WEBVTT - 127: Digital Digital Letdown

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<v Speaker 1>It's eleven fifty three PM on a big nugget body

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<v Speaker 1>pillow and you're listening tonight Call. Hello, and welcome to Nightcall,

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<v Speaker 1>the College show for Artistrophe in Reality. My name is

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<v Speaker 1>Emily Aschida, and with me on the other line as

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<v Speaker 1>always are Mollylia Bern and Tess Lynch. And we're going

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<v Speaker 1>to be joined later in the show by Justin Charity

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<v Speaker 1>from the ringer to talk about anime Travis Scott pe

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<v Speaker 1>and on Twitter but uh not actively participating in it,

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<v Speaker 1>and uh yeah, a lot of a lot of other stuff.

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<v Speaker 1>It's a it's a wide ranging conversation, so stay tuned

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<v Speaker 1>for that. We have a night call that we want

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<v Speaker 1>to take right now from the happiest place on Earth?

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<v Speaker 1>Shall we roll it? Hey, nightcall, long time, first time. UM.

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<v Speaker 1>I'm just calling to tell you the story of how

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<v Speaker 1>I went to Disney World recently. UM. I live in

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<v Speaker 1>Florida and I was visiting some family up in the

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<v Speaker 1>Orlando area and we weren't while I wasn't planning on

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<v Speaker 1>going to the parts at all. I've been pretty as

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<v Speaker 1>far as airing on the side of caution goes, I've

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<v Speaker 1>been pretty extreme in terms of not leaving my house

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<v Speaker 1>for the most part rationally, so I think I'm not

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<v Speaker 1>like a gooraphobic or anything like that. But so I

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<v Speaker 1>get there to visit family, and they basically are like,

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<v Speaker 1>so there's this Florida resident discount right now, tickets are

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<v Speaker 1>really cheap. We won't bring this up to the kids

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<v Speaker 1>as a possibility until we talk to you. Will all go,

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<v Speaker 1>but only if you want to go. And I don't know,

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<v Speaker 1>in like some sort of lapse of judgment or feeling

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<v Speaker 1>like outnumbered, or you know that feeling of like, well,

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<v Speaker 1>all of these people think it's a good idea, I

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<v Speaker 1>guess maybe I'm being you know, extreme or something. So

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<v Speaker 1>I went and had a pretty good time. All of

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<v Speaker 1>the lines are six ft apart, there's like hand sanitizers everywhere,

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<v Speaker 1>there's like um plexiglass in between wine formations, so you're

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<v Speaker 1>not like breathing on everybody as you're waiting in line,

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<v Speaker 1>and most of the lines have been moved outside, but

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<v Speaker 1>none of that really changes the fact that like a

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<v Speaker 1>lot of rides are inside and you're just fucking touching

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<v Speaker 1>a lot of stuff, And there's like so many different

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<v Speaker 1>vectors of transmission at a park that like even at

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<v Speaker 1>percent capacity, which I think to holding it to it's

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<v Speaker 1>still like a lot of people in and out. So

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<v Speaker 1>I like, I went to the parks over the weekend,

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<v Speaker 1>and then last night, I like kind of woke up

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<v Speaker 1>in the middle of the night having a hard time sleeping,

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<v Speaker 1>and then just sort of in that like middle of

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<v Speaker 1>the night fashion started thinking about like all of the

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<v Speaker 1>different ways we could have gotten COVID by going to

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<v Speaker 1>the parks. You how, you know, temperature checks only cover

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<v Speaker 1>people who are like symptomatically sick and not those who

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<v Speaker 1>are asymptomatic, and you know how many things we had

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<v Speaker 1>to have touched. Anyway, bottom line is, I woke up

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<v Speaker 1>in the middle of the night last night and had

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<v Speaker 1>a full blown anxiety attack, which is actually the first

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<v Speaker 1>one I've experienced throughout quarantine. Um probably because up until

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<v Speaker 1>this point I've been extremely cautious, and then I felt

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<v Speaker 1>I was feeling like I threw all of that away

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<v Speaker 1>by going to the parks this weekend. You know, wanted

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<v Speaker 1>to give you an insider report of Disney World, which

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<v Speaker 1>is like a fucking surreal right now, and just like

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<v Speaker 1>wild to be there while everybody's like wearing masks, you know,

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<v Speaker 1>it just it feels super weird, but also to give

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<v Speaker 1>all of your listeners a warning that you know, if

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<v Speaker 1>you're considering doing something, like if you're maybe feeling like, well,

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<v Speaker 1>maybe everything is like safer out there, then I think

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<v Speaker 1>it is or you're kind of double guessing the way

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<v Speaker 1>that you've approached quarantining and being safe up until now,

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<v Speaker 1>and like feeling like you're being left out of stuff

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<v Speaker 1>because like things are reopening and people are going out

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<v Speaker 1>to eat and ship. I was feeling fine while I

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<v Speaker 1>was there, and then it all just hit me when

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<v Speaker 1>I got home and realized it was a terrible decision.

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<v Speaker 1>So I would recommend not going overall, and I would

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<v Speaker 1>also especially recommend not going if you're prone to anxiety

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<v Speaker 1>is because this was the worst one that I've had

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<v Speaker 1>in a long time. Thanks night call, have a good one.

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<v Speaker 1>Thank you so much for that call. That that is

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<v Speaker 1>definitely good advice to heed um to be more cautious.

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<v Speaker 1>Then it seems like when you look at the rest

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<v Speaker 1>of the world and you see how people are starting

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<v Speaker 1>to be a little bit less careful, I think it

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<v Speaker 1>can make you feel as though you're being overly vigilant

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<v Speaker 1>by continuing to quarantine I guess it depends on how

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<v Speaker 1>on where you're located, but um, I was curious if

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<v Speaker 1>you guys Molly and Emily have felt like looking at,

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<v Speaker 1>you know, how other people are operating at this stage

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<v Speaker 1>of quarantine, that you feel like there's a disconnect there.

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<v Speaker 1>I think that people have gotten really cooped up because

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<v Speaker 1>we've been in quarantine for so long, and especially with

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<v Speaker 1>the fires in California and Oregon, it has like doubled

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<v Speaker 1>down on those feelings of claustrophobia and have in fever.

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<v Speaker 1>So I definitely over the past like a few days,

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<v Speaker 1>was just like had this urge to get out in

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<v Speaker 1>the world, just desperately because I could not, and I

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<v Speaker 1>think a lot of people because they've been holding back,

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<v Speaker 1>then when they decided to do something, it is this

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<v Speaker 1>sort of like liberating moment followed immediately by intense guilt

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<v Speaker 1>and shame. My mom has some friends who it's like

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<v Speaker 1>they're very careful, but especially because they're older, and then

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<v Speaker 1>it's like they'll go to Burger King to get some

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<v Speaker 1>food and then just like have an anxiety attack of

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<v Speaker 1>like what if I just fucked myself over by going

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<v Speaker 1>to Burger King. What if I now get COVID from this,

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<v Speaker 1>like it's not worth it. I'm kind of of two minds.

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<v Speaker 1>I think that there is definitely stuff that I am

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<v Speaker 1>still there's no way I'm going to do it, and

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<v Speaker 1>I kind of looked down upon people who do it.

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<v Speaker 1>You know. I'm I'm in a college town right now,

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<v Speaker 1>and like college bar culture is just full steam ahead here.

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<v Speaker 1>And that is you know, obviously college age people aren't

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<v Speaker 1>necessarily going to be symptomatic or really you know, have

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<v Speaker 1>an have an extreme case of COVID if they if

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<v Speaker 1>they transmit it or if they get it, but you know,

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<v Speaker 1>it affects the rest of the community eventually in some way,

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<v Speaker 1>and that you know, it's hard for me to to

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<v Speaker 1>be like, oh, you know, they just you know, we

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<v Speaker 1>have to we have to continue with life. I will

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<v Speaker 1>say though, that like I do think that kind of

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<v Speaker 1>that that shame and the guilt feeling about doing something

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<v Speaker 1>like going to a McDonald's or a burger king or whatever.

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<v Speaker 1>I don't feel at all anymore. I have to say,

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<v Speaker 1>like going to a burger king or something. It's like

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<v Speaker 1>that's not going to be I don't think how you

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<v Speaker 1>contract COVID unless you are immune compromised in which case,

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<v Speaker 1>you know, like like the collar said, all of this

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<v Speaker 1>stuff applies doubly. But there was just this article that

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<v Speaker 1>came out, um was on Elemental, which is like a

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<v Speaker 1>medium blog, like a science and health blog. It was

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<v Speaker 1>chrending all day yesterday, but it was sort of this

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<v Speaker 1>most recent collection of findings about COVID and like, you know,

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<v Speaker 1>how much they differ from what was being reported early

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<v Speaker 1>on about how you know, how it would spread, how

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<v Speaker 1>you need to protect yourself and all of that. And

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<v Speaker 1>the big thing from it is that like the surfaces thing,

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<v Speaker 1>which is a lot of what the caller was calling about,

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<v Speaker 1>is not really necessarily the biggest risk factor. And the

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<v Speaker 1>way that they were conducting the studies early on is

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<v Speaker 1>not really an accurate representation of how like the pathogens

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<v Speaker 1>would be spread, the concentration they would be spread in.

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<v Speaker 1>Just like being able to really concentrate on not like

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<v Speaker 1>on the droplets thing on, just like not being in

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<v Speaker 1>close quarters with people who you're not an applied with.

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<v Speaker 1>That's all pretty controllable. I feel like, I don't know,

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<v Speaker 1>maybe it's because I've been out in the world for

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<v Speaker 1>a while now that I don't feel I feel like,

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<v Speaker 1>I know exactly like what I can and can't do,

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<v Speaker 1>and so like, yeah, like going to a get pick

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<v Speaker 1>up from somewhere, get fast food or something like that

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<v Speaker 1>is not necessarily the stuff that I'm feeling guilt to

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<v Speaker 1>your anxiety written about. I don't know, Okay, but what

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<v Speaker 1>about going to Disney World, Well, that is your own.

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<v Speaker 1>I have to say though that, UM, I was so

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<v Speaker 1>judgmental at the Honestly, the first like three months of quarantine,

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<v Speaker 1>I had very strong reactions about how I felt other

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<v Speaker 1>people were operating. And now that it's been this long,

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<v Speaker 1>I'm trying to not do that. And I think, like

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<v Speaker 1>the thing with Disney, I don't feel as though you

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<v Speaker 1>should feel guilt or shame about doing that because you

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<v Speaker 1>obviously made a call that you later realized was the

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<v Speaker 1>wrong call, and it's not the same. The only people

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<v Speaker 1>I really judge or think should feel shame are the

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<v Speaker 1>people who are like anti maskers, who are going around

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<v Speaker 1>without a mask to basically be dicks and make a point. Yeah,

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<v Speaker 1>I think that it's worth for giving yourself for going

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<v Speaker 1>to Disney. I I guess maybe two months ago, UM

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<v Speaker 1>or maybe three went there was a socially distanced UM

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<v Speaker 1>like six of us were gonna have a glass of

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<v Speaker 1>wine for someone's birthday, and I went up the street.

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<v Speaker 1>It was just my neighbors, and I wore a mask

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<v Speaker 1>and then I sat down and we were all far apart.

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<v Speaker 1>We were outside, and because we were eating and drinking,

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<v Speaker 1>I took down my mask. Everyone took down their masks,

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<v Speaker 1>and it felt like I was like, I'm not super

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<v Speaker 1>comfortable with this, but I don't want to be wearing

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<v Speaker 1>a mask and make them feel bad. And then on

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<v Speaker 1>the walk home, my heart just started raising and I

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<v Speaker 1>was like, I'm not comfortable with the fact that I

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<v Speaker 1>did that. And and not to judge anyone who is

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<v Speaker 1>who's going out to eat or whatever, I do think

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<v Speaker 1>that that can put um weight stuff in a very

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<v Speaker 1>uncomfortable position with which we've talked about before. And I

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<v Speaker 1>think it might be like I might consider it a

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<v Speaker 1>little selfish, but I'm not going to really judge people

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<v Speaker 1>for doing it. But there's this sense of like you,

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<v Speaker 1>like the caller said, where you don't want to compromise

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<v Speaker 1>someone else's decision to like bring their kid to Disney,

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<v Speaker 1>and it's they're taking these safety protocols or whatever. You

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<v Speaker 1>don't want to be the one who brings everyone down,

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<v Speaker 1>and it's only after you do it that you're like,

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<v Speaker 1>oh shit, I made a mistake. And I think as

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<v Speaker 1>long as you realize, like, as long as you check

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<v Speaker 1>yourself and you think, like, you know, I won't do

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<v Speaker 1>that again, I'm gonna be more careful, then there's no

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<v Speaker 1>sense in really beating yourself up too much over it,

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<v Speaker 1>you know, I mean, Captain bring down over here. But um,

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<v Speaker 1>I'll judge people for doing stuff that is overly risky

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<v Speaker 1>and frivolous. I think, but if it's a mistake, like

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<v Speaker 1>if they really if they're like, oh, ship, that I

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<v Speaker 1>shouldn't have done it, you know. I mean, I think

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<v Speaker 1>going to disney World because you get pressured into it

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<v Speaker 1>and then feeling stressed out afterwards, is you know, completely understandable.

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<v Speaker 1>I don't think this person was, like, but going to

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<v Speaker 1>Disneyland takes a lot more steps and planning and consideration

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<v Speaker 1>than having a glass of wine with your friends in

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<v Speaker 1>a distance hanging in somebody's backyard. Like, yeah, that's true.

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<v Speaker 1>But if you if everyone's saying, well, here's what they're doing,

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<v Speaker 1>it's capacity almost everything is outside. When she walked through

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<v Speaker 1>the things that they were doing to keep people safe.

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<v Speaker 1>I could see there being this like sliding doors thing

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<v Speaker 1>where you're like, I know I should say no, but

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<v Speaker 1>I'm just I'm trying to like make a reasonable leap

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<v Speaker 1>that that's enough, that that's okay. And I think that

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<v Speaker 1>those weird You can make a judgment that rationally you

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<v Speaker 1>wouldn't think you would make when you're just like, well,

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<v Speaker 1>they're doing this, and they're doing this, and they're doing

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<v Speaker 1>this like I don't know, you know, nobody knows anything

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<v Speaker 1>is the problem. And I do think you can judge

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<v Speaker 1>people for I mean, clearly, like people are still having

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<v Speaker 1>gender reveal parties and setting everything on fire. I surely

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<v Speaker 1>judge those people. I judge people who are having big parties.

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<v Speaker 1>I judge people who are doing things deliberately. But I

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<v Speaker 1>I feel like everyone's had a moment where they just

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<v Speaker 1>made the wrong call. You know that's true for sure.

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<v Speaker 1>I mean it's just again, it's just all a matter

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<v Speaker 1>of what qualifies as dangerous or risky to you. And

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<v Speaker 1>I think that that is and that has been the

0:12:58.240 --> 0:13:02.080
<v Speaker 1>theme throughout the last half year. Is different at everybody

0:13:02.120 --> 0:13:06.560
<v Speaker 1>at different moments, and what feels to you is completely

0:13:06.559 --> 0:13:10.400
<v Speaker 1>reasonable and safe and rational to somebody else, maybe because

0:13:10.440 --> 0:13:12.520
<v Speaker 1>they haven't read the same articles as you or whatever,

0:13:12.840 --> 0:13:16.120
<v Speaker 1>like will seem like a major risk and super inconsiderate

0:13:16.200 --> 0:13:19.040
<v Speaker 1>and a horrible thing to do. And we're all living

0:13:19.080 --> 0:13:22.480
<v Speaker 1>in different, like at different stages of this, like understanding

0:13:22.480 --> 0:13:25.319
<v Speaker 1>and reality of like what this pandemic is, and a

0:13:25.400 --> 0:13:27.760
<v Speaker 1>lot of us are I don't know, I feel like

0:13:27.800 --> 0:13:30.880
<v Speaker 1>I'm I'm probably living in a place right now with

0:13:30.920 --> 0:13:32.400
<v Speaker 1>it that a lot of people were living in with

0:13:32.440 --> 0:13:34.960
<v Speaker 1>it a couple of months ago. I've kind of relaxed

0:13:34.960 --> 0:13:37.120
<v Speaker 1>to a point that I feel comfortable with with it.

0:13:37.559 --> 0:13:39.920
<v Speaker 1>Whereas like there were a lot of people who were,

0:13:40.400 --> 0:13:43.040
<v Speaker 1>I don't know, hanging out with friends on their porch

0:13:43.120 --> 0:13:45.120
<v Speaker 1>or something, and I was like, oh God, you can't

0:13:45.160 --> 0:13:48.480
<v Speaker 1>do that. But now I'm just like, whatever you like,

0:13:48.600 --> 0:13:50.679
<v Speaker 1>I don't I don't feel like judgmental about it at all,

0:13:50.679 --> 0:13:52.200
<v Speaker 1>And I would do it if anybody would have me,

0:13:53.679 --> 0:13:55.960
<v Speaker 1>you know, I don't know. I don't judge people for

0:13:56.080 --> 0:13:58.480
<v Speaker 1>hanging out on their porches or for hanging out with

0:13:58.559 --> 0:14:02.160
<v Speaker 1>friends in a group, usually in a pod. I do

0:14:02.280 --> 0:14:07.520
<v Speaker 1>think the normalization of eating at restaurants has been completely

0:14:07.679 --> 0:14:11.160
<v Speaker 1>Uh just know, people who are eating a restaurant. That's

0:14:11.160 --> 0:14:13.120
<v Speaker 1>the one thing where I'm like, no way, no way,

0:14:13.160 --> 0:14:15.760
<v Speaker 1>are you kidding me? Like, I was walking the other

0:14:15.840 --> 0:14:19.480
<v Speaker 1>day to get pick up, and I passed um, a

0:14:19.560 --> 0:14:23.120
<v Speaker 1>restaurant that has been operating on Vermont in Los Cila's

0:14:23.640 --> 0:14:27.200
<v Speaker 1>with plexiglass, you know, walls up between tables and stuff.

