1 00:00:00,320 --> 00:00:05,440 Speaker 1: Was it once again. Fight really introduced me to actually 2 00:00:05,800 --> 00:00:08,960 Speaker 1: taking it seriously to Wrap. I knew him Fight since 3 00:00:09,000 --> 00:00:10,959 Speaker 1: I was like four years old. You know, he went 4 00:00:11,000 --> 00:00:13,920 Speaker 1: to church and everything. We sang in the army crying 5 00:00:14,480 --> 00:00:17,480 Speaker 1: all that stuff. And he was always the one like 6 00:00:17,840 --> 00:00:20,720 Speaker 1: fevers with different little things or whatever. But he's the 7 00:00:20,760 --> 00:00:22,560 Speaker 1: one who kind of put it in me that I 8 00:00:22,640 --> 00:00:27,000 Speaker 1: could wrong because he was always robing when rappers the 9 00:00:27,080 --> 00:00:29,960 Speaker 1: light was out. He was like nineteen years old. The 10 00:00:30,040 --> 00:00:34,479 Speaker 1: dude was froming like freestyling, like for real, like just 11 00:00:34,680 --> 00:00:38,319 Speaker 1: making stuff up. And he's gifted, you know what I mean. 12 00:00:38,360 --> 00:00:41,600 Speaker 1: And I just was always in all him. But after 13 00:00:41,640 --> 00:00:44,240 Speaker 1: we heard that Slick Rick tape and I sat with it, 14 00:00:45,720 --> 00:00:48,360 Speaker 1: you know, running them was popping off from being around 15 00:00:48,360 --> 00:00:51,400 Speaker 1: our way. He's like, yo, man, we can just do it. 16 00:00:51,479 --> 00:00:54,440 Speaker 1: I could remember he was in this kting Randoms call. 17 00:00:54,640 --> 00:00:58,560 Speaker 1: He had like this Cadillac or something, fighting with Yo 18 00:00:58,720 --> 00:01:02,240 Speaker 1: Muni Rapp listening with you know you've been listening to 19 00:01:02,320 --> 00:01:05,840 Speaker 1: that jokey week, that's your lane, you know what I mean, 20 00:01:06,040 --> 00:01:08,760 Speaker 1: Like basically in that kind of way he was saying that. 21 00:01:08,840 --> 00:01:16,440 Speaker 1: So he pushed me to round this the iron Wrap 22 00:01:16,480 --> 00:01:26,319 Speaker 1: hors stereo podcast. We're uh M changing the plan of today, Um, 23 00:01:26,360 --> 00:01:34,120 Speaker 1: because of the news of passing of I mean somebody, 24 00:01:34,240 --> 00:01:36,800 Speaker 1: you know, me and me and Moody. We're gonna get into, 25 00:01:36,959 --> 00:01:42,039 Speaker 1: you know, the specifics. But Trip Call Quests, Uh five 26 00:01:42,160 --> 00:01:48,040 Speaker 1: dog passed away and uh you know this guy, uh 27 00:01:48,640 --> 00:01:53,880 Speaker 1: was half a quarter or whatever however you want to 28 00:01:54,000 --> 00:01:57,280 Speaker 1: break down there the group, you know, him and him 29 00:01:57,280 --> 00:02:03,640 Speaker 1: and him and Q Tip were together when all cylinders 30 00:02:03,960 --> 00:02:09,680 Speaker 1: were going, two of the best together. Yes, indeed, and 31 00:02:09,800 --> 00:02:13,640 Speaker 1: uh I had the the opportunity and the pleasure and 32 00:02:13,639 --> 00:02:16,519 Speaker 1: and and and the gift of of of of doing 33 00:02:16,760 --> 00:02:18,840 Speaker 1: the beat Tribes in life travels of a Trip Call 34 00:02:18,960 --> 00:02:25,520 Speaker 1: Quest documentary about the group, and um, you know, I 35 00:02:25,560 --> 00:02:29,400 Speaker 1: haven't seen the movie in a little while. Um, but Fife, 36 00:02:30,760 --> 00:02:33,720 Speaker 1: you know, throughout the shooting of the film and afterwards 37 00:02:33,720 --> 00:02:36,080 Speaker 1: and and and throughout his whole life was so open 38 00:02:36,320 --> 00:02:40,600 Speaker 1: and honest and genuine about what he was going through 39 00:02:40,600 --> 00:02:47,160 Speaker 1: with his health, and it's depicted in the movie. And uh, 40 00:02:47,280 --> 00:02:52,400 Speaker 1: I mean you know that film was made because I 41 00:02:52,440 --> 00:02:55,440 Speaker 1: was a fan. That's the reason why I made the movie, 42 00:02:56,880 --> 00:03:00,120 Speaker 1: you know, And I and and and um you and 43 00:03:00,200 --> 00:03:02,440 Speaker 1: I and I and I started the financing of the 44 00:03:02,480 --> 00:03:04,280 