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Speaker 1: Welcome to Drink Champs, the production of the Black Effect

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Speaker 1: and I Heart Radio and his drink Chess. Motherfucking podcasts,

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Speaker 1: a legend, every queen's rapper, He's greed is your boy

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Speaker 1: in no r He's a Miami hippoper lioneer. What up

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Speaker 1: is d J e f N? Together they drink it

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Speaker 1: up with some of the biggest players in the most

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Speaker 1: professional unprofessional podcast and yet number one source for drunk

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Speaker 1: fast drinks. Mother is New Year's e. That's time for

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Speaker 1: Drink Champs. Drink up, motherfuck? Would the good be? Hopefully

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Speaker 1: with the super it's your boy? And oh what up

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Speaker 1: is d J e FN and his drink chests? Motherfucker

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Speaker 1: yapp y'all makes up? Now? It's true and uh form.

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Speaker 1: The two brothers that we are interviewing today, in true form,

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Speaker 1: they broke Drink Champs history right now. It's the first

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Speaker 1: time we've ever recorded. We got avocado tos avacadoun because

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Speaker 1: it's frost sign of chance and true drink chance fashion.

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Speaker 1: They broke all the rules. But let me just describe

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Speaker 1: the two brothers that are sitting right here. When we

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Speaker 1: talk about producers, when we talk about curators of the music.

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Speaker 1: When you talk about people who can produce whole projects,

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Speaker 1: people who take artists and make artists not just make

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Speaker 1: a beat. These are producers, producers. I've worked with both

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Speaker 1: of them. I've seen them from the beginning. I've seen

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Speaker 1: them to now. Their passion, their determination has been impeccable.

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Speaker 1: Both of these brothers came together for something that day

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Speaker 1: was passionate about. That day was you know, going, and

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Speaker 1: then they created this whole nomenon during this pandemic, and

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Speaker 1: if you don't know what I'm talking about, we're celebrating

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Speaker 1: that today. These brothers, when we needed something and everyone

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Speaker 1: was quarantining or dying, literally, these brothers got together and

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Speaker 1: they Chase showed what hip hop is about, what music

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Speaker 1: is about, what celebration is about. And I personally are

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Speaker 1: proud of both of them. I couldn't wait to get them.

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Speaker 1: We had them on Zoom with Zoom made the scene,

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Speaker 1: and we've had them individually and individually, but we got

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Speaker 1: them today and they battled. They stay looking at each

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Speaker 1: other like they're about to go at it today for

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Speaker 1: it's a night that happens. In case you don't know

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Speaker 1: who we're talking about, we're talking about motherfucker's Swiss beaching.

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Speaker 1: Not the one thing that I could tell about both

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Speaker 1: of your brothers, all the money, all this, you guys

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Speaker 1: still are competitives, like you still don't want Tim to

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Speaker 1: Win's like, oh, you're not gonna let that at I mean,

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Speaker 1: you know, made the best man survive. We're gonna survive.

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Speaker 1: Now we're gonna go to the world room. You got

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Speaker 1: me good yet? So it's the first it's it's the

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Speaker 1: first time when y'all did it, because I've seen y'all

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Speaker 1: were hearsing yesterday, so we were you really we heard

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Speaker 1: it in the same room. No, we was, HU was rehearsing.

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Speaker 1: I walked in and it just it just so happened.

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Speaker 1: Ain't that we didn't do it? Um, it's not scripted,

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Speaker 1: know what I'm saying. We didn't start scripted, so we're

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Speaker 1: not gonna be at this level and make it score.

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Speaker 1: I don't think it's from when like for me and

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Speaker 1: him to do a script other other people, I think

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Speaker 1: scripted it might work. Okay, because let's just describe for

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Speaker 1: people that's been under a corner, under a rock, let's

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Speaker 1: describe how versus because you your brothers both have a

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Speaker 1: luxurious careers individually, right then I think your challenge just

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Speaker 1: blaze or is that how it happened? And then then

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Speaker 1: you and Tim went off and it was like, I

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Speaker 1: think it's at Summer Jam, all right, So describe people

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Speaker 1: who don't know, well, you get you gave your call

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Speaker 1: for some of the Summer Jam, and but me and

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Speaker 1: Swiss week it actually started on I G on, I

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Speaker 1: G yeah, because I did a video and Swiss started

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Speaker 1: calling me out what Conor McGregory and all that, And

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Speaker 1: I did a video with Game of Thrones and we

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Speaker 1: started with beats and we're opposed to beat and he

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Speaker 1: opposed to beat. So it kind of started way before

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Speaker 1: the Summer Jam and Summer Jam was a re reunite switch,

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Speaker 1: like we should do what we started Summer Jam to

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Speaker 1: go crazy because what made you because I remember you battling,

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Speaker 1: just what made you say I'm a partner up with him?

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Speaker 1: Like it wasn't um, It wasn't like that at first.

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Speaker 1: So me and Tim had a strategy. It was actually

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Speaker 1: a marketing strategy five records and this is even before

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Speaker 1: he he just said, So the strategy was, you know,

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Speaker 1: let's let's do something interesting for music let's do two

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Speaker 1: albums and let's verse our albums, this before the concept diverses. Yeah,

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Speaker 1: wait a minute, Wait a minute. So yeah, I was waiting.

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Speaker 1: You know, you gotta say that. Slide that over, y'all.

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Speaker 1: Wait a minute. Y'all I did was to do two

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Speaker 1: albums and say which two albums together? Now, but y'all

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Speaker 1: pick out what artists will be on ways, because listening

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Speaker 1: to your playlist, y'all pretty much work with the same

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Speaker 1: mother puckers were. So how would that would have happened?

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Speaker 1: I don't know. I think we still have to still

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Speaker 1: do it. I think it's still I think if we

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Speaker 1: was gonna do he do five, I do five, something

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Speaker 1: like that. Now, I wasn't like it was like he

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Speaker 1: had his album. Whatever he put on his album was

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Speaker 1: was gonna be his album. Whatever I put on my

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Speaker 1: alm is gonna be my album. And we was gonna

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Speaker 1: drop those albums the same day, and then we was

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Speaker 1: gonna go on tour. And when we was on tour,

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Speaker 1: he he had a guest to pull out, and I

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Speaker 1: had a guest to pull out from East Town that

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Speaker 1: we didn't know who it was. So that was gonna

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Speaker 1: be the verses tour. That's the downfall about today is

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Speaker 1: I know y'all got surprises, and you know we can't

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Speaker 1: they can't blow it up. That's the only downfall about this,

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Speaker 1: this this episode, because I'm going on, I'm gonna go

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Speaker 1: to live and I'm getting drunk today and then I'm

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Speaker 1: gonna I'm a sober up. So just just just just

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Speaker 1: because me filming at tennant m doesn't mean we're not drinking.

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Speaker 1: But um, so would you saying I'm sorry? Okay, what's

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Speaker 1: which bottoms? For? Not pop Swiss? Everything looked good to me?

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Speaker 1: So which one? Which one you want to start with?

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Speaker 1: Which one? Because it's a celebration, this is, this is

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Speaker 1: because I got I got you very one he's gonna do.

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Speaker 1: I got you something for this is Okay, I'm trying,

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Speaker 1: damn should knew better, my bad. I like the hypnotics,

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Speaker 1: the hypnotic This is the first still you know, when

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Speaker 1: Jay told that story about X with the I literally

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Speaker 1: saw that shit happening, even though I wasn't there. Okay,

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Speaker 1: I'm gonna go with the which what you what you

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Speaker 1: want me to go with? You? Hypnotic Core. Look, I'm

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Speaker 1: asking y'all. I got a cat to y'all. But I'm

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Speaker 1: saying what you think I should drink. I'm a champagne,

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Speaker 1: a bro, I'm a champagne guy. I'm a champagne. It

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Speaker 1: was I think the Big Holmie and that's his ship,

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Speaker 1: the Big Holmie. Hold. That's just I'm a rock guy.

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Speaker 1: I'm on. I'm on a spade guy. You know, I

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Speaker 1: drink black. I drink y. Let's go, goddamnit. Let's who

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Speaker 1: were talking about. I lost my trained the tour. I'm

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Speaker 1: so focused who we talked about. Okay, that's y'all. Hit

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Speaker 1: the road, y'all will bring guests for you. And that

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Speaker 1: album before Versus was going to be Versus. Yeah, and

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Speaker 1: and even before that, um it was me and Kanye

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Speaker 1: on stage at Summer Jam even before. But you know

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Speaker 1: that the beauty about what you're seeing right here is

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Speaker 1: that all of the other all of the other battles

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Speaker 1: that was before it was amazing for culture. But the

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Speaker 1: timing of what me and Tim did worked and moved

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Speaker 1: the culture. And that's why we're here to day, and

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Speaker 1: that's why we're partners because what we did actually worked,

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Speaker 1: and the timing worked for us, and it worked for

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Speaker 1: the people, And um, I couldn't have a better partner

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Speaker 1: than than Tim. The way it evolved, Yes, you know

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Speaker 1: that's my brother love. If we do everything together, like

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Speaker 1: we're running stuff by each other. I couldn't have picked

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Speaker 1: a better partner. And I was actually doing this whole

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Speaker 1: whole you know, pandemic. I realized, like yeo, we've really

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Speaker 1: been free since my whole producer career and never really

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Speaker 1: celebrated our friendship. And this time helped me to realize

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Speaker 1: how much this man means to my life and how

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Speaker 1: much he lifted me up doing my producer career. Like yo,

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Speaker 1: Swiss was there. He gave me talks when I was down.

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Speaker 1: He don't even know when I was down, but he

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Speaker 1: always was there to give me talks and always encouraged me.

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Speaker 1: And you don't realize who's your real friend because you'll

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Speaker 1: be moving so much in the world. Slowed me down

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Speaker 1: to say we never we don't we agree about everything.

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Speaker 1: You know what I'm saying. I respect him as a

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Speaker 1: big brother, and I go to him and he said, Tim,

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Speaker 1: what your time? What you think? Because I look at him,

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Speaker 1: it's a like always love how he curate beats and music.

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Speaker 1: His curation was always so impeccable at me. So I

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Speaker 1: always looked up to him for you know, just to

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Speaker 1: quick at my advice and see what if I'm on point? Yeah,

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Speaker 1: vice versa, you know what I mean. Like, it was

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Speaker 1: always amazing to watch Timerland produce so many big artists

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Speaker 1: outside of hip hop because it was you know, it

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Speaker 1: was it was. It was a lot of producers in

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Speaker 1: hip hop. But to see Timerland be able to bounce

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Speaker 1: outside of hip hop and to come back inside of

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Speaker 1: hip hop, like it inspired me to do rock and

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Speaker 1: all the different genres that I did. Was just seeing

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Speaker 1: him being successful and you know, like coming from Virginia.

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Speaker 1: You know, it's like coming from Virginia. It wasn't like

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Speaker 1: coming from New York or coming from l A. Like

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Speaker 1: He's making a name for himself from from v A.

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Speaker 1: And I thought that was pretty epic, right, uh, yeah,

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Speaker 1: that makes a noise for that. Goddamn it? Who bet

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Speaker 1: on the night? Who was betting on I'm betting on

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Speaker 1: that after we do this, whoever come after us? Mmkay,

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Speaker 1: you gotta rock like how we look, and it's gonna

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Speaker 1: be a little different because you know, we we the producers. Yeah,

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Speaker 1: you know what I'm saying, so it's it's a party,

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Speaker 1: and I feel like, you know the energy that Swiss Swiss.

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Speaker 1: Only one can get me out of my comfort zone

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Speaker 1: like I'm like everybody else like a metro, Like I'm

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Speaker 1: real like to myself. But that's why we work, because

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Speaker 1: he knows how to Yo. Man, you're great, pump up,

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Speaker 1: pump you at yourself? How come ya ain't get for

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Speaker 1: you're gonna hit not what you want? You want? Who

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Speaker 1: smoke with you? You don't want to go that? I

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Speaker 1: gotta get this clip? Come on this ain't he like

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Speaker 1: came miss? Maybe? Come on, let's do it. Man, come

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Speaker 1: on to my brother's motherfucker Swiss me and oh man,

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Speaker 1: So why we haven't had for real versus Kanye? I

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Speaker 1: think everything is about time and and we gonna get

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Speaker 1: some more drinks. You'll accident because you gotta think about it.

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Speaker 1: Everybody that's been on versus gave us a story why

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Speaker 1: they can't be on versus, but they wind up being

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Speaker 1: on versus. That's including you got a little I could be,

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Speaker 1: I could be, I could be could That's what happens.

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Speaker 1: I gotta like, that's how it all want of me.

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Speaker 1: We get that story. Yeah, called a couple of dudes

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Speaker 1: out to do. They do it to celebration tonight. Okay,

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Speaker 1: all right, So and then I heard you say on

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Speaker 1: the Brothers Club that Dr Drake hold about somebody, but

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Speaker 1: he has stipulations. Yeah, because you know Dr Dre is

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Speaker 1: not a regular human. I don't even know he's human.

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Speaker 1: He's not. He's not even human. So um, of course

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Speaker 1: you're gonna come to the table with something different, and

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Speaker 1: we're gonna allow on to be as different as he wanted,

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Speaker 1: because it's Dr Dre. He went, he went to battle

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Speaker 1: three people. He's not he's different. Think about the different generations. Yeah,

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Speaker 1: he's different. Andre's on another level. And whenever he's ready

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Speaker 1: to come back to the table, doors is all that

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Speaker 1: we took the whole roof off. Yeah, I'm saying I

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Speaker 1: hope not leaving his messinee. We don't know that, we

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Speaker 1: don't know that, we don't know that everything, everything is possible. Man,

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Speaker 1: it's no such things, I understand. And no, just because

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Speaker 1: it's no today on me, it's no tomorrow, y'all. You're

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Speaker 1: good man, you're good man. Good That's how I feeled too,

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Speaker 1: like there not oppress that we had winn and find

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Speaker 1: I was in Turkey Cakes at that time. I just

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Speaker 1: put it on and just like, let it play. I

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Speaker 1: didn't even look at the screen, just let this, let

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Speaker 1: it play. Exactly why I said that, it is like

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Speaker 1: nobody's excluded Earth Winning Fire and the Isley Brothers, Like

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Speaker 1: that's a that's a whole group that was decades and

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Speaker 1: deadcades and decades that got up and and did the

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Speaker 1: dance and did the zone. Now both of y'all h

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Speaker 1: relationship with y'all individually, right, And you know, recently we

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Speaker 1: were celebrating Exodus, you know X. I was damning with

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Speaker 1: X almost every day, like um past three weeks ahead

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Speaker 1: was passing. So what I wanted to do was I

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Speaker 1: wanted to steal through my due diligence and I wanted

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Speaker 1: to um go through all of you guys catalog And

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Speaker 1: I was like, you know what whout to speak about X.

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Speaker 1: I wonder how Timberland is gonna fail because he never

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Speaker 1: had to deal with something like that. And immediately God

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Speaker 1: told me I was wrong. Immediately the next song that

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Speaker 1: came on with a leiyah, So I was like, oh, ship,

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Speaker 1: not only Timberland dealtl with this, he dealt with it.

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Speaker 1: Before Swiss so so changing changing the subject. What I'm saying, like,

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Speaker 1: how was that? Like? How was you know? You're putting

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Speaker 1: all your efforts into a star. This happens and then

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Speaker 1: and and you know, this tragedy happens. I mean, you

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Speaker 1: know it was a part of me. I'm not gonna lie,

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Speaker 1: like I kind of lost myself, you know what I'm saying.

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Speaker 1: And I remember jay Z putting his arm around me

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Speaker 1: at the funeral. That kind of gave me hope. You

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Speaker 1: know what I'm saying that, Um, you know Jay is

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Speaker 1: a different dude. Like he didn't say keep going, but

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Speaker 1: it's arm embrace. Yeah, I got you. You know what

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Speaker 1: I'm saying, I got you. You know what I'm saying,

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Speaker 1: Like because she was on the rise, not only was

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Speaker 1: music great together, that was my sister. And he said

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Speaker 1: she was on the rise. That's crazy because for a

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Speaker 1: person outside looking I thought I think I thought she

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Speaker 1: was superstars, She's superstar? Was there was more? Right now,

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Speaker 1: I'm running things and you know that death. I'm not

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Speaker 1: gonna lie. That's why I tell people I will say this.

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Speaker 1: What really bothered me is before she died, we got

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Speaker 1: a little like argument and you know, that kind of

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Speaker 1: like stuck with me for a minute. But I did

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Speaker 1: get to say, you know, like you know we were

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Speaker 1: brothers and sisters. I love you. And it wasn't a

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Speaker 1: sign of anything, like it wasn't none because that's just

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Speaker 1: a plane. Yeah, And you know, my brother freaked out.

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Speaker 1: He thought I was a ghost at the funeral because

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Speaker 1: I'm always with her, and he just broke down because

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Speaker 1: he didn't think I was real. He didn't thought I

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Speaker 1: was real because he know that I'm always with her,

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Speaker 1: so that it's you know, it affected me for a while.

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Speaker 1: I think it affected all of me and Missy Like

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Speaker 1: if you look at our albums, we could have done more,

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Speaker 1: but our spaces and time was we I just didn't

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Speaker 1: have the the energy or the the willpower to go on,

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Speaker 1: you know. So it was a little hard, but I

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Speaker 1: got through it. That j that j embrace and hug

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Speaker 1: got me through it. Now speaking speaking um you Swiss,

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Speaker 1: like right now, you don't want they hadn't have time

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Speaker 1: to grieve, like you know what I'm saying, Like you

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Speaker 1: want to basically you gotta you gotta keep this man's

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Speaker 1: legacy alive, and you know, switching it up, you know

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Speaker 1: what I mean, because I just want to actually straight up.

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Speaker 1: When you was at the funeral, you said, yo, I

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Speaker 1: don't want you all to show up now, you know,

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Speaker 1: I want you all to be there while he's alive. Right,

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Speaker 1: everyone was implicated Swisses talking about Earth got because Irv

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Speaker 1: Got he had said something. I just want to actually

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Speaker 1: straight up and you can ask what you whatever way

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Speaker 1: you want. I wasn't talking about Earl gud Or though,

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Speaker 1: I don't. You know, I told everybody this ain't like

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Speaker 1: the way he handled Dog. Um, I'm putting out the information,

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Speaker 1: putting out the end of it. You know what I'm

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Speaker 1: saying that I think he could have dealt with Dog

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Speaker 1: a little bit more classy in because of their relationship,

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Speaker 1: and you know, he felt that he felt he felt

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Speaker 1: that that was wrong. So I wasn't going like overdo it.

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Speaker 1: I'm saying because everybody's emotional. But like even at the funeral,

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Speaker 1: when I said what I said, it was because of

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Speaker 1: need people many things, and you know, I was very

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Speaker 1: very close to the dog, and up until his last days.

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Speaker 1: We just finished the record, so I was current on

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Speaker 1: all his events and X only one in love. He

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Speaker 1: didn't want money, he didn't really care about success that much.

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Speaker 1: You just want to riding moo, control cards, play, you know,

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Speaker 1: drive his four wheelers, play pool. Very simple guy. But

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Speaker 1: it was certain people that he really wanted love from

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Speaker 1: that it was hard for him to get the love from.

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Speaker 1: And so when I seen them people now showing up

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Speaker 1: and and now making that day about them, I just

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Speaker 1: had an energy, you know what I mean. And I

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Speaker 1: felt like X came through me and and and and

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Speaker 1: made me say what I had to say. You know

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Speaker 1: what I'm saying, by the way, that that mirror was

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Speaker 1: very beautiful over there. You know what I'm saying, That

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Speaker 1: mirror was very beautiful. Damn, he totally forgot even went

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Speaker 1: up the whole crowd. I was like, yo, we camp

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Speaker 1: filmed this nowhere else like X and the same chip. Yeah,

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Speaker 1: and you know, he don't do interviews at all, so

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Speaker 1: like we just talking crazy because he loved your show.

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Speaker 1: That was a special moment. This is this is this

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Speaker 1: is this was his show. Like like literally he literally

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Speaker 1: found out where I lived, booked the hotel next to me,

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Speaker 1: and just we just killed like we did nothing for

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Speaker 1: three weeks, like just like six weeks. I'm told about

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Speaker 1: every single day and I knew the person that was

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Speaker 1: there that day was a different dog, Like that was

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Speaker 1: a different he was coming on time, like I was

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Speaker 1: working with him, Like, yo, I'm like a different he

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Speaker 1: was a different dog. And that's what that's what when

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Speaker 1: we made this album, that's what the focus was. That's

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Speaker 1: why every song on this record is not shoot him up,

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Speaker 1: kill kill. You know. We started the record off hard,

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Speaker 1: and then he gets into different zones. He you know,

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Speaker 1: he wanted to embrace his age. He wanted to embrace

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Speaker 1: his and he was like, Yo, I'm tired of doing

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Speaker 1: this this this probably gonna be my last album. Not

337
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Speaker 1: because he knew he wasn't gonna be here, but he was.

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Speaker 1: He was getting ready to get married to his fiancee.

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Speaker 1: He was he had a bunch of movie and TV

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Speaker 1: you wanted to do. He wanted to be around his

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Speaker 1: kids more. He was signing him to drinks podcast that

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Speaker 1: he was doing those type of days, you know, And

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Speaker 1: it was his fiftieth birthday and he just wanted he

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Speaker 1: wanted to go to the next level. Like I knew

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Speaker 1: it was changing when he asked. When he was like, yo,

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Speaker 1: you know what I want for my birthday? I was like,

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Speaker 1: what he said he wanted a Rose Royce in his

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Speaker 1: He would come out here and that's what he told,

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Speaker 1: these Rose voices out there told and I would like,

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Speaker 1: you know, kind of get the old school card. He

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Speaker 1: wanted the Rose ye. So Mr Lee is funny, he

352
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Speaker 1: was up. I got actually picture with me and him

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Speaker 1: and the Rose voice he told me. But the thing

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Speaker 1: about the Rose ray because I'm like, all right time

355
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Speaker 1: he wants this, letna get this first fifty one birthday

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Speaker 1: And so I was like, okay, well what kind of

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Speaker 1: rolls race she won? And he was like the two

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Speaker 1: thousand and ten Phantom, imr lead, I'm telling you, I said,

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Speaker 1: with the color in Oh yeah, okay. And he knew

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Speaker 1: he knew, he knew all of the roads races, so

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Speaker 1: it wasn't like he was just stuck on that. He

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Speaker 1: knew specifically what he wanted. Actually a quick time with

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Speaker 1: swap slide. We asked him what did you like better,

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Speaker 1: the new school cars or the old school He still

365
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Speaker 1: picked the old school car, but he said he still

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Speaker 1: remember Rose the ways. He just you missed the whole

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Speaker 1: story man, the Fantom two thousand ten Fantom, the DMX.

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Speaker 1: What was he? What was in um when we drove

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Speaker 1: around that day. Was it was it the the Fantom?

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Speaker 1: Oh yeah, let me leave it at all, let me

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Speaker 1: leave it. There's the ghost. It was it was the Ghols,

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Speaker 1: but he wanted the Fantom. Yeah, no, I'll talk about

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Speaker 1: then with the rolls Royce the right goals. Okay, all right, cool, cool,

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Speaker 1: And you know he's saying that that's what he wanted

375
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Speaker 1: it for his birthday. God damn, goddamn, let's make some

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Speaker 1: Look you're gonna stay on it, and're gonna stay on it.

377
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Speaker 1: You're gonna stay in Um. I actually got I don't

378
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Speaker 1: know if you've seen it on my Instagram, but uh

379
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Speaker 1: ask us to think I drink Hennessy I Hennessey, like

380
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Speaker 1: twelve years that first X episode, You drank Hennessey's because

381
00:21:33,440 --> 00:21:40,200
Speaker 1: I was trying to date. But this is my brother.

