'm saying, and that's the hook

973
00:44:24,120 --> 00:44:28,040
Speaker 3: at that's the hook. So that's what I'm saying. It

974
00:44:28,640 --> 00:44:31,800
Speaker 3: was a different time. We understand now things are different.

975
00:44:31,800 --> 00:44:33,759
Speaker 3: It's a little more sensitive, gotta be more careful with

976
00:44:33,800 --> 00:44:36,880
Speaker 3: your words and good sensitivity to me is stuff. Oh no,

977
00:44:36,960 --> 00:44:38,680
Speaker 3: for sure, But I'm just saying happy for that. So

978
00:44:38,760 --> 00:44:42,160
Speaker 3: now we talked about thirteen years ago, Bill and caught

979
00:44:42,200 --> 00:44:45,319
Speaker 3: talking about fifty four years ago seventy two where they

980
00:44:45,400 --> 00:44:47,120
Speaker 3: was doing this shit and he's one of the biggest actors.

981
00:44:47,320 --> 00:44:50,120
Speaker 2: They were still debating why they let women vote at

982
00:44:50,120 --> 00:44:50,479
Speaker 2: that time.

983
00:44:50,880 --> 00:44:51,560
Speaker 3: This is what I'm saying.

984
00:44:51,600 --> 00:44:55,000
Speaker 4: It was wrong, and I think everybody knew it was wrong.

985
00:44:55,040 --> 00:44:55,880
Speaker 2: There's always was.

986
00:44:55,920 --> 00:44:58,080
Speaker 4: Everybody was doing it so or a lot of people

987
00:44:58,200 --> 00:44:59,600
Speaker 4: was doing it. So he didn't find anything.

988
00:44:59,719 --> 00:45:03,000
Speaker 2: Yeah, but even yo, I remember my frat brothers in Philly,

989
00:45:03,239 --> 00:45:05,560
Speaker 2: there was another fraternity. There's a rumor. That's why I'm

990
00:45:05,560 --> 00:45:07,239
Speaker 2: not going to say what the other fraternity was that

991
00:45:07,280 --> 00:45:09,000
Speaker 2: they stopped going to their parties because when they would

992
00:45:09,000 --> 00:45:11,800
Speaker 2: walk in, they'd be I don't want to say what

993
00:45:11,840 --> 00:45:15,120
Speaker 2: their jungle juice was called. There'd be two jugs of it,

994
00:45:15,200 --> 00:45:18,080
Speaker 2: and they would tell them like, yo, drink out of

995
00:45:18,120 --> 00:45:20,279
Speaker 2: that one, not that one. And they was like, yo,

996
00:45:20,320 --> 00:45:21,879
Speaker 2: we can't. We can't know what the fuck is wrong

997
00:45:21,920 --> 00:45:25,160
Speaker 2: with y'all drink out of that. It was a very

998
00:45:25,200 --> 00:45:26,680
Speaker 2: popular frat. But I want to put that on them

999
00:45:26,680 --> 00:45:28,239
Speaker 2: because one, it's a rumor in too, that's just one

1000
00:45:28,320 --> 00:45:31,279
Speaker 2: chapter that doesn't define a whole fraternity. But that to

1001
00:45:31,320 --> 00:45:33,600
Speaker 2: me was crazy when I was in college, Like, wait,

1002
00:45:33,640 --> 00:45:37,439
Speaker 2: so they just told the guys in the party which

1003
00:45:37,440 --> 00:45:41,960
Speaker 2: one to drink from. That's crazy, that's just that's just rape.

1004
00:45:42,040 --> 00:45:44,919
Speaker 4: You're literally in a frat, you're good. Pussy flies at you,

1005
00:45:44,920 --> 00:45:47,560
Speaker 4: you'll be fine. You don't need to drug girls for it.

1006
00:45:48,000 --> 00:45:48,400
Speaker 2: Like that was.

1007
00:45:48,560 --> 00:45:50,840
Speaker 3: But again even that, like remember when they say spiked

1008
00:45:50,880 --> 00:45:54,000
Speaker 3: the punch, Well that's what they that's all still like

1009
00:45:54,440 --> 00:45:57,400
Speaker 3: nobody don't know what's in this, yeah, so then you

1010
00:45:57,400 --> 00:45:59,000
Speaker 3: know what I mean. And again we told about we

1011
00:45:59,040 --> 00:46:01,680
Speaker 3: just hearing this and movies when they were to high school.

1012
00:46:02,400 --> 00:46:04,520
Speaker 3: Somebody go by the punch bowl, drop something in there,

1013
00:46:05,600 --> 00:46:07,919
Speaker 3: give his man the bottle back, like y'all, they don't

1014
00:46:07,920 --> 00:46:09,399
Speaker 3: know what they just put it in that I'm talking about.

1015
00:46:09,400 --> 00:46:12,960
Speaker 3: This was normal shit. Again. I understand now twenty twenty

1016
00:46:13,040 --> 00:46:15,799
Speaker 3: six things are different in the world than God. But

1017
00:46:15,840 --> 00:46:19,040
Speaker 3: I'm just saying Bill Cosby nineteen seventy two were talking

1018
00:46:19,040 --> 00:46:22,640
Speaker 3: about whatever seventy years that were was. I can see

1019
00:46:22,680 --> 00:46:25,239
Speaker 3: how at that time it was things that was going

1020
00:46:25,280 --> 00:46:29,239
Speaker 3: on that was perceived as normal. Yeah, perceived that's fun

1021
00:46:29,920 --> 00:46:34,480
Speaker 3: popping kualudes, whatever, fun time, party time. I mean, let's

1022
00:46:34,480 --> 00:46:36,560
Speaker 3: not get into the fucking I'm not into the eighties.

1023
00:46:36,560 --> 00:46:39,360
Speaker 3: And what was the club in New York that everybody

1024
00:46:39,400 --> 00:46:45,480
Speaker 3: went to get into Greenhouse in the eighties, Go to

1025
00:46:45,560 --> 00:46:50,520
Speaker 3: Greenhouse Studio Studio fifty four. If we start talking to

1026
00:46:50,560 --> 00:46:53,600
Speaker 3: some of the bouncers and wagresses a studio from Studio

1027
00:46:53,600 --> 00:46:54,439
Speaker 3: fifty four, Oh.

1028
00:46:54,360 --> 00:46:56,480
Speaker 4: I know they was carrying half dead bodies out.

1029
00:46:56,320 --> 00:46:59,520
Speaker 3: They're gonna be like, yo, famn, like that was regular shit.

1030
00:47:00,120 --> 00:47:03,000
Speaker 3: We not like I get it. Somebody woke up in

1031
00:47:03,120 --> 00:47:06,640
Speaker 3: nineteen ninety nine. It felt like, damn, yo, I ain't

1032
00:47:06,680 --> 00:47:09,040
Speaker 3: gonna lie. I feel like they took advantage of me

1033
00:47:09,040 --> 00:47:12,360
Speaker 3: in seventy five, like okay, but like and that in

1034
00:47:12,440 --> 00:47:14,719
Speaker 3: seventy five, that's which I was doing for fun.

1035
00:47:15,040 --> 00:47:17,640
Speaker 2: And that's also why I hate some of the holier

1036
00:47:17,680 --> 00:47:20,880
Speaker 2: than now people in this time because a lot of people,

1037
00:47:20,960 --> 00:47:23,680
Speaker 2: which is not excusing anything, are just products of the

1038
00:47:23,719 --> 00:47:26,440
Speaker 2: time that they were. So everyone that is, like social

1039
00:47:26,560 --> 00:47:30,080
Speaker 2: justice warriors on Twitter, I'd be curious to see if

1040
00:47:30,120 --> 00:47:32,439
Speaker 2: we placed you in a time machine in the year

1041
00:47:32,520 --> 00:47:37,840
Speaker 2: of slavery, how liberal you'd really be? Yo, I know,

1042
00:47:37,880 --> 00:47:40,120
Speaker 2: I'm serious. A lot of people act like I would

1043
00:47:40,160 --> 00:47:42,720
Speaker 2: have been the only one in Alabama going this is wrong.

1044
00:47:43,200 --> 00:47:45,680
Speaker 2: I don't know if you would dog, Nah, you'd.

1045
00:47:45,480 --> 00:47:47,319
Speaker 3: Have been out there picking that cotton with everybody else.

1046
00:47:47,360 --> 00:47:50,080
Speaker 2: Fam know what I'm saying. The white liberals, Oh no, no,

1047
00:47:50,480 --> 00:47:53,520
Speaker 2: white it was like, Yo, you wouldn't have You wouldn't

1048
00:47:53,520 --> 00:47:55,279
Speaker 2: have been this guy at we have to abolish that.

1049
00:47:55,600 --> 00:47:57,600
Speaker 2: I don't think you would have been that. No. I

1050
00:47:57,600 --> 00:47:59,160
Speaker 2: think a lot of y'all are saying it now because

1051
00:47:59,160 --> 00:48:01,399
Speaker 2: it was trendy, because y'all was saying it five years ago. Yeah.

1052
00:48:01,400 --> 00:48:03,160
Speaker 3: I think people just need to keep that in context.

1053
00:48:03,160 --> 00:48:05,520
Speaker 3: The world is different than it was, however many years ago.

1054
00:48:05,920 --> 00:48:07,839
Speaker 2: But at a time I'm glad we're in a time

1055
00:48:07,840 --> 00:48:10,960
Speaker 2: where people are that hyper aware. I'm not saying that

1056
00:48:11,040 --> 00:48:13,920
Speaker 2: hyper scared, hyper aware that they would even think that

1057
00:48:13,960 --> 00:48:17,919
Speaker 2: they would be that progressive in those times. I'm glad

1058
00:48:17,920 --> 00:48:21,160
Speaker 2: people think that because this is sensitivity. I'm I'm happy

1059
00:48:21,200 --> 00:48:24,200
Speaker 2: that the changes have been made, like we shouldn't think

1060
00:48:24,239 --> 00:48:26,239
Speaker 2: any of this is okay. And if that takes people

1061
00:48:26,280 --> 00:48:28,720
Speaker 2: thinking that they would never do this in this time, cool,

1062
00:48:29,320 --> 00:48:31,200
Speaker 2: I'm with you. But I just think some of y'all

1063
00:48:31,239 --> 00:48:32,759
Speaker 2: are full of shit and say things just because it

1064
00:48:32,800 --> 00:48:33,239
Speaker 2: sounds good.

1065
00:48:33,280 --> 00:48:34,319
Speaker 3: A lot of y'all full of shit.

1066
00:48:34,320 --> 00:48:39,520
Speaker 4: And just as a reminder in case we have young listeners. Okay,

1067
00:48:39,760 --> 00:48:42,120
Speaker 4: a drunk person, even if you are drunk, a drunk

1068
00:48:42,120 --> 00:48:45,320
Speaker 4: person cannot consent, you know if you haven't especially My

1069
00:48:45,440 --> 00:48:46,759
Speaker 4: number one rule is this, if you have not had

1070
00:48:46,800 --> 00:48:48,640
Speaker 4: sex with this person before, do not have sex with

1071
00:48:48,680 --> 00:48:49,680
Speaker 4: them for the first time drunk.

1072
00:48:50,440 --> 00:48:53,080
Speaker 2: I don't give the one drink, two drinks, three drink four,

1073
00:48:53,239 --> 00:48:55,920
Speaker 2: Do not always been crazy to do that. Do not

1074
00:48:55,960 --> 00:48:56,840
Speaker 2: do that. That is wild.