Speaker 1: movie on my own I paid for my own money 45 00:03:04,280 --> 00:03:05,959 Speaker 1: because I was a fan and I wanted to tell 46 00:03:05,960 --> 00:03:12,680 Speaker 1: their story. Um and uh, it's just heartbreaking to find out, 47 00:03:14,280 --> 00:03:19,520 Speaker 1: oh what happened? And uh you know, I mean if 48 00:03:19,560 --> 00:03:23,480 Speaker 1: you grew up in that time when Tribe came out 49 00:03:23,720 --> 00:03:28,920 Speaker 1: and and Fife sort of first the first time you 50 00:03:28,960 --> 00:03:31,760 Speaker 1: heard him was on can I Kick It? You know, 51 00:03:31,840 --> 00:03:35,240 Speaker 1: and and his line, the iconic line, Mr Dinkins, would 52 00:03:35,280 --> 00:03:38,880 Speaker 1: you please be my mayor? You know, he had such 53 00:03:38,920 --> 00:03:41,800 Speaker 1: a boyish quality to his voice. It was like the 54 00:03:41,840 --> 00:03:44,840 Speaker 1: town crier. He sounds like a little kid, Mr Dinkins, 55 00:03:44,920 --> 00:03:47,520 Speaker 1: would you please be my mayor? You know that was 56 00:03:47,680 --> 00:03:50,360 Speaker 1: a really good day here and that you know, and 57 00:03:50,400 --> 00:03:53,560 Speaker 1: it was he was just like what who is this? 58 00:03:55,520 --> 00:04:00,680 Speaker 1: And you know, then of course the emergence of five Dog, 59 00:04:01,760 --> 00:04:05,119 Speaker 1: where he really sort of bust through and and and 60 00:04:05,160 --> 00:04:09,000 Speaker 1: you know, it became like a two headed monster was 61 00:04:09,080 --> 00:04:14,120 Speaker 1: on low end theory during uh bugging out you know, 62 00:04:14,360 --> 00:04:17,560 Speaker 1: yo microphone check one to with it and and and 63 00:04:17,560 --> 00:04:19,880 Speaker 1: and the way he came through, in the energy that 64 00:04:19,960 --> 00:04:22,960 Speaker 1: he came through with and the way he would start 65 00:04:23,000 --> 00:04:25,920 Speaker 1: a song by saying, yo, you know it was like 66 00:04:25,960 --> 00:04:29,320 Speaker 1: bugged Out. That was his coming out party, that album, 67 00:04:29,440 --> 00:04:34,279 Speaker 1: that album and low End Theory or Minna Marauders. You know, 68 00:04:34,279 --> 00:04:36,680 Speaker 1: people go whose which song is best? I mean, which 69 00:04:36,680 --> 00:04:38,880 Speaker 1: record is best? You can't lose with either one. They're 70 00:04:38,920 --> 00:04:43,320 Speaker 1: perfect top to bottom um boom bab at its finest, 71 00:04:44,839 --> 00:04:50,360 Speaker 1: at its finest, at its zenith. Yeah, it was like, uh, 72 00:04:51,720 --> 00:04:54,560 Speaker 1: you know, one of the big bang theories of hip hop, 73 00:04:54,920 --> 00:04:57,440 Speaker 1: like those albums and and and and and what they 74 00:04:57,520 --> 00:05:03,320 Speaker 1: did was like boom and uh, you know, the the 75 00:05:03,560 --> 00:05:08,080 Speaker 1: humor and this sort of self effacing quality. One of 76 00:05:08,120 --> 00:05:12,359 Speaker 1: his greatest lines, the height of Muggsy Bogues complexion of 77 00:05:12,400 --> 00:05:15,960 Speaker 1: a hockey parst. You know how bigg Biggie would say 78 00:05:16,000 --> 00:05:19,279 Speaker 1: black ugly isn't as ever, you know, sort of embracing 79 00:05:19,360 --> 00:05:24,719 Speaker 1: his flaws and making them his strength. Um, what did 80 00:05:24,720 --> 00:05:29,560 Speaker 1: you take from Fife? Like, what did you gather from 81 00:05:29,640 --> 00:05:33,800 Speaker 1: him when you met him? Nice dude, good dude, honest dude, 82 00:05:34,800 --> 00:05:41,279 Speaker 1: sweet dude, sensitive dude, vulnerable New York guy. Queens in 83 00:05:41,320 --> 00:05:47,200 Speaker 1: the house all queens all day, phre He's always Queens, Mets, jets, 84 00:05:48,440 --> 00:05:53,200 Speaker 1: um Nicks. The biggest Knicks fan I've ever met, the 85 00:05:53,200 --> 00:05:56,760 Speaker 1: biggest Knicks fan I've ever met this guy. I mean, Yo, 86 00:05:56,880 --> 00:06:02,360 Speaker 1: it's no coincidence. It's dark that's and star. No, this 87 00:06:02,440 --> 00:06:05,000 Speaker 1: is not like you know, Bo knows this, and Bo 88 00:06:05,160 --> 00:06:09,520 Speaker 1: knows that. I'll skate on your crew like Mariola mu. 89 00:06:10,200 --> 00:06:18,720 Speaker 1: This is Fife sports hockey. I mean, he could talk football, basketball, 90 00:06:18,839 --> 00:06:23,599 Speaker 1: baseball with the best of them, college basketball, college football. 