382
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Speaker 1: He's like, all right, cool, he said, come on, come on,

383
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Speaker 1: come on, let's let me pull you up. Man. You

384
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Speaker 1: know what I mean. So so so X comes come.

385
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Speaker 1: That's crazy. So X comes and he'd be hanging out.

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Speaker 1: He has this gold Hennessy bottle, right, and he goes Joe,

387
00:21:59,200 --> 00:22:01,400
Speaker 1: they only made a cup one of him. So I'm like, okay,

388
00:22:02,280 --> 00:22:05,680
Speaker 1: we wind up hanging out chilling. He leaves the gold

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Speaker 1: Hennessy bottle in my house, saying, right there, I will

390
00:22:12,080 --> 00:22:15,679
Speaker 1: hit picture and that gold Hennessy bottle. Oh, I selled

391
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Speaker 1: it because I don't drink. But two, I felt like

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Speaker 1: that was his gift to me, Like, this is a

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Speaker 1: gold Hennessy bottle. This is what he loves. And it

394
00:22:25,320 --> 00:22:27,280
Speaker 1: was crazy because I called him the next day and

395
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Speaker 1: he goes, He goes and really don't pick up the phone.

396
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Speaker 1: So when he picked up the phone, it's like, ah,

397
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Speaker 1: so he picked up. He's like, I know I left

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Speaker 1: the Hennessy right said yeah. I said, y'all, can't let

399
00:22:36,760 --> 00:22:38,760
Speaker 1: you just leave that? Yeah, I want you to waste that.

400
00:22:38,800 --> 00:22:40,640
Speaker 1: He's like, no, no no, no, no, don't worry. I'm gonna

401
00:22:40,680 --> 00:22:43,760
Speaker 1: come back to the crib. And they came back to

402
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Speaker 1: the crib. That's the day I got a little ass

403
00:22:45,560 --> 00:22:47,880
Speaker 1: dog like this, what is it? I got a Yorkie.

404
00:22:48,520 --> 00:22:50,760
Speaker 1: That's the day he turned my Yorkie into a pit bull.

405
00:22:50,960 --> 00:22:54,200
Speaker 1: I kid you not. He hit it with my little dog.

406
00:22:54,720 --> 00:22:56,320
Speaker 1: I said, what the funk? I didn't even know my

407
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Speaker 1: dog bar That's how Actually, I'm sorry I went too far.

408
00:23:00,000 --> 00:23:02,680
Speaker 1: Want to do. I just saying, I just said, y'all

409
00:23:02,720 --> 00:23:05,800
Speaker 1: missed the dog man. Yeah, he's talking to my dog

410
00:23:05,880 --> 00:23:08,320
Speaker 1: bro like really like, yeah, you know the first time.

411
00:23:08,520 --> 00:23:11,879
Speaker 1: He's just by the way that I'm gonna say this.

412
00:23:12,040 --> 00:23:13,960
Speaker 1: We're gonna, we're gonna get in summer. The first time

413
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Speaker 1: I met DMX Real Talk Battery Studios, his dog walks

414
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Speaker 1: in jungle, pushes the dog out something. The dog went

415
00:23:22,840 --> 00:23:27,240
Speaker 1: and told d m X. The dog said, Yo, they

416
00:23:27,280 --> 00:23:30,560
Speaker 1: just did something. X walks in the room by himself

417
00:23:30,640 --> 00:23:33,840
Speaker 1: and the dog, and he said, don't like dogs. We

418
00:23:33,920 --> 00:23:41,160
Speaker 1: all flipped that he was, you know, back the only

419
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Speaker 1: I heard that from a lot of people. He was

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Speaker 1: great with dogs. Dog his pinky toe now was a

421
00:23:49,440 --> 00:24:01,720
Speaker 1: dog now swear to dogs like yeah, yeah, actually not

422
00:24:02,000 --> 00:24:09,359
Speaker 1: that dog tone now. Yeah, I don't know. I wouldn't.

423
00:24:09,680 --> 00:24:12,440
Speaker 1: I wanted could he like do that from bons and tigers.

424
00:24:12,440 --> 00:24:15,320
Speaker 1: I feel like he had a gift. Oh you got

425
00:24:16,080 --> 00:24:19,560
Speaker 1: that notep. But that's the point, Like the dogs man

426
00:24:19,640 --> 00:24:21,280
Speaker 1: like a pit, the pit like you know what I'm saying,

427
00:24:21,320 --> 00:24:24,280
Speaker 1: that's not that's the control of pits. Some pits go off.

428
00:24:25,240 --> 00:24:26,840
Speaker 1: I didn't see him just control of pit. I seen

429
00:24:26,880 --> 00:24:30,879
Speaker 1: him control anything he appreciated the little tear of the dogs.

430
00:24:31,080 --> 00:24:33,400
Speaker 1: He explained that to us, and he felt the dog

431
00:24:33,480 --> 00:24:37,800
Speaker 1: was more loyal than a human. So let's get into

432
00:24:37,800 --> 00:24:44,200
Speaker 1: this album Exodus. First time we heard DMX really collab,

433
00:24:45,440 --> 00:24:47,760
Speaker 1: like really collapsed. He was proud of his collapse. I

434
00:24:47,800 --> 00:24:51,080
Speaker 1: don't know if you know, actually because he had did

435
00:24:51,119 --> 00:24:53,440
Speaker 1: the record with Benny the Butcher, but he never met.

436
00:24:54,920 --> 00:24:57,720
Speaker 1: So he was out here in Billy's and I called

437
00:24:58,880 --> 00:25:01,359
Speaker 1: Benny the Butcher because like, oh, it's like I gotta flight.

438
00:25:01,400 --> 00:25:03,720
Speaker 1: I said, this is the person you miss your flight fall,

439
00:25:04,400 --> 00:25:07,399
Speaker 1: you know what he said. And Benny came and I

440
00:25:07,440 --> 00:25:09,760
Speaker 1: was seeing X played the album, playing most of it.

441
00:25:09,960 --> 00:25:12,560
Speaker 1: I didn't hear the Jay record, I didn't hit the

442
00:25:12,640 --> 00:25:18,960
Speaker 1: NAS record. Um, I didn't hear the Marvin Gaye record.

443
00:25:19,760 --> 00:25:22,080
Speaker 1: But I pretty much heard a lot of a lot

444
00:25:22,119 --> 00:25:25,080
Speaker 1: of everything else to be able. And he was really proud,

445
00:25:25,160 --> 00:25:27,919
Speaker 1: like he was really really really proud. How how was

446
00:25:27,960 --> 00:25:31,840
Speaker 1: that process going through this? It was great because just

447
00:25:31,880 --> 00:25:35,080
Speaker 1: seeing his evolution and seeing him wanting to take things

448
00:25:35,119 --> 00:25:39,399
Speaker 1: at a different level and actually, you know, making this

449
00:25:39,440 --> 00:25:42,160
Speaker 1: album a priority, like we was in the studio every day,

450
00:25:42,520 --> 00:25:45,040
Speaker 1: you know. Twelve twelve noon and it was a real

451
00:25:45,119 --> 00:25:48,199
Speaker 1: schedule and then after that he was going to do

452
00:25:48,240 --> 00:25:51,320
Speaker 1: a two month workout schedule before we came with the album.

453
00:25:51,359 --> 00:25:53,040
Speaker 1: So we can get it, you know, get him in shape.

454
00:25:53,560 --> 00:25:55,040
Speaker 1: But you know, a lot of people I'm looking. You

455
00:25:55,040 --> 00:25:58,120
Speaker 1: know a lot of people are used to the old X,

456
00:25:58,359 --> 00:26:01,960
Speaker 1: and you know we're never going to get the old

457
00:26:02,040 --> 00:26:05,440
Speaker 1: everyone or anyone. You know, we gotta allow people to grow.

458
00:26:05,480 --> 00:26:08,320
Speaker 1: So you know, we we could have had, like I said,

459
00:26:08,320 --> 00:26:10,359
Speaker 1: we could have had a bunch of murder murder up songs,

460
00:26:10,680 --> 00:26:13,320
Speaker 1: but he X listen to R and B music, X

461
00:26:13,400 --> 00:26:16,640
Speaker 1: got sold. You know, EX like to tell stories, which

462
00:26:16,720 --> 00:26:18,880
Speaker 1: is why you hear Marvin Gaye and Snoop and how

463
00:26:18,920 --> 00:26:21,880
Speaker 1: you sound comfortable on those records, Him and Bono, him

464
00:26:21,920 --> 00:26:24,040
Speaker 1: and him and my wife. He talked about what I'm

465
00:26:24,080 --> 00:26:26,280
Speaker 1: saying and like those I was glad that he was

466
00:26:26,359 --> 00:26:30,120
Speaker 1: opening up his new chapter to allow collaborations and things

467
00:26:30,119 --> 00:26:32,760
Speaker 1: that happened because those people that's on this album really

468
00:26:32,920 --> 00:26:37,199
Speaker 1: love him. And was that suggestion, um oh, that was

469
00:26:37,240 --> 00:26:40,280
Speaker 1: something that he wanted to do. Well, you know, this album,

470
00:26:40,320 --> 00:26:44,480
Speaker 1: we wanted to get him back to the chair and

471
00:26:44,640 --> 00:26:46,800
Speaker 1: his level that he deserved to be on and it

472
00:26:46,880 --> 00:26:49,160
Speaker 1: was like, you know, we're gonna come back. Let's let's

473
00:26:49,240 --> 00:26:52,320
Speaker 1: kick the whole doors off the hinges, you know, and

474
00:26:52,359 --> 00:26:54,159
Speaker 1: bring and bring and bring a couple of people with

475
00:26:54,280 --> 00:26:56,520
Speaker 1: us too, so the world can know that he has

476
00:26:56,520 --> 00:26:59,600
Speaker 1: that type of support, you know. And and he was

477
00:26:59,640 --> 00:27:02,080
Speaker 1: with it. He was loving it because he figured and

478
00:27:02,160 --> 00:27:03,560
Speaker 1: he also figured out he had that he could do

479
00:27:03,680 --> 00:27:07,720
Speaker 1: less work. He was like, oh if he just only

480
00:27:07,760 --> 00:27:12,879
Speaker 1: got to do this many bars, yeah, you know, so

481
00:27:12,960 --> 00:27:15,880
Speaker 1: he was he was smart about but he was each

482
00:27:15,960 --> 00:27:19,159
Speaker 1: each feature helped him go to the next level, you know,

483
00:27:19,240 --> 00:27:23,439
Speaker 1: like when Usher came in in there to do you know,

484
00:27:23,480 --> 00:27:25,200
Speaker 1: he was he was black and I heard it without

485
00:27:25,280 --> 00:27:28,040
Speaker 1: us you on it, he probably did okay, okay, you know,

486
00:27:28,119 --> 00:27:30,240
Speaker 1: and then my wife told me the studio, you know,

487
00:27:30,320 --> 00:27:33,400
Speaker 1: just everybody one second. I said, X just wanted to love.

488
00:27:33,840 --> 00:27:35,600
Speaker 1: So he was getting to love and you know, Bino

489
00:27:35,680 --> 00:27:38,719
Speaker 1: writing him letters. And he was proud of it. He

490
00:27:38,800 --> 00:27:43,040
Speaker 1: was really proud of because because it's so funny at

491
00:27:43,119 --> 00:27:45,159
Speaker 1: X fashion, he's like the guy from you Too, and

492
00:27:45,200 --> 00:27:50,200
Speaker 1: I'm like, no, you don't know posted the album and said,

493
00:27:50,200 --> 00:27:56,360
Speaker 1: I said, that was wow, that's my that's that's that's

494
00:27:56,359 --> 00:27:59,200
Speaker 1: the joint though not switching up because you know we

495
00:27:59,240 --> 00:28:02,960
Speaker 1: bounced around right now you're in the studio with Justin Timberland. Yes,

496
00:28:03,600 --> 00:28:06,920
Speaker 1: how is that going. It's going good, It's going good.

497
00:28:06,920 --> 00:28:10,200
Speaker 1: I feel the energy is right. Um, I feel this

498
00:28:10,359 --> 00:28:12,120
Speaker 1: energy is right. We got we got what we gotta

499
00:28:12,119 --> 00:28:16,720
Speaker 1: like about good six great ones. Now you're gonna produce

500
00:28:16,760 --> 00:28:19,240
Speaker 1: the whole joint. Yeah, with a lot of other people.

501
00:28:19,280 --> 00:28:21,360
Speaker 1: We got Scott on it. I've seen Scott. You got

502
00:28:21,359 --> 00:28:27,199
Speaker 1: Scott deep Mouse, got the whole be club, our whole crew, um, Danger,

503
00:28:27,440 --> 00:28:30,000
Speaker 1: Me and Danger. So it's like as everybody, you know

504
00:28:30,040 --> 00:28:31,800
Speaker 1: what I'm saying. I'm trying to invite everybody to the

505
00:28:31,920 --> 00:28:36,080
Speaker 1: to the party ahead. He's the next person we because

506
00:28:36,240 --> 00:28:38,800
Speaker 1: he dot it's gonna be. I want to get Swiss

507
00:28:38,840 --> 00:28:40,920
Speaker 1: and I want to get labyrinthy those two to get

508
00:28:40,960 --> 00:28:44,200
Speaker 1: with him because I feel like, especially after hearing Scott Scraper,

509
00:28:44,320 --> 00:28:47,720
Speaker 1: he definitely needs Justin need that type of record. He

510
00:28:47,840 --> 00:28:50,520
Speaker 1: needs some type of something like that. That's what's missing.

511
00:28:50,720 --> 00:28:54,120
Speaker 1: I love what Justin did on a college album. That's

512
00:28:54,120 --> 00:28:57,040
Speaker 1: what I'm saying we need. That's why I said Labyrinth

513
00:28:57,080 --> 00:28:59,080
Speaker 1: would be dope with Swiss A Swiss beat on that

514
00:28:59,680 --> 00:29:02,640
Speaker 1: right and to it because it's it'll be a perfect

515
00:29:03,480 --> 00:29:07,440
Speaker 1: justin with all this success, all this Uh, I've seen

516
00:29:07,520 --> 00:29:12,640
Speaker 1: him walking call home by himself, Like is that is

517
00:29:12,640 --> 00:29:16,800
Speaker 1: he crazy? Like I mean, I'm asking because I don't know,

518
00:29:16,880 --> 00:29:19,720
Speaker 1: Like like I mean, we just at that point where

519
00:29:20,840 --> 00:29:23,600
Speaker 1: we're just living life. I don't think he'd looked at

520
00:29:23,640 --> 00:29:26,880
Speaker 1: it like that. I think likes Miami become the new

521
00:29:27,000 --> 00:29:28,760
Speaker 1: l A, like we could just walk around by us.

522
00:29:28,840 --> 00:29:31,160
Speaker 1: I believe, I believe. I believe it's kind of like

523
00:29:31,280 --> 00:29:36,840
Speaker 1: that by itself. Yeah, but Miami, Miami. Sometimes he's on

524
00:29:36,920 --> 00:29:40,960
Speaker 1: where you go. I'll call bonet in certain places he

525
00:29:41,000 --> 00:29:44,760
Speaker 1: can do that, but he'll just go in Miami gardens

526
00:29:44,760 --> 00:29:51,280
Speaker 1: and walking doing that. Man, I'm not doing that. What

527
00:29:51,320 --> 00:29:59,719
Speaker 1: I'm like, wow Wow. So one thing, and we got

528
00:29:59,800 --> 00:30:01,760
Speaker 1: cook Time of Slie coming up, so this question might

529
00:30:01,800 --> 00:30:04,440
Speaker 1: be repeated. But one thing that I did notice right,

530
00:30:04,640 --> 00:30:06,240
Speaker 1: like I said, I kept going through you guys kind

531
00:30:06,240 --> 00:30:08,000
Speaker 1: of log because you're my friends. I wanted to go

532
00:30:08,080 --> 00:30:12,200
Speaker 1: through it even more your family again, because your family.

533
00:30:12,320 --> 00:30:13,640
Speaker 1: I wanted to go through it even more because I

534
00:30:13,640 --> 00:30:16,520
Speaker 1: didn't want to. And the one thing that in the

535
00:30:16,640 --> 00:30:20,840
Speaker 1: nineties it felt like you guys were really working with Jack.

536
00:30:22,080 --> 00:30:25,920
Speaker 1: It was really like all about Jack. Then after that

537
00:30:26,040 --> 00:30:29,240
Speaker 1: it felt like the NAS came in. What's it? What's it?

538
00:30:29,320 --> 00:30:31,600
Speaker 1: A favorite system thing in the beginning, or or or

539
00:30:33,800 --> 00:30:36,080
Speaker 1: maybe just Jay was just he was just working like that.

540
00:30:37,320 --> 00:30:41,200
Speaker 1: M because in the in the early nineties, like late nineties,

541
00:30:41,600 --> 00:30:45,880
Speaker 1: there wasn't a lot of it was bad. It was

542
00:30:45,920 --> 00:30:48,280
Speaker 1: like y'all was going back and forth on the Jade.

543
00:30:49,160 --> 00:30:51,840
Speaker 1: I wasn't really looking at it like that, that's bring down,

544
00:30:51,720 --> 00:30:53,320
Speaker 1: you know. I mean I didn't look at it like

545
00:30:53,360 --> 00:30:55,120
Speaker 1: that neither. But until a lot of listening to this,

546
00:30:55,920 --> 00:30:57,920
Speaker 1: for me, it was because we was it was it

547
00:30:58,000 --> 00:31:01,400
Speaker 1: was it was close, like I meant j seventeen and

548
00:31:01,440 --> 00:31:04,480
Speaker 1: so my access to Jay, you know, um was close.

549
00:31:05,440 --> 00:31:07,480
Speaker 1: I mean no, I meant nos at a young age

550
00:31:07,480 --> 00:31:12,680
Speaker 1: as well. But work relationship wasn't really established until later.

551
00:31:12,840 --> 00:31:17,120
Speaker 1: Our friendship was established earlier, but our work relationship, um,

552
00:31:17,160 --> 00:31:18,880
Speaker 1: you know, like we got a whole album done. The

553
00:31:18,920 --> 00:31:22,040
Speaker 1: whole album, we just never you know, we'd take bits

554
00:31:22,040 --> 00:31:24,720
Speaker 1: and pieces and things off. But Jay was always like

555
00:31:24,800 --> 00:31:28,120
Speaker 1: close to get to It's like okay, hold over there, okay, boom,

556
00:31:28,160 --> 00:31:30,360
Speaker 1: you know, I you know, it was. It was crazy

557
00:31:30,360 --> 00:31:33,400
Speaker 1: because they got competitive with both camps musically, yeah, because

558
00:31:33,400 --> 00:31:41,360
Speaker 1: I remember, like it was, y'all, it was you Timberland tunes,

559
00:31:42,080 --> 00:31:45,360
Speaker 1: let's say the ne tunes and that was like the

560
00:31:45,440 --> 00:31:47,880
Speaker 1: three go to Like if you had a Swiss beat

561
00:31:47,920 --> 00:31:50,920
Speaker 1: at one point, it was gone. You had a Timberland beat,

562
00:31:51,200 --> 00:31:53,400
Speaker 1: he was gone. You had a four World beat, you

563
00:31:53,560 --> 00:31:58,920
Speaker 1: was gone. Yeah, we guaranteed platinums. It was. It was.

564
00:31:59,000 --> 00:32:04,520
Speaker 1: It was friendly competition in the moments. Boy, what's that

565
00:32:04,600 --> 00:32:07,560
Speaker 1: was it? No? No, what's your favorite jig to drink?

566
00:32:07,640 --> 00:32:12,000
Speaker 1: That Swiss produce? M to me, my favorite one is

567
00:32:12,040 --> 00:32:15,120
Speaker 1: the one that I think that when he did the

568
00:32:15,120 --> 00:32:22,960
Speaker 1: piano rope boom boom boom, like because of you gotta

569
00:32:23,120 --> 00:32:27,320
Speaker 1: get for a creator, gotta fuck you up, you know

570
00:32:27,320 --> 00:32:29,200
Speaker 1: what I'm saying. Like as a producer, that sucked me

571
00:32:29,280 --> 00:32:31,320
Speaker 1: up because I felt like, Okay, he's stepping into my

572
00:32:31,360 --> 00:32:36,560
Speaker 1: world of just unorthodox shit, right, and I thought I

573
00:32:36,600 --> 00:32:39,600
Speaker 1: was the only one with the unorthodox ship. And I'm like, okay,

574
00:32:40,400 --> 00:32:43,360
Speaker 1: he said boom boom, I said, what the why? I

575
00:32:43,400 --> 00:32:45,960
Speaker 1: ain't even think of that. So for y'all, y'all, you know,

576
00:32:46,040 --> 00:32:49,160
Speaker 1: for the Bashal people, was loving because the beat is

577
00:32:49,280 --> 00:32:51,960
Speaker 1: Jasi with Jack Man. I'm looking at the creativity side

578
00:32:52,320 --> 00:32:55,680
Speaker 1: of how he saw sounds and how he saw music

579
00:32:55,720 --> 00:33:00,560
Speaker 1: and how he just Wentwood was not the norm, you know,

580
00:33:00,680 --> 00:33:04,200
Speaker 1: coming from I know, always know New York producers, you know,

581
00:33:04,280 --> 00:33:06,680
Speaker 1: to have a certain style. Swiss was the first one

582
00:33:06,720 --> 00:33:10,800
Speaker 1: to really break out of the typical New York sound.

583
00:33:10,960 --> 00:33:14,719
Speaker 1: I was there and I was like, old, yeah, buddy,

584
00:33:14,760 --> 00:33:19,040
Speaker 1: like yes, give me another one. A little you say that.

585
00:33:19,120 --> 00:33:20,800
Speaker 1: It was like, I can't hear him. I wasn't the

586
00:33:20,800 --> 00:33:22,479
Speaker 1: man hating something. He was at Sony. I can hear

587
00:33:22,520 --> 00:33:28,560
Speaker 1: him saying, Okay, Tim, I got you. I was like,

588
00:33:28,960 --> 00:33:32,120
Speaker 1: it resonated down South everything it did, like I just

589
00:33:32,480 --> 00:33:35,400
Speaker 1: when I think for me, I think when it put

590
00:33:35,400 --> 00:33:38,000
Speaker 1: the dag in my heart when I came, when I

591
00:33:38,040 --> 00:33:39,840
Speaker 1: was went Philly, I would win him. I went with

592
00:33:40,080 --> 00:33:46,280
Speaker 1: j to a club and I was feeling they played bad,

593
00:33:46,320 --> 00:33:48,920
Speaker 1: bad bad, beany with that. I was like, I'm packing

594
00:33:48,960 --> 00:33:52,960
Speaker 1: my bag. I don't say home and rethink this because

595
00:33:52,960 --> 00:33:57,960
Speaker 1: this boy let him to shine. To ask you the

596
00:33:58,000 --> 00:34:01,200
Speaker 1: same question the way I packed my bags. When I

597
00:34:01,240 --> 00:34:03,000
Speaker 1: heard the baby crime in the beat, I said, old,

598
00:34:03,960 --> 00:34:06,720
Speaker 1: which one was that? Crime, your river all you asked somebody,

599
00:34:06,800 --> 00:34:12,719
Speaker 1: so basically back that bag said fore flag and that

600
00:34:12,800 --> 00:34:15,359
Speaker 1: remix two of that. So what's your favorite? First of all,

601
00:34:15,400 --> 00:34:19,200
Speaker 1: my favorite Jackob record that you I said, Jack, I

602
00:34:19,200 --> 00:34:22,160
Speaker 1: gave it away, um that you produced is I can

603
00:34:22,280 --> 00:34:26,040
Speaker 1: remember me being in Jimmy's cafe and I remember I

604
00:34:26,040 --> 00:34:29,080
Speaker 1: think you played me this beat. That ship came on,

605
00:34:29,960 --> 00:34:33,799
Speaker 1: jim what's my motherfucking man? And the record was out

606
00:34:33,880 --> 00:34:39,200
Speaker 1: twenty minutes ago. The old knew it. I'm talking about Jack.

