WEBVTT - Mini Crush #135

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<v Speaker 1>Welcome to Movie Crush, a production of I Heart Radio.

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<v Speaker 1>Hey everybody, and welcome to Mini Crush. Sitting here in

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<v Speaker 1>the basement looking at a video screen with Knowles mug,

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<v Speaker 1>my mug, drinking iced coffee out of a Mason jar.

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<v Speaker 1>I got a mug for a face and a jar

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<v Speaker 1>for a mug. Did your generation say like a mug

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<v Speaker 1>at all? Or was that or that's as something as

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<v Speaker 1>a mug, like you know, it's it was sort of

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<v Speaker 1>a stand in for like m fer you know, right, Yeah,

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<v Speaker 1>I just I had a feeling it was strictly gen X.

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<v Speaker 1>Oh that was we we got that from y'all. I guess, okay,

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<v Speaker 1>all right, yeah I was. It's certainly not a thing now,

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<v Speaker 1>but I remember it being I think I was in

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<v Speaker 1>the crossover period where that was still around and then

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<v Speaker 1>it kind of like went the way of you know,

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<v Speaker 1>it went away, like that's just dandy. You know, I'm

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<v Speaker 1>gonna bring it back like a mug. I think you

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<v Speaker 1>should like a mug. So Noel, yo, uh, we're gonna

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<v Speaker 1>get going here. I've been in a bad headspace, like

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<v Speaker 1>from the internet. Yeah, such that. I actually started last

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<v Speaker 1>Friday with a complete um news blackout. And social media

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<v Speaker 1>blackout songs. What I've had to do for work. And

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<v Speaker 1>I tell you what, man, I haven't missed anything. Yeah,

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<v Speaker 1>because I checked back in with stuff and things are

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<v Speaker 1>still awful. Well that, yeah, it's not. If you want awful,

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<v Speaker 1>that's what you've got for you, like a mug Like

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<v Speaker 1>I'm awful as a mug chuck, you know what. I

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<v Speaker 1>could see that and like it's sort of a cleanse

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<v Speaker 1>right like kind of like, uh, yeah, I'm with that, dude.

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<v Speaker 1>I think I should do the same. Thing it's been

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<v Speaker 1>does is rile me up. I don't actually get any

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<v Speaker 1>good information. It's not like I don't know. It just

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<v Speaker 1>makes me feel more powerless and afraid the same, so

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<v Speaker 1>I can recommend it. It's been great. I can tell

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<v Speaker 1>you that it changes nothing about the world to black

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<v Speaker 1>out for a little while. I do think people should

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<v Speaker 1>be informed, but you can also take a little rest.

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<v Speaker 1>And uh, you know, I found out, you know, I

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<v Speaker 1>found out Chadwick Boseman died days later. That that was

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<v Speaker 1>a sad thing to learn. And that's why the post

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<v Speaker 1>about it. People are wondering why I ignored that. Um,

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<v Speaker 1>it's just because I haven't been online. But that was

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<v Speaker 1>shocking and out of the blue and really really a big,

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<v Speaker 1>big bummer, what a blow man. The fact that they

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<v Speaker 1>kept it so quiet that he was saying, and that

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<v Speaker 1>he obviously worked a lot while suffering and then and

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<v Speaker 1>it's just brutal. Did you see that video? It was

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<v Speaker 1>like a thing he did on Kimmel No Fallon where

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<v Speaker 1>like people were thanking him on a video screen, like

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<v Speaker 1>for his work on Black Panther, and he's like waiting

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<v Speaker 1>in the wings to come out and surprise them, like

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<v Speaker 1>you know, and they all just you know, freak out.

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<v Speaker 1>But he just seemed like he had a real kindness

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<v Speaker 1>and uh gentleness about him and he knew how important

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<v Speaker 1>that role was to you know, people that look like him.

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<v Speaker 1>And I think it was really powerful, powerful thing, powerful

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<v Speaker 1>loss toes stuff. And I feel like he was just

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<v Speaker 1>getting started, really uh big time superstar in the making.

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<v Speaker 1>So very sad about that. But um, I can recommend

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<v Speaker 1>staying away from the news for a little while, even

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<v Speaker 1>if it's just a day or two, it really does

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<v Speaker 1>a lot of good. I've been reading my Beatles book.

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<v Speaker 1>I got a big, huge, the Bob Spitz Beatles Book,

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<v Speaker 1>which is like a thousand pages or something and it

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<v Speaker 1>is super dense. I'm on page three fifty and they

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<v Speaker 1>just met Ringo. So what's it like reading a book, Chuck?

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<v Speaker 1>What's it like? Oh? Man, it's great. I'd love to read.

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<v Speaker 1>I bet. I mean, that's that's great. I think I've

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<v Speaker 1>talked to a lot of friends about this, and it

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<v Speaker 1>seems to be a pretty common malady these days. But

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<v Speaker 1>I just don't have the attentions, man I used to.

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<v Speaker 1>I get distracted so easily because of our whole a

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<v Speaker 1>D D culture, and so much of what I do

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<v Speaker 1>for the shows is like reading things and little snippets

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<v Speaker 1>and little short form pieces, and I have a hard

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<v Speaker 1>time pulling focus for like a book length. You know,

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<v Speaker 1>it sucks. I gotta I gotta figure out a way

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<v Speaker 1>around that. Man, Well, you gotta make yourself. Here's what

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<v Speaker 1>you do, is you you get away from any screen, like,

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<v Speaker 1>don't you have your phone near you because you're gonna

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<v Speaker 1>be tempted to get that dopamine hit. Uh. So I

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<v Speaker 1>go into my sun room, which is lovely, and it's

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<v Speaker 1>at night and almost kind of mad because I've bailed

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<v Speaker 1>on watching Dark with her for now because this is

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<v Speaker 1>just what I need. So I go in there, I

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<v Speaker 1>make a drink. I've got the the view lighting set

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<v Speaker 1>up in a nice dim manner, plus my little reading light,

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<v Speaker 1>and I sit there for fucking three hours and read

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<v Speaker 1>and it's just as calming as you can imagine. That's great.

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<v Speaker 1>Sounds lovely. Highly recommend reading. Everybody start to believe that

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<v Speaker 1>you have to actually recommend reading these days when it

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<v Speaker 1>used to just be a thing people did. But yeah,

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<v Speaker 1>remember book it that was. That wasn't your generation. It

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<v Speaker 1>was a it was a thing when I was in

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<v Speaker 1>schoolier You got your in points for reading certain books,

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<v Speaker 1>and at the end of the year you get a

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<v Speaker 1>pizza party or something like that, and you went to

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<v Speaker 1>It was you know, old school pizza high with the

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<v Speaker 1>salad bar and the weird stained glass kind of like things.

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<v Speaker 1>You know, everything's red is Yeah, I remember that very fondly. Well,

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<v Speaker 1>you know what, when I finished this book, I'm gonna

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<v Speaker 1>get a pizza, have it delivered to my house, and

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<v Speaker 1>I'm gonna eat it. So I think the what I gosh,

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<v Speaker 1>the fiftieth anniversary of the White Album was the other day.

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<v Speaker 1>Oh really, yeah, that's I think that that's my favorite

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<v Speaker 1>Beatles record. I know, that's pretty thought thought of pretty

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<v Speaker 1>uniformly as their masterpiece. I really like Magical Mystery Tour two,

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<v Speaker 1>but that those are my two favorites, you know what

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<v Speaker 1>I am A I mean, I love it all. I've

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<v Speaker 1>always been a huge Beatles fan, but I'm a sort

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<v Speaker 1>of a rubber soul revolver guy, because that, to me

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<v Speaker 1>was the that very kind of dead center point between

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<v Speaker 1>mop Top Please Please Me, She Loves You and Weirdness

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<v Speaker 1>that was to come interesting crossover. It sort of has

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<v Speaker 1>vibes of both, you know, It's like, yeah, I like that,

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<v Speaker 1>that's cool. I love it and it's crazy to think

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<v Speaker 1>about it. And I've said this a bunch, but the

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<v Speaker 1>Beatles went from She Loves You Too Abbey Road and

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<v Speaker 1>Let it Be in like eight years. It's bonkers. It's

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<v Speaker 1>what a meteoric career. God man, I can't imagine kind

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<v Speaker 1>of growth and u transformation. I found out about the

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<v Speaker 1>White Album things. There's an article I for a forget

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<v Speaker 1>Slate or something, but remember when they went to hang

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<v Speaker 1>out with that Yogi guy, the Maharish Yogi or whatever whatever,

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<v Speaker 1>the Ricci exactly, and they and and Donovan hung out

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<v Speaker 1>with them without Donovan do I like Donovan too. But

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<v Speaker 1>when they came back from that, they and like leading

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<v Speaker 1>up to the White album, apparently he told them they

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<v Speaker 1>had like painted they're really amazing acoustic guitars with like

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<v Speaker 1>psychedelic stuff, you know, and like made them all um

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<v Speaker 1>trippy looking, and he told them to sand it off.

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<v Speaker 1>Does it make the wood sing more? It would sound

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<v Speaker 1>better because it like dampens it if you have pain

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<v Speaker 1>on it. And so they sanded it off. And the

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<v Speaker 1>way the article kind of teet it up was that

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<v Speaker 1>it was also like very um symbolic of them, like

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<v Speaker 1>shedding that like psychedelic twee kind of image and then

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<v Speaker 1>moving into the super mature album. Not to say there

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<v Speaker 1>are other stuffs not mature, but the White album something

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<v Speaker 1>about it is very each of them in their own

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<v Speaker 1>at their best, you know what I mean. Like even

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<v Speaker 1>Ringo had a few bangers on that. Hey, Ringo was

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<v Speaker 1>Ringo was Ringo great drummer. I don't love his songs,

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<v Speaker 1>but they had a quality to him. You don't like

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<v Speaker 1>oct to pus his garden chuck. I mean, it's fun,

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<v Speaker 1>Ruby Loves It's a it's a fun kid song. Well,

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<v Speaker 1>what's this obsession with nautical ship? It's this kind of

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<v Speaker 1>a ringo thing. Was it Octopus his Garden and Yellow Submarines?

