1
00:00:00,240 --> 00:00:04,320
Speaker 1: It's nine O g one O engine with Jenny Garth

2
00:00:04,440 --> 00:00:05,520
Speaker 1: and Tory spelling.

3
00:00:10,119 --> 00:00:14,720
Speaker 2: Okay, omg ars Amy and I are here today to

4
00:00:14,920 --> 00:00:20,760
Speaker 2: break it down for you. Season eight, episode thirteen, Comic Relief.

5
00:00:22,640 --> 00:00:23,320
Speaker 2: Are you laughing?

6
00:00:23,400 --> 00:00:27,000
Speaker 1: What you're laughing? Because of the title first comedy of

7
00:00:27,080 --> 00:00:31,320
Speaker 1: all time? Like so very bad, so bad?

8
00:00:31,880 --> 00:00:34,720
Speaker 2: Okay, I have a question for you. Do you like

9
00:00:34,800 --> 00:00:36,760
Speaker 2: to go see stand up comedy in Jensen?

10
00:00:37,040 --> 00:00:41,239
Speaker 1: Good ones? Good ones? I love it, Oh my god?

11
00:00:41,440 --> 00:00:43,960
Speaker 1: But have you only gone to bad ones like I

12
00:00:44,080 --> 00:00:47,000
Speaker 1: love going to like I've gone to big you know,

13
00:00:47,120 --> 00:00:52,640
Speaker 1: like shows where Jerry Seinfeld or like you know Dane

14
00:00:52,720 --> 00:00:54,920
Speaker 1: Cook back in the day when he was like selling out,

15
00:00:54,960 --> 00:01:00,280
Speaker 1: like you know, Staples Center like that, and it's hilarious.

16
00:01:00,600 --> 00:01:03,320
Speaker 2: Okay, I agree with that. I think back in the

17
00:01:03,400 --> 00:01:06,639
Speaker 2: day it came from me going to some real bad

18
00:01:06,680 --> 00:01:10,399
Speaker 2: ones like we see it the after dark, and me

19
00:01:10,560 --> 00:01:13,640
Speaker 2: being like, oh my god, being nice. I'm like, oh god,

20
00:01:13,840 --> 00:01:15,520
Speaker 2: I don't want them to think I'm not laughing.

21
00:01:15,760 --> 00:01:17,080
Speaker 1: Oh you just courtesy laugh.

22
00:01:17,720 --> 00:01:20,160
Speaker 2: No. And then I wanted to save my energy, so

23
00:01:20,240 --> 00:01:23,000
Speaker 2: I would do this open mouth fake laugh and not

24
00:01:23,040 --> 00:01:26,480
Speaker 2: fake laugh. Silent laugh would show bud you guys.

25
00:01:26,200 --> 00:01:31,479
Speaker 1: Me, Oh do you never? Are you never? On TikTok

26
00:01:31,520 --> 00:01:34,400
Speaker 1: with like comedians and it shows like clips of their work.

27
00:01:34,440 --> 00:01:36,600
Speaker 1: It's so funny, like Nate BARGATSI to me is like

28
00:01:36,840 --> 00:01:39,120
Speaker 1: hilarious right now. I would love to go see him

29
00:01:39,160 --> 00:01:40,080
Speaker 1: in a big venue.

30
00:01:40,400 --> 00:01:43,000
Speaker 2: Yes, and I feel like I'm friends with comedians and

31
00:01:43,520 --> 00:01:44,840
Speaker 2: the good ones. I do love.

32
00:01:45,240 --> 00:01:49,080
Speaker 1: Correct, this was horrible, like I know we haven't Okay,

33
00:01:49,200 --> 00:01:51,880
Speaker 1: let me let me, I'll read the synopsis. Then okay,

34
00:01:52,000 --> 00:01:55,240
Speaker 1: Brandon sneaks around, leaving Kelly with a bad feeling. Steve

35
00:01:55,320 --> 00:01:58,080
Speaker 1: takes the stage and tells Jokes that he's been stealing.

36
00:01:58,680 --> 00:02:01,080
Speaker 1: Valerie puts on a sexy little show, but Don is

37
00:02:01,120 --> 00:02:03,600
Speaker 1: not ready to let Noah go. David starts working at

38
00:02:03,640 --> 00:02:07,680
Speaker 1: a car wash called Rob. Doctor Monahan tells Kelly's you

39
00:02:07,720 --> 00:02:11,080
Speaker 1: should find a new job. The car wash was named Rob.

40
00:02:11,320 --> 00:02:15,360
Speaker 1: I thought he made that friend. Anyway you go, you

41
00:02:15,400 --> 00:02:16,400
Speaker 1: say the director.

42
00:02:16,040 --> 00:02:20,640
Speaker 2: Of the writer, so director was Chip Chalmers, writer John.

43
00:02:21,520 --> 00:02:25,880
Speaker 2: I don't know this Lava Lava chilly interesting. I don't

44
00:02:25,919 --> 00:02:26,800
Speaker 2: recall that writer.

45
00:02:27,160 --> 00:02:30,760
Speaker 1: Well, he's not funny.

46
00:02:31,040 --> 00:02:32,520
Speaker 2: Oh do you think me? They brought him ONNG so

47
00:02:32,639 --> 00:02:35,080
Speaker 2: like this one's about comedy and he knows comedy better.

48
00:02:35,320 --> 00:02:39,280
Speaker 1: The part that was so cringe tastic for me was

49
00:02:39,360 --> 00:02:45,560
Speaker 1: when Ian so Steve is doing the audition for Comedy

50
00:02:45,680 --> 00:02:50,360
Speaker 1: Night and everyone in the Peapad is laughing, and You're like,

51
00:02:51,200 --> 00:02:53,080
Speaker 1: at home going, why are they laughing?