1075
00:48:57,440 --> 00:48:59,880
Speaker 4: You're not I'm not saying you're a bad person. Is

1076
00:49:00,040 --> 00:49:01,640
Speaker 4: It's not about that. It's not about I'm trying to

1077
00:49:01,680 --> 00:49:04,040
Speaker 4: keep you from some ship. Just please do not keep

1078
00:49:04,040 --> 00:49:08,359
Speaker 4: you away from the podium. Yeah, do not have they're

1079
00:49:08,360 --> 00:49:09,160
Speaker 4: trying to have sex with you.

1080
00:49:09,640 --> 00:49:13,239
Speaker 3: Talk about I don't remember you remember? Stop man, No,

1081
00:49:13,320 --> 00:49:16,640
Speaker 3: I'm just saying that they should take what you're saying seriously,

1082
00:49:16,640 --> 00:49:18,560
Speaker 3: because I'm saying they'll end up at the podium talking about,

1083
00:49:18,600 --> 00:49:21,440
Speaker 3: oh I don't remember, I don't feel Nah, you remember,

1084
00:49:22,040 --> 00:49:25,439
Speaker 3: you remember which I did coming back from six flags? Man,

1085
00:49:25,520 --> 00:49:26,320
Speaker 3: Just back of that bus.

1086
00:49:26,440 --> 00:49:28,680
Speaker 2: Go go go home, Go home and beat off, Go

1087
00:49:28,719 --> 00:49:31,759
Speaker 2: home and hit your rose. Live to fight another day.

1088
00:49:32,680 --> 00:49:34,759
Speaker 2: You have to fight another day. You don't need to

1089
00:49:34,760 --> 00:49:38,600
Speaker 2: do that. You can have sex on another time. And

1090
00:49:38,760 --> 00:49:41,800
Speaker 2: I mean that even starts the relationship better. In my opinion,

1091
00:49:42,000 --> 00:49:44,000
Speaker 2: we all lusty and ship when you are drunk and

1092
00:49:44,040 --> 00:49:47,600
Speaker 2: don't fuck. Now, we got some tension to be sober

1093
00:49:47,640 --> 00:49:48,360
Speaker 2: and fucking no.

1094
00:49:48,600 --> 00:49:50,239
Speaker 4: Especially if you stay to night and you don't fuck

1095
00:49:50,320 --> 00:49:53,279
Speaker 4: y'all wake up in the morning. That's that's when the

1096
00:49:53,280 --> 00:49:55,560
Speaker 4: sex is gonna be good. Just chill, Just go to sleep,

1097
00:49:55,600 --> 00:49:56,440
Speaker 4: Let that girl go to sleep.

1098
00:49:56,800 --> 00:50:00,960
Speaker 3: Calm your horny ass down. Relax, pussy ain't going nowhere.

1099
00:50:01,080 --> 00:50:01,560
Speaker 2: Just chill out.

1100
00:50:01,920 --> 00:50:04,640
Speaker 3: Just realize if she likes you, she likes you makeing chill, relax,

1101
00:50:04,960 --> 00:50:05,759
Speaker 3: no good.

1102
00:50:06,239 --> 00:50:08,799
Speaker 2: But let's let's get back to music. Get back to

1103
00:50:08,840 --> 00:50:10,760
Speaker 2: the music. It's always about the music.

1104
00:50:10,840 --> 00:50:13,719
Speaker 3: Rory Mass will no matter what they tell you, Rory

1105
00:50:13,840 --> 00:50:14,680
Speaker 3: goes back to the music.

1106
00:50:14,800 --> 00:50:19,160
Speaker 2: Mass Appeal. You guys, you guys, you guys have my art.

1107
00:50:20,400 --> 00:50:23,600
Speaker 2: You guys, you guys just keep doing amazing things that

1108
00:50:24,280 --> 00:50:28,399
Speaker 2: I am so jealous that we aren't able to do

1109
00:50:28,880 --> 00:50:31,480
Speaker 2: stuff like this. So after having one of my favorite

1110
00:50:31,520 --> 00:50:33,319
Speaker 2: years of hip hop and twenty twenty five with what

1111
00:50:33,360 --> 00:50:36,520
Speaker 2: Mass Appeal did without a doubt a label of the year,

1112
00:50:36,560 --> 00:50:39,640
Speaker 2: shout out to everyone over there. They have a new

1113
00:50:39,680 --> 00:50:42,759
Speaker 2: idea for twenty twenty six. They posted this on their

1114
00:50:42,800 --> 00:50:46,880
Speaker 2: Twitter today. For decades, dream collaborations have lived in conversation,

1115
00:50:47,880 --> 00:50:50,920
Speaker 2: the overdue, the inevitable, and the unexpected. They're starting a

1116
00:50:50,920 --> 00:50:54,640
Speaker 2: program called Imagine That that invites you to submit your

1117
00:50:54,760 --> 00:50:58,759
Speaker 2: ideal artist to artist or artist to producer pairings and

1118
00:50:58,840 --> 00:51:01,080
Speaker 2: see which vision we're bring into life. So on their

1119
00:51:01,080 --> 00:51:05,200
Speaker 2: website on mass Appeal imagine that dot mass appeal, you

1120
00:51:05,239 --> 00:51:08,560
Speaker 2: can type in the artists and producers that you would

1121
00:51:08,600 --> 00:51:11,879
Speaker 2: like to collab on an album. This is pretty much

1122
00:51:11,920 --> 00:51:15,319
Speaker 2: like the draft we do on Patreon or the conversations

1123
00:51:15,320 --> 00:51:18,640
Speaker 2: we have, but Mass Appeal actually has the power and

1124
00:51:18,680 --> 00:51:21,799
Speaker 2: relationships to make it happen. That's why I'm saying, in

1125
00:51:21,880 --> 00:51:24,719
Speaker 2: a healthy way, I'm jealous of how cool this is

1126
00:51:24,719 --> 00:51:30,080
Speaker 2: going to end up. What a way to follow in

1127
00:51:30,120 --> 00:51:32,880
Speaker 2: my head. We never spoke about it, but after we

1128
00:51:32,920 --> 00:51:35,680
Speaker 2: did the ghost Face interview and went to the mass

1129
00:51:35,680 --> 00:51:39,080
Speaker 2: Appel pop up and saw all the installations, I was like,

1130
00:51:39,120 --> 00:51:41,560
Speaker 2: how the fuck could they follow this up? How do

1131
00:51:41,600 --> 00:51:46,239
Speaker 2: they keep this theme moving within their label trajectory? And

1132
00:51:46,280 --> 00:51:50,279
Speaker 2: now we have this, Now fans get to pick a

1133
00:51:50,360 --> 00:51:52,279
Speaker 2: collab and Mass Appeal can try to make it.

1134
00:51:52,280 --> 00:51:54,719
Speaker 4: Happen beyond their submit fifty times a month.

1135
00:51:54,920 --> 00:51:57,880
Speaker 2: Yeah no, I've already And I was like shooting for

1136
00:51:57,960 --> 00:52:01,839
Speaker 2: the fucking stars on shiit are you saying? I was like, Yo,

1137
00:52:01,920 --> 00:52:10,520
Speaker 2: YG and Pete Rock GZ and Premiere, what's up?

1138
00:52:10,600 --> 00:52:14,560
Speaker 3: Let's go. It's just I feel sorry for whoever has

1139
00:52:14,560 --> 00:52:17,120
Speaker 3: to go through all of these submissions, because it's gonna

1140
00:52:17,120 --> 00:52:18,040
Speaker 3: be a lot of just ship like.

1141
00:52:18,480 --> 00:52:21,440
Speaker 2: It's gonna be a lot of artists saying me like

1142
00:52:21,480 --> 00:52:30,640
Speaker 2: me and Premiere And here's a link to my Instagram.

1143
00:52:30,719 --> 00:52:33,759
Speaker 3: Yeah, me and Alchemist that make it happen. But this

1144
00:52:33,840 --> 00:52:36,680
Speaker 3: is cool though. Yeah, this is a really cool idea, and.

1145
00:52:36,840 --> 00:52:39,520
Speaker 2: I think, I mean, I'm sure they have some type

1146
00:52:39,520 --> 00:52:44,080
Speaker 2: of AI program that can sift through all the madness.

1147
00:52:44,120 --> 00:52:45,439
Speaker 2: And I don't know if they're gonna end up going

1148
00:52:45,480 --> 00:52:51,120
Speaker 2: with the highest percentage of collapse or whatever, but I

1149
00:52:51,200 --> 00:52:54,440
Speaker 2: do think they probably have some in mind already that

1150
00:52:54,520 --> 00:52:58,239
Speaker 2: are going to go against this entire thing, because that's

1151
00:52:58,280 --> 00:53:02,080
Speaker 2: tough to just find sifting through all of this pros.

1152
00:53:02,320 --> 00:53:03,520
Speaker 3: Yeah, that's a lot, but like even.

1153
00:53:03,400 --> 00:53:06,000
Speaker 2: People were going to that what John is people were

1154
00:53:06,000 --> 00:53:08,319
Speaker 2: posting there is what I also love that too, that

1155
00:53:09,080 --> 00:53:12,399
Speaker 2: fan generated stuff where you can post what you wanted

1156
00:53:12,400 --> 00:53:14,480
Speaker 2: to put up. I always think that stuff is the.

1157
00:53:14,440 --> 00:53:18,680
Speaker 3: Best bag nas producers mad Lib, dj Dhi Pharrell than

1158
00:53:18,719 --> 00:53:22,919
Speaker 3: the Alchemist. Oh you niggas just trying to rap rap,

1159
00:53:23,040 --> 00:53:27,360
Speaker 3: You niggas overly rapping, all right?

1160
00:53:27,400 --> 00:53:29,480
Speaker 2: Well, definitely a big Krit fan here and shout out

1161
00:53:29,480 --> 00:53:32,200
Speaker 2: to Crit Kendrick, Big Crit j I D produced by

1162
00:53:32,200 --> 00:53:38,279
Speaker 2: Big Crip, battle Cat, Pharrell, battle Cat and Big Crit

1163
00:53:38,320 --> 00:53:41,040
Speaker 2: on production would actually be fire. I'm not mad at

1164
00:53:41,040 --> 00:53:44,480
Speaker 2: that one at all. Cannabis Rass cast Killer Priest corrupt

1165
00:53:44,840 --> 00:53:46,480
Speaker 2: DJ Muggs. That's a hip hop fan.

1166
00:53:46,880 --> 00:53:52,799
Speaker 6: Yeah, that niggas just came home, Jack Goodson, were glad

1167
00:53:52,840 --> 00:53:55,160
Speaker 6: to see you out of that YO from behind a

1168
00:53:55,239 --> 00:54:00,160
Speaker 6: g wall, Cannabis, rass cast who kill a priest to

1169
00:54:00,239 --> 00:54:01,440
Speaker 6: corrupt with DJ.

1170
00:54:01,239 --> 00:54:03,120
Speaker 2: Mus You don't have many bars that in.

1171
00:54:03,400 --> 00:54:06,480
Speaker 3: Yeah, yeah, Jo was it John Goodson? Yeah, Jack Goodson,

1172
00:54:06,520 --> 00:54:09,520
Speaker 3: Welcome home Jack Goodson. That nigga is he definitely went

1173
00:54:09,560 --> 00:54:10,520
Speaker 3: into ninety eight.