607
00:34:39,480 --> 00:34:42,959
Speaker 1: You just say that. You said, no what I'm saying.

608
00:34:42,960 --> 00:34:44,960
Speaker 1: But when I said the one to put me to sleep,

609
00:34:45,000 --> 00:34:48,640
Speaker 1: to pay my bag? That that record, but he didn't

610
00:34:48,640 --> 00:34:51,080
Speaker 1: listen to me. I left the club. He had a

611
00:34:51,080 --> 00:34:54,880
Speaker 1: sad night that Because I was competitive. I thought I

612
00:34:55,000 --> 00:34:56,040
Speaker 1: was the man. You know what I want. You know,

613
00:34:56,160 --> 00:34:59,200
Speaker 1: I'm gonna creative, I'm gonna produce like and then I

614
00:34:59,719 --> 00:35:02,560
Speaker 1: heard I said, out of you, I'm gonna hotel. I'm done,

615
00:35:02,840 --> 00:35:07,920
Speaker 1: I gotta go. What's your favorite Timberland Jacob oh j

616
00:35:08,080 --> 00:35:11,799
Speaker 1: C record? But it was about Tim Do do do, dude?

617
00:35:13,800 --> 00:35:17,800
Speaker 1: Could do? Couldude? Hold? Stepping loose seven, littlething and littlething.

618
00:35:18,000 --> 00:35:23,600
Speaker 1: I'm about a dollar? What the fucking Fancy Sens who

619
00:35:23,719 --> 00:35:34,399
Speaker 1: was one of myny When I heard that beat, I

620
00:35:34,440 --> 00:35:41,200
Speaker 1: was like a side side side, you know what I'm

621
00:35:41,200 --> 00:35:43,520
Speaker 1: saying that it just was It just was crazy because

622
00:35:44,360 --> 00:35:48,640
Speaker 1: the pocket that you put Hove in what you made

623
00:35:48,719 --> 00:35:52,200
Speaker 1: him go like in an offbeat down beat, and it

624
00:35:52,320 --> 00:35:54,799
Speaker 1: just was like it just felt hip hop, but then

625
00:35:54,960 --> 00:35:57,840
Speaker 1: run had cords and different things in it. It was

626
00:35:57,880 --> 00:36:00,040
Speaker 1: scored properly, but it was the most It's one and

627
00:36:00,239 --> 00:36:02,640
Speaker 1: it's one of my favorite junks. It's kind of one

628
00:36:04,080 --> 00:36:10,000
Speaker 1: ton I do. I'm playing now because it's like it's

629
00:36:10,239 --> 00:36:12,360
Speaker 1: occasion I want to play my favorite I feel like

630
00:36:12,360 --> 00:36:15,400
Speaker 1: that's this is real talk Like he's the thing that

631
00:36:15,520 --> 00:36:20,400
Speaker 1: made me realize how great my friend is. You know

632
00:36:20,400 --> 00:36:22,239
Speaker 1: what I'm saying. So you gotta play those songs the

633
00:36:22,320 --> 00:36:24,319
Speaker 1: moment I knew he was great. This is the part

634
00:36:24,400 --> 00:36:27,560
Speaker 1: of the show we call quick time with Slide. It's

635
00:36:27,719 --> 00:36:31,719
Speaker 1: very fast. You run through the questions. But here's the deal.

636
00:36:32,600 --> 00:36:36,160
Speaker 1: If you you pick one of the other, what does

637
00:36:36,200 --> 00:36:41,040
Speaker 1: that mean I'll get you a watching. Yeah, man, like

638
00:36:41,200 --> 00:36:49,000
Speaker 1: this your hands like this, He's like, come like, man,

639
00:36:49,239 --> 00:36:50,759
Speaker 1: I'm just trying to let me have a fun. So

640
00:36:50,960 --> 00:36:52,759
Speaker 1: if you want to pick both, you gotta take a shot.

641
00:36:52,760 --> 00:36:54,160
Speaker 1: This is the groups of a game. I'm sorry, I

642
00:36:54,160 --> 00:37:02,080
Speaker 1: didn't make the game up. I just yea we had license,

643
00:37:02,120 --> 00:37:06,919
Speaker 1: but time we got license this year. First go off shot.

644
00:37:06,920 --> 00:37:09,520
Speaker 1: I'm gonna be honest. So what is your shot of choice?

645
00:37:09,880 --> 00:37:12,560
Speaker 1: Is your shot? I'm staying on the sum state. You

646
00:37:12,560 --> 00:37:16,399
Speaker 1: can't it's no shot save rode alcohol. This is this

647
00:37:16,480 --> 00:37:20,680
Speaker 1: is no. This is the just man boy I got

648
00:37:20,680 --> 00:37:23,239
Speaker 1: working it like too. I'm feeling them, fooling them. Come

649
00:37:23,239 --> 00:37:25,640
Speaker 1: on home, you got it. This is why the game.

650
00:37:26,320 --> 00:37:29,560
Speaker 1: You can't go. You can't do a shot over? Come on,

651
00:37:30,040 --> 00:37:33,040
Speaker 1: nothing better important night, Yes for me to don't do it.

652
00:37:33,080 --> 00:37:34,719
Speaker 1: It's like you got me on my Ranjim. I don't know.

653
00:37:35,000 --> 00:37:37,000
Speaker 1: I can't. We're not gonna that drink chat funk up

654
00:37:37,080 --> 00:37:38,800
Speaker 1: versus to nothing, but come on, sucking it up. We

655
00:37:38,920 --> 00:37:43,840
Speaker 1: had handy versus this institution on the Nix. But a

656
00:37:45,640 --> 00:37:48,279
Speaker 1: I'm doing didn't look you would make not take a

657
00:37:48,320 --> 00:37:51,040
Speaker 1: shot for you. I'm gonna take a shot of all right,

658
00:37:51,080 --> 00:37:55,839
Speaker 1: take you shot. I'll take a sweet like that. Okay,

659
00:37:55,840 --> 00:37:57,680
Speaker 1: you're gonna keep you with that? All right? Cool? All right,

660
00:37:57,719 --> 00:38:00,400
Speaker 1: so listen, I wanted the shot. I take muches one

661
00:38:00,520 --> 00:38:03,040
Speaker 1: or the other, or if you pick both, you gotta

662
00:38:03,080 --> 00:38:06,640
Speaker 1: take a shot. Y'all. Guys are whipping out. But it's okay,

663
00:38:06,640 --> 00:38:09,439
Speaker 1: I guess whipping out to take a shot. Just take finish.

664
00:38:11,400 --> 00:38:13,200
Speaker 1: It's not a shot, it's a separate it's a separate,

665
00:38:13,480 --> 00:38:16,479
Speaker 1: a separate shot. You don't talk about this that's coming

666
00:38:16,520 --> 00:38:18,120
Speaker 1: back out. Baby, you want to not even rid of

667
00:38:18,120 --> 00:38:20,640
Speaker 1: about it. But you want to do say the white whatever,

668
00:38:20,719 --> 00:38:29,920
Speaker 1: the collection unless you say that to the lake. I said, yeah,

669
00:38:30,000 --> 00:38:35,200
Speaker 1: So I said, I say what you call it. It's like,

670
00:38:35,440 --> 00:38:37,560
Speaker 1: that's like that. It's like, and I'm gonna take you

671
00:38:38,000 --> 00:38:42,360
Speaker 1: never remember you take a shot? What do you mean,

672
00:38:42,520 --> 00:38:45,359
Speaker 1: pig bo. I'm give you a choice. So if if

673
00:38:45,400 --> 00:38:47,080
Speaker 1: you don't pick one, if you don't take, you take

674
00:38:47,080 --> 00:38:49,680
Speaker 1: a shot, but you pick the one. That's the rule,

675
00:38:49,719 --> 00:38:51,080
Speaker 1: all right, So the first one. I feel like you're

676
00:38:51,080 --> 00:38:55,000
Speaker 1: gonna take a shot, tippling, Um, I got my shot,

677
00:38:55,280 --> 00:38:58,200
Speaker 1: quick time slide you ready, that's not really a shot.

678
00:38:58,640 --> 00:39:00,640
Speaker 1: A shot. I'm not a such know. I'm gonna let

679
00:39:00,680 --> 00:39:02,279
Speaker 1: you get away with it, but I'm not get away

680
00:39:02,280 --> 00:39:05,279
Speaker 1: with you. Okay, what do you want me to do.

681
00:39:05,800 --> 00:39:07,480
Speaker 1: I would like you to people whenever you want do

682
00:39:07,640 --> 00:39:11,480
Speaker 1: say you know this is okay, I'll do the white white.

683
00:39:11,560 --> 00:39:15,799
Speaker 1: Do you want little one on this one? Smooth pet

684
00:39:15,840 --> 00:39:20,920
Speaker 1: pork a little, a little, a little tee smooth, this

685
00:39:21,000 --> 00:39:25,160
Speaker 1: is this is this is I said it to you. Yeah, alright, alright, snags,

686
00:39:26,360 --> 00:39:30,120
Speaker 1: all right, so you're ready, Colombian white. It's not my thing.

687
00:39:31,640 --> 00:39:35,880
Speaker 1: The redhole team is looking at you. Ready early, switch

688
00:39:35,960 --> 00:39:37,560
Speaker 1: you No, it's okay. If we got you like, hey,

689
00:39:37,640 --> 00:39:47,360
Speaker 1: don't turn into listen. I already see you. Set I

690
00:39:47,440 --> 00:39:58,920
Speaker 1: got a quick quickly ready, I already you already Nasa

691
00:39:59,040 --> 00:40:07,080
Speaker 1: jay if you ja what they're both going to the store.

692
00:40:09,440 --> 00:40:12,080
Speaker 1: You can only pick one or you take a shot.

693
00:40:12,320 --> 00:40:14,959
Speaker 1: Take a shot. Take a shot. We'll take out a shot.

694
00:40:15,520 --> 00:40:22,520
Speaker 1: Take take I gotta take the only one question. Man,

695
00:40:22,600 --> 00:40:30,239
Speaker 1: come on, Manna, take this to the sip sippy. We'll

696
00:40:30,320 --> 00:40:34,160
Speaker 1: set the six two shots in one. We're set the sippy.

697
00:40:34,600 --> 00:40:36,480
Speaker 1: This one. I'm not I'm not I'm not gonna lie.

698
00:40:36,840 --> 00:40:37,960
Speaker 1: This is up in the air. I'm not sure what

699
00:40:38,000 --> 00:40:43,240
Speaker 1: you're gonna go with this one. Michael Jackson, the Prince, Prince, Okay,

700
00:40:47,080 --> 00:40:49,880
Speaker 1: this is one shippy easy, might not be for one

701
00:40:49,920 --> 00:40:54,960
Speaker 1: of you. Dmx A Tupa the dog for life. Oh yeah,

702
00:40:55,040 --> 00:40:59,319
Speaker 1: the dog, the dog like cool for life. This might

703
00:40:59,360 --> 00:41:03,120
Speaker 1: be up in the air for one of y'all. Miami

704
00:41:03,320 --> 00:41:21,719
Speaker 1: or l a Miami in Miami, right nouns with for

705
00:41:21,840 --> 00:41:27,840
Speaker 1: well or Kanye for real? I like the jet confident

706
00:41:28,160 --> 00:41:30,760
Speaker 1: and what's going on. Let me see kind of sneakers

707
00:41:30,760 --> 00:41:36,719
Speaker 1: you got on. I don't know you. That was really

708
00:41:36,760 --> 00:41:44,279
Speaker 1: sorry at day. I respect that. That's a hard one,

709
00:41:45,040 --> 00:41:47,960
Speaker 1: no problem. I'm taking a side with you. I'm taking

710
00:41:48,000 --> 00:41:51,480
Speaker 1: a shot. Shot, come on that, damn it. I'll take

711
00:41:51,520 --> 00:41:55,759
Speaker 1: a new shot. I just I'll tell about the whole ship.

712
00:41:56,000 --> 00:42:10,920
Speaker 1: It's getting good. It's getting good, Okay, I don't know

713
00:42:11,040 --> 00:42:14,320
Speaker 1: nothing about tell the ball man. Goddamn. Okay. This is

714
00:42:14,320 --> 00:42:23,720
Speaker 1: should be easy, loyalty or respect. We say respect, yes, respect, okay,

715
00:42:26,080 --> 00:42:33,600
Speaker 1: but you're the easy analog or digital analog. Yeah really,

716
00:42:34,800 --> 00:42:37,040
Speaker 1: I'm gonna take a shot from betting against y'all. Wait

717
00:42:37,080 --> 00:42:40,160
Speaker 1: a minute, hold on, hold on now, I say analog

718
00:42:40,239 --> 00:42:41,880
Speaker 1: because that's what we grew up to, that's what we know,

719
00:42:42,120 --> 00:42:44,239
Speaker 1: that's how it. I love digital. I like if you

720
00:42:44,520 --> 00:42:50,520
Speaker 1: didn't make it easier, but analogs what what exactly? What

721
00:42:51,160 --> 00:42:53,719
Speaker 1: that one thing? One thing I couldn't message and you

722
00:42:53,760 --> 00:42:57,240
Speaker 1: can still analog to digital. Like you say a hybrid

723
00:42:57,280 --> 00:42:58,920
Speaker 1: of both. Put that in the question. I would say

724
00:42:58,920 --> 00:43:01,839
Speaker 1: the hybrid. We learn it. Now we're gonna learn. We're

725
00:43:01,840 --> 00:43:12,560
Speaker 1: gonna take that advice, Okay, Pop Daddy or Dr Dreho.

726
00:43:14,600 --> 00:43:16,600
Speaker 1: I think the coach just deserves you gotta take a shot.

727
00:43:16,600 --> 00:43:18,400
Speaker 1: I'm just being honest. The culture just feels like you

728
00:43:18,480 --> 00:43:22,600
Speaker 1: gotta because they both did different great things. It's not

729
00:43:22,680 --> 00:43:29,160
Speaker 1: a specific thing exactly now you take it was a

730
00:43:29,200 --> 00:43:36,239
Speaker 1: little quit shot something slot m gotta take the shot,

731
00:43:36,280 --> 00:43:39,120
Speaker 1: don't didn't take the shot? Shots take a simpy shot,

732
00:43:39,440 --> 00:43:43,040
Speaker 1: a little sip to take a sippycop shot. I didn't

733
00:43:43,040 --> 00:43:49,960
Speaker 1: see it. There's a light shot, so I'm taking all right. Yeah,

734
00:43:49,960 --> 00:43:54,720
Speaker 1: because we know I'm watching too MPC or logic MPC.

735
00:43:55,200 --> 00:43:59,400
Speaker 1: That's a real producer as PC's how did you make

736
00:43:59,440 --> 00:44:02,200
Speaker 1: make it though? Logics? Yeah, I went to make Reaga

737
00:44:02,280 --> 00:44:06,399
Speaker 1: turn or anything. But you asked them what we did?

738
00:44:07,520 --> 00:44:17,160
Speaker 1: Shots shots Cole or Kendrick h Yeah, I mean I'm

739
00:44:17,200 --> 00:44:21,040
Speaker 1: gonna go Kendrick. I'm gonna I'm gonna go cold he

740
00:44:21,160 --> 00:44:23,239
Speaker 1: just produced a cold album. Now, I just I just

741
00:44:24,040 --> 00:44:27,760
Speaker 1: just someone cold album. I just the last one off season. Okay,

742
00:44:28,040 --> 00:44:30,080
Speaker 1: I just think that, Um, you know I'm gonna take

743
00:44:30,120 --> 00:44:35,880
Speaker 1: the shop. Okay. I kind of already answered okay, but

744
00:44:35,960 --> 00:44:37,840
Speaker 1: they quick, so you know you're answering this. It's like,

745
00:44:37,880 --> 00:44:40,800
Speaker 1: wait a minute, like it's that I'm gonna said, Kendrick.

746
00:44:41,520 --> 00:44:48,239
Speaker 1: Yeahs cool, it's cold, Okay, this one, this one, I

747
00:44:48,320 --> 00:44:52,280
Speaker 1: feel like everyone's back on one side. To hit Factory

748
00:44:52,320 --> 00:45:01,160
Speaker 1: on Circle House, oh ship, circle House a lot of okay,

749
00:45:01,920 --> 00:45:05,920
Speaker 1: because I made history there. I was putting my blood.

750
00:45:05,920 --> 00:45:08,600
Speaker 1: We did, Yeah, I would do. I wouldn't like to

751
00:45:08,640 --> 00:45:10,160
Speaker 1: take a come no, no, no, no, I wanted to

752
00:45:10,200 --> 00:45:12,040
Speaker 1: say hit Fattery. I'm just mad at Hit Factor because

753
00:45:12,040 --> 00:45:14,920
Speaker 1: they haven't changed. And I think I answered that question prematurely.

754
00:45:15,000 --> 00:45:16,480
Speaker 1: She just buy that giant you. I think you just

755
00:45:16,520 --> 00:45:18,399
Speaker 1: take a shot. Just called the previous to take a sip.

756
00:45:18,680 --> 00:45:20,560
Speaker 1: Take a sip. Because I really didn't hit Factory. I

757
00:45:20,560 --> 00:45:22,319
Speaker 1: will him. I can't be mad because I made all

758
00:45:22,360 --> 00:45:23,960
Speaker 1: my hits in the hit Factory. Yes, I'm gonna be

759
00:45:24,719 --> 00:45:28,360
Speaker 1: out there. Yeah, I can't deny. They just gotta change them.

760
00:45:28,440 --> 00:45:32,759
Speaker 1: Donald Duck speakers. Mate, Yeah, man, they got change equipment. Man,

761
00:45:33,120 --> 00:45:35,799
Speaker 1: they just gotta get it every everything. What they need

762
00:45:35,880 --> 00:45:37,440
Speaker 1: really like, what they need to do is move the

763
00:45:37,520 --> 00:45:42,480
Speaker 1: location exactly manation. I got them out. It's been shot

764
00:45:42,560 --> 00:45:47,840
Speaker 1: at it. I come outside, like, can they turn the

765
00:45:47,920 --> 00:45:50,000
Speaker 1: music down? I'm here, Like you know the gun sounds

766
00:45:51,040 --> 00:45:56,040
Speaker 1: that don't come up at the rooms. You can literally

767
00:45:56,760 --> 00:45:59,200
Speaker 1: see more folks getting shot in something crap, right. They

768
00:45:59,239 --> 00:46:00,839
Speaker 1: had to put the green thing around it so you're

769
00:46:00,880 --> 00:46:02,600
Speaker 1: gonna see it, but you were still here the stress

770
00:46:03,360 --> 00:46:07,000
Speaker 1: and then across the other was like, okay, man, respected

771
00:46:11,000 --> 00:46:16,440
Speaker 1: and respect. Food is impeccable. The only really I say

772
00:46:16,480 --> 00:46:18,880
Speaker 1: Hit Factory is because we did a lot of history

773
00:46:19,040 --> 00:46:21,080
Speaker 1: of what we've done now. But as far as the

774
00:46:21,160 --> 00:46:24,680
Speaker 1: place that I would like to be at, its probably

775
00:46:24,760 --> 00:46:26,640
Speaker 1: Circle House. Big. I gotta give it to him factor

776
00:46:26,640 --> 00:46:29,680
Speaker 1: because they put millions of dollars back into the eco system.

777
00:46:30,560 --> 00:46:32,720
Speaker 1: All right, this wants to be easy. It's a spade

778
00:46:32,760 --> 00:46:36,120
Speaker 1: them away, knock it off. Come on, man, I just

779
00:46:36,200 --> 00:46:37,759
Speaker 1: need to get the answer, that's all. I'm just are

780
00:46:37,760 --> 00:46:44,160
Speaker 1: you're not gonna jump? That's like I did. I'm sorry?

781
00:46:44,200 --> 00:46:52,279
Speaker 1: Am I bad? My bad? Metro Booman or Murder beats Metro. Yeah,

782
00:46:52,320 --> 00:46:58,600
Speaker 1: I got Metro. Go on Metro. Okay, Murder, you're gonna

783
00:46:58,600 --> 00:47:00,640
Speaker 1: be like, oh man, I got a battle that Mary

784
00:47:00,680 --> 00:47:02,560
Speaker 1: won't the smoke. Okay, let's get to this. Let's get

785
00:47:02,560 --> 00:47:05,839
Speaker 1: to them. Happened on Drink Champs. Let's stow it out here,

786
00:47:06,000 --> 00:47:11,000
Speaker 1: all right, Little Kim or Foxy Brown take a shot.

787
00:47:11,280 --> 00:47:12,800
Speaker 1: I got to take a shot because that's going to

788
00:47:12,840 --> 00:47:19,239
Speaker 1: interrupt some I'm taking a shot during the month. Come on,

789
00:47:19,719 --> 00:47:22,520
Speaker 1: I take the shot. But I'm gonna go a little Kim.

790
00:47:24,440 --> 00:47:28,279
Speaker 1: I actually was gonna say a little Kim too. You

791
00:47:28,360 --> 00:47:29,840
Speaker 1: gotta take a shot because he did a shot. You

792
00:47:30,160 --> 00:47:41,320
Speaker 1: can let your partner a right. This should be really easy.

793
00:47:42,600 --> 00:47:49,080
Speaker 1: Justin timber Lake or justin people. I don't know, Swiss

794
00:47:49,120 --> 00:47:51,239
Speaker 1: might go somewhere else. Let's hey, don't get me wrong.

795
00:47:51,320 --> 00:47:53,480
Speaker 1: It's like big brother little brother. Yeah, that's a hard one.

796
00:47:54,080 --> 00:47:55,320
Speaker 1: You know what I'm saying. It's like, I feel like

797
00:47:55,520 --> 00:47:57,960
Speaker 1: big brother laid in the ground for a little brother. Yeah,

798
00:47:58,000 --> 00:47:59,600
Speaker 1: but right now they want to that's what I say.

799
00:47:59,680 --> 00:48:03,800
Speaker 1: I say big brother laid the ground at his positions.

800
00:48:04,160 --> 00:48:06,319
Speaker 1: Oh he's on, he's on. Oh he's gonna point things

801
00:48:06,360 --> 00:48:11,160
Speaker 1: with I'm right on. Okay, that's all about the ground.

802
00:48:11,400 --> 00:48:20,760
Speaker 1: This is where y'all this question y'are not answering the same. Okay,

803
00:48:20,920 --> 00:48:27,000
Speaker 1: what is the locks or the clips? You not answer

804
00:48:27,080 --> 00:48:30,359
Speaker 1: the same. I'm gonna say this, I'm gonna take a drink.

805
00:48:32,160 --> 00:48:38,120
Speaker 1: Oh you know why, I'm gonna help they both they

806
00:48:38,239 --> 00:48:41,719
Speaker 1: both for me to think about it. I know I'm

807
00:48:41,760 --> 00:48:45,040
Speaker 1: not drinking on this ground to take a drink and

808
00:48:45,480 --> 00:48:48,040
Speaker 1: not respect the hell out of the clips. But we

809
00:48:48,200 --> 00:48:56,239
Speaker 1: in the streets album, Okay, Jesus, all right, this the

810
00:48:56,360 --> 00:49:01,360
Speaker 1: last way, just the last one. Sis tip, what's ther tember?