52
00:02:53,200 --> 00:02:57,360
Speaker 2: This is so not funny wild enough. I could hear

53
00:02:57,720 --> 00:03:02,120
Speaker 2: like Brian's real laugh there, so he was really laughing,

54
00:03:02,240 --> 00:03:05,400
Speaker 2: like Ian was like pulling out like his Wait, was

55
00:03:05,440 --> 00:03:06,919
Speaker 2: Brian there? Yeah?

56
00:03:07,000 --> 00:03:09,720
Speaker 1: Oh you mean at night, because Brian wasn't there for

57
00:03:09,760 --> 00:03:12,400
Speaker 1: the audition. He doesn't work at the Peapad. It's Noah,

58
00:03:12,560 --> 00:03:18,119
Speaker 1: a valerie and the staff, right, Yes, are you sure

59
00:03:18,120 --> 00:03:21,120
Speaker 1: Brian wasn't there. No, I'm not sure. I'm not sure,

60
00:03:21,160 --> 00:03:21,720
Speaker 1: but I just.

61
00:03:22,120 --> 00:03:26,920
Speaker 2: Because I feel like I heard his laft standing behind. Yeah.

62
00:03:26,960 --> 00:03:30,360
Speaker 2: It was the audition part when Ian's doing like, you know,

63
00:03:31,240 --> 00:03:34,640
Speaker 2: his kung fu and which he does again at the

64
00:03:34,680 --> 00:03:35,240
Speaker 2: after Dark.

65
00:03:35,480 --> 00:03:38,360
Speaker 1: It was so it's such bad comedy that I was like,

66
00:03:39,160 --> 00:03:43,520
Speaker 1: that's what I don't understand if you're gonna have a

67
00:03:44,480 --> 00:03:49,200
Speaker 1: like a comic storyline about comics, right, and I get

68
00:03:49,240 --> 00:03:51,160
Speaker 1: that the ones were supposed to be bad, and that's

69
00:03:51,200 --> 00:03:55,440
Speaker 1: why Ian Steve gets the gig, Like let him be

70
00:03:55,640 --> 00:03:58,520
Speaker 1: funny and then he steals the joke. It's just the

71
00:03:58,560 --> 00:04:01,720
Speaker 1: whole thing, and I'm like, you're an amateur who cares.

72
00:04:01,960 --> 00:04:05,640
Speaker 1: Just Oh, that whole storyline just made me cringe.

73
00:04:06,560 --> 00:04:10,320
Speaker 2: But part of it makes me feel like that was

74
00:04:10,640 --> 00:04:14,360
Speaker 2: like Ian was just like going for it, like he's

75
00:04:14,440 --> 00:04:18,840
Speaker 2: so funny on the spot. I know, but it wasn't

76
00:04:18,880 --> 00:04:20,279
Speaker 2: meant to be good, right, that's the.

77
00:04:20,279 --> 00:04:21,919
Speaker 1: Whole I think it was sort of meant to be

78
00:04:22,000 --> 00:04:24,280
Speaker 1: good in the audition because everyone's laughing, and that's how

79
00:04:24,320 --> 00:04:26,800
Speaker 1: he gets the job. And then the jokes they go

80
00:04:26,960 --> 00:04:32,120
Speaker 1: flat up there the same steel joke. I don't even

81
00:04:32,160 --> 00:04:35,760
Speaker 1: remember how that story ends. So dumb.

82
00:04:36,120 --> 00:04:40,000
Speaker 2: He made Carly laugh and she's going through a hard time. Yeah,

83
00:04:40,040 --> 00:04:43,040
Speaker 2: move and look I'm laughing, you're making me laugh.

84
00:04:43,440 --> 00:04:49,160
Speaker 1: Dumb, yes, yes, super dumb. Okay, in the next dumb

85
00:04:49,960 --> 00:04:52,479
Speaker 1: an we're done with that, tell me what you think

86
00:04:52,520 --> 00:04:56,200
Speaker 1: of obviously, we have two parallel storylines. That's the whole thing.

87
00:04:56,520 --> 00:05:00,359
Speaker 1: That We've got Kelly getting fully sexually harassed by the

88
00:05:00,440 --> 00:05:05,479
Speaker 1: doctor and how that plays out and everyone's reactions and

89
00:05:05,720 --> 00:05:09,880
Speaker 1: YadA YadA, And then you have Brandon with the writer

90
00:05:10,680 --> 00:05:14,800
Speaker 1: and she's being overtly sexual, yes, but you interpret it

91
00:05:14,839 --> 00:05:19,040
Speaker 1: differently because of his reactions too, he kisses.

92
00:05:18,720 --> 00:05:23,800
Speaker 2: Her right, Yeah, but you also view it differently in

93
00:05:24,000 --> 00:05:28,520
Speaker 2: most because it's it it's a female doing it to

94
00:05:28,600 --> 00:05:29,000
Speaker 2: a male.

95
00:05:29,320 --> 00:05:31,120
Speaker 1: Well, I've been thinking about that a lot, Like, yeah,

96
00:05:31,120 --> 00:05:38,280
Speaker 1: I My problem is they've made her to something too.

97
00:05:38,520 --> 00:05:40,039
Speaker 1: It's so over the top.

98
00:05:40,279 --> 00:05:44,360
Speaker 2: It's so overtly like diabolical in some way.

99
00:05:44,960 --> 00:05:50,520
Speaker 1: Every line is inappropriate, and the calling and the and

100
00:05:50,600 --> 00:05:54,039
Speaker 1: the way she behaves, it's all so too much that

101
00:05:54,120 --> 00:05:57,640
Speaker 1: I don't find it. I don't find anything redeeming in her.

102
00:05:57,720 --> 00:05:59,680
Speaker 1: I'm like, you're just I agree with this.

