WEBVTT - OMG: The Joke's On Us

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<v Speaker 1>It's nine O g one O engine with Jenny Garth

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<v Speaker 1>and Tory spelling.

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<v Speaker 2>Okay, omg ars Amy and I are here today to

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<v Speaker 2>break it down for you. Season eight, episode thirteen, Comic Relief.

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<v Speaker 2>Are you laughing?

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<v Speaker 1>What you're laughing? Because of the title first comedy of

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<v Speaker 1>all time? Like so very bad, so bad?

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<v Speaker 2>Okay, I have a question for you. Do you like

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<v Speaker 2>to go see stand up comedy in Jensen?

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<v Speaker 1>Good ones? Good ones? I love it, Oh my god?

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<v Speaker 1>But have you only gone to bad ones like I

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<v Speaker 1>love going to like I've gone to big you know,

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<v Speaker 1>like shows where Jerry Seinfeld or like you know Dane

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<v Speaker 1>Cook back in the day when he was like selling out,

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<v Speaker 1>like you know, Staples Center like that, and it's hilarious.

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<v Speaker 2>Okay, I agree with that. I think back in the

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<v Speaker 2>day it came from me going to some real bad

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<v Speaker 2>ones like we see it the after dark, and me

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<v Speaker 2>being like, oh my god, being nice. I'm like, oh god,

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<v Speaker 2>I don't want them to think I'm not laughing.

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<v Speaker 1>Oh you just courtesy laugh.

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<v Speaker 2>No. And then I wanted to save my energy, so

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<v Speaker 2>I would do this open mouth fake laugh and not

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<v Speaker 2>fake laugh. Silent laugh would show bud you guys.

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<v Speaker 1>Me, Oh do you never? Are you never? On TikTok

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<v Speaker 1>with like comedians and it shows like clips of their work.

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<v Speaker 1>It's so funny, like Nate BARGATSI to me is like

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<v Speaker 1>hilarious right now. I would love to go see him

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<v Speaker 1>in a big venue.

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<v Speaker 2>Yes, and I feel like I'm friends with comedians and

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<v Speaker 2>the good ones. I do love.

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<v Speaker 1>Correct, this was horrible, like I know we haven't Okay,

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<v Speaker 1>let me let me, I'll read the synopsis. Then okay,

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<v Speaker 1>Brandon sneaks around, leaving Kelly with a bad feeling. Steve

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<v Speaker 1>takes the stage and tells Jokes that he's been stealing.

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<v Speaker 1>Valerie puts on a sexy little show, but Don is

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<v Speaker 1>not ready to let Noah go. David starts working at

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<v Speaker 1>a car wash called Rob. Doctor Monahan tells Kelly's you

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<v Speaker 1>should find a new job. The car wash was named Rob.

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<v Speaker 1>I thought he made that friend. Anyway you go, you

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<v Speaker 1>say the director.

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<v Speaker 2>Of the writer, so director was Chip Chalmers, writer John.

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<v Speaker 2>I don't know this Lava Lava chilly interesting. I don't

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<v Speaker 2>recall that writer.

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<v Speaker 1>Well, he's not funny.

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<v Speaker 2>Oh do you think me? They brought him ONNG so

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<v Speaker 2>like this one's about comedy and he knows comedy better.

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<v Speaker 1>The part that was so cringe tastic for me was

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<v Speaker 1>when Ian so Steve is doing the audition for Comedy

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<v Speaker 1>Night and everyone in the Peapad is laughing, and You're like,

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<v Speaker 1>at home going, why are they laughing?

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<v Speaker 2>This is so not funny wild enough. I could hear

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<v Speaker 2>like Brian's real laugh there, so he was really laughing,

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<v Speaker 2>like Ian was like pulling out like his Wait, was

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<v Speaker 2>Brian there? Yeah?

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<v Speaker 1>Oh you mean at night, because Brian wasn't there for

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<v Speaker 1>the audition. He doesn't work at the Peapad. It's Noah,

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<v Speaker 1>a valerie and the staff, right, Yes, are you sure

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<v Speaker 1>Brian wasn't there. No, I'm not sure. I'm not sure,

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<v Speaker 1>but I just.

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<v Speaker 2>Because I feel like I heard his laft standing behind. Yeah.

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<v Speaker 2>It was the audition part when Ian's doing like, you know,

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<v Speaker 2>his kung fu and which he does again at the

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<v Speaker 2>after Dark.