811
00:49:04,880 --> 00:49:17,239
Speaker 1: You're going to take the shot? Shot? You got it, bro,

812
00:49:17,680 --> 00:49:26,640
Speaker 1: I'm gonna take a shot. You're bad for the game. Look,

813
00:49:30,320 --> 00:49:32,040
Speaker 1: by the way, this is something that puts your teeth

814
00:49:32,120 --> 00:49:36,320
Speaker 1: for me personally, and I just love like when I

815
00:49:36,400 --> 00:49:38,200
Speaker 1: was asking for different were out of the same thing

816
00:49:38,680 --> 00:49:40,680
Speaker 1: and he was very, very newtra That's why he got

817
00:49:40,719 --> 00:49:42,560
Speaker 1: drunk because he took the shots right. But it was

818
00:49:42,640 --> 00:49:47,000
Speaker 1: his own ship, Purple rain, God blessings, you know what

819
00:49:47,040 --> 00:49:51,759
Speaker 1: I'm saying. Makes but put your car me like six

820
00:49:51,800 --> 00:49:54,120
Speaker 1: o'clock in the morning, and he was like, yo, I

821
00:49:54,239 --> 00:49:56,320
Speaker 1: hated how for a real asked this certain part, and

822
00:49:56,360 --> 00:49:58,360
Speaker 1: I said, what work? You know, because like you know,

823
00:49:58,520 --> 00:50:00,680
Speaker 1: this is it's one of our biggest interviews, just going

824
00:50:00,760 --> 00:50:02,799
Speaker 1: through the roof. And he's like, yo, he was too

825
00:50:02,880 --> 00:50:06,480
Speaker 1: political and I was like, okay, He's like, how is

826
00:50:06,520 --> 00:50:09,320
Speaker 1: he gonna pick both sides on this service issue? I

827
00:50:09,400 --> 00:50:15,680
Speaker 1: can't say what exactly was. I mean, you you keep

828
00:50:15,760 --> 00:50:25,960
Speaker 1: trying hard. I let it go, like yeah, so what

829
00:50:26,080 --> 00:50:28,160
Speaker 1: I'm saying is so he was kind of like, yo,

830
00:50:28,280 --> 00:50:31,520
Speaker 1: how could he like say, be neutral on in the

831
00:50:31,640 --> 00:50:34,920
Speaker 1: time that you know this is happen the way you're

832
00:50:34,920 --> 00:50:38,000
Speaker 1: saying that you understand what? Come back? No, keep it

833
00:50:42,680 --> 00:50:47,040
Speaker 1: straight up? That that when I asked, I think it

834
00:50:47,120 --> 00:50:50,200
Speaker 1: was I think I said, drake or push your I

835
00:50:50,280 --> 00:50:53,160
Speaker 1: think for real just took the shot and push. It

836
00:50:53,239 --> 00:50:54,759
Speaker 1: was like, yo, I don't I don't feel that that

837
00:50:54,880 --> 00:51:02,480
Speaker 1: was right. But that was PE's opinion. It wasn't or opinion.

838
00:51:02,760 --> 00:51:11,239
Speaker 1: I think he was being grass cut pretty every day.

839
00:51:12,000 --> 00:51:14,040
Speaker 1: Corella is a beam of light and that's just that's

840
00:51:14,080 --> 00:51:17,080
Speaker 1: his thing. You know. So when did y'all actually get

841
00:51:17,320 --> 00:51:19,839
Speaker 1: that way? Because, like I said, we were speaking about

842
00:51:19,840 --> 00:51:22,719
Speaker 1: it earlier, like at one point it was y'all through

843
00:51:22,880 --> 00:51:25,960
Speaker 1: going ahead ahead. I think it was a couple of others. Uh,

844
00:51:27,400 --> 00:51:29,040
Speaker 1: but how did you How did y'all get cool? Because

845
00:51:29,120 --> 00:51:31,920
Speaker 1: at first, you know, y'all in competition. You the reference

846
00:51:32,040 --> 00:51:34,160
Speaker 1: is telling you take everybody out. You know what I'm saying,

847
00:51:34,960 --> 00:51:37,120
Speaker 1: they're telling you, be telling me that still the day

848
00:51:43,040 --> 00:51:45,920
Speaker 1: who was the moment where y'all gotta be in competition

849
00:51:45,960 --> 00:51:48,960
Speaker 1: and said, you know what we're gonna because it had

850
00:51:49,000 --> 00:51:52,439
Speaker 1: to be competition. That's that's really what's just competition said,

851
00:51:52,880 --> 00:51:55,480
Speaker 1: because I remember going to the studio and I and

852
00:51:55,800 --> 00:51:58,759
Speaker 1: you know Swiss saying, I gotta do better than what's

853
00:51:58,760 --> 00:52:00,880
Speaker 1: out right now going when you do, I gotta hit

854
00:52:00,920 --> 00:52:03,160
Speaker 1: you with something better for real, safe thing for us,

855
00:52:03,360 --> 00:52:05,560
Speaker 1: very humble now. But he used to be cocky back

856
00:52:05,560 --> 00:52:08,160
Speaker 1: in the day. I remember the cocky form and one

857
00:52:08,200 --> 00:52:13,480
Speaker 1: of us says, play some beats, and I was like,

858
00:52:13,600 --> 00:52:15,359
Speaker 1: for Jays, I like, you come on and play? Yeah

859
00:52:15,360 --> 00:52:17,520
Speaker 1: for real? Was he was adamant. That's one thing he's

860
00:52:17,600 --> 00:52:20,839
Speaker 1: he's he's nice, but when he believes in himself, he's

861
00:52:20,840 --> 00:52:24,840
Speaker 1: a swords mus gonna go out. He's gonna cut you.

862
00:52:27,480 --> 00:52:32,160
Speaker 1: I think we're going through your mother. You don't you

863
00:52:32,520 --> 00:52:34,480
Speaker 1: know what was the first one believing in us? Yeah,

864
00:52:34,520 --> 00:52:38,480
Speaker 1: you were like, that's a real thing. I want to swiss.

865
00:52:38,520 --> 00:52:45,640
Speaker 1: Are you still mad that they rhyme on this he

866
00:52:46,560 --> 00:52:52,520
Speaker 1: beat any time? About? This is why you are really

867
00:52:52,600 --> 00:52:55,920
Speaker 1: my partner? That is exact. Well, you know what I

868
00:52:56,000 --> 00:53:01,239
Speaker 1: tell people to this death your producer. I showed them

869
00:53:01,280 --> 00:53:04,960
Speaker 1: the clip of you on the Breakfast Club, right and

870
00:53:05,040 --> 00:53:06,800
Speaker 1: this clip I'm gonna pull it up. You're on the

871
00:53:06,840 --> 00:53:09,279
Speaker 1: Purpose Club and Charlemagne asked you, so, how does band

872
00:53:09,320 --> 00:53:13,840
Speaker 1: from TV and you love the factor band for TV worked?

873
00:53:14,120 --> 00:53:17,080
Speaker 1: But you never got over the fact you've seen still

874
00:53:17,160 --> 00:53:22,400
Speaker 1: and not interview seem like imagine the beat sounded like that.

875
00:53:25,760 --> 00:53:30,800
Speaker 1: The whole Violet felt respect. Let's be honest, listen, this

876
00:53:30,960 --> 00:53:35,640
Speaker 1: is imagine imagine from TV. Imagine let me thinking one

877
00:53:35,640 --> 00:53:39,480
Speaker 1: of your beats, Imagine the intro of one of your zones.

878
00:53:40,560 --> 00:53:42,480
Speaker 1: But but it's the beat you give him, the whole beat,

879
00:53:42,520 --> 00:53:46,520
Speaker 1: the intro. Imagine they just rhymed over the bam bam band,

880
00:53:46,880 --> 00:53:49,560
Speaker 1: bam bam bam ba and never let the jigapot drop.

881
00:53:51,080 --> 00:53:53,640
Speaker 1: I'll be fiss, by the way, breaking by the way,

882
00:53:53,680 --> 00:53:56,200
Speaker 1: this is be clear. Let's be clear. But wait, wait,

883
00:53:56,440 --> 00:53:58,799
Speaker 1: I would ask you, was it your idea to say

884
00:53:58,840 --> 00:54:01,640
Speaker 1: just keep looping that? No? Was the engineering there just

885
00:54:01,719 --> 00:54:08,160
Speaker 1: looping it? No, it was nature, Nature said just make

886
00:54:09,280 --> 00:54:17,640
Speaker 1: How does Nashire direct the record punters on the record? No,

887
00:54:17,880 --> 00:54:23,160
Speaker 1: I can't say nothing. A lot like all right, all right, wait,

888
00:54:23,200 --> 00:54:25,680
Speaker 1: but he didn't have drums. I'm assuming on that part

889
00:54:26,520 --> 00:54:31,120
Speaker 1: it did. It did the Swiss. I'm gonna be honest.

890
00:54:31,680 --> 00:54:34,920
Speaker 1: I still got a somewhere somewhere, I got a folder

891
00:54:35,320 --> 00:54:40,000
Speaker 1: of old Swiss beats and they were three beats in one. Kid,

892
00:54:40,120 --> 00:54:42,959
Speaker 1: You're not He would have an intro, did a whole

893
00:54:42,960 --> 00:54:45,360
Speaker 1: another beat, and then a whole another ending beat like

894
00:54:45,440 --> 00:54:47,879
Speaker 1: he was just insane. So when I heard his ship,

895
00:54:47,920 --> 00:54:51,000
Speaker 1: I was like, Okay, they don't they really don't know.

896
00:54:51,120 --> 00:54:53,640
Speaker 1: This kid is crazy like he's because I'm thinking, how

897
00:54:53,680 --> 00:54:55,800
Speaker 1: premiaries to do that? Pete Rock used to do that

898
00:54:56,320 --> 00:55:02,200
Speaker 1: in joint and then they was in the middle he

899
00:55:02,239 --> 00:55:04,239
Speaker 1: would have an old beat. So what happened is this?

900
00:55:04,320 --> 00:55:08,680
Speaker 1: This is the real story, and Swiss could attest to this.

901
00:55:08,880 --> 00:55:12,480
Speaker 1: What happened is I did I'm leaving on the firm

902
00:55:12,560 --> 00:55:15,719
Speaker 1: album that got me lit. It was Nation's session I

903
00:55:15,880 --> 00:55:18,560
Speaker 1: was never booked for that session. I wanted a session.

904
00:55:18,600 --> 00:55:21,600
Speaker 1: It was Nature Dr Dre and these dudes was engineering.

905
00:55:23,040 --> 00:55:24,640
Speaker 1: I'm out of my mind. They said, you got something,

906
00:55:24,719 --> 00:55:27,759
Speaker 1: I just go in. I do. I'm leaving one take

907
00:55:27,800 --> 00:55:30,120
Speaker 1: because I remember analog? Did you do? I never knew

908
00:55:30,120 --> 00:55:32,719
Speaker 1: how to punch in? So, um all of what what

909
00:55:32,960 --> 00:55:36,120
Speaker 1: is one take? Your? I don't know to kind of boss?

910
00:55:36,200 --> 00:55:38,839
Speaker 1: That's how kind of yeah? So I did it all

911
00:55:38,880 --> 00:55:42,600
Speaker 1: the whole one take one through boom. They're telling me, yo,

912
00:55:44,239 --> 00:55:51,560
Speaker 1: it's this kid from the Bronx Stee's nephew. Then he

913
00:55:51,640 --> 00:55:55,000
Speaker 1: got a whole new sound. So I'm like really, and

914
00:55:55,040 --> 00:55:58,440
Speaker 1: I'm like, A right cool, all right, bring them to

915
00:55:58,520 --> 00:56:04,160
Speaker 1: the studio again. This is Young Swiss. He came through

916
00:56:04,600 --> 00:56:12,640
Speaker 1: skinny his hell baggy three yes shirt and he said,

917
00:56:12,760 --> 00:56:14,680
Speaker 1: I got it. I had to land again at that time.

918
00:56:15,040 --> 00:56:20,400
Speaker 1: This is Young Swiss. You remember studio, This is this

919
00:56:20,520 --> 00:56:22,080
Speaker 1: is how much this record mean to me. I remember

920
00:56:22,120 --> 00:56:25,279
Speaker 1: the studio everything it was. It was. It was a

921
00:56:25,440 --> 00:56:29,359
Speaker 1: dirty quad joint over the Electric Lady, Electric Lady. Jimmy

922
00:56:29,400 --> 00:56:32,440
Speaker 1: Hendricks was in there. The cats did that cat? You

923
00:56:32,520 --> 00:56:35,919
Speaker 1: ever seen a cat? You never seen a cap like lady.

924
00:56:36,200 --> 00:56:41,560
Speaker 1: That was that upstairs electric remember. So, by the way,

925
00:56:41,640 --> 00:56:43,760
Speaker 1: let me just tell you something. We got two other records.

926
00:56:44,680 --> 00:56:47,080
Speaker 1: He came in. He gave me this ship and like

927
00:56:47,200 --> 00:56:48,920
Speaker 1: I said, I say it on the record, I like

928
00:56:49,000 --> 00:56:50,919
Speaker 1: a Swiss beat. This ship already come with a hook.

929
00:56:52,239 --> 00:56:55,600
Speaker 1: He had already had hooks on his ship. So me,

930
00:56:55,760 --> 00:57:00,719
Speaker 1: I'm like, oh, I'm just the writer I all day.

931
00:57:00,840 --> 00:57:04,440
Speaker 1: So I'm like, okay, So we had two other joints.

932
00:57:04,480 --> 00:57:06,680
Speaker 1: But the problem was I had to pay nature back.

933
00:57:07,080 --> 00:57:11,880
Speaker 1: He didn't hate on me for jumping out on the

934
00:57:12,000 --> 00:57:16,120
Speaker 1: firm ship. So Swiss is playing him the joints. He

935
00:57:16,200 --> 00:57:19,280
Speaker 1: ain't vibe into it. He's playing another joint. He ain't

936
00:57:19,360 --> 00:57:22,880
Speaker 1: vibe into it. Plus, Swiss played band from TV and

937
00:57:23,040 --> 00:57:25,720
Speaker 1: walked out. He didn't even play it, was like this

938
00:57:25,880 --> 00:57:28,240
Speaker 1: is the one. He played it and just kind of

939
00:57:28,320 --> 00:57:30,760
Speaker 1: walked out. That's the reason why, like we kind of

940
00:57:30,880 --> 00:57:34,400
Speaker 1: don't know that there is wasn't another beat because because

941
00:57:34,480 --> 00:57:41,240
Speaker 1: they said that I got it somewhere was just looping it.

942
00:57:42,240 --> 00:57:49,000
Speaker 1: I come back as a full song, right. But let

943
00:57:49,040 --> 00:57:56,360
Speaker 1: me listen, Swiss has gone to make a luxtrious records.

944
00:57:56,520 --> 00:58:00,600
Speaker 1: He has a great life, He lives at Tony House,

945
00:58:01,160 --> 00:58:06,680
Speaker 1: y'all still disrespected to beat man, chill, listen, listen to

946
00:58:08,000 --> 00:58:11,360
Speaker 1: this is his ship and let me tell you something.

947
00:58:11,400 --> 00:58:14,720
Speaker 1: Hold on, let me finish and opartments. One of the

948
00:58:14,800 --> 00:58:18,000
Speaker 1: most beautiful woman and most talented woman he's married to

949
00:58:19,360 --> 00:58:23,000
Speaker 1: all this great worked with everyone in the world. They

950
00:58:23,040 --> 00:58:25,280
Speaker 1: worked with him. And when I see that he was

951
00:58:25,360 --> 00:58:31,640
Speaker 1: still mad, fia, I said, that's the past. You gotta

952
00:58:31,680 --> 00:58:34,840
Speaker 1: have no niggas you come to me with the beat.

953
00:58:34,880 --> 00:58:36,840
Speaker 1: I said, you see this ship right here, he's still mad.

954
00:58:37,880 --> 00:58:40,840
Speaker 1: Still we're friends, it's over, but he's still there. You

955
00:58:40,880 --> 00:58:43,040
Speaker 1: ain't got I said that. If you ain't got that passion,

956
00:58:43,040 --> 00:58:46,240
Speaker 1: I can't work with you. That's big facts. I'm sorry

957
00:58:46,240 --> 00:58:48,920
Speaker 1: I cut you off. Get dogs gonna say. I can say,

958
00:58:48,960 --> 00:58:51,840
Speaker 1: that's the passion of you said it, it's the love

959
00:58:51,920 --> 00:58:54,680
Speaker 1: of the of what we do know. Man asked him that.

960
00:58:54,880 --> 00:58:59,520
Speaker 1: He was like, Man, I kind of still brother me.

961
00:58:59,600 --> 00:59:01,800
Speaker 1: Back that move because I know that who we do,

962
00:59:02,000 --> 00:59:04,200
Speaker 1: we can really take that ship and that ship for us.

963
00:59:04,520 --> 00:59:06,000
Speaker 1: You look at it like if tim here that ship,

964
00:59:06,200 --> 00:59:09,400
Speaker 1: or like you feel it ain't complete yea, because we

965
00:59:09,560 --> 00:59:16,200
Speaker 1: was on different missions at that time. That first first

966
00:59:16,280 --> 00:59:17,840
Speaker 1: I thought you was gonna be mad at me for

967
00:59:17,920 --> 00:59:20,160
Speaker 1: not putting the hook because every other beat you had

968
00:59:20,240 --> 00:59:22,560
Speaker 1: gave me out a hook, and I was like, I

969
00:59:22,640 --> 00:59:24,760
Speaker 1: thought he was gonna say something, definitely and from TV

970
00:59:24,800 --> 00:59:26,800
Speaker 1: don't even have a hook was the first time I

971
00:59:26,880 --> 00:59:30,040
Speaker 1: did a beat without a hook. Ship had hooks on

972
00:59:30,120 --> 00:59:41,680
Speaker 1: it made his to be Swiss. So going back to Virginia, right,

973
00:59:42,680 --> 00:59:47,440
Speaker 1: m how dope was it to have Teddy Riley and

974
00:59:47,600 --> 00:59:51,400
Speaker 1: Brian dancing in the background? Uh? You talking about that moment? Yeah?

975
00:59:51,680 --> 00:59:56,560
Speaker 1: I thought was that first? It's for you, you know

976
00:59:56,680 --> 00:59:59,160
Speaker 1: when I look back at the whole thing and what

977
00:59:59,680 --> 01:00:02,840
Speaker 1: God did for me and my brother and blesses with

978
01:00:03,000 --> 01:00:06,360
Speaker 1: this platform. To come back a year later to do

979
01:00:06,480 --> 01:00:10,040
Speaker 1: what we're about to do again, I mean it's a

980
01:00:10,120 --> 01:00:12,800
Speaker 1: tear jerker, you know what I'm saying Telly Riley, just

981
01:00:12,920 --> 01:00:16,880
Speaker 1: to get him to do it on today's technology, to

982
01:00:16,960 --> 01:00:19,560
Speaker 1: get baby face because baby Face is like I think

983
01:00:19,560 --> 01:00:22,120
Speaker 1: he had COVID, right, he had COVID one point of time,

984
01:00:22,200 --> 01:00:24,720
Speaker 1: and then we couldn't We couldn't do it. But the

985
01:00:24,800 --> 01:00:26,880
Speaker 1: point of he was like, I don't know. And for

986
01:00:27,000 --> 01:00:28,560
Speaker 1: him to be like, I'm gonna do it in l

987
01:00:28,640 --> 01:00:31,040
Speaker 1: a called me and Swiss like he gotta do this,

988
01:00:31,240 --> 01:00:33,120
Speaker 1: he gotta do this and forward to happen, he said

989
01:00:33,280 --> 01:00:37,520
Speaker 1: a read and and and and and shout out and

990
01:00:38,040 --> 01:00:41,640
Speaker 1: blessings to Andre Herrell. Yes, because he was a major

991
01:00:41,720 --> 01:00:47,280
Speaker 1: mazing facilitating rest in peace king in that particular one. Yeah,

992
01:00:47,640 --> 01:00:50,240
Speaker 1: and that that just set it off, like it just

993
01:00:52,280 --> 01:00:55,440
Speaker 1: because Teddy, he's not from Virginia, but he's Virginia. Does

994
01:00:55,480 --> 01:00:57,800
Speaker 1: that make sense? New York? He brought New York to Virginia.

995
01:00:58,120 --> 01:01:00,560
Speaker 1: But he once he went to Virginia, he never left right, No,

996
01:01:00,800 --> 01:01:04,080
Speaker 1: because he know that the property value was cheaper, and

997
01:01:04,160 --> 01:01:06,400
Speaker 1: stuff with cheaper Virginia was common. Well, I'm not sure

998
01:01:06,400 --> 01:01:08,200
Speaker 1: if that's a shot or not. I don't know. I

999
01:01:08,280 --> 01:01:09,760
Speaker 1: don't know if I don't know what you call that.

1000
01:01:09,920 --> 01:01:12,320
Speaker 1: But I'm saying like, I don't know. I just think

1001
01:01:12,400 --> 01:01:16,320
Speaker 1: that he was, uh. I think he enjoyed like the

1002
01:01:16,400 --> 01:01:18,240
Speaker 1: trees and the nature. It was a different vibe. And

1003
01:01:18,280 --> 01:01:21,240
Speaker 1: he brought that same energy to Virginia and for real

1004
01:01:21,400 --> 01:01:23,320
Speaker 1: was the only guy that could go in studio at

1005
01:01:23,360 --> 01:01:25,760
Speaker 1: that time. He built the studio and I was like,

1006
01:01:25,800 --> 01:01:28,840
Speaker 1: I was I was the guy who now I didn't

1007
01:01:28,840 --> 01:01:34,200
Speaker 1: go to like later on that little bit. You know

1008
01:01:34,200 --> 01:01:37,200
Speaker 1: what I'm saying. What I'm saying, I'm you know what

1009
01:01:37,200 --> 01:01:39,080
Speaker 1: I'm saying. I'm glad you know I'm a figure way

1010
01:01:39,680 --> 01:01:41,280
Speaker 1: I feel like I said, I don't got getting stuff.

1011
01:01:41,400 --> 01:01:43,360
Speaker 1: I'm gonna being my own studio. You know what I'm saying.

1012
01:01:43,400 --> 01:01:47,000
Speaker 1: That's how I Yeah, I just like, I just know that.

1013
01:01:47,080 --> 01:01:49,160
Speaker 1: That's why he had told us in from yeah, just

1014
01:01:49,440 --> 01:01:51,600
Speaker 1: because he had just didn't let you want told us,

1015
01:01:51,600 --> 01:01:55,920
Speaker 1: and you know he did he did. But but I'm said,

1016
01:01:55,960 --> 01:01:59,040
Speaker 1: at the time, I wanted to get in. Okay, you

1017
01:01:59,120 --> 01:02:01,840
Speaker 1: know everything is about time and what I learned in life,

1018
01:02:02,520 --> 01:02:05,480
Speaker 1: everything is timing. Now I look back at it, I

1019
01:02:05,680 --> 01:02:09,080
Speaker 1: wasn't ready to enter his building because of my mentality.

1020
01:02:09,920 --> 01:02:12,120
Speaker 1: I was thinking about me, me, me, and it's no me,

1021
01:02:12,320 --> 01:02:15,680
Speaker 1: it's collective I It's that's growth, you know what I'm saying.

1022
01:02:15,720 --> 01:02:17,800
Speaker 1: So when I look at it, I wasn't ready. Goddamn.