103
00:05:59,760 --> 00:06:02,080
Speaker 2: Do you feel like it's a bit fatal attraction, Like

104
00:06:02,120 --> 00:06:05,400
Speaker 2: do you think there's gonna be She's gonna boil his bunny?

105
00:06:06,240 --> 00:06:07,720
Speaker 2: I mean, it's I.

106
00:06:07,640 --> 00:06:10,159
Speaker 1: Remember her, and I remember this whole thing that I

107
00:06:10,160 --> 00:06:11,760
Speaker 1: can't remember what happens next.

108
00:06:11,960 --> 00:06:12,960
Speaker 2: I don't know either.

109
00:06:13,720 --> 00:06:18,080
Speaker 1: I just find both the storylines, and I obviously they're

110
00:06:18,120 --> 00:06:19,920
Speaker 1: going for something, which is why they did them both

111
00:06:19,920 --> 00:06:24,799
Speaker 1: at the same time. But it's almost diluting both storylines where.

112
00:06:24,600 --> 00:06:29,839
Speaker 2: I'm like, like, the doctor feels creepy because of it.

113
00:06:29,680 --> 00:06:31,600
Speaker 1: And she feels so over the top that I would

114
00:06:31,600 --> 00:06:31,840
Speaker 1: have seen.

115
00:06:31,920 --> 00:06:34,720
Speaker 2: She feels creepy to me, creepy, she's.

116
00:06:34,560 --> 00:06:39,919
Speaker 1: So too much. And I also think Brandon, that's not

117
00:06:40,040 --> 00:06:42,440
Speaker 1: his bag, Like he's not falling for that, so yet

118
00:06:42,480 --> 00:06:45,400
Speaker 1: he's falling for it. And I'm like, you're making this

119
00:06:45,480 --> 00:06:49,680
Speaker 1: character that would never fall for this, go for this.

120
00:06:52,000 --> 00:06:57,080
Speaker 1: Kelly should be like you're gross by quit like or

121
00:06:57,160 --> 00:06:59,360
Speaker 1: do or go tell someone? I don't know?

122
00:06:59,400 --> 00:07:02,520
Speaker 2: That doctor is like he's next level.

123
00:07:02,640 --> 00:07:08,080
Speaker 1: It's that both are so exaggerated. Then your reaction is like,

124
00:07:09,200 --> 00:07:11,680
Speaker 1: whereas have they done them? Understated?

125
00:07:12,480 --> 00:07:14,360
Speaker 2: Understated? Have you met this show? All?

126
00:07:14,440 --> 00:07:17,080
Speaker 1: Right? When they in the very beginning, when the doctor

127
00:07:17,120 --> 00:07:20,640
Speaker 1: it was a bit nuanced, and Kelly's like, did he

128
00:07:20,920 --> 00:07:23,760
Speaker 1: didn't he? That is more how it goes.

129
00:07:24,560 --> 00:07:26,960
Speaker 2: I agree, But in some way you could look at

130
00:07:27,000 --> 00:07:31,760
Speaker 2: it and be like, oh, in men's DNA, it's it's

131
00:07:31,800 --> 00:07:35,040
Speaker 2: how they what they think with and you know it's

132
00:07:35,080 --> 00:07:39,120
Speaker 2: how so, but it's not Brandon you're right, correct.

133
00:07:39,440 --> 00:07:42,680
Speaker 1: Correct, and him sneaking around it's just like, that's not

134
00:07:42,800 --> 00:07:46,040
Speaker 1: Brandon's deal. So I'm like, why are you making him

135
00:07:46,400 --> 00:07:50,560
Speaker 1: like she's cute the writer girl, but like Brandon's not

136
00:07:50,600 --> 00:07:51,120
Speaker 1: doing that.

137
00:07:51,480 --> 00:07:53,960
Speaker 2: I know, And here we get the second call that

138
00:07:54,080 --> 00:07:57,840
Speaker 2: he says was a print caller or what Kelly says,

139
00:07:58,680 --> 00:08:05,480
Speaker 2: wrong number last episode? This time? Was it a crank call? Yeah,

140
00:08:06,120 --> 00:08:07,080
Speaker 2: and he's like, hey.

141
00:08:07,000 --> 00:08:09,160
Speaker 1: Yes, Star sixty nine was around them.

142
00:08:09,760 --> 00:08:11,560
Speaker 2: Yeah that was yeah, it was.

143
00:08:13,160 --> 00:08:15,000
Speaker 1: It's just not it's not good storylines.

144
00:08:15,080 --> 00:08:18,000
Speaker 2: It's interesting because Kelly does meet her because you know,

145
00:08:18,040 --> 00:08:20,040
Speaker 2: she's like, what does she look like? And Brandon goes

146
00:08:20,120 --> 00:08:24,280
Speaker 2: a normal girl. She's like, what is a normal girl?

147
00:08:24,760 --> 00:08:27,600
Speaker 2: So she thinks it's because men don't notice at all,

148
00:08:27,960 --> 00:08:29,480
Speaker 2: and that's why they're just like I don't know what

149
00:08:29,520 --> 00:08:32,680
Speaker 2: he what she looks like? But yeah, that would have

150
00:08:32,800 --> 00:08:36,280
Speaker 2: like keyed me. I would have been like normal, what

151
00:08:36,320 --> 00:08:36,800
Speaker 2: do you mean?

152
00:08:37,200 --> 00:08:40,160
Speaker 1: Like is it in your face? Is that the reason

153
00:08:40,200 --> 00:08:42,880
Speaker 1: that I'm sort of like, what is it? Two in

154
00:08:42,960 --> 00:08:46,840
Speaker 1: our face? Like maybe is it too captain obvious? Right?

155
00:08:46,960 --> 00:08:52,280
Speaker 1: These storylines, yes, Like I can't even engage because it's just.