91 00:06:23,640 --> 00:06:28,600 Speaker 1: He was like a human Wikipedia, and he would like 92 00:06:28,680 --> 00:06:31,200 Speaker 1: one of the funny things I would answer. So he 93 00:06:31,240 --> 00:06:34,480 Speaker 1: was just a sweetheart. And the first time we interviewed him, 94 00:06:34,520 --> 00:06:38,920 Speaker 1: I had no idea, um, what he was going to 95 00:06:39,040 --> 00:06:43,080 Speaker 1: talk to me about. I had no idea what um 96 00:06:43,200 --> 00:06:45,520 Speaker 1: what uh what he would talk about. I knew he 97 00:06:45,600 --> 00:06:47,040 Speaker 1: was there was health stuff I knew. I knew there 98 00:06:47,080 --> 00:06:49,640 Speaker 1: was diabetes. I didn't know the extent of it. The 99 00:06:49,680 --> 00:06:53,200 Speaker 1: first time we interviewed him, he had he broke down 100 00:06:53,200 --> 00:06:56,200 Speaker 1: in tears and and and and we broke down in tears. 101 00:06:56,880 --> 00:06:58,760 Speaker 1: And he talked about his wife, and he talked about 102 00:06:58,760 --> 00:07:01,560 Speaker 1: the kidney transplant and needing a new kidney and what 103 00:07:02,480 --> 00:07:06,080 Speaker 1: his wife gave him his kidney. And he talked about 104 00:07:06,120 --> 00:07:08,479 Speaker 1: that so openly and beautifully, and it's in the movie. 105 00:07:08,520 --> 00:07:15,120 Speaker 1: And you know, when we did that and I interviewed 106 00:07:15,240 --> 00:07:16,960 Speaker 1: him and we had that on camera, I was like, 107 00:07:17,000 --> 00:07:21,400 Speaker 1: we can't stop making this movie. These guys are giving us. 108 00:07:22,280 --> 00:07:26,080 Speaker 1: He specifically, he's giving us his soul. He gave us 109 00:07:26,400 --> 00:07:30,200 Speaker 1: the first time we interviewed him for that movie. He 110 00:07:30,240 --> 00:07:33,920 Speaker 1: gave us his soul. And he was so vulnerable and 111 00:07:34,040 --> 00:07:37,360 Speaker 1: so sweet and and and just genuine. And you know, 112 00:07:37,400 --> 00:07:41,040 Speaker 1: one of the things that were so great about Tribe 113 00:07:41,080 --> 00:07:43,760 Speaker 1: is that that's who they were. You know, it was 114 00:07:43,800 --> 00:07:47,080 Speaker 1: a persona. But like when you you you you know, 115 00:07:47,160 --> 00:07:49,880 Speaker 1: like in hip hop at that time, you know, there 116 00:07:49,920 --> 00:07:52,480 Speaker 1: was like Kuji Rapp and Polar Eric being Rock Kim E, 117 00:07:52,680 --> 00:07:54,880 Speaker 1: p M D. You know, Chuck D and them. Those 118 00:07:54,880 --> 00:07:58,040 Speaker 1: guys were doing their thing. And but like Tribe along 119 00:07:58,040 --> 00:08:02,640 Speaker 1: with Native Jungle Brothers Uh money love uh you know 120 00:08:02,720 --> 00:08:07,120 Speaker 1: and that whole native tongue click. But we're talking about 121 00:08:07,120 --> 00:08:09,880 Speaker 1: Tribe and Fife. You felt like you knew these guys. 122 00:08:10,600 --> 00:08:13,760 Speaker 1: You felt like you knew Fife and and and and 123 00:08:13,760 --> 00:08:16,640 Speaker 1: as you know, abstract poetic and is out there as 124 00:08:16,720 --> 00:08:18,600 Speaker 1: cute tip was. You felt like you knew a guy 125 00:08:18,680 --> 00:08:22,679 Speaker 1: like that. But Fife was the guy on the corner 126 00:08:23,680 --> 00:08:27,840 Speaker 1: at the coffee shop in your class on your bus, 127 00:08:28,240 --> 00:08:31,560 Speaker 1: that was getting a hero at the at the bodega. 