1023
01:02:20,840 --> 01:02:23,960
Speaker 1: So those the verses team who cleaned that up. He's

1024
01:02:24,000 --> 01:02:26,640
Speaker 1: know what he's doing. He know what he's doing. So

1025
01:02:27,120 --> 01:02:29,840
Speaker 1: verses that I was not ready for. It's really like

1026
01:02:29,960 --> 01:02:31,840
Speaker 1: every other verses I would see, y'all. I know what

1027
01:02:32,960 --> 01:02:38,920
Speaker 1: a chat will come around, man, Yeah, that Larry Jackson involved,

1028
01:02:38,920 --> 01:02:42,000
Speaker 1: because the Larry Jackson. But then this is one verse

1029
01:02:42,040 --> 01:02:44,840
Speaker 1: in particular, I didn't see you or switch getting on

1030
01:02:44,920 --> 01:02:51,680
Speaker 1: any flight, said flights flights, I only been to two verses. Okay,

1031
01:02:51,840 --> 01:02:55,040
Speaker 1: but I've seen you when you've been the one? How

1032
01:02:55,320 --> 01:02:56,920
Speaker 1: did I have been to two? Know? You only been

1033
01:02:56,960 --> 01:03:01,520
Speaker 1: the one? We one' and I to cross? That was it?

1034
01:03:02,440 --> 01:03:05,560
Speaker 1: Jada Kiss said, Okay, I only been we only been

1035
01:03:05,560 --> 01:03:07,720
Speaker 1: the one, but one. I know if you could go

1036
01:03:07,880 --> 01:03:13,640
Speaker 1: you still still why we put it together? And people

1037
01:03:13,800 --> 01:03:15,200
Speaker 1: was on the ground, who are you about to say?

1038
01:03:15,280 --> 01:03:17,360
Speaker 1: First of all, you know exactly what you're about to say?

1039
01:03:17,400 --> 01:03:18,680
Speaker 1: What about to say? I want to see if you

1040
01:03:18,720 --> 01:03:26,800
Speaker 1: were about to say Jesus. At one point that joint

1041
01:03:27,000 --> 01:03:33,120
Speaker 1: seemed a little crazy to me. I understand, but I

1042
01:03:33,240 --> 01:03:38,240
Speaker 1: just know being from the South, in the communication, just

1043
01:03:38,400 --> 01:03:41,560
Speaker 1: the fact that they both agreed it was already step forward,

1044
01:03:41,920 --> 01:03:45,560
Speaker 1: already knew okay, stuff gotta get off. That's how we are, okay,

1045
01:03:45,600 --> 01:03:47,760
Speaker 1: But time out there is a room or that they

1046
01:03:47,840 --> 01:03:50,960
Speaker 1: actually met up prior to that, is that correct? You

1047
01:03:51,040 --> 01:03:54,240
Speaker 1: can shut down this room that's not in the room.

1048
01:03:54,440 --> 01:03:56,360
Speaker 1: It was the fact that that they made up their

1049
01:03:56,400 --> 01:03:59,200
Speaker 1: minds to you know, in the long time, fe to

1050
01:03:59,240 --> 01:04:01,520
Speaker 1: move on forward their life. And that's what I respected it.

1051
01:04:02,160 --> 01:04:04,120
Speaker 1: But did they actually meet up prior to this business?

1052
01:04:04,680 --> 01:04:06,600
Speaker 1: They both said they gotta get some things off their chests.

1053
01:04:07,080 --> 01:04:09,640
Speaker 1: That's just how the South is. But and for me,

1054
01:04:09,880 --> 01:04:11,600
Speaker 1: I just ain't know what things are gonna get off

1055
01:04:11,640 --> 01:04:15,360
Speaker 1: the chest. And I knew, you know, I just knew

1056
01:04:15,600 --> 01:04:18,160
Speaker 1: just when they accepted it, it was gonna be all love.

1057
01:04:18,360 --> 01:04:21,560
Speaker 1: But let's keep it real. It's that one moment we

1058
01:04:21,640 --> 01:04:24,200
Speaker 1: are certain things that said, you guys are watching. I'm

1059
01:04:24,280 --> 01:04:28,320
Speaker 1: sure you're watching in your big houses, great great red wine.

1060
01:04:28,920 --> 01:04:33,000
Speaker 1: I don't know great red wine. In that moment, you know,

1061
01:04:33,160 --> 01:04:35,080
Speaker 1: you know, I can't watch it because everybody was calling

1062
01:04:35,120 --> 01:04:39,960
Speaker 1: me telling me the sat it down, shut it down.

1063
01:04:40,560 --> 01:04:46,000
Speaker 1: Everybody like you gotta stop. They're just about to go wrong.

1064
01:04:47,040 --> 01:04:49,720
Speaker 1: Just like I have to have faith. I knew, I

1065
01:04:49,840 --> 01:04:53,400
Speaker 1: knew what God was doing. I knew this was the

1066
01:04:53,480 --> 01:04:55,360
Speaker 1: one thing, the one thing. To be honest, I have

1067
01:04:55,480 --> 01:04:58,760
Speaker 1: faith because we was on the phone calls and I

1068
01:04:58,800 --> 01:05:00,920
Speaker 1: think I hit you about every other versus, but this one,

1069
01:05:01,080 --> 01:05:04,960
Speaker 1: I was like, this one was different. But the one thing,

1070
01:05:05,080 --> 01:05:08,720
Speaker 1: the one thing that I did though, is that they

1071
01:05:08,840 --> 01:05:12,320
Speaker 1: wasn't doing versus to move backwards in life. No, you understand,

1072
01:05:12,360 --> 01:05:15,800
Speaker 1: they were doing versus to move forward in life. And

1073
01:05:16,320 --> 01:05:20,520
Speaker 1: at the end of the day, those two guys like

1074
01:05:21,400 --> 01:05:24,120
Speaker 1: saved so many people probably in the hoods and in

1075
01:05:24,200 --> 01:05:27,600
Speaker 1: the streets from making that decision. And I respected that

1076
01:05:28,640 --> 01:05:30,720
Speaker 1: and it was just like, but the one thing that

1077
01:05:30,800 --> 01:05:33,960
Speaker 1: they kept established the whole time is if we get

1078
01:05:34,040 --> 01:05:39,840
Speaker 1: on this stage, you say whatever you feel. I'm gonna

1079
01:05:39,840 --> 01:05:44,840
Speaker 1: say what I feel. I'm not it's not feel like

1080
01:05:44,920 --> 01:05:50,480
Speaker 1: Gucci said that. I wonder why, But I mean, you

1081
01:05:50,560 --> 01:05:52,720
Speaker 1: gotta understand that's why I said, it's a South thing.

1082
01:05:52,880 --> 01:05:56,040
Speaker 1: So my point of then mcgrin, I had faith, so

1083
01:05:56,080 --> 01:05:58,960
Speaker 1: you knew because you want to because I just they

1084
01:05:58,960 --> 01:06:03,040
Speaker 1: wouldn't have done it. If it was going to anything

1085
01:06:03,120 --> 01:06:04,920
Speaker 1: could have happened. But it's just like, that's not that's

1086
01:06:04,960 --> 01:06:07,360
Speaker 1: not what they signed up for. They didn't have to

1087
01:06:07,440 --> 01:06:09,880
Speaker 1: do versus. They both established men. They didn't have to

1088
01:06:09,920 --> 01:06:13,880
Speaker 1: do what I'm saying like like like, but I just

1089
01:06:14,000 --> 01:06:17,640
Speaker 1: like the graduation that they wanted to have in front

1090
01:06:17,680 --> 01:06:20,440
Speaker 1: of everybody, know what I'm saying. They both married men,

1091
01:06:20,840 --> 01:06:23,720
Speaker 1: they both got family. They both into the next chapters

1092
01:06:23,760 --> 01:06:25,480
Speaker 1: of their life, and we are allowed to grow as

1093
01:06:25,480 --> 01:06:28,360
Speaker 1: a culture. People want to see us in the same box.

1094
01:06:28,440 --> 01:06:29,920
Speaker 1: Like a lot of people showed up to see them

1095
01:06:30,200 --> 01:06:33,480
Speaker 1: get back into disagreement, you understand. And I ain't like

1096
01:06:33,600 --> 01:06:35,880
Speaker 1: that part, but I like the way they flipped it

1097
01:06:35,880 --> 01:06:37,320
Speaker 1: at the end and show people that it was all

1098
01:06:37,440 --> 01:06:40,080
Speaker 1: loved through all the trials and we got to have

1099
01:06:40,440 --> 01:06:42,600
Speaker 1: we got to have more patients with our coach and

1100
01:06:42,680 --> 01:06:45,360
Speaker 1: with our people. We allowed to get into disagreements, and

1101
01:06:45,440 --> 01:06:52,560
Speaker 1: that was a hell of a disagree. That's the fact

1102
01:06:52,640 --> 01:06:57,840
Speaker 1: that those brothers came togetherne it was. It was, dude, impeccable.

1103
01:07:00,760 --> 01:07:03,040
Speaker 1: Hold on it on a positive looking on this damn thing,

1104
01:07:03,120 --> 01:07:07,000
Speaker 1: but on a positive side of verses. Y'all conceived it

1105
01:07:07,080 --> 01:07:11,600
Speaker 1: before the pandemic, but then it really thrive the pandemics

1106
01:07:12,400 --> 01:07:16,640
Speaker 1: to us. I feel like, you, guys and d knife

1107
01:07:16,680 --> 01:07:21,640
Speaker 1: deserve nobel peace prices. Yes that's not that's not that's days.

1108
01:07:21,760 --> 01:07:26,040
Speaker 1: Oh my god, listen, Honestly, I don't know. I'm sure

1109
01:07:26,080 --> 01:07:32,120
Speaker 1: I hit both of y'all. I had my phone, my house,

1110
01:07:32,480 --> 01:07:36,280
Speaker 1: I had my TV everywhere. When I'm like everywhere I

1111
01:07:36,320 --> 01:07:43,080
Speaker 1: can every week listen if I took a ship near

1112
01:07:43,120 --> 01:07:49,040
Speaker 1: the bomb skizzle y'all with the y'all y'all, y'all really

1113
01:07:49,560 --> 01:07:52,080
Speaker 1: held us there like I don't know what they're telling,

1114
01:07:52,160 --> 01:07:55,200
Speaker 1: y'all to your face, like for real, for real, like no,

1115
01:07:55,600 --> 01:08:00,840
Speaker 1: but just like real talk. I think so like both

1116
01:08:00,880 --> 01:08:03,440
Speaker 1: of y'all my family, so like we said it established

1117
01:08:03,440 --> 01:08:05,960
Speaker 1: probably so I didn't want to overhit y'all and be like, yo,

1118
01:08:06,240 --> 01:08:08,000
Speaker 1: this is how ill, this is one part is and

1119
01:08:08,080 --> 01:08:12,280
Speaker 1: all this crazy ship but me fat Joe Uh. When

1120
01:08:12,320 --> 01:08:16,559
Speaker 1: I say me, I say drink Champs um Uh Joe

1121
01:08:17,560 --> 01:08:21,240
Speaker 1: Joe button Uh. Elliott Wilson with the playlist, we see

1122
01:08:21,280 --> 01:08:24,240
Speaker 1: you out there. Um. We really got together and the

1123
01:08:24,360 --> 01:08:27,840
Speaker 1: coaches said, this is what we this is what we

1124
01:08:28,000 --> 01:08:32,160
Speaker 1: do versus and in case I don't know, our shows

1125
01:08:32,160 --> 01:08:34,680
Speaker 1: about giving people the flowers, we made that we I

1126
01:08:34,720 --> 01:08:36,679
Speaker 1: didn't make up a statement, but I made it famous.

1127
01:08:38,000 --> 01:08:40,280
Speaker 1: All people will say, we're giving people your flowers. I

1128
01:08:40,360 --> 01:08:42,280
Speaker 1: don't want you to have to pass away or you

1129
01:08:42,439 --> 01:08:44,920
Speaker 1: have anything. All this We're gonna tell you this why

1130
01:08:44,960 --> 01:08:47,840
Speaker 1: you're alive while you're here. Goddamn it. We appreciate it.

1131
01:08:48,000 --> 01:08:51,080
Speaker 1: Your fucking help me and my whole household down. I

1132
01:08:51,160 --> 01:08:57,080
Speaker 1: got five TVs and a five hold on. I'm just

1133
01:08:57,120 --> 01:09:01,559
Speaker 1: gonna say, there's a normal piece partist committee listening. Yes,

1134
01:09:02,240 --> 01:09:06,080
Speaker 1: no bullshit. You guys deserve it, and deserve because we

1135
01:09:06,200 --> 01:09:09,320
Speaker 1: know a lot of people committed suicide during the quarantines

1136
01:09:09,360 --> 01:09:11,479
Speaker 1: and all that stuff. Stuff like what you guys were

1137
01:09:11,520 --> 01:09:15,200
Speaker 1: doing probably saved a lot of lives. And I'm not

1138
01:09:15,280 --> 01:09:19,320
Speaker 1: even talking about the artist side of it. People were

1139
01:09:19,400 --> 01:09:22,680
Speaker 1: vitalizing careers. Did you understand I'm sorry to cut you off.

1140
01:09:22,720 --> 01:09:24,960
Speaker 1: Do you understand that I got dipped to stay in

1141
01:09:25,080 --> 01:09:30,880
Speaker 1: my house? You want to say that again? I got fresh.

1142
01:09:32,320 --> 01:09:33,720
Speaker 1: He went to the club in the next room, and

1143
01:09:33,760 --> 01:09:35,519
Speaker 1: I got to the club in the next room. Like

1144
01:09:35,880 --> 01:09:42,640
Speaker 1: Nickel Persus is on the night, someone was doing the

1145
01:09:42,720 --> 01:09:48,160
Speaker 1: same thing. I didn't care if nigga see me or not.

1146
01:09:48,280 --> 01:09:51,960
Speaker 1: I got fresh, nigga, I was Amazon dot Com see

1147
01:09:52,000 --> 01:09:53,640
Speaker 1: me all that, y'all. You know what I mean, Like

1148
01:09:54,080 --> 01:09:57,120
Speaker 1: y'all held it down, Like y'all really deserve your roses,

1149
01:09:57,320 --> 01:10:00,160
Speaker 1: but it deserve your flowers. That was a great when

1150
01:10:00,200 --> 01:10:02,240
Speaker 1: the hip hop and it's from two brothers. It's still

1151
01:10:02,240 --> 01:10:07,800
Speaker 1: the long still set that on fire to night still yes, yes,

1152
01:10:08,040 --> 01:10:09,800
Speaker 1: And that's the only thing I said. That's the only

1153
01:10:10,000 --> 01:10:13,320
Speaker 1: down for Because I feel like Timberland is bringing Missy

1154
01:10:13,360 --> 01:10:16,360
Speaker 1: out tonight. I'm just gonna throw that out there. That happening.

1155
01:10:17,479 --> 01:10:21,360
Speaker 1: I'm gonna tell you straight up. No, No, that's a lie.

1156
01:10:21,760 --> 01:10:23,800
Speaker 1: Take making this up. I'm gonna take a shot. I

1157
01:10:23,880 --> 01:10:26,240
Speaker 1: just made that up. That's good, that's make up. What

1158
01:10:26,360 --> 01:10:29,479
Speaker 1: do you want coming out? I don't feel you're gonna

1159
01:10:29,479 --> 01:10:31,080
Speaker 1: tell us right now? Man, No, I would tell you.

1160
01:10:31,320 --> 01:10:33,040
Speaker 1: I don't feel we need to, but it's not gonna come.

1161
01:10:34,920 --> 01:10:37,080
Speaker 1: I feel like I feel like you know, I ain't

1162
01:10:37,080 --> 01:10:39,559
Speaker 1: gonna lie, buster going buster, gonna bully one of your

1163
01:10:39,640 --> 01:10:45,840
Speaker 1: stages come out on stage. No, I don't want no one, man,

1164
01:10:46,400 --> 01:10:53,920
Speaker 1: come on. Man's like this. I don't know if y'all

1165
01:10:53,920 --> 01:10:56,880
Speaker 1: realized I'm needy. I got sixteen caramels here, but like

1166
01:10:57,000 --> 01:11:06,800
Speaker 1: we do with it, I'm not ting you got to

1167
01:11:06,840 --> 01:11:10,320
Speaker 1: watch this now watch I don't want to swizz be.

1168
01:11:10,400 --> 01:11:14,760
Speaker 1: I ain't gonna lie and I do want to. No,

1169
01:11:15,000 --> 01:11:17,479
Speaker 1: you don't want to. I'm gonna be honest. We gotta

1170
01:11:17,479 --> 01:11:19,559
Speaker 1: we gotta make a hit. Once you make a hit again,

1171
01:11:19,600 --> 01:11:21,400
Speaker 1: then I go back out. I can't be performing this

1172
01:11:21,479 --> 01:11:23,679
Speaker 1: old ship. I'm come on, but my knees is bad.

1173
01:11:26,600 --> 01:11:28,880
Speaker 1: I'm a Williams. You know anybody black name william You

1174
01:11:28,960 --> 01:11:41,479
Speaker 1: got bad knees? You we didn't your call him? You

1175
01:11:41,479 --> 01:11:44,120
Speaker 1: said he's a different dude. Yeah, yeah, he's the only

1176
01:11:44,160 --> 01:11:48,080
Speaker 1: one bad for everybody black named Williams got bad knees.

1177
01:11:48,880 --> 01:11:50,680
Speaker 1: I'm just telling you I'm one of them. Say your

1178
01:11:50,840 --> 01:11:54,439
Speaker 1: name is Nega Williams. My name is Santiago. My mother's

1179
01:11:54,439 --> 01:11:56,320
Speaker 1: media name is Williams. So I got that Williams. I

1180
01:11:56,439 --> 01:11:58,000
Speaker 1: hold that with me because I got the bad knees.

1181
01:11:58,720 --> 01:12:00,519
Speaker 1: All right, that's how you get out of doing it.

1182
01:12:01,080 --> 01:12:04,920
Speaker 1: You're gonna need that house as false evidence. You're not

1183
01:12:05,000 --> 01:12:09,360
Speaker 1: a true wind true way you say your mom maiden name,

1184
01:12:09,800 --> 01:12:13,080
Speaker 1: I did say that. It's not true, but I do

1185
01:12:13,200 --> 01:12:22,080
Speaker 1: got the symptoms. Bro, No, that see me, it's a flaw.

1186
01:12:22,240 --> 01:12:26,040
Speaker 1: Let's start listen. Tak. Let me tell you something. Let

1187
01:12:26,120 --> 01:12:28,240
Speaker 1: me tak. You saw that as a person. That's an

1188
01:12:28,280 --> 01:12:32,000
Speaker 1: early word. You are early, You're early, you will early, dude.

1189
01:12:32,360 --> 01:12:36,800
Speaker 1: I always do yo. I Timberland sometimes to see if

1190
01:12:36,880 --> 01:12:41,479
Speaker 1: you up, Like, yeah, what's up? You are? Man? Man?

1191
01:12:41,520 --> 01:12:43,920
Speaker 1: You give me assignment. That's why we work there together. Man,

1192
01:12:44,040 --> 01:12:48,200
Speaker 1: But you're gonna catch yourself in no whooky wookie you

1193
01:12:48,200 --> 01:12:50,439
Speaker 1: said about your knees. I can't do I mean, I

1194
01:12:50,520 --> 01:12:54,080
Speaker 1: see you know when you want to do you know,

1195
01:12:54,160 --> 01:12:55,840
Speaker 1: hear that something like what you want to do it.

1196
01:12:55,880 --> 01:12:58,880
Speaker 1: But let's pick up to organic food King, Organic food King. Hold,

1197
01:12:59,120 --> 01:13:05,040
Speaker 1: if you're looking at me, right down the street, everybody

1198
01:13:05,040 --> 01:13:11,840
Speaker 1: even free. And by the way, this is I don't

1199
01:13:11,880 --> 01:13:14,439
Speaker 1: know if you know doing the pandemic. You know a

1200
01:13:14,520 --> 01:13:18,400
Speaker 1: lot of people, um, a lot of people we were

1201
01:13:18,400 --> 01:13:20,120
Speaker 1: gonna have some food for. We don't worry about it. Um,

1202
01:13:20,600 --> 01:13:25,040
Speaker 1: I think so. I like how you though, I don't know,

1203
01:13:25,280 --> 01:13:26,920
Speaker 1: you know, but you know it's just family. We got

1204
01:13:27,040 --> 01:13:28,120
Speaker 1: the spot for you to go up to it. But

1205
01:13:28,160 --> 01:13:31,879
Speaker 1: all right, let's just stick some focus. Um. During the pandemic,

1206
01:13:33,320 --> 01:13:34,920
Speaker 1: you know a lot of clubs, a lot of places

1207
01:13:34,960 --> 01:13:36,840
Speaker 1: shut down. This is where we set up. We set

1208
01:13:36,920 --> 01:13:39,040
Speaker 1: up at Racket. That's where we had d MX is

1209
01:13:39,040 --> 01:13:42,360
Speaker 1: where we had for realtors were at cameraon and Racket

1210
01:13:42,640 --> 01:13:46,120
Speaker 1: has become the number one motherfucking club in Miami and

1211
01:13:50,640 --> 01:13:54,960
Speaker 1: spik at my man, ain't you and motherfucker so so? Um?

1212
01:13:56,120 --> 01:13:59,320
Speaker 1: How was this when you know you guys got to

1213
01:13:59,360 --> 01:14:04,280
Speaker 1: sur rock sponsorship. It's at first it was just no sponsorship, right,

1214
01:14:04,840 --> 01:14:06,599
Speaker 1: you guys are just doing this and you can surround.

1215
01:14:06,840 --> 01:14:12,840
Speaker 1: Can you get the uh? iTunes comes along and Apple

1216
01:14:12,880 --> 01:14:18,160
Speaker 1: excuse me? Uh? And then boom boom boom boom this

1217
01:14:18,320 --> 01:14:22,880
Speaker 1: triller thing happens? How is this situation? And how do

1218
01:14:23,000 --> 01:14:28,639
Speaker 1: you react? Okay, Timberland, it's funny. You're just you're saying

1219
01:14:28,680 --> 01:14:32,439
Speaker 1: that in Justice said you're talking about Jake trans I

1220
01:14:32,520 --> 01:14:34,280
Speaker 1: look at text on it through y I'm like, did

1221
01:14:34,320 --> 01:14:39,439
Speaker 1: you mention? We definitely talked about in a good way

1222
01:14:40,160 --> 01:14:43,760
Speaker 1: because we want to cry. Hit my bed. Let's go now,

1223
01:14:44,600 --> 01:14:48,840
Speaker 1: come on, he could come good, go We're gonna right now, babies. Okay,

1224
01:14:50,479 --> 01:14:52,760
Speaker 1: what was the driller? How did like you know you

1225
01:14:52,800 --> 01:14:57,720
Speaker 1: guys got this ship going on? Right? Because I know

1226
01:14:57,880 --> 01:15:00,200
Speaker 1: you personally, the world know you're personally, but you know,

1227
01:15:00,600 --> 01:15:07,240
Speaker 1: when you do business with a US considered accompany this outside,

1228
01:15:07,960 --> 01:15:10,439
Speaker 1: they feel like, okay, they took the bag. So I

1229
01:15:10,560 --> 01:15:14,280
Speaker 1: just want y'all, you know, to address that. I mean,

1230
01:15:14,479 --> 01:15:17,880
Speaker 1: it's it's I think we have to educate the culture too.

1231
01:15:18,080 --> 01:15:21,120
Speaker 1: I know the culture is having fun but sometimes some

1232
01:15:21,280 --> 01:15:23,840
Speaker 1: of the stuff that the coach is having fun. They're

1233
01:15:23,840 --> 01:15:25,920
Speaker 1: having fun. They loved the incitement, but then we had

1234
01:15:25,960 --> 01:15:27,519
Speaker 1: to teach to it, and there's a lot of p

1235
01:15:27,640 --> 01:15:31,880
Speaker 1: P P loans. Yeah, a lot of that coach is

1236
01:15:31,920 --> 01:15:34,200
Speaker 1: having fun. They're having a lot of culture. Rinch right

1237
01:15:34,240 --> 01:15:36,599
Speaker 1: now it's you know, pro people don't know pro people

1238
01:15:36,720 --> 01:15:41,800
Speaker 1: right now that's asked me for money and money it

1239
01:15:41,880 --> 01:15:43,840
Speaker 1: has been a big fact. But honest thing is about,

1240
01:15:43,880 --> 01:15:47,080
Speaker 1: you know, just how to do business. And that's where

1241
01:15:47,240 --> 01:15:53,120
Speaker 1: I really give Swiss the props. It's because you know,

1242
01:15:53,200 --> 01:15:54,800
Speaker 1: he wanted to school. He went to Harvard to learn,

1243
01:15:54,880 --> 01:15:58,080
Speaker 1: and it's like that really came down to the decision.