156
00:08:52,200 --> 00:08:55,120
Speaker 2: Like either right, You're just like these are You're right?

157
00:08:55,160 --> 00:08:58,400
Speaker 2: They cancel each other out, which is unfortunate, involves two

158
00:08:58,400 --> 00:09:00,839
Speaker 2: of our means. You're not dumb, just not good.

159
00:09:01,320 --> 00:09:04,240
Speaker 1: The comedy thing was dumb, and this one I'm just like,

160
00:09:04,320 --> 00:09:05,199
Speaker 1: this isn't.

161
00:09:05,080 --> 00:09:07,839
Speaker 2: Good I'm worried that Brandon's going to actually sleep with her.

162
00:09:07,880 --> 00:09:11,680
Speaker 2: I don't know. I don't remember either, but I know

163
00:09:11,960 --> 00:09:12,440
Speaker 2: he wouldn't.

164
00:09:12,480 --> 00:09:16,120
Speaker 1: He's all, but like, well don't I kind of do

165
00:09:16,240 --> 00:09:17,640
Speaker 1: remember what happens? Actually?

166
00:09:17,679 --> 00:09:18,200
Speaker 2: I do know?

167
00:09:19,360 --> 00:09:22,160
Speaker 1: Yeah, I think I do. Now, this is why they

168
00:09:22,600 --> 00:09:24,280
Speaker 1: I don't want to say it. I don't want to

169
00:09:24,280 --> 00:09:27,040
Speaker 1: say it, but now I do remember, I do.

170
00:09:27,600 --> 00:09:29,680
Speaker 2: Why is Kelly not jealous of her when she does

171
00:09:29,720 --> 00:09:33,160
Speaker 2: meet her? When she does meet her, and she's not like, uh, well,

172
00:09:33,240 --> 00:09:33,680
Speaker 2: what do you do?

173
00:09:34,600 --> 00:09:38,320
Speaker 1: Trusts her boyfriend, which Brandon is trustworthy. That's why the

174
00:09:38,320 --> 00:09:42,720
Speaker 1: whole storyline is like dumb. I guess it is dumb.

175
00:09:43,360 --> 00:09:45,640
Speaker 2: I guess I'm trying to think because she gotten. Is

176
00:09:45,760 --> 00:09:47,880
Speaker 2: Kelly just not the jealous type at all?

177
00:09:48,040 --> 00:09:51,800
Speaker 1: Like she trusts Brandon although she has her she's getting

178
00:09:51,920 --> 00:09:52,200
Speaker 1: what do you.

179
00:09:52,480 --> 00:09:56,280
Speaker 2: Mean he's burned her before? Emily Valentine like, what do

180
00:09:56,320 --> 00:09:56,600
Speaker 2: you know?

181
00:09:56,840 --> 00:09:59,280
Speaker 1: She didn't really know exactly all that. I know. Maybe

182
00:09:59,320 --> 00:10:04,160
Speaker 1: it is Brandon. I don't know. They write him. They

183
00:10:04,200 --> 00:10:23,600
Speaker 1: do him dirty a little bit. In another dumb storyline,

184
00:10:24,280 --> 00:10:28,880
Speaker 1: David and the Fake Yeah, I like Noah and Donna

185
00:10:29,000 --> 00:10:29,640
Speaker 1: just let them be.

186
00:10:30,240 --> 00:10:34,160
Speaker 2: I like them, Who are you saying this to you? Valerie.

187
00:10:34,840 --> 00:10:36,120
Speaker 2: Valerie doesn't think normal.

188
00:10:36,800 --> 00:10:39,280
Speaker 1: Oh, I'm just saying it's so stupid and dumb and

189
00:10:39,320 --> 00:10:41,000
Speaker 1: the fake and like, come on.

190
00:10:41,280 --> 00:10:45,520
Speaker 2: David, that's the thing he wouldn't But Valerie gets men

191
00:10:45,840 --> 00:10:49,720
Speaker 2: convinced to do things that they normally wouldn't do. That's and.

192
00:10:51,320 --> 00:10:54,439
Speaker 1: It's just like dumb.

193
00:10:54,800 --> 00:10:58,280
Speaker 2: So here's what I thought. Like, I was like, okay,

194
00:10:58,480 --> 00:11:03,920
Speaker 2: is that their comic like nod in this storyline because

195
00:11:04,080 --> 00:11:06,120
Speaker 2: it was kind of an episode that would be like,

196
00:11:07,360 --> 00:11:09,720
Speaker 2: you know, like I love Lucy, like it's not real,

197
00:11:09,880 --> 00:11:13,280
Speaker 2: but like you know, and Valerie was going so over

198
00:11:13,400 --> 00:11:16,040
Speaker 2: the top that I was like not a real way

199
00:11:16,559 --> 00:11:18,200
Speaker 2: that I was like, oh is she trying to do?

200
00:11:18,440 --> 00:11:23,880
Speaker 1: Like right? And it's kind of like Brandon and Steve

201
00:11:23,960 --> 00:11:28,120
Speaker 1: have they're like, oh hey, you know to David blah blah,

202
00:11:28,160 --> 00:11:32,280
Speaker 1: Like it was just like jokes, yeah, jokes, but like, yeah,

203
00:11:32,320 --> 00:11:34,640
Speaker 1: you're right. I think that this is the comic relief.

204
00:11:34,840 --> 00:11:37,480
Speaker 2: Yeah, Like Kelly comes out of the bedroom and like

205
00:11:37,559 --> 00:11:42,079
Speaker 2: every and Steve and it's like, oh my god. After

206
00:11:42,160 --> 00:11:44,160
Speaker 2: a few moments of that, I had to go back

207
00:11:44,200 --> 00:11:47,560
Speaker 2: and check it. I was like, wait, wait, did Jason

208
00:11:47,600 --> 00:11:49,240
Speaker 2: direct this episode because there was a lot.