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<v Speaker 1>It was so it's such bad comedy that I was like,

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<v Speaker 1>that's what I don't understand if you're gonna have a

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<v Speaker 1>like a comic storyline about comics, right, and I get

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<v Speaker 1>that the ones were supposed to be bad, and that's

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<v Speaker 1>why Ian Steve gets the gig, Like let him be

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<v Speaker 1>funny and then he steals the joke. It's just the

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<v Speaker 1>whole thing, and I'm like, you're an amateur who cares.

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<v Speaker 1>Just Oh, that whole storyline just made me cringe.

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<v Speaker 2>But part of it makes me feel like that was

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<v Speaker 2>like Ian was just like going for it, like he's

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<v Speaker 2>so funny on the spot. I know, but it wasn't

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<v Speaker 2>meant to be good, right, that's the.

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<v Speaker 1>Whole I think it was sort of meant to be

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<v Speaker 1>good in the audition because everyone's laughing, and that's how

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<v Speaker 1>he gets the job. And then the jokes they go

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<v Speaker 1>flat up there the same steel joke. I don't even

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<v Speaker 1>remember how that story ends. So dumb.

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<v Speaker 2>He made Carly laugh and she's going through a hard time. Yeah,

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<v Speaker 2>move and look I'm laughing, you're making me laugh.

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<v Speaker 1>Dumb, yes, yes, super dumb. Okay, in the next dumb

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<v Speaker 1>an we're done with that, tell me what you think

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<v Speaker 1>of obviously, we have two parallel storylines. That's the whole thing.

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<v Speaker 1>That We've got Kelly getting fully sexually harassed by the

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<v Speaker 1>doctor and how that plays out and everyone's reactions and

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<v Speaker 1>YadA YadA, And then you have Brandon with the writer

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<v Speaker 1>and she's being overtly sexual, yes, but you interpret it

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<v Speaker 1>differently because of his reactions too, he kisses.

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<v Speaker 2>Her right, Yeah, but you also view it differently in

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<v Speaker 2>most because it's it it's a female doing it to

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<v Speaker 2>a male.

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<v Speaker 1>Well, I've been thinking about that a lot, Like, yeah,

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<v Speaker 1>I My problem is they've made her to something too.

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<v Speaker 1>It's so over the top.

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<v Speaker 2>It's so overtly like diabolical in some way.

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<v Speaker 1>Every line is inappropriate, and the calling and the and

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<v Speaker 1>the way she behaves, it's all so too much that

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<v Speaker 1>I don't find it. I don't find anything redeeming in her.

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<v Speaker 1>I'm like, you're just I agree with this.

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<v Speaker 2>Do you feel like it's a bit fatal attraction, Like

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<v Speaker 2>do you think there's gonna be She's gonna boil his bunny?

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<v Speaker 2>I mean, it's I.

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<v Speaker 1>Remember her, and I remember this whole thing that I

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<v Speaker 1>can't remember what happens next.

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<v Speaker 2>I don't know either.

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<v Speaker 1>I just find both the storylines, and I obviously they're

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<v Speaker 1>going for something, which is why they did them both

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<v Speaker 1>at the same time. But it's almost diluting both storylines where.

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<v Speaker 2>I'm like, like, the doctor feels creepy because of it.

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<v Speaker 1>And she feels so over the top that I would

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<v Speaker 1>have seen.

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<v Speaker 2>She feels creepy to me, creepy, she's.

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<v Speaker 1>So too much. And I also think Brandon, that's not

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<v Speaker 1>his bag, Like he's not falling for that, so yet

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<v Speaker 1>he's falling for it. And I'm like, you're making this

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<v Speaker 1>character that would never fall for this, go for this.

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<v Speaker 1>Kelly should be like you're gross by quit like or

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<v Speaker 1>do or go tell someone? I don't know?

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<v Speaker 2>That doctor is like he's next level.

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<v Speaker 1>It's that both are so exaggerated. Then your reaction is like,

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<v Speaker 1>whereas have they done them? Understated?

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<v Speaker 2>Understated? Have you met this show? All?

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<v Speaker 1>Right? When they in the very beginning, when the doctor

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<v Speaker 1>it was a bit nuanced, and Kelly's like, did he

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<v Speaker 1>didn't he? That is more how it goes.

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<v Speaker 2>I agree, But in some way you could look at

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<v Speaker 2>it and be like, oh, in men's DNA, it's it's

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<v Speaker 2>how they what they think with and you know it's

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<v Speaker 2>how so, but it's not Brandon you're right, correct.