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<v Speaker 1>And I guess was for his I think, yeah, it's

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<v Speaker 1>a goofy song. Yeah, I think there were drugs involved.

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<v Speaker 1>I'm not sure about that. It's certainly possible. Uh and

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<v Speaker 1>still not the definitive Beatles movie and all since this

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<v Speaker 1>is the movie show it's There's been a lot of

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<v Speaker 1>Beatles movies, but not the Beatles movie. You know, Well,

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<v Speaker 1>I thought there was a really big one, that Peter

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<v Speaker 1>Jackson one or something. No, not Peter jar somebody did

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<v Speaker 1>a big one recently that used all kinds of crazy

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<v Speaker 1>archival footage. Maybe I'm miss well, he he that is

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<v Speaker 1>not out yet. He is thinking, is Peter Jackson this

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<v Speaker 1>Let It Be? Taking the Let it Be sessions and

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<v Speaker 1>all the unseen footage from Let It Be? Because you know,

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<v Speaker 1>if you've ever seen the Let it Be footage, it's

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<v Speaker 1>very much like a bandoned disintegration, just sitting around arguing.

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<v Speaker 1>But he was like, there's a lot of great stuff

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<v Speaker 1>showing the Beatles enjoying each other's company and playing songs

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<v Speaker 1>and collaborating, he said, and everyone needs to see this.

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<v Speaker 1>And he's he's doing it, so I can't wait for that.

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<v Speaker 1>But I mean a biopic, man, Like, there's been some

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<v Speaker 1>really good Beatles movies. Nowhere Boy was great, the movie

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<v Speaker 1>about John Lennon and his youth. Backbeat was good. Who

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<v Speaker 1>played John Lennon in that? Anybody famous? I can't remember

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<v Speaker 1>Nowhere Boy movie? It was? It's Jack Nicholson? No oh oh,

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<v Speaker 1>it's uh yeah, Aaron Taylor Johnson. I know that guy,

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<v Speaker 1>got it? You know him? He's from kick Ass. I

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<v Speaker 1>think when't that his movie? Un does any does anything

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<v Speaker 1>pop off? Like for casting for you for like a

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<v Speaker 1>quintessential Beatles biopic? Like you got a Paul in mind? No?

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<v Speaker 1>I mean I don't either. I don't hate nothing that

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<v Speaker 1>comes to mind. I think you gotta kind of go

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<v Speaker 1>unknowns um. In this movie, Paul was played by Thomas

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<v Speaker 1>Brodie Sangster who you would recognize what was he? And

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<v Speaker 1>he was a maze runner and love actually and some

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<v Speaker 1>other stuff. But Nowhere Boy was really good. Backbeat was good.

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<v Speaker 1>That was a story of Stu Sutcliffe played by um

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<v Speaker 1>what's his face from Nowhere Nowhere? You know Stephen Dorff?

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<v Speaker 1>M Yeah, of course he played student Sofia couple of

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<v Speaker 1>the movie. Yep, good movie again, but not the quintessential

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<v Speaker 1>sort of Beatles biopics. I hope it happens for you, Chuck,

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<v Speaker 1>I really do. I hope it happens for you. No,

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<v Speaker 1>I'm not. I don't care. Well that is uh, that's

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<v Speaker 1>one way to handle it all. All right, let's move

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<v Speaker 1>on then, since you don't care. Oh my god. I

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<v Speaker 1>took this from the Movie Crushers pages from Brandon Weiss.

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<v Speaker 1>I don't know if it's vice or vice, but it

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<v Speaker 1>is a post that I think kind of fit well

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<v Speaker 1>with the topic of uplifting everybody. I saw it was

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<v Speaker 1>universally loved movies. Yep. Great idea. And I'm gonna go

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<v Speaker 1>bottom up because I've been getting a lot of grief

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<v Speaker 1>from the Movie Crushers for reading top down in the

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<v Speaker 1>same people getting spoken of on every episode right on,

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<v Speaker 1>So new old pals coming at you. Jenny Riggs, Hello Jenny,

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<v Speaker 1>she says, Emily pretty pretty universally loved to movie. Yeah,

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<v Speaker 1>it's got a got a heart. That's that's a lovely movie.

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<v Speaker 1>I don't know anyone that's like homily sucked totally. That

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<v Speaker 1>would be someone I would not want to hang with

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<v Speaker 1>what a piece a ship movie that was? Uh what

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<v Speaker 1>was that about? Janice Bridges says Paddington to no one.

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<v Speaker 1>I've seen both Paddington's. Now we haven't talked about this. Fantastic,

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<v Speaker 1>aren't they? Incredible and delightful in every possible way, every

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<v Speaker 1>possible way, Very very good movies, very well done, very

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<v Speaker 1>stylistically interesting. Who'd have thought on paper it seems like

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<v Speaker 1>such a weird ass idea. And then god, I mean,

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<v Speaker 1>just handled with such care and just love. Oh my god,

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<v Speaker 1>I'm enamored by those movies. Both very good. Grant Woody says,

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<v Speaker 1>Away we go. You know, I think, uh, it's an

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<v Speaker 1>underseen movie. I quite enjoyed it. Did you see it?

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<v Speaker 1>I'm looking it up. Oh wait, Krasinski, Yeah, who is that? Okay,

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<v Speaker 1>Now I don't know anything about it. Very good movie

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<v Speaker 1>and again underseen m and I don't know anyone who

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<v Speaker 1>hated it. Bobo Temple says this, and I have not

0:13:03.679 --> 0:13:06.440
<v Speaker 1>seen Swiss Army Man yet, but I have heard nothing

0:13:06.480 --> 0:13:10.800
<v Speaker 1>but good things. It's awesome, it's wacky and just bizarre,

0:13:10.920 --> 0:13:14.000
<v Speaker 1>and the fact that it exists is a revelation. It's

0:13:14.080 --> 0:13:16.400
<v Speaker 1>really cool. It's a cool ass movie. It is a

0:13:16.400 --> 0:13:19.960
<v Speaker 1>cool ass movie. Um, and you know what, I just realized,

0:13:20.000 --> 0:13:21.920
<v Speaker 1>that's so funny. I had two tabs up and I

0:13:21.960 --> 0:13:23.480
<v Speaker 1>was reading from the wrong one, but it's kind of

0:13:23.480 --> 0:13:26.880
<v Speaker 1>a similar one because I was The next bit up

0:13:27.040 --> 0:13:30.959
<v Speaker 1>was movies that just make you feel good. So that's

0:13:31.000 --> 0:13:33.000
<v Speaker 1>kind of funny. So those people that I just read

0:13:33.440 --> 0:13:35.320
<v Speaker 1>those were actually movies that make them feel good. Nold

0:13:35.400 --> 0:13:38.480
<v Speaker 1>not universally loved. I think they kind of qualified though,

0:13:38.720 --> 0:13:40.240
<v Speaker 1>how do I mean, how do you how do you

0:13:40.679 --> 0:13:43.960
<v Speaker 1>qualify universally loved? Like it's just like at anyone you

0:13:44.000 --> 0:13:45.959
<v Speaker 1>mentioned it too wouldn't have a negative thing to say

0:13:46.000 --> 0:13:49.840
<v Speaker 1>about it. I think so Swiss Army Man was pretty divisive. Actually,

0:13:49.840 --> 0:13:51.800
<v Speaker 1>I would say a lot of people like didn't get it,

0:13:51.920 --> 0:13:53.880
<v Speaker 1>you know, yeah, yeah, well that's the only one I

0:13:53.880 --> 0:13:56.400
<v Speaker 1>think that that doesn't work. But now that I found

0:13:56.400 --> 0:14:00.760
<v Speaker 1>the right tab, we will continue with universally of movies. Uh.

0:14:01.000 --> 0:14:04.880
<v Speaker 1>Cary Nelson says, ET, of course, who didn't like ET?

0:14:05.520 --> 0:14:08.000
<v Speaker 1>You might think it's sad, but that's different than not

0:14:08.040 --> 0:14:10.880
<v Speaker 1>liking something. And like we wouldn't have the phrase penis

0:14:10.920 --> 0:14:14.480
<v Speaker 1>breath if it wasn't for ET. Well, that's a good point.

0:14:14.880 --> 0:14:23.120
<v Speaker 1>Also a universally loved thing phrase insults. Uh Meg beast

0:14:23.160 --> 0:14:27.800
<v Speaker 1>Garan says toy Story. Sure, who didn't like Toy Story? Yeah,

0:14:27.840 --> 0:14:32.280
<v Speaker 1>those definitely hit the buttons. Ghostbusters. That comes from Andrew Reamer.

0:14:32.320 --> 0:14:34.440
<v Speaker 1>I would agree with that. Here's one I think I

0:14:34.520 --> 0:14:36.480
<v Speaker 1>might be. Yeah, yeah, this is sort of a joke.

0:14:36.800 --> 0:14:40.240
<v Speaker 1>Naked Nathan Nicholas says Star Wars the Last Jedi, But

0:14:40.320 --> 0:14:42.080
<v Speaker 1>I think that's just a bit of a tongue in cheek.