209
00:11:49,679 --> 00:11:53,040
Speaker 1: Like his sort of yeah, but Noah is getting jealous,

210
00:11:53,040 --> 00:11:57,280
Speaker 1: which I also don't believe. It's like Noah never even

211
00:11:57,320 --> 00:11:58,160
Speaker 1: really liked.

212
00:11:58,000 --> 00:11:58,880
Speaker 2: Her, liked her.

213
00:12:00,160 --> 00:12:03,079
Speaker 1: He definitely doesn't like her, now why would he be

214
00:12:03,400 --> 00:12:07,440
Speaker 1: Wait wait, he never really liked her, maybe even if

215
00:12:07,640 --> 00:12:09,360
Speaker 1: it was a little bit, but then after her whole thing,

216
00:12:09,640 --> 00:12:12,240
Speaker 1: Noah's way too well, Noah's not going to like a

217
00:12:12,280 --> 00:12:15,760
Speaker 1: girl that's so like money hungry and that whole thing.

218
00:12:16,280 --> 00:12:21,600
Speaker 2: No And it's so me to watch that storyline and

219
00:12:21,840 --> 00:12:26,199
Speaker 2: not get that part. Like I'm like, oh, I probably

220
00:12:26,200 --> 00:12:29,520
Speaker 2: don't deserve him anyway, so I guess it's okay he's jealous.

221
00:12:29,640 --> 00:12:32,680
Speaker 2: Like hearing you say it, I'm like, yeah, you're right,

222
00:12:33,120 --> 00:12:35,720
Speaker 2: what is going on? He would never behave that way.

223
00:12:36,080 --> 00:12:39,920
Speaker 1: It's absolutely so weird the way you're behaving go away,

224
00:12:40,000 --> 00:12:43,520
Speaker 1: Like Noah should be that guy, like they try to

225
00:12:43,520 --> 00:12:47,480
Speaker 1: make him cool, so make him fully cool. Yeah, not

226
00:12:47,720 --> 00:12:50,199
Speaker 1: these like and if if Brandon's going to be the

227
00:12:50,240 --> 00:12:53,600
Speaker 1: honest good guy, make him the honest good guy.

228
00:12:54,040 --> 00:12:56,439
Speaker 2: I am so distracted right now. You guys can't see this,

229
00:12:56,559 --> 00:12:58,600
Speaker 2: but Amy's making a point and she's putting her arm

230
00:12:58,600 --> 00:13:00,720
Speaker 2: out and she is best arms.

231
00:13:01,640 --> 00:13:06,320
Speaker 1: No no, no, So first of all, that's so nice.

232
00:13:05,960 --> 00:13:06,760
Speaker 2: Like wave goodbye.

233
00:13:06,800 --> 00:13:07,000
Speaker 1: Arms.

234
00:13:07,000 --> 00:13:08,360
Speaker 2: At a certain age, you just have them.

235
00:13:08,559 --> 00:13:11,960
Speaker 1: I was looking at them this morning, going, oh, yuck.

236
00:13:12,480 --> 00:13:14,760
Speaker 1: I gotta start lifting weights or something.

237
00:13:14,920 --> 00:13:15,800
Speaker 2: Kill for those arms.

238
00:13:15,800 --> 00:13:18,640
Speaker 1: I don't know. I also have frozen shoulder just so bad,

239
00:13:19,760 --> 00:13:23,400
Speaker 1: so bad. But please, anyone listening, please send in your

240
00:13:23,440 --> 00:13:28,640
Speaker 1: tips on frozen shoulder, because oh it's like the worst anyway.

241
00:13:28,760 --> 00:13:35,360
Speaker 1: Sidebar okay. In the full pivot to the car wash storyline.

242
00:13:34,880 --> 00:13:37,280
Speaker 2: Oh wait, I have one more thing to say about

243
00:13:37,400 --> 00:13:42,600
Speaker 2: the Donna David Valerie Noah. When Noah and Donna get

244
00:13:42,600 --> 00:13:45,240
Speaker 2: back together, did you see all that tongue.

245
00:13:47,480 --> 00:13:49,520
Speaker 1: I actually think they have chemistry and are cool.

246
00:13:49,640 --> 00:13:53,320
Speaker 2: I like them for even for me, I was like, whoa,

247
00:13:53,679 --> 00:13:56,160
Speaker 2: because it was my tongue I was seeing, and I

248
00:13:56,200 --> 00:13:58,920
Speaker 2: was like, that was a lot to see on camera.

249
00:13:59,400 --> 00:14:03,160
Speaker 1: I'm over David. I don't understand, Like I just oh,

250
00:14:03,400 --> 00:14:06,600
Speaker 1: stop it. He should have immediately gone back to the

251
00:14:06,720 --> 00:14:09,320
Speaker 1: after like the whole thing. So now he works at

252
00:14:09,320 --> 00:14:12,280
Speaker 1: the car walk. He does, yes, And here's the thing.

253
00:14:12,400 --> 00:14:16,120
Speaker 1: I like that he protected the guy, befriended the guy.

254
00:14:16,360 --> 00:14:18,880
Speaker 1: But going to the parents' house seemed a bit extreme

255
00:14:19,000 --> 00:14:21,080
Speaker 1: for me for someone you met yesterday.

256
00:14:21,800 --> 00:14:23,960
Speaker 2: I had to go back and rewind I was like,

257
00:14:24,120 --> 00:14:28,360
Speaker 2: what did I miss something? Why would you do that?

258
00:14:30,480 --> 00:14:32,560
Speaker 2: Is that in character? Either? I don't think so.