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<v Speaker 1>Correct, and him sneaking around it's just like, that's not

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<v Speaker 1>Brandon's deal. So I'm like, why are you making him

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<v Speaker 1>like she's cute the writer girl, but like Brandon's not

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<v Speaker 1>doing that.

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<v Speaker 2>I know, And here we get the second call that

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<v Speaker 2>he says was a print caller or what Kelly says,

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<v Speaker 2>wrong number last episode? This time? Was it a crank call? Yeah,

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<v Speaker 2>and he's like, hey.

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<v Speaker 1>Yes, Star sixty nine was around them.

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<v Speaker 2>Yeah that was yeah, it was.

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<v Speaker 1>It's just not it's not good storylines.

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<v Speaker 2>It's interesting because Kelly does meet her because you know,

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<v Speaker 2>she's like, what does she look like? And Brandon goes

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<v Speaker 2>a normal girl. She's like, what is a normal girl?

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<v Speaker 2>So she thinks it's because men don't notice at all,

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<v Speaker 2>and that's why they're just like I don't know what

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<v Speaker 2>he what she looks like? But yeah, that would have

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<v Speaker 2>like keyed me. I would have been like normal, what

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<v Speaker 2>do you mean?

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<v Speaker 1>Like is it in your face? Is that the reason

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<v Speaker 1>that I'm sort of like, what is it? Two in

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<v Speaker 1>our face? Like maybe is it too captain obvious? Right?

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<v Speaker 1>These storylines, yes, Like I can't even engage because it's just.

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<v Speaker 2>Like either right, You're just like these are You're right?

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<v Speaker 2>They cancel each other out, which is unfortunate, involves two

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<v Speaker 2>of our means. You're not dumb, just not good.

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<v Speaker 1>The comedy thing was dumb, and this one I'm just like,

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<v Speaker 1>this isn't.

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<v Speaker 2>Good I'm worried that Brandon's going to actually sleep with her.

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<v Speaker 2>I don't know. I don't remember either, but I know

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<v Speaker 2>he wouldn't.

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<v Speaker 1>He's all, but like, well don't I kind of do

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<v Speaker 1>remember what happens? Actually?

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<v Speaker 2>I do know?

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<v Speaker 1>Yeah, I think I do. Now, this is why they

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<v Speaker 1>I don't want to say it. I don't want to

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<v Speaker 1>say it, but now I do remember, I do.

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<v Speaker 2>Why is Kelly not jealous of her when she does

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<v Speaker 2>meet her? When she does meet her, and she's not like, uh, well,

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<v Speaker 2>what do you do?

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<v Speaker 1>Trusts her boyfriend, which Brandon is trustworthy. That's why the

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<v Speaker 1>whole storyline is like dumb. I guess it is dumb.

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<v Speaker 2>I guess I'm trying to think because she gotten. Is

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<v Speaker 2>Kelly just not the jealous type at all?

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<v Speaker 1>Like she trusts Brandon although she has her she's getting

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<v Speaker 1>what do you.

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<v Speaker 2>Mean he's burned her before? Emily Valentine like, what do

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<v Speaker 2>you know?

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<v Speaker 1>She didn't really know exactly all that. I know. Maybe

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<v Speaker 1>it is Brandon. I don't know. They write him. They

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<v Speaker 1>do him dirty a little bit. In another dumb storyline,

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<v Speaker 1>David and the Fake Yeah, I like Noah and Donna

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<v Speaker 1>just let them be.

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<v Speaker 2>I like them, Who are you saying this to you? Valerie.

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<v Speaker 2>Valerie doesn't think normal.

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<v Speaker 1>Oh, I'm just saying it's so stupid and dumb and

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<v Speaker 1>the fake and like, come on.

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<v Speaker 2>David, that's the thing he wouldn't But Valerie gets men

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<v Speaker 2>convinced to do things that they normally wouldn't do. That's and.

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<v Speaker 1>It's just like dumb.

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<v Speaker 2>So here's what I thought. Like, I was like, okay,

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<v Speaker 2>is that their comic like nod in this storyline because

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<v Speaker 2>it was kind of an episode that would be like,

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<v Speaker 2>you know, like I love Lucy, like it's not real,

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<v Speaker 2>but like you know, and Valerie was going so over

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<v Speaker 2>the top that I was like not a real way

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<v Speaker 2>that I was like, oh is she trying to do?

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<v Speaker 1>Like right? And it's kind of like Brandon and Steve

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<v Speaker 1>have they're like, oh hey, you know to David blah blah,

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<v Speaker 1>Like it was just like jokes, yeah, jokes, but like, yeah,

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<v Speaker 1>you're right. I think that this is the comic relief.