0:14:27.200 --> 0:14:29.520
<v Speaker 1>And I saw people, I saw a couple that I

0:14:29.560 --> 0:14:33.240
<v Speaker 1>know eating there, and I was like, man, it just

0:14:33.280 --> 0:14:36.120
<v Speaker 1>doesn't like fun. First and foremost, it doesn't look fun.

0:14:36.200 --> 0:14:39.840
<v Speaker 1>It was like, really, like, aside from the actual risk

0:14:39.920 --> 0:14:43.760
<v Speaker 1>involved the plexiglass thing, the entire esthetics of it, you know,

0:14:44.200 --> 0:14:46.920
<v Speaker 1>the everybody wearing masks around it while you're trying to

0:14:46.920 --> 0:14:49.720
<v Speaker 1>eat food, it's just not fun looking at all. It

0:14:49.800 --> 0:14:52.240
<v Speaker 1>doesn't seem fun. I get stressed out by the fact

0:14:52.320 --> 0:14:55.360
<v Speaker 1>that people have such like entitlement about being served by

0:14:55.360 --> 0:15:00.680
<v Speaker 1>servers because that's what yeah, or to be out of

0:15:00.680 --> 0:15:02.080
<v Speaker 1>the house, I guess. But you can be out of

0:15:02.360 --> 0:15:03.560
<v Speaker 1>you could be out of the house, you could have

0:15:03.600 --> 0:15:06.760
<v Speaker 1>a picnic. It's like the insistence on being served by

0:15:07.120 --> 0:15:09.640
<v Speaker 1>service workers and the fact that that's who's really at

0:15:09.720 --> 0:15:11.920
<v Speaker 1>risk are the service workers who have to deal with

0:15:12.360 --> 0:15:16.440
<v Speaker 1>hundreds of people every day. Again, I'm not necessarily putting

0:15:16.480 --> 0:15:19.040
<v Speaker 1>the blame on individuals who are like who would like

0:15:19.080 --> 0:15:21.360
<v Speaker 1>to have a nice dinner out. I'm putting the blame

0:15:21.520 --> 0:15:26.360
<v Speaker 1>on all the people who reopened early. Especially now in

0:15:26.520 --> 0:15:29.960
<v Speaker 1>l A we have this al Fresco bullshit program where

0:15:29.960 --> 0:15:32.800
<v Speaker 1>they put tables on the sidewalk that they're now running

0:15:32.800 --> 0:15:34.960
<v Speaker 1>out of money for, where again I'm like, well, why

0:15:34.960 --> 0:15:37.320
<v Speaker 1>didn't they just take that money and give it to

0:15:37.440 --> 0:15:41.160
<v Speaker 1>restaurants to shut down and pay their staff. I completely

0:15:41.160 --> 0:15:44.160
<v Speaker 1>agree with that, and I and again, and I think

0:15:44.200 --> 0:15:47.600
<v Speaker 1>it's a great distinction Molly to say that I don't

0:15:47.640 --> 0:15:51.640
<v Speaker 1>understand why people want to eat at restaurants right now, um,

0:15:52.000 --> 0:15:56.160
<v Speaker 1>but shaming them individually when they've been told that the

0:15:56.200 --> 0:15:59.400
<v Speaker 1>measures that are in place are relatively safe. Like, it's

0:15:59.440 --> 0:16:02.760
<v Speaker 1>a weirding to want to have dinner out when you

0:16:02.800 --> 0:16:05.960
<v Speaker 1>know that you're making a person who works there like

0:16:06.040 --> 0:16:09.280
<v Speaker 1>face the risk of you, you know, contaminating them. But

0:16:09.720 --> 0:16:12.720
<v Speaker 1>it's also hard to not say, well that that's not

0:16:12.840 --> 0:16:16.000
<v Speaker 1>a you know, that's not like a personal flaw on

0:16:16.040 --> 0:16:19.720
<v Speaker 1>their part. Necessarily it's a weird call, but it's a flaw.

0:16:20.040 --> 0:16:22.640
<v Speaker 1>It's a systemic flaw. I think It's also that thing

0:16:22.680 --> 0:16:27.480
<v Speaker 1>of the future being here and distributed unevenly where because

0:16:27.920 --> 0:16:32.160
<v Speaker 1>coronavirus has been dealt with in a better way in

0:16:32.240 --> 0:16:37.000
<v Speaker 1>other places, and because of social media, it's like people

0:16:37.080 --> 0:16:40.360
<v Speaker 1>see that people in other countries are back to normal

0:16:40.920 --> 0:16:43.400
<v Speaker 1>more or less in certain ways, and they're like, well,

0:16:43.400 --> 0:16:45.800
<v Speaker 1>why can't I do that? You know? I think in

0:16:46.040 --> 0:16:48.240
<v Speaker 1>l A, some of the feelings I have about people

0:16:48.320 --> 0:16:51.160
<v Speaker 1>eating in restaurants in New York, I have to remind myself, like, well,

0:16:51.160 --> 0:16:55.360
<v Speaker 1>they're down to like a one percent transmission rate versus

0:16:55.400 --> 0:16:59.760
<v Speaker 1>Los Angeles, which is not so it is different. Yeah. Yeah.

0:16:59.800 --> 0:17:01.760
<v Speaker 1>This was like an early problem I think with the

0:17:01.800 --> 0:17:04.119
<v Speaker 1>coverage of the disease and so much of it being

0:17:04.119 --> 0:17:06.439
<v Speaker 1>focused on New York, probably because a lot of media

0:17:06.520 --> 0:17:08.280
<v Speaker 1>is based in New York and this is an ongoing

0:17:09.240 --> 0:17:11.520
<v Speaker 1>thing we almost contend with is that, like the reality

0:17:11.560 --> 0:17:13.239
<v Speaker 1>of COVID in New York was not what it was

0:17:13.280 --> 0:17:15.560
<v Speaker 1>in the rest of the country at that time, and

0:17:15.600 --> 0:17:17.960
<v Speaker 1>then I think that a lot of people like the

0:17:18.240 --> 0:17:20.560
<v Speaker 1>measures that were being taken in certain places were like

0:17:21.119 --> 0:17:23.200
<v Speaker 1>New York measures a lot of times, and now people

0:17:23.240 --> 0:17:25.200
<v Speaker 1>are still in the New York reality of stuff when

0:17:25.240 --> 0:17:27.360
<v Speaker 1>like New York is not there anymore. And yeah, it's

0:17:27.400 --> 0:17:29.600
<v Speaker 1>like all everybody's kind of cycling through this stuff at

0:17:29.600 --> 0:17:31.919
<v Speaker 1>different times, and it just makes it it's hard to

0:17:31.920 --> 0:17:34.199
<v Speaker 1>know where you stand. And that this was also the

0:17:34.240 --> 0:17:38.399
<v Speaker 1>most dystopian week because the air quality is so bad.

0:17:38.520 --> 0:17:42.840
<v Speaker 1>It's like, you know, unbreathable essentially. And I just went

0:17:42.840 --> 0:17:45.159
<v Speaker 1>out for a drive because I was feeling so claustrophobic,

0:17:45.280 --> 0:17:49.280
<v Speaker 1>and all of the outdoor patios were packed. I was

0:17:49.359 --> 0:17:55.560
<v Speaker 1>just like, people are eating outside in you know, poisonous air.

0:17:55.960 --> 0:17:58.640
<v Speaker 1>It was shocking. Well, let's take a break and when

0:17:58.680 --> 0:18:01.880
<v Speaker 1>we come back, we will be briefly discussing the Netflix

0:18:01.920 --> 0:18:14.680
<v Speaker 1>documentary The Social Dilemma. Tess and I watched the Netflix

0:18:14.720 --> 0:18:18.880
<v Speaker 1>documentary The Social Dilemma, and we are going to fill

0:18:18.960 --> 0:18:21.760
<v Speaker 1>Emily in on it a little bit. This documentary was

0:18:21.800 --> 0:18:24.840
<v Speaker 1>going kind of viral for being about a lot of

0:18:24.880 --> 0:18:31.280
<v Speaker 1>the issues with social media, um especially Facebook. And Tess,

0:18:31.280 --> 0:18:33.840
<v Speaker 1>what do you think of The Social Dilemma? Well, let

0:18:33.880 --> 0:18:37.439
<v Speaker 1>me first say that everyone who was who had watched

0:18:37.440 --> 0:18:40.200
<v Speaker 1>this movie that I know it was like, it's so good,

0:18:40.240 --> 0:18:43.320
<v Speaker 1>it's so important, it's going to make you deactivate everything.

0:18:43.440 --> 0:18:47.080
<v Speaker 1>Like I didn't read anything critical of it until after

0:18:47.560 --> 0:18:50.959
<v Speaker 1>I tried to watch it, and then I I found

0:18:51.080 --> 0:18:53.880
<v Speaker 1>that I had to go find other people who didn't

0:18:53.920 --> 0:18:58.520
<v Speaker 1>like it because I hated this movie. I didn't watch

0:18:58.600 --> 0:19:01.760
<v Speaker 1>the last ten minutes because I simply could not. It

0:19:01.800 --> 0:19:03.879
<v Speaker 1>was not what I expected at all. We've talked a

0:19:03.880 --> 0:19:07.320
<v Speaker 1>ton on this podcast about the dangers of social media,

0:19:07.359 --> 0:19:10.800
<v Speaker 1>about the dangers of being addicted to your phone, how

0:19:10.840 --> 0:19:15.760
<v Speaker 1>it's so dystopian, how you know certain social networks, especially

0:19:15.800 --> 0:19:19.320
<v Speaker 1>are prone to reading grounds for conspiracy theories that can

0:19:19.320 --> 0:19:23.200
<v Speaker 1>be very dangerous, interfering with elections, all this kind of stuff.

0:19:23.600 --> 0:19:29.000
<v Speaker 1>And instead of a nuanced and intelligent view of, um,

0:19:29.040 --> 0:19:33.280
<v Speaker 1>the dangers of that kind of thing, I found that

0:19:33.320 --> 0:19:36.840
<v Speaker 1>this was like an after school special for people who

0:19:37.040 --> 0:19:40.080
<v Speaker 1>might have thought like Facebook was good for them. You know,

0:19:41.000 --> 0:19:43.600
<v Speaker 1>it was shocking to me that people like this. I

0:19:43.600 --> 0:19:46.040
<v Speaker 1>feel like the audience for this is people who are

0:19:46.520 --> 0:19:50.200
<v Speaker 1>I guess less informed about how social media works then

0:19:50.480 --> 0:19:53.240
<v Speaker 1>we are, because it did feel very one oh one

0:19:53.359 --> 0:19:56.520
<v Speaker 1>in terms of like, hey, you know, they changed the

0:19:56.560 --> 0:20:00.480
<v Speaker 1>photos so that you'll come back more, and they change

0:20:00.520 --> 0:20:04.000
<v Speaker 1>the headerers because they want you to be refreshing. It's

0:20:04.119 --> 0:20:08.000
<v Speaker 1>very addictive. Did you know it's crazy too, because so

0:20:08.240 --> 0:20:12.160
<v Speaker 1>they're The format of this documentary is different. UM, it's

0:20:12.200 --> 0:20:19.800
<v Speaker 1>a lot of interviews. They interview a number of former UM, Facebook, Google, uh,

0:20:19.920 --> 0:20:23.520
<v Speaker 1>all kinds of you know, venture capitalist people and designers

0:20:23.520 --> 0:20:26.439
<v Speaker 1>and engineers who then many of whom then moved on

0:20:26.520 --> 0:20:29.400
<v Speaker 1>to work at the center of humane technology. That people

0:20:29.440 --> 0:20:32.639
<v Speaker 1>who basically worked at these companies and then felt like

0:20:32.720 --> 0:20:36.439
<v Speaker 1>they were complicit in some horrible unraveling of society and

0:20:36.480 --> 0:20:40.000
<v Speaker 1>became kind of like whistleblowers. And those interviews are interesting

0:20:40.440 --> 0:20:43.680
<v Speaker 1>and worth watching for sure. But then there's this whole

0:20:43.720 --> 0:20:47.000
<v Speaker 1>other part of the documentary that we're dying to tell

0:20:47.040 --> 0:20:51.680
<v Speaker 1>you about, Emily, because there it's wild. There there's a family.

0:20:52.560 --> 0:20:55.879
<v Speaker 1>It's like a dramatization of how a family can be

0:20:55.920 --> 0:21:00.399
<v Speaker 1>affected by social media over use, especially that children in

0:21:00.440 --> 0:21:04.560
<v Speaker 1>the family. And um this is also this leads to

0:21:04.680 --> 0:21:08.760
<v Speaker 1>scenes where three different Vincent car tizers with different hair

0:21:08.840 --> 0:21:14.240
<v Speaker 1>dues are in like mission controlled hairlines, yes and different

0:21:14.320 --> 0:21:17.600
<v Speaker 1>and like one's kind of the like more relatable Vincent

0:21:17.680 --> 0:21:20.840
<v Speaker 1>car tizer and wants the like really polished Vincent car

0:21:20.840 --> 0:21:25.640
<v Speaker 1>tizer and they're manipulating. UM. One of the actors from

0:21:25.680 --> 0:21:30.359
<v Speaker 1>the family from these dramatizations as if like they're you know,

0:21:30.480 --> 0:21:32.520
<v Speaker 1>they're like, we gotta get him to get log onto

0:21:32.560 --> 0:21:35.680
<v Speaker 1>Facebook right now. How are we going to do that? Like, oh, well,

0:21:35.680 --> 0:21:38.080
<v Speaker 1>we'll send him a notification that his ex girlfriend is

0:21:38.160 --> 0:21:41.960
<v Speaker 1>dating someone else. And then it becomes this this really

0:21:42.440 --> 0:21:49.000
<v Speaker 1>melodramatic kind of thing of him becoming like a withdrawn um,

0:21:49.040 --> 0:21:52.320
<v Speaker 1>like he starts to look into joining fringe groups from

0:21:52.320 --> 0:21:56.600
<v Speaker 1>this fake political party called like the Extreme Center or something.

0:21:57.359 --> 0:22:01.960
<v Speaker 1>It's the wildest thing. I live in the Extreme Center totally.

0:22:02.000 --> 0:22:04.879
<v Speaker 1>It feels like a Black Mirror or something. But the

0:22:05.040 --> 0:22:09.080
<v Speaker 1>overall effect is more like refor madness, yes, like a

0:22:09.160 --> 0:22:14.120
<v Speaker 1>refor madness about social media. It's like social media is bad.

0:22:14.640 --> 0:22:17.160
<v Speaker 1>I mean that's always the knock on Black Mirror though, right,

0:22:17.280 --> 0:22:19.560
<v Speaker 1>is that it's just like like, did you know the

0:22:19.600 --> 0:22:21.800
<v Speaker 1>Internet is trying to kill you or something? And I

0:22:22.160 --> 0:22:25.159
<v Speaker 1>think that there can be episodes of Black Mirror that

0:22:25.200 --> 0:22:27.400
<v Speaker 1>are like that, But the best episodes of Black Mirror,

0:22:27.440 --> 0:22:30.520
<v Speaker 1>and also just any conversation about this stuff in general,

0:22:30.960 --> 0:22:34.479
<v Speaker 1>cannot stop at the idea that there is a mega

0:22:34.560 --> 0:22:39.080
<v Speaker 1>corp that is trying to completely overtake your attention span.

0:22:39.440 --> 0:22:42.080
<v Speaker 1>There has to be some sort of examination of how

0:22:42.880 --> 0:22:46.800
<v Speaker 1>I think how individuals operate within this and like how

0:22:46.920 --> 0:22:49.560
<v Speaker 1>it's it's kind of beyond the technology, Like some of

0:22:49.560 --> 0:22:52.560
<v Speaker 1>it is like genuine social phenomenons that are like augmented

0:22:52.600 --> 0:22:55.480
<v Speaker 1>by technology, and like that stuff is more interesting to

0:22:55.520 --> 0:22:58.600
<v Speaker 1>me than you know, I mean obviously like Cambridge Analytica

0:22:58.640 --> 0:23:01.480
<v Speaker 1>and stuff like that with ebook is really bad and

0:23:01.560 --> 0:23:05.600
<v Speaker 1>his like drastically impacted global politics over the last few years.