1174
00:54:12,280 --> 00:54:15,719
Speaker 2: Loope, Nas Black Thought, produced by Hip Boy Alchemists, mad Lib,

1175
00:54:15,880 --> 00:54:18,399
Speaker 2: Danger Mouse. Oh my god, I love the Danger Mouse

1176
00:54:18,400 --> 00:54:19,279
Speaker 2: is thrown in the mix there.

1177
00:54:19,880 --> 00:54:21,600
Speaker 3: So they want Nads to wrap some more.

1178
00:54:22,600 --> 00:54:24,840
Speaker 2: Yo, just NOAs and Danger Mouse will be kind of crazy.

1179
00:54:24,920 --> 00:54:29,560
Speaker 3: Nazzy and nas Asy Comega, Foxy Brown the first just

1180
00:54:29,600 --> 00:54:32,879
Speaker 3: without Dread. Yeah, the Alchemists have it, Conductor and hit Boy.

1181
00:54:34,920 --> 00:54:35,719
Speaker 3: I ain't mad at that.

1182
00:54:36,120 --> 00:54:39,520
Speaker 2: What's what's interesting with these collabse is less about the rappers.

1183
00:54:39,520 --> 00:54:43,799
Speaker 2: To me, four producers together, those type of producers trying

1184
00:54:43,800 --> 00:54:45,799
Speaker 2: to put an album together. It's kind of nuts, like I

1185
00:54:45,800 --> 00:54:49,680
Speaker 2: could see put three artists in the one producer, but yeah,

1186
00:54:49,719 --> 00:54:53,520
Speaker 2: trying to get al had Like that's that's what I

1187
00:54:53,560 --> 00:54:56,040
Speaker 2: don't have is not a stretch. That's that's fine, they

1188
00:54:56,120 --> 00:54:58,520
Speaker 2: did the last mob deep one. But once you start

1189
00:54:58,640 --> 00:55:01,719
Speaker 2: adding in hip that's just a hit boy and a

1190
00:55:01,760 --> 00:55:04,840
Speaker 2: lot of producers in the way that they produce. But

1191
00:55:05,680 --> 00:55:09,200
Speaker 2: because that's only really like a hip hop thing where

1192
00:55:09,200 --> 00:55:12,399
Speaker 2: it's a one producer. That's That's also why I hate

1193
00:55:12,440 --> 00:55:15,120
Speaker 2: some of these new hip hop fans when they they

1194
00:55:15,840 --> 00:55:18,640
Speaker 2: they just got their Spotify credits finally for the first

1195
00:55:18,640 --> 00:55:20,399
Speaker 2: time in their life, they're seeing who's produced the song

1196
00:55:20,440 --> 00:55:23,320
Speaker 2: because they never opened the CD and went through the booklets.

1197
00:55:23,320 --> 00:55:26,239
Speaker 2: They didn't live that. So now they can go on

1198
00:55:26,280 --> 00:55:30,640
Speaker 2: Spotify and try to discredit an artists because there's seven

1199
00:55:30,719 --> 00:55:33,719
Speaker 2: fucking producers on a record. It's like, no, that's how

1200
00:55:33,800 --> 00:55:36,960
Speaker 2: music has always been made. Yeah, hip hop is the

1201
00:55:37,000 --> 00:55:42,080
Speaker 2: first genre that's ever had one producer, and people don't

1202
00:55:42,120 --> 00:55:46,600
Speaker 2: understand producing. That word producing. It's I think it has

1203
00:55:46,680 --> 00:55:50,560
Speaker 2: more meaning than people think. Quincy Jones produced Thriller. There

1204
00:55:50,600 --> 00:55:54,000
Speaker 2: was seventy five people on e Yeah, so the people

1205
00:55:54,040 --> 00:55:55,160
Speaker 2: don't understand that part of it.

1206
00:55:55,200 --> 00:55:59,239
Speaker 3: So five producers on one beat is not like in

1207
00:55:59,440 --> 00:56:02,080
Speaker 3: I Fox shout the money man. That's not this tweet

1208
00:56:02,080 --> 00:56:03,160
Speaker 3: it's crazy. That's not crazy.

1209
00:56:03,200 --> 00:56:06,520
Speaker 2: Though five people producing one beat is diabolical, it's not.

1210
00:56:06,719 --> 00:56:12,680
Speaker 2: That's actually actually very normal, like the way Kanye's credits look.

1211
00:56:13,280 --> 00:56:16,120
Speaker 2: When you're also adding in samples as well, because then

1212
00:56:16,160 --> 00:56:20,120
Speaker 2: whatever sample it is Kanye usually samples soulful shit from

1213
00:56:20,200 --> 00:56:22,879
Speaker 2: the seventies whatever, that's already going to have twenty five

1214
00:56:22,880 --> 00:56:25,960
Speaker 2: producers on it. So add those twenty five to that

1215
00:56:26,360 --> 00:56:29,120
Speaker 2: plus all the musicians Kanye is using, and you're gonna

1216
00:56:29,160 --> 00:56:31,800
Speaker 2: have fifty people on a fucking record like Anti sounds

1217
00:56:31,800 --> 00:56:35,680
Speaker 2: the way it does, because yes, each record has fifty producers. Yeah,

1218
00:56:35,719 --> 00:56:37,440
Speaker 2: that's the point. It's collaboration.

1219
00:56:37,640 --> 00:56:39,440
Speaker 3: Back to the conversation we had the other day, you

1220
00:56:39,560 --> 00:56:41,480
Speaker 3: was actually right when it comes to hip hop and

1221
00:56:41,480 --> 00:56:45,160
Speaker 3: it being like business. On the business side of it production,

1222
00:56:45,960 --> 00:56:50,000
Speaker 3: it is tricky because of samples, clearances, other labels, other artists.

1223
00:56:50,640 --> 00:56:52,360
Speaker 3: You throw more people in that pot. So yeah, he

1224
00:56:52,440 --> 00:56:55,040
Speaker 3: was right. We must have talked to hot No no, no,

1225
00:56:55,080 --> 00:56:55,279
Speaker 3: I just.

1226
00:56:56,880 --> 00:56:57,200
Speaker 2: Fuck up.

1227
00:56:57,280 --> 00:56:59,040
Speaker 3: Yeah no no, no, it wasn't that. But when you

1228
00:56:59,080 --> 00:57:01,680
Speaker 3: think about it like that is because now you're bringing

1229
00:57:01,719 --> 00:57:04,560
Speaker 3: in people that you know, it's not probably not even alive.

1230
00:57:04,719 --> 00:57:06,920
Speaker 3: Somebody owns the state. Now you gotta go through lawyers.

1231
00:57:06,960 --> 00:57:09,680
Speaker 3: Now you gotta go this like it does get a little.

1232
00:57:09,400 --> 00:57:11,560
Speaker 2: And on top of that, like let's use Quincy Jones

1233
00:57:11,560 --> 00:57:15,320
Speaker 2: for example, just putting his name on something at that

1234
00:57:15,480 --> 00:57:18,440
Speaker 2: time is going to make the record bigger as is.

1235
00:57:19,880 --> 00:57:22,600
Speaker 2: And Quincy knows that if my name is on this,

1236
00:57:22,760 --> 00:57:24,960
Speaker 2: it's going to be worth more money. My name is

1237
00:57:24,960 --> 00:57:28,400
Speaker 2: worth more than just the music I'm playing, right, So

1238
00:57:28,800 --> 00:57:32,280
Speaker 2: the ten musicians he's using, I'm walking in this studio.

1239
00:57:32,520 --> 00:57:36,400
Speaker 2: My minimum with pub just putting Quincy Jones on it

1240
00:57:36,480 --> 00:57:42,720
Speaker 2: is thirty right, Like you shit, Beyonce. I don't know

1241
00:57:42,760 --> 00:57:46,560
Speaker 2: where splits. But an artist like Beyonce, when she walks

1242
00:57:46,600 --> 00:57:48,840
Speaker 2: in the studio, even if she's not writing something, she's

1243
00:57:48,880 --> 00:57:51,200
Speaker 2: going to get a PUB on that because it's beyond

1244
00:57:52,360 --> 00:57:56,080
Speaker 2: She just hurt her name brand is putting in this

1245
00:57:56,160 --> 00:57:59,160
Speaker 2: song could be the greatest thing ever. But I'm singing it.

1246
00:57:59,520 --> 00:58:01,240
Speaker 2: But some people but would argue that's not how pub works.

1247
00:58:01,280 --> 00:58:03,040
Speaker 2: Pub should just go to who's writing. But at the

1248
00:58:03,080 --> 00:58:06,160
Speaker 2: same time, the writers wouldn't get the money they deserve

1249
00:58:06,280 --> 00:58:08,600
Speaker 2: if this person didn't sing it. I see both sides.

1250
00:58:08,640 --> 00:58:11,720
Speaker 2: That's why it's the most difficult conversation ever. If Rihanna

1251
00:58:11,760 --> 00:58:15,120
Speaker 2: doesn't sing kiss it better? Is everyone going to get

1252
00:58:15,120 --> 00:58:20,440
Speaker 2: the money that they think they deserve? Pub is interesting,

1253
00:58:20,480 --> 00:58:23,960
Speaker 2: but no disrespect to money, man. I just think that's.

1254
00:58:25,280 --> 00:58:25,520
Speaker 1: Kind of.

1255
00:58:27,720 --> 00:58:30,320
Speaker 2: It's a novice thought when it comes to production, because

1256
00:58:30,360 --> 00:58:33,680
Speaker 2: that is very much a hip hop thing and very

1257
00:58:33,720 --> 00:58:36,440
Speaker 2: much you know, rap duo shit Eric being rocket like

1258
00:58:36,600 --> 00:58:38,640
Speaker 2: that all started with the DJ and the MC, and

1259
00:58:38,680 --> 00:58:41,400
Speaker 2: then it turned into the producer and the EMC. That's

1260
00:58:41,440 --> 00:58:44,920
Speaker 2: how hip hop started. But they were still sampling at

1261
00:58:44,920 --> 00:58:47,920
Speaker 2: that time. Like if you even go to what the

1262
00:58:47,920 --> 00:58:50,120
Speaker 2: breakbeat is, it's a sample, someone else would get the

1263
00:58:50,120 --> 00:58:52,880
Speaker 2: pub There'd be other writers on a break beat, not

1264
00:58:52,920 --> 00:58:56,720
Speaker 2: just the DJ's. It's complicated. So I hate when fans

1265
00:58:57,000 --> 00:58:59,000
Speaker 2: do that on Twitter of like look at how many

1266
00:58:59,000 --> 00:59:01,480
Speaker 2: writers and also so writers they get that wrong. So

1267
00:59:01,600 --> 00:59:06,440
Speaker 2: much writer in the Spotify category, a rapper could go

1268
00:59:06,440 --> 00:59:09,240
Speaker 2: in there and wrap the entire verse hook he wrote

1269
00:59:09,320 --> 00:59:12,240
Speaker 2: everything by himself. There could be seven writers on there

1270
00:59:12,400 --> 00:59:15,320
Speaker 2: because they're also crediting the guy that played bass. He's

1271
00:59:15,360 --> 00:59:18,080
Speaker 2: a producer and a writer because he wrote the bassline.

1272
00:59:18,120 --> 00:59:21,480
Speaker 2: You write music, you write lyrics, and you write music.

1273
00:59:22,520 --> 00:59:24,800
Speaker 2: So yeah, there's any seven writers on that song. Because

1274
00:59:24,800 --> 00:59:27,320
Speaker 2: people wrote the notes that you're hearing.