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<v Speaker 2>Yeah, Like Kelly comes out of the bedroom and like

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<v Speaker 2>every and Steve and it's like, oh my god. After

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<v Speaker 2>a few moments of that, I had to go back

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<v Speaker 2>and check it. I was like, wait, wait, did Jason

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<v Speaker 2>direct this episode because there was a lot.

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<v Speaker 1>Like his sort of yeah, but Noah is getting jealous,

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<v Speaker 1>which I also don't believe. It's like Noah never even

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<v Speaker 1>really liked.

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<v Speaker 2>Her, liked her.

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<v Speaker 1>He definitely doesn't like her, now why would he be

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<v Speaker 1>Wait wait, he never really liked her, maybe even if

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<v Speaker 1>it was a little bit, but then after her whole thing,

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<v Speaker 1>Noah's way too well, Noah's not going to like a

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<v Speaker 1>girl that's so like money hungry and that whole thing.

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<v Speaker 2>No And it's so me to watch that storyline and

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<v Speaker 2>not get that part. Like I'm like, oh, I probably

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<v Speaker 2>don't deserve him anyway, so I guess it's okay he's jealous.

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<v Speaker 2>Like hearing you say it, I'm like, yeah, you're right,

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<v Speaker 2>what is going on? He would never behave that way.

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<v Speaker 1>It's absolutely so weird the way you're behaving go away,

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<v Speaker 1>Like Noah should be that guy, like they try to

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<v Speaker 1>make him cool, so make him fully cool. Yeah, not

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<v Speaker 1>these like and if if Brandon's going to be the

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<v Speaker 1>honest good guy, make him the honest good guy.

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<v Speaker 2>I am so distracted right now. You guys can't see this,

0:12:56.559 --> 0:12:58.600
<v Speaker 2>but Amy's making a point and she's putting her arm

0:12:58.600 --> 0:13:00.720
<v Speaker 2>out and she is best arms.

0:13:01.640 --> 0:13:06.320
<v Speaker 1>No no, no, So first of all, that's so nice.

0:13:05.960 --> 0:13:06.760
<v Speaker 2>Like wave goodbye.

0:13:06.800 --> 0:13:07.000
<v Speaker 1>Arms.

0:13:07.000 --> 0:13:08.360
<v Speaker 2>At a certain age, you just have them.

0:13:08.559 --> 0:13:11.960
<v Speaker 1>I was looking at them this morning, going, oh, yuck.

0:13:12.480 --> 0:13:14.760
<v Speaker 1>I gotta start lifting weights or something.

0:13:14.920 --> 0:13:15.800
<v Speaker 2>Kill for those arms.

0:13:15.800 --> 0:13:18.640
<v Speaker 1>I don't know. I also have frozen shoulder just so bad,

0:13:19.760 --> 0:13:23.400
<v Speaker 1>so bad. But please, anyone listening, please send in your

0:13:23.440 --> 0:13:28.640
<v Speaker 1>tips on frozen shoulder, because oh it's like the worst anyway.

0:13:28.760 --> 0:13:35.360
<v Speaker 1>Sidebar okay. In the full pivot to the car wash storyline.

0:13:34.880 --> 0:13:37.280
<v Speaker 2>Oh wait, I have one more thing to say about

0:13:37.400 --> 0:13:42.600
<v Speaker 2>the Donna David Valerie Noah. When Noah and Donna get

0:13:42.600 --> 0:13:45.240
<v Speaker 2>back together, did you see all that tongue.

0:13:47.480 --> 0:13:49.520
<v Speaker 1>I actually think they have chemistry and are cool.

0:13:49.640 --> 0:13:53.320
<v Speaker 2>I like them for even for me, I was like, whoa,

0:13:53.679 --> 0:13:56.160
<v Speaker 2>because it was my tongue I was seeing, and I

0:13:56.200 --> 0:13:58.920
<v Speaker 2>was like, that was a lot to see on camera.

0:13:59.400 --> 0:14:03.160
<v Speaker 1>I'm over David. I don't understand, Like I just oh,

0:14:03.400 --> 0:14:06.600
<v Speaker 1>stop it. He should have immediately gone back to the

0:14:06.720 --> 0:14:09.320
<v Speaker 1>after like the whole thing. So now he works at

0:14:09.320 --> 0:14:12.280
<v Speaker 1>the car walk. He does, yes, And here's the thing.

0:14:12.400 --> 0:14:16.120
<v Speaker 1>I like that he protected the guy, befriended the guy.