0:23:05.840 --> 0:23:08.600
<v Speaker 1>I think that that's like a different story almost then

0:23:08.720 --> 0:23:13.720
<v Speaker 1>how individuals get addicted to social media in different ways,

0:23:13.760 --> 0:23:16.560
<v Speaker 1>because it's I think hastill a lot to do with

0:23:17.440 --> 0:23:21.879
<v Speaker 1>just how human beings are and not so much of it, like, um,

0:23:21.920 --> 0:23:26.120
<v Speaker 1>the qualities of different platforms. Yeah, and they deal with

0:23:26.119 --> 0:23:30.360
<v Speaker 1>like the addictiveness. They use this phrase about, um, if

0:23:30.400 --> 0:23:32.520
<v Speaker 1>you don't know what the product is, that means you're

0:23:32.600 --> 0:23:35.679
<v Speaker 1>the product, which I shared for the first time at

0:23:35.720 --> 0:23:38.840
<v Speaker 1>the Porn Awards from a guy who worked in anti

0:23:38.960 --> 0:23:43.560
<v Speaker 1>porn antip you know piracy in helping porn stars not

0:23:43.640 --> 0:23:46.359
<v Speaker 1>have their work get pirate ID. But you know that

0:23:46.480 --> 0:23:48.640
<v Speaker 1>was one of the knocks on like the YouTube clones

0:23:48.720 --> 0:23:51.280
<v Speaker 1>for porn and and anything that is like that where

0:23:51.320 --> 0:23:54.320
<v Speaker 1>you're like, oh it's free, It's not really free. You're

0:23:54.359 --> 0:23:57.760
<v Speaker 1>paying with your own personal data. But I do think

0:23:57.800 --> 0:23:59.560
<v Speaker 1>now that I'm thinking about it, I'm like, these are

0:23:59.600 --> 0:24:02.280
<v Speaker 1>a lot of basic things that we know. Maybe we

0:24:02.359 --> 0:24:05.000
<v Speaker 1>are just not the audience for this. Maybe the audience

0:24:05.040 --> 0:24:12.440
<v Speaker 1>for this is like your grandparents. Hey, hey, Emily, there,

0:24:13.760 --> 0:24:17.720
<v Speaker 1>I would agree with you. Other than you know, I'm

0:24:17.840 --> 0:24:20.200
<v Speaker 1>not to say that everyone needs to be as deep

0:24:20.240 --> 0:24:24.280
<v Speaker 1>into this and as interested in this world as we are.

0:24:25.040 --> 0:24:28.080
<v Speaker 1>I think by making by trying to get broad appeal

0:24:28.359 --> 0:24:31.159
<v Speaker 1>for something that deals with topics that I think a

0:24:31.160 --> 0:24:34.280
<v Speaker 1>lot of people do find very dry, and by dramatizing

0:24:34.320 --> 0:24:37.960
<v Speaker 1>like this, you know, it is obviously a lot of

0:24:38.000 --> 0:24:40.840
<v Speaker 1>people are are being drawn in by the premise of

0:24:40.880 --> 0:24:43.560
<v Speaker 1>this and they're being really shocked at what it's portraying.

0:24:44.280 --> 0:24:49.199
<v Speaker 1>But I also kind of just disagree with documentaries doing this,

0:24:49.359 --> 0:24:52.600
<v Speaker 1>you know. I mean, even if it is enlightening people

0:24:52.640 --> 0:24:55.960
<v Speaker 1>that they're addicted to their phones or whatever, I think

0:24:55.960 --> 0:24:58.879
<v Speaker 1>it it almost kind of obscures a lot of the

0:24:58.920 --> 0:25:01.800
<v Speaker 1>points that it could ache. For instance, the you know,

0:25:01.840 --> 0:25:03.679
<v Speaker 1>one of the Google guys I think is saying like

0:25:03.720 --> 0:25:06.600
<v Speaker 1>I'm just so addicted to checking my email. I'm checking

0:25:06.600 --> 0:25:08.400
<v Speaker 1>my email all the time, and it's you know, it's

0:25:08.400 --> 0:25:11.840
<v Speaker 1>like that dopamine hit, and it avoids talking about how,

0:25:11.960 --> 0:25:15.400
<v Speaker 1>especially in Silicon Valley, the culture is that you need

0:25:15.600 --> 0:25:18.240
<v Speaker 1>to check your email constantly and why is that? And

0:25:18.280 --> 0:25:20.920
<v Speaker 1>how do we change that and address that? So it

0:25:21.640 --> 0:25:25.080
<v Speaker 1>presents these interesting ideas and then yanks you away from

0:25:25.119 --> 0:25:28.679
<v Speaker 1>them to refocus you on something that's way less intriguing

0:25:28.840 --> 0:25:31.680
<v Speaker 1>to me. And it's sounds like it's treating all these

0:25:31.680 --> 0:25:34.680
<v Speaker 1>things like, you know, like email for example. It's funny

0:25:34.680 --> 0:25:36.920
<v Speaker 1>to like think about them talking about an email addiction

0:25:37.000 --> 0:25:41.760
<v Speaker 1>in this documentary, but like that that it's all compartmentalized

0:25:42.160 --> 0:25:44.680
<v Speaker 1>instead of part of like a larger Yeah, like you're saying,

0:25:44.680 --> 0:25:47.600
<v Speaker 1>like that this ties into a workplace culture like other

0:25:47.640 --> 0:25:51.600
<v Speaker 1>things contined to like social culture. Like it's culture exactly,

0:25:52.119 --> 0:25:55.040
<v Speaker 1>and it's strange. I think the dramatization has bothered me

0:25:55.160 --> 0:26:00.359
<v Speaker 1>so much because it doesn't present an alternative to you know,

0:26:00.920 --> 0:26:03.359
<v Speaker 1>I guess it does present the alternative. It's either that

0:26:03.400 --> 0:26:06.240
<v Speaker 1>you use your phone and you're on social media or

0:26:06.280 --> 0:26:10.280
<v Speaker 1>you completely disconnect because you have to basically treat it

0:26:10.320 --> 0:26:12.879
<v Speaker 1>like heroin. You know, if you if you take a

0:26:12.880 --> 0:26:15.919
<v Speaker 1>tiny bit of like a you know, glance at your Facebook, like,

0:26:15.920 --> 0:26:17.840
<v Speaker 1>you're going to be hooked because the algorithm is so

0:26:17.920 --> 0:26:20.880
<v Speaker 1>advanced that it knows exactly how to keep you engaged,

0:26:21.080 --> 0:26:23.359
<v Speaker 1>how to keep you engaged as long as possible, and

0:26:23.400 --> 0:26:26.240
<v Speaker 1>you have no agency in this interaction. You are just

0:26:26.480 --> 0:26:30.200
<v Speaker 1>the you know, the little, you know, point of data

0:26:30.240 --> 0:26:32.840
<v Speaker 1>that's going to get whisked along into the storm. I mean,

0:26:33.119 --> 0:26:35.600
<v Speaker 1>that is kind of one of the more condensing parts

0:26:35.640 --> 0:26:37.920
<v Speaker 1>of it is they're like, you know, these these things

0:26:37.920 --> 0:26:44.560
<v Speaker 1>are changing human behavior, They're conditioning users to behave differently. Um.

0:26:45.000 --> 0:26:47.439
<v Speaker 1>And the one of the points was just like, oh,

0:26:47.520 --> 0:26:50.840
<v Speaker 1>the AI revolution is here, but this is the AI.

0:26:51.040 --> 0:26:53.960
<v Speaker 1>This is the AI that controls our world. Yeah, And

0:26:54.440 --> 0:26:57.480
<v Speaker 1>they do make the point that AI is evolving faster

0:26:57.560 --> 0:27:01.320
<v Speaker 1>than the human brain can. However, I mean, it's that's

0:27:01.320 --> 0:27:03.639
<v Speaker 1>all true. But I think that the reason that this

0:27:03.880 --> 0:27:07.520
<v Speaker 1>became so popular so quickly is because of quarantine, when

0:27:08.640 --> 0:27:11.000
<v Speaker 1>there is no other choice to make a lot of

0:27:11.000 --> 0:27:13.560
<v Speaker 1>the time if you want to interact with other human beings.

0:27:13.800 --> 0:27:15.919
<v Speaker 1>And so we're all very sensitive to the fact that

0:27:15.920 --> 0:27:20.720
<v Speaker 1>our engagement has gone way up. But if we disconnected

0:27:20.960 --> 0:27:23.919
<v Speaker 1>entirely and we're not living in a commune or whatever.

0:27:24.280 --> 0:27:27.399
<v Speaker 1>Then what that means is that you are then having

0:27:27.440 --> 0:27:30.960
<v Speaker 1>to like basically, you know, seek out alternative forms of

0:27:31.000 --> 0:27:34.399
<v Speaker 1>communicating with people. Then those people are using and I

0:27:34.440 --> 0:27:39.120
<v Speaker 1>don't know that that's that healthy either right now. You know, well,

0:27:39.119 --> 0:27:40.840
<v Speaker 1>this is like the whole thing with TikTok. You know,

0:27:40.880 --> 0:27:43.959
<v Speaker 1>it's there's there's a lot of evidence that TikTok is

0:27:44.080 --> 0:27:47.600
<v Speaker 1>just basically a personal data scraping tool and a face

0:27:47.640 --> 0:27:52.119
<v Speaker 1>recognition software, and uh, you know, a whole generation of

0:27:52.200 --> 0:27:54.760
<v Speaker 1>young people is now in this data base because of

0:27:54.800 --> 0:27:57.040
<v Speaker 1>this like that. You know, there's a lot of evidence

0:27:57.040 --> 0:27:59.280
<v Speaker 1>to suggest this, and I think a lot of people

0:27:59.280 --> 0:28:04.919
<v Speaker 1>believe that, and everybody has made the calculation in their minds, like, well,

0:28:05.240 --> 0:28:07.359
<v Speaker 1>that could be the case, but I want to hang

0:28:07.400 --> 0:28:09.760
<v Speaker 1>out with my friends. You know, you make that calculus

0:28:09.800 --> 0:28:12.720
<v Speaker 1>whether it's right or not. Like everybody's sort of making

0:28:12.760 --> 0:28:15.200
<v Speaker 1>these decisions for themselves. And that's why I'm always like

0:28:15.240 --> 0:28:18.600
<v Speaker 1>a little bit like you're not unwillingly being pulled into

0:28:18.880 --> 0:28:21.560
<v Speaker 1>X y Z social network. You're making a decision because

0:28:21.600 --> 0:28:25.960
<v Speaker 1>like for pleasure reasons, for work reasons, for for efficiency reasons,

0:28:26.520 --> 0:28:28.639
<v Speaker 1>you've made the choice that that's I make a lot

0:28:28.640 --> 0:28:32.119
<v Speaker 1>of choices conversely in my life that are not at

0:28:32.119 --> 0:28:35.400
<v Speaker 1>all time effective or anything because or like an actively

0:28:35.440 --> 0:28:38.840
<v Speaker 1>inconvenient because I want to sidestep a certain network for

0:28:38.880 --> 0:28:42.200
<v Speaker 1>whatever reason. And you can do those two. But I

0:28:42.240 --> 0:28:44.680
<v Speaker 1>also make a ton of decisions that totally put tons

0:28:44.680 --> 0:28:46.440
<v Speaker 1>of my data on the Internet. Like, you know, it's

0:28:46.440 --> 0:28:49.600
<v Speaker 1>not not clean in any way, but they're all decisions

0:28:50.000 --> 0:28:52.280
<v Speaker 1>at the same time, Like I don't know, and you

0:28:52.320 --> 0:28:56.320
<v Speaker 1>can't be clean because everything is scraping your data. You know,

0:28:56.600 --> 0:29:00.080
<v Speaker 1>cookies are scraping your data. Just anything you do you

0:29:00.160 --> 0:29:03.800
<v Speaker 1>online is scraping it. So the option of completely dropping

0:29:03.800 --> 0:29:06.360
<v Speaker 1>off the internet, especially right now when people are stuck

0:29:06.400 --> 0:29:11.480
<v Speaker 1>at home and can't you know, just go live their lives,

0:29:12.280 --> 0:29:16.280
<v Speaker 1>it seems extremely difficult. What I really would like to

0:29:16.400 --> 0:29:19.920
<v Speaker 1>happen is for new platforms to come up that are

0:29:20.000 --> 0:29:22.720
<v Speaker 1>made by people that are not evil. Yeah, I mean,

0:29:22.720 --> 0:29:25.240
<v Speaker 1>there needs to be less of a monopoly for sure,

0:29:25.240 --> 0:29:28.120
<v Speaker 1>and more competition. And we do the evil test though,

0:29:28.240 --> 0:29:31.600
<v Speaker 1>like realistically, like what's the evil test on people who

0:29:31.680 --> 0:29:33.320
<v Speaker 1>are running in a business? I think that there's always

0:29:33.360 --> 0:29:35.719
<v Speaker 1>going to be a downside to anything like this. You know,

0:29:35.840 --> 0:29:38.280
<v Speaker 1>it's just if there are more of them. I mean,

0:29:38.320 --> 0:29:41.400
<v Speaker 1>for instance, I always think of Twitter as being kind

0:29:41.440 --> 0:29:44.280
<v Speaker 1>of you know, there could be an alternative to Twitter

0:29:44.320 --> 0:29:48.280
<v Speaker 1>with better moderation or like more safeguards for you know,

0:29:48.560 --> 0:29:51.880
<v Speaker 1>abuse and stuff like that. It's just that there isn't,

0:29:51.920 --> 0:29:54.840
<v Speaker 1>and that when things pop up, they're the only real

0:29:54.880 --> 0:29:57.040
<v Speaker 1>hope that they have for being successful is to be

0:29:57.080 --> 0:30:00.240
<v Speaker 1>acquired by one of the bigger companies. And so I

0:30:00.280 --> 0:30:02.760
<v Speaker 1>think you don't even have to pass an evil test.

0:30:02.800 --> 0:30:05.840
<v Speaker 1>You just have to like proliferate in that marketplace and

0:30:05.880 --> 0:30:08.600
<v Speaker 1>give and let people say like, hey, this is a

0:30:08.600 --> 0:30:12.400
<v Speaker 1>better experience for me without it being absorbed by something

0:30:12.440 --> 0:30:15.480
<v Speaker 1>that can make it, you know, part of the monolith. Yeah,

0:30:15.520 --> 0:30:17.400
<v Speaker 1>and I think we've said this a lot, but maybe

0:30:17.560 --> 0:30:20.400
<v Speaker 1>just going back to message boards, having things that you

0:30:20.480 --> 0:30:25.400
<v Speaker 1>check less constantly, that have more moderation so that there

0:30:25.400 --> 0:30:30.040
<v Speaker 1>are just like down times between reading Twitter all day. Yeah.

0:30:30.240 --> 0:30:33.360
<v Speaker 1>I mean again, we talked about this on our Bonus episode,

0:30:33.480 --> 0:30:36.440
<v Speaker 1>but like we have to remove to like Twitter is niche,

0:30:36.480 --> 0:30:39.600
<v Speaker 1>like Twitter is not Facebook, and the level of like

0:30:39.640 --> 0:30:41.120
<v Speaker 1>people who are on it and people who are in it,

0:30:41.400 --> 0:30:43.320
<v Speaker 1>it's big, you know, it's certainly a big service, but

0:30:43.400 --> 0:30:45.680
<v Speaker 1>it's not. It doesn't It already is an alt to

0:30:45.800 --> 0:30:48.760
<v Speaker 1>something which is Facebook. You know. I do agree, like

0:30:48.800 --> 0:30:51.040
<v Speaker 1>we should have more choices as far as that goes,

0:30:51.080 --> 0:30:54.240
<v Speaker 1>but like we already I don't know. I I don't

0:30:54.280 --> 0:30:56.520
<v Speaker 1>have total faith in the idea that like just more

0:30:56.640 --> 0:30:58.640
<v Speaker 1>like you know, we need more els in the world

0:30:58.680 --> 0:31:01.480
<v Speaker 1>and then we'll eventually like land on something virtuous. I

0:31:01.520 --> 0:31:04.840
<v Speaker 1>don't think that that's the case. UM. I just wonder.

0:31:04.920 --> 0:31:06.960
<v Speaker 1>I mean, it's when you think about how powerful these

0:31:06.960 --> 0:31:10.560
<v Speaker 1>companies are. Uh. And again, like you know, I've always

0:31:10.600 --> 0:31:15.280
<v Speaker 1>wanted to find something that offers like you know, certain

0:31:15.320 --> 0:31:19.040
<v Speaker 1>things that Facebook offers, but it's not Facebook. UM. And

0:31:19.080 --> 0:31:22.200
<v Speaker 1>there have been things proposed from like the Wikipedia had

0:31:22.240 --> 0:31:24.840
<v Speaker 1>an offshoot and l O and it's just the the

0:31:24.920 --> 0:31:29.959
<v Speaker 1>migration doesn't happen, UM, and it just never becomes anything.