1275
00:59:27,680 --> 00:59:29,480
Speaker 3: Yeah, are we getting too nerdy right now?

1276
00:59:29,840 --> 00:59:32,320
Speaker 4: No, but we did have this conversation, so we can

1277
00:59:32,480 --> 00:59:33,160
Speaker 4: we can move forward.

1278
00:59:33,160 --> 00:59:35,480
Speaker 2: But Rory is right. Yeah. Now, just with that tweet

1279
00:59:35,480 --> 00:59:38,320
Speaker 2: that Josh pulled up that it's diabolical to have five producers,

1280
00:59:38,360 --> 00:59:40,000
Speaker 2: I wish more of y'all would have five producers on

1281
00:59:40,040 --> 00:59:40,320
Speaker 2: your song.

1282
00:59:41,640 --> 00:59:44,440
Speaker 3: All y'all needs on y'all music. Y'all need a lot

1283
00:59:44,480 --> 00:59:45,880
Speaker 3: of people in them studios with y'all.

1284
00:59:46,280 --> 00:59:49,640
Speaker 2: We were, we were spoiled by Just Blaze when I

1285
00:59:49,720 --> 00:59:52,680
Speaker 2: was a kid. But then again, Just is going to

1286
00:59:52,760 --> 00:59:56,520
Speaker 2: hire a whole choir, and that's what he's gonna chop up. Like, Yeah,

1287
00:59:56,560 --> 00:59:58,439
Speaker 2: some of y'all need more produce. Some of y'all don't

1288
00:59:58,680 --> 01:00:01,760
Speaker 2: just need fruity loops and your microphone. Yeah, go get

1289
01:00:01,760 --> 01:00:04,320
Speaker 2: a fucking musician to play, learn.

1290
01:00:04,200 --> 01:00:07,080
Speaker 4: How to read and write music so that you can

1291
01:00:07,640 --> 01:00:10,000
Speaker 4: do some new ship and not just go like this.

1292
01:00:11,360 --> 01:00:13,920
Speaker 2: And that's I'm not don't do it. I'm not.

1293
01:00:14,080 --> 01:00:17,200
Speaker 4: Hey, let me finish, because even a pop was made

1294
01:00:17,240 --> 01:00:20,600
Speaker 4: that way. Okay, let me finish. Not everybody is talented

1295
01:00:20,720 --> 01:00:23,440
Speaker 4: for that, talented enough for that to be enough and

1296
01:00:23,440 --> 01:00:26,800
Speaker 4: that's why some music sounds boring and doesn't sound layered enough.

1297
01:00:27,040 --> 01:00:29,760
Speaker 4: Some people can do it, but not everybody can, and

1298
01:00:29,800 --> 01:00:30,880
Speaker 4: it's too many people trying.

1299
01:00:31,080 --> 01:00:35,880
Speaker 2: But to me, a lot of the sample MPC keyboard

1300
01:00:35,960 --> 01:00:39,000
Speaker 2: producers I would love for them. They put together the

1301
01:00:39,320 --> 01:00:42,840
Speaker 2: greatest beats, like the way a conductor, for example, who's

1302
01:00:42,840 --> 01:00:45,320
Speaker 2: who's one of my favorite producers? Period conductor will come

1303
01:00:45,360 --> 01:00:47,840
Speaker 2: up with everything MPC sample, get on the keys, and

1304
01:00:47,840 --> 01:00:49,400
Speaker 2: then maybe come in and be like, all right, I

1305
01:00:49,440 --> 01:00:53,000
Speaker 2: have this baseline I made off my keys and my MPC,

1306
01:00:53,440 --> 01:00:55,760
Speaker 2: but I'm gonna have someone replay it live. Like I

1307
01:00:55,800 --> 01:00:59,520
Speaker 2: wish more of the MPC producers would do that with

1308
01:00:59,520 --> 01:01:01,880
Speaker 2: that feeling in that life, like I'm gonna come in

1309
01:01:01,920 --> 01:01:03,880
Speaker 2: with a horn player. I may. I may have sampled

1310
01:01:03,920 --> 01:01:06,680
Speaker 2: some horns, I'd rather have them live and then that's

1311
01:01:06,680 --> 01:01:09,800
Speaker 2: gonna be another credit. Guys. Sorry on Spotify. I know

1312
01:01:09,800 --> 01:01:11,600
Speaker 2: you want to see one person in one person, but

1313
01:01:11,640 --> 01:01:17,960
Speaker 2: that's just not how the world works. Oh buddy. The

1314
01:01:18,160 --> 01:01:21,560
Speaker 2: Drake Cast has brought us to the big game. It's

1315
01:01:21,600 --> 01:01:24,480
Speaker 2: not just Drake, it's Drake May and we are here

1316
01:01:24,720 --> 01:01:29,080
Speaker 2: presented by hard Rock Bet Florida's Sportsbook. The Big Game

1317
01:01:29,120 --> 01:01:32,160
Speaker 2: matchup is set and I cannot wait to see the

1318
01:01:32,200 --> 01:01:36,000
Speaker 2: Patriots first the Seahawks. Hard Rock Bet has all the

1319
01:01:36,040 --> 01:01:38,960
Speaker 2: different ways you can get in on next Sunday's action.

1320
01:01:39,640 --> 01:01:44,080
Speaker 2: Here's what I'm liking right now, Maul, I'm going Pats.

1321
01:01:44,600 --> 01:01:47,160
Speaker 2: I know it was tough with the Broncos with the

1322
01:01:47,200 --> 01:01:50,480
Speaker 2: backup this and that, and I know La and Seattle

1323
01:01:50,680 --> 01:01:54,200
Speaker 2: scored a thousand points, but I'm still I'm still with

1324
01:01:54,240 --> 01:01:58,600
Speaker 2: the Pats on this one. All the way May Young Draco,

1325
01:01:58,880 --> 01:02:02,880
Speaker 2: all the Way Many Road Met Draco is right there.

1326
01:02:03,080 --> 01:02:05,920
Speaker 2: And if you're in Florida or New Jersey like myself,

1327
01:02:06,040 --> 01:02:09,640
Speaker 2: the Big Game energy doesn't just live exclusively on the app.

1328
01:02:09,680 --> 01:02:13,320
Speaker 2: Head to a hard rock casino property for drawings, giveaways,

1329
01:02:13,360 --> 01:02:15,560
Speaker 2: and all the excitement leading up to the kickoff. I

1330
01:02:15,600 --> 01:02:18,200
Speaker 2: may go down to ac I may go nuts. I

1331
01:02:18,240 --> 01:02:20,400
Speaker 2: may have a Drake May Jersey on on my way

1332
01:02:20,440 --> 01:02:20,880
Speaker 2: down there.

1333
01:02:21,200 --> 01:02:23,600
Speaker 3: Hard Rock Bet also offers new promos every day, so

1334
01:02:23,600 --> 01:02:25,400
Speaker 3: if you're listening to this later, just open the app

1335
01:02:25,400 --> 01:02:26,920
Speaker 3: and check out which you've got any day of the

1336
01:02:26,920 --> 01:02:29,400
Speaker 3: week that's hard rock Bet. Download the hard rock Bet

1337
01:02:29,440 --> 01:02:31,480
Speaker 3: app and make your first deposit today. Hey, b on

1338
01:02:31,600 --> 01:02:33,880
Speaker 3: bonus bets, not a cash offer offered by the Seminal

1339
01:02:33,960 --> 01:02:37,080
Speaker 3: Tribe of Florida and Florida offered by Seminal Hard Rock

1340
01:02:37,120 --> 01:02:39,560
Speaker 3: Digital LLC. In all of the states. Must be twenty

1341
01:02:39,560 --> 01:02:44,080
Speaker 3: one plus and physically present in Arizona, Colorado, Florida, Illinois, Indiana, Michigan,

1342
01:02:44,080 --> 01:02:46,720
Speaker 3: New Jersey, Ohio, Tennessee, or Virginia to play terms and

1343
01:02:46,720 --> 01:02:49,720
Speaker 3: conditions applied. Concerned about gambling in Florida, you call one

1344
01:02:49,800 --> 01:02:51,800
Speaker 3: eight three to three play wise. In Indiana, if you

1345
01:02:51,800 --> 01:02:53,800
Speaker 3: are someone you know has a gambler problem wants help,

1346
01:02:54,120 --> 01:02:56,200
Speaker 3: call one eight hundred and nine with it. Gambling problem

1347
01:02:56,200 --> 01:02:59,720
Speaker 3: called one eight hundred gambler Arizona, Colorado, Illinois, Michigan, New Jersey,

1348
01:02:59,800 --> 01:03:06,400
Speaker 3: High Out, Tennessee in Virginia.

1349
01:03:07,520 --> 01:03:12,000
Speaker 2: Anyways, we out to the Summer Walker Show. We're out

1350
01:03:13,840 --> 01:03:16,040
Speaker 2: all of a sudden. Now, it's just I always don't

1351
01:03:16,080 --> 01:03:20,240
Speaker 2: do that, you know, I always wayday to him in May. No, yeah,

1352
01:03:20,320 --> 01:03:22,920
Speaker 2: I did. Actually, what's his birthday?

1353
01:03:23,200 --> 01:03:25,880
Speaker 3: I don't know his exacts, That's what I'm saying. But

1354
01:03:25,920 --> 01:03:28,120
Speaker 3: you know, when Summer coming to New York though, well,

1355
01:03:28,160 --> 01:03:30,320
Speaker 3: I mean it's on the list, all right. Well, justice

1356
01:03:30,520 --> 01:03:31,760
Speaker 3: his birthday is on the list too.

1357
01:03:31,960 --> 01:03:37,720
Speaker 2: Okay, when when it is summer in New York? June second,

1358
01:03:38,880 --> 01:03:41,040
Speaker 2: All right, June second. So, like I said, you're gonna

1359
01:03:41,040 --> 01:03:43,000
Speaker 2: have to get Justice a birthday present.

1360
01:03:43,120 --> 01:03:45,080
Speaker 3: It's his birthday is right before that. Now I'm going

1361
01:03:45,080 --> 01:03:46,680
Speaker 3: back to I'm going I'm keeping tradition going. I'm going

1362
01:03:46,720 --> 01:03:49,120
Speaker 3: to Toronto to see her. I went to see her first

1363
01:03:49,120 --> 01:03:49,960
Speaker 3: tour in Toronto.

1364
01:03:50,600 --> 01:03:54,120
Speaker 2: It's only what a week apart. Let's go to both.

1365
01:03:54,280 --> 01:03:55,560
Speaker 3: Yeah, I'm going to Toronto.

1366
01:03:55,960 --> 01:03:57,880
Speaker 2: I love. I gotta keep the tradition going. Baby, d

1367
01:03:58,000 --> 01:03:58,640
Speaker 2: you know what I'm saying.

1368
01:03:58,840 --> 01:04:00,360
Speaker 4: Well, I mean what you saw her in Fiel, so

1369
01:04:00,400 --> 01:04:01,320
Speaker 4: like you'll see her anywhere.

1370
01:04:01,360 --> 01:04:02,840
Speaker 3: I didn't see someone walking through Yes she.

1371
01:04:02,760 --> 01:04:06,080
Speaker 2: Did it took a sprinter by yourself. Excuse me though,

1372
01:04:06,400 --> 01:04:10,160
Speaker 2: so much meat that was small legra. No baby, no baby,

1373
01:04:10,160 --> 01:04:13,360
Speaker 2: we're at the roots. We were at the roots. It

1374
01:04:13,440 --> 01:04:16,480
Speaker 2: was summer. We were all we all went insane. It's insane.