0:14:16.360 --> 0:14:18.880
<v Speaker 1>But going to the parents' house seemed a bit extreme

0:14:19.000 --> 0:14:21.080
<v Speaker 1>for me for someone you met yesterday.

0:14:21.800 --> 0:14:23.960
<v Speaker 2>I had to go back and rewind I was like,

0:14:24.120 --> 0:14:28.360
<v Speaker 2>what did I miss something? Why would you do that?

0:14:30.480 --> 0:14:32.560
<v Speaker 2>Is that in character? Either? I don't think so.

0:14:32.880 --> 0:14:35.360
<v Speaker 1>No, because he's not He's not Brandon, right, that's what

0:14:35.400 --> 0:14:38.800
<v Speaker 1>Brandon would do, right, David's the guy that would kiss

0:14:38.840 --> 0:14:40.880
<v Speaker 1>the reporter a lady writer lady.

0:14:41.920 --> 0:14:46.720
<v Speaker 2>Yes, yes, it's like Ariel all over again.

0:14:46.880 --> 0:14:48.200
<v Speaker 1>Correct, it's just Ariel.

0:14:50.160 --> 0:14:53.600
<v Speaker 2>Oh my. They're mixing characters up because it's people writing

0:14:53.800 --> 0:14:55.800
<v Speaker 2>that don't know the initial characters.

0:14:56.520 --> 0:15:01.440
<v Speaker 1>The dad is over the top. It's all like, how

0:15:01.440 --> 0:15:04.760
<v Speaker 1>do I explain this? That to me? The writers are like, hey, audience,

0:15:05.680 --> 0:15:09.480
<v Speaker 1>this guy has a bad dad who doesn't accept him,

0:15:09.480 --> 0:15:13.000
<v Speaker 1>and we're gonna make him so aggressively bad. When it's like,

0:15:13.760 --> 0:15:16.520
<v Speaker 1>there's no nuance in any of these storylines.

0:15:16.760 --> 0:15:18.840
<v Speaker 2>Can I look up the writer because remember I was like,

0:15:18.880 --> 0:15:19.600
<v Speaker 2>I don't know this.

0:15:19.680 --> 0:15:21.720
<v Speaker 1>Writer because lava chilli.

0:15:22.320 --> 0:15:24.640
<v Speaker 2>Because now I'm like just.

0:15:24.560 --> 0:15:28.000
<v Speaker 1>Two on the nose or something's not let me figure

0:15:28.000 --> 0:15:29.160
<v Speaker 1>it out for myself.

0:15:29.560 --> 0:15:31.960
<v Speaker 2>I mean, I think for a show like this, you

0:15:32.120 --> 0:15:34.720
<v Speaker 2>kind of if you bring a new writer in, they

0:15:34.760 --> 0:15:38.280
<v Speaker 2>have to go back and see how the characters have developed.

0:15:38.760 --> 0:15:43.280
<v Speaker 2>Because you're right, fans know at this point, eight seasons in,

0:15:44.160 --> 0:15:46.920
<v Speaker 2>they know their characters and what they would and wouldn't do.

0:15:46.960 --> 0:15:49.040
<v Speaker 2>And that's where the problem lies.

0:15:49.600 --> 0:15:53.360
<v Speaker 1>Tone, the tone, it's just all like, oh, but who

0:15:53.400 --> 0:15:56.080
<v Speaker 1>allowed this? I don't know. That's why everyone says this

0:15:56.160 --> 0:15:57.960
<v Speaker 1>season is so like messy.

0:15:58.200 --> 0:16:00.120
<v Speaker 2>Don't say it, you were about to say it.

0:16:00.120 --> 0:16:02.520
<v Speaker 1>It's just messy, just messy.

0:16:02.800 --> 0:16:08.880
<v Speaker 2>John Loveacilli he's an American actor who Bann's career in

0:16:09.160 --> 0:16:13.880
<v Speaker 2>nineteen eighty three as Marcus Santorro in The Lords of

0:16:14.000 --> 0:16:21.160
<v Speaker 2>Discipline Paramount's adaptation. Uh okay. Then he was on Minetoba

0:16:21.520 --> 0:16:25.520
<v Speaker 2>but no one cares the rocketeer ny PD Blue maumr.

0:16:25.680 --> 0:16:28.120
<v Speaker 2>She wrote the practice oh twenty one Jem Street. He

0:16:28.200 --> 0:16:30.360
<v Speaker 2>was an actor on all these things. He was an actor.

0:16:30.600 --> 0:16:34.480
<v Speaker 2>It doesn't mention him being well right, let him write this?