0:31:29.960 --> 0:31:32.120
<v Speaker 1>But I do wonder, like, you know, if you're on

0:31:32.160 --> 0:31:34.600
<v Speaker 1>Facebook for one particular group and you see that a

0:31:34.640 --> 0:31:38.760
<v Speaker 1>lot in UM in like really active groups like like

0:31:38.840 --> 0:31:43.000
<v Speaker 1>podcast fan groups or UM parenting groups or whatever, where

0:31:43.000 --> 0:31:46.000
<v Speaker 1>people say, I'm only on here for this, if that

0:31:46.080 --> 0:31:48.960
<v Speaker 1>group could splinter off onto like a different site that

0:31:49.040 --> 0:31:52.480
<v Speaker 1>had different, a whole different way of operating. Would that

0:31:52.520 --> 0:31:55.520
<v Speaker 1>be enough to draw those people away from Facebook? Like

0:31:55.600 --> 0:31:57.680
<v Speaker 1>for me, it would be you know, if you just

0:31:57.720 --> 0:32:01.640
<v Speaker 1>went to like a list server or something. Yeah, yeah, no, totally,

0:32:01.720 --> 0:32:03.600
<v Speaker 1>I think, I think. And that's the thing, Like a

0:32:03.600 --> 0:32:05.680
<v Speaker 1>lot of people don't realize that those options are out

0:32:05.720 --> 0:32:07.280
<v Speaker 1>there for them, or they don't like it. Just takes

0:32:07.280 --> 0:32:09.040
<v Speaker 1>a kind of critical mass of people to be like, Hey,

0:32:09.040 --> 0:32:13.000
<v Speaker 1>we're gonna move this chess enthusiast group to yeah, who

0:32:13.000 --> 0:32:14.640
<v Speaker 1>list servan It'll be fine, and then you'll need to

0:32:14.720 --> 0:32:17.880
<v Speaker 1>check Facebook like one third as much as you do now,

0:32:18.080 --> 0:32:21.600
<v Speaker 1>you know, Like, uh, we're not at all. I think

0:32:21.640 --> 0:32:35.160
<v Speaker 1>the people can make these decisionsmselves. We are now joined

0:32:35.560 --> 0:32:39.360
<v Speaker 1>by Justin Charity. Justin Charity is a writer at The Ringer.

0:32:39.480 --> 0:32:42.360
<v Speaker 1>He is the co host of Sound Only on The

0:32:42.440 --> 0:32:48.000
<v Speaker 1>Ringer Network. Great podcast. Highly recommend it. Hi, Justin, what's up? Hello?

0:32:48.360 --> 0:32:51.200
<v Speaker 1>Oh my god? This is exciting. I'm star struck by

0:32:51.240 --> 0:32:54.680
<v Speaker 1>all of you. I feel like we've been trying to

0:32:54.720 --> 0:32:57.479
<v Speaker 1>get you on Nightcall forever. I just feel like I

0:32:57.480 --> 0:32:59.520
<v Speaker 1>feel like if there's going to be a Justin Charity

0:32:59.560 --> 0:33:02.960
<v Speaker 1>episode of Nightcall, like you know, we just have to

0:33:03.000 --> 0:33:09.400
<v Speaker 1>prepare the world like it gets hot. Um, So we

0:33:09.400 --> 0:33:13.560
<v Speaker 1>were just talking about the social network and not that

0:33:13.600 --> 0:33:16.080
<v Speaker 1>this is the main reason that we wanted to have

0:33:16.160 --> 0:33:18.360
<v Speaker 1>you on the podcast. There's plenty of other stuff to

0:33:18.360 --> 0:33:20.200
<v Speaker 1>talk about. But and I'm sure that you're sick of

0:33:20.400 --> 0:33:23.240
<v Speaker 1>being bugged about this, but you are one of my

0:33:23.280 --> 0:33:27.400
<v Speaker 1>friends who was not on any social media at all anymore.

0:33:27.720 --> 0:33:31.800
<v Speaker 1>He took the viv chastity, the valve chastity. When did

0:33:31.800 --> 0:33:34.160
<v Speaker 1>you do this? I don't you know what it is.

0:33:34.200 --> 0:33:37.280
<v Speaker 1>I don't remember when it's specifically, it was vaguely around

0:33:37.280 --> 0:33:42.560
<v Speaker 1>the time of whenever Kanye was releasing YEA. I just

0:33:42.600 --> 0:33:45.000
<v Speaker 1>remember that. I remember like that was the last phase

0:33:45.080 --> 0:33:47.960
<v Speaker 1>of Twitter discourse. That was around four was the Yea discourse?

0:33:48.480 --> 0:33:52.480
<v Speaker 1>Who was that the last straw? You know? I didn't

0:33:52.480 --> 0:33:55.720
<v Speaker 1>have that many strong opinions about YEA, if I remember correctly.

0:33:56.800 --> 0:33:59.520
<v Speaker 1>Was it more about the fandoms surrounding Yea? And then

0:34:00.080 --> 0:34:02.520
<v Speaker 1>wasn't about Kanye. It was just sort of anti climactic.

0:34:02.600 --> 0:34:07.120
<v Speaker 1>I think by that point it was probably several other things. Yeah, yeah,

0:34:07.200 --> 0:34:09.680
<v Speaker 1>in the discourse was just sort of like the epilogue

0:34:09.680 --> 0:34:13.440
<v Speaker 1>of my time on social media. It is a pretty

0:34:13.480 --> 0:34:17.239
<v Speaker 1>like intense concentration of a lot of things that are

0:34:17.239 --> 0:34:22.319
<v Speaker 1>wrong with how especially like art and celebrity gets discussed online,

0:34:22.440 --> 0:34:25.480
<v Speaker 1>like anything having to do with Kanye can get you know,

0:34:25.960 --> 0:34:32.040
<v Speaker 1>just to uh real quick. I didn't even like I

0:34:32.160 --> 0:34:33.960
<v Speaker 1>was kind of tuned out for the discourse. I had

0:34:34.000 --> 0:34:35.440
<v Speaker 1>to say. I think there was something in my brain

0:34:35.480 --> 0:34:37.560
<v Speaker 1>that just like flagged. I was like, this is exhausting.

0:34:37.719 --> 0:34:40.520
<v Speaker 1>I'm not going to engage with this. And then I

0:34:40.600 --> 0:34:42.799
<v Speaker 1>realized I think I had assumed you were still on

0:34:42.840 --> 0:34:45.040
<v Speaker 1>Instagram or something, because you used to do all sorts

0:34:45.040 --> 0:34:47.719
<v Speaker 1>of like bake good stuff and cooking on Instagram, which

0:34:47.760 --> 0:34:50.239
<v Speaker 1>was always great. And then I realized you weren't even

0:34:50.239 --> 0:34:52.399
<v Speaker 1>on Instagram anymore. I was like, dang even all the way,

0:34:52.480 --> 0:34:55.239
<v Speaker 1>Oh my god, I'm like dramatic. That's the problem is

0:34:55.239 --> 0:34:57.200
<v Speaker 1>that I'm dramatic, right, So I had to be like

0:34:57.400 --> 0:35:02.240
<v Speaker 1>another thing because I deleted Facebook and I lead it Instagram.

0:35:02.280 --> 0:35:04.320
<v Speaker 1>I think I deleted something else. I can't even remember.

0:35:04.440 --> 0:35:06.719
<v Speaker 1>Did you delete them all at once? Were you like

0:35:07.400 --> 0:35:10.480
<v Speaker 1>one day that's it? Yeah? In one week? And then

0:35:10.520 --> 0:35:13.120
<v Speaker 1>they do the thing where they try to sweat you

0:35:13.160 --> 0:35:15.840
<v Speaker 1>out so they're like, listen, your account will be around

0:35:15.840 --> 0:35:17.759
<v Speaker 1>for a month. It's just in case you want to.

0:35:17.880 --> 0:35:21.359
<v Speaker 1>It's like the worst breakup ever. Yeah, that's the one

0:35:21.400 --> 0:35:24.840
<v Speaker 1>that I really that's the only one I've totally unplugged from. Yeah,

0:35:25.040 --> 0:35:27.000
<v Speaker 1>I'm sorry I cut you off, but I just to

0:35:27.080 --> 0:35:28.520
<v Speaker 1>go back to what you were saying a second ago.

0:35:28.600 --> 0:35:31.440
<v Speaker 1>You're on Reddit now or did you like you segued

0:35:31.600 --> 0:35:34.160
<v Speaker 1>to read it for No, I didn't say. I joined

0:35:34.160 --> 0:35:36.120
<v Speaker 1>read it maybe like a year after I left Twitter,

0:35:36.560 --> 0:35:39.600
<v Speaker 1>um because I kind of i'd never understood read it.

0:35:40.080 --> 0:35:43.120
<v Speaker 1>Like back during the thing, I remember it felt like

0:35:43.160 --> 0:35:45.759
<v Speaker 1>a decade ago where people were really really hyping read

0:35:45.800 --> 0:35:47.759
<v Speaker 1>it and trying to explain read it to me, and

0:35:47.760 --> 0:35:50.640
<v Speaker 1>it all wait, my eyes glazed over, and I think

0:35:50.680 --> 0:35:52.360
<v Speaker 1>I just got into this. Oh you know what it was.

0:35:52.400 --> 0:35:55.640
<v Speaker 1>It's the amateur boxing subreddit that I sort of like

0:35:55.960 --> 0:35:57.799
<v Speaker 1>followed enough that I was like, I should just make

0:35:57.840 --> 0:35:59.919
<v Speaker 1>an account. Like. I actually like the structure of conver

0:36:00.080 --> 0:36:02.520
<v Speaker 1>stations on Reddit, even if there are plenty of reasons

0:36:02.600 --> 0:36:07.000
<v Speaker 1>not to like particular subreddits. Um. Something about the conversational

0:36:07.000 --> 0:36:12.920
<v Speaker 1>structure and the anonymity structure Reddit feels a bit healthier

0:36:12.960 --> 0:36:15.080
<v Speaker 1>to me. Even though I know that healthy is not

0:36:15.160 --> 0:36:18.400
<v Speaker 1>exactly read it's reputation. I love Reddit. It's a message

0:36:18.440 --> 0:36:22.160
<v Speaker 1>board exactly. Yeah, and that's why I'm like, why am

0:36:22.200 --> 0:36:25.040
<v Speaker 1>I not more into Reddit? Like that's the context of

0:36:25.080 --> 0:36:28.160
<v Speaker 1>Internet conversation I grew up with and feel most comfortable with.

0:36:28.600 --> 0:36:33.120
<v Speaker 1>I have a Reddit account, I guess I've never posted

0:36:33.600 --> 0:36:36.080
<v Speaker 1>on it, and I mostly just lark on a few

0:36:36.160 --> 0:36:41.840
<v Speaker 1>different subreddits. But uh, tests, aren't you a big Reddit lurker.

0:36:42.160 --> 0:36:44.879
<v Speaker 1>I'm giant Reddit lurker. I learn on Reddit for like,

0:36:45.440 --> 0:36:48.440
<v Speaker 1>I set aside about an hour every evening from I

0:36:48.440 --> 0:36:51.279
<v Speaker 1>reddit lurking. Yes, teach me how to reddit because I

0:36:51.280 --> 0:36:53.200
<v Speaker 1>and I still feel like I don't do it right

0:36:53.200 --> 0:36:55.239
<v Speaker 1>because I read to you know what I mean. I've

0:36:55.320 --> 0:36:58.759
<v Speaker 1>I've maybe posted on Reddit five times. Ever, I've only

0:36:58.800 --> 0:37:02.320
<v Speaker 1>posted I think twice. But I I find it less

0:37:02.320 --> 0:37:07.080
<v Speaker 1>addictive and less um like social media. When I pick two,

0:37:07.480 --> 0:37:09.920
<v Speaker 1>I don't have like a curated homepage even I just

0:37:09.960 --> 0:37:12.680
<v Speaker 1>picked two or three boards that I like and one.

0:37:12.840 --> 0:37:14.960
<v Speaker 1>I mean, they're both pretty popular with the legal Advice

0:37:15.080 --> 0:37:17.720
<v Speaker 1>and the am I the Asshole are my two mains.

0:37:19.000 --> 0:37:22.120
<v Speaker 1>Am I the Asshole? Often that's that gets viral enough

0:37:22.160 --> 0:37:25.880
<v Speaker 1>that it spreads to other other networks corners of the Internet.

0:37:25.920 --> 0:37:28.680
<v Speaker 1>The Legal Advice is my favorite forever. I've talked about

0:37:28.680 --> 0:37:30.920
<v Speaker 1>it on the podcast before, just because it it. There

0:37:31.000 --> 0:37:33.360
<v Speaker 1>was this one post about bats that I got in

0:37:33.400 --> 0:37:35.160
<v Speaker 1>trouble for because there was there was like a ton

0:37:35.160 --> 0:37:38.000
<v Speaker 1>of misinformation. It was an abandoned house that had a

0:37:38.000 --> 0:37:40.400
<v Speaker 1>bat problem and it was going to be condemned, and

0:37:40.400 --> 0:37:42.520
<v Speaker 1>there were a bunch of questions about that, and then

0:37:42.520 --> 0:37:45.440
<v Speaker 1>in the comments people were like fearmongering about bats. And

0:37:45.440 --> 0:37:48.040
<v Speaker 1>then we had a few bat defenders call into the

0:37:48.040 --> 0:37:51.200
<v Speaker 1>pod and be like, test, don't get your information from Reddit,

0:37:51.560 --> 0:37:54.360
<v Speaker 1>and I didn't listen. I still do. I followed the

0:37:54.400 --> 0:37:57.879
<v Speaker 1>Bats every Hour Twitter account, which one of the main

0:37:57.960 --> 0:38:00.839
<v Speaker 1>things keeping me on Twitter is these accounts that post

0:38:00.880 --> 0:38:03.160
<v Speaker 1>a picture of a bat. There's one that does a bat,

0:38:03.239 --> 0:38:07.000
<v Speaker 1>one that does a rat, and one that does a cat. No,

0:38:08.040 --> 0:38:13.200
<v Speaker 1>there's also as Yes, but the Bats every Hour it's

0:38:13.239 --> 0:38:16.120
<v Speaker 1>like they also are are pro bat activists, so they

0:38:16.160 --> 0:38:18.760
<v Speaker 1>have a lot of bat facts that are like bats

0:38:18.760 --> 0:38:22.400
<v Speaker 1>don't actually give you rabies, uh people think they do,

0:38:22.560 --> 0:38:26.160
<v Speaker 1>and like vampire bats only eat like a teaspoon of

0:38:26.200 --> 0:38:29.960
<v Speaker 1>blood and it's from cows. Mm hmmmm, I don't need

0:38:30.000 --> 0:38:33.720
<v Speaker 1>to fear bat. It's like that pr It's like, that's

0:38:33.760 --> 0:38:37.960
<v Speaker 1>like Katie Golden's bird bird Activists birds rights activists, except

0:38:38.160 --> 0:38:42.000
<v Speaker 1>for real Bat's got a bad rap this year. We

0:38:42.120 --> 0:38:45.040
<v Speaker 1>gotta come rep for the bats. We got bats here.

0:38:45.080 --> 0:38:47.680
<v Speaker 1>It's pretty cool. Yeah, I feel like I feel like

0:38:47.760 --> 0:38:49.560
<v Speaker 1>that's the thing though, Like you were talking about, like

0:38:50.080 --> 0:38:52.680
<v Speaker 1>those sorts of accounts keep you on Twitter, and I

0:38:52.719 --> 0:38:54.760
<v Speaker 1>feel like that's a big key difference with like Twitter

0:38:54.880 --> 0:38:56.800
<v Speaker 1>versus a reddit or something like when I'm on Reddit,

0:38:57.239 --> 0:38:59.959
<v Speaker 1>I'm usually specifically looking to find out about one top

0:39:00.000 --> 0:39:02.279
<v Speaker 1>bick and I can really hone in on it and

0:39:02.320 --> 0:39:06.239
<v Speaker 1>then get lost in a three posts long thread and

0:39:06.280 --> 0:39:08.840
<v Speaker 1>just read every single thing. But what I'm thinking of

0:39:09.160 --> 0:39:12.120
<v Speaker 1>most recently is terrace House, that I had that kind

0:39:12.120 --> 0:39:17.160
<v Speaker 1>of relationship to a Reddit where it's like, um, like,

0:39:17.239 --> 0:39:19.360
<v Speaker 1>you know, anytime a new episode, would watch a new episode,

0:39:19.360 --> 0:39:21.640
<v Speaker 1>then I would go and and read the mega thread

0:39:21.680 --> 0:39:24.880
<v Speaker 1>for that episode and just read every single person's opinions

0:39:24.920 --> 0:39:28.759
<v Speaker 1>about it, which felt very cozy. It felt like, I

0:39:28.760 --> 0:39:30.799
<v Speaker 1>don't know, back in the old days on like TV

0:39:30.920 --> 0:39:34.640
<v Speaker 1>without pity or something, shout out terror Terror Ariano, Like,

0:39:35.239 --> 0:39:38.720
<v Speaker 1>I used to just go and read thousands and thousands

0:39:38.760 --> 0:39:42.400
<v Speaker 1>of posts about like Battlestar Galactica episodes and stuff, and

0:39:42.440 --> 0:39:45.000
<v Speaker 1>that was my Internet. And there is something kind of

0:39:45.120 --> 0:39:47.640
<v Speaker 1>nice and chill about that with with Reddit, and you're

0:39:47.640 --> 0:39:50.000
<v Speaker 1>not going to accidentally run into other information that gets

0:39:50.040 --> 0:39:52.160
<v Speaker 1>you off track or angry about something else or something.