1375
01:04:16,760 --> 01:04:17,960
Speaker 2: We all seen.

1376
01:04:17,720 --> 01:04:19,480
Speaker 4: Summer walking together at the roots picnic.

1377
01:04:20,480 --> 01:04:22,840
Speaker 2: What you mean when we were performing that when we yes,

1378
01:04:22,880 --> 01:04:25,240
Speaker 2: but wait no, I'm talking about the time he took

1379
01:04:25,240 --> 01:04:28,480
Speaker 2: a sprinter by himself down ninety five. There was fourteen

1380
01:04:28,520 --> 01:04:31,160
Speaker 2: other seats. That was snow allegra. Yeah, that wasn't something

1381
01:04:31,200 --> 01:04:34,960
Speaker 2: that was snow. See, Okay, when's the time it was

1382
01:04:34,960 --> 01:04:37,520
Speaker 2: snow and it was it was snow and it was Yeah,

1383
01:04:37,520 --> 01:04:42,600
Speaker 2: I'm telling you the col a problem. No Coke could

1384
01:04:42,680 --> 01:04:46,400
Speaker 2: never do a four seasons on time.

1385
01:04:49,120 --> 01:04:49,920
Speaker 3: Yeah, I'm going to.

1386
01:04:49,760 --> 01:04:53,320
Speaker 4: Toronto and she's bringing the Leo we Aid shot and

1387
01:04:53,520 --> 01:04:54,400
Speaker 4: the old deal is fire.

1388
01:04:54,600 --> 01:04:54,800
Speaker 2: Yeah.

1389
01:04:54,880 --> 01:04:57,760
Speaker 3: Also LVR and artist, but he's firing his own that's

1390
01:04:57,760 --> 01:04:59,960
Speaker 3: a projects. So that's that's a lot of good music.

1391
01:05:00,240 --> 01:05:03,800
Speaker 2: Now that eight oh two at the O two in London. Wait,

1392
01:05:03,840 --> 01:05:05,960
Speaker 2: hold on, hold on, now, hold on now.

1393
01:05:06,320 --> 01:05:08,400
Speaker 3: Oh you're Scheck in London?

1394
01:05:09,120 --> 01:05:17,880
Speaker 2: Why mall? Well, you know I rarely ask for thank you.

1395
01:05:19,400 --> 01:05:26,160
Speaker 2: Everybody on in our our staff, family, my actual blood family,

1396
01:05:26,560 --> 01:05:29,160
Speaker 2: my daughter, all that needs to thank me. I would

1397
01:05:29,160 --> 01:05:31,880
Speaker 2: abandon you guys so quickly to move to London. You

1398
01:05:31,920 --> 01:05:34,120
Speaker 2: guys are the ones abandon me. No, you and I

1399
01:05:34,120 --> 01:05:38,600
Speaker 2: would move. Oh yeah, you figure I would. That's the

1400
01:05:38,640 --> 01:05:41,560
Speaker 2: only thing stopping me from doing that is like, you know,

1401
01:05:41,600 --> 01:05:42,800
Speaker 2: this responsibility ship.

1402
01:05:42,680 --> 01:05:45,520
Speaker 3: Here, Yeah, this this ship, this home that we've built.

1403
01:05:45,640 --> 01:05:46,640
Speaker 2: I can do this in London.

1404
01:05:47,560 --> 01:05:49,560
Speaker 3: I love London. You know how I feel about London

1405
01:05:50,000 --> 01:05:51,000
Speaker 3: your places, but.

1406
01:05:51,000 --> 01:05:54,680
Speaker 2: No, we'll do the Brooklyn Show. But if it's just

1407
01:05:54,720 --> 01:05:56,160
Speaker 2: me and you, are you fine with that? Like does

1408
01:05:56,200 --> 01:05:57,600
Speaker 2: it have to are you bringing?

1409
01:05:58,400 --> 01:06:01,320
Speaker 4: Like like what you say, because because sometimes I'm what

1410
01:06:01,360 --> 01:06:01,919
Speaker 4: you're saying.

1411
01:06:03,800 --> 01:06:06,200
Speaker 2: This is where like friendship lines get blurred sometimes, and

1412
01:06:06,240 --> 01:06:11,080
Speaker 2: I love blurring friendship good because me and demeris no

1413
01:06:11,200 --> 01:06:13,560
Speaker 2: whole bars on anything. But sometimes when she asked for

1414
01:06:13,600 --> 01:06:15,600
Speaker 2: tickets for stuff, I'm like, you know, it's a show

1415
01:06:15,640 --> 01:06:17,640
Speaker 2: I'm gonna go to and I only may get so

1416
01:06:17,640 --> 01:06:20,200
Speaker 2: many tickets, so that means you and me are going

1417
01:06:20,200 --> 01:06:23,160
Speaker 2: And I don't know if that was your plan. Yeah,

1418
01:06:23,400 --> 01:06:26,320
Speaker 2: which that definitely wasn't, which which let me let me interject,

1419
01:06:26,640 --> 01:06:28,800
Speaker 2: that was not Demarus was planning to go to someone

1420
01:06:28,800 --> 01:06:34,200
Speaker 2: walking with you. I'm aware, Okay, Damarics already got her

1421
01:06:34,200 --> 01:06:34,920
Speaker 2: outfit laid out.

1422
01:06:35,000 --> 01:06:36,440
Speaker 3: Let me look at that, she already at the person

1423
01:06:36,480 --> 01:06:38,880
Speaker 3: she knows she wanted to go with, Like, no looking

1424
01:06:38,920 --> 01:06:40,760
Speaker 3: at other dates like where they go. Maybe I might

1425
01:06:40,800 --> 01:06:46,440
Speaker 3: go to Atlanta, like like like Brandy and Monica.

1426
01:06:48,680 --> 01:06:53,000
Speaker 2: No, that was hilarious. I don't know if anyone listening

1427
01:06:53,080 --> 01:07:00,600
Speaker 2: caught what you said. Yeah said I'm cool, She's cool.

1428
01:06:59,800 --> 01:07:05,040
Speaker 5: It's hold on from Atlanta. Yeah, you couldn't get never

1429
01:07:05,120 --> 01:07:06,560
Speaker 5: want to go to the show with Atlanta. That it

1430
01:07:07,120 --> 01:07:10,360
Speaker 5: was cook Why I live in Brooklyn. Everybody comes here.

1431
01:07:10,280 --> 01:07:13,280
Speaker 2: Saying, but she gets PTSD anytime she sees the Mercedes Best.

1432
01:07:13,160 --> 01:07:14,560
Speaker 3: Quick flight quick like Atlanta.

1433
01:07:14,600 --> 01:07:19,160
Speaker 2: That's why Atlanta the Philly they go like it's I

1434
01:07:19,200 --> 01:07:21,520
Speaker 2: don't she takes the ship.

1435
01:07:21,800 --> 01:07:22,680
Speaker 3: You go to Baltimore.

1436
01:07:23,000 --> 01:07:26,280
Speaker 4: I was gonna say DC show. I was gonna say,

1437
01:07:26,360 --> 01:07:30,280
Speaker 4: no Baltimore. Yeah, I was gonna say, maybe I might

1438
01:07:30,440 --> 01:07:32,200
Speaker 4: ask the tickets to the Baltimore.

1439
01:07:31,760 --> 01:07:35,800
Speaker 2: Show more as a great city, great city. Uh, but yeah,

1440
01:07:35,920 --> 01:07:39,080
Speaker 2: I'm very self aware more that she did not want

1441
01:07:39,080 --> 01:07:40,760
Speaker 2: to go to the Summer Walker show with me, And

1442
01:07:40,800 --> 01:07:43,480
Speaker 2: I'm saying, the amount of tickets I can get, one

1443
01:07:43,520 --> 01:07:48,920
Speaker 2: of them is mine. So which is It might be

1444
01:07:48,920 --> 01:07:51,720
Speaker 2: a Brandy a Monica situation again, where it's like it's

1445
01:07:51,760 --> 01:07:52,400
Speaker 2: gonna be me and.

1446
01:07:52,400 --> 01:07:56,440
Speaker 3: You sign I'm gonna Toto. So it's all good.

1447
01:07:56,480 --> 01:07:59,240
Speaker 2: We'll know a lot of people at the that we

1448
01:07:59,280 --> 01:08:02,600
Speaker 2: don't have to just sit me. You'll know people there.

1449
01:08:02,840 --> 01:08:04,720
Speaker 4: I don't mind, like I don't mind hanging out with you.

1450
01:08:04,760 --> 01:08:05,720
Speaker 4: I don't mind hanging out with you.

1451
01:08:06,280 --> 01:08:09,040
Speaker 2: That ain't even sound like I don't need a lot

1452
01:08:09,080 --> 01:08:13,680
Speaker 2: of that's like a lot of that's somebody want.

1453
01:08:12,560 --> 01:08:13,960
Speaker 3: To you, like I don't know, I mean, if you

1454
01:08:13,960 --> 01:08:15,640
Speaker 3: want to go, it's like you want all you want

1455
01:08:15,680 --> 01:08:16,080
Speaker 3: to go though.

1456
01:08:16,520 --> 01:08:18,960
Speaker 4: No, it's not that I origally was asking for me, Alex,

1457
01:08:19,120 --> 01:08:20,760
Speaker 4: but that we.

1458
01:08:20,720 --> 01:08:21,080
Speaker 2: Know who you.

1459
01:08:21,200 --> 01:08:24,240
Speaker 3: We know your road dog Alice could get kicked out again,

1460
01:08:24,360 --> 01:08:27,120
Speaker 3: like you know what I'm saying, Like we know I'm

1461
01:08:27,160 --> 01:08:29,160
Speaker 3: just saying, we know how Alice get down and loved shows.

1462
01:08:29,200 --> 01:08:30,519
Speaker 3: You know what I'm saying. We know her get down.

1463
01:08:30,560 --> 01:08:31,240
Speaker 2: You know what I'm saying.

1464
01:08:31,280 --> 01:08:33,439
Speaker 4: Anyway, But yeah, sorry, I would. I would love to

1465
01:08:33,479 --> 01:08:35,160
Speaker 4: go with you, but I am going to ask for

1466
01:08:35,160 --> 01:08:35,680
Speaker 4: a ticket to.

1467
01:08:35,600 --> 01:08:38,880
Speaker 2: The Baltimore show as well. Be more, you know, I

1468
01:08:38,960 --> 01:08:41,200
Speaker 2: know that's right. You know I like fake live there

1469
01:08:41,200 --> 01:08:42,240
Speaker 2: for a while, so maybe I want to go to

1470
01:08:42,240 --> 01:08:42,840
Speaker 2: Baltimore shows.

1471
01:08:43,600 --> 01:08:47,080
Speaker 4: Fuck like Nigga like a herb Be's bump, like you

1472
01:08:47,160 --> 01:08:48,519
Speaker 4: just can't get rid of him, Like.

1473
01:08:49,560 --> 01:08:52,280
Speaker 2: Who's Mason is not trying to go see someone.

1474
01:08:53,960 --> 01:08:58,520
Speaker 3: Like she's not fucking that's at all trying to go somewhere.

1475
01:08:59,640 --> 01:09:01,439
Speaker 2: I know either of you want to go with me

1476
01:09:01,560 --> 01:09:03,599
Speaker 2: to any show, because I'll go with you to Toronto.