1244
01:15:58,120 --> 01:15:59,479
Speaker 1: Men and Swiss had a lot of talks, and it's

1245
01:15:59,479 --> 01:16:02,720
Speaker 1: really about we just felt uncomfortable because we really feel

1246
01:16:02,760 --> 01:16:06,400
Speaker 1: like we can't just do the normal deal. You have

1247
01:16:06,479 --> 01:16:10,280
Speaker 1: to do something special. Facts and Switch called you all

1248
01:16:10,360 --> 01:16:12,920
Speaker 1: day said I got it. We gotta do something that

1249
01:16:13,000 --> 01:16:15,840
Speaker 1: we get back to the people who gave us to love.

1250
01:16:17,040 --> 01:16:18,519
Speaker 1: And that just hit me and I just shed a

1251
01:16:18,600 --> 01:16:20,680
Speaker 1: tear the whole day. It was like me catching the

1252
01:16:20,720 --> 01:16:22,840
Speaker 1: holigos during the Christmas two. You know, I'm doing the

1253
01:16:22,920 --> 01:16:24,560
Speaker 1: Christmas time. You know what I'm saying. It was like

1254
01:16:25,360 --> 01:16:27,080
Speaker 1: I never felt so good in my life because it

1255
01:16:27,160 --> 01:16:31,559
Speaker 1: wasn't about us getting this whole big lump song. It's like, yo,

1256
01:16:31,680 --> 01:16:34,400
Speaker 1: we happened everybody, because it's like, what's the point of

1257
01:16:34,520 --> 01:16:37,640
Speaker 1: being on planet by yourself? I'm number one? Okay? You

1258
01:16:37,760 --> 01:16:41,880
Speaker 1: by yourself? You're alone to talk? What's the point of

1259
01:16:41,960 --> 01:16:43,840
Speaker 1: being alone? Don't you want people there with you to

1260
01:16:43,880 --> 01:16:46,240
Speaker 1: share the well with you, to share Going on vacation,

1261
01:16:46,280 --> 01:16:48,599
Speaker 1: you want people? How about my jet too? Oh I'm

1262
01:16:48,640 --> 01:16:50,960
Speaker 1: just going to jet while your humble. That must be nice.

1263
01:16:51,040 --> 01:16:55,559
Speaker 1: That's corny. I hate that word. Yeah, that's it, must

1264
01:16:55,600 --> 01:17:00,280
Speaker 1: be nice. Nice. How about day come with me? You

1265
01:17:00,320 --> 01:17:03,880
Speaker 1: don't have the funds to do Let's have fun. Let's

1266
01:17:03,920 --> 01:17:07,439
Speaker 1: learn about it. Body gets a reservation for car bone alone. Yeah,

1267
01:17:07,560 --> 01:17:09,400
Speaker 1: we gotta do it all together, man Like it's just

1268
01:17:09,560 --> 01:17:11,840
Speaker 1: it's just and ain't It's like when they say lonely

1269
01:17:11,840 --> 01:17:14,200
Speaker 1: at the topic, just like people striving for number one?

1270
01:17:14,280 --> 01:17:18,120
Speaker 1: But what does that really mean? What's that really? The

1271
01:17:18,600 --> 01:17:20,599
Speaker 1: point of getting to number one is to bring everybody

1272
01:17:20,680 --> 01:17:23,800
Speaker 1: with you, to have the power to bring it, and

1273
01:17:23,880 --> 01:17:26,320
Speaker 1: then they can go getting number one and they keep

1274
01:17:26,320 --> 01:17:30,560
Speaker 1: it going like a Doe one Champagne. I know I

1275
01:17:30,640 --> 01:17:33,439
Speaker 1: got it. You see, I'm ard you know now you

1276
01:17:34,080 --> 01:17:37,000
Speaker 1: won't little bit more hypnotics. Now I'm in a great space,

1277
01:17:37,640 --> 01:17:46,439
Speaker 1: have a great great great So that's really like that

1278
01:17:46,680 --> 01:17:49,760
Speaker 1: was really like, you know, and then when what's came

1279
01:17:49,840 --> 01:17:53,000
Speaker 1: up with that, like to give back to the artist. Yeah,

1280
01:17:53,040 --> 01:17:55,200
Speaker 1: like the first time ever this has ever been done,

1281
01:17:55,320 --> 01:17:57,519
Speaker 1: because you know, thanks were throwing at us and we

1282
01:17:57,680 --> 01:18:00,600
Speaker 1: was you know, we was never striped stop, but just

1283
01:18:00,720 --> 01:18:04,040
Speaker 1: like trying to figure it out what's the right and

1284
01:18:04,200 --> 01:18:06,960
Speaker 1: God and the God brought us the right opportunity for us.

1285
01:18:08,360 --> 01:18:10,680
Speaker 1: And it was about the energy because you know, we

1286
01:18:10,760 --> 01:18:15,080
Speaker 1: could have stayed doing the bathroom breaking. Yeah, man, yeah,

1287
01:18:17,600 --> 01:18:19,320
Speaker 1: what you gotta do. Come back, We'll get back into

1288
01:18:19,439 --> 01:18:22,160
Speaker 1: Wait coming a right cool? Yeah, yeah that's okay. Wait, yeah,

1289
01:18:22,200 --> 01:18:23,560
Speaker 1: you both can't go at the same time. It's not

1290
01:18:23,600 --> 01:18:28,200
Speaker 1: the way this works. Wait to say oh wait and

1291
01:18:28,200 --> 01:18:29,639
Speaker 1: say we said all right, cool, we can talk about

1292
01:18:29,640 --> 01:18:31,519
Speaker 1: some mother ship. Come on, do you want take that shot?

1293
01:18:31,520 --> 01:18:33,479
Speaker 1: I feel like you just take it up. I feel

1294
01:18:33,520 --> 01:18:36,800
Speaker 1: like your team is looking I don't eat breakfast yet none. Listen,

1295
01:18:38,320 --> 01:18:41,040
Speaker 1: listen y'all today trying to know what I gotta do

1296
01:18:41,120 --> 01:18:45,360
Speaker 1: that profession you need to hype. Man. By the way,

1297
01:18:45,520 --> 01:18:49,280
Speaker 1: I got your back. I'll be just on stage. Oh no,

1298
01:18:49,400 --> 01:18:57,000
Speaker 1: I talk about that. Man, got me Stop playing man,

1299
01:18:57,080 --> 01:18:59,840
Speaker 1: go on stage. Listen, Man, listen. I just don't want

1300
01:18:59,840 --> 01:19:01,519
Speaker 1: my filter to be burned. You know what I'm saying

1301
01:19:01,600 --> 01:19:06,320
Speaker 1: like that, you're filter. I don't have a filter right

1302
01:19:06,360 --> 01:19:12,160
Speaker 1: time about I'm talking about when I crossed that line.

1303
01:19:13,920 --> 01:19:15,720
Speaker 1: You know what I'm saying like this is I want

1304
01:19:15,760 --> 01:19:19,519
Speaker 1: to be focused for tonight. I gotta focus for you.

1305
01:19:19,680 --> 01:19:23,160
Speaker 1: Question too, So you want to wait to come back,

1306
01:19:23,640 --> 01:19:26,479
Speaker 1: that's a different question. Okay, that ship almost blew my

1307
01:19:26,560 --> 01:19:33,320
Speaker 1: whole point. You gotta go to the bathroom. Okay, cool,

1308
01:19:33,320 --> 01:19:35,200
Speaker 1: because I got was waiting for turning to kind I

1309
01:19:35,200 --> 01:19:37,360
Speaker 1: have to finish talking about Okay. I wanted the game

1310
01:19:37,439 --> 01:19:40,400
Speaker 1: to respect. You know what I'm saying, diversion story, Yeah, man,

1311
01:19:40,800 --> 01:19:42,439
Speaker 1: this is this is what I'm talking about. Man, this

1312
01:19:42,520 --> 01:19:47,519
Speaker 1: is hip hop shit happening right here. We are here

1313
01:19:47,960 --> 01:19:52,840
Speaker 1: talking hip hop ship. Actually, this phenomenal. Thank you, thank

1314
01:19:52,880 --> 01:19:56,200
Speaker 1: you phenomenal. If I want was the source was nothing

1315
01:19:56,200 --> 01:19:57,920
Speaker 1: to say? The source is not out, But what's the

1316
01:19:57,960 --> 01:20:03,280
Speaker 1: source of the I really wish that you and you

1317
01:20:03,360 --> 01:20:06,040
Speaker 1: know what, like like I'm saying, like, you know, it's

1318
01:20:06,080 --> 01:20:08,080
Speaker 1: a couple of us, this privileged around to be and

1319
01:20:08,439 --> 01:20:11,240
Speaker 1: and and these couple of sessions that actually kept playing

1320
01:20:11,280 --> 01:20:13,320
Speaker 1: the album for us, and he was just so proud

1321
01:20:13,400 --> 01:20:15,680
Speaker 1: of it. Um, okay, you you said you want to

1322
01:20:15,760 --> 01:20:17,840
Speaker 1: rad for Tim what you just want to do? Yeah,

1323
01:20:17,840 --> 01:20:22,600
Speaker 1: So so going back to the verses, Um, it was

1324
01:20:22,680 --> 01:20:26,360
Speaker 1: a collective decision, you know, although I called him with

1325
01:20:27,600 --> 01:20:31,960
Speaker 1: um the vibe of what we should do because the

1326
01:20:32,040 --> 01:20:35,760
Speaker 1: deal that we had on the table was amazing. The deal,

1327
01:20:35,880 --> 01:20:38,320
Speaker 1: it was amazing and we didn't have to move no

1328
01:20:38,479 --> 01:20:43,120
Speaker 1: luggage out of the house. But imagine having like one

1329
01:20:43,200 --> 01:20:47,680
Speaker 1: of the biggest deals ever and not being happy about it.

1330
01:20:48,080 --> 01:20:50,479
Speaker 1: Can I stop before on a second, because everyone kind

1331
01:20:50,520 --> 01:20:54,040
Speaker 1: of thought when we started to see Apple TV popping up,

1332
01:20:54,320 --> 01:20:56,640
Speaker 1: that's what y'all was doing the deal. So so what

1333
01:20:56,760 --> 01:20:59,880
Speaker 1: happened is if you can say this business is not

1334
01:21:00,040 --> 01:21:03,040
Speaker 1: gohing personal, it's just business, you know, shout to Apple,

1335
01:21:03,280 --> 01:21:06,040
Speaker 1: shout to La Jackson. We had a great time. They

1336
01:21:06,160 --> 01:21:09,200
Speaker 1: they they you know, they supported us and helped us

1337
01:21:09,240 --> 01:21:13,439
Speaker 1: elevate to a different level. And we appreciate all the

1338
01:21:13,520 --> 01:21:18,200
Speaker 1: support from everyone, but you know, we can't just only

1339
01:21:18,320 --> 01:21:21,080
Speaker 1: be creatives. We have to be business people. Like this

1340
01:21:21,240 --> 01:21:24,280
Speaker 1: is the music business, creative business, and a lot of

1341
01:21:24,320 --> 01:21:26,799
Speaker 1: people leave out the business parts when all the business

1342
01:21:26,840 --> 01:21:29,760
Speaker 1: people are taking advantage of the creative ownership. You see

1343
01:21:29,760 --> 01:21:32,160
Speaker 1: what I'm saying. And so you know, I was luckily

1344
01:21:32,720 --> 01:21:36,080
Speaker 1: to be able to go back to school and shopping

1345
01:21:36,160 --> 01:21:40,400
Speaker 1: my pencil and actually really lock in and and have

1346
01:21:40,560 --> 01:21:43,719
Speaker 1: a focus with strategies. And although me and Tim didn't

1347
01:21:43,760 --> 01:21:47,560
Speaker 1: start versus thinking about business or thinking about finances, it

1348
01:21:47,720 --> 01:21:49,640
Speaker 1: just happened to turn into that, which is why it

1349
01:21:49,720 --> 01:21:52,320
Speaker 1: was so beautiful. It just it just happened. You know,

1350
01:21:52,400 --> 01:21:54,920
Speaker 1: the universe has happened to want to just do extra

1351
01:21:55,040 --> 01:21:58,240
Speaker 1: things for us. Um. But we were just basically having fun.

1352
01:21:58,280 --> 01:22:00,000
Speaker 1: But when it when it started coming to the business,

1353
01:22:00,760 --> 01:22:02,920
Speaker 1: we had to be shop as well because people started

1354
01:22:02,960 --> 01:22:04,880
Speaker 1: coming to you with business. It wasn't like you planned

1355
01:22:04,920 --> 01:22:07,479
Speaker 1: that people started coming to you because of the numbers

1356
01:22:07,560 --> 01:22:10,479
Speaker 1: just gone. We turned down so many, so much, we

1357
01:22:10,600 --> 01:22:14,920
Speaker 1: turned out so much and everybody, we turned down everything.

1358
01:22:15,520 --> 01:22:17,920
Speaker 1: Only the reason why we turned down everything was because

1359
01:22:18,479 --> 01:22:23,080
Speaker 1: you know, um, everybody wanted to get go to the penthouse.

1360
01:22:23,640 --> 01:22:25,679
Speaker 1: Like first, they just wanted to just go to the penthouse.

1361
01:22:25,800 --> 01:22:27,639
Speaker 1: They didn't even want to know the structure of the building.

1362
01:22:28,280 --> 01:22:31,200
Speaker 1: They just knew it was a quick ride to the penthouse,

1363
01:22:31,600 --> 01:22:35,479
Speaker 1: a quick ride with our culture, quick ride in the

1364
01:22:35,640 --> 01:22:38,640
Speaker 1: v I p with our culture. And we're gatekeepers of

1365
01:22:38,720 --> 01:22:41,680
Speaker 1: our culture. So we can't allow that, you understand. So

1366
01:22:42,280 --> 01:22:44,760
Speaker 1: when it came to making this decision, I was like man,

1367
01:22:45,920 --> 01:22:47,360
Speaker 1: and I was me and Tim had the kind say

1368
01:22:47,360 --> 01:22:49,760
Speaker 1: it's like, yo, I always see like one or two

1369
01:22:49,840 --> 01:22:53,000
Speaker 1: of us getting the bags and being a part of

1370
01:22:53,600 --> 01:22:55,200
Speaker 1: the big picture. But it it's it's a it's a

1371
01:22:55,280 --> 01:22:57,680
Speaker 1: group of us that make these apps work and that

1372
01:22:57,840 --> 01:23:02,280
Speaker 1: make these different things. No for giving it the value.

1373
01:23:02,720 --> 01:23:06,040
Speaker 1: So my thing is like, imagine if we could bring

1374
01:23:06,640 --> 01:23:09,880
Speaker 1: forty three artists with us to go ring the bell

1375
01:23:10,160 --> 01:23:13,840
Speaker 1: and you know, and and go public. You know what

1376
01:23:13,840 --> 01:23:15,639
Speaker 1: I'm saying, like this is this when when when when

1377
01:23:15,680 --> 01:23:19,320
Speaker 1: Triller go public? This would be the biggest creative public

1378
01:23:19,400 --> 01:23:22,160
Speaker 1: offering in the history ever, ever, ever. And even the

1379
01:23:22,320 --> 01:23:25,880
Speaker 1: artists that we gave our personal shares too, they don't

1380
01:23:25,920 --> 01:23:29,560
Speaker 1: even probably understand what it's gonna be yet. But we

1381
01:23:29,760 --> 01:23:32,679
Speaker 1: have good intentions, and it was like, Yo, these people

1382
01:23:32,760 --> 01:23:36,000
Speaker 1: started and they showed up with us, and they should

1383
01:23:36,000 --> 01:23:38,600
Speaker 1: go all the way to ringing that bell and and

1384
01:23:38,720 --> 01:23:41,360
Speaker 1: and go on public with us. And it's just what

1385
01:23:41,400 --> 01:23:43,360
Speaker 1: we're supposed to do. We should get people used to

1386
01:23:43,760 --> 01:23:47,080
Speaker 1: taking kids forty three and fifty artist because people don't

1387
01:23:47,080 --> 01:23:50,000
Speaker 1: know probably what you're talking about, that you gave shares,

1388
01:23:50,080 --> 01:23:52,960
Speaker 1: your personal shares to the folks that I've already done

1389
01:23:53,400 --> 01:23:56,519
Speaker 1: versus versus up to that point, right, yeah, yeah, and

1390
01:23:57,280 --> 01:24:00,360
Speaker 1: which just nunheard of. Nobody's doing deals like that, you know,

1391
01:24:00,600 --> 01:24:06,519
Speaker 1: because you know, every artist was compensated in some type

1392
01:24:06,560 --> 01:24:10,840
Speaker 1: of way for doing versus just whatever. We let them

1393
01:24:10,960 --> 01:24:14,600
Speaker 1: keep everything. We took nothing from the artists. When they

1394
01:24:14,640 --> 01:24:16,400
Speaker 1: get a sponsor, they keep the money when they get

1395
01:24:16,640 --> 01:24:18,360
Speaker 1: bringing sponsors or whatever. And you see a lot of

1396
01:24:18,439 --> 01:24:21,200
Speaker 1: things on stage, it's because me and Tim agreed to

1397
01:24:21,360 --> 01:24:23,360
Speaker 1: let the artists eat and do what they need to

1398
01:24:23,439 --> 01:24:26,280
Speaker 1: do towards are not happening. Different things than that happening,

1399
01:24:26,800 --> 01:24:28,479
Speaker 1: you know, and they're coming out and in a hard

1400
01:24:28,520 --> 01:24:31,120
Speaker 1: time of COVID. Of course you can bring a sponsor.

1401
01:24:31,160 --> 01:24:33,519
Speaker 1: Of course you can keep all of your sponsor money.

1402
01:24:33,520 --> 01:24:36,240
Speaker 1: We're not taxing you on nothing. And then we come

1403
01:24:36,240 --> 01:24:38,439
Speaker 1: back around and be like, yo, guess what on behalf

1404
01:24:38,479 --> 01:24:41,360
Speaker 1: of Tim and Swiss? Not only are you partners and

1405
01:24:41,520 --> 01:24:44,920
Speaker 1: versus your owner and trailer which is a billion points

1406
01:24:45,000 --> 01:24:48,960
Speaker 1: something value company. Wow you understand that's today, that's not

1407
01:24:49,080 --> 01:24:55,760
Speaker 1: even with the I P O P. Yeah, but that

1408
01:24:55,920 --> 01:24:59,760
Speaker 1: that all makes sense. Later he makes a noise for that.

1409
01:25:04,920 --> 01:25:06,760
Speaker 1: Tim Iman, be honest, I think you need another shot.

1410
01:25:10,040 --> 01:25:13,200
Speaker 1: I'm with you, with you, man, man, this this is

1411
01:25:13,320 --> 01:25:18,280
Speaker 1: this is a beautiful blessing. Um, all right, sorry, keep

1412
01:25:18,280 --> 01:25:20,599
Speaker 1: the question on you right now. I'm not I don't

1413
01:25:20,640 --> 01:25:26,559
Speaker 1: be sorry. Because the time we did drink chaps mm hmm,

1414
01:25:27,680 --> 01:25:33,880
Speaker 1: that little saucy this in New York. Yes, and I

1415
01:25:35,680 --> 01:25:42,320
Speaker 1: ask you a question, Oh I remember this. You answered

1416
01:25:42,400 --> 01:25:47,600
Speaker 1: to me. You answered it articulate to me. Um. And

1417
01:25:47,720 --> 01:25:50,519
Speaker 1: remember we were supposed to get this artist to that week.

1418
01:25:50,560 --> 01:25:52,400
Speaker 1: So you being my brother, I want to let you

1419
01:25:52,520 --> 01:25:55,280
Speaker 1: went that fall. You didn't go that fall, but you

1420
01:25:55,360 --> 01:25:56,479
Speaker 1: hit me. He was like, Yo, you know what, I

1421
01:25:56,520 --> 01:26:00,640
Speaker 1: don't even want to talk about the boy. Cool. A

1422
01:26:00,680 --> 01:26:03,720
Speaker 1: couple of months later, you jump on live. I think

1423
01:26:03,800 --> 01:26:08,680
Speaker 1: this is during the pandemic. There's a record release for

1424
01:26:08,800 --> 01:26:13,479
Speaker 1: buster and then you just start you tell about why

1425
01:26:13,560 --> 01:26:17,680
Speaker 1: why why does this do they ain't released this, release this.

1426
01:26:17,880 --> 01:26:22,639
Speaker 1: You know what I'm saying, such such such a what's

1427
01:26:22,680 --> 01:26:27,160
Speaker 1: the God bless him? Like, God, God bless that's my brother.

1428
01:26:27,280 --> 01:26:32,080
Speaker 1: You know everyone knows that. But he's not media trained,

1429
01:26:32,160 --> 01:26:39,519
Speaker 1: so he wasn't media trained to actually tell you like yo, yeah,

1430
01:26:41,600 --> 01:26:44,000
Speaker 1: and he kind of like to let you go. So

1431
01:26:44,120 --> 01:26:47,799
Speaker 1: it made you kind of seemed like you were angry

1432
01:26:47,880 --> 01:26:52,479
Speaker 1: at this this person, when all actually there's nothing for

1433
01:26:52,560 --> 01:26:57,080
Speaker 1: you to be angry at in life. But that's how

1434
01:26:57,120 --> 01:27:02,479
Speaker 1: the people perceived you for that week. We know what

1435
01:27:02,560 --> 01:27:08,320
Speaker 1: I'm talking about. Yeah, it's okay, you know, um, it's

1436
01:27:08,360 --> 01:27:11,559
Speaker 1: all love. But you know, at the end of the day,

1437
01:27:11,560 --> 01:27:13,880
Speaker 1: I just made up a decision that I don't want

1438
01:27:13,880 --> 01:27:16,000
Speaker 1: to talk about him until I talked to him. From

1439
01:27:16,040 --> 01:27:18,080
Speaker 1: this point on, you know what I'm saying, Like, I

1440
01:27:18,160 --> 01:27:20,840
Speaker 1: don't like it's a lot of people talking for me

1441
01:27:21,120 --> 01:27:22,920
Speaker 1: to him, a lot of people going back and forth

1442
01:27:23,280 --> 01:27:25,680
Speaker 1: talking to me about him. But like you know, at

1443
01:27:25,720 --> 01:27:28,320
Speaker 1: the end of the day, I just made up my decision,

1444
01:27:28,400 --> 01:27:30,160
Speaker 1: like I don't want to talk about him until I

1445
01:27:30,240 --> 01:27:32,639
Speaker 1: talked to him. You know what I'm saying, and that's

1446
01:27:32,720 --> 01:27:34,560
Speaker 1: and that's just where I want to leave it. I

1447
01:27:34,680 --> 01:27:42,840
Speaker 1: love that. That's the first moment I was like, I mean,

1448
01:27:43,320 --> 01:27:46,360
Speaker 1: nobody knows because you know why you were articulate when

1449
01:27:46,400 --> 01:27:49,120
Speaker 1: you spoke on with us. Keep it real right like

1450
01:27:49,240 --> 01:27:52,160
Speaker 1: you are articulately you were you were disappointed and it

1451
01:27:52,320 --> 01:27:54,880
Speaker 1: was different from the live So we'll leave that to

1452
01:27:54,960 --> 01:28:09,200
Speaker 1: funk alone. Okay, get getting a fucking Missy album? Bro,

1453
01:28:09,479 --> 01:28:12,280
Speaker 1: what the fund is going on? We love you working

1454
01:28:12,320 --> 01:28:15,439
Speaker 1: with Justin Timberlake. We love that guy. He's invited to

1455
01:28:15,479 --> 01:28:19,080
Speaker 1: the barbecue. It's a fact he's dead. We're not gonna

1456
01:28:19,240 --> 01:28:21,040
Speaker 1: let him bring his potato salad. We're gonna give him.