0:14:42.320 --> 0:14:46.280
<v Speaker 1>It was because that was particularly divisive of all of them,

0:14:46.360 --> 0:14:51.520
<v Speaker 1>like the most probably well yeah, well, I mean those puels,

0:14:52.000 --> 0:14:54.640
<v Speaker 1>well all, yeah, the prequels are as a whole or divisive,

0:14:54.680 --> 0:14:57.040
<v Speaker 1>but of the of the newer kind of next gen ones,

0:14:57.520 --> 0:14:59.120
<v Speaker 1>that was the one. The fans, a lot of them

0:14:59.120 --> 0:15:02.160
<v Speaker 1>were like angry because they took it in a different

0:15:02.160 --> 0:15:06.800
<v Speaker 1>direction they didn't like. I totally agree. Robin Simmons. Watt says,

0:15:06.840 --> 0:15:09.640
<v Speaker 1>this movie is perfection in every sense of the word.

0:15:10.280 --> 0:15:13.800
<v Speaker 1>And she is talking, of course about the Tom Hanks

0:15:14.480 --> 0:15:17.360
<v Speaker 1>Baseball movie, the classic that I've covered here on this

0:15:17.480 --> 0:15:20.120
<v Speaker 1>very show, nol Can you guess it a league of

0:15:20.120 --> 0:15:24.000
<v Speaker 1>their own? Yes, there's only one that was recommended to me,

0:15:24.400 --> 0:15:28.400
<v Speaker 1>real hard yesterday. I saw it in the theaters, but

0:15:28.480 --> 0:15:30.960
<v Speaker 1>I haven't seen it since, uh, and I really don't

0:15:30.960 --> 0:15:33.920
<v Speaker 1>remember much about it except the Madonna and Rosie o'donnald

0:15:33.960 --> 0:15:35.960
<v Speaker 1>in it and that he says there's no crying in baseball.

0:15:36.400 --> 0:15:38.680
<v Speaker 1>Really good movie. I want to check it out, and

0:15:38.720 --> 0:15:41.440
<v Speaker 1>I think pretty universally loved. I think that counts. Back

0:15:41.480 --> 0:15:44.360
<v Speaker 1>to the Future is on here a bunch our old Palazack.

0:15:44.480 --> 0:15:46.720
<v Speaker 1>Pointer talks about Back to the Future and there are

0:15:46.720 --> 0:15:50.120
<v Speaker 1>many many people on board that let me see here.

0:15:50.240 --> 0:15:53.880
<v Speaker 1>Meg Baskaran actually is on again and she says, this

0:15:53.920 --> 0:15:56.000
<v Speaker 1>is a pretty good question. I wonder which actor actress

0:15:56.040 --> 0:15:59.240
<v Speaker 1>appears the most on this list, and she says, my

0:15:59.280 --> 0:16:03.480
<v Speaker 1>money is on Tom Hanks. Could be because Big is

0:16:03.520 --> 0:16:06.560
<v Speaker 1>on here a lot. I think he's kind of a

0:16:06.680 --> 0:16:10.320
<v Speaker 1>universally loved actor, although I think people might be suffering

0:16:10.360 --> 0:16:13.560
<v Speaker 1>from a little bit of Hanks hangover syndrome with all

0:16:13.560 --> 0:16:16.920
<v Speaker 1>these sort of real life characters he's playing lately. And

0:16:17.040 --> 0:16:19.400
<v Speaker 1>I agree he's kind of doing one after the other,

0:16:20.040 --> 0:16:21.840
<v Speaker 1>and I think, yeah, I'd like to see him change

0:16:21.880 --> 0:16:26.840
<v Speaker 1>it up a little bit totally. Let's just have Big two. Yeah,

0:16:26.960 --> 0:16:32.920
<v Speaker 1>make another Big where he gets well, I think the

0:16:32.960 --> 0:16:35.240
<v Speaker 1>way they would handle that would be that his he

0:16:35.320 --> 0:16:43.480
<v Speaker 1>has a son or daughter that finds the Zoltranzoltar. Yeah,

0:16:43.680 --> 0:16:45.800
<v Speaker 1>or maybe z Oultran. Maybe there's another one. I like

0:16:45.920 --> 0:16:50.080
<v Speaker 1>Zoldtran makes me think it's sounds like soul train the

0:16:50.320 --> 0:16:57.040
<v Speaker 1>zol Tran. Sir Jackie Sheehorn says, elf, yeah, you made

0:16:57.040 --> 0:17:00.360
<v Speaker 1>me watch that recently, and uh, I see exact why

0:17:00.560 --> 0:17:03.680
<v Speaker 1>it's such a fun It's not only a good holiday movie.

0:17:03.680 --> 0:17:05.600
<v Speaker 1>It's just a good movie and it has such heart

0:17:05.680 --> 0:17:10.760
<v Speaker 1>and it's funny. Genuinely, I agree. Uh, let me see

0:17:10.800 --> 0:17:13.639
<v Speaker 1>Brandon Bisce, whose thread this is, He says, glad to

0:17:13.680 --> 0:17:16.959
<v Speaker 1>see all the people writing Princess Bride. There's there's been

0:17:17.000 --> 0:17:19.240
<v Speaker 1>a bunch of princess brides, he said. Sounds like I

0:17:19.280 --> 0:17:22.080
<v Speaker 1>found the right group, and that is for sure the

0:17:22.119 --> 0:17:25.639
<v Speaker 1>movie Crush family. Somebody posted something on the page just

0:17:25.680 --> 0:17:29.240
<v Speaker 1>about like on a thread, thinking everybody for being such.

0:17:29.280 --> 0:17:31.320
<v Speaker 1>I don't know, it's just like sort of like I'm

0:17:31.359 --> 0:17:33.560
<v Speaker 1>so glad I found this community. Blah blah blah bah

0:17:33.600 --> 0:17:36.400
<v Speaker 1>like it was a lot of people share that sentiment

0:17:36.440 --> 0:17:38.720
<v Speaker 1>on their really really cool group of folks. It is

0:17:38.760 --> 0:17:41.880
<v Speaker 1>a nice little corner of the Internet knoll, a nice,

0:17:41.880 --> 0:17:45.240
<v Speaker 1>little quiet corner where people are almost always nice, and

0:17:45.240 --> 0:17:48.360
<v Speaker 1>when they're not, they they can be they can leave

0:17:48.359 --> 0:17:51.280
<v Speaker 1>the room, you know, totally, you can get out stand

0:17:51.320 --> 0:17:55.680
<v Speaker 1>in a corner. Uh, Frank, Bauman says Hoosiers. Uh Frank,

0:17:55.840 --> 0:17:57.919
<v Speaker 1>I love that movie. My only issue is is that

0:17:58.760 --> 0:18:01.159
<v Speaker 1>some people just don't like sports movies. I haven't seen it.

0:18:02.240 --> 0:18:05.040
<v Speaker 1>Probably not like sports movies, right, I like it when

0:18:05.040 --> 0:18:09.520
<v Speaker 1>they're good. No, weirdly I do, okay, like, um, yeah,

0:18:09.640 --> 0:18:13.880
<v Speaker 1>I certainly like. Uh. I don't know, they're not. It's

0:18:13.880 --> 0:18:17.080
<v Speaker 1>not my genre. But I've seen plenty and I quite enjoyed.

0:18:17.080 --> 0:18:20.080
<v Speaker 1>I loved Any Given Sunday, that Oliver Stone movie. You're

0:18:20.080 --> 0:18:21.680
<v Speaker 1>not into sports though at all? Already. I'm not a

0:18:21.720 --> 0:18:24.600
<v Speaker 1>sports guy. No like, literally no sports you like at all.

0:18:25.119 --> 0:18:28.760
<v Speaker 1>I think basketball is fun, but I don't follow sports.

0:18:29.480 --> 0:18:31.680
<v Speaker 1>I would watch it with I didd a girl for

0:18:31.720 --> 0:18:33.720
<v Speaker 1>a while. He was really into college football, and so

0:18:33.760 --> 0:18:35.800
<v Speaker 1>i'd watch games with her, and she kind of taught

0:18:35.840 --> 0:18:40.000
<v Speaker 1>me how to understand it, and and I definitely enjoyed

0:18:40.040 --> 0:18:41.679
<v Speaker 1>it more when I kind of got the stakes and

0:18:41.720 --> 0:18:43.840
<v Speaker 1>got what was going on and hung out with someone

0:18:43.840 --> 0:18:46.080
<v Speaker 1>that was really invested in it, you know, but it's

0:18:46.119 --> 0:18:48.520
<v Speaker 1>not really my bag. But I definitely think it's I

0:18:48.560 --> 0:18:50.840
<v Speaker 1>see the value in it, absolutely, But you were just

0:18:51.359 --> 0:18:54.680
<v Speaker 1>constantly waiting for a halftime when the love making sessions began. Indeed,

0:18:57.680 --> 0:19:02.080
<v Speaker 1>Oh boy, the googe old David Goods says, Princess Bride,

0:19:02.080 --> 0:19:03.760
<v Speaker 1>of course, And he said, I'm trying to think of

0:19:03.760 --> 0:19:05.560
<v Speaker 1>anything other than that, And he said, but I can't.

0:19:05.960 --> 0:19:08.680
<v Speaker 1>It's a good one. Paul Takless Raiders of the Lost

0:19:08.800 --> 0:19:15.040
<v Speaker 1>Ark very controversially. Robert Iron says, Chinatown. You know, Chinatown

0:19:15.119 --> 0:19:19.240
<v Speaker 1>is pretty universally loved, but I think Roman Plansky that's stain. Yeah,

0:19:19.400 --> 0:19:22.280
<v Speaker 1>we'll probably drive some people away from that pick. That's true,

0:19:22.520 --> 0:19:25.640
<v Speaker 1>you know what I mean. It's weird though he's still like,

0:19:26.000 --> 0:19:28.840
<v Speaker 1>I don't hasn't make anything in a long time. But uh,

0:19:28.880 --> 0:19:31.159
<v Speaker 1>he seemed like he still was able to kind of

0:19:32.080 --> 0:19:35.000
<v Speaker 1>fly into the radar and like have a career. He'll

0:19:35.040 --> 0:19:40.960
<v Speaker 1>get accolades. Uh. Joseph Belle says, shawshank A lot of Shawshankers.