0:39:52.239 --> 0:39:56.160
<v Speaker 1>You're like there to read about this one thing. Yeah. Well,

0:39:57.000 --> 0:40:03.600
<v Speaker 1>justin You Are So Sound Only, which originally started as

0:40:03.640 --> 0:40:07.759
<v Speaker 1>an AVA podcast for when Ava was the first one

0:40:07.800 --> 0:40:11.400
<v Speaker 1>on Netflix. You and Michael Peters did. It wasn't like

0:40:11.440 --> 0:40:14.120
<v Speaker 1>a recap. It was like you guys, you guys go deep,

0:40:14.280 --> 0:40:17.000
<v Speaker 1>Like every cap doesn't do it justice, I feel, especially

0:40:17.040 --> 0:40:19.120
<v Speaker 1>because we didn't do per episode right. We sort of

0:40:19.160 --> 0:40:23.120
<v Speaker 1>clustered the episodes into batches of six specifically to what

0:40:23.280 --> 0:40:27.799
<v Speaker 1>it being too too like beat for beat recappy right,

0:40:28.160 --> 0:40:31.319
<v Speaker 1>which is easy to do, I imagine. But yeah, and

0:40:31.320 --> 0:40:33.399
<v Speaker 1>then we just yelled for four hours at a time

0:40:33.440 --> 0:40:36.799
<v Speaker 1>about the saving Galleon and it was great and I

0:40:36.880 --> 0:40:41.200
<v Speaker 1>lost my voice by episode two unfortunately. It was just

0:40:41.239 --> 0:40:43.879
<v Speaker 1>it was great. It was ecstatic. I have to say,

0:40:43.920 --> 0:40:47.880
<v Speaker 1>having edited you on podcasts, because you came on a

0:40:47.880 --> 0:40:50.160
<v Speaker 1>couple of times on my short lived anime podcast back

0:40:50.160 --> 0:40:52.880
<v Speaker 1>in the day, like you have a great podcast voice,

0:40:53.080 --> 0:40:58.239
<v Speaker 1>but like there are peaks around the peaks, so you

0:40:58.280 --> 0:41:01.080
<v Speaker 1>can't get strain this. But yeah, uh, but then you

0:41:01.080 --> 0:41:03.640
<v Speaker 1>guys brought it back recently. How many weeks now have

0:41:03.680 --> 0:41:08.440
<v Speaker 1>you been back? Six? I think we're on episode six.

0:41:08.719 --> 0:41:11.480
<v Speaker 1>We talked about Travis Scott this past week. That's the thing.

0:41:11.520 --> 0:41:13.880
<v Speaker 1>It's not an anime podcast now, and that's sort of

0:41:13.960 --> 0:41:16.280
<v Speaker 1>the pitch is that this is not an anime podcast,

0:41:16.320 --> 0:41:20.160
<v Speaker 1>and we're well, you had one, uh, you had like

0:41:20.239 --> 0:41:22.400
<v Speaker 1>your first real anime episode, and I feel like it

0:41:22.480 --> 0:41:25.399
<v Speaker 1>was like four weeks in or something like that, so

0:41:26.160 --> 0:41:30.799
<v Speaker 1>it's diffuse. It's like wrapped the Internet anime all that.

0:41:31.080 --> 0:41:36.920
<v Speaker 1>So Millennial Ship, did you talk about the Travis Scott burger? Yes? Yes,

0:41:37.120 --> 0:41:40.319
<v Speaker 1>and the merch okay here, okay, didn't if you buy

0:41:40.400 --> 0:41:43.600
<v Speaker 1>the Travis Scott merchandise, because I seriously considered it. And

0:41:43.600 --> 0:41:46.520
<v Speaker 1>I'm thirty three, so let's talk about this because I

0:41:47.520 --> 0:41:49.799
<v Speaker 1>didn't just listen to that episode and Mico was was

0:41:50.040 --> 0:41:52.560
<v Speaker 1>clowning on your big time for getting the shorts. I

0:41:52.600 --> 0:41:55.120
<v Speaker 1>believe I wanted to that they sold out. I wanted

0:41:55.160 --> 0:41:57.919
<v Speaker 1>to get Okay, So Travis Scott was selling what they're

0:41:57.960 --> 0:42:01.120
<v Speaker 1>like seventy dollar Jim short and there's a red pair

0:42:01.200 --> 0:42:04.719
<v Speaker 1>and they look like they're just extremely mid nineties sort

0:42:04.719 --> 0:42:08.399
<v Speaker 1>of overdesigned, and I almost I could have bottom because

0:42:08.400 --> 0:42:11.000
<v Speaker 1>I just I spend time in mccaren park, you know,

0:42:11.160 --> 0:42:14.680
<v Speaker 1>in Brooklyn, and you know I do jump squats. I

0:42:14.680 --> 0:42:17.080
<v Speaker 1>could do some jump squats in those shorts. You know,

0:42:17.560 --> 0:42:19.720
<v Speaker 1>it could have worked for me. And then they sold

0:42:19.760 --> 0:42:22.719
<v Speaker 1>out within the day, and then all the other merch

0:42:22.840 --> 0:42:26.200
<v Speaker 1>is not good, Like Travis Scott is one of those

0:42:26.239 --> 0:42:31.440
<v Speaker 1>rappers who has that kind of way too busy, millennial

0:42:31.560 --> 0:42:36.200
<v Speaker 1>rapper aesthetic. And there's exactly one article of clothing of

0:42:36.200 --> 0:42:39.080
<v Speaker 1>of that whole merch bundle from McDonald's that I thought

0:42:39.560 --> 0:42:41.279
<v Speaker 1>I could pull this off. And then the rest of

0:42:41.320 --> 0:42:45.000
<v Speaker 1>it is like, come on, dog, I pay taxes. I'm

0:42:45.000 --> 0:42:49.400
<v Speaker 1>too old for this, okay, But did you have the burger? No?

0:42:49.800 --> 0:42:53.799
<v Speaker 1>And that's the thing, like I I go to McDonald's

0:42:53.800 --> 0:42:57.480
<v Speaker 1>maybe like once every other year, and like it's not time,

0:42:57.840 --> 0:42:59.840
<v Speaker 1>you know what I mean. I operate like an animal.

0:43:00.120 --> 0:43:03.520
<v Speaker 1>It's not time for me to do my McDonald's pilgrimage.

0:43:03.600 --> 0:43:07.759
<v Speaker 1>Even if Caxus Jack sends you you're not No, I

0:43:07.760 --> 0:43:09.960
<v Speaker 1>don't know. I'm just not in the move. May I

0:43:10.040 --> 0:43:13.200
<v Speaker 1>ask what this burger was because I'm I'm out of

0:43:13.239 --> 0:43:17.960
<v Speaker 1>the loop. Yeah, explain what's I forget what's on the

0:43:17.960 --> 0:43:21.120
<v Speaker 1>burger now? I'm just quarter pounder with bacon on it.

0:43:21.120 --> 0:43:24.800
<v Speaker 1>It's just like a burger they already have on the menu.

0:43:25.600 --> 0:43:29.280
<v Speaker 1>It's so funny. It's just like the Travis Scott burger.

0:43:29.320 --> 0:43:32.280
<v Speaker 1>It's just like a bacon cheeseburger. It's a whole because

0:43:32.320 --> 0:43:35.160
<v Speaker 1>you have the fries, but then you get barbecue sauce

0:43:35.239 --> 0:43:38.880
<v Speaker 1>for the fry. And it's funny because the commercial for

0:43:39.000 --> 0:43:42.759
<v Speaker 1>it is so it really wants you to be impressed.

0:43:43.120 --> 0:43:45.600
<v Speaker 1>Counter to what Molly just said. It really wants it's

0:43:45.640 --> 0:43:47.920
<v Speaker 1>like pitching you on the idea of a hamburger, like

0:43:47.960 --> 0:43:51.319
<v Speaker 1>you've never heard of it. So it's like, what if

0:43:51.360 --> 0:43:53.920
<v Speaker 1>you went to McDonald's and you got a sandwich in

0:43:53.960 --> 0:43:56.759
<v Speaker 1>this in some bread, but then there's meat and then

0:43:56.760 --> 0:44:00.000
<v Speaker 1>there's sauce on it. Wouldn't that be nice? Tell him?

0:44:00.000 --> 0:44:01.879
<v Speaker 1>I have a seen It's like, wait a minute, this

0:44:01.960 --> 0:44:04.400
<v Speaker 1>is not I don't am I being sold something I

0:44:04.440 --> 0:44:07.160
<v Speaker 1>already have, is how I feel about. That's what's so

0:44:07.200 --> 0:44:10.279
<v Speaker 1>funny about it to me is that it's so like postmodern.

0:44:10.360 --> 0:44:14.960
<v Speaker 1>It's like you're ordering what Travis Scott orders that McDonald's exactly.

0:44:15.160 --> 0:44:17.600
<v Speaker 1>It's not like a special burger they made for him.

0:44:17.760 --> 0:44:20.719
<v Speaker 1>It's like, this is what Cactus Jack orders when he

0:44:20.760 --> 0:44:23.759
<v Speaker 1>goes to McDonald's, and you can go and do it too.

0:44:24.480 --> 0:44:28.360
<v Speaker 1>I feel like Kanye was gonna do that gap promotion

0:44:28.440 --> 0:44:30.400
<v Speaker 1>where he was going to like make a bunch of

0:44:30.480 --> 0:44:33.160
<v Speaker 1>khakis and sell them, you know, cargo pants and like

0:44:33.200 --> 0:44:36.760
<v Speaker 1>sell us cargo pants, and then Travis Scott like leapt

0:44:36.800 --> 0:44:40.040
<v Speaker 1>ahead of him in norm core by being like, I've

0:44:40.080 --> 0:44:44.880
<v Speaker 1>branded a regular burger. I'm gonna fucking put golden arches

0:44:45.120 --> 0:44:47.879
<v Speaker 1>on merch like, and you're gonna buy it. You're gonna

0:44:47.920 --> 0:44:51.800
<v Speaker 1>pay top dollar for It's a move, but Michael noted.

0:44:51.960 --> 0:44:54.080
<v Speaker 1>Michael noted that it's way more likely that I would

0:44:54.120 --> 0:44:57.879
<v Speaker 1>buy those shorts, those seventy dollar shorts than it than

0:44:58.280 --> 0:45:01.320
<v Speaker 1>it was that I would buy the A, which itself

0:45:01.400 --> 0:45:04.719
<v Speaker 1>feels like a drag of me in some way that

0:45:04.760 --> 0:45:07.839
<v Speaker 1>I haven't really even unpacked yet. I don't think it is.

0:45:08.040 --> 0:45:10.319
<v Speaker 1>I don't think it is. I think that I mean,

0:45:10.400 --> 0:45:12.400
<v Speaker 1>what is it? I would love to just like camp

0:45:12.440 --> 0:45:15.560
<v Speaker 1>out and watch like an Adam McDonald's and see what

0:45:15.600 --> 0:45:18.440
<v Speaker 1>it looks like if somebody does come into order the

0:45:18.480 --> 0:45:21.799
<v Speaker 1>Travis Scott Meal like, how do you ask for it?

0:45:21.880 --> 0:45:23.799
<v Speaker 1>Like what do you? What do you say? And are

0:45:23.800 --> 0:45:25.880
<v Speaker 1>you embarrassed when you do that? Or are you like no,

0:45:26.080 --> 0:45:30.440
<v Speaker 1>this is cool? Like I think all the people, especially

0:45:30.480 --> 0:45:33.359
<v Speaker 1>all of the team, all the zoomers who do it,

0:45:33.400 --> 0:45:37.239
<v Speaker 1>they're gonna be like every every zoomer I've ever interacted

0:45:37.280 --> 0:45:40.200
<v Speaker 1>with in Rainbow six Siege team voice chat, you know

0:45:40.239 --> 0:45:42.640
<v Speaker 1>what I mean, Like they're all the sort of I

0:45:43.120 --> 0:45:45.759
<v Speaker 1>worry that there's just gonna be this onslaught of suburban

0:45:46.239 --> 0:45:49.359
<v Speaker 1>kids wearing the worst clothes you can imagine, sort of

0:45:50.320 --> 0:45:54.759
<v Speaker 1>with really over elaborate slang, really really really selling the

0:45:54.840 --> 0:45:58.040
<v Speaker 1>bit to the cashier at McDonald's who was just so

0:45:58.160 --> 0:46:03.319
<v Speaker 1>profoundly irritated. The number of people whom Cactus Jack has sent.

0:46:04.760 --> 0:46:08.000
<v Speaker 1>I saw a TikTok of somebody ordering it that was

0:46:08.040 --> 0:46:12.080
<v Speaker 1>really funny where it was like he was like they

0:46:12.080 --> 0:46:13.920
<v Speaker 1>were filming it. I think a lot of people will

0:46:13.920 --> 0:46:16.839
<v Speaker 1>probably film themselves ordering the burger, but it was like

0:46:16.880 --> 0:46:19.799
<v Speaker 1>this teenager and he goes in without a mask and

0:46:19.840 --> 0:46:22.719
<v Speaker 1>he's like cactu shacks at me, and then the cashier's like,

0:46:22.760 --> 0:46:25.840
<v Speaker 1>you have to wear a mask. Uh, here's a mask

0:46:25.960 --> 0:46:28.479
<v Speaker 1>for you and put it on. He's like catch jacks

0:46:28.480 --> 0:46:32.160
<v Speaker 1>at me and they're like what He's like me, give

0:46:32.239 --> 0:46:36.000
<v Speaker 1>me the Travis Scott burger. And then this woman in line,

0:46:36.360 --> 0:46:39.880
<v Speaker 1>who's like a Karen starts just like going off at

0:46:40.000 --> 0:46:43.200
<v Speaker 1>him and being like, what's wrong with you? You sound

0:46:43.200 --> 0:46:47.040
<v Speaker 1>like a fucking dork um, and she like chases him

0:46:47.040 --> 0:46:50.560
<v Speaker 1>and his friends out of McDonald's and she's like, you're

0:46:50.640 --> 0:46:57.920
<v Speaker 1>such a fucking dweam. That's actually like that's a good Karen, Like,

0:46:57.960 --> 0:47:00.080
<v Speaker 1>I mean whatever, I don't care about kids, order in

0:47:00.120 --> 0:47:02.359
<v Speaker 1>the Travis Scott mell McDonald's. But that's actually like a

0:47:02.360 --> 0:47:07.760
<v Speaker 1>funny like you're funk out of here. It was so funny,

0:47:07.960 --> 0:47:10.520
<v Speaker 1>especially because she kind of looks like from behind she's

0:47:10.520 --> 0:47:13.120
<v Speaker 1>wearing like yoga pants and a tie die sweatshirt. And

0:47:13.120 --> 0:47:15.839
<v Speaker 1>then she turns around and it's like a different type

0:47:15.840 --> 0:47:18.799
<v Speaker 1>of woman than you expect, and she's just like what

0:47:18.840 --> 0:47:23.000
<v Speaker 1>are you doing? What's why are you filming in here? Like? What,

0:47:23.000 --> 0:47:26.120
<v Speaker 1>what the funk is wrong with you? She doesn't funk

0:47:26.120 --> 0:47:28.160
<v Speaker 1>with Travis Scott. I mean a lot of people, don't

0:47:28.200 --> 0:47:33.080
<v Speaker 1>you know, there's a backlash. Yeah, So I wanted to

0:47:33.120 --> 0:47:37.520
<v Speaker 1>talk to you specifically because you are an anime friend

0:47:37.520 --> 0:47:40.200
<v Speaker 1>and you talk about animal on your podcast, and I'm

0:47:40.200 --> 0:47:42.240
<v Speaker 1>pretty sure you won't talk about this on your podcast

0:47:42.280 --> 0:47:44.520
<v Speaker 1>anytime soon, just because it's old and there's no real

0:47:44.560 --> 0:47:48.560
<v Speaker 1>reason to talk about it. But I started watching Psycho

0:47:48.680 --> 0:47:53.720
<v Speaker 1>Pass this past week, which we can explain for Molly

0:47:53.800 --> 0:47:57.480
<v Speaker 1>and Tests, but is kind of like it's actually too

0:47:57.600 --> 0:47:59.799
<v Speaker 1>much of a nightcall show. It's almost like two on

0:47:59.840 --> 0:48:02.440
<v Speaker 1>the Knows. I feel like a lot of the episodes

0:48:02.440 --> 0:48:04.640
<v Speaker 1>that I'm watching, it's just like this is just like

0:48:04.880 --> 0:48:07.440
<v Speaker 1>the exact stuff that we talk about every week. It

0:48:07.480 --> 0:48:10.879
<v Speaker 1>almost makes me feel like, oh, like like a little

0:48:10.880 --> 0:48:13.400
<v Speaker 1>bit self conscious. It's like they've already covered this ground,

0:48:13.520 --> 0:48:15.920
<v Speaker 1>like all the stuff about like avatars and stuff and

0:48:15.960 --> 0:48:18.319
<v Speaker 1>in some of the early episodes. But it is a

0:48:18.360 --> 0:48:22.160
<v Speaker 1>show that I started watching because of the Halo, which

0:48:22.200 --> 0:48:24.920
<v Speaker 1>we discussed a couple of weeks about back the Amazon

0:48:25.000 --> 0:48:29.440
<v Speaker 1>Halo that is like a it's a fitness tracker or

0:48:29.480 --> 0:48:33.360
<v Speaker 1>like physical activity tracker that also is supposed to claims

0:48:33.400 --> 0:48:36.280
<v Speaker 1>to be able to track your tone and your mood

0:48:36.760 --> 0:48:40.960
<v Speaker 1>and you know, I guess for your own elucidation about yourself,

0:48:41.040 --> 0:48:43.680
<v Speaker 1>but then who knows, you know what that data could

0:48:43.719 --> 0:48:47.839
<v Speaker 1>actually be used for and the concept of psychopaths and

0:48:47.920 --> 0:48:50.759
<v Speaker 1>you can, yeah, fill in anything that I forget is

0:48:50.800 --> 0:48:55.960
<v Speaker 1>that this happens in like a near future where everybody

0:48:56.080 --> 0:49:00.319
<v Speaker 1>has a thing called a psycho pass, which is their

0:49:00.480 --> 0:49:03.040
<v Speaker 1>level of like their crime coefficient. So it's sort of

0:49:03.080 --> 0:49:05.279
<v Speaker 1>like Minority Report. It's like a pre crime type thing,

0:49:05.280 --> 0:49:09.799
<v Speaker 1>but it's basically like based on your psychological state, your

0:49:09.840 --> 0:49:14.200
<v Speaker 1>emotional state, uh, and you know, whatever level of trauma

0:49:14.239 --> 0:49:16.640
<v Speaker 1>that you've been through and haven't been gone through therapy

0:49:16.719 --> 0:49:19.840
<v Speaker 1>for like how likely you are to be a violent

0:49:19.840 --> 0:49:22.960
<v Speaker 1>criminal or just like any kind of criminal, I guess,

0:49:23.080 --> 0:49:27.360
<v Speaker 1>And then uh, based on that, like this police force

0:49:28.000 --> 0:49:31.560
<v Speaker 1>can uh they have these weapons that specifically only shoot

0:49:31.560 --> 0:49:35.719
<v Speaker 1>people who have a high enough crime coefficient. So it's

0:49:35.760 --> 0:49:39.360
<v Speaker 1>like super super dystopian. Like there's a little bit like

0:49:39.400 --> 0:49:41.400
<v Speaker 1>I feel like Watchman did something kind of like that

0:49:41.480 --> 0:49:44.040
<v Speaker 1>in its first episode, where there's like a gun that

0:49:44.080 --> 0:49:46.719
<v Speaker 1>you have to have like permission to use. So it's

0:49:46.719 --> 0:49:49.880
<v Speaker 1>like supposed to be this utopia, this utopian world that

0:49:50.000 --> 0:49:52.919
<v Speaker 1>this show takes place in, but of course it's all

0:49:52.960 --> 0:49:56.319
<v Speaker 1>super super dystopian because there's just this idea of like

0:49:56.400 --> 0:50:01.920
<v Speaker 1>this this system that tracks your yeah, your your emotional

0:50:01.920 --> 0:50:04.640
<v Speaker 1>instability and thus you likely had to do a crime.