0:16:34.960 --> 0:16:36.840
<v Speaker 2>H what's the connection?

0:16:37.680 --> 0:16:38.160
<v Speaker 1>I don't know?

0:16:39.480 --> 0:16:42.840
<v Speaker 2>Amy, Please? What is going on? What?

0:16:42.840 --> 0:16:45.400
<v Speaker 1>What? Just like, Hey, nice to meet you. Do you

0:16:45.440 --> 0:16:47.480
<v Speaker 1>want to write the biggest show on television?

0:16:47.640 --> 0:16:47.760
<v Speaker 2>Right?

0:16:47.800 --> 0:16:48.040
<v Speaker 1>Wait?

0:16:48.640 --> 0:16:53.600
<v Speaker 2>What is the connection? Was he friends with? What is? Oh?

0:16:53.680 --> 0:16:56.920
<v Speaker 1>Boy? But I mean, here's the thing. I can't blame him,

0:16:57.240 --> 0:16:59.440
<v Speaker 1>because it's not like this is the only bad episode

0:16:59.520 --> 0:17:02.440
<v Speaker 1>this season. I'm not going to blame him. They're all

0:17:02.520 --> 0:17:03.000
<v Speaker 1>kind of bad.

0:17:03.480 --> 0:17:07.160
<v Speaker 2>Sometimes. You know, one off scripts would come in because

0:17:07.160 --> 0:17:08.480
<v Speaker 2>someone had a great idea.

0:17:08.640 --> 0:17:09.920
<v Speaker 1>Sure, sure, yeah, so.

0:17:09.840 --> 0:17:12.280
<v Speaker 2>They would come in with an episode they would write,

0:17:12.320 --> 0:17:15.560
<v Speaker 2>and then the other EPs and writing staff because we

0:17:15.600 --> 0:17:19.040
<v Speaker 2>had a whole writer staff would kind of get a

0:17:19.080 --> 0:17:24.040
<v Speaker 2>thinking and yeah, make it more. Yes, great, great storylines,

0:17:24.400 --> 0:17:27.400
<v Speaker 2>but we're gonna kind of break down the characters for you.

0:17:27.560 --> 0:17:29.280
<v Speaker 2>So I don't know.

0:17:29.320 --> 0:17:33.320
<v Speaker 1>My thing is like, this is not just it's bad,

0:17:33.400 --> 0:17:35.439
<v Speaker 1>but it's just equally bad as the rest.

0:17:36.000 --> 0:17:38.040
<v Speaker 2>It's interesting because when I watched it, I was like,

0:17:38.440 --> 0:17:40.920
<v Speaker 2>m I really judging it because I don't like bad

0:17:41.000 --> 0:17:43.840
<v Speaker 2>stand up comedy. I thought it was really that that

0:17:43.960 --> 0:17:45.680
<v Speaker 2>was really and then it just like fuzzed it all

0:17:45.680 --> 0:17:46.919
<v Speaker 2>over for me. For the rest of.

0:17:46.920 --> 0:17:48.800
<v Speaker 1>That that was particularly the low.

0:17:49.200 --> 0:17:51.560
<v Speaker 2>But now breaking it down with you, it's like, wow,

0:17:51.920 --> 0:17:57.200
<v Speaker 2>every storyline here was just really bad, really bad, yeah,

0:17:57.320 --> 0:18:00.560
<v Speaker 2>because it just didn't feel organic to the care characters.

0:18:00.800 --> 0:18:03.359
<v Speaker 1>Yeah, they're bad, disservice bad.

0:18:04.160 --> 0:18:07.080
<v Speaker 2>Well. We did have third eye blind though in the

0:18:07.119 --> 0:18:08.359
<v Speaker 2>interro songs, so that's cool.

0:18:08.400 --> 0:18:10.000
<v Speaker 1>Oh my god, I meant to talk to you guys

0:18:10.000 --> 0:18:13.320
<v Speaker 1>about the intro songs. They are just like working so hard,

0:18:13.840 --> 0:18:15.800
<v Speaker 1>like they're spending all their money on the intro song.

0:18:16.040 --> 0:18:18.000
<v Speaker 1>They're like, if we just start with a cool song,

0:18:18.119 --> 0:18:19.160
<v Speaker 1>people will like this show.

0:18:19.400 --> 0:18:21.920
<v Speaker 2>We don't have to pay much for a writer. It's

0:18:21.960 --> 0:18:23.280
<v Speaker 2>never written before cool.