0:19:41.080 --> 0:19:44.760
<v Speaker 1>Oh yeah, yeah, it's so funny, dude. Like I had

0:19:44.760 --> 0:19:48.040
<v Speaker 1>a call the other day about a Stephen King related

0:19:48.080 --> 0:19:52.639
<v Speaker 1>thing and um. Apparently every piece of property, every piece

0:19:52.680 --> 0:19:56.520
<v Speaker 1>of writing he has, every short story, every everything is

0:19:56.600 --> 0:20:01.240
<v Speaker 1>like optioned like at all times. And it's like impossible

0:20:01.560 --> 0:20:06.240
<v Speaker 1>to find an unoptioned Stephen King story in Yeah, I

0:20:06.240 --> 0:20:09.160
<v Speaker 1>believe that because I mean take a flyer on it. Yeah,

0:20:09.560 --> 0:20:12.880
<v Speaker 1>you know, like he could he could wipe his butt

0:20:12.880 --> 0:20:16.200
<v Speaker 1>on a piece of paper out option it for ten dollars.

0:20:17.600 --> 0:20:20.520
<v Speaker 1>You never know that piece of paper could could come alive,

0:20:20.560 --> 0:20:24.199
<v Speaker 1>it could become sentient and attack my family. And then

0:20:24.200 --> 0:20:26.080
<v Speaker 1>you got a Stephen King movie. I love it. I

0:20:26.160 --> 0:20:30.280
<v Speaker 1>love it Mary Poppins that comes from Sammy K. Hill. Yeah,

0:20:30.560 --> 0:20:35.440
<v Speaker 1>are we watched that recently? It's a it's a fun movie. Yeah.

0:20:35.760 --> 0:20:38.480
<v Speaker 1>The sequel too, was this sequel was quite good Mary

0:20:38.480 --> 0:20:42.119
<v Speaker 1>Poppins Returns. It was had the same niceness to it.

0:20:42.240 --> 0:20:45.840
<v Speaker 1>I enjoyed it. Now it was that the recent thing

0:20:45.920 --> 0:20:47.760
<v Speaker 1>or was there aquel back then? That was the recent thing?

0:20:47.800 --> 0:20:50.760
<v Speaker 1>It was with different Emily one. Yeah, I thought it

0:20:50.800 --> 0:20:53.040
<v Speaker 1>was quite good. I didn't see that that was called

0:20:53.040 --> 0:20:57.000
<v Speaker 1>Mary Poppins Returns. It was called Mary Poppins Returns, which

0:20:57.000 --> 0:20:59.720
<v Speaker 1>sounds a little sinister kind of, doesn't it. Yeah, she

0:20:59.800 --> 0:21:05.000
<v Speaker 1>see for you, She's coming Sarah Stapleton says, Jurassic Park,

0:21:05.760 --> 0:21:09.840
<v Speaker 1>but she has countered from our old friend LINEA. Barnett said,

0:21:09.840 --> 0:21:13.080
<v Speaker 1>my sister in law hates it because dinosaurs scare her.

0:21:13.560 --> 0:21:17.200
<v Speaker 1>Does she know dinosaurs aren't realm that'd be my question, Well,

0:21:17.240 --> 0:21:19.440
<v Speaker 1>they were real at one time. Do you believe in

0:21:19.480 --> 0:21:21.959
<v Speaker 1>coastal Yeah? I do do. That's a big one. It's

0:21:22.000 --> 0:21:24.920
<v Speaker 1>a big question. I know, Uh, you have a big

0:21:24.960 --> 0:21:30.480
<v Speaker 1>A little A little bit, A little bit, all right,

0:21:31.160 --> 0:21:33.520
<v Speaker 1>I'll take that. That's kind of a cop out. It is,

0:21:33.600 --> 0:21:36.080
<v Speaker 1>but it's all you're gonna get out of me. You

0:21:36.119 --> 0:21:38.400
<v Speaker 1>seem to be hedging but a lot. Yeah, I do.

0:21:38.760 --> 0:21:39.920
<v Speaker 1>I mean, I don't know. I don't know. I don't

0:21:39.920 --> 0:21:41.880
<v Speaker 1>know what if if if it's like if it's uh

0:21:42.080 --> 0:21:46.080
<v Speaker 1>like like disembodied spirits. But I believe in like maybe

0:21:46.480 --> 0:21:50.680
<v Speaker 1>memories or some little imprint that things that once we're

0:21:50.720 --> 0:21:53.560
<v Speaker 1>living leave behind. I think. So that's why I say

0:21:53.560 --> 0:21:55.920
<v Speaker 1>a little bit. I'm not quite sure what to call it.

0:21:55.920 --> 0:21:58.000
<v Speaker 1>It's the same way I don't necessarily believe in God,

0:21:58.359 --> 0:22:02.040
<v Speaker 1>but I believe in like power is greater than our understanding,

0:22:02.160 --> 0:22:05.560
<v Speaker 1>you know. I like that. No, And I think the

0:22:05.600 --> 0:22:08.760
<v Speaker 1>movie crushers like hearing, uh, where you park your garage?

0:22:08.800 --> 0:22:11.840
<v Speaker 1>You know, I parked my whole garage well, and another

0:22:11.880 --> 0:22:15.680
<v Speaker 1>and another much larger garage where you how you what

0:22:15.680 --> 0:22:18.040
<v Speaker 1>what garage you're parking in? Basically, that's what I mean.

0:22:18.200 --> 0:22:21.200
<v Speaker 1>It's more of a car poard really, but I follow,

0:22:21.520 --> 0:22:23.880
<v Speaker 1>I don't have a garage, our car pard noll As.

0:22:23.920 --> 0:22:26.679
<v Speaker 1>You know you got a nice driveway, though, I do.

0:22:26.840 --> 0:22:37.440
<v Speaker 1>That's a new driveway. So we're gonna move on to

0:22:37.520 --> 0:22:40.119
<v Speaker 1>the original thing that I was reading, which is I

0:22:40.160 --> 0:22:43.199
<v Speaker 1>asked for feel good movies, but not I was kind

0:22:43.200 --> 0:22:45.760
<v Speaker 1>of looking for something deeper, not just like light and

0:22:45.760 --> 0:22:48.760
<v Speaker 1>breezy it made me feel happy. I meant movies that

0:22:48.840 --> 0:22:52.119
<v Speaker 1>really like make you walk away from it changed and

0:22:52.200 --> 0:22:54.880
<v Speaker 1>thinking like the world is good? You know what I mean? Oh,

0:22:54.960 --> 0:23:00.280
<v Speaker 1>it's all ask well, I uh, I'll save it. Um

0:23:00.480 --> 0:23:04.000
<v Speaker 1>no I do uh, I don't know. Like I we

0:23:04.080 --> 0:23:06.480
<v Speaker 1>talked about this before I was on did the interview

0:23:06.840 --> 0:23:10.040
<v Speaker 1>segment with you about adaptation? Something about the end of

0:23:10.080 --> 0:23:12.560
<v Speaker 1>that movie is as fucking batshit as that movie is.

0:23:13.000 --> 0:23:15.160
<v Speaker 1>At the end of the day, I walk away feeling

0:23:15.160 --> 0:23:18.800
<v Speaker 1>this utter sense of Catharsis and wonder and like just

0:23:19.000 --> 0:23:21.360
<v Speaker 1>bigness of the universe and stuff I don't know like that.

0:23:21.359 --> 0:23:23.920
<v Speaker 1>That's a big one for me yet always the end

0:23:24.080 --> 0:23:27.399
<v Speaker 1>with the time laps flowers and happy together by the

0:23:27.440 --> 0:23:31.200
<v Speaker 1>turtles playing and just graives me feeling that way. Yeah,

0:23:31.400 --> 0:23:35.320
<v Speaker 1>that's good, hopeful mm hmmm. Uh, Bobo Temple, says Swiss

0:23:35.400 --> 0:23:38.560
<v Speaker 1>Army Man. That's a great name, by the way, Bobo Temple,

0:23:38.640 --> 0:23:42.119
<v Speaker 1>Bobo Temple, it's a band. It should be so a

0:23:42.200 --> 0:23:44.480
<v Speaker 1>Swiss Army Man uplifting and makes you feel good about

0:23:44.480 --> 0:23:48.320
<v Speaker 1>the unice. Yes, yes, it's a lovely it's it's got

0:23:48.320 --> 0:23:51.840
<v Speaker 1>it's got a very similar energy to adaptation. Uh, it's

0:23:51.960 --> 0:23:55.080
<v Speaker 1>it's it's sort of screwball on its surface. It's got

0:23:55.080 --> 0:23:58.440
<v Speaker 1>this sort of conceit that's very like on paper, just

0:23:58.480 --> 0:24:01.040
<v Speaker 1>like what but then they they handle it with such

0:24:01.080 --> 0:24:05.880
<v Speaker 1>heart and like enthusiasm and like creativity and it ends

0:24:05.960 --> 0:24:09.600
<v Speaker 1>it ends up leading you with that feeling of wonder

0:24:09.640 --> 0:24:13.720
<v Speaker 1>that I'm talking about. It's very similar very Kindred movies

0:24:13.760 --> 0:24:17.719
<v Speaker 1>to the work of Michelle Gundry and uh Spike Jones

0:24:17.800 --> 0:24:20.240
<v Speaker 1>and very much in line with all that stuff, which

0:24:20.240 --> 0:24:22.160
<v Speaker 1>is some of my favorite stuff in the in the universe.