0:50:05.400 --> 0:50:07.680
<v Speaker 1>You watched this like it's this is old. This is

0:50:07.719 --> 0:50:11.240
<v Speaker 1>like from or something I watched the first season like back,

0:50:12.400 --> 0:50:15.400
<v Speaker 1>uh maybe a few years after the first day or

0:50:15.520 --> 0:50:18.640
<v Speaker 1>the first season. Yeah, wait, what made you want to

0:50:18.680 --> 0:50:20.759
<v Speaker 1>go back to just the had you been meaning to?

0:50:21.480 --> 0:50:24.080
<v Speaker 1>I've been meaning to watch it and from for a

0:50:24.080 --> 0:50:28.600
<v Speaker 1>while because um Eric thum Our, our mutual friend, is

0:50:28.640 --> 0:50:31.439
<v Speaker 1>a big fan of it, and I was really into

0:50:31.760 --> 0:50:34.640
<v Speaker 1>an am really into Medico Magico, which is the same

0:50:35.200 --> 0:50:41.959
<v Speaker 1>writer that's like a dark magical girl anime, and Psychopaths

0:50:42.000 --> 0:50:45.799
<v Speaker 1>is more like a noir thriller type thing, but they're

0:50:45.880 --> 0:50:48.439
<v Speaker 1>kind of about the same stuff. They end up kind

0:50:48.440 --> 0:50:52.319
<v Speaker 1>of existing in similar territory. Yeah, it made me. It

0:50:52.320 --> 0:50:55.799
<v Speaker 1>made me think about just like I mean, you guys

0:50:55.840 --> 0:50:58.560
<v Speaker 1>talked on a recent episode just about like getting the

0:50:58.640 --> 0:51:00.360
<v Speaker 1>you know, I mean, no, no, it wasn't a episode.

0:51:00.360 --> 0:51:02.360
<v Speaker 1>I think you and I were just talking about like

0:51:02.440 --> 0:51:04.319
<v Speaker 1>getting into an anime, like half of it is just

0:51:04.360 --> 0:51:06.719
<v Speaker 1>like buying into a concept like that, like a like

0:51:06.760 --> 0:51:11.479
<v Speaker 1>a sci fi conceit a lot of times yeah, yeah,

0:51:11.800 --> 0:51:14.840
<v Speaker 1>and and it being a conceit that is just I

0:51:14.840 --> 0:51:18.640
<v Speaker 1>don't know. Unlike a lot of other media, I feel

0:51:18.640 --> 0:51:22.040
<v Speaker 1>like anime shows don't even really bother to do that

0:51:22.160 --> 0:51:24.560
<v Speaker 1>much upselling of the concept. It's just like you really

0:51:24.600 --> 0:51:26.920
<v Speaker 1>buy episode one, have to be prepared to put up

0:51:26.920 --> 0:51:28.839
<v Speaker 1>with some dumb sh it and it and a lot

0:51:28.840 --> 0:51:30.960
<v Speaker 1>of times it works, so a lot of times it doesn't. It.

0:51:31.000 --> 0:51:33.280
<v Speaker 1>Psychopass is just something that I remember the first episode

0:51:33.280 --> 0:51:37.480
<v Speaker 1>of Psychopaths feeling, so I don't know, and I think

0:51:37.520 --> 0:51:40.640
<v Speaker 1>that concept that show just gets over the top. I

0:51:40.680 --> 0:51:43.320
<v Speaker 1>remember psychopath feeling like it gets really over the top

0:51:43.400 --> 0:51:46.960
<v Speaker 1>about it's otherwise like you feel like you should be

0:51:46.960 --> 0:51:52.399
<v Speaker 1>watching a procedural but it's so much Yeah, it goes

0:51:52.440 --> 0:51:55.840
<v Speaker 1>to like the worst case scenario of every single corner

0:51:55.880 --> 0:52:00.360
<v Speaker 1>of society. Really, like ask like somebody who like works

0:52:01.200 --> 0:52:04.600
<v Speaker 1>ungodly hours at a drone factory and then like goes

0:52:04.680 --> 0:52:08.319
<v Speaker 1>crazy and kills people at the drone factory. By programming

0:52:08.360 --> 0:52:12.640
<v Speaker 1>the drones to kill. Like it's just all like it's

0:52:12.800 --> 0:52:18.879
<v Speaker 1>taking every single box of like society to your point

0:52:18.880 --> 0:52:20.560
<v Speaker 1>about concepts. So it's like it's hard to go from

0:52:20.560 --> 0:52:23.600
<v Speaker 1>watching something like Psychopaths to watching I don't know, if

0:52:23.640 --> 0:52:26.600
<v Speaker 1>you wait and watch the season of Sherlock, you'd be like, really,

0:52:26.600 --> 0:52:29.759
<v Speaker 1>this is all you got. I just watch Psychopaths. Yeah,

0:52:30.239 --> 0:52:34.960
<v Speaker 1>you don't go hard enough. Yeah, Um, is there anything recently?

0:52:35.800 --> 0:52:38.680
<v Speaker 1>I know you've been super into Black Lagoon, but any

0:52:38.800 --> 0:52:41.440
<v Speaker 1>any shows you've been into more? I mean that's the thing.

0:52:41.480 --> 0:52:43.920
<v Speaker 1>I watched TV so sporadically, and this is true of

0:52:44.280 --> 0:52:47.320
<v Speaker 1>even just like my animate consumption, I go through weird

0:52:48.440 --> 0:52:49.880
<v Speaker 1>not weird. I think a lot of people do this,

0:52:50.000 --> 0:52:53.520
<v Speaker 1>but I otherwise don't watch a lot of television except

0:52:53.920 --> 0:52:56.040
<v Speaker 1>when I get to those seasons where it's just like

0:52:56.080 --> 0:53:00.160
<v Speaker 1>I'm gonna watch eight anime series for no reason, um,

0:53:00.160 --> 0:53:02.759
<v Speaker 1>and they're all going to be from the mid two

0:53:02.840 --> 0:53:07.160
<v Speaker 1>thousand's through you know, the past decade, um, Like when

0:53:07.200 --> 0:53:10.640
<v Speaker 1>I first watched psychopath Yeah, this is great, Like I

0:53:10.680 --> 0:53:13.960
<v Speaker 1>first watched Psychopaths and Ergo Proxy, which is also feels

0:53:14.000 --> 0:53:17.000
<v Speaker 1>like a nightcall show. Ergo Proxy is I've never watched

0:53:17.000 --> 0:53:19.799
<v Speaker 1>Aergo Proxy, you know, what's what's the deal? I don't

0:53:19.840 --> 0:53:22.080
<v Speaker 1>even remember. It's just it's one of those shows where

0:53:22.080 --> 0:53:28.000
<v Speaker 1>everything feels sort of um, like techie and dystopian, and

0:53:28.239 --> 0:53:30.680
<v Speaker 1>it's like, one thing that's sort of weird about the

0:53:30.680 --> 0:53:35.080
<v Speaker 1>show is that Paranoid Android is the in credits music

0:53:35.160 --> 0:53:38.880
<v Speaker 1>for it. Um And I remember not liking Ergo Proxy

0:53:38.880 --> 0:53:40.480
<v Speaker 1>when I first saw it, But it also has a

0:53:40.560 --> 0:53:42.640
<v Speaker 1>vibe to it, and it's like the perfect kind of

0:53:42.680 --> 0:53:45.799
<v Speaker 1>binge watching vibe where it's you don't really feel like

0:53:45.840 --> 0:53:48.040
<v Speaker 1>putting up with an anime premise so much as you

0:53:48.120 --> 0:53:52.560
<v Speaker 1>feel like just sort of letting yourself wallow in a

0:53:52.640 --> 0:53:59.800
<v Speaker 1>certain aesthetic, yeah, certain musical like color, yeah, moodiness aesthetic

0:54:00.280 --> 0:54:03.720
<v Speaker 1>sometimes or just something really like soft and cute. Sometimes

0:54:03.800 --> 0:54:06.279
<v Speaker 1>you just want to be in like a cutie show

0:54:06.320 --> 0:54:10.400
<v Speaker 1>for a while a rom com Um. Black Lagoon is different.

0:54:10.520 --> 0:54:16.040
<v Speaker 1>Black Lagoon is so um. It's like mid adds anime

0:54:16.239 --> 0:54:20.600
<v Speaker 1>action and it has frankly, like really good race comedy.

0:54:21.360 --> 0:54:24.680
<v Speaker 1>It's the same thing that I like about it, uh,

0:54:24.719 --> 0:54:26.919
<v Speaker 1>because I don't know, it's like anime and Japanese video

0:54:26.920 --> 0:54:31.000
<v Speaker 1>games sometimes have such a weird stilted conception of race

0:54:31.120 --> 0:54:34.640
<v Speaker 1>when they're working with like American characters especially. But I

0:54:34.719 --> 0:54:38.200
<v Speaker 1>really like how Black like Black Lagoon has a really

0:54:38.239 --> 0:54:42.320
<v Speaker 1>good neo Nazi arc where it's just like the characters

0:54:42.320 --> 0:54:46.319
<v Speaker 1>are fighting neo Nazis on a boat, okay, and it's

0:54:46.360 --> 0:54:48.520
<v Speaker 1>just really good. And the the show has a lot

0:54:48.560 --> 0:54:53.600
<v Speaker 1>of stuff like that where it's actually surprisingly effectively multicultural

0:54:53.640 --> 0:54:55.520
<v Speaker 1>in a way that has edged to it, but not

0:54:55.680 --> 0:54:58.200
<v Speaker 1>in an ill intentions way that edge usually, you know

0:54:58.200 --> 0:55:00.480
<v Speaker 1>what I mean. It sort of feels like a gritty

0:55:00.640 --> 0:55:04.439
<v Speaker 1>we are the world like vibe to it in a way. Yeah,

0:55:05.000 --> 0:55:08.520
<v Speaker 1>Like it's picking up like the right stuff from more

0:55:08.840 --> 0:55:15.000
<v Speaker 1>global action entertainment or genre entertainment or something. Doesn't watching

0:55:15.480 --> 0:55:17.759
<v Speaker 1>really Dystopi and stuff make you want to curl up

0:55:17.760 --> 0:55:20.319
<v Speaker 1>in a ball, though I don't know, I don't think so.

0:55:20.440 --> 0:55:23.080
<v Speaker 1>There can be something kind of comforting about some stuff,

0:55:23.120 --> 0:55:25.040
<v Speaker 1>And I think there is something about when it is

0:55:25.120 --> 0:55:29.160
<v Speaker 1>in the medium of animation that makes it kind of

0:55:29.160 --> 0:55:31.880
<v Speaker 1>go down easier. I'm not always going to be in

0:55:31.920 --> 0:55:33.959
<v Speaker 1>the mood for like I mean, I still have never

0:55:34.040 --> 0:55:37.320
<v Speaker 1>finished watching The Leftovers, like that just got so dark

0:55:37.360 --> 0:55:39.640
<v Speaker 1>for me that it was just like not fun to watch.

0:55:39.680 --> 0:55:42.759
<v Speaker 1>I understand that it gets really amazing in later seasons,

0:55:42.800 --> 0:55:44.839
<v Speaker 1>but it was such a bummer. I was like, why

0:55:44.840 --> 0:55:46.600
<v Speaker 1>am I doing this to myself? I had that thought

0:55:46.640 --> 0:55:50.919
<v Speaker 1>at certain points in Madmen. There's something about anime where

0:55:50.920 --> 0:55:55.720
<v Speaker 1>it's like there could be like grievous bodily harm, okay,

0:55:55.719 --> 0:55:57.680
<v Speaker 1>but we're talking about this more is like an idea

0:55:58.080 --> 0:56:00.600
<v Speaker 1>than like me putting myself through this as a piece

0:56:00.600 --> 0:56:04.440
<v Speaker 1>of entertainment. So it like doesn't I mean, it's obviously

0:56:04.520 --> 0:56:06.960
<v Speaker 1>like can be troubling and upsetting at times, but it

0:56:07.600 --> 0:56:09.880
<v Speaker 1>just is like a different kind of experience. I don't know.

0:56:10.080 --> 0:56:12.239
<v Speaker 1>I don't know how would you qualify that. I don't

0:56:12.960 --> 0:56:15.400
<v Speaker 1>I don't know how to describe that exactly. That to me,

0:56:15.480 --> 0:56:18.920
<v Speaker 1>it's usually actually something about performances in anime that usually

0:56:18.960 --> 0:56:24.080
<v Speaker 1>helped psychopaths especially. I just remember feeling like some of

0:56:24.080 --> 0:56:30.239
<v Speaker 1>the performances feel strangely disconnected from what you're watching. And

0:56:30.320 --> 0:56:32.600
<v Speaker 1>I don't know, there's always there's so many levels at

0:56:32.600 --> 0:56:35.680
<v Speaker 1>which anime is like reminding you not to take it

0:56:35.840 --> 0:56:38.359
<v Speaker 1>too seriously, unless it's a kind of show that really

0:56:38.400 --> 0:56:41.360
<v Speaker 1>wants to be taken that seriously. I guess right, But yeah,

0:56:42.040 --> 0:56:44.680
<v Speaker 1>something like Psychopaths is like a good encapsulation of that,

0:56:45.000 --> 0:56:49.000
<v Speaker 1>right where it's it's premise feel super convoluted and self serious,

0:56:49.080 --> 0:56:51.560
<v Speaker 1>but at the same time it's execution just feel so

0:56:51.640 --> 0:56:56.800
<v Speaker 1>patently absurd that you're never gonna feel that oppressed by it. Yeah,

0:56:57.000 --> 0:57:00.120
<v Speaker 1>it's like a thinker not necessarily like I am then

0:57:01.200 --> 0:57:05.000
<v Speaker 1>I'm gonna take this whatever idea this show is trying

0:57:05.000 --> 0:57:07.200
<v Speaker 1>to get across and apply it directly to my life

0:57:07.280 --> 0:57:10.719
<v Speaker 1>or anything. It's more like, let's take it. Yeah, to

0:57:10.760 --> 0:57:13.200
<v Speaker 1>take it's like let's take an absurd premise, drive it

0:57:13.239 --> 0:57:17.120
<v Speaker 1>all the way to its logical endpoint, and do it

0:57:17.160 --> 0:57:21.760
<v Speaker 1>with the most like melo drama and you know, just

0:57:21.800 --> 0:57:25.400
<v Speaker 1>like like it's yeah, it's just like emo performances in

0:57:25.480 --> 0:57:29.480
<v Speaker 1>every sense of the word, uh, from every character, Like

0:57:29.560 --> 0:57:32.760
<v Speaker 1>everything is just a way way dialed up. But I

0:57:32.760 --> 0:57:34.400
<v Speaker 1>think the other thing that does a lot of favors

0:57:34.440 --> 0:57:37.680
<v Speaker 1>to anime series, like something like Psychopaths, for instance, has

0:57:37.760 --> 0:57:40.440
<v Speaker 1>multiple I think it has three seasons, but in general

0:57:40.520 --> 0:57:44.160
<v Speaker 1>it's sort of stuff that's not you know, five hundred

0:57:44.200 --> 0:57:46.200
<v Speaker 1>seasons stuff like Dragon Ball, right, Like it's not that

0:57:46.280 --> 0:57:49.080
<v Speaker 1>uncommon for an and for something that's popular to get

0:57:49.120 --> 0:57:51.760
<v Speaker 1>a single season and for the story of it to

0:57:51.760 --> 0:57:53.680
<v Speaker 1>be something that needs to be sort of open and

0:57:53.720 --> 0:57:57.600
<v Speaker 1>shut in a single season, and I think that that

0:57:57.920 --> 0:58:02.400
<v Speaker 1>creates this dynamic where a lot of series feel like

0:58:02.480 --> 0:58:06.120
<v Speaker 1>it's the people working on it getting every idea they've

0:58:06.160 --> 0:58:09.520
<v Speaker 1>ever had about this premise out and leaving sort of

0:58:09.560 --> 0:58:11.760
<v Speaker 1>nothing on the field. I think that's the thing too.