259
00:14:32,880 --> 00:14:35,360
Speaker 1: No, because he's not He's not Brandon, right, that's what

260
00:14:35,400 --> 00:14:38,800
Speaker 1: Brandon would do, right, David's the guy that would kiss

261
00:14:38,840 --> 00:14:40,880
Speaker 1: the reporter a lady writer lady.

262
00:14:41,920 --> 00:14:46,720
Speaker 2: Yes, yes, it's like Ariel all over again.

263
00:14:46,880 --> 00:14:48,200
Speaker 1: Correct, it's just Ariel.

264
00:14:50,160 --> 00:14:53,600
Speaker 2: Oh my. They're mixing characters up because it's people writing

265
00:14:53,800 --> 00:14:55,800
Speaker 2: that don't know the initial characters.

266
00:14:56,520 --> 00:15:01,440
Speaker 1: The dad is over the top. It's all like, how

267
00:15:01,440 --> 00:15:04,760
Speaker 1: do I explain this? That to me? The writers are like, hey, audience,

268
00:15:05,680 --> 00:15:09,480
Speaker 1: this guy has a bad dad who doesn't accept him,

269
00:15:09,480 --> 00:15:13,000
Speaker 1: and we're gonna make him so aggressively bad. When it's like,

270
00:15:13,760 --> 00:15:16,520
Speaker 1: there's no nuance in any of these storylines.

271
00:15:16,760 --> 00:15:18,840
Speaker 2: Can I look up the writer because remember I was like,

272
00:15:18,880 --> 00:15:19,600
Speaker 2: I don't know this.

273
00:15:19,680 --> 00:15:21,720
Speaker 1: Writer because lava chilli.

274
00:15:22,320 --> 00:15:24,640
Speaker 2: Because now I'm like just.

275
00:15:24,560 --> 00:15:28,000
Speaker 1: Two on the nose or something's not let me figure

276
00:15:28,000 --> 00:15:29,160
Speaker 1: it out for myself.

277
00:15:29,560 --> 00:15:31,960
Speaker 2: I mean, I think for a show like this, you

278
00:15:32,120 --> 00:15:34,720
Speaker 2: kind of if you bring a new writer in, they

279
00:15:34,760 --> 00:15:38,280
Speaker 2: have to go back and see how the characters have developed.

280
00:15:38,760 --> 00:15:43,280
Speaker 2: Because you're right, fans know at this point, eight seasons in,

281
00:15:44,160 --> 00:15:46,920
Speaker 2: they know their characters and what they would and wouldn't do.

282
00:15:46,960 --> 00:15:49,040
Speaker 2: And that's where the problem lies.

283
00:15:49,600 --> 00:15:53,360
Speaker 1: Tone, the tone, it's just all like, oh, but who

284
00:15:53,400 --> 00:15:56,080
Speaker 1: allowed this? I don't know. That's why everyone says this

285
00:15:56,160 --> 00:15:57,960
Speaker 1: season is so like messy.

286
00:15:58,200 --> 00:16:00,120
Speaker 2: Don't say it, you were about to say it.

287
00:16:00,120 --> 00:16:02,520
Speaker 1: It's just messy, just messy.

288
00:16:02,800 --> 00:16:08,880
Speaker 2: John Loveacilli he's an American actor who Bann's career in

289
00:16:09,160 --> 00:16:13,880
Speaker 2: nineteen eighty three as Marcus Santorro in The Lords of

290
00:16:14,000 --> 00:16:21,160
Speaker 2: Discipline Paramount's adaptation. Uh okay. Then he was on Minetoba

291
00:16:21,520 --> 00:16:25,520
Speaker 2: but no one cares the rocketeer ny PD Blue maumr.

292
00:16:25,680 --> 00:16:28,120
Speaker 2: She wrote the practice oh twenty one Jem Street. He

293
00:16:28,200 --> 00:16:30,360
Speaker 2: was an actor on all these things. He was an actor.

294
00:16:30,600 --> 00:16:34,480
Speaker 2: It doesn't mention him being well right, let him write this?

295
00:16:34,960 --> 00:16:36,840
Speaker 2: H what's the connection?

296
00:16:37,680 --> 00:16:38,160
Speaker 1: I don't know?

297
00:16:39,480 --> 00:16:42,840
Speaker 2: Amy, Please? What is going on? What?

298
00:16:42,840 --> 00:16:45,400
Speaker 1: What? Just like, Hey, nice to meet you. Do you

299
00:16:45,440 --> 00:16:47,480
Speaker 1: want to write the biggest show on television?

300
00:16:47,640 --> 00:16:47,760
Speaker 2: Right?

301
00:16:47,800 --> 00:16:48,040
Speaker 1: Wait?

302
00:16:48,640 --> 00:16:53,600
Speaker 2: What is the connection? Was he friends with? What is? Oh?

303
00:16:53,680 --> 00:16:56,920
Speaker 1: Boy? But I mean, here's the thing. I can't blame him,

304
00:16:57,240 --> 00:16:59,440
Speaker 1: because it's not like this is the only bad episode

305
00:16:59,520 --> 00:17:02,440
Speaker 1: this season. I'm not going to blame him. They're all

306
00:17:02,520 --> 00:17:03,000
Speaker 1: kind of bad.

307
00:17:03,480 --> 00:17:07,160
Speaker 2: Sometimes. You know, one off scripts would come in because

308
00:17:07,160 --> 00:17:08,480
Speaker 2: someone had a great idea.

309
00:17:08,640 --> 00:17:09,920
Speaker 1: Sure, sure, yeah, so.

310
00:17:09,840 --> 00:17:12,280
Speaker 2: They would come in with an episode they would write,

311
00:17:12,320 --> 00:17:15,560
Speaker 2: and then the other EPs and writing staff because we

312
00:17:15,600 --> 00:17:19,040
Speaker 2: had a whole writer staff would kind of get a

313
00:17:19,080 --> 00:17:24,040
Speaker 2: thinking and yeah, make it more. Yes, great, great storylines,

314
00:17:24,400 --> 00:17:27,400
Speaker 2: but we're gonna kind of break down the characters for you.