0:18:24.320 --> 0:18:26.959
<v Speaker 1>I feel like the intros are just they've really like

0:18:27.320 --> 0:18:32.280
<v Speaker 1>rocked it up too. It's kind of like edgy and

0:18:32.320 --> 0:18:32.760
<v Speaker 1>you're like.

0:18:33.200 --> 0:18:38.280
<v Speaker 2>Okay, well, and you know this season, the season is starting,

0:18:38.359 --> 0:18:40.399
<v Speaker 2>I think, or was it last season we got a

0:18:40.440 --> 0:18:41.960
<v Speaker 2>new showrunner.

0:18:42.080 --> 0:18:44.440
<v Speaker 1>Yeah, yeah, yeah, they changed sort of that intro.

0:18:45.000 --> 0:18:47.720
<v Speaker 2>So everything started to get a different five.

0:18:47.920 --> 0:18:50.920
<v Speaker 1>It reminds me of like we can fix our company,

0:18:51.080 --> 0:18:53.159
<v Speaker 1>you know, like say you own some fast food restaurant

0:18:53.160 --> 0:18:54.840
<v Speaker 1>and you're like, you know, what's gonna fix it? If

0:18:54.840 --> 0:18:58.560
<v Speaker 1>we changed the logo and you're just like, it's not

0:18:59.520 --> 0:19:02.439
<v Speaker 1>fix it. Like if we make this more red instead

0:19:02.480 --> 0:19:05.360
<v Speaker 1>of orange, everyone's going to come eat our burgers.

0:19:05.520 --> 0:19:20.080
<v Speaker 2>No, yeah, what's next week?

0:19:20.800 --> 0:19:21.800
<v Speaker 1>Something terrible?

0:19:22.720 --> 0:19:24.240
<v Speaker 2>Oh my god, stop it?

0:19:24.560 --> 0:19:26.679
<v Speaker 1>No, yeah, what is going to happen to? I think

0:19:26.720 --> 0:19:28.480
<v Speaker 1>we have to finish out these storylines.

0:19:28.560 --> 0:19:31.359
<v Speaker 2>No, no, no, she's going to find out about the kiss.

0:19:31.960 --> 0:19:36.840
<v Speaker 2>So next episode, Season eight, episode fourteen, Santa, Nos, it's Christmas,

0:19:37.000 --> 0:19:41.320
<v Speaker 2>It's Christmas. What is happening? That happened already.

0:19:41.760 --> 0:19:45.240
<v Speaker 1>No, By the way, I'm still feeling the effects of

0:19:45.280 --> 0:19:49.240
<v Speaker 1>the time change. Wow, the jet lag is real from

0:19:49.240 --> 0:19:53.119
<v Speaker 1>the one hour. Oh, I don't know. What do you

0:19:53.280 --> 0:19:55.960
<v Speaker 1>think of this episode? And like in general right now,

0:19:56.000 --> 0:19:56.800
<v Speaker 1>what is your feeling?

0:19:56.920 --> 0:19:59.040
<v Speaker 2>Well, I'm not feeling very good about it. After you

0:19:59.160 --> 0:20:00.040
<v Speaker 2>broke it down from me.

0:20:00.080 --> 0:20:03.159
<v Speaker 1>It's like, but it's sort of oak, it's so dumb,

0:20:03.200 --> 0:20:06.959
<v Speaker 1>it's fine almost okay, Yeah, it's like, okay, fine.

0:20:07.720 --> 0:20:10.800
<v Speaker 2>We didn't talk about Kelly being the model for Domin's photoshop.

0:20:13.600 --> 0:20:18.239
<v Speaker 1>First of all, how she's like, you know, I'm not

0:20:18.280 --> 0:20:21.159
<v Speaker 1>modeling anymore. Let me get my book, Like it's just

0:20:21.200 --> 0:20:25.480
<v Speaker 1>like sos. And then what happens they love her? Is

0:20:25.480 --> 0:20:27.600
<v Speaker 1>she going to model more? Now I'm trying to remember,

0:20:28.400 --> 0:20:32.639
<v Speaker 1>how about you hiring models? Like you're just hearing models? What?

0:20:33.440 --> 0:20:35.520
<v Speaker 2>Because I deal with all of it, I don't know.

0:20:37.920 --> 0:20:40.159
<v Speaker 1>I sort of blanked. I sort of blanked on this

0:20:40.280 --> 0:20:41.320
<v Speaker 1>storyline part.

0:20:41.880 --> 0:20:42.720
<v Speaker 2>I didn't remember this.

0:20:43.320 --> 0:20:46.680
<v Speaker 1>Then the creepy doctor sees her photos.