128 00:08:32,920 --> 00:08:34,839 Speaker 1: And and as you can hear, the horns were here 129 00:08:34,840 --> 00:08:38,320 Speaker 1: in New York and nobody loved New York being from 130 00:08:38,320 --> 00:08:41,640 Speaker 1: New York, being a New York m C with the 131 00:08:42,000 --> 00:08:45,080 Speaker 1: history that comes with that. He loved being a New 132 00:08:45,120 --> 00:08:48,480 Speaker 1: York MC. And you know, those guys grew up in 133 00:08:48,600 --> 00:08:52,760 Speaker 1: Queens and you know, he talked some of the things 134 00:08:52,760 --> 00:08:54,640 Speaker 1: that got cut out of the movie. You know, he 135 00:08:54,679 --> 00:08:57,800 Speaker 1: talked about like they would see run DMC in their neighborhoods. 136 00:08:58,000 --> 00:09:01,400 Speaker 1: They would drive around and they would see Llo cool 137 00:09:01,480 --> 00:09:04,520 Speaker 1: J in their neighborhood driving around, and like that influenced them. 138 00:09:04,640 --> 00:09:08,600 Speaker 1: They would they see them when they were run DMC 139 00:09:08,760 --> 00:09:11,439 Speaker 1: when they were a little l cool J. And um, 140 00:09:13,320 --> 00:09:16,720 Speaker 1: you know he talked about, you know, not really being 141 00:09:16,760 --> 00:09:20,880 Speaker 1: focused on the first album, but like how much he 142 00:09:21,040 --> 00:09:24,120 Speaker 1: was like five how much Tips said, you know, I 143 00:09:24,160 --> 00:09:26,480 Speaker 1: need you and Fife was like, yo, I got you, son, 144 00:09:26,559 --> 00:09:28,959 Speaker 1: and like and then when they when they did that, 145 00:09:29,120 --> 00:09:32,560 Speaker 1: like as great as people stinctive and travels and the 146 00:09:32,600 --> 00:09:38,440 Speaker 1: past of Riven Rhythm are sorry is um low end 147 00:09:38,480 --> 00:09:40,160 Speaker 1: theory took it to the next level. And then they 148 00:09:40,200 --> 00:09:43,679 Speaker 1: came back and did it again with Midnight Marauders. And 149 00:09:43,720 --> 00:09:48,440 Speaker 1: if you've never heard these records, I implore you and 150 00:09:48,480 --> 00:09:52,600 Speaker 1: don't don't don't don't shuffle them play him in order. 151 00:09:53,360 --> 00:09:56,400 Speaker 1: They were made to be heard that way, you know. 152 00:09:56,440 --> 00:09:58,480 Speaker 1: And if you have somebody who's reluctant to get the 153 00:09:58,559 --> 00:10:01,240 Speaker 1: Midnight Marauders and say, just give go to listen both 154 00:10:01,240 --> 00:10:05,439 Speaker 1: of them, buy him as gifts to understand how passionate 155 00:10:05,600 --> 00:10:09,880 Speaker 1: we are about that particular boom Bat. You can hear 156 00:10:10,000 --> 00:10:13,400 Speaker 1: what we're talking about in the production and five Dogs 157 00:10:13,480 --> 00:10:17,760 Speaker 1: voice Q Tip how they're so great together, perfect and 158 00:10:17,760 --> 00:10:20,240 Speaker 1: and you know, like you know, you know, a mere 159 00:10:20,400 --> 00:10:23,880 Speaker 1: questlove from the roots, he said, you know, he said 160 00:10:23,920 --> 00:10:27,600 Speaker 1: a great thing in the movie. Um, you know, Tip 161 00:10:27,679 --> 00:10:31,920 Speaker 1: is very smooth, Fife is very hype and and and 162 00:10:33,400 --> 00:10:35,960 Speaker 1: it didn't get any better. And even on the last 163 00:10:35,960 --> 00:10:37,959 Speaker 1: two albums, Beat Tribes in Life and The Love Movement, 164 00:10:38,040 --> 00:10:40,839 Speaker 1: the songs that worked, they worked. You know, there was 165 00:10:40,880 --> 00:10:42,800 Speaker 1: a little bit of you know, discord, and things were 166 00:10:42,880 --> 00:10:45,120 Speaker 1: changing in hip hop, and I think musically things were 167 00:10:45,160 --> 00:10:48,520 Speaker 1: changing within the group. And but but but when they 168 00:10:48,600 --> 00:10:54,280 Speaker 1: clicked find a way, it's good as tripe song on 169 00:10:54,320 --> 00:10:58,600 Speaker 1: their last album, as any other song, um and and 170 00:10:58,600 --> 00:11:01,160 Speaker 1: and Fife was all about that be in that m 171 00:11:01,240 --> 00:11:06,960 Speaker 1: C the five ft assassin with the roughneck business. Mr Energetic, 172 00:11:07,520 --> 00:11:11,040 Speaker 1: whom you sound prophetic? When's the last time you heard 173 00:11:11,120 --> 00:11:14,920 Speaker 1: a funky diabetic? I mean that's one thing, you know, hair, crazy, 174 00:11:14,960 --> 00:11:19,320 Speaker 1: curly uhlip like Mr Furley in my like you know, 175 00:11:19,760 --> 00:11:24,400 Speaker 1: like you know, funny ship, witty, clever rerun to Chachi 176 00:11:25,440 --> 00:11:29,560 Speaker 1: q tip to fight for Yeah, and they're playing his 177 00:11:29,679 --> 00:11:34,600 Speaker 1: music all over the world and it's classy. It's classy 178 00:11:34,720 --> 00:11:38,000 Speaker 1: and you know, like there's been so many tributes and instagrams. 