315
00:17:27,560 --> 00:17:29,280
Speaker 2: So I don't know.

316
00:17:29,320 --> 00:17:33,320
Speaker 1: My thing is like, this is not just it's bad,

317
00:17:33,400 --> 00:17:35,439
Speaker 1: but it's just equally bad as the rest.

318
00:17:36,000 --> 00:17:38,040
Speaker 2: It's interesting because when I watched it, I was like,

319
00:17:38,440 --> 00:17:40,920
Speaker 2: m I really judging it because I don't like bad

320
00:17:41,000 --> 00:17:43,840
Speaker 2: stand up comedy. I thought it was really that that

321
00:17:43,960 --> 00:17:45,680
Speaker 2: was really and then it just like fuzzed it all

322
00:17:45,680 --> 00:17:46,919
Speaker 2: over for me. For the rest of.

323
00:17:46,920 --> 00:17:48,800
Speaker 1: That that was particularly the low.

324
00:17:49,200 --> 00:17:51,560
Speaker 2: But now breaking it down with you, it's like, wow,

325
00:17:51,920 --> 00:17:57,200
Speaker 2: every storyline here was just really bad, really bad, yeah,

326
00:17:57,320 --> 00:18:00,560
Speaker 2: because it just didn't feel organic to the care characters.

327
00:18:00,800 --> 00:18:03,359
Speaker 1: Yeah, they're bad, disservice bad.

328
00:18:04,160 --> 00:18:07,080
Speaker 2: Well. We did have third eye blind though in the

329
00:18:07,119 --> 00:18:08,359
Speaker 2: interro songs, so that's cool.

330
00:18:08,400 --> 00:18:10,000
Speaker 1: Oh my god, I meant to talk to you guys

331
00:18:10,000 --> 00:18:13,320
Speaker 1: about the intro songs. They are just like working so hard,

332
00:18:13,840 --> 00:18:15,800
Speaker 1: like they're spending all their money on the intro song.

333
00:18:16,040 --> 00:18:18,000
Speaker 1: They're like, if we just start with a cool song,

334
00:18:18,119 --> 00:18:19,160
Speaker 1: people will like this show.

335
00:18:19,400 --> 00:18:21,920
Speaker 2: We don't have to pay much for a writer. It's

336
00:18:21,960 --> 00:18:23,280
Speaker 2: never written before cool.

337
00:18:24,320 --> 00:18:26,959
Speaker 1: I feel like the intros are just they've really like

338
00:18:27,320 --> 00:18:32,280
Speaker 1: rocked it up too. It's kind of like edgy and

339
00:18:32,320 --> 00:18:32,760
Speaker 1: you're like.

340
00:18:33,200 --> 00:18:38,280
Speaker 2: Okay, well, and you know this season, the season is starting,

341
00:18:38,359 --> 00:18:40,399
Speaker 2: I think, or was it last season we got a

342
00:18:40,440 --> 00:18:41,960
Speaker 2: new showrunner.

343
00:18:42,080 --> 00:18:44,440
Speaker 1: Yeah, yeah, yeah, they changed sort of that intro.

344
00:18:45,000 --> 00:18:47,720
Speaker 2: So everything started to get a different five.

345
00:18:47,920 --> 00:18:50,920
Speaker 1: It reminds me of like we can fix our company,

346
00:18:51,080 --> 00:18:53,159
Speaker 1: you know, like say you own some fast food restaurant

347
00:18:53,160 --> 00:18:54,840
Speaker 1: and you're like, you know, what's gonna fix it? If

348
00:18:54,840 --> 00:18:58,560
Speaker 1: we changed the logo and you're just like, it's not

349
00:18:59,520 --> 00:19:02,439
Speaker 1: fix it. Like if we make this more red instead

350
00:19:02,480 --> 00:19:05,360
Speaker 1: of orange, everyone's going to come eat our burgers.

351
00:19:05,520 --> 00:19:20,080
Speaker 2: No, yeah, what's next week?

352
00:19:20,800 --> 00:19:21,800
Speaker 1: Something terrible?

353
00:19:22,720 --> 00:19:24,240
Speaker 2: Oh my god, stop it?

354
00:19:24,560 --> 00:19:26,679
Speaker 1: No, yeah, what is going to happen to? I think

355
00:19:26,720 --> 00:19:28,480
Speaker 1: we have to finish out these storylines.

356
00:19:28,560 --> 00:19:31,359
Speaker 2: No, no, no, she's going to find out about the kiss.

357
00:19:31,960 --> 00:19:36,840
Speaker 2: So next episode, Season eight, episode fourteen, Santa, Nos, it's Christmas,

358
00:19:37,000 --> 00:19:41,320
Speaker 2: It's Christmas. What is happening? That happened already.

359
00:19:41,760 --> 00:19:45,240
Speaker 1: No, By the way, I'm still feeling the effects of

360
00:19:45,280 --> 00:19:49,240
Speaker 1: the time change. Wow, the jet lag is real from

361
00:19:49,240 --> 00:19:53,119
Speaker 1: the one hour. Oh, I don't know. What do you

362
00:19:53,280 --> 00:19:55,960
Speaker 1: think of this episode? And like in general right now,

363
00:19:56,000 --> 00:19:56,800
Speaker 1: what is your feeling?

364
00:19:56,920 --> 00:19:59,040
Speaker 2: Well, I'm not feeling very good about it. After you

365
00:19:59,160 --> 00:20:00,040
Speaker 2: broke it down from me.

366
00:20:00,080 --> 00:20:03,159
Speaker 1: It's like, but it's sort of oak, it's so dumb,

367
00:20:03,200 --> 00:20:06,959
Speaker 1: it's fine almost okay, Yeah, it's like, okay, fine.