1457
01:28:25,680 --> 01:28:28,240
Speaker 1: I went to fal Scraam, I went to fal You

1458
01:28:28,320 --> 01:28:32,000
Speaker 1: know what I mean a little we're gonna get he's

1459
01:28:32,040 --> 01:28:35,719
Speaker 1: at the barbecue with us. But Missy and it's Missy

1460
01:28:35,840 --> 01:28:40,280
Speaker 1: and Buster versus. Come on, let's stop fighting this. But

1461
01:28:41,720 --> 01:28:45,240
Speaker 1: do y'all just like the name of Missing and Busted version,

1462
01:28:45,280 --> 01:28:49,479
Speaker 1: because if you listen to the Sonics now, visual they

1463
01:28:49,600 --> 01:28:52,720
Speaker 1: got some things, but sonically you have to curate. And

1464
01:28:52,800 --> 01:28:54,400
Speaker 1: this is what me and Tim do. A lot of

1465
01:28:54,439 --> 01:28:57,759
Speaker 1: people don't understand, like those names sound good. But when

1466
01:28:57,880 --> 01:29:01,800
Speaker 1: when when you're a craftman and you and you, it

1467
01:29:01,880 --> 01:29:12,960
Speaker 1: doesn't matter, you know what I mean? Like like works

1468
01:29:14,000 --> 01:29:19,120
Speaker 1: play that her name is on. Think about that this

1469
01:29:19,280 --> 01:29:20,920
Speaker 1: is not only the artist, she's a song right. That's

1470
01:29:20,920 --> 01:29:22,240
Speaker 1: what I'm trying to tell you. What you're trying to

1471
01:29:25,720 --> 01:29:30,360
Speaker 1: tell you, Buster, tell you what we're telling you. You know, Buster, busted, Busted,

1472
01:29:30,439 --> 01:29:34,080
Speaker 1: tell you buss Busters with all the smoke because he

1473
01:29:34,160 --> 01:29:38,519
Speaker 1: wanted to snoop at first. Buster want everybody and anybody. Okay,

1474
01:29:38,800 --> 01:29:43,120
Speaker 1: but but I'm just telling you the missing and busted

1475
01:29:43,200 --> 01:29:48,519
Speaker 1: thing sounds good, but busting, I don't know. But I'm

1476
01:29:48,560 --> 01:29:53,720
Speaker 1: just answering your question about the missing and Buster. Sonically,

1477
01:29:54,800 --> 01:29:57,639
Speaker 1: it doesn't like just play ten records with ten records

1478
01:29:57,880 --> 01:30:00,599
Speaker 1: everybody watching it. Just take ten Buster kind of ten

1479
01:30:00,680 --> 01:30:03,640
Speaker 1: Missy records. The energy, the aggression that this that like

1480
01:30:03,920 --> 01:30:06,640
Speaker 1: it's just the sonics is awf a little bit. And

1481
01:30:06,720 --> 01:30:09,160
Speaker 1: so that's why I can see why Missy I want

1482
01:30:09,200 --> 01:30:11,000
Speaker 1: to do something different, and I can see why Buster

1483
01:30:11,080 --> 01:30:13,840
Speaker 1: prefer to do something different. But if he, if Missy

1484
01:30:13,880 --> 01:30:17,040
Speaker 1: want to celebrate him, he's ready to dance. But sonically

1485
01:30:17,120 --> 01:30:19,840
Speaker 1: they both know that that's not it now from a

1486
01:30:20,000 --> 01:30:23,799
Speaker 1: visual people put them together because they're both super creatives

1487
01:30:23,840 --> 01:30:26,240
Speaker 1: and masters with their visuals, so that should it makes

1488
01:30:26,280 --> 01:30:32,280
Speaker 1: us think that similar similar to but I still think

1489
01:30:32,320 --> 01:30:37,439
Speaker 1: that's a great match, be honest. Energy will be great.

1490
01:30:37,520 --> 01:30:40,200
Speaker 1: But when you start hearing the songs and the song

1491
01:30:40,320 --> 01:30:42,519
Speaker 1: that MS want to play, I don't know if she

1492
01:30:42,640 --> 01:30:45,720
Speaker 1: would play. So now you're in charge of that. That

1493
01:30:45,840 --> 01:30:48,320
Speaker 1: that's a great that's a great statement. Like when the

1494
01:30:48,400 --> 01:30:51,960
Speaker 1: person do you look at Fab and Jada's listen, say yo,

1495
01:30:52,120 --> 01:30:54,880
Speaker 1: take that off bro and put this on. Do y'all

1496
01:30:54,920 --> 01:30:56,479
Speaker 1: do that or y'all let leave it all up to

1497
01:30:56,600 --> 01:31:00,519
Speaker 1: artists because at first we was we was curing and listen,

1498
01:31:01,439 --> 01:31:03,400
Speaker 1: not letting you know, we don't let other people know

1499
01:31:03,479 --> 01:31:06,840
Speaker 1: what other people have. But it's just like, man, you

1500
01:31:06,960 --> 01:31:12,000
Speaker 1: sure you won't play that the first tennis? How's this?

1501
01:31:12,120 --> 01:31:13,800
Speaker 1: And that? You know, Like we was doing a little

1502
01:31:13,920 --> 01:31:15,559
Speaker 1: little things like that, and I did that with Fab.

1503
01:31:15,640 --> 01:31:17,280
Speaker 1: I was like, Fab, let me, you should let me

1504
01:31:17,280 --> 01:31:20,040
Speaker 1: see a list. But Fab probably felt that I was

1505
01:31:20,080 --> 01:31:21,599
Speaker 1: on the J D. Kis zone. I would have felt

1506
01:31:21,600 --> 01:31:28,280
Speaker 1: like that too, Yeah, yeah, naturally I would felt like

1507
01:31:28,360 --> 01:31:29,960
Speaker 1: that too, because like like he had every right now

1508
01:31:30,800 --> 01:31:35,880
Speaker 1: is different. I would I spec he had a right

1509
01:31:35,960 --> 01:31:38,320
Speaker 1: to feel like that. The Fabish family too, and I

1510
01:31:38,439 --> 01:31:40,439
Speaker 1: just wanted them both to have a great time. You

1511
01:31:40,479 --> 01:31:44,519
Speaker 1: know what I'm saying. So um yeah, But in my mind,

1512
01:31:44,520 --> 01:31:46,320
Speaker 1: if I was fat, I'm like, Swiss is gonna be

1513
01:31:46,360 --> 01:31:49,559
Speaker 1: his DJ like I wouldn't want to get you my Listen,

1514
01:31:49,840 --> 01:31:53,080
Speaker 1: I'm fab I know that. I know that. I know that,

1515
01:31:53,200 --> 01:31:56,559
Speaker 1: but you know ye is different that. What's that ship

1516
01:31:56,640 --> 01:31:59,840
Speaker 1: y'all do? That is just different? Yeah? That ship just different?

1517
01:32:00,520 --> 01:32:14,080
Speaker 1: So I went too far. I'll keep it a real time.

1518
01:32:14,160 --> 01:32:18,920
Speaker 1: You listen. Let me just what you did that I

1519
01:32:19,360 --> 01:32:20,920
Speaker 1: didn't get me a little like a little. You said

1520
01:32:20,920 --> 01:32:23,040
Speaker 1: you're gonna smoke and you said you're gonna did say

1521
01:32:23,080 --> 01:32:25,120
Speaker 1: but I didn't want them to. You didn't want and

1522
01:32:25,240 --> 01:32:28,920
Speaker 1: you didn't really do one all the two you did.

1523
01:32:28,960 --> 01:32:34,720
Speaker 1: I love the pressure. O listen. Listen. By the way,

1524
01:32:35,400 --> 01:32:37,599
Speaker 1: I'm into this ship. This is this ship right here

1525
01:32:37,680 --> 01:32:45,840
Speaker 1: today that we're doing. This is fantastic here because I'm

1526
01:32:45,880 --> 01:32:47,639
Speaker 1: gonna be honest. I'm gonna be honest. This is real,

1527
01:32:47,760 --> 01:32:50,000
Speaker 1: real world talk. If it wasn't for people like you,

1528
01:32:50,160 --> 01:32:54,200
Speaker 1: you guys were producers, producers and a lot of people

1529
01:32:54,240 --> 01:32:56,280
Speaker 1: don't understand what I say. What I mean that when

1530
01:32:56,320 --> 01:32:59,880
Speaker 1: I when I say that, the thing is I had rhymes.

1531
01:33:00,120 --> 01:33:03,960
Speaker 1: I've never knew how to make a record. I had

1532
01:33:04,240 --> 01:33:08,280
Speaker 1: rhymes go long. But y'all was the people who came

1533
01:33:08,400 --> 01:33:13,160
Speaker 1: to a person like me and say next stop giving

1534
01:33:13,240 --> 01:33:21,280
Speaker 1: me eight bars and twelves and eight good yeah, yeah,

1535
01:33:21,680 --> 01:33:24,760
Speaker 1: and and and I just want to big you brothers up,

1536
01:33:24,840 --> 01:33:29,880
Speaker 1: because um, you really changed hip hop between y'all two.

1537
01:33:29,960 --> 01:33:35,439
Speaker 1: If we didn't have y'all too in hip hop, I

1538
01:33:35,479 --> 01:33:37,680
Speaker 1: don't know who it would be. And beyond hip hop

1539
01:33:38,920 --> 01:33:41,920
Speaker 1: and beyond hip hop, I want to cry me a

1540
01:33:42,000 --> 01:33:46,679
Speaker 1: river as well. I don't even know what that ship means,

1541
01:33:47,040 --> 01:33:49,639
Speaker 1: but I've still been crying myself a river, like it's

1542
01:33:49,680 --> 01:33:57,560
Speaker 1: over yourself, a river to night many yourself. That that was.

1543
01:33:59,120 --> 01:34:02,080
Speaker 1: That was a different type record. Yeah, record came from

1544
01:34:02,120 --> 01:34:05,880
Speaker 1: a lot of passion at that moment. Because all right,

1545
01:34:05,960 --> 01:34:10,519
Speaker 1: let's just be clear. You worked with Aaliyah, worked with Macgoogle,

1546
01:34:13,000 --> 01:34:16,840
Speaker 1: then this guy named Justin calls and and let's just

1547
01:34:16,920 --> 01:34:18,639
Speaker 1: be clear because this is what for where else said

1548
01:34:20,160 --> 01:34:22,360
Speaker 1: on this show. We have this a documentary, right, we

1549
01:34:22,439 --> 01:34:30,920
Speaker 1: have the footage or Else said that um Jive had

1550
01:34:32,080 --> 01:34:37,000
Speaker 1: clips in a position where he didn't. He wasn't comfortable

1551
01:34:37,080 --> 01:34:39,400
Speaker 1: with that. He wasn't doing that, so he did not

1552
01:34:39,520 --> 01:34:42,439
Speaker 1: work with the Justin album. And then all of a sudden,

1553
01:34:43,960 --> 01:34:46,280
Speaker 1: Timberland comes with the Justin album. And when I see

1554
01:34:46,479 --> 01:34:49,400
Speaker 1: the King Justin the other day, I promise you, I

1555
01:34:49,439 --> 01:34:50,880
Speaker 1: don't know if I'm supposed to say this. He told

1556
01:34:50,920 --> 01:34:55,160
Speaker 1: me to say this. He kind of told me, well,

1557
01:34:55,200 --> 01:34:58,320
Speaker 1: he did not tell me that to say, blown up

1558
01:34:58,360 --> 01:35:01,000
Speaker 1: the gig in the session. And how I'm telling you,

1559
01:35:01,120 --> 01:35:03,800
Speaker 1: He said, I told this to you in passing, and

1560
01:35:03,880 --> 01:35:05,960
Speaker 1: I said, what do you like? You can't tell me

1561
01:35:06,080 --> 01:35:09,840
Speaker 1: something that's publicly in passing. So so what he said

1562
01:35:10,040 --> 01:35:15,840
Speaker 1: was basically, I'm sorry, I'm going right too far. You

1563
01:35:15,920 --> 01:35:18,519
Speaker 1: give me all the stuff to Justin bones, he said

1564
01:35:18,560 --> 01:35:22,240
Speaker 1: to me. He leaned over. He said, yeah, yeah, I

1565
01:35:22,320 --> 01:35:23,880
Speaker 1: just sucking me up in life. I'm just throwing it

1566
01:35:23,960 --> 01:35:27,599
Speaker 1: out there. But I love it so much. But so um,

1567
01:35:27,920 --> 01:35:30,439
Speaker 1: he leans on. He said. He everything that for where

1568
01:35:30,439 --> 01:35:34,519
Speaker 1: Else said about that situation wasn't exactly the truth, meaning

1569
01:35:35,080 --> 01:35:38,120
Speaker 1: I'm taking that and now I'm paraphrasing, I'm he's saying that.

1570
01:35:38,600 --> 01:35:41,280
Speaker 1: He wanted to work with you anyway. That's what I

1571
01:35:41,520 --> 01:35:44,560
Speaker 1: take it as. But the way for us described it

1572
01:35:44,760 --> 01:35:47,839
Speaker 1: was he would not work with him at all because

1573
01:35:47,960 --> 01:35:51,160
Speaker 1: of the clips situation. I don't know what your posessage

1574
01:35:51,400 --> 01:35:53,080
Speaker 1: is on this one. I don't. I don't. I don't

1575
01:35:53,120 --> 01:35:57,080
Speaker 1: really know. I just know that if fifteen we met,

1576
01:35:58,160 --> 01:36:00,320
Speaker 1: I don't know that. I was the Janal Jason concert.

1577
01:36:00,360 --> 01:36:02,479
Speaker 1: I don't know it was. So Johnny brought me to him.

1578
01:36:02,520 --> 01:36:03,880
Speaker 1: He was like, yell, man, I like your work. You

1579
01:36:04,000 --> 01:36:06,240
Speaker 1: tell about you're going too fast? Who's Johnny? Johnny right?

1580
01:36:06,400 --> 01:36:08,400
Speaker 1: His manager? Okay, lest manage at the time at the

1581
01:36:08,479 --> 01:36:09,920
Speaker 1: time brought him to me. I think it was a

1582
01:36:10,120 --> 01:36:12,960
Speaker 1: Conway And I met him dead and he's, man, we

1583
01:36:13,000 --> 01:36:15,000
Speaker 1: gotta work, we gotta work. And I'm like, okay, you're

1584
01:36:15,000 --> 01:36:19,360
Speaker 1: talking about just in timber Lakes, Like, yeah, you mean

1585
01:36:19,479 --> 01:36:23,400
Speaker 1: he's fifteen fifteen, he's fifteen fifteen years old, he's leaving

1586
01:36:23,400 --> 01:36:25,880
Speaker 1: the Mickey Mouse Club. Yeah, like he wanted doing that

1587
01:36:26,000 --> 01:36:28,200
Speaker 1: first album. Yeah, he was in the Mickey Mouse Club.

1588
01:36:30,160 --> 01:36:35,600
Speaker 1: Mouse at that time, he wasn't And he was like,

1589
01:36:35,760 --> 01:36:38,120
Speaker 1: you know, he wanted to finish it off, finish some

1590
01:36:38,200 --> 01:36:44,080
Speaker 1: songs with me and um that point on you. For

1591
01:36:44,160 --> 01:36:46,240
Speaker 1: girl was at ours at this time. Let's just because

1592
01:36:47,160 --> 01:36:51,800
Speaker 1: I mean a little bit, I'm making it up. I'm

1593
01:36:51,800 --> 01:36:56,280
Speaker 1: gonna tell you something about anywhere like she was know

1594
01:36:56,560 --> 01:36:58,479
Speaker 1: like that one thing about me. For we always kept

1595
01:36:58,479 --> 01:37:01,559
Speaker 1: each other like if if I got lazy, for real,

1596
01:37:01,840 --> 01:37:04,800
Speaker 1: who pushed me? Don't you be lazy? You know, like

1597
01:37:04,880 --> 01:37:06,880
Speaker 1: if I was in the studio, like I still side

1598
01:37:06,920 --> 01:37:08,680
Speaker 1: by side. I remember one time me and miss he

1599
01:37:08,760 --> 01:37:10,599
Speaker 1: was in the studio and he was the next door

1600
01:37:10,720 --> 01:37:16,680
Speaker 1: with police, and I think he might have heard but

1601
01:37:16,880 --> 01:37:18,519
Speaker 1: felt my energy. But I felt like I was a

1602
01:37:18,600 --> 01:37:22,040
Speaker 1: little bit lazy. Commission was getting on my ass. So

1603
01:37:22,120 --> 01:37:24,280
Speaker 1: I walked into mic booth and it's a door in

1604
01:37:24,360 --> 01:37:26,680
Speaker 1: the back where you get hear the next studio. And

1605
01:37:26,760 --> 01:37:29,639
Speaker 1: all I hear was I hate you. Somebody's right down.

1606
01:37:29,720 --> 01:37:35,559
Speaker 1: I might be some vols to the door. I walked

1607
01:37:35,560 --> 01:37:39,559
Speaker 1: to the door. I was like, oh, ship, you gotta

1608
01:37:39,640 --> 01:37:43,400
Speaker 1: hear this ship and she said see see and I said, okay.

1609
01:37:44,000 --> 01:37:45,760
Speaker 1: It just woke me up. That song woked me up

1610
01:37:45,840 --> 01:37:48,640
Speaker 1: like that was out like competition, like hearing what he

1611
01:37:48,840 --> 01:37:52,400
Speaker 1: was doing and what I was trying to up. I

1612
01:37:52,439 --> 01:37:55,120
Speaker 1: hate you so much. I said, oh that thing when

1613
01:37:55,160 --> 01:37:57,479
Speaker 1: that thing but not the milkshape being the boys and

1614
01:37:57,560 --> 01:38:01,240
Speaker 1: he called me me. He caught me with speak attack

1615
01:38:01,320 --> 01:38:05,519
Speaker 1: with that one. Hey, you know what drives away? I

1616
01:38:05,600 --> 01:38:12,960
Speaker 1: said this, I said, damn now that that boy hands

1617
01:38:13,080 --> 01:38:16,640
Speaker 1: was on on on Kano time after he was on

1618
01:38:17,240 --> 01:38:21,560
Speaker 1: Kano fingers danger watch yourself, come on man was on

1619
01:38:21,720 --> 01:38:24,040
Speaker 1: he was they they've been be careful where they want

1620
01:38:24,080 --> 01:38:30,439
Speaker 1: to humble everything. I don't know that guy follow me

1621
01:38:30,479 --> 01:38:32,439
Speaker 1: on Twitter, but I picked for real all over everything.

1622
01:38:32,680 --> 01:38:34,840
Speaker 1: Uh yeah, that's I think that was the only like

1623
01:38:35,040 --> 01:38:37,200
Speaker 1: competitions like stick in the bottle of eight. So I

1624
01:38:37,200 --> 01:38:41,760
Speaker 1: ain't gonna lie this ship lasting the whole time. Cup

1625
01:38:41,840 --> 01:38:45,320
Speaker 1: ain't never go down, Swiss, don't challenge me, Swiss, Come

1626
01:38:45,360 --> 01:38:49,040
Speaker 1: on you, cup, Ain't no girl you like me to

1627
01:38:49,080 --> 01:38:52,000
Speaker 1: pop another one? Pop for me. I'm so far ahead

1628
01:38:52,040 --> 01:38:54,920
Speaker 1: of me with the blank on. No, No, I'm gonna

1629
01:38:54,920 --> 01:38:57,479
Speaker 1: be honest. This is dangerous. It's not what you're trying

1630
01:38:57,520 --> 01:38:59,400
Speaker 1: to tell you. It's not this little sip is that

1631
01:38:59,840 --> 01:39:03,880
Speaker 1: that you're drinking this? He keeps it. It's like an

1632
01:39:03,920 --> 01:39:07,599
Speaker 1: old lady who just blows. He just blows like farn

1633
01:39:07,640 --> 01:39:11,760
Speaker 1: too leaves on this ship like you know, the blow

1634
01:39:11,880 --> 01:39:15,519
Speaker 1: up snacks, that's that thing, right to tell you my

1635
01:39:15,640 --> 01:39:19,719
Speaker 1: team or that that that let me sell a limited occasions,

1636
01:39:19,800 --> 01:39:27,800
Speaker 1: let me know so you holy morning. But I want

1637
01:39:27,840 --> 01:39:30,840
Speaker 1: I want to definitely give a shout out to Puff

1638
01:39:30,920 --> 01:39:35,240
Speaker 1: and surrock Um for believing in versus earliest. Yeah, I'm saying,

1639
01:39:35,320 --> 01:39:40,800
Speaker 1: and being our first major major sponsor U it helps

1640
01:39:40,840 --> 01:39:42,519
Speaker 1: us with a lot of different things. And I don't

1641
01:39:42,520 --> 01:39:44,720
Speaker 1: want to go past that, you know what I'm saying,

1642
01:39:44,720 --> 01:39:47,720
Speaker 1: because we we we we sometimes forget the peoples. That's

1643
01:39:47,800 --> 01:39:53,599
Speaker 1: that's close. Like Puff is very close. I give him

1644
01:39:53,640 --> 01:39:56,800
Speaker 1: his flowers and give him his last puff because he's

1645
01:39:56,840 --> 01:39:59,200
Speaker 1: been a part of the verses too. Like that, I'm mad,

1646
01:39:59,280 --> 01:40:01,200
Speaker 1: but he needs to be part of the verse, a

1647
01:40:01,280 --> 01:40:05,280
Speaker 1: part of the person on that stage. You know what

1648
01:40:05,320 --> 01:40:12,920
Speaker 1: I'm saying. It got real that one let's just stop,

1649
01:40:13,000 --> 01:40:17,320
Speaker 1: let's just let's stop keeping party. The people want it. Yeah,

1650
01:40:17,400 --> 01:40:22,720
Speaker 1: it's a party, the people want it. He wanted Dr Dan.

1651
01:40:22,920 --> 01:40:24,640
Speaker 1: You know what, I could see that. I can see that.

1652
01:40:24,920 --> 01:40:27,280
Speaker 1: I can see that it wouldn't be the way you

1653
01:40:27,360 --> 01:40:30,320
Speaker 1: were thinking of it for Dre, but I could see

1654
01:40:30,360 --> 01:40:32,280
Speaker 1: that matchup. It was the way he was thinking for

1655
01:40:32,360 --> 01:40:34,640
Speaker 1: the dry production wise, I think he was thinking more

1656
01:40:34,640 --> 01:40:37,920
Speaker 1: of as a producer versus Puff is not necessarily like

1657
01:40:38,000 --> 01:40:41,000
Speaker 1: a like a beatmaker producer like Puff and Drake a

1658
01:40:41,160 --> 01:40:46,160
Speaker 1: thousand Wow, you make more. But you know what I'm saying,

1659
01:40:46,240 --> 01:40:50,240
Speaker 1: I just think that, like that party, party, party, Party,

1660
01:40:50,840 --> 01:40:54,080
Speaker 1: it's Puff and j D. But then it by itself. Though,

1661
01:40:54,920 --> 01:40:58,679
Speaker 1: who are you going about, Quincy Jones? I was thinking

1662
01:40:58,720 --> 01:41:01,120
Speaker 1: the same thing right now, but I got a live

1663
01:41:01,760 --> 01:41:03,360
Speaker 1: as a hip hop er. I'm not even listening to

1664
01:41:03,439 --> 01:41:06,479
Speaker 1: Quincy ship at this point. I don't even know you listen.