179 00:11:38,000 --> 00:11:39,600 Speaker 1: There was a guy who I want to give a 180 00:11:39,600 --> 00:11:42,800 Speaker 1: shout out to the Iron Rap por podcast amongst all 181 00:11:42,840 --> 00:11:46,440 Speaker 1: the other DJs, and this guy named Mark Aarram a 182 00:11:46,520 --> 00:11:49,640 Speaker 1: news reporter, weather reporter, and and and if I don't 183 00:11:49,640 --> 00:11:51,560 Speaker 1: know if you've heard this, but we'll play it now. 184 00:11:52,200 --> 00:11:56,760 Speaker 1: Mark Ambistan more on this and the impact with traic. Yeah, 185 00:11:56,760 --> 00:11:58,480 Speaker 1: this rush Hour come up with more hits than the 186 00:11:58,480 --> 00:12:01,360 Speaker 1: Braves or the Yankees. Freend an Award tour with Mark 187 00:12:01,440 --> 00:12:03,680 Speaker 1: McKay my man going each and every place with a 188 00:12:03,679 --> 00:12:07,000 Speaker 1: traffic tracker two in his hand, Mark McKay, Are things 189 00:12:07,200 --> 00:12:12,920 Speaker 1: ludicrously speedy or infectious with the SlowMo with Mark McKay, 190 00:12:12,960 --> 00:12:16,160 Speaker 1: do that? Do that? You do that that that you want? Mark, 191 00:12:16,520 --> 00:12:19,760 Speaker 1: We're on point Fred absolutely seeing extra lazing from Stowe 192 00:12:19,760 --> 00:12:22,480 Speaker 1: Mountain Freeway Highway seventy eight one for the trouble too, 193 00:12:22,559 --> 00:12:25,040 Speaker 1: for the base, you know the style, Mark McKay, time 194 00:12:25,080 --> 00:12:28,000 Speaker 1: to flip this. You can get updates for traffic anywhere 195 00:12:28,000 --> 00:12:29,679 Speaker 1: you want to go New York and j N C 196 00:12:29,920 --> 00:12:32,320 Speaker 1: b A, or of course follow us on Twitter. It's 197 00:12:32,360 --> 00:12:38,320 Speaker 1: at WSP Traffic. He did his entire UH broadcast forecast, 198 00:12:38,720 --> 00:12:43,520 Speaker 1: his entire forecast, quoting tribe and Fife dog lyrics. It 199 00:12:43,640 --> 00:12:49,640 Speaker 1: was great. What's his name, Mark Arum and it checked 200 00:12:49,640 --> 00:12:52,800 Speaker 1: this out So so this guy did that and it 201 00:12:52,920 --> 00:12:58,319 Speaker 1: was just excellent. And um I saw Kendrick Lamar giving 202 00:12:58,360 --> 00:13:03,080 Speaker 1: a passionate shout out and stopping his concert in Australia. 203 00:13:03,160 --> 00:13:08,679 Speaker 1: And I mean, and everybody that knows anything knows tribe 204 00:13:08,760 --> 00:13:13,280 Speaker 1: and knows how important Fife was. And you know, I've 205 00:13:13,320 --> 00:13:15,280 Speaker 1: I've been asked because I'm sure it's been hard to 206 00:13:15,320 --> 00:13:18,760 Speaker 1: get ahold of his close, close close friends and Jerobi 207 00:13:19,280 --> 00:13:22,160 Speaker 1: and Ali Shi Muhammed and of course Tip and and 208 00:13:22,160 --> 00:13:24,840 Speaker 1: and and and his friends and day law. These are 209 00:13:24,880 --> 00:13:28,000 Speaker 1: guys that you know, like I don't be like I'm 210 00:13:28,000 --> 00:13:32,000 Speaker 1: the spokesperson for trivial quests or five. Five. These guys 211 00:13:32,040 --> 00:13:35,720 Speaker 1: are way more devastated than I am. Of course they've known, 212 00:13:35,760 --> 00:13:37,880 Speaker 1: They've grew up together. These guys they were kids when 213 00:13:37,880 --> 00:13:40,720 Speaker 1: they were doing this in seventeen nineteen and knew him. 214 00:13:40,800 --> 00:13:47,000 Speaker 1: They knew each other before then in third grade together. Yeah, 215 00:13:47,360 --> 00:13:50,199 Speaker 1: Jerobe and five. You know, these are guys are best friends, 216 00:13:51,000 --> 00:13:52,959 Speaker 1: you know, before they were even thinking about a group. 