368
00:20:07,720 --> 00:20:10,800
Speaker 2: We didn't talk about Kelly being the model for Domin's photoshop.

369
00:20:13,600 --> 00:20:18,239
Speaker 1: First of all, how she's like, you know, I'm not

370
00:20:18,280 --> 00:20:21,159
Speaker 1: modeling anymore. Let me get my book, Like it's just

371
00:20:21,200 --> 00:20:25,480
Speaker 1: like sos. And then what happens they love her? Is

372
00:20:25,480 --> 00:20:27,600
Speaker 1: she going to model more? Now I'm trying to remember,

373
00:20:28,400 --> 00:20:32,639
Speaker 1: how about you hiring models? Like you're just hearing models? What?

374
00:20:33,440 --> 00:20:35,520
Speaker 2: Because I deal with all of it, I don't know.

375
00:20:37,920 --> 00:20:40,159
Speaker 1: I sort of blanked. I sort of blanked on this

376
00:20:40,280 --> 00:20:41,320
Speaker 1: storyline part.

377
00:20:41,880 --> 00:20:42,720
Speaker 2: I didn't remember this.

378
00:20:43,320 --> 00:20:46,680
Speaker 1: Then the creepy doctor sees her photos.

379
00:20:46,800 --> 00:20:49,879
Speaker 2: It's also right, so that's the whole reason.

380
00:20:50,119 --> 00:20:52,720
Speaker 1: I think that's the photos fell out of the purse

381
00:20:53,119 --> 00:20:55,200
Speaker 1: and she's like, those are mine, don't look the whole

382
00:20:55,280 --> 00:20:57,000
Speaker 1: thing is just right.

383
00:20:57,240 --> 00:20:59,240
Speaker 2: Was he say if you want to work in preschool

384
00:20:59,320 --> 00:20:59,720
Speaker 2: or like.

385
00:21:00,080 --> 00:21:03,120
Speaker 1: Oh my god, he's terrible? Is he? Are we done

386
00:21:03,119 --> 00:21:03,480
Speaker 1: with him?

387
00:21:03,720 --> 00:21:07,120
Speaker 2: He's a monster. I don't think so, because Brandon now

388
00:21:07,160 --> 00:21:11,720
Speaker 2: at least is not just like right diffusing. He's acknowledging it,

389
00:21:11,760 --> 00:21:14,800
Speaker 2: which thank god, but he's saying, if this happens again,

390
00:21:14,880 --> 00:21:19,800
Speaker 2: you're gonna have to like tell someone again. It's okay, right,

391
00:21:20,040 --> 00:21:22,520
Speaker 2: it already happened once, and he told her basically it

392
00:21:22,560 --> 00:21:23,360
Speaker 2: wasn't happening.

393
00:21:23,440 --> 00:21:27,720
Speaker 1: So like, my thing is, she's working for whoever the

394
00:21:27,960 --> 00:21:31,200
Speaker 1: higher the Wyatt clinic, and then she goes and works.

395
00:21:31,240 --> 00:21:33,080
Speaker 1: Remember she was at the one place and drove the

396
00:21:33,160 --> 00:21:34,920
Speaker 1: van and then she was at the doctor. Just go

397
00:21:35,040 --> 00:21:37,399
Speaker 1: back to that lady and say this creepy doctor, I

398
00:21:37,400 --> 00:21:38,840
Speaker 1: don't want to work there anymore. Move me.

399
00:21:39,480 --> 00:21:42,560
Speaker 2: Yeah, it's very it's kind of un Kelly to not

400
00:21:43,680 --> 00:21:48,359
Speaker 2: say something. She's been through enough and mean victimization in

401
00:21:48,440 --> 00:21:52,040
Speaker 2: so many ways and this shit, God, that's like season eight.

402
00:21:52,080 --> 00:21:54,560
Speaker 2: She's been through hell and back like I think she

403
00:21:54,840 --> 00:21:57,400
Speaker 2: at this point would call this doctor out quick.

404
00:21:57,200 --> 00:22:03,199
Speaker 1: Totally get that out of there. He's mean and scary, creepy, creepy.

405
00:22:03,400 --> 00:22:06,760
Speaker 2: Oh does this doctor and Emma end up together?

406
00:22:10,440 --> 00:22:11,800
Speaker 1: Remember when he rubbed her neck?

407
00:22:12,080 --> 00:22:16,240
Speaker 2: He's grossing gross makes me a puke. So how do

408
00:22:16,280 --> 00:22:17,480
Speaker 2: I feel about this episode?

409
00:22:17,880 --> 00:22:19,360
Speaker 1: I don't even know how to rate it.

410
00:22:19,320 --> 00:22:20,520
Speaker 2: Like, rate it like a six.

411
00:22:21,040 --> 00:22:22,800
Speaker 1: Yeah, I feel like that's pretty good.

412
00:22:23,160 --> 00:22:26,760
Speaker 2: Yeah, the girls looked hot, though everybody looks good. I

413
00:22:26,800 --> 00:22:30,760
Speaker 2: was watching for the fashion, fashion, the makeup's good this season.

414
00:22:31,400 --> 00:22:34,120
Speaker 1: I'm starting to really like Noah. I kind of like Noah.

415
00:22:34,640 --> 00:22:39,320
Speaker 2: Clearly I did too. Yeah.

416
00:22:39,520 --> 00:22:42,040
Speaker 1: Six, it's just very sixsh.

417
00:22:43,359 --> 00:22:46,800
Speaker 2: Six seven six seven.

418
00:22:48,800 --> 00:22:51,800
Speaker 1: Oh boy, talk to you later, see you next week.

419
00:22:52,160 --> 00:22:56,280
Speaker 2: I love Yeah