0:24:22.400 --> 0:24:24.560
<v Speaker 1>You know that new Charlie Coufman's coming soon to Netflix.

0:24:25.119 --> 0:24:27.800
<v Speaker 1>I think it looks awesome. It's like a weird kind

0:24:27.800 --> 0:24:31.400
<v Speaker 1>of horror. But I don't know, it looks it looks awesome.

0:24:31.800 --> 0:24:33.479
<v Speaker 1>He's got a book too, you know, like you just

0:24:33.520 --> 0:24:37.720
<v Speaker 1>came out with a quite long book. Uh fiction. Oh really,

0:24:38.600 --> 0:24:40.879
<v Speaker 1>do you know what it's about. I don't, but let

0:24:40.960 --> 0:24:44.040
<v Speaker 1>me see what it's called. At the very least, I'm

0:24:44.080 --> 0:24:47.520
<v Speaker 1>sure it's a it's a journey into the head trippiness

0:24:47.560 --> 0:24:52.919
<v Speaker 1>of Charlie. It's called ant kind a novel ant kind?

0:24:53.600 --> 0:25:00.280
<v Speaker 1>Is it about aunts? I don't know. He he is

0:25:00.320 --> 0:25:03.920
<v Speaker 1>a very interesting fellow, isn't he. Uh huh. It's about

0:25:03.920 --> 0:25:09.719
<v Speaker 1>a neurotic failed film critic named be Rosenberger Rosenberg. All right,

0:25:09.760 --> 0:25:12.600
<v Speaker 1>I'm gonna have to read this. Yeah he is. Uh

0:25:12.640 --> 0:25:21.640
<v Speaker 1>it's seven and twenty pages. God oh man. Yeah, I'm

0:25:21.720 --> 0:25:24.600
<v Speaker 1>kind of looking over this. It sounds crazy. He is,

0:25:25.200 --> 0:25:26.639
<v Speaker 1>I'll tell you what. He he is one of the

0:25:26.640 --> 0:25:29.840
<v Speaker 1>most unique artists that has ever picked up a pin

0:25:30.160 --> 0:25:32.480
<v Speaker 1>or a typewriter, you know, one of my favorites. And

0:25:32.520 --> 0:25:35.080
<v Speaker 1>that whole same crew, you know, like with with with God,

0:25:35.119 --> 0:25:39.840
<v Speaker 1>with Goundry and Spike and just that real out there

0:25:39.880 --> 0:25:43.480
<v Speaker 1>just otherworldly imagination that just gives me like a sense

0:25:43.520 --> 0:25:46.359
<v Speaker 1>of awe. Stuff like that gives me a sense of

0:25:46.400 --> 0:25:49.880
<v Speaker 1>wonder and like feel good ary when you just art,

0:25:50.000 --> 0:25:53.000
<v Speaker 1>you know, when you see something just done so perfectly

0:25:53.080 --> 0:25:56.200
<v Speaker 1>and and and like just like how did you even

0:25:56.240 --> 0:25:58.040
<v Speaker 1>think of this? How did where did you even start?

0:25:58.359 --> 0:26:00.119
<v Speaker 1>That's like it's like magic, you know, that's the kin

0:26:00.119 --> 0:26:03.760
<v Speaker 1>of it makes me feel good. Yeah, I agreed. Thorid

0:26:03.840 --> 0:26:08.760
<v Speaker 1>ragnar Rock that's from Jacqueline Gouldbrand's son. Yeah, that's feel

0:26:08.800 --> 0:26:12.520
<v Speaker 1>good movie. Pick, it's very good. Pick. Momo Hughes has

0:26:12.640 --> 0:26:16.439
<v Speaker 1>dazed and confused all these new names. Chuck, it's a

0:26:16.480 --> 0:26:19.320
<v Speaker 1>great idea, reading from the bottom bottom up. Man. I'm

0:26:19.359 --> 0:26:22.159
<v Speaker 1>sorry to all the oldest appels, but you can you

0:26:22.200 --> 0:26:23.919
<v Speaker 1>can sit down for an episode, right, They'll have their

0:26:24.000 --> 0:26:26.560
<v Speaker 1>day in the sun again, you know, in a top

0:26:26.600 --> 0:26:28.760
<v Speaker 1>down world, Chuck, sometimes you've got to go from the

0:26:28.760 --> 0:26:33.040
<v Speaker 1>bottom up. Hey, I like that. Put that on a shirt. Uh.

0:26:33.160 --> 0:26:35.480
<v Speaker 1>Tim Perry says searching for Bobby Fisher. Yeah, we did

0:26:35.480 --> 0:26:40.040
<v Speaker 1>that recently on the show. Great great movie, love it. Uh.

0:26:40.160 --> 0:26:44.000
<v Speaker 1>James Nordstrom says, Hamilton's does that count Sure, it counts.

0:26:44.400 --> 0:26:47.320
<v Speaker 1>Why not? I mean it's a movie now sort of?

0:26:47.760 --> 0:26:50.760
<v Speaker 1>M h, Actually not really? What do you mean? Not really?

0:26:50.880 --> 0:26:53.280
<v Speaker 1>I mean it counts, but it's not a movie. It

0:26:53.320 --> 0:26:57.800
<v Speaker 1>is a filmed stage play. That's true. Okay, I follow, okay,

0:26:57.840 --> 0:27:01.200
<v Speaker 1>but I still say it counts. Yeah, okay. Cool. As

0:27:01.200 --> 0:27:05.360
<v Speaker 1>far as this h this thing goes exercise Bobo Temples back.

0:27:06.080 --> 0:27:09.040
<v Speaker 1>My new favorite person h the Life Aquatic was Steve

0:27:09.119 --> 0:27:12.719
<v Speaker 1>Ze Sue, you say aquatic? What do you say aquatic? Aquat?

0:27:12.720 --> 0:27:14.800
<v Speaker 1>I don't know. I'm I think it's potato potato. I

0:27:14.840 --> 0:27:18.119
<v Speaker 1>just I just interesting. What do you say aquatic? Aquatic?

0:27:18.960 --> 0:27:24.160
<v Speaker 1>I say aquatic? What makes you sound like you're from Poughkeepsie? Aquatic?

0:27:25.680 --> 0:27:28.280
<v Speaker 1>Heather Coleby says, what's up? Doc? Every scene is amazing,

0:27:28.320 --> 0:27:30.399
<v Speaker 1>so many good quotes too. That's a movie I have

0:27:30.560 --> 0:27:34.680
<v Speaker 1>not seen. Is that an oldie? Yes? If I'm not mistaken,

0:27:34.840 --> 0:27:39.040
<v Speaker 1>that's uh. I want to say Barbara Streisand isn't that yeah,

0:27:39.080 --> 0:27:42.480
<v Speaker 1>Barbara streisand Peter Bogdanovitch. I need to see that. It's

0:27:42.480 --> 0:27:45.880
<v Speaker 1>got all the elements. Is that Ryan O'Neil, for God's sake? Yeah.

0:27:45.960 --> 0:27:48.280
<v Speaker 1>Ian O'Neil. I don't know. I see I need to

0:27:48.680 --> 0:27:52.680
<v Speaker 1>I need to brush up on some of that older stuff.

0:27:53.480 --> 0:27:54.800
<v Speaker 1>Do you know who he is? Are you saying you

0:27:54.800 --> 0:27:56.119
<v Speaker 1>don't know who they don't know who he is? No,

0:27:56.560 --> 0:27:59.439
<v Speaker 1>Oh boy, Ryan O'Neil. He was the lead. He was

0:27:59.480 --> 0:28:03.240
<v Speaker 1>a heart rob back then. He was in the tear

0:28:03.320 --> 0:28:07.840
<v Speaker 1>Jerker Love Story. He was the lead in Paper Moon. Okay,

0:28:08.200 --> 0:28:10.240
<v Speaker 1>what's up? Doc Ke and Barbara streisand again we're on

0:28:10.320 --> 0:28:13.720
<v Speaker 1>screen in the main event, kind of a cheeky love

0:28:14.080 --> 0:28:17.600
<v Speaker 1>romantic comedy. I don't recognize him at all. I'm looking

0:28:17.600 --> 0:28:21.320
<v Speaker 1>at him even like even this el Fara Fawcett and

0:28:21.359 --> 0:28:23.760
<v Speaker 1>Ryan were they married? He was like they were maybe married.

0:28:23.960 --> 0:28:26.720
<v Speaker 1>I don't know if they're married. They definitely dated. He uh, yeah,

0:28:26.760 --> 0:28:28.320
<v Speaker 1>he was. He was a big he was sort of

0:28:28.359 --> 0:28:31.359
<v Speaker 1>the a big, hunky leading man from sort of a

0:28:31.480 --> 0:28:36.760
<v Speaker 1>Richard of his day. Yeah, although they're not too far

0:28:36.800 --> 0:28:41.160
<v Speaker 1>off an age, so interesting, they're sort of the same day.