0:20:46.800 --> 0:20:49.879
<v Speaker 2>It's also right, so that's the whole reason.

0:20:50.119 --> 0:20:52.720
<v Speaker 1>I think that's the photos fell out of the purse

0:20:53.119 --> 0:20:55.200
<v Speaker 1>and she's like, those are mine, don't look the whole

0:20:55.280 --> 0:20:57.000
<v Speaker 1>thing is just right.

0:20:57.240 --> 0:20:59.240
<v Speaker 2>Was he say if you want to work in preschool

0:20:59.320 --> 0:20:59.720
<v Speaker 2>or like.

0:21:00.080 --> 0:21:03.120
<v Speaker 1>Oh my god, he's terrible? Is he? Are we done

0:21:03.119 --> 0:21:03.480
<v Speaker 1>with him?

0:21:03.720 --> 0:21:07.120
<v Speaker 2>He's a monster. I don't think so, because Brandon now

0:21:07.160 --> 0:21:11.720
<v Speaker 2>at least is not just like right diffusing. He's acknowledging it,

0:21:11.760 --> 0:21:14.800
<v Speaker 2>which thank god, but he's saying, if this happens again,

0:21:14.880 --> 0:21:19.800
<v Speaker 2>you're gonna have to like tell someone again. It's okay, right,

0:21:20.040 --> 0:21:22.520
<v Speaker 2>it already happened once, and he told her basically it

0:21:22.560 --> 0:21:23.360
<v Speaker 2>wasn't happening.

0:21:23.440 --> 0:21:27.720
<v Speaker 1>So like, my thing is, she's working for whoever the

0:21:27.960 --> 0:21:31.200
<v Speaker 1>higher the Wyatt clinic, and then she goes and works.

0:21:31.240 --> 0:21:33.080
<v Speaker 1>Remember she was at the one place and drove the

0:21:33.160 --> 0:21:34.920
<v Speaker 1>van and then she was at the doctor. Just go

0:21:35.040 --> 0:21:37.399
<v Speaker 1>back to that lady and say this creepy doctor, I

0:21:37.400 --> 0:21:38.840
<v Speaker 1>don't want to work there anymore. Move me.

0:21:39.480 --> 0:21:42.560
<v Speaker 2>Yeah, it's very it's kind of un Kelly to not

0:21:43.680 --> 0:21:48.359
<v Speaker 2>say something. She's been through enough and mean victimization in

0:21:48.440 --> 0:21:52.040
<v Speaker 2>so many ways and this shit, God, that's like season eight.

0:21:52.080 --> 0:21:54.560
<v Speaker 2>She's been through hell and back like I think she

0:21:54.840 --> 0:21:57.400
<v Speaker 2>at this point would call this doctor out quick.

0:21:57.200 --> 0:22:03.199
<v Speaker 1>Totally get that out of there. He's mean and scary, creepy, creepy.

0:22:03.400 --> 0:22:06.760
<v Speaker 2>Oh does this doctor and Emma end up together?

0:22:10.440 --> 0:22:11.800
<v Speaker 1>Remember when he rubbed her neck?

0:22:12.080 --> 0:22:16.240
<v Speaker 2>He's grossing gross makes me a puke. So how do

0:22:16.280 --> 0:22:17.480
<v Speaker 2>I feel about this episode?

0:22:17.880 --> 0:22:19.360
<v Speaker 1>I don't even know how to rate it.

0:22:19.320 --> 0:22:20.520
<v Speaker 2>Like, rate it like a six.

0:22:21.040 --> 0:22:22.800
<v Speaker 1>Yeah, I feel like that's pretty good.

0:22:23.160 --> 0:22:26.760
<v Speaker 2>Yeah, the girls looked hot, though everybody looks good. I

0:22:26.800 --> 0:22:30.760
<v Speaker 2>was watching for the fashion, fashion, the makeup's good this season.

0:22:31.400 --> 0:22:34.120
<v Speaker 1>I'm starting to really like Noah. I kind of like Noah.

0:22:34.640 --> 0:22:39.320
<v Speaker 2>Clearly I did too. Yeah.

0:22:39.520 --> 0:22:42.040
<v Speaker 1>Six, it's just very sixsh.

0:22:43.359 --> 0:22:46.800
<v Speaker 2>Six seven six seven.

0:22:48.800 --> 0:22:51.800
<v Speaker 1>Oh boy, talk to you later, see you next week.

0:22:52.160 --> 0:22:56.280
<v Speaker 2>I love Yeah