0:58:11.920 --> 0:58:15.200
<v Speaker 1>It's just there's so much of a sense of yolo

0:58:16.840 --> 0:58:19.520
<v Speaker 1>to a lot of these sort of high concept shows

0:58:19.520 --> 0:58:22.640
<v Speaker 1>that it feels like it's harder to get out of

0:58:22.680 --> 0:58:25.720
<v Speaker 1>live action television sometimes when it's sort of the vibe

0:58:25.720 --> 0:58:29.200
<v Speaker 1>of live action television is that, oh, you're driving towards

0:58:29.200 --> 0:58:31.720
<v Speaker 1>some sort of seasonal cliffhanger, and then the momentum of

0:58:31.760 --> 0:58:34.280
<v Speaker 1>this is sort of indefinite, as opposed to an anime

0:58:34.400 --> 0:58:36.760
<v Speaker 1>series that's like one to three seasons and you're just

0:58:36.760 --> 0:58:39.960
<v Speaker 1>sort of like, we have to we're going to exhaust

0:58:40.080 --> 0:58:44.520
<v Speaker 1>this concept. Yeah, there's yeah, there's not this sense of

0:58:44.560 --> 0:58:46.960
<v Speaker 1>like where it's like it's not like the same. I

0:58:46.960 --> 0:58:49.080
<v Speaker 1>guess it's just like a completely different system of like

0:58:49.440 --> 0:58:53.640
<v Speaker 1>pitching stuff to networks or studios or whatever, Like you

0:58:53.680 --> 0:58:56.480
<v Speaker 1>don't have to necessarily come in with this idea of

0:58:56.480 --> 0:59:00.280
<v Speaker 1>what happens in the sixth season when you're pitching an anime.

0:59:00.320 --> 0:59:02.440
<v Speaker 1>I don't imagine. I don't don't want much about it.

0:59:02.480 --> 0:59:05.240
<v Speaker 1>But like I it doesn't seem like it's kind of

0:59:05.280 --> 0:59:07.640
<v Speaker 1>coming out of that same sort of logic where it's like, okay,

0:59:07.960 --> 0:59:10.240
<v Speaker 1>walk us through the third season, like you know, you

0:59:10.280 --> 0:59:12.360
<v Speaker 1>have to know the fates of all these characters in

0:59:12.400 --> 0:59:14.640
<v Speaker 1>the first season. Like it's yeah, I don't know, it's

0:59:15.360 --> 0:59:17.320
<v Speaker 1>I I've I've talked to a lot of people about

0:59:17.320 --> 0:59:20.040
<v Speaker 1>how that is can be really frustrating, you know, within

0:59:20.120 --> 0:59:23.680
<v Speaker 1>the American television system, and and I feel like that's

0:59:23.760 --> 0:59:28.040
<v Speaker 1>that's one thing that maybe creatively is like I don't know,

0:59:28.280 --> 0:59:31.880
<v Speaker 1>more open ended or less like structured or rigorous or

0:59:31.920 --> 0:59:36.160
<v Speaker 1>something about h Japanese animation. I don't know. I feel

0:59:36.200 --> 0:59:39.400
<v Speaker 1>like also just like British television shows that will do

0:59:39.520 --> 0:59:43.640
<v Speaker 1>like just you know, a one off in America, Yeah,

0:59:43.680 --> 0:59:45.640
<v Speaker 1>it's like the similar idea. It's like, like, what's a

0:59:45.800 --> 0:59:48.480
<v Speaker 1>good idea, let's do it for like, but it's like

0:59:48.520 --> 0:59:50.280
<v Speaker 1>it's kind of the inverse because that in that case,

0:59:50.320 --> 0:59:52.880
<v Speaker 1>it's just like this is a sixth episode idea, Like,

0:59:52.960 --> 0:59:56.320
<v Speaker 1>that's all that we need to communicate this. Sometimes it's

0:59:56.320 --> 0:59:59.200
<v Speaker 1>a sixth episode idea. Sometimes it doesn't have to be

0:59:59.240 --> 1:00:02.200
<v Speaker 1>a ten season idea. You can really just like get

1:00:02.240 --> 1:00:05.080
<v Speaker 1>what you're going for, and if it's a really high

1:00:05.120 --> 1:00:09.320
<v Speaker 1>concept thing, especially it's like maybe you exhausted in one season. Yeah,

1:00:09.640 --> 1:00:13.520
<v Speaker 1>what's the last show non animated that you got into?

1:00:14.040 --> 1:00:17.800
<v Speaker 1>Over over Lockdown, Over Lockdown. I haven't watched I don't

1:00:17.800 --> 1:00:19.560
<v Speaker 1>know that I've watched any Oh, you know what, I

1:00:19.640 --> 1:00:22.800
<v Speaker 1>just rewatched a ton of Grays with my girlfriend. That's

1:00:22.800 --> 1:00:27.200
<v Speaker 1>the only watching TV, which I loved in college. I

1:00:27.480 --> 1:00:29.800
<v Speaker 1>fucking loved Gray's Anatomy, and I loved it as much

1:00:29.800 --> 1:00:33.200
<v Speaker 1>of fun revisiting Gray's Anatomy from the beginning of the show.

1:00:33.840 --> 1:00:38.760
<v Speaker 1>I loved how you called it Grays to show familiar insiders. No,

1:00:41.480 --> 1:00:44.520
<v Speaker 1>that's great, Yeah, I I kind of. I have a

1:00:44.560 --> 1:00:47.960
<v Speaker 1>hard time watching stuff in Lockdown too, Like I feel

1:00:48.000 --> 1:00:52.120
<v Speaker 1>like the dominant sort of assumption has been like, oh,

1:00:52.200 --> 1:00:54.760
<v Speaker 1>there's nothing to do, so you're just gonna watch every

1:00:54.800 --> 1:00:57.920
<v Speaker 1>TV show or go through entire series that are like,

1:00:58.120 --> 1:01:02.040
<v Speaker 1>you know, eight seasons long or something. I have never

1:01:02.280 --> 1:01:05.200
<v Speaker 1>I think I started off lockdown, being too anxious to

1:01:05.360 --> 1:01:08.320
<v Speaker 1>like sit still through anything and even still now this

1:01:08.400 --> 1:01:11.040
<v Speaker 1>is a bad habit that I don't like. Like I

1:01:11.080 --> 1:01:13.400
<v Speaker 1>try to be more strict with myself about this, but

1:01:13.480 --> 1:01:16.080
<v Speaker 1>now just because like everything is crazy, I don't care

1:01:16.120 --> 1:01:19.880
<v Speaker 1>as much. I have to have my phone or something

1:01:19.920 --> 1:01:22.520
<v Speaker 1>else to do while I'm watching something. And I used

1:01:22.560 --> 1:01:25.520
<v Speaker 1>to just be like I was, I was on the screen,

1:01:26.280 --> 1:01:30.880
<v Speaker 1>experience the cinematic event or whatever. Uh, And now I'm

1:01:30.960 --> 1:01:33.320
<v Speaker 1>just like doing it, like I'll go in and out.

1:01:33.560 --> 1:01:35.760
<v Speaker 1>I'll I'll go to the bathroom without pausing it. You know.

1:01:35.800 --> 1:01:39.280
<v Speaker 1>I'm just very inattentive. Now. I feel like I thought

1:01:39.280 --> 1:01:41.360
<v Speaker 1>I was going to be super into because I play

1:01:41.480 --> 1:01:44.960
<v Speaker 1>video games, and I thought that at the start of

1:01:45.000 --> 1:01:47.200
<v Speaker 1>all of this of like lockdowns and whatnot, that I

1:01:47.200 --> 1:01:49.800
<v Speaker 1>would I just sort of assumed, like I'm gonna play

1:01:49.840 --> 1:01:52.000
<v Speaker 1>so many video games. I can tell I'm gonna lose

1:01:52.040 --> 1:01:54.880
<v Speaker 1>so much time to this, and I haven't. I don't

1:01:54.880 --> 1:01:57.600
<v Speaker 1>have the appetite for it, and I don't even know why.

1:01:57.800 --> 1:02:00.400
<v Speaker 1>Like the yeah, this all again, it's like the asumptions

1:02:00.440 --> 1:02:02.800
<v Speaker 1>I had about what my media consumption would be like

1:02:03.400 --> 1:02:07.200
<v Speaker 1>in the work from home tyranny I've just been wrong.

1:02:07.280 --> 1:02:09.560
<v Speaker 1>Like I started baking a lot. Then I started learning

1:02:09.560 --> 1:02:12.680
<v Speaker 1>some programming, but I have not gamed a ton or

1:02:12.720 --> 1:02:14.840
<v Speaker 1>anything like that, which is, oh my god, we have

1:02:14.920 --> 1:02:21.160
<v Speaker 1>to talk about the programming. Justin's a code or now, uh,

1:02:21.520 --> 1:02:25.280
<v Speaker 1>Justin learned to code? I did, and it's like I

1:02:25.280 --> 1:02:27.920
<v Speaker 1>actually do, like contrary what we're saying before. I have

1:02:27.920 --> 1:02:30.600
<v Speaker 1>a Twitter account now because I needed, um, you need

1:02:30.600 --> 1:02:34.200
<v Speaker 1>a Twitter account to have uh access to Twitter api.

1:02:35.520 --> 1:02:38.840
<v Speaker 1>And so, like I was writing this, I've been writing, um,

1:02:38.880 --> 1:02:42.120
<v Speaker 1>some small programs to like I had been writing some

1:02:42.120 --> 1:02:44.920
<v Speaker 1>programs to comb Twitter for tweets about Q and on

1:02:45.080 --> 1:02:49.600
<v Speaker 1>or basically like comb the q and on hashtag for tweets,

1:02:49.920 --> 1:02:52.080
<v Speaker 1>and that ended up like with the spreadsheet of thirty

1:02:52.480 --> 1:02:54.320
<v Speaker 1>q and on tweets, And so now I'm doing like

1:02:54.360 --> 1:02:57.080
<v Speaker 1>all of this stuff where I'm trying to like data

1:02:57.120 --> 1:03:00.640
<v Speaker 1>mine it. And this is all just like as an exercise,

1:03:00.680 --> 1:03:03.200
<v Speaker 1>but it is also kind of funny, like staring at

1:03:03.240 --> 1:03:06.640
<v Speaker 1>thirty three thousand q and on tweets and a spreadsheet

1:03:06.720 --> 1:03:10.600
<v Speaker 1>and seeing like rhetorical patterns and actual tweets and in

1:03:10.680 --> 1:03:13.640
<v Speaker 1>people's profiles and stuff like that and the sort of

1:03:13.680 --> 1:03:16.520
<v Speaker 1>distinction between the people who are tweeting in the hashtags

1:03:16.560 --> 1:03:19.000
<v Speaker 1>and serely versus the people who are like this, this

1:03:19.120 --> 1:03:21.320
<v Speaker 1>is awful, Like we have to we have to put

1:03:21.320 --> 1:03:23.360
<v Speaker 1>an end to que and on. These are the worst people.

1:03:24.040 --> 1:03:27.120
<v Speaker 1>What's the ratio of like sincere Q and honors to

1:03:27.600 --> 1:03:29.840
<v Speaker 1>Q and on critics when you look at it. I

1:03:29.840 --> 1:03:31.880
<v Speaker 1>don't know yet. I haven't analyzed it yet. I spent

1:03:31.920 --> 1:03:34.920
<v Speaker 1>a lot of time sort of generating different searches to

1:03:35.040 --> 1:03:38.000
<v Speaker 1>tweak the kind of results that I was getting. I

1:03:38.040 --> 1:03:39.920
<v Speaker 1>don't know. I'll let you know next week. I want

1:03:39.920 --> 1:03:43.200
<v Speaker 1>to know this weekend. Yeah, I'm reading up this screenshot

1:03:43.280 --> 1:03:48.200
<v Speaker 1>that you you sent me of the of the scraped tweets.

1:03:48.240 --> 1:03:54.400
<v Speaker 1>I guess, uh yeah, it's like it's really hard to tell.

1:03:54.560 --> 1:03:57.560
<v Speaker 1>Like I mean, I think like a lot of this

1:03:57.600 --> 1:04:00.480
<v Speaker 1>stuff is like is it. Did you also get people's

1:04:00.640 --> 1:04:06.760
<v Speaker 1>um like profiles from this? There bioptions? Yeah, they're bios.

1:04:06.760 --> 1:04:11.000
<v Speaker 1>Like everybody who says like family, God, country, constitution. That's

1:04:11.040 --> 1:04:13.320
<v Speaker 1>the main thing at a glance, that's super obvious before

1:04:13.320 --> 1:04:15.600
<v Speaker 1>I even like start parsing it, right, is that a

1:04:15.680 --> 1:04:19.240
<v Speaker 1>lot of evangelical And it's funny. There's like a New

1:04:19.320 --> 1:04:22.840
<v Speaker 1>York Time story from yesterday. Um, that's an author who

1:04:22.920 --> 1:04:26.080
<v Speaker 1>is writing about this sort of connection between evangelicals and

1:04:26.160 --> 1:04:28.880
<v Speaker 1>Q and on. But it's so super obvious when you

1:04:28.920 --> 1:04:31.200
<v Speaker 1>start looking through the profiles of a lot of Qunan

1:04:31.280 --> 1:04:34.360
<v Speaker 1>people that the people who don't just have this sort

1:04:34.360 --> 1:04:37.240
<v Speaker 1>of trust the plan, you know, Q and on slogan

1:04:37.280 --> 1:04:40.040
<v Speaker 1>earring the explicit Q and on slogan earring they otherwise

1:04:40.120 --> 1:04:46.520
<v Speaker 1>mostly tend to have like Christian evangelical signaling. Although I

1:04:46.600 --> 1:04:52.880
<v Speaker 1>have noticed a lot of wellness, wellness oriented white ladies

1:04:52.960 --> 1:04:56.440
<v Speaker 1>getting into Q and on over the past month or

1:04:56.440 --> 1:05:01.720
<v Speaker 1>so especially, it's gotten really crazy, really yeah. Um, and

1:05:01.760 --> 1:05:03.440
<v Speaker 1>then somebody sent us a message. I think she might

1:05:03.520 --> 1:05:05.600
<v Speaker 1>leave a call about it. But a lot of like

1:05:05.720 --> 1:05:09.760
<v Speaker 1>Facebook mom you know, natural mom message boards, they go

1:05:10.040 --> 1:05:14.280
<v Speaker 1>along this path from like, you know, anti vaxing to

1:05:14.640 --> 1:05:18.400
<v Speaker 1>five G conspiracies to Q and on save the children,

1:05:18.920 --> 1:05:23.400
<v Speaker 1>right and the children to save the children thing, because

1:05:23.440 --> 1:05:25.640
<v Speaker 1>then people start getting an arguments being like what do

1:05:25.680 --> 1:05:28.800
<v Speaker 1>you not want me to save the children? Um. A

1:05:28.840 --> 1:05:32.080
<v Speaker 1>lot of times recently actually in the past couple of weeks. Um,

1:05:32.120 --> 1:05:35.640
<v Speaker 1>I still am in mom groups on Facebook, which I

1:05:35.680 --> 1:05:39.040
<v Speaker 1>would like to not be on anymore. But I am.

1:05:39.120 --> 1:05:42.800
<v Speaker 1>And one of the tops suggested pages of like one

1:05:42.800 --> 1:05:46.120
<v Speaker 1>of the bigger mom groups has been a trump um

1:05:46.280 --> 1:05:49.520
<v Speaker 1>page and it says like similar topics, you know, topics

1:05:49.520 --> 1:05:51.400
<v Speaker 1>similar to the one that the group that you're in.