0:28:41.760 --> 0:28:44.720
<v Speaker 1>But yeah, he was great. He's a good actor. He

0:28:44.760 --> 0:28:48.080
<v Speaker 1>was Barry Lyndon. Oh, that's yeah, that's okay. There he

0:28:48.160 --> 0:28:50.280
<v Speaker 1>sure was. And I knew there was a ref that

0:28:50.360 --> 0:28:54.200
<v Speaker 1>I would that you would get so interesting though, because

0:28:54.240 --> 0:28:57.880
<v Speaker 1>I just I still don't recognize him. He looks different

0:28:57.920 --> 0:29:00.000
<v Speaker 1>in that role because he's so made up and where

0:29:00.200 --> 0:29:03.600
<v Speaker 1>like a wig and stuff. You know, I need to

0:29:03.640 --> 0:29:06.280
<v Speaker 1>finish that. I only made it to the intermission and

0:29:06.320 --> 0:29:09.880
<v Speaker 1>then my rental ran out, Oh look here my cousins

0:29:09.880 --> 0:29:12.800
<v Speaker 1>on the page. I did not know that. Nice. My

0:29:12.880 --> 0:29:17.360
<v Speaker 1>cousin Stephanie Yancy said, life is beautiful. Oh god, yes,

0:29:17.400 --> 0:29:19.000
<v Speaker 1>I actually wanted to watch that when my mom was

0:29:19.120 --> 0:29:23.960
<v Speaker 1>visiting a couple of weeks ago. Uh is such a

0:29:24.000 --> 0:29:27.479
<v Speaker 1>perfect lovely movie. And I'm I'm so sad that that

0:29:27.600 --> 0:29:30.360
<v Speaker 1>dude never went on to do anything nearly as uh

0:29:30.480 --> 0:29:35.120
<v Speaker 1>as interesting. Yeah, maybe that horrible Pinocchio. Oh sure, my

0:29:35.160 --> 0:29:37.160
<v Speaker 1>cousin's on here. No, I had no idea. That's what

0:29:37.200 --> 0:29:39.880
<v Speaker 1>happens when you go bottom up. So all right, now

0:29:39.880 --> 0:29:41.680
<v Speaker 1>we're gonna move on, and we're gonna finish up today

0:29:41.720 --> 0:29:45.320
<v Speaker 1>with a segment. We promised people that you would watch

0:29:45.440 --> 0:29:48.240
<v Speaker 1>the movie Pretty Woman, and we would do a little

0:29:48.400 --> 0:29:53.400
<v Speaker 1>quick mini nol segment, mini review, mini crush it mini

0:29:53.480 --> 0:29:55.920
<v Speaker 1>What do we call the rush to judgment? Many crush

0:29:55.960 --> 0:29:59.520
<v Speaker 1>to judgment? And I would love to hear how that went. No,

0:29:59.680 --> 0:30:02.360
<v Speaker 1>when did you watch it? Set the scene? Who did

0:30:02.360 --> 0:30:04.440
<v Speaker 1>you watch it with? Give me a little uh, just

0:30:04.480 --> 0:30:08.240
<v Speaker 1>give me a little background here. Um, yeah, I watched

0:30:08.240 --> 0:30:11.680
<v Speaker 1>it with this uh uh, this lady I've been hanging

0:30:11.680 --> 0:30:15.360
<v Speaker 1>out with. Um and the lady we've heard about already

0:30:15.440 --> 0:30:17.840
<v Speaker 1>or no, I spoke, I've spoken of this lady. She

0:30:17.920 --> 0:30:22.600
<v Speaker 1>has a very similar name to me. Um. And she

0:30:22.800 --> 0:30:25.560
<v Speaker 1>was delighted because it was it was a favorite of hers.

0:30:25.600 --> 0:30:29.000
<v Speaker 1>And you know, I admittedly don't go for the rom coms.

0:30:29.040 --> 0:30:32.360
<v Speaker 1>I don't like just go, you know, bounding for them.

0:30:32.480 --> 0:30:34.680
<v Speaker 1>You know, it's something that I always enjoy them if

0:30:34.680 --> 0:30:36.720
<v Speaker 1>they're well done. You know, I definitely if I if

0:30:36.720 --> 0:30:39.120
<v Speaker 1>I watched one, I find myself getting pulled in. I'm

0:30:39.160 --> 0:30:41.200
<v Speaker 1>never like I rolle or like I hate this, but

0:30:41.240 --> 0:30:44.680
<v Speaker 1>it's not where my brain goes, you know. Um. With

0:30:44.880 --> 0:30:46.400
<v Speaker 1>so much stuff out there, it's just not my like

0:30:46.520 --> 0:30:49.000
<v Speaker 1>genre of choice. So she was thrilled because you know,

0:30:49.080 --> 0:30:53.040
<v Speaker 1>she obviously had a really real fondness for it, and Um,

0:30:53.080 --> 0:30:56.880
<v Speaker 1>I loved it. I mean I really did. Uh. It's

0:30:56.920 --> 0:31:00.320
<v Speaker 1>really a sweet movie. Um, It's it's a little you know,

0:31:00.320 --> 0:31:02.080
<v Speaker 1>it's like a fairy tale. It's a little bit like

0:31:02.120 --> 0:31:06.560
<v Speaker 1>my fair Lady. Um, it's it's weird. I think it's

0:31:06.640 --> 0:31:08.760
<v Speaker 1>rated R, which is interesting because that was at that

0:31:08.920 --> 0:31:12.560
<v Speaker 1>time where like an R then could easily be a

0:31:12.560 --> 0:31:15.320
<v Speaker 1>PG thirteen today. Was it like it wasn't rated R?

0:31:15.440 --> 0:31:17.960
<v Speaker 1>Was it? I thought? I think it was. I'm gonna

0:31:17.960 --> 0:31:20.760
<v Speaker 1>have to look that up. I don't almost. Well, it's

0:31:20.800 --> 0:31:23.080
<v Speaker 1>got a couple of funks in it, and I know

0:31:23.160 --> 0:31:24.520
<v Speaker 1>you can get a few. You can get away with

0:31:24.520 --> 0:31:26.520
<v Speaker 1>a few fox. Now, yeah, that's rated ARE. But I'm

0:31:26.520 --> 0:31:29.760
<v Speaker 1>telling you a nineteen ninet like I don't even know

0:31:29.760 --> 0:31:32.360
<v Speaker 1>if they had PG. No, they did. Thirteen came along

0:31:32.360 --> 0:31:34.719
<v Speaker 1>with Temple of Doom. I want to say, yeah it

0:31:34.760 --> 0:31:37.440
<v Speaker 1>is rated R. Holy sh it's rated ARE. There's there's

0:31:37.480 --> 0:31:39.920
<v Speaker 1>one nipple. You see a nipple, a quick nip, a

0:31:40.000 --> 0:31:43.480
<v Speaker 1>quick quick nip, nip shot and they say funk a

0:31:43.480 --> 0:31:46.720
<v Speaker 1>couple of times. Um, but it's not there's nothing. Um,

0:31:46.840 --> 0:31:49.440
<v Speaker 1>it would be PG thirteen today. That's what I'm saying. Easily.

0:31:49.520 --> 0:31:52.280
<v Speaker 1>There's something overly like salacious about it. The only issue

0:31:52.320 --> 0:31:53.800
<v Speaker 1>I have and I don't want to sound like too

0:31:53.840 --> 0:31:58.120
<v Speaker 1>much of like a you know, s J W Liberal

0:31:58.160 --> 0:32:02.640
<v Speaker 1>snowflake or anything, but like the just like a problematic

0:32:02.840 --> 0:32:06.120
<v Speaker 1>nature to like she's hooking for the very first time,

0:32:06.560 --> 0:32:10.760
<v Speaker 1>you know, and lands, uh this gazillionaire husband who takes

0:32:10.760 --> 0:32:12.720
<v Speaker 1>her away from that life, you know what I mean.

0:32:13.920 --> 0:32:16.640
<v Speaker 1>That's the only thing that maybe Long Water wrote a

0:32:16.680 --> 0:32:19.640
<v Speaker 1>song that addressed this. You ever know that band, I'm

0:32:19.840 --> 0:32:22.000
<v Speaker 1>I'm familiar with them, but I do not know this.

0:32:22.080 --> 0:32:24.040
<v Speaker 1>Don't tell me about it. They have a song called

0:32:24.320 --> 0:32:27.880
<v Speaker 1>folk Song, one of the greatest, greatest songs, and uh.

0:32:28.080 --> 0:32:31.520
<v Speaker 1>Part of the song talks about pretty woman and where

0:32:31.560 --> 0:32:33.280
<v Speaker 1>she kind of scures it. And this is way back

0:32:33.280 --> 0:32:36.640
<v Speaker 1>in the nineties. She said, you know, I wish a rich,

0:32:36.680 --> 0:32:39.000
<v Speaker 1>handsome man in a Jaguar would come along and save

0:32:39.080 --> 0:32:41.719
<v Speaker 1>me and take me shopping, because that's what a woman's

0:32:41.760 --> 0:32:44.200
<v Speaker 1>all about, right, sucking and shopping. And then it goes

0:32:44.440 --> 0:32:48.480
<v Speaker 1>sucking and chopping and sucking and shopping. Uh so yeah,

0:32:48.640 --> 0:32:53.720
<v Speaker 1>it is a definitely a problematic theme of handsome man

0:32:53.840 --> 0:32:56.960
<v Speaker 1>rescues the of course, back then, you would call a

0:32:56.960 --> 0:33:00.560
<v Speaker 1>hooker with a heart of gold. Um, you don't let

0:33:00.600 --> 0:33:04.719
<v Speaker 1>you say hooker anymore, sex worker if you please, that's right,

0:33:04.840 --> 0:33:07.600
<v Speaker 1>but um no, but not but listen, but that aside,

0:33:08.080 --> 0:33:10.600
<v Speaker 1>it didn't like bother me. It wasn't like you know,

0:33:10.760 --> 0:33:14.520
<v Speaker 1>it was of its time. Um, it really is. She's

0:33:14.560 --> 0:33:16.920
<v Speaker 1>so charming it blows my mind. I have a hard

0:33:16.920 --> 0:33:20.200
<v Speaker 1>time with this a lot where like she had to

0:33:20.240 --> 0:33:23.160
<v Speaker 1>have been like twenty two or something, you know when

0:33:23.160 --> 0:33:25.920
<v Speaker 1>she made that think yeah, yeah, and he's also he

0:33:26.000 --> 0:33:29.600
<v Speaker 1>probably was more like forty or something like that. I

0:33:29.640 --> 0:33:34.920
<v Speaker 1>would say it definitely the decent amount older. But okay,

0:33:34.920 --> 0:33:36.360
<v Speaker 1>I'd not have to linger too much on this, but

0:33:36.600 --> 0:33:38.360
<v Speaker 1>then I'll move on to some stuff I really love.