217 00:13:53,480 --> 00:13:58,959 Speaker 1: So you know, um, you know, I I was asked 218 00:13:58,960 --> 00:14:01,280 Speaker 1: to to talk to this magazine that magazine, and I 219 00:14:01,360 --> 00:14:04,599 Speaker 1: just begged him, you know, the the the the uh 220 00:14:04,760 --> 00:14:09,719 Speaker 1: you know, um, Rolling Stone and Spin. Give him and 221 00:14:09,800 --> 00:14:13,600 Speaker 1: give a trip call Quest the same respect and the 222 00:14:13,679 --> 00:14:17,839 Speaker 1: same headlines you would give anybody from any classic rock group. 223 00:14:19,680 --> 00:14:27,200 Speaker 1: Get just because cold Play, Led Zeppelin, the Beatles, uh, Arctic, 224 00:14:27,480 --> 00:14:30,200 Speaker 1: you know, Arcade, any any any group that give them 225 00:14:30,200 --> 00:14:32,680 Speaker 1: the same respect. Don't treat them like a hip hop group. 226 00:14:32,680 --> 00:14:35,880 Speaker 1: It's a sub sub you know, on the corner thing. 227 00:14:37,120 --> 00:14:40,280 Speaker 1: And give them the respect they deserve. And we shouldn't 228 00:14:40,320 --> 00:14:43,040 Speaker 1: even have to ask you. I wanted to. I wanted 229 00:14:43,080 --> 00:14:45,480 Speaker 1: to ask because I said, we know how you get down, 230 00:14:45,760 --> 00:14:47,600 Speaker 1: that's what they do. We did that to BB King. 231 00:14:47,680 --> 00:14:51,360 Speaker 1: He had a little side bar b B. King. And 232 00:14:51,360 --> 00:14:55,720 Speaker 1: and this is a guy who who's who's influence and 233 00:14:55,800 --> 00:15:00,480 Speaker 1: who his impression in hip hop culture and in music. 234 00:15:01,960 --> 00:15:05,520 Speaker 1: He's he's he's half of one of the most important 235 00:15:05,600 --> 00:15:09,160 Speaker 1: groups of any genre in the last fifty years. You 236 00:15:09,160 --> 00:15:14,280 Speaker 1: could put Tropical quest their importance up with anybody and 237 00:15:14,720 --> 00:15:19,960 Speaker 1: more because they actually unified the uh, the the They 238 00:15:20,080 --> 00:15:24,560 Speaker 1: unified different ethnicities, that's very important, and they brought different 239 00:15:24,600 --> 00:15:31,000 Speaker 1: ethnicities to hip hop. That's really really important. One of 240 00:15:31,040 --> 00:15:32,960 Speaker 1: the words that came up from a handful of people 241 00:15:33,120 --> 00:15:38,400 Speaker 1: that I interviewed Farrell quality most deaf for that movie 242 00:15:39,120 --> 00:15:43,880 Speaker 1: was inclusiveness. They were for everybody. It was soul, it 243 00:15:44,000 --> 00:15:47,800 Speaker 1: was funky, it was afrocentric, it was black, but somehow 244 00:15:47,880 --> 00:15:51,400 Speaker 1: or another, it was for everybody. It was no one. 245 00:15:51,760 --> 00:15:56,000 Speaker 1: It was really what Bambada that dream, that peace, unity, 246 00:15:56,360 --> 00:16:00,800 Speaker 1: love and having it exuded that, you know. And of 247 00:16:00,840 --> 00:16:02,960 Speaker 1: course they talked a lot about you know, they gave 248 00:16:03,000 --> 00:16:04,680 Speaker 1: a lot of shout outs, a lot of lines, a 249 00:16:04,680 --> 00:16:07,560 Speaker 1: lot of love to Zulu nation. That was the magnet. 250 00:16:08,040 --> 00:16:12,920 Speaker 1: Yeah they were. They were there black selves, and they 251 00:16:12,960 --> 00:16:16,120 Speaker 1: were proud of that, and they exuded that in their lyrics. 252 00:16:16,120 --> 00:16:19,000 Speaker 1: No disrespect to nobody, but this is who we are, 253 00:16:19,280 --> 00:16:25,040 Speaker 1: right and uh you know, it's just it's just it's 254 00:16:25,080 --> 00:16:27,880 Speaker 1: just crushing. I I can't imagine what his family is 255 00:16:28,240 --> 00:16:32,880 Speaker 1: going through. Um and his wife, and and and his 256 00:16:32,920 --> 00:16:37,920 Speaker 1: son and his uh good friends and and and I'm 257 00:16:37,960 --> 00:16:40,240 Speaker 1: not gonna name names. A shout out to all of you. 258 00:16:40,520 --> 00:16:44,480 Speaker 1: Condolences to condolences to his family, his wife, family, the 