1477
01:09:03,720 --> 01:09:07,680
Speaker 2: Let's see his response, we out, we out, or like

1478
01:09:07,720 --> 01:09:10,559
Speaker 2: I'll meet you there. Oh he showed me either there. Yeah,

1479
01:09:10,640 --> 01:09:13,080
Speaker 2: there's a difference between we out and I'll meet you there.

1480
01:09:13,280 --> 01:09:15,040
Speaker 3: Well, you want to take the same flight, like I

1481
01:09:15,080 --> 01:09:16,360
Speaker 3: don't know how to I don't know.

1482
01:09:16,960 --> 01:09:20,080
Speaker 2: We've taken the same flight, same hotel, same uber car,

1483
01:09:20,880 --> 01:09:23,280
Speaker 2: same show, and I've still never seen you. We are

1484
01:09:23,280 --> 01:09:24,800
Speaker 2: you talking about? But I'm never going to a show

1485
01:09:24,840 --> 01:09:27,960
Speaker 2: to Toronto. When you was in Toronto, I took you

1486
01:09:27,960 --> 01:09:29,200
Speaker 2: to Daniel Caesar as my date.

1487
01:09:30,200 --> 01:09:33,160
Speaker 3: Well, yeah, but we went together though. See that, so

1488
01:09:33,240 --> 01:09:35,519
Speaker 3: that that right there throws your theory out the window.

1489
01:09:35,560 --> 01:09:38,479
Speaker 3: We went together? No, no, but here's the difference. Not

1490
01:09:38,560 --> 01:09:41,600
Speaker 3: to say you couldn't get Daniel Caesar tickets, but I

1491
01:09:41,680 --> 01:09:44,439
Speaker 3: just I just had the plug because I'm close with him. Yeah,

1492
01:09:44,840 --> 01:09:48,280
Speaker 3: you could get Summer Walker tickets without me in a harp.

1493
01:09:48,360 --> 01:09:50,840
Speaker 2: It would take one. Hey, what's up? Can I get

1494
01:09:50,880 --> 01:09:54,080
Speaker 2: some tickets? Yeah? I don't think I'd be on the

1495
01:09:54,080 --> 01:09:57,960
Speaker 2: same my tenerary as you. I had noticed the tickets

1496
01:09:58,000 --> 01:10:00,560
Speaker 2: were under my name. Okay, that's why you had to

1497
01:10:00,600 --> 01:10:04,960
Speaker 2: go with me. No, Peage was saying when we were

1498
01:10:05,000 --> 01:10:09,400
Speaker 2: in London. So outside of the Daniel Caesar show, every

1499
01:10:09,439 --> 01:10:11,519
Speaker 2: time we've ever been in cities, I've like wanted to

1500
01:10:11,560 --> 01:10:13,840
Speaker 2: go to shows and ship, like, you know, just just

1501
01:10:13,880 --> 01:10:16,360
Speaker 2: be be in the pulse of the city, support the

1502
01:10:16,400 --> 01:10:20,080
Speaker 2: social pipeline of the arts. Yeah. And Leon Bridges is

1503
01:10:21,120 --> 01:10:24,759
Speaker 2: an associate. Yeah, I fuck with Leon. And he happened

1504
01:10:24,760 --> 01:10:27,200
Speaker 2: to be at Earth Theater, which we performed at, which

1505
01:10:27,240 --> 01:10:29,960
Speaker 2: was like my favorite venue I think we've ever performed at.

1506
01:10:30,479 --> 01:10:33,280
Speaker 2: And he was there doing like an intimate, like invite

1507
01:10:33,360 --> 01:10:37,680
Speaker 2: only show thing, and I had three tickets after I

1508
01:10:37,680 --> 01:10:39,400
Speaker 2: had just gotten tickets for all of us go the festival.

1509
01:10:39,400 --> 01:10:40,680
Speaker 2: I thought everyone was just going to go to go

1510
01:10:40,760 --> 01:10:43,360
Speaker 2: to sleep, and I had three tickets, and for the

1511
01:10:43,400 --> 01:10:46,320
Speaker 2: first time ever, Maul and Benner are like, yo, I'll roll.

1512
01:10:46,880 --> 01:10:49,840
Speaker 2: And I was like, out of all the things they

1513
01:10:49,840 --> 01:10:51,360
Speaker 2: were going, both of them are going to walk in

1514
01:10:51,400 --> 01:10:55,639
Speaker 2: there and kick up a fuss that I dragged them

1515
01:10:55,680 --> 01:10:58,280
Speaker 2: to this event. No, that's not true. So what happened

1516
01:10:58,400 --> 01:11:00,080
Speaker 2: was and I know, you fuck with Leon Bridges, but

1517
01:11:00,120 --> 01:11:02,960
Speaker 2: it was very much an intimate R and B set,

1518
01:11:03,040 --> 01:11:04,960
Speaker 2: like where I feel like, but we were it's more

1519
01:11:04,960 --> 01:11:07,400
Speaker 2: of my thing. We were coming from like we did radio.

1520
01:11:07,560 --> 01:11:09,639
Speaker 2: I think we were coming from. You guys had said

1521
01:11:09,680 --> 01:11:11,240
Speaker 2: you weren't going, and I was like, why am I?

1522
01:11:11,240 --> 01:11:12,880
Speaker 2: I'm gonna get in. Then Uber and then both y'all

1523
01:11:12,880 --> 01:11:15,400
Speaker 2: out of nowhere decided y'all roll with and I was like,

1524
01:11:15,520 --> 01:11:19,679
Speaker 2: fuck yeah, but it was cool though, I know, yeah,

1525
01:11:19,760 --> 01:11:21,080
Speaker 2: I just I could see our faces.

1526
01:11:21,400 --> 01:11:23,360
Speaker 3: I show the show was cool. I enjoyed the show,

1527
01:11:23,400 --> 01:11:24,160
Speaker 3: and that's not a leon.

1528
01:11:24,800 --> 01:11:27,200
Speaker 2: The show was incredible, but it was like a sitar

1529
01:11:27,520 --> 01:11:31,439
Speaker 2: and a fucking stand up. It was you gotta be

1530
01:11:31,479 --> 01:11:34,200
Speaker 2: in that mind state, like you weren't in that mindset.

1531
01:11:34,200 --> 01:11:35,679
Speaker 3: That's not for the fellas to go together.

1532
01:11:36,800 --> 01:11:38,600
Speaker 2: And I was just gonna go by myself and just,

1533
01:11:38,640 --> 01:11:41,000
Speaker 2: you know, sit right there and watch the three of

1534
01:11:41,080 --> 01:11:43,120
Speaker 2: us pulling up. I was like, why didn't Maul roll

1535
01:11:43,200 --> 01:11:44,880
Speaker 2: me when I go to the strip club? He wants

1536
01:11:44,920 --> 01:11:48,040
Speaker 2: to come with me? Now some music, which made me

1537
01:11:48,080 --> 01:11:50,360
Speaker 2: think that you've never gone out with me since and

1538
01:11:50,400 --> 01:11:52,360
Speaker 2: you think that's not that's my style.

1539
01:11:52,800 --> 01:11:57,760
Speaker 3: I met you at the what is the where who

1540
01:11:57,800 --> 01:12:02,600
Speaker 3: does the We went to the Nikola I'm talking remember.

1541
01:12:02,320 --> 01:12:05,200
Speaker 2: The name of Marlin, kraft Man and Craft. Here's a

1542
01:12:05,240 --> 01:12:08,240
Speaker 2: regiency at New Blue, which he still does morlling craft

1543
01:12:08,280 --> 01:12:11,240
Speaker 2: dot com. Yeah, but that was she don't do that

1544
01:12:11,280 --> 01:12:14,360
Speaker 2: because that's because Nick and Marlin respect each other and

1545
01:12:14,400 --> 01:12:17,400
Speaker 2: that Nick was gonna come. If Nick wasn't here, you

1546
01:12:17,439 --> 01:12:19,679
Speaker 2: wasn't pulling up. No, I would have pulled up because

1547
01:12:20,000 --> 01:12:21,559
Speaker 2: my all the boy was telling me about that spot

1548
01:12:21,600 --> 01:12:23,200
Speaker 2: for a while. I would have pulled up. No New Blue.

1549
01:12:23,320 --> 01:12:25,479
Speaker 2: If you're in New York City Monday nights especially or

1550
01:12:25,560 --> 01:12:28,720
Speaker 2: the best if you love jam sessions, random producers just

1551
01:12:28,720 --> 01:12:31,479
Speaker 2: doing shit. But Marlon has his residency there and I

1552
01:12:31,520 --> 01:12:33,559
Speaker 2: brought them all there. But that was a great event.

1553
01:12:34,040 --> 01:12:35,640
Speaker 2: I was happy you came to that one, just to

1554
01:12:35,680 --> 01:12:38,799
Speaker 2: show that, like I have range in my invites.

1555
01:12:39,160 --> 01:12:39,920
Speaker 3: No, that was cool.

1556
01:12:40,040 --> 01:12:43,720
Speaker 2: That was a good show for sure. DeMars, I just

1557
01:12:43,760 --> 01:12:46,439
Speaker 2: have to find like Hose and she's there. Well, they're

1558
01:12:46,439 --> 01:12:47,880
Speaker 2: gonna be at the Summer Walker show for sure.

1559
01:12:48,439 --> 01:12:50,200
Speaker 4: All the holes, the last hole you had me around I.

1560
01:12:50,160 --> 01:12:54,280
Speaker 2: Could have did without. Oh yeah, oh god, look, Oh

1561
01:12:54,400 --> 01:12:56,160
Speaker 2: mar did I ever tell you about that? I never

1562
01:12:56,200 --> 01:12:57,040
Speaker 2: told me all about him.

1563
01:12:57,040 --> 01:12:59,519
Speaker 3: Never tell me about the Hose. Baby was there there,

1564
01:12:59,560 --> 01:13:02,879
Speaker 3: he was there, there, I was there with the whole.

1565
01:13:02,680 --> 01:13:07,120
Speaker 2: Patreon patren not not like a whole I was like

1566
01:13:07,840 --> 01:13:12,360
Speaker 2: fucking or anything, you know, a whore. Yes, you know

1567
01:13:12,600 --> 01:13:16,599
Speaker 2: that just makes every situation annoying. Yeah, we went.

1568
01:13:16,439 --> 01:13:18,439
Speaker 4: To Leon Thomas together. We had a good time, so

1569
01:13:18,560 --> 01:13:19,960
Speaker 4: we can go the third Wheel there.

1570
01:13:20,520 --> 01:13:22,720
Speaker 2: Do you guys ever have that anxiety of when you're

1571
01:13:22,720 --> 01:13:25,920
Speaker 2: the one inviting people to events that you events you

1572
01:13:25,960 --> 01:13:30,519
Speaker 2: can't even control. Mm hmm, Like I hope everything is smooth.

1573
01:13:30,560 --> 01:13:31,639
Speaker 2: I hope everything is cool.

1574
01:13:31,800 --> 01:13:33,600
Speaker 4: That's why I don't bring anybody to events with me

1575
01:13:33,680 --> 01:13:35,800
Speaker 4: unless we're really really close, like for example that was

1576
01:13:35,840 --> 01:13:37,840
Speaker 4: my boyfriend at the time, or like Alex. I can't

1577
01:13:37,840 --> 01:13:40,639
Speaker 4: bring like because like looking like you. I don't want

1578
01:13:40,640 --> 01:13:42,200
Speaker 4: to make it seem like I'm the plug and I'm

1579
01:13:42,240 --> 01:13:43,920
Speaker 4: not the plug and shit and I plugging in't not

1580
01:13:43,960 --> 01:13:46,280
Speaker 4: even just that just like not.