1:05:51.840 --> 1:05:54.840
<v Speaker 1>And because it's like an l a local mom's group,

1:05:55.120 --> 1:05:58.800
<v Speaker 1>we're mostly liberal, but there is a small portion of

1:05:58.840 --> 1:06:01.440
<v Speaker 1>the people who are in that group that are, like

1:06:01.480 --> 1:06:04.680
<v Speaker 1>Molly said, um, it starts off with being like, I'm

1:06:04.680 --> 1:06:06.640
<v Speaker 1>not an anti vaxxer. I just think we should be

1:06:06.680 --> 1:06:09.720
<v Speaker 1>asking questions, and then it gets more into like a

1:06:09.800 --> 1:06:12.480
<v Speaker 1>defensive like I don't like the term anti vaxxer, but

1:06:12.560 --> 1:06:15.800
<v Speaker 1>I'm not vaccinating. Then it goes to five G and

1:06:15.800 --> 1:06:17.680
<v Speaker 1>then it falls off a cliff. And I think there

1:06:17.680 --> 1:06:21.400
<v Speaker 1>are a lot of moms in particular, and probably other

1:06:21.520 --> 1:06:25.800
<v Speaker 1>parents as well, but who are like kind of private

1:06:25.800 --> 1:06:27.680
<v Speaker 1>about those things when they talk to you in person,

1:06:27.720 --> 1:06:30.720
<v Speaker 1>but on their Facebook pages, on their social media, they're

1:06:30.760 --> 1:06:33.920
<v Speaker 1>pretty public about Q and on stuff, which is has

1:06:33.960 --> 1:06:37.560
<v Speaker 1>been interesting in terms of like school school board dynamics

1:06:37.560 --> 1:06:40.400
<v Speaker 1>and stuff like that when that becomes more public. Somebody

1:06:40.520 --> 1:06:44.320
<v Speaker 1>sent me some crazy photos from a Q and on

1:06:44.520 --> 1:06:47.800
<v Speaker 1>Saved the Children rally in Santa Monica in Santa mon

1:06:47.960 --> 1:06:50.120
<v Speaker 1>There was one in Hollywood too, not that long. This

1:06:50.200 --> 1:06:52.959
<v Speaker 1>one in Santa Monica. It was just like it looked

1:06:52.960 --> 1:06:56.760
<v Speaker 1>like midsummer. It was like all these white women wearing

1:06:56.800 --> 1:06:59.959
<v Speaker 1>like white dresses, like standing on the beach with these

1:07:00.120 --> 1:07:03.480
<v Speaker 1>save the children signs. It was the creepiest thing I've

1:07:03.480 --> 1:07:06.920
<v Speaker 1>ever seen. Yeah, it's alarming. I hate that this kind

1:07:06.960 --> 1:07:10.320
<v Speaker 1>of misinformation dynamic too, is the it feels like the

1:07:10.360 --> 1:07:13.840
<v Speaker 1>definitive problem of the age, right, and it sort of

1:07:13.880 --> 1:07:18.120
<v Speaker 1>feels like it paints people who are like naturally a

1:07:18.160 --> 1:07:20.720
<v Speaker 1>guest at that stuff into this corner of being sort

1:07:20.720 --> 1:07:24.280
<v Speaker 1>of ridiculed. Is like wanting to censor everybody. But it's like,

1:07:24.960 --> 1:07:26.560
<v Speaker 1>what is the actually, you know what I mean, It's

1:07:26.640 --> 1:07:31.040
<v Speaker 1>it's sort of yeah, it feels like nothing about our

1:07:31.080 --> 1:07:35.760
<v Speaker 1>politics is conducive to figuring out what to do about

1:07:36.400 --> 1:07:40.200
<v Speaker 1>those people, you know. I mean. I've been working on

1:07:40.240 --> 1:07:43.240
<v Speaker 1>a podcast episode for one of my other podcasts about

1:07:43.640 --> 1:07:47.600
<v Speaker 1>the Protocols of the Elders of Zion and just how

1:07:47.640 --> 1:07:51.440
<v Speaker 1>that disseminated as a conspiracy theory in the early twentieth century,

1:07:51.680 --> 1:07:54.080
<v Speaker 1>and it kind of makes me feel like a lot

1:07:54.080 --> 1:07:56.640
<v Speaker 1>of the things we say about that it has to

1:07:56.680 --> 1:07:59.160
<v Speaker 1>be this moment that makes people be like this. It's like, no,

1:07:59.280 --> 1:08:02.640
<v Speaker 1>people have always been like this. Uh, even when things

1:08:02.640 --> 1:08:06.680
<v Speaker 1>get debunked. That makes some people double down and be like, oh, well,

1:08:06.720 --> 1:08:09.000
<v Speaker 1>they want us to think it's fake, and that's you know,

1:08:09.840 --> 1:08:12.440
<v Speaker 1>we know it's not really fake. I think I mean

1:08:12.520 --> 1:08:14.560
<v Speaker 1>more like the tools of dissemination though, right. I think

1:08:14.600 --> 1:08:17.000
<v Speaker 1>the thing that makes it feel like such a palpable

1:08:17.320 --> 1:08:20.640
<v Speaker 1>political anxiety is just the fact that it's so in

1:08:20.720 --> 1:08:23.840
<v Speaker 1>your because these platforms have so many of us on them,

1:08:23.880 --> 1:08:27.760
<v Speaker 1>because they're the seven generators of content. There's just something

1:08:27.800 --> 1:08:30.160
<v Speaker 1>that feels like it's being thrown in your face constantly

1:08:30.160 --> 1:08:34.120
<v Speaker 1>about that these people want to save the children. Yeah,

1:08:34.360 --> 1:08:39.640
<v Speaker 1>and like disagreement or dissent is the only thing that

1:08:40.160 --> 1:08:44.320
<v Speaker 1>can justify like staying on these platforms a lot of times,

1:08:44.439 --> 1:08:47.760
<v Speaker 1>especially with Twitter. So there has to be some sort

1:08:47.800 --> 1:08:51.280
<v Speaker 1>of element of something that you're pushing against, whether that is,

1:08:51.600 --> 1:08:54.920
<v Speaker 1>you know, the standard narrative that that Q and on

1:08:55.040 --> 1:08:57.920
<v Speaker 1>is not real, or to you know that you should

1:08:57.920 --> 1:09:00.720
<v Speaker 1>get your kids vaccinated, like like if you don't have

1:09:00.800 --> 1:09:03.519
<v Speaker 1>something like it's basically like we're working our way down

1:09:03.560 --> 1:09:06.000
<v Speaker 1>the list of like things that are fairly seemed like

1:09:06.040 --> 1:09:11.040
<v Speaker 1>fairly common sense and and and kind of what abouting

1:09:11.040 --> 1:09:13.840
<v Speaker 1>them in some way? Uh like, there will always be

1:09:14.360 --> 1:09:16.559
<v Speaker 1>a community that is going to try to poke holes

1:09:16.560 --> 1:09:19.360
<v Speaker 1>and something that everybody takes for granted and that like

1:09:19.479 --> 1:09:22.400
<v Speaker 1>can often just look like conspiracy theory theories. But it's

1:09:22.479 --> 1:09:26.680
<v Speaker 1>just like this act of contrarianism basically kind of for

1:09:26.760 --> 1:09:29.720
<v Speaker 1>its own sake, because otherwise, what are you going to

1:09:29.840 --> 1:09:32.640
<v Speaker 1>talk about? Yeah, and it just feels like it's like

1:09:32.680 --> 1:09:34.839
<v Speaker 1>the kind of thing of if you're in a conversation

1:09:34.880 --> 1:09:37.479
<v Speaker 1>that you don't know how to end with somebody and

1:09:37.479 --> 1:09:39.639
<v Speaker 1>then you just keep bringing up stuff that you didn't

1:09:39.640 --> 1:09:42.320
<v Speaker 1>actually want to talk about. It feels like that sometimes.

1:09:43.120 --> 1:09:46.920
<v Speaker 1>I don't know that's that's actually like a very vivid

1:09:46.960 --> 1:09:50.000
<v Speaker 1>way of putting that. I think, well, yeah, as long

1:09:50.040 --> 1:09:53.000
<v Speaker 1>as you're on Twitter, it's like you can only post

1:09:53.080 --> 1:09:55.400
<v Speaker 1>nice things about stuff that you enjoy for so long

1:09:55.479 --> 1:09:57.720
<v Speaker 1>before it's like, okay, what am I fighting against now here?

1:09:57.840 --> 1:09:59.760
<v Speaker 1>Which is like good and bad? Let's look good and

1:09:59.760 --> 1:10:04.000
<v Speaker 1>bad thing about about that platform? Specifically, we talked about

1:10:04.000 --> 1:10:06.360
<v Speaker 1>all this stuff a lot, I feel like, but I've

1:10:06.400 --> 1:10:09.960
<v Speaker 1>always thought that, um, like you remember the I want

1:10:10.000 --> 1:10:12.800
<v Speaker 1>to say, first wave sort of social media coverage where

1:10:12.800 --> 1:10:14.920
<v Speaker 1>it was like, you would see those pieces right, where

1:10:14.920 --> 1:10:17.720
<v Speaker 1>would be I don't know, a Slate columnist being like,

1:10:17.840 --> 1:10:20.080
<v Speaker 1>I I left Twitter for three days, Here's what I

1:10:20.160 --> 1:10:22.760
<v Speaker 1>learned in the wilderness, right, and everyone be like, he

1:10:23.560 --> 1:10:27.360
<v Speaker 1>quit Twitter for three days? Right? And I always felt like, um,

1:10:27.520 --> 1:10:29.400
<v Speaker 1>those pieces are kind of silly, and people made fun

1:10:29.400 --> 1:10:31.560
<v Speaker 1>of them. But I feel like an assumption that was

1:10:31.560 --> 1:10:33.760
<v Speaker 1>always embedded in those pieces was that the problem with

1:10:33.800 --> 1:10:37.760
<v Speaker 1>Twitter was that the problem with Twitter is other people. Right.

1:10:37.920 --> 1:10:40.200
<v Speaker 1>The problem with Twitter is that people say things you

1:10:40.240 --> 1:10:42.920
<v Speaker 1>don't like, and the idea is that it's a house

1:10:42.960 --> 1:10:46.439
<v Speaker 1>site because of other people. When I think, actually, like

1:10:46.600 --> 1:10:49.519
<v Speaker 1>I love reading Twitter. The thing I dislike and the

1:10:49.560 --> 1:10:51.840
<v Speaker 1>thing I distrust and the thing that it needs to

1:10:51.840 --> 1:10:57.680
<v Speaker 1>be stamped out about Twitter is one's own impulse to post. Right,

1:10:57.760 --> 1:11:00.639
<v Speaker 1>That's the actual problem. Like, the best version Twitter would

1:11:00.640 --> 1:11:04.519
<v Speaker 1>be a word. The best version for a person, for me,

1:11:04.720 --> 1:11:06.920
<v Speaker 1>at least, of Twitter is one in which you can

1:11:07.200 --> 1:11:09.320
<v Speaker 1>if you want to see somebody's tweet, right, if you

1:11:09.320 --> 1:11:11.200
<v Speaker 1>want to see what somebody is saying about something, you

1:11:11.200 --> 1:11:15.120
<v Speaker 1>can find it. But you're liberated from the ability and

1:11:15.160 --> 1:11:18.200
<v Speaker 1>thus the impulse to post. I think that's the actual

1:11:18.520 --> 1:11:21.520
<v Speaker 1>bad thing. Yeah, it's like the faulk feeling of responsibility

1:11:21.520 --> 1:11:23.559
<v Speaker 1>that if you're not posting, then you're not participating in

1:11:23.600 --> 1:11:26.320
<v Speaker 1>a meaningful way, both on the platform and in the

1:11:26.360 --> 1:11:30.559
<v Speaker 1>world in general. And that is like this completely fake

1:11:30.680 --> 1:11:36.479
<v Speaker 1>dynamic that that site and the way of communicating creates. Um. Yeah,

1:11:36.560 --> 1:11:38.719
<v Speaker 1>I mean it seems like you found the perfect solution,

1:11:38.760 --> 1:11:42.519
<v Speaker 1>which is to not be on Twitter, but to create

1:11:42.680 --> 1:11:47.760
<v Speaker 1>codes to scrape Q and Q and to just read

1:11:48.040 --> 1:11:50.920
<v Speaker 1>thousands of quew and on tweets. That's really that's really

1:11:50.960 --> 1:11:55.360
<v Speaker 1>what the ideal social media diet is. Thirty three thousand

1:11:55.400 --> 1:11:57.599
<v Speaker 1>q and on tweets. You're like, I want to go

1:11:57.760 --> 1:12:02.200
<v Speaker 1>right right to the part where I feel crazy. But

1:12:02.280 --> 1:12:04.760
<v Speaker 1>that's the entire that's the entirety of it. You can

1:12:04.880 --> 1:12:08.920
<v Speaker 1>you can just get that super concentrated espresso shot of

1:12:09.400 --> 1:12:15.120
<v Speaker 1>queue and on Yeah, I mean that give me that

1:12:15.400 --> 1:12:22.040
<v Speaker 1>Travis Scott burger of the mind. Oh, don't forget the sprite.

1:12:22.200 --> 1:12:24.759
<v Speaker 1>That's the most insulting thing about the Travis Scott commercial,

1:12:24.760 --> 1:12:26.400
<v Speaker 1>by the way, is that he's like, and by the way,

1:12:26.479 --> 1:12:29.080
<v Speaker 1>just you know, the Kuda grass. The thing that really

1:12:29.120 --> 1:12:33.240
<v Speaker 1>makes this reflective of me, my my personality and Brandon

1:12:33.320 --> 1:12:35.439
<v Speaker 1>ethos is that you have to be sure to drink

1:12:35.479 --> 1:12:40.719
<v Speaker 1>a sprite with with this meal. It's a good sprite.

1:12:40.840 --> 1:12:44.800
<v Speaker 1>It was the best sprite McDonald's sprite. I can't even

1:12:45.120 --> 1:12:51.040
<v Speaker 1>it's been so long. Crazy taste, yeah to me, Yeah,

1:12:51.360 --> 1:12:54.280
<v Speaker 1>I haven't had sprite since. To be honest, I had

1:12:54.320 --> 1:12:56.760
<v Speaker 1>a sip of sprite the other day. I was like, what,

1:12:59.479 --> 1:13:02.240
<v Speaker 1>because if you go too long, like the idea of

1:13:02.280 --> 1:13:07.400
<v Speaker 1>sprite and the reality of sprites are really lemon disjointed. Yeah,

1:13:10.880 --> 1:13:14.920
<v Speaker 1>it just it tastes like like battery acid in a way,

1:13:15.280 --> 1:13:17.599
<v Speaker 1>you know, because if you're if you're used to, if

1:13:17.640 --> 1:13:21.240
<v Speaker 1>you if you're kind of idea of like the citrus

1:13:21.280 --> 1:13:24.679
<v Speaker 1>soda was formed on sprite, and then a long time

1:13:24.720 --> 1:13:28.360
<v Speaker 1>passes and you're drinking like actual like lemonade for instance,

1:13:28.680 --> 1:13:32.360
<v Speaker 1>and then you reintroduce sprite. You're like, this is not citrus.

1:13:32.520 --> 1:13:38.360
<v Speaker 1>This is like acid. I don't drink a lot of soda,

1:13:38.400 --> 1:13:40.080
<v Speaker 1>but the sprite, Like I'll have a root beer, a

1:13:40.160 --> 1:13:42.360
<v Speaker 1>coke or whatever and be like this is fine with me.

1:13:42.439 --> 1:13:44.760
<v Speaker 1>But the sprite was a bridge too far. I don't

1:13:44.920 --> 1:13:49.160
<v Speaker 1>have a surge. I like how sodas taste like battery acid.

1:13:49.520 --> 1:13:52.320
<v Speaker 1>That's what I liked about them. That's also what I

1:13:52.360 --> 1:13:56.440
<v Speaker 1>like about grapefruit juice. Yeah, I mean ting for instance,

1:13:56.479 --> 1:13:58.880
<v Speaker 1>like a grapefruit soda I can deal with because it's

1:13:59.080 --> 1:14:03.160
<v Speaker 1>it's closer to the flavor of the fruit than a

1:14:03.280 --> 1:14:06.880
<v Speaker 1>sprite is close to the lemon lime personally. I mean,

1:14:06.960 --> 1:14:09.800
<v Speaker 1>lemon lime is like a muddled flavor anyway. Grapefruit is

1:14:09.920 --> 1:14:15.240
<v Speaker 1>very specific. Yeah, lemon lime is completely abstracted by by sprite.

1:14:15.280 --> 1:14:17.400
<v Speaker 1>Like when you actually have something that's lemon lime, it's

1:14:17.400 --> 1:14:20.240
<v Speaker 1>a completely different things like like sweet and sour mix

1:14:20.360 --> 1:14:22.519
<v Speaker 1>or something in a in a bar, It's like, that's

1:14:22.640 --> 1:14:27.920
<v Speaker 1>lemon lime and anything like sprite. Well, yeah, come on, guys,

1:14:28.040 --> 1:14:41.120
<v Speaker 1>because sprite is a similacra exactly. I knew exactly this. UM. Well,

1:14:41.280 --> 1:14:45.200
<v Speaker 1>thank you justin for joining us. Normally we ask where

1:14:45.240 --> 1:14:48.760
<v Speaker 1>people can find you, but we've established pretty strongly that

1:14:48.840 --> 1:14:52.720
<v Speaker 1>nobody can find you anywhere except of the Ringer dot

1:14:52.720 --> 1:14:57.040
<v Speaker 1>Com em lane. I exist in the wire, didn't Yeah,

1:14:57.280 --> 1:15:00.720
<v Speaker 1>the president in the wired UM and you are as

1:15:00.760 --> 1:15:04.360
<v Speaker 1>you mentioned, U sound only on the Ringer Network on

1:15:04.680 --> 1:15:09.040
<v Speaker 1>wherever one gets their podcasts anything else, No, it's it. Thanks,

1:15:10.400 --> 1:15:15.719
<v Speaker 1>thank you so much, justin tell them come back sometime

1:15:16.040 --> 1:15:19.120
<v Speaker 1>and you know you can be part of the Night

1:15:19.120 --> 1:15:25.360
<v Speaker 1>Call anime and thank you for listening to Nightcall. You

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<v Speaker 1>at Nightcall Podcast. You can support us on Patreon at

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<v Speaker 1>of that fun stuff. And uh yeah, give us a

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<v Speaker 1>night Call one to four oh four six night leave

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<v Speaker 1>your thoughts, concerns, conspiracy theories. We're always looking for a

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<v Speaker 1>new ones and we'll see you all next week