259 00:16:44,640 --> 00:16:49,040 Speaker 1: entire family. Yeah, I mean, this guy, you know, five 260 00:16:49,080 --> 00:16:51,400 Speaker 1: Walster was one of the first people to bring that. 261 00:16:51,520 --> 00:16:53,040 Speaker 1: You know, he was trending that I mean, you know, 262 00:16:53,080 --> 00:16:55,000 Speaker 1: and he was he was you know, he brought a 263 00:16:55,000 --> 00:16:57,880 Speaker 1: lot of reggae stuff to to to the mainstream stuff 264 00:16:57,880 --> 00:17:02,840 Speaker 1: and Mighty Sparrow and yeah, uh yes, you know, and 265 00:17:02,840 --> 00:17:05,400 Speaker 1: and and all the all the all the the name 266 00:17:05,480 --> 00:17:09,159 Speaker 1: dropping that he did, all the shoutouts. You know, uh 267 00:17:09,840 --> 00:17:14,359 Speaker 1: Nia Longs grandmother you know, used to have a crush 268 00:17:14,400 --> 00:17:19,160 Speaker 1: from Dawn from invol Um you know, bonos this bonos 269 00:17:19,200 --> 00:17:25,320 Speaker 1: at Mr Furley don Knots. He had such a great 270 00:17:25,320 --> 00:17:28,919 Speaker 1: sense of humor, Like you know, he his his raps, 271 00:17:28,960 --> 00:17:31,720 Speaker 1: his music, his his lyrics, such a great sense of 272 00:17:31,800 --> 00:17:36,159 Speaker 1: humor and really exuded that that word MC. He took 273 00:17:36,440 --> 00:17:41,199 Speaker 1: it seriously. As a New York m C. You have 274 00:17:41,280 --> 00:17:43,600 Speaker 1: to because you have a legacy to live up to. 275 00:17:43,840 --> 00:17:45,879 Speaker 1: And he he was very aware of that. He's from that, 276 00:17:45,880 --> 00:17:49,639 Speaker 1: that that fabric. And one thing I can say is, 277 00:17:50,359 --> 00:17:53,720 Speaker 1: you know we we did um. You know a lot 278 00:17:53,760 --> 00:17:56,280 Speaker 1: of press for for Tribe and for the film, and 279 00:17:56,320 --> 00:17:58,280 Speaker 1: I spent you know, a good amount of time. I 280 00:17:58,359 --> 00:18:03,480 Speaker 1: never saw him not excited and appreciative when someone would 281 00:18:03,520 --> 00:18:05,200 Speaker 1: come up to him and be like, yo, five five 282 00:18:05,280 --> 00:18:08,720 Speaker 1: dog tribe, what's a fan? Always give them love, Always 283 00:18:08,720 --> 00:18:11,240 Speaker 1: stopped for pictures, and you know, he had health issues, 284 00:18:12,280 --> 00:18:16,159 Speaker 1: never turned anybody away, always small, always give pounds, always 285 00:18:16,160 --> 00:18:19,040 Speaker 1: give dap to every single person. That's a window into 286 00:18:19,040 --> 00:18:23,880 Speaker 1: his character. That's who he was. And that voice, that 287 00:18:23,960 --> 00:18:27,000 Speaker 1: boy's voice, you know, it just had such an emotion 288 00:18:27,240 --> 00:18:30,600 Speaker 1: in it. It had such an emotion in it. Um, 289 00:18:31,600 --> 00:18:34,680 Speaker 1: they did it. They did good. Yeah, they did they 290 00:18:34,680 --> 00:18:38,680 Speaker 1: did fantastic. Good, they did fantastic And uh what else 291 00:18:38,720 --> 00:18:41,800 Speaker 1: I mean, I'm just sort of we're just free free 292 00:18:41,800 --> 00:18:45,119 Speaker 1: falling here because if this is out of the blue, 293 00:18:46,040 --> 00:18:50,879 Speaker 1: you know, Kanye West and Farrell the Roots would be 294 00:18:50,920 --> 00:18:55,080 Speaker 1: the first to tell you. They've said it publicly. Without Tribe, 295 00:18:55,200 --> 00:18:57,679 Speaker 1: there would be no Kanye, there would be no Farrell, 296 00:18:58,080 --> 00:19:00,840 Speaker 1: there would be no Roots. There'd be no Roots, you know. 297 00:19:00,960 --> 00:19:03,480 Speaker 1: And and and one of the other legacies and and 298 00:19:03,480 --> 00:19:07,200 Speaker 1: and imprints that tribe has is you know when they 299 00:19:07,240 --> 00:19:11,120 Speaker 1: came out wearing jeans and regular clothes and not anything 300 00:19:11,160 --> 00:19:15,600 Speaker 1: fancies and the dashikis. And you see so many people now, 301 00:19:17,359 --> 00:19:22,480 Speaker 1: young people, whether they're in hip hop or not being themselves, 302 00:19:23,760 --> 00:19:27,000 Speaker 1: being not of the norm. And again it's not just 303 00:19:27,119 --> 00:19:30,800 Speaker 1: Tribe who did this. It was day Law. It was 304 00:19:30,840 --> 00:19:32,800 Speaker 1: that whole click. It was like, you know, we don't 305 00:19:32,840 --> 00:19:34,560 Speaker 1: all have to wear gold chains, we don't have to 306 00:19:34,600 --> 00:19:38,240 Speaker 1: wear like you know, thuggers shruggish. We could smile. That 307 00:19:38,240 --> 00:19:44,200 Speaker 1: that that legacy, that that comfortable being being who you are, 308 00:19:45,240 --> 00:19:51,119 Speaker 1: a big part of its tribical quest um and uh 309 00:19:52,160 --> 00:19:56,120 Speaker 1: their loved, he loved and I'm so happy that espn 310 00:19:56,320 --> 00:20:00,399 Speaker 1: and and and Ryan Russilio and Scott Van Pelton, Jamal 311 00:20:01,440 --> 00:20:05,240 Speaker 1: and and and and his and hers, Michael and and 312 00:20:05,240 --> 00:20:07,199 Speaker 1: and and all the people you know that that have 313 00:20:07,280 --> 00:20:11,840 Speaker 1: a public form to give this guy. He loved sports 314 00:20:12,400 --> 00:20:15,320 Speaker 1: and he was recently they he was on ESPN for 315 00:20:15,359 --> 00:20:18,720 Speaker 1: the anniversary of People's Instinctive Travels. I guarantee you that'd 316 00:20:18,720 --> 00:20:21,719 Speaker 1: be one of the the highlights of his life. You 317 00:20:21,720 --> 00:20:26,959 Speaker 1: could see the interview. The guy was gushing, Yeah, he 318 00:20:27,160 --> 00:20:32,840 Speaker 1: loved it. Um, nothing but love, respect, condolence, his thoughts, 319 00:20:33,000 --> 00:20:38,920 Speaker 1: prayers for Fife, Malik Taylor, his family, Um, everybody who 320 00:20:39,040 --> 00:20:42,040 Speaker 1: uh you know, continue to celebrate his music, continue to 321 00:20:42,080 --> 00:20:45,120 Speaker 1: celebrate tribe music, and and and I don't think that 322 00:20:45,320 --> 00:20:47,199 Speaker 1: anybody needs to be urged this because you could just 323 00:20:47,240 --> 00:20:50,320 Speaker 1: already feel the momentum of his passing. It. It's touched 324 00:20:50,400 --> 00:20:54,560 Speaker 1: so many people. And also I want to say your 325 00:20:54,640 --> 00:20:59,040 Speaker 1: loved ones, make sure you tell them you love them, 326 00:21:00,240 --> 00:21:04,200 Speaker 1: because this life we are living can leave us at 327 00:21:04,240 --> 00:21:08,840 Speaker 1: any time. It's absolutely true. So it's very important. And 328 00:21:08,920 --> 00:21:12,000 Speaker 1: people you hear all the time, but make sure you 329 00:21:12,080 --> 00:21:16,880 Speaker 1: do it. Yeah, you know, yeah, and it's it's it's 330 00:21:16,960 --> 00:21:21,160 Speaker 1: very true. Um, what else I don't know. I've heard 331 00:21:21,200 --> 00:21:24,879 Speaker 1: from so many different people, Um, that that that there 332 00:21:24,920 --> 00:21:27,320 Speaker 1: were fans of his and and then that that that 333 00:21:27,359 --> 00:21:31,560 Speaker 1: I've seen on Twitter called me text me. Um. Everybody's 334 00:21:31,560 --> 00:21:35,399 Speaker 1: beaten up by this. It was so out of the blue. UM. 335 00:21:35,440 --> 00:21:38,320 Speaker 1: And he's gonna be missed, he's gonna be talked about, 336 00:21:39,119 --> 00:21:43,680 Speaker 1: he's gonna be celebrated. UM. This This entire episode is 337 00:21:43,680 --> 00:21:46,920 Speaker 1: obviously dedicated to five Dog and I hope you enjoy it. 338 00:21:46,920 --> 00:21:50,000 Speaker 1: It's from the bottom of our hearts. Iron Rapport Stereo Podcast. 339 00:21:55,400 --> 00:21:57,600 Speaker 1: Once upon a time, there was a new crossover that 340 00:21:57,720 --> 00:22:00,320 Speaker 1: refused to play by the rules. It flipped this script 341 00:22:00,320 --> 00:22:03,520 Speaker 1: and made all the others look like fools. Featuring styling 342 00:22:03,560 --> 00:22:06,920 Speaker 1: that's sexier by far and handles like a rock star. 343 00:22:07,080 --> 00:22:12,360 Speaker 1: Introducing the first ever Toyota c h R. 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