1581
01:13:46,320 --> 01:13:48,360
Speaker 3: That just not plugging it just.

1582
01:13:48,360 --> 01:13:51,920
Speaker 2: More so like is it gonna be cool? We're all old?

1583
01:13:52,080 --> 01:13:53,760
Speaker 2: Like do we have a spot to sit? That's the

1584
01:13:53,840 --> 01:13:55,000
Speaker 2: number one thing. Do we have a spot to set?

1585
01:13:55,040 --> 01:13:57,519
Speaker 2: Are we comfortable? Yeah? It's less about the plug shit,

1586
01:13:57,640 --> 01:13:59,520
Speaker 2: just is it going to be a good experience?

1587
01:13:59,800 --> 01:14:02,080
Speaker 4: My biggest fear is somebody giving me tickets to something

1588
01:14:02,120 --> 01:14:03,400
Speaker 4: and I go and they like, you ain't man on

1589
01:14:03,400 --> 01:14:09,920
Speaker 4: a list. Hmmmmm, that's very embarrassing. And I got somebody

1590
01:14:09,920 --> 01:14:11,280
Speaker 4: with me. That's so embarrassing.

1591
01:14:11,960 --> 01:14:13,360
Speaker 3: That felt like it was gonna happen to me. When

1592
01:14:13,360 --> 01:14:16,240
Speaker 3: I went to go see Usher, Oh, but I was

1593
01:14:16,240 --> 01:14:20,040
Speaker 3: just at the wrong gate. I walked up there was like, no,

1594
01:14:20,160 --> 01:14:21,479
Speaker 3: we ain't got I was like, y, don't play with

1595
01:14:21,520 --> 01:14:21,800
Speaker 3: me like that.

1596
01:14:21,840 --> 01:14:22,599
Speaker 2: You got a girl with you?

1597
01:14:22,720 --> 01:14:25,200
Speaker 3: Yeah, my hole, they don't play with me like that.

1598
01:14:25,560 --> 01:14:27,479
Speaker 3: And then I hit JD. He was like, nah, they

1599
01:14:27,479 --> 01:14:28,720
Speaker 3: said this at the other gate. So I had to

1600
01:14:28,760 --> 01:14:30,000
Speaker 3: go like walk around the other side.

1601
01:14:30,280 --> 01:14:32,040
Speaker 4: That's how it was with and the crazy shit is

1602
01:14:32,080 --> 01:14:35,280
Speaker 4: I had two sets of tickets for Atlanta one Music

1603
01:14:35,360 --> 01:14:38,599
Speaker 4: Fest and that line was around the corner. I walked

1604
01:14:38,600 --> 01:14:39,600
Speaker 4: all the way to the front of the line. I

1605
01:14:39,640 --> 01:14:40,960
Speaker 4: was like immediate. It was like, well, you're not on

1606
01:14:41,000 --> 01:14:44,280
Speaker 4: the list. I said, man, call somebody. I start naming names.

1607
01:14:44,280 --> 01:14:45,040
Speaker 4: I got my tea not.

1608
01:14:45,000 --> 01:14:46,400
Speaker 3: Being on the list, and you walk in it's people

1609
01:14:46,479 --> 01:14:47,160
Speaker 3: standing behind you.

1610
01:14:47,280 --> 01:14:48,639
Speaker 2: Yeah, they know they on the list.

1611
01:14:49,360 --> 01:14:50,400
Speaker 3: That's the worst.

1612
01:14:50,560 --> 01:14:52,120
Speaker 2: Now you got to fake standing on the side and

1613
01:14:52,200 --> 01:14:56,240
Speaker 2: start texting you. That shit is so embarrassing. I'll go

1614
01:14:56,360 --> 01:15:03,320
Speaker 2: the fuck home pretending you're on the phone. Yeah, yeah,

1615
01:15:03,560 --> 01:15:05,839
Speaker 2: but I'm talking to Bryon to the person system.

1616
01:15:05,880 --> 01:15:08,160
Speaker 4: The computer system was down at one music fest and

1617
01:15:08,200 --> 01:15:09,760
Speaker 4: that's why. But I'm like, y'all gonna get somebody on

1618
01:15:09,760 --> 01:15:11,439
Speaker 4: this spot. I had to start and like Rory, I

1619
01:15:11,479 --> 01:15:12,960
Speaker 4: was like, y'are gonna get somebody on his phone.

1620
01:15:13,200 --> 01:15:14,760
Speaker 2: I think I texted Rory too. I was the one

1621
01:15:14,760 --> 01:15:16,360
Speaker 2: that got you the past flush. Yeah.

1622
01:15:16,920 --> 01:15:19,240
Speaker 3: One of my concerts. I didn't go to Bryson Chris.

1623
01:15:19,439 --> 01:15:22,200
Speaker 2: Yeah, but I had to FaceTime you with the ticket

1624
01:15:22,240 --> 01:15:25,639
Speaker 2: person and show your passport. Yeah.

1625
01:15:24,520 --> 01:15:28,200
Speaker 3: I wasn't doing that. I literally got dressed. It was

1626
01:15:28,320 --> 01:15:31,360
Speaker 3: it was thunderstorm and I think that yeah, and I

1627
01:15:31,400 --> 01:15:34,680
Speaker 3: had got dressed and I put I'm so weird. I

1628
01:15:34,720 --> 01:15:36,920
Speaker 3: spray cologne and I was like, yo, I just put

1629
01:15:36,920 --> 01:15:41,880
Speaker 3: colone on to go see a nigga on stage. Yeah,

1630
01:15:41,920 --> 01:15:42,719
Speaker 3: but it was still.

1631
01:15:42,560 --> 01:15:44,720
Speaker 2: Just fell on helone before I come here, Like, I

1632
01:15:44,720 --> 01:15:47,599
Speaker 2: don't know, just it's part of a routine. Baby said,

1633
01:15:47,640 --> 01:15:48,960
Speaker 2: you don't give a funk. I smell like, yeah, but

1634
01:15:49,000 --> 01:15:50,160
Speaker 2: you gotta you know I do.

1635
01:15:50,240 --> 01:15:51,640
Speaker 4: I don't want you to smell like wet dog. So

1636
01:15:51,680 --> 01:15:52,479
Speaker 4: please put like.

1637
01:15:52,400 --> 01:15:54,400
Speaker 2: Some and I ever smelled like wet dog? No, because

1638
01:15:54,400 --> 01:15:55,000
Speaker 2: you put perview.

1639
01:15:55,080 --> 01:15:58,439
Speaker 3: Man, he's white. You smelled like wet dog before. That's

1640
01:15:58,439 --> 01:15:58,800
Speaker 3: just your.

1641
01:15:58,920 --> 01:16:03,320
Speaker 2: Top of the head and ain't even enough hair for that. Yeah.

1642
01:16:03,360 --> 01:16:05,679
Speaker 2: This with the Scout, it's the Scout skin.

1643
01:16:05,800 --> 01:16:06,400
Speaker 3: It's your skin.

1644
01:16:06,760 --> 01:16:06,960
Speaker 1: But I.

1645
01:16:09,120 --> 01:16:15,080
Speaker 2: Maybe it's Mabel over here. It's the skin. Don't wear

1646
01:16:15,120 --> 01:16:16,680
Speaker 2: black without the blue or whatever that shit used to

1647
01:16:16,680 --> 01:16:21,400
Speaker 2: be cool? Oh? Man, No, but seriously, I don't. I

1648
01:16:21,400 --> 01:16:24,240
Speaker 2: don't smell like a what dog? No, but like no,

1649
01:16:24,320 --> 01:16:27,519
Speaker 2: but really I don't. Okay, he should believe you, but

1650
01:16:27,560 --> 01:16:31,720
Speaker 2: I don't. Oh do we have voicemails? Guy, Yes, we do.

1651
01:16:31,840 --> 01:16:35,919
Speaker 5: SpongeBob bou smell, but unlimited talk texting that you've got male.

1652
01:16:36,960 --> 01:16:39,800
Speaker 2: And the best snap as one can find.

1653
01:16:39,880 --> 01:16:43,800
Speaker 7: Four. I'm hearing Rory talking about the kid Cutti Jim

1654
01:16:43,880 --> 01:16:47,720
Speaker 7: Jones debate. And he don't say I forgot the time

1655
01:16:47,760 --> 01:16:50,760
Speaker 7: period he just said, but he just said New York

1656
01:16:50,840 --> 01:16:52,519
Speaker 7: radio ran fifty space.

1657
01:16:52,600 --> 01:16:56,080
Speaker 1: You lost your fucking minup New York. He never ran

1658
01:16:56,120 --> 01:16:57,000
Speaker 1: the fucking radio.

1659
01:16:56,800 --> 01:17:01,240
Speaker 7: In Texas, like fucking ever, never ever, ever have we

1660
01:17:01,280 --> 01:17:04,080
Speaker 7: based our listening off of fucking New York radio.

1661
01:17:04,160 --> 01:17:05,120
Speaker 1: Let's get this ship straight.

1662
01:17:07,000 --> 01:17:11,960
Speaker 7: We always play our artists down here, always, yeah, always period.

1663
01:17:13,080 --> 01:17:16,639
Speaker 1: That's why all our artists signed. They come in there

1664
01:17:16,640 --> 01:17:17,240
Speaker 1: with a milli empo.

1665
01:17:17,320 --> 01:17:22,680
Speaker 7: He signed, Paul Wall, Mike Joe Pole, Switch House well

1666
01:17:22,760 --> 01:17:24,000
Speaker 7: millionaires when he signed they deal.

1667
01:17:24,240 --> 01:17:29,960
Speaker 1: Go listen to I'm so happy every thing was name

1668
01:17:30,080 --> 01:17:34,160
Speaker 1: right now, he said something with the Mann before I signed.

1669
01:17:35,640 --> 01:17:37,400
Speaker 1: All our artists right now are still.

1670
01:17:37,240 --> 01:17:40,560
Speaker 7: Millionaires because it's down here.

1671
01:17:40,680 --> 01:17:45,000
Speaker 1: We listen to you want to Boushi and waveb are

1672
01:17:45,040 --> 01:17:46,679
Speaker 1: big because of down South. Yeah.

1673
01:17:46,720 --> 01:17:49,000
Speaker 7: I only know them for fucking wipe me down. Like

1674
01:17:49,040 --> 01:17:51,880
Speaker 7: I remember Busha got out on the Hot, Hot and

1675
01:17:52,000 --> 01:17:53,880
Speaker 7: the Deeper gonna say, well, we know it, wipe it down.

1676
01:17:53,880 --> 01:17:56,720
Speaker 1: So what's songs that people listen to and we're like,

1677
01:17:56,760 --> 01:18:00,920
Speaker 1: what the listening to? Talk about your legend down here? Yeah?

1678
01:18:01,000 --> 01:18:03,800
Speaker 1: They never ran the fucking radio in the South ever.