1665
01:41:08,640 --> 01:41:11,439
Speaker 1: That's how the hip hop and me automatically wants to

1666
01:41:11,479 --> 01:41:13,559
Speaker 1: bro for Jane. Let me tell you something, but why

1667
01:41:13,920 --> 01:41:15,519
Speaker 1: why do you think about we take Drake? But what

1668
01:41:15,640 --> 01:41:18,680
Speaker 1: about DJ quit? Don't you got about but we were

1669
01:41:18,720 --> 01:41:22,960
Speaker 1: talking about quick and because we were talking about quick

1670
01:41:23,040 --> 01:41:27,479
Speaker 1: and one G that's fine, that's fine. It's gonna go

1671
01:41:27,520 --> 01:41:30,760
Speaker 1: east coast, west coast all right, quick and want until

1672
01:41:30,800 --> 01:41:33,840
Speaker 1: because they're curations. Ain't not based on coasting things like

1673
01:41:35,439 --> 01:41:38,720
Speaker 1: you don't like Yeah, Drake, Drake, dra and Dre as

1674
01:41:38,720 --> 01:41:41,439
Speaker 1: a monster. We have to go digging the crazy for Drake.

1675
01:41:42,080 --> 01:41:47,680
Speaker 1: You should do Dre Verse Drake do that. He's just

1676
01:41:48,439 --> 01:41:52,000
Speaker 1: such a long span of material. Dre Verse w A

1677
01:41:53,120 --> 01:41:57,360
Speaker 1: saying I got one question for y'all and it's been

1678
01:41:57,400 --> 01:42:00,200
Speaker 1: on like shade room and everything about with me. How

1679
01:42:00,240 --> 01:42:03,160
Speaker 1: do you feel about Chris Brown? I guess terms what

1680
01:42:03,960 --> 01:42:09,600
Speaker 1: he destroyed us? He destroyed us or he will do Yeah,

1681
01:42:09,640 --> 01:42:14,240
Speaker 1: come on, you know this cameras here, brother, and I

1682
01:42:14,280 --> 01:42:16,840
Speaker 1: would say, I'm not saying what stroid and like you

1683
01:42:16,960 --> 01:42:19,720
Speaker 1: said this droid you used the word destroy. Don't say

1684
01:42:19,760 --> 01:42:22,920
Speaker 1: you don't. You don't mean this droid. You still word

1685
01:42:23,479 --> 01:42:28,400
Speaker 1: Chris Brown can destroy. Yeah, I'm sorry, I'm sorry. Let's

1686
01:42:28,400 --> 01:42:31,720
Speaker 1: just joke like that. Just get your money stopped trying

1687
01:42:31,720 --> 01:42:33,320
Speaker 1: to get in all of them to get That's what

1688
01:42:33,400 --> 01:42:35,360
Speaker 1: I'm saying. The word are you trying to bait? You

1689
01:42:35,360 --> 01:42:37,599
Speaker 1: should have said that to me, text me. I'm on side.

1690
01:42:37,720 --> 01:42:40,200
Speaker 1: I'm doing that and I want to. I would this

1691
01:42:40,520 --> 01:42:42,360
Speaker 1: this one that wanted that, but it would be a

1692
01:42:42,439 --> 01:42:49,800
Speaker 1: great matchup. I gotta come out strong. I'm gonna go that.

1693
01:42:49,840 --> 01:42:51,200
Speaker 1: I'm gonna do that for being when you say it

1694
01:42:51,200 --> 01:42:53,880
Speaker 1: for real, I went straight up to so I'm always

1695
01:42:53,920 --> 01:42:57,080
Speaker 1: do that. I respect it. You gotta respect it. You

1696
01:42:57,080 --> 01:42:59,160
Speaker 1: don't say because somebody gonna say the same thing about him.

1697
01:42:59,680 --> 01:43:01,240
Speaker 1: You don't say. So, I'm gonna standing up for mine.

1698
01:43:01,280 --> 01:43:03,920
Speaker 1: But in the reality, but you got the record, you

1699
01:43:03,960 --> 01:43:06,880
Speaker 1: don't know what I said. Ship he got Chris Brown, bro,

1700
01:43:07,560 --> 01:43:10,240
Speaker 1: Chris Brown Christmas. That's why you're sitting that. He's like,

1701
01:43:10,280 --> 01:43:18,160
Speaker 1: wait a minute, Chris Brown christmasten know dju. We talked

1702
01:43:18,200 --> 01:43:23,680
Speaker 1: to him and talked to talk to him. Talk to her.

1703
01:43:23,960 --> 01:43:25,519
Speaker 1: By the way, I fun with Chris Brown. This is

1704
01:43:25,560 --> 01:43:30,240
Speaker 1: my man. Dance on that very let me him look

1705
01:43:30,240 --> 01:43:32,360
Speaker 1: at you a little to him like look, listen, but

1706
01:43:32,920 --> 01:43:39,680
Speaker 1: listen destroyed. I sure, look, man, I came in do

1707
01:43:40,439 --> 01:43:43,320
Speaker 1: get off of that word get off. I just came

1708
01:43:43,400 --> 01:43:46,519
Speaker 1: in hot. Im coming in hot. I came in hot, right,

1709
01:43:47,400 --> 01:43:49,720
Speaker 1: But that's not my intentions. My attention wil not to

1710
01:43:49,760 --> 01:43:52,000
Speaker 1: come in like that. My petition was I stood up

1711
01:43:52,000 --> 01:43:55,280
Speaker 1: for b A. But in reality, if you ask me

1712
01:43:55,400 --> 01:43:58,360
Speaker 1: on the normal, no, he cannot see Chris Bro. I

1713
01:43:58,520 --> 01:44:04,800
Speaker 1: leave it at that. M M. Don't take a shot

1714
01:44:05,400 --> 01:44:06,880
Speaker 1: because you know you want to see you want to

1715
01:44:06,920 --> 01:44:09,200
Speaker 1: see it because it's all about how you line h.

1716
01:44:09,320 --> 01:44:10,560
Speaker 1: I feel like you just take a shot for that

1717
01:44:10,880 --> 01:44:14,120
Speaker 1: and took a thousand shot another one because if you

1718
01:44:14,240 --> 01:44:18,400
Speaker 1: look at like you, because you any time, I gotta

1719
01:44:18,439 --> 01:44:28,640
Speaker 1: take a shot. Because I didn't even say nothing. I

1720
01:44:28,680 --> 01:44:32,360
Speaker 1: got to say this shot because you better take it

1721
01:44:32,439 --> 01:44:39,320
Speaker 1: the same. Because Glory trying to bring out the zone.

1722
01:44:41,520 --> 01:44:44,280
Speaker 1: I don't want to read the zone. Zone. I say,

1723
01:44:48,600 --> 01:44:50,439
Speaker 1: this is the morning. Let me tell you something, b

1724
01:44:50,600 --> 01:44:56,040
Speaker 1: I'm not crazy even cease the case. No, that's just

1725
01:44:56,160 --> 01:44:58,000
Speaker 1: not what I'm trying to do. I'm trying to have

1726
01:44:58,080 --> 01:45:01,479
Speaker 1: a great conversation. Great, No you can't. Brother, we celebrate

1727
01:45:03,240 --> 01:45:07,280
Speaker 1: like you know, what's words should I use? Defeated? He

1728
01:45:07,360 --> 01:45:12,760
Speaker 1: will defeat. Yeah, that's that's a defeat. It's not a

1729
01:45:12,800 --> 01:45:14,920
Speaker 1: destroying the like damn. But timperl ain't got no love

1730
01:45:14,960 --> 01:45:19,639
Speaker 1: for me, like destroy destroyers like Yo, you came out

1731
01:45:19,720 --> 01:45:24,599
Speaker 1: blazing and you can't even let one off. Why destroy

1732
01:45:27,479 --> 01:45:30,200
Speaker 1: this came out can't be destroyed. He can't be destroyed.

1733
01:45:30,200 --> 01:45:36,120
Speaker 1: And he's just because I just saw Cris bro I

1734
01:45:36,160 --> 01:45:41,200
Speaker 1: saw the cat, Yo, Timberland. That's all I kept saying

1735
01:45:41,240 --> 01:45:43,400
Speaker 1: with Temper. I don't keep saying confession. But I'm looking

1736
01:45:43,439 --> 01:45:46,280
Speaker 1: at five or six albums after that from that boy,

1737
01:45:46,760 --> 01:45:51,639
Speaker 1: m rockets. You want that don't let me just don't

1738
01:45:51,680 --> 01:45:57,160
Speaker 1: even keep going? All right? You make your girls around

1739
01:45:57,160 --> 01:46:05,519
Speaker 1: the album? No, I'm not you have working I love

1740
01:46:06,000 --> 01:46:09,679
Speaker 1: Virginia Love. We want done like that in New York

1741
01:46:10,080 --> 01:46:12,479
Speaker 1: we usually be like that. But we got fifteen thousand,

1742
01:46:12,880 --> 01:46:15,720
Speaker 1: they got seven, so they got they got a holy

1743
01:46:15,760 --> 01:46:19,760
Speaker 1: each other down. I'm not told each other. I don't

1744
01:46:21,800 --> 01:46:29,920
Speaker 1: tell for real. Mascills holds your guy and then one

1745
01:46:30,160 --> 01:46:37,080
Speaker 1: one one man. What you know with the church and everything?

1746
01:46:37,120 --> 01:46:39,120
Speaker 1: That's my name? What's something nor malice? I don't know

1747
01:46:41,640 --> 01:46:45,960
Speaker 1: timewating busy jakes. Right now you're watching what bus from

1748
01:46:46,040 --> 01:46:52,920
Speaker 1: the church? Man, God damnage me at church to coming drinks.

1749
01:46:53,400 --> 01:46:55,479
Speaker 1: Let me take a whole morning like a lily ship.

1750
01:46:55,880 --> 01:46:59,120
Speaker 1: Now Church, are you joining me? Swiss? Come on right now,

1751
01:47:02,560 --> 01:47:05,320
Speaker 1: Jesus Louise mother look at mohole, but then she don't

1752
01:47:05,320 --> 01:47:12,360
Speaker 1: want me, so you see why it's called looking at me?

1753
01:47:12,479 --> 01:47:30,080
Speaker 1: All right there, you got yourself finish, we got You're

1754
01:47:30,080 --> 01:47:32,760
Speaker 1: having fun, man, But what we're gonna deal with later?

1755
01:47:34,960 --> 01:47:39,920
Speaker 1: Ye broke too. Epic moments in drink Champs history one.

1756
01:47:40,080 --> 01:47:41,960
Speaker 1: It's the first time we got drunk at ten am.

1757
01:47:42,160 --> 01:47:48,280
Speaker 1: Let's makes the most absolutely and dude, the reason why

1758
01:47:48,360 --> 01:47:50,800
Speaker 1: we we we usually go any hours, but you said

1759
01:47:50,840 --> 01:47:52,840
Speaker 1: he gave us two hours, right, But the reason why

1760
01:47:52,960 --> 01:47:56,360
Speaker 1: it's because you said you're getting fitting. But what then

1761
01:47:56,479 --> 01:47:58,880
Speaker 1: is up fitting? That's the ship. When they put your stilt,

1762
01:47:59,120 --> 01:48:03,160
Speaker 1: got tried on cold, they made you. Yeah, you're changing.

1763
01:48:03,840 --> 01:48:06,920
Speaker 1: This is this is not for this or something else?

1764
01:48:06,960 --> 01:48:17,880
Speaker 1: Like you. My brother, he's Chris, stay too, my brother

1765
01:48:18,240 --> 01:48:20,479
Speaker 1: a cool man. Listen, man, I could, I could go

1766
01:48:20,640 --> 01:48:25,000
Speaker 1: on forever, but I'm not. I'm did it seven minutes early.

1767
01:48:25,800 --> 01:48:30,040
Speaker 1: If Swiss taken on the show? What no man? I know?

1768
01:48:30,240 --> 01:48:32,040
Speaker 1: I asked my part. I can't have like, yeah, I

1769
01:48:32,040 --> 01:48:35,040
Speaker 1: gotta go. We got we got something, we got you

1770
01:48:35,200 --> 01:48:37,719
Speaker 1: take one. We are ceo, we got we got phone.

1771
01:48:38,520 --> 01:48:44,120
Speaker 1: What are you think six minutes? Give me take another shows?

1772
01:48:45,320 --> 01:48:49,200
Speaker 1: What about is about Swiss? About that life? I'm telling

1773
01:48:49,240 --> 01:48:53,120
Speaker 1: you since he was eighteen, this earth just this. I

1774
01:48:53,160 --> 01:49:06,120
Speaker 1: don't want this awesome deserves deserves something. It's something bottle.

1775
01:49:06,240 --> 01:49:11,320
Speaker 1: I don't want that. I tried to go to the

1776
01:49:11,400 --> 01:49:16,360
Speaker 1: finny put up clon the sagg Just listen, I'll take

1777
01:49:16,360 --> 01:49:18,200
Speaker 1: a nice shots twist. I know you got that life.

1778
01:49:18,240 --> 01:49:22,360
Speaker 1: Stop looking at your team. We all about life. I

1779
01:49:22,400 --> 01:49:24,640
Speaker 1: don't want to do this. I don't want to do this,

1780
01:49:26,240 --> 01:49:28,880
Speaker 1: but the dog. Yeah, we just drinking for we gotta

1781
01:49:28,880 --> 01:49:30,639
Speaker 1: take one for the dog. Okay, I take a self.

1782
01:49:30,760 --> 01:49:37,439
Speaker 1: This guy's I just did it. Let's do what the

1783
01:49:37,880 --> 01:49:40,719
Speaker 1: no no no, no no no you said what you said.

1784
01:49:41,360 --> 01:49:46,479
Speaker 1: I'm gonna do what's you can't set up? I'm waiting

1785
01:49:46,520 --> 01:49:48,680
Speaker 1: for you. I'm pulling up. Put the X up in

1786
01:49:48,720 --> 01:49:53,200
Speaker 1: the hold on, hold me over together, listen to go

1787
01:49:53,320 --> 01:49:56,160
Speaker 1: like with you like light. That's it, that's it, that's it.

1788
01:49:56,280 --> 01:49:59,840
Speaker 1: Look at that, that's like. Look at that up put

1789
01:50:00,000 --> 01:50:02,840
Speaker 1: of that something baby by the way, but listen, yeah,

1790
01:50:03,200 --> 01:50:06,240
Speaker 1: jerk me man, yeah you see me search? Yeah, come on, man,

1791
01:50:06,280 --> 01:50:11,360
Speaker 1: it's got the time. I bought like four of them

1792
01:50:11,400 --> 01:50:13,599
Speaker 1: ships yo. Side let's please. I don't think nobody got

1793
01:50:13,680 --> 01:50:26,439
Speaker 1: the search yet. That's my dog. Yeah, my dog. Yeah,

1794
01:50:29,280 --> 01:50:34,000
Speaker 1: Chi silo, silo. Huh you gotta connect. Yeah, don't count

1795
01:50:34,040 --> 01:50:39,240
Speaker 1: unless you connectom that's my dog. Yeah, drank with the

1796
01:50:39,280 --> 01:50:42,240
Speaker 1: empty glass. Man, let's go hold up. You got hold

1797
01:50:42,280 --> 01:50:46,000
Speaker 1: up that you got hold exactly exactly. You're taking that

1798
01:50:46,080 --> 01:50:47,600
Speaker 1: this shot to that you want some of that? And

1799
01:50:47,720 --> 01:50:54,720
Speaker 1: what's that? This is mymaan baby. Enough. Okay, okay, that's

1800
01:50:55,280 --> 01:51:00,200
Speaker 1: you want to pull my want my last shot. I'm

1801
01:51:00,200 --> 01:51:03,080
Speaker 1: gona go to drink. I don't want you to point

1802
01:51:03,280 --> 01:51:06,519
Speaker 1: because because let me just tell you something, my last

1803
01:51:06,560 --> 01:51:08,280
Speaker 1: couple of words hanging out with the act. You know

1804
01:51:08,360 --> 01:51:12,479
Speaker 1: what he told me, you drink sissy ship. He said,

1805
01:51:14,080 --> 01:51:41,360
Speaker 1: keep drinking, not listen squiss you my brother. But where

1806
01:51:41,600 --> 01:51:45,360
Speaker 1: did we go wrong? Because you're saying, no, I want

1807
01:51:45,360 --> 01:51:48,880
Speaker 1: to drink this ship like when I drink cham Paine

1808
01:51:48,920 --> 01:51:52,639
Speaker 1: and wine. He didn't like that. He's like he wanted

1809
01:51:52,760 --> 01:51:56,640
Speaker 1: to drink dog. This is not dog Swiss. It's not

1810
01:51:56,760 --> 01:52:00,519
Speaker 1: gonna take half. You know what, you taking the tip

1811
01:52:00,560 --> 01:52:04,479
Speaker 1: of the shot. The two brothers came out today at

1812
01:52:04,520 --> 01:52:09,080
Speaker 1: ten at ten am, and I was here Tim trying

1813
01:52:09,080 --> 01:52:12,160
Speaker 1: to check me. I was here at Nahift three. No,

1814
01:52:12,640 --> 01:52:17,160
Speaker 1: I showed up in notty three three. We're time to

1815
01:52:17,240 --> 01:52:20,560
Speaker 1: that show up. He was a little loose today, you

1816
01:52:20,680 --> 01:52:24,599
Speaker 1: can't he was just five. I can't wait today. Yeah,

1817
01:52:25,360 --> 01:52:26,920
Speaker 1: it was on the point. He was the point. I

1818
01:52:27,040 --> 01:52:30,080
Speaker 1: was petty ship. I was being a way to Christ.

1819
01:52:31,320 --> 01:52:35,240
Speaker 1: That was today. Yeah, but you know early we all

1820
01:52:35,400 --> 01:52:38,080
Speaker 1: right now we do this ship at nighttime yeah, you

1821
01:52:38,200 --> 01:52:44,080
Speaker 1: just I don't know. How did you like it? Good day?

1822
01:52:44,320 --> 01:52:47,000
Speaker 1: Hell yeah, I feel good. Yeah, President, So we're gonna

1823
01:52:47,040 --> 01:52:51,240
Speaker 1: say the earliest guests ever and drink Champs history. I

1824
01:52:51,280 --> 01:52:54,920
Speaker 1: think drink Champs ship being a m I mean I

1825
01:52:55,040 --> 01:52:58,120
Speaker 1: think so. But you're called the breakfast. Come on, I

1826
01:52:58,160 --> 01:53:02,479
Speaker 1: got a little baby. The rest of you, I'm onto

1827
01:53:02,520 --> 01:53:05,519
Speaker 1: my kids and twelve so that way you can go

1828
01:53:05,600 --> 01:53:13,960
Speaker 1: get a burge. This is no controlling shot he gave me.

1829
01:53:14,240 --> 01:53:17,280
Speaker 1: This is terrible. Take it off. Wait a minute, bro,

1830
01:53:18,200 --> 01:53:20,639
Speaker 1: I want you on that. Wait a minute, Wait a minute.

1831
01:53:20,960 --> 01:53:26,439
Speaker 1: Yeah we got we got spa this out. That's a

1832
01:53:26,520 --> 01:53:34,880
Speaker 1: good shot. Yeah, yes, yes, it's a rap prediction. The

1833
01:53:34,920 --> 01:53:44,360
Speaker 1: rest of that, I saw you. That's it. We need

1834
01:53:44,479 --> 01:53:47,320
Speaker 1: you to go to Versus tough. We need you to

1835
01:53:47,400 --> 01:53:49,280
Speaker 1: go to Versus with the coach and go. Yeah I

1836
01:53:49,320 --> 01:53:53,080
Speaker 1: want I'm going to Versus tonight and you're performing right? No, yeah,

1837
01:53:53,120 --> 01:53:56,600
Speaker 1: you are? You You have him if he if he

1838
01:53:56,840 --> 01:54:00,040
Speaker 1: jumps on, you will have him performed. Yeah, but I

1839
01:54:00,040 --> 01:54:03,280
Speaker 1: wanted to jump in the crowd too, like stage time.

1840
01:54:03,360 --> 01:54:10,760
Speaker 1: You know, I'm not. Come on, that's making me ask

1841
01:54:10,800 --> 01:54:26,519
Speaker 1: for a lot of This is absolutely happen. So the

1842
01:54:26,880 --> 01:54:29,280
Speaker 1: TV is happening tonight. In let me let me end

1843
01:54:29,320 --> 01:54:33,840
Speaker 1: this interview in the most beautiful way ever. I really

1844
01:54:33,920 --> 01:54:37,680
Speaker 1: love you two brothers. We know what you did individually.

1845
01:54:38,680 --> 01:54:41,120
Speaker 1: I love you continue to do individually, and I love

1846
01:54:41,160 --> 01:54:46,280
Speaker 1: what you do together. What you did together was you're

1847
01:54:46,280 --> 01:54:49,800
Speaker 1: not only curated the culture, you curated our lives. Like

1848
01:54:50,440 --> 01:54:54,320
Speaker 1: that's real. Like like when I got dipped to go

1849
01:54:54,480 --> 01:54:59,400
Speaker 1: to another room as we're quarantining, we're watching the verses

1850
01:55:01,040 --> 01:55:03,320
Speaker 1: that ship meant the world to me. Like I could

1851
01:55:03,360 --> 01:55:05,520
Speaker 1: call both of y'all, but I was just like, you know,

1852
01:55:05,640 --> 01:55:09,240
Speaker 1: what I wanted to support. I wanted to support the culture.

1853
01:55:10,120 --> 01:55:13,800
Speaker 1: And what y'all did, this can never be duplicated. This

1854
01:55:13,920 --> 01:55:18,360
Speaker 1: can never be uh, you know, tell him, tell him, um,

1855
01:55:19,040 --> 01:55:24,120
Speaker 1: this can never be duplicated, could never be nothing. What

1856
01:55:24,280 --> 01:55:27,200
Speaker 1: y'all did it means so much to the coaching to

1857
01:55:27,280 --> 01:55:30,720
Speaker 1: the world. Man, watch you want to focus on the culture.

1858
01:55:30,720 --> 01:55:32,120
Speaker 1: The reason why I want to focus on the culture

1859
01:55:32,320 --> 01:55:36,360
Speaker 1: because we're the people that's forgot about. You know, everyone

1860
01:55:36,480 --> 01:55:38,640
Speaker 1: goes and just forgets. They just say, I could we

1861
01:55:38,680 --> 01:55:41,840
Speaker 1: did this. We I did it on my own. And

1862
01:55:41,960 --> 01:55:46,640
Speaker 1: what you guys did, man, was so beautiful. It's uplifted

1863
01:55:46,760 --> 01:55:49,040
Speaker 1: us at the time that we needed to uplift it,

1864
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Speaker 1: and we'll continue to do that. And I want to say,

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Speaker 1: you guys deserve every dollar did you make or going

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Speaker 1: to make from this. Guys deserved every acknowledgement. And I'm

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Speaker 1: proud to call you brothers, my friends, my family, and

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Speaker 1: my brothers. Than we know what you did it for.

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Speaker 1: That passion is serious and did take a picture? They do?

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Speaker 1: They drops. For more podcasts for my heart Radio, visit

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Speaker 1: the iHeart Radio app, Apple podcast, or wherever you listen

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Speaker 1: to your favorite shows.