0:33:38.440 --> 0:33:42.800
<v Speaker 1>But it's also like which would he have been? Would

0:33:42.800 --> 0:33:45.000
<v Speaker 1>he have treated her this way if she like wasn't

0:33:45.720 --> 0:33:50.000
<v Speaker 1>Julia Roberts, you know what I mean, Like there's this

0:33:50.120 --> 0:33:52.880
<v Speaker 1>sense that like he thinks she's so great and so

0:33:53.520 --> 0:33:57.760
<v Speaker 1>special and all that, but like I don't know, like

0:33:57.800 --> 0:33:59.920
<v Speaker 1>what is it that makes it? What? Like is it?

0:34:00.160 --> 0:34:02.360
<v Speaker 1>I think she definitely has like a don't take no

0:34:02.440 --> 0:34:04.360
<v Speaker 1>ship and kind of tells it like it is vibe.

0:34:04.520 --> 0:34:05.880
<v Speaker 1>But a lot of that just has to do with

0:34:06.040 --> 0:34:09.359
<v Speaker 1>like she's from this other world and everyone's just so like,

0:34:09.360 --> 0:34:13.640
<v Speaker 1>like who funk is this coming around here? Speaking her mind?

0:34:13.760 --> 0:34:18.359
<v Speaker 1>You know? For I don't know, I love Jason Alexander

0:34:18.400 --> 0:34:21.800
<v Speaker 1>as the pervy hansy little lawyer. Fundn't realized he was

0:34:21.840 --> 0:34:24.440
<v Speaker 1>in it. Yeah, nice little cameo. So she was in

0:34:24.440 --> 0:34:27.560
<v Speaker 1>her early thirties when she made this, and I believe

0:34:27.719 --> 0:34:29.000
<v Speaker 1>some reason, I did the math and I thought it

0:34:29.040 --> 0:34:32.240
<v Speaker 1>was she was a little younger. The difference between ages

0:34:32.760 --> 0:34:36.400
<v Speaker 1>is about twenty years nineteen years between those two, so substantial.

0:34:36.840 --> 0:34:38.879
<v Speaker 1>I made a couple of notes and then I sort

0:34:38.880 --> 0:34:41.560
<v Speaker 1>of fell off because I really got sucked in, honestly.

0:34:41.840 --> 0:34:44.560
<v Speaker 1>But the first thing I noted was Iggy pop song

0:34:44.880 --> 0:34:47.759
<v Speaker 1>real Wild Child. It sounds kind of like a foe

0:34:47.880 --> 0:34:50.319
<v Speaker 1>Bruce Springsteen song. I sort of like ragged on it

0:34:50.360 --> 0:34:51.879
<v Speaker 1>for a second. I was like, what is this like

0:34:51.960 --> 0:34:54.560
<v Speaker 1>Bruce Springsteen light Ship? And then I realized it's my boy,

0:34:54.600 --> 0:34:56.960
<v Speaker 1>Iggy who I'm a door. But that was a weird

0:34:56.960 --> 0:34:59.200
<v Speaker 1>period for him. It was much more like a commercial

0:34:59.280 --> 0:35:03.759
<v Speaker 1>kind of Then I just wrote those fucking boots, Sure

0:35:04.239 --> 0:35:06.560
<v Speaker 1>it's crazy boots that are actually on the on the

0:35:06.680 --> 0:35:11.040
<v Speaker 1>video box and that outfit. Yeah, yeah, you know. I

0:35:11.040 --> 0:35:13.560
<v Speaker 1>think there are certainly some problematic elements, but there are

0:35:13.600 --> 0:35:18.640
<v Speaker 1>also some elements of um and especially people that are

0:35:18.680 --> 0:35:22.200
<v Speaker 1>in the camp of pro sex worker and that that

0:35:22.200 --> 0:35:26.560
<v Speaker 1>that can be an empowering and enabling job. Yeah, but

0:35:26.600 --> 0:35:28.520
<v Speaker 1>don't they kind of neg it in this you know,

0:35:28.719 --> 0:35:33.319
<v Speaker 1>Like well they do. Um. But you know, she gets

0:35:33.320 --> 0:35:38.080
<v Speaker 1>her come uppance against the the snooty Beverly Hills boutique

0:35:38.080 --> 0:35:42.200
<v Speaker 1>who thinks she doesn't belong because of who she is. Uh. Yeah,

0:35:42.239 --> 0:35:44.359
<v Speaker 1>it's interesting. The messages are sort of all over them,

0:35:44.400 --> 0:35:46.760
<v Speaker 1>but she only belongs because she all of a sudden

0:35:46.800 --> 0:35:49.879
<v Speaker 1>has cash hers you know what I mean. I mean,

0:35:49.920 --> 0:35:51.759
<v Speaker 1>you know you know what I'm saying. No, I know.

0:35:51.960 --> 0:35:54.520
<v Speaker 1>It's it's it's a movie of the of its time,

0:35:55.320 --> 0:35:59.160
<v Speaker 1>which is very materialistic, like like, you know, the dude,

0:35:59.600 --> 0:36:04.320
<v Speaker 1>the Richard Gears character, he's kind of a douche bag.

0:36:04.680 --> 0:36:06.759
<v Speaker 1>Like he's not let me let me rephrase that. Like

0:36:06.800 --> 0:36:09.000
<v Speaker 1>he's of the type of person that he is, which

0:36:09.040 --> 0:36:12.200
<v Speaker 1>is what like a venture capitalist basically, like he just

0:36:12.320 --> 0:36:14.960
<v Speaker 1>kind of has this soulless job where he just like

0:36:15.200 --> 0:36:18.160
<v Speaker 1>takes other people's companies that they've worked their whole lives

0:36:18.239 --> 0:36:21.680
<v Speaker 1>multigenerationally and then just flips them, takes them apart. And

0:36:21.680 --> 0:36:24.880
<v Speaker 1>he talks about that, and you know his character changes

0:36:24.960 --> 0:36:28.320
<v Speaker 1>too though, and that largely is because she shows him,

0:36:28.480 --> 0:36:31.120
<v Speaker 1>you know, that there are other other things in life

0:36:31.160 --> 0:36:35.000
<v Speaker 1>besides just like being a shark, you know, and he

0:36:35.200 --> 0:36:38.120
<v Speaker 1>uh ends up doing something nice for one of the

0:36:38.120 --> 0:36:41.800
<v Speaker 1>people whose company he's like been like really gunning for true.

0:36:42.360 --> 0:36:44.600
<v Speaker 1>I will say, though he's not the most likable character

0:36:44.800 --> 0:36:46.919
<v Speaker 1>for a lot of that movie. That's what I'm saying.

0:36:46.960 --> 0:36:48.200
<v Speaker 1>I mean, I wouldn't go so far as to say

0:36:48.239 --> 0:36:51.759
<v Speaker 1>he's a douchebag, but he's got that entitled thing, you know,

0:36:52.000 --> 0:36:53.960
<v Speaker 1>he every he wants everything to be the best you

0:36:54.000 --> 0:36:57.279
<v Speaker 1>know he gets. He's not very charming, not really. He

0:36:57.360 --> 0:36:59.359
<v Speaker 1>is when he's playing the piano though, and he's got

0:36:59.360 --> 0:37:02.520
<v Speaker 1>his tie off off and he's entertaining like the the

0:37:02.560 --> 0:37:05.280
<v Speaker 1>wait staff, they're all sticking around like in the restaurant.

0:37:05.760 --> 0:37:08.640
<v Speaker 1>He and then like they have hot sex on the piano.

0:37:08.640 --> 0:37:11.040
<v Speaker 1>But then he also dismisses all of them. They're like,

0:37:11.120 --> 0:37:14.520
<v Speaker 1>can you give us the room please? And she's like,

0:37:14.760 --> 0:37:17.480
<v Speaker 1>you're used to people doing exactly what you say, aren't you,

0:37:17.560 --> 0:37:20.440
<v Speaker 1>And and then he lifts her up and bangs her

0:37:20.480 --> 0:37:26.480
<v Speaker 1>on the piano. Oh so very mixed messages. It's a

0:37:26.480 --> 0:37:30.800
<v Speaker 1>movie from like in every way you know, which is

0:37:30.840 --> 0:37:33.000
<v Speaker 1>so funny. And this is just such an obvious statement,

0:37:33.040 --> 0:37:36.880
<v Speaker 1>but like movies from nine, we're basically still eighties movies,

0:37:37.000 --> 0:37:38.759
<v Speaker 1>you know what I mean. Like, it's got that, it's

0:37:38.760 --> 0:37:41.520
<v Speaker 1>got the hair, it's got a lot of those vibes.