1679
01:18:05,920 --> 01:18:08,240
Speaker 2: Here's the thing. I completely agree with everything this gentleman

1680
01:18:08,320 --> 01:18:12,120
Speaker 2: just said. I don't disagree with one one thing that

1681
01:18:12,560 --> 01:18:16,200
Speaker 2: he said. I also think Millionaire and Paul Wall were

1682
01:18:16,360 --> 01:18:19,559
Speaker 2: amazing entrepreneurs that were millionaires because they were selling out

1683
01:18:19,600 --> 01:18:23,360
Speaker 2: their trunk before any record really hit. I think he

1684
01:18:23,439 --> 01:18:27,280
Speaker 2: misunderstood what I was saying as far as New York

1685
01:18:27,439 --> 01:18:32,479
Speaker 2: radio with program directors and major markets of things being

1686
01:18:32,560 --> 01:18:35,080
Speaker 2: proven when it comes to records that got as big

1687
01:18:35,120 --> 01:18:37,680
Speaker 2: as Day and Night are I am not saying that

1688
01:18:37,800 --> 01:18:40,960
Speaker 2: New York Music ever controlled anything in the South. We

1689
01:18:40,960 --> 01:18:42,800
Speaker 2: were just talking about prom and I said in two

1690
01:18:42,800 --> 01:18:46,880
Speaker 2: thousand and eight, the South was running everything at that time.

1691
01:18:47,160 --> 01:18:49,639
Speaker 2: I am not saying that New York and Music controlled

1692
01:18:50,479 --> 01:18:52,960
Speaker 2: anything that was playing on Southern radio. I'm saying with

1693
01:18:53,120 --> 01:18:58,120
Speaker 2: records pop records that were like Day and Night, it

1694
01:18:58,160 --> 01:18:59,600
Speaker 2: came from a hip hop space. But that is a

1695
01:18:59,600 --> 01:19:04,599
Speaker 2: poper No. That shit is a classic pop record for sure,

1696
01:19:05,280 --> 01:19:08,799
Speaker 2: the most major market and where all the radio execs,

1697
01:19:08,960 --> 01:19:12,320
Speaker 2: label execs, everyone that got shit moving and could really

1698
01:19:12,360 --> 01:19:14,360
Speaker 2: press a button at that time because internet was still

1699
01:19:14,360 --> 01:19:16,479
Speaker 2: the Internet. Don't get me wrong, but Oha, I saw

1700
01:19:16,520 --> 01:19:19,479
Speaker 2: a lot of people on Twitter killing me in the

1701
01:19:19,520 --> 01:19:21,240
Speaker 2: comments of that of like, we didn't listen to Hot

1702
01:19:21,320 --> 01:19:23,519
Speaker 2: ninety seven in two thousand and eight, cool if you didn't.

1703
01:19:23,800 --> 01:19:26,519
Speaker 2: I didn't either. I had a iPod. I wasn't really

1704
01:19:26,520 --> 01:19:28,760
Speaker 2: listening to Hot like that. But you're very naive if

1705
01:19:28,760 --> 01:19:31,160
Speaker 2: you think radio still matters in twenty twenty six. You

1706
01:19:31,160 --> 01:19:34,000
Speaker 2: don't think it mattered in two thousand and eight. Radio

1707
01:19:34,439 --> 01:19:38,439
Speaker 2: really mattered at that time, and where every radio exec

1708
01:19:39,439 --> 01:19:42,439
Speaker 2: was at, where every label exec was in New York City,

1709
01:19:42,600 --> 01:19:45,400
Speaker 2: which made it have even more purpose at that time.

1710
01:19:45,520 --> 01:19:47,480
Speaker 2: That's what I was saying. As far as the trajectory

1711
01:19:47,520 --> 01:19:50,120
Speaker 2: of anything that happened, I'm not saying that there wasn't

1712
01:19:50,160 --> 01:19:54,439
Speaker 2: mix show shit with Houston DJs that didn't make Paul

1713
01:19:54,479 --> 01:19:57,040
Speaker 2: wall in Chamelion are pot. Of course, the South has

1714
01:19:57,080 --> 01:20:00,360
Speaker 2: always had better radio. Anytime I've traveled, I don't mind

1715
01:20:00,400 --> 01:20:03,080
Speaker 2: sitting on the Uber and listening to the radio. South

1716
01:20:03,160 --> 01:20:05,840
Speaker 2: DJ's the smoking rs up here. They played fucking amazing music.

1717
01:20:06,000 --> 01:20:08,240
Speaker 2: They play local shit. I love what the South does.

1718
01:20:08,280 --> 01:20:11,240
Speaker 2: But as far as that radio rotation with those hit

1719
01:20:11,479 --> 01:20:14,519
Speaker 2: records TI, I'll tell you, you got to go to

1720
01:20:14,520 --> 01:20:16,160
Speaker 2: New York at the toime t I was trying to pop.

1721
01:20:16,200 --> 01:20:18,519
Speaker 2: You had to go to New York to get your

1722
01:20:18,560 --> 01:20:24,439
Speaker 2: shit really in rotation around the country because syndication started

1723
01:20:24,520 --> 01:20:29,360
Speaker 2: a few blocks from here at iHeartRadio, Syndication started in

1724
01:20:29,400 --> 01:20:33,160
Speaker 2: New York City. So I understand what this gentleman is saying.

1725
01:20:33,200 --> 01:20:35,160
Speaker 2: He completely missed my point, which is probably my fault

1726
01:20:35,160 --> 01:20:38,639
Speaker 2: for not articulating it correctly. But I'm not talking about

1727
01:20:38,680 --> 01:20:41,080
Speaker 2: New York music. I don't think Jim Jones Day and

1728
01:20:41,160 --> 01:20:45,040
Speaker 2: Night Remix played in Houston. I don't think that at all.

1729
01:20:45,400 --> 01:20:47,800
Speaker 2: I'm saying a lot of decisions that were being made,

1730
01:20:48,040 --> 01:20:51,080
Speaker 2: the pulse of New York mattered at that time with

1731
01:20:51,120 --> 01:20:53,160
Speaker 2: what was going on and what was working because those

1732
01:20:53,200 --> 01:20:57,200
Speaker 2: people were living in New York City. It's action, it's

1733
01:20:57,240 --> 01:20:59,080
Speaker 2: a fact. It's not even really a debate.

1734
01:20:59,160 --> 01:21:03,400
Speaker 3: I always tell a story about seeing Future in Sin

1735
01:21:03,479 --> 01:21:07,400
Speaker 3: City when he was working as Tony Montana record. Never

1736
01:21:07,439 --> 01:21:10,439
Speaker 3: heard the record before that. In Sin City one night,

1737
01:21:11,000 --> 01:21:14,280
Speaker 3: see this skinny, tall guy with dreads jumping up and

1738
01:21:14,400 --> 01:21:15,759
Speaker 3: he's the only one that knows the words.

1739
01:21:16,800 --> 01:21:20,080
Speaker 2: But it was catchy. Me and my homeboy Leaf Sin City.

1740
01:21:20,400 --> 01:21:22,760
Speaker 3: We saw rhyming Tony Montan with everything about to go

1741
01:21:22,800 --> 01:21:26,679
Speaker 3: get some food, Tony Montana, get some pizza whatever. Everything

1742
01:21:26,720 --> 01:21:29,519
Speaker 3: was twenty mon ten, and then two days later heard

1743
01:21:29,560 --> 01:21:30,160
Speaker 3: it on the radio.

1744
01:21:30,240 --> 01:21:33,120
Speaker 2: Yeah. And I also want to be very clear that

1745
01:21:33,200 --> 01:21:35,960
Speaker 2: I'm not saying that even in two thousand and eight,

1746
01:21:36,040 --> 01:21:39,559
Speaker 2: radio execs or major label execs were the most important

1747
01:21:39,600 --> 01:21:43,200
Speaker 2: fucking people. At the end of the day, what Houston

1748
01:21:43,320 --> 01:21:46,760
Speaker 2: does on an independent level is so admirable. What New

1749
01:21:46,840 --> 01:21:49,519
Speaker 2: Orleans has always done on an independent level. The streets

1750
01:21:49,520 --> 01:21:52,680
Speaker 2: made all those records hot, and then the execs had

1751
01:21:52,680 --> 01:21:56,120
Speaker 2: to catch up. But I'm saying a record like Dan

1752
01:21:56,200 --> 01:21:59,200
Speaker 2: Knight in that pop world, you do need a little

1753
01:21:59,200 --> 01:22:02,960
Speaker 2: bit of a push button from major radio and major

1754
01:22:03,000 --> 01:22:06,559
Speaker 2: labels that were in major markets in bed together at

1755
01:22:06,600 --> 01:22:10,840
Speaker 2: that time. And iHeartMedia, which was also whether you were

1756
01:22:10,840 --> 01:22:13,080
Speaker 2: saying one of six hot ninety seven obviously isn't part

1757
01:22:13,080 --> 01:22:18,519
Speaker 2: of that. But syndication matters. Syndication starts in New York City. Yeah,

1758
01:22:18,560 --> 01:22:21,200
Speaker 2: it's just a fact based off the people pushing buttons

1759
01:22:21,479 --> 01:22:23,920
Speaker 2: starts here. It's not what y'all were doing. I don't

1760
01:22:23,920 --> 01:22:25,639
Speaker 2: think New York City had anything to do with Paul

1761
01:22:25,640 --> 01:22:28,640
Speaker 2: Wall Camellionaire, fucking cash money, none of that shit. To

1762
01:22:28,960 --> 01:22:30,800
Speaker 2: pop and Kit Cutty, day and night would have been

1763
01:22:30,880 --> 01:22:36,240
Speaker 2: day and night. It was clipped up thanks Page, day

1764
01:22:36,240 --> 01:22:37,680
Speaker 2: and night would have been day and night. I know

1765
01:22:37,720 --> 01:22:39,040
Speaker 2: a lot of people just watch the clips and not

1766
01:22:39,080 --> 01:22:40,800
Speaker 2: watch the full thing. I'm not saying that Jim Jones

1767
01:22:40,840 --> 01:22:42,639
Speaker 2: made fucking day and night work. I'm just talking about

1768
01:22:42,680 --> 01:22:46,040
Speaker 2: people that worked in the city made the decisions at

1769
01:22:46,040 --> 01:22:48,639
Speaker 2: that time, and New York was prevalent behind the scenes,

1770
01:22:49,000 --> 01:22:51,840
Speaker 2: even with Southern music at that time. But y'all, no,

1771
01:22:51,880 --> 01:22:54,519
Speaker 2: I'm never given New York credit for Paul Wall or Chamellion, Like,

1772
01:22:54,560 --> 01:22:55,599
Speaker 2: come on, what are we talking about.

1773
01:22:55,760 --> 01:22:57,800
Speaker 3: Thank you for that, Matthew. Thank you for getting Rory right,

1774
01:22:58,600 --> 01:22:59,400
Speaker 3: getting him together.

1775
01:22:59,479 --> 01:23:02,559
Speaker 2: He got you together real quick, made you explain yourself.

1776
01:23:03,000 --> 01:23:05,639
Speaker 2: If it wasn't patpoos, I don't think sitting sideways would

1777
01:23:05,640 --> 01:23:10,160
Speaker 2: even be what it is right now. Oh man, all right,

1778
01:23:10,160 --> 01:23:13,280
Speaker 2: well we're going to Patreon. That we are.

1779
01:23:13,320 --> 01:23:14,519
Speaker 3: We got more energy for Patreon.

1780
01:23:14,600 --> 01:23:16,800
Speaker 2: We're good. I'm ready to do. All right, Well, we'll

1781
01:23:16,840 --> 01:23:19,519
Speaker 2: talk to y'all soon. Be safe, be blessed. I'm knitting.

1782
01:23:19,800 --> 01:23:20,960
Speaker 2: He's just p