0:37:41.920 --> 0:37:45.439
<v Speaker 1>Love the Hollywood Boulevard shots. Um, I think you see

0:37:45.480 --> 0:37:49.400
<v Speaker 1>the frolic room quickly, definitely see the pantageous and I'm

0:37:49.440 --> 0:37:52.680
<v Speaker 1>super familiar with that area and it was nice to

0:37:52.719 --> 0:37:56.360
<v Speaker 1>see that. Hank Azaria makes a weird quick flash in

0:37:56.400 --> 0:37:58.920
<v Speaker 1>the pan appearance like as a cop at the very beginning,

0:37:58.920 --> 0:38:01.319
<v Speaker 1>and then he's gone. I thought he would be more

0:38:02.640 --> 0:38:06.760
<v Speaker 1>more like, you know, in a main character. He wasn't.

0:38:06.920 --> 0:38:09.120
<v Speaker 1>He wasn't even a big thing then. Though that's right,

0:38:09.239 --> 0:38:11.560
<v Speaker 1>it makes sense. I just think of him so fondly

0:38:11.560 --> 0:38:15.000
<v Speaker 1>because of all his voice work. Uh. Corner like gets

0:38:15.080 --> 0:38:20.440
<v Speaker 1>on rails. He's driving his his his lawyer's car and

0:38:20.480 --> 0:38:23.680
<v Speaker 1>he can't drive a stick and like she gets in

0:38:23.680 --> 0:38:25.600
<v Speaker 1>the car and she she it's a lotus. So I

0:38:25.600 --> 0:38:28.439
<v Speaker 1>think it's what it is, um, And she says, man,

0:38:28.440 --> 0:38:30.840
<v Speaker 1>that about this thing Corners Like it's on rails, And

0:38:30.880 --> 0:38:34.440
<v Speaker 1>I'm like, I don't even understand what that term. No,

0:38:34.719 --> 0:38:36.239
<v Speaker 1>what is it like like on like a like a

0:38:36.280 --> 0:38:39.800
<v Speaker 1>train track, Like, what is corn? Okay, yeah, that's exactly

0:38:39.840 --> 0:38:43.120
<v Speaker 1>what it means. It's it's It's a term I've never

0:38:43.120 --> 0:38:45.600
<v Speaker 1>heard of and he hadn't either, and then he uses

0:38:45.640 --> 0:38:49.000
<v Speaker 1>it again later to improve his lawyer. He gonna repeats it,

0:38:49.120 --> 0:38:51.000
<v Speaker 1>you know, he said, yeah, I think corners like it's

0:38:51.040 --> 0:38:54.680
<v Speaker 1>on rails. Uh, she's from Millageville. Do you remember that

0:38:54.800 --> 0:38:57.560
<v Speaker 1>she says she's from Millageville, Georgia. Did she say that,

0:38:58.080 --> 0:39:01.759
<v Speaker 1>Yeah in the movie you're kidding. Yep, she's from Milledgeville.

0:39:02.040 --> 0:39:04.760
<v Speaker 1>That's crazy and weird because Julia Roberts is from Smyrna

0:39:04.920 --> 0:39:09.160
<v Speaker 1>in real life. I didn't know that Smyrna, Georgia. And uh,

0:39:09.440 --> 0:39:11.840
<v Speaker 1>I'm surprised she didn't say, Hey, can I make this

0:39:11.880 --> 0:39:14.600
<v Speaker 1>Smyrna since I am actually from Georgia instead of this

0:39:14.680 --> 0:39:18.120
<v Speaker 1>weird town that no one has ever heard of. I

0:39:18.160 --> 0:39:23.759
<v Speaker 1>think maybe Milledgeville just sounds more quaint. Now I've heard

0:39:23.840 --> 0:39:29.759
<v Speaker 1>not great things, you know, not to yuck anyone's town

0:39:29.840 --> 0:39:31.600
<v Speaker 1>or anything. Isn't that where there's a college there? Right?

0:39:31.640 --> 0:39:34.799
<v Speaker 1>Isn't that where? Like? What is it? Yeah? I can't

0:39:34.800 --> 0:39:37.120
<v Speaker 1>remember which one, like Middle Georgia or something like that.

0:39:37.520 --> 0:39:41.080
<v Speaker 1>It's on the Lake Sinclair. Alright, no, so give me

0:39:41.120 --> 0:39:43.880
<v Speaker 1>thumbs out of five thumbs uh in in the context

0:39:43.920 --> 0:39:46.440
<v Speaker 1>of when it was made, what do you? I give

0:39:46.480 --> 0:39:50.520
<v Speaker 1>it like four and a half three point seven five

0:39:50.600 --> 0:39:54.120
<v Speaker 1>thumbs very much enjoyed it. It's light junk food of

0:39:54.160 --> 0:39:57.480
<v Speaker 1>a movie. You know. It's not like I think cathartic

0:39:57.719 --> 0:40:01.239
<v Speaker 1>happened or I I walked away feeling change, not that that.

0:40:01.239 --> 0:40:03.680
<v Speaker 1>That has to be the criteria for any you know,

0:40:04.040 --> 0:40:06.399
<v Speaker 1>any movie has to do that definitely accomplishes its goals?

0:40:06.640 --> 0:40:10.080
<v Speaker 1>Is it? Gary Marshall? Gary Marshall? Right? And then is

0:40:10.120 --> 0:40:14.239
<v Speaker 1>Penny Marshall his sister? And she's done a bunch of

0:40:14.280 --> 0:40:16.279
<v Speaker 1>stuff too. I heard the best interview with Barry Son

0:40:16.320 --> 0:40:18.600
<v Speaker 1>and Felt the other day on NPR. He say he

0:40:18.640 --> 0:40:21.160
<v Speaker 1>used to be a cameraman and apparently he was shooting

0:40:21.160 --> 0:40:24.359
<v Speaker 1>a movie for He's an interesting character by the way,

0:40:24.360 --> 0:40:26.840
<v Speaker 1>He's got a book out about his life and really fascinating.

0:40:26.840 --> 0:40:29.760
<v Speaker 1>Weird dude. But he was saying, yeah, Penny Marshall said,

0:40:30.040 --> 0:40:32.319
<v Speaker 1>I tried to fire you, but they wouldn't let me.

0:40:34.120 --> 0:40:36.200
<v Speaker 1>As he goes, they told me you were good, but

0:40:36.360 --> 0:40:39.719
<v Speaker 1>I don't think so. It was pretty great. Yeah she

0:40:39.880 --> 0:40:44.000
<v Speaker 1>was great. Yeah, but yeah, for seven five, I definitely

0:40:44.080 --> 0:40:45.759
<v Speaker 1>enjoyed it. It was a lot of fun. I love

0:40:45.800 --> 0:40:48.320
<v Speaker 1>the music. There's a lot of good, like big music

0:40:48.400 --> 0:40:52.600
<v Speaker 1>moments like uh is wait, what is it? I want

0:40:52.640 --> 0:40:55.759
<v Speaker 1>to know what love is now? What it was then?

0:40:55.760 --> 0:40:59.640
<v Speaker 1>And there's now there's a big schlocky eighties let's see

0:40:59.680 --> 0:41:06.279
<v Speaker 1>pretty Woman soundstrack, big moment. Oh no, I know it

0:41:06.360 --> 0:41:08.560
<v Speaker 1>must have been love, must have been love. But it's

0:41:08.600 --> 0:41:14.480
<v Speaker 1>all pretty good song. It must have been. Yeah, And

0:41:14.920 --> 0:41:17.400
<v Speaker 1>I had to I had to give them some points

0:41:17.400 --> 0:41:22.320
<v Speaker 1>for restraint for not just blasting Pretty Woman repeatedly. They

0:41:22.480 --> 0:41:25.480
<v Speaker 1>used it just once, and they used an instrumental little

0:41:25.800 --> 0:41:27.840
<v Speaker 1>splash of it at one point, but that was it.

0:41:28.200 --> 0:41:30.399
<v Speaker 1>That's great. So you give it three thumbs and one thumb.

0:41:30.480 --> 0:41:33.560
<v Speaker 1>That was slammed in a jewelry box by Richard Garre exactly.

0:41:34.280 --> 0:41:37.200
<v Speaker 1>He's like, all right, well, I think we should keep

0:41:37.200 --> 0:41:40.239
<v Speaker 1>this up, these movie challenges, and uh, maybe you can

0:41:40.320 --> 0:41:42.960
<v Speaker 1>challenge me for one next time. Yeah, yeah, yeah, and

0:41:43.000 --> 0:41:45.799
<v Speaker 1>I will watch one of your favorites. Okay that you've

0:41:45.920 --> 0:41:49.680
<v Speaker 1>been harping on I've been harping, you know, like, why

0:41:49.680 --> 0:41:53.319
<v Speaker 1>haven't you seen that yet? Chuck? Oh, I can't think

0:41:53.320 --> 0:41:55.399
<v Speaker 1>of what that would be, but I'll rack my brain.

0:41:55.800 --> 0:41:58.400
<v Speaker 1>I think they are movie crushers. Now, okay, they know

0:41:58.880 --> 0:42:00.799
<v Speaker 1>do you know? Are you? Are you coy? Is there

0:42:00.800 --> 0:42:03.839
<v Speaker 1>something specific? Oh? I can think of a few. All right,

0:42:04.320 --> 0:42:07.600
<v Speaker 1>but this is your challenge and game on, game on, Chuck.

0:42:08.239 --> 0:42:11.880
<v Speaker 1>All right. Well, thanks everyone for tuning in, and uh

0:42:11.960 --> 0:42:29.680
<v Speaker 1>we will see you next Monday. For more podcasts for

0:42:29.800 --> 0:42:32.840
<v Speaker 1>my heart Radio, visit the I heart Radio app, Apple Podcasts,

0:42:32.920 --> 0:42:34.720
<v Speaker 1>or wherever you listen to your favorite shows,